Preface

Motion Pictures, 1912-1939, is a cumulative catalog listing works registered in the Copyright Office in Classes L and M between August 24, 1912, and December 31, 1939. Prior to that period motion pictures were registered in the category of photographs. These earlier works have not been included in this catalog because of the difficulty of identifying the motion pictures so registered.

The information given in each entry for the motion pictures in this catalog has been obtained from the record books of the Copyright Office, the original application for the registration of the copyright claim, and descriptive material deposited with the application and film in the Copyright Office at the time of registration. In addition, when these sources indicated that a particular motion picture was based on a published book or story or on a previously existing dramatic work, the name of the author and the title of such work have been verified, when possible, by reference to the records of the Copyright Office and the Official Catalog of the Library of Congress. Information from other reference tools was supplied in the entry only in the case of missing numbers and titles of parts of a serial, and in the few cases when that occurred the number or title is given in brackets. The descriptive material mentioned above is not available for all films. The film itself could not be examined because, in the case of published motion pictures, it was the policy to return the film to the claimant as soon as registration was completed, and in the case of unpublished motion pictures only representative prints taken from the film were deposited.

Each entry contains information which 1) is descriptive of the film, and 2) identifies the copyright claimant and the author of the motion picture as given in the application, the date on which the term of copyright began, and the copyright registration number. The descriptive portion of the entries varies considerably in fullness, depending on the completeness of the information contained in the sources used.

In the case of each entry the name of the copyright claimant is that given at the time of registration. Any information relating to renewal copyrights or to subsequent changes of ownership recorded in the Copyright Office can be ascertained upon request and upon payment of the statutory search fee to the Register of Copyrights. In addition, information relating to renewal copyrights can be secured by referring to the Catalog of Copyright Entries covering the period in which the renewal registration was made.

In the case of unpublished works the entry contains the date of the deposit of the title, description, and prints. For published works the entry contains the date of publication, rather than the date of the deposit of the copies (or copy, as the case may be). Deposit of the published copies has, however, been made as shown by the records in the Copyright Office.

This catalog is a part of the Catalog of Copyright Entries: Cumulative Series. The publication of these catalogs is authorized by sections 210 and 211 of Title 17 of the United States Code. Section 210 provides in part: "The current catalog of copyright entries and the index volumes herein provided for shall be admitted in any court as prima facie evidence of the facts stated therein as regards any copyright registration."

The purpose of these catalogs is three-fold: 1) to meet the administrative needs of the Copyright Office; 2) to provide the legal profession, publishers, authors, and others interested in copyright easily consulted, compact index volumes listing the registrations in the several classes of works; and 3) to produce reference tools useful to libraries, to industry, and to research personnel by making available in printed form bibliographical information on record in the Copyright Office, much of which is not available elsewhere.

Of the same nature as the present Catalog of Copyright Entries: Cumulative Series, but issued before the series was established, is the two-volume work, Dramatic Compositions Copyrighted in the United States, 1870-1916. Supplemental volumes to this earlier work and to the present work are under consideration, as well as cumulative volumes for other classes of material.

Catalog entries for motion pictures registered subsequent to 1939 and for copyright renewals which have been or are presently being registered are available in the issues of the Catalog of Copyright Entries, covering the particular period of registration. A description (including price and instructions for ordering) of each part of the present Third Series, published semiannually, and of other publications of the Copyright Office, will be found in a list at the back of this volume.

The Copyright Office welcomes inquiries, suggestions, and comments on the content and organization of any of its catalogs. Please address communications of this nature to the Chief of the Cataloging Division, Copyright Office, Library of Congress, Washington 25, D. C.

August 24, 1912—December 31, 1939 Class L, Motion-picture photoplays 35,301 Class M, Motion pictures other than photoplays 15,811 —————— Total 51,112

Class M contains many animated cartoons and newsreels as well as nontheatrical films. The letter P or U has been added to the class symbol preceding the registration number for each entry to indicate whether the respective film was registered as a published or as an unpublished work.

How To Use This Catalog

This catalog consists of three parts: Motion Pictures, 1912-1939, which is a list of main entries under title; an Index of names; and a Series List. Each part is arranged alphabetically.

Motion Pictures, 1912-1939

The elements which constitute each entry in this section are given below in the order in which they appear. The name of the claimant, copyright date, and registration number are always given; other information varies in completeness depending upon its applicability to the film being described and the amount of the data available.

1. Title. Main title, followed, as applicable, by subtitle, translated title, alternate title, and series title. Cross-references are made for alternate and translated titles. Series titles are given in the Series List. In those instances when the name of a performer precedes the title of the film, the name has been dropped unless it is an essential part of the title. For example: Sarah Bernhardt in Queen Elizabeth. The entry in this catalog is given under the title Queen Elizabeth, with a cross-reference from the title above. An entry under the performer's name in inverted form appears in the Index. Similar index entries are made when the performer's name is an essential part of the title of the film; for example: Giovanni Martinelli Singing Celeste Aida by Giuseppe Verdi.

2. Production statement. The name of the producing company is given if it differs from that of the claimant (see 8 below). The name of a foreign producing company is followed by the city or country in which the company is located. Trade names such as Imp, Rex, First National, etc., are given in brief form. The names of companies or persons responsible for release or distribution follow next.

3. Date. The year date appearing in the copyright date (see 9 below) is given here. It is preceded by the copyright symbol © when it applies to an unpublished motion picture. For serials, inclusive dates are given.

4. Sponsor. Following the date is the name of the organization (other than the producing company) which is responsible for the production of the motion picture or which cooperates with the producing company in the making of the picture.

5. Physical description. A full physical description contains information relating to 1) the length of the film, given in running time, footage, or number of reels; 2) color or black and white versions; 3) sound or silent versions; 4) width of the film. Few of the entries in this catalog contain full physical descriptions, because the records of the Copyright Office were incomplete on these points. Filmstrips are distinguished by the use of the term frames, preceded by a numeral indicating the number of frames.

6. Notes. Certain information which helps describe the motion picture more completely is given in the form of notes:

a. Information is supplied relating to the novel, drama, or other work upon which a picture is based. Included are the title and author of such work when known. The name of the author is given as it appears in the Copyright Office records, followed by the established form of the author's real name, enclosed in brackets, when a pseudonym has been used.

b. When a single motion picture is made up of a number of separately titled parts, these titles are listed.

c. The title under which a picture was previously released either in the United States or abroad is given.

d. When two separate pictures are included on a single reel, and only one is registered, the title of the other is given, if known, after the phrase, "On same reel with."

7. Credits. The name of each person associated with the production of the picture is given, preceded in each case by a term indicating the nature of his contribution; i.e., producer, supervisor, director, writer, music composer, etc. For some of the earlier pictures the nature of the contribution is not available for all persons. In such cases the names of these persons appear first in the list of credits.

8. Claimant and author of motion picture. Following the copyright symbol © the name of the copyright claimant is given as it appears in the application for registration. Address (city or country) follows the name if the claimant is also a foreign producing company. The name of the author of the photoplay as given in the application follows next when it differs from that of the claimant. The presence of two asterisks before the copyright symbol indicates that the name of the author was not stated in the application.

9. Copyright date. For published motion pictures the date of publication is given. For unpublished motion pictures the date, or dates, of receipt in the Copyright Office of the title, description, and prints taken from the motion picture are given.

10. The Copyright registration number is preceded by 1) the class letter L (motion-picture photoplays) or M (motion pictures other than photoplays), and 2) the letter P or U designating, respectively, published and unpublished works.

In the case of serial entries information relating to the entire serial precedes that relating to individual numbers or episodes of the serial. When the name, or the form of the name, of the copyright claimant of a serial changes, each name precedes its respective entries. The copyright symbol © always appears immediately before both the name of the copyright claimant and the copyright date. When duplicate numbers appear in a sequence of issues, arrangement of the duplicates is by copyright date. Omission of an item in a sequence does not necessarily mean that the item has not been registered for copyright; it may be included in the catalog under its specific title if the source information did not give the serial title.

Index

The second section of this catalog is a list of the names of the persons and organizations associated with the production of the motion pictures listed in the first section, and of the authors of the novels, dramas, or other works upon which these motion pictures have been based. The names of the persons listed in the statements of credits in the main entries are not included. The name of each person or organization is used as a heading, the form of which is either that appearing in the Official Catalog of the Library of Congress, or that most frequently found in the records of the Copyright Office. Similar names have been listed separately unless it is clear that they identify the same person or organization. Cross-references from different forms of the same name and from pseudonyms are included in the list.

Brief forms of names, particularly in the case of trade names, appear in the list when it has not been possible to identify exactly the full form of the name.

Under each heading are listed alphabetically the titles of the motion pictures associated with it, together with their respective year dates, or, for serials, the word serial, enclosed in parentheses, in lieu of a date. An asterisk preceding the title indicates that the name appearing in the heading is that of the copyright claimant.

Series List

The third section of this catalog lists the series titles which are contained in the main entries. The titles of the series are frequently given in varying forms. For each series, therefore, an established form, based on that most frequently used, is given as the heading. Following the heading are references to other series titles which appear to be related because the names are similar and the claimants are the same.

Listed below the headings are, first, the names of the claimants, and, second, the titles of the motion pictures. Dates of the respective motion pictures follow the titles. In the case of serials the word serial, enclosed in parentheses, is used in lieu of date.

The lists of titles under each series may be incomplete for the period covered by this catalog, because only those titles have been included which are so identified in the sources used in compiling this catalog. For some motion pictures two series titles are given, both of which are entered separately, since it has not been possible to differentiate between main series and subseries from the information available.

Abbreviations and Symbols

The following list includes abbreviations and symbols used in this catalog with specific copyright or bibliographic meanings. Definitions are not given for abbreviations in common use.

a.k.a. —also known as

b&w —black and white

d.b.a. —doing business as

descr. —description

ft. —feet

LP —published motion-picture photoplays

LU —unpublished motion-picture photoplays

min. —minutes

mm —millimeters

MP —published motion pictures other than photoplays

MU —unpublished motion pictures other than photoplays

pseud. —pseudonym

sd. —sound

si. —silent

t.a. —trading as

Motion Pictures 1912-1939

An alphabetical list, under title, of the complete entries for the motion pictures which were registered for copyright during the period covered by this catalog. For full information relating to the contents of the entries see How To Use This Catalog, pp. vii.

Credits: Director, Leonce Perret.

THE ABC OF POTTERY MAKING—THE COIL METHOD. 1938. 1 reel.

THE A. B. C. OF SAFETY. (Ford Educational Library) Ford Motion Picture Laboratories. 1922. 2 reels.

A 1 SOCIETY. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Ben Stoloff; story, Zion Myers.

THE ABANDONED ROOM. SEE Love Without Question.

L'ABBÉ CONSTANTIN. SEE Bettina Loved a Soldier.

ABE LYMAN & BAND. 1933. 1 reel, sd.

Credits: Director, Joseph Henabery.

ABE LYMAN AND HIS ORCHESTRA. 1928. 1 reel each, sd.

ABIE'S IMPORTED BRIDE. 1925. 7 reels.

Credits: Written and directed by Roy Calnek.

ABIE'S IRISH ROSE. 1929. 12 reels. From the novel by Anne Nichols.

Credits; Producer and director, Victor Fleming; scenario, Jules Furthman.

ABOUT THE MURDER OF THE CIRCUS QUEEN. SEE The Circus Queen Murder.

ABOVE ALL LAW. 1922. 8 reels.

Credits: Director, J. May.

ABOVE THE ABYSS. 1915. 2 reels.

ABOVE THE CLOUDS. 1933. 7 reels.

Credits: Director, Roy William Neill; story, George B. Seitz; screenplay, Albert DeMond.

ABRAHAM LINCOLN. 1924. 12 reels.

Credits: Frances Marion; director, Philip Rosen.

ABRAHAM LINCOLN. Presented by Joseph M. Schenck. 1930. 10 reels, sd.

Credits: Director, D. W. Griffith; story and production, John W. Considine, Jr.; adaptation, Stephen Vincent Benet; continuity and dialogue, Stephen Vincent Benet, Garrit Lloyd.

ABRAHAM LINCOLN. 1933. 2 reels. Contents.—pt. 1. The Pioneer.—pt. 2. The Statesman.

ABROAD IN OLD KENTUCKY. SEE The Moonshiner's Daughter.

ABSCHIEDSWALZER (FAREWELL WALTZ). 1939. 9 reels, sd. Suggested in part by the novel by Jacques Thery as translated into English by Peter Olman; music by Frederick Chopin.

Credits: Ernst Marischka; director, Geza von Bolvary; music director, Alois Melichar.

ABSENT MINDED. (Bull's Eye Comedy) Bluebird. 1925. 1 reel.

Credits: Director, George S. Summerville.

ABSENT-MINDED. SEE Wallace Ford in Absent-Minded.

AN ABSENT-MINDED CUPID. 1914. 1 reel.

Credits: Ashley Miller.

Credits: Producer, Charles H. France.

ABSENT-MINDED MOTHER. 1914. 1 reel.

Credits: Charles H. France.

ABSOLUTE QUIET. 1936. 7 reels, sd., b&w.

Credits: Producer, John W. Considine, Jr.; director, George B. Seitz; story, George F. Worts; screenplay, Harry Clork; film editor, Conrad A. Nervig; music score, Franz Waxman.

ABSORBING JUNIOR. 1936. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Burnet Hershey.

THE ABYSMAL BRUTE. Jewel. 1923. 8 reels. Suggested by the story by Jack London.

Credits: Director, Hobart Henley.

THE ABYSMAL BRUTE. SEE Conflict.

THE ABYSS. Released through General Film Co. 1914. 1 reel.

Credits: Director, Thomas Santschi.

THE ACADEMY AWARD REVIEW OF WALT DISNEY CARTOONS. 1937. 6 reels, sd., color.

ACCENT ON BEAUTY. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Commentary Justin Herman; editor, Leslie Roush; narrator, Alois Havrilla.

ACCENT ON GIRLS. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

ACCENT ON YOUTH. Presented by Adolph Zukor. 1935. 8 reels, sd. From the play by Samson Raphaelson.

Credits: Producer, Douglas MacLean; director, Wesley Ruggles; screenplay, Claude Binyon; film editor, Otho Lovering.

ACCIDENT IS THE BEST POLICY. 1916. 1 reel.

AN ACCIDENT POLICY. 1915. 1,000 ft.

Credits: Written and produced by Edwin McKim.

AN ACCIDENTAL ALIBI. 1913. 1 reel.

Credits: John Adair.

THE ACCIDENTAL HONEYMOON. 1918. 5 reels.

Credits: Directed and written by Leonce Perret.

ACCIDENTAL WEALTH. (Star Comedy) 1922. 1 reel.

ACCIDENTS CAN HAPPEN. Century. 1925. 2 reels.

Credits: Written and directed by Charles Lamont.

ACCIDENTS WILL HAPPEN. (Star Comedy) 1922. 1 reel.

ACCIDENTS WILL HAPPEN. 1930. 2 reels, sd.

Credits: Director, Morton Blumenstock; story, William K. Wells, David Freedman; dialogue director, Max E. Hayes.

ACCIDENTS WILL HAPPEN. 1937. 7 reels.

Credits: Director, William Clemens; story, George Bricker; screenplay, George Bricker, Anthony Coldeway.

THE ACCOMPLISHED MRS. THOMPSON. 1914. 1 reel.

Credits: Director, Wilfrid North.

ACCORDING TO SENIORITY. 1913. 1 reel.

Credits: Director, Harry Lambart.

ACCORDING TO THE CODE. 1916. 5 reels.

Credits: Charles Michelson; director, E. H. Calvert.

ACCORDING TO THEIR LIGHTS. 1915. 2,000 ft.

Credits: Scenario and direction, Eugene Nowland.

ACCORDING TO VALUE. Laemmle. 1915. 1 reel.

Credits; Producer, Frank Lloyd; scenario, Harvey Gates.

ACCORDION JOE. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Ted Sears, Grim Natwick.

THE ACCOUNTING. 1915. 3 reels.

AN ACCURSED INHERITANCE. SEE The Sins of the Fathers.

THE ACCURSED WOMAN. SEE In the Web of Intrigue.

ACCUSED. Released through United Artists. 1937. 8 reels, sd.

Credits: Producer, Marcel Hellman; director, Thornton Freeland; screenplay, Zoe Akins, George Barraud; dialogue, Zoe Akins; additional dialogue, George Barraud; music director, Percival Mackey.

ACCUSING EVIDENCE. Special Big U. 1916. 1 reel.

Credits: Director, Allen Dwan.

THE ACCUSING FINGER. Presented by Adolph Zukor. 1936. 7 reels, sd.

Credits: Director, James Hogan; screenplay, Madeleine Ruthven, Brian Marlow, John Bright, Robert Tasker; film editor, Chandler House.

THE ACCUSING PEN. 1915. 1,000 ft.

THE ACCUSING VOICE. 1916. 3 reels.

Credits: Director, Harry Davenport.

THE ACE. SEE Hell In the Heavens.

ACE DRUMMOND. 1936. 2 reels each. Based on the newspaper feature created by Captain Eddie Rickenbacker. © Universal Productions, Inc.

Credits: Directors, Ford Beebe, Cliff Smith; screenplay, Wyndham Gittens, Norman S. Hall, Ray Trampe.

1. Where East Meets West. © 11Sep36; LP6591.

2. The Invisible Enemy. © 11Sep36; LP6592.

3. The Doorway of Doom. © 16Sep36; LP6599.

4. The Radio Riddle. © 23Oct36; LP6656.

5. Bullets of Sand. © 30Oct36; LP6674.

6. Evil Spirits. © 9Nov36; LP6696.

7. The Trackless Trail. © 18Nov36; LP6715.

8. The Sign in the Sky. © 25Nov36; LP6729.

9. Secret Service. © 2Dec36; LP6742.

10. The Mountain of Jade. © 4Dec36; LP6756.

11. The Dragon Commands. © 14Dec36; LP6788.

12. The Squadron of Death. © 21Dec36; LP6795.

13. The World's Akin. © 29Dec36; LP6815.

ACE HIGH. 1918. 5 reels.

Credits: Direction, story, and scenario, Lynn Reynolds.

ACE HIGH. 1919. 2 reels.

Credits: Director, George Holt; story, W. Pigott; scenario, Karl Coolidge.

ACE OF ACES. 1933. 8 reels, sd. From the story "The Bird of Prey" by John Monk Saunders.

Credits: Associate producer, Sam Jaffe; director, J. Walter Ruben; screenplay, John Monk Saunders, H. W. Hanemann; editor, George Hively; music director, Max Steiner.

THE ACE OF CADS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 8 reels.

Credits: Associate producer, William LeBaron; director, Luther Reed; story, Michael Arlen; adaptation and screenplay, Forrest Halsey.

THE ACE OF CLUBS. Powers. 1915. 1 reel.

Credits: Scenario and production, Sydney Ayers.

THE ACE OF DIAMONDS. 1915. 1 reel.

THE ACE OF HEARTS. 1921. 6 reels.

Credits: Gouverneur Morris; director, Wallace Worsley.

THE ACE OF SCOTLAND YARD. 1929. 2 reels each. © Universal Pictures Corp.

Credits: Director, Ray Taylor; story and continuity, Harold M. Atkinson.

1. The Fatal Circlet. © 25Jul29; LP544.

2. A Cry in the Night. © 5Aug29; LP582.

3. The Dungeon of Doom. © 20Aug29; LP634.

4. The Depths of Limehouse. © 24Sep29; LP720.

5. Menace of the Mummy. © 24Sep29; LP721.

6. Dead or Alive. © 14Oct29; LP783.

7. Shadows of Fear. © 18Oct29; LP784.

8. The Baited Trap. © 28Oct29; LP797.

9. A Battle of Wits. © 1Nov29; LP822.

10. The Final Judgment. © 9Nov29; LP847.

THE ACE OF SPADES. 1925. 2 reels each. © Universal Pictures Corp.

Credits: Director, Henry McRae; story, Isadore Bernstein, William Lord Wright.

1. The Fatal Card. © 20Aug25; LP21764.

2. No Greater Love. © 20Aug25; LP21765.

3. Whirling Waters. © 22Aug25; LP21747.

4. Fires of Sacrifice. © 30Sep25; LP21872.

5. Thundering Hoofs. © 7Oct25; LP21888.

6. Flung from the Sky. © 20Oct25; LP21929.

7. The Trail of Terror. © 28Oct25; LP21961.

8. The Lariat of Death. © 2Nov25; LP21969.

9. Fingers of Fate. © 20Nov25; LP22032.

10. The Road to Ruin. © 20Nov25; LP22033.

11. The Chasm of Peril. © 7Dec25; LP22091.

12. The Avalanche. © 12Dec25; LP22114.

13. The Fury of Fate. © 18Dec25; LP22159.

14. The Chasm of Courage. © 24Dec25; LP22175.

15. A Deal of Destiny. © 24Dec25; LP22176.

ACE OF SPADES. 1931. 1 reel.

Credits: Director, Dave Fleischer; story, Max Fleischer.

THE ACE OF THE SADDLE. 1919. 6 reels.

Credits; Director, Jack Ford; story, B. J. Jackson; scenario, George Hively.

ACES UP. (Toby the Pup Series) 1931. 1 reel.

Credits: Dick Huemor, Sid Marcus.

ACES WILD. (Tom Howard Comedies) Educational. Presented by E. W. Hammons. 1933. 10 min., sd.

Credits: Producer, Larry Kent; director, Aubrey Scotto; story, Tom Howard; dialogue staged by Max E. Hayes.

AN ACHING TOOTH IS NO EXCUSE. SEE A Tin Soldier.

ACHING YOUTH. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Director, Fred L. Guiol; story and supervision, Leo McCarey; titles, H. M. Walker; editor, Richard Currier.

Credits: Producer, E. A. Marlin.

THE ACID TEST. 1914. 2 reels.

THE ACID TEST. (Tom Howard Comedies) Educational Pictures. 1932. 11 min., sd.

Credits: Director, Aubrey Scotto; story, Tom Howard.

THE ACQUITTAL. Universal Jewel. 1923. 7 reels. From the play by Rita Weiman.

Credits: Director, Clarence Brown; adaptation, Raymond L. Schrock.

ACQUITTED. 1916. 5 reels. Adapted from the story by Mary Roberts Rinehart.

Credits: Scenario, Ray Somerville.

