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Act III, Scene V — London. The Tower Walls…

Part 44 of 60 · William Shakespeare · Public domain text

About this edition

Source: Project Gutenberg e-text #100, public domain in the United States · text not rewritten or summarized · How RedLectern is built

 

Contents (798)
  1. Opening about 1 h 16 min
  2. Act I, Scene I — Rossillon. A room in the Countess’s palace about 8 min
  3. Act I, Scene II — Paris. A room in the King’s palace about 3 min
  4. Act I, Scene III — Rossillon. A Room in the Palace about 9 min
  5. Act II, Scene I — Paris. A room in the King’s palace about 7 min
  6. Act II, Scene II — Rossillon. A room in the Countess’s palace about 2 min
  7. Act II, Scene III — Paris. The King’s palace about 11 min
  8. Act II, Scene IV — Paris. The King’s palace about 2 min
  9. Act II, Scene V — Another room in the same about 3 min
  10. Act III, Scene I — Florence. A room in the Duke’s palace about 1 min
  11. Act III, Scene II — Rossillon. A room in the Countess’s palace about 5 min
  12. Act III, Scene III — Florence. Before the Duke’s palace under 1 min
  13. Act III, Scene IV — Rossillon. A room in the Countess’s palace about 1 min
  14. Act III, Scene V — Without the walls of Florence about 4 min
  15. Act III, Scene VI — Camp before Florence about 4 min
  16. Act III, Scene VII — Florence. A room in the Widow’s house about 2 min
  17. Act IV, Scene I — Without the Florentine camp about 3 min
  18. Act IV, Scene II — Florence. A room in the Widow’s house about 3 min
  19. Act IV, Scene III — The Florentine camp about 12 min
  20. Act IV, Scene IV — Florence. A room in the Widow’s house about 1 min
  21. Act IV, Scene V — Rossillon. A room in the Countess’s palace about 4 min
  22. Act V, Scene I — Marseilles. A street about 1 min
  23. Act V, Scene II — Rossillon. The inner court of the Countess’s palace about 2 min
  24. Act V, Scene III — The same. A room in the Countess’s palace about 13 min
  25. Act I, Scene I — Alexandria. A Room in Cleopatra’s palace about 2 min
  26. Act I, Scene II — Alexandria. Another Room in Cleopatra’s palace about 7 min
  27. Act I, Scene III — Alexandria. A Room in Cleopatra’s palace about 4 min
  28. Act I, Scene IV — Rome. An Apartment in Caesar’s House about 3 min
  29. Act I, Scene V — Alexandria. A Room in the Palace about 3 min
  30. Act II, Scene I — Messina. A Room in Pompey’s house about 2 min
  31. Act II, Scene II — Rome. A Room in the House of Lepidus about 8 min
  32. Act II, Scene III — Rome. A Room in Caesar’s House about 2 min
  33. Act II, Scene IV — Rome. A street under 1 min
  34. Act II, Scene V — Alexandria. A Room in the Palace about 5 min
  35. Act II, Scene VI — Near Misenum about 5 min
  36. Act II, Scene VII — On board Pompey’s Galley, lying near Misenum about 5 min
  37. Act III, Scene I — A plain in Syria about 1 min
  38. Act III, Scene II — Rome. An Ante-chamber in Caesar’s house about 3 min
  39. Act III, Scene III — Alexandria. A Room in the Palace about 2 min
  40. Act III, Scene IV — Athens. A Room in Antony’s House about 1 min
  41. Act III, Scene V — Athens. Another Room in Antony’s House about 1 min
  42. Act III, Scene VI — Rome. A Room in Caesar’s House about 3 min
  43. Act III, Scene VII — Antony’s Camp near the Promontory of Actium about 3 min
  44. Act III, Scene VIII — A plain near Actium under 1 min
  45. Act III, Scene IX — Another part of the Plain under 1 min
  46. Act III, Scene X — Another part of the Plain about 1 min
  47. Act III, Scene XI — Alexandria. A Room in the Palace about 3 min
  48. Act III, Scene XII — Caesar’s camp in Egypt about 1 min
  49. Act III, Scene XIII — Alexandria. A Room in the Palace about 7 min
  50. Act IV, Scene I — Caesar’s Camp at Alexandria about 1 min
  51. Act IV, Scene II — Alexandria. A Room in the Palace about 2 min
  52. Act IV, Scene III — Alexandria. Before the Palace about 1 min
  53. Act IV, Scene IV — Alexandria. A Room in the Palace about 1 min
  54. Act IV, Scene V — Antony’s camp near Alexandria about 1 min
  55. Act IV, Scene VI — Alexandria. Caesar’s camp about 1 min
  56. Act IV, Scene VII — Field of battle between the Camps about 1 min
  57. Act IV, Scene VIII — Under the Walls of Alexandria about 1 min
  58. Act IV, Scene IX — Caesar’s camp about 1 min
  59. Act IV, Scene X — Ground between the two Camps under 1 min
  60. Act IV, Scene XI — Another part of the Ground under 1 min
  61. Act IV, Scene XII — Another part of the Ground about 2 min
  62. Act IV, Scene XIII — Alexandria. A Room in the Palace under 1 min
  63. Act IV, Scene XIV — Alexandria. Another Room about 5 min
  64. Act IV, Scene XV — Alexandria. A monument about 3 min
  65. Act V, Scene I — Caesar’s Camp before Alexandria about 3 min
  66. Act V, Scene II — Alexandria. A Room in the Monument about 14 min
  67. Act I, Scene I — An Orchard near Oliver’s house about 6 min
  68. Act I, Scene II — A Lawn before the Duke’s Palace about 10 min
  69. Act I, Scene III — A Room in the Palace about 5 min
  70. Act II, Scene I — The Forest of Arden about 2 min
  71. Act II, Scene II — A Room in the Palace about 1 min
  72. Act II, Scene III — Before Oliver’s House about 3 min
  73. Act II, Scene IV — The Forest of Arden about 4 min
  74. Act II, Scene V — Another part of the Forest about 2 min
  75. Act II, Scene VI — Another part of the Forest about 1 min
  76. Act II, Scene VII — Another part of the Forest about 7 min
  77. Act III, Scene I — A Room in the Palace about 1 min
  78. Act III, Scene II — The Forest of Arden about 14 min
  79. Act III, Scene III — Another part of the Forest about 4 min
  80. Act III, Scene IV — Another part of the Forest. Before a Cottage about 2 min
  81. Act III, Scene V — Another part of the Forest about 5 min
  82. Act IV, Scene I — The Forest of Arden about 7 min
  83. Act IV, Scene II — Another part of the Forest about 1 min
  84. Act IV, Scene III — Another part of the Forest about 6 min
  85. Act V, Scene I — The Forest of Arden about 2 min
  86. Act V, Scene II — Another part of the Forest about 4 min
  87. Act V, Scene III — Another part of the Forest about 2 min
  88. Act V, Scene IV — Another part of the Forest about 7 min
  89. Epilogue about 1 min
  90. Act I, Scene I — A hall in the Duke’s palace about 5 min
  91. Act I, Scene II — A public place about 4 min
  92. Act II, Scene I — A public place about 4 min
  93. Act II, Scene II — The same about 8 min
  94. Act III, Scene I — The same about 6 min
  95. Act III, Scene II — The same about 7 min
  96. Act IV, Scene I — The same about 5 min
  97. Act IV, Scene II — The same about 3 min
  98. Act IV, Scene III — The same about 4 min
  99. Act IV, Scene IV — The same about 7 min
  100. Act V, Scene I — The same about 16 min
  101. Act I, Scene I — Rome. A street about 10 min
  102. Act I, Scene II — Corioles. The Senate House about 1 min
  103. Act I, Scene III — Rome. An apartment in Martius’ house about 4 min
  104. Act I, Scene IV — Before Corioles about 3 min
  105. Act I, Scene V — Within Corioles. A street about 1 min
  106. Act I, Scene VI — Near the camp of Cominius about 3 min
  107. Act I, Scene VII — The gates of Corioles under 1 min
  108. Act I, Scene VIII — A field of battle between the Roman and the Volscian camps about 1 min
  109. Act I, Scene IX — The Roman camp about 3 min
  110. Act I, Scene X — The camp of the Volsces about 1 min
  111. Act II, Scene I — Rome. A public place about 10 min
  112. Act II, Scene II — Rome. The Capitol about 6 min
  113. Act II, Scene III — Rome. The Forum about 9 min
  114. Act III, Scene I — Rome. A street about 12 min
  115. Act III, Scene II — Rome. A room in Coriolanus’s house about 5 min
  116. Act III, Scene III — Rome. The Forum about 5 min
  117. Act IV, Scene I — Rome. Before a gate of the city about 2 min
  118. Act IV, Scene II — Rome. A street near the gate about 2 min
  119. Act IV, Scene III — A highway between Rome and Antium about 2 min
  120. Act IV, Scene IV — Antium. Before Aufidius’s house about 1 min
  121. Act IV, Scene V — Antium. A hall in Aufidius’s house about 8 min
  122. Act IV, Scene VI — Rome. A public place about 6 min
  123. Act IV, Scene VII — A camp at a short distance from Rome about 2 min
  124. Act V, Scene I — Rome. A public place about 3 min
  125. Act V, Scene II — An Advanced post of the Volscian camp before Rome about 4 min
  126. Act V, Scene III — The tent of Coriolanus about 7 min
  127. Act V, Scene IV — Rome. A public place about 2 min
  128. Act V, Scene V — Rome. A street near the gate under 1 min
  129. Act V, Scene VI — Antium. A public place about 6 min
  130. Act I, Scene I — Britain. The garden of Cymbeline’s palace about 3 min
  131. Act I, Scene II — The same about 4 min
  132. Act I, Scene III — Britain. A public place about 1 min
  133. Act I, Scene IV — Britain. Cymbeline’s palace about 2 min
  134. Act I, Scene V — Rome. Philario’s house about 6 min
  135. Act I, Scene VI — Britain. Cymbeline’s palace about 3 min
  136. Act I, Scene VII — Britain. The palace about 7 min
  137. Act II, Scene I — Britain. Before Cymbeline’s palace about 2 min
  138. Act II, Scene II — Britain. Imogen’s bedchamber in Cymbeline’s palace; a trunk in one corner about 2 min
  139. Act II, Scene III — Cymbeline’s palace. An ante-chamber adjoining Imogen’s apartments about 6 min
  140. Act II, Scene IV — Rome. Philario’s house about 6 min
  141. Act II, Scene V — Rome. Another room in Philario’s house about 1 min
  142. Act III, Scene I — Britain. A hall in Cymbeline’s palace about 3 min
  143. Act III, Scene II — Britain. Another room in Cymbeline’s palace about 3 min
  144. Act III, Scene III — Wales. A mountainous country with a cave about 4 min
  145. Act III, Scene IV — Wales, near Milford Haven about 7 min
  146. Act III, Scene V — Britain. Cymbeline’s palace about 6 min
  147. Act III, Scene VI — Wales. Before the cave of Belarius about 1 min
  148. Act III, Scene VII — The same about 3 min
  149. Act III, Scene VIII — Rome. A public place about 1 min
  150. Act IV, Scene I — Wales. Near the cave of Belarius about 1 min
  151. Act IV, Scene II — Wales. Before the cave of Belarius about 15 min
  152. Act IV, Scene III — Britain. Cymbeline’s palace about 2 min
  153. Act IV, Scene IV — Wales. Before the cave of Belarius about 2 min
  154. Act V, Scene I — Britain. The Roman camp about 1 min
  155. Act V, Scene II — Britain. A field of battle between the British and Roman camps about 1 min
  156. Act V, Scene III — Another part of the field about 4 min
  157. Act V, Scene IV — Britain. A prison about 7 min
  158. Act V, Scene V — Britain. Cymbeline’s tent about 18 min
  159. Act I, Scene I — Elsinore. A platform before the Castle about 6 min
  160. Act I, Scene II — Elsinore. A room of state in the Castle about 9 min
  161. Act I, Scene III — A room in Polonius’s house about 5 min
  162. Act I, Scene IV — The platform about 3 min
  163. Act I, Scene V — A more remote part of the Castle about 6 min
  164. Act II, Scene I — A room in Polonius’s house about 4 min
  165. Act II, Scene II — A room in the Castle about 21 min
  166. Act III, Scene I — A room in the Castle about 7 min
  167. Act III, Scene II — A hall in the Castle about 14 min
  168. Act III, Scene III — A room in the Castle about 3 min
  169. Act III, Scene IV — Another room in the Castle about 8 min
  170. Act IV, Scene I — A room in the Castle about 2 min
  171. Act IV, Scene II — Another room in the Castle about 1 min
  172. Act IV, Scene III — Another room in the Castle about 2 min
  173. Act IV, Scene IV — A plain in Denmark about 2 min
  174. Act IV, Scene V — Elsinore. A room in the Castle about 7 min
  175. Act IV, Scene VI — Another room in the Castle about 1 min
  176. Act IV, Scene VII — Another room in the Castle about 7 min
  177. Act V, Scene I — A churchyard about 10 min
  178. Act V, Scene II — A hall in the Castle about 15 min
  179. Act I, Scene I — London. A Room in the Palace about 3 min
  180. Act I, Scene II — The same. An Apartment of Prince Henry’s about 8 min
  181. Act I, Scene III — The Same. A Room in the Palace about 10 min
  182. Act II, Scene I — Rochester. An Inn-Yard about 4 min
  183. Act II, Scene II — The Road by Gads-hill about 4 min
  184. Act II, Scene III — Warkworth. A Room in the Castle about 4 min
  185. Act II, Scene IV — Eastcheap. A Room in the Boar’s Head Tavern about 20 min
  186. Act III, Scene I — Bangor. A Room in the Archdeacon’s House about 9 min
  187. Act III, Scene II — London. A Room in the Palace about 6 min
  188. Act III, Scene III — Eastcheap. A Room in the Boar’s Head Tavern about 8 min
  189. Act IV, Scene I — The Rebel Camp near Shrewsbury about 5 min
  190. Act IV, Scene II — A public Road near Coventry about 3 min
  191. Act IV, Scene III — The Rebel Camp near Shrewsbury about 4 min
  192. Act IV, Scene IV — York. A Room in the Archbishop’s Palace about 1 min
  193. Act V, Scene I — The King’s Camp near Shrewsbury about 5 min
  194. Act V, Scene II — The Rebel Camp about 3 min
  195. Act V, Scene III — Plain between the Camps about 2 min
  196. Act V, Scene IV — Another Part of the Field about 6 min
  197. Act V, Scene V — Another Part of the Field about 2 min
  198. Induction about 1 min
  199. Act I, Scene I — The same about 8 min
  200. Act I, Scene II — London. A street about 10 min
  201. Act I, Scene III — York. The Archbishop’s palace about 4 min
  202. Act II, Scene I — London. A street about 7 min
  203. Act II, Scene II — London. Another street about 6 min
  204. Act II, Scene III — Warkworth. Before the castle about 2 min
  205. Act II, Scene IV — London. The Boar’s head Tavern in Eastcheap about 13 min
  206. Act III, Scene I — Westminster. The palace about 4 min
  207. Act III, Scene II — Gloucestershire. Before Justice Shallow’s house about 12 min
  208. Act IV, Scene I — Yorkshire. Gaultree Forest about 8 min
  209. Act IV, Scene II — Another part of the forest about 4 min
  210. Act IV, Scene III — Another part of the forest about 5 min
  211. Act IV, Scene IV — Westminster. The Jerusalem Chamber about 5 min
  212. Act IV, Scene V — Another chamber about 8 min
  213. Act V, Scene I — Gloucestershire. Shallow’s house about 3 min
  214. Act V, Scene II — Westminster. The palace about 5 min
  215. Act V, Scene III — Gloucestershire. Shallow’s orchard about 4 min
  216. Act V, Scene IV — London. A street about 1 min
  217. Act V, Scene V — A public place near Westminster Abbey about 4 min
  218. Epilogue about 2 min
  219. Prologue about 1 min
  220. Act I, Scene I — London. An ante-chamber in the King’s palace about 3 min
  221. Act I, Scene II — The same. The presence chamber about 10 min
  222. Act II about 1 min
  223. Act II, Scene I — London. A street about 4 min
  224. Act II, Scene II — Southampton. A council-chamber about 6 min
  225. Act II, Scene III — London. Before a tavern about 2 min
  226. Act II, Scene IV — France. The King’s palace about 5 min
  227. Act III about 1 min
  228. Act III, Scene I — France. Before Harfleur about 1 min
  229. Act III, Scene II — The same about 5 min
  230. Act III, Scene III — Before the gates about 2 min
  231. Act III, Scene IV — The French King’s palace about 2 min
  232. Act III, Scene V — The same about 2 min
  233. Act III, Scene VI — The English camp in Picardy about 6 min
  234. Act III, Scene VII — The French camp, near Agincourt about 5 min
  235. Act IV about 2 min
  236. Act IV, Scene I — The English camp at Agincourt about 11 min
  237. Act IV, Scene II — The French camp about 2 min
  238. Act IV, Scene III — The English camp about 5 min
  239. Act IV, Scene IV — The field of battle about 2 min
  240. Act IV, Scene V — Another part of the field about 1 min
  241. Act IV, Scene VI — Another part of the field about 1 min
  242. Act IV, Scene VII — Another part of the field about 7 min
  243. Act IV, Scene VIII — Before King Henry’s pavilion about 4 min
  244. Act V about 1 min
  245. Act V, Scene I — France. The English camp about 3 min
  246. Act V, Scene II — France. A royal palace about 14 min
  247. Epilogue about 1 min
  248. Act I, Scene I — Westminster Abbey about 6 min
  249. Act I, Scene II — France. Before Orleans about 5 min
  250. Act I, Scene III — London. Before the Tower about 3 min
  251. Act I, Scene IV — Orleans about 4 min
  252. Act I, Scene V — Before Orleans about 2 min
  253. Act I, Scene VI — Orleans about 1 min
  254. Act II, Scene I — Before Orleans about 3 min
  255. Act II, Scene II — Orleans. Within the town about 2 min
  256. Act II, Scene III — Auvergne. The Countess’s castle about 3 min
  257. Act II, Scene IV — London. The Temple Garden about 5 min
  258. Act II, Scene V — The Tower of London about 4 min
  259. Act III, Scene I — London. The Parliament House about 7 min
  260. Act III, Scene II — France. Before Rouen about 5 min
  261. Act III, Scene III — The plains near Rouen about 3 min
  262. Act III, Scene IV — Paris. The Palace about 2 min
  263. Act IV, Scene I — Paris. The Palace about 7 min
  264. Act IV, Scene II — Before Bordeaux about 2 min
