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Chapter XXIV…

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Contents (540)
  1. Opening about 2 min
  2. I. THE JASMINE FLOWER about 14 min
  3. II. THE UNDERGROUND WORLD about 11 min
  4. III. A DAUGHTER OF TYRE about 22 min
  5. IV. THE PARTNERS MEET about 17 min
  6. V. A WOMAN TELLS HER STORY about 16 min
  7. VI. WITHIN THE POWER-HOUSE about 13 min
  8. VII. THREE YEARS LATER about 20 min
  9. Chapter VIII about 9 min
  10. IX. THE APPIAN WAY about 24 min
  11. X. AN ARROW FINDS A BREAST about 19 min
  12. XI. IN WALES, WHERE JIGGER PLAYS HIS PART about 18 min
  13. XII. THE KEY IN THE LOCK about 12 min
  14. Chapter XIII about 13 min
  15. XIV. THE BAAS about 18 min
  16. XV. THE WORLD WELL LOST about 11 min
  17. XVI. THE COMING OF THE BAAS about 11 min
  18. XVII. IS THERE NO HELP FOR THESE THINGS? about 22 min
  19. XVIII. LANDRASSY'S LAST STROKE about 17 min
  20. XIX. TO-MORROW . . . PREPARE! about 5 min
  21. XX. THE FURNACE DOOR about 19 min
  22. XXI. THE BURNING FIERY FURNACE about 21 min
  23. XXII. IN WHICH FELLOWES GOES A JOURNEY about 12 min
  24. Chapter XXIII about 17 min
  25. XXIV. ONE WHO CAME SEARCHING about 13 min
  26. XXV. WHEREIN THE LOST IS FOUND about 11 min
  27. XXVI. JASMINE'S LETTER about 9 min
  28. XXVII. KROOL about 27 min
  29. Chapter XXVIII about 29 min
  30. XXIX. THE MENACE OF THE MOUNTAIN about 20 min
  31. Chapter XXX about 14 min
  32. XXXI. THE GREY HORSE AND ITS RIDER about 16 min
  33. XXXII. THE WORLD'S FOUNDLING about 12 min
  34. Chapter XXXIII about 17 min
  35. Chapter XXXIV about 20 min
  36. XXXV. AT BRINKWORT'S FARM about 14 min
  37. XXXVI. SPRINGS OF HEALING about 25 min
  38. XXXVII. UNDER THE GUN about 18 min
  39. Chapter XXXVIII about 2 min
  40. Chapter XXXIX about 11 min
  41. Introduction about 8 min
  42. Book 1 about 5 h 5 min
  43. PIERRE AND HIS PEOPLE about 1 h 9 min
  44. Introduction about 6 h 13 min
  45. ROMANY OF THE SNOWS about 32 min
  46. Introduction about 6 h 36 min
  47. NORTHERN LIGHTS about 1 h 13 min
  48. Introduction about 3 min
  49. I. THE GATES OF THE SEA about 11 min
  50. Chapter II about 30 min
  51. III. A TALE OF NO MAN'S SEA about 11 min
  52. IV. THE TRAIL OF THE ISHMAELITE about 29 min
  53. V. ACCUSING FACES about 15 min
  54. VI. MUMMERS ALL about 29 min
  55. VII. THE WHEEL COMES FULL CIRCLE about 19 min
  56. VIII. A BRIDGE OF PERIL about 20 min
  57. Chapter IX about 11 min
  58. X. BETWEEN DAY AND DARK about 15 min
  59. MRS. FALCHION under 1 min
  60. XI. AMONG THE HILLS OF GOD about 13 min
  61. XII. THE WHIRLIGIG OF TIME about 16 min
  62. XIII. THE SONG OF THE SAW about 19 min
  63. XIV. THE PATH OF THE EAGLE about 29 min
  64. XV. IN THE TROUGH OF THE WINDS about 22 min
  65. XVI. A DUEL IN ARCADY about 13 min
  66. XVII. RIDING THE REEFS about 18 min
  67. XVIII. THE STRINGS OF DESTINY about 22 min
  68. XIX. THE SENTENCE about 16 min
  69. XX. AFTER THE STORM about 10 min
  70. XXI. IN PORT about 13 min
  71. Introduction about 5 h 18 min
  72. Introduction about 6 min
  73. Chapter I about 12 min
  74. Chapter II about 9 min
  75. Chapter III about 14 min
  76. Chapter IV about 9 min
  77. Chapter V about 17 min
  78. Chapter VI about 14 min
  79. Chapter VII about 13 min
  80. Chapter VIII about 13 min
  81. Chapter IX about 7 min
  82. Chapter X about 8 min
  83. Chapter XI about 9 min
  84. Chapter XII about 14 min
  85. Chapter XIII about 12 min
  86. Chapter XIV about 17 min
  87. Chapter XV about 9 min
  88. Chapter XVI about 12 min
  89. Chapter XVII about 14 min
  90. Epilogue about 4 min
  91. Dedication about 2 min
  92. Introduction about 7 min
  93. I. AN ENVOY EXTRAORDINARY about 9 min
  94. II. THE THREAT OF A RENEGADE about 13 min
  95. III. THE FACE AT THE WINDOW about 9 min
  96. IV. THE UPLIFTING OF THE SWORDS about 8 min
  97. V. THE FRUITS OF THE LAW about 7 min
  98. VI. THE KIDNAPPING about 12 min
  99. VII. FRIENDS IN COUNCIL about 19 min
  100. VIII. AS SEEN THROUGH A GLASS, DARKLY about 9 min
  101. IX. TO THE PORCH OF THE WORLD about 5 min
  102. X. QUI VIVE! about 12 min
  103. XI. WITH THE STRANGE PEOPLE about 8 min
  104. XII. OUT OF THE NET about 12 min
  105. THE TRAIL OF THE SWORD under 1 min
  106. Chapter XIII about 12 min
  107. XIV. IN WHICH THE HUNTERS ARE OUT about 6 min
  108. XV. IN THE MATTER OF BUCKLAW about 13 min
  109. XVI. IN THE TREASURE HOUSE about 11 min
  110. XVII. THE GIFT OF A CAPTIVE about 6 min
  111. XVIII. MAIDEN NO MORE about 7 min
  112. XIX. WHICH TELLS OF A BROTHER'S BLOOD CRYING FROM THE GROUND about 17 min
  113. XX. A TRAP IS SET about 4 min
  114. XXI. AN UNTOWARD MESSENGER about 8 min
  115. XXII. FROM TIGER'S CLAW TO LION'S MOUTH about 2 min
  116. XXIII. AT THE GATES OF MISFORTUNE about 4 min
  117. XXIV. IN WHICH THE SWORD IS SHEATHED about 12 min
  118. Introduction about 3 min
  119. I. HIS GREAT MISTAKE about 13 min
  120. II. A DIFFICULT SITUATION about 17 min
  121. III. OUT OF THE NORTH about 5 min
  122. IV. IN THE NAME OF THE FAMILY about 10 min
  123. V. AN AWKWARD HALF-HOUR about 34 min
  124. VI. THE PASSING OF THE YEARS about 25 min
  125. VII. A COURT-MARTIAL about 10 min
  126. VIII. TO EVERY MAN HIS HOUR about 17 min
  127. IX. THE FAITH OF COMRADES about 8 min
  128. X. THOU KNOWEST THE SECRETS OF OUR HEARTS about 6 min
  129. XI. UPON THE HIGHWAY about 9 min
  130. Chapter XII about 16 min
  131. XIII. A LIVING POEM about 17 min
  132. XIV. ON THE EDGE OF A FUTURE about 8 min
  133. XV. THE END OF THE TRAIL about 15 min
  134. Introduction about 4 min
  135. Chapter I about 10 min
  136. Chapter II about 9 min
  137. Chapter III about 11 min
  138. Chapter IV about 5 min
  139. Chapter V about 7 min
  140. Chapter VI about 7 min
  141. Chapter VII about 3 min
  142. Chapter VIII about 8 min
  143. Chapter IX about 10 min
  144. POMP OF THE LAVILETTES under 1 min
  145. Chapter X about 16 min
  146. Chapter XI about 5 min
  147. Chapter XII about 10 min
  148. Chapter XIII about 4 min
  149. Chapter XIV about 20 min
  150. Chapter XV about 4 min
  151. Chapter XVI about 6 min
  152. Chapter XVII about 8 min
  153. Chapter XVIII about 3 min
  154. Chapter XIX about 8 min
  155. Chapter XX about 50 min
  156. Introduction about 4 min
  157. I. ONE IN SEARCH OF A KINGDOM about 18 min
  158. II. IN WHICH HE CLAIMS HIS OWN about 11 min
  159. III. HE TELLS THE STORY OF HIS LIFE about 27 min
  160. IV. AN HOUR WITH HIS FATHER'S PAST about 12 min
  161. V. WHEREIN HE FINDS HIS ENEMY about 13 min
  162. VI. WHICH TELLS OF STRANGE ENCOUNTERS about 13 min
  163. VII. WHEREIN THE SEAL OF HIS HERITAGE IS SET about 17 min
  164. VIII. HE ANSWERS AN AWKWARD QUESTION about 13 min
  165. IX. HE FINDS NEW SPONSORS about 12 min
  166. X. HE COMES TO "THE WAKING OF THE FIRE" about 10 min
  167. XI. HE MAKES A GALLANT CONQUEST about 11 min
  168. THE TRESPASSER under 1 min
  169. XII. HE STANDS BETWEEN TWO WORLDS about 7 min
  170. XIII. HE JOURNEYS AFAR about 10 min
  171. XIV. IN WHICH THE PAST IS REPEATED about 19 min
  172. XV. WHEREIN IS SEEN THE OLD ADAM AND THE GARDEN about 10 min
  173. XVI. WHEREIN LOVE KNOWS NO LAW SAVE THE MAN'S WILL about 14 min
  174. XVII. THE MAN AND THE WOMAN FACE THE INTOLERABLE about 18 min
  175. Chapter XVIII (part 1 of 2) about 7 h 18 min
  176. Chapter XVIII (part 2 of 2) about 2 h 40 min
  177. Appendix about 5 min
  178. Introduction about 7 min
  179. Chapter I about 9 min
  180. Chapter II about 9 min
  181. Chapter III about 7 min
  182. Chapter IV about 7 min
  183. Chapter V about 13 min
  184. Chapter VI about 8 min
  185. Chapter VII about 3 min
  186. VIII. It was M. Savary dit Detricand about 15 min
  187. Chapter IX about 14 min
  188. Chapter X about 20 min
  189. Chapter XI about 4 min
  190. Chapter XII about 22 min
  191. Chapter XIII about 19 min
  192. Chapter XIV about 9 min
  193. Chapter XV about 11 min
  194. Chapter XVI about 14 min
  195. Chapter XVII about 8 min
  196. Chapter XVIII about 18 min
  197. Chapter XIX about 15 min
  198. Chapter XX about 14 min
  199. Chapter XXI about 12 min
  200. Chapter XXII about 14 min
  201. Chapter XXIII about 12 min
  202. Chapter XXIV about 14 min
  203. Chapter XXV about 16 min
  204. Chapter XXVI about 4 min
  205. Chapter XXVII about 11 min
  206. Chapter XXVIII about 10 min
  207. Chapter XXIX about 8 min
  208. Chapter XXX about 24 min
  209. Chapter XXXI about 9 min
  210. Chapter XXXII about 2 min
  211. Chapter XXXIII about 12 min
  212. Chapter XXXIV about 3 min
  213. Chapter XXXV about 7 min
  214. Chapter XXXVI about 12 min
  215. Chapter XXXVII about 13 min
  216. Chapter XXXVIII about 10 min
  217. Chapter XXXIX about 15 min
  218. Chapter XL about 23 min
  219. Chapter XLI about 6 min
  220. Chapter XLII about 8 min
  221. Chapter XLIII about 3 min
  222. Chapter XLIV about 7 min
  223. Chapter XLV about 7 min
  224. Chapter XLVI about 12 min
  225. Epilogue about 11 min
  226. Introduction about 4 min
  227. I. THE RETURN OF MADELINETTE about 14 min
  228. II. WHEN THE RED-COATS CAME about 11 min
  229. Chapter III about 13 min
  230. IV. MADELINETTE MAKES A DISCOVERY about 4 min
  231. V. WHAT WILL SHE DO WITH IT? about 5 min
  232. VI. THE ONE WHO SAW about 7 min
  233. VII. THE PURSUIT about 11 min
  234. VIII. FACE TO FACE about 14 min
  235. IX. THE BITER BITTEN about 2 min
  236. X. THE DOOR THAT WOULD NOT OPEN about 4 h 8 min
  237. PARABLES OF A PROVINCE about 1 h 19 min
  238. Introduction about 10 min
  239. I. THE WAY TO THE VERDICT about 12 min
  240. II. WHAT CAME OF THE TRIAL about 15 min
  241. III. AFTER FIVE YEARS about 4 min
  242. IV. CHARLEY MAKES A DISCOVERY about 3 min
  243. V. THE WOMAN IN HELIOTROPE about 10 min
  244. VI. THE WIND AND THE SHORN LAMB about 8 min
  245. Chapter VII about 7 min
  246. VIII. THE COST OF THE ORNAMENT about 22 min
  247. IX. OLD DEBTS FOR NEW about 3 min
  248. X. THE WAY IN AND THE WAY OUT about 13 min
  249. XI. THE RAISING OF THE CURTAIN about 17 min
  250. XII. THE COMING OF ROSALIE about 9 min
  251. XIII. HOW CHARLEY WENT ADVENTURING AND WHAT HE FOUND about 8 min
  252. XIV. ROSALIE, CHARLEY, AND THE MAN THE WIDOW PLOMONDON JILTED about 15 min
  253. XV. THE MARK IN THE PAPER about 5 min
  254. XVI. MADAME DAUPHIN HAS A MISSION about 10 min
  255. XVII. THE TAILOR MAKES A MIDNIGHT FORAY about 7 min
  256. XVIII. THE STEALING OF THE CROSS about 8 min
  257. XIX. THE SIGN FROM HEAVEN about 7 min
  258. XX. THE RETURN OF THE TAILOR about 4 min
  259. XXI. THE CURE HAS AN INSPIRATION about 4 min
  260. XXII. THE WOMAN WHO SAW about 13 min
  261. XXIII. THE WOMAN WHO DID NOT TELL about 5 min
  262. XXIV. THE SEIGNEUR TAKES A HAND IN THE GAME about 17 min
  263. XXV. THE COLONEL TELLS HIS STORY about 5 min
  264. XXVI. A SONG, A BOTTLE, AND A GHOST about 12 min
  265. XXVII. OUT ON THE OLD TRAIL about 4 min
  266. XXVIII. THE SEIGNEUR GIVES A WARNING about 13 min
  267. XXIX. THE WILD RIDE about 11 min
  268. XXX. ROSALIE WARNS CHARLEY about 8 min
  269. XXXI. CHARLEY STANDS AT BAY about 16 min
  270. XXXII. JO PORTUGAIS TELLS A STORY about 5 min
  271. XXXIII. THE EDGE OF LIFE about 6 min
  272. XXXIV. IN AMBUSH about 5 min
  273. XXXV. THE COMING OF MAXIMILIAN COUR AND ANOTHER about 13 min
  274. XXXVI. BARRIERS SWEPT AWAY about 3 min
  275. XXXVII. THE CHALLENGE OF PAULETTE DUBOIS about 4 min
  276. XXXVIII. THE CURE AND THE SEIGNEUR VISIT THE TAILOR about 12 min
  277. XXXIX. THE SCARLET WOMAN about 8 min
  278. XL. AS IT WAS IN THE BEGINNING about 5 min
  279. XLI. IT WAS MICHAELMAS DAY about 8 min
  280. XLII. A TRIAL AND A VERDICT about 6 min
  281. XLIII. JO PORTUGAIS TELLS A STORY about 9 min
  282. Chapter XLIV about 7 min
  283. XLV. SIX MONTHS GO BY about 8 min
  284. XLVI. THE FORGOTTEN MAN about 9 min
  285. XLVII. ONE WAS TAKEN AND THE OTHER LEFT about 12 min
  286. Chapter XLVIII about 2 min
  287. XLIX. THE OPEN GATE about 9 min
  288. THE RIGHT OF WAY under 1 min
  289. L. THE PASSION PLAY AT CHAUDIERE about 3 min
  290. LI. FACE TO FACE about 12 min
  291. LII. THE COMING OF BILLY about 3 min
  292. LIII. THE SEIGNEUR AND THE CURE HAVE A SUSPICION about 4 min
  293. LIV. M. ROSSIGNOL SLIPS THE LEASH about 2 min
  294. LV. ROSALIE PLAYS A PART about 8 min
  295. LVI. MRS. FLYNN SPEAKS about 3 min
  296. LVII. A BURNING FIERY FURNACE about 10 min
  297. LVIII. WITH HIS BACK TO THE WALL about 11 min
  298. LIX. IN WHICH CHARLEY MEETS A STRANGER about 5 min
  299. LX. THE HAND AT THE DOOR about 2 min
  300. LXI. THE CURE SPEAKS about 1 min
  301. Epilogue about 2 min
  302. Introduction about 3 min
  303. Chapter I about 5 min
  304. Chapter II about 10 min
  305. Chapter III about 13 min
  306. Chapter IV about 6 min
  307. Chapter V about 4 min
  308. Chapter VI about 15 min
  309. Chapter VII about 10 min
  310. Chapter VIII about 9 min
  311. Chapter IX about 9 min
  312. Chapter X about 7 min
  313. Chapter XI about 18 min
  314. Chapter XII about 4 min
  315. Chapter XIII about 6 min
  316. Chapter XIV about 19 min
  317. MICHEL AND ANGELE under 1 min
  318. Chapter XV about 25 min
  319. Chapter XVI about 9 min
  320. Chapter XVII about 11 min
  321. Chapter XVIII about 17 min
  322. Chapter XIX about 8 min
  323. Chapter XX about 6 min
  324. JOHN ENDERBY about 1 h 13 min
  325. Introduction about 5 h 42 min
  326. Book II about 1 min
  327. Introduction about 7 min
  328. I. AS THE SPIRIT MOVED about 4 min
  329. II. THE GATES OF THE WORLD about 22 min
  330. III. BANISHED about 8 min
  331. IV. THE CALL about 10 min
  332. Book II under 1 min
  333. V. THE WIDER WAY about 24 min
  334. Chapter VI about 30 min
  335. VII. THE COMPACT about 8 min
  336. VIII. FOR HIS SOUL'S SAKE AND THE LAND'S SAKE about 10 min
  337. IX. THE LETTER, THE NIGHT, AND THE WOMAN about 17 min
  338. X. THE FOUR WHO KNEW about 21 min
  339. XI. AGAINST THE HOUR OF MIDNIGHT about 21 min
  340. XII. THE JEHAD AND THE LIONS about 26 min
  341. XIII. ACHMET THE ROPEMAKER STRIKES about 8 min
  342. XIV. BEYOND THE PALE about 15 min
  343. Book III under 1 min
  344. XV. SOOLSBY'S HAND UPON THE CURTAIN about 9 min
  345. XVI. THE DEBT AND THE ACCOUNTING about 18 min
  346. XVII. THE WOMAN OF THE CROSS-ROADS about 6 min
  347. XVIII. TIME, THE IDOL-BREAKER about 16 min
  348. XIX. SHARPER THAN A SWORD about 14 min
  349. XX. EACH AFTER HIS OWN ORDER about 13 min
  350. Chapter XXI about 14 min
  351. XXII. AS IN A GLASS DARKLY about 18 min
  352. XXIII. THE TENTS OF CUSHAN about 32 min
  353. XXIV. THE QUESTIONER about 11 min
  354. XXV. THE VOICE THROUGH THE DOOR about 11 min
  355. Chapter XXVI about 12 min
  356. XXVII. THE AWAKENING about 32 min
  357. Book IV under 1 min
  358. XXVIII. NAHOUM TURNS THE SCREW about 12 min
  359. XXIX. THE RECOIL about 16 min
  360. XXX. LACEY MOVES about 15 min
  361. XXXI. THE STRUGGLE IN THE DESERT about 22 min
  362. XXXII. FORTY STRIPES SAVE ONE about 13 min
  363. XXXIII. THE DARK INDENTURE about 8 min
  364. XXXIV. NAHOUM DROPS THE MASK about 13 min
  365. Book V under 1 min
  366. XXXV. THE FLIGHT OF THE WOUNDED about 18 min
  367. Chapter XXXVI about 7 min
  368. XXXVII. THE FLYING SHUTTLE about 9 min
  369. XXXVIII. JASPER KIMBER SPEAKS about 15 min
  370. XXXIX. FAITH JOURNEYS TO LONDON about 5 min
  371. THE WEAVERS under 1 min
  372. Book VI under 1 min
  373. XL. HYLDA SEEKS NAHOUM about 22 min
  374. XLI. IN THE LAND OF SHINAR about 24 min
  375. XLII. THE LOOM OF DESTINY about 35 min
  376. Introduction about 1 h 25 min
  377. Introduction about 46 min
  378. Introduction about 5 min
  379. I. THE GRAND TOUR OF JEAN JACQUES BARBILLE about 22 min
  380. Chapter II about 12 min
  381. Chapter III about 7 min
  382. Chapter IV about 17 min
  383. V. THE CLERK OF THE COURT ENDS HIS STORY about 14 min
  384. VI. JEAN JACQUES HAD HAD A GREAT DAY about 17 min
  385. VII. JEAN JACQUES AWAKES FROM SLEEP about 8 min
  386. VIII. THE GATE IN THE WALL about 10 min
  387. Chapter IX about 14 min
  388. Chapter X about 14 min
  389. XI. THE CLERK OF THE COURT KEEPS A PROMISE about 11 min
  390. XII. THE MASTER-CARPENTER HAS A PROBLEM about 13 min
  391. XIII. THE MAN FROM OUTSIDE about 25 min
  392. Chapter XIV about 12 min
  393. XV. BON MARCHE about 22 min
  394. XVI. MISFORTUNES COME NOT SINGLY about 27 min
  395. XVII. HIS GREATEST ASSET about 14 min
  396. XVIII. JEAN JACQUES HAS AN OFFER about 18 min
  397. XIX. SEBASTIAN DOLORES DOES NOT SLEEP about 7 min
  398. Chapter XX about 27 min
  399. XXI. IF SHE HAD KNOWN IN TIME about 12 min
  400. THE MONEY MASTER under 1 min
  401. XXII. BELLS OF MEMORY about 13 min
  402. XXIII. JEAN JACQUES HAS WORK TO DO about 10 min
  403. XXIV. JEAN JACQUES ENCAMPED about 13 min
  404. XXV. WHAT WOULD YOU HAVE DONE? about 19 min
  405. Epilogue about 6 min
  406. Book I under 1 min
  407. Book II under 1 min
  408. Book III under 1 min
  409. Introduction about 9 min
  410. Book I under 1 min
  411. Chapter I about 13 min
  412. II. THE WHISPER FROM BEYOND about 10 min
  413. III. CONCERNING INGOLBY AND THE TWO TOWNS about 7 min
  414. IV. THE COMING OF JETHRO FAWE about 19 min
  415. Chapter V about 13 min
  416. VI. THE UNGUARDED FIRES about 27 min
  417. VII. IN WHICH THE PRISONER GOES FREE about 21 min
  418. Book II under 1 min
  419. VIII. THE SULTAN about 40 min
  420. IX. MATTER AND MIND AND TWO MEN about 26 min
  421. X. FOR LUCK about 18 min
  422. XI. THE SENTENCE OF THE PATRIN about 25 min
  423. Chapter XII about 17 min
  424. XIII. THE CHAIN OF THE PAST about 15 min
  425. XIV. SUCH THINGS MAY NOT BE about 14 min
  426. XV. THE WOMAN FROM WIND RIVER about 15 min
  427. XVI. THE MAYOR FILLS AN OFFICE about 12 min
  428. XVII. THE MONSEIGNEUR AND THE NOMAD about 12 min
  429. XVIII. THE BEACONS about 6 min
  430. XIX. THE KEEPER OF THE BRIDGE about 14 min
  431. Book III under 1 min
  432. XX. TWO LIFE PIECES about 28 min
  433. XXI. THE SNARE OF THE FOWLER about 16 min
  434. XXII. THE SECRET MAN about 16 min
  435. XXIII. THE RETURN OF BELISARIUS about 9 min
  436. XXIV. AT LONG LAST about 13 min
  437. XXV. MAN PROPOSES about 13 min
  438. XXVI. THE SLEEPER about 6 min
  439. XXVII. THE WORLD FOR SALE about 3 min
  440. Introduction about 7 min
  441. Chapter I about 15 min
  442. II. CLOSING THE DOORS about 18 min
  443. III. THE LOGAN TRIAL AND WHAT CAME OF IT about 19 min
  444. Chapter IV about 6 min
  445. V. A STORY TO BE TOLD about 9 min
  446. Chapter VI about 24 min
  447. VII. A WOMAN'S WAY TO KNOWLEDGE about 18 min
  448. VIII. ALL ABOUT AN UNOPENED LETTER about 12 min
  449. IX. NIGHT SHADE AND MORNING GLORY about 11 min
  450. Chapter X about 5 min
  451. XI. IN THE CAMP OF THE DESERTER about 13 min
  452. XII. AT THE RECEIPT OF CUSTOM about 11 min
  453. XIII. KITTY SPEAKS HER MIND AGAIN about 15 min
  454. XIV. AWAITING THE VERDICT about 17 min
  455. Chapter XV about 13 min
  456. Chapter XVI about 10 min
  457. XVII. WHO WOULD HAVE THOUGHT IT? about 37 min
  458. Epilogue about 5 min
  459. I. THE MAZARINES TAKE POSSESSION about 7 min
  460. Chapter II about 10 min
  461. Chapter III about 11 min
  462. IV. TWO SIDES TO A BARGAIN about 10 min
  463. V. ORLANDO HAS AN ADVENTURE about 16 min
  464. Chapter VI about 6 min
  465. Chapter VII about 8 min
  466. VIII. THE ORIENTAL WAY OF IT about 8 min
  467. IX. THE STARS IN THEIR COURSES about 24 min
  468. WILD YOUTH under 1 min
  469. X. THE MOON WAS NOT ALONE about 10 min
  470. XI. LOUISE about 11 min
  471. XII. MAN UNNATURAL about 9 min
  472. XIII. ORLANDO GIVES A WARNING about 12 min
  473. XIV. FILION AND FIONA--ALSO PATSY KERNAGHAN about 11 min
  474. XV. OUTWARD BOUND about 7 min
  475. XVI. THE CROSS TRAILS about 5 min
  476. XVII. THE SUPERIOR MAN about 18 min
  477. XVIII. YOUTH HAS ITS WAY about 12 min
  478. I. THE TWO MEET about 19 min
  479. II. THE COMING OF A MESSENGER about 9 min
  480. III. THE QUARREL about 7 min
  481. IV. THE DUEL about 10 min
  482. V. THE KILLING OF ERRIS BOYNE about 19 min
  483. VI. DYCK IN PRISON about 8 min
  484. VII. MOTHER AND DAUGHTER about 13 min
  485. VIII. DYCK'S FATHER VISITS HIM about 7 min
  486. IX. A LETTER FROM SHEILA about 4 min
  487. Book II under 1 min
  488. X. DYCK CALHOUN ENTERS THE WORLD AGAIN about 10 min
  489. XI. WHITHER NOW? about 8 min
  490. XII. THE HOUR BEFORE THE MUTINY about 16 min
  491. XIII. TO THE WEST INDIES about 15 min
  492. XIV. IN THE NICK OF TIME about 18 min
  493. XV. THE ADMIRAL HAS HIS SAY about 6 min
  494. NO DEFENSE under 1 min
  495. Book III under 1 min
  496. XVI. A LETTER about 29 min
  497. XVII. STRANGERS ARRIVE about 22 min
  498. XVIII. AT SALEM about 31 min
  499. XIX. LORD MALLOW INTERVENES about 29 min
  500. XX. OUT OF THE HANDS OF THE PHILISTINES about 26 min
  501. XXI. THE CLASH OF RACE about 11 min
  502. XXII. SHEILA HAS HER SAY about 12 min
  503. XXIII. THE COMING OF NOREEN about 9 min
  504. XXIV. WITH THE GOVERNOR about 9 min
  505. XXV. THEN WHAT HAPPENED about 4 min
  506. I. IN THE DAYS OF CHILDHOOD about 8 min
  507. II. ELEVEN YEARS PASS about 18 min
  508. III. CARNAC'S RETURN about 6 min
  509. IV. THE HOUSE ON THE HILL about 6 min
  510. V. CARNAC AS MANAGER about 14 min
  511. VI. LUKE TARBOE HAS AN OFFER about 9 min
  512. Chapter VII about 11 min
  513. VIII. JOHN GRIER MAKES ANOTHER OFFER about 9 min
  514. IX. THE PUZZLE about 7 min
  515. X. DENZIL TELLS HIS STORY about 6 min
  516. XI. CARNAC'S TALK WITH HIS MOTHER about 10 min
  517. XII. CARNAC SAYS GOOD-BYE about 9 min
  518. Book II under 1 min
  519. XIII. CARNAC'S RETURN about 6 min
  520. XIV. THE HOUSE OF THE THREE TREES about 10 min
  521. XV. CARNAC AND JUNIA about 7 min
  522. XVI. JOHN GRIER MAKES A JOURNEY about 6 min
  523. XVII. THE READING OF THE WILL about 6 min
  524. CARNAC'S FOLLY under 1 min
  525. Book III under 1 min
  526. XVIII. A GREAT DECISION about 7 min
  527. XIX. CARNAC BECOMES A CANDIDATE about 14 min
  528. XX. JUNIA AND TARBOE HEAR THE NEWS about 12 min
  529. XXI. THE SECRET MEETING about 9 min
  530. XXII. POINT TO POINT about 8 min
  531. XXIII. THE MAN WHO WOULD NOT about 8 min
  532. XXIV. THE BLUE PAPER about 13 min
  533. XXV. DENZIL TAKES A HAND IN THE GAME about 10 min
  534. XXVI. THE CHALLENGE about 9 min
  535. XXVII. EXIT about 8 min
  536. XXVIII. A WOMAN WRITES A LETTER about 5 min
  537. XXIX. CARNAL AND HIS MOTHER about 6 min
  538. XXX. TARBOE HAS A DREAM about 8 min
  539. XXXI. THIS WAY HOME about 6 min
  540. Chapter XXXII about 6 min

