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XVII. WHO WOULD HAVE THOUGHT IT?…

Part 54 of 60 · Gilbert Parker · Public domain text

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Contents (540)
  1. Opening about 2 min
  2. I. THE JASMINE FLOWER about 14 min
  3. II. THE UNDERGROUND WORLD about 11 min
  4. III. A DAUGHTER OF TYRE about 22 min
  5. IV. THE PARTNERS MEET about 17 min
  6. V. A WOMAN TELLS HER STORY about 16 min
  7. VI. WITHIN THE POWER-HOUSE about 13 min
  8. VII. THREE YEARS LATER about 20 min
  9. Chapter VIII about 9 min
  10. IX. THE APPIAN WAY about 24 min
  11. X. AN ARROW FINDS A BREAST about 19 min
  12. XI. IN WALES, WHERE JIGGER PLAYS HIS PART about 18 min
  13. XII. THE KEY IN THE LOCK about 12 min
  14. Chapter XIII about 13 min
  15. XIV. THE BAAS about 18 min
  16. XV. THE WORLD WELL LOST about 11 min
  17. XVI. THE COMING OF THE BAAS about 11 min
  18. XVII. IS THERE NO HELP FOR THESE THINGS? about 22 min
  19. XVIII. LANDRASSY'S LAST STROKE about 17 min
  20. XIX. TO-MORROW . . . PREPARE! about 5 min
  21. XX. THE FURNACE DOOR about 19 min
  22. XXI. THE BURNING FIERY FURNACE about 21 min
  23. XXII. IN WHICH FELLOWES GOES A JOURNEY about 12 min
  24. Chapter XXIII about 17 min
  25. XXIV. ONE WHO CAME SEARCHING about 13 min
  26. XXV. WHEREIN THE LOST IS FOUND about 11 min
  27. XXVI. JASMINE'S LETTER about 9 min
  28. XXVII. KROOL about 27 min
  29. Chapter XXVIII about 29 min
  30. XXIX. THE MENACE OF THE MOUNTAIN about 20 min
  31. Chapter XXX about 14 min
  32. XXXI. THE GREY HORSE AND ITS RIDER about 16 min
  33. XXXII. THE WORLD'S FOUNDLING about 12 min
  34. Chapter XXXIII about 17 min
  35. Chapter XXXIV about 20 min
  36. XXXV. AT BRINKWORT'S FARM about 14 min
  37. XXXVI. SPRINGS OF HEALING about 25 min
  38. XXXVII. UNDER THE GUN about 18 min
  39. Chapter XXXVIII about 2 min
  40. Chapter XXXIX about 11 min
  41. Introduction about 8 min
  42. Book 1 about 5 h 5 min
  43. PIERRE AND HIS PEOPLE about 1 h 9 min
  44. Introduction about 6 h 13 min
  45. ROMANY OF THE SNOWS about 32 min
  46. Introduction about 6 h 36 min
  47. NORTHERN LIGHTS about 1 h 13 min
  48. Introduction about 3 min
  49. I. THE GATES OF THE SEA about 11 min
  50. Chapter II about 30 min
  51. III. A TALE OF NO MAN'S SEA about 11 min
  52. IV. THE TRAIL OF THE ISHMAELITE about 29 min
  53. V. ACCUSING FACES about 15 min
  54. VI. MUMMERS ALL about 29 min
  55. VII. THE WHEEL COMES FULL CIRCLE about 19 min
  56. VIII. A BRIDGE OF PERIL about 20 min
  57. Chapter IX about 11 min
  58. X. BETWEEN DAY AND DARK about 15 min
  59. MRS. FALCHION under 1 min
  60. XI. AMONG THE HILLS OF GOD about 13 min
  61. XII. THE WHIRLIGIG OF TIME about 16 min
  62. XIII. THE SONG OF THE SAW about 19 min
  63. XIV. THE PATH OF THE EAGLE about 29 min
  64. XV. IN THE TROUGH OF THE WINDS about 22 min
  65. XVI. A DUEL IN ARCADY about 13 min
  66. XVII. RIDING THE REEFS about 18 min
  67. XVIII. THE STRINGS OF DESTINY about 22 min
  68. XIX. THE SENTENCE about 16 min
  69. XX. AFTER THE STORM about 10 min
  70. XXI. IN PORT about 13 min
  71. Introduction about 5 h 18 min
  72. Introduction about 6 min
  73. Chapter I about 12 min
  74. Chapter II about 9 min
  75. Chapter III about 14 min
  76. Chapter IV about 9 min
  77. Chapter V about 17 min
  78. Chapter VI about 14 min
  79. Chapter VII about 13 min
  80. Chapter VIII about 13 min
  81. Chapter IX about 7 min
  82. Chapter X about 8 min
  83. Chapter XI about 9 min
  84. Chapter XII about 14 min
  85. Chapter XIII about 12 min
  86. Chapter XIV about 17 min
  87. Chapter XV about 9 min
  88. Chapter XVI about 12 min
  89. Chapter XVII about 14 min
  90. Epilogue about 4 min
  91. Dedication about 2 min
  92. Introduction about 7 min
  93. I. AN ENVOY EXTRAORDINARY about 9 min
  94. II. THE THREAT OF A RENEGADE about 13 min
  95. III. THE FACE AT THE WINDOW about 9 min
  96. IV. THE UPLIFTING OF THE SWORDS about 8 min
  97. V. THE FRUITS OF THE LAW about 7 min
  98. VI. THE KIDNAPPING about 12 min
  99. VII. FRIENDS IN COUNCIL about 19 min
  100. VIII. AS SEEN THROUGH A GLASS, DARKLY about 9 min
  101. IX. TO THE PORCH OF THE WORLD about 5 min
  102. X. QUI VIVE! about 12 min
  103. XI. WITH THE STRANGE PEOPLE about 8 min
  104. XII. OUT OF THE NET about 12 min
  105. THE TRAIL OF THE SWORD under 1 min
  106. Chapter XIII about 12 min
  107. XIV. IN WHICH THE HUNTERS ARE OUT about 6 min
  108. XV. IN THE MATTER OF BUCKLAW about 13 min
  109. XVI. IN THE TREASURE HOUSE about 11 min
  110. XVII. THE GIFT OF A CAPTIVE about 6 min
  111. XVIII. MAIDEN NO MORE about 7 min
  112. XIX. WHICH TELLS OF A BROTHER'S BLOOD CRYING FROM THE GROUND about 17 min
  113. XX. A TRAP IS SET about 4 min
  114. XXI. AN UNTOWARD MESSENGER about 8 min
  115. XXII. FROM TIGER'S CLAW TO LION'S MOUTH about 2 min
  116. XXIII. AT THE GATES OF MISFORTUNE about 4 min
  117. XXIV. IN WHICH THE SWORD IS SHEATHED about 12 min
  118. Introduction about 3 min
  119. I. HIS GREAT MISTAKE about 13 min
  120. II. A DIFFICULT SITUATION about 17 min
  121. III. OUT OF THE NORTH about 5 min
  122. IV. IN THE NAME OF THE FAMILY about 10 min
  123. V. AN AWKWARD HALF-HOUR about 34 min
  124. VI. THE PASSING OF THE YEARS about 25 min
  125. VII. A COURT-MARTIAL about 10 min
  126. VIII. TO EVERY MAN HIS HOUR about 17 min
  127. IX. THE FAITH OF COMRADES about 8 min
  128. X. THOU KNOWEST THE SECRETS OF OUR HEARTS about 6 min
  129. XI. UPON THE HIGHWAY about 9 min
  130. Chapter XII about 16 min
  131. XIII. A LIVING POEM about 17 min
  132. XIV. ON THE EDGE OF A FUTURE about 8 min
  133. XV. THE END OF THE TRAIL about 15 min
  134. Introduction about 4 min
  135. Chapter I about 10 min
  136. Chapter II about 9 min
  137. Chapter III about 11 min
  138. Chapter IV about 5 min
  139. Chapter V about 7 min
  140. Chapter VI about 7 min
  141. Chapter VII about 3 min
  142. Chapter VIII about 8 min
  143. Chapter IX about 10 min
  144. POMP OF THE LAVILETTES under 1 min
  145. Chapter X about 16 min
  146. Chapter XI about 5 min
  147. Chapter XII about 10 min
  148. Chapter XIII about 4 min
  149. Chapter XIV about 20 min
  150. Chapter XV about 4 min
  151. Chapter XVI about 6 min
  152. Chapter XVII about 8 min
  153. Chapter XVIII about 3 min
  154. Chapter XIX about 8 min
  155. Chapter XX about 50 min
  156. Introduction about 4 min
  157. I. ONE IN SEARCH OF A KINGDOM about 18 min
  158. II. IN WHICH HE CLAIMS HIS OWN about 11 min
  159. III. HE TELLS THE STORY OF HIS LIFE about 27 min
  160. IV. AN HOUR WITH HIS FATHER'S PAST about 12 min
  161. V. WHEREIN HE FINDS HIS ENEMY about 13 min
  162. VI. WHICH TELLS OF STRANGE ENCOUNTERS about 13 min
  163. VII. WHEREIN THE SEAL OF HIS HERITAGE IS SET about 17 min
  164. VIII. HE ANSWERS AN AWKWARD QUESTION about 13 min
  165. IX. HE FINDS NEW SPONSORS about 12 min
  166. X. HE COMES TO "THE WAKING OF THE FIRE" about 10 min
  167. XI. HE MAKES A GALLANT CONQUEST about 11 min
  168. THE TRESPASSER under 1 min
  169. XII. HE STANDS BETWEEN TWO WORLDS about 7 min
  170. XIII. HE JOURNEYS AFAR about 10 min
  171. XIV. IN WHICH THE PAST IS REPEATED about 19 min
  172. XV. WHEREIN IS SEEN THE OLD ADAM AND THE GARDEN about 10 min
  173. XVI. WHEREIN LOVE KNOWS NO LAW SAVE THE MAN'S WILL about 14 min
  174. XVII. THE MAN AND THE WOMAN FACE THE INTOLERABLE about 18 min
  175. Chapter XVIII (part 1 of 2) about 7 h 18 min
  176. Chapter XVIII (part 2 of 2) about 2 h 40 min
  177. Appendix about 5 min
  178. Introduction about 7 min
  179. Chapter I about 9 min
  180. Chapter II about 9 min
  181. Chapter III about 7 min
  182. Chapter IV about 7 min
  183. Chapter V about 13 min
  184. Chapter VI about 8 min
  185. Chapter VII about 3 min
  186. VIII. It was M. Savary dit Detricand about 15 min
  187. Chapter IX about 14 min
  188. Chapter X about 20 min
  189. Chapter XI about 4 min
  190. Chapter XII about 22 min
  191. Chapter XIII about 19 min
  192. Chapter XIV about 9 min
  193. Chapter XV about 11 min
  194. Chapter XVI about 14 min
  195. Chapter XVII about 8 min
  196. Chapter XVIII about 18 min
  197. Chapter XIX about 15 min
  198. Chapter XX about 14 min
  199. Chapter XXI about 12 min
  200. Chapter XXII about 14 min
  201. Chapter XXIII about 12 min
  202. Chapter XXIV about 14 min
  203. Chapter XXV about 16 min
  204. Chapter XXVI about 4 min
  205. Chapter XXVII about 11 min
  206. Chapter XXVIII about 10 min
  207. Chapter XXIX about 8 min
  208. Chapter XXX about 24 min
  209. Chapter XXXI about 9 min
  210. Chapter XXXII about 2 min
  211. Chapter XXXIII about 12 min
  212. Chapter XXXIV about 3 min
  213. Chapter XXXV about 7 min
  214. Chapter XXXVI about 12 min
  215. Chapter XXXVII about 13 min
  216. Chapter XXXVIII about 10 min
  217. Chapter XXXIX about 15 min
  218. Chapter XL about 23 min
  219. Chapter XLI about 6 min
  220. Chapter XLII about 8 min
  221. Chapter XLIII about 3 min
  222. Chapter XLIV about 7 min
  223. Chapter XLV about 7 min
  224. Chapter XLVI about 12 min
  225. Epilogue about 11 min
  226. Introduction about 4 min
  227. I. THE RETURN OF MADELINETTE about 14 min
  228. II. WHEN THE RED-COATS CAME about 11 min
  229. Chapter III about 13 min
  230. IV. MADELINETTE MAKES A DISCOVERY about 4 min
  231. V. WHAT WILL SHE DO WITH IT? about 5 min
  232. VI. THE ONE WHO SAW about 7 min
  233. VII. THE PURSUIT about 11 min
  234. VIII. FACE TO FACE about 14 min
  235. IX. THE BITER BITTEN about 2 min
  236. X. THE DOOR THAT WOULD NOT OPEN about 4 h 8 min
  237. PARABLES OF A PROVINCE about 1 h 19 min
  238. Introduction about 10 min
  239. I. THE WAY TO THE VERDICT about 12 min
  240. II. WHAT CAME OF THE TRIAL about 15 min
  241. III. AFTER FIVE YEARS about 4 min
  242. IV. CHARLEY MAKES A DISCOVERY about 3 min
  243. V. THE WOMAN IN HELIOTROPE about 10 min
  244. VI. THE WIND AND THE SHORN LAMB about 8 min
  245. Chapter VII about 7 min
  246. VIII. THE COST OF THE ORNAMENT about 22 min
  247. IX. OLD DEBTS FOR NEW about 3 min
  248. X. THE WAY IN AND THE WAY OUT about 13 min
  249. XI. THE RAISING OF THE CURTAIN about 17 min
  250. XII. THE COMING OF ROSALIE about 9 min
  251. XIII. HOW CHARLEY WENT ADVENTURING AND WHAT HE FOUND about 8 min
  252. XIV. ROSALIE, CHARLEY, AND THE MAN THE WIDOW PLOMONDON JILTED about 15 min
  253. XV. THE MARK IN THE PAPER about 5 min
  254. XVI. MADAME DAUPHIN HAS A MISSION about 10 min
  255. XVII. THE TAILOR MAKES A MIDNIGHT FORAY about 7 min
  256. XVIII. THE STEALING OF THE CROSS about 8 min
  257. XIX. THE SIGN FROM HEAVEN about 7 min
  258. XX. THE RETURN OF THE TAILOR about 4 min
  259. XXI. THE CURE HAS AN INSPIRATION about 4 min
  260. XXII. THE WOMAN WHO SAW about 13 min
  261. XXIII. THE WOMAN WHO DID NOT TELL about 5 min
  262. XXIV. THE SEIGNEUR TAKES A HAND IN THE GAME about 17 min
  263. XXV. THE COLONEL TELLS HIS STORY about 5 min
  264. XXVI. A SONG, A BOTTLE, AND A GHOST about 12 min
  265. XXVII. OUT ON THE OLD TRAIL about 4 min
  266. XXVIII. THE SEIGNEUR GIVES A WARNING about 13 min
  267. XXIX. THE WILD RIDE about 11 min
  268. XXX. ROSALIE WARNS CHARLEY about 8 min
  269. XXXI. CHARLEY STANDS AT BAY about 16 min
  270. XXXII. JO PORTUGAIS TELLS A STORY about 5 min
  271. XXXIII. THE EDGE OF LIFE about 6 min
  272. XXXIV. IN AMBUSH about 5 min
  273. XXXV. THE COMING OF MAXIMILIAN COUR AND ANOTHER about 13 min
  274. XXXVI. BARRIERS SWEPT AWAY about 3 min
  275. XXXVII. THE CHALLENGE OF PAULETTE DUBOIS about 4 min
  276. XXXVIII. THE CURE AND THE SEIGNEUR VISIT THE TAILOR about 12 min
  277. XXXIX. THE SCARLET WOMAN about 8 min
  278. XL. AS IT WAS IN THE BEGINNING about 5 min
  279. XLI. IT WAS MICHAELMAS DAY about 8 min
  280. XLII. A TRIAL AND A VERDICT about 6 min
  281. XLIII. JO PORTUGAIS TELLS A STORY about 9 min
  282. Chapter XLIV about 7 min
  283. XLV. SIX MONTHS GO BY about 8 min
  284. XLVI. THE FORGOTTEN MAN about 9 min
  285. XLVII. ONE WAS TAKEN AND THE OTHER LEFT about 12 min
  286. Chapter XLVIII about 2 min
  287. XLIX. THE OPEN GATE about 9 min
  288. THE RIGHT OF WAY under 1 min
  289. L. THE PASSION PLAY AT CHAUDIERE about 3 min
  290. LI. FACE TO FACE about 12 min
  291. LII. THE COMING OF BILLY about 3 min
  292. LIII. THE SEIGNEUR AND THE CURE HAVE A SUSPICION about 4 min
  293. LIV. M. ROSSIGNOL SLIPS THE LEASH about 2 min
  294. LV. ROSALIE PLAYS A PART about 8 min
  295. LVI. MRS. FLYNN SPEAKS about 3 min
  296. LVII. A BURNING FIERY FURNACE about 10 min
  297. LVIII. WITH HIS BACK TO THE WALL about 11 min
  298. LIX. IN WHICH CHARLEY MEETS A STRANGER about 5 min
  299. LX. THE HAND AT THE DOOR about 2 min
  300. LXI. THE CURE SPEAKS about 1 min
  301. Epilogue about 2 min
  302. Introduction about 3 min
  303. Chapter I about 5 min
  304. Chapter II about 10 min
  305. Chapter III about 13 min
  306. Chapter IV about 6 min
  307. Chapter V about 4 min
  308. Chapter VI about 15 min
  309. Chapter VII about 10 min
  310. Chapter VIII about 9 min
  311. Chapter IX about 9 min
  312. Chapter X about 7 min
  313. Chapter XI about 18 min
  314. Chapter XII about 4 min
  315. Chapter XIII about 6 min
  316. Chapter XIV about 19 min
  317. MICHEL AND ANGELE under 1 min
  318. Chapter XV about 25 min
  319. Chapter XVI about 9 min
  320. Chapter XVII about 11 min
  321. Chapter XVIII about 17 min
  322. Chapter XIX about 8 min
  323. Chapter XX about 6 min
  324. JOHN ENDERBY about 1 h 13 min
  325. Introduction about 5 h 42 min
  326. Book II about 1 min
  327. Introduction about 7 min
  328. I. AS THE SPIRIT MOVED about 4 min
  329. II. THE GATES OF THE WORLD about 22 min
  330. III. BANISHED about 8 min
  331. IV. THE CALL about 10 min
  332. Book II under 1 min
  333. V. THE WIDER WAY about 24 min
  334. Chapter VI about 30 min
  335. VII. THE COMPACT about 8 min
  336. VIII. FOR HIS SOUL'S SAKE AND THE LAND'S SAKE about 10 min
  337. IX. THE LETTER, THE NIGHT, AND THE WOMAN about 17 min
  338. X. THE FOUR WHO KNEW about 21 min
  339. XI. AGAINST THE HOUR OF MIDNIGHT about 21 min
  340. XII. THE JEHAD AND THE LIONS about 26 min
  341. XIII. ACHMET THE ROPEMAKER STRIKES about 8 min
  342. XIV. BEYOND THE PALE about 15 min
  343. Book III under 1 min
  344. XV. SOOLSBY'S HAND UPON THE CURTAIN about 9 min
  345. XVI. THE DEBT AND THE ACCOUNTING about 18 min
  346. XVII. THE WOMAN OF THE CROSS-ROADS about 6 min
  347. XVIII. TIME, THE IDOL-BREAKER about 16 min
  348. XIX. SHARPER THAN A SWORD about 14 min
  349. XX. EACH AFTER HIS OWN ORDER about 13 min
  350. Chapter XXI about 14 min
  351. XXII. AS IN A GLASS DARKLY about 18 min
  352. XXIII. THE TENTS OF CUSHAN about 32 min
  353. XXIV. THE QUESTIONER about 11 min
  354. XXV. THE VOICE THROUGH THE DOOR about 11 min
  355. Chapter XXVI about 12 min
  356. XXVII. THE AWAKENING about 32 min
  357. Book IV under 1 min
  358. XXVIII. NAHOUM TURNS THE SCREW about 12 min
  359. XXIX. THE RECOIL about 16 min
  360. XXX. LACEY MOVES about 15 min
  361. XXXI. THE STRUGGLE IN THE DESERT about 22 min
  362. XXXII. FORTY STRIPES SAVE ONE about 13 min
  363. XXXIII. THE DARK INDENTURE about 8 min
  364. XXXIV. NAHOUM DROPS THE MASK about 13 min
  365. Book V under 1 min
  366. XXXV. THE FLIGHT OF THE WOUNDED about 18 min
  367. Chapter XXXVI about 7 min
  368. XXXVII. THE FLYING SHUTTLE about 9 min
  369. XXXVIII. JASPER KIMBER SPEAKS about 15 min
  370. XXXIX. FAITH JOURNEYS TO LONDON about 5 min
  371. THE WEAVERS under 1 min
  372. Book VI under 1 min
  373. XL. HYLDA SEEKS NAHOUM about 22 min
  374. XLI. IN THE LAND OF SHINAR about 24 min
  375. XLII. THE LOOM OF DESTINY about 35 min
  376. Introduction about 1 h 25 min
  377. Introduction about 46 min
  378. Introduction about 5 min
  379. I. THE GRAND TOUR OF JEAN JACQUES BARBILLE about 22 min
  380. Chapter II about 12 min
  381. Chapter III about 7 min
  382. Chapter IV about 17 min
  383. V. THE CLERK OF THE COURT ENDS HIS STORY about 14 min
  384. VI. JEAN JACQUES HAD HAD A GREAT DAY about 17 min
  385. VII. JEAN JACQUES AWAKES FROM SLEEP about 8 min
  386. VIII. THE GATE IN THE WALL about 10 min
  387. Chapter IX about 14 min
  388. Chapter X about 14 min
  389. XI. THE CLERK OF THE COURT KEEPS A PROMISE about 11 min
  390. XII. THE MASTER-CARPENTER HAS A PROBLEM about 13 min
  391. XIII. THE MAN FROM OUTSIDE about 25 min
  392. Chapter XIV about 12 min
  393. XV. BON MARCHE about 22 min
  394. XVI. MISFORTUNES COME NOT SINGLY about 27 min
  395. XVII. HIS GREATEST ASSET about 14 min
  396. XVIII. JEAN JACQUES HAS AN OFFER about 18 min
  397. XIX. SEBASTIAN DOLORES DOES NOT SLEEP about 7 min
  398. Chapter XX about 27 min
  399. XXI. IF SHE HAD KNOWN IN TIME about 12 min
  400. THE MONEY MASTER under 1 min
  401. XXII. BELLS OF MEMORY about 13 min
  402. XXIII. JEAN JACQUES HAS WORK TO DO about 10 min
  403. XXIV. JEAN JACQUES ENCAMPED about 13 min
  404. XXV. WHAT WOULD YOU HAVE DONE? about 19 min
  405. Epilogue about 6 min
  406. Book I under 1 min
  407. Book II under 1 min
  408. Book III under 1 min
  409. Introduction about 9 min
  410. Book I under 1 min
  411. Chapter I about 13 min
  412. II. THE WHISPER FROM BEYOND about 10 min
  413. III. CONCERNING INGOLBY AND THE TWO TOWNS about 7 min
  414. IV. THE COMING OF JETHRO FAWE about 19 min
  415. Chapter V about 13 min
  416. VI. THE UNGUARDED FIRES about 27 min
  417. VII. IN WHICH THE PRISONER GOES FREE about 21 min
  418. Book II under 1 min
  419. VIII. THE SULTAN about 40 min
  420. IX. MATTER AND MIND AND TWO MEN about 26 min
  421. X. FOR LUCK about 18 min
  422. XI. THE SENTENCE OF THE PATRIN about 25 min
  423. Chapter XII about 17 min
  424. XIII. THE CHAIN OF THE PAST about 15 min
  425. XIV. SUCH THINGS MAY NOT BE about 14 min
  426. XV. THE WOMAN FROM WIND RIVER about 15 min
  427. XVI. THE MAYOR FILLS AN OFFICE about 12 min
  428. XVII. THE MONSEIGNEUR AND THE NOMAD about 12 min
  429. XVIII. THE BEACONS about 6 min
  430. XIX. THE KEEPER OF THE BRIDGE about 14 min
  431. Book III under 1 min
  432. XX. TWO LIFE PIECES about 28 min
  433. XXI. THE SNARE OF THE FOWLER about 16 min
  434. XXII. THE SECRET MAN about 16 min
  435. XXIII. THE RETURN OF BELISARIUS about 9 min
  436. XXIV. AT LONG LAST about 13 min
  437. XXV. MAN PROPOSES about 13 min
  438. XXVI. THE SLEEPER about 6 min
  439. XXVII. THE WORLD FOR SALE about 3 min
  440. Introduction about 7 min
  441. Chapter I about 15 min
  442. II. CLOSING THE DOORS about 18 min
  443. III. THE LOGAN TRIAL AND WHAT CAME OF IT about 19 min
  444. Chapter IV about 6 min
  445. V. A STORY TO BE TOLD about 9 min
  446. Chapter VI about 24 min
  447. VII. A WOMAN'S WAY TO KNOWLEDGE about 18 min
  448. VIII. ALL ABOUT AN UNOPENED LETTER about 12 min
  449. IX. NIGHT SHADE AND MORNING GLORY about 11 min
  450. Chapter X about 5 min
  451. XI. IN THE CAMP OF THE DESERTER about 13 min
  452. XII. AT THE RECEIPT OF CUSTOM about 11 min
  453. XIII. KITTY SPEAKS HER MIND AGAIN about 15 min
  454. XIV. AWAITING THE VERDICT about 17 min
  455. Chapter XV about 13 min
  456. Chapter XVI about 10 min
  457. XVII. WHO WOULD HAVE THOUGHT IT? about 37 min
  458. Epilogue about 5 min
  459. I. THE MAZARINES TAKE POSSESSION about 7 min
  460. Chapter II about 10 min
  461. Chapter III about 11 min
  462. IV. TWO SIDES TO A BARGAIN about 10 min
  463. V. ORLANDO HAS AN ADVENTURE about 16 min
  464. Chapter VI about 6 min
  465. Chapter VII about 8 min
  466. VIII. THE ORIENTAL WAY OF IT about 8 min
  467. IX. THE STARS IN THEIR COURSES about 24 min
  468. WILD YOUTH under 1 min
  469. X. THE MOON WAS NOT ALONE about 10 min
  470. XI. LOUISE about 11 min
  471. XII. MAN UNNATURAL about 9 min
  472. XIII. ORLANDO GIVES A WARNING about 12 min
  473. XIV. FILION AND FIONA--ALSO PATSY KERNAGHAN about 11 min
  474. XV. OUTWARD BOUND about 7 min
  475. XVI. THE CROSS TRAILS about 5 min
  476. XVII. THE SUPERIOR MAN about 18 min
  477. XVIII. YOUTH HAS ITS WAY about 12 min
  478. I. THE TWO MEET about 19 min
  479. II. THE COMING OF A MESSENGER about 9 min
  480. III. THE QUARREL about 7 min
  481. IV. THE DUEL about 10 min
  482. V. THE KILLING OF ERRIS BOYNE about 19 min
  483. VI. DYCK IN PRISON about 8 min
  484. VII. MOTHER AND DAUGHTER about 13 min
  485. VIII. DYCK'S FATHER VISITS HIM about 7 min
  486. IX. A LETTER FROM SHEILA about 4 min
  487. Book II under 1 min
  488. X. DYCK CALHOUN ENTERS THE WORLD AGAIN about 10 min
  489. XI. WHITHER NOW? about 8 min
  490. XII. THE HOUR BEFORE THE MUTINY about 16 min
  491. XIII. TO THE WEST INDIES about 15 min
  492. XIV. IN THE NICK OF TIME about 18 min
  493. XV. THE ADMIRAL HAS HIS SAY about 6 min
  494. NO DEFENSE under 1 min
  495. Book III under 1 min
  496. XVI. A LETTER about 29 min
  497. XVII. STRANGERS ARRIVE about 22 min
  498. XVIII. AT SALEM about 31 min
  499. XIX. LORD MALLOW INTERVENES about 29 min
  500. XX. OUT OF THE HANDS OF THE PHILISTINES about 26 min
  501. XXI. THE CLASH OF RACE about 11 min
  502. XXII. SHEILA HAS HER SAY about 12 min
  503. XXIII. THE COMING OF NOREEN about 9 min
  504. XXIV. WITH THE GOVERNOR about 9 min
  505. XXV. THEN WHAT HAPPENED about 4 min
  506. I. IN THE DAYS OF CHILDHOOD about 8 min
  507. II. ELEVEN YEARS PASS about 18 min
  508. III. CARNAC'S RETURN about 6 min
  509. IV. THE HOUSE ON THE HILL about 6 min
  510. V. CARNAC AS MANAGER about 14 min
  511. VI. LUKE TARBOE HAS AN OFFER about 9 min
  512. Chapter VII about 11 min
  513. VIII. JOHN GRIER MAKES ANOTHER OFFER about 9 min
  514. IX. THE PUZZLE about 7 min
  515. X. DENZIL TELLS HIS STORY about 6 min
  516. XI. CARNAC'S TALK WITH HIS MOTHER about 10 min
  517. XII. CARNAC SAYS GOOD-BYE about 9 min
  518. Book II under 1 min
  519. XIII. CARNAC'S RETURN about 6 min
  520. XIV. THE HOUSE OF THE THREE TREES about 10 min
  521. XV. CARNAC AND JUNIA about 7 min
  522. XVI. JOHN GRIER MAKES A JOURNEY about 6 min
  523. XVII. THE READING OF THE WILL about 6 min
  524. CARNAC'S FOLLY under 1 min
  525. Book III under 1 min
  526. XVIII. A GREAT DECISION about 7 min
  527. XIX. CARNAC BECOMES A CANDIDATE about 14 min
  528. XX. JUNIA AND TARBOE HEAR THE NEWS about 12 min
  529. XXI. THE SECRET MEETING about 9 min
  530. XXII. POINT TO POINT about 8 min
  531. XXIII. THE MAN WHO WOULD NOT about 8 min
  532. XXIV. THE BLUE PAPER about 13 min
  533. XXV. DENZIL TAKES A HAND IN THE GAME about 10 min
  534. XXVI. THE CHALLENGE about 9 min
  535. XXVII. EXIT about 8 min
  536. XXVIII. A WOMAN WRITES A LETTER about 5 min
  537. XXIX. CARNAL AND HIS MOTHER about 6 min
  538. XXX. TARBOE HAS A DREAM about 8 min
  539. XXXI. THIS WAY HOME about 6 min
  540. Chapter XXXII about 6 min