  265. Act IV, Scene III — Plains in Gascony about 2 min
  266. Act IV, Scene IV — Other plains in Gascony about 2 min
  267. Act IV, Scene V — The English camp near Bordeaux about 2 min
  268. Act IV, Scene VI — A field of battle about 2 min
  269. Act IV, Scene VII — Another part of the field about 3 min
  270. Act V, Scene I — London. The Palace about 2 min
  271. Act V, Scene II — France. Plains in Anjou about 1 min
  272. Act V, Scene III — Before Angiers about 7 min
  273. Act V, Scene IV — Camp of the Duke of York in Anjou about 6 min
  274. Act V, Scene V — London. The royal palace about 4 min
  275. Act I, Scene I — London. The palace about 9 min
  276. Act I, Scene II — The Duke of Gloucester’s House about 4 min
  277. Act I, Scene III — London. The palace about 8 min
  278. Act I, Scene IV — Gloucester’s Garden about 3 min
  279. Act II, Scene I — Saint Albans about 7 min
  280. Act II, Scene II — London. The Duke of York’s Garden about 3 min
  281. Act II, Scene III — A Hall of Justice about 4 min
  282. Act II, Scene IV — A Street about 4 min
  283. Act III, Scene I — The Abbey at Bury St. Edmund’s about 13 min
  284. Act III, Scene II — Bury St. Edmund’s. A Room of State about 15 min
  285. Act III, Scene III — A Bedchamber about 1 min
  286. Act IV, Scene I — The Coast of Kent about 5 min
  287. Act IV, Scene II — Blackheath about 6 min
  288. Act IV, Scene III — Another part of Blackheath about 1 min
  289. Act IV, Scene IV — London. The Palace about 2 min
  290. Act IV, Scene V — London. The Tower about 1 min
  291. Act IV, Scene VI — London. Cannon Street about 1 min
  292. Act IV, Scene VII — London. Smithfield about 5 min
  293. Act IV, Scene VIII — Southwark about 3 min
  294. Act IV, Scene IX — Kenilworth Castle about 2 min
  295. Act IV, Scene X — Kent. Iden’s Garden about 3 min
  296. Act V, Scene I — Fields between Dartford and Blackheath about 8 min
  297. Act V, Scene II — Saint Albans about 3 min
  298. Act V, Scene III — Fields near Saint Albans about 2 min
  299. Act I, Scene I — London. The Parliament House about 10 min
  300. Act I, Scene II — Sandal Castle about 3 min
  301. Act I, Scene III — Plains near Sandal Castle about 2 min
  302. Act I, Scene IV — The Same about 7 min
  303. Act II, Scene I — A plain near Mortimer’s Cross in Herefordshire about 7 min
  304. Act II, Scene II — Before York about 6 min
  305. Act II, Scene III — A field of battle between Towton and Saxton, in Yorkshire about 2 min
  306. Act II, Scene IV — Another Part of the Field under 1 min
  307. Act II, Scene V — Another Part of the Field about 5 min
  308. Act II, Scene VI — Another Part of the Field about 4 min
  309. Act III, Scene I — A Forest in the North of England about 4 min
  310. Act III, Scene II — The Palace about 8 min
  311. Act III, Scene III — France. The King’s Palace about 10 min
  312. Act IV, Scene I — London. The Palace about 5 min
  313. Act IV, Scene II — A Plain in Warwickshire about 1 min
  314. Act IV, Scene III — Edward’s Camp near Warwick about 3 min
  315. Act IV, Scene IV — London. The Palace about 1 min
  316. Act IV, Scene V — A park near Middleham Castle in Yorkshire about 1 min
  317. Act IV, Scene VI — London. The Tower about 4 min
  318. Act IV, Scene VII — Before York about 3 min
  319. Act IV, Scene VIII — London. The Palace about 2 min
  320. Act V, Scene I — Coventry about 4 min
  321. Act V, Scene II — A Field of Battle near Barnet about 2 min
  322. Act V, Scene III — Another Part of the Field about 1 min
  323. Act V, Scene IV — Plains near Tewkesbury about 3 min
  324. Act V, Scene V — Another part of the Field about 3 min
  325. Act V, Scene VI — London. The Tower about 3 min
  326. Act V, Scene VII — London. The Palace about 4 min
  327. Act I, Scene I — London. An ante-chamber in the palace about 8 min
  328. Act I, Scene II — The same. The council-chamber about 8 min
  329. Act I, Scene III — An ante-chamber in the palace about 3 min
  330. Act I, Scene IV — A Hall in York Place about 5 min
  331. Act II, Scene I — Westminster. A street about 7 min
  332. Act II, Scene II — An ante-chamber in the palace about 6 min
  333. Act II, Scene III — An ante-chamber of the Queen’s apartments about 4 min
  334. Act II, Scene IV — A hall in Blackfriars about 9 min
  335. Act III, Scene I — London. The Queen’s apartments about 7 min
  336. Act III, Scene II — Ante-chamber to the King’s apartment about 17 min
  337. Act IV, Scene I — A street in Westminster about 5 min
  338. Act IV, Scene II — Kimbolton about 7 min
  339. Act V, Scene I — A gallery in the palace about 7 min
  340. Act V, Scene II — Lobby before the council-chamber about 8 min
  341. Act V, Scene III — The palace yard about 3 min
  342. Act V, Scene IV — The palace about 3 min
  343. Epilogue about 1 min
  344. Act I, Scene I — Northampton. A Room of State in the Palace about 10 min
  345. Act II, Scene I — France. Before the walls of Angiers about 21 min
  346. Act III, Scene I — France. The French King’s tent about 12 min
  347. Act III, Scene II — The same. Plains near Angiers under 1 min
  348. Act III, Scene III — The same about 3 min
  349. Act III, Scene IV — The same. The French King’s tent about 6 min
  350. Act IV, Scene I — Northampton. A Room in the Castle about 5 min
  351. Act IV, Scene II — The same. A Room of State in the Palace about 9 min
  352. Act IV, Scene III — The same. Before the castle about 6 min
  353. Act V, Scene I — Northampton. A Room in the Palace about 3 min
  354. Act V, Scene II — Near Saint Edmundsbury. The French Camp about 6 min
  355. Act V, Scene III — The same. The Field of Battle about 1 min
  356. Act V, Scene IV — The same. Another part of the same about 2 min
  357. Act V, Scene V — The same. The French camp about 1 min
  358. Act V, Scene VI — An open place in the neighborhood of Swinstead Abbey about 2 min
  359. Act V, Scene VII — The orchard of Swinstead Abbey about 5 min
  360. Act I, Scene I — Rome. A street about 3 min
  361. Act I, Scene II — The same. A public place about 11 min
  362. Act I, Scene III — The same. A street about 6 min
  363. Act II, Scene I — Rome. Brutus’ orchard about 12 min
  364. Act II, Scene II — A room in Caesar’s palace about 5 min
  365. Act II, Scene III — A street near the Capitol about 1 min
  366. Act II, Scene IV — Another part of the same street, before the house of Brutus about 2 min
  367. Act III, Scene I — Rome. Before the Capitol; the Senate sitting about 11 min
  368. Act III, Scene II — The same. The Forum about 10 min
  369. Act III, Scene III — The same. A street about 1 min
  370. Act IV, Scene I — Rome. A room in Antony’s house about 2 min
  371. Act IV, Scene II — Before Brutus’ tent, in the camp near Sardis about 2 min
  372. Act IV, Scene III — Within the tent of Brutus about 11 min
  373. Act V, Scene I — The plains of Philippi about 4 min
  374. Act V, Scene II — The same. The field of battle under 1 min
  375. Act V, Scene III — Another part of the field about 4 min
  376. Act V, Scene IV — Another part of the field about 1 min
  377. Act V, Scene V — Another part of the field about 3 min
  378. Act I, Scene I — A Room of State in King Lear’s Palace about 11 min
  379. Act I, Scene II — A Hall in the Earl of Gloucester’s Castle about 6 min
  380. Act I, Scene III — A Room in the Duke of Albany’s Palace about 1 min
  381. Act I, Scene IV — A Hall in Albany’s Palace about 11 min
  382. Act I, Scene V — Court before the Duke of Albany’s Palace about 2 min
  383. Act II, Scene I — A court within the Castle of the Earl of Gloucester about 5 min
  384. Act II, Scene II — Before Gloucester’s Castle about 6 min
  385. Act II, Scene III — The open Country about 1 min
  386. Act II, Scene IV — Before Gloucester’s Castle; Kent in the stocks about 11 min
  387. Act III, Scene I — A Heath about 2 min
  388. Act III, Scene II — Another part of the heath about 3 min
  389. Act III, Scene III — A Room in Gloucester’s Castle about 1 min
  390. Act III, Scene IV — A part of the Heath with a Hovel about 6 min
  391. Act III, Scene V — A Room in Gloucester’s Castle about 1 min
  392. Act III, Scene VI — A Chamber in a Farmhouse adjoining the Castle about 4 min
  393. Act III, Scene VII — A Room in Gloucester’s Castle about 4 min
  394. Act IV, Scene I — The heath about 3 min
  395. Act IV, Scene II — Before the Duke of Albany’s Palace about 3 min
  396. Act IV, Scene III — The French camp near Dover about 2 min
  397. Act IV, Scene IV — The French camp. A Tent about 1 min
  398. Act IV, Scene V — A Room in Gloucester’s Castle about 1 min
  399. Act IV, Scene VI — The country near Dover about 10 min
  400. Act IV, Scene VII — A Tent in the French Camp about 4 min
  401. Act V, Scene I — The Camp of the British Forces near Dover about 3 min
  402. Act V, Scene II — A field between the two Camps about 1 min
  403. Act V, Scene III — The British Camp near Dover about 13 min
  404. Act I, Scene I — The King of Navarre’s park about 10 min
  405. Act I, Scene II — The park about 6 min
  406. Act II, Scene I — The King of Navarre’s park. A pavilion and tents at a distance about 9 min
  407. Act III, Scene I — The King of Navarre’s park about 7 min
  408. Act IV, Scene I — The King of Navarre’s park about 6 min
  409. Act IV, Scene II — The same about 6 min
  410. Act IV, Scene III — The same about 13 min
  411. Act V, Scene I — The King of Navarre’s park about 5 min
  412. Act V, Scene II — The same. Before the Princess’s pavilion about 33 min
  413. Act I, Scene I — An open Place under 1 min
  414. Act I, Scene II — A Camp near Forres about 2 min
  415. Act I, Scene III — A heath about 5 min
  416. Act I, Scene IV — Forres. A Room in the Palace about 2 min
  417. Act I, Scene V — Inverness. A Room in Macbeth’s Castle about 3 min
  418. Act I, Scene VI — The same. Before the Castle about 1 min
  419. Act I, Scene VII — The same. A Lobby in the Castle about 3 min
  420. Act II, Scene I — Inverness. Court within the Castle about 2 min
  421. Act II, Scene II — The same about 3 min
  422. Act II, Scene III — The same about 5 min
  423. Act II, Scene IV — The same. Without the Castle about 2 min
  424. Act III, Scene I — Forres. A Room in the Palace about 5 min
  425. Act III, Scene II — The same. Another Room in the Palace about 2 min
  426. Act III, Scene III — The same. A Park or Lawn, with a gate leading to the Palace about 1 min
  427. Act III, Scene IV — The same. A Room of state in the Palace about 5 min
  428. Act III, Scene V — The heath about 1 min
  429. Act III, Scene VI — Forres. A Room in the Palace about 2 min
  430. Act IV, Scene I — A dark Cave. In the middle, a Cauldron Boiling about 5 min
  431. Act IV, Scene II — Fife. A Room in Macduff’s Castle about 3 min
  432. Act IV, Scene III — England. Before the King’s Palace about 8 min
  433. Act V, Scene I — Dunsinane. A Room in the Castle about 3 min
  434. Act V, Scene II — The Country near Dunsinane about 1 min
  435. Act V, Scene III — Dunsinane. A Room in the Castle about 2 min
  436. Act V, Scene IV — Country near Dunsinane: a Wood in view about 1 min
  437. Act V, Scene V — Dunsinane. Within the castle about 2 min
  438. Act V, Scene VI — The same. A Plain before the Castle under 1 min
  439. Act V, Scene VII — The same. Another part of the Plain about 1 min
  440. Act V, Scene VIII — The same. Another part of the field about 3 min
  441. Act I, Scene I — An apartment in the Duke’s palace about 3 min
  442. Act I, Scene II — A street about 6 min
  443. Act I, Scene III — A monastery about 2 min
  444. Act I, Scene IV — A nunnery about 3 min
  445. Act II, Scene I — A hall in Angelo’s house about 10 min
  446. Act II, Scene II — Another room in the same about 7 min
  447. Act II, Scene III — A room in a prison about 2 min
  448. Act II, Scene IV — A room in Angelo’s house about 6 min
  449. Act III, Scene I — A room in the prison about 10 min
  450. Act III, Scene II — The street before the prison about 10 min
  451. Act IV, Scene I — A room in Mariana’s house about 3 min
  452. Act IV, Scene II — A room in the prison about 7 min
  453. Act IV, Scene III — Another room in the same about 6 min
  454. Act IV, Scene IV — A room in Angelo’s house about 1 min
  455. Act IV, Scene V — Fields without the town about 1 min
  456. Act IV, Scene VI — Street near the city gate about 1 min
  457. Act V, Scene I — A public place near the city gate about 19 min
  458. Act I, Scene I — Venice. A street about 6 min
  459. Act I, Scene II — Belmont. A room in Portia’s house about 5 min
  460. Act I, Scene III — Venice. A public place about 6 min
  461. Act II, Scene I — Belmont. A room in Portia’s house about 2 min
  462. Act II, Scene II — Venice. A street about 7 min
  463. Act II, Scene III — The same. A room in Shylock’s house about 1 min
  464. Act II, Scene IV — The same. A street about 1 min
  465. Act II, Scene V — The same. Before Shylock’s house about 2 min
  466. Act II, Scene VI — The same about 2 min
  467. Act II, Scene VII — Belmont. A room in Portia’s house about 3 min
  468. Act II, Scene VIII — Venice. A street about 2 min
  469. Act II, Scene IX — Belmont. A room in Portia’s house about 3 min
  470. Act III, Scene I — Venice. A street about 5 min
  471. Act III, Scene II — Belmont. A room in Portia’s house about 11 min
  472. Act III, Scene III — Venice. A street about 1 min
  473. Act III, Scene IV — Belmont. A room in Portia’s house about 3 min
  474. Act III, Scene V — The same. A garden about 3 min
  475. Act IV, Scene I — Venice. A court of justice about 16 min
  476. Act IV, Scene II — The same. A street about 1 min
  477. Act V, Scene I — Belmont. The avenue to Portia’s house about 12 min
  478. Act I, Scene I — Windsor. Before Page’s house about 10 min
  479. Act I, Scene II — The same under 1 min
  480. Act I, Scene III — A room in the Garter Inn about 3 min
  481. Act I, Scene IV — A room in Doctor Caius’s house about 6 min
  482. Act II, Scene I — Before Page’s house about 8 min
  483. Act II, Scene II — A room in the Garter Inn about 11 min
  484. Act II, Scene III — A field near Windsor about 3 min
  485. Act III, Scene I — A field near Frogmore about 4 min
  486. Act III, Scene II — A street in Windsor about 3 min
  487. Act III, Scene III — A room in Ford’s house about 8 min
  488. Act III, Scene IV — A room in Page’s house about 4 min
  489. Act III, Scene V — A room in the Garter Inn about 5 min
  490. Act IV, Scene I — The street about 2 min
  491. Act IV, Scene II — A room in Ford’s house about 7 min
  492. Act IV, Scene III — A room in the Garter Inn under 1 min
  493. Act IV, Scene IV — A room in Ford’s house about 3 min
  494. Act IV, Scene V — A room in the Garter Inn about 4 min
  495. Act IV, Scene VI — Another room in the Garter Inn about 2 min
  496. Act V, Scene I — A room in the Garter Inn about 1 min
  497. Act V, Scene II — Windsor Park about 1 min
  498. Act V, Scene III — The street in Windsor about 1 min
  499. Act V, Scene IV — Windsor Park under 1 min
  500. Act V, Scene V — Another part of the Park about 10 min
  501. Act I, Scene I — Athens. A room in the Palace of Theseus about 8 min
  502. Act I, Scene II — The Same. A Room in a Cottage about 3 min
  503. Act II, Scene I — A wood near Athens about 9 min
  504. Act II, Scene II — Another part of the wood about 5 min
  505. Act III, Scene I — The Wood about 7 min
  506. Act III, Scene II — Another part of the wood about 16 min
  507. Act IV, Scene I — The Wood about 8 min
  508. Act IV, Scene II — Athens. A Room in Quince’s House about 2 min
  509. Act V, Scene I — Athens. An Apartment in the Palace of Theseus about 14 min
  510. Act I, Scene I — Before Leonato’s House about 11 min
  511. Act I, Scene II — A room in Leonato’s house about 1 min
  512. Act I, Scene III — Another room in Leonato’s house about 3 min
  513. Act II, Scene I — A hall in Leonato’s house about 13 min
  514. Act II, Scene II — Another room in Leonato’s house about 2 min
  515. Act II, Scene III — Leonato’s Garden about 10 min
  516. Act III, Scene I — Leonato’s Garden about 4 min
  517. Act III, Scene II — A Room in Leonato’s House about 4 min
  518. Act III, Scene III — A Street about 6 min
  519. Act III, Scene IV — A Room in Leonato’s House about 3 min
  520. Act III, Scene V — Another Room in Leonato’s House about 2 min
  521. Act IV, Scene I — The Inside of a Church about 11 min
  522. Act IV, Scene II — A Prison about 3 min
  523. Act V, Scene I — Before Leonato’s House about 12 min
  524. Act V, Scene II — Leonato’s Garden about 3 min
  525. Act V, Scene III — The Inside of a Church about 1 min
  526. Act V, Scene IV — A Room in Leonato’s House about 5 min
  527. Act I, Scene I — Venice. A street about 6 min
  528. Act I, Scene II — Venice. Another street about 4 min
  529. Act I, Scene III — Venice. A council chamber about 14 min
  530. Act II, Scene I — A seaport in Cyprus. A Platform about 11 min
  531. Act II, Scene II — A street under 1 min
  532. Act II, Scene III — A Hall in the Castle about 13 min
  533. Act III, Scene I — Cyprus. Before the Castle about 2 min
  534. Act III, Scene II — Cyprus. A Room in the Castle under 1 min
