← The Historical Romances of Georg Ebers

Chapter III…

Part 36 of 77 · Georg Ebers · Public domain text

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Source: Project Gutenberg e-text #5600, public domain in the United States · text not rewritten or summarized · How RedLectern is built

 

Contents (606)
  1. Opening under 1 min
  2. Dedication under 1 min
  3. Preface about 5 min
  4. Preface about 2 min
  5. Chapter 1 about 17 min
  6. Chapter II about 16 min
  7. Chapter III about 12 min
  8. Chapter IV about 21 min
  9. Chapter V about 29 min
  10. Chapter VI about 24 min
  11. Chapter VII about 20 min
  12. Chapter VIII about 22 min
  13. Chapter IX about 18 min
  14. Chapter X about 14 min
  15. Chapter XI about 10 min
  16. Chapter XII about 14 min
  17. Chapter XIII about 10 min
  18. Chapter XIV about 15 min
  19. Chapter XV about 12 min
  20. Chapter XVI about 15 min
  21. Chapter XVII about 20 min
  22. Chapter XVIII about 16 min
  23. Chapter XIX about 9 min
  24. Chapter XX about 12 min
  25. Chapter XXI about 17 min
  26. Chapter XXII about 23 min
  27. Chapter XXIII about 16 min
  28. Chapter XXIV about 11 min
  29. Chapter XXV about 18 min
  30. Chapter XXVI about 24 min
  31. Chapter XXVII about 13 min
  32. Chapter XXVIII about 23 min
  33. Chapter XXIX about 23 min
  34. Chapter XXX about 27 min
  35. Chapter XXXI about 14 min
  36. Chapter XXXII about 8 min
  37. Chapter XXXIII about 23 min
  38. Chapter XXXIV about 24 min
  39. Chapter XXXV about 9 min
  40. Chapter XXXVI about 17 min
  41. Chapter XXXVII about 12 min
  42. Chapter XXXVIII about 19 min
  43. Chapter XXXIX about 16 min
  44. Chapter XL about 15 min
  45. Chapter XLI about 15 min
  46. Chapter XLII about 10 min
  47. Chapter XLIII about 16 min
  48. Chapter XLIV about 13 min
  49. Chapter XLV about 16 min
  50. Chapter XLVI about 11 min
  51. Chapter XLVII about 27 min
  52. Chapter I about 25 min
  53. Chapter II about 35 min
  54. Chapter III about 12 min
  55. Chapter IV about 28 min
  56. Chapter V about 12 min
  57. Chapter VI about 15 min
  58. Chapter VII about 31 min
  59. Chapter VIII about 18 min
  60. Chapter IX about 12 min
  61. Chapter X about 12 min
  62. Chapter XI about 22 min
  63. Chapter XII about 34 min
  64. Chapter XIII about 26 min
  65. Chapter XIV about 32 min
  66. Chapter XV about 18 min
  67. Chapter XVI about 22 min
  68. Chapter I about 23 min
  69. Chapter II about 21 min
  70. Chapter III about 24 min
  71. Chapter IV about 19 min
  72. Chapter V about 27 min
  73. Chapter VI about 14 min
  74. Chapter VII about 31 min
  75. Chapter VIII about 32 min
  76. Chapter IX about 27 min
  77. Chapter X about 26 min
  78. XI. According to the law of Egypt, Zopyrus had deserved death about 35 min
  79. Chapter XII about 35 min
  80. Chapter XIII about 25 min
  81. Chapter XIV about 23 min
  82. Chapter XV about 26 min
  83. Chapter XVI about 24 min
  84. Preface about 7 min
  85. Chapter I about 12 min
  86. Chapter II about 21 min
  87. Chapter III about 9 min
  88. Chapter IV about 14 min
  89. Chapter V about 14 min
  90. Chapter VI about 12 min
  91. Chapter VII about 18 min
  92. Chapter VIII about 12 min
  93. Chapter IX about 15 min
  94. Chapter X about 21 min
  95. Chapter XI about 13 min
  96. Chapter XII about 15 min
  97. Chapter XIII about 20 min
  98. Chapter XIV about 19 min
  99. Chapter XV about 20 min
  100. Chapter XVI about 17 min
  101. Chapter XVII about 9 min
  102. Chapter XVIII about 22 min
  103. Chapter XIX about 25 min
  104. Chapter XX about 15 min
  105. Chapter XXI about 28 min
  106. Chapter XXII about 18 min
  107. Chapter XXIII about 16 min
  108. Chapter XXIV about 20 min
  109. Chapter XXV about 24 min
  110. Preface about 5 min
  111. Chapter I about 12 min
  112. Chapter II about 8 min
  113. Chapter III about 10 min
  114. Chapter IV about 11 min
  115. Chapter V about 17 min
  116. Chapter VI about 13 min
  117. Chapter VII about 7 min
  118. Chapter VIII about 7 min
  119. Chapter IX about 16 min
  120. Chapter X about 13 min
  121. Chapter XI about 12 min
  122. Chapter XII about 18 min
  123. Chapter XIII about 14 min
  124. Chapter XIV about 10 min
  125. Chapter XV about 18 min
  126. Chapter XVI about 14 min
  127. Chapter XVII about 15 min
  128. Chapter XVIII about 18 min
  129. Chapter XIX about 16 min
  130. Chapter XX about 18 min
  131. Chapter XXI about 25 min
  132. Chapter XXII about 23 min
  133. Chapter XXIII about 20 min
  134. Chapter XXIV about 25 min
  135. Chapter XXV about 23 min
  136. Chapter XXVI about 17 min
  137. Chapter XXVII about 19 min
  138. Chapter XXVIII about 19 min
  139. Preface about 4 min
  140. Chapter I about 16 min
  141. Chapter II about 12 min
  142. Chapter III about 42 min
  143. Chapter IV about 12 min
  144. Chapter V about 41 min
  145. Chapter VI about 19 min
  146. Chapter VII about 19 min
  147. Chapter VIII about 22 min
  148. Chapter IX about 20 min
  149. Chapter X about 24 min
  150. Chapter XI about 27 min
  151. Chapter XII about 40 min
  152. Chapter XIII about 38 min
  153. Chapter XIV about 22 min
  154. Chapter XV about 23 min
  155. Chapter XVI about 15 min
  156. Chapter XVII about 17 min
  157. Chapter XVIII about 31 min
  158. Chapter XIX about 17 min
  159. Chapter XX about 28 min
  160. Chapter XXI about 20 min
  161. Chapter XXII about 11 min
  162. Chapter XXIII about 23 min
  163. Chapter XXIV about 34 min
  164. Chapter XXV about 9 min
  165. Preface about 4 min
  166. Chapter I about 17 min
  167. Chapter II about 17 min
  168. Chapter III about 14 min
  169. Chapter IV about 22 min
  170. Chapter V about 26 min
  171. Chapter VI about 10 min
  172. Chapter VII about 13 min
  173. Chapter VIII about 13 min
  174. Chapter IX about 18 min
  175. Chapter X about 12 min
  176. Chapter XI about 10 min
  177. Chapter XII about 18 min
  178. Chapter XIII about 16 min
  179. Chapter XIV about 18 min
  180. Chapter XV about 22 min
  181. Chapter XVI about 11 min
  182. Chapter XVII about 13 min
  183. Chapter XVIII about 20 min
  184. Chapter XIX about 23 min
  185. Chapter XX about 22 min
  186. Chapter XXI about 19 min
  187. Chapter XXII about 21 min
  188. Chapter I about 27 min
  189. Chapter II about 20 min
  190. Chapter III about 11 min
  191. Chapter IV about 10 min
  192. Chapter V about 21 min
  193. Chapter VI about 12 min
  194. Chapter VII about 12 min
  195. Chapter VIII about 18 min
  196. Chapter IX about 11 min
  197. Chapter X about 23 min
  198. Chapter XI about 19 min
  199. Chapter XII about 16 min
  200. Chapter XIII about 18 min
  201. Chapter XIV about 21 min
  202. Chapter XV about 19 min
  203. Chapter XVI about 15 min
  204. Chapter XVII about 19 min
  205. Chapter XVIII about 13 min
  206. Chapter XIX about 10 min
  207. Chapter XX about 17 min
  208. Chapter XXI about 17 min
  209. Chapter XXII about 12 min
  210. Chapter XXIII about 17 min
  211. Chapter XXIV about 14 min
  212. Preface about 5 min
  213. Chapter I about 13 min
  214. Chapter II about 22 min
  215. Chapter III about 24 min
  216. Chapter IV about 12 min
  217. Chapter V about 15 min
  218. Chapter VI about 13 min
  219. Chapter VII about 18 min
  220. Chapter VIII about 17 min
  221. Chapter IX about 21 min
  222. Chapter X about 17 min
  223. Chapter XI about 19 min
  224. Chapter XII about 28 min
  225. Chapter XIII about 14 min
  226. Chapter XIV about 10 min
  227. Chapter XV about 22 min
  228. Chapter XVI about 14 min
  229. Chapter XVII about 11 min
  230. Chapter XVIII about 12 min
  231. Chapter XIX about 16 min
  232. Chapter XX about 21 min
  233. Chapter XXI about 20 min
  234. Chapter XXII about 8 min
  235. Chapter I about 18 min
  236. Chapter II about 14 min
  237. Chapter III about 17 min
  238. Chapter IV about 18 min
  239. Chapter V about 16 min
  240. Chapter VI about 17 min
  241. Chapter VII about 11 min
  242. Chapter VIII about 18 min
  243. Chapter IX about 15 min
  244. Chapter X about 14 min
  245. Chapter XI about 18 min
  246. Chapter XII about 12 min
  247. Chapter XIII about 19 min
  248. Chapter XIV about 16 min
  249. Chapter XV about 21 min
  250. Chapter XVI about 12 min
  251. Chapter XVII about 27 min
  252. Chapter XVIII about 18 min
  253. Chapter XIX about 18 min
  254. Chapter XX about 17 min
  255. Chapter XXI about 15 min
  256. Chapter XXII about 16 min
  257. Chapter XXIII about 13 min
  258. Chapter XXIV about 20 min
  259. Chapter XXV about 31 min
  260. Chapter XXVI about 19 min
  261. Chapter XXVII about 21 min
  262. Chapter XXVIII about 12 min
  263. Chapter I about 8 min
  264. Chapter II about 12 min
  265. Chapter III about 13 min
  266. Chapter IV about 20 min
  267. Chapter V about 15 min
  268. Chapter VI about 12 min
  269. Chapter VII about 12 min
  270. Chapter VIII about 14 min
  271. Chapter IX about 13 min
  272. Chapter X about 12 min
  273. Chapter XI about 9 min
  274. Chapter XII about 19 min
  275. Chapter XIII about 16 min
  276. Chapter XIV about 15 min
  277. Chapter XV about 20 min
  278. Chapter XVI about 17 min
  279. Chapter XVII about 16 min
  280. Chapter I about 23 min
  281. Chapter II about 12 min
  282. Chapter III about 17 min
  283. Chapter IV about 20 min
  284. Chapter V about 19 min
  285. Chapter VI about 19 min
  286. Chapter VII about 15 min
  287. Chapter VIII about 17 min
  288. Chapter IX about 10 min
  289. Chapter X about 9 min
  290. Chapter XI about 12 min
  291. Chapter XII about 13 min
  292. Chapter XIII about 18 min
  293. Chapter XIV about 18 min
  294. Chapter XV about 14 min
  295. Chapter XVI about 20 min
  296. Chapter XVII about 7 min
  297. Preface about 2 min
  298. Chapter I about 13 min
  299. Chapter II about 15 min
  300. Chapter III about 13 min
  301. Chapter IV about 21 min
  302. Chapter V about 12 min
  303. Chapter VI about 23 min
  304. Chapter VII about 15 min
  305. Chapter VIII about 22 min
  306. Chapter IX about 27 min
  307. Chapter X about 20 min
  308. Chapter XI about 28 min
  309. Chapter XII about 43 min
  310. Chapter XIII about 18 min
  311. Chapter XIV about 18 min
  312. Chapter XV about 15 min
  313. Chapter XVI about 20 min
  314. Chapter XVII about 7 min
  315. Chapter XVIII about 16 min
  316. Chapter XIX about 18 min
  317. Chapter XX about 14 min
  318. Chapter XXI about 22 min
  319. Chapter XXII about 16 min
  320. Chapter XXIII about 11 min
  321. Chapter XXIV about 24 min
  322. Chapter XXV about 28 min
  323. Chapter I about 22 min
  324. Chapter II about 14 min
  325. Chapter III about 20 min
  326. Chapter IV about 13 min
  327. Chapter V about 14 min
  328. Chapter VI about 29 min
  329. Chapter VII about 27 min
  330. Chapter VIII about 25 min
  331. Chapter IX about 20 min
  332. Chapter X about 13 min
  333. Chapter XI about 8 min
  334. Chapter XII about 25 min
  335. Chapter XIII about 19 min
  336. Chapter XIV about 17 min
  337. Chapter XV about 18 min
  338. Chapter XVI about 16 min
  339. Chapter XVII about 14 min
  340. Chapter XVIII about 22 min
  341. Chapter XIX about 14 min
  342. Chapter XX about 19 min
  343. Chapter XXI about 16 min
  344. Chapter XXII about 12 min
  345. Chapter XXIII about 17 min
  346. Chapter XXIV about 14 min
  347. Chapter XXV about 33 min
  348. Chapter I about 11 min
  349. Chapter II about 22 min
  350. Chapter III about 19 min
  351. Chapter IV about 14 min
  352. Chapter V about 30 min
  353. Chapter VI about 22 min
  354. Chapter VII about 21 min
  355. Chapter VIII about 31 min
  356. Chapter IX about 20 min
  357. Chapter X about 20 min
  358. Chapter XI about 16 min
  359. Chapter XII about 23 min
  360. Chapter XIII about 18 min
  361. Chapter XIV about 26 min
  362. Chapter XV about 34 min
  363. Chapter XVI about 25 min
  364. Chapter XVII about 26 min
  365. Chapter XVIII about 29 min
  366. Chapter XIX about 26 min
  367. Chapter XX about 19 min
  368. Chapter XXI about 58 min
  369. Chapter XXII about 22 min
  370. Chapter XXIII about 31 min
  371. Chapter XXIV about 19 min
  372. Chapter XXV about 27 min
  373. Chapter XXVI about 15 min
  374. Chapter XXVII about 47 min
  375. Chapter XXVIII about 25 min
  376. Chapter XXIX about 43 min
  377. Chapter XXX about 10 min
  378. Chapter XXXI about 25 min
  379. Chapter XXXII about 29 min
  380. Chapter XXXIII about 17 min
  381. Chapter XXXIV about 42 min
  382. Chapter XXXV about 29 min
  383. Chapter I about 13 min
  384. Chapter II about 15 min
  385. Chapter III about 31 min
  386. Chapter IV about 12 min
  387. Chapter V about 11 min
  388. Chapter VI about 18 min
  389. Chapter VII about 10 min
  390. Chapter VIII about 23 min
  391. Chapter IX about 13 min
  392. Chapter X about 13 min
  393. Chapter XI about 18 min
  394. Chapter XII about 17 min
  395. Chapter XIII about 15 min
  396. Chapter XIV about 17 min
  397. Chapter XV about 13 min
  398. Chapter XVI about 20 min
  399. Chapter XVII about 23 min
  400. Chapter XVIII about 28 min
  401. Chapter I about 21 min
  402. Chapter II about 22 min
  403. Chapter III about 18 min
  404. Chapter IV about 12 min
  405. Chapter V about 19 min
  406. Chapter VI about 12 min
  407. Chapter VII about 15 min
  408. Chapter VIII about 11 min
  409. Chapter IX about 17 min
  410. Chapter X about 15 min
  411. Chapter XI about 23 min
  412. Chapter XII about 18 min
  413. Chapter XIII about 11 min
  414. Chapter XIV about 31 min
  415. Chapter XV about 24 min
  416. Chapter XVI about 23 min
  417. Chapter XVII about 18 min
  418. Chapter XVIII about 18 min
  419. Chapter XIX about 6 min
  420. Introduction about 7 min
  421. Chapter I about 16 min
  422. Chapter II about 13 min
  423. Chapter III about 19 min
  424. Chapter IV about 22 min
  425. Chapter V about 21 min
  426. Chapter VI about 13 min
  427. Chapter VII about 17 min
  428. Chapter VIII about 14 min
  429. Chapter IX about 10 min
  430. Chapter X about 19 min
  431. Chapter XI about 15 min
  432. Chapter XII about 19 min
  433. Chapter XIII about 20 min
  434. Chapter XIV about 25 min
  435. Chapter XV about 17 min
  436. Chapter XVI about 14 min
  437. Chapter XVII about 21 min
  438. Chapter XVIII about 24 min
  439. I. The Imperial Diet in Nuremberg!--the Imperial Advent! about 16 min
  440. Chapter II about 19 min
  441. Chapter III about 16 min
  442. Chapter IV about 17 min
  443. Chapter V about 12 min
  444. Chapter VI about 17 min
  445. Chapter VII about 24 min
  446. Chapter VIII about 16 min
  447. Chapter IX about 24 min
  448. Chapter X about 23 min
  449. Chapter XI about 16 min
  450. Chapter XII about 23 min
  451. Chapter XIII about 24 min
  452. Chapter XIV about 19 min
  453. Chapter XV about 1 h 18 min
  454. Chapter I about 18 min
  455. Chapter II about 18 min
  456. Chapter III about 18 min
  457. Chapter IV about 9 min
  458. Chapter V about 10 min
  459. Chapter VI about 7 min
  460. Chapter VII about 19 min
  461. Chapter VIII about 10 min
  462. Chapter IX about 15 min
  463. Chapter X about 12 min
  464. Chapter XI about 21 min
  465. Chapter XII about 16 min
  466. Chapter XIII about 16 min
  467. Chapter XIV about 20 min
  468. Chapter XV about 21 min
  469. Chapter XVI about 12 min
  470. Chapter XVII about 22 min
  471. Chapter XVIII about 14 min
  472. Chapter XIX about 15 min
  473. Chapter XX about 16 min
  474. Chapter XXI about 18 min
  475. Chapter XXII about 13 min
  476. Chapter XXIII about 11 min
  477. Chapter XXIV about 18 min
  478. Chapter XXV about 31 min
  479. Chapter XXVI about 48 min
  480. Chapter I about 20 min
  481. Chapter II about 18 min
  482. Chapter III about 27 min
  483. Chapter IV about 21 min
  484. Chapter V about 11 min
  485. Chapter VI about 11 min
  486. Chapter VII about 15 min
  487. Chapter VIII about 20 min
  488. Chapter IX about 24 min
  489. Chapter X about 12 min
  490. Chapter XI about 14 min
  491. Chapter XII about 18 min
  492. XIII. Wolf Hartschwert had come to Brussels and sought Barbara about 20 min
  493. Chapter XIV about 26 min
  494. Chapter XV about 20 min
  495. Chapter XVI about 13 min
  496. Chapter XVII about 16 min
  497. Chapter XVIII about 1 h 9 min
  498. Chapter I about 7 min
  499. Chapter II about 13 min
  500. Chapter III about 12 min
  501. Chapter IV about 13 min
  502. Chapter V about 9 min
  503. Chapter VI about 9 min
  504. Chapter VII about 10 min
  505. Chapter VIII about 19 min
  506. Chapter IX about 13 min
  507. Chapter X about 12 min
  508. Chapter XI about 20 min
  509. Chapter XII about 15 min
  510. Chapter XIII about 9 min
  511. Chapter XIV about 11 min
  512. Chapter XV about 12 min
  513. Chapter XVI about 10 min
  514. Chapter XVII about 12 min
  515. Chapter XVIII about 9 min
  516. Chapter XIX about 13 min
  517. Chapter XX about 22 min
  518. Chapter XXI about 14 min
  519. Chapter XXII about 14 min
  520. Chapter XXIII about 11 min
  521. Chapter XXIV about 8 min
  522. Chapter XXV about 18 min
  523. Chapter XXVI about 14 min
  524. Chapter XXVII about 12 min
  525. Chapter XXVIII about 16 min
  526. Chapter XXIX about 18 min
  527. Chapter XXX about 16 min
  528. Chapter XXXI about 11 min
  529. Chapter I about 17 min
  530. Chapter II about 9 min
  531. Chapter III about 12 min
  532. Chapter IV about 10 min
  533. Chapter V about 7 min
  534. Chapter VI about 13 min
  535. Chapter VII about 14 min
  536. Chapter VIII about 13 min
  537. Chapter IX about 10 min
  538. Chapter X about 12 min
  539. Chapter XI about 11 min
  540. Chapter XII about 20 min
  541. Chapter XIII about 14 min
  542. Chapter XIV about 13 min
  543. Chapter XV about 10 min
  544. Chapter XVI about 11 min
  545. Chapter XVII about 13 min
  546. Chapter XVIII about 10 min
  547. Chapter XIX about 13 min
  548. Chapter XX about 12 min
  549. Chapter XXI about 18 min
  550. Chapter XXII about 11 min
  551. Chapter XXIII about 10 min
  552. Chapter XXIV about 6 min
  553. Chapter XXV about 9 min
  554. Chapter XXVI about 11 min
  555. Chapter XXVII about 12 min
  556. Chapter XXVIII about 13 min
  557. Chapter XXIX about 10 min
  558. Chapter XXX about 10 min
  559. Chapter XXXI about 16 min
  560. Chapter XXXII about 12 min
  561. Chapter XXXIII about 20 min
  562. Chapter I about 20 min
  563. Chapter II about 17 min
  564. Chapter III about 11 min
  565. Chapter IV about 20 min
  566. Chapter V about 19 min
  567. Chapter VI about 10 min
  568. Chapter VII about 19 min
  569. Chapter VIII about 17 min
  570. Chapter IX about 6 min
  571. Chapter X about 10 min
  572. Chapter XI about 13 min
  573. I. THE HOUSE-KEEPER AND THE STEWARD about 17 min
  574. II. XANTHE about 18 min
  575. III. LYSANDER about 14 min
  576. IV. THE TWO SUCKING-PIGS about 8 min
  577. V. THE WALK TO THE SEA about 11 min
  578. Chapter VI about 1 h 31 min
  579. Postscript about 1 h 35 min
  580. Introduction about 4 min
  581. I. GLANCING BACKWARD about 10 min
  582. II. MY EARLIEST CHILDHOOD about 14 min
  583. III. ON FESTAL DAYS about 12 min
  584. IV. THE JOURNEY TO HOLLAND TO ATTEND THE GOLDEN WEDDING about 8 min
  585. V. LENNESTRASSE.--LENNE.--EARLY IMPRESSIONS about 16 min
  586. Chapter VI about 17 min
  587. Chapter VII about 13 min
  588. Chapter VIII about 18 min
  589. IX. THE EIGHTEENTH OF MARCH about 6 min
  590. X. AFTER THE NIGHT OF REVOLUTION about 13 min
  591. XI. IN KEILHAU about 22 min
  592. XII. FRIEDRICH FROEBEL'S IDEAL OF EDUCATION about 19 min
  593. Chapter XIII about 29 min
  594. Chapter XIV about 9 min
  595. XV. SUMMER PLEASURES AND RAMBLES about 12 min
  596. XVI. AUTUMN, WINTER, EASTER AND DEPARTURE about 15 min
  597. XVII. THE GYMNASIUM AND THE FIRST PERIOD OF UNIVERSITY LIFE about 9 min
  598. XVIII. THE TIME OF EFFERVESCENCE, AND MY SCHOOL MATES about 13 min
  599. XIX. A ROMANCE WHICH REALLY HAPPENED about 17 min
  600. XX. AT THE QUEDLINBURG GYMNASIUM about 6 min
  601. XXI. AT THE UNIVERSITY about 17 min
  602. XXII. THE SHIPWRECK about 12 min
  603. XXIII. THE HARDEST TIME IN THE SCHOOL OF LIFE about 6 min
  604. XXIV. THE APPRENTICESHIP about 17 min
  605. XXV. THE SUMMERS OF MY CONVALESCENCE about 20 min
  606. XXVI. CONTINUANCE OF CONVALESCENCE AND THE FIRST NOVEL about 15 min

Continue:

Chapter III

It must be late, for Hermon felt the cool breeze, which in this region rose between midnight and sunrise, on his burned face and, shivering, drew his mantle closer round him.

