← The chief Elizabethan dramatists, excluding Shakespeare

Act V, Scene II — [2233]…

Part 15 of 32 · Unknown author · Public domain text

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Source: Project Gutenberg e-text #77587, public domain in the United States · text not rewritten or summarized · How RedLectern is built

 

Contents (327)
  1. Opening under 1 min
  2. Preface about 4 min
  3. The Prologue about 1 min
  4. Act I, Scene I — [2] about 4 min
  5. Act I, Scene II — [7] about 4 min
  6. Act I, Scene III — [10] about 4 min
  7. Act I, Scene IV — [15] about 2 min
  8. Act II, Scene I — [19] about 4 min
  9. Act II, Scene II — [21] about 6 min
  10. Act II, Scene III — [30] about 3 min
  11. Act III, Scene I — [34] about 2 min
  12. Act III, Scene II — [38] about 1 min
  13. Act III, Scene III — [39] about 6 min
  14. Act III, Scene IV — [56] about 8 min
  15. Act IV, Scene I — [59] about 4 min
  16. Act IV, Scene II — [62] about 5 min
  17. Act IV, Scene III — [76] about 7 min
  18. Act V, Scene I — [83] about 7 min
  19. Act V, Scene II — [86] about 5 min
  20. Act V, Scene III — [98] about 13 min
  21. The Epilogue about 1 h 54 min
  22. The Prologue under 1 min
  23. Act I, Scene I about 6 min
  24. Act I, Scene II about 9 min
  25. Act II, Scene I about 2 min
  26. Act II, Scene II about 3 min
  27. Act II, Scene III about 7 min
  28. Act II, Scene VI about 4 min
  29. Act III, Scene I about 2 min
  30. Act III, Scene II about 4 min
  31. Act III, Scene III about 9 min
  32. Act IV, Scene I about 2 min
  33. Act IV, Scene II about 4 min
  34. Act IV, Scene III about 2 min
  35. Act IV, Scene IV about 5 min
  36. Act V, Scene I about 2 min
  37. Act V, Scene II about 1 h 11 min
  38. Act V, Scene I — ] about 20 min
  39. Act II about 19 min
  40. Act III about 12 min
  41. Act IV about 18 min
  42. Act V about 1 h 55 min
  43. Act I about 20 min
  44. Act II about 16 min
  45. Act III about 52 min
  46. Act IV about 20 min
  47. Prologue about 1 min
  48. Act I, Scene I — [899] about 17 min
  49. Act II, Scene I — [939] about 19 min
  50. Act III, Scene I — [977] about 23 min
  51. Act IV, Scene I — [1034] about 16 min
  52. Act V, Scene I — [1064] about 22 min
  53. Epilogue under 1 min
  54. The Persons of the Play under 1 min
  55. Prologue about 1 min
  56. Act I, Scene I — [1109] about 3 min
  57. Act I, Scene II — [1118] about 5 min
  58. Act I, Scene III — [1130] about 5 min
  59. Act I, Scene IV — [1142] about 4 min
  60. Act I, Scene V — [1151] about 6 min
  61. Act II, Scene I — [1167] about 4 min
  62. Act II, Scene II — [1182] about 2 min
  63. Act II, Scene III — [1186] about 3 min
  64. Act II, Scene IV — [1194] about 4 min
  65. Act II, Scene V — [1200] about 6 min
  66. Act III, Scene I — [1210] about 7 min
  67. Act III, Scene II — [1227] about 2 min
  68. Act III, Scene III — [1231] about 6 min
  69. Act III, Scene IV — [1242] about 3 min
  70. Act III, Scene V — [1249] about 6 min
  71. Act III, Scene VI — [1263] about 2 min
  72. Act III, Scene VII — [1266] about 3 min
  73. Act IV, Scene I — [1274] about 1 min
  74. Act IV, Scene II — [1275] about 5 min
  75. Act IV, Scene III — [1290] about 2 min
  76. Act IV, Scene IV — [1292] about 2 min
  77. Act IV, Scene V — [1296] about 1 min
  78. Act IV, Scene VI — [1298] about 3 min
  79. Act IV, Scene VII — [1304] about 6 min
  80. Act IV, Scene VIII — [1314] about 6 min
  81. Act IV, Scene IX — [1322] about 3 min
  82. Act IV, Scene X — [1327] about 3 min
  83. Act IV, Scene XI — [1337] about 3 min
  84. Act V, Scene I — [1339] about 2 min
  85. Act V, Scene II — [1341] about 1 min
  86. Act V, Scene III — [1344] about 5 min
  87. Act V, Scene IV — [1349] about 1 min
  88. Act V, Scene V — [1349] about 4 min
  89. Persons of the Play about 5 min
  90. Act I about 21 min
  91. Act II about 18 min
  92. Act III about 26 min
  93. Act IV about 19 min
  94. Act V about 35 min
  95. The Persons of the Play about 1 min
  96. Prologue about 1 min
  97. Act I, Scene I — [1557] about 3 min
  98. Act I, Scene II — [1562] about 5 min
  99. Act I, Scene III — [1573] about 3 min
  100. Act I, Scene IV — [1576] about 7 min
  101. Act I, Scene V — [1581] about 5 min
  102. Act II, Scene I — [1587] about 5 min
  103. Act II, Scene II about 10 min
  104. Act II, Scene III — [1625] about 1 min
  105. Act II, Scene IV — [1627] about 1 min
  106. Act II, Scene V — [1629] about 3 min
  107. Act II, Scene VI — [1633] about 5 min
  108. Act III, Scene I — [1644] about 1 min
  109. Act III, Scene II — [1647] about 3 min
