← The chief Elizabethan dramatists, excluding Shakespeare

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Contents (327)
  1. Opening under 1 min
  2. Preface about 4 min
  3. The Prologue about 1 min
  4. Act I, Scene I — [2] about 4 min
  5. Act I, Scene II — [7] about 4 min
  6. Act I, Scene III — [10] about 4 min
  7. Act I, Scene IV — [15] about 2 min
  8. Act II, Scene I — [19] about 4 min
  9. Act II, Scene II — [21] about 6 min
  10. Act II, Scene III — [30] about 3 min
  11. Act III, Scene I — [34] about 2 min
  12. Act III, Scene II — [38] about 1 min
  13. Act III, Scene III — [39] about 6 min
  14. Act III, Scene IV — [56] about 8 min
  15. Act IV, Scene I — [59] about 4 min
  16. Act IV, Scene II — [62] about 5 min
  17. Act IV, Scene III — [76] about 7 min
  18. Act V, Scene I — [83] about 7 min
  19. Act V, Scene II — [86] about 5 min
  20. Act V, Scene III — [98] about 13 min
  21. The Epilogue about 1 h 54 min
  22. The Prologue under 1 min
  23. Act I, Scene I about 6 min
  24. Act I, Scene II about 9 min
  25. Act II, Scene I about 2 min
  26. Act II, Scene II about 3 min
  27. Act II, Scene III about 7 min
  28. Act II, Scene VI about 4 min
  29. Act III, Scene I about 2 min
  30. Act III, Scene II about 4 min
  31. Act III, Scene III about 9 min
  32. Act IV, Scene I about 2 min
  33. Act IV, Scene II about 4 min
  34. Act IV, Scene III about 2 min
  35. Act IV, Scene IV about 5 min
  36. Act V, Scene I about 2 min
  37. Act V, Scene II about 1 h 11 min
  38. Act V, Scene I — ] about 20 min
  39. Act II about 19 min
  40. Act III about 12 min
  41. Act IV about 18 min
  42. Act V about 1 h 55 min
  43. Act I about 20 min
  44. Act II about 16 min
  45. Act III about 52 min
  46. Act IV about 20 min
  47. Prologue about 1 min
  48. Act I, Scene I — [899] about 17 min
  49. Act II, Scene I — [939] about 19 min
  50. Act III, Scene I — [977] about 23 min
  51. Act IV, Scene I — [1034] about 16 min
  52. Act V, Scene I — [1064] about 22 min
  53. Epilogue under 1 min
  54. The Persons of the Play under 1 min
  55. Prologue about 1 min
  56. Act I, Scene I — [1109] about 3 min
  57. Act I, Scene II — [1118] about 5 min
  58. Act I, Scene III — [1130] about 5 min
  59. Act I, Scene IV — [1142] about 4 min
  60. Act I, Scene V — [1151] about 6 min
  61. Act II, Scene I — [1167] about 4 min
  62. Act II, Scene II — [1182] about 2 min
  63. Act II, Scene III — [1186] about 3 min
  64. Act II, Scene IV — [1194] about 4 min
  65. Act II, Scene V — [1200] about 6 min
  66. Act III, Scene I — [1210] about 7 min
  67. Act III, Scene II — [1227] about 2 min
  68. Act III, Scene III — [1231] about 6 min
  69. Act III, Scene IV — [1242] about 3 min
  70. Act III, Scene V — [1249] about 6 min
  71. Act III, Scene VI — [1263] about 2 min
  72. Act III, Scene VII — [1266] about 3 min
  73. Act IV, Scene I — [1274] about 1 min
  74. Act IV, Scene II — [1275] about 5 min
  75. Act IV, Scene III — [1290] about 2 min
  76. Act IV, Scene IV — [1292] about 2 min
  77. Act IV, Scene V — [1296] about 1 min
  78. Act IV, Scene VI — [1298] about 3 min
  79. Act IV, Scene VII — [1304] about 6 min
  80. Act IV, Scene VIII — [1314] about 6 min
  81. Act IV, Scene IX — [1322] about 3 min
  82. Act IV, Scene X — [1327] about 3 min
  83. Act IV, Scene XI — [1337] about 3 min
  84. Act V, Scene I — [1339] about 2 min
  85. Act V, Scene II — [1341] about 1 min
  86. Act V, Scene III — [1344] about 5 min
  87. Act V, Scene IV — [1349] about 1 min
  88. Act V, Scene V — [1349] about 4 min
  89. Persons of the Play about 5 min
  90. Act I about 21 min
  91. Act II about 18 min
  92. Act III about 26 min
  93. Act IV about 19 min
  94. Act V about 35 min
  95. The Persons of the Play about 1 min
  96. Prologue about 1 min
  97. Act I, Scene I — [1557] about 3 min
  98. Act I, Scene II — [1562] about 5 min
  99. Act I, Scene III — [1573] about 3 min
  100. Act I, Scene IV — [1576] about 7 min
  101. Act I, Scene V — [1581] about 5 min
  102. Act II, Scene I — [1587] about 5 min
  103. Act II, Scene II about 10 min
  104. Act II, Scene III — [1625] about 1 min
  105. Act II, Scene IV — [1627] about 1 min
  106. Act II, Scene V — [1629] about 3 min
  107. Act II, Scene VI — [1633] about 5 min
  108. Act III, Scene I — [1644] about 1 min
  109. Act III, Scene II — [1647] about 3 min
  110. Act III, Scene III — [1650] about 1 min
  111. Act III, Scene IV — [1652] about 5 min
  112. Act III, Scene V — [1661] about 2 min
  113. Act III, Scene VI — [1664] under 1 min
  114. Act III, Scene VII — [1665] about 14 min
  115. Act IV, Scene I — [1680] about 6 min
  116. Act IV, Scene II — [1691] about 3 min
  117. Act IV, Scene III — [1698] about 1 min
  118. Act IV, Scene IV — [1699] about 1 min
  119. Act IV, Scene V — [1704] about 6 min
  120. Act IV, Scene VI — [1711] about 4 min
  121. Act V, Scene I — [1713] about 1 min
  122. Act V, Scene II — [1714] about 4 min
  123. Act V, Scene III — [1718] about 5 min
  124. Act V, Scene IV — [1723] about 4 min
  125. Act V, Scene V — [1728] about 1 min
  126. Act V, Scene VI — [1730] about 1 min
  127. Act V, Scene VII — [1731] about 1 min
  128. Act V, Scene VIII — [1734] about 1 min
  129. Act V, Scene IX — [1737] about 1 min
  130. Act V, Scene X — [1739] about 2 min
  131. Act V, Scene XI — [1742] about 1 min
  132. Act V, Scene XII — [1743] about 7 min
  133. The Persons of the Play about 2 min
  134. Prologue about 1 min
  135. Act I, Scene I — [1765] about 8 min
  136. Act I, Scene II — [1802] about 8 min
  137. Act I, Scene III — [1823] about 4 min
  138. Act I, Scene IV — [1844] about 1 min
  139. Act II, Scene I — [1846] about 4 min
  140. Act II, Scene II — [1860] about 4 min
  141. Act II, Scene III — [1870] about 13 min
  142. Act II, Scene IV — [1888] about 1 min
  143. Act II, Scene V — [1894] about 3 min
  144. Act II, Scene VI — [1898] about 4 min
  145. Act III, Scene I — [1907] about 2 min
  146. Act III, Scene II — [1909] about 6 min
  147. Act III, Scene III — [1924] about 3 min
  148. Act III, Scene IV — [1938] about 6 min
  149. Act III, Scene V — [1952] about 4 min
  150. Act IV, Scene I — [1957] about 7 min
  151. Act IV, Scene II — [1962] about 3 min
  152. Act IV, Scene III — [1969] about 4 min
  153. Act IV, Scene IV — [1992] about 4 min
  154. Act IV, Scene V — [2011] about 5 min
  155. Act IV, Scene VI — [2022] about 2 min
  156. Act IV, Scene VII — [2029] about 6 min
  157. Act V, Scene I — [2042] about 2 min
  158. Act V, Scene II — [2047] about 2 min
  159. Act V, Scene III — [2051] about 4 min
  160. Act V, Scene IV — [2054] about 7 min
  161. Act V, Scene V — [2064] about 8 min
  162. The Prologue about 1 min
  163. Act I, Scene I — [2083] about 9 min
  164. Act II, Scene I — [2113] about 3 min
  165. Act II, Scene II — [2124] about 1 min
  166. Act II, Scene III — [2125] about 5 min
  167. Act II, Scene IV — [2150] about 1 min
  168. Act II, Scene V — [2153] about 3 min
  169. Act III, Scene I — [2157] about 6 min
  170. Act III, Scene II — [2175] about 2 min
  171. Act III, Scene III — [2177] about 4 min
  172. Act III, Scene IV — [2184] about 7 min
  173. Act III, Scene V — [2201] about 4 min
  174. Act IV, Scene I — [2204] about 5 min
  175. Act IV, Scene II — [2206] about 3 min
  176. Act IV, Scene III — [2212] about 3 min
  177. Act IV, Scene IV — [2214] about 2 min
  178. Act IV, Scene V — [2218] about 6 min
  179. Act V, Scene I — [2231] about 2 min
  180. Act V, Scene II — [2233] about 9 min
  181. Act V, Scene III — [2244] about 1 min
  182. Act V, Scene IV — [2247] about 3 min
  183. Act V, Scene V — [2254] about 8 min
  184. I. BY THOMAS DEKKER under 1 min
  185. Act I, Scene I — [2260] about 1 h 52 min
  186. II. BY THOMAS DEKKER under 1 min
  187. Act I, Scene I — [2459] about 8 min
  188. Act I, Scene II — [2468] about 31 min
  189. Act III about 1 h 19 min
  190. Act I, Scene I — [2629] under 1 min
  191. Act I, Scene II — [2630] about 1 min
  192. Act I, Scene III — [2638] about 6 min
  193. Act I, Scene IV — [2660] about 3 min
  194. Act I, Scene V — [2666] about 2 min
  195. Act I, Scene VI — [2670] about 3 min
  196. Act I, Scene VII — [2672] about 5 min
  197. Act II, Scene I — [2684] about 1 min
  198. Act II, Scene II — [2688] about 1 min
  199. Act II, Scene III — [2692] about 3 min
  200. Act II, Scene IV — [2699] about 2 min
  201. Act II, Scene V — [2703] about 6 min
  202. Act III, Scene I — [2711] about 6 min
  203. Act III, Scene II — [2721] about 2 min
  204. Act III, Scene III — [2725] about 5 min
  205. Act III, Scene IV — [2728] about 2 min
  206. Act III, Scene V — [2731] about 1 min
  207. Act IV, Scene I — [2735] about 2 min
  208. Act IV, Scene II — [2739] about 1 min
  209. Act IV, Scene III — [2742] about 5 min
  210. Act IV, Scene IV — [2749] about 1 min
  211. Act IV, Scene V — [2750] about 5 min
  212. Act V about 2 min
  213. Act V, Scene I — [2765] about 4 min
  214. Act V, Scene II — [2770] about 3 min
  215. Act V, Scene III about 6 min
  216. Act V, Scene V about 8 min
  217. Prologue about 1 h 15 min
  218. The Epilogue about 7 min
  219. Act I, Scene I — [2973] about 18 min
  220. Act II, Scene I — [3012] about 21 min
  221. Act III, Scene I — [3063] about 22 min
  222. Act IV, Scene I — [3104] about 5 min
  223. Act IV, Scene III — [3119] about 12 min
  224. Act V, Scene I — [3144] about 14 min
  225. Act I, Scene I — [3173] about 20 min
  226. Act II, Scene I — [3196] about 18 min
  227. Act III, Scene I — [3220] about 18 min
  228. Act IV, Scene I — [3230] about 19 min
  229. Act V, Scene I — [3259] about 23 min
  230. Act I, Scene I — [3312] about 16 min
  231. Act II about 18 min
  232. Act III about 23 min
  233. Act IV about 23 min
  234. Act V about 21 min
  235. Act I, Scene I about 20 min
  236. Act II, Scene I — [3437] about 11 min
  237. Act II, Scene IV — [3458] about 4 min
  238. Act III, Scene I — [3460] about 17 min
  239. Act IV, Scene I — [3469] about 20 min
  240. Act V, Scene I — [3485] about 20 min
  241. Dramatis Personae about 1 min
  242. Act I, Scene I — [3504] about 7 min
  243. Act I, Scene II — [3509] about 4 min
  244. Act I, Scene III — [3520] about 10 min
  245. Act II, Scene I — [3531] about 9 min
  246. Act II, Scene II — [3545] about 7 min
  247. Act II, Scene III — [3551] about 6 min
  248. Act III, Scene I — [3563] about 20 min
  249. Act IV, Scene I — [3595] about 7 min
  250. Act IV, Scene II — [3600] about 5 min
  251. Act IV, Scene III — [3610] about 7 min
  252. Act V, Scene I — [3616] about 1 min
  253. Act V, Scene II — [3618] about 7 min
  254. Act V, Scene III — [3632] about 1 min
  255. Act V, Scene IV — [3633] about 3 min
  256. Act V, Scene V — [3636] about 1 min
  257. Act V, Scene VI — [3638] about 5 min
  258. Dramatis Personae under 1 min
  259. Act I, Scene I — [3642] about 3 min
  260. Act I, Scene II — [3644] about 16 min
  261. Act II, Scene I — [3673] about 7 min
  262. Act II, Scene II — [3690] about 3 min
  263. Act II, Scene III — [3696] about 3 min
  264. Act II, Scene IV — [3705] about 3 min
  265. Act II, Scene V — [3711] about 3 min
  266. Act III, Scene I — [3717] about 3 min
  267. Act III, Scene II — [3724] about 12 min
  268. Act III, Scene III — [3737] about 3 min
  269. Act III, Scene IV about 2 min
  270. Act III, Scene V — [3740] about 5 min
  271. Act IV, Scene I — [3743] about 19 min
  272. Act V, Scene I — [3766] about 16 min
  273. Act V, Scene III — [3779] about 2 min
  274. Act V, Scene IV — [3780] about 3 min
  275. Act V, Scene V — [3785] about 5 min
  276. Act V, Scene I — ][3786] about 14 min
  277. Act II about 18 min
  278. Act III about 18 min
  279. Act IV about 29 min
  280. Act V about 8 min
  281. Dramatis Personae under 1 min
  282. Act I about 18 min
  283. Act II about 13 min
  284. Act III about 19 min
  285. Act IV about 20 min
  286. Act V about 17 min
  287. Epilogue under 1 min
  288. Dramatis Personae under 1 min
  289. Act I, Scene I — [4017] about 7 min
  290. Act I, Scene II — [4033] about 5 min
  291. Act I, Scene III — [4039] about 6 min
  292. Act II, Scene I — [4046] about 6 min
  293. Act II, Scene II — [4053] about 7 min
  294. Act II, Scene III — [4058] about 5 min
  295. Act III, Scene I — [4064] about 4 min
  296. Act III, Scene II — [4068] about 13 min
  297. Act III, Scene III — [4083] about 3 min
  298. Act IV, Scene I — [4085] about 9 min
  299. Act IV, Scene II — [4093] about 5 min
  300. Act IV, Scene III — [4101] about 5 min
  301. Act V, Scene I — [4107] about 16 min
  302. The Epilogue about 1 min
  303. Prologue about 1 min
  304. Act I, Scene I — [4126] about 4 min
  305. Act I, Scene II — [4130] about 5 min
  306. Act I, Scene III — [4136] about 7 min
  307. Act II, Scene I — [4144] about 6 min
  308. Act II, Scene II — [4156] about 5 min
  309. Act II, Scene III — [4162] about 6 min
  310. Act III, Scene I — [4169] about 20 min
  311. Act IV, Scene I — [4196] about 23 min
  312. Act V, Scene I — [4220] about 2 min
  313. Act V, Scene II — [4224] about 6 min
  314. Act V, Scene III — [4230] about 4 min
  315. The Epilogue about 1 min
  316. Act I about 18 min
  317. Act II, Scene I — [4260] about 17 min
  318. Act III about 22 min
  319. Act IV about 19 min
  320. Act V about 20 min
  321. The Prologue about 1 min
  322. Act I about 12 min
  323. Act II about 14 min
  324. Act III about 12 min
  325. Act IV about 17 min
  326. Act V about 20 min
  327. Epilogue about 2 h 44 min

Continue:

Opening

Transcriber’s note

Variable spelling and hyphenation have been retained. Minor punctuation inconsistencies have been silently repaired. The corrections made can be found at the end of the text. Formatting and special characters are indicated as follows:

italic =blackletter=

THE CHIEF ELIZABETHAN DRAMATISTS

THE CHIEF ELIZABETHAN DRAMATISTS

EXCLUDING SHAKESPEARE

Selected Plays

BY

LYLY, PEELE, GREENE, MARLOWE, KYD, CHAPMAN, JONSON DEKKER, MARSTON, HEYWOOD, BEAUMONT, FLETCHER WEBSTER, MIDDLETON, MASSINGER, FORD, SHIRLEY

EDITED FROM THE ORIGINAL QUARTOS AND FOLIOS WITH NOTES, BIOGRAPHIES, AND BIBLIOGRAPHIES

BY

WILLIAM ALLAN NEILSON, PH. D.

