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Act II, Scene II — A room in Caesar’s palace…

Part 26 of 60 · William Shakespeare · Public domain text

About this edition

Source: Project Gutenberg e-text #100, public domain in the United States · text not rewritten or summarized · How RedLectern is built

 

Contents (798)
  1. Opening about 1 h 16 min
  2. Act I, Scene I — Rossillon. A room in the Countess’s palace about 8 min
  3. Act I, Scene II — Paris. A room in the King’s palace about 3 min
  4. Act I, Scene III — Rossillon. A Room in the Palace about 9 min
  5. Act II, Scene I — Paris. A room in the King’s palace about 7 min
  6. Act II, Scene II — Rossillon. A room in the Countess’s palace about 2 min
  7. Act II, Scene III — Paris. The King’s palace about 11 min
  8. Act II, Scene IV — Paris. The King’s palace about 2 min
  9. Act II, Scene V — Another room in the same about 3 min
  10. Act III, Scene I — Florence. A room in the Duke’s palace about 1 min
  11. Act III, Scene II — Rossillon. A room in the Countess’s palace about 5 min
  12. Act III, Scene III — Florence. Before the Duke’s palace under 1 min
  13. Act III, Scene IV — Rossillon. A room in the Countess’s palace about 1 min
  14. Act III, Scene V — Without the walls of Florence about 4 min
  15. Act III, Scene VI — Camp before Florence about 4 min
  16. Act III, Scene VII — Florence. A room in the Widow’s house about 2 min
  17. Act IV, Scene I — Without the Florentine camp about 3 min
  18. Act IV, Scene II — Florence. A room in the Widow’s house about 3 min
  19. Act IV, Scene III — The Florentine camp about 12 min
  20. Act IV, Scene IV — Florence. A room in the Widow’s house about 1 min
  21. Act IV, Scene V — Rossillon. A room in the Countess’s palace about 4 min
  22. Act V, Scene I — Marseilles. A street about 1 min
  23. Act V, Scene II — Rossillon. The inner court of the Countess’s palace about 2 min
  24. Act V, Scene III — The same. A room in the Countess’s palace about 13 min
  25. Act I, Scene I — Alexandria. A Room in Cleopatra’s palace about 2 min
  26. Act I, Scene II — Alexandria. Another Room in Cleopatra’s palace about 7 min
  27. Act I, Scene III — Alexandria. A Room in Cleopatra’s palace about 4 min
  28. Act I, Scene IV — Rome. An Apartment in Caesar’s House about 3 min
  29. Act I, Scene V — Alexandria. A Room in the Palace about 3 min
  30. Act II, Scene I — Messina. A Room in Pompey’s house about 2 min
  31. Act II, Scene II — Rome. A Room in the House of Lepidus about 8 min
  32. Act II, Scene III — Rome. A Room in Caesar’s House about 2 min
  33. Act II, Scene IV — Rome. A street under 1 min
  34. Act II, Scene V — Alexandria. A Room in the Palace about 5 min
  35. Act II, Scene VI — Near Misenum about 5 min
  36. Act II, Scene VII — On board Pompey’s Galley, lying near Misenum about 5 min
  37. Act III, Scene I — A plain in Syria about 1 min
  38. Act III, Scene II — Rome. An Ante-chamber in Caesar’s house about 3 min
  39. Act III, Scene III — Alexandria. A Room in the Palace about 2 min
  40. Act III, Scene IV — Athens. A Room in Antony’s House about 1 min
  41. Act III, Scene V — Athens. Another Room in Antony’s House about 1 min
  42. Act III, Scene VI — Rome. A Room in Caesar’s House about 3 min
  43. Act III, Scene VII — Antony’s Camp near the Promontory of Actium about 3 min
  44. Act III, Scene VIII — A plain near Actium under 1 min
  45. Act III, Scene IX — Another part of the Plain under 1 min
  46. Act III, Scene X — Another part of the Plain about 1 min
  47. Act III, Scene XI — Alexandria. A Room in the Palace about 3 min
  48. Act III, Scene XII — Caesar’s camp in Egypt about 1 min
  49. Act III, Scene XIII — Alexandria. A Room in the Palace about 7 min
  50. Act IV, Scene I — Caesar’s Camp at Alexandria about 1 min
  51. Act IV, Scene II — Alexandria. A Room in the Palace about 2 min
  52. Act IV, Scene III — Alexandria. Before the Palace about 1 min
  53. Act IV, Scene IV — Alexandria. A Room in the Palace about 1 min
  54. Act IV, Scene V — Antony’s camp near Alexandria about 1 min
  55. Act IV, Scene VI — Alexandria. Caesar’s camp about 1 min
  56. Act IV, Scene VII — Field of battle between the Camps about 1 min
  57. Act IV, Scene VIII — Under the Walls of Alexandria about 1 min
  58. Act IV, Scene IX — Caesar’s camp about 1 min
  59. Act IV, Scene X — Ground between the two Camps under 1 min
  60. Act IV, Scene XI — Another part of the Ground under 1 min
  61. Act IV, Scene XII — Another part of the Ground about 2 min
  62. Act IV, Scene XIII — Alexandria. A Room in the Palace under 1 min
  63. Act IV, Scene XIV — Alexandria. Another Room about 5 min
  64. Act IV, Scene XV — Alexandria. A monument about 3 min
  65. Act V, Scene I — Caesar’s Camp before Alexandria about 3 min
  66. Act V, Scene II — Alexandria. A Room in the Monument about 14 min
  67. Act I, Scene I — An Orchard near Oliver’s house about 6 min
  68. Act I, Scene II — A Lawn before the Duke’s Palace about 10 min
  69. Act I, Scene III — A Room in the Palace about 5 min
  70. Act II, Scene I — The Forest of Arden about 2 min
  71. Act II, Scene II — A Room in the Palace about 1 min
  72. Act II, Scene III — Before Oliver’s House about 3 min
  73. Act II, Scene IV — The Forest of Arden about 4 min
  74. Act II, Scene V — Another part of the Forest about 2 min
  75. Act II, Scene VI — Another part of the Forest about 1 min
  76. Act II, Scene VII — Another part of the Forest about 7 min
  77. Act III, Scene I — A Room in the Palace about 1 min
  78. Act III, Scene II — The Forest of Arden about 14 min
  79. Act III, Scene III — Another part of the Forest about 4 min
  80. Act III, Scene IV — Another part of the Forest. Before a Cottage about 2 min
  81. Act III, Scene V — Another part of the Forest about 5 min
  82. Act IV, Scene I — The Forest of Arden about 7 min
  83. Act IV, Scene II — Another part of the Forest about 1 min
  84. Act IV, Scene III — Another part of the Forest about 6 min
  85. Act V, Scene I — The Forest of Arden about 2 min
  86. Act V, Scene II — Another part of the Forest about 4 min
  87. Act V, Scene III — Another part of the Forest about 2 min
  88. Act V, Scene IV — Another part of the Forest about 7 min
  89. Epilogue about 1 min
  90. Act I, Scene I — A hall in the Duke’s palace about 5 min
  91. Act I, Scene II — A public place about 4 min
  92. Act II, Scene I — A public place about 4 min
  93. Act II, Scene II — The same about 8 min
  94. Act III, Scene I — The same about 6 min
  95. Act III, Scene II — The same about 7 min
  96. Act IV, Scene I — The same about 5 min
  97. Act IV, Scene II — The same about 3 min
  98. Act IV, Scene III — The same about 4 min
  99. Act IV, Scene IV — The same about 7 min
  100. Act V, Scene I — The same about 16 min
  101. Act I, Scene I — Rome. A street about 10 min
  102. Act I, Scene II — Corioles. The Senate House about 1 min
  103. Act I, Scene III — Rome. An apartment in Martius’ house about 4 min
  104. Act I, Scene IV — Before Corioles about 3 min
  105. Act I, Scene V — Within Corioles. A street about 1 min
  106. Act I, Scene VI — Near the camp of Cominius about 3 min
  107. Act I, Scene VII — The gates of Corioles under 1 min
  108. Act I, Scene VIII — A field of battle between the Roman and the Volscian camps about 1 min
  109. Act I, Scene IX — The Roman camp about 3 min
  110. Act I, Scene X — The camp of the Volsces about 1 min
  111. Act II, Scene I — Rome. A public place about 10 min
  112. Act II, Scene II — Rome. The Capitol about 6 min
  113. Act II, Scene III — Rome. The Forum about 9 min
  114. Act III, Scene I — Rome. A street about 12 min
  115. Act III, Scene II — Rome. A room in Coriolanus’s house about 5 min
  116. Act III, Scene III — Rome. The Forum about 5 min
  117. Act IV, Scene I — Rome. Before a gate of the city about 2 min
  118. Act IV, Scene II — Rome. A street near the gate about 2 min
  119. Act IV, Scene III — A highway between Rome and Antium about 2 min
  120. Act IV, Scene IV — Antium. Before Aufidius’s house about 1 min
  121. Act IV, Scene V — Antium. A hall in Aufidius’s house about 8 min
  122. Act IV, Scene VI — Rome. A public place about 6 min
  123. Act IV, Scene VII — A camp at a short distance from Rome about 2 min
  124. Act V, Scene I — Rome. A public place about 3 min
  125. Act V, Scene II — An Advanced post of the Volscian camp before Rome about 4 min
  126. Act V, Scene III — The tent of Coriolanus about 7 min
  127. Act V, Scene IV — Rome. A public place about 2 min
  128. Act V, Scene V — Rome. A street near the gate under 1 min
  129. Act V, Scene VI — Antium. A public place about 6 min
  130. Act I, Scene I — Britain. The garden of Cymbeline’s palace about 3 min
  131. Act I, Scene II — The same about 4 min
  132. Act I, Scene III — Britain. A public place about 1 min
  133. Act I, Scene IV — Britain. Cymbeline’s palace about 2 min
  134. Act I, Scene V — Rome. Philario’s house about 6 min
  135. Act I, Scene VI — Britain. Cymbeline’s palace about 3 min
  136. Act I, Scene VII — Britain. The palace about 7 min
  137. Act II, Scene I — Britain. Before Cymbeline’s palace about 2 min
  138. Act II, Scene II — Britain. Imogen’s bedchamber in Cymbeline’s palace; a trunk in one corner about 2 min
  139. Act II, Scene III — Cymbeline’s palace. An ante-chamber adjoining Imogen’s apartments about 6 min
  140. Act II, Scene IV — Rome. Philario’s house about 6 min
  141. Act II, Scene V — Rome. Another room in Philario’s house about 1 min
  142. Act III, Scene I — Britain. A hall in Cymbeline’s palace about 3 min
  143. Act III, Scene II — Britain. Another room in Cymbeline’s palace about 3 min
  144. Act III, Scene III — Wales. A mountainous country with a cave about 4 min
  145. Act III, Scene IV — Wales, near Milford Haven about 7 min
  146. Act III, Scene V — Britain. Cymbeline’s palace about 6 min
  147. Act III, Scene VI — Wales. Before the cave of Belarius about 1 min
  148. Act III, Scene VII — The same about 3 min
  149. Act III, Scene VIII — Rome. A public place about 1 min
  150. Act IV, Scene I — Wales. Near the cave of Belarius about 1 min
  151. Act IV, Scene II — Wales. Before the cave of Belarius about 15 min
  152. Act IV, Scene III — Britain. Cymbeline’s palace about 2 min
  153. Act IV, Scene IV — Wales. Before the cave of Belarius about 2 min
  154. Act V, Scene I — Britain. The Roman camp about 1 min
  155. Act V, Scene II — Britain. A field of battle between the British and Roman camps about 1 min
  156. Act V, Scene III — Another part of the field about 4 min
  157. Act V, Scene IV — Britain. A prison about 7 min
  158. Act V, Scene V — Britain. Cymbeline’s tent about 18 min
  159. Act I, Scene I — Elsinore. A platform before the Castle about 6 min
  160. Act I, Scene II — Elsinore. A room of state in the Castle about 9 min
  161. Act I, Scene III — A room in Polonius’s house about 5 min
  162. Act I, Scene IV — The platform about 3 min
  163. Act I, Scene V — A more remote part of the Castle about 6 min
  164. Act II, Scene I — A room in Polonius’s house about 4 min
  165. Act II, Scene II — A room in the Castle about 21 min
  166. Act III, Scene I — A room in the Castle about 7 min
  167. Act III, Scene II — A hall in the Castle about 14 min
  168. Act III, Scene III — A room in the Castle about 3 min
  169. Act III, Scene IV — Another room in the Castle about 8 min
  170. Act IV, Scene I — A room in the Castle about 2 min
  171. Act IV, Scene II — Another room in the Castle about 1 min
  172. Act IV, Scene III — Another room in the Castle about 2 min
  173. Act IV, Scene IV — A plain in Denmark about 2 min
  174. Act IV, Scene V — Elsinore. A room in the Castle about 7 min
  175. Act IV, Scene VI — Another room in the Castle about 1 min
  176. Act IV, Scene VII — Another room in the Castle about 7 min
  177. Act V, Scene I — A churchyard about 10 min
  178. Act V, Scene II — A hall in the Castle about 15 min
  179. Act I, Scene I — London. A Room in the Palace about 3 min
  180. Act I, Scene II — The same. An Apartment of Prince Henry’s about 8 min
  181. Act I, Scene III — The Same. A Room in the Palace about 10 min
  182. Act II, Scene I — Rochester. An Inn-Yard about 4 min
  183. Act II, Scene II — The Road by Gads-hill about 4 min
  184. Act II, Scene III — Warkworth. A Room in the Castle about 4 min
  185. Act II, Scene IV — Eastcheap. A Room in the Boar’s Head Tavern about 20 min
  186. Act III, Scene I — Bangor. A Room in the Archdeacon’s House about 9 min
  187. Act III, Scene II — London. A Room in the Palace about 6 min
  188. Act III, Scene III — Eastcheap. A Room in the Boar’s Head Tavern about 8 min
  189. Act IV, Scene I — The Rebel Camp near Shrewsbury about 5 min
  190. Act IV, Scene II — A public Road near Coventry about 3 min
  191. Act IV, Scene III — The Rebel Camp near Shrewsbury about 4 min
  192. Act IV, Scene IV — York. A Room in the Archbishop’s Palace about 1 min
  193. Act V, Scene I — The King’s Camp near Shrewsbury about 5 min
  194. Act V, Scene II — The Rebel Camp about 3 min
  195. Act V, Scene III — Plain between the Camps about 2 min
  196. Act V, Scene IV — Another Part of the Field about 6 min
  197. Act V, Scene V — Another Part of the Field about 2 min
  198. Induction about 1 min
  199. Act I, Scene I — The same about 8 min
  200. Act I, Scene II — London. A street about 10 min
  201. Act I, Scene III — York. The Archbishop’s palace about 4 min
  202. Act II, Scene I — London. A street about 7 min
  203. Act II, Scene II — London. Another street about 6 min
  204. Act II, Scene III — Warkworth. Before the castle about 2 min
  205. Act II, Scene IV — London. The Boar’s head Tavern in Eastcheap about 13 min
  206. Act III, Scene I — Westminster. The palace about 4 min
  207. Act III, Scene II — Gloucestershire. Before Justice Shallow’s house about 12 min
  208. Act IV, Scene I — Yorkshire. Gaultree Forest about 8 min
  209. Act IV, Scene II — Another part of the forest about 4 min
  210. Act IV, Scene III — Another part of the forest about 5 min
  211. Act IV, Scene IV — Westminster. The Jerusalem Chamber about 5 min
  212. Act IV, Scene V — Another chamber about 8 min
  213. Act V, Scene I — Gloucestershire. Shallow’s house about 3 min
  214. Act V, Scene II — Westminster. The palace about 5 min
  215. Act V, Scene III — Gloucestershire. Shallow’s orchard about 4 min
  216. Act V, Scene IV — London. A street about 1 min
  217. Act V, Scene V — A public place near Westminster Abbey about 4 min
  218. Epilogue about 2 min
  219. Prologue about 1 min
  220. Act I, Scene I — London. An ante-chamber in the King’s palace about 3 min
  221. Act I, Scene II — The same. The presence chamber about 10 min
  222. Act II about 1 min
  223. Act II, Scene I — London. A street about 4 min
  224. Act II, Scene II — Southampton. A council-chamber about 6 min
  225. Act II, Scene III — London. Before a tavern about 2 min
  226. Act II, Scene IV — France. The King’s palace about 5 min
  227. Act III about 1 min
  228. Act III, Scene I — France. Before Harfleur about 1 min
  229. Act III, Scene II — The same about 5 min
  230. Act III, Scene III — Before the gates about 2 min
  231. Act III, Scene IV — The French King’s palace about 2 min
  232. Act III, Scene V — The same about 2 min
  233. Act III, Scene VI — The English camp in Picardy about 6 min
  234. Act III, Scene VII — The French camp, near Agincourt about 5 min
  235. Act IV about 2 min
  236. Act IV, Scene I — The English camp at Agincourt about 11 min
  237. Act IV, Scene II — The French camp about 2 min
  238. Act IV, Scene III — The English camp about 5 min
  239. Act IV, Scene IV — The field of battle about 2 min
  240. Act IV, Scene V — Another part of the field about 1 min
  241. Act IV, Scene VI — Another part of the field about 1 min
  242. Act IV, Scene VII — Another part of the field about 7 min
  243. Act IV, Scene VIII — Before King Henry’s pavilion about 4 min
  244. Act V about 1 min
  245. Act V, Scene I — France. The English camp about 3 min
  246. Act V, Scene II — France. A royal palace about 14 min
  247. Epilogue about 1 min
  248. Act I, Scene I — Westminster Abbey about 6 min
  249. Act I, Scene II — France. Before Orleans about 5 min
  250. Act I, Scene III — London. Before the Tower about 3 min
  251. Act I, Scene IV — Orleans about 4 min
  252. Act I, Scene V — Before Orleans about 2 min
  253. Act I, Scene VI — Orleans about 1 min
  254. Act II, Scene I — Before Orleans about 3 min
  255. Act II, Scene II — Orleans. Within the town about 2 min
  256. Act II, Scene III — Auvergne. The Countess’s castle about 3 min
  257. Act II, Scene IV — London. The Temple Garden about 5 min
  258. Act II, Scene V — The Tower of London about 4 min
  259. Act III, Scene I — London. The Parliament House about 7 min
  260. Act III, Scene II — France. Before Rouen about 5 min
  261. Act III, Scene III — The plains near Rouen about 3 min
  262. Act III, Scene IV — Paris. The Palace about 2 min
  263. Act IV, Scene I — Paris. The Palace about 7 min
  264. Act IV, Scene II — Before Bordeaux about 2 min
