VII. IN WHICH THE PRISONER GOES FREE…

VII. IN WHICH THE PRISONER GOES FREE

As Fleda wound her way through the deeper wood, remembering the things which had just been said between herself and Ingolby, the colour came and went in her face. To no man had she ever talked so long and intimately, not even in the far-off days when she lived the Romany life.

Then, as daughter of the head of all the Romanys, she had her place apart; and the Romany lads had been few who had talked with her even as a child. Her father had jealously guarded her until the time when she fell under the spell and influence of Lady Barrowdale. Here, by the Sagalac, she had moved among this polyglot people with an assurance of her own separateness which was the position of every girl in the West, but developed in her own case to the nth degree.

Never before had she come so near--not to a man, but to what concerned a man; and never had a man come so near to her or what concerned her inmost life. It was not a question of opportunity or temptation--these always attend the footsteps of those who would adventure; but for long she had fenced herself round with restrictions of her own making; and the secrecy and strangeness of her father's course had made this not only possible, but in a sense imperative.

The end to that had come. Gaiety, daring, passion, elation, depression, were alive in her now, and in a sense had found an outlet in a handful of days--indeed since the day when Jethro Fawe and Max Ingolby had come into her life, each in his own way, for good or for evil. If Ingolby came for good, then Jethro Fawe came for evil. She would have revolted at the suggestion that Jethro Fawe came for good.

Yet, during the last few days, she had been drawn again and again towards the hut in the wood. It was as though a power stronger than herself had ordered her not to wander far from where the Romany claimant of herself awaited his fate. As though Jethro knew she was drawn towards him, he had sung the Gipsy songs which she and Ingolby had heard in the distance. He might have shouted for relief in the hope of attracting the attention of some passer-by, and so found release and brought confusion and perhaps punishment to Gabriel Druse; but that was not possible to him. First and last he was a Romany, good or bad; and it was his duty to obey his Ry of Rys, the only rule which the Romany acknowledged. "Though he slay me, yet will I trust him," he would have said, if he had ever heard the phrase; but in his stubborn way he made the meaning of the phrase the pivot of his own action. If he could but see Fleda face to face, he made no doubt that something would accrue to his advantage. He would not give up the hunt without a struggle.

Twice a day Gabriel Druse had placed food and water inside the door of the hut and locked him fast again, but had not spoken to him save once, and then but to say that his fate had not yet been determined. Jethro's reply had been that he was in no haste, that he could wait for what he came to get; that it was his own--'ay bor'! it was his own, and God or devil could not prevent the thing meant to be from the beginning of the world.

He did not hear Fleda approach the hut; he was singing to himself a song he had learned in Montenegro. There the Romany was held in high regard, because of the help his own father had given to the Montenegrin people, fighting for their independence, by admirable weapons of Gipsy workmanship, setting all the Gipsies in that part of the Balkans at work to supply them.

This was the song he sang

"He gave his soul for a thousand days, The sun was his in the sky, His feet were on the neck of the world He loved his Romany chi.

"He sold his soul for a thousand days, By her side to walk, in her arms to lie; His soul might burn, but her lips were his, And the heart of his Romany chi."

He repeated the last two lines into a rising note of exultation:

"His soul might burn, but her lips were his, And the heart of his Romany chi."

The key suddenly turned in the lock, the door opened on the last words of the refrain, and, without hesitation, Fleda stepped inside, closing the door behind her.

"'Mi Duvel', but who would think--ah, did you hear me call then?" he asked, rising from the plank couch where he had been sitting. He showed his teeth in a smile which was meant to be a welcome, but it had an involuntary malice.

"I heard you singing," she answered composedly, "but I do not come here because I'm called."

"But I do," he rejoined. "You called me from over the seas, and I came. I was in the Balkans; there was trouble--Servia, Montenegro, and Austria were rattling the fire-irons again, and there was I as my father was before me. But I heard you calling, and I came."

"You never heard me call, Jethro Fawe," she returned quietly. "My calling of you is as silent as the singing of the stars, where you are concerned. And the stars do not sing."

"But the stars do sing, and you call just the same," he responded with a twist to his moustache, and posing against the wall. "I've heard the stars sing. What's the noise they make in the heart, if it's not singing? You don't hear with the ears only. The heart hears. It's only a manner of speaking, this talk about the senses. One sense can do the same as all can do and a Romany ought to know how to use one or all. When your heart called I heard it, and across the seas I came. And by long and by last, but I was right in coming."

His impudence at once irritated her and provoked her admiration. She knew by instinct how false he was, and how a lie was as common with him as the truth; but his submission to her father, his indifference to his imprisonment, forced her interest, even as she was humiliated by the fact that he was sib to her, bound by ties of clan and blood apart from his monstrous claim of marriage. He was indeed such a man as a brainless or sensual woman could yield to with ease. He had an insinuating animal grace, that physical handsomeness which marks so many of the Tziganies who fill the red coats of a Gipsy musical sextette! He was not distinguished, yet there was an intelligence in his face, a daring at his lips and chin, which, in the discipline and conventions of organized society, would have made him superior. Now, with all his sleek handsomeness, he looked a cross between a splendid peasant and a chevalier of industry.

She compared him instinctively with Ingolby the Gorgio, as she looked at him. What was it made the difference between the two? It was the world in a man--personality, knowledge of life, the culture of the thousand things which make up civilization: it was personality got from life and power in contest with the ordered world.

Yet was this so after all? Tekewani was only an Indian brave who lived on the bounty of a government, and yet he had presence and an air of command. Tekewani had been a nomad; he had not been bound to one place, settled in one city, held subservient to one flag. But, no, she was wrong: Tekewani had been the servant and child of a system which was as fixed and historical as that of Russia or Spain. He belonged to a people who had traditions and laws of their own; organized communities moving here and there, but carrying with them their system, their laws and their national feeling.

There was the difference. This Romany was the child of irresponsibility, the being that fed upon life, that did not feed life; that left one place in the world to escape into another; that squeezed one day dry, threw it away, and then went seeking another day to bleed; for ever fleeing from yesterday, and using to-day only as a camping-ground. Suddenly, however, she came to a stop in her reflections. Her father, Gabriel Druse, was of the same race as this man, the same unorganized, irresponsible, useless race, with no weight of civic or social duty upon its shoulders--where did he stand? Was he no better than such as Jethro Fawe? Was he inferior to such as Ingolby, or even Tekewani?

She realized that in her father's face there was the look of one who had no place in the ambitious designs of men, who was not a builder, but a wayfarer. She had seen the look often of late, and had never read it until now, when Jethro Fawe stared at her with the boldness of possession, with the insolence of a soul of lust which had had its victories.

She read his look, and while one part of her shrank from him as from some noisome thing, another part of her--to her dismay and anger--understood him, and did not resent him. It was the Past dragging at her life. It was inherited predisposition, the unregulated passions of her forebears, the mating of the fields, the generated dominance of the body, which was not to be commanded into obscurity, but must taunt and tempt her while her soul sickened. She put a hand on herself. She must make this man realize once and for all that they were as far apart as Adam and Cagliostro. "I never called to you," she said at last. "I did not know of your existence, and, if I had, then I certainly shouldn't have called."

"The Gorgios have taken away your mind, or you'd understand," he replied coolly. "Your soul calls and those that understand come. It isn't that you know who hears or who is coming--till he comes."

"A call to all creation!" she answered disdainfully. "Do you think you can impress me by saying things like that?"

"Why not? It's true. Wherever you went in all these years the memory of you kept calling me, my little 'rinkne rakli'--my pretty little girl, made mine by the River Starzke over in the Roumelian country."

"You heard what my father said--"

"I heard what the Duke Gabriel said--'Mi Duvel', I heard enough what he said, and I felt enough what he did!"

He laughed, and began to roll a cigarette mechanically, keeping his eyes fixed on her, however.

"You heard what my father said and what I said, and you will learn that it is true, if you live long enough," she added meaningly.

A look of startled perception flashed into his eyes. If I live long enough, I'll turn you, my mad wife, into my Romany queen and the blessing of my 'tan'."

"Don't mistake what I mean," she urged. "I shall never be ruler of the Romanys. I shall never hear--"

"You'll hear the bosh played-fiddle, they call it in these heathen places--at your second wedding with Jethro Fawe," he rejoined insolently, lighting his cigarette. "Home you'll come with me soon--'ay bor'!"

"Listen to me," she answered with anger tingling in every nerve and fibre. "I come of your race, I was what you are, a child of the hedge and the wood and the road; but that is all done. Home, you say! Home-- in a tent by the roadside or--"

"As your mother lived--where you were bornwell, well, but here's a Romany lass that's forgot her cradle!"

"I have forgotten nothing. I have only moved on. I have only seen that there is a better road to walk than that where people, always looking behind lest they be followed, and always looking in front to find refuge, drop the patrin in the dust or the grass or the bushes for others to follow after--always going on and on because they dare not go back."

Suddenly he threw his cigarette on the ground, and put his heel upon it in fury real or assumed. "Great Heaven and Hell," he exclaimed, "here's a Romany has sold her blood to the devil! And this is the daughter of Gabriel Druse, King and Duke of all the Romanys, him with ancestor King Panuel, Duke of Little Egypt, who had Sigismund, and Charles the Great, and all the kings for friends. By long and by last, but this is a tale to tell to the Romanys of the world!" For reply she went to the door and opened it wide. "Then go and tell it, Jethro Fawe, to all the world. Tell them I am the renegade daughter of Gabriel Druse, ruler of them all. Tell them there is no fault in him, and that he will return to his own people in his own time, but that I, Fleda Druse, will never return-- never! Now, get you gone from here."

The sunlight broke through the trees, and fell in a narrow path of light upon the doorway. A little grey bird fluttered into the radiance and came tripping across the threshold; a whippoorwill called in the ashtrees; and the sweet smell of the thick woodland, of the bracken and fern, crept into the room. The balm of a perfect evening of Summer was upon the face of nature. The world seemed untroubled and serene; but in this hidden but two stormy spirits broke the peace to which the place and the time were all entitled.

After Fleda's scornful words of release and dismissal, Jethro stood for a moment confounded and dismayed. He had not reckoned with this. During their talk it had come to him how simple it would be to overpower any check to his exit, how devilishly easy to put the girl at a disadvantage; but he drove the thought from him. In the first place, he was by no means sure that escape was what he wanted--not yet, at any rate; in the second place, if Gabriel Druse passed the word along the subterranean wires of the Romany world that Jethro Fawe should vanish, he would not long cumber the ground.

Yet it was not cowardice or fear of consequences which had held him back; it was a staggering admiration for this girl who had been given to him in marriage so many years ago. He had fared far and wide in his adventures and amours when he had gold in plenty; and he had swung more than one Gorgio woman in the wild dance of sentiment, dazzling them by the splendour of his passion. The fire gleaming in his dark eyes lighted a face which would have made memorable a picture by Guido. He had fared far and wide, but he had never seen a woman who had seized his imagination as this girl was doing; who roused in him, not the old hot desire, but the hungry will to have a 'tan' of his own, and go travelling down the world with one who alone could satisfy him for all his days.

As he sat in this improvised woodland prison he had had visions of a hundred glades and valleys through which he had passed in days gone by-- in England, in Spain, in Italy, in Roumania, in Austria, in Australia, in India--where his camp-fires had burned. In his visions he had seen her--Fleda Fawe, not Fleda Druse--laying the cloth and bringing out the silver cups, or stretching the Turkey rugs upon the ground to make a couch for two bright-eyed lovers to whom the night was as the day, radiant and full of joy. He had shut his eyes and beheld hillsides where abandoned castles stood, and the fox and the squirrel and the hawk gave shade and welcome to the dusty pilgrims of the road; or, when the wild winds blew in winter, gave shelter and wood for the fire, and a sense of homeliness among the companionable trees.

He had seen himself and this beautiful Romany 'chi' at some village fair, while the lesser Romany folk told fortunes, or bought and sold horses, and the lesser still tinkered or worked in gold or brass; he had seen them both in a great wagon with bright furnishings and brass-girt harness on their horses, lording it over all, rich, dominant and admired. In his visions he had even seen a Romany babe carried in his arms to a Christian church and there baptized in grandeur as became the child of the head of the people. His imagination had also seen his own tombstone in some Christian churchyard near to the church porch, where he would not be lonely when he was dead, but could hear the gossip of the people as they went in and out of church; and on the tombstone some such inscription as he had seen once at Pforzheim--"To the high-born Lord Johann, Earl of Little Egypt, to whose soul God be gracious and merciful."

To be sure, it was a strange thing for a Romany to be buried in a Gorgio churchyard; but it was what had chanced to many great men of the Romanys, such as the high-born Lord Panuel at Steinbrock, and Peter of Kleinschild at Mantua--all of whom had great emblazoned monuments in Christian churches, just to show that in all-levelling death they condescended from high estate to mingle their ashes with the dust of the Gorgio.

He had sought out his chieftain here in the new world in a spirit of adventure, cupidity and desire. He had come like one who betrays, but he acknowledged to a higher force than his own and to superior rights when Gabriel Druse's strong arm brought him low; and, waking to life and consciousness again, he was aware that another force also had levelled him to the earth. That force was this woman's spirit which now gave him his freedom so scornfully; who bade him begone and tell their people everywhere that she was no longer a Romany, while she would go, no doubt --a thousand times without doubt unless he prevented it--to the swaggering Gorgio who had saved her on the Sagalac.

She stood waiting for him to go, as though he could not refuse his freedom. As a bone is tossed to a dog, she gave it to him.

"You have no right to set me free," he said coolly now. "I am not your prisoner. You tell me to take that word to the Romany people--that you leave them for ever. I will not do it. You are a Romany, and a Romany you must stay. You belong nowhere else. If you married a Gorgio, you would still sigh for the camp beneath the stars, for the tambourine and the dance--"

"And the fortune-telling," she interjected sharply, "and the snail-soup, and the dirty blanket under the hedge, and the constable on the road behind, always just behind, watching, waiting, and--"

"The hedge is as clean as the dirty houses where the low-class Gorgios sleep. In faith, you are a long way from the River Starzke!" he added. "But you are my mad wife, and I must wait till you've got sense again."

He sat down on the plank couch, and began to roll a cigarette once more.

"You come fitted out like a Gorgio lass now, and you look like a Gorgio countess, and you have the manners of an Archduchess; but that's nothing; it will peel off like a blister when it's pricked. Underneath is the Romany. It's there, and it will show red and angry when we've stripped off the Gorgio. It's the way with a woman, always acting, always imagining herself something else than what she is--if she's a beggar fancying herself a princess; if she's a princess fancying herself a flower-girl. 'Mi Duvel', but I know you all!"

Every word he said went home. She knew that there was truth in what he said, and that beneath all was the Romany blood; but she meant to conquer it. She had made her vow to one in England that she loved, and she would not change. Whatever happened, she had finished with Romany life, and to go back would only mean black tragedy in the end. A month ago it was a vow and an inner desire which made her determined; to-day it was the vow and a man--a Gorgio whom she had but now left in the woods, gazing after her with the look which a woman so well interprets.

"You mean you won't go free from here? Because I was a Romany, and wish you no harm, I have come here to-day to let you go where you will--to go back to the place where the patrins show where your people travel. I set you free, and you say what you think will hurt and shame me. You have a cruel soul. You would torture any woman till she died. You shall not torture me. You are as far from me as the River Starzke. I could have let you stay here for my father to deal with, but I have set you free. I open the door for you, though you are nothing to me, and I am no more to you than one of the women you have fooled and left to eat the vile bread of the forsaken. You have been, you are a wolf--a wolf."

He got to his feet again, and the blood rushed to his face, so that it seemed almost black. A torrent of mad words gathered in his throat, but they choked him, and in the pause his will asserted itself. He became cool and deliberate.

"You are right, my girl, I have sucked the orange and thrown the skin away, and I've picked flowers and cast them by, but that was before the first day I saw you as you now are. You were standing by the Sagalac looking out to the west where the pack-trains were travelling into the sun over the mountains, and you had your hand on the neck of your pony. I was not ten feet away from you, behind a juniper-bush. I looked at you, and I wished that I had never seen a woman before and could look at the world as you did then--it was like water from a spring, that look. You are right in what you say. By long and by last I had a hard hand, and when I left what I'd struck down I never looked back. But I saw you, and I wished I had never seen a woman before. You have been here alone with me with that door shut. Have I said or done anything that a Gorgio duke wouldn't do? Ah, God's love, but you were bold to come! I married you by the River Starzke; I looked upon you as my wife; and here you were alone with me! I had my rights, and I had been trampled underfoot by your father--"

"By your Chief."

"'Ay bor', by my Chief! I had my wrongs, and I had my rights, and you were mine by Romany law. It was for me here to claim you--here where a Romany and his wife were alone together!"

His eyes were fixed searchingly on hers, as though he would read the effect of his words before he replied, and his voice had a curious, rough note, as though with difficulty he quelled the tempest within him. "I have my rights, and you had spat upon me," he said with ferocious softness.

She did not blench, but looked him steadily in the eyes.

"I knew what would be in your mind," she answered, "but that did not keep me from coming. You would not bite the hand that set you free."

"You called me a wolf a minute ago."

"But a wolf would not bite the hand that freed it from the trap. Yet if such shame could be, I still would have had no fear, for I should have shot you as wolves are shot that come too near the fold."

He looked at her piercingly, and the pupils of his eyes narrowed to a pin-point. "You would have shot me--you are armed?" he questioned.

"Am I the only woman that has armed herself against you and such as you? Do you not see?"

"Mi Duvel, but I do see now with a thousand eyes!" he said hoarsely.

His senses were reeling. Down beneath everything had been the thought that, as he had prevailed with other women, he could prevail with her; that she would come to him in the end. He had felt, but he had declined to see, the significance of her bearing, of her dress, of her speech, of her present mode of life, of its comparative luxury, its social distinction of a kind which lifted her above even the Gorgios by whom she was surrounded. A fatuous belief in himself and in his personal powers had deluded him. He had told the truth when he said that no woman had ever appealed to him as she did; that she had blotted out all other women from the book of his adventurous and dissolute life; and he had dreamed a dream of conquest of her when Fortune should hand out to him the key of the situation. Did not the beautiful Russian countess on the Volga flee from her liege lord and share his 'tan'? When he played his fiddle to the Austrian princess, did she not give him a key to the garden where she walked of an evening? And this was a Romany lass, daughter of his Chieftain, as he was son of a great Romany chief; and what marvel could there be that she who had been made his child wife, should be conquered as others had been!

"'Mi Duvel', but I see!" he repeated in a husky fierceness. "I am your husband, but you would have killed me if I had taken a kiss from your lips, sealed to me by all our tribes and by your father and mine."

"My lips are my own, my life is my own, and when I marry, I shall marry a man of my own choosing, and he will not be a Romany," she replied with a look of resolution which her beating heart belied. "I'm not a pedlar's basket."

"'Kek! Kek'! That's plain," he retorted. "But the 'wolf' is no lamb either! I said I would not go till your father set me free, since you had no right to do so, but a wife should save her husband, and her husband should set himself free for his wife's sake"--his voice rose in fierce irony--"and so I will now go free. But I will not take the word to the Romany people that you are no more of them. I am a true Romany. I disobeyed my 'Ry' in coming here because my wife was here, and I wanted her. I am a true Romany husband who will not betray his wife to her people; but I will have my way, and no Gorgio shall take her to his home. She belongs to my tent, and I will take her there."

Her gesture of contempt, anger and negation infuriated him. "If I do not take you to my 'tan', it will be because I'm dead," he said, and his white teeth showed fiercely.