  110. Act III, Scene III — [1650] about 1 min
  111. Act III, Scene IV — [1652] about 5 min
  112. Act III, Scene V — [1661] about 2 min
  113. Act III, Scene VI — [1664] under 1 min
  114. Act III, Scene VII — [1665] about 14 min
  115. Act IV, Scene I — [1680] about 6 min
  116. Act IV, Scene II — [1691] about 3 min
  117. Act IV, Scene III — [1698] about 1 min
  118. Act IV, Scene IV — [1699] about 1 min
  119. Act IV, Scene V — [1704] about 6 min
  120. Act IV, Scene VI — [1711] about 4 min
  121. Act V, Scene I — [1713] about 1 min
  122. Act V, Scene II — [1714] about 4 min
  123. Act V, Scene III — [1718] about 5 min
  124. Act V, Scene IV — [1723] about 4 min
  125. Act V, Scene V — [1728] about 1 min
  126. Act V, Scene VI — [1730] about 1 min
  127. Act V, Scene VII — [1731] about 1 min
  128. Act V, Scene VIII — [1734] about 1 min
  129. Act V, Scene IX — [1737] about 1 min
  130. Act V, Scene X — [1739] about 2 min
  131. Act V, Scene XI — [1742] about 1 min
  132. Act V, Scene XII — [1743] about 7 min
  133. The Persons of the Play about 2 min
  134. Prologue about 1 min
  135. Act I, Scene I — [1765] about 8 min
  136. Act I, Scene II — [1802] about 8 min
  137. Act I, Scene III — [1823] about 4 min
  138. Act I, Scene IV — [1844] about 1 min
  139. Act II, Scene I — [1846] about 4 min
  140. Act II, Scene II — [1860] about 4 min
  141. Act II, Scene III — [1870] about 13 min
  142. Act II, Scene IV — [1888] about 1 min
  143. Act II, Scene V — [1894] about 3 min
  144. Act II, Scene VI — [1898] about 4 min
  145. Act III, Scene I — [1907] about 2 min
  146. Act III, Scene II — [1909] about 6 min
  147. Act III, Scene III — [1924] about 3 min
  148. Act III, Scene IV — [1938] about 6 min
  149. Act III, Scene V — [1952] about 4 min
  150. Act IV, Scene I — [1957] about 7 min
  151. Act IV, Scene II — [1962] about 3 min
  152. Act IV, Scene III — [1969] about 4 min
  153. Act IV, Scene IV — [1992] about 4 min
  154. Act IV, Scene V — [2011] about 5 min
  155. Act IV, Scene VI — [2022] about 2 min
  156. Act IV, Scene VII — [2029] about 6 min
  157. Act V, Scene I — [2042] about 2 min
  158. Act V, Scene II — [2047] about 2 min
  159. Act V, Scene III — [2051] about 4 min
  160. Act V, Scene IV — [2054] about 7 min
  161. Act V, Scene V — [2064] about 8 min
  162. The Prologue about 1 min
  163. Act I, Scene I — [2083] about 9 min
  164. Act II, Scene I — [2113] about 3 min
  165. Act II, Scene II — [2124] about 1 min
  166. Act II, Scene III — [2125] about 5 min
  167. Act II, Scene IV — [2150] about 1 min
  168. Act II, Scene V — [2153] about 3 min
  169. Act III, Scene I — [2157] about 6 min
  170. Act III, Scene II — [2175] about 2 min
  171. Act III, Scene III — [2177] about 4 min
  172. Act III, Scene IV — [2184] about 7 min
  173. Act III, Scene V — [2201] about 4 min
  174. Act IV, Scene I — [2204] about 5 min
  175. Act IV, Scene II — [2206] about 3 min
  176. Act IV, Scene III — [2212] about 3 min
  177. Act IV, Scene IV — [2214] about 2 min
  178. Act IV, Scene V — [2218] about 6 min
  179. Act V, Scene I — [2231] about 2 min
  180. Act V, Scene II — [2233] about 9 min
  181. Act V, Scene III — [2244] about 1 min
  182. Act V, Scene IV — [2247] about 3 min
  183. Act V, Scene V — [2254] about 8 min
  184. I. BY THOMAS DEKKER under 1 min
  185. Act I, Scene I — [2260] about 1 h 52 min
  186. II. BY THOMAS DEKKER under 1 min
  187. Act I, Scene I — [2459] about 8 min
  188. Act I, Scene II — [2468] about 31 min
  189. Act III about 1 h 19 min
  190. Act I, Scene I — [2629] under 1 min
  191. Act I, Scene II — [2630] about 1 min
  192. Act I, Scene III — [2638] about 6 min
  193. Act I, Scene IV — [2660] about 3 min
  194. Act I, Scene V — [2666] about 2 min
  195. Act I, Scene VI — [2670] about 3 min
  196. Act I, Scene VII — [2672] about 5 min
  197. Act II, Scene I — [2684] about 1 min
  198. Act II, Scene II — [2688] about 1 min
  199. Act II, Scene III — [2692] about 3 min
  200. Act II, Scene IV — [2699] about 2 min
  201. Act II, Scene V — [2703] about 6 min
  202. Act III, Scene I — [2711] about 6 min
  203. Act III, Scene II — [2721] about 2 min
  204. Act III, Scene III — [2725] about 5 min
  205. Act III, Scene IV — [2728] about 2 min
  206. Act III, Scene V — [2731] about 1 min
  207. Act IV, Scene I — [2735] about 2 min
  208. Act IV, Scene II — [2739] about 1 min
  209. Act IV, Scene III — [2742] about 5 min
  210. Act IV, Scene IV — [2749] about 1 min
  211. Act IV, Scene V — [2750] about 5 min
  212. Act V about 2 min