Continue:

Chapter XXIV

Since the day of his secret marriage with Guida, Philip had been carried along in the gale of naval preparation and incidents of war as a leaf is borne onward by a storm--no looking back, to-morrow always the goal. But as a wounded traveller nursing carefully his hurt seeks shelter from the scorching sun and the dank air, and travels by little stages lest he never come at all to friendly hostel, so Guida made her way slowly through the months of winter and of spring.

In the past, it had been February to Guida because the yellow Lenten lilies grew on all the sheltered cotils; March because the periwinkle and the lords-and-ladies came; May when the cliffs were a blaze of golden gorse and the perfume thereof made all the land sweet as a honeycomb.

Then came the other months, with hawthorn trees and hedges all in blow; the honeysuckle gladdening the doorways, the lilac in bloomy thickets; the ox-eyed daisy of Whitsuntide; the yellow rose of St. Brelade that lies down in the sand and stands up in the hedges; the "mergots" which, like good soldiers, are first in the field and last out of it; the unscented dog-violets, orchises and celandines; the osier beds, the ivy on every barn; the purple thrift in masses on the cliff; the sea-thistle in its glaucous green--"the laughter of the fields whose laugh was gold." And all was summer.

Came a time thereafter, when the children of the poor gathered blackberries for preserves and home made wine; when the wild stock flowered in St. Ouen's Bay; when the bracken fern was gathered from every cotil, and dried for apple-storing, for bedding for the cherished cow, for back-rests for the veilles, and seats round the winter fire; when peaches, apricots, and nectarines made the walls sumptuous red and gold; when the wild plum and crab-apple flourished in secluded roadways, and the tamarisk dropped its brown pods upon the earth. And all this was autumn.

At last, when the birds of passage swept aloft, snipe and teal and barnacle geese, and the rains began; when the green lizard with its turquoise-blue throat vanished; when the Jersey crapaud was heard croaking no longer in the valleys and the ponds; and the cows were well blanketed--then winter had come again.

Such was the association of seasons in Guida's mind until one day of a certain year, when for a few hours a man had called her his wife, and then had sailed away. There was no log that might thereafter record the days and weeks unwinding the coils of an endless chain into that sea whither Philip had gone.

Letters she had had, two letters, one in January, one in March. How many times, when a Channel-packet came in, did she go to the doorway and watch for old Mere Rossignol, making the rounds with her han basket, chanting the names of those for whom she had letters; and how many times did she go back to the kitchen, choking down a sob!

The first letter from Philip was at once a blessing and a blow; it was a reassurance and it was a misery. It spoke of bread, as it were, yet offered a stone. It eloquently, passionately told of his love; but it also told, with a torturing ease, that the Araminta was commissioned with sealed orders, and he did not know when he should see her nor when he should be able to write again. War had been declared against France, and they might not touch a port nor have chance to send a letter by a homeward vessel for weeks, and maybe months. This was painful, of course, but it was fate, it was his profession, and it could not be helped. Of course--she must understand--he would write constantly, telling her, as through a kind of diary, what he was doing every day, and then when the chance came the big budget should go to her.

A pain came to Guida's heart as she read the flowing tale of his buoyant love. Had she been the man and he the woman, she could never have written so smoothly of "fate," and "profession," nor told of this separation with so complaisant a sorrow. With her the words would have been wrenched forth from her heart, scarred into the paper with the bitterness of a spirit tried beyond enduring.

With what enthusiasm did Philip, immediately after his heart-breaking news, write of what the war might do for him; what avenues of advancement it might open up, what splendid chances it would offer for success in his career! Did he mean that to comfort her, she asked herself. Did he mean it to divert her from the pain of the separation, to give her something to hope for? She read the letter over and over again--yet no, she could not, though her heart was so willing, find that meaning in it. It was all Philip, Philip full of hope, purpose, prowess, ambition. Did he think--did he think that that could ease the pain, could lighten the dark day settling down on her? Could he imagine that anything might compensate for his absence in the coming months, in this year of all years in her life? His lengthened absence might be inevitable, it might be fate, but could he not see the bitter cruelty of it? He had said that he would be back with her again in two months; and now--ah, did he not know!

As the weeks came and went again she felt that indeed he did not know-- or care, maybe.

Some natures cling to beliefs long after conviction has been shattered. These are they of the limited imagination, the loyal, the pertinacious, and the affectionate, the single-hearted children of habit; blind where they do not wish to see, stubborn where their inclinations lie, unamenable to reason, wholly held by legitimate obligations.

But Guida was not of these. Her brain and imagination were as strong as her affections. Her incurable honesty was the deepest thing in her; she did not know even how to deceive herself. As her experience deepened under the influence of a sorrow which still was joy, and a joy that still was sorrow, her vision became acute and piercing. Her mind was like some kaleidoscope. Pictures of things, little and big, which had happened to her in her life, flashed by her inner vision in furious procession. It was as if, in the photographic machinery of the brain, some shutter had slipped from its place, and a hundred orderless and ungoverned pictures, loosed from natural restraint, rushed by.

Five months had gone since Philip had left her: two months since she had received his second letter, months of complexity of feeling; of tremulousness of discovery; of hungry eagerness for news of the war; of sudden little outbursts of temper in her household life--a new thing in her experience; of passionate touches of tenderness towards her grandfather; of occasional biting comments in the conversations between the Sieur and the Chevalier, causing both gentlemen to look at each other in silent amaze; of as marked lapses into listless disregard of any talk going on around her.

She had been used often to sit still, doing nothing, in a sort of physical content, as the Sieur and his visitors talked; now her hands were always busy, knitting, sewing, or spinning, the steady gaze upon the work showing that her thoughts were far away. Though the Chevalier and her grandfather vaguely noted these changes, they as vaguely set them down to her growing womanhood. In any case, they held it was not for them to comment upon a woman or upon a woman's ways. And a girl like Guida was an incomprehensible being, with an orbit and a system all her own; whose sayings and doings were as little to be reduced to their understandings as the vagaries of any star in the Milky Way or the currents in St. Michael's Basin.

One evening she sat before the fire thinking of Philip. Her grandfather had retired earlier than usual. Biribi lay asleep on the veille. There was no sound save the ticking of the clock on the mantel above her head, the dog's slow breathing, the snapping of the log on the fire, and a soft rush of heat up the chimney. The words of Philip's letters, from which she had extracted every atom of tenderness they held, were always in her ears. At last one phrase kept repeating itself to her like some plaintive refrain, torturing in its mournful suggestion. It was this: "But you see, beloved, though I am absent from you I shall have such splendid chances to get on. There's no limit to what this war may do for me."

Suddenly Guida realised how different was her love from Philip's, how different her place in his life from his place in her life. She reasoned with herself, because she knew that a man's life was work in the world, and that work and ambition were in his bones and in his blood, had been carried down to him through centuries of industrious, ambitious generations of men: that men were one race and women were another. A man was bound by the conditions governing the profession by which he earned his bread and butter and played his part in the world, while striving to reach the seats of honour in high places. He must either live by the law, fulfil to the letter his daily duties in the business of life, or drop out of the race; while a woman, in the presence of man's immoderate ambition, with bitterness and tears, must learn to pray, "O Lord, have mercy upon us, and incline our hearts to keep this law."

Suddenly the whole thing resolved itself in Guida's mind, and her thinking came to a full stop. She understood now what was the right and what the wrong; and, child as she was in years, woman in thought and experience, yielding to the impulse of the moment, she buried her face in her hands and burst into tears.

"O Philip, Philip, Philip," she sobbed aloud, "it was not right of you to marry me; it was wicked of you to leave me!" Then in her mind she carried on the impeachment and reproach. If he had married her openly and left her at once, it would have been hard to bear, but in the circumstances it might have been right. If he had married her secretly and left her at the altar, so keeping the vow he had made her when she promised to become his wife, that might have been pardonable. But to marry her as he did, and then, breaking his solemn pledge, leave her--it was not right in her eyes; and if not right in the eyes of her who loved him, in whose would it be right?

To these definitions she had come at last.

It is an eventful moment, a crucial ordeal for a woman, when she forces herself to see the naked truth concerning the man she has loved, yet the man who has wronged her. She is born anew in that moment: it may be to love on, to blind herself, and condone and defend, so lowering her own moral tone; or to congeal in heart, become keener in intellect, scornful and bitter with her own sex and merciless towards the other, indifferent to blame and careless of praise, intolerant, judging all the world by her own experience, incredulous of any true thing. Or again she may become stronger, sadder, wiser; condoning nothing, minimising nothing, deceiving herself in nothing, and still never forgiving at least one thing--the destruction of an innocent faith and a noble credulity; seeing clearly the whole wrong; with a strong intelligence measuring perfectly the iniquity; but out of a largeness of nature and by virtue of a high sense of duty, devoting her days to the salvation of a man's honour, to the betterment of one weak or wicked nature.

Of these last would have been Guida.

"O Philip, Philip, you have been wicked to me!" she sobbed.

Her tears fell upon the stone hearth, and the fire dried them. Every teardrop was one girlish feeling and emotion gone, one bright fancy, one tender hope vanished. She was no longer a girl. There were troubles and dangers ahead of her, but she must now face them dry-eyed and alone.

In his second letter Philip had told her to announce the marriage, and said that he would write to her grandfather explaining all, and also to the Rev. Lorenzo Dow. She had waited and watched for that letter to her grandfather, but it had not come. As for Mr. Dow, he was a prisoner with the French; and he had never given her the marriage certificate.

There was yet another factor in the affair. While the island was agog over Mr. Dow's misfortune, there had been a bold robbery at St. Michael's Rectory of the strong-box containing the communion plate, the parish taxes for the year, and--what was of great moment to at least one person --the parish register of deaths, baptisms, and marriages. Thus it was that now no human being in Jersey could vouch that Guida had been married.

Yet these things troubled her little. How easily could Philip set all right! If he would but come back--that at first was her only thought; for what matter a ring, or any proof or proclamation without Philip!

It did not occur to her at first that all these things were needed to save her from shame in the eyes of the world. If she had thought of them apprehensively, she would have said to herself, how easy to set all right by simply announcing the marriage! And indeed she would have done so when war was declared and Philip received his new command, but that she had wished the announcement to come from him. Well, that would come in any case when his letter to her grandfather arrived. No doubt it had missed the packet by which hers came, she thought.

But another packet and yet another arrived; and still there was no letter from Philip for the Sieur de Mauprat. Winter had come, and spring had gone, and now summer was at hand. Haymaking was beginning, the wild strawberries were reddening among the clover, and in her garden, apples had followed the buds on the trees beneath which Philip had told his fateful tale of love.

At last a third letter arrived, but it brought little joy to her heart. It was extravagant in terms of affection, but somehow it fell short of the true thing, for its ardour was that of a mind preoccupied, and underneath all ran a current of inherent selfishness. It delighted in the activity of his life, it was full of hope, of promise of happiness for them both in the future, but it had no solicitude for Guida in the present. It chilled her heart--so warm but a short season ago--that Philip to whom she had once ascribed strength, tenderness, profound thoughtfulness, should concern himself so little in the details of her life. For the most part, his letters seemed those of an ardent lover who knew his duty and did it gladly, but with a self-conscious and flowing eloquence, costing but small strain of feeling.

In this letter he was curious to know what the people in Jersey said about their marriage. He had written to Lorenzo Dow and her grandfather, he said, but had heard afterwards that the vessel carrying the letters had been taken by a French privateer; and so they had not arrived in Jersey. But of course she had told her grandfather and all the island of the ceremony performed at St. Michael's. He was sending her fifty pounds, his first contribution to their home; and, the war over, a pretty new home she certainly should have. He would write to her grandfather again, though this day there was no time to do so.

Guida realised now that she must announce the marriage at once. But what proofs of it had she? There was the ring Philip had given her, inscribed with their names; but she was sophisticated enough to know that this would not be adequate evidence in the eyes of her Jersey neighbours. The marriage register of St. Michael's, with its record, was stolen, and that proof was gone. Lastly, there were Philip's letters; but no--a thousand times no!--she would not show Philip's letters to any human being; even the thought of it hurt her delicacy, her self-respect. Her heart burned with fresh bitterness to think that there had been a secret marriage. How hard it was at this distance of time to tell the world the tale, and to be forced to prove it by Philip's letters. No, no, in spite of all, she could not do it--not yet. She would still wait the arrival of his letter to her grandfather. If it did not come soon, then she must be brave and tell her story.

She went to the Vier Marchi less now. Also fewer folk stood gossiping with her grandfather in the Place du Vier Prison, or by the well at the front door--so far he had not wondered why. To be sure, Maitresse Aimable came oftener; but, since that notable day at Sark, Guida had resolutely avoided reference, however oblique, to Philip and herself. In her dark days the one tenderly watchful eye upon her was that of the egregiously fat old woman called the "Femme de Ballast," whose thick tongue clave to the roof of her mouth, whose outer attractions were so meagre that even her husband's chief sign of affection was to pull her great toe, passing her bed of a morning to light the fire.

Carterette Mattingley also came, but another friend who had watched over Guida for years before Philip appeared in the Place du Vier Prison never entered her doorway now. Only once or twice since that day on the Ecrehos, so fateful to them both, had Guida seen Ranulph. He had withdrawn to St. Aubin's Bay, where his trade of ship-building was carried on, and having fitted up a small cottage, lived a secluded life with his father there. Neither of them appeared often in St. Heliers, and they were seldom or never seen in the Vier Marchi.

Carterette saw Ranulph little oftener than did Guida, but she knew what he was doing, being anxious to know, and every one's business being every one else's business in Jersey. In the same way Ranulph knew of Guida. What Carterette was doing Ranulph was not concerned to know, and so knew little; and Guida knew and thought little of how Ranulph fared: which was part of the selfishness of love.

But one day Carterette received a letter from France which excited her greatly, and sent her off hot-foot to Guida. In the same hour Ranulph heard a piece of hateful gossip which made him fell to the ground the man who told him, and sent him with white face, and sick, yet indignant heart, to the cottage in the Place du Vier Prison.

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Chapter XXV

Guida was sitting on the veille reading an old London paper she had bought of the mate of the packet from Southampton. One page contained an account of the execution of Louis XVI; another reported the fight between the English thirty-six gun frigate Araminta and the French Niobe. The engagement had been desperate, the valiant Araminta having been fought, not alone against odds as to her enemy, but against the irresistible perils of a coast upon which the Admiralty charts gave cruelly imperfect information. To the Admiralty we owed the fact, the journal urged, that the Araminta was now at the bottom of the sea, and its young commander confined in a French fortress, his brave and distinguished services lost to the country. Nor had the government yet sought to lessen the injury by arranging a cartel for the release of the unfortunate commander.

The Araminta! To Guida the letters of the word seemed to stand out from the paper like shining hieroglyphs on a misty grey curtain. The rest of the page was resolved into a filmy floating substance, no more tangible than the ashy skeleton on which writing still lives when the paper itself has been eaten by flame, and the flame swallowed by the air.

Araminta--this was all her eyes saw, that familiar name in the flaring handwriting of the Genius of Life, who had scrawled her destiny in that one word.

Slowly the monstrous ciphers faded from the grey hemisphere of space, and she saw again the newspaper in her trembling fingers, the kitchen into which the sunlight streamed from the open window, the dog Biribi basking in the doorway. That living quiet which descends upon a house when the midday meal and work are done came suddenly home to her, in contrast to the turmoil in her mind and being.