"I have set you free. You had better go," she rejoined quietly.

Suddenly he turned at the doorway. A look of passion burned in his eyes. His voice became soft and persuasive. "I would put the past behind me, and be true to you, my girl," he said. "I shall be chief over all the Romany people when Duke Gabriel dies. We are sib; give me what is mine. I am yours--and I hold to my troth. Come, beloved, let us go together."

A sigh broke from her lips, for she saw that, bad as he was, there was a moment's truth in his words. "Go while you can," she said. "You are nothing to me."

For an instant he hesitated, then, with a muttered oath, sprang out into the bracken, and was presently lost among the trees.

For a long time she sat in the doorway, and again and again her eyes filled with tears. She felt a cloud of trouble closing in upon her. At last there was the sound of footsteps, and a moment later Gabriel Druse came through the trees towards her. His eyes were sullen and brooding.

"You have set him free?" he asked.

She nodded. "It was madness keeping him here," she said.

"It is madness letting him go," he answered morosely. "He will do harm. 'Ay bor', he will! I might have known--women are chicken-hearted. I ought to have put him out of the way, but I have no heart any more--no heart; I have the soul of a rabbit."

THE WORLD FOR SALE

By Gilbert Parker

Spotted a typo or a problem in this chapter? Tell us

Book II

VIII. THE SULTAN IX. MATTER AND MIND AND TWO MEN X. FOR LUCK XI. THE SENTENCE OF THE PATRIN XII. "LET THERE BE LIGHT" XIII. THE CHAIN OF THE PAST XIV. SUCH THINGS MAY NOT BE XV. THE WOMAN FROM WIND RIVER XVI. THE MAYOR FILLS AN OFFICE XVII. THE MONSEIGNEUR AND THE NOMAD XVIII. THE BEACONS XIX. THE BEEPER OF THE BRIDGE

Spotted a typo or a problem in this chapter? Tell us

VIII. THE SULTAN

Ingolby's square head jerked forwards in stern inquiry and his eyes fastened those of Jowett, the horsedealer. "Take care what you're saying, Jowett," he said. "It's a penitentiary job, if it can be proved. Are you sure you got it right?"

Jowett had unusual shrewdness, some vanity and a humorous tongue. He was a favourite in both towns, and had had the better of both in horse- dealing a score of times.

That did not make him less popular. However, it was said he liked low company, and it was true that though he had "money in the bank," and owned a corner lot or so, he seemed to care little what his company was. His most constant companion was Fabian Osterhaut, who was the common property of both towns, doing a little of everything for a living, from bill-posting to the solicitation of an insurance agent.

For any casual work connected with public functions Osterhaut was indispensable, and he would serve as a doctor's assistant and help cut off a leg, be the majordomo for a Sunday-school picnic, or arrange a soiree at a meeting-house with equal impartiality. He had been known to attend a temperance meeting and a wake in the same evening. Yet no one ever questioned his bona fides, and if he had attended mass at Manitou in the morning, joined a heathen dance in Tekewani's Reserve in the afternoon, and listened to the oleaginous Rev. Reuben Tripple in the evening, it would have been taken as a matter of course.

He was at times profane and impecunious, and he had been shifted from one boarding-house to another till at last, having exhausted credit in Lebanon, he had found a room in the house of old Madame Thibadeau in Manitou. She had taken him in because, in years gone by, he had nursed her only son through an attack of smallpox on the Siwash River, and somehow Osterhaut had always paid his bills to her. He was curiously exact where she was concerned. If he had not enough for his week's board and lodging, he borrowed it, chiefly of Jowett, who used him profitably at times to pass the word about a horse, or bring news of a possible deal.

"It's a penitentiary job, Jowett," Ingolby repeated. "I didn't think Marchand would be so mad as that."

"Say, it's all straight enough, Chief," answered Jowett, sucking his unlighted cigar. "Osterhaut got wind of it--he's staying at old Mother Thibadeau's, as you know. He moves round a lot, and he put me on to it. I took on the job at once. I got in with the French toughs over at Manitou, at Barbazon's Tavern, and I gave them gin--we made it a gin night. It struck their fancy--gin, all gin! 'Course there's nothing in gin different from any other spirit; but it fixed their minds, and took away suspicion.

"I got drunk--oh, yes, of course, blind drunk, didn't I? Kissed me, half a dozen of the Quebec boys did--said I was 'bully boy' and 'hell-fellow'; said I was 'bon enfant'; and I said likewise in my best patois. They liked that. I've got a pretty good stock of monkey-French, and I let it go. They laughed till they cried at some of my mistakes, but they weren't no mistakes, not on your life. It was all done a-purpose. They said I was the only man from Lebanon they wouldn't have cut up and boiled, and they was going to have the blood of the Lebanon lot before they'd done. I pretended to get mad, and I talked wild. I said that Lebanon would get them first, that Lebanon wouldn't wait, but'd have it out; and I took off my coat and staggered about--blind-fair blind boozy. I tripped over some fool's foot purposely, just beside a bench against the wall, and I come down on that bench hard. They laughed--Lord, how they laughed! They didn't mind my givin' 'em fits--all except one or two. That was what I expected. The one or two was mad. They begun raging towards me, but there I was asleep on the bench-stony blind, and then they only spit fire a bit. Some one threw my coat over me. I hadn't any cash in the pockets, not much--I knew better than that--and I snored like a sow. Then it happened what I thought would happen. They talked. And here it is. They're going to have a strike in the mills, and you're to get a toss into the river. That's to be on Friday. But the other thing--well, they all cleared away but two. They were the two that wanted to have it out with me. They stayed behind. There was I snoring like a locomotive, but my ears open all right.

"Well, they give the thing away. One of 'em had just come from Felix Marchand and he was full of it. What was it? Why, the second night of the strike your new bridge over the river was to be blown up. Marchand was to give these two toughs three hundred dollars each for doing it."

"Blown up with what?" Ingolby asked sharply.

"Dynamite."

"Where would they get it?"

"Some left from blasting below the mills."

"All right! Go on."

"There wasn't much more. Old Barbazon, the landlord, come in and they quit talking about it; but they said enough to send 'em to gaol for ten years."

Ingolby blinked at Jowett reflectively, and his mouth gave a twist that lent to his face an almost droll look.

"What good would it do if they got ten years--or one year, if the bridge was blown up? If they got skinned alive, and if Marchand was handed over to a barnful of hungry rats to be gnawed to death, it wouldn't help. I've heard and seen a lot of hellish things, but there's nothing to equal that. To blow up the bridge--for what? To spite Lebanon, and to hurt me; to knock the spokes out of my wheel. He's the dregs, is Marchand."

"I guess he's a shyster by nature, that fellow," interposed Jowett. "He was boilin' hot when he was fifteen. He spoiled a girl I knew when he was twenty-two, not fourteen she was--Lil Sarnia; and he got her away before--well, he got her away East; and she's in a dive in Winnipeg now. As nice a girl--as nice a little girl she was, and could ride any broncho that ever bucked. What she saw in him--but there, she was only a child, just the mind of a child she had, and didn't understand. He'd ha' been tarred and feathered if it'd been known. But old Mick Sarnia said hush, for his wife's sake, and so we hushed, and Sarnia's wife doesn't know even now. I thought a lot of Lil, as much almost as if she'd been my own; and lots o' times, when I think of it, I sit up straight, and the thing freezes me; and I want to get Marchand by the scruff of the neck. I got a horse, the worst that ever was--so bad I haven't had the heart to ride him or sell him. He's so bad he makes me laugh. There's nothing he won't do, from biting to bolting. Well, I'd like to tie Mr. Felix Marchand, Esquire, to his back, and let him loose on the prairie, and pray the Lord to save him if he thought fit. I fancy I know what the Lord would do. And Lil Sarnia's only one. Since he come back from the States, he's the limit, oh, the damnedest limit. He's a pest all round- and now, this!"

Ingolby kept blinking reflectively as Jowett talked. He was doing two things at once with a facility quite his own. He was understanding all Jowett was saying, but he was also weighing the whole situation. His mind was gone fishing, figuratively speaking. He was essentially a man of action, but his action was the bullet of his mind; he had to be quiet physically when he was really thinking. Then he was as one in a dream where all physical motion was mechanical, and his body was acting automatically. His concentration, and therefore his abstraction, was phenomenal. Jowett's reminiscences at a time so critical did not disturb him--did not, indeed, seem to be irrelevant. It was as though Felix Marchand was being passed in review before him in a series of aspects. He nodded encouragement to Jowett to go on.

"It's because Marchand hates you, Chief. The bump he got when you dropped him on the ground that day at Carillon hurts still. It's a chronic inflammation. Closing them railway offices at Manitou, and dislodging the officials give him his first good chance. The feud between the towns is worse now than it's ever been. Make no mistake. There's a whole lot of toughs in Manitou. Then there's religion, and there's race, and there's a want-to-stand-still and leave-me-alone- feeling. They don't want to get on. They don't want progress. They want to throw the slops out of the top windows into the street; they want their cesspools at the front door; they think that everybody's got to have smallpox some time or another, and the sooner they have it the better; they want to be bribed; and they think that if a vote's worth having it's worth paying for--and yet there's a bridge between these two towns! A bridge--why, they're as far apart as the Yukon and Patagonia."

"What'd buy Felix Marchand?" Ingolby asked meditatively. "What's his price?"

Jowett shifted with impatience. "Say, Chief, I don't know what you're thinking about. Do you think you could make a deal with Felix Marchand? Not much. You've got the cinch on him. You could send him to quod, and I'd send him there as quick as lightning. I'd hang him, if I could, for what he done to Lil Sarnia. Years ago when he was a boy he offered me a gold watch for a mare I had. The watch looked as right as could be-- solid fourteen-carat, he said it was. He got my horse, and I got his watch. It wasn't any more gold than he was. It was filled--just plated with nine-carat gold. It was worth about ten dollars."

"What was the mare worth?" asked Ingolby, his mouth twisting again with quizzical meaning.

"That mare--she was all right."

"Yes, but what was the matter with her?"

"Oh, a spavin--she was all right when she got wound up--go like Dexter or Maud S."

"But if you were buying her what would you have paid for her, Jowett? Come now, man to man, as they say. How much did you pay for her?"

"About what she was worth, Chief, within a dollar or two."

"And what was she worth?"

"What I paid for her-ten dollars."

Then the two men looked at each other full in the eyes, and Jowett threw back his head and laughed outright--laughed loud and hard. "Well, you got me, Chief, right under the guard," he observed.

Ingolby did not laugh outright, but there was a bubble of humour in his eyes. "What happened to the watch?" he asked.

"I got rid of it."

"In a horse-trade?"

"No, I got a town lot with it."

"In Lebanon?"

"Well, sort of in Lebanon's back-yard."

"What's the lot worth now?"

"About two thousand dollars!"

"Was it your first town lot?"

"The first lot of Mother Earth I ever owned."

"Then you got a vote on it?"

"Yes, my first vote."

"And the vote let you be a town-councillor?"

"It and my good looks."

"Indirectly, therefore, you are a landowner, a citizen, a public servant, and an instrument of progress because of Felix Marchand. If you hadn't had the watch you wouldn't have had that town lot."

"Well, mebbe, not that lot."

Suddenly Ingolby got to his feet and squared himself, and his face became alight with purpose. His mind had come back from fishing, and he was ready now for action. His plans were formed. He was in for a fight, and he had made up his mind how, with the new information to his hand, he would develop his campaign further.

"You didn't make a fuss about the watch, Jowett. You might have gone to Felix Marchand or to his father and proved him a liar, and got even that way. You didn't; you got a corner lot with it. That's what I'm going to do. I can have Felix Marchand put in the jug, and make his old father, Hector Marchand, sick; but I like old Hector Marchand, and I think he's bred as bad a pup as ever was. I'm going to try and do with this business as you did with that watch. I'm going to try and turn it to account and profit in the end. Felix Marchand's profiting by a mistake of mine--a mistake in policy. It gives him his springboard; and there's enough dry grass in both towns to get a big blaze with a very little match. I know that things are seething. The Chief Constable keeps me posted as to what's going on here, and pretty fairly as to what's going on in Manitou. The police in Manitou are straight enough. That's one comfort. I've done Felix Marchand there. I guess that the Chief Constable of Manitou and Monseigneur Lourde and old Mother Thibadeau are about the only people that Marchand can't bribe. I see I've got to face a scrimmage before I can get what I want."

"What you want you'll have, I bet," was the admiring response.

"I'm going to have a good try. I want these two towns to be one. That'll be good for your town lots, Jowett," he added whimsically. "If my policy is carried out, my town lot'll be worth a pocketful of gold- plated watches or a stud of spavined mares." He chuckled to himself, and his fingers reached towards a bell on the table, but he paused. "When was it they said the strike would begin?" he asked.

"Friday."

"Did they say what hour?"

"Eleven in the morning."

"Third of a day's work and a whole day's pay," he mused. "Jowett," he added, "I want you to have faith. I'm going to do Marchand, and I'm going to do him in a way that'll be best in the end. You can help as much if not more than anybody--you and Osterhaut. And if I succeed, it'll be worth your while."

"I ain't followin' you because it's worth while, but because I want to, Chief."

"I know; but a man--every man--likes the counters for the game." He turned to the table, opened a drawer, and took out a folded paper. He looked it through carefully, wrote a name on it, and handed it to Jowett.

"There's a hundred shares in the Northwest Railway, with my regards, Jowett. Some of the counters of the game."

Jowett handed it back at once with a shake of the head. "I don't live in Manitou," he said. "I'm almost white, Chief. I've never made a deal with you, and don't want to. I'm your man for the fun of it, and because I'd give my life to have your head on my shoulders for one year."

"I'd feel better if you'd take the shares, Jowett. You've helped me, and I can't let you do it for nothing."

"Then I can't do it at all. I'm discharged." Suddenly, however, a humorous, eager look shot into Jowett's face. "Will you toss for it?" he blurted out. "Certainly, if you like," was the reply.

"Heads I win, tails it's yours?"

"Good."

Ingolby took a silver dollar from his pocket, and tossed. It came down tails. Ingolby had won.

"My corner lot against double the shares?" Jowett asked sharply, his face flushed with eager pleasure. He was a born gambler.

"As you like," answered Ingolby with a smile. Ingolby tossed, and they stooped over to look at the dollar on the floor. It had come up heads. "You win," said Ingolby, and turning to the table, took out another hundred shares. In a moment they were handed over.

"You're a wonder, Jowett," he said. "You risked a lot of money. Are you satisfied?"

"You bet, Chief. I come by these shares honestly now."

He picked up the silver dollar from the floor, and was about to put it in his pocket.

"Wait--that's my dollar," said Ingolby.

"By gracious, so it is!" said Jowett, and handed it over reluctantly.

Ingolby pocketed it with satisfaction.

Neither dwelt on the humour of the situation. They were only concerned for the rules of the game, and both were gamesters in their way.

After a few brief instructions to Jowett, and a message for Osterhaut concerning a suit of workman's clothes, Ingolby left his offices and walked down the main street of the town with his normal rapidity, responding cheerfully to the passers-by, but not encouraging evident desire for talk with him. Men half-started forward to him, but he held them back with a restraining eye. They knew his ways. He was responsive in a brusque, inquisitive, but good-humoured and sometimes very droll way; but there were times when men said to themselves that he was to be left alone; and he was so much master of the place that, as Osterhaut and Jowett frequently remarked, "What he says goes!" It went even with those whom he had passed in the race of power.

He had had his struggles to be understood in his first days in Lebanon. He had fought intrigue and even treachery, had defeated groups which were the forces at work before he came to Lebanon, and had compelled the submission of others. All these had vowed to "get back at him," but when it became a question of Lebanon against Manitou they swung over to his side and acknowledged him as leader. The physical collision between the rougher elements of the two towns had brought matters to a head, and nearly every man in Lebanon felt that his honour was at stake, and was ready "to have it out with Manitou."

As he walked along the main street after his interview with Jowett, his eyes wandered over the buildings rising everywhere; and his mind reviewed as in a picture the same thinly inhabited street five years ago when he first came. Now farmers' wagons clacked and rumbled through the prairie dust, small herds of cattle jerked and shuffled their way to the slaughter-yard, or out to the open prairie, and caravans of settlers with their effects moved sturdily forward to the trails which led to a new life beckoning from three points of the compass. That point which did not beckon was behind them. Flaxen-haired Swedes and Norwegians; square- jawed, round-headed North Germans; square-shouldered, loose-jointed Russians with heavy contemplative eyes and long hair, looked curiously at each other and nodded understandingly. Jostling them all, with a jeer and an oblique joke here and there, and crude chaff on each other and everybody, the settler from the United States asserted himself. He invariably obtruded himself, with quizzical inquiry, half contempt and half respect, on the young Englishman, who gazed round with phlegm upon his fellow adventurers, and made up to the sandy-faced Scot or the cheerful Irishman with his hat on the back of his head, who showed in the throng here and there. This was one of the days when the emigrant and settlers' trains arrived both from the East and from "the States," and Front Street in Lebanon had, from early morning, been alive with the children of hope and adventure.

With hands plunged deep in the capacious pockets of his grey jacket, Ingolby walked on, seeing everything; yet with his mind occupied intently, too, on the trouble which must be faced before Lebanon and Manitou would be the reciprocating engines of his policy. Coming to a spot where a great gap of vacant land showed in the street-land which he had bought for the new offices of his railway combine--he stood and looked at it abstractedly. Beyond it, a few blocks away, was the Sagalac, and beyond the Sagalac was Manitou, and a little way to the right was the bridge which was the symbol of his policy. His eyes gazed almost unconsciously on the people and the horses and wagons coming and going upon the bridge. Then they were lifted to the tall chimneys rising at two or three points on the outskirts of Manitou.

"They don't know a good thing when they get it," he said to himself. "A strike--why, wages are double what they are in Quebec, where most of 'em come from! Marchand--"

A hand touched his arm. "Have you got a minute to spare, kind sir?" a voice asked.

Ingolby turned and saw Nathan Rockwell, the doctor. "Ah, Rockwell," he responded cheerfully, "two minutes and a half, if you like! What is it?"

The Boss Doctor, as he was familiarly called by every one, to identify him from the newer importations of medical men, drew from his pocket a newspaper.

"There's an infernal lie here about me," he replied. "They say that I--"

He proceeded to explain the misstatement, as Ingolby studied the paper carefully, for Rockwell was a man worth any amount of friendship.

"It's a lie, of course," Ingolby said firmly as he finished the paragraph. "Well?"

"Well, I've got to deal with it."

"You mean you're going to deny it in the papers?"

"Exactly."

"I wouldn't, Rockwell."

"You wouldn't?"

"No. You never can really overtake a newspaper lie. Lots of the people who read the lie don't see the denial. Your truth doesn't overtake the lie--it's a scarlet runner."

"I don't see that. When you're lied about, when a lie like that--"

"You can't overtake it, Boss. It's no use. It's sensational, it runs too fast. Truth's slow-footed. When a newspaper tells a lie about you, don't try to overtake it, tell another."

He blinked with quizzical good-humour. Rockwell could not resist the audacity. "I don't believe you'd do it just the same," he retorted decisively, and laughing.

"I don't try the overtaking anyhow; I get something spectacular in my own favour to counteract the newspaper lie."

"In what way?"

"For instance, if they said I couldn't ride a moke at a village steeplechase, I'd at once publish the fact that, with a jack-knife, I'd killed two pumas that were after me. Both things would be lies, but the one would neutralize the other. If I said I could ride a moke, nobody would see it, and if it were seen it wouldn't make any impression; but to say I killed two mountain-lions with a jack-knife on the edge of a precipice, with the sun standing still to look at it, is as good as the original lie and better; and I score. My reputation increases."

