Chapter XXV…

Chapter XXV

A great number of persons had collected during the night on the quay near Nesptah's inn. The crowd was increasing every minute, and in spite of the intense heat, not a Memphite could bear to stop within doors, Men, women and children were flocking to the scene of the festival; they came in thousands from the neighboring towns, hamlets and villages, to witness the unprecedented sacrifice which was to put an end to the misery of the land. Who had ever heard of such a marriage? What a privilege, what a happiness, to be so fortunate as to see it!

The senate had not been idle and had done all in their power to surround it with magnificence and to enable as many as possible to enjoy the pageant, which had been planned with a lavish hand and liberal munificence.

Round the cove by Nesptah's inn a semi-circular wooden stand had been constructed, on which thousands found seats or standing-room. Stalls furnished with hangings were erected in the middle of the tribune for the authorities and their families as well as for the leading Arab officials, and arm-chairs were placed in them for the Vekeel, for the Kadi, for the head of the senate, for old Horapollo and also for the Christian priesthood, though it was well known that they would not be present at the ceremony.

The lower classes, who could not afford to pay for admission to these seats, had established themselves on the banks of the river; wandering dealers had followed them, and wherever the crowd was densest they had displayed their wares--light refreshments or solid food--on two-wheeled trucks, or on little carpets spread on the ground. In the tribune itself the cries of the water-sellers were incessant as they offered filtered Nile water and fruit syrups for sale.

The parched tops of the palms, where turtle doves, lapwings and sparrow-hawks were wont to perch, were crowded with the vagabond boys of the town, who whiled away the time by pulling the withered and diseased dates from the great clumps and flinging them down on the bystanders below, till the guard took aim at them with their arrows and stopped the game.

The centre of attraction to all eyes was a wooden platform or pontoon, built far out into the stream; from thence the bride was to be flung into the watery embrace of the expectant bridegroom. Here the masters of the ceremonies had put forth their best efforts, and it was magnificently decorated with hangings and handkerchiefs, palm-leaves and flags; with heavy garlands of tamarisk and willow, mingled with bright blossoms of the lotos and mallow, lilies and roses; with devices emblematic of the province, and other gilt ornaments. Only the furthest end of it was unadorned and without even a railing, that there might be nothing to intercept the view of the "marriage."

Three hours before noon none were absent but those whose places were secured, and ere long curiosity brought them also to the spot. The town-watch found it required all their efforts to keep the front ranks of the people from being pushed into the river by those behind; indeed, this accident could not be everywhere guarded against; but, thanks to the shallow state of the water, no one was the worse. But the cries of those who were in danger nevertheless drowned the music of the bands performing on raised platforms and the shouts of applause which rose on all sides to hail Horapollo--who was here, there, everywhere on his white ass as brisk as a lad--or to greet some leading official.

And now and again loud cries of anguish were heard, or the closely-packed throng parted with exclamations of horror. A citizen had had a sunstroke, or had been seized by the plague. Then the fugitives dragged others away with them; screaming mothers trying to save their little ones from the crush on one hand and the contagion on the other, oversetting one dealer's truck, smashing the eggs and cakes of another. A whole party were pushed into a deep but half-dried up water-course; the guardians of the peace flourished their staves, yelling and making their victims yell in their efforts to restore order--but all this hardly affected the vast body of spectators, and suddenly peace reigned, the confusion subsided, the shrieks were silenced. Those who were doomed might fall or die, be crushed or plague-stricken. Trumpet calls and singing were heard approaching from the town: the procession, the Bridal procession was coming! Not a man but would have perished rather than be deprived of seeing a single act of this stupendous drama.

Those Arabs--what fools they were! Besides the Vekeel only three of their magnates were present, and those men whom no one knew. Even the Kadi was nowhere to be seen; and he must have forbidden the Moslem women to come, for not a single veiled beauty of the harem was visible. Not one Egyptian woman would have failed to appear if the plague had not kept so many imprisoned in their houses. Such a thing would never be seen again; this day's doings would be a tale to tell to future great-grandchildren!

The music and singing came nearer and nearer; and it did not indeed sound as if it were escorting a hapless creature to a fearful end. Blast after blast rang out from the trumpets, filling the air with festive defiance; cheerful bridal songs came nearer and nearer to the listeners, the shrill chorus of boys and maidens sounding above the deeper and stronger chant of youths and men of all ages; flutes piped a gay invitation to gladness; the dull roar of drums muttered like the distant waves in time to a march, broken by the clang of cymbals and the tinkle of bells hung around tambourines held high by girlish hands which struck, rattled and waved them above their flowing curls; lute players discoursed sweet music on the strings; and as this vast tide of mingled tones came closer, behind it there was still more music and more song.

To the ear the procession seemed endless, and the eye soon confirmed the impression.

All were listening, gazing, watching to see the Bride and her escort. Every eye seemed compelled to turn in the same direction; and presently there came: first the trumpeters on spirited horses, and these ranged themselves on each side of the road by the shore leading to the scene of the "marriage." In front of them the choir of women took their stand to the left and, on the right, the men who had marched after them. All alike were arrayed in light sea-green garments, and loaded with lotos-flowers. The women's hair, twined with white blossoms, flowed over their shoulders; the men carried bunches of papyrus and reeds;--they represented river gods that had risen from the stream.

Then came boys and bearded men, in white robes, with panther-skins on their shoulders, as the heathen priests had been wont to wear them. They were headed by two old men with long white beards, one holding a silver cup and the other a golden one, ready to fling them into the waves as a first offering, according to the practise of their forefathers, as Horapollo had described and ordered it. These went on to the pontoon, to its farthest end, and took their place on one side of the platform whence the Bride was to be cast into the river. Behind them came a large troop of flute-players and drummers, followed by fifty maidens holding tambourines, and fifty men all dressed and carrying emblems as followers of Dionysus, or Osiris-Bacchus, who had been worshipped here in the time of the Romans; with these came the drunken Silenus, goathoofed Satyrs and Pan, with his reed-pipes, all riding grey asses strangely bedaubed with yellow.

Then followed giraffes, elephants, ostriches, antelopes, gazelles; even some tamed lions and panthers were led past the wondering crowd; for this had been done in the famous procession in honor of the second Ptolemy, described by Callixenus of Rhodes.

Next came a large car drawn by twelve black horses, and on it a symbolical group of Famine and Pestilence overthrown; they were surrounded by shrieking black children, with pointed wings on their shoulders and horns on their foreheads, bound to stakes to represent the hosts of hell--a performance which they tried to make at once ghastly and droll.

On another car the Goddess of the Inundation was to be seen. She sat amid sheaves, fruits, and garlands of vine; while round her were groups of children with apples and corn, pomegranates and bunches of dates, wine-jars and cups in their hands.

Presently there appeared in a large shell, as though lounging in a bath, the goddess of health; she was drawn by eight snow-white horses, and held in one hand a golden goblet and in the other a caduceus. After her came the river-god Nile, the bridegroom of the marriage, studied from the famous statue carried away from Alexandria by the Romans: a splendid and mighty bearded man, resting against an urn. Sixteen naked children--the sixteen ells that the river must rise for its overflow to bless the land--played round his herculean form, and a bridal wreath of lotos-flowers crowned his flowing locks. This car, which was decorated with crocodiles, sheaves, dates, grapes, and shells, was hailed with shouts of enthusiasm; it was escorted by old men in the costume of the heathen priesthood.

Behind this came more music and singers, with a troop of young men and maidens led by lute-players singing. These too were dressed as the genie, and nymphs of the river and were the groomsmen and bridesmaids in attendance on the betrothed.

The longer the procession lasted and the nearer the looked-for victim approached, the more eagerly attent were the gazing multitude.

When this group of youths and maidens had gone by, there was hardly a sound to be heard in the tribune and among the crowd. No one felt the fierce heat of the sun, no one heeded the thirst that parched every tongue; all eyes were bent in one direction; only the black Vekeel, whose colossal form towered up where he stood, occasionally sent a sinister and anxious glance towards the town. He expected to see smoke rising from the quarter near the prison, and suddenly his lips parted and he displayed his dazzlingly white teeth in a scornful laugh. That which he looked for had come to pass; the little grey cloud which he discerned grew blacker, and then, in the heart of it, rose a crimson glow which did not take its color from the sun. But of all those thousands he was the only one who looked behind him and observed it.

The bride's attendants had by this time taken their station on the pontoon; here came another band of youths with panther skins on their shoulders; and now--at last, at last--a car came swaying along, drawn by eight coal-black oxen dressed with green ostrich-feathers and water-plants.

The car was shaded by a tall canopy, supported by four poles, against which leaned four men in the robes of the heathen priesthood; this awning was lavishly decorated with wreaths of lotos and reeds, and fenced about with papyrus, bulrushes, tall grasses and blossoming river-weeds. Beneath it sat the queen of the festival--the Bride of the Nile.

Robed in white and closely veiled, she was quite motionless. Her long, thick brown hair fell over her shoulders; at her feet lay a wreath, and rare rose-colored lotos-flowers were strewn on the car.

The bishop had been sitting at her side, the first Christian priest, certainly, of all the swarms of monks and ecclesiastics in Memphis, who had ever appeared at such a scene of heathen abomination. He was now standing, looking down at the crowd with a deeply knit brow and menacing gaze. What good had come of the penitential sermons in all the churches, of his and his vicar's warnings and threats? In spite of all remonstrance he had mounted the car with the condemned victim, after administering the last consolations to her soul. It might cost him his life, but he would keep his promise.

In her hand Paula held two roses: one was Orion's last greeting delivered by Martina; the other Pulcheria had brought her early in the morning. Yesterday, in a lucid moment, her dying father had given her his fondest blessing, little knowing what hung over her; to-day he had not come to himself, and had neither noticed nor returned her parting kiss. Quite unconscious, he had been moved from the prison out of doors and to the house of Rufinus. Dame Joanna would not forego the privilege of giving him a resting-place and taking care of him till the end.

Orion's last note was placed in Paula's hands just before she set out; it informed her that his task was now successfully ended. He had been told that it was to-morrow, and not to-day, that the hideous act would be accomplished; and it was a consolation to her to know that he was spared the agony of following her in fancy in her fearful progress.

She had allowed the women who came to clothe her in bridal array to perform their task; among them was Emau, the chief warder's wife, and her overflowing compassion had done Paula good. But even in the prison-yard she had felt it unendurable to exhibit herself decked in her bridal wreaths to the gaping multitude; she had torn them from her and thrown them on the ground.

How long--how interminably long--had the road to the river appeared; but she had never raised her eyes to look at the curious crowd, never ceased lifting up her heart in prayer; and when her proud blood boiled, or despair had almost taken possession of her, she had grasped the bishop's hand and he had never wearied of encouraging her and exhorting her to cling to love and faith, and not even yet abandon all hope.

Thus they at last reached the pontoon at whose further end life would begin for her in another world. The shouts of the crowd were as loud, as triumphant, as expectant as ever; music and singing mingled with the roar of thousands of spectators; she allowed herself to be lifted from the car as though she were stunned, and followed the young men and maidens who formed the bridal train, and in alternate choruses sang the finest nuptial song of Sappho the fair Lesbian.

The bishop now made an attempt to address the people, but he was soon reduced to silence. So he once more joined Paula, and hand in hand they went on to the pier.

All she had in her of strength, pride, and heroic courage she summoned to her aid to enable her to walk these last few paces with her head erect, and without tottering; she had gone half way along the wooden structure, with a mien as lofty and majestic as though she were marching to command the obedience of the mob, when hoofs came thundering after her on the boards.

Old Horapollo, on his white ass, had overtaken her and stopped her on her road. Breathless, bathed in perspiration, scornful and triumphant, he desired her to remove her veil, and ordered the bishop to leave her and give up his place to the man who represented Father Nile--a gigantic farrier who followed him, somewhat embarrassed in his costume, but very ready to perform his part to the end.

The priest and Paula, however, refused to obey. At this the old man tore the veil from her face and signed to the Nile-God; he stepped forward and assumed his rights, after bowing respectfully to the prelate--who was forced to make way--and then led the Bride to the end of the platform. Here the two elders who had headed the procession in honor of Bacchus, cast the gold cups as offerings into the river, and then a lawyer, in the costume of a heathen priest, proceeded to expound, in a well-set speech, the meaning of this betrothal and sacrifice. He took Paula's hand to place in that of the farrier, who made ready to cast her into the river for which he stood proxy.

But an obstacle intervened before he could do so. A large and splendid barge had drawn up close to the platform, and shouts were heard from the tribune and from the mob which had till now looked on in breathless suspense and profound silence:

"Susannah's barge!"

"Look at the Nile, look at the river!"

"It is the water-wagtail--Philammon's rich heiress!"

"A pretty sight!"

"Another Bride--a second Bride!"

And the gaze of the multitude was now, as one eye, fixed on Katharina.

Susannah's handsome barge had been passing up and down near the platform for the last hour, and the guards on duty had several times desired that it was to be kept at a distance from the scene of the "marriage;" but in vain; and they in their little boats were not strong enough to take active measures against the larger vessel manned by fifty rowers. It had now steered quite close to the pontoon, and the splendid gilding and carving, the tall deck-house supported on silver pillars, and the crimson embroidered sails would have been a gorgeous feast for the eye, but that the black flag floating from the mast gave it a melancholy and gloomy aspect.

Within the cabin Katharina had made her waiting-women dress her in white and deck her with white flowers-myrtle, roses and lotos; but she vouchsafed no reply to their anxious enquiries.

The maid who fastened the flowers on her bosom could feel her mistress's heart beating under her hand, and the lotos-blossoms which drooped from her shoulder rose and fell as though they were already rocking on the waves of the Nile. Her lips, too, never ceased moving, and her cheeks were as pale as death.

"What is she going to do?" her attendants asked each other.

Her mother dead only yesterday, and now she chose to be present at this ceremonial, desiring the steersman to run close to the platform and keep near to it, where all the world could see her. But she evidently wished to display herself to the people in all her finery and be admired, for she presently went up on the roof of the deck-house. And she looked lovely, as lovely as a guileless angel, as she mounted the steps with childlike diffidence-timidly, but with wide open eyes, as though something grand was awaiting her there--something she had long yearned for with her whole heart.

Anubis had to help her up the last steps, for her knees gave way; but once at the top she sent him down again to remain below with the others, as she wished to be alone. The lad was accustomed to obey; and Katharina now stepped on a seat close to the side of the boat, turned to Paula, whom she was now rapidly approaching, and held out to her and the bishop two tall lily-stems covered with splendid blossoms. At the very moment when the farrier was measuring by eye the distance between the platform and the barge, and had judged it impossible to cast the Bride into the stream till the vessel had moved on, Katharina cried out:

"Reverend Father John--and all of you! Take me, me and not the daughter of Thomas! It is I, not she--I am the true Bride of the Nile. Of my own free will--hear me, John!--of my own free will I am ready to give my life for my hapless land and the misery of the people, and the patriarch said that such a sacrifice as mine would be acceptable to Heaven. Farewell! Pray for me!--Lord have mercy upon me! Mother, dear Mother, I am coming to you!"

Then she called to the steersman: "Put out from the platform!" and as soon as a few strokes of the oars had carried the barge into the deeper channel she stepped nimbly on to the edge of the bulwark, dropped the lilies into the river, and then with a smile, her head gracefully bent on one side and her skirt modestly held round her, she slipped into the water.

The waves closed over her; but she was a good swimmer and could not help coming once to the surface. Her expression was that of a bather enjoying the cool fresh water that laved and gurgled round her. Perhaps the wild storm of applause, the mingled cries of horror, compassion and thanksgiving that went up from the assembled thousands once more reached her ear--but she dived head foremost to rise no more.

The "River-God," a good-hearted man, who in his daily life could never have let a fellow-creature drown under his very eyes, forgot his part, released Paula, and sprang after Katharina, as did Anubis and a few boatmen; but they could not reach her, and the boy, who found swimming difficult with his crippled leg followed the girl to whom his young heart was wholly devoted to a watery death.

Her speech had reached no ears but those to whom it was addressed; but before she was lost in the waters Bishop John turned to the people, took Paula's hand--and she felt free once more when her terrible bridegroom had deserted her--and holding up the Crucifix which hung at his girdle he shouted loudly:

"Behold the desires of our holy Father Benjamin, by whom God himself speaks to you, have met with fulfilment. A pure and noble Jacobite maiden, of her own free and beautiful impulse, has sacrificed herself after the example of the Saviour, for the sufferings of her nation, before your eyes. This one," and he drew Paula to him, "this one is free; the Nile has had his victim!"

But almost before he had done speaking--before the people could proclaim their vote--Horapollo had rushed at him and interrupted him. He had dismounted from his ass during the earlier part of the proceedings, and, not to let his prey escape, he now came between Paula and the bishop, grasped her dress and cried to the chorus of youths:

"Come on--at once! One of you take the part of the Nile-God--into the river with the Bride!" The bishop however forced himself between the speaker and the girl to protect her. But Horapollo flew into a fury and rushed at the prelate to snatch away the image of the Saviour, while John exclaimed in a voice of ominous thunder: "Anathema!"

This word of fear roused the Christian blood in the Egyptians; the sacrilegious attempt stirred the zeal which they had proved in many a struggle, and which had only been kept under by an effort during these times of trouble: the leader of the choir dragged the old man away and took part with the bishop. Others followed his example, while several, on the contrary, sided with old Horapollo who clung tightly to Paula, preferring to die himself rather than allow her to escape his hatred and vengeance.

At this moment the clang of bells was heard from the town with a terrific and unaccountable uproar, and a young man was seen forcing his way through the throng, a naked sword in his hand, and in spite of his torn garments, his wild hair, and his blackened face, he was at once recognized as Orion. Every one made way for him, for he rushed on like a madman; as he reached the pontoon and took in at a glance what was going forward there, he sprang past the mummers with mighty leaps to the platform, pushing aside sundry groups of fighting champions; and before the principal actors were aware of his presence, he had snatched Paula from the old man's clutch, and called her by her name. She sank on his breast half-fainting with terror, surprise and unspeakable rapture, and he clasped her to him with his left arm, while the flashing sword in his right hand and his flaming looks warned all bystanders that it would be as wise to attack a lioness defending her young as to defy this desperate man, who was prepared to face death with the woman he loved.

His push had sent Horapollo tottering to some distance; and when the old man had pulled himself together, to throw himself once more on his victim, he found himself the centre of a fight. A wild troop had followed Orion and beset the struggling mob, whom they presently drove over the edge of the pontoon into the river, and with them Horapollo. Most of these saved themselves by swimming, but the old man sank, and nothing more was seen of him but his clenched fist, which rose in menace for some minutes above the waters.

Meanwhile the Vekeel had become aware of what was going forward on the platform; he leaped in fury from his seat to restore order, intending to seize Orion whom he fancied he had seen, or, if necessary to cut him down with his own hand.

But a vast multitude stopped his progress, for a fearful horde of released prisoners with Orion at their head had come rushing down to the scene of the festival yelling: "Fire! the prison is burning, the town is in flames!"

Every one who could run fled at once to Memphis to save his house, his possessions and those dear to him. Like a flock of doves scared by the scream of a hawk, like autumn leaves driven before the wind, the multitude dispersed. They hurried back to the town in wild tumult and inextricable confusion, jumping into the festal cars, cutting loose the horses from that of the goddess of health, to mount them and ride home, overthrowing everything that stood in their way and dragging back the Vekeel who was striving, sword in hand, to get to the pontoon.