  265. Act IV, Scene III — Plains in Gascony about 2 min
  266. Act IV, Scene IV — Other plains in Gascony about 2 min
  267. Act IV, Scene V — The English camp near Bordeaux about 2 min
  268. Act IV, Scene VI — A field of battle about 2 min
  269. Act IV, Scene VII — Another part of the field about 3 min
  270. Act V, Scene I — London. The Palace about 2 min
  271. Act V, Scene II — France. Plains in Anjou about 1 min
  272. Act V, Scene III — Before Angiers about 7 min
  273. Act V, Scene IV — Camp of the Duke of York in Anjou about 6 min
  274. Act V, Scene V — London. The royal palace about 4 min
  275. Act I, Scene I — London. The palace about 9 min
  276. Act I, Scene II — The Duke of Gloucester’s House about 4 min
  277. Act I, Scene III — London. The palace about 8 min
  278. Act I, Scene IV — Gloucester’s Garden about 3 min
  279. Act II, Scene I — Saint Albans about 7 min
  280. Act II, Scene II — London. The Duke of York’s Garden about 3 min
  281. Act II, Scene III — A Hall of Justice about 4 min
  282. Act II, Scene IV — A Street about 4 min
  283. Act III, Scene I — The Abbey at Bury St. Edmund’s about 13 min
  284. Act III, Scene II — Bury St. Edmund’s. A Room of State about 15 min
  285. Act III, Scene III — A Bedchamber about 1 min
  286. Act IV, Scene I — The Coast of Kent about 5 min
  287. Act IV, Scene II — Blackheath about 6 min
  288. Act IV, Scene III — Another part of Blackheath about 1 min
  289. Act IV, Scene IV — London. The Palace about 2 min
  290. Act IV, Scene V — London. The Tower about 1 min
  291. Act IV, Scene VI — London. Cannon Street about 1 min
  292. Act IV, Scene VII — London. Smithfield about 5 min
  293. Act IV, Scene VIII — Southwark about 3 min
  294. Act IV, Scene IX — Kenilworth Castle about 2 min
  295. Act IV, Scene X — Kent. Iden’s Garden about 3 min
  296. Act V, Scene I — Fields between Dartford and Blackheath about 8 min
  297. Act V, Scene II — Saint Albans about 3 min
  298. Act V, Scene III — Fields near Saint Albans about 2 min
  299. Act I, Scene I — London. The Parliament House about 10 min
  300. Act I, Scene II — Sandal Castle about 3 min
  301. Act I, Scene III — Plains near Sandal Castle about 2 min
  302. Act I, Scene IV — The Same about 7 min
  303. Act II, Scene I — A plain near Mortimer’s Cross in Herefordshire about 7 min
  304. Act II, Scene II — Before York about 6 min
  305. Act II, Scene III — A field of battle between Towton and Saxton, in Yorkshire about 2 min
  306. Act II, Scene IV — Another Part of the Field under 1 min
  307. Act II, Scene V — Another Part of the Field about 5 min
  308. Act II, Scene VI — Another Part of the Field about 4 min
  309. Act III, Scene I — A Forest in the North of England about 4 min
  310. Act III, Scene II — The Palace about 8 min
  311. Act III, Scene III — France. The King’s Palace about 10 min
  312. Act IV, Scene I — London. The Palace about 5 min
  313. Act IV, Scene II — A Plain in Warwickshire about 1 min
  314. Act IV, Scene III — Edward’s Camp near Warwick about 3 min
  315. Act IV, Scene IV — London. The Palace about 1 min
  316. Act IV, Scene V — A park near Middleham Castle in Yorkshire about 1 min
  317. Act IV, Scene VI — London. The Tower about 4 min
  318. Act IV, Scene VII — Before York about 3 min
  319. Act IV, Scene VIII — London. The Palace about 2 min
  320. Act V, Scene I — Coventry about 4 min
  321. Act V, Scene II — A Field of Battle near Barnet about 2 min
  322. Act V, Scene III — Another Part of the Field about 1 min
  323. Act V, Scene IV — Plains near Tewkesbury about 3 min
  324. Act V, Scene V — Another part of the Field about 3 min
  325. Act V, Scene VI — London. The Tower about 3 min
  326. Act V, Scene VII — London. The Palace about 4 min
  327. Act I, Scene I — London. An ante-chamber in the palace about 8 min
  328. Act I, Scene II — The same. The council-chamber about 8 min
  329. Act I, Scene III — An ante-chamber in the palace about 3 min
  330. Act I, Scene IV — A Hall in York Place about 5 min
  331. Act II, Scene I — Westminster. A street about 7 min
  332. Act II, Scene II — An ante-chamber in the palace about 6 min
  333. Act II, Scene III — An ante-chamber of the Queen’s apartments about 4 min
  334. Act II, Scene IV — A hall in Blackfriars about 9 min
  335. Act III, Scene I — London. The Queen’s apartments about 7 min
  336. Act III, Scene II — Ante-chamber to the King’s apartment about 17 min
  337. Act IV, Scene I — A street in Westminster about 5 min
  338. Act IV, Scene II — Kimbolton about 7 min
  339. Act V, Scene I — A gallery in the palace about 7 min
  340. Act V, Scene II — Lobby before the council-chamber about 8 min
  341. Act V, Scene III — The palace yard about 3 min
  342. Act V, Scene IV — The palace about 3 min
  343. Epilogue about 1 min
  344. Act I, Scene I — Northampton. A Room of State in the Palace about 10 min
  345. Act II, Scene I — France. Before the walls of Angiers about 21 min
  346. Act III, Scene I — France. The French King’s tent about 12 min
  347. Act III, Scene II — The same. Plains near Angiers under 1 min
  348. Act III, Scene III — The same about 3 min
  349. Act III, Scene IV — The same. The French King’s tent about 6 min
  350. Act IV, Scene I — Northampton. A Room in the Castle about 5 min
  351. Act IV, Scene II — The same. A Room of State in the Palace about 9 min
  352. Act IV, Scene III — The same. Before the castle about 6 min
  353. Act V, Scene I — Northampton. A Room in the Palace about 3 min
  354. Act V, Scene II — Near Saint Edmundsbury. The French Camp about 6 min
  355. Act V, Scene III — The same. The Field of Battle about 1 min
  356. Act V, Scene IV — The same. Another part of the same about 2 min
  357. Act V, Scene V — The same. The French camp about 1 min
  358. Act V, Scene VI — An open place in the neighborhood of Swinstead Abbey about 2 min
  359. Act V, Scene VII — The orchard of Swinstead Abbey about 5 min
  360. Act I, Scene I — Rome. A street about 3 min
  361. Act I, Scene II — The same. A public place about 11 min
  362. Act I, Scene III — The same. A street about 6 min
  363. Act II, Scene I — Rome. Brutus’ orchard about 12 min
  364. Act II, Scene II — A room in Caesar’s palace about 5 min
  365. Act II, Scene III — A street near the Capitol about 1 min
  366. Act II, Scene IV — Another part of the same street, before the house of Brutus about 2 min
  367. Act III, Scene I — Rome. Before the Capitol; the Senate sitting about 11 min
  368. Act III, Scene II — The same. The Forum about 10 min
  369. Act III, Scene III — The same. A street about 1 min
  370. Act IV, Scene I — Rome. A room in Antony’s house about 2 min
  371. Act IV, Scene II — Before Brutus’ tent, in the camp near Sardis about 2 min
  372. Act IV, Scene III — Within the tent of Brutus about 11 min
  373. Act V, Scene I — The plains of Philippi about 4 min
  374. Act V, Scene II — The same. The field of battle under 1 min
  375. Act V, Scene III — Another part of the field about 4 min
  376. Act V, Scene IV — Another part of the field about 1 min
  377. Act V, Scene V — Another part of the field about 3 min
  378. Act I, Scene I — A Room of State in King Lear’s Palace about 11 min
  379. Act I, Scene II — A Hall in the Earl of Gloucester’s Castle about 6 min
  380. Act I, Scene III — A Room in the Duke of Albany’s Palace about 1 min
  381. Act I, Scene IV — A Hall in Albany’s Palace about 11 min
  382. Act I, Scene V — Court before the Duke of Albany’s Palace about 2 min
  383. Act II, Scene I — A court within the Castle of the Earl of Gloucester about 5 min
  384. Act II, Scene II — Before Gloucester’s Castle about 6 min
  385. Act II, Scene III — The open Country about 1 min
  386. Act II, Scene IV — Before Gloucester’s Castle; Kent in the stocks about 11 min
  387. Act III, Scene I — A Heath about 2 min
  388. Act III, Scene II — Another part of the heath about 3 min
  389. Act III, Scene III — A Room in Gloucester’s Castle about 1 min
  390. Act III, Scene IV — A part of the Heath with a Hovel about 6 min
  391. Act III, Scene V — A Room in Gloucester’s Castle about 1 min
  392. Act III, Scene VI — A Chamber in a Farmhouse adjoining the Castle about 4 min
  393. Act III, Scene VII — A Room in Gloucester’s Castle about 4 min
  394. Act IV, Scene I — The heath about 3 min
  395. Act IV, Scene II — Before the Duke of Albany’s Palace about 3 min
  396. Act IV, Scene III — The French camp near Dover about 2 min
  397. Act IV, Scene IV — The French camp. A Tent about 1 min
  398. Act IV, Scene V — A Room in Gloucester’s Castle about 1 min
  399. Act IV, Scene VI — The country near Dover about 10 min
  400. Act IV, Scene VII — A Tent in the French Camp about 4 min
  401. Act V, Scene I — The Camp of the British Forces near Dover about 3 min
  402. Act V, Scene II — A field between the two Camps about 1 min
  403. Act V, Scene III — The British Camp near Dover about 13 min
  404. Act I, Scene I — The King of Navarre’s park about 10 min
  405. Act I, Scene II — The park about 6 min
  406. Act II, Scene I — The King of Navarre’s park. A pavilion and tents at a distance about 9 min
  407. Act III, Scene I — The King of Navarre’s park about 7 min
  408. Act IV, Scene I — The King of Navarre’s park about 6 min
  409. Act IV, Scene II — The same about 6 min
  410. Act IV, Scene III — The same about 13 min
  411. Act V, Scene I — The King of Navarre’s park about 5 min
  412. Act V, Scene II — The same. Before the Princess’s pavilion about 33 min
  413. Act I, Scene I — An open Place under 1 min
  414. Act I, Scene II — A Camp near Forres about 2 min
  415. Act I, Scene III — A heath about 5 min
  416. Act I, Scene IV — Forres. A Room in the Palace about 2 min
  417. Act I, Scene V — Inverness. A Room in Macbeth’s Castle about 3 min
  418. Act I, Scene VI — The same. Before the Castle about 1 min
  419. Act I, Scene VII — The same. A Lobby in the Castle about 3 min
  420. Act II, Scene I — Inverness. Court within the Castle about 2 min
  421. Act II, Scene II — The same about 3 min
  422. Act II, Scene III — The same about 5 min
  423. Act II, Scene IV — The same. Without the Castle about 2 min
  424. Act III, Scene I — Forres. A Room in the Palace about 5 min
  425. Act III, Scene II — The same. Another Room in the Palace about 2 min
  426. Act III, Scene III — The same. A Park or Lawn, with a gate leading to the Palace about 1 min
  427. Act III, Scene IV — The same. A Room of state in the Palace about 5 min
  428. Act III, Scene V — The heath about 1 min
  429. Act III, Scene VI — Forres. A Room in the Palace about 2 min
  430. Act IV, Scene I — A dark Cave. In the middle, a Cauldron Boiling about 5 min
  431. Act IV, Scene II — Fife. A Room in Macduff’s Castle about 3 min
  432. Act IV, Scene III — England. Before the King’s Palace about 8 min
  433. Act V, Scene I — Dunsinane. A Room in the Castle about 3 min
  434. Act V, Scene II — The Country near Dunsinane about 1 min
  435. Act V, Scene III — Dunsinane. A Room in the Castle about 2 min
  436. Act V, Scene IV — Country near Dunsinane: a Wood in view about 1 min
  437. Act V, Scene V — Dunsinane. Within the castle about 2 min
  438. Act V, Scene VI — The same. A Plain before the Castle under 1 min
  439. Act V, Scene VII — The same. Another part of the Plain about 1 min
  440. Act V, Scene VIII — The same. Another part of the field about 3 min
  441. Act I, Scene I — An apartment in the Duke’s palace about 3 min
  442. Act I, Scene II — A street about 6 min
  443. Act I, Scene III — A monastery about 2 min
  444. Act I, Scene IV — A nunnery about 3 min
  445. Act II, Scene I — A hall in Angelo’s house about 10 min
  446. Act II, Scene II — Another room in the same about 7 min
  447. Act II, Scene III — A room in a prison about 2 min
  448. Act II, Scene IV — A room in Angelo’s house about 6 min
  449. Act III, Scene I — A room in the prison about 10 min
  450. Act III, Scene II — The street before the prison about 10 min
  451. Act IV, Scene I — A room in Mariana’s house about 3 min
  452. Act IV, Scene II — A room in the prison about 7 min
  453. Act IV, Scene III — Another room in the same about 6 min
  454. Act IV, Scene IV — A room in Angelo’s house about 1 min
  455. Act IV, Scene V — Fields without the town about 1 min
  456. Act IV, Scene VI — Street near the city gate about 1 min
  457. Act V, Scene I — A public place near the city gate about 19 min
  458. Act I, Scene I — Venice. A street about 6 min
  459. Act I, Scene II — Belmont. A room in Portia’s house about 5 min
  460. Act I, Scene III — Venice. A public place about 6 min
  461. Act II, Scene I — Belmont. A room in Portia’s house about 2 min
  462. Act II, Scene II — Venice. A street about 7 min
  463. Act II, Scene III — The same. A room in Shylock’s house about 1 min
  464. Act II, Scene IV — The same. A street about 1 min
  465. Act II, Scene V — The same. Before Shylock’s house about 2 min
  466. Act II, Scene VI — The same about 2 min
  467. Act II, Scene VII — Belmont. A room in Portia’s house about 3 min
  468. Act II, Scene VIII — Venice. A street about 2 min
  469. Act II, Scene IX — Belmont. A room in Portia’s house about 3 min
  470. Act III, Scene I — Venice. A street about 5 min
  471. Act III, Scene II — Belmont. A room in Portia’s house about 11 min
  472. Act III, Scene III — Venice. A street about 1 min
  473. Act III, Scene IV — Belmont. A room in Portia’s house about 3 min
  474. Act III, Scene V — The same. A garden about 3 min
  475. Act IV, Scene I — Venice. A court of justice about 16 min
  476. Act IV, Scene II — The same. A street about 1 min
  477. Act V, Scene I — Belmont. The avenue to Portia’s house about 12 min
  478. Act I, Scene I — Windsor. Before Page’s house about 10 min
  479. Act I, Scene II — The same under 1 min
  480. Act I, Scene III — A room in the Garter Inn about 3 min
  481. Act I, Scene IV — A room in Doctor Caius’s house about 6 min
  482. Act II, Scene I — Before Page’s house about 8 min
  483. Act II, Scene II — A room in the Garter Inn about 11 min
  484. Act II, Scene III — A field near Windsor about 3 min
  485. Act III, Scene I — A field near Frogmore about 4 min
  486. Act III, Scene II — A street in Windsor about 3 min
  487. Act III, Scene III — A room in Ford’s house about 8 min
  488. Act III, Scene IV — A room in Page’s house about 4 min
  489. Act III, Scene V — A room in the Garter Inn about 5 min
  490. Act IV, Scene I — The street about 2 min
  491. Act IV, Scene II — A room in Ford’s house about 7 min
  492. Act IV, Scene III — A room in the Garter Inn under 1 min
  493. Act IV, Scene IV — A room in Ford’s house about 3 min
  494. Act IV, Scene V — A room in the Garter Inn about 4 min
  495. Act IV, Scene VI — Another room in the Garter Inn about 2 min
  496. Act V, Scene I — A room in the Garter Inn about 1 min
  497. Act V, Scene II — Windsor Park about 1 min
  498. Act V, Scene III — The street in Windsor about 1 min
  499. Act V, Scene IV — Windsor Park under 1 min
  500. Act V, Scene V — Another part of the Park about 10 min
  501. Act I, Scene I — Athens. A room in the Palace of Theseus about 8 min
  502. Act I, Scene II — The Same. A Room in a Cottage about 3 min
  503. Act II, Scene I — A wood near Athens about 9 min
  504. Act II, Scene II — Another part of the wood about 5 min
  505. Act III, Scene I — The Wood about 7 min
  506. Act III, Scene II — Another part of the wood about 16 min
  507. Act IV, Scene I — The Wood about 8 min
  508. Act IV, Scene II — Athens. A Room in Quince’s House about 2 min
  509. Act V, Scene I — Athens. An Apartment in the Palace of Theseus about 14 min
  510. Act I, Scene I — Before Leonato’s House about 11 min
  511. Act I, Scene II — A room in Leonato’s house about 1 min
  512. Act I, Scene III — Another room in Leonato’s house about 3 min
  513. Act II, Scene I — A hall in Leonato’s house about 13 min
  514. Act II, Scene II — Another room in Leonato’s house about 2 min
  515. Act II, Scene III — Leonato’s Garden about 10 min
  516. Act III, Scene I — Leonato’s Garden about 4 min
  517. Act III, Scene II — A Room in Leonato’s House about 4 min
  518. Act III, Scene III — A Street about 6 min
  519. Act III, Scene IV — A Room in Leonato’s House about 3 min
  520. Act III, Scene V — Another Room in Leonato’s House about 2 min
  521. Act IV, Scene I — The Inside of a Church about 11 min
  522. Act IV, Scene II — A Prison about 3 min
  523. Act V, Scene I — Before Leonato’s House about 12 min
  524. Act V, Scene II — Leonato’s Garden about 3 min
  525. Act V, Scene III — The Inside of a Church about 1 min
  526. Act V, Scene IV — A Room in Leonato’s House about 5 min
  527. Act I, Scene I — Venice. A street about 6 min
  528. Act I, Scene II — Venice. Another street about 4 min
  529. Act I, Scene III — Venice. A council chamber about 14 min
  530. Act II, Scene I — A seaport in Cyprus. A Platform about 11 min
  531. Act II, Scene II — A street under 1 min
  532. Act II, Scene III — A Hall in the Castle about 13 min
  533. Act III, Scene I — Cyprus. Before the Castle about 2 min
  534. Act III, Scene II — Cyprus. A Room in the Castle under 1 min