Continue:

XVII. WHO WOULD HAVE THOUGHT IT?

For a full half-hour Crozier sat buried in dark reflection, then he slowly raised his head, and for a minute looked round dazedly. His absorption had been so great that for a moment he was like one who had awakened upon unfamiliar things. As when in a dream of the night the history of years will flash past like a ray of light, so for the bad half-hour in which Crozier had given himself up to despair, his mind had travelled through an incongruous series of incidents of his past life, and had also revealed pictures of solution after solution of his present troubles.

He had that-gift of visualization which makes life an endless procession of pictures which allure, or which wear the nature into premature old age. The last picture flashing before his eyes, as he sat there alone, was of himself and his elder brother, Garnett, now master of Castlegarry, racing ponies to reach the lodge-gates before they closed for the night, after a day of disobedience and truancy. He remembered how Garnett had given him the better pony of the two, so that the younger brother, who would be more heavily punished if they were locked out, should have the better chance. Garnett, if odd in manner and character, had always been a true sportsman though not a lover of sport.

If--if--why had he never thought of Garnett? Garnett could help him, and he would do so. He would let Garnett stand in with him--take one-third of his profits from the syndicate. Yes, he must ask Garnett to see him through. Then it was that he lifted his head from his hands, and his mind awakened out of a dream as real as though he had actually been asleep. Garnett--alas! Garnett was thousands of miles away, and he had not heard from him for five years. Still, he knew the master of Castlegarry was alive, for he had seen him mentioned in a chance number of The Morning Post lately come to his hands. What avail! Garnett was at Castlegarry, and at midnight his chance of fortune and a new life would be gone. Then, penniless, he would have to face Mona again; and what would come of that he could not see, would not try to see. There was an alternative he would not attempt to face until after midnight, when this crisis in his life would be over. Beyond midnight was a darkness which he would not now try to pierce. As his eyes again became used to his surroundings, a look of determination, the determination of the true gambler, came into his face. The real gambler never throws up the sponge till all is gone; never gives up till after the last toss of the last penny of cash or credit; for he has seen such innumerable times the thing come right and good fortune extend a friendly hand with the last hazard of all.

Suddenly he remembered--saw--a scene in the gambling rooms at Monte Carlo on the only visit he had ever paid to the place. He had played constantly, and had won more or less each day. Then his fortune turned and he lost and lost each day. At last, one evening, he walked up to a table and said to the croupier, "When was zero up last?" The croupier answered, "Not for an hour." Forthwith he began to stake on zero and on nothing else. For two hours he put his louis at each turn of the wheel on the Lonely Nought. For two hours he lost. Increasing his stake, which had begun at five francs and had risen at length to five louis, he still coaxed the sardonic deity. Finally midnight came, and he was the only person playing at the table. All others had gone or had ceased to play. These stayed to watch the "mad Inglesi," as a foreigner called him, knocking his head against the foot stool of an unresponsive god of chance. The croupiers watched also with somewhat disdainful, somewhat pitying interest, this last representative of a class who have an insane notion that the law of chances is in their favour if they can but stay the course. And how often had they seen the stubborn challenger of a black demon, who would not appear according to the law of chances, leave the table ruined for ever!

Smiling, Crozier had played on till he had but ten louis left. Counting them over with cheerful exactness, he rose up, lit a cigarette, placed the ten louis on the fatal spot with cynical precision, and with a gay smile kissed his hand to the refractory Nothing and said, "You've got it all, Zero-good-night! Goodnight, Zero!" Then he had buttoned his coat and turned away to seek the cool air of the Mediterranean. He had gone but a step or two, his head half gaily turned to the table where the dwindling onlookers stood watching the wheel spin round, when suddenly the croupier's cry of "Zero!" fell upon his ears.

With cheerful nonchalance he had come back to the table and picked up the many louis he had won--won by his last throw and with his last available coin.

As the scene passed before him now he got to his feet and, with that look of the visionary in his eyes, which those only know who have watched the born gamester, said, "I'll back my hand till the last throw." Then it was, as his eyes gazed in front of him dreamily, he saw the card on his mirror bearing the words, "Courage, soldier!"

With a deepening flame in his eyes he went over and gazed at it. At length he reached out and touched the writing with a caressing finger.

"Kitty--Kitty, how great you are!" he said. Then as he turned to the outer door a softness came into his face, stole up into his brilliant eyes and dimmed them with a tear. "What a hand to hold in the dark--the dark of life!" he said aloud. "Courage, soldier!" he added, as he opened the door by which he had entered, through which Burlingame had gone, and strode away towards the town of Askatoon, feeling somehow in his heart that before midnight his luck would turn.

From the dining-room Kitty had watched him go. "Courage, soldier!" she whispered after him, and she laughed; but almost immediately she threw her head up with a gasping sigh, and when it was lowered again two tears were stealing down her cheeks.

With an effort she conquered herself, wiped away the tears, and said aloud, with a whimsical but none the less pitiful self-reproach, "Kitty- Kitty Tynan, what a fool you are!"

Entering the room Crozier had left, she went to the desk with the green- baize top, opened it, and took out the fateful letter which Mona Crozier had written to her husband five years ago. Putting it into her pocket she returned to the dining-room. She stood there for a moment with her chin in her hands and deep reflection in her eyes, and then, going to the door of her mother's sitting-room, she opened it and beckoned. A moment later Mrs. Crozier and the Young Doctor entered the dining-room and sat down at a motion from her. Presently she said:

"Mrs. Crozier, I have here the letter your husband received from you five years ago in London."

Mrs. Crozier flushed. She had been masterful by nature and she had had her way very much in life. To be dominated in the most intimate things of her life by this girl was not easy to be borne; but she realised that Kitty had been a friend indeed, even if not conventional. In response to Kitty's remark now she inclined her head.

"Well, you have told us that you and your husband haven't made it up. That is so, isn't it?" Kitty continued.

"If you wish to put it that way," answered Mona, stiffening a little in spite of herself.

"P'r'aps I don't put it very well, but it is the stony fact, isn't it, Mrs. Crozier?"

Mona hesitated a moment, then answered: "He is very upset concerning the land syndicate, and he has a quixotic idea that he cannot take money from me to help him carry it through."

"I don't quite know what quixotic means," rejoined Kitty dryly. "If it wasn't understood while you lived together that what was one's was the other's, that it was all in one purse, and that you shut your eyes to the name on the purse and took as you wanted, I don't see how you could expect him, after your five years' desertion, to take money from you now."

"My five years' desertion!" exclaimed Mona. Surely this girl was more than reckless in her talk. Kitty was not to be put down. "If you don't mind plain speaking, he was always with you, but you weren't always with him in those days. This letter showed that." She tapped it on her thumb-nail. "It was only when he had gone and you saw what you had lost, that you came back to him--in heart, I mean. Well, if you didn't go away with him when he went, and you wouldn't have gone unless he had ordered you to go--and he wouldn't do that--it's clear you deserted him, since you did that which drove him from home, and you stayed there instead of going with him. I've worked it out, and it is certain you deserted him five years ago. Desertion does't mean a sea of water between, it means an ocean of self-will and love-me-first between. If you hadn't deserted him, as this letter shows, he wouldn't have been here. I expect he told you so; and if he did, what did you say to him?"

The Young Doctor's eyes were full of decorous mirth and apprehension, for such logic and such impudence as Kitty's was like none he had ever heard. Yet it was commanding too.

Kitty caught the look in his eyes and blazed up. "Isn't what I said correct? Isn't it all true and logical? And if it is, why do you sit there looking so superior?"

The Young Doctor made a gesture of deprecating apology. "It's all true, and it's logical, too, if you stand on your head when you think it. But whether it is logical or not, it is your conclusion, and as you've taken the thing in hand to set it right, it is up to you now. We can only hold hard and wait."

With a shrug of her graceful shoulders Kitty turned again to Mrs. Crozier, who intervened hastily, saying, "I did not have a chance of saying to him all I wished. Of course he could not take my money, but there was his own money! I was going to tell him about that, but just then the lawyer, Mr. Burlingame--"

"They all call him 'Gus' Burlingame. He doesn't get the civility of Mr. here in Askatoon," interposed Kitty.

Mona made an impatient gesture. "If you will listen, I want to tell you about Mr. Crozier's money. He thinks he has no money, but he has. He has a good deal."

She paused, and the Young Doctor and Kitty leaned forward eagerly. "Well, but go on," said Kitty. "If he has money he must have it to-day, and now. Certainly he doesn't know of it. He thinks he is broke,--dead broke,--and there'd be a hundred and fifty thousand dollars for him if he could put up ten thousand dollars to-night. If I were you I wouldn't hide it from him any longer."

Mona got to her feet in anger. "If you would give me a chance to explain, I would do so," she said, her lips trembling. "Unfortunately, I am in your hands, but please give me credit for some intelligence--and some heart. In any case I shall not be bullied."

The Young Doctor almost laughed outright, despite the danger of the situation. He was not prepared for Kitty's reply and the impulsive act that marched with it. In an instant Kitty had caught Mona Crozier's hand and pressed it warmly. "I was only doing what I've seen lawyers do," she said eagerly. "I've got something that I want you to do, and I've been trying to work up to it. That's all. I'm not as mean and bad mannered as you think me. I really do care what happens to him--to you both," she hastened to add.

Struggling to keep back her tears, and in a low voice, Mona rejoined: "I meant to have told him what I'm going to tell you now. I couldn't say anything about the money belonging to him till I had told him how it came to be his."

After a moment' pause she continued: "He told you all about the race which Flamingo lost, and about that letter." She pointed to the letter which Kitty still carried in her hand. "Well, that letter was written under the sting of bitter disappointment. I was vain. I was young. I did not understand as I do now. If you were not such good friends-- of his--I could not tell you this. It seemed to me that by breaking his pledge he showed he did not care for me; that he thought he could break a sacred pledge to me, and it didn't matter. I thought it was treating me lightly--to do it so soon after the pledge was given. I was indignant. I felt we weren't as we might be, and I felt, too, that I must be at fault; but I was so proud that I didn't want to admit it, I suppose, when he did give me a grievance. It was all so mixed. I was shocked at his breaking his pledge, I was so vexed that our marriage hadn't been the success it might have been, and I think I was a little mad."

"That is not the monopoly of only one of your sex," interposed the Young Doctor dryly. "If I were you I wouldn't apologise for it. You speak to a sister in like distress."

Kitty's eyes flamed up, but she turned her head, as though some licensed libertine of speech had had his say, and looked with friendly eyes at Mona. "Yes, yes--please go on," she urged.

"When I wrote that letter I had forgotten what I had done the day before the race. I had gone into my husband's room to find some things I needed from the drawer of his dressing-table; and far at the back of a drawer I found a crumpled-up roll of ten-pound notes. It was fifty pounds altogether. I took the notes--"

She paused a moment, and the room became very still. Both her listeners were sure that they were nearing a thing of deep importance.

In a lower voice Mona continued: "I don't know what possessed me, but perhaps it was that the things he did of which I disapproved most had got a hold on me in spite of myself. I said to myself: 'I am going to the Derby. I will take the fifty pounds, and I'll put it on a horse for Shiel.' He had talked so much to my brother about Flamingo, and I had seen him go wrong so often, that I had a feeling if I put it on a horse that Shiel particularly banned, it would probably win. He had been wrong nearly every time for two years. It was his money, and if it won, it would make him happy; and if it didn't win, well, he didn't know the money existed--I was sure of that; and, anyhow, I could replace it. I put it on a horse he condemned utterly, but of which one or two people spoke well. You know what happened to Flamingo. While at Epsom I heard from friends that Shiel was present at the race, though he had said he would not go. Later I learned that he had lost heavily. Then I saw him in the distance paying out money and giving bills to the bookmakers. It made me very angry. I don't think I was quite sane. Most women are like that at times."

"As I said," remarked the Young Doctor, his face mirthfully alive. Here was a situation indeed.

"So I wrote him that letter," Mona went on. "I had forgotten all about the money I put on the outsider which won the race. As you know, I was called away to my sick sister that evening, and the money I won with Shiel's fifty pounds was not paid to me till after Shiel had gone."

"How much was it?" asked Kitty breathlessly.

"Four thousand pounds."

Kitty exclaimed so loudly that she smothered her mouth with a hand. "Why, he only needs for the syndicate two thousand pounds--ten thousand dollars," she said excitedly. "But what's the good of it, if he can't lay his hand on it by midnight to-night!"

"He can do so," was Mona's quick reply. "I was going to tell him that, but the lawyer came, and--"

Kitty sprang up and down in excitement. "I had a plan. It might have worked without this. It was the only way then. But this makes it sure --yes, most beautifully sure. It shows that the thing to do is to follow your convictions. You say you actually have the money, Mrs. Crozier?"

Mona took from her pocket an envelope, and out of it she drew four Bank of England notes. "Here it is--here are four one-thousand-pound notes. I had it paid to me that way five years ago, and here--here it is," she added, with almost a touch of hysteria in her voice, for the excitement of it all acted on her like an electric storm.

"Well, we'll get to work at once," declared Kitty, looking at the notes admiringly, then taking them from Mona and smoothing them out with tender firmness. "It's just the luck of the wide world, as my father used to say. It actually is. Now you see," she continued, "it's like this. That letter you wrote him"--she addressed herself to Mona--"it has to be changed. You have got to rewrite it, and you must put into it these four bank-notes. Then when you see him again you must have that letter opened at exactly the right moment, and--oh, I wonder if you will do it exactly right!" she added dubiously to Mona. "You don't play your game very well, and it's just possible that, even now, with all the cards in your hands, you will throw them away as you did in the past. I wish that--"

Seeing Mona's agitation changing to choler, the Young Doctor intervened. He did not know Kitty was purposely stinging Crozier's unhappy little consort, so that she should be put upon her mettle to do the thing without bungling.

"You can trust Mrs. Crozier to act carefully; but what exactly do you mean? I judge that Mrs. Crozier does not see more distinctly than I do," he remarked inquiringly to Kitty, and with admonishment in tone and emphasis.

"No, I do not understand quite--will you explain?" interposed Mona with inner resentment at being managed, but feeling that she could not do without Kitty even if she would.

"As I said," continued Kitty, "I will open that letter, and you will put in another letter and these bank-notes; and when he repeats what he said about the way you felt and wrote when he broke his pledge, you can blaze up and tell him to open the letter. Then he will be so sorry that he'll get down on his knees, and you will be happy ever after."

"But it will be a fraud, and dishonest and dishonourable," protested Mona.

Kitty almost sniffed, but she was too agitated to be scornful. "Just leave that to me, please. It won't make me a bit more dishonourable to open the letter again--I've opened it once, and I don't feel any the worse for it. I have no conscience, and things don't weigh on my mind at all. I'm a light-minded person."

Looking closely at her, the Young Doctor got a still further insight into the mind and soul of this prairie girl, who used a lid of irony to cover a well of deep feeling. Things did not weigh on her mind! He was sure that pain to the wife of Shiel Crozier would be mortal torture to Kitty Tynan.

"But I felt exactly what I wrote that Derby Day when he broke his pledge, and he ought to know me exactly as I was," urged Mona. "I don't want to deceive him, to appear a bit better than I am."

"Oh, you'd rather lose him!" said Kitty almost savagely. "Knowing how hard it is to keep a man under the best circumstances, you'd willingly make the circumstances as bad as they can be--is that it? Besides, weren't you sorry afterwards that you wrote that letter?"