The smoke and flames of the city were rising every moment, and acted like magic in spurring the flying crowd to reach their homes in time. But, before Obada had succeeded in his efforts, the pushing throng were once more brought to a standstill; horses were heard approaching. Dense masses of dust hid them and their riders; but it was certainly an armed troop that was coming clattering onwards, for flashing gleams were seen here and there through the dull clouds that shrouded them, the reflection of the sun's bright rays from polished and glittering helmets, breast-plates, and sabres.

Now they were visible even where the Vekeel was. Foremost rode the Kadi, and just as he came up with Obada he sprang from the saddle on to the wooden structure, and with a loud cry of: "Free-saved!" in which all the joy of his heart found utterance, he stretched out both his hands to Paula, who was advancing towards the shore clinging closely to Orion.

Othman did not observe the Vekeel, who was but a few paces distant. The words "Free!" "Saved!" from the supreme judge, gave the negro to understand that a pardon must have arrived for his youthful foe, and this of course implied the condemnation of his own proceedings. All his hopes were wrecked, for this meant that Omar still ruled and that the attempt on the Khaliff's life had failed. Dismissal, punishment or death must be his doom, when Amru should return. Still, he would not succumb till the instrument of his ruin had preceded him to the grave. Taking the Kadi by surprise he thrust him aside, and prepared to deal a fearful blow that should fell Orion before he himself should fall. But the captain of the body-guard, who had followed Othman, had watched his movements: Swift as lightning he rose in his saddle and swung his cimeter, which cut deep into the Vekeel's neck. With a hideous curse Obada let his arm drop, and fell struggling for his last breath at the feet of the newly united couple.

The populace afterwards declared that his blood was not red like that of other men, but black like his skin and his soul. They had good cause to curse his memory, for his villainy had reduced more than half Memphis to ashes that day, and brought the city to beggary.

He had hired two venial wretches to set fire to the prison while the festival was proceeding, with a view to suffocating Orion in his cell; but the gang were detected and all the prisoners were released in time. Thus the young man had been able to reach the scene of the ceremonial at the head of his fellow-captives. The fire, however, had gained the upper hand in the deserted town. It had spread from house to house along the sun-scorched streets, and next day nothing remained of the city of the Pyramids but the road along the shore, and a few wretched alleys. The ancient Capital of the Pharaohs was reduced to a village, and the houseless residents moved across to the eastern bank, to people as Moslems the newly-founded town of Fostat, or sought a home on Christian territory.

Among the houses that had escaped was that of Rufinus, and thither the Kadi escorted Orion and Paula. It was to serve as their prison till the return of Amru, and there they spent delightful days in the society of their friends, and there Thomas was so happy as to clasp his children to his heart once more, and bless them before he died.

A few minutes before the Kadi had reached the scene of the festival two carrier pigeons had arrived, each bearing the Arab governor's commands that the sacrifice of Paula was at any rate to be stopped, and her life spared till his return. He also reserved the right of deciding Orion's fate.

Mary and Rustem had met Amru at Berenice, on the Egyptian coast of the Red Sea. This decaying sea-port was connected with Medina by a pigeon-post, and in reply to his viceroy's enquiry with reference to the victim about to be offered by the despairing Egyptians to the Nile, Omar had sent a reply which had been immediately forwarded to the Kadi.

The burning of their town had brought new and fearful suffering on the stricken Memphites, and notwithstanding Katharina's death the Nile still did not rise. The Kadi therefore once more summoned a meeting of all the inhabitants from both sides of the river, three days after the interrupted marriage-festival. It was held under the palms by Nesptah's inn, and there he proclaimed to the multitude, Moslem and Christian, by means of the Arab herald and Egyptian interpreter, what the Khaliff commanded him to declare, namely: that God, the One, the All-merciful, scorned human sacrifice. In this firm conviction he, Omar, would beseech Allah the Compassionate, and he sent a letter which was to be cast into the river in his name.

And this letter was addressed:

"To the River of Egypt." And its contents were as follows:

"If thou, O River, flowest of thyself, then swell not; but if it be God, the One, the Compassionate, that maketh thee to flow, then we entreat the All-merciful that he will bid thee rise!"

"That which is not of God," wrote Amru in the letter which enclosed Omar's, "what shall it profit men? But all things created are by Him, and so is your noble river. The Most High will hearken to Omar's prayers and ours, and I therefore command that all of you--Moslems, Christians, and Jews, shall gather together in the Mosque on the other side of the Nile which I have built to the glory of the All-merciful, and that you there lift up your souls in one great common prayer, to the end that God may hear you and take pity on your sufferings!"

And the Kadi bid all the people to go across the Nile and they obeyed his bidding. Bishop John called on his clergy and marched at their head, leading the Christians; the priests and elders of the Jews led their people next to the Jacobites; and side by side with these the Moslems gathered in the magnificent pillared sanctuary of Amru, where the three congregations of different creeds lifted up, their hearts and eyes and voices to the pitying Father in Heaven.

And this very Mosque of Amru has more than once been the scene of the same sublime spectacle; even within the lifetime and before the eyes of the narrator of this tale have Moslems, Christians, and Jews united there in one pious prayer, which must have been acceptable indeed in the ears of the Lord.

Not long after the letter from the Khaliff Omar had been cast into the Nile, and the prayer of the united assembly had gone up to Heaven from the Mosque of Armu, a pigeon came in announcing a sudden rise in the waters at the cataracts; and after some still anxious but hopeful days of patience, the Nile swelled higher and yet higher, overflowed its banks, and gave the laborer a right to look forward to a rich harvest; and then, when a heavy storm of rain had laid the choking dust, the plague, too, disappeared.

Just when the river was beginning to rise perceptibly Amru returned; bringing in his train little Mary and Rustem, Philippus the leech and Haschim, who had joined the governor's caravan at Djidda.

In the course of their journey they received news of all that had been happening at Memphis, and when the travellers were approaching their last night-quarters, and the Pyramids were already in sight, the governor said to little Mary:

"What do you say little one? Do we not owe the Memphites the treat of a splendid marriage festival?"

"No, my lord, two," replied the child.

"How is that?" laughed Amru, "You are too young and do not count yet, and I know no other maiden in Memphis whose wedding I should care to provide for."

"But there is a man towards whom you feel most kindly, and who lives as lonely as a recluse. I should like to see him married, and at the same time as Orion and Paula. I mean our good friend Philippus."

"The physician? And is he still unwed?" asked Amru in surprise; for no Moslem of the leech's age and position could remain unmarried without exposing himself to the contempt of his fellow-believers. "He is a widower then!"

"No," replied Mary. "He has never yet found a wife to suit him; but I know one created on purpose for him by God himself!"

"You little Khatbe!"--[A professional go-between]--cried the governor. "Well, settle the matter, and it shall be no fault of mine if the second wedding lacks magnificence."

"And we will have a third!" interrupted the child, clapping her hands and laughing. "My worthy escort Rustem. . . .

"The colossus! Why, child, to you all things are possible! Have you found a wife for him too?"

"No, he found Mandane for himself without my help."

"It is the same thing!" cried the governor jovially. "I will provide for her. But that must satisfy you, or else all those unbelievers whom we are settling here will drive us Moslem Arabs out of the land."

The great man had often held such discourse as this with the child since she had entered his tent at Berenice, there to lay before him the case of the couple she loved, and for whom she had taken on herself great risk and hardship; she had pleaded so eloquently, so kindly, and with such fervent and pathetic words, that Amru had at once made up his mind to grant her everything that lay in his power. Mary had done him a service, too, by bringing him the information she could give him, for it enabled him to avert perils which threatened the interests of the Crescent, and also to save the children of two men he honored--the son of the Mukaukas, and the daughter of Thomas--from imminent danger.

He found, on his return home, that the Vekeel's crimes far exceeded his worst fears. Obada's proceedings had begun to undermine that respect for Arab rule and Moslem justice which Amru had done his utmost to secure. It was only by a miracle that Orion had escaped his plots, for he had three times sent assassins to the prison, and it was entirely owing to the watchful care of pretty Emau's husband that the youth had been able to save himself in the fire. Obada had done all this to clear out of his path the hated man whose statements and impeachments might ruin him. The wretch had met a less ignominious death than his judges would have granted him. The wealth found hoarded in his dwelling was sent to Medina; and even Orion was forced to see the vast sums of which the Negro had plundered his treasury, appropriated by the Arabs. The Arab governor thought it only right to inflict this penalty for the share he had taken in the rescue of the nuns; and the young man submitted willingly to a punishment which restored him and his bride to freedom, and enabled Amru to apply a larger proportion of the revenues of his native land for its own benefit.

The Khaliff Omar, however, never received these moneys, which constituted far more than half of Orion's patrimony. The Prophet's truest friend, the wise and powerful ruler, fell by the assassin's hand, and the world now learnt that the Vekeel had been one of the chief conspirators and had been spurred on to the rashest extremes by his confidence of success.

Amru received the son of the Mukaukas as a father might; after examining the result of his labors he found it far superior to his own efforts in the same direction, and he charged Orion to carry out the new division of the country, which he confirmed excepting in a few details.

"Perform your duty and do your utmost in the future to go on as you have begun!" cried Amru; and the young man replied:

"In this bitter and yet happy interval I have become clear on many points."

"And may I ask on what?" asked the governor. "I would gladly hear."

"I have discovered, my lord," replied Orion, "that there is no such thing as happiness or unhappiness in the sense men give to the words. Life appears to each of us as we ourselves paint it. Hard times which come into our lives from outside are often no more than a brief night from which a brighter day presently dawns--or the stab of a surgeon's knife, which makes us sounder than before. What men call grief is, times without number, a path to greater ease; whereas the ordinary happiness of mankind flows, swiftly as running waters, down from that delightful sense of ease. Like a ship, which, when her rudder is lost, is more likely to ride out the storm on the high seas than near the sheltering coast, so a man who has lost himself may easily recover himself and his true happiness in the wildest turmoil of life, but rarely and with difficulty if his existence runs calmly on. All other blessings are comparatively worthless if we are not upheld by the consciousness of fulfilling the task of life in faithful earnest, and of cheerfully dealing with the problems it sets before us. The lost one was found as soon as he placed his whole being and faculties at the service of a higher duty, with God in his heart and before his eyes. I have learnt from my own experience, and from Paula's good friends, to strive untiringly after what is right, and to find my own weal in that of others.

"The sense of lost liberty is hard to bear; but leave me love, and give me room and opportunity to prove my best powers in the service of the community, even in a prison--and though I cannot be perfectly happy, for that is impossible without freedom--I will be far happier than such an idle and useless spendthrift of time and abilities as I used to be among the dissipations of the capital."

"Then enjoy the consciousness of duty well performed, with liberty and love," replied the governor. "And believe me, my friend, your father in Paradise will no more grudge you all that is loveliest and best than I do. You are on the road where every curse is turned to blessing."

The three marriages which Amru had promised to provide for, were celebrated with due splendor.

That of Orion and Paula was a day never to be forgotten by the gay world of Memphis. Bishop John performed the ceremony, and the young couple at once took possession of the beautiful house left them by Katharina, the real Bride of the Nile. If it could have been granted to her to read Paula's and Orion's hearts, and see how they held her in remembrance, she would have found that to them she was no longer the childish water-wagtail, and that they knew how to value the sacrifice of her young life.

Their first beloved guest, who went with them to their new home, was little Mary, and she remained their dearest companion till she married happily. The governess, Eudoxia, to whom also Orion offered an asylum, accompanied Mary to her own delightful home; and there at last Mary closed her old friend's eyes, after the good woman had brought up her little ones, not like a hireling but as a true mother.

The Patriarch Benjamin, too, who was led by many considerations--and not least by Katharina's will to remain on good terms with the son of the Mukaukas, was a visitor to the youthful pair. Neither he nor the Church ever had reason to repent his alliance with Orion; and when Paula presented her husband with a son, the prelate offered to be his sponsor, and named him George after his grandfather.

Orion's son, too, inherited the office of Mukaukas, when he came to man's estate, from his father who was appointed to it, but under a new Arab title, shortly after his marriage.

Ere long, however, Orion, as the highest Christian authority in his native land, had to change his place of residence and leave Memphis, which was doomed to ruin, for Alexandria. From thence his power extended over the whole Nile-valley, and he devoted himself to his charge with so much zeal, fidelity, justice, and prudence, that his name was remembered with veneration and affection by generations long after.

Paula was the pride and joy of his life, and they lived together in devoted union to an advanced age. He regarded it as one of the duties of his life, to care for the woman who had made him what he was from a lost and reprobate creature, and to fill every day of her life with joy. When he built his palace at Alexandria, he graced it with the inscription that had been engraved on Thomas' ring: "God hath set the sweat of man's brow before virtue."

Philippus and his Pulcheria also found a new home in Alexandria. He had no long wooing to do; for when, on his return, the girl of whom he had thought constantly during his long journeying, met him for the first time in her mother's house and held out both her hands with trustful warmth of welcome, he clasped her to him and would not release her till Joanna had given them her maternal blessing. The widow lived in the leech's house with her children and grandchildren, and often visited her husband's grave. At length she was laid to rest by him and his soft-hearted mother, in the cemetery of Alexandria.

Rustem, made a rich man by Orion, became a famous breeder of horses and camels in his own country, while Mandane ruled mildly but prudently over his possessions--which he never shared with others, though he remained a Masdakite till he died. The first daughter his wife bore him was named Mary, and the first boy Haschim; but she would not agree to Rustem's proposal that the second should be called Orion; she preferred to give him the name of Rufinus, and his successors were Rustem and Philippus.

The senator and his wife were only too glad to quit Egypt. Martina, however, had the satisfaction of assisting at the marriage of her dear Heliodora on the shores of the Nile; not, indeed, to her "Great Sesostris," but to her nephew Narses, who by the young widow's devoted care was restored, if not to perfect vigor, at any rate to very endurable good health.

Paula's wedding gift to her was the great emerald, which had meanwhile been brought back again to Memphis. Justinus and Martina always remained on terms of cordial friendship with the young Mukaukas and his wife: Nilus lived long after to perform his duties with industry and judgment; and whenever Haschim came to Alexandria there was a contest between Orion and Philippus, for neither would yield him to the other. But Philip could no longer envy his former rival the wife he had won. He had not, indeed, ceased to admire her; but at the same time he would say: "My comfortable little Pulcheria has not her match; our rooms would be too small for Paula, but they suit my golden-haired girl best."

He remained unselfishly devoted to his work till the end, and, when he saw Orion wearing himself out in energetic toil, he would often say: "He knows now what life demands, and acts accordingly; and that is why he grows no older, and his laugh is as winning and gay as ever. It is an honor to be called friend by a woman who like the Bride of the Nile. saved herself from certain death, and a man who, like the young Mukaukas, has freed himself from the heaviest of all curses."

To this day the Bride of the Nile is not forgotten. Before the river begins to rise on the Night of Dropping the inhabitants of the town of Cairo, which grew up after the ruin of Memphis, on the eastern shore by the side of Fostat, erect a figure of clay, representing a maiden form, which they call Aroosa or the Bride.

A THORNY PATH

By Georg Ebers

Volume 1.

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Chapter I

The green screen slowly rose, covering the lower portion of the broad studio window where Heron, the gem-cutter, was at work. It was Melissa, the artist's daughter, who had pulled it up, with bended knees and outstretched arms, panting for breath.

"That is enough!" cried her father's impatient voice. He glanced up at the flood of light which the blinding sun of Alexandria was pouring into the room, as it did every autumn afternoon; but as soon as the shadow fell on his work-table the old man's busy fingers were at work again, and he heeded his daughter no more.

An hour later Melissa again, and without any bidding, pulled up the screen as before, but it was so much too heavy for her that the effort brought the blood into her calm, fair face, as the deep, rough "That is enough" was again heard from the work-table.

Then silence reigned once more. Only the artist's low whistling as he worked, or the patter and pipe of the birds in their cages by the window, broke the stillness of the spacious room, till the voice and step of a man were presently heard in the anteroom.

Heron laid by his graver and Melissa her gold embroidery, and the eyes of father and daughter met for the first time for some hours. The very birds seemed excited, and a starling, which had sat moping since the screen had shut the sun out, now cried out, "Olympias!" Melissa rose, and after a swift glance round the room she went to the door, come who might.

Ay, even if the brother she was expecting should bring a companion, or a patron of art who desired her father's work, the room need not fear a critical eye; and she was so well assured of the faultless neatness of her own person, that she only passed a hand over her brown hair, and with an involuntary movement pulled her simple white robe more tightly through her girdle.

Heron's studio was as clean and as simple as his daughter's attire, though it seemed larger than enough for the purpose it served, for only a very small part of it was occupied by the artist, who sat as if in exile behind the work-table on which his belongings were laid out: a set of small instruments in a case, a tray filled with shells and bits of onyx and other agates, a yellow ball of Cyrenian modeling-wax, pumice-stone, bottles, boxes, and bowls.

Melissa had no sooner crossed the threshold, than the sculptor drew up his broad shoulders and brawny person, and raised his hand to fling away the slender stylus he had been using; however, he thought better of it, and laid it carefully aside with the other tools. But this act of self-control must have cost the hot-headed, powerful man a great effort; for he shot a fierce look at the instrument which had had so narrow an escape, and gave it a push of vexation with the back of his hand.

Then he turned towards the door, his sunburnt face looking surly enough, in its frame of tangled gray hair and beard; and, as he waited for the visitor whom Melissa was greeting outside, he tossed back his big head, and threw out his broad, deep chest, as though preparing to wrestle.

Melissa presently returned, and the youth whose hand she still held was, as might be seen in every feature, none other than the sculptor's son. Both were dark-eyed, with noble and splendid heads, and in stature perfectly equal; but while the son's countenance beamed with hearty enjoyment, and seemed by its peculiar attractiveness to be made--and to be accustomed--to charm men and women alike, his father's face was expressive of disgust and misanthropy. It seemed, indeed, as though the newcomer had roused his ire, for Heron answered his son's cheerful greeting with no word but a reproachful "At last!" and paid no heed to the hand the youth held out to him.

Alexander was no doubt inured to such a reception; he did not disturb himself about the old man's ill-humor, but slapped him on the shoulder with rough geniality, went up to the work-table with easy composure, took up the vice which held the nearly finished gem, and, after holding it to the light and examining it carefully, exclaimed: "Well done, father! You have done nothing better than that for a long time."

"Poor stuff!" said his father. But his son laughed.

"If you will have it so. But I will give one of my eyes to see the man in Alexandria who can do the like!"

At this the old man broke out, and shaking his fist he cried: "Because the man who can find anything worth doing, takes good care not to waste his time here, making divine art a mere mockery by such trifling with toys! By Sirius! I should like to fling all those pebbles into the fire, the onyx and shells and jasper and what not, and smash all those wretched tools with these fists, which were certainly made for other work than this."

The youth laid an arm round his father's stalwart neck, and gayly interrupted his wrath. "Oh yes, Father Heron, Philip and I have felt often enough that they know how to hit hard."

"Not nearly often enough," growled the artist, and the young man went on:

"That I grant, though every blow from you was equal to a dozen from the hand of any other father in Alexandria. But that those mighty fists on human arms should have evoked the bewitching smile on the sweet lips of this Psyche, if it is not a miracle of art, is--"

"The degradation of art," the old man put in; but Alexander hastily added:

"The victory of the exquisite over the coarse."

"A victory!" exclaimed Heron, with a scornful flourish of his hand. "I know, boy, why you are trying to garland the oppressive yoke with flowers of flattery. So long as your surly old father sits over the vice, he only whistles a song and spares you his complaints. And then, there is the money his work brings in!"

