XXVII. KROOL
"A message from Mr. Byng to say that he may be a little late, but he says will you go on without him? He will come as soon as possible."
The footman, having delivered himself, turned to withdraw, but Barry Whalen called him back, saying, "Is Mr. Krool in the house?"
The footman replied in the affirmative. "Did you wish to see him, sir?" he asked.
"Not at present. A little later perhaps," answered Barry, with a glance round the group, who eyed him curiously.
At a word the footman withdrew. As the door closed, little black, oily Sobieski dit Melville said with an attempt at a joke, "Is 'Mr.' Krool to be called into consultation?"
"Don't be so damned funny, Melville," answered Barry. "I didn't ask the question for nothing."
"These aren't days when anybody guesses much," remarked Fleming. "And I'd like to know from Mr. Kruger, who knows a lot of things, and doesn't gas, whether he means the mines to be safe."
They all looked inquiringly at Wallstein, who in the storms which rocked them all kept his nerve and his countenance with a power almost benign. His large, limpid eye looked little like that belonging to an eagle of finance, as he had been called.
"It looked for a while as though they'd be left alone," said Wallstein, leaning heavily on the table," but I'm not so sure now." He glanced at Barry Whalen significantly, and the latter surveyed the group enigmatically.
"There's something evidently waiting to be said," remarked Wolff, the silent Partner in more senses than one. "What's the use of waiting?"
Two or three of those present looked at Ian Stafford, who, standing by the window, seemed oblivious of them all. Byng had requested him to be present, with a view to asking his advice concerning some international aspect of the situation, and especially in regard to Holland and Germany. The group had welcomed the suggestion eagerly, for on this side of the question they were not so well equipped as on others. But when it came to the discussion of inner local policy there seemed hesitation in speaking freely before him. Wallstein, however, gave a reassuring nod and said, meaningly:
"We took up careful strategical positions, but our camp has been overlooked from a kopje higher than ours."
"We have been the victims of treachery for years," burst out Fleming, with anger. "Nearly everything we've done here, nearly everything the Government has done here, has been known to Kruger--ever since the Raid."
"I think it could have been stopped," said the once Sobieski, with an ugly grimace, and an attempt at an accent which would suit his new name. "Byng's to blame. We ought to have put down our feet from the start. We're Byng-ridden."
"Keep a civil tongue, Israel," snarled Barry Whalen. "You know nothing about it, and that is the state in which you most shine--in your natural state of ignorance, like the heathen in his blindness. But before Byng comes I'd better give you all some information I've got."
"Isn't it for Byng to hear?" asked Fleming.
"Very much so; but it's for you all to decide what's to be done. Perhaps Mr. Stafford can help us in the matter, as he has been with Byng very lately." Wallstein looked inquiringly towards Stafford.
The group nodded appreciatively, and Stafford came forward to the table, but without seating himself. "Certainly you may command me," he said. "What is the mystery?"
In short and abrupt sentences Barry Whalen, with an occasional interjection and explanation from Wallstein, told of the years of leakage in regard to their plans, of moves circumvented by information which could only have been got by treacherous means either in South Africa or in London.
"We didn't know for sure which it was," said Barry, "but the proof has come at last. One of Kruger's understrappers from Holland was successfully tapped, and we've got proof that the trouble was here in London, here in this house where we sit--Byng's home."
There was a stark silence, in which more than one nodded significantly, and looked round furtively to see how the others took the news.
"Here is absolute proof. There were two in it here--Adrian Fellowes and Krool."
"Adrian Fellowes!"
It was Ian Stafford's voice, insistent and inquiring.
"Here is the proof, as I say." Barry Whalen leaned forward and pushed a paper over on the table, to which were attached two or three smaller papers and some cablegrams. "Look at them. Take a good look at them and see how we've been done--done brown. The hand that dipped in the same dish, as it were, has handed out misfortune to us by the bucketful. We've been carted in the house of a friend."
The group, all standing, leaned over, as Barry Whalen showed them the papers, one by one, then passed them round for examination.
"It's deadly," said Fleming. "Men have had their throats cut or been hanged for less. I wouldn't mind a hand in it myself."
"We warned Byng years ago," interposed Barry, "but it was no use. And we've paid for it par and premium."
"What can be done to Krool?" asked Fleming.
"Nothing particular--here," said Barry Whalen, ominously.
"Let's have the dog in," urged one of the group.
"Without Byng's permission?" interjected Wallstein.
There was a silence. The last time any of them, except Wallstein, had seen Byng, was on the evening when he had overheard the slanders concerning Jasmine, and none had pleasant anticipation of this meeting with him now. They recalled his departure when Barry Whalen had said, "God, how he hates us." He was not likely to hate them less, when they proved that Fellowes and Krool had betrayed him and them all. They had a wholesome fear of him in more senses than one, because, during the past few years, while Wallstein's health was bad, Byng's position had become more powerful financially, and he could ruin any one of them, if he chose. A man like Byng in "going large" might do the Samson business. Besides, he had grown strangely uncertain in his temper of late, and, as Barry Whalen had said, "It isn't good to trouble a wounded bull in the ring."
They had him on the hip in one way through the exposure of Krool, but they were all more or less dependent on his financial movements. They were all enraged at Byng because he had disregarded all warnings regarding Krool; but what could they do? Instinctively they turned now to Stafford, whose reputation for brains and diplomacy was so great and whose friendship with Byng was so close.
Stafford had come to-day for two reasons: to do what he could to help Byng--for the last time; and to say to Byng that they could not travel together to South Africa. To make the long journey with him was beyond his endurance. He must put the world between Rudyard and himself; he must efface all companionship. With this last act, begotten of the blind confidence Rudyard had in him, their intercourse must cease forever. This would be easy enough in South Africa. Once at the Front, it was as sure as anything on earth that they would never meet again. It was torture to meet him, and the day of the inquest, when Byng had come to his rooms after his interview with Lady Tynemouth and Mr. Mappin, he had been tried beyond endurance.
"Shall we have Krool in without Byng's permission? Is it wise?" asked Wallstein again. He looked at Stafford, and Stafford instantly replied:
"It would be well to see Krool, I think. Your action could then be decided by Krool's attitude and what he says."
Barry Whalen rang the bell, and the footman came. After a brief waiting Krool entered the room with irritating deliberation and closed the door behind him.
He looked at no one, but stood contemplating space with a composure which made Barry Whalen almost jump from his seat in rage.
"Come a little closer," said Wallstein in a soothing voice, but so Wallstein would have spoken to a man he was about to disembowel.
Krool came nearer, and now he looked round at them all slowly and inquiringly. As no one spoke for a moment he shrugged his shoulders.
"If you shrug your shoulders again, damn you, I'll sjambok you here as Kruger did at Vleifontein," said Barry Whalen in a low, angry voice. "You've been too long without the sjambok."
"This is not the Vaal, it is Englan'," answered Krool, huskily. "The Law--here!"
"Zo you stink ze law of England would help you--eh?" asked Sobieski, with a cruel leer, relapsing into his natural vernacular.
"I mean what I say, Krool," interposed Barry Whalen, fiercely, motioning Sobieski to silence. "I will sjambok you till you can't move, here in England, here in this house, if you shrug your shoulders again, or lift an eyebrow, or do one damned impudent thing."
He got up and rang a bell. A footman appeared. "There is a rhinoceros-hide whip, on the wall of Mr. Byng's study. Bring it here," he said, quietly, but with suppressed passion.
"Don't be crazy, Whalen," said Wallstein, but with no great force, for he would richly have enjoyed seeing the spy and traitor under the whip. Stafford regarded the scene with detached, yet deep and melancholy interest.
While they waited, Krool seemed to shrink a little; but as he watched like some animal at bay, Stafford noticed that his face became venomous and paler, and some sinister intention showed in his eyes.
The whip was brought and laid upon the table beside Barry Whalen, and the footman disappeared, looking curiously at the group and at Krool.
Barry Whalen's fingers closed on the whip, and now a look of fear crept over Krool's face. If there was one thing calculated to stir with fear the Hottentot blood in him, it was the sight of the sjambok. He had native tendencies and predispositions out of proportion to the native blood in him--maybe because he had ever been treated more like a native than a white man by his Boer masters in the past.
As Stafford viewed the scene, it suddenly came home to him how strange was this occurrence in Park Lane. It was medieval, it belonged to some land unslaked of barbarism. He realized all at once how little these men around him represented the land in which they were living, and how much they were part of the far-off land which was now in the throes of war.
To these men this was in one sense an alien country. Through the dulled noises of London there came to their ears the click of the wheels of a cape-wagon, the crack of the Kaffir's whip, the creak of the disselboom. They followed the spoor of a company of elephants in the East country, they watched through the November mist the blesbok flying across the veld, a herd of quaggas taking cover with the rheebok, or a cloud of locusts sailing out of the sun to devastate the green lands. Through the smoky smell of London there came to them the scent of the wattle, the stinging odour of ten thousand cattle, the reek of a native kraal, the sharp sweetness of orange groves, the aromatic air of the karoo, laden with the breath of a thousand wild herbs. Through the drizzle of the autumn rain they heard the wild thunderbolt tear the trees from earthly moorings. In their eyes was the livid lightning that searched in spasms of anger for its prey, while there swept over the brown, aching veld the flood which filled the spruits, which made the rivers seas, and ploughed fresh channels through the soil. The luxury of this room, with its shining mahogany tables, its tapestried walls, its rare fireplace and massive overmantel brought from Italy, its exquisite stained-glass windows, was only part of a play they were acting; it was not their real life.
And now there was not one of them that saw anything incongruous in the whip of rhinoceros-hide lying on the table, or clinched in Barry Whalen's hand. On the contrary, it gave them a sense of supreme naturalness. They had lived in a land where the sjambok was the symbol of progress. It represented the forward movement of civilization in the wilderness. It was the vierkleur of the pioneer, without which the long train of capewagons, with the oxen in longer coils of effort, would never have advanced; without which the Kaffir and the Hottentot would have sacrificed every act of civilization. It prevented crime, it punished crime, it took the place of the bowie-knife and the derringer of that other civilization beyond the Mississippi; it was the lock to the door in the wild places, the open sesame to the territories where native chiefs ruled communal tribes by playing tyrant to the commune. It was the rod of Aaron staying the plague of barbarism. It was the sceptre of the veldt. It drew blood, it ate human flesh, it secured order where there was no law, and it did the work of prison and penitentiary. It was the symbol of authority in the wilderness.
It was race.
Stafford was the only man present who saw anything incongruous in the scene, and yet his travels in the East his year in Persia, Tibet and Afghanistan, had made him understand things not revealed to the wise and prudent of European domains. With Krool before them, who was of the veld and the karoo, whose natural habitat was but a cross between a krall and the stoep of a dopper's home, these men were instantly transported to the land where their hearts were in spite of all, though the flesh-pots of the West End of London had turned them into by-paths for a while. The skin had been scratched by Krool's insolence and the knowledge of his treachery, and the Tartar showed--the sjambok his scimitar.
In spite of himself, Stafford was affected by it all. He understood. This was not London; the scene had shifted to Potchefstroom or Middleburg, and Krool was transformed too. The sjambok had, like a wizard's wand, as it were, lifted him away from England to spaces where he watched from the grey rock of a kopje for the glint of an assegai or the red of a Rooinek's tunic: and he had done both in his day.
"We've got you at last, Krool," said Wallstein. "We have been some time at it, but it's a long lane that has no turning, and we have you--"
"Like that--like that, jackal!" interjected Barry Whalen, opening and shutting his lean fingers with a gesture of savage possession.
"What?" asked Krool, with a malevolent thrust forward of his head. "What?"
"You betrayed us to Kruger," answered Wallstein, holding the papers. "We have here the proof at last."
"You betrayed England and her secrets, and yet you think that the English law would protect you against this," said Barry Whalen, harshly, handling the sjambok.
"What I betray?" Krool asked again. "What I tell?"
With great deliberation Wallstein explained.
"Where proof?" Krool asked, doggedly.
"We have just enough to hang you," said Wallstein, grimly, and lifted and showed the papers Barry Whalen had brought.
An insolent smile crossed Krool's face.
"You find out too late. That Fellowes is dead. So much you get, but the work is done. It not matter now. It is all done--altogether. Oom Paul speaks now, and everything is his--from the Cape to the Zambesi, everything his. It is too late. What can to do?" Suddenly ferocity showed in his face. "It come at last. It is the end of the English both sides the Vaal. They will go down like wild hogs into the sea with Joubert and Botha behind them. It is the day of Oom Paul and Christ. The God of Israel gives to his own the tents of the Rooineks."
In spite of the fierce passion of the man, who had suddenly disclosed a side of his nature hitherto hidden--the savage piety of the copper Boer impregnated with stereotyped missionary phrasing, Ian Stafford almost laughed outright. In the presence of Jews like Sobieski it seemed so droll that this half-caste should talk about the God of Israel, and link Oom Paul's name with that of Christ the great liberator as partners in triumph.
In all the years Krool had been in England he had never been inside a place of worship or given any sign of that fanaticism which, all at once, he made manifest. He had seemed a pagan to all of his class, had acted as a pagan.
Barry Whalen, as well as Ian Stafford, saw the humour of the situation, while they were both confounded by the courageous malice of the traitor. It came to Barry's mind at the moment, as it came to Ian Stafford's, that Krool had some card to play which would, to his mind, serve him well; and, by instinct, both found the right clue. Barry's anger became uneasiness, and Stafford's interest turned to anxiety.
There was an instant's pause after Krool's words, and then Wolff the silent, gone wild, caught the sjambok from the hands of Barry Whalen. He made a movement towards Krool, who again suddenly shrank, as he would not have shrunk from a weapon of steel.
"Wait a minute," cried Fleming, seizing the arm of his friend. "One minute. There's something more." Turning to Wallstein, he said, "If Krool consents to leave England at once for South Africa, let him go. Is it agreed? He must either be dealt with adequately, or get out. Is it agreed?"
"I do what I like," said Krool, with a snarl, in which his teeth showed glassily against his drawn lips. "No one make me do what I not want."
"The Baas--you have forgotten him," said Wallstein.
A look combined of cunning, fear and servility crossed Krool's face, but he said, morosely:
"The Baas--I will do what I like."
There was a singular defiance and meaning in his tone, and the moment seemed critical, for Barry Whalen's face was distorted with fury. Stafford suddenly stooped and whispered a word in Wallstein's ear, and then said:
"Gentlemen, if you will allow me, I should like a few words with Krool before Mr. Byng comes. I think perhaps Krool will see the best course to pursue when we have talked together. In one sense it is none of my business, in another sense it is everybody's business. A few minutes, if you please, gentlemen." There was something almost authoritative in his tone.
"For Byng's sake--his wife--you understand," was all Stafford had said under his breath, but it was an illumination to Wallstein, who whispered to Stafford.
"Yes, that's it. Krool holds some card, and he'll play it now."
By his glance and by his word of assent, Wallstein set the cue for the rest, and they all got up and went slowly into the other room. Barry Whalen was about to take the sjambok, but Stafford laid his hand upon it, and Barry and he exchanged a look of understanding.
"Stafford's a little bit of us in a way," said Barry in a whisper to Wallstein as they left the room. "He knows, too, what a sjambok's worth in Krool's eyes."
When the two were left alone, Stafford slowly seated himself, and his fingers played idly with the sjambok.
"You say you will do what you like, in spite of the Baas?" he asked, in a low, even tone.
"If the Baas hurt me, I will hurt. If anybody hurt me, I will hurt."
"You will hurt the Baas, eh? I thought he saved your life on the Limpopo."
A flush stole across Krool's face, and when it passed again he was paler than before. "I have save the Baas," he answered, sullenly.
"From what?"
"From you."
With a powerful effort, Stafford controlled himself. He dreaded what was now to be said, but he felt inevitably what it was.
"How--from me?"
"If that Fellowes' letter come into his hands first, yours would not matter. She would not go with you."
Stafford had far greater difficulty in staying his hand than had Barry Whalen, for the sjambok seemed the only reply to the dark suggestion. He realized how, like the ostrich, he had thrust his head into the sand, imagining that no one knew what was between himself and Jasmine. Yet here was one who knew, here was one who had, for whatever purpose, precipitated a crisis with Fellowes to prevent a crisis with himself.
Suddenly Stafford thought of an awful possibility. He fastened the gloomy eyes of the man before him, that he might be able to see any stir of emotion, and said: "It did not come out as you expected?"
"Altogether--yes."
"You wished to part Mr. and Mrs. Byng. That did not happen."
"The Baas is going to South Africa."
"And Mr. Fellowes?"
"He went like I expec'."
"He died--heart failure, eh?"
A look of contempt, malevolence, and secret reflection came into Krool's face. "He was kill," he said.
"Who killed him?"
Krool was about to shrug his shoulders, but his glance fell on the sjambok, and he made an ugly gesture with his lean fingers. "There was yourself. He had hurt you--you went to him.... Good! There was the Baas, he went to him. The dead man had hurt him.... Good!"
Stafford interrupted him by an exclamation. "What's that you say--the Baas went to Mr. Fellowes?"
"As I tell the vrouw, Mrs. Byng, when she say me go from the house to-day--I say I will go when the Baas send me."
"The Baas went to Mr. Fellowes--when?"
"Two hours before you go, and one hour before the vrouw, she go."
Like some animal looking out of a jungle, so Krool's eyes glowed from beneath his heavy eyebrows, as he drawled out the words.
"The Baas went--you saw him?"
"With my own eyes."
"How long was he there?"
"Ten minutes."
"Mrs. Byng--you saw her go in?"
"And also come out."
"And me--you followed me--you saw me, also?"
"I saw all that come, all that go in to him."
With a swift mind Stafford saw his advantage--the one chance, the one card he could play, the one move he could make in checkmate, if, and when, necessary. "So you saw all that came and went. And you came and went yourself!"
His eyes were hard and bright as he held Krool's, and there was a sinister smile on his lips.
"You know I come and go--you say me that?" said Krool, with a sudden look of vague fear and surprise. He had not foreseen this.
