VII. GODS, SUPERNATURAL BEINGS, AND WORSHIP

VII. GODS, SUPERNATURAL BEINGS, AND WORSHIP

IMAGE OF TEZCATLIPOCA -- HIS SEATS AT THE STREET-CORNERS -- VARIOUS LEGENDS ABOUT HIS LIFE ON EARTH -- QUETZALCOATL -- HIS DEXTERITY IN THE MECHANICAL ARTS -- HIS RELIGIOUS OBSERVANCES -- THE WEALTH AND NIMBLENESS OF HIS ADHERENTS -- EXPULSION FROM TULLA OF QUETZALCOATL BY TEZCATLIPOCA AND HUITZILOPOCHTLI -- THE MAGIC DRAUGHT -- HUEMAC, OR VEMAC, KING OF THE TOLTECS, AND THE MISFORTUNES BROUGHT UPON HIM AND HIS PEOPLE BY TEZCATLIPOCA IN VARIOUS DISGUISES -- QUETZALCOATL IN CHOLULA -- DIFFERING ACCOUNTS OF THE BIRTH AND LIFE OF QUETZALCOATL -- HIS GENTLE CHARACTER -- HE DREW UP THE MEXICAN CALENDAR -- INCIDENTS OF HIS EXILE AND OF HIS JOURNEY TO TLAPALLA, AS RELATED AND COMMENTED UPON BY VARIOUS WRITERS -- BRASSEUR'S IDEAS ABOUT THE QUETZALCOATL MYTHS -- QUETZALCOATL CONSIDERED A SUN-GOD BY TYLOR, AND AS A DAWN-HERO BY BRINTON -- HELPS -- DOMENECH -- THE CODICES -- LONG DISCUSSION OF THE QUETZALCOATL MYTHS BY J. G. MÜLLER.

In the preceding chapter I have given only the loftier view of Tezcatlipoca's nature, which even on this side cannot be illustrated without many inconsistencies. We pass now to relations evidencing a much meaner idea of his character, and showing him whom we have seen called invisible, almighty, and beneficent, in a new and much less imposing light. We pass, in fact, from the Zeus of Plato and Socrates to the Zeus of Hesiod and Homer.

Let us glance first at the fashion of his representation in the temples, though with little hope of seeing the particular fitness of many of the trappings and symbols with which his statue was decorated. His principal image, at least in the city of Mexico, was cut out of a very shining black stone, called iztli, a variety of obsidian--a stone valued, in consideration of its capabilities of cleavage, for making those long splinters, used as knives by the Aztecs, for sacrificial and other purposes. For these uses in worship, and perhaps indeed for its manifold uses in all regards, it was surnamed teotetl, divine stone. In places where stone was less convenient the image was made of wood. The general idea intended to be given was that of a young man; by which the immortality of the god was set forth. The ears of the idol were bright with ear-rings of gold and silver. Through his lower lip was thrust a little crystal tube, perhaps six inches long, and through the hollow of this tube a feather was drawn; sometimes a green feather, sometimes a blue, giving the transparent ornament the tint at one time of an emerald, at another of a turquoise. The hair--carved from the stone, we may suppose--was drawn into a queue and bound with a ribbon of burnished gold, to the end of which ribbon, hanging down behind, was attached a golden ear with certain tongues of ascending smoke painted thereon; which smoke was intended to signify the prayers of those sinners and afflicted that, commending themselves to the god, were heard by him. Upon his head were many plumes of red and green feathers. From his neck there hung down in front a great jewel of gold that covered all his breast. Bracelets of gold were upon his arms, and in his navel was set a precious green stone. In his left hand there flashed a great circular mirror of gold, bordered like a fan with precious feathers, green and azure and yellow; the eyes of the god were ever fixed on this, for therein he saw reflected all that was done in the world. This mirror was called itlachia, that is to say, the 'looker-on,' the 'viewer.' Tezcatlipoca was sometimes seated on a bench covered with a red cloth, worked with the likeness of many skulls, having in his right hand four darts, signifying, according to some, that he punished sin. To the top of his feet were attached twenty bells of gold, and to his right foot the fore-foot of a deer, to show the exceeding swiftness of this deity in all his ways. Hiding the shining black body, was a great cloak, curiously wrought in black and white, adorned with feathers, and fringed about with rosettes of three colors, red, white, and black. This god, whose decorations vary a little with different writers--variations probably not greater than those really existing among the different figures representing in different places the same deity--had a kind of chapel built to hold him on the top of his temple. It was a dark chamber lined with rich cloths of many colors; and from its obscurity the image looked out, seated on a pedestal, with a costly canopy immediately overhead, and an altar in front; not apparently an altar of sacrifice, but a kind of ornamental table, like a Christian altar, covered with rich cloth. Into this holy of holies it was not lawful for any but a priest to enter.

[Sidenote: WORSHIP OF TEZCATLIPOCA.]

What most of all, however, must have served to bring the worship of Tezcatlipoca prominently before the people, were the seats of stone, built at the corners of the streets, for the accommodation of this god when he walked invisibly abroad. Mortal, born of woman, never sat thereon; not the king himself might dare to use them: sacred they were, sacred for ever, and always shadowed by a canopy of green boughs, reverently renewed every five days.[VII-1]

Lower and lower we must now descend from the idea of an almighty god, to take up the thread of various legends in which Tezcatlipoca figures in an anything but creditable light. We have already seen him described as one of those hero-gods whom the new-born Sun was instrumental in destroying;[VII-2] and we may suppose that he then ascended into heaven, for we find him afterward descending thence, letting himself down by a rope twined from spider's web. Rambling through the world he came to a place called Tulla, where a certain Quetzalcoatl--another, according to Sahagun, of the hero-gods just referred to--had been ruling for many years. The two engaged in a game of ball, in the course of which Tezcatlipoca suddenly transformed himself into a tiger, occasioning thereby a tremendous panic among the spectators, many of whom in the haste of their flight precipitated themselves down a ravine in the neighborhood into a river and were drowned. Tezcatlipoca then began to persecute Quetzalcoatl from city to city till he drove him to Cholula. Here Quetzalcoatl was held as chief god, and here for some time he was safe. But only for a few years; his indefatigable and powerful enemy forced him to retreat with a few of his adherents toward the sea, to a place called Tlillapa or Tizapan. Here the hunted Quetzalcoatl died, and his followers inaugurated the custom of burning the dead by burning his body.[VII-3]

The foregoing, from Mendieta, gives us a glimpse, from one point of view, of that great personage Quetzalcoatl, of whom we shall know much more anon, and whom in the meantime we meet again and again as the opponent, or rather victim of Tezcatlipoca. Let us consider Sahagun's version of the incidents of this strife:--

[Sidenote: QUETZALCOATL.]

Quetzalcoatl was, from very ancient times, adored as a god in Tulla. He had a very high cu[VII-4] there, with many steps up to it, steps so narrow that there was not room for a whole foot on any of them. His image was always in a recumbent position and covered with blankets. The face of it was very ugly, the head large and furnished with a long beard. The adherents of this god were all devoted to the mechanical arts, dexterous in working the green stone called chalchiuite, and in founding the precious metals; all of which arts had their beginning and origin with the said Quetzalcoatl. He had whole houses made of chalchiuites, others made of silver, others of white and red shells, others of planks, others of turquoises, and others of rich feathers. His adherents were very light of foot and swift in going whither they wished, and they were called tlanquacemilhiyme. There is a mountain called Tzatzitepetl on which Quetzalcoatl used to have a crier, and the people afar off and scattered, and the people of Anáhuac, a hundred leagues distant, heard and understood at once whatever the said Quetzalcoatl commanded. And Quetzalcoatl was very rich; he had all that was needful both to eat and to drink; maize was abundant, and a head of it was as much as a man could carry clasped in his arms; pumpkins measured a fathom round; the stalks of the wild amarinth were so large and thick that people climbed them like trees. Cotton was sowed and gathered in of all colors, red, scarlet, yellow, violet, whitish, green, blue, blackish, grey, orange, and tawny; these colors in the cotton were natural to it, thus it grew. Further it is said that in that city of Tulla, there abounded many sorts of birds of rich and many-colored plumage, the xiuhtototl, the quetzaltototl, the zaquan, the tlauquechol, and other birds that sang with much sweetness. And this Quetzalcoatl had all the riches of the world, of gold and silver, of green stones called chalchiuites, and of other precious things, and a great abundance of cocoa-nut trees of divers colors. The vassals or adherents of Quetzalcoatl were also very rich and wanted for nothing; they were never hungry; they never lacked maize, nor ate the small ears of it, but burned them like wood to heat the baths. It is said lastly that Quetzalcoatl did penance by pricking his legs and drawing blood with the spines of the maguey and by washing at midnight in a fountain called xicapoya;[VII-5] this custom the priests and ministers of the Mexican idols adopted.

There came at last a time in which the fortunes of Quetzalcoatl and of his people, the Toltecs, began to fail; for there came against them three sorcerers, gods in disguise, to wit Tezcatlipoca, Huitzilopochtli, and Tlacavepan, who wrought many deceits in Tulla. Tezcatlipoca especially prepared a cunning trick; he turned himself into a hoary-headed old man, and went to the house of Quetzalcoatl, saying to the servants there, I wish to see and speak to your master. Then the servants said, Go away, old man, thou canst not see our king, for he is sick, thou wilt annoy him and cause him heaviness. But Tezcatlipoca insisted, I must see him. Then the servants bid the sorcerer to wait, and they went in and told Quetzalcoatl how an old man without affirmed that he would see the king and would not be denied. And Quetzalcoatl answered, Let him come in, behold for many days I have waited for his coming. So Tezcatlipoca entered, and he said to the sick god-king, How art thou? adding further that he had a medicine for him to drink. Then Quetzalcoatl answered, Thou art welcome, old man, behold for many days I have waited for thee. And the old sorcerer spake again, How is thy body, and how art thou in health? I am exceedingly sick, said Quetzalcoatl, all my body is in pain, I cannot move my hands nor my feet. Then, answered Tezcatlipoca, behold this medicine that I have, it is good and wholesome and intoxicating; if thou will drink it, thou shalt be intoxicated and healed and eased at the heart, and thou shalt have in mind the toils and fatigues of death and of thy departure.[VII-6] Where, cried Quetzalcoatl, have I to go? To Tullantlapallan, replied Tezcatlipoca, where there is another old man waiting for thee; he and thou shall talk together, and on thy return thence thou shalt be as a youth, yea, as a boy. And Quetzalcoatl hearing these words his heart was moved, while the old sorcerer, insisting more and more, said, Sir, drink this medicine. But the king did not wish to drink it. The sorcerer, however, insisted, Drink, my lord, or thou wilt be sorry for it hereafter; at least rub a little on thy brow and taste a sip. So Quetzalcoatl tried and tasted it, and drank, saying, What is this? it seems to be a thing very good and savory; already I feel myself healed and quit of mine infirmity; already I am well. Then the old sorcerer said again, Drink once more, my lord, since it is good; so thou shall be the more perfectly healed. And Quetzalcoatl drank again, he made himself drunk, he began to weep sadly, his heart was eased and moved to depart, he could not rid himself of the thought that he must go; for this was the snare and deceit of Tezcatlipoca. And the medicine that Quetzalcoatl drank was the white wine of the country, made from the magueys that are called teumetl.

[Sidenote: TEZCATLIPOCA AS A PEDDLER.]

