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Act I, Scene I — London. The Parliament House…

Part 21 of 60 · William Shakespeare · Public domain text

About this edition

Source: Project Gutenberg e-text #100, public domain in the United States · text not rewritten or summarized · How RedLectern is built

 

Contents (798)
  1. Opening about 1 h 16 min
  2. Act I, Scene I — Rossillon. A room in the Countess’s palace about 8 min
  3. Act I, Scene II — Paris. A room in the King’s palace about 3 min
  4. Act I, Scene III — Rossillon. A Room in the Palace about 9 min
  5. Act II, Scene I — Paris. A room in the King’s palace about 7 min
  6. Act II, Scene II — Rossillon. A room in the Countess’s palace about 2 min
  7. Act II, Scene III — Paris. The King’s palace about 11 min
  8. Act II, Scene IV — Paris. The King’s palace about 2 min
  9. Act II, Scene V — Another room in the same about 3 min
  10. Act III, Scene I — Florence. A room in the Duke’s palace about 1 min
  11. Act III, Scene II — Rossillon. A room in the Countess’s palace about 5 min
  12. Act III, Scene III — Florence. Before the Duke’s palace under 1 min
  13. Act III, Scene IV — Rossillon. A room in the Countess’s palace about 1 min
  14. Act III, Scene V — Without the walls of Florence about 4 min
  15. Act III, Scene VI — Camp before Florence about 4 min
  16. Act III, Scene VII — Florence. A room in the Widow’s house about 2 min
  17. Act IV, Scene I — Without the Florentine camp about 3 min
  18. Act IV, Scene II — Florence. A room in the Widow’s house about 3 min
  19. Act IV, Scene III — The Florentine camp about 12 min
  20. Act IV, Scene IV — Florence. A room in the Widow’s house about 1 min
  21. Act IV, Scene V — Rossillon. A room in the Countess’s palace about 4 min
  22. Act V, Scene I — Marseilles. A street about 1 min
  23. Act V, Scene II — Rossillon. The inner court of the Countess’s palace about 2 min
  24. Act V, Scene III — The same. A room in the Countess’s palace about 13 min
  25. Act I, Scene I — Alexandria. A Room in Cleopatra’s palace about 2 min
  26. Act I, Scene II — Alexandria. Another Room in Cleopatra’s palace about 7 min
  27. Act I, Scene III — Alexandria. A Room in Cleopatra’s palace about 4 min
  28. Act I, Scene IV — Rome. An Apartment in Caesar’s House about 3 min
  29. Act I, Scene V — Alexandria. A Room in the Palace about 3 min
  30. Act II, Scene I — Messina. A Room in Pompey’s house about 2 min
  31. Act II, Scene II — Rome. A Room in the House of Lepidus about 8 min
  32. Act II, Scene III — Rome. A Room in Caesar’s House about 2 min
  33. Act II, Scene IV — Rome. A street under 1 min
  34. Act II, Scene V — Alexandria. A Room in the Palace about 5 min
  35. Act II, Scene VI — Near Misenum about 5 min
  36. Act II, Scene VII — On board Pompey’s Galley, lying near Misenum about 5 min
  37. Act III, Scene I — A plain in Syria about 1 min
  38. Act III, Scene II — Rome. An Ante-chamber in Caesar’s house about 3 min
  39. Act III, Scene III — Alexandria. A Room in the Palace about 2 min
  40. Act III, Scene IV — Athens. A Room in Antony’s House about 1 min
  41. Act III, Scene V — Athens. Another Room in Antony’s House about 1 min
  42. Act III, Scene VI — Rome. A Room in Caesar’s House about 3 min
  43. Act III, Scene VII — Antony’s Camp near the Promontory of Actium about 3 min
  44. Act III, Scene VIII — A plain near Actium under 1 min
  45. Act III, Scene IX — Another part of the Plain under 1 min
  46. Act III, Scene X — Another part of the Plain about 1 min
  47. Act III, Scene XI — Alexandria. A Room in the Palace about 3 min
  48. Act III, Scene XII — Caesar’s camp in Egypt about 1 min
  49. Act III, Scene XIII — Alexandria. A Room in the Palace about 7 min
  50. Act IV, Scene I — Caesar’s Camp at Alexandria about 1 min
  51. Act IV, Scene II — Alexandria. A Room in the Palace about 2 min
  52. Act IV, Scene III — Alexandria. Before the Palace about 1 min
  53. Act IV, Scene IV — Alexandria. A Room in the Palace about 1 min
  54. Act IV, Scene V — Antony’s camp near Alexandria about 1 min
  55. Act IV, Scene VI — Alexandria. Caesar’s camp about 1 min
  56. Act IV, Scene VII — Field of battle between the Camps about 1 min
  57. Act IV, Scene VIII — Under the Walls of Alexandria about 1 min
  58. Act IV, Scene IX — Caesar’s camp about 1 min
  59. Act IV, Scene X — Ground between the two Camps under 1 min
  60. Act IV, Scene XI — Another part of the Ground under 1 min
  61. Act IV, Scene XII — Another part of the Ground about 2 min
  62. Act IV, Scene XIII — Alexandria. A Room in the Palace under 1 min
  63. Act IV, Scene XIV — Alexandria. Another Room about 5 min
  64. Act IV, Scene XV — Alexandria. A monument about 3 min
  65. Act V, Scene I — Caesar’s Camp before Alexandria about 3 min
  66. Act V, Scene II — Alexandria. A Room in the Monument about 14 min
  67. Act I, Scene I — An Orchard near Oliver’s house about 6 min
  68. Act I, Scene II — A Lawn before the Duke’s Palace about 10 min
  69. Act I, Scene III — A Room in the Palace about 5 min
  70. Act II, Scene I — The Forest of Arden about 2 min
  71. Act II, Scene II — A Room in the Palace about 1 min
  72. Act II, Scene III — Before Oliver’s House about 3 min
  73. Act II, Scene IV — The Forest of Arden about 4 min
  74. Act II, Scene V — Another part of the Forest about 2 min
  75. Act II, Scene VI — Another part of the Forest about 1 min
  76. Act II, Scene VII — Another part of the Forest about 7 min
  77. Act III, Scene I — A Room in the Palace about 1 min
  78. Act III, Scene II — The Forest of Arden about 14 min
  79. Act III, Scene III — Another part of the Forest about 4 min
  80. Act III, Scene IV — Another part of the Forest. Before a Cottage about 2 min
  81. Act III, Scene V — Another part of the Forest about 5 min
  82. Act IV, Scene I — The Forest of Arden about 7 min
  83. Act IV, Scene II — Another part of the Forest about 1 min
  84. Act IV, Scene III — Another part of the Forest about 6 min
  85. Act V, Scene I — The Forest of Arden about 2 min
  86. Act V, Scene II — Another part of the Forest about 4 min
  87. Act V, Scene III — Another part of the Forest about 2 min
  88. Act V, Scene IV — Another part of the Forest about 7 min
  89. Epilogue about 1 min
  90. Act I, Scene I — A hall in the Duke’s palace about 5 min
  91. Act I, Scene II — A public place about 4 min
  92. Act II, Scene I — A public place about 4 min
  93. Act II, Scene II — The same about 8 min
  94. Act III, Scene I — The same about 6 min
  95. Act III, Scene II — The same about 7 min
  96. Act IV, Scene I — The same about 5 min
  97. Act IV, Scene II — The same about 3 min
  98. Act IV, Scene III — The same about 4 min
  99. Act IV, Scene IV — The same about 7 min
  100. Act V, Scene I — The same about 16 min
  101. Act I, Scene I — Rome. A street about 10 min
  102. Act I, Scene II — Corioles. The Senate House about 1 min
  103. Act I, Scene III — Rome. An apartment in Martius’ house about 4 min
  104. Act I, Scene IV — Before Corioles about 3 min
  105. Act I, Scene V — Within Corioles. A street about 1 min
  106. Act I, Scene VI — Near the camp of Cominius about 3 min
  107. Act I, Scene VII — The gates of Corioles under 1 min
  108. Act I, Scene VIII — A field of battle between the Roman and the Volscian camps about 1 min
  109. Act I, Scene IX — The Roman camp about 3 min
  110. Act I, Scene X — The camp of the Volsces about 1 min
  111. Act II, Scene I — Rome. A public place about 10 min
  112. Act II, Scene II — Rome. The Capitol about 6 min
  113. Act II, Scene III — Rome. The Forum about 9 min
  114. Act III, Scene I — Rome. A street about 12 min
  115. Act III, Scene II — Rome. A room in Coriolanus’s house about 5 min
  116. Act III, Scene III — Rome. The Forum about 5 min
  117. Act IV, Scene I — Rome. Before a gate of the city about 2 min
  118. Act IV, Scene II — Rome. A street near the gate about 2 min
  119. Act IV, Scene III — A highway between Rome and Antium about 2 min
  120. Act IV, Scene IV — Antium. Before Aufidius’s house about 1 min
  121. Act IV, Scene V — Antium. A hall in Aufidius’s house about 8 min
  122. Act IV, Scene VI — Rome. A public place about 6 min
  123. Act IV, Scene VII — A camp at a short distance from Rome about 2 min
  124. Act V, Scene I — Rome. A public place about 3 min
  125. Act V, Scene II — An Advanced post of the Volscian camp before Rome about 4 min
  126. Act V, Scene III — The tent of Coriolanus about 7 min
  127. Act V, Scene IV — Rome. A public place about 2 min
  128. Act V, Scene V — Rome. A street near the gate under 1 min
  129. Act V, Scene VI — Antium. A public place about 6 min
  130. Act I, Scene I — Britain. The garden of Cymbeline’s palace about 3 min
  131. Act I, Scene II — The same about 4 min
  132. Act I, Scene III — Britain. A public place about 1 min
  133. Act I, Scene IV — Britain. Cymbeline’s palace about 2 min
  134. Act I, Scene V — Rome. Philario’s house about 6 min
  135. Act I, Scene VI — Britain. Cymbeline’s palace about 3 min
  136. Act I, Scene VII — Britain. The palace about 7 min
  137. Act II, Scene I — Britain. Before Cymbeline’s palace about 2 min
  138. Act II, Scene II — Britain. Imogen’s bedchamber in Cymbeline’s palace; a trunk in one corner about 2 min
  139. Act II, Scene III — Cymbeline’s palace. An ante-chamber adjoining Imogen’s apartments about 6 min
  140. Act II, Scene IV — Rome. Philario’s house about 6 min
  141. Act II, Scene V — Rome. Another room in Philario’s house about 1 min
  142. Act III, Scene I — Britain. A hall in Cymbeline’s palace about 3 min
  143. Act III, Scene II — Britain. Another room in Cymbeline’s palace about 3 min
  144. Act III, Scene III — Wales. A mountainous country with a cave about 4 min
  145. Act III, Scene IV — Wales, near Milford Haven about 7 min
  146. Act III, Scene V — Britain. Cymbeline’s palace about 6 min
  147. Act III, Scene VI — Wales. Before the cave of Belarius about 1 min
  148. Act III, Scene VII — The same about 3 min
  149. Act III, Scene VIII — Rome. A public place about 1 min
  150. Act IV, Scene I — Wales. Near the cave of Belarius about 1 min
  151. Act IV, Scene II — Wales. Before the cave of Belarius about 15 min
  152. Act IV, Scene III — Britain. Cymbeline’s palace about 2 min
  153. Act IV, Scene IV — Wales. Before the cave of Belarius about 2 min
  154. Act V, Scene I — Britain. The Roman camp about 1 min
  155. Act V, Scene II — Britain. A field of battle between the British and Roman camps about 1 min
  156. Act V, Scene III — Another part of the field about 4 min
  157. Act V, Scene IV — Britain. A prison about 7 min
  158. Act V, Scene V — Britain. Cymbeline’s tent about 18 min
  159. Act I, Scene I — Elsinore. A platform before the Castle about 6 min
  160. Act I, Scene II — Elsinore. A room of state in the Castle about 9 min
  161. Act I, Scene III — A room in Polonius’s house about 5 min
  162. Act I, Scene IV — The platform about 3 min
  163. Act I, Scene V — A more remote part of the Castle about 6 min
  164. Act II, Scene I — A room in Polonius’s house about 4 min
  165. Act II, Scene II — A room in the Castle about 21 min
  166. Act III, Scene I — A room in the Castle about 7 min
  167. Act III, Scene II — A hall in the Castle about 14 min
  168. Act III, Scene III — A room in the Castle about 3 min
  169. Act III, Scene IV — Another room in the Castle about 8 min
  170. Act IV, Scene I — A room in the Castle about 2 min
  171. Act IV, Scene II — Another room in the Castle about 1 min
  172. Act IV, Scene III — Another room in the Castle about 2 min
  173. Act IV, Scene IV — A plain in Denmark about 2 min
  174. Act IV, Scene V — Elsinore. A room in the Castle about 7 min
  175. Act IV, Scene VI — Another room in the Castle about 1 min
  176. Act IV, Scene VII — Another room in the Castle about 7 min
  177. Act V, Scene I — A churchyard about 10 min
  178. Act V, Scene II — A hall in the Castle about 15 min
  179. Act I, Scene I — London. A Room in the Palace about 3 min
  180. Act I, Scene II — The same. An Apartment of Prince Henry’s about 8 min
  181. Act I, Scene III — The Same. A Room in the Palace about 10 min
  182. Act II, Scene I — Rochester. An Inn-Yard about 4 min
  183. Act II, Scene II — The Road by Gads-hill about 4 min
  184. Act II, Scene III — Warkworth. A Room in the Castle about 4 min
  185. Act II, Scene IV — Eastcheap. A Room in the Boar’s Head Tavern about 20 min
  186. Act III, Scene I — Bangor. A Room in the Archdeacon’s House about 9 min
  187. Act III, Scene II — London. A Room in the Palace about 6 min
  188. Act III, Scene III — Eastcheap. A Room in the Boar’s Head Tavern about 8 min
  189. Act IV, Scene I — The Rebel Camp near Shrewsbury about 5 min
  190. Act IV, Scene II — A public Road near Coventry about 3 min
  191. Act IV, Scene III — The Rebel Camp near Shrewsbury about 4 min
  192. Act IV, Scene IV — York. A Room in the Archbishop’s Palace about 1 min
  193. Act V, Scene I — The King’s Camp near Shrewsbury about 5 min
  194. Act V, Scene II — The Rebel Camp about 3 min
  195. Act V, Scene III — Plain between the Camps about 2 min
  196. Act V, Scene IV — Another Part of the Field about 6 min
  197. Act V, Scene V — Another Part of the Field about 2 min
  198. Induction about 1 min
  199. Act I, Scene I — The same about 8 min
  200. Act I, Scene II — London. A street about 10 min
  201. Act I, Scene III — York. The Archbishop’s palace about 4 min
  202. Act II, Scene I — London. A street about 7 min
  203. Act II, Scene II — London. Another street about 6 min
  204. Act II, Scene III — Warkworth. Before the castle about 2 min
  205. Act II, Scene IV — London. The Boar’s head Tavern in Eastcheap about 13 min
  206. Act III, Scene I — Westminster. The palace about 4 min
  207. Act III, Scene II — Gloucestershire. Before Justice Shallow’s house about 12 min
  208. Act IV, Scene I — Yorkshire. Gaultree Forest about 8 min
  209. Act IV, Scene II — Another part of the forest about 4 min
  210. Act IV, Scene III — Another part of the forest about 5 min
  211. Act IV, Scene IV — Westminster. The Jerusalem Chamber about 5 min
  212. Act IV, Scene V — Another chamber about 8 min
  213. Act V, Scene I — Gloucestershire. Shallow’s house about 3 min
  214. Act V, Scene II — Westminster. The palace about 5 min
  215. Act V, Scene III — Gloucestershire. Shallow’s orchard about 4 min
  216. Act V, Scene IV — London. A street about 1 min
  217. Act V, Scene V — A public place near Westminster Abbey about 4 min
  218. Epilogue about 2 min
  219. Prologue about 1 min
  220. Act I, Scene I — London. An ante-chamber in the King’s palace about 3 min
  221. Act I, Scene II — The same. The presence chamber about 10 min
  222. Act II about 1 min
  223. Act II, Scene I — London. A street about 4 min
  224. Act II, Scene II — Southampton. A council-chamber about 6 min
  225. Act II, Scene III — London. Before a tavern about 2 min
  226. Act II, Scene IV — France. The King’s palace about 5 min
  227. Act III about 1 min
  228. Act III, Scene I — France. Before Harfleur about 1 min
  229. Act III, Scene II — The same about 5 min
  230. Act III, Scene III — Before the gates about 2 min
  231. Act III, Scene IV — The French King’s palace about 2 min
  232. Act III, Scene V — The same about 2 min
  233. Act III, Scene VI — The English camp in Picardy about 6 min
  234. Act III, Scene VII — The French camp, near Agincourt about 5 min
  235. Act IV about 2 min
  236. Act IV, Scene I — The English camp at Agincourt about 11 min
  237. Act IV, Scene II — The French camp about 2 min
  238. Act IV, Scene III — The English camp about 5 min
  239. Act IV, Scene IV — The field of battle about 2 min
  240. Act IV, Scene V — Another part of the field about 1 min
  241. Act IV, Scene VI — Another part of the field about 1 min
  242. Act IV, Scene VII — Another part of the field about 7 min
  243. Act IV, Scene VIII — Before King Henry’s pavilion about 4 min
  244. Act V about 1 min
  245. Act V, Scene I — France. The English camp about 3 min
  246. Act V, Scene II — France. A royal palace about 14 min
  247. Epilogue about 1 min
  248. Act I, Scene I — Westminster Abbey about 6 min
  249. Act I, Scene II — France. Before Orleans about 5 min
  250. Act I, Scene III — London. Before the Tower about 3 min
  251. Act I, Scene IV — Orleans about 4 min
  252. Act I, Scene V — Before Orleans about 2 min
  253. Act I, Scene VI — Orleans about 1 min
  254. Act II, Scene I — Before Orleans about 3 min
  255. Act II, Scene II — Orleans. Within the town about 2 min
  256. Act II, Scene III — Auvergne. The Countess’s castle about 3 min
  257. Act II, Scene IV — London. The Temple Garden about 5 min
  258. Act II, Scene V — The Tower of London about 4 min
  259. Act III, Scene I — London. The Parliament House about 7 min
  260. Act III, Scene II — France. Before Rouen about 5 min
  261. Act III, Scene III — The plains near Rouen about 3 min
  262. Act III, Scene IV — Paris. The Palace about 2 min
  263. Act IV, Scene I — Paris. The Palace about 7 min
  264. Act IV, Scene II — Before Bordeaux about 2 min