  535. Act III, Scene III — Cyprus. The Garden of the Castle about 17 min
  536. Act III, Scene IV — Cyprus. Before the Castle about 7 min
  537. Act IV, Scene I — Cyprus. Before the Castle about 10 min
  538. Act IV, Scene II — Cyprus. A Room in the Castle about 9 min
  539. Act IV, Scene III — Cyprus. Another Room in the Castle about 4 min
  540. Act V, Scene I — Cyprus. A Street about 5 min
  541. Act V, Scene II — Cyprus. A Bedchamber in the castle about 14 min
  542. Act I about 1 min
  543. Act I, Scene I — Antioch. A room in the palace about 6 min
  544. Act I, Scene II — Tyre. A room in the palace about 4 min
  545. Act I, Scene III — Tyre. An ante-chamber in the Palace about 1 min
  546. Act I, Scene IV — Tarsus. A room in the Governor’s house about 4 min
  547. Act II about 1 min
  548. Act II, Scene I — Pentapolis. An open place by the seaside about 8 min
  549. Act II, Scene III — The same. A hall of state: a banquet prepared about 4 min
  550. Act II, Scene IV — Tyre. A room in the Governor’s house about 2 min
  551. Act II, Scene V — Pentapolis. A room in the palace about 3 min
  552. Act III about 2 min
  553. Act III, Scene I about 3 min
  554. Act III, Scene II — Ephesus. A room in Cerimon’s house about 4 min
  555. Act III, Scene III — Tarsus. A room in Cleon’s house about 2 min
  556. Act III, Scene IV — Ephesus. A room in Cerimon’s house about 1 min
  557. Act IV about 1 min
  558. Act IV, Scene I — Tarsus. An open place near the seashore about 4 min
  559. Act IV, Scene II — Mytilene. A room in a brothel about 5 min
  560. Act IV, Scene III — Tarsus. A room in Cleon’s house about 2 min
  561. Act IV, Scene IV about 2 min
  562. Act IV, Scene V — Mytilene. A street before the brothel under 1 min
  563. Act IV, Scene VI — The same. A room in the brothel about 7 min
  564. Act V about 10 min
  565. Act V, Scene II about 5 min
  566. Act I, Scene I — London. A Room in the palace about 7 min
  567. Act I, Scene II — The same. A room in the Duke of Lancaster’s palace about 3 min
  568. Act I, Scene III — Open Space, near Coventry. Lists set out, and a Throne. Heralds, &c., attending about 11 min
  569. Act I, Scene IV — London. A Room in the King’s Castle about 2 min
  570. Act II, Scene I — London. An Apartment in Ely House about 10 min
  571. Act II, Scene II — The Same. A Room in the Castle about 5 min
  572. Act II, Scene III — The Wolds in Gloucestershire about 6 min
  573. Act II, Scene IV — A camp in Wales about 1 min
  574. Act III, Scene I — Bristol. Bolingbroke’s camp about 2 min
  575. Act III, Scene II — The coast of Wales. A castle in view about 8 min
  576. Act III, Scene III — Wales. Before Flint Castle about 7 min
  577. Act III, Scene IV — Langley. The Duke of York’s garden about 4 min
  578. Act IV, Scene I — Westminster Hall about 12 min
  579. Act V, Scene I — London. A street leading to the Tower about 4 min
  580. Act V, Scene II — The same. A room in the Duke of York’s palace about 4 min
  581. Act V, Scene III — Windsor. A room in the Castle about 5 min
  582. Act V, Scene IV — Another room in the Castle under 1 min
  583. Act V, Scene V — Pomfret. The dungeon of the Castle about 4 min
  584. Act V, Scene VI — Windsor. An Apartment in the Castle about 3 min
  585. Act I, Scene I — London. A street about 5 min
  586. Act I, Scene II — London. Another street about 9 min
  587. Act I, Scene III — London. A Room in the Palace about 13 min
  588. Act I, Scene IV — London. A Room in the Tower about 10 min
  589. Act II, Scene I — London. A Room in the palace about 5 min
  590. Act II, Scene II — Another Room in the palace about 5 min
  591. Act II, Scene III — London. A street about 2 min
  592. Act II, Scene IV — London. A Room in the Palace about 3 min
  593. Act III, Scene I — London. A street about 7 min
  594. Act III, Scene II — Before Lord Hastings’ house about 5 min
  595. Act III, Scene III — Pomfret. Before the Castle about 1 min
  596. Act III, Scene IV — London. A Room in the Tower about 4 min
  597. Act III, Scene V — London. The Tower Walls about 4 min
  598. Act III, Scene VI — London. A street about 1 min
  599. Act III, Scene VII — London. Court of Baynard’s Castle about 8 min
  600. Act IV, Scene I — London. Before the Tower about 4 min
  601. Act IV, Scene II — London. A Room of State in the Palace about 4 min
  602. Act IV, Scene III — London. Another Room in the Palace about 2 min
  603. Act IV, Scene IV — London. Before the Palace about 20 min
  604. Act IV, Scene V — A Room in Lord Stanley’s house about 1 min
  605. Act V, Scene I — Salisbury. An open place about 1 min
  606. Act V, Scene II — Plain near Tamworth about 1 min
  607. Act V, Scene III — Bosworth Field about 13 min
  608. Act V, Scene IV — Another part of the Field about 1 min
  609. Act V, Scene V — Another part of the Field about 2 min
  610. The Prologue under 1 min
  611. Act I, Scene I — A public place about 8 min
  612. Act I, Scene II — A Street about 4 min
  613. Act I, Scene III — Room in Capulet’s House about 4 min
  614. Act I, Scene IV — A Street about 4 min
  615. Act I, Scene V — A Hall in Capulet’s House about 5 min
  616. Act II under 1 min
  617. Act II, Scene I — An open place adjoining Capulet’s Garden about 2 min
  618. Act II, Scene II — Capulet’s Garden about 7 min
  619. Act II, Scene III — Friar Lawrence’s Cell about 3 min
  620. Act II, Scene IV — A Street about 7 min
  621. Act II, Scene V — Capulet’s Garden about 3 min
  622. Act II, Scene VI — Friar Lawrence’s Cell about 1 min
  623. Act III, Scene I — A public Place about 7 min
  624. Act III, Scene II — A Room in Capulet’s House about 5 min
  625. Act III, Scene III — Friar Lawrence’s cell about 6 min
  626. Act III, Scene IV — A Room in Capulet’s House about 1 min
  627. Act III, Scene V — An open Gallery to Juliet’s Chamber, overlooking the Garden about 9 min
  628. Act IV, Scene I — Friar Lawrence’s Cell about 5 min
  629. Act IV, Scene II — Hall in Capulet’s House about 2 min
  630. Act IV, Scene III — Juliet’s Chamber about 2 min
  631. Act IV, Scene IV — Hall in Capulet’s House about 1 min
  632. Act IV, Scene V — Juliet’s Chamber; Juliet on the bed about 5 min
  633. Act V, Scene I — Mantua. A Street about 3 min
  634. Act V, Scene II — Friar Lawrence’s Cell about 1 min
  635. Act V, Scene III — A churchyard; in it a Monument belonging to the Capulets about 12 min
  636. Induction, Scene I — Before an alehouse on a heath about 5 min
  637. Induction, Scene II — A bedchamber in the Lord’s house about 5 min
  638. Act I, Scene I — Padua. A public place about 9 min
  639. Act I, Scene II — Padua. Before Hortensio’s house about 10 min
  640. Act II, Scene I — Padua. A room in Baptista’s house about 15 min
  641. Act III, Scene I — Padua. A room in Baptista’s house about 3 min
  642. Act III, Scene II — The same. Before Baptista’s house about 9 min
  643. Act IV, Scene I — A hall in Petruchio’s country house about 7 min
  644. Act IV, Scene II — Padua. Before Baptista’s house about 4 min
  645. Act IV, Scene III — A room in Petruchio’s house about 7 min
  646. Act IV, Scene IV — Padua. Before Baptista’s house about 4 min
  647. Act IV, Scene V — A public road about 3 min
  648. Act V, Scene I — Padua. Before Lucentio’s house about 5 min
  649. Act V, Scene II — A room in Lucentio’s house about 7 min
  650. Act I, Scene I — On a ship at sea; a tempestuous noise of thunder and lightning heard about 2 min
  651. Act I, Scene II — The Island. Before the cell of Prospero about 18 min
  652. Act II, Scene I — Another part of the island about 11 min
  653. Act II, Scene II — Another part of the island about 7 min
  654. Act III, Scene I — Before Prospero’s cell about 4 min
  655. Act III, Scene II — Another part of the island about 5 min
  656. Act III, Scene III — Another part of the island about 4 min
  657. Act IV, Scene I — Before Prospero’s cell about 9 min
  658. Act V, Scene I — Before the cell of Prospero about 12 min
  659. Epilogue about 1 min
  660. Act I, Scene I — Athens. A hall in Timon’s house about 10 min
  661. Act I, Scene II — The Same. A room of state in Timon’s house about 9 min
  662. Act II, Scene I — Athens. A room in a senator’s house about 1 min
  663. Act II, Scene II — The same. A hall in Timon’s house about 8 min
  664. Act III, Scene I — Athens. A room in Lucullus’ house about 2 min
  665. Act III, Scene II — A public place about 3 min
  666. Act III, Scene III — The same. A room in Sempronius’ house about 2 min
  667. Act III, Scene IV — A hall in Timon’s house about 4 min
  668. Act III, Scene V — The same. The senate house about 4 min
  669. Act III, Scene VI — A room of state in Timon’s house about 4 min
  670. Act IV, Scene I — Without the walls of Athens about 1 min
  671. Act IV, Scene II — Athens. A room in Timon’s house about 2 min
  672. Act IV, Scene III — Woods and caves near the sea-shore about 19 min
  673. Act V, Scene I — The woods. Before Timon’s cave about 4 min
  674. Act V, Scene II — The same about 4 min
  675. Act V, Scene III — Before the walls of Athens about 1 min
  676. Act V, Scene IV — The woods. Timon’s cave, and a rude tomb seen under 1 min
  677. Act V, Scene V — Before the walls of Athens about 4 min
  678. Act I, Scene I — Rome. Before the Capitol about 17 min
  679. Act II, Scene I — Rome. Before the palace about 5 min
  680. Act II, Scene II — A Forest near Rome; a Lodge seen at a distance. Horns and cry of hounds heard about 1 min
  681. Act II, Scene III — A lonely part of the Forest about 11 min
  682. Act II, Scene IV — Another part of the Forest about 2 min
  683. Act III, Scene I — Rome. A street about 11 min
  684. Act III, Scene II — Rome. A Room in Titus’s House. A banquet set out about 3 min
  685. Act IV, Scene I — Rome. Before Titus’s House about 5 min
  686. Act IV, Scene II — Rome. A Room in the Palace about 7 min
  687. Act IV, Scene III — Rome. A public Place about 4 min
  688. Act IV, Scene IV — Rome. Before the Palace about 4 min
  689. Act V, Scene I — Plains near Rome about 6 min
  690. Act V, Scene II — Rome. Before Titus’s House about 7 min
  691. Act V, Scene III — Rome. A Pavilion in Titus’s Gardens, with tables, &c about 8 min
  692. Prologue about 1 min
  693. Act I, Scene I — Troy. Before Priam’s palace about 4 min
  694. Act I, Scene II — Troy. A street about 10 min
  695. Act I, Scene III — The Grecian camp. Before Agamemnon’s tent about 13 min
  696. Act II, Scene I — The Grecian camp about 4 min
  697. Act II, Scene II — Troy. Priam’s palace about 7 min
  698. Act II, Scene III — The Grecian camp. Before the tent of Achilles about 9 min
  699. Act III, Scene I — Troy. Priam’s palace about 5 min
  700. Act III, Scene II — Troy. Pandarus’ orchard about 7 min
  701. Act III, Scene III — The Greek camp about 10 min
  702. Act IV, Scene I — Troy. A street about 3 min
  703. Act IV, Scene II — Troy. The court of Pandarus’ house about 4 min
  704. Act IV, Scene III — Troy. A street before Pandarus’ house under 1 min
  705. Act IV, Scene IV — Troy. Pandarus’ house about 5 min
  706. Act IV, Scene V — The Grecian camp. Lists set out about 10 min
  707. Act V, Scene I — The Grecian camp. Before the tent of Achilles about 4 min
  708. Act V, Scene II — The Grecian camp. Before Calchas’ tent about 7 min
  709. Act V, Scene III — Troy. Before Priam’s palace about 4 min
  710. Act V, Scene IV — The plain between Troy and the Grecian camp about 1 min
  711. Act V, Scene V — Another part of the plain about 2 min
  712. Act V, Scene VI — Another part of the plain about 1 min
  713. Act V, Scene VII — Another part of the plain about 1 min
  714. Act V, Scene VIII — Another part of the plain about 1 min
  715. Act V, Scene IX — Another part of the plain under 1 min
  716. Act V, Scene X — Another part of the plain about 2 min
  717. Act I, Scene I — An Apartment in the Duke’s Palace about 1 min
  718. Act I, Scene II — The sea-coast about 2 min
  719. Act I, Scene III — A Room in Olivia’s House about 5 min
  720. Act I, Scene IV — A Room in the Duke’s Palace about 1 min
  721. Act I, Scene V — A Room in Olivia’s House about 11 min
  722. Act II, Scene I — The sea-coast about 2 min
  723. Act II, Scene II — A street about 2 min
  724. Act II, Scene III — A Room in Olivia’s House about 7 min
  725. Act II, Scene IV — A Room in the Duke’s Palace about 4 min
  726. Act II, Scene V — Olivia’s garden about 7 min
  727. Act III, Scene I — Olivia’s garden about 6 min
  728. Act III, Scene II — A Room in Olivia’s House about 3 min
  729. Act III, Scene III — A street about 2 min
  730. Act III, Scene IV — Olivia’s garden about 14 min
  731. Act IV, Scene I — The Street before Olivia’s House about 2 min
  732. Act IV, Scene II — A Room in Olivia’s House about 4 min
  733. Act IV, Scene III — Olivia’s Garden about 1 min
  734. Act V, Scene I — The Street before Olivia’s House about 14 min
  735. Act I, Scene I — Verona. An open place about 5 min
  736. Act I, Scene II — The same. The garden of Julia’s house about 5 min
  737. Act I, Scene III — The same. A room in Antonio’s house about 3 min
  738. Act II, Scene I — Milan. A room in the Duke’s palace about 6 min
  739. Act II, Scene II — Verona. A room in Julia’s house about 1 min
  740. Act II, Scene III — The same. A street about 2 min
  741. Act II, Scene IV — Milan. A room in the Duke’s palace about 7 min
  742. Act II, Scene V — The same. A street about 2 min
  743. Act II, Scene VI — The same. The Duke’s palace about 1 min
  744. Act II, Scene VII — Verona. A room in Julia’s house about 3 min
  745. Act III, Scene I — Milan. An anteroom in the Duke’s palace about 13 min
  746. Act III, Scene II — The same. A room in the Duke’s palace about 3 min
  747. Act IV, Scene I — A forest between Milan and Verona about 3 min
  748. Act IV, Scene II — Milan. The court of the Duke’s palace about 5 min
  749. Act IV, Scene III — The same about 2 min
  750. Act IV, Scene IV — The same about 7 min
  751. Act V, Scene I — Milan. An abbey under 1 min
  752. Act V, Scene II — The same. A room in the Duke’s palace about 2 min
  753. Act V, Scene III — Frontiers of Mantua. The forest about 1 min
  754. Act V, Scene IV — Another part of the forest about 6 min
  755. Prologue about 1 min
  756. Epilogue under 1 min
  757. Prologue about 1 min
  758. Act I, Scene I — Athens. Before a temple about 8 min
  759. Act I, Scene II — Thebes. The Court of the Palace about 4 min
  760. Act I, Scene III — Before the gates of Athens about 3 min
  761. Act I, Scene IV — A field before Thebes about 2 min
  762. Act I, Scene V — Another part of the same, more remote from Thebes about 1 min
  763. Act II, Scene I — Athens. A garden, with a castle in the background about 2 min
  764. Act II, Scene II — The prison about 11 min
  765. Act II, Scene III — The country near Athens about 3 min
  766. Act II, Scene IV — Athens. A room in the prison about 1 min
  767. Act II, Scene V — An open place in Athens about 3 min
  768. Act II, Scene VI — Athens. Before the prison about 1 min
  769. Act III, Scene I — A forest near Athens about 5 min
  770. Act III, Scene II — Another Part of the forest about 1 min
  771. Act III, Scene III — The same part of the forest as in scene I about 2 min
  772. Act III, Scene IV — Another part of the forest about 1 min
  773. Act III, Scene V — Another part of the forest about 6 min
  774. Act III, Scene VI — The same part of the forest as in scene III about 12 min
  775. Act IV, Scene I — Athens. A room in the prison about 6 min
  776. Act IV, Scene II — A Room in the Palace about 6 min
  777. Act IV, Scene III — A room in the prison about 4 min
  778. Act V, Scene I — Athens. Before the Temples of Mars, Venus, and Diana about 7 min
  779. Act V, Scene II — Athens. A Room in the Prison about 5 min
  780. Act V, Scene III — A part of the Forest near Athens, and near the Place appointed for the Combat about 5 min
  781. Act V, Scene IV — The same; a Block prepared about 5 min
  782. Epilogue about 1 min
  783. Dramatis Personæ under 1 min
  784. Act I, Scene I — Sicilia. An Antechamber in Leontes’ Palace about 2 min
  785. Act I, Scene II — The same. A Room of State in the Palace about 16 min
  786. Act II, Scene I — Sicilia. A Room in the Palace about 7 min
  787. Act II, Scene II — The same. The outer Room of a Prison about 2 min
  788. Act II, Scene III — The same. A Room in the Palace about 8 min
  789. Act III, Scene I — Sicilia. A Street in some Town about 1 min
  790. Act III, Scene II — The same. A Court of Justice about 9 min
  791. Act III, Scene III — Bohemia. A desert Country near the Sea about 5 min
  792. Act IV, Scene I about 1 min
  793. Act IV, Scene II — Bohemia. A Room in the palace of Polixenes about 2 min
  794. Act IV, Scene III — The same. A Road near the Shepherd’s cottage about 4 min
  795. Act IV, Scene IV — The same. A Shepherd’s Cottage about 30 min
  796. Act V, Scene I — Sicilia. A Room in the palace of Leontes about 8 min
  797. Act V, Scene II — The same. Before the Palace about 7 min
  798. Act V, Scene III — The same. A Room in Paulina’s house about 2 h 17 min

