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VI. THE PASSING OF THE YEARS…

Part 20 of 60 · Gilbert Parker · Public domain text

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Contents (540)
  1. Opening about 2 min
  2. I. THE JASMINE FLOWER about 14 min
  3. II. THE UNDERGROUND WORLD about 11 min
  4. III. A DAUGHTER OF TYRE about 22 min
  5. IV. THE PARTNERS MEET about 17 min
  6. V. A WOMAN TELLS HER STORY about 16 min
  7. VI. WITHIN THE POWER-HOUSE about 13 min
  8. VII. THREE YEARS LATER about 20 min
  9. Chapter VIII about 9 min
  10. IX. THE APPIAN WAY about 24 min
  11. X. AN ARROW FINDS A BREAST about 19 min
  12. XI. IN WALES, WHERE JIGGER PLAYS HIS PART about 18 min
  13. XII. THE KEY IN THE LOCK about 12 min
  14. Chapter XIII about 13 min
  15. XIV. THE BAAS about 18 min
  16. XV. THE WORLD WELL LOST about 11 min
  17. XVI. THE COMING OF THE BAAS about 11 min
  18. XVII. IS THERE NO HELP FOR THESE THINGS? about 22 min
  19. XVIII. LANDRASSY'S LAST STROKE about 17 min
  20. XIX. TO-MORROW . . . PREPARE! about 5 min
  21. XX. THE FURNACE DOOR about 19 min
  22. XXI. THE BURNING FIERY FURNACE about 21 min
  23. XXII. IN WHICH FELLOWES GOES A JOURNEY about 12 min
  24. Chapter XXIII about 17 min
  25. XXIV. ONE WHO CAME SEARCHING about 13 min
  26. XXV. WHEREIN THE LOST IS FOUND about 11 min
  27. XXVI. JASMINE'S LETTER about 9 min
  28. XXVII. KROOL about 27 min
  29. Chapter XXVIII about 29 min
  30. XXIX. THE MENACE OF THE MOUNTAIN about 20 min
  31. Chapter XXX about 14 min
  32. XXXI. THE GREY HORSE AND ITS RIDER about 16 min
  33. XXXII. THE WORLD'S FOUNDLING about 12 min
  34. Chapter XXXIII about 17 min
  35. Chapter XXXIV about 20 min
  36. XXXV. AT BRINKWORT'S FARM about 14 min
  37. XXXVI. SPRINGS OF HEALING about 25 min
  38. XXXVII. UNDER THE GUN about 18 min
  39. Chapter XXXVIII about 2 min
  40. Chapter XXXIX about 11 min
  41. Introduction about 8 min
  42. Book 1 about 5 h 5 min
  43. PIERRE AND HIS PEOPLE about 1 h 9 min
  44. Introduction about 6 h 13 min
  45. ROMANY OF THE SNOWS about 32 min
  46. Introduction about 6 h 36 min
  47. NORTHERN LIGHTS about 1 h 13 min
  48. Introduction about 3 min
  49. I. THE GATES OF THE SEA about 11 min
  50. Chapter II about 30 min
  51. III. A TALE OF NO MAN'S SEA about 11 min
  52. IV. THE TRAIL OF THE ISHMAELITE about 29 min
  53. V. ACCUSING FACES about 15 min
  54. VI. MUMMERS ALL about 29 min
  55. VII. THE WHEEL COMES FULL CIRCLE about 19 min
  56. VIII. A BRIDGE OF PERIL about 20 min
  57. Chapter IX about 11 min
  58. X. BETWEEN DAY AND DARK about 15 min
  59. MRS. FALCHION under 1 min
  60. XI. AMONG THE HILLS OF GOD about 13 min
  61. XII. THE WHIRLIGIG OF TIME about 16 min
  62. XIII. THE SONG OF THE SAW about 19 min
  63. XIV. THE PATH OF THE EAGLE about 29 min
  64. XV. IN THE TROUGH OF THE WINDS about 22 min
  65. XVI. A DUEL IN ARCADY about 13 min
  66. XVII. RIDING THE REEFS about 18 min
  67. XVIII. THE STRINGS OF DESTINY about 22 min
  68. XIX. THE SENTENCE about 16 min
  69. XX. AFTER THE STORM about 10 min
  70. XXI. IN PORT about 13 min
  71. Introduction about 5 h 18 min
  72. Introduction about 6 min
  73. Chapter I about 12 min
  74. Chapter II about 9 min
  75. Chapter III about 14 min
  76. Chapter IV about 9 min
  77. Chapter V about 17 min
  78. Chapter VI about 14 min
  79. Chapter VII about 13 min
  80. Chapter VIII about 13 min
  81. Chapter IX about 7 min
  82. Chapter X about 8 min
  83. Chapter XI about 9 min
  84. Chapter XII about 14 min
  85. Chapter XIII about 12 min
  86. Chapter XIV about 17 min
  87. Chapter XV about 9 min
  88. Chapter XVI about 12 min
  89. Chapter XVII about 14 min
  90. Epilogue about 4 min
  91. Dedication about 2 min
  92. Introduction about 7 min
  93. I. AN ENVOY EXTRAORDINARY about 9 min
  94. II. THE THREAT OF A RENEGADE about 13 min
  95. III. THE FACE AT THE WINDOW about 9 min
  96. IV. THE UPLIFTING OF THE SWORDS about 8 min
  97. V. THE FRUITS OF THE LAW about 7 min
  98. VI. THE KIDNAPPING about 12 min
  99. VII. FRIENDS IN COUNCIL about 19 min
  100. VIII. AS SEEN THROUGH A GLASS, DARKLY about 9 min
  101. IX. TO THE PORCH OF THE WORLD about 5 min
  102. X. QUI VIVE! about 12 min
  103. XI. WITH THE STRANGE PEOPLE about 8 min
  104. XII. OUT OF THE NET about 12 min
  105. THE TRAIL OF THE SWORD under 1 min
  106. Chapter XIII about 12 min
  107. XIV. IN WHICH THE HUNTERS ARE OUT about 6 min
  108. XV. IN THE MATTER OF BUCKLAW about 13 min
  109. XVI. IN THE TREASURE HOUSE about 11 min
  110. XVII. THE GIFT OF A CAPTIVE about 6 min
  111. XVIII. MAIDEN NO MORE about 7 min
  112. XIX. WHICH TELLS OF A BROTHER'S BLOOD CRYING FROM THE GROUND about 17 min
  113. XX. A TRAP IS SET about 4 min
  114. XXI. AN UNTOWARD MESSENGER about 8 min
  115. XXII. FROM TIGER'S CLAW TO LION'S MOUTH about 2 min
  116. XXIII. AT THE GATES OF MISFORTUNE about 4 min
  117. XXIV. IN WHICH THE SWORD IS SHEATHED about 12 min
  118. Introduction about 3 min
  119. I. HIS GREAT MISTAKE about 13 min
  120. II. A DIFFICULT SITUATION about 17 min
  121. III. OUT OF THE NORTH about 5 min
  122. IV. IN THE NAME OF THE FAMILY about 10 min
  123. V. AN AWKWARD HALF-HOUR about 34 min
  124. VI. THE PASSING OF THE YEARS about 25 min
  125. VII. A COURT-MARTIAL about 10 min
  126. VIII. TO EVERY MAN HIS HOUR about 17 min
  127. IX. THE FAITH OF COMRADES about 8 min
  128. X. THOU KNOWEST THE SECRETS OF OUR HEARTS about 6 min
  129. XI. UPON THE HIGHWAY about 9 min
  130. Chapter XII about 16 min
  131. XIII. A LIVING POEM about 17 min
  132. XIV. ON THE EDGE OF A FUTURE about 8 min
  133. XV. THE END OF THE TRAIL about 15 min
  134. Introduction about 4 min
  135. Chapter I about 10 min
  136. Chapter II about 9 min
  137. Chapter III about 11 min
  138. Chapter IV about 5 min
  139. Chapter V about 7 min
  140. Chapter VI about 7 min
  141. Chapter VII about 3 min
  142. Chapter VIII about 8 min
  143. Chapter IX about 10 min
  144. POMP OF THE LAVILETTES under 1 min
  145. Chapter X about 16 min
  146. Chapter XI about 5 min
  147. Chapter XII about 10 min
  148. Chapter XIII about 4 min
  149. Chapter XIV about 20 min
  150. Chapter XV about 4 min
  151. Chapter XVI about 6 min
  152. Chapter XVII about 8 min
  153. Chapter XVIII about 3 min
  154. Chapter XIX about 8 min
  155. Chapter XX about 50 min
  156. Introduction about 4 min
  157. I. ONE IN SEARCH OF A KINGDOM about 18 min
  158. II. IN WHICH HE CLAIMS HIS OWN about 11 min
  159. III. HE TELLS THE STORY OF HIS LIFE about 27 min
  160. IV. AN HOUR WITH HIS FATHER'S PAST about 12 min
  161. V. WHEREIN HE FINDS HIS ENEMY about 13 min
  162. VI. WHICH TELLS OF STRANGE ENCOUNTERS about 13 min
  163. VII. WHEREIN THE SEAL OF HIS HERITAGE IS SET about 17 min
  164. VIII. HE ANSWERS AN AWKWARD QUESTION about 13 min
  165. IX. HE FINDS NEW SPONSORS about 12 min
  166. X. HE COMES TO "THE WAKING OF THE FIRE" about 10 min
  167. XI. HE MAKES A GALLANT CONQUEST about 11 min
  168. THE TRESPASSER under 1 min
  169. XII. HE STANDS BETWEEN TWO WORLDS about 7 min
  170. XIII. HE JOURNEYS AFAR about 10 min
  171. XIV. IN WHICH THE PAST IS REPEATED about 19 min
  172. XV. WHEREIN IS SEEN THE OLD ADAM AND THE GARDEN about 10 min
  173. XVI. WHEREIN LOVE KNOWS NO LAW SAVE THE MAN'S WILL about 14 min
  174. XVII. THE MAN AND THE WOMAN FACE THE INTOLERABLE about 18 min
  175. Chapter XVIII (part 1 of 2) about 7 h 18 min
  176. Chapter XVIII (part 2 of 2) about 2 h 40 min
  177. Appendix about 5 min
  178. Introduction about 7 min
  179. Chapter I about 9 min
  180. Chapter II about 9 min
  181. Chapter III about 7 min
  182. Chapter IV about 7 min
  183. Chapter V about 13 min
  184. Chapter VI about 8 min
  185. Chapter VII about 3 min
  186. VIII. It was M. Savary dit Detricand about 15 min
  187. Chapter IX about 14 min
  188. Chapter X about 20 min
  189. Chapter XI about 4 min
  190. Chapter XII about 22 min
  191. Chapter XIII about 19 min
  192. Chapter XIV about 9 min
  193. Chapter XV about 11 min
  194. Chapter XVI about 14 min
  195. Chapter XVII about 8 min
  196. Chapter XVIII about 18 min
  197. Chapter XIX about 15 min
  198. Chapter XX about 14 min
  199. Chapter XXI about 12 min
  200. Chapter XXII about 14 min
  201. Chapter XXIII about 12 min
  202. Chapter XXIV about 14 min
  203. Chapter XXV about 16 min
  204. Chapter XXVI about 4 min
  205. Chapter XXVII about 11 min
  206. Chapter XXVIII about 10 min
  207. Chapter XXIX about 8 min
  208. Chapter XXX about 24 min
  209. Chapter XXXI about 9 min
  210. Chapter XXXII about 2 min
  211. Chapter XXXIII about 12 min
  212. Chapter XXXIV about 3 min
  213. Chapter XXXV about 7 min
  214. Chapter XXXVI about 12 min
  215. Chapter XXXVII about 13 min
  216. Chapter XXXVIII about 10 min
  217. Chapter XXXIX about 15 min
  218. Chapter XL about 23 min
  219. Chapter XLI about 6 min
  220. Chapter XLII about 8 min
  221. Chapter XLIII about 3 min
  222. Chapter XLIV about 7 min
  223. Chapter XLV about 7 min
  224. Chapter XLVI about 12 min
  225. Epilogue about 11 min
  226. Introduction about 4 min
  227. I. THE RETURN OF MADELINETTE about 14 min
  228. II. WHEN THE RED-COATS CAME about 11 min
  229. Chapter III about 13 min
  230. IV. MADELINETTE MAKES A DISCOVERY about 4 min
  231. V. WHAT WILL SHE DO WITH IT? about 5 min
  232. VI. THE ONE WHO SAW about 7 min
  233. VII. THE PURSUIT about 11 min
  234. VIII. FACE TO FACE about 14 min
  235. IX. THE BITER BITTEN about 2 min
  236. X. THE DOOR THAT WOULD NOT OPEN about 4 h 8 min
  237. PARABLES OF A PROVINCE about 1 h 19 min
  238. Introduction about 10 min
  239. I. THE WAY TO THE VERDICT about 12 min
  240. II. WHAT CAME OF THE TRIAL about 15 min
  241. III. AFTER FIVE YEARS about 4 min
  242. IV. CHARLEY MAKES A DISCOVERY about 3 min
  243. V. THE WOMAN IN HELIOTROPE about 10 min
  244. VI. THE WIND AND THE SHORN LAMB about 8 min
  245. Chapter VII about 7 min
  246. VIII. THE COST OF THE ORNAMENT about 22 min
  247. IX. OLD DEBTS FOR NEW about 3 min
  248. X. THE WAY IN AND THE WAY OUT about 13 min
  249. XI. THE RAISING OF THE CURTAIN about 17 min
  250. XII. THE COMING OF ROSALIE about 9 min
  251. XIII. HOW CHARLEY WENT ADVENTURING AND WHAT HE FOUND about 8 min
  252. XIV. ROSALIE, CHARLEY, AND THE MAN THE WIDOW PLOMONDON JILTED about 15 min
  253. XV. THE MARK IN THE PAPER about 5 min
  254. XVI. MADAME DAUPHIN HAS A MISSION about 10 min
  255. XVII. THE TAILOR MAKES A MIDNIGHT FORAY about 7 min
  256. XVIII. THE STEALING OF THE CROSS about 8 min
  257. XIX. THE SIGN FROM HEAVEN about 7 min
  258. XX. THE RETURN OF THE TAILOR about 4 min
  259. XXI. THE CURE HAS AN INSPIRATION about 4 min
  260. XXII. THE WOMAN WHO SAW about 13 min
  261. XXIII. THE WOMAN WHO DID NOT TELL about 5 min
  262. XXIV. THE SEIGNEUR TAKES A HAND IN THE GAME about 17 min
  263. XXV. THE COLONEL TELLS HIS STORY about 5 min
  264. XXVI. A SONG, A BOTTLE, AND A GHOST about 12 min
  265. XXVII. OUT ON THE OLD TRAIL about 4 min
  266. XXVIII. THE SEIGNEUR GIVES A WARNING about 13 min
  267. XXIX. THE WILD RIDE about 11 min
  268. XXX. ROSALIE WARNS CHARLEY about 8 min
  269. XXXI. CHARLEY STANDS AT BAY about 16 min
  270. XXXII. JO PORTUGAIS TELLS A STORY about 5 min
  271. XXXIII. THE EDGE OF LIFE about 6 min
  272. XXXIV. IN AMBUSH about 5 min
  273. XXXV. THE COMING OF MAXIMILIAN COUR AND ANOTHER about 13 min
  274. XXXVI. BARRIERS SWEPT AWAY about 3 min
  275. XXXVII. THE CHALLENGE OF PAULETTE DUBOIS about 4 min
  276. XXXVIII. THE CURE AND THE SEIGNEUR VISIT THE TAILOR about 12 min
  277. XXXIX. THE SCARLET WOMAN about 8 min
  278. XL. AS IT WAS IN THE BEGINNING about 5 min
  279. XLI. IT WAS MICHAELMAS DAY about 8 min
  280. XLII. A TRIAL AND A VERDICT about 6 min
  281. XLIII. JO PORTUGAIS TELLS A STORY about 9 min
  282. Chapter XLIV about 7 min
  283. XLV. SIX MONTHS GO BY about 8 min
  284. XLVI. THE FORGOTTEN MAN about 9 min
  285. XLVII. ONE WAS TAKEN AND THE OTHER LEFT about 12 min
  286. Chapter XLVIII about 2 min
  287. XLIX. THE OPEN GATE about 9 min
  288. THE RIGHT OF WAY under 1 min
  289. L. THE PASSION PLAY AT CHAUDIERE about 3 min
  290. LI. FACE TO FACE about 12 min
  291. LII. THE COMING OF BILLY about 3 min
  292. LIII. THE SEIGNEUR AND THE CURE HAVE A SUSPICION about 4 min
  293. LIV. M. ROSSIGNOL SLIPS THE LEASH about 2 min
  294. LV. ROSALIE PLAYS A PART about 8 min
  295. LVI. MRS. FLYNN SPEAKS about 3 min
  296. LVII. A BURNING FIERY FURNACE about 10 min
  297. LVIII. WITH HIS BACK TO THE WALL about 11 min
  298. LIX. IN WHICH CHARLEY MEETS A STRANGER about 5 min
  299. LX. THE HAND AT THE DOOR about 2 min
  300. LXI. THE CURE SPEAKS about 1 min
  301. Epilogue about 2 min
  302. Introduction about 3 min
  303. Chapter I about 5 min
  304. Chapter II about 10 min
  305. Chapter III about 13 min
  306. Chapter IV about 6 min
  307. Chapter V about 4 min
  308. Chapter VI about 15 min
  309. Chapter VII about 10 min
  310. Chapter VIII about 9 min
  311. Chapter IX about 9 min
  312. Chapter X about 7 min
  313. Chapter XI about 18 min
  314. Chapter XII about 4 min
  315. Chapter XIII about 6 min
  316. Chapter XIV about 19 min
  317. MICHEL AND ANGELE under 1 min
  318. Chapter XV about 25 min
  319. Chapter XVI about 9 min
  320. Chapter XVII about 11 min
  321. Chapter XVIII about 17 min
  322. Chapter XIX about 8 min
  323. Chapter XX about 6 min
  324. JOHN ENDERBY about 1 h 13 min
  325. Introduction about 5 h 42 min
  326. Book II about 1 min
  327. Introduction about 7 min
  328. I. AS THE SPIRIT MOVED about 4 min
  329. II. THE GATES OF THE WORLD about 22 min
  330. III. BANISHED about 8 min
  331. IV. THE CALL about 10 min
  332. Book II under 1 min
  333. V. THE WIDER WAY about 24 min
  334. Chapter VI about 30 min
  335. VII. THE COMPACT about 8 min
  336. VIII. FOR HIS SOUL'S SAKE AND THE LAND'S SAKE about 10 min
  337. IX. THE LETTER, THE NIGHT, AND THE WOMAN about 17 min
  338. X. THE FOUR WHO KNEW about 21 min
  339. XI. AGAINST THE HOUR OF MIDNIGHT about 21 min
  340. XII. THE JEHAD AND THE LIONS about 26 min
  341. XIII. ACHMET THE ROPEMAKER STRIKES about 8 min
  342. XIV. BEYOND THE PALE about 15 min
  343. Book III under 1 min
  344. XV. SOOLSBY'S HAND UPON THE CURTAIN about 9 min
  345. XVI. THE DEBT AND THE ACCOUNTING about 18 min
  346. XVII. THE WOMAN OF THE CROSS-ROADS about 6 min
  347. XVIII. TIME, THE IDOL-BREAKER about 16 min
  348. XIX. SHARPER THAN A SWORD about 14 min
  349. XX. EACH AFTER HIS OWN ORDER about 13 min
  350. Chapter XXI about 14 min
  351. XXII. AS IN A GLASS DARKLY about 18 min
  352. XXIII. THE TENTS OF CUSHAN about 32 min
  353. XXIV. THE QUESTIONER about 11 min
  354. XXV. THE VOICE THROUGH THE DOOR about 11 min
  355. Chapter XXVI about 12 min
  356. XXVII. THE AWAKENING about 32 min
  357. Book IV under 1 min
  358. XXVIII. NAHOUM TURNS THE SCREW about 12 min
  359. XXIX. THE RECOIL about 16 min
  360. XXX. LACEY MOVES about 15 min
  361. XXXI. THE STRUGGLE IN THE DESERT about 22 min
  362. XXXII. FORTY STRIPES SAVE ONE about 13 min
  363. XXXIII. THE DARK INDENTURE about 8 min
  364. XXXIV. NAHOUM DROPS THE MASK about 13 min
  365. Book V under 1 min
  366. XXXV. THE FLIGHT OF THE WOUNDED about 18 min
  367. Chapter XXXVI about 7 min
  368. XXXVII. THE FLYING SHUTTLE about 9 min
  369. XXXVIII. JASPER KIMBER SPEAKS about 15 min
  370. XXXIX. FAITH JOURNEYS TO LONDON about 5 min
  371. THE WEAVERS under 1 min
  372. Book VI under 1 min
  373. XL. HYLDA SEEKS NAHOUM about 22 min
  374. XLI. IN THE LAND OF SHINAR about 24 min
  375. XLII. THE LOOM OF DESTINY about 35 min
  376. Introduction about 1 h 25 min
  377. Introduction about 46 min
  378. Introduction about 5 min
  379. I. THE GRAND TOUR OF JEAN JACQUES BARBILLE about 22 min
  380. Chapter II about 12 min
  381. Chapter III about 7 min
  382. Chapter IV about 17 min
  383. V. THE CLERK OF THE COURT ENDS HIS STORY about 14 min
  384. VI. JEAN JACQUES HAD HAD A GREAT DAY about 17 min
  385. VII. JEAN JACQUES AWAKES FROM SLEEP about 8 min
  386. VIII. THE GATE IN THE WALL about 10 min
  387. Chapter IX about 14 min
  388. Chapter X about 14 min
  389. XI. THE CLERK OF THE COURT KEEPS A PROMISE about 11 min
  390. XII. THE MASTER-CARPENTER HAS A PROBLEM about 13 min
  391. XIII. THE MAN FROM OUTSIDE about 25 min
  392. Chapter XIV about 12 min
  393. XV. BON MARCHE about 22 min
  394. XVI. MISFORTUNES COME NOT SINGLY about 27 min
  395. XVII. HIS GREATEST ASSET about 14 min
  396. XVIII. JEAN JACQUES HAS AN OFFER about 18 min
  397. XIX. SEBASTIAN DOLORES DOES NOT SLEEP about 7 min
  398. Chapter XX about 27 min
  399. XXI. IF SHE HAD KNOWN IN TIME about 12 min
  400. THE MONEY MASTER under 1 min
  401. XXII. BELLS OF MEMORY about 13 min
  402. XXIII. JEAN JACQUES HAS WORK TO DO about 10 min
  403. XXIV. JEAN JACQUES ENCAMPED about 13 min
  404. XXV. WHAT WOULD YOU HAVE DONE? about 19 min
  405. Epilogue about 6 min
  406. Book I under 1 min
  407. Book II under 1 min
  408. Book III under 1 min
  409. Introduction about 9 min
  410. Book I under 1 min
  411. Chapter I about 13 min
  412. II. THE WHISPER FROM BEYOND about 10 min
  413. III. CONCERNING INGOLBY AND THE TWO TOWNS about 7 min
  414. IV. THE COMING OF JETHRO FAWE about 19 min
  415. Chapter V about 13 min
  416. VI. THE UNGUARDED FIRES about 27 min
  417. VII. IN WHICH THE PRISONER GOES FREE about 21 min
  418. Book II under 1 min
  419. VIII. THE SULTAN about 40 min
  420. IX. MATTER AND MIND AND TWO MEN about 26 min
  421. X. FOR LUCK about 18 min
  422. XI. THE SENTENCE OF THE PATRIN about 25 min
  423. Chapter XII about 17 min
  424. XIII. THE CHAIN OF THE PAST about 15 min
  425. XIV. SUCH THINGS MAY NOT BE about 14 min
  426. XV. THE WOMAN FROM WIND RIVER about 15 min
  427. XVI. THE MAYOR FILLS AN OFFICE about 12 min
  428. XVII. THE MONSEIGNEUR AND THE NOMAD about 12 min
  429. XVIII. THE BEACONS about 6 min
  430. XIX. THE KEEPER OF THE BRIDGE about 14 min
  431. Book III under 1 min
  432. XX. TWO LIFE PIECES about 28 min
  433. XXI. THE SNARE OF THE FOWLER about 16 min
  434. XXII. THE SECRET MAN about 16 min
  435. XXIII. THE RETURN OF BELISARIUS about 9 min
  436. XXIV. AT LONG LAST about 13 min
  437. XXV. MAN PROPOSES about 13 min
  438. XXVI. THE SLEEPER about 6 min
  439. XXVII. THE WORLD FOR SALE about 3 min
  440. Introduction about 7 min
  441. Chapter I about 15 min
  442. II. CLOSING THE DOORS about 18 min
  443. III. THE LOGAN TRIAL AND WHAT CAME OF IT about 19 min
  444. Chapter IV about 6 min
  445. V. A STORY TO BE TOLD about 9 min
  446. Chapter VI about 24 min
  447. VII. A WOMAN'S WAY TO KNOWLEDGE about 18 min
  448. VIII. ALL ABOUT AN UNOPENED LETTER about 12 min
  449. IX. NIGHT SHADE AND MORNING GLORY about 11 min
  450. Chapter X about 5 min
  451. XI. IN THE CAMP OF THE DESERTER about 13 min
  452. XII. AT THE RECEIPT OF CUSTOM about 11 min
  453. XIII. KITTY SPEAKS HER MIND AGAIN about 15 min
  454. XIV. AWAITING THE VERDICT about 17 min
  455. Chapter XV about 13 min
  456. Chapter XVI about 10 min
  457. XVII. WHO WOULD HAVE THOUGHT IT? about 37 min
  458. Epilogue about 5 min
  459. I. THE MAZARINES TAKE POSSESSION about 7 min
  460. Chapter II about 10 min
  461. Chapter III about 11 min
  462. IV. TWO SIDES TO A BARGAIN about 10 min
  463. V. ORLANDO HAS AN ADVENTURE about 16 min
  464. Chapter VI about 6 min
  465. Chapter VII about 8 min
  466. VIII. THE ORIENTAL WAY OF IT about 8 min
  467. IX. THE STARS IN THEIR COURSES about 24 min
  468. WILD YOUTH under 1 min
  469. X. THE MOON WAS NOT ALONE about 10 min
  470. XI. LOUISE about 11 min
  471. XII. MAN UNNATURAL about 9 min
  472. XIII. ORLANDO GIVES A WARNING about 12 min
  473. XIV. FILION AND FIONA--ALSO PATSY KERNAGHAN about 11 min
  474. XV. OUTWARD BOUND about 7 min
  475. XVI. THE CROSS TRAILS about 5 min
  476. XVII. THE SUPERIOR MAN about 18 min
  477. XVIII. YOUTH HAS ITS WAY about 12 min
  478. I. THE TWO MEET about 19 min
  479. II. THE COMING OF A MESSENGER about 9 min
  480. III. THE QUARREL about 7 min
  481. IV. THE DUEL about 10 min
  482. V. THE KILLING OF ERRIS BOYNE about 19 min
  483. VI. DYCK IN PRISON about 8 min
  484. VII. MOTHER AND DAUGHTER about 13 min
  485. VIII. DYCK'S FATHER VISITS HIM about 7 min
  486. IX. A LETTER FROM SHEILA about 4 min
  487. Book II under 1 min
  488. X. DYCK CALHOUN ENTERS THE WORLD AGAIN about 10 min
  489. XI. WHITHER NOW? about 8 min
  490. XII. THE HOUR BEFORE THE MUTINY about 16 min
  491. XIII. TO THE WEST INDIES about 15 min
  492. XIV. IN THE NICK OF TIME about 18 min
  493. XV. THE ADMIRAL HAS HIS SAY about 6 min
  494. NO DEFENSE under 1 min
  495. Book III under 1 min
  496. XVI. A LETTER about 29 min
  497. XVII. STRANGERS ARRIVE about 22 min
  498. XVIII. AT SALEM about 31 min
  499. XIX. LORD MALLOW INTERVENES about 29 min
  500. XX. OUT OF THE HANDS OF THE PHILISTINES about 26 min
  501. XXI. THE CLASH OF RACE about 11 min
  502. XXII. SHEILA HAS HER SAY about 12 min
  503. XXIII. THE COMING OF NOREEN about 9 min
  504. XXIV. WITH THE GOVERNOR about 9 min
  505. XXV. THEN WHAT HAPPENED about 4 min
  506. I. IN THE DAYS OF CHILDHOOD about 8 min
  507. II. ELEVEN YEARS PASS about 18 min
  508. III. CARNAC'S RETURN about 6 min
  509. IV. THE HOUSE ON THE HILL about 6 min
  510. V. CARNAC AS MANAGER about 14 min
  511. VI. LUKE TARBOE HAS AN OFFER about 9 min
  512. Chapter VII about 11 min
  513. VIII. JOHN GRIER MAKES ANOTHER OFFER about 9 min
  514. IX. THE PUZZLE about 7 min
  515. X. DENZIL TELLS HIS STORY about 6 min
  516. XI. CARNAC'S TALK WITH HIS MOTHER about 10 min
  517. XII. CARNAC SAYS GOOD-BYE about 9 min
  518. Book II under 1 min
  519. XIII. CARNAC'S RETURN about 6 min
  520. XIV. THE HOUSE OF THE THREE TREES about 10 min
  521. XV. CARNAC AND JUNIA about 7 min
  522. XVI. JOHN GRIER MAKES A JOURNEY about 6 min
  523. XVII. THE READING OF THE WILL about 6 min
  524. CARNAC'S FOLLY under 1 min
  525. Book III under 1 min
  526. XVIII. A GREAT DECISION about 7 min
  527. XIX. CARNAC BECOMES A CANDIDATE about 14 min
  528. XX. JUNIA AND TARBOE HEAR THE NEWS about 12 min
  529. XXI. THE SECRET MEETING about 9 min
  530. XXII. POINT TO POINT about 8 min
  531. XXIII. THE MAN WHO WOULD NOT about 8 min
  532. XXIV. THE BLUE PAPER about 13 min
  533. XXV. DENZIL TAKES A HAND IN THE GAME about 10 min
  534. XXVI. THE CHALLENGE about 9 min
  535. XXVII. EXIT about 8 min
  536. XXVIII. A WOMAN WRITES A LETTER about 5 min
  537. XXIX. CARNAL AND HIS MOTHER about 6 min
  538. XXX. TARBOE HAS A DREAM about 8 min
  539. XXXI. THIS WAY HOME about 6 min
  540. Chapter XXXII about 6 min

