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Act III, Scene I — The Abbey at Bury St. Edmund’s…

Part 20 of 60 · William Shakespeare · Public domain text

About this edition

Source: Project Gutenberg e-text #100, public domain in the United States · text not rewritten or summarized · How RedLectern is built

 

Contents (798)
  1. Opening about 1 h 16 min
  2. Act I, Scene I — Rossillon. A room in the Countess’s palace about 8 min
  3. Act I, Scene II — Paris. A room in the King’s palace about 3 min
  4. Act I, Scene III — Rossillon. A Room in the Palace about 9 min
  5. Act II, Scene I — Paris. A room in the King’s palace about 7 min
  6. Act II, Scene II — Rossillon. A room in the Countess’s palace about 2 min
  7. Act II, Scene III — Paris. The King’s palace about 11 min
  8. Act II, Scene IV — Paris. The King’s palace about 2 min
  9. Act II, Scene V — Another room in the same about 3 min
  10. Act III, Scene I — Florence. A room in the Duke’s palace about 1 min
  11. Act III, Scene II — Rossillon. A room in the Countess’s palace about 5 min
  12. Act III, Scene III — Florence. Before the Duke’s palace under 1 min
  13. Act III, Scene IV — Rossillon. A room in the Countess’s palace about 1 min
  14. Act III, Scene V — Without the walls of Florence about 4 min
  15. Act III, Scene VI — Camp before Florence about 4 min
  16. Act III, Scene VII — Florence. A room in the Widow’s house about 2 min
  17. Act IV, Scene I — Without the Florentine camp about 3 min
  18. Act IV, Scene II — Florence. A room in the Widow’s house about 3 min
  19. Act IV, Scene III — The Florentine camp about 12 min
  20. Act IV, Scene IV — Florence. A room in the Widow’s house about 1 min
  21. Act IV, Scene V — Rossillon. A room in the Countess’s palace about 4 min
  22. Act V, Scene I — Marseilles. A street about 1 min
  23. Act V, Scene II — Rossillon. The inner court of the Countess’s palace about 2 min
  24. Act V, Scene III — The same. A room in the Countess’s palace about 13 min
  25. Act I, Scene I — Alexandria. A Room in Cleopatra’s palace about 2 min
  26. Act I, Scene II — Alexandria. Another Room in Cleopatra’s palace about 7 min
  27. Act I, Scene III — Alexandria. A Room in Cleopatra’s palace about 4 min
  28. Act I, Scene IV — Rome. An Apartment in Caesar’s House about 3 min
  29. Act I, Scene V — Alexandria. A Room in the Palace about 3 min
  30. Act II, Scene I — Messina. A Room in Pompey’s house about 2 min
  31. Act II, Scene II — Rome. A Room in the House of Lepidus about 8 min
  32. Act II, Scene III — Rome. A Room in Caesar’s House about 2 min
  33. Act II, Scene IV — Rome. A street under 1 min
  34. Act II, Scene V — Alexandria. A Room in the Palace about 5 min
  35. Act II, Scene VI — Near Misenum about 5 min
  36. Act II, Scene VII — On board Pompey’s Galley, lying near Misenum about 5 min
  37. Act III, Scene I — A plain in Syria about 1 min
  38. Act III, Scene II — Rome. An Ante-chamber in Caesar’s house about 3 min
  39. Act III, Scene III — Alexandria. A Room in the Palace about 2 min
  40. Act III, Scene IV — Athens. A Room in Antony’s House about 1 min
  41. Act III, Scene V — Athens. Another Room in Antony’s House about 1 min
  42. Act III, Scene VI — Rome. A Room in Caesar’s House about 3 min
  43. Act III, Scene VII — Antony’s Camp near the Promontory of Actium about 3 min
  44. Act III, Scene VIII — A plain near Actium under 1 min
  45. Act III, Scene IX — Another part of the Plain under 1 min
  46. Act III, Scene X — Another part of the Plain about 1 min
  47. Act III, Scene XI — Alexandria. A Room in the Palace about 3 min
  48. Act III, Scene XII — Caesar’s camp in Egypt about 1 min
  49. Act III, Scene XIII — Alexandria. A Room in the Palace about 7 min
  50. Act IV, Scene I — Caesar’s Camp at Alexandria about 1 min
  51. Act IV, Scene II — Alexandria. A Room in the Palace about 2 min
  52. Act IV, Scene III — Alexandria. Before the Palace about 1 min
  53. Act IV, Scene IV — Alexandria. A Room in the Palace about 1 min
  54. Act IV, Scene V — Antony’s camp near Alexandria about 1 min
  55. Act IV, Scene VI — Alexandria. Caesar’s camp about 1 min
  56. Act IV, Scene VII — Field of battle between the Camps about 1 min
  57. Act IV, Scene VIII — Under the Walls of Alexandria about 1 min
  58. Act IV, Scene IX — Caesar’s camp about 1 min
  59. Act IV, Scene X — Ground between the two Camps under 1 min
  60. Act IV, Scene XI — Another part of the Ground under 1 min
  61. Act IV, Scene XII — Another part of the Ground about 2 min
  62. Act IV, Scene XIII — Alexandria. A Room in the Palace under 1 min
  63. Act IV, Scene XIV — Alexandria. Another Room about 5 min
  64. Act IV, Scene XV — Alexandria. A monument about 3 min
  65. Act V, Scene I — Caesar’s Camp before Alexandria about 3 min
  66. Act V, Scene II — Alexandria. A Room in the Monument about 14 min
  67. Act I, Scene I — An Orchard near Oliver’s house about 6 min
  68. Act I, Scene II — A Lawn before the Duke’s Palace about 10 min
  69. Act I, Scene III — A Room in the Palace about 5 min
  70. Act II, Scene I — The Forest of Arden about 2 min
  71. Act II, Scene II — A Room in the Palace about 1 min
  72. Act II, Scene III — Before Oliver’s House about 3 min
  73. Act II, Scene IV — The Forest of Arden about 4 min
  74. Act II, Scene V — Another part of the Forest about 2 min
  75. Act II, Scene VI — Another part of the Forest about 1 min
  76. Act II, Scene VII — Another part of the Forest about 7 min
  77. Act III, Scene I — A Room in the Palace about 1 min
  78. Act III, Scene II — The Forest of Arden about 14 min
  79. Act III, Scene III — Another part of the Forest about 4 min
  80. Act III, Scene IV — Another part of the Forest. Before a Cottage about 2 min
  81. Act III, Scene V — Another part of the Forest about 5 min
  82. Act IV, Scene I — The Forest of Arden about 7 min
  83. Act IV, Scene II — Another part of the Forest about 1 min
  84. Act IV, Scene III — Another part of the Forest about 6 min
  85. Act V, Scene I — The Forest of Arden about 2 min
  86. Act V, Scene II — Another part of the Forest about 4 min
  87. Act V, Scene III — Another part of the Forest about 2 min
  88. Act V, Scene IV — Another part of the Forest about 7 min
  89. Epilogue about 1 min
  90. Act I, Scene I — A hall in the Duke’s palace about 5 min
  91. Act I, Scene II — A public place about 4 min
  92. Act II, Scene I — A public place about 4 min
  93. Act II, Scene II — The same about 8 min
  94. Act III, Scene I — The same about 6 min
  95. Act III, Scene II — The same about 7 min
  96. Act IV, Scene I — The same about 5 min
  97. Act IV, Scene II — The same about 3 min
  98. Act IV, Scene III — The same about 4 min
  99. Act IV, Scene IV — The same about 7 min
  100. Act V, Scene I — The same about 16 min
  101. Act I, Scene I — Rome. A street about 10 min
  102. Act I, Scene II — Corioles. The Senate House about 1 min
  103. Act I, Scene III — Rome. An apartment in Martius’ house about 4 min
  104. Act I, Scene IV — Before Corioles about 3 min
  105. Act I, Scene V — Within Corioles. A street about 1 min
  106. Act I, Scene VI — Near the camp of Cominius about 3 min
  107. Act I, Scene VII — The gates of Corioles under 1 min
  108. Act I, Scene VIII — A field of battle between the Roman and the Volscian camps about 1 min
  109. Act I, Scene IX — The Roman camp about 3 min
  110. Act I, Scene X — The camp of the Volsces about 1 min
  111. Act II, Scene I — Rome. A public place about 10 min
  112. Act II, Scene II — Rome. The Capitol about 6 min
  113. Act II, Scene III — Rome. The Forum about 9 min
  114. Act III, Scene I — Rome. A street about 12 min
  115. Act III, Scene II — Rome. A room in Coriolanus’s house about 5 min
  116. Act III, Scene III — Rome. The Forum about 5 min
  117. Act IV, Scene I — Rome. Before a gate of the city about 2 min
  118. Act IV, Scene II — Rome. A street near the gate about 2 min
  119. Act IV, Scene III — A highway between Rome and Antium about 2 min
  120. Act IV, Scene IV — Antium. Before Aufidius’s house about 1 min
  121. Act IV, Scene V — Antium. A hall in Aufidius’s house about 8 min
  122. Act IV, Scene VI — Rome. A public place about 6 min
  123. Act IV, Scene VII — A camp at a short distance from Rome about 2 min
  124. Act V, Scene I — Rome. A public place about 3 min
  125. Act V, Scene II — An Advanced post of the Volscian camp before Rome about 4 min
  126. Act V, Scene III — The tent of Coriolanus about 7 min
  127. Act V, Scene IV — Rome. A public place about 2 min
  128. Act V, Scene V — Rome. A street near the gate under 1 min
  129. Act V, Scene VI — Antium. A public place about 6 min
  130. Act I, Scene I — Britain. The garden of Cymbeline’s palace about 3 min
  131. Act I, Scene II — The same about 4 min
  132. Act I, Scene III — Britain. A public place about 1 min
  133. Act I, Scene IV — Britain. Cymbeline’s palace about 2 min
  134. Act I, Scene V — Rome. Philario’s house about 6 min
  135. Act I, Scene VI — Britain. Cymbeline’s palace about 3 min
  136. Act I, Scene VII — Britain. The palace about 7 min
  137. Act II, Scene I — Britain. Before Cymbeline’s palace about 2 min
  138. Act II, Scene II — Britain. Imogen’s bedchamber in Cymbeline’s palace; a trunk in one corner about 2 min
  139. Act II, Scene III — Cymbeline’s palace. An ante-chamber adjoining Imogen’s apartments about 6 min
  140. Act II, Scene IV — Rome. Philario’s house about 6 min
  141. Act II, Scene V — Rome. Another room in Philario’s house about 1 min
  142. Act III, Scene I — Britain. A hall in Cymbeline’s palace about 3 min
  143. Act III, Scene II — Britain. Another room in Cymbeline’s palace about 3 min
  144. Act III, Scene III — Wales. A mountainous country with a cave about 4 min
  145. Act III, Scene IV — Wales, near Milford Haven about 7 min
  146. Act III, Scene V — Britain. Cymbeline’s palace about 6 min
  147. Act III, Scene VI — Wales. Before the cave of Belarius about 1 min
  148. Act III, Scene VII — The same about 3 min
  149. Act III, Scene VIII — Rome. A public place about 1 min
  150. Act IV, Scene I — Wales. Near the cave of Belarius about 1 min
  151. Act IV, Scene II — Wales. Before the cave of Belarius about 15 min
  152. Act IV, Scene III — Britain. Cymbeline’s palace about 2 min
  153. Act IV, Scene IV — Wales. Before the cave of Belarius about 2 min
  154. Act V, Scene I — Britain. The Roman camp about 1 min
  155. Act V, Scene II — Britain. A field of battle between the British and Roman camps about 1 min
  156. Act V, Scene III — Another part of the field about 4 min
  157. Act V, Scene IV — Britain. A prison about 7 min
  158. Act V, Scene V — Britain. Cymbeline’s tent about 18 min
  159. Act I, Scene I — Elsinore. A platform before the Castle about 6 min
  160. Act I, Scene II — Elsinore. A room of state in the Castle about 9 min
  161. Act I, Scene III — A room in Polonius’s house about 5 min
  162. Act I, Scene IV — The platform about 3 min
  163. Act I, Scene V — A more remote part of the Castle about 6 min
  164. Act II, Scene I — A room in Polonius’s house about 4 min
  165. Act II, Scene II — A room in the Castle about 21 min
  166. Act III, Scene I — A room in the Castle about 7 min
  167. Act III, Scene II — A hall in the Castle about 14 min
  168. Act III, Scene III — A room in the Castle about 3 min
  169. Act III, Scene IV — Another room in the Castle about 8 min
  170. Act IV, Scene I — A room in the Castle about 2 min
  171. Act IV, Scene II — Another room in the Castle about 1 min
  172. Act IV, Scene III — Another room in the Castle about 2 min
  173. Act IV, Scene IV — A plain in Denmark about 2 min
  174. Act IV, Scene V — Elsinore. A room in the Castle about 7 min
  175. Act IV, Scene VI — Another room in the Castle about 1 min
  176. Act IV, Scene VII — Another room in the Castle about 7 min
  177. Act V, Scene I — A churchyard about 10 min
  178. Act V, Scene II — A hall in the Castle about 15 min
  179. Act I, Scene I — London. A Room in the Palace about 3 min
  180. Act I, Scene II — The same. An Apartment of Prince Henry’s about 8 min
  181. Act I, Scene III — The Same. A Room in the Palace about 10 min
  182. Act II, Scene I — Rochester. An Inn-Yard about 4 min
  183. Act II, Scene II — The Road by Gads-hill about 4 min
  184. Act II, Scene III — Warkworth. A Room in the Castle about 4 min
  185. Act II, Scene IV — Eastcheap. A Room in the Boar’s Head Tavern about 20 min
  186. Act III, Scene I — Bangor. A Room in the Archdeacon’s House about 9 min
  187. Act III, Scene II — London. A Room in the Palace about 6 min
  188. Act III, Scene III — Eastcheap. A Room in the Boar’s Head Tavern about 8 min
  189. Act IV, Scene I — The Rebel Camp near Shrewsbury about 5 min
  190. Act IV, Scene II — A public Road near Coventry about 3 min
  191. Act IV, Scene III — The Rebel Camp near Shrewsbury about 4 min
  192. Act IV, Scene IV — York. A Room in the Archbishop’s Palace about 1 min
  193. Act V, Scene I — The King’s Camp near Shrewsbury about 5 min
  194. Act V, Scene II — The Rebel Camp about 3 min
  195. Act V, Scene III — Plain between the Camps about 2 min
  196. Act V, Scene IV — Another Part of the Field about 6 min
  197. Act V, Scene V — Another Part of the Field about 2 min
  198. Induction about 1 min
  199. Act I, Scene I — The same about 8 min
  200. Act I, Scene II — London. A street about 10 min
  201. Act I, Scene III — York. The Archbishop’s palace about 4 min
  202. Act II, Scene I — London. A street about 7 min
  203. Act II, Scene II — London. Another street about 6 min
  204. Act II, Scene III — Warkworth. Before the castle about 2 min
  205. Act II, Scene IV — London. The Boar’s head Tavern in Eastcheap about 13 min
  206. Act III, Scene I — Westminster. The palace about 4 min
  207. Act III, Scene II — Gloucestershire. Before Justice Shallow’s house about 12 min
  208. Act IV, Scene I — Yorkshire. Gaultree Forest about 8 min
  209. Act IV, Scene II — Another part of the forest about 4 min
  210. Act IV, Scene III — Another part of the forest about 5 min
  211. Act IV, Scene IV — Westminster. The Jerusalem Chamber about 5 min
  212. Act IV, Scene V — Another chamber about 8 min
  213. Act V, Scene I — Gloucestershire. Shallow’s house about 3 min
  214. Act V, Scene II — Westminster. The palace about 5 min
  215. Act V, Scene III — Gloucestershire. Shallow’s orchard about 4 min
  216. Act V, Scene IV — London. A street about 1 min
  217. Act V, Scene V — A public place near Westminster Abbey about 4 min
  218. Epilogue about 2 min
  219. Prologue about 1 min
  220. Act I, Scene I — London. An ante-chamber in the King’s palace about 3 min
  221. Act I, Scene II — The same. The presence chamber about 10 min
  222. Act II about 1 min
  223. Act II, Scene I — London. A street about 4 min
  224. Act II, Scene II — Southampton. A council-chamber about 6 min
  225. Act II, Scene III — London. Before a tavern about 2 min
  226. Act II, Scene IV — France. The King’s palace about 5 min
  227. Act III about 1 min
  228. Act III, Scene I — France. Before Harfleur about 1 min
  229. Act III, Scene II — The same about 5 min
  230. Act III, Scene III — Before the gates about 2 min
  231. Act III, Scene IV — The French King’s palace about 2 min
  232. Act III, Scene V — The same about 2 min
  233. Act III, Scene VI — The English camp in Picardy about 6 min
  234. Act III, Scene VII — The French camp, near Agincourt about 5 min
  235. Act IV about 2 min
  236. Act IV, Scene I — The English camp at Agincourt about 11 min
  237. Act IV, Scene II — The French camp about 2 min
  238. Act IV, Scene III — The English camp about 5 min
  239. Act IV, Scene IV — The field of battle about 2 min
  240. Act IV, Scene V — Another part of the field about 1 min
  241. Act IV, Scene VI — Another part of the field about 1 min
  242. Act IV, Scene VII — Another part of the field about 7 min
  243. Act IV, Scene VIII — Before King Henry’s pavilion about 4 min
  244. Act V about 1 min
  245. Act V, Scene I — France. The English camp about 3 min
  246. Act V, Scene II — France. A royal palace about 14 min
  247. Epilogue about 1 min
  248. Act I, Scene I — Westminster Abbey about 6 min
  249. Act I, Scene II — France. Before Orleans about 5 min
  250. Act I, Scene III — London. Before the Tower about 3 min
  251. Act I, Scene IV — Orleans about 4 min
  252. Act I, Scene V — Before Orleans about 2 min
  253. Act I, Scene VI — Orleans about 1 min
  254. Act II, Scene I — Before Orleans about 3 min
  255. Act II, Scene II — Orleans. Within the town about 2 min
  256. Act II, Scene III — Auvergne. The Countess’s castle about 3 min
  257. Act II, Scene IV — London. The Temple Garden about 5 min
  258. Act II, Scene V — The Tower of London about 4 min
  259. Act III, Scene I — London. The Parliament House about 7 min
  260. Act III, Scene II — France. Before Rouen about 5 min
  261. Act III, Scene III — The plains near Rouen about 3 min
  262. Act III, Scene IV — Paris. The Palace about 2 min
  263. Act IV, Scene I — Paris. The Palace about 7 min
  264. Act IV, Scene II — Before Bordeaux about 2 min