So Quetzalcoatl, whose fortunes we shall hereafter follow more particularly, set out upon his journey; and Tezcatlipoca proceeded further guilefully to kill many Toltecs, and to ally himself by marriage with Vemac, who was the temporal lord of the Toltecs, even as Quetzalcoatl was the spiritual ruler of that people. To accomplish these things Tezcatlipoca took the appearance of a poor foreigner, and presented himself naked, as was the custom of such people, in the market-place of Tulla, selling green chilly pepper. Now the palace of Vemac, the great king, overlooked the market-place, and he had an only daughter, and the girl, looking by chance among the buyers and sellers, saw the disguised god. She was smitten through with love of him, and she began to sicken. Vemac heard of her sickness and he inquired of the women that guarded her as to what ailed his daughter. They told him as best they could, how for the love of a peddler of pepper, named Toveyo, the princess had lain down to die. The king immediately sent a crier upon the mountain Tzatzitepec to make this proclamation: O Toltecs, seek me out Toveyo that goes about selling green pepper, let him be brought before me. So the people sought everywhere for the handsome pepper vender; but he was nowhere to be found. Then, after they could not find him, he appeared of his own accord one day, at his old place and trade in the market. He was brought before the king, who said to him, Where dost thou belong to? and Toveyo answered, I am a foreigner come here to sell my green pepper. Why dost thou delay to cover thyself with breeches and with a blanket? said Vemac. Toveyo answered that in his country such things were not in fashion. Vemac continued, My daughter longs after thee, not willing to be comforted by any Toltec; she is sick of love and thou must heal her. But Toveyo replied, This thing can in no wise be, kill me first; I desire to die, not being worthy to hear these words, who get my living by selling green pepper. I tell thee, said the king, that thou must heal my daughter of this her sickness; fear not. Then they took the cunning god, and washed him, and cut his hair, and dyed all his body, and put breeches on him and a blanket; and the king Vemac said, Get thee in and see my daughter, there where they guard her. Then the young man went in and he remained with the princess and she became sound and well; thus Toveyo became the son-in-law of the king of Tulla.

Then behold all the Toltecs being filled with jealousy and offended, spake injurious and insulting words against king Vemac, saying among themselves, Of all the Toltecs can there not to be found a man, that this Vemac marries his daughter to a peddler? Now when the king heard all the injurious and insulting words that the people spake against him, he was moved, and he spoke to the people saying, Come hither, behold I have heard all these things that ye say against me in the matter of my son-in-law Toveyo; dissimulate then; take him deceitfully with you to the war of Cacatepec and Coatepec, let the enemy kill him there. Having heard these words the Toltecs armed themselves, and collected a multitude, and went to the war, bringing Toveyo along. Arrived where the fighting was to take place, they hid him with the lame and the dwarfs, charging them, as the custom was in such cases, to watch for the enemy, while the soldiers went on to the attack. The battle began; the Toltecs at once gave way; treacherously and guilefully deserting Toveyo and the cripples, leaving them to be slaughtered at their post, they returned to Tulla and told the king how they had left Toveyo and his companions alone in the hands of the enemy. When the king heard the treason he was glad, thinking Toveyo dead, for he was ashamed of having him for a son-in-law. Affairs had gone otherwise, however, with Toveyo from what the plotters supposed. On the approach of the hostile army he consoled his deformed companions, saying, Fear nothing; the enemy come against us. but I know that I shall kill them all. Then he rose up and went forward against them, against the men of Coatepec and Cacatepec; he put them to flight and slew of them without number. When this came to the ears of Vemac, it weighed upon and terrified him exceedingly. He said to his Toltecs, Let us now go and receive my son-in-law. So they all went out with king Vemac to receive Toveyo, bearing the arms or devises called quetzalapanecayutl, and the shields called xiuchimali. They gave these things to Toveyo, and he and his comrades received them with dancing and the music of flutes, with triumph and rejoicing. Furthermore, on reaching the palace of the king, plumes were put upon the heads of the conquerors, and all the body of each of them was stained yellow, and all the face red; this was the customary reward of those that came back victorious from war. And king Vemac said to his son-in-law, I am now satisfied with what thou hast done and the Toltecs are satisfied; thou hast dealt very well with our enemies, rest and take thine ease. But Toveyo held his peace.

[Sidenote: TRIUMPH OF TEZCATLIPOCA.]

And after this, Toveyo adorned all his body with the rich feathers called tocivitl, and commanded the Toltecs to gather together for a festival, and sent a crier up to the top of the mountain, Tzatzitepec, to call in the strangers and the people afar off to dance and to feast. A numberless multitude gathered to Tulla. When they were all gathered Toveyo led them out, young men and girls, to a place called Texcalapa, where he himself began and led the dancing, playing on a drum. He sang too, singing each verse to the dancers, who sang it after him, though they knew not the song before hand. Then was to be seen there a marvelous and terrible thing. From sunset till midnight the beat of the countless feet grew faster and faster; the tap, tap, tap of the drum closed up and poured into a continual roll; the monotonous song rose higher, wilder, till it burst into a roar. The multitude became a mob, the revel a riot; the people began to press upon and hustle each other; the riot became a panic. There was a fearful gorge or ravine there, with a river rushing through it called the Texcaltlauhco; a stone bridge led over the river. Toveyo broke down this bridge as the people fled; grim corypheus of this fearful revel, he saw them tread and crush each other down, under-foot, and over into the abyss. They that fell were turned into rocks and stones; as for them that escaped, they did not see nor think that it was Toveyo and his sorceries had wrought this great destruction; they were blinded by the witchcraft of the god, and out of their senses like drunken men.

Far from being satisfied with the slaughter at Texcalapa, Tezcatlipoca proceeded to hatch further evil against the Toltecs. He took the appearance of a certain valiant man called Teguioa, and commanded a crier to summon all the inhabitants of Tulla and its neighborhood to come and help at a certain piece of work in a certain flower-garden (said to have been a garden belonging to Quetzalcoatl.). All the people gathered to the work, whereupon the disguised god fell upon them, knocking them on the head with a coa.[VII-7] Those that escaped the coa were trodden down and killed by their fellows in attempting to escape; a countless number was slain; every man that had come to the work was left lying dead among the trodden flowers.

[Sidenote: TEZCATLIPOCA DEAD.]

And after this Tezcatlipoca wrought another witchcraft against the Toltecs. He called himself Tlacavepan, or Acexcoch, and came and sat down in the midst of the market-place of Tulla, having a little manikin (said to have been Huitzilopochtli) dancing upon his hand. There was an instant uproar of all the buyers and sellers and a rush to see the miracle. The people crushed and trod each other down, so that many were killed there; and all this happened many times. At last the god-sorcerer cried out, on one such occasion, What is this? do you not see that you are befooled by us? stone and kill us. So the people took up stones and killed the said sorcerer and his little dancing manikin. But when the body of the sorcerer had lain in the market-place for some time it began to stink and to taint the air, and the wind of it poisoned many. Then the dead sorcerer spake again, saying, Cast this body outside the town, for many Toltecs die because of it. So they prepared to cast out the body, and fastened ropes thereto and pulled. But the talkative and ill-smelling corpse was so heavy that they could not move it. Then a crier made a proclamation, saying, Come all ye Toltecs, and bring ropes with you, that we may drag out and get rid of this pestilential carcass. All came accordingly, bringing ropes, and the ropes were fastened to the body, and all pulled. It was utterly in vain. Rope after rope broke with a sudden snap, and those that dragged on a rope fell and were killed when it broke. Then the dead wizard looked up and said, O Toltecs, a verse of a song is needed; and he himself gave them a verse. They repeated the verse after him, and, singing it, pulled all together, so that with shouts they hauled the body out of the city; though still not without many ropes breaking and many persons being killed as before. All this being over, those Toltecs that remained unhurt returned every man to his place, not remembering anything of what had happened, for they were all as drunken.

Other signs and wonders were wrought by Tezcatlipoca in his rôle of sorcerer. A white bird called Yztaccuixtli, was clearly seen flying over Tulla, transfixed with a dart. At night also, the sierra called Zacatepec burned, and the flames were seen from far. All the people were stirred up and affrighted, saying one to another, O Toltecs, it is all over with us now; the time of the end of Tulla is come; alas for us, whither shall we go?

Then Tezcatlipoca wrought another evil upon the Toltecs: he rained down stones upon them. There fell also, at the same time, a great stone from heaven called techcatl; and when it fell the god-sorcerer took the appearance of an old woman, and went about selling little banners in a place called Chapultepecuitlapilco, otherwise named Vetzinco. Many then became mad and bought of these banners and went to the place where was the stone Techcatl, and there got themselves killed; and no one was found to say so much as, What is this that happens to us? they were all mad.

Another woe Tezcatlipoca brought upon the Toltecs. All their victuals suddenly became sour, and no one was able to eat of them. The old woman, above mentioned, took up then her abode in a place called Xochitla[VII-8], and began to roast maize; and the odor of the roasted maize reached all the cities round about. The starving people set out immediately, and with one accord, to go where the old woman was. They reached her instantly, for here it may be again said, that the Toltecs were exceedingly light of foot, and arrived always immediately whithersoever they wished to go. As for the Toltecs that gathered to the sham sorceress, not one of them escaped, she killed them every one.[VII-9]

[Sidenote: IMAGE OF QUETZALCOATL.]

Turning, without remark for the present, from Tezcatlipoca, of whose life on earth the preceding farrago of legends is all that is known, let us take up the same period in the history of Quetzalcoatl. The city of Cholula was the place in which this god was most honored, and towards which he was supposed to be most favorably inclined; Cholula being greatly given to commerce and handicraft, and the Cholulans considering Quetzalcoatl to be the god of merchandise. As Acosta tells: "In Cholula, which is a commonwealth of Mexico, they worshipt a famous idoll which was the god of marchandise, being to this day greatly given to trafficke. They called it Quetzaalcoalt. This idoll was in a great place in a temple very hie: it had about it, golde, silver, jewells, very rich feathers, and habites of divers colours. It had the forme of a man, but the visage of a little bird, with a red bill, and above a combe full of wartes, having ranckes of teeth, and the tongue hanging out. It carried vpon the head, a pointed myter of painted paper, a sithe in the hand, and many toyes of golde on the legges; with a thousand other foolish inventions, whereof all had their significations, and they worshipt it, for that hee enriched whome hee pleased, as Memnon and Plutus. In trueth this name which the Choluanos gave to their god, was very fitte, although they vnderstood it not: they called it Quetzaalcoalt, signifying colour of a rich feather, for such is the divell of covetousnesse."[VII-10]

Motolinia gives the following confused account of the birth as a man, the life, and the apotheosis of this god. The Mexican Adam, called Iztacmixcoatl by some writers, married a second time.[VII-11] This second wife, Chimamatl by name, bore him, it is said, an only son who was called Quetzalcoatl. This son grew up a chaste and temperate man. He originated by his preaching and practice the custom of fasting and self-punishment; and from that time many in that country began to do this penance. He never married, nor knew any woman, but lived restrainedly and chastely all his days. The custom of sacrificing the ears and the tongue, by drawing blood from these members, was also introduced by him; not for the service of the devil but in penitence for the sins of his speech and his hearing: it is true that afterward the demon misappropriated these rites to his own use and worship. A man called Chichimecatl fastened a leather strap on the arm of Quetzalcoatl, fixing it high up near the shoulder; Chichimecatl was from that time called Acolhuatl, and from him, it is said, are descended those of Colhua, ancestors of Montezuma and lords of Mexico and Coluacan. This Quetzalcoatl is now held as a deity and called the god of the air; everywhere an infinite number of temples has been raised to him, and everywhere his statue or picture is found.[VII-12]

According to the account of Mendieta, tradition varied much as to the facts of the life of Quetzalcoatl. Some said he was the son of Camaxtli, god of hunting and fishing, and of Camaxtli's wife Chimalma. Others make mention only of the name of Chimalma, saying that as she was sweeping one day she found a small green stone called chalchiuite, that she picked it up, became miraculously pregnant, and gave birth to the said Quetzalcoatl. This god was worshiped as a principal deity in Cholula, where, as well as in Tlaxcala and Huejotzingo, there were many of his temples. We have already had one legend from Mendieta,[VII-13] giving an account of the expulsion from Tulla and death of Quetzalcoatl; the following from the same source gives a different and more usual version of the said expulsion:--

[Sidenote: DEPARTURE OF QUETZALCOATL.]