"Yes, yes, desperately sorry."

"And you wished often that your real self had written on Derby Day and not the scratch-cat you were then?"

Mona flushed, but answered bravely, "Yes, a thousand times."

"What business had you to show him your cat-self, your unreal, not your real self on Derby Day five years ago? Wasn't it your duty to show him your real self?"

Mona nodded helplessly. "Yes, I know it was."

"Then isn't it your duty to see that your real self speaks in that letter now?"

"I want him to know me exactly as I am, and then--"

Kitty made a passionate gesture. Was ever such an uncomprehending woman as this diamond-button of a wife?

"And then you would be unhappy ever after instead of being happy ever after. What is the good of prejudicing your husband against you by telling the unnecessary truth. He is desperate, and besides, he has been away from you for five years, and we all change somehow--particularly men, when there are so many women in the world, and very pretty women of all ages and kinds and colours and tastes, and dazzling, deceitful hussies too. It isn't wise for any woman to let her husband or any one at all see her exactly as she is; and only the silly ones do it. They tell what they think is the truth about their own wickedness, and it isn't the truth at all, because I suppose women don't know how to tell the exact truth; and they can be just as unfair to themselves as they are to others. Besides, haven't you any sense of humour, Mrs. Crozier? It's as good as a play, this. Just think: after five years of desertion, and trouble without end, and it all put right by a little sleight-of-hand. Shall I open it?"

She held the letter up. Mona nodded almost eagerly now, for come of a subtle, social world far away, she still was no match for the subtlety of the wilds--or was it the cunning the wild things know?

Kitty left the room, but in a moment afterwards returned with the letter open. "The kettle on the hob is the friend of the family," she said gaily. "Here it is all ready for what there is to do. You go and keep watch for Mr. Crozier," she added to the Young Doctor. "He won't be gone long, I should think, and we don't want him bursting in on us before I've got that letter safe back into his desk. If he comes, you keep him busy for a moment. When we're quite ready I'll come to the front door, and then you will know it is all right."

"I'm to go while you make up your prescription--all right!" said the Young Doctor, and with a wave of the hand he left the room.

Instantly Kitty brought a lead pencil and paper. "Now sit down and write to him, Mrs. Crozier," she said briskly. "Use discretion; don't gush; slap his face a little for breaking his pledge, and afterwards tell him that you did at the Derby what you had abused him for doing. Then explain to him about this four thousand pounds--twenty thousand dollars --my, what a lot of money, and all got in one day! Tell him that it was all won by his own cash. It's as easy as can be, and it will be a certainty now."

So saying, she lit a match. "You--hold this wicked old catfish letter into the flame, please, Mrs. Crozier, and keep praying all the time, and please remember that 'our little hands were never made to tear each other's eyes.'"

Mona's small fingers were trembling as she held the fateful letter into the flame, and then in silence both watched it burn to a cinder. A faint, hopeful smile was on Mona's face now.

"What isn't never was to those that never knew," said Kitty briskly, and pushed a chair up to the table. "Now sit down and write, please."

Mona sat down. Taking up a sheet of notepaper she looked at it dubiously.

"Oh, what a fool I am!" said Kitty, understanding the look. "And that's what every criminal does--he forgets something. I forgot the notepaper. Of course you can't use that notepaper. Of course not. He'd know it in a minute. Besides, the sheet we burned had an engraved address on it. I never thought of that--good gracious!"

"Wait--wait," said Mona, her face lighting. "I may have some sheets in my writing-case. It's only a chance, but there were some loose sheets in it when I left home. I'll go and see."

While she was gone to her bedroom Kitty stood still in the middle of the room lost in reflection, as completely absorbed as though she was seeing things thousands of miles away. In truth, she was seeing things millions of miles away; she was seeing a Promised Land. It was a gift of hers, or a penalty of her life, perhaps, that she could lose herself in reverie at a moment's notice--a reverie as complete as though she was subtracted from life's realities. Now, as she looked out of the door, far over the prairie to a tiny group of pine-trees in the vanishing distance, lines she once read floated through her mind:

"Away and beyond the point of pines, In a pleasant land where the glad grapes be, Purple and pendent on verdant vines, I know that my fate is awaiting me."

What fate was to be hers? There was no joy in her eyes as she gazed. Mrs. Crozier was beside the table again before she roused herself from her trance.

"I've got it--just two sheets, two solitary sheets," said Mona in triumph. "How long they have been in my case I don't know. It is almost uncanny they should be there just when they're most needed."

"Providential, we should say out here," was Kitty's response. "Begin, please. Be sure you have the right date. It was--"

Mona had already written the date, and she interrupted Kitty with the words, "As though I could forget it!" All at once Kitty put a restraining hand on her arm.

"Wait--wait, you mustn't write on that paper yet. Suppose you didn't write the real wise thing--and only two sheets of paper and so much to say?"

"How right you always are!" said Mona, and took up one of the blank sheets which Kitty had just brought her.

Then she began to write. For a minute she wrote swiftly, nervously, and had nearly finished a page when Kitty said to her, "I think I had better see what you have written. I don't think you are the best judge. You see, I have known him better than you for the last five years, and I am the best judge please, I mean it in the rightest, kindest way," she added, as she saw Mona shrink. It was like hurting a child, and she loved children--so much. She had always a vision of children at her knee.

Silently Mrs. Crozier pushed the sheets towards her. Kitty read the page with a strange, eager look in her eyes. "Yes, that's right as far as it goes," she said. "It doesn't gush. It's natural. It's you as you are now, not as you were then, of course."

Again Mona bent over the paper and wrote till she had completed a page. Then Kitty looked over her shoulder and read what had been written. "No, no, no, that won't do," she exclaimed. "That won't do at all. It isn't in the way that will accomplish what we want. You've gone quite, quite wrong. I'll do it. I'll dictate it to you. I know exactly what to say, and we mustn't make any mistake. Write, please--you must."

Mona scratched out what had been written without a word. "I am waiting," she said submissively.

"All right. Now we go on. Write. I'll dictate." "'And look here, dearest,'" she began, but Mona stopped her.

"We do not say 'look here' in England. I would have said 'and see.'"

"'And see-dearest,'" corrected Kitty, with an accent on the last word, "'while I was mad at you for the moment for breaking your promise--'"

"In England we don't say 'mad' in that connection," Mona again interrupted. "We say 'angry' or 'annoyed' or 'vexed.'" There was real distress in her tone.

"Now I'll tell you what to do," said Kitty cheerfully. "I'll speak it, and you write it my way of thinking, and then when we've finished you will take out of the letter any words that are not pure, noble, classic English. I know what you mean, and you are quite right. Mr. Crozier never says 'look here' or 'mad,' and he speaks better than any one I ever heard. Now, we certainly must get on."

After an instant she began again.

"--While I was angry at you a moment for breaking your promise, I cannot reproach you for it, because I, too, bet on the Derby, but I bet on a horse that you had said as much against as you could. I did it because you had very bad luck all this year and lost, and also last year, and I thought--"

For several minutes, with greater deliberation than was usual with her, Kitty dictated, and at the end of the letter she said, "I am, dearest, your--"

Here Mona sharply interrupted her. "If you don't mind I will say that myself in my own way," she said, flushing.

"Oh, I forgot for the moment that I was speaking for you!" responded Kitty, with a lurking, undermeaning in her voice. "I threw myself into it so. Do you think I've done the thing right?" she added.

With a direct, honest friendliness Mona looked into Kitty eyes. "You have said the exact right thing as to meaning, I am sure, and I can change an occasional word here and there to make it all conventional English."

Kitty nodded. "Don't lose a minute in copying it. We must get the letter back in his desk as soon as possible."

As Mona wrote, Kitty sat with the envelope in her hand, alternately looking at it and into the distance beyond the point of pines. She was certain that she had found the solution of the troubles of Shiel and Mona Crozier, for Crozier would now have his fortune, and the return to his wife was a matter of course. Was she altogether sure? But yes, she was altogether sure. She remembered, with a sudden, swift plunge of blood in her veins, that early dawn when she bent over him as he lay beneath the tree, and as she kissed him in his sleep he had murmured, "My darling!" That had not been for her, though it had been her kiss which had stirred his dreaming soul to say the words. If they had only been meant for her, then--oh, then life would be so much easier in the future! If--if she could only kiss him again and he would wake and say--

She got to her feet with an involuntary exclamation. For an instant she had been lost in a world of her own, a world of the impossible.

"I almost thought I heard a step in the other room," she said in explanation to Mona. Going to the door of Crozier's room, she appeared to listen for a moment, and then she opened it.

"No, it is all right," she said.

In another few minutes Mona had finished the letter. "Do you wish to read it again?" she asked Kitty, but not handing it to her.

"No, I leave the words to you. It was the right meaning I wanted in it," she replied.

Suddenly Mona came to her and laid a hand on her arm. "You are wonderful--a wonderful, wise, beloved girl," she said, and there were tears in her eyes.

Kitty gave the tiny fingers a spasmodic clasp, and said: "Quick, we must get them in!" She put the banknotes inside the sheets of paper, then hastily placed both in the envelope and sealed the envelope again.

"It's just a tiny bit damp with the steam yet, but it will be all right in five minutes. How soiled the envelope is!" Kitty added. "Five years in and out of the desk, in and out of his pocket--but all so nice and unsoiled and sweet and bonny inside," she added. "To say nothing of the bawbees, as Mr. Crozier calls money. Well, we are ready. It all depends on you now, Mrs. Crozier."

"No, not all."

"He used to be afraid of you; now you are afraid of him," said Kitty, as though stating a commonplace.

There was no more shrewishness left in the little woman to meet this chastisement. The forces against her were too many. Loneliness and the long struggle to face the world without her man; the determination of this masterful young woman who had been so long a part of her husband's life; and, more than all, a new feeling altogether--love, and the dependence a woman feels, the longing to find rest in strong arms, which comes with the first revelation of love, had conquered what Kitty had called her "bossiness." She was now tremulous before the crisis which she must presently face. Pride in her fortune, in her independence, had died down in her. She no longer thought of herself as a woman especially endowed and privileged. She took her fortune now like a man; for she had been taught that a man could set her aside just because she had money, could desert her to be independent of it. It had been a revelation to her, and she was chastened of all the termagancy visible and invisible in her. She stood now before Kitty of "a humble and a contrite heart," and made no reply at all to the implied challenge. Kitty, instantly sorry for what she had said, let it go at that. She was only now aware of how deeply her arrows had gone home.

As they stood silent there was a click at the gate. Kitty ran into Crozier's room, thrust the letter into its pigeonhole in the desk, and in a moment was back again. In the garden the Young Doctor was holding Crozier in conversation, but watching the front door. So soon, however, as Kitty had shown herself, as she had promised, at the front door and then vanished, he turned Crozier towards the house again by an adroit word, and left him at the door-step.

Seeing who was inside the room Crozier hesitated, and his long face, with paleness added to its asceticism, took on a look which could have given no hope of happiness to Mona. It went to her heart as no look of his had ever gone. Suddenly she had a revelation of how little she had known of what he was, or what any man was or could be, or of those springs of nature lying far below the outer lives which move in orbits of sheltering convention. It is because some men and women are so sheltered from the storms of life by wealth and comfort that these piercing agonies which strike down to the uttermost depths so seldom reach them.

Shiel half turned away, not sullen, not morose, but with a strange apathy settled on him. He had once heard a man say, "I feel as though I wanted to crawl into a hole and die." That was the way he felt now, for to be beaten in the game which you have played like a man yourself and have been fouled into an unchallenged defeat, without the voice of the umpire, is a fate which has smothered the soul of better men than Crozier.

Mona's voice stopped him. "Do not go, Shiel," she urged gently. "No, you must not go--I want fair-play from you, if nothing else. You must play the game with me. I want justice. I have to say some things I had no chance to say before, and I want to hear some things I have a right to hear. Indeed, you must play the game."

He drew himself up. Not to be a sportsman, not to play the game--to accuse him of this would have brought him back from the edge of the grave.

"I'm not fit to-day. Let it be to-morrow, Mona," was his hesitating reply; but he did not leave the doorway.

She shook her head and made a swift little childlike gesture towards him. "We are sure of to-day; we are not sure of to-morrow. One or the other of us might not be here to-morrow. Let us do to-day the thing that belongs to to-day."

That note struck home, for indeed the black spirit which whispers to men in their most despairing hours to end it all had whispered to him.

"Let us do to-day the thing that belongs to to-day," she had just said, and, strange to say, there shot into his mind words that belonged to the days when he went to church at Castlegarry and thought of a thousand things other than prayer or praise, but yet heard with the acute ears of the young, and remembered with the persistent memory of youth. "For the night cometh when no man can work," were the words which came to him. He shuddered slightly. Suppose that this indeed was the beginning of the night! As she said, he must play the game--play it as Crozier of Lammis would have played it.

He stepped inside the room. "Let it be to-day," he said.

"We may be interrupted here," she replied. Courage came to her. "Let us talk in your own room," she added, and going over she opened the door of it and walked in. The matured modesty of a lost five years did not cloak her actions now. She was a woman fighting for happiness, and she had been so beaten by the rods of scorn, so smothered by the dust of humiliation, that there had come to her the courage of those who would rather die fighting than in the lethargy of despair.

It was like her old self to take the initiative, but she did it now in so different a way--without masterfulness or assumption. It was rather like saying, "I will do what I know you wish me to do; I will lay all reserve aside for your sake; I will be bold because I love you."

He shut the door behind them and motioned her to a chair.

"No, I will not sit," she said. "That is too formal. You ask any stranger to sit. I am at home here, Shiel, and I will stand."

"What was it you wanted to say, Mona?" he asked, scarcely looking at her.

"I should like to think that there was something you wished to hear," she replied. "Don't you want to know all that has happened since you left us--about me, about your brother, about your friends, about Lammis? I bought Lammis at the sale you ordered; it is still ours." She gave emphasis to "ours." "You may not want to hear all that has happened to me since you left, still I must tell you some things that you ought to know, if we are going to part again. You treated me badly. There was no reason why you should have left and placed me in the position you did."

His head came up sharply and his voice became a little hard. "I told you I was penniless, and I would not live on you, and I could do nothing in England; I had no trade or profession. If I had said good-bye to you, you would probably have offered me a ticket to Canada. As I was a pauper I preferred to go with what I had out of the wreck--just enough to bring me here. But I've earned my own living since."

"Penniless--just enough to bring you out here!" Her voice had a sound of honest amazement. "How can you say such a thing! You had my letter--you said you had my letter?"

"Yes, I had your letter," he answered. "Your thoughtful brother brought it to me. You had told him all the dear womanly things you had said or were going to say to your husband, and he passed them on to me with the letter."

"Never mind what he said to you, Shiel. It was what I said that mattered." She was getting bolder every minute. The comedy was playing into her hands.

"You wrote in your letter the things he said to me," he replied.

Her protest sounded indignantly real. "I said nothing in the letter I wrote you that any man would not wish to hear. Is it so unpleasant for a man who thinks he is penniless to be told that he has made the year's income of a cabinet minister?"

"I don't understand," he returned helplessly.

"You talk as though you had never read my letter.

"I never have read your letter," he replied in bewilderment.

Her face had the flush of honest anger. "You do not dare to tell me you destroyed my letter without reading it--that you destroyed all that letter contained simply because you no longer cared for your wife; because you wanted to be rid of her, wanted to vanish and never see her any more, and so go and leave no trace of yourself! You have the courage here to my face"--the comedy of the situation gained much from the mock indignation--she no longer had any compunctions--"to say that you destroyed my letter and what it contained--a small fortune it would be out here."

"I did not destroy your letter, Mona," was the embarrassed response.

"Then what did you do with it? Gave it to some one else to read--to some other woman, perhaps."

He was really shocked and greatly pained. "Hush! You shall not say that kind of thing, Mona. I've never had anything to do with any woman but my wife since I married her."

"Then what did you do with the letter?"

"It's there," he said, pointing to the high desk with the green baize top.

"And you say you have never read it?"

"Never."

She raised her head with dainty haughtiness. "Then if you have still the same sense of honour that made you keep faith with the bookmakers--you didn't run away from them!--read it now, here in my presence. Read it, Shiel. I demand that you read it now. It is my right. You are in honour bound--"

It was the only way. She dare not give him time to question, to suspect; she must sweep him along to conviction. She was by no means sure that there wasn't a flaw in the scheme somewhere, something that would betray her; and she could hardly wait till it was over, till he had read the letter.

In a moment he was again near her with the letter in his hand.

"Yes, that's it--that's the letter," she said, with wondering and reproachful eyes. "I remember the little scratchy blot from the pen on the envelope. There it is, just as I made it five years ago. But how disgracefully soiled the envelope is! I suppose it has been tossed about in your saddle-bag, or with your old clothes, and only kept to remind you day by day that you had a wife you couldn't live with--kept as a warning never to think of her except to say, 'I hate you, Mona, because you are rich and heartless, and not bigger than a pinch of snuff.' That was the kind way you used to speak of her even when you were first married to her--contemptuously always in your heart, no matter what you said out loud. And the end showed it--the end showed it; you deserted her."

He was so fascinated by the picture she made of passion and incensed declamation that he did not attempt to open the letter, and he wondered why there was such a difference between the effect of her temper on him now and the effect of it those long years ago. He had no feeling of uneasiness in her presence now, no sense of irritation. In spite of her tirade, he had a feeling that it didn't matter, that she must bluster in her tiny teacup if she wanted to do so.

"Open the letter at once," she insisted. "If you don't, I will." She made as though to take the letter from him, but with a sudden twist he tore open the envelope. The bank-notes fell to the floor as he took out the sheet inside. Wondering, he stooped to pick them up.

"Four thousand pounds!" he exclaimed, examining them. "What does it mean?"

"Read," she commanded.

He devoured the letter. His eyes swam; then there rushed into them the flame which always made them illumine his mediaeval face like the light from "the burning bush." He did not question or doubt, because he saw what he wished to see, which is the way of man. It all looked perfectly natural and convincing to him.

"Mona--Mona--heaven above and all the gods of hell and Hellas, what a fool, what a fool I've been!" he exclaimed. "Mona--Mona, can you forgive your idiot husband? I didn't read this letter because I thought it was going to slash me on the raw--on the raw flesh of my own lacerating. I simply couldn't bear to read what your brother said was in the letter. Yet I couldn't destroy it, either. It was you. I had to keep it. Mona, am I too big a fool to be your husband?"

He held out his arms with a passionate exclamation. "I asked you to kiss me yesterday, and you wouldn't," she protested. "I tried to make you love me yesterday, and you wouldn't. When a woman gets a rebuff like that, when--"

She could not bear it any longer. With a cry of joy she was in his arms.

After a moment he said, "The best of all was, that you--you vixen, you bet on that Derby and won, and--"

"With your money, remember, Shiel."

"With my money!" he cried exultingly. "Yes, that's the best of it--the next best of it. It was your betting that was the best of all--the best thing you ever did since we married, except your coming here."

"It's in time to help you, too--with your own money, isn't it?"

He glanced at his watch. "Hours--I'm hours to the good. That crowd-- that gang of thieves--that bunch of highwaymen! I've got them--got them, and got a hundred and fifty thousand dollars, too, to start again at home, at Lammis, Mona, back on the--but no, I'm not sure that I can live there now after this big life out here."

"I'm not so sure, either," Mona replied, with a light of larger understanding in her eyes. "But we'll have to go back and stop the world talking, and put things in shape before we come here to stay."

"To stay here--do you mean that?" he asked eagerly.

"Somewhere in this big land," she replied softly; "anyhow, to stay here till I've grown up a little. I wasn't only small in body in the old days, I was small in mind, Shiel."

"Anyhow, I've done with betting and racing, Mona. I've just got time left--I'm only thirty-nine--to start and really do something with myself."

"Well, start now, dear man of Lammis. What is it you have to do before twelve o'clock to-night?" "What is it? Why, I have to pay over two thousand of this,"--he flourished the banknotes--"and even then I'll still have two thousand left. But wait--wait. There was the original fifty pounds. Where is that fifty pounds, little girl alive? Out with it. This is the profit. Where is the fifty you staked?" His voice was gay with raillery.

She could look him in the face now and prevaricate without any shame or compunction at all. "That fifty pounds--that! Why, I used it to buy my ticket for Canada. My husband ought to pay my expenses out to him."

He laughed greatly. All Ireland was rioting in his veins now. He had no logic or reasoning left. "Well, that's the way to get into your old man's heart, Mona. To think of that! I call it tact divine. Everything has spun my way at last. I was right about that Derby, after all. It was in my bones that I'd make a pot out of it, but I thought I had lost it all when Flamingo went down."

"You never know your luck--you used to say that, Shiel."

"I say it again. Come, we must tell our friends--Kitty, her mother, and the Young Doctor. You don't know what good friends they have been to me, mavourneen."

"Yes, I think I do," said Mona, opening the door to the outer room.

Then Crozier called with a great, cheery voice--what Mona used to call his tally-ho voice. Mrs. Tynan appeared, smiling. She knew at a glance what had happened. It was so interesting that she could even forgive Mona.

"Where's Kitty?" asked Crozier, almost boisterously.

"She has gone for a ride with John Sibley," answered Mrs. Tynan.

"Look, there she is!" said Mona, laying a hand on Crozier's arm, and pointing with the other out over the prairie.

Crozier looked out towards the northwestern horizon, and in the distance was a woman riding as hard as her horse could go, with a man galloping hard after her. It seemed as though they were riding into the sunset.

"She's riding the horse you won that race with years ago when you first came here, Mr. Crozier," said Mrs. Tynan. "John Sibley bought it from Mr. Brennan."

Mona did not see the look which came into Crozier's face as, with one hand shading his eyes and the other grasping the banknotes which were to start him in life again, independent and self-respecting, he watched the girl riding on and on, ever ahead of the man.

It was at that moment the Young Doctor entered the room, and he distracted Mona's attention for a moment. Going forward to him Mona shook him warmly by the hand. Then she went up to Mrs. Tynan and kissed her.

"I would like to kiss your daughter too, Mrs. Tynan," Mona said. . . . "What are you looking at so hard, Shiel?" she presently added to her husband.

He did not turn to her. His eyes were still shaded by his hand.

"That horse goes well yet," he said in a low voice. "As good as ever-- as good as ever."

"He loves horses so," remarked Mona, as though she could tell Mrs. Tynan and the Young Doctor anything about Shiel Crozier which they did not know.

"Kitty rides well, doesn't she?" asked Mrs. Tynan of Crozier.

"What a pair--girl and horse!" Crozier exclaimed. "Thoroughbred-- absolutely thoroughbred!"

Kitty had ridden away with her heart's secret, her very own, as she thought: but Shiel Crozier knew--the man that mattered knew.

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Epilogue

Golden, all golden, save where there was a fringe of trees at a watercourse; save where a garden, like a spot of emerald, made a button on the royal garment wrapped across the breast of the prairie. Above, making for the trees of the foothills far away, a golden eagle floated, a prairie-hen sped affrighted from some invisible thing; and in the far distance a railway train slipped down the plain like a serpent making for a covert in the first hills of the first world that ever was.