  213. Act V, Scene I — [2765] about 4 min
  214. Act V, Scene II — [2770] about 3 min
  215. Act V, Scene III about 6 min
  216. Act V, Scene V about 8 min
  217. Prologue about 1 h 15 min
  218. The Epilogue about 7 min
  219. Act I, Scene I — [2973] about 18 min
  220. Act II, Scene I — [3012] about 21 min
  221. Act III, Scene I — [3063] about 22 min
  222. Act IV, Scene I — [3104] about 5 min
  223. Act IV, Scene III — [3119] about 12 min
  224. Act V, Scene I — [3144] about 14 min
  225. Act I, Scene I — [3173] about 20 min
  226. Act II, Scene I — [3196] about 18 min
  227. Act III, Scene I — [3220] about 18 min
  228. Act IV, Scene I — [3230] about 19 min
  229. Act V, Scene I — [3259] about 23 min
  230. Act I, Scene I — [3312] about 16 min
  231. Act II about 18 min
  232. Act III about 23 min
  233. Act IV about 23 min
  234. Act V about 21 min
  235. Act I, Scene I about 20 min
  236. Act II, Scene I — [3437] about 11 min
  237. Act II, Scene IV — [3458] about 4 min
  238. Act III, Scene I — [3460] about 17 min
  239. Act IV, Scene I — [3469] about 20 min
  240. Act V, Scene I — [3485] about 20 min
  241. Dramatis Personae about 1 min
  242. Act I, Scene I — [3504] about 7 min
  243. Act I, Scene II — [3509] about 4 min
  244. Act I, Scene III — [3520] about 10 min
  245. Act II, Scene I — [3531] about 9 min
  246. Act II, Scene II — [3545] about 7 min
  247. Act II, Scene III — [3551] about 6 min
  248. Act III, Scene I — [3563] about 20 min
  249. Act IV, Scene I — [3595] about 7 min
  250. Act IV, Scene II — [3600] about 5 min
  251. Act IV, Scene III — [3610] about 7 min
  252. Act V, Scene I — [3616] about 1 min
  253. Act V, Scene II — [3618] about 7 min
  254. Act V, Scene III — [3632] about 1 min
  255. Act V, Scene IV — [3633] about 3 min
  256. Act V, Scene V — [3636] about 1 min
  257. Act V, Scene VI — [3638] about 5 min
  258. Dramatis Personae under 1 min
  259. Act I, Scene I — [3642] about 3 min
  260. Act I, Scene II — [3644] about 16 min
  261. Act II, Scene I — [3673] about 7 min
  262. Act II, Scene II — [3690] about 3 min
  263. Act II, Scene III — [3696] about 3 min
  264. Act II, Scene IV — [3705] about 3 min
  265. Act II, Scene V — [3711] about 3 min
  266. Act III, Scene I — [3717] about 3 min
  267. Act III, Scene II — [3724] about 12 min
  268. Act III, Scene III — [3737] about 3 min
  269. Act III, Scene IV about 2 min
  270. Act III, Scene V — [3740] about 5 min
  271. Act IV, Scene I — [3743] about 19 min
  272. Act V, Scene I — [3766] about 16 min
  273. Act V, Scene III — [3779] about 2 min
  274. Act V, Scene IV — [3780] about 3 min
  275. Act V, Scene V — [3785] about 5 min
  276. Act V, Scene I — ][3786] about 14 min
  277. Act II about 18 min
  278. Act III about 18 min
  279. Act IV about 29 min
  280. Act V about 8 min
  281. Dramatis Personae under 1 min
  282. Act I about 18 min
  283. Act II about 13 min
  284. Act III about 19 min
  285. Act IV about 20 min
  286. Act V about 17 min
  287. Epilogue under 1 min
  288. Dramatis Personae under 1 min
  289. Act I, Scene I — [4017] about 7 min
  290. Act I, Scene II — [4033] about 5 min
  291. Act I, Scene III — [4039] about 6 min
  292. Act II, Scene I — [4046] about 6 min
  293. Act II, Scene II — [4053] about 7 min
  294. Act II, Scene III — [4058] about 5 min
  295. Act III, Scene I — [4064] about 4 min
  296. Act III, Scene II — [4068] about 13 min
  297. Act III, Scene III — [4083] about 3 min
  298. Act IV, Scene I — [4085] about 9 min
  299. Act IV, Scene II — [4093] about 5 min
  300. Act IV, Scene III — [4101] about 5 min
  301. Act V, Scene I — [4107] about 16 min
  302. The Epilogue about 1 min
  303. Prologue about 1 min
  304. Act I, Scene I — [4126] about 4 min
  305. Act I, Scene II — [4130] about 5 min
  306. Act I, Scene III — [4136] about 7 min
  307. Act II, Scene I — [4144] about 6 min
  308. Act II, Scene II — [4156] about 5 min
  309. Act II, Scene III — [4162] about 6 min
  310. Act III, Scene I — [4169] about 20 min
  311. Act IV, Scene I — [4196] about 23 min
  312. Act V, Scene I — [4220] about 2 min
  313. Act V, Scene II — [4224] about 6 min
  314. Act V, Scene III — [4230] about 4 min
  315. The Epilogue about 1 min
  316. Act I about 18 min
  317. Act II, Scene I — [4260] about 17 min
  318. Act III about 22 min
  319. Act IV about 19 min
  320. Act V about 20 min
  321. The Prologue about 1 min
  322. Act I about 12 min
  323. Act II about 14 min
  324. Act III about 12 min
  325. Act IV about 17 min
  326. Act V about 20 min
  327. Epilogue about 2 h 44 min