  535. Act III, Scene III — Cyprus. The Garden of the Castle about 17 min
  536. Act III, Scene IV — Cyprus. Before the Castle about 7 min
  537. Act IV, Scene I — Cyprus. Before the Castle about 10 min
  538. Act IV, Scene II — Cyprus. A Room in the Castle about 9 min
  539. Act IV, Scene III — Cyprus. Another Room in the Castle about 4 min
  540. Act V, Scene I — Cyprus. A Street about 5 min
  541. Act V, Scene II — Cyprus. A Bedchamber in the castle about 14 min
  542. Act I about 1 min
  543. Act I, Scene I — Antioch. A room in the palace about 6 min
  544. Act I, Scene II — Tyre. A room in the palace about 4 min
  545. Act I, Scene III — Tyre. An ante-chamber in the Palace about 1 min
  546. Act I, Scene IV — Tarsus. A room in the Governor’s house about 4 min
  547. Act II about 1 min
  548. Act II, Scene I — Pentapolis. An open place by the seaside about 8 min
  549. Act II, Scene III — The same. A hall of state: a banquet prepared about 4 min
  550. Act II, Scene IV — Tyre. A room in the Governor’s house about 2 min
  551. Act II, Scene V — Pentapolis. A room in the palace about 3 min
  552. Act III about 2 min
  553. Act III, Scene I about 3 min
  554. Act III, Scene II — Ephesus. A room in Cerimon’s house about 4 min
  555. Act III, Scene III — Tarsus. A room in Cleon’s house about 2 min
  556. Act III, Scene IV — Ephesus. A room in Cerimon’s house about 1 min
  557. Act IV about 1 min
  558. Act IV, Scene I — Tarsus. An open place near the seashore about 4 min
  559. Act IV, Scene II — Mytilene. A room in a brothel about 5 min
  560. Act IV, Scene III — Tarsus. A room in Cleon’s house about 2 min
  561. Act IV, Scene IV about 2 min
  562. Act IV, Scene V — Mytilene. A street before the brothel under 1 min
  563. Act IV, Scene VI — The same. A room in the brothel about 7 min
  564. Act V about 10 min
  565. Act V, Scene II about 5 min
  566. Act I, Scene I — London. A Room in the palace about 7 min
  567. Act I, Scene II — The same. A room in the Duke of Lancaster’s palace about 3 min
  568. Act I, Scene III — Open Space, near Coventry. Lists set out, and a Throne. Heralds, &c., attending about 11 min
  569. Act I, Scene IV — London. A Room in the King’s Castle about 2 min
  570. Act II, Scene I — London. An Apartment in Ely House about 10 min
  571. Act II, Scene II — The Same. A Room in the Castle about 5 min
  572. Act II, Scene III — The Wolds in Gloucestershire about 6 min
  573. Act II, Scene IV — A camp in Wales about 1 min
  574. Act III, Scene I — Bristol. Bolingbroke’s camp about 2 min
  575. Act III, Scene II — The coast of Wales. A castle in view about 8 min
  576. Act III, Scene III — Wales. Before Flint Castle about 7 min
  577. Act III, Scene IV — Langley. The Duke of York’s garden about 4 min
  578. Act IV, Scene I — Westminster Hall about 12 min
  579. Act V, Scene I — London. A street leading to the Tower about 4 min
  580. Act V, Scene II — The same. A room in the Duke of York’s palace about 4 min
  581. Act V, Scene III — Windsor. A room in the Castle about 5 min
  582. Act V, Scene IV — Another room in the Castle under 1 min
  583. Act V, Scene V — Pomfret. The dungeon of the Castle about 4 min
  584. Act V, Scene VI — Windsor. An Apartment in the Castle about 3 min
  585. Act I, Scene I — London. A street about 5 min
  586. Act I, Scene II — London. Another street about 9 min
  587. Act I, Scene III — London. A Room in the Palace about 13 min
  588. Act I, Scene IV — London. A Room in the Tower about 10 min
  589. Act II, Scene I — London. A Room in the palace about 5 min
  590. Act II, Scene II — Another Room in the palace about 5 min
  591. Act II, Scene III — London. A street about 2 min
  592. Act II, Scene IV — London. A Room in the Palace about 3 min
  593. Act III, Scene I — London. A street about 7 min
  594. Act III, Scene II — Before Lord Hastings’ house about 5 min
  595. Act III, Scene III — Pomfret. Before the Castle about 1 min
  596. Act III, Scene IV — London. A Room in the Tower about 4 min
  597. Act III, Scene V — London. The Tower Walls about 4 min
  598. Act III, Scene VI — London. A street about 1 min
  599. Act III, Scene VII — London. Court of Baynard’s Castle about 8 min
  600. Act IV, Scene I — London. Before the Tower about 4 min
  601. Act IV, Scene II — London. A Room of State in the Palace about 4 min
  602. Act IV, Scene III — London. Another Room in the Palace about 2 min
  603. Act IV, Scene IV — London. Before the Palace about 20 min
  604. Act IV, Scene V — A Room in Lord Stanley’s house about 1 min
  605. Act V, Scene I — Salisbury. An open place about 1 min
  606. Act V, Scene II — Plain near Tamworth about 1 min
  607. Act V, Scene III — Bosworth Field about 13 min
  608. Act V, Scene IV — Another part of the Field about 1 min
  609. Act V, Scene V — Another part of the Field about 2 min
  610. The Prologue under 1 min
  611. Act I, Scene I — A public place about 8 min
  612. Act I, Scene II — A Street about 4 min
  613. Act I, Scene III — Room in Capulet’s House about 4 min
  614. Act I, Scene IV — A Street about 4 min
  615. Act I, Scene V — A Hall in Capulet’s House about 5 min
  616. Act II under 1 min
  617. Act II, Scene I — An open place adjoining Capulet’s Garden about 2 min
  618. Act II, Scene II — Capulet’s Garden about 7 min
  619. Act II, Scene III — Friar Lawrence’s Cell about 3 min
  620. Act II, Scene IV — A Street about 7 min
  621. Act II, Scene V — Capulet’s Garden about 3 min
  622. Act II, Scene VI — Friar Lawrence’s Cell about 1 min
  623. Act III, Scene I — A public Place about 7 min
  624. Act III, Scene II — A Room in Capulet’s House about 5 min
  625. Act III, Scene III — Friar Lawrence’s cell about 6 min
  626. Act III, Scene IV — A Room in Capulet’s House about 1 min
  627. Act III, Scene V — An open Gallery to Juliet’s Chamber, overlooking the Garden about 9 min
  628. Act IV, Scene I — Friar Lawrence’s Cell about 5 min
  629. Act IV, Scene II — Hall in Capulet’s House about 2 min
  630. Act IV, Scene III — Juliet’s Chamber about 2 min
  631. Act IV, Scene IV — Hall in Capulet’s House about 1 min
  632. Act IV, Scene V — Juliet’s Chamber; Juliet on the bed about 5 min
  633. Act V, Scene I — Mantua. A Street about 3 min
  634. Act V, Scene II — Friar Lawrence’s Cell about 1 min
  635. Act V, Scene III — A churchyard; in it a Monument belonging to the Capulets about 12 min
  636. Induction, Scene I — Before an alehouse on a heath about 5 min
  637. Induction, Scene II — A bedchamber in the Lord’s house about 5 min
  638. Act I, Scene I — Padua. A public place about 9 min
  639. Act I, Scene II — Padua. Before Hortensio’s house about 10 min
  640. Act II, Scene I — Padua. A room in Baptista’s house about 15 min
  641. Act III, Scene I — Padua. A room in Baptista’s house about 3 min
  642. Act III, Scene II — The same. Before Baptista’s house about 9 min
  643. Act IV, Scene I — A hall in Petruchio’s country house about 7 min
  644. Act IV, Scene II — Padua. Before Baptista’s house about 4 min
  645. Act IV, Scene III — A room in Petruchio’s house about 7 min
  646. Act IV, Scene IV — Padua. Before Baptista’s house about 4 min
  647. Act IV, Scene V — A public road about 3 min
  648. Act V, Scene I — Padua. Before Lucentio’s house about 5 min
  649. Act V, Scene II — A room in Lucentio’s house about 7 min
  650. Act I, Scene I — On a ship at sea; a tempestuous noise of thunder and lightning heard about 2 min
  651. Act I, Scene II — The Island. Before the cell of Prospero about 18 min
  652. Act II, Scene I — Another part of the island about 11 min
  653. Act II, Scene II — Another part of the island about 7 min
  654. Act III, Scene I — Before Prospero’s cell about 4 min
  655. Act III, Scene II — Another part of the island about 5 min
  656. Act III, Scene III — Another part of the island about 4 min
  657. Act IV, Scene I — Before Prospero’s cell about 9 min
  658. Act V, Scene I — Before the cell of Prospero about 12 min
  659. Epilogue about 1 min
  660. Act I, Scene I — Athens. A hall in Timon’s house about 10 min
  661. Act I, Scene II — The Same. A room of state in Timon’s house about 9 min
  662. Act II, Scene I — Athens. A room in a senator’s house about 1 min
  663. Act II, Scene II — The same. A hall in Timon’s house about 8 min
  664. Act III, Scene I — Athens. A room in Lucullus’ house about 2 min
  665. Act III, Scene II — A public place about 3 min
  666. Act III, Scene III — The same. A room in Sempronius’ house about 2 min
  667. Act III, Scene IV — A hall in Timon’s house about 4 min
  668. Act III, Scene V — The same. The senate house about 4 min
  669. Act III, Scene VI — A room of state in Timon’s house about 4 min
  670. Act IV, Scene I — Without the walls of Athens about 1 min
  671. Act IV, Scene II — Athens. A room in Timon’s house about 2 min
  672. Act IV, Scene III — Woods and caves near the sea-shore about 19 min
  673. Act V, Scene I — The woods. Before Timon’s cave about 4 min
  674. Act V, Scene II — The same about 4 min
  675. Act V, Scene III — Before the walls of Athens about 1 min
  676. Act V, Scene IV — The woods. Timon’s cave, and a rude tomb seen under 1 min
  677. Act V, Scene V — Before the walls of Athens about 4 min
  678. Act I, Scene I — Rome. Before the Capitol about 17 min
  679. Act II, Scene I — Rome. Before the palace about 5 min
  680. Act II, Scene II — A Forest near Rome; a Lodge seen at a distance. Horns and cry of hounds heard about 1 min
  681. Act II, Scene III — A lonely part of the Forest about 11 min
  682. Act II, Scene IV — Another part of the Forest about 2 min
  683. Act III, Scene I — Rome. A street about 11 min
  684. Act III, Scene II — Rome. A Room in Titus’s House. A banquet set out about 3 min
  685. Act IV, Scene I — Rome. Before Titus’s House about 5 min
  686. Act IV, Scene II — Rome. A Room in the Palace about 7 min
  687. Act IV, Scene III — Rome. A public Place about 4 min
  688. Act IV, Scene IV — Rome. Before the Palace about 4 min
  689. Act V, Scene I — Plains near Rome about 6 min
  690. Act V, Scene II — Rome. Before Titus’s House about 7 min
  691. Act V, Scene III — Rome. A Pavilion in Titus’s Gardens, with tables, &c about 8 min
  692. Prologue about 1 min
  693. Act I, Scene I — Troy. Before Priam’s palace about 4 min
  694. Act I, Scene II — Troy. A street about 10 min
  695. Act I, Scene III — The Grecian camp. Before Agamemnon’s tent about 13 min
  696. Act II, Scene I — The Grecian camp about 4 min
  697. Act II, Scene II — Troy. Priam’s palace about 7 min
  698. Act II, Scene III — The Grecian camp. Before the tent of Achilles about 9 min
  699. Act III, Scene I — Troy. Priam’s palace about 5 min
  700. Act III, Scene II — Troy. Pandarus’ orchard about 7 min
  701. Act III, Scene III — The Greek camp about 10 min
  702. Act IV, Scene I — Troy. A street about 3 min
  703. Act IV, Scene II — Troy. The court of Pandarus’ house about 4 min
  704. Act IV, Scene III — Troy. A street before Pandarus’ house under 1 min
  705. Act IV, Scene IV — Troy. Pandarus’ house about 5 min
  706. Act IV, Scene V — The Grecian camp. Lists set out about 10 min
  707. Act V, Scene I — The Grecian camp. Before the tent of Achilles about 4 min
  708. Act V, Scene II — The Grecian camp. Before Calchas’ tent about 7 min
  709. Act V, Scene III — Troy. Before Priam’s palace about 4 min
  710. Act V, Scene IV — The plain between Troy and the Grecian camp about 1 min
  711. Act V, Scene V — Another part of the plain about 2 min
  712. Act V, Scene VI — Another part of the plain about 1 min
  713. Act V, Scene VII — Another part of the plain about 1 min
  714. Act V, Scene VIII — Another part of the plain about 1 min
  715. Act V, Scene IX — Another part of the plain under 1 min
  716. Act V, Scene X — Another part of the plain about 2 min
  717. Act I, Scene I — An Apartment in the Duke’s Palace about 1 min
  718. Act I, Scene II — The sea-coast about 2 min
  719. Act I, Scene III — A Room in Olivia’s House about 5 min
  720. Act I, Scene IV — A Room in the Duke’s Palace about 1 min
  721. Act I, Scene V — A Room in Olivia’s House about 11 min
  722. Act II, Scene I — The sea-coast about 2 min
  723. Act II, Scene II — A street about 2 min
  724. Act II, Scene III — A Room in Olivia’s House about 7 min
  725. Act II, Scene IV — A Room in the Duke’s Palace about 4 min
  726. Act II, Scene V — Olivia’s garden about 7 min
  727. Act III, Scene I — Olivia’s garden about 6 min
  728. Act III, Scene II — A Room in Olivia’s House about 3 min
  729. Act III, Scene III — A street about 2 min
  730. Act III, Scene IV — Olivia’s garden about 14 min
  731. Act IV, Scene I — The Street before Olivia’s House about 2 min
  732. Act IV, Scene II — A Room in Olivia’s House about 4 min
  733. Act IV, Scene III — Olivia’s Garden about 1 min
  734. Act V, Scene I — The Street before Olivia’s House about 14 min
  735. Act I, Scene I — Verona. An open place about 5 min
  736. Act I, Scene II — The same. The garden of Julia’s house about 5 min
  737. Act I, Scene III — The same. A room in Antonio’s house about 3 min
  738. Act II, Scene I — Milan. A room in the Duke’s palace about 6 min
  739. Act II, Scene II — Verona. A room in Julia’s house about 1 min
  740. Act II, Scene III — The same. A street about 2 min
  741. Act II, Scene IV — Milan. A room in the Duke’s palace about 7 min
  742. Act II, Scene V — The same. A street about 2 min
  743. Act II, Scene VI — The same. The Duke’s palace about 1 min
  744. Act II, Scene VII — Verona. A room in Julia’s house about 3 min
  745. Act III, Scene I — Milan. An anteroom in the Duke’s palace about 13 min
  746. Act III, Scene II — The same. A room in the Duke’s palace about 3 min
  747. Act IV, Scene I — A forest between Milan and Verona about 3 min
  748. Act IV, Scene II — Milan. The court of the Duke’s palace about 5 min
  749. Act IV, Scene III — The same about 2 min
  750. Act IV, Scene IV — The same about 7 min
  751. Act V, Scene I — Milan. An abbey under 1 min
  752. Act V, Scene II — The same. A room in the Duke’s palace about 2 min
  753. Act V, Scene III — Frontiers of Mantua. The forest about 1 min
  754. Act V, Scene IV — Another part of the forest about 6 min
  755. Prologue about 1 min
  756. Epilogue under 1 min
  757. Prologue about 1 min
  758. Act I, Scene I — Athens. Before a temple about 8 min
  759. Act I, Scene II — Thebes. The Court of the Palace about 4 min
  760. Act I, Scene III — Before the gates of Athens about 3 min
  761. Act I, Scene IV — A field before Thebes about 2 min
  762. Act I, Scene V — Another part of the same, more remote from Thebes about 1 min
  763. Act II, Scene I — Athens. A garden, with a castle in the background about 2 min
  764. Act II, Scene II — The prison about 11 min
  765. Act II, Scene III — The country near Athens about 3 min
  766. Act II, Scene IV — Athens. A room in the prison about 1 min
  767. Act II, Scene V — An open place in Athens about 3 min
  768. Act II, Scene VI — Athens. Before the prison about 1 min
  769. Act III, Scene I — A forest near Athens about 5 min
  770. Act III, Scene II — Another Part of the forest about 1 min
  771. Act III, Scene III — The same part of the forest as in scene I about 2 min
  772. Act III, Scene IV — Another part of the forest about 1 min
  773. Act III, Scene V — Another part of the forest about 6 min
  774. Act III, Scene VI — The same part of the forest as in scene III about 12 min
  775. Act IV, Scene I — Athens. A room in the prison about 6 min
  776. Act IV, Scene II — A Room in the Palace about 6 min
  777. Act IV, Scene III — A room in the prison about 4 min
  778. Act V, Scene I — Athens. Before the Temples of Mars, Venus, and Diana about 7 min
  779. Act V, Scene II — Athens. A Room in the Prison about 5 min
  780. Act V, Scene III — A part of the Forest near Athens, and near the Place appointed for the Combat about 5 min
  781. Act V, Scene IV — The same; a Block prepared about 5 min
  782. Epilogue about 1 min
  783. Dramatis Personæ under 1 min
  784. Act I, Scene I — Sicilia. An Antechamber in Leontes’ Palace about 2 min
  785. Act I, Scene II — The same. A Room of State in the Palace about 16 min
  786. Act II, Scene I — Sicilia. A Room in the Palace about 7 min
  787. Act II, Scene II — The same. The outer Room of a Prison about 2 min
  788. Act II, Scene III — The same. A Room in the Palace about 8 min
  789. Act III, Scene I — Sicilia. A Street in some Town about 1 min
  790. Act III, Scene II — The same. A Court of Justice about 9 min
  791. Act III, Scene III — Bohemia. A desert Country near the Sea about 5 min
  792. Act IV, Scene I about 1 min
  793. Act IV, Scene II — Bohemia. A Room in the palace of Polixenes about 2 min
  794. Act IV, Scene III — The same. A Road near the Shepherd’s cottage about 4 min
  795. Act IV, Scene IV — The same. A Shepherd’s Cottage about 30 min
  796. Act V, Scene I — Sicilia. A Room in the palace of Leontes about 8 min
  797. Act V, Scene II — The same. Before the Palace about 7 min
  798. Act V, Scene III — The same. A Room in Paulina’s house about 2 h 17 min