At a casual glance the vast plain seemed uninhabited, yet here and there were men and horses, tiny in the vastness, but conquering. Here and there also--for it was July--a haymaker sharpened his scythe, and the sound came singing through the air radiant and stirring with life.

Seated in the shade of a clump of trees a girl sat with her chin in her hands looking out over the prairie, an intense dreaming in her eyes. Her horse was tethered near by, but it scarcely made a sound. It was a horse which had once won a great race, with an Irish gentleman on his back. Long time the girl sat absorbed, her golden colour, her brown-gold hair in harmony with the universal stencil of gold. With her eyes drowned in the distance, she presently murmured something to herself, and as she did so the eyes deepened to a nameless umber tone, deeper than gold, warmer than brown; such a colour as only can be found in a jewel or in a leaf the frost has touched.

The frost had touched the soul which gave the colour to the eyes of the girl. Yet she seemed all summer, all glow and youth and gladness. Her voice was golden, too, and the words which fell from her lips were as though tuned to the sound of falling water. The tone of the voice would last when the gold of all else became faded or tarnished. It had its origin in the soul:

"Whereaway goes my lad? Tell me, has he gone alone? Never harsh word did I speak; never hurt I gave; Strong he was and beautiful; like a heron he has flown Hereaway, hereaway will I make my grave."

The voice lingered on the words till it trailed away into nothing, like the vanishing note of a violin which seems still to pulse faintly after the sound has ceased.

"But he did not go alone, and I have not made my grave," the girl said, and raised her head at the sound of footsteps. With an effort she emerged from the half-trance in which she had been, and smiled at a man hastening towards her.

"Dear bully, bulbous being--how that word 'bully' would have, made her cringe!" she said as the man ambled nearer. He could not go as fast as his mind urged him.

"I've got news--news, news!" he exclaimed, wading through his own perspiration to where she sat. "I can guess what it is," the girl remarked smilingly, as she reached out a hand to him, but remained seated. "It's a real, live baby born to Lydia, wife of Methuselah, the woman also being of goodly years. It is, isn't it."

"The fattest, finest, most 'scrumpshus' son of all the ages that ever--"

Kitty laughed happily and very whimsically. "Like none since Moses was found among the bulrushes! Where was this one found, and what do you intend to call him--Jesse, after his 'pa'?"

"No--nothing so common. He's to be called Shiel--Shiel Crozier Bulrush, that's to be his name."

The face of the girl became a shade pensive now. "Oh! And do you think you can guarantee that he will be worth the name? Do you never think what his father is?"

"I'm starting him right with that name. I can do so much, anyway," laughed the imperturbable one. "And Mrs. Bulrush, after her great effort--how is she?

"Flying--simply flying. Earth not good enough for her. Simply flying. But here--here is more news. Guess what--it's for you. I've just come from the post office, and they said there was an English letter for you, so I brought it."

He handed it over. She laid it in her lap and waited as though for him to go.

"Can't I hear how he is? He's the best man that ever crossed my path," he said.

"It happens to be in his wife's, not his, handwriting--did ever such a scrap of a woman write so sprawling a hand!" she replied, holding the letter up.

"But she'll let us know in the letter how Crozier is, won't she?"

Kitty had now recovered herself, and slowly she opened the envelope and took out the letter. As she did so something fluttered to the ground.

Jesse Bulrush picked it up. "That looks nice," he said, and he whistled in surprise. "It's a money-draft on a bank."

Kitty, whose eyes were fixed on the big, important handwriting, answered calmly and without apparently looking, as she took the paper from his hand: "Yes, it's a wedding present--five hundred dollars to buy what I like best for my home. So she says."

"Mrs. Crozier, of course."

"Of course."

"Well, that's magnificent. What will you do with it?"

Kitty rose and held out her hand. "Go back to your flying partner, happy man, and ask her what she would do with five hundred dollars if she had it."

"She'd buy her lord and master a present with it, of course," he answered.

"Good-bye, Mr. Rolypoly," she responded, laughing. "You always could think of things for other people to do; and have never done anything yourself until now. Good-bye, father."

When he was gone and out of sight her face changed. With sudden anger she crushed and crumpled up the draft for five hundred in her hand. "'A token of affection from both!'" she exclaimed, quoting from the letter. "One lone leaf of Irish shamrock from him would--"

She stopped. "But he will send a message of his own," she continued. "He will--he will. Even if he doesn't, I'll know that he remembers just the same. He does--he does remember."

She drew herself up with an effort, and, as it were, shook herself free from the memories which dimmed her eyes.

Not far away a man was riding towards the clump of trees where she was. She saw, and hastened to her horse.

"If I told John all I feel he'd understand. I believe he always has understood," she added with a far-off look.

The draft was still crushed in her hand when she mounted the beloved horse, whose name now was Shiel.

Presently she smoothed out the crumpled paper. "Yes, I'll take it; I'll put it by," she murmured. "John will keep on betting. He'll be broke some day and he'll need it, maybe."

A moment later she was riding hard to meet the man who, before the wheat- harvest came, would call her wife.

WILD YOUTH

By Gilbert Parker

Volume 1. I. THE MAZARINES TAKE POSSESSION II. "MY NAME IS LOUISE" III. "I HAVE FOUGHT WITH BEASTS AT EPHESUS" IV. TWO SIDES TO A BARGAIN V. ORLANDO HAS AN ADVENTURE VI. "THINGS MUST HAPPEN" VII. "THE ZOOLYOGICAL GARDEN" VIII. THE ORIENTAL WAY OF IT IX. THE STARS IN THEIR COURSES

Volume 2. X. THE MOON WAS NOT ALONE XI. LOUISE XII. MAN UNNATURAL XIII. ORLANDO GIVES A WARNING XIV. FILION AND FIONA--ALSO PATSY KERNAGHAN XV. OUTWARD BOUND XVI. AT THE CROSS TRAILS XVII. THE SUPERIOR MAN XVIII. YOUTH HAS ITS WAY

WILD YOUTH

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I. THE MAZARINES TAKE POSSESSION

From the beginning, Askatoon had had more character and idiosyncrasy than any other town in the West. Perhaps that was because many of its citizens had marked personality, while some were distinctly original--a few so original as to be almost bizarre. The general intelligence was high, and this made the place alert for the new observer. It slept with one eye open; it waked with both eyes wide--as wide as the windows of the world. The virtue of being bright and clever was a doctrine which had never been taught in Askatoon; it was as natural as eating and drinking. Nothing ever really shook the place out of a wholesome control and composure. Now and then, however, the flag of distress was hoisted, and everybody in the place--from Patsy Kernaghan, the casual, at one end of the scale, and the Young Doctor, so called because he was young-looking when he first came to the place, who represented Askatoon in the meridian of its intellect, at the other--had sudden paralysis. That was the outstanding feature of Askatoon. Some places made a noise and flung things about in times of distress; but Askatoon always stood still and fumbled with its collar-buttons, as though to get more air. When it was poignantly moved, it leaned against the wall of its common sense, abashed, but vigilant and careful.

That is what it did when Mr. and Mrs. Joel Mazarine arrived at Askatoon to take possession of Tralee, the ranch which Michael Turley, abandoning because he had an unavoidable engagement in another world, left to his next of kin, with a legacy to another kinsman a little farther off. The next of kin had proved to be Joel Mazarine, from one of those stern English counties on the borders of Quebec, where ancient tribal prejudices and religious hatreds give a necessary relief to hard-driven human nature.

Michael Turley had lived much to himself on his ranch, but that was because in his latter days he had developed a secret taste for spirituous liquors which he had no wish to share with others. With the assistance of a bad cook and a constant spleen caused by resentment against the intervention of his priest, good Father Roche, he finished his career with great haste and without either becoming a nuisance to his neighbours or ruining his property. The property was clear of mortgage or debt when he set out on his endless journey.

When the prophet-bearded, huge, swarthy-faced Joel Mazarine, with a beautiful young girl behind him, stepped from the West-bound train and was greeted by the Mayor, who was one of the executors of Michael Turley's will, a shiver passed through Askatoon, and for one instant animation was suspended; for the jungle-looking newcomer, motioning forward the young girl, said to the Mayor:

"Mayor, this is Mrs. Mazarine. Shake hands with the Mayor, Mrs. Mazarine."

Mazarine did not speak very loud, but as an animal senses the truth of a danger far off with an unshakable certainty, the crowd at the station seemed to know by instinct what he said.

"Hell--that old whale and her!" growled Jonas Billings, the keeper of the livery-stable.

At Mazarine's words the Young Doctor, a man of rare gifts, individuality and authority in the place, who had come to the station to see a patient off to the mountains by this train, drew in his breath sharply, as though a spirit of repugnance was in his heart. This happened during the first years of the Young Doctor's career at Askatoon, when he was still alive with human prejudices, although he had a nature well balanced and singularly just. The strife between his prejudices and his sense of justice was what made him always interesting in all the great prairie and foothill country of which Askatoon was the centre.

He had got his shock, indeed, before Mazarine had introduced his wife to the Mayor. Not for nothing had he studied the human mind in its relation to the human body, and the expression of that mind speaking through the body. The instant Joel Mazarine and his wife stepped out of the train, he knew they were what they were to each other. That was a real achievement in knowledge, because Mazarine was certainly sixty-five if he was a day, and his wife was a slim, willowy slip of a girl, not more than nineteen years of age, with the most wonderful Irish blue eyes and long dark lashes. There was nothing of the wife or woman about her, save something in the eyes, which seemed to belong to ages past and gone, something so solemnly wise, yet so painfully confused, that there flashed into the Young Doctor's mind at first glance of her the vision of a young bird caught from its thoughtless, sunbright journeyings, its reckless freedom of winged life, into the captivity of a cage.

She smiled, this child, as she shook hands with the Mayor, and it had the appeal of one who had learned the value of smiling--as though it answered many a question and took the place of words and the trials of the tongue. It was pitifully mechanical. As the Young Doctor saw, it was the smile of a captive in a strange uncomprehended world, more a dream than a reality.

"Mrs. Mazarine, welcome," said the Mayor after an abashed pause. "We're proud of this town, but we'll be prouder still, now you've come."

The girl-wife smiled again. At the same time it was as though she glanced apprehensively out of the corner of her eye at the old man by her side, as she said:

"Thank you. There seems to be plenty of room for us out here, so we needn't get in each other's way.... I've never been on the prairie before," she added.

The Young Doctor realized that her reply had meanings which would escape the understanding of the Mayor, and her apprehensive glance had told him of the gruesome jealousy of this old man at her side. The Mayor's polite words had caused the long, clean-shaven upper lip of the old man with the look of a debauched prophet, to lengthen surlily; and he noticed that a wide, flat foot in a big knee-boot, inside trousers too short, tapped the ground impatiently.

"We must be getting on to Tralee," said a voice that seemed to force its way through bronchial obstructions. "Come, Mrs. Mazarine."

He laid a big, flat, tropical hand, which gave the impression of being splayed, on the girl's shoulder. The gallant words of the Mayor--a chivalrous mountain man--had set dark elements working. As the new master of Tralee stepped forward, the Young Doctor could not help noticing how large and hairy were the ears that stood far out from the devilish head. It was a huge, steel-twisted, primitive man, who somehow gave the impression of a gorilla. The face was repulsive in its combination of surly smugness, as shown by the long upper lip, by a repellent darkness round the small, furtive eyes, by a hardness in the huge, bearded jaw, and by a mouth of primary animalism.

The Mayor caught sight of the Young Doctor, and he stopped the incongruous pair as they moved to the station doorway, the girl in front, as though driven.

"Mr. Mazarine, you've got to know the man who counts for more in Askatoon than anybody else; Doctor, you've got to know Mr. Mazarine," said the generous Mayor.

Repugnance was in full possession of the Young Doctor, but he was scientific and he was philosophic, if nothing else. He shook hands with Mazarine deliberately. If he could prevent it, there should be, where he was concerned, no jealousy, such as Mazarine had shown towards the Mayor, in connection with this helpless, exquisite creature in the grip of hard fate. Shaking hands with the girl with only a friendly politeness in his glance, he felt a sudden eager, clinging clasp of her fingers. It was like lightning, and gone like lightning, as was the look that flashed between them. Somehow the girl instinctively felt the nature of the man, and in spirit flew to him for protection. No one saw the swift look, and in it there was nothing which spoke of youth or heart, of the feeling of man for woman or woman for man; but only the longing for help on the girl's part, undefined as it was. On the man's part there was a soul whose gift and duty were healing. As the two passed on, the Young Doctor looked around him at the exclaiming crowd, for few had left the station when the train rolled out. Curiosity was an obsession with the people of Askatoon.

"Well, I never!" said round-faced Mrs. Skinner, with huge hips and gray curls. "Did you ever see the like?"

"I call it a shame," declared an indignant young woman, gripping tighter the hand of her little child, the daughter of a young butcher of twenty- three years of age.

"Poor lamb!" another motherly voice said.

"She ought to be ashamed of herself--money, I suppose," sneered Ellen Banner, a sour-faced shopkeeper's daughter, who had taught in Sunday school for twenty years and was still single.

"Beauty and the beast," remarked the Young Doctor to himself, as he saw the two drive away, Patsy Kernaghan running beside the wagon, evidently trying to make friends with the mastodon of Tralee.

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Chapter II

"MY NAME IS LOUISE"

Askatoon never included the Mazarines in its social scheme. Certainly Tralee was some distance from the town, but, apart from that, the new- comers remained incongruous, alien and alone. The handsome, inanimate girl-wife never appeared by herself in the streets of Askatoon, but always in the company of her morose husband, whose only human association seemed to be his membership in the Methodist body so prominent in the town. Every Sunday morning he tied his pair of bay horses with the covered buggy to the hitching-post in the church-shed and marched his wife to the very front seat in the Meeting House, having taken possession of it on his first visit, as though it had no other claimants. Subsequently he held it in almost solitary control, because other members of the congregation, feeling his repugnance to companionship, gave him the isolation he wished. As a rule he and his wife left the building before the last hymn was sung, so avoiding conversation. Now and again he stayed to a prayer-meeting and, doing so, invariably "led in prayer," to a very limited chorus of "Amens." For in spite of the position which Tralee conferred on its owner, there was a natural shrinking from "that wild boar," as outspoken Sister Skinner called him in the presence of the puzzled and troubled Minister.

This was always a time of pained confusion for the girl-wife. She had never "got religion," and there was something startling to her undeveloped nature in the thunderous apostrophes, in terms of the oldest part of the Old Testament, used by her tyrant when he wrestled with the Lord in prayer.

These were perhaps the only times when her face was the mirror of her confused, vague and troubled youth. Captive in a world bounded by a man's will, she simply did not begin to understand this strange and overpowering creature who had taken possession of her body, mind and soul. She trembled and hesitated before every cave of mystery which her daily life with him opened darkly to her abashed eyes. She felt herself going round and round and round in a circle, not forlorn enough to rebel or break away, but dazed and wondering and shrinking. She was like one robbed of will, made mechanical by a stern conformity to imposed rules of life and conduct. There were women in Askatoon who were sorry for her and made efforts to get near her; but whether it was the Methodist Minister or his wife, or the most voluble sister of the prayer-meeting, none got beyond the threshold of Tralee, as it were.

The girl-wife abashed them. She was as one who automatically spoke as she was told to speak, did what she was told to do. Yet she always smiled at the visitors when they came, or when she saw them and others at the Meeting House. It was, however, not a smile for an individual, whoever that individual might chance to be. It was only the kindness of her nature expressing itself. Talking seemed like the exercise of a foreign language to her, but her smiling was free and unconstrained, and it belonged to all, without selection.

The Young Doctor, looking at her one day as she sat in a buggy while her monster-man was inside the chemist's shop, said to himself:

"Sterilized! Absolutely, shamefully sterilized! But suppose she wakes up suddenly out of that dream between life and death--what will happen?"

He remembered that curious, sudden, delicate catch of his palm on the day when they first shook hands at the railway-station, and to him it was like the flutter of life in a thing which seemed dead. How often he had noticed it in man and animal on the verge of extinction! He had not mistaken that fluttering appeal of her fingers. He was young enough to translate it into flattering terms of emotion, but he did not do so. He was fancy-free himself, and the time would come when he would do a tremendous thing where a woman was concerned, a woman in something the same position as this poor girl; but that shaking, thrilling thing was still far off from him. For this child he only felt the healer's desire to heal.

He was one of those men who never force an issue; he never put forward the hands of the clock. He felt that sooner or later Louise Mazarine--he did not yet know her Christian name--would command his help, as so many had done in that prairie country, and not necessarily for relief of physical pain or the curing of disease. He had helped as many men and women mentally and morally as physically; the spirit of healing was behind everything he did. His world recognized it, and that was why he was never known by his name in all the district--he was only admiringly called "The Young Doctor."

He had never been to Tralee since the Mazarines had arrived, though he had passed it often and had sometimes seen Louise in the garden with her dog, her black cat and her bright canary. The combination of the cat and the canary did not seem incongruous where she was concerned; it was as though something in her passionless self neutralized even the antagonisms of natural history. She had made the gloomy black cat and the light- hearted canary to be friends. Perhaps that came from an everlasting patience which her life had bred in her; perhaps it was the powerful gift of one in touch with the remote, primitive things.

The Young Doctor had also seen her in the paddock with the horses, bare- headed, lithe and so girlishly slim, with none of the unmistakable if elusive lines belonging to the maturity which marriage brings. He had taken off his hat to her in the distance, but she had never waved a hand in reply. She only stood and gazed at him, and her look followed him long after he passed by. He knew well that in the gaze was nothing of the interest which a woman feels in a man; it was the look of one chained to a rock, who sees a Samaritan in the cheerless distance.

In the daily round of her life she was always busy; not restlessly, but constantly, and always silently, busy. She was even more silent than her laconic half-breed hired woman, Rada. There was no talk with her gloating husband which was not monosyllabic. Her canary sang, but no music ever broke from her own lips. She murmured over her lovely yellow companion; she kissed it, pleaded with it for more song, but the only music at her own lips was the occasional music of her voice; and it had a colourless quality which, though gentle, had none of the eloquence and warmth of youth.

In form and feature she was one made for emotion and demonstration, and the passionate play of the innocent enterprises of wild youth; but there was nothing of that in her. Gray age had drunk her life and had given her nothing in return--neither companionship nor sympathy nor understanding; only the hunger of a coarse manhood. Her obedience to the supreme will of her jealous jailer gave no ground for scolding or reproach, and that saved her much. She was even quietly cheerful, but it was only the pale reflection of a lost youth which would have been buoyant and gallant, gay and glad, had it been given the natural thing in the natural world.

There came a day, however, when the long, unchanging routine, gray with prison grayness, was broken; when the round of household duties and the prison discipline were interrupted. It was as sudden as a storm in the tropics, as final and as fateful as birth or death. That day she was taken suddenly and acutely ill. It was only a temporary malady, an agonizing pain which had its origin in a sudden chill. This chill was due, as the Young Doctor knew when he came, to a vitality which did not renew itself, which got nothing from the life to which it was sealed, which for some reason could not absorb energy from the stinging, vital life of the prairie world in the June-time.

In her sudden anguish, and in the absence of Joel Mazarine, she sent for the Young Doctor. That in itself was courageous, because it was impossible to tell what view the master of Tralee would take of her action, ill though she was. She was not supposed to exercise her will. If Joel Mazarine had been at home, he would have sent for wheezy, decrepit old Doctor Gensing, whose practice the Young Doctor had completely absorbed over a series of years.

But the Young Doctor came. Rada, the half-breed woman, had undressed Louise and put her to bed; and he found her white as snow at the end of a paroxysm of pain, her long eyelashes lying on a cheek as smooth as a piece of Satsuma ware which has had the loving polish of ten thousand friendly fingers over innumerable years. When he came and stood beside her bed, she put out her hand slowly towards him. As he took it in his firm, reassuring grasp, he felt the same fluttering appeal which had marked their handclasp on the day of their first meeting at the railway- station. Looking at the huge bed and the rancher-farmer's coarse clothes hanging on pegs, the big greased boots against the wall, a sudden savage feeling of disgust and anger took hold of him; but the spirit of healing at once emerged, and he concentrated himself upon the duty before him.

For a whole hour he worked with her, and at length subdued the convulsions of pain which distorted the beautiful face and made the childlike body writhe. He had a resentment against the crime which had been committed. Marriage had not made her into a woman; it had driven her back into an arrested youth. It was as though she ought to have worn short skirts and her hair in a long braid down her back. Hers was the body of a young boy. When she was free from pain, and the colour had come back to her cheeks a little, she smiled at him, and was about to put out her hand as a child might to a brother or a father, when suddenly a shadow stole into her eyes and crept across her face, and she drew her clenched hand close to her body. Still, she tried to smile at him.

His quiet, impersonal, though friendly look soothed her.

"Am I very sick!" she asked.

He shook his head and smiled. "You'll be all right to-morrow, I hope."

"That's too bad. I would like to be so sick that I couldn't think of anything else. My father used to say that the world was only the size of four walls to a sick person."

"I can't promise you so small a world," remarked the Young Doctor with a kind smile, his arm resting on the side of the bed, his chair drawn alongside. "You will have to face the whole universe to-morrow, same as ever."

She looked perplexed, and then said to him: "I used to think it was a beautiful world, and they try to make me think it is yet; but it isn't."

"Who try to make you?" he asked.

"Oh, my bird Richard, and Nigger the black cat, and Jumbo, the dog," she replied.

Her eyes closed, then opened strangely wide upon him in an eager, staring appeal.

"Don't you want to know about me?" she asked. "I want to tell you-- I want to tell you. I'm tired of telling it all over to myself."

The Young Doctor did not want to know. As a doctor he did not want to know.

"Not now," he said firmly. "Tell me when I come again."

A look of pain came into her face. "But who can tell when you'll come again!" she pleaded.

"When I will things to be, they generally happen," he answered in a commonplace tone. "You are my patient now, and I must keep an eye on you. So I'll come."

Again, with an almost spasmodical movement towards him, she said:

"I must tell you. I wanted to tell you the first day I saw you. You seemed the same kind of man my father was. My name's Louise. It was my mother made me do it. There was a mortgage--I was only sixteen. It's three years ago. He said to my mother he'd tear up the mortgage if I married him. That's why I'm here with him--Mrs. Mazarine. But my name's Louise."

"Yes, yes, I know," the Young Doctor answered soothingly. "But you must not talk of it now. I understand perfectly. Tell me all about it another time."

"You don't think I should have--" She paused.

"Of course. I tell you I understand. Now you must be quiet. Drink this." He got up and poured some liquid into a glass.

At that moment there was a noise below in the hall. "That's my husband," the girl-wife said, and the old wan captive-look came into her face.

"That's all right," replied the Young Doctor. "He'll find you better."

At that moment the half-breed woman entered the room. "He's here," she said, and came towards the bed.