  265. Act IV, Scene III — Plains in Gascony about 2 min
  266. Act IV, Scene IV — Other plains in Gascony about 2 min
  267. Act IV, Scene V — The English camp near Bordeaux about 2 min
  268. Act IV, Scene VI — A field of battle about 2 min
  269. Act IV, Scene VII — Another part of the field about 3 min
  270. Act V, Scene I — London. The Palace about 2 min
  271. Act V, Scene II — France. Plains in Anjou about 1 min
  272. Act V, Scene III — Before Angiers about 7 min
  273. Act V, Scene IV — Camp of the Duke of York in Anjou about 6 min
  274. Act V, Scene V — London. The royal palace about 4 min
  275. Act I, Scene I — London. The palace about 9 min
  276. Act I, Scene II — The Duke of Gloucester’s House about 4 min
  277. Act I, Scene III — London. The palace about 8 min
  278. Act I, Scene IV — Gloucester’s Garden about 3 min
  279. Act II, Scene I — Saint Albans about 7 min
  280. Act II, Scene II — London. The Duke of York’s Garden about 3 min
  281. Act II, Scene III — A Hall of Justice about 4 min
  282. Act II, Scene IV — A Street about 4 min
  283. Act III, Scene I — The Abbey at Bury St. Edmund’s about 13 min
  284. Act III, Scene II — Bury St. Edmund’s. A Room of State about 15 min
  285. Act III, Scene III — A Bedchamber about 1 min
  286. Act IV, Scene I — The Coast of Kent about 5 min
  287. Act IV, Scene II — Blackheath about 6 min
  288. Act IV, Scene III — Another part of Blackheath about 1 min
  289. Act IV, Scene IV — London. The Palace about 2 min
  290. Act IV, Scene V — London. The Tower about 1 min
  291. Act IV, Scene VI — London. Cannon Street about 1 min
  292. Act IV, Scene VII — London. Smithfield about 5 min
  293. Act IV, Scene VIII — Southwark about 3 min
  294. Act IV, Scene IX — Kenilworth Castle about 2 min
  295. Act IV, Scene X — Kent. Iden’s Garden about 3 min
  296. Act V, Scene I — Fields between Dartford and Blackheath about 8 min
  297. Act V, Scene II — Saint Albans about 3 min
  298. Act V, Scene III — Fields near Saint Albans about 2 min
  299. Act I, Scene I — London. The Parliament House about 10 min
  300. Act I, Scene II — Sandal Castle about 3 min
  301. Act I, Scene III — Plains near Sandal Castle about 2 min
  302. Act I, Scene IV — The Same about 7 min
  303. Act II, Scene I — A plain near Mortimer’s Cross in Herefordshire about 7 min
  304. Act II, Scene II — Before York about 6 min
  305. Act II, Scene III — A field of battle between Towton and Saxton, in Yorkshire about 2 min
  306. Act II, Scene IV — Another Part of the Field under 1 min
  307. Act II, Scene V — Another Part of the Field about 5 min
  308. Act II, Scene VI — Another Part of the Field about 4 min
  309. Act III, Scene I — A Forest in the North of England about 4 min
  310. Act III, Scene II — The Palace about 8 min
  311. Act III, Scene III — France. The King’s Palace about 10 min
  312. Act IV, Scene I — London. The Palace about 5 min
  313. Act IV, Scene II — A Plain in Warwickshire about 1 min
  314. Act IV, Scene III — Edward’s Camp near Warwick about 3 min
  315. Act IV, Scene IV — London. The Palace about 1 min
  316. Act IV, Scene V — A park near Middleham Castle in Yorkshire about 1 min
  317. Act IV, Scene VI — London. The Tower about 4 min
  318. Act IV, Scene VII — Before York about 3 min
  319. Act IV, Scene VIII — London. The Palace about 2 min
  320. Act V, Scene I — Coventry about 4 min
  321. Act V, Scene II — A Field of Battle near Barnet about 2 min
  322. Act V, Scene III — Another Part of the Field about 1 min
  323. Act V, Scene IV — Plains near Tewkesbury about 3 min
  324. Act V, Scene V — Another part of the Field about 3 min
  325. Act V, Scene VI — London. The Tower about 3 min
  326. Act V, Scene VII — London. The Palace about 4 min
  327. Act I, Scene I — London. An ante-chamber in the palace about 8 min
  328. Act I, Scene II — The same. The council-chamber about 8 min
  329. Act I, Scene III — An ante-chamber in the palace about 3 min
  330. Act I, Scene IV — A Hall in York Place about 5 min
  331. Act II, Scene I — Westminster. A street about 7 min
  332. Act II, Scene II — An ante-chamber in the palace about 6 min
  333. Act II, Scene III — An ante-chamber of the Queen’s apartments about 4 min
  334. Act II, Scene IV — A hall in Blackfriars about 9 min
  335. Act III, Scene I — London. The Queen’s apartments about 7 min
  336. Act III, Scene II — Ante-chamber to the King’s apartment about 17 min
  337. Act IV, Scene I — A street in Westminster about 5 min
  338. Act IV, Scene II — Kimbolton about 7 min
  339. Act V, Scene I — A gallery in the palace about 7 min
  340. Act V, Scene II — Lobby before the council-chamber about 8 min
  341. Act V, Scene III — The palace yard about 3 min
  342. Act V, Scene IV — The palace about 3 min
  343. Epilogue about 1 min
  344. Act I, Scene I — Northampton. A Room of State in the Palace about 10 min
  345. Act II, Scene I — France. Before the walls of Angiers about 21 min
  346. Act III, Scene I — France. The French King’s tent about 12 min
  347. Act III, Scene II — The same. Plains near Angiers under 1 min
  348. Act III, Scene III — The same about 3 min
  349. Act III, Scene IV — The same. The French King’s tent about 6 min
  350. Act IV, Scene I — Northampton. A Room in the Castle about 5 min
  351. Act IV, Scene II — The same. A Room of State in the Palace about 9 min
  352. Act IV, Scene III — The same. Before the castle about 6 min
  353. Act V, Scene I — Northampton. A Room in the Palace about 3 min
  354. Act V, Scene II — Near Saint Edmundsbury. The French Camp about 6 min
  355. Act V, Scene III — The same. The Field of Battle about 1 min
  356. Act V, Scene IV — The same. Another part of the same about 2 min
  357. Act V, Scene V — The same. The French camp about 1 min
  358. Act V, Scene VI — An open place in the neighborhood of Swinstead Abbey about 2 min
  359. Act V, Scene VII — The orchard of Swinstead Abbey about 5 min
  360. Act I, Scene I — Rome. A street about 3 min
  361. Act I, Scene II — The same. A public place about 11 min
  362. Act I, Scene III — The same. A street about 6 min
  363. Act II, Scene I — Rome. Brutus’ orchard about 12 min
  364. Act II, Scene II — A room in Caesar’s palace about 5 min
  365. Act II, Scene III — A street near the Capitol about 1 min
  366. Act II, Scene IV — Another part of the same street, before the house of Brutus about 2 min
  367. Act III, Scene I — Rome. Before the Capitol; the Senate sitting about 11 min
  368. Act III, Scene II — The same. The Forum about 10 min
  369. Act III, Scene III — The same. A street about 1 min
  370. Act IV, Scene I — Rome. A room in Antony’s house about 2 min
  371. Act IV, Scene II — Before Brutus’ tent, in the camp near Sardis about 2 min
  372. Act IV, Scene III — Within the tent of Brutus about 11 min
  373. Act V, Scene I — The plains of Philippi about 4 min
  374. Act V, Scene II — The same. The field of battle under 1 min
  375. Act V, Scene III — Another part of the field about 4 min
  376. Act V, Scene IV — Another part of the field about 1 min
  377. Act V, Scene V — Another part of the field about 3 min
  378. Act I, Scene I — A Room of State in King Lear’s Palace about 11 min
  379. Act I, Scene II — A Hall in the Earl of Gloucester’s Castle about 6 min
  380. Act I, Scene III — A Room in the Duke of Albany’s Palace about 1 min
  381. Act I, Scene IV — A Hall in Albany’s Palace about 11 min
  382. Act I, Scene V — Court before the Duke of Albany’s Palace about 2 min
  383. Act II, Scene I — A court within the Castle of the Earl of Gloucester about 5 min
  384. Act II, Scene II — Before Gloucester’s Castle about 6 min
  385. Act II, Scene III — The open Country about 1 min
  386. Act II, Scene IV — Before Gloucester’s Castle; Kent in the stocks about 11 min
  387. Act III, Scene I — A Heath about 2 min
  388. Act III, Scene II — Another part of the heath about 3 min
  389. Act III, Scene III — A Room in Gloucester’s Castle about 1 min
  390. Act III, Scene IV — A part of the Heath with a Hovel about 6 min
  391. Act III, Scene V — A Room in Gloucester’s Castle about 1 min
  392. Act III, Scene VI — A Chamber in a Farmhouse adjoining the Castle about 4 min
  393. Act III, Scene VII — A Room in Gloucester’s Castle about 4 min
  394. Act IV, Scene I — The heath about 3 min
  395. Act IV, Scene II — Before the Duke of Albany’s Palace about 3 min
  396. Act IV, Scene III — The French camp near Dover about 2 min
  397. Act IV, Scene IV — The French camp. A Tent about 1 min
  398. Act IV, Scene V — A Room in Gloucester’s Castle about 1 min
  399. Act IV, Scene VI — The country near Dover about 10 min
  400. Act IV, Scene VII — A Tent in the French Camp about 4 min
  401. Act V, Scene I — The Camp of the British Forces near Dover about 3 min
  402. Act V, Scene II — A field between the two Camps about 1 min
  403. Act V, Scene III — The British Camp near Dover about 13 min
  404. Act I, Scene I — The King of Navarre’s park about 10 min
  405. Act I, Scene II — The park about 6 min
  406. Act II, Scene I — The King of Navarre’s park. A pavilion and tents at a distance about 9 min
  407. Act III, Scene I — The King of Navarre’s park about 7 min
  408. Act IV, Scene I — The King of Navarre’s park about 6 min
  409. Act IV, Scene II — The same about 6 min
  410. Act IV, Scene III — The same about 13 min
  411. Act V, Scene I — The King of Navarre’s park about 5 min
  412. Act V, Scene II — The same. Before the Princess’s pavilion about 33 min
  413. Act I, Scene I — An open Place under 1 min
  414. Act I, Scene II — A Camp near Forres about 2 min
  415. Act I, Scene III — A heath about 5 min
  416. Act I, Scene IV — Forres. A Room in the Palace about 2 min
  417. Act I, Scene V — Inverness. A Room in Macbeth’s Castle about 3 min
  418. Act I, Scene VI — The same. Before the Castle about 1 min
  419. Act I, Scene VII — The same. A Lobby in the Castle about 3 min
  420. Act II, Scene I — Inverness. Court within the Castle about 2 min
  421. Act II, Scene II — The same about 3 min
  422. Act II, Scene III — The same about 5 min
  423. Act II, Scene IV — The same. Without the Castle about 2 min
  424. Act III, Scene I — Forres. A Room in the Palace about 5 min
  425. Act III, Scene II — The same. Another Room in the Palace about 2 min
  426. Act III, Scene III — The same. A Park or Lawn, with a gate leading to the Palace about 1 min
  427. Act III, Scene IV — The same. A Room of state in the Palace about 5 min
  428. Act III, Scene V — The heath about 1 min
  429. Act III, Scene VI — Forres. A Room in the Palace about 2 min
  430. Act IV, Scene I — A dark Cave. In the middle, a Cauldron Boiling about 5 min
  431. Act IV, Scene II — Fife. A Room in Macduff’s Castle about 3 min
  432. Act IV, Scene III — England. Before the King’s Palace about 8 min
  433. Act V, Scene I — Dunsinane. A Room in the Castle about 3 min
  434. Act V, Scene II — The Country near Dunsinane about 1 min
  435. Act V, Scene III — Dunsinane. A Room in the Castle about 2 min
  436. Act V, Scene IV — Country near Dunsinane: a Wood in view about 1 min
  437. Act V, Scene V — Dunsinane. Within the castle about 2 min
  438. Act V, Scene VI — The same. A Plain before the Castle under 1 min
  439. Act V, Scene VII — The same. Another part of the Plain about 1 min
  440. Act V, Scene VIII — The same. Another part of the field about 3 min
  441. Act I, Scene I — An apartment in the Duke’s palace about 3 min
  442. Act I, Scene II — A street about 6 min
  443. Act I, Scene III — A monastery about 2 min
  444. Act I, Scene IV — A nunnery about 3 min
  445. Act II, Scene I — A hall in Angelo’s house about 10 min
  446. Act II, Scene II — Another room in the same about 7 min
  447. Act II, Scene III — A room in a prison about 2 min
  448. Act II, Scene IV — A room in Angelo’s house about 6 min
  449. Act III, Scene I — A room in the prison about 10 min
  450. Act III, Scene II — The street before the prison about 10 min
  451. Act IV, Scene I — A room in Mariana’s house about 3 min
  452. Act IV, Scene II — A room in the prison about 7 min
  453. Act IV, Scene III — Another room in the same about 6 min
  454. Act IV, Scene IV — A room in Angelo’s house about 1 min
  455. Act IV, Scene V — Fields without the town about 1 min
  456. Act IV, Scene VI — Street near the city gate about 1 min
  457. Act V, Scene I — A public place near the city gate about 19 min
  458. Act I, Scene I — Venice. A street about 6 min
  459. Act I, Scene II — Belmont. A room in Portia’s house about 5 min
  460. Act I, Scene III — Venice. A public place about 6 min
  461. Act II, Scene I — Belmont. A room in Portia’s house about 2 min
  462. Act II, Scene II — Venice. A street about 7 min
  463. Act II, Scene III — The same. A room in Shylock’s house about 1 min
  464. Act II, Scene IV — The same. A street about 1 min
  465. Act II, Scene V — The same. Before Shylock’s house about 2 min
  466. Act II, Scene VI — The same about 2 min
  467. Act II, Scene VII — Belmont. A room in Portia’s house about 3 min
  468. Act II, Scene VIII — Venice. A street about 2 min
  469. Act II, Scene IX — Belmont. A room in Portia’s house about 3 min
  470. Act III, Scene I — Venice. A street about 5 min
  471. Act III, Scene II — Belmont. A room in Portia’s house about 11 min
  472. Act III, Scene III — Venice. A street about 1 min
  473. Act III, Scene IV — Belmont. A room in Portia’s house about 3 min
  474. Act III, Scene V — The same. A garden about 3 min
  475. Act IV, Scene I — Venice. A court of justice about 16 min
  476. Act IV, Scene II — The same. A street about 1 min
  477. Act V, Scene I — Belmont. The avenue to Portia’s house about 12 min
  478. Act I, Scene I — Windsor. Before Page’s house about 10 min
  479. Act I, Scene II — The same under 1 min
  480. Act I, Scene III — A room in the Garter Inn about 3 min
  481. Act I, Scene IV — A room in Doctor Caius’s house about 6 min
  482. Act II, Scene I — Before Page’s house about 8 min
  483. Act II, Scene II — A room in the Garter Inn about 11 min
  484. Act II, Scene III — A field near Windsor about 3 min
  485. Act III, Scene I — A field near Frogmore about 4 min
  486. Act III, Scene II — A street in Windsor about 3 min
  487. Act III, Scene III — A room in Ford’s house about 8 min
  488. Act III, Scene IV — A room in Page’s house about 4 min
  489. Act III, Scene V — A room in the Garter Inn about 5 min
  490. Act IV, Scene I — The street about 2 min
  491. Act IV, Scene II — A room in Ford’s house about 7 min
  492. Act IV, Scene III — A room in the Garter Inn under 1 min
  493. Act IV, Scene IV — A room in Ford’s house about 3 min
  494. Act IV, Scene V — A room in the Garter Inn about 4 min
  495. Act IV, Scene VI — Another room in the Garter Inn about 2 min
  496. Act V, Scene I — A room in the Garter Inn about 1 min
  497. Act V, Scene II — Windsor Park about 1 min
  498. Act V, Scene III — The street in Windsor about 1 min
  499. Act V, Scene IV — Windsor Park under 1 min
  500. Act V, Scene V — Another part of the Park about 10 min
  501. Act I, Scene I — Athens. A room in the Palace of Theseus about 8 min
  502. Act I, Scene II — The Same. A Room in a Cottage about 3 min
  503. Act II, Scene I — A wood near Athens about 9 min
  504. Act II, Scene II — Another part of the wood about 5 min
  505. Act III, Scene I — The Wood about 7 min
  506. Act III, Scene II — Another part of the wood about 16 min
  507. Act IV, Scene I — The Wood about 8 min
  508. Act IV, Scene II — Athens. A Room in Quince’s House about 2 min
  509. Act V, Scene I — Athens. An Apartment in the Palace of Theseus about 14 min
  510. Act I, Scene I — Before Leonato’s House about 11 min
  511. Act I, Scene II — A room in Leonato’s house about 1 min
  512. Act I, Scene III — Another room in Leonato’s house about 3 min
  513. Act II, Scene I — A hall in Leonato’s house about 13 min
  514. Act II, Scene II — Another room in Leonato’s house about 2 min
  515. Act II, Scene III — Leonato’s Garden about 10 min
  516. Act III, Scene I — Leonato’s Garden about 4 min
  517. Act III, Scene II — A Room in Leonato’s House about 4 min
  518. Act III, Scene III — A Street about 6 min
  519. Act III, Scene IV — A Room in Leonato’s House about 3 min
  520. Act III, Scene V — Another Room in Leonato’s House about 2 min
  521. Act IV, Scene I — The Inside of a Church about 11 min
  522. Act IV, Scene II — A Prison about 3 min
  523. Act V, Scene I — Before Leonato’s House about 12 min
  524. Act V, Scene II — Leonato’s Garden about 3 min
  525. Act V, Scene III — The Inside of a Church about 1 min
  526. Act V, Scene IV — A Room in Leonato’s House about 5 min
  527. Act I, Scene I — Venice. A street about 6 min
  528. Act I, Scene II — Venice. Another street about 4 min
  529. Act I, Scene III — Venice. A council chamber about 14 min
  530. Act II, Scene I — A seaport in Cyprus. A Platform about 11 min
  531. Act II, Scene II — A street under 1 min
  532. Act II, Scene III — A Hall in the Castle about 13 min
  533. Act III, Scene I — Cyprus. Before the Castle about 2 min
  534. Act III, Scene II — Cyprus. A Room in the Castle under 1 min