"You accuse yourself. You saw this person and that go out, and you think to hold them in your dirty clutches; but you had more reason than any for killing Mr. Fellowes."
"What?" asked Krool, furtively.
"You hated him because he was a traitor like yourself. You hated him because he had hurt the Baas."
"That is true altogether, but--"
"You need not explain. If any one killed Mr. Fellowes, why not you? You came and went from his rooms, too."
Krool's face was now yellowish pale. "Not me . . . it was not me."
"You would run a worse chance than any one. Your character would damn you--a partner with him in crime. What jury in the world but would convict you on your own evidence? Besides, you knew--"
He paused to deliver a blow on the barest chance. It was an insidious challenge which, if it failed, might do more harm to others, might do great harm, but he plunged. "You knew about the needle."
Krool was cowed and silent. On a venture Stafford had struck straight home.
"You knew that Mr. Fellowes had stolen the needle from Mr. Mappin at Glencader," he added.
"How you know that?" asked Krool, in a husky, ragged voice.
"I saw him steal it--and you?"
"No. He tell me."
"What did he mean to do with it?"
A look came into Krool's eyes, malevolent and barbaric.
"Not to kill himself," he reflected. "There is always some one a man or a woman want kill."
There was a hideous commonplaceness in the tone which struck a chill to Stafford's heart.
"No doubt there is always some one you want to kill. Now listen, Krool. You think you've got a hold over me--over Mrs. Byng. You threaten. Well, I have passed through the fire of the coroner's inquest. I have nothing to fear. You have. I saw you in the street as you watched. You came behind me--"
He remembered now the footsteps that paused when he did, the figure behind his in the dark, as he watched for Jasmine to come out from Fellowes' rooms, and he determined to plunge once more.
"I recognized you, and I saw you in the Strand just before that. I did not speak at the inquest, because I wanted no scandal. If I had spoken, you would have been arrested. Whatever happened your chances were worse than those of any one. You can't frighten me, or my friends in there, or the Baas, or Mrs. Byng. Look after your own skin. You are the vile scum of the earth,"--he determined to take a strong line now, since he had made a powerful impression on the creature before him--"and you will do what the Baas likes, not what you like. He saved your life. Bad as you are, the Baas is your Baas for ever and ever, and what he wants to do with you he will do. When his eyes look into yours, you will think the lightning speaks. You are his slave. If he hates you, you will die; if he curses you, you will wither."
He played upon the superstitious element, the native strain again. It was deeper in Krool than anything else.
"Do you think you can defy them?" Stafford went on, jerking a finger towards the other room. "They are from the veld. They will have you as sure as the crack of a whip. This is England, but they are from the veld. On the veld you know what they would do to you. If you speak against the Baas, it is bad for you; if you speak against the Baas' vrouw it will be ten times worse. Do you hear?"
There was a strange silence, in which Stafford could feel Krool's soul struggling in the dark, as it were--a struggle as of black spirits in the grey dawn.
"I wait the Baas speak," Krool said at last, with a shiver.
There was no time for Stafford to answer. Wallstein entered the room hurriedly. "Byng has come. He has been told about him," he said in French to Stafford, and jerking his head towards Krool.
Stafford rose. "It's all right," he answered in the same language. "I think things will be safe now. He has a wholesome fear of the Baas."
He turned to Krool. "If you say to the Baas what you have said to me about Mr. Fellowes or about the Baas's vrouw, you will have a bad time. You will think that wild hawks are picking out your vitals. If you have sense, you will do what I tell you."
Krool's eyes were on the door through which Wallstein had come. His gaze was fixed and tortured. Stafford had suddenly roused in him some strange superstitious element. He was like a creature of a lower order awaiting the approach of the controlling power. It was, however, the door behind him which opened, and he gave a start of surprise and terror. He knew who it was. He did not turn round, but his head bent forward, as though he would take a blow from behind, and his eyes almost closed. Stafford saw with a curious meticulousness the long eyelashes touch the grey cheek.
"There's no fight in him now," he said to Byng in French. "He was getting nasty, but I've got him in order. He knows too much. Remember that, Byng."
Byng's look was as that of a man who had passed through some chamber of torture, but the flabbiness had gone suddenly from his face, and even from his figure, though heavy lines had gathered round the mouth and scarred the forehead. He looked worn and much thinner, but there was a look in his eyes which Stafford had never seen there--a new look of deeper seeing, of revelation, of realization. With all his ability and force, Byng had been always much of a boy, so little at one with the hidden things--the springs of human conduct, the contradictions of human nature, the worst in the best of us, the forces that emerge without warning in all human beings, to send them on untoward courses and at sharp tangents to all the habits of their existence and their character. In a real sense he had been very primitive, very objective in all he thought and said and did. With imagination, and a sensitive organization out of keeping with his immense physique, it was still only a visualizing sense which he had, only a thing that belongs to races such as those of which Krool had come.
A few days of continuous suffering begotten by a cataclysm, which had rent asunder walls of life enclosing vistas he had never before seen; these had transformed him. Pain had given him dignity of a savage kind, a grim quiet which belonged to conflict and betokened grimmer purpose. In the eyes was the darkness of the well of despair; but at his lips was iron resolution.
In reply to Stafford he said quietly: "All right, I understand. I know how to deal with Krool."
As Stafford withdrew, Byng came slowly down the room till he stood at the end of the table opposite to Krool.
Standing there, he looked at the Boer with hard eyes.
"I know all, Krool," he said. "You sold me and my country--you tried to sell me and my country to Oom Paul. You dog, that I snatched from the tiger death, not once but twice."
"It is no good. I am a Hottentot. I am for the Boer, for Oom Paul. I would have die for you, but--"
"But when the chance came to betray the thing I cared for more than I would twenty lives--my country--you tried to sell me and all who worked with me."
"It would be same to you if the English go from the Vaal," said the half-caste, huskily, not looking into the eyes fixed on him. "But it matter to me that the Boer keep all for himself what he got for himself. I am half Boer. That is why."
"You defend it--tell me, you defend it?"
There was that in the voice, some terrible thing, which drew Krool's eyes in spite of himself, and he met a look of fire and wrath.
"I tell why. If it was bad, it was bad. But I tell why, that is all. If it is not good, it is bad, and hell is for the bad; but I tell why."
"You got money from Oom Paul for the man--Fellowes?" It was hard for him to utter the name.
Krool nodded.
"Every year--much?"
Again Krool nodded.
"And for yourself--how much?"
"Nothing for myself; no money, Baas."
"Only Oom Paul's love!"
Krool nodded again.
"But Oom Paul flayed you at Vleifontein; tied you up and skinned you with a sjambok.... That didn't matter, eh? And you went on loving him. I never touched you in all the years. I gave you your life twice. I gave you good money. I kept you in luxury--you that fed in the cattle-kraal; you that had mealies to eat and a shred of biltong when you could steal it; you that ate a steinbok raw on the Vaal, you were so wild for meat . . . I took you out of that, and gave you this."
He waved an arm round the room, and went on: "You come in and go out of my room, you sleep in the same cart with me, you eat out of the same dish on trek, and yet you do the Judas trick. Slim--god of gods, how slim! You are the snake that crawls in the slime. It's the native in you, I suppose.... But see, I mean to do to you as Oom Paul did. It's the only thing you understand. It's the way to make you straight and true, my sweet Krool."
Still keeping his eyes fixed on Krool's eyes, his hand reached out and slowly took the sjambok from the table. He ran the cruel thing through his fingers as does a prison expert the cat-o'-nine-tails before laying on the lashes of penalty. Into Krool's eyes a terror crept which never had been there in the old days on the veld when Oom Paul had flayed him. This was not the veld, and he was no longer the veld-dweller with skin like the rhinoceros, all leather and bone and endurance. And this was not Oom Paul, but one whom he had betrayed, whose wife he had sought to ruin, whose subordinate he had turned into a traitor. Oom Paul had been a mere savage master; but here was a master whose very tongue could excoriate him like Oom Paul's sjambok; whom, at bottom, he loved in his way as he had never loved anything; whom he had betrayed, not realizing the hideous nature of his deed; having argued that it was against England his treachery was directed, and that was a virtue in his eyes; not seeing what direct injury could come to Byng through it. He had not seen, he had not understood, he was still uncivilized; he had only in his veins the morality of the native, and he had tried to ruin his master's wife for his master's sake; and when he had finished with Fellowes as a traitor, he was ready to ruin his confederate--to kill him--perhaps did kill him!
"It's the only way to deal with you, Hottentot dog!"
The look in Krool's eyes only increased Byng's lust of punishment. What else was there to do? Without terrible scandal there was no other way to punish the traitor, but if there had been another way he would still have done this. This Krool understood; behind every command the Baas had ever given him this thing lay--the sjambok, the natural engine of authority.
Suddenly Byng said with a voice of almost guttural anger: "You dropped that letter on my bedroom floor--that letter, you understand? . . . Speak."
"I did it, Baas."
Byng was transformed. Slowly he laid down the sjambok, and as slowly took off his coat, his eyes meanwhile fastening those of the wretched man before him. Then he took up the sjambok again.
"You know what I am going to do with you?"
"Yes, Baas."
It never occurred to Byng that Krool would resist; it did not occur to Krool that he could resist. Byng was the Baas, who at that moment was the Power immeasurable. There was only one thing to do--to obey.
"You were told to leave my house by Mrs. Byng, and you did not go."
"She was not my Baas."
"You would have done her harm, if you could?"
"So, Baas."
With a low cry Byng ran forward, the sjambok swung through the air, and the terrible whip descended on the crouching half-caste.
Krool gave one cry and fell back a little, but he made no attempt to resist.
Suddenly Byng went to a window and threw it open.
"You can jump from there or take the sjambok. Which?" he said with a passion not that of a man wholly sane. "Which?"
Krool's wild, sullen, trembling look sought the window, but he had no heart for that enterprise--thirty feet to the pavement below.
"The sjambok, Baas," he said.
Once again Byng moved forward on him, and once again Krool's cry rang out, but not so loud. It was like that of an animal in torture.
In the next room, Wallstein and Stafford and the others heard it, and understood. Whispering together they listened, and Stafford shrank away to the far side of the room; but more than one face showed pleasure in the sound of the whip and the moaning.
It went on and on.
Barry Whalen, however, was possessed of a kind of fear, and presently his face became troubled. This punishment was terrible. Byng might kill the man, and all would be as bad as could be. Stafford came to him.
"You had better go in," he said. "We ought to intervene. If you don't, I will. Listen...."
It was a strange sound to hear in this heart of civilization. It belonged to the barbaric places of the earth, where there was no law, where every pioneer was his own cadi.
With set face Barry Whalen entered the room. Byng paused for an instant and looked at him with burning, glazed eyes that scarcely realized him.
"Open that door," he said, presently, and Barry Whalen opened the door which led into the big hall.
"Open all down to the street," Byng said, and Barry Whalen went forward quickly.
Like some wild beast Krool crouched and stumbled and moaned as he ran down the staircase, through the outer hall, while a servant with scared face saw Byng rain savage blows upon the hated figure.
On the pavement outside the house, Krool staggered, stumbled, and fell down; but he slowly gathered himself up, and turned to the doorway, where Byng stood panting with the sjambok in his hand.
"Baas!--Baas!" Krool said with livid face, and then he crept painfully away along the street wall.
A policeman crossed the road with a questioning frown and the apparent purpose of causing trouble, but Barry Whalen whispered in his ear, and told him to call that evening and he would hear all about it. Meanwhile a five-pound note in a quick palm was a guarantee of good faith.
Presently a half-dozen people began to gather near the door, but the benevolent policeman moved them on.
At the top of the staircase Jasmine met her husband. She shivered as he came up towards her.
"Will you come to me when you have finished your business?" she said, and she took the sjambok gently from his hand.
He scarcely realized her. He was in a dream; but he smiled at her, and nodded, and passed on to where the others awaited him.
Chapter XXVIII
"THE BATTLE CRY OF FREEDOM"
Slowly Jasmine returned to her boudoir. Laying the sjambok on the table among the books in delicate bindings and the bowls of flowers, she stood and looked at it with confused senses for a long time. At last a wan smile stole to her lips, but it did not reach her eyes. They remained absorbed and searching, and were made painfully sad by the wide, dark lines under them. Her fair skin was fairer than ever, but it was delicately faded, giving her a look of pensiveness, while yet there was that in her carriage and at her mouth which suggested strength and will and new forces at work in her. She carried her head, weighted by its splendour of golden hair, as an Eastern woman carries a goulah of water. There was something pathetic yet self-reliant in the whole figure. The passion slumbering in the eyes, however, might at any moment burst forth in some wild relinquishment of control and self-restraint.
"He did what I should have liked to do," she said aloud. "We are not so different, after all. He is primitive at bottom, and so am I. He gets carried away by his emotions, and so do I."
She took up the whip, examined it, felt its weight, and drew it with a swift jerk through the air.
"I did not even shrink when Krool came stumbling down the stairs, with this cutting his flesh," she said to herself. "Somehow it all seemed natural and right. What has come to me? Are all my finer senses dead? Am I just one of the crude human things who lived a million years ago, and who lives again as crude as those; with only the outer things changed? Then I wore the skins of wild animals, and now I do the same, just the same; with what we call more taste perhaps, because we have ceased to see the beauty in the natural thing."
She touched the little band of grey fur at the sleeve of her clinging velvet gown. "Just a little distance away--that is all."
Suddenly a light flashed up in her eyes, and her face flushed as though some one had angered her. She seized the whip again. "Yes, I could have seen him whipped to death before my eyes--the coward, the abject coward. He did not speak for me; he did not defend me; he did not deny. He let Ian think--death was too kind to him. How dared he hurt me so! . . . Death is so easy a way out, but he would not have taken it. No, no, no, it was not suicide; some one killed him. He could never have taken his own life--never. He had not the courage.... No; he died of poison or was strangled. Who did it? Who did it? Was it Rudyard? Was it. . . ? Oh, it wears me out--thinking, thinking, thinking!"
She sat down and buried her face in her hands. "I am doomed--doomed," she moaned. "I was doomed from the start. It must always have been so, whatever I did. I would do it again, whatever I did; I know I would do it again, being what I was. It was in my veins, in my blood from the start, from the very first days of my life."
All at once there flashed through her mind again, as on that night so many centuries ago, when she had slept the last sleep of her life as it was, Swinburne's lines on Baudelaire:
"There is no help for these things, none to mend and none to mar; Not all our songs, oh, friend, can make death clear Or make life durable...."
"'There is no help for these things,'" she repeated with a sigh which seemed to tear her heart in twain. "All gone--all. What is there left to do? If death could make it better for any one, how easy! But everything would be known--somehow the world would know, and every one would suffer more. Not now--no, not now. I must live on, but not here. I must go away. I must find a place to go where Rudyard will not come. There is no place so far but it is not far enough. I am twenty-five, and all is over--all is done for me. I have nothing that I want to keep, there is nothing that I want to do except to go--to go and to be alone. Alone, always alone now. It is either that, or be Jezebel, or--"
The door opened, and the servant brought a card to her. "His Excellency, the Moravian ambassador," the footman said.
"Monsieur Mennaval?" she asked, mechanically, as though scarcely realizing what he had said.
"Yes, ma'am, Mr. Mennaval."
"Please say I am indisposed, and am sorry I cannot receive him to-day," she said.
"Very good, ma'am." The footman turned to go, then came back.
"Shall I tell the maid you want her?" he asked, respectfully.
"No, why should you?" she asked.
"I thought you looked a bit queer, ma'am," he responded, hastily. "I beg your pardon, ma'am."
She rewarded him with a smile. "Thank you, James, I think I should like her after all. Ask her to come at once."
When he had gone she leaned back and shut her eyes. For a moment she was perfectly motionless, then she sat up again and looked at the card in her hand.
"M. Mennaval--M. Mennaval," she said, with a note so cynical that it betrayed more than her previous emotion, to such a point of despair her mind had come.
M. Mennaval had played his part, had done his service, had called out from her every resource of coquetry and lure; and with wonderful art she had cajoled him till he had yielded to influence, and Ian had turned the key in the international lock. M. Mennaval had been used with great skill to help the man who was now gone from her forever, whom perhaps she would never see again; and who wanted never to see her again, never in all time or space. M. Mennaval had played his game for his own desire, and he had lost; but what had she gained where M. Mennaval had lost? She had gained that which now Ian despised, which he would willingly, so far as she was concerned, reject with contempt.... And yet, and yet, while Ian lived he must still be grateful to her that, by whatever means, she had helped him to do what meant so much to England. Yes, he could not wholly dismiss her from his mind; he must still say, "This she did for me--this thing, in itself not commendable, she did for me; and I took it for my country."
Her eyes were open, and her garden had been invaded by those revolutionaries of life and time, Nemesis, Penalty, Remorse. They marauded every sacred and secret corner of her mind and soul. They came with whips to scourge her. Nothing was private to her inner self now. Everything was arrayed against her. All life doubled backwards on her, blocking her path.
M. Mennaval--what did she care for him! Yet here he was at her door asking payment for the merchandise he had sold to her: his judgment, his reputation as a diplomatist, his freedom, the respect of the world--for how could the world respect a man at whom it laughed, a man who had hoped to be given the key to a secret door in a secret garden!
As Jasmine sat looking at the card, the footman entered again with a note.
"His Excellency's compliments," he said, and withdrew.
She opened the letter hesitatingly, held it in her hand for a moment without reading it, then, with an impulsive effort, did so. When she had finished, she gave a cry of anger and struck her tiny clinched hand upon her knee.
The note ran:
"Chere amie, you have so much indisposition in these days. It is all too vexing to your friends. The world will be surprised, if you allow a migraine to come between us. Indeed, it will be shocked. The world understands always so imperfectly, and I have no gift of explanation. Of course, I know the war has upset many, but I thought you could not be upset so easily--no, it cannot be the war; so I must try and think what it is. If I cannot think by tomorrow at five o'clock, I will call again to ask you. Perhaps the migraine will be better. But, if you will that migraine to be far away, it will fly, and then I shall be near. Is it not so? You will tell me to-morrow at five, will you not, belle amie?
