Chapter XIX…

Chapter XIX

Half an hour before midnight Moor entered the calash, and Ulrich Navarrete mounted the white Andalusian.

The artist, deeply agitated, had already taken leave of his protege in the studio, had given him a purse of gold for his travelling-expenses and any other wants, and told him that he would always find with him in Flanders a home, a father, love, and instruction in his art.

The painter alighted before Don Fabrizio's palace; a short time after Ulrich noisily drew the leather curtain before the partition of the calash, and then called to the coachman, who had often driven Moor when he was unexpectedly summoned to one of the king's pleasure-palaces at night: "Go ahead!"

They were stopped at the gate, but the guards knew the favorite's calash and fair-haired pupil, and granted the latter the escort he asked for his master. So they went forward; at first rapidly, then at a pace easy for the horses. He told the coachman that Moor had alighted at the second station, and would ride with His Majesty to Avila, where he wished to find the carriage.

During the whole way, Ulrich thought little of himself, and all the more of the master. If the pursuers had set out the morning after the departure, and followed him instead of Don Fabrizio's party, Moor might now be safe. He knew the names of the towns on the road to Valencia and thought: "Now he may be here, now he may be there, now he must be approaching Tarancon."

In the evening the calash reached the famous stronghold of Avila where, according to the agreement, Ulrich was to leave the carriage and try to make his own escape. The road led through the town, which was surrounded by high walls and deep ditches. There was no possibility of going round it, yet the drawbridges were already raised and the gates locked, so he boldly called the warder and showed his passport.

An officer asked to see the artist. Ulrich said that he would follow him; but the soldier was not satisfied, and ordered him to alight and accompany him to the commandant.

Ulrich struck his spurs into the Andalusian's flanks and tried to go back over the road by which he had come; but the horse had scarcely begun to gallop, when a shot was fired, that stretched it on the ground. The rider was dragged into the guard-house as a prisoner, and subjected to a severe examination.

He was suspected of having murdered Moor and of having stolen his money, for a purse filled with ducats was found on his person. While he was being fettered, the pursuers reached Avila.

A new examination began, and now trial followed trial, torture, torture.

Even at Avila a sack was thrown over his head, and only opened, when to keep him alive, he was fed with bread and water. Firmly bound in a two-wheeled cart, drawn by mules, he was dragged over stock and stones to Madrid.

Often, in the darkness, oppressed for breath, jolted, bruised, unable to control his thoughts, or even his voice, he expected to perish; yet no fainting-fit, no moment of utter unconsciousness pityingly came to his relief, far less did any human heart have compassion on his suffering.

At last, at last he was unbound, and led, still with his head covered, into a small, dark room.

Here he was released from the sack, but again loaded with chains.

When he was left alone and had regained the capacity to think, he felt convinced that he was in one of the dungeons of the Inquisition. Here were the damp walls, the wooden bench, the window in the ceiling, of which he had heard. He was soon to learn that he had judged correctly.

His body was granted a week's rest, but during this horrible week he did not cease to upbraid himself as a traitor, and execrate the fate which had used him a second time to hurl a friend and benefactor into ruin. He cursed himself, and when he thought of the "word" "fortune, fortune!" he gnashed his teeth scornfully and clenched his fist.

His young soul was darkened, embittered, thrown off its balance. He saw no deliverance, no hope, no consolation. He tried to pray, to God, to Jesus Christ, to the Virgin, to the Saints; but they all stood before him, in a vision, with lifeless features and paralyzed arms. For him, who had relied on "Fortune," and behaved like a fool, they felt no pity, no compassion, they would not lend their aid.

But soon his former energy returned and with it the power to lift his soul in prayer. He regained them during the torture, on the rack.

Weeks, months elapsed. Ulrich still remained in the gloomy cell, loaded with chains, scantily fed on bread and water, constantly looking death in the face; but a fresh, beautiful spirit of defiance and firm determination to live animated the youth, who was now at peace with himself. On the rack he had regained the right to respect himself, and striven to win the master's praise, the approval of the living and his beloved dead.

The wounds on his poor, crushed, mangled hands and feet still burned. The physician had seen them, and when they healed, shook his head in amazement.

Ulrich rejoiced in his scars, for on the rack and in the Spanish boot, on nails, and the pointed bench, in the iron necklace and with the stifling helmet on his head, he had resolutely refused to betray through whom and whither the master had escaped.

They might come back, burn and spear him; but through him they should surely learn nothing, nothing at all. He was scarcely aware that he had a right to forgiveness; yet he felt he had atoned.

Now he could think of the past again. The Holy Virgin once more wore his lost mother's features; his father, Ruth, Pellicanus, Moor looked kindly at him. But the brightest light shone into his soul through the darkness of the dungeon, when he thought of art and his last work. It stood before him distinctly in brilliant hues, feature for feature, as on the canvas; he esteemed himself happy in having painted it, and would willingly have gone to the rack once, twice, thrice, if he could merely have obtained the certainty of creating other pictures like this, and perhaps still nobler, more beautiful ones.

Art! Art! Perhaps this was the "word," and if not, it was the highest, most exquisite, most precious thing in life, beside which everything else seemed small, pitiful and insipid. With what other word could God have created the world, human beings, animals, and plants? The doctor had often called every flower, every beetle, a work of art, and Ulrich now understood his meaning, and could imagine how the Almighty, with the thirst for creation and plastic hand of the greatest of all artists had formed the gigantic bodies of the stars, had given the sky its glittering blue, had indented and rounded the mountains, had bestowed form and color on everything that runs, creeps, flies, buds and blossoms, and had fashioned man--created in His own image--in the most majestic form of all.

How wonderful the works of God appeared to him in the solitude of the dark dungeon--and if the world was beautiful, was it not the work of His Divine Art!

Heaven and earth knew no word greater, more powerful, more mighty in creating beauty than: Art. What, compared with its gifts, were the miserable, delusive ones of Fortune: gay clothes, spiced dishes, magnificent rooms, and friendly glances from beautiful eyes, that smile on every one who pleases them! He would blow them all into the air, for the assistance of Art in joyous creating. Rather, a thousand times rather, would he beg his bread, and attain great things in Art, than riot and revel in good-fortune.

Colors, colors, canvas, a model like Sophonisba, and success in the realm of Art! It was for these things he longed, these things made him yearn with such passionate eagerness for deliverance, liberty.

Months glided by, maturing Ulrich's mind as rapidly as if they had been years; but his inclination to retire within himself deepened into intense reserve.

At last the day arrived on which, through the influence of the Marquesa Romero, the doors of his dungeon opened.

It was soon after receiving a sharp warning to renounce his obstinacy at the next examination, that the youth was suddenly informed that he was free. The jailer took off his fetters, and helped him exchange his prison garb for the dress he had worn when captured; then disguised men threw a sack over his head and led him up and down stairs and across pavements, through dust and grass, into the little court-yard of a deserted house in the suburbs. There they left him, and he soon released his head from its covering.

How delicious God's free air seemed, as his chest heaved with grateful joy! He threw out his arms like a bird stretching its wings to fly, then he clasped his hands over his brow, and at last, as if a second time pursued, rushed out of the court-yard into the street. The passers-by looked after him, shaking their heads, and he certainly presented a singular spectacle, for the dress in which he had fled many months before, had sustained severe injuries on the journey from Avila; his hat was lost on the way, and had not been replaced by a new one. The cuffs and collar, which belonged to his doublet, were missing, and his thick, fair hair hung in dishevelled locks over his neck and temples; his full, rosy cheeks had grown thin, his eyes seemed to have enlarged, and during his imprisonment a soft down had grown on his cheeks and chin.

He was now eighteen, but looked older, and the grave expression on his brow and in his eyes, gave him the appearance of a man.

He had rushed straight forward, without asking himself whither; now he reached a busy street and checked his career. Was he in Madrid? Yes, for there rose the blue peaks of the Guadarrama chain, which he knew well. There were the little trees at which the denizen of the Black Forest had often smiled, but which to-day looked large and stately. Now a toreador, whom he had seen more than once in the arena, strutted past. This was the gate, through which he had ridden out of the city beside the master's calash.

He must go into the town, but what should he do there?

Had they restored the master's gold with the clothes?

He searched the pockets, but instead of the purse, found only a few large silver coins, which he knew he had not possessed at the time of his capture.

In a cook-shop behind the gate he enjoyed some meat and wine after his long deprivation, and after reflecting upon his situation he decided to call on Don Fabrizio.

The porter refused him admittance, but after he had mentioned his name, kindly invited him into the porch, and told him that the baron and his wife were in the country with the Marquesa Romero. They were expected back on Tuesday, and would doubtless receive him then, for they had already asked about him several times. The young gentleman probably came from some foreign country; it was the custom to wear hats in Madrid.

Ulrich now noticed what he lacked, but before leaving, to supply the want, asked the porter, if he knew what had become of Master Moor.

Safe! He was safe! Several weeks before Donna Sophonisba had received a letter sent from Flanders, and Ulrich's companion was well informed, for his wife served the baroness as 'doncella'.

Joyously, almost beside himself with pure, heart-cheering delight, the released prisoner hurried away, bought himself a new cap, and then sought the Alcazar.

Before the treasury, in the place of old Santo, Carmen's father, stood a tall, broad portero, still a young man, who rudely refused him admittance.

"Master Moor has not been here for a long time," said the gate-keeper angrily: "Artists don't wear ragged clothes, and if you don't wish to see the inside of a guard-house--a place you are doubtless familiar with--you had better leave at once."

Ulrich answered the gate-keeper's insulting taunts indignantly and proudly, for he was no longer the yielding boy of former days, and the quarrel soon became serious.

Just then a dainty little woman, neatly dressed for the evening promenade, with the mantilla on her curls, a pomegranate blossom in her hair, and another on her bosom, came out of the Alcazar. Waving her fan, and tripping over the pavement like a wag-tail, she came directly towards the disputants.

Ulrich recognized her instantly; it was Carmen, the pretty embroiderer of the shell-grotto in the park, now the wife of the new porter, who had obtained his dead predecessor's office, as well as his daughter.

"Carmen!" exclaimed Ulrich, as soon as he saw the pretty little woman, then added confidently. "This young lady knows me."

"I?" asked the young wife, turning up her pretty little nose, and looking at the tall youth's shabby costume. "Who are you?"

"Master Moor's pupil, Ulrich Navarrete; don't you remember me?"

"I? You must be mistaken!"

With these words she shut her fan so abruptly, that it snapped loudly, and tripped on.

Ulrich shrugged his shoulders, then turned to the porter more courteously, and this time succeeded in his purpose; for the artist Coello's body-servant came out of the treasury, and willingly announced him to his master, who now, as court-artist, occupied Moor's quarters.

Ulrich followed the friendly Pablo into the palace, where every step he mounted reminded him of his old master and former days.

When he at last stood in the anteroom, and the odor of the fresh oil-colors, which were being ground in an adjoining room, reached his nostrils, he inhaled it no less eagerly than, an hour before, he had breathed the fresh air, of which he had been so long deprived.

What reception could he expect? The court-artist might easily shrink from coming in contact with the pupil of Moor, who had now lost the sovereign's favor. Coello was a very different man from the Master, a child of the moment, varying every day. Sometimes haughty and repellent, on other occasions a gay, merry companion, who had jested with his own children and Ulrich also, as if all were on the same footing. If today . . . but Ulrich did not have much time for such reflections; a few minutes after Pablo left, the door was torn open, and the whole Coello family rushed joyously to meet him; Isabella first. Sanchez followed close behind her, then came the artist, next his stout, clumsy wife, whom Ulrich had rarely seen, because she usually spent the whole day lying on a couch with her lap-dog. Last of all appeared the duenna Catalina, a would-be sweet smile hovering around her lips.

The reception given him by the others was all the more joyous and cordial.

Isabella laid her hands on his arm, as if she wanted to feel that it was really he; and yet, when she looked at him more closely, she shook her head as if there was something strange in his appearance. Sanchez embraced him, whirling him round and round, Coello shook hands, murmuring many kind words, and the mother turned to the duenna, exclaiming:

"Holy Virgin! what has happened to the pretty boy? How famished he looks! Go to the kitchen instantly, Catalina, and tell Diego to bring him food--food and drink."

At last they all pulled and pushed him into the sitting-room, where the mother immediately threw herself on the couch again; then the others questioned him, making him tell them how he had fared, whence he came, and many other particulars.

He was no longer hungry, but Senora Petra insisted upon his seating himself near her couch and eating a capon, while he told his story.

Every face expressed sympathy, approval, pity, and at last Coello said:

"Remain here, Navarrete. The king longs for Moor, and you will be as safe with us, as if you were in Abraham's lap. We have plenty for you to do. You come to me as opportunely, as if you had dropped from the skies. I was just going to write to Venice for an assistant. Holy Jacob! You can't stay so, but thanks to the Madonna and Moor, you are not poor. We have ample means, my young sir. Donna Sophonisba gave me a hundred zechins for you; they are lying in yonder chest, and thank Heaven, haven't grown impatient by waiting. They are at your disposal. Your master, my master, the noble master of all portrait-painters, our beloved Moor arranged it. You won't go about the streets in this way any longer. Look, Isabella; this sleeve is hanging by two strings, and the elbow is peering out of the window. Such a dress is airy enough, certainly. Take him to the tailor's at once, Sanchez, Oliverio, or . . . but no, no; we'll all stay together to-day. Herrera is coming from the Escurial. You will endure the dress for the sake of the wearer, won't you, ladies? Besides, who is to choose the velvet and cut for this young dandy? He always wore something unusual. I can still see the master's smile, provoked by some of the lad's new contrivances in puffs and slashes. It is pleasant to have you here, my boy! I ought to slay a calf, as the father did for the prodigal son; but we live in miniature. Instead of neat-cattle, only a capon! . . ."

"But you're not drinking, you're not drinking! Isabella, fill his glass. Look! only see these scars on his hands and neck. It will need a great deal of lace to conceal them. No, no, they are marks of honor, you must show them. Come here, I will kiss this great scar, on your neck, my brave, faithful fellow, and some day a fair one will follow my example. If Antonio were only here! There's a kiss for him, and another, there, there. Art bestows it, Art, for whom you have saved Moor!"

A master's kiss in the name of Art! It was sweeter than the beautiful Carmen's lips!

Coello was himself an artist, a great painter! Where could his peers be found--or those of Moor, and the architect Herrera, who entered soon after. Only those, who consecrated their lives to Art, the word of words, could be so noble, cheerful, kind.

How happy he was when he went to bed! how gratefully he told his beloved dead, in spirit, what had fallen to his lot, and how joyously he could pray!

The next morning he went with a full purse into the city, returning elegantly dressed, and with neatly-arranged locks. The peinador had given his budding moustache a bold twist upward.

He still looked thin and somewhat awkward, but the tall youth promised to become a stately man.

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Chapter XX

Towards noon Coello called Ulrich into Moor's former studio; the youth could not fail to observe its altered appearance.

Long cartoons, containing sketches of figures, large paintings, just commenced or half-finished, leaned against the easels; mannikins, movable wooden horse's heads, and plaster-models stood on the floor, the tables, and in the windows. Stuffs, garments, tapestries, weapons hung over the backs of the chairs, or lay on chests, tables and the stone-floor. Withered laurel-wreaths, tied with long ribbons, fluttered over the mantel-piece; one had fallen, dropped over the bald head of Julius Caesar, and rested on the breast.

The artist's six cats glided about among the easels, or stretched their limbs on costly velvet and Arabian carpets.

In one corner stood a small bed with silk curtains--the nursery of the master's pets. A magnificent white cat was suckling her kittens in it.

Two blue and yellow cockatoos and several parrots swung screaming in brass hoops before the open window, and Coello's coal-black negro crept about, cleaning the floor of the spacious apartment, though it was already noon. While engaged in this occupation, he constantly shook his woolly head, displaying his teeth, for his master was singing loudly at his work, and the gaily-clad African loved music.

What a transformation bad taken place in the Netherlander's quiet, orderly, scrupulously neat studio! But, even amid this confusion, admirable works were created; nay, the Spaniard possessed a much more vivid imagination, and painted pictures, containing a larger number of figures and far more spirited than Moor's, though they certainly were not pervaded by the depth and earnestness, the marvellous fidelity to nature, that characterized those of Ulrich's beloved master.

Coello called the youth to the easel, and pointing to the sketches in color, containing numerous figures, on which he was painting, said:

"Look here, my son. This is to be a battle of the Centaurs, these are Parthian horsemen;--Saint George and the Dragon, and the Crusaders are not yet finished. The king wants the Apocalyptic riders too. Deuce take it! But it must be done. I shall commence them to-morrow. They are intended for the walls and ceiling of the new winter riding-school. One person gets along slowly with all this stuff, and I--I. . . . The orders oppress me. If a man could only double, quadruple himself! Diana of Ephesus had many breasts, and Cerberus three heads, but only two hands have grown on my wrists. I need help, and you are just the person to give it. You have had nothing to do with horses yet, Isabella tells me; but you are half a Centaur yourself. Set to work on the steeds now, and when you have progressed far enough, you shall transfer these sketches to the ceiling and walls of the riding-school. I will help you perfect the thing, and give it the finishing touch."

This invitation aroused more perplexity than pleasure in Ulrich's mind, for it was not in accordance with Moor's opinions. Fear of his fellow-men no longer restrained him, so he frankly said that he would rather sketch industriously from nature, and perhaps would do well to seek Moor in Flanders. Besides, he was afraid that Coello greatly overrated his powers.

But the Spaniard eagerly cut him short:

"I have seen your portrait of Sophonisba. You are no longer a pupil, but a rising artist. Moor is a peerless portrait-painter, and you have profited greatly by his teaching. But Art has still higher aims. Every living thing belongs to her. The Venus, the horse . . . which of those two pictures won Apelles the greater fame? Not only copying, but creating original ideas, leads to the pinnacle of art. Moor praised your vivid imagination. We must use what we possess. Remember Buonarotti, Raphael! Their compositions and frescos, have raised their names above all others. Antonio has tormented you sufficiently with drawing lifeless things. When you transfer these sketches, many times enlarged, to a broad surface, you will learn more than in years of copying plaster-casts. A man must have talent, courage and industry; everything else comes of its own accord, and thank Heaven, you're a lucky fellow! Look at my horses--they are not so bad, yet I never sketched a living one in my life till I was commissioned to paint His Majesty on horseback. You shall have a better chance. Go to the stables and the old riding-school to-morrow. First try noble animals, then visit the market and shambles, and see how the knackers look. If you make good speed, you shall soon see the first ducats you yourself have earned." The golden reward possessed little temptation for Ulrich, but he allowed himself to be persuaded by his senior, and drew and painted horses and mares with pleasure and success, working with Isabella and Coello's pupil, Felice de Liano, when they sketched and painted from living models. When the scaffolding was erected in the winter riding-school, he went there under the court-artist's direction, to measure, arrange and finally transfer the painter's sketches to the wide surfaces.

He did this with increasing satisfaction, for though Coello's sketches possessed a certain hardness, they were boldly devised and pleased him.

The farther he progressed, the more passionately interested he became in his work. To create on a grand scale delighted him, and the fully occupied life, as well as the slight fatigue after his work was done, which was sweetened by the joy of labor accomplished, were all beautiful, enjoyable things; yet Ulrich felt that this was not exactly the right course, that a steeper, more toilsome path must lead to the height he desired to attain.

He lacked the sharp spurring to do better and better, the censure of a master, who was greatly his superior. Praise for things, which did not satisfy himself, vexed him and roused his distrust.

Isabella, and--after his return--Sophonisba, were his confidantes.

The former had long felt what he now expressed. Her young heart clung to him, but she loved in him the future great artist as much as the man. It was certainly no light matter for her to be deprived of Ulrich's society, yet she unselfishly admitted that her father, in the vast works he had undertaken, could not be a teacher like Moor, and it would probably be best for him to seek his old master in Flanders, as soon as his task in the riding-school was completed.