  535. Act III, Scene III — Cyprus. The Garden of the Castle about 17 min
  536. Act III, Scene IV — Cyprus. Before the Castle about 7 min
  537. Act IV, Scene I — Cyprus. Before the Castle about 10 min
  538. Act IV, Scene II — Cyprus. A Room in the Castle about 9 min
  539. Act IV, Scene III — Cyprus. Another Room in the Castle about 4 min
  540. Act V, Scene I — Cyprus. A Street about 5 min
  541. Act V, Scene II — Cyprus. A Bedchamber in the castle about 14 min
  542. Act I about 1 min
  543. Act I, Scene I — Antioch. A room in the palace about 6 min
  544. Act I, Scene II — Tyre. A room in the palace about 4 min
  545. Act I, Scene III — Tyre. An ante-chamber in the Palace about 1 min
  546. Act I, Scene IV — Tarsus. A room in the Governor’s house about 4 min
  547. Act II about 1 min
  548. Act II, Scene I — Pentapolis. An open place by the seaside about 8 min
  549. Act II, Scene III — The same. A hall of state: a banquet prepared about 4 min
  550. Act II, Scene IV — Tyre. A room in the Governor’s house about 2 min
  551. Act II, Scene V — Pentapolis. A room in the palace about 3 min
  552. Act III about 2 min
  553. Act III, Scene I about 3 min
  554. Act III, Scene II — Ephesus. A room in Cerimon’s house about 4 min
  555. Act III, Scene III — Tarsus. A room in Cleon’s house about 2 min
  556. Act III, Scene IV — Ephesus. A room in Cerimon’s house about 1 min
  557. Act IV about 1 min
  558. Act IV, Scene I — Tarsus. An open place near the seashore about 4 min
  559. Act IV, Scene II — Mytilene. A room in a brothel about 5 min
  560. Act IV, Scene III — Tarsus. A room in Cleon’s house about 2 min
  561. Act IV, Scene IV about 2 min
  562. Act IV, Scene V — Mytilene. A street before the brothel under 1 min
  563. Act IV, Scene VI — The same. A room in the brothel about 7 min
  564. Act V about 10 min
  565. Act V, Scene II about 5 min
  566. Act I, Scene I — London. A Room in the palace about 7 min
  567. Act I, Scene II — The same. A room in the Duke of Lancaster’s palace about 3 min
  568. Act I, Scene III — Open Space, near Coventry. Lists set out, and a Throne. Heralds, &c., attending about 11 min
  569. Act I, Scene IV — London. A Room in the King’s Castle about 2 min
  570. Act II, Scene I — London. An Apartment in Ely House about 10 min
  571. Act II, Scene II — The Same. A Room in the Castle about 5 min
  572. Act II, Scene III — The Wolds in Gloucestershire about 6 min
  573. Act II, Scene IV — A camp in Wales about 1 min
  574. Act III, Scene I — Bristol. Bolingbroke’s camp about 2 min
  575. Act III, Scene II — The coast of Wales. A castle in view about 8 min
  576. Act III, Scene III — Wales. Before Flint Castle about 7 min
  577. Act III, Scene IV — Langley. The Duke of York’s garden about 4 min
  578. Act IV, Scene I — Westminster Hall about 12 min
  579. Act V, Scene I — London. A street leading to the Tower about 4 min
  580. Act V, Scene II — The same. A room in the Duke of York’s palace about 4 min
  581. Act V, Scene III — Windsor. A room in the Castle about 5 min
  582. Act V, Scene IV — Another room in the Castle under 1 min
  583. Act V, Scene V — Pomfret. The dungeon of the Castle about 4 min
  584. Act V, Scene VI — Windsor. An Apartment in the Castle about 3 min
  585. Act I, Scene I — London. A street about 5 min
  586. Act I, Scene II — London. Another street about 9 min
  587. Act I, Scene III — London. A Room in the Palace about 13 min
  588. Act I, Scene IV — London. A Room in the Tower about 10 min
  589. Act II, Scene I — London. A Room in the palace about 5 min
  590. Act II, Scene II — Another Room in the palace about 5 min
  591. Act II, Scene III — London. A street about 2 min
  592. Act II, Scene IV — London. A Room in the Palace about 3 min
  593. Act III, Scene I — London. A street about 7 min
  594. Act III, Scene II — Before Lord Hastings’ house about 5 min
  595. Act III, Scene III — Pomfret. Before the Castle about 1 min
  596. Act III, Scene IV — London. A Room in the Tower about 4 min
  597. Act III, Scene V — London. The Tower Walls about 4 min
  598. Act III, Scene VI — London. A street about 1 min
  599. Act III, Scene VII — London. Court of Baynard’s Castle about 8 min
  600. Act IV, Scene I — London. Before the Tower about 4 min
  601. Act IV, Scene II — London. A Room of State in the Palace about 4 min
  602. Act IV, Scene III — London. Another Room in the Palace about 2 min
  603. Act IV, Scene IV — London. Before the Palace about 20 min
  604. Act IV, Scene V — A Room in Lord Stanley’s house about 1 min
  605. Act V, Scene I — Salisbury. An open place about 1 min
  606. Act V, Scene II — Plain near Tamworth about 1 min
  607. Act V, Scene III — Bosworth Field about 13 min
  608. Act V, Scene IV — Another part of the Field about 1 min
  609. Act V, Scene V — Another part of the Field about 2 min
  610. The Prologue under 1 min
  611. Act I, Scene I — A public place about 8 min
  612. Act I, Scene II — A Street about 4 min
  613. Act I, Scene III — Room in Capulet’s House about 4 min
  614. Act I, Scene IV — A Street about 4 min
  615. Act I, Scene V — A Hall in Capulet’s House about 5 min
  616. Act II under 1 min
  617. Act II, Scene I — An open place adjoining Capulet’s Garden about 2 min
  618. Act II, Scene II — Capulet’s Garden about 7 min
  619. Act II, Scene III — Friar Lawrence’s Cell about 3 min
  620. Act II, Scene IV — A Street about 7 min
  621. Act II, Scene V — Capulet’s Garden about 3 min
  622. Act II, Scene VI — Friar Lawrence’s Cell about 1 min
  623. Act III, Scene I — A public Place about 7 min
  624. Act III, Scene II — A Room in Capulet’s House about 5 min
  625. Act III, Scene III — Friar Lawrence’s cell about 6 min
  626. Act III, Scene IV — A Room in Capulet’s House about 1 min
  627. Act III, Scene V — An open Gallery to Juliet’s Chamber, overlooking the Garden about 9 min
  628. Act IV, Scene I — Friar Lawrence’s Cell about 5 min
  629. Act IV, Scene II — Hall in Capulet’s House about 2 min
  630. Act IV, Scene III — Juliet’s Chamber about 2 min
  631. Act IV, Scene IV — Hall in Capulet’s House about 1 min
  632. Act IV, Scene V — Juliet’s Chamber; Juliet on the bed about 5 min
  633. Act V, Scene I — Mantua. A Street about 3 min
  634. Act V, Scene II — Friar Lawrence’s Cell about 1 min
  635. Act V, Scene III — A churchyard; in it a Monument belonging to the Capulets about 12 min
  636. Induction, Scene I — Before an alehouse on a heath about 5 min
  637. Induction, Scene II — A bedchamber in the Lord’s house about 5 min
  638. Act I, Scene I — Padua. A public place about 9 min
  639. Act I, Scene II — Padua. Before Hortensio’s house about 10 min
  640. Act II, Scene I — Padua. A room in Baptista’s house about 15 min
  641. Act III, Scene I — Padua. A room in Baptista’s house about 3 min
  642. Act III, Scene II — The same. Before Baptista’s house about 9 min
  643. Act IV, Scene I — A hall in Petruchio’s country house about 7 min
  644. Act IV, Scene II — Padua. Before Baptista’s house about 4 min
  645. Act IV, Scene III — A room in Petruchio’s house about 7 min
  646. Act IV, Scene IV — Padua. Before Baptista’s house about 4 min
  647. Act IV, Scene V — A public road about 3 min
  648. Act V, Scene I — Padua. Before Lucentio’s house about 5 min
  649. Act V, Scene II — A room in Lucentio’s house about 7 min
  650. Act I, Scene I — On a ship at sea; a tempestuous noise of thunder and lightning heard about 2 min
  651. Act I, Scene II — The Island. Before the cell of Prospero about 18 min
  652. Act II, Scene I — Another part of the island about 11 min
  653. Act II, Scene II — Another part of the island about 7 min
  654. Act III, Scene I — Before Prospero’s cell about 4 min
  655. Act III, Scene II — Another part of the island about 5 min
  656. Act III, Scene III — Another part of the island about 4 min
  657. Act IV, Scene I — Before Prospero’s cell about 9 min
  658. Act V, Scene I — Before the cell of Prospero about 12 min
  659. Epilogue about 1 min
  660. Act I, Scene I — Athens. A hall in Timon’s house about 10 min
  661. Act I, Scene II — The Same. A room of state in Timon’s house about 9 min
  662. Act II, Scene I — Athens. A room in a senator’s house about 1 min
  663. Act II, Scene II — The same. A hall in Timon’s house about 8 min
  664. Act III, Scene I — Athens. A room in Lucullus’ house about 2 min
  665. Act III, Scene II — A public place about 3 min
  666. Act III, Scene III — The same. A room in Sempronius’ house about 2 min
  667. Act III, Scene IV — A hall in Timon’s house about 4 min
  668. Act III, Scene V — The same. The senate house about 4 min
  669. Act III, Scene VI — A room of state in Timon’s house about 4 min
  670. Act IV, Scene I — Without the walls of Athens about 1 min
  671. Act IV, Scene II — Athens. A room in Timon’s house about 2 min
  672. Act IV, Scene III — Woods and caves near the sea-shore about 19 min
  673. Act V, Scene I — The woods. Before Timon’s cave about 4 min
  674. Act V, Scene II — The same about 4 min
  675. Act V, Scene III — Before the walls of Athens about 1 min
  676. Act V, Scene IV — The woods. Timon’s cave, and a rude tomb seen under 1 min
  677. Act V, Scene V — Before the walls of Athens about 4 min
  678. Act I, Scene I — Rome. Before the Capitol about 17 min
  679. Act II, Scene I — Rome. Before the palace about 5 min
  680. Act II, Scene II — A Forest near Rome; a Lodge seen at a distance. Horns and cry of hounds heard about 1 min
  681. Act II, Scene III — A lonely part of the Forest about 11 min
  682. Act II, Scene IV — Another part of the Forest about 2 min
  683. Act III, Scene I — Rome. A street about 11 min
  684. Act III, Scene II — Rome. A Room in Titus’s House. A banquet set out about 3 min
  685. Act IV, Scene I — Rome. Before Titus’s House about 5 min
  686. Act IV, Scene II — Rome. A Room in the Palace about 7 min
  687. Act IV, Scene III — Rome. A public Place about 4 min
  688. Act IV, Scene IV — Rome. Before the Palace about 4 min
  689. Act V, Scene I — Plains near Rome about 6 min
  690. Act V, Scene II — Rome. Before Titus’s House about 7 min
  691. Act V, Scene III — Rome. A Pavilion in Titus’s Gardens, with tables, &c about 8 min
  692. Prologue about 1 min
  693. Act I, Scene I — Troy. Before Priam’s palace about 4 min
  694. Act I, Scene II — Troy. A street about 10 min
  695. Act I, Scene III — The Grecian camp. Before Agamemnon’s tent about 13 min
  696. Act II, Scene I — The Grecian camp about 4 min
  697. Act II, Scene II — Troy. Priam’s palace about 7 min
  698. Act II, Scene III — The Grecian camp. Before the tent of Achilles about 9 min
  699. Act III, Scene I — Troy. Priam’s palace about 5 min
  700. Act III, Scene II — Troy. Pandarus’ orchard about 7 min
  701. Act III, Scene III — The Greek camp about 10 min
  702. Act IV, Scene I — Troy. A street about 3 min
  703. Act IV, Scene II — Troy. The court of Pandarus’ house about 4 min
  704. Act IV, Scene III — Troy. A street before Pandarus’ house under 1 min
  705. Act IV, Scene IV — Troy. Pandarus’ house about 5 min
  706. Act IV, Scene V — The Grecian camp. Lists set out about 10 min
  707. Act V, Scene I — The Grecian camp. Before the tent of Achilles about 4 min
  708. Act V, Scene II — The Grecian camp. Before Calchas’ tent about 7 min
  709. Act V, Scene III — Troy. Before Priam’s palace about 4 min
  710. Act V, Scene IV — The plain between Troy and the Grecian camp about 1 min
  711. Act V, Scene V — Another part of the plain about 2 min
  712. Act V, Scene VI — Another part of the plain about 1 min
  713. Act V, Scene VII — Another part of the plain about 1 min
  714. Act V, Scene VIII — Another part of the plain about 1 min
  715. Act V, Scene IX — Another part of the plain under 1 min
  716. Act V, Scene X — Another part of the plain about 2 min
  717. Act I, Scene I — An Apartment in the Duke’s Palace about 1 min
  718. Act I, Scene II — The sea-coast about 2 min
  719. Act I, Scene III — A Room in Olivia’s House about 5 min
  720. Act I, Scene IV — A Room in the Duke’s Palace about 1 min
  721. Act I, Scene V — A Room in Olivia’s House about 11 min
  722. Act II, Scene I — The sea-coast about 2 min
  723. Act II, Scene II — A street about 2 min
  724. Act II, Scene III — A Room in Olivia’s House about 7 min
  725. Act II, Scene IV — A Room in the Duke’s Palace about 4 min
  726. Act II, Scene V — Olivia’s garden about 7 min
  727. Act III, Scene I — Olivia’s garden about 6 min
  728. Act III, Scene II — A Room in Olivia’s House about 3 min
  729. Act III, Scene III — A street about 2 min
  730. Act III, Scene IV — Olivia’s garden about 14 min
  731. Act IV, Scene I — The Street before Olivia’s House about 2 min
  732. Act IV, Scene II — A Room in Olivia’s House about 4 min
  733. Act IV, Scene III — Olivia’s Garden about 1 min
  734. Act V, Scene I — The Street before Olivia’s House about 14 min
  735. Act I, Scene I — Verona. An open place about 5 min
  736. Act I, Scene II — The same. The garden of Julia’s house about 5 min
  737. Act I, Scene III — The same. A room in Antonio’s house about 3 min
  738. Act II, Scene I — Milan. A room in the Duke’s palace about 6 min
  739. Act II, Scene II — Verona. A room in Julia’s house about 1 min
  740. Act II, Scene III — The same. A street about 2 min
  741. Act II, Scene IV — Milan. A room in the Duke’s palace about 7 min
  742. Act II, Scene V — The same. A street about 2 min
  743. Act II, Scene VI — The same. The Duke’s palace about 1 min
  744. Act II, Scene VII — Verona. A room in Julia’s house about 3 min
  745. Act III, Scene I — Milan. An anteroom in the Duke’s palace about 13 min
  746. Act III, Scene II — The same. A room in the Duke’s palace about 3 min
  747. Act IV, Scene I — A forest between Milan and Verona about 3 min
  748. Act IV, Scene II — Milan. The court of the Duke’s palace about 5 min
  749. Act IV, Scene III — The same about 2 min
  750. Act IV, Scene IV — The same about 7 min
  751. Act V, Scene I — Milan. An abbey under 1 min
  752. Act V, Scene II — The same. A room in the Duke’s palace about 2 min
  753. Act V, Scene III — Frontiers of Mantua. The forest about 1 min
  754. Act V, Scene IV — Another part of the forest about 6 min
  755. Prologue about 1 min
  756. Epilogue under 1 min
  757. Prologue about 1 min
  758. Act I, Scene I — Athens. Before a temple about 8 min
  759. Act I, Scene II — Thebes. The Court of the Palace about 4 min
  760. Act I, Scene III — Before the gates of Athens about 3 min
  761. Act I, Scene IV — A field before Thebes about 2 min
  762. Act I, Scene V — Another part of the same, more remote from Thebes about 1 min
  763. Act II, Scene I — Athens. A garden, with a castle in the background about 2 min
  764. Act II, Scene II — The prison about 11 min
  765. Act II, Scene III — The country near Athens about 3 min
  766. Act II, Scene IV — Athens. A room in the prison about 1 min
  767. Act II, Scene V — An open place in Athens about 3 min
  768. Act II, Scene VI — Athens. Before the prison about 1 min
  769. Act III, Scene I — A forest near Athens about 5 min
  770. Act III, Scene II — Another Part of the forest about 1 min
  771. Act III, Scene III — The same part of the forest as in scene I about 2 min
  772. Act III, Scene IV — Another part of the forest about 1 min
  773. Act III, Scene V — Another part of the forest about 6 min
  774. Act III, Scene VI — The same part of the forest as in scene III about 12 min
  775. Act IV, Scene I — Athens. A room in the prison about 6 min
  776. Act IV, Scene II — A Room in the Palace about 6 min
  777. Act IV, Scene III — A room in the prison about 4 min
  778. Act V, Scene I — Athens. Before the Temples of Mars, Venus, and Diana about 7 min
  779. Act V, Scene II — Athens. A Room in the Prison about 5 min
  780. Act V, Scene III — A part of the Forest near Athens, and near the Place appointed for the Combat about 5 min
  781. Act V, Scene IV — The same; a Block prepared about 5 min
  782. Epilogue about 1 min
  783. Dramatis Personæ under 1 min
  784. Act I, Scene I — Sicilia. An Antechamber in Leontes’ Palace about 2 min
  785. Act I, Scene II — The same. A Room of State in the Palace about 16 min
  786. Act II, Scene I — Sicilia. A Room in the Palace about 7 min
  787. Act II, Scene II — The same. The outer Room of a Prison about 2 min
  788. Act II, Scene III — The same. A Room in the Palace about 8 min
  789. Act III, Scene I — Sicilia. A Street in some Town about 1 min
  790. Act III, Scene II — The same. A Court of Justice about 9 min
  791. Act III, Scene III — Bohemia. A desert Country near the Sea about 5 min
  792. Act IV, Scene I about 1 min
  793. Act IV, Scene II — Bohemia. A Room in the palace of Polixenes about 2 min
  794. Act IV, Scene III — The same. A Road near the Shepherd’s cottage about 4 min
  795. Act IV, Scene IV — The same. A Shepherd’s Cottage about 30 min
  796. Act V, Scene I — Sicilia. A Room in the palace of Leontes about 8 min
  797. Act V, Scene II — The same. Before the Palace about 7 min
  798. Act V, Scene III — The same. A Room in Paulina’s house about 2 h 17 min