Continue:

Act V, Scene II — [2233]

Enter HODGE, FIRK, RALPH, and five or six Shoemakers, all with cudgels or such weapons.

Hodge. Come, Ralph; stand to it, Firk. My masters, as we are the brave bloods of the shoemakers, heirs apparent to Saint Hugh, and perpetual benefactors to all good fellows, thou shalt have no wrong: were Hammon a king (5) of spades, he should not delve in thy close without thy sufferance. But tell me, Ralph, art thou sure ’t is thy wife?

Ralph. Am I sure this is Firk? This morning, when I strokt on her shoes,[2234] I lookt upon (10) her, and she upon me, and sighed, askt me if ever I knew one Ralph. Yes, said I. For his sake, said she—tears standing in her eyes—and for thou art somewhat like him, spend this piece of gold. I took it; my lame leg and (15) my travel beyond sea made me unknown. All is one for that: I know she’s mine.

Firk. Did she give thee this gold? O glorious glittering gold! She’s thine own, ’t is thy wife, and she loves thee; for I’ll stand to’t, (20) there’s no woman will give gold to any man, but she thinks better of him than she thinks of them she gives silver to. And for Hammon, neither Hammon nor hangman shall wrong thee in London! Is not our old master Eyre, (25) lord mayor? Speak, my hearts.

All. Yes, and Hammon shall know it to his cost.

Enter HAMMON, his man, JANE, and Others.

Hodge. Peace, my bullies; yonder they come. 29

Ralph. Stand to ’t, my hearts. Firk, let me speak first.

Hodge. No, Ralph, let me.—Hammon, whither away so early?

Ham. Unmannerly, rude slave, what’s that to thee? 34

Firk. To him, sir? Yes, sir, and to me, and others. Good-morrow, Jane, how dost thou? Good Lord, how the world is changed with you! God be thanked!

Ham. Villains, hands off! How dare you touch my love? 39

All. Villains? Down with them! Cry clubs for prentices![2235]

Hodge. Hold, my hearts! Touch her, Hammon? Yea, and more than that: we ’ll carry her away with us. My masters and gentlemen, never draw your bird-spits; shoemakers are steel to the back, men every inch of them, (46) all spirit.

All of Hammon’s side. Well, and what of all this?

Hodge. I ’ll show you.—Jane, dost thou (50) know this man? ’T is Ralph, I can tell thee; nay, ’t is he in faith, though he be lam’d by the wars. Yet look not strange, but run to him, fold him about the neck and kiss him.

Jane. Lives then my husband? Oh God, let me go, 55 Let me embrace my Ralph.

Ham. What means my Jane?

Jane. Nay, what meant you, to tell me, he was slain?

Ham. Pardon me, dear love, for being misled. [To RALPH.] ’T was rumour’d here in London, thou wert dead.

Firk. Thou seest he lives. Lass, go, pack home with him. 60 Now, Master Hammon, where ’s your mistress, your wife?

Serv. ’Swounds, master, fight for her! Will you thus lose her?

All. Down with that creature! Clubs! Down with him! 65

Hodge. Hold, hold!

Ham. Hold, fool! Sirs, he shall do no wrong. Will my Jane leave me thus, and break her faith?

Firk. Yea, sir! She must, sir! She shall, sir! What then? Mend it! 70

Hodge. Hark, fellow Ralph, follow my counsel: set the wench in the midst, and let her choose her man, and let her be his woman.

Jane. Whom shall I choose? Whom should my thoughts affect But him whom Heaven hath made to be my love? 75 Thou art my husband, and these humble weeds Make thee more beautiful than all his wealth, Therefore, I will but put off his attire, Returning it into the owner’s hand, And after ever be thy constant wife. 80

Hodge. Not a rag, Jane! The law ’s on our side: he that sows in another man’s ground, forfeits his harvest. Get thee home, Ralph; follow him, Jane; he shall not have so much as a busk-point[2236] from thee. 85

Firk. Stand to that, Ralph; the appurtenances are thine own. Hammon, look not at her!

Serv. O, swounds, no! 89

Firk. Blue coat, be quiet, we ’ll give you a new livery else; we ’ll make Shrove Tuesday Saint George’s Day for you. Look not, Hammon, leer not! I ’ll firk you! For thy head now, one glance, one sheep’s eye, anything, at her! Touch not a rag, lest I and my brethren beat you to clouts. 96

Serv. Come, Master Hammon, there ’s no striving here.

Ham. Good fellows, hear me speak; and, honest Ralph, Whom I have injured most by loving Jane, Mark what I offer thee: here in fair gold 100 Is twenty pound, I ’ll give it for thy Jane; If this content thee not, thou shalt have more.

Hodge. Sell not thy wife, Ralph; make her not a whore.

Ham. Say, wilt thou freely cease thy claim in her, And let her be my wife?

All. No, do not, Ralph. 105

Ralph. Sirrah Hammon, Hammon, dost thou think a shoemaker is so base to be a bawd to his own wife for commodity? Take thy gold, choke with it! Were I not lame, I would make, thee eat thy words. 110

Firk. A shoemaker sell his flesh and blood? Oh indignity!

Hodge. Sirrah, take up your pelf, and be packing.

Ham. I will not touch one penny, but in lieu Of that great wrong I offered thy Jane, 116 To Jane and thee I give that twenty pound. Since I have fail’d of her, during my life, I vow, no woman else shall be my wife. Farewell, good fellows of the gentle trade: 120 Your morning mirth my mourning day hath made. Exit.

Firk. [to the Serving-man.] Touch the gold creature, if you dare! Y’ are best be trudging. Here, Jane, take thou it. Now let ’s home, my hearts. 125

Hodge. Stay! Who comes here? Jane, on again with thy mask!