PROFESSOR OF ENGLISH, HARVARD UNIVERSITY

BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY The Riverside Press Cambridge 1911

COPYRIGHT, 1911, BY WILLIAM ALLAN NEILSON

ALL RIGHTS RESERVED

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Preface

THE aim in the selection of the plays in this volume has been twofold: first, to present typical examples of the work of the most important of Shakespeare’s contemporaries, so that, read with Shakespeare’s own writings, they might afford a view of the development of the English drama through its most brilliant period; secondly, to present, as far as it was possible in one volume, the most distinguished plays of that period, regarded merely from the point of view of their intrinsic value. It is clear that these two purposes could not always be perfectly combined; but it is hoped that each has been in good measure achieved without undue sacrifice of the other, and that the interests of the academic student and the general reader have been fairly harmonized.

In the treatment of the text, the same principles have been followed as in the editor’s edition of Shakespeare’s works in the Cambridge Poets Series. Each play has been printed from the most authentic text accessible, and emendations have been adopted sparingly. Modern stage directions, and divisions into scenes and acts which do not appear in the original editions, have been distinguished by square brackets; modern notes of place at the beginning of scenes have been relegated to the footnotes; and indications given by the early copies of the authors’ intentions with regard to the reading of the metre have been carefully preserved, especially in the matter of elided vowels. It is probable that, in the case of most of the present plays, the final -ed of verbs was intended to be pronounced as a separate syllable whenever it is spelled in full. The spelling and punctuation have been modernized throughout, except when the older spelling implied a different pronunciation.

The footnotes give the most important variant readings, and explanations of obsolete expressions; and the Additional Notes at the end of the volume supply information with regard to the circumstances of publication, date, and sources of each play. In accordance with the plan of the Chief Poets Series, to which the volume belongs, there have been added concise biographical sketches and a selected bibliography of the dramatic work of each author. In view of the full bibliographies printed recently in Professor Schelling’s Elizabethan Drama and in The Cambridge History of English Literature, vols. v and vi, it has not seemed advisable to attempt to give exhaustive bibliographies at the expense of reducing the number of dramas. All collected editions of the dramatists concerned are, however, mentioned; all separate editions of the plays here printed; a complete list of each author’s dramas, with the dates of the original editions; and a selection of the more important critical and biographical articles and books. Attention may also be called to the complete index of all the dramatis personae who have speaking parts, and to the index of songs.

In the selection of the thirty plays to be included I have received valuable advice from many friends and colleagues on the faculties of many colleges and universities; so many that a complete acknowledgment would be impracticable, a partial one invidious. For all such help I am deeply grateful. I have also received courtesies from the authorities of the Boston Public Library, the Boston Athenaeum, and the Harvard College Library, which have enabled me to add to the authority of my texts by a first-hand collation of a number of the original quartos.

Printing from so great a variety of sources and from so many different authors, I have found it difficult to preserve perfect uniformity of treatment, and have doubtless at times failed of accuracy. Any corrections which may occur to students of the Elizabethan drama who use the volume will be warmly welcomed.

W. A. N.

CAMBRIDGE, MASSACHUSETTS, January, 1911.

ENDYMION, THE MAN IN THE MOON, by John Lyly 1 THE OLD WIVES TALE, by George Peele 24 THE HONOURABLE HISTORY OF FRIAR BACON AND FRIAR BUNGAY, by Robert Greene 35 TAMBURLAINE, PART I, by Christopher Marlowe 57 THE TRAGICAL HISTORY OF DOCTOR FAUSTUS, by Christopher Marlowe 80 THE JEW OF MALTA, by Christopher Marlowe 96 THE TROUBLESOME REIGN AND LAMENTABLE DEATH OF EDWARD THE SECOND, by Christopher Marlowe 122 THE SPANISH TRAGEDY; OR, HIERONIMO IS MAD AGAIN, by Thomas Kyd 153 BUSSY D’AMBOIS, by George Chapman 185 EVERY MAN IN HIS HUMOUR, by Ben Jonson 214 SEJANUS, HIS FALL, by Ben Jonson 247 VOLPONE; OR, THE FOX, by Ben Jonson 285 THE ALCHEMIST, by Ben Jonson 325 THE SHOEMAKERS’ HOLIDAY, by Thomas Dekker 367 THE HONEST WHORE, PART I, by Thomas Dekker 393 THE HONEST WHORE, PART II, by Thomas Dekker 425 THE MALCONTENT, by John Marston and John Webster 456 A WOMAN KILLED WITH KINDNESS, by Thomas Heywood 485 THE KNIGHT OF THE BURNING PESTLE, by Francis Beaumont and John Fletcher 509 PHILASTER; OR, LOVE LIES A-BLEEDING, by Francis Beaumont and John Fletcher 539 THE MAID’S TRAGEDY, by Francis Beaumont and John Fletcher 568 THE FAITHFUL SHEPHERDESS, by John Fletcher 598 THE WILD-GOOSE CHASE, by John Fletcher 625 THE DUCHESS OF MALFI, by John Webster 656 A TRICK TO CATCH THE OLD ONE, by Thomas Middleton 690 THE CHANGELING, by Thomas Middleton and William Rowley 715 A NEW WAY TO PAY OLD DEBTS, by Philip Massinger 741 THE BROKEN HEART, by John Ford 770 THE LADY OF PLEASURE, by James Shirley 800 THE CARDINAL, by James Shirley 830

ADDITIONAL NOTES ON THE PLAYS 855 BIBLIOGRAPHIES 861 BIOGRAPHICAL SKETCHES 869 INDEX OF CHARACTERS 875 INDEX OF SONGS 879 INDEX OF AUTHORS 880 INDEX OF PLAYS 880

ENDYMION, THE MAN IN THE MOON

BY JOHN LYLY

[DRAMATIS PERSONAE

ENDYMION, in love with Cynthia. EUMENIDES, his friend, in love with Semele. CORSITES, a Captain, in love with Tellus. PANELION, } ZONTES, } Lords of Cynthia’s Court. PYTHAGORAS, the Greek Philosopher. GYPTES, an Egyptian Soothsayer. GERON, an old man, husband to Dipsas. SIR TOPHAS, a Braggart. DARES, Page to Eumenides. SAMIAS, Page to Endymion. EPITON, Page to Sir Tophas.

Master Constable. First Watchman. Second Watchman.

CYNTHIA, the Queen. TELLUS, in love with Endymion. FLOSCULA, her friend. SEMELE, loved by Eumenides. SCINTILLA, } FAVILLA, } Waiting-maids. DIPSAS, an old Enchantress. BAGOA, her servant.

Watchmen; Fairies; Three Ladies and an Old Man in the Dumb Show.]

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The Prologue

Most high and happy Princess, we must tell you a tale of the Man in the Moon, which, if it seem ridiculous for the method, or superfluous for the matter, or for the means incredible, for three faults we can make but one excuse: it is a tale of the Man in the Moon.

It was forbidden in old time to dispute of Chimæra because it was a fiction: we hope in our times none will apply pastimes,[1] because they are fancies; for there liveth none under the sun that knows what to make of the Man in the Moon. We present neither comedy, nor tragedy, nor story, nor anything but that whosoever heareth may say this: Why, here is a tale of the Man in the Moon.

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Act I, Scene I — [2]

[Enter] ENDYMION and EUMENIDES.

Endymion. I find, Eumenides, in all things both variety to content, and satiety to glut, saving only in my affections, which are so staid, and withal so stately, that I can neither satisfy my heart with love, nor mine eyes with wonder. (5) My thoughts, Eumenides, are stitched to the stars, which being as high as I can see, thou mayest imagine how much higher they are than I can reach.

Eum. If you be enamoured of anything (10) above the moon, your thoughts are ridiculous, for that things immortal are not subject to affections; if allured or enchanted with these transitory things under the moon, you show yourself senseless to attribute such lofty 15 titles to such [low][3] trifles.

End. My love is placed neither under the moon nor above.

Eum. I hope you be not sotted[4] upon the Man in the Moon. 20

End. No; but settled either to die or possess the moon herself.

Eum. Is Endymion mad, or do I mistake? Do you love the moon, Endymion?

End. Eumenides, the moon. 25

Eum. There was never any so peevish[5] to imagine the moon either capable of affection or shape of a mistress; for as impossible it is to make love fit to her humour, which no man knoweth, as a coat to her form, which continueth (30) not in one bigness whilst she is measuring. Cease off, Endymion, to feed so much upon fancies. That melancholy blood must be purged which draweth you to a dotage no less miserable than monstrous. 35

End. My thoughts have no veins, and yet unless they be let blood, I shall perish.

Eum. But they have vanities, which being reformed, you may be restored.

End. O, fair Cynthia, why do others term (40) thee unconstant whom I have ever found unmovable? Injurious time, corrupt manners, unkind men, who, finding a constancy not to be matched in my sweet mistress, have christened her with the name of wavering, waxing, and 45 waning! Is she inconstant that keepeth a settled course; which, since her first creation, altereth not one minute in her moving? There is nothing thought more admirable or commendable in the sea than the ebbing and flowing; (50) and shall the moon, from whom the sea taketh this virtue, be accounted fickle for increasing and decreasing? Flowers in their buds are nothing worth till they be blown, nor are blossoms accounted till they be ripe fruit; and shall (55) we then say they be changeable for that they grow from seeds to leaves, from leaves to buds, from buds to their perfection? Then, why be not twigs that become trees, children that become men, and mornings that grow to evenings, (60) termed wavering, for that they continue not at one stay? Ay, but Cynthia, being in her fulness, decayeth, as not delighting in her greatest beauty, or withering when she should be most honoured. When malice cannot object (65) anything, folly will, making that a vice which is the greatest virtue. What thing (my mistress excepted), being in the pride of her beauty and latter minute of her age, that waxeth young again? Tell me, Eumenides, what is he that (70) having a mistress of ripe years and infinite virtues, great honours and unspeakable beauty, but would wish that she might grow tender again, getting youth by years, and never-decaying beauty by time; whose fair face neither the (75) summer’s blaze can scorch, nor winter’s blast chap, nor the numbering of years breed altering of colours? Such is my sweet Cynthia, whom time cannot touch because she is divine, nor will offend because she is delicate. O Cynthia, 80 if thou shouldst always continue at thy fulness, both gods and men would conspire to ravish thee. But thou, to abate the pride of our affections, dost detract from thy perfections, thinking it sufficient if once in a month (85) we enjoy a glimpse of thy majesty; and then, to increase our griefs, thou dost decrease thy gleams, coming out of thy royal robes, wherewith thou dazzlest our eyes, down into thy swathe clouts,[6] beguiling our eyes; and then— 90

Eum. Stay there, Endymion; thou that committest idolatry, wilt straight blaspheme, if thou be suffered. Sleep would do thee more good than speech: the moon heareth thee not, or if she do, regardeth thee not. 95

End. Vain Eumenides, whose thoughts never grow higher than the crown of thy head! Why troublest thou me, having neither head to conceive the cause of my love or a heart to receive the impressions? Follow thou thine own fortunes, (100) which creep on the earth, and suffer me to fly to mine, whose fall, though it be desperate, yet shall it come by daring. Farewell. [Exit.]

Eum. Without doubt Endymion is bewitched; otherwise in a man of such rare virtues there (105) could not harbour a mind of such extreme madness. I will follow him, lest in this fancy of the moon he deprive himself of the sight of the sun. Exit.

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Act I, Scene II — [7]

[Enter] TELLUS and FLOSCULA.

Tellus. Treacherous and most perjured Endymion, is Cynthia the sweetness of thy life and the bitterness of my death? What revenge may be devised so full of shame as my thoughts are replenished with malice? Tell me, Floscula, (5) if falseness in love can possibly be punished with extremity of hate? As long as sword, fire, or poison may be hired, no traitor to my love shall live unrevenged. Were thy oaths without number, thy kisses without measure, thy sighs (10) without end, forged to deceive a poor credulous virgin, whose simplicity had been worth thy favour and better fortune? If the gods sit unequal beholders of injuries, or laughers at lovers’ deceits, then let mischief be as well forgiven (15) in women as perjury winked at in men.

Flosc. Madam, if you would compare the state of Cynthia with your own, and the height of Endymion his thoughts with the meanness of your fortune, you would rather yield than (20) contend, being between you and her no comparison; and rather wonder than rage at the greatness of his mind, being affected with a thing more than mortal.

Tellus. No comparison, Floscula? And (25) why so? Is not my beauty divine, whose body is decked with fair flowers, and veins are vines, yielding sweet liquor to the dullest spirits; whose ears are corn, to bring strength; and whose hairs are grass, to bring abundance? (30) Doth not frankincense and myrrh breathe out of my nostrils, and all the sacrifice of the gods breed in my bowels? Infinite are my creatures, without which neither thou, nor Endymion, nor any, could love or live. 35

Flosc. But know you not, fair lady, that Cynthia governeth all things? Your grapes would be but dry husks, your corn but chaff, and all your virtues vain, were it not Cynthia that preserveth the one in the bud and nourisheth the (40) other in the blade, and by her influence both comforteth all things, and by her authority commandeth all creatures. Suffer, then, Endymion to follow his affections, though to obtain her be impossible, and let him flatter himself in his (45) own imaginations, because they are immortal.

Tellus. Loath I am, Endymion, thou shouldest die, because I love thee well; and that thou shouldest live, it grieveth me, because thou lovest Cynthia too well. In these extremities, (50) what shall I do? Floscula, no more words; I am resolved. He shall neither live nor die.

Flosc. A strange practice,[8] if it be possible.

Tellus. Yes, I will entangle him in such a sweet net that he shall neither find the means (55) to come out, nor desire it. All allurements of pleasure will I cast before his eyes, insomuch that he shall slake that love which he now voweth to Cynthia, and burn in mine, of which he seemeth careless. In this languishing, between (60) my amorous devices and his own loose desires, there shall such dissolute thoughts take root in his head, and over his heart grow so thick a skin, that neither hope of preferment, nor fear of punishment, nor counsel of the wisest, nor (65) company of the worthiest, shall alter his humour, nor make him once to think of his honour.

Flosc. A revenge incredible, and, if it may be, unnatural.

Tellus. He shall know the malice of a woman (70) to have neither mean nor end; and of a woman deluded in love to have neither rule nor reason. I can do it; I must; I will! All his virtues will I shadow with vices; his person (ah, sweet person!) shall he deck with such rich (75) robes as he shall forget it is his own person; his sharp wit (ah, wit too sharp that hath cut off all my joys!) shall he use in flattering of my face and devising sonnets in my favour. The prime of his youth and pride of his time shall be spent 80 in melancholy passions, careless behaviour, untamed thoughts, and unbridled affections.

Flosc. When this is done, what then? Shall it continue till his death, or shall he dote forever in this delight? 85

Tellus. Ah, Floscula, thou rendest my heart in sunder in putting me in remembrance of the end.