  265. Act IV, Scene III — Plains in Gascony about 2 min
  266. Act IV, Scene IV — Other plains in Gascony about 2 min
  267. Act IV, Scene V — The English camp near Bordeaux about 2 min
  268. Act IV, Scene VI — A field of battle about 2 min
  269. Act IV, Scene VII — Another part of the field about 3 min
  270. Act V, Scene I — London. The Palace about 2 min
  271. Act V, Scene II — France. Plains in Anjou about 1 min
  272. Act V, Scene III — Before Angiers about 7 min
  273. Act V, Scene IV — Camp of the Duke of York in Anjou about 6 min
  274. Act V, Scene V — London. The royal palace about 4 min
  275. Act I, Scene I — London. The palace about 9 min
  276. Act I, Scene II — The Duke of Gloucester’s House about 4 min
  277. Act I, Scene III — London. The palace about 8 min
  278. Act I, Scene IV — Gloucester’s Garden about 3 min
  279. Act II, Scene I — Saint Albans about 7 min
  280. Act II, Scene II — London. The Duke of York’s Garden about 3 min
  281. Act II, Scene III — A Hall of Justice about 4 min
  282. Act II, Scene IV — A Street about 4 min
  283. Act III, Scene I — The Abbey at Bury St. Edmund’s about 13 min
  284. Act III, Scene II — Bury St. Edmund’s. A Room of State about 15 min
  285. Act III, Scene III — A Bedchamber about 1 min
  286. Act IV, Scene I — The Coast of Kent about 5 min
  287. Act IV, Scene II — Blackheath about 6 min
  288. Act IV, Scene III — Another part of Blackheath about 1 min
  289. Act IV, Scene IV — London. The Palace about 2 min
  290. Act IV, Scene V — London. The Tower about 1 min
  291. Act IV, Scene VI — London. Cannon Street about 1 min
  292. Act IV, Scene VII — London. Smithfield about 5 min
  293. Act IV, Scene VIII — Southwark about 3 min
  294. Act IV, Scene IX — Kenilworth Castle about 2 min
  295. Act IV, Scene X — Kent. Iden’s Garden about 3 min
  296. Act V, Scene I — Fields between Dartford and Blackheath about 8 min
  297. Act V, Scene II — Saint Albans about 3 min
  298. Act V, Scene III — Fields near Saint Albans about 2 min
  299. Act I, Scene I — London. The Parliament House about 10 min
  300. Act I, Scene II — Sandal Castle about 3 min
  301. Act I, Scene III — Plains near Sandal Castle about 2 min
  302. Act I, Scene IV — The Same about 7 min
  303. Act II, Scene I — A plain near Mortimer’s Cross in Herefordshire about 7 min
  304. Act II, Scene II — Before York about 6 min
  305. Act II, Scene III — A field of battle between Towton and Saxton, in Yorkshire about 2 min
  306. Act II, Scene IV — Another Part of the Field under 1 min
  307. Act II, Scene V — Another Part of the Field about 5 min
  308. Act II, Scene VI — Another Part of the Field about 4 min
  309. Act III, Scene I — A Forest in the North of England about 4 min
  310. Act III, Scene II — The Palace about 8 min
  311. Act III, Scene III — France. The King’s Palace about 10 min
  312. Act IV, Scene I — London. The Palace about 5 min
  313. Act IV, Scene II — A Plain in Warwickshire about 1 min
  314. Act IV, Scene III — Edward’s Camp near Warwick about 3 min
  315. Act IV, Scene IV — London. The Palace about 1 min
  316. Act IV, Scene V — A park near Middleham Castle in Yorkshire about 1 min
  317. Act IV, Scene VI — London. The Tower about 4 min
  318. Act IV, Scene VII — Before York about 3 min
  319. Act IV, Scene VIII — London. The Palace about 2 min
  320. Act V, Scene I — Coventry about 4 min
  321. Act V, Scene II — A Field of Battle near Barnet about 2 min
  322. Act V, Scene III — Another Part of the Field about 1 min
  323. Act V, Scene IV — Plains near Tewkesbury about 3 min
  324. Act V, Scene V — Another part of the Field about 3 min
  325. Act V, Scene VI — London. The Tower about 3 min
  326. Act V, Scene VII — London. The Palace about 4 min
  327. Act I, Scene I — London. An ante-chamber in the palace about 8 min
  328. Act I, Scene II — The same. The council-chamber about 8 min
  329. Act I, Scene III — An ante-chamber in the palace about 3 min
  330. Act I, Scene IV — A Hall in York Place about 5 min
  331. Act II, Scene I — Westminster. A street about 7 min
  332. Act II, Scene II — An ante-chamber in the palace about 6 min
  333. Act II, Scene III — An ante-chamber of the Queen’s apartments about 4 min
  334. Act II, Scene IV — A hall in Blackfriars about 9 min
  335. Act III, Scene I — London. The Queen’s apartments about 7 min
  336. Act III, Scene II — Ante-chamber to the King’s apartment about 17 min
  337. Act IV, Scene I — A street in Westminster about 5 min
  338. Act IV, Scene II — Kimbolton about 7 min
  339. Act V, Scene I — A gallery in the palace about 7 min
  340. Act V, Scene II — Lobby before the council-chamber about 8 min
  341. Act V, Scene III — The palace yard about 3 min
  342. Act V, Scene IV — The palace about 3 min
  343. Epilogue about 1 min
  344. Act I, Scene I — Northampton. A Room of State in the Palace about 10 min
  345. Act II, Scene I — France. Before the walls of Angiers about 21 min
  346. Act III, Scene I — France. The French King’s tent about 12 min
  347. Act III, Scene II — The same. Plains near Angiers under 1 min
  348. Act III, Scene III — The same about 3 min
  349. Act III, Scene IV — The same. The French King’s tent about 6 min
  350. Act IV, Scene I — Northampton. A Room in the Castle about 5 min
  351. Act IV, Scene II — The same. A Room of State in the Palace about 9 min
  352. Act IV, Scene III — The same. Before the castle about 6 min
  353. Act V, Scene I — Northampton. A Room in the Palace about 3 min
  354. Act V, Scene II — Near Saint Edmundsbury. The French Camp about 6 min
  355. Act V, Scene III — The same. The Field of Battle about 1 min
  356. Act V, Scene IV — The same. Another part of the same about 2 min
  357. Act V, Scene V — The same. The French camp about 1 min
  358. Act V, Scene VI — An open place in the neighborhood of Swinstead Abbey about 2 min
  359. Act V, Scene VII — The orchard of Swinstead Abbey about 5 min
  360. Act I, Scene I — Rome. A street about 3 min
  361. Act I, Scene II — The same. A public place about 11 min
  362. Act I, Scene III — The same. A street about 6 min
  363. Act II, Scene I — Rome. Brutus’ orchard about 12 min
  364. Act II, Scene II — A room in Caesar’s palace about 5 min
  365. Act II, Scene III — A street near the Capitol about 1 min
  366. Act II, Scene IV — Another part of the same street, before the house of Brutus about 2 min
  367. Act III, Scene I — Rome. Before the Capitol; the Senate sitting about 11 min
  368. Act III, Scene II — The same. The Forum about 10 min
  369. Act III, Scene III — The same. A street about 1 min
  370. Act IV, Scene I — Rome. A room in Antony’s house about 2 min
  371. Act IV, Scene II — Before Brutus’ tent, in the camp near Sardis about 2 min
  372. Act IV, Scene III — Within the tent of Brutus about 11 min
  373. Act V, Scene I — The plains of Philippi about 4 min
  374. Act V, Scene II — The same. The field of battle under 1 min
  375. Act V, Scene III — Another part of the field about 4 min
  376. Act V, Scene IV — Another part of the field about 1 min
  377. Act V, Scene V — Another part of the field about 3 min
  378. Act I, Scene I — A Room of State in King Lear’s Palace about 11 min
  379. Act I, Scene II — A Hall in the Earl of Gloucester’s Castle about 6 min
  380. Act I, Scene III — A Room in the Duke of Albany’s Palace about 1 min
  381. Act I, Scene IV — A Hall in Albany’s Palace about 11 min
  382. Act I, Scene V — Court before the Duke of Albany’s Palace about 2 min
  383. Act II, Scene I — A court within the Castle of the Earl of Gloucester about 5 min
  384. Act II, Scene II — Before Gloucester’s Castle about 6 min
  385. Act II, Scene III — The open Country about 1 min
  386. Act II, Scene IV — Before Gloucester’s Castle; Kent in the stocks about 11 min
  387. Act III, Scene I — A Heath about 2 min
  388. Act III, Scene II — Another part of the heath about 3 min
  389. Act III, Scene III — A Room in Gloucester’s Castle about 1 min
  390. Act III, Scene IV — A part of the Heath with a Hovel about 6 min
  391. Act III, Scene V — A Room in Gloucester’s Castle about 1 min
  392. Act III, Scene VI — A Chamber in a Farmhouse adjoining the Castle about 4 min
  393. Act III, Scene VII — A Room in Gloucester’s Castle about 4 min
  394. Act IV, Scene I — The heath about 3 min
  395. Act IV, Scene II — Before the Duke of Albany’s Palace about 3 min
  396. Act IV, Scene III — The French camp near Dover about 2 min
  397. Act IV, Scene IV — The French camp. A Tent about 1 min
  398. Act IV, Scene V — A Room in Gloucester’s Castle about 1 min
  399. Act IV, Scene VI — The country near Dover about 10 min
  400. Act IV, Scene VII — A Tent in the French Camp about 4 min
  401. Act V, Scene I — The Camp of the British Forces near Dover about 3 min
  402. Act V, Scene II — A field between the two Camps about 1 min
  403. Act V, Scene III — The British Camp near Dover about 13 min
  404. Act I, Scene I — The King of Navarre’s park about 10 min
  405. Act I, Scene II — The park about 6 min
  406. Act II, Scene I — The King of Navarre’s park. A pavilion and tents at a distance about 9 min
  407. Act III, Scene I — The King of Navarre’s park about 7 min
  408. Act IV, Scene I — The King of Navarre’s park about 6 min
  409. Act IV, Scene II — The same about 6 min
  410. Act IV, Scene III — The same about 13 min
  411. Act V, Scene I — The King of Navarre’s park about 5 min
  412. Act V, Scene II — The same. Before the Princess’s pavilion about 33 min
  413. Act I, Scene I — An open Place under 1 min
  414. Act I, Scene II — A Camp near Forres about 2 min
  415. Act I, Scene III — A heath about 5 min
  416. Act I, Scene IV — Forres. A Room in the Palace about 2 min
  417. Act I, Scene V — Inverness. A Room in Macbeth’s Castle about 3 min
  418. Act I, Scene VI — The same. Before the Castle about 1 min
  419. Act I, Scene VII — The same. A Lobby in the Castle about 3 min
  420. Act II, Scene I — Inverness. Court within the Castle about 2 min
  421. Act II, Scene II — The same about 3 min
  422. Act II, Scene III — The same about 5 min
  423. Act II, Scene IV — The same. Without the Castle about 2 min
  424. Act III, Scene I — Forres. A Room in the Palace about 5 min
  425. Act III, Scene II — The same. Another Room in the Palace about 2 min
  426. Act III, Scene III — The same. A Park or Lawn, with a gate leading to the Palace about 1 min
  427. Act III, Scene IV — The same. A Room of state in the Palace about 5 min
  428. Act III, Scene V — The heath about 1 min
  429. Act III, Scene VI — Forres. A Room in the Palace about 2 min
  430. Act IV, Scene I — A dark Cave. In the middle, a Cauldron Boiling about 5 min
  431. Act IV, Scene II — Fife. A Room in Macduff’s Castle about 3 min
  432. Act IV, Scene III — England. Before the King’s Palace about 8 min
  433. Act V, Scene I — Dunsinane. A Room in the Castle about 3 min
  434. Act V, Scene II — The Country near Dunsinane about 1 min
  435. Act V, Scene III — Dunsinane. A Room in the Castle about 2 min
  436. Act V, Scene IV — Country near Dunsinane: a Wood in view about 1 min
  437. Act V, Scene V — Dunsinane. Within the castle about 2 min
  438. Act V, Scene VI — The same. A Plain before the Castle under 1 min
  439. Act V, Scene VII — The same. Another part of the Plain about 1 min
  440. Act V, Scene VIII — The same. Another part of the field about 3 min
  441. Act I, Scene I — An apartment in the Duke’s palace about 3 min
  442. Act I, Scene II — A street about 6 min
  443. Act I, Scene III — A monastery about 2 min
  444. Act I, Scene IV — A nunnery about 3 min
  445. Act II, Scene I — A hall in Angelo’s house about 10 min
  446. Act II, Scene II — Another room in the same about 7 min
  447. Act II, Scene III — A room in a prison about 2 min
  448. Act II, Scene IV — A room in Angelo’s house about 6 min
  449. Act III, Scene I — A room in the prison about 10 min
  450. Act III, Scene II — The street before the prison about 10 min
  451. Act IV, Scene I — A room in Mariana’s house about 3 min
  452. Act IV, Scene II — A room in the prison about 7 min
  453. Act IV, Scene III — Another room in the same about 6 min
  454. Act IV, Scene IV — A room in Angelo’s house about 1 min
  455. Act IV, Scene V — Fields without the town about 1 min
  456. Act IV, Scene VI — Street near the city gate about 1 min
  457. Act V, Scene I — A public place near the city gate about 19 min
  458. Act I, Scene I — Venice. A street about 6 min
  459. Act I, Scene II — Belmont. A room in Portia’s house about 5 min
  460. Act I, Scene III — Venice. A public place about 6 min
  461. Act II, Scene I — Belmont. A room in Portia’s house about 2 min
  462. Act II, Scene II — Venice. A street about 7 min
  463. Act II, Scene III — The same. A room in Shylock’s house about 1 min
  464. Act II, Scene IV — The same. A street about 1 min
  465. Act II, Scene V — The same. Before Shylock’s house about 2 min
  466. Act II, Scene VI — The same about 2 min
  467. Act II, Scene VII — Belmont. A room in Portia’s house about 3 min
  468. Act II, Scene VIII — Venice. A street about 2 min
  469. Act II, Scene IX — Belmont. A room in Portia’s house about 3 min
  470. Act III, Scene I — Venice. A street about 5 min
  471. Act III, Scene II — Belmont. A room in Portia’s house about 11 min
  472. Act III, Scene III — Venice. A street about 1 min
  473. Act III, Scene IV — Belmont. A room in Portia’s house about 3 min
  474. Act III, Scene V — The same. A garden about 3 min
  475. Act IV, Scene I — Venice. A court of justice about 16 min
  476. Act IV, Scene II — The same. A street about 1 min
  477. Act V, Scene I — Belmont. The avenue to Portia’s house about 12 min
  478. Act I, Scene I — Windsor. Before Page’s house about 10 min
  479. Act I, Scene II — The same under 1 min
  480. Act I, Scene III — A room in the Garter Inn about 3 min
  481. Act I, Scene IV — A room in Doctor Caius’s house about 6 min
  482. Act II, Scene I — Before Page’s house about 8 min
  483. Act II, Scene II — A room in the Garter Inn about 11 min
  484. Act II, Scene III — A field near Windsor about 3 min
  485. Act III, Scene I — A field near Frogmore about 4 min
  486. Act III, Scene II — A street in Windsor about 3 min
  487. Act III, Scene III — A room in Ford’s house about 8 min
  488. Act III, Scene IV — A room in Page’s house about 4 min
  489. Act III, Scene V — A room in the Garter Inn about 5 min
  490. Act IV, Scene I — The street about 2 min
  491. Act IV, Scene II — A room in Ford’s house about 7 min
  492. Act IV, Scene III — A room in the Garter Inn under 1 min
  493. Act IV, Scene IV — A room in Ford’s house about 3 min
  494. Act IV, Scene V — A room in the Garter Inn about 4 min
  495. Act IV, Scene VI — Another room in the Garter Inn about 2 min
  496. Act V, Scene I — A room in the Garter Inn about 1 min
  497. Act V, Scene II — Windsor Park about 1 min
  498. Act V, Scene III — The street in Windsor about 1 min
  499. Act V, Scene IV — Windsor Park under 1 min
  500. Act V, Scene V — Another part of the Park about 10 min
  501. Act I, Scene I — Athens. A room in the Palace of Theseus about 8 min
  502. Act I, Scene II — The Same. A Room in a Cottage about 3 min
  503. Act II, Scene I — A wood near Athens about 9 min
  504. Act II, Scene II — Another part of the wood about 5 min
  505. Act III, Scene I — The Wood about 7 min
  506. Act III, Scene II — Another part of the wood about 16 min
  507. Act IV, Scene I — The Wood about 8 min
  508. Act IV, Scene II — Athens. A Room in Quince’s House about 2 min
  509. Act V, Scene I — Athens. An Apartment in the Palace of Theseus about 14 min
  510. Act I, Scene I — Before Leonato’s House about 11 min
  511. Act I, Scene II — A room in Leonato’s house about 1 min
  512. Act I, Scene III — Another room in Leonato’s house about 3 min
  513. Act II, Scene I — A hall in Leonato’s house about 13 min
  514. Act II, Scene II — Another room in Leonato’s house about 2 min
  515. Act II, Scene III — Leonato’s Garden about 10 min
  516. Act III, Scene I — Leonato’s Garden about 4 min
  517. Act III, Scene II — A Room in Leonato’s House about 4 min
  518. Act III, Scene III — A Street about 6 min
  519. Act III, Scene IV — A Room in Leonato’s House about 3 min
  520. Act III, Scene V — Another Room in Leonato’s House about 2 min
  521. Act IV, Scene I — The Inside of a Church about 11 min
  522. Act IV, Scene II — A Prison about 3 min
  523. Act V, Scene I — Before Leonato’s House about 12 min
  524. Act V, Scene II — Leonato’s Garden about 3 min
  525. Act V, Scene III — The Inside of a Church about 1 min
  526. Act V, Scene IV — A Room in Leonato’s House about 5 min
  527. Act I, Scene I — Venice. A street about 6 min
  528. Act I, Scene II — Venice. Another street about 4 min
  529. Act I, Scene III — Venice. A council chamber about 14 min
  530. Act II, Scene I — A seaport in Cyprus. A Platform about 11 min
  531. Act II, Scene II — A street under 1 min
  532. Act II, Scene III — A Hall in the Castle about 13 min
  533. Act III, Scene I — Cyprus. Before the Castle about 2 min
  534. Act III, Scene II — Cyprus. A Room in the Castle under 1 min