Continue:

Act III, Scene V — London. The Tower Walls

Enter Richard and Buckingham in rotten armour, marvellous ill-favoured.

RICHARD. Come, cousin, canst thou quake and change thy colour, Murder thy breath in middle of a word, And then again begin, and stop again, As if thou were distraught and mad with terror?

BUCKINGHAM. Tut, I can counterfeit the deep tragedian; Speak, and look back, and pry on every side, Tremble and start at wagging of a straw, Intending deep suspicion. Ghastly looks Are at my service, like enforced smiles, And both are ready in their offices, At anytime to grace my stratagems. But what, is Catesby gone?

RICHARD. He is; and, see, he brings the Mayor along.

Enter the Lord Mayor and Catesby.

BUCKINGHAM. Lord Mayor—

RICHARD. Look to the drawbridge there!

BUCKINGHAM. Hark, a drum.

RICHARD. Catesby, o’erlook the walls.

BUCKINGHAM. Lord Mayor, the reason we have sent—

RICHARD. Look back! Defend thee, here are enemies.

BUCKINGHAM. God and our innocence defend and guard us!

Enter Lovell and Ratcliffe with Hastings’ head.

RICHARD. Be patient, they are friends, Ratcliffe and Lovell.

LOVELL. Here is the head of that ignoble traitor, The dangerous and unsuspected Hastings.

RICHARD. So dear I loved the man that I must weep. I took him for the plainest harmless creature That breathed upon the earth a Christian; Made him my book, wherein my soul recorded The history of all her secret thoughts. So smooth he daubed his vice with show of virtue That, his apparent open guilt omitted— I mean his conversation with Shore’s wife— He lived from all attainder of suspects.

BUCKINGHAM. Well, well, he was the covert’st sheltered traitor That ever lived.— Would you imagine, or almost believe, Were’t not that by great preservation We live to tell it, that the subtle traitor This day had plotted, in the council-house, To murder me and my good lord of Gloucester?

MAYOR. Had he done so?

RICHARD. What, think you we are Turks or Infidels? Or that we would, against the form of law, Proceed thus rashly in the villain’s death, But that the extreme peril of the case, The peace of England, and our persons’ safety, Enforced us to this execution?

MAYOR. Now, fair befall you! He deserved his death, And your good Graces both have well proceeded, To warn false traitors from the like attempts.

BUCKINGHAM. I never looked for better at his hands After he once fell in with Mistress Shore. Yet had we not determined he should die Until your lordship came to see his end Which now the loving haste of these our friends, Something against our meanings, have prevented, Because, my lord, we would have had you heard The traitor speak, and timorously confess The manner and the purpose of his treasons, That you might well have signified the same Unto the citizens, who haply may Misconster us in him, and wail his death.

MAYOR. But, my good lord, your Grace’s word shall serve As well as I had seen and heard him speak; And do not doubt, right noble princes both, But I’ll acquaint our duteous citizens With all your just proceedings in this case.

RICHARD. And to that end we wished your lordship here, T’ avoid the censures of the carping world.

BUCKINGHAM. But since you come too late of our intent, Yet witness what you hear we did intend. And so, my good Lord Mayor, we bid farewell.

[Exit Lord Mayor.]

RICHARD. Go, after, after, cousin Buckingham. The Mayor towards Guildhall hies him in all post. There, at your meet’st advantage of the time, Infer the bastardy of Edward’s children; Tell them how Edward put to death a citizen Only for saying he would make his son Heir to the Crown—meaning indeed his house, Which, by the sign thereof, was termed so. Moreover, urge his hateful luxury And bestial appetite in change of lust, Which stretched unto their servants, daughters, wives, Even where his raging eye or savage heart, Without control, lusted to make a prey. Nay, for a need, thus far come near my person: Tell them, when that my mother went with child Of that insatiate Edward, noble York My princely father then had wars in France, And, by true computation of the time, Found that the issue was not his begot; Which well appeared in his lineaments, Being nothing like the noble Duke, my father. Yet touch this sparingly, as ’twere far off; Because, my lord, you know my mother lives.

BUCKINGHAM. Doubt not, my lord, I’ll play the orator As if the golden fee for which I plead Were for myself. And so, my lord, adieu.

RICHARD. If you thrive well, bring them to Baynard’s Castle, Where you shall find me well accompanied With reverend fathers and well-learned bishops.

BUCKINGHAM. I go; and towards three or four o’clock Look for the news that the Guildhall affords.

[Exit.]

RICHARD. Go, Lovell, with all speed to Doctor Shaa. [To Ratcliffe.] Go thou to Friar Penker; bid them both Meet me within this hour at Baynard’s Castle.

[Exeunt Ratcliffe and Lovell.]

Now will I go to take some privy order To draw the brats of Clarence out of sight, And to give order that no manner person Have any time recourse unto the Princes.

[Exit.]

Act III, Scene VI — London. A street

Enter a Scrivener.

SCRIVENER. Here is the indictment of the good Lord Hastings, Which in a set hand fairly is engrossed, That it may be today read o’er in Paul’s. And mark how well the sequel hangs together: Eleven hours I have spent to write it over, For yesternight by Catesby was it sent me; The precedent was full as long a-doing And yet within these five hours Hastings lived, Untainted, unexamined, free, at liberty. Here’s a good world the while! Who is so gross That cannot see this palpable device? Yet who so bold but says he sees it not? Bad is the world, and all will come to naught When such ill dealing must be seen in thought.

[Exit.]

Act III, Scene VII — London. Court of Baynard’s Castle

Enter Richard and Buckingham at several doors.

RICHARD. How now, how now? What say the citizens?

BUCKINGHAM. Now, by the holy mother of our Lord, The citizens are mum, say not a word.

RICHARD. Touched you the bastardy of Edward’s children?

BUCKINGHAM. I did; with his contract with Lady Lucy, And his contract by deputy in France; Th’ insatiate greediness of his desire, And his enforcement of the city wives; His tyranny for trifles; his own bastardy, As being got, your father then in France, And his resemblance, being not like the Duke. Withal, I did infer your lineaments, Being the right idea of your father, Both in your form and nobleness of mind; Laid open all your victories in Scotland, Your discipline in war, wisdom in peace, Your bounty, virtue, fair humility; Indeed, left nothing fitting for your purpose Untouched or slightly handled in discourse. And when mine oratory drew toward end, I bid them that did love their country’s good Cry “God save Richard, England’s royal King!”

RICHARD. And did they so?

BUCKINGHAM. No, so God help me, they spake not a word, But, like dumb statues or breathing stones, Stared each on other, and looked deadly pale. Which when I saw, I reprehended them, And asked the Mayor what meant this wilful silence. His answer was, the people were not used To be spoke to but by the Recorder. Then he was urged to tell my tale again: “Thus saith the Duke, thus hath the Duke inferred” But nothing spoke in warrant from himself. When he had done, some followers of mine own, At lower end of the hall, hurled up their caps, And some ten voices cried, “God save King Richard!” And thus I took the vantage of those few. “Thanks, gentle citizens and friends,” quoth I; “This general applause and cheerful shout Argues your wisdoms and your love to Richard.” And even here brake off and came away.

RICHARD. What, tongueless blocks were they! Would they not speak? Will not the Mayor then and his brethren, come?

BUCKINGHAM. The mayor is here at hand. Intend some fear; Be not you spoke with but by mighty suit. And look you get a prayer-book in your hand, And stand between two churchmen, good my lord, For on that ground I’ll make a holy descant. And be not easily won to our requests. Play the maid’s part: still answer nay, and take it.

RICHARD. I go, and if you plead as well for them As I can say nay to thee for myself, No doubt we bring it to a happy issue.

BUCKINGHAM. Go, go, up to the leads, the Lord Mayor knocks.

[Exit Richard.]

Enter the Lord Mayor and Citizens.

Welcome, my lord. I dance attendance here. I think the Duke will not be spoke withal.

Enter Catesby.

Now, Catesby, what says your lord to my request?

CATESBY. He doth entreat your Grace, my noble lord, To visit him tomorrow or next day. He is within, with two right reverend fathers, Divinely bent to meditation; And in no worldly suits would he be moved To draw him from his holy exercise.

BUCKINGHAM. Return, good Catesby, to the gracious Duke; Tell him myself, the Mayor and aldermen, In deep designs, in matter of great moment, No less importing than our general good, Are come to have some conference with his Grace.

CATESBY. I’ll signify so much unto him straight.

[Exit.]

BUCKINGHAM. Ah ha, my lord, this prince is not an Edward! He is not lolling on a lewd love-bed, But on his knees at meditation; Not dallying with a brace of courtesans, But meditating with two deep divines; Not sleeping, to engross his idle body, But praying, to enrich his watchful soul. Happy were England would this virtuous prince Take on his Grace the sovereignty thereof. But sure I fear we shall not win him to it.

MAYOR. Marry, God defend his Grace should say us nay!

BUCKINGHAM. I fear he will. Here Catesby comes again.

Enter Catesby.

Now, Catesby, what says his Grace?

CATESBY. He wonders to what end you have assembled Such troops of citizens to come to him, His Grace not being warned thereof before. He fears, my lord, you mean no good to him.

BUCKINGHAM. Sorry I am my noble cousin should Suspect me that I mean no good to him. By heaven, we come to him in perfect love, And so once more return and tell his Grace.

[Exit Catesby.]

When holy and devout religious men Are at their beads, ’tis much to draw them thence, So sweet is zealous contemplation.

Enter Richard aloft, between two Bishops. Catesby reenters.

MAYOR. See where his Grace stands ’tween two clergymen!

BUCKINGHAM. Two props of virtue for a Christian prince, To stay him from the fall of vanity; And, see, a book of prayer in his hand, True ornaments to know a holy man. Famous Plantagenet, most gracious Prince, Lend favourable ear to our requests, And pardon us the interruption Of thy devotion and right Christian zeal.

RICHARD. My lord, there needs no such apology. I do beseech your Grace to pardon me, Who, earnest in the service of my God, Deferred the visitation of my friends. But, leaving this, what is your Grace’s pleasure?

BUCKINGHAM. Even that, I hope, which pleaseth God above, And all good men of this ungoverned isle.

RICHARD. I do suspect I have done some offence That seems disgracious in the city’s eye, And that you come to reprehend my ignorance.

BUCKINGHAM. You have, my lord. Would it might please your Grace, On our entreaties, to amend your fault.

RICHARD. Else wherefore breathe I in a Christian land?

BUCKINGHAM. Know then, it is your fault that you resign The supreme seat, the throne majestical, The sceptered office of your ancestors, Your state of fortune, and your due of birth, The lineal glory of your royal house, To the corruption of a blemished stock; Whiles in the mildness of your sleepy thoughts, Which here we waken to our country’s good, The noble isle doth want her proper limbs; Her face defaced with scars of infamy, Her royal stock graft with ignoble plants, And almost shouldered in the swallowing gulf Of dark forgetfulness and deep oblivion; Which to recure, we heartily solicit Your gracious self to take on you the charge And kingly government of this your land, Not as Protector, steward, substitute, Or lowly factor for another’s gain, But as successively, from blood to blood, Your right of birth, your empery, your own. For this, consorted with the citizens, Your very worshipful and loving friends, And by their vehement instigation, In this just cause come I to move your Grace.

RICHARD. I cannot tell if to depart in silence Or bitterly to speak in your reproof Best fitteth my degree or your condition. If not to answer, you might haply think Tongue-tied ambition, not replying, yielded To bear the golden yoke of sovereignty, Which fondly you would here impose on me; If to reprove you for this suit of yours, So seasoned with your faithful love to me, Then, on the other side, I checked my friends. Therefore, to speak, and to avoid the first, And then, in speaking, not to incur the last, Definitively thus I answer you: Your love deserves my thanks, but my desert Unmeritable shuns your high request. First, if all obstacles were cut away, And that my path were even to the crown As the ripe revenue and due of birth, Yet so much is my poverty of spirit, So mighty and so many my defects, That I would rather hide me from my greatness, Being a bark to brook no mighty sea, Than in my greatness covet to be hid, And in the vapour of my glory smothered. But, God be thanked, there is no need of me, And much I need to help you, were there need. The royal tree hath left us royal fruit, Which, mellowed by the stealing hours of time, Will well become the seat of majesty, And make, no doubt, us happy by his reign. On him I lay that you would lay on me, The right and fortune of his happy stars, Which God defend that I should wring from him.