She said this, because she believed it to be her duty, though sadly and anxiously; but he joyously agreed with her, for Sophonisba had handed him a letter from the master, in which the latter cordially invited him to come to Antwerp.

Don Fabrizio's wife summoned him to her palace, and Ulrich found her as kind and sympathizing as when she had been a girl, but her gay, playful manner had given place to a more quiet dignity.

She wished to be told in detail all he had suffered for Moor, how he employed himself, what he intended to do in the future; and she even sought him more than once in the riding-school, watched him at his work, and examined his drawings and sketches.

Once she induced him to tell her the story of his youth.

This was a boon to Ulrich; for, although we keep our best treasures most closely concealed, yet our happiest hours are those in which, with the certainty of being understood, we are permitted to display them.

The youth could show this noble woman, this favorite of the Master, this artist, what he would not have confided to any man, so he permuted her to behold his childhood, and gaze deep into his soul.

He did not even hide what he knew about the "word"--that he believed he had found the right one in the dungeon, and that Art would remain his guiding star, as long as he lived.

Sophonisba's cheeks flushed deeper and deeper, and never had he seen her so passionately excited, so earnest and enthusiastic, as now when she exclaimed:

"Yes, Ulrich, yes! You have found the right word!

"It is Art, and no other. Whoever knows it, whoever serves it, whoever impresses it deeply on his soul and only breathes and moves in it, no longer has any taint of baseness; he soars high above the earth, and knows nothing of misery and death. It is with Art the Divinity bridges space and descends to man, to draw him up ward to brighter worlds. This word transfigures everything, and brings fresh green shoots even from the dry wood of souls defrauded of love and hope. Life is a thorny rose-bush, and Art its flower. Here Mirth is melancholy--Joy is sorrowful and Liberty is dead. Here Art withers and--like an exotic--is prevented perishing outright only by artificial culture. But there is a land, I know it well, for it is my home--where Art buds and blossoms and throws its shade over all the highways. Favorite of Antonio, knight of the Word--you must go to Italy!"

Sophonisba had spoken. He must go to Italy. The home of Titian! Raphael! Buonarotti! where also the Master went to school.

"Oh, Word, Word!" he cried exultingly in his heart. "What other can disclose, even on earth, such a glimpse of the joys of Paradise."

When he left Sophonisba, he felt as if he were intoxicated.

What still detained him in Madrid?

Moor's zechins were not yet exhausted, and he was sure of the assistance of the "word" upon the sacred soil of Italy.

He unfolded his plan to Coello without delay, at first modestly, then firmly and defiantly. But the court-artist would not let him go. He knew how to maintain his composure, and even admitted that Ulrich must travel, but said it was still too soon. He must first finish the work he had undertaken in the riding-school, then he himself would smooth the way to Italy for him. To leave him, so heavily burdened, in the lurch now, would be treating him ungratefully and basely.

Ulrich was forced to acknowledge this, and continued to paint on the scaffold, but his pleasure in creating was spoiled. He thought of nothing but Italy.

Every hour in Madrid seemed lost. His lofty purposes were unsettled, and he began to seek diversion for his mind, especially at the fencing-school with Sanchez Coello.

His eye was keen, his wrist pliant, and his arm was gaining more and more of his father's strength, so he soon performed extraordinary feats.

His remarkable skill, his reserved nature, and the natural charm of his manner soon awakened esteem and regard among the young Spaniards, with whom he associated.

He was invited to the banquets given by the wealthier ones, and to join the wild pranks, in which they sometimes indulged, but spite of persuasions and entreaties, always in vain.

Ulrich needed no comrades, and his zechins were sacred to him; he was keeping them for Italy.

The others soon thought him an odd, arrogant fellow, with whom no friendly ties could be formed, and left him to his own resources. He wandered about the streets at night alone, serenaded fair ladies, and compelled many gentlemen, who offended him, to meet him in single combat.

No one, not even Sanchez Coello, was permitted to know of these nocturnal adventures; they were his chief pleasure, stirred his blood, and gave him the blissful consciousness of superior strength.

This mode of life increased his self-confidence, and expressed itself in his bearing, which gained a touch of the Spanish air. He was now fully grown, and when he entered his twentieth year, was taller than most Castilians, and carried his head as high as a grandee.

Yet he was dissatisfied with himself, for he made slow progress in his art, and cherished the firm conviction that there was nothing more for him to learn in Madrid; Coello's commissions were robbing him of the most precious time.

The work in the riding-school was at last approaching completion. It had occupied far more than the year in which it was to have been finished, and His Majesty's impatience had become so great, that Coello was compelled to leave everything else, to paint only there, and put his improving touches to Ulrich's labor.

The time for departure was drawing near. The hanging-scaffold, on which he had lain for months, working on the master's pictures, had been removed, but there was still something to be done to the walls.

Suddenly the court-artist was ordered to suspend the work, and have the beams, ladders and boards, which narrowed the space in the picadero,--[Riding School]--removed.

The large enclosure was wanted during the next few days for a special purpose, and there were new things for Coello to do.

Don Juan of Austria, the king's chivalrous half-brother, had commenced his heroic career, and vanquished the rebellious Moors in Granada. A magnificent reception was to be prepared for the young conqueror, and Coello received the commission to adorn a triumphal arch with hastily-sketched, effective pictures.

The designs were speedily completed, and the triumphal arch erected in a court-yard of the Alcazar, for here, within the narrow circle of the court, not publicly, before the whole population, had the suspicious monarch resolved to receive and honor the victor.

Ulrich had again assisted Coello in the execution of his sketches. Everything was finished at the right time, and Don Juan's reception brilliantly carried out with great pomp and dignity, through the whole programme of a Te Deum and three services, processions, bull-fights, a grand 'Auto-da-fe', and a tournament.

After this festival, the king again resigned the riding-school to the artists, who instantly set to work. Everything was finished except the small figures at the bottom of the larger pictures, and these could be executed without scaffolding.

Ulrich was again standing on the ladder, for the first time after this interruption, and Coello had just followed him into the picadero, when a great bustle was heard outside.

The broad doors flew open, and the manege was soon filled with knights and ladies on foot and horseback.

The most brilliant figures in all the stately throng were Don Juan himself, and his youthful nephew, Alexander Farnese, Prince of Parma.

Ulrich feasted his eyes on the splendid train, and the majestic, haughty, yet vivacious manner of the conqueror.

Never in his life, he thought, had he seen a more superb youthful figure. Don Juan stopped directly opposite to him, and bared his head. The thick, fair hair brushed back behind his ears, hung in wonderfully soft, waving locks down to his neck, and his features blended feminine grace with manly vigor.

As, hat in hand, he swung himself from the saddle, unassisted, to greet the fair duchess of Medina Celi, there was such a charm in his movements, that the young artist felt inclined to believe all the tales related of the successful love affairs of this favorite of fortune, who was the son of the Emperor Charles, by a German washerwoman.

Don Juan graciously requested his companion to retire to the back of the manege, assisted the ladies from their saddles and, offering his hand to the duchess, led her to the dais, then returning to the ring, he issued some orders to the mounted officers in his train, and stood conversing with the ladies, Alexander Farnese, and the grandees near him.

Loud shouts and the tramp of horses hoofs were now heard outside of the picadero, and directly after nine bare-backed horses were led into the ring, all selected animals of the best blood of the Andalusian breed, the pearls of all the horses Don Juan had captured.

Exclamations and cries of delight echoed through the building, growing louder and warmer, when the tenth and last prize, a coal-black young stallion, dragged the sinewy Moors that led him, into the ring, and rearing lifted them into the air with him.

The brown-skinned young fellows resisted bravely; but Don Juan turning to Alexander Farnese, said: "What a superb animal! but alas, alas, he has a devilish temper, so we have called him Satan. He will bear neither saddle nor rider. How dare I venture . . . there he rears again. . . . It is quite impossible to offer him to His Majesty. Just look at those eyes, those crimson nostrils. A perfect monster!"

"But there cannot be a more beautiful creature!" cried the prince, warmly. "That shining black coat, the small head, the neck, the croup, the carriage of his tail, the fetlocks and hoofs. Oh, oh, that was serious!" The vicious stallion had reared for the third time, pawing wildly with his fore-legs, and in so doing struck one of the Moors. Shrieking and wailing, the latter fell on the ground, and directly after the animal released itself from the second groom, and now dashed freely, with mighty leaps, around the course, rushing hither and thither as if mad, kicking furiously, and hurling sand and dust into the faces of the ladies on the dais. The latter shrieked loudly, and their screams increased the animal's furious excitement. Several gentlemen drew back, and the master of the horse loudly ordered the other barebacked steeds to be led away.

Don Juan and Alexander Farnese stood still; but the former drew his sword, exclaiming, vehemently:

"Santiago! I'll kill the brute!"

He was not satisfied with words, but instantly rushed upon the stallion; the latter avoiding him, bounded now backward, now sideways, at every fresh leap throwing sand upon the dais.

Ulrich could remain on the ladder no longer.

Fully aware of his power over refractory horses, he boldly entered the ring and walked quietly towards the snorting, foaming steed. Driving the animal back, and following him, he watched his opportunity, and as Satan turned, reached his side and boldly seized his nostrils firmly with his hand.

Satan plunged more and more furiously, but the smith's son held him as firmly as if in a vise, breathed into his nostrils, and stroked his head and muzzle, whispering soothing words.

The animal gradually became quieter, tried once more to release himself from his tamer's iron hand, and when he again failed, began to tremble and meekly stood still with his fore legs stretched far apart.

"Bravo! Bravamente!" cried the duchess, and praise from such lips intoxicated Ulrich. The impulse to make a display, inherited from his mother, urged him to take still greater risks. Carefully winding his left hand in the stallion's mane, he released his nostrils and swung himself on his back. Taken by surprise Satan tried to rid himself of his burden, but the rider sat firm, leaned far over the steed's neck, stroked--his head again, pressed his flanks and, after the lapse of a few minutes, guided him merely by the pressure of his thighs first at a walk, then at a trot over the track. At last springing off, he patted Satan, who pranced peacefully beside him, and led him by the bridle to Don Juan.

The latter measured the tall, brave fellow with a hasty glance, and turning, half to him, half to Alexander Farnese, said:

"An enviable trick, and admirable performance, by my love!"

Then he approached the stallion, stroked and patted his shining neck, and continued:

"I thank you, young man. You have saved my best horse. But for you I should have stabbed him. You are an artist?"

"At your service, Your Highness."

"Your art is beautiful, and you alone know how it suits you. But much honor, perhaps also wealth and fame, can be gained among my troopers. Will you enlist?"

"No, Your Highness," replied Ulrich, with a low bow. "If I were not an artist, I should like best to be a soldier; but I cannot give up my art."

"Right, right! Yet . . . do you think your cure of Satan will be lasting; or will the dance begin again to-morrow?"

"Perhaps so; but grant me a week, Your Highness, and the swarthy fellows can easily manage him. An hour's training like this every morning, and the work will be accomplished. Satan will scarcely be transformed into an angel, but probably will become a perfectly steady horse."

"If you succeed," replied Don Juan, joyously, "you will greatly oblige me. Come to me next week. If you bring good tidings . . . consider meantime, how I can serve you."

Ulrich did not need to consider long. A week would pass swiftly, and then--then the king's brother should send him to Italy. Even his enemies knew that he was liberal and magnanimous.

The week passed away, the horse was tamed and bore the saddle quietly. Don Juan received Ulrich's petition kindly, and invited him to make the journey on the admiral's galley, with the king's ambassador and his secretary, de Soto.

The very same day the happy artist obtained a bill of exchange on a house on the Rialto, and now it was settled, he was going to Italy.

Coello was obliged to submit, and his kind heart again showed itself; for he wrote letters of introduction for Ulrich to his old artist friends in Venice, and induced the king to send the great Titian a present--which the ambassador was to deliver. The court-artist obtained from the latter a promise to present his pupil Navarrete to the grey-Haired prince of artists.

Everything was now ready for departure; Ulrich again packed his belongings in the studio, but with very different feelings from the first time.

He was a man, he now knew what the right "word" was, life lay open before him, and the paradise of Art was about to unclose its gates.

The studies he had finished in Madrid aroused his compassion; in Italy he would first really begin to become an artist: there work must bring him what it had here denied: satisfaction, success! Gay as a boy, half frantic with joy, happiness and expectation, he crushed the sketches, which seemed to him too miserable, into the waste-paper basket with a maul-stick.

During this work of destruction, Isabella entered the room.

She was now sixteen. Her figure had developed early, but remained petite. Large, deep, earnest eyes looked forth from the little round face, and the fresh, tiny mouth could not help pleasing everyone. Her head now reached only to Ulrich's breast, and if he had always treated her like a dear, sensible, clever child, her small stature had certainly been somewhat to blame for it. To-day she was paler than usual and her features were so grave, that the young man asked her in surprise, yet full of sympathy:

"What is the matter, little one? Are you not well?"

"Yes, yes," she answered, quickly, "only I must talk with you once more alone."

"Do you wish to hear my confession, Belita?"

"Cease jesting now. I am no longer a child. My heart aches, and I must not conceal the cause."

"Speak, speak! How you look! One might really be alarmed."

"If I only can! No one here tells you the truth; but I--I love you; so I will do it, ere it is too late. Don't interrupt me now, or I shall lose courage, and I will, I must speak."

"My studies lately have not pleased you; nor me either. Your father. . . ."

"He has led you in false paths, and now you are going to Italy, and when you see what the greatest artists have created, you will wish to imitate them immediately and forget Meister Moor's lessons. I know you, Ulrich, I know it! But I also know something else, and it must now be said frankly. If you allow yourself to be led on to paint pictures, if you do not submit to again become a modest pupil, and honestly torment yourself with studying, you will make no progress, you will never again accomplish a portrait like the one in the old days, like your Sophonisba. You will then be no great artist and you can, you must become one."

"I will, Belita, I will!"

"Well, well; but first be a pupil! If I were in your place, I would, for aught I care, go to Venice and look about me, but from there I would ride to Flanders, to Moor, to the master."

"Give up Italy? Can you be in earnest? Your father, himself, told me, that I . . . well, yes . . . in portrait-painting, he too thinks I am no blunderer. Where do the Netherlanders go to learn anything new? To Italy, always to Italy! What do they create in Flanders? Portraits, portraits, nothing more. Moor is great, very great in this department, but I take a very different view of art; it has higher aims. My head is full of plans. Wait, only wait! In Italy I shall learn to fly, and when I have finished my Holy Family and my Temple of Art, with all the skill I intend to attain. . . ."

"Then, then, what will happen then?"

"Then you will perhaps change your opinion and cease your tutoring, once for all. This fault-finding, this warning vexes me. It spoils my pleasure, it clouds my fancy. You are poisoning my happiness, you--you . . . the croaker's voice is disagreeable to me."

Isabella sadly bent her head in silence. Ulrich approached her, saying:

"I do not wish to wound you, Belita; indeed, I do not. You mean well, and you love me, a poor forsaken fellow; do you not, little girl?"

"Yes, Ulrich, and that is just why I have told you what I think. You are rejoicing now in the thought of Italy. . . ."

"Very, very much, unspeakably! There, too, I will remember you, and what a dear, faithful, wise little creature you are. Let us part in friendship, Isabella. Come with me; that would be the best way!"

The young girl flushed deeply, and made no answer except: "How gladly I would!"

The words sounded so affectionate and came so tenderly from the inmost depths of the heart, that they entered his soul. And while she spoke, her eyes gazed so faithfully, lovingly, and yearningly into his, that he saw nothing else. He read in them love, true, self-sacrificing love; not like pretty Carmen's or that given by the ladies, who had thrown flowers to him from their balconies. His heart swelled, and when he saw how the flush on Isabella's dear face deepened under his answering glance, unspeakable gratitude and joy seized upon him, and he could not help clasping her in his arms and drawing her into his embrace.

She permitted it, and when she looked up at him and her soft scarlet lips, from which gleamed two rows of dazzling white teeth, bloomed temptingly near him, he bent his, he knew not how, towards them. They kissed each other again and again, and Isabella flung her little hands around his neck, for she could not reach him with her arms, and said she had always loved him; he assured her in an agitated voice that he believed it, and that there was no better, sweeter, brighter creature on earth than she; only he forgot to say that he loved her. She gave, he received, and it seemed to him natural.

She saw and felt nothing except him and her happiness; he was wholly absorbed by the bliss of being loved and the sweetness of her kiss; so neither noticed that Coello had opened the door and watched them for a minute, with mingled wrath and pleasure, irresolutely shaking his head.

When the court-artist's deep voice exclaimed loudly:

"Why, why, these are strange doings!" they hastily started back.

Startled, sobered, confused, Ulrich sought for words, and at last stammered:

"We have, we wanted . . . the farewell. . . . Coello found no time to interrupt him, for his daughter had thrown herself on his breast, exclaiming amid tears:

"Forgive us, father-forgive us; he loves me, and I, I love him so dearly, and now that we belong to each other, I am no longer anxious about him, he will not rest, and when he returns. . . ."

"Enough, enough!" interrupted Coello, pressing his hand upon her mouth. "That is why a duenna is kept for the child; and this is my sensible Belita! It is of no importance, that yonder youth has nothing, I myself courted your mother with only three reales in my pocket, but he cannot yet do any really good work, and that alters the case. It is not my way to dun debtors, I have been in debt too often myself for that; but you, Navarrete, have received many favors from me, when you were badly off, and if you are not a scamp, leave the girl in peace and do not see her again before your departure. When you have studied in Italy and become a real artist, the rest will take care of itself. You are already a handsome, well-formed fellow, and my race will not degenerate in you. There are very different women in Italy, from this dear little creature here. Shut your eyes, and beware of breaking her heart. Your promise! Your hand upon it! In a year and a half from to-day come here again, show what you can do, and stand the test. If you have become what I hope, I'll give her to you; if not, you can quietly go your way. You will make no objection to this, you silly little, love-sick thing. Go to your room now, Belita, and you, Navarrete, come with me."

Ulrich followed the artist to his chamber, where the latter opened a chest, in which lay the gold he had earned. He did not know himself, how much it was, for it was neither counted, nor entered in books. Grasping the ducats, he gave Ulrich two handfuls, exclaiming:

"This one is for your work here, the other to relieve you from any care concerning means of living, while pursuing your studies in Venice and Florence. Don't make the child wretched, my lad; if you do, you will be a contemptible, dishonorable rascal, a scoundrel, a . . . but you don't look like a rogue!"

There was a great deal of bustle in Coello's house that evening. The artist's indolent wife was unusually animated. She could not control her surprise and wrath. Isabella had been from childhood a great favorite of Herrera, the first architect in Spain, who had already expressed his love for the young girl, and now this vagabond pauper, this immature boy, had come to destroy the prosperity of her child's life.

She upbraided Coello with being faithless to his paternal duty, and called him a thoughtless booby. Instead of turning the ungrateful rascal out of the house, he, the dunce, had given him hopes of becoming her poor, dazzled, innocent daughter's husband. During the ensuing weeks, Senora Petra prepared Coello many bad days and still worse nights; but the painter persisted in his resolution to give Isabella to Ulrich, if in a year and a half he returned from Italy a skilful artist.

A WORD, ONLY A WORD

By Georg Ebers

Volume 4.

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Chapter XXI

The admiral's ship, which bore King Philip's ambassador to Venice, reached its destination safely, though it had encountered many severe storms on the voyage, during which Ulrich was the only passenger, who amid the rolling and pitching of the vessel, remained as well as an old sailor.

But, on the other hand his peace of mind was greatly impaired, and any one who had watched him leaning over the ship's bulwark, gazing into the sea, or pacing up and down with restless bearing and gloomy eyes, would scarcely have suspected that this reserved, irritable youth, who was only too often under the dominion of melancholy moods, had won only a short time before a noble human heart, and was on the way to the realization of his boldest dreams, the fulfilment of his most ardent wishes.

How differently he had hoped to enter "the Paradise of Art!"

Never had he been so free, so vigorous, so rich, as in the dawn of the day, at whose close he was to unite Isabella's life with his own--and now--now!