Enter the EARL OF LINCOLN, the LORD MAYOR, and Servants.

Lincoln. Yonder ’s the lying varlet mockt us so.

L. Mayor. Come hither, sirrah!

Firk. I, sir? I am sirrah? You mean me, do you not? 130

Lincoln. Where is my nephew married?

Firk. Is he married? God give him joy, I am glad of it. They have a fair day, and the sign is in a good planet, Mars in Venus.

L. Mayor. Villain, thou toldst me that my daughter Rose 135 This morning should be married at Saint Faith’s; We have watch’d there these three hours at the least, Yet see we no such thing.

Firk. Truly, I am sorry for ’t; a bride’s a pretty thing. 140

Hodge. Come to the purpose. Yonder ’s the bride and bridegroom you look for, I hope. Though you be lords, you are not to bar by your authority men from women, are you?

L. Mayor. See, see, my daughter ’s maskt.

Lincoln. True, and my nephew, 145 To hide his guilt, counterfeits him lame.

Firk. Yea, truly; God help the poor couple, they are lame and blind.

L. Mayor. I ’ll ease her blindness.

Lincoln. I ’ll his lameness cure. 149

Firk. Lie down, sirs, and laugh! My fellow Ralph is taken for Rowland Lacy, and Jane for Mistress Damask Rose. This is all my knavery.

L. Mayor. What, have I found you, minion?

Lincoln. O base wretch! Nay, hide thy face, the horror of thy guilt Can hardly be washt off. Where are thy powers? 155 What battles have you made? O yes, I see, Thou fought’st with Shame, and Shame hath conquer’d thee. This lameness will not serve.

L. Mayor. Unmask yourself.

Lincoln. Lead home your daughter.

L. Mayor. Take your nephew hence. 159

Ralph. Hence! Swounds, what mean you? Are you mad? I hope you cannot enforce my wife from me. Where ’s Hammon?

L. Mayor. Your wife?

Lincoln. What, Hammon? 164

Ralph. Yea, my wife; and, therefore, the proudest of you that lay hands on her first, I ’ll lay my crutch ’cross his pate.

Firk. To him, lame Ralph! Here ’s brave sport! 169

Ralph. Rose call you her? Why, her name is Jane. Look here else; do you know her now? [Unmasking JANE.]

Lincoln. Is this your daughter?

L. Mayor. No, nor this your nephew. My Lord of Lincoln, we are both abus’d By this base, crafty varlet. 174

Firk. Yea, forsooth, no varlet; forsooth, no base; forsooth, I am but mean; no crafty neither, but of the gentle craft.

L. Mayor. Where is my daughter Rose? Where is my child?

Lincoln. Where is my nephew Lacy married?

Firk. Why, here is good lac’d mutton,[2237] as I promist you. 181

Lincoln. Villain, I ’ll have thee punisht for this wrong.

Firk. Punish the journeyman villain, but not the journeyman shoemaker.

Enter DODGER.

Dodger. My lord, I come to bring unwelcome news. 185 Your nephew Lacy and your daughter Rose Early this morning wedded at the Savoy, None being present but the lady mayoress. Besides, I learnt among the officers, 189 The lord mayor vows to stand in their defence ’Gainst any that shall seek to cross the match.

Lincoln. Dares Eyre the shoemaker uphold the deed?

Firk. Yes, sir, shoemakers dare stand in a woman’s quarrel, I warrant you, as deep as another, and deeper too. 195

Dodger. Besides, his grace to-day dines with the mayor; Who on his knees humbly intends to fall And beg a pardon for your nephew’s fault.

Lincoln. But I ’ll prevent him! Come, Sir Roger Oateley; The king will do us justice in this cause. 200 Howev’er their hands have made them man and wife, I will disjoin the match, or lose my life. Exeunt.

Firk. Adieu, Monsieur Dodger! Farewell, fools! Ha, ha! Oh, if they had stay’d, I (204) would have so lamb’d[2238] them with flouts! O heart, my codpiece-point is ready to fly in pieces every time I think upon Mistress Rose. But let that pass, as my lady mayoress says.

Hodge. This matter is answer’d. Come, Ralph; home with thy wife. Come, my fine (210) shoemakers, let ’s to our master’s the new lord mayor, and there swagger this Shrove Tuesday. I ’ll promise you wine enough, for Madge keeps the cellar.

All. O rare! Madge is a good wench. 215

Firk. And I ’ll promise you meat enough, for simp’ring Susan keeps the larder. I ’ll lead you to victuals, my brave soldiers; follow your captain. O brave! Hark, hark! Bell rings. 219

All. The pancake-bell[2239] rings, the pancake-bell! Trilill, my hearts!

Firk. Oh brave! Oh sweet bell! O delicate pancakes! Open the doors, my hearts, and shut up the windows! keep in the house, let out 224 the pancakes! Oh rare, my hearts! Let ’s march together for the honour of Saint Hugh to the great new hall[2240] in Gracious Street corner, which our master, the new lord mayor, hath built.

Ralph. O the crew of good fellows that will dine at my lord mayor’s cost to-day! 230

Hodge. By the Lord, my lord mayor is a most brave man. How shall prentices be bound to pray for him and the honour of the gentlemen shoemakers! Let ’s feed and be fat with my lord’s bounty. 235

Firk. O musical bell, still! O Hodge, O my brethren! There ’s cheer for the heavens: venison-pasties walk up and down piping hot, like sergeants; beef and brewess[2241] comes marching 239 in dry-vats,[2242] fritters and pancakes comes trowling in in wheel-barrows; hens and oranges hopping in porters’-basket, collops and eggs in scuttles,[2243] and tarts and custards comes quavering in in malt-shovels.