Flosc. Why, if this be not the end, all the rest is to no end. 90

Tellus. Yet suffer me to imitate Juno, who would turn Jupiter’s lovers to beasts on the earth, though she knew afterwards they should be stars in heaven.

Flosc. Affection that is bred by enchantment (95) is like a flower that is wrought in silk,—in colour and form most like, but nothing at all in substance or savour.

Tellus. It shall suffice me if the world talk that I am favoured of Endymion. 100

Flosc. Well, use your own will; but you shall find that love gotten with witchcraft is as unpleasant as fish taken with medicines[9] unwholesome.

Tellus. Floscula, they that be so poor that (105) they have neither net nor hook will rather poison dough than pine with hunger; and she that is so oppress’d with love that she is neither able with beauty nor wit to obtain her friend, will rather use unlawful means than try intolerable (110) pains. I will do it. Exit.

Flosc. Then about it. Poor Endymion, what traps are laid for thee because thou honourest one that all the world wondereth at! And what plots are cast to make thee unfortunate that (115) studiest of all men to be the faithfulest! Exit.

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Act I, Scene III — [10]

[Enter] DARES and SAMIAS.

Dares. Now our masters are in love up to the ears, what have we to do but to be in knavery up to the crowns?

Samias. Oh, that we had Sir Tophas, that brave squire, in the midst of our mirth,—et (5) ecce autem, “Will you see the Devil”,—

Enter SIR TOPHAS [and EPITON].

Top. Epi!

Epi. Here, sir.

Top. I brook not this idle humour of love; it tickleth not my liver, from whence the lovemongers (10) in former ages seemed to infer they should proceed.

Epi. Love, sir, may lie in your lungs,—and I think it doth, and that is the cause you blow and are so pursy. 15

Top. Tush, boy, I think it but some device of the poet to get money.

Epi. A poet? What’s that?

Top. Dust thou not know what a poet is?

Epi. No. 20

Top. Why, fool, a poet is as much as one should say—a poet. [Noticing DARES and SAMIAS.] But soft, yonder be two wrens; shall I shoot at them?

Epi. They are two lads. 25

Top. Larks or wrens, I will kill them.

Epi. Larks! Are you blind? They are two little boys.

Top. Birds or boys, they are both but a pittance for my breakfast; therefore have at (30) them, for their brains must as it were embroider my bolts.[11]

Sam. Stay your courage, valiant knight, for your wisdom is so weary that it stayeth itself.

Dar. Why, Sir Tophas, have you forgotten (35) your old friends?

Top. Friends? Nego argumentum.

Sam. And why not friends?

Top. Because amicitia (as in old annals we find) is inter pares. Now, my pretty companions (40) you shall see how unequal you be to me; but I will not cut you quite off, you shall be my half-friends for reaching to my middle; so far as from the ground to the waist I will be your friend. 45

Dar. Learnedly. But what shall become of the rest of your body, from the waist to the crown?

Top. My children, quod supra vos nihil ad vos; you must think the rest immortal, because (50) you cannot reach it.

Epi. Nay, I tell ye my master is more than a man.

Dar. And thou less than a mouse.

Top. But what be you two? 55

Sam. I am Samias, page to [Eumenides].

Dar. And I Dares, page to [Endymion].

Top. Of what occupation are your masters?

Dar. Occupation, you clown! Why, they are honourable and warriors. 60

Top. Then are they my prentices.

Dar. Thine! And why so?

Top. I was the first that ever devised war, and therefore by Mars himself given me for my arms a whole armory; and thus I go, as you (65) see, clothed with artillery. It is not silks, milksops, nor tissues, nor the fine wool of Seres,[12] but iron, steel, swords, flame, shot, terror, clamour, blood, and ruin, that rocks asleep my thoughts, which never had any other cradle (70) but cruelty. Let me see, do you not bleed?

Dar. Why so?

Top. Commonly my words wound.

Sam. What then do your blows?

Top. Not only [wound],[13] but also confound. 75

Sam. How darest thou come so near thy master, Epi? Sir Tophas, spare us.

Top. You shall live:—you, Samias, because you are little; you, Dares, because you are no bigger; and both of you, because you are but (80) two; for commonly I kill by the dozen, and have for every particular adversary a peculiar weapon.

Sam. May we know the use, for our better skill in war?

Top. You shall. Here is a bird-bolt for the (85) ugly beast the blackbird.

Dar. A cruel sight.

Top. Here is the musket for the untamed or, as the vulgar sort term it, the wild mallard.[14]

Sam. O desperate attempt! 90

Epi. Nay, my master will match them.

Dar. Ay, if he catch them.

Top. Here is a spear and shield, and both necessary, the one to conquer, the other to subdue or overcome the terrible trout, which although (95) he be under the water, yet tying a string to the top of my spear and an engine of iron to the end of my line, I overthrow him, and then herein I put him.

Sam. O wonderful war! [Aside.] Dares, (100) didst thou ever hear such a dolt?

Dar. [Aside.] All the better; we shall have good sport hereafter, if we can get leisure.

Sam. [Aside.] Leisure! I will rather lose my master’s service than his company! Look (105) how he struts. [To Sir TOPHAS.] But what is this? Call you it your sword?

Top. No, it is my simitar; which I, by construction often studying to be compendious, call my smiter. 110

Dar. What, are you also learned, sir?

Top. Learned? I am all Mars and Ars.

Sam. Nay, you are all mass and ass.

Top. Mock you me? You shall both suffer, yet with such weapons as you shall make choice (115) of the weapon wherewith you shall perish. Am I all a mass or lump; is there no proportion in me? Am I all ass; is there no wit in me? Epi, prepare them to the slaughter.

Sam. I pray, sir, hear us speak! We call (120) you mass, which your learning doth well understand is all man, for mas, maris is a man. Then as (as you know) is a weight, and we for your virtues account you a weight.

Top. The Latin hath saved your lives, the (125) which a world of silver could not have ransom’d. I understand you, and pardon you.

Dar. Well, Sir Tophas, we bid you farewell, and at our next meeting we will be ready to do you service. 130

Top. Samias, I thank you: Dares, I thank you: but especially I thank you both.

Sam. [Aside.] Wisely. Come, next time we ’ll have some pretty gentlewomen with us to walk, for without doubt with them he will (135) be very dainty.

Dar. Come, let us see what our masters do; it is high time. Exeunt [SAMIAS and DARES.]

Top. Now will I march into the field, where, if I cannot encounter with my foul (140) enemies, I will withdraw myself to the river, and there fortify for fish, for there resteth no minute free from fight. Exeunt [Sir TOPHAS and EPITON.] 145

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Act I, Scene IV — [15]

[Enter at one side] FLOSCULA and TELLUS, [at the other] DIPSAS.

Tellus. Behold, Floscula, we have met with the woman by chance that we sought for by travel. I will break my mind to her without ceremony or circumstance, lest we lose that time in advice that should be spent in (5) execution.

Flosc. Use your discretion; I will in this case neither give counsel nor consent, for there cannot be a thing more monstrous than to force affection by sorcery, neither do I imagine (10) anything more impossible.

Tellus. Tush, Floscula, in obtaining of love, what impossibilities will I not try? And for the winning of Endymion, what impieties will I not practise? Dipsas, whom as many honour for (15) age as wonder at for cunning, listen in few words to my tale, and answer in one word to the purpose, for that neither my burning desire can afford long speech, nor the short time I have to stay many delays. Is it possible by herbs, (20) stones, spells, incantation, enchantment, exorcisms, fire, metals, planets, or any practice,[16] to plant affection where it is not, and to supplant it where it is?

Dipsas. Fair lady, you may imagine that (25) these hoary hairs are not void of experience, nor the great name that goeth of my cunning to be without cause. I can darken the sun by my skill and remove the moon out of her course; I can restore youth to the aged and make 30 hills without bottoms; there is nothing that I cannot do but that only which you would have me do: and therein I differ from the gods, that I am not able to rule hearts; for were it in my power to place affection by appointment, I (35) would make such evil appetites, such inordinate lusts, such corsed desires, as all the world should be filled both with superstitious heats and extreme love.

Tellus. Unhappy Tellus, whose desires are (40) so desperate that they are neither to be conceived of any creature, nor to be cured by any art!

Dipsas. This I can: breed slackness in love, though never root it out. What is he whom (45) you love, and what she that he honoureth?

Tellus. Endymion, sweet Endymion is he that hath my heart; and Cynthia, too, too fair Cynthia, the miracle of nature, of time, of fortune, is the lady that he delights in, and (50) dotes on every day, and dies for ten thousand times a day.

Dipsas. Would you have his love either by absence or sickness aslaked?[17] Would you that Cynthia should mistrust him, or be jealous (55) of him without colour?

Tellus. It is the only thing I crave, that, seeing my love to Endymion, unspotted, cannot be accepted, his truth to Cynthia, though it be unspeakable, may be suspected. 60

Dipsas. I will undertake it, and overtake[18] him, that all his love shall be doubted of, and therefore become desperate: but this will wear out with time that treadeth all things down but truth. 65

Tellus. Let us go.

Dipsas. I follow. Exeunt.

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Act II, Scene I — [19]

[Enter] ENDYMION.

Endymion. O fair Cynthia! O unfortunate Endymion! Why was not thy birth as high as thy thoughts, or her beauty less than heavenly; or why are not thine honours as rare as her beauty, or thy fortunes as great as thy deserts? (5) Sweet Cynthia, how wouldst thou be pleased, how possessed? Will labours, patient of all extremities, obtain thy love? There is no mountain so steep that I will not climb, no monster so cruel that I will not tame, no action (10) so desperate that I will not attempt. Desirest thou the passions of love, the sad and melancholy moods of perplexed minds, the not-to-be-expressed torments of racked thoughts? Behold my sad tears, my deep sighs, my hollow (15) eyes, my broken sleeps, my heavy countenance. Wouldst thou have me vow’d only to thy beauty and consume every minute of time in thy service? Remember my solitary life almost these seven years. Whom have I entertained (20) but mine own thoughts and thy virtues? What company have I used but contemplation? Whom have I wond’red at but thee? Nay, whom have I not contemned for thee? Have I not crept to those on whom I might have trodden, (25) only because thou didst shine upon them? Have not injuries been sweet to me, if thou vouchsafest I should bear them? Have I not spent my golden years in hopes, waxing old with wishing, yet wishing nothing but thy love? (30) With Tellus, fair Tellus, have I dissembled, using her but as a cloak for mine affections, that others, seeing my mangled and disordered mind, might think it were for one that loveth me, not for Cynthia, whose perfection alloweth (35) no companion nor comparison. In the midst of these distemp’red thoughts of mine thou art not only jealous of my truth, but careless, suspicious, and secure; which strange humour maketh my mind as desperate as thy conceits are 40 doubtful. I am none of those wolves that bark most when thou shinest brightest, but that fish (thy fish,[20] Cynthia, in the flood Araris) which at thy waxing is as white as the driven snow, and at thy waning as black as deepest darkness. (45) I am that Endymion, sweet Cynthia, that have carried my thoughts in equal balance with my actions, being always as free from imagining ill as enterprising; that Endymion whose eyes never esteemed anything fair but thy (50) face, whose tongue termed nothing rare but thy virtues, and whose heart imagined nothing miraculous but thy government; yea, that Endymion, who, divorcing himself from the amiableness of all ladies, the bravery of all courts, (55) the company of all men, hath chosen in a solitary cell to live, only by feeding on thy favour, accounting in the world—but thyself—nothing excellent, nothing immortal: thus mayest thou see every vein, sinew, muscle, and artery of (60) my love, in which there is no flattery, nor deceit, error, nor art. But soft, here cometh Tellus. I must turn my other face to her, like Janus, lest she be as suspicious as Juno.

Enter TELLUS, [FLOSCULA, and DIPSAS].

Tellus. Yonder I espy Endymion. I will (65) seem to suspect nothing, but soothe him, that seeing I cannot obtain the depth of his love, I may learn the height of his dissembling. Floscula and Dipsas, withdraw yourselves out of our sight, yet be within the hearing of our (70) saluting. [FLOSCULA and DIPSAS withdraw.] How now, Endymion, always solitary? No company but your own thoughts, no friend but melancholy fancies?

End. You know, fair Tellus, that the (75) sweet remembrance of your love is the only companion of my life, and thy presence, my paradise; so that I am not alone when nobody is with me, and in heaven itself when thou art with me. 80

Tellus. Then you love me, Endymion?

End. Or else I live not, Tellus.

Tellus. Is it not possible for you, Endymion, to dissemble?

End. Not, Tellus, unless I could make me (85) a woman.

Tellus. Why, is dissembling joined to their sex inseparable, as heat to fire, heaviness to earth, moisture to water, thinness to air?

End. No, but found in their sex as common (90) as spots upon doves, moles upon faces, caterpillars upon sweet apples, cobwebs upon fair windows.

Tellus. Do they all dissemble?

End. All but one. 95

Tellus. Who is that?

End. I dare not tell; for if I should say you, then would you imagine my flattery to be extreme; if another, then would you think my love to be but indifferent. 100

Tellus. You will be sure I shall take no vantage of your words. But, in sooth, Endymion, without more ceremonies, is it not Cynthia?

End. You know, Tellus, that of the gods we are forbidden to dispute, because their deities (105) come not within the compass of our reasons; and of Cynthia we are allowed not to talk but to wonder, because her virtues are not within the reach of our capacities.

Tellus. Why, she is but a woman. 110

End. No more was Venus.

Tellus. She is but a virgin.

End. No more was Vesta.

Tellus. She shall have an end.

End. So shall the world. 115

Tellus. Is not her beauty subject to time?

End. No more than time is to standing still.

Tellus. Wilt thou make her immortal?

End. No, but incomparable.

Tellus. Take heed, Endymion, lest like (120) the wrestler in Olympia, that striving to lift an impossible weight catch’d an incurable strain, thou, by fixing thy thoughts above thy reach, fall into a disease without all recure. But I see thou art now in love with Cynthia. 125

End. No, Tellus, thou knowest that the stately cedar, whose top reacheth unto the clouds, never boweth his head to the shrubs that grow in the valley; nor ivy, that climbeth up by the elm, can ever get hold of the (130) beams of the sun. Cynthia I honour in all humility, whom none ought or dare adventure to love, whose affections are immortal, and virtues infinite. Suffer me, therefore, to gaze on the moon, at whom, were it not for thyself, I would (135) die with wondering. Exeunt.

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Act II, Scene II — [21]

[Enter] DARES, SAMIAS, SCINTILLA, and FAVILLA.

Dar. Come, Samias, didst thou ever hear such a sighing, the one for Cynthia, the other for Semele, and both for moonshine in the water?

Sam. Let them sigh, and let us sing. How (5) say you, gentlewomen, are not our masters too far in love?

Scint. Their tongues, haply, are dipp’d to the root in amorous words and sweet discourses, but I think their hearts are scarce tipp’d on (10) the side with constant desires.

Dar. How say you, Favilla, is not love a lurcher,[22] that taketh men’s stomachs away that they cannot eat, their spleen that they cannot laugh, their hearts that they cannot fight, (15) their eyes that they cannot sleep, and leaveth nothing but livers to make nothing but lovers!

Favil. Away, peevish boy; a rod were better under thy girdle than love in thy mouth! It will be a forward cock that croweth in the 20 shell.

Dar. Alas, good old gentlewoman, how it becometh you to be grave!

Scint. Favilla, though she be but a spark, yet is she fire. 25

Favil. And you, Scintilla, be not much more than a spark, though you would be esteemed a flame.

Sam. [Aside to Dares.] It were good sport to see the fight between two sparks. 30

Dar. [Aside to Samias.] Let them to it, and we will warm us by their words.

Scint. You are not angry, Favilla?

Favil. That is, Scintilla, as you list to take it. 35

Sam. That, that!

Scint. This it is to be matched with girls, who coming but yesterday from making of babies,[23] would before to-morrow be accounted matrons.

Favil. I cry your matronship mercy. Because (40) your pantables[24] be higher with cork, therefore your feet must needs be higher in the insteps. You will be mine elder because you stand upon a stool and I on the floor.