He had expected to wander through Italy from place to place as untrammelled, gay, and free as the birds in the air; he had desired to see, admire, en joy, and after becoming familiar with all the great artists, choose a new master among them. Sophonisba's home was to have become his, and it had never entered his mind to limit the period of his enjoyment and study on the sacred soil.

How differently his life must now be ordered! Until he went on board of the ship in Valencia, the thought of calling a girl so good, sensible and loving as Isabella his own, rejoiced and inspired him, but during the solitary hours a sea-voyage so lavishly bestows, a strange transformation in his feelings occurred.

The wider became the watery expanse between him and Spain, the farther receded Isabella's memory, the less alluring and delightful grew the thought of possessing her hand.

He now told himself that, before the fatal hour, he had rejoiced at the anticipation of escaping her pedantic criticism, and when he looked forward to the future and saw himself, handsome Ulrich Navarrete, whose superior height filled the smaller Castilians with envy, walking through the streets with his tiny wife, and perceived the smiles of the people they met, he was seized with fierce indignation against himself and his hard fate.

He felt fettered like the galley-slaves, whose chains rattled and clanked, as they pulled at the oars in the ship's waist. At other times he could not help recalling her large, beautiful, love-beaming eyes, her soft, red lips, and yearningly confess that it would have been sweet to hold her in his arms and kiss her, and, since he had forever lost his Ruth, he could find no more faithful, sensible, tender wife than she.

But what should he, the student, the wandering disciple of Art, do with a bride, a wife? The best and fairest of her sex would now have seemed to him an impediment, a wearisome clog. The thought of being obliged to accomplish some fixed task within a certain time, and then be subjected to an examination, curbed his enjoyment, oppressed, angered him.

Grey mists gathered more and more densely over the sunny land, for which he had longed with such passionate ardor, and it seemed as if in that luckless hour, he had been faithless to the "word,"--had deprived himself of its assistance forever.

He often felt tempted to send Coello his ducats and tell him he had been hasty, and cherished no desire to wed his daughter; but perhaps that would break the heart of the poor, dear little thing, who loved him so tenderly! He would be no dishonorable ingrate, but bear the consequences of his own recklessness.

Perhaps some miracle would happen in Italy, Art's own domain. Perhaps the sublime goddess would again take him to her heart, and exert on him also the power Sophonisba had so fervently praised.

The ambassador and his secretary, de Soto, thought Ulrich an unsocial dreamer; but nevertheless, after they reached Venice, the latter invited him to share his lodgings, for Don Juan had requested him to interest himself in the young artist.

What could be the matter with the handsome fellow? The secretary tried to question him, but Ulrich did not betray what troubled him, only alluding in general terms to a great anxiety that burdened his mind.

"But the time is now coming when the poorest of the poor, the most miserable of all forsaken mortals, cast aside their griefs!" cried de Soto. "Day after to morrow the joyous Carnival season will begin! Hold up your head, young man! Cast your sorrows into the Grand Canal, and until Ash-Wednesday, imagine that heaven has fallen upon earth!"

Oh! blue sea, that washes the lagunes, oh! mast-thronged Lido, oh! palace of the Doges, that chains the eye, as well as the backward gazing, mind, oh! dome of St. Mark, in thy incomparable garb of gold and paintings, oh! ye steeds and other divine works of bronze, ye noble palaces, for which the still surface of the placid water serves as a mirror, thou square of St. Mark, where, clad in velvet, silk and gold, the richest and freest of all races display their magnificence, with just pride! Thou harbor, thou forest of masts, thou countless fleet of stately galleys, which bind one quarter of the globe to another, inspiring terror, compelling obedience, and gaining boundless treasures by peaceful voyages and with shining blades. Oh! thou Rialto, where gold is stored, as wheat and rye are elsewhere;--ye proud nobles, ye fair dames with luxuriant tresses, whose raven hue pleases ye not, and which ye dye as bright golden as the glittering zechins ye squander with such small, yet lavish hands! Oh! Venice, Queen of the sea, mother of riches, throne of power, hall of fame, temple of art, who could escape thy spell!

What wanton Spring is to the earth, thy carnival season is to thee! It transforms the magnificence of color of the lagune-city into a dazzling radiance, the smiles to Olympic laughter, the love-whispers to exultant songs, the noisy, busy life of the mighty commercial city into a mad whirlpool, which draws everything into its circle, and releases nothing it has once seized.

De Soto urged and pushed the youth, who had already lost his mental equipoise, into the midst of the gulf, ere he had found the right current.

On the barges, amid the throngs in the streets, at banquets, in ball-rooms, at the gaming-table, everywhere, the young, golden-haired, superbly-dressed artist, who was on intimate terms with the Spanish king's ambassador, attracted the attention of men, and the eyes, curiosity and admiration of the women; though people as yet knew not whence he came.

He chose the tallest and most stately of the slender dames of Venice to lead in the dance, or through the throng of masks and citizens intoxicated with the mirth of the carnival. Whithersoever he led the fairest followed.

He wished to enjoy the respite before execution. To forget--to forget--to indemnify himself for future seasons of sacrifice, dulness, self-conquest, torment.

Poor little Isabella! Your lover sought to enjoy the sensation of showing himself to the crowd with the stateliest woman in the company on his arm! And you, Ulrich, how did you feel when people exclaimed behind you: "A splendid pair! Look at that couple!"

Amid this ecstasy, he needed no helping word, neither "fortune" nor "art;" without any magic spell he flew from pleasure to pleasure, through every changing scene, thinking only of the present and asking no questions about the future.

Like one possessed he plunged into passion's wild whirl. From the embrace of beautiful arms he rushed to the gaming-table, where the ducats he flung down soon became a pile of gold; the zechins filled his purse to overflowing.

The quickly-won treasure melted like snow in the sun, and returned again like stray doves to their open cote.

The works of art were only enjoyed with drunken eyes--yet, once more the gracious word exerted its wondrous power on the misguided youth.

On Shrove-Tuesday, the ambassador took Ulrich to the great Titian.

He stood face to face with the mighty monarch of colors, listened to gracious words from his lips, and saw the nonogenarian, whose tall figure was scarcely bowed, receive the king's gifts.

Never, never, to the close of his existence could he forget that face!

The features were as delicately and as clearly outlined, as if cut with an engraver's chisel from hard metal; but pallid, bloodless, untinged by the faintest trace of color. The long, silver-white beard of the tall venerable painter flowed in thick waves over his breast, and the eyes, with which he scanned Ulrich, were those of a vigorous, keen-sighted man. His voice did not sound harsh, but sad and melancholy; deep sorrow shadowed his glance, and stamped itself upon the mouth of him, whose thin, aged hand still ensnared the senses easily and surely with gay symphonies of color!

The youth answered the distinguished Master's questions with trembling lips, and when Titian invited him to share his meal, and Ulrich, seated at the lower end of the table in the brilliant banqueting-hall, was told by his neighbors with what great men he was permitted to eat, he felt so timid, small, and insignificant, that he scarcely ventured to touch the goblets and delicious viands the servants offered.

He looked and listened; distinguishing his old master's name, and hearing him praised without stint as a portrait-painter. He was questioned about him, and gave confused answers.

Then the guests rose.

The February sun was shining into the lofty window, where Titian seated himself to talk more gaily than before with Paolo Cagliari, Veronese, and other great artists and nobles.

Again Ulrich heard Moor mentioned. Then the old man, from whom the youth had not averted his eyes for an instant, beckoned, and Cagliari called him, saying that he, the gallant Antonio Moor's pupil, must now show what he could do; the Master, Titian, would give him a task.

A shudder ran through his frame; cold drops of perspiration, extorted by fear, stood on his brow.

The old man now invited him to accompany his nephew to the studio. Daylight would last an hour longer. He might paint a Jew; no usurer nor dealer in clothes, but one of the noble race of prophets, disciples, apostles.

Ulrich stood before the easel.

For the first time after a long period he again called upon the "word," and did so fervently, with all his heart. His beloved dead, who in the tumult of carnival mirth had vanished from his memory, again rose before his mind, among them the doctor, who gazed rebukingly at him with his clear, thoughtful eyes.

Like an inspiration a thought darted through the youth's brain. He could and would paint Costa, his friend and teacher, Ruth's father.

The portrait he had drawn when a boy appeared before his memory, feature for feature. A red pencil lay close at hand.

Sketching the outlines with a few hasty strokes, he seized the brush, and while hurriedly guiding it and mixing the colors, he saw in fancy Costa standing before him, asking him to paint his portrait.

Ulrich had never forgotten the mild expression of the eyes, the smile hovering about the delicate lips, and now delineated them as well as he could. The moments slipped by, and the portrait gained roundness and life. The youth stepped back to see what it still needed, and once more called upon the "word" from the inmost depths of his heart; at the same instant the door opened, and leaning on a younger painter, Titian, with several other artists, entered the studio.

He looked at the picture, then at Ulrich, and said with an approving smile: "See, see! Not too much of the Jew, and a perfect apostle! A Paul, or with longer hair and a little more youthful aspect, an admirable St. John. Well done, well done! my son!"

Well done, well done! These words from Titian had ennobled his work; they echoed loudly in his soul, and the measure of his bliss threatened to overflow, when no less a personage than the famous Paolo Veronese, invited him to come to his studio as a pupil on Saturday.

Enraptured, animated by fresh hope, he threw himself into his gondola.

Everyone had left the palace, where he lodged with de Soto. Who would remain at home on the evening of Shrove-Tuesday?

The lonely rooms grew too confined for him.

Quiet days would begin early the next morning, and on Saturday a new, fruitful life in the service of the only true word, Art, divine Art, would commence for him. He would enjoy this one more evening of pleasure, this night of joy; drain it to the dregs. He fancied he had won a right that day to taste every bliss earth could give.

Torches, pitch-pans and lamps made the square of St. Mark's as bright as day, and the maskers crowded upon its smooth pavement as if it were the floor of an immense ball-room.

Intoxicating music, loud laughter, low, tender whispers, sweet odors from the floating tresses of fair women bewildered Ulrich's senses, already confused by success and joy. He boldly accosted every one, and if he suspected that a fair face was concealed under a mask, drew nearer, touched the strings of a lute, that hung by a purple ribbon round his neck, and in the notes of a tender song besought love.

Many a wave of the fan rewarded, many an angry glance from men's dark eyes rebuked the bold wooer. A magnificent woman of queenly height now passed, leaning on the arm of a richly-dressed cavalier.

Was not that the fair Claudia, who a short time before had lost enormous sums at the gaming-table in the name of the rich Grimani, and who had invited Ulrich to visit her later, during Lent?

It was, he could not be mistaken, and now followed the pair like a shadow, growing bolder and bolder the more angrily the cavalier rebuffed him with wrathful glances and harsh words; for the lady did not cease to signify that she recognized him and enjoyed his playing. But the nobleman was not disposed to endure this offensive sport. Pausing in the middle of the square, he released his arm with a contemptuous gesture, saying: "The lute-player, or I, my fair one; you can decide----"

The Venetian laughed loudly, laid her hand on Ulrich's arm and said: "The rest of the Shrove-Tuesday night shall be yours, my merry singer."

Ulrich joined in her gayety, and taking the lute from his neck, offered it to the cavalier, with a defiant gesture, exclaiming:

"It's at your disposal, Mask; we have changed parts. But please hold it firmer than you held your lady." High play went on in the gaming hall; Claudia was lucky with the artist's gold.

At midnight the banker laid down the cards. It was Ash-Wednesday, the hall must be cleared; the quiet Lenten season had begun.

The players withdrew into the adjoining rooms, among them the much-envied couple.

Claudia threw herself upon a couch; Ulrich left her to procure a gondola.

As soon as he was gone, she was surrounded by a motley throng of suitors.

How the beautiful woman's dark eyes sparkled, how the gems on her full neck and dazzling arms glittered, how readily she uttered a witty repartee to each gay sally.

"Claudia unaccompanied!" cried a young noble. "The strangest sight at this remarkable carnival!"

"I am fasting," she answered gaily; "and now that I long for meagre food, you come! What a lucky chance!"

"Heavy Grimani has also become a very light man, with your assistance."

"That's why he flew away. Suppose you follow him?"

"Gladly, gladly, if you will accompany me."

"Excuse me to-day; there comes my knight."

Ulrich had remained absent a long time, but Claudia had not noticed it. Now he bowed to the gentlemen, offered her his arm, and as they descended the staircase, whispered: "The mask who escorted you just now detained me;--and there . . . see, they are picking him up down there in the court-yard.--He attacked me. . . ."

"You have--you. . . ."

"'They came to his assistance immediately. He barred my way with his unsheathed blade."

Claudia hastily drew her hand from the artist's arm, exclaiming in a low, anxious tone: "Go, go, unhappy man, whoever you may be! It was Luigi Grimani; it was a Grimani! You are lost, if they find you. Go, if you love your life, go at once!"

So ended the Shrove-Tuesday, which had begun so gloriously for the young artist. Titian's "well done" no longer sounded cheerfully in his ears, the "go, go," of the venal woman echoed all the more loudly.

De Soto was waiting for him, to repeat to him the high praise he had heard bestowed upon his art-test at Titian's; but Ulrich heard nothing, for he gave the secretary no time to speak, and the latter could only echo the beautiful Claudia's "go, go!" and then smooth the way for his flight.

When the morning of Ash-Wednesday dawned cool and misty, Venice lay behind the young artist. Unpursued, but without finding rest or satisfaction, he went to Parma, Bologna, Pisa, Florence.

Grimani's death burdened his conscience but lightly. Duelling was a battle in miniature, to kill one's foe no crime, but a victory. Far different anxieties tortured him.

Venice, whither the "word" had led him, from which he had hoped and expected everything, was lost to him, and with it Titian's favor and Cagliari's instruction.

He began to doubt himself, his future, the sublime word and its magic spell. The greater the works which the traveller's eyes beheld, the more insignificant he felt, the more pitiful his own powers, his own skill appeared.

"Draw, draw!" advised every master to whom he applied, as soon as he had seen his work. The great men, to whom he offered himself as a pupil, required years of persevering study. But his time was limited, for the misguided youth's faithful German heart held firmly to one resolve; he must present himself to Coello at the end of the appointed time. The happiness of his life was forfeited, but no one should obtain the right to call him faithless to his word, or a scoundrel.

In Florence he heard Sebastiano Filippi--who had been a pupil of Michael Angelo-praised as a good drawer; so he sought him in Ferrara and found him ready to teach him what he still lacked. But the works of the new master did not please him. The youth, accustomed to Moor's wonderful clearness, Titian's brilliant hues, found Filippi's pictures indistinct, as if veiled by grey mists. Yet he forced himself to remain with him for months, for he was really remarkably skilful in drawing, and his studio never lacked nude models; he needed them for the preliminary studies for his "Day of Judgment."

Without satisfaction, without pleasure in the wearisome work, without love for the sickly master, who held aloof from any social intercourse with him when the hours of labor were over, he felt discontented, bored, disenchanted.

In the evening he sought diversion at the gaming-table, and fortune favored him here as it had done in Venice. His purse overflowed with zechins; but with the red gold, Art withdrew from him her powerful ally, necessity, the pressing need of gaining a livelihood by the exertion of his own strength.

He spent the hours appointed for study like a careless lover, and worked without inclination, without pleasure, without ardor, yet with visible increase of skill.

In gambling he forgot what tortured him, it stirred his blood, dispelled weariness; the gold was nothing to him.

The lion's share of his gains he loaned to broken gamblers, without expectation of return, gave to starving artists, or flung with lavish hand to beggars.

So the months in Ferrara glided by, and when the allotted time was over, he took leave of Sebastiano Filippi without regret. He returned by sea to Spain, and arrived in Madrid richer than he had gone away, but with impoverished confidence in his own powers, and doubting the omnipotence of Art.

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Chapter XXII

Ulrich again stood before the Alcazar, and recalled the hour when, a poor lad, just escaped from prison, he had been harshly rebuffed by the same porter, who now humbly saluted the young gentleman attired in costly velvet.

And yet how gladly he would have crossed this threshold poor as in those days, but free and with a soul full of enthusiasm and hope; how joyfully he would have effaced from his life the years that lay between that time and the present.

He dreaded meeting the Coellos; nothing but honor urged him to present himself to them.

Yes--and if the old man rejected him?--so much the better!

The old cheerful confusion reigned in the studio. He had a long time to wait there, and then heard through several doors Senora Petra's scolding voice and her husband's angry replies.

At last Coello came to him and after greeting him, first formally, then cordially, and enquiring about his health and experiences, he shrugged his shoulders, saying:

"My wife does not wish you to see Isabella again before the trial. You must show what you can do, of course; but I. . . . you look well and apparently have collected reales. Or is it true," and he moved his hand as if shaking a dice-box. "He who wins is a good fellow, but we want no more to do with such people here! You find me the same as of old, and you have returned at the right time, that is something. De Soto has told me about your quarrel in Venice. The great masters were pleased with you and this, you Hotspur, you forfeited! Ferrara for Venice! A poor exchange. Filippi--understands drawing; but otherwise. . . . Michael Angelo's pupil! Does he still write on his back? Every monk is God's servant, but in how few does the Lord dwell! What have you drawn with Sebastiano?"

Ulrich answered these questions in a subdued tone; and Coello listened with only partial attention, for he heard his wife telling the duenna Catalina in an adjoining room what she thought of her husband's conduct. She did so very loudly, for she wished to be overheard by him and Ulrich. But she was not to obtain her purpose, for Coello suddenly interrupted the returned travellers story, saying:

"This is getting beyond endurance. If she does her utmost, you shall see Isabella. A welcome, a grasp of the hand, nothing more. Poor young lovers! If only it did not require such a confounded number of things to live. . . . Well, we will see!"

As soon as the artist had entered the adjoining room, a new and more violent quarrel arose there, but, though Senora Petra finally called a fainting-fit to her aid, her husband remained firm, and at last returned to the studio with Isabella.

Ulrich had awaited her, as a criminal expects his sentence. Now she stood before him led by her father's hand-and he, he struck his forehead with his fist, closed his eyes and opened them again to look at her--to gaze as if he beheld a wondrous apparition. Then feeling as if he should die of shame, grief, and joyful surprise, he stood spellbound, and knew not what to do, save to extend both hands to her, or what to say, save "I . . . I--I," then with a sudden change of tone exclaimed like a madman:

"You don't know! I am not. . . . Give me time, master. Here, here, girl, you must, you shall, all must not be over!"

He had opened his arms wide, and now hastily approached her with the eager look of the gambler, who has staked his last penny on a card.

Coello's daughter did not obey.

She was no longer little, unassuming Belita; here stood no child, but a beautiful, blooming maiden. In eighteen months her figure had gained height; anxious yearning and constant contention with her mother had wasted her superabundance of flesh; her face had become oval, her bearing self-possessed. Her large, clear eyes now showed their full beauty, her half-developed features had acquired exquisite symmetry, and her raven-black hair floated, like a shining ornament, around her pale, charming face.

"Happy will be the man, who is permitted to call this woman his own!" cried a voice in the youth's breast, but another voice whispered "Lost, lost, forfeited, trifled away!"

Why did she not obey his call? Why did she not rush into his open arms? Why, why?

He clenched his fists, bit his lips, for she did not stir, except to press closely to her father's side.

This handsome, splendidly-dressed gentleman, with the pointed beard, deep-set eyes, and stern, gloomy gaze, was an entirely different person from the gay enthusiastic follower of art, for whom her awakening heart had first throbbed more quickly; this was not the future master, who stood before her mind as a glorious favorite of fortune and the muse, transfigured by joyous creation and lofty success--this defiant giant did not look like an artist. No, no; yonder man no longer resembled the Ulrich, to whom, in the happiest hour of her life, she had so willingly, almost too willingly, offered her pure lips.

Isabella's young heart contracted with a chill, yet she saw that he longed for her; she knew, could not deny, that she had bound herself to him body and soul, and yet--yet, she would so gladly have loved him.

She strove to speak, but could find no words, save "Ulrich, Ulrich," and these did not sound gay and joyous, but confused and questioning.