So that was why Philip had not written to her! While her heart was daily growing more bitter against him, he had been fighting his vessel against great odds, and at last had been shipwrecked and carried off a prisoner. A strange new understanding took possession of her. Her life suddenly widened. She realised all at once how the eyes of the whole world might be fixed upon a single ship, a few cannon, and some scores of men. The general of a great army leading tens of thousands into the clash of battle--that had been always within her comprehension; but this was almost miraculous, this sudden projection of one ship and her commander upon the canvas of fame. Philip had left her, unknown save to a few. With the nations turned to see, he had made a gallant and splendid fight, and now he was a prisoner in a French fortress.

This then was why her grandfather had received no letter from him concerning the marriage. Well, now she must speak for herself; she must announce it. Must she show Philip's letters?--No, no, she could not.... Suddenly a new suggestion came to her: there was one remaining proof. Since no banns had been published, Philip must have obtained a license from the Dean of the island, and he would have a record of it. All she had to do now was to get a copy of this record--but no, a license to marry was no proof of marriage; it was but evidence of intention.

Still, she would go to the Dean this very moment.

It was not right that she should wait longer: indeed, in waiting so long she had already done great wrong to herself--and to Philip perhaps.

She rose from the veille with a sense of relief. No more of this secrecy, making her innocence seem guilt; no more painful dreams of punishment for some intangible crime; no starting if she heard a sudden footstep; no more hurried walk through the streets, looking neither to right nor to left; no more inward struggles wearing away her life.

To-morrow--to-morrow--no, this very night, her grandfather and one other, even Maitresse Aimable, should know all; and she should sleep quietly-- oh, so quietly to-night!

Looking into a mirror on the wall--it had been a gift from her grandfather--she smiled at herself. Why, how foolish of her it had been to feel so much and to imagine terrible things! Her eyes were shining now, and her hair, catching the sunshine from the window, glistened like burnished copper. She turned to see how it shone on the temple and the side of her head. Philip had praised her hair. Her look lingered for a moment placidly on herself-then she started suddenly. A wave of feeling, a shiver, passed through her, her brow gathered, she flushed deeply.

Turning away from the mirror, she went and sat down again on the edge of the veille. Her mind had changed. She would go to the Dean's--but not till it was dark. She suddenly thought it strange that the Dean had never said anything about the license. Why, again, perhaps he had. How should she know what gossip was going on in the town! But no, she was quick to feel, and if there had been gossip she would have felt it in the manner of her neighbours. Besides, gossip as to a license to marry was all on the right side. She sighed--she had sighed so often of late--to think what a tangle it all was, of how it would be smoothed out tomorrow, of what--

There was a click of the garden-gate, a footstep on the walk, a half- growl from Biribi, and the face of Carterette Mattingley appeared in the kitchen doorway. Seeing Guida seated on the veille, she came in quickly, her dancing dark eyes heralding great news.

"Don't get up, ma couzaine," she said, "please no. Sit just there, and I'll sit beside you. Ah, but I have the most wonderfuls!"

Carterette was out of breath. She had hurried here from her home. As she said herself, her two feet weren't in one shoe on the way, and that with her news made her quiver with excitement.

At first, bursting with mystery, she could do no more than sit and look in Guida's face. Carterette was quick of instinct in her way, but yet she had not seen any marked change in her friend during the past few months. She had been so busy thinking of her own particular secret that she was not observant of others. At times she met Ranulph, and then she was uplifted, to be at once cast down again; for she saw that his old cheerfulness was gone, that a sombreness had settled on him. She flattered herself, however, that she could lighten his gravity if she had the right and the good opportunity; the more so that he no longer visited the cottage in the Place du Vier Prison.

This drew her closer to Guida also, for, in truth, Carterette had no loftiness of nature. Like most people, she was selfish enough to hold a person a little dearer for not standing in her own especial light. Long ago she had shrewdly guessed that Guida's interest lay elsewhere than with Ranulph, and a few months back she had fastened upon Philip as the object of her favour. That seemed no weighty matter, for many sailors had made love to Carterette in her time, and knowing it was here to-day and away to-morrow with them, her heart had remained untouched. Why then should she think Guida would take the officer seriously where she herself held the sailor lightly? But at the same time she felt sure that what concerned Philip must interest Guida, she herself always cared to hear the fate of an old admirer, and this was what had brought her to the cottage to-day.

"Guess who's wrote me a letter?" she asked of Guida, who had taken up some sewing, and was now industriously regarding the stitches.

At Carterette's question, Guida looked up and said with a smile, "Some one you like, I see."

Carterette laughed gaily. "Ba su, I should think I did--in a way. But what's his name? Come, guess, Ma'm'selle Dignity."

"Eh ben, the fairy godmother," answered Guida, trying not to show an interest she felt all too keenly; for nowadays it seemed to her that all news should be about Philip. Besides, she was gaining time and preparing herself for--she knew not what.

"O my grief!" responded the brown-eyed elf, kicking off a red slipper, and thrusting her foot into it again, "never a fairy godmother had I, unless it's old Manon Moignard the witch:

"'Sas, son, bileton, My grand'methe a-fishing has gone: She'll gather the fins to scrape my jowl, And ride back home on a barnyard fowl!'

"Nannin, ma'm'selle, 'tis plain to be seen you can't guess what a cornfield grows besides red poppies." Laughing in sheer delight at the mystery she was making, she broke off again into a whimsical nursery rhyme:

"'Coquelicot, j'ai mal au de Coquelicot, qu'est qui l'a fait? Coquelicot, ch'tai mon valet.'"

She kicked off the red slipper again. Flying half-way across the room, it alighted on the table, and a little mud from the heel dropped on the clean scoured surface. With a little moue of mockery, she got slowly up and tiptoed across the floor, like a child afraid of being scolded. Gathering the dust carefully, and looking demurely askance at Guida the while, she tiptoed over again to the fireplace and threw it into the chimney.

"Naughty Carterette," she said at herself with admiring reproach, as she looked in Guida's mirror, and added, glancing with farcical approval round the room, "and it all shines like peacock's feather, too!"

Guida longed to snatch the letter from Carterette's hand and read it, but she only said calmly, though the words fluttered in her throat:

"You're as gay as a chaffinch, Garcon Carterette." Garcon Carterette! Instantly Carterette sobered down. No one save Ranulph ever called her Garcon Carterette. Guida used Ranulph's name for Carterette, knowing that it would change the madcap's mood. Carterette, to hide a sudden flush, stooped and slowly put on her slipper. Then she came back to the veille, and sat down again beside Guida, saying as she did so:

"Yes, I'm gay as a chaffinch--me."

She unfolded the letter slowly, and Guida stopped sewing, but mechanically began to prick the linen lying on her knee with the point of the needle.

"Well," said Carterette deliberately, "this letter's from a pend'loque of a fellow--at least, we used to call him that--though if you come to think, he was always polite as mended porringer. Often he hadn't two sous to rub against each other. And--and not enough buttons for his clothes."

Guida smiled. She guessed whom Carterette meant. "Has Monsieur Detricand more buttons now?" she asked with a little whimsical lift of the eyebrows.

"Ah bidemme, yes, and gold too, all over him--like that!" She made a quick sweeping gesture which would seem to make Detricand a very spangle of buttons. "Come, what do you think--he's a general now.

"A general!" Instantly Guida thought of Philip and a kind of envy shot into her heart that this idler Detricand should mount so high in a few months--a man whose past had held nothing to warrant such success. "A general--where?" she asked.

"In the Vendee army, fighting for the new King of France--you know the rebels cut off the last King's head."

At another time Guida's heart would have throbbed with elation, for the romance of that Vendee union of aristocrat and peasant fired her imagination; but she only said in the tongue of the people: "Ma fuifre, yes, I know!"

Carterette was delighted to thus dole out her news, and get due reward of astonishment. "And he's another name," she added. "At least it's not another, he always had it, but he didn't call himself by it. Pardi, he's more than the Chevalier; he's the Comte Detricand de Tournay--ah, then, believe me if you choose, there it is!"

She pointed to the signature of the letter, and with a gush of eloquence explained how it all was about Detricand the vaurien and Detricand the Comte de Tournay.

"Good riddance to Monsieur Savary dit Detricand, and good welcome to the Comte de Tournay," answered Guida, trying hard to humour Carterette, that she should sooner hear the news yet withheld. "And what follows after?"

Carterette was half sorry that her great moment had come. She wished she could have linked out the suspense longer. But she let herself be comforted by the anticipated effect of her "wonderfuls."

"I'll tell you what comes after--ah, but see then what a news I have for you! You know that Monsieur d'Avranche--well, what do you think has come to him?"

Guida felt as if a monstrous hand had her heart in its grasp, crushing it. Presentiment seized her. Carterette was busy running over the pages of the letter, and did not notice her colourless face. She had no thought that Guida had any vital interest in Philip, and ruthlessly, though unconsciously, she began to torture the young wife as few are tortured in this world.

She read aloud Detricand's description of his visit to the Castle of Bercy, and of the meeting with Philip. "'See what comes of a name!'" wrote Detricand. "'Here was a poor prisoner whose ancestor, hundreds of years ago, may or mayn't have been a relative of the d'Avranches of Clermont, when a disappointed duke, with an eye open for heirs, takes a fancy to the good-looking face of the poor prisoner, and voila! you have him whisked off to a palace, fed on milk and honey, and adopted into the family. Then a pedigree is nicely grown on a summer day, and this fine young Jersey adventurer is found to be a green branch from the old root; and there's a great blare of trumpets, and the States of the duchy are called together to make this English officer a prince--and that's the Thousand and One Nights in Arabia, Ma'm'selle Carterette.'"

Guida was sitting rigid and still. In the slight pause Carterette made, a hundred confused torturing thoughts swam through her mind and presently floated into the succeeding sentences of the letter:

"'As for me, I'm like Rabot's mare, I haven't time to laugh at my own foolishness. I'm either up to my knees in grass or clay fighting Revolutionists, or I'm riding hard day and night till I'm round-backed like a wood-louse, to make up for all the good time I so badly lost in your little island. You wouldn't have expected that, my friend with the tongue that stings, would you? But then, Ma'm'selle of the red slippers, one is never butted save by a dishorned cow--as your father used to say."'

Carterette paused again, saying in an aside: "That is M'sieu' all over, all so gay. But who knows? For he says, too, that the other day a- fighting Fontenay, five thousand of his men come across a cavalry as they run to take the guns that eat them up like cabbages, and they drop on their knees, and he drops with them, and they all pray to God to help them, while the cannon balls whiz-whiz over their heads. And God did hear them, for they fell down flat when the guns was fired and the cannon balls never touched 'em."

During this interlude, Guida, sick with anxiety, could scarcely sit still. She began sewing again, though her fingers trembled so she could hardly make a stitch. But Carterette, the little egoist, did not notice her agitation; her own flurry dimmed her sight.

She began reading again. The first few words had little or no significance for Guida, but presently she was held as by the fascination of a serpent.

"'And Ma'm'selle Carterette, what do you think this young captain, now Prince Philip d'Avranche, heir to the title of Bercy--what do you think he is next to do? Even to marry a countess of great family the old Duke has chosen for him; so that the name of d'Avranche may not die out in the land. And that is the way that love begins. . . . Wherefore, I want you to write and tell me--'"

What he wanted Carterette to tell him Guida never heard, though it concerned herself, for she gave a moan like a dumb animal in agony, and sat rigid and blanched, the needle she had been using embedded in her finger to the bone, but not a motion, not a sign of animation in face or figure.

All at once, some conception of the truth burst upon the affrighted Carterette. The real truth she imagined as little as had Detricand.

But now when she saw the blanched face, the filmy eyes and stark look, the finger pierced by the needle, she knew that a human heart had been pierced too, with a pain worse than death--truly it was worse, for she had seen death, and she had never seen anything like this in its dire misery and horror. She caught the needle quickly from the finger, wrapped her kerchief round the wound, threw away the sewing from Guida's lap, and running an arm about her waist, made as if to lay a hot cheek against the cold brow of her friend. Suddenly, however, with a new and painful knowledge piercing her intelligence, and a face as white and scared as Guida's own, she ran to the dresser, caught up a hanap, and brought some water. Guida still sat as though life had fled, and the body, arrested in its activity, would presently collapse.

Carterette, with all her seeming lightsomeness, had sense and self- possession. She tenderly put the water to Guida's lips, with comforting words, though her own brain was in a whirl, and dark forebodings flashed through her mind.

"Ah, man gui, man pethe!" she said in the homely patois. "There, drink, drink, dear, dear couzaine." Guida's lips opened, and she drank slowly, putting her hand to her heart with a gesture of pain. Carterette put down the hanap and caught her hands. "Come, come, these cold hands-- pergui, but we must stop that! They are so cold." She rubbed them hard. "The poor child of heaven--what has come over you? Speak to me . . . ah, but see, everything will come all right by and by! God is good. Nothing's as bad as what it seems. There was never a grey wind but there's a greyer. Nanningia, take it not so to heart, my couzaine; thou shalt have love enough in the world.... Ah, grand doux d'la vie, but I could kill him!" she added under her breath, and she rubbed Guida's hands still, and looked frankly, generously into her eyes.

Yet, try as she would in that supreme moment, Carterette could not feel all she once felt concerning Guida. There is something humiliating in even an undeserved injury, something which, to the human eye, lessens the worthiness of its victim. To this hour Carterette had looked upon her friend as a being far above her own companionship. All in a moment, in this new office of comforter the relative status was altered. The plane on which Guida had moved was lowered. Pity, while it deepened Carterette's tenderness, lessened the gap between them.

Perhaps something of this passed through Guida's mind, and the deep pride and courage of her nature came to her assistance. She withdrew her hands and mechanically smoothed back her hair, then, as Carterette sat watching her, folded up the sewing and put it in the work-basket hanging on the wall.

There was something unnatural in her governance of herself now. She seemed as if doing things in a dream, but she did them accurately and with apparent purpose. She looked at the clock, then went to the fire to light it, for it was almost time to get her grandfather's tea. She did not seem conscious of the presence of Carterette, who still sat on the veille, not knowing quite what to do. At last, as the flame flashed up in the chimney, she came over to her friend, and said:

"Carterette, I am going to the Dean's. Will you run and ask Maitresse Aimable to come here to me soon?" Her voice had the steadiness of despair--that steadiness coming to those upon whose nerves has fallen a great numbness, upon whose sensibilities has settled a cloud that stills them as the thick mist stills the ripples on the waters of a fen.

All the glamour of Guida's youth had dropped away. She had deemed life good, and behold, it was not good; she had thought her dayspring was on high, and happiness had burnt into darkness like quick-consuming flax. But all was strangely quiet in her heart and mind. Nothing more that she feared could happen to her; the worst had fallen, and now there came down on her the impermeable calm of the doomed.

Carterette was awed by her face, and saying that she would go at once to Maitresse Aimable, she started towards the door, but as quickly stopped and came back to Guida. With none of the impulse that usually marked her actions, she put her arms round Guida's neck and kissed her, saying with a subdued intensity:

"I'd go through fire and water for you. I want to help you every way I can--me."

Guida did not say a word, but she kissed the hot cheek of the smuggler- pirate's daughter, as in dying one might kiss the face of a friend seen with filmy eyes.

When she had gone Guida drew herself up with a shiver. She was conscious that new senses and instincts were born in her, or were now first awakened to life. They were not yet under control, but she felt them, and in so far as she had power to think, she used them.

Leaving the house and stepping into the Place du Vier Prison, she walked quietly and steadily up the Rue d'Driere. She did not notice that people she met glanced at her curiously, and turned to look after her as she hurried on.

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Chapter XXVI

It had been a hot, oppressive day, but when, a half-hour later, Guida hastened back from a fruitless visit to the house of the Dean, who was absent in England, a vast black cloud had drawn up from the south-east, dropping a curtain of darkness upon the town. As she neared the doorway of the cottage, a few heavy drops began to fall, and, in spite of her bitter trouble, she quickened her footsteps, fearing that her grandfather had come back, to find the house empty and no light or supper ready.

M. de Mauprat had preceded her by not more than five minutes. His footsteps across the Place du Vier Prison had been unsteady, his head bowed, though more than once he raised it with a sort of effort, as it were in indignation or defiance. He muttered to himself as he opened the door, and he paused in the hall-way as though hesitating to go forward. After a moment he made a piteous gesture of his hand towards the kitchen, and whispered to himself in a kind of reassurance. Then he entered the room and stood still. All was dark save for the glimmer of the fire.

"Guida! Guida!" he said in a shaking, muffled voice. There was no answer. He put by his hat and stick in the corner, and felt his way to the great chair-he seemed to have lost his sight. Finding the familiar, worn arm of the chair, he seated himself with a heavy sigh. His lips moved, and he shook his head now and then, as though in protest against some unspoken thought.

Presently he brought his clinched hand down heavily on the table, and said aloud:

"They lie--they lie! The Connetable lies! Their tongues shall be cut out. . . . Ah, my little, little child! . . . The Connetable dared--he dared--to tell me this evil gossip--of the little one--of my Guida!"

He laughed contemptuously, but it was a crackling, dry laugh, painful in its cheerlessness. He drew his snuff-box from his pocket, opened it, and slowly taking a pinch, raised it towards his nose, but the hand paused half-way, as though a new thought arrested it.

In the pause there came the sound of the front door opening, and then footsteps in the hall.

The pinch of snuff fell from the fingers of the old man on to the white stuff of his short-clothes, but as Guida entered the room and stood still a moment, he did not stir in his seat. The thundercloud had come still lower and the room was dark, the coals in the fireplace being now covered with grey ashes.

"Grandpethe! Grandpethe!" Guida said.

He did not answer. His heart was fluttering, his tongue clove to the roof of his mouth, dry and thick. Now he should know the truth, now he should be sure that they had lied about his little Guida, those slanderers of the Vier Marchi. Yet, too, he had a strange, depressing fear, at variance with his loving faith and belief that in Guida there was no wrong: such belief as has the strong swimmer that he can reach the shore through wave and tide; yet also with strange foreboding, prelude to the cramp that makes powerless, defying youth, strength, and skill. He could not have spoken if it had been to save his own life--or hers.

Getting no answer to her words, Guida went first to the hearth and stirred the fire, the old man sitting rigid in his chair and regarding her with fixed, watchful eyes. Then she found two candles and lighted them, placing them on the mantel, and turning to the crasset hanging by its osier rings from a beam, slowly lighted it. Turning round, she was full in the light of the candles and the shooting flames of the fire.

De Mauprat's eyes had followed her every motion, unconscious of his presence as she was. This--this was not the Guida he had known! This was not his grandchild, this woman with the pale, cold face, and dark, unhappy eyes; this was not the laughing girl who but yesterday was a babe at his knee. This was not--

The truth, which had yet been before his blinded eyes how long! burst upon him. The shock of it snapped the filmy thread of being. As the escaping soul found its wings, spread them, and rose from that dun morass called Life, the Sieur de Mauprat, giving a long, deep sigh, fell back in his great arm-chair dead, and the silver snuff-box rattled to the floor.

Guida turned round with a sharp cry. Running to him, she lifted up the head that lay over on his shoulder. She felt his pulse, she called to him. Opening his waistcoat, she put her ear to his heart; but it was still--still.

A mist, a blackness, came over her own eyes, and without a cry or a word, she slid to the floor unconscious, as the black thunderstorm broke upon the Place du Vier Prison.

The rain was like a curtain let down between the prying, clattering world without and the strange peace within: the old man in his perfect sleep; the young, misused wife in that passing oblivion borrowed from death and as tender and compassionate while it lasts.

As though with merciful indulgence, Fate permitted no one to enter upon the dark scene save a woman in whom was a deep motherhood which had never nourished a child, and to whom this silence and this sorrow gave no terrors. Silence was her constant companion, and for sorrow she had been granted the touch that assuages the sharpness of pain and the love called neighbourly kindness. Maitresse Aimable came.

Unto her it was given to minister here. As the night went by, and the offices had been done for the dead, she took her place by the bedside of the young wife, who lay staring into space, tearless and still, the life consuming away within her.

In the front room of the cottage, his head buried in his hands, Ranulph Delagarde sat watching beside the body of the Sieur de Mauprat.

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Chapter XXVII

In the Rue d'Driere, the undertaker and his head apprentice were right merry. But why should they not be? People had to die, quoth the undertaker, and when dead they must be buried. Burying was a trade, and wherefore should not one--discreetly--be cheerful at one's trade? In undertaking there were many miles to trudge with coffins in a week, and the fixed, sad, sympathetic look long custom had stereotyped was wearisome to the face as a cast of plaster-of-paris. Moreover, the undertaker was master of ceremonies at the house of bereavement as well. He not only arranged the funeral, he sent out the invitations to the "friends of deceased, who are requested to return to the house of the mourners after the obsequies for refreshment." All the preparations for this feast were made by the undertaker--Master of Burials he chose to be called.

Once, after a busy six months, in which a fever had carried off many a Jersiais, the Master of Burials had given a picnic to his apprentices, workmen, and their families. At this buoyant function he had raised his glass and with playful plaintiveness proposed: "The day we celebrate!"

He was in a no less blithesome mood this day. The head apprentice was reading aloud the accounts for the burials of the month, while the master checked off the items, nodding approval, commenting, correcting or condemning with strange expletives.

"Don't gabble, gabble next one slowlee!" said the Master of Burials, as the second account was laid aside, duly approved. "Eh ben, now let's hear the next--who is it?"

"That Josue Anquetil," answered the apprentice. The Master of Burials rubbed his hands together with a creepy sort of glee. "Ah, that was a clever piece of work! Too little of a length and a width for the box, but let us be thankful--it might have been too short, and it wasn't."

"No danger of that, pardingue!" broke in the apprentice. "The first it belonged to was a foot longer than Josue--he."

"But I made the most of Josue," continued the Master. "The mouth was crooked, but he was clean, clean--I shaved him just in time. And he had good hair for combing to a peaceful look, and he was light to carry--O my good! Go on, what has Josue the centenier to say for himself?"

With a drawling dull indifference, the lank, hatchet-faced servitor of the master servitor of the grave read off the items:

The Relict of Josue Anquetil, Centenier, in account with Etienne Mahye, Master of Burials.

Item: Livres. Sols. Farth. Paid to Gentlemen of Vingtaine, who carried him to his grave .................. 4 4 0 Ditto to me, Etienne Mahye, for proper gloves of silk and cotton ................. 1 0 0 Ditto to me, E. M., for laying of him out and all that appertains ............... 0 7 0 Ditto to me, E. M., for coffin ............ 4 0 0 Ditto to me, E. M., for divers ............ 0 4 0

The Master of Burials interrupted. "Bat'dlagoule, you've forgot blacking for coffin!"

The apprentice made the correction without deigning reply, and then went on

Livres. Sols. Farth.

Ditto to me, E. M., for black for blacking coffin .................................... 0 3 0 Ditto to me, E. M., paid out for supper after obs'quies ........................... 3 2 0 Ditto to me, E. M., paid out for wine (3 pots and 1 pt. at a shilling) for ditto ..................................... 2 5 6 Ditto to me, E. M., paid out for oil and candle .................................... 0 7 0 Ditto to me, E. M., given to the poor, as fitting station of deceased ............... 4 0 0

The apprentice stopped. "That's all," he said.

There was a furious leer on the face of the Master of Burials. So, after all his care, apprentices would never learn to make mistakes on his side. "O my grief, always on the side of the corpse, that can thank nobody for naught!" was his snarling comment.