Sam. Good, good! 45

Dar. [To Samias.] Let them alone, and see with what countenance they will become friends.

Scint. Nay, you think to be the wiser, because you mean to have the last word. 50

Sam. [To Dares.] Step between them lest they scratch.—In faith, gentlewomen, seeing we came out to be merry, let not your jarring mar our jests; be friends. How say you?

Scint. I am not angry, but it spited me to (55) see how short she was.

Favil. I meant nothing till she would needs cross me.

Dar. Then, so let it rest.

Scint. I am agreed. 60

Favil. And I. Yet I never took anything so unkindly in my life. [Weeps.]

Scint. ’Tis I have the cause, that never offered the occasion. [Weeps.]

Dar. Excellent, and right like a woman. 65

Sam. A strange sight to see water come out of fire.

Dar. It is their property to carry in their eyes fire and water, tears and torches, and in their mouths honey and gall. 70

Enter [at the opposite side] SIR TOPHAS [and EPITON].

Scint. You will be a good one if you live. But what is yonder formal fellow?

Dar. Sir Tophas, Sir Tophas, of whom we told you. If you be good wenches, make as though you love him, and wonder at him. 75

Favil. We will do our parts.

Dar. But first let us stand aside, and let him use his garb,[25] for all consisteth in his gracing. [The four retire.]

Top. Epi!

Epi. At hand, sir. 80

Top. How likest thou this martial life, where nothing but blood besprinkleth our bosoms? Let me see, be our enemies[26] fat?

Epi. Passing fat: and I would not change this life to be a lord; and yourself passeth all (85) comparison, for other captains kill and beat, and there is nothing you kill, but you also eat.

Top. I will draw out their guts out of their bellies, and tear the flesh with my teeth, so mortal is my hate, and so eager my 90 unstaunched stomach.

Epi. [Aside.] My master thinks himself the valiantest man in the world if he kill a wren; so warlike a thing he accounteth to take away life, though it be from a lark. 95

Top. Epi, I find my thoughts to swell and my spirit to take wings, insomuch that I cannot continue within the compass of so slender combats.

Favil. This passeth! } 100 Scint. Why, is he not mad? } [Aside.] Sam. No, but a little vainglorious.}

Top. Epi!

Epi. Sir.

Top. I will encounter that black and cruel (105) enemy that beareth rough and untewed[27] locks upon his body, whose sire throweth down the strongest walls, whose legs are as many as both ours, on whose head are placed most horrible horns by nature as a defence from all harms. 110

Epi. What mean you, master, to be so desperate?

Top. Honour inciteth me, and very hunger compelleth me.

Epi. What is that monster? 115

Top. The monster Ovis. I have said,—let thy wits work.

Epi. I cannot imagine it. Yet let me see,—a “black enemy” with “rough locks.” It may be a sheep, and Ovis is a sheep. His sire so (120) strong: a ram is a sheep’s sire, that being also an engine of war. Horns he hath, and four legs,—so hath a sheep. Without doubt, this monster is a black sheep. Is it not a sheep that you mean? 125

Top. Thou hast hit it: that monster will I kill and sup with.

Sam. [Aside.] Come let us take him off. [SAMIAS, DARES, FAVILLA, and SCINTILLA come forward.] Sir Tophas, all hail! 130

Top. Welcome, children; I seldom cast mine eyes so low as to the crowns of your heads, and therefore pardon me that I spake not all this while.

Dar. No harm done. Here be fair ladies (135) come to wonder at your person, your valour, your wit, the report whereof hath made them careless of their own honours, to glut their eyes and hearts upon yours.

Top. Report cannot but injure me, for that (140) not knowing fully what I am, I fear she hath been a niggard in her praises.

Scint. No, gentle knight, report hath been prodigal, for she hath left you no equal, nor herself credit, so much hath she told, yet no (145) more than we now see.

Dar. A good wench.

Favil. If there remain as much pity toward women as there is in you courage against your enemies, then shall we be happy, who, 150 hearing of your person, came to see it, and seeing it, are now in love with it.

Top. Love me, ladies? I easily believe it, but my tough heart receiveth no impression with sweet words. Mars may pierce it, 155 Venus shall not paint on it.

Favil. A cruel saying.

Sam. [Aside.] There’s a girl.

Dar. Will you cast these ladies away, and all for a little love? Do but speak kindly. 160

Top. There cometh no soft syllable within my lips; custom hath made my words bloody and my heart barbarous. That pelting[28] word love, how waterish it is in my mouth; it carrieth no sound. Hate, horror, death, are (165) speeches that nourish my spirits. I like honey, but I care not for the bees; I delight in music, but I love not to play on the bagpipes; I can vouchsafe to hear the voice of women, but to touch their bodies, I disdain it as a (170) thing childish and fit for such men as can digest nothing but milk.

Scint. A hard heart! Shall we die for your love and find no remedy?

Top. I have already taken a surfeit. 175

Epi. Good master, pity them.

Top. Pity them, Epi? No, I do not think that this breast shall be pest’red with such a foolish passion. What is that the gentlewoman carrieth in a chain? 180

Epi. Why, it is a squirrel.

Top. A squirrel? O gods, what things are made for money!

Dar. Is not this gentleman over-wise?

Favil. I could stay all day with him, if (185) I feared not to be shent.[29]

Scint. Is it not possible to meet again?

Dar. Yes, at any time.

Favil. Then let us hasten home.

Scint. Sir Tophas, the god of war deal (190) better with you than you do with the god of love.

Favil. Our love we may dissemble, digest we cannot; but I doubt not but time will hamper you and help us. 195

Top. I defy time, who hath no interest in my heart. Come, Epi, let me to the battle with that hideous beast. Love is pap, and hath no relish in my taste because it is not terrible.

[Exeunt SIR TOPHAS and EPITON.]

Dar. Indeed a black sheep is a perilous (200) beast; but let us in till another time.

Favil. I shall long for that time. Exeunt.

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Act II, Scene III — [30]

[Enter] ENDYMION.

End. No rest, Endymion! Still uncertain how to settle thy steps by day or thy thoughts by night! Thy truth is measured by thy fortune, and thou art judged unfaithful because thou art unhappy. I will see if I can beguile (5) myself with sleep, and if no slumber will take hold in my eyes, yet will I embrace the golden thoughts in my head, and wish to melt by musing; that as ebony, which no fire can scorch, is yet consumed with sweet savours, so my heart, 10 which cannot be bent by the hardness of fortune, may be bruised by amorous desires. On yonder bank never grew anything but lunary,[31] and hereafter I will never have any bed but that bank. O Endymion, Tellus was fair. But (15) what availeth beauty without wisdom? Nay, Endymion, she was wise. But what availeth wisdom without honour? She was honourable, Endymion; belie her not. Ay, but how obscure is honour without fortune. Was she not fortunate (20) whom so many followed? Yes, yes, but base is fortune without majesty: thy majesty, Cynthia, all the world knoweth and wondereth at, but not one in the world that can imitate it or comprehend it. No more, Endymion. Sleep (25) or die. Nay, die, for to sleep, it is impossible;—and yet I know not how it cometh to pass, I feel such a heaviness both in mine eyes and heart that I am suddenly benumbed, yea, in every joint. It may be weariness, for when (30) did I rest? It may be deep melancholy, for when did I not sigh? Cynthia! Ay, so;—I say, Cynthia! He falls asleep.

[Enter DIPSAS and BAGOA.]

Dipsas. Little dost thou know, Endymion, when thou shalt wake, for hadst thou placed (35) thy heart as low in love as thy head lieth now in sleep, thou mightest have commanded Tellus, whom now, instead of a mistress, thou shalt find a tomb. These eyes must I seal up by art, not nature, which are to be opened neither by (40) art nor nature. Thou that layest down with golden locks shalt not awake until they be turned to silver hairs; and that chin on which scarcely appeareth soft down shall be filled with bristles as hard as broom. Thou shalt sleep (45) out thy youth and flowering time, and become dry hay before thou knewest thyself green grass; and ready by age to step into the grave when thou wakest, that was youthful in the court when thou laidest thee down to sleep. (50) The malice of Tellus hath brought this to pass, which if she could not have intreated of me by fair means, she would have commanded by menacing, for from her gather we all our simples to maintain our sorceries. [To BAGOA.] (55) Fan with this hemlock over his face, and sing the enchantment for sleep, whilst I go in and finish those ceremonies that are required in our art. Take heed ye touch not his face, for the fan is so seasoned that whoso it toucheth with (60) a leaf shall presently die, and over whom the wind of it breatheth, he shall sleep forever.

Bagoa. Let me alone; I will be careful. [Exit DIPSAS.] What hap hadst thou, Endymion, to come under the hands of Dipsas? O fair Endymion, (65) how it grieveth me that that fair face must be turned to a withered skin and taste the pains of death before it feel the reward of love! I fear Tellus will repent that which the heavens themselves seemed to rue. But I hear Dipsas (70) coming! I dare not repine, lest she make me pine, and rock me into such a deep sleep that I shall not awake to my marriage.

Re-enter DIPSAS.

Dipsas. How now, have you finished?

Bagoa. Yea. 75

Dipsas. Well then, let us in; and see that you do not so much as whisper that I did this, for if you do, I will turn thy hairs to adders and all thy teeth in thy head to tongues. Come away, come away. Exeunt [DIPSAS and BAGOA]. 80

A DUMB SHOW[32] [representing the dream of Endymion].

Music sounds. Three ladies enter: one with a knife and a looking-glass, who, by the procurement of one of the other two, offers to stab Endymion as he sleeps; but the third wrings her hands, lamenteth, offering still to prevent it, but dares (85) not. At last, the first lady looking in the glass, casts down the knife. Exeunt.

Enters an ancient man with books with three leaves; offers the same twice. Endymion refuseth. He rendeth[33] two, and offers the third, 90 where he stands awhile; and then Endymion offers to take it. Exit [the Old Man].

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Act III, Scene I — [34]

[Enter] CYNTHIA, TELLUS, [SEMELE, EUMENIDES, CORSITES, PANELION, and ZONTES.]

Cynthia. Is the report true, that Endymion is stricken into such a dead sleep that nothing can either wake him or move him?

Eum. Too true, madam, and as much to be pitied as wondered at. 5

Tellus. As good sleep and do no harm as wake and do no good.

Cynth. What maketh you, Tellus, to be so short? The time was Endymion only was.

Eum. It is an old saying, madam, that a (10) waking dog doth afar off bark at a sleeping lion.

Sem. It were good, Eumenides, that you took a nap with your friend, for your speech beginneth to be heavy. (15)

Eum. Contrary to your nature, Semele, which hath been always accounted light.

Cynth. What, have we here before my face these unseemly and malapert overthwarts![35] I will tame your tongues and your thoughts, (20) and make your speeches answerable to your duties, and your conceits fit for my dignity, else will I banish you both my person and the world.

Eum. Pardon, I humbly ask; but such is my unspotted faith to Endymion that whatsoever (25) seemeth a needle to prick his finger is a dagger to wound my heart.

Cynth. If you be so dear to him, how happeneth it you neither go to see him, nor search for remedy for him? 30

Eum. I have seen him to my grief, and sought recure with despair, for that I cannot imagine who should restore him that is the wonder to all men. Your Highness, on whose hands the compass of the earth is at command, though (35) not in possession, may show yourself both worthy your sex, your nature, and your favour, if you redeem that honourable Endymion, whose ripe years foretell rare virtues, and whose unmellowed conceits promise ripe counsel. 40

Cynth. I have had trial of Endymion, and conceive greater assurance of his age than I could hope of his youth.

Tellus. But timely, madam, crooks that tree that will be a cammock,[36] and young it pricks (45) that will be a thorn; and therefore he that began without care to settle his life, it is a sign without amendment he will end it.

Cynth. Presumptuous girl, I will make thy tongue an example of unrecoverable displeasure. (50) Corsites, carry her to the castle in the desert, there to remain and weave.

Cors. Shall she work stories or poetries?

Cynth. It skilleth[37] not which. Go to, in both; for she shall find examples infinite in either (55) what punishment long tongues have. Eumenides, if either the soothsayers in Egypt, or the enchanters in Thessaly, or the philosophers in Greece, or all the sages of the world can find remedy, I will procure it; therefore, dispatch (60) with all speed: you, Eumenides, into Thessaly; you, Zontes, into Greece, because you are acquainted in Athens; you, Panelion, to Egypt; saying that Cynthia sendeth, and if you will, commandeth. (65)

Eum. On bowed knee I give thanks, and with wings on my legs, I fly for remedy.

Zon. We are ready at your highness’ command, and hope to return to your full content.

Cynth. It shall never be said that Cynthia, (70) whose mercy and goodness filleth the heavens with joys and the world with marvels, will suffer either Endymion or any to perish, if he may be protected.

Eum. Your Majesty’s words have been always (75) deeds, and your deeds virtues. Exeunt.

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Act III, Scene II — [38]

[Enter] CORSITES and TELLUS.

Cors. Here is the castle, fair Tellus, in which you must weave, till either time end your days, or Cynthia her displeasure. I am sorry so fair a face should be subject to so hard a fortune, and that the flower of beauty, which is honoured (5) in courts, should here wither in prison.

Tellus. Corsites, Cynthia may restrain the liberty of my body, of my thoughts she cannot; and therefore do I esteem myself most free, though I am in greatest bondage. 10

Cors. Can you then feed on fancy, and subdue the malice of envy by the sweetness of imagination?

Tellus. Corsites, there is no sweeter music to the miserable than despair; and therefore (15) the more bitterness I feel, the more sweetness I find; for so vain were liberty, and so unwelcome the following of higher fortune, that I choose rather to pine in this castle than to be a prince in any other court. 20

Cors. A humour contrary to your years and nothing agreeable to your sex; the one commonly allured with delights, the other always with sovereignty.

Tellus. I marvel, Corsites, that you being (25) a captain, who should sound nothing but terror and suck nothing but blood, can find in your heart to talk such smooth words, for that it agreeth not with your calling to use words so soft as that of love. 30

Cors. Lady, it were unfit of wars to discourse with women, into whose minds nothing can sink but smoothness; besides, you must not think that soldiers be so rough-hewn, or of such knotty mettle, that beauty cannot allure, (35) and you, being beyond perfection, enchant.

Tellus. Good Corsites, talk not of love, but let me to my labour. The little beauty I have shall be bestowed on my loom, which I now mean to make my lover. 40

Cors. Let us in, and what favor Corsites can show, Tellus shall command.

Tellus. The only favour I desire is now and then to walk. Exeunt.

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Act III, Scene III — [39]

[Enter] Sir TOPHAS and EPITON.

Tophas. Epi!

Epi. Here, sir.

Tophas. Unrig me. Heigho!

Epi. What’s that?

Tophas. An interjection, whereof some are (5) of mourning: as eho, vah.[40]

Epi. I understand you not.

Tophas. Thou seest me.

Epi. Ay.

Tophas. Thou hearest me. 10

Epi. Ay.

Tophas. Thou feelest me.

Epi. Ay.

Tophas. And not understand’st me?

Epi. No. 15

Tophas. Then am I but three-quarters of a noun substantive. But alas, Epi, to tell thee the troth. I am a noun adjective.

Epi. Why?

Tophas. Because I cannot stand without (20) another.

Epi. Who is that?

Tophas. Dipsas.

Epi. Are you in love?

Tophas. No; but love hath, as it were, (25) milk’d my thoughts and drained from my heart the very substance of my accustomed courage; it worketh in my head like new wine, so as I must hoop my sconce with iron, lest my head break, and so I bewray[41] my brains. But, I (30) pray thee, first discover me in all parts, that I may be like a lover, and then will I sigh and die. Take my gun and give me a gown: Cedant arma togæ.[42]

Epi. Here. 35

Tophas. Take my sword and shield and give me beard-brush and scissors: Bella gerant alii, tu Pari semper ama.[43]

Epi. Will you be trimm’d, sir?