ACQUITTED. 1929. 7 reels, sd.

Credits: Producer, Harry Cohn; director, Frank R. Strayer; screenplay and dialogue, Keene Thompson; film editor, Dave Berg.

ACROBATIC ACTS. Powers. 1916. 1/2 reel.

THE ACROBATS DREAM. Powers. 1915. 1/2 reel.

ACROSS SWIFTCURRENT PASS ON HORSEBACK. 1913. 1 reel.

ACROSS THE ATLANTIC. 1928. 7 reels.

Credits: Director, Howard Bretherton; story, John Ransom; adaptation, Harvey Gates.

ACROSS THE ATLANTIC VIA ZEPPELIN WITH LADY DRUMMOND HAY. (Movietone Act) 1929. Presented in conjunction with Hearst Newspapers. 3 reels, sd.

Credits; Nils T. Granlund.

ACROSS THE BORDER. SEE Sarah Padden in Across the Border.

ACROSS THE BURNING TRESTLE. 1914. 1 reel. An adaptation of "In Christmas Canyon."

Credits: Director, Richard R. Ridgely; adaptation, Francis Lynde.

ACROSS THE CONTINENT. 1922. 6 reels.

Credits: Director, Philip E. Rosen; story, Byron Morgan.

ACROSS THE DEAD LINE. 1922. 5 reels.

Credits: Producer, Jack Conway; story, Clarence B. Kelland; scenario, George C. Hull.

ACROSS THE DESERT. 1915. 1 reel.

Credits; Producer, Burton L. King; story, F. M. Willis.

ACROSS THE FOOTLIGHTS. Big U. 1915. 2 reels.

Credits: Producer, Burton King; scenario, Leonora Dowlan.

ACROSS THE GRAND CANYON. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

ACROSS THE GREAT DIVIDE, 1915. 1,000 ft. Adapted from the story "With Clear Rights" by Charles W. Tyler.

Credits: Direction and scenario, Edward C. Taylor.

ACROSS THE HALL. Nestor. 1916. 1 reel.

Credits: Al. E. Christie; producer, Horace Davey.

ACROSS THE LINE. Victor. 1916. 1 reel.

Credits: Written and produced by Jacques Jaccard.

Credits: Written and produced by Edwin Carewe.

ACROSS THE PACIFIC. 1926. 8 reels. From the novel by Charles E. Blaney.

Credits: Director, Roy Del Ruth; adaptation, Darryl Francis Zanuck.

ACROSS THE PLAINS. 1939. 6 reels, sd.

Credits: Associate producer, Robert Tansey; director, Spencer Bennett; original screenplay, Robert Emmett; film editor, Robert Golden.

ACROSS THE RIO GRANDE. Bison. 1916. 3 reels.

Credits: Producer, Jacques Jaccard; story, George Marshall.

ACROSS THE ROCKIES TO THE PACIFIC. (Westward Movement, no. 5) 1921. 1 reel.

ACROSS THE SEA. (Romantic Journeys) Educational Pictures. Presented by E. W. Hammons. 1933. 907 ft., sd., color.

Credits: Producers, Howard C. Brown, Curtis F. Nagel.

ACROSS TO SINGAPORE. 1928. 7 reels, b&w, blue sequences. From the book "All the Brothers Were Valiant" by Ben Ames Williams.

Credits: Producer and director, William Nigh; adaptation, Ted Shane; continuity, Richard Schayer; film editor, Ben Lewis.

ACT YOUR AGE. (Kennedy, no. 1) 1939. 18 min., sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story, Charles Roberts, George Jeske; film editor, John Lockert.

ACTION. 1921. 5 reels.

Credits: Producer, Jack Ford; story, J. Allen Dunn; scenario, Harvey Gates.

Credits: Producer, John L. Hawkinson.

ACTION FOR SLANDER. Presented by Alexander Korda. Released through United Artists. 1937. 8 reels, sd. From the novel by Mary Borden.

Credits: Producer, Victor Saville; director, Tim Whelan; screenplay. Miles Malleson; additional dialogue, Ian Dalrymple; film editors, Hugh Stewart, Jack Dennis; music director, Muir Mathieson.

ACTIONS SPEAK LOUDER THAN WORDS. Presented by Adolph Zukor and Jesse L. Lasky. 1930. 1 reel, sd.

Credits: Director, Monte Brice.

THE ACTIVE LIFE OF DOLLY OF THE DAILIES. 1914. 1 reel each. © Thomas A. Edison, Inc.

Credits: Acton Davies; director, Walter Edwin.

1. The Perfect Truth. © 10Jan14; LP1947.

2. The Ghost of Mother Eve. © 6Feb14; LP2111.

3. An Affair of Dress. © 21Feb14; LP2199.

4. Putting One Over. © 7Mar14; LP2290.

5. The Chinese Fan. © 21 Mar 14; LP2370.

6. On the Heights. © 4Apr14; LP2464.

7. The End of the Umbrella. © 18Apr14; LP2542.

8. A Tight Squeeze. © 2May14; LP2633.

[9] A Terror of the Night. © 25May14; LP2759.

[10] Dolly Plays Detective. © 8Jun14; LP2824.

[11] Dolly at the Helm. © 22Jun14; LP2905.

[12] The Last Assignment. © 3Jul14; LP2961.

THE ACTOR. (Benny Rubin Talkie) 1929. 1 reel, sd.

Credits: Director, Walter Fabian; story and dialogue, Benny Rubin.

THE ACTOR'S ADVICE TO HIS SON. SEE Lionel Atwill in The Actor's Advice to His Son.

THE ACTOR'S BOARDING HOUSE. 1915. Split reel.

ACTORS FROM THE JUNGLE. 1915. 1 reel.

THE ACTRESS. 1913. 1 reel.

Credits: Richard Ridgely.

THE ACTRESS. 1928. 8 reels, sd., b&w. From the play "Trelawney of the Wells" by Sir Arthur Wing Pinero.

Credits: Director, Sidney Franklin; screenplay, Albert Lewin, Richard Schayer; titles, Joe Farnham; film editor, Conrad A. Nervig.

AN ACTRESS'S ROMANCE. SEE Adrienne Lecouvreur.

ACUTE APPENDICITIS (LAY). 1930. 1 reel.

ACUTE APPENDICITIS (PROFESSIONAL). 1929. 2 reels.

AD MAN. SEE No Marriage Ties.

ADAM AND EVA. 1923. 8 reels.

ADAM AND EVE. 1920. 1 reel.

ADAM AND EVE A LA MODE. Presented by Rainbow Comedies. 1919. 2 reels.

Credits: Director, Jesse Robbins.

ADAM AND EVIL. 1927. 7 reels, b&w.

Credits: Director, Robert Z. Leonard; original screenplay, F. Hugh Herbert, Florence Ryerson; titles, Ralph Spence; film editor, Leslie F. Wilder.

ADAM BEDE. 1915. 2 reels.

ADAMS AND SOME EVES. 1918. 1 reel.

Credits: Written and directed by Chester M. DeVonde.

ADAM'S EVE. 1929. 2 reels, sd.

Credits: Director, A. Leslie Pearce; story, Florence Ryerson, Colin Clements.

ADAM'S RIB. Paramount. Presented by Jesse L. Lasky. 1923. 10 reels.

Credits: Producer and director, Cecil B. De Mille; story and scenario, Jeanie Macpherson.

THE ADDED ITEM MAKES FOR PROFIT. 1931. 1 reel. Contents.—Friday Planning.—Featuring the Dairy Department.—Sell Extra Staples the Day Before a Holiday.—Party Menus Mean Big Orders.—Proper Care of Fresh Produce.

ADELE LENARR, JUVENILE SONGSTRESS AND ACROBATIC DANCER, SINGING AND DANCING: A. ROAD TO FAME [and others] 1927. 1 reel.

ADELE ROWLAND, STORIES IN SONG. 1928. 1 reel.

ADIOS. SEE The Lash.

ADMINISTERING THE LIFE INSURANCE ESTATE. (Educational Film Service, v. 24) 1931. 1 reel.

THE ADMIRABLE CRICHTON. SEE Male and Female.

THE ADMIRALS, FOUR BOYS AND A UKULELE OFFER A PROGRAM OF POPULAR SONGS: A. YANKEE ROSE [and others] 1927. 1 reel.

ADMISHUN TEN PINS. 1921. 2 reels.

ADMISSION 5¢. (Pepper Pot, no. 2) 1933. 1 reel, sd.

Credits: Narrator, Leo Donnelly.

ADMISSION FREE. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Rudolph Eggeman.

ADOBE BRICK MAKING. 1939. 1 reel.

Credits: Producer, Louis Myll.

THE ADOPTED SON. 1917. 6 reels.

Adapted from the story by Max Brand [pseud. of Frederick Faust].

Credits: Supervision, Maxwell Karger; director, Charles Brabin; adaptation, Albert Shelby Le Vino.

ADORABLE. 1933. 7,700 ft., sd.

Credits: Director, Wilhelm Dieterle; story, Paul Frank, Billie Wilder; screenplay, George Marion, Jr., Jane Storm; editors, Irene Morra, R. W. Bischoff.

THE ADORABLE DECEIVER. Released by F. B. O. 1926. 5 reels.

Credits: Director, Phil Rosen; story, Harry O. Hoyt; continuity, Doris Anderson.

ADORABLE DORA. (Blue Ribbon Comedy) 1926. 2 reels.

Credits: Director, Harry Sweet.

THE ADORABLE SAVAGE. 1920. 5 reels. From the novel by Ralph Stock.

Credits: Director, Norman Dawn; scenario, Doris Schroeder.

ADORATION. Presented by Richard A. Rowland. 1928. 7 reels.

Credits: Producer, Frank Lloyd; story, Lajos Biro; continuity, Winifred Dunn.

ADORATION. 1928. 2 reels.

Credits: Written and directed by Andrew L. Stone.

ADRIENNE LECOUVREUR; or, AN ACTRESS'S ROMANCE. 1913. 1,783 ft. Adapted from the play by Mme. Sarah Bernhardt.

Credits: Adaptation, Sarah Bernhardt.

ADRIENNE LECOUVREUR. SEE Dream of Love.

ADVANTAGES OF THE NEW SUPERIOR WHIPPET. 1929. 1 reel.

ADVENTURE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,602 ft. From the novel by Jack London.

Credits: Producer and director, Victor Fleming; screenplay, A. P. Younger, L. G. Rigby.

THE ADVENTURE HUNTER. 1915. 1 reel.

Credits: Producer, E. A. Martin; scenario, Wallace C. Clifton.

AN ADVENTURE IN HEARTS. Paramount-Artcraft. 1919. 5 reels. Adapted from the novel "Captain Dieppe" by Anthony Hope [pseud. of Anthony Hope Hawkins] and the play by Harrison Garfield Rhodes.

Credits: Director, James Cruze; scenario, Elmer Harris.

ADVENTURE IN MANHATTAN. 1936. 8 reels. Suggested by "Purple and Fine Linen" by May Edginton.

Credits: Director, Edward Ludwig; story, Joseph Krumgold; screenplay, Sidney Buchman, Harry Sauber, Jack Kirkland; film editor, Otto Meyer; music director, Morris Stoloff.

ADVENTURE IN SAHARA. 1938. 6 reels, sd.

Credits: Director, D. Ross Lederman; story, Sam Fuller; screenplay, Maxwell Shane; film editor, Otto Meyer; music director, M. W. Stoloff.

ADVENTURE MAD. U. F. A. Released by Paramount. 1928. 6 reels.

Credits: Director, Lothar Mendes; scenario, Robert Liebman.

THE ADVENTURE OF CHARLES AUGUSTUS MILVERTON. SEE The Adventure of the Missing Rembrandt.

THE ADVENTURE OF THE MISSING REMBRANDT. (Sherlock Holmes Series) 1932. 8 reels. Adapted from "The Adventure of Charles Augustus Milverton" by Sir Arthur Conan Doyle.

Credits: Director, Leslie S. Hiscott; screen adaptation, Cyril Twyford, H. Fowler Mear.

THE ADVENTURE OF THE RIVAL UNDERTAKERS. 1914. 1 reel.

THE ADVENTURE SHOP. 1918. 5 reels. Story adapted from "The Green Gullabaloo" by Bud Fisher.

Credits: Director, Kenneth Webb; scenario, George H. Plympton.

Credits: Producer, Donald Macdonald; scenario, Anthony W. Coldewey.

Credits: Director, Alice Blaché; scenario, Harry Chandlee, Lawrence McCloskey.

THE ADVENTURER. 1917. 1 reel.

Credits: Written and produced by Charlie Chaplin.

THE ADVENTURER. 1920. 6 reels, b&w, tinted sequences.

Credits: Director, J. Gordon Edwards; adaptation, E. Lloyd Sheldon.

THE ADVENTURER. 1928. 5 reels, b&w.

Credits: Story, Leon Abrams; screenplay, Jack Cunningham; film editor, Sam S. Zimbalist.

THE ADVENTURER. SEE The Beautiful Mrs. Reynolds.

THE ADVENTURES AND EMOTIONS OF EDGAR POMEROY. Presented by Samuel Goldwyn. 1920-21. 2 reels each. From the stories by Booth Tarkington. © Goldwyn Pictures Corp.

Credits: Directors, Paul Bern, E. Mason Hopper, Mason N. Litson; scenario, Eleanor Flori, Barbara Kent.

1. Edgar and Teacher's Pet. © 11Mar20; LP14868.

2. Edgar's Hamlet. © 25Mar20; LP14922.

3. Edgar's Jonah Day. © 8May20; LP15105.

4. Edgar Takes the Cake. © 17Jul20; LP15371.

5. David and Goliath. © 1Sep20; LP15543.

5. Edgar's Sunday Courtship. © 1Sep20; LP15711.

6. Edgar Camps Out. © 15Oct20; LP15765.

7. Edgar's Little Saw. © 11Dec20; LP15910.

8. Get-Rich-Quick Edgar. © 24Dec20; LP15968.

9. Edgar The Explorer. © 18Jan21; LP16036.

10. Edgar's Country Cousin. © 12Jan21; LP16035.

11. Edgar's Feast Day. © 3Mar21; LP16221.

12. Edgar the Detective. © 8Apr21; LP16381.

ADVENTURE'S END. 1937. 7 reels, sd.

Credits: Producer, Trem Carr; director, Arthur Lubin; original story, Ben Ames Williams; screenplay, Ben Graumer Kohn, Scott Darling, Sid Sutherland; film editor, Charles Craft.

ADVENTURES IN THE JUNGLES. 1939. 3 reels, sd.

Credits: Producer, Edward Warren.

Credits: Producer, Hardee Kirkland.

ADVENTURES OF ANDY. 1913-14. 1 reel each. © Thomas A. Edison, Inc.

Credits: Alice Williams, Mark Swan; director, Charles H. France.

[1] Andy Gets a Job. © 13Dec13; LP1797.

2. Andy Plays Hero. © 29Dec13; LP1871.

3. Andy Goes on the Stage. © 26Jan14; LP2048.

4. Andy, the Actor. © 21Feb14; LP2195.

5. Andy and the Hypnotist. © 21Mar14; LP2369.

6. Andy Plays Cupid. © 27Apr14; LP2603.

[7] Andy Goes a-Pirating. © 25May14; LP2756.

[8] Andy Has a Toothache. © 22Jun14; LP2904.

[9] Andy Learns To Swim. © 25Jul14; LP3078.

[10] Getting Andy's Goat. © 22Aug14; LP3255.

[11] Andy and the Redskins. © 26Sep14; LP3433.

[12] Andy Falls in Love. © 24Oct14; LP3614.

THE ADVENTURES OF BUFFALO BILL (COL. WM. F. CODY). Released through Kleine-Edison-Selig-Essanay Service. 1917. 5 reels.

ADVENTURES OF BUNNY RABBIT. 1937. 1 reel.

Credits: Director, Harley Knoles; story, Julia Burnham.

ADVENTURES OF CHICO. 1937. 6 reels, sd.

Credits: Produced and directed by Stacy Woodard, Horace Woodard.

THE ADVENTURES OF FRANK MERRIWELL. 1935-36. 2 reels each. From the stories by Burt L. Standish [pseud. of Gilbert Patten].

Credits: Director, Cliff Smith; screenplay, George Plympton, Maurice Geraghty, Ella O'Neill. Basil Dickey.

1. College Hero. © 17Dec35; LP5999.

2. The Death Plunge. © 17Dec35; LP6000.

3. Death at the Cross Roads. © 17Dec35; LP6001.

4. Wreck of the Viking. © 26Dec35; LP6020.

5. Capsized in the Cataract. © 26Dec35; LP6021.

6. Descending Doom. © 30Dec35; LP6026.

7. Monster of the Deep. © 12Feb36; LP6130.

8. The Tragic Victory. © 18Feb36; LP6148.

9. Between Savage Foes. © 27Feb36; LP6166.

10. Imprisoned in a Dungeon. © 4Mar36; LP6184.

11. The Crash in the Chasm. © 13Mar36; LP6208.

12. The Winning Play. © 18Mar36; LP6219.

THE ADVENTURES OF HUCKLEBERRY FINN. Presented by Metro-Goldwyn-Mayer. 1939. 10 reels, sd., b&w. Based on the book by Mark Twain [pseud. of Samuel Langhorne Clemens].

Credits: Producer, Joseph L. Mankiewicz; director, Richard Thorpe; screenplay, Hugo Butler; music score, Frank E. Hull, Franz Waxman.

Credits: Lorimer Johnston.

THE ADVENTURES OF JANE ARDEN. 1939. 6 reels, sd. Based on the comic strip created by Monte Barrett and Russell E. Ross.

Credits: Director, Terry Morse; screenplay, Vincent Sherman, Lawrence Kimble, Charles Curran.

Credits: Producer, F. J. Grandon; scenario, Gilson Willets.

1. The Unwelcome Throne. © title, descr. & 116 prints, 26Dec13; LU1857.

2. The Two Ordeals. © title, descr. & 101 prints, 7Jan14; LU1920.

[3] In the Temple of the Lion. © title, descr. & 99 prints, 22Jan14; LU2000.

[4] The Royal Slave. © title, descr. & 79 prints, 4Feb14; LU2091.

5. A Colonel in Chains. © title, descr. & 98 prints, 19Feb14; LU2178.

[6] Three Bags of Silver. © title, descr. & 84 prints, 7Mar14; LU2279.

7. The Garden of Brides. © title, descr. & 90 prints, 21Mar14; LU2361.

[8] The Cruel Crown. © title, descr. & 99 prints, 6Apr14; LU2454.

9. The Spellbound Multitude. © title, descr. & 99 prints, 20Apr14; LU2538.

11. The Forged Parchment. © 14Apr14; LP2619.

12. The King's Will. © 6May14; LP2707.

13. The Court of Death. © 11May14; LP2792.

THE ADVENTURES OF MARCO POLO. 1938. 11 reels, sd.

Credits: Director, Archie Mayo; story, N. A. Pogson; screenplay, Robert E. Sherwood; film editor, Fred Allen; music director, Alfred Newman; music, Hugo Friedhofer.

THE ADVENTURES OF MAZIE. Released by F. B. O. 1925-26. 2 reels each. © R-C Pictures Corp.

Credits: Directors, Ralph Ceder, Jimmy Wilkinson; stories, Nell Martin; adaptation and continuity, Doris Anderson.

1. Amazing Mazie. © 13Sep25; LP21836.

2. The Constant Simp. © 27Sep25; LP21891.

3. Or What Have You. © 11Oct25; LP21898.

4. Mazies Won't Tell. © 25Oct25; LP21932.

5. So's Your Old Man. © 8Nov25; LP22013.

6. Pike's Pique. © 22Nov25; LP22082.

[7] The Vanishing Armenian. © 6Dec25; LP22234.

8. Tea for Toomey. © 11Dec25; LP22109.

9. High but Not Handsome. © 3Jan26; LP22219.

10. Little Andy Looney. © 8Jan26; LP22236.

11. A Snitch in Time. © 16Dec25; LP22270.

12. Mazie's Married. © 1Feb26; LP22343.

THE ADVENTURES OF PETER. 1930. 706 ft.

ADVENTURES OF POPEYE. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer.

ADVENTURES OF REX AND RINTY. Presented by Nat Levine. 1935. 2 reels each, sd. © Mascot Pictures Corp; no. 1-6, 25Aug35; LP5916; no. 7-12, 27Aug35; LP6035.

Credits: Supervision, Barney Sarecky; directors, B. Reeves Eason, Forde Beebe; original story, B. Reeves Eason, Maurice Geraghty, Ray Trampe; screenplay, John Rathmell, Barney Sarecky; film editor, Joseph Lewis.

THE ADVENTURES OF ROBIN HOOD. 1938. 11 reels. Based upon ancient Robin Hood legends.

Credits: Directors, Michael Curtiz, William Keighley; original screenplay, Norman Reilly Raine, Seton I. Miller; music, Erich Wolfgang Korngold.

ADVENTURES OF ROBINSON CRUSOE. Universal Special. 1922. 2 reels each. From the story by Daniel Defoe. © Universal Film Mfg. Co., Inc.

Credits: Director, Robert F. Hill; scenario, Emma Belle Clifton.