Nathan Rockwell's equilibrium was restored. "You're certainly a wonder," he declared. "That's why you've succeeded."

"Have I succeeded?"

"Thirty-three-and what you are!"

"What am I?"

"Pretty well master here."

"Rockwell, that'd do me a lot of harm if it was published. Don't say it again. This is a democratic country. They'd kick at my being called master of anything, and I'd have to tell a lie to counteract it."

"But it's the truth, and it hasn't to be overtaken."

A grim look came into Ingolby's face. "I'd like to be master-boss of life and death, holder of the sword and balances, the Sultan, here just for one week. I'd change some things. I'd gag some people that are doing terrible harm. It's a real bad business. The scratch-your-face period is over, and we're in the cut-your-throat epoch."

Rockwell nodded assent, opened the paper again, and pointed to a column. "I expect you haven't seen that. To my mind, in the present state of things, it's dynamite."

Ingolby read the column hastily. It was the report of a sermon delivered the evening before by the Rev. Reuben Tripple, the evangelical minister of Lebanon. It was a paean of the Scriptures accompanied by a crazy charge that the Roman Church forbade the reading of the Bible. It had a tirade also about the Scarlet Woman and Popish idolatry.

Ingolby made a savage gesture. "The insatiable Christian beast!" he growled in anger. "There's no telling what this may do. You know what those fellows are over in Manitou. The place is full of them going to the woods, besides the toughs at the mills and in the taverns. They're not psalm-singing, and they don't keep the Ten Commandments, but they're savagely fanatical, and--"

"And there's the funeral of an Orangeman tomorrow. The Orange Lodge attends in regalia."

Ingolby started and looked at the paper again. "The sneaking, praying liar," he said, his jaw setting grimly. "This thing's a call to riot. There's an element in Lebanon as well that'd rather fight than eat. It's the kind of lie that--"

"That you can't overtake," said the Boss Doctor appositely; "and I don't know that even you can tell another that'll neutralize it. Your prescription won't work here."

An acknowledging smile played at Ingolby's mouth. "We've got to have a try. We've got to draw off the bull with a red rag somehow."

"I don't see how myself. That Orange funeral will bring a row on to us. I can just see the toughs at Manitou when they read this stuff, and know about that funeral."

"It's announced?"

"Yes, here's an invitation in the Budget to Orangemen to attend the funeral of a brother sometime of the banks of the Boyne!"

"Who's the Master of the Lodge?" asked Ingolby. Rockwell told him, urging at the same time that he see the Chief Constable as well, and Monseigneur Lourde at Manitou.

"That's exactly what I mean to do--with a number of other things. Between ourselves, Rockwell, I'd have plenty of lint and bandages ready for emergencies if I were you."

"I'll see to it. That collision the other day was serious enough, and it's gradually becoming a vendetta. Last night one of the Lebanon champions lost his nose."

"His nose--how?"

"A French river-driver bit a third of it off."

Ingolby made a gesture of disgust. "And this is the twentieth century!"

They had moved along the street until they reached a barber-shop, from which proceeded the sound of a violin. "I'm going in here," Ingolby said. "I've got some business with Berry, the barber. You'll keep me posted as to anything important?"

"You don't need to say it. Shall I see the Master of the Orange Lodge or the Chief Constable for you?" Ingolby thought for a minute. "No, I'll tackle them myself, but you get in touch with Monseigneur Lourde. He's grasped the situation, and though he'd like to have Tripple boiled in oil, he doesn't want broken heads and bloodshed."

"And Tripple?"

"I'll deal with him at once. I've got a hold on him. I never wanted to use it, but I will now without compunction. I have the means in my pocket. They've been there for three days, waiting for the chance."

"It doesn't look like war, does it?" said Rockwell, looking up the street and out towards the prairie where the day bloomed like a flower. Blue above--a deep, joyous blue, against which a white cloud rested or slowly travelled westward; a sky down whose vast cerulean bowl flocks of wild geese sailed, white and grey and black, while the woods across the Sagalac were glowing with a hundred colours, giving tender magnificence to the scene. The busy eagerness of a pioneer life was still a quiet, orderly thing, so immense was the theatre for effort and movement. In these wide streets, almost as wide as a London square, there was room to move; nothing seemed huddled, pushing, or inconvenient. Even the disorder of building lost its ugly crudity in the space and the sunlight.

"The only time I get frightened in life is when things look like that," Ingolby answered. "I go round with a life-preserver on me when it seems as if 'all's right with the world.'"

The violin inside the barber-shop kept scraping out its cheap music--a coon-song of the day.

"Old Berry hasn't much business this morning," remarked Rockwell. "He's in keeping with this surface peace."

"Old Berry never misses anything. What we're thinking, he's thinking. I go fishing when I'm in trouble; Berry plays his fiddle. He's a philosopher and a friend."

"You don't make friends as other people do."

"I make friends of all kinds. I don't know why, but I've always had a kind of kinship with the roughs, the no-accounts, and the rogues."

"As well as the others--I hope I don't intrude!"

Ingolby laughed. "You? Oh, I wish all the others were like you. It's the highly respectable members of the community I've always had to watch."

The fiddle-song came squeaking out upon the sunny atmosphere. It arrested the attention of a man on the other side of the street-- a stranger in strange Lebanon. He wore a suit of Western clothes as a military man wears mufti, if not awkwardly, yet with a manner not wholly natural--the coat too tight across the chest, too short in the body. However, the man was handsome and unusual in his leopard way, with his brown curling hair and well-cared-for moustache. It was Jethro Fawe.

Attracted by the sound of the violin, he stayed his steps and smiled scornfully. Then his look fell on the two figures at the door of the barber-shop, and his eyes flashed.

Here was the man he wished to see--Max Ingolby, the man who stood between him and his Romany lass. Here was a chance of speaking face to face with the man who was robbing him. What he should do when they met must be according to circumstances. That did not matter. There was the impulse storming in his brain, and it drove him across the street as the Boss Doctor walked away, and Ingolby entered the shop. All Jethro realized was that the man who stood in his way, the big, rich, masterful Gorgio was there.

He entered the shop after Ingolby, and stood for an instant unseen. The old negro barber with his curly white head, slave-black face, and large, shrewd, meditative eyes was standing in a corner with a violin under his chin, his cheek lovingly resting against it, as he drew his bow through the last bars of the melody. He had smiled in welcome as Ingolby entered, instantly rising from his stool, but continuing to play. He would not have stopped in the middle of a tune for an emperor, and he put Ingolby higher than an emperor. For one who had been born a slave, and had still the scars of the overseer's whip on his back, he was very independent. He cut everybody's hair as he wanted to cut it, trimmed each beard as he wished to trim it, regardless of its owner's wishes. If there was dissent, then his customer need not come again, that was all. There were other barbers in the place, but Berry was the master barber. To have your head massaged by him was never to be forgotten, especially if you found your hat too small for your head in the morning. Also he singed the hair with a skill and care, which had filled many a thinly covered scalp with luxuriant growth, and his hair-tonic, known as "Smilax," gave a pleasant odour to every meeting-house or church or public hall where the people gathered. Berry was an institution even in this new Western town. He kept his place and he forced the white man, whoever he was, to keep his place.

When he saw Jethro Fawe enter the shop he did not stop playing, but his eyes searched the newcomer. Following his glance, Ingolby turned round and saw the Romany. His first impression was one of admiration, but suspicion was quickly added. He was a good judge of men, and there was something secluded about the man which repelled him. Yet he was interested. The dark face had a striking racial peculiarity.

The music died away, and old Berry lowered the fiddle from his chin and gave his attention to the Romany.

"Yeth-'ir?" he said questioningly.

For an instant Jethro was confused. When he entered the shop he had not made up his mind what he should do. It had been mere impulse and the fever of his brain. As old Berry spoke, however, his course opened out.

"I heard. I am a stranger. My fiddle is not here. My fingers itch for the cat-gut. Eh?"

The look in old Berry's face softened a little. His instinct had been against his visitor, and he had been prepared to send him to another shop-besides, not every day could he talk to the greatest man in the West.

"If you can play, there it is," he said after a slight pause, and handed the fiddle over.

It was true that Jethro Fawe loved the fiddle. He had played it in many lands. Twice, in order to get inside the palace of a monarch for a purpose--once in Berlin and once in London--he had played the second violin in a Tzigany orchestra. He turned the fiddle slowly round, looking at it with mechanical intentness. Through the passion of emotion the sure sense of the musician was burning. His fingers smoothed the oval brown breast of the instrument with affection. His eyes found joy in the colour of the wood, which had all the graded, merging tints of Autumn leaves.

"It is old--and strange," he said, his eyes going from Berry to Ingolby and back again with a veiled look, as though he had drawn down blinds before his inmost thoughts. "It was not made by a professional."

"It was made in the cotton-field by a slave," observed old Berry sharply, yet with a content which overrode antipathy to his visitor.

Jethro put the fiddle to his chin, and drew the bow twice or thrice sweepingly across the strings. Such a sound had never come from Berry's violin before. It was the touch of a born musician who certainly had skill, but who had infinitely more of musical passion.

"Made by a slave in the cotton-fields!" Jethro said with a veiled look, and as though he was thinking of something else: "'Dordi', I'd like to meet a slave like that!"

At the Romany exclamation Ingolby swept the man with a searching look. He had heard the Romany wife of Ruliff Zaphe use the word many years ago when he and Charley Long visited the big white house on the hill. Was the man a Romany, and, if so, what was he doing here? Had it anything to do with Gabriel Druse and his daughter? But no--what was there strange in the man being a Romany and playing the fiddle? Here and there in the West during the last two years, he had seen what he took to be Romany faces. He looked to see the effect of the stranger's remark on old Berry.

"I was a slave, and I was like that. My father made that fiddle in the cotton-fields of Georgia," the aged barber said.

The son of a race which for centuries had never known country or flag or any habitat, whose freedom was the soul of its existence, if it had a soul; a freedom defying all the usual laws of social order--the son of that race looked at the negro barber with something akin to awe. Here was a man who had lived a life which was the staring antithesis of his own, under the whip as a boy, confined to compounds; whose vision was constricted to the limits of an estate; who was at the will of one man, to be sold and trafficked with like a barrel of herrings, to be worked at another's will--and at no price! This was beyond the understanding of Jethro Fawe. But awe has the outward look of respect, and old Berry who had his own form of vanity, saw that he had had a rare effect on the fellow, who evidently knew all about fiddles. Certainly that was a wonderful sound he had produced from his own cotton-field fiddle.

In the pause Ingolby said to Jethro Fawe, "Play something, won't you? I've got business here with Mr. Berry, but five minutes of good music won't matter. We'd like to hear him play--wouldn't we, Berry?"

The old man nodded assent. "There's plenty of music in the thing," he said, "and a lot could come out in five minutes, if the right man played it."

His words were almost like a challenge, and it reached to Jethro's innermost nature. He would show this Gorgio robber what a Romany could do, and do as easily as the birds sing. The Gorgio was a money-master, they said, but he would find that a Romany was a master, too, in his own way. He thought of one of the first pieces he had ever heard, a rhapsody which had grown and grown, since it was first improvised by a Tzigany in Hungary. He had once played it to an English lady at the Amphitryon Club in London, and she had swooned in the arms of her husband's best friend. He had seen men and women avert their heads when he had played it, daring not to look into each other's eyes. He would play it now--a little of it. He would play it to her--to the girl who had set him free in the Sagalac woods, to the ravishing deserter from her people, to the only woman who had told him the truth in all his life, and who insulated his magnetism as a ground-wire insulates lightning. He would summon her here by his imagination, and tell her to note how his soul had caught the music of the spheres. He would surround himself with an atmosphere of his own. His rage, his love, and his malignant hate, his tenderness and his lust should fill the barber's shop with a flood which would drown the Gorgio raider. He laughed to himself, almost unconsciously. Then suddenly he leaned his cheek to the instrument and drew the bow across the strings with a savage softness. The old cottonfield fiddle cried out with a thrilling, exquisite pain, but muffled, as a hand at the lips turns agony into a tender moan. Some one--some spirit--in the fiddle was calling for its own.

Five minutes later-a five minutes in which people gathered at the door of the shop, and heads were thrust inside in ravished wonder--the palpitating Romany lowered the fiddle from his chin, and stood for a minute looking into space, as though he saw a vision.

He was roused by old Berry's voice. "Das a fiddle I wouldn't sell for a t'ousand dollars. If I could play like dat I wouldn't sell it for ten t'ousand. You kin play a fiddle to make it worth a lot--you."

The Romany handed back the instrument. "It's got something inside it that makes it better than it is. It's not a good fiddle, but it has something--ah, man alive, it has something!" It was as though he was talking to himself.

Berry made a quick, eager gesture. "It's got the cotton-fields and the slave days in it. It's got the whip and the stocks in it; it's got the cry of the old man that'd never see his children ag'in. That's what the fiddle's got in it."

Suddenly, in an apparent outburst of anger, he swept down on the front door and drove the gathering crowd away.

"Dis is a barber-shop," he said with an angry wave of his hand; "it ain't a circuse."

One man protested. "I want a shave," he said. He tried to come inside, but was driven back.

"I ain't got a razor that'd cut the bristle off your face," the old barber declared peremptorily; "and, if I had, it wouldn't be busy on you. I got two customers, and that's all I'm going to take befo' I have my dinner. So you git away. There ain't goin' to be no more music."

The crowd drew off, for none of them cared to offend this autocrat of the shears and razor.

Ingolby had listened to the music with a sense of being swayed by a wind which blew from all quarters of the compass at once. He loved music; it acted as a clearing-house to his mind; and he played the piano himself with the enthusiasm of a wilful amateur, who took liberties with every piece he essayed. There was something in this fellow's playing which the great masters, such as Paganini, must have had. As the music ceased, he did not speak, but remained leaning against the great red-plush barber's chair looking reflectively at the Romany. Berry, however, said to the still absorbed musician: "Where did you learn to play?"

The Romany started, and a flush crossed his face. "Everywhere," he answered sullenly.

"You've got the thing Sarasate had," Ingolby observed. "I only heard him play but once--in London years ago: but there's the same something in it. I bought a fiddle of Sarasate. I've got it now."

"Here in Lebanon?" The eyes of the Romany were burning. An idea had just come into his brain. Was it through his fiddling that he was going to find a way to deal with this Gorgio, who had come between him and his own?

"Only a week ago it came," Ingolby replied. "They actually charged me Customs duty on it. I'd seen it advertised, and I made an offer and got it at last."

"You have it here--at your house here?" asked old Berry in surprise.

"It's the only place I've got. Did you think I'd put it in a museum? I can't play it, but there it is for any one that can play. How would you like to try it?" he added to Jethro in a friendly tone. "I'd give a good deal to see it under your chin for an hour. Anyhow, I'd like to show it to you. Will you come?"

It was like him to bring matters to a head so quickly.

The Romany's eyes glistened. "To play the Sarasate alone to you?" he asked.

"That's it-at nine o'clock to-night, if you can."

"I will come--yes, I will come," Jethro answered, the lids drooping over his eyes in which were the shadows of the first murder of the created world.

"Here is my address, then." Ingolby wrote something on his visiting- card. "My man'll let you in, if you show that. Well, good-bye."

The Romany took the card, and turned to leave. He had been dismissed by the swaggering Gorgio, as though he was a servant, and he had not even been asked his name, of so little account was he! He could come and play on the Sarasate to the masterful Gorgio at the hour which the masterful Gorgio fixed--think of that! He could be--a servant to the pleasure of the man who was stealing from him the wife sealed to him in the Roumelian country. But perhaps it was all for the best--yes, he would make it all for the best! As he left the shop, however, and passed down the street his mind remained in the barber-shop. He saw in imagination the masterful Gorgio in the red-plush chair, and the negro barber bending over him, with black fingers holding the Gorgio's chin, and an open razor in the right hand lightly grasped. A flash of malicious desire came into his eyes as the vision shaped itself in his imagination, and he saw himself, instead of the negro barber, holding the Gorgio chin and looking down at the Gorgio throat with the razor, not lightly, but firmly grasped in his right hand. How was it that more throats were not cut in that way? How was it that while the scissors passed through the beard of a man's face the points did not suddenly slip up and stab the light from helpless eyes? How was it that men did not use their chances? He went lightly down the street, absorbed in a vision which was not like the reality; but it was evidence that his visit to Max Ingolby's house was not the visit of a virtuoso alone, but of an evil spirit.

As the Romany disappeared, Max Ingolby had his hand on the old barber's shoulder. "I want one of the wigs you made for that theatrical performance of the Mounted Police, Berry," he said. "Never mind what it's for. I want it at once--one with the long hair of a French-Canadian coureur-de-bois. Have you got one?"

"Suh, I'll send it round-no, I'll bring it round as I come from dinner. Want the clothes, too?"

"No. I'm arranging for them with Osterhaut. I've sent word by Jowett."

"You want me to know what it's for?"

"You can know anything I know--almost, Berry. You're a friend of the right sort, and I can trust you."

"Yeth-'ir, I bin some use to you, onct or twict, I guess."

"You'll have a chance to be of use more than ever presently."

"Suh, there's gain' to be a bust-up, but I know who's comin' out on the top. That Felix Marchand and his roughs can't down you. I hear and see a lot, and there's two or three things I was goin' to put befo' you; yeth-'ir."

He unloaded his secret information to his friend, and was rewarded by Ingolby suddenly shaking his hand warmly.

"That's the line," Ingolby said decisively. "When do you go over to Manitou again to cut old Hector Marchand's hair? Soon?"

"To-day is his day--this evening," was the reply.

"Good. You wanted to know what the wig and the habitant's clothes are for, Berry--well, for me to wear in Manitou. In disguise I'm going there tonight among them all, among the roughs and toughs. I want to find out things for myself. I can speak French as good as most of 'em, and I can chew tobacco and swear with the best."

"You suhly are a wonder," said the old man admiringly. "How you fin' the time I got no idee."

"Everything in its place, Berry, and everything in its time. I've got a lot to do to-day, but it's in hand, and I don't have to fuss. You'll not forget the wig--you'll bring it round yourself?"

"Suh. No snoopin' into the parcel then. But if you go to Manitou to-night, how can you have that fiddler?"

"He comes at nine o'clock. I'll go to Manitou later. Everything in its own time."

He was about to leave the shop when some one came bustling in. Berry was between Ingolby and the door, and for an instant he did not see who it was. Presently he heard an unctuous voice: "Ah, good day, good day, Mr. Berry. I want to have my hair cut, if you please," it said.

Ingolby smiled. The luck was with him to-day so far. The voice belonged to the Rev. Reuben Tripple, and he would be saved a journey to the manse. Accidental meetings were better than planned interviews. Old Berry's grizzled beard was bristling with repugnance, and he was about to refuse Mr. Tripple the hospitality of the shears when Ingolby said: "You won't mind my having a word with Mr. Tripple first, will you, Berry? May we use your back parlour?"

A significant look from Ingolby's eyes gave Berry his cue.

"Suh, Mr. Ingolby. I'm proud." He opened the door of another room.

Mr. Tripple had not seen Ingolby when he entered, and he recognized him now with a little shock of surprise. There was no reason why he should not care to meet the Master Man, but he always had an uncanny feeling when his eye met that of Ingolby. His apprehension had no foundation in any knowledge, yet he had felt that Ingolby had no love for him, and this disturbed the egregious vanity of a narrow nature. His slouching, corpulent figure made an effort to resist the gesture with which Ingolby drew him to the door, but his will succumbed, and he shuffled importantly into the other room.