Tophas. Not yet; for I feel a contention (40) within me whether I shall frame the bodkin beard or the bush. But take my pike and give me pen: Dicere quæ puduit, scribere jussit amor.[44]

Epi. I will furnish you, sir.

Tophas. Now, for my bow and bolts give (45) me ink and paper, for my smiter a pen-knife; for

_Scalpellum, calami, atramentum, charta, libelli, Sint semper studiis arma parata meis._[45]

Epi. Sir, will you give over wars and play (50) with that bauble called love?

Tophas. Give over wars? No, Epi, Militat omnis amans, et habet sua castra Cupido.[46]

Epi. Love hate made you very eloquent, but your face is nothing fair. 55

Tophas. Non formosus erat, sed erat facundus Ulysses.[47]

Epi. Nay, I must seek a new master if you can speak nothing but verses.

Tophas. Quicquid conabar dicere, versus (60) erat.[48] Epi, I feel all Ovid De Arte Amandi lie as heavy at my heart as a load of logs. Oh, what a fine, thin hair hath Dipsas! What a pretty low forehead! What a tall and stately nose! What little hollow eyes! What great 65 and goodly lips! How harmless she is, being toothless,—her fingers fat and short, adorned with long nails like a bittern! In how sweet a proportion her cheeks hang down to her breasts like dugs and her paps to her waist like bags! (70) What a low stature she is, and yet what a great foot she carrieth! How thrifty must she be in whom there is no waist! How virtuous is she like to be, over whom no man can be jealous!

Epi. Stay, master, you forget yourself. 75

Tophas. O Epi, even as a dish melteth by the fire, so doth my wit increase by love.

Epi. Pithily, and to the purpose! But what, begin you to nod?

Tophas. Good Epi, let me take a nap; for (80) as some man may better steal a horse than another look over the hedge, so divers shall be sleepy when they would fainest take rest. He sleeps.

Epi. Who ever saw such a woodcock![49] Love Dipsas! Without doubt all the world will (85) account him valiant, that ventureth on her whom none durst undertake. But here cometh two wags.

Enter DARES and SAMIAS.

Sam. Thy master hath slept his share.

Dar. I think he doth it because he would (90) not pay me my board-wages.

Sam. It is a thing most strange: and I think mine will never return, so that we must both seek new masters, for we shall never live by our manners. 95

Epi. If you want masters, join with me and serve Sir Tophas; who must needs keep more men, because he is toward marriage.

Sam. What, Epi, where’s thy master?

Epi. Yonder, sleeping in love. 100

Dar. Is it possible?

Epi. He hath taken his thoughts a hole lower, and saith, seeing it is the fashion of the world, he will vail[50] bonnet to beauty.

Sam. How is he attired? 105

Epi. Lovely.

Dar. Whom loveth this amorous knight?

Epi. Dipsas.

Sam. That ugly creature? Why, she is a fool, a scold, fat, without fashion, and quite (110) without favour.

Epi. Tush, you be simple; my master hath a good marriage.

Dar. Good! As how?

Epi. Why, in marrying Dipsas he shall (115) have every day twelve dishes of meat to his dinner, though there be none but Dipsas with him: four of flesh, four of fish, four of fruit.

Sam. As how, Epi?

Epi. For flesh these: woodcock, goose, (120) bittern, and rail.

Dar. Indeed, he shall not miss, if Dipsas be there.

Epi. For fish these: crab, carp, lump, and pouting. 125

Sam. Excellent, for of my word she is both crabbish, lumpish, and carping.

Epi. For fruit these: fritters, medlars, hartichokes, and lady-longings. Thus you see he shall fare like a king, though he be but a (130) beggar.

Dar. Well, Epi, dine thou with him, for I had rather fast than see her face. But see, thy master is asleep; let us have a song to wake this amorous knight. 135

Epi. Agreed.

Sam. Content.

THE FIRST SONG.[51]

Epi. Here snores Tophas, That amorous ass, Who loves Dipsas, 140 With face so sweet, Nose and chin meet.

All three. { At sight of her each Fury skips { And flings into her lap their whips.

Dar. Holla, holla in his ear. 145

Sam. The witch, sure, thrust her fingers there.

Epi. Cramp him, or wring the fool by th’ nose;

Dar. Or clap some burning flax to his toes.

Sam. What music’s best to wake him?

Epi. Bow-wow, let bandogs shake him! 150

Dar. Let adders hiss in ’s ear;

Sam. Else earwigs wriggle there.

Epi. No, let him batten[52]; when his tongue Once goes, a cat is not worse strung.

All three. { But if he ope nor mouth nor eyes, 155 { He may in time sleep himself wise.

Top. Sleep is a binding of the senses, love a loosing.

Epi. [Aside.] Let us hear him awhile.

Top. There appeared in my sleep a goodly (160) owl, who, sitting upon my shoulder, cried “Twit, twit”; and before mine eyes presented herself the express image of Dipsas. I marvelled what the owl said, till at the last I perceived “Twit, twit,” “To it, to it,” only 165 by contraction admonished by this vision to make account of my sweet Venus.

Sam. Sir Tophas, you have overslept yourself.

Top. No, youth, I have but slept over (170) my love.

Dar. Love? Why, it is impossible that into so noble and unconquered a courage love should creep, having first a head as hard to pierce as steel, then to pass to a heart (175) arm’d with a shirt of mail.

Epi. Ay, but my master yawning one day in the sun, Love crept into his mouth before he could close it, and there kept such a tumbling in his body that he was glad to untruss[53] (180) the points of his heart and entertain Love as a stranger.

Top. If there remain any pity in you, plead for me to Dipsas.

Dar. Plead! Nay, we will press her to it. (185) [Aside to SAMIAS.] Let us go with him to Dipsas, and there shall we have good sport.—But, Sir Tophas, when shall we go? For I find my tongue voluble, and my heart venturous, and all myself like myself. 190

Sam. [Aside to DARES.] Come, Dares, let us not lose him until we find our masters, for as long as he liveth, we shall lack neither mirth nor meat.

Epi. We will traverse.[54] Will you go, sir? 195

Top. I præ, sequar.[55] Exeunt.

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Act III, Scene IV — [56]

[Enter] EUMENIDES and GERON.

Eum. Father, your sad music being tuned on the same key that my hard fortune is, hath so melted my mind that I wish to hang at your mouth’s end till my life end.

Ger. These tunes, gentleman, have I been (5) accustomed with these fifty winters, having no other house to shroud myself but the broad heavens; and so familiar with me hath use made misery that I esteem sorrow my chiefest solace, and welcomest is that guest to me (10) that can rehearse the saddest tale or the bloodiest tragedy.

Eum. A strange humour. Might I inquire the cause?

Ger. You must pardon me if I deny to tell (15) it, for knowing that the revealing of griefs is, as it were, a renewing of sorrow, I have vowed therefore to conceal them, that I might not only feel the depth of everlasting discontentment, but despair of remedy. But whence are you? (20) What fortune hath thrust you to this distress?

Eum. I am going to Thessaly, to seek remedy for Endymion, my dearest friend, who hath been cast into a dead sleep almost these twenty years, waxing old and ready for the grave, (25) being almost but newly come forth of the cradle.

Ger. You need not for recure travel far, for whoso can clearly see the bottom of this fountain shall have remedy for anything.

Eum. That methinketh is impossible. Why, (30) what virtue can there be in water?

Ger. Yes, whosoever can shed the tears of a faithful lover shall obtain anything he would. Read these words engraven about the brim.

Eum. Have you known this by experience, (35) or is it placed here of purpose to delude men?

Ger. I only would have experience of it, and then should there be an end of my misery; and then would I tell the strangest discourse that ever yet was heard. (40)

Eum. Ah, Eumenides!

Ger. What lack you, gentleman; are you not well?

Eum. Yes, father, but a qualm that often cometh over my heart doth now take hold of (45) me. But did never any lovers come hither?

Ger. Lusters, but not lovers; for often have I seen them weep, but never could I hear they saw the bottom.

Eum. Came there women also? 50

Ger. Some.

Eum. What did they see?

Ger. They all wept, that the fountain overflowed with tears, but so thick became the water with their tears that I could scarce 55 discern the brim, much less behold the bottom.

Eum. Be faithful lovers so scant?

Ger. It seemeth so, for yet heard I never of any.

Eum. Ah, Eumenides, how art thou perplexed! (60) Call to mind the beauty of thy sweet mistress and the depth of thy never-dying affections. How oft hast thou honoured her, not only without spot, but suspicion of falsehood! And how hardly hath she rewarded thee without (65) cause or colour of despite. How secret hast thou been these seven years, that hast not, nor once darest not to name her, for discontenting her. How faithful, that hast offered to die for her, to please her! Unhappy Eumenides! 70

Ger. Why, gentleman, did you once love?

Eum. Once? Ay, father, and ever shall.

Ger. Was she unkind and you faithful?

Eum. She of all women the most froward, and I of all creatures the most fond. 75

Ger. You doted then, not loved, for affection is grounded on virtue, and virtue is never peevish; or on beauty, and beauty loveth to be praised.

Eum. Ay, but if all virtuous ladies should (80) yield to all that be loving, or all amiable gentlewomen entertain all that be amorous, their virtues would be accounted vices, and their beauties deformities; for that love can be but between two, and that not proceeding of him (85) that is most faithful but most fortunate.

Ger. I would you were so faithful that your tears might make you fortunate.

Eum. Yea, father, if that my tears clear not this fountain, then may you swear it is but a (90) mere mockery.

Ger. So saith every one yet that wept.

Eum. Ah, I faint, I die! Ah, sweet Semele, let me alone, and dissolve, by weeping, into water. [He gazes into the fountain.] 95

Ger. This affection seemeth strange: if he see nothing, without doubt this dissembling passeth, for nothing shall draw me from the belief.

Eum. Father, I plainly see the bottom, (100) and there in white marble engraven these words: Ask one for all, and but one thing at all.

Ger. O fortunate Eumenides, (for so have I heard thee call thyself,) let me see. I cannot discern any such thing. I think thou dreamest. (105)

Eum. Ah, father, thou art not a faithful lover, and therefore canst not behold it.

Ger. Then ask, that I may be satisfied by the event, and thyself blessed.

Eum. Ask? So I will. And what shall I (110) do but ask, and whom should I ask but Semele, the possessing of whose person is a pleasure that cannot come within the compass of comparison; whose golden locks seem most curious when they seem most careless; whose sweet looks 115 seem most alluring when they are most chaste; and whose words the more virtuous they are, the more amorous they be accounted? I pray thee. Fortune, when I shall first meet with fair Semele, dash my delight with some light disgrace, (120) lest embracing sweetness beyond measure, I take a surfeit without recure. Let her practise her accustomed coyness that I may diet myself upon my desires; otherwise the fulness of my joys will diminish the sweetness, and (125) I shall perish by them before I possess them.

Why do I trifle the time in words? The least minute being spent in the getting of Semele is more worth than the whole world; therefore let me ask. What now, Eumenides! Whither (130) art thou drawn? Hast thou forgotten both friendship and duty, care of Endymion, and the commandment of Cynthia? Shall he die in a leaden sleep because thou sleepest in a golden dream? Ay, let him sleep ever, so I slumber (135) but one minute with Semele. Love knoweth neither friendship nor kindred. Shall I not hazard the loss of a friend for the obtaining of her for whom I would often lose myself? Fond[57] Eumenides, shall the enticing beauty of a (140) most disdainful lady be of more force than the rare fidelity of a tried friend? The love of men to women is a thing common and of course; the friendship of man to man infinite and immortal. Tush! Semele doth possess my love. Ay, (145) but Endymion hath deserved it. I will help Endymion. I found Endymion unspotted in his truth. Ay, but I shall find Semele constant in her love. I will have Semele. What shall I do? Father, thy gray hairs are embassadors of (150) experience. Which shall I ask?

Ger. Eumenides, release Endymion, for all things, friendship excepted, are subject to fortune: love is but an eye-worm, which only tickleth the head with hopes and wishes; (155) friendship the image of eternity, in which there is nothing movable, nothing mischievous. As much difference as there is between beauty and virtue, bodies and shadows, colours and life, so great odds is there between love and 160 friendship.

Love is a chameleon, which draweth nothing into the mouth but air, and nourisheth nothing in the body but lungs. Believe me, Eumenides, desire dies in the same moment that beauty (165) sickens, and beauty fadeth in the same instant that it flourisheth. When adversities flow, then love ebbs; but friendship standeth stiffly in storms. Time draweth wrinkles in a fair face, but addeth fresh colours to a fast friend, (170) which neither heat, nor cold, nor misery, nor place, nor destiny, can alter or diminish. O friendship, of all things the most rare, and therefore most rare because most excellent, whose comforts in misery is always sweet, (175) and whose counsels in prosperity are ever fortunate! Vain love, that, only coming near to friendship in name, would seem to be the same or better in nature!

Eum. Father, I allow your reasons, and (180) will therefore conquer mine own. Virtue shall subdue affections, wisdom lust, friendship beauty. Mistresses are in every place, and as common as hares on Athos, bees in Hybla, fowls in the air; but friends to be found 185 are like the phœnix in Arabia, but one; or the philadelphi in Arays, never above two. I will have Endymion. Sacred fountain, in whose bowels are hidden divine secrets, I have increased your waters with the tears of unspotted (190) thoughts, and therefore let me receive the reward you promise. Endymion, the truest friend to me, and faithfulest lover to Cynthia, is in such a dead sleep that nothing can wake or move him. 195

Ger. Dost thou see anything?

Eum. I see in the same pillar these words: When she whose figure of all is the perfectest, and never to be measured; always one, yet never the same; still inconstant, yet never wavering; (200) shall come and kiss Endymion in his sleep, he shall then rise, else never. This is strange.

Ger. What see you else?

Eum. There cometh over mine eyes either a dark mist, or upon the fountain a deep (205) thickness, for I can perceive nothing. But how am I deluded, or what difficult, nay impossible thing is this?

Ger. Methinketh it easy.

Eum. Good father, and how? 210

Ger. Is not a circle of all figures the perfectest?

Eum. Yes.

Ger. And is not Cynthia of all circles the most absolute? 215

Eum. Yes.

Ger. Is it not impossible to measure her, who still worketh by her influence, never standing at one stay?

Eum. Yes. 220

Ger. Is she not always Cynthia, yet seldom in the same bigness; always wavering in her waxing or waning, that our bodies might the better be governed, our seasons the dailier give their increase; yet never to be removed from her (225) course, as long as the heavens continue theirs?

Eum. Yes.

Ger. Then who can it be but Cynthia, whose virtues being all divine must needs bring things to pass that be miraculous? Go, humble thyself (230) to Cynthia; tell her the success, of which myself shall be a witness. And this assure thyself, that she that sent to find means for his safety will now work her cunning.

Eum. How fortunate am I, if Cynthia be (235) she that may do it!

Ger. How fond[58] art thou, if thou do not believe it!

Eum. I will hasten thither that I may entreat on my knees for succour, and embrace in (240) mine arms my friend.

Ger. I will go with thee, for unto Cynthia must I discover all my sorrows, who also must work in me a contentment.

Eum. May I now know the cause? 245

Ger. That shall be as we walk, and I doubt not but the strangeness of my tale will take away the tediousness of our journey.

Eum. Let us go.

Ger. I follow. Exeunt. 250

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Act IV, Scene I — [59]

[Enter] TELLUS.