Continue:

VI. THE PASSING OF THE YEARS

Lali's recovery was not rapid. A change had come upon her. With that strange ride had gone the last strong flicker of the desire for savage life in her. She knew now the position she held towards her husband: that he had never loved her; that she was only an instrument for unworthy retaliation. So soon as she could speak after her accident, she told them that they must not write to him and tell him of it. She also made them promise that they would give him no news of her at all, save that she was well. They could not refuse to promise; they felt she had the right to demand much more than that. They had begun to care for her for herself, and when the months went by, and one day there was a hush about her room, and anxiety, and then relief, in the faces of all, they came to care for her still more for the sake of her child.

As the weeks passed, the fair-haired child grew more and more like his father; but if Lali thought of her husband they never knew it by anything she said, for she would not speak of him. She also made them promise that they would not write to him of the child's birth. Richard, with his sense of justice, and knowing how much the woman had been wronged, said that in all this she had done quite right; that Frank, if he had done his duty after marrying her, should have come with her. And because they all felt that Richard had been her best friend as well as their own, they called the child after him. This also was Lali's wish. Coincident with her motherhood there came to Lali a new purpose. She had not lived with the Armours without absorbing some of their fine social sense and dignity. This, added to the native instinct of pride in her, gave her a new ambition. As hour by hour her child grew dear to her, so hour by hour her husband grew away from her. She schooled herself against him. --At times she thought she hated him. She felt she could never forgive him, but she would prove to him that it was she who had made the mistake of her life in marrying him; that she had been wronged, not he; and that his sin would face him with reproach and punishment one day. Richard's prophecy was likely to come true: she would defeat very perfectly indeed Frank's intentions. After the child was born, so soon as she was able, she renewed her studies with Richard and Mrs. Armour. She read every morning for hours; she rode; she practised all those graceful arts of the toilet which belong to the social convention; she showed an unexpected faculty for singing, and practised it faithfully; and she begged Mrs. Armour and Marion to correct her at every point where correction seemed necessary. When the child was two years old, they all went to London, something against Lali's personal feelings, but quite in accord with what she felt her duty.

Richard was left behind at Greyhope. For the first time in eighteen months he was alone with his old quiet duties and recreations. During that time he had not neglected his pensioners,--his poor, sick, halt, and blind, but a deeper, larger interest had come into his life in the person of Lali. During all that time she had seldom been out of his sight, never out of his influence and tutelage. His days had been full, his every hour had been given a keen, responsible interest. As if by tacit consent, every incident or development of Lali's life was influenced by his judgment and decision. He had been more to her than General Armour, Mrs. Armour, or Marion. Schooled as he was in all the ways of the world, he had at the same time a mind as sensitive as a woman's, an indescribable gentleness, a persuasive temperament. Since, years before, he had withdrawn from the social world and become a recluse, many of his finer qualities had gone into an indulgent seclusion. He had once loved the world and the gay life of London, but some untoward event, coupled with a radical love of retirement, had sent him into years of isolation at Greyhope.

His tutelar relations with Lali had reopened many an old spring of sensation and experience. Her shy dependency, her innocent inquisitiveness, had searched out his remotest sympathies. In teaching her he had himself been re-taught. Before she came he had been satisfied with the quiet usefulness and studious ease of his life. But in her presence something of his old youthfulness came back, some reflection of the ardent hopes of his young manhood. He did not notice the change in himself. He only knew that his life was very full. He read later at nights, he rose earlier in the morning. But unconsciously to himself, he was undergoing a change. The more a man's sympathies and emotions are active, the less is he the philosopher. It is only when one has withdrawn from the more personal influence of the emotions that one's philosophy may be trusted. One may be interested in mankind and still be philosophical--may be, as it were, the priest and confessor to all comers. But let one be touched in some vital corner in one's nature, and the high, faultless impartiality is gone. In proportion as Richard's interest in Lali had grown, the universal quality of his sympathy had declined. Man is only man. Not that his benefactions as lord-bountiful in the parish had grown perfunctory, but the calm detail of his interest was not so definite. He was the same, yet not the same.

He was not aware of any difference in himself. He did not know that he looked younger by ten years. Such is the effect of mere personal sympathy upon a man's look and bearing. When, therefore, one bright May morning, the family at Greyhope, himself excluded, was ready to start for London, he had no thought but that he would drop back into his old silent life, as it was before Lali came, and his brother's child was born. He was not conscious that he was very restless that morning; he scarcely was aware that he had got up two hours earlier than usual. At the breakfast- table he was cheerful and alert. After breakfast he amused himself in playing with the child till the carriage was brought round. It was such a morning as does not come a dozen times a year in England. The sweet, moist air blew from the meadows and up through the lime trees with a warm, insinuating gladness. The lawn sloped delightfully away to the flowered embrasures of the park, and a fragrant abundance of flowers met the eye and cheered the senses. While Richard loitered on the steps with the child and its nurse, more excited than he knew, Lali came out and stood beside him. At the moment Richard was looking into the distance. He did not hear her when she came. She stood near him for a moment, and did not speak. Her eyes followed the direction of his look, and idled tenderly with the prospect before her. She did not even notice the child. The same thought was in the mind of both--with a difference. Richard was wondering how any one could choose to change the sweet dignity of that rural life for the flaring, hurried delights of London and the season. He had thought this a thousand times, and yet, though he would have been little willing to acknowledge it, his conviction was not so impregnable as it had been.

Mrs. Francis Armour was stepping from the known to the unknown. She was leaving the precincts of a life in which, socially, she had been born again. Its sweetness and benign quietness had all worked upon her nature and origin to change her. In that it was an out-door life, full of freshness and open-air vigour, it was not antagonistic to her past. Upon this sympathetic basis had been imposed the conditions of a fine social decorum. The conditions must still exist. But how would it be when she was withdrawn from this peaceful activity of nature and set down among "those garish lights" in Cavendish Square and Piccadilly? She hardly knew to what she was going as yet. There had been a few social functions at Greyhope since she had come, but that could give her, after all, but little idea of the swing and pressure of London life.

At this moment she was lingering over the scene before her. She was wondering with the naive wonder of an awakened mind. She had intended many times of late saying to Richard all the native gratitude she felt; yet somehow she had never been able to say it. The moment of parting had come.

"What are you thinking of, Richard?" she said now. He started and turned towards her.

"I hardly know," he answered. "My thoughts were drifting."

"Richard," she said abruptly," I want to thank you."

"Thank me for what, Lali?" he questioned.

"To thank you, Richard, for everything--since I came, over three years ago."

He broke out into a soft little laugh, then, with his old good-natured manner, caught her hand as he did the first night she came to Greyhope, patted it in a fatherly fashion, and said:

"It is the wrong way about, Lali; I ought to be thanking you, not you me. Why, look what a stupid old fogy I was then, toddling about the place with too much time on my hands, reading a lot and forgetting everything; and here you came in, gave me something to do, made the little I know of any use, and ran a pretty gold wire down the rusty fiddle of life. If there are any speeches of gratitude to be made, they are mine, they are mine."

"Richard," she said very quietly and gravely, "I owe you more than I can ever say--in English. You have taught me to speak in your tongue enough for all the usual things of life, but one can only speak from the depths of one's heart in one's native tongue. And see," she added, with a painful little smile, "how strange it would sound if I were to tell you all I thought in the language of my people--of my people, whom I shall never see again. Richard, can you understand what it must be to have a father whom one is never likely to see again--whom, if one did see again, something painful would happen? We grow away from people against our will; we feel the same towards them, but they cannot feel the same towards us; for their world is in another hemisphere. We want to love them, and we love, remember, and are glad to meet them again, but they feel that we are unfamiliar, and, because we have grown different outwardly, they seem to miss some chord that used to ring. Richard, I-- I--" She paused.

"Yes, Lali," he assented--"yes, I understand you so far; but speak out."

"I am not happy," she said. "I never shall be happy. I have my child, and that is all I have. I cannot go back to the life in which I was born; I must go on as I am, a stranger among a strange people, pitied, suffered, cared for a little--and that is all."

The nurse had drawn away a little distance with the child. The rest of the family were making their preparations inside the house. There was no one near to watch the singular little drama.

"You should not say that," he added; "we all feel you to be one of us."

"But all your world does not feel me to be one of them," she rejoined.

"We shall see about that when you go up to town. You are a bit morbid, Lali. I don't wonder at your feeling a little shy; but then you will simply carry things before you--now you take my word for it! For I know London pretty well."

She held out her ungloved hands.

"Do they compare with the white hands of the ladies you know?" she said.

"They are about the finest hands I have ever seen," he replied. "You can't see yourself, sister of mine."

"I do not care very much to see myself," she said. "If I had not a maid I expect I should look very shiftless, for I don't care to look in a mirror. My only mirror used to be a stream of water in summer," she added, "and a corner of a looking-glass got from the Hudson's Bay fort in the winter."

"Well, you are missing a lot of enjoyment," he said, "if you do not use your mirror much. The rest of us can appreciate what you would see there."

She reached out and touched his arm.

"Do you like to look at me?" she questioned, with a strange simple candour.

For the first time in many a year, Richard Armour blushed like a girl fresh from school. The question had come so suddenly, it had gone so quickly into a sensitive corner of his nature, that he lost command of himself for the instant, yet had little idea why the command was lost. He touched the fingers on his arm affectionately.

"Like to look at you--like to look at you? Why, of course we all like to look at you. You are very fine and handsome and interesting."

"Richard," she said, drawing her hands away, "is that why you like to look at me?"

He had recovered himself. He laughed in his old hearty way, and said:

"Yes, yes; why, of course! Come, let us go and see the boy," he added, taking her arm and hurrying her down the steps. "Come and let us see Richard Joseph, the pride of all the Armours."

She moved beside him in a kind of dream. She had learned much since she came to Greyhope, and yet she could not at that moment have told exactly why she asked Richard the question that had confused him, nor did she know quite what lay behind the question. But every problem which has life works itself out to its appointed end, if fumbling human fingers do not meddle with it. Half the miseries of this world are caused by forcing issues, in every problem of the affections, the emotions, and the soul. There is a law working with which there should be no tampering, lest in foolish interruption come only confusion and disaster. Against every such question there should be written the one word, "Wait."

Richard Armour stooped over the child. "A beauty," he said, "a perfect little gentleman. Like Richard Joseph Armour there is none," he added.

"Whom do you think he looks like, Richard?" she asked. This was a question she had never asked before since the child was born. Whom the child looked like every one knew; but within the past year and a half Francis Armour's name had seldom been mentioned, and never in connection with the child. The child's mother asked the question with a strange quietness. Richard answered it without hesitation.

"The child looks like Frank," he said. "As like him as can be."

"I am glad," she said, "for all your sakes."

"You are very deep this morning, Lali," Richard said, with a kind of helplessness. "Frank will be pretty proud of the youngster when he comes back. But he won't be prouder of him than I am."

"I know that," she said. "Won't you be lonely without the boy--and me, Richard?"

Again the question went home. "Lonely? I should think I would," he said. "I should think I would. But then, you see, school is over, and the master stays behind and makes up the marks. You will find London a jollier master than I am, Lali. There'll be lots of shows, and plenty to do, and smart frocks, and no end of feeds and frolics; and that is more amusing than studying three hours a day with a dry old stick like me. I tell you what, when Frank comes--"

She interrupted him. "Do not speak of that," she said. Then, with a sudden burst of feeling, though her words were scarcely audible: "I owe you everything, Richard--everything that is good. I owe him nothing, Richard--nothing but what is bitter."

"Hush, hush," he said; "you must not speak that way. Lali, I want to say to you--"

At that moment General Armour, Mrs. Armour, and Marion appeared on the door-step, and the carriage came wheeling up the drive. What Richard intended to say was left unsaid. The chances were it never would be said.

"Well, well," said General Armour, calling down at them, "escort his imperial highness to the chariot which awaits him, and then ho! for London town. Come along, my daughter," he said to Lali; "come up here and take the last whiff of Greyhope that you will have for six months. Dear, dear, what lunatics we all are, to be sure! Why, we're as happy as little birds in their nests out in the decent country, and yet we scamper off to a smoky old city by the Thames to rush along with the world, instead of sitting high and far away from it and watching it go by. God bless my soul, I'm old enough to know better! Well, let me help you in, my dear," he added to his wife; "and in you go, Marion; and in you go, your imperial highness"--he passed the child awkwardly in to Marion; "and in you go, my daughter," he added, as he handed Lali in, pressing her hand with a brusque fatherliness as he did so. He then got in after them.

Richard came to the side of the carriage and bade them all good-bye one by one. Lali gave him her hand, but did not speak a word. He called a cheerful adieu, the horses were whipped up, and in a moment Richard was left alone on the steps of the house. He stood for a time looking, then he turned to go into the house, but changed his mind, sat down, lit a cigar, and did not move from his seat until he was summoned to his lonely luncheon.

Nobody thought much of leaving Richard behind at Greyhope. It seemed the natural thing to do. But still he had not been left alone--entirely alone--for three years or more.

The days and weeks went on. If Richard had been accounted eccentric before, there was far greater cause for the term now. Life dragged. Too much had been taken out of his life all at once; for, in the first place, the family had been drawn together more during the trouble which Lali's advent had brought; then the child and its mother, his pupil, were gone also. He wandered about in a kind of vague unrest. The hardest thing in this world to get used to is the absence of a familiar footstep and the cheerful greeting of a familiar eye. And the man with no chick or child feels even the absence of his dog from the hearth-rug when he returns from a journey or his day's work. It gives him a sense of strangeness and loss. But when it is the voice of a woman and the hand of a child that is missed, you can back no speculation upon that man's mood or mind or conduct. There is no influence like the influence of habit, and that is how, when the minds of people are at one, physical distances and differences, no matter how great, are invisible, or at least not obvious.