Coello felt her fingers press his shoulder closer and closer. She was surely seeking protection and aid from him, to keep her promise and resist her lover's passionate appeal.

Now his darling's eyes filled with tears, and he felt the tremor of her limbs.

Softened by affectionate weakness and no longer able to resist the impulse to see his little Belita happy, he whispered:

"Poor thing, poor young lovers! Do as you choose, I won't look."

But Isabella did not leave him; she only drew herself up higher, summoned all her courage and looking the returned traveller more steadily in the face, said:

"You are so changed, so entirely changed, Ulrich I cannot tell what has come over me. I have anticipated this hour day and night, and now it is here;--what is this? What has placed itself between us?"

"What, indeed!" he indignantly exclaimed, advancing towards her with a threatening air. "What? Surely you must know! Your mother has destroyed your regard for the poor bungler. Here I stand! Have I kept my promise, yes or no? Have I become a monster, a venomous serpent? Do not look at me so again, do not! It will do no good; to you or me. I will not allow myself to be trifled with!"

Ulrich had shouted these words, as if some great injustice had been done him, and he believed himself in the right.

Coello tried to release himself from his daughter, to confront the passionately excited man, but she held him back, and with a pale face and trembling voice, but proud and resolute manner, answered:

"No one has trifled with you, I least of all; my love has been earnest, sacred earnest."

"Earnest!" interrupted Ulrich, with cutting irony.

"Yes, yes, sacred earnest;--and when my mother told me you had killed a man and left Venice for a worthless woman's sake, when it was rumored, that in Ferrara you had become a gambler, I thought: 'I know him better, they are slandering him to destroy the love you bear in your heart.' I did not believe it; but now I do. I believe it, and shall do so, till you have withstood your trial. For the gambler I am too good, to the artist Navarrete I will joyfully keep my promise. Not a word, I will hear no more. Come, father! If he loves me, he will understand how to win me. I am afraid of this man."

Ulrich now knew who was in fault, and who in the right. Strong impulse urged him away from the studio, away from Art and his betrothed bride; for he had forfeited all the best things in life.

But Coello barred his way. He was not the man, for the sake of a brawl and luck at play, to break friendship with the faithful companion, who had shown distinctly enough how fondly he loved his darling. He had hidden behind these bushes himself in his youth, and yet become a skilful artist and good husband.

He willingly yielded to his wife in small matters, in important ones he meant to remain master of the house. Herrera was a great scholar and artist, but an insignificant man; and he allowed himself to be paid like a bungler. Ulrich's manly beauty had pleased him, and under his, Coello's teaching, he would make his mark. He, the father knew better what suited Isabella than she herself. Girls do not sob so bitterly as she had done, as soon as the door of the studio closed behind her, unless they are in love.

Whence did she obtain this cool judgment? Certainly not from him, far less from her mother.

Perhaps she only wished to arouse Navarrete to do his best at the trial. Coello smiled; it was in his power to judge mildly.

So he detained Ulrich with cheering words, and gave him a task in which he could probably succeed. He was to paint a Madonna and Child, and two months were allowed him for the work. There was a studio in the Casa del Campo, he could paint there and need only promise never to visit the Alcazar before the completion of the work.

Ulrich consented. Isabella must be his. Scorn for scorn!

She should learn which was the stronger.

He knew not whether he loved or hated her, but her resistance had passionately inflamed his longing to call her his. He was determined, by summoning all his powers, to create a masterpiece. What Titian had approved must satisfy a Coello! so he began the task.

A strong impulse urged him to sketch boldly and without long consideration, the picture of the Madonna, as it had once lived in his soul, but he restrained himself, repeating the warning words which had so often been dinned into his ears: Draw, draw!

A female model was soon found; but instead of trusting his eyes and boldly reproducing what he beheld, he measured again and again, and effaced what the red pencil had finished. While painting his courage rose, for the hair, flesh, and dress seemed to him to become true to nature and effective. But he, who in better times had bound himself heart and soul to Art and served her with his whole soul, in this picture forced himself to a method of work, against which his inmost heart rebelled. His model was beautiful, but he could read nothing in the regular features, except that they were fair, and the lifeless countenance became distasteful to him. The boy too caused him great trouble, for he lacked appreciation of the charm of childish innocence, the spell of childish character.

Meantime he felt great secret anxiety. The impulse that moved his brush was no longer the divine pleasure in creation of former days, but dread of failure, and ardent, daily increasing love for Isabella.

Weeks elapsed.

Ulrich lived in the lonely little palace to which he had retired, avoiding all society, toiling early and late with restless, joyless industry, at a work which pleased him less with every new day.

Don Juan of Austria sometimes met him in the park. Once the Emperor's son called to him:

"Well, Navarrete, how goes the enlisting?"

But Ulrich would not abandon his art, though he had long doubted its omnipotence. The nearer the second month approached its close, the more frequently, the more fervently he called upon the "word," but it did not hear.

When it grew dark, a strong impulse urged him to go to the city, seek brawls, and forget himself at the gaming-table; but he did not yield, and to escape the temptation, fled to the church, where he spent whole hours, till the sacristan put out the lights.

He was not striving for communion with the highest things, he felt no humble desire for inward purification; far different motives influenced him.

Inhaling the atmosphere laden with the soft music of the organ and the fragrant incense, he could converse with his beloved dead, as if they were actually present; the wayward man became a child, and felt all the gentle, tender emotions of his early youth again stir his heart.

One night during the last week before the expiration of the allotted time, a thought which could not fail to lead him to his goal, darted into his brain like a revelation.

A beautiful woman, with a child standing in her lap, adorned the canvas.

What efforts he had made to lend these features the right expression.

Memory should aid him to gain his purpose. What woman had ever been fairer, more tender and loving than his own mother?

He distinctly recalled her eyes and lips, and during the last few days remaining to him, his Madonna obtained Florette's joyous expression, while the sensual, alluring charm, that had been peculiar to the mouth of the musician's daughter, soon hovered around the Virgin's lips.

Ay, this was a mother, this must be a true mother, for the picture resembled his own!

The gloomier the mood that pervaded his own soul, the more sunny and bright the painting seemed. He could not weary of gazing at it, for it transported him to the happiest hours of his childhood, and when the Madonna looked down upon him, it seemed as if he beheld the balsams behind the window of the smithy in the market-place, and again saw the Handsome nobles, who lifted him from his laughing mother's lap to set him on their shoulders.

Yes! In this picture he had been aided by the "joyous art," in whose honor Paolo Veronese, had at one of Titian's banquets, started up, drained a glass of wine to the dregs, and hurled it through the window into the canal.

He believed himself sure of success, and could no longer cherish anger against Isabella. She had led him back into the right path, and it would be sweet, rapturously sweet, to bear the beloved maiden tenderly and gently in his strong arms over the rough places of life.

One morning, according to the agreement, he notified Coello that the Madonna was completed.

The Spanish artist appeared at noon, but did not come alone, and the man, who preceded him, was no less important a personage than the king himself.

With throbbing heart, unable to utter a single word, Ulrich opened the door of the studio, bowing low before the monarch, who without vouchsafing him a single glance, walked solemnly to the painting.

Coello drew aside the cloth that covered it, and the sarcastic chuckle Ulrich had so often heard instantly echoed from the king's lips; then turning to Coello he angrily exclaimed, loud enough to be heard by the young artist:

"Scandalous! Insulting, offensive botchwork! A Bacchante in the garb of a Madonna! And the child! Look at those legs! When he grows up, he may become a dancing-master. He who paints such Madonnas should drop his colors! His place is the stable--among refractory horses."

Coello could make no reply, but the king, glancing at the picture again, cried wrathfully:

"A Christian's work, a Christian's! What does the reptile who painted this know of the mother, the Virgin, the stainless lily, the thornless rose, the path by which God came to men, the mother of sorrow, who bought the world with her tears, as Christ did with His sacred blood. I have seen enough, more than enough! Escovedo is waiting for me outside! We will discuss the triumphal arch to-morrow!"

Philip left the studio, the court-artist accompanying him to the door.

When he returned, the unhappy youth was still standing in the same place, gazing, panting for breath, at his condemned work.

"Poor fellow!" said Coello, compassionately, approaching him; but Ulrich interrupted, gasping in broken accents:

"And you, you? Your verdict!"

The other shrugged his shoulders and answered with sincere pity:

"His Majesty is not indulgent; but come here and look yourself. I will not speak of the child, though it. . . . In God's name, let us leave it as it is. The picture impresses me as it did the king, and the Madonna--I grieve to say it, she belongs anywhere rather than in Heaven. How often this subject is painted! If Meister Antonio, if Moor should see this. . . ."

"Then, then?" asked Ulrich, his eyes glowing with a gloomy fire.

"He would compel you to begin at the beginning once more. I am sincerely sorry for you, and not less so for poor Belita. My wife will triumph! You know I have always upheld your cause; but this luckless work. . . ."

"Enough!" interrupted the youth. Rushing to the picture, he thrust his maul-stick through it, then kicked easel and painting to the floor.

Coello, shaking his head, watched him, and tried to soothe him with kindly words, but Ulrich paid no heed, exclaiming:

"It is all over with art, all over. A Dios, Master! Your daughter does not care for love without art, and art and I have nothing more to do with each other."

At the door he paused, strove to regain his self-control, and at last held out his hand to Coello, who was gazing sorrowfully after him.

The artist gladly extended his, and Ulrich, pressing it warmly, murmured in an agitated, trembling voice:

"Forgive this raving. . . . It is only . . . I only feel, as if I was bearing all that had been dear to me to the grave. Thanks, Master, thanks for many kindnesses. I am, I have--my heart--my brain, everything is confused. I only know that you, that Isabella, have been kind to me and I, I have--it will kill me yet! Good fortune gone! Art gone! A Dios, treacherous world! A Dios, divine art!"

As he uttered the last sentence he drew his hand from the artist's grasp, rushed back into the studio, and with streaming eyes pressed his lips to the palette, the handle of the brush, and his ruined picture; then he dashed past Coello into the street.

The artist longed to go to his child; but the king detained him in the park. At last he was permitted to return to the Alcazar.

Isabella was waiting on the steps, before the door of their apartments. She had stood there a long, long time.

"Father!" she called.

Coello looked up sadly and gave an answer in the negative by compassionately waving his hand.

The young girl shivered, as if a chill breeze had struck her, and when the artist stood beside her, she gazed enquiringly at him with her dark eyes, which looked larger than ever in the pallid, emaciated face, and said in a low, firm tone:

"I want to speak to him. You will take me to the picture. I must see it."

"He has thrust his maul-stick through it. Believe me, child, you would have condemned it yourself."

"And yet, yet! I must see it," she answered earnestly, "see it with these eyes. I feel, I know--he is an artist. Wait, I'll get my mantilla."

Isabella hurried back with flying feet, and when a short time after, wearing the black lace kerchief on her head, she descended the staircase by her father's side, the private secretary de Soto came towards them, exclaiming:

"Do you want to hear the latest news, Coello? Your pupil Navarrete has become faithless to you and the noble art of painting. Don Juan gave him the enlistment money fifteen minutes ago. Better be a good trooper, than a mediocre artist! What is the matter, Senorita?"

"Nothing, nothing," Isabella murmured gently, and fell fainting on her father's breast.

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Chapter XXIII

Two years had passed. A beautiful October day was dawning; no cloud dimmed the azure sky, and the sun's disk rose, glowing crimson, behind the narrow strait, that afforded ingress to the Gulf of Corinth.

The rippling waves of the placid sea, which here washed the sunny shores of Hellas, yonder the shady coasts of the Peloponnesus, glittered like fresh blooming blue-bottles.

Bare, parched rocks rise in naked beauty at the north of the bay, and the rays of the young day-star shot golden threads through the light white mists, that floated around them.

The coast of Morea faces the north; so dense shadows still rested on the stony olive-groves and the dark foliage of the pink laurel and oleander bushes, whose dense clumps followed the course of the stream and filled the ravines.

How still, how pleasant it usually was here in the early morning!

White sea-gulls hovered peacefully over the waves, a fishing-boat or galley glided gently along, making shining furrows in the blue mirror of the water; but today the waves curled under the burden of countless ships, to-day thousands of long oars lashed the sea, till the surges splashed high in the air with a wailing, clashing sound. To-day there was a loud clanking, rattling, roaring on both sides of the water-gate, which afforded admittance to the Bay of Lepanto.

The roaring and shouting reverberated in mighty echoes from the bare northern cliffs, but were subdued by the densely wooded southern shore.

Two vast bodies of furious foes confronted each other like wrestlers, who stretch their sinewy arms to grasp and hurl their opponents to the ground.

Pope Pius the Fifth had summoned Christianity to resist the land-devouring power of the Ottomans. Cyprus, Christian Cyprus, the last province Venice possessed in the Levant, had fallen into the hands of the Moslems. Spain and Venice had formed an alliance with Christ's vicegerent; Genoese, other Italians, and the Knights of St. John were assembling in Messina to aid the league.

The finest and largest Christian armada, which had left a Christian port for a long time, put forth to sea from this harbor. In spite of all intrigues, King Philip had entrusted the chief command to his young half-brother, Don Juan of Austria.

The Ottomans too had not been idle, and with twelve myriads of soldiers on three hundred ships, awaited the foe in the Gulf of Lepanto.

Don Juan made no delay. The Moslems had recently murdered thousands of Christians at Cyprus, an outrage the fiery hero could not endure, so he cast to the winds the warnings and letters of counsel from Madrid, which sought to curb his impetuous energy, his troops, especially the Venetians, were longing for vengeance.

But the Moslems were no less eager for the fray, and at the close of his council-of-war, and contrary to its decision, Kapudan Pacha sailed to meet the enemy.

On the morning of October 7th every ship, every man was ready for battle.

The sun appeared, and from the Spanish ships musical bell-notes rose towards heaven, blending with the echoing chant: "Allahu akbar, allahu akbar, allahu akbar," and the devout words: "There is no God save Allah, and Mohammed is the prophet of Allah; to prayer!"

"To prayer!" The iron tongue of the bell uttered the summons, as well as the resonant voice of the Muezzin, who to-day did not call the worshippers to devotion from the top of a minaret, but from the masthead of a ship. On both sides of the narrow seagate, thousands of Moslems and Christians thought, hoped and believed, that the Omnipotent One heard them.

The bells and chanting died away, and a swift galley with Don Juan on board, moved from ship to ship. The young hero, holding a crucifix in his hand, shouted encouraging words to the Christian soldiers.

The blare of trumpets, roll of drums, and shouts of command echoed from the rocky shores.

The armada moved forward, the admiral's galley, with Don Juan, at its head.

The Turkish fleet advanced to meet it.

The young lion no longer asked the wise counsel of the experienced admiral. He desired nothing, thought of nothing, issued no orders, except "forward," "attack," "board," "kill," "sink," "destroy!"

The hostile fleets clashed into the fight as bulls, bellowing sullenly, rush upon each other with lowered heads and bloodshot eyes.

Who, on this day of vengeance, thought of Marco Antonio Colonna's plan of battle, or the wise counsels of Doria, Venieri, Giustiniani?

Not the clear brain and keen eye--but manly courage and strength would turn the scale to-day. Alexander Farnese, Prince of Parma, had joined his young uncle a short time before, and now commanded a squadron of Genoese ships in the front. He was to keep back till Doria ordered him to enter the battle. But Don Juan had already boarded the vessel commanded by the Turkish admiral, scaled the deck, and with a heavy sword-stroke felled Kapudan Pacha. Alexander witnessed the scene, his impetuous, heroic courage bore him on, and he too ordered: "Forward!"

What was the huge ship he was approaching? The silver crescent decked its scarlet pennon, rows of cannon poured destruction from its sides, and its lofty deck was doubly defended by bearded wearers of the turban.

It was the treasure-galley of the Ottoman fleet. It would be a gallant achievement could the prince vanquish this bulwark, this stronghold of the foe; which was three times greater in size, strength, and number of its crew, than Farnese's vessel. What did he care, what recked he of the shower of bullets and tar-hoops that awaited him?

Up and at them.

Doria made warning signals, but the prince paid no heed, he would neither see nor hear them.

Brave soldiers fell bleeding and gasping on the deck beside him, his mast was split and came crashing down. "Who'll follow me?" he shouted, resting his hand on the bulwark.

The tried Spanish warriors, with whom Don Juan had manned his vessel, hesitated. Only one stepped mutely and resolutely to his side, flinging over his shoulder the two-handed sword, whose hilt nearly reached to the tall youth's eyes.

Every one on board knew the fair-haired giant. It was the favorite of the commander in chief--it was Navarrete, who in the war against the Moors of Cadiz and Baza had performed many an envied deed of valor. His arm seemed made of steel; he valued his life no more than one of the plumes in his helmet, and risked it in battle as recklessly as he did his zechins at the gaming-table.

Here, as well as there, he remained the winner.

No one knew exactly whence he came as he never mentioned his family, for he was a reserved, unsocial man; but on the voyage to Lepanto he had formed a friendship with a sick soldier, Don Miguel Cervantes. The latter could tell marvellous tales, and had his own peculiar opinions about everything between heaven and earth.

Navarrete, who carried his head as high as the proudest grandee, devoted every leisure hour to his suffering comrade, uniting the affection of a brother, with the duties of a servant.

It was known that Navarrete had once been an artist, and he seemed one of the most fervent of the devout Castilians, for he entered every church and chapel the army passed, and remained standing a long, long time before many a Madonna and altar-painting as if spellbound.

Even the boldest dared not attack him, for death hovered over his sword, yet his heart had not hardened. He gave winnings and booty with lavish hand, and every beggar was sure of assistance.

He avoided women, but sought the society of the sick and wounded, often watching all night beside the couch of some sorely-injured comrade, and this led to the rumor that he liked to witness death.

Ah, no! The heart of the proud, lonely man only sought a place where it might be permitted to soften; the soldier, bereft of love, needed some nook where he could exercise on others what was denied to himself: "devoted affection."

Alexander Farnese recognized in Navarrete the horse-tamer of the picadero in Madrid; he nodded approvingly to him, and mounted the bulwark. But the other did not follow instantly, for his friend Don Miguel had joined him, and asked to share the adventure. Navarrete and the captain strove to dissuade the sick man, but the latter suddenly felt cured of his fever, and with flashing eyes insisted on having his own way.

Ulrich did not wait for the end of the dispute, for Farnese was now springing into the hostile ship, and the former, with a bold leap, followed.

Alexander, like himself, carried a two-Banded sword, and both swung them as mowers do their scythes. They attacked, struck, felled, and the foremost foes shrank from the grim destroyers. Mustapha Pacha, the treasurer and captain of the galley, advanced in person to confront the terrible Christians, and a sword-stroke from Alexander shattered the hand that held the curved sabre, a second stretched the Moslem on the deck.

But the Turks' numbers were greatly superior and threatened to crush the heroes, when Don Miguel Cervantes, Ulrich's friend, appeared with twelve fresh soldiers on the scene of battle, and cut their way to the hard-pressed champions. Other Spanish and Genoese warriors followed and the fray became still more furious.

Ulrich had been forced far away from his royal companion-in-arms, and was now swinging his blade beside his invalid friend. Don Miguel's breast was already bleeding from two wounds, and he now fell by Ulrich's side; a bullet had broken his left arm.

Ulrich stooped and raised him; his men surrounded him, and the Turks were scattered, as the tempest sweeps clouds from the mountain.

Don Miguel tried to lift the sword, which had dropped from his grasp, but he only clutched the empty air, and raising his large eyes as if in ecstasy, pressed his hand upon his bleeding breast, exclaiming enthusiastically: "Wounds are stars; they point the way to the heaven of fame-of-fame. . . ."

His senses failed, and Ulrich bore him in his strong aims to a part of the treasure-ship, which was held by Genoese soldiers. Then he rushed into the fight again, while in his ears still rang his friend's fervid words:

"The heaven of fame!"

That was the last, the highest aim of man! Fame, yes surely fame was the "word"; it should henceforth be his word!