Quetzalcoatl came from the parts of Yucatan (although some said from Tulla) to the city of Cholula. He was a white man, of portly person, broad brow, great eyes, long black hair, and large round beard; of exceedingly chaste and quiet life, and of great moderation in all things. The people had at least three reasons for the great love, reverence, and devotion with which they regarded him: first, he taught the silversmith's art, a craft the Cholulans greatly prided themselves on; second, he desired no sacrifice of the blood of men or animals, but delighted only in offerings of bread, roses and other flowers, of perfumes and sweet odors; third, he prohibited and forbade all war and violence. Nor were these qualities esteemed only in the city of his chiefest labors and teachings; from all the land came pilgrims and devotees to the shrine of the gentle god. Even the enemies of Cholula came and went secure, in fulfilling their vows; and the lords of distant lands had in Cholula their chapels and idols to the common object of devotion and esteem. And only Quetzalcoatl among all the gods was preëminently called Lord; in such sort, that when any one swore, saying, By Our Lord, he meant Quetzalcoatl and no other; though there were many other highly esteemed gods. For indeed the service of this god was gentle, neither did he demand hard things, but light; and he taught only virtue, abhorring all evil and hurt. Twenty years this good deity remained in Cholula, then he passed away by the road he had come, carrying with him four of the principal and most virtuous youths of that city. He journeyed for a hundred and fifty leagues, till he came to the sea, in a distant province called Goatzacoalco. Here he took leave of his companions and sent them back to their city, instructing them to tell their fellow citizens that a day should come in which white men would land upon their coasts, by way of the sea in which the sun rises; brethren of his and having beards like his; and that they should rule that land. The Mexicans always waited for the accomplishment of this prophecy, and when the Spaniards came they took them for the descendants of their meek and gentle prophet, although, as Mendieta remarks with some sarcasm, when they came to know them and to experience their works, they thought otherwise.

Quetzalcoatl is further reported by Mendieta to have assisted in drawing up and arranging the Mexican Calendar, a sacred book of thirteen tables, in which the religious rites and ceremonies proper to each day were set forth, in connection with the appropriate signs. It is said that the gods having created mankind, bethought themselves that it would be well if the people they had made had some writings by which they might direct themselves. Now there were, in a certain cave at Cuernavaca, two personages of the number of the gods, and they were man and wife, he Oxomoco and she Cipactonal; and they were consulting together. It appeared good to the old woman that her descendant Quetzalcoatl should be consulted. The Cholulan god thought the thing of the calendar to be good and reasonable; so the three set to work. To the old woman was respectfully allotted the privilege of choosing and writing the first sign; she painted a kind of water-serpent called cipactli, and called the sign Ce Cipactli, that is "a serpent." Oxomoco, in his turn wrote "two canes," and then Quetzalcoatl wrote "three houses;" and so they went on till the whole thirteen signs of each table were written out in their order.[VII-14]

[Sidenote: THE SUN CALLS QUETZALCOATL.]

Let us now take up again the narrative of Sahagun, at the point where Quetzalcoatl, after drinking the potion prepared by Tezcatlipoca, prepares to set off upon his journey. Quetzalcoatl, very heavy in heart for all the misfortunes that this rival god was bringing upon the Toltecs, burned his beautiful houses of silver and of shell, and ordered other precious things to be buried in the mountains and ravines. He turned the cocoa-nut trees into a kind of trees that are called mizquitl; he commanded all the birds of rich plumage, the quetzaltototl, and the xiuhtotl, and the tlauquechol, to fly away and go into Anáhuac, a hundred leagues distant. Then he himself set out upon his road from Tulla; he traveled on till he came to a place called Quauhtitlan, where was a great tree, high and very thick. Here the exile rested, and he asked his servants for a mirror, and looked at his own face. What thoughts soever were working in his heart, he only said, I am already old. Then he named that place Vevequauhtitlan, and he took up stones and stoned the great tree; and all the stones he threw sank into it, and were for a long time to be seen sticking there, from the ground even up to the topmost branches. Continuing his journey, having flute-players playing before him, he came to a place on the road where he was weary and sat down on a stone to rest. And looking toward Tulla, he wept bitterly. His tears marked and ate into the stone on which he sat, and the print of his hands, and of his back parts, was also found therein when he resumed his journey. He called that place Temacpalco. After that he reached a very great and wide river, and he commanded a stone bridge to be thrown across it; on that bridge he crossed the river, and he named the place Tepanoaya. Going on upon his way, Quetzalcoatl came to another place, where certain sorcerers met and tried to stop him, saying, Whither goest thou? why dost thou leave thy city? to whose care wilt thou commend it? who will do penance? Quetzalcoatl replied to the said sorcerers, Ye can in no wise hinder my going, for I must go. They asked him further, Whither goest thou? He said, To Tlapalla. They continued, But to what end goest thou? He said, I am called and the sun calls me. So the sorcerers said, Go then, but leave behind all the mechanical arts, the melting of silver, the working of precious stones and of masonry, the painting, feather-working, and other crafts. And of all these the sorcerers despoiled Quetzalcoatl. As for him, he cast into a fountain all the rich jewels that he had with him; and that fountain was called Cohcaapa, and it is so named to this day.

Quetzalcoatl continued his journey; and there came another sorcerer to meet him, saying, Whither goest thou? Quetzalcoatl said, To Tlapalla. The wizard said, Very well; but drink this wine that I have. The traveler answered, No: I cannot drink it; I cannot so much as taste it. Thou must drink, said the grim magician, were it but a drop; for to none of the living can I give it; it intoxicates all, so drink. Then Quetzalcoatl took the wine and drank it through a cane. Drinking, he made himself drunk; he slept upon the road; he began to snore; and when he awoke, he looked on one side and on the other, and tore his hair with his hands. And that place was called Cochtoca.

Quetzalcoatl going on upon his way and passing between the sierra of the volcano and the snowy sierra, all his servants, being hump-backed and dwarfs, died of cold in the pass between the said mountains. And Quetzalcoatl bewailed their death bitterly and sang with weeping and sighing. Then he saw the other snowy sierra, which is called Poyauhtecatl and is near Tecamachalco; and so he passed by all the cities and places, leaving many signs, it is said, in all the mountains and roads.[VII-15] It is said further that he had a way of crossing the sierras whereby he amused and rested himself at the same time: when he came to the top of a mountain he used to sit down, and so seated, let himself slide down the mountain-side to the bottom. In one place he built a court for ball-play, all of squared stone, and here he used to play the game called tlachtli.[VII-16] Through the midst of this court he drew a line called the telcotl; and where that line was made the mountain is now opened with a deep gash. In another place he cast a dart at a great tree called a pochutl, piercing it through with the dart in such wise that the tree looked like a cross; for the dart he threw was itself a tree of the same kind.[VII-17] Some say that Quetzalcoatl built certain subterranean houses, called mictlancalco; and further, that he set up and balanced a great stone, so that one could move it with one's little finger, yet a multitude could not displace it. Many other notable things remain that Quetzalcoatl did among many peoples; he it was that named all the places and woods and mountains. Traveling ever onward, he came at last to the sea-shore, and there commanded a raft to be made of the snakes called coatlapechtli. Having seated himself on this raft as in a canoe, he put out to sea, and no man knows how he got to Tlapallan.[VII-18]

Torquemada gives a long and valuable account of Quetzalcoatl, gathered from many sources, which cannot be overlooked. It runs much as follows:--The name Quetzalcoatl means Snake-plumage, or Snake that has plumage--and the kind of snake referred to in this name, is found in the province of Xicalanco, which is on the frontier of the kingdom of Yucatan as one goes thence to Tabasco. This god Quetzalcoatl was very celebrated among the people of the city of Cholula, and held in that place for the greatest of all. He was, according to credible histories, high priest in the city of Tulla. From that place he went to Cholula, and not, as Bishop Bartolomé de las Casas says in his Apologia, to Yucatan; though he went to Yucatan afterwards, as we shall see. It is said of Quetzalcoatl that he was a white man, large bodied, broad-browed, great-eyed, with long black hair, and a beard heavy and rounded.[VII-19] He was a great artificer, and very ingenious. He taught many mechanical arts, especially the art of working the precious stones called chalchiuites, which are a kind of green stone highly valued, and the art of casting silver and gold. The people, seeing him so inventive, held him in great estimation, and reverenced him as king in that city; and so it came about that, though in temporal things the ruler of Tulla was a lord named Huemac,[VII-20] yet in all spiritual and ecclesiastical matters Quetzalcoatl was supreme, and as it were chief pontiff.

[Sidenote: SWIFTNESS OF THE SERVANTS OF QUETZALCOATL.]

It is feigned by those that seek to make much of their god that he had certain palaces made of green stone like emeralds, others made of silver, others of shells, red and white, others of all kinds of wood, others of turquoise, and others of precious feathers. He is said to have been very rich, and in need of nothing. His vassals were very obedient to him, and very light of foot; they were called tlanquacemilhuique. When they wished to publish any command of Quetzalcoatl, they sent a crier up upon a high mountain called Tzatzitepec, where with a loud voice he proclaimed the order; and the voice of this crier was heard for a hundred leagues distance, and farther, even to the coasts of the sea: all this is affirmed for true. The fruits of the earth and the trees flourished there in an extraordinary degree, and sweet singing birds were abundant. The great pontiff inaugurated a system of penance, pricking his legs, and drawing blood and staining therewith maguey thorns. He washed also at midnight in a fountain called Xiuhpacoya. From all this, it is said, the idolatrous priests of Mexico adopted their similar custom.

[Sidenote: QUETZALCOATL LEAVES MARKS ON A STONE.]

While Quetzalcoatl was enjoying this good fortune with pomp and majesty, we are told that a great magician called Titlacahua [Tezcatlipoca], another of the gods, arrived at Tulla. He took the form of an old man, and went in to see Quetzalcoatl, saying to him, My lord, inasmuch as I know thine intent and how much thou desirest to set out for certain distant lands, also, because I know from thy servants that thou art unwell, I have brought thee a certain beverage, by drinking which thou shalt attain thine end. Thou shalt so make thy way to the country thou desirest, having perfect health to make the journey; neither shalt thou remember at all the fatigues and toils of life, nor how thou art mortal.[VII-21] Seeing all his projects thus discovered by the pretended old man, Quetzalcoatl questioned him, Where have I to go. Tezcatlipoca answered, That it was already determined with the supreme gods, that he had to go to Tlapalla, and that the thing was inevitable, because there was another old man waiting for him at his destination. As Quetzalcoatl heard this, he said that it was true, and that he desired it much; and he took the vessel and drank the liquor it contained. Quetzalcoatl was thus easily persuaded to what Tezcatlipoca desired, because he wished to make himself immortal and to enjoy perpetual life. Having swallowed the draught he became beside himself, and out of his mind, weeping sadly and bitterly. He determined to go to Tlapalla. He destroyed or buried all his plate and other property and set out. First he arrived at the place, Quauhtitlan, where the great tree was and where he, borrowing a mirror from his servants, found himself "already old." The name of this place was changed by him to Huehuequauhtitlan, that is to say, "near the old tree, or the tree of the old man;" and the trunk of the tree was filled with stones that he cast at it. After that he journeyed on, his people playing flutes and other instruments, till he came to a mountain near the city of Tlalnepantla, two leagues from the city of Mexico, where he sat down on a stone and put his hands on it, leaving marks embedded therein that may be seen to this day. The truth of this thing is strongly corroborated by the inhabitants of that district; I myself have questioned them upon the subject, and it has been certified to me. Furthermore we have it written down accurately by many worthy authors; and the name of the locality is now Temacpalco, that is to say "in the palm of the hand."