He laughed bitterly, and as Melissa looked anxiously up at him, her brother exclaimed:

"If I did not know you well, master, and if it would not be too great a pity, I would throw that lovely Psyche to the ostrich in Scopas's court-yard; for, by Herakles! he would swallow your gem more easily than we can swallow such cruel taunts. We do indeed bless the Muses that work brings you some surcease of gloomy thoughts. But for the rest--I hate to speak the word gold. We want it no more than you, who, when the coffer is full, bury it or hide it with the rest. Apollodorus forced a whole talent of the yellow curse upon me for painting his men's room. The sailor's cap, into which I tossed it with the rest, will burst when Seleukus pays me for the portrait of his daughter; and if a thief robs you, and me too, we need not fret over it. My brush and your stylus will earn us more in no time. And what are our needs? We do not bet on quail-fights; we do not run races; I always had a loathing for purchased love; we do not want to wear a heap of garments bought merely because they take our fancy--indeed, I am too hot as it is under this scorching sun. The house is your own. The rent paid by Glaukias, for the work-room and garden you inherited from your father, pays for half at least of what we and the birds and the slaves eat. As for Philip, he lives on air and philosophy; and, besides, he is fed out of the great breadbasket of the Museum."

At this point the starling interrupted the youth's vehement speech with the appropriate cry, "My strength! my strength!" The brother and sister looked at each other, and Alexander went on with genuine enthusiasm:

"But it is not in you to believe us capable of such meanness. Dedicate your next finished work to Isis or Serapis. Let your masterpiece grace the goddess's head-gear, or the god's robe. We shall be quite content, and perhaps the immortals may restore your joy in life as a reward."

The bird repeated its lamentable cry, "My strength!" and the youth proceeded with increased vehemence:

"It would really be better that you should throw your vice and your graver and your burnisher, and all that heap of dainty tools, into the sea, and carve an Atlas such as we have heard you talk about ever since we could first speak Greek. Come, set to work on a colossus! You have but to speak the word, and the finest clay shall be ready on your modeling-table by to-morrow, either here or in Glaukias's work-room, which is indeed your own. I know where the best is to be found, and can bring it to you in any quantity. Scopas will lend me his wagon. I can see it now, and you valiantly struggling with it till your mighty arms ache. You will not whistle and hum over that, but sing out with all your might, as you used when my mother was alive, when you and your apprentices joined Dionysus's drunken rout. Then your brow will grow smooth again; and if the model is a success, and you want to buy marble, or pay the founder, then out with your gold, out of the coffer and its hiding-place! Then you can make use of all your strength, and your dream of producing an Atlas such as the world has not seen--your beautiful dream-will become a reality!"

Heron had listened eagerly to his son's rhapsody, but he now cast a timid glance at the table where the wax and tools lay, pushed the rough hair from his brow, and broke in with a bitter laugh: "My dream, do you say--my dream? As if I did not know too well that I am no longer the man to create an Atlas! As if I did not feel, without your words, that my strength for it is a thing of the past!"

"Nay, father," exclaimed the painter. "Is it right to cast away the sword before the battle? And even if you did not succeed--"

"You would be all the better pleased," the sculptor put in. "What surer way could there be to teach the old simpleton, once for all, that the time when he could do great work is over and gone?"

"That is unjust, father; that is unworthy of you," the young man interrupted in great excitement; but his father went on, raising his voice; "Silence, boy! One thing at any rate is left to me, as you know--my keen eyes; and they did not fail me when you two looked at each other as the starling cried, 'My strength!' Ay, the bird is in the right when he bewails what was once so great and is now a mere laughing-stock. But you--you ought to reverence the man to whom you owe your existence and all you know; you allow yourself to shrug your shoulders over your own father's humbler art, since your first pictures were fairly successful.--How puffed up he is, since, by my devoted care, he has been a painter! How he looks down on the poor wretch who, by the pinch of necessity, has come down from being a sculptor of the highest promise to being a mere gem-cutter! In the depths of your soul--and I know it--you regard my laborious art as half a handicraft. Well, perhaps it deserves no better name; but that you--both of you--should make common cause with a bird, and mock the sacred fire which still burns in an old man, and moves him to serve true and noble art and to mold something great--an Atlas such as the world has never seen on a heroic scale; that--"

He covered his face with his hands and sobbed aloud. And the strong man's passionate grief cut his children to the heart, though, since their mother's death, their father's rage and discontent had many a time ere now broken down into childish lamentation.

To-day no doubt the old man was in worse spirits than usual, for it was the day of the Nekysia--the feast of the dead kept every autumn; and he had that morning visited his wife's grave, accompanied by his daughter, and had anointed the tombstone and decked it with flowers. The young people tried to comfort him; and when at last he was more composed and had dried his tears, he said, in so melancholy and subdued a tone that the angry blusterer was scarcely recognizable: "There--leave me alone; it will soon be over. I will finish this gem to-morrow, and then I must do the Serapis I promised Theophilus, the high-priest. Nothing can come of the Atlas. Perhaps you meant it in all sincerity, Alexander; but since your mother left me, children, since then--my arms are no weaker than they were; but in here--what it was that shriveled, broke, leaked away--I can not find words for it. If you care for me--and I know you do--you must not be vexed with me if my gall rises now and then; there is too much bitterness in my soul. I can not reach the goal I strive after and was meant to win; I have lost what I loved best, and where am I to find comfort or compensation?"

His children tenderly assured him of their affection, and he allowed Melissa to kiss him, and stroked Alexander's hair.

Then he inquired for Philip, his eldest son and his favorite; and on learning that he, the only person who, as he believed, could understand him, would not come to see him this day above all others, he again broke out in wrath, abusing the degeneracy of the age and the ingratitude of the young.

"Is it a visit which detains him again?" he inquired, and when Alexander thought not, he exclaimed contemptuously: "Then it is some war of words at the Museum. And for such poor stuff as that a son can forget his duty to his father and mother!"

"But you, too, used to enjoy these conflicts of intellect," his daughter humbly remarked; but the old man broke in:

"Only because they help a miserable world to forget the torments of existence, and the hideous certainty of having been born only to die some horrible death. But what can you know of this?"

"By my mother's death-bed," replied the girl, "we, too, had a glimpse into the terrible mystery." And Alexander gravely added, "And since we last met, father, I may certainly account myself as one of the initiated."

"You have painted a dead body?" asked his father.

"Yes, father," replied the lad with a deep breath. "I warned you," said Heron, in a tone of superior experience.

And then, as Melissa rearranged the folds of his blue robe, he said he should go for a walk. He sighed as he spoke, and his children knew whither he would go. It was to the grave to which Melissa had accompanied him that morning; and he would visit it alone, to meditate undisturbed on the wife he had lost.

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Chapter II

The brother and sister were left together. Melissa sighed deeply; but her brother went up to her, laid his arm round her shoulder, and said: "Poor child! you have indeed a hard time of it. Eighteen years old, and as pretty as you are, to be kept locked up as if in prison! No one would envy you, even if your fellow-captive and keeper were younger and less gloomy than your father is! But we know what it all means. His grief eats into his soul, and it does him as much good to storm and scold, as it does us to laugh."

"If only the world could know how kind his heart really is!" said the girl.

"He is not the same to his friends as to us," said Alexander; but Melissa shook her head, and said sadly: "He broke out yesterday against Apion, the dealer, and it was dreadful. For the fiftieth time he had waited supper for you two in vain, and in the twilight, when he had done work, his grief overcame him, and to see him weep is quite heartbreaking! The Syrian dealer came in and found him all tearful, and being so bold as to jest about it in his flippant way--"

"The old man would give him his answer, I know!" cried her brother with a hearty laugh. "He will not again be in a hurry to stir up a wounded lion."

"That is the very word," said Melissa, and her large eyes sparkled. "At the fight in the Circus, I could not help thinking of my father, when the huge king of the desert lay with a broken spear in his loins, whining loudly, and burying his maned head between his great paws. The gods are pitiless!"

"Indeed they are," replied the youth, with deep conviction; but his sister looked up at him in surprise.

"Do you say so, Alexander? Yes, indeed--you looked just now as I never saw you before. Has misfortune overtaken you too?"

"Misfortune?" he repeated, and he gently stroked her hair. "No, not exactly; and you know my woes sit lightly enough on me. The immortals have indeed shown me very plainly that it is their will sometimes to spoil the feast of life with a right bitter draught. But, like the moon itself, all it shines on is doomed to change--happily! Many things here below seem strangely ordered. Like ears and eyes, hands and feet, many things are by nature double, and misfortunes, as they say, commonly come in couples yoked like oxen."

"Then you have had some twofold blow?" asked Melissa, clasping her hands over her anxiously throbbing bosom.

"I, child! No, indeed. Nothing has befallen your father's younger son; and if I were a philosopher, like Philip, I should be moved to wonder why a man can only be wet when the rain falls on him, and yet can be so wretched when disaster falls on another. But do not look at me with such terror in your great eyes. I swear to you that, as a man and an artist, I never felt better, and so I ought properly to be in my usual frame of mind. But the skeleton at life's festival has been shown to me. What sort of thing is that? It is an image--the image of a dead man which was carried round by the Egyptians, and is to this day by the Romans, to remind the feasters that they should fill every hour with enjoyment, since enjoyment is all too soon at an end. Such an image, child--"

"You are thinking of the dead girl--Seleukus's daughter--whose portrait you are painting?" asked Melissa.

Alexander nodded, sat down on the bench by his sister, and, taking up her needlework, exclaimed "Give us some light, child. I want to see your pretty face. I want to be sure that Diodorus did not perjure himself when, at the 'Crane,' the other day, he swore that it had not its match in Alexandria. Besides, I hate the darkness."

When Melissa returned with the lighted lamp, she found her brother, who was not wont to keep still, sitting in the place where she had left him. But he sprang up as she entered, and prevented her further greeting by exclaiming:

"Patience! patience! You shall be told all. Only I did not want to worry you on the day of the festival of the dead. And besides, to-morrow perhaps he will be in a better frame of mind, and next day--"

Melissa became urgent. "If Philip is ill--" she put in.

"Not exactly ill," said he. "He has no fever, no ague-fit, no aches and pains. He is not in bed, and has no bitter draughts to swallow. Yet is he not well, any more than I, though but just now, in the dining-hall at the Elephant, I ate like a starving wolf, and could at this moment jump over this table. Shall I prove it?"

"No, no," said his sister, in growing distress. "But, if you love me, tell me at once and plainly--"

"At once and plainly," sighed the painter. "That, in any case, will not be easy. But I will do my best. You knew Korinna?"

"Seleukus's daughter?"

"She herself--the maiden from whose corpse I am painting her portrait."

"No. But you wanted--"

"I wanted to be brief, but I care even more to be understood; and if you have never seen with your own eyes, if you do not yourself know what a miracle of beauty the gods wrought when they molded that maiden, you are indeed justified in regarding me as a fool and Philip as a madman--which, thank the gods, he certainly is not yet."

"Then he too has seen the dead maiden?"

"No, no. And yet--perhaps. That at present remains a mystery. I hardly know what happened even to myself. I succeeded in controlling myself in my father's presence; but now, when it all rises up before me, before my very eyes, so distinct, so real, so tangible, now--by Sirius! Melissa, if you interrupt me again--"

"Begin again. I will be silent," she cried. "I can easily picture your Korinna as a divinely beautiful creature."

Alexander raised his hands to heaven, exclaiming with passionate vehemence: "Oh, how would I praise and glorify the gods, who formed that marvel of their art, and my mouth should be full of their grace and mercy, if they had but allowed the world to sun itself in the charm of that glorious creature, and to worship their everlasting beauty in her who was their image! But they have wantonly destroyed their own masterpiece, have crushed the scarce-opened bud, have darkened the star ere it has risen! If a man had done it, Melissa, a man what would his doom have been! If he--"

Here the youth hid his face in his hands in passionate emotion; but, feeling his sister's arm round his shoulder, he recovered himself, and went on more calmly: "Well, you heard that she was dead. She was of just your age; she is dead at eighteen, and her father commissioned me to paint her in death.--Pour me out some water; then I will proceed as coldly as a man crying the description of a runaway slave." He drank a deep draught, and wandered restlessly up and down in front of his sister, while he told her all that had happened to him during the last few days.

The day before yesterday, at noon, he had left the inn where he had been carousing with friends, gay and careless, and had obeyed the call of Seleukus. Just before raising the knocker he had been singing cheerfully to himself. Never had he felt more fully content--the gayest of the gay. One of the first men in the town, and a connoisseur, had honored him with a fine commission, and the prospect of painting something dead had pleased him. His old master had often admired the exquisite delicacy of the flesh-tones of a recently deceased body. As his glance fell on the implements that his slave carried after him, he had drawn himself up with the proud feeling of having before him a noble task, to which he felt equal. Then the porter, a gray-bearded Gaul, had opened the door to him, and as he looked into his care-worn face and received from him a silent permission to step in, he had already become more serious.

He had heard marvels of the magnificence of the house that he now entered; and the lofty vestibule into which he was admitted, the mosaic floor that he trod; the marble statues and high reliefs round the upper hart of the walls, were well worth careful observation; yet he, whose eyes usually carried away so vivid an impression of what he had once seen that he could draw it from memory, gave no attention to any particular thing among the various objects worthy of admiration. For already in the anteroom a peculiar sensation had come over him. The large halls, which were filled with odors of ambergris and incense, were as still as the grave. And it seemed to him that even the sun, which had been shining brilliantly a few minutes before in a cloudless sky, had disappeared behind clouds, for a strange twilight, unlike anything he had ever seen, surrounded him. Then he perceived that it came in through the black velarium with which they had closed the open roof of the room through which he was passing.

In the anteroom a young freedman had hurried silently past him--had vanished like a shadow through the dusky rooms. His duty must have been to announce the artist's arrival to the mother of the dead girl; for, before Alexander had found time to feast his gaze on the luxurious mass of flowering plants that surrounded the fountain in the middle of the impluvium, a tall matron, in flowing mourning garments, came towards him--Korinna's mother.

Without lifting the black veil which enveloped her from head to foot, she speechlessly signed him to follow her. Till this moment not even a whisper had met his ear from any human lips in this house of death and mourning; and the stillness was so oppressive to the light-hearted young painter, that, merely to hear the sound of his own voice, he ex-plained to the lady who he was and wherefore he had come. But the only answer was a dumb assenting bow of the head.

He had not far to go with his stately guide; their walk ended in a spacious room. It had been made a perfect flower-garden with hundreds of magnificent plants; piles of garlands strewed the floor, and in the midst stood the couch on which lay the dead girl. In this hall, too, reigned the same gloomy twilight which had startled him in the vestibule.

The dim, shrouded form lying motionless on the couch before him, with a heavy wreath of lotus-flowers and white roses encircling it from head to foot, was the subject for his brush. He was to paint here, where he could scarcely distinguish one plant from another, or make out the form of the vases which stood round the bed of death. The white blossoms alone gleamed like pale lights in the gloom, and with a sister radiance something smooth and round which lay on the couch--the bare arm of the dead maiden.

His heart began to throb; the artist's love of his art had awaked within him; he had collected his wits, and explained to the matron that to paint in the darkness was impossible.

Again she bowed in reply, but at a signal two waiting women, who were squatting on the floor behind the couch, started up in the twilight, as if they had sprung from the earth, and approached their mistress.

A fresh shock chilled the painter's blood, for at the same moment the lady's voice was suddenly audible close to his ear, almost as deep as a man's but not unmelodious, ordering the girls to draw back the curtain as far as the painter should desire.

Now, he felt, the spell was broken; curiosity and eagerness took the place of reverence for death. He quietly gave his orders for the necessary arrangements, lent the women the help of his stronger arm, took out his painting implements, and then requested the matron to unveil the dead girl, that he might see from which side it would be best to take the portrait. But then again he was near losing his composure, for the lady raised her veil, and measured him with a glance as though he had asked something strange and audacious indeed.

Never had he met so piercing a glance from any woman's eyes; and yet they were red with weeping and full of tears. Bitter grief spoke in every line of her still youthful features, and their stern, majestic beauty was in keeping with the deep tones of her speech. Oh that he had been so happy as to see this woman in the bloom of youthful loveliness! She did not heed his admiring surprise; before acceding to his demand, her regal form trembled from head to foot, and she sighed as she lifted the shroud from her daughter's face. Then, with a groan, she dropped on her knees by the couch and laid her cheek against that of the dead maiden. At last she rose, and murmured to the painter that if he were successful in his task her gratitude would be beyond expression.

"What more she said," Alexander went on, "I could but half understand, for she wept all the time, and I could not collect my thoughts. It was not till afterward that I learned from her waiting-woman--a Christian--that she meant to tell me that the relations and wailing women were to come to-morrow morning. I could paint on till nightfall, but no longer. I had been chosen for the task because Seleukus had heard from my old teacher, Bion, that I should get a faithful likeness of the original more quickly than any one else. She may have said more, but I heard nothing; I only saw. For when the veil no longer hid that face from my gaze, I felt as though the gods had revealed a mystery to me which till now only the immortals had been permitted to know. Never was my soul so steeped in devotion, never had my heart beat in such solemn uplifting as at that moment. What I was gazing at and had to represent was a thing neither human nor divine; it was beauty itself--that beauty of which I have often dreamed in blissful rapture.

"And yet--do not misapprehend me--I never thought of bewailing the maiden, or grieving over her early death. She was but sleeping--I could fancy: I watched one I loved in her slumbers. My heart beat high! Ay, child, and the work I did was pure joy, such joy as only the gods on Olympus know at their golden board. Every feature, every line was of such perfection as only the artist's soul can conceive of, nay, even dream of. The ecstasy remained, but my unrest gave way to an indescribable and wordless bliss. I drew with the red chalk, and mixed the colors with the grinder, and all the while I could not feel the painful sense of painting a corpse. If she were slumbering, she had fallen asleep with bright images in her memory. I even fancied again and again that her lips moved her exquisitely chiseled mouth, and that a faint breath played with her abundant, waving, shining brown hair, as it does with yours.

"The Muse sped my hand and the portrait--Bion and the rest will praise it, I think, though it is no more like the unapproachable original than that lamp is like the evening star yonder."

"And shall we be allowed to see it?" asked Melissa, who had been listening breathlessly to her brother's narrative.

The words seemed to have snatched the artist from a dream. He had to pause and consider where he was and to whom he was speaking. He hastily pushed the curling hair off his damp brow, and said:

"I do not understand. What is it you ask?"

"I only asked whether we should be allowed to see the portrait," she answered timidly. "I was wrong to interrupt you. But how hot your head is! Drink again before you go on. Had you really finished by sundown?"

Alexander shook his head, drank, and then went on more calmly: "No, no! It is a pity you spoke. In fancy I was painting her still. There is the moon rising already. I must make haste. I have told you all this for Philip's sake, not for my own."

"I will not interrupt you again, I assure you," said Melissa. "Well, well," said her brother. "There is not much that is pleasant left to tell. Where was I?"

"Painting, so long as it was light--"

"To be sure--I remember. It began to grow dark. Then lamps were brought in, large ones, and as many as I wished for. Just before sunset Seleukus, Korinna's father, came in to look upon his daughter once more. He bore his grief with dignified composure; yet by his child's bier he found it hard to be calm. But you can imagine all that. He invited me to eat, and the food they brought might have tempted a full man to excess, but I could only swallow a few mouthfuls. Berenike--the mother--did not even moisten her lips, but Seleukus did duty for us both, and this I could see displeased his wife. During supper the merchant made many inquiries about me and my father; for he had heard Philip's praises from his brother Theophilus, the high-priest. I learned from him that Korinna had caught her sickness from a slave girl she had nursed, and had died of the fever in three days. But while I sat listening to him, as he talked and ate, I could not keep my eyes off his wife who reclined opposite to me silent and motionless, for the gods had created Korinna in her very image. The lady Berenike's eyes indeed sparkle with a lurid, I might almost say an alarming, fire, but they are shaped like Korinna's. I said so, and asked whether they were of the same color; I wanted to know for my portrait. On this Seleukus referred me to a picture painted by old Sosibius, who has lately gone to Rome to work in Caesar's new baths. He last year painted the wall of a room in the mer chant's country house at Kanopus. In the center of the picture stands Galatea, and I know it now to be a good and true likeness.