  535. Act III, Scene III — Cyprus. The Garden of the Castle about 17 min
  536. Act III, Scene IV — Cyprus. Before the Castle about 7 min
  537. Act IV, Scene I — Cyprus. Before the Castle about 10 min
  538. Act IV, Scene II — Cyprus. A Room in the Castle about 9 min
  539. Act IV, Scene III — Cyprus. Another Room in the Castle about 4 min
  540. Act V, Scene I — Cyprus. A Street about 5 min
  541. Act V, Scene II — Cyprus. A Bedchamber in the castle about 14 min
  542. Act I about 1 min
  543. Act I, Scene I — Antioch. A room in the palace about 6 min
  544. Act I, Scene II — Tyre. A room in the palace about 4 min
  545. Act I, Scene III — Tyre. An ante-chamber in the Palace about 1 min
  546. Act I, Scene IV — Tarsus. A room in the Governor’s house about 4 min
  547. Act II about 1 min
  548. Act II, Scene I — Pentapolis. An open place by the seaside about 8 min
  549. Act II, Scene III — The same. A hall of state: a banquet prepared about 4 min
  550. Act II, Scene IV — Tyre. A room in the Governor’s house about 2 min
  551. Act II, Scene V — Pentapolis. A room in the palace about 3 min
  552. Act III about 2 min
  553. Act III, Scene I about 3 min
  554. Act III, Scene II — Ephesus. A room in Cerimon’s house about 4 min
  555. Act III, Scene III — Tarsus. A room in Cleon’s house about 2 min
  556. Act III, Scene IV — Ephesus. A room in Cerimon’s house about 1 min
  557. Act IV about 1 min
  558. Act IV, Scene I — Tarsus. An open place near the seashore about 4 min
  559. Act IV, Scene II — Mytilene. A room in a brothel about 5 min
  560. Act IV, Scene III — Tarsus. A room in Cleon’s house about 2 min
  561. Act IV, Scene IV about 2 min
  562. Act IV, Scene V — Mytilene. A street before the brothel under 1 min
  563. Act IV, Scene VI — The same. A room in the brothel about 7 min
  564. Act V about 10 min
  565. Act V, Scene II about 5 min
  566. Act I, Scene I — London. A Room in the palace about 7 min
  567. Act I, Scene II — The same. A room in the Duke of Lancaster’s palace about 3 min
  568. Act I, Scene III — Open Space, near Coventry. Lists set out, and a Throne. Heralds, &c., attending about 11 min
  569. Act I, Scene IV — London. A Room in the King’s Castle about 2 min
  570. Act II, Scene I — London. An Apartment in Ely House about 10 min
  571. Act II, Scene II — The Same. A Room in the Castle about 5 min
  572. Act II, Scene III — The Wolds in Gloucestershire about 6 min
  573. Act II, Scene IV — A camp in Wales about 1 min
  574. Act III, Scene I — Bristol. Bolingbroke’s camp about 2 min
  575. Act III, Scene II — The coast of Wales. A castle in view about 8 min
  576. Act III, Scene III — Wales. Before Flint Castle about 7 min
  577. Act III, Scene IV — Langley. The Duke of York’s garden about 4 min
  578. Act IV, Scene I — Westminster Hall about 12 min
  579. Act V, Scene I — London. A street leading to the Tower about 4 min
  580. Act V, Scene II — The same. A room in the Duke of York’s palace about 4 min
  581. Act V, Scene III — Windsor. A room in the Castle about 5 min
  582. Act V, Scene IV — Another room in the Castle under 1 min
  583. Act V, Scene V — Pomfret. The dungeon of the Castle about 4 min
  584. Act V, Scene VI — Windsor. An Apartment in the Castle about 3 min
  585. Act I, Scene I — London. A street about 5 min
  586. Act I, Scene II — London. Another street about 9 min
  587. Act I, Scene III — London. A Room in the Palace about 13 min
  588. Act I, Scene IV — London. A Room in the Tower about 10 min
  589. Act II, Scene I — London. A Room in the palace about 5 min
  590. Act II, Scene II — Another Room in the palace about 5 min
  591. Act II, Scene III — London. A street about 2 min
  592. Act II, Scene IV — London. A Room in the Palace about 3 min
  593. Act III, Scene I — London. A street about 7 min
  594. Act III, Scene II — Before Lord Hastings’ house about 5 min
  595. Act III, Scene III — Pomfret. Before the Castle about 1 min
  596. Act III, Scene IV — London. A Room in the Tower about 4 min
  597. Act III, Scene V — London. The Tower Walls about 4 min
  598. Act III, Scene VI — London. A street about 1 min
  599. Act III, Scene VII — London. Court of Baynard’s Castle about 8 min
  600. Act IV, Scene I — London. Before the Tower about 4 min
  601. Act IV, Scene II — London. A Room of State in the Palace about 4 min
  602. Act IV, Scene III — London. Another Room in the Palace about 2 min
  603. Act IV, Scene IV — London. Before the Palace about 20 min
  604. Act IV, Scene V — A Room in Lord Stanley’s house about 1 min
  605. Act V, Scene I — Salisbury. An open place about 1 min
  606. Act V, Scene II — Plain near Tamworth about 1 min
  607. Act V, Scene III — Bosworth Field about 13 min
  608. Act V, Scene IV — Another part of the Field about 1 min
  609. Act V, Scene V — Another part of the Field about 2 min
  610. The Prologue under 1 min
  611. Act I, Scene I — A public place about 8 min
  612. Act I, Scene II — A Street about 4 min
  613. Act I, Scene III — Room in Capulet’s House about 4 min
  614. Act I, Scene IV — A Street about 4 min
  615. Act I, Scene V — A Hall in Capulet’s House about 5 min
  616. Act II under 1 min
  617. Act II, Scene I — An open place adjoining Capulet’s Garden about 2 min
  618. Act II, Scene II — Capulet’s Garden about 7 min
  619. Act II, Scene III — Friar Lawrence’s Cell about 3 min
  620. Act II, Scene IV — A Street about 7 min
  621. Act II, Scene V — Capulet’s Garden about 3 min
  622. Act II, Scene VI — Friar Lawrence’s Cell about 1 min
  623. Act III, Scene I — A public Place about 7 min
  624. Act III, Scene II — A Room in Capulet’s House about 5 min
  625. Act III, Scene III — Friar Lawrence’s cell about 6 min
  626. Act III, Scene IV — A Room in Capulet’s House about 1 min
  627. Act III, Scene V — An open Gallery to Juliet’s Chamber, overlooking the Garden about 9 min
  628. Act IV, Scene I — Friar Lawrence’s Cell about 5 min
  629. Act IV, Scene II — Hall in Capulet’s House about 2 min
  630. Act IV, Scene III — Juliet’s Chamber about 2 min
  631. Act IV, Scene IV — Hall in Capulet’s House about 1 min
  632. Act IV, Scene V — Juliet’s Chamber; Juliet on the bed about 5 min
  633. Act V, Scene I — Mantua. A Street about 3 min
  634. Act V, Scene II — Friar Lawrence’s Cell about 1 min
  635. Act V, Scene III — A churchyard; in it a Monument belonging to the Capulets about 12 min
  636. Induction, Scene I — Before an alehouse on a heath about 5 min
  637. Induction, Scene II — A bedchamber in the Lord’s house about 5 min
  638. Act I, Scene I — Padua. A public place about 9 min
  639. Act I, Scene II — Padua. Before Hortensio’s house about 10 min
  640. Act II, Scene I — Padua. A room in Baptista’s house about 15 min
  641. Act III, Scene I — Padua. A room in Baptista’s house about 3 min
  642. Act III, Scene II — The same. Before Baptista’s house about 9 min
  643. Act IV, Scene I — A hall in Petruchio’s country house about 7 min
  644. Act IV, Scene II — Padua. Before Baptista’s house about 4 min
  645. Act IV, Scene III — A room in Petruchio’s house about 7 min
  646. Act IV, Scene IV — Padua. Before Baptista’s house about 4 min
  647. Act IV, Scene V — A public road about 3 min
  648. Act V, Scene I — Padua. Before Lucentio’s house about 5 min
  649. Act V, Scene II — A room in Lucentio’s house about 7 min
  650. Act I, Scene I — On a ship at sea; a tempestuous noise of thunder and lightning heard about 2 min
  651. Act I, Scene II — The Island. Before the cell of Prospero about 18 min
  652. Act II, Scene I — Another part of the island about 11 min
  653. Act II, Scene II — Another part of the island about 7 min
  654. Act III, Scene I — Before Prospero’s cell about 4 min
  655. Act III, Scene II — Another part of the island about 5 min
  656. Act III, Scene III — Another part of the island about 4 min
  657. Act IV, Scene I — Before Prospero’s cell about 9 min
  658. Act V, Scene I — Before the cell of Prospero about 12 min
  659. Epilogue about 1 min
  660. Act I, Scene I — Athens. A hall in Timon’s house about 10 min
  661. Act I, Scene II — The Same. A room of state in Timon’s house about 9 min
  662. Act II, Scene I — Athens. A room in a senator’s house about 1 min
  663. Act II, Scene II — The same. A hall in Timon’s house about 8 min
  664. Act III, Scene I — Athens. A room in Lucullus’ house about 2 min
  665. Act III, Scene II — A public place about 3 min
  666. Act III, Scene III — The same. A room in Sempronius’ house about 2 min
  667. Act III, Scene IV — A hall in Timon’s house about 4 min
  668. Act III, Scene V — The same. The senate house about 4 min
  669. Act III, Scene VI — A room of state in Timon’s house about 4 min
  670. Act IV, Scene I — Without the walls of Athens about 1 min
  671. Act IV, Scene II — Athens. A room in Timon’s house about 2 min
  672. Act IV, Scene III — Woods and caves near the sea-shore about 19 min
  673. Act V, Scene I — The woods. Before Timon’s cave about 4 min
  674. Act V, Scene II — The same about 4 min
  675. Act V, Scene III — Before the walls of Athens about 1 min
  676. Act V, Scene IV — The woods. Timon’s cave, and a rude tomb seen under 1 min
  677. Act V, Scene V — Before the walls of Athens about 4 min
  678. Act I, Scene I — Rome. Before the Capitol about 17 min
  679. Act II, Scene I — Rome. Before the palace about 5 min
  680. Act II, Scene II — A Forest near Rome; a Lodge seen at a distance. Horns and cry of hounds heard about 1 min
  681. Act II, Scene III — A lonely part of the Forest about 11 min
  682. Act II, Scene IV — Another part of the Forest about 2 min
  683. Act III, Scene I — Rome. A street about 11 min
  684. Act III, Scene II — Rome. A Room in Titus’s House. A banquet set out about 3 min
  685. Act IV, Scene I — Rome. Before Titus’s House about 5 min
  686. Act IV, Scene II — Rome. A Room in the Palace about 7 min
  687. Act IV, Scene III — Rome. A public Place about 4 min
  688. Act IV, Scene IV — Rome. Before the Palace about 4 min
  689. Act V, Scene I — Plains near Rome about 6 min
  690. Act V, Scene II — Rome. Before Titus’s House about 7 min
  691. Act V, Scene III — Rome. A Pavilion in Titus’s Gardens, with tables, &c about 8 min
  692. Prologue about 1 min
  693. Act I, Scene I — Troy. Before Priam’s palace about 4 min
  694. Act I, Scene II — Troy. A street about 10 min
  695. Act I, Scene III — The Grecian camp. Before Agamemnon’s tent about 13 min
  696. Act II, Scene I — The Grecian camp about 4 min
  697. Act II, Scene II — Troy. Priam’s palace about 7 min
  698. Act II, Scene III — The Grecian camp. Before the tent of Achilles about 9 min
  699. Act III, Scene I — Troy. Priam’s palace about 5 min
  700. Act III, Scene II — Troy. Pandarus’ orchard about 7 min
  701. Act III, Scene III — The Greek camp about 10 min
  702. Act IV, Scene I — Troy. A street about 3 min
  703. Act IV, Scene II — Troy. The court of Pandarus’ house about 4 min
  704. Act IV, Scene III — Troy. A street before Pandarus’ house under 1 min
  705. Act IV, Scene IV — Troy. Pandarus’ house about 5 min
  706. Act IV, Scene V — The Grecian camp. Lists set out about 10 min
  707. Act V, Scene I — The Grecian camp. Before the tent of Achilles about 4 min
  708. Act V, Scene II — The Grecian camp. Before Calchas’ tent about 7 min
  709. Act V, Scene III — Troy. Before Priam’s palace about 4 min
  710. Act V, Scene IV — The plain between Troy and the Grecian camp about 1 min
  711. Act V, Scene V — Another part of the plain about 2 min
  712. Act V, Scene VI — Another part of the plain about 1 min
  713. Act V, Scene VII — Another part of the plain about 1 min
  714. Act V, Scene VIII — Another part of the plain about 1 min
  715. Act V, Scene IX — Another part of the plain under 1 min
  716. Act V, Scene X — Another part of the plain about 2 min
  717. Act I, Scene I — An Apartment in the Duke’s Palace about 1 min
  718. Act I, Scene II — The sea-coast about 2 min
  719. Act I, Scene III — A Room in Olivia’s House about 5 min
  720. Act I, Scene IV — A Room in the Duke’s Palace about 1 min
  721. Act I, Scene V — A Room in Olivia’s House about 11 min
  722. Act II, Scene I — The sea-coast about 2 min
  723. Act II, Scene II — A street about 2 min
  724. Act II, Scene III — A Room in Olivia’s House about 7 min
  725. Act II, Scene IV — A Room in the Duke’s Palace about 4 min
  726. Act II, Scene V — Olivia’s garden about 7 min
  727. Act III, Scene I — Olivia’s garden about 6 min
  728. Act III, Scene II — A Room in Olivia’s House about 3 min
  729. Act III, Scene III — A street about 2 min
  730. Act III, Scene IV — Olivia’s garden about 14 min
  731. Act IV, Scene I — The Street before Olivia’s House about 2 min
  732. Act IV, Scene II — A Room in Olivia’s House about 4 min
  733. Act IV, Scene III — Olivia’s Garden about 1 min
  734. Act V, Scene I — The Street before Olivia’s House about 14 min
  735. Act I, Scene I — Verona. An open place about 5 min
  736. Act I, Scene II — The same. The garden of Julia’s house about 5 min
  737. Act I, Scene III — The same. A room in Antonio’s house about 3 min
  738. Act II, Scene I — Milan. A room in the Duke’s palace about 6 min
  739. Act II, Scene II — Verona. A room in Julia’s house about 1 min
  740. Act II, Scene III — The same. A street about 2 min
  741. Act II, Scene IV — Milan. A room in the Duke’s palace about 7 min
  742. Act II, Scene V — The same. A street about 2 min
  743. Act II, Scene VI — The same. The Duke’s palace about 1 min
  744. Act II, Scene VII — Verona. A room in Julia’s house about 3 min
  745. Act III, Scene I — Milan. An anteroom in the Duke’s palace about 13 min
  746. Act III, Scene II — The same. A room in the Duke’s palace about 3 min
  747. Act IV, Scene I — A forest between Milan and Verona about 3 min
  748. Act IV, Scene II — Milan. The court of the Duke’s palace about 5 min
  749. Act IV, Scene III — The same about 2 min
  750. Act IV, Scene IV — The same about 7 min
  751. Act V, Scene I — Milan. An abbey under 1 min
  752. Act V, Scene II — The same. A room in the Duke’s palace about 2 min
  753. Act V, Scene III — Frontiers of Mantua. The forest about 1 min
  754. Act V, Scene IV — Another part of the forest about 6 min
  755. Prologue about 1 min
  756. Epilogue under 1 min
  757. Prologue about 1 min
  758. Act I, Scene I — Athens. Before a temple about 8 min
  759. Act I, Scene II — Thebes. The Court of the Palace about 4 min
  760. Act I, Scene III — Before the gates of Athens about 3 min
  761. Act I, Scene IV — A field before Thebes about 2 min
  762. Act I, Scene V — Another part of the same, more remote from Thebes about 1 min
  763. Act II, Scene I — Athens. A garden, with a castle in the background about 2 min
  764. Act II, Scene II — The prison about 11 min
  765. Act II, Scene III — The country near Athens about 3 min
  766. Act II, Scene IV — Athens. A room in the prison about 1 min
  767. Act II, Scene V — An open place in Athens about 3 min
  768. Act II, Scene VI — Athens. Before the prison about 1 min
  769. Act III, Scene I — A forest near Athens about 5 min
  770. Act III, Scene II — Another Part of the forest about 1 min
  771. Act III, Scene III — The same part of the forest as in scene I about 2 min
  772. Act III, Scene IV — Another part of the forest about 1 min
  773. Act III, Scene V — Another part of the forest about 6 min
  774. Act III, Scene VI — The same part of the forest as in scene III about 12 min
  775. Act IV, Scene I — Athens. A room in the prison about 6 min
  776. Act IV, Scene II — A Room in the Palace about 6 min
  777. Act IV, Scene III — A room in the prison about 4 min
  778. Act V, Scene I — Athens. Before the Temples of Mars, Venus, and Diana about 7 min
  779. Act V, Scene II — Athens. A Room in the Prison about 5 min
  780. Act V, Scene III — A part of the Forest near Athens, and near the Place appointed for the Combat about 5 min
  781. Act V, Scene IV — The same; a Block prepared about 5 min
  782. Epilogue about 1 min
  783. Dramatis Personæ under 1 min
  784. Act I, Scene I — Sicilia. An Antechamber in Leontes’ Palace about 2 min
  785. Act I, Scene II — The same. A Room of State in the Palace about 16 min
  786. Act II, Scene I — Sicilia. A Room in the Palace about 7 min
  787. Act II, Scene II — The same. The outer Room of a Prison about 2 min
  788. Act II, Scene III — The same. A Room in the Palace about 8 min
  789. Act III, Scene I — Sicilia. A Street in some Town about 1 min
  790. Act III, Scene II — The same. A Court of Justice about 9 min
  791. Act III, Scene III — Bohemia. A desert Country near the Sea about 5 min
  792. Act IV, Scene I about 1 min
  793. Act IV, Scene II — Bohemia. A Room in the palace of Polixenes about 2 min
  794. Act IV, Scene III — The same. A Road near the Shepherd’s cottage about 4 min
  795. Act IV, Scene IV — The same. A Shepherd’s Cottage about 30 min
  796. Act V, Scene I — Sicilia. A Room in the palace of Leontes about 8 min
  797. Act V, Scene II — The same. Before the Palace about 7 min
  798. Act V, Scene III — The same. A Room in Paulina’s house about 2 h 17 min