Ingolby shut the door quietly behind him, and motioned the minister to a chair beside the table. Tripple sank down, mechanically smiling, placed his hat on the floor, and rested his hands on the table. Ingolby could not help but notice how coarse the hands were--with fingers suddenly ending as though they had been cut off, and puffy, yellowish skin that suggested fat foods, or worse.

Ingolby came to grips at once. "You preached a sermon last night which no doubt was meant to do good, but will only do harm," he said abruptly.

The flabby minister flushed, and then made an effort to hold his own.

"I speak as I am moved," he said, puffing out his lips. "You spoke on this occasion before you were moved--just a little while before," answered Ingolby grimly. "The speaking was last night, the moving comes today."

"I don't get your meaning," was the thick rejoinder. The man had a feeling that there was some real danger ahead.

"You preached a sermon last night which might bring riot and bloodshed between these two towns, though you knew the mess that's brewing."

"My conscience is my own. I am responsible to my Lord for words which I speak in His name, not to you."

"Your conscience belongs to yourself, but your acts belong to all of us. If there is trouble at the Orange funeral to-morrow it will be your fault. The blame will lie at your door."

"The sword of the Spirit--"

"Oh, you want the sword, do you? You want the sword, eh?" Ingolby's jaw was set now like a millstone. "Well, you can have it, and have it now. If you had taken what I said in the right way, I would not have done what I'm going to do. I'm going to send you out of Lebanon. You're a bad and dangerous element here. You must go."

"Who are you to tell me I must go?"

The fat hands quivered on the table with anger and emotion, but also with fear of something. "You may be a rich man and own railways, but--"

"But I am not rich and I don't own railways. Lately bad feeling has been growing on the Sagalac, and only a spark was needed to fire the ricks. You struck the spark in your sermon last night. I don't see the end of it all. One thing is sure--you're not going to take the funeral service to-morrow."

The slack red lips of the man of God were gone dry with excitement, the loose body swayed with the struggle to fight it out.

"I'll take no orders from you," the husky voice protested. "My conscience alone will guide me. I'll speak the truth as I feel it, and the people will stand by me."

"In that case you WILL take orders from me. I'm going to save the town from what hurts it, if I can. I've got no legal rights over you, but I have moral rights, and I mean to enforce them. You gabble of conscience and truth, but isn't it a new passion with you--conscience and truth?"

He leaned over the table and fastened the minister's eyes with his own. "Had you the same love of conscience and truth at Radley?"

A whiteness passed over the flabby face, and the beady eyes took on a glazed look. Fight suddenly died out of them.

"You went on a missionary tour on the Ottawa River. At Radley you toiled and rested from your toil--and feasted. The girl had no father or brother, but her uncle was a railway-man. He heard where you were, and he hired with my company to come out here as a foreman. He came to drop on you. The day after he came he had a bad accident. I went to see him. He told me all; his nerves were unstrung, you observe. He meant to ruin you, as you ruined the girl. He had proofs enough. The girl herself is in Winnipeg. Well, I know life, and I know man and man's follies and temptations. I thought it a pity that a career and a life like yours should be ruined--"

A groan broke from the twitching lips before him, and a heavy sweat stood out on the round, rolling forehead.

"If the man spoke, I knew it would be all up with you, for the world is very hard on men of God who fall. I've seen men ruined before this, because of an hour's passion and folly. I said to myself that you were only human, and that maybe you had paid heavy in remorse and fear. Then there was the honour of the town of Lebanon. I couldn't let the thing take its course. I got the doctor to tell the man that he must go for special treatment to a hospital in Montreal, and I--well, I bought him off on his promising to keep his mouth shut. He was a bit stiff in terms, because he said the girl needed the money. The child died, luckily for you. Anyhow I bought him off, and he went. That was a year ago. I've got all the proofs in my pocket, even to the three silly letters you wrote her when your senses were stronger than your judgment. I was going to see you about them to-day."

He took from his pocket a small packet, and held them before the other's face. "Have a good look at your own handwriting, and see if you recognize it," Ingolby continued.

But the glazed, shocked eyes did not see. Reuben Tripple had passed the several stages of horror during Ingolby's merciless arraignment, and he had nearly collapsed before he heard the end of the matter. When he knew that Ingolby had saved him, his strength gave way, and he trembled violently. Ingolby looked round and saw a jug of water. Pouring out a glassful, he thrust it into the fat, wrinkled fingers.

"Drink and pull yourself together," he said sternly. The shaken figure straightened itself, and the water was gulped down. "I thank you," he said in a husky voice.

"You see I treated you fairly, and that you've been a fool?" Ingolby asked with no lessened determination.

"I have tried to atone, and--"

"No, you haven't had the right spirit to atone. You were fat with vanity and self-conceit. I've watched you."

"In future I will--"

"Well, that rests with yourself, but your health is bad, and you're not going to take the funeral tomorrow. You've had a sudden breakdown, and you're going to get a call from some church in the East--as far East as Yokohama or Bagdad, I hope; and leave here in a few weeks. You understand? I've thought the thing out, and you've got to go. You'll do no good to yourself or others here. Take my advice, and wherever you go, walk six miles a day at least, work in a garden, eat half as much as you do, and be good to your wife. It's bad enough for any woman to be a parson's wife, but to be a parson's wife and your wife, too, wants a lot of fortitude."

The heavy figure lurched to the upright, and steadied itself with a force which had not yet been apparent.

"I'll do my best--so help me God!" he said and looked Ingolby squarely in the face for the first time.

"All right, see you keep your word," Ingolby replied, and nodded good- bye.

The other went to the door, and laid a hand on the knob.

Suddenly Ingolby stopped him, and thrust a little bundle of bills into his hand. "There's a hundred dollars for your wife. It'll pay the expense of moving," he said.

A look of wonder, revelation and gratitude crept into Tripple's face. "I will keep my word, so help me God!" he said again.

"All right, good-bye," responded Ingolby abruptly, and turned away.

A moment afterwards the door closed behind the Rev. Reuben Tripple and his influence in Lebanon. "I couldn't shake hands with him," said Ingolby to himself, "but I'm glad he didn't sniffle. There's some stuff in him--if it only has a chance."

"I've done a good piece of business, Berry," he said cheerfully as he passed through the barber-shop. "Suh, if you say so," said the barber, and they left the shop together.

Spotted a typo or a problem in this chapter? Tell us

IX. MATTER AND MIND AND TWO MEN

Promptly at nine o'clock Jethro Fawe knocked at Ingolby's door, and was admitted by the mulatto man-servant Jim Beadle, who was to Ingolby like his right hand. It was Jim who took command of his house, "bossed" his two female servants, arranged his railway tours, superintended his kitchen--with a view to his own individual tastes; valeted him, kept his cigars within a certain prescribed limit by a firm actuarial principle which transferred any surplus to his own use; gave him good advice, weighed up his friends and his enemies with shrewd sense; and protected him from bores and cranks, borrowers and "dead-beats."

Jim was accustomed to take a good deal of responsibility, and had more than once sent people to the right-about who had designs on his master, even though they came accredited. On such occasions he did not lie to protect himself when called to account, but told the truth pertinaciously. He was obstinate in his vanity, and carried off his mistakes with aplomb. When asked by Ingolby what he called the Governor General when he took His Excellency over the new railway in Ingolby's private car, he said, "I called him what everybody called him. I called him 'Succelency.'" And "Succelency" for ever after the Governor General was called in the West. Jim's phonetic mouthful gave the West a roar of laughter and a new word to the language. On another occasion Jim gave the West a new phrase to its vocabulary which remains to this day. Having to take the wife of a high personage of the neighbouring Republic over the line in the private car, he had astounded his master by presenting a bill for finger-bowls before the journey began. Ingolby said to him, "Jim, what the devil is this--finger-bowls in my private car? We've never had finger-bowls before, and we've had everybody as was anybody to travel with us." Jim's reply was final. "Say," he replied, "we got to have 'em. Soon's I set my eyes on that lady I said: 'She's a finger-bowl lady.'"

"'Finger-bowl lady' be hanged, Jim, we don't--" Ingolby protested, but Jim waved him down.

"Say," he said decisively, "she'll ask for them finger-bowls--she'll ask for 'em, and what'd I do if we hadn't got 'em."

She did ask for them; and henceforth the West said of any woman who put on airs and wanted what she wasn't born to: "She's a finger-bowl lady."

It was Jim who opened the door to Jethro Fawe, and his first glance was one of prejudice. His quick perception saw that the Romany wore clothes not natural to him. He felt the artificial element, the quality of disguise. He was prepared to turn the visitor away, no matter what he wanted, but Ingolby's card handed to him by the Romany made him pause. He had never known his master give a card like that more than once or twice in the years they had been together. He fingered the card, scrutinized it carefully, turned it over, looked heavenward reflectively, as though the final permission for the visit remained with him, and finally admitted the visitor.

"Mr. Ingolby ain't in," he said. "He went out a little while back. You got to wait," he added sulkily, as he showed the Romany into Ingolby's working-room.

As Jim did so, he saw lying on a chair a suit of clothes on top of which were a wig and false beard and moustache. Instantly he got between the visitor and the make-up. The parcel was closed when he was in the room a half-hour before. Ingolby had opened it since, had been called out, and had forgotten to cover the things up or put them away.

"Sit down," Jim said to the Romany, still covering the disguise. Then he raised them in his arms, and passed with them into another room, muttering angrily to himself.

The Romany had seen, however. They were the first things on which his eyes had fallen when he entered the room. A wig, a false beard, and workman's clothes! What were they for? Were these disguises for the Master Gorgio? Was he to wear them? If so, he--Jethro Fawe--would watch and follow him wherever he went. Had these disguises to do with Fleda-- with his Romany lass?

His pulses throbbed; he was in an overwrought mood. He was ready for any illusion, susceptible to any vagary of the imagination.

He looked round the room. So this was the way the swaggering, masterful Gorgio lived?

Here were pictures and engravings which did not seem to belong to a new town in a new land, where everything was useful or spectacular. Here was a sense of culture and refinement. Here were finished and unfinished water-colours done by Ingolby's own hand or bought by him from some hard- up artist earning his way mile by mile, as it were. Here were books, not many, but well-bound and important-looking, covering fields in which Jethro Fawe had never browsed, into which, indeed, he had never entered. If he had opened them he would have seen a profusion of marginal notes in pencil, and slips of paper stuck in the pages to mark important passages.

He turned from them to the welcome array of weapons on the walls-rifles, shotguns, Indian bows, arrows and spears, daggers, and great sheath- knives such as are used from the Yukon to Bolivia, and a sabre with a faded ribbon of silk tied to the handle. This was all that Max Ingolby had inherited from his father--that artillery sabre which he had worn in the Crimea and in the Indian Mutiny. Jethro's eyes wandered eagerly over the weapons, and, in imagination, he had each one in his hand. From the pained, angry confusion he felt when he looked at the books had emerged a feeling of fanaticism, of feud and war, in which his spirit regained its own kind of self-respect. In looking at the weapons he was as good a man as any Gorgio. Brains and books were one thing, but the strong arm, the quick eye, and the deft lunge home with the sword or dagger were better; they were of a man's own skill, not the acquired skill of another's brains which books give. He straightened his shoulders till he looked like a modern actor playing the hero in a romantic drama, and with quick vain motions he stroked and twisted his brown moustache, and ran his fingers through his curling hair. In truth he was no coward; and his conceit would not lessen his courage when the test of it came.

As his eyes brightened from gloom and sullenness to valiant enmity, they suddenly fell on a table in a corner where lay a black coffin-shaped thing of wood. In this case, he knew, was the Sarasate violin. Sarasate--once he had paid ten lira to hear Sarasate play the fiddle in Turin, and the memory of it was like the sun on the clouds to him now. In music such of him as was real found a home. It fed everything in him --his passion, his vanity; his vagabond taste, his emotions, his self- indulgence, his lust. It was the means whereby he raised himself to adventure and to pilgrimage, to love and license and loot and spying and secret service here and there in the east of Europe. It was the flagellation of these senses which excited him to do all that man may do and more.

He was going to play to the masterful Gorgio, and he would play as he had never played before. He would pour the soul of his purpose into the music--to win back or steal back, the lass sealed to him by the Starzke River.

"Kismet!" he said aloud, and he rose from the chair to go to the violin, but as he did so the door opened and Ingolby entered.

"Oh, you're here, and longing to get at it," he said pleasantly.

He had seen the look in the eyes of the Romany as he entered, and noted which way his footsteps were tending. "Well, we needn't lose any time, but will you have a drink and a smoke first?" he added.

He threw his hat in a corner, and opened a spirittable where shone a half dozen cut-glass, tumblers and several well-filled bottles, while boxes of cigars and cigarettes flanked them. It was the height of modern luxury imported from New York, and Jethro eyed it with envious inward comment. The Gorgio had the world on his key-chain! Every door would open to him --that was written on his face--unless Fate stepped in and closed all doors!

The door of Fleda's heart had already been opened, but he had not yet made his bed in it, and there was still time to help Fate, if her mystic finger beckoned.

Jethro nodded in response to Ingolby's invitation to drink. "But I do not drink much when I play," he remarked. "There's enough liquor in the head when the fiddle's in the hand. 'Dadia', I do not need the spirit to make the pulses go!"

"As little as you like then, if you'll only play as well as you did this afternoon," Ingolby said cheerily. "I will play better," was the reply.

"On Sarasate's violin--well, of course."

"Not only because it is Sarasate's violin, 'Kowadji'!" "Kowadji! Oh, come now, you may be a Gipsy, but that doesn't mean that you're an Egyptian or an Arab. Why Arabic--why 'kowadji'?"

The other shrugged his shoulders. "Who can tell I speak many languages. I do not like the Mister. It is ugly in the ear. Monsieur, signor, effendi, kowadji, they have some respect in them."

"You wanted to pay me respect, eh?"

"You have Sarasate's violin!"

"I have a lot of things I could do without."

"Could you do without the Sarasate?"

"Long enough to hear you play it, Mr.--what is your name, may I ask?"

"My name is Jethro Fawe."

"Well, Jethro Fawe, my Romany 'chal', you shall show me what a violin can do."

"You know the Romany lingo?" Jethro asked, as Ingolby went over to the violin-case.

"A little--just a little."

"When did you learn it?" There was a sudden savage rage in Jethro's heart, for he imagined Fleda had taught Ingolby.

"Many a year ago when I could learn anything and remember anything and forget anything." Ingolby sighed. "But that doesn't matter, for I know only a dozen words or so, and they won't carry me far."

He turned the violin over in his hands. "This ought to do a bit more than the cotton-field fiddle," he said dryly.

He snapped the strings, looking at it with the love of the natural connoisseur. "Finish your drink and your cigarette. I can wait," he added graciously. "If you like the cigarettes, you must take some away with you. You don't drink much, that's clear, therefore you must smoke. Every man has some vice or other, if it's only hanging on to virtue too tight."

He laughed eagerly. Strange that he should have a feeling of greater companionship for a vagabond like this than for most people he met. Was it some temperamental thing in him? "Dago," as he called the Romany inwardly, there was still a bond between them. They understood the glory of a little instrument like this, and could forget the world in the light on a great picture. There was something in the air they breathed which gave them easier understanding of each other and of the world.

Suddenly with a toss Jethro drained the glass of spirit, though he had not meant to do so. He puffed the cigarette an instant longer, then threw it on the floor, and was about to put his foot on it, when Ingolby stopped him.

"I'm a slave," he said. "I've got a master. It's Jim. Jim's a hard master, too. He'd give me fits if we ground our cigarette ashes into the carpet."

He threw the refuse into a flower-pot.

"That squares Jim. Now let's turn the world inside out," he proceeded. He handed the fiddle over. "Here's the little thing that'll let you do the trick. Isn't it a beauty, Jethro Fawe?"

The Romany took it, his eyes glistening with mingled feelings. Hatred was in his soul, and it showed in the sidelong glance as Ingolby turned to place a chair where he could hear and see comfortably; yet he had the musician's love of the perfect instrument, and the woods and the streams and the sounds of night and the whisperings of trees and the ghosts that walked in lonely places and called across the glens--all were pouring into his brain memories which made his pulses move far quicker than the liquor he had drunk could do.

"What do you wish?" he asked as he tuned the fiddle.

Ingolby laughed good-humouredly. "Something Eastern; something you'd play for yourself if you were out by the Caspian Sea. Something that has life in it."

Jethro continued to tune the fiddle carefully and abstractedly. His eyes were half-closed, giving them a sulky look, and his head was averted. He made no reply to Ingolby, but his head swayed from side to side in that sensuous state produced by self-hypnotism, so common among the half- Eastern races. By an effort of the will they send through the nerves a flood of feeling which is half-anaesthetic, half-intoxicant. Carried into its fullest expression it drives a man amok or makes of him a howling dervish, a fanatic, or a Shakir. In lesser intensity it produces the musician of the purely sensuous order, or the dancer that performs prodigies of abandoned grace. Suddenly the sensuous exaltation had come upon Jethro Fawe. It was as though he had discharged into his system from some cells of his brain a flood which coursed like a stream of soft fire.

In the pleasurable pain of such a mood he drew his bow across the strings with a sweeping stroke, and then, for an instant, he ran hither and thither on the strings testing the quality and finding the range and capacity of the instrument. It was a scamper of hieroglyphics which could only mean anything to a musician.

"Well, what do you think of him?" Ingolby asked as the Romany lowered the bow. "Paganini--Joachim--Sarasate--any one, it is good enough," was the half-abstracted reply.

"It is good enough for you--almost, eh?"

Ingolby meant his question as a compliment, but an evil look shot into the Romany's face, and the bow twitched in his hand. He was not Paganini or Sarasate, but that was no reason why he should be insulted.

Ingolby's quick perception saw, however, what his words had done, and he hastened to add: "I believe you can get more out of that fiddle than Sarasate ever could, in your own sort of music anyhow. I've never heard any one play half so well the kind of piece you played this afternoon. I'm glad I didn't make a fool of myself buying the fiddle. I didn't, did I? I gave five thousand dollars for it."

"It's worth anything to the man that loves it," was the Romany's response. He was mollified by the praise he had received.

He raised the fiddle slowly to his chin, his eyes wandering round the room, then projecting themselves into space, from which they only returned to fix themselves on Ingolby with the veiled look which sees but does not see--such a look as an oracle, or a death-god, or a soulless monster of some between-world, half-Pagan god would wear. Just such a look as Watts's "Minotaur" wears in the Tate Gallery in London.

In an instant he was away in a world which was as far off from this world as Jupiter is from Mars. It was the world of his soul's origin--a place of beautiful and yet of noisome creations also; of white mountains and green hills, and yet of tarns in which crawled evil things; a place of vagrant, hurricanes and tidal-waves and cloud-bursts, of forests alive with quarrelling! and affrighted beasts. It was a place where birds sang divinely, yet where obscene fowls of prey hovered in the blue or waited by the dying denizens of the desert or the plain; where dark-eyed women heard, with sidelong triumph, the whispers of passion; where sweet- faced children fled in fear from terrors undefined; where harpies and witch-women and evil souls waited in ambush; or scurried through the coverts where men brought things to die; or where they fled for futile refuge from armed foes. It was a world of unbridled will, this, where the soul of Jethro Fawe had its origin; and to it his senses fled involuntarily when he put Sarasate's fiddle to his chin this Autumn evening.