"The picture I finished that evening is to be placed at the head of the young girl's sarcophagus; but I am to keep it two days longer, to reproduce a second likeness more at my leisure, with the help of the Galatea, which is to remain in Seleukus's town house.

"Then he left me alone with his wife.

"What a delightful commission! I set to work with renewed pleasure, and more composure than at first. I had no need to hurry, for the first picture is to be hidden in the tomb, and I could give all my care to the second. Besides, Korinna's features were indelibly impressed on my eye.

"I generally can not paint at all by lamp-light; but this time I found no difficulty, and I soon recovered that blissful, solemn mood which I had felt in the presence of the dead. Only now and then it was clouded by a sigh, or a faint moan from Berenike: 'Gone, gone! There is no comfort--none, none!'

"And what could I answer? When did Death ever give back what he has snatched away?

"' I can not even picture her as she was,' she murmured sadly to herself--but this I might remedy by the help of my art, so I painted on with increasing zeal; and at last her lamentations ceased to trouble me, for she fell asleep, and her handsome head sank on her breast. The watchers, too, had dropped asleep, and only their deep breathing broke the stillness.

"Suddenly it flashed upon me that I was alone with Korinna, and the feeling grew stronger and stronger; I fancied her lovely lips had moved, that a smile gently parted them, inviting me to kiss them. As often as I looked at them--and they bewitched me--I saw and felt the same, and at last every impulse within me drove me toward her, and I could no longer resist: my lips pressed hers in a kiss!"

Melissa softly sighed, but the artist did not hear; he went on: "And in that kiss I became hers; she took the heart and soul of me. I can no longer escape from her; awake or asleep, her image is before my eyes, and my spirit is in her power."

Again he drank, emptying the cup at one deep gulp. Then he went on: "So be it! Who sees a god, they say, must die. And it is well, for he has known something more glorious than other men. Our brother Philip, too, lives with his heart in bonds to that one alone, unless a demon has cheated his senses. I am troubled about him, and you must help me."

He sprang up, pacing the room again with long strides, but his sister clung to his arm and besought him to shake off the bewitching vision. How earnest was her prayer, what eager tenderness rang in her every word, as she entreated him to tell her when and where her elder brother, too, had met the daughter of Seleukus!

The artist's soft heart was easily moved. Stroking the hair of the loving creature at his side--so helpful as a rule, but now bewildered--he tried to calm her by affecting a lighter mood than he really felt, assuring her that he should soon recover his usual good spirits. She knew full well, he said, that his living loves changed in frequent succession, and it would be strange indeed if a dead one could bind him any longer. And his adventure, so far as it concerned the house of Seleukus, ended with that kiss; for the lady Berenike had presently waked, and urged him to finish the portrait at his own house.

Next morning he had completed it with the help of the Galatea in the villa at Kanopus, and he had heard a great deal about the dead maiden. A young woman who was left in charge of the villa had supplied him with whatever he needed. Her pretty face was swollen with weeping, and it was in a voice choked with tears that she had told him that her husband, who was a centurion in Caesar's pretorian guard, would arrive to-morrow or next day at Alexandria, with his imperial master. She had not seen him for a long time, and had an infant to show him which he had not yet seen; and yet she could not be glad, for her young mistress's death had extinguished all her joy.

"The affection which breathed in every word of the centurion's wife," Alexander said, "helped me in my work. I could be satisfied with the result.

"The picture is so successful that I finished that for Seleukus in all confidence, and for the sarcophagus I will copy it as well or as ill as time will allow. It will hardly be seen in the half-dark tomb, and how few will ever go to see it! None but a Seleukus can afford to employ so costly a brush as your brother's is--thank the Muses! But the second portrait is quite another thing, for that may chance to be hung next a picture by Apelles; and it must restore to the parents so much of their lost child as it lies in my power to give them. So, on my way, I made up my mind to begin the copy at once by lamp-light, for it must be ready by to-morrow night at latest.

"I hurried to my work-room, and my slave placed the picture on an easel, while I welcomed my brother Philip who had come to see me, and who had lighted a lamp, and of course had brought a book. He was so absorbed in it that he did not observe that I had come in till I addressed him. Then I told him whence I came and what had happened, and he thought it all very strange and interesting.

"He was as usual rather hurried and hesitating, not quite clear, but understanding it all. Then he began telling me something about a philosopher who has just come to the front, a porter by trade, from whom he had heard sundry wonders, and it was not till Syrus brought me in a supper of oysters--for I could still eat nothing more solid--that he asked to see the portrait.

"I pointed to the easel, and watched him; for the harder he is to please, the more I value his opinion. This time I felt confident of praise, or even of some admiration, if only for the beauty of the model.

"He threw off the veil from the picture with a hasty movement, but, instead of gazing at it calmly, as he is wont, and snapping out his sharp criticisms, he staggered backward, as though the noonday sun had dazzled his sight. Then, bending forward, he stared at the painting, panting as he might after racing for a wager. He stood in perfect silence, for I know not how long, as though it were Medusa he was gazing on, and when at last he clasped his hand to his brow, I called him by name. He made no reply, but an impatient 'Leave me alone!' and then he still gazed at the face as though to devour it with his eyes, and without a sound.

"I did not disturb him; for, thought I, he too is bewitched by the exquisite beauty of those virgin features. So we were both silent, till he asked, in a choked voice: 'And did you paint that? Is that, do you say, the daughter that Seleukus has just lost?'

"Of course I said 'Yes'; but then he turned on me in a rage, and reproached me bitterly for deceiving and cheating him, and jesting with things that to him were sacred, though I might think them a subject for sport.

"I assured him that my answer was as earnest as it was accurate, and that every word of my story was true.

"This only made him more furious. I, too, began to get angry, and as he, evidently deeply agitated, still persisted in saying that my picture could not have been painted from the dead Korinna, I swore to him solemnly, with the most sacred oath I could think of, that it was really so.

"On this he declared to me in words so tender and touching as I never before heard from his lips, that if I were deceiving him his peace of mind would be forever destroyed-nay, that he feared for his reason; and when I had repeatedly assured him, by the memory of our departed mother, that I had never dreamed of playing a trick upon him, he shook his head, grasped his brow, and turned to leave the room without another word."

"And you let him go?" cried Melissa, in anxious alarm.

"Certainly not," replied the painter. "On the contrary, I stood in his way, and asked him whether he had known Korinna, and what all this might mean. But he would make no reply, and tried to pass me and get away. It must have been a strange scene, for we two big men struggled as if we were at a wrestling-match. I got him down with one hand behind his knees, and so he had to remain; and when I had promised to let him go, he confessed that he had seen Korinna at the house of her uncle, the high-priest, without knowing who she was or even speaking a word to her. And he, who usually flees from every creature wearing a woman's robe, had never forgotten that maiden and her noble beauty; and, though he did not say so, it was obvious, from every word, that he was madly in love. Her eyes had followed him wherever he went, and this he deemed a great misfortune, for it had disturbed his power of thought. A month since he went across Lake Mareotis to Polybius to visit Andreas, and while, on his return, he was standing on the shore, he saw her again, with an old man in white robes. But the last time he saw her was on the morning of the very day when all this happened; and if he is to be believed, he not only saw her but touched her hand. That, again, was by the lake; she was just stepping out of the ferry-boat. The obolus she had ready to pay the oarsman dropped on the ground, and Philip picked it up and returned it to her. Then his fingers touched hers. He could feel it still, he declared, and yet she had then ceased to walk among the living.

"Then it was my turn to doubt his word; but he maintained that his story was true in every detail; he would hear nothing said about some one resembling her, or anything of the kind, and spoke of daimons showing him false visions, to cheat him and hinder him from working out his investigations of the real nature of things to a successful issue. But this is in direct antagonism to his views of daimons; and when at last he rushed out of the house, he looked like one possessed of evil spirits.

"I hurried after him, but he disappeared down a dark alley. Then I had enough to do to finish my copy, and yesterday I carried it home to Seleukus.

"Then I had time to look for Philip, but I could hear nothing of him, either in his own lodgings or at the Museum. To-day I have been hunting for him since early in the morning. I even forgot to lay any flowers on my mother's grave, as usual on the day of the Nekysia, because I was thinking only of him. But he no doubt is gone to the city of the dead; for, on my way hither, as I was ordering a garland in the flower-market, pretty little Doxion showed me two beauties which she had woven for him, and which he is presently to fetch. So he must now be in the Nekropolis; and I know for whom he intends the second; for the door-keeper at Seleukus's house told me that a man, who said he was my brother, had twice called, and had eagerly inquired whether my picture had yet been attached to Korinna's sarcophagus. The old man told him it had not, because, of course, the embalming could not be complete as yet. But the picture was to be displayed to-day, as being the feast of the dead, in the hall of the embalmers. That was the plan, I know. So, now, child, set your wise little woman's head to work, and devise something by which he may be brought to his senses, and released from these crazy imaginings."

"The first thing to be done," Melissa exclaimed, "is to follow him and talk to him.-Wait a moment; I must speak a word to the slaves. My father's night-draught can be mixed in a minute. He might perhaps return home before us, and I must leave his couch--I will be with you in a minute."

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Chapter III

The brother and sister had walked some distance. The roads were full of people, and the nearer they came to the Nekropolis the denser was the throng.

As they skirted the town walls they took counsel together.

Being perfectly agreed that the girl who had touched Philip's hand could certainly be no daimon who had assumed Korinna's form, they were inclined to accept the view that a strong resemblance had deceived their brother. They finally decided that Alexander should try to discover the maiden who so strangely resembled the dead; and the artist was ready for the task, for he could only work when his heart was light, and had never felt such a weight on it before. The hope of meeting with a living creature who resembled that fair dead maiden, combined with his wish to rescue his brother from the disorder of mind which threatened him; and Melissa perceived with glad surprise how quickly this new object in life restored the youth's happy temper.

It was she who spoke most, and Alexander, whom nothing escaped that had any form of beauty, feasted his ear on the pearly ring of her voice.

"And her face is to match," thought he as they went on in the darkness; "and may the Charites who have endowed her with every charm, forgive my father for burying her as he does his gold."

It was not in his nature to keep anything that stirred him deeply to himself, when he was in the society of another, so he murmured to his sister: "It is just as well that the Macedonian youths of this city should not be able to see what a jewel our old man's house contains.--Look how brightly Selene shines on us, and how gloriously the stars burn! Nowhere do the heavens blaze more brilliantly than here. As soon as we come out of the shadow that the great walls cast on the road we shall be in broad light. There is the Serapeum rising out of the darkness. They are rehearsing the great illumination which is to dazzle the eyes of Caesar when he comes. But they must show too, that to-night, at least, the gods of the nether world and death are all awake. You can never have been in the Nekropolis at so late an hour before."

"How should I?" replied the girl. And he expressed the pleasure that it gave him to be able to show her for the first time the wonderful night scene of such a festival. And when he heard the deep-drawn "Ah!" with which she hailed the sight of the greatest temple of all, blazing in the midst of the darkness with tar-pans, torches, and lamps innumerable, he replied with as much pride and satisfaction as though she owed the display to him, "Ay, what do you think of that?"

Above the huge stone edifice which was thus lighted up, the dome of the Serapeum rose high into the air, its summit appearing to touch the sky. Never had the gigantic structure seemed so beautiful to the girl, who had only seen it by daylight; for under the illumination, arranged by a master-hand, every line stood out more clearly than in the sunlight; and in the presence of this wonderful sight Melissa's impressionable young soul forgot the trouble that had weighed on it, and her heart beat higher.

Her lonely life with her father had hitherto fully satisfied her, and she had, never yet dreamed of anything better in the future than a quiet and modest existence, caring for him and her brothers; but now she thankfully experienced the pleasure of seeing for once something really grand and fine, and rejoiced at having escaped for a while from the monotony of each day and hour.

Once, too, she had been with her brothers and Diodoros, Alexander's greatest friend, to see a wild-beast fight, followed by a combat of gladiators; but she had come home frightened and sorrowful, for what she had seen had horrified more than it had interested her. Some of the killed and tortured beings haunted her mind; and, besides, sitting in the lowest and best seats belonging to Diodoros's wealthy father, she had been stared at so boldly and defiantly whenever she raised her eyes, by a young gallant opposite, that she had felt vexed and insulted; nay, had wished above all things to get home as soon as possible. And yet she had loved Diodoros from her childhood, and she would have enjoyed sitting quietly by his side more than looking on at the show.

But on this occasion her curiosity was gratified, and the hope of being able to help one who was dear to her filled her with quiet gladness. It was a comfort to her, too, to find herself once more by her mother's grave with Alexander, who was her especial friend. She could never come here often enough, and the blessing which emanated from it--of that she was convinced--must surely fall on her brother also, and avert from him all that grieved his heart.

As they walked on between the Serapeum on one hand, towering high above all else, and the Stadium on the other, the throng was dense; on the bridge over the canal it was difficult to make any progress. Now, as the full moon rose, the sacrifices and games in honor of the gods of the under world were beginning, and now the workshops and factories had emptied themselves into the streets already astir for the festival of the dead, so every moment the road became more crowded.

Such a tumult was generally odious to her retiring nature; but to-night she felt herself merely one drop in the great, flowing river, of which every other drop felt the same impulse which was carrying her forward to her destination. The desire to show the dead that they were not forgotten, that their favor was courted and hoped for, animated men and women, old and young alike.

There were few indeed who had not a wreath or a posy in their hands, or carried behind them by a slave. In front of the brother and sister was a large family of children. A black nurse carried the youngest on her shoulder, and an ass bore a basket in which were flowers for the tomb, with a wineflask and eatables. A memorial banquet was to be held at the grave of their ancestors; and the little one, whose golden head rose above the black, woolly poll of the negress, nodded gayly in response to Melissa's smiles. The children were enchanted at the prospect of a meal at such an unusual hour, and their parents rejoiced in them and in the solemn pleasure they anticipated.

Many a one in this night of remembrance only cared to recall the happy hours spent in the society of the beloved dead; others hoped to leave their grief and pain behind them, and find fresh courage and contentment in the City of the Dead; for tonight the gates of the nether world stood open, and now, if ever, the gods that reigned there would accept the offerings and hear the prayers of the devout.

Those lean Egyptians, who pushed past in silence and haranging their heads, were no doubt bent on carrying offerings to Osiris and Anubis--for the festival of the gods of death and resurrection coincided with the Nekysia--and on winning their favors by magical formulas and spells.

Everything was plainly visible, for the desert tract of the Nekropolis, where at this hour utter darkness and silence usually reigned, was brightly lighted up. Still, the blaze failed to banish entirely the thrill of fear which pervaded the spot at night; for the unwonted glare dazzled and bewildered the bats and night-birds, and they fluttered about over the heads of the intruders in dark, ghostly flight. Many a one believed them to be the unresting souls of condemned sinners, and looked up at them with awe.

Melissa drew her veil closer and clung more tightly to her brother, for a sound of singing and wild cries, which she had heard behind her for some time, was now coming closer. They were no longer treading the paved street, but the hard-beaten soil of the desert. The crush was over, for here the crowd could spread abroad; but the uproarious troop, which she did not even dare to look at, came rushing past quite close to them. They were Greeks, of all ages and of both sexes. The men flourished torches, and were shouting a song with unbridled vehemence; the women, wearing garlands, kept up with them. What they carried in the baskets on their heads could not be seen, nor did Alexander know; for so many religious brotherhoods and mystic societies existed here that it was impossible to guess to which this noisy troop might belong.

The pair had presently overtaken a little train of white-robed men moving forward at a solemn pace, whom the painter recognized as the philosophical and religious fraternity of the Neo-Pythagoreans, when a small knot of men and women in the greatest excitement came rushing past as if they were mad. The men wore the loose red caps of their Phrygian land; the women carried bowls full of fruits. Some beat small drums, others clanged cymbals, and each hauled his neighbor along with deafening cries, faster and faster, till the dust hid them from sight and a new din drowned the last, for the votaries of Dionysus were already close upon them, and vied with the Phrygians in uproariousness. But this wild troop remained behind; for one of the light-colored oxen, covered with decorations, which was being driven in the procession by a party of men and boys, to be presently sacrificed, had broken away, maddened by the lights and the shouting, and had to be caught and led again.

At last they reached the graveyard. But even now they could not make their way to the long row of houses where the embalmers dwelt, for an impenetrable mass of human beings stood pent up in front of them, and Melissa begged her brother to give her a moment's breathing space.

All she had seen and heard on the way had excited her greatly; but she had scarcely for a moment forgotten what it was that had brought her out so late, who it was that she sought, or that it would need her utmost endeavor to free him from the delusion that had fooled him. In this dense throng and deafening tumult it was scarcely possible to recover that collected calm which she had found in the morning at her mother's tomb. In that, doubt had had no part, and the delightful feeling of freedom which had shone on her soul, now shrank deep into the shade before a growing curiosity and the longing for her usual repose.

If her father were to find her here! When she saw a tall figure resembling his cross the torchlight, all clouded as it was by the dust, she drew her brother away behind the stall of a seller of drinks and other refreshments. The father, at any rate, must be spared the distress she felt about Philip, who was his favorite. Besides, she knew full well that, if he met her here, he would at once take her home.

The question now was where Philip might be found.

They were standing close to the booths where itinerant dealers sold food and liquors of every description, flowers and wreaths, amulets and papyrus-leaves, with strange charms written on them to secure health for the living and salvation for the souls of the dead. An astrologer, who foretold the course of a man's life from the position of the planets, had erected a high platform with large tables displayed to view, and the instrument wherewith he aimed at the stars as it were with a bow; and his Syrian slave, accompanying himself on a gayly-painted drum, proclaimed his master's powers. There were closed tents in which magical remedies were to be obtained, though their open sale was forbidden by the authorities, from love-philters to the wondrous fluid which, if rightly applied, would turn lead, copper, or silver to gold. Here, old women invited the passer-by to try Thracian and other spells; there, magicians stalked to and fro in painted caps and flowing, gaudy robes, most of them calling themselves priests of some god of the abyss. Men of every race and tongue that dwelt in the north of Africa, or on the shores of the Mediterranean, were packed in a noisy throng.

The greatest press was behind the houses of the men who buried the dead. Here sacrifices were offered on the altars of Serapis, Isis, and Anubis; here the sacred sistrum of Isis might be kissed; here hundreds of priests performed solemn ceremonies, and half of those who came hither for the festival of the dead collected about them. The mysteries were also performed here, beginning before midnight; and a dramatic representation might be seen of the woes of Isis, and the resurrection of her husband Osiris. But neither here, nor at the stalls, nor among the graves, where many families were feasting by torchlight and pouring libations in the sand for the souls of the dead, did Alexander expect to find his brother. Nor would Philip be attending the mysterious solemnities of any of the fraternities. He had witnessed them often enough with his friend Diodoros, who never missed the procession to Eleusis, because, as he declared, the mysteries of Demeter alone could assure a man of the immortality of the soul. The wild ceremonies of the Syrians, who maimed themselves in their mad ecstasy, repelled him as being coarse and barbarous.