Journeying on to the coast and to the kingdom of Tlapalla, Quetzalcoatl was met by the three sorcerers, Tezcatlipoca and other two with him, who had already brought so much destruction upon Tulla. These tried to stop or hinder him in his journey, questioning him, Whither goest thou? He answered, To Tlapalla. To whom, they inquired, hast thou given the charge of thy kingdom of Tulla, and who will do penance there? But he said that that was no longer any affair of his and that he must pursue his road. And being further questioned as to the object of his journey, he said that he was called by the lord of the land to which he was going, who was the sun.[VII-22] The three wizards seeing then the determination of Quetzalcoatl, made no further attempt to dissuade him from his purpose, but contented themselves with taking from him all his instruments and his mechanical arts, so that though he departed those things should not be wanting to the state. It was here that Quetzalcoatl threw into a fountain all the rich jewels that he carried with him; for which thing the fountain was called from that time Cozcaapan, that is to say, "The water of the strings or chains of jewels." The same place is now called Coaapan, that is to say, "In the snake-water," and very properly, because the word Quetzalcoatl means "feathered snake." In this way he journeyed on, suffering various molestations from those sorcerers, his enemies, till he arrived at Cholula where he was received (as we in another part say),[VII-23] and afterward adored as god. Having lived twenty years in that city he was expelled by Tezcatlipoca. He set out for the kingdom of Tlapalla, accompanied by four virtuous youths of noble birth, and in Goatzacoalco, a province distant from Cholula toward the sea a hundred and fifty leagues, he embarked for his destination. Parting with his disciples, he told them that there should surely come to them in after times, by way of the sea where the sun rises, certain white men with white beards, like him, and that these would be his brothers and would rule that land.

After that the four disciples returned to Cholula, and told all that their master and god had prophesied when departing. Then the Cholulans divided their province into four principalities and gave the government to those four, and some four of their descendants always ruled in like manner over these tetrarchies till the Spaniard came; being, however, subordinate to a central power.

[Sidenote: QUETZALCOATL SWEPT THE ROADS.]

This Quetzalcoatl was god of the air, and as such had his temple, of a round shape and very magnificent. He was made god of the air for the mildness and gentleness of all his ways, not liking the sharp and harsh measures to which the other gods were so strongly inclined. It is to be said further that his life on earth was marked by intensely religious characteristics; not only was he devoted to the careful observance of all the old customary forms of worship, but he himself ordained and appointed many new rites, ceremonies, and festivals for the adoration of the gods; and it is held for certain that he made the calendar. He had priests who were called quequetzalcohua, that is to say "priests of the order of Quetzalcoatl." The memory of him was engraved deeply upon the minds of the people, and it is said that when barren women prayed and made sacrifices to him, children were given them. He was, as we have said, god of the winds, and the power of causing them to blow was attributed to him as well as the power of calming or causing their fury to cease. It was said further that he swept the road, so that the gods called Tlaloques could rain: this the people imagined because ordinarily a month or more before the rains began there blew strong winds throughout all New Spain. Quetzalcoatl is described as having worn during life, for the sake of modesty, garments that reached down to the feet, with a blanket over all, sown with red crosses. The Cholulans preserved certain green stones that had belonged to him, regarding them with great veneration and esteeming them as relics. Upon one of these was carved a monkey's head, very natural. In the city of Cholula there was to be found dedicated to him a great and magnificent temple, with many steps, but each step so narrow that there was not room for a foot on it. His image had a very ugly face, with a large and heavily bearded head. It was not set on its feet but lying down, and covered with blankets. This, it is said, was done as a memorial that he would one day return to reign. For reverence of his great majesty, his image was kept covered, and to signify his absence it was kept lying down, as one that sleeps, as one that lies down to sleep. In awaking from that sleep, he was to rise up and reign. The people also of Yucatan reverenced this god Quetzalcoatl, calling him Kukulcan, and saying that he came to them from the west, that is from New Spain, for Yucatan is eastward therefrom. From him it is said the kings of Yucatan are descended, who call themselves Cocomes, that is to say "judges or hearers."[VII-24]

[Sidenote: CLAVIGERO ON QUETZALCOATL.]

Clavigero's account is characteristically clear and comprehensible. It may be summed up as follows:--

Among the Mexicans and other nations of Anáhuac, Quetzalcoatl was accounted god of the air. He is said to have been sometime high-priest of Tulla. He is described as having been white--a large, broad-browed, great-eyed man, with long black hair and thick beard. His life was rigidly temperate and exemplary, and his industry was directed by the profoundest wisdom. He amassed great treasure, and his was the invention of gem-cutting and of metal-casting. All things prospered in his time. One ear of corn was a man's load; and the gourds, or pumpkins, of the day were as tall as one's body. No one dyed cotton then, for it grew of all colors; and all other things in like manner were perfect and abundant. The very birds in the trees sang such songs as have never since been heard, and flashed such marvelous beauties in the sun as no plumage of later times could rival. Quetzalcoatl had his laws proclaimed from the top of the hill Tzatzitepec, (mountain of outcry), near Tulla, by a crier whose voice was audible for three hundred miles.

All this, however, was put an end to, as far as Tulla was concerned, by Tezcatlipoca, who, moved perhaps by jealousy, determined to remove Quetzalcoatl. So the god appeared to the great teacher in the guise of an old man, telling him it was the will of the gods that he betake himself to Tlapalla, and administering at the same time a potion, the effect of which was to cause an intense longing for the said journey. Quetzalcoatl set out and, having performed many marvels on the way, arrived in Cholula. Here the inhabitants would not suffer him to go farther, but persuaded him to accept the government of their city; and he remained with them, teaching many useful arts, customs, and ceremonies and preaching against war and all other forms of cruelty. According to some, he at this time arranged the divisions of the seasons and the calendar.

Having lived twenty years in Cholula, he left, still impelled by the subtle draught, to seek this imaginary city of Tlapalla. He was no more seen of men, some said one thing and some another; but, however he might have disappeared, he was apotheosized by the Toltecs of Cholula, who raised him a great mound and built a sanctuary upon it. A similar structure was erected to his honor at Tulla. From Cholula his worship as god of the air spread over all the country; in Yucatan the nobles claimed descent from him.[VII-25]

[Sidenote: BRASSEUR ON QUETZALCOATL.]

The ideas of Brasseur with regard to Quetzalcoatl have their roots in and must be traced back to the very first appearing of the Mexican religion, or of the religion or religions by which it was preceded; so that to arrive at those ideas I must give a summary of the abbé's whole theory of the origin of that creed. He believes that in the seething and thundering of volcanoes a conception of divinity and of supernatural powers first sprang up in the mind of the ancestors of the Mexicans. The volcanoes were afterwards identified with the stars, and the most terrific of all, Nanahuatl or Nanahuatzin,[VII-26] received the honors of apotheosis in the sun. Issued from the earth of the Crescent (Brasseur's sunken island or continent in the Atlantic),[VII-27] personified in the antique Quetzalcoatl, prototype of priests and of sacerdotal continence, he is thus his son and identifies himself with him; he (the divinity, Tylor's "Great Somebody") is the model of sages under the name of Hueman and the prototype of kings under that of Topiltzin. Strange thing to find united in one being, personalities so diverse! King, philosopher, priest par excellence, whose virtues serve as a rule to all the priests of the pagan antiquity, and, side by side with all that, incontinence and passion deified in this invalid, whose name even, "the syphilitic," is the expression of the abuse he has made of the sex.

At the commencement of the religion two sects appear to have sprung up, or rather two manners of judging the same events. There was first a struggle, and then a separation; under the banner-names of Quetzalcoatl and Tezcatlipoca the rival schools fought for the most part--of course there were divers minor factions; but the foregoing were the principal and most important. There is every reason to believe that the religion that took Quetzalcoatl for symbol was but a reformation upon another more ancient, that had the moon for its object. It is the moon, male and female, Luna Lunus, personified in the earth of the Crescent, engulfed in the abyss, that I believe (it is always the abbé that speaks) I see at the commencement of the amalgam of rites and symbols of every kind, religion of enjoyments and material pleasures, born of the promiscuity of the men and women, taken refuge in the lesser Antilles after the cataclysm.

The religion that had taken the moon for point of departure, and in which women seem to have played the principal rôle, as priestesses, attacked formally, by this very fact, a more antique religion, a pre-diluvian religion that appears to have been Sabaism, entirely exempt from idolatry, and in which the sun received the chief homage. In the new religion, on the contrary, it was not the moon as a star, which was the real object of worship, it was the moon-land (lune-terre), it was the region of the Crescent, shrouded under the waves, whose death was wept and whose resurrection was afterward celebrated in the appearance of the isles--refuge of the shipwrecked of the grand catastrophe--of the Lesser Antilles; to the number of seven principal islands, sung, in all American legends, as the Seven Grottoes, cradle of nations.

This is the myth of Quetzalcoatl, who dies or disappears, and whose personality is represented at the outset in the isles, then successively, in all the countries whither the civilization was carried of which he was the flag. So far as I can judge at present, the priest who placed himself under the ægis of this grand name, labored solely to reform what there was of odious and barbarous in the cult of which the women had the chief direction, and under whose regime human blood flowed in waves. After the triumph of Quetzalcoatl, the men who bore his name took the direction of religion and society, which then made considerable progress in their hands.

But if we are to believe the same traditions, their preponderance had not a very long duration. The most restless and the most audacious among the partisans of the ancient order of things, raised the flag of revolt: they became the chiefs of a warlike faction, rival of the sacerdotal--a conquering faction, source of veritable royal dynasties and of the religion of the sun living and victorious, in opposition to the god entombed in the abyss. Quetzalcoatl, vanquished by Tezcatlipoca, then retired before a too-powerful enemy, and the Toltecs were dispersed among all nations. Those of them that remained coalesced with the victors, and from the accord of the aforementioned three cults, there sprang that monstrous amalgam of so many different ideas and symbols, such as is found to-day in what remains to us of the Mexican religion.

For me (and it is always the abbé that speaks), I believe I perceive the origin of the struggle, not alone in the diversity of races, but principally in the existence of two currents of contrary ideas, having had the same point of departure in the events of the great cataclysm of the Crescent Land, above referred to. Different manners of looking at these events and of commemorating them, seem to me to have marked from the beginning the starting point of two religions that lived, perhaps, side by side for centuries without the explosion of their disagreements, otherwise than by insignificant agitations. Before these two could take, with regard to each other, the proportions of a schism or a heresy, it was necessary that all the materials of which these religions are constituted had had time to elaborate themselves, and that the hieroglyphics which represented their origin had become sufficiently obscure for the priesthood to keep the vulgar from understanding them. For, if schism has brought on the struggle between and afterward the violent separation of families, this separation can not have taken place till after the entire creation of myths, the entire construction of these divine genealogies, of these poetic traditions, that are found scattered among all the peoples of the earth, but of which the complete whole does not exist, save in the history and religion of Mexico.[VII-28]

[Sidenote: MANY CHARACTERS OF QUETZALCOATL.]