Enter more Prentices.

All. Whoop, look here, look here! 245

Hodge. How now, mad lads, whither away so fast?

1 Prentice. Whither? Why, to the great new hall, know you not why? The lord (249) mayor hath bidden all the prentices in London to breakfast this morning.

All. Oh brave shoemakers, oh brave lord of incomprehensible good-fellowship! Whoo! Hark you! The pancake-bell rings. 254 Cast up caps.

Firk. Nay, more, my hearts! Every Shrove-Tuesday is our year of jubilee; and when the pancake-bell rings, we are as free as my lord mayor; we may shut up our shops, and make holiday; I’ll have it call’d Saint Hugh’s Holiday. 260

All. Agreed, agreed! Saint Hugh’s Holiday.

Hodge. And this shall continue for ever.

All. Oh brave! Come, come, my hearts! Away, away!

Firk. O eternal credit to us of the gentle craft! March fair, my hearts! Oh rare! 265 Exeunt.

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Act V, Scene III — [2244]

Enter the KING and his Train over the stage.

King. Is our lord mayor of London such a gallant?

Nobleman. One of the merriest madcaps in your land. Your grace will think, when you behold the man, He’s rather a wild ruffian than a mayor. Yet thus much I’ll ensure your majesty, 5 In all his actions that concern his state He is as serious, provident, and wise, As full of gravity amongst the grave, As any mayor hath been these many years.

King. I am with child[2245] till I behold this huff-cap.[2246] 10 But all my doubt is, when we come in presence, His madness will be dasht clean out of countenance.

Nobleman. It may be so, my liege.

King. Which to prevent, Let some one give him notice, ’t is our pleasure That he put on his wonted merriment. 15 Set forward!

All. On afore! Exeunt.

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Act V, Scene IV — [2247]

Enter EYRE, HODGE, FIRK, RALPH, and other Shoemakers, all with napkins on their shoulders.

Eyre. Come, my fine Hodge, my jolly gentlemen shoemakers; soft, where be these cannibals, these varlets, my officers? Let them all walk and wait upon my brethren; for my meaning is, that none but shoemakers, none but the (5) livery of my company shall in their satin hoods wait upon the trencher of my sovereign.

Firk. O my lord, it will be rare!

Eyre. No more, Firk; come, lively! Let your fellow-prentices want no cheer; let wine be (10) plentiful as beer, and beer as water. Hang these penny-pinching fathers, that cram wealth in innocent lamb-skins. Rip, knaves, avaunt! Look to my guests!

Hodge. My lord, we are at our wits’ end (15) for room; those hundred tables will not feast the fourth part of them.

Eyre. Then cover me those hundred tables again, and again, till all my jolly prentices be feasted. Avoid, Hodge! Run, Ralph! Frisk 20 about, my nimble Firk! Carouse me fathom-healths to the honour of the shoemakers. Do they drink lively, Hodge? Do they tickle it, Firk?

Firk. Tickle it? Some of them have taken (25) their liquor standing so long that they can stand no longer; but for meat, they would eat it an they had it.

Eyre. Want they meat? Where’s this swag-belly, this greasy kitchen stuff cook? Call (30) the varlet to me! Want meat? Firk, Hodge, lame Ralph, run, my tall men, beleaguer the shambles, beggar all Eastcheap, serve me whole oxen in chargers, and let sheep whine upon the tables like pigs for want of good fellows to (35) eat them. Want meat? Vanish, Firk! Avaunt, Hodge!

Hodge. Your lordship mistakes my man Firk; he means, their bellies want meat, not the boards; for they have drunk so much, they (40) can eat nothing.

THE SECOND THREE MEN’S SONG

Cold ’s the wind, and wet ’s the rain, Saint Hugh be our good speed: Ill is the weather that bringeth no gain, Nor helps good hearts in need. 45

Trowl[2248] the bowl, the jolly nut-brown bowl, And here, kind mate, to thee: Let ’s sing a dirge for Saint Hugh’s soul, And down it merrily.

Down a down heydown a down, 50 (Close with the tenor boy) Hey derry derry, down a down! Ho, well done; to me let come! Ring, compass, gentle joy.

Trowl the bowl, the nut-brown bowl, And here, kind mate, to thee: etc. 55 _Repeat as often as there be men to drink; and at last when all have drunk, this verse:_ Cold ’s the wind, and wet ’s the rain, Saint Hugh be our good speed: Ill is the weather that bringeth no gain, Nor helps good hearts in need.

Enter HANS, ROSE, and Wife [MARGERY].

Marg. Where is my lord? 60

Eyre. How now, Lady Madgy?

Marg. The king’s most excellent majesty is new come; he sends me for thy honour; one of his most worshipful peers bade me tell thou must be merry, and so forth; but let that pass. 65

Eyre. Is my sovereign come? Vanish, my tall shoemakers, my nimble brethren; look to my guests, the prentices. Yet stay a little! How now, Hans? How looks my little Rose? 69

Hans. Let me request you to remember me. I know, your honour easily may obtain Free pardon of the king for me and Rose, And reconcile me to my uncle’s grace.

Eyre. Have done, my good Hans, my honest journeyman; look cheerily! I ’ll fall upon (75) both my knees, till they be as hard as horn, but I ’ll get thy pardon.