It seemed as if a gloomy multitude of heavy thunderclouds had gathered over the still, blue arm of the sea. The stifling smoke of powder darkened the clear sky like black vapors, while flashes of lightning and peals of thunder constantly illumined and shook the dusky atmosphere.

Here a magazine flew through the air, there one ascended with a fierce crash towards the sky. Wails of pain and shouts of victory, the blare of trumpets, the crash of shattered ships and falling masts blended in hellish uproar.

The sun's light was obscured, but the gigantic frames of huge burning galleys served for torches to light the combatants.

When twilight closed in, the Christians had gained a decisive victory. Don Juan had killed the commander-in-chief of the Ottoman force, Ali Pacha, as Farnese hewed down the treasurer. Uncle and nephew emerged from the battle as heroes worthy of renown, but the glory of this victory clung to Don Juan's name.

Farnese's bold assault was kindly rebuked by the commander-in-chief, and when the former praised Navarrete's heroic aid before Don Juan, the general gave the bold warrior and gallant trooper, the honorable commission of bearing tidings of the victory to the king. Two galleys stood out to sea in a westerly direction at the same time: a Spanish one, bearing Don Juan's messenger, and a Venetian ship, conveying the courier of the Republic.

The rowers of both vessels had much difficulty in forcing a way through the wreckage, broken masts and planks, the multitude of dead bodies and net work of cordage, which covered the surface of the water; but even amid these obstacles the race began.

The wind and sea were equally favorable to both galleys; but the Venetians outstripped the Spaniards and dropped anchor at Alicante twenty-four hours before the latter.

It was the rider's task, to make up for the time lost by the sailors. The messenger of the Republic was far in advance of the general's. Everywhere that Ulrich changed horses, displaying at short intervals the prophet's banner, which he was to deliver to the king as the fairest trophy of victory--it was inscribed with Allah's name twenty-eight thousand nine hundred times--he met rejoicing throngs, processions, and festal decorations.

Don Juan's name echoed from the lips of men and women, girls and children. This was fame, this was the omnipresence of a god; there could be no higher aspiration for him, who had obtained such honor.

Fame, fame! again echoed in Ulrich's soul; if there is a word, which raises a man above himself and implants his own being in that of millions of fellow-creatures, it is this.

And now he urged one steed after another until it broke down, giving himself no rest even at night; half an hour's ride outside of Madrid he overtook the Venetian, and passed by him with a courteous greeting.

The king was not in the capital, and he went on without delay to the Escurial.

Covered with dust, splashed from head to foot with mud, bruised, tortured as if on the rack, he clung to the saddle, yet never ceased to use whip and spur, and would trust his message to no other horseman.

Now the barren peaks of the Guadarrama mountains lay close before him, now he reached the first workshops, where iron was being forged for the gigantic palace in process of building. How many chimneys smoked, how many hands were toiling for this edifice, which was to comprise a royal residence, a temple, a peerless library, a museum and a tomb.

Numerous carts and sledges, on which blocks of light grey granite had been drawn hither, barred his way. He rode around them at the peril of falling with his horse over a precipice, and now found himself before a labyrinth of scaffolds and free-stone, in the midst of a wild, grey, treeless mountain valley. What kind of a man was this, who had chosen this desert for his home, in life as well as in death! The Escurial suited King Philip, as King Philip suited the Escurial. Here he felt most at ease, from here the royal spider ceaselessly entangled the world in his skilful nets.

His majesty was attending vespers in the scarcely completed chapel. The chief officer of the palace, Fray Antonio de Villacastin, seeing Ulrich slip from his horse, hastened to receive the tottering soldier's tidings, and led him to the church.

The 'confiteor' had just commenced, but Fray Antonio motioned to the priests, who interrupted the Mass, and Ulrich, holding the prophet's standard high aloft, exclaimed: "An unparalleled victory!--Don Juan . . . October 7th . . . ! at Lepanto--the Ottoman navy totally destroyed . . . !"

Philip heard this great news and saw the standard, but seemed to have neither eyes nor ears; not a muscle in his face stirred, no movement betrayed that anything was passing in his mind. Murmuring in a sarcastic, rather than a joyous tone: "Don Juan has dared much," he gave a sign, without opening the letter, to continue the Mass, remaining on his knees as if nothing had disturbed the sacred rite.

The exhausted messenger sank into a pew and did not wake from his stupor, until the communion was over and the king had ordered a Te Deum for the victory of Lepanto.

Then he rose, and as he came out of the pew a newly-married couple passed him, the architect, Herrera, and Isabella Coello, radiant in beauty.

Ulrich clenched his fist, and the thought passed through his mind, that he would cast away good-fortune, art and fame as carelessly as soap-bubbles, if he could be in Herrera's place.

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Chapter XXIV

What fame is--Ulrich was to learn!

He saw in Messina the hero of Lepanto revered as a god. Wherever the victor appeared, fair hands strewed flowers in his path, balconies and windows were decked with hangings, and exulting women and girls, joyous children and grave men enthusiastically shouted his name and flung laurel-wreaths and branches to him. Messages, congratulations and gifts arrived from all the monarchs and great men of the world.

When he saw the wonderful youth dash by, Ulrich marvelled that his steed did not put forth wings and soar away with him into the clouds. But he too, Navarrete, had done his duty, and was to enjoy the sweetness of renown. When he appeared on Don Juan's most refractory steed, among the last of the victor's train, he felt that he was not overlooked, and often heard people tell each other of his deeds.

This made him raise his head, swelled his heart, urged him into new paths of fame.

The commander-in-chief also longed to press forward, but found himself condemned to inactivity, while he saw the league dissolve, and the fruit of his victory wither. King Philip's petty jealousy opposed his wishes, poisoned his hopes, and barred the realization of his dreams.

Don Juan was satiated with fame. "Power" was the food for which he longed. The busy spider in the Escurial could not deprive him of the laurel, but his own "word," his highest ambition in life, his power, he would consent to share with no mortal man, not even his brother.

"Laurels are withering leaves, power is arable land," said Don Juan to Escovedo.

It befits an emperor's son, thought Ulrich, to cherish such lofty wishes; to men of lower rank fame can remain the guiding star on life's pathway.

The elite of the army was in the Netherlands; there he could find what he desired.

Don Juan let him go, and when fame was the word, Ulrich had no cause to complain of its ill-will.

He bore the standard of the proud "Castilian" regiment, and when strange troops met him as he entered a city, one man whispered to another: "That is Navarrete, who was in the van at every assault on Haarlem, who, when all fell back before Alkmaar, assailed the walls again, it was not his fault that they were forced to retreat . . . he turned the scale with his men on Mook-Heath . . . have you heard the story? How, when struck by two bullets, he wrapped the banner around him, and fell with, and on it, upon the grass."

And now, when with the rebellious army he had left the island of Schouwen behind him and was marching through Brabant, it was said:

"Navarrete! It was he, who led the way for the Spaniards with the standard on his head, when they waded through the sea that stormy night, to surprise Zierikzee."

Whoever bore arms in the Netherlands knew his name; but the citizens also knew who he was, and clenched their fists when they spoke of him.

On the battle-field, in the water, on the ice, in the breaches of their firm walls, in burning cities, in streets and alleys, in council-chambers and plundered homes, he had confronted them as a murderer and destroyer. Yet, though the word fame had long been embittered to him, the inhumanity which clung to his deeds had the least share in it.

He was the servant of his monarch, nothing more. All who bore the name of Netherlander were to him rebels and heretics, condemned by God, sentenced by his king; not worthy peasants, skilful, industrious citizens, noble men, who were risking property and life for religion and liberty.

This impish crew disdained to pray to the merciful mother of God and the saints, these temple violators had robbed the churches of their statues, driven the pious monks and nuns from their cloisters! They called the Pope the Anti-Christ, and in every conquered city he found satirical songs and jeering verses about his lord, the king, his generals and all Spaniards.

He had kept the faith of his childhood, which was shared by every one who bore arms with him, and had easily obtained absolution, nay, encouragement and praise, for the most terrible deeds of blood.

In battle, in slaughter, when his wounds burned, in plundering, at the gaming-table, everywhere he called upon the Holy Virgin, and also, but very rarely, on the "word," fame.

He no longer believed in it, for it did not realize what he had anticipated. The laurel now rustled on his curls like withered leaves. Fame would not fill the void in his heart, failed to satisfy his discontented mind; power offered the lonely man no companionship of the soul, it could not even silence the voice which upbraided him--the unapproachable champion, him at whom no mortal dared to look askance--with being a miserable fool, defrauded of true happiness and the right ambition.

This voice tortured him on the soft down beds in the town, on the straw in the camp, over his wine and on the march.

Yet how many envied him. Ay! when he bore the standard at the head of the regiment he marched like a victorious demi-god! No one else could support so well as he the heavy pole, plated with gold, and the large embroidered silken banner, which might have served as a sail for a stately ship; but he held the staff with his right hand, as if the burden intrusted to him was an easily-managed toy. Meantime, with inimitable solemnity, he threw back the upper portion of the body and his curly head, placing his left hand on his hip. The arch of the broad chest stood forth in fine relief, and with it the breast-plate and points of his armor. He seemed like a proud ship under swelling sails, and even in hostile cities, read admiration in the glances of the gaping crowd. Yet he was a miserable, discontented man, and could not help thinking more and more frequently of Don Juan's "word."

He no longer trusted to the magic power of a word, as in former times. Still, he told himself that the "arable field" of the emperor's son, "power," was some thing lofty and great-ay, the loftiest aim a man could hope to attain.

Is not omnipotence God's first attribute? And now, on the march from Schouwen through Brabant, power beckoned to him. He had already tasted it, when the mutinous army to which he belonged attempted to pillage a smithy. He had stepped before the spoilers and saved the artisan's life and property. Whoever swung the hammer before the bellows was sacred to him; he had formerly shared gains and booty with many a plundered member of his father's craft.

He now carried a captain's staff, but this was mere mummery, child's play, nothing more. A merry soldier's-cook wore a captain's plume on the side of his tall hat. The field-officer, most of the captains and the lieutenants, had retired after the great mutiny on the island of Schouwen was accomplished, and their places were now occupied by ensigns, sergeants and quartermasters. The higher officers had gone to Brussels, and the mutinous army marched without any chief through Brabant.

They had not received their well-earned pay for twenty-two months, and the starving regiments now sought means of support wherever they could find them.

Two years since, after the battle of Mook-Heath, the army had helped itself, and at that time, as often happened on similar occasions, an Eletto--[The chosen one. The Italian form is used, instead of the Spanish 'electo'.]--had been chosen from among the rebellious subaltern officers. Ulrich had then been lying seriously wounded, but after the end of the mutiny was told by many, that no other would have been made Eletto had he only been well and present. Now an Eletto was again to be chosen, and whoever was elected would have command of at least three thousand men, and possibly more, as it was expected that other regiments would join the insurrection. To command an army! This was power, this was the highest attainment; it was worth risking life to obtain it.

The regiments pitched their camp at Herenthals, and here the election was to be held.

In the arrangement of the tents, the distribution of the wagons which surrounded the camp like a wall, the stationing of field-pieces at the least protected places, Ulrich had the most authority, and while exercising it forced himself, for the first time in his life, to appear gentle and yielding, when he would far rather have uttered words of command. He lived in a state of feverish excitement; sleep deserted his couch, he imagined that every word he heard referred to himself and his election.

During these days he learned to smile when he was angry, to speak pleasantly while curses were burning on his lips. He was careful not to betray by look, word, or deed what was passing in his mind, as he feared the ridicule that would ensue should he fail to achieve his purpose.

One more day, one more night, and perhaps he would be commander-in-chief, able to conquer a kingdom and keep the world in terror. Perhaps, only perhaps; for another was seeking with dangerous means to obtain control of the army.

This was Sergeant-Major and Quartermaster Zorrillo, an excellent and popular soldier, who had been chosen Eletto after the battle of Mook-Heath, but voluntarily resigned his office at the first serious opposition he encountered.

It was said that he had done this by his wife's counsel, and this woman was Ulrich's most dangerous foe.

Zorrillo belonged to another regiment, but Ulrich had long known him and his companion, the "campsibyl."

Wine was sold in the quartermaster's tent, which, before the outbreak of the mutiny, had been the rendezvous of the officers and chaplains.

The sibyl entertained the officers with her gay conversation, while they drank or sat at the gaining-table; she probably owed her name to the skill she displayed in telling fortunes by cards. The common soldiers liked her too, because she took care of their sick wives and children.

Navarrete preferred to spend his time in his own regiment, so he did not meet the Zorrillos often until the mutiny at Schouwen and on the march through Brabant. He had never sought, and now avoided them; for he knew the sibyl was leaving no means untried to secure her partner's election. Therefore he disliked them; yet he could not help occasionally entering their tent, for the leaders of the mutiny held their counsels there. Zorrillo always received him courteously; but his companion gazed at him so intently and searchingly, that an anxious feeling, very unusual to the bold fellow, stole over him.

He could not help asking himself whether he had seen her before, and when the thought that she perhaps resembled his mother, once entered his mind, he angrily rejected it.

The day before she had offered to tell his fortune; but he refused point-blank, for surely no good tidings could come to him from those lips.

To-day she had asked what his Christian name was, and for the first time in years he remembered that he was also called "Ulrich." Now he was nothing but "Navarrete," to himself and others. He lived solely for himself, and the more reserved a man is, the more easily his Christian name is lost to him.

As, years before, he had told the master that he was called nothing but Ulrich, he now gave the harsh answer: "I am Navarrete, that's enough!"

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Chapter XXV

Towards evening, the members of the mutiny met at the Zorrillos to hold a council.

The weather outside was hot and sultry, and the more people assembled, the heavier and more oppressive became the air within the spacious tent, the interior of which looked plain enough, for its whole furniture consisted of some small roughly-made tables, some benches and chairs, and one large table, and a superb ebony chest with ivory ornaments, evidently stolen property. On this work of art lay the pillows used at night, booty obtained at Haarlem; they were covered with bright but worn-out silk, which had long shown the need of the thrifty touch of a woman's hand. Pictures of the saints were pasted on the walls, and a crucifix hung over the door.

Behind the great table, between a basket and the wine cask, from which the sibyl replenished the mugs, stood a high-backed chair. A coarse barmaid, who had grown up in the camp, served the assembled men, but she had no occasion to hurry, for the Spaniards were slow drinkers.

The guests sat, closely crowded together, in a circle, and seemed grave and taciturn; but their words sounded passionate, imperious, defiant, and the speakers often struck their coats of mail with their clenched fists, or pounded on the floor with their swords.

If there was any difference of opinion, the disputants flew into a furious rage, and then a chorus of fierce, blustering voices rose like a tenfold echo. It often seemed as if the next instant swords must fly from their sheaths and a bloody brawl begin; but Zorrillo, who had been chosen to preside over the meeting, only needed to raise his baton and command order, to transform the roar into a low muttering; the weather-beaten, scarred, pitiless soldiers, even when mutineers, yielded willing obedience to the word of command and the iron constraint of discipline.

On the sea and at Schouwen their splendid costumes had obtained a beggarly appearance. The velvet and brocade extorted from the rich citizens of Antwerp, now hung tattered and faded around their sinewy limbs. They looked like foot-pads, vagabonds, pirates, yet sat, as military custom required, exactly in the order of their rank; on the march and in the camp, every insurgent willingly obeyed the orders of the new leader, who by the fortune of war had thrown pairs-royal on the drumhead.

One thing was certain: some decisive action must be taken. Every one needed doublets and shoes, money and good lodgings. But in what way could these be most easily procured? By parleying and submitting on acceptable conditions, said some; by remaining free and capturing a city, roared others; first wealthy Mechlin, which could be speedily reached. There they could get what they wanted without money. Zorrillo counselled prudent conduct; Navarrete impetuously advised bold action. They, the insurgents, he cried, were stronger than any other military force in the Netherlands, and need fear no one. If they begged and entreated they would be dismissed with copper coins; but if they enforced their demands they would become rich and prosperous.

With flashing eyes he extolled what the troops, and he himself had done; he enlarged upon the hardships they had borne, the victories won for the king. He asked nothing but good pay for blood and toil, good pay, not coppers and worthless promises.

Loud shouts of approval followed his speech, and a gunner, who now held the rank of captain, exclaimed enthusiastically:

"Navarrete, the hero of Lepanto and Haarlem, is right! I know whom I will choose."

"Victor, victor Navarrete!" echoed from many a bearded lilt.

But Zorrillo interrupted these declarations, exclaiming, not without dignity, while raising his baton still higher. "The election will take place to-morrow, gentlemen; we are holding a council to-day. It is very warm in here; I feel it as much as you do. But before we separate, listen a few minutes to a man, who means well." Zorrillo now explained all the reasons, which induced him to counsel negotiations and a friendly agreement with the commander-in-chief. There was sound, statesmanlike logic in his words, yet his language did not lack warmth and charm. The men perceived that he was in earnest, and while he spoke the sibyl went behind him, laid her hand on his shoulder, and wiped the perspiration from his brow with her handkerchief. Zorrillo permitted it, and without interrupting himself, gave her a grateful, affectionate glance.

The bronzed warriors liked to look at her, and even permitted her to utter a word of advice or warning during their discussions, for she was a wise woman, not one of the ordinary stamp. Her blue eyes sparkled with intelligence and mirth, her full lips seemed formed for quick, gay repartee, she was always kind and cheer ful in her manner even to the most insignificant. But whence came the deep lines about her red mouth and the outer corners of her eyes? She covered them with rouge every day, to conceal the evidence of the sorrowful hours she spent when alone? The lines were well disguised, yet they increased, and year by year grew deeper.

No wrinkle had yet dared to appear on the narrow forehead; and the delicate features, dazzlingly-white teeth, girlish figure, and winning smile lent this woman a youthful aspect. She might be thirty, or perhaps even past forty.

A pleasure made her younger by ten summers, a vexation transformed her into a matron. The snow white hair, carefully arranged on her forehead, seemed to indicate somewhat advanced age; but it was known that it had turned grey in a few days and nights, eight years before, when a discontented blackguard stabbed the quartermaster, and he lay for weeks at the point of death.

This white hair harmonized admirably with the red cheeks of the camp-sibyl, who appreciating the fact, did not dye it.

During Zorrillo's speech her eyes more than once rested on Ulrich with a strangely intense expression. As soon as he paused, she went back again behind the table to the crying child, to cradle it in her arms.

Zorrillo--perceiving that a new and violent argument was about to break forth among the men--closed the meeting. Before adjourning, however, it was unanimously decided that the election should be held on the morrow.

While the soldiers noisily rose, some shaking hands with Zorrillo, some with Navarrete, the stately sergeant-major of a German lansquenet troop, which was stationed in Antwerp, and did not belong to the insurgents, entered the wide open door of the tent. His dress was gay and in good order; a fine Dalmatian dog followed him.

A thunder-storm had begun, and it was raining violently. Some of the Spaniards were twisting their rosaries, and repeating prayers, but neither thunder, lightning, nor water seemed to have destroyed the German's good temper, for he shook the drops from his plumed hat with a merry "phew," gaily introducing himself to his comrades as an envoy from the Pollviller regiment.

His companions, he said, were not disinclined to join the "free army"--he had come to ask how the masters of Schouwen fared.

Zorrillo offered the sergeant-major a chair, and after the latter had raised and emptied two beakers from the barmaid's pewter waiter in quick succession, he glanced around the circle of his rebel comrades. Some he had met before in various countries, and shook hands with them. Then he fixed his eyes on Ulrich, pondering where and under what standard he had seen this magnificent, fair-haired warrior.

Navarrete recognizing the merry lansquenet, Hans Eitelfritz of Colln on the Spree, held out his hand, and cried in the Spanish language, which the lansquenet had also used:

"You are Hans Eitelfritz! Do you remember Christmas in the Black Forest, Master Moor, and the Alcazar in Madrid?"

"Ulrich, young Master Ulrich! Heavens and earth!" cried Eitelfritz;--but suddenly interrupted himself; for the sibyl, who had risen from the table to bring the envoy, with her own hands, a larger goblet of wine, dropped the beaker close beside him.