Yet it seemed impossible to return to the cabin; the memory of Ledscha imploring vengeance, and the stern image of the avenging goddess in the cella of the little Temple of Nemesis, completely mastered him. In the close cabin these terrible visions, united with the fear of having reaped undeserved praise, would have crouched upon his breast like harpies and stifled or driven him mad. After what had happened, to number the swift granting of the insulted Biamite's prayer among the freaks of chance was probably a more arbitrary and foolish proceeding than, with so many others, to recognise the incomprehensible power of Nemesis. Ledscha had loosed it against him and his health, perhaps even his life, and he imagined that she was standing before him with the bridle and wheel, threatening him afresh.

Shivering, as if chilled to the bone, overwhelmed by intense horror, he turned his blinded eyes upward to the blackness above and raised his hand, for the first time since he had joined the pupils of Straton in the Museum, to pray. He besought Nemesis to be content, and not add to blindness new tortures to augment the terrible ones which rent his soul, and he did so with all the ardour of his passionate nature.

The steward Gras had received orders to wake the Lady Thyone if anything unusual happened to the blind man, and when he heard the unfortunate artist groan so pitifully that it would have moved a stone, and saw him raise his hand despairingly to his head, he thought it was time to utter words of consolation, and a short time after the anxious matron followed him.

Her low exclamation startled Hermon. To be disturbed in the first prayer after so long a time, in the midst of the cries of distress of a despairing soul, is scarcely endurable, and the blind man imposed little restraint upon himself when his old friend asked what had occurred, and urged him not to expose himself longer to the damp night air.

At first he resolutely resisted, declaring that he should lose his senses alone in the close cabin.

Then, in her cordial, simple way, she offered to bear him company in the cabin. She could not sleep longer, at any rate; she must leave him early in the morning, and they still had many things to confide to each other.

Touched by so much kindness, he yielded and, leaning on the Bithynian's arm, followed her, not into his little cabin, but into the captain's spacious sitting room.

Only a single lamp dimly lighted the wainscoting, composed of ebony, ivory, and tortoise shell, the gay rug carpet, and the giraffe and panther skins hung on the walls and doors and flung on the couches and the floor.

Thyone needed no brilliant illumination for this conversation, and the blinded man was ordered to avoid it.

The matron was glad to be permitted to communicate to Hermon so speedily all that filled her own heart.

While he remained on deck, she had gone to Daphne's cabin.

She had already retired, and when Thyone went to the side of the couch she found the girl, with her cheeks wet with tears, still weeping, and easily succeeded in leading the motherless maiden to make a frank confession.

Both cousins had been dear to her from childhood; but while Myrtilus, though often impeded by his pitiable sufferings, had reached by a smooth pathway the highest recognition, Hermon's impetuous toiling and striving had constantly compelled her to watch his course with anxious solicitude and, often unobserved, extend a helping hand.

Sympathy, disapproval, and fear, which, however, was always blended with admiration of his transcendent powers, had merged into love. Though he had disdained to return it, it had nevertheless been perfectly evident that he needed her, and valued her and her opinion. Often as their views differed, the obstinate boy and youth had never allowed any one except herself a strong influence over his acts and conduct. But, far as he seemed to wander from the paths which she believed the right ones, she had always held fast to the conviction that he was a man of noble nature, and an artist who, if he only once fixed his eyes upon the true goal, would far surpass by his mighty power the other Alexandrian sculptors, whatever names they bore, and perhaps even Myrtilus.

To the great vexation of her father who, after her mother's death, in an hour when his heart was softened, had promised that he would never impose any constraint upon her in the choice of a husband, she had hitherto rejected every suitor. She had showed even the distinguished Philotas in Pelusium, without the least reserve, that he was seeking her in vain; for just at that time she thought she had perceived that Hermon returned her love, and after his abrupt departure it had become perfectly evident that the happiness of her life depended upon him.

The terrible misfortune which had now befallen him had only bound her more firmly to the man she loved. She felt that she belonged to him indissolubly, and the leech's positive assurance that his blindness was incurable had only increased the magic of the thought of being and affording tenfold more to the man bereft of sight than when, possessing his vision, the world, life, and art belonged to him. To be able to lavish everything upon the most beloved of mortals, and do whatever her warm, ever-helpful heart prompted, seemed to her a special favour of the gods in whom she believed.

That it was Demeter, to the ranks of whose priestesses she belonged, who was so closely associated with his blinding, also seemed to her no mere work of chance. The goddess on whom Hermon had bestowed the features of her own face had deprived him of sight to confer upon her the happiness of brightening and beautifying the darkness of his life.

If she saw aright, and it was only the fear of obtaining, with herself, her wealth, that still kept him from her, the path which would finally unite them must be found at last. She hoped to conquer also her father's reluctance to give his only child in marriage to a blind man, especially as Hermon's last work promised to give him the right to rank with the best artists of his age.

The matron had listened to this confession with an agitated heart. She had transported herself in imagination into the soul of the girl's mother, and brought before her mind what objections the dead woman would have made to her daughter's union with a man deprived of sight; but Daphne had firmly insisted upon her wish, and supported it by many a sensible and surprising answer. She was beyond childhood, and her three-and-twenty years enabled her to realize the consequences which so unusual a marriage threatened to entail.

As for Thyone herself, she was always disposed to look on the bright side, and the thought that this vigorous young man, this artist crowned with the highest success, must remain in darkness to the end of his life, was utterly incompatible with her belief in the goodness of the gods. But if Hermon was cured, a rare wealth of the greatest happiness awaited him in the union with Daphne.

The mood in which she found the blind man had wounded and troubled her. Now she renewed the bandage, saying: "How gladly I would continue to use my old hands for you, but this will be the last time in a long while that I am permitted to do this for the son of my Erigone; I must leave you to-morrow."

Hermon clasped her hand closely, exclaiming with affectionate warmth: "You must not go, Thyone! Stay here, even if it is only a few days longer."

What pleasure these words gave her, and how gladly she would have fulfilled his wish! But it could not be, and he did not venture to detain her by fresh entreaties after she had described how her aged husband was suffering from her absence.

"I often ask myself what he still finds in me," she said. "True, so long a period of wedded life is a firm tie. If I am gone and he does not find me when he returns home from inspections, he wanders about as if lost, and does not even relish his food, though the same cook has prepared it for years. And he, who forgets nothing and knows by name a large number of the many thousand men he commands, would very probably, when I am away, join the troops with only sandals on his feet. To miss my ugly old face really can not be so difficult! When he wooed me, of course I looked very different. And so--he confessed it himself--so he always sees me, and most plainly when I am absent from his sight. But that, Hermon, will be your good fortune also. All you now know as young and beautiful will continue so to you as long as this sorrowful blindness lasts, and on that very account you must not remain alone, my boy--that is, if your heart has already decided in favour of any one--and that is the case, unless these old eyes deceive me."

"Daphne," he answered dejectedly, "why should I deny that she is dear to me? And yet, how dare the blind man take upon himself the sin of binding her young life--"

"Stop! stop!" Thyone interrupted with eager warmth. "She loves you, and to be everything to you is the greatest happiness she can imagine."

"Until repentance awakes, and it is too late," he answered gravely. "But even were her love strong enough to share her husband's misfortune patiently--nay, perhaps with joyous courage--it would still be contemptible baseness were I to profit by that love and seek her hand."

"Hermon!" the matron now exclaimed reproachfully; but he repeated with strong emphasis: "Yes, it would be baseness so great that even her most ardent love could not save me from the reproach of having committed it. I will not speak of her father, to whom I am so greatly indebted. It may be that it might satisfy Daphne, full of kindness as she is, to devote herself, body and soul, to the service of her helpless companion. But I? Far from thinking constantly, like her, solely of others and their welfare, I should only too often, selfish as I now am, be mindful of myself. But when I realize who I am, I see before me a blind man who is poorer than a beggar, because the scorching flames melted even the gold which was to help him pay his debts."

"Folly!" cried the matron. "For what did Archias gather his boundless treasures? And when his daughter is once yours--"

"Then," Hermon went on bitterly, "the blinded artist's poverty will be over. That is your opinion, and the majority of people will share it. But I have my peculiarities, and the thought of being rescued from hunger and thirst by the woman I love, and who ought to see in me the man from whom she receives the best gifts--to be dependent on her as the recipient of her alms--seems to me worse than if I were once more to lose my sight. I could not endure it at all! Every mouthful would choke me. Just because she is so dear to me, I can not seek her hand; for, in return for her great self-sacrificing love, I could give her nothing save the keen discontent which seizes the proud soul that is forced constantly to accept benefits, as surely as the ringing sound follows the blow upon the brass. My whole future life would become a chain of humiliations, and do you know whither this unfortunate marriage would lead? My teacher Straton once said that a man learns to hate no one more easily than the person from whom he receives benefits which it is out of his power to repay. That is wise, and before I will see my great love for Daphne transformed to hate, I will again try the starving which, while I was a sculptor at Rhodes, I learned tolerably well."

"But would not a great love," asked Thyone, "suffice to repay tenfold the perishable gifts that can be bought with gold and silver?"

"No, and again no!" Hermon answered in an agitated tone. "Something else would blend with the love I brought to the marriage, something that must destroy all the compensation it might offer; for I see myself becoming a resentful misanthrope if I am compelled to relinquish the pleasure of creating and, condemned to dull inaction, can do nothing except allow myself to be tended, drink, eat, and sleep. The gloomy mood of her unfortunate husband would sadden Daphne's existence even more than my own; for, Thyone, though I should strive with all my strength to bear patiently, with her dear aid, the burden imposed upon me, and move on through the darkness with joyous courage, like many another blind man, I could not succeed."

"You are a man," the matron exclaimed indignantly, "and what thousands have done before you--"

"There," he loudly protested, "I should surely fail; for, you dear woman, who mean so kindly by me, my fate is worse than theirs. Do you know what just forced from my lips the exclamation of pain which alarmed you? I, the only child of the devout Erigone, for whose sake you are so well disposed toward me, am doomed to misfortune as surely as the victim dragged to the altar is certain of death. Of all the goddesses, there is only one in whose power I believe, and to whom I just raised my hands in prayer. It is the terrible one to whom I was delivered by hate and the deceived love which is now dragging me by the hair, and will rob and torture me till I despair of life. I mean the gray daughter of Night, whom no one escapes, dread Nemesis."

Thyone sank down into the chair by the blind artist's side, asking softly, "And what gave you into her avenging hands, hapless boy?"

"My own abominable folly," he answered mournfully and, with the feeling that it would relieve his heart to pour out to this true friend what he would usually have confided only to his Myrtilus, he hurriedly related how he had recognised in Ledscha the best model for his Arachne, how he had sought her love, and then, detained by Althea, left her in the lurch and most deeply offended and insulted her. Lastly, he gave a brief but vivid description of his meeting with the vengeful barbarian girl in the Temple of Nemesis, how Ledscha had invoked upon him the wrath of the terrible goddess, and how the most horrible punishment had fallen upon him directly after the harsh accusation of the Biamite.

The matron had listened to this confession in breathless suspense. Now she fixed her eyes on the floor, shook her gray head gently, and said anxiously: "Is that it? It certainly puts things in a different light. As the son of your never-to-be-forgotten mother, you are indeed dear to my heart; but Daphne is not less dear to me, and though in your marriage I just saw happiness for you both, that is now past. What is poverty, what is blindness! Eros would reconcile far more difficult problems, but his arrows are shattered on the armour of Nemesis. Where there is a pair of lovers, and she raises her scourge against one of them, the other will also be struck. Until you feel that you are freed from this persecutor, it would be criminal to bind a loving woman to you and your destiny. It is not easy to find the right path for you both, for even Nemesis and her power do not make the slightest change in the fact that you need faithful care and watching in your blindness. Daylight brings wisdom, and we will talk further to-morrow."

She rose as she spoke; but Hermon detained her, while from his lips escaped the anxious question, "So you will take Daphne away from me, and leave me alone in my blindness?"

"You in your blindness?" cried Thyone, and the mere reproachful tone of the question banished the fear. "I would as quickly deprive my own son of my support as I would you just at this time, my poor boy; but whether my conscience will permit me to let Daphne remain near you only grant me, I repeat it, until sunrise to-morrow for reflection. My old heart will then find the right way."

"Yet whatever you may decide concerning us," pleaded the blind man, "tell Daphne that, on the eve of losing her, I first felt in its full power how warmly I love her. Even without Nemesis, the joy of making her mine would have been denied me. Fate will never permit me to possess her; yet never again to hear her gentle voice, never more to feel her dear presence, would be blinding me a second time."

"It need not be imposed upon you long," said the matron soothingly.

Then she went close to him, laid her hand on his shoulder, and said: "The power of the goddess who punishes the misdeeds of the reckless is called irresistible and uncontrollable; but one thing softens even her, and checks her usually resistless wheel: it is a mother's prayer. I heard this from my own mother, and experienced it myself, especially in my oldest son Eumedes, who from the wildest madcap became an ornament of his class, and to whom the King--you doubtless know it--intrusted the command of the fleet which is to open the Ethiopian land of elephants to the Egyptian power. You, Hermon, are an orphan, but for you, too, the souls of your parents live on. Only I do not know whether you still honour and pray to them."

"I did until a few years ago," replied Hermon.

"But later you neglected this sacred duty," added Thyone. "Yet how was that possible? In our barren Pelusium I could not help thinking hundreds of times of the grove which Archias planted in your necropolis for the dead members of his family, and how often, while we were in Alexandria, it attracted me to think in its shade of your never-to-be-forgotten mother. There I felt her soul near me; for there was her home, and in imagination I saw her walking and resting under the trees. And you--her beloved child--you remained aloof from this hallowed spot! Even at the festival of the dead you omitted prayers and sacrifices?"

The blind artist assented to this question by a silent bend of the head; but the matron indignantly exclaimed: "And did not you know, unhappy man, that you were thus casting away the shield which protects mortals from the avenging gods? And your glorious mother, who would have given her life for you? Yet you loved her, I suppose?"

"Thyone!" Hermon cried, deeply wounded, holding out his right hand as if in defence. "Well, well!" said the matron. "I know that you revere her memory. But that alone is not sufficient. On memorial festivals, and especially on the birthdays, a mother's soul needs a prayer and a gift from the son, a wreath, a fillet, fragrant ointment, a piece of honey, a cup of wine or milk--all these things even the poor man spares from his penury--yet a warm prayer, in pure remembrance and love, would suffice to rob the wrath of Nemesis, which the enraged barbarian girl let loose upon you, of its power. Only your mother, Hermon, the soul of the noble woman who bore you, can restore to you what you have lost. Appeal for aid to her, son of Erigone, and she will yet make everything right."

Bending quickly over the artist as she spoke, she kissed his brow and moved steadily away, though he called her name with yearning entreaty.

A short time after, the steward Gras led Hermon to his cabin, and while undressing him reported that a messenger from Pelusium had announced that the commandant Philippus was coming to Tennis the next morning, before the market place filled, to take his wife with him to Alexandria, where he was going by the King's command.

Hermon only half listened, and then ordered the Bithynian to leave him.

After he had reclined on the couch a short time, he softly called the names of the steward, Thyone, and Daphne. As he received no answer, and thus learned that he was alone, he rose, drew himself up to his full height, gazed heavenward with his bandaged eyes, stretched both hands toward the ceiling of the low cabin, and obeyed his friend's bidding.

Thoroughly convinced that he was doing right, and ashamed of having so long neglected what the duty of a son commanded, he implored his mother's soul for forgiveness.

While doing so he again found that the figure which he recalled to his memory appeared before him with marvellous distinctness. Never had she been so near him since, when a boy of seven, she clasped him for the last time to her heart. She tenderly held out her arms to him, and he rushed into her embrace, shouting exultantly while she hugged and kissed him. Every pet name which he had once been so glad to hear, and during recent years had forgotten, again fell from her lips. As had often happened in days long past, he again saw his mother crown him for a festival. Pleased with the little new garment which she herself had woven for him and embroidered with a tiny tree with red apples, beneath which stood a bright-plumaged duckling, she led him by the hand in the necropolis to the empty tomb dedicated to his father.

It was a building the height of a man, constructed of red Cyprian marble, on which, cast in bronze, shield, sword, and lance, as well as a beautiful helmet, lay beside a sleeping lion. It was dedicated to the memory of the brave hipparch whom he had been permitted to call his father, and who had been burned beside the battlefield on which he had found a hero's death.

Hermon now again beheld himself, with his mother, garlanding, anointing, and twining with fresh fillets the mausoleum erected by his uncle Archias to his brave brother. The species of every flower, the colour of the fillets-nay, even the designs embroidered on his little holiday robe--again returned to his mind, and, while these pleasant memories hovered around him, he appealed to his mother in prayer.

She stood before him, young and beautiful, listening without reproach or censure as he besought her forgiveness and confided to her his sins, and how severely he was punished by Nemesis.

During this confession he felt as though he was kneeling before the beloved dead, hiding his face in her lap, while she bent over him and stroked his thick, black hair. True, he did not hear her speak; but when he looked up again he could see, by the expression of her faithful blue eyes, that his manly appearance surprised her, and that she rejoiced in his return to her arms.

She listened compassionately to his laments, and when he paused pressed his head to her bosom and gazed into his face with such joyous confidence that his heart swelled, and he told himself that she could not look at him thus unless she saw happiness in store for him.

Lastly, he began also to confide that he loved no woman on earth more ardently than the very Daphne whom, when only a pretty little child, she had carried in her arms, yet that he could not seek the wealthy heiress because manly pride forbade this to the blind beggar.

Here the anguish of renunciation seized him with great violence, and when he wished to appeal again to his mother his exhausted imagination refused its service, and the vision would not appear.

Then he groped his way back to the bed, and, as he let his head sink upon the pillows, he fancied that he would soon be again enwrapped in the sweet slumber of childhood, which had long shunned his couch.

It was years since he had felt so full of peace and hope, and he told himself, with grateful joy, that every childlike emotion had not yet died within him, that the stern conflicts and struggles of the last years had not yet steeled every gentle emotion.

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Chapter IV

The sun of the following day had long passed its meridian when Hermon at last woke. The steward Gras, who had grown gray in the service of Archias, was standing beside the couch.

There was nothing in the round, beardless face of this well-fed yet active man that could have attracted the artist, yet the quiet tones of his deep voice recalled to memory the clear, steadfast gaze of his gray eyes, from which so often, in former days, inviolable fidelity, sound sense, caution, and prudence had looked forth at him.

What the blind man heard from Gras surprised him--nay, at first seemed impossible. To sleep until the afternoon was something unprecedented for his wakeful temperament; but what was he to say to the tidings that the commandant of Pelusium had arrived in his state galley early in the morning and taken his wife, Daphne, and Chrysilla away with him to Alexandria?