Continue:

Act II, Scene II — A room in Caesar’s palace

Thunder and lightning. Enter Caesar, in his nightgown.

CAESAR. Nor heaven nor earth have been at peace tonight: Thrice hath Calphurnia in her sleep cried out, “Help, ho! They murder Caesar!” Who’s within?

Enter a Servant.

SERVANT. My lord?

CAESAR. Go bid the priests do present sacrifice, And bring me their opinions of success.

SERVANT. I will, my lord.

[Exit.]

Enter Calphurnia.

CALPHURNIA. What mean you, Caesar? Think you to walk forth? You shall not stir out of your house today.

CAESAR. Caesar shall forth. The things that threaten’d me Ne’er look’d but on my back; when they shall see The face of Caesar, they are vanished.

CALPHURNIA. Caesar, I never stood on ceremonies, Yet now they fright me. There is one within, Besides the things that we have heard and seen, Recounts most horrid sights seen by the watch. A lioness hath whelped in the streets, And graves have yawn’d, and yielded up their dead; Fierce fiery warriors fight upon the clouds In ranks and squadrons and right form of war, Which drizzled blood upon the Capitol; The noise of battle hurtled in the air, Horses did neigh, and dying men did groan, And ghosts did shriek and squeal about the streets. O Caesar, these things are beyond all use, And I do fear them!

CAESAR. What can be avoided Whose end is purpos’d by the mighty gods? Yet Caesar shall go forth; for these predictions Are to the world in general as to Caesar.

CALPHURNIA. When beggars die, there are no comets seen; The heavens themselves blaze forth the death of princes.

CAESAR. Cowards die many times before their deaths; The valiant never taste of death but once. Of all the wonders that I yet have heard, It seems to me most strange that men should fear, Seeing that death, a necessary end, Will come when it will come.

Enter Servant.

What say the augurers?

SERVANT. They would not have you to stir forth today. Plucking the entrails of an offering forth, They could not find a heart within the beast.

CAESAR. The gods do this in shame of cowardice: Caesar should be a beast without a heart If he should stay at home today for fear. No, Caesar shall not. Danger knows full well That Caesar is more dangerous than he. We are two lions litter’d in one day, And I the elder and more terrible, And Caesar shall go forth.

CALPHURNIA. Alas, my lord, Your wisdom is consum’d in confidence. Do not go forth today: call it my fear That keeps you in the house, and not your own. We’ll send Mark Antony to the Senate-house, And he shall say you are not well today. Let me upon my knee prevail in this.

CAESAR. Mark Antony shall say I am not well, And for thy humour, I will stay at home.

Enter Decius.

Here’s Decius Brutus, he shall tell them so.

DECIUS. Caesar, all hail! Good morrow, worthy Caesar. I come to fetch you to the Senate-house.

CAESAR. And you are come in very happy time To bear my greeting to the Senators, And tell them that I will not come today. Cannot, is false; and that I dare not, falser: I will not come today. Tell them so, Decius.

CALPHURNIA. Say he is sick.

CAESAR. Shall Caesar send a lie? Have I in conquest stretch’d mine arm so far, To be afeard to tell grey-beards the truth? Decius, go tell them Caesar will not come.

DECIUS. Most mighty Caesar, let me know some cause, Lest I be laugh’d at when I tell them so.

CAESAR. The cause is in my will; I will not come. That is enough to satisfy the Senate. But for your private satisfaction, Because I love you, I will let you know: Calphurnia here, my wife, stays me at home. She dreamt tonight she saw my statue, Which like a fountain with an hundred spouts Did run pure blood; and many lusty Romans Came smiling, and did bathe their hands in it. And these does she apply for warnings and portents And evils imminent; and on her knee Hath begg’d that I will stay at home today.

DECIUS. This dream is all amiss interpreted: It was a vision fair and fortunate. Your statue spouting blood in many pipes, In which so many smiling Romans bath’d, Signifies that from you great Rome shall suck Reviving blood, and that great men shall press For tinctures, stains, relics, and cognizance. This by Calphurnia’s dream is signified.

CAESAR. And this way have you well expounded it.

DECIUS. I have, when you have heard what I can say; And know it now. The Senate have concluded To give this day a crown to mighty Caesar. If you shall send them word you will not come, Their minds may change. Besides, it were a mock Apt to be render’d, for someone to say, “Break up the Senate till another time, When Caesar’s wife shall meet with better dreams.” If Caesar hide himself, shall they not whisper “Lo, Caesar is afraid”? Pardon me, Caesar; for my dear dear love To your proceeding bids me tell you this, And reason to my love is liable.

CAESAR. How foolish do your fears seem now, Calphurnia! I am ashamed I did yield to them. Give me my robe, for I will go.

Enter Brutus, Ligarius, Metellus, Casca, Trebonius, Cinna and Publius.

And look where Publius is come to fetch me.

PUBLIUS. Good morrow, Caesar.

CAESAR. Welcome, Publius. What, Brutus, are you stirr’d so early too? Good morrow, Casca. Caius Ligarius, Caesar was ne’er so much your enemy As that same ague which hath made you lean. What is’t o’clock?

BRUTUS. Caesar, ’tis strucken eight.

CAESAR. I thank you for your pains and courtesy.

Enter Antony.

See! Antony, that revels long a-nights, Is notwithstanding up. Good morrow, Antony.

ANTONY. So to most noble Caesar.

CAESAR. Bid them prepare within. I am to blame to be thus waited for. Now, Cinna; now, Metellus; what, Trebonius! I have an hour’s talk in store for you: Remember that you call on me today; Be near me, that I may remember you.

TREBONIUS. Caesar, I will. [Aside.] and so near will I be, That your best friends shall wish I had been further.

CAESAR. Good friends, go in, and taste some wine with me; And we, like friends, will straightway go together.

BRUTUS. [Aside.] That every like is not the same, O Caesar, The heart of Brutus yearns to think upon.

[Exeunt.]

Act II, Scene III — A street near the Capitol

Enter Artemidorus, reading a paper.

ARTEMIDORUS. “Caesar, beware of Brutus; take heed of Cassius; come not near Casca; have an eye to Cinna; trust not Trebonius; mark well Metellus Cimber; Decius Brutus loves thee not; thou hast wrong’d Caius Ligarius. There is but one mind in all these men, and it is bent against Caesar. If thou be’st not immortal, look about you: security gives way to conspiracy. The mighty gods defend thee! Thy lover, Artemidorus.” Here will I stand till Caesar pass along, And as a suitor will I give him this. My heart laments that virtue cannot live Out of the teeth of emulation. If thou read this, O Caesar, thou mayest live; If not, the Fates with traitors do contrive.

[Exit.]

Act II, Scene IV — Another part of the same street, before the house of Brutus

Enter Portia and Lucius.

PORTIA. I pr’ythee, boy, run to the Senate-house; Stay not to answer me, but get thee gone. Why dost thou stay?

LUCIUS. To know my errand, madam.

PORTIA. I would have had thee there and here again, Ere I can tell thee what thou shouldst do there. [Aside.] O constancy, be strong upon my side, Set a huge mountain ’tween my heart and tongue! I have a man’s mind, but a woman’s might. How hard it is for women to keep counsel! Art thou here yet?

LUCIUS. Madam, what should I do? Run to the Capitol, and nothing else? And so return to you, and nothing else?

PORTIA. Yes, bring me word, boy, if thy lord look well, For he went sickly forth: and take good note What Caesar doth, what suitors press to him. Hark, boy, what noise is that?

LUCIUS. I hear none, madam.

PORTIA. Pr’ythee, listen well. I heard a bustling rumour, like a fray, And the wind brings it from the Capitol.

LUCIUS. Sooth, madam, I hear nothing.

Enter the Soothsayer.

PORTIA. Come hither, fellow: Which way hast thou been?

SOOTHSAYER. At mine own house, good lady.

PORTIA. What is’t o’clock?

SOOTHSAYER. About the ninth hour, lady.

PORTIA. Is Caesar yet gone to the Capitol?

SOOTHSAYER. Madam, not yet. I go to take my stand, To see him pass on to the Capitol.

PORTIA. Thou hast some suit to Caesar, hast thou not?

SOOTHSAYER. That I have, lady, if it will please Caesar To be so good to Caesar as to hear me, I shall beseech him to befriend himself.

PORTIA. Why, know’st thou any harm’s intended towards him?

SOOTHSAYER. None that I know will be, much that I fear may chance. Good morrow to you. Here the street is narrow. The throng that follows Caesar at the heels, Of Senators, of Praetors, common suitors, Will crowd a feeble man almost to death: I’ll get me to a place more void, and there Speak to great Caesar as he comes along.

[Exit.]

PORTIA. I must go in. [Aside.] Ay me, how weak a thing The heart of woman is! O Brutus, The heavens speed thee in thine enterprise! Sure, the boy heard me. Brutus hath a suit That Caesar will not grant. O, I grow faint. Run, Lucius, and commend me to my lord; Say I am merry; come to me again, And bring me word what he doth say to thee.

[Exeunt.]

Act III, Scene I — Rome. Before the Capitol; the Senate sitting

A crowd of people in the street leading to the Capitol. Flourish. Enter Caesar, Brutus, Cassius, Casca, Decius, Metellus, Trebonius, Cinna, Antony, Lepidus, Artemidorus, Publius, Popilius and the Soothsayer.

CAESAR. The Ides of March are come.

SOOTHSAYER. Ay, Caesar; but not gone.

ARTEMIDORUS. Hail, Caesar! Read this schedule.

DECIUS. Trebonius doth desire you to o’er-read, At your best leisure, this his humble suit.

ARTEMIDORUS. O Caesar, read mine first; for mine’s a suit That touches Caesar nearer. Read it, great Caesar.