Tellus. I marvel Corsites giveth me so much liberty,—all the world knowing his charge to be so high and his nature to be most strange,—who hath so ill entreated ladies of great honour that he hath not suffered them to look out (5) of windows, much less to walk abroad. It may be he is in love with me, for (Endymion, hard-hearted Endymion, excepted) what is he that is not enamour’d of my beauty? But what respectest thou the love of all the world? Endymion 10 hates thee. Alas, poor Endymion, my malice hath excepded my love, and thy faith to Cynthia quenched my affections. Quenched, Tellus? Nay, kindled them afresh; insomuch that I find scorching flames for dead embers, (15) and cruel encounters of war in my thoughts instead of sweet parleys. Ah, that I might once again see Endymion! Accursed girl, what hope hast thou to see Endymion, on whose head already are grown gray hairs, and whose life (20) must yield to nature, before Cynthia end her displeasure. Wicked Dipsas, and most devilish Tellus, the one for cunning too exquisite, the other for hate too intolerable! Thou wast commanded to weave the stories and poetries (25) wherein were showed both examples and punishments of tattling tongues, and thou hast only embroidered the sweet face of Endymion, devices of love, melancholy imaginations, and what not, out of thy work, that thou shouldst (30) study to pick out of thy mind. But here cometh Corsites. I must seem yielding and stout; full of mildness, yet tempered with a majesty: for if I be too flexible, I shall give him more hope than I mean; if too froward, enjoy less liberty 35 than I would. Love him I cannot, and therefore will practise that which is most contrary[60] to our sex, to dissemble.

Enter CORSITES.

Cor. Fair Tellus, I perceive you rise with the lark, and to yourself sing with the (40) nightingale.

Tellus. My lord, I have no playfellow but fancy; being barred of all company, I must question with myself, and make my thoughts my friends. 45

Cor. I would you would account my thoughts also your friends, for they be such as are only busied in wondering at your beauty and wisdom; and some such as have esteemed your fortune too hard; and divers of that kind (50) that offer to set you free, if you will set them free.

Tellus. There are no colours so contrary as white and black, nor elements so disagreeing as fire and water, nor anything so opposite as (55) men’s thoughts and their words.

Cor. He that gave Cassandra the gift of prophesying, with the curse that, spake she never so true, she should never be believed, hath I think poisoned the fortune of men, (60) that uttering the extremities of their inward passions are always suspected of outward perjuries.

Tellus. Well, Corsites, I will flatter myself and believe you. What would you do to enjoy (65) my love?

Cor. Set all the ladies of the castle free, and make you the pleasure of my life: more I cannot do, less I will not.

Tellus. These be great words, and fit your (70) calling; for captains must promise things impossible. But will you do one thing for all?

Cor. Anything, sweet Tellus, that am ready for all.

Tellus. You know that on the lunary bank (75) sleepeth Endymion.

Cor. I know it.

Tellus. If you will remove him from that place by force, and convey him into some obscure cave by policy, I give you here the (80) faith of an unspotted virgin that you only shall possess me as a lover, and in spite of malice have me for a wife.

Cor. Remove him, Tellus! Yes, Tellus, he shall be removed, and that so soon as[61] thou (85) shalt as much commend my diligence as my force. I go.

Tellus. Stay, will yourself attempt it?

Cor. Ay, Tellus; as I would have none partaker of my sweet love, so shall none be (90) partners of my labors. But I pray thee go at your best leisure, for Cynthia beginneth to rise, and if she discover our love, we both perish, for nothing pleaseth her but the fairness of virginity. All things must be not only without (95) lust but without suspicion of lightness.

Tellus. I will depart, and go you to Endymion.

Cor. I fly, Tellus, being of all men the most fortunate. Exit. 100

Tellus. Simple Corsites, I have set thee about a task, being but a man, that the gods themselves cannot perform, for little dost thou know how heavy his head lies, how hard his fortune; but such shifts must women have to deceive (105) men, and under colour of things easy, entreat that which is impossible; otherwise we should be cumb’red with importunities, oaths, sighs, letters, and all implements of love, which to one resolved to the contrary are most loathsome. (110) I will in, and laugh with the other ladies at Corsites’ sweating. Exit.

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Act IV, Scene II — [62]

[Enter] SAMIAS and DARES.

Sam. Will thy master never awake?

Dar. No; I think he sleeps for a wager. But how shall we spend the time? Sir Tophas is so far in love that he pineth in his bed and cometh not abroad. 5

Sam. But here cometh Epi in a pelting chafe.[63]

[Enter EPITON.]

Epi. A pox of all false proverbs, and were a proverb a page, I would have him by the ears!

Sam. Why art thou angry?

Epi. Why? You know it is said, “The (10) tide tarrieth no man.”

Sam. True.

Epi. A monstrous lie; for I was tied two hours, and tarried for one to unloose me.

Dar. Alas, poor Epi! 15

Epi. Poor! No, no, you base-conceited slaves, I am a most complete gentleman, although I be in disgrace with Sir Tophas.

Dar. Art thou out with him?

Epi. Ay, because I cannot get him a lodging (20) with Endymion. He would fain take a nap for forty or fifty years.

Dar. A short sleep, considering our long life.

Sam. Is he still in love?

Epi. In love? Why he doth nothing but (25) make sonnets.

Sam. Canst thou remember any one of his poems?

Epi. Ay, this is one:— The beggar, Love, that knows not where to lodge, 30 At last within my heart, when I slept, He crept, I wak’d, and so my fancies began to fodge.[64]

Sam. That’s a very long verse.

Epi. Why, the other was short. The first (35) is called from the thumb to the little finger; the second from the little finger to the elbow; and some he hath made to reach to the crown of his head, and down again to the sole of his foot. It is set to the tune of the black (40) Saunce[65]; ratio est, because Dipsas is a black saint.

Dar. Very wisely. But pray thee, Epi, how art thou complete; and being from thy master, what occupation wilt thou take? 45

Epi. Know,[66] my hearts. I am an absolute Microcosmus, a petty world of myself: my library is my head, for I have no other books but my brains; my wardrobe on my back, for I have no more apparel than is on my body; (50) my armory at my fingers’ ends, for I use no other artillery than my nails; my treasure in my purse. Sic omnia mea mecum porto.[67]

Dar. Good!

Epi. Know,[68] sirs, my palace is pav’d with (55) grass, and tiled with stars, for Cœlo tegitur qui non habet urnam,[69]—he that hath no house must lie in the yard.

Sam. A brave resolution! But how wilt thou spend thy time? 60

Epi. Not in any melancholy sort; for mine exercise I will walk horses.

Dar. Too bad!

Epi. Why, is it not said, “It is good walking when one hath his horse in his hand”? 65

Sam. Worse and worse! But how wilt thou live?

Epi. By angling. Oh, ’tis a stately occupation to stand four hours in a cold morning, and to have his nose bitten with frost before his (70) bait be mumbled with a fish.

Dar. A rare attempt! But wilt thou never travel?

Epi. Yes, in a western barge, when with a good wind and lusty pugs,[70] one may go ten (75) miles in two days.

Sam. Thou art excellent at thy choice. But what pastime wilt thou use? None?

Epi. Yes, the quickest of all.

Sam. What, dice? 80

Epi. No, when I am in haste, one-and-twenty games at chess, to pass a few minutes.

Dar. A life for a little lord, and full of quickness.

Epi. Tush, let me alone! But I must (85) needs see if I can find where Endymion lieth, and then go to a certain fountain hard by, where they say faithful lovers shall have all things they will ask. If I can find out any of these, Ego et magister meus erimus in tuto, I (90) and my master shall be friends. He is resolved to weep some three or four pailfuls to avoid the rheum of love that wambleth[71] in his stomach.

Enter [Master Constable and Two] Watch[men].

Sam. Shall we never see thy master, Dares?

Dar. Yes; let us go now, for to-morrow (95) Cynthia will be there.

Epi. I will go with you;—but how shall we see for the Watch?

Sam. Tush, let me alone! I’ll begin to them. Masters, God speed you. 100

1 Watch. Sir boy, we are all sped already.

Epi. [Aside.] So methinks, for they smell all of drink, like a beggar’s beard.

Dar. But I pray, sirs, may we see Endymion? 105

2 Watch. No, we are commanded in Cynthia’s name, that no man shall see him.

Sam. No man! Why, we are but boys.

1 Watch. Mass, neighbours, he says true, for if I swear I will never drink my liquor by (110) the quart, and yet call for two pints, I think with a safe conscience I may carouse both.

Dar. Pithily, and to the purpose.

2 Watch. Tush, tush, neighbours, take me with you.[72] 115

Sam. [Aside.] This will grow hot.

Dar. [Aside.] Let them alone.

2 Watch. If I say to my wife, “Wife, I will have no raisins in my pudding,” she puts in currants; small raisins are raisins, and boys (120) are men: even as my wife should have put no raisins in my pudding, so shall there no boys see Endymion.

Dar. Learnedly.

Epi. Let Master Constable speak; I think (125) he is the wisest among you.

Master Constable. You know, neighbours, ’tis an old said saw, “Children and fools speak true.”

All. True. 130

Mast. Const. Well, there you see the men be the fools, because it is provided from the children.

Dar. Good.

Mast. Const. Then, say I, neighbours, that (135) children must not see Endymion, because children and fools speak true.

Epi. O wicked application!

Sam. Scurvily brought about!

1 Watch. Nay, he says true, and therefore (140) till Cynthia have been here, he shall not be uncovered. Therefore, away!

Dar. [Aside to Sam. and Epi.] A watch, quoth you! A man may watch seven years for a wise word, and yet go without it. Their wits 145 are all as rusty as their bills.—But come on, Master Constable, shall we have a song before we go?

Mast. Const. With all my heart.

THE SECOND SONG[73]

Watch. Stand! Who goes there? 150 We charge you appear ’Fore our constable here, In the name of the Man in the Moon. To us billmen relate Why you stagger so late, 155 And how you come drunk so soon.

Pages. What are ye, scabs?

Watch. The Watch; This the Constable.

Pages. A patch.[74]

Const. Knock ’em down unless they all stand If any run away, 160 ’Tis the old watchman’s play. To reach him a bill of his hand.

Pages. O gentlemen, hold. Your gowns freeze with cold, And your rotten teeth dance in your head; 165

Epi. Wine, nothing shall cost ye;

Sam. Nor huge fires to roast ye.

Dares. Then soberly let us be led.

Const. Come, my brown bills, we’ll roar,[75] Bounce loud at tavern door. 170

Omnes. And i’ th’ morning steal all to bed. Exeunt.

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Act IV, Scene III — [76]

CORSITES solus. [ENDYMION lies asleep on the lunary bank.]

Corsites. I am come in sight of the lunary bank. Without doubt Tellus doteth upon me, and cunningly, that I might not perceive her love, she hath set me to a task that is done before it is begun. Endymion, you must change (5) your pillow, and if you be not weary of sleep, I will carry you where at ease you shall sleep your fill. It were good that without more ceremonies I took him, lest being espied, I be entrapt, and so incur the displeasure of Cynthia, who (10) commonly setteth watch that Endymion have no wrong. [He tries to lift Endymion.] What now, is your mastership so heavy, or are you nail’d to the ground? Not stir one whit! Then use all thy force, though he feel it and wake. (15) What, stone-still? Turn’d, I think, to earth with lying so long on the earth. Didst not thou, Corsites, before Cynthia, pull up a tree that forty years was fast’ned with roots and wreathed in knots to the ground? Didst not (20) thou, with main force, pull open the iron gates which no ram or engine could move? Have my weak thoughts made brawn-fallen my strong arms, or is it the nature of love, or the quintessence of the mind, to breed numbness or (25) litherness,[77] or I know not what languishing in my joints and sinews, being but the base strings of my body? Or doth the remembrance of Tellus so refine my spirits into a matter so subtle and divine that the other fleshy parts (30) cannot work whilst they muse? Rest thyself, rest thyself; nay, rend thyself in pieces, Corsites, and strive, in spite of love, fortune, and nature, to lift up this dulled body, heavier than dead and more senseless than death. 35 Enter Fairies. But what are these so fair fiends that cause my hairs to stand upright and spirits to fall down? Hags,—out alas, nymphs, I crave pardon. Ay me, out! what do I hear!

[The Fairies dance, and with a song pinch him, and he falleth asleep. They kiss Endymion and depart.

THE THIRD SONG[78] BY FAIRIES

Omnes. Pinch him, pinch him, black and blue, 40 Saucy mortals must not view What the Queen of Stars is doing, Nor pry into our fairy wooing.

1 Fairy. Pinch him blue,

2 Fairy. And pinch him black; 45

3 Fairy. Let him not lack Sharp nails to pinch him blue and red, Till sleep has rock’d his addle head.

4 Fairy. For the trespass he hath done, Spots o’er all his flesh shall run. 50 Kiss Endymion, kiss his eyes, Then to our midnight heidegyes.[79] Exeunt [Fairies].

[Enter, at the side of the stage[80] opposite CORSITES,] CYNTHIA, FLOSCULA, SEMELE, PANELION, ZONTES, PYTHAGORAS, and GYPTES. [CORSITES sleeps still.]

Cynth. You see, Pythagoras, what ridiculous opinions you hold, and I doubt not but you are now of another mind. 55

Pythag. Madam, I plainly perceive that the perfection of your brightness hath pierced through the thickness that covered my mind; insomuch that I am no less glad to be reformed than ashamed to remember my (60) grossness.

Gyptes. They are thrice fortunate that live in your palace where truth is not in colours but life, virtues not in imagination but execution.

Cynth. I have always studied to have rather (65) living virtues than painted gods, the body of truth than the tomb. But let us walk to Endymion; it may be it lieth in your arts to deliver him; as for Eumenides, I fear he is dead. 70

Pythag. I have alleged all the natural reasons I can for such a long sleep.

Gyptes. I can do nothing till I see him.

Cynth. Come, Floscula; I am sure you are glad that you shall behold Endymion. 75

Flosc. I were blessed, if I might have him recovered.

Cynth. Are you in love with his person?

Flosc. No, but with his virtue.

Cynth. What say you, Semele? 80

Sem. Madam, I dare say nothing for fear I offend.

Cynth. Belike you cannot speak except you be spiteful; but as good be silent as saucy. Panelion, what punishment were fit for 85 Semele, in whose speech and thoughts is only contempt and sourness?

Panel. I love not, madam, to give any judgment; yet, sith Your Highness commandeth, I think to commit her tongue close prisoner 90 to her mouth.

Cynth. Agreed. Semele, if thou speak this twelvemonth, thou shalt forfeit thy tongue. Behold Endymion![81] Alas, poor gentleman, hast thou spent thy youth in sleep, that once (95) vowed all to my service! Hollow eyes, gray hairs, wrinkled cheeks, and decayed limbs! Is it destiny or deceit that hath brought this to pass? If the first, who could prevent thy wretched stars? If the latter, I would I (100) might know thy cruel enemy. I favoured thee, Endymion, for thy honour, thy virtues, thy affections; but to bring thy thoughts within the compass of thy fortunes, I have seemed strange, that I might have thee staid; and (105) now are thy days ended before my favour begin. But whom have we here? Is it not Corsites?

Zon. It is, but more like a leopard than a man.

Cynth. Awake him. [Zontes wakens Corsites.] How now, Corsites, what make you here? (110) How came you deformed? Look on thy hands, and then thou seest the picture of thy face.

Cors. Miserable wretch, and accursed! How am I deluded! Madam, I ask pardon for my offence, and you see my fortune deserveth pity. 115

Cynth. Speak on; thy offence cannot deserve greater punishment: but see thou rehearse the truth, else shalt thou not find me as thou wishest me.

Cors. Madam, as it is no offence to be in (120) love, being a man mortal, so I hope can it be no shame to tell with whom, my lady being heavenly. Your Majesty committed to my charge fair Tellus, whose beauty in the same moment took my heart captive that I undertook to carry (125) her body prisoner. Since that time have I found such combats in my thoughts between love and duty, reverence and affection, that I could neither endure the conflict, nor hope for the conquest. 130

Cynth. In love? A thing far unfitting the name of a captain, and (as I thought) the tough and unsmoothed nature of Corsites. But forth!

Cors. Feeling this continual war, I thought (135) rather by parley to yield than by certain danger to perish. I unfolded to Tellus the depth of my affections, and framed my tongue to utter a sweet tale of love, that was wont to sound nothing but threats of war. She, too fair to be (140) true and too false for one so fair, after a nice denial, practised a notable deceit, commanding me to remove Endymion from this cabin, and carry him to some dark cave; which I, seeking to accomplish, found impossible; and so by (145) fairies or fiends have been thus handled.