"A toi, M. M."
The words scorched her eyes. They angered her, scourged her. One of life's Revolutionaries was insolently ravaging the secret place where her pride dwelt. Pride--what pride had she now? Where was the room for pride or vanity? . . . And all the time she saw the face of a dead man down by the river--a face now beneath the sod. It flashed before her eyes at moments when she least could bear it, to agitate her soul.
M. Mennaval--how dare he write to her so! "Chere amie" and "A toi"--how strange the words looked now, how repulsive and strange! It did not seem possible that once before he had written such words to her. But never before had these epithets or others been accompanied by such meaning as his other words conveyed.
"I will not see him to-morrow. I will not see him ever again, if I can help it," she said bitterly, and trembling with agitation. "I shall go where I shall not be found. I will go to-night."
The door opened. Her maid entered. "You wanted me, madame?" asked the girl, in some excitement and very pale.
"Yes, what is the matter? Why so agitated?" Jasmine asked.
The maid's eyes were on the sjambok. She pointed to it. "It was that, madame. We are all agitated. It was terrible. One had never seen anything like that before in one's life, madame--never. It was like the days--yes, of slavery. It was like the galleys of Toulon in the old days. It was--"
"There, don't be so eloquent, Lablanche. What do you know of the galleys of Toulon or the days of slavery?"
"Madame, I have heard, I have read, I--"
"Yes, but did you love Krool so?"
The girl straightened herself with dramatic indignation. "Madame, that man, that creature, that toad--!"
"Then why so exercised? Were you so pained at his punishment? Were all the household so pained?"
"Every one hated him, madame," said the girl, with energy.
"Then let me hear no more of this impudent nonsense," Jasmine said, with decision.
"Oh, madame, to speak to me like this!" Tears were ready to do needful service.
"Do you wish to remain with me, Lablanche?"
"Ah, madame, but yes--"
"Then my head aches, and I don't want you to make it worse.... And, see, Lablanche, there is that grey walking-suit; also the mauve dressing-gown, made by Loison; take them, if you can make them fit you; and be good."
"Madame, how kind--ah, no one is like you, madame--!"
"Well, we shall see about that quite soon. Put out at once every gown of mine for me to see, and have trunks ready to pack immediately; but only three trunks, not more."
"Madame is going away?"
"Do as I say, Lablanche. We go to-night. The grey gown and the mauve dressing-gown that Loison made, you will look well in them. Quick, now, please."
In a flutter Lablanche left the room, her eyes gleaming.
She had had her mind on the grey suit for some time, but the mauve dressing-gown as well--it was too good to be true.
She almost ran into Lady Tynemouth's arms as the door opened. With a swift apology she sped away, after closing the door upon the visitor.
Jasmine rose and embraced her friend, and Lady Tynemouth subsided into a chair with a sigh.
"My dear Jasmine, you look so frail," she said. "A short time ago I feared you were going to blossom into too ripe fruit, now you look almost a little pinched. But it quite becomes you, mignonne--quite. You have dark lines under your eyes, and that transparency of skin-- it is quite too fetching. Are you glad to see me?"
"I would have seen no one to-day, no one, except you or Rudyard."
"Love and duty," said Lady Tynemouth, laughing, yet acutely alive to the something so terribly wrong, of which she had spoken to Ian Stafford.
"Why is it my duty to see you, Alice?" asked Jasmine, with the dry glint in her tone which had made her conversation so pleasing to men.
"You clever girl, how you turn the tables on me," her friend replied, and then, seeing the sjambok on the table, took it up. "What is this formidable instrument? Are you flagellating the saints?"
"Not the saints, Alice."
"You don't mean to say you are going to scourge yourself?"
Then they both smiled--and both immediately sighed. Lady Tynemouth's sympathy was deeply roused for Jasmine, and she meant to try and win her confidence and to help her in her trouble, if she could; but she was full of something else at this particular moment, and she was not completely conscious of the agony before her.
"Have you been using this sjambok on Mennaval?" she asked with an attempt at lightness. "I saw him leaving as I came in. He looked rather dejected--or stormy, I don't quite know which."
"Does it matter which? I didn't see Mennaval today."
"Then no wonder he looked dejected and stormy. But what is the history of this instrument of torture?" she asked, holding up the sjambok again.
"Krool."
"Krool! Jasmine, you surely don't mean to say that you--"
"Not I--it was Rudyard. Krool was insolent--a half-caste, you know."
"Krool--why, yes, it was he I saw being helped into a cab by a policeman just down there in Piccadilly. You don't mean that Rudyard--"
She pushed the sjambok away from her.
"Yes--terribly."
"Then I suppose the insolence was terrible enough to justify it."
"Quite, I think." Jasmine's voice was calm.
"But of course it is not usual--in these parts."
"Rudyard is not usual in these parts, or Krool either. It was a touch of the Vaal."
Lady Tynemouth gave a little shudder. "I hope it won't become fashionable. We are altogether too sensational nowadays. But, seriously, Jasmine, you are not well. You must do something. You must have a change."
"I am going to do something--to have a change."
"That's good. Where are you going, dear?"
"South.... And how are you getting on with your hospital-ship?"
Lady Tynemouth threw up her hands. "Jasmine, I'm in despair. I had set my heart upon it. I thought I could do it easily, and I haven't done it, after trying as hard as can be. Everything has gone wrong, and now Tynie cables I mustn't go to South Africa. Fancy a husband forbidding a wife to come to him."
"Well, perhaps it's better than a husband forbidding his wife to leave him."
"Jasmine, I believe you would joke if you were dying."
"I am dying."
There was that in the tone of Jasmine's voice which gave her friend a start. She eyed her suddenly with a great anxiety.
"And I'm not jesting," Jasmine added, with a forced smile. "But tell me what has gone wrong with all your plans. You don't mind what Tynemouth says. Of course you will do as you like."
"Of course; but still Tynie has never 'issued instructions' before, and if there was any time I ought to humour him it is now. He's so intense about the war! But I can't explain everything on paper to him, so I've written to say I'm going to South Africa to explain, and that I'll come back by the next boat, if my reasons are not convincing."
In other circumstances Jasmine would have laughed. "He will find you convincing," she said, meaningly.
"I said if he found my reasons convincing."
"You will be the only reason to him."
"My dear Jasmine, you are really becoming sentimental. Tynie would blush to discover himself being silly over me. We get on so well because we left our emotions behind us when we married."
"Yours, I know, you left on the Zambesi," said Jasmine, deliberately.
A dull fire came into Lady Tynemouth's eyes, and for an instant there was danger of Jasmine losing a friend she much needed; but Lady Tynemouth had a big heart, and she knew that her friend was in a mood when anything was possible, or everything impossible.
So she only smiled, and said, easily: "Dearest Jasmine, that umbrella episode which made me love Ian Stafford for ever and ever without even amen came after I was married, and so your pin doesn't prick, not a weeny bit. No, it isn't Tynie that makes me sad. It's the Climbers who won't pay."
"The Climbers? You want money for--"
"Yes, the hospital-ship; and I thought they'd jump at it; but they've all been jumping in other directions. I asked the Steuvenfeldts, the Boulters, the Felix Fowles, the Brutons, the Sheltons, and that fellow Mackerel, who has so much money he doesn't know what to do with it and twenty others; and Mackerel was the only one who would give me anything at all large. He gave me ten thousand pounds. But I want fifty--fifty, my beloved. I'm simply broken-hearted. It would do so much good, and I could manage the thing so well, and I could get other splendid people to help me to manage it--there's Effie Lyndhall and Mary Meacham. The Mackerel wanted to come along, too, but I told him he could come out and fetch us back--that there mustn't be any scandal while the war was on. I laugh, my dear, but I could cry my eyes out. I want something to do--I've always wanted something to do. I've always been sick of an idle life, but I wouldn't do a hundred things I might have done. This thing I can do, however, and, if I did it, some of my debt to the world would be paid. It seems to me that these last fifteen years in England have been awful. We are all restless; we all have been going, going--nowhere; we have all been doing, doing--nothing; we have all been thinking, thinking, thinking--of ourselves. And I've been a playbody like the rest; I've gone with the Climbers because they could do things for me; I've wanted more and more of everything--more gadding, more pleasure, more excitement. It's been like a brass-band playing all the time, my life this past ten years. I'm sick of it. It's only some big thing that can take me out of it. I've got to make some great plunge, or in a few years more I'll be a middle-aged peeress with nothing left but a double chin, a tongue for gossip, and a string of pearls. There must be a bouleversement of things as they are, or good-bye to everything except emptiness. Don't you see, Jasmine, dearest?"
"Yes yes, I see." Jasmine got up, went to her desk, opened a drawer, took out a book, and began to write hastily. "Go on," she said as she wrote; "I can hear what you are saying."
"But are you really interested?"
"Even Tynemouth would find you interesting and convincing. Go on."
"I haven't anything more to say, except that nothing lies between me and flagellation and the sack cloth,"--she toyed with the sjambok--"except the Climbers; and they have failed me. They won't play--or pay."
Jasmine rose from the desk and came forward with a paper in her hand. "No, they have not failed you, Alice," she said, gently. "The Climbers seldom really disappoint you. The thing is, you must know how to talk to them, to say the right thing, the flattering, the tactful, and the nice sentimental thing,--they mostly have middle-class sentimentality--and then you get what you want. As you do now. There...."
She placed in her friend's hand a long, narrow slip of paper. Lady Tynemouth looked astonished, gazed hard at the paper, then sprang to her feet, pale and agitated.
"Jasmine--you--this--sixty thousand pounds!" she cried. "A cheque for sixty thousand pounds--Jasmine!"
There was a strange brilliance in Jasmine's eyes, a hectic flush on her cheek.
"It must not be cashed for forty-eight hours; but after that the money will be there."
Lady Tynemouth caught Jasmine's shoulders in her trembling yet strong fingers, and looked into the wild eyes with searching inquiry and solicitude.
"But, Jasmine, it isn't possible. Will Rudyard--can you afford it?"
"That will not be Rudyard's money which you will get. It will be all my own."
"But you yourself are not rich. Sixty thousand pounds--why?"
"It is because it is a sacrifice to me that I give it; because it is my own; because it is two-thirds of what I possess. And if all is needed before we have finished, then all shall go."
Alice Tynemouth still held the shoulders, still gazed into the eyes which burned and shone, which seemed to look beyond this room into some world of the soul or imagination. "Jasmine, you are not crazy, are you?" she asked, excitedly. "You will not repent of this? It is not a sudden impulse?"
"Yes, it is a sudden impulse; it came to me all at once. But when it came I knew it was the right thing, the only thing to do. I will not repent of it. Have no fear. It is final. It is sure. It means that, like you, I have found a rope to drag myself out of this stream which sweeps me on to the rapids."
"Jasmine, do you mean that you will--that you are coming, too?"
"Yes, I am going with you. We will do it together. You shall lead, and I shall help. I have a gift for organization. My grandfather? he--"
"All the world knows that. If you have anything of his gift, we shall not fail. We shall feel that we are doing something for our country--and, oh, so much for ourselves! And we shall be near our men. Tynie and Ruddy Byng will be out there, and we shall be ready for anything if necessary. But Rudyard, will he approve?" She held up the cheque.
Jasmine made a passionate gesture. "There are times when we must do what something in us tells us to do, no matter what the consequences. I am myself. I am not a slave. If I take my own way in the pleasures of life, why should I not take it in the duties and the business of life?"
Her eyes took on a look of abstraction, and her small hand closed on the large, capable hand of her friend. "Isn't work the secret of life? My grandfather used to say it was. Always, always, he used to say to me, 'Do something, Jasmine. Find a work to do, and do it. Make the world look at you, not for what you seem to be, but for what you do. Work cures nearly every illness and nearly every trouble'--that is what he said. And I must work or go mad. I tell you I must work, Alice. We will work together out there where great battles will be fought."
A sob caught her in the throat, and Alice Tynemouth wrapped her round with tender arms. "It will do you good, darling," she said, softly." It will help you through--through it all, whatever it is."
For an instant Jasmine felt that she must empty out her heart; tell the inner tale of her struggle; but the instant of weakness passed as suddenly as it came, and she only said--repeating Alice Tynemouth's words: "Yes, through it all, through it all, whatever it is." Then she added: "I want to do something big. I can, I can. I want to get out of this into the open world. I want to fight. I want to balance things somehow--inside myself...."
All at once she became very quiet. "But we must do business like business people. This money: there must be a small committee of business men, who--"
Alice Tynemouth finished the sentence for her. "Who are not Climbers?"
"Yes. But the whole organization must be done by ourselves--all the practical, unfinancial work. The committee will only be like careful trustees."
There was a new light in Jasmine's eyes. She felt for the moment that life did not end in a cul de sac. She knew that now she had found a way for Rudyard and herself to separate without disgrace, without humiliation to him. She could see a few steps ahead. When she gave Lablanche instructions to put out her clothes a little while before, she did not know what she was going to do; but now she knew. She knew how she could make it easier for Rudyard when the inevitable hour came,--and it was here--which should see the end of their life together. He need not now sacrifice himself so much for her sake.
She wanted to be alone, and, as if divining her thought, Lady Tynemouth embraced her, and a moment later there was no sound in the room save the ticking of the clock and the crackle of the fire.
How silent it was! The world seemed very far away. Peace seemed to have taken possession of the place, and Jasmine's stillness as she sat by the fire staring into the embers was a part of it. So lost was she that she was not conscious of an opening door and of a footstep. She was roused by a low voice.
"Jasmine!"
She did not start. It was as though there had come a call, for which she had waited long, and she appeared to respond slowly to it, as one would to a summons to the scaffold. There was no outward agitation now, there was only a cold stillness which seemed little to belong to the dainty figure which had ever been more like a decoration than a living utility in the scheme of things. The crisis had come which she had dreaded yet invited--that talk which they two must have before they went their different ways. She had never looked Rudyard in the eyes direct since the day when Adrian Fellowes died. They had met, but never quite alone; always with some one present, either the servants or some other. Now they were face to face.
On Rudyard's lips was a faint smile, but it lacked the old bonhomie which was part of his natural equipment; and there were still sharp, haggard traces of the agitation which had accompanied the expulsion of Krool.
For an instant the idea possessed her that she would tell him everything there was to tell, and face the consequences, no matter what they might be. It was not in her nature to do things by halves, and since catastrophe was come, her will was to drink the whole cup to the dregs. She did not want to spare herself. Behind it all lay something of that terrible wilfulness which had controlled her life so far. It was the unlovely soul of a great pride. She did not want to be forgiven for anything. She did not want to be condoned. There was a spirit of defiance which refused to accept favours, preferring punishment to the pity or the pardon which stooped to make it easier for her. It was a dangerous pride, and in the mood of it she might throw away everything, with an abandonment and recklessness only known to such passionate natures.
The mood came on her all at once as she stood and looked at Rudyard. She read, or she thought she read in his eyes, in his smile, the superior spirit condescending to magnanimity, to compassion; and her whole nature was instantly up in arms. She almost longed on the instant to strip herself bare, as it were, and let him see her as she really was, or as, in her despair, she thought she really was. The mood in which she had talked to Lady Tynemouth was gone, and in its place a spirit of revolt was at work. A certain sullenness which Rudyard and no one else had ever seen came into her eyes, and her lips became white with an ominous determination. She forgot him and all that he would suffer if she told him the whole truth; and the whole truth would, in her passion, become far more than the truth: she was again the egoist, the centre of the universe. What happened to her was the only thing which mattered in all the world. So it had ever been; and her beauty and her wit and her youth and the habit of being spoiled had made it all possible, without those rebuffs and that confusion which fate provides sooner or later for the egoist.
"Well," she said, sharply, "say what you wish to say. You have wanted to say it badly. I am ready."
He was stunned by what seemed to him the anger and the repugnance in her tone.
"You remember you asked me to come, Jasmine, when you took the sjambok from me."
He nodded towards the table where it lay, then went forward and picked it up, his face hardening as he did so.
Like a pendulum her mood swung back. By accident he had said the one thing which could have moved her, changed her at the moment. The savage side of him appealed to her. What he lacked in brilliance and the lighter gifts of raillery and eloquence and mental give-and-take, he had balanced by his natural forces--from the power-house, as she had called it long ago. Pity, solicitude, the forced smile, magnanimity, she did not want in this black mood. They would have made her cruelly audacious, and her temper would have known no license; but now, suddenly, she had a vision of him as he stamped down the staircase, his coat off, laying the sjambok on the shoulders of the man who had injured her so, who hated her so, and had done so over all the years. It appealed to her.
In her heart of hearts she was sure he had done it directly or indirectly for her sake; and that was infinitely more to her than that he should stoop from the heights to pick her up. He was what he was because Heaven had made him so; and she was what she was because Heaven had forgotten to make her otherwise; and he could not know or understand how she came to do things that he would not do. But she could know and understand why his hand fell on Krool like that of Cain on Abel. She softened, changed at once.
"Yes, I remember," she said. "I've been upset. Krool was insolent, and I ordered him to go. He would not."
"I've been a fool to keep him all these years. I didn't know what he was--a traitor, the slimmest of the slim, a real Hottentot-Boer. I was pigheaded about him, because he seemed to care so much about me. That counts for much with the most of us."
"Alice Tynemouth saw a policeman help him into a cab in Piccadilly and take him away. Will there be trouble?"
A grim look crossed his face. "I think not," he responded. "There are reasons. He has been stealing information for years, and sending it to Kruger, he and--"
He stopped short, and into his face came a look of sullen reticence.
"Yes, he and--and some one else? Who else?" Her face was white. She had a sudden intuition.
He met her eyes. "Adrian Fellowes--what Fellowes knew, Krool knew, and one way or another, by one means or another, Fellowes knew a great deal."