Continue:

Act I, Scene I — London. The Parliament House

Alarum. Enter Duke of York, Edward, Richard, Norfolk, Montague, Warwick and Soldiers, all wearing the white rose.

WARWICK. I wonder how the King escaped our hands.

YORK. While we pursued the horsemen of the north, He slyly stole away and left his men; Whereat the great Lord of Northumberland, Whose warlike ears could never brook retreat, Cheered up the drooping army; and himself, Lord Clifford, and Lord Stafford, all abreast, Charged our main battle’s front, and breaking in, Were by the swords of common soldiers slain.

EDWARD. Lord Stafford’s father, Duke of Buckingham, Is either slain or wounded dangerous; I cleft his beaver with a downright blow. That this is true, father, behold his blood.

[Showing his bloody sword.]

MONTAGUE. And, brother, here’s the Earl of Wiltshire’s blood,

[To York, showing his.]

Whom I encountered as the battles joined.

RICHARD. Speak thou for me, and tell them what I did.

[Throwing down the Duke of Somerset’s head.]

YORK. Richard hath best deserved of all my sons. But is your Grace dead, my Lord of Somerset?

NORFOLK. Such hope have all the line of John of Gaunt!

RICHARD. Thus do I hope to shake King Henry’s head.

WARWICK. And so do I. Victorious Prince of York, Before I see thee seated in that throne Which now the house of Lancaster usurps, I vow by heaven these eyes shall never close. This is the palace of the fearful king, And this the regal seat. Possess it, York, For this is thine, and not King Henry’s heirs’.

YORK. Assist me, then, sweet Warwick, and I will; For hither we have broken in by force.

NORFOLK. We’ll all assist you; he that flies shall die.

YORK. Thanks, gentle Norfolk. Stay by me, my lords; And, soldiers, stay and lodge by me this night.

WARWICK. And when the King comes, offer him no violence, Unless he seek to thrust you out perforce.

[They retire.]

YORK. The Queen this day here holds her parliament, But little thinks we shall be of her council. By words or blows here let us win our right.

RICHARD. Armed as we are, let’s stay within this house.

WARWICK. The bloody parliament shall this be called, Unless Plantagenet, Duke of York, be king, And bashful Henry deposed, whose cowardice Hath made us bywords to our enemies.

YORK. Then leave me not, my lords; be resolute. I mean to take possession of my right.

WARWICK. Neither the King, nor he that loves him best, The proudest he that holds up Lancaster, Dares stir a wing if Warwick shake his bells. I’ll plant Plantagenet, root him up who dares. Resolve thee, Richard; claim the English crown.

[Warwick leads York to the throne, who seats himself.]

Flourish. Enter King Henry, Clifford, Northumberland, Westmoreland, Exeter and the rest, all wearing the red rose.

KING HENRY. My lords, look where the sturdy rebel sits, Even in the chair of state! Belike he means, Backed by the power of Warwick, that false peer, To aspire unto the crown and reign as king. Earl of Northumberland, he slew thy father, And thine, Lord Clifford; and you both have vowed revenge On him, his sons, his favourites, and his friends.

NORTHUMBERLAND. If I be not, heavens be revenged on me!

CLIFFORD. The hope thereof makes Clifford mourn in steel.

WESTMORELAND. What, shall we suffer this? Let’s pluck him down. My heart for anger burns. I cannot brook it.

KING HENRY. Be patient, gentle Earl of Westmoreland.

CLIFFORD. Patience is for poltroons, such as he. He durst not sit there had your father lived. My gracious lord, here in the parliament Let us assail the family of York.

NORTHUMBERLAND. Well hast thou spoken, cousin. Be it so.

KING HENRY. Ah, know you not the city favours them, And they have troops of soldiers at their beck?

EXETER. But when the Duke is slain, they’ll quickly fly.

KING HENRY. Far be the thought of this from Henry’s heart, To make a shambles of the Parliament House! Cousin of Exeter, frowns, words, and threats Shall be the war that Henry means to use.

[They advance to the Duke.]

Thou factious Duke of York, descend my throne, And kneel for grace and mercy at my feet; I am thy sovereign.

YORK. I am thine.

EXETER. For shame, come down. He made thee Duke of York.

YORK. ’Twas my inheritance, as the earldom was.

EXETER. Thy father was a traitor to the crown.

WARWICK. Exeter, thou art a traitor to the crown In following this usurping Henry.

CLIFFORD. Whom should he follow but his natural king?

WARWICK. True, Clifford, that’s Richard, Duke of York.

KING HENRY. And shall I stand, and thou sit in my throne?

YORK. It must and shall be so. Content thyself.

WARWICK. Be Duke of Lancaster. Let him be king.

WESTMORELAND. He is both King and Duke of Lancaster; And that the Lord of Westmoreland shall maintain.

WARWICK. And Warwick shall disprove it. You forget That we are those which chased you from the field And slew your fathers, and with colours spread Marched through the city to the palace gates.

NORTHUMBERLAND. Yes, Warwick, I remember it to my grief; And, by his soul, thou and thy house shall rue it.

WESTMORELAND. Plantagenet, of thee and these thy sons, Thy kinsmen, and thy friends, I’ll have more lives Than drops of blood were in my father’s veins.

CLIFFORD. Urge it no more; lest that, instead of words, I send thee, Warwick, such a messenger As shall revenge his death before I stir.

WARWICK. Poor Clifford, how I scorn his worthless threats!

YORK. Will you we show our title to the crown? If not, our swords shall plead it in the field.

KING HENRY. What title hast thou, traitor, to the crown? Thy father was, as thou art, Duke of York; Thy grandfather, Roger Mortimer, Earl of March. I am the son of Henry the Fifth, Who made the Dauphin and the French to stoop, And seized upon their towns and provinces.

WARWICK. Talk not of France, sith thou hast lost it all.

KING HENRY. The Lord Protector lost it, and not I. When I was crowned I was but nine months old.

RICHARD. You are old enough now, and yet, methinks, you lose. Father, tear the crown from the usurper’s head.

EDWARD. Sweet father, do so; set it on your head.

MONTAGUE. Good brother, as thou lov’st and honourest arms, Let’s fight it out and not stand cavilling thus.

RICHARD. Sound drums and trumpets, and the King will fly.

YORK. Sons, peace!

KING HENRY. Peace thou, and give King Henry leave to speak.

WARWICK. Plantagenet shall speak first. Hear him, lords, And be you silent and attentive too, For he that interrupts him shall not live.

KING HENRY. Think’st thou that I will leave my kingly throne, Wherein my grandsire and my father sat? No. First shall war unpeople this my realm; Ay, and their colours, often borne in France, And now in England, to our heart’s great sorrow, Shall be my winding-sheet. Why faint you, lords? My title’s good, and better far than his.

WARWICK. Prove it, Henry, and thou shalt be king.

KING HENRY. Henry the Fourth by conquest got the crown.

YORK. ’Twas by rebellion against his king.

KING HENRY. [Aside.] I know not what to say; my title’s weak. Tell me, may not a king adopt an heir?

YORK. What then?

KING HENRY. An if he may, then am I lawful king; For Richard, in the view of many lords, Resigned the crown to Henry the Fourth, Whose heir my father was, and I am his.

YORK. He rose against him, being his sovereign, And made him to resign his crown perforce.

WARWICK. Suppose, my lords, he did it unconstrained, Think you ’twere prejudicial to his crown?

EXETER. No, for he could not so resign his crown But that the next heir should succeed and reign.

KING HENRY. Art thou against us, Duke of Exeter?

EXETER. His is the right, and therefore pardon me.

YORK. Why whisper you, my lords, and answer not?

EXETER. My conscience tells me he is lawful king.

KING HENRY. [Aside.] All will revolt from me and turn to him.

NORTHUMBERLAND. Plantagenet, for all the claim thou lay’st, Think not that Henry shall be so deposed.

WARWICK. Deposed he shall be, in despite of all.

NORTHUMBERLAND. Thou art deceived. ’Tis not thy southern power, Of Essex, Norfolk, Suffolk, nor of Kent, Which makes thee thus presumptuous and proud, Can set the Duke up in despite of me.

CLIFFORD. King Henry, be thy title right or wrong, Lord Clifford vows to fight in thy defence. May that ground gape and swallow me alive, Where I shall kneel to him that slew my father!

KING HENRY. O Clifford, how thy words revive my heart!

YORK. Henry of Lancaster, resign thy crown. What mutter you, or what conspire you, lords?

WARWICK. Do right unto this princely Duke of York, Or I will fill the house with armed men, And over the chair of state where now he sits, Write up his title with usurping blood.

[He stamps with his foot, and the Soldiers show themselves.]

KING HENRY. My Lord of Warwick, hear but one word: Let me for this my lifetime reign as king.

YORK. Confirm the crown to me, and to mine heirs, And thou shalt reign in quiet while thou liv’st.

KING HENRY. I am content. Richard Plantagenet, Enjoy the kingdom after my decease.

CLIFFORD. What wrong is this unto the Prince your son!

WARWICK. What good is this to England and himself!

WESTMORELAND. Base, fearful, and despairing Henry!

CLIFFORD. How hast thou injured both thyself and us!

WESTMORELAND. I cannot stay to hear these articles.

NORTHUMBERLAND. Nor I.

CLIFFORD. Come, cousin, let us tell the Queen these news.

WESTMORELAND. Farewell, faint-hearted and degenerate king, In whose cold blood no spark of honour bides.

NORTHUMBERLAND. Be thou a prey unto the house of York, And die in bands for this unmanly deed!

CLIFFORD. In dreadful war mayst thou be overcome, Or live in peace abandoned and despised!

[Exeunt Westmoreland, Northumberland and Clifford.]

WARWICK. Turn this way, Henry, and regard them not.

EXETER. They seek revenge, and therefore will not yield.

KING HENRY. Ah, Exeter!

WARWICK. Why should you sigh, my lord?

KING HENRY. Not for myself, Lord Warwick, but my son, Whom I unnaturally shall disinherit. But be it as it may, [To York.] I here entail The crown to thee and to thine heirs for ever; Conditionally, that here thou take an oath To cease this civil war, and whilst I live, To honour me as thy king and sovereign, And neither by treason nor hostility To seek to put me down and reign thyself.

YORK. This oath I willingly take and will perform.

[Coming from the throne.]

WARWICK. Long live King Henry! Plantagenet, embrace him.

KING HENRY. And long live thou, and these thy forward sons!

YORK. Now York and Lancaster are reconciled.

EXETER. Accursed be he that seeks to make them foes!

Sennet. Here they come down.

YORK. Farewell, my gracious lord. I’ll to my castle.

WARWICK. And I’ll keep London with my soldiers.

NORFOLK. And I to Norfolk with my followers.

MONTAGUE. And I unto the sea from whence I came.

[Exeunt York and his Sons, Warwick, Norfolk, Montague and their Soldiers.]

KING HENRY. And I with grief and sorrow to the court.

Enter Queen Margaret and the Prince of Wales.

EXETER. Here comes the Queen, whose looks bewray her anger. I’ll steal away.

KING HENRY. Exeter, so will I.

[Going.]

QUEEN MARGARET. Nay, go not from me; I will follow thee.

KING HENRY. Be patient, gentle Queen, and I will stay.

QUEEN MARGARET. Who can be patient in such extremes? Ah, wretched man, would I had died a maid, And never seen thee, never borne thee son, Seeing thou hast proved so unnatural a father. Hath he deserved to lose his birthright thus? Hadst thou but loved him half so well as I, Or felt that pain which I did for him once, Or nourished him as I did with my blood, Thou wouldst have left thy dearest heart-blood there, Rather than have made that savage duke thine heir And disinherited thine only son.

PRINCE EDWARD. Father, you cannot disinherit me. If you be king, why should not I succeed?

KING HENRY. Pardon me, Margaret; pardon me, sweet son. The Earl of Warwick and the Duke enforced me.

QUEEN MARGARET. Enforced thee! Art thou King, and wilt be forced? I shame to hear thee speak. Ah, timorous wretch, Thou hast undone thyself, thy son, and me, And given unto the house of York such head As thou shalt reign but by their sufferance. To entail him and his heirs unto the crown, What is it but to make thy sepulchre And creep into it far before thy time? Warwick is Chancellor and the lord of Calais; Stern Falconbridge commands the narrow seas; The Duke is made Protector of the realm; And yet shalt thou be safe? Such safety finds The trembling lamb environed with wolves. Had I been there, which am a silly woman, The soldiers should have tossed me on their pikes Before I would have granted to that act. But thou prefer’st thy life before thine honour. And seeing thou dost, I here divorce myself Both from thy table, Henry, and thy bed, Until that act of parliament be repealed Whereby my son is disinherited. The northern lords that have forsworn thy colours Will follow mine if once they see them spread; And spread they shall be, to thy foul disgrace And utter ruin of the house of York. Thus do I leave thee. Come, son, let’s away: Our army is ready; come, we’ll after them.

KING HENRY. Stay, gentle Margaret, and hear me speak.

QUEEN MARGARET. Thou hast spoke too much already. Get thee gone.

KING HENRY. Gentle son Edward, thou wilt stay with me?

QUEEN MARGARET. Ay, to be murdered by his enemies.

PRINCE EDWARD. When I return with victory from the field I’ll see your Grace. Till then I’ll follow her.

QUEEN MARGARET. Come, son, away; we may not linger thus.

[Exeunt Queen Margaret and the Prince.]

KING HENRY. Poor queen! How love to me and to her son Hath made her break out into terms of rage! Revenged may she be on that hateful Duke, Whose haughty spirit, winged with desire, Will cost my crown, and like an empty eagle Tire on the flesh of me and of my son. The loss of those three lords torments my heart. I’ll write unto them and entreat them fair. Come, cousin, you shall be the messenger.

EXETER. And I, I hope, shall reconcile them all.

[Flourish. Exeunt.]

Act I, Scene II — Sandal Castle

Enter Edward, Richard and Montague.

RICHARD. Brother, though I be youngest, give me leave.

EDWARD. No, I can better play the orator.

MONTAGUE. But I have reasons strong and forcible.

Enter the Duke of York.

YORK. Why, how now, sons and brother, at a strife? What is your quarrel? How began it first?

EDWARD. No quarrel, but a slight contention.

YORK. About what?

RICHARD. About that which concerns your Grace and us: The crown of England, father, which is yours.

YORK. Mine, boy? Not till King Henry be dead.

RICHARD. Your right depends not on his life or death.