Two orders of gods--the one order fallen from heaven into the abyss, becoming there the judges of the dead, and being personified in one of their number, who came to life again, symbolizing thus life and death--the other order surviving the cataclysm and symbolizing thus an imperishable life--such, at its origin, is the double character of the myth of Quetzalcoatl. But, in reality, this god he is the earth, he is the region swallowed up by the waters, he is the vanquished stifled under the weight of his adversary, under the force of the victorious wave; which adversary, which power in opposition to the first, joining itself to the fire on the blazing pile of Nanahuatl, is Tezcatlipoca, is Hercules, conqueror of enemies, is the god whose struggle is eternal as that of the ocean beating the shore, is he in whom the light becomes afterward personified, and who becomes thus the battle-flag of the opponents of Quetzalcoatl. To the dead god a victim is necessary, one that like him descends into the abyss. This victim was a young girl, chosen among those that were consecrated at the foot of the pyramid, and drowned; a custom long found as well in Egypt as at Chichen-Itza,[VII-29] and in many other countries of the world. But to the god come to life again, to the god in whom fire was personified, and immortal life, to Quetzalcoatl when he became Huitzilopochtli, victims were sacrificed, by tearing out the heart--symbol of the jet of flame issuing from the volcano--to offer it to the conquering sun, symbol of Tezcatlipoca, who first demanded holocausts of human blood.[VII-30]

Mr Tylor declares Quetzalcoatl to have been the Sun: "We may even find him identified with the Sun by name, and his history is perhaps a more compact and perfect series of solar myths than hangs to the name of any single personage in our own Aryan mythology. His mother, the Dawn or the Night, gives birth to him, and dies. His father Camaxtli is the sun, and was worshiped with solar rites in Mexico, but he is the old Sun of yesterday. The clouds, personified in the mythic race of the Mixcohuas, or "Cloud-Snakes" (the Nibelungs of the western hemisphere), bear down the old Sun and choke him, and bury him in their mountain. But the young Quetzalcoatl, the Sun of to-day, rushes up into the midst of them from below, and some he slays at the first onset, and some he leaves, rift with red wounds to die. We have the Sun boat of Helios, of the Egyptian Ra, of the Polynesian Maui. Quetzalcoatl, his bright career drawing toward its close, is chased into far lands by his kinsman Tezcatlipoca, the young Sun of to-morrow. He, too, is well known as a Sun God in the Mexican theology. Wonderfully fitting with all this, one incident after another in the life of Quetzalcoatl falls into its place. The guardians of the sacred fire tend him, his funeral pile is on the top of Orizaba, he is the helper of travelers, the maker of the calendar, the source of astrology, the beginner of history, the bringer of wealth and happiness. He is the patron of the craftsmen, whom he lights to his labor; as it is written in an ancient Sanskrit hymn, 'He steps forth, the splendor of the sky, the wide-seeing, the far-aiming, the shining wanderer; surely enlivened by the sun, do men go to their tasks and do their work.' Even his people, the Toltecs, catch from him solar qualities. Will it be even possible to grant to this famous race, in whose story the legend of Quetzalcoatl is the leading incident, anything more than a mythic existence?"[VII-31]

[Sidenote: BRINTON ON QUETZALCOATL.]

Dr Brinton is of opinion "that there were in truth many Quetzalcoatls, for his high priest always bore his name, but he himself is a pure creation of the fancy, and all his alleged history is nothing but a myth. His emblematic name, the Bird-Serpent, and his rebus and cross at Palenque, I have already explained. Others of his titles were, Ehecatl, the air; Yolcuat, the rattlesnake; Tohil, the rumbler; Huemac, the strong hand; Nanihehecatl, lord of the four winds. The same dualism reappears in him that has been noted in his analogues elsewhere. He is both lord of the eastern light and the wind.

As the former, he was born of a virgin in the land of Tula or Tlapallan, in the distant Orient, and was high priest of that happy realm. The morning star was his symbol, and the temple of Cholula was dedicated to him expressly as the author of light. As by days we measure time, he was the alleged inventor of the calendar. Like all the dawn heroes, he too was represented as of white complexion, clothed in long white robes, and, as most of the Aztec gods, with a full and flowing beard. When his earthly work was done he too returned to the east, assigning as a reason that the sun, the ruler of Tlapallan, demanded his presence. But the real motive was that he had been overcome by Tezcatlipoca, otherwise called Yoalliehecatl, the wind or spirit of night, who had descended from heaven by a spider's web and presented his rival with a draught pretended to confer immortality, but, in fact, producing uncontrollable longing for home. For the wind and the light both depart when the gloaming draws near, or when the clouds spread their dark and shadowy webs along the mountains, and pour the vivifying rain upon the fields.

In his other character, he was begot of the breath of Tonacateotl, god of our flesh or subsistence, or (according to Gomara) was the son of Iztac Mixcoatl, the white cloud serpent, the spirit of the tornado. Messenger of Tlaloc, god of rain, he was figuratively said to sweep the road for him, since in that country violent winds are the precursors of the wet seasons. Wherever he went all manner of singing birds bore him company, emblems of the whistling breezes. When he finally disappeared in the far east, he sent back four trusty youths who had ever shared his fortunes, 'incomparably swift and light of foot,' with directions to divide the earth between them and rule it till he should return and resume his power. When he would promulgate his decrees, his herald proclaimed them from Tzatzitepec, the hill of shouting, with such a mighty voice that it could be heard a hundred leagues around. The arrows which he shot transfixed great trees, the stones he threw leveled forests, and when he laid his hands on the rocks the mark was indelible. Yet as thus emblematic of the thunderstorm, he possessed in full measure its better attributes. By shaking his sandals he gave fire to men; and peace, plenty, and riches blessed his subjects. Tradition says he built many temples to Mictlantecutli, the Aztec Pluto, and at the creation of the sun that he slew all the other gods, for the advancing dawn disperses the spectral shapes of night, and yet all its vivifying power does but result in increasing the number doomed to fall before the remorseless stroke of death.

His symbols were the bird, the serpent, the cross and the flint, representing the clouds, the lightning, the four winds, and the thunderbolt. Perhaps, as Huemac, the Strong Hand, he was god of the earthquakes. The Zapotecs worshiped such a deity under the image of this number carved from a precious stone, calling to mind the 'Kab ul,' the Working Hand, adored by the Mayas, and said to be one of the images of Zamná their hero god. The human hand, 'that divine tool,' as it has been called, might well be regarded by the reflective mind as the teacher of the arts and the amulet whose magic power has won for man what vantage he has gained in his long combat with nature and his fellows."[VII-32]

[Sidenote: ANALOGUES OF QUETZALCOATL.]

Mr Helps sees in Quetzalcoatl the closest analogies with certain other great civilizers and teachers that made their appearance in various parts of the American continent:--"One peculiar circumstance, as Humboldt remarks, is very much to be noted in the ancient records and traditions of the Indian nations. In no less than three remarkable instances has superior civilization been attributed to the sudden presence among them of persons differing from themselves in appearance and descent.

Bohica, a white man with a beard, appeared to the Mozca Indians in the plains of Bogota, taught them how to build and to sow, formed them into communities, gave an outlet to the waters of the great lake, and, having settled the government civil and ecclesiastical, retired into a monastic state of penitence for two thousand years.

In like manner Manco Capac, accompanied by his sister, Mama Oello, descended amongst the Peruvians, gave them a code of admirable laws, reduced them into communities, and then ascended to his father, the Sun.

Amongst the Mexicans there suddenly appeared Quetzalcoatl (green-feathered snake), a white and bearded man, of broad brow, dressed in a strange dress; a legislator, who recommended severe penances, lacerating his own body with the prickles of the agave and the thorns of the cactus, but who dissuaded his followers from human sacrifice. While he remained in Anáhuac, it was a Saturnian reign; but this great legislator, after moving on to the plains of Cholula, and governing the Cholulans with wisdom, passed away to a distant country, and was never heard of more. It is said briefly of him that 'he ordained sacrifices of flowers and fruits, and stopped his ears when he was spoken to of war.'"[VII-33]

The Abbé Domenech considers the tradition of the lives of Quetzalcoatl and Tezcatlipoca to be a bit of simple and slightly veiled history, and also that there were several Quetzalcoatls. Let it be remembered in reading the abbé's version of this matter that the names of places, peoples, and the dates he gives are in great part mythical and conjectural:--"After the enfranchisement of the Olmecs, a man named Quetzalcoatl arrived in the country, whom Garcia, Torquemada, Sahagun, and other Spanish writers took to be Saint Thomas. It was also at that time that the third age ended, and that the fourth began, called Sun of the fire, because it was supposed that it was in this last stage that the world would be destroyed by fire.

It is in this fourth period that the Mexican historian places the Toltecs' arrival in New Spain, that is to say, about the third century before the Christian era. According to the Quichés' traditions, the primitive portion of the Nahoas, or ancestors of the Toltecs, were in a distant East, beyond immense seas and lands. Amongst the families and tribes that bore with least patience this long repose and immobility, those of Canub, and of Tlocab may be cited, for they were the first who determined to leave their country. The Nahoas sailed in seven barks or ships, which Sahagun calls Chicomoztoc, or the seven grottos. It is a fact worthy of note, that in all ages the number seven was a sacred number among the American people, from one pole to the other. It was at Pánuco, near Tampico, that those strangers disembarked; they established themselves at Paxil, with the Votanites' consent, and their state took the name of Huehue-Tlopallan. It is not stated from whence they came, but merely that they came out of the regions where the sun rises. The supreme command was in the hand of a chieftain, whom history calls Quetzalcohuatl, that is to say, Lord par excellence. To his care was confided the holy envelope, which concealed the divinity from the human gaze, and he alone received from it the necessary instructions to guide his people's march. These kinds of divinities, thus enveloped, passed for being sure talismans, and were looked upon with the greatest respect and veneration. They consisted generally of a bit of wood, in which was inserted a little idol of green stone; this was covered with the skin of a serpent or of a tiger, after which it was rolled in numerous little bands of stuff, wherein it would remain wrapped for centuries together. Such is, perhaps, the origin of the medicine bags made use of, even in the present day, by the Indians of the Great Desert, and of which we shall speak in the second volume of this work."

Of apparently another Quetzalcoatl, he writes: "The Toltecs became highly flourishing under the reign of Ceocatl Quetzalcohuatl, a Culhuacan prince, who preached a new religion, sanctioning auricular confession and the celibacy of the priests. He proscribed all kinds of warfare and human sacrifices. Tezcatlipoca put himself at the head of the dissatisfied party, and besieged Tollan, the residence of Ceocatl Quetzalcohuatl; but the latter refused to defend himself, in order to avoid the effusion of blood, which was prohibited by the laws of the religion he himself had established, and retired to Cholula, that had been constructed by his followers. From thence he went to Yucatan. Tezcatlipoca, his fortunate rival, after a long reign became in his turn the victim of the popular discontent, and fell in a battle that was given him by Ceocatl Quetzalcohuatl's relatives. Those two kings are elevated to the rank of gods, and their worship was a perpetual subject of discord and civil war in all Anáhuac until the arrival of the Spaniards in the New World."[VII-34]

[Sidenote: THE CODICES ON QUETZALCOATL.]