From that well of the First Things--the first things of his own life, the fount from which his forebears drew, backwards through the centuries, Jethro Fawe quickly drank his fill; and then into the violin he poured his own story--no improvisation, but musical legends and classic fantasies and folk-breathings and histories of anguished or joyous haters or lovers of life; treated by the impressionist who made that which had been in other scenes to other men the thing of the present and for the men who are. That which had happened by the Starzke River was now of the Sagalac River. The passions and wild love and irresponsible deeds of the life he had lived in years gone by were here.

It was impossible for Ingolby to resist the spell of the music. Such abandonment he had never seen in any musician, such riot of musical meaning he had never heard. He was conscious of the savagery and the bestial soul of vengeance which spoke through the music, and drowned the joy and radiance and almost ghostly and grotesque frivolity of the earlier passages; but it had no personal meaning to him, though at times it seemed when the Romany came near and bent over him with the ecstatic attack of the music, as though there was a look in the black eyes like that of a man who kills. It had, of course, nothing to do with him; it was the abandonment of a highly emotional nature, he thought.

It was only after he had been playing, practically without ceasing, for three-quarters of an hour, that there came to Ingolby the true interpretation of the Romany mutterings through the man's white, wolf- like teeth. He did not shrink, however, but kept his head and watched.

Once, as the musician flung his body round in a sweep of passion, Ingolby saw the black eyes flash to the weapons on the wall with a malign look which did not belong to the music alone, and he took a swift estimate of the situation. Why the man should have any intentions against him, he could not guess, except that he might be one of the madmen who have a vendetta against the capitalist. Or was he a tool of Felix Marchand? It did not seem possible, and yet if the man was penniless and an anarchist maybe, there was the possibility. Or--the blood rushed to his face--or it might be that the Gipsy's presence here, this display of devilish antipathy, as though it were all part of the music, was due, somehow, to Fleda Druse.

The music swelled to a swirling storm, crashed and flooded the feelings with a sense of shipwreck and chaos, through which a voice seemed to cry- the quiver and delicate shrillness of one isolated string--and then fell a sudden silence, as though the end of all things had come; and on the silence the trembling and attenuated note which had quivered on the lonely string, rising, rising, piercing the infinite distance and sinking into silence again.

In the pause which followed the Romany stood panting, his eyes fixed on Ingolby with an evil exaltation which made him seem taller and bigger than he was, but gave him, too, a look of debauchery like that on the face of a satyr. Generations of unbridled emotion, of license of the fields and the covert showed in his unguarded features.

"What did the single cry--the motif--express?" Ingolby asked coolly. "I know there was catastrophe, the tumblings of avalanches, but the voice that cried-the soul of a lover, was it?"

The Romany's lips showed an ugly grimace. "It was the soul of one that betrayed a lover, going to eternal tortures."

Ingolby laughed carelessly. "It was a fine bit of work. Sarasate would have been proud of his fiddle if he could have heard. Anyhow he couldn't have played that. Is it Gipsy music?"

"It is the music of a 'Gipsy,' as you call it."

"Well, it's worth a year's work to hear," Ingolby replied admiringly, yet acutely conscious of danger. "Are you a musician by trade?" he asked.

"I have no trade." The glowing eyes kept scanning the wall where the weapons hung, and as though without purpose other than to get a pipe from the rack on the wall, Ingolby moved to where he could be prepared for any rush. It seemed absurd that there should be such a possibility; but the world was full of strange things.

"What brought you to the West?" he asked as he filled a pipe, his back almost against the wall.

"I came to get what belonged to me."

Ingolby laughed ironically. "Most of us are here for that purpose. We think the world owes us such a lot."

"I know what is my own."

Ingolby lit his pipe, his eyes reflectively scanning the other.

"Have you got it again out here--your own?"

"Not yet, but I will."

Ingolby took out his watch, and looked at it. "I haven't found it easy getting all that belongs to me."

"You have found it easier getting what belongs to some one else," was the snarling response.

Ingolby's jaw hardened. What did the fellow mean? Did he refer to money, or--was it Fleda Druse? "See here," he said, "there's no need to say things like that. I never took anything that didn't belong to me, that I didn't win, or earn or pay for--market price or 'founder's shares'"--he smiled grimly. "You've given me the best treat I've had in many a day. I'd walk fifty miles to hear you play my Sarasate--or even old Berry's cotton-field fiddle. I'm as grateful as I can be, and I'd like to pay you for it; but as you're not a professional, and it's one gentleman to another as it were, I can only thank you--or maybe help you to get what's your own, if you're really trying to get it out here. Meanwhile, have a cigar and a drink."

He was still between the Romany and the wall, and by a movement forward sought to turn Jethro to the spirit-table. Probably this manoeuvring was all nonsense, that he was wholly misreading the man; but he had always trusted his instincts, and he would not let his reason rule him entirely in such a situation. He could also ring the bell for Jim, or call to him, for while he was in the house Jim was sure to be near by; but he felt he must deal with the business alone.

The Romany did not move towards the spirit-table, and Ingolby became increasingly vigilant.

"No, I can't pay you anything, that's clear," he said; "but to get your own--I've got some influence out here--what can I do? A stranger is up against all kinds of things if he isn't a native, and you're not. Your home and country's a good way from here, eh?"

Suddenly the Romany faced him. "Yes. I come from places far from here. Where is the Romany's home? It is everywhere in the world, but it is everywhere inside his tent. Because his country is everywhere and nowhere, his home is more to him than it is to any other. He is alone with his wife, and with his own people. Yes, and by long and by last, he will make the man pay who spoils his home. It is all he has. Good or bad, it is all he has. It is his own."

Ingolby had a strange, disturbing premonition that he was about to hear what would startle him, but he persisted. "You said you had come here to get your own--is your home here?"

For a moment the Romany did not answer. He had worked himself into a great passion. He had hypnotized himself, he had acted for a while as though he was one of life's realities; but suddenly there passed through his veins the chilling sense of the unreal, that he was only acting a part, as he had ever done in his life, and that the man before him could, with a wave of the hand, raise the curtain on all his disguises and pretences. It was only for an instant, however, for there swept through him the feeling that Fleda had roused in him--the first real passion, the first true love--if what such as he felt can be love--that he had ever known; and he saw her again as she was in the but in the wood defying him, ready to defend herself against him. All his erotic anger and melodramatic fervour were alive in him once more.

He was again a man with a wrong, a lover dispossessed. On the instant his veins filled with passionate blood. The Roscian strain in him had its own tragic force and reality.

"My home is where my own is, and you, have taken my own from me, as I said," he burst out. "There was all the world for you, but I had only my music and my wife, and you have taken my wife from me. 'Mi Duvel', you have taken, but you shall give back again, or there will be only one of us in the world! The music I have played for you--that has told you all: the thing that was music from the beginning of Time, the will of the First of All. Fleda Druse, she was mine, she is my wife, and you, the Gorgio, come between, and she will not return to me."

A sudden savage desire came to Ingolby to strike the man in the face-- this Gipsy vagabond the husband of Fleda Druse! It was too monstrous. It was an evil lie, and yet she had said she was a Romany, and had said it with apparent shame or anxiety. She had given him no promise, had pledged no faith, had admitted no love, and yet already in his heart of hearts he thought upon her as his own. Ever since the day he had held her in his arms at the Carillon Rapids her voice had sounded in his ears, and a warmth was in his heart which had never been there in all his days. This waif of barbarism even to talk of Fleda Druse as though he was of the same sphere as herself invited punishment-but to claim her as his wife! It was shameless. An ugly mood came on him, the force that had made him what he was filled all his senses. He straightened himself; contempt of the Ishmael showed at his lips.

"I think you lie, Jethro Fawe," he said quietly, and his eyes were hard and piercing. "Gabriel Druse's daughter is not--never was--any wife of yours. She never called you husband. She does not belong to the refuse of the world."

The Romany made a sudden rush towards the wall where the weapons hung, but two arms of iron were flung out and caught him, and he was hurled across the room. He crashed against a table, swayed, missed a chair where rested the Sarasate violin, then fell to the floor; but he staggered to his feet again, all his senses in chaos.

"You almost fell on the fiddle. If you had hurt it I'd have hurt you, Mr. Fawe," Ingolby said with a grim smile. "That fiddle's got too much in it to waste it."

"Mi Duvel! Mi Duvel!" gasped the Romany in his fury.

"You can say that as much as you like, but if you play any more of your monkey tricks here, my Paganini, I will wring your neck," Ingolby returned, his six feet of solid flesh making a movement of menace.

"And look," he added, "since you are here, and I said what I meant, that I'd help you to get your own, I'll keep my word. But don't talk in damned riddles. Talk white men's language. You said that Gabriel Druse's daughter was your wife. Explain what you meant, and no nonsense."

The Romany made a gesture of acquiescence. "She was made mine according to Romany law by the River Starzke seventeen years ago. I was the son of Lemuel Fawe, rightful King of all the Romanys. Gabriel Druse seized the headship, and my father gave him three thousand pounds that we should marry, she and I, and so bring the headship to the Fawes again when Gabriel Druse should die; and so it was done by the River Starzke in the Roumelian country."

Ingolby winced, for the man's words rang true. A cloud came over his face, but he said nothing. Jethro saw the momentary advantage. "You did not know?" he asked. "She did not tell you she was made my wife those years ago? She did not tell you she was the daughter of the Romany King? So it is, you see, she is afraid to tell the truth."

Ingolby's knitted bulk heaved with desire to injure. "Your wife--you melodious sinner! Do you think such tomfoolery has any effect in this civilized country? She is about as much your wife as I am your brother. Don't talk your heathenish rot here. I said I'd help you to get your own, because you played the fiddle as few men can play it, and I owe you a lot for that hour's music; but there's nothing belonging to Gabriel Druse that belongs to you, and his daughter least of all. Look out-- don't sit on the fiddle, damn you!"

The Romany had made a motion as if to sit down on the chair where the fiddle was, but stopped short at Ingolby's warning. For an instant Jethro had an inclination to seize the fiddle and break it across his knees. It would be an exquisite thing to destroy five thousand dollars' worth of this man's property at a single wrench and blow. But the spirit of the musician asserted itself before the vengeful lover could carry out his purpose; as Ingolby felt sure it would. Ingolby had purposely given the warning about the fiddle, in the belief that it might break the unwelcome intensity of the scene. He detested melodrama, and the scene came precious near to it. Men had been killed before his eyes more than once, but there had been no rodomontade even when there had been a woman in the case.

This Romany lover, however, seemed anxious to make a Sicilian drama out of his preposterous claim, and it sickened him. Who was the fellow that he should appear in the guise of a rival to himself! It was humiliating and offensive. Ingolby had his own kind of pride and vanity, and they were both hurt now. He would have been less irritable if this rival had been as good a man as himself or better. He was so much a gamester that he would have said, "Let the best man win," and have taken his chances.

His involuntary strategy triumphed for the moment. The Romany looked at the fiddle for an instant with murderous eyes, but the cool, quiet voice of Ingolby again speaking sprayed his hot virulence.

"You can make a good musician quite often, but a good fiddle is a prize- packet from the skies," Ingolby said. "When you get a good musician and a good fiddle together it's a day for a salute of a hundred guns."

Half-dazed with unregulated emotion, Jethro acted with indecision for a moment, and the fiddle was safe. But he had suffered the indignity of being flung like a bag of bones across the room, and the microbe of insane revenge was in him. It was not to be killed by the cold humour of the man who had worsted him. He returned to the attack.

"She is mine, and her father knows it is so. I have waited all these years, and the hour has come. I will--"

Ingolby's eyes became hard and merciless again. "Don't talk your Gipsy rhetoric. I've had enough. No hour has come that makes a woman do what she doesn't want to do in a free country. The lady is free to do what she pleases here within British law, and British law takes no heed of Romany law or any other law. You'll do well to go back to your Roumelian country or whatever it is. The lady will marry whom she likes."

"She will never marry you," the Romany said huskily and menacingly.

"I have never asked her, but if I do, and she said yes, no one could prevent it."

"I would prevent it."

"How?"

"She is a Romany: she belongs to the Romany people; I will find a way."

Ingolby had a flash of intuition.

"You know well that if Gabriel Druse passed the word, your life wouldn't be worth a day's purchase. The Camorra would not be more certain or more deadly. If you do anything to hurt the daughter of Gabriel Druse, you will pay the full price, and you know it. The Romanys don't love you better than their rightful chief."

"I am their rightful chief."

"Maybe, but if they don't say so, too, you might as well be their rightful slave. You are a genius in your way. Take my advice and return to the trail of the Gipsy. Or, there's many an orchestra would give you a good salary as leader. You've got no standing in this country. You can't do anything to hurt me except try to kill me, and I'll take my chance of that. You'd better have a drink now and go quietly home to bed. Try and understand that this is a British town, and we don't settle our affairs by jumping from a violin rhapsody to a knife or a gun." He jerked his head backwards towards the wall. "Those things are for ornament, not for use. Come, Fawe, have a drink and go home like a good citizen for one night only."

The Romany hesitated, then shook his head and muttered chaotically.

"Very well," was the decisive reply. Ingolby pressed a bell, and, in an instant, Jim Beadle was in the room. He had evidently been at the keyhole. "Jim," he said, "show the gentleman out."

But suddenly he caught up a box of cigars from the table and thrust it into the Romany's hands. "They're the best to be got this side of Havana," he said cheerily. "They'll help you put more fancy still into your playing. Good night. You never played better than you've done during the last hour, I'll stake my life on that. Good night. Show Mr. Fawe out, Jim."

The Romany had not time to thrust back the cigars upon his host, and dazed by the strategy of the thing, by the superior force and mind of the man who a moment ago he would have killed, he took the box and turned towards the door, taking his hat dazedly from Jim.

At the door, however, catching sight of the sly grin on the mulatto servant's face, his rage and understanding returned to him, and he faced the masterful Gorgio once again.

"By God, I'll have none of it!" he exclaimed roughly and threw the box of cigars on the floor of the room. Ingolby was not perturbed. "Don't forget there's an east-bound train every day," he said menacingly, and turned his back as the door closed.

In another minute Jim entered the room. "Get the clothes and the wig and things, Jim. I must be off," he said.

"The toughs don't get going till about this time over at Manitou," responded Jim. Then he told his master about the clothes having been exposed in the room when the Romany arrived. "But I don't think he seen them," Jim added with approval of his own conduct. "I got 'em out quick as lightning. I covered 'em like a blanket."

"All right, Jim; it doesn't matter. That fellow's got other things to think of than that."

He was wrong, however. The Romany was waiting outside in the darkness not far away--watching and waiting.

Spotted a typo or a problem in this chapter? Tell us

X. FOR LUCK

Felix Marchand was in the highest spirits. His clean-shaven face was wrinkled with smiles and sneers. His black hair was flung in waves of triumph over his heavily-lined forehead; one hand was on his hip with brave satisfaction, the other with lighted cigarette was tossed upwards in exultation.

"I've got him. I've got him--like that!" he said transferring the cigarette to his mouth, and clenching his right hand as though it could not be loosed by an earthquake. "For sure, it's a thing finished as the solder of a pannikin--like that."

He caught up a tin quart-pot from the bar-counter and showed the soldered bottom of it.

He was alone in the bar of Barbazon's Hotel except for one person--the youngest of the officials who had been retired from the offices of the railways when Ingolby had merged them. This was a man who had got his position originally by nepotism, and represented the worst elements of a national life where the spoils system is rooted in the popular mind. He had, however, a little residue of that discipline which, working in a great industrial organization, begets qualms as to extreme courses.

He looked reflectively at the leaden pot and said in reply: "I'd never believe in anything where that Ingolby is concerned till I had it in the palm of my hand. He's as deep as a well, and when he's quietest it's good to look out. He takes a lot of skinning, that badger."

"He's skinned this time all right," was Marchand's reply. "To-morrow'll be the biggest day Manitou's had since the Indian lifted his wigwam and the white man put down his store. Listen--hear them! They're coming!"

He raised a hand for silence, and a rumbling, ragged roar of voices could be heard without.

"The crowd have gone the rounds," he continued. "They started at Barbazon's and they're winding up at Barbazon's. They're drunk enough to-night to want to do anything, and to-morrow when they've got sore heads they'll do anything. They'll make that funeral look like a squeezed orange; they'll show Lebanon and Master Ingolby that we're to be bosses of our own show. The strike'll be on after the funeral, and after the strike's begun there'll be--eh, bien sur!"

He paused sharply, as though he had gone too far. "There'll be what?" whispered the other; but Marchand made no reply, save to make a warning gesture, for Barbazon, the landlord, had entered behind the bar.

"They're coming back, Barbazon," Marchand said to the landlord, jerking his head towards the front door. The noise of the crowd was increasing, the raucous shouts were so loud that the three had to raise their voices. "You'll do a land-office business to-night," he declared.

Barbazon had an evil face. There were rumours that he had been in gaol in Quebec for robbery, and that after he had served his time he had dug up the money he had stolen and come West. He had started the first saloon at Manitou, and had grown with the place in more senses than one. He was heavy and thick-set, with huge shoulders, big hands, and beady eyes that looked out of a stolid face where long hours, greed and vices other than drink had left their mark. He never drank spirits, and was therefore ready to take advantage of those who did drink. More than one horse and canoe and cow and ox, and acre of land, in the days when land was cheap, had come to him across the bar-counter. He could be bought, could Barbazon, and he sold more than wine and spirits. He had a wife who had left him twice because of his misdemeanours, but had returned and straightened out his house and affairs once again; and even when she went off with Lick Baldwin, a cattle-dealer, she was welcomed back without reproaches by Barbazon, chiefly because he had no morals, and her abilities were of more value to him than her virtue. On the whole, Gros Barbazon was a bad lot.

At Marchand's words Barbazon shrugged his shoulders. "The more spent to-night, the less to spend to-morrow," he growled.

"But there's going to be spending for a long time," Marchand answered. "There's going to be a riot to-morrow, and there's going to be a strike the next day, and after that there's going to be something else."

"What else?" Barbazon asked, his beady eyes fastened on Marchand's face.

"Something worth while-better than all the rest." Barbazon's low forehead seemed to disappear almost, as he drew the grizzled shock of hair down, by wrinkling his forehead with a heavy frown.

"It's no damn good, m'sieu'," he growled. "Am I a fool? They'll spend money to-night, and tomorrow, and the next day, and when the row is on; and the more they spend then, the less they'll have to spend by-and-by. It's no good. The steady trade for me--all the time. That is my idee. And the something else--what? You think there's something else that'll be good for me? Nom de Dieu, there's nothing you're doing, or mean to do, but'll hurt me and everybody."

"That's your view, is it, Barbazon?" exclaimed Marchand loudly, for the crowd was now almost at the door. "You're a nice Frenchman and patriot. That crowd'll be glad to hear you think they're fools. Suppose they took it into their heads to wreck the place?"

Barbazon's muddy face got paler, but his eyes sharpened, and he leaned over the bar-counter, and said with a snarl: "Go to hell, and say what you like; and then I'll have something to say about something else, m'sieu'."

Marchand was about to reply angrily, but he instantly changed his mind, and before Barbazon could stop him, he sprang over the counter and disappeared into the office behind the bar.

"I won't steal anything, Barbazon," he said over his shoulder as he closed the door behind him.

"I'll see to that," Barbazon muttered stolidly, but with malicious eyes.

The front door was flung open now, and the crowd poured into the room, boisterous, reckless, though some were only sullen, watchful and angry. These last were mostly men above middle age, and of a fanatical and racially bitter type. They were not many, but in one sense they were the backbone and force of the crowd, probably the less intelligent but the more tenacious and consistent. They were black spots of gathering storm in an electric atmosphere.