Marg. Good my lord, have a care what you speak to his grace. 79

Eyre. Away, you Islington whitepot![2249] hence, you hopper-arse! hence, you barley-pudding, full of maggots! you broiled carbonado![2250] avaunt, avaunt, avoid, Mephistophiles! Shall Sim Eyre learn to speak of you, Lady Madgy? Vanish, Mother Miniver-cap; vanish, go, trip and go; (85) meddle with your partlets[2251] and your pishery-pashery, your flewes[2252] and your whirligigs; go, rub,[2253] out of mine alley! Sim Eyre knows how to speak to a Pope, to Sultan Soliman, to Tamburlaine, an he were here, and shall I melt, (90) shall I droop before my sovereign? No, come, my Lady Madgy! Follow me, Hans! About your business, my frolic free-booters! Firk, frisk about, and about, and about, for the honour of mad Simon Eyre, lord mayor of London. 95

Firk. Hey, for the honour of the shoemakers! Exeunt.

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Act V, Scene V — [2254]

A long flourish, or two. Enter the KING, Nobles, EYRE, his Wife [MARGERY], LACY, ROSE. LACY and ROSE kneel.

King. Well, Lacy, though the fact was very foul Of your revolting from our kingly love And your own duty, yet we pardon you. Rise both, and, Mistress Lacy, thank my lord mayor For your young bridegroom here. 5

Eyre. So, my dear liege, Sim Eyre and my brethren, the gentlemen shoemakers, shall set your sweet majesty’s image cheek by jowl by Saint Hugh for this honour you have done poor Simon Eyre. I beseech your grace, pardon (10) my rude behaviour; I am a handicraftsman, yet my heart is without craft; I would be sorry at my soul, that my boldness should offend my king.

King. Nay, I pray thee, good lord mayor, be even as merry 15 As if thou wert among thy shoemakers; It does me good to see thee in this humour.

Eyre. Say’st thou me so, my sweet Dioclesian? Then, hump! Prince am I none, yet am I princely born. By the Lord of Ludgate, my liege, I ’ll be as merry as a pie.[2255] 21

King. Tell me, in faith, mad Eyre, how old thou art.

Eyre. My liege, a very boy, a stripling, a younker; you see not a white hair on my head, not a gray in this beard. Every hair, I assure (25) thy majesty, that sticks in this beard, Sim Eyre values at the King of Babylon’s ransom, Tamar Cham’s beard was a rubbing brush to ’t: yet I ’ll shave it off, and stuff tennis-balls with it, to please my bully king. 30

King. But all this while I do not know your age.

Eyre. My liege, I am six and fifty year old, yet I can cry hump! with a sound heart for the honour of Saint Hugh. Mark this old wench, my king: I danc’d the shaking of the sheets (35) with her six and thirty years ago, and yet I hope to get two or three young lord mayors, ere I die. I am lusty still, Sim Eyre still. Care and cold lodging brings white hairs. My sweet Majesty, let care vanish, cast it upon thy nobles, (40) it will make thee look always young like Apollo, and cry hump! Prince am I none, yet am I princely born.

King. Ha, ha! Say, Cornwall, didst thou ever see his like? 45

Nobleman. Not I, my lord.

Enter the EARL OF LINCOLN and the LORD MAYOR.

King. Lincoln, what news with you?

Lincoln. My gracious lord, have care unto yourself, For there are traitors here.

All. Traitors? Where? Who?

Eyre. Traitors in my house? God forbid! (49) Where be my officers? I ’ll spend my soul, ers my king feel harm.

King. Where is the traitor, Lincoln?

Lincoln. Here he stands.

King. Cornwall, lay hold on Lacy!—Lincoln, speak, What canst thou lay unto thy nephew’s charge?

Lincoln. This, my dear liege: your Grace, to do me honour, 55 Heapt on the head of this degenerate boy Desertless favours; you made choice of him To be commander over powers in France. But he——

King. Good Lincoln, prithee, pause a while! Even in thine eyes I read what thou wouldst speak. 60 I know how Lacy did neglect our love, Ran himself deeply, in the highest degree, Into vile treason——

Lincoln. Is he not a traitor?

King. Lincoln, he was; now have we pard’ned him. ’T was not a base want of true valour’s fire, 65 That held him out of France, but love’s desire.

Lincoln. I will not bear his shame upon my back.

King. Nor shalt thou, Lincoln; I forgive you both.

Lincoln. Then, good my liege, forbid the boy to wed One whose mean birth will much disgrace his bed. 70

King. Are they not married?

Lincoln. No, my liege.

Both. We are.

King. Shall I divorce them then? O be it far That any hand on earth should dare untie The sacred knot, knit by God’s majesty; 74 I would not for my crown disjoin their hands That are conjoin’d in holy nuptial bands. How say’st thou, Lacy, wouldst thou lose thy Rose?

Lacy. Not for all India’s wealth, my sovereign.

King. But Rose, I am sure, her Lacy would forego?

Rose. If Rose were askt that question, she ’d say no. 80

King. You hear them, Lincoln?

Lincoln. Yea, my liege, I do.

King. Yet canst thou find i’ th’ heart to part these two? Who seeks, besides you, to divorce these lovers?

L. Mayor. I do, my gracious lord, I am her father.

King. Sir Roger Oateley, our last mayor, I think? 85

Nobleman. The same, my liege.

King. Would you offend Love’s laws? Well, you shall have your wills, you sue to me, To prohibit the match. Soft, let me see— You both are married, Lacy, art thou not?

Lacy. I am, dread sovereign.

King. Then, upon thy life, 90 I charge thee, not to call this woman wife.

L. Mayor. I thank your grace.

Rose. O my most gracious lord! Kneels.

King. Nay, Rose, never woo me; I tell you true, Although as yet I am a bachelor, Yet I believe I shall not marry you. 95

Rose. Can you divide the body from the soul, Yet make the body live?

King. Yea, so profound? I cannot, Rose, but you I must divide. This fair maid, bridegroom, cannot be your bride. Are you pleas’d, Lincoln? Oateley, are you pleas’d? 100

Both. Yes, my lord.