The interpreters of the different codices, or Mexican paintings represented in Kingsborough's great work, give, as is their wont in all matters, a confused, imperfect, and often erroneous account of Quetzalcoatl:--"Quetzalcoatl is he who was born of the virgin, called Chalchihuitztli, which means the precious stone of penance or of sacrifice. He was saved in the deluge, and was born in Zivenaritzcatl where he resides. His fast was a kind of preparation for the arrival of the end of the world which they said would happen on the day of Four Earthquakes, so that they were thus in daily expectation of that event. Quetzalcoatl was he who they say created the world, and they bestowed on him the appellation of lord of the wind, because they said that Tonacatecotli, when it appeared good to him, breathed and begat Quetzalcoatl. They erected round temples to him, without any corners. They said that it was he (who was also the lord of the thirteen signs which are here represented), who formed the first man. He alone had a human body like that of men, the other gods were of an incorporeal nature."[VII-35]

"They declare that their supreme deity, or more properly speaking, demon Tonacatecotle, whom we have just mentioned, who by another name was called Citinatonali, ... begot Quetzalcoatl, not by connection with a woman, but by his breath alone, as we have observed above, when he sent his ambassador, as they say, to the virgin of Tulla. They believed him to be the god of the air, and he was the first to whom they built temples and churches, which they formed perfectly round, without any angles. They say it was he who effected the reformation of the world by penance, as we have already said; since, according to their account, his father had created the world, and men had given themselves up to vice, on which account it had been so frequently destroyed. Citinatonali sent this his son into the world to reform it. We certainly must deplore the blindness of these miserable people, on whom Saint Paul says the wrath of God has to be revealed, inasmuch as his eternal truth was so long kept back by the injustice of attributing to this demon that which belonged to Him; for He being the sole creator of the universe, and He who made the division of the waters, which these poor people just now attributed to the Devil, when it appeared good to Him, dispatched the heavenly ambassador to announce to the virgin that she should be the mother of his eternal word; who, when He found the world corrupt, reformed it by doing penance and by dying upon the cross for our sins; and not the wretched Quetzalcoatl, to whom these miserable people attributed this work. They assigned to him the dominion over the other thirteen signs, which are here represented, in the same manner as they had assigned the preceding thirteen to his father. They celebrated a great festival on the arrival of his sign, as we shall see in the sign of Four Earthquakes, which is the fourth in order here, because they feared that the world would be destroyed in that sign, as he had foretold to them when he disappeared in the Red Sea; which event occurred on the same sign. As they considered him their advocate, they celebrated a solemn festival, and fasted during four signs."[VII-36]

[Sidenote: MÜLLER ON QUETZALCOATL.]

J. G. Müller holds Quetzalcoatl to be the representative national god of the Toltecs, surviving under many misconceptions and amid many incongruities--bequeathed to or adopted into the later Mexican religion. The learned professor has devoted an unusual amount of care and research to the interpretation of the Quetzalcoatl myths; and as no other inquirer has shown therein at once so accurate and extensive an acquaintance with the subject and so calm and judicious a judgment, we give his opinion at length, and first his summing up of the fable-history of Quetzalcoatl:--

The Toltecs, a traditional pre-historic people, after leaving their original northern home Huehuetlapallan (that is Old-red-land) chose Tulla, north of Anáhuac as the first capital of their newly founded kingdom. Quetzalcoatl was their high-priest and religious chief at this place. Huemac, or Huematzin, conducted the civil government as the companion of Quetzalcoatl, and wrote the code of the nation. Quetzalcoatl is said to have been a white man (some gave him a bright red face), with a strong formation of body, broad forehead, large eyes, black hair, and a heavy beard. He always wore a long white robe; which, according to Gomara, was decorated with crosses; he had a mitre on his head and a sickle in his hand. At the volcano of Cotcitepec, or Tzatzitepec, near Tulla, he practised long and numerous penances, giving thereby an example to his priests and successors. The name of this volcano means "the mountain of outcry;" and when Quetzalcoatl gave laws, he sent a crier to the top of it whose voice could be heard three hundred miles off. He did what the founders of religions and cults have done in other countries: he taught the people agriculture, metallurgy, stone-cutting, and the art of government. He also arranged the calendar, and taught his subjects fit religious ceremonies; preaching specially against human sacrifices, and ordering offerings of fruits and flowers only. He would have nothing to do with wars, even covering his ears when the subject was mentioned. His was a veritable golden age, as in the time of Saturn; animals and even men lived in peace, the soil produced the richest harvests without cultivation, and the grain grew so large that a man found it trouble enough to carry one ear; no cotton was dyed, as it grew of all colors, and fruits of all kinds abounded. Everybody was rich and Quetzalcoatl owned whole palaces of gold, silver, and precious stones. The air was filled with the most pleasant aromas, and a host of finely feathered birds filled the world with melody.

But this earthly happiness came to an end. Tezcatlipoca rose up against Quetzalcoatl and against Huemac, in order to separate them, and to destroy their government. He descended from the sky on a rope of spider-web and commenced to work for his object with the aid of magic arts. He first appeared in the form of a handsome youth (and in the dress of a merchant), dressed as a merchant selling pepper-pods, and presented himself before the daughter of king Huemac. He soon seduced the princess, and thereby opened the road to a general immorality and a total collapse of the laws. He presented himself before Quetzalcoatl in the form of an old man, with the view of inducing him to depart to his home in Tlapalla. For this purpose he offered him a drink which he pretended would endow him with immortality. No sooner had Quetzalcoatl taken the drink, then he was seized with a violent desire to see his fatherland. He destroyed the palaces of gold, silver, and precious stones, transformed the fruit-trees into withered trunks, and ordered all song-birds to leave the country, and to accompany him. Thus he departed, and the birds entertained him during his journey with their songs.

[Sidenote: TRAVELS OF QUETZALCOATL.]

He first traveled southward, and arrived in Quauhtitlan, in Anáhuac. In the vicinity of this town he broke down a tree by throwing stones, the stones remaining in the trunk. Farther south, in the same valley, near Tlalnepantla, or Tanepantla, he pressed hand and foot into a rock with such force that the impression has remained down to the latest centuries, in the same manner as the mark of the shoes of the horses of Castor and Pollux near Regillum. The Spaniards were inclined to ascribe these and similar freaks of nature to the Apostle Thomas.

Quetzalcoatl now turned toward the east, and arrived in Cholula, where he had to remain for a longer period, as the inhabitants intrusted him with the government of their state. The same order of things which had taken place in Tulla, his first residence, was here renewed. From this centre his rule spread far and wide; he sent colonists from Cholula to Huaxayacac, Tabasco and Campeche, and the nobility of Yucatan prided themselves on their descent from him; men having been found in our time who bear his name, just as the descendants of Votan bore the name of Votan in Chiapas. In Cholula itself he was adored, and temples were everywhere erected in his honor, even by the enemies of the Cholulans. After a residence of twenty years in Cholula, he proceeded on his journey toward Tlalpalla until he arrived at the river and in the province of Coatzacoalco, or Goasacoalco, Guasacualco, that is, Hiding-nook of the snake--south of Vera Cruz. He now sent the four youths, who had accompanied him from Cholula, back to the Cholulans, promising to return later on and renew the old government. The Cholulans placed the four youths at the head of their government, out of love for him. This hope of his return still existed among the Mexican nations at the time of Cortés' arrival. In fact, Cortés was at first held to be the returning Quetzalcoatl, and a man was sacrificed to him, with whose blood the conqueror and his companions were marked. Father Sahagun was also asked, by everybody on his journey to Mexico, if he and his suite came from Tlapalla. According to Montezuma's account to Cortés, Quetzalcoatl really did once return to Cholula, but after such a length of time that he found his subjects married to the native women, having children, and so numerous that a number of new districts had to be founded. This new race would not recognize their old chief, and refused to obey him. He thereupon departed angrily, threatening to return at another time and to subdue them by force. It is not remarkable that an expectation, which was a hope to the Cholulans, should be a dread to Montezuma and his subjects.

According to some accounts, Quetzalcoatl died in the Hiding-nook of the snakes, in the Goatzacoalco country; according to others, he suddenly disappeared toward the east, and a ship, formed of snakes wound together, brought him to Tlapalla.

A closer view and criticism of this tale, in the light of the analogy of mythological laws, shows us that Quetzalcoatl is the euhemerized religious ideal of the Toltecan nations. The similarity of this tale with those of Manco Capac, Botschika, Saturn, and others, is at once apparent. The opinion of Prescott, Wuttke, and many others, who held him for a deified man, founder of a religion and of a civilization, is confirmed by the latest version of the fable, in which Quetzalcoatl is represented in this character. Although euhemerism is an old idea with all people, as well as with the Americans--personification being the first step toward it--the general reasons which everywhere appear against the existence of such founders of a civilization must also be made to speak against this idea of Quetzalcoatl.

If a special value is placed upon the white face and the beard, it must be remembered that the beard, which is given to the Mexican priests, could not be omitted with Quetzalcoatl; and the mention by some of his having had a white face, and by others a red, might arouse a suspicion that Quetzalcoatl has been represented as a white man on account of his white robe.

The fable of Quetzalcoatl contains contradictions, the younger elements of which are a pure idealism of the more ancient. For instance, the statement that the earth produced everything spontaneously, without human labor, does not agree with the old version of the myth, according to which Quetzalcoatl taught agriculture and other industries requiring application and hard work. The sentimental love of peace has also been attributed to this god in later times, during a time when the Toltecs had lost the martial spirit of their victorious ancestors, and when the Cholulans, given to effeminacy, distinguished themselves more by cunning than by courage. The face of the god is represented, in the fable, as more beautiful and attractive, than it is depicted on the images. At the place where he was most worshiped, in Cholula, the statue of Quetzalcoatl stood in his temple, on the summit of the great pyramid. Its features had a gloomy cast, and differed from the beautiful face which is said to have been his on earth.

[Sidenote: QUETZALCOATL AND THE TOLTECS.]

The fable shows its later idealized elements in these points. In all other respects, the Toltecan peculiarities of the entire nation are either clearly and faithfully depicted in their hero, as in a personified ideal, or else the original attributes of the nature deity are recognizable. Where the Toltecs were, there was he also, or a hero identical with him; the Toltecs who journeyed southward are colonists sent by him; the Toltec capitals, Tulla and Cholula, are his residences; and as the laws of the Toltecs extended far and wide, so did the voice of his crier reach three hundred miles into the country. The arts and welfare of the Toltecs, their riches and religious feeling, even their later unwarlike peacefulness, all these attributes are transferred to Quetzalcoatl. The long robe of the Toltecs was also the dress of their hero; the necktie of the boys of his religious order is attached to his image; and, as his priests wore the mitre, he is also represented with it. He is, above all, depicted as the original model of the Toltec priests, the Tlamacazque (the order was called Tlamacazcojotl), whose chief, or superior, always bore the name of Quetzalcoatl. As these orders of his had to submit to the strictest observances--their members having to slit the tongue, ears and lips in honor of Quetzalcoatl, and the small boys being set apart for him by making an incision on their breasts--so he submitted, before all others, to these penances on the Tzatzitipec Mountain. These self-inflicted punishments must not be termed penances, as is often done, for they have no moral meaning, such as to do penance for committed sins, nor have they the mystic meaning of the East Indian idea of the end of the world (Weltabsterben) and the return to the pantheistic chaos (Urall and Urnichts); all this is foreign to the American religion. They are, on the contrary, blood-offerings, substitutes for the human sacrifices in the background, to obtain earthly blessings, and to avert earthly misfortunes. As Quetzalcoatl preached against human sacrifices, so his priests under the Aztec rule, were very reluctant to make them. After the great slaughter by Cortés, in Cholula, Montezuma proceeded to the great temple of Huitzilopochtli, made many human sacrifices, and questioned the god, who bade him to be of good heart, and assured him that the Cholulans had suffered so terribly merely on account of their reluctance to offer up human beings.

As the disappearance of the Toltecs toward the south and the south-east agrees with the disappearance of Quetzalcoatl, so we find many traits from the end of the last Toltec king reproduced in the end of the Toltec hero. After the defeat of king Tlolpintzin, he (Tlolpintzin) fled southward, toward Tlapalla. He made use of these words, in his last farewell to his friends: I have retired toward the east, but will return after 5012 years to avenge myself on the descendants of mine enemies. After having lived thirty years in Tlapalla, he died. His laws were afterward accepted by Nezalhualcoyotzin. The belief that Tlolpintzin stayed with Nezalhualcoyotzin, and some other brave kings, in the cave of Xicco, after death, like the three Tells of Switzerland, but would at some time come out and deliver his people, was long current among the Indians. Every one will notice how well this agrees with Montezuma's account of the return of Quetzalcoatl.

[Sidenote: QUETZALCOATL A NATURE-DEITY.]