As she made her way through this medley of cults, this worship of gods so different that they were in some cases hostile, but more often merged into each other, Melissa wondered to which she ought to turn in her present need. Her mother had best loved to sacrifice to Serapis and Isis. But since, in her last sickness, Melissa had offered everything she possessed to these divinities of healing, and all in vain, and since she had heard things in the Serapeum itself which even now brought a blush to her cheek, she had turned away from the great god of the Alexandrians. Though he who had offended her by such base proposals was but a priest of the lower grade--and indeed, though she knew it not, was since dead--she feared meeting him again, and had avoided the sanctuary where he officiated.

She was a thorough Alexandrian, and had been accustomed from childhood to listen to the philosophical disputations of the men about her. So she perfectly understood her brother Philip, the skeptic, when he said that he by no means denied the existence of the immortals, but that, on the other hand, he could not believe in it; that thought brought him no conviction; that man, in short, could be sure of nothing, and so could know nothing whatever of the divinity. He had even denied, on logical grounds, the goodness and omnipotence of the gods, the wisdom and fitness of the ordering of the universe, and Melissa was proud of her brother's acumen; but what appeals to the brain only, and not to the heart, can not move a woman to anything great--least of all to a decisive change of life or feeling. So the girl had remained constant to her mother's faith in some mighty powers outside herself, which guided the life of Nature and of human beings. Only she did not feel that she had found the true god, either in Serapis or Isis, and so she had sought others. Thus she had formulated a worship of ancestors, which, as she had learned from the slave-woman of her friend Ino, was not unfamiliar to the Egyptians.

In Alexandria there were altars to every god, and worship in every form. Hers, however, was not among them, for the genius of her creed was the enfranchised soul of her mother, who had cast off the burden of this perishable body. Nothing had ever come from her that was not good and lovely; and she knew that if her mother were permitted, even in some other than human form, she would never cease to watch over her with tender care.

And those initiated into the Eleusinian mysteries, as Diodoros had told her, desired the immortality of the soul, to the end that they might continue to participate in the life of those whom they had left behind. What was it that brought such multitudes at this time out to the Nekropolis, with their hands full of offerings, but the consciousness of their nearness to the dead, and of being cared for by them so long as they were not forgotten? And even if the glorified spirit of her mother were not permitted to hear her prayers, she need not therefore cease to turn to her; for it comforted her unspeakably to be with her in spirit, and to confide to her all that moved her soul. And so her mother's tomb had become her favorite place of rest. Here, if anywhere, she now hoped once more to find comfort, some happy suggestion, and perhaps some definite assistance.

She begged Alexander to take her thither, and he consented, though he was of opinion that Philip would be found in the mortuary chamber, in the presence of Korinna's portrait.

It was not easy to force their way through the thousands who had come out to the great show this night; however, most of the visitors were attracted by the mysteries far away from the Macedonian burial-ground, and there was little to disturb the silence near the fine marble monument which Alexander, to gratify his father, had erected with his first large earnings. It was hung with various garlands, and Melissa, before she prayed and anointed the stone, examined them with eye and hand.

Those which she and her father had placed there she recognized at once. That humble garland of reeds with two lotus-flowers was the gift of their old slave Argutis and his wife Dido. This beautiful wreath of choice flowers had come from the garden of a neighbor who had loved her mother well; and that splendid basketful of lovely roses, which had not been there this morning, had been placed here by Andreas, steward to the father of her young friend Diodoros, although he was of the Christian sect. And these were all. Philip had not been here then, though it was now past midnight.

For the first time in his life he had let this day pass by without a thought for their dead. How bitterly this grieved Melissa, and even added to her anxiety for him!

It was with a heavy heart that she and Alexander anointed the tombstone; and while Melissa uplifted her hands in prayer, the painter stood in silence, his eyes fixed on the ground. But no sooner had she let them fall, than he exclaimed:

"He is here, I am sure, and in the house of the embalmers. That he ordered two wreaths is perfectly certain; and if he meant one for Korinna's picture, he surely intended the other for our mother. If he has offered both to the young girl--"

"No, no!" Melissa put in. "He will bring his gift. Let us wait here a little while, and do you, too, pray to the manes of our mother. Do it to please me."

But her brother interrupted her eagerly I think of her wherever I may be; for those we truly love always live for us. Not a day passes, nor if I come in sober, not a night, when I do not see her dear face, either waking or dreaming. Of all things sacred, the thought of her is the highest; and if she had been raised to divine honors like the dead Caesars who have brought so many curses on the world--"

"Hush--don't speak so loud!" said Melissa, seriously, for men were moving to and fro among the tombs, and Roman guards kept watch over the populace.

But the rash youth went on in the same tone:

"I would worship her gladly, though I have forgotten how to pray. For who can tell here--unless he follows the herd and worships Serapis--who can tell to which god of them all he shall turn when he happens to be at his wits' end? While my mother lived, I, like you, could gladly worship and sacrifice to the immortals; but Philip has spoiled me for all that. As to the divine Caesars, every one thinks as I do. My mother would sooner have entered a pesthouse than the banqueting-hall where they feast, on Olympus. Caracalla among the gods! Why, Father Zeus cast his son Hephaistos on earth from the height of Olympus, and only broke his leg; but our Caesar accomplished a more powerful throw, for he cast his brother through the earth into the nether world--an imperial thrust--and not merely lamed him but killed him."

"Well done!" said a deep voice, interrupting the young artist. "Is that you, Alexander? Hear what new titles to fame Heron's son can find for the imperial guest who is to arrive to-morrow."

"Pray hush!" Melissa besought him, looking up at the bearded man who had laid his arm on Alexander's shoulder. It was Glaukias the sculptor, her father's tenant; for his work-room stood on the plot of ground by the garden of Hermes, which the gem-cutter had inherited from his father-in-law.

The man's bold, manly features were flushed with wine and revelry; his twinkling eyes sparkled, and the ivy-leaves still clinging to his curly hair showed that he had been one in the Dionysiac revellers; but the Greek blood which ran in his veins preserved his grace even in drunkenness. He bowed gayly to the young girl, and exclaimed to his companions:

"The youngest pearl in Alexandria's crown of beauties!" while Bion, Alexander's now gray-haired master, clapped the youth on the arm, and added: "Yes, indeed, see what the little thing has grown! Do you remember, pretty one, how you once--how many years ago, I wonder?--spotted your little white garments all over with red dots! I can see you now, your tiny finger plunged into the pot of paint, and then carefully printing off the round pattern all over the white linen. Why, the little painter has become a Hebe, a Charis, or, better still, a sweetly dreaming Psyche."

"Ay, ay!" said Glaukias again. "My worthy landlord has a charming model. He has not far to seek for a head for his best gems. His son, a Helios, or the great Macedonian whose name he bears; his daughter--you are right, Bion--the maid beloved of Eros. Now, if you can make verses, my young friend of the Muses, give us an epigram in a line or two which we may bear in mind as a compliment to our imperial visitor."

"But not here--not in the burial-ground," Melissa urged once more.

Among Glaukias's companions was Argeios, a vain and handsome young poet, with scented locks betraying him from afar, who was fain to display the promptness of his poetical powers; and, even while the elder artist was speaking, he had run Alexander's satirical remarks into the mold of rhythm. Not to save his life could he have suppressed the hastily conceived distich, or have let slip such a justifiable claim to applause. So, without heeding Melissa's remonstrance, he flung his sky-blue mantle about him in fresh folds, and declaimed with comical emphasis:

"Down to earth did the god cast his son: but with mightier hand Through it, to Hades, Caesar flung his brother the dwarf."

The versifier was rewarded by a shout of laughter, and, spurred by the approval of his friends, he declared he had hit on the mode to which to sing his lines, as he did in a fine, full voice.

But there was another poet, Mentor, also of the party, and as he could not be happy under his rival's triumph, he exclaimed: "The great dyer--for you know he uses blood instead of the Tyrian shell--has nothing of Father Zeus about him that I can see, but far more of the great Alexander, whose mausoleum he is to visit to-morrow. And if you would like to know wherein the son of Severus resembles the giant of Macedon, you shall hear."

He thrummed his thyrsus as though he struck the strings of a lyre, and, having ended the dumb prelude, he sang:

"Wherein hath the knave Caracalla outdone Alexander? He killed a brother, the hero a friend, in his rage."

These lines, however, met with no applause; for they were not so lightly improvised as the former distich, and it was clumsy and tasteless, as well as dangerous thus to name, in connection with such a jest, the potentate at whom it was aimed. And the fears of the jovial party were only too well founded, for a tall, lean Egyptian suddenly stood among the Greeks as if he had sprung from the earth. They were sobered at once, and, like a swarm of pigeons on which a hawk swoops down, they dispersed in all directions.

Melissa beckoned to her brother to follow her; but the Egyptian intruder snatched the mantle, quick as lightning, from Alexander's shoulders, and ran off with it to the nearest pine-torch. The young man hurried after the thief, as he supposed him to be, but there the spy flung the cloak back to him, saying, in a tone of command, though not loud, for there were still many persons among the graves:

"Hands off, son of Heron, unless you want me to call the watch! I have seen your face by the light, and that is enough for this time. Now we know each other, and we shall meet again in another place!"

With these words he vanished in the darkness, and Melissa asked, in great alarm:

"In the name of all the gods, who was that?"

"Some rascally carpenter, or scribe, probably, who is in the service of the night-watch as a spy. At least those sort of folks are often built askew, as that scoundrel was," replied Alexander, lightly. But he knew the man only too well. It was Zminis, the chief of the spies to the night patrol; a man who was particularly inimical to Heron, and whose hatred included the son, by whom he had been befooled and misled in more than one wild ploy with his boon companions. This spy, whose cruelty and cunning were universally feared, might do him a serious mischief, and he therefore did not tell his sister, to whom the name of Zminis was well known, who the listener was.

He cut short all further questioning by desiring her to come at once to the mortuary hall.

"And if we do not find him there," she said, "let us go home at once; I am so frightened."

"Yes, yes," said her brother, vaguely. "If only we could meet some one you could join."

"No, we will keep together," replied Melissa, decisively; and simply assenting, with a brief "All right," the painter drew her arm through his, and they made their way through the now thinning crowd.

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Chapter IV

The houses of the embalmers, which earlier in the evening had shone brightly out of the darkness, now made a less splendid display. The dust kicked up by the crowd dimmed the few lamps and torches which had not by this time burned out or been extinguished, and an oppressive atmosphere of balsamic resin and spices met the brother and sister on the very threshold. The vast hall which they now entered was one of a long row of buildings of unburned bricks; but the Greeks insisted on some ornamentation of the simplest structure, if it served a public purpose, and the embalming-houses had a colonnade along their front, and their walls were covered with stucco, painted in gaudy colors, here in the Egyptian and there in the Greek taste. There were scenes from the Egyptian realm of the dead, and others from the Hellenic myths; for the painters had been enjoined to satisfy the requirements and views of visitors of every race. The chief attraction, however, this night was within; for the men whose duties were exercised on the dead had displayed the finest and best of what they had to offer to their customers.

The ancient Greek practice of burning the dead had died out under the Antonines. Of old, the objects used to deck the pyre had also been on show here; now there was nothing to be seen but what related to interment or entombment.

Side by side with the marble sarcophagus, or those of coarser stone, were wooden coffins and mummy-cases, with a place at the head for the portrait of the deceased. Vases and jars of every kind, amulets of various forms, spices and balsams in vials and boxes, little images in burned clay of the gods and of men, of which none but the Egyptians knew the allegorical meaning, stood in long rows on low wooden shelves. On the higher shelves were mummy bands and shrouds, some coarse, others of the very finest texture, wigs for the bald heads of shaven corpses, or woolen fillets, and simply or elaborately embroidered ribbons for the Greek dead.

Nothing was lacking of the various things in use for decking the corpse of an Alexandrian, whatever his race or faith.

Some mummy-cases, too, were there, ready to be packed off to other towns. The most costly were covered with fine red linen, wound about with strings of beads and gold ornaments, and with the name of the dead painted on the upper side. In a long, narrow room apart hung the portraits, waiting to be attached to the upper end of the mummy-cases of those lately deceased, and still in the hands of embalmers. Here, too, most of the lamps were out, and the upper end of the room was already dark. Only in the middle, where the best pictures were on show, the lights had been renewed.

The portraits were painted on thin panels of sycamore or of cypress, and in most of them the execution betrayed that their destiny was to be hidden in the gloom of a tomb.

Alexander's portrait of Korinna was in the middle of the gallery, in a good light, and stood out from the paintings on each side of it as a genuine emerald amid green glass. It was constantly surrounded by a crowd of the curious and connoisseurs. They pointed out the beautiful work to each other; but, though most of them acknowledged the skill of the master who had painted it, many ascribed its superiority to the magical charm of the model. One could see in those wonderfully harmonious features that Aristotle was right when he discerned beauty in order and proportion; while another declared that he found there the evidence of Plato's doctrine of the identity of the good and the beautiful--for this face was so lovely because it was the mirror of a soul which had been disembodied in the plenitude of maiden purity and virtue, unjarred by any discord; and this gave rise to a vehement discussion as to the essential nature of beauty and of virtue.

Others longed to know more about the early-dead original of this enchanting portrait. Korinna's wealthy father and his brothers were among the best-known men of the city. The elder, Timotheus, was high-priest of the Temple of Serapis; and Zeno, the younger, had set the whole world talking when he, who in his youth had been notoriously dissipated, had retired from any concern in the corn-trade carried on by his family, the greatest business of the kind in the world, perhaps, and--for this was an open secret--had been baptized.

The body of the maiden, when embalmed and graced with her portrait, was to be transported to the family tomb in the district of Arsinoe, where they had large possessions, and the gossip of the embalmer was eagerly swallowed as he expatiated on the splendor with which her liberal father proposed to escort her thither.

Alexander and Melissa had entered the portrait-gallery before the beginning of this narrative, and listened to it, standing behind several rows of gazers who were between them and the portrait.

As the speaker ceased, the little crowd broke up, and when Melissa could at last see her brother's work at her ease, she stood speechless for some time; and then she turned to the artist, and exclaimed, from the depths of her heart, "Beauty is perhaps the noblest thing in the world!"

"It is," replied Alexander, with perfect assurance. And he, bewitched once more by the spell which had held him by Korinna's couch, gazed into the dark eyes in his own picture, whose living glance his had never met, and which he nevertheless had faithfully reproduced, giving them a look of the longing of a pure soul for all that is lovely and worthy.

Melissa, an artist's daughter, as she looked at this portrait, understood what it was that had so deeply stirred her brother while he painted it; but this was not the place to tell him so. She soon tore herself away, to look about for Philip once more and then to be taken home.

Alexander, too, was seeking Philip; but, sharp as the artist's eyes were, Melissa's seemed to be keener, for, just as they were giving it up and turning to go, she pointed to a dark corner and said softly, "There he is."

And there, in fact, her brother was, sitting with two men, one very tall and the other a little man, his brow resting on his hand in the deep shadow of a sarcophagus, between the wall and a mummy-case set on end, which till now had hidden him from Alexander and Melissa.

Who could the man be who had kept the young philosopher, somewhat inaccessible in his pride of learning, so long in talk in that half-dark corner? He was not one of the learned society at the Museum; Alexander knew them all. Besides, he was not dressed like them, in the Greek fashion, but in the flowing robe of a Magian. And the stranger was a man of consequence, for he wore his splendid garment with a superior air, and as Alexander approached him he remembered having somewhere seen this tall, bearded figure, with the powerful head garnished with flowing and carefully oiled black curls. Such handsome and well-chiseled features, such fine eyes, and such a lordly, waving beard were not easily forgotten; his memory suddenly awoke and threw a light on the man as he sat in the gloom, and on the surroundings in which he had met him for the first time.

It was at the feast of Dionysus. Among a drunken crowd, which was rushing wildly along the streets, and which Alexander had joined, himself one of the wildest, this man had marched, sober and dignified as he was at this moment, in the same flowing raiment. This had provoked the feasters, who, being full of wine and of the god, would have nothing that could remind them of the serious side of life. Such sullen reserve on a day of rejoicing was an insult to the jolly giver of the fruits of the earth, and to wine itself, the care-killer; and the mad troop of artists, disguised as Silenus, satyrs, and fauns, had crowded round the stranger to compel him to join their rout and empty the wine-jar which a burly Silenus was carrying before him on his ass.

At first the man had paid no heed to the youths' light mockery; but as they grew bolder, he suddenly stood still, seized the tall faun, who was trying to force the wine-jar on him, by both arms, and, holding him firmly, fixed his grave, dark eyes on those of the youth. Alexander had not forgotten the half-comical, half-threatening incident, but what he remembered most clearly was the strange scene that followed: for, after the Magian had released his enemy, he bade him take the jar back to Silenus, and proceed on his way, like the ass, on all-fours. And the tall faun, a headstrong, irascible Lesbian, had actually obeyed the stately despot, and crept along on his hands and feet by the side of the donkey. No threats nor mockery of his companions could persuade him to rise. The high spirits of the boisterous crew were quite broken, and before they could turn on the magician he had vanished.

Alexander had afterward learned that he was Serapion, the star-gazer and thaumaturgist, whom all the spirits of heaven and earth obeyed.

When, at the time, the painter had told the story to Philip, the philosopher had laughed at him, though Alexander had reminded him that Plato even had spoken of the daimons as being the guardian spirits of men; that in Alexandria, great and small alike believed in them as a fact to be reckoned with; and that he--Philip himself--had told him that they played a prominent part in the newest systems of philosophy.

But to the skeptic nothing was sure: and if he would deny the existence of the Divinity, he naturally must disbelieve that of any beings in a sphere between the supersensual immortals and sentient human creatures. That a man, the weaker nature, could have any power over daimons, who, as having a nearer affinity to the gods, must, if they existed, be the stronger, he could refute with convincing arguments; and when he saw others nibbling whitethorn-leaves, or daubing their thresholds with pitch to preserve themselves and the house from evil spirits, he shrugged his shoulders contemptuously, though his father often did such things.

Here was Philip, deep in conversation with the man he had mocked at, and Alexander was flattered by seeing that wise and famous Serapion, in whose powers he himself believed, was talking almost humbly to his brother, as though to a superior. The magician was standing, while the philosopher, as though it were his right, remained seated.

Of what could they be conversing?

Alexander himself was anxious to be going, and only his desire to hear at any rate a few sentences of the talk of two such men detained him longer.

As he expected, it bore on Serapion's magical powers; but the bearded man spoke in a very low tone, and if the painter ventured any nearer he would be seen. He could only catch a few incoherent words, till Philip exclaimed in a louder voice: "All that is well-reasoned. But you will be able to write an enduring inscription on the shifting wave sooner than you will shake my conviction that for our spirit, such as Nature has made it, there is nothing infallible or certain."

The painter was familiar with this postulate, and was curious to hear the Magian's reply; but he could not follow his argument till he ended by saying, rather more emphatically: "You, even, do not deny the physical connection of things; but I know the power that causes it. It is the magical sympathy which displays itself more powerfully in the universe, and among human beings, than any other force."

"That is just what remains to be proved," was the reply. But as the other declared in all confidence, "And I can prove it," and was proceeding to do so, Serapion's companion, a stunted, sharp-featured little Syrian, caught sight of Alexander. The discourse was interrupted, and Alexander, pointing to Melissa, begged his brother to grant them a few minutes' speech with him. Philip, however, scarcely spared a moment for greeting his brother and sister; and when, in answer to his request that they be brief in what they had to say, they replied that a few words would not suffice, Philip was for putting them off till the morrow, as he did not choose to be disturbed just now.