Continue:

Act III, Scene I — The Abbey at Bury St. Edmund’s

Sound a sennet. Enter the King, the Queen, Cardinal Beaufort, Suffolk, York, Buckingham, Salisbury and Warwick to the Parliament.

KING HENRY. I muse my Lord of Gloucester is not come. ’Tis not his wont to be the hindmost man, Whate’er occasion keeps him from us now.

QUEEN MARGARET. Can you not see, or will ye not observe The strangeness of his altered countenance? With what a majesty he bears himself, How insolent of late he is become, How proud, how peremptory, and unlike himself? We know the time since he was mild and affable; And if we did but glance a far-off look, Immediately he was upon his knee, That all the court admired him for submission. But meet him now, and be it in the morn When everyone will give the time of day, He knits his brow and shows an angry eye And passeth by with stiff unbowed knee, Disdaining duty that to us belongs. Small curs are not regarded when they grin, But great men tremble when the lion roars; And Humphrey is no little man in England. First note that he is near you in descent, And should you fall, he is the next will mount. Me seemeth then it is no policy, Respecting what a rancorous mind he bears And his advantage following your decease, That he should come about your royal person Or be admitted to your Highness’ Council. By flattery hath he won the commons’ hearts; And when he please to make commotion, ’Tis to be feared they all will follow him. Now ’tis the spring, and weeds are shallow-rooted; Suffer them now, and they’ll o’ergrow the garden And choke the herbs for want of husbandry. The reverent care I bear unto my lord Made me collect these dangers in the Duke. If it be fond, can it a woman’s fear; Which fear if better reasons can supplant, I will subscribe and say I wronged the Duke. My Lord of Suffolk, Buckingham, and York, Reprove my allegation if you can, Or else conclude my words effectual.

SUFFOLK. Well hath your highness seen into this Duke; And, had I first been put to speak my mind, I think I should have told your grace’s tale. The Duchess by his subornation, Upon my life, began her devilish practices; Or, if he were not privy to those faults, Yet, by reputing of his high descent, As next the King he was successive heir, And such high vaunts of his nobility— Did instigate the bedlam brain-sick Duchess By wicked means to frame our sovereign’s fall. Smooth runs the water where the brook is deep, And in his simple show he harbours treason. The fox barks not when he would steal the lamb. No, no, my sovereign, Gloucester is a man Unsounded yet and full of deep deceit.

CARDINAL. Did he not, contrary to form of law, Devise strange deaths for small offences done?

YORK. And did he not, in his protectorship, Levy great sums of money through the realm For soldiers’ pay in France, and never sent it? By means whereof the towns each day revolted.

BUCKINGHAM. Tut, these are petty faults to faults unknown, Which time will bring to light in smooth Duke Humphrey.

KING HENRY. My lords, at once: the care you have of us To mow down thorns that would annoy our foot Is worthy praise; but, shall I speak my conscience, Our kinsman Gloucester is as innocent From meaning treason to our royal person As is the sucking lamb or harmless dove. The Duke is virtuous, mild, and too well given To dream on evil or to work my downfall.

QUEEN MARGARET. Ah, what’s more dangerous than this fond affiance? Seems he a dove? His feathers are but borrowed, For he’s disposed as the hateful raven. Is he a lamb? His skin is surely lent him, For he’s inclined as is the ravenous wolves. Who cannot steal a shape that means deceit? Take heed, my lord; the welfare of us all Hangs on the cutting short that fraudful man.

Enter Somerset.

SOMERSET. All health unto my gracious sovereign!

KING HENRY. Welcome, Lord Somerset. What news from France?

SOMERSET. That all your interest in those territories Is utterly bereft you; all is lost.

KING HENRY. Cold news, Lord Somerset; but God’s will be done.

YORK. [Aside.] Cold news for me, for I had hope of France As firmly as I hope for fertile England. Thus are my blossoms blasted in the bud, And caterpillars eat my leaves away; But I will remedy this gear ere long, Or sell my title for a glorious grave.

Enter Gloucester.

GLOUCESTER. All happiness unto my lord the King! Pardon, my liege, that I have staid so long.

SUFFOLK. Nay, Gloucester, know that thou art come too soon, Unless thou wert more loyal than thou art. I do arrest thee of high treason here.

GLOUCESTER. Well, Suffolk, thou shalt not see me blush, Nor change my countenance for this arrest. A heart unspotted is not easily daunted. The purest spring is not so free from mud As I am clear from treason to my sovereign. Who can accuse me? Wherein am I guilty?

YORK. ’Tis thought, my lord, that you took bribes of France, And, being Protector, stayed the soldiers’ pay, By means whereof his highness hath lost France.

GLOUCESTER. Is it but thought so? What are they that think it? I never robbed the soldiers of their pay, Nor ever had one penny bribe from France. So help me God, as I have watched the night, Ay, night by night, in studying good for England! That doit that e’er I wrested from the King, Or any groat I hoarded to my use, Be brought against me at my trial day! No, many a pound of mine own proper store, Because I would not tax the needy commons, Have I dispursed to the garrisons And never asked for restitution.

CARDINAL. It serves you well, my lord, to say so much.

GLOUCESTER. I say no more than truth, so help me God!

YORK. In your protectorship you did devise Strange tortures for offenders never heard of, That England was defamed by tyranny.

GLOUCESTER. Why, ’tis well known that, whiles I was Protector, Pity was all the fault that was in me; For I should melt at an offender’s tears, And lowly words were ransom for their fault. Unless it were a bloody murderer, Or foul felonious thief that fleeced poor passengers, I never gave them condign punishment. Murder indeed, that bloody sin, I tortured Above the felon or what trespass else.

SUFFOLK. My lord, these faults are easy, quickly answered; But mightier crimes are laid unto your charge Whereof you cannot easily purge yourself. I do arrest you in his highness’ name, And here commit you to my Lord Cardinal To keep until your further time of trial.

KING HENRY. My Lord of Gloucester, ’tis my special hope That you will clear yourself from all suspense. My conscience tells me you are innocent.

GLOUCESTER. Ah, gracious lord, these days are dangerous. Virtue is choked with foul ambition, And charity chased hence by rancour’s hand; Foul subornation is predominant, And equity exiled your highness’ land. I know their complot is to have my life; And if my death might make this island happy And prove the period of their tyranny, I would expend it with all willingness. But mine is made the prologue to their play; For thousands more, that yet suspect no peril, Will not conclude their plotted tragedy. Beaufort’s red sparkling eyes blab his heart’s malice, And Suffolk’s cloudy brow his stormy hate; Sharp Buckingham unburdens with his tongue The envious load that lies upon his heart; And dogged York, that reaches at the moon, Whose overweening arm I have plucked back, By false accuse doth level at my life. And you, my sovereign lady, with the rest, Causeless have laid disgraces on my head And with your best endeavour have stirred up My liefest liege to be mine enemy. Ay, all of you have laid your heads together— Myself had notice of your conventicles— And all to make away my guiltless life. I shall not want false witness to condemn me, Nor store of treasons to augment my guilt. The ancient proverb will be well effected: “A staff is quickly found to beat a dog.”

CARDINAL. My liege, his railing is intolerable. If those that care to keep your royal person From treason’s secret knife and traitor’s rage Be thus upbraided, chid, and rated at, And the offender granted scope of speech, ’Twill make them cool in zeal unto your grace.

SUFFOLK. Hath he not twit our sovereign lady here With ignominious words, though clerkly couched, As if she had suborned some to swear False allegations to o’erthrow his state?

QUEEN MARGARET. But I can give the loser leave to chide.

GLOUCESTER. Far truer spoke than meant. I lose, indeed. Beshrew the winners, for they played me false! And well such losers may have leave to speak.

BUCKINGHAM. He’ll wrest the sense and hold us here all day. Lord Cardinal, he is your prisoner.

CARDINAL. Sirs, take away the Duke, and guard him sure.

GLOUCESTER. Ah, thus King Henry throws away his crutch Before his legs be firm to bear his body. Thus is the shepherd beaten from thy side, And wolves are gnarling who shall gnaw thee first. Ah, that my fear were false; ah, that it were! For, good King Henry, thy decay I fear.

[Exit Gloucester, guarded.]

KING HENRY. My lords, what to your wisdoms seemeth best Do, or undo, as if ourself were here.

QUEEN MARGARET. What, will your highness leave the parliament?

KING HENRY. Ay, Margaret; my heart is drowned with grief, Whose flood begins to flow within mine eyes, My body round engirt with misery; For what’s more miserable than discontent? Ah, uncle Humphrey, in thy face I see The map of honour, truth, and loyalty; And yet, good Humphrey, is the hour to come That e’er I proved thee false or feared thy faith. What louring star now envies thy estate That these great lords and Margaret our Queen Do seek subversion of thy harmless life? Thou never didst them wrong nor no man wrong. And as the butcher takes away the calf And binds the wretch and beats it when it strains, Bearing it to the bloody slaughterhouse, Even so remorseless have they borne him hence; And as the dam runs lowing up and down, Looking the way her harmless young one went, And can do naught but wail her darling’s loss, Even so myself bewails good Gloucester’s case With sad unhelpful tears, and with dimmed eyes Look after him, and cannot do him good, So mighty are his vowed enemies. His fortunes I will weep and ’twixt each groan Say “Who’s a traitor? Gloucester he is none.”

[Exeunt all but Queen, Cardinal Beaufort, Suffolk and York; Somerset remains apart.]

QUEEN MARGARET. Free lords, cold snow melts with the sun’s hot beams. Henry my lord is cold in great affairs, Too full of foolish pity; and Gloucester’s show Beguiles him, as the mournful crocodile With sorrow snares relenting passengers, Or as the snake, rolled in a flowering bank, With shining checkered slough, doth sting a child That for the beauty thinks it excellent. Believe me, lords, were none more wise than I— And yet herein I judge mine own wit good— This Gloucester should be quickly rid the world, To rid us from the fear we have of him.

CARDINAL. That he should die is worthy policy, But yet we want a colour for his death. ’Tis meet he be condemned by course of law.

SUFFOLK. But, in my mind, that were no policy. The King will labour still to save his life, The commons haply rise to save his life, And yet we have but trivial argument, More than mistrust, that shows him worthy death.

YORK. So that, by this, you would not have him die.

SUFFOLK. Ah, York, no man alive so fain as I!

YORK. ’Tis York that hath more reason for his death. But, my Lord Cardinal, and you, my Lord of Suffolk, Say as you think, and speak it from your souls: Were ’t not all one an empty eagle were set To guard the chicken from a hungry kite, As place Duke Humphrey for the King’s Protector?

QUEEN MARGARET. So the poor chicken should be sure of death.

SUFFOLK. Madam, ’tis true; and were ’t not madness then To make the fox surveyor of the fold, Who being accused a crafty murderer, His guilt should be but idly posted over Because his purpose is not executed? No, let him die in that he is a fox, By nature proved an enemy to the flock, Before his chaps be stained with crimson blood, As Humphrey, proved by reasons, to my liege. And do not stand on quillets how to slay him; Be it by gins, by snares, by subtlety, Sleeping or waking, ’tis no matter how, So he be dead; for that is good deceit Which mates him first that first intends deceit.

QUEEN MARGARET. Thrice-noble Suffolk, ’tis resolutely spoke.

SUFFOLK. Not resolute, except so much were done, For things are often spoke and seldom meant; But that my heart accordeth with my tongue, Seeing the deed is meritorious, And to preserve my sovereign from his foe, Say but the word, and I will be his priest.

CARDINAL. But I would have him dead, my Lord of Suffolk, Ere you can take due orders for a priest. Say you consent and censure well the deed, And I’ll provide his executioner. I tender so the safety of my liege.

SUFFOLK. Here is my hand, the deed is worthy doing.

QUEEN MARGARET. And so say I.

YORK. And I. And now we three have spoke it, It skills not greatly who impugns our doom.

Enter a Post.

POST. Great lords, from Ireland am I come amain To signify that rebels there are up And put the Englishmen unto the sword. Send succours, lords, and stop the rage betime, Before the wound do grow uncurable; For, being green, there is great hope of help.

CARDINAL. A breach that craves a quick expedient stop! What counsel give you in this weighty cause?

YORK. That Somerset be sent as regent thither. ’Tis meet that lucky ruler be employed; Witness the fortune he hath had in France.

SOMERSET. If York, with all his far-fet policy, Had been the regent there instead of me, He never would have stayed in France so long.

YORK. No, not to lose it all as thou hast done. I rather would have lost my life betimes Than bring a burden of dishonour home By staying there so long till all were lost. Show me one scar charactered on thy skin; Men’s flesh preserved so whole do seldom win.

QUEEN MARGARET. Nay then, this spark will prove a raging fire If wind and fuel be brought to feed it with. No more, good York. Sweet Somerset, be still. Thy fortune, York, hadst thou been regent there, Might happily have proved far worse than his.

YORK. What, worse than naught? Nay, then a shame take all!

SOMERSET. And, in the number, thee that wishest shame!

CARDINAL. My Lord of York, try what your fortune is. Th’ uncivil kerns of Ireland are in arms And temper clay with blood of Englishmen. To Ireland will you lead a band of men, Collected choicely, from each county some, And try your hap against the Irishmen?

YORK. I will, my lord, so please his majesty.

SUFFOLK. Why, our authority is his consent, And what we do establish he confirms. Then, noble York, take thou this task in hand.

YORK. I am content. Provide me soldiers, lords, Whiles I take order for mine own affairs.

SUFFOLK. A charge, Lord York, that I will see performed. But now return we to the false Duke Humphrey.

CARDINAL. No more of him; for I will deal with him That henceforth he shall trouble us no more. And so break off; the day is almost spent. Lord Suffolk, you and I must talk of that event.

YORK. My Lord of Suffolk, within fourteen days At Bristol I expect my soldiers; For there I’ll ship them all for Ireland.

SUFFOLK. I’ll see it truly done, my Lord of York.

[Exeunt all but York.]

YORK. Now, York, or never, steel thy fearful thoughts, And change misdoubt to resolution. Be that thou hop’st to be, or what thou art Resign to death; it is not worth th’ enjoying. Let pale-faced fear keep with the mean-born man And find no harbour in a royal heart. Faster than springtime showers comes thought on thought, And not a thought but thinks on dignity. My brain, more busy than the labouring spider Weaves tedious snares to trap mine enemies. Well, nobles, well, ’tis politicly done, To send me packing with an host of men; I fear me you but warm the starved snake, Who, cherished in your breasts, will sting your hearts. ’Twas men I lacked, and you will give them me; I take it kindly, yet be well assured You put sharp weapons in a madman’s hands. Whiles I in Ireland nourish a mighty band, I will stir up in England some black storm Shall blow ten thousand souls to heaven or hell; And this fell tempest shall not cease to rage Until the golden circuit on my head, Like to the glorious sun’s transparent beams, Do calm the fury of this mad-bred flaw. And for a minister of my intent, I have seduced a headstrong Kentishman, John Cade of Ashford, To make commotion, as full well he can, Under the title of John Mortimer. In Ireland have I seen this stubborn Cade Oppose himself against a troop of kerns, And fought so long till that his thighs with darts Were almost like a sharp-quilled porpentine; And in the end being rescued, I have seen Him caper upright like a wild Morisco, Shaking the bloody darts as he his bells. Full often, like a shag-haired crafty kern, Hath he conversed with the enemy, And undiscovered come to me again And given me notice of their villainies. This devil here shall be my substitute; For that John Mortimer, which now is dead, In face, in gait, in speech, he doth resemble. By this I shall perceive the commons’ mind, How they affect the house and claim of York. Say he be taken, racked, and tortured, I know no pain they can inflict upon him Will make him say I moved him to those arms. Say that he thrive, as ’tis great like he will, Why then from Ireland come I with my strength And reap the harvest which that rascal sowed. For Humphrey being dead, as he shall be, And Henry put apart, the next for me.

[Exit.]

Act III, Scene II — Bury St. Edmund’s. A Room of State

Enter two or three Murderers running over the stage, from the murder of Duke Humphrey.

1 MURDERER. Run to my Lord of Suffolk; let him know We have dispatched the Duke as he commanded.

2 MURDERER. O that it were to do! What have we done? Didst ever hear a man so penitent?

Enter Suffolk.