Richard Armour was a sensible man; but when one morning he suddenly packed a portmanteau and went up to town to Cavendish Square, the act might be considered from two sides of the equation. If he came back to enter again into the social life which, for so many years, he had abjured, it was not very sensible, because the world never welcomes its deserters; it might, if men and women grew younger instead of older. If he came to see his family, or because he hungered for his godchild, or because--but we are hurrying the situation. It were wiser not to state the problem yet. The afternoon that he arrived at Cavendish Square all his family were out except his brother's wife. Lali was in the drawing- room, receiving a visitor who had asked for Mrs. Armour and Mrs. Francis Armour. The visitor was received by Mrs. Francis Armour. The visitor knew that Mrs. Armour was not at home. She had by chance seen her and Marion in Bond Street, and was not seen by them. She straightway got into her carriage and drove up to Cavendish Square, hoping to find Mrs. Francis Armour at home. There had been house-parties at Greyhope since Lali had come there to live, but this visitor, though once an intimate friend of the family, had never been a guest.

The visitor was Lady Haldwell, once Miss Julia Sherwood, who had made possible what was called Francis Armour's tragedy. Since Lali had come to town Lady Haldwell had seen her, but had never met her. She was not at heart wicked, but there are few women who can resist an opportunity of anatomising and reckoning up the merits and demerits of a woman who has married an old lover. When that woman is in the position of Lali, the situation has an unusual piquancy and interest. Hence Lady Haldwell's journey of inquisition to Cavendish Square.

As Richard passed the drawing-room door to ascend the stairs, he recognised the voices.

Once a sort of heathen, as Mrs. Francis Armour had been, she still could grasp the situation with considerable clearness. There is nothing keener than one woman's instinct regarding another woman, where a man is concerned. Mrs. Francis Armour received Lady Haldwell with a quiet stateliness, which, if it did not astonish her, gave her sufficient warning that matters were not, in this little comedy, to be all her own way.

Thrown upon the mere resources of wit and language, Mrs. Francis Armour must have been at a disadvantage. For Lady Haldwell had a good gift of speech, a pretty talent for epithet, and no unnecessary tenderness. She bore Lali no malice. She was too decorous and high for that. In her mind the wife of the man she had discarded was a mere commonplace catastrophe, to be viewed without horror, maybe with pity. She had heard the alien spoken well of by some people; others had seemed indignant that the Armours should try to push "a red woman" into English society. Truth is, the Armours did not try at all to push her. For over three years they had let society talk. They had not entertained largely in Cavendish Square since Lali came, and those invited to Greyhope had a chance to refuse the invitations if they chose. Most people did not choose to decline them. But Lady Haldwell was not of that number. She had never been invited. But now in town, when entertainment must be more general, she and the Armours were prepared for social interchange.

Behind Lady Haldwell's visit curiosity chiefly ran. She was in a way sorry for Frank Armour, for she had been fond of him after a fashion, always fonder of him than of Lord Haldwell. She had married with her fingers holding the scales of advantage; and Lord Haldwell dressed well, was immensely rich, and the title had a charm.

When Mrs. Francis Armour met her with her strange, impressive dignity, she was the slightest bit confused, but not outwardly. She had not expected it. At first Lali did not know who her visitor was. She had not caught the name distinctly from the servant.

Presently Lady Haldwell said, as Lali gave her hand "I am Lady Haldwell. As Miss Sherwood I was an old friend of your husband."

A scornful glitter came into Mrs. Armour's eyes--a peculiar touch of burnished gold, an effect of the light at a certain angle of the lens. It gave for the instant an uncanny look to the face, almost something malicious. She guessed why this woman had come. She knew the whole history of the past, and it touched her in a tender spot. She knew she was had at an advantage. Before her was a woman perfectly trained in the fine social life to which she was born, whose equanimity was as regular as her features. Herself was by nature a creature of impulse, of the woods and streams and open life. The social convention had been engrafted. As yet she was used to thinking and speaking with all candour. She was to have her training in the charms of superficiality, but that was to come; and when it came she would not be an unskilful apprentice. Perhaps the latent subtlety of her race came to help her natural candour at the moment. For she said at once, in a slow, quiet tone:

"I never heard my husband speak of you. Will you sit down?"

"And Mrs. Armour and Marion are not in? No, I suppose your husband did not speak much of his old friends."

The attack was studied and cruel. But Lady Haldwell had been stung by Mrs. Armour's remark, and it piqued her that this was possible.

"Well, yes, he spoke of some of his friends, but not of you."

"Indeed! That is strange."

"There was no necessity," said Mrs. Armour quietly.

"Of discussing me? I suppose not. But by some chance--"

"It was just as well, perhaps, not to anticipate the pleasure of our meeting."

Lady Haldwell was surprised. She had not expected this cleverness. They talked casually for a little time, the visitor trying in vain to delicately give the conversation a personal turn. At last, a little foolishly, she grew bolder, with a needless selfishness.

"So old a friend of your husband as I am, I am hopeful you and I may be friends also."

Mrs. Armour saw the move.

"You are very kind," she said conventionally, and offered a cup of tea.

Lady Haldwell now ventured unwisely. She was nettled at the other's self-possession.

"But then, in a way, I have been your friend for a long time, Mrs. Armour."

The point was veiled in a vague tone, but Mrs. Armour understood. Her reply was not wanting. "Any one who has been a friend to my husband has, naturally, claims upon me."

Lady Haldwell, in spite of herself, chafed. There was a subtlety in the woman before her not to be reckoned with lightly.

"And if an enemy?" she said, smiling.

A strange smile also flickered across Mrs. Armour's face as she said:

"If an enemy of my husband called, and was penitent, I should--offer her tea, no doubt."

"That is, in this country; but in your own country, which, I believe, is different, what would you do?" Mrs. Armour looked steadily and coldly into her visitor's eyes.

"In my country enemies do not compel us to be polite."

"By calling on you?" Lady Haldwell was growing a little reckless. "But then, that is a savage country. We are different here. I suppose, however, your husband told you of these things, so that you were not surprised. And when does he come? His stay is protracted. Let me see, how long is it? Ah yes, near four years." Here she became altogether reckless, which she regretted afterwards, for she knew, after all, what was due herself. "He will comeback, I suppose?"

Lady Haldwell was no coward, else she had hesitated before speaking in that way before this woman, in whose blood was the wildness of the heroical North. Perhaps she guessed the passion in Lali's breast, perhaps not. In any case she would have said what she listed at the moment.

Wild as were the passions in Lali's breast, she thought on the instant of her child, of what Richard Armour would say; for he had often talked to her about not showing her emotions and passions, had told her that violence of all kinds was not wise or proper. Her fingers ached to grasp this beautiful, exasperating woman by the throat. But after an effort at calmness she remained still and silent, looking at her visitor with a scornful dignity. Lady Haldwell presently rose,--she could not endure the furnace of that look,--and said good-bye. She turned towards the door. Mrs. Armour remained immovable. At that instant, however, some one stepped from behind a large screen just inside the door. It was Richard Armour. He was pale, and on his face was a sternness the like of which this and perhaps only one other woman had ever seen on him. He interrupted her.

"Lady Haldwell has a fine talent for irony," he said, "but she does not always use it wisely. In a man it would bear another name, and from a man it would be differently received." He came close to her. "You are a brave woman," he said, "or you would have been more careful. Of course you knew that my mother and sister were not at home?"

She smiled languidly. "And why 'of course'?"

"I do not know that; only I know that I think so; and I also think that my brother Frank's worst misfortune did not occur when Miss Julia Sherwood trafficked without compunction in his happiness."

"Don't be oracular, my dear Richard Armour," she replied. "You are trying, really. This seems almost melodramatic; and melodrama is bad enough at Drury Lane."

"You are not a good friend even to yourself," he answered.

"What a discoverer you are! And how much in earnest! Do come back to the world, Mr. Armour; you would be a relief, a new sensation."

"I fancy I shall come back, if only to see the 'engineer hoist with his own'--torpedo."

He paused before the last word to give it point, for her husband's father had made his money out of torpedoes. She felt the sting in spite of herself, and she saw the point.

"And then we will talk it over at the end of the season," he added, "and compare notes. Good-afternoon."

"You stake much on your hazard," she said, glancing back at Lali, who still stood immovable. "Au revoir!" She left the room. Richard heard the door close after her and the servant retire. Then he turned to Lali.

As he did so, she ran forward to him with a cry. "Oh, Richard, Richard!" she exclaimed, with a sob, threw her arms over his shoulder, and let her forehead drop on his breast. Then came a sudden impulse in his blood. Long after he shuddered when he remembered what he thought at that instant; what he wished to do; what rich madness possessed him. He knew now why he had come to town; he also knew why he must not stay, or, if staying, what must be his course.

He took her gently by the arm and led her to a chair, speaking cheerily to her. Then he sat down beside her, and all at once again, her face wet and burning, she flung herself forward on her knees beside him, and clung to him.

"Oh, Richard, I am glad you have come," she said. "I would have killed her if I had not thought of you. I want you to stay; I am always better when you are with me. I have missed you, and I know that baby misses you too."

He had his cue. He rose, trembling a little. "Come, come," he said heartily, "it's all right, it's all right-my sister. Let us go and see the youngster. There, dry your eyes, and forget all about that woman. She is only envious of you. Come, for his imperial highness!"

She was in a tumult of feeling. It was seldom that she had shown emotion in the past two years, and it was the more ample when it did break forth. But she dried her eyes, and together they went to the nursery. She dismissed the nurse and they were left alone by the sleeping child. She knelt at the head of the little cot, and touched the child's forehead with her lips. He stooped down also beside it.

"He's a grand little fellow," he said. "Lali," he continued presently, "it is time Frank came home. I am going to write for him. If he does not come at once, I shall go and fetch him."

"Never! never!" Her eyes flashed angrily. "Promise that you will not. Let him come when he is ready.

"He does not, care." She shuddered a little.

"But he will care when he comes, and you--you care for him, Lali?"

Again she shuddered, and a whiteness ran under the hot excitement of her cheeks. She said nothing, but looked up at him, then dropped her face in her hands.

"You do care for him, Lali," he said earnestly, almost solemnly, his lips twitching slightly. "You must care for him; it is his right; and he will--I swear to you I know he will--care for you."

In his own mind there was another thought, a hard, strange thought; and it had to do with the possibility of his brother not caring for this wife.

Still she did not speak.

"To a good woman, with a good husband," he continued, "there is no one-- there should be no one--like the father of her child. And no woman ever loved her child more than you do yours." He knew that this was special pleading.

She trembled, and then dropped her cheek beside the child's. "I want Frank to be happy," he went on; "there is no one I care more for than for Frank."

She lifted her face to him now, in it a strange light. Then her look ran to confusion, and she seemed to read all that he meant to convey. He knew she did. He touched her shoulder.

"You must do the best you can every way, for Frank's sake, for all our sakes. I will help you--God knows I will--all I can."

"Ah, yes, yes," she whispered, from the child's pillow.

He could see the flame in her cheek. "I understand." She put out her hand to him, but did not look up. "Leave me alone with my baby, Richard," she pleaded.

He took her hand and pressed it again and again in his old, unconscious way. Then he let it go, and went slowly to the door. There he turned and looked back at her. He mastered the hot thought in him. "God help me!" she murmured from the cot. The next morning Richard went back to Greyhope.

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VII. A COURT-MARTIAL

It was hard to tell, save for a certain deliberateness of speech and a colour a little more pronounced than that of a Spanish woman, that Mrs. Frank Armour had not been brought up in England. She had a kind of grave sweetness and distant charm which made her notable at any table or in any ballroom. Indeed, it soon became apparent that she was to be the pleasant talk, the interest of the season. This was tolerably comforting to the Armours. Again Richard's prophecy had been fulfilled, and as he sat alone at Greyhope and read the Morning Post, noticing Lali's name at distinguished gatherings, or, picking up the World, saw how the lion- hunters talked extravagantly of her, he took some satisfaction to himself that he had foreseen her triumph where others looked for her downfall. Lali herself was not elated; it gratified her, but she had been an angel, and a very unsatisfactory one, if it had not done so. As her confidence grew (though outwardly she had never appeared to lack it greatly), she did not hesitate to speak of herself as an Indian, her country as a good country, and her people as a noble if dispossessed race; all the more so if she thought reference to her nationality and past was being rather conspicuously avoided. She had asked General Armour for an interview with her husband's solicitor. This was granted. When she met the solicitor, she asked him to send no newspaper to her husband containing any reference to herself, nor yet to mention her in his letters.

She had never directly received a line from him but once, and that was after she had come to know the truth about his marriage with her. She could read in the conventional sentences, made simple as for a child, the strained politeness, and his absolute silence as to whether or not a child had been born to them, the utter absence of affection for her. She had also induced General Armour and his wife to give her husband's solicitor no information regarding the birth of the child. There was thus apparently no more inducement for him to hurry back to England than there was when he had sent her off on his mission of retaliation, which had been such an ignominious failure. For the humiliation of his family had been short-lived, the affront to Lady Haldwell nothing at all. The Armours had not been human if they had failed to enjoy their daughter-in -law's success. Although they never, perhaps, would quite recover the disappointment concerning Lady Agnes Martling, the result was so much better than they in their cheerfulest moments dared hope for, that they appeared genuinely content.

To their grandchild they were devotedly attached. Marion was his faithful slave and admirer, so much so that Captain Vidall, who now and then was permitted to see the child, declared himself jealous. He and Marion were to be married soon. The wedding had been delayed owing to his enforced absence abroad. Mrs. Edward Lambert, once Mrs. Townley, shyly regretted in Lali's presence that the child, or one as sweet, was not hers. Her husband evidently shared her opinion, from the extraordinary notice he took of it when his wife was not present. Not that Richard Joseph Armour, Jun., was always en evidence, but when asked for by his faithful friends and admirers he was amiably produced.

Meanwhile, Frank Armour across the sea was engaged with many things. His business concerns had not prospered prodigiously, chiefly because his judgment, like his temper, had grown somewhat uncertain. His popularity in the Hudson's Bay country had been at some tension since he had shipped his wife away to England. Even the ordinary savage mind saw something unusual and undomestic in it, and the general hospitality declined a little. Armour did not immediately guess the cause; but one day, about a year after his wife had gone, he found occasion to reprove a half-breed, by name Jacques Pontiac; and Jacques, with more honesty than politeness, said some hard words, and asked how much he paid for his English hired devils to kill his wife. Strange to say, he did not resent this startling remark. It set him thinking. He began to blame himself for not having written oftener to his people--and to his wife. He wondered how far his revenge had succeeded. He was most ashamed of it now. He knew that he had done a dishonourable thing. The more he thought upon it the more angry with himself he became. Yet he dreaded to go back to England and face it all: the reproach of his people; the amusement of society; his wife herself. He never attempted to picture her as a civilised being. He scarcely knew her when he married her. She knew him much better, for primitive people are quicker in the play of their passions, and she had come to love him before he had begun to notice her at all.

Presently he ate his heart out with mortification. To be yoked for ever to--a savage! It was horrible. And their children? It was strange he had not thought of that before. Children? He shrugged his shoulders. There might possibly be a child, but children--never! But he doubted even regarding a child, for no word had come to him concerning that possibility. He was even most puzzled at the tone and substance of their letters. From the beginning there had been no reproaches, no excitement, no railing, but studied kindness and conventional statements, through which Mrs. Armour's solicitous affection scarcely ever peeped. He had shot his bolt, and got--consideration, almost imperturbability. They appeared to treat the matter as though he were a wild youth who would not yet mend his ways. He read over their infrequent letters to him; his to them had been still more infrequent. In one there was the statement that "she was progressing favourably with her English"; in another, that "she was riding a good deal"; again, that "she appeared anxious to adapt herself to her new life."

At all these he whistled a little to himself, and smiled bitterly. Then, all at once, he got up and straightway burned them all. He again tried to put the matter behind him for the present, knowing that he must face it one day, and staving off its reality as long as possible. He did his utmost to be philosophical and say his quid refert, but it was easier tried than done; for Jacques Pontiac's words kept rankling in his mind, and he found himself carrying round a vague load, which made him abstracted occasionally, and often a little reckless in action and speech. In hunting bear and moose he had proved himself more daring than the oldest hunter, and proportionately successful. He paid his servants well, but was sharp with them.

He made long, hard expeditions, defying the weather as the hardiest of prairie and mountain men mostly hesitate to defy it; he bought up much land, then, dissatisfied, sold it again at a loss, but subsequently made final arrangements for establishing a very large farm. When he once became actually interested in this he shook off something of his moodiness and settled himself to develop the thing. He had good talent for initiative and administration, and at last, in the time when his wife was a feature of the London season, he found his scheme in working order, and the necessity of going to England was forced upon him.

Actually he wished that the absolute necessity had presented itself before. There was always the moral necessity, of course--but then! Here now was a business need; and he must go. Yet he did not fix a day or make definite arrangements. He could hardly have believed himself such a coward. With liberal emphasis he called himself a sneak, and one day at Fort Charles sat down to write to his solicitor in Montreal to say that he would come on at once. Still he hesitated. As he sat there thinking, Eye-of-the-Moon, his father-in-law, opened the door quietly and entered. He had avoided the chief ever since he had come back to Fort Charles, and practically had not spoken to him for a year. Armour flushed slightly with annoyance. But presently, with a touch of his old humour, he rose, held out his hand, and said ironically: "Well, father- in-law, it's about time we had a big talk, isn't it? We're not very intimate for such close relatives."

The old Indian did not fully understand the meaning or the tone of Armour's speech, but he said "How!" and, reaching out his hand for the pipe offered him, lighted it, and sat down, smoking in silence. Armour waited; but, seeing that the other was not yet moved to talk, he turned to his letter again. After a time, Eye-of-the-Moon said gravely, getting to his feet: "Brother!"

Armour looked up, then rose also. The Indian bowed to him courteously, then sat down again. Armour threw a leg over a corner of the table and waited.

"Brother," said the Indian presently, "you are of the great race that conquers us. You come and take our land and our game, and we at last have to beg of you for food and shelter. Then you take our daughters, and we know not where they go. They are gone like the down from the thistle. We see them not, but you remain. And men say evil things. There are bad words abroad. Brother, what have you done with my daughter?"

Had the Indian come and stormed, begged money of him, sponged on him, or abused him, he had taken it very calmly--he would, in fact, have been superior. But there was dignity in the chief's manner; there was solemnity in his speech; his voice conveyed resoluteness and earnestness, which the stoic calm of his face might not have suggested; and Armour felt that he had no advantage at all. Besides, Armour had a conscience, though he had played some rare tricks with it of late, and it needed more hardihood than he possessed to face this old man down. And why face him down? Lali was his daughter, blood of his blood, the chieftainess of one branch of his people, honoured at least among these poor savages, and the old man had a right to ask, as asked another more famous, "Where is my daughter?"

His hands in his pockets, Armour sat silent for a minute, eyeing his boot, as he swung his leg to and fro. Presently he said: "Eye-of-the- Moon, I don't think I can talk as poetically as you, even in my own language, and I shall not try. But I should like to ask you this: Do you believe any harm has come to your daughter--to my wife?"

The old Indian forgot to blow the tobacco-smoke from his mouth, and, as he sat debating, lips slightly apart, it came leaking out in little trailing clouds and gave a strange appearance to his iron-featured face. He looked steadily at Armour, and said: "You are of those who rule in your land,"--here Armour protested, "you have much gold to buy and sell. I am a chief, "he drew himself up,--"I am poor: we speak with the straight tongue; it is cowards who lie. Speak deep as from the heart, my brother, and tell me where my daughter is."

Armour could not but respect the chief for the way this request was put, but still it galled him to think that he was under suspicion of having done any bodily injury to his wife, so he quietly persisted: "Do you think I have done Lali any harm?"

"The thing is strange," replied the other. "You are of those who are great among your people. You married a daughter of a red man. Then she was yours for less than one moon, and you sent her far away, and you stayed. Her father was as a dog in your sight. Do men whose hearts are clear act so? They have said strange things of you. I have not believed; but it is good I know all, that I may say to the tale-bearers, 'You have crooked tongues.'"

Armour sat for a moment longer, his face turned to the open window. He was perfectly still, but he had become grave. He was about to reply to the chief, when the trader entered the room hurriedly with a newspaper in his hand. He paused abruptly when he saw Eye-of-the-Moon. Armour felt that the trader had something important to communicate. He guessed it was in the paper. He mutely held out his hand for it. The trader handed it to him hesitatingly, at the same time pointing to a paragraph, and saying: "It is nearly two years old, as you see. I chanced upon it by accident to-day."

It was a copy of a London evening paper, containing a somewhat sensational account of Lali's accident. It said that she was in a critical condition. This time Armour did not ask for brandy, but the trader put it out beside him. He shook his head. "Gordon," he said presently, "I shall leave here in the morning. Please send my men to me."

The trader whispered to him: "She was all right, of course, long ago, Mr. Armour, or you would have heard."

Armour looked at the date of the paper. He had several letters from England of a later date, and these said nothing of her illness. It bewildered him, made him uneasy. Perhaps the first real sense of his duty as a husband came home to him there. For the first time he was anxious about the woman for her own sake. The trader had left the room.

"What a scoundrel I've been!" said Armour between his teeth, oblivious, for the moment, of Eye-of-the-Moon's presence. Presently, bethinking himself, he turned to the Indian. "I've been debating," he said. "Eye- of-the-Moon, my wife is in England, at my father's home. I am going to her. Men have lied in thinking I would do her any injury, but--but-- never mind, the harm was of another kind. It isn't wise for a white man and an Indian to marry, but when they are married--well, they must live as man and wife should live, and, as I said, I am going to my wife."

To say all this to a common Indian, whose only property was a dozen ponies and a couple of tepees, required something very like moral courage; but then Armour had not been exercising moral courage during the last year or so, and its exercise was profitable to him. The next morning he was on his way to Montreal, and Eye-of-the-Moon was the richest chief in British North America, at that moment, by five thousand dollars or so.

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VIII. TO EVERY MAN HIS HOUR

It was the close of the season: many people had left town, but festivities were still on. To a stranger the season might have seemed at its height. The Armours were giving a large party in Cavendish Square before going back again to Greyhope, where, for the sake of Lali and her child, they intended to remain during the rest of the summer, in preference to going on the Continent or to Scotland. The only unsatisfactory feature of Lali's season was the absence of her husband. Naturally there were those who said strange things regarding Frank Armour's stay in America; but it was pretty generally known that he was engaged in land speculations, and his club friends, who perhaps took the pleasantest view of the matter, said that he was very wise indeed, if a little cowardly, in staying abroad until his wife was educated and ready to take her position in society. There was one thing on which they were all agreed: Mrs. Frank Armour either had a mind superior to the charms of their sex, or was incapable of that vanity which hath many suitors, and says: "So far shalt thou go, and--" The fact is, Mrs. Frank Armour's mind was superior. She had only one object--to triumph over her husband grandly, as a woman righteously might. She had vanity, of course, but it was not ignoble. She kept one thing in view; she lived for it.