The knowledge of Adrian Fellowes' treachery and its full significance had hardly come home to him, even when he punished Krool, so shaken was he by the fact that the half-caste had been false to him. Afterwards, however, as the Partners all talked together up-stairs, the enormity of the dead man's crime had fastened on him, and his brain had been stunned by the terrible thought that directly or indirectly Jasmine had abetted the crime. Things he had talked over with her, and with no one else, had got to Kruger's knowledge, as the information from South Africa showed. She had at least been indiscreet, had talked to Fellowes with some freedom or he could not have known what he did. But directly, knowingly abetted Fellowes? Of course, she had not done that; but her foolish confidences had abetted treachery, had wronged him, had helped to destroy his plans, had injured England.
He had savagely punished Krool for insolence to her and for his treachery, but a new feeling had grown up in him in the last half-hour. Under the open taunts of his colleagues, a deep resentment had taken possession of him that his work, so hard to do, so important and critical, should have been circumvented by the indiscretions of his wife.
Upon her now this announcement came with crushing force. Adrian Fellowes had gained from her--she knew it all too well now--that which had injured her husband; from which, at any rate, he ought to have been immune. Her face flushed with a resentment far greater than that of Rudyard's, and it was heightened by a humiliation which overwhelmed her. She had been but a tool in every sense, she, Jasmine Byng, one who ruled, had been used like a--she could not form the comparison in her mind--by a dependent, a hanger-on of her husband's bounty; and it was through her, originally, that he had been given a real chance in life by Rudyard.
"I am sorry," she said, calmly, as soon as she could get her voice. "I was the means of your employing him."
"That did not matter," he said, rather nervously. "There was no harm in that, unless you knew his character before he came to me."
"You think I did?"
"I cannot think so. It would have been too ruthless--too wicked."
She saw his suffering, and it touched her. "Of course I did not know that he could do such a thing--so shameless. He was a low coward. He did not deserve decent burial," she added. "He had good fortune to die as he did."
"How did he die?" Rudyard asked her, with a face so unlike what it had always been, so changed by agitation, that it scarcely seemed his. His eyes were fixed on hers.
She met them resolutely. Did he ask her in order to see if she had any suspicion of himself? Had he done it? If he had, there would be some mitigation of her suffering. Or was it Ian Stafford who had done it? One or the other--but which?
"He died without being made to suffer," she said. "Most people who do wrong have to suffer."
"But they live on," he said, bitterly.
"That is no great advantage unless you want to live," she replied. "Do you know how he died?" she added, after a moment, with sharp scrutiny.
He shook his head and returned her scrutiny with added poignancy. "It does not matter. He ceases to do any more harm. He did enough."
"Yes, quite enough," she said, with a withered look, and going over to her writing-table, stood looking at him questioningly. He did not speak again, however.
Presently she said, very quietly, "I am going away."
"I do not understand."
"I am going to work."
"I understand still less."
She took from the writing-table her cheque-book, and handed it to him. He looked at it, and read the counterfoil of the cheque she had given to Alice Tynemouth.
He was bewildered. "What does this mean?" he asked.
"It is for a hospital-ship."
"Sixty thousand pounds! Why, it is nearly all you have."
"It is two-thirds of what I have."
"Why--in God's name, why?"
"To buy my freedom," she answered, bitterly.
"From what?"
"From you."
He staggered back and leaned heavily against a bookcase.
"Freedom from me!" he exclaimed, hoarsely.
He had had terribly bitter and revengeful feelings during the last hour, but all at once his real self emerged, the thing that was deepest in him. "Freedom from me? Has it come to that?"
"Yes, absolutely. Do you remember the day you first said to me that something was wrong with it all,--the day that Ian Stafford dined after his return from abroad? Well, it has been all wrong--cruelly wrong. We haven't made the best of things together, when everything was with us to do so. I have spoiled it all. It hasn't been what you expected."
"Nor what you expected?" he asked, sharply.
"Nor what I expected; but you are not to blame for that."
Suddenly all he had ever felt for her swept through his being, and sullenness fled away. "You have ceased to love me, then.... See, that is the one thing that matters, Jasmine. All else disappears beside that. Do you love me? Do you love me still? Do you love me, Jasmine? Answer that."
He looked like the ghost of his old dead self, pleading to be recognized.
His misery oppressed her. "What does one know of one's self in the midst of all this--of everything that has nothing to do with love?" she asked.
What she might have said in the dark mood which was coming on her again it is hard to say, but from beneath the window of the room which looked on Park Lane, there came the voice of a street-minstrel, singing to a travelling piano, played by sympathetic fingers, the song:
"She is far from the land where her young hero sleeps, And lovers around her are sighing--"
The simple pathos of the song had nothing to do with her own experience or her own case, but the flood of it swept through her veins like tears. She sank into a chair and listened for a moment with eyes shining, then she sprang up in an agitation which made her tremble and her face go white.
"No, no, no, Rudyard, I do not love you," she said, swiftly. "And because I do not love you, I will not stay. I never loved you, never truly loved you at any time. I never knew myself--that is all that I can say. I never was awake till now. I never was wholly awake till I saw you driving Krool into the street with the sjambok."
She flung up her hands. "For God's sake, let me be truthful at last. I don't want to hurt you--I have hurt you enough, but I do not love you; and I must go. I am going with Alice Tynemouth. We are going together to do something. Maybe I shall learn what will make life possible."
He reached out his arms towards her with a sudden tenderness.
"No, no, no, do not touch me," she cried. "Do not come near me. I must be alone now, and from now on and on.... You do not understand, but I must be alone. I must work it out alone, whatever it is."
She got up with a quick energy, and went over to the writing-table again. "It may take every penny I have got, but I shall do it, because it is the thing I feel I must do."
"You have millions, Jasmine," he said, in a low, appealing voice.
She looked at him almost fiercely again. "No, I have what is my own, my very own, and no more," she responded, bitterly. "You will do your work, and I will do mine. You will stay here. There will be no scandal, because I shall be going with Alice Tynemouth, and the world will not misunderstand."
"There will be no scandal, because I am going, too," he said, firmly.
"No, no, you cannot, must not, go," she urged.
"I am going to South Africa in two days," he replied. "Stafford was going with me, but he cannot go for a week or so. He will help you, I am sure, with forming your committee and arranging, if you will insist on doing this thing. He is still up-stairs there with the rest of them. I will get him down now, I--"
"Ian Stafford is here--in this house?" she asked, with staring eyes. What inconceivable irony it all was! She could have shrieked with that laughter which is more painful far than tears.
"Yes, he is up-stairs. I made him come and help us--he knows the international game. He will help you, too. He is a good friend--you will know how good some day."
She went white and leaned against the table.
"No, I shall not need him," she said. "We have formed our committee."
"But when I am gone, he can advise you, he can--"
"Oh--oh!" she murmured, and swayed forward, fainting.
He caught her and lowered her gently into a chair.
"You are only mad," he whispered to ears which heard not as he bent over her. "You will be sane some day."
XXIX. THE MENACE OF THE MOUNTAIN
Far away, sharply cutting the ether, rise the great sterile peaks and ridges. Here a stark, bare wall like a prison which shuts in a city of men forbidden the blithe world of sun and song and freedom; yonder, a giant of a lost world stretched out in stony ease, sleeping on, while over his grey quiet, generations of men pass. First came savage, warring, brown races alien to each other; then following, white races with faces tanned and burnt by the sun, and smothered in unkempt beard and hair--men restless and coarse and brave, and with ancient sins upon them; but with the Bible in their hands and the language of the prophets on their lips; with iron will, with hatred as deep as their race-love is strong; they with their cattle and their herds, and the clacking wagons carrying homes and fortunes, whose women were housewives and warriors too. Coming after these, men of fairer aspect, adventurous, self-willed, intent to make cities in the wilderness; to win open spaces for their kinsmen, who had no room to swing the hammer in the workshops of their far-off northern island homes; or who, having room, stood helpless before the furnaces where the fires had left only the ashes of past energies.
Up there, these mountains which, like Marathon, look on the sea. But lower the gaze from the austere hills, slowly to the plains below. First the grey of the mountains, turning to brown, then the bare bronze rock giving way to a tumbled wilderness of boulders, where lizards lie in the sun, where the meerkat startles the gazelle. Then the bronze merging into a green so deep and strong that it resembles a blanket spread upon the uplands, but broken by kopjes, shelterless and lonely, rising here and there like watch-towers. After that, below and still below, the flat and staring plain, through which runs an ugly rift turning and twisting like a snake, and moving on and on, till lost in the arc of other hills away to the east and the south: a river in the waste, but still only a muddy current stealing between banks baked and sterile, a sinister stream, giving life to the veld, as some gloomy giver of good gifts would pay a debt of atonement.
On certain Dark Days of 1899-1900, if you had watched these turgid waters flow by, your eyes would have seen tinges of red like blood; and following the stain of red, gashed lifeless things, which had been torn from the ranks of sentient beings.
Whereupon, lifting your eyes from the river, you would have seen the answer to your question--masses of men mounted and unmounted, who moved, or halted, or stood like an animal with a thousand legs controlled by one mind. Or again you would have observed those myriad masses plunging across the veld, still in cohering masses, which shook and broke and scattered, regathering again, as though drawn by a magnet, but leaving stark remnants in their wake.
Great columns of troops which had crossed the river and pushed on into a zone of fierce fire, turn and struggle back again across the stream; other thousands of men, who had not crossed, succour their wounded, and retreat steadily, bitterly to places of safety, the victims of blunders from which come the bloody punishment of valour.
Beyond the grey mountains were British men and women waiting for succour from forces which poured death in upon them from the malevolent kopjes, for relief from the ravages of disease and hunger. They waited in a straggling town of the open plain circled by threatening hills, where the threat became a blow, and the blow was multiplied a million times. Gaunt, fighting men sought to appease the craving of starvation by the boiled carcasses of old horses; in caves and dug-outs, feeble women, with undying courage, kept alive the flickering fires of life in their children; and they smiled to cheer the tireless, emaciated warriors who went out to meet death, or with a superior yet careful courage stayed to receive or escape it.
When night came, across the hills and far away in the deep blue, white shaking streams of light poured upward, telling the besieged forces over there at Lordkop that rescue would come, that it was moving on to the mountain. How many times had this light in the sky flashed the same grave pledge in the mystic code of the heliograph, "We are gaining ground--we will reach you soon." How many times, however, had the message also been, "Not yet--but soon."
Men died in this great camp from wounds and from fever, and others went mad almost from sheer despair; yet whenever the Master Player called, they sprang to their places with a new-born belief that he who had been so successful in so many long-past battles would be right in the end with his old rightness, though he had been wrong so often on the Dreitval.
Others there were who were sick of the world and wished "to be well out of it"--as they said to themselves. Some had been cruelly injured, and desire of life was dead in them; others had given injury, and remorse had slain peace. Others still there were who, having done evil all their lives, knew that they could not retrace their steps, and yet shrank from a continuance of the old bad things.
Some indeed, in the red futile sacrifice, had found what they came to find; but some still were left whose recklessness did not avail. Comrades fell beside them, but, unscathed, they went on fighting. Injured men were carried in hundreds to the hospitals, but no wounds brought them low. Bullets were sprayed around them, but none did its work for them. Shells burst near, yet no savage shard mutilated their bodies.
Of these was Ian Stafford.
Three times he had been in the fore-front of the fight where Death came sweeping down the veld like rain, but It passed him by. Horses and men fell round his guns, yet he remained uninjured.
He was patient. If Death would not hasten to meet him, he would wait. Meanwhile, he would work while he could, but with no thought beyond the day, no vision of the morrow.
He was one of the machines of war. He was close to his General, he was the beloved of his men, still he was the man with no future; though he studied the campaign with that thoroughness which had marked his last years in diplomacy.
He was much among his own wounded, much with others who were comforted by his solicitude, by the courage of his eye, and the grasp of his firm, friendly hand. It was at what the soldiers called the Stay Awhile Hospital that he came in living touch again with the life he had left behind.
He knew that Rudyard Byng had come to South Africa; but he knew no more. He knew that Jasmine had, with Lady Tynemouth, purchased a ship and turned it into a hospital at a day's notice; but as to whether these two had really come to South Africa, and harboured at the Cape, or Durban, he had no knowledge. He never looked at the English newspapers which arrived at Dreitval River. He was done with that old world in which he once worked; he was concerned only for this narrow field where an Empire's fate was being solved.
Night, the dearest friend of the soldier, had settled on the veld. A thousand fires were burning, and there were no sounds save the murmuring voices of myriads of men, and the stamp of hoofs where the Cavalry and Mounted Infantry horses were picketed. Food and fire, the priceless comfort of a blanket on the ground, and a saddle or kit for a pillow gave men compensation for all the hardships and dangers of the day; and they gave little thought to the morrow.
The soldier lives in the present. His rifle, his horse, his boots, his blanket, the commissariat, a dry bit of ground to sleep on--these are the things which occupy his mind. His heroism is incidental, the commonplace impulse of the moment. He does things because they are there to do, not because some great passion, some exaltation, seizes him. His is the real simple life. So it suddenly seemed to Stafford as he left his tent, after he had himself inspected every man and every horse in his battery that lived through the day of death, and made his way towards the Stay Awhile Hospital.
"This is the true thing," he said to himself as he gazed at the wide camp. He turned his face here and there in the starlight, and saw human life that but now was moving in the crash of great guns, the shrieking of men terribly wounded, the agony of mutilated horses, the bursting of shells, the hissing scream of the pom-pom, and the discordant cries of men fighting an impossible fight.
"There is no pretense here," he reflected. "It is life reduced down to the bare elements. There is no room for the superficial thing. It's all business. It's all stark human nature."
At that moment his eye caught one of those white messages of the sky flashing the old bitter promise, "We shall reach you soon." He forgot himself, and a great spirit welled up in him.
"Soon!" The light in the sky shot its message over the hills.
That was it--the present, not the past. Here was work, the one thing left to do.
"And it has to be done," he said aloud, as he walked on swiftly, a spring to his footstep. Presently he mounted and rode away across the veld. Buried in his thoughts, he was only subconsciously aware of what he saw until, after near an hour's riding, he pulled rein at the door of the Stay Awhile Hospital, which was some miles in the rear of the main force.
As he entered, a woman in a nurse's garb passed him swiftly. He scarcely looked at her; he was only conscious that she was in great haste. Her eyes seemed looking at some inner, hidden thing, and, though they glanced at him, appeared not to see him or to realize more than that some one was passing. But suddenly, to both, after they had passed, there came an arrest of attention. There was a consciousness, which had nothing to do with the sight of the eyes, that a familiar presence had gone by. Each turned quickly, and their eyes came back from regarding the things of the imagination, and saw each other face to face. The nurse gave an exclamation of pleasure and ran forward.
Stafford held out a hand. It seemed to him, as he did it, that it stretched across a great black gulf and found another hand in the darkness beyond.
"Al'mah!" he said, in a voice of protest as of companionship.
Of all those he had left behind, this was the one being whom to meet was not disturbing. He wished to encounter no one of that inner circle of his tragic friendship; but he realized that Al'mah had had her tragedy too, and that her suffering could not be less than his own. The same dark factor had shadowed the lives of both. Adrian Fellowes had injured them both through the same woman, had shaken, if not shattered, the fabric of their lives. However much they two were blameworthy, they had been sincere, they had been honourable in their dishonour, they had been "falsely true." They were derelicts of life, with the comradeship of despair as a link between them.
"Al'mah," he said again, gently. Then, with a bitter humour, he added, "You here--I thought you were a prima donna!"
The flicker of a smile crossed her odd, fine, strong face. "This is grand opera," she said. "It is the Nibelungen Ring of England."
"To end in the Twilight of the Gods?" he rejoined with a hopeless kind of smile.
They turned to the outer door of the hospital and stepped into the night. For a moment they stood looking at the great camp far away to right and left, and to the lone mountains yonder, where the Boer commandoes held the passes and trained their merciless armament upon all approaches. Then he said at last: "Why have you come here? You had your work in England."
"What is my work?" she asked.
"To heal the wounded," he answered.
"I am trying to do that," she replied.
"You are trying to heal bodies, but it is a bigger, greater thing to heal the wounded mind."
"I am trying to do that too. It is harder than the other."
"Whose minds are you trying to heal?" he questioned, gently.
"'Physician heal thyself' was the old command, wasn't it? But that is harder still."
"Must one always be a saint to do a saintly thing?" he asked.
"I am not clever," she replied, "and I can't make phrases. But must one always be a sinner to do a wicked thing? Can't a saint do a wicked thing, and a sinner do a good thing without being called the one or the other?"
"I don't think you need apologize for not being able to make phrases. I suppose you'd say there is neither absolute saintliness nor absolute wickedness, but that life is helplessly composite of both, and that black really may be white. You know the old phrase, 'Killing no murder.'"
She seemed to stiffen, and her lips set tightly for a minute; then, as though by a great effort, she laughed bitterly.
"Murder isn't always killing," she replied. "Don't you remember the protest in Macbeth, 'Time was, when the brains were out the man would die'?" Then, with a little quick gesture towards the camp, she added, "When you think of to-day, doesn't it seem that the brains are out, and yet that the man still lives? I'm not a soldier, and this awful slaughter may be the most wonderful tactics, but it's all beyond my little mind."
"Your littleness is not original enough to attract notice," he replied with kindly irony. "There is almost an epidemic of it. Let us hope we shall have an antidote soon."
There was a sudden cry from inside the hospital. Al'mah shut her eyes for a moment, clinched her fingers, and became very pale; then she recovered herself, and turned her face towards the door, as though waiting for some one to come out.
"What is the matter?" he asked. "Some bad case?"
"Yes--very bad," she replied.
"One you've been attending?"
"Yes."
"What arm--the artillery?" he asked with sudden interest.
"Yes, the artillery."
He turned towards the door of the hospital again. "One of my men? What battery? Do you know?"
"Not yours--Schiller's."
"Schiller's! A Boer?"
She nodded. "A Boer spy, caught by Boer bullets as he was going back."
"When was that?"
"This morning early."
"The little business at Wortmann's Drift?"
She nodded. "Yes, there."