EDWARD. Now you are heir, therefore enjoy it now. By giving the house of Lancaster leave to breathe, It will outrun you, father, in the end.

YORK. I took an oath that he should quietly reign.

EDWARD. But for a kingdom any oath may be broken. I would break a thousand oaths to reign one year.

RICHARD. No; God forbid your Grace should be forsworn.

YORK. I shall be, if I claim by open war.

RICHARD. I’ll prove the contrary if you’ll hear me speak.

YORK. Thou canst not, son; it is impossible.

RICHARD. An oath is of no moment, being not took Before a true and lawful magistrate That hath authority over him that swears. Henry had none, but did usurp the place; Then, seeing ’twas he that made you to depose, Your oath, my lord, is vain and frivolous. Therefore, to arms! And, father, do but think How sweet a thing it is to wear a crown, Within whose circuit is Elysium And all that poets feign of bliss and joy. Why do we linger thus? I cannot rest Until the white rose that I wear be dyed Even in the lukewarm blood of Henry’s heart.

YORK. Richard, enough; I will be king, or die. Brother, thou shalt to London presently, And whet on Warwick to this enterprise. Thou, Richard, shalt to the Duke of Norfolk And tell him privily of our intent. You, Edward, shall unto my Lord Cobham, With whom the Kentishmen will willingly rise. In them I trust; for they are soldiers, Witty, courteous, liberal, full of spirit. While you are thus employed, what resteth more But that I seek occasion how to rise, And yet the King not privy to my drift, Nor any of the house of Lancaster?

Enter a Messenger.

But stay. What news? Why com’st thou in such post?

MESSENGER. The Queen, with all the northern earls and lords Intend here to besiege you in your castle. She is hard by with twenty thousand men; And therefore fortify your hold, my lord.

YORK. Ay, with my sword. What, think’st thou that we fear them? Edward and Richard, you shall stay with me; My brother Montague shall post to London. Let noble Warwick, Cobham, and the rest, Whom we have left protectors of the King, With powerful policy strengthen themselves, And trust not simple Henry nor his oaths.

MONTAGUE. Brother, I go; I’ll win them, fear it not. And thus most humbly I do take my leave.

[Exit.]

Enter Sir John and Sir Hugh Mortimer.

YORK. Sir John and Sir Hugh Mortimer, mine uncles, You are come to Sandal in a happy hour; The army of the Queen mean to besiege us.

SIR JOHN. She shall not need; we’ll meet her in the field.

YORK. What, with five thousand men?

RICHARD. Ay, with five hundred, father, for a need. A woman’s general; what should we fear?

[A march afar off.]

EDWARD. I hear their drums. Let’s set our men in order, And issue forth and bid them battle straight.

YORK. Five men to twenty! Though the odds be great, I doubt not, uncle, of our victory. Many a battle have I won in France Whenas the enemy hath been ten to one. Why should I not now have the like success?

[Alarum. Exeunt.]

Act I, Scene III — Plains near Sandal Castle

Alarums. Enter Rutland and his Tutor.

RUTLAND. Ah, whither shall I fly to scape their hands? Ah, tutor, look where bloody Clifford comes.

Enter Clifford and Soldiers.

CLIFFORD. Chaplain, away! Thy priesthood saves thy life. As for the brat of this accursed duke Whose father slew my father, he shall die.

TUTOR. And I, my lord, will bear him company.

CLIFFORD. Soldiers, away with him!

TUTOR. Ah, Clifford, murder not this innocent child, Lest thou be hated both of God and man.

[Exit, dragged off by Soldiers.]

CLIFFORD. How now? Is he dead already? Or is it fear That makes him close his eyes? I’ll open them.

RUTLAND. So looks the pent-up lion o’er the wretch That trembles under his devouring paws; And so he walks, insulting o’er his prey, And so he comes to rend his limbs asunder. Ah, gentle Clifford, kill me with thy sword, And not with such a cruel threat’ning look. Sweet Clifford, hear me speak before I die. I am too mean a subject for thy wrath; Be thou revenged on men, and let me live.

CLIFFORD. In vain thou speak’st, poor boy; my father’s blood Hath stopped the passage where thy words should enter.

RUTLAND. Then let my father’s blood open it again; He is a man, and, Clifford, cope with him.

CLIFFORD. Had I thy brethren here, their lives and thine Were not revenge sufficient for me. No, if I digged up thy forefathers’ graves And hung their rotten coffins up in chains, It could not slake mine ire nor ease my heart. The sight of any of the house of York Is as a fury to torment my soul; And till I root out their accursed line And leave not one alive, I live in hell. Therefore—

[Lifting his hand.]

RUTLAND. O, let me pray before I take my death! To thee I pray; sweet Clifford, pity me!

CLIFFORD. Such pity as my rapier’s point affords.

RUTLAND. I never did thee harm; why wilt thou slay me?

CLIFFORD. Thy father hath.

RUTLAND. But ’twas ere I was born. Thou hast one son; for his sake pity me, Lest in revenge thereof, sith God is just, He be as miserably slain as I. Ah, let me live in prison all my days, And when I give occasion of offence Then let me die, for now thou hast no cause.

CLIFFORD. No cause? Thy father slew my father; therefore die.

[Clifford stabs him.]

RUTLAND. Di faciant laudis summa sit ista tuae!

[Dies.]

CLIFFORD. Plantagenet! I come, Plantagenet! And this thy son’s blood cleaving to my blade Shall rust upon my weapon till thy blood, Congealed with this, do make me wipe off both.

[Exit.]

Act I, Scene IV — The Same

Alarum. Enter Richard, Duke of York.

YORK. The army of the Queen hath got the field. My uncles both are slain in rescuing me; And all my followers to the eager foe Turn back and fly like ships before the wind, Or lambs pursued by hunger-starved wolves. My sons, God knows what hath bechanced them; But this I know, they have demeaned themselves Like men born to renown by life or death. Three times did Richard make a lane to me, And thrice cried “Courage, father, fight it out!” And full as oft came Edward to my side With purple falchion painted to the hilt In blood of those that had encountered him; And when the hardiest warriors did retire, Richard cried “Charge, and give no foot of ground!” And cried “A crown, or else a glorious tomb! A sceptre, or an earthly sepulchre!” With this we charged again; but, out, alas! We budged again, as I have seen a swan With bootless labour swim against the tide And spend her strength with over-matching waves.

[A short alarum within.]

Ah, hark, the fatal followers do pursue, And I am faint and cannot fly their fury; And were I strong, I would not shun their fury. The sands are numbered that makes up my life; Here must I stay, and here my life must end.

Enter Queen Margaret, Clifford, Northumberland, the young Prince Edward and Soldiers.

Come, bloody Clifford, rough Northumberland, I dare your quenchless fury to more rage. I am your butt, and I abide your shot.

NORTHUMBERLAND. Yield to our mercy, proud Plantagenet.

CLIFFORD. Ay, to such mercy as his ruthless arm With downright payment showed unto my father. Now Phaëthon hath tumbled from his car, And made an evening at the noontide prick.

YORK. My ashes, as the phoenix, may bring forth A bird that will revenge upon you all; And in that hope I throw mine eyes to heaven, Scorning whate’er you can afflict me with. Why come you not? What, multitudes, and fear?

CLIFFORD. So cowards fight when they can fly no further; So doves do peck the falcon’s piercing talons; So desperate thieves, all hopeless of their lives, Breathe out invectives ’gainst the officers.

YORK. O Clifford, but bethink thee once again, And in thy thought o’errun my former time; And, if thou canst for blushing, view this face, And bite thy tongue, that slanders him with cowardice Whose frown hath made thee faint and fly ere this.

CLIFFORD. I will not bandy with thee word for word, But buckle with thee blows twice two for one.

QUEEN MARGARET. Hold, valiant Clifford; for a thousand causes I would prolong awhile the traitor’s life. Wrath makes him deaf; speak thou, Northumberland.

NORTHUMBERLAND. Hold, Clifford, do not honour him so much To prick thy finger, though to wound his heart. What valour were it, when a cur doth grin, For one to thrust his hand between his teeth, When he might spurn him with his foot away? It is war’s prize to take all vantages, And ten to one is no impeach of valour.

[They lay hands on York, who struggles.]

CLIFFORD. Ay, ay, so strives the woodcock with the gin.

NORTHUMBERLAND. So doth the cony struggle in the net.

[York is taken prisoner.]

YORK. So triumph thieves upon their conquered booty; So true men yield, with robbers so o’ermatched.

NORTHUMBERLAND. What would your Grace have done unto him now?

QUEEN MARGARET. Brave warriors, Clifford and Northumberland, Come, make him stand upon this molehill here, That raught at mountains with outstretched arms, Yet parted but the shadow with his hand. What, was it you that would be England’s king? Was ’t you that revelled in our parliament And made a preachment of your high descent? Where are your mess of sons to back you now, The wanton Edward and the lusty George? And where’s that valiant crook-back prodigy, Dicky your boy, that with his grumbling voice Was wont to cheer his dad in mutinies? Or, with the rest, where is your darling Rutland? Look, York, I stained this napkin with the blood That valiant Clifford with his rapier’s point Made issue from the bosom of the boy; And if thine eyes can water for his death, I give thee this to dry thy cheeks withal. Alas, poor York, but that I hate thee deadly I should lament thy miserable state. I prithee grieve to make me merry, York; Stamp, rave, and fret, that I may sing and dance. What, hath thy fiery heart so parched thine entrails That not a tear can fall for Rutland’s death? Why art thou patient, man? Thou shouldst be mad; And I, to make thee mad, do mock thee thus. Stamp, rave, and fret, that I may sing and dance. Thou would’st be fee’d, I see, to make me sport; York cannot speak unless he wear a crown. A crown for York! And, lords, bow low to him. Hold you his hands whilst I do set it on.

[Putting a paper crown on his head.]

Ay, marry, sir, now looks he like a king. Ay, this is he that took King Henry’s chair, And this is he was his adopted heir. But how is it that great Plantagenet Is crowned so soon and broke his solemn oath? As I bethink me, you should not be king Till our King Henry had shook hands with Death. And will you pale your head in Henry’s glory, And rob his temples of the diadem, Now in his life, against your holy oath? O, ’tis a fault too too unpardonable. Off with the crown, and, with the crown, his head; And whilst we breathe, take time to do him dead.

CLIFFORD. That is my office, for my father’s sake.

QUEEN MARGARET. Nay, stay; let’s hear the orisons he makes.

YORK. She-wolf of France, but worse than wolves of France, Whose tongue more poisons than the adder’s tooth! How ill-beseeming is it in thy sex To triumph like an Amazonian trull Upon their woes whom Fortune captivates! But that thy face is vizard-like, unchanging, Made impudent with use of evil deeds, I would assay, proud queen, to make thee blush. To tell thee whence thou cam’st, of whom derived, Were shame enough to shame thee, wert thou not shameless. Thy father bears the type of King of Naples, Of both the Sicils, and Jerusalem, Yet not so wealthy as an English yeoman. Hath that poor monarch taught thee to insult? It needs not, nor it boots thee not, proud queen; Unless the adage must be verified, That beggars mounted run their horse to death. ’Tis beauty that doth oft make women proud; But God he knows thy share thereof is small. ’Tis virtue that doth make them most admired; The contrary doth make thee wondered at. ’Tis government that makes them seem divine; The want thereof makes thee abominable. Thou art as opposite to every good As the Antipodes are unto us, Or as the south to the Septentrion. O tiger’s heart wrapped in a woman’s hide! How couldst thou drain the life-blood of the child, To bid the father wipe his eyes withal, And yet be seen to bear a woman’s face? Women are soft, mild, pitiful, and flexible; Thou stern, obdurate, flinty, rough, remorseless. Bid’st thou me rage? Why, now thou hast thy wish: Wouldst have me weep? Why, now thou hast thy will; For raging wind blows up incessant showers, And when the rage allays, the rain begins. These tears are my sweet Rutland’s obsequies, And every drop cries vengeance for his death ’Gainst thee, fell Clifford, and thee, false Frenchwoman.

NORTHUMBERLAND. Beshrew me, but his passion moves me so That hardly can I check my eyes from tears.

YORK. That face of his the hungry cannibals Would not have touched, would not have stained with blood; But you are more inhuman, more inexorable, O, ten times more than tigers of Hyrcania. See, ruthless queen, a hapless father’s tears. This cloth thou dipped’st in blood of my sweet boy, And I with tears do wash the blood away. Keep thou the napkin, and go boast of this; And if thou tell’st the heavy story right, Upon my soul, the hearers will shed tears; Yea, even my foes will shed fast-falling tears And say “Alas, it was a piteous deed.” There, take the crown, and with the crown my curse; And in thy need such comfort come to thee As now I reap at thy too cruel hand! Hard-hearted Clifford, take me from the world, My soul to heaven, my blood upon your heads!

NORTHUMBERLAND. Had he been slaughter-man to all my kin, I should not for my life but weep with him, To see how inly sorrow gripes his soul.

QUEEN MARGARET. What, weeping-ripe, my Lord Northumberland? Think but upon the wrong he did us all, And that will quickly dry thy melting tears.

CLIFFORD. Here’s for my oath, here’s for my father’s death.

[Stabbing him.]

QUEEN MARGARET. And here’s to right our gentle-hearted king.

[Stabbing him.]

YORK. Open thy gate of mercy, gracious God! My soul flies through these wounds to seek out Thee.

[Dies.]

QUEEN MARGARET. Off with his head, and set it on York gates; So York may overlook the town of York.

[Flourish. Exeunt.]

Act II, Scene I — A plain near Mortimer’s Cross in Herefordshire

A march. Enter Edward and Richard and their power.

EDWARD. I wonder how our princely father scaped, Or whether he be scaped away or no From Clifford’s and Northumberland’s pursuit. Had he been ta’en, we should have heard the news; Had he been slain, we should have heard the news; Or had he scaped, methinks we should have heard The happy tidings of his good escape. How fares my brother? Why is he so sad?

RICHARD. I cannot joy until I be resolved Where our right valiant father is become. I saw him in the battle range about, And watched him how he singled Clifford forth. Methought he bore him in the thickest troop As doth a lion in a herd of neat; Or as a bear, encompassed round with dogs, Who having pinched a few and made them cry, The rest stand all aloof and bark at him. So fared our father with his enemies; So fled his enemies my warlike father. Methinks ’tis pride enough to be his son. See how the morning opes her golden gates And takes her farewell of the glorious sun. How well resembles it the prime of youth, Trimmed like a younker prancing to his love!

EDWARD. Dazzle mine eyes, or do I see three suns?

RICHARD. Three glorious suns, each one a perfect sun; Not separated with the racking clouds, But severed in a pale clear-shining sky. See, see, they join, embrace, and seem to kiss, As if they vowed some league inviolable. Now are they but one lamp, one light, one sun. In this the heaven figures some event.

EDWARD. ’Tis wondrous strange, the like yet never heard of. I think it cites us, brother, to the field, That we, the sons of brave Plantagenet, Each one already blazing by our meeds, Should notwithstanding join our lights together, And overshine the earth, as this the world. Whate’er it bodes, henceforward will I bear Upon my target three fair shining suns.

RICHARD. Nay, bear three daughters: by your leave I speak it, You love the breeder better than the male.

Enter a Messenger, blowing.

But what art thou, whose heavy looks foretell Some dreadful story hanging on thy tongue?

MESSENGER. Ah, one that was a woeful looker-on When as the noble Duke of York was slain, Your princely father and my loving lord.

EDWARD. O, speak no more, for I have heard too much!

RICHARD. Say how he died, for I will hear it all.

MESSENGER. Environed he was with many foes, And stood against them as the hope of Troy Against the Greeks that would have entered Troy. But Hercules himself must yield to odds; And many strokes, though with a little axe, Hews down and fell the hardest-timbered oak. By many hands your father was subdued, But only slaughtered by the ireful arm Of unrelenting Clifford and the Queen, Who crowned the gracious duke in high despite, Laughed in his face; and when with grief he wept, The ruthless Queen gave him to dry his cheeks A napkin steeped in the harmless blood Of sweet young Rutland, by rough Clifford slain. And after many scorns, many foul taunts, They took his head, and on the gates of York They set the same; and there it doth remain, The saddest spectacle that e’er I viewed.

EDWARD. Sweet Duke of York, our prop to lean upon, Now thou art gone, we have no staff, no stay. O Clifford, boisterous Clifford, thou hast slain The flower of Europe for his chivalry; And treacherously hast thou vanquished him, For hand to hand he would have vanquished thee. Now my soul’s palace is become a prison. Ah, would she break from hence, that this my body Might in the ground be closed up in rest! For never henceforth shall I joy again; Never, O, never, shall I see more joy!

RICHARD. I cannot weep, for all my body’s moisture Scarce serves to quench my furnace-burning heart; Nor can my tongue unload my heart’s great burthen, For selfsame wind that I should speak withal Is kindling coals that fires all my breast And burns me up with flames that tears would quench. To weep is to make less the depth of grief: Tears, then, for babes; blows and revenge for me! Richard, I bear thy name; I’ll venge thy death, Or die renowned by attempting it.

EDWARD. His name that valiant duke hath left with thee; His dukedom and his chair with me is left.

RICHARD. Nay, if thou be that princely eagle’s bird, Show thy descent by gazing ’gainst the sun; For chair and dukedom, throne and kingdom say, Either that is thine, or else thou wert not his.

March. Enter Warwick, Marquess Montague and their army.

WARWICK. How now, fair lords! What fare? What news abroad?