At this Melissa took courage; she turned to Serapion and modestly addressed him:

"You, sir, look like a grave, kind man, and seem to have a regard for my brother. You, then, will help us, no doubt, to cure him of an illusion which troubles us. A dead girl, he says, met him, and he touched her hand."

"And do you, sweet child, think that impossible?" the Magian asked with gentle gravity. "Have the thousands who bring not merely fruit and wine and money for their dead, but who even burn a black sheep for them--you, perhaps, have done the same--have they, I ask, done this so long in vain? I can not believe it. Nay, I know from the ghosts themselves that this gives them pleasure; so they must have the organs of sense."

"That we may rejoice departed souls by food and drink," said Melissa, eagerly, "and that daimons at times mingle with the living, every one of course, believes; but who ever heard that warm blood stirred in them? And how can it be possible that they should remunerate a service with money, which certainly was not coined in their airy realm, but in the mint here?"

"Not too fast, fair maid," replied the Magian, raising a warning hand. "There is no form which these intermediate beings can not assume. They have the control of all and everything which mortals may use, so the soul of Korinna revisiting these scenes may quite well have paid the ferryman with an obolus."

"Then you know of it?" asked Melissa in surprise; but the Magian broke in, saying:

"Few such things remain hidden from him who knows, not even the smallest, if he strives after such knowledge."

As he spoke he gave the girl such a look as made her eyelids fall, and he went on with greater warmth: "There would be fewer tears shed by death-beds, my child, if we could but show the world the means by which the initiated hold converse with the souls of the dead."

Melissa shook her pretty head sadly, and the Magian kindly stroked her waving hair; then, looking her straight in the eyes, he said: "The dead live. What once has been can never cease to be, any more than out of nothing can anything come. It is so simple; and so, too, are the workings of magic, which amaze you so much. What you call magic, when I practice it, Eros, the great god of love, has wrought a thousand times in your breast. When your heart leaps at your brother's caress, when the god's arrow pierces you, and the glance of a lover fills you with gladness, when the sweet harmonies of fine music wrap your soul above this earth, or the wail of a child moves you to compassion, you have felt the magic power stirring in your own soul. You feel it when some mysterious power, without any will of your own, prompts you to some act, be it what it may. And, besides all this, if a leaf flutters off the table without being touched by any visible hand, you do not doubt that a draught of air, which you can neither hear nor see, has swept through the room. If at noon the world is suddenly darkened, you know, without looking up at the sky, that it is overcast by a cloud. In the very same way you can feel the nearness of a soul that was dear to you without being able to see it. All that is necessary is to strengthen the faculty which knows its presence, and give it the proper training, and then you will see and hear them. The Magians have the key which unlocks the door of the world of spirits to the human senses. Your noble brother, in whom the claims of the spirit have long since triumphed over those of sense, has found this key without seeking it, since he has been permitted to see Korinna's soul. And if he follows a competent guide he will see her again."

"But why? What good will it do him?" asked Melissa, with a reproachful and anxious look at the man whose influence, as she divined would be pernicious to her brother, in spite of his knowledge. The Magian gave a compassionate shrug, and in the look he cast at the philosopher, the question was legible, "What have such as these to do with the highest things?"

Philip nodded in impatient assent, and, without paying any further heed to his brother and sister, besought his friend to give him the proofs of the theory that the physical causation of things is weaker than the sympathy which connects them. Melissa knew full well that any attempt now to separate Philip from Serapion would be futile; however, she would not leave the last chance untried, and asked him gravely whether he had forgotten his mother's tomb.

He hastily assured her that he fully intended to visit it presently. Fruit and fragrant oil could be had here at any hour of the night.

"And your two wreaths?" she said, in mild reproach, for she had observed them both below the portrait of Korinna.

"I had another use for them," he said, evasively; and then he added, apologetically: "You have brought flowers enough, I know. If I can find time, I will go to-morrow to see my father." He nodded to them both, turned to the Magian, and went on eagerly:

"Then that magical sympathy--"

They did not wait to hear the discussion; Alexander signed to his sister to follow him.

He, too, knew that his brother's ear was deaf now to anything he could say. What Serapion had said had riveted even his attention, and the question whether it might indeed be vouchsafed to living mortals to see the souls of the departed, and hear their voices, exercised his mind so greatly that he could not forbear asking his sister's opinion on such matters.

But Melissa's good sense had felt that there was something not quite sound in the Magian's argument--nor did she conceal her conviction that Philip, who was always hard to convince, had accepted Serapion's views, not because he yielded to the weight of his reasons, but because he--and Alexander, too, for that matter--hoped by his mediation to see the beautiful Korinna again.

This the artist admitted; but when he jested of the danger of a jealous quarrel between him and his brother, for the sake of a dead girl, there was something hard in his tone, and very unlike him, which Melissa did not like.

They breathed more freely as they got out into the open air, and her efforts to change the subject of their conversation were happily seconded; for at the door they met the family of their neighbor Skopas, the owner of a stone-quarry, whose grave-plot adjoined theirs, and Melissa was happy again as she heard her brother laughing as gayly as ever with Skopas's pretty daughter. The mania had not taken such deep hold of the light-hearted young painter as of Philip, the poring and gloomy philosopher; and she was glad as she heard her friend Ino call Alexander a faithless butterfly, while her sister Helena declared that he was a godless scoffer.

A THORNY PATH

By Georg Ebers

Volume 2.

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Chapter V

The crowds on the road were now homeward bound, and they were all in such wild, high spirits that, from what was to be seen and heard, it could never have been supposed that they had come from so mournful a scene. They took the road by the sea leading from the Nekropolis to Eleusis, wandering on in the glowing moonlight.

A great procession of Greeks had been to Eleusis, to celebrate the mysteries after the manner of the Greek Eleusis, on which that of Alexandria was modeled. The newly initiated, and the elder adepts, whose duty it was to superintend their reception, had remained in the temple; but the other mystics now swelled the train of those who were coming from the city of the dead.

Here, indeed, Serapis took the place of Pluto, and much that was Greek had assumed strange and Egyptian forms: even the order of the ceremonies had been entirely changed; still, on the African, as on the Attic shore, the Greek cry went up, "To the sea, O mystics!" and the bidding to Iakchos: "Be with us, O Iakchos!"

It could be heard from afar, but the voices of the shouters were already weary, and most of the torches had burned low. The wreaths of ivy and myrtle in their hair were limp; the singers of the hymn no longer kept their ranks; and even Iambe, whose jests had cheered the mourning Demeter, and whose lips at Eleusis had overflowed with witticisms, was exhausted and silent. She still held in her hand the jar from which she had given the bereaved goddess a reviving draught, but it was empty and she longed for a drink. She was indeed a he: for it was a youth in woman's dress who played the rollicking part of Iambe, and it was Alexander's friend and comrade Diodoros who had represented the daughter of Pan and Echo, who, the legend said, had acted as slave in the house of Metaneira, the Eleusinian queen, when Demeter took refuge there. His sturdy legs had good reason to be as weary as his tongue, which had known no rest for five hours.

But he caught sight of the large vehicle drawn by four horses, in which the vast corn-measure, the kalathos, which Serapis wore as his distinguishing head-gear, had been conveyed to Eleusis. It was empty now, for the contents had been offered to the god, and the four black horses had an easy task with the great wagon. No one had as yet thought of using it as a conveyance back to the town; but Diodoros, who was both ingenious and tired, ran after it and leaped up. Several now wanted to follow his example, but he pushed them off, even thrusting at them with a newly lighted torch, for he could not be quiet in spite of his fatigue. In the midst of the skirmishing he perceived his friend and Melissa.

His heart had been given to the gentle girl ever since they had been playmates in his father's garden, and when he saw her, walking along downcast, while her brother sported with his neighbor's daughters, he beckoned to her, and, as she refused to accompany him in the wagon, he nimbly sprang off, lifted her up in his arms, made strong by exercise in the Palaestra, and gently deposited her, in spite of her struggles, on the flat floor of the car, by the side of the empty kalathos.

"The rape of Persephone!" he cried. "The second performance in one. night!"

Then the old reckless spirit seized Alexander too.

With as much gay audacity--as though he were free of every care and grief, and had signed a compact with Fortune, he picked up pretty Ino, lifted her into the wagon, as Diodoros had done with his sister, and exclaiming, "The third performance!" seated himself by her side.

His bold example found immediate imitators. "A fourth!" "A fifth!" cried one and another, shouting and laughing, with loud calls on Iakchos.

The horses found it hard work, for all along the edge of the car, and round the kalathos of the great Serapis, sat the merry young couples in close array. Alexander and Melissa soon were wreathed with myrtle and ivy. In the vehicle and among the crowd there were none but radiant and frolicsome faces, and no sound but triumphant revelry.

Fatigue was forgotten; it might have been supposed that the sinister sisters, Care and Sorrow, had been banished from earth.

There was a smile even on Melissa's sweet, calm face. At first her old friend's audacious jest had offended her maidenly coyness; but if Diodoros had always loved her, so had she always loved him; and as other well-conducted girls had been content to have the like done to them, and her companion so confidently and roguishly sued for pardon, she gave him a smile which filled his heart with rapture, and said more than words.

It was a comfort, too, to sit still and rest.

She spoke but little, but even she forgot what troubled her when she felt her friend's hand on hers, and he whispered to her that this was the most delightful night he had ever known, and that, of all the sweets the gods had created, she was to him the sweetest?

The blue sea spread before them, the full moon mirrored on its scarcely heaving surface like a tremulous column of pure and shining silver. The murmur of the ripples came up from the strand as soothing and inviting as the song of the Nereids; and if a white crest of foam rose on a wave, she could fancy it was the arm of Thetis or Galatea. There, where the blue was deepest, the sea-god Glaukos must dwell, and his heart be gladdened by the merry doings on shore.

Nature is so great; and as the thought came to her that her heart was not too small to take its greatness in, even to the farthest horizon, it filled her with glad surprise.

And Nature was bountiful too. Melissa could see the happy and gracious face of a divinity in everything she looked upon. The immortals who had afflicted her, and whom she had often bitterly accused, could be kind and merciful too. The sea, on whose shining surface the blue vault of heaven with the moon and stars rocked and twinkled, the soft breeze which fanned her brow, the new delicious longing which filled her heart-all she felt and was conscious of, was a divinity or an emanation of the divine. Mighty Poseidon and majestic Zeus, gentle Selene, and the sportive children of the god of winds, seemed to be strangely near her as she rode along. And it was the omnipotent son of Kypris, no doubt, who stirred her heart to beat higher than it had ever done before.

Her visit to her mother's grave, too, her prayer and her offerings there, had perhaps moved the spirit of the beloved dead to hover near her now as a guardian genius.

Still, now and again the memory of something terrible passed over her soul like a sweeping shadow; but what it was which threatened her and those dear to her she did not see, and would not now inquire. What the morrow might bring should not cloud the enchantment of this hour. For oh, how fair the world was, and how blessed might mortals be!

"Iakchos! Iakchos!" the voices about her shouted, and it sounded as gleeful as though the breasts of the revelers were overflowing with gladness; and as the scented curls of Diodoros bent over her head, as his hand closed on hers, and his whispered words of love were in her ear, she murmured: "Alexander is right; the world is a banqueting-hall, and life is fair."

"So fair!" echoed the youth, pensively. Then he shouted aloud to his companions: "The world is a banqueting-hall! Bring roses, bring wine, that we may sacrifice to Eros, and pour libations to Dionysus. Light the flaming torches! Iakchos! come, Iakchos, and sanctify our glad festival!"

"Come, Iakchos, come!" cried one and another, and soon the enthusiastic youth's cry was taken up on all sides. But wine-skin and jar were long since emptied.

Hard by, below the cliff, and close to the sea, was a tavern, at the sign of the Cock. Here cool drink was to be had; here the horses might rest-for the drivers had been grumbling bitterly at the heavy load added to the car over the deep sand--and here there was a level plot, under the shade of a spreading sycamore, which had often before now served as a floor for the choric dance.

The vehicle soon drew up in front of the whitewashed inn, surrounded on three sides by a trellised arbor, overgrown with figs and vine. The young couples sprang to the ground; and, while the host and his slave dragged up a huge wine-jar with two ears, full of the red juice of the grape, fresh torches were lighted and stuck on poles or fastened to the branches of the sycamore, the youths took their places eager for the dance, and suddenly the festal song went up from their clear throats unbidden, and as though inspired by some mysterious power:

Iakchos, come! oh, come, Iakchos! Hither come, to the scene of our revel, The gladsome band of the faithful. Shake the fragrant, berried garland, Myrtle-twined, that crowns thy love-locks, Shedding its odors! Tread the measure, with fearless stamp, Of this our reckless, rapturous dance, In holy rejoicing! Hand in hand, thrice beatified, Lo we thread the rhythmic, fanciful, Mystical mazes!

And the dance begins. Youths and maidens advance to meet each other with graceful movements. Every step must be a thing of beauty, every bend and rising, while the double flutes play faster and faster, and the measured rhythm becomes a wild whirl. They all know the dance, and the music is a guide to the feeling to be expressed; the dancing must be suited to it. Every gesture is a stroke of color which may beautify or mar the picture. Body and spirit are in perfect harmony, combining to represent the feelings that stir the soul. It is a work of art, the art of the arms and feet. Even when passion is at the highest the guiding law is observed. Nay, when the dancers fly wildly apart, they, not merely come together again with unerring certainty, but form in new combination another delightful and perfectly harmonious picture.

"Seek and find" this dance might be called, for the first idea is to represent the wandering of Demeter in search of her daughter Persephone, whom Pluto has carried off to the nether world, till she finds her and clasps her in her motherly arms once more. Thus does the earth bewail the reaped fruit of the field, which is buried in the ground in the winter sowing, to rise again in the spring; thus does a faithful heart pine during absence till it is reunited to the beloved one; thus do we mourn our dead till our soul is assured of their resurrection: and this belief is the end and clew to the mystery.

All this grief and search, this longing and crying for the absent, this final restoration and the bliss of new possession, is set forth by the youths and damsels-now in slow and now in vehement action, but always with infinite grace.

Melissa threw her whole soul into the dance while Demeter was seeking the lost Persephone, her thoughts were with her brothers; and she laughed as heartily as any one at the jests with which Iambe cheered the stricken mother. And when the joy of meeting was to find expression, she need not think of anything but the fact that the youth who held out his hand to her loved her and cared for her. In this, for the moment, lay the end of all her longing and seeking, the fulfillment of every wish; and as the chorus shouted, "Iakchos!" again and again, her soul seemed to have taken wings.

The reserve of her calm and maidenly nature broke down; in her ecstasy she snatched from her shoulder the wreath of ivy with which Diodoros had decked her, and waved it aloft. Her long hair had fallen loose in the dance and flowed wildly about her, and her shout of "Iakchos!" rang clear in the night air.

The youth she loved gazed at her with ravished eyes, as at some miracle; she, heedless of the others, threw her arms round his neck, and, as he kissed her, she said once more, but loud enough now to be heard from afar, "The world is a banqueting-hall!" and again she joined in the shout of "Iakchos!" her eyes bright with excitement. Cups filled high with wine now circulated among the mad-cap mystics; even Melissa refreshed herself, handing the beaker to her lover, and Diodoros raised to his mouth that place on the rim which her lips had touched.

"O life! fount of joys!" cried Diodoros, kissing her and pressing her closer to him. "Come, Iakchos! Behold with envy how thankfully two mortals can bless the gift of life. But where is Alexander? To none but to our Andreas have I ever confided the secret I have borne in my heart since that day when we went to the circus. But now! Oh, it is so much happiness for two hearts! My friend, too, must have part in it!"

At this Melissa clasped her hand to her brow, as though waking from a dream. How hot she was from dancing, and the unusual strength of the wine and water she had drunk!

The danger impending over both her brothers came back to her mind. She had always been accustomed to think of others rather than herself, and her festal mood dropped from her suddenly, like a mantle of which the brooch breaks. She vehemently shook herself free of her lover's embrace, and her eyes glanced from one to another in rapid search.

There stood pretty Ino, who had danced the mazy measure with Alexander. Panting for breath, she stood leaning her weary head and tangled hair against the trunk of the tree, a wine-cup upside down in her right hand. It must be empty; but where was he who had emptied it?

Her neighbor's daughter would surely know. Had the reckless youth quarreled with the girl? No, no!

One of the tavern-keeper's slaves, Ino told her, had whispered something to Alexander, whereupon he had instantly followed the man into the house. Melissa knew that it could be no trivial matter which detained him there, and hurried after him into the tavern.

The host, a Greek, and his buxom wife, affected not to know for whom she was inquiring; but, perceiving the anxiety which spoke in every line of the girl's face, when she explained that she was Alexander's sister, they at first looked at each other doubtingly, and then the woman, who had children of her own, who fondly loved each other, felt her heart swell within her, and she whispered, with her finger on her lips: "Do not be uneasy, pretty maid; my husband will see him well through."

And then Melissa heard that the Egyptian, who had alarmed her in the Nekropolis, was the spy Zminis, who, as her old slave Dido had once told her, had been a rejected suitor of her mother's before she had married Heron, and who was therefore always glad to bring trouble on all who belonged to her father's house. How often had she heard of the annoyances in which this man had involved her father and Alexander, who were apt to be very short with the man!

This tale-bearer, who held the highest position as guardian of the peace under the captain of the night-watch, was of all men in the city the most hated and feared; and he had heard her brother speaking of Caesar in a tone of mockery which was enough to bring him to prison, to the quarries, nay, to death. Glaukias, the sculptor, had previously seen the Egyptian on the bridge, where he had detained those who were returning home from the city of the dead. He and his followers had already stopped the poet Argeios on his way, but the thyrsus staves of the Dionysiac revelers had somewhat spoiled the game for him and his satellites. He was probably still standing on the bridge. Glaukias had immediately run back, at any risk, to warn Alexander. He and the painter were now in hiding, and would remain in safety, come what might, in the cellar at the Cock, till the coast was clear again. The tavern-keeper strongly advised no one to go meddling with his wine-skins and jars.

"Much less that Egyptian dog!" cried his wife, doubling her fist as though the hated mischief-maker stood before her already.

"Poor, helpless lamb!" she murmured to herself, as she looked compassionately at the fragile, town-bred girl, who stood gazing at the ground as if she had been struck by lightning. She remembered, too, how hard life had seemed to her in her own young days, and glanced with pride at her brawny arms, which were able indeed to work and manage.

But what now?

The drooping flower suddenly raised her head, as if moved by a spring, exclaiming: "Thank you heartily, thank you! But that will never do. If Zminis searches your premises he will certainly go into the cellar; for what can he not do in Caesar's name? I will not part from my brother."

"Then you, too, are a welcome guest at the Cock," interrupted the woman, and her husband bowed low, assuring her that the Cock was as much her house as it was his.

But the helpless town-bred damsel declined this friendly invitation; for her shrewd little head had devised another plan for saving her brother, though the tavern-keepers, to whom she confided it in a whisper, laughed and shook their heads over it. Diodoros was waiting outside in anxious impatience; he loved her, and he was her brother's best friend. All that he could do to save Alexander he would gladly do, she knew. On the estate which would some day be his, there was room and to spare to hide the fugitives, for one of the largest gardens in the town was owned by his father. His extensive grounds had been familiar to her from her childhood, for her own mother and her lover's had been friends; and Andreas, the freedman, the overseer of Polybius's gardens and plantations, was dearer to her and her brothers than any one else in Alexandria.