BUCKINGHAM. My lord, this argues conscience in your Grace; But the respects thereof are nice and trivial, All circumstances well considered. You say that Edward is your brother’s son; So say we too, but not by Edward’s wife. For first was he contract to Lady Lucy Your mother lives a witness to his vow, And afterward by substitute betrothed To Bona, sister to the King of France. These both put off, a poor petitioner, A care-crazed mother to a many sons, A beauty-waning and distressed widow, Even in the afternoon of her best days, Made prize and purchase of his wanton eye, Seduced the pitch and height of his degree To base declension and loathed bigamy. By her, in his unlawful bed, he got This Edward, whom our manners call the Prince. More bitterly could I expostulate, Save that, for reverence to some alive, I give a sparing limit to my tongue. Then, good my lord, take to your royal self This proffered benefit of dignity, If not to bless us and the land withal, Yet to draw forth your noble ancestry From the corruption of abusing times Unto a lineal true-derived course.

MAYOR. Do, good my lord. Your citizens entreat you.

BUCKINGHAM. Refuse not, mighty lord, this proffered love.

CATESBY. O, make them joyful; grant their lawful suit.

RICHARD. Alas, why would you heap those cares on me? I am unfit for state and majesty. I do beseech you, take it not amiss; I cannot, nor I will not, yield to you.

BUCKINGHAM. If you refuse it, as in love and zeal Loath to depose the child, your brother’s son— As well we know your tenderness of heart And gentle, kind, effeminate remorse, Which we have noted in you to your kindred, And equally indeed to all estates— Yet know, whe’er you accept our suit or no, Your brother’s son shall never reign our king, But we will plant some other in the throne, To the disgrace and downfall of your house. And in this resolution here we leave you. Come, citizens; zounds, I’ll entreat no more.

[Exeunt Buckingham, the Mayor and citizens.]

CATESBY. Call him again, sweet Prince; accept their suit. If you deny them, all the land will rue it.

RICHARD. Will you enforce me to a world of cares? Call them again. I am not made of stones, But penetrable to your kind entreaties, Albeit against my conscience and my soul.

Enter Buckingham and the rest.

Cousin of Buckingham, and sage grave men, Since you will buckle Fortune on my back, To bear her burden, whe’er I will or no, I must have patience to endure the load. But if black scandal or foul-faced reproach Attend the sequel of your imposition, Your mere enforcement shall acquittance me From all the impure blots and stains thereof, For God doth know, and you may partly see, How far I am from the desire of this.

MAYOR. God bless your Grace! We see it, and will say it.

RICHARD. In saying so, you shall but say the truth.

BUCKINGHAM. Then I salute you with this royal title: Long live King Richard, England’s worthy King!

ALL. Amen.

BUCKINGHAM. Tomorrow may it please you to be crowned?

RICHARD. Even when you please, for you will have it so.

BUCKINGHAM. Tomorrow, then, we will attend your Grace; And so most joyfully we take our leave.

RICHARD. [To the Bishops.] Come, let us to our holy work again. Farewell, my cousin, farewell, gentle friends.

[Exeunt.]

Act IV, Scene I — London. Before the Tower

Enter Queen Elizabeth, the Duchess of York and Marquess of Dorset, at one door; Anne Duchess of Gloucester with Clarence’s young Daughter at another door.

DUCHESS. Who meets us here? My niece Plantagenet Led in the hand of her kind aunt of Gloucester? Now, for my life, she’s wandering to the Tower, On pure heart’s love, to greet the tender Prince. Daughter, well met.

ANNE. God give your Graces both A happy and a joyful time of day.

QUEEN ELIZABETH. As much to you, good sister. Whither away?

ANNE. No farther than the Tower, and, as I guess, Upon the like devotion as yourselves, To gratulate the gentle Princes there.

QUEEN ELIZABETH. Kind sister, thanks; we’ll enter all together.

Enter Brakenbury.

And in good time, here the Lieutenant comes. Master Lieutenant, pray you, by your leave, How doth the Prince and my young son of York?

BRAKENBURY. Right well, dear madam. By your patience, I may not suffer you to visit them. The King hath strictly charged the contrary.

QUEEN ELIZABETH. The King? Who’s that?

BRAKENBURY. I mean the Lord Protector.

QUEEN ELIZABETH. The Lord protect him from that kingly title! Hath he set bounds between their love and me? I am their mother; who shall bar me from them?

DUCHESS. I am their father’s mother. I will see them.

ANNE. Their aunt I am in law, in love their mother. Then bring me to their sights. I’ll bear thy blame, And take thy office from thee, on my peril.

BRAKENBURY. No, madam, no. I may not leave it so. I am bound by oath, and therefore pardon me.

[Exit.]

Enter Stanley.

STANLEY. Let me but meet you, ladies, one hour hence, And I’ll salute your Grace of York as mother And reverend looker-on of two fair queens. [To Anne.] Come, madam, you must straight to Westminster, There to be crowned Richard’s royal queen.

QUEEN ELIZABETH. Ah, cut my lace asunder That my pent heart may have some scope to beat, Or else I swoon with this dead-killing news!

ANNE. Despiteful tidings! O unpleasing news!

DORSET. Be of good cheer, mother. How fares your Grace?

QUEEN ELIZABETH. O Dorset, speak not to me; get thee gone. Death and destruction dog thee at thy heels; Thy mother’s name is ominous to children. If thou wilt outstrip death, go, cross the seas, And live with Richmond, from the reach of hell. Go, hie thee, hie thee from this slaughter-house, Lest thou increase the number of the dead, And make me die the thrall of Margaret’s curse, Nor mother, wife, nor England’s counted Queen.

STANLEY. Full of wise care is this your counsel, madam. Take all the swift advantage of the hours; You shall have letters from me to my son In your behalf, to meet you on the way. Be not ta’en tardy by unwise delay.

DUCHESS. O ill-dispersing wind of misery! O my accursed womb, the bed of death! A cockatrice hast thou hatched to the world, Whose unavoided eye is murderous.

STANLEY. Come, madam, come. I in all haste was sent.

ANNE. And I with all unwillingness will go. O, would to God that the inclusive verge Of golden metal that must round my brow Were red-hot steel, to sear me to the brains. Anointed let me be with deadly venom, And die ere men can say “God save the Queen.”

QUEEN ELIZABETH. Go, go, poor soul; I envy not thy glory. To feed my humour, wish thyself no harm.

ANNE. No? Why? When he that is my husband now Came to me as I followed Henry’s corse, When scarce the blood was well washed from his hands Which issued from my other angel husband, And that dear saint which then I weeping followed; O, when, I say, I looked on Richard’s face, This was my wish: “Be thou,” quoth I, “accursed For making me, so young, so old a widow; And when thou wedd’st, let sorrow haunt thy bed; And be thy wife, if any be so mad, More miserable by the life of thee Than thou hast made me by my dear lord’s death.” Lo, ere I can repeat this curse again, Within so small a time, my woman’s heart Grossly grew captive to his honey words, And proved the subject of mine own soul’s curse, Which hitherto hath held my eyes from rest; For never yet one hour in his bed Did I enjoy the golden dew of sleep, But with his timorous dreams was still awaked. Besides, he hates me for my father Warwick, And will, no doubt, shortly be rid of me.

QUEEN ELIZABETH. Poor heart, adieu; I pity thy complaining.

ANNE. No more than with my soul I mourn for yours.

DORSET. Farewell, thou woeful welcomer of glory.

ANNE. Adieu, poor soul, that tak’st thy leave of it.

DUCHESS. [To Dorset.] Go thou to Richmond, and good fortune guide thee. [To Anne.] Go thou to Richard, and good angels tend thee. [To Queen Elizabeth.] Go thou to sanctuary, and good thoughts possess thee. I to my grave, where peace and rest lie with me. Eighty odd years of sorrow have I seen, And each hour’s joy wracked with a week of teen.

QUEEN ELIZABETH. Stay, yet look back with me unto the Tower. Pity, you ancient stones, those tender babes Whom envy hath immured within your walls— Rough cradle for such little pretty one, Rude ragged nurse, old sullen playfellow For tender princes, use my babies well. So foolish sorrows bids your stones farewell.

[Exeunt.]

Act IV, Scene II — London. A Room of State in the Palace

The trumpets sound a sennet. Enter Richard in pomp, Buckingham, Catesby, Ratcliffe, Lovell, a Page and others.

KING RICHARD. Stand all apart. Cousin of Buckingham!

BUCKINGHAM. My gracious sovereign!

KING RICHARD. Give me thy hand.

[Here he ascendeth the throne. Sound trumpets.]

Thus high, by thy advice And thy assistance is King Richard seated. But shall we wear these glories for a day, Or shall they last, and we rejoice in them?

BUCKINGHAM. Still live they, and for ever let them last!

KING RICHARD. Ah, Buckingham, now do I play the touch, To try if thou be current gold indeed. Young Edward lives; think now what I would speak.

BUCKINGHAM. Say on, my loving lord.

KING RICHARD. Why, Buckingham, I say I would be King.

BUCKINGHAM. Why, so you are, my thrice-renowned lord.

KING RICHARD. Ha! Am I King? ’Tis so—but Edward lives.

BUCKINGHAM. True, noble Prince.

KING RICHARD. O bitter consequence, That Edward still should live “true noble prince!” Cousin, thou wast not wont to be so dull. Shall I be plain? I wish the bastards dead, And I would have it suddenly performed. What sayst thou now? Speak suddenly, be brief.

BUCKINGHAM. Your Grace may do your pleasure.

KING RICHARD. Tut, tut, thou art all ice; thy kindness freezes. Say, have I thy consent that they shall die?

BUCKINGHAM. Give me some little breath, some pause, dear lord, Before I positively speak in this. I will resolve you herein presently.

[Exit.]

CATESBY. [Aside.] The King is angry. See, he gnaws his lip.

KING RICHARD. [Aside.] I will converse with iron-witted fools And unrespective boys; none are for me That look into me with considerate eyes. High-reaching Buckingham grows circumspect. Boy!

PAGE. My lord?

KING RICHARD. Know’st thou not any whom corrupting gold Will tempt unto a close exploit of death?

PAGE. I know a discontented gentleman Whose humble means match not his haughty spirit. Gold were as good as twenty orators, And will, no doubt, tempt him to anything.

KING RICHARD. What is his name?

PAGE. His name, my lord, is Tyrrel.

KING RICHARD. I partly know the man. Go, call him hither, boy.

[Exit Page.]

[Aside.] The deep-revolving witty Buckingham No more shall be the neighbour to my counsels. Hath he so long held out with me, untired, And stops he now for breath? Well, be it so.

Enter Stanley.

How now, Lord Stanley, what’s the news?

STANLEY. Know, my loving lord, The Marquess Dorset, as I hear, is fled To Richmond, in the parts where he abides.

KING RICHARD. Come hither, Catesby. Rumour it abroad That Anne my wife is very grievous sick; I will take order for her keeping close. Inquire me out some mean poor gentleman, Whom I will marry straight to Clarence’ daughter. The boy is foolish, and I fear not him. Look how thou dream’st! I say again, give out That Anne, my Queen, is sick and like to die. About it, for it stands me much upon To stop all hopes whose growth may damage me.

[Exit Catesby.]

I must be married to my brother’s daughter, Or else my kingdom stands on brittle glass. Murder her brothers, and then marry her— Uncertain way of gain! But I am in So far in blood that sin will pluck on sin. Tear-falling pity dwells not in this eye.

Enter Tyrrel.

Is thy name Tyrrel?

TYRREL. James Tyrrel, and your most obedient subject.

KING RICHARD. Art thou indeed?

TYRREL. Prove me, my gracious lord.

KING RICHARD. Dar’st thou resolve to kill a friend of mine?

TYRREL. Please you. But I had rather kill two enemies.

KING RICHARD. Why then thou hast it; two deep enemies, Foes to my rest, and my sweet sleep’s disturbers, Are they that I would have thee deal upon. Tyrell, I mean those bastards in the Tower.

TYRREL. Let me have open means to come to them, And soon I’ll rid you from the fear of them.

KING RICHARD. Thou sing’st sweet music. Hark, come hither, Tyrrel. Go, by this token. Rise, and lend thine ear. [Whispers.] There is no more but so. Say it is done, And I will love thee, and prefer thee for it.

TYRREL. I will dispatch it straight.

[Exit.]

Enter Buckingham.

BUCKINGHAM. My lord, I have considered in my mind The late request that you did sound me in.

KING RICHARD. Well, let that rest. Dorset is fled to Richmond.

BUCKINGHAM. I hear the news, my lord.

KING RICHARD. Stanley, he is your wife’s son. Well, look unto it.

BUCKINGHAM. My lord, I claim the gift, my due by promise, For which your honour and your faith is pawned: Th’ earldom of Hereford, and the movables Which you have promised I shall possess.

KING RICHARD. Stanley, look to your wife. If she convey Letters to Richmond, you shall answer it.

BUCKINGHAM. What says your Highness to my just request?

KING RICHARD. I do remember me, Henry the Sixth Did prophesy that Richmond should be King, When Richmond was a little peevish boy. A king perhaps—

BUCKINGHAM. My lord—

KING RICHARD. How chance the prophet could not at that time Have told me, I being by, that I should kill him?

BUCKINGHAM. My lord, your promise for the earldom—

KING RICHARD. Richmond! When last I was at Exeter, The Mayor in courtesy showed me the castle And called it Rougemount, at which name I started, Because a bard of Ireland told me once I should not live long after I saw Richmond.

BUCKINGHAM. My lord—

KING RICHARD. Ay, what’s o’clock?

BUCKINGHAM. I am thus bold to put your Grace in mind Of what you promised me.

KING RICHARD. Well, but what’s o’clock?

BUCKINGHAM. Upon the stroke of ten.

KING RICHARD. Well, let it strike.

BUCKINGHAM. Why let it strike?

KING RICHARD. Because that, like a jack, thou keep’st the stroke Betwixt thy begging and my meditation. I am not in the giving vein today.

BUCKINGHAM. Why then, resolve me whether you will or no.

KING RICHARD. Thou troublest me; I am not in the vein.

[Exit followed by all save Buckingham.]

BUCKINGHAM. And is it thus? Repays he my deep service With such contempt? Made I him King for this? O, let me think on Hastings, and be gone To Brecknock while my fearful head is on!

[Exit.]

Act IV, Scene III — London. Another Room in the Palace

Enter Tyrrel.

TYRREL. The tyrannous and bloody act is done, The most arch deed of piteous massacre That ever yet this land was guilty of. Dighton and Forrest, who I did suborn To do this piece of ruthless butchery, Albeit they were fleshed villains, bloody dogs, Melted with tenderness and mild compassion, Wept like two children in their deaths’ sad story. “O, thus,” quoth Dighton, “lay the gentle babes;” “Thus, thus,” quoth Forrest, “girdling one another Within their alabaster innocent arms. Their lips were four red roses on a stalk, And in their summer beauty kissed each other. A book of prayers on their pillow lay, Which once,” quoth Forrest, “almost changed my mind. But, O, the devil—” There the villain stopped; When Dighton thus told on: “We smothered The most replenished sweet work of nature That from the prime creation e’er she framed.” Hence both are gone with conscience and remorse They could not speak; and so I left them both To bear this tidings to the bloody King.

Enter King Richard.

And here he comes. All health, my sovereign lord.

KING RICHARD. Kind Tyrrel, am I happy in thy news?

TYRREL. If to have done the thing you gave in charge Beget your happiness, be happy then, For it is done.

KING RICHARD. But didst thou see them dead?

TYRREL. I did, my lord.

KING RICHARD. And buried, gentle Tyrrel?

TYRREL. The chaplain of the Tower hath buried them, But where, to say the truth, I do not know.

KING RICHARD. Come to me, Tyrrel, soon, at after-supper, When thou shalt tell the process of their death. Meantime, but think how I may do thee good, And be inheritor of thy desire. Farewell till then.

TYRREL. I humbly take my leave.

[Exit.]

KING RICHARD. The son of Clarence have I pent up close; His daughter meanly have I matched in marriage; The sons of Edward sleep in Abraham’s bosom, And Anne my wife hath bid the world good night. Now, for I know the Breton Richmond aims At young Elizabeth, my brother’s daughter, And by that knot looks proudly on the crown, To her go I, a jolly thriving wooer.

Enter Ratcliffe.

RATCLIFFE. My lord!

KING RICHARD. Good or bad news, that thou com’st in so bluntly?

RATCLIFFE. Bad news, my lord. Morton is fled to Richmond, And Buckingham, backed with the hardy Welshmen, Is in the field, and still his power increaseth.

KING RICHARD. Ely with Richmond troubles me more near Than Buckingham and his rash-levied strength. Come, I have learned that fearful commenting Is leaden servitor to dull delay; Delay leads impotent and snail-paced beggary; Then fiery expedition be my wing, Jove’s Mercury, and herald for a king! Go, muster men. My counsel is my shield. We must be brief when traitors brave the field.

[Exeunt.]

Act IV, Scene IV — London. Before the Palace

Enter old Queen Margaret.