"What about those turnips from Denise Gareau, numskull?" he grunted, in a voice between a sneer and a snort.

The apprentice was unmoved. He sniffed, rubbed his nose with a forefinger, laboriously wrote for a moment, and then added:

Ditto to Madame Denise Gareau for turnips for supper after obs'quies ...................... 10 sols

"Saperlote, leave out the Madame, calf-lugs--, you!"

The apprentice did not move a finger. Obstinacy sat enthroned on him. In a rage, the Master made a snatch at a metal flower-wreath to throw at him. "Shan't! She's my aunt. I knows my duties to my aunt--me," said the apprentice stolidly.

The Master burst out in a laugh of scorn. "Gaderabotin, here's family pride for you! I'll go stick dandelines in my old sow's ear--respe d'la compagnie."

The apprentice was still calm. "If you want to flourish yourself, don't mind me," said he, and picking up the next account, he began reading:

Mademoiselle Landresse, in the matter of the Burial of the Sieur de Mauprat, to Etienne Mahye, &c. Item--

The first words read by the apprentice had stilled the breaking storm of the Master's anger. It dissolved in a fragrant dew of proud reminiscence, profit, and scandal.

He himself had no open prejudices. He was an official of the public--or so he counted himself--and he very shrewdly knew his duty in that walk of life to which it had pleased Heaven to call him. The greater the notoriety of the death, the more in evidence was the Master and all his belongings. Death with honour was an advantage to him; death with disaster a boon; death with scandal was a godsend. It brought tears of gratitude to his eyes when the death and the scandal were in high places. These were the only real tears he ever shed. His heart was in his head, and the head thought solely of Etienne Mahye. Though he wore an air of sorrow and sympathy in public, he had no more feeling than a hangman. His sympathy seemed to say to the living, "I wonder how soon you'll come into my hands," and to the dead, "What a pity you can only die once--and second-hand coffins so hard to get!"

Item: paid to me, Etienne Mahye,

droned the voice of the apprentice,

for rosewood coffin--

"O my good," interrupted the Master of Burials with a barren chuckle, and rubbing his hands with glee, "O my good, that was a day in a lifetime! I've done fine work in my time, but upon that day--not a cloud above, no dust beneath, a flowing tide, and a calm sea. The Royal Court, too, caught on a sudden marching in their robes, turns to and joins the cortegee, and the little birds a-tweeting-tweeting, and two parsons at the grave. Pardingue, the Lord was--with me that day, and--"

The apprentice laughed--a dry, mirthless laugh of disbelief and ridicule. "Ba su, master, the Lord was watching you. There was two silver bits inside that coffin, on Sieur's eyes."

"Bigre!" The Master was pale with rage. His lips drew back, disclosing long dark teeth and sickly gums, in a grimace of fury. He reached out to seize a hammer lying at his hand, but the apprentice said quickly:

"Sapri--that's the cholera hammer!"

The Master of Burials dropped the hammer as though it were at white heat, and eyed it with scared scrutiny. This hammer had been used in nailing down the coffins of six cholera patients who had died in one house at Rozel Bay a year before. The Master would not himself go near the place, so this apprentice had gone, on a promise from the Royal Court that he should have for himself--this he demanded as reward--free lodging in two small upper rooms of the Cohue Royale, just under the bell which said to the world, "Chicane--chicane! Chicane--chicane!"

This he asked, and this he got, and he alone of all Jersey went out to bury three people who had died of cholera; and then to watch three others die, to bury them scarce cold, and come back, with a leer of satisfaction, to claim his price. At first people were inclined to make a hero of him, but that only made him grin the more, and at last the island reluctantly decided that he had done the work solely for fee and reward.

The hammer used in nailing the coffins, he had carried through the town like an emblem of terror and death, and henceforth he only, in the shop of the Master, touched it.

"It won't hurt you if you leave it alone," said the apprentice grimly to the Master of Burials. "But, if you go bothering, I'll put it in your bed, and it'll do after to nail down your coffin."

Then he went on reading with a malicious calmness, as though the matter were the dullest trifle:

Item: one dozen pairs of gloves for mourners.

"Par made, that's one way of putting it!" commented the apprentice, "for what mourners was there but Ma'm'selle herself, and she quiet as a mice, and not a teardrop, and all the island necks end to end for look at her, and you, master, whispering to her: 'The Lord is the Giver and Taker,' and the Femme de Ballast t'other side, saying 'My dee-ar, my dee-ar, bear thee up, bear thee up--thee.'"

"And she looking so steady in front of her, as if never was shame about her--and her there soon to be; and no ring of gold upon her hand, and all the world staring!" broke in the Master, who, having edged away from the cholera hammer, was launched upon a theme that stirred his very soul. "All the world staring, and good reason," he added.

"And she scarce winking, eh?" said the apprentice. "True that--her eyes didn't feel the cold," said the Master of Burials with a leer, for to his sight as to that of others, only as boldness had been Guida's bitter courage, the blank, despairing gaze, coming from eyes that turn their agony inward.

The apprentice took up the account again, and prepared to read it. The Master, however, had been roused to a genial theme. "Poor fallen child of Nature!" said he. "For what is birth or what is looks of virtue like a summer flower! It is to be brought down by hand of man." He was warmed to his text. Habit had long made him so much hypocrite, that he was sentimentalist and hard materialist in one. "Some pend'loque has brought her beauty to this pass, but she must suffer--and also his time will come, the sulphur, the torment, the worm that dieth not--and no Abraham for parched tongue--misery me! They that meet in sin here shall meet hereafter in burning fiery furnace."

The cackle of the apprentice rose above the whining voice. "Murder, too --don't forget the murder, master. The Connetable told the old Sieur de Mauprat what people were blabbing, and in half-hour dead he is--he."

"Et ben, the Sieur's blood it is upon their heads," continued the Master of Burials; "it will rise up from the ground--"

The apprentice interrupted. "A good thing if the Sieur himself doesn't rise, for you'd get naught for coffin or obs'quies. It was you tells the Connetable what folks babbled, and the Connetable tells the Sieur, and the Sieur it kills him dead. So if he rised, he'd not pay you for murdering him--no, bidemme! And 'tis a gobbly mouthful--this," he added, holding up the bill.

The undertaker's lips smacked softly, as though in truth he were waiting for the mouthful. Rubbing his hands, and drawing his lean leg up till it touched his nose, he looked over it with avid eyes, and said: "How much-- don't read the items, but come to total debit--how much she pays me?"

Ma'm'selle Landresse, debtor in all for one hundred and twenty livres, eleven sols and two farthings.

Shan't you make it one hundred and twenty-one livres?" added the apprentice.

"God forbid, the odd sols and farthings are mine--no more!" returned the Master of Burials. "Also they look exact; but the courage it needs to be honest! O my grief, if--"

"'Sh!" said the apprentice, pointing, and the Master of Burials, turning, saw Guida pass the window. With a hungry instinct for the morbid they stole to the doorway and looked down the Rue d'Driere after her. The Master was sympathetic, for had he not in his fingers at that moment a bill for a hundred and twenty livres odd? The way the apprentice craned his neck, and tightened the forehead over his large, protuberant eyes, showed his intense curiosity, but the face was implacable. It was like that of some strong fate, superior to all influences of sorrow, shame, or death. Presently he laughed--a crackling cackle like new-lighted kindling wood; nothing could have been more inhuman in sound. What in particular aroused this arid mirth probably he himself did not know. Maybe it was a native cruelty which had a sort of sardonic pleasure in the miseries of the world. Or was it only the perception, sometimes given to the dullest mind, of the futility of goodness, the futility of all? This perhaps, since the apprentice shared with Dormy Jamais his rooms at the top of the Cohue Royale; and there must have been some natural bond of kindness between the blank, sardonic undertaker's apprentice and the poor beganne, who now officially rang the bell for the meetings of the Royal Court.

The dry cackle of the apprentice as he looked after Guida roused a mockery of indignation in the Master. "Sacre matin, a back-hander on the jaw'd do you good, slubberdegullion--you! Ah, get go scrub the coffin blacking from your jowl!" he rasped out with furious contempt.

The apprentice seemed not to hear, but kept on looking after Guida, a pitiless leer on his face. "Dame, lucky for her the Sieur died before he had chance to change his will. She'd have got ni fiche ni bran from him."

"Support d'en haut, if you don't stop that I'll give you a coffin before your time, keg of nails--you. Sorrow and prayer at the throne of grace that she may have a contrite heart"--he clutched the funeral bill tighter in his fingers--"is what we must feel for her. The day the Sieur died and it all came out, I wept. Bedtime come I had to sop my eyes with elder-water. The day o' the burial mine eyes were so sore a-draining I had to put a rotten sweet apple on 'em over-night--me."

"Ah bah, she doesn't need rosemary wash for her hair!" said the apprentice admiringly, looking down the street after Guida as she turned into the Rue d'Egypte.

Perhaps it was a momentary sympathy for beauty in distress which made the Master say, as he backed from the doorway with stealthy step:

"Gatd'en'ale, 'tis well she has enough to live on, and to provide for what's to come!"

But if it was a note of humanity in the voice it passed quickly, for presently, as he examined the bill for the funeral of the Sieur de Mauprat, he said shrilly:

"Achocre, you've left out the extra satin for his pillow--you."

"There wasn't any extra satin," drawled the apprentice.

With a snarl the Master of Burials seized a pen and wrote in the account:

Item: To extra satin for pillow, three livres.

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Chapter XXVIII

Guida's once blithe, rose-coloured face was pale as ivory, the mouth had a look of deep sadness, and the step was slow; but the eye was clear and steady, and her hair, brushed under the black crape of the bonnet as smoothly as its nature would admit, gave to the broad brow a setting of rare attraction and sombre nobility. It was not a face that knew inward shame, but it carried a look that showed knowledge of life's cruelties and a bitter sensitiveness to pain. Above all else it was fearless, and it had no touch of the consciousness or the consequences of sin; it was purity itself.

It alone should have proclaimed abroad her innocence, though she said no word in testimony. To most people, however, her dauntless sincerity only added to her crime and to the scandalous mystery. Yet her manner awed some, while her silence held most back. The few who came to offer sympathy, with curiousness in their eyes and as much inhumanity as pity in their hearts, were turned back gently but firmly, more than once with proud resentment.

So it chanced that soon only Maitresse Aimable came--she who asked no questions, desired no secrets--and Dormy Jamais.

Dormy had of late haunted the precincts of the Place du Vier Prison, and was the only person besides Maitresse Aimable whom Guida welcomed. His tireless feet went clac-clac past her doorway, or halted by it, or entered in when it pleased him. He was more a watch-dog than Biribi; he fetched and carried; he was silent and sleepless--always sleepless. It was as if some past misfortune had opened his eyes to the awful bitterness of life, and they had never closed again.

The Chevalier had not been with her, for on the afternoon of the very day her grandfather died, he had gone a secret voyage to St. Malo, to meet the old solicitor of his family. He knew nothing of his friend's death or of Guida's trouble. As for Carterette, Guida would not let her come --for her own sake.

Nor did Maitre Ranulph visit her after the funeral of the Sieur de Mauprat. The horror of the thing had struck him dumb, and his mind was one confused mass of conflicting thoughts. There--there were the terrifying facts before him; yet, with an obstinacy peculiar to him, he still went on believing in her goodness and in her truth. Of the man who had injured her he had no doubt, and his course was clear, in the hour when he and Philip d'Avranche should meet. Meanwhile, from a spirit of delicacy, avoiding the Place du Vier Prison, he visited Maitresse Aimable, and from day to day learned all that happened to Guida. As of old, without her knowledge, he did many things for her through the same Maitresse Aimable. And it quickly came to be known in the island that any one who spoke ill of Guida in his presence did so at no little risk. At first there had been those who marked him as the wrongdoer, but somehow that did not suit with the case, for it was clear he loved Guida now as he had always done; and this the world knew, as it had known that he would have married her all too gladly. Presently Detricand and Philip were the only names mentioned, but at last, as by common consent, Philip was settled upon, for such evidence as there was pointed that way. The gossips set about to recall all that had happened when Philip was in Jersey last. Here one came forward with a tittle of truth, and there another with tattle of falsehood, and at last as wild a story was fabricated as might be heard in a long day.

But in bitterness Guida kept her own counsel.

This day when she passed the undertaker's shop she had gone to visit the grave of her grandfather. He had died without knowing the truth, and her heart was hardened against him who had brought misery upon her. Reaching the cottage in the Place du Vier Prison now, she took from a drawer the letter Philip had written her on the day he first met the Comtesse Chantavoine. She had received it a week ago. She read it through slowly, shuddering a little once or twice. When she had finished, she drew paper to her and began a reply.

The first crisis of her life was passed. She had met the shock of utter disillusion; her own perfect honesty now fathomed the black dishonesty of the man she had loved. Death had come with sorrow and unmerited shame. But an innate greatness, a deep courage supported her. Out of her wrongs and miseries now she made a path for her future, and in that path Philip's foot should never be set. She had thought and thought, and had come to her decision. In one month she had grown years older in mind. Sorrow gave her knowledge, it threw her back on her native strength and goodness. Rising above mere personal wrongs she grew to a larger sense of womanhood, to a true understanding of her position and its needs. She loved no longer, but Philip was her husband by the law, and even as she had told him her whole mind and heart in the days of their courtship and marriage, she would tell him her whole mind and heart now. Once more, to satisfy the bond, to give full reasons for what she was about to do, she would open her soul to her husband, and then no more! In all she wrote she kept but two things back, her grandfather's death--and one other. These matters belonged to herself alone.

No, Philip d'Avranche, [she wrote], your message came too late. All that you might have said and done should have been said and done long ago, in that past which I believe in no more. I will not ask you why you acted as you did towards me. Words can alter nothing now. Once I thought you true, and this letter you send would have me still believe so. Do you then think so ill of my intelligence? In the light of the past it may be you have reason, for you know that I once believed in you! Think of it--believed in you!

How bad a man are you! In spite of all your promises; in spite of the surrender of honest heart and life to you; in spite of truth and every call of honour, you denied me--dared to deny me, at the very time you wrote this letter.

For the hopes and honours of this world, you set aside, first by secrecy, and then by falsehood, the helpless girl to whom you once swore undying love. You, who knew the open book of her heart, you threw it in the dust. "Of course there is no wife?" the Duc de Bercy said to you before the States of Bercy. "Of course," you answered. You told your lie without pity.

Were you blind that you did not see the consequences? Or did you not feel the horror of your falsehood?--to play shuttlecock with a woman's life, with the soul of your wife; for that is what your conduct means. Did you not realise it, or were you so wicked that you did not care? For I know that before you wrote me this letter, and afterwards when you had been made prince, and heir to the duchy, the Comtesse Chantavoine was openly named by the Duc de Bercy for your wife.

Now read the truth. I understand all now. I am no longer the thoughtless, believing girl whom you drew from her simple life to give her so cruel a fate. Yesterday I was a child, to-day----Oh, above all else, do you think I can ever forgive you for having killed the faith, the joy of life that was in me! You have spoiled for me for ever my rightful share of the joyous and the good. My heart is sixty though my body is not twenty. How dared you rob me of all that was my birthright, of all that was my life, and give me nothing--nothing in return!

Do you remember how I begged you not to make me marry you; but you urged me, and because I loved you and trusted you, I did? how I entreated you not to make me marry you secretly, but you insisted, and loving you, I did? how you promised you would leave me at the altar and not see me till you came again to claim me openly for your wife, and you broke that sacred promise? Do you remember--my husband!

Do you remember that night in the garden when the wind came moaning up from the sea? Do you remember how you took me in your arms, and even while I listened to your tender and assuring words, in that moment--ah, the hurt and the wrong and the shame of it! Afterwards in the strange confusion, in my blind helplessness I tried to say, "But he loved me," and I tried to forgive you. Perhaps in time I might have made myself believe I did; for then I did not know you as you are--and were; but understanding all now I feel that in that hour I really ceased to love you; and when at last I knew you had denied me, love was buried for ever.

Your worst torment is to come, mine has already been with me. When my miseries first fell upon me, I thought that I must die. Why should I live on--why should I not die? The sea was near, and it buries deep. I thought of all the people that live on the great earth, and I said to myself that the soul of one poor girl could not count, that it could concern no one but myself. It was clear to me --I must die and end all.

But there came to me a voice in the night which said: "Is thy life thine own to give or to destroy?" It was clearer than my own thinking. It told my heart that death by one's own hand meant shame; and I saw then that to find rest I must drag unwilling feet over the good name and memory of my dead loved ones. Then I remembered my mother. If you had remembered her perhaps you would have guarded the gift of my love and not have trampled it under your feet--I remembered my mother, and so I live still.

I must go on alone, with naught of what makes life bearable; you will keep climbing higher by your vanity, your strength, and your deceit. But yet I know however high you climb you will never find peace. You will remember me, and your spirit will seek in vain for rest. You will not exist for me, you will not be even a memory; but even against your will I shall always be part of you: of your brain, of your heart, of your soul--the thought of me your torment in your greatest hour. Your passion and your cowardice have lost me all; and God will punish you, be sure of that.

There is little more to say. If it lies in my power I shall never see you again while I live. And you will not wish it. Yes, in spite of your eloquent letter lying here beside me, you do not wish it, and it shall not be. I am not your wife save by the law; and little have you cared for law! Little, too, would the law help you in this now; for which you will rejoice. For the ease of your mind I hasten to tell you why.

First let me inform you that none in this land knows me to be your wife. Your letter to my grandfather never reached him, and to this hour I have held my peace. The clergyman who married us is a prisoner among the French, and the strong-box which held the register of St. Michael's Church was stolen. The one other witness, Mr. Shoreham, your lieutenant--as you tell me--went down with the Araminta. So you are safe in your denial of me. For me, I would endure all the tortures of the world rather than call you husband ever again. I am firmly set to live my own life, in my own way, with what strength God gives. At last I see beyond the Hedge.

Your course is clear. You cannot turn back now. You have gone too far. Your new honours and titles were got at the last by a falsehood. To acknowledge it would be ruin, for all the world knows that Captain Philip d'Avranche of the King's navy is now the adopted son of the Duc de Bercy. Surely the house of Bercy has cause for joy, with an imbecile for the first in succession and a traitor for the second!

I return the fifty pounds you sent me--you will not question why ....And so all ends. This is a last farewell between us.

Do you remember what you said to me on the Ecrehos? "If ever I deceive you, may I die a black, dishonourable death, abandoned and alone. I should deserve that if ever I deceived you, Guida."

Will you ever think of that, in your vain glory hereafter?

GUIDA LANDRESSE DE LANDRESSE.

IN JERSEY FIVE YEARS LATER

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Chapter XXIX

On a map the Isle of Jersey has the shape and form of a tiger on the prowl.

The fore-claws of this tiger are the lacerating pinnacles of the Corbiere and the impaling rocks of Portelet Bay and Noirmont; the hind-claws are the devastating diorite reefs of La Motte and the Banc des Violets. The head and neck, terrible and beautiful, are stretched out towards the west, as it were to scan the wild waste and jungle of the Atlantic seas. The nose is L'Etacq, the forehead Grosnez, the ear Plemont, the mouth the dark cavern by L'Etacq, and the teeth are the serried ledges of the Foret de la Brequette. At a discreet distance from the head and the tail hover the jackals of La Manche: the Paternosters, the Dirouilles, and the Ecrehos, themselves destroying where they may, or filching the remains of the tiger's feast of shipwreck and ruin. In truth, the sleek beast, with its feet planted in fearsome rocks and tides, and its ravening head set to defy the onslaught of the main, might, but for its ensnaring beauty, seem some monstrous foot-pad of the deep.

To this day the tiger's head is the lonely part of Jersey; a hundred years ago it was as distant from the Vier Marchi as is Penzance from Covent Garden. It would almost seem as if the people of Jersey, like the hangers-on of the king of the jungle, care not to approach too near the devourer's head. Even now there is but a dwelling here and there upon the lofty plateau, and none at all near the dark and menacing headland. But as if the ancient Royal Court was determined to prove its sovereignty even over the tiger's head, it stretched out its arms from the Vier Marchi to the bare neck of the beast, putting upon it a belt of defensive war; at the nape, a martello tower and barracks; underneath, two other martello towers like the teeth of a buckle.

The rest of the island was bristling with armament. Tall platforms were erected at almost speaking distance from each other, where sentinels kept watch for French frigates or privateers. Redoubts and towers were within musket-shot of each other, with watch-houses between, and at intervals every able-bodied man in the country was obliged to leave his trade to act as sentinel, or go into camp or barracks with the militia for months at a time. British cruisers sailed the Channel: now a squadron under Barrington, again under Bridport, hovered upon the coast, hoping that a French fleet might venture near.

But little of this was to be seen in the western limits of the parish of St. Ouen's. Plemont, Grosnez, L'Etacq, all that giant headland could well take care of itself--the precipitous cliffs were their own defence. A watch-house here and there sufficed. No one lived at L'Etacq, no one at Grosnez; they were too bleak, too distant and solitary. There were no houses, no huts.

If you had approached Plemont from Vinchelez-le-Haut, making for the sea, you would have said that it also had no habitation. But when at last you came to a hillock near Plemont point, looking to find nothing but sky and sea and distant islands, suddenly at your very feet you saw a small stone dwelling. Its door faced the west, looking towards the Isles of Guernsey and Sark. Fronting the north was a window like an eye, ever watching the tireless Paternosters. To the east was another tiny window like a deep loop-hole or embrasure set towards the Dirouilles and the Ecrehos.

The hut had but one room, of moderate size, with a vast chimney. Between the chimney and the western wall was a veille, which was both lounge and bed. The eastern side was given over to a few well-polished kitchen utensils, a churn, and a bread-trough. The floor was of mother earth alone, but a strip of handmade carpet was laid down before the fireplace, and there was another at the opposite end. There were also a table, a spinning-wheel, and a shelf of books.

It was not the hut of a fisherman, though upon the wall opposite the books there hung fishing-tackle, nets, and cords, while outside, on staples driven in the jutting chimney, were some lobster-pots. Upon two shelves were arranged a carpenter's and a cooper's tools, polished and in good order. And yet you would have said that neither a cooper nor a carpenter kept them in use. Everywhere there were signs of man's handicraft as well as of woman's work, but upon all was the touch of a woman. Moreover, apart from the tools there was no sign of a man's presence in the hut. There was no coat hanging behind the door, no sabots for the fields or oilskins for the sands, no pipe laid upon a ledge, no fisherman's needle holding a calendar to the wall. Whatever was the trade of the occupant, the tastes were above those of the ordinary dweller in the land. That was to be seen in a print of Raphael's "Madonna and Child" taking the place of the usual sampler upon the walls of Jersey homes; in the old clock nicely bestowed between a narrow cupboard and the tool shelves; in a few pieces of rare old china and a gold-handled sword hanging above a huge, well-carved oak chair. The chair relieved the room of anything like commonness, and somehow was in sympathy with the simple surroundings, making for dignity and sweet quiet. It was clear that only a woman could have arranged so perfectly this room and all therein. It was also clear that no man lived here.