"That old woman has sense," the Young Doctor murmured to himself. "She knows her man."

A minute later Joel Mazarine was in the room, and he saw the half-breed woman lift his wife's head, while the Young Doctor held a glass to her lips.

"What's all this?" Mazarine said roughly. "What?" He stopped suddenly, for the Young Doctor faced him sharply.

"She must be left alone," he said firmly and quietly, his eyes fastening the old man's eyes; and there was that in them which would not be gainsaid. "I have just given her medicine. She has been in great pain.

"We are not needed here now." He motioned towards the door. "She must be left alone."

For an instant it seemed that the old man was going to resist the dictation; but presently, after a scrutinizing look at the still, shrinking figure in the bed, he swung round, left the room and descended the stairs, the Young Doctor following.

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Chapter III

"I HAVE FOUGHT WITH BEASTS AT EPHESUS"

The old man led the way outside the house, as though to be rid of his visitor as soon as possible. This was so obvious that, for an instant, the Young Doctor was disposed to try conclusions with the old slaver, and summon him back to the dining-room. The Mazarine sort of man always roused fighting, masterful forces in him. He was never averse to a contest of wills, and he had had much of it; it was inseparable from his methods of healing. He knew that nine people out of ten never gave a true history of their physical troubles, never told their whole story: first because they had no gift for reporting, no observation; and also because the physical ailments of many of them were aggravated or induced by mental anxieties. Then it was that he imposed himself; as it were, fought the deceiver and his deceit, or the ignorant one and his ignorance; and numbers of people, under his sympathetic, wordless inquiry, poured their troubles into his ears, as the girl-wife upstairs had tried to do.

When the old man turned to face him in the sunlight, his boots soiled with dust and manure, his long upper lip feeling about over the lower lip and its shaggy growth of beard like some sea-monster feeling for its prey, the Young Doctor had a sensation of rancour. His mind flashed to that upstairs room, where a comely captive creature was lying not an arm's length from the coats and trousers and shabby waistcoats of this barbarian. Somehow that row of tenantless clothes, and the top-boots, greased with tallow, standing against the wall, were more characteristic of the situation than the old land-leviathan himself, blinking his beady, greenish eyes at the Young Doctor. That blinking was a repulsive characteristic; it was like serpents gulping live things.

"What's the matter with her?" the old man asked, jerking his head towards the upper window.

The Young Doctor explained quickly the immediate trouble, and then added:

"But it would not have taken hold of her so if she was not run down. She is not in a condition to resist. When her system exhausts, it does not refill, as it were."

"What sort of dictionary talk is that? Run down--here?" The old man sniffed the air like an ancient sow. "Run down--in this life, with the best of food, warm weather, and more ozone than a sailor gets at sea! It's an insult to Jehovah, such nonsense."

"Mr. Mazarine," rejoined the Young Doctor with ominous determination in his eye, "you know a good deal, I should think, about spring wheat and fall ploughing, about making sows fat, or burning fallow land--that's your trade, and I shouldn't want to challenge you on it all; or you know when to give a horse bran-mash, or a heifer salt-petre, but--well, I know my job in the same way. They will tell you, about here, that I have a kind of hobby for keeping people from digging and crawling into their own graves. That's my business, and the habit of saving human life, because you're paid for it, becomes in time a habit of saving human life for its very own sake. I warn you--and perhaps it's a matter of some concern to you--Mrs. Mazarine is in a bad way."

Resentful and incredulous, the old man was about to speak, but the Young Doctor made an arresting gesture, and added:

"She has very little strength to go on with. She ought to be plump; her pulses ought to beat hard; her cheeks ought to be rosy; she should walk with a spring and be strong and steady as a soldier on the march; but she is none of these things, can do none of these things. You've got a thousand things to do, and you do them because you want to do them. There is something making new life in you all the time, but Mrs. Mazarine makes no new life as she goes on. Every day is taking something out of her, and there's nothing being renewed. Sometimes neither good food nor ozone is enough; and you've got to take care, or you'll lose Mrs. Mazarine." He could not induce himself to speak of her as "wife."

For a moment the unwholesome mouth seemed to be chewing unpleasant herbs, and the beady eyes blinked viciously.

"I'm not swallowin' your meaning," Mazarine said at last. "I never studied Greek. If a woman has a disease, there it is, and you can deal with it or not; but if she hasn't no disease, then it's chicanyery-- chicanyery. Doctors talk a lot of gibberish these here days. What I want to know is, has my wife got a disease? I haven't seen any signs. Is it Bright's, or cancer, or the lungs, or the liver, or the kidneys, or the heart, or what's its name?"

The Young Doctor had an impulse to flay the heathen, but for the girl- wife's sake he forbore.

"I don't think it is any of those troubles," he replied smoothly. "She needs a thorough examination. But one thing is clear: she is wasting; she is losing ground instead of going ahead. There's a malignant influence working. She's standing still, and to stand still in youth is fatal. I can imagine you don't want to lose her, eh?"

The Young Doctor's gray-blue eyes endeavoured to hold the blinking beads under the shaggy eyebrows long enough to get control of a mind which had the cunning and cruelty of an animal. He succeeded.

The old man would a thousand times rather his wife lived than died. In the first place, to lose her was to sacrifice that which he had paid for dearly--a mortgage of ten thousand dollars torn up. Louise Mazarine represented that to him first-ten thousand dollars. Secondly, she was worth it in every way. He had what hosts of others would be glad to have--men younger and better looking than himself. She represented the triumph of age. He had lived his life; he had buried two wives; he had had children; he had made money; and yet here, when other men of his years were thinking of making wills, and eating porridge, and waiting for the Dark Policeman to come and arrest them for loitering, he was left a magnificent piece of property like Tralee; and he had all the sources of pleasure open to a young man walking the primrose path. He was living right up to the last. Both his wives were gray-headed when they died--it turned them gray to live with him; both had died before they were fifty; and here he was the sole owner of a wonderful young head, with hair that reached to the waist, with lips like cool fruit from an orchard-tree, and the indescribable charm of youth and loveliness which the young themselves never really understood. That was what he used to say to himself; it was only age could appreciate youth and beauty; youth did not understand.

Thus the Young Doctor's question roused in him something at once savage and apprehensive. Of course he wanted Louise to live. Why should she not live?

"Doesn't any husband want his wife to live!" he answered sullenly. "But I want to know what ails her. What medicine you going to give her?"

"I don't know," the Young Doctor replied meditatively. "When she is quite rid of this attack, I'll examine her again and let you know."

Suddenly there shot into the greenish old eyes a reddish look of rage; jealousy, horrible, gruesome jealousy, took possession of Joel Mazarine. This young man to come in and go out of his wife's bedroom, to--Why weren't there women doctors? He would get one over from the Coast, or from Winnipeg, or else there was old Doctor Gensing, in Askatoon--who was seventy-five at least. He would call him in and get rid of this offensive young pill-maker.

"I don't believe there's anything the matter with her," he declared stubbornly. "She's been healthy as a woman can be, living this life here. What's her disease? I've asked you. What is it?"

The other laid a hand on himself, and in the colourless voice of the expert, said: "Old age--that's her trouble, so far as I can see."

He paused, foreseeing the ferocious look which swept into the repulsive face, and the clenching of the big hands. Then in a soothing, reflective kind of voice he added:

"Senile decay--you know all about that. Well, now, it happens sometimes --not often, but it does happen--that a very young person for some cause or another suffers from senile decay. Some terrible leakage of youth occurs. It has been cured, though, and I've cured one or two cases myself."

He was almost prevaricating--but in a good cause. "Mrs. Mazarine's is a case which can be cured, I think," he continued. "As you've remarked, Mr. Mazarine,"--his voice was now persuasive,--"here is fine air, and a good, comfortable home--"

Suddenly he broke off, and as though in innocent inquiry said: "Now, has she too much to do? Has she sufficient help in the house for one so young?"

"She doesn't do more than's good for her," answered the old man, "and there's the half-breed hired critter--you've seen her--and Li Choo, a Chinaman, too. That ought to be enough," he added scornfully.

The Young Doctor seemed to reflect, and his face became urbane, because he saw he must proceed warily, if he was to be of service to his new patient.

"Yes," he said emphatically, "she appears to have help enough. I must think over her case and see her again to-morrow."

The old man's look suddenly darkened. "Ain't she better:"' he asked.

"She's not so much better that there's no danger of her being worse," the Young Doctor replied decisively. "I certainly must see her to-morrow."

"Why," the old man remarked, waving his splayed hand up and down in a gesture of emphasis, "she's never been sick. She's in and out of this house all day. She goes about with her animals like as if she hadn't a care or an ache or pain in the world. I've heard of women that fancied they was sick because they hadn't too much to do, and was too well off, and was treated too well. Highsterics, they call it. Lots of women, lots and lots of them, would be glad to have such a home as this, and would stay healthy in it."

The Young Docor felt he had made headway, and he let it go at that. It was clear he was to be permitted to come to-morrow. "Yes, it's a fine place," he replied convincingly. "Three thousand acres is a mighty big place when you've got farm-land as well as cattle-grazing."

"It's nearly all good farm-land," answered the old man with decision. "I don't believe much in ranching or cattle. I'm for the plough and the wheat. There's more danger from cattle disease than from bad crops. I'm getting rid of my cattle. I expect to sell a lot of 'em to-day." An avaricious smile of satisfaction drew down the corners of his lips. "I've got a good customer. He ought to be on the trail now." He drew out a huge silver watch. "Yes, he's due. The party's a foreigner, I believe. He lives over at Slow Down Ranch--got a French name."

"Oh, Giggles!" said the Young Doctor with a quick smile.

The old man shook his head: "No, that ain't the name. It's Guise-Orlando Guise is the name."

"Same thing," remarked the Young Doctor. "They call him Giggles for short. You've seen him of course?"

"No, I've been dealing with him so far through a third party. Why's he called Giggles?" asked the Master of Tralee.

"Well, you'll know when you see him. He's not cut according to everybody's measure. If you're dealing with him, don't think him a fool because he chirrups, and don't size him up according to his looks. He's a dude. Some call him The Duke, but mostly he's known as Giggles."

"Fools weary me," grumbled the other.

"Well, as I said, you mustn't begin dealing with him on the basis of his looks. Looks don't often tell the truth. For instance, you're known as a Christian and a Methodist!" He looked the old man slowly up and down, and in anyone else it would have seemed gross insolence, but the urbane smile at his lips belied the malice of his words. "Well, you know you don't look like a Methodist. You look like,"--innocence showed in his eye; there was no ulterior purpose in his face, "you look like one of the bad McMahon lot of claim-jumpers over there in the foothills. I suppose that seems so, only because ranchman aren't generally pious. Well, in the same way, Giggles doesn't really look like a ranchman; but he's every bit as good a ranchman as you are a Christian and a Methodist!"

The Young Doctor looked the old man in the face with such a semblance of honesty that he succeeded in disarming a dangerous suspicion of mockery --dangerous, if he was to continue family physician at Tralee. "Ah," he suddenly remarked, "there comes Orlando now!" He pointed to a spot about half a mile away, where a horseman could be seen cantering slowly towards Tralee.

A moment afterwards, from his buggy, the Young Doctor said: "Mrs. Mazarine must be left alone until I see her again. She must not be disturbed. The half-breed woman can look after her. I've told her what to do. You'll keep to another room, of course."

"There's a bunk in that room where I could sleep," said the other, with a note of protest.

"I'm afraid that, in our patient's interest, you must do what I say," the other insisted, with a friendly smile which caused him a great effort. "If I make her bloom again, that will suit you, won't it?"

A look of gloating came into the other's eyes: "Let it go at that," he said. "Mebbe I'll take her over to the sea before the wheat-harvest."

Out on the Askatoon trail, the Young Doctor ruminated over what he had seen and heard at Tralee. "That old geezer will get an awful jolt one day," he said to himself. "If that girl should wake! Her eyes--if somebody comes along and draws the curtains! She hasn't the least idea of where she is or what it all means. All she knows is that she's a prisoner in some strange, savage country and doesn't know its language or anybody at all--as though she'd lost her memory. Any fellow, young, handsome and with enough dash and colour to make him romantic could do it. . . . Poor little robin in the snow!" he added, and looked back towards Tralee.

As he did so, the man from Slow Down Ranch cantering towards Tralee caught his eye. "Louise-Orlando," he said musingly; then, with a sudden flick of the reins on his horse's back, he added abruptly, almost sternly, "By the great horn spoons, no!"

Thus when his prophecy took concrete form, he revolted from it. A grave look came into his face.

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IV. TWO SIDES TO A BARGAIN

As the Young Doctor had said, Orlando Guise did not look like a real, simon-pure "cowpuncher." He had the appearance of being dressed for the part, like an actor who has never mounted a cayuse, in a Wild West play. Yet on this particular day,--when the whole prairie country was alive with light, thrilling with elixir from the bottle of old Eden's vintage, and as comfortable as a garden where upon a red wall the peach-vines cling--he seemed far more than usual the close-fitting, soil-touched son of the prairie. His wide felt hat, turned up on one side like a trooper's, was well back on his head; his pinkish brown face was freely taking the sun, and his clear, light-blue eyes gazed ahead unblinking in the strong light. His forehead was unwrinkled--a rare thing in that prairie country where the dry air corrugates the skin; his light-brown hair curled loosely on the brow, graduating back to closer, crisper curls which in their thickness made a kind of furry cap. It was like the coat of a French poodle, so glossy and so companionable was it to the head. A bright handkerchief of scarlet was tied loosely around his throat, which was even a little more bare than was the average ranchman's; and his thick, much-pocketed flannel shirt, worn in place of a waistcoat and coat, was of a shade of red which contrasted and yet harmonized with the scarlet of the neckerchief. He did not wear the sheepskin leggings so common among the ranchmen of the West, but a pair of yellowish corduory riding-breeches, with boots that laced from the ankle to the knee. These boots had that touch of the theatrical which made him more fantastic than original in the eyes of his fellow-citizens.

Also he wore a ring with a star-sapphire, which made him incongruous, showy and foppish, and that was a thing not easy of forgiveness in the West. Certainly the West would not have tolerated him as far as it did, had it not been for three things: the extraordinary good nature which made him giggle; the fact that on more than one occasion he had given conclusive evidence that he was brave; and the knowledge that he was at least well-to-do. In a kind of vague way people had come to realize that his giggles belonged to a nature without guile and recklessly frank.

"He beats the band," Jonas Billings, the livery-stable keeper, had said of him; while Burlingame, the pernicious lawyer of shady character, had remarked that he had the name of an impostor and the frame of a fop; but he wasn't sure, as a lawyer, that he'd seen all the papers in the case-- which was tantamount to saying that the Orlando nut needed some cracking.

It was generally agreed that his name was ridiculous, romantic and unreasonable. It seemed to challenge public opinion. Most names in the West were without any picturesqueness or colour; they were commonplace and almost geometric in their form, more like numbers to represent people than things of character in themselves. There were names semi-scriptural and semi-foreign in Askatoon, but no name like Orlando Guise had ever come that way before, and nothing like the man himself had ever ridden the Askatoon trails. One thing had to be said, however; he rode the trail like a broncho-buster, and he sat his horse as though he had been born in the saddle. --On this particular day, in spite of his garish "get-up," he seemed to belong to the life in which he was lightheartedly whistling a solo from one of Meyerbeer's operas. Meyerbeer was certainly incongruous to the prairie, but it and the whistling were in keeping with the man himself.

Over on Slow Down Ranch there lived a curious old lady who wore a bonnet of Sweet Sixteen of the time of the Crimea, and with a sense of colour which would wreck the reputation of a kaleidoscope. She it was who had taught her son Orlando the tunefulness of Meyerbeer and Balfe and Offenbach, and the operatic jingles of that type of composer. Orlando Guise had come by his outward showiness naturally. Yet he was not like his mother, save in this particular. His mother was flighty and had no sense, while he, behind the gaiety of his wardrobe and his giggles, had very much sense of a quite original kind. Even as he whistled Meyerbeer, riding towards Tralee, his eyes had a look of one who was trying to see into things; and his lips, when the whistling ceased, had a cheerful pucker which seemed to show that he had seen what he wanted.

"Wonder if I'll get a glimpse of the so-called Mrs. Mazarine," he said aloud. "Bad enough to marry a back-timer, but to marry Mazarine--they don't say she's blind, either! Money--what won't we do for money, Mary? But if she's as young as they say, she could have waited a bit for the oof-bird to fly her way. Lots of men have money as well as looks. Anyhow, I'm ready to take his cattle off his hands on a fair, square deal, and if his girl-missis is what they say, I wouldn't mind--"

Having said this, he giggled and giggled again at his unspoken impertinence. He knew he had almost said something fatuous, but the suppressed idea appealed to him, nevertheless; for whatever he did, he always had a vision of doing something else; and wherever he was, he was always fancying himself to be somewhere else. That was the strain of romance in him which came from his mixed ancestry. It was the froth and bubble of a dreamer's legacy, which had made his mother, always unconsciously theatrical, have a vision of a life on the prairies, with the white mountains in the distance, where her beloved son would be master of a vast domain, over which he should ride like one of Cortez' conquistadores. Having "money to burn," she had, at a fortunate moment, bought the ranch which, by accident, had done well from the start, and bade fair, through the giggling astuteness of her spectacular son, to do far better still by design.

On the first day of their arrival at Slow Down Ranch, the mother had presented Orlando with a most magnificent Mexican bridle and head-stall covered with silver conchs, and a saddle with stirrups inlaid with silver. Wherefore, it was no wonder that most people stared and wondered, while some sneered and some even hated. On the whole, however, Orlando Guise was in the way of making a place for himself in the West in spite of natural drawbacks.

Old Mazarine did not merely sneer as he saw the gay cavalier approach, he snorted; and he would have blasphemed, if he had not been a professing Christian.

"Circus rider!" he said to himself. "Wants taking down some, and he's come to the right place to get it."

On his part, Orlando Guise showed his dislike of the repellent figure by a brusque giggle, and further expressed what was in his mind by the one word "Turk!"

His repugnance, however, was balanced by something possessing the old man still more disagreeable. Like a malignant liquid, there crept up through Joel Mazarine's body to the roots of his hair the ancient virus of Cain. It was jealous, ravenous, grim: old age hating the rich, robust, panting youth of the man be fore him. Was it that being half man, half beast, he had some animal instinct concerning this young rough-rider before him? Did he in some vague, prescient way associate this gaudy newcomer with his girl-wife? He could not himself have said. Primitive passions are corporate of many feelings but of little sight.

As Orlando Guise slid from his horse, Joel Mazarine steadied himself and said: "Come about the cattle? Ready to buy and pay cash down?"

Orlando Guise giggled.

"What are you sniggering at?" snorted the old man.

"I thought it was understood that if I liked the bunch I was to pay cash," Orlando replied. "I've got a good report of the beasts, but I want to look them over. My head cattleman told you what I'd do. That's why I smiled. Funny, too: you don't look like a man who'd talk more than was wanted." He giggled again.

"Fool--I'll make you laugh on the other side of your mouth!" the Master of Tralee said to himself; and then he motioned to where a bunch of a hundred or so cattle were grazing in a little dip of the country between them and Askatoon. "I'll get my buckboard. It's all hitched up and ready, and we can get down and see them right now," he said aloud. "Won't you find it rough going on the buckboard? Better ride," remarked Orlando Guise.

"I don't ever notice rough going," grunted the old man. "Some people ride horses to show themselves off; I ride a buckboard 'cause it suits me."

Orlando Guise chirruped. "Say, we mustn't get scrapping," he said gaily. "We've got to make a bargain."

In a few moments they were sweeping across the prairie, and sure enough the buckboard bumped, tumbled and plunged into the holes of the gophers and coyotes, but the old man sat the seat with the tenacity of a gorilla clinging to the branch of a tree.

In about three-quarters of an hour the two returned to Tralee, and in front of the house the final bargaining took place. There was a difference of five hundred dollars between them, and the old man fought stubbornly for it; and though Orlando giggled, it was clear he was no fool at a bargain, and that he had many resources. At last he threw doubt upon the pedigree of a bull. With a snarl Mazarine strode into the house. He had that pedigree, and it was indisputable. He would show the young swaggerer that he could not be caught anywhere in this game.

As Joel Mazarine entered the doorway of the house Orlando giggled again, because he had two or three other useful traps ready, and this was really like baiting a bull. Every thrust made this bull more angry; and Orlando knew that if he became angry enough he could bring things to a head with a device by which the old man would be forced to yield; for he did not want to buy, as much as Mazarine wished to sell.

The device, however, was never used, and Orlando ceased giggling suddenly, for chancing to glance up he saw a face at a window, pale, exquisite, delicate, with eyes that stared and stared at him as though he were a creature from some other world.

Such a look he had never seen in anybody's eyes; such a look Louise Mazarine had never given in her life before. Something had drawn her out of her bed in spite of herself--a voice which was not that of old Joel Mazarine, but a new, fresh, vibrant voice which broke into little spells of inconsequent laughter. She loved inconsequent laughter, and never heard it at Tralee. She had crept from her bed and to the window, and before he saw her, she had watched him with a look which slowly became an awakening: as though curtains had been drawn aside revealing a new, strange, ecstatic world.

Louise Mazarine had seen something she had never seen before, because a feeling had been born in her which she had never felt. She had never fully known what sex was, or in any real sense what man meant. This romantic, picturesque, buoyant figure of youth struck her as the rock was struck by Moses; and for the first time in all her days she was wholly alive. Also, for the first time in his life, Orlando Guise felt a wonder which in spite of the hereditary romance in him had never touched him before. Like Ferdinand and Miranda in The Tempest, "they changed eyes."

A heavy step was heard coming through the hallway, and at once the exquisite, staring face at the window vanished-while Orlando Guise turned his back upon the open doorway and walked a few steps towards the gate in an effort to recover himself. When he turned again to meet Mazarine, who had a paper in his hand, there was a flush on his cheek and a new light in his eye. The old man did not notice that, however, for his avaricious soul was fixed upon the paper in his hand. He thrust it before Orlando's eyes. "What you got to say to that, Mister?" he demanded.

Orlando appeared to examine the paper carefully, and presently he handed it back and said slowly: "That gives you the extra five hundred. It's a bargain." How suddenly he had capitulated--

"Cash?" asked the old man triumphantly. How should he know by what means Orlando had been conquered!

"I've got a cheque in my pocket. I'll fill it in." "A cheque ain't cash," growled the grizzly one.

"You can cash it in an hour. Come in to Askatoon, and I'll get you the cash with it now," said Orlando. "I can't. A man's coming for a stallion I want to sell. Give me a hundred dollars cash now to clinch the bargain, and I'll meet you at Askatoon to-morrow and get the whole of it in cash. I don't deal with banks. I pay hard money, and I get hard money. That's my rule."

"Well, you're in luck, for I've got a hundred dollars," answered Orlando. "I've just got that, and a dollar besides, in my pocket. To-morrow you go to my lawyer, Burlingame, at Askatoon, and you'll get the rest of the money. It will be there waiting for you."