1 MURDERER. Here comes my lord.

SUFFOLK. Now, sirs, have you dispatched this thing?

1 MURDERER. Ay, my good lord, he’s dead.

SUFFOLK. Why, that’s well said. Go, get you to my house; I will reward you for this venturous deed. The King and all the peers are here at hand. Have you laid fair the bed? Is all things well, According as I gave directions?

1 MURDERER. ’Tis, my good lord.

SUFFOLK. Away, be gone!

[Exeunt Murderers.]

Sound trumpets. Enter the King, the Queen, Cardinal Beaufort, Somerset with attendants.

KING HENRY. Go, call our uncle to our presence straight; Say we intend to try his grace today If he be guilty, as ’tis published.

SUFFOLK. I’ll call him presently, my noble lord.

[Exit.]

KING HENRY. Lords, take your places; and, I pray you all, Proceed no straiter ’gainst our uncle Gloucester Than from true evidence of good esteem He be approved in practice culpable.

QUEEN MARGARET. God forbid any malice should prevail That faultless may condemn a nobleman! Pray God he may acquit him of suspicion!

KING HENRY. I thank thee, Meg; these words content me much.

Enter Suffolk.

How now? Why look’st thou pale? Why tremblest thou? Where is our uncle? What’s the matter, Suffolk?

SUFFOLK. Dead in his bed, my lord; Gloucester is dead.

QUEEN MARGARET. Marry, God forfend!

CARDINAL. God’s secret judgment! I did dream tonight The Duke was dumb and could not speak a word.

[The King swoons.]

QUEEN MARGARET. How fares my lord? Help, lords! the King is dead.

SOMERSET. Rear up his body; wring him by the nose.

QUEEN MARGARET. Run, go, help, help! O Henry, ope thine eyes!

SUFFOLK. He doth revive again. Madam, be patient.

KING HENRY. O heavenly God!

QUEEN MARGARET. How fares my gracious lord?

SUFFOLK. Comfort, my sovereign! Gracious Henry, comfort!

KING HENRY. What, doth my Lord of Suffolk comfort me? Came he right now to sing a raven’s note, Whose dismal tune bereft my vital powers, And thinks he that the chirping of a wren, By crying comfort from a hollow breast, Can chase away the first-conceived sound? Hide not thy poison with such sugared words; Lay not thy hands on me. Forbear, I say! Their touch affrights me as a serpent’s sting. Thou baleful messenger, out of my sight! Upon thy eyeballs murderous tyranny Sits in grim majesty to fright the world. Look not upon me, for thine eyes are wounding. Yet do not go away; come, basilisk, And kill the innocent gazer with thy sight. For in the shade of death I shall find joy, In life but double death, now Gloucester’s dead.

QUEEN MARGARET. Why do you rate my Lord of Suffolk thus? Although the Duke was enemy to him, Yet he most Christian-like laments his death. And for myself, foe as he was to me, Might liquid tears or heart-offending groans Or blood-consuming sighs recall his life, I would be blind with weeping, sick with groans, Look pale as primrose with blood-drinking sighs, And all to have the noble Duke alive. What know I how the world may deem of me? For it is known we were but hollow friends. It may be judged I made the Duke away; So shall my name with slander’s tongue be wounded And princes’ courts be filled with my reproach. This get I by his death. Ay me, unhappy! To be a queen, and crowned with infamy!

KING HENRY. Ah, woe is me for Gloucester, wretched man!

QUEEN MARGARET. Be woe for me, more wretched than he is. What, dost thou turn away and hide thy face? I am no loathsome leper. Look on me. What, art thou, like the adder, waxen deaf? Be poisonous too and kill thy forlorn Queen. Is all thy comfort shut in Gloucester’s tomb? Why, then, Dame Margaret was ne’er thy joy. Erect his statue and worship it, And make my image but an alehouse sign. Was I for this nigh wracked upon the sea And twice by awkward wind from England’s bank Drove back again unto my native clime? What boded this, but well forewarning wind Did seem to say “Seek not a scorpion’s nest, Nor set no footing on this unkind shore?” What did I then, but cursed the gentle gusts And he that loosed them forth their brazen caves And bid them blow towards England’s blessed shore Or turn our stern upon a dreadful rock? Yet Aeolus would not be a murderer, But left that hateful office unto thee. The pretty-vaulting sea refused to drown me, Knowing that thou wouldst have me drowned on shore With tears as salt as sea, through thy unkindness. The splitting rocks cowered in the sinking sands And would not dash me with their ragged sides, Because thy flinty heart, more hard than they, Might in thy palace perish Margaret. As far as I could ken thy chalky cliffs, When from thy shore the tempest beat us back, I stood upon the hatches in the storm, And when the dusky sky began to rob My earnest-gaping sight of thy land’s view, I took a costly jewel from my neck— A heart it was, bound in with diamonds— And threw it towards thy land. The sea received it, And so I wished thy body might my heart. And even with this I lost fair England’s view, And bid mine eyes be packing with my heart, And called them blind and dusky spectacles, For losing ken of Albion’s wished coast. How often have I tempted Suffolk’s tongue, The agent of thy foul inconstancy, To sit and witch me, as Ascanius did When he to madding Dido would unfold His father’s acts commenced in burning Troy! Am I not witched like her? Or thou not false like him? Ay me, I can no more! Die, Margaret, For Henry weeps that thou dost live so long.

Noise within. Enter Warwick, Salisbury and many Commons.

WARWICK. It is reported, mighty sovereign, That good Duke Humphrey traitorously is murdered By Suffolk and the Cardinal Beaufort’s means. The commons, like an angry hive of bees That want their leader, scatter up and down And care not who they sting in his revenge. Myself have calmed their spleenful mutiny, Until they hear the order of his death.

KING HENRY. That he is dead, good Warwick, ’tis too true; But how he died God knows, not Henry. Enter his chamber, view his breathless corpse, And comment then upon his sudden death.

WARWICK. That shall I do, my liege.—Stay, Salisbury, With the rude multitude till I return.

[Warwick exits through one door; Salisbury and Commons exit through another.]

KING HENRY. O Thou that judgest all things, stay my thoughts, My thoughts that labour to persuade my soul Some violent hands were laid on Humphrey’s life. If my suspect be false, forgive me, God, For judgment only doth belong to Thee. Fain would I go to chafe his paly lips With twenty thousand kisses, and to drain Upon his face an ocean of salt tears, To tell my love unto his dumb deaf trunk, And with my fingers feel his hand unfeeling; But all in vain are these mean obsequies. And to survey his dead and earthy image, What were it but to make my sorrow greater?

Enter Warwick and others, bearing Gloucester’s body on a bed.

WARWICK. Come hither, gracious sovereign, view this body.

KING HENRY. That is to see how deep my grave is made, For with his soul fled all my worldly solace; For seeing him, I see my life in death.

WARWICK. As surely as my soul intends to live With that dread King that took our state upon Him To free us from His Father’s wrathful curse, I do believe that violent hands were laid Upon the life of this thrice-famed duke.

SUFFOLK. A dreadful oath, sworn with a solemn tongue! What instance gives Lord Warwick for his vow?

WARWICK. See how the blood is settled in his face. Oft have I seen a timely-parted ghost, Of ashy semblance, meagre, pale, and bloodless, Being all descended to the labouring heart, Who, in the conflict that it holds with death, Attracts the same for aidance ’gainst the enemy, Which with the heart there cools and ne’er returneth To blush and beautify the cheek again. But see, his face is black and full of blood, His eyeballs further out than when he lived, Staring full ghastly like a strangled man; His hair upreared, his nostrils stretched with struggling, His hands abroad displayed, as one that grasped And tugged for life and was by strength subdued. Look, on the sheets his hair, you see, is sticking; His well-proportioned beard made rough and rugged, Like to the summer’s corn by tempest lodged. It cannot be but he was murdered here; The least of all these signs were probable.

SUFFOLK. Why, Warwick, who should do the Duke to death? Myself and Beaufort had him in protection, And we, I hope, sir, are no murderers.

WARWICK. But both of you were vowed Duke Humphrey’s foes, And you, forsooth, had the good Duke to keep. ’Tis like you would not feast him like a friend, And ’tis well seen he found an enemy.

QUEEN MARGARET. Then you, belike, suspect these noblemen As guilty of Duke Humphrey’s timeless death.

WARWICK. Who finds the heifer dead and bleeding fresh And sees fast by a butcher with an axe, But will suspect ’twas he that made the slaughter? Who finds the partridge in the puttock’s nest But may imagine how the bird was dead, Although the kite soar with unbloodied beak? Even so suspicious is this tragedy.

QUEEN MARGARET. Are you the butcher, Suffolk? Where’s your knife? Is Beaufort termed a kite? Where are his talons?

SUFFOLK. I wear no knife to slaughter sleeping men, But here’s a vengeful sword, rusted with ease, That shall be scoured in his rancorous heart That slanders me with murder’s crimson badge. Say, if thou dar’st, proud Lord of Warwickshire, That I am faulty in Duke Humphrey’s death.

[Exeunt Cardinal, Somerset and others.]

WARWICK. What dares not Warwick, if false Suffolk dare him?

QUEEN MARGARET. He dares not calm his contumelious spirit, Nor cease to be an arrogant controller, Though Suffolk dare him twenty thousand times.

WARWICK. Madam, be still, with reverence may I say; For every word you speak in his behalf Is slander to your royal dignity.

SUFFOLK. Blunt-witted lord, ignoble in demeanour! If ever lady wronged her lord so much, Thy mother took into her blameful bed Some stern untutored churl, and noble stock Was graft with crab-tree slip, whose fruit thou art, And never of the Nevilles’ noble race.

WARWICK. But that the guilt of murder bucklers thee And I should rob the deathsman of his fee, Quitting thee thereby of ten thousand shames, And that my sovereign’s presence makes me mild, I would, false murderous coward, on thy knee Make thee beg pardon for thy passed speech And say it was thy mother that thou meant’st, That thou thyself wast born in bastardy; And after all this fearful homage done, Give thee thy hire and send thy soul to hell, Pernicious blood-sucker of sleeping men!

SUFFOLK. Thou shalt be waking while I shed thy blood, If from this presence thou dar’st go with me.

WARWICK. Away even now, or I will drag thee hence. Unworthy though thou art, I’ll cope with thee And do some service to Duke Humphrey’s ghost.

[Exeunt Suffolk and Warwick.]

KING HENRY. What stronger breastplate than a heart untainted? Thrice is he armed that hath his quarrel just, And he but naked, though locked up in steel, Whose conscience with injustice is corrupted.

[A noise within.]

QUEEN MARGARET. What noise is this?

Enter Suffolk and Warwick with their weapons drawn.

KING HENRY. Why, how now, lords? Your wrathful weapons drawn Here in our presence? Dare you be so bold? Why, what tumultuous clamour have we here?

SUFFOLK. The traitorous Warwick with the men of Bury Set all upon me, mighty sovereign.

Enter Salisbury.

SALISBURY. [To the Commons, entering.] Sirs, stand apart; the King shall know your mind.— Dread lord, the commons send you word by me, Unless Lord Suffolk straight be done to death, Or banished fair England’s territories, They will by violence tear him from your palace And torture him with grievous lingering death. They say, by him the good Duke Humphrey died; They say, in him they fear your highness’ death; And mere instinct of love and loyalty, Free from a stubborn opposite intent, As being thought to contradict your liking, Makes them thus forward in his banishment. They say, in care of your most royal person, That if your highness should intend to sleep And charge that no man should disturb your rest, In pain of your dislike or pain of death, Yet, notwithstanding such a strait edict, Were there a serpent seen, with forked tongue, That slyly glided towards your majesty, It were but necessary you were waked, Lest, being suffered in that harmful slumber, The mortal worm might make the sleep eternal. And therefore do they cry, though you forbid, That they will guard you, whe’er you will or no, From such fell serpents as false Suffolk is, With whose envenomed and fatal sting Your loving uncle, twenty times his worth, They say, is shamefully bereft of life.

COMMONS. [Within.] An answer from the King, my Lord of Salisbury!

SUFFOLK. ’Tis like the commons, rude unpolished hinds, Could send such message to their sovereign. But you, my lord, were glad to be employed, To show how quaint an orator you are. But all the honour Salisbury hath won Is that he was the lord ambassador Sent from a sort of tinkers to the King.

COMMONS. [Within.] An answer from the King, or we will all break in!

KING HENRY. Go, Salisbury, and tell them all from me, I thank them for their tender loving care; And had I not been cited so by them, Yet did I purpose as they do entreat. For, sure, my thoughts do hourly prophesy Mischance unto my state by Suffolk’s means. And therefore, by His majesty I swear, Whose far unworthy deputy I am, He shall not breathe infection in this air But three days longer, on the pain of death.

[Exit Salisbury.]

QUEEN MARGARET. O Henry, let me plead for gentle Suffolk!

KING HENRY. Ungentle Queen, to call him gentle Suffolk! No more, I say; if thou dost plead for him, Thou wilt but add increase unto my wrath. Had I but said, I would have kept my word; But when I swear, it is irrevocable. If, after three days’ space, thou here be’st found On any ground that I am ruler of, The world shall not be ransom for thy life. Come, Warwick, come, good Warwick, go with me; I have great matters to impart to thee.

[Exeunt all but Queen and Suffolk.]

QUEEN MARGARET. Mischance and sorrow go along with you! Heart’s discontent and sour affliction Be playfellows to keep you company! There’s two of you; the devil make a third! And threefold vengeance tend upon your steps!

SUFFOLK. Cease, gentle Queen, these execrations, And let thy Suffolk take his heavy leave.

QUEEN MARGARET. Fie, coward woman and soft-hearted wretch! Has thou not spirit to curse thine enemies?

SUFFOLK. A plague upon them! Wherefore should I curse them? Could curses kill, as doth the mandrake’s groan, I would invent as bitter searching terms, As curst, as harsh and horrible to hear, Delivered strongly through my fixed teeth, With full as many signs of deadly hate, As lean-faced Envy in her loathsome cave. My tongue should stumble in mine earnest words; Mine eyes should sparkle like the beaten flint; Mine hair be fixed on end, as one distract; Ay, every joint should seem to curse and ban; And even now my burdened heart would break Should I not curse them. Poison be their drink! Gall, worse than gall, the daintiest that they taste! Their sweetest shade a grove of cypress-trees! Their chiefest prospect murdering basilisks; Their softest touch as smart as lizards’ stings! Their music frightful as the serpent’s hiss, And boding screech-owls make the consort full! All the foul terrors in dark-seated hell—

QUEEN MARGARET. Enough, sweet Suffolk; thou torment’st thyself, And these dread curses, like the sun ’gainst glass, Or like an overcharged gun, recoil And turns the force of them upon thyself.

SUFFOLK. You bade me ban, and will you bid me leave? Now, by the ground that I am banished from, Well could I curse away a winter’s night, Though standing naked on a mountain top Where biting cold would never let grass grow, And think it but a minute spent in sport.

QUEEN MARGARET. O, let me entreat thee cease. Give me thy hand, That I may dew it with my mournful tears; Nor let the rain of heaven wet this place To wash away my woeful monuments. O, could this kiss be printed in thy hand, That thou mightst think upon these by the seal, Through whom a thousand sighs are breathed for thee! So, get thee gone, that I may know my grief; ’Tis but surmised whiles thou art standing by, As one that surfeits thinking on a want. I will repeal thee, or, be well assured, Adventure to be banished myself; And banished I am, if but from thee. Go; speak not to me, even now be gone! O, go not yet! Even thus two friends condemned Embrace and kiss and take ten thousand leaves, Loather a hundred times to part than die. Yet now farewell, and farewell life with thee.

SUFFOLK. Thus is poor Suffolk ten times banished, Once by the King, and three times thrice by thee. ’Tis not the land I care for, wert thou thence. A wilderness is populous enough, So Suffolk had thy heavenly company; For where thou art, there is the world itself, With every several pleasure in the world; And where thou art not, desolation. I can no more. Live thou to joy thy life, Myself no joy in nought but that thou liv’st.

Enter Vaux.

QUEEN MARGARET. Whither goes Vaux so fast? What news, I prithee?

VAUX. To signify unto his majesty That Cardinal Beaufort is at point of death; For suddenly a grievous sickness took him, That makes him gasp and stare and catch the air, Blaspheming God and cursing men on earth. Sometime he talks as if Duke Humphrey’s ghost Were by his side; sometime he calls the King And whispers to his pillow, as to him, The secrets of his overcharged soul. And I am sent to tell his majesty That even now he cries aloud for him.

QUEEN MARGARET. Go tell this heavy message to the King.

[Exit Vaux.]

Ay me! What is this world? What news are these! But wherefore grieve I at an hour’s poor loss, Omitting Suffolk’s exile, my soul’s treasure? Why only, Suffolk, mourn I not for thee, And with the southern clouds contend in tears, Theirs for the earth’s increase, mine for my sorrows’? Now get thee hence. The King, thou know’st, is coming; If thou be found by me thou art but dead.

SUFFOLK. If I depart from thee, I cannot live; And in thy sight to die, what were it else But like a pleasant slumber in thy lap? Here could I breathe my soul into the air, As mild and gentle as the cradle-babe Dying with mother’s dug between its lips; Where, from thy sight, I should be raging mad And cry out for thee to close up mine eyes, To have thee with thy lips to stop my mouth. So shouldst thou either turn my flying soul, Or I should breathe it so into thy body, And then it lived in sweet Elysium. To die by thee were but to die in jest; From thee to die were torture more than death. O, let me stay, befall what may befall!

QUEEN MARGARET. Away! Though parting be a fretful corrosive, It is applied to a deathful wound. To France, sweet Suffolk! Let me hear from thee, For whereso’er thou art in this world’s globe I’ll have an Iris that shall find thee out.

SUFFOLK. I go.

QUEEN MARGARET. And take my heart with thee.

SUFFOLK. A jewel, locked into the woefull’st cask That ever did contain a thing of worth. Even as a splitted bark, so sunder we. This way fall I to death.