Looking in at the doorway of this hut on a certain autumn day of the year 1797, the first thing to strike your attention was a dog lying asleep on the hearth. Then a suit of child's clothes on a chair before the fire of vraic would have caught the eye. The only thing to distinguish this particular child's dress from that of a thousand others in the island was the fineness of the material. Every thread of it had been delicately and firmly knitted, till it was like perfect soft blue cloth, relieved by a little red silk ribbon at the collar.

The hut contained as well a child's chair, just so high that when placed by the windows commanding the Paternosters its occupant might see the waves, like panthers, beating white paws against the ragged granite pinnacles; the currents writhing below at the foot of the cliffs, or at half-tide rushing up to cover the sands of the Greve aux Langons, and like animals in pain, howling through the caverns in the cliffs; the great nor'wester of November come battering the rocks, shrieking to the witches who boiled their caldrons by the ruins of Grosnez Castle that the hunt of the seas was up.

Just high enough was the little chair that of a certain day in the year its owner might look out and see mystic fires burning round the Paternosters, and lighting up the sea with awful radiance. Scarce a rock to be seen from the hut but had some legend like this: the burning Russian ship at the Paternosters, the fleet of boats with tall prows and long oars drifting upon the Dirouilles and going down to the cry of the Crusaders' Dahindahin! the Roche des Femmes at the Ecrehos, where still you may hear the cries of women in terror of the engulfing sea.

On this particular day, if you had entered the hut, no one would have welcomed you; but had you tired of waiting, and followed the indentations of the coast for a mile or more by a deep bay under tall cliffs, you would have seen a woman and a child coming quickly up the sands. Slung upon the woman's shoulders was a small fisherman's basket. The child ran before, eager to climb the hill and take the homeward path.

A man above was watching them. He had ridden along the cliff, had seen the woman in her boat making for the shore, had tethered his horse in the quarries near by, and now awaited her. He chuckled as she came on, for he had ready a surprise for her. To make it more complete he hid himself behind some boulders, and as she reached the top sprang out with an ugly grinning.

The woman looked at him calmly and waited for him to speak. There was no fear on her face, not even surprise; nothing but steady inquiry and quiet self-possession. With an air of bluster the man said:

"Aha, my lady, I'm nearer than you thought--me!" The child drew in to its mother's side and clasped her hand. There was no fear in the little fellow's look, however; he had something of the same self-possession as the woman, and his eyes were like hers, clear, unwavering, and with a frankness that consumed you. They were wells of sincerity; open-eyed, you would have called the child, wanting a more subtle description.

"I'm not to be fooled-me! Come now, let's have the count," said the man, as he whipped a greasy leather-covered book from his pocket. "Sapristi, I'm waiting. Stay yourself!" he added roughly as she moved on, and his greyish-yellow face had an evil joy at thought of the brutal work in hand.

"Who are you?" she asked, but taking her time to speak.

"Dame! you know who I am."

"I know what you are," she answered quietly.

He did not quite grasp her meaning, but the tone sounded contemptuous, and that sorted little with his self-importance.

"I'm the Seigneur's bailiff--that's who I am. Gad'rabotin, don't you put on airs with me! I'm for the tribute, so off with the bag and let's see your catch."

"I have never yet paid tribute to the seigneur of the manor."

"Well, you'll begin now. I'm the new bailiff, and if you don't pay your tale, up you come to the court of the fief to-morrow."

She looked him clearly in the eyes. "If I were a man, I should not pay the tribute, and I should go to the court of the fief to-morrow, but being a woman--"

She clasped the hand of the child tightly to her for an instant, then with a sigh she took the basket from her shoulders and, opening it, added:

"But being a woman, the fish I caught in the sea that belongs to God and to all men I must divide with the Seigneur whose bailiff spies on poor fisher-folk."

The man growled an oath and made a motion as though he would catch her by the shoulder in anger, but the look in her eyes stopped him. Counting out the fish, and giving him three out of the eight she had caught, she said:

"It matters not so much to me, but there are others poorer than I, they suffer."

With a leer the fellow stooped, and, taking up the fish, put them in the pockets of his queminzolle, all slimy from the sea as they were.

"Ba su, you haven't got much to take care of, have you? It don't take much to feed two mouths--not so much as it does three, Ma'm'selle."

Before he had ended, the woman, without reply to the insult, took the child by the hand and moved along her homeward path towards Plemont.

"A bi'tot, good-bye!" the bailiff laughed brutally. Standing with his legs apart and his hands fastened on the fish in the pockets of his long queminzolle, he called after her in sneering comment: "Ma fistre, your pride didn't fall--ba su!" Then he turned on his heel.

"Eh ben, here's mackerel for supper," he added as he mounted his horse.

The woman was Guida Landresse, the child was her child, and they lived in the little house upon the cliff at Plemont. They were hastening thither now.

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Chapter XXX

A visitor was awaiting Guida and the child: a man who, first knocking at the door, then looking in and seeing the room empty, save for the dog lying asleep by the fire, had turned slowly away, and going to the cliff edge, looked out over the sea. His movements were deliberate, his body moved slowly; the whole appearance was of great strength and nervous power. The face was preoccupied, the eyes were watchful, dark, penetrating. They seemed not only to watch but to weigh, to meditate, even to listen--as it were, to do the duty of all the senses at once. In them worked the whole forces of his nature; they were crucibles wherein every thought and emotion were fused. The jaw was set and strong, yet it was not hard. The face contradicted itself. While not gloomy it had lines like scars telling of past wounds. It was not despairing, it was not morbid, and it was not resentful; it had the look of one both credulous and indomitable. Belief was stamped upon it; not expectation or ambition, but faith and fidelity. You would have said he was a man of one set idea, though the head had a breadth sorting little with narrowness of purpose. The body was too healthy to belong to a fanatic, too powerful to be that of a dreamer alone, too firm for other than a man of action.

Several times he turned to look towards the house and up the pathway leading from the hillock to the doorway. Though he waited long he did not seem impatient; patience was part of him, and not the least part. At last he sat down on a boulder between the house and the shore, and scarcely moved, as minute after minute passed, and then an hour and more, and no one came. Presently there was a soft footstep beside him, and he turned. A dog's nose thrust itself into his hand.

"Biribi, Biribi!" he said, patting its head with his big hand. "Watching and waiting, eh, old Biribi?" The dog looked into his eyes as if he knew what was said, and would speak--or, indeed, was speaking in his own language. "That's the way of life, Biribi--watching and waiting, and watching--always watching."

Suddenly the dog caught its head away from his hand, gave a short joyful bark, and ran slowly up the hillock.

"Guida and the child," the man said aloud, moving towards the house-- "Guida and the child!"

He saw her and the little one before they saw him. Presently the child said: "See, maman," and pointed. Guida started. A swift flush passed over her face, then she smiled and made a step forward to meet her visitor.

"Maitre Ranulph--Ranulph!" she said, holding out her hand. "It's a long time since we met."

"A year," he answered simply, "just a year." He looked down at the child, then stooped, caught him up in his arms and said: "He's grown. Es-tu gentiment?" he added to the child--"es-tu gentiment, m'sieu'?"

The child did not quite understand. "Please?" it said in true Jersey fashion--at which the mother was troubled.

"O Guilbert, is that what you should say?" she asked. The child looked up quaintly at her, and with the same whimsical smile which Guida had given to another so many years ago, he looked at Ranulph and said: "Pardon, monsieur."

"Coum est qu'on etes, m'sieu'?" said Ranulph in another patois greeting.

Guida shook her head reprovingly. The child glanced swiftly at his mother as though asking permission to reply as he wished, then back at Ranulph, and was about to speak, when Guida said: "I have not taught him the Jersey patois, Ranulph; only English and French."

Her eyes met his clearly, meaningly. Her look said to him as plainly as words, The child's destiny is not here in Jersey. But as if he knew that in this she was blinding herself, and that no one can escape the influences of surroundings, he held the child back from him, and said with a smile: "Coum est qu'on vos portest?"

Now the child with elfish sense of the situation replied in Jersey English: "Naicely, thenk you."

"You see," said Ranulph to Guida, "there are things in us stronger than we are. The wind, the sea, and people we live with, they make us sing their song one way or another. It's in our bones."

A look of pain passed over Guida's face, and she did not reply to his remark, but turned almost abruptly to the doorway, saying, with just the slightest hesitation: "You will come in?"

There was no hesitation on his part. "Oui-gia!" he said, and stepped inside.

She hastily hung up the child's cap and her own, and as she gathered in the soft, waving hair, Ranulph noticed how the years had only burnished it more deeply and strengthened the beauty of the head. She had made the gesture unconsciously, but catching the look in his eye a sudden thrill of anxiety ran through her. Recovering herself, however, and with an air of bright friendliness, she laid a hand upon the great arm-chair, above which hung the ancient sword of her ancestor, the Comte Guilbert Mauprat de Chambery, and said: "Sit here, Ranulph."

Seating himself he gave a heavy sigh--one of those passing breaths of content which come to the hardest lives now and then: as though the Spirit of Life itself, in ironical apology for human existence, gives moments of respite from which hope is born again. Not for over four long years had Ranulph sat thus quietly in the presence of Guida. At first, when Maitresse Aimable had told him that Guida was leaving the Place du Vier Prison to live in this lonely place with her newborn child, he had gone to entreat her to remain; but Maitresse Aimable had been present then, and all that he could say--all that he might speak out of his friendship, out of the old love, now deep pity and sorrow--was of no avail. It had been borne in upon him then that she was not morbid, but that her mind had a sane, fixed purpose which she was intent to fulfil. It was as though she had made some strange covenant with a little helpless life, with a little face that was all her face; and that covenant she would keep.

So he had left her, and so to do her service had been granted elsewhere. The Chevalier, with perfect wisdom and nobility, insisted on being to Guida what he had always been, accepting what was as though it had always been, and speaking as naturally of her and the child as though there had always been a Guida and the child. Thus it was that he counted himself her protector, though he sat far away in the upper room of Elie Mattingley's house in the Rue d'Egypte, thinking his own thoughts, biding the time when she should come back to the world, and mystery be over, and happiness come once more; hoping only that he might live to see it.

Under his directions, Jean Touzel had removed the few things that Guida took with her to Plemont; and instructed by him, Elie Mattingley sold her furniture. Thus Guida had settled at Plemont, and there over four years of her life were passed.

"Your father--how is he?" she asked presently. "Feeble," replied Ranulph; "he goes abroad but little now."

"It was said the Royal Court was to make him a gift, in remembrance of the Battle of Jersey." Ranulph turned his head away from her to the child, and beckoned him over. The child came instantly.

As Ranulph lifted him on his knee he answered Guida: "My father did not take it."

"Then they said you were to be connetable--the grand monsieur. "She smiled at him in a friendly way.

"They said wrong," replied Ranulph.

"Most people would be glad of it," rejoined Guida. "My mother used to say you would be Bailly one day."

"Who knows--perhaps I might have been!"

She looked at him half sadly, half curiously. "You--you haven't any ambitions now, Maitre Ranulph?" It suddenly struck her that perhaps she was responsible for the maiming of this man's life--for clearly it was maimed. More than once she had thought of it, but it came home to her to-day with force. Years ago Ranulph Delagarde had been spoken of as one who might do great things, even to becoming Bailly. In the eyes of a Jerseyman to be Bailly was to be great, with jurats sitting in a row on either side of him and more important than any judge in the Kingdom. Looking back now Guida realised that Ranulph had never been the same since that day on the Ecrehos when his father had returned and Philip had told his wild tale of love.

A great bitterness suddenly welled up in her. Without intention, without blame, she had brought suffering upon others. The untoward happenings of her life had killed her grandfather, had bowed and aged the old Chevalier, had forced her to reject the friendship of Carterette Mattingley, for the girl's own sake; had made the heart of one fat old woman heavy within her; and, it would seem, had taken hope and ambition from the life of this man before her. Love in itself is but a bitter pleasure; when it is given to the unworthy it becomes a torture--and so far as Ranulph and the world knew she was wholly unworthy. Of late she had sometimes wondered if, after all, she had had the right to do as she had done in accepting the public shame, and in not proclaiming the truth: if to act for one's own heart, feelings, and life alone, no matter how perfect the honesty, is not a sort of noble cruelty, or cruel nobility; an egotism which obeys but its own commandments, finding its own straight and narrow path by first disbarring the feelings and lives of others. Had she done what was best for the child? Misgiving upon this point made her heart ache bitterly. Was life then but a series of trist condonings at the best, of humiliating compromises at the worst?

She repeated her question to Ranulph now. "You haven't ambition any longer?"

"I'm busy building ships," he answered evasively. "I build good ships, they tell me, and I am strong and healthy. As for being connetable, I'd rather help prisoners free than hale them before the Royal Court. For somehow when you get at the bottom of most crimes--the small ones leastways--you find they weren't quite meant. I expect--I expect," he added gravely, "that half the crimes oughtn't to be punished at all; for it's queer that things which hurt most can't be punished by law."

"Perhaps it evens up in the long end," answered Guida, turning away from him to the fire, and feeling her heart beat faster as she saw how the child nestled in Ranulph's arms--her child which had no father. "You see," she added, "if some are punished who oughtn't to be, there are others who ought to be that aren't, and the worst of it is, we care so little for real justice that we often wouldn't punish if we could. I have come to feel that. Sometimes if you do exactly what's right, you hurt some one you don't wish to hurt, and if you don't do exactly what's right, perhaps that some one else hurts you. So, often, we would rather be hurt than hurt."

With the last words she turned from the fire and involuntarily faced him. Their eyes met. In hers were only the pity of life, the sadness, the cruelty of misfortune, and friendliness for him. In his eyes was purpose definite, strong.

He went over and put the child in its high chair. Then coming a little nearer to Guida, he said:

"There's only one thing in life that really hurts--playing false."

Her heart suddenly stopped beating. What was Ranulph going to say? After all these years was he going to speak of Philip? But she did not reply according to her thought.

"Have people played false in your life--ever?" she asked.

"If you'll listen to me I'll tell you how," he answered. "Wait, wait," she said in trepidation. "It--it has nothing to do with me?"

He shook his head. "It has only to do with my father and myself. When I've told you, then you must say whether you will have anything to do with it, or with me.... You remember," he continued, without waiting for her to speak, "you remember that day upon the Ecrehos--five years ago? Well, that day I had made up my mind to tell you in so many words what I hoped you had always known, Guida. I didn't--why? Not because of another man--no, no, I don't mean to hurt you, but I must tell you the truth now--not because of another man, for I should have bided my chance with him."

"Ranulph, Ranulph," she broke in, "you must not speak of this now! Do you not see it hurts me? It is not like you. It is not right of you--"

A sudden emotion seized him, and his voice shook. "Not right! You should know that I'd never say one word to hurt you, or do one thing to wrong you. But I must speak to-day-I must tell you everything. I've thought of it for four long years, and I know now that what I mean to do is right."

She sat down in the great arm-chair. A sudden weakness came upon her: she was being brought face to face with days of which she had never allowed herself to think, for she lived always in the future now.

"Go on," she said helplessly. "What have you to say, Ranulph?"

"I will tell you why I didn't speak of my love to you that day we went to the Ecrehos. My father came back that day."

"Yes, yes," she said; "of course you had to think of him."

"Yes, I had to think of him, but not in the way you mean. Be patient a little while," he added.

Then in a few words he told her the whole story of his father's treachery and crime, from the night before the Battle of Jersey up to their meeting again upon the Ecrehos.

Guida was amazed and moved. Her heart filled with pity. "Ranulph--poor Ranulph!" she said, half rising in her seat.

"No, no--wait," he rejoined. "Sit where you are till I tell you all. Guida, you don't know what a life it has been for me these four years. I used to be able to look every man in the face without caring whether he liked me or hated me, for then I had never lied, I had never done a mean thing to any man; I had never deceived--nannin-gia, never! But when my father came back, then I had to play a false game. He had lied, and to save him I either had to hold my peace or tell his story. Speaking was lying or being silent was lying. Mind you, I'm not complaining, I'm not saying it because I want any pity. No, I'm saying it because it's the truth, and I want you to know the truth. You understand what it means to feel right in your own mind--if you feel that way, the rest of life is easy. Eh ben, what a thing it is to get up in the morning, build your fire, make your breakfast, and sit down facing a man whose whole life's a lie, and that man your own father! Some morning perhaps you forget, and you go out into the sun, and it all seems good; and you take your tools and go to work, and the sea comes washing up the shingle, and you think that the shir-r-r-r of the water on the pebbles and the singing of the saw and the clang of the hammer are the best music in the world. But all at once you remember--and then you work harder, not because you love work now for its own sake, but because it uses up your misery and makes you tired; and being tired you can sleep, and in sleep you can forget. Yet nearly all the time you're awake it fairly kills you, for you feel some one always at your elbow whispering, 'you'll never be happy again, you'll never be happy again!' And when you tell the truth about anything, that some one at your elbow laughs and says: 'Nobody believes--your whole life's a lie!' And if the worst man you know passes you by, that some one at your elbow says: 'You can wear a mask, but you're no better than he, no better, no--"'

While Ranulph spoke Guida's face showed a pity and a kindness as deep as the sorrow which had deepened her nature. She shook her head once or twice as though to say, Surely, what suffering! and now this seemed to strike Ranulph, to convict him of selfishness, for he suddenly stopped. His face cleared, and, smiling with a little of his old-time cheerfulness, he said:

"Yet one gets used to it and works on because one knows it will all come right sometime. I'm of the kind that waits."

She looked up at him with her old wide-eyed steadfastness and replied: "You are a good man, Ranulph." He stood gazing at her a moment without remark, then he said:

"No, ba su, no! but it's like you to say I am." Then he added suddenly: "I've told you the whole truth about myself and about my father. He did a bad thing, and I've stood by him. At first, I nursed my troubles and my shame. I used to think I couldn't live it out, that I had no right to any happiness. But I've changed my mind about that-oui-gia! As I hammered away at my ships month in month out, year in year out, the truth came home to me at last. What right had I to sit down and brood over my miseries? I didn't love my father, but I've done wrong for him, and I've stuck to him. Well, I did love--and I do love--some one else, and I should only be doing right to tell her, and to ask her to let me stand with her against the world."

He was looking down at her with all his story in his face. She put out her hand quickly as if in protest and said:

"Ranulph--ah no, Ranulph--"

"But yes, Guida," he replied with stubborn tenderness, "it is you I mean --it is you I've always meant. You have always been a hundred times more to me than my father, but I let you fight your fight alone. I've waked up now to my mistake. But I tell you true that though I love you better than anything in the world, if things had gone well with you I'd never have come to you. I never came, because of my father, and I'd never have come because you are too far above me always--too fine, too noble for me. I only come now because we're both apart from the world and lonely beyond telling; because we need each other. I have just one thing to say: that we two should stand together. There's none ever can be so near as those that have had hard troubles, that have had bitter wrongs. And when there's love too, what can break the bond! You and I are apart from the world, a black loneliness no one understands. Let us be lonely no longer. Let us live our lives together. What shall we care for the rest of the world if we know we mean to do good and no wrong? So I've come to ask you to let me care for you and the child, to ask you to make my home your home. My father hasn't long to live, and when he is gone we could leave this island for ever. Will you come, Guida?"

She had never taken her eyes from his face, and as his story grew her face lighted with emotion, the glow of a moment's content, of a fleeting joy. In spite of all, this man loved her, he wanted to marry her--in spite of all. Glad to know that such men lived--and with how dark memories contrasting with this bright experience-she said to him once again: "You are a good man, Ranulph."

Coming near to her, he said in a voice husky with feeling: "Will you be my wife, Guida?"

She stood up, one hand resting on the arm of the great chair, the other half held out in pitying deprecation.

"No, Ranulph, no; I can never, never be your wife--never in this world."

For an instant he looked at her dumfounded, then turned away to the fireplace slowly and heavily. "I suppose it was too much to hope for," he said bitterly. He realised now how much she was above him, even in her sorrow and shame.

"You forget," she answered quietly, and her hand went out suddenly to the soft curls of the child, "you forget what the world says about me."

There was a kind of fierceness in his look as he turned to her again.

"Me--I have always forgotten--everything," he answered. "Have you thought that for all these years I've believed one word? Secours d'la vie, of what use is faith, what use to trust, if you thought I believed! I do not know the truth, for you have not told me; but I do know, as I know I have a heart in me--I do know that there never was any wrong in you. It is you who forget," he added quickly--"it is you who forget. I tried to tell you all this before; three years ago I tried to tell you. You stopped me, you would not listen. Perhaps you've thought I did not know what has happened to you every week, almost every day of your life? A hundred times I have walked here and you haven't seen me--when you were asleep, when you were fishing, when you were working like a man in the fields and the garden; you who ought to be cared for by a man, working like a slave at man's work. But, no, no, you have not thought well of me, or you would have known that every day I cared, every day I watched, and waited, and hoped--and believed!"

She came to him slowly where he stood, his great frame trembling with his passion and the hurt she had given him, and laying her hand upon his arm, she said:

"Your faith was a blind one, Ro. I was either a girl who--who deserved nothing of the world, or I was a wife. I had no husband, had I? Then I must have been a girl who deserved nothing of the world, or of you. Your faith was blind, Ranulph, you see it was blind."

"What I know is this," he repeated with dogged persistence--"what I know is this: that whatever was wrong, there was no wrong in you. My life a hundred times on that!"

She smiled at him, the brightest smile that had been on her face these years past, and she answered softly: "'I did not think there was so great faith--no, not in Israel!'" Then the happiness passed from her lips to her eyes. "Your faith has made me happy, Ro--I am selfish, you see. Your love in itself could not make me happy, for I have no right to listen, because--"

She paused. It seemed too hard to say: the door of her heart enclosing her secret opened so slowly, so slowly. A struggle was going on in her. Every feeling, every force of her nature was alive. Once, twice, thrice she tried to speak and could not. At last with bursting heart and eyes swimming with tears she said solemnly:

"I can never marry you, Ranulph, and I have no right to listen to your words of love, because--because I am a wife."

Then she gave a great sigh of relief; like some penitent who has for a lifetime hidden a sin or a sorrow and suddenly finds the joy of a confessional which relieves the sick heart, takes away the hand of loneliness that clamps it, and gives it freedom again; lifting the poor slave from the rack of secrecy, the cruelest inquisition of life and time. She repeated the words once more, a little louder, a little clearer. She had vindicated herself to God, now she vindicated herself to man--though to but one.

"I can never marry you; because I am a wife," she said again. There was a slight pause, and then the final word was said: "I am the wife of Philip d'Avranche."

Ranulph did not speak. He stood still and rigid, looking with eyes that scarcely saw.

"I had not intended telling any one until the time should come"--once more her hand reached out and tremblingly stroked the head of the child --"but your faith has forced it from me. I couldn't let you go from me now, ignorant of the truth, you whose trust is beyond telling. Ranulph, I want you to know that I am at least no worse than you thought me."