"Cash?" pressed the old man.

"Certainly: Government hundred-dollar bills. Give me a receipt for this hundred dollars."

"Come inside," said the old man almost cheerfully. He loved having his own way. He was almost insanely self-willed. It did his dark soul good to triumph over this "circus rider."

As Joel Mazarine preceded him, Orlando looked up at the window again. For one instant the beautiful, pale face of the girl-wife appeared, and then vanished.

At the doorway of the house Orlando Guise stumbled. That was an unusual thing to happen to him. He was too athletic to step carelessly, and yet he stumbled and giggled. It was not a fatuous giggle, however. In it were all kinds of strange things.

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V. ORLANDO HAS AN ADVENTURE

Burlingame had the best practice of any lawyer in Askatoon, although his character had its shady side. The prairie standards were not low; but tolerance is natural where the community is ready-made; where people from all points of the compass come together with all sorts of things behind them; where standards have at first no organized sanction. Financially Burlingame was honest enough, his defects being associated with those ancient sources of misconduct, wine and women--and in his case the morphia habit as well. It said much for his physique that, in spite of his indulgences, he not only remained a presentable figure but a lucky and successful lawyer.

Being something of a philosopher, the Young Doctor looked upon Burlingame chiefly as one of those inevitable vintages from a vineyard which, according to the favour or disfavour of Heaven, yields from the same soil both good and bad. He had none of that Puritanism which would ruthlessly root out the vines yielding the bad wine. To his mind that could only be done by the axe, the rope or the bullet. It seemed of little use, and very unfair, to drive the wolf out of your own garden into that of your neighbour. Therefore Burlingame must be endured.

The day after the Young Doctor had paid his professional visit to Tralee, and Orlando Guise had first seen the girl-wife of, the behemoth, the Young Doctor visited Burlingame's office. Burlingame had only recently returned from England, whither he had gone on important legal business, which he had agreeably balanced by unguarded adventures in forbidden paths. He was in an animated mood. Three things had just happened which had given him great pleasure.

In the morning he had gained a verdict of acquittal in the case of one of the McMahon Gang for manslaughter connected with jumping a claim; and this meant increased reputation.

He had also got a letter from Orlando Guise, and a cheque for six thousand dollars, with instructions to pay the amount in cash to Joel Mazarine; and this meant a chance of meeting Mazarine and perhaps getting a new client.

Likewise he had received a letter of instructions from a client in Montreal, a kinsman and legatee of old Michael Turley, the late owner of Tralee, in connection with a legacy. This would involve some legal proceedings with considerable costs, and also contact with Joel Mazarine, whom he had not yet seen; for Mazarine had come while he was away in England.

His interest in Mazarine, however, was really an interest in Mrs. Mazarine, concerning whom he had heard things which stimulated his imagination. To him a woman was the supreme interest of existence, apart from making a necessary living. He was the primitive and pernicious hunter. He had been discreet enough not to question people too closely where Mazarine's wife was concerned, but there was, however, one gossip whom Burlingame questioned with some freedom. This was Patsy Kernaghan.

Before the Young Doctor arrived at his office this particular morning, Patsy, who had followed him from the Court-house, was put under a light and skillful cross-examination. He had been of service to Burlingame more than once; and he was regarded as a useful man to do odd jobs for his office, as for other offices in Askatoon.

"Aw, him--that murderin' moloch at Tralee!" exclaimed Patsy when the button was pressed. "That Methodys' fella with the face of a pirate! If there wasn't a better Protistan' than him in the world, the Meeting Houses'd be used for kindlin'-wood. Joel, they call him--a dacint prophet's name misused!

"I h'ard him praying once, as I stood outside the Meetin' House windys. To hear that holy hyena lift up his voice to the skies! Shure, I've never been the same man since, for the voice of him says wan thing, and the look of him another. Sez I to meself, Mr. Burlingame, y'r anner, the minute I first saw him, sez I, 'Askatoon's no safe place for me.' Whin wan like that gits a footin' in a place, the locks can't be too manny to shut ye in whin ye want to sleep at night. That fella's got no pedigree, and if it wouldn't hurt some dacent woman, maybe, I'd say he was misbegotten. But still, I'll tell ye: out there at Tralee there's what'd have saved Sodom and Gomorrah-aye, that'd have saved Jerusalem, and there wouldn't ha' been a single moan from Jeremiah. Out at Tralee there's as beautiful a little lady as you'd want to see. Just a girl she is, not more than nineteen or twenty years of age. She's got a face that'd make ye want to lift the chorals an' the antiphones to her every marnin'. She's got the figure of one that was never to grow up, an' there she is the wedded wife of that crocodile great-grandfather.

"Aw, I know all about it, Mr. Burlingame, y'r anner. How do I know? Didn't Michael Turley tell me before he died what sort o' man his cousin was? Didn't he tell me Joel Mazarine married first whin he was eighteen years of age; an' his daughter was married whin she was seventeen; an' her son was married whin he was eighteen--an' Joel's a great-grandfather now. An' see him out there with her that looks as if the kindergarten was the place for her."

"Do you go to Tralee often?" asked Burlingame. "Aw yis. There's a job now and then to do. I'm ridin' an old moke on errands for him whin his hired folks is busy. A man must live, and there's that purty lass with the Irish eyes! Man alive, but it goes to me heart to luk at her."

"Well, I think I must have a 'luk' at her then," was Burlingame's half satirical remark.

Not long after Patsy Kernaghan had left Burlingame's office, the Young Doctor came. His business was brief, and he was about to leave when Burlingame said:

"The Mazarines out at Tralee-you know them? They came while I was away. Queer old goat, isn't he?"

"His exact place in natural history I'm not able to select," answered the Young Doctor dryly, "but I know him."

"And his wife--you know her?" asked Burlingame casually.

The other nodded. "Yes-in a professional way."

"Has she been sick?"

"She is ill now."

"What's the matter?"

"What's the truth about that McMahon claim-jumper who was acquitted this morning?" asked the Young Doctor with a quizzical eye and an acid note to his voice. "You've got your verdict, but you know the real truth, and you mustn't and won't tell it. Well?"

Burlingame saw. "Well, I'll have to ask the old goat myself," he said. "He's coming here to-day." He took up Orlando Guise's letter from the table, glanced at it smilingly, and threw it down again. "He must be a queer specimen," Burlingame continued. "He wouldn't take Orlando Guise's cheque yesterday. He says he'll only be paid in hard cash. He's coming here this afternoon to get it. He's a crank, whatever else he is. They tell me he doesn't keep a bank account. If he gets a cheque, he has it changed into cash. If he wants to send a cheque away, he buys one for cash from somebody. He pays for everything in cash, if he can. Actually, he hasn't a banking account in the place. Cash--nothing but cash! What do you think of that?"

The Young Doctor nodded: "Cash as a habit is useful. Every man must have his hobby, I suppose. Considering the crimes tried at the court in this town, Mazarine's got unusual faith in human nature; or else he feels himself pretty safe at Tralee."

"Thieves?" asked Burlingame satirically.

"Yes, I believe that's still the name, though judging from some of your talk in the Court-house, it's a word that gives opportunity to take cover. I hope your successful client of to-day, and his brothers, are not familiar with the ways of Mr. Mazarine. I hope they don't know about this six thousand dollars in cold cash."

A sneering, sour smile came to Burlingame's lips. The medical man's dry allusions touched him on the raw all too often.

"Oh, of course, I told them all about that six thousand dollars! Of course! A lot of people suspect those McMahons of being crooked. Well, it has never been proved. Until it's proved, they're entitled--" Burlingame paused.

"To the benefit of the doubt, eh?"

"Why not? I've heard you hold the balance pretty fair 'twixt your patients and the undertaker."

Quite unmoved, the Young Doctor coolly replied: "In your own happy phrase--of course! I get a commission from the undertaker when the patient's a poor man; when he's a rich man, I keep him alive! It pays. The difference between your friends the criminals and me is that probably nobody will ever be able to catch me out. But the McMahons, we'll get them yet,"--a stern, determined look came into his honest eye,--"yes, we'll get them yet. They're a nasty fringe on the skirts of Askatoon.

"But there it is as it is," he continued. "You take their dirty money, and I don't refuse pay when I'm called in to attend the worst man in the West, whoever he may be. Why, Burlingame, as your family physician, I shouldn't hesitate even to present my account against your estate if, in a tussle with the devil, he got you out of my hands."

Now a large and friendly smile covered his face. He liked hard hitting, but he also liked to take human nature as it was, and not to quarrel. Burlingame, on his part, had no desire for strife with the Young Doctor. He would make a very dangerous enemy. His return smile was a great effort, however. Ruefulness and exasperation were behind it.

The Young Doctor had only been gone a few minutes when Joel Mazarine entered Burlingame's office. "I've come about that six thousand dollars Mr. Guise of Slow Down Ranch owes me," the old man said without any formal salutation. He was evidently not good-humoured.

At sight of Mazarine, Burlingame at once accepted the general verdict concerning him. That, however, would not prejudice him greatly. Burlingame had no moral sense. Mazarine's face might revolt him, but not his character.

"I've got the cash here for you, and I'll have in a witness and hand the money over at once," he said: "The receipt is ready. I assume you are Joel Mazarine," he added, in a weak attempt at being humorous.

"Get on with the business, Mister," said the old man surlily.

In a few moments he had the six thousand dollars in good government notes in two inner pockets of his shirt. It made him feel very warm and comfortable. His face almost relaxed into a smile when he bade Burlingame good-day.

Burlingame had said nothing about the letter from the late Michael Turley's kinsman in Montreal and the question of the legacy. This was deliberate on his part. He wanted an excuse to visit Tralee and see its mistress with his own eyes. He had attempted to pluck many flowers in his day, and had not been unsuccessful. Out at Tralee was evidently a rare orchid carefully shielded by the gardener.

As Mazarine left the lawyer's office, he met in the doorway that member of the McMahon family for whom Burlingame had secured a verdict of acquittal a couple of hours before. As was his custom, Mazarine gave the other a sharp, scrutinizing look, but he saw no one he knew; and he passed on. The furtive smile which had betrayed his content at pocketing the six thousand dollars still lingered at the corners of his mouth.

Though he did not know the legally innocent McMahon whom he had just passed, McMahon was not so ignorant. There was no one in all the countryside whom the McMahons did not know. It was their habit--or something else--to be familiar with the history of everybody thereabouts, although they lived secluded lives at Arrowhead Ranch, which adjoined that belonging to Orlando Guise.

When Tom McMahon saw Mazarine leave Burlingame's office, his furtive eye lighted. Then it was true, what he had heard from the hired girl at Slow Down Ranch: that old Mazarine was to receive six thousand dollars in cash from Orlando Guise by the hands of Burlingame! Only that very morning, at the moment of his own release from jail, his brother Bill McMahon had told him of the conversation overheard between Orlando and his mother, by Milly Gorst, the hired girl.

He turned and watched Mazarine go down the street and enter a barber's shop. If Mazarine was going to have his hair cut, he would be in the barber's shop for some time. With intense reflection in his eyes, McMahon entered Burlingame's office. He had come to settle up accounts for a clever piece of court-room work on the part of Burlingame. It was very well worth paying for liberally.

When he entered the office, Burlingame was not there. A clerk, however, informed him that Burlingame would be free within a few moments--and would he take a chair? Thereupon, the clerk left the room. McMahon took a chair--not the one towards which the clerk pointed him, but one beside the desk whereon were lying a number of open letters.

The interrogation always in the mind of a natural criminal, prompted McMahon to take a seat near the open letters. As soon as the clerk left the room, a hairy hand reached out for the nearest letter, and a swift glance took in its contents.

A grimly cheerful, vicious smile lighted up the heavily bearded face. Placing the letter on the desk again, as soon as it was read, McMahon almost threw himself over to the chair at some distance from the desk, which the clerk had first offered him. There he sat with his elbows on his knees and his chin in his hands when Burlingame entered the room.

Ten minutes later, with a receipted bill in his pocket, Tom McMahon made for the barber's shop which Mazarine had entered. He found it full, but seated in the red-plush chair, tipped back at a convenient angle, was Mazarine undergoing the triple operations of shaving his upper lip, beard-trimming and haircutting. From that moment and for the rest of all the long day and evening, Joel Mazarine commanded the unvarying interest of two members of the McMahon family.

Orlando Guise had had a long day, but one that somehow made him whistle or sing to himself most of the time. In a way, half a lifetime had gone since the day before, when he had first seen what he called to himself "the captive maid." He had never been so happy in his life; and yet he knew that he had not the faintest right to be happy. The girl who had so upset his self-control as to make him stumble on her doorstep was the wife of another man. It was, of course, silly to call him "another man," because he seemed a million miles away from any sphere in which Orlando lived. Yet he was another man; and he was also the husband of the girl who had made Orlando feel for the very first time a strange singing in his veins. It actually was as though some wonderful, magnetic thing was making his veins throb and every nerve tingle and sing.

"It beats me," he said to himself fifty times that day. He had never been in love. He did not know what it was like, except that he had seen it make men do silly things, just as drink did. He did not know whether he was in love or not. It was absurd that a man should be in love with a face at a window--a face with the beauty of a ghost rather than of a real live woman.

Orlando had little evil in his nature; his eyes did not look towards Tralee as did Burlingame's eyes. Nothing furtive stirred in Orlando's intensely blue eyes. Whatever the feeling was, it was an open thing, which had neither motive nor purpose behind it--just a thing almost feminine in its nature. As yet it was like the involuntary adoration which girls at a certain period of their lives feel successively for one hero after another. What it would become, who could tell? What would happen to the young girl adoring the actor, or the hero of the North Pole, the battle-field or the sea, if the adored one was not far off, but very near? Indeed, who could tell?

But as it was, in the upper room where Louise sat all day looking out over the prairie, and on the prairie where business carried Orlando from ranch to ranch on this perfect day, no recreant thought or feeling existed. Each was a simple soul, as yet unspoiled and in one sense unsophisticated--the girl, however, with an instinctive caution, such as an animal possesses in the presence of a foe with which it is in truce; the man with an astuteness which belonged to a native instinct for finding a way of doing hard things in the battle of life.

All day Orlando wondered when he should see that face again; all day the eyes of Louise pleaded for another look at the ranchman with the dress of a dandy, the laugh of a child, and the face of an Apollo--or so it seemed to her. It was the sort of day which ministers to human emotion, which stirs the sluggish blood, revives the drooping spirit. There was a curious, delicate blueness of the sky over which an infinitely more delicate veil of mist was softly drawn. At many places on the prairie the haymakers were loading the great wagons; here and there a fallow field was burning; yonder a house was building; cattle were being rounded up; and far off, like moving specks, ranchmen were climbing the hills where the wild bronchos were, for a day of the toughest, most thrilling sport which the world knows.

Night fell, and found Orlando making for the trail between what was known as the Company's Ranch and Tralee. To reach his own ranch, he had to cross it at an angle near the Tralee homestead. It was dark, with no moon, but the stars were bright.

As he crossed the Tralee trail, he suddenly heard a cry for help. Between him and where the sound came from was a fire burning. It was the camp-fire of some prairie pioneer making for a new settlement in the North; and beside it was a tent whose owner was absent in Askatoon.

Orlando dug heels into his horse and rode for the point from which the cry for help had come. Something was undoubtedly wrong. The voice was that of one in real trouble--a hoarse, strangled sort of voice.

As he galloped through the light of the camp-fire, a pistol-shot rang out, and he felt a sharp, stinging pain in his side. Still urging his horse, he cleared the little circle of light and presently saw a man rapidly mounting a horse, while two others struggled on the ground.

He dashed forward. As he did so, one of the men on the ground freed himself, sprang to his feet, mounted his horse, and was away into the night with his companion. Orlando slid to the ground beside the figure which was slowly raising itself from the ground.

"What's the matter? Are you all right? Have they hurt you?" he asked, as he stooped over and caught the shoulders of the victim of the two fleeing figures.

At that instant there were two more pistol-shots, and a bullet hit the ground beside Orlando. Then he saw dimly the face of the man whom he was helping to his feet.

"Mazarine! Good Lord-Mazarine!" he said in an anxious voice. "What have they done to you?" "Nothing--I'm all right. The dogs, the rogues, the thieves--but they didn't get it! It was in the pockets of my shirt." The old man was almost hysterical. "You just come in time, Mr. Guise. You frightened 'em off. They'd have found it, if it hadn't been for you."

"Found what?" asked Orlando, as he helped the old man towards the camp- fire, himself in pain, and a dizziness coming over him.

"Found your six thousand dollars that Burlingame paid me to-day," gasped the old man, spasmodically; "but it's here-it's here!" He caught at his breast with devouring greed.

Somehow the agitated joy of the old man revolted Orlando. He had a sudden rush of repulsion; but he fought it down.

"Are you all right?" he asked. "Are you all right?" Somehow the sound of his own voice was very weak. "Yes, I'm all right," Mazarine said, and he called to his horse near by.

The horse did not stir, and the old man, whose breath came almost normally now, moved over and caught its bridle.

In a dazed kind of way, and with growing unsteadiness, Orlando walked towards the camp-fire. He was leaning against his horse, and opening his coat and waistcoat to find the wound in his side and staunch it with the kerchief from his neck, when Mazarine came up.

"What's that on your coat and breeches? Say, you're all bloody!" exclaimed Mazarine. "Why, they shot you!"

"Yes, they got me," was Orlando's husky reply, and he gave a funny little laugh. Giggling, people had called it.

"How are we going to get you home?" Mazarine asked. "You can't ride."

At that moment there was the rumbling jolt of a wagon. It was the pioneer-emigrant returning from Askatoon to his camp.

A few minutes later Orlando was lying on some bags in the emigrant's wagon, while Mazarine rode beside it. "It's only a few hundred yards to the house," said the emigrant sympathetically, as he looked down at the now unconscious figure in the wagon.

"It's four miles to his house," said Mazarine. "Well, I'm not taking him four miles to his house or any house," said the emigrant. "My horse has had enough to-day, and the sooner the lad's attended to, the better. He's going to the nearest house, and that's Tralee, as they call it, just here."

"That's my house," gruffly replied the old man. "Well, that's where you want him to go, ain't it?" asked the pioneer sharply. He could not understand the owner of Tralee.

"Yes, that's where I want him to go," replied Mazarine slowly.

"Then you ride ahead on the trail, and I'll follow," returned the other decisively.

"What's the matter? Who hurt him?" he presently called to Mazarine, riding in front.

"I'll tell you when we get to Tralee," answered the old man, with his eyes fixed on two lights in the near distance. One was in the kitchen, where a half-breed woman was giving supper to Li Choo, a faithful Chinaman roustabout; the other was in the room where a young wife sat with hands clasped, wondering why her husband did not return, yet glad that he did not.

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Chapter VI

"THINGS MUST HAPPEN"

Between two sunrises Louise Mazarine had seen her old world pass in a flash of flame and a new world trembling with a new life spread out before her; had come to know what her old world really was. The eyes with which she looked upon her new world had in them the glimmer not only of awakened feeling but of awakened understanding. To this time she had endured her aged husband as a slave comes to bear the lashes of his master, with pain which will be renewed and renewed, but pain only, and not the deeper torture of the soul; for she had never really grasped what their relations meant. To her it had all been part of the unavoidable misery of life. But on that sunny afternoon when Orlando Guise's voice first sounded in her ears, and his eyes looked into hers as, pale and ill, she gazed at him from the window, a revelation came to her of what the three years of life with Joel Mazarine had really been. From that moment until she heard the pioneer's wagon, escorted by her husband, bringing the unconscious Orlando Guise to her door, she had lived in a dream which seemed like a year of time to her.

Since the early morning of that very day, when Joel had leaned over her bed and asked her in his slow, grinding voice how she was, she had lived more than in all the past nineteen years of her life. The Young Doctor had come and gone, amazed at first, but presently with a look of apprehension in his eyes. There was not much trace of yesterday's illness in the alert, eager girl-wife, who twenty-four hours before had been really nearer to the end of all things than her aged husband. The Young Doctor knew all too well what the curious, throbbing light in her eyes meant. He knew that the gay and splendid Orlando Guise had made the sun for this prismatic radiance, and that the story of her life, which Louise had wished to tell him yesterday, would never now be told--for she would have no desire to tell it. The old vague misery, the ancient veiled torture, was behind her, and she was presently to suffer a new torture--but also a joy for which men and women have borne unspeakable things. No, Louise would never tell him the story of her life, because now she knew it was a thing which must not be told. Her mind understood things it had never known before. To be wise is to be secret, and she had learned some wisdom; and the Young Doctor wondered if the greater wisdom she must learn would be drunk from the cup of folly. Before he left her he had said to her with meaning in his voice:

"My dear young madam, your recovery is too rapid. It is not a cure: it is a miracle; and miracles are not easily understood. We must, therefore, make them understood; and so you will take regularly three times a day the powerful tonic I will give you."

She was about to interrupt him, but he waved a hand reprovingly and added with kindly irony:

"Yes, we both know you don't need a tonic out of a bottle; but it's just as well other people should think that the tonic bringing back the colour to your cheeks comes out of a bottle and not out of a health resort, called Slow Down Ranch, about four miles to the north-west of Tralee."

As he said this, he looked straight into the eyes which seemed, as it were, to shrink into cover from what he was saying. But when, an instant afterwards, he took her hand and said good-bye, he knew by the trembling clasp of her fingers--even more appealing than they had yet been--that she understood.

So it was a few moments later, outside the house, he had said to Joel Mazarine that he had given his wife a powerful tonic, and he hoped to see an almost instant change in her condition; but she must have her room to herself for a time, according to his instructions of the day before, as she was nervous and needed solitude, to induce sleep. He was then about to start for Askatoon when the old man said:

"I suppose you won't have to come again, as she's going on all right."

To this the Young Doctor had replied firmly: "Yes, I'm coming out to- morrow. She's not fit yet to go to Askatoon, and I must see her once again."

"Oh, keep coming--that's right, keep coming!" answered the miserly old man, who still was not so miserly that he did not want his young wife blooming. "Coming to-morrow, eh!" he added, with something very like a sneer.

The other had a sudden flash of fury pass through his veins. The old Celtic quickness to resent insult swept over him. The ire of his forefathers waked in him. This outrageous old Caliban, to attempt to sneer at him! For an instant he was Kilkenny let loose, and then the cool, trained brain reasserted its mastery, and he replied:

"If there should be a turn for the worse, send for me to-night--not to-morrow! "And he looked the old man in the eyes with a steady, steelly glance which had nothing to do with the words he had just uttered, but was the challenge of a conquering spirit.

The Young Doctor had acted with an almost uncanny prescience. It was as though he had foreseen that Orlando Giuse would be carried upstairs to a room nearly opposite that of Louise, and laid unconscious on a bed, till he himself should come again that very night and extract a bullet from Orlando's side; that he would open Orlando's eyes to consciousness, hear Orlando say, "Where am I?" and note his startled look when told he was at Tralee.