Nor had she deceived herself, for Diodoros made Alexander's cause his own, in his eager, vehement way; and the plan for his deliverance seemed doubly admirable as proceeding from Melissa. In a few minutes Alexander and the sculptor were released from their hiding-place, and all further care for them was left to Diodoros.

They were both very, craftily disguised. No one would have recognized the artists in two sailors, whose Phrygian caps completely hid their hair, while a heavy fisherman's apron was girt about their loins; still less would any one have suspected from their laughing faces that imprisonment, if nothing worse, hung over them. Their change of garb had given rise to so much fun; and now, on hearing how they were to be smuggled into the town, their merriment grew higher, and proved catching to those who were taken into the secret. Only Melissa was oppressed with anxious care, in spite of her lover's eager consolation.

Glaukias, a man of scarcely middle height, was sure of not being recognized, and he and his comrades looked forward to whatever might happen as merely an amusing jest. At the same time they had to balk the hated chief of the city guards and his menials of their immediate prey; but they had played them a trick or two ere now. It might turn out really badly for Alexander; still, it was only needful to keep him concealed till Caesar should arrive; then he would be safe, for the Emperor would certainly absorb all the thoughts and time of the captain of the night-watch and his chief officers. In Alexandria, anything once past was so soon forgotten! When once Caracalla was gone--and it was to be hoped that he would not stay long--no one would ever think again of any biting speech made before his arrival.

The morning must bring what it might, so long as the present moment was gay!

So, refreshed and cheered by rest and wine, the party of mystics prepared to set out again; and, as the procession started, no one who did not know it had observed that the two artists, disguised as sailors, were, by Melissa's advice, hidden inside the kalathos of Serapis, which would easily have held six, and was breast-high even for Alexander, who was a tall man. They squatted on the floor of the huge vessel, with a jar of wine between them, and peeped over now and then with a laugh at the girls, who had again seated themselves on the edge of the car.

When they were fairly on their way once more, Alexander and his companions were so daring that, whenever they could do it unobserved, they pelted the damsels with the remains of the corn, or sprinkled them with wine-drops. Glaukias had the art of imitating the pattering of rain and the humming of a fly to perfection with his lips; and when the girls complained of the tiresome insect buzzing in their faces, or declared, when a drop fell on them, that in spite of the blue and cloudless sky it was certainly beginning to rain, the two men had to cover their mouths with their hands, that their laughter might not betray them.

Melissa, who had comforted Ino with the assurance that Alexander had been called away quite unexpectedly, was now sitting by her side, and perceived, of course, what tricks the men in the kalathos were playing; but, instead of amusing her, they only made her anxious.

Every one about her was laughing and joking, but for her all mirth was at an end. Fear, indeed, weighed on her like an incubus, when the car reached the bridge and rattled across it. It was lined with soldiers and lictors, who looked closely at each one, even at Melissa herself. But no one spoke to her, and when the water lay behind them she breathed more freely. But only for a moment; for she suddenly remembered that they would presently have to pass through the gate leading past Hadrian's western wall into the town. If Zminis were waiting there instead of on the bridge, and were to search the vehicle, then all would be lost, for he had looked her, too, in the face with those strange, fixed eyes of his; and that where he saw the sister he would also seek the brother, seemed to her quite certain. Thus her presence was a source of peril to Alexander, and she must at any cost avert that.

She immediately put out her hand to Diodoros, who was walking at her side, and with his help slipped down from her seat. Then she whispered her fears to him, and begged him to quit the party and conduct her home.

This was a surprising and delightful task for her lover. With a jesting word he leaped on to the car, and even succeeded in murmuring to Alexander, unobserved, that Melissa had placed herself under his protection. When they got home, they could tell Heron and Andreas that the youths were safe in hiding. Melissa could explain, to-morrow morning, how everything had happened. Then he drew Melissa's arm through his, loudly shouted, "Iakchos!" and with a swift dance-step soon outstripped the wagon.

Not fifty paces beyond, large pine torches sent bright flames up skyward, and by their light the girl could see the dreaded gateway, with the statues of Hadrian and Sabina, and in front of them, in the middle of the road, a horseman, who, as they approached, came trotting forward to meet them on his tall steed. His head towered above every one else in the road; and as she looked up at him her heart almost ceased beating, for her eyes met those of the dreaded Egyptian; their white balls showed plainly in his brown, lean face, and their cruel, evil sparkle had stamped them clearly on her memory.

On her right a street turned off from the road, and saying in a low tone, "This way," she led Diodoros, to his surprise, into the shadow. His heart beat high. Did she, whose coy and maidenly austerity before and after the intoxication of the dance had vouchsafed him hardly a kind look or a clasp of the hand-did she even yearn for some tender embrace alone and in darkness? Did the quiet, modest girl, who, since she had ceased to be a child, had but rarely given him a few poor words, long to tell him that which hitherto only her bright eyes and the kiss of her pure young lips had betrayed?

He drew her more closely to him in blissful expectation; but she shyly shrank from his touch, and before he could murmur a single word of love she exclaimed in terror, as though the hand of the persecutor were already laid on her: "Fly, fly! That house will give us shelter."

And she dragged him after her into the open doorway of a large building. Scarcely had they entered the dark vestibule when the sound of hoofs was heard, and the glare of torches dispelled the darkness outside.

"Zminis! It is he--he is following us!" she whispered, scarcely able to speak; and her alarm was well founded, for the Egyptian had recognized her, and supposed her companion to be Alexander. He had ridden down the street with his torchbearers, but where she had hidden herself his keen eyes could not detect, for the departing sound of hoofs betrayed to the breathless listeners that the pursuer had left their hiding-place far behind him. Presently the pavement in front of the house which sheltered them rang again with the tramp of the horse, till it died away at last in the direction of Hadrian's gate. Not till then did Melissa lift her hand from her painfully throbbing heart.

But the Egyptian would, no doubt, have left his spies in the street, and Diodoros went out to see if the road was clear. Melissa remained alone in the dark entrance, and began to be anxious as to how she could explain her presence there if the inhabitants should happen to discover it; for in this vast building, in spite of the lateness of the hour, there still was some one astir. She had for some minutes heard a murmuring sound which reached her from an inner chamber; but it was only by degrees that she collected herself so far as to listen more closely, to ascertain whence it came and what it could mean.

A large number of persons must be assembled there, for she could distinguish several male voices, and now and then a woman's. A door was opened. She shrank closer to the wall, but the seconds became minutes, and no one appeared.

At last she fancied she heard the moving of benches or seats, and many voices together shouting she knew not what. Then again a door creaked on its hinges, and after that all was so still that she could have heard a needle drop on the floor; and this alarming silence continued till presently a deep, resonant man's voice was audible.

The singular manner in which this voice gave every word its full and equal value suggested to her fancy that something was being read aloud. She could distinctly hear the sentence with which the speech or reading began. After a short pause it was repeated somewhat more quickly, as though the speaker had this time uttered it from his own heart.

It consisted of these six simple words, "The fullness of the time was come"; and Melissa listened no more to the discourse which followed, spoken as it was in a low voice, for this sentence rang in her ears as if it were repeated by an echo.

She did not, to be sure, understand its meaning, but she felt as though it must have some deep significance. It came back to her again and again, like a melody which haunts the inward ear against our will; and her meditative fancy was trying to solve its meaning, when Diodoros returned to tell her that the street was quite empty. He knew now where they were, and, if she liked, he could lead her by a way which would not take them through the gate. Only Christians, Egyptians, and other common folks dwelt in this quarter; however, since his duty as her protector had this day begun, he would fulfill it to the best of his ability.

She went with him out into the street, and when they had gone a little way he clasped her to him and kissed her hair.

His heart was full. He knew now that she, whom he had loved when she walked in his father's garden in her little child's tunic, holding her mother's hand, returned his passion. Now the time was come for asking whether she would permit him to beg her father's leave to woo her.

He stopped in the shadow of a house near, and, while he poured out to her all that stirred his breast, carried away by tender passion, and describing in his vehement way how great and deep his love was, in spite of the utter fatigue which weighed on her body and soul after so many agitations, she felt with deep thankfulness the immense happiness of being more precious than aught else on earth to a dear, good man. Love, which had so long lain dormant in her as a bud, and then opened so quickly only to close again under her alarms, unfolded once more and blossomed for him again--not as it had done just now in passionate ecstasy, but, as beseemed her calm, transparent nature, with moderated joy, which, however, did not lack due warmth and winning tenderness.

Happiness beyond words possessed them both. She suffered him to seal his vows with kisses, herself offering him her lips, as her heart swelled with fervent thanksgiving for so much joy and such a full measure of love.

She was indeed a precious jewel, and the passion of his stormy heart was tempered by such genuine reverence that he gladly kept within the bounds which her maidenly modesty prescribed. And how much they had to say to each other in this first opening of their hearts, how many hopes for the future found utterance in words! The minutes flew on and became hours, till at last Melissa begged him to quit the marble seat on which they had so long been resting, if indeed her feet could still carry her home.

Little as it pleased him, he did her bidding. But as they went on he felt that she hung heavy on his arm and could only lift her little feet with the greatest difficulty. The street was too dark for him to see how pale she was; and yet he never took his eyes off her dear but scarcely distinguishable features. Suddenly he heard a faint whisper as in a dream, "I can go no farther," and at once led her back to the marble seat.

He first carefully spread his mantle over the stone and then wrapped her in it as tenderly as a mother might cover her shivering child, for a cooler breeze gave warning of the coming dawn. He himself crept close under the wall by her side, so as not to be seen, for a long train of people, with servants carrying lanterns before them, now came out of the house they had just left and down the street. Who these could be who walked at so late an hour in such solemn silence neither of them knew. They certainly sent up no joyful shout of "Iakchos!" no wild lament; no cheerful laughter nor sounds of mourning were to be heard from the long procession which passed along the street, two and two, at a slow pace. As soon as they had passed the last houses, men and women alike began to sing; no leader started them, nor lyre accompanied them, and yet their song went up as though with one voice.

Diodoros and Melissa knew every note sung by the Greeks or Egyptians of Alexandria, at this or any other festival, but this melody was strange to them; and when the young man whispered to the girl, "What is it that they are singing?" she replied, as though startled from sleep, "They are no mere mortals!"

Diodoros shuddered; he fancied that the procession was floating above the earth; that, if they had been indeed men of flesh and blood, their steps would have been more distinctly audible on the pavement. Some of them appeared to him to be taller than common mortals, and their chant was certainly that of another world than this where he dwelt. Perhaps these were daimons, the souls of departed Egyptians, who, after a midnight visit to those they had left behind them, were returning to the rock tombs, of which there were many in the stony hills to which this street led. They were walking toward these tombs, and not toward the gate; and Diodoros whispered his suspicion to his companion, clasping his hand on an amulet in the semblance of an eye, which his Egyptian nurse had fastened round his neck long ago with an Anubic thread, to protect him against the evil-eye and magic spells.

But Melissa was listening with such devout attention to the chant that she did not hear him. The fatigue which had reached such a painful climax had, during this peaceful rest, given way to a blissful unconsciousness of self. It was a kind of happiness to feel no longer the burden of exhaustion, and the song of the wanderers was like a cradle-song, lulling her to sweet dreams. It filled her with gladness, and yet it was not glad, not even cheerful. It went to her heart, and yet it was not mournful-not in the least like the passionate lament of Isis for Osiris, or that of Demeter bewailing her daughter. The emotion it aroused in her was a sweetly sorrowful compassion, which included herself, her brothers, her father, her lover, all who were doomed to suffering and death, even the utter stranger, for whom she had hitherto felt no sympathy.

And the compassion bore within it a sense of comfort which she could not explain, or perhaps would not inquire into. It struck her, too, now and then, that the strain had a ring as of thanksgiving. It was, no doubt, addressed to the gods, and for that reason it appealed to her, and she would gladly have joined in it, for she, too, was grateful to the immortals, and above all to Eros, for the love which had been born in her heart and had found such an ardent return. She sighed as she listened to every note of the chant, and it worked upon her like a healing draught.

The struggle of her will against bodily fatigue, and finally against the mental exhaustion of so much bliss, the conviction that her heavy, weary feet would perhaps fail to carry her home, and that she must seek shelter somewhere for the night, had disturbed her greatly. Now she was quite calm, and as much at ease as she was at home sitting with her father, her stitching in her hand, while she dreamed of her mother and her childhood in the past. The singing had fallen on her agitated soul like the oil poured by the mariner on the sea to still the foaming breakers. She felt it so.

She could not help thinking of the time when she could fall asleep on her mother's bosom in the certainty that tender love was watching over her. The happiness of childhood, when she loved everything she knew-her family, the slaves, her father's birds, the flowers in the little garden, the altar of the goddess to whom she made offering, the very stars in the sky-seemed to come over her, and there she sat in dreamy lassitude, her head on her lover's shoulder, till the last stragglers of the procession, who, were women, many of them carrying little lamps in their hands, had almost all gone past.

Then she suddenly felt an eager jerk in the shoulder on which her head was resting.

"Look--look there!" he whispered; and as her eyes followed the direction of his finger, she too started, and exclaimed, "Korinna!--Did you know her?"

"She had often come to my father's garden," he replied, "and I saw her portrait in Alexander's room. These are souls from Hades that we have seen. We must offer sacrifice, for those to whom they show themselves they draw after them." At this Melissa, too, shuddered, and exclaimed in horror: "O Diodoros, not to death! We will ask the priests to-morrow morning what sacrifice may redeem us. Anything rather than the grave and the darkness of Hades!--Come, I am strong again now. Let us get away from hence and go home."

"But we must go through the gate now," replied the youth. "It is not well to follow in the footsteps of the dead."

Melissa, however, insisted on going on through the street. Terrified as she was of the nether world and the disembodied souls, she would on no account risk falling into the hands of the horrible Egyptian, who might compel her to betray her brother's hiding-place; and Diodoros, who was ashamed to show her the fears which still possessed him, did as she desired.

But it was a comfort to him in this horror of death, which had come over him now for the first time in his life, to kiss the maid once more, and hold her warm hand in his as they walked on; while the strange chant of the nocturnal procession still rang in her ears, and now and then the words recurred to her mind which she had heard in the house where the departed souls had gathered together:

"The fullness of the time was come."

Did this refer to the hour when the dead came to the end of their life on earth; or was there some great event impending on the city and its inhabitants, for which the time had now come? Had the words anything to do with Caesar's visit? Had the dead come back to life to witness the scenes which they saw approaching with eyes clearer than those of mortals?

And then she remembered Korinna, whose fair, pale face had been strangely lighted up by the lamp she carried; and, again, the Magian's assurance that the souls of the departed were endowed with every faculty possessed by the living, and that "those who knew" could see them and converse with them.

Then Serapion had been right in saying this; and her hand trembled in her lover's as she thought to herself that the danger which now threatened Philip was estrangement from the living through intercourse with the dead. Her own dead mother, perhaps, had floated past among these wandering souls, and she grieved to think that she had neglected to look for her and give her a loving greeting. Even Diodoros, who was not generally given to silent meditation, had his own thoughts to pursue; and so they walked on in silence till suddenly they heard a dull murmur of voices. This startled them, and looking up they saw before them the rocky cliffs in which the Egyptians long since, and now in later times the Christians, had hewn caves and tombs. From the door of one of these, only a few paces beyond where they stood, light streamed out; and as they were about to pass it a large dog barked. Immediately on this a man came out, and in a rough, deep voice asked them the pass-word. Diodoros, seized with sudden terror of the dark figure, which he believed to be a risen ghost, took to his heels, dragging Melissa with him. The dog flew after them, barking loudly; and when the youth stooped to pick up a stone to scare him off, the angry brute sprang on him and dragged him down.

Melissa screamed for help, but the gruff voice angrily bade her be silent. Far from obeying him, the girl shouted louder than ever; and now, out of the entrance to the cave, close behind the scene of the disaster, came a number of men with lamps and tapers. They were the same daimons whose song she had heard in the street; she could not be mistaken. On her knees, by the side of her lover as he lay on the ground, she stared up at the apparitions. A stone flew at the dog to scare him off, and a second, larger than the first, whisked past her and hit Diodoros on the head; she heard the dull blow. At this a cold hand seemed to clutch her heart; everything about her melted into one whirling, colorless cloud. Pale as death, she threw up her arms to protect herself, and then, overcome with terror and fatigue, with a faint cry of anguish she lost consciousness.

When she opened her eyes again her head was resting in the lap of a kind, motherly woman, while some men were just bearing away the senseless form of Diodoros on a bier.

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Chapter VI

The sun had risen an hour since. Heron had betaken himself to his workshop, whistling as he went, and in the kitchen his old slave Argutis was standing over the hearth preparing his master's morning meal. He dropped a pinch of dill into the barley-porridge, and shook his gray head solemnly.

His companion Dido, a Syrian, whose wavy white hair contrasted strangely with her dark skin, presently came in, and, starting up, he hastily inquired, "Not in yet?"

"No," said the other woman, whose eyes were full of tears. "And you know what my dream was. Some evil has come to her, I am certain; and when the master hears of it--" Here she sobbed aloud; but the slave reproved her for useless weeping.

"You never carried her in your arms," whimpered the woman.

"But often enough on my shoulder," retorted the Gaul, for Argutis was a native of Augusta Trevirorum, on the Moselle. "Assoon as the porridge is ready you must take it in and prepare the master."

"That his first fury may fall on me!" said the old woman, peevishly. "I little thought when I was young!"

"That is a very old story," said Argutis, "and we both know what the master's temper is. I should have been off long ago if only you could make his porridge to his mind. As soon as I have dished it I will go to seek Alexander--there is nothing to prevent me--for it was with him that she left the house."

At this the old woman dried her tears, and cried "Yes, only go, and make haste. I will do everything else. Great gods, if she should be brought home dead! I know how it is; she could bear the old man's temper and this moping life no longer, and has thrown herself into the water.

"My dream, my dream! Here--here is the dish, and now go and find the boy. Still, Philip is the elder."

"He!" exclaimed the slave in a scornful tone. "Yes, if you want to know what the flies are talking about! Alexander for me. He has his head screwed on the right way, and he will find her if any man in Egypt can, and bring her back, alive or dead."

"Dead!" echoed Dido, with a fresh burst of sobs, and her tears fell in the porridge, which Argutis, indeed, in his distress of mind had forgotten to salt.

While this conversation was going on the gemcutter was feeding his birds. Can this man, who stands there like any girl, tempting his favorites to feed, with fond words and whistling, and the offer of attractive dainties, be the stormy blusterer of last night? There is not a coaxing name that he does not lavish on them, while he fills their cups with fresh seed and water; and how carefully he moves his big hand as he strews the little cages with clean sand! He would not for worlds scare the poor little prisoners who cheer his lonely hours, and who have long since ceased to fear him. A turtle-dove takes peas, and a hedge-sparrow picks ants' eggs from his lips; a white-throat perches on his left hand to snatch a caterpillar from his right. The huge man was in his garden soon after sunrise gathering the dewy leaves for his feathered pets. But he talks and plays longest with the starling which his lost wife gave him. She had bought it in secret from the Bedouin who for many years had brought shells for sale from the Red Sea, to surprise her husband with the gift. The clever bird had first learned to call her name, Olympias; and then, without any teaching, had picked up his master's favorite lament, "My strength, my strength!"