Zorrillo and he hastily sprung to support the tottering woman, who was almost fainting. But she recovered herself, waving them back with a mute gesture.

All eyes were fixed upon her, and every one was startled; for she stood as if benumbed, her bright, youthful face had suddenly become aged and haggard. "What is the matter?" asked Zorrillo anxiously. Recovering her self-control, she answered hastily "The thunder, the storm. . . ."

Then, with short, light steps, she went back to the table, and as she resumed her seat the bell for evening prayers was heard outside.

Most of the company rose to obey the summons.

"Good-bye till to-morrow morning, Sergeant! The election will take place early to-morrow."

"A Dios, a Dios, hasta mas ver, Sibila, a Dios!" was loudly shouted, and soon most of the guests had left the tent.

Those who remained behind were scattered among the different tables. Ulrich sat at one alone with Hans Eitelfritz.

The lansquenet had declined Zorrillo's invitation to join him; an old friend from Madrid was present, with whom he wished to talk over happier days. The other willingly assented; for what he had intended to say to his companions was against Ulrich and his views. The longer the sergeant-major detained him the better. Everything that recalled Master Moor was dear to Ulrich, and as soon as he was alone with Hans Eitelfritz, he again greeted him in a strange mixture of Spanish and German. He had forgotten his home, but still retained a partial recollection of his native language. Every one supposed him to be a Spaniard, and he himself felt as if he were one.

Hans Eitelfritz had much to tell Ulrich; he had often met Moor in Antwerp, and been kindly received in his studio.

What pleasure it afforded Navarrete to hear from the noble artist, how he enjoyed being able to speak German again after so many years, difficult as it was. It seemed as if a crust melted away from his heart, and none of those present had ever seen him so gay, so full of youthful vivacity. Only one person knew that he could laugh and play noisily, and this one was the beautiful woman at the long table, who knew not whether she should die of joy, or sink into the earth with shame.

She had taken the year old infant from the basket. It was a pale, puny little creature, whose father had fallen in battle, and whose mother had deserted it.

The handsome standard-bearer yonder was called Ulrich! He must be her son! Alas, and she could only cast stolen glances at him, listen by stealth to the German words that fell from the beloved lips. Nothing escaped her notice, yet while looking and listening, her thoughts wandered to a far distant country, long vanished days; beside the bearded giant she saw a beautiful, curly-haired child; besides the man's deep voice she heard clear, sweet childish tones, that called her "mother" and rang out in joyous, silvery laughter.

The pale child in her arms often raised its little hand to its cheek, which was wet with the tears of the woman; who tended it. How hard, how unspeakably, terribly hard it was for this woman, with the youthful face and white locks, to remain quiet! How she longed to start up and call joyously to the child, the man, her lover's enemy, but her own, own Ulrich:

"Look at me, look at me! I am your mother. You are mine! Come, come to my heart! I will never leave you more!"

Ulrich now laughed heartily again, not suspecting what was passing in a mother's heart, close beside him; he had no eyes for her, and only listened to the jests of the German lansquenet, with whom he drained beaker after beaker.

The strange child served as a shield to protect the camp-sibyl from her son's eyes, and also to conceal from him that she was watching, listening, weeping. Eitelfritz talked most and made one joke after another; but she did not laugh, and only wished he would stop and let Ulrich speak, that she might be permitted to hear his voice again.

"Give the dog Lelaps a little corner of the settle," cried Hans Eitelfritz. "He'll get his feet wet on the damp floor--for the rain is trickling in--and take cold. This choice fellow isn't like ordinary dogs."

"Do you call the tiger Lelaps?" asked Ulrich. "An odd name."

"I got him from a student at Tubingen, dainty Junker Fritz of Hallberg, in exchange for an elephant's tusk I obtained in the Levant, and he owes his name to the merry rogue. I tell you, he's wiser than many learned men; he ought to be called Doctor Lelaps."

"He's a pretty creature."

"Pretty! More, far more! For instance, at Naples we had the famous Mortadella sausage for breakfast, and being engaged in eager conversation, I forgot him. What did my Lelaps do? He slipped quietly into the garden, returned with a bunch of forget-me-nots in his mouth, and offered it to me, as a gallant presents a bouquet to his fair one. That meant: dogs liked sausage too, and it was not seemly to forget him. What do you say to that show of sense?"

"I think your imagination more remarkable than the dog's sagacity."

"You believed in my good fortune in the old days, do you now doubt this true story?"

"To be sure, that is rather preposterous, for whoever loyally and faithfully trusts good-fortune--your good fortune--is ill-advised. Have you composed any new songs?"

"'That is all over now!" sighed the trooper. "See this scar! Since an infidel dog cleft my skull before Tunis, I can write no more verses; yet it hasn't grown quiet in my upper story on that account. I lie now, instead of composing. My boon companions enjoy the nonsensical trash, when I pour it forth at the tavern."

"And the broken skull: is that a forget-me-not story too, or was it. . . ."

"Look here! It's the actual truth. It was a bad blow, but there's a grain of good in everything evil. For instance, we were in the African desert just dying of thirst, for that belongs to the desert as much as the dot does to the letter i. Lelaps yonder was with me, and scented a spring. Then it was necessary to dig, but I had neither spade nor hatchet, so I took out the loose part of the skull, it was a hard piece of bone, and dug with it till the water gushed out of the sand, then I drank out of my brain-pan as if it were a goblet."

"Man, man!" exclaimed Ulrich, striking his clenched fist on the table.

"Do you suppose a dog can't scent a spring?" asked Eitelfritz, with comical wrath. "Lelaps here was born in Africa, the native land of tigers, and his mother. . . ."

"I thought you got him in Tubingen?"

"I said just now that I tell lies. I imposed upon you, when I made you think Lelaps came from Swabia; he was really born in the desert, where the tigers live.

"No offence, Herr Ulrich! We'll keep our jests for another evening. As soon as I'm knocked down, I stop my nonsense. Now tell me, where shall I find Navarrete, the standard-bearer, the hero of Lepanto and Schouwen? He must be a bold fellow; they say Zorrillo and he. . . ."

The lansquenet had spoken loudly; the quartermaster, who caught the name Navarrete, turned, and his eyes met Ulrich's.

He must be on his guard against this man.

The instant Zorrillo recognized him as a German, he would hold a powerful weapon. The Spaniards would give the command only to a Spaniard.

This thought now occurred to him for the first time. It had needed the meeting with Hans Eitelfritz, to remind him that he belonged to a different nation from his comrades. Here was a danger to be encountered, so with the rapid decision, acquired in the school of war, he laid his hand heavily on his countryman's, saying in a low, impressive tone: "You are my friend, Hans Eitelfritz, and have no wish to injure me."

"Zounds, no! What's up?"

"Well then, keep to yourself where and how we first met each other. Don't interrupt me. I'll tell you later in my tent, where you must take up your quarters, how I gained my name, and what I have experienced in life. Don't show your surprise, and keep calm. I, Ulrich, the boy from the Black Forest, am the man you seek, I am Navarrete."

"You?" asked the lansquenet, opening his eyes in amazement. "Nonsense! You're paying me off for the yarns I told you just now."

No, Hans Eitelfritz, no! I am not jesting, I mean it. I am Navarrete! Nay more! If you keep your mouth shut, and the devil doesn't put his finger into the pie, I think, spite of all the Zorrillos, I shall be Eletto to-morrow.

"You know the Spanish temper! The German Ulrich will be a very different person to them from the Castilian Navarrete. It is in your power to spoil my chance."

The other interrupted him by a peal of loud, joyous laughter, then shouted to the dog: "Up, Lelaps! My respects to Caballero Navarrete."

The Spaniards frowned, for they thought the German was drunk, but Hans Eitelfritz needed more liquor than that to upset his sobriety.

Flashing a mischievous glance at Ulrich from his bright eyes, he whispered: "If necessary, I too can be silent. You man without a country! You soldier of fortune! A Swabian the commander of these stiffnecked braggarts. Now see how I'll help you."

"What do you mean to do?" asked Ulrich; but Hans Eitelfritz had already raised the huge goblet, banging it down again so violently that the table shook. Then he struck the top with his clenched fist, and when the Spaniards fixed their eyes on him, shouted in their language: "Yes, indeed, it was delightful in those days, Caballero Navarrete. Your uncle, the noble Conde in what's its name, that place in Castile, you know, and the Condesa and Condesilla. Splendid people! Do you remember the coal-black horses with snow-white tails in your father's stable, and the old servant Enrique. There wasn't a longer nose than his in all Castile! Once, when I was in Burgos, I saw a queer, longish shadow coming round a street corner, and two minutes after, first a nose and then old Enrique appeared."

"Yes, yes," replied Ulrich, guessing the lansquenet's purpose. "But it has grown late while we've been gossiping; let us go!"

The woman at the table had not heard the whispers exchanged between the two men; but she guessed the object of the lansquenet's loud words. As the latter slowly rose, she laid the child in the basket, drew a long breath, pressed her fingers tightly upon her eyes for a short time, and then went directly up to her son.

Florette did not know herself, whether she owed the name of sibyl to her skill in telling fortunes by cards, or to her wise counsel. Twelve years before, while still sharing the tent of the Walloon captain Grandgagnage, it had been given her, she could not say how or by whom. The fortune-telling she had learned from a sea-captain's widow, with whom she had lodged a long time.

When her voice grew sharp and weaker, in order to retain consideration and make herself important, she devoted herself to predicting the future; her versatile mind, her ambition, and the knowledge of human-nature gained in the camp and during her wanderings from land to land, aided her to acquire remarkable skill in this strange pursuit.

Officers of the highest rank had sat opposite to her cards, listening to her oracular sayings, and Zorrillo, the man who had now been her lover for ten years, owed it to her influence, that he did not lose his position as quartermaster after the last mutiny.

Hans Eitelfritz had heard of her skill and when, as he was leaving, she approached and offered to question the cards for him, he would not allow Ulrich to prevent him from casting a glance into the future.

On the whole, what was predicted to him sounded favorable, but the prophetess did not keep entirely to the point, for in turning the cards she found much to say to Ulrich, and once, pointing to the red and green knaves, remarked thoughtfully: "That is you, Navarrete; that is this gentleman. You must have met each other on some Christmas day, and not here, but in Germany; if I see rightly, in Swabia."

She had just overheard all this.

But a shudder ran through Ulrich's frame when he heard it, and this woman, whose questioning glance had always disturbed him, now inspired him with a mysterious dread, which he could not control. He rose to withdraw; but she detained him, saying: "Now it is your turn, Captain."

"Some other time," replied Ulrich, repellently. Good fortune always comes in good time, and to know ill-luck in advance, is a misfortune I should think."

"I can read the past, too."

Ulrich started. He must learn what his rival's companion knew of his former life, so he answered quickly, "Well, for aught I care, begin."

"Gladly, gladly, but when I look into the past, I must be alone with the questioner. Be kind enough to give Zorrillo your company for quarter of an hour, Sergeant."

"Don't believe everything she tells you, and don't look too deep into her eyes. Come, Lelaps, my son!" cried the lansquenet, and did as he was requested.

The woman dealt the cards silently, with trembling hands, but Ulrich thought: "Now she will try to sound me, and a thousand to one will do everything in her power to disgust me with desiring the Eletto's baton. That's the way blockheads are caught. We will keep to the past."

His companion met this resolution halfway; for before she had dealt the last two rows, she rested her chin on the cards in her hands and, trying to meet his glance, asked:

"How shall we begin? Do you still remember your childhood?"

"Certainly."

"Your father?"

"I have not seen him for a long time. Don't the cards tell you, that he is dead?"

"Dead, dead:--of course he's dead. You had a mother too?"

"Yes, yes," he answered impatiently; for he was unwilling to talk with this woman about his mother.

She shrank back a little, and said sadly: "That sounds very harsh. Do you no longer like to think of your mother?"

"What is that to you?"

"I must know."

"No, what concerns my mother is . . . I will--is too good for juggling."

"Oh," she said, looking at him with a glance from which he shrank. Then she silently laid down the last cards, and asked: "Do you want to hear anything about a sweetheart?"

"I have none. But how you look at me! Have you grown tired of Zorrillo? I am ill-suited for a gallant."

She shuddered slightly. Her bright face had again grown old, so old and weary that he pitied her. But she soon regained her composure, and continued:

"What are you saying? Ask the questions yourself now, if you please."

"Where is my native place?"

"A wooded, mountainous region in Germany."

"Ah, ha! and what do you know of my father?"

"You look like him, there is an astonishing resemblance in the forehead and eyes; his voice, too, was exactly like yours."

"A chip of the old block."

"Well, well. I see Adam before me. . . ."

"Adam?" asked Ulrich, and the blood left his cheeks.

"Yes, his name was Adam," she continued more boldly, with increasing vivacity: "there he stands. He wears a smith's apron, a small leather cap rests on his fair hair. Auriculas and balsams stand in the bow-window. A roan horse is being shod in the market-place below."

The soldier's head swam, the happiest period of his childhood, which he had not recalled for a long time, again rose before his memory; he saw his father stand before him, and the woman, the sibyl yonder, had the eyes and mouth, not of his mother, but of the Madonna he had destroyed with his maul-stick. Scarcely able to control himself, he grasped her hand, pressing it violently, and asked in German:

"What is my name? And what did my mother call me?"

She lowered her eyes as if in shame, and whispered softly in German: "Ulrich, Ulrich, my darling, my little boy, my lamb, Ulrich--my child! Condemn me, desert me, curse me, but call me once more 'my mother.'"

"My mother," he said gently, covering his face with his hands--but she started up, hurried back to the pale baby in the cradle, and pressing her face upon the little one's breast, moaned and wept bitterly.

Meantime, Zorrillo had not averted his eyes from Navarrete and his companion. What could have passed between the two, what ailed the man?

Rising slowly, he approached the basket before which the sibyl was kneeling, and asked anxiously: "What was it, Flora?"

She pressed her face closer to the weeping child, that he might not see her tears, and answered quickly "I predicted things, things . . . go, I will tell you about it later."

He was satisfied with this answer, but she was now obliged to join the Spaniards, and Ulrich took leave of her with a silent salutation.

A WORD, ONLY A WORD

By Georg Ebers

Volume 5.

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Chapter XXVI

The Spanish nature is contagious, thought Hans Eitelfritz, tossing on his couch in Ulrich's tent. What a queer fellow the gay young lad has become! Sighs are cheap with him, and every word costs a ducat. He is worthy all honor as a soldier. If they make him Eletto, it will be worth while to join the free army.

Ulrich had briefly told the lansquenet, how he had obtained the name of Navarrete and how he had come from Madrid and Lepanto to the Netherlands. Then he went to rest, but he could not sleep.

He had found his mother again. He now possessed the best gift Ruth had asked him to beseech of the "word." The soldier's sweetheart, the faithless wife, the companion of his rival, whom only yesterday he had avoided, the fortune-teller, the camp-sibyl, was the woman who had given him birth. He, who thought he had preserved his honor stainless, whose hand grasped the sword if another looked askance at him, was the child of one, at whom every respectable woman had the right to point her finger. All these thoughts darted through his brain; but strangely enough, they melted like morning mists when the sun rises, before the feeling of joy that he had his mother again.

Her image did not rise before his memory in Zorrillo's tent, but framed by balsams and wall-flowers. His vivid imagination made her twenty years younger, and how beautiful she still was, how winningly she could glance and smile. Every appreciative word, all the praises of the sibyl's beauty, good sense and kindness, which he had heard in the camp, came back freshly to his mind, and he would fain have started up to throw himself on her bosom, call her his mother, hear her give him all the sweet, pet names, which sounded so tender from her lips, and feel the caress of her soft hands. How rich the solitary man felt, how surpassingly rich! He had been entirely alone, deserted even by his mother! Now he was so no longer, and pleasant dreams blended with his ambitious plans, like golden threads in dark cloth.

When power was once his, he would build her a beautiful, cosy nest with his share of the booty. She must leave Zorrillo, leave him to-morrow. The little nest should belong to her and him alone, entirely alone, and when his soul longed for peace, love, and quiet, he would rest there with her, recall with her the days of his childhood, cherish and care for her, make her forget all her sins and sufferings, and enjoy to the full the happiness of having her again, calling a loving mother's heart his own.

At every breath he drew he felt freer and gayer. Suddenly there was a rustling at the tent-door. He seized his two-handed sword, but did not raise it, for a beloved voice he recognized, called softly: "Ulrich, Ulrich, it is I!"

He started up, hastily threw on his doublet, rushed towards her, clasped her in his arms, and let her stroke his curls, kiss his cheeks and eyes, as in the old happy days. Then he drew her into the tent, whispering "Softly, softly, the snorer yonder is the German."

She followed him, leaned against him, and raised his hand to her lips; he felt them grow wet with tears. They had not yet said anything to each other, except how happy, how glad, how thankful they were to have each other again; then a sentinel passed, and she started up, exclaiming anxiously: "So late, so late; Zorrillo will be waiting!"

"Zorrillo!" cried Ulrich scornfully, "you have been a long time with him. If they give me the power. . . ."

"They will choose you, child, they shall choose you," she hastily interrupted. "Oh, God! oh, God! perhaps this will bring you misfortune instead of blessing; but you desire it! Count Mannsfeld is coming tomorrow; Zorrillo knows it. He will bring a pardon for all; promotions too, but no money yet."

"Oh, ho!" cried Ulrich, "that may decide the matter."

"Perhaps so, you deserve to command them. You were born for some special purpose, and your card always turns up so strangely. Eletto! It sounds proud and grand, but many have been ruined by it. . . ."

"Because power was too hard for them."

"It must serve you. You are strong. A child of good fortune. Folly! I will not fear. You have probably fared well in life. Ah, my lamb, I have done little for you, but one thing I did unceasingly: I prayed for you, poor boy, morning and night; have you noticed, have you felt it?"

He drew her to his heart again, but she released herself from his embrace, saying: "To-morrow, Ulrich; Zorrillo. . . ."

"Zorrillo, always Zorrillo," he repeated, his blood boiling angrily. "You are mine and, if you love me, you will leave him."

"I cannot, Ulrich, it will not do. He is kind, you will yet be friends."

"We, we? On the day of judgment, nay, not even then! Are you more firmly bound to yon smooth fellow, than to my honest father? There stands something in the darkness, it is good steel, and if needful will cut the tie asunder."

"Ulrich, Ulrich!" wailed Flora, raising her hands beseechingly. "Not that, not that; it must not be. He is kind and sensible, and loves me fondly. Oh, Heaven! Oh, Ulrich! The mother has glided to her son at night, as if she were following forbidden paths. Oh, this is indeed a punishment. I know how heavily I have sinned, I deserve whatever may befall me; but you, you must not make me more wretched, than I already am. Your father, he . . . if he were still alive, for your sake I would crawl to him on my knees, and say: 'Here I am, forgive me'--but he is dead. Pasquale, Zorrillo lives; do not think me a vain, deluded woman; Zorrillo cannot bear to have me leave him. . . ."

"And my father? He bore it. But do you know how? Shall I describe his life to you?"

"No, no! Oh, child, how you torture me! I know how I sinned against your father, the thought does not cease to torture me, for he truly loved me, and I loved him, too, loved him tenderly. But I cannot keep quiet a long time, and cast down my eyes, like the women there, it is not in my blood; and Adam shut me up in a cage and for many years let me see nothing except himself, and the cold, stupid city in the ravine by the forest. One day a fierce longing came upon me, I could not help going forth--forth into the wide world, no matter with whom or whither. The soldier only needed to hint and I fell.--I did not stay with him long, he was a windy braggart; but I was faithful to Captain Grandgagnage and accompanied the wild fellow with the Walloons through every land, until he was shot. Then ten years ago, I joined Zorrillo; he is my friend, he shares my feelings, I am necessary to his existence. Do not laugh, Ulrich; I well know that youth lies behind me, that I am old, yet Pasquale loves me; since I have had him, I have been more content and, Holy Virgin! now--I love him in return. Oh, Heaven! Oh, Heaven! Why is it so? This heart, this miserable heart, still throbs as fast as it did twenty years ago."