Cynth. How say you, my lords, is not Tellus always practising of some deceits? In sooth, Corsites, thy face is now too foul for a lover, and thine heart too fond for a soldier. You (150) see when warriors become wantons how their manners alter with their faces. Is it not a shame, Corsites, that having lived so long in Mars his camp, thou shouldst now be rocked in Venus’s cradle? Dost thou wear Cupid’s (155) quiver at thy girdle and make lances of looks? Well, Corsites, rouse thyself and be as thou hast been; and let Tellus, who is made all of love, melt herself in her own looseness.

Cors. Madam, I doubt not but to recover (160) my former state, for Tellus’s beauty never wrought such love in my mind as now her deceit hath despite; and yet to be revenged of a woman were a thing than love itself more womanish.

Gyptes. These spots, gentleman, are to be (165) worn out, if you rub them over with this lunary; so that in place where you received this maim you shall find a medicine.

Cors. I thank you for that. The gods bless me from love and these pretty ladies that (170) haunt this green.

Flosc. Corsites, I would Tellus saw your amiable face. [SEMELE laughs.]

Zont. How spitefully Semele laugheth, that dare not speak. 175

Cynth. Could you not stir Endymion with that doubled strength of yours?

Cors. Not so much as his finger with all my force.

Cynth. Pythagoras and Gyptes, what (180) think you of Endymion? What reason is to be given, what remedy?

Pyth. Madam, it is impossible to yield reason for things that happen not in compass of nature. It is most certain that some strange enchantment (185) hath bound all his senses.

Cynth. What say you, Gyptes?

Gyptes. With Pythagoras, that it is enchantment, and that so strange that no art can undo it, for that heaviness argueth a malice unremovable (190) in the enchantress, and that no power can end it, till she die that did it, or the heavens show some means more than miraculous.

Flosc. O Endymion, could spite itself devise a mischief so monstrous as to make thee dead (195) with life, and living, being altogether dead? Where others number their years, their hours, their minutes, and step to age by stairs, thou only hast thy years and times in a cluster, being old before thou rememb’rest thou wast young. 200

Cynth. No more, Floscula; pity doth him no good: I would anything else might; and I vow by the unspotted honour of a lady he should not miss it. But is this all, Gyptes, that is to be done? 205

Gyptes. All as yet. It may be that either the enchantress shall die or else be discovered; if either happen, I will then practise the utmost of my art. In the mean season, about this grove would I have a watch, and the first living (210) thing that toucheth Endymion to be taken.

Cynth. Corsites, what say you, will you undertake this?

Cors. Good madam, pardon me! I was overtaken[82] too late. I should rather break into (215) the midst of a main battle than again fall into the hands of those fair babies.

Cynth. Well, I will provide others. Pythagoras and Gyptes, you shall yet remain in my court, till I hear what may be done in this (220) matter.

Pyth. We attend.

Cynth. Let us go in. Exeunt.

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Act V, Scene I — [83]

[Enter] SAMIAS and DARES.

Samias. Eumenides hath told such strange tales as I may well wonder at them, but never believe them.

Dar. The other old man, what a sad speech used he, that caused us almost all to weep. (5) Cynthia is so desirous to know the experiment of her own virtue, and so willing to ease Endymion’s hard fortune, that she no sooner heard the discourse but she made herself in a readiness to try the event. 10

Sam. We will also see the event. But whist! here cometh Cynthia with all her train. Let us sneak in amongst them.

Enter CYNTHIA, FLOSCULA, SEMELE, [EUMENIDES,] PANELION, etc.

Cynth. Eumenides, it cannot sink into my head that I should be signified by that sacred (15) fountain, for many things are there in the world to which those words may be applied.

Eum. Good madam, vouchsafe but to try; else shall I think myself most unhappy that I asked not my sweet mistress. 20

Cynth. Will you not yet tell me her name?

Eum. Pardon me, good madam, for if Endymion awake, he shall; myself have sworn never to reveal it.

Cynth. Well, let us to Endymion. I will (25) not be so stately, good Endymion, not to stoop to do thee good; and if thy liberty consist in a kiss from me, thou shalt have it; and although my mouth hath been heretofore as untouched as my thoughts, yet now to recover thy life, (30) though to restore thy youth it be impossible, I will do that to Endymion which yet never mortal man could boast of heretofore, nor shall ever hope for hereafter. She kisseth him.

Eum. Madam, he beginneth to stir. 35

Cynth. Soft, Eumenides; stand still.

Eum. Ah, I see his eyes almost open.

Cynth. I command thee once again, stir not. I will stand behind him.

Pan. What do I see? Endymion almost (40) awake?

Eum. Endymion, Endymion, art thou deaf or dumb, or hath this long sleep taken away thy memory? Ah, my sweet Endymion, seest thou not Eumenides, thy faithful friend, thy faithful (45) Eumenides, who for thy safety hath been careless of his own content? Speak, Endymion! Endymion! Endymion!

End. Endymion? I call to mind such a name. 50

Eum. Hast thou forgotten thyself, Endymion? Then do I not marvel thou rememb’rest not thy friend. I tell thee thou art Endymion, and I Eumenides. Behold also Cynthia, by whose favour thou art awaked, and by whose (55) virtue thou shalt continue thy natural course.

Cynth. Endymion, speak, sweet Endymion! Knowest thou not Cynthia?

End. O heavens, whom do I behold? Fair Cynthia, divine Cynthia? 60

Cynth. I am Cynthia, and thou Endymion.

End. “Endymion”! What do I hear[84]? What, a gray beard, hollow eyes, withered body, decayed limbs,—and all in one night?

Eum. One night! Thou hast here slept (65) forty years,—by what enchantress as yet it is not known,—and behold, the twig to which thou laid’st thy head is now become a tree. Callest thou not Eumenides to remembrance?

End. Thy name I do remember by the (70) sound, but thy favour[85] I do not yet call to mind; only divine Cynthia, to whom time, fortune, destiny, and death are subject, I see and remember, and in all humility I regard and reverence. 75

Cynth. You have good cause to remember Eumenides, who hath for thy safety forsaken his own solace.

End. Am I that Endymion who was wont in court to lead my life, and in justs, tourneys, (80) and arms, to exercise my youth? Am I that Endymion?

Eum. Thou art that Endymion, and I Eumenides: wilt thou not yet call me to remembrance? 85

End. Ah, sweet Eumenides, I now perceive thou art he, and that myself have the name of Endymion; but that this should be my body I doubt, for how could my curled locks be turned to gray hairs and my strong body to a dying (90) weakness, having waxed old, and not knowing it.

Cynth. Well, Endymion, arise. [Endymion, trying to rise, sinks back.] A while sit down, for that thy limbs are stiff and not able to stay (95) thee, and tell what hast thou seen in thy sleep all this while,—what dreams, visions, thoughts, and fortunes; for it is impossible but in so long time thou shouldst see things strange.

End. Fair Cynthia, I will rehearse what (100) I have seen, humbly desiring that when I exceed in length, you give me warning, that I may end; for to utter all I have to speak would be troublesome, although haply the strangeness may somewhat abate the tediousness. 105

Cynth. Well, Endymion, begin.

End. Methought I saw a lady passing fair, but very mischievous, who in the one hand carried a knife with which she offered to cut my throat, and in the other a looking-glass, (110) wherein seeing how ill anger became ladies, she refrained from intended violence. She was accompanied with other damsels, one of which, with a stern countenance, and as it were with a settled malice engraven in her eyes, (115) provoked her to execute mischief; another, with visage sad, and constant only in sorrow, with her arms crossed, and watery eyes, seemed to lament my fortune, but durst not offer to prevent the force. I started in my sleep, (120) feeling my very veins to swell and my sinews to stretch with fear, and such a cold sweat bedewed all my body that death itself could not be so terrible as the vision.

Cynth. A strange sight! Gyptes, at our (125) better leisure, shall expound it.

End. After long debating with herself, mercy overcame anger, and there appeared in her heavenly face such a divine majesty mingled with a sweet mildness that I was ravished (130) with the sight above measure, and wished that I might have enjoyed the sight without end: and so she departed with the other ladies, of which the one retained still an unmovable cruelty, the other a constant pity. 135

Cynth. Poor Endymion, how wast thou affrighted! What else?

End. After her, immediately appeared an aged man with a beard as white as snow, carrying in his hand a book with three leaves, 140 and speaking, as I remember, these words: “Endymion, receive this book with three leaves, in which are contained counsels, policies, and pictures,” and with that he offered me the book, which I rejected; wherewith, (145) moved with a disdainful pity, he rent the first leaf in a thousand shivers. The second time he offered it, which I refused also; at which, bending his brows, and pitching his eyes fast to the ground, as though they were fixed (150) to the earth and not again to be removed, then suddenly casting them up to the heavens, he tore in a rage the second leaf, and offered the book only with one leaf. I know not whether fear to offend or desire to know some (155) strange thing moved me: I took the book, and so the old man vanished.

Cynth. What didst thou imagine was in the last leaf?

End. There portray’d to life, with a cold (160) quaking in every joint, I beheld many wolves barking at thee, Cynthia, who having ground their teeth to bite, did with striving bleed themselves to death. There might I see Ingratitude with an hundred eyes gazing for benefits, (165) and with a thousand teeth gnawing on the bowels wherein she was bred; Treachery stood all clothed in white, with a smiling countenance, but both her hands bathed in blood; Envy with a pale and meagre face (whose body (170) was so lean that one might tell all her bones, and whose garment was so tatter’d that it was easy to number every thread) stood shooting at stars, whose darts fell down again on her own face. There might I behold drones or 175 beetles—I know not how to term them—creeping under the wings of a princely eagle, who, being carried into her nest, sought there to suck that vein that would have killed the eagle. I mused that things so base should (180) attempt a fact so barbarous, or durst imagine a thing so bloody. And many other things, madam, the repetition whereof may at your better leisure seem more pleasing, for bees surfeit sometimes with honey, and the gods are (185) glutted with harmony, and your highness may be dulled with delight.

Cynth. I am content to be dieted; therefore, let us in. Eumenides, see that Endymion be well tended, lest either eating immoderately or (190) sleeping again too long, he fall into a deadly surfeit or into his former sleep. See this also be proclaimed: that whosoever will discover this practice shall have of Cynthia infinite thanks and no small rewards. 195

Exeunt [all except ENDYMION, EUMENIDES, FLOSCULA and SEMELE.]

Flosc. Ah, Endymion, none so joyful as Floscula of thy restoring.

Eum. Yes, Floscula, let Eumenides be somewhat gladder, and do not that wrong to the settled friendship of a man as to compare it (200) with the light affection of a woman. Ah, my dear friend Endymion, suffer me to die with gazing at thee.

End. Eumenides, thy friendship is immortal and not to be conceived; and thy good (205) will, Floscula, better than I have deserved; but let us all wait on Cynthia. I marvel Semele speaketh not a word.

Eum. Because if she do, she loseth her tongue. 210

End. But how prospereth your love?

Eum. I never yet spake word since your sleep.

End. I doubt not but your affection is old and your appetite cold. 215

Eum. No, Endymion, thine hath made it stronger, and now are my sparks grown to flames and my fancies almost to frenzies: but let us follow, and within we will debate all this matter at large. Exeunt. 220

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Act V, Scene II — [86]

[Enter] Sir TOPHAS and EPITON.

Top. Epi, Love hath justled my liberty from the wall, and taken the upper hand of my reason.

Epi. Let me then trip up the heels of your affection and thrust your good will into the (5) gutter.

Top. No, Epi, Love is a lord of misrule and keepeth Christmas in my corps.

Epi. No doubt there is good cheer: what dishes of delight doth his lordship feast you (10) withal?

Top. First, with a great platter of plum porridge of pleasure, wherein is stewed the mutton of distrust.

Epi. Excellent love-pap.[87] 15

Top. Then cometh a pie of patience, a hen of honey, a goose of gall, a capon of care, and many other viands, some sweet and some sour, which proveth love to be, as it was said of in old years, Dulce venenum. 20

Epi. A brave banquet!

Top. But, Epi, I pray thee feel on my chin; something pricketh me. What dost thou feel or see?

Epi. There are three or four little hairs. 25

Top. I pray thee call it my beard. How shall I be troubled when this young spring[88] shall grow to a great wood!

Epi. Oh, sir, your chin is but a quiller[89] yet; you will be most majestical when it is full-fledged. (30) But I marvel that you love Dipsas, that old crone.

Top. Agnosco veteris vestigia flammæ[90]; I love the smoke of an old fire.

Epi. Why she is so cold that no fire can (35) thaw her thoughts.

Top. It is an old goose, Epi, that will eat no oats; old kine will kick, old rats gnaw cheese, and old sacks will have much patching. I prefer an old coney before a rabbit-sucker,[91] (40) and an ancient hen before a young chicken-peeper.

Epi. [Aside.] Argumentum ab antiquitate; my master loveth antique work.

Top. Give me a pippin that is withered (45) like an old wife!

Epi. Good, sir.

Top. Then,—a contrario sequitur argumentum,—give me a wife that looks like an old pippin. 50

Epi. [Aside.] Nothing hath made my master a fool but flat scholarship.

Top. Knowest thou not that old wine is best?

Epi. Yes.

Top. And thou knowest that like will to[92] (55) like?

Epi. Ay.

Top. And thou knowest that Venus loved the best wine?

Epi. So. 60

Top. Then I conclude that Venus was an old woman in an old cup of wine, for est Venus in vinis, ignis in igne fuit.[93]

Epi. O lepidum caput.[94] O madcap master! You were worthy to win Dipsas, were she as (65) old again, for in your love you have worn the nap of your wit quite off and made it threadbare. But soft, who comes here?

[Enter SAMIAS and DARES.]

Top. My solicitors.

Sam. All hail, Sir Tophas; how feel you (70) yourself?

Top. Stately in every joint, which the common people term stiffness. Doth Dipsas stoop? Will she yield? Will she bend?

Dar. Oh, sir, as much as you would wish, (75) for her chin almost toucheth her knees.

Epi. Master, she is bent, I warrant you.

Top. What conditions doth she ask?

Sam. She hath vowed she will never love any that hath not a tooth in his head less than (80) she.

Top. How many hath she?

Dar. One.

Epi. That goeth hard, master, for then you must have none. 85

Top. A small request, and agreeable to the gravity of her years. What should a wise man do with his mouth full of bones like a charnel-house? The turtle true hath ne’er a tooth.

Sam. [Aside.] Thy master is in a notable (90) vein, that will lose his teeth to be like a turtle.

Epi. [Aside.] Let him lose his tongue, too; I care not.

Dar. Nay, you must also have no nails, for she long since hath cast hers. 95

Top. That I yield to. What a quiet life shall Dipsas and I lead when we can neither bite nor scratch! You may see, youths, how age provides for peace.

Sam. [Aside.] How shall we do to make (100) him leave his love, for we never spake to her?

Dar. [Aside.] Let me alone. [To Sir TOPHAS.] She is a notable witch, and hath turned her maid Bagoa to an aspen tree, for bewraying her secrets. 105

Top. I honour her for her cunning, for now when I am weary of walking on two legs, what a pleasure may she do me to turn me to some goodly ass, and help me to four.

Dar. Nay, then I must tell you the (110) truth. Her husband, Geron, is come home, who this fifty years hath had her to wife.

Top. What do I hear? Hath she an husband? Go to the sexton and tell him Desire is dead, and will him to dig his grave. O (115) heavens, an husband! What death is agreeable to my fortune?

Sam. Be not desperate, and we will help you to find a young lady.

Top. I love no grissels[95]; they are so brittle (120) they will crack like glass, or so dainty that if they be touched they are straight of the fashion of wax; animus majoribus instat.[96] I desire old matrons. What a sight would it be to embrace one whose hair were as orient as (125) the pearl, whose teeth shall be so pure a watchet[97] that they shall stain the truest turquoise, whose nose shall throw more beams from it than the fiery carbuncle, whose eyes shall be environ’d about with redness exceeding (130) the deepest coral, and whose lips might compare with silver for the paleness! Such a one if you can help me to, I will by piecemeal curtail my affections towards Dipsas, and walk my swelling thoughts till they be cold. 135

Epi. Wisely provided. How say you, my friends, will you angle for my master’s cause?