All converged upon the bar. Two assistants rushed the drinks along the counter with flourishes, while Barbazon took in the cash and sharply checked the rougher element, who were inclined to treat the bar as a place for looting. Most of them, however, had a wholesome fear of Barbazon, and also most of them wished to stand well with him--credit was a good thing, even in a saloon.

For a little time the room was packed, then some of the more restless spirits, their thirst assuaged, sallied forth to taste the lager and old rye elsewhere, and "raise Cain" in the streets. When they went, it became possible to move about more freely in the big bar-room, at the end of which was a billiard-table. It was notable, however, that the more sullen elements stayed. Some of them were strangers to each other. Manitou was a distributing point for all radiations of the compass, and men were thrown together in its streets who only saw one another once or twice a year-when they went to the woods in the Fall or worked the rivers in the Summer. Some were Mennonites, Doukhobors and Finlanders, some Swedes, Norwegians and Icelanders. Others again were birds of passage who would probably never see Manitou in the future, but they were mostly French, and mostly Catholic, and enemies of the Orange Lodges wherever they were, east or west or north or south. They all had a common ground of unity--half-savage coureurs-de-bois, river-drivers, railway-men, factory hands, cattlemen, farmers, labourers; they had a gift for prejudice, and taking sides on something or other was as the breath of the nostrils to them.

The greater number of the crowd were, however, excitable, good-natured men, who were by instinct friendly, save when their prejudices were excited; and their oaths and exclamations were marvels of droll ingenuity. Most of them were still too good-humoured with drink to be dangerous, but all hoped for trouble at the Orange funeral on principle, and the anticipated strike had elements of "thrill." They were of a class, however, who would swing from what was good-humour to deadly anger in a minute, and turn a wind of mere prejudice into a hurricane of life and death with the tick of a clock. They would all probably go to the Orange funeral to-morrow in a savage spirit. Some of them were loud in denunciation of Ingolby and "the Lebanon gang"; they joked coarsely over the dead Orangeman, but their cheerful violence had not yet the appearance of reality.

One man suddenly changed all that. He was a river-driver of stalwart proportions, with a red handkerchief round his neck, and with loose corded trousers tucked into his boots. He had a face of natural ugliness made almost repulsive by marks of smallpox. Red, flabby lips and an overhanging brow made him a figure which men would avoid on a dark night.

"Let's go over to Lebanon to-night and have it out," he said in French. "That Ingolby--let's go break his windows and give him a dip in the river. He's the curse of this city. Holy, once Manitou was a place to live in, now it's a place to die in! The factories, the mills, they're full of Protes'ants and atheists and shysters; the railway office is gone to Lebanon. Ingolby took it there. Manitou was the best town in the West; it's no good now. Who's the cause? Ingolby's the cause. Name of God, if he was here I'd get him by the throat as quick as winkin'."

He opened and shut his fingers with spasmodic malice, and glared round the room. "He's going to lock us out if we strike," he added. "He's going to take the bread out of our mouths; he's going to put his heel on Manitou, and grind her down till he makes her knuckle to Lebanon--to a lot of infidels, Protes'ants, and thieves. Who's going to stand it? I say-bagosh, I say, who's going to stand it!"

"He's a friend of the Monseigneur," ventured a factory-hand, who had a wife and children to support, and however partisan, was little ready for that which would stop his supplies.

"Sacre bapteme! That's part of his game," roared the big river-driver in reply. "I'll take the word of Felix Marchand about that. Look at him! That Felix Marchand doesn't try to take the bread out of people's mouths. He gives money here, he gives it there. He wants the old town to stay as it is and not be swallowed up."

"Three cheers for Felix Marchand !" cried some one in the throng. All cheered loudly save one old man with grizzled hair and beard, who leaned against the wall half-way down the room smoking a corncob pipe. He was a French Canadian in dress and appearance, and he spat on the floor like a navvy--he had filled his pipe with the strongest tobacco that one man ever offered to another. As the crowd cheered for Felix Marchand, he made his way up towards the bar slowly. He must have been tall when he was young; now he was stooped, yet there was still something very sinewy about him.

"Who's for Lebanon?" cried the big river-driver with an oath. "Who's for giving Lebanon hell, and ducking Ingolby in the river?"

"I am--I am--I am--all of us!" shouted the crowd. "It's no good waiting for to-morrow. Let's get the Lebs by the scruff to-night. Let's break Ingolby's windows and soak him in the Sagalac. Allons--allons gai!"

Uproar and broken sentences, threats, oaths, and objurgations sounded through the room. There was a sudden movement towards the door, but the exit of the crowd was stopped by a slow but clear voice speaking in French.

"Wait a minute, my friends!" it cried. "Wait a minute. Let's ask a few questions first."

"Who's he?" asked a dozen voices. "What's he going to say?" The mob moved again towards the bar.

The big river-driver turned on the grizzled old man beside the bar- counter with bent shoulders and lazy, drawling speech.

"What've you got to say about it, son?" he asked threateningly.

"Well, to ask a few questions first--that's all," the old man replied.

"You don't belong here, old cock," the other said roughly.

"A good many of us don't belong here," the old man replied quietly. "It always is so. This isn't the first time I've been to Manitou. You're a river-driver, and you don't live here either," he continued.

"What've you got to say about it? I've been coming and going here for ten years. I belong--bagosh, what do you want to ask? Hurry up. We've got work to do. We're going to raise hell in Lebanon."

"And give hell to Ingolby," shouted some one in the crowd.

"Suppose Ingolby isn't there?" questioned the old man.

"Oh, that's one of your questions, is it?" sneered the big river-driver. "Well, if you knew him as we do, you'd know that it's at night-time he sits studyin' how he'll cut Lebanon's throat. He's home, all right. He's in Lebanon anyhow, and we'll find him."

"Well, but wait a minute--be quiet a bit," said the old man, his eyes blinking slowly at the big riverdriver. "I've been 'round a good deal, and I've had some experience in the world. Did you ever give that Ingolby a chance to tell you what his plans were? Did you ever get close to him and try to figure what he was driving at? There's no chance of getting at the truth if you don't let a man state his case--but no. If he can't make you see his case then is the time to jib, not before."

"Oh, get out!" cried a rowdy English road-maker in the crowd. "We know all right what Ingolby's after."

"Eh, well, what is he after?" asked the old man looking the other in the eye.

"What's he after? Oof-oof-oof, that's what he's after. He's for his own pocket, he's for being boss of all the woolly West. He's after keeping us poor and making himself rich. He's after getting the cinch on two towns and three railways, and doing what he likes with it all; and we're after not having him do it, you bet. That's how it is, old hoss."

The other stroked his beard with hands which, somehow, gave little indication of age, and then, with a sudden jerk forward of his head, he said: "Oh, it's like that, eh? Is that what M'sieu' Marchand told you? That's what he said, is it?"

The big river-driver, eager to maintain his supreme place as leader, lunged forward a step, and growled a challenge.

"Who said it? What does it matter if M'sieu' Marchand said it--it's true. If I said it, it's true. All of us in this room say it, and it's true. Young Marchand says what Manitou says."

The old man's eyes grew brighter--they were exceedingly sharp for one so old, and he said quite gently now:

"M. Marchand said it first, and you all say it afterwards--ah, bah! But listen to me; I know Max Ingolby that you think is such a villain; I know him well. I knew him when he was a little boy and--"

"You was his nurse, I suppose!" cried the Englishman's voice amid a roar of laughter.

"Taught him his A-B-C-was his dear, kind teacher, eh?" hilariously cried another.

The old man appeared not to hear. "I have known him all the years since. He has only been in the West a few years, but he has lived in the world exactly thirty-three years. He never willingly did anybody harm--never. Since he came West, since he came to the Sagalac, he's brought work to Lebanon and to Manitou. There are hundreds more workmen in both the towns than there were when he came. It was he made others come with much money and build the factories and the mills. Work means money, money means bread, bread means life--so."

The big river-driver, seeing the effect of the old man's words upon the crowd, turned to them with an angry gesture and a sneer.

"I s'pose Ingolby has paid this old skeesicks for talking this swash. We know all right what Ingolby is, and what he's done. He's made war between the two towns--there's hell to pay now on both sides of the Sagalac. He took away the railway offices from here, and threw men out of work. He's done harm to Manitou--he's against Manitou every time."

Murmurs of approval ran through the crowd, though some were silent, looking curiously at the forceful and confident old man. Even his bent shoulders seemed to suggest driving power rather than the weight of years. He suddenly stretched out a hand in command as it were.

"Comrades, comrades," he said, "every man makes mistakes. Even if it was a mistake for Ingolby to take away the offices from Manitou, he's done a big thing for both cities by combining the three railways."

"Monopoly," growled a voice from the crowd. "Not monopoly," the old man replied with a ring to his voice, which made it younger, fresher. "Not monopoly, but better management of the railways, with more wages, more money to spend on things to eat and drink and wear, more dollars in the pocket of everybody that works in Manitou and Lebanon. Ingolby works, he doesn't loaf."

"Oh, gosh all hell, he's a dynamo," shouted a voice from the crowd. "He's a dynamo running the whole show-eh!"

The old man seemed to grow shorter, but as he thrust his shoulders forward, it was like a machine gathering energy and power.

"I'll tell you, friends, what Ingolby is trying to do," he said in a low voice vibrating with that force which belongs neither to age nor youth, but is the permanent activity uniting all ages of a man. "Of course, Ingolby is ambitious and he wants power. He tries to do the big things in the world because there is the big thing to do--for sure. Without such men the big things are never done, and other men have less work to do, and less money and poorer homes. They discover and construct and design and invent and organize and give opportunities. I am a working man, but I know what Ingolby thinks. I know what men think who try to do the big things. I have tried to do them."

The crowd were absolutely still now, but the big river-driver shook himself free of the eloquence, which somehow swayed them all, and said:

"You--you look as if you'd tried to do big things, you do, old skeesicks. I bet you never earned a hundred dollars in your life." He turned to the crowd with fierce gestures. "Let's go to Lebanon and make the place sing," he roared. "Let's get Ingolby out to talk for himself, if he wants to talk. We know what we want to do, and we're not going to be bossed. He's for Lebanon and we're for Manitou. Lebanon means to boss us, Lebanon wants to sit on us because we're Catholics, because we're French, because we're honest."

Again a wave of revolution swept through the crowd. The big river-driver represented their natural instincts, their native fanaticism, their prejudices. But the old man spoke once more.

"Ingolby wants Lebanon and Manitou to come together, not to fall apart," he declared. "He wants peace. If he gets rich here he won't get rich alone. He's working for both towns. If he brings money from outside, that's good for both towns. If he--"

"Shut your mouth, let Ingolby speak for himself," snarled the big river- driver. "Take his dollars out of your pocket and put them on the bar, the dollars Ingolby gives you to say all this. Put them dollars of Ingolby's up for drinks, or we'll give you a jar that'll shake you, old wart-hog."

At that instant a figure forced itself through the crowd, and broke into the packed circle which was drawing closer upon the old man.

It was Jethro Fawe. He flung a hand out towards the old man.

"You want Ingolby--well, that's Ingolby," he shouted.

Like lightning the old man straightened himself, snatched the wig and beard away from his head and face, and with quiet fearlessness said:

"Yes, I am Ingolby."

For an instant there was absolute silence, in which Ingolby weighed his chances. He was among enemies. He had meant only to move among the crowd to discover their attitude, to find things out for himself. He had succeeded, and his belief that Manitou could be swayed in the right direction if properly handled, was correct. Beneath the fanaticism and the racial spirit was human nature; and until Jethro Fawe had appeared, he had hoped to prevent violence and the collision at to-morrow's funeral.

Now the situation was all changed. It was hard to tell what sharp turn things might take. He was about to speak, but suddenly from the crowd there was spat out at him the words, "Spy! Sneak! Spy!"

Instantly the wave of feeling ran against him. He smiled frankly, however, with that droll twist of his mouth which had won so many, and the raillery of his eyes was more friendly than any appeal.

"Spy, if you like, my friends," he said firmly and clearly. "Moses sent spies down into the Land of Promise, and they brought back big bunches of grapes. Well, I've come down into a land of promise. I wanted to know just how you all feel without being told it by some one else. I knew if I came here as Max Ingolby I shouldn't hear the whole truth; I wouldn't see exactly how you see, so I came as one of you, and you must admit, my French is as good as yours almost."

He laughed and nodded at them.

"There wasn't one of you that knew I wasn't a Frenchman. That's in my favour. If I know the French language as I do, and can talk to you in French as I've done, do you think I don't understand the French people, and what you want and how you feel? I'm one of the few men in the West that can talk your language. I learned it when I was a boy, so that I might know my French fellow-countrymen under the same flag, with the same King and the same national hope. As for your religion, God knows, I wish I was as good a Protestant as lots of you are good Catholics. And I tell you this, I'd be glad to have a minister that I could follow and respect and love as I respect and love Monseigneur Lourde of Manitou. I want to bring these two towns together, to make them a sign of what this country is, and what it can do; to make hundreds like ourselves in Manitou and Lebanon work together towards health, wealth, comfort and happiness. Can't you see, my friends, what I'm driving at? I'm for peace and work and wealth and power--not power for myself alone, but power that belongs to all of us. If I can show I'm a good man at my job, maybe better than others, then I have a right to ask you to follow me. If I can't, then throw me out. I tell you I'm your friend--Max Ingolby is your friend."

"Spy! Spy! Spy!" cried a new voice.

It came from behind the bar. An instant after, the owner of the voice leaped up on the counter. It was Felix Marchand. He had entered by the door behind the bar into Barbazon's office.

"When I was in India," Marchand cried, "I found a snake in the bed. I killed it before it stung me. There's a snake in the bed of Manitou-- what are you going to do with it?"

The men swayed, murmured, and shrill shouts of "Marchand! Marchand! Marchand !" went up. The crowd heaved upon Ingolby. "One minute!" he called with outstretched arm and commanding voice. They paused. Something in him made him master of them even then.

At that moment two men were fiercely fighting their way through the crowd towards where Ingolby was. They were Jowett and Osterhaut. Ingolby saw them coming.

"Go back--go back!" he called to them.

Suddenly a drunken navvy standing on a table in front of and to the left of Ingolby seized a horseshoe hanging on the wall, and flung it with an oath.

It caught Ingolby in the forehead, and he fell to the floor without a sound.

A minute afterwards the bar was empty, save for Osterhaut, Jowett, old Barbazon, and his assistants.

Barbazon and Jowett lifted the motionless figure in their arms, and carried it into a little room.

Then Osterhaut picked up the horseshoe tied with its gay blue ribbons, now stained with blood, and put it in his pocket.

"For luck," he said.

Spotted a typo or a problem in this chapter? Tell us

XI. THE SENTENCE OF THE PATRIN

Fleda waked suddenly, but without motion; just a wide opening of the eyes upon the darkness, and a swift beating of the heart, but not the movement of a muscle. It was as though some inward monitor, some gnome of the hidden life had whispered of danger to her slumbering spirit. The waking was a complete emergence, a vigilant and searching attention.

There was something on her breast weighing it down, yet with a pressure which was not weight alone, and maybe was not weight at all as weight is understood. Instantly there flashed through her mind the primitive belief that a cat will lie upon the breasts of children and suck their breath away. Strange and even absurd as it was, it seemed to her that a cat was pressing and pressing down upon her breast. There could be no mistaking the feline presence. Now with a sudden energy of the body, she threw the Thing from her, and heard it drop, with the softness of feline feet, on the Indian rug upon the floor.

Then she sprang out of bed, and, feeling for the matches, lit a candle on the small table beside her bed, and moved it round searching for what she thought to be a cat. It was not to be seen. She looked under the bed; it was not there: under the washstand, under the chest of drawers, under the improvised dressing-table; and no cat was to be found. She 173 looked under the chair over which hung her clothes, even behind the dresses and the Indian deerskin cape hanging on the door.

There was no life of any kind save her own in the room, so far as she could see. She laughed nervously, though her heart was still beating hard. That it should beat hard was absurd, for what had she to fear--she who had lived the wild open-air life of many lands, had slept among hills infested by animals the enemy of man, and who when a little girl had faced beasts of prey alone. Yet here in her own safe room on the Sagalac, with its four walls, but its unlocked doors--for Gabriel Druse said that he could not bear that last sign of his exile--here in the fortress of the town-dweller there was a strange trembling of her pulses in the presence of a mere hallucination or nightmare--the first she had had ever. Her dreams in the past had always been happy and without the black fancies of nightmare. On the night that Jethro Fawe had first confronted her father and herself, and he had been carried to the hut in the Wood, her sleep had been disturbed and restless, but dreamless; in her sleep on the night of the day of his release, she had been tossed upon vague clouds of mental unrest; but that was the first really disordered sleep she had ever known.

Holding the candle above her head, she looked in the mirror on her dressing-table, and laughed nervously at the shocked look in her eyes, at the hand pressed upon the bosom whose agitations troubled the delicate linen at her breast. The pale light of the candle, the reflection from the white muslin of her dressing-table and her nightwear, the strange, deep darkness of her eyes, the ungathered tawny hair falling to her shoulders, gave an unusual paleness to her face.

"What a ninny I am!" she said aloud as she looked at herself, her tongue chiding her apprehensive eyes, her laugh contemptuously adding its comment on her tremulousness. "It was a real nightmare--a waking nightmare, that's what it was."

She searched the room once more, however-every corner, under the bed, the chest of drawers and the dressing-table, before she got into bed again, her feet icily cold. And yet again before settling down she looked round, perplexed and inquiring. Placing the matches beside the candlestick, she blew out the light. Then, half-turning on her side with her face to the wall, she composed herself to sleep.

Resolutely putting from her mind any sense of the supernatural, she shut her eyes with confidence of coming sleep. While she was, however, still within the borders of wakefulness, and wholly conscious, she felt the Thing jump from the floor upon her legs, and crouch there with that deadening pressure which was not weight. Now with a start of anger she raised herself, and shot out a determined hand to seize the Thing, whatever it was. Her hand grasped nothing, and again she distinctly heard a soft thud as of something jumping on the floor. Exasperated, she drew herself out of bed, lit the candle again, and began another search. Nothing was to be seen; but she had now the curious sense of an unseen presence. She went to the door, opened it, and looked out into the narrow hall. Nothing was to be seen there. Then she closed the door again, and stood looking at it meditatively for a moment. It had a lock and key; yet it had never been locked in the years they had lived on the Sagalac. She did not know whether the key would turn in the lock. After a moment's hesitation, she shrugged her shoulders and turned the key. It rasped, proved stubborn, but at last came home with a click. Then she turned to the window. It was open about three inches at the bottom. She closed it tight, and fastened it, then stood for a moment in the middle of the room looking at both door and window.

She was conscious of a sense of suffocation. Never in her life had she slept with door or window or tentflap entirely closed. Never before had she been shut in all night behind closed doors and sealed windows. Now, as the sense of imprisonment was felt, her body protested; her spirit resented the funereal embrace of security. It panted for the freedom which gives the challenge to danger and the courage to face it.

She went to the window and opened it slightly at the top, and then sought her bed again; but even as she lay down, something whispered to her mind that it was folly to lock the door and yet leave the window open, if it was but an inch. With an exclamation of self-reproach, and a vague indignation at something, she got up and closed the window once more.

Again she composed herself to sleep, lying now with her face turned to the window and the door. She was still sure that she had been the victim of a hallucination which, emerging from her sleep, had invaded the borders of wakefulness, and then had reproduced itself in a waking illusion--an imitation of its original existence.