CAESAR. What touches us ourself shall be last serv’d.

ARTEMIDORUS. Delay not, Caesar. Read it instantly.

CAESAR. What, is the fellow mad?

PUBLIUS. Sirrah, give place.

CASSIUS. What, urge you your petitions in the street? Come to the Capitol.

Caesar enters the Capitol, the rest following. All the Senators rise.

POPILIUS. I wish your enterprise today may thrive.

CASSIUS. What enterprise, Popilius?

POPILIUS. Fare you well.

[Advances to Caesar.]

BRUTUS. What said Popilius Lena?

CASSIUS. He wish’d today our enterprise might thrive. I fear our purpose is discovered.

BRUTUS. Look how he makes to Caesar: mark him.

CASSIUS. Casca, be sudden, for we fear prevention. Brutus, what shall be done? If this be known, Cassius or Caesar never shall turn back, For I will slay myself.

BRUTUS. Cassius, be constant: Popilius Lena speaks not of our purposes; For look, he smiles, and Caesar doth not change.

CASSIUS. Trebonius knows his time, for look you, Brutus, He draws Mark Antony out of the way.

[Exeunt Antony and Trebonius. Caesar and the Senators take their seats.]

DECIUS. Where is Metellus Cimber? Let him go, And presently prefer his suit to Caesar.

BRUTUS. He is address’d; press near and second him.

CINNA. Casca, you are the first that rears your hand.

CAESAR. Are we all ready? What is now amiss That Caesar and his Senate must redress?

METELLUS. Most high, most mighty, and most puissant Caesar, Metellus Cimber throws before thy seat An humble heart.

[Kneeling.]

CAESAR. I must prevent thee, Cimber. These couchings and these lowly courtesies Might fire the blood of ordinary men, And turn pre-ordinance and first decree Into the law of children. Be not fond, To think that Caesar bears such rebel blood That will be thaw’d from the true quality With that which melteth fools; I mean sweet words, Low-crooked curtsies, and base spaniel fawning. Thy brother by decree is banished: If thou dost bend, and pray, and fawn for him, I spurn thee like a cur out of my way. Know, Caesar dost not wrong, nor without cause Will he be satisfied.

METELLUS. Is there no voice more worthy than my own, To sound more sweetly in great Caesar’s ear For the repealing of my banish’d brother?

BRUTUS. I kiss thy hand, but not in flattery, Caesar; Desiring thee that Publius Cimber may Have an immediate freedom of repeal.

CAESAR. What, Brutus?

CASSIUS. Pardon, Caesar; Caesar, pardon: As low as to thy foot doth Cassius fall, To beg enfranchisement for Publius Cimber.

CAESAR. I could be well mov’d, if I were as you; If I could pray to move, prayers would move me: But I am constant as the northern star, Of whose true-fix’d and resting quality There is no fellow in the firmament. The skies are painted with unnumber’d sparks, They are all fire, and every one doth shine; But there’s but one in all doth hold his place. So in the world; ’tis furnish’d well with men, And men are flesh and blood, and apprehensive; Yet in the number I do know but one That unassailable holds on his rank, Unshak’d of motion: and that I am he, Let me a little show it, even in this, That I was constant Cimber should be banish’d, And constant do remain to keep him so.

CINNA. O Caesar,—

CAESAR. Hence! wilt thou lift up Olympus?

DECIUS. Great Caesar,—

CAESAR. Doth not Brutus bootless kneel?

CASCA. Speak, hands, for me!

[Casca stabs Caesar in the neck. Caesar catches hold of his arm. He is then stabbed by several other Conspirators, and at last by Marcus Brutus.]

CAESAR. Et tu, Brute?—Then fall, Caesar!

[Dies. The Senators and People retire in confusion.]

CINNA. Liberty! Freedom! Tyranny is dead! Run hence, proclaim, cry it about the streets.

CASSIUS. Some to the common pulpits and cry out, “Liberty, freedom, and enfranchisement!”

BRUTUS. People and Senators, be not affrighted. Fly not; stand still; ambition’s debt is paid.

CASCA. Go to the pulpit, Brutus.

DECIUS. And Cassius too.

BRUTUS. Where’s Publius?

CINNA. Here, quite confounded with this mutiny.

METELLUS. Stand fast together, lest some friend of Caesar’s Should chance—

BRUTUS. Talk not of standing. Publius, good cheer! There is no harm intended to your person, Nor to no Roman else. So tell them, Publius.

CASSIUS. And leave us, Publius; lest that the people Rushing on us, should do your age some mischief.

BRUTUS. Do so; and let no man abide this deed But we the doers.

Enter Trebonius.

CASSIUS. Where’s Antony?

TREBONIUS. Fled to his house amaz’d. Men, wives, and children stare, cry out, and run, As it were doomsday.

BRUTUS. Fates, we will know your pleasures. That we shall die, we know; ’tis but the time And drawing days out, that men stand upon.

CASCA. Why, he that cuts off twenty years of life Cuts off so many years of fearing death.

BRUTUS. Grant that, and then is death a benefit: So are we Caesar’s friends, that have abridg’d His time of fearing death. Stoop, Romans, stoop, And let us bathe our hands in Caesar’s blood Up to the elbows, and besmear our swords: Then walk we forth, even to the market-place, And waving our red weapons o’er our heads, Let’s all cry, “Peace, freedom, and liberty!”

CASSIUS. Stoop then, and wash. How many ages hence Shall this our lofty scene be acted over In States unborn, and accents yet unknown!

BRUTUS. How many times shall Caesar bleed in sport, That now on Pompey’s basis lies along, No worthier than the dust!

CASSIUS. So oft as that shall be, So often shall the knot of us be call’d The men that gave their country liberty.

DECIUS. What, shall we forth?

CASSIUS. Ay, every man away. Brutus shall lead; and we will grace his heels With the most boldest and best hearts of Rome.

Enter a Servant.

BRUTUS. Soft, who comes here? A friend of Antony’s.

SERVANT. Thus, Brutus, did my master bid me kneel; Thus did Mark Antony bid me fall down; And, being prostrate, thus he bade me say: Brutus is noble, wise, valiant, and honest; Caesar was mighty, bold, royal, and loving; Say I love Brutus and I honour him; Say I fear’d Caesar, honour’d him, and lov’d him. If Brutus will vouchsafe that Antony May safely come to him, and be resolv’d How Caesar hath deserv’d to lie in death, Mark Antony shall not love Caesar dead So well as Brutus living; but will follow The fortunes and affairs of noble Brutus Thorough the hazards of this untrod state, With all true faith. So says my master Antony.

BRUTUS. Thy master is a wise and valiant Roman; I never thought him worse. Tell him, so please him come unto this place, He shall be satisfied and, by my honour, Depart untouch’d.

SERVANT. I’ll fetch him presently.

[Exit.]

BRUTUS. I know that we shall have him well to friend.

CASSIUS. I wish we may: but yet have I a mind That fears him much; and my misgiving still Falls shrewdly to the purpose.

Enter Antony.

BRUTUS. But here comes Antony. Welcome, Mark Antony.

ANTONY. O mighty Caesar! Dost thou lie so low? Are all thy conquests, glories, triumphs, spoils, Shrunk to this little measure? Fare thee well. I know not, gentlemen, what you intend, Who else must be let blood, who else is rank: If I myself, there is no hour so fit As Caesar’s death’s hour; nor no instrument Of half that worth as those your swords, made rich With the most noble blood of all this world. I do beseech ye, if you bear me hard, Now, whilst your purpled hands do reek and smoke, Fulfill your pleasure. Live a thousand years, I shall not find myself so apt to die. No place will please me so, no means of death, As here by Caesar, and by you cut off, The choice and master spirits of this age.

BRUTUS. O Antony, beg not your death of us. Though now we must appear bloody and cruel, As by our hands and this our present act You see we do; yet see you but our hands And this the bleeding business they have done. Our hearts you see not; they are pitiful; And pity to the general wrong of Rome— As fire drives out fire, so pity pity— Hath done this deed on Caesar. For your part, To you our swords have leaden points, Mark Antony; Our arms in strength of malice, and our hearts Of brothers’ temper, do receive you in With all kind love, good thoughts, and reverence.

CASSIUS. Your voice shall be as strong as any man’s In the disposing of new dignities.

BRUTUS. Only be patient till we have appeas’d The multitude, beside themselves with fear, And then we will deliver you the cause Why I, that did love Caesar when I struck him, Have thus proceeded.

ANTONY. I doubt not of your wisdom. Let each man render me his bloody hand. First, Marcus Brutus, will I shake with you; Next, Caius Cassius, do I take your hand. Now, Decius Brutus, yours; now yours, Metellus; Yours, Cinna; and, my valiant Casca, yours; Though last, not least in love, yours, good Trebonius. Gentlemen all—alas, what shall I say? My credit now stands on such slippery ground, That one of two bad ways you must conceit me, Either a coward or a flatterer. That I did love thee, Caesar, O, ’tis true: If then thy spirit look upon us now, Shall it not grieve thee dearer than thy death, To see thy Antony making his peace, Shaking the bloody fingers of thy foes, Most noble, in the presence of thy corse? Had I as many eyes as thou hast wounds, Weeping as fast as they stream forth thy blood, It would become me better than to close In terms of friendship with thine enemies. Pardon me, Julius! Here wast thou bay’d, brave hart; Here didst thou fall; and here thy hunters stand, Sign’d in thy spoil, and crimson’d in thy lethe. O world, thou wast the forest to this hart; And this indeed, O world, the heart of thee. How like a deer strucken by many princes, Dost thou here lie!

CASSIUS. Mark Antony,—

ANTONY. Pardon me, Caius Cassius: The enemies of Caesar shall say this; Then, in a friend, it is cold modesty.

CASSIUS. I blame you not for praising Caesar so; But what compact mean you to have with us? Will you be prick’d in number of our friends, Or shall we on, and not depend on you?

ANTONY. Therefore I took your hands; but was indeed Sway’d from the point, by looking down on Caesar. Friends am I with you all, and love you all, Upon this hope, that you shall give me reasons Why, and wherein, Caesar was dangerous.

BRUTUS. Or else were this a savage spectacle. Our reasons are so full of good regard That were you, Antony, the son of Caesar, You should be satisfied.

ANTONY. That’s all I seek, And am moreover suitor that I may Produce his body to the market-place; And in the pulpit, as becomes a friend, Speak in the order of his funeral.

BRUTUS. You shall, Mark Antony.

CASSIUS. Brutus, a word with you. [Aside to Brutus.] You know not what you do. Do not consent That Antony speak in his funeral. Know you how much the people may be mov’d By that which he will utter?

BRUTUS. [Aside to Cassius.] By your pardon: I will myself into the pulpit first, And show the reason of our Caesar’s death. What Antony shall speak, I will protest He speaks by leave and by permission; And that we are contented Caesar shall Have all true rights and lawful ceremonies. It shall advantage more than do us wrong.

CASSIUS. [Aside to Brutus.] I know not what may fall; I like it not.

BRUTUS. Mark Antony, here, take you Caesar’s body. You shall not in your funeral speech blame us, But speak all good you can devise of Caesar, And say you do’t by our permission; Else shall you not have any hand at all About his funeral. And you shall speak In the same pulpit whereto I am going, After my speech is ended.

ANTONY. Be it so; I do desire no more.

BRUTUS. Prepare the body, then, and follow us.

[Exeunt all but Antony.]

ANTONY. O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers. Thou art the ruins of the noblest man That ever lived in the tide of times. Woe to the hand that shed this costly blood! Over thy wounds now do I prophesy, Which, like dumb mouths do ope their ruby lips To beg the voice and utterance of my tongue, A curse shall light upon the limbs of men; Domestic fury and fierce civil strife Shall cumber all the parts of Italy; Blood and destruction shall be so in use, And dreadful objects so familiar, That mothers shall but smile when they behold Their infants quartered with the hands of war; All pity chok’d with custom of fell deeds: And Caesar’s spirit, ranging for revenge, With Ate by his side come hot from Hell, Shall in these confines with a monarch’s voice Cry havoc and let slip the dogs of war, That this foul deed shall smell above the earth With carrion men, groaning for burial.

Enter a Servant.

You serve Octavius Caesar, do you not?

SERVANT. I do, Mark Antony.

ANTONY. Caesar did write for him to come to Rome.

SERVANT. He did receive his letters, and is coming, And bid me say to you by word of mouth,— [Seeing the body.] O Caesar!

ANTONY. Thy heart is big, get thee apart and weep. Passion, I see, is catching; for mine eyes, Seeing those beads of sorrow stand in thine, Began to water. Is thy master coming?

SERVANT. He lies tonight within seven leagues of Rome.

ANTONY. Post back with speed, and tell him what hath chanc’d. Here is a mourning Rome, a dangerous Rome, No Rome of safety for Octavius yet. Hie hence, and tell him so. Yet stay awhile; Thou shalt not back till I have borne this corse Into the market-place: there shall I try, In my oration, how the people take The cruel issue of these bloody men; According to the which thou shalt discourse To young Octavius of the state of things. Lend me your hand.

[Exeunt with Caesar’s body.]

Act III, Scene II — The same. The Forum

Enter Brutus and goes into the pulpit, and Cassius, with a throng of Citizens.

CITIZENS. We will be satisfied; let us be satisfied.

BRUTUS. Then follow me, and give me audience, friends. Cassius, go you into the other street And part the numbers. Those that will hear me speak, let ’em stay here; Those that will follow Cassius, go with him; And public reasons shall be rendered Of Caesar’s death.

FIRST CITIZEN. I will hear Brutus speak.

SECOND CITIZEN. I will hear Cassius; and compare their reasons, When severally we hear them rendered.

[Exit Cassius, with some of the Citizens. Brutus goes into the rostrum.]

THIRD CITIZEN. The noble Brutus is ascended: silence!

BRUTUS. Be patient till the last. Romans, countrymen, and lovers, hear me for my cause; and be silent, that you may hear. Believe me for mine honour, and have respect to mine honour, that you may believe. Censure me in your wisdom, and awake your senses, that you may the better judge. If there be any in this assembly, any dear friend of Caesar’s, to him I say that Brutus’ love to Caesar was no less than his. If then that friend demand why Brutus rose against Caesar, this is my answer: Not that I loved Caesar less, but that I loved Rome more. Had you rather Caesar were living, and die all slaves, than that Caesar were dead, to live all free men? As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him; but, as he was ambitious, I slew him. There is tears, for his love; joy for his fortune; honour for his valour; and death, for his ambition. Who is here so base, that would be a bondman? If any, speak; for him have I offended. Who is here so rude, that would not be a Roman? If any, speak; for him have I offended. Who is here so vile, that will not love his country? If any, speak; for him have I offended. I pause for a reply.

CITIZENS. None, Brutus, none.

BRUTUS. Then none have I offended. I have done no more to Caesar than you shall do to Brutus. The question of his death is enroll’d in the Capitol, his glory not extenuated, wherein he was worthy; nor his offences enforc’d, for which he suffered death.

Enter Antony and others, with Caesar’s body.

Here comes his body, mourned by Mark Antony, who, though he had no hand in his death, shall receive the benefit of his dying, a place in the commonwealth; as which of you shall not? With this I depart, that, as I slew my best lover for the good of Rome, I have the same dagger for myself, when it shall please my country to need my death.

CITIZENS. Live, Brutus! live, live!

FIRST CITIZEN. Bring him with triumph home unto his house.

SECOND CITIZEN. Give him a statue with his ancestors.

THIRD CITIZEN. Let him be Caesar.

FOURTH CITIZEN. Caesar’s better parts Shall be crown’d in Brutus.

FIRST CITIZEN. We’ll bring him to his house with shouts and clamours.

BRUTUS. My countrymen,—

SECOND CITIZEN. Peace! Silence! Brutus speaks.

FIRST CITIZEN. Peace, ho!

BRUTUS. Good countrymen, let me depart alone, And, for my sake, stay here with Antony. Do grace to Caesar’s corpse, and grace his speech Tending to Caesar’s glories, which Mark Antony, By our permission, is allow’d to make. I do entreat you, not a man depart, Save I alone, till Antony have spoke.

[Exit.]

FIRST CITIZEN. Stay, ho! and let us hear Mark Antony.

THIRD CITIZEN. Let him go up into the public chair. We’ll hear him. Noble Antony, go up.

ANTONY. For Brutus’ sake, I am beholding to you.