1. The Sea Raiders. © 16Mar22; LP17659.

2. Shipwrecked. © 29Mar22; LP17700.

3. The Cannibals' Captives. © 31Mar22; LP17711.

4. Hidden Gold. © 4Apr22; LP17729.

5. The Ship of Despair. © 11Apr22; LP17746.

6. Friday's Faith. © 20Apr22; LP17776.

7. The Swamp of Terror. © 26Apr22; LP17802.

8. Marooned. © 28Apr22; LP17812.

9. The Jaguar Trap. © 9May22; LP17864.

10. A Prisoner of the Sun. © 13May22; LP17908.

11. No Greater Love. © 1Jun22; LP18057.

12. The Island of Happiness. © 6Jun22; LP17944.

13. The Sword of Courage. © 12Jun22; LP17951.

14. The Buccaneers. © 15Jun22; LP17970.

15. The Jolly Roger. © 21Jun22; LP17988.

16. The Idol's Bride. © 3Jul22; LP18032.

17. When the Heart Calls. © 10Jul22; LP18042.

18. Back to the Primitive. © 17Jul22; LP18062.

1. The Wrong Countess. © title, descr. & 60 prints, 22Nov19; LU14454.

2. The Celestial Maiden. © title, descr. & 40 prints, 22Nov19; LU14455.

3. The Bewitching Spy. © title, descr. & 40 prints. 22Nov19; LU14518.

4. The Stolen Picture. © title, descr. & 40 prints, 31Jan20; LU14710.

5. The Bank Robbery. © title, descr. & 40 prints, 31Jan20; LU14711.

6. The Border Fury. © title, descr. & 40 prints, 31Jan20; LU14712.

7. The Substitute Messenger. © title, descr. & 40 prints, 31Jan20; LU14713.

8. The Harem Model. © title, descr. & 40 prints, 31Jan20; LU14714.

9. The Cellar Gangsters. © title, descr. & 40 prints, 31Jan20; LU14715.

10. The Forged Check. © title, descr. & 40 prints, 8Mar20; LU14836.

11. The Trap. © title, descr. & 40 prints, 8Mar20; LU14837.

12. The Vault of Terror. © title, descr. & 40 prints, 8Mar20; LU14838.

13. Within Hollow Walls. © title, descr. & 40 prints, 8Mar20; LU14839.

14. The Fighting Chance. © title, descr. & 40 prints, 8Mar20; LU14840.

15. The Key of Victory. © title, descr. & 40 prints, 8Mar20; LU14841.

THE ADVENTURES OF SHERLOCK HOLMES. SEE

The Beryl Coronet.

A Case of Identity.

The Copper Beeches.

The Devil's Foot.

The Dying Detective.

The Man with the Twisted Lip.

The Musgrave Ritual.

A Mystery of Boscombe Vale.

The Red Headed League.

The Resident Patient.

The Reygate Squires.

A Scandal in Bohemia.

Silver Blaze.

The Speckled Band.

The Stolen Papers.

The Yellow Face.

THE ADVENTURES OF TARZAN. 1921. 2 reels each, except no. 1 which is 3 reels. From "The Return of Tarzan" by Edgar Rice Burroughs. © Great Western Producing Co.

Credits: Director, Robert F. Hill; adaptation and continuity, Lillian Valentine, Robert F. Hill.

1. Jungle Romance. © 7Jun21; LP16867.

2. The City of Gold. © 7Jun21; LP16868.

3. The Sun Death. © 7Jun21; LP16869.

4. Stalking Death. © 7Jun21; LP16870.

5. Flames of Hate. © 7Jun21; LP16871.

6. The Ivory Tomb. © 25Aug21; LP16990.

7. The Jungle Trap. © 25Aug21; LP16991.

8. The Tornado. © 25Aug21; LP16992.

9. Fangs of the Lion. © 25Aug21; LP16993.

10. The Simoon. © 25Aug21; LP16994.

11. The Hidden Foe. © 25Aug21; LP16995.

12. Dynamite Trail. © 25Aug21; LP16996.

13. The Jungle's Prey. © 25Aug21; LP16997.

14. Flaming Arrows. © 25Aug21; LP16998.

15. The Last Adventure. © 25Aug21; LP16999.

ADVENTURES OF THE SUBSTITUTE WIDOW. Imp. 1915. 2 reels.

Credits: Hugh C. Weir; producer, Stuart Paton.

THE ADVENTURES OF THE YELLOW CURL PAPERS. Imp. 1915. 2 reels.

Credits: Hugh Weir.

THE ADVENTURES OF TOM SAWYER. 1938. 10 reels, sd., color. Based on the story by Mark Twain [pseud. of Samuel Langhorne Clemens].

Credits: Director, Norman Taurog; screenplay, John V. A. Weaver; continuity, Barbara Keon; film editor, Margaret Clancey; music director, Lou Forbes.

THE ADVENTURES OF TOM SAWYER. SEE Tom Sawyer.

THE ADVENTURES OF TOM THE TAMER AND KID KELLY. (Animated Grouch Chaser) 1916. 1,000 ft.

Credits: Raoul Barre.

ADVENTURES OF VAN BIBBER. SEE

The Fight.

A Fool and His Honey.

The Guest of Honor.

Hot House Hazel.

The Hunt.

The Kiss Doctor.

The Mad Racer.

The Race.

Rah! Rah! Heidelberg!

T-Bone for Two.

Too Many Cookies.

Credits: Director, Fred J. Balshofer; story, Charles Taylor, Tom J. Geraghty.

THE ADVENTURESS. SEE

The Desert Bride.

The Keyhole.

THE ADVENTURESS IN GREEN. Pasquali & Co., Italy.

ADVENTUROUS AMBROSE. 1918. 2 reels.

THE ADVENTUROUS BLONDE. 1937. 8 reels, sd.

Credits: Director, Frank McDonald; original screenplay, Robertson White, David Diamond; film editor, Frank Magee.

ADVERTISING DID IT. 1915. 1 reel.

Credits: Producer, Romaine Fielding.

ADVICE TO THE LOVELORN. Released through United Artists. 1933. 7 reels, sd. From a novel by Nathaniel West.

Credits: Producer, Darryl F. Zanuck; director, Alfred Werker; screenplay, Leonard Praskins; film editor, Alan McNeil; musical direction, Alfred Newman.

THE ADVISOR. Big U. 1915. 1 reel.

Credits: Producer, Burton King; scenario, Harvey Gates.

THE AERIAL BUDS. Powers. 1916. 1/2 reel.

AN AERIAL JOY RIDE. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Charles Reed.

AERO NUTS. 1927. 1 reel. Adapted from the Krazy Kat cartoons by George Herriman.

Credits: Animation, Ben Harrison, Manny Gould.

AN AFFAIR FOR THE POLICE. 1914. 2 reels.

Credits: Director, William Humphrey.

THE AFFAIR OF SUSAN. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Producer, David Diamond; director, Kurt Neumann; story, Mann Page; screenplay, Clarence Marks, Andrew Bennison, H. M. Walker; film editor, Phil Cahn; music direction, Bakalelnikoff.

AN AFFAIR OF THE FOLLIES. 1927. 7 reels. From the story "Here Y'Are Brother" by Dixie Willson.

Credits: Producer, Al Rockett; director, Millard Webb; scenario, Carey Wilson.

AFFAIRS OF A GENTLEMAN. 1934. 7 reels. From a play by Edith and Edward Ellis.

Credits: Director, Edward L. Marin; screenplay, Cyril Hume, Peter Ruric, Milton Krims.

THE AFFAIRS OF ANATOL. 1921. 9 reels. Suggested by the play by Arthur Schnitzler.

Credits: Jeanie McPherson; producer, Cecil B. De Mille.

THE AFFAIRS OF ANNABEL. 1938. 68 min., sd.

Credits: Producer, Lou Lusty; director, Ben Stoloff; story, Charles Hoffman; screenplay, Bert Granet, Paul Yawitz; editor, Jack Hively; music director, Roy Webb.

AFFAIRS OF CAPPY RICKS. 1937. 7 reels, sd.

Credits: Associate producer, Burt Kelly; director, Ralph Staub; story, Peter B. Kyne; original screenplay, Lester Cole.

THE AFFAIRS OF CELLINI. 1934. 9 reels, sd. From the play by Edwin Justus Mayer.

Credits: Associate producers, William Goetz, Raymond Griffith; director, Gregory La Cava; screenplay, Bess Meredyth.

THE AFFAIRS OF HANNERL. SEE Love Me and the World Is Mine.

THE AFFAIRS OF PIERRE. Presented by E. W. Hammons. 1937. 1,754 ft., sd.

Credits: Producer, Al Christie; story, Parke Levy, Marcy Klauber, Arthur Jarrett.

AFFINITIES. 1915. 2 reels. From the story by Mary Roberts Rinehart.

Credits: Director, E. H. Calvert.

AFLAME IN THE SKY. Released by F. B. O. 1927. 6 reels.

Credits: Director, J. P. McGowan; story, Mary Roberts Rinehart; screenplay and continuity, Ewart Adamson.

AFRAID TO FIGHT. 1922. 5 reels.

Credits: Director, William Worthington; story, Leete Renick Brown; scenario, Charles Sarver.

AFRAID TO LOVE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 7 reels. Based on the play "The Marriage of Kitty" by Fred de Grésac and F. de Croisset.

Credits: Director, E. H. Griffith; adaptation, Doris Anderson; screenplay, Doris Anderson, Joseph Jackson.

AFRAID TO TALK. 1932. 8 reels. From the drama by George Sklar and Albert Maltz.

Credits: Director, Edward L. Cahn; screenplay, Tom Reed.

AFRICA. (A Walter Lantz Bill Nolan Cartoon) (An Oswald Cartoon) 1930. 1 reel.

Credits: Animation, Walter Lantz, Bill Nolan.

AFRICA BEFORE DARK. (An Oswald Cartoon) Snappy. 1928. 1 reel.

Credits: Walt Disney.

AFRICA, LAND OF CONTRAST. (M. G. M. Traveltalk) 1934. 1 reel, sd.

Credits: Compiled by James A. FitzPatrick.

AFRICA SHRIEKS. 1931. 1 reel.

AFRICA SPEAKS. 1930. For Colorado African Expedition, Inc. 8 reels, sd.

Credits: Produced and filmed by Paul A. Hoefler and Walter A. Futter.

AFRICA SPEAKS ENGLISH. 1933. 1 reel, sd.

Credits: Director, Roy Mack; story, Burnet Hershey.

AFRICA SQUAWKS. 1931. 2 reels, sd.

Credits: Producer, Phil Goldstone.

AFRICA SQUAWKS. (A Terry-Toon) 1939. 1 reel, sd.

Credits: Director, Connie Rasinski; story, John Foster; music, Philip A. Scheib.

AFRICA SQUEAKS. (Flip the Frog Cartoon) 1932. 1 reel.

AN AFRICAN ADVENTURE. 1927. 1 reel.

AN AFRICAN BOMA. (Adventures in Africa, no. 2) 1931. 2 reels.

THE AFRICAN DODGER. 1931. 1 reel, sd.

Credits: Director, Mort Blumenstock; story, Tom Howard; dialogue staged by Max E. Hayes.

AN AFRICAN HUNT. 1915. 400 ft. On same reel with "Susie's Suitors."

Credits: Drawn by Vincent Whitman.

AFRICAN HUNT. SEE Paul J. Rainey's African Hunt.

AFRICAN LIONS AND AMERICAN BEAUTIES. 1919. 2 reels.

Credits: Written and directed by Fred C. Fishback.

AFRICAN SEA BIRDS. 1913. 1 reel.

AFTER A REPUTATION. Century. 1925. 2 reels.

Credits: Written and directed by William Watson.

AFTER ALL. SEE New Morals for Old.

AFTER BIG GAME OF THE SEA. Sterling. 1915. Split reel.

AFTER BUSINESS HOURS. 1925. 5,600 ft. Adapted from the story "Everything Money Can Buy" by Ethel Watts Mumford.

Credits: Director, Mal St. Clair; scenario, Douglas Doty; editor, Errol Taggard.

Credits: Screenplay, J. F. Natteford.

AFTER FIVE. SEE The Night Club.

AFTER HENRY. Metro-Drew. 1918. 1 reel.

Credits: Written and directed by Mr. and Mrs. Sidney Drew.

AFTER HIS OWN HEART. 1919. 5 reels. From the story by Ben Ames Williams.

Credits: Producer, Maxwell Karger; director, Harry L. Franklin; scenario, A. S. Le Vino.

AFTER MARRIAGE. Presented by J. G. Mayer. 1923. 5 reels.

Credits: Written and directed by Norman Dawn.

AFTER MIDNIGHT. 1921. 5 reels.

Credits: Producer, Ralph Ince; story, John Lynch.

AFTER MIDNIGHT. 1927. 7 reels, b&w.

Credits: Production, direction, and story, Monta Bell; scenario, Lorna Moon; titles, Joe Farnham; film editor, Blanche Sewell.

AFTER OFFICE HOURS. A Robert Z. Leonard production. 1935. 7 reels, sd., b&w.

Credits: Producer, Bernard H. Hyman; director, Robert Z. Leonard; story, Laurence Stallings, Dale Van Every; screenplay, Herman J. Mankiewicz; film editor, Tom Held.

AFTER SEBEN. 1929. 2 reels.

Credits: Director, S. Jay Kaufman; story, James Barton.

AFTER SIX DAYS. Presented by Weiss Brothers. 1922. 10 reels. From stories of the Old Testament.

Credits: Producers and directors, Armando Vay, Piero Antonio Gariazzo; edited and titled by Kathyrne Stuart.

Credits: Picturized and directed by Pierce Kingsley.

AFTER THE BALL. 1923. For Theatre Owners Distributing Corp. 7 reels. Adapted from the song by Charles K. Harris.

Credits: Director, Dallas M. Fitzgerald; story, Charles K. Harris; scenario, James Colwell.

AFTER THE BALL. 1929. 1 reel, sd.

Credits: Director, Dave Fleischer.

AFTER THE BALL. Gaumont-British, London. 1933. 6,454 ft., sd.

Credits: Director, Milton Rosmer; adaptation, H. M. Harwood.

AFTER THE BALLED-UP BALL. 1917. 2 reels.

Credits: Director, J. A. Howe; supervision, J. G. Blystone.

AFTER THE BATTLE. Special Big U. 1916. 2 reels.

AFTER THE CIRCUS. (Paramount-Briggs) 1919. 1 reel. Based on "The Days of Real Sport" by Briggs.

Credits: Director, John William Kellette; scenario, Doty Hobart.

AFTER THE DANCE. 1935. 7 reels, sd.

Credits: Director, Leo Bulgakov; story, Harrison Jacobs; screenplay, Harold Shumate; additional dialogue, Bruce Manning; film editor, Otto Meyer; music, Harry Akst.

AFTER THE ORDER—THEN WHAT? 1928. 1 reel.

AFTER THE PLAY. Victor. 1916. 1 reel.

Credits: Producer, William Worthington; story, Robert McGowan; scenario, Ben Cohn.

AFTER THE RAIN. SEE The Painted Woman.

AFTER THE SHOW. 1921. 7 reels.

Credits: Director, William De Mille; story, Rita Weiman.

AFTER THE SHOW. (Melody Comedy) 1929. 2 reels, sd.

Credits: Production, direction and story, Harry Delmar; supervision, Philip Tannura; film editor, E. Pfitzenmeier.

AFTER THE SQUALL IS OVER. 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, W. H. Woodmansee.

AFTER THE STORM. 1915. 2 reels.

AFTER THE STORM. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, George B. Seitz; story, Harold Shumate; continuity, Will M. Ritchey.

AFTER THE THIN MAN. 1936. 12 reels, sd., b&w. From a story by Dashiell Hammett.

Credits: Producer, Hunt Stromberg; director, W. S. Van Dyke; screenplay, Frances Goodrich, Albert Hackett; film editor, Robert J. Kern; music score, Herbert Stothart, Edward Ward.

AFTER THE WAR. 1919. 5 reels.

Credits: Director, Joseph DeGrasse; story, Kingsley Benedict; scenario, Harvey Gates.

AFTER THE WELSH RAREBIT. 1913. 1 reel.

Credits: William W. Hansom.

AFTER TOMORROW. 1932. 7,100 ft., sd. Based on the stage play by John Golden and Hugh S. Stange.

Credits: Director, Frank Borzage; screenplay, Sonya Levien; editor, Margaret Clancy.

AFTER TONIGHT. 1933. 8 reels, sd.

Credits: Associate producer, H. N. Swanson; story, Jane Murfin; screenplay, Jane Murfin, Albert Shelby LeVino, Worthington Miner; editor, William Hamilton; music director, Max Steiner.

AFTER VACATION THERE IS A JOB TO BE DONE. 1930. 1 reel.

AFTER YOUR OWN HEART. 1921. 5 reels.

Credits: Director, George Marshall; story, William Wallace Cook; adaptation, Tom Mix; edited and titled by Ralph Spence.

AN AFTERNOON MIRACLE. 1920. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, David Smith; scenario, Robert A. Sanborn.

AFTERNOON OF A FAUN. SEE L'Après-Midi d'un Faune.

AFTERWARDS. SEE Their Big Moment.

AGAINST ALL ODDS. 1924. 5 reels.

Credits: Director, Edmund Mortimer; story, Max Brand [pseud. of Frederick Faust]; scenario, Frederic Chapin.

AGAINST THE CURRENT. SEE Contra la Corriente.

AGAINST THE LAW. 1934. 6 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Harold Shumate; film editor, Otto Meyer.

AGAINST THE RULES. (Rainbow Comedies) 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; story and direction, Arch B. Heath; film editor, John Link; music director, Francis Groman.

AGATHA'S AUNT. SEE A Heart To Let.

THE AGE FOR LOVE. 1931. 9 reels. From the novel by Ernest Pascal.

Credits: Director, Frank Lloyd; adaptation, Ernest Pascal; dialogue, R. E. Sherwood.

THE AGE OF CONSENT. Presented by Radio Pictures. 1932. 7 reels, sd. From the play "Crossroads" by Martin Flavin.

Credits: Executive producer, David O. Selznick; director, Gregory Lacava; screenplay, Sarah Y. Mason, Francis Cockrell.

THE AGE OF DESIRE. First National. 1923. 6 reels. Adapted from the story by Dixie Willson.

Credits: Producer and director, Frank Borzage.

AGE OF INDISCRETION. 1935. 8 reels, sd.

Credits: Producer, Phillip Goldstone; director, Edward Ludwig; original story, Lenore Coffee; screenplay, Leon Gordon, Otis Garrett; film editor, Hugh Wynn.

THE AGE OF INNOCENCE. 1924. 7 reels. From the novel by Edith Wharton.

THE AGE OF INNOCENCE. 1934. 9 reels, sd. From the novel by Edith Wharton and the play by Margaret Ayer Barnes.

Credits: Producer, Pandro S. Berman; director, Philip Moeller; screenplay, Sarah Y. Mason, Victor Heerman; editor, George Hively; music director, Max Steiner.

THE AGELESS SEX. 1914. 1 reel.

AGGIE APPLEBY MAKER OF MEN. 1933. 8 reels, sd. From the play by Joseph O. Kesselring.

Credits: Producer, Pandro S. Berman; director, Mark Sandrich; screenplay, Humphrey Pearson, Edward Kaufman; editor, Basil Wrangell; music director, Max Steiner.

THE AGGRAVATIN' B'AR. (A Sports-Eye-View) 1933. 1 reel.

THE AGGRAVATIN' KID. Century. 1924. 2 reels.

Credits: Written and directed by Edw. I. Luddy.

AGGRAVATIN' MAMA. SEE The Gumps in Aggravatin' Mama.

AGGRESSIVENESS: ESTABLISHING OUTPOSTS. 1929. 1 reel.

AGHILEEN PINNACLES. 1939. 1 reel, sd.

Credits: Producer, Truman Talley; described by Father Hubbard and Lowell Thomas.

Credits: Producer, John L. Hawkinson.

AGNES. SEE

A Million Bid.

A Woman's Experience.

THE AGONY COLUMN. SEE

The Blind Adventure.

The Second Floor Mystery.

THE AGONY OF FEAR. 1915. 3 reels.

Credits: Director, Giles R. Warren.

AGRICULTURAL OPPORTUNITIES IN WESTERN CANADA. 1918. 1 reel.

AH, GAY VIENNA. Bluebird. 1927. 1 reel.

Credits: Director, Harry Sweet.

AH, WILDERNESS! 1935. 10 reels, sd., b&w. From the play by Eugene O'Neill.

Credits: Producer, Hunt Stromberg; director, Clarence Brown; screenplay, Frances Goodrich, Albert Hackett; film editor, Frank E. Hull; musical score, Herbert Stothart.

A HAUNTING WE WILL GO. (A Walter Lantz Cartune) 1939. 1 reel, sd., color.

Credits: Director, Burt Gillett; story, Gil Burton, Kin Platt; animation, Fred Kopietz, Lester Kline.

A HUNTING WE WILL GO. 1932. 1 reel.

Credits: Director, Robert C. Bruce.

A HUNTING WE WILL GO. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Alfred Eugster, Rudolph Eggeman.

AIN'T HE GRAND? Imp. 1916. 1 reel.

Credits: Written and produced by Roy Clements.

AIN'T IT THE TRUTH? 1915. 1 reel.

AIN'T IT THE TRUTH. 1929. 2 reels, sd.

AIN'T LOVE AWFUL? Century. 1923. 2 reels.

AIN'T LOVE FUNNY? Released by F. B. O. 1926. 5 reels.

Credits: Director, Del Andrews; story, Kay Clement, Lela Gidley; adaptation and continuity, Doris Anderson.

AIN'T LOVE GRAND! 1921. 2 reels.

Credits: Director, Al. St. John.

AIN'T NATURE GRAND. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Stephen Roberts.

AIN'T NATURE WONDERFUL. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Lyons-Moran.

AIN'T SHE SWEET. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Thomas Johnson.

AIN'T WE GOT FUN. (Merrie Melodies) 1937. 8 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Charles Jones, Bob Clampett; musical score, Carl W. Stalling.

AIR. (General Science) 1937. Filmstrip.

Credits: Arranged and produced by Gerrit C. Zwart; drawings, Helen S. Zwart.

AIR ATTACK. (Football Thrills Series) 1932. 1 reel.

Credits: Producer, Clyde E. Elliott; editor, Leonard Mitchell.

THE AIR CIRCUS. 1928. 8 reels, b&w, tinted sequences.

Credits: Directors, Howard Hawks, Lew Seiler; story, Graham Baker, Andrew Bennison; scenario, Seton I. Miller, Norman Z. McLeod.

THE AIR DERBY. (Russ Farrell Aviator Series) 1929. 2 reels.

Credits: Producers, Charles R. Rogers, Harry J. Brown; director, Harry J. Brown; story, Thompson Burtis.

AIR DEVILS. 1938. 7 reels.

Credits: Associate producer, Paul Malvern; director, John Rawlins; original story, Harold Buckley; screenplay, Harold Buckley, George Waggner; film editor, Charles Craft.

THE AIR EXPRESS. (Meany, Miny, Moe) Snappy. 1937. 1 reel.

Credits: Producer, Walter Lantz; story, Walt Lantz, Victor McLeod; artists, Lester Kline, Fred Kopietz, Laverne Harding.

AIR FRIGHT. (Hal Roach, Thelma Todd and Patsy Kelly Comedy) 1933. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Bert Jordan.

THE AIR HAWK. Released by F. B. O. 1924. 5 reels. From the novel by George W. Pyper.