Yet it sounded credible enough when the Bithynian further informed him that the ladies had left messages of remembrance for him, and said that Archias's ship, upon which he was, would be at his disposal for any length of time he might desire. Gras was commissioned to attend him. The Lady Thyone especially desired him to heed her counsel.

While the steward was communicating this startling news as calmly as if everything was a matter of course, the events of the preceding night came back to Hermon's memory with perfect distinctness, and again the fear assailed him that the rescued Demeter was the work of Myrtilus, and not his own.

So the first question he addressed to Gras concerned the Tennis goldsmith, and it was a keen disappointment to Hermon when he learned that the earliest time he could expect to see him would be the following day. The skilful artisan had been engaged for weeks upon the gold ornaments on the new doors of the holy of holies in the Temple of Amon at Tanis. Urgent business had called him home from the neighbouring city just before the night of the attack; but yesterday evening he had returned to Tanis, where his wife said he would have only two days' work to do.

This answer, however, by no means appeased Hermon's impatience. He commanded that a special messenger should be sent to summon the goldsmith, and the Bithynian received the order with a slight shake of his round head.

What new trouble had befallen the usually alert young artist that he received this unexpected change in his situation as apathetically as a horse which is led from one stall to another, and, instead of questioning him, thought only of hastening his interview with the goldsmith? If his mistress, who had left him full of anxiety from the fear that her departure would deeply agitate the blind man, should learn how indifferently he had received it! He, Gras, certainly would not betray it. Eternal gods--these artists! He knew them. Their work was dearer to their hearts than their own lives, love, or friendship.

During breakfast, of which the steward was obliged to remind him, Hermon pondered over his fate; but how could he attain any degree of clearness of vision until he secured accurate information concerning the statue of Demeter? Like a dark cloud, which sweeps over the starry sky and prevents the astronomer from seeing the planets which he desires to observe, the fear that Proclus's praise had been bestowed upon the work of Myrtilus stood between him and every goal of his thought.

Only the fact that he still remained blind, and not even the faintest glimmer of light pierced the surrounding darkness, while the sun continued its course with glowing radiance, and that, blinded and beggared, he must despise himself if he sought to win Daphne, was certain. No reflection could alter it.

Again the peace of mind which he thought he had regained during slumber was destroyed. Fear of the artisan's statement even rendered it impossible to pray to his mother with the affectionate devotion he had felt the day before.

The goldsmith had directed the rescue of the Demeter, yet he would scarcely have been able to distinguish it from the statue by Myrtilus; for though, like his friend, he had often employed his skilful hands in the arrangement of the gold plates at the commencement of the work, the Egyptian had been summoned to Tennis before the statues had attained recognisable form. He had not entered the studios for several months, unless Bias had granted him admittance without informing his master. This was quite possible, for the slave's keen eyes certainly had not failed to notice how little he and Myrtilus valued the opinion of the honest, skilful, but extremely practical and unimaginative man, who could not create independently even the smallest detail.

So it was impossible to determine at present whether Chello had seen the finished statues or not, yet Hermon desired the former with actual fervour, that he might have positive certainty.

While reflecting over these matters, the image of the lean Egyptian goldsmith, with his narrow, brown, smooth-shaven face and skull, prominent cheek bones, receding brow, projecting ears and, with all its keenness, lustreless glance, rose before him as if he could see his bodily presence. Not a single word unconnected with his trade, the weather, or an accident, had ever reached the friends' ears from Chello's thick lips, and this circumstance seemed to warrant Hermon in the expectation of learning from him the pure, unadulterated truth.

Rarely had a messenger of love been awaited with such feverish suspense as the slave whom Gras had despatched to Tanis to induce the goldsmith to return home. He might come soon after nightfall, and Hermon used the interval to ask the Bithynian the questions which he had long expected.

The replies afforded little additional information. He learned only that Philippus had been summoned to Alexandria by the King, and that the Lady Thyone and her husband had talked with the leech and assented to his opinion that it would be better for Hermon to wait here until the burns on his face were healed before returning to Alexandria.

For Daphne's sake this decision had undoubtedly been welcome to the matron, and it pleased him also; for he still felt so ill physically, and so agitated mentally, that he shrank from meeting his numerous acquaintances in the capital.

The goldsmith! the goldsmith! It depended upon his decision whether he would return to Alexandria at all.

Soon after Hermon had learned from Gras that the stars had risen, he was informed that he must wait patiently for his interview with the Egyptian, as he had been summoned to the capital that very day by a messenger from Proclus.

Then the steward had fresh cause to marvel at his charge, for this news aroused the most vehement excitement.

In fact, it afforded the prospect of a series--perhaps a long one--of the most torturing days and nights. And the dreaded hours actually came--nay, the anguish of uncertainty had become almost unendurable, when, on the seventh day, the Egyptian at last returned from Alexandria. They had seemed like weeks to Hermon, had made his face thinner, and mingled the first silver hairs in his black beard.

The calls of the cheerful notary and the daily visits of the leech, an elderly man, who had depressed rather than cheered him by informing him of many cases like his own which all proved incurable, had been his sole diversion. True, the heads of the Greek residents of Tennis had also sometimes sought him: the higher government officials, the lessees of the oil monopoly and the royal bank, as well as Gorgias, who, next to Archias the Alexandrian, owned the largest weaving establishments, but the tales of daily incidents with which they entertained Hermon wearied him. He listened with interest only to the story of Ledscha's disappearance, yet he perceived, from the very slight impression it made upon him, how little he had really cared for the Biamite girl.

His inquiries about Gula called down upon him many well-meant jests. She was with her parents; while Taus, Ledscha's young sister, was staying at the brick-kiln, where the former had reduced the unruly slaves to submission.

Care had been taken to provide for his personal safety, for the attack might perhaps yet prove to have been connected with the jealousy of the Biamite husbands.

The commandant of Pelusium had therefore placed a small garrison of heavily armed soldiers and archers in Tennis, for whom tents had been pitched on the site of the burned white house.

Words of command and signals for changing the guards often reached Hermon when he was on the deck of his ship, and visitors praised the wise caution and prompt action of Alexander the Great's old comrade.

The notary, a vivacious man of fifty, who had lived a long time in Alexandria and, asserting that he grew dull and withered in little Tennis, went to the capital as frequently as possible, had often called upon the sculptor at first, and been disposed to discuss art and the other subjects dear to Hermon's heart, but on the third day he again set off for his beloved Alexandria. When saying farewell, he had been unusually merry, and asked Hermon to send him away with good wishes and offer sacrifices for the success of his business, since he hoped to bring a valuable gift on his return from the journey.

The blind artist was glad to have other visits for a short time, but he preferred to be alone and devote his thoughts to his own affairs.

He now knew that his love was genuine. Daphne seemed the very incarnation of desirable, artless, heart-refreshing womanliness, but his memory could not dwell with her long; anxiety concerning Chello's report only too quickly interrupted it, as soon as he yielded to its charm.

He did not think at all of the future. What was he to appoint for a time which the words of a third person might render unendurable?

When Gras at last ushered in the goldsmith, his heart throbbed so violently that it was difficult for him to find the words needed for the questions he desired to ask.

The Egyptian had really been summoned to Alexandria by Proclus, not on account of the Demeter, but the clasp said to belong to Myrtilus, found amid the ruins of the fallen house, and he had been able to identify it with absolute positiveness as the sculptor's property.

He had been referred from one office to another, until finally the Tennis notary and Proclus opened the right doors to him.

Now the importance of his testimony appeared, since the will of the wealthy young sculptor could not be opened until his death was proved, and the clasp which had been found aided in doing so.

Hermon's question whether he had heard any particulars about this will was answered by the cold-hearted, dull-brained man in the negative.

He had done enough, he said, by expressing his opinion. He had gone to Alexandria unwillingly, and would certainly have stayed in Tennis if he could have foreseen what a number of tiresome examinations he would be obliged to undergo. He had been burning with impatience to quit the place, on account of the important work left behind in Tanis, and he did not even know whether he would be reimbursed for his travelling expenses.

During this preliminary conversation Hermon gained the composure he needed.

He began by ascertaining whether Chello remembered the interior arrangement of the burned white house, and it soon appeared that he recollected it accurately.

Then the blind man requested him to tell how the rescue of the statue had been managed, and the account of the extremely prosaic artisan described so clearly and practically how, on entering the burning building, he found Myrtilus's studio already inaccessible, but the statue of Demeter in Hermon's still uninjured, that the trustworthiness of his story could not be doubted.

One circumstance only appeared strange, yet it was easily explained. Instead of standing on the pedestal, the Demeter was beside it, and even the slow-witted goldsmith inferred from this fact that the robbers had intended to steal it and placed it on the floor for that purpose, but were prevented from accomplishing their design by the interference of Hermon and the people from Tennis.

After the Egyptian, in reply to the artist's inquiry concerning what other works of art and implements he had seen in the studio, had answered that nothing else could be distinguished on account of the smoke, he congratulated the sculptor on his last work. People were already making a great stir about the new Demeter. It had been discussed not only in the workshop of his brother, who, like himself, followed their father's calling, but also in the offices, at the harbour, in the barbers' rooms and the cookshops, and he, too, must admit that, for a Greek goddess, that always lacked genuine, earnest dignity, it really was a pretty bit of work.

Lastly, the Egyptian asked to whom he should apply for payment for the remainder of his labour.

The strip of gold, from which Hermon had ordered the diadem to be made, had attracted his attention on the head of his Demeter, and compensation for the work upon this ornament was still due.

Hermon, deeply agitated, asked, with glowing cheeks, whether Chello really positively remembered having prepared for him the gold diadem which he had seen in Alexandria, and the Egyptian eagerly assured him that he had done so. Hitherto he had found the sculptors honest men, and Hermon would not withhold the payment for his well-earned toil.

The artist strenuously denied such an intention; but when, in his desire to have the most absolute assurance, he again asked questions about the diadem, the Egyptian thought that the blind sculptor doubted the justice of his demand, and wrathfully insisted upon his claim, until Gras managed to whisper, undetected by Hermon, that he would have the money ready for him.

This satisfied the angry man. He honestly believed that he had prepared the gold for the ornament on the head of the Demeter in Alexandria; yet the statue chiselled by Myrtilus had also been adorned with a diadem, and Chello had wrought the strip of gold it required. Only it had escaped his memory, because he had been paid for the work immediately after its delivery.

Glad to obey his mistress's orders to settle at once any debts which the artist might have in Tennis, the steward followed the goldsmith while Hermon, seizing the huge goblet which had just been filled with wine and water for him drained it at one long draught. Then, with sigh of relief, he restored it to its place, raised his hand and his blinded eyes heavenward, and offered a brief, fervent thanksgiving to his mother's soul and the great Demeter, whom, he might now believe it himself, he had honoured with a masterpiece which had extorted warm admiration even from a connoisseur unfriendly his art.

When Gras returned, he said, with a grin of satisfaction, that the goldsmith was like all the rest of his countrymen. The artists did not owe him another drachm; the never-to-be-forgotten Myrtilus had paid for the work ordered by Hermon also.

Then, for the first time since he had been led on board the ship, a gay laugh rang fro the blind man's lips, rising in deep, pure, joyous tones from his relieved breast.

The faithful gray eyes of honest Gras glittered with tears at the musical tones, and how ardently he wished for his beloved mistress when the sculptor, not content with this, exclaimed as gleefully as in happier days: "Hitherto I have had no real pleasure from my successful work, old Gras, but it is awaking now! If my Myrtilus were still alive, and these miserable eyes yet possessed the power of rejoicing in the light and in beautiful human forms, by the dog! I would have the mixing vessels filled, wreath after wreath brought, boon companions summoned, and with flute-playing, songs, and fiery words, offer the Muses, Demeter, and Dionysus their due meed of homage!"

Gras declared that this wish might easily be fulfilled. There was no lack of wine or drinking cups on the vessel, the flute-players whom he had heard in the Odeum at Tanis did not understand their business amiss, flowers and wreaths could be obtained, and all who spoke Greek in Tennis would accept his invitation.

But the Bithynian soon regretted this proposal, for it fell like a hoar-frost upon the blind man's happy mood. He curtly declined. He would not play host where he was himself a guest, and pride forbade him to use the property of others as though it were his own.

He could not regain his suddenly awakened pleasure in existence before Gras warned him it was time to go to rest. Not until he was alone in the quiet cabin did the sense of joy in his first great success overpower him afresh.

He might well feel proud delight in the work which he had created, for he had accomplished it without being unfaithful to the aims he had set before him.

It had been taken from his own studio, and the skilful old artisan had recognised his preliminary work upon the diadem which he, Hermon, had afterward adorned with ornaments himself. But, alas! this first must at the same time be his last great success, and he was condemned to live on in darkness.

Although abundant recognition awaited him in Alexandria, his quickly gained renown would soon be forgotten, and he would remain a beggared blind man. But it was now allowable for him to think secretly of possessing Daphne; perhaps she would wait for him and reject other suitors until he learned in the capital whether he might not hope to recover his lost sight. He was at least secure against external want; the generous Archias would hardly withhold from him the prize he had intended for the successful statue, although the second had been destroyed. The great merchant would do everything for his fame-crowned nephew, and he, Hermon, was conscious that had his uncle been in his situation he would have divided his last obol with him. Refusal of his assistance would have been an insult to his paternal friend and guardian.

Lastly, he might hope that Archias would take him to the most skilful leeches in Alexandria and, if they succeeded in restoring his lost power of vision, then--then Yet it seemed so presumptuous to lull himself in this hope that he forbade himself the pleasure of indulging it.

Amid these consoling reflections, Hermon fell asleep, and awoke fresher and more cheerful than he had been for some time.

He had to spend two whole weeks more in Tennis, for the burns healed slowly, and an anxious fear kept him away from Alexandria.

There the woman he loved would again meet him and, though he could assure Thyone that Nemesis had turned her wheel away from him, he would have been permitted to treat Daphne only with cool reserve, while every fibre of his being urged him to confess his love and clasp her in his arms.

Gras had already written twice to his master, telling him with what gratifying patience Hermon was beginning to submit to his great misfortune, when the notary Melampus returned from Alexandria with news which produced the most delightful transformation in the blind artist's outer life.

More swiftly than his great corpulence usually permitted the jovial man to move, he ascended to the deck, calling: "Great, greater, the greatest of news I bring, as the heaviest but by no means the most dilatory of messengers of good fortune from the city of cities. Prick up your ears, my friend, and summon all your strength, for there are instances of the fatal effect of especially lavish gifts from the blind and yet often sure aim of the goddess of Fortune. The Demeter, in whom you proved so marvellously that the art of a mortal is sufficient to create immortals, is beginning to show her gratitude. She is helping to twine wreaths for you in Alexandria."

Here the vivacious man suddenly hesitated and, while wiping his plump cheeks, perspiring brow, and smooth, fat double chin with his kerchief, added in a tone of sincere regret: "That's the way with me! In one thing which really moves me, I always forget the other. The fault sticks to me like my ears and nose. When my mother gave me two errands, I attended to the first in the best possible way, but overlooked the second entirely, and was paid for it with my father's staff, yet even the blue wales made no change in the fault. But for that I should still be in the city of cities; but it robbed me of my best clients, and so I was transferred to this dullest of holes. Even here it clings to me. My detestable exultation just now proves it. Yet I know how dear to you was the dead man who manifests his love even from the grave. But you will forgive me the false note into which my weakness led me; it sprang from regard for you, my young friend. To serve your cause, I forgot everything else. Like my mother's first errand, it was performed in the best possible way. You will learn directly. By the lightnings of Father Zeus and the owl of Athene, the news I bring is certainly great and beautiful; but he who yearned to make you happy was snatched from you and, though his noble legacy must inspire pleasure and gratitude, it will nevertheless fill your poor eyes with sorrowful tears."

Melampus turned, as he spoke, to the misshapen Egyptian slave who performed the duties of a clerk, and took several rolls from the drumshaped case that hung around his neck; but his prediction concerning Hermon was speedily fulfilled, for the notary handed him the will of his friend Myrtilus.

It made him the heir of his entire fortune and, however happy the unexpected royal gift rendered the blind man, however cheering might be the prospects it opened to him for the future and the desire of his heart, sobs nevertheless interrupted the affectionate words which commenced the document Melampus read aloud to him.

Doubtless the tears which Hermon dedicated to the most beloved of human beings made his blinded eyes smart, but he could not restrain them, and even long after the notary had left him, and the steward had congratulated him on his good fortune, the deep emotion of his tender heart again and again called forth a fresh flood of tears consecrated to the memory of his friend.

The notary had already informed the grammateus of the disposition which Myrtilus had made of his property in Hermon's favour a few days before, but, by the advice of the experienced Proclus, the contents of the will had been withheld from the sculptor; the unfortunate man ought to be spared any disappointment, and proof that Myrtilus was really among the victims of the accident must first be obtained.

The clasp found in the ruins of the white house appeared to furnish this, and the notary had put all other business aside and gone to Alexandria to settle the matter.

The goldsmith Chello, who had fastened a new pin to the clasp, and could swear that it had belonged to Myrtilus, had been summoned to the capital as a witness, and, with the aid of the influential grammateus of the Dionysian games and priest of Apollo, the zeal of Melampus had accomplished in a short time the settlement of this difficult affair, which otherwise might perhaps have consumed several months.

The violent death of Myrtilus had been admitted as proved by the magistrate, who had been prepossessed in Hermon's favour by his masterpiece. Besides, no doubts could be raised concerning the validity of a will attested by sixteen witnesses. The execution of this last testament had been intrusted to Archias, as Myrtilus's nearest relative, and several other distinguished Alexandrians.

The amount of the fortune bequeathed had surprised even these wealthy men, for under the prudent management of Archias the property inherited by the modest young sculptor had trebled in value.

The poor blind artist had suddenly become a man who might be termed "rich," even in the great capital.

Again the steward shook his head; this vast, unexpected inheritance did not seem to make half so deep an impression upon the eccentric blind man as the news received a short time ago that his trivial debt to the goldsmith Chello was already settled. But Hermon must have dearly loved the friend to whom he owed this great change of fortune, and grief for him had cast joy in his immense new wealth completely into the shade.

This conjecture was confirmed on the following morning, for the blind man had himself led to the Greek necropolis to offer sacrifices to the gods of the nether world and to think of his friend.

When, soon after noon, the lessee of the royal bank appeared on the ship to offer him as many drachmae or talents as he might need for present use, he asked for a considerable sum to purchase a larger death-offering for his murdered friend. The next morning he went with the architect of the province to the scene of the conflagration, and had him mark the spot of ground on which he desired to erect to his Myrtilus a monument to be made in Alexandria.

At sunset, leaning on the steward's arm, he went to the Temple of Nemesis, where he prayed and commissioned the priest to offer a costly sacrifice to the goddess in his name.

On the return home, Hermon suddenly stood still and mentioned to Gras the sum which he intended to bestow upon the blind in Tennis. He knew now what it means to live bereft of light, and, he added in a low tone, to be also poor and unable to earn his daily bread.

On the ship he asked the Bithynian whether his burned face had become presentable again, and no longer made a repulsive impression.

This Gras could truthfully assure him. Then the artist's features brightened, and the Bithynian heard genuine cheerfulness ring in the tones of his voice as he exclaimed: "Then, old Gras, we will set out for Alexandria as soon as the ship is ready to sail. Back to life, to the society of men of my own stamp, to reap the praise earned by my own creations, and to the only divine maiden among mortals--to Daphne!"

"The day after to-morrow!" exclaimed the steward in joyous excitement; and soon after the carrier dove was flying toward the house of Archias, bearing the letter which stated the hour when his fame-crowned blind nephew would enter the great harbour of Alexandria.

The evening of the next day but one the Proserpina was bearing Hermon away from the city of weavers toward home.

As the evening breeze fanned his brow, his thoughts dwelt sadly on his Myrtilus. Hitherto it had always seemed as if he was bound, and must commit some atrocious deed to use the seething power condemned to inaction. But as the galley left the Tanitic branch of the Nile behind, and the blind man inhaled the cool air upon the calm sea, his heart swelled, and for the first time he became fully aware that, though the light of the sun would probably never shine for him again, and therefore the joy of creating, the rapture of once more testing his fettered strength, would probably be forever denied him, other stars might perhaps illumine his path, and he was going, in a position of brilliant independence, toward his native city, fame, and--eternal gods!--love.

Daphne had conquered, and he gave only a passing thought to Ledscha and the hapless weaver Arachne.

ARACHNE

By Georg Ebers

Volume 6.

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Chapter V

At the third hour after sunrise a distinguished assemblage of people gathered at the landing place east of the Temple of Poseidon in the great harbour of Alexandria.

Its members belonged to the upper classes, for many had come in carriages and litters, and numerous pedestrians were accompanied by slaves bearing in delicately woven baskets and cornucopias a laurel wreath, a papyrus crown, or bright-hued flowers.

The most aristocratic among the gentlemen had gathered on the western side of the great sanctuary, between the cella and the long row of Doric columns which supported the roof of the marble temple.

The Macedonian Council of the city was already represented by several of its members. Among their number was Archias, Daphne's father, a man of middle height and comfortable portliness, from whose well-formed, beardless face looked forth a pair of shrewd eyes, and whose quick movements revealed the slight irritability of his temperament.

Several members of the Council and wealthy merchants surrounded him, while the grammateus Proclus first talked animatedly with other government officials and representatives of the priesthood, and then with Archias. The head of the Museum, who bore the title of "high priest," had also appeared there with several members of this famous centre of the intellectual life of the capital. They shared the shade of this part of the temple with distinguished masters of sculpture and painting, architecture and poetry, and conversed together with the graceful animation of Greeks endowed with great intellectual gifts.