RICHARD. Great Lord of Warwick, if we should recount Our baleful news, and at each word’s deliverance Stab poniards in our flesh till all were told, The words would add more anguish than the wounds. O valiant lord, the Duke of York is slain!

EDWARD. O, Warwick, Warwick, that Plantagenet Which held thee dearly as his soul’s redemption Is by the stern Lord Clifford done to death.

WARWICK. Ten days ago I drowned these news in tears, And now, to add more measure to your woes, I come to tell you things sith then befall’n. After the bloody fray at Wakefield fought, Where your brave father breathed his latest gasp, Tidings, as swiftly as the posts could run, Were brought me of your loss and his depart. I, then in London, keeper of the King, Mustered my soldiers, gathered flocks of friends, And very well appointed, as I thought, Marched toward Saint Albans to intercept the Queen, Bearing the King in my behalf along; For by my scouts I was advertised That she was coming with a full intent To dash our late decree in Parliament Touching King Henry’s oath and your succession. Short tale to make, we at Saint Albans met, Our battles joined, and both sides fiercely fought. But, whether ’twas the coldness of the King, Who looked full gently on his warlike Queen, That robbed my soldiers of their heated spleen, Or whether ’twas report of her success; Or more than common fear of Clifford’s rigour, Who thunders to his captives blood and death, I cannot judge; but, to conclude with truth, Their weapons like to lightning came and went; Our soldiers’, like the night-owl’s lazy flight, Or like an idle thresher with a flail, Fell gently down, as if they struck their friends. I cheered them up with justice of our cause, With promise of high pay and great rewards, But all in vain; they had no heart to fight, And we in them no hope to win the day; So that we fled: the King unto the Queen; Lord George your brother, Norfolk, and myself, In haste, post-haste, are come to join with you; For in the Marches here we heard you were, Making another head to fight again.

EDWARD. Where is the Duke of Norfolk, gentle Warwick? And when came George from Burgundy to England?

WARWICK. Some six miles off the Duke is with the soldiers; And for your brother, he was lately sent From your kind aunt, Duchess of Burgundy, With aid of soldiers to this needful war.

RICHARD. ’Twas odds, belike, when valiant Warwick fled. Oft have I heard his praises in pursuit, But ne’er till now his scandal of retire.

WARWICK. Nor now my scandal, Richard, dost thou hear; For thou shalt know this strong right hand of mine Can pluck the diadem from faint Henry’s head And wring the awful sceptre from his fist, Were he as famous and as bold in war As he is famed for mildness, peace, and prayer.

RICHARD. I know it well, Lord Warwick; blame me not. ’Tis love I bear thy glories makes me speak. But in this troublous time what’s to be done? Shall we go throw away our coats of steel And wrap our bodies in black mourning gowns, Numbering our Ave-Maries with our beads? Or shall we on the helmets of our foes Tell our devotion with revengeful arms? If for the last, say ay, and to it, lords.

WARWICK. Why, therefore Warwick came to seek you out, And therefore comes my brother Montague. Attend me, lords. The proud insulting Queen, With Clifford and the haught Northumberland, And of their feather many moe proud birds, Have wrought the easy-melting King like wax. He swore consent to your succession, His oath enrolled in the Parliament; And now to London all the crew are gone, To frustrate both his oath and what beside May make against the house of Lancaster. Their power, I think, is thirty thousand strong. Now, if the help of Norfolk and myself, With all the friends that thou, brave Earl of March, Amongst the loving Welshmen canst procure, Will but amount to five and twenty thousand, Why, via, to London will we march amain, And once again bestride our foaming steeds, And once again cry “Charge upon our foes!” But never once again turn back and fly.

RICHARD. Ay, now methinks I hear great Warwick speak. Ne’er may he live to see a sunshine day That cries “Retire,” if Warwick bid him stay.

EDWARD. Lord Warwick, on thy shoulder will I lean; And when thou fail’st—as God forbid the hour!— Must Edward fall, which peril heaven forfend!

WARWICK. No longer Earl of March, but Duke of York. The next degree is England’s royal throne; For King of England shalt thou be proclaimed In every borough as we pass along, And he that throws not up his cap for joy Shall for the fault make forfeit of his head. King Edward, valiant Richard, Montague, Stay we no longer dreaming of renown, But sound the trumpets and about our task.

RICHARD. Then, Clifford, were thy heart as hard as steel, As thou hast shown it flinty by thy deeds, I come to pierce it, or to give thee mine.

EDWARD. Then strike up, drums! God and Saint George for us!

Enter a Messenger.

WARWICK. How now, what news?

MESSENGER. The Duke of Norfolk sends you word by me, The Queen is coming with a puissant host, And craves your company for speedy counsel.

WARWICK. Why then it sorts; brave warriors, let’s away.

[Exeunt.]

Act II, Scene II — Before York

Flourish. Enter King Henry, Queen Margaret, the Prince of Wales, Clifford and Northumberland with drums and trumpets.

QUEEN MARGARET. Welcome, my lord, to this brave town of York. Yonder’s the head of that arch-enemy That sought to be encompassed with your crown. Doth not the object cheer your heart, my lord?

KING HENRY. Ay, as the rocks cheer them that fear their wrack! To see this sight, it irks my very soul. Withhold revenge, dear God! ’Tis not my fault, Nor wittingly have I infringed my vow.

CLIFFORD. My gracious liege, this too much lenity And harmful pity must be laid aside. To whom do lions cast their gentle looks? Not to the beast that would usurp their den. Whose hand is that the forest bear doth lick? Not his that spoils her young before her face. Who scapes the lurking serpent’s mortal sting? Not he that sets his foot upon her back. The smallest worm will turn, being trodden on, And doves will peck in safeguard of their brood. Ambitious York did level at thy crown, Thou smiling while he knit his angry brows. He, but a duke, would have his son a king, And raise his issue like a loving sire; Thou, being a king, blest with a goodly son, Didst yield consent to disinherit him, Which argued thee a most unloving father. Unreasonable creatures feed their young; And though man’s face be fearful to their eyes, Yet, in protection of their tender ones, Who hath not seen them, even with those wings Which sometime they have used with fearful flight, Make war with him that climbed unto their nest, Offering their own lives in their young’s defence? For shame, my liege, make them your precedent. Were it not pity that this goodly boy Should lose his birthright by his father’s fault, And long hereafter say unto his child, “What my great-grandfather and grandsire got, My careless father fondly gave away?” Ah, what a shame were this! Look on the boy, And let his manly face, which promiseth Successful fortune, steel thy melting heart To hold thine own and leave thine own with him.

KING HENRY. Full well hath Clifford played the orator, Inferring arguments of mighty force. But, Clifford, tell me, didst thou never hear That things ill got had ever bad success? And happy always was it for that son Whose father for his hoarding went to hell? I’ll leave my son my virtuous deeds behind, And would my father had left me no more; For all the rest is held at such a rate As brings a thousand-fold more care to keep Than in possession any jot of pleasure. Ah, cousin York, would thy best friends did know How it doth grieve me that thy head is here!

QUEEN MARGARET. My lord, cheer up your spirits; our foes are nigh, And this soft courage makes your followers faint. You promised knighthood to our forward son. Unsheathe your sword and dub him presently.— Edward, kneel down.

KING HENRY. Edward Plantagenet, arise a knight; And learn this lesson: draw thy sword in right.

PRINCE EDWARD. My gracious father, by your kingly leave, I’ll draw it as apparent to the crown, And in that quarrel use it to the death.

CLIFFORD. Why, that is spoken like a toward prince.

Enter a Messenger.

MESSENGER. Royal commanders, be in readiness; For with a band of thirty thousand men Comes Warwick, backing of the Duke of York, And in the towns, as they do march along, Proclaims him king, and many fly to him. Darraign your battle, for they are at hand.

CLIFFORD. I would your highness would depart the field. The Queen hath best success when you are absent.

QUEEN MARGARET. Ay, good my lord, and leave us to our fortune.

KING HENRY. Why, that’s my fortune too; therefore I’ll stay.

NORTHUMBERLAND. Be it with resolution then to fight.

PRINCE EDWARD. My royal father, cheer these noble lords, And hearten those that fight in your defence. Unsheathe your sword, good father; cry “Saint George!”

March. Enter Edward, George, Richard, Warwick, Norfolk, Montague and Soldiers.

EDWARD. Now, perjured Henry, wilt thou kneel for grace And set thy diadem upon my head, Or bide the mortal fortune of the field?

QUEEN MARGARET. Go rate thy minions, proud insulting boy! Becomes it thee to be thus bold in terms Before thy sovereign and thy lawful king?

EDWARD. I am his king, and he should bow his knee. I was adopted heir by his consent. Since when, his oath is broke; for, as I hear, You that are king, though he do wear the crown, Have caused him by new act of Parliament To blot out me and put his own son in.

CLIFFORD. And reason too: Who should succeed the father but the son?

RICHARD. Are you there, butcher? O, I cannot speak!

CLIFFORD. Ay, crook-back; here I stand, to answer thee, Or any he, the proudest of thy sort.

RICHARD. ’Twas you that killed young Rutland, was it not?

CLIFFORD. Ay, and old York, and yet not satisfied.

RICHARD. For God’s sake, lords, give signal to the fight.

WARWICK. What sayst thou, Henry, wilt thou yield the crown?

QUEEN MARGARET. Why, how now, long-tongued Warwick, dare you speak? When you and I met at Saint Albans last, Your legs did better service than your hands.

WARWICK. Then ’twas my turn to fly, and now ’tis thine.

CLIFFORD. You said so much before, and yet you fled.

WARWICK. ’Twas not your valour, Clifford, drove me thence.

NORTHUMBERLAND. No, nor your manhood that durst make you stay.

RICHARD. Northumberland, I hold thee reverently. Break off the parley; for scarce I can refrain The execution of my big-swoln heart Upon that Clifford, that cruel child-killer.

CLIFFORD. I slew thy father; call’st thou him a child?

RICHARD. Ay, like a dastard and a treacherous coward, As thou didst kill our tender brother Rutland, But ere sunset I’ll make thee curse the deed.

KING HENRY. Have done with words, my lords, and hear me speak.

QUEEN MARGARET. Defy them then, or else hold close thy lips.

KING HENRY. I prithee, give no limits to my tongue. I am a king, and privileged to speak.

CLIFFORD. My liege, the wound that bred this meeting here Cannot be cured by words; therefore be still.

RICHARD. Then, executioner, unsheathe thy sword. By Him that made us all, I am resolved That Clifford’s manhood lies upon his tongue.

EDWARD. Say, Henry, shall I have my right, or no? A thousand men have broke their fasts today That ne’er shall dine unless thou yield the crown.

WARWICK. If thou deny, their blood upon thy head; For York in justice puts his armour on.

PRINCE EDWARD. If that be right which Warwick says is right, There is no wrong, but everything is right.

RICHARD. Whoever got thee, there thy mother stands; For well I wot thou hast thy mother’s tongue.

QUEEN MARGARET. But thou art neither like thy sire nor dam, But like a foul misshapen stigmatic, Marked by the Destinies to be avoided, As venom toads or lizards’ dreadful stings.

RICHARD. Iron of Naples, hid with English gilt, Whose father bears the title of a king, As if a channel should be called the sea, Sham’st thou not, knowing whence thou art extraught, To let thy tongue detect thy base-born heart?

EDWARD. A wisp of straw were worth a thousand crowns To make this shameless callet know herself. Helen of Greece was fairer far than thou, Although thy husband may be Menelaus; And ne’er was Agamemnon’s brother wronged By that false woman as this king by thee. His father revelled in the heart of France, And tamed the King, and made the Dauphin stoop; And had he matched according to his state, He might have kept that glory to this day; But when he took a beggar to his bed And graced thy poor sire with his bridal day, Even then that sunshine brewed a shower for him That washed his father’s fortunes forth of France And heaped sedition on his crown at home. For what hath broached this tumult but thy pride? Hadst thou been meek, our title still had slept; And we, in pity of the gentle king, Had slipped our claim until another age.

GEORGE. But when we saw our sunshine made thy spring, And that thy summer bred us no increase, We set the axe to thy usurping root; And though the edge hath something hit ourselves, Yet know thou, since we have begun to strike, We’ll never leave till we have hewn thee down Or bathed thy growing with our heated bloods.

EDWARD. And in this resolution I defy thee; Not willing any longer conference, Since thou deniest the gentle King to speak. Sound trumpets! Let our bloody colours wave; And either victory or else a grave!

QUEEN MARGARET. Stay, Edward.

EDWARD. No, wrangling woman, we’ll no longer stay. These words will cost ten thousand lives this day.

[Exeunt.]

Act II, Scene III — A field of battle between Towton and Saxton, in Yorkshire

Alarums. Excursions. Enter Warwick.

WARWICK. Forspent with toil, as runners with a race, I lay me down a little while to breathe; For strokes received, and many blows repaid, Have robbed my strong-knit sinews of their strength, And spite of spite, needs must I rest awhile.

Enter Edward, running.

EDWARD. Smile, gentle heaven, or strike, ungentle death; For this world frowns and Edward’s sun is clouded.

WARWICK. How now, my lord, what hap? What hope of good?

Enter George.

GEORGE. Our hap is loss, our hope but sad despair; Our ranks are broke and ruin follows us. What counsel give you? Whither shall we fly?

EDWARD. Bootless is flight, they follow us with wings; And weak we are and cannot shun pursuit.

Enter Richard.

RICHARD. Ah, Warwick, why hast thou withdrawn thyself? Thy brother’s blood the thirsty earth hath drunk, Broached with the steely point of Clifford’s lance; And in the very pangs of death he cried, Like to a dismal clangor heard from far, “Warwick, revenge! Brother, revenge my death!” So, underneath the belly of their steeds, That stained their fetlocks in his smoking blood, The noble gentleman gave up the ghost.

WARWICK. Then let the earth be drunken with our blood; I’ll kill my horse because I will not fly. Why stand we like soft-hearted women here, Wailing our losses whiles the foe doth rage, And look upon, as if the tragedy Were played in jest by counterfeiting actors? Here on my knee I vow to God above I’ll never pause again, never stand still, Till either death hath closed these eyes of mine, Or Fortune given me measure of revenge.

EDWARD. O Warwick, I do bend my knee with thine, And in this vow do chain my soul to thine! And, ere my knee rise from the earth’s cold face, I throw my hands, mine eyes, my heart to Thee, Thou setter up and plucker down of kings, Beseeching Thee, if with Thy will it stands That to my foes this body must be prey, Yet that Thy brazen gates of heaven may ope, And give sweet passage to my sinful soul. Now, lords, take leave until we meet again, Where’er it be, in heaven or in earth.

RICHARD. Brother, give me thy hand; and, gentle Warwick, Let me embrace thee in my weary arms. I, that did never weep, now melt with woe That winter should cut off our spring-time so.

WARWICK. Away, away! Once more, sweet lords, farewell.

GEORGE. Yet let us all together to our troops, And give them leave to fly that will not stay, And call them pillars that will stand to us; And if we thrive, promise them such rewards As victors wear at the Olympian games. This may plant courage in their quailing breasts, For yet is hope of life and victory. Forslow no longer; make we hence amain.

[Exeunt.]

Act II, Scene IV — Another Part of the Field

Excursions. Enter Richard and Clifford.

RICHARD. Now, Clifford, I have singled thee alone. Suppose this arm is for the Duke of York, And this for Rutland; both bound to revenge, Wert thou environed with a brazen wall.

CLIFFORD. Now, Richard, I am with thee here alone. This is the hand that stabbed thy father York, And this the hand that slew thy brother Rutland; And here’s the heart that triumphs in their death And cheers these hands that slew thy sire and brother To execute the like upon thyself; And so have at thee!

They fight. Warwick comes; Clifford flies.

RICHARD. Nay, Warwick, single out some other chase; For I myself will hunt this wolf to death.

[Exeunt.]

Act II, Scene V — Another Part of the Field

Enter King Henry.

KING HENRY. This battle fares like to the morning’s war, When dying clouds contend with growing light, What time the shepherd, blowing of his nails, Can neither call it perfect day nor night. Now sways it this way, like a mighty sea Forced by the tide to combat with the wind; Now sways it that way, like the selfsame sea Forced to retire by fury of the wind. Sometime the flood prevails, and then the wind; Now one the better, then another best, Both tugging to be victors, breast to breast, Yet neither conqueror nor conquered. So is the equal poise of this fell war. Here on this molehill will I sit me down. To whom God will, there be the victory! For Margaret my queen, and Clifford too, Have chid me from the battle, swearing both They prosper best of all when I am thence. Would I were dead, if God’s good will were so; For what is in this world but grief and woe? O God! Methinks it were a happy life To be no better than a homely swain; To sit upon a hill, as I do now, To carve out dials quaintly, point by point, Thereby to see the minutes how they run: How many make the hour full complete, How many hours brings about the day, How many days will finish up the year, How many years a mortal man may live. When this is known, then to divide the times: So many hours must I tend my flock; So many hours must I take my rest; So many hours must I contemplate; So many hours must I sport myself; So many days my ewes have been with young; So many weeks ere the poor fools will ean; So many years ere I shall shear the fleece. So minutes, hours, days, months, and years, Passed over to the end they were created, Would bring white hairs unto a quiet grave. Ah, what a life were this! How sweet, how lovely! Gives not the hawthorn bush a sweeter shade To shepherds looking on their silly sheep Than doth a rich embroidered canopy To kings that fear their subjects’ treachery? O, yes, it doth; a thousand-fold it doth. And to conclude, the shepherd’s homely curds, His cold thin drink out of his leather bottle, His wonted sleep under a fresh tree’s shade, All which secure and sweetly he enjoys, Is far beyond a prince’s delicates— His viands sparkling in a golden cup, His body couched in a curious bed, When care, mistrust, and treason waits on him.