QUEEN MARGARET. So now prosperity begins to mellow, And drop into the rotten mouth of death. Here in these confines slily have I lurked To watch the waning of mine enemies. A dire induction am I witness to, And will to France, hoping the consequence Will prove as bitter, black, and tragical. Withdraw thee, wretched Margaret. Who comes here?

[Retires.]

Enter Duchess of York and Queen Elizabeth.

QUEEN ELIZABETH. Ah, my poor Princes! Ah, my tender babes, My unblown flowers, new-appearing sweets! If yet your gentle souls fly in the air And be not fixed in doom perpetual, Hover about me with your airy wings And hear your mother’s lamentation.

QUEEN MARGARET. [Aside.] Hover about her; say that right for right Hath dimmed your infant morn to aged night.

DUCHESS. So many miseries have crazed my voice That my woe-wearied tongue is still and mute. Edward Plantagenet, why art thou dead?

QUEEN MARGARET. [Aside.] Plantagenet doth quit Plantagenet; Edward for Edward pays a dying debt.

QUEEN ELIZABETH. Wilt thou, O God, fly from such gentle lambs, And throw them in the entrails of the wolf? When didst Thou sleep when such a deed was done?

QUEEN MARGARET. [Aside.] When holy Harry died, and my sweet son.

DUCHESS. Dead life, blind sight, poor mortal living ghost, Woe’s scene, world’s shame, grave’s due by life usurped, Brief abstract and record of tedious days, Rest thy unrest on England’s lawful earth, [Sitting.] Unlawfully made drunk with innocent blood.

QUEEN ELIZABETH. Ah, that thou wouldst as soon afford a grave As thou canst yield a melancholy seat, Then would I hide my bones, not rest them here. [Sitting.] Ah, who hath any cause to mourn but we?

QUEEN MARGARET.

[Coming forward.]

If ancient sorrow be most reverend, Give mine the benefit of seigniory, And let my griefs frown on the upper hand. If sorrow can admit society,

[Sitting down with them.]

Tell o’er your woes again by viewing mine. I had an Edward, till a Richard killed him; I had a husband, till a Richard killed him. Thou hadst an Edward, till a Richard killed him; Thou hadst a Richard, till a Richard killed him.

DUCHESS. I had a Richard too, and thou didst kill him; I had a Rutland too; thou holp’st to kill him.

QUEEN MARGARET. Thou hadst a Clarence too, and Richard killed him. From forth the kennel of thy womb hath crept A hell-hound that doth hunt us all to death: That dog, that had his teeth before his eyes, To worry lambs and lap their gentle blood; That excellent grand tyrant of the earth, That reigns in galled eyes of weeping souls; That foul defacer of God’s handiwork Thy womb let loose to chase us to our graves. O upright, just, and true-disposing God, How do I thank thee that this carnal cur Preys on the issue of his mother’s body, And makes her pew-fellow with others’ moan!

DUCHESS. O Harry’s wife, triumph not in my woes! God witness with me, I have wept for thine.

QUEEN MARGARET. Bear with me. I am hungry for revenge, And now I cloy me with beholding it. Thy Edward he is dead, that killed my Edward; The other Edward dead, to quit my Edward; Young York, he is but boot, because both they Matched not the high perfection of my loss. Thy Clarence he is dead that stabbed my Edward; And the beholders of this frantic play, Th’ adulterate Hastings, Rivers, Vaughan, Grey, Untimely smothered in their dusky graves. Richard yet lives, hell’s black intelligencer, Only reserved their factor to buy souls And send them thither. But at hand, at hand Ensues his piteous and unpitied end. Earth gapes, hell burns, fiends roar, saints pray, To have him suddenly conveyed from hence. Cancel his bond of life, dear God, I pray, That I may live to say “The dog is dead.”

QUEEN ELIZABETH. O, thou didst prophesy the time would come That I should wish for thee to help me curse That bottled spider, that foul bunch-backed toad!

QUEEN MARGARET. I called thee then, vain flourish of my fortune; I called thee then, poor shadow, painted queen, The presentation of but what I was, The flattering index of a direful pageant; One heaved a-high to be hurled down below, A mother only mocked with two fair babes; A dream of what thou wast; a garish flag, To be the aim of every dangerous shot; A sign of dignity, a breath, a bubble; A queen in jest, only to fill the scene. Where is thy husband now? Where be thy brothers? Where are thy two sons? Wherein dost thou joy? Who sues, and kneels, and says, “God save the Queen?” Where be the bending peers that flattered thee? Where be the thronging troops that followed thee? Decline all this, and see what now thou art: For happy wife, a most distressed widow; For joyful mother, one that wails the name; For one being sued to, one that humbly sues; For Queen, a very caitiff crowned with care; For she that scorned at me, now scorned of me; For she being feared of all, now fearing one; For she commanding all, obeyed of none. Thus hath the course of justice wheeled about And left thee but a very prey to time, Having no more but thought of what thou wast To torture thee the more, being what thou art. Thou didst usurp my place, and dost thou not Usurp the just proportion of my sorrow? Now thy proud neck bears half my burdened yoke, From which even here I slip my weary head, And leave the burden of it all on thee. Farewell, York’s wife, and Queen of sad mischance. These English woes shall make me smile in France.

QUEEN ELIZABETH. O thou well skilled in curses, stay awhile, And teach me how to curse mine enemies.

QUEEN MARGARET. Forbear to sleep the night, and fast the days; Compare dead happiness with living woe; Think that thy babes were sweeter than they were, And he that slew them fouler than he is. Bettering thy loss makes the bad-causer worse. Revolving this will teach thee how to curse.

QUEEN ELIZABETH. My words are dull. O, quicken them with thine!

QUEEN MARGARET. Thy woes will make them sharp and pierce like mine.

[Exit.]

DUCHESS. Why should calamity be full of words?

QUEEN ELIZABETH. Windy attorneys to their clients’ woes, Airy succeeders of intestate joys, Poor breathing orators of miseries, Let them have scope, though what they do impart Help nothing else, yet do they ease the heart.

DUCHESS. If so, then be not tongue-tied. Go with me, And in the breath of bitter words let’s smother My damned son, that thy two sweet sons smothered.

[A trumpet sounds.]

The trumpet sounds. Be copious in exclaims.

Enter King Richard and his Train, including Catesby, marching.

KING RICHARD. Who intercepts me in my expedition?

DUCHESS. O, she that might have intercepted thee, By strangling thee in her accursed womb, From all the slaughters, wretch, that thou hast done.

QUEEN ELIZABETH. Hid’st thou that forehead with a golden crown Where should be branded, if that right were right, The slaughter of the Prince that owed that crown, And the dire death of my poor sons and brothers? Tell me, thou villain-slave, where are my children?

DUCHESS. Thou toad, thou toad, where is thy brother Clarence, And little Ned Plantagenet his son?

QUEEN ELIZABETH. Where is the gentle Rivers, Vaughan, Grey?

DUCHESS. Where is kind Hastings?

KING RICHARD. A flourish, trumpets! Strike alarum, drums! Let not the heavens hear these tell-tale women Rail on the Lord’s anointed. Strike, I say!

[Flourish. Alarums.]

Either be patient and entreat me fair, Or with the clamorous report of war Thus will I drown your exclamations.

DUCHESS. Art thou my son?

KING RICHARD. Ay, I thank God, my father, and yourself.

DUCHESS. Then patiently hear my impatience.

KING RICHARD. Madam, I have a touch of your condition, That cannot brook the accent of reproof.

DUCHESS. O, let me speak!

KING RICHARD. Do then, but I’ll not hear.

DUCHESS. I will be mild and gentle in my words.

KING RICHARD. And brief, good mother, for I am in haste.

DUCHESS. Art thou so hasty? I have stayed for thee, God knows, in torment and in agony.

KING RICHARD. And came I not at last to comfort you?

DUCHESS. No, by the Holy Rood, thou know’st it well Thou cam’st on earth to make the earth my hell. A grievous burden was thy birth to me; Tetchy and wayward was thy infancy; Thy school-days frightful, desp’rate, wild, and furious; Thy prime of manhood daring, bold, and venturous; Thy age confirmed, proud, subtle, sly, and bloody, More mild, but yet more harmful, kind in hatred. What comfortable hour canst thou name That ever graced me with thy company?

KING RICHARD. Faith, none but Humphrey Hower, that called your Grace To breakfast once, forth of my company. If I be so disgracious in your eye, Let me march on and not offend you, madam. Strike up the drum.

DUCHESS. I prithee, hear me speak.

KING RICHARD. You speak too bitterly.

DUCHESS. Hear me a word, For I shall never speak to thee again.

KING RICHARD. So.

DUCHESS. Either thou wilt die by God’s just ordinance Ere from this war thou turn a conqueror, Or I with grief and extreme age shall perish And never more behold thy face again. Therefore take with thee my most grievous curse, Which in the day of battle tire thee more Than all the complete armour that thou wear’st. My prayers on the adverse party fight; And there the little souls of Edward’s children Whisper the spirits of thine enemies And promise them success and victory. Bloody thou art; bloody will be thy end. Shame serves thy life and doth thy death attend.

[Exit.]

QUEEN ELIZABETH. Though far more cause, yet much less spirit to curse Abides in me, I say amen to her.

KING RICHARD. Stay, madam, I must talk a word with you.

QUEEN ELIZABETH. I have no more sons of the royal blood For thee to slaughter. For my daughters, Richard, They shall be praying nuns, not weeping queens, And therefore level not to hit their lives.

KING RICHARD. You have a daughter called Elizabeth, Virtuous and fair, royal and gracious.

QUEEN ELIZABETH. And must she die for this? O, let her live, And I’ll corrupt her manners, stain her beauty, Slander myself as false to Edward’s bed, Throw over her the veil of infamy. So she may live unscarred of bleeding slaughter, I will confess she was not Edward’s daughter.

KING RICHARD. Wrong not her birth; she is a royal princess.

QUEEN ELIZABETH. To save her life I’ll say she is not so.

KING RICHARD. Her life is safest only in her birth.

QUEEN ELIZABETH. And only in that safety died her brothers.

KING RICHARD. Lo, at their births good stars were opposite.

QUEEN ELIZABETH. No, to their lives ill friends were contrary.

KING RICHARD. All unavoided is the doom of destiny.

QUEEN ELIZABETH. True, when avoided grace makes destiny. My babes were destined to a fairer death, If grace had blessed thee with a fairer life.

KING RICHARD. You speak as if that I had slain my cousins.

QUEEN ELIZABETH. Cousins, indeed, and by their uncle cozened Of comfort, kingdom, kindred, freedom, life. Whose hand soever lanced their tender hearts, Thy head, all indirectly, gave direction. No doubt the murd’rous knife was dull and blunt Till it was whetted on thy stone-hard heart, To revel in the entrails of my lambs. But that still use of grief makes wild grief tame, My tongue should to thy ears not name my boys Till that my nails were anchored in thine eyes, And I, in such a desp’rate bay of death, Like a poor bark of sails and tackling reft, Rush all to pieces on thy rocky bosom.

KING RICHARD. Madam, so thrive I in my enterprise And dangerous success of bloody wars, As I intend more good to you and yours Than ever you or yours by me were harmed!

QUEEN ELIZABETH. What good is covered with the face of heaven, To be discovered, that can do me good?

KING RICHARD. Th’ advancement of your children, gentle lady.

QUEEN ELIZABETH. Up to some scaffold, there to lose their heads.

KING RICHARD. Unto the dignity and height of fortune, The high imperial type of this earth’s glory.

QUEEN ELIZABETH. Flatter my sorrows with report of it. Tell me what state, what dignity, what honour, Canst thou demise to any child of mine?

KING RICHARD. Even all I have—ay, and myself and all Will I withal endow a child of thine; So in the Lethe of thy angry soul Thou drown the sad remembrance of those wrongs Which thou supposest I have done to thee.

QUEEN ELIZABETH. Be brief, lest that the process of thy kindness Last longer telling than thy kindness’ date.

KING RICHARD. Then know, that from my soul I love thy daughter.

QUEEN ELIZABETH. My daughter’s mother thinks it with her soul.

KING RICHARD. What do you think?

QUEEN ELIZABETH. That thou dost love my daughter from thy soul. So from thy soul’s love didst thou love her brothers, And from my heart’s love I do thank thee for it.

KING RICHARD. Be not so hasty to confound my meaning. I mean that with my soul I love thy daughter, And do intend to make her Queen of England.

QUEEN ELIZABETH. Well, then, who dost thou mean shall be her king?

KING RICHARD. Even he that makes her Queen. Who else should be?

QUEEN ELIZABETH. What, thou?

KING RICHARD. Even so. How think you of it?

QUEEN ELIZABETH. How canst thou woo her?

KING RICHARD. That would I learn of you, As one being best acquainted with her humour.

QUEEN ELIZABETH. And wilt thou learn of me?

KING RICHARD. Madam, with all my heart.

QUEEN ELIZABETH. Send to her, by the man that slew her brothers, A pair of bleeding hearts; thereon engrave “Edward” and “York.” Then haply will she weep. Therefore present to her—as sometimes Margaret Did to thy father, steeped in Rutland’s blood— A handkerchief, which, say to her, did drain The purple sap from her sweet brothers’ body, And bid her wipe her weeping eyes withal. If this inducement move her not to love, Send her a letter of thy noble deeds; Tell her thou mad’st away her uncle Clarence, Her uncle Rivers, ay, and for her sake Mad’st quick conveyance with her good aunt Anne.

KING RICHARD. You mock me, madam; this is not the way To win your daughter.

QUEEN ELIZABETH. There is no other way, Unless thou couldst put on some other shape, And not be Richard, that hath done all this.

KING RICHARD. Say that I did all this for love of her?

QUEEN ELIZABETH. Nay, then indeed she cannot choose but hate thee, Having bought love with such a bloody spoil.

KING RICHARD. Look what is done cannot be now amended. Men shall deal unadvisedly sometimes, Which after-hours gives leisure to repent. If I did take the kingdom from your sons, To make amends I’ll give it to your daughter. If I have killed the issue of your womb, To quicken your increase I will beget Mine issue of your blood upon your daughter. A grandam’s name is little less in love Than is the doting title of a mother; They are as children but one step below, Even of your mettle, of your very blood; Of all one pain, save for a night of groans Endured of her, for whom you bid like sorrow. Your children were vexation to your youth, But mine shall be a comfort to your age. The loss you have is but a son being King, And by that loss your daughter is made Queen. I cannot make you what amends I would; Therefore accept such kindness as I can. Dorset your son, that with a fearful soul Leads discontented steps in foreign soil, This fair alliance quickly shall call home To high promotions and great dignity. The King, that calls your beauteous daughter wife, Familiarly shall call thy Dorset brother; Again shall you be mother to a king, And all the ruins of distressful times Repaired with double riches of content. What, we have many goodly days to see. The liquid drops of tears that you have shed Shall come again, transformed to orient pearl, Advantaging their loan with interest Of ten times double gain of happiness. Go then, my mother, to thy daughter go. Make bold her bashful years with your experience; Prepare her ears to hear a wooer’s tale; Put in her tender heart th’ aspiring flame Of golden sovereignty; acquaint the Princess With the sweet silent hours of marriage joys, And when this arm of mine hath chastised The petty rebel, dull-brained Buckingham, Bound with triumphant garlands will I come And lead thy daughter to a conqueror’s bed; To whom I will retail my conquest won, And she shall be sole victoress, Caesar’s Caesar.

QUEEN ELIZABETH. What were I best to say? Her father’s brother Would be her lord? Or shall I say her uncle? Or he that slew her brothers and her uncles? Under what title shall I woo for thee, That God, the law, my honour, and her love Can make seem pleasing to her tender years?

KING RICHARD. Infer fair England’s peace by this alliance.

QUEEN ELIZABETH. Which she shall purchase with still-lasting war.

KING RICHARD. Tell her the King, that may command, entreats.

QUEEN ELIZABETH. That at her hands, which the King’s King forbids.

KING RICHARD. Say she shall be a high and mighty queen.

QUEEN ELIZABETH. To vail the title, as her mother doth.

KING RICHARD. Say I will love her everlastingly.

QUEEN ELIZABETH. But how long shall that title “ever” last?

KING RICHARD. Sweetly in force unto her fair life’s end.

QUEEN ELIZABETH. But how long fairly shall her sweet life last?

KING RICHARD. As long as heaven and nature lengthens it.

QUEEN ELIZABETH. As long as hell and Richard likes of it.

KING RICHARD. Say I, her sovereign, am her subject low.

QUEEN ELIZABETH. But she, your subject, loathes such sovereignty.

KING RICHARD. Be eloquent in my behalf to her.

QUEEN ELIZABETH. An honest tale speeds best being plainly told.

KING RICHARD. Then plainly to her tell my loving tale.

QUEEN ELIZABETH. Plain and not honest is too harsh a style.

KING RICHARD. Your reasons are too shallow and too quick.

QUEEN ELIZABETH. O no, my reasons are too deep and dead— Too deep and dead, poor infants, in their graves.

KING RICHARD. Harp not on that string, madam; that is past.

QUEEN ELIZABETH. Harp on it still shall I till heart-strings break.

KING RICHARD. Now, by my George, my Garter, and my crown—

QUEEN ELIZABETH. Profaned, dishonoured, and the third usurped.