Among them mingled, distinguishable neither by costume nor language, a number of prominent patrons of art in the great Jewish community. Their principal, the alabarch, was talking eagerly with the philosopher Hegesias and the Rhodian leech Chrysippus; Queen Arsinoe's favourite, whom at Althea's instigation she had sent with Proclus to receive the returning traveller.

Sometimes all gazed toward the mouth of the harbour, where the expected ship must soon pass the recently completed masterpiece of Sostratus, the towering lighthouse, still shining in its marble purity.

Soon many Alexandrians also crowded the large platform in front of the Temple of Poseidon, and the very wide marble staircase leading from it to the landing place.

Beneath the bronze statues of the Dioscuri, at the right and left of the topmost step, had also gathered the magnificent figures of the Phebi and the younger men from the wrestling school of Timagetes, with garlands on their curling locks, as well as many younger artists and pupils of the older masters.

The statues of the gods and goddesses of the sea and their lofty pedestals, standing at the sides of the staircase, cast upon the marble steps, gleaming in the radiance of the morning sun, narrow shadows, which attracted the male and female chorus singers, who, also wearing beautiful garlands, had come to greet the expected arrival with solemn chants.

Several actors were just coming from rehearsal in the theatre of Dionysus, east of the Temple of Poseidon, of which, like all the stages in the city, Proclus was chief manager.

A pretty dancing girl, who hung on the arm of the youngest, extended her hand with a graceful gesture toward the staircase, and asked:

"Whom can they be expecting there? Probably some huge new animal for the Museum which has been caught somewhere for the King, for yonder stiff wearer of a laurel crown, who throws his head back as though he would like to eat the Olympians and take the King for a luncheon into the bargain, is Straton, the denier of the gods, and the little man with the bullethead is the grammarian Zoilus."

"Of course," replied her companion. "But there, too, is Apollodorus, the alabarch of the Jews, and the heavy money-bag Archias--"

"Why look at them!" cried the younger mime. "It's far better worth while to stretch your neck for those farther in front. They are genuine friends of the Muses--the poets Theocritus and Zenodotus."

"The great Athene, Apollo, and all his nine Pierides, have sent their envoys," said the older actor pathetically, "for there, too, are the sculptors Euphranor and Chares, and the godlike builder of the lighthouse, Sostratus in person."

"A handsome man," cried the girl flute-player, "but vain, I tell you, vain--"

"Self-conscious, you ought to say," corrected her companion.

"Certainly," added the older actor, patting his smooth cheeks and chin with a rose he held in his hand. Who can defend himself against the highest merit, self-knowledge? But the person who is to have this reception, by the staff of Dionysus! if modesty flies away from him like the bird from a girl, it ought Just look there! The tall, broad-shouldered fellow yonder is Chrysippus, the right hand of Arsinoe, as our grammateus Proclus is her left. So probably some prince is expected."

"The gentlemen of the Museum and the great artists yonder would not stir a foot, far less lose so precious a morning hour, for any mere wearer of a crown or sceptre," protested the other actor; "it must be--"

"That the King or the Queen command it," interrupted the older player. "Only Arsinoe is represented here. Or do you see any envoy of Ptolemy? Perhaps they will yet arrive. If there were ambassadors of the great Roman Senate--"

"Or," added the dancer, "envoys from King Antiochus. But--goose that I am!--then they would not be received here, but in the royal harbour at the Lochias. See if I don't prove to be right! Divine honours are to be paid to some newly attracted hero of the intellect. But--just follow my finger! There--yonder--it comes floating along at the left of the island of Antirrhodus. That may be his galley! Magnificent! Wonderfully beautiful! Brilliant! Like a swan! No, no, like a swimming peacock! And the silver embroidery on the blue sails! It glitters and sparkles like stars in the azure sky."

Meanwhile the elder actor, shading his eyes with his hand, had been gazing at the harbour, where, amid the innumerable vessels, the expected one, whose sails were just being reefed, was steered by a skilful hand. Now he interrupted the blond beauty with the exclamation: "It is Archias's Proserpina! I know it well." Then, in a declamatory tone, he continued: "I, too, was permitted on the deck of the glittering vessel, lightly rocked by the crimson waves, to reach my welcome goal; as the guest of peerless Archias, I mean. The most magnificent festival in his villa! There was a little performance there in which Mentor and I allowed ourselves to be persuaded to take part. But just see how the beautiful ship uses the narrow passage between the two triremes, as if it had the bloodleech's power of contraction! But to return to the festival of Archias: the oyster ragout served there, the pheasant pasties--"

Here he interrupted himself, exclaiming in surprise: "By the club of Hercules, the Proserpina is to be received with a full chorus! And there is the owner himself descending the stairs! Whom is she bringing?"

"Come! come!" cried the dancing girl to her companion, dragging him after her, "I shall die of curiosity."

The singing and shouting of many voices greeted the actors as they approached the platform of the Temple of Poseidon.

When from this spot the dancer fixed her eyes upon the landing place, she suddenly dropped her companion's arm, exclaiming: "It is the handsome blind sculptor, Hermon, the heir of the wealthy Myrtilus. Do you learn this now for the first time, you jealous Thersites? Hail, hail, divine Hermon! Hail, noble victim of the ungrateful Olympians! Hail to thee, Hermon, and thy immortal works! Hail, hail, hail!"

Meanwhile she waved her handkerchief with frenzied eagerness, as if she could thus force the blind man to see her, and a group of actors whom Proclus, the grammateus of the Dionysian arts, had sent here to receive Hermon worthily, followed her example.

But her cries were drowned by the singing of the chorus and by thousands of shouting voices, while Hermon was embraced by Archias on board the galley, and then, by his guidance, stepped on shore and ascended the staircase of the Temple of Poseidon.

Before the ship entered the harbour, the artist had had a large goblet of unmixed wine given to him, that he might conquer the emotion that had overpowered him.

Though his blind eyes did not show him even the faintest outline of a figure, he felt as if he was flooded with brilliant sunshine.

While the Proserpina was bearing him past the lighthouse, Gras told him that they had now reached the great harbour, and at the same time he heard the shouts, whistles, signals, and varying sounds of the landing place with its crowded shipping, and of the capital.

His blood surged in his veins, and before his mind rose the vision of the corn-flower blue sky, mirrored in the calm surface of the bluest of seas. The pharos built by Sostratus towered in dazzling whiteness above the tide, and before him rose the noble temple buildings, palaces, and porticoes of the city of Alexandria, with which he was familiar, and before and between them statue after statue of marble and bronze, the whole flooded with radiant golden light.

True, darkness sometimes swallowed this wonderful picture, but an effort of the will was sufficient to show it to him again.

"The Temple of Poseidon!" cried Gras. "The Proserpina is to land at the foot of the steps." And now Hermon listened to the sounds from the shore, whose hum and buzz transported him into the midst of the long-missed city of commerce, knowledge, and arts.

Then the captain's shouts of command fell imperiously upon his ears, the strokes of the oars ceased, their blades sank with a loud splash into the water, and at the same instant from the temple steps Hermon was greeted by the solemn notes of the chorus, from whose rhythm his own name rang forth again and again like so many shouts of victory.

He thought his heart would fairly burst through his arched chest, and the passionate violence of its throbbing did not lessen when Gras exclaimed: "Half Alexandria has assembled to greet you. Ah, if you could only see it! How the kerchiefs are waving! Laurel after laurel in every hand! All the distinguished people in the capital have gathered on the sacred soil of the Temple of Poseidon. There is Archias, too; there are the artists and the famous gentlemen of the Museum, the members of the Ephebi, and the priests of the great gods."

Hermon listened with his hand pressed on his breast, and while doing so the power of his imagination showed the vast, harmoniously noble structure of the many-pillared Temple of Poseidon, surrounded by as many thousands as there were in reality hundreds. From all parts of the sanctuary, even from the tops of the roofs, he beheld laurel branches and kerchiefs waving and tossing, and wreaths flung on the ground before him. If this picture was correct, the whole city was greeting him, headed by the men whom he honoured as great and meritorious, and in front of them all Daphne, with drooping head, full of feminine grace and heart-winning goodness.

While the chorus continued their song, and the welcoming shouts grew louder, the brilliant picture faded away, but in return he felt friendly arms clasp him. First Archias, then Proclus, and after him a succession of fellow-artists-the greatest of all--drew him into a warm embrace.

Finally he felt himself led away, placed his feet as his Uncle Archias whispered directions, and as they gropingly obeyed them ascended the temple steps and stood in utter darkness upon the platform listening to the speeches which so many had prepared.

All the distinguished men in the city expressed their sympathy, their pity, their admiration, their hopes, or sent assurances of them to him. The Rhodian Chrysippus, despatched by the Queen, delivered the wreath which the monarch bestowed, and informed Hermon, with her greetings, that Arsinoe deemed his Demeter worthy of the laurel.

The most famous masters of his art, the great scholars from the Museum, the whole priesthood of Demeter, which included Daphne, the servants of Apollo, his dear Ephebi, the comrades of his physical exercises--all whom he honoured, admired, loved-loaded him with praises and good wishes, as well as the assurance of their pride in numbering him among them.

No form, no colour from the visible world, penetrated the darkness surrounding him, not even the image of the woman he loved. Only his ears enabled him to receive the praises, honours, congratulations lavished here and, though he sometimes thought he had received enough, he again listened willingly and intently when a new speaker addressed him in warm words of eulogy. What share compassion for his unprecedentedly sorrowful fate had in this extravagantly laudatory and cordial greeting, he did not ask; he only felt with a throbbing heart that he now stood upon a summit which he had scarcely ventured to hope ever to attain. His dreams of outward success which had not been realized, because he deemed it treason to his art to deviate from the course which he believed right and best adapted to it, he now, without having yielded to the demands of the old school, heard praised as his well-earned possessions.

He felt as if he breathed the lighter, purer air of the realms of the blessed, and the laurel crown which the Queen's envoy pressed upon his brow, the wreaths which his fellow-artists presented to him by hands no less distinguished than those of the great sculptor Protogenes, and Nicias, the most admired artist after the death of Apelles, seemed, like the wings on the hat and shoes of Hermes, messenger of the gods, to raise him out of himself and into the air.

Darkness surrounded him, yet a bright dazzling light issued from his soul and illuminated his whole being with the warm golden radiance of the sun.

Not even the faintest shadow dimmed it until Soteles, his fellow-student at Rhodes, who sustained him with ardent earnestness in the struggle to prefer truth to beauty, greeted him.

He welcomed him and wished that he might recover his lost sight as warmly as his predecessors. He praised the Demeter, too, but added that this was not the place to say what he missed in her. Yet that she did lack it awakened in him an emotion of pain, for this, Hermon's last work, apparently gave the followers of the ancients a right to number him in their ranks.

His cautious expression of regret must refer to the head of his Demeter. Yet surely it was not his fault that Daphne's features bore the impress of that gentle, winning kindness which he himself and Soteles, imitating him, had often condemned as weak and characterless.

The correctness of his belief was instantly proved to him by the address of gray-haired, highly praised Euphranor, who spoke of the Demeter's countenance with warm admiration. And how ardently the poets Theocritus and Zenodotus extolled his work to the skies!

Amid so much laudation, one faint word of dissatisfaction vanished like a drop of blood that falls into a clear stream.

The welcome concluded with a final chant by the chorus, and continued to echo in Hermon's ears as he entered his uncle's chariot and drove away with him, crowned with laurel and intoxicated as if by fiery wine.

Oh, if he could only have seen his fellow-citizens who so eagerly expressed their good will, their sympathy, their admiration! But the black and coloured mist before his eyes revealed no human figure, not even that of the woman he loved, who, he now learned for the first time from her father, had appeared among the priestesses of Demeter to greet him.

Doubtless he was gladdened by the sound of her voice, the clasp of her hand, the faint fragrance of violets exhaling from her fair hair, which he had often remembered with so much pleasure when alone in Tennis; but the time to devote himself to her fully and completely had not yet come, for what manifold and powerful impressions, how much that was elevating, delightful, and entertaining awaited him immediately!

The Queen's envoy had expressed his mistress's desire to receive the creator of the Demeter, the Ephebi and his fellow-artists had invited him to a festival which they desired to give in his honour, and on the way Archias informed him that many of his wealthy friends in the Macedonian Council expected that he, the honoured hero of the day, would adorn with his presence a banquet in their houses.

What a rich, brilliant life awaited him in spite of his blindness! When he entered his uncle's magnificent city home, and not only all the servants and clients of the family, but also a select party of ladies and gentlemen greeted him with flowers and hundreds of other tokens of affection and appreciation, he gave himself up without reserve to this novel excess of fame and admiration.

Notwithstanding his blindness, he felt, after the burns on his face had healed, thoroughly well, as strong as a giant--nay, more vigorous and capable of enjoyment than ever. What prevented him from revelling to the full in the superabundant gifts which Fate, recently so cruel, now suddenly cast into his lap with lavish kindness?

Yet many flattering and pleasant things as he had experienced that day, he was far from feeling satiety. On entering the hall of the men in his uncle's dwelling, the names of famous men and proud beauties had been repeated to him. Formerly they had taken little notice of him, yet now even the most renowned received him like an Olympian victor.

What did all these vain women really care for him? Yet their favour was part of the triumph whose celebration he must permit to-day. His heart held but one being for whom it yearned, and with whom thus far he had been able only to exchange a few tender greetings.

The time for a long conversation had not yet arrived, but he asked Thyone to lead him to her and, while she listened anxiously, described with feverish animation the incidents of the last few days. But he soon lowered his voice to assure her that he had not ceased to think of her even for a single hour, and the feeling of happiness which, in spite of his misfortune, had filled and lent wings to his soul, was not least due to the knowledge of being near her again.

And her presence really benefited him almost as much as he had anticipated during the hours of solitary yearning in Tennis; he felt it a great favour of Fate to be permitted to strive to possess her, felt even during the delirium of this reception that he loved her. What a tremendous longing to clasp her at once in his arms as his betrothed bride overwhelmed him; but her father's opposition to the union of his only child with a blind man must first be conquered, and the great agitation in his soul, as well as the tumult around him, seemed like a mockery of the quiet happiness which hovered before him when he thought of his marriage with Daphne. Not until everything was calmer would the time come to woo her. Until then both must be satisfied with knowing from each other's lips their mutual love, and he thought he perceived in the tone of her voice the deep emotion of her heart.

Perhaps this had prevented Daphne's expressing her congratulations upon the success of his Demeter as eagerly and fully as he had expected. Painfully disturbed by her reserve, he had just attempted to induce her to give a less superficial opinion of his work, when the curtains of the dining room parted-the music of flutes, singing, and pleasant odours greeted him and the guests. Archias summoned them to breakfast, and a band of beautiful boys, with flowers and garlands of ivy, obeyed the command to crown them.

Then Thyone approached the newly united pair and, after exchanging a few words with Daphne, whispered in an agitated voice to the blind sculptor, over whose breast a brown-locked young slave was just twining a garland of roses: "Poverty no longer stands between you and the object of your love; is it Nemesis who even now still seals your lips?"

Hermon stretched out his hand to draw her nearer to him and murmur softly that her counsel had aided him to break the power of the terrible goddess, but he grasped the empty air. At the same time the deep voice of his love's father, whose opposition threatened to cloud his new happiness, singing, flute-playing, and the laughter of fair women greeted him and, only half master of his own will, he assented, by a slight bend of the head, to the matron's question. A light shiver ran through his frame with the speed of lightning, and the Epicurean's maxim that fear and cold are companions darted through his brain. But what should he fear? He had endured severe trials, it is true, for the sake of remaining faithful to truth in art and life; but who probably ever reached the age of manhood without once deviating from it? Besides, he was surely aware that, had he been obliged to answer Thyone in words, he would not have been guilty of the falsehood. His reply had consisted of a slight motion of the head, and it negatived nothing; it was merely intended to defer for a short time the thing he most desired.

Yet the rash answer weighed heavily on his mind; but it could no longer be recalled that day, and was believed, for Thyone whispered, "We shall succeed in reconciling the terrible being."

Again the light tremour ran through him, but it lasted only an instant; for Chrysilla, the representative of the dead mistress of the house, whose duty it was to assign the guests their places, called to Hermon, "The beautiful Glycera does you the honour of choosing you for a neighbour" and, before the sentence was finished, Archias himself seized his arm and led him to the cushions at the side of the much-courted beauty.

The guests began the banquet in a very joyous mood.

Greek gaiety, and the quick intellect and keen wit of the Alexandrians, combined with the choicest viands of the luxurious capital, where the wines and dainties of all the countries of the Mediterranean found sellers and buyers, and the cook's vocation was developed into a fine art, to spice this banquet with a hundred charms for the mind and senses. To-day the principal place in this distinguished circle of famous men, great and wealthy nobles, beautiful and aristocratic women, was awarded to the blind sculptor. He was pledged by every one who had admired his Demeter, who compassionated his sad fate, or who desired to be agreeable to him or his host.

Every kind remark about his person, his blindness, and his masterpiece was repeated to him and, after the wine and the effort to attract Daphne's attention and shine in the presence of his beautiful neighbour had heated and winged his thoughts, he found an apt reply to each noteworthy word.

When the dessert was finally eaten, and after sunset, in the brilliant light of the lamps and candles, greater attention was paid to the mixing vessels, all remained silent to listen to his fervid speech.

Glycera had asked him, at the beginning of the banquet, to tell her about the attack in Tennis. Now he yielded to her wish that he should repeat the captivating tale to the others, and the spirits of the wine helped him to perform the task with such animation that his hearers listened to his description in breathless suspense, and many eyes rested on the handsome face of the great blind artist as if spellbound.

When he paused, loud applause rewarded him, and as it reached him from every part of the spacious room, his deep, resonant voice put him in communication even with the more distant guests, and he might have been taken for the symposiarch or director of the banquet.

This conspicuous position of the feted artist did not please every one, and a rhetorician, famed for his sharp tongue, whispered to his neighbour, one of Hermon's older fellow-artists, "What his eyes have lost seems to benefit his tongue." The sculptor answered: "At any rate, the impetuous young artist might succeed better in proving himself, by its assistance, a good entertainer, than in creating more mediocre masterpieces like the Demeter."

Similar remarks were made on other cushions; but when the philosopher Hegesias asked the famous sculptor Euphranor what he thought of Hermon's Demeter, the kindly old man answered, "I should laud this noble work as a memorable event, even if it did not mark the end, as well as the beginning, of its highly gifted creator's new career."

Nothing of this kind was uttered near Hermon. Everything that reached him expressed delight, admiration, sympathy, and hope. At dessert the beautiful Glycera divided her apple, whispering as she gave him one half, "Let the fruit tell you what the eyes can no longer reveal, you poor and yet so abundantly rich darling of the gods."

He murmured in reply that his happiness would awake the envy of the immortals if, in addition, he were permitted to feast upon the sight of her beauty.

Had he been able to see himself, Hermon, who, as a genuine Greek, was accustomed to moderate his feelings in intercourse with others, would have endeavoured to express the emotions of joy which filled his heart with more reserve, and to excel his companions at the festival less recklessly.

His enthusiastic delight carried many away with him; others, especially Daphne, were filled with anxious forebodings by his conduct, and others still with grave displeasure.

Among the latter was the famous leech Erasistratus, who shared Archias's cushions, and had been solicited by the latter to try to restore his blind nephew's sight. But the kindly physician, who gladly aided even the poorest sufferer, curtly and positively refused. To devote his time and skill to a blind man who, under the severest of visitations, lulled himself so contentedly in happiness, he considered unjust to others who desired recovery more ardently.

"When the intoxication of this unbridled strength passes away, and is followed by a different mood," remarked the merchant, "we will talk of this matter again," and the confident tone of his deep voice gave the simple sentence such significance that the learned leech held out his hand, saying: "Only where deep, earnest longing for recovery fills the sufferer's mind will the gods aid the physician. We will wait for the change which you predict, Archias!"

The guests did not disperse until late, and the best satisfied of all was the grammateus Proclus, who had taken advantage of the rich merchant's happy mood, and his own warm intercession in behalf of his nephew's work, to persuade Archias to advance Queen Arsinoe a large sum of money for an enterprise whose object he still carefully concealed.

The highly honoured blind artist spent the night under his uncle's roof.

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Chapter VI

Hermon rose from his couch the next morning alert and ready for new pleasures.

He had scarcely left the bath when envoys from the Ephebi and the younger artists invited him to the festivities which they had arranged in his honour. He joyously accepted, and also promised messengers from many of Archias's friends, who wished to have the famous blind sculptor among their guests, to be present at their banquets.

He still felt as if he were intoxicated, and found neither disposition nor time for quiet reflection. His great strength, fettered as it were by his loss of sight, now also began to stir. Fate itself withheld him from the labour which he loved, yet in return it offered him a wealth of varying pleasure, whose stimulating power he had learned the day before. He still relished the draught from the beaker of homage proffered by his fellow-citizens; nay, it seemed as if it could not lose its sweetness for a long time.

He joined the ladies before noon, and his newly awakened feeling of joy beamed upon them scarcely less radiantly than yesterday. Though Thyone might wonder that a man pursued by Nemesis could allow himself to be borne along so thoughtlessly by the stream of pleasure, Daphne certainly did not grudge him the festal season which, when it had passed, could never return to the blind artist. When it was over, he would yearn for the quiet happiness at her side, which gazed at him like the calm eyes of the woman he loved. With her he would cast anchor for the remainder of his life; but first must come the period when he enjoyed the compensation now awarded to him for such severe sufferings.