Credits: Director, Bruce Mitchell; editor, Della M. King.

AIR HAWKS. 1935. 7 reels, sd.

Credits: Director, Albert Rogell; screenplay, Griffin Jay, Grace Neville; film editor, Richard Cahoon.

AIR HOSTESS. 1933. 7 reels, sd.

Credits: Director, Albert Rogell; story, Grace Perkins; screenplay, Keene Thompson, Milton Raison.

AIR HOSTESS. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1937. 703 ft., sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe de Nat.

THE AIR LEGION. 1929. 7 reels.

Credits: Director, Bert Glennon; story, James A. Creelman; continuity, Fred Mynton.

THE AIR MAIL. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,976 ft.

Credits: Producer, Irvin Willat; story, Byron Morgan; screenplay, James Shelley Hamilton.

AIR MAIL. 1932. 9 reels.

Credits: Director, John Ford; screenplay, Dale Van Every, Frank Wead.

THE AIRMAIL MYSTERY. 1932. 2 reels each. © Universal Pictures Corp.

Credits: Director, Ray Taylor; story and dialogue, Ella O'Neill; continuity, Basil Dickey, George Plympton, George Morgan.

1. Pirates of the Air. © 14Mar32; LP2918.

2. Hovering Death. © 14Mar32; LP2919.

3. A Leap for Life. © 24Mar32; LP2938.

4. A Fatal Crash. © 29Mar32; LP2952.

5. The Hawk Strikes. © 6Apr32; LP2973.

6. The Bridge of Destruction. © 13Apr32; LP2986.

7. The Hawk's Treachery. © 21Apr32; LP2994.

8. The Aerial Third Degree. © 27Apr32; LP3002.

9. The Attack on the Mine. © 6May32; LP3019.

10. The Hawk's Lair. © 13May32; LP3035.

11. The Law Strikes. © 20May32; LP3052.

12. The Mail Must Go Through. © 8Jun32; LP3076.

AIR MANIACS. Treasure Chest. Presented by E. W. Hammons. 1933. 960 ft., sd.

Credits: Producer, Nate Watt.

AIR PARADE. Presented by E. W. Hammons. 1938. 1,743 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy Klauber.

THE AIR PATROL. (Thrill Series) 1927. 5 reels.

Credits: Director, Bruce Mitchell; story, Al Wilson; continuity, William Lester.

AIR POLICE. 1931. 6 reels, sd.

Credits: Director, Stuart Paton; story, continuity, and dialogue, Arthur Hoerl, Bennett Cohen.

THE AIR PRESSURE IN WHICH WE LIVE. 1924. 1 reel.

AIR THRILLS. (World of Sports) 1935. 1 reel, sd.

Credits: Producer, Sidney H. MacKean.

AIR TIGHT. (Bobby Vernon Comedies) Educational Pictures. 1925. 2 reels.

Credits: Director, Harold Beaudine.

AIR TIGHT. Presented by Hal Roach. 1931. 2 reels, sd., b&w.

Credits: Director, George Stevens; dialogue, H. M. Walker; editor, Richard Currier.

AIR TONIC. 1933. 2 reels, sd.

Credits: Producer, Lou Brock; director, Sam White; story, Joseph A. Fields, Walter Weems; film editor, Charles Kimball.

AIRHOPPERS. (A Sports Parade Subject) 1936. 1 reel, sd., b&w.

Credits: Director, Joseph Boyle; explanatory remarks by Pete Smith.

AN AIRPLANE TRIP. 1938. 1 reel, sd.

AL ABBOTT IN SMALL TOWN RAMBLES. 1929. 1 reel, sd.

AL HERMAN, THE ASSASSIN OF GRIEF AND REMORSE. 1928. 1 reel, sd.

AL JOLSON IN A PLANTATION ACT SINGS APRIL SHOWERS [and others]. 1927. 1 reel, sd.

AL JOLSON IN ANNOUNCEMENT TRAILER (BLACKFACE) FOR THE SINGING FOOL. 1928. 1 reel, sd.

AL. LYDELL AND BOBBY HIGGINS IN A FRIEND OF FATHER'S. 1928. 1 reel, sd.

AL LYONS AND HIS FOUR HORSEMEN. 1929. 1 reel, sd.

AL TRAHAN IN THE MUSICALE. 1930. 1 reel, sd.

AL WOHLMAN, BROADWAY'S DOCTOR OF MELODY [OFFERS] WHAT YOU GONNA DO NOW [and others]. (Movietone Act) 1929. 1 reel, sd.

Credits: Producer, Al Wohlman.

AN ALABASTER BOX. 1917. 5 reels.

Credits: A. Van Buren Powell; director, Chester Withey; story, Mary E. Wilkins Freeman, Florence Morse Kingsley.

ALADDIN AND HIS WONDERFUL LAMP. 1939. 2 reels, sd., color.

Credits: Director, Dave Fleischer; animation, David Tendlar, William Sturm, Nicholas Tafuri, Reuben Grossman.

ALADDIN AND THE WONDERFUL LAMP. 1917. For Fox Film Corp. 8 reels. Based on "The Arabian Nights."

Credits: Directors, S. A. and C. M. Franklin; scenario, Bernard McConville.

ALADDIN AND THE WONDERFUL LAMP. (ComiColor Cartoon) 1934. 1 reel, sd., color.

ALADDIN FROM BROADWAY. 1917. 5 reels.

Credits: Frederick Isham; director, William Wolbert; scenario. Helmer Walton Bergman.

ALADDIN-UP-TO-DATE. Black Cat. 1917. 30 min.

Credits: H. Tipton Steck; director, Arthur Berthelet.

ALADDIN'S LAMP. (Paul Terry-Toons) Educational Film Exchanges, Inc. 1931. 9 min.

Credits: Frank Moser, Paul Terry.

ALADDIN'S LAMP. (Paul Terry-Toons) Presented by E. W. Hammons. 1935. 543 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

ALADDIN'S LANTERN. (Our Gang Comedy) Presented by Metro-Goldwyn Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Gordon Douglas; screenplay, Hal Law, Robert McGowan; music director, David Snell.

ALADDIN'S OTHER LAMP. Presented by B. A. Rolfe. 1917. 5 reels. From the play "The Dream Girl" by Willard Mack.

Credits: Director, John H. Collins; adaptation, June Mathis.

THE ALARM. 1921. 2 reels.

Credits: Director, Robert Hill; story and scenario, George Morgan, George H. Plympton.

THE ALARM. 1922. 2 reels.

Credits: Director, Al St. John.

ALARM CLOCK ANDY. 1919. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Jerome Storm; story, Agnes C. Johnston.

ALAS AND ALACK. Rex. 1915. 1 reel.

Credits: Producer, Joseph de Grasse; scenario, Ida May Park.

Credits: Written and produced by Colin Campbell.

ALASKA. 1930. 1 reel.

ALASKA. (Oswald Cartoon) 1930. 1 reel.

Credits: Animation, Walter Lantz, William Nolan.

ALASKA. 1931. 1 reel.

ALASKA LOVE. (Educational's Comedies) 1932. 20 min., sd.

Credits: Director, Babe Stafford; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Felix Adler.

ALASKA OR BUST. (Fables, no. 378) 1928. 1 reel.

Credits: Paul Terry, Frank Moser.

ALASKA SWEEPSTAKES. 1936. 1 reel.

Credits: Producer, Walter Lantz; story, Walter Lantz and Victor McLeod.

THE ALASKAN. Paramount. 1924. 6,736 ft. From the novel by James Oliver Curwood.

Credits: Producer, Herbert Brenon; screenplay, Willis Goldbeck.

Credits: Producer, John Morton Allen; director, Jack Robertson; edited and titled by Paul Hugon; photographed by Jack Robertson and Wylie Wells Kelly.

THE ALASKAN INDIANS. 1/2 reel. 1916.

Credits: Photographer, Edward S. Curtis.

AN ALASKAN INTERLUDE. 1914. 1 reel.

Credits: George Lessey.

ALASKAN NIGHTS. (Krazy Kat Comic) Winkler. 1930. 1 reel. Adapted from the cartoon character by George Herriman.

Credits: Ben Harrison, Manny Gould; musical score, Joe De Nat.

THE ALBANY BRANCH. 1931. 20 min., sd.

Credits: Director, Max Sennett; story and dialogue, John A. Waldron, Earl Rodney, Del Lord, Walter Weems, Harry McCoy.

THE ALBANY NIGHT BOAT; 1928. 6 reels.

Credits: Director, Alfred Raboch; story and continuity, Wellyn Totman; editor, Byron Robinson.

ALBERT CARROLL IN IMPRESSIONS. 1930. 1 reel, sd.

ALBERT SPALDING. 1929. 1 reel, sd.

ALBERT SPAULDING, CONCERT VIOLINIST, PLAYING GYPSY AIRS BY SARASATE, SOUVENIR BY DRDLA. 1927. 1 reel, sd.

ALBERT SPAULDING, CONCERT VIOLINIST, PLAYING NOCTURNE NO. 12 IN G MAJOR BY CHOPIN, HARK, HARK, THE LARK BY FRANZ SCHUBERT. 1927. 1 reel, sd.

ALBERT SPAULDING PLAYING ALABAMA BY SPAULDING AND VALSE IN G FLAT BY CHOPIN. 1929. 1 reel, sd.

ALBERT SPALDING PLAYING AVE MARIA BY SCHUBERT, WALTZ IN A BY BRAHMS. 1929. 1 reel, sd.

ALBERT SPALDING PLAYING LEIBESLEID, CAVATINA, BY RAFF. 1929. 1 reel, sd.

ALBERT SPALDING PLAYING MINUET IN D BY MOZART, LIEBESFREUD BY KREISLER. 1929. 1 reel, sd.

ALBERT SPALDING PLAYING SCHUMANN'S TRAUMEREI AND SARASATE'S ROMANZA ANDALUZA. 1929. 1 reel, sd.

ALCATRAZ ISLAND. Cosmopolitan. First National. 1937. 6 reels, sd.

Credits: Director, William McGann; original screenplay, Crane Wilbur.

THE ALCHEMIST'S HOURGLASS. 1936. 2 reels, sd.

Credits: Director, Leo Lipp; score composed and conducted by S. B. Grimson.

ALEC LLOYD, COWPUNCHER. SEE Cupid, the Cowpuncher.

ALEX MORRISON, ASSISTED BY WALTER WEEMS IN A LESSON IN GOLF. 1927. 1 reel.

ALEX THE GREAT. 1928. 7 reels. From the novel by H. C. Witwer.

Credits: Adaptation, Dudley Murphy.

Credits: Director, Kenneth Webb; adaptation, Allen Johnson.

ALEXANDER HAMILTON. 1931. 8 reels, sd.

Credits: George Arliss, Mary Hamlin; director, John Adolfi; adaptation, Julian Josephson, Maude Howell.

ALEXANDER'S RAGTIME BAND. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

ALEXANDER'S RAGTIME BAND. 1938. 9,569 ft., sd.

Credits: Director, Henry King; screenplay, Kathryn Scola, Lamar Trotti; adaptation, Richard Sherman; music director, Alfred Newman.

ALEXANDRA. SEE Princess Charming.

ALEXANDRIA. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

ALEXIA'S STRATEGY. 1913. 2 reels.

Credits: Frank Dormedont.

ALFALFA LOVE. Century. 1921. 2 reels.

Credits: Written and directed by Fred Fishback.

ALFALFA'S AUNT. (Our Gang Comedy) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, George Sidney; screenplay, Hal Law, Robert McGowan.

AL FALFA'S SCIENTIFIC DAIRY. 1916. 1 reel.

Credits: Paul Terry.

ALF'S BUTTON. First National. 1921. 6 reels. From the novel by W. A. Darlington.

Credits: Producer, Cecil M. Hepworth; adaptation, Blanche Macintosh.

ALGEBRA—PRE-VIEW. 1933. 1 reel.

ALGERIA OLD AND NEW. Powers. 1917. 1/2 reel.

ALGIERS. Released through United Artists. 1938. 10 reels, sd. From the novel by Detective Ashelbe [pseud. of Henri La Barthe].

Credits: Director, John Cromwell; screenplay, John Howard Lawson; additional dialogue, James M. Cain; film editors, Otho Lovering, William Reynolds; music, Vincent Scotto, Mohammed Igorbouchen.

ALGIE'S SISTER. 1914. 1 reel.

Credits: Producer, Gilmore Walker.

ALI BABA AND THE FORTY THIEVES. 1918. 5 reels.

Credits: Directors, C. M. Franklin, S. A. Franklin; scenario, Bernard McConville.

ALI BABA GOES TO TOWN. 1937. 7,402 ft., sd.

Credits: Director, David Butler; story, Gene Towne, Graham Baker, Gene Fowler; screenplay, Harry Tugend, Jack Yellen; music director, Louis Silvers.

ALI GAZAM. Bluebird. 1927. 1 reel.

Credits: Director, Richard Smith.

ALIAS BULLDOG DRUMMOND. 1935. 6 reels, sd.

Credits: Director, Walter Forde; original screenplay, J. O. C. Orton, Sidney Gilliat, Gerard Fairlie; collaboration, Sapper [pseud. of Herman Cyril McNeile]; basic idea and dialogue, Jack Hulbert; editor, Otto Ludwig; music director, Louis Levy.

ALIAS FRENCH GERTIE. Radio. 1930. 7 reels, sd. From the stage play "The Chatterbox" by Bayard Veiller.

Credits: Associate producer, Henry Hobart; director, George Archainbaud; screenplay, Wallace Smith.

ALIAS JANE JONES. Laemmle. 1916. 2 reels.

Credits: William Mong; producer, Cleo Madison.

ALIAS JIMMIE BARTON. 1916. 2 reels.

ALIAS JIMMY VALENTINE. 1920. 6 reels. From the play by Paul Armstrong.

Credits: Director general, Maxwell Karger; adaptation and scenario, Finis Fox.

ALIAS JIMMY VALENTINE. 1929. 10 reels, sd., b&w. From the play by Paul Armstrong.

Credits: Producer and director, Jack Conway; adaptation, A. P. Younger; continuity, Sarah Y. Mason; film editor, Sam S. Zimbalist.

ALIAS JULIUS CAESAR. Presented by Arthur S. Kane. 1922. 5 reels.

Credits: Richard Andrés; director, Charles Ray.

ALIAS LADYFINGERS. 1921. 5 reels. Based on a story by Jackson Gregory.

Credits: Producer and director, Bayard Veiller; scenario, Lenore J. Coffee.

ALIAS MARY DOW. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Director, Kurt Neumann; original story, Forrest Halsey, William Allen Johnston; screenplay, Gladys Unger, Rose Franken, Arthur Caesar; film editor, Phil Cohn.

ALIAS MARY FLYNN. Released by F. B. O. 1925. 6 reels.

Credits: Director, Ralph Ince; story, Frederick Kennedy Myton, Edward J. Montagne; scenario, Fred Myton.

ALIAS MIKE MORAN. 1919. 5 reels. From the story "Open Sesame" by Frederick Orin Bartlett.

Credits: Director, James Cruze; scenario, Will M. Ritchey.

ALIAS MISS DODD. 1920. 5 reels.

Credits: Director, Harry L. Franklin; story, Edgar Franklin [pseud. of Edgar Franklin Stearns]; scenario, Charles J. Wilson, Jr.

ALIAS MRS. JESSOP. 1917. 5 reels. Based on a story by Blair Hall.

Credits: Supervision, Maxwell Karger; director, William S. Davis; adaptation, Albert Shelby Le Vino.

ALIAS ST. NICK. (Happy Harmonies) 1935. 1 reel.

ALIAS THE BAD MAN. 1931. 66 min.

Credits: Director, Phil Rosen; story, Ford Beebe; continuity and dialogue, Earle Snell; editor, Martin G. Cohn.

ALIAS THE BANDIT. 1930. 2 reels.

Credits: Director, Jack Nelson; story and continuity, Harry A. Crist.

ALIAS THE DEACON. Universal-Jewel. 1927. 7 reels. From the play by John B. Hymer and Leroy Clemens.

Credits: Director, Edward Sloman; adaptation and continuity, Charles Kenyon.

ALIAS THE DEACON. SEE Half a Sinner.

ALIAS THE DOCTOR. First National and Vitaphone. 1932. 7 reels. Based on the play by Emric Foeldes.

Credits: Director, Michael Curtiz; adaptation, Houston Branch; dialogue, Charles Kenyon.

ALIAS THE LONE WOLF. 1927. 7 reels. Based on the story by Louis Joseph Vance.

Credits: Producer, Harry Cohn; director, E. H. Griffith; scenario, Dorothy Howell, Edward H. Griffith.

ALIAS THE NIGHT WIND. 1923. 5 reels, b&w, tinted sequences. Based on the story by Varick Vanardy [pseud. of Frederic Van Rensselear Dey].

Credits: Director, Joseph Franz; scenario, Robert N. Lee.

ALIAS THE PROFESSOR. (A Warren Doane Comedy) 1933. 2 reels.

Credits: Director, James W. Horne; story, James W. Horne, George Stevens.

THE ALIBI. Imp. 1915. 1 reel. Adapted from the story by Frank Condon.

Credits: Producer, Clem Easton; scenario, Dwight Cleveland.

THE ALIBI. 1916. 5 reels. From the story by George Allan England.

Credits: Producer, Paul Scardon; picturized by George H. Plympton.

ALIBI. 1929. Presented by Roland West. 10 reels. Based on the play "Nightstick" by John Wray, J. C. Nugent and Elaine Sterne Carrington.

Credits: Produced and directed by Roland West; adaptation and dialogue, Ronald West, C. Gardner Sullivan.

THE ALIBI. 1929. 2 reels, sd.

Credits: Scenario and dialogue, Marcel Achard.

THE ALIBI. SEE Broken Ties.

ALIBI BYE BYE. Presented by Radio Pictures. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Ben Holmes; story, Johnny Grey, Joseph A. Fields; additional dialogue, Bobby Clark; film editor, Edward Mann.

ALIBI FOR MURDER. 1936. 6 reels.

Credits: Director, D. Ross Lederman; original screenplay, Tom Van Dycke; film editor, William A. Lyon.

ALIBI IKE. Warner Bros. Productions Corp. Presented by Warner Bros. Pictures, Inc. and the Vitaphone Corp. 1935. 8 reels, sd. From the story by Ring Lardner.

Credits: Director, Ray Enright; screenplay, William Wister Haines.

ALIBI MARK. (Your True Adventures) 1937. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Ira Genet.

ALIBI RACKET. (Crime Does Not Pay Series, no. 2) 1935. 2 reels, sd., b&w.

Credits: Director, George B. Seitz; story, Marty Brooks; screenplay, Richard Goldstone.

ALIBI TIME. 1937. 1 reel, sd.

Credits: Director, Roy Mack; story, Cyrus D. Wood.

ALICE ADAMS. 1935. 11 reels, sd. Based on the novel by Booth Tarkington.

Credits: Producer, Pandro S. Berman; director, George Stevens; screenplay, Dorothy Yost, Mortimer Offner, Jane Murfin; music director, Roy Webb.

ALICE AT THE CARNIVAL. Winkler Pictures, Inc. 1927. 1 reel.

ALICE BLUES. 1926. 2 reels.

Credits: Producer, Joe Rock.

ALICE CHARMS THE FISH. Presented by Winkler Pictures, Inc. 1926. 1 reel.

Credits: Walt Disney.

ALICE CUTS THE ICE. 1926. 1 reel.

Credits: Walt Disney.

ALICE FOILS THE PIRATES. Winkler Pictures, Inc. 1927. 1 reel.

ALICE HELPS THE ROMANCE. Winkler Pictures, Inc. 1926. 1 reel.

ALICE IN MOVIELAND. 1928. 2 reels.

Credits: Producer, Louis Lewyn.

ALICE IN SOCIETY. 1916. 3 reels.

ALICE IN THE ALPS. Winkler Pictures, Inc. 1927. 1 reel.

ALICE IN THE BIG LEAGUE. Winkler Pictures, Inc. 1927. 1 reel.

Credits: Walt Disney.

ALICE IN THE KLONDIKE. Winkler Pictures, Inc. 1927. 1 reel.

ALICE IN THE WOOLY WEST. Winkler Pictures, Inc. 1926. 1 reel.

Credits: Walt Disney.

ALICE IN UNDERLAND. SEE Smiling All the Way.

ALICE IN WONDERLAND. 1933. 8 reels, sd. From the story by Lewis Carroll [pseud. of Charles Lutwidge Dodgson].

Credits: Producer, Louis D. Lighton; director, Norman McLeod; screenplay, Joseph L. Mankiewicz, William Cameron Menzies.

ALICE OF THE LAKE. 1915. 1 reel.

Credits: Director, Burton L. King.

ALICE SOLVES THE PUZZLE. 1925. 1 reel.

Credits: Walt Disney.

ALICE THE BEACH NUT. Winkler Pictures Corp. 1927. 1 reel.

ALICE THE COLLEGIATE. Winkler Pictures Corp. 1927. 1 reel.

ALICE THE FIRE FIGHTER. 1926. 1 reel.

Credits: Walt Disney.

ALICE THE GOLF BUG. Winkler Pictures, Inc. 1927. 1 reel.

ALICE THE LUMBER JACK. Winkler Pictures, Inc. 1926. 1 reel.

ALICE THE WHALER. Winkler Pictures, Inc. 1927. 1 reel.

ALICE WINS THE DERBY. 1925. 1 reel.

Credits: Walt Disney.

ALICE'S AUTO RACE. Winkler Pictures, Inc. 1927. 1 reel.

ALICE'S BROWN DERBY. Winkler Pictures, Inc. 1926. 1 reel.

Credits: Walt Disney.

ALICE'S CHANNEL SWIM. Winkler Pictures, Inc. 1927. 1 reel.

Credits: Walt Disney.

ALICE'S CIRCUS DAZE. Winkler Pictures Corp. 1927. 1 reel.

ALICE'S KNAUGHTY KNIGHT. Winkler Pictures, Inc. 1927. 1 reel.

Credits: Walt Disney.

ALICE'S MEDICINE SHOW. Winkler Pictures, Inc. 1927. 1 reel.

Credits: Walt Disney.

ALICE'S MONKEY BUSINESS. Winkler Pictures, Inc. 1926. 1 reel.

Credits: Walt Disney.

ALICE'S PICNIC. Winkler Pictures, Inc. 1927. 1 reel.