Quetzalcoatl cannot, however, be a representative and a national god of the Toltecs, without having an original nature-basis for his existence as a god. It is everywhere the case among savages with their national god, that the latter is a nature-deity, who becomes gradually transformed into a national god, then into a national king, high-priest, founder of a religion, and at last ends in being considered a human being. The older and purer the civilization of a people is, the easier it is to recognize the original essence of its national god, in spite of all transformations and disguises. So it is here. Behind the human form of the god glimmers the nature shape, and the national god is known by, perhaps, all his worshipers as also a nature deity. From his powerful influence upon nature, he might also be held as the creator.

The pure human form of this god, as it appears in the fable, as well as in the image, is not the original, but the youngest. His oldest concrete forms are taken from nature, to which he originally belongs, and have maintained themselves in many attributes. All these symbolize him as the god of fertility, chiefly, as it is made apparent, by means of the beneficial influence of the air. All Mexican and European statements make him appear as the god of the air and of the wind; even the euhemeristic idea deifies the man Quetzalcoatl into a god of the air. All the Mexican tribes adored him at the time of the conquest as god of the air, and all accounts, however much they may differ on the particular points of his poetical life, agree, without exception, in this one respect, as the essential and chief point. Besides the symbols, which are merely attached to the image, there are three attributes, which represent as many original visible forms and exteriors of the god, in which he is represented and worshiped: the sparrow, the flint (Feuerstein), and the snake.

According to Herrera, the image of Quetzalcoatl had the body of a man, but the head of a bird, a sparrow with a red bill, a large comb, and with the tongue hanging far out of the mouth. The air-god of these northern people, parallel to Quetzalcoatl, the Aztec Huitzilopochtli, was represented with devices connected with the humming-bird, in remembrance of his former humming-bird nature. This is the northern element. The great spirit of the northern redskins also appear in his most esteemed form as a bird. The Latin Picus was originally a woodpecker (Specht), afterward anthropomorphized and even euhemerized, but he has ever the woodpecker by his side, in his capacity of human seer. Several Egyptian gods have human bodies and animal heads, especially heads of birds. Birds are not alone symbols of particular godlike attributes, as used in the anthropomorphic times, not mere messengers and transmitters of the orders of the gods, but they have originally been considered as gods themselves, with forms of godlike powers, especially in North America; and the exterior of the god of the air, the fructifying air, is naturally that of a bird, a singing-bird. The hieroglyphic sign among the Mexicans for the air is, therefore, the head of a bird with three tongues. Wherever Quetzalcoatl stayed and ruled, there birds filled the air, and song-birds gave indication of their presence; when he departed, he took them with him, and was entertained during the journey by their singing.

[Sidenote: QUETZALCOATL AND THE FLINT.]

A second form of Quetzalcoatl was the flint, which we have already learned to know as a symbol and hieroglyphic sign for the air. He was either represented as a black stone, or several small green ones, supposed to have fallen from heaven, most likely ærolites, which were adored by the Cholulans in the service of Quetzalcoatl. Bétancourt even explains the meaning of the name Quetzalcoatl, contrary to the usual definition, as "twin of a precious stone." The fable of Quauhtitlan is also connected with this stone-worship; how Quetzalcoatl had overthrown a tree by means of stones which remained fixed in it. These stones were later on adored as holy stones of Quetzalcoatl. The stone at Tlalnepantla, into which he pressed his hand, must also have represented the god himself. Similar ancient stone-worships, of greater nature deities as well as fetiches, were found, in many instances, in Peru, in the pre-Inca times. In ancient Central America we meet with the worship of such green stones called chalchihuites. Votan was worshiped in the form of such a green stone, connected with the other two attributes. This attribute of Quetzalcoatl most likely belongs to the south.

The third form of Quetzalcoatl, which also belongs to the south, is the snake; he is a snake-god, or, at least, merged into an ancient snake-god. The snake is not, as far as I know, a direct symbol of the air, and this attribute is, therefore, not the one pertaining to him from the beginning; but the snake represents the season which, in conjunction with heat and rain, contains the fructifying influence of the atmosphere, spring, the rejuvenating year. However, the very name of the god signifies, according to the usual explanation given to it, "the feathered snake, the snake covered with feathers, the green feathered-snake, the wood-snake with rich feathers." A snake has consequently been added to the human figure of this god. The other name, under which he is adored in Yucatan, is Cuculcan, a snake covered with godlike feathers. The entrance to his round temple in Mexico represented the jaw and fangs of a tremendous snake. Quetzalcoatl disappeared in Goatzacoalco, the Snake-corner (or nook), and a ship of snakes brought him to Tlapalla. His followers in Yucatan were called snakes, Cocome (plural of Coatl), while he himself bore the name of Cocolcan in this country as well as in Chiapas. The snake attribute signifies, in connection with Huitzilopochtli, also the beneficial influence of the atmosphere, the yearly renewed course of nature, the continual rejuvenation of nature in germs and blossoms. The northern celestial god, Odin, is in many ways connected with snakes, he transformed himself into a snake, and bore the by-name of Snake.

The relationship of Tezcatlipoca and Quetzalcoatl, as given in the fable, may be touched upon here. The driving away of the latter by Tezcatlipoca does not, as may be supposed, signify a contest between the Aztec religion and the preceding Toltecan. In such a case Huitzilopochtli, the chief of the Aztec gods, by whose adoration the contrast is painted in the deepest colors, would have been a much better representant.

Quetzalcoatl no doubt preached against human sacrifices, brought into such unprecedented swing by the Aztecs, yet the worshipers of this god adopted the sacrifice of human beings in an extensive way during the Aztec rule, to which period this part of the Quetzalcoatl fable necessarily owes its origin. At this time the contrast was so slight that Quetzalcoatl partook of the highest adoration of Aztecs, not only in Cholula, but in Mexico and everywhere. His priest enjoyed the highest esteem and his temple in Mexico stood by the side of that of Huitzilopochtli. Montezuma not only calls the Toltec hero a leader of his forefathers, but the Aztecs actually consider him as a son of Huitzilopochtli. The opposition of the two gods, Quetzalcoatl and Tezcatlipoca, has another reason: the difference lies not in their worship, but in their nature and being, in the natural phenomena which they represent. If the god of the beneficial atmosphere, the manifested god-power of the atmosphere of the fructifying seasons, is adored in Quetzalcoatl; then Tezcatlipoca is his opposite, the god of the gloomy lower regions destitute of life and germ, the god of drought, of withering, of death.

[Sidenote: QUETZALCOATL AND THE SNAKE.]

Wherever, therefore, Quetzalcoatl rules, there are riches and abundance, the air is filled with fragrance and song-birds--an actual golden era; but when he goes southward with his song-birds, he is expelled by Tezcatlipoca, drought sets in, and the palaces of gold, silver, and precious stones, symbols of wealth, are destroyed. He promises, however, everywhere to return. A representation mentioned and copied by Humboldt, shows Tezcatlipoca in the act of cutting up the snake. This has not the meaning of the acts of Hercules, of Tonatiuh, of the great spirit of the Chippewas, of the German Siegfried, of the Celtic dragon-killers Tristan and Iwein, or of the other sun-gods, spring-gods, and culture-heroes, who fight and subdue the snake of the unfertile moisture; such an interpretation would be opposed to the nature of this god. On the contrary, the god of death and drought here fights the snake as the symbol of moisture, of the fertilization of the plant-life.

The question now arises: if Quetzalcoatl only received his snake attribute in the south, and this his name, what was his original northern and Toltecan name? We answer, coinciding with the views expressed by Ixtlilxochitl and others, who affirm that Quetzalcoatl and his worldly companion, Huemac, were one and the same person. The opposed opinion of Ternaux-Compans, who states that Quetzalcoatl must have been an Olmec, while Huemac was a Toltec, actually gives the key to the solution of the question. Both are right, Ixtlilxochitl and Ternaux, Huemac is the original Toltec name of the Toltec national god, ruler, and author of the holy books, the ancient name used by the Toltecs. As this people succumbed more and more to southern influences, and their ancient air-god in his sparrow form received in addition the snake attribute, on account of his rejuvenating influence upon nature, then, the new name of the more cultivated people soon appeared. The name may, therefore, be Olmec, but not the god; we may sooner suppose that the attributes of the Maya god, Votan, have been transferred to the Toltec god. Both names having thus a double origin; the legend which found two names, made also two persons of them, and placed them side by side. It is, however, easy to see that they are naturally one: Huemac has just as much a religious signification as Quetzalcoatl; as Huematzin, he wrote the divine book, containing all the earthly and heavenly wisdom of the Toltecs. Quetzalcoatl has, in the same degree, besides his religious position, the worldly one of ruler and founder of a civilization. As Quetzalcoatl possesses a divine nature, so does Huemac, to whom also are ascribed the three hundred years of life, and the impression of the hand in the rock.

Besides the attributes of the sparrow, flint, and snake, there are others which ascribe to Quetzalcoatl the same properties, but less prominently. As god of the air, he holds the wonderfully painted shield in his hand, a symbol of his power over the winds. As god of the fertilizing influence of the air, he holds, like Saturn, the sickle, symbol of the harvest--he it is that causes the grain to ripen. It used to be said that he prepared the way for the water-god, for in these regions, the rains are always preceded by winds. It was on account of this intimate connection with the rain, which had already procured him the snake attribute, that his mantle was adorned with crosses. We have already seen that such crosses represented the rain-god with the Mayas, and are symbols of the fructifying rain. Consequently they are well suited for the god who is only air-god in the sense of the air exercising its fructifying and invigorating influence upon the earth.

[Sidenote: QUETZALCOATL AND THE TRADE-WINDS.]

Another question, which has already occurred to us, must here be considered. Why did this god come from the east, depart toward the east, and why should he be expected from the east? The Toltecs have, according to almost unanimous statements, come from the north, and even Quetzalcoatl commences his rule in the north, in Tulla, and proceeds gradually on his journey from the north to the south-east, just like the Toltecs, who traveled southward from Tulla. It is plain that he departs for the east, because this is his home, from which he came and will return. His eastern origin is, no doubt, based upon the direction of the eastern trade-winds, which carry rain and, with it, fertility to the interior of Central America. The rains began three or four weeks earlier in Vera Cruz, Tampico, and Tabasco than in Puebla and Mexico. Another reason, which has, however, a certain connection with the above, may be the relationship of the god of air and the sun-god, who often assumed an equal position in nature and in worship. We know that the founders of the Peruvian and Muyscan cults come from the east, because they are sun-gods. Quetzalcoatl is not such a deity, it is true, but the fertilizing air-god is also in other places closely connected with the fructifying sun, as, for example Huitzilopochtli, Odin, and Brama. The sun is his eye. This connection with the sun, Montezuma referred to when he spoke in the presence of Cortés of the departure of Quetzalcoatl for the regions from which the sun comes. As the sun is the eye of heaven, to whom the heart of the victim sacrificed to the god of heaven is presented, so it is at night with the moon, to whom the same tribute was paid at the feast of Quetzalcoatl. I merely refer to this here to show the connection of the air-god with the great heavenly bodies.

Several other significations are attached to the idea of an air-god. It is natural that the god of heavenly blessing should also be the god of wealth. All wealth depends originally upon the produce of the soil, upon the blessing of heaven, however worldly the opinion of the matter may be. Gold is merely the symbol of this wealth, like the golden shower of Zeus. The image of Quetzalcoatl was, therefore, according to Acosta, adorned with gold, silver, jewels, rich feathers, and gay dresses, to illustrate his wealth. For this reason he wore a golden helmet, and his sceptre was decorated with costly stones. The same view is also the basis of the myths of the ancients about snakes and dragons guarding treasures. The fact that the merchants of Cholula worshiped the god of wealth before all others, and as their chief deity, requires no explanation.