His heart was full of joy as he greeted Daphne and the Lady Thyone, whom he found with her; but his warm description of the happy emotion which had overpowered him at the abundant honours lavished upon him was interrupted by Archias.

In his usual quick, brisk manner, he asked whether Hermon wished to occupy the beautiful villa with the magnificent garden on Lake Mareotis, inherited from Myrtilus, which could scarcely be reached in a vehicle from the Brucheium in less than an hour, or the house situated in the centre of the city, and Hermon promptly decided in favour of the latter.

His uncle, and probably the ladies also, had expected the contrary. Their silence showed this plainly enough, and Hermon therefore added in a tone of explanation that later the villa would perhaps suit his condition better, but now he thought it would be a mistake to retire to the quiet which half the city was conspiring to disturb. No one contradicted him, and he left the women's apartment with a slight feeling of vexation, which, however, was soon jested away by the gay friends who sought him.

When he removed to the city house the next day, he had not yet found time for a serious talk with Daphne. His uncle, who had managed the estate of Myrtilus, and wished to give Hermon an account of his inheritance, was refused by the blind artist, who assured him that he knew Archias had greatly increased rather than diminished his property, and thanked him sincerely and warmly. In the convenient and spacious city house the young sculptor very soon thought he had good reason to be satisfied with his choice.

Most of his friends were busy artists, and what loss of time every visit to the remote villa would have imposed upon them, what haste he himself would have been obliged to use to reach home from the bath, where he often spent many hours, from the wrestling school, from the meetings of fashionable people in the Paneum gardens, and at sunset by the seashore on the royal highway in the Brucheium. All these places were very far from the villa. It would have required whole hours, too, to reach a famous cookshop in the Canopus, at whose table he liked to assemble beloved guests or revel with his friends. The theatre, the Odeum, most of the public buildings, as well as the houses of his best friends, and especially the beautiful Glycera, were easily reached from his city home, and, among the temples, that of Demeter, which he often visited to pray, offer sacrifices, and rejoice in the power of attraction which his statue of the goddess exerted upon the multitude. It stood at the back of the cella in a place accessible to the priesthood alone, visible only through the open doors, upon a pedestal which his fellow-artists pronounced rather too high. Yet his offer to have it made smaller was not accepted, because had it been lower the devout supplicants who stood there to pray could not have raised their eyes to it.

It was not only at the festivals of the dead that he went to the Greek cemetery, where he had had a magnificent monument erected for his dead mother. If his head ached after a nocturnal carouse, or the disagreeable alarming chill stole over him which he had felt for the first time when he falsely answered Thyone that he was still under the ban of Nemesis, he went to the family monuments, supplied them with gifts, had sacrifices offered to the souls of the beloved dead, and in this way sometimes regained a portion of his lost peace of mind.

The banquet in the evening always dispelled whatever still oppressed him on his return home from these visits, for, though months had elapsed since his brilliant reception, he was still numbered, especially in artist circles, with the most honoured men; he, the blind man, no longer stood in any one's way; conversation gained energy and meaning through the vivacity of his fervid intellect, which seemed actually deepened by his blindness when questions concerning art were at issue, and from a modest fellow-struggler he had become a patron bestowing orders.

The sculptor Soteles, who had followed his footsteps since the apprenticeship in Rhodes, was intrusted with the erection of the monument to Myrtilus in Tennis, and another highly gifted young sculptor, who pursued his former course, with the execution of the one to his mother.

From a third he ordered a large new mixing vessel of chased silver for the society of Ephebi, whose members had lauded him, at the magnificent festival given in his honour, with genuine youthful fervour.

In the designs for these works his rich and bold gift of invention and the power of his imagination proved their full value, and even his older fellow-artists followed him with sincere admiration when, in spite of his darkened eyes, he brought before them distinctly, and often even with the charcoal or wax tablet in his hand, what he had in mind. What magnificent things might not this man have created had he retained his sight, what masterpieces might not have been expected! and his former works, which had been condemned as unlovely, offensive, and exaggerated, were now loudly admired; nay, the furious Maenads struggling on the ground and the Street Boy Eating Figs, which were no longer his property, were sold at high prices. No meeting of artists was complete without Hermon, and the great self-possession which success and wealth bestowed, besides his remarkable talent and the energy peculiar to him, soon aided him to great influence among the members of his profession; nay, he would speedily have reached the head of their leaders had not the passionate impetuosity of his warlike nature led the more cautious to seek to restrain the powerful enthusiast.

Archias's wealthy friends had no such apprehension. To them the lauded blind artist was not much more than a costly dish certain to please their guests; yet this, too, was no trifle in social circles which spent small fortunes for a rare fish.

At the banquets of these princes of commerce he often met Daphne, still more frequently the beautiful Glycera, whose husband, an old ship-owner of regal wealth, was pleased to see famous men harnessed to his young wife's chariot of victory. Hermon's heart had little to do with the flirtation to which Glycera encouraged him at every new meeting, and the Thracian Althea only served to train his intellect to sharp debates. But in this manner he so admirably fulfilled her desire to attract attention that she more than once pointed out to the Queen, her relative, the remarkably handsome blind man whose acquaintance she had made on a night of mad revel during the last Dionysia but one. Althea even thought it necessary to win him, in whom she saw the future son-in-law of the wealthy Archias, for through the graminateus Proclus the merchant had been persuaded to advance the King's wife hundreds of talents, and Arsinoe cherished plans which threatened to consume other large sums.

Thyrone watched Hermon's conduct with increasing indignation, while Daphne perceived that these women had no more power to estrange her lover from her than the bedizened beauties who were never absent from the artists' festivals. How totally different was his intercourse with her! His love and respect were hers alone; yet she saw in him a soul-sick man, and persistently rejected Philotas, who wooed her with the same zeal as before, and the other suitors who were striving to win the wealthy heiress. She had confessed her feelings to her father, her best friend, and persuaded him to have patience a little longer, and wait for the change which he himself expected in his nephew.

This had not been difficult, for Archias loved Hermon, in spite of the many anxieties he had caused him, as if he were his own son and, knowing his daughter, he was aware that she could be happy with the man who possessed her heart though he was deprived of sight.

The fame which Hermon had won by great genius and ability had gratified him more than he expressed, and he could not contradict Daphne when she asserted that, in spite of the aimless life of pleasure to which he devoted himself, he had remained the kind-hearted, noble man he had always been.

In fact, he used, unasked and secretly, a considerable portion of his large revenues to relieve the distress of the poor and suffering. Archias learned this as the steward of his nephew's property, and when to do good he made new demands upon him, he gladly fulfilled them; only he constantly admonished the blind man to think of his own severe sufferings and his cure. Daphne did the same, and he willingly obeyed her advice; for, loudly and recklessly as he pursued pleasure in social circles, he showed himself tenderly devoted to her when he found her alone in her father's house. Then, as in better days, he opened his heart to her naturally and modestly and, though he refrained from vows of love, he showed her that he did not cease to seek with her, and her alone, what his noisy pleasures denied. Then he also found the old tone of affection, and of late he came more frequently, and what he confided to no one else implied to her, at least by hints.

Satiety and dissatisfaction were beginning to appear, and what he had attempted to do for the cure of his eyes had hitherto been futile. The remedies of the oculists to whom he had been directed by Daphne herself had proved ineffectual. The great physician Erasistratus, from whom he first sought help, had refrained, at her entreaty and her father's, from refusing to aid him, but indignantly sent him away when he persisted in the declaration that it would be impossible for him to remain for months secluded from all society and subsist for weeks on scanty fare.

He would submit even to that, he assured Daphne, after she represented to him what he was losing by such lack of resignation, when the time of rest had come for which he longed, but from which many things still withheld him. Yesterday the King had invited him to the palace for the first time, and to decline such an honour was impossible.

In fact, he had long wished for this summons, because he had been informed that no representative of the sovereign had been present at his reception. Only his wife Arsinoe had honoured him by a wreath and congratulations. This lack of interest on the part of the King had wounded him, and the absence of an invitation from the royal connoisseur had cast a shadow into the midst of many a mirthful hour. He had doubtless been aware what great and important affairs of state were claiming the conscientious sovereign just at this time, and how almost unbearable his restless, unloving spouse was rendering his domestic life; yet Hermon thought Ptolemy might have spared a short time for an event in the art life of the city, as his Demeter had been called hundreds of times.

Now the long-desired command to appear before the sovereign had finally reached him, and, in the secure belief that it would bring fresh recognition and rare honours, he entered the royal palace.

Proclus, who neglected no opportunity of serving the nephew of the rich man whose aid he constantly required for the Queen's finances, was his guide, and described the decoration of the inner apartments of the royal residence. Their unostentatious simplicity showed the refined taste of their royal occupant. There was no lack of marble and other rare kinds of stone, and the numerous bas-reliefs which covered the walls like the most superb tapestry were worthy of special attention. In the oblong apartment through which the blind man was guided these marble pictures represented in magnificent work scenes from the campaigns in which Ptolemy, the King's father, had participated as Alexander's general. Others showed Athene, Apollo, the Muses, and Hermes, surrounding or hastening toward the throne of the same monarch, and others again Greek poets and philosophers. Magnificent coloured mosaic pictures covered the floor and many flat spaces above door and windows, but gold and silver had been sparingly used.

Masterpieces of painting and sculpture were the ornaments of the room. In the antechamber, where Hermon waited for the King, Proclus mentioned one of the finest statues of Alexander by Lysippus, and an exquisite Eros by Praxiteles.

The period of waiting, however, became so long to the spoiled artist that he anticipated the monarch's appearance with painful discomfort, and the result of the few minutes which Ptolemy II devoted to his reception was far behind the hopes he had fixed upon them.

In former days he had often seen the narrow-shouldered man of barely medium height who, to secure his own safety, had had two brothers killed and sent another into exile, but now ruled Egypt shrewdly and prudently, and developed the prosperity of Alexandria with equal energy and foresight.

Now, for the first time, Hermon heard him speak. He could not deny that his voice was unusually pleasant in tone, yet it unmistakably issued from the lips of a sufferer.

The brief questions with which he received the blind artist were kindly, and as natural as though addressing an equal, and every remark made in connection with Hermon's answers revealed a very quick and keen intellect.

He had seen the Demeter, and praised the conception of the goddess because it corresponded with her nature. The sanctity which, as it were, pervaded the figure of the divine woman pleased him, because it made the supplicants in the temple feel that they were in the presence of a being who was elevated far above them in superhuman majesty.

"True," he added, "your Demeter is by no means a powerful helper in time of need. She is a goddess such as Epicurus imagines the immortals. Without interfering with human destiny, she stands above it in sublime grandeur and typical dignity. You belong, if I see correctly, to the Epicureans?"

"No," replied Hermon. "Like my lord and King, I, too, number myself among the pupils of the wise Straton."

"Indeed?" asked Ptolemy in a drawling tone, at the same time casting a glance of astonishment at the blind man's powerful figure and well-formed, intellectual face. Then he went on eagerly: "I shall scarcely be wrong in the inference that you, the creator of the Fig-eater, had experienced a far-reaching mental change before your unfortunate loss of sight?"

"I had to struggle hard," replied Hermon, "but I probably owe the success of the Demeter to the circumstance that I found a model whose mind and nature correspond with those of the goddess to a rare degree."

The monarch shook his fair head, and protested in a tone of positive superior knowledge: "As to the model, however well selected it may be, it was not well chosen for this work, far less for you. I have watched your battle against beauty in behalf of truth, and rejoiced, though I often saw you and your little band of young disciples shoot beyond the mark. You brought something new, whose foundation seemed to me sound, and on which further additions might be erected. When the excrescences fell off, I thought, this Hermon, his shadow Soteles, and the others who follow him will perhaps open new paths to the declining art which is constantly going back to former days. Our time will become the point of departure of a new art. But for that very reason, let me confess it, I regret to see you fall back from your bold advance. You now claim for your work that it cleaves strictly to Nature, because the model is taken from life itself. It does not become me to doubt this, yet the stamp of divinity which your Demeter bears is found in no mortal woman. Understand me correctly! This is certainly no departure from the truth, for the ideal often deserves this lofty name better than anything the visible world offers to the eye; but hitherto you have done honour to another truth. If I comprehend your art aright, its essence is opposed to the addition of superhuman dignity and beauty, with which you, or the model you used, strove to ennoble and deify your Demeter. Admirably as you succeeded in doing so, it forces your work out of the sphere of reality, whose boundary I never before saw you cross by a single inch. Whether this occurred unconsciously to you in an hour of mental ecstasy, or whether you felt that you still lacked the means to represent the divine, and therefore returned to the older methods, I do not venture to decide. But at the first examination of your work I was conscious of one thing: It means for you a revolution, a rupture with your former aspirations; and as--I willingly confess it--you had been marvellously successful, it would have driven you, had your sight been spared, out of your own course and into the arms of the ancients, perhaps to your material profit, but scarcely to the advantage of art, which needs a renewal of its vital energies."

"Let me assure you, my lord," Hermon protested, "that had I remained able to continue to create, the success of the Demeter would never, never have rendered me faithless to the conviction and method of creation which I believed right; nay, before losing my sight, my whole soul was absorbed in a new work which would have permitted me to remain wholly and completely within the bounds of reality."

"The Arachne?" asked the King.

"Yes, my lord," cried Hermon ardently. "With its completion I expected to render the greatest service, not only to myself, but to the cause of truth."

Here Ptolemy interrupted with icy coldness: "Yet you were certainly wrong; at least, if the Thracian Althea, who is the personification of falsehood, had continued to be the model." Then he changed his tone, and with the exclamation: "You are protected from the needs of life, unless your rich uncle throws his property into the most insatiable of gulfs. May Straton's philosophy help you better to sustain your courage in the darkness which surrounds you than it has aided me to bear other trials!" he left the room.

Thus ended the artist's conversation with the King, from which Hermon had expected such great results and, deeply agitated, he ordered the driver of his horses to take him to Daphne. She was the only person to whom he could confide what disappointment this interview had caused him.

Others had previously reproached him, as the King had just done, with having, in the Demeter, become faithless to his artistic past. How false and foolish this was! Many a remark from the critics would have been better suited to Myrtilus's work than to his. Yet his fear in Tennis had not been true. Only Daphne's sweet face did not suit his more vigorous method of emphasizing distinctions.

What a many-hued chameleon was the verdict upon works of plastic art! Once--on his return to the capital--thousands had united in the same one, and now how widely they differed again!

His earlier works, which were now lauded to the skies, had formerly invited censure and vehement attacks.

What would he not have given for the possibility of seeing his admired work once more!

As his way led past the Temple of Demeter, he stopped near it and was guided to the sanctuary.

It was filled with worshippers, and when, in his resolute manner, he told the curator and the officiating priest that he wished to enter the cella, and asked for a ladder to feel the goddess, he was most positively refused.

What he requested seemed a profanation of the sacred image, and it would not do to disturb the devout throng. His desire to lower the pedestal could not be gratified.

The high priest who came forward upheld his subordinates and, after a short dispute, Hermon left the sanctuary with his wish unfulfilled.

Never had he so keenly lamented his lost vision as during the remainder of the drive, and when Daphne received him he described with passionate lamentation how terribly blindness embittered his life, and declared himself ready to submit to the severest suffering to regain his sight.

She earnestly entreated him to apply to the great physician Erasistratus again, and Hermon willingly consented. He had promised to attend a banquet given that day by the wealthy ship-owner Archon. The feast lasted until early morning, but toward noon Hermon again appeared in his uncle's house, and met Daphne full of joyous confidence, as if he were completely transformed.

While at Archon's table he had determined to place his cure in the hands of higher powers. This was the will of Fate; for the guest whose cushion he shared was Silanus, the host's son, and the first thing he learned from him was the news that he was going the next day, with several friends, to the oracle of Amon in the Libyan Desert, to ask it what should be done for his mother, who had been for several years an invalid whom no physician could help. He had heard from many quarters that the counsel of the god, who had greeted Alexander the Great as his son, was infallible.

Then Hermon had been most urgently pressed by the young man to accompany him. Every comfort would be provided. One of his father's fine ships would convey them to Paraetonium, where tents, saddle horses, and guides for the short land journey would be ready.

So he had promised to go with Silanus, and his decision was warmly approved by his uncle, Daphne, and the gray-haired Pelusinian couple. Perhaps the god would show the blind man the right path to recovery. He would always be able to call the skill of the Alexandrian leeches to his aid.

Soon after Hermon went on board Archon's splendidly equipped vessel and, instead of a tiresome journey, began a new and riotous period of festivity.

Lavish provision had been made for gay companions of both sexes, merry entertainment by means of dancing, music, and song, well filled dishes and mixing vessels, and life during the ride through the coast and desert regions was not less jovial and luxurious than on the ship.

It seemed to the blind man like one vast banquet in the dark, interrupted only by sleep.

The hope of counsel from the gods cheered the depressed mood which had weighed upon him for several weeks, and rich young Silanus praised the lucky fate which had enabled him to find a travelling companion whose intellect and wit charmed him and the others, and often detained them over the wine until late into the night.

Here, too, Hermon felt himself the most distinguished person, the animating and attracting power, until it was said that the voyage was over, and the company pitched their tents in the famous oasis near the Temple of Amon.

The musicians and dancers, with due regard to propriety, had been left behind in the seaport of Paraetonium. Yet the young travellers were sufficiently gay while Silanus and Hermon waited for admission to the place of the oracle. A week after their arrival it was opened to them, yet the words repeated to them by the priest satisfied neither Hermon nor Archon's son, for the oracle advised the latter to bring his mother herself to the oasis by the land road if she earnestly desired recovery, while to Hermon was shouted the ambiguous saying:

"Only night and darkness spring from the rank marsh of pleasure; Morning and day rise brightly from the starving sand."

Could Silanus's mother, who was unable to move, endure the desert journey? And what was the meaning of the sand, from which morning and day--which was probably the fresh enjoyment of the light--were to rise for Hermon? The sentence of the oracle weighed heavily upon him, as well as on Archon's son, who loved his mother, and the homeward journey became to the blind man by no means a cheerful but rather a very troubled dream.

Thoughtful, very disturbed, dissatisfied with himself, and resolved to turn his back upon the dreary life of pleasure which for so long a time had allowed him no rest, and now disgusted him, he kept aloof from his travelling companions, and rejoiced when, at Alexandria, he was led ashore in the harbour of Eunostus.

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Chapter VII

Hermon entered his house with drooping head.

Here he was informed that the grammateus of the Dionysian artists had already called twice to speak to him concerning an important matter. When he came from the bath, Proclus visited him again. His errand was to invite him to a banquet which was to take place that evening at his residence in a wing of the royal palace.

But Hermon was not in the mood to share a joyous revel, and he frankly said so, although immediately after his return he had accepted the invitation to the festival which the whole fellowship of artists would give the following day in honour of the seventieth birthday of the old sculptor Euphranor. The grammateus alluded to this, and most positively insisted that he could not release him; for he came not only by his own wish, but in obedience to the command of Queen Arsinoe, who desired to tell the creator of the Demeter how highly she esteemed his work and his art. She would appear herself at dessert, and the banquet must therefore begin at an unusually early hour. He, Proclus, was to have the high honour of including the royal lady among his guests solely on Hermon's account, and his refusal would be an insult to the Queen.

So the artist found himself obliged to relinquish his opposition. He did this reluctantly; but the Queen's attention to him and his art flattered his vanity and, if he was to abandon the intoxicating and barren life of pleasure, it could scarcely be done more worthily than at a festival where the King's consort intended to distinguish him in person.

The banquet was to begin in a few hours, yet he could not let the day pass without seeing Daphne and telling her the words of the oracle. He longed, with ardent yearning, for the sound of her voice, and still more to unburden his sorely troubled soul to her.

Oh, if only his Myrtilus still walked among the living! How totally different, in spite of his lost vision, would his life have been!

Daphne was now the only one whom he could put in his place.

Since his return from the oracle, the fear that the rescued Demeter might yet be the work of Myrtilus had again mastered him. However loudly outward circumstances might oppose this, he now felt, with a certainty which surprised him, that this work was not his own. The approval, as well as the doubts, which it aroused in others strengthened his opinion, although even now he could not succeed in bringing it into harmony with the facts. How deep had been the intoxication in which he had so long reeled from one day to the next, since it had succeeded in keeping every doubt of the authorship of this work far from him!

Now he must obtain certainty, and Daphne could help him to it; for, as a priestess of Demeter, she possessed the right to procure him access to the cella and get permission for him to climb the lofty pedestal and feel the statue with his fingers, whose sense of touch had become much keener.

He would frankly inform her of his fear, and her truthful nature would find the doubt that gnawed his heart as unendurable as he himself.

It would have been a grave crime to woo her before he was relieved of this uncertainty, and he would utter the decisive words that very day, and ask her whether her love was great enough to share the joys and sorrows of life with him, the blind man, who perhaps must also divest himself of a false fame.

Time pressed.

He called at Archias's house with a wreath on his head and in festal robes; but Daphne was in the temple, whither old Philippus and Thyone had gone, and his uncle was attending a late session of the Council.

He would have liked to follow Daphne to the sanctuary, but the late hour forbade it, and he therefore only charged Gras to tell his young mistress that he was going to Proclus's banquet, and would return early the next morning to discuss a most important subject with her.

Then he went directly to the neighbouring palace. The Queen might have appeared already, and it would not do to keep her waiting.

He was aware that she lived at variance with her husband, but how could he have suspected that she cherished the more than bold design of hurling the sovereign from his throne and seizing the Egyptian crown herself.