ALICE'S RODEO. Winkler Pictures Corp. 1927. 1 reel.

ALICE'S SPANISH GUITAR. Winkler Pictures, Inc. 1926. 1 reel.

ALICE'S THREE BAD EGGS. Winkler Pictures Corp. 1927. 1 reel.

Credits: Walter Disney.

ALICIA OF THE ORPHANS. SEE The Ragged Princess.

Credits: Producer, Thomas H. Ince.

Credits: Producer, John L. Hawkinson.

ALIEN SOULS. 1916. 5 reels.

Credits: Margaret Turnbull; story, Hector Turnbull.

THE ALIMENTARY TRACT. 1938. 1 reel, sd.

ALIMONY. 1924. 7 reels.

Credits: Director, James W. Horne; story, A. T. Locke; scenario, E. Magnus Ingleton; adaptation, Wyndham Gittens, E. M. Ingleton.

ALIMONY ACHES. 1935. 2 reels, sd.

Credits: Director, Charles Lamont; story and screenplay, Ewart Adamson; film editor, Charles Hochberg.

ALIMONY MADNESS. Presented by Golden Arrow, Ltd. 1933. 7 reels, sd.

Credits: Producer, Fanchon Royer; director, Breezy Eason; screenplay and dialogue, John Thomas Neville; editor, Jeanne Spencer.

ALL ABOARD. 1927. 7 reels.

Credits: Director, Charles Hines; story, Matt Taylor.

ALL ABOARD. Mentone. 1937. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

ALL ABOARD FOR BRINDISI. (A Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

ALL ABOARD FOR THE MOON. 1924. 1 reel.

ALL ABROAD. 1925. 2 reels.

Credits: Director, Albert Ray; story, Mabel Herbert Urner; scenario, Catherine Carr.

ALL ALIKE. 1928. 2 reels.

Credits: Director, Earl T. Montgomery; story, E. V. Durling, St. Elmo Boyce, W. H. Woodmansee, Pinto Colvig.

ALL AMERICA BLONDES. 1939. 1,505 ft.

Credits: Director, Del Lord; original screenplay, Elwood Ullman.

THE ALL AMERICAN. 1932. 9 reels.

Credits: Director, Russell Mack; story, Dale Van Every, Richard Schayer; screenplay, Frank W. Wead, Ferdinand Reyher.

ALL AMERICAN CHUMP. 1936. 7 reels, sd., b&w.

Credits: Producers, Lucien Hubbard, Michael Fessier; director, Edward L. Marin; original screenplay, Lawrence Kimble; film editor, Frank E. Hull; music score, William Axt.

ALL AMERICAN DRAWBACK. 1936. 1 reel, sd.

Credits: Director, Lloyd French; story, Burnet Hershey, Jack Henley.

ALL AMERICAN KICKBACK. (Educational Comedies) 1931. 20 min., sd.

Credits: Director, Del Lord; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Lew Foster.

ALL AMERICAN SWEETHEART. 1937. 6 reels, sd.

Credits: Director, Lambert Hillyer; story, Robert E. Kent; screenplay, Grace Neville, Fred Niblo, Jr., Michael L. Simmons; film editor, James Sweeney; music, Ben Oakland; music director, Morris Stoloff.

AN ALL AMERICAN TOOTHACHE. (Hal Roach Comedy) (Thelma Todd & Patsy Kelly Comedy) 1936. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Jack Ogilvie.

ALL AMERICANS. 1929. 2 reels.

Credits: John Murray Anderson; director, Joseph Santley.

AN ALL AROUND CURE. Joker. 1916. 1 reel.

Credits: William W. Farmer; producer, Allen Curtis.

ALL AROUND FRYING PAN. Released by F. B. O. 1925. 6 reels.

Credits: Director, David Kirkland; story, Frank R. Pierce.

AN ALL AROUND MISTAKE. Imp. 1915. 2 reels.

Credits: Producer, George Lessey.

ALL AROUND WITH THE CAMERAMAN. 1921. 1 reel.

Credits: Producer, John L. Hawkinson.

ALL AT SEA. (Broadway Comedy) 1921. 2 reels.

Credits: Producer, Morris R. Schlank.

ALL AT SEA. 1929. 6 reels, sd., b&w.

Credits: Director, Alf Goulding; story, Byron Morgan; continuity, Ann Price, Byron Morgan; film editor, Basil Wrangell.

ALL AT SEA. Mentone. 1933. 2 reels, sd.

Credits: Director, E. H. Kleinert; story, Ballard McDonald.

ALL BALLED UP. (Star Comedy) 1922. 1 reel.

ALL BALLED UP. (Puffy Comedy) 1927. 2 reels.

Credits: Directors, Harry Sweet, Clarence Hennecke; original story, Octavus Roy Cohen; continuity, Frances Hyland.

ALL BETS OFF. Nestor. 1916. 1 reel.

Credits: Ben Cohn; producers, Lyons, Moran.

ALL BOUND ROUND. (Lyons-Moran Star Comedy) 1919. 1 reel.

Credits: Direction, story and scenario, Lyons-Moran.

ALL BUSINESS. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Jean Yarbrough; story, Leslie Goodwins, Jean Yarbrough; film editor, Edward Mann.

ALL COLORED VAUDEVILLE SHOW. 1935. 1 reel, sd.

ALL COOKED UP. 1915. 1,000 ft.

Credits: Howard Lester; director, Charles Ranson.

ALL DOLLED UP. 1921. 5 reels.

Credits: Producer, Rollin Sturgeon; story, John Colton; scenario, A. P. Yonger.

ALL EXCITED. (Sidney-Murray Comedy) 1931. 2 reels.

Credits: Director, Charles Lamont; story, James Mulhauser, Francis J. Martin.

ALL FOR A HUSBAND. 1917. 6 reels.

Credits: Scenario and direction, Carl Harbaugh; story, George Scarborough.

ALL FOR A TOOTH. 1914. 1 reel.

Credits: Ruth M. Woodward; director, C. Jay Williams.

ALL FOR A WOMAN. First National. Presented by Andrew J. Callaghan. 1921. 7 reels.

Credits: Director, Dimitri Buchowetzki; adaptation, Johnstone Craig.

ALL FOR BUSINESS. 1914. 1 reel.

ALL FOR GERALDINE. (Let George Do It Series) (Stern Brothers Comedy) 1928. 2 reels. From cartoons by George McManus.

ALL FOR GOLD. 1918. 2 reels.

Credits: Story, T. Shelley Sutton.

ALL FOR HIS SAKE. 1914. 2 reels.

Credits: Anne Merwin and Bannister Merwin.

ALL FOR MABEL. (Campus Comedies) Presented by E. B. Derr. 1930. 2 reels, sd.

Credits: Producer, John C. Flinn; director, Harry Delmar; story, Bobby Carney; adaptation, Charles Diltz; film editor, Fred Allen; music director, Josiah Zuro.

ALL FOR NOTHING. Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Supervision, Leo McCarey; director, James Parrott; titles, Reed Heustis; editor, Richard Currier.

ALL FOR OLD IRELAND. 1915. 3 reels.

Credits: Written and produced by Sidney Olcott.

ALL FOR ONE. (A Young Romance Comedy) Presented by E. W. Hammons. 1935. 1,665 ft., sd.

Credits: Producer, Al Christie; story, William Watson, Arthur Jarrett.

ALL FOR PEGGY. Rex. 1915. 1 reel.

Credits: Ida May Park; producer, Joseph De Grasse.

ALL FOR THE BAND. 1931. 1 reel, sd.

Credits: Director, Howard Bretherton; story, Rube Welch.

ALL FOR THE BOY. 1914. 1 reel.

ALL FOR THE DOUGH BAG. Rainbow. 1920. 2 reels.

Credits: Written and directed by J. A. Howe.

ALL FOR THE LOVE OF A GIRL. 1915. 1 reel.

Credits: Director, Sidney Drew.

ALL FOR THE LOVE OF A GIRL and LAMPOONS. (Goldwyn-Bray Comic) 1920. 1 reel.

ALL FOR UNCLE. (Mike and Ike Series) (Stern Brothers Comedy) 1927. 2 reels.

Credits: Director, Francis Corby.

THE ALL GIRL REVUE. 1929. 1 reel, sd.

A LL GUMMED UP. (Whoopee Comedies) 1931. 2 reels, sd., b&w.

Credits: Story and direction, Harry Sweet; film editor, Walter Thompson; musical direction, Francis Groman.

ALL IN A DAY. 1917. 15 min.

ALL IN FUN. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Francis J. Martin.

ALL IN THE SAME BOAT. Nestor. 1915. 1 reel.

Credits: Scenario and production, Al. E. Christie.

Credits: R. L. Herrick.

ALL IN THE SWIM. (Lyons-Moran Star Comedy) 1919. 1 reel.

ALL IS FAIR. (Eddie Lyons Comedy) 1922. 2 reels.

Credits: Directors, Eddie Lyons, Eugene DeRue; scenario, Vincent Bryan.

ALL IS LOST. (Mirthquake Comedy) 1923. 2 reels.

Credits: Director, Eugene DeRue.

ALL JAZZED UP. 1919. 2 reels.

Credits: Director, Bill Watson.

Credits: Director, Emile Chautard; story, Willard Mack.

ALL MAN. 1918. 5 reels.

Credits: Donn Byrne; director, Paul Scardon; picturization, Garfield Thompson.

ALL MEN ARE ENEMIES. 1934. 7,193 ft., sd. From the novel by Richard Aldington.

Credits: Director, George Fitzmaurice; screenplay and dialogue, Samuel Hoffenstein, Lenore Coffee; music director, Louis de Francesco; editor, Harold Schuster.

ALL NIGHT. 1918. 5 reels. Adapted from the story "One Bright Idea" by Edgar Franklin [pseud. of Edgar Franklin Stearns].

Credits: Director, Paul Powell; scenario, Fred Myton.

ALL NIGHT LONG. SEE The Outside Woman.

ALL-OF-A-SUDDEN PEGGY. 1919. 5 reels. From the play by Ernest Denny.

Credits: Director, Walter Edwards; scenario, Edith Kennedy.

ALL OF ME. 1934. 8 reels, sd. Based on the play "Chrysalis" by Rose Albert Porter.

Credits: Producer, Louis D. Lighton; director, James Flood; screenplay, Sidney Buchman, Thomas Mitchell; music, Ralph Rainger.

ALL ON ACCOUNT OF A PHOTO. Victor. 1915. 1 reel.

ALL ON ACCOUNT OF A PORTRAIT. 1913. 1 reel.

Credits: Mark Swan.

ALL ON ACCOUNT OF A TRANSFER. 1913. 1 reel.

Credits: Henry W. Otto.

ALL ON ACCOUNT OF THE CHEESE. 1914. Split reel.

ALL ON ACCOUNT OF TOWSER. 1915. 1 reel.

Credits: Director, Ulysses Davis.

ALL ON DECK. 1934. 1 reel, sd.

ALL OUT. 1925. 2 reels.

Credits: Director, George "Slim" Summerville.

ALL OVER A STOCKING. Nestor. 1916. 1 reel.

Credits: Arthur (Sheriff) Mackley; producer, Al. E. Christie.

ALL OVER TOWN. 1937. 6 reels, sd.

Credits: Associate producer, Leonard Fields; director, James Horne; original story, Richard English; screenplay, Jack Townley, Jerome Chodorov; film editors, Murray Seldeen, Howard O'Neill; music director, Alberto Colombo.

ALL OVER TWIST. Century. 1923. 2 reels.

ALL PARTS. Presented by Hal Yates. 1928. 2 reels, b&w.

Credits: Supervision, Leo McCarey; director, Hal Yates; editor, Richard Currier.

ALL PARTS. 1929. 2 reels, sd., b&w.

Credits: Director, Hal Yates; story and supervision, Leo McCarey; editor, Richard Currier.

ALL QUIET ON THE WESTERN FRONT. 1930. 14 reels. Based on the book by Erich Maria Remarque.

Credits: Director, Lewis Milestone; adaptation and dialogue, Maxwell Anderson.

ALL SCARLET. SEE Racing Lady.

ALL SEALED UP. 1932. 2 reels, sd.

Credits: Director, Albert Ray; story, Andrew Bennison.

ALL SEALED UP. 1934. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley.

ALL SET. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Harry Sweet.

ALL SIGNS POINT TO SALES. 1937. 1 reel.

ALL SOULS EVE. 1921. 6 reels. From the play by Anne Crawford Flexner.

Credits: Director, Chester Franklin; scenario, Elmer Harris.

ALL SQUARE. 1930. 2 reels.

ALL STAR VAUDEVILLE. 1935. 1 reel, sd.

ALL STEAMED UP. Presented by William Fox. 1929. 3 reels.

Credits: Director, Norman Taurog; story, Andrew Bennison; scenario, Andrew Bennison, Clark and McCullough.

ALL STUCK UP. 1915. 1 reel.

ALL STUCK UP. 1918. 1 reel.

Credits: Arranged and directed by Arthur D. Hotaling.

ALL STUCK UP. (A Checker Comedy) 1930. 2 reels, sd.

Credits: Producer and director, George Lemaire; story, George W. Barry, John Cantwell; adaptation, Daniel Kusell; film editor, Edward Pfitzenmeier.

ALL TEED UP. (Hal Roach Comedy) 1930. 1,891 ft., sd., b&w.

Credits: Director, Edgar Kennedy; story, Leo McCarey.

ALL THE BROTHERS WERE VALIANT. 1923. 7 reels. From the story by Ben Ames Williams.

Credits: Producer, Irvin V. Willat; scenario and adaptation, Julien Josephson.

ALL THE BROTHERS WERE VALIANT. SEE Across to Singapore.

ALL THE COMFORTS OF HOME. 1930. 1 reel.

ALL THE KING'S HORSES. Presented by Adolph Zukor. 1935. 10 reels, sd. Based on a play by Laurence Clark and Max Giersberg and a play by Frederick Herendeen and Edward Horan.

Credits: Producer, William LeBaron; director, Frank Tuttle; screenplay, Frank Tuttle, Frederick Stephani; music and lyrics, Sam Coslow.

ALL THE KING'S MEN. SEE Second Wife.

ALL THE WORLD TO NOTHING. 1918. 5 reels.

Credits: Director, Henry King; story, Wyndham Martyn; scenario, Stephen Fox.

ALL THE WORLD WONDERED. SEE The Last Mile.

ALL TIED UP. 1925. 2 reels.

Credits: Director, George "Slim" Summerville.

ALL TOGETHER. 1937. Filmstrip, 75 frames, sd.

Credits: Producer, John L. Hawkinson.

ALL WASHED UP. (Karnival Komedies, no. 2) 1928. 2 reels.

Credits: Producer, Larry Darmoor; director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

ALL WET. 1922. 2 reels.

Credits: Director, Al St. John.

ALL WET. (An Oswald the Lucky Rabbit Cartoon) 1927. 1 reel.

Credits: Walt Disney.

ALL WET. 1930. 2 reels.

Credits: Director, Sam Newfield.

ALL WOMAN. 1918. 5 reels.

Credits: E. Lloyd Sheldon; director, Hobart Henley.

ALL WOMEN ARE BAD. SEE Don't Bet on Women.

ALL WOMEN HAVE SECRETS. 1939. 8 reels, sd.

Credits: Director, Kurt Neumann; story. Dale Eunson; screenplay, Agnes Christine Johnston; film editor, Arthur Schmidt.

Credits: Directors, William Worthington, Raymond West; story, Mildred Considine; scenario, Jack Cunningham.

ALL WRONG. 1921. 2 reels.

Credits: Director, J. Blystone.

ALL WRONG. (Mirthquake Comedy, no. 4) 1922. 2 reels.

Credits: Director, Eugene De Rue; scenario, Ralph Ceder.

ALLADIN FROM MANHATTAN. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Alf Goulding; story, Ewart Adamson; film editor, Edward Mann.

ALLADIN, JUNIOR. 1922. 1 reel.

ALLAH IL ALLAH. (U.F.A. Oddity) 1929. 1 reel.

ALLEGHENY UPRISING. 1939. 81 min., sd. Based on the story "The First Rebel" by Neil H. Swanson.

Credits: Pandro S. Berman in charge of production; production and screenplay, P. J. Wolfson; director, William A. Seiter; editor, George Crone; music, Anthony Collins.

AN ALLEY ROMANCE. SEE Dud Visits the Zoo.

ALLEZ-OOP. (A Sports Champion Picture) 1933. 911 ft.

Credits: Director, Jack Cummings; explanatory remarks, Pete Smith.

ALLEZ OOP. (An Educational Star Comedy) Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Director, Charles Lamont; story, Ernest Pagano, Ewart Adamson.

ALLIES. SEE Love In a Hurry.

ALL'S FAIR. 1938. 1 reel, sd.

Credits: Director, Robert Hall; story, Arthur Jarrett, Marcy Klauber.

ALL'S FAIR IN LOVE. Goldwyn Studios. 1921. 5 reels. Adapted from the stage play "The Bridal Path" by Thompson Buchanan.

Credits: Directed and supervised by E. Mason Hopper; scenario, Arthur F. Statter.

ALL'S WET THAT ENDS WET. (World of Sports) Bray Pictures Corp. 1933. 1 reel, sd.

ALLURING BALI. 1936. 400 ft., si., 16 mm.

ALLURING BALI. 1936. 400 ft., sd., 16 mm.

Credits: Narrator, Harlow Wilcox.

THE ALMA MARTYR. 1933. 1 reel.

Credits: Director, Roy Mack.

Credits: Director, Robert Thornby; original story, and scenario, Eugenie Magnus Ingleton.

AN ALMOND-EYED MAID. 1913. 1 reel.

Credits: Dora M. Lynn.

ALMOST A GENTLEMAN. 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Charles Diltz, Roy McCarey; editor. Earl Neville.

ALMOST A GENTLEMAN. 1939. 65 min., sd.

Credits: Producer, Cliff Reid; director, Leslie Goodwins; story, Harold Shumate; screenplay, David Silverstein, Jo Pagano; editor, Desmond Marquette; music director, Frank Tours.

ALMOST A HERO. 1915. 1 reel.

Credits: Director, Ulysses Davis.

ALMOST A HUSBAND. 1919. 5 reels. Founded on the story "Old Ebenezer" by Opie Read.

Credits: Director, Clarence G. Badger.

ALMOST A HUSBAND. Century. 1924. 2 reels.

Credits: Written and directed by Charles Lamont.

ALMOST A KING. Nestor. 1915. 2 reels.

Credits: Written and produced by Al. E. Christie.

ALMOST A KNOCKOUT. Nestor. 1915. 1 reel.

Credits: Producer, Al. E. Christie; scenario, E. M. Campbell.

ALMOST A LADY. Released by Producers Distributing Corp. 1926. 6 reels. From the story "Skin Deep" by Frank R. Adams.

Credits: Director, E. Mason Hopper; screenplay and editorial supervision, F. McGrew Willis; adaptation, Anthony Coldewey.

ALMOST A PAPA. Imp. 1915. 1 reel.

Credits: Raymond L. Schrock; producer, Harry McRae Webster.

ALMOST A RANCHER. (Star Comedy) 1921. 1 reel.

Credits: Producer, Craig Hutchinson; story and scenario, W. Scott Darling.

ALMOST A WIDOW. Nestor. 1916. 1 reel.

Credits: Producer, Horace Davey; story, Robert McGowan.

THE ALMOST GOOD MAN. Gold Seal. 1917. 5 reels.

Credits: Director, Fred A. Kelsey; story, Shelley Sutton; scenario, Charles J. Wilson, Jr.

THE ALMOST GOOD MAN. 1923. 2 reels.

ALMOST GUILTY. Nestor. 1916. 1 reel.

Credits: Producer, Louis Chaudet; story, Walter H. Newman.

ALMOST HUMAN. De Mille Pictures Corp. Presented by William C. De Mille. 1927. 6 reels. Suggested by "The Bar Sinister" by Richard Harding Davis.

Credits: Director, Frank Urson; screenplay, Clara Beranger; film editor, Adelaide Cannon.

Credits: Written and directed by Twede-Dan [pseud. of F. Perez].

ALMOST MARRIED. 1919. 5 reels.

Credits: Supervision, Maxwell Karger; director, Charles Swickard; story, E. V. Durling; scenario, Luther A. Reed, June Mathis.

ALMOST MARRIED. 1923. 2 reels.

Credits: Producer, Eddie Lyons.

ALMOST MARRIED. 1932. 4,700 ft. Based on the novel "The Devil's Triangle" by Andrew Soutar.

Credits: Directors, William C. Menzies, Marcel Varnel; screenplay, Wallace Smith, Guy Bolton; editor, Harold Schuster.

ALMOST WELCOME. 1918. 1 reel.

Credits: Story and direction, Eddie Lyons, Lee Moran.

ALOHA. Rogell Productions, Ltd. Released by Tiffany Productions, Inc. 1931. 9 reels, sd.

Credits: Production manager, Rudolph Flothow; director, Albert Rogell; story, Thomas H. Ince, J. G. Hawks; adaptation and continuity, Adele Buffington; dialogue, Leslie Mason, W. Totman; film editor, Richard Cahoon.

Credits: Supervision, Thomas H. Ince.

ALOHA OE. 1915. 5 reels.

ALOHA OE. 1933. 1 reel, sd.

Credits: Producer, Max Fleischer; director, Dave Fleischer.

ALOMA OF THE SOUTH SEAS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 8,514 ft. From the play by John B. Hymer and Leroy Clemens.

Credits: Producer, Maurice Tourneur; screenplay, James A. Creelman.

ALONE AT LAST. 1924. 1 reel.

Credits: Producer, Colin Campbell.

ALONE IN THE WORLD. Special Laemmle. 1916. 1 reel.

Credits: Directors, Louis Weber, Phillips Smalley.

ALONE WITH YOU. SEE Cheer Up and Smile.

ALONG CAME A DUCK. (Burt Gillett's Toddle Tales) Presented by RKO Radio. 1934. 1 reel.

Credits: Directors, Burt Gillett, Steve Muffati.

ALONG CAME FIDO. (A Hot Dog Cartoon) Bray Studios. 1927. 1 reel.

Credits: Directors, Walt Lantz, Clyde Geronimi.

ALONG CAME LOVE. Presented by Adolph Zukor. 1936. 7 reels, sd.

Credits: Producer, Richard A. Rowland; director, Bert Lytell; original screenplay, Austin Strong; continuity and additional dialogue, Arthur Caesar; music director, Borros Morros.