Once during this visit, while making Orlando safe and comfortable, with the help of Li Choo, the Chinaman, and Rada, the half-breed, he had seen Louise for a moment. The old man had gone to the stables, and as he came out of the room where Orlando was, Louise's door opened softly on him. Dimly, in the half-darkness of her room, in which no light was burning, he saw her. She beckoned to him. Shutting the door of Orlando's bedroom behind him, he came quickly to her side and said:

"Go to bed at once, young woman. This will not do."

"I'm not sick now," she urged. "Say, I really am well again."

"You must not be well again so soon," he replied meaningly. "I want you to understand that you must not," he insisted.

There was a pause, which seemed interminable to the Young Doctor, who was listening for the heavy footstep of Joel Mazarine outside the house; and then at last in agitation Louise said to him:

"Will he get well? Rada told me he was shot saving Mr. Mazarine. Will he get well?"

"Yes, he will get well, and quickly, if--"

He broke off, for there was the thud of a heavy footstep for which he had been listening. Joel Mazarine was returning.

"Won't they let me help nurse him?" she whispered.

The Young Doctor shook his head in negation. "His mother will be here to-morrow," he said quickly. "Be wise, my child."

"You understand?" she whispered wistfully.

"I have no understanding. Go to bed," he answered sharply. "Shut the door at once."

When old Joel Mazarine's footsteps were heard upon the staircase again, Orlando was lying with half-closed eyes, watching, yet too weak to speak; and the Young Doctor was giving directions to Rada and Li Choo for the night-watch in Orlando's room. When Mazarine entered, the Young Doctor gave him a casual nod and went on with his directions. When he had finished, Rada said in her broken English, with an accent half-Indian, half-French:

"His mother you send for--yes? She come queeck. Some one must take care him when for me get breakfus and Li Choo do chores."

"We'll send for her in the morning," interrupted Joel Mazarine.

"Perhaps Mrs. Mazarine would be well enough to help a little in the morning," remarked the Young Doctor in a colourless voice. He knew when to be audacious; or, if he did not know, he had an instinct; and he noticed that the wounded man's eyelids did not even blink when he threw out the hint concerning Louise, while the eyes of the old man took on a sullen flame.

"Mrs. Mazarine has to be molly-coddled herself--that's what you've taught her," he snarled.

"Well, then, send for Mrs. Guise to-night," commanded the Young Doctor.

He thought Joel Mazarine made unnecessary noise as he stamped down the staircase to send a farmhand to Slow Down Ranch; and he also thought that Orlando Guise showed discretion of manner and look in a moment of delicacy and difficulty. He knew, however, that, as the children say, "Things must happen."

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Chapter VII

"THE ZOOLYOGICAL GARDEN"

Patsy Kernaghan regarded Tralee as a kind of Lost Paradise, for the most part because it had passed from the hands of a son of the Catholic Church into those of the "prayin' Methodys," as he called them, and also because he had a "black heart ag'in" Joel Mazarine.

The spark was struck in him with some vigour one day at Tralee. It was caused by the flamboyant entrance of Mrs. Guise into the front garden, as the Young Doctor was getting into his buggy for the return journey to Askatoon, after attending Orlando, whose enforced visit to Tralee had already extended over a week.

"Aw, Doctor dear," said Patsy, as Orlando's mother fluttered into the garden like a gorgeous hen with wings outspread, her clothes a riot of contradictory colours, all of them insistently bright, "d'ye know what this place is--this terry firmy on which we stand, that's wan mile wan way, an' half a mile the other? Ye don't? Well, I'll tell ye: it's a zoolyogical gardin. Is it like a human bein' she is, the dear ould wumman there? Isn't she just some gay ould bird from the forests of the Equaytor, wherivir it is? Look at the beautiful little white curls hanging down her cheek, tied with ribbon-pink ribbon too--an' the bonnet on her head! Did ye iver see annything like it outside a zoolyogical gardin? Isn't it like the topknot of some fine old parakeet from Pernambukoko--and oh, Father Rainbow, the maginta dress of her! Now I tell you, Doctor dear, I tell you the truth, what I know! She wears hoops, she does, the same as y'r grandmother used to. An' the bit of rose ribbon round her waist, hanging down behind--now I ask y'r anner, is it like a wumman at all? See the face of her, with the little snappin' eyes an' the yellow beak of a nose, an' the sunset in her cheeks that's put on wid a painter's brush! Look at her trippin' about! Floatin'-- shure, that's what she's doin'! If you listened hard, you'd hear her buzzin'. It's the truth I tell ye. D'ye follow me?"

The Young Doctor liked talking to Patsy Kernaghan better than to any other person in Askatoon. He was always sure to be stimulated by a new point of view, but he never failed to provoke Kernaghan by scepticism.

"One wild bird from 'Pernambukoko' does not make a zoological garden, Patsy," he said with an air of dissent.

"Well, that's true for you, Doctor dear," answered Kernaghan, "but this gardin's got a bunch of specimens for all that. Listen to me now. Did ye ever notice the likeness between the faces of people and of animals an' things that fly? You never did? Well, be thinkin' of it now. Ivry man and wumman here at Tralee looks like an animal or a bird in a zoolyogical gardin. Shure, there's no likeness between anny two of them; it's as if they was gathered from ivry corner of the wide wurruld. There's a Mongolian in the kitchen an' slitherin' about outside, doin' the things that's part for man and part for wumman. Li Choo they call him. Isn't his the face of a bald-headed baboon? An' the half-breed crature--she might ha' come from Patagony. An' the ould man Mazarine-- part rhinoceros and part Methody, he is. An' what do ye be thinkin' of him they call Giggles, that almost guv his life to save the ould behemoth! Doesn't he remind you of the zebra, where the wild Hottentots come from--smart and handsome, but that showy, all stripes and tail and fetlock! D'ye unnerstand what I mean, y'r anner?"

"Have you finished calling names, Kernaghan?" asked the Young Doctor in a low tone. "Have you really finished your zoological list?"

Kernaghan's eye flashed. "Aw, Doctor dear," said he, "manny's the time in County Inniskillen, where you come from, you've seen a wild thing, bare-footed, springin' from stone to stone on the hillside, wid her hair flyin' behind like the daughter of a witch or somethin' only half human- so belongin' to the hills an' the bogs an' the cromlechs was she. Well, that's the maid that's mistress of Tralee--belongin' as much to the Gardin of Eden as to this place here. There's none of them here that belongs. Every wan of them's been caught away from where he ought to be into this zoolyogical gardin."

"Well, there's one good thing about a zoological garden, Patsy Kernaghan," said the Young Doctor; "it's generally a safe place for the birds and animals in it."

"But suppose some wan--suppose, now, the Keeper got drunk and let loose the popylashin' of the gardin upon each other, d'ye think would it be a Gardin of Eden?" Suddenly Patsy's manner changed. "Aw, I tell you this, then: I don't like what I see here, an' I like it less an' less ivry day."

"What don't you like, Patsy?" asked the other quizzically.

"I don't like the way the old fella watches that child he calls his wife. I don't like the young fella bein' the cause of the old man's watchin'."

"What has happened? What has he done?" asked the Young Doctor a little anxiously.

"Divils me own, it isn't what he's done; it's his bein' here. It's his bein' what he is. It doesn't need doin' to bring wild youth together. Look at her, y'r anner! A week ago she was like wan that 'd be called to the Land of Canaan anny minnit. Wasn't you here tendin' her, as if she was steppin' intil her grave, an' look at her now! She's like a rose in the garden, like a lark's lilt in the air. What has done it? The young man's done it. You'll be tellin' the ould fella it's the tonic you've guv her. Tonic! How long d'ye think he'll belave it?'

"But she never sees Mr. Guise, does she, Patsy? Isn't his mother always with him? Hasn't Mazarine forbidden his wife to enter the room?"

Kernaghan threw out his hands. "An' you're the man they say's the cleverest steppin' between Winnipeg and the Mountains--an'--an'--you talk to me like that! Is the ould fella always in the house? Is he always upstairs? I ask you now. I'll tell you this, y'r anner--"

The Young Doctor interrupted him. "Don't you suppose that there's somebody always watching, Patsy--the half-breed, the Chinaman?"

Kernaghan snapped a finger. "Aw, must I be y'r schoolmaster in the days of your dotage! Of course the ould fella has someone to watch, an' I dunno which it is--the Chinaman or the half-breed wumman. But I'll tell you this: they'll take his pay and lie to him about whatever's goin' on inside the house. That girl has them both in the palms of her hands. Let him set what spies he will, she'll do what she wants, if the young man lets her."

"His mother--" interjected the Young Doctor. "Her of the plumage--her! Shure, she's not livin' in this wurruld. She's only visitin' it. She's got no responsibility. If iver there was a child of a fairy tale, that wumman's the child. I belave she'd think her son was doin' right if he tied the ould fella up to a tree an' stuck him as full of Ingin arrows as a pin-cushion, an' rode off with the lovely little lady in beyant there. That's my mind about her. It isn't on her you can rely. If ye want the truth, y'r anner, them two young people have had words together and plenty of them, whether it's across the hall--her room from his; or in his room; or through the windy or down the chimney-shure, I don't care! They've spoke. There's that between them wants watchin'. Not that there's wrong in aither of them--divil a bit! I've got me own mind about Mr. Orlando Giggles. As for her, the purty thing, she doesn't know what wrong is--that's the worst of it!"

The Young Doctor tapped Kernaghan's head gently with his whip. "Patsy," said he, "you talk a lot. There's no greater talker between here and Donegal. But still I think you know what to say and whom to say it to."

Kernaghan's cap came off. He ran his fingers through his hair and looked at the other with a primitive intelligence which showed him to be what the Young Doctor knew him to be--better than his looks, or his place in the world, or his reputation.

"Thank you kindly, y'r anner," he said, softly. "I'm troubled about things here, I am. That's why I spoke to ye. I'm afraid of the old fella, for his place is not in the pen wid that young thing, an' he'll break her heart, or kill her, if he gets to know the truth."

"What do you mean by 'the truth,' Patsy?" was the sharp query.

"I mean nothin' at all, save that in there wild youth is spakin' to wild youth--honest and dacint and true. But there's manny a tragedy comes out of that, y'r anner."

"Orlando has been sitting up for two days," said the Young Doctor meditatively, "and in two days more he can be removed. Patsy, you are staying on here.--I know, and I trust you. The girl and the young man have both been my patients. I think as much of both of them as I can think of any man or woman. He's straight and--"

"But a girl's mad when the love-song rises in her heart," interjected Kernaghan.

"Yes, I know, Patsy, but it isn't so bad as you think. I had a talk with her to-day. Perhaps we can get him away to-morrow. Meanwhile, there can't much happen."

"Can't much happen, wid that ould wuman in the garden there, an' the young wife upstairs, an' the fine young fella sittin' alone in his room achin' for the sound of her voice! Shure, they're together at this minnit, p'r'aps."

The Young Doctor tapped Kernaghan again on the head with his whip. "You're a wild Irishman still," he said, "but I think none the worse of you for that. Sufficient to the day is the evil thereof. Keep your head, Patsy." And whipping up his horse, he nodded and drove on.

It may be that Kernaghan's instinct was no truer than his own. It may be the Young Doctor knew Kernaghan's instinct to be true; and it also may be that what Kernaghan thought possible, the Young Doctor thought possible; but he also felt that things must be as they must be.

In any case Kernaghan was right; for while the little flamboyant lady from Slow Down Ranch was busy in the front garden, Louise Mazarine was with her wounded guest, with the man who had saved her husband's money and perhaps his life. The wounded guest regarded his wound as a blessing almost. Perhaps that was why he did not notice that his host had only been silently grateful.

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VIII. THE ORIENTAL WAY OF IT

Orlando Guise's mother was lacking in the caution which mothers generally have where their men-children are concerned. If she had had sense, she would have insisted on removing Orlando to Slow Down Ranch at the earliest possible moment, even at some risk to his physical well-being. She ought to have seen that Joel Mazarine was possessed of a jealousy as unreasoning as that of an animal; she ought to have discouraged Louise's kindnesses. If the kindnesses had been only the ordinary acts of a mistress of a house to a guest who had saved her husband's life--dishes made by her own hand, strengthening drinks, flowers picked and arranged by herself--there could have been no cause for nervousness. Each thing done by Louise, however, came from a personally and emotionally solicitous interest. It was to be seen in the glance of the eye, in the voice a little unsteady, in girlish over-emphasis, in that shining something in the face, which, in Ireland, they call the love-light.

So great was Mrs. Guise's vanity, so intense her content in her son, so proud was she of other people's admiration of him, no matter who they were, that she welcomed Louise's attentions. Kernaghan was wrong. Mazarine had not forbidden Louise to enter Orlando's room. That was the contradictory nature of the man. His innate savagery made him brood wickedly over her natural housewifery attentions to the man who had probably saved his own life, and certainly had saved him six thousand dollars; yet it was as though he must see the worst that might happen, must even encourage a danger which he dreaded. When the Methodist minister from Askatoon came to offer prayer for Orlando, Joel joined in it with all the unction of a class-leader, while every word of the prayer trembled in an atmosphere of hatred. As Patsy Kernaghan said, he himself watched, and he paid the Chinaman to watch, in the vain belief that money would secure faithful service.

The Young Doctor had told him that his powerful medicine had brought back the bloom to his young wife's cheeks and the light to her eyes, but how much he believed, he could not himself have said. One thing he did know: it was that Orlando seemed quite indifferent to everything except his mother, the state of the crops and the reports on his own cattle. Also Orlando had made a good impression when he resented with a funny little oath and a funnier little giggle, but with some heat in his cheek, Joel's ostentatious proposal to pay the Young Doctor's bill for attendance.

The offer had been made when Louise was standing in the doorway; but the old man did not notice that Louise coloured in sympathy with the flush in Orlando's face. It was as though a delicate nerve had been touched in each of them; but it was a nerve that had never been sensitive until they had met each other for the first time. Orlando's mother dealt with the situation in her own way. She said in a somewhat awkward pause, following the old man's proposal, that a doctor's bill was a personal thing, and she would as soon allow some one else to pay it as to pay for her washing. At this Orlando giggled again, and ventured the remark that no doctor could dispense enough medicine in a year to pay her laundry bill for a month--which pleased the old lady greatly and impelled her to swing her skirt kittenishly.

It was at this point that Li Choo came knocking at the open door with a message for Mazarine. It related to a horse-accident at what was known as One Mile Spring; and Mazarine, having frowned his wife out of the doorway, made his way downstairs and prepared for his short journey to the Spring. Before he left, however, he called Li Choo aside, and what he said caused Li Choo to answer: "Me get money, me do job. Me keep eyes open. Me tell you."

From a window Louise had watched the colloquy, and she knew, as well as though she stood beside them, what was being said. Li Choo had told the truth: he had got the cash, and he would do the job. But not alone from Joel Mazarine did he get money. Only two mornings before, Louise, for all the extra work he had had to do during Orlando's illness and without thought of bribery, had given him a beautiful gold ten-dollar-piece with a hole in it. If the piece had been minus the hole, Li Choo would have returned it to her, for he would have served her for nothing till the end of his days, had it been possible. Because there was a hole in it, however, and he could put a string through it and wear it round his neck inside his waistcoat, he took it, blinking his beady eyes at her; and he said:

"Me watch most petic'ler, mlissy. Me tell boss Mazaline ev'lytling me see!" And he giggled almost as Orlando might have done.

After which Li Choo slip-slopped away to his work behind the kitchen. When he saw Orlando's mother in the garden and the Young Doctor drive to Askatoon, and Patsy Kernaghan mount an aged cayuse and ride off, he clucked with his tongue and then went into the kitchen and prepared a tray on which he placed several pieces of a fine old set of China, which had belonged to Mazarine's grandmother and was greatly prized by the old man. Then he clucked to the half-breed woman, and she made ready as sumptuous a tea as ever entered the room of a convalescent.

Like a waiter at a seaside hotel, Li Choo carried the tray above his head on three fingers to the staircase, and as he mounted to the landing, called out, "Welly good tea me bling gen'l'man." This was his way of warning Orlando Guise, and whoever might be with him, of his coming.

He need not have done so, for though Louise was in Orlando's room, she was much nearer to the door than she was to Orlando. She hastened to place a table near to Orlando, for the tray which Li Choo had brought, and, as she did so, remarked with a shock at the cherished china upon the tray.

"Li Choo! Li Choo!" she gasped, reprovingly, for it was as though the Ark of the Covenant had been burgled. But Li Choo, clucking, slip- slopped out of the room and down the stairs as happy as an Oriental soul could be. What was in the far recesses of that soul, where these two young people were concerned, must remain unrevealed; but Li Choo and the halfbreed woman in their own language--which was almost without words-- clucked and grunted their understanding.

Left alone again, Louise found herself seated with only the table between herself and Orlando, pouring him tea and offering him white frosted cake like that dispensed at weddings; while Orlando chuckled his thanks and thought what a wonderful thing it was that a bullet in a man's side could bring the unexpected to pass and the heart's desire of a man within the touch of his fingers.

Their conversation was like that of two children. She talked of her bird Richard, which she had sent to him every morning that it might sing to him; of her black cat Nigger, which sat on his lap for many an hour of the day; of the dog Jumbo, which said its prayers for him to get well, for a piece of sugar-that was a trick Louise had taught it long ago. Orlando talked of his horses and of his mother--who, he declared, was the most unselfish person on the whole continent; how she only thought of him, and spent her money for him, and gave to him, never thinking of herself at all.

"She has the youngest heart of anyone in the world," said Orlando.

Louise did not even smile at that. No one with a heart that was not infantile could dress and talk as Orlando's mother dressed and talked; and so Louise said softly: "I am sure her heart is a thousand years younger than mine--or younger than mine was." And then she blushed, and Orlando blushed, for he understood what was in her mind--that until they two had met, she was, as the Young Doctor said, a victim to senile decay.

That was the nearest they had come as yet to saying anything which, being translated, as it were, through several languages, could mean love- making. Their love-making had only been by an inflection of the voice, by a soft abstraction, by a tuning of their spirits to each other. They were indeed like two children; and yet Li Choo was right when, in his dark soul, he conceived them to be lovers, and thought they would do what lovers do--hold hands and kiss and whisper, with never an end to a sentence, never a beginning.

It was not that these things were impossible to them. It was not that their beating pulses, and the throbbing in them, was not the ancient passion which has overturned an empire, or made a little spot of earth as dear as Heaven above. It was that these were forbidden things, and Louise and Orlando accepted that they were forbidden.

How long would this position last? What would the future bring? This was only the fluttering approach of two natures, from everlasting distances. The girl had been roused out of sleep; from her understanding the curtains had been flung back so that she might see. How long would it last, this simple, unsoiled story of two lives?

Orlando reached out his hand to put his cup back upon the tray. As her own hand was extended to take it, her fingers touched his. Then her face flushed, and a warm cloud seemed to bedim her eyes. There flashed into her mind the deep, overwhelming fact that for three long years a rough, heavy hand had held her captive by day, by night, in a pitiless ownership. She got to her feet suddenly; her breath came quickly, and she turned towards the door as though she meant to go.

At that instant Li Choo slid softly into the room, caught up the tray, poised it on his three fingers over his head and said: "Old Mazaline, he come. Be queeck!"

They heard the heavy footsteps of Joel Mazarine coming into the hall-way just below.

The old man, as though moved by some uncanny instinct, had come back from One Mile Spring by a roundabout trail. As the Chinaman came out upon the landing at the top of the stairs, Joel appeared at the bottom, in the doorway which gave upon the staircase. Two or three steps down shuffled the Chinaman; then, as it were by accident, he stumbled and fell, the tray with the beautiful china crashing down to the feet of Joel Mazarine, followed by the tumbling, chirruping Li Choo.

Oriental duplicity had made no wrong reckoning. The old man fell back into the hall-way from the crashing china and tumbling Oriental, who plunged out into the hall-way muttering and begging pardon, cursing his soul in good Chinese and bad English.

Looking down on the wreck, Mazarine saw his treasured porcelain shattered. With a growl of rage he stooped and seized Li Choo by the collar, flung him out of the door, and then with his heavy boot kicked him once, twice, thrice, a dozen times, anywhere, everywhere!

Li Choo, however, had done his work well. Joel Mazarine never knew the reason for the Chinaman's downfall on the stairway, for, in the turmoil, Louise had slipped away in safety. His rage had vented itself; but, if he had seen Li Choo's face an hour after, as he talked to the half-breed woman in the kitchen, he might have had some qualms for his cruel assault. Passion and hatred in the face of an Oriental are not lovely things to see.

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IX. THE STARS IN THEIR COURSES

"It's been a great day--great."

Orlando Guise leaned lazily on the neck of the broncho he was riding, peering between its ears, over the lonely prairie, to the sunset which was making beautiful the western sky. It was as though there was a golden fire behind vast hills of mauve and pink, purple and saffron; but the glow was so soft as to suggest a flame which did not burn; which only shed radiance, colour and an ethereal mist. All the width of land and life between was full of peace as far as eye could see. The plains were bountiful with golden harvest, and the activities of men were lost among the corn. Horses and cattle in the distance were as insects, and in the great concave sky stars still wan from the intolerant light of their master, the Sun, looked timidly out to see him burn his way down to the under-world.

"Great--but it might have been greater!" added Orlando, gazing intently at the sunset.

Yet, as he spoke, his eyes gazed at something infinitely farther away than the sunset-even to the goal of his desire. He was thinking that, great as the day had been, with all he had done and seen, it lacked a glimpse of the face he had not seen for a whole month. The voice, he had not heard it since it softly cried, "Oh, Orlando!" when the Chinaman crashed down the staircase with the tray of cherished porcelain, and had been maltreated by the owner of Tralee.

How many times since then had those words rung in his ears! Louise had never called him by name save that once, and then it was the cry of a soul surprised, the wail of one who felt a heart-break coming on, the approach of merciless Fate. It was the companionship of trouble; it was the bird, pursued by a hawk, calling across the lonely valley to its mate. "Oh, Orlando!" He had waked in the morning with the words in his ears to make him face the day with hope and cheerfulness. It had sounded in his ears at night as he sat on the wide stoop watching the moon and listening to the night-birds, or vaguely heard his mother babbling things he did not hear.

It is a memorable moment for a man when he hears for the first time his "little name," as the French call it, spoken by the woman he loves. It is as the sound of a bell in the distance, a familiar note with a new meaning, revealing new things of life in the panorama of the mind. By those two words Orlando knew what was in the mind of Louise. They were a prayer for protection and a cry for comradeship.

When Louise first clasped hands with the Young Doctor on her arrival at Askatoon, the soft appeal of her fingers had made him understand that loneliness where she lived, and to bear which she sought help. But the "Oh, Orlando!" which was wrung from her, almost unknowingly, was the cry of one who, to loneliness, had added fear and tragedy. Yet behind the fear, tragedy and loneliness there was the revelation of a heart.