Her translation had been successful. There were times when she remembered her father, the wild days on the prairies, the buffalo-hunt, tracking the deer, tribal battles, the long silent hours of the winter, and the warm summer nights when she slept in the prairie grass or camped with her people in the trough of a great landwave. Sometimes the hunger for its freedom, and its idleness, and its sport, came to her greatly; but she thought of her child, and she put it from her. She was ambitious for him; she was keen to prove her worth as a wife against her husband's unworthiness. This perhaps saved her. She might have lost had her life been without this motive.

The very morning of this notable reception, General Armour had received a note from Frank Armour's solicitor, saying that his son was likely to arrive in London from America that day or the next. Frank had written to his people no word of his coming; to his wife, as we have said, he had not written for months; and before he started back he would not write, because he wished to make what amends he could in person. He expected to find her improved, of course, but still he could only think of her as an Indian, showing her common prairie origin. His knowledge of her before their marriage had been particularly brief; she was little more in his eyes than a thousand other Indian women, save that she was better- looking, was whiter than most, and had finer features. He could not very clearly remember the tones of her voice, because after marriage, and before he had sent her to England, he had seen little or nothing of her.

When General Armour received the news of Frank's return he told his wife and Marion, and they consulted together whether it were good to let Lali know at once. He might arrive that evening. If so, the position would be awkward, because it was impossible to tell how it might affect her. If they did tell her, and Frank happened not to arrive, it might unnerve her so as to make her appearance in the evening doubtful. Richard, the wiseacre, the inexhaustible Richard, was caring for his cottagers and cutting the leaves of new books--his chiefest pleasure--at Greyhope. They felt it was a matter they ought to be able to decide for themselves, but still it was the last evening of Lali's stay in town, and they did not care to take any risk. Strange to say, they had come to take pride in their son's wife; for even General and Mrs. Armour, high-minded and of serene social status as they were, seemed not quite insensible to the pleasure of being an axle on which a system of social notoriety revolved.

At the opportune moment Captain Vidall was announced, and, because he and Marion were soon to carry but one name between them, he was called into family consultation. It is somewhat singular that in this case the women were quite wrong and the men were quite right. For General Armour and Captain Vidall were for silence until Frank came, if he came that day, or for telling her the following morning, when the function was over. And the men prevailed.

Marion was much excited all day; she had given orders that Frank's room should be made ready, but for whom she gave no information. While Lali was dressing for the evening, something excited and nervous, she entered her room. They were now the best of friends. The years had seen many shifting scenes in their companionship; they had been as often at war as at peace; but they had respected each other, each after her own fashion; and now they had a real and mutual regard. Lali's was a slim, lithe figure, wearing its fashionable robes with an air of possession; and the face above it, if not entirely beautiful, had a strange, warm fascination. The girl had not been a chieftainess for nothing. A look of quiet command was there, but also a far-away expression which gave a faint look of sadness even when a smile was at the lips. The smile itself did not come quickly, it grew; but above it all was hair of perfect brown, most rare,--setting off her face as a plume does a helmet. She showed no surprise when Marion entered. She welcomed her with a smile and outstretched hand, but said nothing.

"Lali," said Marion somewhat abruptly,--she scarcely knew why she said it,--"are you happy?"

It was strange how the Indian girl had taken on those little manners of society which convey so much by inflection. She lifted her eyebrows at Marion, and said presently, in a soft, deliberate voice, "Come, Marion, we will go and see little Richard; then I shall be happy."

She linked her arm through Marion's. Marion drummed her fingers lightly on the beautiful arm, and then fell to wondering what she should say next. They passed into the room where the child lay sleeping; they went to his little bed, and Lali stretched out her hand gently, touching the curls of the child. Running a finger through one delicately, she said, with a still softer tone than before: "Why should not one be happy?"

Marion looked up slowly into her eyes, let a hand fall on her shoulder gently, and replied: "Lali, do you never wish Frank to come?"

Lali's fingers came from the child, the colour mounted slowly to her forehead, and she drew the girl away again into the other room. Then she turned and faced Marion, a deep fire in her eyes, and said, in a whisper almost hoarse in its intensity: "Yes; I wish he would come to-night."

She looked harder yet at Marion; then, with a flash of pride and her hands clasping before her, she drew herself up, and added: "Am I not worthy to be his wife now? Am I not beautiful--for a savage?"

There was no common vanity in the action. It had a noble kind of wistfulness, and a serenity that entirely redeemed it. Marion dated her own happiness from the time when Lali met her accident, for in the evening of that disastrous day she issued to Captain Hume Vidall a commission which he could never--wished never--to resign. Since then she had been at her best,--we are all more or less selfish creatures,-- and had grown gentler, curbing the delicate imperiousness of her nature, and frankly, and without the least pique, taken a secondary position of interest in the household, occasioned by Lali's popularity. She looked Lali up and down with a glance in which many feelings met, and then, catching her hands warmly, she lifted them, put them on her own shoulders, and said: "My dear beautiful savage, you are fit and worthy to be Queen of England; and Frank, when he comes--"

"Hush!" said the other dreamily, and put a finger on Marion's lips. "I know what you are going to say, but I do not wish to hear it. He did not love me then. He used me--" She shuddered, put her hands to her eyes with a pained, trembling motion, then threw her head back with a quick sigh. "But I will not speak of it. Come, we are for the dance, Marion. It is the last, to-night. To-morrow--" She paused, looking straight before her, lost in thought.

"Yes, to-morrow, Lali?"

"I do not know about to-morrow," was the reply. "Strange things come to me."

Marion longed to tell her then and there the great news, but she was afraid to do so, and was, moreover, withheld by the remembrance that it had been agreed she should not be told. She said nothing.

At eleven o'clock the rooms were filled. For the fag end of the season, people seemed unusually brilliant. The evening itself was not so hot as common, and there was an extra array of distinguished guests. Marion was nervous all the evening, though she showed little of it, being most prettily employed in making people pleased with themselves. Mrs. Armour also was not free from apprehension. In reply to inquiries concerning her son she said, as she had often said during the season, that he might be back at any time now. Lali had answered always in the same fashion, and had shown no sign that his continued absence was singular. As the evening wore on, the probability of Frank's appearance seemed less; and the Armours began to breathe more freely.

Frank had, however, arrived. He had driven straight from Euston to Cavendish Square, but, seeing the house lighted up, and guests arriving, he had a sudden feeling of uncertainty. He ordered the cabman to take him to his club. There he put himself in evening-dress, and drove back again to the house. He entered quietly. At the moment the hall was almost deserted; people were mostly in the ballroom and supper-room. He paused a moment, biting his moustache as if in perplexity. A strange timidity came on him. All his old dash and self-possession seemed to have forsaken him. Presently, seeing a number of people entering the hall, he made for the staircase, and went hastily up. Mechanically he went to his own room, and found it lighted. Flowers were set about, and everything was made ready as for a guest. He sat down, not thinking, but dazed.

Glancing up, he saw his face in a mirror. It was bronzed, but it looked rather old and careworn. He shrugged a shoulder at that. Then, in the mirror, he saw also something else. It startled him so that he sat perfectly still for a moment looking at it. It was some one laughing at him over his shoulder--a child! He got to his feet and turned round. On the table was a very large photograph of a smiling child--with his eyes, his face. He caught the chair-arm, and stood looking at it a little wildly. Then he laughed a strange laugh, and the tears leaped to his eyes. He caught the picture in his hands, and kissed it,--very foolishly, men not fathers might think,--and read the name beneath, Richard Joseph Armour; and again, beneath that, the date of birth. He then put it back on the table and sat looking at it-looking, and forgetting, and remembering.

Presently, the door opened, and some one entered. It was Marion. She had seen him pass through the hall; she had then gone and told her father and mother, to prepare them, and had followed him upstairs. He did not hear her. She stepped softly forwards. "Frank!" she said--"Frank!" and laid a hand on his shoulder. He started up and turned his face on her.

Then he caught her hands and kissed her. "Marion!" he said, and he could say no more. But presently he pointed towards the photograph.

She nodded her head. "Yes, it is your child, Frank. Though, of course, you don't deserve it. . . . Frank dear," she added, "I am glad--we shall all be glad-to have you back; but you are a wicked man." She felt she must say that.

Now he only nodded, and still looked at the portrait. "Where is--my wife?" he added presently.

"She is in the ballroom." Marion was wondering what was best to do.

He caught his thumb-nail in his teeth. He winced in spite of himself. "I will go to her," he said, "and then--the baby."

"I am glad," she replied, "that you have so much sense of justice left, Frank: the wife first, the baby afterwards. But do you think you deserve either?"

He became moody, and made an impatient gesture. "Lady Agnes Martling is here, and also Lady Haldwell," she persisted cruelly. She did not mind, because she knew he would have enough to compensate him afterwards.

"Marion," he said, "say it all, and let me have it over. Say what you like, and I'll not whimper. I'll face it. But I want to see my child."

She was sorry for him. She had really wanted to see how much he was capable of feeling in the matter.

"Wait here, Frank," she said. "That will be best; and I will bring your wife to you."

He said nothing, but assented with a motion of the hand, and she left him where he was. He braced himself for the interview. Assuredly a man loses something of natural courage and self-confidence when he has done a thing of which he should be, and is, ashamed.

It seemed a long time (it was in reality but a couple of minutes) before the door opened again, and Marion said: "Frank, your wife!" and then retreated.

The door closed, leaving a stately figure standing just inside it. The figure did not move forwards, but stood there, full of life and fine excitement, but very still also.

Frank Armour was confounded. He came forwards slowly, looking hard. Was this distinguished, handsome, reproachful woman his wife--Lali, the Indian girl, whom he had married in a fit of pique and brandy? He could hardly believe his eyes; and yet hers looked out at him with something that he remembered too, together with something which he did not remember, making him uneasy. Clearly, his great mistake had turned from ashes into fruit. "Lali!" he said, and held out his hand.

She reached out hers courteously, but her fingers gave him no response.

"We have many things to say to each other," she said, "but they cannot be said now. I shall be missed from the ballroom."

"Missed from the ballroom!" He almost laughed to think how strange this sounded in his ears. As if interpreting his thought, she added: "You see, it is our last affair of the season, and we are all anxious to do our duty perfectly. Will you go down with me? We can talk afterwards."

Her continued self-possession utterly confused him. She had utterly confused Marion also, when told that her husband was in the house. She had had presentiments, and, besides, she had been schooling herself for this hour for a long time. She turned towards the door.

"But," he asked, like a supplicant, "our child! I want to see the boy."

She lifted her eyebrows, then, seeing the photograph of the baby on the table, understood how he knew. "Come with me, then," she said, with a little more feeling.

She led the way along the landing, and paused at her door. "Remember that we have to appear amongst the guests directly," she said, as though to warn him against any demonstration. Then they entered. She went over to the cot and drew back the fleecy curtain from over the sleeping boy's head. His fingers hungered to take his child to his arms. "He is magnificent--magnificent!" he said, with a great pride. "Why did you never let me know of it?"

"How could I tell what you would do?" she calmly replied. "You married me--wickedly, and used me wickedly afterwards; and I loved the child."

"You loved the child," he repeated after her. "Lali," he added, "I don't deserve it, but forgive me, if you can--for the child's sake."

"We had better go below," she calmly replied. "We have both duties to do. You will of course--appear with me--before them?"

The slight irony in the tone cut him horribly. He offered his arm in silence. They passed on to the staircase.

"It is necessary," she said, "to appear cheerful before one's guests."

She had him at an advantage at every point. "We will be cheerful, then," was his reply, spoken with a grim kind of humour. "You have learned it all, haven't you?" he added.

They were just entering the ballroom. "Yes, with your kind help--and absence," she replied.

The surprise of the guests was somewhat diminished by the fact that Marion, telling General Armour and his wife first of Frank's return, industriously sent the news buzzing about the room.

The two went straight to Frank's father and mother. Their parts were all excellently played. Then Frank mingled among the guests, being very heartily greeted, and heard congratulations on all sides. Old club friends rallied him as a deserter, and new acquaintances flocked about him; and presently he awakened to the fact that his Indian wife had been an interest of the season, was not the least admired person present. It was altogether too good luck for him; but he had an uncomfortable conviction that he had a long path of penance to walk before he could hope to enjoy it.

All at once he met Lady Haldwell, who, in spite of all, still accepted invitations to General Armour's house--the strange scene between Lali and herself never having been disclosed to the family. He had nothing but bitterness in his heart for her, but he spoke a few smooth words, and she languidly congratulated him on his bronzed appearance. He asked for a dance, but she had not one to give him. As she was leaving, she suddenly turned as though she had forgotten something, and looking at him, said: "I forgot to congratulate you on your marriage. I hope it is not too late?"

He bowed. "Your congratulations are so sincere," he said, "that they would be a propos late or early." When he stood with his wife whilst the guests were leaving, and saw with what manner she carried it all off,--as though she had been born in the good land of good breeding,--he was moved alternately with wonder and shame--shame that he had intended this noble creature as a sacrifice to his ugly temper and spite.

When all the guests were gone and the family stood alone in the drawing- room, a silence suddenly fell amongst them. Presently Marion said to her mother in a half-whisper, "I wish Richard were here."

They all felt the extreme awkwardness of the situation, especially when Lali bade General Armour, Mrs. Armour, and Marion good-night, and then, turning to her husband, said, "Good-night"--she did not even speak his name. "Perhaps you would care to ride to-morrow morning? I always go to the Park at ten, and this will be my last ride of the season."

Had she written out an elaborate proclamation of her intended attitude towards her husband, it could not have more clearly conveyed her mind than this little speech, delivered as to a most friendly acquaintance. General Armour pulled his moustache fiercely, and, it is possible, enjoyed the situation, despite its peril. Mrs. Armour turned to the mantel and seemed tremulously engaged in arranging some bric-a-brac. Marion, however, with a fine instinct, slid her arm through that of Lali, and gently said: "Yes, of course Frank will be glad of a ride in the Park. He used to ride with me every morning. But let us go, us three, and kiss the baby good-night--'good-night till we meet in the morning.'"

She linked her arm now through Frank's, and as she did so he replied to Lali: "I shall be glad to ride in the morning, but--"

"But we can arrange it at breakfast," said his wife hurriedly. At the same time she allowed herself to be drawn away to the hall with her husband.

He was very angry, but he knew he had no right to be so. He choked back his wrath and moved on amiably enough, and suddenly the fashion in which the tables had been turned on him struck him with its tragic comedy, and he involuntarily smiled. His sense of humour saved him from words and acts which might possibly have made the matter a pure tragedy after all. He loosed his arm from Marion's.

"I must bid father and mother good-night. Then I will join you both-- 'in the court of the king.'" And he turned and went back, and said to his father as he kissed his mother: "I am had at an advantage, General."

"And serves you right, my boy. You had the odds with you, but she has captured them like a born soldier." His mother said to him gently: "Frank, you blamed us, but remember that we wished only your good. Take my advice, dear, and try to love your wife and win her confidence."

"Love her--try to love her!" he said. "I shall easily do that. But the other--?" He shook his head a little, though what he meant perhaps he did not know quite himself, and then followed Marion and Lali upstairs. Marion had tried to escape from Lali, but was told that she must stay; and the three met at the child's cot. Marion stooped down and kissed its forehead. Frank stooped also and kissed its cheek. Then the wife kissed the other cheek. The child slept peacefully on. "You can always see the baby here before breakfast, if you choose," said Lali; and she held out her hand again in good-night. At this point Marion stole away, in spite of Lah's quick little cry of "Wait, Marion!" and the two were left alone again.

"I am very tired," she said. "I would rather not talk to-night." The dismissal was evident.

He took her hand, held it an instant, and presently said: "I will not detain you, but I would ask you, Lali, to remember that you are my wife. Nothing can alter that."

"Still we are only strangers, as you know," she quietly rejoined.

"You forget the days we were together--after we were married," he cautiously urged.

"I am not the same girl, . . . you killed her. . . We have to start again. . . . I know all."

"You know that in my wretched anger and madness I--"

"Oh, please do not speak of it," she said; "it is so bad even in thought."

"But will you never forgive me, and care for me? We have to live our lives together."

"Pray let us not speak of it now," she said, in a weary voice; then, breathlessly: "It is of much more consequence that you should love me --and the child."

He drew himself up with a choking sigh, and spread out his arms to her. "Oh, my wife!" he exclaimed.

"No, no," she cried, "this is unreasonable; we know so little of each other. . . . Good-night, again."

He turned at the door, came back, and, stooping, kissed the child on the lips. Then he said: "You are right. I deserve to suffer. . . . Good-night."

But when he was gone she dropped on her knees, and kissed the child many times on the lips also.

THE TRANSLATION OF A SAVAGE

By Gilbert Parker

Volume 3.

IX. THE FAITH OF COMRADES X. "THOU KNOWEST THE SECRETS OF OUR HEARTS" XI. UPON THE HIGHWAY XII. "THE CHASE OF THE YELLOW SWAN" XIII. A LIVING POEM XIV. ON THE EDGE OF A FUTURE XV. THE END OF THE TRAIL

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IX. THE FAITH OF COMRADES

When Francis Armour left his wife's room he did not go to his own, but quietly descended the stairs, went to the library, and sat down. The loneliest thing in the world is to be tete-a-tete with one's conscience. A man may have a bad hour with an enemy, a sad hour with a friend, a peaceful hour with himself, but when the little dwarf, conscience, perches upon every hillock of remembrance and makes slow signs--those strange symbols of the language of the soul--to him, no slave upon the tread-mill suffers more.

The butler came in to see if anything was required, but Armour only greeted him silently and waved him away. His brain was painfully alert, his memory singularly awake. It seemed that the incident of this hour had so opened up every channel of his intelligence that all his life ran past him in fantastic panorama, as by that illumination which comes to the drowning man. He seemed under some strange spell. Once or twice he rose, rubbed his eyes, and looked round the room--the room where as a boy he had spent idle hours, where as a student he had been in the hands of his tutor, and as a young man had found recreations such as belong to ambitious and ardent youth. Every corner was familiar. Nothing was changed. The books upon the shelves were as they were placed twenty years ago. And yet he did not seem a part of it. It did not seem natural to him. He was in an atmosphere of strangeness--that atmosphere which surrounds a man, as by a cloud, when some crisis comes upon him and his life seems to stand still, whirling upon its narrow base, while the world appears at an interminable distance, even as to a deaf man who sees yet cannot hear.

There came home to him at that moment with a force indescribable the shamelessness of the act he committed four years ago. He had thought to come back to miserable humiliation. For four years he had refused to do his duty as a man towards an innocent woman,--a woman, though in part a savage,--now transformed into a gentle, noble creature of delight and goodness. How had he deserved it? He had sown the storm, it was but just that he should reap the whirlwind; he had scattered thistles, could he expect to gather grapes? He knew that the sympathy of all his father's house was not with him, but with the woman he had wronged. He was glad it was so. Looking back now, it seemed so poor and paltry a thing that he, a man, should stoop to revenge himself upon those who had given him birth, as a kind of insult to the woman who had lightly set him aside, and should use for that purpose a helpless, confiding girl. To revenge one's self for wrong to one's self is but a common passion, which has little dignity; to avenge some one whom one has loved, man or woman, --and, before all, woman,--has some touch of nobility, is redeemed by loyalty. For his act there was not one word of defence to be made, and he was not prepared to make it.

The cigars and liquors were beside him, but he did not touch them. He seemed very far away from the ordinary details of his life: he knew he had before him hard travel, and he was not confident of the end. He could not tell how long he sat there. --After, a time the ticking of the clock seemed painfully loud to him. Now and again he heard a cab rattling through the Square, and the foolish song of some drunken loiterer in the night caused him to start painfully. Everything jarred on him. Once he got up, went to the window, and looked out. The moon was shining full on the Square. He wondered if it would be well for him to go out and find some quiet to his nerves in walking. He did so. Out in the Square he looked up to his wife's window. It was lighted. Long time he walked up and down, his eyes on the window. It held him like a charm. Once he leaned against the iron railings of the garden and looked up, not moving for a time. Presently he saw the curtain of the window raised, and against the dim light of the room was outlined the figure of his wife. He knew it. She stood for a moment looking out into the night. She could not see him, nor could he see her features at all plainly, but he knew that she, like him, was alone with the catastrophe which his wickedness had sent upon her. Soon the curtain was drawn down again, and then he went once more to the house and took his old seat beside the table. He fell to brooding, and at last, exhausted, dropped to a troubled sleep. He woke with a start. Some one was in the room. He heard a step behind him. He came to his feet quickly, a wild light in his eyes. He faced his brother Richard.

Late in the afternoon Marion had telegraphed to Richard that Frank was coming. He had been away visiting some poor and sick people, and when he came back to Greyhope it was too late to catch the train. But the horses were harnessed straightway, and he was driven into town, a three-hours' drive. He had left the horses at the stables, and, having a latch-key, had come in quietly. He had seen the light in the study, and guessed who was there. He entered, and saw his brother asleep. He watched him for a moment and studied him. Then he moved away to take off his hat, and, as he did so, stumbled slightly. Then it was Frank waked, and for the first time in five years they looked each other in the eyes. They both stood immovable for a moment, and then Richard caught Frank's hand in both of his and said: "God bless you, my boy! I am glad you are back."

"Dick! Dick!" was the reply, and Frank's other hand clutched Richard's shoulder in his strong emotion. They stood silent for a moment longer, and then Richard recovered himself. He waved his hand to the chairs. The strain of the situation was a little painful for them both. Men are shy with each other where their emotions are in play.

"Why, my boy," he said, waving a hand to the spirits and liqueurs, "full bottles and unopened boxes? Tut, tut! here's a pretty how-d'ye-do. Is this the way you toast the home quarters? You're a fine soldier for an old mess!"

So saying, he poured out some whiskey, then opened the box of cigars and pushed them towards his brother. He did not care particularly to drink or smoke himself, but a man--an Englishman--is a strange creature. He is most natural and at ease when he is engaged in eating and drinking. He relieves every trying situation by some frivolous and selfish occupation, as of dismembering a partridge, or mixing a punch.