Proclus and Althea were among the conspirators who supported Arsinoe, and the Queen thought it would be an easy matter to win over to her cause and herself the handsome sculptor, whom she remembered at the last Dionysia.

The wealthy blind artist, so highly esteemed among the members of his profession, might become valuable to the conspiracy, for she knew what enthusiastic devotion the Alexandrian artists felt for the King, and everything depended upon forming a party in her own favour among them. This task was to fall to Hermon, and also another, still more important one; for he, his nephew and future son-in-law, if any one, could persuade the wealthy Archias to lend the plot his valuable aid. Hitherto the merchant had been induced, it is true, to advance large sums of money to the Queen, but the loyal devotion which he showed to her royal husband had rendered it impossible to give him even a hint of the conspiracy. Althea, however, declared that the blind man's marriage to Daphne was only a question of time, and Proclus added that the easily excited nephew would show himself more pliant than the uncle if Arsinoe exerted upon him the irresistible charm of her personality.

When Hermon entered the residence of the grammateus in the palace, the guests had already assembled. The Queen was not to appear until after the feast, when the mixing jars were filled. The place by Hermon's side, which Althea had chosen for herself, would then be given up to Arsinoe.

The sovereign was as unaccustomed to the society of a blind artist as Hermon was to that of a queen, and both eagerly anticipated the approaching meeting.

Yet it was difficult for Hermon to turn a bright face toward his companion. The sources of anxiety and grief which had previously burdened his mind would not vanish, even under the roof of the royal palace.

Althea's presence reminded him of Tennis, Ledscha, and Nemesis, who for so long a time seemed to have suspended her persecution, but since he had returned from the abode of the oracle was again asserting the old right to him. During many a sleepless hour of the night he had once more heard the rolling of her terrible wheel.

Even before the journey to the oasis of Amon, everything life could offer him, the idle rake, in his perpetual darkness, had seemed shallow and scarcely worth stretching out his hand for it.

True, an interesting conversation still had power to charm him, but often during its continuance the full consciousness of his misfortune forced itself upon his mind; for the majority of the subjects discussed by the artists came to them through the medium of sight, and referred to new creations of architecture, sculpture, and painting, from whose enjoyment his blindness debarred him.

When returning home from a banquet, if his way lay through the city, he was reminded of the superb buildings, marble terraces and fountains, statues and porticoes, which had formerly satiated his eyes with delight, and must now be illumined with a brilliant radiance by the morning sunbeams, though a hostile fate shut them out from his eyes, starving and thirsting for beautiful forms.

But it had seemed to him still harder to bear that his blinded eyes refused to show him the most beautiful of all beautiful things, the human form, when he lingered among the Ephebi or the spectators of a festal procession, or visited the gymnasium, the theatre, the Aphrodisium, or the Paneum gardens, where the beautiful women met at sunset.

The Queen was to appear immediately, and when she took her place near him his blindness would again deprive him of the sight of her delicately cut features, prevent his returning the glances from her sparkling eyes, and admiring the noble outlines of her thinly veiled figure.

Would his troubled spirit at least permit him to enjoy and enter without restraint into the play of her quick wit?

Perhaps her arrival would relieve him from the discomfort which oppressed him here.

A stranger, out of his own sphere, he felt chilled among these closely united men and women, to whom no tie bound him save the presence of the same host.

He was not acquainted with a single individual except the mythograph Crates, who for several months had been one of the members of the Museum, and who had attached himself to Hermon at Straton's lectures.

The artist was surprised to find this man in such a circle, but he learned from Althea that the young member of the Museum was a relative of Proclus, and a suitor of the beautiful Nico, one of the Queen's ladies in waiting, who was among the guests.

Crates had really been invited in order to win him over to the Queen's cause; but charming fair-haired Nico had been commissioned by the conspirators to persuade him to sing Arsinoe's praises among his professional associates.

The rest of the men present stood in close connection with Arsinoe, and were fellow-conspirators against her husband's throne and life. The ladies whom Proclus had invited were all confidants of Arsinoe, the wives and daughters of his other guests. All were members of the highest class of society, and their manners showed the entire freedom from restraint that existed in the Queen's immediate circle. Althea profited by the advantage of being Hermon's only acquaintance here. So, when he took his place on the cushion at her side, she greeted him familiarly and cordially, as she had treated him for a long time, wherever they met, and in a low voice told him, sometimes in a kindly tone, sometimes with biting sarcasm, the names and characters of the other guests.

The most aristocratic was Amyntas, who stood highest of all in the Queen's favour because he had good reason to hate the other Arsinoe, the sister of the King. His son had been this royal dame's first husband, and she had deserted him to marry Lysimachus, the aged King of Thrace.

The Rhodian Chrysippus, her leech and trusted counsellor, also possessed great influence over the Queen.

"The noble lady," whispered Althea, "needs the faithful devotion of every well-disposed subject, for perhaps you have already learned how cruelly the King embitters the life of the mother of his three children. Many a caprice can be forgiven the suffering Ptolemy, who recently expressed a wish that he could change places with the common workmen whom he saw eating their meal with a good appetite, and who is now tortured by the gout; yet he watches the hapless woman with the jealousy of a tiger, though he himself is openly faithless to her. What is the Queen to him, since the widow of Lysimachus returned from Thrace--no, from Cassandrea, Ephesus, and sacred Samothrace, or whatever other places there are which would no longer tolerate the murderess?"

"The King's sister--the object of his love?" cried Hermon incredulously. "She must be forty years old now."

"Very true," Althea assented. "But we are in Egypt, where marriages between brothers and sisters are pleasing to gods and men; and besides, we make our own moral laws here. Her age! We women are only as old as we look, and the leeches and tiring women of this beauty of forty practise arts which give her the appearance of twenty-five, yet perhaps the King values her intellect more than her person, and the wisdom of a hundred serpents is certainly united in this woman's head. She will make our poor Queen suffer unless real friends guard her from the worst. The three most trustworthy ones are here: Amyntas, the leech Chrysippus, and the admirable Proclus. Let us hope that you will make this three-leaved clover the luck-promising four-leaved one. Your uncle, too, has often with praiseworthy generosity helped Arsinoe in many an embarrassment. Only make the acquaintance of this beautiful royal lady, and the last drop of your blood will not seem too precious to shed for her! Besides--Proclus told me so in confidence--you have little favour to expect from the King. How long he kept you waiting for the first word concerning a work which justly transported the whole city with delight! When he did finally summon you, he said things which must have wounded you."

"That is going too far," replied Hermon.

"Then he kept back his real opinion," Althea protested. "Had I not made it a rule to maintain absolute silence concerning everything I hear in conversation from those with whom I am closely associated--"

Here she was interrupted by Chrysippus, who asked if Althea had told her neighbour about his Rhodian eye-salve.

He winked at her and made a significant gesture as he spoke, and then informed the blind artist how graciously Arsinoe had remembered him when she heard of the remedy by whose aid many a wonderful cure of blind eyes had been made in Rhodes. The royal lady had inquired about him and his sufferings with almost sisterly interest, and Althea eagerly confirmed the statement.

Hermon listened to the pair in silence.

He had not been able to see them, it is true, yet he had perceived their design as if the loss of sight had sharpened his mental vision. He imagined that he could see the favourite and Althea nudge each other with sneering gestures, and believed that their sole purpose was to render him--he knew not for what object--the obedient tool of the Queen, who had probably also succeeded in persuading his usually cautious uncle to render her great services.

The remembrance of Arsinoe's undignified conduct at the Dionysia, and the shameful stories of her which he had heard returned to his mind. At the same time he saw Daphne rise before him in her aristocratic dignity and kindly goodness, and a smile of satisfaction hovered around his lips as he said to himself: "The spider Althea again! But, in spite of my blindness, I will be caught neither in her net nor in the Queen's. They are the last to bar the way which leads to Daphne and real happiness."

The Rhodian was just beginning to praise Arsinoe also as a special friend and connoisseur of the sculptor's art when Crates, Hermon's fellow-student, asked the blind artist, in behalf of his beautiful companion, why his Demeter was placed upon a pedestal which, to others as well as himself, seemed too high for the size of the statue.

Hermon replied that he had heard several make this criticism, but the priests of the goddess refused to take it into account.

Here he hesitated, for, like a blow from an invisible hand, the thought darted through his mind that perhaps, on the morrow, he would see himself compelled before the whole world to cast aside the crown of fame which he owed to the statue on the lofty pedestal. He did not have even the remotest idea of continuing to deck himself with false renown if his dread was realized; yet he doubtless imagined how this whole aristocratic circle, with the Queen, Althea, and Proclus at its head, would turn with reckless haste from the hapless man who had led them into such a shameful error.

Yet what mattered it, even if these miserable people considered themselves deceived and pointed the finger of scorn at him? Better people would thereby be robbed of the right to accuse him of faithlessness to himself. This thought darted through his heated brain like a flash of lightning, and when, in spite of his silence, the conversation was continued and Althea told the others that only Hermon's blindness had prevented the creation of a work which could have been confidently expected far to surpass the Demeter, since it seemed to have been exactly suited to his special talent, he answered his beautiful companion's remark curtly and absently.

She perceived this with annoyance and perplexity.

A woman who yearns for the regard of all men, and makes love a toy, easily lessens the demands she imposes upon individuals. Only, even though love has wholly disappeared, she still claims consideration, and Althea did not wish to lose Hermon's regard.

When Amyntas, the head of the conspirators, attracted the attention of the company by malicious remarks about the King's sister, the Thracian laid her hand on the blind artist's arm, whispering: "Has the image of the Arachne which, at Tennis, charmed you even in the presence of the angry Zeus, completely vanished from your memory? How indifferent you look! But I tell you"--her deep blue eyes flashed as she spoke--"that so long as you were still a genuine creating artist the case was different. Even while putting the last touches of the file to the Demeter, for which Archias's devout daughter posed as your model, another whom you could not banish from your mind filled your imagination. Though so loud a denial is written on your face, I persist in my conviction, and that no idle delusion ensnares me I can prove!"

Hermon raised his sightless eyes to her inquiringly, but she went on with eager positiveness: "Or, if you did not think of the weaver while carving the goddess, how did you happen to engrave a spider on the ribbon twined around the ears of grain in Demeter's hand? Not the smallest detail of a work produced by the hand of a valued friend escapes my notice, and I perceived it before the Demeter came to the temple and the lofty pedestal. Now I would scarcely be able to discover it in the dusky cella, yet at that time I took pleasure in the sight of the ugly insect, not only because it is cleverly done, but because it reminded me of something"--here she lowered her voice still more--"that pleased me, though probably it would seem less flattering to the daughter of Archias, who perhaps is better suited to act as guide to the blind. How bewildered you look! Eternal gods! Many things are forgotten after long months have passed, but it will be easy for me to sharpen your memory. 'At the time Hermon had just finished the Demeter,' the spider called to me, 'he scratched me on the gold.' But at that very time--yes, my handsome friend, I can reckon accurately--you had met me, Althea, in Tennis, I had brought the spider-woman before your eyes. Was it really nothing but foolish vanity that led me to the conviction that you were thinking of me also when you engraved on the ribbon the despised spider-for which, however, I always felt a certain regard--with the delicate web beneath its slender legs?"

Hitherto Hermon had listened to every word in silence, labouring for breath. He was transported as if by magic to the hour of his return from Pelusium; he saw himself enter Myrtilus's studio and watch his friend scratch something, he did not know what, upon the ribbon which fastened the bunch of golden grain. It was--nay, it could have been nothing else--that very spider. The honoured work was not his, but his dead friend's. How the exchange had occurred he could not now understand, but to disbelieve that it had taken place would have been madness or self-deception.

Now he also understood the doubts of Soteles and the King. Not he--Myrtilus, and he alone, was the creator of the much-lauded Demeter!

This conviction raised a hundred-pound weight from his soul.

What was applause! What was recognition! What were fame and laurel wreaths! He desired clearness and truth for himself and all the world and, as if frantic, he suddenly sprang from his cushions, shouting to the startled guests: "I myself and this whole great city were deceived! The Demeter is not mine, not the work of Hermon! The dead Myrtilus created it!"

Then pressing his hand to his brow, he called his student friend to his side, and, as the scholar anxiously laid his arm on his shoulder, whispered: "Away, away from here! Only let me get out of doors into the open air!"

Crates, bewildered and prepared for the worst, obeyed his wish; but Althea and the other guests left behind felt more and more impressed by the suddenly awakened conviction that the hapless blind man had now also become the victim of madness.

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Aimless life of pleasure

ARACHNE

By Georg Ebers

Volume 7.

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Chapter VIII

Without a word of explanation, Hermon dragged his guide along in breathless haste. No one stopped them.

The atrium, usually swarming with guards, servants, and officials until a far later hour, was completely deserted when the blind man hurried through it with his friend.

The door leading into the outer air stood open, but Hermon, leaning on the scholar's arm, had scarcely crossed the threshold and entered the little courtyard encircled with ornamental plants, which separated this portion of the palace from the street, when both were surrounded by a band of armed Macedonian soldiers, whose commander exclaimed: "In the name of the King! Not a sound, if you value your lives!"

Incensed, and believing that there was some mistake, Hermon announced himself as a sculptor and Crates as a member of the Museum, but this statement did not produce the slightest effect upon the warrior; nay, when the friends answered the officer's inquiry whether they were coming from Proclus's banquet in the affirmative; he curtly commanded them to be put in chains.

To offer resistance would have been madness, for even Hermon perceived, by the loud clanking of weapons around them, the greatly superior power of the enemy, and they were acting by the orders of the King. "To the prison near the place of execution!" cried the officer; and now not only the mythograph, but Hermon also was startled--this dungeon opened only to those sentenced to death.

Was he to be led to the executioner's block? A cold shudder ran through his frame; but the next moment he threw back his waving locks, and his chest heaved with a long breath.

What pleasure had life to offer him, the blind man, who was already dead to his art? Ought he not to greet this sudden end as a boon from the immortals?

Did it not spare him a humiliation as great and painful as could be imagined?

He had already taken care that the false renown should not follow him to the grave, and Myrtilus should have his just due, and he would do whatever else lay in his power to further this object. Wherever the beloved dead might be, he desired to go there also. Whatever might await him, he desired no better fate. If he had passed into annihilation, he, Hermon, wished to follow him thither, and annihilation certainly meant redemption from pain and misery. But if he were destined to meet his Myrtilus and his mother in the world beyond the grave, what had he not to tell them, how sure he was of finding a joyful reception there from both! The power which delivered him over to death just at that moment was not Nemesis--no, it was a kindly deity.

Only his heart grew heavy at the thought of leaving Daphne to the tireless wooer Philotas or some other--everything else from which it is usually hard to part seemed like a burden that we gladly cast aside.

"Forward!" he called blithely and boldly to the officer; while Crates, with loud lamentations, was protesting his innocence to the warrior who was putting fetters upon him.

A chain was just being clasped around Hermon's wrists also when he suddenly started. His keen ear could not deceive him, and yet a demon must be mocking him, for the voice that had called his name was the girl's of whom, in the presence of welcome death, he had thought with longing regret.

Yet it was no illusion that deceived him. Again he heard the beloved voice, and this time it addressed not only him, but with the utmost haste the commander of the soldiers.

Sometimes with touching entreaty, sometimes with imperious command, she protested, after giving him her name, that this matter could be nothing but an unfortunate mistake. Lastly, with earnest warmth, she besought him, before taking the prisoners away, to permit her to speak to the commanding general, Philippus, her father's guest, who, she was certain, was in the palace. The blood of these innocent men would be on his head if he did not listen to her representations.

"Daphne!" cried Hermon in grateful agitation; but she would not listen to him, and followed the soldier whom the captain detailed to guide her into the palace.

After a few moments, which the blind artist used to inspire the despairing scholar with courage, the girl returned, and she did not come alone. The gray-haired comrade of Alexander accompanied her, and after a few minutes both prisoners were released from their fetters. Philippus hastily refused their thanks and, after addressing a few words to the officer, he changed his tone, and his deep voice sounded paternally cordial as he exclaimed to Daphne: "Fifteen minutes more, you dear, foolhardy girl, and it would have been too late. To-morrow you shall confess to me who treacherously directed you to this dangerous path."

Lastly, he turned to the prisoners to explain that they would be conducted to the adjacent barracks of the Diadochi, and spend the night there.

Early the next morning they should be examined, and, if they could clear themselves from the suspicion of belonging to the ranks of the conspirators, released.

Daphne again pleaded for the liberation of the prisoners, but Philippus silenced her with the grave exclamation, "The order of the King!"

The old commander offered no objection to her wish to accompany Hermon to prison. Daphne now slipped her arm through her cousin's, and commanded the steward Gras, who had brought her here, to follow them.

The goal of the nocturnal walk, which was close at hand, was reached at the end of a few minutes, and the prisoners were delivered to the commander of the Diadochi. This kindly disposed officer had served under Hermon's father, and when the names of the prisoners were given, and the officer reported to him that General Philippus recommended them to his care as innocent men, he had a special room opened for the sculptor and his fair guide, and ordered Crates to enter another.

He could permit the beautiful daughter of the honoured Archias to remain with Hermon for half an hour, then he must beg her to allow herself to be escorted to her home, as the barracks were closed at that time.

As soon as the captive artist was alone with the woman he loved, he clasped her hand, pouring forth incoherent words of the most ardent gratitude, and when he felt her warmly return the pressure, he could not restrain the desire to clasp her to his heart. For the first time his lips met hers, he confessed his love, and that he had just regarded death as a deliverer; but his life was now gaining new charm through her affection.

Then Daphne herself threw her arms around his neck with fervent devotion.

The love that resistlessly drew his heart to her was returned with equal strength and ardour. In spite of his deep mental distress, he could have shouted aloud in his delight and gratitude. He might now have been permitted to bind forever to his life the woman who had just rescued him from the greatest danger, but the confession he must make to his fellow-artists in the palaestra the following morning still sealed his lips. Yet in this hour he felt that he was united to her, and ought not to conceal what awaited him; so, obeying a strong impulse, he exclaimed: "You know that I love you! Words can not express the strength of my devotion, but for that very reason I must do what duty commands before I ask the question, 'Will you join your fate to mine?'"

"I love you and have loved you always!" Daphne exclaimed tenderly. "What more is needed?"

But Hermon, with drooping head, murmured: "To-morrow I shall no longer be what I am now. Wait until I have done what duty enjoins; when that is accomplished, you shall ask yourself what worth the blind artist still possesses who bartered spurious fame for mockery and disgrace in order not to become a hypocrite."

Then Daphne raised her face to his, asking, "So the Demeter is the work of Myrtilus?"

"Certainly," he answered firmly. "It is the work of Myrtilus."

"Oh, my poor, deceived love!" cried Daphne, strongly agitated, in a tone of the deepest sorrow. "What a terrible ordeal again awaits you! It must indeed distress me--and yet Do not misunderstand me! It seems nevertheless as if I ought to rejoice, for you and your art have not spoken to me even a single moment from this much-lauded work."

"And therefore," he interrupted with passionate delight, "therefore alone you withheld the enthusiastic praise with which the others intoxicated me? And I, fool, blinded also in mind, could be vexed with you for it! But only wait, wait! Soon-to-morrow even--there will be no one in Alexandria who can accuse me of deserting my own honest aspiration, and, if the gods will only restore my sight and the ability to use my hands as a sculptor, then, girl, then--"

Here he was interrupted by a loud knocking at the door.

The time allowed had expired.

Hermon again warmly embraced Daphne, saying: "Then go! Nothing can cloud what these brief moments have bestowed. I must remain blind; but you have restored the lost sight to my poor darkened soul. To-morrow I shall stand in the palaestra before my comrades, and explain to them what a malicious accident deceived me, and with me this whole great city. Many will not believe me, and even your father will perhaps consider it a disgrace to give his arm to his scorned, calumniated nephew to guide him home. Bring this before your mind, and everything else that you must accept with it, if you consent, when the time arrives, to become mine. Conceal and palliate nothing! But should the Lady Thyone speak of the Eumenides who pursued me, tell her that they had probably again extended their arms toward me, but when I return to-morrow from the palaestra I shall be freed from the terrible beings."

Lastly, he asked to be told quickly how she had happened to come to the palace at the right time at so late an hour, and Daphne informed him as briefly and modestly as if the hazardous venture which, in strong opposition to her retiring, womanly nature, she had undertaken, was a mere matter of course.

When Thyone in her presence heard from Gras that Hermon intended to go to Proclus's banquet, she started up in horror, exclaiming, "Then the unfortunate man is lost!"

Her husband, who had long trusted even the gravest secrets to his discreet old wife, had informed her of the terrible office the King had confided to him. All the male guests of Proclus were to be executed; the women--the Queen at their head--would be sent into exile.

Then Daphne, on her knees, besought the matron to tell her what threatened Hermon, and succeeded in persuading her to speak.

The terrified girl, accompanied by Gras, went first to her lover's house and, when she did not find him there, hastened to the King's palace.

If Hermon could have seen her with her fluttering hair, dishevelled by the night breeze, and checks blanched by excitement and terror, if he had been told how she struggled with Thyone, who tried to detain her and lock her up before she left her father's house, he would have perceived with still prouder joy, had that been possible, what he possessed in the devoted love of this true woman.

Grateful and moved by joyous hopes, he informed Daphne of the words of the oracle, which had imprinted themselves upon his memory.

She, too, quickly retained them, and murmured softly:

"Noise and dazzling radiance are hostile to the purer light, Morning and day will rise quietly from the starving sand."