ALONG CAME RUTH. 1924. 5 reels. From the Henry W. Savage play adapted by Holman Day from the French "La Demoiselle de Magasin" by Fonson and Wicheler.

Credits: Director, Edward Cline; story, F. Fonson, F. Wicheler; scenario, Holman Day; screen adaptation, Winifred Dunn.

ALONG CAME RUTH. 1933. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Burnet Hershey, A. Dorian Otvos.

ALONG CAME YOUTH. 1930. 6,623 ft., sd. Suggested by the novel "Molinoff" by Maurice Bedel.

Credits: Directors, Lloyd Corrigan, Norman McLeod; story, George Marion, Jr.; scenario, Marion Dix.

ALONG FLIRTATION WALK. (Merrie Melodies, no. 6) Vitaphone. 1935. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Bob McKimson, Paul Smith; music, Norman Spencer.

ALONG MAIN STREET. 1936. 1 reel.

ALONG THE BORDER. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

ALONG THE FRENCH RIVIERA. Released by Compagnie Générale Transatlantique. 1937. 1 reel, sd.

Credits: Script collaborator, Paul P. Devlin.

ALONG THE LIFE-LINE OF THE BRITISH EMPIRE—SUEZ, MALTA, GIBRALTAR. Released by Harold Auten. 1936. 1 reel.

ALONG THE MEDITERRANEAN. SEE E. M. Newman's Along the Mediterranean.

ALONG THE NILE. 1913. 1 reel.

ALONG THE RIO GRANDE. (Paramount-Burton Holmes Travel Picture) 1922. 1 reel.

ALONG THE RIVIERA. (A Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

ALPINE ANTICS. Snappy. Winkler. 1929. 1 reel.

Credits: Tom Palmer.

ALPINE ANTICS. 1936. 1 reel.

Credits: Animation, Riley Thompson, Jack Carr.

ALPINE CABARET. Mentone. 1937. 10 min., sd.

Credits: Director, Milton Schwarzwald.

ALPINE CLIMBERS. (A Walt Disney Mickey Mouse) 1936. 1 reel.

ALPINE GRANDEUR. 1937. 1 reel, sd.

Credits: Dialogue, Ira Genet; editor, Bert Frank; narrator, Alan Kent.

ALPINE RENDEZVOUS. Educational Pictures. Presented by E. W. Hammons. 1936. 968 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story, Art Jarrett, William Watson.

AN ALPINE ROMANCE. (A Laemmle Novelty) Snappy. 1928. 1 reel, sd.

THE ALPINE YODELER. (Paul Terry-Toons) Presented by E. W. Hammons. 1936. 1 reel, sd.

Credits: Frank Moser and Paul Terry; scored and conducted by Philip Scheib.

AL'S TROUBLES. Century. 1925. 2 reels.

Credits: Written and directed by Charles Lamont.

THE ALSTER CASE. 1915. 5 reels.

Credits: Rufus Gillmore; director, J. Charles Haydon.

THE ALTAR OF LOVE. 1915. 1 reel.

Credits: Directors, Maurice Costello, Robert Gaillord.

AN ALTAR ON LITTLE THUNDER. SEE His Divorced Wife.

THE ALTAR ON THE HILL. SEE The Silent Watcher.

THE ALTAR STAIRS. 1922. 5 reels.

Credits: Director, Lambert Hillyer; story, G. B. Lancaster; scenario, Doris Schroeder.

ALTARS OF DESIRE. 1926. 7 reels.

Credits: Director, Christy Cabanne; story, Maria Thompson Daviess; adaptation, Alice D. G. Miller, Agnes Christine Johnston; film editor, George Hively.

ALUM AND EVE. (Hal Roach Comedy) Presented by Hal Roach. 1932. 2 reels, sd.

Credits: Director, George Marshall; editor, Richard Currier.

ALWAYS A GENTLEMAN. (Hamilton Comedies) 1928. 2 reels.

Credits: Written and directed by Norman Taurog.

ALWAYS AUDACIOUS. Presented by Jesse L. Lasky. 1920. 5 reels. Based on the story "Toujours de l'Audace" by Ben Ames Williams.

Credits: Director, James Cruze; scenario, Tom Geraghty.

ALWAYS FAITHFUL. SEE Blanche Sweet in Always Faithful.

ALWAYS GOODBYE. 1931. 5,400 ft.

Credits: Associate producer, John W. Considine, Jr.; directors, William C. Menzies, Kenneth MacKenna; original story, Kate McLaurin; continuity and dialogue, Lynn Starling; editor, Harold Schuster.

ALWAYS GOODBYE. 1938. 6,750 ft., sd.

Credits: Director, Sidney Lanfield; story, Gilbert Emery, Douglas Doty; screenplay, Kathryn Scola, Edith Skouras; music director, Louis Silvers.

ALWAYS IN THE WAY. Dyreda Art Films. 1915. 6 reels. A picturization of the song classic by Charles K. Harris.

ALWAYS KICKIN! (The Gleasons' Sports Featurettes) 1932. 20 min., sd.

Credits: Director, James Gleason; story, Charles W. Paddock.

ALWAYS KICKIN! (Color Classic) 1939. 1 reel, sd., color.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Arnold Gillespie.

ALWAYS LATE. (Monty Banks Comedy) 1923. 2 reels.

Credits: Director, Herman C. Raymaker.

ALWAYS THE WOMAN. 1922. 6 reels.

Credits: Adapted and directed by Arthur Rosson; story, Perley Poore Sheehan.

AM I DREAMING? (Star Comedy) 1920. 1 reel.

AM I HAVING FUN! 1936. 2 reels, sd.

Credits: Director, Preston Black; story and screenplay, Al Ray, Arthur Ripley.

AM TEETISCH. SEE Tea for Three.

AMARILLY OF CLOTHES-LINE ALLEY. 1918. 2 reels. Based on the book by Belle K. Maniates.

Credits: Director, Marshall A. Neilan; scenario, Frances Marion.

THE AMATEUR ADVENTURESS. 1919. 5 reels. From the Young's Magazine story by Thomas Edgelow.

Credits: Producer, Maxwell Karger; director, Henry Otto; adaptation, June Mathis, Luther A. Reed.

AMATEUR ANTICS. (A Grantland Rice Sportlight) Presented by Amédée J. Van Beuren. 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

AMATEUR BROADCAST. (Oswald) (A Walter Lantz Cartoon) Snappy. 1935. 1 reel, sd.

Credits: Story and lyrics, Walter Lantz, Victor McLeod; animation, Cecil Surry, Ray Abrams, Ed. Benedict.

THE AMATEUR CRACKSMAN. SEE Raffles.

AMATEUR DADDY. 1932. 6,300 ft., sd. From the novel "Scotch Valley" by Mildred Cram.

Credits: Director, John Blystone; screenplay, Doris Malloy, Frank Dolan; dialogue, William Conselman; editor, Louis Loeffler.

THE AMATEUR DETECTIVE. 1925. 2 reels.

Credits: Director, Robert P. Kerr; story, Richard Harding Davis; scenario, W. Scott Darling.

AN AMATEUR DEVIL. 1920. 5 reels. Adapted from the story "Wanted a Blemish" by Jessie E. Henderson and Henry J. Buxton.

Credits: Director, Maurice Campbell; scenario, Douglas Bronston.

THE AMATEUR GENTLEMAN. 1926. 8 reels. From the novel by Jeffery Farnol.

Credits: Director, Sidney Olcott; scenario, Lillie Hayward.

THE AMATEUR GENTLEMAN. Released through United Artists. 1936. 9 reels, sd. From the novel by Jeffery Farnol.

Credits: Producer, Marcel Hellman; director, Thornton Freeland; screen adaptation, Clemence Dane, Sergei Nolbandov; dialogue, Clemence Dane; film editor, Conrad von Molo; music score, Walter Goehr; music, Richard Addinsell.

THE AMATEUR HUSBAND. (Star Personality Comedy) Presented by E. W. Hammons. 1935. 2 reels, sd.

Credits: Producer, Al Christie; story, Charlie Williams, Marcy Klauber.

THE AMATEUR LIAR. (Paramount-Drew Comedy) V. B. K. Film Corp. 1919. 2 reels.

Credits: Albert Payson Terhune; supervision, Mr. & Mrs. Sidney Drew.

AMATEUR NIGHT. 1927. 1 reel.

Credits: Murray Roth; director, Bryan Foy; music director, Bert Fiske.

AMATEUR NIGHT. (Paul Terry-Toons) Educational Pictures. Presented by E. W. Hammons. 1935. 532 ft., sd.

Credits: Frank Moser, Paul Terry; music, Philip A. Scheib.

AN AMATEUR PRODIGAL. 1915. 2 reels.

Credits: Albert Payson Terhune.

Credits: Director, Oscar Apfel; story, Joseph Franklin Poland.

THE AMATEUR WIFE. Paramount-Artcraft. Presented by Adolph Zukor. 1920. 6 reels.

Credits: Director, Edward Dillon; story, Nalbro Bartley; scenario, Jane Murfin.

AMATURE NITE. (Oswald) 1929. 1 reel.

Credits: Animation, Walter Lantz.

THE AMAZING ADVENTURE. Rex. 1917. 2 reels.

Credits: Director, Burton George; story, Eleanor M. Ingram; adaptation, Harvey Gates.

THE AMAZING DR. CLITTERHOUSE. First National. 1938. 9 reels, sd. From the play by Barré Lyndon.

Credits: Director, Anatole Litvak; screenplay, John Wexley, John Huston.

THE AMAZING IMPOSTOR. 1919. 5 reels.

Credits: Director, Lloyd Ingraham; story, Joseph Franklin Poland; scenario, Frank Howard Clark.

THE AMAZING LIFE-SAVER TREAD. Presented by Goodrich. 1938. 1 reel, sd.

AMAZING LOVERS. U.F.A. 1928. 1 reel.

Credits: Editor, Edward Bowes.

Credits: Billy Beecher.

THE AMAZING MR. WILLIAMS. 1939. 9 reels, sd.

Credits: Producer, Everett Riskin; director, Alexander Hall; story, Sy Bartlett; screenplay, Dwight Taylor, Sy Bartlett, Richard Maibaum; film editor, Viola Lawrence; music director, M. W. Stoloff.

THE AMAZING QUEST OF MR. ERNEST BLISS. SEE Romance and Riches.

THE AMAZING STORY OF MOHAIR. Presented by Lesher, Wittman & Co. and the Goodall Mills. 1929. Filmstrip, 52 frames (9 in color).

THE AMAZING VAGABOND. F. B. O. Pictures Corp. 1929. 6 reels.

Credits: Director, Wallace W. Fox; story and continuity, Frank Howard Clark.

THE AMAZING WIFE. 1919. 6 reels. From the story "Whose Widow" by Eleanor Chipp.

Credits: Scenario and direction, Ida May Park.

Credits: Director, Lloyd B. Carleton.

THE AMAZONS. 1917. 5 reels.

Credits: Director, Joseph Kaufman.

AMBASSADOR BILL. 1931. 6,300 ft., sd.

Credits: Director, Sam Taylor; story and dialogue, Guy Bolton; editor, Harold Schuster.

AN AMBASSADOR FROM THE DEAD. 1915. 1,000 ft.

Credits: Written and produced by Paul Powell.

THE AMBASSADOR'S DAUGHTER. 1913. 1 reel.

Credits: Bannister Merwin.

THE AMBER VASE. Powers. 1915. 1 reel.

Credits: Scenario and production by Sydney Ayres.

AMBITION. 1916. For Fox Film Corp. 5 reels.

Credits: Director, James Vincent; scenario, Mary Murillo.

THE AMBITION OF THE BARON. 1915. 2 reels. Adapted from The Smart Set Magazine.

AMBITIOUS PEOPLE. (A Colortone Novelty) 1931. 2 reels.

Credits: Director, Nick Grindé.

AMBROSE AND HIS WIDOW. 1918. 2 reels.

Credits: Supervision, J. G. Blystone; director, W. S. Fredericks.

AMBROSE THE LION-HEARTED. 1918. 2 reels.

Credits: Director, W. S. Fredericks.

AMBROSE'S FIRST FALSEHOOD. 1914. 1 reel.

Credits: Producer, Mack Sennett.

AMBROSE'S FURY. 1915. 1 reel.

Credits: Producer, Mack Sennett.

AMBROSE'S ICY LOVE. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, W. S. Frederick.

AMBROSE'S LITTLE HATCHET. 1915.

Credits: Producer, Mack Sennett.

AMBROSE'S LOFTY PERCH. 1915.

Credits: Producer, Mack Sennett.

AMBROSE'S NASTY TEMPER. 1915.

Credits: Producer, Mack Sennett.

AMBROSE'S SOUR GRAPES. 1915.

Credits: Producer, Mack Sennett.

THE AMBUSCADE. (Texas Ranger Series) 1928. 2 reels.

Credits: Director, Joseph Levigard; story and continuity, Basil Dickey.

AMBUSH. 1939. 6 reels, sd.

Credits: Director, Kurt Neumann; story, Robert Ray; screenplay, Laura and S. J. Perelman; film editor, Stuart Gilmore.

AMBUSH. SEE The Reckless Hour.

AMERICA. 1924. 14 reels.

Credits: Director, D. W. Griffith; story and titles, Robert W. Chambers; historical arrangement, John L. E. Pell.

AMERICA HONORS BRITAIN'S PRINCE. 1920. 1 reel.

AMERICA KNEELS. SEE The World Changes.

AMERICA OR BUST. 1930. 2 reels, sd., b&w.

Credits: Producer, E. B. Derr; director, Frank T. Davis; story, Paul Gerard Smith; film editor, John Link; music director, Josiah Zuro.

AMERICAN ARISTOCRACY. SEE The Blue Blood.

THE AMERICAN BEAUTY. 1916. 5 reels.

AMERICAN BEAUTY. 1927. 7 reels.

Credits: Director, Richard Wallace; story, Wallace Irwin: scenario, Carey Wilson.

AMERICAN BUDS. 1918. 6 reels.

Credits: Direction and scenario, Kenean Buel; story, M. Strauss.

THE AMERICAN CONSUL. 1917. 5 reels. From the story by Paul West.

Credits: Harvey F. Thew, Thomas J. Geraghty; producer, Rollin S. Sturgeon.

THE AMERICAN GOVERNMENT. SEE Uncle Sam at Work.

AN AMERICAN KING. 1914. 2 reels.

Credits: Mark Swan; director, George Lessey.

THE AMERICAN LEGION. 1919. 2 reels.

AMERICAN LEGION PARADE. (A Century of Progress Exposition) 1933. 1 reel.

AN AMERICAN LIVE WIRE. 1918. 5 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, William Addison Lathrop.

AMERICAN MADNESS. 1932. 8 reels.

Credits: Director, Frank R. Capra; story and dialogue, Robert Riskin; film editor, Maurice Wright.

AMERICAN MANNERS. 1924. 6 reels.

Credits: Director, James W. Horn; screen adaptation, Frank Howard Clark.

AMERICAN METHODS. 1917. For Fox Film Corp. 6 reels. From "The Ironmaster" by Georges Ohnet.

Credits: Adaptation and direction, Frank Lloyd.

AMERICAN PLAN. Century. 1922. 2 reels.

Credits: Written and directed by Al. Herman.

AMERICAN PLUCK. Presented by I. E. Chadwick. 1925. 6 reels. From the novel "Blaze Derringer" by Eugene P. Lyle, Jr.

Credits: Director, Richard Stanton; scenario, Ralph Spence.

AMERICAN SADDLE HORSES. (The Color Parade) 1939. 10 min., sd., color.

Credits: Written and directed by Del Frazier; narrator, John Deering.

THE AMERICAN SEX. SEE Meet the Prince.

AN AMERICAN TRAGEDY. 1931. 10 reels, sd. Based on the novel by Theodore Dreiser.

Credits: Producer and director, Joseph Von Sternberg; screenplay, Samuel Hoffenstein.

THE AMERICAN VENUS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7,931 ft., b&w, color sequences.

Credits: Townsend Martin; producer and director, Frank Tuttle; scenario, Frederick Stowers.

Credits: Director, Frank Reicher; story, Florence C. Bolles; scenario, Wallace C. Clifton.

AN AMERICAN WIDOW. 1917. 5 reels. From the play by Kellett Chambers.

Credits: Producer, Maxwell Karger; director, Frank Reicher; scenario, Albert Shelby Le Vino.

THE AMERICANO. 1915. 2 reels.

THE AMERICANO. 1923. 5 reels.

Credits: Story, John Emerson, Anita Loos.

AMERICANS AFTER ALL. 1916. 1 reel.

Credits: Director, Clay M. Greene.

THE AMERICANS COME. Tec-Art Corp. United Artists. Presented by Joseph M. Schenck. 1930. 1 reel, sd. Based on the song story by Fay Foster.

Credits: Supervision, Alfred Mannon, Elmer Clifton; story, Alfred Mannon.

AMERICA'S GREATEST COMPOSERS SERIES. SEE Morton Downey in America's Greatest Composers Series ...

AMERICA'S GREATEST DISASTER. SEE The Menace of the Mississippi.

AMERICA'S PRIDE. (Our World Today, no. 1869). 1928. 1 reel.

L'AMI FRITZ. SEE In Old Alsace.

Credits: Producer, John L. Hawkinson.

AMONG DANCING NATIONS. (Walter Futter's Travelaughs) Presented by Columbia Pictures Corp. 1932. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury; film editor, Moe G. Miller.

AMONG THE COCOONS. (A Walter Futter Novelty) Columbia. 1934. 844 ft., sd.

Credits: Written and spoken by John P. Medbury.

AMONG THE GREAT OPEN FACES. (Walter Futter's Travelaughs) 1932. 1 reel.

Credits: Written and spoken by John P. Medbury; film editor, Moe G. Miller.

AMONG THE LATINS. Columbia. 1934. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury.

AMONG THE MARRIED. SEE Men Call It Love.

AMONG THE MISSING. 1934. 7 reels, sd.

Credits: Director, Albert Rogell; story, Florence Wagner; screenplay, Fred Niblo, Jr.; Herbert Asbury; film editor, John Rawlins.

AMONG THE MOURNERS. 1914. 1 reel.

Credits: Producer, Mack Sennett.

AMONG THE SNOW-CAPPED CASCADES. 1917. 1/2 reel.

AMONG THOSE KILLED. 1915. 1 reel.

AMONG THOSE PRESENT. Black Cat. 1917. 30 min.

Credits: Charles Michelson; director, L. C. Windom.

AMONG THOSE PRESENT. 1919. 2 reels.

Credits: Directors, Erle Kenton, Ray Grey.

AMONG THOSE PRESENT. SEE The Headleys at Home.

AMOS JUDD. SEE The Young Rajah.

AMPHIBIAN ODDITIES. Powers. 1916 1/2 reel.

AMUSE YOURSELF. Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Producer, Al Christie; story, Jefferson Machamer.

AMY JOLLY. SEE Morocco.

ANAESTHESIA. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Will Jason; screenplay, Jack Woodford.

Credits: L. DeLorme.

ANANIAS HAS NOTHING ON HOOLIGAN. 1917. 1/2 reel.

Credits: F. Opper; animation, Frank Moser.

AN ANCIENT ART. (U. F. A. Oddity) 1929. 1 reel.

Credits: Edited and titled by John Michael Flick.

ANCIENT CITIES OF SOUTHERN FRANCE. Released by Compagnie Générale Transatlantique. 1937. 1 reel, sd.

Credits: Script collaborator, Paul P. Devlin.

ANCIENT EGYPT. (A Fitzpatrick Traveltalk) Presented by Metro-Goldwyn-Mayer. 1938. 798 ft., sd., color.

Credits: Music score, Jack Shilkret; photographer, Hone M. Glendining.

ANCIENT GREECE. 1928. 1 reel.

THE ANCIENT HIGHWAY. 1925. 6,034 ft. From the story by James Oliver Curwood.

Credits: Producer and director, Irvin Willat; screenplay, James S. Hamilton, Eve Unsell.

THE ANCIENT MARINER. 1925. 6 reels, b&w, tinted sequences. Adapted from the poem "The Rime of the Ancient Mariner" by Samuel Taylor Coleridge.

Credits: Directors, Henry Otto, Chester Bennett; story, Eve Unsell.

THE ANCIENT ORDER OF GOOD FELLOWS. 1913. 2 reels.

Credits: Director, Harry Lambart.

ANCIENT ROME. 1928. 1 reel.

AND A LITTLE CHILD. SEE Gossip.

AND BY THESE DEEDS. 1915. 2 reels.

AND GEORGE DID! (Let George Do It) (Stern Brothers Comedy) 1926. 2 reels.

Credits: Director, Scott Pembroke.

AND HOW, WITH ANN GREENWAY. 1930. 1 reel, sd.

AND MORNING CAME. (A Stern Brothers Comedy) 1928. 2 reels. From the cartoons by Rube Goldberg.

AND NOW—A 23 JEWEL MOTOR CAR. 1928. 1 reel.

Credits: Scenario, Bert Angeles.

AND SHE NEVER KNEW. 1914. 1 reel.

AND SO THEY WERE MARRIED. 1936. 8 reels, sd.

Credits: Producer, B. P. Schulberg; director, Elliott Nugent; story, Sarah Addington; screenplay, Doris Anderson, Joseph Anthony, A. Laurie Brazee; film editor, Gene Milford; music director, Howard Jackson.

AND SO TO WED. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Jean W. Yarbrough; story, Jean W. Yarbrough, Monty Collins; film editor, John Lockert.

AND SUDDEN DEATH. Presented by Adolph Zukor. 1936. 7 reels.

Credits: Director, Charles Barton; story, Theodore Reeves, Madeleine Ruthven; screenplay, Joseph Moncure March.

AND THE BEST MAN WON. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; story, George Marshall; scenario, Al. E. Christie.

AND THE GREEN GRASS GREW ALL AROUND. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

AND THE PARROT SAID ...? 1915. 1,000 ft.

Credits: Producer, Earl Metcalfe.

AND THEN IT HAPPENED. 1915. 1 reel.

Credits: Director, Norval MacGregor.

AND THEY CALLED HIM HERO. Bison. 1915. 2 reels.

Credits: Producer, Francis Ford; scenario, Grace Cunard.

... AND WIFE. 1930. 1 reel, sd.