[Goes up.]

FOURTH CITIZEN. What does he say of Brutus?

THIRD CITIZEN. He says, for Brutus’ sake He finds himself beholding to us all.

FOURTH CITIZEN. ’Twere best he speak no harm of Brutus here!

FIRST CITIZEN. This Caesar was a tyrant.

THIRD CITIZEN. Nay, that’s certain. We are blest that Rome is rid of him.

SECOND CITIZEN. Peace! let us hear what Antony can say.

ANTONY. You gentle Romans,—

CITIZENS. Peace, ho! let us hear him.

ANTONY. Friends, Romans, countrymen, lend me your ears; I come to bury Caesar, not to praise him. The evil that men do lives after them, The good is oft interred with their bones; So let it be with Caesar. The noble Brutus Hath told you Caesar was ambitious. If it were so, it was a grievous fault, And grievously hath Caesar answer’d it. Here, under leave of Brutus and the rest, For Brutus is an honourable man, So are they all, all honourable men, Come I to speak in Caesar’s funeral. He was my friend, faithful and just to me; But Brutus says he was ambitious, And Brutus is an honourable man. He hath brought many captives home to Rome, Whose ransoms did the general coffers fill: Did this in Caesar seem ambitious? When that the poor have cried, Caesar hath wept; Ambition should be made of sterner stuff: Yet Brutus says he was ambitious; And Brutus is an honourable man. You all did see that on the Lupercal I thrice presented him a kingly crown, Which he did thrice refuse. Was this ambition? Yet Brutus says he was ambitious; And sure he is an honourable man. I speak not to disprove what Brutus spoke, But here I am to speak what I do know. You all did love him once, not without cause; What cause withholds you then to mourn for him? O judgement, thou art fled to brutish beasts, And men have lost their reason. Bear with me. My heart is in the coffin there with Caesar, And I must pause till it come back to me.

FIRST CITIZEN. Methinks there is much reason in his sayings.

SECOND CITIZEN. If thou consider rightly of the matter, Caesar has had great wrong.

THIRD CITIZEN. Has he, masters? I fear there will a worse come in his place.

FOURTH CITIZEN. Mark’d ye his words? He would not take the crown; Therefore ’tis certain he was not ambitious.

FIRST CITIZEN. If it be found so, some will dear abide it.

SECOND CITIZEN. Poor soul, his eyes are red as fire with weeping.

THIRD CITIZEN. There’s not a nobler man in Rome than Antony.

FOURTH CITIZEN. Now mark him; he begins again to speak.

ANTONY. But yesterday the word of Caesar might Have stood against the world; now lies he there, And none so poor to do him reverence. O masters! If I were dispos’d to stir Your hearts and minds to mutiny and rage, I should do Brutus wrong and Cassius wrong, Who, you all know, are honourable men. I will not do them wrong; I rather choose To wrong the dead, to wrong myself and you, Than I will wrong such honourable men. But here’s a parchment with the seal of Caesar, I found it in his closet; ’tis his will: Let but the commons hear this testament, Which, pardon me, I do not mean to read, And they would go and kiss dead Caesar’s wounds, And dip their napkins in his sacred blood; Yea, beg a hair of him for memory, And, dying, mention it within their wills, Bequeathing it as a rich legacy Unto their issue.

FOURTH CITIZEN. We’ll hear the will. Read it, Mark Antony.

CITIZENS. The will, the will! We will hear Caesar’s will.

ANTONY. Have patience, gentle friends, I must not read it. It is not meet you know how Caesar loved you. You are not wood, you are not stones, but men; And being men, hearing the will of Caesar, It will inflame you, it will make you mad. ’Tis good you know not that you are his heirs; For if you should, O, what would come of it?

FOURTH CITIZEN. Read the will! We’ll hear it, Antony; You shall read us the will, Caesar’s will!

ANTONY. Will you be patient? Will you stay awhile? I have o’ershot myself to tell you of it. I fear I wrong the honourable men Whose daggers have stabb’d Caesar; I do fear it.

FOURTH CITIZEN. They were traitors. Honourable men!

CITIZENS. The will! The testament!

SECOND CITIZEN. They were villains, murderers. The will! Read the will!

ANTONY. You will compel me then to read the will? Then make a ring about the corpse of Caesar, And let me show you him that made the will. Shall I descend? and will you give me leave?

CITIZENS. Come down.

SECOND CITIZEN. Descend.

[He comes down.]

THIRD CITIZEN. You shall have leave.

FOURTH CITIZEN. A ring! Stand round.

FIRST CITIZEN. Stand from the hearse, stand from the body.

SECOND CITIZEN. Room for Antony, most noble Antony!

ANTONY. Nay, press not so upon me; stand far off.

CITIZENS. Stand back; room! bear back.

ANTONY. If you have tears, prepare to shed them now. You all do know this mantle. I remember The first time ever Caesar put it on; ’Twas on a Summer’s evening, in his tent, That day he overcame the Nervii. Look, in this place ran Cassius’ dagger through: See what a rent the envious Casca made: Through this the well-beloved Brutus stabb’d; And as he pluck’d his cursed steel away, Mark how the blood of Caesar follow’d it, As rushing out of doors, to be resolv’d If Brutus so unkindly knock’d, or no; For Brutus, as you know, was Caesar’s angel. Judge, O you gods, how dearly Caesar lov’d him. This was the most unkindest cut of all; For when the noble Caesar saw him stab, Ingratitude, more strong than traitors’ arms, Quite vanquish’d him: then burst his mighty heart; And in his mantle muffling up his face, Even at the base of Pompey’s statue Which all the while ran blood, great Caesar fell. O, what a fall was there, my countrymen! Then I, and you, and all of us fell down, Whilst bloody treason flourish’d over us. O, now you weep; and I perceive you feel The dint of pity. These are gracious drops. Kind souls, what weep you when you but behold Our Caesar’s vesture wounded? Look you here, Here is himself, marr’d, as you see, with traitors.

FIRST CITIZEN. O piteous spectacle!

SECOND CITIZEN. O noble Caesar!

THIRD CITIZEN. O woeful day!

FOURTH CITIZEN. O traitors, villains!

FIRST CITIZEN. O most bloody sight!

SECOND CITIZEN. We will be revenged.

CITIZENS. Revenge,—about,—seek,—burn,—fire,—kill,—slay,—let not a traitor live!

ANTONY. Stay, countrymen.

FIRST CITIZEN. Peace there! Hear the noble Antony.

SECOND CITIZEN. We’ll hear him, we’ll follow him, we’ll die with him.

ANTONY. Good friends, sweet friends, let me not stir you up To such a sudden flood of mutiny. They that have done this deed are honourable. What private griefs they have, alas, I know not, That made them do it. They’re wise and honourable, And will, no doubt, with reasons answer you. I come not, friends, to steal away your hearts. I am no orator, as Brutus is; But, as you know me all, a plain blunt man, That love my friend; and that they know full well That gave me public leave to speak of him. For I have neither wit, nor words, nor worth, Action, nor utterance, nor the power of speech, To stir men’s blood. I only speak right on. I tell you that which you yourselves do know, Show you sweet Caesar’s wounds, poor poor dumb mouths, And bid them speak for me. But were I Brutus, And Brutus Antony, there were an Antony Would ruffle up your spirits, and put a tongue In every wound of Caesar, that should move The stones of Rome to rise and mutiny.

CITIZENS. We’ll mutiny.

FIRST CITIZEN. We’ll burn the house of Brutus.

THIRD CITIZEN. Away, then! come, seek the conspirators.

ANTONY. Yet hear me, countrymen; yet hear me speak.

CITIZENS. Peace, ho! Hear Antony; most noble Antony.

ANTONY. Why, friends, you go to do you know not what. Wherein hath Caesar thus deserved your loves? Alas, you know not; I must tell you then. You have forgot the will I told you of.

CITIZENS. Most true; the will!—let’s stay, and hear the will.

ANTONY. Here is the will, and under Caesar’s seal. To every Roman citizen he gives, To every several man, seventy-five drachmas.

SECOND CITIZEN. Most noble Caesar! We’ll revenge his death.

THIRD CITIZEN. O, royal Caesar!

ANTONY. Hear me with patience.

CITIZENS. Peace, ho!

ANTONY. Moreover, he hath left you all his walks, His private arbors, and new-planted orchards, On this side Tiber; he hath left them you, And to your heirs forever; common pleasures, To walk abroad, and recreate yourselves. Here was a Caesar! when comes such another?

FIRST CITIZEN. Never, never. Come, away, away! We’ll burn his body in the holy place, And with the brands fire the traitors’ houses. Take up the body.

SECOND CITIZEN. Go, fetch fire.

THIRD CITIZEN. Pluck down benches.

FOURTH CITIZEN. Pluck down forms, windows, anything.

[Exeunt Citizens, with the body.]

ANTONY. Now let it work. Mischief, thou art afoot, Take thou what course thou wilt!

Enter a Servant.

How now, fellow?

SERVANT. Sir, Octavius is already come to Rome.

ANTONY. Where is he?

SERVANT. He and Lepidus are at Caesar’s house.

ANTONY. And thither will I straight to visit him. He comes upon a wish. Fortune is merry, And in this mood will give us anything.

SERVANT. I heard him say Brutus and Cassius Are rid like madmen through the gates of Rome.

ANTONY. Belike they had some notice of the people, How I had moved them. Bring me to Octavius.

[Exeunt.]

Act III, Scene III — The same. A street

Enter Cinna, the poet, and after him the citizens.

CINNA. I dreamt tonight that I did feast with Caesar, And things unluckily charge my fantasy. I have no will to wander forth of doors, Yet something leads me forth.

FIRST CITIZEN. What is your name?

SECOND CITIZEN. Whither are you going?

THIRD CITIZEN. Where do you dwell?

FOURTH CITIZEN. Are you a married man or a bachelor?

SECOND CITIZEN. Answer every man directly.

FIRST CITIZEN. Ay, and briefly.

FOURTH CITIZEN. Ay, and wisely.

THIRD CITIZEN. Ay, and truly, you were best.

CINNA. What is my name? Whither am I going? Where do I dwell? Am I a married man or a bachelor? Then, to answer every man directly and briefly, wisely and truly. Wisely I say I am a bachelor.

SECOND CITIZEN. That’s as much as to say they are fools that marry; you’ll bear me a bang for that, I fear. Proceed, directly.

CINNA. Directly, I am going to Caesar’s funeral.

FIRST CITIZEN. As a friend, or an enemy?

CINNA. As a friend.

SECOND CITIZEN. That matter is answered directly.

FOURTH CITIZEN. For your dwelling, briefly.

CINNA. Briefly, I dwell by the Capitol.

THIRD CITIZEN. Your name, sir, truly.

CINNA. Truly, my name is Cinna.

FIRST CITIZEN. Tear him to pieces! He’s a conspirator.

CINNA. I am Cinna the poet, I am Cinna the poet.

FOURTH CITIZEN. Tear him for his bad verses, tear him for his bad verses.

CINNA. I am not Cinna the conspirator.

FOURTH CITIZEN. It is no matter, his name’s Cinna; pluck but his name out of his heart, and turn him going.

THIRD CITIZEN. Tear him, tear him! Come; brands, ho! firebrands. To Brutus’, to Cassius’; burn all. Some to Decius’ house, and some to Casca’s, some to Ligarius’. Away, go!

[Exeunt.]

Act IV, Scene I — Rome. A room in Antony’s house

Enter Antony, Octavius and Lepidus, seated at a table.

ANTONY. These many then shall die; their names are prick’d.

OCTAVIUS. Your brother too must die; consent you, Lepidus?

LEPIDUS. I do consent,—

OCTAVIUS. Prick him down, Antony.

LEPIDUS. Upon condition Publius shall not live, Who is your sister’s son, Mark Antony.

ANTONY. He shall not live; look, with a spot I damn him. But, Lepidus, go you to Caesar’s house; Fetch the will hither, and we shall determine How to cut off some charge in legacies.

LEPIDUS. What, shall I find you here?

OCTAVIUS. Or here, or at the Capitol.

[Exit Lepidus.]

ANTONY. This is a slight unmeritable man, Meet to be sent on errands. Is it fit, The three-fold world divided, he should stand One of the three to share it?

OCTAVIUS. So you thought him, And took his voice who should be prick’d to die In our black sentence and proscription.

ANTONY. Octavius, I have seen more days than you; And though we lay these honours on this man, To ease ourselves of divers sland’rous loads, He shall but bear them as the ass bears gold, To groan and sweat under the business, Either led or driven, as we point the way; And having brought our treasure where we will, Then take we down his load, and turn him off, Like to the empty ass, to shake his ears, And graze in commons.

OCTAVIUS. You may do your will; But he’s a tried and valiant soldier.

ANTONY. So is my horse, Octavius; and for that I do appoint him store of provender. It is a creature that I teach to fight, To wind, to stop, to run directly on, His corporal motion govern’d by my spirit. And, in some taste, is Lepidus but so: He must be taught, and train’d, and bid go forth: A barren-spirited fellow; one that feeds On objects, arts, and imitations, Which, out of use and stal’d by other men, Begin his fashion. Do not talk of him But as a property. And now, Octavius, Listen great things. Brutus and Cassius Are levying powers; we must straight make head. Therefore let our alliance be combin’d, Our best friends made, our means stretch’d; And let us presently go sit in council, How covert matters may be best disclos’d, And open perils surest answered.

OCTAVIUS. Let us do so: for we are at the stake, And bay’d about with many enemies; And some that smile have in their hearts, I fear, Millions of mischiefs.

[Exeunt.]

Act IV, Scene II — Before Brutus’ tent, in the camp near Sardis

Drum. Enter Brutus, Lucilius, Titinius and Soldiers; Pindarus meeting them; Lucius at some distance.

BRUTUS. Stand, ho!

LUCILIUS. Give the word, ho! and stand.

BRUTUS. What now, Lucilius! is Cassius near?

LUCILIUS. He is at hand, and Pindarus is come To do you salutation from his master.

[Pindarus gives a letter to Brutus.]

BRUTUS. He greets me well. Your master, Pindarus, In his own change, or by ill officers, Hath given me some worthy cause to wish Things done, undone: but, if he be at hand, I shall be satisfied.

PINDARUS. I do not doubt But that my noble master will appear Such as he is, full of regard and honour.

BRUTUS. He is not doubted. A word, Lucilius; How he received you, let me be resolv’d.

LUCILIUS. With courtesy and with respect enough, But not with such familiar instances, Nor with such free and friendly conference, As he hath us’d of old.

BRUTUS. Thou hast describ’d A hot friend cooling. Ever note, Lucilius, When love begins to sicken and decay It useth an enforced ceremony. There are no tricks in plain and simple faith; But hollow men, like horses hot at hand, Make gallant show and promise of their mettle;

[Low march within.]

But when they should endure the bloody spur, They fall their crests, and like deceitful jades Sink in the trial. Comes his army on?

LUCILIUS. They meant this night in Sardis to be quarter’d; The greater part, the horse in general, Are come with Cassius.

Enter Cassius and Soldiers.

BRUTUS. Hark! he is arriv’d. March gently on to meet him.

CASSIUS. Stand, ho!

BRUTUS. Stand, ho! Speak the word along.

FIRST SOLDIER. Stand!

SECOND SOLDIER. Stand!

THIRD SOLDIER. Stand!

CASSIUS. Most noble brother, you have done me wrong.

BRUTUS. Judge me, you gods; wrong I mine enemies? And if not so, how should I wrong a brother?

CASSIUS. Brutus, this sober form of yours hides wrongs; And when you do them—

BRUTUS. Cassius, be content. Speak your griefs softly, I do know you well. Before the eyes of both our armies here, Which should perceive nothing but love from us, Let us not wrangle. Bid them move away; Then in my tent, Cassius, enlarge your griefs, And I will give you audience.

CASSIUS. Pindarus, Bid our commanders lead their charges off A little from this ground.

BRUTUS. Lucilius, do you the like; and let no man Come to our tent till we have done our conference. Lucius and Titinius, guard our door.

[Exeunt.]

Act IV, Scene III — Within the tent of Brutus

Enter Brutus and Cassius.

CASSIUS. That you have wrong’d me doth appear in this: You have condemn’d and noted Lucius Pella For taking bribes here of the Sardians; Wherein my letters, praying on his side Because I knew the man, were slighted off.

BRUTUS. You wrong’d yourself to write in such a case.