"Well, Frank," said his brother, "now what have you to say for yourself? Why didn't you come long ago? You have played the adventurer for five years, and what have you to show for it? Have you a fortune?" Frank shook his head, and twisted a shoulder. "What have you done that is worth the doing, then?"

"Nothing that I intended to do, Dick," was the grave reply.

"Yes, I imagined that. You have seen them, have you?" he added, in a softer voice.

Frank blew a great cloud of smoke about his face, and through it he said: "Yes, I have seen a damned sight more than I deserved to see."

"Oh, of course; I know that, my boy; but, so far as I can see, in another direction you are getting quite what you deserve: your wife and child are upstairs--you are here."

He paused, was silent for a moment, then leaned over, caught his brother's arm, and said, in a low, strenuous voice: "Frank Armour, you laid a hateful little plot for us. It wasn't manly, but we forgave it and did the best we could. But see here, Frank, take my word for it, you have had a lot of luck. There isn't one woman out of ten thousand that would have stood the test as your wife has stood it; injured at the start, constant neglect, temptation--" he paused. "My boy, did you ever think of that, of the temptation to a woman neglected by her husband? The temptation to men? Yes, you have had a lot of luck. There has been a special providence for you, my boy; but not for your sake. God doesn't love neglectful husbands, but I think He is pretty sorry for neglected wives."

Frank was very still. His head drooped, the cigar hung unheeded in his fingers for a moment, and he said at last: "Dick, old boy, I've thought it all over to-night since I came back--everything that you've said. I have not a word of defence to make, but, by heaven! I'm going to win my wife's love if I can, and when I do it I'll make up for all my cursed foolishness--see if I don't."

"That sounds well, Frank," was the quiet reply. "I like to hear you talk that way. You would be very foolish if you did not. What do you think of the child?"

"Can you ask me what I think? He is a splendid little fellow."

"Take care of him, then--take good care of him: you may never have another," was the grim rejoinder. Frank winced. His brother rose, took his arm, and said: "Let us go to our rooms, Frank. There will be time enough to talk later, and I am not so young as I once was."

Truth to say, Richard Armour was not so young as he seemed a few months before. His shoulders were a little stooped, he was greyer about the temples. The little bit of cynicism which had appeared in that remark about the care of the child showed also in the lines of his mouth; yet his eyes had the same old true, honest look. But a man cannot be hit in mortal places once or twice in his life without its being etched on his face or dropped like a pinch of aloe from his tongue.

Still they sat and talked much longer, Frank showing better than when his brother came, Richard gone grey and tired. At last Richard rose and motioned towards the window. "See, Frank," he said, "it is morning." Then he went and lifted the blind. The grey, unpurged air oozed on the glass. The light was breaking over the tops of the houses. A crossing- sweeper early to his task, or holding the key of the street, went pottering by, and a policeman glanced up at them as he passed. Richard drew down the curtain again.

"Dick," said Frank suddenly, "you look old. I wonder if I have changed as much?"

Six months before, Frank Armour would have said hat his brother looked young.

"Oh, you look young enough, Frank," was the reply. "But I am a good deal older than I was five years ago. . . Come, let us go to bed."

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X. THOU KNOWEST THE SECRETS OF OUR HEARTS

And Lali? How had the night gone for her? When she rose from the child's cot, where her lips had caught the warmth that her husband had left on them, she stood for a moment bewildered in the middle of the room. She looked at the door out of which he had gone, her bosom beating hard, her heart throbbing so that it hurt her--that she could have cried out from mere physical pain. The wifedom in her was plundering the wild stores of her generous soul for the man, for--as Richard had said that day, that memorable day!--the father of her child. But the woman, the pure translated woman, who was born anew when this frail life in its pink and white glory crept out into the dazzling world, shrank back, as any girl might shrink that had not known marriage. This child had come--from what?--She shuddered now--how many times had she done so since she first waked to the vulgar sacrilege of her marriage? She knew now that every good mother, when her first child is born, takes it in her arms, and, all her agony gone, and the ineffable peace of delivered motherhood come, speaks the name of its father, and calls it his child. But--she remembered it now--when her child was born, this little waif, the fruit of a man's hot, malicious hour, she wrapped it in her arms, pressed its delicate flesh to the silken folds of her bosom, and weeping, whispered only: "My child, my little, little child!"

She had never, as many a wife far from her husband has done, talked to her child of its father, told it of his beauty and his virtues, arrayed it day by day in sweet linen and pretty adornments, as if he were just then knocking at her door; she had never imagined what he would say when he did come. What could such a father think of his child, born of a woman whose very life he had intended as an insult? No, she had loved it for father and mother also. She had tried to be good, a good mother, living a life unutterably lonely, hard in all that it involved of study, new duty, translation, and burial of primitive emotions. And with all the care and tearful watchfulness that had been needed, she had grown so proud, so exacting--exacting for her child, proud for herself.

How could she know now that this hasty declaration of affection was anything more than the mere man in him? Years ago she had not been able to judge between love and insult--what guarantee had she here? Did he think that she could believe in him? She was not the woman he had married, he was not the man she had married. He had deceived her basely --she had been a common chattel. She had been miserable enough--could she give herself over to his flying emotions again so suddenly?

She paced the room, her face now in her hands, her hands now clasping and wringing before her. Her wifely duty? She straightened to that. Duty! She was first and before all a good, unpolluted woman. No, no, it could not be. Love him? Again she shrank. Then came flooding on her that afternoon when she had flung herself on Richard's breast, and all those hundred days of happiness in Richard's company--Richard the considerate, the strong, who had stood so by his honour in an hour of peril.

Now as she thought of it a hot wave shivered through all her body, and tingled to her hair. Her face again dropped in her hands, and, as on that other day, she knelt beside the cot, and, bursting into tears, said through her sobs: "My baby, my own dear baby! Oh, that we could go away--away--and never come back again!"

She did not know how intense her sobs were. They waked the child from its delicate sleep; its blue eyes opened wide and wise all on the instant, its round soft arm ran up to its mother's neck, and it said: "Don't c'y! I want to s'eep wif you! I'se so s'eepy!"

She caught the child to her wet face, smiled at it through her tears, went with it to her own bed, put it away in the deep whiteness, kissed it, and fondled it away again into the heaven of sleep. When this was done she felt calmer. How she hungered over it! This--this could not be denied her. This, at least, was all hers, without clause or reservation, an absolute love, and an absolute right.

She disrobed and drew in beside the child, and its little dewy cheek touching her breast seemed to ease the ache in her soul.

But sleep would not come. All the past four years trooped by, with their thousand incidents magnified in the sharp, throbbing light of her mind, and at last she knew and saw clearly what was before her, what trials, what duty, and what honour demanded--her honour.

Richard? Once for all she gently put him away from her into that infinite distance of fine respect which a good woman can feel, who has known what she and Richard had known--and set aside. But he had made for her so high a standard, that for one to be measured thereby was a severe challenge.

Could Frank come even to that measure? She dared not try to answer the question. She feared, she shrank, she grew sick at heart. She did not reckon with that other thing, that powerful, infinite influence which ties a woman, she knows not how or why, to the man who led her to the world of motherhood. Through all the wrongs which she may suffer by him, there runs this cable of unhappy attraction, testified to by how many sorrowful lives!

But Lali was trying to think it out, not only to feel, and she did not count that subterranean force which must play its part in this new situation in her drama of life. Could she love him? She crept away out of the haven where her child was, put on her dressing-gown, went to the window, and looked out upon the night, all unconscious that her husband was looking at her from the Square below. Love him?--Love him?--Love him? Could she? Did he love her? Her eyes wandered over the Square. Nowhere else was there a light, but a chimney-flue was creaking somewhere. It jarred on her so that she shrank. Then all at once she smiled to think how she had changed. Four years ago she could have slept amid the hammers of a foundry. The noise ceased. Her eyes passed from the cloud of trees in the Square to the sky-all stars, and restful deep blue. That--that was the same. How she knew it! Orion and Ashtaroth, and Mars and the Pleiades, and the long trail of the Milky Way. As a little child hanging in the trees, or sprawled beside a tepee, she had made friends with them all, even as she learned and loved all the signs of the earth beneath--the twist of a blade of grass, the portent in the cry of a river-hen, the colour of a star, the smell of a wind. She had known Nature then, now she knew men. And knowing them, and having suffered, and sick at heart as she was, standing by this window in the dead of night, the cry that shook her softly was not of her new life, but of the old, primitive, child-like.

'Pasagathe, omarki kethose kolokani vorgantha pestorondikat Oni.'

"A spear hath pierced me, and the smart of the nettle is in my wound. Maker of the soft night, bind my wounds with sleep, lest I cry out and be a coward and unworthy."

Again and again, unconsciously, the words passed from her lips

'Vorganthe, pestorondikat Oni.'

At last she let down the blind, came to the bed, and once more gathered her child in her arms with an infinite hunger. This love was hers--rich, untrammelled, and so sacred. No matter what came, and she did not know what would come, she had the child. There was a kind of ecstasy in it, and she lay and trembled with the feeling, but at last fell into a troubled sleep.

She waked suddenly to hear footsteps passing her door. She listened. One footstep was heavier than the other--heavier and a little stumbling; she recognised them, Frank and Richard. In that moment her heart hardened. Frank Armour must tread a difficult road.

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XI. UPON THE HIGHWAY

Frank visited the child in the morning, and was received with a casual interest. Richard Joseph Armour was fastidious, was not to be won at the grand gallop. Besides, he had just had a visit from his uncle, and the good taste of that gay time was yet in his mouth. He did not resent the embraces, but he did not respond to them, and he straightened himself with relief when the assault was over. Some one was paying homage to him, that was all he knew; but for his own satisfaction and pleasure he preferred as yet his old comrades, Edward Lambert, Captain Vidall, General Armour, and, above all, Richard. He only showed real interest at the last, when he asked, as it were in compromise, if his father would give him a sword. No one had ever talked to him of his father, and he had no instinct for him so far as could be seen. The sword was, therefore, after the manner of a concession. Frank rashly promised it, and was promptly told by Marion that it couldn't be; and she was backed by Captain Vidall, who said it had already been tabooed, and Frank wasn't to come in and ask for favours or expect them.

The husband and wife met at breakfast. He was down first. When his wife entered, he came to her, they touched hands, and she presently took a seat beside him. More than once he paused suddenly in his eating, when he thought of his inexplicable case. He was now face to face with a reversed situation. He had once picked up a pebble from the brown dirt of a prairie, that he might toss it into the pool of this home life; and he had tossed it, and from the sweet bath there had come out a precious stone, which he longed to wear, and knew that he could not--not yet. He could have coerced a lower being, but for his manhood's sake--he had risen to that now, it is curious how the dignity of fatherhood helps to make a man--he could not coerce here, and if he did, he knew that the product would be disaster.

He listened to her talk with Marion and Captain Vidall. Her voice was musical, balanced, her language breathed; it had manner, and an indescribable cadence of intelligence, joined to a deliberation, which touched her off with distinction. When she spoke to him--and she seemed to do that as by studied intention and with tact at certain intervals-- her manner was composed and kind. She had resolved on her part. She asked him about his journey over, about his plans for the day, and if he had decided to ride with her in the Park,--he could have the general's mount, she was sure, for the general was not going that day,--and would he mind doing a little errand for her afterwards in Regent Street, for the child--she feared she herself would not have time?

Just then General Armour entered, and, passing behind her, kissed her on the cheek, dropping his hand on Frank's shoulder at the same time with a hearty greeting. Of course, Frank could have his mount, he said. Mrs. Armour did not come down, but she sent word by Richard, who entered last, that she would be glad to see Frank for a moment before he left for the Park. As of old, Richard took both Lali's hands in his, patted them, and cheerily said:

"Well, well, Lali, we've got the wild man home again safe and sound, haven't we--the same old vagabond? We'll have to turn him into a Christian again--'For while the lamp holds out to burn'--"

He did not give her time to reply, but their eyes met honestly, kindly, and from the look they both passed into life and time again with a fresh courage. She did not know, nor did he, how near they had been to an abyss; and neither ever knew. One furtive glance at the moment, one hesitating pressure of the hand, one movement of the head from each other's gaze, and there had been unhappiness for them all. But they were safe.

In the Park, Frank and his wife talked little. They met many who greeted them cordially, and numbers of Frank's old club friends summoned him to the sacred fires at his earliest opportunity. The two talked chiefly of the people they met, and Frank thrilled with admiration at his wife's gentle judgment of everybody.

"The true thing, absolutely the true thing," he said; and he was conscious, too, that her instincts were right and searching, for once or twice he saw her face chill a little when they met one or two men whose reputations as chevaliers des dames were pronounced. These men had had one or two confusing minutes with Lali in their time.

"How splendidly you ride!" he said, as he came up swiftly to her, after having chatted for a moment with Edward Lambert. "You sit like wax, and so entirely easy."

"Thank you," she said. "I suppose I really like it too well to ride badly, and then I began young on horses not so good as Musket here-- bareback, too!" she added, with a little soft irony.

He thought--she did not, however--that she was referring to that first letter he sent home to his people, when he consigned her, like any other awkward freight, to their care. He flushed to his eyes. It cut him deep, but her eyes only had a distant, dreamy look which conveyed nothing of the sting in her words. Like most men, he had a touch of vanity too, and he might have resented the words vaguely, had he not remembered his talk with his mother an hour before.

She had begged him to have patience, she had made him promise that he would not in any circumstance say an ungentle or bitter thing, that he would bide the effort of constant devotion, and his love of the child. Especially must he try to reach her through love of the child.

By which it will be seen that Mrs. Armour had come to some wisdom by reason of her love for Frank's wife and child.

"My son," she had said, "through the child is the surest way, believe me; for only a mother can understand what that means, how much and how far it goes. You are a father, but until last night you never had the flush of that love in your veins. You stand yet only at the door of that life which has done more to guide, save, instruct, and deepen your wife's life than anything else, though your brother Richard--to whom you owe a debt that you can never repay--has done much in deed. Be wise, my dear, as I have learned a little to be since first your wife came. All might easily have gone wrong. It has all gone well; and we, my son, have tried to do our duty lovingly, consistently, to dear Lali and the child."

She made him promise that he would wait, that he would not try to hurry his wife's affection for him by any spoken or insistent claim. "For, Frank dear," she said, "you are only legally married, not morally, not as God can bless--not yet. But I pray that what will sanctify all may come soon, very soon, to the joy of us all. But again--and I cannot say it too prayerfully--do not force one little claim that your marriage gave you, but prove yourself to her, who has cause to distrust you so much. Will you forgive your mother, my dear, for speaking to you?"

He had told her then that what she had asked he had intended as his own course, yet what she had said would keep it in his mind always, for he was sure it was right. Mrs. Armour had then embraced him, and they parted. Dealing with Lali had taught them all much of the human heart that they had never known before, and the result thereof was wisdom.

They talked casually enough for the rest of the ride, and before they parted at the door Frank received his commission for Regent Street, and accepted it with delight, as a schoolboy might a gift. He was absurdly grateful for any favours from her, any sign of her companionship. They met at luncheon; then, because Lali had to keep an engagement in Eaton Square, they parted again, and Frank and Richard took a walk, after a long hour with the child, who still so hungered for his sword that Frank disobeyed orders, and dragged Richard off to Oxford Street to get one. He was reduced to a beatific attitude of submission, for he knew that he had few odds with him now, and that he must live by virtue of new virtues. He was no longer proud of himself in any way, and he knew that no one else was, or rather he felt so, and that was just the same.

He talked of the boy, he talked of his wife, he laid plans, he tore them down, he built them up again, he asked advice, he did not wait to hear it, but rambled on, excited, eager. Truth is, there had suddenly been lifted from his mind the dread and shadow of four years. Wherever he had gone, whatever he had been or done, that dread shadow had followed him, and now to know that instead of having to endure a hell he had to win a heaven, and to feel as if his brain had been opened and a mass of vapours and naughty little mannikins of remorse had been let out, was a trifle intoxicating even to a man of his usual vigour and early acquaintance with exciting things.

"Dick, Dick!" he said enthusiastically, "you've been royal. You always were better than any chap I ever knew. You're always doing for others. Hang it, Dick, where does your fun come in? Nobody seems ever to do anything for you."

Richard gave his arm a squeeze. "Never mind about me, boy. I've had all the fun I want, and all I'm likely to get, and so long as you're all willing to have me around, I'm satisfied. There's always a lot to do among the people in the village, one way and another, and I've a heap of reading on, and what more does a fellow want?"

"You didn't always feel that way, Dick?"

"No. You see, at different times in life you want different kinds of pleasures. I've had a good many kinds, and the present kind is about as satisfactory as any."

"But, Dick, you ought to get married. You've got coin, you've got sense, you're a bit distinguished-looking, and I'll back your heart against a thousand bishops. You've never been in danger of making a fool of yourself as I have. Why didn't you--why don't you--get married?"

Richard patted his brother's shoulder.

"Married, boy? Married? I've got too much on my hands. I've got to bring you up yet. And when that's done I shall have to write a book called 'How to bring up a Parent.' Then I've got to help bring your boy up, as I've done these last three years and more. I've got to think of that boy for a long while yet, for I know him better than you do, and I shall need some of my coin to carry out my plans."

"God bless you, Dick! Bring me up as you will, only bring her along too; and as for the boy, you're far more his father than I am. And mother says that it's you that's given me the wife I've got now--so what can I say?--what can I say?"

It was the middle of the Green Park, and Richard turned and clasped Frank by both shoulders.

"Say? Say that you'll stand by the thing you swore to one mad day in the West as well as any man that ever lived--'to have and to hold, to love and to cherish from this day forth till death us do part, Amen.'"

Richard's voice was low and full of a strange, searching something.

Frank, wondering at this great affection and fondness of his brother, looked him in the eyes warmly, solemnly, and replied: "For richer or for poorer, for better or for worse, in sickness and in health--so help me God, and her kindness and forgiveness!"

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Chapter XII

"THE CHASE OF THE YELLOW SWAN"

Frank and Lali did not meet until dinner was announced. The conversation at dinner was mainly upon the return to Greyhope, which was fixed for the following morning, and it was deftly kept gay and superficial by Marion and Richard and Captain Vidall, until General Armour became reminiscent, and held the interest of the table through a dozen little incidents of camp and barrack life until the ladies rose. There had been an engagement for late in the evening, but it had been given up because of Frank's home-coming, and there was to be a family gathering merely-- for Captain Vidall was now as much one of the family as Frank or Richard, by virtue of his approaching marriage with Marion. The men left alone, General Armour questioned Frank freely about life in the Hudson's Bay country, and the conversation ran on idly till it was time to join the ladies.

When they reached the drawing-room, Marion was seated at the piano, playing a rhapsody of Raff's, and Mrs. Armour and Lali were seated side by side. Frank thrilled at seeing his wife's hand in his mother's. Marion nodded over the piano at the men, and presently played a snatch of Carmen, then wandered off into the barbaric strength of Tannhauser, and as suddenly again into the ballet music of Faust.

"Why so wilful, my girl?" asked her father, who had a keen taste for music. "Why this tangle? Let us have something definite."

Marion sprang up from the piano. "I can't. I'm not definite myself to-night." Then, turning to Lali: "Lali dear, sing something--do! Sing my favourite, 'The Chase of the Yellow Swan.'"

This was a song which in the later days at Greyhope, Lali had sung for Marion, first in her own language, with the few notes of an Indian chant, and afterwards, by the help of the celebrated musician who had taught her both music and singing, both of which she had learned but slowly, it was translated and set to music. Lali looked Marion steadily in the eyes for a moment and then rose. It cost her something to do this thing, for while she had often talked much and long with Richard about that old life, it now seemed as if she were to sing it to one who would not quite understand why she should sing it at all, or what was her real attitude towards her past--that she looked upon it from the infinite distance of affectionate pity, knowledge, and indescribable change, and yet loved the inspiring atmosphere and mystery of that lonely North, which once in the veins never leaves it--never. Would he understand that she was feeling, not the common detail of the lodge and the camp-fire and the Company's post, but the deep spirit of Nature, filtering through the senses in a thousand ways--the wild ducks' flight, the sweet smell of the balsam, the exquisite gallop of the deer, the powder of the frost, the sun and snow and blue plains of water, the thrilling eternity of plain and the splendid steps of the hills, which led away by stair and entresol to the Kimash Hills, the Hills of the Mighty Men?

She did not know what he would think, and again on second thought she determined to make him, by this song, contrast her as she was when he married her, and now--how she herself could look upon that past unabashed, speak of it without blushing, sing of it with pride, having reached a point where she could look down and say: "This was the way by which I came."

She rose, and was accompanied to the piano by General Armour, Frank admiring her soft, springing steps, her figure so girlish and lissom. She paused for a little before she began. Her eyes showed for a moment over the piano, deep, burning, in-looking; then they veiled; her fingers touched the keys, wandered over them in a few strange, soft chords, paused, wandered again, more firmly and very intimately, and then she sang. Her voice was a good contralto, well balanced, true, of no great range, but within its compass melodious, and having some inexpressible charm of temperament. Frank did not need to strain his ears to hear the words; every one came clear, searching, delicately valued:

"In the flash of the singing dawn, At the door of the Great One, The joy of his lodge knelt down, Knelt down, and her hair in the sun Shone like showering dust, And her eyes were as eyes of the fawn. And she cried to her lord, 'O my lord, O my life, From the desert I come; From the hills of the Dawn.' And he lifted the curtain and said, 'Hast thou seen It, the Yellow Swan?'

"And she lifted her head, and her eyes Were as lights in the dark, And her hands folded slow on her breast, And her face was as one who has seen The gods and the place where they dwell; And she said: 'Is it meet that I kneel, That I kneel as I speak to my lord?' And he answered her: 'Nay, but to stand, And to sit by my side; But speak, thou hast followed the trail, Hast thou found It, the Yellow Swan?'

"And she stood as a queen, and her voice Was as one who hath seen the Hills, The Hills of the Mighty Men, And hath heard them cry in the night, Hath heard them call in the dawn, Hath seen It, the Yellow Swan. And she said: 'It is not for my lord;' And she murmured, 'I cannot tell, But my lord must go as I went, And my lord must come as I came, And my lord shall be wise.'