King. Then must my heart be eas’d; For, credit me, my conscience lives in pain, Till these whom I divorc’d, be join’d again. Lacy, give me thy hand; Rose, lend me thine! Be what you would be! Kiss now! So, that ’s fine. 105 At night, lovers, to bed!—Now, let me see, Which of you all mislikes this harmony.

L. Mayor. Will you then take from me my child perforce?

King. Why tell me, Oateley: shines not Lacy’s name 109 As bright in the world’s eye as the gay beams Of any citizen?

Lincoln. Yea, but, my gracious lord, I do mislike the match far more than he; Her blood is too too base.

King. Lincoln, no more. Dost thou not know that love respects no blood, Cares not for difference of birth or state? 115 The maid is young, well born, fair, virtuous, A worthy bride for any gentleman. Besides, your nephew for her sake did stoop To bear necessity, and, as I hear, Forgetting honours and all courtly pleasures, 120 To gain her love, became a shoemaker. As for the honour which he lost in France, Thus I redeem it: Lacy, kneel thee down!— Arise, Sir Rowland Lacy! Tell me now, 124 Tell me in earnest, Oateley, canst thou chide, Seeing thy Rose a lady and a bride?

L. Mayor. I am content with what your grace hath done.

Lincoln. And I, my liege, since there ’s no remedy.

King. Come on, then, all shake hands: I ’ll have you friends; Where there is much love, all discord ends. 130 What says my mad lord mayor to all this love?

Eyre. O my liege, this honour you have done to my fine journeyman here, Rowland Lacy, and all these favours which you have shown to 134 me this day in my poor house, will make Simon Eyre live longer by one dozen of warm summers more than he should.

King. Nay, my mad lord mayor, that shall be thy name; If any grace of mine can length thy life, One honour more I ’ll do thee: that new building,[2256] 140 Which at thy cost in Cornhill is erected, Shall take a name from us; we ’ll have it call’d The Leadenhall, because in digging it You found the lead that covereth the same. 144

Eyre. I thank your majesty.

Marg. God bless your grace!

King. Lincoln, a word with you!

Enter HODGE, FIRK, RALPH, and more Shoemakers.

Eyre. How now, my road knaves? Peace, speak softly, yonder is the king.

King. With the old troop which there we keep in pay, We will incorporate a new supply. 150 Before one summer more pass o’er my head, France shall repent, England was injured. What are all those?

Lacy. All shoemakers, my liege, Sometime my fellows; in their companies I liv’d as merry as an emperor. 155

King. My mad lord mayor, are all these shoemakers?

Eyre. All shoemakers, my liege; all gentlemen of the gentle craft, true Trojans, courageous cordwainers; they all kneel to the shrine of holy Saint Hugh. 160

All the Shoemakers. God save your majesty!

King. Mad Simon, would they anything with us?

Eyre. Mum, mad knaves! Not a word! I ’ll do ’t; I warrant you. They are all beggars, my liege; all for themselves, and I for them all 165 on both my knees do entreat, that for the honour of poor Simon Eyre and the good of his brethren, these mad knaves, your grace would vouchsafe some privilege to my new Leadenhall, that it may be lawful for us to buy and sell leather there two days a week. 171

King. Mad Sim, I grant your suit, you shall have patent To hold two market-days in Leadenhall, Mondays and Fridays, those shall be the times. Will this content you?

All. Jesus bless your grace! 175

Eyre. In the name of these my poor brethren shoemakers, I most humbly thank your grace. But before I rise, seeing you are in the giving vein and we in the begging, grant Sim Eyre one boon more. 180

King. What is it, my lord mayor?

Eyre. Vouchsafe to taste of a poor banquet that stands sweetly waiting for your sweet presence. 184

King. I shall undo thee, Eyre, only with feasts; Already have I been too troublesome; Say, have I not?

Eyre. O my dear king, Sim Eyre was taken unawares upon a day of shroving,[2257] which I (189) promist long ago to the prentices of London. For, an ’t please your highness, in time past, I bare the water-tankard,[2258] and my coat Sits not a whit the worse upon my back; And then, upon a morning, some mad boys, It was Shrove Tuesday, even as ’t is now, 195 gave me my breakfast, and I swore then by the stopple of my tankard, if ever I came to be lord mayor of London, I would feast all the prentices. This day, my liege, I did it, and the slaves had an hundred tables five times covered; they are gone home and vanisht. (201) Yet add more honour to the gentle trade, Taste of Eyre’s banquet, Simon ’s happy made.

King. Eyre, I will taste of thy banquet, and will say, I have not met more pleasure on a day. 205 Friends of the gentle craft, thanks to you all, Thanks, my kind lady mayoress, for our cheer.— Come, lords, a while let ’s revel it at home! When all our sports and banquetings are done, Wars must right wrongs which Frenchmen have begun. Exeunt. 210

THE HONEST[2259] WHORE

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I. BY THOMAS DEKKER

[DRAMATIS PERSONAE

GASPARO TREBAZZI, Duke of Milan. HIPPOLITO, a Count. CASTRUCHIO. SINEZI. PIORATTO. FLUELLO. MATHEO. BENEDICT, a Doctor. ANSELMO, a Friar. FUSTIGO, Brother of Viola. CANDIDO, a Linen-draper. GEORGE, his Servant. First Prentice. Second Prentice. CRAMBO. POLI. ROGER, Servant of Bellafront. Porter. Sweeper. Madmen, Servants, etc.

INFELICE, Daughter of the Duke. BELLAFRONT, a Harlot. VIOLA, Wife of Candido. Mistress FINGERLOCK, a Bawd.

SCENE.—Milan and the Neighbourhood.]

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