The look in his face was one of triumph, mingled with despair, hatred, and purpose--hatred of Philip d'Avranche, and purpose concerning him. He gloried now in knowing that Guida might take her place among the honest women of this world,--as the world terms honesty,--but he had received the death-blow to his every hope. He had lost her altogether, he who had watched and waited; who had served and followed, in season and out of season; who had been the faithful friend, keeping his eye fixed only upon her happiness; who had given all; who had poured out his heart like water, and his life like wine before her.

At first he only grasped the fact that Philip d'Avranche was the husband of the woman he loved, and that she had been abandoned. Then sudden remembrance stunned him: Philip d'Avranche, Duc de Bercy, had another wife. He remembered--it had been burned into his brain the day he saw it first in the Gazette de Jersey--that he had married the Comtesse Chantavoine, niece of the Marquis Grandjon-Larisse, upon the very day, and but an hour before, the old Duc de Bercy suddenly died. It flashed across his mind now what he had felt then. He had always believed that Philip had wronged Guida; and long ago he would have gone in search of him--gone to try the strength of his arm against this cowardly marauder, as he held him--but his father's ill-health had kept him where he was, and Philip was at sea upon the nation's business. So the years had gone on until now.

His brain soon cleared. All that he had ever thought upon the matter now crystallised itself into the very truth of the affair. Philip had married Guida secretly; but his new future had opened up to him all at once, and he had married again--a crime, but a crime which in high places sometimes goes unpunished. How monstrous it was that such vile wickedness should be delivered against this woman before him, in whom beauty, goodness, power were commingled! She was the real Princess Philip d'Avranche, and this child of hers--now he understood why she allowed Guilbert to speak no patois.

They scarcely knew how long they stood silent, she with her hand stroking the child's golden hair, he white and dazed, looking, looking at her and the child, as the thing resolved itself to him. At last, in a voice which neither he nor she could quite recognise as his own, he said:

"Of course you live now only for Guilbert."

How she thanked him in her heart for the things he had left unsaid, those things which clear-eyed and great-minded folk, high or humble, always understand. There was no selfish lamenting, no reproaches, none of the futile banalities of the lover who fails to see that it is no crime for a woman not to love him. The thing he had said was the thing she most cared to hear.

"Only for that, Ranulph," she answered.

"When will you claim the child's rights?"

She shook her head sadly. "I do not know," she answered with hesitation. "I will tell you all about it."

Then she told him of the lost register of St. Michael's, and about the Reverend Lorenzo Dow, but she said nothing as to why she had kept silence. She felt that, man though he was, he might divine something of the truth. In any case he knew that Philip had deserted her.

After a moment he said: "I'll find Mr. Dow if he is alive, and the register too. Then the boy shall have his rights."

"No, Ranulph," she answered firmly, "it shall be in my own time. I must keep the child with me. I know not when I shall speak; I am biding my day. Once I thought I never should speak, but then I did not see all, did not wholly see my duty towards Guilbert. It is so hard to find what is wise and just."

"When the proofs are found your child shall have his rights," he said with grim insistence.

"I would never let him go from me," she answered, and, leaning over, she impulsively clasped the little Guilbert in her arms.

"There'll be no need for Guilbert to go from you," he rejoined, "for when your rights come to you, Philip d'Avranche will not be living."

"Will not be living!" she said in amazement. She did not understand.

"I mean to kill him," he answered sternly.

She started, and the light of anger leaped into her eyes. "You mean to kill Philip d'Avranche--you, Maitre Ranulph Delagarde!" she exclaimed. "Whom has he wronged? Myself and my child only--his wife and his child. Men have been killed for lesser wrongs, but the right to kill does not belong to you. You speak of killing Philip d'Avranche, and yet you dare to say you are my friend!"

In that moment Ranulph learned more than he had ever guessed of life's subtle distinctions and the workings of a woman's mind; and he knew that she was right. Her father, her grandfather, might have killed Philip d'Avranche--any one but himself, he the man who had but now declared his love for her. Clearly his selfishness had blinded him. Right was on his side, but not the formal codes by which men live. He could not avenge Guida's wrongs upon her husband, for all men knew that he himself had loved her for years.

"Forgive me," he said in a low tone. Then a new thought came to him. "Do you think your not speaking all these years was best for the child?" he asked.

Her lips trembled. "Oh, that thought," she said, "that thought has made me unhappy so often! It comes to me at night as I lie sleepless, and I wonder if my child will grow up and turn against me one day. Yet I did what I thought was right, Ranulph, I did the only thing I could do. I would rather have died than--"

She stopped short. No, not even to this man who knew all could she speak her whole mind; but sometimes the thought came to her with horrifying acuteness: was it possible that she ought to have sunk her own disillusions, misery, and contempt of Philip d'Avranche, for the child's sake? She shuddered even now as the reflection of that possibility came to her--to live with Philip d'Avranche!

Of late she had felt that a crisis was near. She had had premonitions that her fate, good or bad, was closing in upon her; that these days in this lonely spot with her child, with her love for it and its love for her, were numbered; that dreams must soon give way for action, and this devoted peace would be broken, she knew not how.

Stooping, she kissed the little fellow upon the forehead and the eyes, and his two hands came up and clasped both her cheeks.

"Tu m'aimes, maman?" the child asked. She had taught him the pretty question.

"Comme la vie, comme la vie!" she answered with a half sob, and caught up the little one to her bosom. Now she looked towards the window. Ranulph followed her look, and saw that the shades of night were falling.

"I have far to walk," he said; "I must be going." As he held out his hand to Guida the child leaned over and touched him on the shoulder. "What is your name, man?" he asked.

He smiled, and, taking the warm little hand in his own, he said: "My name is Ranulph, little gentleman. Ranulph's my name, but you shall call me Ro."

"Good-night, Ro, man," the child answered with a mischievous smile.

The scene brought up another such scene in Guida's life so many years ago. Instinctively she drew back with the child, a look of pain crossing her face. But Ranulph did not see; he was going. At the doorway he turned and said:

"You know you can trust me. Good-bye."

THE BATTLE OF THE STRONG

[A ROMANCE OF TWO KINGDOMS]

By Gilbert Parker

Volume 5.

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Chapter XXXI

When Ranulph returned to his little house at St. Aubin's Bay night had fallen. Approaching he saw there was no light in the windows. The blinds were not drawn, and no glimmer of fire came from the chimney. He hesitated at the door, for he instinctively felt that something must have happened to his father. He was just about to enter, however, when some one came hurriedly round the corner of the house.

"Whist, boy," said a voice; "I've news for you." Ranulph recognised the voice as that of Dormy Jamais. Dormy plucked at his sleeve. "Come with me, boy," said he.

"Come inside if you want to tell me something," answered Ranulph.

"Ah bah, not for me! Stone walls have ears. I'll tell only you and the wind that hears and runs away."

"I must speak to my father first," answered Ranulph.

"Come with me, I've got him safe," Dormy chuckled to himself.

Ranulph's heavy hand dropped on his shoulder. "What's that you're saying--my father with you! What's the matter?"

As though oblivious of Ranulph's hand Dormy went on chuckling.

"Whoever burns me for a fool 'll lose their ashes. Des monz a fous--I have a head! Come with me." Ranulph saw that he must humour the shrewd natural, so he said:

"Et ben, put your four shirts in five bundles and come along." He was a true Jerseyman at heart, and speaking to such as Dormy Jamais he used the homely patois phrases. He knew there was no use hurrying the little man, he would take his own time.

"There's been the devil to pay," said Dormy as he ran towards the shore, his sabots going clac--clac, clac--clac. "There's been the devil to pay in St. Heliers, boy." He spoke scarcely above a whisper.

"Tcheche--what's that?" said Ranulph. But Dormy was not to uncover his pot of roses till his own time. "That connetable's got no more wit than a square bladed knife," he rattled on. "But gache-a-penn, I'm hungry!" And as he ran he began munching a lump of bread he took from his pocket.

For the next five minutes they went on in silence. It was quite dark, and as they passed up Market Hill--called Ghost Lane because of the Good Little People who made it their highway--Dormy caught hold of Ranulph's coat and trotted along beside him. As they went, tokens of the life within came out to them through doorway and window. Now it was the voice of a laughing young mother:

"Si tu as faim Manges ta main Et gardes l'autre pour demain; Et ta tete Pour le jour de fete; Et ton gros ortee Pour le Jour Saint Norbe"

And again:

"Let us pluck the bill of the lark, The lark from head to tail--"

He knew the voice. It was that of a young wife of the parish of St. Saviour: married happily, living simply, given a frugal board, after the manner of her kind, and a comradeship for life. For the moment he felt little but sorrow for himself. The world seemed to be conspiring against him: the chorus of Fate was singing behind the scenes, singing of the happiness of others in sardonic comment on his own final unhappiness. Yet despite the pain of finality there was on him something of the apathy of despair.

From another doorway came fragments of a song sung at a veille. The door was open, and he could see within the happy gathering of lads and lassies in the light of the crasset. There was the spacious kitchen, its beams and rafters dark with age, adorned with flitches of bacon, huge loaves resting in the racllyi beneath the centre beam, the broad open hearth, the flaming fire of logs, and the great brass pan shining like fresh- coined gold, on its iron tripod over the logs. Lassies in their short woollen petticoats, and bedgones of blue and lilac, with boisterous lads, were stirring the contents of the vast bashin--many cabots of apples, together with sugar, lemon-peel, and cider; the old ladies in mob-caps tied under the chin, measuring out the nutmeg and cinnamon to complete the making of the black butter: a jocund recreation for all, and at all times.

In one corner was a fiddler, and on the veille, flourished for the occasion with satinettes and fern, sat two centeniers and the prevot, singing an old song in the patois of three parishes.

Ranulph looked at the scene lingeringly. Here he was, with mystery and peril to hasten his steps, loitering at the spot where the light of home streamed out upon the roadway. But though he lingered, somehow he seemed withdrawn from all these things; they were to him now as pictures of a distant past.

Dormy plucked at his coat. "Come, come, lift your feet, lift your feet," said he; "it's no time to walk in slippers. The old man will be getting scared, oui-gia!" Ranulph roused himself. Yes, yes, he must hurry on. He had not forgotten his father, but something held him here; as though Fate were whispering in his ear. What does it matter now? While yet you may, feed on the sight of happiness. So the prisoner going to execution seizes one of the few moments left to him for prayer, to look lingeringly upon what he leaves, as though to carry into the dark a clear remembrance of it all.

Moving on quietly in a kind of dream, Ranulph was roused again by Dormy's voice: "On Sunday I saw three magpies, and there was a wedding that day. Tuesday I saw two--that's for joy--and fifty Jersey prisoners of the French comes back on Jersey that day. This morning one I saw. One magpie is for trouble, and trouble's here. One doesn't have eyes for naught--no, bidemme!"

Ranulph's patience was exhausted.

"Bachouar," he exclaimed roughly, "you make elephants out of fleas! You've got no more news than a conch-shell has music. A minute and you'll have a back-hander that'll put you to sleep, Maitre Dormy."

If he had been asked his news politely Dormy would have been still more cunningly reticent. To abuse him in his own argot was to make him loose his bag of mice in a flash.

"Bachouar yourself, Maitre Ranulph! You'll find out soon. No news--no trouble--eh! Par made, Mattingley's gone to the Vier Prison--he! The baker's come back, and the Connetable's after Olivier Delagarde. No trouble, pardingue, if no trouble, Dormy Jamais's a batd'lagoule and no need for father of you to hide in a place that only Dormy knows--my good!"

So at last the blow had fallen; after all these years of silence, sacrifice, and misery. The futility of all that he had done and suffered for his father's sake came home to Ranulph. Yet his brain was instantly alive. He questioned Dormy rapidly and adroitly, and got the story from him in patches.

The baker Carcaud, who, with Olivier Delagarde, betrayed the country into the hands of Rullecour years ago, had, with a French confederate of Mattingley's, been captured in attempting to steal Jean Touzel's boat, the Hardi Biaou. At the capture the confederate had been shot. Before dying he implicated Mattingley in several robberies, and a notorious case of piracy of three months before, committed within gunshot of the men-of- war lying in the tide-way. Carcaud, seriously wounded, to save his life turned King's evidence, and disclosed to the Royal Court in private his own guilt and Olivier Delagarde's treason.

Hidden behind the great chair of the Bailly himself, Dormy Jamais had heard the whole business. This had brought him hot-foot to St. Aubin's Bay, whence he had hurried Olivier Delagarde to a hiding-place in the hills above the bay of St. Brelade. The fool had travelled more swiftly than Jersey justice, whose feet are heavy. Elie Mattingley was now in the Vier Prison. There was the whole story.

The mask had fallen, the game was up. Well, at least there would be no more lying, no more brutalising inward shame. All at once it appeared to Ranulph madness that he had not taken his father away from Jersey long ago. Yet too he knew that as things had been with Guida he could never have stayed away.

Nothing was left but action. He must get his father clear of the island and that soon. But how? and where should they go? He had a boat in St. Aubin's Bay: getting there under cover of darkness he might embark with his father and set sail--whither? To Sark--there was no safety there. To Guernsey--that was no better. To France--yes, that was it, to the war of the Vendee, to join Detricand. No need to find the scrap of paper once given him in the Vier Marchi. Wherever Detricand might be, his fame was the highway to him. All France knew of the companion of de la Rochejaquelein, the fearless Comte de Tournay. Ranulph made his decision. Shamed and dishonoured in Jersey, in that holy war of the Vendee he would find something to kill memory, to take him out of life without disgrace. His father must go with him to France, and bide his fate there also.

By the time his mind was thus made up, they had reached the lonely headland dividing Portelet Bay from St. Brelade's. Dark things were said of this spot, and the country folk of the island were wont to avoid it. Beneath the cliffs in the sea was a rocky islet called Janvrin's Tomb. One Janvrin, ill of a fell disease, and with his fellows forbidden by the Royal Court to land, had taken refuge here, and died wholly neglected and without burial. Afterwards his body lay exposed till the ravens and vultures devoured it, and at last a great storm swept his bones off into the sea. Strange lights were to be seen about this rock, and though wise men guessed them mortal glimmerings, easily explained, they sufficed to give the headland immunity from invasion.

To a cave at this point Dormy Jamais had brought the trembling Olivier Delagarde, unrepenting and peevish, but with a craven fear of the Royal Court and a furious populace quickening his footsteps. This hiding-place was entered at low tide by a passage from a larger cave. It was like a little vaulted chapel floored with sand and shingle. A crevice through rock and earth to the world above let in the light and out the smoke.

Here Olivier Delagarde sat crouched over a tiny fire, with some bread and a jar of water at his hand, gesticulating and talking to himself. The long white hair and beard, with the benevolent forehead, gave him the look of some latter-day St. Helier, grieving for the sins and praying for the sorrows of mankind; but from the hateful mouth came profanity fit only for the dreadful communion of a Witches' Sabbath.

Hearing the footsteps of Ranulph and Dormy, he crouched and shivered in terror, but Ranulph, who knew too well his revolting cowardice, called to him reassuringly. On their approach he stretched out his talon-like fingers in a gesture of entreaty.

"You'll not let them hang me, Ranulph--you'll save me," he whimpered.

"Don't be afraid, they shall not hang you," Ranulph replied quietly, and began warming his hands at the fire. "You'll swear it, Ranulph--on the Bible?"

"I've told you they shall not hang you. You ought to know by now whether I mean what I say," his son answered more sharply.

Assuredly Ranulph meant that his father should not be hanged. Whatever the law was, whatever wrong the old man had done, it had been atoned for; the price had been paid by both. He himself had drunk the cup of shame to the dregs, but now he would not swallow the dregs. An iron determination entered into him. He had endured all that he would endure from man. He had set out to defend Olivier Delagarde from the worst that might happen, and he was ready to do so to the bitter end. His scheme of justice might not be that of the Royal Court, but he would defend it with his life. He had suddenly grown hard--and dangerous.

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Chapter XXXII

The Royal Court was sitting late. Candles had been brought to light the long desk or dais where sat the Bailly in his great chair, and the twelve scarlet-robed jurats. The Attorney-General stood at his desk, mechanically scanning the indictment read against prisoners charged with capital crimes. His work was over, and according to his lights he had done it well. Not even the Undertaker's Apprentice could have been less sensitive to the struggles of humanity under the heel of fate and death. A plaintive complacency, a little righteous austerity, and an agreeable expression of hunger made the Attorney-General a figure in godly contrast to the prisoner awaiting his doom in the iron cage opposite.

There was a singular stillness in this sombre Royal Court, where only a tallow candle or two and a dim lanthorn near the door filled the room with flickering shadows-great heads upon the wall drawing close together, and vast lips murmuring awful secrets. Low whisperings came through the dusk like mournful nightwinds carrying tales of awe through a heavy forest. Once in the long silence a figure rose up silently, and stealing across the room to a door near the jury box, tapped upon it with a pencil. A moment's pause, the door opened slightly, and another shadowy figure appeared, whispered, and vanished. Then the first figure closed the door again silently, and came and spoke softly up to the Bailly, who yawned in his hand, sat back in his chair, and drummed his fingers upon the arm. Thereupon the other--the greffier of the court--settled down at his desk beneath the jurats, and peered into an open book before him, his eyes close to the page, reading silently by the meagre light of a candle from the great desk behind him.

Now a fat and ponderous avocat rose up and was about to speak, but the Bailly, with a peevish gesture, waved him down, and he settled heavily into place again.

At last the door at which the greffier had tapped opened, and a gaunt figure in a red robe came out. Standing in the middle of the room he motioned towards the great pew opposite the Attorney-General. Slowly the twenty-four men of the grand jury following him filed into place and sat themselves down in the shadows. Then the gaunt figure--the Vicomte or high sheriff--bowing to the Bailly and the jurats, went over and took his seat beside the Attorney-General. Whereupon the Bailly leaned forward and droned a question to the Grand Enquete in the shadow. One rose up from among the twenty-four, and out of the dusk there came in reply to the Judge a squeaking voice:

"We find the Prisoner at the Bar more Guilty than Innocent."

A shudder ran through the court. But some one not in the room shuddered still more violently. From the gable window of a house in the Rue des Tres Pigeons, a girl had sat the livelong day, looking, looking into the court-room. She had watched the day decline, the evening come, and the lighting of the crassets and the candles, and had waited to hear the words that meant more to her than her own life. At last the great moment came, and she could hear the foreman's voice whining the fateful words, "More Guilty than Innocent."

It was Carterette Mattingley, and the prisoner at the bar was her father.

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Chapter XXXIII

Mattingley's dungeon was infested with rats and other vermin, he had only straw for his bed, and his food and drink were bread and water. The walls were damp with moisture from the Fauxbie running beneath, and a mere glimmer of light came through a small barred window. Superstition had surrounded the Vier Prison with horrors. As carts passed under the great archway, its depth multiplied the sounds so powerfully, the echoes were so fantastic, that folk believed them the roarings of fiendish spirits. If a mounted guard hurried through, the reverberation of the drum-beats and the clatter of hoofs were so uncouth that children stopped their ears and fled in terror. To the ignorant populace the Vier Prison was the home of noisome serpents and the rendezvous of the devil and his witches of Rocbert.

When therefore the seafaring merchant of the Vier Marchi, whose massive, brass-studded bahue had been as a gay bazaar where the gentry of Jersey refreshed their wardrobes, with one eye closed--when he was transferred to the Vier Prison, little wonder he should become a dreadful being round whom played the lightnings of dark fancy. Elie Mattingley the popular sinner, with insolent gold rings in his ears, unchallenged as to how he came by his merchandise, was one person; Elie Mattingley, a torch for the burning, and housed amid the terrors of the Vier Prison, was another.

Few people in Jersey slept the night before his execution. Here and there kind-hearted women or unimportant men lay awake through pity, and a few through a vague sense of loss; for, henceforth, the Vier Marchi would lack a familiar interest; but mostly the people of Mattingley's world were wakeful through curiosity. Morbid expectation of the hanging had for them a gruesome diversion. The thing itself would break the daily monotony of life and provide hushed gossip for vraic gatherings and veilles for a long time to come. Thus Elie Mattingley would not die in vain!

Here was one sensation, but there was still another. Olivier Delagarde had been unmasked, and the whole island had gone tracking him down. No aged toothless tiger was ever sported through the jungle by an army of shikarris with hungrier malice than was this broken traitor by the people he had betrayed. Ensued, therefore, a commingling of patriotism with lust of man-hunting and eager expectation of to-morrow's sacrifice.

Nothing of this excitement disturbed Mattingley. He did not sleep, but that was because he was still watching for a means of escape. He felt his chances diminish, however, when about midnight an extra guard was put round the prison. Something had gone amiss in the matter of his rescue.

Three things had been planned.

Firstly, he was to try escape by the small window of the dungeon.

Secondly, Carterette was to bring Sebastian Alixandre to the prison disguised as a sorrowing aunt of the condemned. Alixandre was suddenly to overpower the jailer, Mattingley was to make a rush for freedom, and a few bold spirits without would second his efforts and smuggle him to the sea. The directing mind and hand in the business were Ranulph Delagarde's. He was to have his boat waiting to respond to a signal from the shore, and to make sail for France, where he and his father were to be landed. There he was to give Mattingley, Alixandre, and Carterette his craft to fare across the seas to the great fishing-ground of Gaspe in Canada.

Lastly, if these plans failed, the executioner was to be drugged with liquor, his besetting weakness, on the eve of the hanging.

The first plan had been found impossible, the window being too small for even Mattingley's head to get through. The second had failed because the righteous Royal Court forbade Carterette the prison, intent that she should no longer be contaminated by so vile a wretch as her father. For years this same Christian solicitude had looked down from the windows of the Cohue Royale upon this same criminal in the Vier Marchi, with one blind eye for himself the sinner and an open one for his merchandise.

Mattingley could hear the hollow sound of the sentinels' steps under the archway of the Vier Prison. He was quite stoical. If he had to die, then he had to die. Death could only be a little minute of agony; and for what came after--well, he had not thought fearfully of that, and he had no wish to think of it at all. The visiting chaplain had talked, and he had not listened. He had his own ideas about life, and death, and the beyond, and they were not ungenerous. The chaplain had found him patient but impossible, kindly but unresponsive, sometimes even curious, but without remorse.

"You should repent with sorrow and a contrite heart," said the clergyman. "You have done many evil things in your life, Mattingley."

Mattingley had replied: "Ma fuifre, I can't remember them! I know I never done them, for I never done anything but good all my life--so much for so much." He had argued it out with himself and he believed he was a good man. He had been open-handed, had stood by his friends, and, up to a few days ago, was counted a good citizen; for many had come to profit through him. His trade--a little smuggling, a little piracy? Was not the former hallowed by distinguished patronage, and had it not existed from immemorial time? It was fair fight for gain, an eye for an eye and a tooth for a tooth. If he hadn't robbed others on the high seas, they would probably have robbed him--and sometimes they did. His spirit was that of the Elizabethan admirals; he belonged to a century not his own. As for the crime for which he was to suffer, it had been the work of another hand, and very bad work it was, to try and steal Jean Touzel's Hardi Biaou, and then bungle it. He had had nothing to do with it, for he and Jean Touzel were the best of friends, as was proved by the fact that while he lay in his dungeon, Jean wandered the shore sorrowing for his fate.