Resolved to conquer any superstitious feeling, she invoked sleep, and was on its borders once more when she was startled more violently than before.

The Thing had sprung again upon her feet and was crouched there. Wide awake, she waited for a moment to make sure that she was not mad, or that she was not asleep or in a half-dream. In the pause, she felt the Thing draw up towards her knees, dragging its body along with tiger-like closeness, and with that strange pressure which was not weight but power.

With a cry which was no longer doubt, but agonized apprehension, she threw the Thing from her with a motion of both hands and feet; and, as she did so, she felt a horrible cold air breathing from a bloodless body, chill her hand.

In another instant she was on her feet again. With shaking fingers she lighted the candle yet once more, after which she lighted a lamp standing upon the chest of drawers. The room was almost brilliantly bright now. With a gesture of incredulity she looked round. The doors and windows were sealed tight, and there was nothing to be seen; yet she was more than ever conscious of a presence grown more manifest. For a moment she stood staring straight before her at the place where it seemed to be. She realized its malice and its hatred, and an intense anger and hatred took possession of her. She had always laughed at such things even when thrilled by wonder and manufactured terrors. But now there was a sense of conflict, of evil, of the indefinable things in which so many believed.

Suddenly she remembered an ancient Sage of her tribe, who, proficient in mysteries and secret rites gathered from nations as old as Phoenicia and Egypt and as modern as Switzerland, held the Romanys of the world in awe, for his fame had travelled where he could not follow. To Fleda in her earliest days he had been like one inspired, and as she now stood facing the intangible Thing, she recalled an exorcism which the Sage had recited to her, when he had sufficiently startled her senses by tales of the Between World. This exorcism was, as he had told her, more powerful than that which the Christian exorcists used, and the symbol of exorcism was not unlike the sign of the Cross, to which was added genuflection of Assyrian origin.

At any other time Fleda would have laughed at the idea of using the exorcism; but all the ancient superstition of the Romany people latent in her now broke forth and held her captive. Standing with candle raised above her head, her eyes piercing the space before her, she recalled every word of the exorcism which had caught the drippings from the fountains of Chaldean, Phoenician, and Egyptian mystery.

Solemnly and slowly the exorcism came from her lips, and at the end her right hand made the cabalistic sign; then she stood like one transfixed with her arm extended towards the Thing she could not see.

Presently there passed from her a sense of oppression. The air seemed to grow lighter, restored self-possession came; there was a gentle breathing in the room like that of a sleeping child. It was a moment before she realized that the breathing was her own, and she looked round her like one who had come out of a trance.

"It is gone," she said aloud. "It is gone." A great sigh came from her.

Mechanically she put down the candle, smoothed the pillows of her bed, adjusted the coverings, and prepared to lie down; but, with a sudden impulse, she turned to the window and the door.

"It is gone," she said again. With a little laugh of hushed triumph, she turned and made again the cabalistic sign at the bed, where the Thing had first assaulted her, and then at that point in the room near the door where she had felt it crouching.

"Oh, Ewie Gal," she added, speaking to that Romany Sage long since laid to rest in the Roumelian country, "you did not talk to me for nothing. You were right--yes, you were right, old Ewie Gal. It was there,"--she looked again at the place where the Thing had been--"and your curse drove it away."

With confidence she went to the door and unlocked it. Going to the window she opened it also, but she compromised sufficiently to open it at the top instead of at the bottom. Presently she laid her head on her pillow with a sigh of content.

Once again she composed herself to sleep in the darkness. But now there came other invasions, other disturbers of the night. In her imagination a man came who had held her in his arms one day on the Sagalac River, who had looked into her eyes with a masterful but respectful tenderness. As she neared the confines of sleep, he was somehow mingled with visions of things which her childhood had known--moonlit passes in the Bosnian, Roumelian, and Roumanian hills, green fields by the Danube, with peasant voices drowsing in song before the lights went out; a gallop after dun deer far away up the Caspian mountains, over waste places, carpeted with flowers after a benevolent rain; mornings in Egypt, when the camels thudded and slid with melancholy ease through the sands of the desert, while the Arab drivers called shrilly for Allah to curse or bless; a tender sunset in England seen from the top of a castle when all the western sky was lightly draped with saffron, gold and mauve and delicate green and purple.

Now she slept again, with the murmur of the Sagalac in her ears, and there was a smile at her lips. If one could have seen her through the darkness, one would have said that she was like some wild creature of a virgin world, whom sleep had captured and tamed; for, behind the refinement which education and the vigilant influence with which Madame Bulteel had surrounded her, there was in her the spirit of primitive things: of the open road and the wilderness, of the undisciplined and vagrant life, however marked by such luxury as the ruler of all the Romanys could buy and use in pilgrimage. There was that in her which would drag at her footsteps in this new life.

For a full hour or more she slept, then there crept through the fantasies of sleep something that did not belong to sleep--again something from the wakeful world, strange, alien, troubling. At first it was only as though a wind stirred the air of dreams, then it was like the sounds that gather behind the coming rage of a storm, and again it was as though a night- prowler plucked at the sleeve of a home-goer. Presently, with a stir of fright and a smothered cry, she waked to a sound which was not of the supernatural or of the mind's illusions, but no less dreadful to her because of that. In some cryptic way it was associated with the direful experience through which she had just passed.

What she heard in the darkness was a voice which sang there by her window--at it or beneath it--the words of a Romany song.

It was a song of violence, which she had heard but a short time before in the trees behind her father's house, when a Romany claimed her as his wife:

"Time was I went to my true love, Time was she came to me--"

Only one man would sing that song at her window, or anywhere in this Western world. This was no illusion of her overwrought senses. There, outside her window, was Jethro Fawe.

She sat up and listened, leaning on one arm, and staring into the half- darkness beyond the window, the blind of which she had not drawn down. There was no moon, but the stars were shining brightly, relieving the intensity of the dark. Through the whispering of the trees, and hushing the melancholy of a night-bird's song, came the wild low note of the Romany epic of vengeance. It had a thrill of exultation. Something in the voice, insistent, vibrating, personal, made every note a thrust of victory. In spite of her indignation at the insolent serenade, she thrilled; for the strain of the Past was in her, and it had been fighting with her all night, breaking in upon the Present, tugging at the cords of youth.

The man's daring roused her admiration, even as her anger mounted. If her father heard the singing, there could be no doubt that Jethro Fawe's doom would be sealed. Gabriel Druse would resent this insolence to the daughter of the Ry of Rys. Word would be passed as silently as the electric spark flies, and one day Jethro Fawe would be found dead, with no clue to his slayer, and maybe no sign of violence upon him; for while the Romany people had remedies as old as Buddha, they had poisons as old as Sekhet.

Suddenly the song ceased, and for a moment there was silence save for the whispering trees and the night-bird's song. Fleda rose from her bed, and was about to put on her dressing-gown, when she was startled by a voice loudly whispering her name at her window, as it seemed.

"Daughter of the Ry of Rys !" it called.

In anger she started forward to the window, then, realizing that she was in her nightgown, caught up her red dressing-gown and put it on. As she did so she understood why the voice had sounded so near. Not thirty feet from her window there was a solitary oak-tree among the pines, in which was a seat among the branches, and, looking out, she could see a figure that blackened the starlit duskiness.

"Fleda--daughter of the Ry of Rys," the voice called again.

She gathered her dressing-gown tight about her, and, going to the window, raised it high and leaned out.

"What do you want?" she asked sharply.

"Wife of Jethro Fawe, I bring you news," the voice said, and she saw a hat waved with mock courtesy. In spite of herself, Fleda felt a shiver of premonition pass through her. The Thing which had threatened her in the night seemed to her now like the soul of this dark spirit in the trees.

Resentment seized her. "I have news for you, Jethro Fawe," she replied. "I set you free, and I gave my word that no harm should come to you, if you went your ways and did not come again. You have come, and I shall do nothing now to save you from the Ry's anger. Go at once, or I will wake him."

"Will a wife betray her husband?" he asked in soft derision.

Stung by his insolence, "I would not throw a rope to you, if you were drowning," she declared. "I am a Gorgio, and the thing that was done by the Starzke River is nothing to me. Now, go."

"You have forgotten my news," he said: "It is bad news for the Gorgio daughter of the Romany Ry." She was silent in apprehension. He waited, but she did not speak.

"The Gorgio of Gorgios of the Sagalac has had a fall," he said.

Her heart beat fast for an instant, and then the presentiment came to her that the man spoke the truth. In the presence of the accomplished thing, she became calm.

"What has happened?" she asked quietly.

"He went prowling in Manitou, and in Barbazon's Tavern they struck him down."

"Who struck him down?" she asked. It seemed to her that the night-bird sang so loud that she could scarcely hear her own voice.

"A drunken Gorgio," he replied. "The horseshoe is for luck all the world over, and it brought its luck to Manitou to-night. It struck down a young Master Gorgio who in white beard and long grey hair went spying."

She knew in her heart that he spoke the truth. "He is dead?" she asked in a voice that had a strange quietness.

"Not yet," he answered. "There is time to wish him luck."

She heard the ribald laugh with a sense of horror and loathing. "The hand that brought him down may have been the hand of a Gorgio, but behind the hand was Jethro Fawe," she said in a voice grown passionate again. "Where is he?" she added.

"At his own house. I watched them take him there. It is a nice house-- good enough for a Gorgio house-dweller. I know it well. Last night I played his Sarasate fiddle for him there, and I told him all about you and me, and what happened at Starzke, and then--"

"You told him I was a Romany, that I was married to you?" she asked in a low voice.

"I told him that, and asked him why he thought you had deceived him, had held from him the truth. He was angry and tried to kill me."

"That is a lie," she answered. "If he had tried to kill you he would have done so."

Suddenly she realized the situation as it was--that she was standing at her window in the night, scantily robed, talking to a man in a tree opposite her window; and that the man had done a thing which belonged to the wild places which she had left so far behind.

It flashed into her mind--what would Max Ingolby think of such a thing? She flushed. The new Gorgio self of her flushed, and yet the old Romany self, the child of race and heredity had taken no exact account of the strangeness of this situation. It had not seemed unnatural. Even if he had been in her room itself, she would have felt no tithe of the shame that she felt now in asking herself what the Master Gorgio would think, if he knew. It was not that she had less modesty, that any stir of sex was in her veins where the Romany chal was concerned; but in the life she had once lived less delicate cognizance was taken of such things, and something of it stayed.

"Listen," Jethro said with sudden lowering of the voice, and imparting into his tones an emotion which was in part an actor's gift, but also in large degree a passion now eating at his heart, "you are my wife by all the laws of our people. Nothing can change it. I have waited for you, and I will wait, but you shall be mine in the end. You see to-night-- 'Mi Duvel', you see that fate is with me! The Gorgio has bewitched you. He goes down to-night in that tavern there by the hand of a Gorgio, and the Romany has his revenge. Fate is always with me, and I will be the gift of the gods to the woman that takes me. The luck is mine always. It will be always with me. I am poor to-day, I shall be rich to-morrow. I was rich, and I lost it all; and I was poor, and became rich again. Ah, yes, there are ways! Sometimes it is a Government, sometimes a prince that wants to know, and Jethro Fawe, the Romany, finds it out, and money fills his pockets. I am here, poor, because last year when I lost all, I said, 'It is because my Romany lass is not with me. I have not brought her to my tan, but when she comes then the gold will be here as before, and more when it is wanted.' So, I came, and I hear the road calling, and all the camping places over all the world, and I see the patrins in every lane, and my heart is lifted up. I am glad. I rejoice. My heart burns with love. I will forget everything, and be true to the queen of my soul. Men die, and Gabriel Druse, he will die one day, and when the time comes, then it would be that you and I would beckon, and all the world would come to us."

He stretched out a hand to her in the half-darkness. "I send the blood of my heart to you," he continued. "I am a son of kings. Fleda, daughter of the Ry of Rys, come to me. I have been bad, but I can be good. I have killed, but I will live at peace. I have cursed, but I will speak the word of blessing. I have trespassed, but I will keep to my own, if you will come to me."

Suddenly he dropped to the ground, lighting on his feet like an animal with a soft rebound. Stretching up his arms, he made soft murmuring of endearment.

She had listened, fascinated in spite of herself by the fire and meaning of his words. She felt that in most part it was true, that it was meant; and, whatever he was, he was yet a man offering his heart and life, offering a love that she despised, and yet which was love and passion of a kind. It was a passion natural to the people from whom she came, and to such as Jethro Fawe it was something more than sensual longing and the aboriginal desire of possession. She realized it, and was not wholly revolted by it, even while her mind was fleeing to where the Master Gorgio lay wounded, it might be unto death; even while she knew that this man before her, by some means, had laid Ingolby low. She was all at once a human being torn by contending forces.

Jethro's drop to the ground broke the sudden trance into which his words had thrown her. She shook herself as with an effort of control. Then leaning over the window-sill, and, looking down at him, now grown so distinct that she could see his features, her eyes having become used to the half-light of the approaching dawn, she said with something almost like gentleness:

"Once more I say, you must go and come no more. You are too far off from me. You belong to that which is for the ignorant, or the low, the vicious and the bad. Behind the free life of the Romany is only the thing that the beasts of the field have. I have done with it for ever. Find a Romany who will marry you. As for me, I would rather die than do so, and I should die before it could come to pass. If you stay here longer I will call the Ry."

Presently the feeling that he had been responsible for the disaster to Ingolby came upon her with great force, and as suddenly as she had softened towards this man she hardened again.

"Go, before there comes to you the death you deserve," she added, and turned away.

At that moment footsteps sounded near, and almost instantly there emerged from a pathway which made a short cut to the house, the figure of old Gabriel Druse. They had not heard him till he was within a few feet of where Jethro Fawe stood. His walking had been muffled in the dust of the pathway.

The Ry started when he saw Jethro Fawe; then he made a motion as though he would seize the intruder, who was too dumbfounded to flee; but he recovered himself, and gazed up at the open window.

"Fleda!" he called.

She came to the window again.

"Has this man come here against your will?" he asked, not as though seeking information, but confirmation of his own understanding.

"He is not here by my will," she answered. "He came to sing the Song of Hate under my window, to tell me that he had--"

"That I had brought the Master Gorgio to the ground," said Jethro, who now stood with sullen passiveness looking at Gabriel Druse.

"From the Master Gorgio, as you call him, I have just come," returned the old man. "When I heard the news, I went to him. It was you who betrayed him to the mob, and--"

"Wait, wait," Fleda cried in agitation. "Is--is he dead?"

"He is alive, but terribly hurt; and he may die," was the reply.

Then the old man turned to the Romany with a great anger and determination in his face. He stretched out an arm, making a sign as cabalistic as that which Fleda had used against her invisible foe in the bedroom.

"Go, Jethro Fawe of all the Fawes," he said. "Go, and may no patrins mark your road!"

Jethro Fawe shrank back, and half raised his arm, as though to fend himself from a blow.

The patrin is the clue which Gipsies leave behind them on the road they go, that other Gipsies who travel in it may know they have gone before. It may be a piece of string, a thread of wool, a twig, or in the dust the ancient cross of the Romany, which preceded the Christian cross and belonged to the Assyrian or Phoenician world. The invocation that no patrins shall mark the road of a Romany is to make him an outcast, and for the Ry of Rys to utter the curse is sentence of death upon a Romany, for thenceforward every hand of his race is against him, free to do him harm.

It was that which made Jethro Fawe shrink and cower for a moment. Fleda raised her hand suddenly in protest to Gabriel Druse.

"No, no, not that," Fleda murmured brokenly to her father, with eyes that looked the pain and horror she felt. Though she repudiated the bond by which the barbarian had dared to call her wife, she heard an inner voice that said to her: "What was done by the Starzke River was the seal of blood and race, and this man must be nearer than the stranger, dearer than the kinsman, forgiven of his crimes like a brother, saved from shame, danger or death when she who was sealed to him can save him."

She shuddered as she heard the inner voice. She felt that this Other Self of her, the inner-seeing soul which had the secret of the far paths, had spoken truly. Even as she begged her father to withdraw the sentence, it flashed into her mind that the grim Thing of the night was the dark spirit of hatred between Jethro Fawe and the Master Gorgio seeking embodiment, as though Jethro's evil soul detached itself from his body to persecute her.

At her appeal, Jethro raised his head. His courage came back, the old insolent self-possession took hold of him again. The sentence which the Ry had passed was worse than death (and it meant death, too), for it made him an outcast from his people, and to be outcast was to be thrown into the abyss. It was as though a man without race or country was banished into desolate space. In a vague way he felt its full significance, and the shadow of it fell on him.

"No, no, no," Fleda repeated hoarsely, with that new sense of responsibility where Jethro was concerned.

Jethro's eyes were turned upon her now. In the starlit night, just yielding to the dawn, she could faintly see his burning look, could feel, as it were, his hands reach out to claim her; and she felt that while he lived she was not wholly free. She realized that the hand of nomad, disorderly barbarism was dragging her with a force which was inhuman, or, maybe, superhuman.

Gabriel Druse could know nothing of the elements fighting in his daughter's soul; he only knew that her interest in the Master Gorgio was one he had never seen before, and that she abhorred the Romany who had brought Ingolby low. He had shut his eyes to the man's unruliness and his daughter's intervention to free him; but now he was without pity. He had come from Ingolby's bedside, and had been told a thing which shook his rugged nature to its centre--a thing sad as death itself, which he must tell his daughter.

To Fleda's appeal he turned a stony face. There was none of that rage in his words which had marked the scene when Jethro Fawe first came to claim what he could not have. There was something in him now more deadly and inevitable. It made him like some figure of mythology, implacable, fateful. His great height, his bushy beard and stormy forehead, the eyes over which shaggy eyebrows hung like the shrubs on a cliff-edge, his face lined and set like a thing in bronze--all were signs of a power which, in passion, would be like that of OEdipus: in the moment of justice or doom would, with unblinking eyes, slay and cast aside as debris is tossed upon the dust-heap.

As he spoke now his voice was toneless. His mind was flint, and his tongue was but the flash of the flint. He looked at his daughter for a moment with no light of fatherhood in his face, then turned from her to Jethro Fawe with slow decision and a gesture of authority. His eyes fastened on the face of the son of Lemuel Fawe, as though it was that old enemy himself.

"I have said what I have said, and there is no more to be spoken. The rule of the Ry will be as water for ever after if these things may be done to him and his. For generations have the Rys of all the Rys been like the trees that bend only to the whirlwind; and when they speak there is no more to be said. When it ceases to be so, then the Rys will vanish from the world, and be as stubble of the field ready for the burning. I have spoken. Go! And no patrins shall lie upon your road."

A look of savage obedience and sullen acquiescence came into Jethro Fawe's face, and he took off his hat as one who stands in the presence of his master. The strain of generations, the tradition of the race without a country was stronger than the revolt in his soul. He was young, his blood was hot and brawling in his veins, he was all carnal, with the superior intelligence of the trained animal, but custom was stronger than all. He knew now that whatever he might do, some time, not far, his doom would fall upon him suddenly, as a wind shoots up a ravine from the desert, or a nightbird rises from the dark.

He set his feet stubbornly, and raised his sullen face and fanatical eyes. The light of morning was creeping through the starshine, and his features showed plainly.

"I am your daughter's husband," he said. "Nothing can change that. It was done by the River Starzke, and it was the word of the Ry of Rys. It stands for ever. There is no divorce except death for the Romany."

"The patrins cease to mark the way," returned the old man with a swift gesture. "The divorce of death will come."

Jethro's face grew still paler, and he opened his lips to speak, but paused, seeing Fleda, with a backward look of pity and of horror, draw back into the darkness of her room.