"I don't quite understand. Was he in our lines--a Boer spy?"
"Yes. But he wore British uniform, he spoke English. He was an Englishman once."
Suddenly she came up close to him, and looked into his face steadily. "I will tell you all," she said scarce above a whisper. "He came to spy, but he came also to see his wife. She had written to ask him not to join the Boers, as he said he meant to do; or, if he had, to leave them and join his own people. He came, but not to join his fellow-countrymen. He came to get money from his wife; and he came to spy."
An illuminating thought shot into Stafford's mind. He remembered something that Byng once told him.
"His wife is a nurse?" he asked in a low tone.
"She is a nurse."
"She knew, then, that he was a spy?" he asked.
"Yes, she knew. I suppose she ought to be tried by court-martial. She did not expose him. She gave him a chance to escape. But he was shot as he tried to reach the Boer lines."
"And was brought back here to his wife--to you! Did he let them"--he nodded towards the hospital--"know he was your husband?"
When she spoke again her voice showed strain, but it did not tremble. "Of course. He would not spare me. He never did. It was always like that."
He caught her hand in his. "You have courage enough for a hundred," he said.
"I have suffered enough for a hundred," she responded.
Again that sharp cry rang out, and again she turned anxiously towards the door.
"I came to South Africa on the chance of helping him in some way," she replied. "It came to me that he might need me."
"You paid the price of his life once to Kruger--after the Raid, I've heard," he said.
"Yes, I owed him that, and as much more as was possible," she responded with a dark, pained look.
"His life is in danger--an operation?" he questioned.
"Yes. There is one chance; but they could not give him an anaesthetic, and they would not let me stay with him. They forced me away--out here." She appeared to listen again. "That was his voice--that crying," she added presently.
"Wouldn't it be better he should go? If he recovers there would only be--"
"Oh yes, to be tried as a spy--a renegade Englishman! But he would rather live in spite of that, if it was only for an hour."
"To love life so much as that--a spy!" Stafford reflected.
"Not so much love of life as fear of--" She stopped short.
"To fear--silence and peace!" he remarked darkly, with a shrug of his shoulders. Then he added: "Tell me, if he does not die, and if--if he is pardoned by any chance, do you mean to live with him again?"
A bitter laugh broke from her. "How do I know? What does any woman know what she will do until the situation is before her! She may mean to do one thing and do the complete opposite. She may mean to hate, and will end by loving. She may mean to kiss and will end by killing. She may kiss and kill too all in one moment, and still not be inconsistent. She would have the logic of a woman. How do I know what I would do--what I will do!"
The door of the hospital opened. A surgeon came out, and seeing Al'mah, moved towards the two. Stafford went forward hurriedly, but Al'mah stood like one transfixed. There was a whispered word, and then Stafford came back to her.
"You will not need to do anything," he said.
"He is gone--like that!" she whispered in an awed voice. "Death, death--so many die!" She shuddered.
Stafford passed her arm through his, and drew her towards the door of the hospital.
A half-hour later Stafford emerged again from the hospital, his head bent in thought. He rode slowly back to his battery, unconscious of the stir of life round him, of the shimmering white messages to the besieged town beyond the hills. He was thinking of the tragedy of the woman he had left tearless and composed beside the bedside of the man who had so vilely used her. He was reflecting how her life, and his own, and the lives of at least three others, were so tangled together that what twisted the existence of one disturbed all. In one sense the woman he had just left in the hospital was nothing to him, and yet now she seemed to be the only living person to whom he was drawn.
He remembered the story he had once heard in Vienna of a man and a woman who both had suffered betrayal, who both had no longer a single illusion left, who had no love for each other at all, in whom indeed love was dead--a mangled murdered thing; and yet who went away to Corfu together, and there at length found a pathway out of despair in the depths of the sea. Between these two there had never been even the faint shadow of romance or passion; but in the terrible mystery of pain and humiliation, they had drawn together to help each other, through a breach of all social law, in pity of each other. He apprehended the real meaning of the story when Vienna was alive with it, but he understood far, far better now.
A pity as deep as any feeling he had ever known had come to him as he stood with Al'mah beside the bed of her dead renegade man; and it seemed to him that they two also might well bury themselves in the desert together, and minister to each other's despair. It was only the swift thought of a moment, which faded even as it saw the light; but it had its origin in that last flickering sense of human companionship which dies in the atmosphere of despair. "Every man must live his dark hours alone," a broken-down actor once said to Stafford as he tried to cheer him when the last thing he cared for had been taken from him--his old, faded, misshapen wife; when no faces sent warm glances to him across the garish lights. "It is no use," this Roscius had said, "every man must live his dark hours alone."
That very evening, after the battle of the Dreitval, Jigger, Stafford's trumpeter, had said a thing to him which had struck a chord that rang in empty chambers of his being. He had found Jigger sitting disconsolate beside a gun, which was yet grimy and piteous with the blood of men who had served it, and he asked the lad what his trouble was.
In reply Jigger had said, "When it 'it 'm 'e curled up like a bit o' shaving. An' when I done what I could 'e says, 'It's a speshul for one now, an' it's lonely goin',' 'e says. When I give 'im a drink 'e says, 'It 'd do me more good later, little 'un'; an' 'e never said no more except, 'One at a time is the order--only one.'"
Not even his supper had lifted the cloud from Jigger's face, and Stafford had left the lad trying to compose a letter to the mother of the dead man, who had been an especial favourite with the trumpeter from the slums.
Stafford was roused from his reflections by the grinding, rumbling sound of a train. He turned his face towards the railway line.
"A troop-train--more food for the dragons," he said to himself. He could not see the train itself, but he could see the head-light of the locomotive, and he could hear its travail as it climbed slowly the last incline to the camp.
"Who comes there!" he said aloud, and in his mind there swept a premonition that the old life was finding him out, that its invisible forces were converging upon him. But did it matter? He knew in his soul that he was now doing the right thing, that he had come out in the open where all the archers of penalty had a fair target for their arrows. He wished to be "Free among the dead that are wounded and that lie in the grave and are out of remembrance;" but he would do no more to make it so than tens of thousands of other men were doing on these battle-fields.
"Who comes there!" he said again, his eyes upon the white, round light in the distance, and he stood still to try and make out the black, winding, groaning thing.
Presently he heard quick footsteps.
A small, alert figure stopped short, a small, abrupt hand saluted. "The General Commanding 'as sent for you, sir."
It was trumpeter Jigger of the Artillery.
"Are you the General's orderly, then?" asked Stafford quizzically.
"The orderly's gone w'ere 'e thought 'e'd find you, and I've come w'ere I know'd you'd be, sir."
"Where did he think he'd find me?"
"Wiv the 'osses, sir."
A look of gratification crossed Stafford's face. He was well known in the army as one who looked after his horses and his men. "And what made you think I was at the hospital, Jigger?"
"Becos you'd been to the 'osses, sir."
"Did you tell the General's orderly that?"
"No, your gryce--no, sir," he added quickly, and a flush of self-reproach came to his face, for he prided himself on being a real disciplinarian, a disciple of the correct thing. "I thought I'd like 'im to see our 'osses, an' 'ow you done 'em, an' I'd find you as quick as 'e could, wiv a bit to the good p'r'aps."
Stafford smiled. "Off you go, then. Find that orderly. Say, Colonel Stafford's compliments to the General Commanding and he will report himself at once. See that you get it straight, trumpeter."
Jigger would rather die than not get it straight, and his salute made that quite plain.
"It's made a man of him, anyhow," Stafford said to himself, as he watched the swiftly disappearing figure. "He's as straight as a nail, body and mind--poor little devil.... How far away it all seems!"
A quarter of an hour later he was standing beside the troop-train which he had seen labouring to its goal. It was carrying the old regiment of the General Officer Commanding, who had sent Stafford to its Colonel with an important message. As the two officers stood together watching the troops detrain and make order out of the chaos of baggage and equipment, Stafford's attention was drawn to a woman some little distance away, giving directions about her impedimenta.
"Who is the lady?" he asked, while in his mind was a sensible stir of recognition.
"Ah, there's something like the real thing!" his companion replied. "She is doing a capital bit of work. She and Lady Tynemouth have got a hospital-ship down at Durban. She's come to link it up better with the camp. It's Rudyard Byng's wife. They're both at it out here."
"Who comes there!" Stafford had exclaimed a moment before with a sense of premonition.
Jasmine had come.
He drew back in the shadow as she turned round towards them.
"To the Stay Awhile--right!" he heard a private say in response to her directions.
He saw her face, but not clearly. He had glimpse of a Jasmine not so daintily pretty as of old, not so much of a dresden-china shepherdess; but with the face of a woman who, watching the world with understanding eyes, and living with an understanding heart, had taken on something of the mysterious depths of the Life behind life. It was only a glimpse he had, but it was enough. It was more than enough.
"Where is Byng?" he asked his fellow-officer.
"He's been up there with Tain's Brigade for a fortnight. He was in Kimberley, but got out before the investment, went to Cape Town, and came round here--to be near his wife, I suppose."
"He is soldiering, then?"
"He was a Colonel in the Rand Rifles once. He's with the South African Horse now in command of the regiment attached to Tain. Tain's out of your beat--away on the right flank there."
Presently Stafford saw Jasmine look in their direction; then, on seeing Stafford's companion, came forward hastily. The Colonel left Stafford and went to meet her.
A moment afterwards, she turned and looked at Stafford. Her face was now deadly pale, but it showed no agitation. She was in the light of an electric lamp, and he was in the shadow. For one second only she gazed at him, then she turned and moved away to the cape-cart awaiting her. The Colonel saw her in, then returned to Stafford.
"Why didn't you come and be introduced?" the Colonel asked. "I told her who you were."
"Hospital-ships are not in my line," Stafford answered casually. "Women and war don't go together."
"She's a nurse, she's not a woman," was the paradoxical reply.
"She knows Byng is here?"
"I suppose so. It looks like a clever bit of strategy--junction of forces. There's a lot of women at home would like the chance she has--at a little less cost."
"What is the cost?"
"Well, that ship didn't cost less than a hundred thousand pounds."
"Is that all?"
The Colonel looked at Stafford in surprise: but Stafford was not thinking of the coin.
Chapter XXX
"AND NEVER THE TWAIN SHALL MEET!"
As the cape-cart conveying Jasmine to the hospital moved away from the station, she settled down into the seat beside the driver with the helplessness of one who had received a numbing blow. Her body swayed as though she would faint, and her eyes closed, and stayed closed for so long a time, that Corporal Shorter, who drove the rough little pair of Argentines, said to her sympathetically:
"It's all right, ma'am. We'll be there in a jiffy. Don't give way."
This friendly solicitude had immediate effect. Jasmine sat up, and thereafter held herself as though she was in her yellow salon yonder in London.
"Thank you," she replied serenely to Corporal Shorter. "It was a long, tiring journey, and I let myself go for a moment."
"A good night's rest'll do you a lot of good, ma'am," he ventured. Then he added, "Beggin' pardon, ain't you Mrs. Colonel Rudyard Byng?"
She turned and looked at the man inquiringly. "Yes, I am Mrs. Byng."
"Thank you, ma'am. Now how did I know? Why," he chuckled, "I saw a big B on your hand-bag, and I knew you was from the hospital-ship--they told me that at the Stay Awhile; and the rest was easy, ma'am. I had a mate along o' your barge. He was one of them the Boers got at Talana Hill. They chipped his head-piece nicely--just like the 4.7's flay the kopjes up there. My mate's been writing to me about you. We're a long way from home, Joey and me, and a bit o' kindness is a bit of all right to us."
"Where is your home?" Jasmine asked, her fatigue and oppression lifting.
He chuckled as though it were a joke, while he answered: "Australia onct and first. My mate, Joey Clynes, him that's on your ship, we was both born up beyond Bendigo. When we cut loose from the paternal leash, so to speak, we had a bit of boundary-riding, rabbit-killing, shearing and sun-downing--all no good, year by year. Then we had a bit o' luck and found a mob of warrigals--horses run wild, you know. We stalked 'em for days in the droughttime to a water-course, and got 'em, and coaxed 'em along till the floods come; then we sold 'em, and with the hard tin shipped for to see the world. So it was as of old. And by and by we found ourselves down here, same as all the rest, puttin' in a bit o' time for the Flag."
Jasmine turned on him one of those smiles which had made her so many friends in the past--a smile none the less alluring because it had lost that erstime flavour of artifice and lure which, however hidden, had been part of its power. Now it was accompanied by no slight drooping of the eyelids. It brightened a look which was direct and natural.
"It's a good thing to have lived in the wide distant spaces of the world," she responded. "A man couldn't easily be mean or small where life is so simple and so large."
His face flushed with pleasure. She was so easy to get on with, he said to himself; and she certainly had a wonderfully kind smile. But he felt too that she needed greater wisdom, and he was ready to give it--a friendly characteristic of the big open spaces "where life is so simple and so large."
"Well, that might be so 'long o' some continents," he remarked, "but it wasn't so where Joey Clynes and me was nourished, so to speak. I tripped up on a good many mean things from Bendigo to Thargomindah and back around. The back-blocks has its tricks as well as the towns, as you would see if you come across a stock-rider with a cheque to be broke in his hand. I've seen six months' wages go bung in a day with a stock-rider on the gentle jupe. But again, peradventure, I've seen a man that had lost ten thousand sheep tramp fifty miles in a blazing sun with a basket of lambs on his back, savin' them two switherin' little papillions worth nothin' at all, at the risk of his own life--just as mates have done here on this salamanderin' veld; same as Colonel Byng did to-day along o' Wortmann's Drift."
Jasmine had been trying to ask a question concerning her husband ever since the man had mentioned his name, and had not been able to do so. She had never spoken of him directly to any one since she had left England; had never heard from him; had written him no word; was, so far as the outer acts of life were concerned, as distant from him as Corporal Shorter was from his native Bendigo. She had been busy as she had never before been in her life, in a big, comprehensive, useful way. It had seemed to her in England, as she carried through the negotiations for the Valoria, fitted it out for the service it was to render, directed its administration over the heads of the committee appointed, for form's sake, to assist Lady Tynemouth and herself, that the spirit of her grandfather was over her, watching her, inspiring her. This had become almost an obsession with her. Her grandfather had had belief in her, delight in her; and now the innumerable talks she had had with him, as to the way he had done things, gave her confidence and a key to what she had to do. It was the first real work; for what she did for Ian Stafford in diplomacy was only playing upon the weakness of human nature with a skilled intelligence, with an instinctive knowledge of men and a capacity for managing them. The first real pride she had ever felt soothed her angry soul.
Her grandfather had been more in her mind than any one else--than either Rudyard or Ian Stafford. Towards both of these her mind had slowly and almost unconsciously changed, and she wished to think about neither. There had been a revolution in her nature, and all her tragic experience, her emotions, and her faculties, had been shaken into a crucible where the fire of pain and revolt burned on and on and on. From the crucible there had come as yet no precipitation of life's elements, and she scarcely knew what was in her heart. She tried to smother every thought concerning the past. She did not seek to find her bearings, or to realize in what country of the senses and the emotions she was travelling.
One thing was present, however, at times, and when it rushed over her in its fulness, it shook her as the wind shakes the leaf on a tree--a sense of indignation, of anger, or resentment. Against whom? Against all. Against Rudyard, against Ian Stafford; but most of all, a thousand times most against a dead man, who had been swept out of life, leaving behind a memory which could sting murderously.
Now, when she heard of Rudyard's bravery at Wortmann's Drift, a curious thrill of excitement ran through her veins, or it would be truer to say that a sensation new and strange vibrated in her blood. She had heard many tales of valour in this war, and more than one hero of the Victoria Cross had been in her charge at Durban; but as a child's heart might beat faster at the first words of a wonderful story, so she felt a faint suffocation in the throat and her brooding eyes took on a brighter, a more objective look, as she heard the tale of Wortmann's Drift.
"Tell me about it," she said, yet turned her head away from her eager historian.
Corporal Shorter's words were addressed to the smallest pink ear he had ever seen except on a baby, but he was only dimly conscious of that. He was full of a man's pride in a man's deed.
"Well, it was like this," he recited. "Gunter's horse bolted--Dick Gunter's in the South African Horse same as Colonel Byng--his lot. Old Gunter's horse gits away with him into the wide open. I s'pose there'd been a hunderd Boers firing at the runaway for three minutes, and at last off comes Gunter. He don't stir for a minute or more, then we see him pick himself up a bit quick, but settle back again. And while we was lookin' and tossin' pennies like as to his chances out there, a grey New Zealand mare nips out across the veld stretchin' every string. We knowed her all right, that grey mare--a regular Mrs. Mephisto, w'ich belongs to Colonel Byng. Do the Boojers fire at him? Don't they! We could see the spots of dust where the bullets struck, spittin', spittin', spittin', and Lord knows how many hunderd more there was that didn't hit the ground. An' the grey mare gets there. As cool as a granadillar, down drops Colonel Byng beside old Gunter; down goes the grey mare--Colonel Byng had taught her that trick, like the Roosian Cossack hosses. Then up on her rolls old Gunter, an' up goes Colonel Byng, and the grey mare switchin' her bobtail, as if she was havin' a bit of mealies in the middle o' the day. But when they was both on, then the band begun to play. Men was fightin' of course, but it looked as if the whole smash stopped to see what the end would be. It was a real pretty race, an' the grey mare takin' it as free as if she was carryin' a little bit of a pipkin like me instead of twenty-six stone. She's a flower, that grey mare! Once she stumbled, an' we knowed it wasn't an ant-bear's hole she'd found in the veld, and that she'd been hurt. But they know, them hosses, that they must do as their Baases do; and they fight right on. She come home with the two all right. She switched round a corner and over a nose of land where that crossfire couldn't hit the lot; an' there was the three of 'em at 'ome for a cup o' tea. Why, ma'am, that done the army as much good to-day, that little go-to-the-devil, you mud-suckers! as though we'd got Schuster's Hill. 'Twas what we needed--an' we got it. It took our eyes off the nasty little fact that half of a regiment was down, an' the other half with their job not done as it was ordered. It made the S.A.'s and the Lynchesters and the Gessex lot laugh. Old Gunter's all right. He's in the Stay Awhile now. You'll be sure to see him. And Colonel Byng's all right, too, except a little bit o' splinter--"
"A bit of splinter--" Her voice was almost peremptory.