Thinking now of the whole business and of his past life, Mattingley suddenly had a pang. Yes, remorse smote him at last. There was one thing on his conscience--only one. He had respect for the feelings of others, and where the Church was concerned this was mingled with a droll sort of pity, as of the greater for the lesser, the wise for the helpless. For clergymen he had a half-affectionate contempt. He remembered now that when, five years ago, his confederate who had turned out so badly--he had trusted him, too! had robbed the church of St. Michael's, carrying off the great chest of communion plate, offertories, and rents, he had piously left behind in Mattingley's house the vestry-books and parish-register; a nice definition in rogues' ethics. Awaiting his end now, it smote Mattingley's soul that these stolen records had not been returned to St. Michael's. Next morning he must send word to Carterette to restore the books. Then his conscience would be clear once more. With this resolve quieting his mind, he turned over on his straw and went peacefully to sleep.

Hours afterwards he waked with a yawn. There was no start, no terror, but the appearance of the jailer with the chaplain roused in him disgust for the coming function at the Mont es Pendus. Disgust was his chief feeling. This was no way for a man to die! With a choice of evils he should have preferred walking the plank, or even dying quietly in his bed, to being stifled by a rope. To dangle from a cross-tree like a half-filled bag offended all instincts of picturesqueness, and first and last he had been picturesque.

He asked at once for pencil and paper. His wishes were obeyed with deference. On the whole he realised by the attentions paid him--the brandy and the food offered by the jailer, the fluttering kindness of the chaplain--that in the life of a criminal there is one moment when he commands the situation. He refused the brandy, for he was strongly against spirits in the early morning, but asked for coffee. Eating seemed superfluous--and a man might die more gaily on an empty stomach. He assured the chaplain that he had come to terms with his conscience and was now about to perform the last act of a well-intentioned life.

There and then he wrote to Carterette, telling her about the vestry-books of St. Michael's, and begging that she should restore them secretly. There were no affecting messages; they understood each other. He knew that when it was possible she would never fail to come to the mark where he was concerned, and she had equal faith in him. So the letter was sealed, addressed with flourishes, he was proud of his handwriting, and handed to the chaplain for Carterette.

He had scarcely drunk his coffee when there was a roll of drums outside. Mattingley knew that his hour was come, and yet to his own surprise he had no violent sensations. He had a shock presently, however, for on the jailer announcing the executioner, who should be there before him but the Undertaker's Apprentice! In politeness to the chaplain Mattingley forbore profanity. This was the one Jerseyman for whom he had a profound hatred, this youth with the slow, cold, watery blue eye, a face that never wrinkled either with mirth or misery, the square-set teeth always showing a little--an involuntary grimace of cruelty. Here was insult.

"Devil below us, so you're going to do it--you!" broke out Mattingley.

"The other man was drunk," said the Undertaker's Apprentice. "He's been full as a jug three days. He got drunk too soon." The grimace seemed to widen. "O my good!" said Mattingley, and he would say no more. To him words were like nails--of no use unless they were to be driven home by acts.

To Mattingley the procession of death was stupidly slow. As it issued from the archway of the Vier Prison between mounted guards, and passed through a long lane of moving spectators, he looked round coolly. One or two bold spirits cried out: "Head up to the wind, Maitre Elie!"

"Oui-gia," he replied; "devil a top-sail in!" and turned a look of contempt on those who hooted him. He realised now that there was no chance of rescue. The militia and the town guard were in ominous force, and although his respect for the island military was not devout, a bullet from the musket of a fool might be as effective as one from Bonapend's-- as Napoleon Bonaparte was disdainfully called in Jersey. Yet he could not but wonder why all the plans of Alixandre, Carterette, and Ranulph had gone for nothing; even the hangman had been got drunk too soon! He had a high opinion of Ranulph, and that he should fail him was a blow to his judgment of humanity.

He was thoroughly disgusted. Also they had compelled him to put on a white shirt, he who had never worn linen in his life. He was ill at ease in it. It made him conspicuous; it looked as though he were aping the gentleman at the last. He tried to resign himself, but resignation was hard to learn so late in life. Somehow he could not feel that this was really the day of his death. Yet how could it be otherwise? There was the Vicomte in his red robe, there was the sinister Undertaker's Apprentice, ready to do his hangman's duty. There, as they crossed the mielles, while the sea droned its sing-song on his left, was the parson droning his sing-song on the right "In the midst of life we are in death," etc. There were the grumbling drums, and the crowd morbidly enjoying their Roman holiday; and there, looming up before him, were the four stone pillars on the Mont es Pendus from which he was to swing. His disgust deepened. He was not dying like a seafarer who had fairly earned his reputation.

His feelings found vent even as he came to the foot of the platform where he was to make his last stand, and the guards formed a square about the great pillars, glooming like Druidic altars. He burst forth in one phrase expressive of his feelings.

"Sacre matin--so damned paltry!" he said, in equal tribute to two races.

The Undertaker's Apprentice, thinking this a reflection upon his arrangements, said, with a wave of the hand to the rope:

"Nannin, ch'est tres ship-shape, Maitre!"

The Undertaker's Apprentice was wrong. He had made everything ship- shape, as he thought, but a gin had been set for him. The rope to be used at the hanging had been measured and approved by the Vicomte, and the Undertaker's Apprentice had carried it to his room at the top of the Cohue Royale. In the dead of night, however, Dormy Jamais drew it from under the mattress whereon the deathman slept, and substituted one a foot longer. This had been Ranulph's idea as a last resort, for he had a grim wish to foil the law even at the twelfth hour.

The great moment had come. The shouts and hootings ceased. Out of the silence there arose only the champing of a horse's bit or the hysterical giggle of a woman. The high painful drone of the chaplain's voice was heard.

Then came the fatal "Maintenant!" from the Vicomte, the platform fell, and Elie Mattingley dropped the length of the rope.

What was the consternation of the Vicomte and the hangman, and the horror of the crowd, to see that Mattingley's toes just touched the ground! The body shook and twisted. The man was being slowly strangled, not hanged.

The Undertaker's Apprentice was the only person who kept a cool head. The solution of the problem of the rope for afterwards, but he had been sent there to hang a man, and a man he would hang somehow. Without more ado he jumped upon Mattingley's shoulders and began to drag him down.

That instant Ranulph Delagarde burst through the mounted guard and the militia. Rushing to the Vicomte, he exclaimed:

"Shame! The man was to be hung, not strangled. This is murder. Stop it, or I'll cut the rope." He looked round on the crowd. "Cowards-- cowards," he cried, "will you see him murdered?"

He started forward to drag away the deathmann, but the Vicomte, thoroughly terrified at Ranulph's onset, himself seized the Undertaker's Apprentice, who, drawing off with unruffled malice, watched what followed with steely eyes.

Dragged down by the weight of the Apprentice, Mattingley's feet were now firmly on the ground. While the excited crowd tried to break through the cordon of mounted guards, Mattingley, by a twist and a jerk, freed his corded hands. Loosing the rope at his neck he opened his eyes and looked around him, dazed and dumb.

The Apprentice came forward. "I'll shorten the rope oui-gia! Then you shall see him swing," he grumbled viciously to the Vicomte.

The gaunt Vicomte was trembling with excitement. He looked helplessly around him.

The Apprentice caught hold of the rope to tie knots in it and so shorten it, but Ranulph again appealed to the Vicomte.

"You've hung the man," said he; "you've strangled him and you didn't kill him. You've got no right to put that rope round his neck again."

Two jurats who had waited on the outskirts of the crowd, furtively watching the effect of their sentence, burst in, as distracted as the Vicomte.

"Hang the man again and the whole world will laugh at you," Ranulph said. "If you're not worse than fools or Turks you'll let him go. He has had death already. Take him back to the prison then, if you're afraid to free him." He turned on the crowd fiercely. "Have you nothing to say to this butchery?" he cried. "For the love of God, haven't you anything to say?"

Half the crowd shouted "Let him go free!" and the other half, disappointed in the working out of the gruesome melodrama, groaned and hooted.

Meanwhile Mattingley stood as still as ever he had stood by his bahue in the Vier Marchi, watching--waiting.

The Vicomte conferred nervously with the jurats for a moment, and then turned to the guard.

"Take the prisoner to the Vier Prison," he said. Mattingley had been slowly solving the problem of his salvation. His eye, like a gimlet, had screwed its way through Ranulph's words into what lay behind, and at last he understood the whole beautiful scheme. It pleased him: Carterette had been worthy of herself, and of him. Ranulph had played his game well too. He only failed to do justice to the poor beganne, Dormy Jamais. But then the virtue of fools is its own reward. As the procession started back with the Undertaker's Apprentice now following after Mattingley, not going before, Mattingley turned to him, and with a smile of malice said:

"Ch'est tres ship-shape, Maitre-eh!" and he jerked his head back towards the inadequate rope.

He was not greatly troubled about the rest of this grisly farce. He was now ready for breakfast, and his appetite grew as he heard how the crowd hooted and snarled yah! at the Undertaker's Apprentice. He was quite easy about the future. What had been so well done thus far could not fail in the end.

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Chapter XXXIV

Events proved Mattingley right. Three days after, it was announced that he had broken prison. It is probable that the fury of the Royal Court at the news was not quite sincere, for it was notable that the night of his evasion, suave and uncrestfallen, they dined in state at the Tres Pigeons. The escape gave them happy issue from a quandary.

The Vicomte officially explained that Mattingley had got out by the dungeon window. People came to see the window, and there, ba su, the bars were gone! But that did not prove the case, and the mystery was deepened by the fact that Jean Touzel, whose head was too small for Elie's hat, could not get that same head through the dungeon window. Having proved so much, Jean left the mystery there, and returned to his Hardi Biaou.

This happened on the morning after the dark night when Mattingley, Carterette, and Alixandre hurried from the Vier Prison, through the Rue des Sablons to the sea, and there boarded Ranulph's boat, wherein was Olivier Delagarde the traitor.

Accompanying Carterette to the shore was a little figure that moved along beside them like a shadow, a little grey figure that carried a gold- headed cane. At the shore this same little grey figure bade Mattingley good-bye with a quavering voice. Whereupon Carterette, her face all wet with tears, kissed him upon both cheeks, and sobbed so that she could scarcely speak. For now when it was all done--all the horrible ordeal over--the woman in her broke down before the little old gentleman, who had been like a benediction in the house where the ten commandments were imperfectly upheld. But she choked down her sobs, and thinking of another more than of herself, she said:

"Dear Chevalier, do not forget the book--that register--I gave you to-night. Read it--read the last writing in it, and then you will know-- ah, bidemme--but you will know that her we love--ah, but you must read it and tell nobody till--till the right time comes! She hasn't held her tongue for naught, and it's only fair to do as she's done all along, and hold ours. Pardingue, but my heart hurts me!" she added suddenly, and catching the hand that held the little gold cane she kissed it with impulsive ardour. "You have been so good to me--oui-gia!" she said with a gulp, and then she dropped the hand and turned and fled to the boat rocking in the surf.

The little Chevalier watched the boat glide out into the gloom of night, and waited till he knew that they must all be aboard Ranulph's schooner and making for the sea. Then he turned and went back to the empty house in the Rue d'Egypte.

Opening the book Carterette had placed in his hands before they left the house, he turned up and scanned closely the last written page. A moment after, he started violently, his eyes dilating, first with wonder, then with a bewildered joy; and then, Protestant though he was, with the instinct of long-gone forefathers, he made the sacred gesture, and said:

"Now I have not lived and loved in vain, thanks be to God!"

Even as joy opened wide the eyes of the Chevalier, who had been sorely smitten through the friends of his heart, out at sea Night and Death were closing the eyes of another wan old man who had been a traitor to his country.

For the boat of the fugitives had scarcely cleared reefs and rocks, and reached the open Channel, when Olivier Delagarde, uttering the same cry as when Ranulph and the soldiers had found him wounded in the Grouville road sixteen years before, suddenly started up from where he had lain mumbling, and whispering incoherently, "Ranulph--they've killed me!" fell back dead.

True to the instinct which had kept him faithful to one idea for sixteen years, and in spite of the protests of Mattingley and Carterette--of the despairing Carterette who felt the last thread of her hopes snap with his going--Ranulph made ready to leave them. Bidding them good-bye, he placed his father's body in the rowboat, and pulling back to the shore of St. Aubin's Bay with his pale freight, carried it on his shoulders up to the little house where he had lived so many years. There he kept the death-watch alone.

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Chapter XXXV

Guida knew nothing of the arrest and trial of Mattingley until he had been condemned to death. Nor until then did she know anything of what had happened to Olivier Delagarde; for soon after her interview with Ranulph she had gone a-marketing to the Island of Sark, with the results of half a year's knitting. Her return had been delayed by ugly gales from the south east. Several times a year she made this journey, landing at the Eperquerie Rocks as she had done one day long ago, and selling her beautiful wool caps and jackets to the farmers and fisher-folk, getting in kind for what she gave.

When she made these excursions to Sark, Dormy Jamais had always remained at the little house, milking her cow, feeding her fowls, and keeping all in order--as perfect a sentinel as old Biribi, and as faithful. For the first time in his life, however, Dormy Jamais was unfaithful. On the day that Carcaud the baker and Mattingley were arrested, he deserted the hut at Plemont to exploit, with Ranulph, the adventure which was at last to save Olivier Delagarde and Mattingley from death. But he had been unfaithful only in the letter of his bond. He had gone to the house of Jean Touzel, through whose Hardi Biaou the disaster had come, and had told Mattresse Aimable that she must go to Plemont in his stead--for a fool must keep his faith whate'er the worldly wise may do. So the fat Femme de Ballast, puffing with every step, trudged across the island to Plemont, and installed herself as keeper of the house.

One day Mattresse Aimable's quiet was invaded by two signalmen who kept watch, not far from Guida's home, for all sail, friend or foe, bearing in sight. They were now awaiting the new Admiral of the Jersey station and his fleet. With churlish insolence they entered Guida's hut before Maitresse Aimable could prevent it. Looking round, they laughed meaningly, and then told her that the commander coming presently to lie with his fleet in Grouville Bay was none other than the sometime Jersey midshipman, now Admiral Prince Philip d'Avranche, Duc de Bercy. Understanding then the meaning of their laughter, and the implied insult to Guida, Maitresse Aimable's voice came ravaging out of the silence where it lay hid so often and so long, and the signalmen went their ways shamefacedly.

She could not make head or tail of her thoughts now, nor see an inch before her nose; all she could feel was an aching heart for Guida. She had heard strange tales of how Philip had become Prince Philip d'Avranche, and husband of the Comtesse Chantavoine, and afterwards Duc de Bercy. Also she had heard how Philip, just before he became the Duc de Bercy, had fought his ship against a French vessel off Ushant, and, though she had heavier armament than his own, had destroyed her. For this he had been made an admiral. Only the other day her Jean had brought the Gazette de Jersey in which all these things were related, and had spelled them out for her. And now this same Philip d'Avranche with his new name and fame was on his way to defend the Isle of Jersey.

Mattresse Aimable's muddled mind could not get hold of this new Philip. For years she had thought him a monster, and here he was, a great and valiant gentleman to the world. He had done a thing that Jean would rather have cut off his hand--both hands--than do, and yet here he was, an admiral, a prince, and a sovereign duke, and men like Jean were as dust beneath his feet. The real Philip she knew: he was the man who had spoiled the life of a woman; this other Philip--she could read about him, she could think about him, just as she could think about William and his horse' in Boulay Bay, or the Little Bad Folk of Rocbert; but she could not realise him as a thing of flesh and blood and actual being. The more she tried to realise him the more mixed she became.

As in her mental maze she sat panting her way to enlightenment, she saw Guida's boat entering the little harbour. Now the truth must be told-- but how?

After her first exclamation of welcome to mother and child, Maitresse Aimable struggled painfully for her voice. She tried to find words in which to tell Guida the truth, but, stopping in despair, she suddenly began rocking the child back and forth, saying only: "Prince Admiral he --and now to come! O my good--O my good!" Guida's sharp intuition found the truth.

"Philip d'Avranche!" she said to herself. Then aloud, in a shaking voice--"Philip d'Avranche!"

She could not think clearly for a moment. It was as if her brain had received a blow, and in her head was a singing numbness, obscuring eyesight, hearing, speech.

When she had recovered a little she took the child from Maitresse Aimable, and pressing him to her bosom placed him in the Sieur de Mauprat's great arm-chair. This action, ordinary as it seemed, was significant of what was in her mind. The child himself realised something unusual, and he sat perfectly still, two small hands spread out on the big arms.

"You always believed in me, 'tresse Aimable," Guida said at last in a low voice.

"Oui-gia, what else?" was the instant reply. The quick responsiveness of her own voice seemed to confound the Femme de Ballast, and her face suffused.

Guida stooped quickly and kissed her on the cheek. "You'll never regret that. And you will have to go on believing still, but you'll not be sorry in the end, 'tresse Aimable," she said, and turned away to the fireplace. An hour afterwards Mattresse Aimable was upon her way to St. Heliers, but now she carried her weight more easily and panted less. Twice within the last month Jean had given her ear a friendly pinch, and now Guida had kissed her--surely she had reason to carry her weight more lightly.

That afternoon and evening Guida struggled with herself: the woman in her shrinking from the ordeal at hand. But the mother in her pleaded, commanded, ruled confused emotions to quiet. Finality of purpose once determined, a kind of peace came over her sick spirit, for with finality there is quiescence if not peace.

When she looked at the little Guilbert, refined and strong, curiously observant, and sensitive in temperament like herself, her courage suddenly leaped to a higher point than it had ever known. This innocent had suffered enough. What belonged to him he had not had. He had been wronged in much by his father, and maybe--and this was the cruel part of it--had been unwittingly wronged, alas! how unwilling, by her! If she gave her own life many times, it still could be no more than was the child's due.

A sudden impulse seized her, and with a quick explosion of feeling she dropped on her knees, and looking into his eyes, as though hungering for the words she so often yearned to hear, she said:

"You love your mother, Guilbert? You love her, little son?"

With a pretty smile and eyes brimming with affectionate fun, but without a word, the child put out a tiny hand and drew the fingers softly down his mother's face.

"Speak, little son, tell your mother that you love her." The tiny hand pressed itself over her eyes, and a gay little laugh came from the sensitive lips, then both arms ran round her neck. The child drew her head to him impulsively, and kissing her, a little upon the hair and a little upon the forehead, so indefinite was the embrace, he said:

"Si, maman, I loves you best of all," then added: "Maman, can't I have the sword now?"

"You shall have the sword too some day," she answered, her eyes flashing.

"But, maman, can't I touch it now?"

Without a word she took down the sheathed goldhandled sword and laid it across the chair-arms.

"I can't take the sword out, can I, maman?" he asked.

She could not help smiling. "Not yet, my son, not yet."

"I has to be growed up so the blade doesn't hurt me, hasn't I, maman?"

She nodded and smiled again, and went about her work.

He nodded sagely. "Maman--" he said. She turned to him; the little figure was erect with a sweet importance. "Maman, what am I now--with the sword?" he asked, with wide-open, amazed eyes.

A strange look passed across her face. Stooping, she kissed his curly hair.

"You are my prince," she said.

A little later the two were standing on that point of land called Grosnez--the brow of the Jersey tiger. Not far from them was a signal- staff which telegraphed to another signal-staff inland. Upon the staff now was hoisted a red flag. Guida knew the signals well. The red flag meant warships in sight. Then bags were hoisted that told of the number of vessels: one, two, three, four, five, six, then one next the upright, meaning seven. Last of all came the signal that a flag-ship was among them.

This was a fleet in command of an admiral. There, not far out, between Guernsey and Jersey, was the squadron itself. Guida watched it for a long while, her heart hardening; but seeing that the men by the signal- staff were watching her, she took the child and went to a spot where they were shielded from any eyes. Here she watched the fleet draw nearer and nearer.

The vessels passed almost within a stone's throw of her. She could see the St. George's Cross flying at the fore of the largest ship. That was the admiral's flag--that was the flag of Admiral Prince Philip d'Avranche, Duc de Bercy.

She felt her heart stand still suddenly, and with a tremor, as of fear, she gathered her child close to her. "What is all those ships, maman?" asked the child. "They are ships to defend Jersey," she said, watching the Imperturbable and its flotilla range on.

"Will they affend us, maman?"

"Perhaps-at the last," she said.

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Chapter XXXVI

Off Grouville Bay lay the squadron of the Jersey station. The St. George's Cross was flying at the fore of the Imperturbable, and on every ship of the fleet the white ensign flapped in the morning wind. The wooden-walled three-decked flag-ship, with her 32-pounders, and six hundred men, was not less picturesque and was more important than the Castle of Mont Orgueil near by, standing over two hundred feet above the level of the sea: the home of Philip d'Avranche, Duc de Bercy, and the Comtesse Chantavoine, now known to the world as the Duchesse de Bercy.

The Comtesse had arrived in the island almost simultaneously with Philip, although he had urged her to remain at the ducal palace of Bercy. But the duchy of Bercy was in hard case. When the imbecile Duke Leopold John died and Philip succeeded, the neutrality of Bercy had been proclaimed, but this neutrality had since been violated, and there was danger at once from the incursions of the Austrians and the ravages of the French troops. In Philip's absence the valiant governor-general of the duchy, aided by the influence and courage of the Comtesse Chantavoine, had thus far saved it from dismemberment, in spite of attempted betrayals by Damour the Intendant, who still remained Philip's enemy.

But when the Marquis Grandjon-Larisse, the uncle of the Comtesse, died, her cousin, General Grandjon-Larisse of the Republican army--whose word with Dalbarade had secured Philip's release years before for her own safety, first urged and then commanded her temporary absence from the duchy. So far he had been able to protect it from the fury of the Republicans and the secret treachery of the Jacobins. But a time of great peril was now at hand. Under these anxieties and the lack of other inspiration than duty, her health had failed, and at last she obeyed her cousin, joining Philip at the Castle of Mont Orgueil.

More than a year had passed since she had seen him, but there was no emotion, no ardour in their present greeting. From the first there had been nothing to link them together. She had married, hoping that she might love thereafter; he in choler and bitterness, and in the stress of a desperate ambition. He had avoided the marriage so long as he might, in hope of preventing it until the Duke should die, but with the irony of fate the expected death had come two hours after the ceremony. Then, shortly afterwards, came the death of the imbecile Leopold John; and Philip found himself the Duc de Bercy, and within a year, by reason of a splendid victory for the Imperturbable, an admiral.

Truth to tell, in this battle he had fought for victory for his ship and a fall for himself: for the fruit he had plucked was turning to dust and ashes. He was haunted by the memory of a wronged woman, as she herself had foretold. Death, with the burial of private dishonour under the roses of public victory--that had come to be his desire. But he had found that Death is wilful and chooseth her own time; that she may be lured, but she will not come with shouting. So he had stoically accepted his fate, and could even smile with a bitter cynicism when ordered to proceed to the coast of Jersey, where collision with a French squadron was deemed certain.