"You will not leave him?"

"No, no, I love him, and I know why. Every one calls him a brave man, yet they only half know him; no one knows him wholly as I do. No one else is so good, so generous. You must let me speak! Do you suppose I ever forgot you? Never, never! But you have always been to me the dear little boy; I never thought of you as a man, and since I could not have you and longed so greatly for you, for a child, I opened my heart to the soldiers' orphans, the little creature you saw in the tent is one of these poor things, I have often had two or three such babies at the same time. It would have been an abomination to Grandgagnage, but Zorrillo rejoices in my love for children, and I have given what the Walloon bequeathed me and his own booty to the soldiers' widows and the little naked babies in the camp. He was satisfied, for whatever I do pleases him. I will not, cannot leave him!"

She paused, hiding her face in her hands, but Ulrich paced to and fro, violently agitated. At last he said firmly: "Yet you must part from him. He or I! I will have nothing to do with the lover of my father's wife. I am Adam's son, and will be constant to him. Ah, mother, I have been deprived of you so long. You can tend strangers' orphaned children, yet you make your own son an orphan. Will you do this? No, a thousand times, no, you cannot! Do not weep so, you must not weep! Hear me, hear me! For my sake, leave this Spaniard! You will not repent it. I have just been dreaming of the nest I will build for you. There I will cherish and care for you, and you shall keep as many orphan children as you choose. Leave him, mother, you must leave him for the sake of your child, your Ulrich!"

"Oh, God! oh, God!" she sobbed. "I will try, yes, I will try. . . . My child, my dear child!"

Ulrich clasped her closely in his arms, kissed her hair, and said, softly: "I know, I know, you need love, and you shall find it with me."

"With you!" she repeated, sobbing. Then releasing herself from his embrace she hurried to the feverish woman, at whose summons she had left her tent.

As morning dawned, she returned home and found Zorrillo still awake. He enquired about her patient, and told her he had given the child something to drink while she was away.

Flora could not help weeping bitterly again, and Zorrillo, noticing it, exclaimed chidingly: "Each has his own griefs to bear, it is not wise to take strangers' troubles so deeply to heart."

"Strangers' troubles," she repeated, mournfully, and went to rest.

White-haired woman, why have you remained so young? All the cares and sorrows of youth and age are torturing you at the same time! One love is fighting a mortal battle with another in your breast. Which will conquer?

She knows, she knew it ere she entered the tent. The mother fled from the child, but she cannot abandon her new-found son. Oh, maternal love, thou dost hover in radiant bliss far above the clouds, and amid choirs of angels! Oh, maternal heart, thou dost bleed pierced with swords, more full of sorrows than any other!

Poor, poor Florette! On this July morning she was enduring superhuman tortures, all the sins she had committed arrayed themselves against her, shrieking into her ear that she was a lost woman, and there could be no pardon for her either in this world or the next. Yet!--the clouds drift by, birds of passage migrate, the musician wanders singing from land to land, finds love, and remorselessly strips off light fetters to seek others. His child imitates the father, who had followed the example of his, the same thing occurring back to their remotest ancestors! But eternal justice? Will it measure the fluttering leaf by the same standard as the firmly-rooted plant?

When Zorrillo saw Flora by the daylight, he said, kindly: "You have been weeping?"

"Yes," she answered, fixing her eyes on the ground. He thought she was anxious, as on a former occasion, lest his election to the office of Eletto might prove his ruin, so he drew her towards him, exclaiming "Have no fear, Bonita. If they choose me, and Mannsfeld comes, as he promised, the play will end this very day. I hope, even at the twelfth hour, they will listen to reason, and allow themselves to be guided into the right course. If they make the young madcap Eletto--his head will be at stake, not mine. Are you ill? How you look, child! Surely, surely you must be suffering; you shall not go out at night to nurse sick people again!"

The words came from an anxious heart, and sounded warm and gentle. They penetrated Florette's inmost soul, and overwhelmed with passionate emotion she clasped his hands, kissed them, and exclaimed, softly "Thanks, thanks, Pasquale, for your love, for all. I will never, never forget it, whatever happens! Go, go; the drum is beating again."

Zorrillo fancied she was uttering mere feverish ravings, and begged her to calm herself; then he left the tent, and went to the place where the election was to be held.

As soon as Flora was alone, she threw herself on her knees before the Madonna's picture, but knew not whether it would be right to pray that her son might obtain an office, which had proved the ruin of so many; and when she besought the Virgin to give her strength to leave her lover, it seemed to her like treason to Pasquale.

Her thoughts grew confused, and she could not pray. Her mobile mind wandered swiftly from lofty to petty things; she seized the cards to see whether fate would unite her to Zorrillo or to Ulrich, and the red ten, which represented herself, lay close beside the green knave, Pasquale. She angrily threw them down, determined, in spite of the oracle, to follow her son.

Meantime in the camp drums beat, fifes screamed shrilly, trumpets blared, and the shouts and voices of the assembled soldiers sounded like the distant roar of the surf.

A fresh burst of military music rang out, and now Florette started to her feet and listened. It seemed as if she heard Ulrich's voice, and the rapid throbbing of her heart almost stopped her breath. She must go out, she must see and hear what was passing. Hastily pushing the white hair back from her brow, she threw a veil over it, and hurried through the camp to the spot where the election was taking place.

The soldiers all knew her and made way for her. The leaders of the mutineers were standing on the wall of earth between the field-pieces, and amid the foremost rank, nay, in front of them all, her son was addressing the crowd.

The choice wavered between him and Zorrillo. Ulrich had already been speaking a long time. His cheeks were glowing and he looked so handsome, so noble, in his golden helmet, from beneath which floated his thick, fair locks, that her heart swelled with joy, and as the night grows brighter when the black clouds are torn asunder and the moon victoriously appears, grief and pain were suddenly irradiated by maternal love and pride.

Now he drew his tall figure up still higher, exclaiming: "Others are readier and bolder with the tongue than I, but I can speak with the sword as well as any one."

Then raising the heavy two-handed sword, which others laboriously managed with both hands, he swung it around his head, using only his right hand, in swift circles, until it fairly whistled through the air.

The soldiers shouted exultingly as they beheld the feat, and when he had lowered the weapon and silence was restored, he continued, defiantly, while his breath came quick and short: "And where do the talkers, the parleyers seek to lead us? To cringe like dogs, who lick their masters' feet, before the men who cheat us. Count Mannsfeld will come to-day; I know it, and I have also learned that he will bring everything except what is our due, what we need, what we intend to demand, what we require for our bare feet, our ragged bodies; money, money he has not to offer! This is so, I swear it; if not, stand forth, you parleyers, and give me the lie! Have you inclination or courage to give the lie to Navarrete?--You are silent!--But we will speak! We will not suffer ourselves to be mocked and put off! What we demand is fair pay for good work. Whoever has patience, can wait. Mine is exhausted.

"We are His Majesty's obedient servants and wish to remain so. As soon as he keeps his bargain, he can rely upon us; but when he breaks it, we are bound to no one but ourselves, and Santiago! we are not the weaker party. We need money, and if His Majesty lacks ducats, a city where we can find what we want. Money or a city, a city or money! The demand is just, and if you elect me, I will stand by it, and not shrink if it rouses murmuring behind me or against me. Whoever has a brave heart under his armor, let him follow me; whoever wishes to creep after Zorrillo, can do so. Elect me, friends, and I will get you more than we need, with honor and fame to boot. Saint Jacob and the Madonna will aid us. Long live the king!"

"Long live the king! Long live Navarrete! Navarrete! Hurrah for Navarrete!" echoed loudly, impetuously from a thousand bearded lips.

Zorrillo had no opportunity to speak again. The election was made.

Ulrich was chosen Eletto.

As if on wings, he went from man to man, shaking hands with his comrades. Power, power, the highest prize on earth, was attained, was his! The whole throng, soldiers, tyros, women, girls and children, crowded around him, shouting his name; whoever wore a hat or cap, tossed it in the air, whoever had a kerchief, waved it. Drums beat, trumpets sounded, and the gunner ordered all the field-pieces to be discharged, for the choice pleased him.

Ulrich stood, as if intoxicated, amid the shouts, shrieks of joy, military music, and thunder of the cannon. He raised his helmet, waved salutations to the crowd, and strove to speak, but the uproar drowned his words.

After the election Florette slipped quietly away; first to the empty tent then to the sick woman who needed her care.

The Eletto had no time to think of his mother; for scarcely had he given a solemn oath of loyalty to his comrades and received theirs, when Count Mannsfeld appeared.

The general was received with every honor. He knew Navarrete, and the latter entered into negotiations with the manly dignity natural to him; but the count really had nothing but promises to offer, and the insurgents would not give up their demand: "Money or a city!"

The nobleman reminded them of their oath of allegiance, made lavish use of kind words, threats and warnings, but the Eletto remained firm. Mannsfeld perceived that he had come in vain; the only concession he could obtain from Navarrete was, that some prudent man among the leaders should accompany him to Brussels, to explain the condition of the regiments to the council of state there, and receive fresh proposals. Then the count suggested that Zorrillo should be entrusted with the mission, and the Eletto ordered the quartermaster to prepare for departure at once. An hour after the general left the camp with Flora's lover in his train.

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Chapter XXVII

The fifth night after the Eletto's election was closing in, a light rain was falling, and no sound was heard in the deserted streets of the encampment except now and then the footsteps of a sentinel, or the cries of a child. In Zorrillo's tent, which was usually brightly lighted until a late hour of the night, only one miserable brand was burning, beside which sat the sleepy bar-maid, darning a hole in her frieze-jacket. The girl did not expect any one, and started when the door of the tent was violently torn open, and her master, followed by two newly-appointed captains, came straight up to her.

Zorrillo held his hat in his hand, his hair, slightly tinged with grey, hung in a tangled mass over his forehead, but he carried himself as erect as ever. His body did not move, but his eyes wandered from one corner of the tent to another, and the girl crossed herself and held up two fingers towards him, for his dark glance fell upon her, as he at last exclaimed, in a hollow tone:

"Where is the mistress?"

"Gone, I could not help it" replied the girl.

"Where?"

"To the Eletto, to Navarrete."

"When?"

"He came and took her and the child, directly after you had left the camp."

"And she has not returned?"

"She has just sent a roast chicken, which I was to keep for you when you came home. There it is." Zorrillo laughed. Then he turned to his companions, saying:

"I thank you. You have now. . . . Is she still with the Eletto?"

"Why, of course."

"And who--who saw her the night before the election--let me sit down--who saw her with him then?"

"My brother," replied one of the captains. "She was just coming out of the tent, as he passed with the guard."

"Don't take the matter to heart," said the other. "There are plenty of women! We are growing old, and can no longer cope with a handsome fellow like Navarrete."

"I thought the sibyl was more sensible," added the younger captain. "I saw her in Naples sixteen years ago. Zounds, she was a beautiful woman then! A pretty creature even now; but Navarrete might almost be her son. And you always treated her kindly, Pasquale. Well, whoever expects gratitude from women. . . ."

Suddenly the quartermaster remembered the hour just before the election, when Florette had thrown herself upon his breast, and thanked him for his kindness; clenching his teeth, he groaned aloud.

The others were about to leave him, but he regained his self-control, and said:

"Take him the count's letter, Renato. What I have to say to him, I will determine later."

Zorrillo was a long time unlacing his jerkin and taking out the paper. Both of his companions noticed how his fingers trembled, and looked at each other compassionately; but the older one said, as he received the letter:

"Man, man, this will do no good. Women are like good fortune."

"Take the thing as a thousand others have taken it, and don't come to blows. You wield a good blade, but to attack Navarrete is suicide. I'll take him the letter. Be wise, Zorrillo, and look for another love at once."

"Directly, directly, of course," replied the quartermaster; but as soon as he had sent the maid-servant away, and was entirely alone, he bowed his forehead upon the table and his shoulders heaved convulsively. He remained in this attitude a long time, then paced to and fro with forced calmness. Morning dawned long ere he sought his couch.

Early the next day he made his report to the Eletto before the assembled council of war, and when it broke up, approached Navarrete, saying, in so loud a tone that no one could fail to hear:

"I congratulate you on your new sweetheart."

"With good reason," replied the Eletto. "Wait a little while, and I'll wager that you'll congratulate me more sincerely than you do to-day."

The offers from Brussels had again proved unacceptable. It was necessary now to act, and the insurgent commander profited by the time at his disposal. It seemed as if "power" doubled his elasticity and energy. It was so delightful, after the march, the council of war, and the day's work were over, to rest with his mother, listen to her, and open his own heart. How had she preserved--yes, he might call it so--her aristocratic bearing, amid the turmoil, perils, and mire of camp-life, in spite of all, all! How cleverly and entertainingly she could talk about men and things, how comical the ideas, with which she understood how to spice the conversation, and how well versed he found her in everything that related to the situation of the regiments and his own position. She had not been the confidante of army leaders in vain.

By her advice he relinquished his plan of capturing Mechlin, after learning from spies that it was prepared and expecting the attack of the insurgents.

He could not enter upon a long siege with the means at his command; his first blow must not miss the mark. So he only showed himself near Brussels, sent Captain Montesdocca, who tried to parley again, back with his mission unaccomplished, marched in a new direction to mislead his foes, and then unexpectedly assailed wealthy Aalst in Flanders.

The surprised inhabitants tried to defend their well-fortified city, but the citizens' strength could not withstand the furious assault of the well-drilled, booty-seeking army.

The conquered city belonged to the king. It was the pledge of what the rebels required, and they indemnified themselves in it for the pay that had been with held. All who attempted to offer resistance fell by the sword, all the citizens' possessions were seized by the soldiers, as the wages that belonged to them.

In the shops under the Belfry, the great tower from whence the bell summoned the inhabitants when danger threatened, lay plenty of cloth for new doublets. Nor was there any lack of gold or silver in the treasury of the guild-hall, the strong boxes of the merchants, the chests of the citizens. The silver table-utensils, the gold ornaments of the women, the children's gifts from godparents fell into the hands of the conquerors, while a hundred and seventy rich villages near Aalst were compelled to furnish food for the mutineers.

Navarrete did not forbid the plundering. According to his opinion, what soldiers took by assault was well-earned booty. To him the occupation of Aalst was an act of righteous self-defence, and the regiments shared his belief, and were pleased with their Eletto.

The rebels sought and found quarters in the citizens' houses, slept in their beds, eat from their dishes, and drank their wine-cellars empty. Pillage was permitted for three days. On the fifth discipline was restored, the quartermaster's department organized, and the citizens were permitted to assemble at the guild-hall, pursue their trades and business, follow the pursuits to which they had been accustomed. The property they had saved was declared unassailable; besides, robbery had ceased to be very remunerative.

The Eletto was at liberty to choose his own quarters, and there was no lack of stately dwellings in Aalst. Ulrich might have been tempted to occupy the palace of Baron de Hierges, but passed it by, selecting as a home for his mother and himself a pretty little house on the market-place, which reminded him of his father's smithy. The bow-windowed room, with the view of the belfry and the stately guildhall, was pleasantly fitted up for his mother, and the city gardeners received orders to send the finest house-plants to his residence. Soon the sitting-room, adorned with flowers and enlivened by singing-birds, looked far handsomer and more cosy than the nest of which he had dreamed. A little white dog, exactly like the one Florette had possessed in the smithy, was also procured, and when in the evening the warm summer air floated into the open windows, and Ulrich sat alone with Florette, recalling memories of the past, or making plans for the future, it seemed as if a new spring had come to his soul. The citizens' distress did not trouble him. They were the losing party in the grim game of war, enemies--rebels. Among his own men he saw nothing but joyous faces; he exercised the power--they obeyed.

Zorrillo bore him ill-will, Ulrich read it in his eyes; but he made him a captain, and the man performed his duty as quartermaster in the most exemplary manner. Florette wished to tell him that the Eletto was her son, but the latter begged her to wait till his power was more firmly established, and how could she refuse her darling anything? She had grieved deeply, very deeply, but this mood soon passed away, and now she could be happy in Ulrich's society, and forget sorrow and heartache.

What joy it was to have him back, to be loved by him! Where was there a more affectionate son, a pleasanter home than hers? The velvet and brocade dresses belonging to the Baroness de Hierges had fallen to the Eletto. How young Florette looked in them! When she glanced into the mirror, she was astonished at herself.

Two beautiful riding-horses for ladies' use and elegant trappings had been found in the baron's stable. Ulrich had told her of it, and the desire to ride with him instantly arose in her mind. She had always accompanied Grandgagnage, and when she now went out, attired in a long velvet riding-habit, with floating plumes in her dainty little hat, beside her son, she soon noticed how admiringly even the hostile citizens and their wives looked after them. It was a pretty sight to behold the handsome soldier, full of pride and power, galloping on the most spirited stallion, beside the beautiful, white-haired woman, whose eyes sparkled with vivacious light.

Zorrillo often met them, when they passed the guildhall, and Florette always gave him a friendly greeting with her whip, but he intentionally averted his eyes or if he could not avoid it, coldly returned her recognition.

This wounded her deeply, and when alone, it often happened that she sunk into gloomy reverie and, with an aged, weary face, gazed fixedly at the floor. But Ulrich's approach quickly cheered and rejuvenated her.

Florette now knew what her son had experienced in life, what had moved his heart, his soul, and could not contradict him, when he told her that power was the highest prize of existence.

The Eletto's ambitious mind could not be satisfied with little Aalst. The mutineers had been outlawed by an edict from Brussels, but the king had nothing to do with this measure; the shameful proclamation was only intended to stop the wailing of the Netherlanders. They would have to pay dearly for it! There was a great scheme in view.

The Antwerp of those days was called "as rich as the Indies;" the project under consideration was the possibility of manoeuvring this abode of wealth into the hands of the mutineers; the whole Spanish army in the Netherlands being about to follow the example of the regiments in Aalst.

The mother was the friend and counsellor of the son. At every step he took he heard her opinion, and often yielded his own in its favor. This interest in the direction of great events occupied the sibyl's versatile mind. When, on many occasions, pros and tons were equal in weight, she brought out the cards, and this oracle generally turned the scale.

No high aim, no desire to accomplish good and great things in wider spheres, influenced the thoughts and actions of this couple.

What cared they, that the weal and woe of thousands depended on their decision? The deadly weapon in their bands was to them only a valuable utensil in which they delighted, and with which fruits were plucked from the trees.

Ulrich now saw the fulfilment of Don Juan's words, that power was an arable field; for there were many full ears in Aalst for them both to harvest.

Florette still nursed, with maternal care, the soldier's orphan which she had taken to her son's house; the child, born on a bed of straw--was now clothed in dainty linen, laces and other beautiful finery. It was necessary to her, for she occupied herself with the helpless little creature when, during the long morning hours of Ulrich's absence, sorrowful thought troubled her too deeply.

Ulrich often remained absent a long time, far longer than the service required. What was he doing? Visiting a sweetheart? Why not? She only marvelled that the fair women did not come from far and near to see the handsome man.

Yes, the Eletto had found an old love. Art, which he had sullenly forsaken. News had reached his ears, that an artist had fallen in the defence of the city. He went to the dead man's house to see his works, and how did he find the painter's dwelling! Windows, furniture were shattered, the broken doors of the cupboards hung into the rooms on their bent hinges. The widow and her children were lying in the studio on a heap of straw. This touched his heart, and he gave alms with an open hand to the sorrowing woman. A few pictures of the saints, which the Spaniards had spared, hung on the walls; the easel, paints and brushes had been left untouched.

A thought, which he instantly carried into execution, entered his mind. He would paint a new standard! How his heart beat, when he again stood before the easel!

He regarded the heretics as heathens. The Spaniards were shortly going to fight against them and for the faith. So he painted the Saviour on one side of the standard, the Virgin on the other. The artist's widow sat to him for the Madonna, a young soldier for the Christ.