CASSIUS. In such a time as this it is not meet That every nice offence should bear his comment.

BRUTUS. Let me tell you, Cassius, you yourself Are much condemn’d to have an itching palm, To sell and mart your offices for gold To undeservers.

CASSIUS. I an itching palm! You know that you are Brutus that speak this, Or, by the gods, this speech were else your last.

BRUTUS. The name of Cassius honours this corruption, And chastisement doth therefore hide his head.

CASSIUS. Chastisement!

BRUTUS. Remember March, the Ides of March remember: Did not great Julius bleed for justice’ sake? What villain touch’d his body, that did stab, And not for justice? What! Shall one of us, That struck the foremost man of all this world But for supporting robbers, shall we now Contaminate our fingers with base bribes, And sell the mighty space of our large honours For so much trash as may be grasped thus? I had rather be a dog, and bay the moon, Than such a Roman.

CASSIUS. Brutus, bait not me, I’ll not endure it. You forget yourself, To hedge me in. I am a soldier, I, Older in practice, abler than yourself To make conditions.

BRUTUS. Go to; you are not, Cassius.

CASSIUS. I am.

BRUTUS. I say you are not.

CASSIUS. Urge me no more, I shall forget myself; Have mind upon your health, tempt me no farther.

BRUTUS. Away, slight man!

CASSIUS. Is’t possible?

BRUTUS. Hear me, for I will speak. Must I give way and room to your rash choler? Shall I be frighted when a madman stares?

CASSIUS. O ye gods, ye gods! Must I endure all this?

BRUTUS. All this? ay, more: fret till your proud heart break; Go show your slaves how choleric you are, And make your bondmen tremble. Must I budge? Must I observe you? Must I stand and crouch Under your testy humour? By the gods, You shall digest the venom of your spleen, Though it do split you; for, from this day forth, I’ll use you for my mirth, yea, for my laughter, When you are waspish.

CASSIUS. Is it come to this?

BRUTUS. You say you are a better soldier: Let it appear so; make your vaunting true, And it shall please me well. For mine own part, I shall be glad to learn of noble men.

CASSIUS. You wrong me every way, you wrong me, Brutus. I said, an elder soldier, not a better: Did I say better?

BRUTUS. If you did, I care not.

CASSIUS. When Caesar liv’d, he durst not thus have mov’d me.

BRUTUS. Peace, peace! you durst not so have tempted him.

CASSIUS. I durst not?

BRUTUS. No.

CASSIUS. What? durst not tempt him?

BRUTUS. For your life you durst not.

CASSIUS. Do not presume too much upon my love. I may do that I shall be sorry for.

BRUTUS. You have done that you should be sorry for. There is no terror, Cassius, in your threats, For I am arm’d so strong in honesty, That they pass by me as the idle wind, Which I respect not. I did send to you For certain sums of gold, which you denied me; For I can raise no money by vile means: By Heaven, I had rather coin my heart, And drop my blood for drachmas, than to wring From the hard hands of peasants their vile trash By any indirection. I did send To you for gold to pay my legions, Which you denied me: was that done like Cassius? Should I have answer’d Caius Cassius so? When Marcus Brutus grows so covetous, To lock such rascal counters from his friends, Be ready, gods, with all your thunderbolts, Dash him to pieces!

CASSIUS. I denied you not.

BRUTUS. You did.

CASSIUS. I did not. He was but a fool That brought my answer back. Brutus hath riv’d my heart. A friend should bear his friend’s infirmities; But Brutus makes mine greater than they are.

BRUTUS. I do not, till you practise them on me.

CASSIUS. You love me not.

BRUTUS. I do not like your faults.

CASSIUS. A friendly eye could never see such faults.

BRUTUS. A flatterer’s would not, though they do appear As huge as high Olympus.

CASSIUS. Come, Antony, and young Octavius, come, Revenge yourselves alone on Cassius, For Cassius is a-weary of the world: Hated by one he loves; brav’d by his brother; Check’d like a bondman; all his faults observ’d, Set in a note-book, learn’d and conn’d by rote, To cast into my teeth. O, I could weep My spirit from mine eyes! There is my dagger, And here my naked breast; within, a heart Dearer than Plutus’ mine, richer than gold: If that thou be’st a Roman, take it forth. I, that denied thee gold, will give my heart: Strike as thou didst at Caesar; for I know, When thou didst hate him worst, thou lovedst him better Than ever thou lovedst Cassius.

BRUTUS. Sheathe your dagger. Be angry when you will, it shall have scope; Do what you will, dishonour shall be humour. O Cassius, you are yoked with a lamb That carries anger as the flint bears fire, Who, much enforced, shows a hasty spark, And straight is cold again.

CASSIUS. Hath Cassius liv’d To be but mirth and laughter to his Brutus, When grief and blood ill-temper’d vexeth him?

BRUTUS. When I spoke that, I was ill-temper’d too.

CASSIUS. Do you confess so much? Give me your hand.

BRUTUS. And my heart too.

CASSIUS. O Brutus!

BRUTUS. What’s the matter?

CASSIUS. Have not you love enough to bear with me, When that rash humour which my mother gave me Makes me forgetful?

BRUTUS. Yes, Cassius; and from henceforth, When you are over-earnest with your Brutus, He’ll think your mother chides, and leave you so.

Enter Poet, followed by Lucilius, Titinius and Lucius.

POET. [Within.] Let me go in to see the generals, There is some grudge between ’em; ’tis not meet They be alone.

LUCILIUS. [Within.] You shall not come to them.

POET. [Within.] Nothing but death shall stay me.

CASSIUS. How now! What’s the matter?

POET. For shame, you generals! What do you mean? Love, and be friends, as two such men should be; For I have seen more years, I’m sure, than ye.

CASSIUS. Ha, ha! How vilely doth this cynic rhyme!

BRUTUS. Get you hence, sirrah. Saucy fellow, hence!

CASSIUS. Bear with him, Brutus; ’tis his fashion.

BRUTUS. I’ll know his humour when he knows his time. What should the wars do with these jigging fools? Companion, hence!

CASSIUS. Away, away, be gone!

[Exit Poet.]

BRUTUS. Lucilius and Titinius, bid the commanders Prepare to lodge their companies tonight.

CASSIUS. And come yourselves and bring Messala with you Immediately to us.

[Exeunt Lucilius and Titinius.]

BRUTUS. Lucius, a bowl of wine.

[Exit Lucius.]

CASSIUS. I did not think you could have been so angry.

BRUTUS. O Cassius, I am sick of many griefs.

CASSIUS. Of your philosophy you make no use, If you give place to accidental evils.

BRUTUS. No man bears sorrow better. Portia is dead.

CASSIUS. Ha? Portia?

BRUTUS. She is dead.

CASSIUS. How ’scap’d I killing, when I cross’d you so? O insupportable and touching loss! Upon what sickness?

BRUTUS. Impatient of my absence, And grief that young Octavius with Mark Antony Have made themselves so strong; for with her death That tidings came. With this she fell distract, And, her attendants absent, swallow’d fire.

CASSIUS. And died so?

BRUTUS. Even so.

CASSIUS. O ye immortal gods!

Enter Lucius, with wine and a taper.

BRUTUS. Speak no more of her. Give me a bowl of wine. In this I bury all unkindness, Cassius.

[Drinks.]

CASSIUS. My heart is thirsty for that noble pledge. Fill, Lucius, till the wine o’erswell the cup. I cannot drink too much of Brutus’ love.

[Drinks.]

[Exit Lucius.]

Enter Titinius and Messala.

BRUTUS. Come in, Titinius! Welcome, good Messala. Now sit we close about this taper here, And call in question our necessities.

CASSIUS. Portia, art thou gone?

BRUTUS. No more, I pray you. Messala, I have here received letters, That young Octavius and Mark Antony Come down upon us with a mighty power, Bending their expedition toward Philippi.

MESSALA. Myself have letters of the selfsame tenor.

BRUTUS. With what addition?

MESSALA. That by proscription and bills of outlawry Octavius, Antony, and Lepidus Have put to death an hundred Senators.

BRUTUS. Therein our letters do not well agree. Mine speak of seventy Senators that died By their proscriptions, Cicero being one.

CASSIUS. Cicero one!

MESSALA. Cicero is dead, And by that order of proscription. Had you your letters from your wife, my lord?

BRUTUS. No, Messala.

MESSALA. Nor nothing in your letters writ of her?

BRUTUS. Nothing, Messala.

MESSALA. That, methinks, is strange.

BRUTUS. Why ask you? Hear you aught of her in yours?

MESSALA. No, my lord.

BRUTUS. Now as you are a Roman, tell me true.

MESSALA. Then like a Roman bear the truth I tell, For certain she is dead, and by strange manner.

BRUTUS. Why, farewell, Portia. We must die, Messala. With meditating that she must die once, I have the patience to endure it now.

MESSALA. Even so great men great losses should endure.

CASSIUS. I have as much of this in art as you, But yet my nature could not bear it so.

BRUTUS. Well, to our work alive. What do you think Of marching to Philippi presently?

CASSIUS. I do not think it good.

BRUTUS. Your reason?

CASSIUS. This it is: ’Tis better that the enemy seek us; So shall he waste his means, weary his soldiers, Doing himself offence, whilst we, lying still, Are full of rest, defence, and nimbleness.

BRUTUS. Good reasons must of force give place to better. The people ’twixt Philippi and this ground Do stand but in a forced affection; For they have grudg’d us contribution. The enemy, marching along by them, By them shall make a fuller number up, Come on refresh’d, new-added, and encourag’d; From which advantage shall we cut him off If at Philippi we do face him there, These people at our back.

CASSIUS. Hear me, good brother.

BRUTUS. Under your pardon. You must note besides, That we have tried the utmost of our friends, Our legions are brim-full, our cause is ripe. The enemy increaseth every day; We, at the height, are ready to decline. There is a tide in the affairs of men, Which, taken at the flood, leads on to fortune; Omitted, all the voyage of their life Is bound in shallows and in miseries. On such a full sea are we now afloat, And we must take the current when it serves, Or lose our ventures.

CASSIUS. Then, with your will, go on: We’ll along ourselves, and meet them at Philippi.

BRUTUS. The deep of night is crept upon our talk, And nature must obey necessity, Which we will niggard with a little rest. There is no more to say?

CASSIUS. No more. Good night: Early tomorrow will we rise, and hence.

Enter Lucius.

BRUTUS. Lucius! My gown.

[Exit Lucius.]

Farewell now, good Messala. Good night, Titinius. Noble, noble Cassius, Good night, and good repose.

CASSIUS. O my dear brother! This was an ill beginning of the night. Never come such division ’tween our souls! Let it not, Brutus.

Enter Lucius with the gown.

BRUTUS. Everything is well.

CASSIUS. Good night, my lord.

BRUTUS. Good night, good brother.

TITINIUS and MESSALA. Good night, Lord Brutus.

BRUTUS. Farewell, everyone.

[Exeunt Cassius, Titinius and Messala.]

Give me the gown. Where is thy instrument?

LUCIUS. Here in the tent.

BRUTUS. What, thou speak’st drowsily? Poor knave, I blame thee not, thou art o’er-watch’d. Call Claudius and some other of my men; I’ll have them sleep on cushions in my tent.

LUCIUS. Varro and Claudius!

Enter Varro and Claudius.

VARRO. Calls my lord?

BRUTUS. I pray you, sirs, lie in my tent and sleep; It may be I shall raise you by-and-by On business to my brother Cassius.

VARRO. So please you, we will stand and watch your pleasure.

BRUTUS. I will not have it so; lie down, good sirs, It may be I shall otherwise bethink me. Look, Lucius, here’s the book I sought for so; I put it in the pocket of my gown.

[Servants lie down.]

LUCIUS. I was sure your lordship did not give it me.

BRUTUS. Bear with me, good boy, I am much forgetful. Canst thou hold up thy heavy eyes awhile, And touch thy instrument a strain or two?

LUCIUS. Ay, my lord, an’t please you.

BRUTUS. It does, my boy. I trouble thee too much, but thou art willing.

LUCIUS. It is my duty, sir.

BRUTUS. I should not urge thy duty past thy might; I know young bloods look for a time of rest.

LUCIUS. I have slept, my lord, already.

BRUTUS. It was well done, and thou shalt sleep again; I will not hold thee long. If I do live, I will be good to thee.

[Lucius plays and sings till he falls asleep.]

This is a sleepy tune. O murd’rous slumber, Layest thou thy leaden mace upon my boy, That plays thee music? Gentle knave, good night; I will not do thee so much wrong to wake thee. If thou dost nod, thou break’st thy instrument; I’ll take it from thee; and, good boy, good night. Let me see, let me see; is not the leaf turn’d down Where I left reading? Here it is, I think.

Enter the Ghost of Caesar.

How ill this taper burns! Ha! who comes here? I think it is the weakness of mine eyes That shapes this monstrous apparition. It comes upon me. Art thou anything? Art thou some god, some angel, or some devil, That mak’st my blood cold and my hair to stare? Speak to me what thou art.

GHOST. Thy evil spirit, Brutus.

BRUTUS. Why com’st thou?

GHOST. To tell thee thou shalt see me at Philippi.

BRUTUS. Well; then I shall see thee again?

GHOST. Ay, at Philippi.

BRUTUS. Why, I will see thee at Philippi then.

[Ghost vanishes.]

Now I have taken heart, thou vanishest. Ill spirit, I would hold more talk with thee. Boy! Lucius! Varro! Claudius! Sirs, awake! Claudius!

LUCIUS. The strings, my lord, are false.

BRUTUS. He thinks he still is at his instrument. Lucius, awake!

LUCIUS. My lord?

BRUTUS. Didst thou dream, Lucius, that thou so criedst out?

LUCIUS. My lord, I do not know that I did cry.

BRUTUS. Yes, that thou didst. Didst thou see anything?

LUCIUS. Nothing, my lord.

BRUTUS. Sleep again, Lucius. Sirrah Claudius! Fellow thou, awake!

VARRO. My lord?

CLAUDIUS. My lord?

BRUTUS. Why did you so cry out, sirs, in your sleep?

VARRO. CLAUDIUS. Did we, my lord?

BRUTUS. Ay. Saw you anything?

VARRO. No, my lord, I saw nothing.

CLAUDIUS. Nor I, my lord.

BRUTUS. Go and commend me to my brother Cassius; Bid him set on his powers betimes before, And we will follow.

VARRO. CLAUDIUS. It shall be done, my lord.

[Exeunt.]

Act V, Scene I — The plains of Philippi

Enter Octavius, Antony and their Army.

OCTAVIUS. Now, Antony, our hopes are answered. You said the enemy would not come down, But keep the hills and upper regions. It proves not so; their battles are at hand, They mean to warn us at Philippi here, Answering before we do demand of them.

ANTONY. Tut, I am in their bosoms, and I know Wherefore they do it. They could be content To visit other places, and come down With fearful bravery, thinking by this face To fasten in our thoughts that they have courage; But ’tis not so.

Enter a Messenger.

MESSENGER. Prepare you, generals. The enemy comes on in gallant show; Their bloody sign of battle is hung out, And something to be done immediately.

ANTONY. Octavius, lead your battle softly on Upon the left hand of the even field.

OCTAVIUS. Upon the right hand I. Keep thou the left.

ANTONY. Why do you cross me in this exigent?

OCTAVIUS. I do not cross you; but I will do so.

[March.]

Drum. Enter Brutus, Cassius and their Army; Lucilius, Titinius, Messala and others.

BRUTUS. They stand, and would have parley.

CASSIUS. Stand fast, Titinius; we must out and talk.

OCTAVIUS. Mark Antony, shall we give sign of battle?

ANTONY. No, Caesar, we will answer on their charge. Make forth; the generals would have some words.

OCTAVIUS. Stir not until the signal.

BRUTUS. Words before blows: is it so, countrymen?

OCTAVIUS. Not that we love words better, as you do.

BRUTUS. Good words are better than bad strokes, Octavius.

ANTONY. In your bad strokes, Brutus, you give good words; Witness the hole you made in Caesar’s heart, Crying, “Long live! Hail, Caesar!”

CASSIUS. Antony, The posture of your blows are yet unknown; But for your words, they rob the Hybla bees, And leave them honeyless.

ANTONY. Not stingless too.

BRUTUS. O yes, and soundless too, For you have stol’n their buzzing, Antony, And very wisely threat before you sting.