ANDERSON AND GRAVES IN FISHING AROUND. 1929. 1 reel, sd.

ANDY CLYDE GETS SPRING CHICKEN. 1939. 1,624 ft.

Credits: Producer and director, Jules White; story and screenplay, Clyde Bruckman, Felix Adler.

ANDY HARDY GETS SPRING FEVER. Presented by Metro-Goldwyn-Mayer. 1939. 9 reels, sd., b&w. Based on characters created by Aurania Rouverol.

Credits: Director, W. S. Van Dyke II; screenplay, Kay Van Riper; film editor, Ben Lewis; music score, Edward Ward, David Snell.

ANDY OF THE ROYAL MOUNTED. 1915. 1 reel.

ANGEL. Presented by Adolph Zukor. 1937. 9 reels. From the play by Melchior Lengyel.

Credits: Producer and director, Ernst Lubitsch; screenplay, Samson Raphaelson; English play adaptation, Guy Bolton, Russell Medcraft.

ANGEL CAKE. 1931. 2 reels.

ANGEL EYES. (Big Boy-Juvenile Comedy) 1928. 2 reels.

Credits: Director, Charles Lamont.

ANGEL FACE MOLLY. SEE The Heart Bandit.

THE ANGEL OF BROADWAY. De Mille Pictures Corp. 1927. 7 reels.

Credits: Director, Lois Weber; original story and continuity, Lenore J. Coffee; film editor, Harold MacLernon.

THE ANGEL OF CROOKED STREET. 1922. 5 reels.

Credits: Director, David Smith; story, Harry Dittmar.

ANGEL OF MERCY. (John Nesbitt's Passing Parade) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., sepia.

Credits: Director, Edward Cahn; screenplay, Herman Boxer; film editor, Mildred Rich; music score, David Snell.

THE ANGEL OF PIETY FLAT. 1916. 2 reels.

THE ANGEL OF SPRING. 1915. 1 reel.

Credits: Producer, Guy Oliver; story, W. E. Wing.

THE ANGEL OF THE ATTIC. Imp. 1916. 2 reels.

Credits: Catherine Carr; director, Francis J. Grandon.

AN ANGEL OF THE SLUMS. SEE As a Man Sows, So Shall He Reap.

AN ANGEL PASSES. SEE Blonde or Brunette.

AN ANGELIC ATTITUDE. 1916. 1 reel.

Credits: Producer, Tom Mix.

ANGELINA; or, EL HONOR DE UN BRIGADIER. 1935. 8 reels, sd. From the comedy by Enrique Jardiel Poncela.

Credits: Director, Luis King; adaptation, screenplay, and dialogue, Enrique Jardiel Poncela; musical director, Edward Kileny.

ANGEL'S FEATHERS. 1921. 2 reels.

Credits; Kingsley Benedict.

ANGEL'S HOLIDAY. 1937. 6,565 ft., sd.

Credits: Director, James Tinling; original story and screenplay, Frank Fenton, Lynn Root; music director, Samuel Kaylin.

ANGELS OF DOOM. SEE The Saint Strikes Back.

ANGELS UNAWARES. 1915. 2 reels.

THE ANGELS WASH THEIR FACES. First National. 1939. 9 reels, sd.

Credits: Jonathan Finn; director, Ray Enright; screenplay, Michael Fessier, Niven Busch, Robert Buckner.

ANGELS WITH DIRTY FACES. First National. 1938. 10 reels, sd.

Credits: Director, Michael Curtiz; story, Rowland Brown; screenplay, John Wexley, Warren Duff; music, Max Steiner.

ANGIE, UPTOWN WOMAN. SEE Uptown New York.

Credits: Director, George M. Merrick; original story, Henry Warner, Roy Purdon; adaptation, Armine Von Tempski, Minnie F. Shrope.

ANGLES OF ANGLING. 1930. 1 reel.

Credits: Jack Eaton.

ANGORA LOVE. (Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Lewis R. Foster; story, Leo McCarey; editor, Richard Currier.

ANIAKCHAK. 1933. 4 reels, sd.

Credits: Narrator and photographer, Father Hubbard.

ANIAKCHAK, THE STORY OF HELL ON EARTH. 1933. 10 reels, sd.

Credits: Editorial supervision, Truman Talley, Beverly Jones, Louis de Rochemont.

ANIMAL ANTICS. 1934. 1 reel, sd.

ANIMAL CATCHERS. (A McDougall Alley Comedy) 1927. 2 reels.

Credits: Written and directed by Robert B. Wilcox.

Credits: Producer, John L. Hawkinson.

THE ANIMAL CRACKER CIRCUS. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1938. 1 reel, sd., color.

Credits: Producer, Charles Mintz; director, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

ANIMAL CRACKERS. 1930. 8,897 ft., sd. Based on the musical play by George S. Kaufman, Bert Kalmar, Morrie Ryskind and Harry Ruby.

Credits: Director, Victor Heerman; screenplay, Morrie Ryskind; continuity, Pierre Collings.

ANIMAL CUNNING. Treasure Chest. Presented by E. W. Hammons. 1936. 941 ft.

Credits: Story and narration, A. L. Alexander; editor, Sam Citron.

THE ANIMAL FAIR. (Aesop's Fable) 1931. 1 reel.

Credits: John Foster, Mannie Davis.

ANIMAL INTELLIGENCE. (Sportlight) 1935. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE ANIMAL KINGDOM. 1932. 9 reels, sd. From the play by Philip Barry.

Credits: Producer, David O. Selznick; director, Edward H. Griffith; screenplay, Horace Jackson; film editor, Daniel Mandell; music director, Max Steiner.

ANIMAL SNAPS. 1928. 1 reel.

Credits: Edited and titled by Beth Brown.

ANIMALS IN MODERN LIFE. 1937. 1 reel, sd.

ANIMALS OF THE CAT TRIBE. 1933. 1 reel.

ANIMALS OF THE ZOO. 1933. 1 reel.

ANIMATED CANDY SALES. Trailer. 1933. 103 ft.

Credits: Directors, Henry McCarty, Rudolph Bylek.

THE ANIMATED GROUCH CHASER. 1915. Split reel.

Credits: Raoul Barré.

AN ANIMATED MAP OF THE ELECTRIC FIELD ABOUT A 3-PHASE EQUILATERALLY SPACED TRANSMISSION LINE. 1936. 1 reel.

58. © title, descr. & 28 prints, 29Apr13; MU54.

59. © title, descr. & 26 prints, 29Apr13; MU55.

ANITA, THE ZINGARA. Société Générale des Cinématographes Éclipse, Paris.

ANKLES AWAY. 1938. 2 reels, sd.

Credits: Written and directed by Charlie Chase.

ANKLES PREFERRED. Presented by William Fox. 1927. 6 reels.

Credits: Producer and director, J. G. Blystone; story, Philip Klein, Kenneth Hawks; scenario, James Hamilton.

ANN. 1913. 1 reel.

Credits: Richard Ridgely.

ANN. SEE Her Winning Way.

ANN ANNINGTON. SEE Her Winning Way.

ANN BUTLER AND JAY BRENNAN, IN YOU DON'T KNOW THE HALF OF IT. 1929. 1 reel, sd.

ANN CARVER'S PROFESSION. 1933. 7 reels, sd. From the story "Rules for Wives" by Robert Riskin.

Credits: Director, Edward Buzzell; screenplay, Robert Riskin; film editor, Maurice Wright.

ANN CODEE AND FRANK ORTH IN A BIRD IN THE HAND. 1929. 1 reel.

ANN CODEE AND FRANK ORTH IN MUSIC HATH CHARMS. 1929. 1 reel, sd.

ANN CODEE AND FRANK ORTH IN TAKING WAYS. 1930. 1 reel, sd.

ANN CODEE AND FRANK ORTH IN ZWEI UND FIERZIGSTI STRASSE. 1929. 1 reel, sd.

ANN OF THE TRAILS. 1913. 1 reel.

Credits: Director, W. J. Bauman.

ANN PENNINGTON IN HELLO BABY. 1930. 2 reels, sd.

ANN SEYMOUR IN SONG PAINTINGS. 1930. 1 reel, sd.

ANN, THE BLACKSMITH. 1914. 2 reels.

Credits: Director, Ulysses Davis.

ANN VICKERS. 1933. 9 reels, sd. From the story by Sinclair Lewis.

Credits: Producer, Pandro S. Berman; director, John Cromwell; screenplay, Jane Murfin; editor, George Nicholls, Jr.; music director, Max Steiner.

ANNA ASCENDS. 1922. 6 reels.

Credits: Director, Victor Fleming; story, Harry Chapman Ford; adaptation, Margaret Turnbull.

ANNA CASE IN LA FIESTA, SOPRANO SOLO, ASSISTED BY THE CANSINOS, SPANISH DANCERS, AND THE METROPOLITAN OPERA CHORUS. 1927. 1 reel, sd.

ANNA CASE IN SWANEE RIVER, SUPPORTED BY ROY SMECK [AND] DIXIE JUBILEE SINGERS; FIVE GALLONS OF GAS AND NO MONEY TO PAY FOR IT. 1927. 1 reel, sd.

ANNA CHANDLER IN POPULAR SONGS. 1928. 1 reel, sd.

ANNA CHANG AND HATSU KUMA IN TWO LITTLE CHINESE MAIDS. Presented by Adolph Zukor and Jesse L. Lasky. 1929. 1 reel, sd.

ANNA CHRISTIE. 1923. 8 reels. From the play by Eugene O'Neill.

Credits: Director, John Griffith Wray; adaptation, Bradley King.

ANNA CHRISTIE. 1930. 10 reels; sd., lavender. Adapted from the play by Eugene O'Neill.

Credits: Producer and director, Clarence Brown; adaptation, Frances Marion; film editor, Hugh Wynn.

Credits: Producer, J. Gordon Edwards.

ANNA KARÉNINA. 1915. 5 reels. Adapted from the novel by Count Leo Tolstoi.

Credits: Director, J. Gordon Edwards; adaptation, Clara S. Beranger.

ANNA KARÉNINA. 1935. 9 reels, sd. From the novel by Count Leo Tolstoy.

Credits: Producers, Clarence Brown, David O. Selznick; director, Clarence Brown; screenplay, Clemence Dane, Saika Viertel; dialogue adaptation, S. N. Berman; film editor, Robert J. Kern; music, Herbert Stothart.

ANNA KARÉNINA. SEE Love.

ANNABEL TAKES A TOUR. 1938. 67 min., sd. Based on characters created by Charles Hoffman.

Credits: Producer, Louis Lusty; director, Lew Landers; story, Joe Bigelow, Bert Granet; screenplay, Bert Granet, Olive Cooper; editor, Harry Marker; music director, Russell Bennett.

ANNABELLE'S AFFAIRS. 1931. 6,800 ft., sd. From the stage play "Good Gracious Annabelle" by Clare Kummer.

Credits: Associate producer, William Goetz; director, Alfred Werker; adaptation and dialogue, Leon Gordon; editor, Margaret Clancy.

ANNAPOLIS. 1928. For Pathe Studios, Inc. 8 reels.

Credits: Director, Christy Cabanne; original story, Royal S. Pease; scenario and production, F. McGrew Willis; film editor, Claude Berkeley.

ANNAPOLIS FAREWELL. Presented by Adolph Zukor. 1935. 9 reels.

Credits: Producer, Louis D. Lighton; director, Alexander Hall; story, Stephen Morehouse Avery; screenplay, Dale Van Every, Frank Craven; adaptation, Grover Jones, William Slavens McNutt; film editor, Doane Harrison.

ANNAPOLIS SALUTE. 1937. 7 reels, sd.

Credits: Producer, Robert Sisk; direction and story, Christy Cabanne; screenplay, John Twist; editor, Ted Cheesman.

ANNE OF GREEN GABLES. 1919. 6 reels. Based on the four "Anne" books by L. M. Montgomery.

Credits: Director, William Desmond Taylor; scenario, Frances Marion.

ANNE OF GREEN GABLES. 1934. 9 reels, sd. From the books by L. M. Montgomery.

Credits: Director, George Nicholls, Jr.; screenplay, Sam Mintz; editor, Arthur Schmidt; music director, Max Steiner.

ANNE OF THE GOLDEN HEART. 1913. 1 reel.

Credits: Director, Ulysses Davis.

ANNE OF THE MINES. 1914. 2 reels.

ANNE'S BRIDGE. SEE The Fettered Woman.

Credits: Director, Albert Parker; story, Edgar Franklin.

ANNIE CRAWLS UPSTAIRS. 1912. 1 reel.

Credits: James Oppenheim.

ANNIE FOR SPITE. SEE Sally Shows the Way.

ANNIE LAURIE. 1927. 9 reels.

Credits: Director, John S. Robertson; story, Josephine Lovett; film editor, William Hamilton.

ANNIE LAURIE. (A Tabloid Musical) 1936. 1 reel, sd., b&w.

Credits: Director, Joseph Sherman; screenplay, Jean Plannette.

ANNIE LAURIE. SEE Charles Erwin ... in Annie Laurie.

ANNIE MOVED AWAY. (An Oswald Cartoon) Snappy. 1934. 1 reel.

Credits: Directed and animated by Walter Lantz, William Nolan.

ANNIE OAKLEY. 1935. 10 reels, sd.

Credits: Associate producer, Cliff Reid; director, George Stevens; screenplay, Joel Sayre, John Twist; story, Joseph A. Fields, Ewart Adamson; editor, Jack Hively; music director, Alberto Colombo.

ANNIVERSARY TROUBLE. (Hal Roach Comedy) (Our Gang Comedy) 1935. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Bert Jordan.

ANNOUNCEMENT OF CREIGHTON HALE IN SEVEN FOOTPRINTS TO SATAN. Trailer. First National. 1929. 1 reel, sd.

ANNOUNCEMENT OF RICHARD BARTHELMESS IN WEARY RIVER. Trailer. 1929. 1 reel, sd.

ANNOUNCING QUEEN OF THE NIGHT CLUBS. Trailer. 1929. 1 reel, sd.

ANNOUNCING THE NEW WILLYS SIX DELUXE SEDAN. 1930. 1 reel.

ANN'S AN IDIOT. SEE Dangerous Innocence.

AN ANONYMOUS LETTER. (William J. Burns Detective Mysteries) 1931. 11 min.

Credits: Director, G. C. Reid; story, adaptation, and dialogue, Russell Matson.

ANOTHER DAWN. 1937. 10 reels, sd.

Credits: Director, William Dieterle; original story and screenplay, Laird Doyle; music, Erich Wolfgang Korngold.

ANOTHER FACE. 1935. 7 reels, sd.

Credits: Associate producer, Cliff Ried; director, Christy Cabanne; original story, Thomas Dugan, Ray Mayer; screenplay, Garrett Graham, John Twist; editor, George Hively; music director, Roy Webb.

ANOTHER FINE MESS. Presented by Hal Roach. 1930. 3 reels, sd., b&w.

Credits: Director, James Parrott; dialogue, H. M. Walker; editor, Richard Currier.

ANOTHER LANGUAGE. 1933. 8 reels, sd., b&w. From the Arthur J. Beckhard production of the play by Rose Franken.

Credits: Associate producer, Walter Wanger; director, Edward H. Griffith; screenplay, Herman J. Mankiewicz, Donald Ogden Stewart; film editor, Hugh Wynn.

ANOTHER MAN'S SHOES. 1922. 5 reels.

Credits: Director, Jack Conway; story, Victor Bridges; scenario, Arthur F. Statter.

ANOTHER MAN'S SHOES. SEE The Phantom Buccaneer.

ANOTHER MAN'S WIFE. 1924. 5 reels.

Credits: Director, Bruce Mitchell; story, Bruce Mitchell, Elliott Clauson.

ANOTHER ROMANCE OF CELLULOID. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

ANOTHER SCANDAL. Released by Hodkinson. 1924. 8 reels. From the novel by Cosmo Hamilton.

Credits: Director, E. H. Griffith; adaptation, G. Marion Burton.

ANOTHER SHADE OF GREEN. 1915. 1,000 ft.

ANOTHER THIN MAN. Presented by Metro-Goldwyn-Mayer. 1939. 10 reels, sd., b&w.

Credits: Producer, Hunt Stromberg; director, W. S. Van Dyke, II; original story, Dashiell Hammett; screenplay, Frances Goodrich, Albert Hackett; film editor, Fredrick Y. Smith; music, Edward Ward.

ANOTHER WILD IDEA. (Hal Roach Comedy) (A Charley Chase Comedy) 1934. 2 reels, sd., b&w.

Credits: Directors, Charles Parrott, Eddie Dunn; film editor, William Terhune.

ANSELO LEE. 1915. 3 reels.

Credits: Director, Harry Handworth.

Credits: Produced, arranged and conducted by Walter West.

AN ANSWER IN GRAND LARCENY. SEE Missing Millions.

ANSWERING OBJECTIONS. (Educational Film Service, v. 13) 1930. 1 reel, sd.

A.M. TO P.M. (Aesop's Film Fables) The Van Beuren Corp. 1933. 1 reel.

Credits: O. Soglow.

ANTHONY ADVERSE. Presented by Warner Bros. Pictures, Inc. and the Vitaphone Corp. 1936. 15 reels. From the book by Hervey Allen.

Credits: Director, Mervyn Le Roy; screenplay, Sheridan Gibney.

ANTHONY AND CLEOPATRA. (Hysterical History Comedies) 1924. 1 reel.

Credits: Director, Bryan Foy.

THE ANTHONY CASE. (William J. Burns Detective Mysteries) Educational Film Exchanges, Inc. 1931. 10 min.

Credits: Director, G. C. Reid; story, adaptation and dialogue, Russell Matson.

ANTHONY FIALA'S CANOE ON THE JURIANA. SEE Roosevelt Brazilian Expedition.

ANTHRACITE COAL. 1928. 1 reel.

THE ANTICS OF ANN. 1917. 5 reels.

Credits: Director, Edward Dillon; story, Frederic Chapin; scenario, Coolidge W. Streeler.

ANTIQUE ANTICS. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1933. 1 reel, sd. Adapted from the cartoon characters by George Herriman.

Credits: Ben Harrison, Manny Gould; producer, Charles Mintz; animation, Al Eugster, Preston Blair; music score, Joe de Nat.

THE ANTIQUE BROOCH. 1913. 2 reels.

Credits: Bannister Merwin.

THE ANTIQUE ENGAGEMENT RING. 1914. 2 reels.

Credits: Director, Theodore Marsten.

THE ANTIQUE SHOP. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, George N. Burns; dialogue staged by Max E. Hayes.

ANTON THE TERRIBLE. Paramount. 1916. 5 reels. From the story by Thomas H. Uzell.

Credits: Director, William C. De Mille; story, Jules Eckert Goodman; prepared for the screen by Marian Fairfax, Charles Sarver.

ANTONIO MORENO VITAPHONE TRAILER ANNOUNCEMENT, MIDNIGHT TAXI. Presented by Vitaphone. 1928. 1 reel.

ANTS IN THE PANTRY. 1936. 2 reels, sd.

Credits: Director, Preston Black; story and screenplay, Al Giebler.

ANTWERP. (Vagabond Adventure Series) The Van Beuren Corp. 1933. 11 min., sd.

Credits: Text, Russell Spaulding; narrator, Alois Havrilla.

Credits: Director, Charles Ransom.

ANY LITTLE GIRL THAT'S A NICE LITTLE GIRL. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

ANY MAN'S WIFE. 1937. 7 reels, sd. From the novel "Michael O'Halloran" by Gene Stratton-Porter.

Credits: Associate producer, Herman Schlom; director, Karl Brown; screenplay, Adele Buffington; cartoon sequence by courtesy of Walt Disney.

ANY OLD DUKE'LL DO. Victor. 1916. 1 reel.

Credits: R. A. Dillon; director, P. C. Hartigan.

ANY OLD PORT. Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

ANY OLD PORT. Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy Klauber.

ANY PORT IN A STORM. 1913. 1 reel.

Credits: Director, W. J. Bauman.

ANY RAGS. 1932. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

ANY WIFE. 1922. 5 reels.

Credits: Direction, Herbert Brenon; story, Julia Tolsva.

ANY WOMAN. Paramount. Presented by Robert Kane. 1925. 6 reels. From the story by Arthur Somers Roche.

Credits: Producer, Henry King; screenplay, Jack Furthman, Beatrice Van.

ANY YOUTH. Victor. 1916. 1 reel.

Credits: Written and produced by Allen J. Holubar.

ANYBODY HERE SEEN KELLY? Jewel. 1928. 7 reels.

Credits: Director, William Wyler; story, Leigh Jason; scenario, John B. Clymer.

ANYBODY'S GOAT. (Cameo Comedies) Educational Film Exchanges, Inc. 1932. 1 reel.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley.

ANYBODY'S WAR. 1930. 8,120 ft., sd. From the novel "The Two Black Crows in the A. E. F." by Charles E. Mack.

Credits: Director, Richard Wallace; screenplay, Lloyd Corrigan; adaptation, Hector Turnbull; added dialogue, Walter Weems.

ANYBODY'S WOMAN. 1930. 7,243 ft., sd. From the story by Gouverneur Morris.

Credits: Director, Dorothy Arzner; screenplay, Zoe Akins, Doris Anderson.

ANYTHING BUT HAM. 1931. 1 reel, sd.

Credits: Director, Mort Blumenstock; story, David Freedman; dialogue staged by Max E. Hayes.

ANYTHING FOR A THRILL. (A World of Sports) Bray Pictures Corp. 1934. 1 reel, sd.

Credits: Narrator, Ford Bond.

ANYTHING GOES. Presented by Adolph Zukor. 1936. 10 reels, sd. From the play by Howard Lindsay and Russel Crouse.

Credits: Producer, Benjamin Glazer; director, Lewis Milestone; music and lyrics, Cole Porter; additional songs, Leo Robin, Richard A. Whiting, Frederick Hollander, Hoagie Carmichael, Edward Heyman; editor, Eda Warren.

ANYTHING ONCE. 1917. 5 reels.

Credits: Director, Joseph De Grasse; story, Isola Forester, Mann Page; scenario, William Parker.

L'APACHE. 1919. 6 reels.

Credits: Adele Buffington; director, Joseph DeGrasse; adaptation, John Lynch; picturized by R. Cecil Smith.

THE APACHE. 1929. 6 reels.

Credits: Producer, Jack Cohn; director, Philip Rosen; story, Ramon Romero; screenplay, Harriet Hinsdale.