A courtship is a long or a short ceremonial or convention, a make- believe, by which people pretend that they slowly come to know and love each other; but lovers know that each understands the other by one note or inflection of the voice, by one little act of tenderness. These, or one of these, tell the whole story, the everlasting truth by which men and women learn how good at its worst life is, or speak the lightning-lie by which the bones of a dead world are exposed to the disillusioned soul.

This had been a great day, because, in it, physical being had joyously celebrated itself in a wild business of the hills; in air so fresh and sweet that it almost sparkled to the eye; in a sun that was hot, but did not punish; at a sport by which the earliest men in the earliest age of the world made life a rare sensation. The man who has not chased the wild pony in the hills with the lasso on his arm, riding, as they say in the West, "Hell for leather," down the steep hillside, over the rock and the rough land, balancing on his broncho with the dexterity of a bird or a baboon, has failed to find one of life's supreme pleasures.

In the foothills, many miles away from Slow Down Ranch and Tralee, there lived a herd of wild ponies, and it had been the ambition of a dozen ranchmen and broncho-busters thereabouts to capture one or many. More than once Orlando had seen a little gray broncho, with legs like the wrists of a lady, with a tail like a comet, frisking among the rocks and the brushwood, or standing alert, moveless and alone upon some promontory, and he had made up his mind that if, and when, there came a day of broncho-busting, he would become a hunter of the little gray mare. When the news came that the ranchmen for miles around were preparing for the drive of the hills, he determined to take part in it, against the commands of the Young Doctor, who said that he would run risk in doing so, for, though his wound was healed, he should still avoid strain and fatigue.

There is no fatigue like that of broncho-busting. It is not galloping on the turf; it is being shaken and tossed in a saddle which the knees can never grip, on the back of something gone mad--for the maddest, wisest, carefullest thing on earth is a broncho, which itself was once a wild pony of the hills, and has been hunted down, thrown by the lasso, saddled, bridled and heart-broken all in an hour. When the broncho which was once a wild pony sets out on the chase after its own, there is nothing like it in the world; and so Orlando found.

The veteran broncho-busters and ranchmen gave him no vociferous welcome as he appeared among them. Had it not been for the reputation which he already gained for courage, such as he had shown in the recent affair when he had driven off the men who were robbing Joel Mazarine, and also for an idea, steadily spreading, that he was masquerading, and that behind all, was a curly-headed, intrepid, out-door "white man," he would not have had what he called a great day.

He could not throw the lasso as well as many another, but he could ride as well as any man that ever rode; and the broncho given him to ride that day was one sufficiently unreliable in character and sure-footed in travel to test him to the utmost. He had endured the test; he had even got his little gray mare, lassoing her like a veteran. He had helped to break her, and had sent her home from the improvised corral by one of his men. He had then parted from the others, who had dispersed to their various ranches with their prizes, and had ridden away on the broncho with which he had done such a good day's work. He had had the thrill of the hunter, riding like any wild Indian through the hills; he had had the throb of conquest in his veins; but while other men had shouted and happily blasphemed as they rode and captured, he had only giggled in excitement.

As he looked now into the sunset, he was thinking of the little gray mare, with the legs like the wrists of a lady and the soft, bright, wild eye, which had fought and fought to resist subjection; but which, overpowered by the stronger will of man, had yielded like a lady, and had been ridden away to Slow Down Ranch, its bucking over for ever, captive and subdued.

Orlando was picturing the little gray mare with Louise on its back. He had no right to think of Louise; yet there was never an hour in which he did not think of her. And Louise had no right to think of Orlando; yet, sleeping and waking, he was with her. Their homes were four miles apart, although, in one sense, they were a million miles apart by law and the convention which shuts a woman off from the love of men other than her husband; and yet in thought they were as near together always as though they had lain in the same cradle and grown up under the same rooftree.

There was something about the gray pony, with the look of a captive in its eye, a wildness in subjection, like the girl at Tralee--the girl suddenly come to be woman, with her free soul born into understanding, yet who was as much a captive as though in prison, and guarded by a warder with a long beard, a carnivorous head, and boots greased with tallow.

Since they had parted, the day after Li Choo had averted a domestic "scene" or tragedy, the search had gone on by the Mounted Police-"the Riders of the Plains"--for the men who had attempted to rob Mazarine, and to put Orlando out of action by a bullet. Suspicion had been directed against the McMahons, but Joel Mazarine had declared that it was not the McMahons who had attacked him, although they were masked. There was nothing strange in that, because, as the Inspector of the Riders said "That lot is too fly to do the job themselves; you bet they paid others to do it."

Orlando had no wish to see the criminals caught or punished. Somehow, secretly, he looked upon the assault and his wound as a blessing. It had brought him near to his other self, his mate in the scheme of things. There was something almost pagan and primitive, something near to the very beginning of things in what these two felt for each other. It was as though they really belonged to a world of lovers that "lived before the god of Love was born."

As Orlando sat watching the sunset, Louise's last words to him, "Oh, Orlando!" kept ringing in his ears. He thought of what had happened that very morning before he started for the hills. Soon after daybreak, Li Choo the Chinaman had come slip-slopping to him at Slow Down Ranch, and had said to him without any preliminaries, or any reason for his coming:

"I bling Mlissy Mazaline what you like. She cly. What you want me do, I do. That Mazaline, gloddam! I gloddam Mazaline!"

Orlando had no desire for intrigue, but Li Choo stood there waiting, and the devotion the Chinaman had shown made him tear a piece of paper from his pocket-book and write on it the one word "Always." He then folded the paper up until it was no bigger than a waistcoat button, and gave it to Li Choo. Also, he offered a five-dollar bill, which Li Choo refused to take. When he persisted, the Chinaman opened his loose blue jacket and showed a ten-dollar gold-piece on a string around his neck.

"Mlissy Mazaline glive me that; it all plenty me," he said. "You want me come, I come. What you say do, I do. I say gloddam Mazaline!"

That scene came to Orlando's mind now, and it agitated him as the incident itself had not stirred him when it happened. The broncho he was riding, as though the disturbance in Orlando's breast had passed into its own wilful body, suddenly became restless to be off, and as Orlando gave no encouragement, showed signs of bucking.

At that moment Orlando saw in the distance, far north of both Tralee and Slow Down Ranch, a horse, ridden by a woman, galloping on the prairie. Presently as he watched the headlong gallop, the horse came down and the rider was thrown. He watched intently for a moment, and then he saw that the woman did not move, but lay still beside the fallen horse.

He dug his heels into the broncho's side, and although it had done its day's work, it reached out upon the trail as though fresh from the corral. It bucked malevolently as it went, but it went.

It was apparent that no one else had seen the accident. Orlando had been at a point of vantage on a lonely rise about eighty feet above the level of the prairie. Where horse and rider lay was a good two miles, but within seven minutes he had reached the spot.

Flinging the bridle over the broncho's neck, he dismounted. As he did so, a cry broke from him. It was, as it were, an answer to the "Oh, Orlando!" which had been ringing in his ears. There, lying upon the ground beside the horse, with its broken leg caught in a gopher's hole, was Louise.

Orlando's ruddy face turned white; something seemed to blind him for an instant, and then he was on his knees beside her, lifting up her head, feeling her heart. Presently the colour came back to his face with a rush. Her heart was beating; her pulse trembled under his fingers; she was only unconscious. But was there other injury? Was arm or leg broken? He called to her. Then with an exclamation of self-reproach, he laid her down again on the ground, ran to his broncho; caught the water- bottle from the saddle, lifted her head, and poured some water between the white lips.

Presently her eyes opened, and she stared confusedly at Orlando, unable to realize what had happened. Then memory came back, and with it her very life-blood seemed to flow like water through the opening gates of a flume, with all the weight of the river behind. As her face flooded, she shivered with emotion. She was resting against his knee; her head was upon his arm; his face was very near; and there was that in his eyes which told a story that any woman, loving, would be thrilled at seeing. What restrained him from clasping her to his breast? What kept her arms by her side?

The sun was gone, leaving only a glimmer behind; the swift twilight of the prairie was drawing down. Warm currents of air were passing like waves of a sea of breath over the wide plains; the stars were softly stinging the sky, and a bright moon was asserting itself in the growing dusk. Here they were who, without words or acts, had been to each other what Adam and Eve were in the Garden, without furtiveness, and guiltless of secret acts which poison Love. What restrained them was native, childlike camaraderie, intense, unusual and strange. The world would call them romancists, if they believed that this restraint could be. But there was something more. With all their frank childlikeness, there was also a shyness, a reserve, which would not have been, if either had ever eaten of the Fruit of Understanding until they met each other for the first time.

"Are you--are you hurt?" he asked, his voice calmer than his spirit, his heart beating terribly hard. "I'm all right," she answered. "I fell soft. You see, I'm very light."

"No bones broken? Are you sure?" he asked solicitously.

She sat erect, drawing away from his arms and the support of his knee." Don't you see my legs and arms are all right! Help me up, please," she added, and stretched out a hand.

Then, all at once, she saw the horse lying near. Again she shivered, and her hand was thrown out in a gesture of pain.

"Oh, see-see!" she cried. "His leg is broken." She loved animals far more than human beings. There were good reasons for it. She had fared hard in life at the hands of men and women, because the only ones with whom, in her seclusion, she had had to do, had sacrificed her, all save one-the man beside her. Animal life had something in it akin to her own voiceless being. Her spirit had never been vocal until Orlando came.

"Oh, how wicked I've been!" she cried. . . . "I couldn't bear it any longer. He wouldn't let me ride alone, go anywhere alone. I had to do it. I'd never ridden this horse before. My own mare wasn't fit.

"See-see. It's my ankle that ought to be broken, not his."

Orlando got to his feet. "Look the other way," he said. "Turn round, please. I'll put him out of pain. He bolted with you, and he'd have killed you, if he could; but that doesn't matter. He can't be saved. Turn round, don't look this way."

She had been commanded to do things all her life, first by her mother, tyrant-hearted and selfish, and then by her husband, an overlord, with a savage soul; and she had obeyed always, because she always seemed to be in the grasp of something against which no pressure could avail. She was being commanded now, but there was that in the voice which, while commanding her, made her long to do as she was bid. It was an obedience filled with passion, resigning itself to the will of a force which was all gentleness, but oh, so compelling!

She buried her face in her hands, and presently Orlando had opened a vein in the chestnut's neck, and its life-blood slowly ebbed away.

As he turned towards her again, Orlando was startled by a sudden action on the part of his broncho. Whether it was the smell of blood which frightened it, or death itself, which has its own terrors to animal life, or whether it was as though a naked, shivering animal soul passed by, the broncho started, shied and presently broke into a trot; then, before Orlando could reach it, into a gallop, and was away down the prairie in the direction of Slow Down Ranch.

"That's queer," he said, and he gave a nervous little laugh. "It's the worst of luck, and--and we're twelve miles from Tralee," he added slowly.

"It's terrible!" Louise said, her fingers twisting together in an effort at self-control. "Don't you see how terrible it is?" she asked, looking into Orlando's troubled face but cheerful eyes.

"You couldn't walk that distance, of course," he remarked.

She endeavoured to get to her feet, but seemed to give way. He reached out his hands. She took them, and he helped her up. His face was anxious. "Are you sure you're not hurt?" he asked. "There's nothing broken," she answered. "No bones, anyway. But I don't feel--" She swayed. He put an arm around her.

"I don't feel as if I could walk even a mile," she continued. "It's shaken me so."

"Or else you're hurt badly inside," he said apprehensively.

"No, no, I'm sure not," she answered. "It's only the shock."

"Can you walk a little?" he asked. "This poor horse--let's get away from it. There's a good place over there--see!" He pointed to a little rise in the ground where were a few stunted trees and some long grass and shrubs. "Can you walk?"

"Oh, yes, I'm all right," she answered nervously. "I don't need your arm. I can walk by myself."

"I think not--well, not yet, anyhow," he answered soothingly. "Please do as you're told. I'm keeping my arm around you for the present."

Always in the past she had obeyed, when commanded by her mother or husband, with an apathy which had smothered her youth. Now her youth seemed to drink eagerly a cup of obedience--as though it were the wine of life itself. She even longed to obey the voice whispering in her soul from ever so far away: "Close--close to him! Home is in his arms."

With all her unconscious revelation of herself, however, there was that in her which was pure maidenliness. For, married as she was, she had never in any real sense been a wife, or truly understood what wifedom meant, or heard in her heart the call of the cradle. She had been the victim of possession, which had meant no more to her than to be, as it were, subjected daily to the milder tortures of the Inquisition.

Yet she knew and could realize to the full that a power which had her in control, which possessed her by the rights of the law, prevented her--and would prevent her by whatever torture was possible--from friendship, alliance, or whatever it might be, with Orlando. She knew the law: one wife to one husband; and the wife to look neither to the right nor to the left, to the east nor to the west, to the north nor to the south, but to remain, and be constant in remaining, the helpmeet, the housewife, the sole property of her husband, no matter what that husband might be-- vinous, vicious, vagrant, vengeful or any other things, good or bad.

"Why don't you look glad when you see me come in?" Joel Mazarine remarked to her suddenly the day before. "If you'd had some husbands, you might have reason for bein' the statue and the dummy you are. Am I a drunkard? Am I a thief? Am I a nighthawk? Do I go off lookin' for other women? Don't I keep the commandments? Ain't you got a home here as good as any in the land? Didn't I take you out of poverty, and make you head of all this, with people to wait on you and all the rest of it?"

That was the way he had talked, and somehow she had not seemed able to bear it; and she had said to him, in unexpected revolt, that her tongue was her own, and what was in her mind was her own, even if her body wasn't.

Then, in a fury, he had caught his riding-whip from the wall to lash her with it, just when Li Choo the Chinaman appeared with a message which he delivered at the appropriate moment, though he had had it to deliver for some time. It was to the effect that the Clerk of the Court in the neighbouring town of Waterway wished to see him at once on urgent business. The message had been left by a rancher in passing.

As Li Choo delivered the word, he managed to put himself between Mazarine and his wife in such a way as to enrage the old man, who struck the Chinaman twice savagely across the shoulders with the whip, and then stamped out of the house, invoking God to punish the rebellious and the heathen, while Li Choo, shrinking still from the cruel blows, clucked in his throat. There was something in the sound which belonged to the abyss dividing the Eastern from the Western races.

That night Louise had refused to go to bed; but at last, fearing physical force, had obeyed, and had lain with her face to the wall, close up to it, letting the cold plaster cool her hot palms, for now she burned with a fire which was consuming the debris of an old life--the fire of knowledge, for which she had to pay so heavily.

"You couldn't walk even a little of the way to Tralee, could you?" asked Orlando, when they had reached a shrub-covered hillock.

"No, I couldn't walk it, I'm so shaken. I'm terribly weak; I tremble all over," she added, as she sat down upon a stone. "But if I don't--if I don't go back--oh, you know!"

"Yes, I know," answered Orlando. "He's the sort that would horsewhip a woman."

"He started to do it yesterday," she answered, "but Li Choo came in time, and he horsewhipped Li Choo instead."

"I wouldn't myself be horsewhipping Chinamen much," said Orlando. "They're a queer lot."

Suddenly she got to her feet. "I won't stand it. I won't stand it any longer," she cried. "That is why to-day, although he told me I mustn't ride, I took that new chestnut, and saddled it and rode--I didn't care where I rode. I didn't care how fast the horse went. I didn't care what happened to me. And here I am, and--But oh, I do care what happens to me!" she added, her voice breaking. "I'm--I'm frightened of him--I'm frightened, in spite of myself. . . . He doesn't treat me right," she added. "And I'm terribly frightened."

She raised her eyes to Orlando's face in the growing dusk--there is no twilight in that prairie land--and there was that in it which made her feel that she must not give way any further. In Orlando's veins was Southern sap, mixed with Northern blood; in Orlando's eyes was a sudden look belonging to that which defies the law.

"Don't--don't look like that," she exclaimed. "Oh, Orlando!"

Once more he heard her speak his name, and it was like salve to a wound. He put a hand upon himself. "I'll go to Tralee," he said, "if you don't mind waiting here alone."

"I can't. I will not wait alone. If you go, then I'll go too somehow.... It's twelve miles. You couldn't get there till midnight, and you couldn't get back here with a wagon for another couple of hours from that. It would be daylight then. I can't stay here alone. I'm frightened, and I'm cold."

"Wait a minute," said Orlando.

He ran back to the dead horse, unloosed the saddle from its back, detached from it a rain-coat strapped to the pommel, and brought it to her.

"This will keep you warm," he said. "It isn't cold to-night. You only feel cold because you're upset and nervous."

"I'm frightened," she answered; "frightened of everything. Listen! Don't you hear something stirring--there!" She peered fearfully into the dusk behind them.

"Probably," he answered. "There are lots of prairie dogs and things about. The more you listen, the more you hear on the prairie, especially at night."

There was silence for a moment, and then he added: "My broncho'll steer straight for Slow Down Ranch, and that'll bring my men. You can be quite sure there'll be a search-party out from Tralee, too, at the first streak of dawn. You can't make the journey, so the only thing to be done is to wait here. That coat will keep you from getting cold, and I'll cut a lot of long grass and make you a bed here. Also, the grass is warm, and I'll cover you with it and with pine branches."

"I can't lie down," she answered. "No, I can't; I'm afraid. It's all so strange, and to-morrow, he--"

"There's nothing to be frightened about," he interrupted. "Nothing at all, Louise."

It was the first time he had ever addressed her by name, and it made her shiver with a new feeling. It seemed to tell a long, long story without words.

"You must do what I ask you to do--whatever I ask you to do," he repeated. "Will you?"

"Yes, anything you ask me I'll do," she answered, and then added quickly, "For you won't ask me to do anything I don't want to do. That's the difference. You understand, Orlando."

A few minutes later he had found a suitable place to make a kind of bed of grass for her, and had prepared it, with his knife, cutting the branches of small shrubs and grass and the scanty branches of the pine. When it was finished, he came to her and said:

"It's all ready. Come and lie down, and I'll cover you up."

She got to her feet slowly, for she was in pain greater than she knew, so absorbed was her mind in this new life suddenly enveloping her, and then she said in a low voice: "No, not yet; I can't yet. I want to sit here. I've never felt the night like this before. It's wonderful, and I'm not nearly so cold now. I know I oughtn't to be cold at all, in the middle of summer like this." She paused, and seemed lost in contemplation of the sky. After a moment she added: "I never knew I could feel so far away from all the world as I do tonight. But the sky seems so near, and the moon and the stars so friendly."

"You haven't slept out of doors as I have hundreds of times," he answered. "The night and I are brothers; the stars are my little cousins; and the moon"--he giggled in his boyish way--"is my maiden aunt. She's so prudish and so kind and friendly, as you say. She's like an aunt I had--Aunt Samantha. She was my father's sister. I used to love her to visit my mother. She always brought me things, and she gave them to me as if they were on silver dishes--like a ceremony. She was so prim, I used to call her Aunt Primrose. She made me feel as if I could do anything I liked and break any law I pleased. But all the time, like a saint in a stained-glass window, she always seemed to be saying, 'Yes, you'd like to, but you mustn't.' She was just like the moon. I'm well acquainted with the moon, and--"

"Hush!" Louise interrupted. "Don't you hear something stirring--there, behind us?"

He laughed. "Of course something's always 'stirring behind us' on the prairie, and things you can't hear at all in the day are almost loud at night. There are thousands of sounds that never get to your ears when the sun is busy, but when Aunt Primrose Moon is saying, 'Hush! Hush!' to the naughty children of this world, you can hear a whole new population at work, cracking away like mad. Say, ain't I letting myself go to- night?" he added, giggling again and sitting down beside her. "I'm going to give you just half an hour, and at the end of that half-hour you've got to go to sleep."

"I can't--I can't," she said scarcely above a whisper. As though in response to an unspoken thought, he said casually: "I'm going to walk awhile when you've lain down, and then--" He pointed to a spot about twenty yards away. "Do you see the two big stones there? Well, when I've finished my walk and my talk with Aunty Primrose"--he laughed up at the moon--"I'm going to sit down there and snooze till daylight." He pointed again: "Right over there beside those two rocks. That's my bed. Do you see?"

She did not reply at once, but a long sigh came from her lips. "You'll be cold," she said.

"No, it's a hot night," he answered. "I'm too hot as it is." And he loosened his heavy red shirt at the throat.

"If I've got to go to bed in half an hour," she said presently, "tell me more about your Aunt Samantha, and about yourself, and your home before you came out here, and what you did when you were a little boy--tell me everything about yourself."

She was forgetting Tralee for the moment, and the man who raised his hand against her yesterday, and the life she had lived. Or was it only that she had grown young during these last two months, and the young can so easily forget!

"You want to hear? You really want to hear?" he asked. "Say, it won't be a very interesting story. Better let me tell you about the broncho- busting today."

"No, I want to hear about yourself." She looked intently at him for an instant, and then her eyes closed and the long lashes touched her cheek. There was something very wilful in her beauty, and her body too had delicate, melancholy lines strange in one so young. She was not conscious that, in her dreamy abstraction, she was leaning towards him.

It was but an instant, though it seemed to him an interminable time, in which he fought the fierce desire to clasp her in his arms, and kiss the lips which, to his ears, said things more wonderful than he had ever dreamed of in his friendship with the night and the primrose moon. He knew, however, that if he did, she would not go back to Tralee to-morrow; that tomorrow she would defy the leviathan; and that tomorrow he would not have the courage to say the things he must say to the evil-hearted master of Tralee, who, he knew, would challenge them with ugly accusations. He must be able to look old Mazarine fearlessly in the face; he would not be the slave of opportunity. He was going to fight clean. She was here beside him in the warm loneliness of the northern world, and he was full-grown in body and brain, with all the human emotions alive in him; yet he would fight clean.

Not for a half-hour, but for nearly an hour he told her what she wished to know, while she listened in a happy dream; and when at last she lay down, she refused his coverlet of dry grass, saying that she was quite warm. She declared that she did not even need the coat he had taken from the saddle of the dead horse, but he wrapped it around her, and, saying "Goodnight" almost brusquely, marched away in the light of the dying moon.

The night wore on. At first Louise's ears were sensitive to every sound, and there were stirrings in the hillock by which she slept, but she comforted herself with the thought that they were the stirrings of lonely little waifs of nature like herself. Though she dared not let the thought take form, yet she feared, too, the sound of human footsteps. By and by, however, in the sweet quiet of the night and the somnolent light of the moon, sleep captured her. When at last Orlando's footsteps did crush the dry grass, the sound failed to reach her ears, for it was then not very far from daylight, and she had slept for several hours. Sleep had not touched Orlando's eyes when, sitting down by the stones which were to mark his resting-place, he waited for Louise to wake.

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WILD YOUTH

By Gilbert Parker

Volume 2.

X. THE MOON WAS NOT ALONE XI. LOUISE XII. MAN UNNATURAL XIII. ORLANDO GIVES A WARNING XIV. FILION AND FIONA--ALSO PATSY KERNAGHAN XV. OUTWARD BOUND XVI. AT THE CROSS TRAILS XVII. THE SUPERIOR MAN XVIII. YOUTH HAS ITS WAY

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