Alarum. Enter a Son that hath killed his father, bringing in the dead body.

SON. Ill blows the wind that profits nobody. This man, whom hand to hand I slew in fight, May be possessed with some store of crowns; And I, that haply take them from him now, May yet ere night yield both my life and them To some man else, as this dead man doth me. Who’s this? O God! It is my father’s face, Whom in this conflict I unwares have killed. O heavy times, begetting such events! From London by the King was I pressed forth; My father, being the Earl of Warwick’s man, Came on the part of York, pressed by his master; And I, who at his hands received my life, Have by my hands of life bereaved him. Pardon me, God, I knew not what I did; And pardon, father, for I knew not thee. My tears shall wipe away these bloody marks, And no more words till they have flowed their fill.

KING HENRY. O piteous spectacle! O bloody times! Whiles lions war and battle for their dens, Poor harmless lambs abide their enmity. Weep, wretched man, I’ll aid thee tear for tear; And let our hearts and eyes, like civil war, Be blind with tears and break o’ercharged with grief.

Enter a Father who has killed his son, with the body in his arms.

FATHER. Thou that so stoutly hath resisted me, Give me thy gold, if thou hast any gold, For I have bought it with an hundred blows. But let me see: is this our foeman’s face? Ah, no, no, no; it is mine only son! Ah, boy, if any life be left in thee, Throw up thine eye! See, see what showers arise, Blown with the windy tempest of my heart Upon thy wounds, that kill mine eye and heart! O, pity, God, this miserable age! What stratagems, how fell, how butcherly, Erroneous, mutinous, and unnatural, This deadly quarrel daily doth beget! O boy, thy father gave thee life too soon, And hath bereft thee of thy life too late!

KING HENRY. Woe above woe, grief more than common grief! O that my death would stay these ruthful deeds! O pity, pity, gentle heaven, pity! The red rose and the white are on his face, The fatal colours of our striving houses; The one his purple blood right well resembles, The other his pale cheeks, methinks, presenteth. Wither one rose, and let the other flourish! If you contend, a thousand lives must wither.

SON. How will my mother for a father’s death Take on with me and ne’er be satisfied!

FATHER. How will my wife for slaughter of my son Shed seas of tears and ne’er be satisfied!

KING HENRY. How will the country for these woeful chances Misthink the King and not be satisfied!

SON. Was ever son so rued a father’s death?

FATHER. Was ever father so bemoaned his son?

KING HENRY. Was ever king so grieved for subjects’ woe? Much is your sorrow, mine ten times so much.

SON. I’ll bear thee hence, where I may weep my fill.

[Exit with the body.]

FATHER. These arms of mine shall be thy winding-sheet; My heart, sweet boy, shall be thy sepulchre, For from my heart thine image ne’er shall go. My sighing breast shall be thy funeral bell; And so obsequious will thy father be, Even for the loss of thee, having no more, As Priam was for all his valiant sons. I’ll bear thee hence; and let them fight that will, For I have murdered where I should not kill.

[Exit with the body.]

KING HENRY. Sad-hearted men, much overgone with care, Here sits a king more woeful than you are.

Alarums. Excursions. Enter Queen Margaret, Prince of Wales and Exeter.

PRINCE EDWARD. Fly, father, fly, for all your friends are fled, And Warwick rages like a chafed bull. Away, for death doth hold us in pursuit.

QUEEN MARGARET. Mount you, my lord; towards Berwick post amain. Edward and Richard, like a brace of greyhounds Having the fearful flying hare in sight, With fiery eyes sparkling for very wrath, And bloody steel grasped in their ireful hands, Are at our backs; and therefore hence amain.

EXETER. Away, for vengeance comes along with them. Nay, stay not to expostulate; make speed, Or else come after; I’ll away before.

KING HENRY. Nay, take me with thee, good sweet Exeter; Not that I fear to stay, but love to go Whither the Queen intends. Forward; away!

[Exeunt.]

Act II, Scene VI — Another Part of the Field

A loud alarum. Enter Clifford, wounded.

CLIFFORD. Here burns my candle out; ay, here it dies, Which whiles it lasted gave King Henry light. O Lancaster, I fear thy overthrow More than my body’s parting with my soul! My love and fear glued many friends to thee; And, now I fall, thy tough commixtures melts, Impairing Henry, strengthening misproud York. The common people swarm like summer flies; And whither fly the gnats but to the sun? And who shines now but Henry’s enemies? O Phoebus, hadst thou never given consent That Phaëthon should check thy fiery steeds, Thy burning car never had scorched the earth! And, Henry, hadst thou swayed as kings should do, Or as thy father and his father did, Giving no ground unto the house of York, They never then had sprung like summer flies; I, and ten thousand in this luckless realm Had left no mourning widows for our death, And thou this day hadst kept thy chair in peace. For what doth cherish weeds but gentle air? And what makes robbers bold but too much lenity? Bootless are plaints, and cureless are my wounds; No way to fly, nor strength to hold out flight. The foe is merciless and will not pity, For at their hands I have deserved no pity. The air hath got into my deadly wounds, And much effuse of blood doth make me faint. Come, York and Richard, Warwick, and the rest; I stabbed your fathers’ bosoms, split my breast.

[He faints.]

Alarum and retreat. Enter Edward, George, Richard, Montague, Warwick and Soldiers.

EDWARD. Now breathe we, lords. Good fortune bids us pause And smooth the frowns of war with peaceful looks. Some troops pursue the bloody-minded Queen That led calm Henry, though he were a king, As doth a sail, filled with a fretting gust, Command an argosy to stem the waves. But think you, lords, that Clifford fled with them?

WARWICK. No, ’tis impossible he should escape; For, though before his face I speak the words, Your brother Richard marked him for the grave, And whereso’er he is, he’s surely dead.

[Clifford groans and dies.]

RICHARD. Whose soul is that which takes her heavy leave? A deadly groan, like life and death’s departing.

EDWARD. See who it is; and, now the battle’s ended, If friend or foe, let him be gently used.

RICHARD. Revoke that doom of mercy, for ’tis Clifford, Who, not contented that he lopped the branch In hewing Rutland when his leaves put forth, But set his murdering knife unto the root From whence that tender spray did sweetly spring, I mean our princely father, Duke of York.

WARWICK. From off the gates of York fetch down the head, Your father’s head, which Clifford placed there; Instead whereof let this supply the room. Measure for measure must be answered.

EDWARD. Bring forth that fatal screech-owl to our house, That nothing sung but death to us and ours; Now death shall stop his dismal threatening sound, And his ill-boding tongue no more shall speak.

[Soldiers bring the body forward.]

WARWICK. I think his understanding is bereft. Speak, Clifford, dost thou know who speaks to thee? Dark cloudy death o’ershades his beams of life, And he nor sees nor hears us, what we say.

RICHARD. O, would he did, and so, perhaps, he doth! ’Tis but his policy to counterfeit, Because he would avoid such bitter taunts Which in the time of death he gave our father.

GEORGE. If so thou think’st, vex him with eager words.

RICHARD. Clifford, ask mercy, and obtain no grace.

EDWARD. Clifford, repent in bootless penitence.

WARWICK. Clifford, devise excuses for thy faults.

GEORGE. While we devise fell tortures for thy faults.

RICHARD. Thou didst love York, and I am son to York.

EDWARD. Thou pitied’st Rutland, I will pity thee.

GEORGE. Where’s Captain Margaret to fence you now?

WARWICK. They mock thee, Clifford; swear as thou wast wont.

RICHARD. What, not an oath? Nay then, the world goes hard When Clifford cannot spare his friends an oath. I know by that he’s dead; and, by my soul, If this right hand would buy but two hours’ life, That I in all despite might rail at him, This hand should chop it off, and with the issuing blood Stifle the villain whose unstaunched thirst York and young Rutland could not satisfy.

WARWICK. Ay, but he’s dead. Off with the traitor’s head, And rear it in the place your father’s stands. And now to London with triumphant march, There to be crowned England’s royal king; From whence shall Warwick cut the sea to France, And ask the Lady Bona for thy queen. So shalt thou sinew both these lands together, And, having France thy friend, thou shalt not dread The scattered foe that hopes to rise again; For though they cannot greatly sting to hurt, Yet look to have them buzz to offend thine ears. First will I see the coronation, And then to Brittany I’ll cross the sea To effect this marriage, so it please my lord.

EDWARD. Even as thou wilt, sweet Warwick, let it be; For in thy shoulder do I build my seat, And never will I undertake the thing Wherein thy counsel and consent is wanting. Richard, I will create thee Duke of Gloucester; And George, of Clarence. Warwick, as ourself, Shall do and undo as him pleaseth best.

RICHARD. Let me be Duke of Clarence, George of Gloucester, For Gloucester’s dukedom is too ominous.

WARWICK. Tut, that’s a foolish observation. Richard, be Duke of Gloucester. Now to London, To see these honours in possession.

[Exeunt.]

Act III, Scene I — A Forest in the North of England

Enter two Keepers with crossbows in their hands.

1 KEEPER. Under this thick-grown brake we’ll shroud ourselves, For through this laund anon the deer will come; And in this covert will we make our stand, Culling the principal of all the deer.

2 KEEPER. I’ll stay above the hill, so both may shoot.

1 KEEPER. That cannot be; the noise of thy crossbow Will scare the herd, and so my shoot is lost. Here stand we both, and aim we at the best; And, for the time shall not seem tedious, I’ll tell thee what befell me on a day In this self place where now we mean to stand.

2 KEEPER. Here comes a man; let’s stay till he be past.

Enter King Henry, disguised, with a prayer-book.

KING HENRY. From Scotland am I stolen, even of pure love, To greet mine own land with my wishful sight. No, Harry, Harry, ’tis no land of thine; Thy place is filled, thy sceptre wrung from thee, Thy balm washed off wherewith thou wast anointed. No bending knee will call thee Caesar now, No humble suitors press to speak for right, No, not a man comes for redress of thee; For how can I help them and not myself?

1 KEEPER. Ay, here’s a deer whose skin’s a keeper’s fee. This is the quondam king; let’s seize upon him.

KING HENRY. Let me embrace thee, sour adversity, For wise men say it is the wisest course.

2 KEEPER. Why linger we? Let us lay hands upon him.

1 KEEPER. Forbear awhile; we’ll hear a little more.

KING HENRY. My queen and son are gone to France for aid; And, as I hear, the great commanding Warwick Is thither gone to crave the French King’s sister To wife for Edward. If this news be true, Poor queen and son, your labour is but lost, For Warwick is a subtle orator, And Lewis a prince soon won with moving words. By this account, then, Margaret may win him, For she’s a woman to be pitied much. Her sighs will make a batt’ry in his breast, Her tears will pierce into a marble heart; The tiger will be mild whiles she doth mourn, And Nero will be tainted with remorse To hear and see her plaints, her brinish tears. Ay, but she’s come to beg, Warwick to give; She on his left side craving aid for Henry; He on his right asking a wife for Edward. She weeps and says her Henry is deposed; He smiles and says his Edward is installed; That she, poor wretch, for grief can speak no more; Whiles Warwick tells his title, smooths the wrong, Inferreth arguments of mighty strength, And in conclusion wins the King from her With promise of his sister, and what else, To strengthen and support King Edward’s place. O Margaret, thus ’twill be; and thou, poor soul, Art then forsaken, as thou went’st forlorn.

2 KEEPER. Say, what art thou, that talk’st of kings and queens?

KING HENRY. More than I seem, and less than I was born to: A man at least, for less I should not be; And men may talk of kings, and why not I?

2 KEEPER. Ay, but thou talk’st as if thou wert a king.

KING HENRY. Why, so I am, in mind; and that’s enough.

2 KEEPER. But, if thou be a king, where is thy crown?

KING HENRY. My crown is in my heart, not on my head; Not decked with diamonds and Indian stones, Not to be seen. My crown is called content; A crown it is that seldom kings enjoy.

2 KEEPER. Well, if you be a king crowned with content, Your crown content and you must be contented To go along with us; for, as we think, You are the king King Edward hath deposed; And we his subjects, sworn in all allegiance, Will apprehend you as his enemy.

KING HENRY. But did you never swear, and break an oath?

2 KEEPER. No, never such an oath; nor will not now.

KING HENRY. Where did you dwell when I was King of England?

2 KEEPER. Here in this country, where we now remain.

KING HENRY. I was anointed king at nine months old; My father and my grandfather were kings, And you were sworn true subjects unto me. And tell me, then, have you not broke your oaths?

1 KEEPER. No, for we were subjects but while you were king.

KING HENRY. Why, am I dead? Do I not breathe a man? Ah, simple men, you know not what you swear. Look, as I blow this feather from my face, And as the air blows it to me again, Obeying with my wind when I do blow, And yielding to another when it blows, Commanded always by the greater gust, Such is the lightness of you common men. But do not break your oaths; for of that sin My mild entreaty shall not make you guilty. Go where you will, the King shall be commanded; And be you kings; command, and I’ll obey.

1 KEEPER. We are true subjects to the King, King Edward.

KING HENRY. So would you be again to Henry If he were seated as King Edward is.

1 KEEPER. We charge you, in God’s name and the King’s To go with us unto the officers.

KING HENRY. In God’s name, lead; your king’s name be obeyed, And what God will, that let your king perform; And what he will, I humbly yield unto.

[Exeunt.]

Act III, Scene II — The Palace

Enter King Edward, Richard (Duke of Gloucester), George (Duke of Clarence) and Lady Grey.

KING EDWARD. Brother of Gloucester, at Saint Albans field This lady’s husband, Sir John Grey, was slain, His land then seized on by the conqueror. Her suit is now to repossess those lands, Which we in justice cannot well deny, Because in quarrel of the house of York The worthy gentleman did lose his life.

RICHARD. Your Highness shall do well to grant her suit; It were dishonour to deny it her.

KING EDWARD. It were no less; but yet I’ll make a pause.

RICHARD. [Aside to George.] Yea, is it so? I see the lady hath a thing to grant Before the King will grant her humble suit.

GEORGE. [Aside to Richard.] He knows the game; how true he keeps the wind!

RICHARD. [Aside to George.] Silence!

KING EDWARD. Widow, we will consider of your suit, And come some other time to know our mind.

LADY GREY. Right gracious lord, I cannot brook delay. May it please your Highness to resolve me now, And what your pleasure is shall satisfy me.

RICHARD. [Aside to George.] Ay, widow? Then I’ll warrant you all your lands, An if what pleases him shall pleasure you. Fight closer, or, good faith, you’ll catch a blow.

GEORGE. [Aside to Richard.] I fear her not, unless she chance to fall.

RICHARD. [Aside to George.] God forbid that, for he’ll take vantages.

KING EDWARD. How many children hast thou, widow? Tell me.

GEORGE. [Aside to Richard.] I think he means to beg a child of her.

RICHARD. [Aside to George.] Nay, whip me then; he’ll rather give her two.

LADY GREY. Three, my most gracious lord.

RICHARD. [Aside to George.] You shall have four if you’ll be ruled by him.

KING EDWARD. ’Twere pity they should lose their father’s lands.

LADY GREY. Be pitiful, dread lord, and grant it then.

KING EDWARD. Lords, give us leave; I’ll try this widow’s wit.

RICHARD. [Aside to George.] Ay, good leave have you; for you will have leave Till youth take leave and leave you to the crutch.

[Richard and George stand aside.]

KING EDWARD. Now tell me, madam, do you love your children?

LADY GREY. Ay, full as dearly as I love myself.

KING EDWARD. And would you not do much to do them good?

LADY GREY. To do them good I would sustain some harm.

KING EDWARD. Then get your husband’s lands to do them good.

LADY GREY. Therefore I came unto your majesty.

KING EDWARD. I’ll tell you how these lands are to be got.

LADY GREY. So shall you bind me to your Highness’ service.

KING EDWARD. What service wilt thou do me if I give them?

LADY GREY. What you command that rests in me to do.

KING EDWARD. But you will take exceptions to my boon.

LADY GREY. No, gracious lord, except I cannot do it.

KING EDWARD. Ay, but thou canst do what I mean to ask.

LADY GREY. Why, then, I will do what your Grace commands.

RICHARD. [Aside to George.] He plies her hard; and much rain wears the marble.

GEORGE. [Aside to Richard.] As red as fire! Nay, then her wax must melt.

LADY GREY. Why stops my lord? Shall I not hear my task?

KING EDWARD. An easy task; ’tis but to love a king.

LADY GREY. That’s soon performed, because I am a subject.

KING EDWARD. Why, then, thy husband’s lands I freely give thee.

LADY GREY. I take my leave with many thousand thanks.

RICHARD. [Aside to George.] The match is made; she seals it with a curtsy.

KING EDWARD. But stay thee; ’tis the fruits of love I mean.

LADY GREY. The fruits of love I mean, my loving liege.

KING EDWARD. Ay, but, I fear me, in another sense. What love, thinkst thou, I sue so much to get?

LADY GREY. My love till death, my humble thanks, my prayers; That love which virtue begs, and virtue grants.

KING EDWARD. No, by my troth, I did not mean such love.

LADY GREY. Why, then, you mean not as I thought you did.

KING EDWARD. But now you partly may perceive my mind.

LADY GREY. My mind will never grant what I perceive Your Highness aims at, if I aim aright.

KING EDWARD. To tell thee plain, I aim to lie with thee.

LADY GREY. To tell you plain, I had rather lie in prison.

KING EDWARD. Why, then thou shalt not have thy husband’s lands.