"And he cried in his wrath, 'What is thine, it is mine, And thine eyes are my eyes Thou shalt speak of the Yellow Swan!' But she answered him: 'Nay, though I die. I have lain in the nest of the Swan, I have heard, I have known; When thine eyes too have seen, When thine ears too have heard, Thou shalt do with me then as thou wilt!'

"And he lifted his hand to strike, And he straightened his spear to slay, But a great light struck on his eyes, And he heard the rushing of wings, And his long spear fell from his hand, And a terrible stillness came. And when the spell passed from his eyes, He stood in his doorway alone, And gone was the queen of his soul, And gone was the Yellow Swan."

Frank Armour listened as in a dream. The song had the wild swing of savage life, the deep sweetness of a monotone, but it had also the fine intelligence, the subtle allusiveness of romance. He could read between the lines. The allegory touched him where his nerves were sensitive. Where she had gone he could not go until his eyes had seen and known what hers had seen and known; he could not grasp his happiness all in a moment; she was no longer at his feet, but equal with him, and wiser than he. She had not meant the song to be allusive when she began, but to speak to him through it by singing the heathen song as his own sister might sing it. As the song went on, however, she felt the inherent suggestion in it, so that when she had finished it required all her strength to get up calmly, come among them again, and listen to their praises and thanks. She had no particular wish to be alone with Frank just yet, but the others soon arranged themselves so that the husband and wife were left in a cosey corner of the room.

Lali's heart fluttered a little at first, for the day had been trying, and she was not as strong as she could wish. Admirably as she had gone through the season, it had worn on her, and her constitution had become sensitive and delicate, while yet strong. The life had almost refined her too much. Always on the watch that she should do exactly as Marion or Mrs. Armour, always so sensitive as to what was required of her, always preparing for this very time, now that it had come, and her heart and mind were strong, her body seemed to weaken. Once or twice during the day she had felt a little faint, but it had passed off, and she had scolded herself. She did not wish a serious talk with her husband to-night, but she saw now that it was inevitable.

He said to her as he sat down beside her: "You sing very well indeed. The song is full of meaning, and you bring it all out."

"I am glad you like it," she responded conventionally. "Of course it's an unusual song for an English drawing-room."

"As you sing it, it would be beautiful and acceptable anywhere, Lali."

"Thank you again," she answered, closing and unclosing her fan, her eyes wandering to where Mrs. Armour was. She wished she could escape, for she did not feel like talking, and yet though the man was her husband she could not say that she was too tired to talk; she must be polite. Then, with a little dainty malice: "It is more interesting, though, in the vernacular--and costume!"

"Not unless you sang it so," he answered gallantly, and with a kind of earnestness.

"You have not forgotten the way of London men," she rejoined.

"Perhaps that is well, for I do not know the way of women," he said, with a faint bitterness. "Yet, I don't speak unadvisedly in this,"--here he meant to be a little bold and bring the talk to the past,--"for I heard you sing that song once before."

She turned on him half puzzled, a little nervous. "Where did you hear me sing it?"

He had made up his mind, wisely enough, to speak with much openness and some tact also, if possible. "It was on the Glow Worm River at the Clip Claw Hills. I came into your father's camp one evening in the autumn, hungry and tired and knocked about. I was given the next tent to yours. It was night, and just before I turned in I heard your voice singing. I couldn't understand much of the language, but I had the sense of it, and I know it when I hear it again."

"Yes, I remember singing it that night," she said. "Next day was the Feast of the Yellow Swan."

Her eyes presently became dreamy, and her face took on a distant, rapt look. She sat looking straight before her for a moment.

He did not speak, for he interpreted the look aright, and he was going to be patient, to wait.

"Tell me of my father," she said. "You have been kind to him?"

He winced a little. "When I left Fort Charles he was very well," he said, "and he asked me to tell you to come some day. He also has sent you a half-dozen silver-fox skins, a sash, and moccasins made by his own hands. The things are not yet unpacked."

Moccasins?--She remembered when last she had moccasins on her feet--the day she rode the horse at the quick-set hedge, and nearly lost her life. How very distant that all was, and yet how near too! Suddenly she remembered also why she took that mad ride, and her heart hardened a little.

"You have been kind to my father since I left?" she asked.

He met her eyes steadily. "No, not always; not more than I have been kind to you. But at the last, yes." Suddenly his voice became intensely direct and honest. "Lali," he continued, "there is much that I want to say to you." She waved her hand in a wearied fashion. "I want to tell you that I would do the hardest penance if I could wipe out these last four years."

"Penance?" she said dreamily--"penance? What guarantee of happiness would that be? One would not wish another to do penance if--"

She paused.

"I understand," he said--"if one cared--if one loved. Yes, I understand. But that does not alter the force or meaning of the wish. I swear to you that I repent with all my heart--the first wrong to you, the long absence--the neglect--everything."

She turned slowly to him. "Everything-Everything?" she repeated after him. "Do you understand what that means? Do you know a woman's heart? No. Do you know what a shameful neglect is at the most pitiful time in your life? No. How can a man know! He has a thousand things--the woman has nothing, nothing at all except the refuge of home, that for which she gave up everything!"

Presently she broke off, and something sprang up and caught her in the throat. Years of indignation were at work in her. "I have had a home," she said, in a low, thrilling voice--"a good home; but what did that cost you? Not one honest sentiment of pity, kindness, or solicitude. You clothed me, fed me, abandoned me, as--how can one say it? Do I not know, if coming back you had found me as you expected to find me, what the result would have been? Do I not know? You would have endured me if I did not thrust myself upon you, for you have after all a sense of legal duty, a kind of stubborn honour. But you would have made my life such that some day one or both of us would have died suddenly. For"--she looked him with a hot clearness in the eyes--"for there is just so much that a woman can bear. I wish this talk had not come now, but, since it has come, it is better to speak plainly. You see, you misunderstand. A heathen has a heart as another--has a life to be spoiled or made happy as another. Had there been one honest passion in your treatment of me-- in your marrying me--there would be something on which to base mutual respect, which is more or less necessary when one is expected to love. But--but I will not speak more of it, for it chokes me, the insult to me, not as I was, but as I am. Then it would probably have driven me mad, if I had known; now it eats into my life like rust."

He made a motion as if to take her hands, but lifting them away quietly she said: "You forget that there are others present, as well as the fact that we can talk better without demonstration."

He was about to speak, but she stopped him. "No, wait," she said; "for I want to say a little more. I was only an Indian girl, but you must remember that I had also in my veins good white blood, Scotch blood. Perhaps it was that which drew me to you then--for Lali the Indian girl loved you. Life had been to me pleasant enough--without care, without misery, open, strong and free; our people were not as those others which had learned the white man's vices. We loved the hunt, the camp-fires, the sacred feasts, the legends of the Mighty Men; and the earth was a good friend, whom we knew as the child knows its mother."

She paused. Something seemed to arrest her attention. Frank followed her eyes. She was watching Captain Vidall and Marion. He guessed what she was thinking--how different her own wooing had been from theirs, how concerning her courtship she had not one sweet memory--the thing that keeps alive more love and loyalty in this world than anything else. Presently General Armour joined them, and Frank's opportunity was over for the present.

Captain Vidall and Marion were engaged in a very earnest conversation, though it might not appear so to observers.

"Come, now, Marion," he said protestingly, "don't be impossible. Please give the day a name. Don't you think we've waited about long enough?"

"There was a man in the Bible who served seven years."

"I've served over three in India since I met you at the well, and that counts double. Why so particular to a day? It's a bit Jewish. Anyhow, that seven years was rough on Rachel."

"How, Hume? Because she got passee?"

"Well, that counted; but do you suppose that Jew was going to put in those seven years without interest? Don't you believe it. Rachel paid capital and interest back, or Jacob was no Jew. Tell me, Marion, when shall it be?"

"Hume, for a man who has trifled away years in India, you are strangely impatient."

"Mrs. Lambert says that I have the sweetest disposition."

"My dear sir!"

"Don't look at me like that at this distance, or I shall have to wear goggles, as the man did who went courting the Sun."

"How supremely ridiculous you are! And I thought you such a sensible, serious man."

"Mrs. Lambert put that in your head. We used to meet at the annual dinners of the Bible Society."

"Why do you tell me such stuff?"

"It's a fact. Her father and my aunt were in that swim, and we were sympathisers."

"Mercenary people!"

"It worked very well in her case; not so well in mine. But we conceived a profound respect for each other then. But tell me, Marion, when is it to be? Why put off the inevitable?"

"It isn't inevitable--and I'm only twenty-three."

"Only twenty-three, And as good fish in the sea"

he responded, laughing. "Yes, but you've set the precedent for a courtship of four years and a bit, and what man could face it?"

"You did."

"Yes, but I wasn't advertised of the fact beforehand. Suppose I had seen the notice at the start: 'This mortgage cannot be raised inside of four years--and a bit!' There's a limit to human endurance."

"Why shouldn't I hold to the number, but alter the years to days?"

"You wouldn't dare. A woman must live up to her reputation."

"Indeed? What an ambition!"

"And a man to his manners."

"An unknown quantity."

"And a lover to his promises."

"A book of jokes." Marion had developed a taste for satire.

"Which reminds me of Lady Halwood and Mrs. Lambert. Lady Halwood was more impertinent than usual the other day at the Sinclairs' show, and had a little fling at Mrs. Lambert. The talk turned on gowns. Lady Halwood was much interested at once. She has a weakness that way. 'Why,' said she, 'I like these fashions this year, but I'm not sure that they suit me. They're the same as when the Queen came to the throne.' 'Well,' said Mrs. Lambert sweetly, 'if they suited you then--' There was an audible titter, and Mrs. Lambert had an enemy for life."

"I don't see the point of your story in this connection."

"No? Well, it was merely to suggest that if you had to live up to this scheme of four-years' probation, other people besides lovers would make up books of jokes, and--"

"That's like a man--to threaten."

"Yes, I threaten--on my knees."

"Hume, how long do you think Frank will have to wait?"

They were sitting where they had a good view of the husband and wife, and Vidall, after a moment, said: "I don't know. She has waited four years, too; now it looks as if, like Jacob, she was going to gather in her shekels of interest compounded."

"It isn't going to be a bit pleasant to watch."

"But you won't be here to see."

Marion ignored the suggestion. "She seems to have hardened since he came yesterday. I hardly know her; and yet she looks awfully worn to-night, don't you think?"

"Yes, as if she had to keep a hand on herself. But it'll come out all right in the end, you'll see."

"Yes, of course; but she might be sensible and fall in love with Frank at once. That's what she did when--"

"When she didn't know man."

"Yes, but where would you all be if we women acted on what we know of you?"

"On our knees chiefly, as I am. Remember this, Marion, that half a sinner is better than no man."

"You mean that no man is better than half a saint?"

"How you must admire me!"

"Why?"

"As you are about to name the day, I assume that I'm a whole saint in your eyes."

"St. Augustine!"

"Who was he?"

"A man that reformed."

"Before or after marriage?"

"Before, I suppose."

"I don't think he died happy."

"Why not?"

"I've a faint recollection that he was boiled."

"Don't be horrid. What has that to do with it?"

"Nothing, perhaps. But he probably broke out again after marriage, and sank at last into that caldron. That's what it means by being-steeped in crime."

"How utterly nonsensical you are!"

"I feel light-headed. You've been at sea, on a yacht becalmed, haven't you? when along comes a groundswell, and as you rock in the sun there comes trouble, and your head goes round like a top? Now, that's my case. I've been becalmed four years, and while I pray for a little wind to take me--home, you rock me in the trough of uncertainty. Suspense is very gall and wormwood. You know what the jailer said to the criminal who was hanging on a reprieve: 'Rope deferred maketh the heart sick.' Marion, give me the hour, or give me the rope."

"The rope enough to hang yourself?"

She suddenly reached up and pulled a hair from her head. She laid it in his hand-a long brown silken thread. "Hume," she said airily yet gently, "there is the rope. Can you love me for a month of Sundays?"

"Yes, for ever and a day!"

"I will cancel the day, and take your bond for the rest. I will be generous. I will marry you in two months-and a day."

"My dearest girl!"--he drew her hand into both of his--"I can't have you more generous than myself, I'll throw off the month." But his eyes were shining very seriously, though his mouth smiled.

"Two months and a day," she repeated.

"We must all bundle off to Greyhope to-morrow," came General Armour's voice across the room. "Down comes the baby, cradle and all."

Lali rose. "I am very tired," she said; "I think I will say good-night."

"I'll go and see the boy with you," Frank said, rising also.

Lali turned towards Marion. Marion's face was flushed, and had a sweet, happy confusion. With a low, trembling good-night to Captain Vidall, a hurried kiss on her mother's cheek, and a tip-toed caress on her father's head, she ran and linked her arm in Lali's, and together they proceeded to the child's room. Richard was there when they arrived, mending a broken toy. Two hours later, the brothers parted at Frank's door.

"Reaping the whirlwind, Dick?" Frank said, dropping his hand on his brother's arm.

Richard pointed to the child's room.

"Nonsense! Do you want all the world at once? You are reaping the forgiveness of your sins." Somehow Richard's voice was a little stern.

"I was thinking of my devilry, Dick. That's the whirlwind--here!" His hand dropped on his breast.

"That's where it ought to be. Good-night."

"Good-night."

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XIII. A LIVING POEM

Part of Frank's most trying interview, next to the meeting with his wife, was that with Mackenzie, who had been his special commissioner in the movement of his masquerade. Mackenzie also had learned a great deal since she had brought Lali--home. She, like others, had come to care truly for the sweet barbarian, and served her with a grim kind of reverence. Just in proportion as this had increased, her respect for Frank had decreased. No man can keep a front of dignity in the face of an unbecoming action. However, Mackenzie had her moment, and when it was over, the new life began at no general disadvantage to Frank. To all save the immediate family Frank and Lali were a companionable husband and wife. She rode with him, occasionally walked with him, now and again sang to him, and they appeared in the streets of St. Albans and at the Abbey together, and oftener still in the village church near, where the Armours of many generations were proclaimed of much account in the solid virtues of tomb and tablet.

The day had gone by when Lali attracted any especial notice among the villagers, and she enjoyed the quiet beauty and earnestness of the service. But she received a shock one Sunday. She had been nervous all the week, she could not tell why, and others remarked how her face had taken on a new sensitiveness, a delicate anxiety, and that her strength was not what it had been. As, for instance, after riding she required to rest, a thing before unknown, and she often lay down for an hour before dinner. Then, too, at table once she grew suddenly pale and swayed against Edward Lambert, who was sitting next to her. She would not, however, leave the table, but sat the dinner out, to Frank's apprehension. He was devoted, but it was clear to Marion and her mother at least that his attentions were trying to her. They seemed to put her under an obligation which to meet was a trial. There is nothing more wearing to a woman than affectionate attentions from a man who has claims upon her, but whom she does not love. These same attentions from one who has no claims give her a thrill of pleasure. It is useless to ask for justice in such a matter. These things are governed by no law; and rightly so, else the world would be in good time a loveless multitude, held together only by the hungering ties of parent and child.

But this Sunday wherein Lali received a shock. She did not know that the banns for Marion's and Captain Vidall's marriage were to be announced, and at the time her thoughts were far away. She was recalled to herself by the clergyman's voice pronouncing their names, and saying: "If any of you do know cause or just impediment why these two people should not be joined together in the bonds of holy matrimony, ye are to declare it." All at once there came back to her her own marriage when the Protestant missionary, in his nasal monotone, mumbled these very words, not as if he expected that any human being would, or could, offer objection.

She almost sprang from her seat now. Her nerves all at once came to such a tension that she could have cried out. Why had there been no one there at her marriage to say: "I forbid it"? How shameful it had all been! And the first kiss her husband had given her had the flavour of brandy! If she could but turn back the hands upon the clock of Time! Under the influence of the music and the excited condition of her nerves, the event became magnified, distorted; it burned into her brain. It was not made less poignant by the sermon from the text: "Mene, Mene, Tekel, Upharsin." When the words were first announced in the original, it sounded like her own language, save that it was softer, and her heart throbbed fast. Then came the interpretation: "Thou art weighed in the balance and found wanting."

Then suddenly swept over her a new feeling, one she had never felt before. Up to this point a determination to justify her child, to reverse the verdict of the world, to turn her husband's sin upon himself, had made her defiant, even bitter; in all things eager to live up to her new life, to the standard that Richard had by manner and suggestion, rather than by words, laid down for her. But now there came in upon her a flood of despair. At best she was only of this race through one-third of her parentage, and education and refinement and all things could do no more than make her possible. There must always be in the record: "She was of a strange people. She was born in a wigwam." She did not know that failing health was really the cause of this lapse of self- confidence, this growing self-depreciation, this languor for which she could not account. She found that she could not toss the child and frolic with it as she had done; she was conscious that within a month there had stolen upon her the desire to be much alone, to avoid noises and bustle--it irritated her. She found herself thinking more and more of her father, her father to whom she had never written one line since she had left the North. She had had good reasons for not writing-- writing could do no good whatever, particularly to a man who could not read, and who would not have understood her new life if he had read. Yet now she seemed not to know why she had not written, and to blame herself for neglect and forgetfulness. It weighed on her. Why had she ever been taken from the place of tamarack-trees and the sweeping prairie grass? No, no, she was not, after all, fit for this life. She had been mistaken, and Richard had been mistaken--Richard, who was so wise. The London season? Ah! that was because people had found a novelty, and herself of better manners than had been expected.

The house was now full of preparations for the wedding. It stared her in the face every day, almost every hour. Dressmakers, milliners, tailors, and all those other necessary people. Did the others think what all this meant to her? It was impossible that they should. When Marion came back from town at night and told of her trials among the dressmakers, when she asked the general opinion and sometimes individual judgment, she could not know that it was at the expense of Lali's nerves.

Lali, when she married, had changed her moccasins, combed her hair, and put on a fine red belt, and that was all. She was not envious now, not at all. But somehow it all was a deadly kind of evidence against herself and her marriage. Her reproach was public, the world knew it, and no woman can forgive a public shame, even was it brought about by a man she loved, or loves. Her chiefest property in life is her self-esteem and her name before the world. Rob her of these, and her heaven has fallen, and if a man has shifted the foundations of her peace, there is no forgiveness for him till her Paradise has been reconquered. So busy were all the others that they did not see how her strength was failing. There were three weeks between the day the banns were announced and the day of the wedding, which was to be in the village church, not in town; for, as Marion said, she had seen too many marriages for one day's triumph and criticism; she wanted hers where there would be neither triumph nor criticism, but among people who had known her from her childhood up. A happy romance had raised Marion's point of view.

Meanwhile Frank was winning the confidence of his own child, who, however, ranked Richard higher always, and became to a degree his father's tyrant. But Frank's nature was undergoing a change. His point of view also had enlarged. The suffering, bitterness, and humiliation of his life in the North had done him good. He was being disciplined to take his position as a husband and father, but he sometimes grew heavy- hearted when he saw how his attentions oppressed his wife, and had it not been for Richard he might probably have brought on disaster, for the position was trying to all concerned. A few days before the wedding Edward Lambert and his wife arrived, and he, Captain Vidall, and Frank Armour took rides and walks together, or set the world right in the billiard-room. Richard seldom joined them, though their efforts to induce him to do so were many. He had his pensioners, his books, his pipe, and "the boy," and he had returned in all respects, in so far as could be seen, to his old life, save for the new and larger interest of his nephew.

One evening the three men with General Armour were all gathered in the billiard-room. Conversation had been general and without particular force, as it always is when merely civic or political matters are under view. But some one gave a social twist to the talk, and presently they were launched upon that sea where every man provides his own chart, or he is a very worm and no man. Each man had been differently trained, each viewed life from a different stand-point, and yet each had been brought up in the same social atmosphere, in the same social sets, had imbibed the same traditions, been moved generally by the same public considerations.

"But there's little to be said for a man who doesn't, outwardly at least, live up to the social necessity," said Lambert.

"And keep the Ten Commandments in the vulgar tongue," rejoined Vidall.

"I've lived seventy-odd years, and I've knocked about a good deal in my time," said the general, "but I've never found that you could make a breach of social necessity, as you call it, without paying for it one way or another. The trouble with us when we're young is that we want to get more out of life than there really is in it. There is not much in it, after all. You can stand just so much fighting, just so much work, just so much emotion--and you can stand less emotion than anything else. I'm sure more men and women break up from a hydrostatic pressure of emotion than from anything else. Upon my soul, that's so."

"You are right, General," said Lambert. "The steady way is the best way. The world is a passable place, if a fellow has a decent income by inheritance, or can earn a big one, but to be really contented to earn money it must be a big one, otherwise he is far better pleased to take the small inherited income. It has a lot of dignity, which the other can only bring when it is large."

"That's only true in this country; it's not true in America," said Frank, "for there the man who doesn't earn money is looked upon as a muff, and is treated as such. A small inherited income is thought to be a trifle enervating. But there is a country of emotions, if you like. The American heart is worn upon the American sleeve, and the American mind is the most active thing in this world. That's why they grow old so young."

"I met a woman a year or so ago at dinner," said Vidall, "who looked forty. She looked it, and she acted it. She was younger than any woman present, but she seemed older. There was a kind of hopeless languor about her which struck me as pathetic. Yet she had been beautiful, and might even have been so when I saw her, if it hadn't been for that look. It was the look of a person who had no interest in things. And the person who has no interest in things is the person who once had a great deal of interest in things, who had too passionate an interest. The revulsion is always terrible. Too much romance is deadly. It is as false a stimulant as opium or alcohol, and leaves a corresponding mark. Well, I heard her history. She was married at fifteen--ran away to be married; and in spite of the fact that a railway accident nearly took her husband from her on the night of her marriage--one would have thought that would make a strong bond--she was soon alive to the attentions that are given a pretty and--considerate woman. At a ball at Naples, her husband, having in vain tried to induce her to go home, picked her up under his arm and carried her out of the ballroom. Then came a couple of years of opium-eating, fierce social excitement, divorce, new marriage, and so on, until her husband agreeably decided to live in Nice, while she lived somewhere else. Four days after I had met her at the dinner I saw her again. I could scarcely believe my eyes. The woman had changed completely. She was young again-twenty-five, in face and carriage, in the eye and hand, in step and voice."