QUEEN MARGARET. This way for me.

[Exeunt severally.]

Act III, Scene III — A Bedchamber

Enter the King, Salisbury and Warwick, to the Cardinal in bed.

KING HENRY. How fares my lord? Speak, Beaufort, to thy sovereign.

CARDINAL. If thou be’st Death, I’ll give thee England’s treasure, Enough to purchase such another island, So thou wilt let me live and feel no pain.

KING HENRY. Ah, what a sign it is of evil life Where death’s approach is seen so terrible!

WARWICK. Beaufort, it is thy sovereign speaks to thee.

CARDINAL. Bring me unto my trial when you will. Died he not in his bed? Where should he die? Can I make men live, whe’er they will or no? O, torture me no more! I will confess. Alive again? Then show me where he is. I’ll give a thousand pound to look upon him. He hath no eyes, the dust hath blinded them. Comb down his hair; look, look, it stands upright, Like lime-twigs set to catch my winged soul. Give me some drink, and bid the apothecary Bring the strong poison that I bought of him.

KING HENRY. O Thou eternal mover of the heavens, Look with a gentle eye upon this wretch! O, beat away the busy meddling fiend That lays strong siege unto this wretch’s soul, And from his bosom purge this black despair!

WARWICK. See how the pangs of death do make him grin!

SALISBURY. Disturb him not; let him pass peaceably.

KING HENRY. Peace to his soul, if God’s good pleasure be! Lord Cardinal, if thou think’st on heaven’s bliss, Hold up thy hand, make signal of thy hope. He dies and makes no sign. O God, forgive him!

WARWICK. So bad a death argues a monstrous life.

KING HENRY. Forbear to judge, for we are sinners all. Close up his eyes, and draw the curtain close, And let us all to meditation.

[Exeunt.]

Act IV, Scene I — The Coast of Kent

Alarum. Fight at sea. Ordnance goes off. Enter a Lieutenant, Suffolk, disguised, a prisoner. The Master, a Master’s Mate, Walter Whitmore, and prisoners.

LIEUTENANT. The gaudy, blabbing, and remorseful day Is crept into the bosom of the sea; And now loud-howling wolves arouse the jades That drag the tragic melancholy night, Who, with their drowsy, slow, and flagging wings Clip dead men’s graves and from their misty jaws Breathe foul contagious darkness in the air. Therefore bring forth the soldiers of our prize; For, whilst our pinnace anchors in the Downs, Here shall they make their ransom on the sand, Or with their blood stain this discoloured shore. Master, this prisoner freely give I thee, And thou that art his mate, make boot of this; The other, Walter Whitmore, is thy share.

1 GENTLEMAN. What is my ransom, master? Let me know.

MASTER. A thousand crowns, or else lay down your head.

MATE. And so much shall you give, or off goes yours.

LIEUTENANT. What, think you much to pay two thousand crowns, And bear the name and port of gentlemen? Cut both the villains’ throats—for die you shall. The lives of those which we have lost in fight Be counterpoised with such a petty sum!

1 GENTLEMAN. I’ll give it, sir, and therefore spare my life.

2 GENTLEMAN. And so will I, and write home for it straight.

WHITMORE. [To Suffolk.] I lost mine eye in laying the prize aboard, And therefore to revenge it shalt thou die; And so should these, if I might have my will.

LIEUTENANT. Be not so rash; take ransom, let him live.

SUFFOLK. Look on my George; I am a gentleman. Rate me at what thou wilt, thou shalt be paid.

WHITMORE. And so am I; my name is Walter Whitmore. How now! Why starts thou? What, doth death affright?

SUFFOLK. Thy name affrights me, in whose sound is death. A cunning man did calculate my birth And told me that by water I should die. Yet let not this make thee be bloody-minded; Thy name is Gaultier, being rightly sounded.

WHITMORE. Gaultier or Walter, which it is, I care not. Never yet did base dishonour blur our name But with our sword we wiped away the blot. Therefore, when merchant-like I sell revenge, Broke be my sword, my arms torn and defaced, And I proclaimed a coward through the world!

SUFFOLK. Stay, Whitmore, for thy prisoner is a prince, The Duke of Suffolk, William de la Pole.

WHITMORE. The Duke of Suffolk, muffled up in rags?

SUFFOLK. Ay, but these rags are no part of the Duke. Jove sometime went disguised, and why not I?

LIEUTENANT. But Jove was never slain, as thou shalt be.

SUFFOLK. Obscure and lowly swain, King Henry’s blood, The honourable blood of Lancaster, Must not be shed by such a jaded groom. Hast thou not kissed thy hand and held my stirrup? Bareheaded plodded by my foot-cloth mule, And thought thee happy when I shook my head? How often hast thou waited at my cup, Fed from my trencher, kneeled down at the board, When I have feasted with Queen Margaret? Remember it, and let it make thee crestfallen, Ay, and allay thus thy abortive pride. How in our voiding lobby hast thou stood And duly waited for my coming forth? This hand of mine hath writ in thy behalf, And therefore shall it charm thy riotous tongue.

WHITMORE. Speak, captain, shall I stab the forlorn swain?

LIEUTENANT. First let my words stab him, as he hath me.

SUFFOLK. Base slave, thy words are blunt, and so art thou.

LIEUTENANT. Convey him hence, and on our longboat’s side Strike off his head.

SUFFOLK. Thou dar’st not, for thy own.

LIEUTENANT. Yes, poll!

SUFFOLK. Pole!

LIEUTENANT. Pool! Sir Pool! Lord! Ay, kennel, puddle, sink, whose filth and dirt Troubles the silver spring where England drinks; Now will I dam up this thy yawning mouth For swallowing the treasure of the realm. Thy lips that kissed the Queen shall sweep the ground; And thou that smiledst at good Duke Humphrey’s death Against the senseless winds shalt grin in vain, Who in contempt shall hiss at thee again. And wedded be thou to the hags of hell, For daring to affy a mighty lord Unto the daughter of a worthless king, Having neither subject, wealth, nor diadem. By devilish policy art thou grown great And, like ambitious Sylla, overgorged With gobbets of thy mother’s bleeding heart. By thee Anjou and Maine were sold to France, The false revolting Normans thorough thee Disdain to call us lord, and Picardy Hath slain their governors, surprised our forts, And sent the ragged soldiers wounded home. The princely Warwick, and the Nevilles all, Whose dreadful swords were never drawn in vain, As hating thee are rising up in arms. And now the house of York, thrust from the crown By shameful murder of a guiltless king And lofty, proud, encroaching tyranny, Burns with revenging fire, whose hopeful colours Advance our half-faced sun, striving to shine, Under the which is writ “Invitis nubibus.” The commons here in Kent are up in arms; And, to conclude, reproach and beggary Is crept into the palace of our King, And all by thee.—Away! Convey him hence.

SUFFOLK. O that I were a god, to shoot forth thunder Upon these paltry, servile, abject drudges! Small things make base men proud. This villain here, Being captain of a pinnace, threatens more Than Bargulus the strong Illyrian pirate. Drones suck not eagles’ blood but rob beehives. It is impossible that I should die By such a lowly vassal as thyself. Thy words move rage and not remorse in me. I go of message from the Queen to France; I charge thee waft me safely ’cross the Channel.

LIEUTENANT. Walter.

WHITMORE. Come, Suffolk, I must waft thee to thy death.

SUFFOLK. Pene gelidus timor occupat artus. It is thee I fear.

WHITMORE. Thou shalt have cause to fear before I leave thee. What, are ye daunted now? Now will ye stoop?

1 GENTLEMAN. My gracious lord, entreat him, speak him fair.

SUFFOLK. Suffolk’s imperial tongue is stern and rough, Used to command, untaught to plead for favour. Far be it we should honour such as these With humble suit. No, rather let my head Stoop to the block than these knees bow to any Save to the God of heaven and to my King; And sooner dance upon a bloody pole Than stand uncovered to the vulgar groom. True nobility is exempt from fear; More can I bear than you dare execute.

LIEUTENANT. Hale him away, and let him talk no more.

SUFFOLK. Come, soldiers, show what cruelty ye can, That this my death may never be forgot! Great men oft die by vile Bezonians. A Roman sworder and banditto slave Murdered sweet Tully; Brutus’ bastard hand Stabbed Julius Caesar; savage islanders Pompey the Great; and Suffolk dies by pirates.

[Exeunt Whitmore and others with Suffolk.]

LIEUTENANT. And as for these whose ransom we have set, It is our pleasure one of them depart. Therefore come you with us, and let him go.

[Exeunt all but the 1 Gentleman.]

Enter Whitmore with Suffolk’s body and head.

WHITMORE. There let his head and lifeless body lie, Until the Queen his mistress bury it.

[Exit.]

1 GENTLEMAN. O barbarous and bloody spectacle! His body will I bear unto the King. If he revenge it not, yet will his friends; So will the Queen, that living held him dear.

[Exit with the body.]

Act IV, Scene II — Blackheath

Enter George Bevis and John Holland.

BEVIS. Come, and get thee a sword, though made of a lath; they have been up these two days.

HOLLAND. They have the more need to sleep now, then.

BEVIS. I tell thee, Jack Cade the clothier means to dress the commonwealth, and turn it, and set a new nap upon it.

HOLLAND. So he had need, for ’tis threadbare. Well, I say it was never merry world in England since gentlemen came up.

BEVIS. O miserable age! Virtue is not regarded in handicraftsmen.

HOLLAND. The nobility think scorn to go in leather aprons.

BEVIS. Nay, more, the King’s Council are no good workmen.

HOLLAND. True; and yet it is said, “Labour in thy vocation,” which is as much to say as, “Let the magistrates be labouring men;” and therefore should we be magistrates.

BEVIS. Thou hast hit it; for there’s no better sign of a brave mind than a hard hand.

HOLLAND. I see them! I see them! There’s Best’s son, the tanner of Wingham.

BEVIS. He shall have the skin of our enemies, to make dog’s leather of.

HOLLAND. And Dick the butcher.

BEVIS. Then is sin struck down like an ox, and iniquity’s throat cut like a calf.

HOLLAND. And Smith the weaver.

BEVIS. Argo, their thread of life is spun.

HOLLAND. Come, come, let’s fall in with them.

Drum. Enter Cade, Dick the Butcher, Smith the Weaver and a Sawyer with infinite numbers carrying long staves.

CADE. We, John Cade, so termed of our supposed father—

DICK. [Aside.] Or rather, of stealing a cade of herrings.

CADE. For our enemies shall fall before us, inspired with the spirit of putting down kings and princes. Command silence.

DICK. Silence!

CADE. My father was a Mortimer—

DICK. [Aside.] He was an honest man and a good bricklayer.

CADE. My mother a Plantagenet—

DICK. [Aside.] I knew her well; she was a midwife.

CADE. My wife descended of the Lacies—

DICK. [Aside.] She was indeed a pedler’s daughter, and sold many laces.

SMITH. [Aside.] But now of late, not able to travel with her furred pack, she washes bucks here at home.

CADE. Therefore am I of an honourable house.

DICK. [Aside.] Ay, by my faith, the field is honourable; and there was he born, under a hedge, for his father had never a house but the cage.

CADE. Valiant I am.

SMITH. [Aside.] He must needs; for beggary is valiant.

CADE. I am able to endure much.

DICK. [Aside.] No question of that; for I have seen him whipped three market-days together.

CADE. I fear neither sword nor fire.

SMITH. [Aside.] He need not fear the sword, for his coat is of proof.

DICK. [Aside.] But methinks he should stand in fear of fire, being burnt i’ th’ hand for stealing of sheep.

CADE. Be brave, then, for your captain is brave, and vows reformation. There shall be in England seven halfpenny loaves sold for a penny; the three-hooped pot shall have ten hoops, and I will make it felony to drink small beer. All the realm shall be in common, and in Cheapside shall my palfrey go to grass. And when I am king, as king I will be—

ALL. God save your majesty!

CADE. I thank you, good people.—There shall be no money; all shall eat and drink on my score, and I will apparel them all in one livery, that they may agree like brothers and worship me their lord.

DICK. The first thing we do, let’s kill all the lawyers.

CADE. Nay, that I mean to do. Is not this a lamentable thing, that of the skin of an innocent lamb should be made parchment; that parchment, being scribbled o’er, should undo a man? Some say the bee stings, but I say ’tis the bee’s wax; for I did but seal once to a thing, and I was never mine own man since. How now? Who’s there?

Enter some, bringing in the Clerk of Chartham.

SMITH. The clerk of Chartham. He can write and read and cast account.

CADE. O, monstrous!

SMITH. We took him setting of boys’ copies.

CADE. Here’s a villain!

SMITH. H’as a book in his pocket with red letters in ’t.

CADE. Nay, then, he is a conjurer.

DICK. Nay, he can make obligations and write court-hand.

CADE. I am sorry for ’t. The man is a proper man, of mine honour; unless I find him guilty, he shall not die.—Come hither, sirrah, I must examine thee. What is thy name?

CLERK. Emmanuel.

DICK. They use to write it on the top of letters. ’Twill go hard with you.

CADE. Let me alone. Dost thou use to write thy name? Or hast thou a mark to thyself, like a honest, plain-dealing man?

CLERK. Sir, I thank God, I have been so well brought up that I can write my name.

ALL. He hath confessed. Away with him! He’s a villain and a traitor.

CADE. Away with him, I say! Hang him with his pen and inkhorn about his neck.

[Exit one with the Clerk.]

Enter Michael.

MICHAEL. Where’s our general?

CADE. Here I am, thou particular fellow.

MICHAEL. Fly, fly, fly! Sir Humphrey Stafford and his brother are hard by, with the King’s forces.

CADE. Stand, villain, stand, or I’ll fell thee down. He shall be encountered with a man as good as himself. He is but a knight, is he?

MICHAEL. No.

CADE. To equal him, I will make myself a knight presently. [Kneels.] Rise up Sir John Mortimer. [Rises.] Now have at him!

Enter Sir Humphrey Stafford and his Brother with Drum and soldiers.

STAFFORD. Rebellious hinds, the filth and scum of Kent, Marked for the gallows, lay your weapons down; Home to your cottages, forsake this groom. The King is merciful, if you revolt.

BROTHER. But angry, wrathful, and inclined to blood, If you go forward. Therefore yield, or die.

CADE. As for these silken-coated slaves, I pass not. It is to you, good people, that I speak, Over whom, in time to come, I hope to reign, For I am rightful heir unto the crown.

STAFFORD. Villain, thy father was a plasterer, And thou thyself a shearman, art thou not?

CADE. And Adam was a gardener.

BROTHER. And what of that?

CADE. Marry, this: Edmund Mortimer, Earl of March, Married the Duke of Clarence’ daughter, did he not?

STAFFORD. Ay, sir.

CADE. By her he had two children at one birth.

BROTHER. That’s false.

CADE. Ay, there’s the question; but I say ’tis true. The elder of them, being put to nurse, Was by a beggar-woman stolen away, And, ignorant of his birth and parentage, Became a bricklayer when he came to age. His son am I; deny it if you can.

DICK. Nay, ’tis too true; therefore he shall be King.

SMITH. Sir, he made a chimney in my father’s house, and the bricks are alive at this day to testify it; therefore deny it not.

STAFFORD. And will you credit this base drudge’s words, That speaks he knows not what?

ALL. Ay, marry, will we; therefore get ye gone.

BROTHER. Jack Cade, the Duke of York hath taught you this.

CADE. [Aside.] He lies, for I invented it myself.—Go to, sirrah, tell the King from me that, for his father’s sake, Henry the Fifth, in whose time boys went to span-counter for French crowns, I am content he shall reign, but I’ll be Protector over him.

DICK. And furthermore, we’ll have the Lord Saye’s head for selling the dukedom of Maine.

CADE. And good reason, for thereby is England mained and fain to go with a staff, but that my puissance holds it up. Fellow kings, I tell you that that Lord Saye hath gelded the commonwealth and made it an eunuch; and more than that, he can speak French, and therefore he is a traitor.

STAFFORD. O gross and miserable ignorance!

CADE. Nay, answer if you can. The Frenchmen are our enemies; go to, then, I ask but this: can he that speaks with the tongue of an enemy be a good counsellor, or no?

ALL. No, no, and therefore we’ll have his head.

BROTHER. Well, seeing gentle words will not prevail, Assail them with the army of the King.

STAFFORD. Herald, away, and throughout every town Proclaim them traitors that are up with Cade; That those which fly before the battle ends May, even in their wives’ and children’s sight, Be hanged up for example at their doors. And you that be the King’s friends, follow me.

[Exeunt the two Staffords and soldiers.]

CADE. And you that love the commons follow me. Now show yourselves men; ’tis for liberty. We will not leave one lord, one gentleman; Spare none but such as go in clouted shoon, For they are thrifty honest men and such As would, but that they dare not, take our parts.

DICK. They are all in order and march toward us.

CADE. But then are we in order when we are most out of order. Come, march forward.

[Exeunt.]

Act IV, Scene III — Another part of Blackheath

[Alarums to the fight, wherein both the Staffords are slain. Enter Cade and the rest.

CADE. Where’s Dick, the butcher of Ashford?

DICK. Here, sir.

CADE. They fell before thee like sheep and oxen, and thou behaved’st thyself as if thou hadst been in thine own slaughterhouse. Therefore thus will I reward thee: the Lent shall be as long again as it is, and thou shalt have a licence to kill for a hundred lacking one.

DICK. I desire no more.

CADE. And, to speak truth, thou deservest no less. This monument of the victory will I bear. [putting on Sir Humphrey’s brigandine] And the bodies shall be dragged at my horse heels till I do come to London, where we will have the Mayor’s sword borne before us.

DICK. If we mean to thrive and do good, break open the gaols and let out the prisoners.

CADE. Fear not that, I warrant thee. Come, let’s march towards London.

[Exeunt.]

Act IV, Scene IV — London. The Palace

Enter the King with a supplication, and the Queen with Suffolk’s head, the Duke of Buckingham and the Lord Saye.