"A chip off his wrist like, but he wasn't thinkin' of that when he got back. He was thinkin' of the grey mare; and she was hit in three places, but not to mention. One bullet cut through her ear and through Colonel Byng's hat as he stooped over her neck; but the luck was with them. They was born to do a longer trek together. A little bit of the same thing in both of 'em, so to speak. The grey mare has a temper like a hunderd wildcats, and Colonel Byng can let himself go too, as you perhaps know, ma'am. We've seen him let loose sometimes when there was shirkers about, but he's all right inside his vest. And he's a good feeder. His men get their tucker all right. He knows when to shut his eyes. He's got a way to make his bunch--and they're the hardest-bit bunch in the army--do anything he wants 'em to. He's as hard himself as ever is, but he's all right underneath the epidermotis."
All at once there flashed before Jasmine's eyes the picture of Rudyard driving Krool out of the house in Park Lane with a sjambok. She heard again the thud of the rhinoceros-whip on the cringing back of the Boer; she heard the moan of the victim as he stumbled across the threshold into the street; and again she felt that sense of suffocation, that excitement which the child feels on the brink of a wonderful romance, the once-upon-a-time moment.
They were nearing the hospital. The driver silently pointed to it. He saw that he had made an impression, and he was content with it. He smiled to himself.
"Is Colonel Byng in the camp?" she asked.
"He's over--'way over, miles and miles, on the left wing with Kearey's brigade now. But old Gunter's here, and you're sure to see Colonel Byng soon--well, I should think."
She had no wish to see Colonel Byng soon. Three days would suffice to do what she wished here, and then she would return to Durban to her work there--to Alice Tynemouth, whose friendship and wonderful tactfulness had helped her in indefinable ways, as a more obvious sympathy never could have done. She would have resented one word which would have suggested that a tragedy was slowly crushing out her life.
Never a woman in the world was more alone. She worked and smiled with eyes growing sadder, yet with a force hardening in her which gave her face a character it never had before. Work had come at the right moment to save her from the wild consequences of a nature maddened by a series of misfortunes and penalties, for which there had been no warning and no preparation.
She was not ready for a renewal of the past. Only a few minutes before she had been brought face to face with Ian Stafford, had seen him look at her out of the shadow there at the station, as though she was an infinite distance away from him; and she had realized with overwhelming force how changed her world was. Ian Stafford, who but a few short months ago had held her in his arms and whispered unforgettable things, now looked at her as one looks at the image of a forgotten thing. She recalled his last words to her that awful day when Rudyard had read the fatal letter, and the world had fallen:
"Nothing can set things right between you and me, Jasmine," he had said. "But there is Rudyard. You must help him through. He heard scandal about Mennaval last night at De Lancy Scovel's. He didn't believe it. It rests with you to give it all the lie. Good-bye."
That had been the end--the black, bitter end. Since then Ian had never spoken a word to her, nor she to him; but he had stood there in the shadow at the station like a ghost, reproachful, unresponsive, indifferent. She recalled now the day when, after three years' parting, she had left him cool, indifferent, and self-contained in the doorway of the sweet-shop in Regent Street; how she had entered her carriage, had clinched her hands, and cried with wilful passion: "He shall not treat me so. He shall show some feeling. He shall! He shall!"
Here was indifference again, but of another land. Hers was not a woman's vanity, in fury at being despised. Vanity, maybe, was still there, but so slight that it made no contrast to the proud turmoil of a nature which had been humiliated beyond endurance; which, for its mistakes, had received accruing penalties as precise as though they had been catalogued; which had waked to find that a whole lifetime had been an error; and that it had no anchor in any set of principles or impelling habits.
And over all there hung the shadow of a man's death, with its black suspicion. When Ian Stafford looked at her from the shadow of the railway-station, the question had flashed into his mind, Did she kill him? Around Adrian Fellowes' death there hung a cloud of mystery which threw a sinister shadow on the path of three people. In the middle of the night, Jasmine started from her sleep with the mystery of the man's death torturing her, and with the shuddering question, Which? on her fevered lips. Was it her husband--was it Ian Stafford? As he galloped over the veld, or sat with his pipe beside the camp-fire, Rudyard Byng was also drawn into the frigid gloom of the ugly thought, and his mind asked the question, Did she kill him? It was as though each who had suffered from the man in life was destined to be menaced by his shade, till it should be exorcised by that person who had taken the useless life, saying, "It was I; I did it!"
As Jasmine entered the hospital, it seemed to her excited imagination as though she was entering a House of Judgment: as though here in a court of everlasting equity she would meet those who had played their vital parts in her life.
What if Rudyard was here! What if in these few days while she was to be here he was to cross her path! What would she say? What would she do? What could be said or done? Bitterness and resentment and dark suspicion were in her mind--and in his. Her pride was less wilful and tempestuous than on the day when she drove him from her; when he said things which flayed her soul, and left her body as though it had been beaten with rods. Her bitterness, her resentment had its origin in the fact that he did not understand--and yet in his crude big way he had really understood better than Ian Stafford. She felt that Rudyard despised her now a thousand times more than ever he had hinted at in that last stifling scene in Park Lane; and her spirit rebelled against it. She would rather that he had believed everything against her, and had made an open scandal, because then she could have paid any debt due to him by the penalty most cruel a woman can bear. But pity, concession, the condescension of a superior morality, were impossible to her proud mind.
As for Ian Stafford, he had left her stripped bare of one single garment of self-respect. His very kindness, his chivalry in defending her; his inflexible determination that all should be over between them forever, that she should be prevailed upon to be to Rudyard more than she had ever been--it all drove her into a deeper isolation. This isolation would have been her destruction but that something bigger than herself, a passion to do things, lifted to idealism a mind which in the past had grown materialistic, which, in gaining wit and mental skill, had missed the meaning of things, the elemental sense.
Corporal Shorter's tale of Rudyard's heroism had stirred her; but she could not have said quite what her feeling was with regard to it. She only knew vaguely that she was glad of it in a more personal than impersonal way. When she shook hands with the cheerful non-com. at the door of the hospital, she gave him a piece of gold which he was loth to accept till she said: "But take it as a souvenir of Colonel Byng's little ride with 'Old Gunter.'"
With a laugh, he took it then, and replied, "I'll not smoke it, I'll not eat it, and I'll not drink it. I'll wear it for luck and God-bless-you!"
XXXI. THE GREY HORSE AND ITS RIDER
It was almost midnight. The camp was sleeping. The forces of destruction lay torpid in the starry shadow of the night. There was no moon, but the stars gave a light that relieved the gloom. They were so near to the eye that it might seem a lancer could pick them from their nests of blue. The Southern Cross hung like a sign of hope to guide men to a new Messiah.
In vain Jasmine had tried to sleep. The day had been too much for her. All that happened in the past four years went rushing past, and she saw herself in scenes which were so tormenting in their reality that once she cried out as in a nightmare. As she did so, she was answered by a choking cry of pain like her own, and, waking, she started up from her couch with poignant apprehension; but presently she realized that it was the cry of some wounded patient in the ward not far from the room where she lay.
It roused her, however, from the half wakefulness which had been excoriated by burning memories, and, hurriedly rising, she opened wide the window and looked out into the night. The air was sharp, but it soothed her hot face and brow, and the wild pulses in her wrists presently beat less vehemently. She put a firm hand on herself, as she was wont to do in these days, when there was no time for brooding on her own troubles, and when, with the duties she had taken upon herself, it would be criminal to indulge in self-pity.
Looking out of the window now into the quiet night, the watch-fires dotting the plain had a fascination for her greater than the wonder of the southern sky and its plaque of indigo sprinkled with silver dust and diamonds. Those fires were the bulletins of the night, telling that around each of them men were sleeping, or thinking of other scenes, or wondering whether the fight to-morrow would be their last fight, and if so, what then? They were to the army like the candle in the home of the cottager. Those little groups of men sleeping around their fires were like a family, where men grow to serve each other as brother serves brother, knowing each other's foibles, but preserving each other's honour for the family's pride, risking life to save each other.
As Jasmine gazed into the gloom, spattered with a delicate radiance which did not pierce the shadows, but only made lively the darkness, she was suddenly conscious of the dull regular thud of horses' hoofs upon the veld. Troops of Mounted Infantry were evidently moving to take up a new position at the bidding of the Master Player. The sound was like the rub-a-dub of muffled hammers. The thought forced itself on her mind that here were men secretly hastening to take part in the grim lottery of life and death, from which some, and maybe many, would draw the black ticket of doom, and so pass from the game before the game was won.
The rumbling roll of hoofs grew distinct. Now they seemed to be almost upon her, and presently they emerged into view from the right, where their progress had been hidden by the hospital-building. When they reached the hospital there came a soft command and, as the troop passed, every face was turned towards the building. It was men full of life and the interest of the great game paying passing homage to their helpless comrades in this place of healing.
As they rode past, a few of the troopers had a glimpse of the figure dimly outlined at the window. Some made kindly jests, cheffing each other--"Your fancy, old sly-boots? Arranged it all, eh? Watch me, Lizzie, as I pass, and wave your lily-white hand!"
But others pressed their lips tightly, for visions of a woman somewhere waiting and watching flashed before their eyes; while others still had only the quiet consciousness of the natural man, that a woman looks at them; and where women are few and most of them are angels,--the battle-field has no shelter for any other--such looks have deep significance.
The troop went by steadily, softly and slowly. After they had all gone past, two horsemen detached from the troop came after. Presently one of them separated from his companion and rode on. The other came towards the hospital at a quick trot, drew bridle very near Jasmine's window, slid to the ground, said a soft word to his charger, patted its neck, and, turning, made for the door of the hospital. For a moment Jasmine stood looking out, greatly moved, she scarcely knew why, by this little incident of the night, and then suddenly the starlight seemed to draw round the patient animal standing at attention, as it were.
Then she saw it was a grey horse.
Its owner, as Corporal Shorter predicted, had come to see "Old Gunter," ere he went upon another expedition of duty. Its owner was Rudyard Byng.
That was why so strange a coldness, as of apprehension or anxiety, had passed through Jasmine when the rider had come towards her out of the night. Her husband was here. If she called, he would come. If she stretched out her hand, she could touch him. If she opened a door, she would be in his presence. If he opened the door behind her, he could--
She stepped back hastily into the room, and drew her night-robe closely about her with sudden flushing of the face. If he should enter her room--she felt in the darkness for her dressing-gown. It was not on the chair beside her bed. She moved hastily, and blundered against a table. She felt for the foot of the bed. The dressing-gown was not there. Her brain was on fire. Where was her dressing-gown? She tried to button the night-dress over her palpitating breast, but abandoned it to throw back her head and gather her golden hair away from her shoulders and breast. All this in the dark, in the safe dusk of her own room.... Where was her dressing-gown? Where was her maid? Why should she be at such a disadvantage! She reached for the table again and found a match-box. She would strike a light, and find her dressing-gown. Then she abruptly remembered that she had no dressing-gown with her; that she had travelled with one single bag--little more than a hand-bag--and it contained only the emergency equipment of a nurse. She had brought no dressing-gown; only the light outer rain-proof coat which should serve a double purpose. She had forgotten for a moment that she was not in her own house, that she was an army-woman, living a soldier's life. She felt her way to the wall, found the rain-proof coat, and, with trembling fingers, put it on. As she did so a wave of weakness passed over her, and she swayed as though she would fall; but she put a hand on herself and fought her growing agitation.
She turned towards the bed, but stopped abruptly, because she heard footsteps in the hall outside--footsteps she knew, footsteps which for years had travelled towards her, day and night, with eagerness; the quick, urgent footsteps of a man of decision, of impulse, of determination. It was Rudyard's footsteps outside her door, Rudyard's voice speaking to some one; then Rudyard's footsteps pausing; and afterwards a dead silence. She felt his presence; she imagined his hand upon her door. With a little smothered gasp, she made a move forward as though to lock the door; then she remembered that it had no lock. With strained and startled eyes, she kept her gaze turned on the door, expecting to see it open before her. Her heart beat so hard she could hear it pounding against her breast, and her temples were throbbing.
The silence was horrible to her. Her agitation culminated. She could bear it no longer. Blindly she ran to another door which led into the sitting-room of the matron, used for many purposes--the hold-all of the odds and ends of the hospital life; where surgeons consulted, officers waited, and army authorities congregated for the business of the hospital. She found the door, opened it and entered hastily. One light was burning--a lamp with a green shade. She shut the door behind her quickly and leaned against it, closing her eyes with a sense of relief. Presently some movement in the room startled her. She opened her eyes. A figure stood between the green lamp and the farther door.
It was her husband.
Her senses had deceived her. His footsteps had not stopped before her bedroom-door. She had not heard the handle of the door of her bedroom turn, but the handle of the door of this room. The silence which had frightened her had followed his entrance here.
She hastily drew the coat about her. The white linen of her night-dress showed. She thrust it back, and instinctively drew behind the table, as though to hide her bare ankles.
He had started back at seeing her, but had instantly recovered himself. "Well, Jasmine," he said quietly, "we've met in a queer place."
All at once her hot agitation left her, and she became cold and still. She was in a maelstrom of feeling a minute before, though she could not have said what the feeling meant; now she was dominated by a haunting sense of injury, roused by resentment, not against him, but against everything and everybody, himself included. All the work of the last few months seemed suddenly undone--to go for nothing. Just as a drunkard in his pledge made reformation, which has done its work for a period, feels a sudden maddening desire to indulge his passion for drink, and plunges into a debauch,--the last maddening degradation before his final triumph,--so Jasmine felt now the restrictions and self-control of the past few months fall away from her. She emerged from it all the same woman who had flung her married life, her man, and her old world to the winds on the day that Krool had been driven into the street. Like Krool, she too had gone out into the unknown--into a strange land where "the Baas" had no habitation.
Rudyard's words seemed to madden her, and there was a look of scrutiny and inquiry in his eyes which she saw--and saw nothing else there. There was the inquisition in his look which had been there in their last interview when he had said as plainly as man could say, "What did it mean--that letter from Adrian Fellowes?"
It was all there in his eyes now--that hateful inquiry, the piercing scrutiny of a judge in the Judgment House, and there came also into her eyes, as though in consequence, a look of scrutiny too.
"Did you kill Adrian Fellowes? Was it you?" her disordered mind asked.
She had mistaken the look in his eyes. It was the same look as the look in hers, and in spite of all the months that had gone, both asked the same question as in the hour when they last parted. The dead man stood between them, as he had never stood in life--of infinitely more importance than he had ever been in life. He had never come between Rudyard and herself in the old life in any vital sense, not in any sense that finally mattered. He had only been an incident; not part of real life, but part of a general wastage of character; not a disintegrating factor in itself. Ah, no, not Adrian Fellowes, not him! It enraged her that Rudyard should think the dead man had had any sway over her. It was a needless degradation, against which she revolted now.
"Why have you come here--to this room?" she asked coldly.
As a boy flushes when he has been asked a disconcerting question which angers him or challenges his innocence, so Rudyard's face suffused; but the flush faded as quickly as it came. His eyes then looked at her steadily, the whites of them so white because of his bronzed face and forehead, the glance firmer by far than in his old days in London. There was none of that unmanageable emotion in his features, the panic excitement, the savage disorder which were there on the day when Adrian Fellowes' letter brought the crisis to their lives; none of the barbaric storm which drove Krool down the staircase under the sjambok. Here was force and iron strength, though the man seemed older, his thick hair streaked with grey, while there was a deep fissure between the eyebrows. The months had hardened him physically, had freed him from all superfluous flesh; and the flabbiness had wholly gone from his cheeks and chin. There was no sign of a luxurious life about him. He was merely the business-like soldier with work to do. His khaki fitted him as only uniform can fit a man with a physique without defect. He carried in his hand a short whip of rhinoceros-hide, and as he placed his hands upon his hips and looked at Jasmine meditatively, before he answered her question, she recalled the scene with Krool. Her eyes were fascinated by the whip in his hand. It seemed to her, all at once, as though she was to be the victim of his wrath, and that the whip would presently fall upon her shoulders, as he drove her out into the veld. But his eyes drew hers to his own presently, and even while he spoke to her now, the illusion of the sjambok remained, and she imagined his voice to be intermingling with the dull thud of the whip on her shoulders.
"I came to see one of my troop who was wounded at Wortmann's Drift," he answered her.
"Old Gunter," she said mechanically.
"Old Gunter, if you like," he returned, surprised. "How did you know?"
"The world gossips still," she rejoined bitterly.
"Well, I came to see Gunter."
"On the grey mare," she said again like one in a dream.
"On the grey mare. I did not know that you were here, and--"
"If you had known I was here, you would not have come?" she asked with a querulous ring to her voice.
"No, I should not have come if I had known, unless people in the camp were aware that I knew. Then I should have felt it necessary to come."
"Why?" She knew; but she wanted him to say.
"That the army should not talk and wonder. If you were here, it is obvious that I should visit you."
"The army might as well wonder first as last," she rejoined. "That must come."
"I don't know anything that must come in this world," he replied. "We don't control ourselves, and must lies in the inner Mystery where we cannot enter. I had only to deal with the present. I could not come to the General and go again, knowing that you were here, without seeing you. We ought to do our work here without unnecessary cross-firing from our friends. There's enough of that from our foes."
"What right had you to enter my room?" she rejoined stubbornly.
"I am not in your room. Something--call it anything you like--made us meet on this neutral ground."
"You might have waited till morning," she replied perversely.
"In the morning I shall be far from here. Before daybreak I shall be fighting. War waits for no one--not even for you," he added, with more sarcasm than he intended.