He made a motion of passion and despair. His voice was almost shrill when he spoke. "Till that divorce comes, the daughter of the Ry of Rys is mine!" he cried sharply. "I will not give my wife to a Gorgio thief. His hands shall not caress her, his eyes shall not feed upon her--"

"His eyes will not feed upon her," interrupted the old man, "So cease the prattle which can alter nothing. Begone."

For a moment Jethro Fawe stood like one who did not understand what was said to him, but suddenly a look of triumph and malice came into his face, and his eyes lighted with a reckless fire. He threw back his head, and laughed with a strange, offensive softness. Then, waving a hand to the window from which Fleda had gone, he swung his cap on his head and plunged into the trees.

A moment afterwards his voice came back exultingly, through the morning air:

"But a Gorgio sleeps 'neath the greenwood tree He'll broach my tan no more: And my love, she sleeps afar from me But near to the churchyard door."

As the old man turned heavily towards the house, and opened the outer door, Fleda met him.

"What did you mean when you said that Ingolby's eyes would not feed upon me?" she asked in a low tone of fear.

A look of compassion came into the old man's face. He took her hand.

"Come and I will tell you," he said.

Spotted a typo or a problem in this chapter? Tell us

Chapter XII

"LET THERE BE LIGHT"

In Ingolby's bedroom, on the night of the business at Barbazon's Tavern, Dr. Rockwell received a shock. His face, naturally colourless, was almost white, and his eyes were moist. He had what the West called nerve. That the crisis through which he had passed was that of a friend's life did not lessen the poignancy of the experience. He had a singularly reserved manner and a rare economy of words; also, he had the refinement and distinction of one who had, oforetime, moved on the higher ranges of social life. He was always simply and comfortably and in a sense fashionably dressed, yet there was nothing of the dude about him, and his black satin tie gave him an air of old-worldishness which somehow compelled an extra amount of respect. This, in spite of the fact that he had been known as one who had left the East and come into the wilds because of a woman not his wife.

It was not, however, strictly true to say that he had come West because of a woman, for it was on account of three women, who by sudden coincidence or collusion sprang a situation from which the only relief was flight. In that he took refuge, not because he was a coward, but because it was folly to fight a woman, or three women, and because it was the only real solution of an ungovernable situation. At first he had drifted from one town to another, dissolute and reckless, apparently unable to settle down, or to forget the unwholesome three. But one day there was a terrible railway accident on a construction train, and Lebanon and Manitou made a call upon his skill, and held him in bondage to his profession for one whole month. During this time he performed two operations which the surgeons who had been sent out by the Railway Directors at Montreal declared were masterpieces.

When that month was up he was a changed man, and he opened an office in Lebanon. Men trusted him despite his past, and women learned that there was never a moment when his pulses beat unevenly in their presence. Nathan Rockwell had had his lesson and it was not necessary to learn it again. To him, woman, save as a subject of his skill, was a closed book. He regarded them as he regarded himself, with a kindly cynicism. He never forgot that his own trouble could and would have been avoided had it not been for woman's vanity and consequent cruelty. The unwholesome three had shared his moral lapse with wide-open eyes, and were in no sense victims of his; but, disregarding their responsibility, they had, from sheer jealousy, wrecked his past, and, to their own surprise, had wrecked themselves as well. They were of those who act first and then think--too late.

Thus it was that both men and women called Rockwell a handsome man, but thought of him as having only a crater of exhausted fires in place of a heart. They came to him with their troubles--even the women of Manitou who ought to have gone to the priest.

He moved about Lebanon as one who had authority, and desired not to use it; as one to whom life was like a case in surgery to be treated with scientific, coolness, with humanity, but not with undue sympathy; yet the early morning of the day after Ingolby had had his accident at Barbazon's Hotel found him the slave of an emotion which shook him from head to foot. He had saved his friend's life by a most skilful operation, but he had been shocked beyond control when, an hour after the operation was over, and consciousness returned to the patient in the brilliantly lighted room, Ingolby said:

"Why don't you turn on the light?"

It was thus Rockwell knew that the Master Man, the friend of Lebanon and Manitou, was stone blind. When Ingolby's voice ceased, a horrified silence filled the room for a moment. Even Jim Beadle, his servant, standing at the foot of the bed, clapped a hand to his mouth to stop a cry, and the nurse turned as white as the apron she wore.

Dumbfounded as Rockwell was, with instant professional presence of mind he said:

"No, Ingolby, you must be kept in darkness a while yet." Then he whipped out a silk handkerchief from his pocket. "We will have light," he continued, "but we must bandage you first to keep out the glare and prevent pain. The nerves of the eyes have been injured."

Hastily and tenderly he bound the handkerchief round the sightless eyes. Having done so, he said to the nurse with unintentional quotation from the Gospel of St. John, and a sad irony: "Let there be light."

It all gave him time to pull himself together and prepare for the moment when he must tell Ingolby the truth. In one sense the sooner it was told the better, lest Ingolby should suddenly discover it for himself. Surprise and shock must be avoided. So now he talked in his low, soothing voice, telling Ingolby that the operation had put him out of danger, that the pain now felt came chiefly from the nerves of the eye, and that quiet and darkness were necessary. He insisted on Ingolby keeping silent, and he gave a mild opiate which induced several hours' sleep.

During this time Rockwell prepared himself for the ordeal which must be passed as soon as possible; gave all needed directions, and had a conference with the assistant Chief Constable to whom he confided the truth. He suggested plans for preserving order in excited Lebanon, which was determined to revenge itself on Manitou; and he gave some careful and specific instructions to Jowett the horse-dealer. Also, he had conferred with Gabriel Druse, who had helped bear the injured man to his own home. He had noted with admiration the strange gentleness of the giant Romany as he, alone, carried Ingolby in his arms, and laid him on the bed from which he was to rise with all that he had fought for overthrown, himself the blind victim of a hard fate. He had noticed the old man straighten himself with a spring and stand as though petrified when Ingolby said: "Why don't you turn on the light?" As he looked round in that instant of ghastly silence he had observed almost mechanically that the old man's lips were murmuring something. Then the thought of Fleda Druse shot into Rockwell's mind, and it harassed him during the hours Ingolby slept, and after the giant Gipsy had taken his departure just before the dawn.

"I'm afraid it will mean more there than anywhere else," he said sadly to himself. "There was evidently something between those two; and she isn't the kind to take it philosophically. Poor girl! Poor girl! It's a bitter dose, if there was anything in it," he added.

He watched beside the sick-bed till the dawn stared in and his patient stirred and waked, then he took Ingolby's hand, grown a little cooler, in both his own. "How are you feeling, old man?" he asked cheerfully. "You've had a good sleep-nearly three and a half hours. Is the pain in the head less?"

"Better, Sawbones, better," Ingolby replied cheerfully. "They've loosened the tie that binds--begad, it did stretch the nerves. I had gripes of colic once, but the pain I had in my head was twenty times worse, till you gave the opiate."

"That's the eyes," said Rockwell. "I had to lift a bit of bone, and the eyes saw it and felt it, and cried out-shrieked, you might say. They've got a sensitiveness all their own, have the eyes."

"It's odd there aren't more accidents to them," answered Ingolby--"just a little ball of iridescent pulp with strings tied to the brain."

"And what hurts the head may destroy the eyes sometimes," Rockwell answered cautiously. "We know so little of the delicate union between them, that we can't be sure we can put the eyes right again when, because of some blow to the head, the ricochet puts the eyes out of commission."

"That's what's the matter with me, then?" asked Ingolby, feeling the bandage on his eyes feverishly, and stirring in his bed with a sense of weariness.

"Yes, the ricochet got them, and has put them out of commission," replied Rockwell, carefully dwelling upon each word, and giving a note of meaning to his tone.

Ingolby raised himself in bed, but Rockwell gently forced him down again. "Will my eyes have to be kept bandaged long? Shall I have to give up work for any length of time?" Ingolby asked.

"Longer than you'll like," was the enigmatical reply. "It's the devil's own business," was the weary answer. "Every minute's valuable to me now. I ought to be on deck morning, noon, and night. There's all the trouble between the two towns; there's the strike on hand; there's that business of the Orange funeral, and more than all a thousand times, there's--" he paused.

He was going to say, "There's that devil Marchand's designs on my bridge," but he thought better of it and stopped. It had been his intention to deal with Marchand directly, to get a settlement of their differences without resort to the law, to prevent the criminal act without deepening a feud which might keep the two towns apart for years. Bad as Marchand was, to prevent his crime was far better than punishing him for it afterwards. To have Marchand arrested for conspiracy to commit a crime was a business which would gravely interfere with his freedom of motion in the near future, would create complications which might cripple his own purposes in indirect ways. That was why he had declared to Jowett that even Felix Marchand had his price, and that he would try negotiations first.

But what troubled him now, as he lay with eyes bandaged and a knowledge that to-morrow was the day fixed for the destruction of the bridge, was his own incapacity. It was unlikely that his head or his eyes would be right by to-morrow, or that Rockwell would allow him to get up. He felt in his own mind that the injury he had received was a serious one, and that the lucky horseshoe had done Maxchand's work for him all too well. This thought shook him. Rockwell could see his chest heave with an excitement gravely injurious to his condition; yet he must be told the worst, or the shock of discovery by himself that he was blind might give him brain fever. Rockwell felt that he must hasten the crisis.

"Rockwell," Ingolby suddenly asked, "is there any chance of my discarding this and getting out to-morrow?" He touched the handkerchief round his eyes. "It doesn't matter about the head bandages, but the eyes--can't I slough the wraps to-morrow? I feel scarcely any pain now."

"Yes, you can get rid of the bandages to-morrow--you can get rid of them to-day, if you really wish," Rockwell answered, closing in on the last defence.

"But I don't mind being in the dark to-day if it'll make me fitter for to-morrow and get me right sooner. I'm not a fool. There's too much carelessness about such things. People often don't give themselves a chance to get right by being in too big a hurry. So, keep me in darkness to-day, if you want to, old man. For a hustler I'm not in too big a hurry, you see. I'm for holding back to get a bigger jump."

"You can't be in a big hurry, even if you want to, Ingolby," rejoined Rockwell, gripping the wrist of the sick man, and leaning over him.

Ingolby grew suddenly very still. It was as though vague fear had seized him and held him in a vice. "What is it? What do you want to say to me?" he asked in a low, nerveless tone.

"You've been hit hard, Chief. The ricochet has done you up for some time. The head will soon get well, but I'm far from sure about your eyes. You've got to have a specialist about them. You're in the dark, and as for making you see, so am I. Your eyes and you are out of commission for some time, anyhow."

He leaned over hastily, but softly and deftly undid the bandages over the eyes and took them off. "It's seven in the morning, and the sun's up, Chief, but it doesn't do you much good, you see."

The last two words were the purest accident, but it was a strange, mournful irony, and Rockwell flushed at the thought of it. He saw Ingolby's face turn grey, and then become white as death itself.

"I see," came from the bluish-white lips, as the stricken man made call on all the will and vital strength in him.

For a long minute Rockwell held the cold hand in the grasp of one who loves and grieves, but even so the physician and surgeon in him were uppermost, as they should be, in the hour when his friend was standing on the brink of despair, maybe of catastrophe irremediable. He did not say a word yet, however. In such moments the vocal are dumb and the blind see.

Ingolby heaved himself in the bed and threw up his arms, wresting them from Rockwell's grasp.

"My God--oh, my God-blind!" he cried in agony. Rockwell drew the head with the sightless eyes to his shoulder.

For a moment he laid one hand on the heart, that, suddenly still, now went leaping under his fingers. "Steady," he said firmly. "Steady. It may be only temporary. Keep your head up to the storm. We'll have a specialist, and you must not get mired till then. Steady, Chief."

"Chief! Chief!" murmured Ingolby. "Dear God, what a chief! I risked everything, and I've lost everything by my own vanity. Barbazon's--the horseshoe--among the wolves, just to show I could do things better than any one else--as if I had the patent for setting the world right. And now--now--"

The thought of the bridge, of Marchand's devilish design, shot into his mind, and once more he was shaken. "The bridge! Blind! Mother!" he called in a voice twisted in an agony which only those can feel to whom life's purposes are even more than life itself. Then, with a moan, he became unconscious, and his head rolled over against Rockwell's cheek. The damp of his brow was as the damp of death as Rockwell's lips touched it.

"Old boy, old boy!" Rockwell said tenderly, "I wish it had been me instead. Life means so much to you--and so little to me. I've seen too much, and you've only just begun to see."

Laying him gently down, Rockwell summoned the nurse and Jim Beadle and spoke to them in low tones. "He knows now, and it has hit him hard, but not so hard that he won't stiffen to it. It might have been worse."

He gave instructions as to the care that should be taken, and replaced the bandages on the eyes. It was, however, long before Ingolby was restored to consciousness, and when it came, Rockwell put to his lips a cooling drink containing a powerful opiate. Ingolby drank it without protest and in silence. He was like one whose sense of life was automatic and of an inner rather than an outer understanding. But when he lay back on the pillow again, he said slowly:

"I want the Chief Constable to come here to-night at eight o'clock. It will be dark then. He must come. It is important. Will you see to it, Rockwell?"

He thrust out a hand as though to find Rockwell's, and there was a gratitude and an appeal in the pressure of his fingers which went to Rockwell's heart.

"All right, Chief. I'll have him here," Rockwell answered briskly, but with tears standing in his eyes. Ingolby had, as it were, been stricken out of the active, sentient, companionable world into a world where he was alone, detached, solitary. His being seemed suspended in an atmosphere of misery and helplessness.

"Blind! I am blind!" That was the phrase which kept beating with the pulses in Ingolby's veins, that throbbed, and throbbed, and throbbed like engines in a creaking ship which the storm was shaking and pounding in the vast seas between the worlds. Here was the one incomprehensible, stupefying fact: nothing else mattered. Every plan he had ever had, every design which he had made his own by an originality that even his foes acknowledged, were passing before his brain in swift procession, shining, magnified, and magnificent, and in that sudden clear-seeing of his soul he beheld their full value, their exact concrete force and ultimate effect. Yet he knew himself detached from them, inactive, incapable, because he could not see with the eyes of the body. The great essential thing to him was that one thing he had lost. A man might be a cripple and still direct the great concerns of life and the business of life. He might be shorn of limb and scarred of body, but with eye sight still direct the courses of great schemes, in whatever sphere of life his purposes were at work. He might be deaf to every sound and forever dumb, but seeing enabled him still to carry forward every enterprise. In darkness, however, those things were naught, because judgment must depend on the eyes and senses of others. The report might be true or false, the deputy might deceive, and his blind chief might never know the truth unless some other spectator of his schemes should report it; and the truth could not surely be checked, save by some one, perhaps, whose life was joined to his, by one that truly loved him, whose fate was his.

His brain was afire. By one that truly loved him! Who was there that loved him? Who was there at one with him in all his deep designs, in all he had done and meant to do? Neither brother, nor sister, nor friend, nor any other. None of his blood was there who could share with him the constructive work he had set out to do. There was no friend whose fate was part of his own. There was the Boss Doctor: but Rockwell was tied to his own responsibilities, and he could not give up, of course, would not give up his life to the schemes of another. There were a dozen men whom he had helped to forge ahead by his own schemes, but their destinies were not linked with his. Only one whose life was linked with his could be trusted to be his eyes, to be the true reporter of all he did, had done, or planned to do. Only one who loved him.

But even one who loved him could not carry through his incompleted work against the assaults of his enemies, who were powerful, watchful, astute, and merciless; who had a greed which set money higher than all else in the world. They were of the new order of things in the New World. The business of life was to them not a system of barter and exchange, a giving something of value to get something of value, with a margin of profit for each, and a sense of human equity behind; it was a cockpit where one man sought to get what another man had--and get it almost anyhow.

It was the work of the faro-bank man, whose sleight of hand deceived the man that carried the gun.

All the old humanity and good-fellowship of the trader, the man who exchanged, as it was in the olden days of the world and continued in greater or less degree till the present generation--all that was gone. It was held in contempt. It had prevailed when men were open robbers and filibusters and warriors, giving their lives, if need be, to get what they wanted, making force their god. It had triumphed over the violence and robbery of the open road until the dying years of one century and the young years of a new century. Then the day of the trickster came--and men laughed at the idea of fair exchange and strove to give an illusive value for a thing of real value--the remorseless sleight of hand which the law could not reach. The desire to get profit by honest toiling was dying down to ashes.

Against such men had Ingolby worked--the tricksters, the manipulators. At the basis of his schemes was organization and the economy which concentrated and conserved energy begets, together with its profit. He had been the enemy of waste, the apostle of frugality and thrift; and it was that which had enabled him, in his short career, to win the confidence of the big men behind him in Montreal, to make good every step of the way. He had worked for profit out of legitimate product and industry and enterprise, out of the elimination of waste. It was his theory (and his practice) that no bit of old iron, no bolt or screw, no scrap of paper should be thrown away; that the cinders of the engines could and should be utilized for that which they would make; and that was why there was a paper-mill and foundry on the Sagalac at Manitou. That was why and how, so far, he had beaten the tricksters.

But while his schemes flashed before his mind, as the opiate suspended him in the middle heaven between sleep and waking, the tricksters and manipulators came hurrying after him like marauders that waited for the moment when they could rush the camp in the watches of the night. His disordered imagination saw the ruin and wreck of his work, the seizure of what was his own--the place of control on his railways, the place of the Master Man who cared infinitely more to see his designs accomplished than for the profit they would bring to himself. Yesterday he had been just at the top of the hill. The key in his fingers was turning in the lock which would make safe the securities of his life and career, when it snapped, and the world grew dark as the black curtain fell and shut out the lighted room from the wayfarer in the gloom. Then, it was, came the opaque blackness which could be felt, and his voice calling in despair: "Blind! I am blind!"

He did not know that he had taken an opiate, that his friend had mercifully atrophied his rebellious nerves. These visions he was seeing were terribly true, but they somehow gave him no physical torture. It was as though one saw an operation performed upon one's body with the nerves stilled and deadened by ether. Yet he was cruelly conscious of the disaster which had come to him. For a time at least. Then his mind seemed less acute, the visions came, then without seeing them go, they went. And others came in broken patches, shreds, and dreams, phantasmagoria of the brain, and at last all were mingled and confused; but as they passed they seemed to burn his sight. How he longed for a cool bandage over his eyes, for a soft linen which would shut out the cumuli of broken hopes and designs, life's goals obliterated! He had had enough of the black procession of futile things.

His longing was not denied, for even as he roused himself from the oblivion coming on him, as though by a last effort to remember his dire misfortune, maybe his everlasting tragedy, something soothing and soft like linen dipped in dew was laid upon his forehead. A cool, delicious hand covered his eyes caressingly; a voice from spheres so far away that worlds were the echoing points of the sound, came whispering to him like a stir of wings in a singing grove. With a last effort to remain in the waking world, he raised his head so very little, but fell gently back again with one sighing word on his lips:

"Fleda!"

It was no illusion. Fleda had come from her own night of trouble to his motherless, wifeless home, and would not be denied admittance by the nurse. It was Jim Beadle who admitted her.

"He'd be mad if he knew we wouldn't let her come," Jim had said to the nurse.

It was Fleda who had warned Ingolby of the dangers that surrounded him --the physical as well as business dangers. She came now to serve the blind victim of that Fate which she had seen hovering over him.

The renegade daughter of the Romanys, as Jethro Fawe had called her, was, for the first time, in the house of her master Gorgio.

Spotted a typo or a problem in this chapter? Tell us