What could the verse mean except that the blind man would regain the power to behold the light of clay amid the sands of the silent desert?

Perhaps it would be well for him to leave Alexandria now, and she described how much benefit she had received while hunting from the silence of the wilderness, when she had left the noise of the city behind her. But before she had quite finished, the knocking at the door was repeated.

The lovers took leave of each other with one last kiss, and the final words of the departing girl echoed consolingly in the blind man's heart, "The more they take from you, the more closely I will cling to you."

Hermon spent the latter portion of the night rejoicing in the consciousness of a great happiness, yet also troubled by the difficult task which he could not escape.

When the market place was filling, gray-haired Philippus visited him.

He desired before the examination, for which every preparation had been made, to understand personally the relation of his dead comrade's son to the defeated conspiracy, and he soon perceived that Hermon's presence at the banquet was due solely to an unlucky accident or in consequence of the Queen's desire to win him over to her plot.

Yet he was forced to advise the blind sculptor to leave Alexandria. The suspicion that he had been associated with the conspirators was the more difficult to refute, because his Uncle Archias had imprudently allowed himself to be persuaded by Proclus and Arsinoe to lend the Queen large sums, which had undoubtedly been used to promote her abominable plans.

Philippus also informed him that he had just come from Archias, whom he had earnestly urged to fly as quickly as possible from the persecution which was inevitable; for, secure as Hermon's uncle felt in his innocence, the receipts for the large sums loaned by him, which had just been found in Proclus's possession, would bear witness against him. Envy and ill will would also have a share in this affair, and the usually benevolent King knew no mercy where crime against his own person was concerned. So Archias intended to leave the city on one of his own ships that very day. Daphne, of course, would accompany him.

The prisoner listened in surprise and anxiety.

His uncle driven from his secure possessions to distant lands! Daphne taken from him, he knew not whither nor for how long a time, after he had just been assured of her great love! He himself on the way to expose himself to the malice and mockery of the whole city!

His heart contracted painfully, and his solicitude about his uncle's fate increased when Philippus informed him that the conspirators had been arrested at the banquet and, headed by Amyntas, the Rhodian, Chrysippus, and Proclus, had perished by the executioner's sword at sunrise.

The Queen, Althea, and the other ladies were already on the way to Coptos, in Upper Egypt, whither the King had exiled them.

Ptolemy had intrusted the execution of this severe punishment to Alexander's former comrade as the most trustworthy and discreet of his subjects, but rejected, with angry curtness, Philippus's attempt to uphold the innocence of his friend Archias.

The old man's conversation with Hermon was interrupted by the functionaries who subjected him and Crates to the examination. It lasted a long time, and referred to every incident in the artist's life since his return to Alexandria. The result was favourable, and the prisoner was dismissed from confinement with the learned companion of his fate.

When, accompanied by Philippus, Hermon reached his house, it was so late that the artists' festival in honour of the sculptor Euphranor, who entered his seventieth year of life that day, must have already commenced.

On the way the blind man told the general what a severe trial awaited him, and the latter approved his course and, on bidding him farewell, with sincere emotion urged Hermon to take courage.

After hastily strengthening himself with a few mouthfuls of food and a draught of wine, his slave Patran, who understood writing, wished to put on the full laurel wreath; but Hermon was seized with a painful sense of dissatisfaction, and angrily waved it back.

Without a single green leaf on his head, he walked, leaning on the Egyptian's arm, into the palaestra, which was diagonally opposite to his house.

Doubtless he longed to hasten at once to Daphne, but he felt that he could not take leave of her until he had first cast off, as his heart and mind dictated, the terrible burden which oppressed his soul. Besides, he knew that the object of his love would not part from him without granting him one last word.

On the way his heart throbbed almost to bursting.

Even Daphne's image, and what threatened her father, and her with him, receded far into the background. He could think only of his design, and how he was to execute it.

Yet ought he not to have the laurel wreath put on, in order, after removing it, to bestow it on the genius of Myrtilus?

Yet no!

Did he still possess the right to award this noble branch to any one? He was appearing before his companions only to give truth its just due. It was repulsive to endow this explanation of an unfortunate error with a captivating aspect by any theatrical adornment. To be honest, even for the porter, was a simple requirement of duty, and no praiseworthy merit.

The guide forced a path for him through carriages, litters, and whole throngs of slaves and common people, who had assembled before the neighbouring palaestra.

The doorkeepers admitted the blind man, who was well known here, without delay; but he called to the slave: "Quick, Patran, and not among the spectators--in the centre of the arena!"

The Egyptian obeyed, and his master crossed the wide space, strewn with sand, and approached the stage which had been erected for the festal performances.

Even had his eyes retained the power of sight, his blood was coursing so wildly through his veins that he might perhaps have been unable to distinguish the statues around him and the thousands of spectators, who, crowded closely together, richly garlanded, their cheeks glowing with enthusiasm, surrounded the arena.

"Hermon!" shouted his friend Soteles in joyful surprise in the midst of this painful walk. "Hermon!" resounded here, there, and everywhere as, leaning on his friend's arm, he stepped upon the stage, and the acclamations grew louder and louder as Soteles fulfilled the sculptor's request and led him to the front of the platform.

Obeying a sign from the director of the festival, the chorus, which had just sung a hymn to the Muses, was silent.

Now the sculptor began to speak, and noisy applause thundered around him as he concluded the well-chosen words of homage with which he offered cordial congratulations to the estimable Euphranor, to whom the festival was given; but the shouts soon ceased, for the audience had heard his modest entreaty to be permitted to say a few words, concerning a personal matter, to those who were his professional colleagues, as well as to the others who had honoured him with their interest and, only too loudly, with undeserved applause. The more closely what he had to say concerned himself, the briefer he would make his story.

And, in fact, he did not long claim the attention of his hearers. Clearly and curtly he stated how it had been possible to mistake Mrytilus's work for his, how the Tennis goldsmith had dispelled his first suspicion, and how vainly he had besought the priests of Demeter to be permitted to feel his statue. Then, without entering into details, he informed them that, through an accident, he had now reached the firm conviction that he had long worn wreaths which belonged to another. But, though the latter could not rise from the grave, he still owed it to truth, to whose service he had dedicated his art from the beginning, and to the simple honesty, dear alike to the peasant and the artist, to divest himself of the fame to which he was not entitled. Even while he believed himself to be the creator of the Demeter, he had been seriously troubled by the praise of so many critics, because it had exposed him to the suspicion of having become faithless to his art and his nature. In the name of the dead, he thanked his dear comrades for the enthusiastic appreciation his masterpiece had found. Honour to Myrtilus and his art, but he trusted this noble festal assemblage would pardon the unintentional deception, and aid his prayer for recovery. If it should be granted he hoped to show that Hermon had not been wholly unworthy to adorn himself for a short time with the wreaths of Myrtilus.

When he closed, deep silence reigned for a brief interval, and one man looked at another irresolutely until the hero of the day, gray-haired Euphranor, rose and, leaning on the arm of his favourite pupil, walked through the centre of the arena to the stage, mounted it, embraced Hermon with paternal warmth, and made him happy by the words: "The deception that has fallen to your lot, my poor young friend, is a lamentable one; but honour to every one who honestly means to uphold the truth. We will beseech the immortals with prayers and sacrifices to restore sight to your artist eyes. If I am permitted, my dear young comrade, to see you continue to create, it will be a source of joy to me and all of us; yet the Muses, even though unasked, lead into the eternal realm of beauty the elect who consecrates his art to truth with the right earnestness."

The embrace with which the venerable hero of the festival seemed to absolve Hermon was greeted with loud applause; but the kind words which Euphranor, in the weak voice of age, had addressed to the blind man had been unintelligible to the large circle of guests.

When he again descended to the arena new plaudits rose; but soon hisses and other signs of disapproval blended with them, which increased in strength and number when a well known critic, who had written a learned treatise concerning the relation of the Demeter to Hermon's earlier works, expressed his annoyance in a loud whistle. The dissatisfied and disappointed spectators now vied with one another to silence those who were cheering by a hideous uproar while the latter expressed more and more loud the sincere esteem with which they were inspired by the confession of the artist who, though cruelly prevented from winning fresh fame, cast aside the wreath which a dead man had, as were, proffered from his tomb.

Probably every man thought that, in the same situation, he would have done the same yet not only justice--nay, compassion--dictated showing the blind artist that they believed in and would sustain him. The ill-disposed insisted that Hermon had only done what duty commanded the meanest man, and the fact that he had deceived all Alexandria still remained. Not a few joined this party, for larger possession excite envy perhaps even more frequently than greater fame.

Soon the approving and opposing voices mingled in an actual conflict. But before the famous sculptor Chares, the great and venerable artist Nicias, and several younger friends of Hermon quelled this unpleasant disturbance of the beautiful festival, the blind man, leaning on the arm of his fellow-artist Soteles, had left the palaestra.

At the exit he, parted from his friend, who had been made happy by the ability to absolve his more distinguished leader from the reproach of having become faithless to their common purpose, and who intended to intercede further in his behalf in the palaestra.

Hermon no longer needed him; for, besides his slave Patran, he found the steward Gras, who, by his master's order, guided the blind man to Archias's closed harmamaxa, which was waiting outside the building.

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Chapter IX

The sculptor's head was burning feverishly when he entered the vehicle. He had never imagined that the consequences of his explanation would be so terrible. During the drive--by no means a long one--to the great harbour, he strove to collect his thoughts. Groaning aloud, he covered his ears with his hands to shut out the shouts and hisses from the palaestra, which in reality were no longer audible.

True, he would not need to expose himself to this uproar a second time, yet if he remained in Alexandria the witticisms, mockery, and jibes of the whole city, though in a gentler form, would echo hundreds of times around him.

He must leave the city. He would have preferred to go on board the staunch Tacheia and be borne far away with his uncle and Daphne, but he was obliged to deny himself the fulfilment of this desire. He must now think solely of regaining his sight.

Obedient to the oracle, he would go to the desert where from the "starving sand" the radiant daylight was to rise anew for him.

There he would, at any rate, be permitted to recover the clearness of perception and feeling which he had lost in the delirium of the dissolute life of pleasure that he had led in the past. Pythagoras had already forbidden the folly of spoiling the present by remorse; and he, too, did not do this. It would have been repugnant to his genuinely Greek nature. Instead of looking backward with peevish regret, his purpose was to look with blithe confidence toward the future, and to do his best to render it better and more fruitful than the months of revel which lay behind him.

He could no longer imagine a life worth living without Daphne, and the thought that if his uncle were robbed of his wealth he would become her support cheered his heart. If the oracle did not fulfil its promise, he would again appeal to medical skill, and submit even to the most severe suffering which might be imposed upon him.

The drive to the great harbour was soon over, but the boat which lay waiting for him had a considerable distance to traverse, for the Tacheia was no longer at the landing place, but was tacking outside the Pharos, in order, if the warrant of arrest were issued, not to be stopped at the channel dominated by the lighthouse. He found the slender trireme pervaded by a restless stir. His uncle had long been expecting him with burning impatience.

He knew, through Philippus, what duty still detained the deceived artist, but he learned, at the same time, that his own imprisonment had been determined, and it would be advisable for him to leave the city behind him as quickly as possible. Yet neither Daphne nor he was willing to depart without saying farewell to Hermon.

But the danger was increasing every moment, and, warm as was the parting, the last clasp of the hand and kiss swiftly followed the first words of greeting.

So the blind artist learned only that Archias was going to the island of Lesbos, his mother's home, and that he had promised his daughter to give Hermon time to recover his sight. The property bequeathed to him by Myrtilus had been placed by the merchant in the royal bank, and he had also protected himself against any chance of poverty. Hermon was to send news of his health to Lesbos from time to time if a safe opportunity offered and, when Daphne knew where he was to be found, she could let him have tidings. Of course, for the present great caution must be exercised in order not to betray the abode of the fugitives.

Hermon, too, ought to evade the pursuit of the incensed King as quickly as possible.

Not only Daphne's eyes, but her father's also, overflowed with tears at this parting, and Hermon perceived more plainly than ever that he was as dear to his uncle as though he were his own son.

The low words which the artist exchanged with the woman whose love, even during the period of separation, would shed light and warmth upon his darkened life, were deeply impressed upon the souls of both.

For the present, faithful Gras was to remain in charge of his master's house in Alexandria. Leaning on his arm, the blind man left the Tacheia, which, as soon as both had entered the boat, was urged forward by powerful strokes of the oars.

The Bithynian informed Hermon that kerchiefs were waving him a farewell from the trireme, that the sails had been unfurled, and the wind was driving the swift vessel before it like a swallow.

At the Pharos Gras reported that a royal galley was just passing them, undoubtedly in pursuit of the Tacheia; but the latter was the swiftest of all the Greek vessels, and they need not fear that she would be overtaken by the war ship.

With a sore heart and the desolate feeling of being now utterly alone, Hermon again landed and ordered that his uncle's harmamaxa should convey him to the necropolis. He desired to seek peace at his mother's grave, and to take leave of these beloved tombs.

Guided by the steward, he left them cheered and with fresh confidence in the future, and the faithful servant's account of the energy with which Daphne had aided the preparations for departure benefited him like a refreshing bath.

When he was again at home, one visitor after another was announced, who came there from the festival in the palaestra, and, in spite of his great reluctance to receive them, he denied no one admittance, but listened even to the ill-disposed and spiteful.

In the battle which he had commenced he must not shrink from wounds, and he was struck by many a poisoned shaft. But, to make amends, a clear understanding was effected between him and those whom he esteemed.

The last caller left him just before midnight.

Hermon now made many preparations for departure.

He intended to go into the desert with very little luggage, as the oracle seemed to direct. How long a time his absence would extend could not be estimated, and the many poor people whom he had fed and supported must not suffer through his departure. The arrangements required to effect this he dictated to the slave, who understood writing. He had gained in him an extremely capable servant, and Patran expressed his readiness to follow him into the desert; but the wry face which, sure that the blind man could not see him, he made while saying so, seemed to prove the contrary.

Weary, and yet too excited to find sleep, Hermon at last went to rest.

If his Myrtilus had been with him now, what would he not have had to say to express his gratitude, to explain! How overjoyed he would have been at the fulfilment of his wish to see him united to Daphne, at least in heart; with what fiery ardour he would have upbraided those who believed him capable of having appropriated what belonged to another!

But Myrtilus was no more, and who could tell whether his body had not remained unburied, and his soul was therefore condemned to be borne restlessly between heaven and earth, like a leaf driven by the wind? Yet, if the earth covered him, where was the spot on which sacrifices could be offered to his soul, his tombstone could be anointed, and he himself remembered?

Then a doubt which had never before entered his mind suddenly took possession of Hermon.

Since for so many months he had firmly believed his friend's work to be his own, he might also have fallen into another delusion, and Myrtilus might still dwell among the living.

At this thought the blind man, with a swift movement, sat erect upon his couch; it seemed as if a bright light blazed before his eyes in the dark room.

The reasons which had led the authorities to pronounce Myrtilus dead rendered his early end probable, it is true, yet by no means proved it absolutely. He must hold fast to that.

He who, ever since he returned to Alexandria from Tennis, had squandered precious time as if possessed by evil demons, would now make a better use of it. Besides, he longed to leave the capital. What! Suppose he should now, even though it were necessary to delay obeying the oracle's command, search, traverse, sail through the world in pursuit of Myrtilus, even, if it must be, to the uttermost Thule?

But he fell back upon the couch as quickly as he had started up.

"Blind! blind!" he groaned in dull despair. How could he, who was not able even to see his hand before his eyes, succeed in finding his friend?

And yet, yet----

Had his mind been darkened with his eyes, that this thought came to him now for the first time, that he had not sent messengers to all quarters of the globe to find some trace of the assailants and, with them, of the lost man?

Perhaps it was Ledscha who had him in her power, and, while he was pondering and forming plans for the best way of conducting investigations, the dimmed image of the Biamite again returned distinctly to his mind, and with it that of Arachne and the spider, into which the goddess transformed the weaver.

Half overcome by sleep, he saw himself, staff in hand, led by Daphne, cross green meadows and deserts, valleys and mountains, to seek his friend; yet whenever he fancied he caught sight of him, and Ledscha with him, in the distance, the spider descended from above and, with magical speed, wove a net which concealed both from his gaze.

Groaning and deeply disturbed, half awake, he struggled onward, always toward one goal, to find his Myrtilus again, when suddenly the sound of the knocker on the entrance door and the barking of Lycas, his Arabian greyhound, shook the house.

Recalled to waking life, he started up and listened.

Had the men who were to arrest him or inquisitive visitors not allowed themselves to be deterred even by the late hour?

He listened angrily as the old porter sternly accosted the late guest; but, directly after, the gray-haired native of the region near the First Cataract burst into the strange Nubian oaths which he lavished liberally whenever anything stirred his aged soul.

The dog, which Hermon had owned only a few months, continued to bark; but above his hostile baying the blind man thought he recognised a name at whose sound the blood surged hotly into his cheeks. Yet he could scarcely have heard aright!

Still he sprang from the couch, groped his way to the door, opened it, and entered the impluvium that adjoined his bedroom. The cool night air blew upon him from the open ceiling. A strong draught showed that the door leading from the atrium was being opened, and now a shout, half choked by weeping, greeted him: "Hermon! My clear, my poor beloved master!"

"Bias, faithful Bias!" fell from the blind man's lips, and when he felt the returned slave sink down before him, cover his hand with kisses and wet it with tears, he raised him in his strong arms, clasped him in a warm embrace, kissed his checks, and gasped, "And Myrtilus, my Myrtilus, is he alive?"

"Yes, yes, yes," sobbed Bias. "But you, my lord-blind, blind! Can it be true?"

When Hermon released him to inquire again about his friend, Bias stammered: "He isn't faring so badly; but you, you, bereft of light and also of the joy of seeing your faithful Bias again! And the immortals prolong one's years to experience such evils! Two griefs always belong to one joy, like two horses to a chariot."

"My wise Bias! Just as you were of old!" cried Hermon in joyful excitement.

Then he quieted the hound and ordered one of the attendants, who came hurrying in, to bring out whatever dainty viands the house contained and a jar of the best Byblus wine from the cellar.

Meanwhile he did not cease his inquiries about his friend's health, and ordered a goblet to be brought him also, that he might pledge the slave and give brief answers to his sympathizing questions about the cause of the blindness, the noble Archias, the gracious young mistress Daphne, the famous Philippus and his wife, the companion Chrysilla, and the steward Gras. Amid all this he resolved to free the faithful fellow and, while Bias was eating, he could not refrain from telling him that he had found a mistress for him, that Daphne was the wife whom he had chosen, but the wedding was still a long way off.

He controlled his impatience to learn the particulars concerning his friend's fate until Bias had partially satisfied his hunger.

A short time ago Hermon would have declared it impossible that he could ever become so happy during this period of conflict and separation from the object of his love.

The thought of his lost inheritance doubtless flitted through his mind, but it seemed merely like worthless dust, and the certainty that Myrtilus still walked among the living filled him with unclouded happiness. Even though he could no longer see him, he might expect to hear his beloved voice again. Oh, what delight that he was permitted to have his friend once more, as well as Daphne, that he could meet him so freely and joyously and keep the laurel, which had rested with such leaden weight upon his head, for Myrtilus, and for him alone!

But where was he?

What was the name of the miracle which had saved him, and yet kept him away from his embrace so long?

How had Myrtilus and Bias escaped the flames and death on that night of horror?

A flood of questions assailed the slave before he could begin a connected account, and Hermon constantly interrupted it to ask for details concerning his friend and his health at each period and on every occasion.

Much surprised by his discreet manner, the artist listened to the bondman's narrative; for though Bias had formerly allowed himself to indulge in various little familiarities toward his master, he refrained from them entirely in this story, and the blind man's misfortune invested him in his eyes with a peculiar sacredness.

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Chapter X

He had arrived wounded on the pirate ship with his master's friend, the returned bondman began. When he had regained consciousness, he met Ledscha on board the Hydra, as the wife of the pirate Hanno. She had nursed Myrtilus with tireless solicitude, and also often cared for his, Bias's, wounds. After the recovery of the prisoners, she became their protectress, and placed Bias in the service of the Greek artist.

They, the Gaul Lutarius, and one of the sculptor's slaves, were the only ones who had been brought on board the Hydra alive from the attack in Tennis, but the latter soon succumbed to his wounds.

Hermon owed it solely to the bridge-builder that he had escaped from the vengeance of his Biamite foe, for the tall Gaul, whose thick beard resembled Hermon's in length and blackness, was mistaken by Hanno for the person whom Ledscha had directed him to deliver alive into her power.

The pirate had surrendered the wrong captive to the woman he loved and, as Bias declared, to his serious disadvantage; for, though Hanno and the Biamite girl were husband and wife, no one could help perceiving the cold dislike with which Ledscha rebuffed the giant who read her every wish in her eyes. Finally, the captain of the pirate ship, a silent man by nature, often did not open his lips for days except to give orders to the crew. Frequently he even refused to be relieved from duty, and remained all night at the helm.

Only when, at his own risk, or with the vessels of his father and brother, he attacked merchant ships or defended himself against a war galley, did he wake to vigorous life and rush with gallant recklessness into battle.

A single man on the Hydra was little inferior to him in strength and daring--the Gaul Lutarius. He had been enrolled among the pirates, and when Hanno was wounded in an engagement with a Syrian war galley, was elected his representative. During this time Ledscha faithfully performed her duty as her young husband's nurse, but afterward treated him as coldly as before.