QUEEN MARGARET. [Aside.] Oft have I heard that grief softens the mind And makes it fearful and degenerate; Think therefore on revenge and cease to weep. But who can cease to weep and look on this? Here may his head lie on my throbbing breast; But where’s the body that I should embrace?

BUCKINGHAM. What answer makes your grace to the rebels’ supplication?

KING HENRY. I’ll send some holy bishop to entreat, For God forbid so many simple souls Should perish by the sword! And I myself, Rather than bloody war shall cut them short, Will parley with Jack Cade their general. But stay, I’ll read it over once again.

QUEEN MARGARET. [Aside.] Ah, barbarous villains! Hath this lovely face Ruled, like a wandering planet, over me, And could it not enforce them to relent That were unworthy to behold the same?

KING HENRY. Lord Saye, Jack Cade hath sworn to have thy head.

SAYE. Ay, but I hope your highness shall have his.

KING HENRY. How now, madam? Still lamenting and mourning for Suffolk’s death? I fear me, love, if that I had been dead, Thou wouldst not have mourned so much for me.

QUEEN MARGARET. No, my love, I should not mourn, but die for thee.

Enter a Messenger.

KING HENRY. How now, what news? Why com’st thou in such haste?

MESSENGER. The rebels are in Southwark; fly, my lord! Jack Cade proclaims himself Lord Mortimer, Descended from the Duke of Clarence’ house, And calls your grace usurper openly, And vows to crown himself in Westminster. His army is a ragged multitude Of hinds and peasants, rude and merciless. Sir Humphrey Stafford and his brother’s death Hath given them heart and courage to proceed. All scholars, lawyers, courtiers, gentlemen, They call false caterpillars, and intend their death.

KING HENRY. O graceless men! They know not what they do.

BUCKINGHAM. My gracious lord, retire to Killingworth Until a power be raised to put them down.

QUEEN MARGARET. Ah, were the Duke of Suffolk now alive, These Kentish rebels would be soon appeased!

KING HENRY. Lord Saye, the traitors hate thee; Therefore away with us to Killingworth.

SAYE. So might your grace’s person be in danger. The sight of me is odious in their eyes; And therefore in this city will I stay And live alone as secret as I may.

Enter another Messenger.

MESSENGER. Jack Cade hath gotten London Bridge; The citizens fly and forsake their houses. The rascal people, thirsting after prey, Join with the traitor, and they jointly swear To spoil the city and your royal court.

BUCKINGHAM. Then linger not, my lord; away, take horse!

KING HENRY. Come, Margaret. God, our hope, will succour us.

QUEEN MARGARET. [Aside.] My hope is gone, now Suffolk is deceased.

KING HENRY. Farewell, my lord. Trust not the Kentish rebels.

BUCKINGHAM. Trust nobody, for fear you be betrayed.

SAYE. The trust I have is in mine innocence, And therefore am I bold and resolute.

[Exeunt.]

Act IV, Scene V — London. The Tower

Enter Lord Scales upon the Tower, walking. Then enter two or three Citizens below.

SCALES. How now? Is Jack Cade slain?

1 CITIZEN. No, my lord, nor likely to be slain; for they have won the Bridge, killing all those that withstand them. The Lord Mayor craves aid of your honour from the Tower to defend the city from the rebels.

SCALES. Such aid as I can spare you shall command, But I am troubled here with them myself; The rebels have assayed to win the Tower. But get you to Smithfield and gather head, And thither I will send you Matthew Gough. Fight for your king, your country, and your lives! And so farewell, for I must hence again.

[Exeunt.]

Act IV, Scene VI — London. Cannon Street

Enter Jack Cade and the rest, and strikes his staff on London Stone.

CADE. Now is Mortimer lord of this city. And here, sitting upon London Stone, I charge and command that, of the city’s cost, the Pissing Conduit run nothing but claret wine this first year of our reign. And now henceforward it shall be treason for any that calls me other than Lord Mortimer.

Enter a Soldier, running.

SOLDIER. Jack Cade! Jack Cade!

CADE. Knock him down there.

[They kill him.]

DICK. If this fellow be wise, he’ll never call ye Jack Cade more. I think he hath a very fair warning. My lord, there’s an army gathered together in Smithfield.

CADE. Come then, let’s go fight with them. But first, go and set London Bridge on fire; and, if you can, burn down the Tower too. Come, let’s away.

[Exeunt.]

Act IV, Scene VII — London. Smithfield

Alarums. Matthew Gough is slain, and all the rest. Then enter Jack Cade with his company.

CADE. So, sirs. Now go some and pull down the Savoy; others to th’ Inns of Court; down with them all.

DICK. I have a suit unto your lordship.

CADE. Be it a lordship, thou shalt have it for that word.

DICK. Only that the laws of England may come out of your mouth.

HOLLAND. [Aside.] Mass, ’twill be sore law, then; for he was thrust in the mouth with a spear, and ’tis not whole yet.

SMITH. [Aside.] Nay, John, it will be stinking law, for his breath stinks with eating toasted cheese.

CADE. I have thought upon it, it shall be so. Away, burn all the records of the realm. My mouth shall be the parliament of England.

HOLLAND. [Aside.] Then we are like to have biting statutes, unless his teeth be pulled out.

CADE. And henceforward all things shall be in common.

Enter a Messenger.

MESSENGER. My lord, a prize, a prize! Here’s the Lord Saye, which sold the towns in France; he that made us pay one-and-twenty fifteens, and one shilling to the pound, the last subsidy.

Enter George Bevis with the Lord Saye.

CADE. Well, he shall be beheaded for it ten times. Ah, thou say, thou serge, nay, thou buckram lord! Now art thou within point-blank of our jurisdiction regal. What canst thou answer to my majesty for giving up of Normandy unto Mounsieur Basimecu, the Dauphin of France? Be it known unto thee by these presence, even the presence of Lord Mortimer, that I am the besom that must sweep the court clean of such filth as thou art. Thou hast most traitorously corrupted the youth of the realm in erecting a grammar school; and whereas, before, our forefathers had no other books but the score and the tally, thou hast caused printing to be used, and, contrary to the King, his crown, and dignity, thou hast built a paper-mill. It will be proved to thy face that thou hast men about thee that usually talk of a noun and a verb, and such abominable words as no Christian ear can endure to hear. Thou hast appointed justices of peace, to call poor men before them about matters they were not able to answer. Moreover, thou hast put them in prison, and because they could not read, thou hast hanged them, when indeed only for that cause they have been most worthy to live. Thou dost ride on a foot-cloth, dost thou not?

SAYE. What of that?

CADE. Marry, thou ought’st not to let thy horse wear a cloak when honester men than thou go in their hose and doublets.

DICK. And work in their shirt too; as myself, for example, that am a butcher.

SAYE. You men of Kent—

DICK. What say you of Kent?

SAYE. Nothing but this; ’tis bona terra, mala gens.

CADE. Away with him, away with him! He speaks Latin.

SAYE. Hear me but speak, and bear me where you will. Kent, in the Commentaries Caesar writ, Is termed the civil’st place of all this isle. Sweet is the country, because full of riches; The people liberal, valiant, active, wealthy; Which makes me hope you are not void of pity. I sold not Maine, I lost not Normandy, Yet to recover them would lose my life. Justice with favour have I always done; Prayers and tears have moved me, gifts could never. When have I aught exacted at your hands Kent to maintain the King, the realm, and you? Large gifts have I bestowed on learned clerks, Because my book preferred me to the King. And seeing ignorance is the curse of God, Knowledge the wing wherewith we fly to heaven, Unless you be possessed with devilish spirits, You cannot but forbear to murder me. This tongue hath parleyed unto foreign kings For your behoof—

CADE. Tut, when struck’st thou one blow in the field?

SAYE. Great men have reaching hands; oft have I struck Those that I never saw, and struck them dead.

GEORGE. O monstrous coward! What, to come behind folks?

SAYE. These cheeks are pale for watching for your good.

CADE. Give him a box o’ th’ ear, and that will make ’em red again.

SAYE. Long sitting to determine poor men’s causes Hath made me full of sickness and diseases.

CADE. Ye shall have a hempen caudle then, and the help of hatchet.

DICK. Why dost thou quiver, man?

SAYE. The palsy, and not fear, provokes me.

CADE. Nay, he nods at us, as who should say, “I’ll be even with you.” I’ll see if his head will stand steadier on a pole or no. Take him away, and behead him.

SAYE. Tell me, wherein have I offended most? Have I affected wealth or honour? Speak. Are my chests filled up with extorted gold? Is my apparel sumptuous to behold? Whom have I injured, that ye seek my death? These hands are free from guiltless bloodshedding, This breast from harbouring foul deceitful thoughts. O, let me live!

CADE. [Aside.] I feel remorse in myself with his words, but I’ll bridle it. He shall die, an it be but for pleading so well for his life. Away with him! He has a familiar under his tongue; he speaks not i’ God’s name. Go, take him away, I say, and strike off his head presently; and then break into his son-in-law’s house, Sir James Cromer, and strike off his head, and bring them both upon two poles hither.

ALL. It shall be done.

SAYE. Ah, countrymen, if when you make your prayers, God should be so obdurate as yourselves, How would it fare with your departed souls? And therefore yet relent, and save my life.

CADE. Away with him! And do as I command ye.

[Exeunt some with Lord Saye.]

The proudest peer in the realm shall not wear a head on his shoulders unless he pay me tribute; there shall not a maid be married but she shall pay to me her maidenhead ere they have it. Men shall hold of me in capite; and we charge and command that their wives be as free as heart can wish or tongue can tell.

DICK. My lord, when shall we go to Cheapside and take up commodities upon our bills?

CADE. Marry, presently.

ALL. O, brave!

Enter one with the heads.

CADE. But is not this braver? Let them kiss one another, for they loved well when they were alive. Now part them again, lest they consult about the giving up of some more towns in France. Soldiers, defer the spoil of the city until night; for with these borne before us instead of maces will we ride through the streets, and at every corner have them kiss. Away!

[Exeunt.]

Act IV, Scene VIII — Southwark

Alarum and retreat. Enter Cade and all his rabblement.

CADE. Up Fish Street! Down Saint Magnus’ Corner! Kill and knock down! Throw them into Thames! [Sound a parley.] What noise is this I hear? Dare any be so bold to sound retreat or parley when I command them kill?

Enter Buckingham and old Clifford attended.

BUCKINGHAM. Ay, here they be that dare and will disturb thee. Know, Cade, we come ambassadors from the King Unto the commons, whom thou hast misled, And here pronounce free pardon to them all That will forsake thee and go home in peace.

CLIFFORD. What say ye, countrymen? Will ye relent And yield to mercy whilst ’tis offered you, Or let a rebel lead you to your deaths? Who loves the King and will embrace his pardon, Fling up his cap, and say “God save his Majesty!” Who hateth him and honours not his father, Henry the Fifth, that made all France to quake, Shake he his weapon at us and pass by.

ALL. God save the King! God save the King!

CADE. What, Buckingham and Clifford, are ye so brave? And you, base peasants, do ye believe him? Will you needs be hanged with your pardons about your necks? Hath my sword therefore broke through London gates, that you should leave me at the White Hart in Southwark? I thought ye would never have given out these arms till you had recovered your ancient freedom; but you are all recreants and dastards, and delight to live in slavery to the nobility. Let them break your backs with burdens, take your houses over your heads, ravish your wives and daughters before your faces. For me, I will make shift for one, and so God’s curse light upon you all!

ALL. We’ll follow Cade! We’ll follow Cade!

CLIFFORD. Is Cade the son of Henry the Fifth, That thus you do exclaim you’ll go with him? Will he conduct you through the heart of France And make the meanest of you earls and dukes? Alas, he hath no home, no place to fly to, Nor knows he how to live but by the spoil, Unless by robbing of your friends and us. Were ’t not a shame that whilst you live at jar The fearful French, whom you late vanquished, Should make a start o’er seas and vanquish you? Methinks already in this civil broil I see them lording it in London streets, Crying “Villiago!” unto all they meet. Better ten thousand base-born Cades miscarry Than you should stoop unto a Frenchman’s mercy. To France, to France, and get what you have lost! Spare England, for it is your native coast. Henry hath money, you are strong and manly; God on our side, doubt not of victory.

ALL. A Clifford! A Clifford! We’ll follow the King and Clifford.

CADE. Was ever feather so lightly blown to and fro as this multitude? The name of Henry the Fifth hales them to an hundred mischiefs and makes them leave me desolate. I see them lay their heads together to surprise me. My sword make way for me, for here is no staying.—In despite of the devils and hell, have through the very middest of you! And heavens and honour be witness that no want of resolution in me, but only my followers’ base and ignominious treasons, makes me betake me to my heels.

[Exit.]

BUCKINGHAM. What, is he fled? Go some, and follow him; And he that brings his head unto the King Shall have a thousand crowns for his reward.

[Exeunt some of them.]

Follow me, soldiers; we’ll devise a mean To reconcile you all unto the King.

[Exeunt.]

Act IV, Scene IX — Kenilworth Castle

Sound trumpets. Enter King, Queen and Somerset on the terrace, aloft.

KING HENRY. Was ever king that joyed an earthly throne And could command no more content than I? No sooner was I crept out of my cradle But I was made a king at nine months old. Was never subject longed to be a king As I do long and wish to be a subject.

Enter Buckingham and old Clifford.

BUCKINGHAM. Health and glad tidings to your majesty!

KING HENRY. Why, Buckingham, is the traitor Cade surprised? Or is he but retired to make him strong?

Enter below multitudes with halters about their necks.

CLIFFORD. He is fled, my lord, and all his powers do yield, And humbly thus, with halters on their necks, Expect your highness’ doom of life or death.

KING HENRY. Then, heaven, set ope thy everlasting gates To entertain my vows of thanks and praise! Soldiers, this day have you redeemed your lives And showed how well you love your prince and country. Continue still in this so good a mind, And Henry, though he be infortunate, Assure yourselves, will never be unkind. And so, with thanks and pardon to you all, I do dismiss you to your several countries.

ALL. God save the King! God save the King!

Enter a Messenger.

MESSENGER. Please it your grace to be advertised The Duke of York is newly come from Ireland, And with a puissant and a mighty power Of gallowglasses and stout kerns Is marching hitherward in proud array, And still proclaimeth, as he comes along, His arms are only to remove from thee The Duke of Somerset, whom he terms a traitor.

KING HENRY. Thus stands my state, ’twixt Cade and York distressed, Like to a ship that, having scaped a tempest, Is straightway calmed and boarded with a pirate. But now is Cade driven back, his men dispersed, And now is York in arms to second him. I pray thee, Buckingham, go and meet him, And ask him what’s the reason of these arms. Tell him I’ll send Duke Edmund to the Tower.— And, Somerset, we will commit thee thither, Until his army be dismissed from him.

SOMERSET. My lord, I’ll yield myself to prison willingly, Or unto death, to do my country good.

KING HENRY. In any case, be not too rough in terms, For he is fierce and cannot brook hard language.

BUCKINGHAM. I will, my lord, and doubt not so to deal As all things shall redound unto your good.

KING HENRY. Come, wife, let’s in, and learn to govern better; For yet may England curse my wretched reign.

[Flourish. Exeunt.]

Act IV, Scene X — Kent. Iden’s Garden

Enter Cade.

CADE. Fie on ambitions! Fie on myself, that have a sword and yet am ready to famish! These five days have I hid me in these woods and durst not peep out, for all the country is laid for me; but now am I so hungry that if I might have a lease of my life for a thousand years, I could stay no longer. Wherefore, o’er a brick wall have I climbed into this garden, to see if I can eat grass, or pick a sallet another while, which is not amiss to cool a man’s stomach this hot weather. And I think this word “sallet” was born to do me good; for many a time, but for a sallet, my brain-pan had been cleft with a brown bill; and many a time, when I have been dry and bravely marching, it hath served me instead of a quart pot to drink in; and now the word “sallet” must serve me to feed on.

Enter Iden and his men.

IDEN. Lord, who would live turmoiled in the court And may enjoy such quiet walks as these? This small inheritance my father left me Contenteth me, and worth a monarchy. I seek not to wax great by others’ waning, Or gather wealth, I care not with what envy; Sufficeth that I have maintains my state And sends the poor well pleased from my gate.

CADE. Here’s the lord of the soil come to seize me for a stray, for entering his fee-simple without leave.—Ah, villain, thou wilt betray me and get a thousand crowns of the King by carrying my head to him; but I’ll make thee eat iron like an ostrich, and swallow my sword like a great pin, ere thou and I part.

IDEN. Why, rude companion, whatsoe’er thou be, I know thee not; why, then, should I betray thee? Is ’t not enough to break into my garden And, like a thief, to come to rob my grounds, Climbing my walls in spite of me the owner, But thou wilt brave me with these saucy terms?

CADE. Brave thee? Ay, by the best blood that ever was broached, and beard thee too. Look on me well: I have eat no meat these five days, yet come thou and thy five men, and if I do not leave you all as dead as a doornail, I pray God I may never eat grass more.

IDEN. Nay, it shall ne’er be said, while England stands, That Alexander Iden, an esquire of Kent, Took odds to combat a poor famished man. Oppose thy steadfast-gazing eyes to mine, See if thou canst outface me with thy looks. Set limb to limb and thou art far the lesser; Thy hand is but a finger to my fist, Thy leg a stick compared with this truncheon. My foot shall fight with all the strength thou hast; And if mine arm be heaved in the air, Thy grave is digged already in the earth. As for words, whose greatness answers words, Let this my sword report what speech forbears.

CADE. By my valour, the most complete champion that ever I heard! Steel, if thou turn the edge, or cut not out the burly-boned clown in chines of beef ere thou sleep in thy sheath, I beseech God on my knees thou mayst be turned to hobnails.

[Here they fight and Cade falls.]

O, I am slain! Famine and no other hath slain me. Let ten thousand devils come against me, and give me but the ten meals I have lost, and I’d defy them all. Wither, garden; and be henceforth a burying place to all that do dwell in this house, because the unconquered soul of Cade is fled.