Heron regarded this bird as a friend who understood him, and, like him, remembered the never-to-be-forsaken dead. For three years had the gem cutter been a widower, and he still thought more constantly and fondly of his lost wife than of the children she had left him. Heron scratched the bird's knowing little head, saying in a tone which betrayed his pity both for himself and his pet "Yes, old fellow, you would rather have a soft white finger to stroke you down. I can hear her now, when she would call you 'sweet little pet,' or 'dear little creature.' We shall neither of us ever hear such gentle, loving words again. Do you remember how she would look up with her dear sweet face--and was it not a lovely face?--when you called her by her name 'Olympias'? How many a time have her rosy lips blown up your feathers, and cried, 'Well done, little fellow! '--Ay, and she would say 'Well done' to me too, when I had finished a piece of work well. Ah, and what an eye she had, particularly for art! But now well, the children give me a good word too, now that her lips are silent!"

"Olympias!" cried the bird loudly and articulately, and the clouds that shadowed the gem-cutter's brow lifted a little, as with an affectionate smile he went on:

"Yes, yes; you would be glad, too, to have her back again. You call her now, as I did yesterday, standing by her grave--and she sends you her love.

"Do you hear, little one? Peck away at the old man's finger; he knows you mean it kindly, and it does not hurt. I was all alone out there, and Selene looked down on us in silence. There was rioting and shouting all round, but I could hear the voice of our dead. She was very near me, and her sad soul showed me that she still cared for me. I had taken a jar of our best wine of Byblos under my cloak; as soon as I had poured oil on her gravestone and shed some of the noble liquor, the earth drank it up as though it were thirsty. Not a drop was left. Yes, little fellow, she accepted the gift; and when I fell on my knees to meditate on her, she vouchsafed replies to many of my questions.

"We talked together as we used--you know. And we remembered you, too; I gave you her love.

"You understand me, little fellow, don't you? And, I tell you, better times are coming now."

He turned from the bird with a sharp movement of annoyance, for the slave-woman came in with the bowl of barley-porridge.

"You!" exclaimed Heron, in surprise. "Where is Melissa?"

"She will come presently," said the old woman, in a low and doubtful tone.

"Oh, thanks for the oracle!" said the artist, ironically.

"How you mock at a body!" said the old woman. "I meant--But eat first--eat. Anger and grief are ill food for an empty stomach."

Heron sat down to the table and began to eat his porridge, but he presently tossed away the spoon, exclaiming:

"I do not fancy it, eating by myself."

Then, with a puzzled glance at Dido, he asked in a tone of vexation:

"Well, why are you waiting here? And what is the meaning of all that nipping and tugging at your dress? Have you broken another dish? No? Then have done with that cursed head-shaking, and speak out at once!"

"Eat, eat," repeated Dido, retreating to the door, but Heron called her back with vehement abuse; but when she began again her usual complaint, "I never thought, when I was young--" Heron recovered the good temper he had been rejoicing in so lately, and retorted: "Oh! yes, I know, I have the daughter of a great potentate to wait on me. And if it had only occurred to Caesar, when he was in Syria, to marry your sister, I should have had his sister-in-law in my service. But at any rate I forbid howling. You might have learned in the course of thirty years, that I do not eat my fellow-creatures. So, now, confess at once what is wrong in the kitchen, and then go and fetch Melissa." The woman was, perhaps, wise to defer the evil moment as long as possible. Matters might soon change for the better, and good or evil could come only from without. So Dido clung to the literal sense of her master's question, and something note-worthy had actually happened in the kitchen. She drew a deep breath, and told him that a subordinate of the night-watch had come in and asked whether Alexander were in the house, and where his painting-room was.

"And you gave him an exact description?" asked Heron.

But the slave shook her head; she again began to fidget with her dress, and said, timidly:

"Argutis was there, and he says no good can come of the night-watch. He told the man what he thought fit, and sent him about his business."

At this Heron interrupted the old woman with such a mighty blow of his fist on the table that the porridge jumped in the bowl, and he exclaimed in a fury:

"That is what comes of treating slaves as our equals! They begin to think for themselves. A stupid blunder can spoil the best day! The captain of the night-watch, I would have you to know, is a very great man, and very likely a friend of Seleukus's, whose daughter Alexander has just painted. The picture is attracting some attention.--Attention? What am I saying? Every one who has been allowed to see it is quite crazy about it. Everything else that was on show in the embalmers' hall was mere trash by comparison. Often enough have I grumbled at the boy, who would rather be anywhere than here; but, this time, I had some ground for being proud to be his father! And now the captain of the watch sends his secretary, or something of the kind, no doubt, in order to have his portrait, or his wife's or daughter's--if he has one--painted by the artist who did Korinna's; and his own father's slave--it drives me mad to think of it--makes a face at the messenger and sends him all astray. I will give Argutis a lesson! But by this time, perhaps--Just go and fetch him in." With these words Heron again dropped his spoon, wiped his beard, and then, seeing that Dido was still standing before him as though spellbound, twitching her slave's gray gown, he repeated his order in such angry tones--though before he had spoken to her as gently as if she were one of his own children--that the old woman started violently and made for the door, crouching low and whimpering bitterly.

The soft-hearted tyrant was really sorry for the faithful old servant he had bought a generation since for the home to which he had brought his fair young wife, and he began to speak kindly to her, as he had previously done to the birds.

This comforted the old woman so much that again she could not help crying; but, notwithstanding the sincerity of her tears, being accustomed of old to take advantage of her master's moods, she felt that now was the time to tell her melancholy story. First of all she would at any rate see whether Melissa had not meanwhile returned; so she humbly kissed the hem of his robe and hurried away.

"Send Argutis to me!" Heron roared after her, and he returned to his breakfast with renewed energy.

He thought, as he ate, of his son's beautiful work, and the foolish self-importance of Argutis, so faithful, and usually, it must be owned, so shrewd. Then his eyes fell on Melissa's vacant place opposite to him, and he suddenly pushed away his bowl and rose to seek his daughter.

At this moment the starling called, in a clear, inviting tone, "Olympias!" and this cheered him, reminding him of the happy hour he had passed at his wife's grave and the good augury he had had there. The belief in a better time at hand, of which he had spoken to the bird, again took possession of his sanguine soul; and, fully persuaded that Melissa was detained in her own room or elsewhere by some trifling matter, he went to the window and shouted her name; for hers, too, opened on to the garden.

And it seemed as though the dear, obedient girl had come at his bidding, for, as he turned back into the room again, Melissa was standing in the open door.

After the pretty Greek greeting, "Joy be with you," which she faintly answered, he asked her, as fractiously as though he had spent hours of anxiety, where she had been so long. But he was suddenly silent, for he was astonished to see that she had not come from her room, but, as her dress betrayed, from some long expedition. Her appearance, too, had none of the exquisite neatness which it usually displayed; and then--what a state she was in! Whence had she come so early in the day?

The girl took off the kerchief that covered her head, and with a faint groan pushed her tangled hair off her temples, and her bosom heaved as she panted out in a weary voice: "Here I am! But O, father, what a night I have spent!"

Heron could not for a minute or two find words to answer her.

What had happened to the girl? What could it be which made her seem so strange and unlike her self? He gazed at her, speechless, and alarmed by a hundred fearful suspicions. He felt as a mother might who has kissed her child's fresh, healthy lips at night, and in the morning finds them burning with fever.

Melissa had never been ill from the day of her birth; since she had donned the dress of a full-grown maiden she had never altered; day after day and at all hours she had been the same in her quiet, useful, patient way, always thinking of her brothers, and caring for him rather than for herself.

It had never entered into his head to suppose that she could alter; and now, instead of the gentle, contented face with faintly rosy cheeks, he saw a pallid countenance and quivering lips. What mysterious fire had this night kindled in those calm eyes, which Alexander was fond of comparing to those of a gazelle? They were sunk, and the dark shadows that encircled them were a shock to his artistic eye. These were the eyes of a girl who had raved like a maenad the night through. Had she not slept in her quiet little room; had she been rushing with Alexander in the wild Bacchic rout; or had something dreadful happened to his son?

Nothing could have been so great a relief to him as to rave and rage as was his wont, and he felt strongly prompted to do so; but there was something in her which moved him to pity or shyness, he knew not which, and kept him quiet. He silently followed her with his eyes while she folded her mantle and kerchief in her orderly way, and hastily gathered together the stray, curly locks of her hair, smoothed them, and bound them round her head.

Some one, however, must break the silence, and he gave a sigh of relief when the girl came up to him and asked him, in a voice so husky as to give him a fresh shock:

"Is it true that a Scythian, one of the nightwatch, has been here already?"

Then he broke out, and it really did him good to give vent to his repressed feelings in an angry speech:

"There again--the wisdom of slaves! The so-called Scythian brought a message from his master.

"The captain of the night-watch--you will see--wishes to honor Alexander with a commission."

"No, no," interrupted the girl. "They are hunting my brother down. I thank the gods that the Scythian should have come; it shows that Alexander is still free."

The gem-cutter clasped his bushy hair in both hands, for it seemed to him that the room was whirling round. But his old habits still got the better of him; he roared out with all the power of his mighty lungs: "What is that? What do you say? What has Alexander done? Where have you--both of you-been?" With two long strides the angry man came close up to the terrified girl; the birds fluttered in their cages, and the starling repeated his cries in melancholy tones. Heron stood still, pushing his fingers through his thick gray hair, and with a sharp laugh exclaimed: "I came away from her grave full of fresh hopes for better days, and this is how they are fulfilled! I looked for fame, and I find disgrace! And you, hussy! where have you spent this night--where have you come from? I ask you once more!"

He raised his fist and shook it close in front of Melissa's eyes.

She stood before him as pale as death, and with wide-open eyes, from which the heavy tears dropped slowly, one by one, trickling down her cheeks as if they were tired. Heron saw them, and his rage melted. He staggered to a seat like a drunken man, and, hiding his face in his hands, moaned aloud, "Wretch, wretch that I am!" But his child's soft hand was laid on his head; warm, girlish lips kissed his brow; and Melissa whispered beseechingly: "Peace, father, peace. All may yet be well. I have something to tell you that will make you glad too; yes, I am sure it will make you glad."

Her father shrugged his shoulders incredulously, but wanted to know immediately what the miracle was that could smooth his brow. Melissa, however, would not tell him till it came in its place in her story. So he had to submit; he drew his seat up to the table, and took up a lump of modeling-wax to keep his restless fingers employed while he listened. She, too, sat down; she could scarcely stand.

At first he listened calmly to her narrative; and when she told him of Alexander's jest at Caesar's expense his face brightened. His Alexandrian blood and his relish for a biting speech got the upper hand; he gave a sounding slap on his mighty leg, and exclaimed: "A cursed good thought! But the boy forgot that when Zeus only lamed his son it was because he is immortal; while Caesar's brother was as feeble a mortal as Caracalla himself is said to be at this day."

He laughed noisily; but it was for the last time that morning; for hardly had he heard the name of Zminis, and learned that it was he who had over heard Alexander, than he threw down the wax and started to his feet in horror, crying:

"That dog, who dared to cast his eyes on your mother, and persecuted her long after she had shown him the door! That sly mischief-maker! Many a time has he set snares in our path. If he succeeds in tightening the noose into which the boy has so heedlessly thrust his head--But first tell me, has he caught him already, or is Alexander still at liberty?"

But no one, not even Argutis, who was still out on the search, could tell him this; and he was now so greatly disturbed that, during the rest of Melissa's narrative, he perpetually paced the room, interrupting her now and then with questions or with outbursts of indignation. And then it occurred to him that he ought himself to seek his son, and he occupied himself with getting ready to go out.

Even when she spoke of the Magian, and his conviction that those who know are able to hold intercourse with the souls of the dead, he shrugged his shoulders incredulously, and went on lacing his sandals. But when Melissa assured him that not she alone, but Diodoros with her, had seen the wandering soul of the departed Korinna in the train of ghosts, he dropped the straps he had bound round his ankle, and asked her who this Magian was, and where he might be found. However, she knew no more than that his name was Serapion, and she briefly described his dignified presence.

Heron had already seen the man, and he seemed still to be thinking of him, when Melissa, with a blush and downcast eyes, confessed that, as soon as he was well again, Diodoros was coming to her father to ask her of him in marriage.

It was a long story before she came at last to her own concerns, but it was always her way not to think of herself till every one else had had his due.

But what about her father? Had she spoken inaudibly, or was he really unable to-day to be glad? or what ailed him, that he paid no heed to the news which, even for him, was not without its importance, but, without a word of consent or disapproval, merely bade her go on with her story?

Melissa called him by name, as if to wake a man from sleep, and asked whether it were indeed possible that he really felt no pleasure in the happy prospect that lay before her, and that she had confessed to him. And now Heron lent an ear, and gave her to understand the satisfaction of his fatherly heart by kissing her. This news, in fact, made up for much that was evil, for Diodoros was a son-in-law after his own heart, and not merely because he was rich, or because his mother had been so great a friend of Olympias's. No, the young man's father was, like himself, one of the old Macedonian stock; he had seen his daughter's lover grow to manhood, and there was not in the city a youth he could more heartily welcome. This he freely admitted; he only regretted that when she should set up house with her husband on the other side of the lake, he (Heron) would be left as lonely as a statue on its pedestal. His sons had already begun to avoid him like a leper!

Then, when he heard of what had befallen Diodoros, and Melissa went on to say that the people who had thrown the stone at the dog were Christians, and that they had carried the wounded youth into a large, clean dwelling, where he was being carefully attended when she had left him, Heron broke out into violent abuse. They were unpatriotic worshipers of a crucified Jew, who multiplied like vermin, and only wanted to turn the good old order of things upside down. But this time they should see--the hypocrites, who pretended to so much humanity, and then set ferocious dogs on peaceful folk!--they should learn that they could not fall on a Macedonian citizen without paying for it.

He indignantly refused to hear Melissa's assurance that none of the Christians had set the dog on her lover; she, however, maintained stoutly that it was merely by an unfortunate accident that the stone had hit Diodoros and cut his head so badly. She would not have quitted her lover but that she feared lest her prolonged absence should have alarmed her father.

Heron at last stood still for a minute or two, lost in thought, and then brought out of his chest a casket, from which he took a few engraved gems. He held them carefully up to the light, and asked his daughter: "If I learn from Polybius, to whom I am now going, that they have already caught Alexander, should I venture now, do you think, to offer a couple of choice gems to Titianus, the prefect, to set him free again? He knows what is good, and the captain of the watch is his subordinate."

But Melissa besought him to give up the idea of seeking out Alexander in his hiding-place; for Heron, the gem-cutter, was known to every one, and if a man-at-arms should see him he would certainly follow him. As regarded the prefect, he would not apprehend any one this day, for, as her father knew, Caesar was to arrive at Alexandria at noon, and Titianus must be on the spot to meet him with all his train.

"But if you want to be out of doors and doing," she added, "go to see Philip. Bring him to reason, and discuss with him what is to be done."

She spoke with firm decision, and Heron looked with amazement at the giver of this counsel. Melissa had hitherto cared for his comfort in silence, without expressing any opinions of her own, and submitting to be the lightning-conductor for all his evil tempers. He did not rate her girlish beauty very high, for there were no ugly faces in his family nor in that of his deceased Olympias. And all the other consolations she offered him he took as a matter of course--nay, he sometimes made them a ground of complaint; for he would occasionally fancy that she wanted to assume the place of his beloved lost wife, and he regarded it as a duty to her to show his daughter, and often very harshly and unkindly, how far she was from filling her mother's place.

Thus she had accustomed herself to do her duty as a daughter, with quiet and wordless exactitude, looking for no thanks; while he thought he was doing her a kindness merely by suffering her constant presence. That he should ever exchange ideas with his daughter, or ask her opinion, would have seemed to Heron absolutely impossible; yet it had come to this, and for the second time this morning he looked in her face with utter amazement.

He could not but approve her warning not to betray Alexander's hiding-place, and her suggestion that he should go to see his eldest son coincided with an unspoken desire which had been lurking in his mind ever since she had told him of her having seen a disembodied soul. The possibility of seeing her once more, whose memory was dearer to him than all else on earth, had such a charm, that it moved him more deeply than the danger of his son, who was, nevertheless, very dear to his strangely tempered heart.

So he answered Melissa coolly, as if he were telling her of a decision already formed:

"Of course! I meant to see Philip too; only"--and he paused, for anxiety about Alexander again came to the front--"I can not bear to remain in such uncertainty about the boy."

At this instant the door opened. The new-comer was Andreas, the man to whom Diodoros had advised Alexander to apply for protection and counsel; and Melissa greeted him with filial affection.

He was a freedman in her lover's family, and was the steward and manager of his master's extensive gardens and lands, which were under his absolute control. No one could have imagined that this man had ever been a slave; his face was swarthy, but his fine black eyes lighted it up with a glance of firm self reliance and fiery energy. It was the look of a man who might be the moving spirit of one of those rebellions which were frequent in Alexandria; there was an imperious ring in his voice, and decision in the swift gestures of his hardened but shapely hands.

For twenty years, indeed, he had ruled over the numerous slaves of Polybius, who was an easy-going master, and an invalid from gout in his feet. He was at this time a victim to a fresh attack, and had therefore sent his confidential steward into the town to tell Heron that he approved of his son's choice, and that he would protect Alexander from pursuit.

All this Andreas communicated in few and business-like words; but he then turned to Melissa, and said, in a tone of kindly and affectionate familiarity: "Polybius also wishes to know how your lover is being cared for by the Christians, and from hence I am going on to see our sick boy."

"Then ask your friends," the gem-cutter broke in, to keep less ferocious dogs for the future."

"That," replied the freedman, "will be unnecessary, for it is not likely that the fierce brute belongs to the community whose friendship I am proud to claim; and, if it does, they will be as much grieved over the matter as we can be."

"A Christian would never do another an ill turn!" said Heron, with a shrug.

"Never, so far as justice permits," replied Andreas, decisively. Then he inquired whether Heron had any message or news to send to his son; and when the gem-cutter replied that he had not, the freedman was about to go. Melissa, however, detained him, saying:

"I will go with you if you will allow me."

"And I?" said Heron, irritably. "It seems to me that children are learning to care less and less what their fathers' views and requirements may be. I have to go to Philip. Who knows what may happen in my absence? Besides--no offense to you, Andreas--what concern has my daughter among the Christians?"

"To visit her lover," replied Andreas, sharply. And he added, more quietly: "It will be a pleasure to me to escort her; and your Argutis is a faithful fellow, and in case of need would be of more use here than an inexperienced girl. I see no reasonable ground for detaining her, Heron. I should like afterwards to take her home with me, across the lake; it would be a comfort to Polybius and soothe his pain to have his favorite with him, his future daughter.--Get ready, my child."

The artist had listened with growing anger, and a swift surge of rage made him long to give the freedman a sharp lesson. But when his glaring eye met the Christian's steady, grave gaze, he controlled himself, and only said, with a shrug which sufficiently expressed his feeling that he was surrendering his veto against his better judgment, addressing himself to Melissa and ignoring Andreas:

"You are betrothed, and of age. Go, for aught I care, in obedience to him whose wishes evidently outweigh mine. Polybius's son is your master henceforth."

He folded his mantle, and when the girl hastened to help him he allowed her to do it; but he went on, to the freedman: "And for aught I care, you may take her across the lake, too. It is natural that Polybius should wish to see his future daughter. But one thing I may ask for myself: You have slaves and to spare; if anything happens to Alexander, let me hear of it at once."

He kissed Melissa on the head, nodded patronizingly to Andreas, and left the house.

His soft-hearted devotion to a vision had weakened his combativeness; still, he would have yielded less readily to a man who had once been a slave, but that the invitation to Melissa released him of her presence for a while.

He was not, indeed, afraid of his daughter; but she need not know that he wanted Philip to make him acquainted with Serapion, and that through his mediation he hoped at least to see the spirit of the wife he mourned. When he was fairly out of the house he smiled with satisfaction like a school-boy who had escaped his master.

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