KING RICHARD. I swear—

QUEEN ELIZABETH. By nothing, for this is no oath. Thy George, profaned, hath lost his lordly honour; Thy Garter, blemished, pawned his knightly virtue; Thy crown, usurped, disgraced his kingly glory. If something thou wouldst swear to be believed, Swear then by something that thou hast not wronged.

KING RICHARD. Now, by the world—

QUEEN ELIZABETH. ’Tis full of thy foul wrongs.

KING RICHARD. My father’s death—

QUEEN ELIZABETH. Thy life hath that dishonoured.

KING RICHARD. Then, by myself—

QUEEN ELIZABETH. Thyself is self-misused.

KING RICHARD. Why, then, by God—

QUEEN ELIZABETH. God’s wrong is most of all. If thou didst fear to break an oath with Him, The unity the King my husband made Thou hadst not broken, nor my brothers died. If thou hadst feared to break an oath by Him, Th’ imperial metal circling now thy head Had graced the tender temples of my child, And both the Princes had been breathing here, Which now, two tender bedfellows for dust, Thy broken faith hath made a prey for worms. What canst thou swear by now?

KING RICHARD. The time to come.

QUEEN ELIZABETH. That thou hast wronged in the time o’erpast; For I myself have many tears to wash Hereafter time, for time past wronged by thee. The children live whose fathers thou hast slaughtered, Ungoverned youth, to wail it in their age; The parents live whose children thou hast butchered, Old barren plants, to wail it with their age. Swear not by time to come, for that thou hast Misused ere used, by times ill-used o’erpast.

KING RICHARD. As I intend to prosper and repent, So thrive I in my dangerous affairs Of hostile arms! Myself myself confound! Heaven and fortune bar me happy hours! Day, yield me not thy light, nor, night, thy rest! Be opposite all planets of good luck To my proceeding if with dear heart’s love, Immaculate devotion, holy thoughts, I tender not thy beauteous princely daughter. In her consists my happiness and thine; Without her follows to myself and thee, Herself, the land, and many a Christian soul, Death, desolation, ruin, and decay. It cannot be avoided but by this; It will not be avoided but by this. Therefore, dear mother—I must call you so— Be the attorney of my love to her; Plead what I will be, not what I have been; Not my deserts, but what I will deserve. Urge the necessity and state of times, And be not peevish found in great designs.

QUEEN ELIZABETH. Shall I be tempted of the devil thus?

KING RICHARD. Ay, if the devil tempt you to do good.

QUEEN ELIZABETH. Shall I forget myself to be myself?

KING RICHARD. Ay, if your self’s remembrance wrong yourself.

QUEEN ELIZABETH. Yet thou didst kill my children.

KING RICHARD. But in your daughter’s womb I bury them, Where, in that nest of spicery, they will breed Selves of themselves, to your recomforture.

QUEEN ELIZABETH. Shall I go win my daughter to thy will?

KING RICHARD. And be a happy mother by the deed.

QUEEN ELIZABETH. I go. Write to me very shortly, And you shall understand from me her mind.

KING RICHARD. Bear her my true love’s kiss; and so, farewell.

[Kissing her. Exit Queen Elizabeth.]

Relenting fool, and shallow, changing woman!

Enter Ratcliffe.

How now, what news?

RATCLIFFE. Most mighty sovereign, on the western coast Rideth a puissant navy; to our shores Throng many doubtful hollow-hearted friends, Unarmed, and unresolved to beat them back. ’Tis thought that Richmond is their admiral; And there they hull, expecting but the aid Of Buckingham to welcome them ashore.

KING RICHARD. Some light-foot friend post to the Duke of Norfolk. Ratcliffe, thyself, or Catesby. Where is he?

CATESBY. Here, my good lord.

KING RICHARD. Catesby, fly to the Duke.

CATESBY. I will my lord, with all convenient haste.

KING RICHARD. Ratcliffe, come hither. Post to Salisbury. When thou com’st thither— [To Catesby.] Dull, unmindful villain, Why stay’st thou here, and go’st not to the Duke?

CATESBY. First, mighty liege, tell me your Highness’ pleasure, What from your Grace I shall deliver to him.

KING RICHARD. O, true, good Catesby. Bid him levy straight The greatest strength and power that he can make, And meet me suddenly at Salisbury.

CATESBY. I go.

[Exit.]

RATCLIFFE. What, may it please you, shall I do at Salisbury?

KING RICHARD. Why, what wouldst thou do there before I go?

RATCLIFFE. Your Highness told me I should post before.

KING RICHARD. My mind is changed.

Enter Stanley Earl of Derby.

Stanley, what news with you?

STANLEY. None good, my liege, to please you with the hearing; Nor none so bad but well may be reported.

KING RICHARD. Hoyday, a riddle! Neither good nor bad. What need’st thou run so many miles about When thou mayst tell thy tale the nearest way? Once more, what news?

STANLEY. Richmond is on the seas.

KING RICHARD. There let him sink, and be the seas on him! White-livered runagate, what doth he there?

STANLEY. I know not, mighty sovereign, but by guess.

KING RICHARD. Well, as you guess?

STANLEY. Stirred up by Dorset, Buckingham, and Morton, He makes for England, here to claim the crown.

KING RICHARD. Is the chair empty? Is the sword unswayed? Is the King dead? The empire unpossessed? What heir of York is there alive but we? And who is England’s King but great York’s heir? Then tell me, what makes he upon the seas?

STANLEY. Unless for that, my liege, I cannot guess.

KING RICHARD. Unless for that he comes to be your liege, You cannot guess wherefore the Welshman comes. Thou wilt revolt and fly to him, I fear.

STANLEY. No, my good lord; therefore mistrust me not.

KING RICHARD. Where is thy power, then, to beat him back? Where be thy tenants and thy followers? Are they not now upon the western shore, Safe-conducting the rebels from their ships?

STANLEY. No, my good lord, my friends are in the north.

KING RICHARD. Cold friends to me. What do they in the north, When they should serve their sovereign in the west?

STANLEY. They have not been commanded, mighty King. Pleaseth your Majesty to give me leave, I’ll muster up my friends, and meet your Grace Where and what time your Majesty shall please.

KING RICHARD. Ay, ay, thou wouldst be gone to join with Richmond. But I’ll not trust thee.

STANLEY. Most mighty sovereign, You have no cause to hold my friendship doubtful. I never was nor never will be false.

KING RICHARD. Go then, and muster men, but leave behind Your son George Stanley. Look your heart be firm, Or else his head’s assurance is but frail.

STANLEY. So deal with him as I prove true to you.

[Exit.]

Enter a Messenger.

MESSENGER. My gracious sovereign, now in Devonshire, As I by friends am well advertised, Sir Edward Courtney, and the haughty prelate, Bishop of Exeter, his elder brother, With many more confederates, are in arms.

Enter another Messenger.

SECOND MESSENGER. In Kent, my liege, the Guilfords are in arms, And every hour more competitors Flock to the rebels, and their power grows strong.

Enter another Messenger.

THIRD MESSENGER. My lord, the army of great Buckingham—

KING RICHARD. Out on you, owls! Nothing but songs of death?

[He strikes him.]

There, take thou that till thou bring better news.

THIRD MESSENGER. The news I have to tell your Majesty Is, that by sudden floods and fall of waters, Buckingham’s army is dispersed and scattered, And he himself wandered away alone, No man knows whither.

KING RICHARD. I cry thee mercy. There is my purse to cure that blow of thine. Hath any well-advised friend proclaimed Reward to him that brings the traitor in?

THIRD MESSENGER. Such proclamation hath been made, my lord.

Enter another Messenger.

FOURTH MESSENGER. Sir Thomas Lovell and Lord Marquess Dorset, ’Tis said, my liege, in Yorkshire are in arms. But this good comfort bring I to your Highness: The Breton navy is dispersed by tempest. Richmond, in Dorsetshire, sent out a boat Unto the shore, to ask those on the banks If they were his assistants, yea or no?— Who answered him they came from Buckingham Upon his party. He, mistrusting them, Hoised sail, and made his course again for Brittany.

KING RICHARD. March on, march on, since we are up in arms, If not to fight with foreign enemies, Yet to beat down these rebels here at home.

Enter Catesby.

CATESBY. My liege, the Duke of Buckingham is taken. That is the best news. That the Earl of Richmond Is with a mighty power landed at Milford Is colder tidings, yet they must be told.

KING RICHARD. Away towards Salisbury! While we reason here A royal battle might be won and lost. Someone take order Buckingham be brought To Salisbury; the rest march on with me.

[Flourish. Exeunt.]

Act IV, Scene V — A Room in Lord Stanley’s house

Enter Stanley Earl of Derby and Sir Christopher Urswick.

STANLEY. Sir Christopher, tell Richmond this from me: That in the sty of the most deadly boar My son George Stanley is franked up in hold; If I revolt, off goes young George’s head; The fear of that holds off my present aid. So get thee gone. Commend me to thy lord; Withal say that the Queen hath heartily consented He should espouse Elizabeth her daughter. But tell me, where is princely Richmond now?

CHRISTOPHER. At Pembroke, or at Ha’rfordwest in Wales.

STANLEY. What men of name resort to him?

CHRISTOPHER. Sir Walter Herbert, a renowned soldier; Sir Gilbert Talbot, Sir William Stanley, Oxford, redoubted Pembroke, Sir James Blunt, And Rice ap Thomas, with a valiant crew, And many other of great name and worth; And towards London do they bend their power, If by the way they be not fought withal.

STANLEY. Well, hie thee to thy lord; I kiss his hand. My letter will resolve him of my mind. Farewell.

[Exeunt.]

Act V, Scene I — Salisbury. An open place

Enter Sheriff and Halberds, with Buckingham, led to execution.

BUCKINGHAM. Will not King Richard let me speak with him?

SHERIFF. No, my good lord; therefore be patient.

BUCKINGHAM. Hastings, and Edward’s children, Grey, and Rivers, Holy King Henry, and thy fair son Edward, Vaughan, and all that have miscarried By underhand, corrupted foul injustice, If that your moody discontented souls Do through the clouds behold this present hour, Even for revenge mock my destruction. This is All-Souls’ day, fellow, is it not?

SHERIFF. It is.

BUCKINGHAM. Why, then All-Souls’ day is my body’s doomsday. This is the day which, in King Edward’s time, I wished might fall on me when I was found False to his children and his wife’s allies. This is the day wherein I wished to fall By the false faith of him whom most I trusted. This, this All-Souls’ day to my fearful soul Is the determined respite of my wrongs. That high All-Seer which I dallied with Hath turned my feigned prayer on my head And given in earnest what I begged in jest. Thus doth He force the swords of wicked men To turn their own points in their masters’ bosoms. Thus Margaret’s curse falls heavy on my neck: “When he,” quoth she, “shall split thy heart with sorrow, Remember Margaret was a prophetess.” Come lead me, officers, to the block of shame; Wrong hath but wrong, and blame the due of blame.

[Exit with Officers.]

Act V, Scene II — Plain near Tamworth

Enter Richmond, Oxford, Blunt, Herbert, and others, with drum and colours.

RICHMOND. Fellows in arms, and my most loving friends, Bruised underneath the yoke of tyranny, Thus far into the bowels of the land Have we marched on without impediment; And here receive we from our father Stanley Lines of fair comfort and encouragement. The wretched, bloody, and usurping boar, That spoiled your summer fields and fruitful vines, Swills your warm blood like wash, and makes his trough In your embowelled bosoms—this foul swine Is now even in the centre of this isle, Near to the town of Leicester, as we learn. From Tamworth thither is but one day’s march. In God’s name, cheerly on, courageous friends, To reap the harvest of perpetual peace By this one bloody trial of sharp war.

OXFORD. Every man’s conscience is a thousand men, To fight against that guilty homicide.

HERBERT. I doubt not but his friends will turn to us.

BLUNT. He hath no friends but what are friends for fear, Which in his dearest need will fly from him.

RICHMOND. All for our vantage. Then in God’s name, march. True hope is swift, and flies with swallow’s wings; Kings it makes gods, and meaner creatures kings.

[Exeunt.]

Act V, Scene III — Bosworth Field

Enter King Richard in arms, with Norfolk, Ratcliffe and the Earl of Surrey with others.

KING RICHARD. Here pitch our tent, even here in Bosworth field. My Lord of Surrey, why look you so sad?

SURREY. My heart is ten times lighter than my looks.

KING RICHARD. My lord of Norfolk.

NORFOLK. Here, most gracious liege.

KING RICHARD. Norfolk, we must have knocks, ha, must we not?

NORFOLK. We must both give and take, my loving lord.

KING RICHARD. Up with my tent! Here will I lie tonight. But where tomorrow? Well, all’s one for that. Who hath descried the number of the traitors?

NORFOLK. Six or seven thousand is their utmost power.

KING RICHARD. Why, our battalia trebles that account. Besides, the King’s name is a tower of strength Which they upon the adverse faction want. Up with the tent! Come, noble gentlemen, Let us survey the vantage of the ground. Call for some men of sound direction; Let’s lack no discipline, make no delay, For, lords, tomorrow is a busy day.

[The tent is now ready. Exeunt.]

Enter Richmond, Sir William Brandon, Oxford, Herbert, Blunt, and others who pitch Richmond’s tent.

RICHMOND. The weary sun hath made a golden set, And by the bright track of his fiery car Gives token of a goodly day tomorrow. Sir William Brandon, you shall bear my standard. Give me some ink and paper in my tent; I’ll draw the form and model of our battle, Limit each leader to his several charge, And part in just proportion our small power. My Lord of Oxford, you, Sir William Brandon, And you, Sir Walter Herbert, stay with me. The Earl of Pembroke keeps his regiment.— Good Captain Blunt, bear my goodnight to him, And by the second hour in the morning Desire the Earl to see me in my tent. Yet one thing more, good captain, do for me. Where is Lord Stanley quartered, do you know?

BLUNT. Unless I have mista’en his colours much, Which well I am assured I have not done, His regiment lies half a mile at least South from the mighty power of the King.

RICHMOND. If without peril it be possible, Sweet Blunt, make some good means to speak with him, And give him from me this most needful note.

BLUNT. Upon my life, my lord, I’ll undertake it; And so God give you quiet rest tonight.

RICHMOND. Good night, good Captain Blunt.

[Exit Blunt.]

Come, gentlemen, Let us consult upon tomorrow’s business; Into my tent. The dew is raw and cold.

[Richmond, Brandon Herbert, and Oxford withdraw into the tent. The others exeunt.]

Enter to his tent, King Richard, Ratcliffe, Norfolk and Catesby with Soldiers.

KING RICHARD. What is’t o’clock?

CATESBY. It’s supper time, my lord. It’s nine o’clock.

KING RICHARD. I will not sup tonight. Give me some ink and paper. What, is my beaver easier than it was? And all my armour laid into my tent?

CATESBY. It is, my liege, and all things are in readiness.

KING RICHARD. Good Norfolk, hie thee to thy charge; Use careful watch; choose trusty sentinels.

NORFOLK. I go, my lord.

KING RICHARD. Stir with the lark tomorrow, gentle Norfolk.

NORFOLK. I warrant you, my lord.

[Exit.]

KING RICHARD. Catesby!

CATESBY. My lord?

KING RICHARD. Send out a pursuivant-at-arms To Stanley’s regiment. Bid him bring his power Before sunrising, lest his son George fall Into the blind cave of eternal night.

[Exit Catesby.]

Fill me a bowl of wine. Give me a watch. Saddle white Surrey for the field tomorrow. Look that my staves be sound, and not too heavy. Ratcliffe!

RATCLIFFE. My lord?

KING RICHARD. Saw’st thou the melancholy Lord Northumberland?

RATCLIFFE. Thomas the Earl of Surrey and himself, Much about cockshut time, from troop to troop Went through the army, cheering up the soldiers.

KING RICHARD. So, I am satisfied. Give me a bowl of wine. I have not that alacrity of spirit Nor cheer of mind that I was wont to have. Set it down. Is ink and paper ready?

RATCLIFFE. It is, my lord.

KING RICHARD. Bid my guard watch; leave me. Ratcliffe, about the mid of night come to my tent And help to arm me. Leave me, I say.

[Exit Ratcliffe. Richard withdraws into his tent; attendant soldiers guard it.]

Enter Stanley Earl of Derby to Richmond in his tent.

STANLEY. Fortune and victory sit on thy helm!

RICHMOND. All comfort that the dark night can afford Be to thy person, noble father-in-law. Tell me, how fares our loving mother?

STANLEY. I, by attorney, bless thee from thy mother, Who prays continually for Richmond’s good. So much for that. The silent hours steal on, And flaky darkness breaks within the east. In brief, for so the season bids us be, Prepare thy battle early in the morning, And put thy fortune to the arbitrement Of bloody strokes and mortal-staring war. I, as I may—that which I would I cannot— With best advantage will deceive the time, And aid thee in this doubtful shock of arms. But on thy side I may not be too forward, Lest, being seen, thy brother, tender George, Be executed in his father’s sight. Farewell; the leisure and the fearful time Cuts off the ceremonious vows of love And ample interchange of sweet discourse, Which so-long-sundered friends should dwell upon. God give us leisure for these rites of love! Once more, adieu. Be valiant, and speed well.