IDEN. Is’t Cade that I have slain, that monstrous traitor? Sword, I will hallow thee for this thy deed, And hang thee o’er my tomb when I am dead. Ne’er shall this blood be wiped from thy point, But thou shalt wear it as a herald’s coat To emblaze the honour that thy master got.

CADE. Iden, farewell, and be proud of thy victory. Tell Kent from me she hath lost her best man, and exhort all the world to be cowards; for I, that never feared any, am vanquished by famine, not by valour.

[Dies.]

IDEN. How much thou wrong’st me, heaven be my judge. Die, damned wretch, the curse of her that bare thee! And as I thrust thy body in with my sword, So wish I, I might thrust thy soul to hell. Hence will I drag thee headlong by the heels Unto a dunghill, which shall be thy grave, And there cut off thy most ungracious head, Which I will bear in triumph to the King, Leaving thy trunk for crows to feed upon.

[Exit.]

Act V, Scene I — Fields between Dartford and Blackheath

Enter York and his army of Irish, with drum and colours.

YORK. From Ireland thus comes York to claim his right And pluck the crown from feeble Henry’s head. Ring, bells, aloud; burn, bonfires, clear and bright, To entertain great England’s lawful king. Ah, sancta majestas, who would not buy thee dear? Let them obey that knows not how to rule. This hand was made to handle nought but gold. I cannot give due action to my words Except a sword or sceptre balance it. A sceptre shall it have, have I a soul, On which I’ll toss the fleur-de-luce of France.

Enter Buckingham.

Whom have we here? Buckingham, to disturb me? The King hath sent him, sure. I must dissemble.

BUCKINGHAM. York, if thou meanest well, I greet thee well.

YORK. Humphrey of Buckingham, I accept thy greeting. Art thou a messenger, or come of pleasure?

BUCKINGHAM. A messenger from Henry, our dread liege, To know the reason of these arms in peace; Or why thou, being a subject as I am, Against thy oath and true allegiance sworn, Should raise so great a power without his leave, Or dare to bring thy force so near the court.

YORK. [Aside.] Scarce can I speak, my choler is so great. O, I could hew up rocks and fight with flint, I am so angry at these abject terms; And now, like Ajax Telamonius, On sheep or oxen could I spend my fury. I am far better born than is the King, More like a king, more kingly in my thoughts. But I must make fair weather yet awhile, Till Henry be more weak and I more strong.— Buckingham, I prithee, pardon me, That I have given no answer all this while; My mind was troubled with deep melancholy. The cause why I have brought this army hither Is to remove proud Somerset from the King, Seditious to his grace and to the state.

BUCKINGHAM. That is too much presumption on thy part; But if thy arms be to no other end, The King hath yielded unto thy demand: The Duke of Somerset is in the Tower.

YORK. Upon thine honour, is he prisoner?

BUCKINGHAM. Upon mine honour, he is prisoner.

YORK. Then, Buckingham, I do dismiss my powers. Soldiers, I thank you all; disperse yourselves; Meet me tomorrow in Saint George’s field, You shall have pay and everything you wish.

[Exeunt Soldiers.]

And let my sovereign, virtuous Henry, Command my eldest son, nay, all my sons, As pledges of my fealty and love, I’ll send them all as willing as I live. Lands, goods, horse, armour, anything I have Is his to use, so Somerset may die.

BUCKINGHAM. York, I commend this kind submission. We twain will go into his highness’ tent.

Enter King and Attendants.

KING HENRY. Buckingham, doth York intend no harm to us That thus he marcheth with thee arm in arm?

YORK. In all submission and humility York doth present himself unto your highness.

KING HENRY. Then what intends these forces thou dost bring?

YORK. To heave the traitor Somerset from hence And fight against that monstrous rebel Cade, Who since I heard to be discomfited.

Enter Iden with Cade’s head.

IDEN. If one so rude and of so mean condition May pass into the presence of a king, Lo, I present your grace a traitor’s head, The head of Cade, whom I in combat slew.

KING HENRY. The head of Cade! Great God, how just art Thou! O, let me view his visage, being dead, That living wrought me such exceeding trouble. Tell me, my friend, art thou the man that slew him?

IDEN. I was, an ’t like your majesty.

KING HENRY. How art thou called? And what is thy degree?

IDEN. Alexander Iden, that’s my name; A poor esquire of Kent, that loves his King.

BUCKINGHAM. So please it you, my lord, ’twere not amiss He were created knight for his good service.

KING HENRY. Iden, kneel down. [He kneels.] Rise up a knight. We give thee for reward a thousand marks, And will that thou henceforth attend on us.

IDEN. May Iden live to merit such a bounty, And never live but true unto his liege!

[Rises.]

Enter Queen and Somerset.

KING HENRY. See, Buckingham, Somerset comes with the Queen. Go, bid her hide him quickly from the Duke.

QUEEN MARGARET. For thousand Yorks he shall not hide his head, But boldly stand and front him to his face.

YORK. How now? Is Somerset at liberty? Then, York, unloose thy long-imprisoned thoughts, And let thy tongue be equal with thy heart. Shall I endure the sight of Somerset? False king, why hast thou broken faith with me, Knowing how hardly I can brook abuse? “King” did I call thee? No, thou art not king, Not fit to govern and rule multitudes, Which dar’st not, no, nor canst not rule a traitor. That head of thine doth not become a crown; Thy hand is made to grasp a palmer’s staff, And not to grace an awful princely sceptre. That gold must round engirt these brows of mine, Whose smile and frown, like to Achilles’ spear, Is able with the change to kill and cure. Here is a hand to hold a sceptre up And with the same to act controlling laws. Give place! By heaven, thou shalt rule no more O’er him whom heaven created for thy ruler.

SOMERSET. O monstrous traitor! I arrest thee, York, Of capital treason ’gainst the King and crown. Obey, audacious traitor, kneel for grace.

YORK. Wouldst have me kneel? First let me ask of these If they can brook I bow a knee to man. Sirrah, call in my sons to be my bail.

[Exit Attendant.]

I know, ere they will have me go to ward, They’ll pawn their swords for my enfranchisement.

QUEEN MARGARET. Call hither Clifford; bid him come amain, To say if that the bastard boys of York Shall be the surety for their traitor father.

[Exit Buckingham.]

YORK. O blood-bespotted Neapolitan, Outcast of Naples, England’s bloody scourge! The sons of York, thy betters in their birth, Shall be their father’s bail; and bane to those That for my surety will refuse the boys!

Enter Edward and Richard.

See where they come; I’ll warrant they’ll make it good.

Enter old Clifford and his Son.

QUEEN MARGARET. And here comes Clifford to deny their bail.

CLIFFORD. Health and all happiness to my lord the King.

[Rises.]

YORK. I thank thee, Clifford. Say, what news with thee? Nay, do not fright us with an angry look. We are thy sovereign, Clifford, kneel again. For thy mistaking so, we pardon thee.

CLIFFORD. This is my king, York, I do not mistake; But thou mistakes me much to think I do. To Bedlam with him! Is the man grown mad?

KING HENRY. Ay, Clifford; a bedlam and ambitious humour Makes him oppose himself against his king.

CLIFFORD. He is a traitor; let him to the Tower, And chop away that factious pate of his.

QUEEN MARGARET. He is arrested, but will not obey; His sons, he says, shall give their words for him.

YORK. Will you not, sons?

EDWARD. Ay, noble father, if our words will serve.

RICHARD. And if words will not, then our weapons shall.

CLIFFORD. Why, what a brood of traitors have we here!

YORK. Look in a glass, and call thy image so. I am thy king, and thou a false-heart traitor. Call hither to the stake my two brave bears, That with the very shaking of their chains They may astonish these fell-lurking curs. Bid Salisbury and Warwick come to me.

Enter the Earls of Warwick and Salisbury.

CLIFFORD. Are these thy bears? We’ll bait thy bears to death And manacle the bearherd in their chains, If thou dar’st bring them to the baiting-place.

RICHARD. Oft have I seen a hot o’erweening cur Run back and bite because he was withheld, Who, being suffered with the bear’s fell paw, Hath clapped his tail between his legs and cried; And such a piece of service will you do If you oppose yourselves to match Lord Warwick.

CLIFFORD. Hence, heap of wrath, foul indigested lump, As crooked in thy manners as thy shape!

YORK. Nay, we shall heat you thoroughly anon.

CLIFFORD. Take heed, lest by your heat you burn yourselves.

KING HENRY. Why, Warwick, hath thy knee forgot to bow? Old Salisbury, shame to thy silver hair, Thou mad misleader of thy brainsick son! What, wilt thou on thy deathbed play the ruffian, And seek for sorrow with thy spectacles? O, where is faith? O, where is loyalty? If it be banished from the frosty head, Where shall it find a harbour in the earth? Wilt thou go dig a grave to find out war, And shame thine honourable age with blood? Why art thou old, and want’st experience? Or wherefore dost abuse it, if thou hast it? For shame, in duty bend thy knee to me That bows unto the grave with mickle age.

SALISBURY. My lord, I have considered with myself The title of this most renowned duke, And in my conscience do repute his grace The rightful heir to England’s royal seat.

KING HENRY. Hast thou not sworn allegiance unto me?

SALISBURY. I have.

KING HENRY. Canst thou dispense with heaven for such an oath?

SALISBURY. It is great sin to swear unto a sin, But greater sin to keep a sinful oath. Who can be bound by any solemn vow To do a murderous deed, to rob a man, To force a spotless virgin’s chastity, To reave the orphan of his patrimony, To wring the widow from her customed right, And have no other reason for this wrong But that he was bound by a solemn oath?

QUEEN MARGARET. A subtle traitor needs no sophister.

KING HENRY. Call Buckingham, and bid him arm himself.

YORK. Call Buckingham, and all the friends thou hast, I am resolved for death or dignity.

CLIFFORD. The first I warrant thee, if dreams prove true.

WARWICK. You were best to go to bed and dream again, To keep thee from the tempest of the field.

CLIFFORD. I am resolved to bear a greater storm Than any thou canst conjure up today; And that I’ll write upon thy burgonet, Might I but know thee by thy household badge.

WARWICK. Now, by my father’s badge, old Neville’s crest, The rampant bear chained to the ragged staff, This day I’ll wear aloft my burgonet, As on a mountain top the cedar shows That keeps his leaves in spite of any storm, Even to affright thee with the view thereof.

CLIFFORD. And from thy burgonet I’ll rend thy bear And tread it under foot with all contempt, Despite the bearherd that protects the bear.

YOUNG CLIFFORD. And so to arms, victorious father, To quell the rebels and their complices.

RICHARD. Fie, charity, for shame! Speak not in spite, For you shall sup with Jesu Christ tonight.

YOUNG CLIFFORD. Foul stigmatic, that’s more than thou canst tell.

RICHARD. If not in heaven, you’ll surely sup in hell.

[Exeunt severally.]

Act V, Scene II — Saint Albans

The sign of the Castle Inn is displayed. Alarums to the battle. Enter Warwick.

WARWICK. Clifford of Cumberland, ’tis Warwick calls; An if thou dost not hide thee from the bear, Now, when the angry trumpet sounds alarum And dead men’s cries do fill the empty air, Clifford, I say, come forth and fight with me! Proud northern lord, Clifford of Cumberland, Warwick is hoarse with calling thee to arms.

Enter York.

How now, my noble lord? What, all afoot?

YORK. The deadly-handed Clifford slew my steed, But match to match I have encountered him And made a prey for carrion kites and crows Even of the bonny beast he loved so well.

Enter old Clifford.

WARWICK. Of one or both of us the time is come.

YORK. Hold, Warwick, seek thee out some other chase, For I myself must hunt this deer to death.

WARWICK. Then, nobly, York; ’tis for a crown thou fight’st. As I intend, Clifford, to thrive today, It grieves my soul to leave thee unassailed.

[Exit.]

CLIFFORD. What seest thou in me, York? Why dost thou pause?

YORK. With thy brave bearing should I be in love, But that thou art so fast mine enemy.

CLIFFORD. Nor should thy prowess want praise and esteem, But that ’tis shown ignobly and in treason.

YORK. So let it help me now against thy sword As I in justice and true right express it!

CLIFFORD. My soul and body on the action both!

YORK. A dreadful lay! Address thee instantly.

[They fight and Clifford falls.]

CLIFFORD. La fin couronne les oeuvres.

[Dies.]

YORK. Thus war hath given thee peace, for thou art still. Peace with his soul, heaven, if it be thy will!

[Exit.]

Enter young Clifford.

YOUNG CLIFFORD. Shame and confusion! All is on the rout, Fear frames disorder, and disorder wounds Where it should guard. O war, thou son of hell, Whom angry heavens do make their minister, Throw in the frozen bosoms of our part Hot coals of vengeance! Let no soldier fly. He that is truly dedicate to war Hath no self-love; nor he that loves himself Hath not essentially but by circumstance, The name of valour. [Sees his dead father.] O, let the vile world end And the premised flames of the last day Knit earth and heaven together! Now let the general trumpet blow his blast, Particularities and petty sounds To cease! Wast thou ordained, dear father, To lose thy youth in peace, and to achieve The silver livery of advised age, And, in thy reverence and thy chair-days, thus To die in ruffian battle? Even at this sight My heart is turned to stone, and while ’tis mine It shall be stony. York not our old men spares; No more will I their babes; tears virginal Shall be to me even as the dew to fire, And beauty, that the tyrant oft reclaims, Shall to my flaming wrath be oil and flax. Henceforth I will not have to do with pity. Meet I an infant of the house of York, Into as many gobbets will I cut it As wild Medea young Absyrtus did. In cruelty will I seek out my fame.

[He takes him up on his back.]

Come, thou new ruin of old Clifford’s house; As did Aeneas old Anchises bear, So bear I thee upon my manly shoulders; But then Aeneas bare a living load, Nothing so heavy as these woes of mine.

[Exit, bearing off his father.]

Enter Richard and Somerset to fight. Somerset is killed.

RICHARD. So, lie thou there; For underneath an alehouse’ paltry sign, The Castle in Saint Albans, Somerset Hath made the wizard famous in his death. Sword, hold thy temper; heart, be wrathful still! Priests pray for enemies, but princes kill.

[Exit.]

Fight. Excursions. Enter King, Queen and others.

QUEEN MARGARET. Away, my lord! You are slow, for shame, away!

KING HENRY. Can we outrun the heavens? Good Margaret, stay.

QUEEN MARGARET. What are you made of? You’ll nor fight nor fly. Now is it manhood, wisdom, and defence To give the enemy way, and to secure us By what we can, which can no more but fly.

[Alarum afar off.]

If you be ta’en, we then should see the bottom Of all our fortunes; but if we haply scape, As well we may, if not through your neglect, We shall to London get, where you are loved And where this breach now in our fortunes made May readily be stopped.

Enter young Clifford.

YOUNG CLIFFORD. But that my heart’s on future mischief set, I would speak blasphemy ere bid you fly; But fly you must; uncurable discomfit Reigns in the hearts of all our present parts. Away, for your relief! And we will live To see their day and them our fortune give. Away, my lord, away!

[Exeunt.]

Act V, Scene III — Fields near Saint Albans

Alarum. Retreat. Enter York, Richard, Warwick and Soldiers with drum and colours.

YORK. Of Salisbury, who can report of him, That winter lion, who in rage forgets Aged contusions and all brush of time, And, like a gallant in the brow of youth, Repairs him with occasion? This happy day Is not itself, nor have we won one foot, If Salisbury be lost.

RICHARD. My noble father, Three times today I holp him to his horse, Three times bestrid him; thrice I led him off, Persuaded him from any further act; But still, where danger was, still there I met him, And like rich hangings in a homely house, So was his will in his old feeble body. But, noble as he is, look where he comes.

Enter Salisbury.

Now, by my sword, well hast thou fought today.

SALISBURY. By th’ mass, so did we all. I thank you, Richard. God knows how long it is I have to live, And it hath pleased him that three times today You have defended me from imminent death. Well, lords, we have not got that which we have; ’Tis not enough our foes are this time fled, Being opposites of such repairing nature.

YORK. I know our safety is to follow them; For, as I hear, the King is fled to London To call a present court of parliament. Let us pursue him ere the writs go forth. What says Lord Warwick? Shall we after them?

WARWICK. After them? Nay, before them, if we can. Now, by my hand, lords, ’twas a glorious day. Saint Albans battle won by famous York Shall be eternized in all age to come. Sound drums and trumpets, and to London all; And more such days as these to us befall!

[Exeunt.]

THE THIRD PART OF KING HENRY THE SIXTH

Dramatis Personæ

KING HENRY the Sixth QUEEN MARGARET PRINCE EDWARD, Prince of Wales, his son DUKE OF SOMERSET DUKE OF EXETER EARL OF OXFORD EARL OF NORTHUMBERLAND EARL OF WESTMORELAND LORD CLIFFORD RICHARD PLANTAGENET, Duke of York EDWARD, Earl of March, afterwards King Edward IV., his son GEORGE, afterwards Duke of Clarence, his son RICHARD, afterwards Duke of Gloucester, his son EDMUND, Earl of Rutland, his son DUKE OF NORFOLK MARQUESS OF MONTAGUE EARL OF WARWICK EARL OF PEMBROKE LORD HASTINGS LORD STAFFORD SIR JOHN MORTIMER, uncle to the Duke of York SIR HUGH MORTIMER, uncle to the Duke of York LADY GREY, afterwards Queen Elizabeth to Edward IV EARL RIVERS, brother to Lady Grey HENRY, Earl of Richmond, a youth SIR WILLIAM STANLEY SIR JOHN MONTGOMERY SIR JOHN SOMERVILLE KING LEWIS the Eleventh, King of France BONA, sister to the French Queen Tutor to Rutland Mayor of York Lieutenant of the Tower A Nobleman Two Keepers A Huntsman A Son that has killed his father A Father that has killed his son

Soldiers, Attendants, Messengers, Watchmen, etc.

SCENE: England and France