"Who was the man?" suggested Frank Armour. "A man about her own age, or a little more, but who was an infant beside her in knowledge of the world." "She was in love with the fellow? It was a grande passion?" asked Lambert.

"In love with him? No, not at all. It was a momentary revival of an old-possibility."

"You mean that such women never really love?"

"Perhaps once, Frank, but only after a fashion. The rest was mere imitation of their first impulses."

"And this woman?"

"Well, the end came sooner than I expected. I tell you I was shocked at the look in her face when I saw it again. That light had flickered out; the sensitive alertness of hand, eye, voice, and carriage had died away; lines had settled in the face, and the face itself had gone cold, with that hard, cold passiveness which comes from exhausted emotions and a closed heart. The jewels she wore might have been put upon a statue with equal effect."

"It seems to me that we might pitch into men in these things and not make women the dreadful examples," said a voice from the corner. It was the voice of Richard, who had but just entered.

"My dear Dick," said his father, "men don't make such frightful examples, because these things mean less to men than they do to women. Romance is an incident to a man; he can even come through an affaire with no ideals gone, with his mental fineness unimpaired; but it is different with a woman. She has more emotion than mind, else there were no cradles in the land. Her standards are set by the rules of the heart, and when she has broken these rules she has lost her standard too. But to come back, it is true, I think, as I said, that man or woman must not expect too much out of life, but be satisfied with what they can get within the normal courses of society and convention and home, and the end thereof is peace --yes, upon my soul, it's peace."

There was something very fine in the blunt, honest words of the old man, whose name had ever been sweet with honour.

"And the chief thing is that a man live up to his own standard," said Lambert. "Isn't that so, Dick?--you're the wise man."

"Every man should have laws of his own, I should think; commandments of his own, for every man has a different set of circumstances wherein to work--or worry."

"The wisest man I ever knew," said Frank, dropping his cigar, "was a little French-Canadian trapper up in the Saskatchewan country. A priest asked him one day what was the best thing in life, and he answered: 'For a young man's mind to be old, and an old man's heart to be young.' The priest asked him how that could be. And he said: 'Good food, a good woman to teach him when he is young, and a child to teach him when he is old.' Then the priest said: 'What about the Church and the love of God?' The little man thought a little, and then said: 'Well, it is the same-- the love of man and woman came first in the world, then the child, then God in the garden.' Afterwards he made a little speech of good-bye to us, for we were going to the south while he remained in a fork of the Far Off River. It was like some ancient blessing: that we should always have a safe tent and no sorrow as we travelled; that we should always have a cache for our food, and food for our cache; that we should never find a tree that would not give sap, nor a field that would not grow grain; that our bees should not freeze in winter, and that the honey should be thick, and the comb break like snow in the teeth; that we keep hearts like the morning, and that we come slow to the Four Corners where man says Good- night."

Each of the other men present wondered at that instant if Frank Armour would, or could, have said this with the same feelings two months before. He seemed almost transformed.

"It reminds me," said the general, "of an inscription from an Egyptian monument which an officer of the First put into English verse for me years ago:

"Fair be the garden where their loves shall dwell, Safe be the highway where their feet may go, Rich be the fields wherein their hands may toil, The fountains many where their good wines flow. Full be their harvest-bins with corn and oil, To sorrow may their humour be a foil; Quick be their hearts all wise delights to know, Tardy their footsteps to the gate Farewell."

There was a moment's silence after he had finished, and then there was noise without, a sound of pattering feet; the door flew open, and in ran a little figure in white--young Richard in his bed-gown, who had broken away from his nurse, and had made his way to the billiard-room, where he knew his uncle had gone.

The child's face was flashing with mischief and adventure. He ran in among the group, and stretched out his hands with a little fighting air. His uncle Richard made a step towards him, but he ran back; his father made as if to take him in his arms, but he evaded him. Presently the door opened, the nurse entered, the child sprang from among the group, and ran with a laughing defiance to the farthest end of the room, and, leaning his chin on the billiard-table, flashed a look of defiant humour at his pursuer. Presently the door opened again, and the figure of the mother appeared. All at once the child's face altered; he stood perfectly still, and waited for his mother to come to him. Lali had not spoken, and she did not speak until, lifting the child, she came the length of the billiard-table and faced them.

"I beg your pardon," she said, "for intruding; but Richard has led us a dance, and I suppose the mother may go where her child goes."

"The mother and the child are always welcome wherever they go," said General Armour quietly.

All the men had risen to their feet, and they made a kind of semicircle before her. The white-robed child had clasped its arms about her neck, and nestled its face against hers, as if, with perfect satisfaction, it had got to the end of its adventure; but the look of humour was still in the eyes as they ran from Richard to his father and back again.

Frank Armour stepped forwards and took the child's hand, as it rested on the mother's shoulder. Lali's face underwent a slight change as her husband's fingers touched her neck.

"I must go," she said. "I hope I have not broken up a serious conversation--or were you not so serious after all?" she said, glancing archly at General Armour. "We were talking of women," said Lambert.

"The subject is wide," replied Lali, "and the speakers many. One would think some wisdom might be got in such a case."

"Believe me, we were not trying to understand the subject," said Captain Vidall; "the most that a mere man can do is to appreciate it."

"There are some things that are hidden from the struggling mind of man, and are revealed unto babes and the mothers of babes," said General Armour gravely, as, reaching out his hands, he took the child from the mother's arms, kissed it full upon the lips, and added: "Men do not understand women, because men's minds have not been trained in the same school. When once a man has mastered the very alphabet of motherhood, then he shall have mastered the mind of woman; but I, at least, refuse to say that I do not understand, from the stand-point of modern cynicism."

"Ah, General, General!" said Lambert, "we have lost the chivalric way of saying things, which belongs to your generation."

By this time the wife had reached the door. She turned and held out her arms for the child. General Armour came and placed the boy where he had found it, and, with eyes suddenly filling, laid both his hands upon Lali's and they clasped the child, and said: "It is worth while to have lived so long and to have seen so much." Her eyes met his in a wistful, anxious expression, shifted to those of her husband, dropped to the cheeks of the child, and with the whispered word, which no one, not even the general, heard, she passed from the room, the nurse following her.

Perhaps some of the most striking contrasts are achieved in the least melodramatic way. The sudden incursion of the child and its mother into the group, the effect of their presence, and their soft departure, leaving behind them, as it were, a trail of light, changed the whole atmosphere of the room, as though some new life had been breathed into it, charged each mind with new sensations, and gave each figure new attitude. Not a man present but had had his full swing with the world, none worse than most men, none better than most, save that each had latent in him a good sense of honour concerning all civic and domestic virtues. They were not men of sentimentality; they were not accustomed to exposing their hearts upon their sleeve, but each, as the door closed, recognised that something for one instant had come in among them, had made their past conversation to appear meagre, crude, and lacking in both height and depth. Somehow, they seemed to feel, although no words expressed the thought, that for an instant they were in the presence of a wisdom greater than any wisdom of a man's smoking-room.

"It is wonderful, wonderful," said the general slowly, and no man asked him why he said it, or what was wonderful. But Richard, sitting apart, watched Frank's face acutely, himself wondering when the hour would come that the wife would forgive her husband, and this situation so fraught with danger would be relieved.

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XIV. ON THE EDGE OF A FUTURE

At last the day of the wedding came, a beautiful September day, which may be more beautiful in uncertain England than anywhere else. Lali had been strangely quiet all the day before, and she had also seemed strangely delicate. Perhaps, or perhaps not, she felt the crisis was approaching. It is probable that when the mind has been strained for a long time, and the heart and body suffered much, one sees a calamity vaguely, and cannot define it; appreciates it, and does not know it. She came to Marion's room about a half-hour before they were to start for the church. Marion was already dressed and ready, save for the few final touches, which, though they have been given a dozen times, must still again be given just before the bride starts for the church. Such is the anxious mind of women on these occasions. The two stood and looked at each other a moment, each wondering what were the thoughts of the other. Lali was struck by that high, proud look over which lay a glamour of infinite satisfaction, of sweetness, which comes to every good woman's face when she goes to the altar in a marriage which is not contingent on the rise or fall in stocks, or a satisfactory settlement. Marion, looking, saw, as if it had been revealed to her all at once, the intense and miraculous change which had come over the young wife, even within the past two months. Indeed, she had changed as much within that time as within all the previous four years--that is, she had been brought to a certain point in her education and experience, where without a newer and deeper influence she could go no further. That newer and deeper influence had come, and the result thereof was a woman standing upon the verge of the real tragedy to her life, which was not in having married the man, but in facing that marriage with her new intelligence and a transformed soul. Men can face that sort of thing with a kind of philosophy, not because men are better or wiser, but because it really means less to them. They have resources of life, they can bury themselves in their ambitions good or bad, but a woman can only bury herself in her affections, unless her heart has been closed; and in that case she herself has lost much of what made her adorable. And while she may go on with the closed heart and become a saint, even saintship is hardly sufficient to compensate any man or woman for a half-lived life. The only thing worth doing in this world is to live life according to one's convictions--and one's heart. He or she who sells that fine independence for a mess of pottage, no matter if the mess be spiced, sells, as the Master said, the immortal part of him.

And so Lali, just here on the edge of Marion's future, looking into that mirror, was catching the reflection of her own life. When two women come so near that, like the lovers in the Tempest, they have changed eyes, in so far as to read each other's hearts, even indifferently, which is much where two women are concerned, there is only one resource, and that is to fall into each other's arms, and to weep if it be convenient, or to hold their tears for a more fitting occasion; and most people will admit that tears need not add to a bride's beauty.

Marion might, therefore, be pardoned if she had her tears in her throat and not in her eyes, and Lali, if they arose for a moment no higher than her heart. But they did fall into each other's arms despite veils and orange blossoms, and somehow Marion had the feeling for Lali that she had on that first day at Greyhope, four years ago, when standing on the bridge, the girl looked down into the water, tears dropping on her hands, and Marion said to her: "Poor girl! poor girl!" The situations were the same, because Lali had come to a new phase of her life, and what that phase would be who could tell-happiness or despair?

The usual person might think that Lali was placing herself and her wifely affection at a rather high price, but then it is about the only thing that a woman can place high, even though she be one-third a white woman and two-thirds an Indian. Here was a beautiful woman, who had run the gamut of a London season, who had played a pretty social part, admirably trained therefor by one of the best and most cultured families of England. Besides, why should any woman sell her affections even to her husband, bargain away her love, the one thing that sanctifies "what God hath joined let no man put asunder"? Lali was primitive, she was unlike so many in a trivial world, but she was right. She might suffer, she might die, but, after all, there are many things worse than that. Man is born in a day, and he dies in a day, and the thing is easily over; but to have a sick heart for three-fourths of one's lifetime is simply to have death renewed every morning; and life at that price is not worth living. In this sensitive age we are desperately anxious to save life, as if it was the really great thing in the world; but in the good, strong times of the earth--and in these times, indeed, when necessity knows its hour--men held their lives as lightly as a bird upon the housetop which any chance stone might drop.

It is possible that at this moment the two women understood each other better than they had ever done, and respected each other more. Lali, recovering herself, spoke a few soft words of congratulation, and then appeared to busy herself in putting little touches to Marion's dress, that soft persuasion of fingers which does so much to coax mere cloth into a sort of living harmony with the body.

They had no more words of confidence, but in the porch of the church, Marion, as she passed Lali, caught the slender fingers in her own and pressed them tenderly. Marion was giving comfort, and yet if she had been asked why she could not have told. She did not try to define it further than to say to herself that she herself was having almost too much happiness. The village was en fete, and peasants lined the street leading to the church, ready with their hearty God-bless-you's. Lali sat between her husband and Mrs. Armour, apparently impassive until there came the question: "Who giveth this woman to be married to this man?" and General Armour's voice came clear and strong: "I do." Then a soft little cry broke from her, and she shivered slightly. Mrs. Armour did not notice, but Frank and Mrs. Lambert heard and saw, and both were afterwards watchful and solicitous. Frank caught Mrs. Lambert's eye, and it said, to a little motion of the head: "Do not appear to notice."

Lali was as if in a dream. She never took her eyes from the group at the altar until the end, and the two, now man and wife, turned to go into the vestry. Then she appeared to sink away into herself for a moment, before she fell into conversation with the others, as they moved towards the vestry.

"It was beautiful, wasn't it?" ventured Edward Lambert.

"The most beautiful wedding I ever saw," she answered, with a little shadow of meaning; and Lambert guessed that it was the only one she had seen since she came to England.

"How well Vidall looked," said Frank, "and as proud as a sultan. Did you hear what he said, as Marion came up the aisle?"

"No," responded Lambert.

"He said, 'By Jove, isn't she fine!' He didn't seem conscious that other people were present."

"Well, if a man hasn't some inspirations on his wedding-day when is he to have them?" said Mrs. Lambert. "For my part, I think that the woman always does that sort of thing better than a man. It is her really great occasion, and she masters it--the comedy is all hers." They were just then entering the vestry.

"Or the tragedy, as the case may be," said Lali quietly, smiling at Marion. She had, as it were, recovered herself, and her words had come with that airy, impersonal tone which permits nothing of what is said in it to be taken seriously. Something said by the others had recalled her to herself, and she was now returned very suddenly to the old position of alertness and social finesse. Something icy seemed to pass over her, and she immediately lost all self-consciousness, and began to speak to her husband with less reserve than she had shown since he had come. But he was not deceived. He saw that at that very instant she was further away from him than she had ever been. He sighed, in spite of himself, as Lali, with well-turned words, said some loving greetings to Marion, and then talked a moment with Captain Vidall.

"Who can understand a woman?" said Lambert to his wife meaningly.

"Whoever will," she answered. "How do you mean?"

"Whoever will wait like the saint upon the pillar, will suffer like the traveller in the desert; serve like a slave, and demand like a king; have patience greater than Job; love ceaseless as a fountain in the hills; who sees in the darkness and is not afraid of light; who distrusts not, neither believes, but stands ready to be taught; who is prepared for a kiss this hour and a reproach the next; who turneth neither to right nor left at her words, but hath an unswerving eye--these shall understand a woman."

"I never knew you so philosophical. Where did you get this deliverance on the subject?"

"May not even a woman have a moment of inspiration?"

"I should expect that of my wife."

"And I should expect that of my husband. It is trite to say that men are vain; I shall remark that they sit so much in their own light that they are surprised if another being crosses their disc."

"You always were clever, my dear, and you always were twice too good for me."

"Well, every woman--worth the knowing--is a missionary."

"Where does Lali come in?"

"Can you ask? To justify the claims of womanhood in spite of race--and all."

"To bring one man to a sense of the duty of sex to sex, eh?"

"Truly. And is she not doing it well? See her now." They were now just leaving the church, and Lali had taken General Armour's arm, while Richard led his mother to the carriage.

Lali was moving with a little touch of grandeur in her manner and a more than ordinary deliberation. She had had a moment of great weakness, and then there had come the reaction--carried almost too far by the force of the will. She was indeed straining herself too far. Four years of tension were culminating.

"See her now, Edward," repeated Mrs. Lambert. "Yes, but if I'm not mistaken, my dear, she is doing so well that she's going to pieces. She's overstrung to-day. If it were you, you'd be in hysterics."

"I believe you are right," was the grave reply. "There will be an end to this comedy one way or another very soon."

A moment afterwards they were in a carriage rolling away to Greyhope.

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XV. THE END OF THE TRAIL

When Marion was about leaving with her husband for the railway station, she sought out Lali, and found her standing half hidden by the curtains of a window, looking out at little Richard, who was parading his pony up and down before the house. An unutterable sweetness looked out of Marion's eyes. She had found, as it seemed to her, and as so many have believed until their lives' end, the secret of existence. Lali saw the glistening joy, and responded to it, just as it was in her being to respond to every change of nature--that sensitiveness was in her as deep as being.

"You are very happy, dear?" she said to Marion. "You cannot think how happy, Lali. And I want to say that I feel sure that you will yet be as happy, even happier than I. Oh, it will come--it will come. And you have the boy now-so fine, so good."

Lali looked out to where little Richard disported himself; her eyes shone, and she turned with a responsive but still sad smile to Marion. "Marion," she said gently, "the other should have come before he came." "Frank loves you, Lali."

"Who knows? And then, oh, I cannot tell! How can one force one's heart? No, no! One has to wait, and wait, even if the heart grows harder, and one gets hopeless."

Marion kissed her on the cheek and smiled. "Some day soon the heart will open up, and then such a flood will pour out! See, Lali. I am going now, and our lives won't run together so much again ever, perhaps. But I want to tell you now that your coming to us has done me a world of good-- helped me to be a wiser girl; and I ought to be a better woman for it. Good-bye."

They were calling to her, and with a hurried embrace the two parted, and in a few moments the bride and bridegroom were on their way to the new life. As the carriage disappeared in a turn of the limes, Lali vanished also to her room. She was not seen at dinner. Mackenzie came to say that she was not very well, and that she would keep to her room. Frank sent several times during the evening to inquire after her, and was told that she was resting comfortably. He did not try to see her, and in this was wise. He had now fallen into a habit of delicate consideration, which brought its own reward. He had given up hope of winning her heart or confidence by storm, and had followed his finer and better instincts-- had come to the point where he made no claims, and even in his own mind stood upon no rights. His mother brought him word from Lali before he retired, to say that she was sorry she could not see him, but giving him a message and a commission into town the following morning for their son. Her tact had grown is her strength had declined. There is something in failing health--ill-health without disease--which sharpens and refines the faculties, and makes the temper exquisitely sensitive--that is, with people of a certain good sort. The aplomb and spirited manner in which Lali had borne herself at the wedding and after, was the last flicker of her old strength, and of the second phase in her married life. The end of the first phase came with the ride at the quick-set hedge, this with a less intent but as active a temper.

The next morning she did not appear at breakfast, but sent a message to Frank to say that she was better, and adding another commission for town. All day, save for an hour on the balcony, she kept to her room, and lay down for the greater part of the afternoon. In the evening, when Frank returned, his mother sent for him, and frankly told him that she thought it would be better for him to go away for a few weeks or so; that Lali was in a languid, nervous state, and she thought that by the time he got back--if he would go--she would be better, and that better things would come for him.

Frank was no longer the vain, selfish fellow who had married Lali-- something of the best in him was at work. He understood, and suggested a couple of weeks with Richard at their little place in Scotland. Also, he saw his wife for a little while that evening. She had been lying down, but she disposed herself in a deep chair before he entered. He was a little shocked to see, as it were all at once, how delicate she looked. He came and sat down near her, and after a few moments of friendly talk, in which he spoke solicitously of her health, he told her that he thought of going up to Scotland with Richard for a few weeks, if she saw no objection.

She did not quite understand why he was going. She thought that perhaps he felt the strain of the situation, and that a little absence would be good for both. This pleased her. She did not shrink, as she had so often done since his return, when he laid his hand on hers for an instant, as he asked her if she were willing that he should go. Sometimes in the past few weeks she had almost hated him. Now she was a little sorry for him, but she said that of course he must go; that no doubt it was good that he should go, and so on, in gentle, allusive phrases. The next evening she came down to dinner, and was more like herself as she was before Frank came back, but she ate little, and before the men came into the drawing-room she had excused herself, and retired; at which Mrs. Lambert shook her head apprehensively at herself, and made up her mind to stay at Greyhope longer than she intended.

Which was good for all concerned; for, two nights after Frank and Richard had gone, Mackenzie hurried down to the drawing-room with the news that Lali had been found in a faint on her chamber floor. That was the beginning of weeks of anxiety, in which Mrs. Lambert was to Mrs. Armour what Marion would have been, and more; and both to Lali all that mother and sister could be.

Their patient was unlike any other that they had known. Feverish, she had no fever; with a gentle, hacking cough, she had no lung trouble; nervous, she still was oblivious to very much that went on around her; hungering often for her child, she would not let him remain long with her when he came. Her sleep was broken, and she sometimes talked to herself, whether consciously or unconsciously they did not know. The doctor had no remedies but tonics--he did not understand the case; but he gently ventured the opinion that it was mostly a matter of race, that she was pining because civilisation had been infused into her veins--the old insufficient theory.

"Stuff and nonsense!" said General Armour, when his wife told him. "The girl bloomed till Frank came back. God bless my soul! she's falling in love, and doesn't know what it is."

He was only partly right, perhaps, but he was nearer the truth than the dealer in quinine and a cheap philosophy of life. "She'll come around all right, you'll see. Decline--decline be hanged! The girl shall live, --damn it, she shall!" he blurted out, as his wife's eyes filled with tears.

Mrs. Lambert was much of the same mind as the general, but went further. She said to Mrs. Armour that in all her life she had never seen so sweet a character, so sensitive a mind--a mind whose sorrow was imagination. And therein the little lady showed herself a person of wisdom. For none of them had yet reckoned with that one great element in Lali's character --that thing which is the birthright of all who own the North for a mother, the awe of imagination, the awe and the pain, which in its finest expression comes near, very near, to the supernatural. Lali's mind was all pictures; she never thought of things in words, she saw them; and everything in her life arrayed itself in a scene before her, made vivid by her sensitive soul, so much more sensitive now with health failing, the spirit wearing out the body. There was her malady--the sick heart and mind.

A new sickness wore upon her. It had not touched her from the day she left the North until she sang "The Chase of the Yellow Swan" that first evening after Frank's return. Ever since then her father was much in her mind--the memory of her childhood, and its sweet, inspiring friendship with Nature. All the roughness and coarseness of the life was refined in her memory by the exquisite atmosphere of the North, the good sweet earth, the strong bracing wind, the camaraderie of trees and streams and grass and animals. And in it all stood her father, whom she had left alone, in that interminable interval between the old life and the new.

Had she done right? She had cut him off, as if he had never been--her people, her country also; and for what? For this--for this sinking sense, this failing body, this wear and tear of mind and heart, this constant study to be possible where she had once been declared by the world to be impossible.

One night she lay sleeping after a rather feverish day, when it was thought best to keep the child from her. Suddenly she waked, and sat up. Looking straight before her, she said:

"I will arise, and will go to my Father, and will say unto Him, Father, I have sinned against heaven and before Thee, and am no more worthy to be called Thy son."

She said nothing more than this, and presently lay back, with eyes wide open, gazing before her. Like this she lay all night long, a strange, aching look in her face. There had come upon her the sudden impulse to leave it all, and go back to her father. But the child--that gave her pause. Towards morning she fell asleep, and slept far on into the day, a thing that had not occurred for a long time.