ANTONY. Villains, you did not so when your vile daggers Hack’d one another in the sides of Caesar: You show’d your teeth like apes, and fawn’d like hounds, And bow’d like bondmen, kissing Caesar’s feet; Whilst damned Casca, like a cur, behind Struck Caesar on the neck. O you flatterers!

CASSIUS. Flatterers! Now, Brutus, thank yourself. This tongue had not offended so today, If Cassius might have rul’d.

OCTAVIUS. Come, come, the cause. If arguing makes us sweat, The proof of it will turn to redder drops. Look, I draw a sword against conspirators. When think you that the sword goes up again? Never, till Caesar’s three and thirty wounds Be well aveng’d; or till another Caesar Have added slaughter to the sword of traitors.

BRUTUS. Caesar, thou canst not die by traitors’ hands, Unless thou bring’st them with thee.

OCTAVIUS. So I hope. I was not born to die on Brutus’ sword.

BRUTUS. O, if thou wert the noblest of thy strain, Young man, thou couldst not die more honourable.

CASSIUS. A peevish school-boy, worthless of such honour, Join’d with a masker and a reveller.

ANTONY. Old Cassius still!

OCTAVIUS. Come, Antony; away! Defiance, traitors, hurl we in your teeth. If you dare fight today, come to the field; If not, when you have stomachs.

[Exeunt Octavius, Antony and their Army.]

CASSIUS. Why now, blow wind, swell billow, and swim bark! The storm is up, and all is on the hazard.

BRUTUS. Ho, Lucilius! Hark, a word with you.

LUCILIUS. My lord?

[Brutus and Lucilius talk apart.]

CASSIUS. Messala.

MESSALA. What says my General?

CASSIUS. Messala, This is my birth-day; as this very day Was Cassius born. Give me thy hand, Messala: Be thou my witness that against my will As Pompey was, am I compell’d to set Upon one battle all our liberties. You know that I held Epicurus strong, And his opinion. Now I change my mind, And partly credit things that do presage. Coming from Sardis, on our former ensign Two mighty eagles fell, and there they perch’d, Gorging and feeding from our soldiers’ hands, Who to Philippi here consorted us. This morning are they fled away and gone, And in their steads do ravens, crows, and kites Fly o’er our heads, and downward look on us, As we were sickly prey: their shadows seem A canopy most fatal, under which Our army lies, ready to give up the ghost.

MESSALA. Believe not so.

CASSIUS. I but believe it partly, For I am fresh of spirit, and resolv’d To meet all perils very constantly.

BRUTUS. Even so, Lucilius.

CASSIUS. Now, most noble Brutus, The gods today stand friendly, that we may, Lovers in peace, lead on our days to age! But, since the affairs of men rest still incertain, Let’s reason with the worst that may befall. If we do lose this battle, then is this The very last time we shall speak together: What are you then determined to do?

BRUTUS. Even by the rule of that philosophy By which I did blame Cato for the death Which he did give himself, I know not how, But I do find it cowardly and vile, For fear of what might fall, so to prevent The time of life, arming myself with patience To stay the providence of some high powers That govern us below.

CASSIUS. Then, if we lose this battle, You are contented to be led in triumph Thorough the streets of Rome?

BRUTUS. No, Cassius, no: think not, thou noble Roman, That ever Brutus will go bound to Rome; He bears too great a mind. But this same day Must end that work the Ides of March begun; And whether we shall meet again I know not. Therefore our everlasting farewell take. For ever, and for ever, farewell, Cassius. If we do meet again, why, we shall smile; If not, why then this parting was well made.

CASSIUS. For ever and for ever farewell, Brutus. If we do meet again, we’ll smile indeed; If not, ’tis true this parting was well made.

BRUTUS. Why then, lead on. O, that a man might know The end of this day’s business ere it come! But it sufficeth that the day will end, And then the end is known. Come, ho! away!

[Exeunt.]

Act V, Scene II — The same. The field of battle

Alarum. Enter Brutus and Messala.

BRUTUS. Ride, ride, Messala, ride, and give these bills Unto the legions on the other side.

[Loud alarum.]

Let them set on at once; for I perceive But cold demeanor in Octavius’ wing, And sudden push gives them the overthrow. Ride, ride, Messala; let them all come down.

[Exeunt.]

Act V, Scene III — Another part of the field

Alarum. Enter Cassius and Titinius.

CASSIUS. O, look, Titinius, look, the villains fly! Myself have to mine own turn’d enemy: This ensign here of mine was turning back; I slew the coward, and did take it from him.

TITINIUS. O Cassius, Brutus gave the word too early, Who, having some advantage on Octavius, Took it too eagerly: his soldiers fell to spoil, Whilst we by Antony are all enclos’d.

Enter Pindarus.

PINDARUS. Fly further off, my lord, fly further off; Mark Antony is in your tents, my lord. Fly, therefore, noble Cassius, fly far off.

CASSIUS. This hill is far enough. Look, look, Titinius; Are those my tents where I perceive the fire?

TITINIUS. They are, my lord.

CASSIUS. Titinius, if thou lovest me, Mount thou my horse and hide thy spurs in him, Till he have brought thee up to yonder troops And here again, that I may rest assur’d Whether yond troops are friend or enemy.

TITINIUS. I will be here again, even with a thought.

[Exit.]

CASSIUS. Go, Pindarus, get higher on that hill, My sight was ever thick. Regard Titinius, And tell me what thou notest about the field.

[Pindarus goes up.]

This day I breathed first. Time is come round, And where I did begin, there shall I end. My life is run his compass. Sirrah, what news?

PINDARUS. [Above.] O my lord!

CASSIUS. What news?

PINDARUS. [Above.] Titinius is enclosed round about With horsemen, that make to him on the spur, Yet he spurs on. Now they are almost on him. Now, Titinius! Now some light. O, he lights too. He’s ta’en!

[Shout.]

And, hark! they shout for joy.

CASSIUS. Come down; behold no more. O, coward that I am, to live so long, To see my best friend ta’en before my face!

[Pindarus descends.]

Come hither, sirrah. In Parthia did I take thee prisoner; And then I swore thee, saving of thy life, That whatsoever I did bid thee do, Thou shouldst attempt it. Come now, keep thine oath. Now be a freeman; and with this good sword, That ran through Caesar’s bowels, search this bosom. Stand not to answer. Here, take thou the hilts; And when my face is cover’d, as ’tis now, Guide thou the sword.—Caesar, thou art reveng’d, Even with the sword that kill’d thee.

[Dies.]

PINDARUS. So, I am free, yet would not so have been, Durst I have done my will. O Cassius! Far from this country Pindarus shall run, Where never Roman shall take note of him.

[Exit.]

Enter Titinius with Messala.

MESSALA. It is but change, Titinius; for Octavius Is overthrown by noble Brutus’ power, As Cassius’ legions are by Antony.

TITINIUS. These tidings would well comfort Cassius.

MESSALA. Where did you leave him?

TITINIUS. All disconsolate, With Pindarus his bondman, on this hill.

MESSALA. Is not that he that lies upon the ground?

TITINIUS. He lies not like the living. O my heart!

MESSALA. Is not that he?

TITINIUS. No, this was he, Messala, But Cassius is no more. O setting sun, As in thy red rays thou dost sink to night, So in his red blood Cassius’ day is set. The sun of Rome is set. Our day is gone; Clouds, dews, and dangers come; our deeds are done. Mistrust of my success hath done this deed.

MESSALA. Mistrust of good success hath done this deed. O hateful Error, Melancholy’s child! Why dost thou show to the apt thoughts of men The things that are not? O Error, soon conceiv’d, Thou never com’st unto a happy birth, But kill’st the mother that engender’d thee!

TITINIUS. What, Pindarus! where art thou, Pindarus?

MESSALA. Seek him, Titinius, whilst I go to meet The noble Brutus, thrusting this report Into his ears. I may say thrusting it; For piercing steel and darts envenomed Shall be as welcome to the ears of Brutus As tidings of this sight.

TITINIUS. Hie you, Messala, And I will seek for Pindarus the while.

[Exit Messala.]

Why didst thou send me forth, brave Cassius? Did I not meet thy friends? And did not they Put on my brows this wreath of victory, And bid me give it thee? Didst thou not hear their shouts? Alas, thou hast misconstrued everything! But, hold thee, take this garland on thy brow; Thy Brutus bid me give it thee, and I Will do his bidding. Brutus, come apace, And see how I regarded Caius Cassius. By your leave, gods. This is a Roman’s part. Come, Cassius’ sword, and find Titinius’ heart.

[Dies.]

Alarum. Enter Brutus, Messala, young Cato, Strato, Volumnius and Lucilius.

BRUTUS. Where, where, Messala, doth his body lie?

MESSALA. Lo, yonder, and Titinius mourning it.

BRUTUS. Titinius’ face is upward.

CATO. He is slain.

BRUTUS. O Julius Caesar, thou art mighty yet! Thy spirit walks abroad, and turns our swords In our own proper entrails.

[Low alarums.]

CATO. Brave Titinius! Look whether he have not crown’d dead Cassius!

BRUTUS. Are yet two Romans living such as these? The last of all the Romans, fare thee well! It is impossible that ever Rome Should breed thy fellow. Friends, I owe more tears To this dead man than you shall see me pay. I shall find time, Cassius, I shall find time. Come therefore, and to Thassos send his body. His funerals shall not be in our camp, Lest it discomfort us. Lucilius, come; And come, young Cato; let us to the field. Labeo and Flavius, set our battles on. ’Tis three o’clock; and Romans, yet ere night We shall try fortune in a second fight.

[Exeunt.]

Act V, Scene IV — Another part of the field

Alarum. Enter fighting soldiers of both armies; then Brutus, Messala, young Cato, Lucilius, Flavius and others.

BRUTUS. Yet, countrymen, O, yet hold up your heads!

CATO. What bastard doth not? Who will go with me? I will proclaim my name about the field. I am the son of Marcus Cato, ho! A foe to tyrants, and my country’s friend. I am the son of Marcus Cato, ho!

[Charges the enemy.]

LUCILIUS. And I am Brutus, Marcus Brutus, I; Brutus, my country’s friend; know me for Brutus!

[Exit, charging the enemy. Cato is overpowered, and falls.]

LUCILIUS. O young and noble Cato, art thou down? Why, now thou diest as bravely as Titinius, And mayst be honour’d, being Cato’s son.

FIRST SOLDIER. Yield, or thou diest.

LUCILIUS. Only I yield to die: There is so much that thou wilt kill me straight;

[Offering money]

Kill Brutus, and be honour’d in his death.

FIRST SOLDIER. We must not. A noble prisoner!

SECOND SOLDIER. Room, ho! Tell Antony, Brutus is ta’en.

FIRST SOLDIER. I’ll tell the news. Here comes the General.

Enter Antony.

Brutus is ta’en, Brutus is ta’en, my lord.

ANTONY. Where is he?

LUCILIUS. Safe, Antony; Brutus is safe enough. I dare assure thee that no enemy Shall ever take alive the noble Brutus. The gods defend him from so great a shame! When you do find him, or alive or dead, He will be found like Brutus, like himself.

ANTONY. This is not Brutus, friend; but, I assure you, A prize no less in worth. Keep this man safe, Give him all kindness. I had rather have Such men my friends than enemies. Go on, And see whether Brutus be alive or dead; And bring us word unto Octavius’ tent How everything is chanc’d.

[Exeunt.]

Act V, Scene V — Another part of the field

Enter Brutus, Dardanius, Clitus, Strato and Volumnius.

BRUTUS. Come, poor remains of friends, rest on this rock.

CLITUS. Statilius show’d the torch-light; but, my lord, He came not back: he is or ta’en or slain.

BRUTUS. Sit thee down, Clitus. Slaying is the word; It is a deed in fashion. Hark thee, Clitus.

[Whispering.]

CLITUS. What, I, my lord? No, not for all the world.

BRUTUS. Peace then, no words.

CLITUS. I’ll rather kill myself.

BRUTUS. Hark thee, Dardanius.

[Whispers him.]

DARDANIUS. Shall I do such a deed?

CLITUS. O Dardanius!

DARDANIUS. O Clitus!

CLITUS. What ill request did Brutus make to thee?

DARDANIUS. To kill him, Clitus. Look, he meditates.

CLITUS. Now is that noble vessel full of grief, That it runs over even at his eyes.

BRUTUS. Come hither, good Volumnius; list a word.

VOLUMNIUS. What says my lord?

BRUTUS. Why, this, Volumnius: The ghost of Caesar hath appear’d to me Two several times by night; at Sardis once, And this last night here in Philippi fields. I know my hour is come.

VOLUMNIUS. Not so, my lord.

BRUTUS. Nay I am sure it is, Volumnius. Thou seest the world, Volumnius, how it goes; Our enemies have beat us to the pit.

[Low alarums.]

It is more worthy to leap in ourselves Than tarry till they push us. Good Volumnius, Thou know’st that we two went to school together; Even for that our love of old, I pr’ythee Hold thou my sword-hilts, whilst I run on it.

VOLUMNIUS. That’s not an office for a friend, my lord.

[Alarums still.]

CLITUS. Fly, fly, my lord! there is no tarrying here.

BRUTUS. Farewell to you; and you; and you, Volumnius. Strato, thou hast been all this while asleep; Farewell to thee too, Strato.—Countrymen, My heart doth joy, that yet in all my life I found no man but he was true to me. I shall have glory by this losing day More than Octavius and Mark Antony By this vile conquest shall attain unto. So fare you well at once; for Brutus’ tongue Hath almost ended his life’s history. Night hangs upon mine eyes; my bones would rest, That have but labour’d to attain this hour.

[Alarums. Cry within, “Fly, fly, fly!”.]

CLITUS. Fly, my lord, fly!

BRUTUS. Hence! I will follow.

[Exeunt Clitus, Dardanius and Volumnius.]

I pr’ythee, Strato, stay thou by thy lord. Thou art a fellow of a good respect; Thy life hath had some smatch of honour in it. Hold then my sword, and turn away thy face, While I do run upon it. Wilt thou, Strato?

STRATO. Give me your hand first. Fare you well, my lord.

BRUTUS. Farewell, good Strato.—Caesar, now be still: I kill’d not thee with half so good a will.

[He runs on his sword, and dies.]

Alarum. Retreat. Enter Antony, Octavius, Messala, Lucilius and the Army.

OCTAVIUS. What man is that?

MESSALA. My master’s man. Strato, where is thy master?

STRATO. Free from the bondage you are in, Messala. The conquerors can but make a fire of him; For Brutus only overcame himself, And no man else hath honour by his death.

LUCILIUS. So Brutus should be found. I thank thee, Brutus, That thou hast prov’d Lucilius’ saying true.

OCTAVIUS. All that serv’d Brutus, I will entertain them. Fellow, wilt thou bestow thy time with me?

STRATO. Ay, if Messala will prefer me to you.

OCTAVIUS. Do so, good Messala.

MESSALA. How died my master, Strato?

STRATO. I held the sword, and he did run on it.

MESSALA. Octavius, then take him to follow thee, That did the latest service to my master.

ANTONY. This was the noblest Roman of them all. All the conspirators save only he, Did that they did in envy of great Caesar; He only, in a general honest thought And common good to all, made one of them. His life was gentle, and the elements So mix’d in him that Nature might stand up And say to all the world, “This was a man!”

OCTAVIUS. According to his virtue let us use him With all respect and rites of burial. Within my tent his bones tonight shall lie, Most like a soldier, order’d honourably. So call the field to rest, and let’s away, To part the glories of this happy day.

[Exeunt.]

THE TRAGEDY OF KING LEAR

Dramatis Personæ

LEAR, King of Britain. GONERIL, eldest daughter to Lear. REGAN, second daughter to Lear. CORDELIA, youngest daughter to Lear. DUKE of ALBANY, married to Goneril. DUKE of CORNWALL, married to Regan. KING of FRANCE. DUKE of BURGUNDY. EARL of GLOUCESTER. EDGAR, elder son to Gloucester. EDMUND, younger bastard son to Gloucester. EARL of KENT. FOOL. OSWALD, steward to Goneril. CURAN, a Courtier. OLD MAN, Tenant to Gloucester. Physician. An Officer employed by Edmund. Gentleman, attendant on Cordelia. A Herald. Servants to Cornwall.

Knights attending on the King, Officers, Messengers, Soldiers and Attendants.

SCENE: Britain