Her feelings were becoming chaos again. He was going into battle. Bygone memories wakened, and the first days of their lives together came rushing upon her; but her old wild spirit was up in arms too against the irony of his last words, "Not even for you." Added to this was the rushing remembrance that South Africa had been the medium of all her trouble. If Rudyard had not gone to South Africa, that one five months a year and more ago, when she was left alone, restless, craving for amusement and excitement and--she was going to say romance, but there was no romance in those sordid hours of pleasure-making, when she plucked the fruit as it lay to her hand--ah, if only Rudyard had not gone to South Africa then! That five months held no romance. She had never known but one romance, and it was over and done. The floods had washed it away.
"You are right. War does not wait even for me," she exclaimed. "It came to meet me, to destroy me, when I was not armed. It came in the night as you have come, and found me helpless as I am now."
Suddenly she clasped her hands and wrung them, then threw them above her head in a gesture of despair. "Why didn't God or Destiny, or whatever it is, stop you from coming here! There is nothing between us worth keeping, and there can never be. There is a black sea between us. I never want to see you any more."
In her agitation the coat had fallen away from her white night- dress, and her breast showed behind the parted folds of the linen. Involuntarily his eyes saw. What memories passed through him were too vague to record; but a heavy sigh escaped him, followed, however, by a cloud which gathered on his brow. The shadow of a man's death thrust itself between them. This war might have never been, had it not been for the treachery of the man who had been false to everything and every being that had come his way. Indirectly this vast struggle in which thousands of lives were being lost had come through his wife's disloyalty, however unintentional, or in whatever degree. Whenever he thought of it, his pulses beat faster with indignation, and a deep resentment possessed him.
It was a resentment whose origin was not a mere personal wrong to him, but the betrayal of all that invaded his honour and the honour of his country. The map was dead--so much. He had paid a price--too small.
And Jasmine, as she looked at her husband now, was, oppressed by the same shadow--the inescapable thing. That was what she meant when she said, "There is a black sea between us."
What came to her mind when she saw his glance fall on her breast, she could not have told. But a sudden flame of anger consumed her. The passion of the body was dead in her--atrophied. She was as one through whose veins had passed an icy fluid which stilled all the senses of desire, but never had her mind been so passionate, so alive. In the months lately gone, there had been times when her mind was in a paroxysm of rebellion and resentment and remorse; but in this red corner of the universe, from which the usual world was shut out, from which all domestic existence, all social organization, habit or the amenities of social intercourse were excluded, she had been able to restore her equilibrium. Yet now here, all at once, there was an invasion of this world of rigid, narrow organization, where there was no play; where all men's acts were part of a deadly mortal issue; where the human being was only part of a scheme which allowed nothing of the flexible adaptations of the life of peace, the life of cities, of houses: here was the sudden interposition of a purely personal life, of domestic being--of sex. She was conscious of no reasoning, of no mental protest which could be put into words: she was only conscious of emotions which now shook her with their power, now left her starkly cold, her brain muffled, or again aflame with a suffering as intense as that of Procrustes on his bed of iron.
This it was that seized her now. The glance of his eyes at her bared breast roused her. She knew not why, except that there was an indefinable craving for a self respect which had been violated by herself and others; except that she longed for the thing which she felt he would not give her. The look in his eye offered her nothing of that.
That she mistook what really was in his eyes was not material, though he was thinking of days when he believed he had discovered the secret of life--a woman whose life was beautiful; diffusing beauty, contentment, inspiration and peace. She did not know that his look was the wistful look backward, with no look forward; and that alone. She was living a life where new faculties of her nature were being exercised or brought into active being; she was absorbed by it all; it was part of her scheme for restoring herself, for getting surcease of anguish; but here, all at once, every entrenchment was overrun, the rigidity of the unit was made chaos, and she was tossed by the Spirit of Confusion upon a stormy sea of feeling.
"Will you not go?" she asked in a voice of suppressed passion. "Have you no consideration? It is past midnight."
His anger flamed, but he forced back the words upon his lips, and said with a bitter smile: "Day and night are the same to me always now. What else should be in war? I am going." He looked at the watch at his wrist. "It is half-past one o'clock. At five our work begins--not an eight-hour day. We have twenty-four-hour days here sometimes. This one may be shorter. You never can tell. It may be a one-hour day--or less."
Suddenly he came towards her with hands outstretched. "Dear wife--Jasmine--" he exclaimed.
Pity, memory, a great magnanimity carried him off his feet for a moment, and all that had happened seemed as nothing beside this fact that they might never see each other again; and peace appeared to him the one thing needful after all. The hatred and conflict of the world seemed of small significance beside the hovering presence of an enemy stronger than Time.
She was still in a passion of rebellion against the inevitable--that old impatience and unrealized vanity which had helped to destroy her past. She shrank back in blind misunderstanding from him, for she scarcely heard his words. She mistook what he meant. She was bewildered, distraught.
"No, no--coward!" she cried.
He stopped short as though he had been shot. His face turned white. Then, with an oath, he went swiftly to the window which opened to the floor and passed through it into the night.
An instant later he was on his horse.
A moment of dumb confusion succeeded, then she realized her madness, and the thing as it really was. Running to the window, she leaned out.
She called, but only the grey mare's galloping came back to her awe-struck ears.
With a cry like that of an animal in pain, she sank on her knees on the floor, her face turned towards the stars.
"Oh, my God, help me!" she moaned.
At least here was no longer the cry of doom.
XXXII. THE WORLD'S FOUNDLING
At last day came. Jasmine was crossing the hallway of the hospital on her way to the dining-room when there came from the doorway of a ward a figure in a nurse's dress. It startled her by some familiar motion. Presently the face turned in her direction, but without seeing her. Jasmine recognized her then. She went forward quickly and touched the nurse's arm.
"Al'mah--it is Al'mah?" she said.
Al'mah's face turned paler, and she swayed slightly, then she recovered herself. "Oh, it is you, Mrs. Byng!" she said, almost dazedly.
After an instant's hesitation she held out a hand. "It's a queer place for it to happen," she added.
Jasmine noticed the hesitation and wondered at the words. She searched the other's face. What did Al'mah's look mean? It seemed composite of paralyzing surprise, of anxiety, of apprehension. Was there not also a look of aversion?
"Everything seems to come all at once," Al'mah continued, as though in explanation.
Jasmine had no inkling as to what the meaning of the words was; and, with something of her old desire to conquer those who were alien to her, she smiled winningly.
"Yes, things concentrate in life," she rejoined.
"I've noticed that," was the reply. "Fate seems to scatter, and then to gather in all at once, as though we were all feather-toys on strings."
After a moment, as Al'mah regarded her with vague wonder, though now she smiled too, and the anxiety, apprehension, and pain went from her face, Jasmine said: "Why did you come here? You had a world to work for in England."
"I had a world to forget in England," Al'mah replied. Then she added suddenly, "I could not sing any longer."
"Your voice--what happened to it?" Jasmine asked.
"One doesn't sing with one's voice only. The music is far behind the voice."
They had been standing in the middle of the hallway. Suddenly Al'mah caught at Jasmine's sleeve. "Will you come with me?" she said.
She led the way into a room which was almost gay with veld everlastings, pictures from illustrated papers, small flags of the navy and the colonies, the Boer Vierkleur and the Union Jack.
"I like to have things cheerful here," Al'mah said almost gaily. "Sometimes I have four or five convalescents in here, and they like a little gaiety. I sing them things from comic operas--Offenbach, Sullivan, and the rest; and if they are very sentimentally inclined I sing them good old-fashioned love-songs full of the musician's tricks. How people adore illusions! I've had here an old Natal sergeant, over sixty, and he was as cracked as could be about songs belonging to the time when we don't know that it's all illusion, and that there's no such thing as Love, nor ever was; but only a kind of mirage of the mind, a sort of phantasy that seizes us, in which we do crazy things, and sometimes, if the phantasy is strong enough, we do awful things. But still the illusions remain in spite of everything, as they did with the old sergeant. I've heard the most painful stories here from men before they died, of women that were false, and injuries done, many, many years ago; and they couldn't see that it wasn't real at all, but just phantasy."
"All the world's mad," responded Jasmine wearily, as Al'mah paused.
Al'mah nodded. "So I laugh a good deal, and try to be cheerful, and it does more good than being too sympathetic. Sympathy gets to be mere snivelling very often. I've smiled and laughed a great deal out here; and they say it's useful. The surgeons say it, and the men say it too sometimes."
"Are you known as Nurse Grattan?" Jasmine asked with sudden remembrance.
"Yes, Grattan was my mother's name. I am Nurse Grattan here."
"So many have whispered good things of you. A Scottish Rifleman said to me a week ago, 'Ech, she's aye see cheery!' What a wonderful thing it is to make a whole army laugh. Coming up here three officers spoke of you, and told of humorous things you had said. It's all quite honest, too. It's a reputation made out of new cloth. No one knows who you are?"
Al'mah flushed. "I don't know quite who I am myself. I think sometimes I'm the world's foundling."
Suddenly a cloud passed over her face again, and her strong whimsical features became drawn.
"I seem almost to lose my identity at times; and then it is I try most to laugh and be cheerful. If I didn't perhaps I should lose my identity altogether. Do you ever feel that?"
"No; I often wish I could."
Al'mah regarded her steadfastly. "Why did you come here?" she asked. "You had the world at your feet; and there was plenty to do in London. Was it for the same reason that brought me here? Was it something you wanted to forget there, some one you wanted to help here?"
Jasmine saw the hovering passion in the eyes fixed on her, and wondered what this woman had to say which could be of any import to herself; yet she felt there was something drawing nearer which would make her shrink.
"No," Jasmine answered, "I did not come to forget, but to try and remember that one belongs to the world, to the work of the world, to the whole people, and not to one of the people; not to one man, or to one family, or to one's self. That's all."
Al'mah's face was now very haggard, but her eyes were burning. "I do not believe you," she said straightly. "You are one of those that have had a phantasy. I had one first fifteen years ago, and it passed, yet it pursued me till yesterday--till yesterday evening. Now it's gone; that phantasy is gone forever. Come and see what it was."
She pointed to the door of another room.
There was something strangely compelling in her tone, in her movements. Jasmine followed her, fascinated by the situation, by the look in the woman's face. The door opened upon darkness, but Jasmine stepped inside, with Almah's fingers clutching her sleeve. For a moment nothing was visible; then, Jasmine saw, dimly, a coffin on two chairs.
"That was the first man I ever loved--my husband," Al'mah said quietly, pointing at the coffin. "There was another, but you took him from me--you and others."
Jasmine gave a little cry which she smothered with her hand; and she drew back involuntarily towards the light of the hallway. The smell of disinfectants almost suffocated her. A cloud of mystery and indefinable horror seemed to envelop her; then a light flooded through her brain. It was like a stream of fire. But with a voice strangely calm, she said, "You mean Adrian Fellowes?"
Al'mah's face was in the shadow, but her voice was full of storm. "You took him from me, but you were only one," she said sharply and painfully. "I found it out at last. I suspected first at Glencader. Then at last I knew. It was an angry, contemptuous letter from you. I had opened it. I understood. When everything was clear, when there was no doubt, when I knew he had tried to hurt little Jigger's sister, when he had made up his mind to go abroad, then, I killed him. Then--I killed him."
Jasmine's cheek was white as Al'mah's apron; but she did not shrink. She came a step nearer, and peered into Al'mah's face, as though to read her inmost mind, as though to see if what she said was really true. She saw not a quiver of agitation, not the faintest horror of memory; only the reflective look of accomplished purpose.
"You--are you insane?" Jasmine exclaimed in a whisper. "Do you know what you have said?"
Al'mah smoothed her apron softly. "Perfectly. I do not think I am insane. I seem not to be. One cannot do insane things here. This is the place of the iron rule. Here we cure madness--the madness of war and other madnesses."
"You had loved him, yet you killed him!"
"You would have killed him though you did not love him. Yes, of course--I know that. Your love was better placed; but it was like a little bird caught by the hawk in the upper air--its flight was only a little one before the hawk found it. Yes, you would have killed Adrian, as I did if you had had the courage. You wanted to do it, but I did it. Do you remember when I sang for you on the evening of that day he died? I sang, 'More Was Lost at Mohacksfield.' As soon as I saw your face that evening I felt you knew all. You had been to his rooms and found him dead. I was sure of that. You remember how La Tosca killed Scarpia? You remember how she felt? I felt so--just like that. I never hesitated. I knew what I wanted to do, and I did it."
"How did you kill him?" Jasmine asked in that matter-of-fact way which comes at those times when the senses are numbed by tragedy.
"You remember the needle--Mr. Mappin's needle? I knew Adrian had it. He showed it to me. He could not keep the secret. He was too weak. The needle was in his pocket-book--to kill me with some day perhaps. He certainly had not the courage to kill himself.... I went to see him. He was dressing. The pocket-book lay on the table. As I said, he had showed it to me. While he was busy I abstracted the needle. He talked of his journey abroad. He lied--nothing but lies, about himself, about everything. When he had said enough,--lying was easier to him than anything else--I told him the truth. Then he went wild. He caught hold of me as if to strangle me.... He did not realize the needlepoint when it caught him. If he did, it must have seemed to him only the prick of a pin.... But in a few minutes it was all over. He died quite peacefully. But it was not very easy getting him on the sofa. He looked sleeping as he lay there. You saw. He would never lie any more to women, to you or to me or any other. It is a good thing to stop a plague, and the simplest way is the best. He was handsome, and his music was very deceiving. It was almost good of its kind, and it was part of him. When I look back I find only misery. Two wicked men hurt me. They spoiled my life, first one and then another; and I went from bad to worse. At least he"--she pointed to the other room--"he had some courage at the very last. He fought, he braved death. The other--you remember the Glencader Mine. Your husband and Ian Stafford went down, and Lord Tynemouth was ready to go, but Adrian would not go. Then it was I began to hate him. That was the beginning. What happened had to be. I was to kill him; and I did. It avenged me, and it avenged your husband. I was glad of that, for Rudyard Byng had done so much for me: not alone that he saved me at the opera, you remember, but other good things. I did his work for him with Adrian."
"Have you no fear--of me?" Jasmine asked.
"Fear of--you? Why?"
"I might hate you--I might tell."
Al'mah made a swift gesture of protest. "Do not say foolish things. You would rather die than tell. You should be grateful to me. Some one had to kill him. There was Rudyard Byng, Ian Stafford, or yourself. It fell to me. I did your work. You will not tell; but it would not matter if you did. Nothing would happen--nothing at all. Think it out, and you will see why."
Jasmine shuddered violently. Her body was as cold as ice.
"Yes, I know. What are you going to do after the war?"
"Back to Covent Garden perhaps; or perhaps there will be no 'after the war.' It may all end here. Who knows--who cares!"
Jasmine came close to her. For an instant a flood of revulsion had overpowered her; but now it was all gone.
"We pay for all the wrong we do. We pay for all the good we get"--once Ian Stafford had said that, and it rang in her ears now. Al'mah would pay, and would pay here--here in this world. Meanwhile, Al'mah was a woman who, like herself, had suffered.
"Let me be your friend; let me help you," Jasmine said, and she took both of Almah's hands in her own.
Somehow Jasmine's own heart had grown larger, fuller, and kinder all at once. Until lately she had never ached to help the world or any human being in all her life; there had never been any of the divine pity which finds its employ in sacrifice. She had been kind, she had been generous, she had in the past few months given service unstinted; but it was more as her own cure for her own ills than yearning compassion for all those who were distressed "in mind, body, or estate."
But since last evening, in the glimmer of the stars, when Rudyard went from her with bitter anger on his lips, and a contempt which threw her far behind him,--since that hour, when, in her helplessness, she had sunk to the ground with an appeal to Something outside herself, her heart had greatly softened. Once before she had appealed to the Invisible--that night before her catastrophe, when she wound her wonderful hair round her throat and drew it tighter and tighter, and had cried out to the beloved mother she had never known. But her inborn, her cultivated, her almost invincible egoism, had not even then been scattered by the bitter helplessness of her life.
That cry last night was a cry to the Something behind all. Only in the last few hours--why, she knew not--her heart had found a new sense. She felt her soul's eyes looking beyond herself. The Something that made her raise her eyes to the stars, which seemed a pervading power, a brooding tenderness and solicitude, had drawn her mind away into the mind of humanity. Her own misery now at last enabled her to see, however dimly, the woes of others; and it did not matter whether the woes were penalties or undeserved chastisement; the new-born pity of her soul made no choice and sought no difference.
As the singing-woman's hands lay in hers, a flush slowly spread over Al'mah's face, and behind the direct power of her eyes there came a light which made them aglow with understanding.
"I always thought you selfish--almost meanly selfish," Al'mah said presently. "I thought you didn't know any real life, any real suffering--only the surface, only disappointment at not having your own happiness; but now I see that was all a mask. You understand why I did what I did?"
"I understand."
"I suppose there would be thousands who would gladly see me in prison and on the scaffold--if they knew--"
Pain travelled across Jasmine's face. She looked Al'mah in the eyes with a look of reproof and command. "Never, never again speak of that to me or to any living soul," she said. "I will try to forget it; you must put it behind you." . . . Suddenly she pointed to the other room where Al'mah's husband lay dead. "When is he to be buried?" she asked.
"In an hour." A change came over Al'mah's face again, and she stood looking dazedly at the door of the room, behind which the dead man lay. "I cannot realize it. It does not seem real," she said. "It was all so many centuries ago, when I was young and glad."
Jasmine admonished her gently and drew her away.
A few moments later an officer approached them from one of the wards. At that moment the footsteps of the three were arrested by the booming of artillery. It seemed as though all the guns of both armies were at work.
The officer's eyes blazed, and he turned to the two women with an impassioned gesture.
"Byng and the S.A.'s have done their trick," he said. "If they hadn't, that wouldn't be going on. It was to follow--a general assault--if Byng pulled it off. Old Blunderbuss has done it this time. His combination's working all right--thanks to Byng's lot."
As he hurried on he was too excited to see Jasmine's agitation.
"Wait!" Jasmine exclaimed, as he went quickly down the hallway. But her voice was scarcely above a whisper, and he did not hear.