At noon a letter arrived for her. It came into General Armour's hands, and he, seeing that it bore the stamp of the Hudson's Bay Company, with the legend, From Fort St. Charles, concluded that it was news of Lali's father. Then came the question whether the letter should be given to her. The general was for doing so, and he prevailed. If it were bad news, he said, it might raise her out of her present apathy and by changing the play of her emotions do her good in the end.

The letter was given to her in the afternoon. She took it apathetically, but presently, seeing where it was from, she opened it hurriedly with a little cry which was very like a moan too. There were two letters inside one from the factor at Fort Charles in English, and one from her father in the Indian language. She read her father's letter first, the other fluttered to her feet from her lap. General Armour, looking down, saw a sentence in it which, he felt, warranted him in picking it up, reading it, and retaining it, his face settling into painful lines as he did so. Days afterwards, Lali read her father's letter to Mrs. Armour. It ran:

My daughter,

Lali, the sweet noise of the Spring:

Thy father speaks.

I have seen more than half a hundred moons come like the sickle and go like the eye of a running buck, swelling with fire, but I hear not thy voice at my tent door since the first one came and went.

Thou art gone.

Thy face was like the sun on running water; thy hand hung on thy wrists like the ear of a young deer; thy foot was as soft on the grass as the rain on a child's cheek; thy words were like snow in summer, which melts in richness on the hot earth. Thy bow and arrow hang lonely upon the wall, and thy empty cup is beside the pot.

Thou art gone.

Thou hast become great with a great race, and that is well. Our race is not great, and shall not be, until the hour when the Mighty Men of the Kimash Hills arise from their sleep and possess the land again.

Thou art gone.

But thou hast seen many worlds, and thou hast learned great things, and thou and I shall meet no more; for how shall the wise kneel at the feet of the foolish, as thou didst kneel once at thy father's feet?

Thou art gone.

High on the Clip Claw Hills the trees are green, in the Plain of the Rolling Stars the wings of the wild fowl are many, and fine is the mist upon Goldfly Lake; and the heart of Eye-of-the-Moon is strong.

Thou art here.

The trail is open to the White Valley, and the Scarlet Hunter hath saved me, when my feet strayed in the plains and my eyes were blinded.

Thou art here.

I have friends on the Far Off River who show me the yards where the musk-ox gather; I have found the gardens of the young sable, and my tents are full of store.

Thou art here.

In the morning my spirit is light, and I have harvest where I would gather, and the stubble is for my foes. In the evening my limbs are heavy, and I am at rest in my blanket. The hunt is mine and sleep is mine, and my soul is cheerful when I remember thee.

Thou art here.

I have built for thee a place where thy spirit comes. I hear thee when thou callest to me, and I kneel outside the door, for thou art wise, and thou speakest to me; but thee as thou art in a far land I shall see no more. This is my word to thee, that thou mayst know that I am not alone. Thou shalt not come again, as thou once went; it is not meet. But by these other ways I will speak to thee.

Thou art here.

Farewell. I have spoken.

Lali finished reading, and then slowly folded up the letter. The writing was that of the wife of the factor at Fort Charles--she knew it. She sat for a minute looking straight before her. She read her father's allegory. Barbarian in so much as her father was, he had beaten this thing out with the hammer of wisdom. He missed her, but she must not come back; she had outgrown the old life--he knew it and she was with him in spirit, in his memory; she understood his picturesque phrases, borrowed from the large, affluent world about him. Something of the righteousness and magnanimity of this letter passed into her, giving her for an instant a sort of peace. She had needed it--needed it to justify herself, and she had been justified. To return was impossible--she had known that all along, though she had not admitted it; the struggle had been but a kind of remorse, after all. That her father should come to her was also impossible--it was neither for her happiness nor his. She had been two different persons in her life, and the first was only a memory to the second. The father had solved the problem for her. He too was now a memory that she could think on with pleasure, as associated with the girl she once was. He had been well provided for by her husband, and General Armour put his hand on hers gently and said:

"Lali, without your permission I have read this other letter."

She did not appear curious. She was thinking still of her father's letter to her. She nodded abstractedly. "Lali," he continued, "this says that your father wished that letter to be written to you just as he said it at the Fort, on the day of the Feast of the Yellow Swan. He stood up--the factor writes so here--and said that he had been thinking much for years, and that the time had come when he must speak to his daughter over the seas--"

General Armour paused. Lali inclined her head, smiled wistfully, and held up the letter for him to see. The general continued:

"So he spoke as has been written to you, and then they had the Feast of the Yellow Swan, and that night--" He paused again, but presently, his voice a little husky, he went on: "That night he set out on a long journey,"--he lifted the letter and looked at it, then met the serious eyes of his daughter-in-law," on a long journey to the Hills of the Mighty Men; and, my dear, he never came back; for, as he said, there was peace in the White Valley, and he would rest till the world should come to its Spring again, and the noise of its coming should be in his ears. Those, Lali, are his very words."

His hand closed on hers, he reached out and took the other hand, from which the paper fluttered, and clasped both tight in his own firm grasp.

"My daughter," he said, "you have another father." With a low cry, like that of a fawn struck in the throat, she slid forward on her knees beside him, and buried her face on his arm. She understood. Her father was dead. Mrs. Armour came forward, and, kneeling also, drew the dark head to her bosom. Then that flood came which sweeps away the rust that gathers in the eyes and breaks through the closed dikes of the heart.

Hours after, when she had fallen into a deep sleep, General Armour and his wife met outside her bedroom door.

"I shall not leave her," Mrs. Armour said. "Send for Frank. His time has almost come."

But it would not have come so soon had not something else occurred. The day that he came back from Scotland he entered his wife's room, prepared for a change in her, yet he did not find so much to make him happy as he had hoped. She received him with a gentleness which touched him, she let her hand rest in his, she seemed glad to have him with her. All bars had been cast down between them, but he knew that she had not given him all, and she knew it also. But she hoped he did not know, and she dreaded the hour when he would speak out of his now full heart. He did not yet urge his affection on her, he was simply devoted, and watchful, and tender, and delightedly hopeful.

But one night she came tapping at his door. When he opened it, she said: "Oh come, come! Richard is ill! I have sent for the doctor."

Henceforth she was her old self again, with a transformed spirit, her motherhood spending itself in a thousand ways. She who was weak bodily became now much stronger; the light of new vigour came to her eyes; she and her husband, in the common peril, worked together, thinking little of themselves, and all of the child. The last stage of the journey to happiness was being passed, and if it was not obvious to themselves, the others, Marion and Captain Vidall included, saw it.

One anxious day, after the family doctor had left the sick child's room, Marion, turning to the father and mother, said: "Greyhope will be itself again. I will go and tell Richard that the danger is over."

As she turned to do so, Richard entered the room. "I have seen the doctor," he began, "and the little chap is going to pull along like a house afire."

Tapping Frank affectionately on the arm, he was about to continue, but he saw what stopped him. He saw the last move in Frank Armour's tragic- comedy. He and Marion left the room as quickly as was possible to him, for, as he said himself, he was "slow at a quick march"; and a moment afterwards the wife heard without demur her husband's tale of love for her.

Yet, as if to remind him of the wrong he had done, Heaven never granted Frank Armour another child.

THE POMP OF THE LAVILETTES

By Gilbert Parker

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Introduction

I believe that 'The Pomp of the Lavilettes' has elements which justify consideration. Its original appearance was, however, not made under wholly favourable conditions. It is the only book of mine which I ever sold outright. This was in 1896. Mr. Lamson, of Messrs. Lamson & Wolffe, energetic and enterprising young publishers of Boston, came to see me at Atlantic City (I was on a visit to the United States at the time), and made a gallant offer for the English, American and colonial book and serial rights. I felt that some day I could get the book back under my control if I so desired, while the chances of the book making an immediate phenomenal sale were not great. There is something in the nature of a story which determines its popularity. I knew that 'The Seats of the Mighty' and 'The Right of Way' would have a great sale, and after they were written I said as much to my publishers. There was the element of general appeal in the narratives and the characters. Without detracting from the character-drawing, the characters, or the story in 'The Pomp of the Lavilettes', I was convinced that the book would not make the universal appeal. Yet I should have written the story, even if it had been destined only to have a hundred readers. It had to be written. I wanted to write what was in me, and that invasion of a little secluded French-Canadian society by a ne'er-do-well of the over-sea aristocracy had a psychological interest, which I could not resist. I thought it ought to be worked out and recorded, and particularly as the time chosen--1837--marked a large collision between the British and the French interests in French Canada, or rather of French political interests and the narrow administrative prejudices and nepotism of the British executive in Quebec.

It is a satisfaction to include this book in a definitive edition of my works, for I think that, so far as it goes, it is truthfully characteristic of French life in Canada, that its pictures are faithful, and that the character-drawing represents a closer observation than any of the previous works, slight as the volume is. It holds the same relation to 'The Right of Way' that 'The Trail of the Sword' holds to 'The Seats of the Mighty', that 'A Ladder of Swords' holds to 'The Battle of the Strong', that 'Donovan Pasha' holds to 'The Weavers'. Instinctively, and, as I believe, naturally, I gave to each ambitious, and--so far as conception goes--to each important novel of mine, an avant coureur. 'The Trail of the Sword, A Ladder of Swords, Donovan Pasha and The Pomp of the Lavilettes', are all very short novels, not exceeding in any case sixty thousand words, while the novels dealing in a larger way with the same material--the same people and environment, with the same mise-en-scene, were each of them at least one hundred and forty thousand words in length, or over two and a half times as long. I do not say that this is a system which I devised; but it was, from the first, the method I pursued instinctively; on the basis that dealing with a smaller subject--with what one might call a genre picture first, I should get well into my field, and acquire greater familiarity with my material than I should have if I attempted the larger work at once.

This is not to say that the smaller work was immature. On the contrary, I believe that at least these shorter works are quite mature in their treatment and in their workmanship and design. Naturally, however, they made less demand on all one's resources, they were narrower in scope and less complicated, than the longer works, like 'The Seats of the Mighty', which made heavier call upon the capacities of one's art. The only occasion on which I have not preceded a very long novel of life in a new field, by a very short one, is in the writing of 'The Judgment House'. For this book, however, it might be said, that all the last twenty years was a preparation, since the scenes were scenes in which I had lived and moved, and in a sense played a part; while the ten South African chapters of the book placed in the time of the Natal campaign needed no pioneer narrative to increase familiarity with the material, the circumstances and the country itself. I knew it all from study on the spot.

From The 'Pomp of the Lavilettes', with which might be associated 'The Lane That Had no Turning', to 'The Right of Way', was a natural progression; it was the emergence of a big subject which must be treated in a large bold way, if it was to succeed. It succeeded to a degree which could not fail to gratify any one who would rather have a wide audience than a contracted one, who believes that to be popular is not necessarily to be contemptible--as the ancient Pistol put it, "base, common and popular."

THE POMP OF THE LAVILETTES

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Chapter I

You could not call the place a village, nor yet could it be called a town. Viewed from the bluff, on the English side of the river, it was a long stretch of small farmhouses--some painted red, with green shutters, some painted white, with red shutters--set upon long strips of land, green, yellow, and brown, as it chanced to be pasture land, fields of grain, or "plough-land."

These long strips of property, fenced off one from the other, so narrow and so precise, looked like pieces of ribbon laid upon a wide quilt of level country. Far back from this level land lay the dark, limestone hills, which had rambled down from Labrador, and, crossing the River St. Lawrence, stretched away into the English province. The farmhouses and the long strips of land were in such regular procession, it might almost have seemed to the eye of the whimsical spectator that the houses and the ribbon were of a piece, and had been set down there, sentinel after sentinel, like so many toy soldiers, along the banks of the great river. There was one important break in the long line of precise settlement, and that was where the Parish Church, about the middle of the line, had gathered round it a score or so of buildings. But this only added to the strength of the line rather than broke its uniformity. Wide stretches of meadow-land reached back from the Parish Church until they were lost in the darker verdure of the hills.

On either side of the Parish Church, with its tall, stone tower, were two stout-built houses, set among trees and shrubbery. They were low set, broad and square, with heavy-studded, old-fashioned doors. The roofs were steep and high, with dormer windows and a sort of shelf at the gables.

They were both on the highest ground in the whole settlement, a little higher than the site of the Parish Church. The one was the residence of the old seigneur, Monsieur Duhamel; the other was the Manor Casimbault, empty now of all the Casimbaults. For a year it had lain idle, until the only heir of the old family, which was held in high esteem as far back as the time of Louis Quinze, returned from his dissipations in Quebec to settle in the old place or sell it to the highest bidder.

Behind the Manor Casimbault and the Seigneury, thus flanking the church at reverential distance, another large house completed the acute triangle, forming the apex of the solid wedge of settlement drawn about the church. This was the great farmhouse of the Lavilettes, one of the most noticeable families in the parish.

Of the little buildings bunched beside the church, not the least important was the post-office, kept by Papin Baby, who was also keeper of the bridge which was almost at the door of the office. This bridge crossed a stream that ran into the large river, forming a harbour. It opened in the middle, permitting boats and vessels to go through. Baby worked it by a lever. A hundred yards or so above the bridge was the parish mill, and between were the Hotel France, the little house of Doctor Montmagny, the Regimental Surgeon (as he was called), the cooper shop, the blacksmith, the tinsmith and the grocery shops. Just beyond the mill, upon the banks of the river, was the most notorious, if not the most celebrated, house in the settlement. Shangois, the travelling notary, lived in it--when he was not travelling. When he was, he left it unlocked, all save one room; and people came and went through the house as they pleased, eyeing with curiosity the dusty, tattered books upon the shelves, the empty bottles in the corner, the patchwork of cheap prints, notices of sales, summonses, accounts, certificates of baptism, memoranda, receipted bills--though they were few--tacked or stuck to the wall.

No grown-up person of the village meddled with anything, no matter how curious; for this consistent, if unspoken, trust displayed by Shangois appealed to their better instincts. Besides, they, like the children, had a wholesome fear of the disreputable, shrunken, dishevelled little notary, with the bead-like eyes, yellow stockings, hooked nose and palsied left hand. Also the knapsack and black bag he carried under his arms contained more secrets than most people wished to tempt or challenge forth. Few cared to anger the little man, whose father and grandfather had been notaries here before him.

Like others in the settlement, Shangois was the last of his race. He could put his finger upon the secret history and private lives of nearly every person in a dozen parishes, but most of all in Bonaventure--for such this long parish was called. He knew to a hair's breadth the social value of every human being in the parish. He was too cunning and acute to be a gossip, but by direct and indirect ways he made every person feel that the Cure and the Lord might forgive their pasts, but he could never forget them, nor wished to do so. For Monsieur Duhamel, the old seigneur, for the drunken Philippe Casimbault, for the Cure, and for the Lavilettes, who owned the great farmhouse at the apex of that wedge of village life, he had a profound respect. The parish generally did not share his respect for the Lavilettes.

Once upon a time, beyond the memories of any in the parish, the Lavilettes of Bonaventure were a great people. Disaster came, debt and difficulty followed, fire consumed the old house in which their dignity had been cherished, and at last they had no longer their seigneurial position, but that of ordinary farmers who work and toil in the field like any of the fifty-acre farmers on the banks of the St. Lawrence River.

Monsieur Louis Lavilette, the present head of the house, had not married well. At the time when the feeling against the English was the strongest, and when his own fortunes were precarious, he had married a girl somewhat older than himself, who was half English and half French, her father having been a Hudson's Bay Company factor on the north coast of the river. In proportion as their fortunes and their popularity declined, and their once notable position as an old family became scarce a memory even, the pride of the Lavilettes increased.

Madame Lavilette made strong efforts to secure her place; but she was not of an old French family, and this was an easy and convenient weapon against her. Besides, she had no taste, and her manners were much inferior to those of her husband. What impression he managed to make by virtue of a good deal of natural dignity, she soon unmade by her lack of tact. She had no innate breeding, though she was not vulgar. She lacked sense a little and sensitiveness much.

The Casimbaults and the wife of the old seigneur made no friends of the Lavilettes, but the old seigneur kept up a formal habit of calling twice a year at the Lavilettes' big farmhouse, which, in spite of all misfortune, grew bigger as the years went on. Probably, in spite of everything, Monsieur Lavilette and his family would have succeeded better socially had it not been for one or two unpopular lawsuits brought by the Lavilettes against two neighbours, small farmers, one of whom was clearly in the wrong, and the other as clearly in the right.

When, after years had gone by, and the children of the Lavilettes had grown up, young Monsieur Casimbault came from Quebec to sell his property (it seemed to the people of Bonaventure like selling his birthright), he was greatly surprised to find Monsieur Lavilette ready with ten thousand dollars, to purchase the Manor Casimbault. Before the parish had time to take breath Monsieur Casimbault had handed over the deed, pocketed the money, and leaving the ancient heritage of his family in the hands of the Lavilettes, (who forthwith prepared to enter upon it, house and land), had hurried away to Quebec again without any pangs of sentiment.

It was a little before this time that impertinent peasants in the parish began to sing:

"O when you hear my little silver drum, And when I blow my little gold trompette-a, You must drop your work and come, You must leave your pride at home, And duck your heads before the Lavilette-a!"

Gatineau the miller, and Baby the keeper of the bridge, gave their own reasons for the renewed progress of the Lavilettes. They met in conference at the mill on the eve of the marriage of Sophie Lavilette to Magon Farcinelle, farrier, farmer and member of the provincial legislature, whose house lay behind the piece of maple wood, a mile or so to the right of the Lavilettes' farmhouse. Farcinelle's engagement to Sophie had come as a surprise to all, for, so far as people knew, there had been no courting. Madame Lavilette had encouraged, had even tempted, the spontaneous and jovial Farcinelle. Though he had never made a speech in the House of Assembly, and it was hard to tell why he was elected, save because everybody liked him, his official position and his popularity held an important place in Madame Lavilette's long-developed plans, which at last were to place her in a position equal to that of the old seigneur, and launch her upon society at the capital.

They had gone more than once to the capital, where their family had been well-known fifty years before, but few doors had been opened to them. They were farmers--only farmers--and Madame Lavilette made no remarkable impression. Her dress was florid and not in excellent taste, and her accent was rather crude. Sophie had gone to school at the convent in the city, but she had no ambition. She had inherited the stolid simplicity of her English grandfather. When her schooling was finished she let her school friends drop, and came back to Bonaventure, rather stately, given to reading, and little inclined to bother her head about anybody.

Christine, the younger sister, had gone to Quebec also, but after a week of rebellion, bad temper and sharp speaking, had come home again without ceremony, and refused to return. Despite certain likenesses to her mother, she had a deep, if unintelligible, admiration for her father, and she never tired looking at the picture of her great-grandfather in the dress of a chevalier of St. Louis--almost the only thing that had been saved from the old Manor House, destroyed so long before her time. Perhaps it was the importance she attached to her ancestry which made her impatient with their present position, and with people in the parish who would not altogether recognise their claims. It was that which made her give a little jerky bow to the miller and the postmaster when she passed the mill.

"Come, dusty-belly," said Baby, "what's all this pom-pom of the Lavilettes?"

The miller pursed out his lips, contracted his brows, and arranged his loose waistcoat carefully on his fat stomach.

"Money," said he, oracularly, as though he had solved the great question of the universe.

"La! la! But other folks have money; and they step about Bonaventure no more louder than a cat."

"Blood," added Gatineau, corrugating his brows still more.

"Bosh!"

"Both together--money and blood," rejoined the miller. Overcome by his exertions, he wheezed so tremendously that great billows of excitement raised his waistcoat, and a perspiration broke out upon his mealy face, making a paste which the sun, through the open doorway, immediately began to bake into a crust.

"Pah, the airs they have always had, those Lavilettes!" said Baby. "They will not do this because it is not polite, they will not do that because they are too proud. They say that once there was a baron in their family. Who can tell how long ago! Perhaps when John the Baptist was alive. What is that? Nothing. There is no baron now. All at once somebody die a year ago, and leave them ten thousand dollars; and then-- mais, there is the grand difference! They have save and save twenty years to pay their debts and to buy a seigneury, like that baron who live in the time of John the Baptist. Now it is to stand on a ladder to speak to them. And when all's done, they marry Ma'm'selle Sophie to a farrier, to that Magon Farcinelle--bah!"

"Magon was at the Laval College in Quebec; he has ten thousand dollars; he is the best judge of horses in the province, and he's a Member of Parliament to boot," said the miller, puffing. "He is a great man almost."

"He's no better judge of horses than M'sieu' Nic Lavilette--eh, that's a bully bad scamp, my Gatineau!" responded Baby. "He's the best in the family. He is a grand sport; yes. It's he that fetched Ma'm'selle Sophie to the hitching-post. Voila, he can wind them all round his finger!"

Baby looked round to see if any one was near; then he drew the miller's head down by pulling at his collar, and whispered in his ear:

"He's hot foot for the Rebellion; that's one good thing," he said. "If he wipes out the English--"

"Hold your tongue," nervously interrupted Gatineau, for just then two or three loiterers of the parish came shambling around the corner of the mill.

Baby stopped short, and as they greeted the newcomers their attention was drawn to the stage-coach from St. Croix coming over the little hill near by.

"Here's M'sieu' Nic now--and who's with him?" said Baby, stepping about nervously in his excitement. "I knew there was something up. M'sieu' Nic's been writing long letters from Montreal."

Baby's look suggested that he knew more than his position as postmaster entitled him to know; but the furtive droop at the corner of his eyes showed also that his secretiveness was equal to his cowardice.

On the seat, beside the driver of the coach, was Nicolas Lavilette, black-haired, brown-eyed, athletic, reckless-looking, with a cast in his left eye, which gave him a look of drollery, in keeping with his buoyant, daring nature. Beside him was a figure much more noticeable and unusual.

Lean, dark-featured, with keen-glancing eyes, and a body with a faculty for finding corners of ease; waving hair, streaked with grey, black moustache, and a hectic flush on the cheeks, lending to the world-wise face a wistful look-that, with near six feet of height, was the picture of his friend.

"Who is it?" asked the miller, with bulging eyes. "An English nobleman," answered Baby. "How do you know?" asked Gatineau.

"How do I know you are a fat, cheating miller?" replied the postmaster, with cunning care and a touch of malice. Malice was the only power Baby knew.

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