Yet she devoted herself eagerly to the ship and the crew, and the fierce, lawless fellows cheerfully submitted to the sensible arrangements of their captain's beautiful, energetic wife. At this period Bias had often met Ledscha engaged in secret conversation with the Gaul, yet if any tender emotion really attracted her toward any one other than her husband, Myrtilus would have been suspected rather than the black-bearded bridge-builder; for she not only showed the sculptor the kindest consideration, but often entered into conversation with him, and even persuaded him, when the sea was calm, or the Hydra lay at anchor in one of the hidden bays known to the pirates, to practise his art, and at last to make a bust of her. She had succeeded in getting him clay, wax, and tools for the purpose. After asking which goddess had ill-treated the weaver Arachne, she commanded him to make a head of Athene, adorned with the helmet, modelled from her own. During this time she frequently inquired whether her features really were not beautiful enough to be copied for the countenance of a goddess, and when he eagerly assured her of the fact, made him swear that he was not deceiving her with flattery.

Neither Bias nor Myrtilus had ever been allowed to remain on shore; but, on the whole, the slave protested, Myrtilus's health, thanks to the pure sea air on the Hydra, had improved, in spite of the longing which often assailed him, and the great excitements to which he was sometimes exposed.

There had been anxious hours when Hanno's father and brothers visited the Hydra to induce her captain to make money out of the captive sculptor, and either sell him at a high price or extort a large ransom from him; but Bias had overheard how resolutely Ledscha opposed these proposals, and represented to old Satabus of what priceless importance Myrtilus might become to them if either should be captured and imprisoned.

The greatest excitements, of course, had been connected with the battles of the pirates. Myrtilus, who, in spite of his feeble health, by no means lacked courage, found it especially hard to bear that during the conflicts he was locked up with Bias, but even Ledscha could neither prevent nor restrict these measures.

Bias could not tell what seas the Hydra had sailed, nor at what--usually desolate-shores she had touched. He only knew that she had gone to Sinope in Pontus, passed through the Propontis, and then sought booty near the coasts of Asia Minor. Ledscha had refused to answer every question that referred to these things.

Latterly, the young wife had become very grave, and apparently completely severed her relations with her husband; but she also studiously avoided the Gaul and, if they talked to each other at all, it was in hurried whispers.

So events went on until something occurred which was to affect the lives of the prisoners deeply. It must have been just beyond the outlet from the Hellespont into the AEgean Sea; for, in order to pass through the narrow straits leading thither from Pontus, the Hydra had been most skilfully given the appearance of a peaceful merchant vessel.

The slave's soul must have been greatly agitated by this experience, for while, hitherto, whenever he was interrupted by Hermon he had retained his composure, and could not refrain from occasionally connecting a practical application with his report, now, mastered by the power of the remembrance, he uttered what he wished to tell his master in an oppressed tone, while bright drops of perspiration bedewed the speaker's brow.

A large merchant ship had approached them, and three men came on board the Hydra--old Satabus, his son Labaja, and a gray-haired, bearded seafarer of tall stature and dignified bearing, Schalit, Ledscha's father.

The meeting between the Biamite ship-owner and his child, after so long a separation, was a singular one; for the young wife held out her hand to her father timidly, with downcast eyes, and he refused to take it. Directly after, however, as if constrained by an irresistible impulse, he drew his unruly daughter toward him and kissed her brow and cheeks.

Roast meat and the best wine had been served in the large ship's cabin; but though Myrtilus and Bias had been locked up as if a bloody battle was expected, the loud, angry uproar of men's deep voices reached them, and Ledscha's shrill tones shrieking in passionate wrath blended in the strife. Furniture must have been upset and dishes broken, yet the giants who were disputing here did not come to blows.

At last the savage turmoil subsided.

When Bias and his master were again released, Ledscha was standing, in the dusk of evening, at the foot of the mainmast, pressing her brow against the wood as if she needed some support to save herself from falling.

She checked Myrtilus's words with an imperious "Let me alone!" The next day she had paced restlessly up and down the deck like a caged beast of prey, and would permit no one to speak to her.

At noon Hanno was about to get into a boat to go to her father's ship, and she insisted upon accompanying him. But this time the corsair seemed completely transformed, and with the pitiless sternness, which he so well knew how to use in issuing commands, ordered her to remain on the Hydra.

She, however, by no means obeyed her husband's mandate without resistance, and, at the recollection of the conflict which now occurred between the pair, in which she raged like a tigress, the narrator's cheeks crimsoned.

The quarrel was ended by the powerful seaman's taking in his arms his lithe, slender wife, who resisted him with all her strength and had already touched the side of the boat with her foot, and putting her down on the deck of his ship.

Then Hanno leaped back into the skiff, while Ledscha, groaning with rage, retired to the cabin.

An hour after she again appeared on deck, called Myrtilus and Bias and, showing them her eyes, reddened by tears, told them, as if in apology for her weakness, that she had not been permitted to bid her father farewell. Then, pallid as a corpse, she had turned the conversation upon Hermon, and informed Myrtilus that an Alexandrian pilot had told her father that he was blind, and her brother-in-law Labaja had heard the same thing. While saying this, her lips curled scornfully, but when she saw how deeply their friend's misfortune moved her two prisoners, she waved her hand, declaring that he did not need their sympathy; the pilot had reported that he was living in magnificence and pleasure, and the people in the capital honoured and praised him as if he were a god.

Thereupon she had laughed shrilly and reviled so bitterly the contemptible blind Fortune that remains most loyal to those who deserve to perish in the deepest misery, that Bias avoided repeating her words to his master.

The news of Myrtilus's legacy had not reached her ears, and Bias, too, had just heard of it for the first time.

Ledscha's object had been to relieve her troubled soul by attacks upon the man whom she hated, but she suddenly turned to the master and servant to ask if they desired to obtain their liberty.

Oh, how quickly a hopeful "Yes" reached the ears of the gloomy woman! how ready both were to swear, by a solemn oath, to fulfil the conditions the Biamite desired to impose!

As soon as opportunity offered, both were to leave the Hydra with one other person who, like Bias and herself, understood how to mange a boat.

The favourable moment soon came. One moonless night, when the steering of the Hydra was intrusted to the Gaul, Ledscha waked the two prisoners and, with the Gaul Lutarius, Myrtilus, and the slave, entered the boat, which conveyed them to the shore without accident or interruption.

Bias knew the name of the place where it had anchored, it is true, but the oath which Ledscha had made him swear there was so terrible that he would not have broken it at any cost.

This oath required the slave, who, three days after their landing, was sent to Alexandria by the first ship that sailed for that port, to maintain the most absolute secrecy concerning Myrtilus's hiding place until he was authorized to speak. Bias was to go to Alexandria without delay, and there obtain from Archias, who managed Myrtilus's property, the sums which Ledscha intended to use in the following manner: Two attic talents Bias was to bring back. These were for the Gaul, probably in payment for his assistance. Two more were to be taken by the slave to the Temple of Nemesis. Lastly, Bias was to deliver five talents to old Tabus, who kept the treasure of the pirate family on the Owl's Nest, and tell her that Ledscha, in this money, sent back the bridal dowry which Hanno had paid her father for his daughter. With this she released herself from the husband who inspired her with feelings very unlike love.

Hermon asked to have this commission repeated, and received the directions Myrtilus had given to the slave. The blind man's hope that they must also include greetings and news from his friend's hand was destroyed by Bias, whom Myrtilus, in the leisure hours on the Hydra, had taught to read. This was not so difficult a task for the slave, who longed for knowledge, and had already tried it before. But with writing, on the other hand, he could make no headway. He was too old, and his hand had become too clumsy to acquire this difficult art.

In reply to Hermon's anxious question whether his friend needed anything in his present abode, the slave reported that he was at liberty to move about at will, and was not even obliged to share Ledscha's lodgings. He lacked nothing, for the Biamite, besides some gold, had left with him also gems and pearls of such great value that they would suffice to support him several years. As for himself, she had supplied him more than abundantly with money for travelling expenses.

Myrtilus was awaiting his return in a city prospering under a rich and wise regent, and sent whole cargoes of affectionate remembrances. The sculptor, too, was firmly resolved to keep the oath imposed upon him.

As soon as he, Bias, had performed the commission intrusted to him, he and Myrtilus would be released from their vow, and Hermon would learn his friend's residence.

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Chapter XI

No morning brightened Hermon's night of darkness.

When the returned slave had finished his report, the sun was already shining into his master's room.

Without lying down again, the latter went at once to the Tennis notary, who had moved to Alexandria two months before, and with his assistance raised the money which his friend needed.

Worthy Melampus had received the news that Myrtilus was still alive in a very singular manner. Even now he could grasp only one thing at a time, and he loved Hermon with sincere devotion. Therefore the lawyer who had so zealously striven to expedite the blind man's entering into possession of his friend's inheritance would very willingly have permitted Myrtilus--doubtless an invalid--to continue to rest quietly among the dead. Yet his kind heart rejoiced at the deliverance of the famous young artist, and so during Hermon's story he had passed from sincere regret to loud expressions of joyous sympathy.

Lastly, he had placed his whole property at the disposal of Hermon, who had paid him liberally for his work, to provide for the blind sculptor's future. This generous offer had been declined; but he now assisted Hermon to prepare the emancipation papers for his faithful Bias, and found a ship that was bound to Tanis. Toward evening he accompanied Hermon to the harbour and, after a cordial farewell from his helpful friend, the artist, with the new "freedman" Bias and the slave clerk Patran, went on board the vessel, now ready to sail.

The voyage was one of the speediest, yet the end came too soon for both master and servant--Hermon had not yet heard enough of the friend beyond his reach, and Bias was far from having related everything he desired to tell about Myrtilus and Ledscha; yet he was now permitted to express every opinion that entered his mind, and this had occupied a great deal of time.

Bias also sought to know much more about Hermon's past and future than he had yet learned, not merely from curiosity, but because he foresaw that Myrtilus would not cease to question him about his blind friend.

The misfortune must have produced a deep and lasting effect upon the artist's joyous nature, for his whole bearing was pervaded by such earnestness and dignity that years, instead of months, seemed to have elapsed since their separation.

It was characteristic of Daphne that her lover's blindness did not alienate her from him; yet why had not the girl, who still desired to become his wife, been able to wed the helpless man who had lost his sight? If the father did not wish to be separated from his daughter, surely he could live with the young couple. A home was quickly made everywhere for the rich, and, if Archias was tired of his house in Alexandria, as Hermon had intimated, there was room enough in the world for a new one.

But that was the way with things here below! Man was the cause of man's misfortune! Daphne and Hermon remained the same; but Archias from an affectionate father had become transformed into an entirely different person. If the former had been allowed to follow their inclinations, they would now be united and happy, while, because a third person so willed, they must go their way solitary and wretched.

He expressed this view to his master, and insisted upon his opinion until Hermon confided to him what had driven Archias from Alexandria.

Patran, Bias's successor, was by no means satisfactory to him. Had Hermon retained his sight, he certainly would not have purchased him, in spite of his skill as a scribe, for the Egyptian had a "bad face."

Oh, if only he could have been permitted to stay with his benefactor instead of this sullen man! How carefully he would have removed the stones from his darkened pathway!

During the voyage he was obliged to undergo severe struggles to keep the oath of secrecy imposed upon him; but perjury threatened him with the most horrible tortures, not to mention the sorceress Tabus, whom he was to meet.

So Myrtilus's abode remained unknown to Hermon.

Bias approved his master's intention of going into the desert. He had often seen the oracle of Amon tested, and he himself had experienced the healthfulness of the desert air. Besides, it made him proud to see that Hermon was disposed to follow his suggestion of pitching his tent in a spot which he designated. This was at the end of the arm of the sea at Clysma. Several trees grew there beside small springs, and a peaceful family of Amalekites raised vegetables in their little garden, situated on higher ground, watered by the desert wells.

When a boy, before the doom of slavery had been pronounced upon him and his father, his mother, by the priest's advice, took him there to recover from the severe attack of fever which he could not shake off amid the damp papyrus plantations surrounding his parents' house. In the dry, pure air of the desert he recovered, and he would guide Hermon there before returning to Myrtilus.

From Tanis they reached Tennis in a few hours, and found shelter in the home of the superintendent of Archias's weaving establishments, whose hospitality Myrtilus and Hermon had enjoyed before their installation in the white house, now burned to the ground. The Alexandrian bills of exchange were paid in gold by the lessee of the royal bank, who was a good friend of Hermon. Toward evening, both rowed to the Owl's Nest, taking the five talents with which the runaway wife intended to purchase freedom from her husband.

As the men approached the central door of the pirates' house, a middy-aged Biamite woman appeared and rudely ordered them to leave the island. Tabus was weak, and refused to see visitors. But she was mistaken; for when Bias, in the dialect of his tribe, shouted loudly that messengers from the wife of her grandson Hanno had arrived, there was a movement at the back of the room, and broken sentences, gasped with difficulty, expressed the old dame's wish to receive the strangers.

On a sheep's-wool couch, over which was spread a wolfskin, the last gift of her son Satabus, lay the sorceress, who raised herself as Hermon passed through the door.

After his greeting, she pointed to her deaf ear and begged him to speak louder. At the same time she gazed into his eyes with a keen, penetrating glance, and interrupted him by the question: "The Greek sculptor whose studio was burned over his head? And blind? Blind still?"

"In both eyes," Bias answered for his master.

"And you, fellow?" the old dame asked; then, recollecting herself, stopped the reply on the servant's lips with the hasty remark: "You are the blackbeard's slave--a Biamite? Oh, I remember perfectly! You disappeared with the burning house."

Then she gazed intently and thoughtfully from one to the other, and at last, pointing to Bias, muttered in a whisper: "You alone come from Hanno and Ledscha, and were with them on the Hydra? Very well. What news have you for the old woman from the young couple?"

The freedman began to relate what brought him to the Owl's Nest, and the gray-haired crone listened eagerly until he said that Ledscha lived unhappily with her husband, and therefore had left him. She sent back to her, as the head of Hanno's family, the bridal dowry with which Hanno had bought her from her father as his wife.

Then Tabus struggled into a little more erect posture, and asked: "What does this mean? Five talents--and gold, not silver talents? And she sends the money to me? To me? And she ran away from her husband? But no--no! Once more--you are a Biamite--repeat it in our own language--and loudly. This ear is the better one."

Bias obeyed, and the old dame listened to the end without interrupting him: then raising her brown right hand, covered with a network of blue-black veins, she clinched it into a fist, which she shook far more violently than Bias would have believed possible in her weak condition. At the same time she pressed her lips so tightly together that her toothless mouth deepened into a hole, and her dim eyes shone with a keen, menacing light. For some time she found no reply, though strange, rattling, gasping sounds escaped her heaving breast.

At last she succeeded in uttering words, and shrieked shrilly: "This--this--away with the golden trash! With the bridal dowry of the family rejected, and once more free, the base fool thinks she would be like the captive fox that gnawed the rope! Oh, this age, these people! And this, this is the haughty, strong Ledscha, the daughter of the Biamites, who--there stands the blind girl--deceiver!--who so admirably avenged herself?"

Here her voice failed, and Hermon began to speak to assure her that she understood Ledscha's wish aright. Then he asked her for a token by which she acknowledged the receipt of the gold, which he handed her in a stout linen bag.

But his purpose was not fulfilled, for suddenly, flaming with passionate wrath, she thrust the purse aside, groaning: "Not an obol of the accursed destruction of souls shall come back to Hanno, nor even into the family store. Until his heart and hers stop beating, the most indissoluble bond will unite both. She desires to ransom herself from a lawful marriage concluded by her father, as if she were a captive of war; perhaps she even wants to follow another. Hanno, brave lad, was ready to go to death for her sake, and she rewards him by bringing shame on his head and disgrace on us all. Oh, these times, this world! Everything that is inviolable and holy trampled in the dust! But they are not all so! In spite of Grecian infidelity, marriage is still honoured among our people. But she who mocks what is sacred, and tramples holy customs under foot, shall be accursed, execrated, given over to want, hunger, disease, death!"

With rattling breath and closed eyes she leaned farther back against the cushions that supported her; but Bias, in their common language, tried to soothe her, and informed her that, though Ledscha had probably run away from her husband, she had by no means renounced her vengeance. He was bringing two talents with him to place in the Temple of Nemesis.

"Of Nemesis?" repeated the old dame. Then she tried to raise herself and, as she constantly sank back again, Bias aided her. But she had scarcely recovered her sitting posture when she gasped to the freedman: "Nemesis, who helped, and is to continue to help her to destroy her foe? Well, well! Five talents--a great sum, a great sum! But the more the better! To Nemesis with them, to Ate and the Erinyes! The talons of the avenging goddess shall tear the beautiful face, the heart, and the liver of the accursed one! A twofold malediction on her who has wronged the son of my Satabus!"

While speaking, her head nodded swiftly up and down, and when at last she bowed it wearily, her visitors heard her murmur the names of Satabus and Hanno, sometimes tenderly, sometimes mournfully.

Finally she asked whether any one else was concerned in Ledscha's flight; and when she learned that a Gallic bridge-builder accompanied the fugitive wife, she again started up as if frantic, exclaiming: "Yes, to Nemesis with the gold! We neither need nor want it, and Satabus, my son, he will bless me for renunciation--"

Here exhaustion again silenced her. She gazed mutely and thoughtfully into vacancy, until at last, turning to Bias, she began more calmly: "You will see her again, man, and must tell her what the clan of Tabus bought with her talents. Take her my curse, and let her know that her friends would be my foes, and her foes should find in Tabus a benefactress!"

Then, deeply buried in thought, she again fixed her eyes on the floor; but at last she called to Hermon, saying: "You, blind Greek--am I not right?--the torch was thrust into your face, and you lost the sight of both eyes?"

The artist assented to this question; but she bade him sit down before her, and when he bent his face near her she raised one lid after the other with trembling fingers, yet lightly and skilfully, gazed long and intently into his eyes, and murmured: "Like black Psoti and lawless Simeon, and they are both cured."

"Can you restore me?" Hermon now asked in great excitement. "Answer me honestly, you experienced woman! Give me back my sight, and demand whatever gold and valuables I still possess--"

"Keep them," Tabus contemptuously interrupted. "Not for gold or goods will I restore you the best gift man can lose. I will cure you because you are the person to whom the infamous wretch most ardently wished the sorest trouble. When she hoped to destroy you, she perceived in this deed the happiness which had been promised to her on a night when the full moon was shining. To-day--this very night--the disk between Astarte's horns rounds again, and presently--wait a little while!--presently you shall have what the light restores you--" Then she called the Biamite woman, ordered her to bring the medicine chest, and took from it one vessel after another. The box she was seeking was among the last and, while handing it to Bias, she muttered: "Oh, yes, certainly--it does one good to destroy a foe, but no less to make her foe happy!"

Turning to the freedman, she went on in a louder tone: "You, slave, shall inform Hanno's wife that old Tabus gave the sculptor, whose blindness she caused, the remedy which restored the sight of black Psoti, whom she knew." Here she paused, gazed upward, and murmured almost unintelligibly: "Satabus, Hanno! If this is the last act of the old mother, it will give ye pleasure."

Then she told Hermon to kneel again, and ordered the slave to hold the lamp which her nurse Tasia had just lighted at the hearth fire.

"The last," she said, looking into the box, "but it will be enough. The odour of the herb in the salve is as strong as if it had been prepared yesterday."

She laid the first bandage on Hermon's eyes with her own weak fingers, at the same time muttering an incantation; but it did not seem to satisfy her. Great excitement had taken possession of her, and as the silver light of the full moon shone into her room she waved her hands before the artist's eyes and fixed her gaze upon the threshold illumined by the moonbeams, ejaculating sentences incomprehensible to the blind man. Bias supported her, for she had risen to her full height, and he felt how she tottered and trembled.

Yet her strength held out to whisper to Hermon: "Nearer, still nearer! By the light of the august one whose rays greet us, let it be said: You will see again. Await your recovery patiently in a quiet place in the pure air, not in the city. Refrain from everything with which the Greeks intoxicate themselves. Shun wine, and whatever heats the blood. Recovery is coming; I see it drawing near. You will see again as surely as I now curse the woman who abandoned the husband to whom she vowed fidelity. She rejoiced over your blindness, and she will gnash her teeth with rage and grief when she hears that it was Tabus who brought light into the darkness that surrounds you."

With these words she pushed off the freedman's supporting arms and sank back upon the couch.

Again Hermon tried to thank her; but she would not permit it, and said in an almost inaudible tone: "I really did not give the salve to do you good--the last act of all--"

Finally she murmured a few words of direction for its use, and added that he must keep the sunlight from his blind eyes by bandages and shades, as if it were a cruel foe.

When she paused, and Bias asked her another question, she pointed to the door, exclaiming as loudly as her weakness permitted, "Go, I tell you, go!"

Hermon obeyed and left her, accompanied by the freedman, who carried the box of salve so full of precious promise.

The next morning Bias delivered to the astonished priest of Nemesis the large gifts intended for the avenging goddess.

Before Hermon entered the boat with him and his Egyptian slave, the freedman told his master that Gula was again living in perfect harmony with the husband who had cast her off, and Taus, Ledscha's younger sister, was the wife of the young Biamite who, she had feared, would give up his wooing on account of her visit to Hermon's studio.

After a long voyage through the canal which had been dug a short time before, connecting the Mediterranean with the Red Sea, the three men reached Clysma. Opposite to it, on the eastern shore of the narrow northern point of the Erythraean sea--[Red Sea]--lay the goal of their journey, and thither Bias led his blind master, followed by the slave, on shore.

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