Now, he was again brought face to face with his past; with the imminent memory of Guida Landresse de Landresse. Where was Guida now? What had happened to her? He dared not ask, and none told him. Whichever way he turned--night or day--her face haunted him. Looking out from the windows of Mont Orgueil Castle, or from the deck of the Imperturbable, he could see--and he could scarce choose but see--the lonely Ecrehos. There, with a wild eloquence, he had made a girl believe he loved her, and had taken the first step in the path which should have led to true happiness and honour. From this good path he had violently swerved--and now?

From all that could be seen, however, the world went very well with him. He was the centre of authority. Almost any morning one might have seen a boat shoot out from below the Castle wall, carrying a flag with the blue ball of a Vice-Admiral of the White in the canton, and as the Admiral himself stepped upon the deck of the Imperturbable between saluting guards, across the water came a gay march played in his honour.

Jersey herself was elate, eager to welcome one of her own sons risen to such high estate. When, the very day after his arrival, he passed through the Vier Marchi on his way to visit the Lieutenant-Governor, the redrobed jurats impulsively turned out to greet him. They were ready to prove that memory is a matter of will and cultivation. There is no curtain so opaque as that which drops between the mind of man and the thing it is advantageous to forget. But how closely does the ear of self-service listen for the footfall of a most distant memory, when to do so is to share even a reflected glory!

A week had gone since Philip had landed on the island. Memories pursued him. If he came by the shore of St. Clement's Bay, he saw the spot where he had stood with her the evening he married her, and she said to him: "Philip, I wonder what we will think of this day a year from now!...... To-day is everything to you, but to-morrow is very much to me." He remembered Shoreham sitting upon the cromlech above singing the legend of the gui-l'annee--and Shoreham was lying now a hundred fathoms deep.

As he walked through the Vier Marchi with his officers, there flashed before his eyes the scene of sixteen years ago, when, through the grime and havoc of battle, he had run to save Guida from the scimitar of the garish Turk. Walking through the Place du Vier Prison, he recalled the morning when he had rescued Ranulph from the hands of the mob. Where was Ranulph now?

If he had but known it, that very morning as he passed Mattingley's house Ranulph had looked down at him with infinite scorn and loathing--but with triumph too, for the Chevalier had just shown him a certain page in a certain parish-register long lost, left with him by Carterette Mattingley. Philip knew naught of Ranulph save the story babbled by the islanders. He cared to hear of no one but Guida, and who was now to mention her name to him? It was long--so long since he had seen her face. How many years ago was it? Only five, and yet it seemed twenty.

He was a boy then; now his hair was streaked with grey. He was light- hearted then, and he was still buoyant with his fellows, still alert and vigorous, quick of speech and keen of humour--but only before the world. In his own home he was fitful of mood, impatient of the grave, meditative look of his wife, of her resolute tenacity of thought and purpose, of her unvarying evenness of mood, through which no warmth played. It seemed to him that if she had defied him--given him petulance for petulance, impatience for impatience, it would have been easier to bear. If--if he could only read behind those passionless eyes, that clear, unwrinkled forehead! But he knew her no better now than he did the day he married her. Unwittingly she chilled him, and he felt he had no right to complain, for he had done her the greatest wrong which can be done a woman. Whatever chanced, Guida was still his wife; and there was in him yet the strain of Calvinistic morality of the island race that bred him. He had shrunk from coming here, but it had been far worse than he had looked for.

One day, in a nervous, bitter moment, after an impatient hour with the Comtesse, he had said: "Can you--can you not speak? Can you not tell me what you think?" She had answered quietly:

"It would do no good. You would not understand. I know you in some ways better than you know yourself. I cannot tell what it is, but there is something wrong in your nature, something that poisons your life. And not myself only has felt that. I never told you--but you remember the day the old Duke died, the day we were married? You had gone from the room a moment. The Duke beckoned me to him, and whispered 'Don't be afraid--don't be afraid--' and then he died. That meant that he was afraid, that death had cleared his sight as to you in some way. He was afraid--of what? And I have been afraid--of what? I do not know. Things have not gone well somehow. You are strong, you are brave, and I come of a family that have been strong and brave. We ought to be near: yet, yet we are lonely and far apart, and we shall never be nearer or less lonely. That I know."

To this he had made no reply and this anger vanished. Something in her words had ruled him to her own calmness, and at that moment he had the first flash of understanding of her nature and its true relation to his own.

Passing through the Rue d'Egypte this day he met Dormy Jamais. Forgetful of everything save that this quaint foolish figure had interested him when a boy, he called him by name; but Dormy Jamais swerved away, eyeing him askance.

At that instant he saw Jean Touzel standing in the doorway of his house. A wave of remorseful feeling rushed over him. He could wait no longer: he would ask Jean Touzel and his wife about Guida. He instantly bethought him of an excuse for the visit. His squadron needed another pilot; he would approach Jean in the matter.

Bidding his flag-lieutenant go on to Elizabeth Castle whither they were bound, and await him there, he crossed over to Jean. By the time he reached the doorway, however, Jean had retreated to the veille by the chimney behind Maitresse Aimable, who sat in a great stave-chair mending a net.

Philip knocked and stepped inside. When Mattresse Aimable saw who it was she was so startled that she dropped her work, and made vague clutches to recover it. Stooping, however, was a great effort for her. Philip instantly stepped forward and picked up the net. Politely handing it to her, he said:

"Ah, Maitresse Aimable, it is as if you had never stirred all these years!" Then turning to her husband "I have come looking for a good pilot, Jean." Mattresse Aimable had at first flushed to a purple, had afterwards gone pale, then recovered herself, and now returned Philip's look with a downright steadiness. Like Jean, she knew well enough he had not come for a pilot--that was not the business of a Prince Admiral.

She did not even rise. Philip might be whatever the world chose to call him, but her house was her own, and he had come uninvited, and he was unwelcome.

She kept her seat, but her fat head inclined once in greeting, and she waited for him to speak again. She knew why he had come; and somehow the steady look in these slow, brown eyes, and the blinking glance behind Jean's brass-rimmed spectacles, disconcerted Philip. Here were people who knew the truth about him, knew the sort of man he really was. These poor folk who had had nothing of the world but what they earned, they would never hang on any prince's favours.

He read the situation rightly. The penalties of his life were teaching him a discernment which could never have come to him through good fortune alone. Having at last discovered his real self a little, he was in the way of knowing others.

"May I shut the door?" he asked quietly. Jean nodded. Closing it he turned to them again. "Since my return I have heard naught concerning Mademoiselle Landresse," he said. "I want to ask you about her now. Does she still live in the Place du Vier Prison?"

Both Jean and Aimable shook their heads. They had spoken no word since his entrance.

"She--she is not dead?" he asked. They shook their heads again.

"Her grandfather"--he paused--"is he living?" Once more they shook their heads in negation. "Where is mademoiselle?" he asked, sick at heart.

Jean looked at his wife; neither moved nor answered. "Where does she live?" urged Philip. Still there was no motion, no reply. "You might as well tell me." His tone was half pleading, half angry--little like a sovereign duke, very like a man in trouble. "You must know I shall find out from some one else, then," he continued. "But it is better for you to tell me. I mean her no harm, and I would rather know about her from her friends."

He took off his hat now. Something in the dignity of these two honest folk rebuked the pride of place and spirit in him. As plainly as though heralds had proclaimed it, he understood that these two knew the abatements on the shield of his honour-argent, a plain point tenne, due to him "that tells lyes to his Prince or General," and argent, a gore sinister tenne, due for flying from his colours.

Maitresse Aimable turned and looked towards Jean, but Jean turned away his head. Then she did not hesitate. The voice so oft eluding her will responded readily now. Anger--plain primitive rage-possessed her. She had had no child, but as the years had passed all the love that might have been given to her own was bestowed upon Guida, and in that mind she spoke.

"O my grief, to think you have come here-you!" she burst forth. "You steal the best heart in the world--there is none like her, nannin-gia. You promise her, you break her life, you spoil her, and then you fly away --ah coward you! Man pethe benin, was there ever such a man like you! If my Jean there had done a thing as that I would sink him in the sea-- he would sink himself, je me crais! But you come back here, O my Mother of God, you come back here with your sword, with your crown-ugh, it is like a black cat in heaven--you!"

She got to her feet more nimbly than she had ever done in her life, and the floor seemed to heave as she came towards Philip. "You speak to me with soft words," she said harshly--"but you shall have the good hard truth from me. You want to know now where she is--I ask where you have been these five years? Your voice it tremble when you speak of her now. Oh ho! it has been nice and quiet these five years. The grand pethe of her drop dead in his chair when he know. The world turn against her, make light of her, when they know. All alone--she is all alone, but for one fat old fool like me. She bear all the shame, all the pain, for the crime of you. All alone she take her child and go on to the rock of Plemont to live these five years. But you, you go and get a crown and be Amiral and marry a grande comtesse--marry, oh, je crais ben! This is no world for such men like you. You come to my house, to the house of Jean Touzel, to ask this and that--well, you have the truth of God, ba su! No good will come to you in the end, nannin-gia! When you go to die, you will think and think and think of that beautiful Guida Landresse; you will think and think of the heart you kill, and you will call, and she will not come. You will call till your throat rattle, but she will not come, and the child of sorrow you give her will not come--no, bidemme! E'fin, the door you shut you can open now, and you can go from the house of Jean Touzel. It belong to the wife of an honest man-- maint'nant!"

In the moment's silence that ensued, Jean took a step forward. "Ma femme, ma bonne femme!" he said with a shaking voice. Then he pointed to the door. Humiliated, overwhelmed by the words of the woman, Philip turned mechanically towards the door without a word, and his fingers fumbled for the latch, for a mist was before his eyes. With a great effort he recovered himself, and passed slowly out into the Rue d'Egypte.

"A child--a child!" he said brokenly. "Guida's child--my God! And I --have never--known. Plemont--Plemont, she is at Plemont!" He shuddered. "Guida's child--and mine," he kept saying to himself, as in a painful dream he passed on to the shore.

In the little fisherman's cottage he had left, a fat old woman sat sobbing in the great chair made of barrel-staves, and a man, stooping, kissed her twice on the cheek--the first time in fifteen years. And then she both laughed and cried.

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Chapter XXXVII

Guida sat by the fire sewing, Biribi the dog at her feet. A little distance away, to the right of the chimney, lay Guilbert asleep. Twice she lowered the work to her lap to look at the child, the reflected light of the fire playing on his face. Stretching out her hand, she touched him, and then she smiled. Hers was an all-devouring love; the child was her whole life; her own present or future was as nothing; she was but fuel for the fire of his existence.

A storm was raging outside. The sea roared in upon Plemont and Grosnez, battering the rocks in futile agony. A hoarse nor'-easter ranged across the tiger's head in helpless fury: a night of awe to inland folk, and of danger to seafarers. To Guida, who was both of the sea and of the land, fearless as to either, it was neither terrible nor desolate to be alone with the storm. Storm was but power unshackled, and power she loved and understood. She had lived so long in close commerce with storm and sea that something of their keen force had entered into her, and she was kin with them. Each wind to her was intimate as a friend, each rock and cave familiar as her hearthstone; and the ungoverned ocean spoke in terms intelligible. So heavy was the surf that now and then the spray of some foiled wave broke on the roof, but she only nodded at that, as though the sea were calling her to come forth, tapping on her rooftree in joyous greeting.

But suddenly she started and bent her head. It seemed as if her whole body were hearkening. Now she rose quickly to her feet, dropped her work upon the table near by, and rested herself against it, still listening. She was sure she heard a horse's hoofs. Turning swiftly, she drew the curtain of the bed before her sleeping child, and then stood quiet waiting--waiting. Her hand went to her heart once as though its fierce throbbing hurt her. Plainly as though she could look through these stone walls into clear sunlight, she saw some one dismount, and she heard a voice.

The door of the but was unlocked and unbarred. If she feared, it was easy to shoot the bolt and lock the door, to drop the bar across the little window, and be safe and secure. But no bodily fear possessed her- -only that terror of the spirit when its great trial comes suddenly and it shrinks back, though the mind be of faultless courage.

She waited. There came a knocking at the door. She did not move from where she stood.

"Come in," she said. She was composed and resolute now.

The latch clicked, the door opened, and a cloaked figure entered, the shriek of the storm behind. The door closed again. The intruder took a step forward, his hat came off, the cloak was loosed and dropped upon the floor. Guida's premonition had been right: It was Philip.

She did not speak. A stone could have been no colder as she stood in the light of the fire, her face still and strong, the eyes darkling, luminous. There was on her the dignity of the fearless, the pure in heart.

"Guida!" Philip said, and took a step nearer, and paused.

He was haggard, he had the look of one who had come upon a desperate errand. When she did not answer he said pleadingly:

"Guida, won't you speak to me?"

"The Duc de Bercy chooses a strange hour for his visit," she said quietly.

"But see," he answered hurriedly; "what I have to say to you--" he paused, as though to choose the thing he should say first.

"You can say nothing I need hear," she answered, looking him steadily in the eyes.

"Ah, Guida," he cried, disconcerted by her cold composure, "for God's sake listen to me! To-night we have to face our fate. To-night you have to say--"

"Fate was faced long ago. I have nothing to say."

"Guida, I have repented of all. I have come now only to speak honestly of the wrong I did you. I have come to--"

Scorn sharpened her words, though she spoke calmly: "You have forced yourself upon a woman's presence--and at this hour!"

"I chose the only hour possible," he answered quickly. "Guida, the past cannot be changed, but we have the present and the future still. I have not come to justify myself, but to find a way to atone."

"No atonement is possible."

"You cannot deny me the right to confess to you that--"

"To you denial should not seem hard usage," she answered slowly, "and confession should have witnesses--"

She paused suggestively. The imputation that he of all men had the least right to resent denial; that, dishonest still, he was willing to justify her privately though not publicly; that repentance should have been open to the world--it all stung him.

He threw out his hands in a gesture of protest. "As many witnesses as you will, but not now, not this hour, after all these years. Will you not at least listen to me, and then judge and act? Will you not hear me, Guida?"

She had not yet even stirred. Now that it had come, this scene was all so different from what she might have imagined. But she spoke out of a merciless understanding, an unchangeable honesty. Her words came clear and pitiless:

"If you will speak to the point and without a useless emotion, I will try to listen. Common kindness should have prevented this intrusion-- by you!"

Every word she said was like a whip-lash across his face. A devilish light leapt into his eye, but it faded as quickly as it came.

"After to-night, to the public what you will," he repeated with dogged persistence, "but it was right we should speak alone to each other at least this once before the open end. I did you wrong, yet I did not mean to ruin your life, and you should know that. I ought not to have married you secretly; I acknowledge that. But I loved you--"

She shook her head, and with a smile of pitying disdain--he could so little see the real truth, his real misdemeanour--she said: "Oh no, never--never! You were not capable of love; you never knew what it means. From the first you were too untrue ever to love a woman. There was a great fire of emotion, you saw shadows on the wall, and you fell in love with them. That was all."

"I tell you that I loved you," he answered with passionate energy. "But as you will. Let it be that it was not real love: at least it was all there was in me to give. I never meant to desert you. I never meant to disavow our marriage. I denied you, you will say. I did. In the light of what came after, it was dishonourable--I grant that; but I did it at a crisis and for the fulfilment of a great ambition--and as much for you as for me."

"That was the least of your evil work. But how little you know what true people think or feel!" she answered with a kind of pain in her voice, for she felt that such a nature could never even realise its own enormities. Well, since it had gone so far she would speak openly, though it hurt her sense of self-respect.

"For that matter, do you think that I or any good woman would have had place or power, been princess or duchess, at the price? What sort of mind have you?" She looked him straight in the eyes. "Put it in the clear light of right and wrong, it was knavery. You--you talk of not meaning to do me harm. You were never capable of doing me good. It was not in you. From first to last you are untrue. Were it otherwise, were you not from first to last unworthy, would you have--but no, your worst crime need not be judged here. Yet had you one spark of worthiness would you have made a mock marriage--it is no more--with the Comtesse Chantavoine? No matter what I said or what I did in anger, or contempt of you, had you been an honest man you would not have so ruined another life. Marriage, alas! You have wronged the Comtesse worse than you have wronged me. One day I shall be righted, but what can you say or do to right her wrongs?"

Her voice had now a piercing indignation and force. "Yes, Philip d'Avranche, it is as I say, justice will come to me. The world turned against me because of you; I have been shamed and disgraced. For years I have suffered in silence. But I have waited without fear for the end. God is with me. He is stronger than fortune or fate. He has brought you to Jersey once more, to right my wrongs, mine and my child's."

She saw his eyes flash to the little curtained bed. They both stood silent and still. He could hear the child breathing. His blood quickened. An impulse seized him. He took a step towards the bed, as though to draw the curtain, but she quickly moved between.

"Never," she said in a low stern tone; "no touch of yours for my Guilbert--for my son! Every minute of his life has been mine. He is mine--all mine--and so he shall remain. You who gambled with the name, the fame, the very soul of your wife, you shall not have one breath of her child's life."

It was as if the outward action of life was suspended in them for a moment, and then came the battle of two strong spirits: the struggle of fretful and indulged egotism, the impulse of a vigorous temperament, against a deep moral force, a high purity of mind and conscience, and the invincible love of the mother for the child. Time, bitterness, and power had hardened Philip's mind, and his long-restrained emotions, breaking loose now, made him a passionate and wilful figure. His force lay in the very unruliness of his spirit, hers in the perfect command of her moods and emotions. Well equipped by the thoughts and sufferings of five long years, her spirit was trained to meet this onset with fiery wisdom. They were like two armies watching each other across a narrow stream, between one conflict and another.

For a minute they stood at gaze. The only sounds in the room were the whirring of the fire in the chimney and the child's breathing. At last Philip's intemperate self-will gave way. There was no withstanding that cold, still face, that unwavering eye. Only brutality could go further. The nobility of her nature, her inflexible straight-forwardness came upon him with overwhelming force. Dressed in molleton, with no adornment save the glow of a perfect health, she seemed at this moment, as on the Ecrehos, the one being on earth worth living and caring for. What had he got for all the wrong he had done her? Nothing. Come what might, there was one thing that he could yet do, and even as the thought possessed him he spoke.

"Guida," he said with rushing emotion, "it is not too late. Forgive the past-the wrong of it, the shame of it. You are my wife; nothing can undo that. The other woman--she is nothing to me. If we part and never meet again she will suffer no more than she suffers to go on with me. She has never loved me, nor I her. Ambition did it all, and of ambition God knows I have had enough! Let me proclaim our marriage, let me come back to you. Then, happen what will, for the rest of our lives I will try to atone for the wrong I did you. I want you, I want our child. I want to win your love again. I can't wipe out what I have done, but I can put you right before the world, I can prove to you that I set you above place and ambition. If you shrink from doing it for me, do it"--he glanced towards the bed--"do it for our child. To-morrow--to-morrow it shall be, if you will forgive. To-morrow let us start again--Guida--Guida!"

She did not answer at once; but at last she said "Giving up place and ambition would prove nothing now. It is easy to repent when our pleasures have palled. I told you in a letter four years ago that your protests came too late. They are always too late. With a nature like yours nothing is sure or lasting. Everything changes with the mood. It is different with me: I speak only what I truly mean. Believe me, for I tell you the truth, you are a man that a woman could forget but could never forgive. As a prince you are much better than as a plain man, for princes may do what other men may not. It is their way to take all and give nothing. You should have been born a prince, then all your actions would have seemed natural. Yet now you must remain a prince, for what you got at such a price to others you must pay for. You say you would come down from your high place, you would give up your worldly honours, for me. What madness! You are not the kind of man with whom a woman could trust herself in the troubles and changes of life. Laying all else aside, if I would have had naught of your honours and your duchy long ago, do you think I would now share a disgrace from which you could never rise? For in my heart I feel that this remorse is but caprice. It is to-day; it may not--will not--be tomorrow."

"You are wrong, you are wrong. I am honest with you now," he broke in.

"No," she answered coldly, "it is not in you to be honest. Your words have no ring of truth in my ears, for the note is the same as I heard once upon the Ecrehos. I was a young girl then and I believed; I am a woman now, and I should still disbelieve though all the world were on your side to declare me wrong. I tell you"--her voice rose again, it seemed to catch the note of freedom and strength of the storm without-- "I tell you, I will still live as my heart and conscience prompt me. The course I have set for myself I will follow; the life I entered upon when my child was born I will not leave. No word you have said has made my heart beat faster. You and I can never have anything to say to each other in this life, beyond"--her voice changed, she paused--"beyond one thing--"

Going to the bed where the child lay, she drew the curtain softly, and pointing, she said:

"There is my child. I have set my life to the one task, to keep him to myself, and yet to win for him the heritage of the dukedom of Bercy. You shall yet pay to him the price of your wrong-doing."

She drew back slightly so that he could see the child lying with its rosy face half buried in its pillow, the little hand lying like a flower upon the coverlet.

Once more with a passionate exclamation he moved nearer to the child.

"No farther!" she said, stepping before him.

When she saw the wild impulse in his face to thrust her aside, she added: "It is only the shameless coward that strikes the dead. You had a wife-- Guida d'Avranche, but Guida d'Avranche is dead. There only lives the mother of this child, Guida Landresse de Landresse."

She looked at him with scorn, almost with hatred. Had he touched her-- but she would rather pity than loathe!

Her words roused all the devilry in him. The face of the child had sent him mad.

"By Heaven, I will have the child--I will have the child!" he broke out harshly. "You shall not treat me like a dog. You know well I would have kept you as my wife, but your narrow pride, your unjust anger threw me over. You have wronged me. I tell you you have wronged me, for you held the secret of the child from me all these years."

"The whole world knew!" she exclaimed indignantly. "I will break your pride," he said, incensed and unable to command himself. "Mark you, I will break your pride. And I will have my child too!"

"Establish to the world your right to him," she answered keenly. "You have the right to acknowledge him, but the possession shall be mine."

He was the picture of impotent anger and despair. It was the irony of penalty that the one person in the world who could really sting him was this unacknowledged, almost unknown woman. She was the only human being that had power to shatter his egotism and resolve him into the common elements of a base manhood. Of little avail his eloquence now! He had cajoled a sovereign dukedom out of an aged and fatuous prince; he had cajoled a wife, who yet was no wife, from among the highest of a royal court; he had cajoled success from Fate by a valour informed with vanity and ambition; years ago, with eloquent arts he had cajoled a young girl into a secret marriage--but he could no longer cajole the woman who was his one true wife. She knew him through and through.

He was so wild with rage he could almost have killed her as she stood there, one hand stretched out to protect the child, the other pointing to the door.

He seized his hat and cloak and laid his hand upon the latch, then suddenly turned to her. A dark project came to him. He himself could not prevail with her; but he would reach her yet, through the child. If the child were in his hands, she would come to him.

"Remember, I will have the child," he said, his face black with evil purpose.

She did not deign reply, but stood fearless and still, as, throwing open the door, he rushed out into the night. She listened until she heard his horse's hoofs upon the rocky upland. Then she went to the door, locked it, and barred it. Turning, she ran with a cry as of hungry love to the little bed. Crushing the child to her bosom, she buried her face in his brown curls.

"My son, my own, own son!" she said.

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