She wanted to ask him if Rudyard was safe. She did not realize that he could not know.
But the thunder of artillery told her that Rudyard had had his fighting at daybreak, as he had said.
Chapter XXXIII
"ALAMACHTIG!"
When Rudyard flung himself on the grey mare outside Jasmine's window at the Stay Awhile Hospital, and touched her flank with his heel, his heart was heavy with passion, his face hard with humiliation and defeat. He had held out the hand of reconciliation, and she had met it with scorn. He had smothered his resentment, and let the light of peace in upon their troubles, and she had ruthlessly drawn a black curtain between them. He was going upon as dangerous a task as could be set a soldier, from which he might never return, and she had not even said a God-be-with-you--she who had lain in his bosom, been so near, so dear, so cherished:
"For Time and Change estrange, estrange-- And, now they have looked and seen us, Oh, we that were dear, we are all too near, With the thick of the world between us!"
How odd it seemed that two beings who had been all in all to each other, who in the prime of their love would have died of protesting shame, if they had been told that they would change towards each other, should come to a day when they would be less to each other than strangers, less and colder and farther off! It is because some cannot bear this desecration of ideals, this intolerable loss of life's assets, that they cling on and on, long after respect and love have gone, after hope is dead.
There had been times in the past few months when such thoughts as these vaguely possessed Rudyard's mind; but he could never, would never, feel that all was over, that the book of Jasmine's life was closed to him; not even when his whole nature was up in arms against the injury she had done him.
But now, as the grey mare reached out to achieve the ground his troopers had covered before him, his brain was in a storm of feeling. After all, what harm had he done her, that he should be treated so? Was he the sinner? Why should he make the eternal concession? Why should he be made to seem the one needing forgiveness? He did not know why. But at the bottom of everything lay a something--a yearning--which would not be overwhelmed. In spite of wrong and injury, it would live on and on; and neither Time nor crime, nor anything mortal could obliterate it from his heart's oracles.
The hoofs of the grey mare fell like the soft thud of a hammer in the sand, regular and precise. Presently the sound and the motion lulled his senses. The rage and humiliation grew less, his face cooled. His head, which had been bent, lifted and his face turned upwards to the stars. The influence of an African night was on him. None that has not felt it can understand it so cold, so sweet, so full of sleep, so stirring with an underlife. Many have known the breath of the pampas beyond the Amazon; the soft pungency of the wattle blown across the salt-bush plains of Australia; the friendly exhilaration of the prairie or the chaparral; the living, loving loneliness of the desert; but yonder on the veld is a life of the night which possesses all the others have, and something of its own besides; something which gets into the bones and makes for forgetfulness of the world. It lifts a man away from the fret of life, and sets his feet on the heights where lies repose.
The peace of the stars crept softly into Rudyard's heart as he galloped gently on to overtake his men. His pulses beat slowly once again, his mind regained its poise. He regretted the oath he uttered, as he left Jasmine; he asked himself if, after all, everything was over and done.
How good the night suddenly seemed! No, it was not all over--unless, unless, indeed, in this fight coming on with the daybreak, Fate should settle it all by doing with him as it had done with so many thousands of others in this war. But even then, would it be all over? He was a primitive man, and he raised his face once more to the heavens. He was no longer the ample millionaire, sitting among the flesh-pots; he was a lean, simple soldier eating his biscuit as though it were the product of the chef of the Cafe Voisin; he was the fighter sleeping in a blanket in the open; he was a patriot after his kind; he was the friend of his race and the lover of one woman.
Now he drew rein. His regiment was just ahead. Daybreak was not far off, and they were near the enemy's position. In a little while, if they were not surprised, they would complete a movement, take a hill, turn the flank of the foe, and, if designed supports came up, have the Boers at a deadly disadvantage. Not far off to the left of him and his mounted infantry there were coming on for this purpose two batteries of artillery and three thousand infantry--Leary's brigade, which had not been in the action the day before at Wortmann's Drift.
But all depended on what he was able to do, what he and his hard-bitten South Africans could accomplish. Well, he had no doubt. War was part chance, part common sense, part the pluck and luck of the devil. He had ever been a gambler in the way of taking chances; he had always possessed ballast even when the London life had enervated, had depressed him; and to men of his stamp pluck is a commonplace: it belongs as eyes and hands and feet belong.
Dawn was not far away, and before daybreak he must have the hill which was the key to the whole position, which commanded the left flank of the foe. An hour or so after he got it, if the artillery and infantry did their portion, a great day's work would be done for England; and the way to the relief of the garrison beyond the mountains would be open. The chance to do this thing was the reward he received for his gallant and very useful fight at Wortmann's Drift twenty-four hours before. It would not do to fail in justifying the choice of the Master Player, who had had enough bad luck in the campaign so far.
The first of his force to salute him in the darkness was his next in command, Barry Whalen. They had been together in the old Rand Rifles, and had, in the words of the Kaffir, been as near as the flea to the blanket, since the day when Rudyard discovered that Barry Whalen was on the same ship bound for the seat of war. They were not youngsters, either of them; but they had the spring of youth in them, and a deep basis of strength and force; and they knew the veld and the veld people. There was no trick of the veldschoen copper for which they were not ready; and for any device of Kruger's lambs they were prepared to go one better. As Barry Whalen had said, "They'll have to get up early in the morning if they want to catch us."
This morning the Boers would not get up early enough; for Rudyard's command had already reached the position from which they could do their work with good chances in their favour; and there had been no sign of life from the Boer trenches in the dusk--naught of what chanced at Magersfontein. Not a shot had been fired, and there would certainly have been firing if the Boer had known; for he could not allow the Rooinek to get to the point where his own position would be threatened or commanded. When Kruger's men did discover the truth, there would be fighting as stiff as had been seen in this struggle for half a continent.
"Is it all right?" whispered Rudyard, as Barry VVhalen drew up by him.
"Not a sound from them--not a sign."
"Their trenches should not be more than a few hundred yards on, eh?"
"Their nearest trenches are about that. We are just on the left of Hetmeyer's Kopje."
"Good. Let Glossop occupy the kopje with his squadrons, while we take the trenches. If we can force them back on their second line of trenches, and keep them there till our supports come up, we shall be all right."
"When shall we begin, sir?" asked Barry.
"Give orders to dismount now. Get the horses in the lee of the kopje, and we'll see what Brother Boer thinks of us after breakfast."
Rudyard took out a repeating-watch, and held it in his closed palm. As it struck, he noted the time.
His words were abrupt but composed. "Ten minutes more and we shall have the first streak of dawn. Then move. We shall be on them before they know it."
Barry Whalen made to leave, then turned back. Rudyard understood. They clasped hands. It was the grip of men who knew each other--knew each other's faults and weaknesses, yet trusted with a trust which neither disaster nor death could destroy.
"My girl--if anything happens to me," Barry said.
"You may be sure--as if she were my own," was Rudyard's reply. "If I go down, find my wife at the Stay Awhile Hospital. Tell her that the day I married her was the happiest day of my life, and that what I said then I thought at the last. Everything else is straightened out--and I'll not forget your girl, Barry. She shall be as my own if things should happen that way."
"God bless you, old man," whispered Barry. "Goodbye." Then he recovered himself and saluted. "Is that all, sir?"
"Au revoir, Barry," came the answer; then a formal return of the salute. "That is all," he added brusquely.
They moved forward to the regiment, and the word to dismount was given softly. When the forces crept forward again, it was as infantrymen, moving five paces apart, and feeling their way up to the Boer trenches.
Dawn. The faintest light on the horizon, as it were a soft, grey glimmer showing through a dark curtain. It rises and spreads slowly, till the curtain of night becomes the veil of morning, white and kind. Then the living world begins to move. Presently the face of the sun shines through the veil, and men's bodies grow warm with active being, and the world stirs with busy life. On the veld, with the first delicate glow, the head of a meerkat, or a springbok, is raised above the gray-brown grass; herds of cattle move uneasily. Then a bird takes flight across the whitening air, another, and then another; the meerkat sits up and begs breakfast of the sun; lizards creep out upon the stones; a snake slides along obscenely foraging. Presently man and beast and all wild things are afoot or a-wing, as though the world was new-created; as though there had never been any mornings before, and this was not the monotonous repetition of a million mornings, when all things living begin the world afresh.
But nowhere seems the world so young and fresh and glad as on the sun-warmed veld. Nowhere do the wild roses seem so pure, or are the aloes so jaunty and so gay. The smell of the karoo bush is sweeter than attar, and the bog-myrtle and mimosa, where they shelter a house or fringe a river, have a look of Arcady. It is a world where any mysterious thing may happen--a world of five thousand years ago--the air so light, so sweetly searching and vibrating, that Ariel would seem of the picture, and gleaming hosts of mailed men, or vast colonies of green-clad archers moving to virgin woods might belong. Something frightens the timid spirit of a springbok, and his flight through the grass is like a phrase of music on a wilful adventure; a bird hears the sighing of the breeze in the mimosa leaves or the swaying shrubs, and in disdain of such slight performance flings out a song which makes the air drunken with sweetness.
A world of light, of commendable trees, of grey grass flecked with flowers, of life having the supreme sense of a freedom which has known no check. It is a life which cities have not spoiled, and where man is still in touch with the primeval friends of man; where the wildest beast and the newest babe of a woman have something in common.
Drink your fill of the sweet intoxicating air with eyes shut till the lungs are full and the heart beats with new fulness; then open them upon the wide sunrise and scan the veld so full of gracious odour. Is it not good and glad? And now face the hills rising nobly away there to the left, the memorable and friendly hills. Is it not--
Upon the morning has crept suddenly a black cloud, although the sun is shining brilliantly. A moment before the dawn all was at peace on the veld and among the kopjes, and only the contented sighing of men and beasts broke the silence, or so it seemed; but with the glimmer of light along the horizon came a change so violent that all the circle of vision was in a quiver of trouble. Affrighted birds, in fluttering bewilderment, swept and circled aimlessly through the air with strange, half-human cries; the jackal and the meerkat, the springbok and the rheebok, trembled where they stood, with heads uplifted, vaguely trying to realize the Thing which was breaking the peace of their world; useless horses which had been turned out of the armies of Boers and British galloped and stumbled and plunged into space in alarm; for they knew what was darkening the morning. They had suffered the madness of battle, and they realized it at its native first value.
There was a battle forward on the left flank of the Boer Army. Behind Hetmeyer's Kopje were the horses of the men whom Rudyard Byng had brought to take a position and hold it till support came and this flank of the Farmer's Army was turned; but the men themselves were at work on the kopjes--the grim work of dislodging the voortrekker people from the places where they burrowed like conies among the rocks.
Just before dawn broke Byng's men were rushing the outer trenches. These they cleared with the wild cries of warriors whose blood was in a tempest. Bayonets dripped red, rifles were fired at hand-to-hand range, men clubbed their guns and fought as men fought in the days when the only fighting was man to man, or one man to many men. Here every "Boojer" and Rooinek was a champion. The Boer fell back because he was forced back by men who were men of the veld like himself; and the Briton pressed forward because he would not be denied; because he was sick of reverses; of going forward and falling back; of taking a position with staggering loss and then abandoning it; of gaining a victory and then not following it up; of having the foe in the hollow of the hand and hesitating to close it with a death-grip; of promising relief to besieged men, and marking time when you had gained a foothold, instead of gaining a foothold farther on.
Byng's men were mostly South-Africans born, who had lived and worked below the Zambesi all their lives; or else those whose blood was in a fever at the thought that a colony over which the British flag flew should be trod by the feet of an invader, who had had his own liberty and independence secured by that flag, but who refused to white men the status given to "niggers" in civilized states. These fighters under Byng had had their fill of tactics and strategy which led nowhere forward; and at Wortmann's Drift the day before they had done a big thing for the army with a handful of men. They could ride like Cossacks, they could shoot like William Tell, and they had a mind to be the swivel by which the army of Queen Victoria should swing from almost perpetual disaster, in large and small degree, to victory.
From the first trenches on and on to the second trenches higher up! But here the Boer in his burrow with his mauser rifle roaring, and his heart fierce with hatred and anger at the surprise, laid down to the bloody work with an ugly determination to punish remorselessly his fellow-citizens of the veld and the others. It was a fire which only bullet-proof men could stand, and these were but breasts of flesh and muscle, though the will was iron.
Up, up, and up, struggled these men of the indomitable will. Step by step, while man after man fell wounded or dead, they pushed forward, taking what cover was possible; firing as steadily as at Aldershot; never wasting shots, keeping the eye vigilant for the black slouch hat above the rocks, which told that a Boer's head was beneath it, and might be caught by a lightning shot.
Step by step, man by man, troop by troop, they came nearer to the hedges of stone behind which an inveterate foe with grim joy saw a soldier fall to his soft-nosed bullet; while far down behind these men of a forlorn hope there was hurrying up artillery which would presently throw its lyddite and its shrapnel on the top of the hill up where hundreds of Boers held, as they thought, an impregnable position. At last with rushes which cost them almost as dearly in proportion as the rush at Balaclava cost the Light Brigade, Byng's men reached the top, mad with the passion of battle, vengeful in spirit because of the comrades they had lost; and the trenches emptied before them. As they were forsaken, men fought hand to hand and as savagely as ever men fought in the days of Rustum.
In one corner, the hottest that the day saw, Rudyard and Barry Whalen and a scattered handful of men threw themselves upon a greatly larger number of the enemy. For a moment a man here and there fought for his life against two or three of the foe. Of these were Rudyard and Barry Whalen. The khaki of the former was shot through in several places, he had been slashed in the cheek by a bullet, and a bullet had also passed through the muscle of his left forearm; but he was scarcely conscious of it. It seemed as though Fate would let no harm befall him; but, in the very moment, when on another part of the ridge his men were waving their hats in victory, three Boers sprang up before him, ragged and grim and old, but with the fire of fanaticism and race-hatred in their eyes. One of them he accounted for, another he wounded, but the wounded voortrekker--a giant of near seven feet clubbed his rifle, and drove at him. Rudyard shot at close quarters again, but his pistol missed fire.
Just as the rifle of his giant foe swung above him, Byng realized that the third Boer was levelling a rifle directly at his breast. His eyes involuntarily closed as though to draw the curtain of life itself, but, as he did so, he heard a cry--the wild, hoarse cry of a voice he knew so well.
"Baas! Baas!" it called.
Then two shots came simultaneously, and the clubbed rifle brought him to the ground.
"Baas! Baas!"
The voice followed him, as he passed into unconsciousness.
Barry Whalen had seen Rudyard's danger, but had been unable to do anything. His hands were more than full, his life in danger; but in the instant that he had secured his own safety, he heard the cry of "Baas! Baas!" Then he saw the levelled rifle fall from the hands of the Boer who had aimed at Byng, and its owner collapse in a heap. As Rudyard fell beneath the clubbed rifle he heard the cry, "Baas! Baas!" again, and saw an unkempt figure darting among the rocks. His own pistol brought down the old Boer who had felled Byng, and then he realized who it was had cried out, "Baas!"
The last time he had heard that voice was in Park Lane, when Byng, with sjambok, drove a half-caste valet into the street.
It was the voice of Krool. And Krool was now bending over Rudyard's body, raising his head and still murmuring, "Baas--Baas!"
Krool's rifle had saved Rudyard from death by killing one of his own fellow-fighters. Much as Barry Whalen loathed the man, this act showed that Krool's love for the master who had sjamboked him was stronger than death.
Barry, himself bleeding from slight wounds, stooped over his unconscious friend with a great anxiety.
"No, it is nothing," Krool said, with his hand on Rudyard's breast. "The left arm, it is hurt, the head not get all the blow. Alamachtig, it is good! The Baas--it is right with the Baas."
Barry Whalen sighed with relief. He set about to restore Rudyard, as Krool prepared a bandage for the broken head.
Down in the valley the artillery was at work. Lyddite and shrapnel and machine-guns were playing upon the top of the ridge above them, and the infantry--Humphrey's and Blagdon's men--were hurrying up the slope which Byng's pioneers had cleared, and now held. From this position the enemy could be driven from their main position on the summit, because they could be swept now by artillery fire from a point as high as their own.
"A good day's work, old man," said Barry Whalen to the still unconscious figure. "You've done the trick for the Lady at Windsor this time. It's a great sight better business than playing baccarat at DeLancy Scovel's."
Cheering came from everywhere, cries of victory filled the air. As he looked down the valley Barry could see the horses they had left behind being brought, under cover of the artillery and infantry fire, to the hill they had taken. The grey mare would be among them. But Rudyard would not want the grey mare yet awhile. An ambulance-cart was the thing for him.
Barry would have given much for a flask of brandy. A tablespoonful would bring Rudyard back. A surgeon was not needed, however. Krool's hands had knowledge. Barry remembered the day when Wallstein was taken ill in Rudyard's house, and how Krool acted with the skill of a Westminster sawbones.
Suddenly a bugle-call sounded, loud and clear and very near them. Byng had heard that bugle call again and again in this engagement, and once he had seen the trumpeter above the trenches, sounding the advance before more than a half-dozen men had reached the defences of the Boers. The same trumpeter was now running towards them. He had been known in London as Jigger. In South Africa he was familiarly called Little Jingo.
His face was white as he leaned over Barry Whalen to look at Rudyard, but suddenly the blood came back to his cheek.
"He wants brandy," Jigger said.
"Well, go and get it," said Barry sharply.
"I've got it here," was the reply; and he produced a flask.
"Well, I'm damned!" said Barry. "You'll have a gun next, and fire it too!"
"A 4.7," returned Jigger impudently.
As the flask was at Rudyard's lips, Barry Whalen said to Krool, "What do you stay here as--deserter or prisoner? It's got to be one or the other."
"Prisoner," answered Krool. Then he added, "See--the Baas."
Rudyard's eyes were open.
"Prisoner--who is a prisoner?" he asked feebly.
"Me, Baas," whispered Krool, leaning over him.
"He saved your life, Colonel," interposed Barry Whalen.
"I thought it was the brandy," said Jigger with a grin.