RICHMOND. Good lords, conduct him to his regiment. I’ll strive with troubled thoughts to take a nap, Lest leaden slumber peise me down tomorrow When I should mount with wings of victory. Once more, good night, kind lords and gentlemen.

[All but Richmond leave his tent.]

[Kneels.] O Thou, whose captain I account myself, Look on my forces with a gracious eye; Put in their hands Thy bruising irons of wrath, That they may crush down with a heavy fall Th’ usurping helmets of our adversaries; Make us Thy ministers of chastisement, That we may praise Thee in the victory. To Thee I do commend my watchful soul Ere I let fall the windows of mine eyes. Sleeping and waking, O, defend me still!

[Sleeps.]

Enter the Ghost of young Prince Edward, son to Harry the Sixth.

GHOST OF EDWARD. [To King Richard.] Let me sit heavy on thy soul tomorrow. Think how thou stabbed’st me in my prime of youth At Tewksbury; despair therefore, and die! [To Richmond.] Be cheerful, Richmond, for the wronged souls Of butchered princes fight in thy behalf. King Henry’s issue, Richmond, comforts thee.

[Exit.]

Enter the Ghost of Henry the Sixth.

GHOST OF HENRY. [To King Richard.] When I was mortal, my anointed body By thee was punched full of deadly holes. Think on the Tower and me. Despair, and die; Harry the Sixth bids thee despair and die. [To Richmond.] Virtuous and holy, be thou conqueror. Harry, that prophesied thou shouldst be King, Doth comfort thee in thy sleep. Live, and flourish!

[Exit.]

Enter the Ghost of Clarence.

GHOST OF CLARENCE. [To King Richard.] Let me sit heavy in thy soul tomorrow, I, that was washed to death with fulsome wine, Poor Clarence, by thy guile betrayed to death. Tomorrow in the battle think on me, And fall thy edgeless sword. Despair, and die! [To Richmond.] Thou offspring of the house of Lancaster, The wronged heirs of York do pray for thee. Good angels guard thy battle; live, and flourish.

[Exit.]

Enter the Ghosts of Rivers, Grey and Vaughan.

GHOST OF RIVERS. [To King Richard.] Let me sit heavy in thy soul tomorrow, Rivers that died at Pomfret. Despair and die!

GHOST OF GREY. [To King Richard.] Think upon Grey, and let thy soul despair!

GHOST OF VAUGHAN. [To King Richard.] Think upon Vaughan, and with guilty fear Let fall thy lance. Despair and die!

ALL THREE. [To Richmond.] Awake, and think our wrongs in Richard’s bosom Will conquer him. Awake, and win the day.

[Exeunt.]

Enter the Ghost of Hastings.

GHOST OF HASTINGS. [To King Richard.] Bloody and guilty, guiltily awake, And in a bloody battle end thy days. Think on Lord Hastings. Despair and die! [To Richmond.] Quiet untroubled soul, awake, awake. Arm, fight, and conquer for fair England’s sake.

[Exit.]

Enter the Ghosts of the two young Princes.

GHOSTS OF PRINCES. [To King Richard.] Dream on thy cousins smothered in the Tower. Let us be lead within thy bosom, Richard, And weigh thee down to ruin, shame, and death; Thy nephews’ souls bid thee despair and die. [To Richmond.] Sleep, Richmond, sleep in peace, and wake in joy; Good angels guard thee from the boar’s annoy. Live, and beget a happy race of kings; Edward’s unhappy sons do bid thee flourish.

[Exeunt.]

Enter the Ghost of Lady Anne, his wife.

GHOST OF ANNE. [To King Richard.] Richard, thy wife, that wretched Anne thy wife, That never slept a quiet hour with thee, Now fills thy sleep with perturbations. Tomorrow in the battle think on me, And fall thy edgeless sword. Despair and die! [To Richmond.] Thou quiet soul, sleep thou a quiet sleep; Dream of success and happy victory. Thy adversary’s wife doth pray for thee.

[Exit.]

Enter the Ghost of Buckingham.

GHOST OF BUCKINGHAM. [To King Richard.] The first was I that helped thee to the crown; The last was I that felt thy tyranny. O, in the battle think on Buckingham, And die in terror of thy guiltiness. Dream on, dream on of bloody deeds and death. Fainting, despair; despairing, yield thy breath. [To Richmond.] I died for hope ere I could lend thee aid, But cheer thy heart, and be thou not dismayed. God and good angels fight on Richmond’s side; And Richard fall in height of all his pride.

[Exit.]

[King Richard starts up out of his dream.]

KING RICHARD. Give me another horse! Bind up my wounds! Have mercy, Jesu!—Soft! I did but dream. O coward conscience, how dost thou afflict me! The lights burn blue; it is now dead midnight. Cold fearful drops stand on my trembling flesh. What do I fear? Myself? There’s none else by. Richard loves Richard, that is, I am I. Is there a murderer here? No. Yes, I am. Then fly. What, from myself? Great reason why, Lest I revenge. What, myself upon myself? Alack, I love myself. Wherefore? For any good That I myself have done unto myself? O, no, alas, I rather hate myself For hateful deeds committed by myself. I am a villain. Yet I lie, I am not. Fool, of thyself speak well. Fool, do not flatter. My conscience hath a thousand several tongues, And every tongue brings in a several tale, And every tale condemns me for a villain. Perjury, perjury, in the highest degree; Murder, stern murder, in the direst degree; All several sins, all used in each degree, Throng to the bar, crying all “Guilty, guilty!” I shall despair. There is no creature loves me, And if I die no soul will pity me. And wherefore should they, since that I myself Find in myself no pity to myself? Methought the souls of all that I had murdered Came to my tent, and everyone did threat Tomorrow’s vengeance on the head of Richard.

Enter Ratcliffe.

RATCLIFFE. My lord!

KING RICHARD. Zounds! Who’s there?

RATCLIFFE. Ratcliffe, my lord; ’tis I. The early village cock Hath twice done salutation to the morn; Your friends are up and buckle on their armour.

KING RICHARD. O Ratcliffe, I have dreamed a fearful dream! What think’st thou, will our friends prove all true?

RATCLIFFE. No doubt, my lord.

KING RICHARD. O Ratcliffe, I fear, I fear!

RATCLIFFE. Nay, good my lord, be not afraid of shadows.

KING RICHARD. By the apostle Paul, shadows tonight Have struck more terror to the soul of Richard Than can the substance of ten thousand soldiers Armed in proof and led by shallow Richmond. ’Tis not yet near day. Come, go with me. Under our tents I’ll play the eavesdropper, To see if any mean to shrink from me.

[Exeunt Richard and Ratcliffe.]

Enter the Lords to Richmond in his tent.

LORDS. Good morrow, Richmond.

RICHMOND. Cry mercy, lords and watchful gentlemen, That you have ta’en a tardy sluggard here.

LORDS. How have you slept, my lord?

RICHMOND. The sweetest sleep and fairest-boding dreams That ever entered in a drowsy head Have I since your departure had, my lords. Methought their souls whose bodies Richard murdered Came to my tent and cried on victory. I promise you, my heart is very jocund In the remembrance of so fair a dream. How far into the morning is it, lords?

LORDS. Upon the stroke of four.

RICHMOND. Why, then ’tis time to arm and give direction.

His oration to his soldiers.

More than I have said, loving countrymen, The leisure and enforcement of the time Forbids to dwell upon. Yet remember this: God, and our good cause, fight upon our side; The prayers of holy saints and wronged souls, Like high-reared bulwarks, stand before our faces. Richard except, those whom we fight against Had rather have us win than him they follow. For what is he they follow? Truly, gentlemen, A bloody tyrant and a homicide; One raised in blood, and one in blood established; One that made means to come by what he hath, And slaughtered those that were the means to help him; A base foul stone, made precious by the foil Of England’s chair, where he is falsely set; One that hath ever been God’s enemy. Then, if you fight against God’s enemy, God will, in justice, ward you as his soldiers; If you do sweat to put a tyrant down, You sleep in peace, the tyrant being slain; If you do fight against your country’s foes, Your country’s fat shall pay your pains the hire; If you do fight in safeguard of your wives, Your wives shall welcome home the conquerors; If you do free your children from the sword, Your children’s children quits it in your age. Then, in the name of God and all these rights, Advance your standards, draw your willing swords. For me, the ransom of my bold attempt Shall be this cold corpse on the earth’s cold face; But if I thrive, the gain of my attempt The least of you shall share his part thereof. Sound drums and trumpets boldly and cheerfully! God, and Saint George! Richmond and victory!

[Exeunt.]

Enter King Richard, Ratcliffe and Soldiers.

KING RICHARD. What said Northumberland as touching Richmond?

RATCLIFFE. That he was never trained up in arms.

KING RICHARD. He said the truth. And what said Surrey then?

RATCLIFFE. He smiled, and said, “The better for our purpose.”

KING RICHARD. He was in the right, and so indeed it is.

[The clock striketh.]

Tell the clock there. Give me a calendar. Who saw the sun today?

RATCLIFFE. Not I, my lord.

KING RICHARD. Then he disdains to shine, for by the book He should have braved the east an hour ago. A black day will it be to somebody. Ratcliffe!

RATCLIFFE. My lord?

KING RICHARD. The sun will not be seen today! The sky doth frown and lour upon our army. I would these dewy tears were from the ground. Not shine today? Why, what is that to me More than to Richmond? For the selfsame heaven That frowns on me looks sadly upon him.

Enter Norfolk.

NORFOLK. Arm, arm, my lord. The foe vaunts in the field.

KING RICHARD. Come, bustle, bustle! Caparison my horse. Call up Lord Stanley; bid him bring his power. I will lead forth my soldiers to the plain, And thus my battle shall be ordered: My foreward shall be drawn out all in length, Consisting equally of horse and foot; Our archers shall be placed in the midst. John Duke of Norfolk, Thomas Earl of Surrey, Shall have the leading of this foot and horse. They thus directed, we will follow In the main battle, whose puissance on either side Shall be well winged with our chiefest horse. This, and Saint George to boot! What think’st thou, Norfolk?

NORFOLK. A good direction, warlike sovereign.

[He sheweth him a paper.]

This found I on my tent this morning.

KING RICHARD. [Reads.] “Jockey of Norfolk, be not too bold. For Dickon thy master is bought and sold.” A thing devised by the enemy. Go, gentlemen, every man unto his charge. Let not our babbling dreams affright our souls; Conscience is but a word that cowards use, Devised at first to keep the strong in awe. Our strong arms be our conscience, swords our law. March on. Join bravely. Let us to it pell-mell, If not to heaven, then hand in hand to hell.

His oration to his army.

What shall I say more than I have inferred? Remember whom you are to cope withal, A sort of vagabonds, rascals, and runaways, A scum of Bretons and base lackey peasants, Whom their o’er-cloyed country vomits forth To desperate adventures and assured destruction. You sleeping safe, they bring to you unrest; You having lands, and blessed with beauteous wives, They would restrain the one, distain the other. And who doth lead them but a paltry fellow, Long kept in Brittany at our mother’s cost? A milksop, one that never in his life Felt so much cold as over-shoes in snow? Let’s whip these stragglers o’er the seas again, Lash hence these overweening rags of France, These famished beggars, weary of their lives, Who, but for dreaming on this fond exploit, For want of means, poor rats, had hanged themselves. If we be conquered, let men conquer us, And not these bastard Bretons, whom our fathers Have in their own land beaten, bobbed, and thumped, And in record left them the heirs of shame. Shall these enjoy our lands? Lie with our wives, Ravish our daughters?

[Drum afar off.]

Hark, I hear their drum. Fight, gentlemen of England! Fight, bold yeomen! Draw, archers, draw your arrows to the head! Spur your proud horses hard, and ride in blood! Amaze the welkin with your broken staves!

Enter a Messenger.

What says Lord Stanley? Will he bring his power?

MESSENGER. My lord, he doth deny to come.

KING RICHARD. Off with his son George’s head!

NORFOLK. My lord, the enemy is past the marsh. After the battle let George Stanley die.

KING RICHARD. A thousand hearts are great within my bosom. Advance our standards! Set upon our foes! Our ancient word of courage, fair Saint George, Inspire us with the spleen of fiery dragons! Upon them! Victory sits on our helms.

[Exeunt.]

Act V, Scene IV — Another part of the Field

Alarum. Excursions. Enter Norfolk and Soldiers; to him Catesby.

CATESBY. Rescue, my lord of Norfolk, rescue, rescue! The King enacts more wonders than a man, Daring an opposite to every danger. His horse is slain, and all on foot he fights, Seeking for Richmond in the throat of death. Rescue, fair lord, or else the day is lost!

[Exeunt Norfolk and Soldiers.]

Alarum. Enter King Richard.

KING RICHARD. A horse! A horse! My kingdom for a horse!

CATESBY. Withdraw, my lord; I’ll help you to a horse.

KING RICHARD. Slave, I have set my life upon a cast, And I will stand the hazard of the die. I think there be six Richmonds in the field; Five have I slain today instead of him. A horse! A horse! My kingdom for a horse!

[Exeunt.]

Act V, Scene V — Another part of the Field

Alarum. Enter King Richard and Richmond. They fight. Richard is slain. Then retreat being sounded. Richmond exits, and Richard’s body is carried off. Flourish. Enter Richmond, Stanley Earl of Derby, bearing the crown, with other Lords and Soldiers.

RICHMOND. God and your arms be praised, victorious friends! The day is ours, the bloody dog is dead.

STANLEY. Courageous Richmond, well hast thou acquit thee! Lo, here, this long-usurped royalty From the dead temples of this bloody wretch Have I plucked off, to grace thy brows withal. Wear it, enjoy it, and make much of it.

RICHMOND. Great God of heaven, say Amen to all! But tell me, is young George Stanley living?

STANLEY. He is, my lord, and safe in Leicester town, Whither, if it please you, we may now withdraw us.

RICHMOND. What men of name are slain on either side?

STANLEY. John, Duke of Norfolk, Walter, Lord Ferrers, Sir Robert Brakenbury, and Sir William Brandon.

RICHMOND. Inter their bodies as becomes their births. Proclaim a pardon to the soldiers fled That in submission will return to us. And then, as we have ta’en the sacrament, We will unite the white rose and the red. Smile heaven upon this fair conjunction, That long have frowned upon their enmity. What traitor hears me and says not Amen? England hath long been mad, and scarred herself: The brother blindly shed the brother’s blood; The father rashly slaughtered his own son; The son, compelled, been butcher to the sire. All this divided York and Lancaster, Divided in their dire division. O, now let Richmond and Elizabeth, The true succeeders of each royal house, By God’s fair ordinance conjoin together, And let their heirs, God, if Thy will be so, Enrich the time to come with smoothed-faced peace, With smiling plenty, and fair prosperous days. Abate the edge of traitors, gracious Lord, That would reduce these bloody days again, And make poor England weep in streams of blood. Let them not live to taste this land’s increase, That would with treason wound this fair land’s peace. Now civil wounds are stopped, peace lives again. That she may long live here, God say Amen.

[Exeunt.]

THE TRAGEDY OF ROMEO AND JULIET

Dramatis Personæ

ESCALUS, Prince of Verona. MERCUTIO, kinsman to the Prince, and friend to Romeo. PARIS, a young Nobleman, kinsman to the Prince. Page to Paris.

MONTAGUE, head of a Veronese family at feud with the Capulets. LADY MONTAGUE, wife to Montague. ROMEO, son to Montague. BENVOLIO, nephew to Montague, and friend to Romeo. ABRAM, servant to Montague. BALTHASAR, servant to Romeo.

CAPULET, head of a Veronese family at feud with the Montagues. LADY CAPULET, wife to Capulet. JULIET, daughter to Capulet. TYBALT, nephew to Lady Capulet. CAPULET’S COUSIN, an old man. NURSE to Juliet. PETER, servant to Juliet’s Nurse. SAMPSON, servant to Capulet. GREGORY, servant to Capulet. Servants.

FRIAR LAWRENCE, a Franciscan. FRIAR JOHN, of the same Order. An Apothecary. CHORUS. Three Musicians. An Officer. Citizens of Verona; several Men and Women, relations to both houses; Maskers, Guards, Watchmen and Attendants.

SCENE. During the greater part of the Play in Verona; once, in the Fifth Act, at Mantua.

The Prologue

Enter Chorus.

CHORUS. Two households, both alike in dignity, In fair Verona, where we lay our scene, From ancient grudge break to new mutiny, Where civil blood makes civil hands unclean. From forth the fatal loins of these two foes A pair of star-cross’d lovers take their life; Whose misadventur’d piteous overthrows Doth with their death bury their parents’ strife. The fearful passage of their death-mark’d love, And the continuance of their parents’ rage, Which, but their children’s end, nought could remove, Is now the two hours’ traffic of our stage; The which, if you with patient ears attend, What here shall miss, our toil shall strive to mend.

[Exit.]