LADY GREY. Why, then mine honesty shall be my dower, For by that loss I will not purchase them.

KING EDWARD. Therein thou wrong’st thy children mightily.

LADY GREY. Herein your Highness wrongs both them and me. But, mighty lord, this merry inclination Accords not with the sadness of my suit. Please you dismiss me either with ay or no.

KING EDWARD. Ay, if thou wilt say ay to my request; No, if thou dost say no to my demand.

LADY GREY. Then no, my lord. My suit is at an end.

RICHARD. [Aside to George.] The widow likes him not, she knits her brows.

GEORGE. [Aside to Richard.] He is the bluntest wooer in Christendom.

KING EDWARD. [Aside.] Her looks doth argue her replete with modesty; Her words doth show her wit incomparable; All her perfections challenge sovereignty. One way or other, she is for a king, And she shall be my love, or else my queen.— Say that King Edward take thee for his queen?

LADY GREY. ’Tis better said than done, my gracious lord. I am a subject fit to jest withal, But far unfit to be a sovereign.

KING EDWARD. Sweet widow, by my state I swear to thee, I speak no more than what my soul intends; And that is to enjoy thee for my love.

LADY GREY. And that is more than I will yield unto. I know I am too mean to be your queen, And yet too good to be your concubine.

KING EDWARD. You cavil, widow; I did mean my queen.

LADY GREY. ’Twill grieve your Grace my sons should call you father.

KING EDWARD. No more than when my daughters call thee mother. Thou art a widow, and thou hast some children; And, by God’s mother, I, being but a bachelor, Have other some. Why, ’tis a happy thing To be the father unto many sons. Answer no more, for thou shalt be my queen.

RICHARD. [Aside to George.] The ghostly father now hath done his shrift.

GEORGE. [Aside to Richard.] When he was made a shriver, ’twas for shift.

KING EDWARD. Brothers, you muse what chat we two have had.

Richard and George come forward.

RICHARD. The widow likes it not, for she looks very sad.

KING EDWARD. You’d think it strange if I should marry her.

GEORGE. To whom, my lord?

KING EDWARD. Why, Clarence, to myself.

RICHARD. That would be ten days’ wonder at the least.

GEORGE. That’s a day longer than a wonder lasts.

RICHARD. By so much is the wonder in extremes.

KING EDWARD. Well, jest on, brothers. I can tell you both Her suit is granted for her husband’s lands.

Enter a Nobleman.

NOBLEMAN. My gracious lord, Henry your foe is taken, And brought your prisoner to your palace gate.

KING EDWARD. See that he be conveyed unto the Tower. And go we, brothers, to the man that took him, To question of his apprehension. Widow, go you along. Lords, use her honourably.

[Exeunt all but Richard.]

RICHARD. Ay, Edward will use women honourably. Would he were wasted, marrow, bones, and all, That from his loins no hopeful branch may spring, To cross me from the golden time I look for! And yet, between my soul’s desire and me— The lustful Edward’s title buried— Is Clarence, Henry, and his son young Edward, And all the unlooked-for issue of their bodies, To take their rooms ere I can place myself. A cold premeditation for my purpose! Why then I do but dream on sovereignty; Like one that stands upon a promontory And spies a far-off shore where he would tread, Wishing his foot were equal with his eye, And chides the sea that sunders him from thence, Saying he’ll lade it dry to have his way. So do I wish the crown, being so far off, And so I chide the means that keeps me from it; And so I say I’ll cut the causes off, Flattering me with impossibilities. My eye’s too quick, my heart o’erweens too much, Unless my hand and strength could equal them. Well, say there is no kingdom then for Richard, What other pleasure can the world afford? I’ll make my heaven in a lady’s lap, And deck my body in gay ornaments, And ’witch sweet ladies with my words and looks. O miserable thought, and more unlikely Than to accomplish twenty golden crowns. Why, Love forswore me in my mother’s womb, And, for I should not deal in her soft laws, She did corrupt frail Nature with some bribe To shrink mine arm up like a withered shrub; To make an envious mountain on my back, Where sits Deformity to mock my body; To shape my legs of an unequal size; To disproportion me in every part, Like to a chaos, or an unlicked bear-whelp That carries no impression like the dam. And am I then a man to be beloved? O monstrous fault to harbour such a thought! Then, since this earth affords no joy to me But to command, to check, to o’erbear such As are of better person than myself, I’ll make my heaven to dream upon the crown, And, whiles I live, t’ account this world but hell Until my misshaped trunk that bear this head Be round impaled with a glorious crown. And yet I know not how to get the crown, For many lives stand between me and home; And I, like one lost in a thorny wood, That rents the thorns, and is rent with the thorns, Seeking a way, and straying from the way, Not knowing how to find the open air, But toiling desperately to find it out, Torment myself to catch the English crown. And from that torment I will free myself, Or hew my way out with a bloody axe. Why, I can smile, and murder while I smile, And cry “Content!” to that which grieves my heart, And wet my cheeks with artificial tears, And frame my face to all occasions. I’ll drown more sailors than the mermaid shall, I’ll slay more gazers than the basilisk; I’ll play the orator as well as Nestor, Deceive more slyly than Ulysses could, And, like a Sinon, take another Troy. I can add colours to the chameleon, Change shapes with Proteus for advantages, And set the murderous Machiavel to school. Can I do this, and cannot get a crown? Tut, were it farther off, I’ll pluck it down.

[Exit.]

Act III, Scene III — France. The King’s Palace

Flourish. Enter Lewis, the French King, his sister the Lady Bona, his Admiral called Bourbon, Prince Edward, Queen Margaret, and the Earl of Oxford. Lewis sits, and riseth up again.

KING LEWIS. Fair Queen of England, worthy Margaret, Sit down with us. It ill befits thy state And birth that thou shouldst stand while Lewis doth sit.

QUEEN MARGARET. No, mighty King of France. Now Margaret Must strike her sail and learn awhile to serve Where kings command. I was, I must confess, Great Albion’s queen in former golden days; But now mischance hath trod my title down And with dishonour laid me on the ground, Where I must take like seat unto my fortune And to my humble seat conform myself.

KING LEWIS. Why, say, fair queen, whence springs this deep despair?

QUEEN MARGARET. From such a cause as fills mine eyes with tears And stops my tongue, while heart is drowned in cares.

KING LEWIS. Whate’er it be, be thou still like thyself, And sit thee by our side. Yield not thy neck

[Seats her by him.]

To Fortune’s yoke, but let thy dauntless mind Still ride in triumph over all mischance. Be plain, Queen Margaret, and tell thy grief; It shall be eased if France can yield relief.

QUEEN MARGARET. Those gracious words revive my drooping thoughts And give my tongue-tied sorrows leave to speak. Now, therefore, be it known to noble Lewis That Henry, sole possessor of my love, Is, of a king, become a banished man And forced to live in Scotland a forlorn; While proud ambitious Edward, Duke of York, Usurps the regal title and the seat Of England’s true-anointed lawful king. This is the cause that I, poor Margaret, With this my son, Prince Edward, Henry’s heir, Am come to crave thy just and lawful aid; And if thou fail us, all our hope is done. Scotland hath will to help, but cannot help; Our people and our peers are both misled, Our treasure seized, our soldiers put to flight, And, as thou seest, ourselves in heavy plight.

KING LEWIS. Renowned queen, with patience calm the storm While we bethink a means to break it off.

QUEEN MARGARET. The more we stay, the stronger grows our foe.

KING LEWIS. The more I stay, the more I’ll succour thee.

QUEEN MARGARET. O, but impatience waiteth on true sorrow. And see where comes the breeder of my sorrow.

Enter Warwick.

KING LEWIS. What’s he approacheth boldly to our presence?

QUEEN MARGARET. Our Earl of Warwick, Edward’s greatest friend.

KING LEWIS. Welcome, brave Warwick. What brings thee to France?

[He descends. Queen Margaret rises.]

QUEEN MARGARET. Ay, now begins a second storm to rise, For this is he that moves both wind and tide.

WARWICK. From worthy Edward, king of Albion, My lord and sovereign, and thy vowed friend, I come, in kindness and unfeigned love, First, to do greetings to thy royal person, And then to crave a league of amity, And lastly, to confirm that amity With nuptial knot, if thou vouchsafe to grant That virtuous Lady Bona, thy fair sister, To England’s king in lawful marriage.

QUEEN MARGARET. [Aside.] If that go forward, Henry’s hope is done.

WARWICK. [To Bona.] And, gracious madam, in our king’s behalf, I am commanded, with your leave and favour, Humbly to kiss your hand, and with my tongue To tell the passion of my sovereign’s heart, Where fame, late entering at his heedful ears, Hath placed thy beauty’s image and thy virtue.

QUEEN MARGARET. King Lewis and Lady Bona, hear me speak Before you answer Warwick. His demand Springs not from Edward’s well-meant honest love, But from deceit, bred by necessity; For how can tyrants safely govern home Unless abroad they purchase great alliance? To prove him tyrant this reason may suffice, That Henry liveth still; but were he dead, Yet here Prince Edward stands, King Henry’s son. Look therefore, Lewis, that by this league and marriage Thou draw not on thy danger and dishonour; For though usurpers sway the rule awhile, Yet heavens are just, and time suppresseth wrongs.

WARWICK. Injurious Margaret!

PRINCE EDWARD. And why not Queen?

WARWICK. Because thy father Henry did usurp, And thou no more art prince than she is queen.

OXFORD. Then Warwick disannuls great John of Gaunt, Which did subdue the greatest part of Spain; And after John of Gaunt, Henry the Fourth, Whose wisdom was a mirror to the wisest; And after that wise prince, Henry the Fifth, Who by his prowess conquered all France. From these our Henry lineally descends.

WARWICK. Oxford, how haps it in this smooth discourse You told not how Henry the Sixth hath lost All that which Henry the Fifth had gotten? Methinks these peers of France should smile at that. But for the rest: you tell a pedigree Of threescore and two years, a silly time To make prescription for a kingdom’s worth.

OXFORD. Why, Warwick, canst thou speak against thy liege, Whom thou obeyed’st thirty and six years, And not bewray thy treason with a blush?

WARWICK. Can Oxford, that did ever fence the right, Now buckler falsehood with a pedigree? For shame! Leave Henry, and call Edward king.

OXFORD. Call him my king by whose injurious doom My elder brother, the Lord Aubrey Vere, Was done to death? And more than so, my father, Even in the downfall of his mellowed years, When nature brought him to the door of death? No, Warwick, no; while life upholds this arm, This arm upholds the house of Lancaster.

WARWICK. And I the house of York.

KING LEWIS. Queen Margaret, Prince Edward, and Oxford, Vouchsafe at our request to stand aside While I use further conference with Warwick.

[They stand aloof.]

QUEEN MARGARET. Heavens grant that Warwick’s words bewitch him not!

KING LEWIS. Now, Warwick, tell me, even upon thy conscience, Is Edward your true king? For I were loath To link with him that were not lawful chosen.

WARWICK. Thereon I pawn my credit and mine honour.

KING LEWIS. But is he gracious in the people’s eye?

WARWICK. The more that Henry was unfortunate.

KING LEWIS. Then further, all dissembling set aside, Tell me for truth the measure of his love Unto our sister Bona.

WARWICK. Such it seems As may beseem a monarch like himself. Myself have often heard him say and swear That this his love was an eternal plant, Whereof the root was fixed in virtue’s ground, The leaves and fruit maintained with beauty’s sun, Exempt from envy, but not from disdain, Unless the Lady Bona quit his pain.

KING LEWIS. Now, sister, let us hear your firm resolve.

BONA. Your grant or your denial shall be mine. [To Warwick] Yet I confess that often ere this day, When I have heard your king’s desert recounted, Mine ear hath tempted judgment to desire.

KING LEWIS. Then, Warwick, thus: our sister shall be Edward’s. And now forthwith shall articles be drawn Touching the jointure that your king must make, Which with her dowry shall be counterpoised. Draw near, Queen Margaret, and be a witness That Bona shall be wife to the English king.

PRINCE EDWARD. To Edward, but not to the English king.

QUEEN MARGARET. Deceitful Warwick, it was thy device By this alliance to make void my suit. Before thy coming Lewis was Henry’s friend.

KING LEWIS. And still is friend to him and Margaret. But if your title to the crown be weak, As may appear by Edward’s good success, Then ’tis but reason that I be released From giving aid which late I promised. Yet shall you have all kindness at my hand That your estate requires and mine can yield.

WARWICK. Henry now lives in Scotland, at his ease, Where, having nothing, nothing can he lose. And as for you yourself, our quondam queen, You have a father able to maintain you, And better ’twere you troubled him than France.

QUEEN MARGARET. Peace, impudent and shameless Warwick, Proud setter up and puller down of kings! I will not hence till with my talk and tears, Both full of truth, I make King Lewis behold Thy sly conveyance and thy lord’s false love; For both of you are birds of selfsame feather.

[Post blowing a horn within.]

KING LEWIS. Warwick, this is some post to us or thee.

Enter the Post.

POST. My lord ambassador, these letters are for you. Sent from your brother, Marquess Montague. These from our king unto your Majesty. And, madam, these for you, from whom I know not.

[They all read their letters.]

OXFORD. I like it well that our fair Queen and mistress Smiles at her news while Warwick frowns at his.

PRINCE EDWARD. Nay, mark how Lewis stamps as he were nettled. I hope all’s for the best.

KING LEWIS. Warwick, what are thy news? And yours, fair Queen?

QUEEN MARGARET. Mine, such as fill my heart with unhoped joys.

WARWICK. Mine, full of sorrow and heart’s discontent.

KING LEWIS. What, has your king married the Lady Grey, And now, to soothe your forgery and his, Sends me a paper to persuade me patience? Is this th’ alliance that he seeks with France? Dare he presume to scorn us in this manner?

QUEEN MARGARET. I told your majesty as much before; This proveth Edward’s love and Warwick’s honesty.

WARWICK. King Lewis, I here protest in sight of heaven, And by the hope I have of heavenly bliss, That I am clear from this misdeed of Edward’s— No more my king, for he dishonours me, But most himself, if he could see his shame. Did I forget that by the house of York My father came untimely to his death? Did I let pass th’ abuse done to my niece? Did I impale him with the regal crown? Did I put Henry from his native right? And am I guerdoned at the last with shame? Shame on himself, for my desert is honour; And to repair my honour lost for him, I here renounce him and return to Henry. My noble Queen, let former grudges pass, And henceforth I am thy true servitor. I will revenge his wrong to Lady Bona, And replant Henry in his former state.

QUEEN MARGARET. Warwick, these words have turned my hate to love; And I forgive and quite forget old faults, And joy that thou becom’st King Henry’s friend.

WARWICK. So much his friend, ay, his unfeigned friend, That if King Lewis vouchsafe to furnish us With some few bands of chosen soldiers, I’ll undertake to land them on our coast And force the tyrant from his seat by war. ’Tis not his new-made bride shall succour him; And as for Clarence, as my letters tell me, He’s very likely now to fall from him For matching more for wanton lust than honour, Or than for strength and safety of our country.

BONA. Dear brother, how shall Bona be revenged But by thy help to this distressed queen?

QUEEN MARGARET. Renowned prince, how shall poor Henry live Unless thou rescue him from foul despair?

BONA. My quarrel and this English queen’s are one.

WARWICK. And mine, fair Lady Bona, joins with yours.

KING LEWIS. And mine with hers, and thine, and Margaret’s. Therefore, at last I firmly am resolved You shall have aid.

QUEEN MARGARET. Let me give humble thanks for all at once.

KING LEWIS. Then, England’s messenger, return in post And tell false Edward, thy supposed king, That Lewis of France is sending over maskers To revel it with him and his new bride. Thou seest what’s past; go fear thy king withal.

BONA. Tell him, in hope he’ll prove a widower shortly, I’ll wear the willow garland for his sake.

QUEEN MARGARET. Tell him my mourning weeds are laid aside, And I am ready to put armour on.

WARWICK. Tell him from me that he hath done me wrong, And therefore I’ll uncrown him ere ’t be long. There’s thy reward; be gone.

[Exit Post.]

KING LEWIS. But, Warwick, Thou and Oxford, with five thousand men, Shall cross the seas and bid false Edward battle; And, as occasion serves, this noble Queen And prince shall follow with a fresh supply. Yet, ere thou go, but answer me one doubt: What pledge have we of thy firm loyalty?

WARWICK. This shall assure my constant loyalty: That if our Queen and this young prince agree, I’ll join mine eldest daughter and my joy To him forthwith in holy wedlock bands.

QUEEN MARGARET. Yes, I agree, and thank you for your motion. Son Edward, she is fair and virtuous, Therefore delay not, give thy hand to Warwick, And with thy hand thy faith irrevocable That only Warwick’s daughter shall be thine.

PRINCE EDWARD. Yes, I accept her, for she well deserves it; And here, to pledge my vow, I give my hand.

[He gives his hand to Warwick.]

KING LEWIS. Why stay we now? These soldiers shall be levied, And thou, Lord Bourbon, our High Admiral, Shall waft them over with our royal fleet. I long till Edward fall by war’s mischance For mocking marriage with a dame of France.

[Exeunt all but Warwick.]

WARWICK. I came from Edward as ambassador, But I return his sworn and mortal foe. Matter of marriage was the charge he gave me, But dreadful war shall answer his demand. Had he none else to make a stale but me? Then none but I shall turn his jest to sorrow. I was the chief that raised him to the crown, And I’ll be chief to bring him down again: Not that I pity Henry’s misery, But seek revenge on Edward’s mockery.

[Exit.]