Sam. Most willingly.

Dar. If we speed him not shortly, I will burn my cap. We will serve him of the spades, (140) and dig an old wife out of the grave that shall be answerable to his gravity.

Top. Youths, adieu; he that bringeth me first news, shall possess mine inheritance. [Exit Sir TOPHAS.]

Dar. What, is thy master landed? 145

Epi. Know you not that my master is liber tenens?

Sam. What ’s that?

Epi. A freeholder. But I will after him.

Sam. And we to hear what news of Endymion (150) for the conclusion. Exeunt.

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Act V, Scene III — [98]

[Enter] PANELION and ZONTES.

Pan. Who would have thought that Tellus, being so fair by nature, so honourable by birth, so wise by education, would have entered into a mischief to the gods so odious, to men so detestable, and to her friend so malicious. 5

Zon. If Bagoa had not bewrayed it, how then should it have come to light? But we see that gold and fair words are of force to corrupt the strongest men, and therefore able to work silly women like wax. 10

Pan. I marvel what Cynthia will determine in this cause.

Zon. I fear, as in all causes:—hear of it in justice, and then judge of it in mercy; for how can it be that she that is unwilling to punish (15) her deadliest foes with disgrace, will revenge injuries of her train with death.

Pan. That old witch, Dipsas, in a rage, having understood her practice to be discovered, turned poor Bagoa to an aspen tree. But let (20) us make haste and bring Tellus before Cynthia, for she was coming out after us.

Zon. Let us go. Exeunt.

[Enter,] CYNTHIA, SEMELE, FLOSCULA, DIPSAS, ENDYMION, EUMENIDES, [GERON, PYTHAGORAS, GYPTES, and SIR TOPHAS].

Cynth. Dipsas, thy years are not so many as thy vices, yet more in number than commonly (25) nature doth afford or justice should permit. Hast thou almost these fifty years practised that detested wickedness of witchcraft? Wast thou, so simple as for to know the nature of simples, of all creatures to be most sinful? Thou hast 30 threat’ned to turn my course awry and alter by thy damnable art the government that I now possess by the eternal gods; but know thou, Dipsas, and let all the enchanters know, that Cynthia, being placed for light on earth, is also (35) protected by the powers of heaven. Breathe out thou mayest words; gather thou mayest herbs; find out thou mayest stones agreeable to thine art; yet of no force to appal my heart, in which courage is so rooted, and constant (40) persuasion of the mercy of the gods so grounded, that all thy witchcraft I esteem as weak as the world doth thy case wretched. This noble gentleman, Geron, once thy husband but now thy mortal hate, didst thou procure to live in (45) a desert, almost desperate; Endymion, the flower of my court and the hope of succeeding time, hast thou bewitched by art, before thou wouldst suffer him to flourish by nature.

Dipsas. Madam, things past may be repented, (50) not recalled: there is nothing so wicked that I have not done, nor anything so wished for as death; yet among all the things that I committed, there is nothing so much tormenteth my rented and ransack’d thoughts as that in (55) the prime of my husband’s youth I divorced him by my devilish art; for which if to die might be amends, I would not live till to-morrow; if to live and still be more miserable would better content him, I would wish of all creatures to (60) be oldest and ugliest.

Geron. Dipsas, thou hast made this difference between me and Endymion, that being both young, thou hast caused me to wake in melancholy, losing the joys of my youth, and him (65) to sleep, not rememb’ring youth.

Cynth. Stay, here cometh Tellus; we shall now know all.

[Re-enter PANELION and ZONTES, with CORSITES and TELLUS.]

Cors. I would to Cynthia thou couldst make as good an excuse in truth as to me thou hast (70) done by wit.

Tellus. Truth shall be mine answer, and therefore I will not study for an excuse.

Cynth. Is it possible, Tellus, that so few years should harbour so many mischiefs? Thy (75) swelling pride have I borne, because it is a thing that beauty maketh blameless, which the more it exceedeth fairness in measure, the more it stretcheth itself in disdain. Thy devices against Corsites I smile at, for that wits, the sharper 80 they are, the shrewder[99] they are; but this unacquainted[100] and most unnatural practice with a vile enchantress against so noble a gentleman as Endymion I abhor as a thing most malicious, and will revenge as a deed most monstrous. (85) And as for you, Dipsas, I will send you into the desert amongst wild beasts, and try whether you can cast lions, tigers, boars, and bears into as dead a sleep as you did Endymion, or turn them to trees, as you have done Bagoa. But tell me, (90) Tellus, what was the cause of this cruel part, far unfitting thy sex, in which nothing should be but simpleness, and much disagreeing from thy face, in which nothing seemed to be but softness. 95

Tellus. Divine Cynthia, by whom I receive my life and am content to end it, I can neither excuse my fault without lying, nor confess it without shame; yet were it possible that in so heavenly thoughts as yours there could fall (100) such earthly motions as mine, I would then hope, if not to be pardoned without extreme punishment, yet to be heard without great marvel.

Cynth. Say on, Tellus; I cannot imagine any thing that can colour such a cruelty. 105

Tellus. Endymion, that Endymion, in the prime of his youth, so ravish’d my heart with love, that to obtain my desires I could not find means, nor to resist them reason. What was she that favoured not Endymion, being (110) young, wise, honourable, and virtuous; besides, what metal was she made of (be she mortal) that is not affected with the spice, nay, infected with the poison of that not-to-be-expressed yet always-to-be-felt love, which breaketh the (115) brains and never bruiseth the brow, consumeth the heart and never toucheth the skin, and maketh a deep scar to be seen before any wound at all be felt.[101] My heart, too tender to withstand such a divine fury, yielded to (120) love. Madam, I, not without blushing, confess [I] yielded to love.

Cynth. A strange effect of love, to work such an extreme hate. How say you, Endymion? All this was for love? 125

End. I say, madam, then the gods send me a woman’s hate.

Cynth. That were as bad, for then by contrary you should never sleep. But on, Tellus; let us hear the end. 130

Tellus. Feeling a continual burning in all my bowels, and a bursting almost in every vein, I could not smother the inward fire, but it must needs be perceived by the outward smoke; and by the flying abroad of divers sparks, (135) divers judged of my scalding flames. Endymion, as full of art as wit, marking mine eyes, (in which he might see almost his own,) my sighs, (by which he might ever hear his name sounded,) aimed at my heart, in which he (140) was assured his person was imprinted, and by questions wrung out that which was ready to burst out. When he saw the depth of my affections, he swore that mine in respect of his were as fumes to Ætna, valleys to Alps, ants (145) to eagles, and nothing could be compared to my beauty but his love and eternity. Thus drawing a smooth shoe upon a crooked foot, he made me believe that (which all of our sex willingly acknowledge) I was beautiful, and (150) to wonder (which indeed is a thing miraculous) that any of his sex should be faithful.

Cynth. Endymion, how will you clear yourself?

End. Madam, by mine own accuser. 155

Cynth. Well, Tellus, proceed; but briefly, lest taking delight in uttering thy love, thou offend us with the length of it.

Tellus. I will, madam, quickly make an end of my love and my tale. Finding continual (160) increase of my tormenting thoughts, and that the enjoying of my love made deeper wounds than the entering into it, I could find no means to ease my grief but to follow Endymion, and continually to have him in the object of (165) mine eyes who had me slave and subject to his love. But in the moment that I feared his falsehood and tried myself most in mine affections, I found—ah, grief, even then I lost myself!—I found him in most melancholy and desperate (170) terms cursing his stars, his state, the earth, the heavens, the world, and all for the love of—

Cynth. Of whom? Tellus, speak boldly.

Tellus. Madam, I dare not utter, for fear to offend. 175

Cynth. Speak, I say; who dare take offence, if thou be commanded by Cynthia?

Tellus. For the love of Cynthia.

Cynth. For my love, Tellus? That were strange. Endymion, is it true? 180

End. In all things, madam, Tellus doth not speak false.

Cynth. What will this breed to in the end? Well, Endymion, we shall hear all.

Tellus. I, seeing my hopes turned to mishaps, (185) and a settled dissembling towards me, and an immovable desire to Cynthia, forgetting both myself and my sex, fell into this unnatural hate; for knowing your virtues, Cynthia, to be immortal, I could not have an imagination to withdraw (190) him; and finding mine own affections unquenchable, I could not carry the mind that any else should possess what I had pursued. For though in majesty, beauty, virtue, and dignity, I always humbled and yielded myself (195) to Cynthia, yet in affections I esteemed myself equal with the goddesses, and all other creatures, according to their states, with myself; for stars to their bigness have their lights, and the sun hath no more, and little pitchers, when (200) they can hold no more, are as full as great vessels that run over. Thus, madam, in all truth have I uttered the unhappiness of my love and the cause of my hate, yielding wholly to that divine judgment which never erred for want of (205) wisdom or envied for too much partiality.

Cynth. How say you, my lords, to this matter? But what say you, Endymion; hath Tellus told truth?

End. Madam, in all things but in that (210) she said I loved her and swore to honour her.

Cynth. Was there such a time whenas for my love thou didst vow thyself to death, and in respect of it loathed thy life? Speak, Endymion; I will not revenge it with hate. 215

End. The time was, madam, and is, and ever shall be, that I honoured your highness above all the world, but to stretch it so far as to call it love I never durst. There hath none pleased mine eye but Cynthia, none delighted (220) mine ears but Cynthia, none possessed my heart but Cynthia. I have forsaken all other fortunes to follow Cynthia, and here I stand ready to die, if it please Cynthia. Such a difference hath the gods set between our states that all must be (225) duty, loyalty, and reverence; nothing (without it vouchsafe your highness) be termed love. My unspotted thoughts, my languishing body, my discontented life, let them obtain by princely favour that which to challenge they (230) must not presume, only wishing of impossibilities; with imagination of which I will spend my spirits, and to myself, that no creature may hear, softly call it love; and if any urge to utter what I whisper, then will I name it honour. 235 From this sweet contemplation if I be not driven, I shall live of all men the most content, taking more pleasure in mine aged thoughts than ever I did in my youthful actions.

Cynth. Endymion, this honourable respect (240) of thine shall be christened love in thee, and my reward for it, favour. Persevere, Endymion, in loving me, and I account more strength in a true heart than in a walled city. I have laboured to win all, and study to keep such as I (245) have won; but those that neither my favour can move to continue constant, nor my offered benefits get to be faithful, the gods shall either reduce to truth, or revenge their treacheries with justice. Endymion, continue as thou hast (250) begun, and thou shalt find that Cynthia shineth not on thee in vain.

End. Your Highness hath blessed me, and your words have again restored my youth; methinks I feel my joints strong and these 255 mouldy hairs to moult, and all by your virtue, Cynthia, into whose hands the balance that weigheth time and fortune are committed.

Cynth. What, young again! Then it is pity to punish Tellus. 260

Tellus. Ah, Endymion, now I know thee and ask pardon of thee; suffer me still to wish thee well.

End. Tellus, Cynthia must command what she will. 265

Flosc. Endymion, I rejoice to see thee in thy former estate.

End. Good Floscula, to thee also am I in my former affections.

Eum. Endymion, the comfort of my life, (270) how am I ravished with a joy matchless, saving only the enjoying of my mistress.

Cynth. Endymion, you must now tell who Eumenides shrineth for his saint.

End. Semele, madam. 275

Cynth. Semele, Eumenides? Is it Semele, the very wasp of all women, whose tongue stingeth as much as an adder’s tooth?

Eum. It is Semele, Cynthia, the possessing of whose love must only prolong my life. 280

Cynth. Nay, sith Endymion is restored, we will have all parties pleased. Semele, are you content after so long trial of his faith, such rare secrecy, such unspotted love, to take Eumenides? Why speak you not? Not a word? 285

End. Silence, madam, consents; that is most true.

Cynth. It is true, Endymion. Eumenides, take Semele; take her, I say.

Eum. Humble thanks, madam; now only (290) do I begin to live.

Sem. A hard choice, madam, either to be married if I say nothing, or to lose my tongue if I speak a word. Yet do I rather choose to have my tongue cut out than my heart distempered: (295) I will not have him.

Cynth. Speaks the parrot! She shall nod hereafter with signs. Cut off her tongue, nay her head, that having a servant of honourable birth, honest manners, and true love, will not be (300) persuaded.

Sem. He is no faithful lover, madam, for then would he have asked his mistress.

Ger. Had he not been faithful, he had never seen into the fountain, and so lost his friend (305) and mistress.

Eum. Thine own thoughts, sweet Semele, witness against thy words, for what hast thou found in my life but love? And as yet what have I found in my love but bitterness? (310) Madam, pardon Semele, and let my tongue ransom hers.

Cynth. Thy tongue, Eumenides! What, shouldst thou live wanting a tongue to blaze the beauty of Semele! Well, Semele, I will (315) not command love, for it cannot be enforced; let me entreat it.

Sem. I am content your highness shall command, for now only do I think Eumenides faithful, that is willing to lose his tongue for my (320) sake; yet loath, because it should do me better service. Madam, I accept of Eumenides.

Cynth. I thank you, Semele.

Eum. Ah, happy Eumenides, that hast a friend so faithful and a mistress so fair! (325) With what sudden mischief will the gods daunt this excess of joy? Sweet Semele, I live or die as thou wilt.

Cynth. What shall become of Tellus? Tellus, you know Endymion is vowed to a service (330) from which death cannot remove him. Corsites casteth still a lovely look towards you. How say you, will you have your Corsites, and so receive pardon for all that is past?

Tellus. Madam, most willingly. 335

Cynth. But I cannot tell whether Corsites be agreed.

Cors. Ay, madam, more happy to enjoy Tellus than the monarchy of the world.

Eum. Why, she caused you to be pinch’d (340) with fairies.

Cors. Ay, but her fairness hath pinched my heart more deeply.

Cynth. Well, enjoy thy love. But what have you wrought in the castle, Tellus? (345)

Tellus. Only the picture of Endymion.

Cynth. Then so much of Endymion as his picture cometh to, possess and play withal.

Cors. Ah, my sweet Tellus, my love shall be as thy beauty is, matchless. 350

Cynth. Now it resteth, Dipsas, that if thou wilt forswear that vile art of enchanting, Geron hath promised again to receive thee; otherwise, if thou be wedded to that wickedness, I must and will see it punished to the uttermost. 355

Dipsas. Madam, I renounce both substance and shadow of that most horrible and hateful trade, vowing to the gods continual penance, and to your highness obedience.

Cynth. How say you, Geron; will you admit (360) her to your wife?

Ger. Ay, with more joy than I did the first day, for nothing could happen to make me happy but only her forsaking that lewd[102] and detestable course. Dipsas, I embrace thee. 365

Dipsas. And I thee, Geron, to whom I will hereafter recite the cause of these my first follies.

Cynth. Well, Endymion, nothing resteth now but that we depart. Thou hast my favour; (370) Tellus her friend, Eumenides in Paradise with his Semele; Geron content with Dipsas.

Sir Top. Nay, soft; I cannot handsomely go to bed without Bagoa.

Cynth. Well, Sir Tophas, it may be there (375) are more virtues in me than myself knoweth of, for Endymion I awaked, and at my words he waxed young. I will try whether I can turn this tree again to thy true love.

Top. Turn her to a true love or false, so (380) she be a wench I care not.

Cynth. Bagoa, Cynthia putteth an end to thy hard fortunes; for, being turn’d to a tree for revealing a truth, I will recover thee again, if in my power be the effect of truth. 385

[BAGOA recovers human shape.]

Top. Bagoa, a bots[103] upon thee!

Cynth. Come, my lords, let us in. You, Gyptes and Pythagoras, if you can content yourselves in our court, to fall from vain follies of philosophers to such virtues as are here practised, (390) you shall be entertained according to your deserts, for Cynthia is no stepmother to strangers.

Pythag. I had rather in Cynthia’s court spend ten years than in Greece one hour.

Gyptes. And I choose rather to live by (395) the sight of Cynthia than by the possessing of all Egypt.

Cynth. Then follow.

Eum. We all attend. Exeunt.

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