His worship in Cholula was conducted as follows: Forty days before the festival, the merchants bought a spotless slave, who was first taken to bathe in a lake called the Lake of the Gods, then dressed up as the god Quetzalcoatl, whom he had to represent for forty days. During this time he enjoyed the same adoration as was given to the god: he was set upon a raised place, presented with flowers, and fed on the choicest viands. He was, however, well guarded during the night, so that he might not escape. During his exhibition through the town, he danced and sang, and the women and children ran out of their houses to salute him and make him presents. This continued until nine days before the end of the forty days. Then two old priests approached him in all humility, saying, in deep voice: Lord, know that in nine days thy singing and dancing will cease, because thou must die! If he continued of good spirit, and inclined to dance and sing, it was considered a good omen, if the contrary, a bad one. In the latter case they prepared him a drink of blood and cacao, which was to obliterate the remembrance of the past conversation. After drinking this, it was hoped that he would resume his former good humor. On the day of the festival still greater honors were shown him, music sounded and incense was burnt. At last, at the midnight hour, he was sacrificed, the heart was torn out of his body, held up to the moon, and then thrown toward the image of the god. The body was cast down the steps of the temple, and served the merchants, especially the slave-dealers, for a sacrificial meal. This feast and sacrifice took place every year, but after a certain number of cycles, as in the divine year, Teoxihuitl, they were celebrated with much more pomp. Quetzalcoatl had, generally, his human sacrifices during the Aztec rule, as well as the other gods.

[Sidenote: QUETZALCOATL AS A HEALING GOD.]

The power which reëstablishes the macrocosm, heals and rejuvenates the microcosm also: it is the general healing power. With the good weather thousands of invalids are restored, and refreshing rains not only revive the thirsty plains of the tropics, but man himself. Thus the air-god, the atmosphere, becomes a healing god. A Phœnician told Pausanius that the snake god, Æsculapius, signified the health-restoring air. If this god of heaven is also a snake-god, like Quetzalcoatl, the rejuvenating and reinvigorating power of nature is expressed in a clear parallelism.

The snake-god is also a healing god, and even the Greek Æsculapius cannot dispense with the snake. It is, thus, not to be wondered at that the sterile women of the Mexican peoples directed their prayers to Quetzalcoatl.[VII-37]

This concludes the able summing-up presented by Müller, and it is given as I give all theoretical matter, neither accepting nor rejecting it, as simply another ray of light bent in upon the god Quetzalcoatl, whose nature it is not proposed here to either explain or illustrate, but only to reproduce, as regarded from many sides by the earliest and closest observers.

FOOTNOTES:

[VII-1] Acosta, Hist. Nat. Ind., pp. 353-4; Clavigero, Storia Ant. del Messico, tom. ii., p. 7; Duran, Hist. Ant. de la Nueva España, MS., quoted in Squier's Notes to Palacio, Carta, note 27, pp. 117-8; Sahagun, Hist. Gen., tom. i., lib. iii., p. 242; Explicacion del Codex Telleriano-Remensis, lam. ii. and xxvi., in Kingsborough's Mex. Antiq., vol. v., pp. 132, 144-5; Spiegazione delle Tavole del Codice Mexicano, tav. xlii., xlix., in Kingsborough's Mex. Antiq., vol. v., pp. 185, 188.

[VII-2] See this volume p. 62.

[VII-3] Mendieta, Hist. Ecles., p. 82.

[VII-4] Temple; see this vol., p. 192, note 26.

[VII-5] Or perhaps xipacoya, as in Kingsborough's ed. of Sahagun, Mex. Antiq., vol. vii., p. 108.

[VII-6] 'Y acordarseos há de los trabajos y fatigas de la muerte, ó de vuestra ida.' Kingsborough's Mex. Antiq., vol. vii., p. 109. 'Y acordarseos ha los trabajos y fatigas de la muerte, ó de vuestra vida.' Sahagun, Hist. Gen., tom. i., lib. iii., pp. 245-6.

[VII-7] Hoe of burnt wood. 'Coa: palo tostado, empleado por los indios para labrar la tierra, á manera de hazada. (Lengua de Cuba.)' Voces Americanas Empleadas Por Oviedo, appended to Oviedo, Hist. Gen., tom. iv., p. 596.

[VII-8] Xochitla, garden; see Molina, Vocabulario. Perhaps that garden belonging to Quetzalcoatl, which had been already so fatal to the Toltecs. See this volume p. 246.

[VII-9] Kingsborough's Mex. Antiq., vol. vii., pp. 108-13; Sahagun, Hist. Gen., tom. i., lib. iii., pp. 243-55. It will be seen that in almost all point of spelling the edition of Kingsborough is followed in preference to the, in such points very inaccurate, edition of Bustamante.

[VII-10] Acosta, Hist. Nat. Ind., p. 354.

[VII-11] As to the first wife and her family see this vol. p. 60.

[VII-12] Motolinia, Hist. Indios, in Icazbalceta, Col., tom. i., pp. 10-11.

[VII-13] See this vol., p. 240.

[VII-14] Mendieta, Hist. Ecles., pp. 82, 86, 92-3, 97-8.

[VII-15] See this vol. p. 243.

[VII-16] Tlachtli, juego de pelota con las nalgas; el lugar donde juegan assi. Molina, Vocabulario.

[VII-17] This last clause is to be found only in Bustamante's ed.; see Sahagun, Hist. Gen., tom. i., lib. iii., p. 258.

[VII-18] Kingsborough's Mex. Antiq., vol. vii., pp. 114-5; Sahagun, Hist. Gen., tom. i., lib. iii., pp. 255-9.

[VII-19] 'Era Hombre blanco, crecido de cuerpo, ancha la frente, los ojos grandes, los cabellos largos, y negros, la barba grande y redonda.' Torquemada, Monarq. Ind., tom. ii., p. 47.

[VII-20] Spelled Vemac by Sahagun; see preceding pages of this chapter.

[VII-21] This agrees ill with what is related at this point by Sahagun; see this vol. p. 242.

[VII-22] At this part of the story Torquemada takes opportunity, parenthetically, to remark that this fable was very generally current among the Mexicans, and that when Father Bernardino de Sahagun was in the city of Xuchimilco, they asked him where Tlapalla was. Sahagun replied that he did not know, as indeed he did not (nor any one else--it being apparently wholly mythical), nor even understand their question, inasmuch as he had been at that time only a little while in the country--it being fifty years before he wrote his book [the Historia General]. Sahagun adds that the Mexicans made at that time divers trials of this kind, questioning the Christians to see if they knew anything of their antiquities. Torquemada, Monarq. Ind., tom. ii., p. 50.

[VII-23] The passage of Torquemada referred to I condense as follows:--Certain people came from the north by way of Panuco. These were men of good carriage, well-dressed in long robes of black linen, open in front, and without capes, cut low at the neck, with short sleeves that did not come to the elbow; the same, in fact, as the natives use to this day in their dances. From Panuco they passed on very peaceably by degrees to Tulla, where they were well received by the inhabitants. The country there, however, was already too thickly populated to sustain the new-comers, so these passed on to Cholula where they had an excellent reception. They brought with them as their chief and head, a personage called Quetzalcoatl, a fair and ruddy complexioned man, with a long beard. In Cholula these people remained and multiplied, and sent colonies to people Upper and Lower Mizteca and the Zapotecan country; and these it is said raised the grand edifices, whose remains are still to be seen at Mictlan. These followers of Quetzalcoatl were men of great knowledge and cunning artists in all kinds of fine work; not so good at masonry and the use of the hammer, as in casting and in the engraving and setting of precious stones, and in all kinds of artistic sculpture, and in agriculture. Quetzalcoatl had, however, two enemies; Tezcatlipoca was one, and Huemac, king of Tulla the other; these two had been most instrumental in causing him to leave Tulla. And at Cholula, Huemac followed him up with a great army; and Quetzalcoatl, not wishing to engage in any war, departed for another part with most part of his people--going, it is said, to a land called Onohualco, which is near the sea, and embraced what are now called Yucatan, Tabasco, and Campeche. Then when Huemac came to the place where he had thought to find Quetzalcoatl, and found him not, he was wrath and laid waste and destroyed all the country, and made himself lord over it and caused also that the people worshipped him as a god. All this he did to obscure and blot out the memory of Quetzalcoatl and for the hate that he bore him. Torquemada, Monarq. Ind., tom. i., pp. 254-6.

[VII-24] Torquemada, Monarq. Ind., tom. ii., pp. 48-52.

[VII-25] Clavigero, Hist. Ant. del Messico, pp. 11-13.

[VII-26] See p. 60 of this volume.

[VII-27] See p. 112 of this volume.

[VII-28] This, in its astounding immensity, is the abbé's theory: his suppositional Crescent Land was the cradle of all human races and human creeds. On its submergence the aforesaid races and creeds spread and developed through all the world to their respective present localities and phases. The Mexican branch of this development he considers the likest to and the most closely connected with the original.

[VII-29] In Yucatan.

[VII-30] Brasseur de Bourbourg, Quatre Lettres, pp. 154-7. Much of this last paragraph seems utterly incomprehensible and absurd, even viewed from the stand-point of the Abbé Brasseur himself. By no means certain, at all points, of having caught the exact meaning by its author, I give the original:--'Deux ordres de dieux, dont les uns, tombés du ciel dans l'abîme où ils deviennent les juges des morts, se personnifient en un seul qui ressuscite, symbole de la vie et de la mort; dont les autres survivent à la destruction, symbole de la vie impérissable; tel est le double caractère du mythe de Quetzal-Coatl, à son origine. Mais en réalité, ce dieu, c'est la terre, c'est la région ensevelie sous les eaux, c'est le vaincu étouffé sous le poids de son adversaire, sous l'effort de la vague victorieuse et celle-ci s'unissant au feu sur le bûcher de Nanahuatl, c'est Tezcatlipoca, c'est Hercule, vainqueur de ses ennemis, c'est le dieu dont la lutte est éternelle, comme celle de l'Océan battant le rivage, c'est celui en qui se personnifie ensuite la lumière et qui devient ainsi le drapeau des adversaires de Quetzal-Coatl. Au dieu mort, il fallait une victime, comme lui, descendue dans l'abîme: ce fut une jeune fille, choisie parmi celles qui lui étaient consacrées au pied de la pyramide, et qu'on noyait en la plongeant sous l'eau, coutume qu'on retrouva longtemps en Egypte, comme à Chichen-Itza, ainsi que dans bien d'autres pays du monde. Mais au dieu ressuscité, au dieu en qui se personnifiait le feu, la vie immortelle, à Quetzal-Coatl, devenu Huitzil-Opochtli, on sacrifia des victimes sans nombre, à qui l'on arrachait le cœur, symbole du jet de flamme sortant du volcan, pour l'offrir au soleil vainqueur, symbole de Tezcatlipoca qui, le premier, avait demandé des holocaustes de sang humain.' Id., pp. 342-3.

[VII-31] Tylor's Researches, pp. 155-6.

[VII-32] Brinton's Myths, pp. 180-3.

[VII-33] Helps' Span. Conq., vol. i., pp. 286-7.

[VII-34] Domenech's Deserts, vol. i., pp. 32-3, 39.

[VII-35] Explicacion del Codex Telleriano-Remensis, parte ii., lam. ii., in Kingsborough's Mex. Antiq., vol. v., pp. 135-6.

[VII-36] Spiegazione delle Tavole del Codice Mexicano, tav. xli., Kingsborough's Mex. Antiq., vol. v., pp. 184-5.

[VII-37] Müller, Amerikanische Urreligionen, pp. 577-590. Some further notes regarding this god from a different point, may be found in Brasseur de Bourbourg, Palenqué, pp. 40 etc., 66 etc.