No scruples, no consideration for the criticisms of teachers now checked his creating hand; the power was his, and whatever he did must be right.

He placed upon the Saviour's bowed figure, Costa's head, as he had painted it in Titian's studio, and the Madonna, in defiance of the stern judges in Madrid, received the sibyl's face, to please himself and do honor to his mother. He made her younger, transformed her white hair to gleaming golden tresses. One day he asked Flora to sit still and think of something very serious; he wanted to sketch her.

She gaily placed herself in position, saying:

"Be quick, for serious thoughts don't last long with me."

A few days later both pictures were finished, and possessed no mean degree of merit; he rejoiced that after the long interval he could still accomplish something. His mother was delighted with her son's masterpieces, especially the Madonna, for she instantly recognized herself, and was touched by this proof of his faithful remembrance. She had looked exactly like it when a young girl, she said; it was strange how precisely he had hit the color of her hair; but she was afraid it was blaspheming to paint a Madonna with her face; she was a poor sinner, nothing more.

Florette was glad that the work was finished, for restlessness again began to torture her, and the mornings had been so lonely. Zorrillo--it caused her bitter pain--had not cast even a single glance at her, and she began to miss the society of men, to which she had been accustomed. But she never complained, and always showed Ulrich the same cheerful face, until the latter told her one day that he must leave her for some time.

He had already defeated in little skirmishes small bodies of peasants and citizens, who had taken the field against the mutineers; now Colonel Romero called upon him to help oppose a large army of patriots, who had assembled between Lowen and Tirlemont, under the command of the noble Sieur de Floyon. It was said to consist Of students and other rebellious brawlers, and so it proved; but the "rebels" were the flower of the youth of the shamefully-oppressed nation, noble souls, who found it unbearable to see their native land enslaved by mutinous hordes.

Ulrich's parting with his mother was not a hard one. He felt sure of victory and of returning home, but the excitable woman burst into tears as she bade him farewell.

The Eletto took the field with a large body of troops; the majority of the mutineers, with them. Captain and Quartermaster Zorrillo, remained behind to hold the citizens in check.

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Chapter XXVIII

A considerable, but hastily-collected army of patriots had been utterly routed at Tisnacq by a small force of disciplined Spaniards.

Ulrich had assisted his countrymen to gain the speedy victory, and had been greeted by his old colonel, the brave Romero, the bold cavalry-commander, Mendoza, and other distinguished officers as one of themselves. Since these aristocrats had become mutineers, the Eletto was a brother, and they did not disdain to secure his cooperation in the attack they were planning upon Antwerp.

He had shown great courage under fire, and wherever he appeared, his countrymen held out their hands to him, vowing obedience and loyalty unto death.

Ulrich felt as if he were walking on air, mere existence was a joy to him. No prince could revel in the blissful consciousness of increasing power, more fully than he. The evening after the decision he had attended a splendid banquet with Romero, Vargas, Mendoza, Tassis, and the next morning the prisoners, who had fallen into the hands of his men, were brought before him.

He had left the examination of the students, citizens' sons, and peasants to his lieutenant; but there were also three noblemen, from whom large ransoms could be obtained. The two older ones had granted what he asked and been led away; the third, a tall man in knightly armor, was left last.

Ulrich had personally encountered the latter. The prisoner, mounted upon a tall steed, had pressed him very closely; nay, the Eletto's victory was not decided, until a musket-shot had stretched the other's horse on the ground.

The knight now carried his arm in a sling. In the centre of his coat of mail and on the shoulder-pieces of his armor, the ensigns armorial of a noble family were embossed.

"You were dragged out from under your horse," said the Eletto to the knight. "You wield an excellent blade."

He had spoken in Spanish, but the other shrugged his shoulders, and answered in the German language "I don't understand Spanish."

"Are you a German?" Ulrich now asked in his native tongue. "How do you happen to be among the Netherland rebels?"

The nobleman looked at the Eletto in surprise. But the latter, giving him no time for reflection, continued "I understand German; your answer?"

"I had business in Antwerp?"

"What business?"

"That is my affair."

"Very well. Then we will drop courtesy and adopt a different tone."

"Nay, I am the vanquished party, and will answer you."

"Well then?"

"I had stuffs to buy."

"Are you a merchant?"

The knight shook his head and answered, smiling: "We have rebuilt our castle since the fire."

"And now you need hangings and artistic stuff. Did you expect to capture them from us?"

"Scarcely, sir."

"Then what brought you among our enemies?"

"Baron Floyon belongs to my mother's family. He marched against you, and as I approved his cause. . . ."

"And pillage pleases you, you felt disposed to break a lance."

"Quite right."

"And you have done your cause no harm. Where do you live?"

"Surely you know: in Germany."

"Germany is a very large country."

"In the Black Forest in Swabia."

"And your name?"

The prisoner made no reply; but Ulrich fixed his eyes upon the coat of arms on the knight's armor, looked at him more steadily, and a strange smile hovered around his lips as he approached him, saying in an altered tone: "You think the Navarrete will demand from Count von Frohlinger a ransom as large as his fields and forests?"

"You know me?"

"Perhaps so, Count Lips."

"By Heavens!"

"Ah, ha, you went from the monastery to the field."

"From the monastery? How do you know that, sir?"

"We are old acquaintances, Count Lips. Look me in the eyes."

The other gazed keenly at the Eletto, shook his head, and said: "You have not seemed a total stranger to me from the first; but I never was in Spain."

"But I have been in Swabia, and at that time you did me a kindness. Would your ransom be large enough to cover the cost of a broken church window?"

The count opened his eyes in amazement and a bright smile flashed over his face as, clapping his hands, he exclaimed with sincere delight:

"You, you--you are Ulrich! I'll be damned, if I'm mistaken! But who the devil would discover a child of the Black Forest in the Spanish Eletto?"

"That I am one, must remain a secret between us for the present," exclaimed Ulrich, extending his hand to the count. "Keep silence, and you will be free--the window will cover the ransom!"

"Holy Virgin! If all the windows in the monastery were as dear, the monks might grow fat!" cried the count. "A Swabian heart remains half Swabian, even when it beats under a Spanish doublet. Its luck, Turk's luck, that I followed Floyon;--and your old father, Adam? And Ruth--what a pleasure!"

"You ought to know . . . my father is dead, died long, long ago!" said Ulrich, lowering his eyes.

"Dead!" exclaimed the other. "And long ago? I saw him at the anvil three weeks since."

"My father? At the anvil? And Ruth? . . ." stammered Ulrich, gazing at the other with a pallid, questioning face.

"They are alive, certainly they are alive! I met him again in Antwerp. No one else can make you such armor. The devil is in it, if you hav'nt heard of the Swabian armorer."

"The Swabian--the Swabian--is he my father?"

"Your own father. How long ago is it? Thirteen years, for I was then sixteen. That was the last time I saw him, and yet I recognized him at the first glance. True, I shall never forget the hour, when the dumb woman drew the arrow from the Jew's breast. The scene I witnessed that day in the forest still rises before my eyes, as if it were happening now."

"He lives, they did not kill him!" exclaimed the Eletto, now first beginning to rejoice over the surprising news. "Lips, man--Philipp! I have found my mother again, and now my father too. Wait, wait! I'll speak to the lieutenant, he must take my place, and you and I will ride to Lier; there you will tell me the whole story. Holy Virgin! thanks, a thousand thanks! I shall see my father again, my father!"

It was past midnight, but the schoolmates were still sitting over their wine in a private room in the Lion at Lier. The Eletto had not grown weary of questioning, and Count Philipp willingly answered.

Ulrich now knew what death the doctor had met, and that his father had gone to Antwerp and lived there as an armorer for twelve years. The Jew's dumb wife had died of grief on the journey, but Ruth was living with the old man and kept house for him. Navarrete had often heard the Swabian and his work praised, and wore a corselet from his workshop.

The count could tell him a great deal about Ruth. He acknowledged that he had not sought Adam the Swabian for weapons, but on account of his beautiful daughter. The girl was slender as a fir-tree! And her face! once seen could never be forgotten. So might have looked the beautiful Judith, who slew Holophernes, or Queen Zenobia, or chaste Lucretia of Rome! She was now past twenty and in the bloom of her beauty, but cold as glass; and though she liked him on account of his old friendship for Ulrich and the affair in the forest, he was only permitted to look at, not touch her. She would rejoice when she heard that Ulrich was still alive, and what he had become. And the smith, the smith! Nay, he would not go home now, but back to Antwerp to be Ulrich's messenger! But now he too would like to relate his own experiences.

He did so, but in a rapid, superficial way, for the Eletto constantly reverted to old days and his father. Every person whom they had both known was enquired for.

Old Count Frohlinger was still alive, but suffered a great deal from gout and the capricious young wife he had married in his old age. Hangemarx had grown melancholy and, after all, ended his life by the rope, though by his own hand. Dark-skinned Xaver had entered the priesthood and was living in Rome in high esteem, as a member of a Spanish order. The abbot still presided over the monastery and had a great deal of time for his studies; for the school had been broken up and, as part of the property of the monastery had been confiscated, the number of monks had diminished. The magistrate had been falsely accused of embezzling minors' money, remained in prison for a year and, after his liberation, died of a liver complaint.

Morning was dawning when the friends separated. Count Philipp undertook to tell Ruth that Ulrich had found his mother again. She was to persuade the smith to forgive his wife, with whose praises her son's lips were overflowing.

At his departure Philipp tried to induce the Eletto to change his course betimes, for he was following a dangerous path; but Ulrich laughed in his face, exclaiming: "You know I have found the right word, and shall use it to the end. You were born to power in a small way; I have won mine myself, and shall not rest until I am permitted to exercise it on a great scale, nay, the grandest. If aught on earth affords a taste of heavenly joy, it is power!"

In the camp the Eletto found the troops from Aalst prepared for departure, and as he rode along the road saw in imagination, sometimes his parents, his parents in a new and happy union, sometimes Ruth in the full splendor of her majestic beauty. He remembered how proudly he had watched his father and mother, when they went to church together on Sunday, how he had carried Ruth in his arms on their flight; and now he was to see and experience all this again.

He gave his men only a short rest, for he longed to reach his mother. It was a glorious return home, to bring such tidings! How beautiful and charming he found life; how greatly he praised his destiny!

The sun was setting behind pleasant Aalst as he approached, and the sky looked as if it was strewn with roses.

"Beautiful, beautiful!" he murmured, pointing out to his lieutenant the brilliant hues in the western horizon.

A messenger hastened on in advance, the thunder of artillery and fanfare of music greeted the victors, as they marched through the gate. Ulrich sprang from his horse in front of the guildhall and was received by the captain, who had commanded during his absence.

The Eletto hastily described the course of the brilliant, victorious march, and then asked what had happened.

The captain lowered his eyes in embarrassment, saying, in a low tone: "Nothing of great importance; but day before yesterday a wicked deed was committed, which will vex you. The woman you love, the camp sibyl. . . ."

"Who? What? What do you mean?"

"She went to Zorrillo, and he--you must not be startled--he stabbed her."

Ulrich staggered back, repeating, in a hollow tone "Stabbed!" Then seizing the other by the shoulder, he shrieked: "Stabbed! That means murdered-killed!"

"He thrust his dagger into her heart, she must have died as quickly as if struck by lightning. Then Zorrillo went away, God knows where. Who could suspect, that the quiet man. . . ."

"You let him escape, helped the murderer get off, you dogs!" raved the wretched man. "We will speak of this again. Where is she, where is her body?"

The captain shrugged his shoulders, saying, in a soothing tone: "Calm yourself, Navarrete! We too grieve for the sibyl; many in the camp will miss her. As for Zorrillo, he had the password, and could go through the gate at any hour. The body is still lying in his quarters."

"Indeed!" faltered the Eletto. Then calming himself, he said, mournfully: "I wish to see her."

The captain walked silently by his side and opened the murderer's dwelling.

There, on a bed of pine-shavings, in a rude coffin made of rough planks, lay the woman who had given him birth, deserted him, and yet who so tenderly loved him. A poor soldier's wife, to whom she had been kind, was watching beside the corpse, at whose head a singly brand burned with a smoky, yellow light. The little white dog had found its way to her, and was snuffing the floor, still red with its mistress's blood.

Ulrich snatched the brand from the bracket, and threw the light on the dead woman's face. His tear-dimmed eyes sought his mother's features, but only rested on them a moment--then he shuddered, turned away, and giving the torch to his companion, said, softly: "Cover her head."

The soldier's wife spread her coarse apron over the face, which-had smiled so sweetly: but Ulrich threw himself on his knees beside the coffin, buried his face, and remained in this attitude for many minutes.

At last he slowly rose, rubbed his eyes as if waking from some confused dream, drew himself up proudly, and scanned the place with searching eyes.

He was the Eletto, and thus men honored the woman who was dear to him!

His mother lay in a wretched pauper's coffin, a ragged camp-follower watched beside her--no candles burned at her head, no priest prayed for the salvation of her soul!

Grief was raging madly in his breast, now indignation joined this gloomy guest; giving vent to his passionate emotion, Ulrich wildly exclaimed:

"Look here, captain! This corpse, this woman--proclaim it to every one--the sibyl was my mother yes, yes, my own mother! I demand respect for her, the same respect that is shown myself! Must I compel men to render her fitting honor? Here, bring torches. Prepare the catafalque in St. Martin's church, and place it before the altar! Put candles around it, as many as can be found! It is still early! Lieutenant! I am glad you are there! Rouse the cathedral priests and go to the bishop. I command a solemn requiem for my mother! Everything is to be arranged precisely as it was at the funeral of the Duchess of Aerschot! Let trumpets give the signal for assembling. Order the bells to be rung! In an hour all must be ready at St. Martin's cathedral! Bring torches here, I say! Have I the right to command--yes or no? A large oak coffin was standing at the joiner's close by. Bring it here, here; I need a better death-couch for my mother. You poor, dear woman, how you loved flowers, and no one has brought you even one! Captain Ortis, I have issued my commands! Everything must be done, when I return;--Lieutenant, you have your orders!"

He rushed from the death-chamber to the sitting-room in his own house, and hastily tore stalks and blossoms from the plants. The maid-servants watched him timidly, and he harshly ordered them to collect what he had gathered and take them to the house of death.

His orders were obeyed, and when he next appeared at Zorrillo's quarters, the soldiers, who had assembled there in throngs, parted to make way for him.

He beckoned to them, and while he went from one to another, saying: "The sibyl was my mother--Zorrillo has murdered my mother," the coffin was borne into the house.

In the vestibule, he leaned his head against the wall, moaning and sighing, until Florette was laid in her last bed, and a soldier put his hand on his shoulder. Then Ulrich strewed flowers over the corpse, and the joiner came to nail up the coffin. The blows of the hammer actually hurt him, it seemed as if each one fell upon his own heart.

The funeral procession passed through the ranks of soldiers, who filled the street. Several officers came to meet it, and Captain Ortis, approaching close to the Eletto, said: "The bishop refuses the catafalque and the solemn requiem you requested. Your mother died in sin, without the sacrament. He will grant as many masses for the repose of her soul as you desire, but such high honors. . . ."

"He refuses them to us?"

"Not to us, to the sibyl."

"She was my mother, your Eletto's mother. To the cathedral, forward!"

"It is closed, and will remain so to-day, for the bishop. . . ."

"Then burst the doors! We'll show them who has the power here."

"Are you out of your senses? The Holy Church!"

"Forward, I say! Let him who is no cowardly wight, follow me!"

Ulrich drew the commander's baton from his belt and rushed forward, as if he were leading a storming-party; but Ortis cried: "We will not fight against St. Martin!" and a murmur of applause greeted him.

Ulrich checked his pace, and gnashing his teeth, exclaimed: "Will not? Will not?" Then gazing around the circle of comrades, who surrounded him on all sides, he asked: "Has no one courage to help me to my rights? Ortis, de Vego, Diego, will you follow me, yes or no?"

"No, not against the Church!"

"Then I command you," shouted the Eletto, furiously. "Obey, Lieutenant de Vega, forward with your company, and burst the cathedral doors."

But no one obeyed, and Ortis ordered: "Back, every man of you! Saint Martin is my patron saint; let all who value their souls refuse to attack the church and defend it with me."

The blood rushed to Ulrich's brain, and incapable of longer self-control, he threw his baton into the ranks of the mutineers, shrieking: "I hurl it at your feet; whoever picks it up can keep it!"

The soldiers hesitated; but Ortis repeated his "Back!" Other officers gave the same order, and their men obeyed. The street grew empty, and the Eletto's mother was only followed by a few of her son's friends; no priest led the procession. In the cemetery Ulrich threw three handfuls of earth into the open grave, then with drooping head returned home.

How dreary, how desolate the bright, flower-decked room seemed now, for the first time the Eletto felt really deserted. No tears came to relieve his grief, for the insult offered him that day aroused his wrath, and he cherished it as if it were a consolation.

He had thrown power aside with the staff of command. Power! It too was potter's trash, which a stone might shatter, a flower in full bloom, whose leaves drop apart if touched by the finger! It was no noble metal, only yellow mica!

The knocker on the door never stopped rapping. One officer after another came to soothe him, but he would not even admit his lieutenant.

He rejoiced over his hasty deed. Fortune, he thought, cannot be escaped, art cannot be thrown aside; fame may be trampled under foot, yet still pursue us.

Power has this advantage over all three, it can be flung off like a worn-out doublet. Let it fly! Had he owed it the happiness of the last few weeks? No, no! He would have been happy with his mother in a poor, plain house, without the office of Eletto, without flowers, horses or servants. It was to her, not to power, that he was indebted for every blissful hour, and now that she had gone, how desolate was the void in his heart!

Suddenly the recollection of his father and Ruth illumined his misery like a sunbeam. The game of Eletto was now over, he would go to Antwerp the next day.

Why had fate snatched his mother from him just now, why did it deny him the happiness of seeing his parents united? His father--she had sorely wronged him, but for what will not death atone? He must take him some remembrance of her, and went to her room to look through her chest. But it no longer stood in the old place--the owner of the house, a rich matron, who had been compelled to occupy an attic-room, while strangers were quartered in her residence, had taken charge of the pale orphan and the boxes after Florette's death.

The good Netherland dame provided for the adopted child and the property of her enemy, the man whose soldiers had pillaged her brothers and cousins. The death of the woman below had moved her deeply, for the wonderful charm of Florette's manner had won her also.

Towards midnight Ulrich took the lamp and went upstairs. He had long since forgotten to spare others, by denying himself a wish.

The knocking at the door and the passing to and fro in the entry had kept Frau Geel awake. When she heard the Eletto's heavy step, she sprang up from her spinning-wheel in alarm, and the maid-servant, half roused from sleep, threw herself on her knees.

"Frau Geel!" called a voice outside.

She recognized Navarrete's tones, opened the door, and asked what he desired.

"It was his mother," thought the old lady as he threw clothes, linen and many a trifle on the floor. "It was his mother. Perhaps he wants her rosary or prayer book. He is her son! They looked like a happy couple when they were together. A wild soldier, but he isn't a wicked man yet."

While he searched she held the light for him, shaking her head over the disorder among the articles where he rummaged.

Ulrich had now reached the bottom of the chest. Here he found a valuable necklace, booty which Zorrillo had given his companion for use in case of need. This should be Ruth's. Close beside it lay a small package, tied with rose-pink ribbon, containing a tiny infant's shirt, a gay doll, and a slender gold circlet; her wedding-ring! The date showed that it had been given to her by his father, and the shirt and doll were mementos of him, her darling--of himself.

He gazed at them, changing them from one hand to the other, till suddenly his heart overflowed, and without heeding Frau Geel, who was watching him, he wept softly, exclaiming: "Mother, dear mother!"

A light hand touched his shoulder, and a woman's kind voice said: "Poor fellow, poor fellow! Yes, she was a dear little thing, and a mother, a mother--that is enough!"

The Eletto nodded assent with tearful eyes, and when she again gently repeated in a tone of sincere sympathy, her "poor fellow!" it sounded sweeter, than the loudest homage that had ever been offered to his fame and power.

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