THE APACHE KID. Winkler. 1930. 1 reel, sd. Adapted from the cartoon character by George Herriman.

Credits: Animation, Ben Harrison, Manny Gould; musical score, Joe De Nat.

THE APACHE RAIDER. 1928. 6 reels. From the story "The Border Raider" by W. D. Hoffman.

Credits: Adaptation, Ford I. Beebe.

Credits: Written and produced by William Duncan.

THE APACHES OF PARIS. Ufa. Presented by Ufa Films, Inc. 1929. 7 reels. Adapted from the novel "Les Innocents" by Francis Carco.

Credits: Director, Nicholas Malikoff; scenario, Robert Reinert.

THE APACHES REVENGE. SEE The Penalty of Folly.

APARTMENT HUNTING. Presented by Adolph Zukor and Jesse L. Lasky. 1929. 2 reels.

Credits: Thomas Gray.

APARTMENT HUNTING. SEE George Fisher and Honey Hurst in Apartment Hunting.

APARTMENT 29. 1917. 5 reels.

Credits: Written and adapted by Edward Montagne; director, Paul Scardon.

APARTMENT WANTED. Century. 1922. 2 reels.

Credits: Written and directed by Alf T. Goulding.

APHIDS. 1933. 1 reel.

Credits: Director, Laurence C. Windom; story, Horace Hazeltine [pseud. of Charles Stokes Wayne]; scenario, Clara S. Beranger.

APPEARANCES. 1921. 5 reels.

Credits: Edward Knoblock; director, Donald Crisp; adaptation, Margaret Turnbull.

APPLAUSE. 1930. Si. & 7,357 ft., sd.

Credits: Director, Rouben Mamoulian; story, Beth Brown; adaptation, Garrett Fort.

THE APPLE; or, MAKING ROSA STYLISH. 1914. 1 reel.

Credits: Director, Theodore Marston.

AN APPLE A DAY. (Lloyd Hamilton Comedy) 1931. 2 reels.

Credits: Director, Harry J. Edwards; story, Francis J. Martin, James Mulhauser.

APPLE BUTTER. (Chronicles of Bloom Center) 1916. 1 reel.

Credits: Producer, Sidney Smith.

APPLE SAUCE. 1923. 2 reels.

Credits: Director, Noel Smith.

APPLESAUCE. SEE Brides Are Like That.

THE APPLE-TREE GIRL. 1917. 5 reels. Based on the novel by George Weston.

Credits: Director, Alan Crosland.

APPLES OF SODOM. 1913. 1 reel.

Credits: Bannister Merwin.

APPLES TO YOU! (Hal Roach Comedy) (All Star Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Leigh Jason; music score, William Jason, Val Burton; music director, Arthur Kay; film editor, William Terhune.

THE APPLICANT. 1921. 2 reels.

Credits: Directors, Jimmy Aubrey, Charles Avery; story. Bud Ross.

Credits: Director, Archer MacMackin.

THE APPRENTICE. SEE The Horrors of War.

L'APRÈS-MIDI D'UN FAUNE (AFTERNOON OF A FAUN). (Musical Moods) 1934. 1 reel, sd. Based on the musical score by Claude Achille Debussy.

Credits: Orchestra director, Hans Lange.

APRIL FOLLY. 1919.

Credits: Story, Cynthia Stockley.

Credits: Director, John K. Holbrook; story, Leopold D. Wharton.

APRIL ROMANCE. Presented by Alliance Films, Ltd. 1936. 8 reels, sd., b&w. Based on the music of Franz Schubert.

Credits: Director, Paul L. Stein; screenplay, dialogue, and lyrics, Franz Schulz, John Drinkwater, Roger Burford, G. H. Clutsam; film editor, Leslie Norman; music director, Idris Lewis; music adapted and composed by G. H. Clutsam.

APRIL SHOWERS. Presented by B. P. Schulberg. 1923. 6 reels.

Credits: Producer and director, Tom Forman; written and adapted by Hope Loring, Louis D. Lighton.

APRIL SHOWERS. (Fable, no. 419) 1929. 1 reel.

Credits: Paul Terry.

APRON STRINGS. SEE The Virtuous Husband.

AQUA-RHYTHM. (The Grantland Rice Sportlight) 1939. 1 reel, sd.

Credits: Producer, Jack Eaton; narrator, Ted Husing.

AQUABATS. (Grantland Rice Sportlight) 1937. 1 reel, sd.

Credits: Narrated by Ted Husing.

AQUATIC ARTISTRY. (Sports Parade Subject) 1936. 1 reel.

Credits: Director, David Miller; explanatory remarks by Pete Smith.

THE ARAB. 1924. 8 reels. From the play by Edgar Selwyn.

THE ARAB. SEE One Stolen Night.

ARABIA. 1922. 5 reels.

Credits: Story, Lynn Reynolds, Tom Mix; scenario and direction, Lynn Reynolds; edited and titled by Hettie Grey Baker.

Credits: Producer, Oscar Eagle.

Credits: Oscar Eagle.

Credits: Producer, Oscar Eagle.

ARABIAN KNIGHTS. (Slim Summerville Comedy) 1931. 2 reels.

Credits: Director, Stephen Roberts; story, Francis J. Martin, James Mulhauser.

ARABIAN LOVE. 1922. 5 reels.

Credits: Director, Jerome Storm; story and scenario, Jules Furthman.

ARABIAN NIGHTS. SEE Aladdin and the Wonderful Lamp.

THE ARABIAN SHRIEKS. 1932. 2 reels, sd.

Credits: Director, Aubrey Scotto; story, Harry W. Conn, Aubrey Scotto.

ARABIAN TIGHTS. (A Charley Chase Comedy) Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Editor, William Terhune.

ARABIANTICS. SEE Felix the Cat in Arabiantics.

ARABIA'S LAST ALARM. 1923. 2 reels.

Credits: Director, Tom Buckingham.

ARABS WITH DIRTY FEZZES. (A Walter Lantz Cartune) 1939. 1 reel, sd.

Credits: Director, Alex Lovy; story, Victor McLeod, James Miele.

ARBOR DAY. (Hal Roach Comedy) (Our Gang Comedy) 1936. 2 reels, sd., b&w.

Credits: Director, Fred Newmeyer; film editor, Bert Jordan.

ARCADE VARIETIES. Nu-Atlas Productions. Mentone. Presented by RKO Radio Pictures, Inc. 1939. 11 min., sd.

Credits: Director, Milton Schwarzwald; dialogue, Alan Wilson; orchestrations, Jack Schaindlin.

ARCHIE AND THE BELL-BOY. 1913. 1 reel.

Credits: Alice Williams.

ARCHIE GOTTLER—HIS SONGS ARE IN MILLIONS OF HOMES. 1928. 1 reel, sd.

ARCHITECTURAL CEYLON. 1916. 1/4 reel.

THE ARCTIC. (A Walter Futter Novelty) Columbia. 1934. 1 reel, sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury.

ARCTIC ANTICS. (Silly Symphony) (Walt Disney Comic) Presented by Columbia Pictures Corp. 1930. 1 reel, sd.

ARE ALL MEN ALIKE? 1920. 6 reels. Based on the novel "The Waffle Iron" by Arthur Stringer.

Credits: Director, Philip E. Rosen; adaptation, A. P. Younger.

ARE CROOKS DISHONEST? Rolin Film Co. 1918.

ARE HUSBANDS HAPPY? (Speed Comedy) Reggie Morris Productions, Inc. 1922. 2 reels.

Credits: Director, Reggie Morris.

ARE HUSBANDS PEOPLE? 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, W. H. Woodmansee, Pinto Colvig.

ARE MARRIED POLICEMEN SAFE? (Sunshine Comedies) 1918. 2 reels.

Credits: Production, supervision, story, and scenario, Henry Lehrman; director, Richard Jones.

ARE PARENTS PEOPLE? Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,586 ft. From the story by Alice Duer Miller.

Credits: Director, Malcolm St. Clair; screenplay, Frances Agnew.

ARE SCOTCHMEN TIGHT? 1929. 2 reels.

Credits: Direction and story, Neal Burns.

ARE THESE OUR CHILDREN? 1931. 10 reels, sd.

Credits: Associate producer, Louis Sarecky; story and direction, Wesley Ruggles; adaptation and dialogue, Howard Estabrook.

ARE WAITRESSES SAFE? (Paramount-Mack Sennett Comedies) 1923. 2 reels.

Credits: Director, Victor Heerman.

ARE WE CIVILIZED? 1934. 8 reels, sd.

Credits: Producer, Edwin Carewe; story and dialogue, Harold Sherman.

ARE YOU A FAILURE? Presented by B. P. Schulberg. 1923. 5,700 ft.

Credits: Producer and director, Tom Forman; story, Larry Evans; scenario, Eve Unsell.

ARE YOU AN ELK? Special Laemmle. 1916. 1 reel.

Credits: King Baggot; producer, Henry McRae Webster.

ARE YOU LISTENING? 1932. 8 reels, sd., b&w. From the novel by J. P. McEvoy.

Credits: Director, Harry Beaumont; adaptation, Dwight Taylor; film editor, Frank Sullivan.

ARE YOU LIVING OR JUST EXISTING? Rothacker Film Mfg. Co. 1918. 1 reel.

ARE YOU THERE? 1930. 5,000 ft., sd.

Credits: Director, Hamilton MacFadden; story, Harlan Thompson; editor, Al Degaetano.

AREN'T WE ALL? 1932. 8 reels. From the play by Frederick Lonsdale.

Credits: Director, Harry Lachman; adaptation, Gilbert Wakefield, Basil Mason.

AREN'T WE ALL? SEE A Kiss in the Dark.

ARGENTINA. 1933. 968 ft.

ARGENTINE ARGOSY. (Along the Road to Romance on the Magic Carpet of Movietone) 1935. 1 reel, sd.

Credits: Editor, Lew Lehr.

ARGENTINE LOVE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6 reels.

Credits: Producer and director, Allan Dwan; story, Vicente Blasco Ibanez; scenario, Gerald Duffy; adaptation, John Russell.

THE ARGYLE CASE. 1917. 7 reels. From the play by Harriet Ford and Harvey J. O'Higgins, written with the cooperation of William J. Burns.

Credits: Director, Ralph W. Ince; scenario, Frederic Chapin, Ralph W. Ince.

THE ARGYLE CASE. 1929. 9 reels. From the play by Harriet Ford and Harvey J. O'Higgins, written with the cooperation of William J. Burns.

Credits: Director, Howard Bretherton; adaptation, Harvey Thew.

THE ARGYLE CASE. Trailer. 1929. 1 reel, sd.

ARIANE. 1931. 9 reels. From the novel by Claude Anet [pseud. of Jean Schopfer].

Credits: Director, Paul Czinner; story, Claude Anet.

THE ARID SOUTHWEST. 1929. 1 reel.

THE ARISTOCRATS. SEE Born and Lawrence in The Aristocrats.

ARIZONA. 1918. 5 reels. Adapted from the play by Augustus Thomas.

Credits: Director, Albert Park.

ARIZONA. 1931. 7 reels, sd. Based on the play by Augustus Thomas.

Credits: Director, George B. Seitz; adaptation and dialogue, Robert Riskin; continuity, Dorothy Howell; film editor, Gene Milford.

ARIZONA AMES. SEE Thunder Trail.

ARIZONA BOUND. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 5 reels.

Credits: Director, John Waters; story, Richard Allen Gates; scenario, John Stone, Paul Gangelin; adaptation, Marion Jackson.

Credits: Producer, Leon T. Osborne; director, William Bertram; story, Charles Mortimer Peck.

THE ARIZONA CYCLONE. 1927. 5 reels.

Credits: Director, Edgar Lewis; story and continuity, William Lester.

ARIZONA DAYS. Presented by Edward L. Alperson. 1937. 6 reels, sd.

Credits: Producer, Edward Finney; director, Jack English; story and supervision, Lindsley Parsons; screenplay, Sherman L. Lowe.

THE ARIZONA EXPRESS. 1924. 7 reels.

Credits: Director, Thomas Buckingham; story, Lincoln J. Carter; scenario, Fred Jackson, Robert N. Lee.

THE ARIZONA GUNFIGHTER. 1937. 6 reels, sd.

Credits: Producer, A. W. Hackel; director, Sam Newfield; original story, Harry F. Olmsted; screenplay, George H. Plympton; film editor, S. Roy Luby.

THE ARIZONA KID. Presented by William Fox. 1930. 9 reels, sd.

Credits: Producer and director, Alfred Santell; story and dialogue, Ralph Block; film editor, Paul Weatherwax.

THE ARIZONA KID. 1939. 6 reels, sd.

Credits: Associate producer and director, Joseph Kane; original story, Luci Ward; screenplay, Luci Ward, Gerald Geraghty; film editor, Lester Orlebeck; music director, Cy Feuer.

ARIZONA LEGION. 1939. 6 reels, sd.

Credits: Producer, Bert Gilroy; director, David Howard; story, Bernard McConville; screenplay, Oliver Drake; editor, Frederic Knudtson; music director, Roy Webb.

ARIZONA MAHONEY. Presented by Adolph Zukor. 1936. 6 reels. Based on the novel "Stairs of Sand" by Zane Grey.

Credits: Director, James Hogan; screenplay, Robert Yost, Stuart Anthony.

ARIZONA NIGHTS. 1927. 7 reels.

Credits: Director, Lloyd Ingraham; story, Stewart Edward White; adaptation and continuity, Hal Conklin.

THE ARIZONA RAIDERS. Presented by Adolph Zukor. 1936. 6 reels. Based on the novel "Raiders of Spanish Peaks" by Zane Grey.

Credits: Director, James Hogan; screenplay, Robert Yost, John Krafft.

THE ARIZONA ROMEO. 1924. 5 reels.

Credits: Director, Edmund Mortimer; story and scenario, Charles Kenyon.

THE ARIZONA STREAK. F. B. O. 1926. 5 reels.

Credits: Director, Robert De Lacy; story, F. A. E. Pine; continuity, Lanier Bartlett.

THE ARIZONA SWEEPSTAKES. Universal-Jewel. 1925. 6 reels.

Credits: Director, Clifford S. Smith; story, Charles Logue.

ARIZONA TO BROADWAY. 1933. 6,033 ft., sd.

Credits: Director, James Tinling; original screenplay, William Conselman, Henry Johnson; editor, Louis Loeffler.

THE ARIZONA WILDCAT. 1927. 5 reels.

Credits: Director, R. William Neill; story, Adela Rogers St. Johns; scenario, John Stone.

THE ARIZONA WILDCAT. 1939. 7 reels, sd.

Credits: Frances Hyland, Albert Ray; director, Herbert I. Leeds; screenplay, Barry Trivers, Jerry Cady; music director, Samuel Kaylin.

AN ARIZONA WOOING. 1915. 1 reel.

Credits: Producer, Tom Mix.

THE ARIZONIAN. 1935. 8 reels, sd.

Credits: Associate producer. Cliff Reid; director, Charles Vidor; story and screenplay, Dudley Nichols; editor, Jack Hively; music director, Roy Webb.

THE ARK ANGEL. SEE The Rowdy.

THE ARKANSAS TRAVELER. Presented by Adolph Zukor. 1938. 9 reels, sd.

Credits: Producer, George Arthur; director, Alfred Santell; story, Jack Cunningham; screenplay, Viola Brothers Shore, George Sessions Perry; film editor, Paul Weatherwax.

ARLEIGH FILM SLIDES: 125 MAPS FOR GEOGRAPHY AND HISTORY. 1927. Filmstrip.

ARLINE'S CHAUFFEUR. 1915. 1 reel.

Credits: Scenario, Edward Alexander.

ARMIES OF THE WORLD. (Adventures of the Newsreel Cameraman) 1935. 1 reel, sd.

Credits: Editor, Lew Lehr.

ARMORED CAR. 1937. 7 reels, sd.

Credits: Associate producer, E. M. Asher; director, Lewis R. Foster; original story, William A. Pierce; screenplay, Lewis R. Foster, Robert N. Lee; film editor, Frank Gross.

ARMS AND LEGS. (Sport Pictorial) 1921. 1 reel.

Credits: Producer, Jack Eaton; editor, Grantland Rice.

ARMS AND THE GIRL. 1917. 5 reels.

Credits: Director, Joseph Kaufman; story, Grant Stewart, Robert Baker; scenario, Charles E. Whittaker.

ARMS AND THE GIRL. SEE The Heart Raider.

ARMY GIRL. 1938. 10 reels, sd.

Credits: Associate producer, Armand Schaefer; director, George Nicholls, Jr.; story, Charles L. Clifford; screenplay, Barry Trivers, Samuel Ornitz; film editor, William Morgan; music score, Alberto Colombo.

THE ARMY-NAVY FOOTBALL GAME. 1930. Presented by Columbia Films. 1930. 100 ft., 16 mm.

THE ARNAUT BROTHERS (JOHNE AND RENE) IN THE FAMOUS LOVING BIRDS. 1927. 1 reel.

ARNOLD JOHNSON AND HIS ORCHESTRA. 1937. 1 reel, sd.

Credits: Director, Joseph Henabery.

Credits: Producer, Oscar Eagle.

AROUND CORNERS. 1921. 2 reels.

AROUND MALAYSIA. (A Walter Futter Novelty) Columbia. 1934. 1 reel, sd.

Credits: Written and spoken by John P. Medbury.

AROUND THE CALENDAR. (A Grantland Rice Sportlight) 1933. 1 reel, sd.

AROUND THE CLOCK. (Broadway Brevities) 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Woods.

AROUND THE CORNER. Powers. 1915. 1 reel.

Credits: Producer, Le Viness; scenario, L. V. Jefferson.

AROUND THE CORNER. 1930. Si. & 69 min., sd.

Credits: Producer, Harry Cohn; director, Bert Glennon; story and dialogue, Jo Swerling; film editor, Gene Milford.

AROUND THE EQUATOR ON ROLLER SKATES. 1932. 2 reels.

Credits: Supervision and dialogue, Albert DeMond.

AROUND THE FAIR WITH BURTON HOLMES. (A Century of Progress) 1933. 1 reel.

AROUND THE FAIR WITH BURTON HOLMES. (A Century of Progress Exposition) New Version. 1933. 1 reel.

AROUND THE SAMOVAR. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, Rube Welsh.

AROUND THE WORLD. (Paul Terry-Toons) Educational Film Exchanges, Inc. 1931. 6 min.

Credits: Frank Moser, Paul Terry.

AROUND THE WORLD IN EIGHT MINUTES. 1933. 1 reel, sd.

Credits: Director, Alf Goulding; story, A. Dorian Otvos, Stanley Rauh.

AROUND THE WORLD IN EIGHTEEN DAYS. Universal Special. 1922-23. 2 reels each.

Credits: Directors, Reaves Eason, Robert F. Hill; story, Robert Dillon; scenario, George Bronson Howard, Frank Howard Clark.

1. The Wager. © 14Nov22; LP18412.

2. Wanted by the Police. © 17Nov22; LP18427.

3. The Apaches of Paris. © 18Nov22; LP18461.

4. The Man who Broke the Bank at Monte Carlo. © 25Nov22; LP18455.

5. Sands of Doom. © 9Dec22; LP18474.

6. The Living Sacrifice. © 15Dec22; LP18528.

7. The Dragon's Claws. © 23Dec22; LP18536.

8. A Nation's Peril. © 5Jan23; LP18560.

9. Trapped in the Clouds. © 10Jan23; LP18576.

10. The Brink of Eternity. © 18Jan23; LP18594.

11. The Path of Peril. © 25Jan23; LP18620.

12. The Last Race. © 31Jan23; LP18639.

AROUND THE WORLD IN 18 MINUTES. 1932. 2 reels.

Credits: Supervision and dialogue, Albert DeMond.

AROUND THE WORLD IN EIGHTY MINUTES WITH DOUGLAS FAIRBANKS. 1931. 8 reels.

AROUND THE WORLD IN TEN MINUTES. Joker. 1915. Split reel.

AROUND THE WORLD IN THE PATH OF SPRINGTIME. 1924. 1 reel.

AROUND THE WORLD IN THE SPEEJACKS. 1923. 7 reels.

AN ARRANGEMENT WITH FATE. Laemmle. 1915. 1 reel.

Credits: Producer, Frank Lloyd; scenario, Ruth Ann Baldwin.

ARREST BULLDOG DRUMMOND! Presented by Adolph Zukor. 1938. 6 reels, sd. Based on "The Final Count" by H. C. (Sapper) McNeile.

Credits: Director, James Hogan; screenplay, Stuart Palmer; film editor, Stewart Gilmore.

THE ARRIVAL OF JOSIE. 1914. 1 reel.

Credits: Director, Lee Beggs.

ARROWSMITH. United Artists. 1932. 11 reels, sd. Based upon the novel by Sinclair Lewis.

Credits: Director, John Ford; adaptation, Sidney Howard; musical score, Alfred Newman.

Credits: Adapted and produced by George Loane Tucker.

ARSENE LUPIN. 1917. 6 reels.

Credits: Paul Potter; director, Paul Scardon; adaptation, Garfield Thompson.

ARSENE LUPIN. 1932. 9 reels, sd., b&w. From the play by Maurice Le Blanc and Francis de Croisset.

Credits: Director, Jack Conway; screenplay, Carey Wilson; dialogue, Bayard Veiller, Lenore Coffee; film editor, Hugh Wynn.

ARSENE LUPIN RETURNS. Presented by Metro-Goldwyn-Mayer. 1938. 8 reels, sd., b&w. Based on the characters created by Maurice Le Blanc.

Credits: Producer, John W. Considine, Jr.; director, George Fitzmaurice; original story and screenplay, James Kelvin McGuinness, Howard Emmett Rogers, George Harmon Coxe.

ARSON GANG BUSTERS. 1938. 7 reels, sd.

Credits: Associate producer, Herman Schlom; director, Joe Kane; original screenplay, Alex Gottlieb, Norman Burnstine; additional dialogue, Joseph Hoffman; film editor, Edward Mann; music director, Alberto Colombo.

ARSON RACKET SQUAD. 1938. 7 reels, sd.

ART ACHES. Joker. 1917. 1 reel.

Credits: Jack Cunningham; director, W. W. Beaudine.

THE ART BUG. (James Montgomery Flagg's Girls You Know) 1918. 1 reel.

Credits: Director, Jack Eaton.

ART FOR A HEART. 1914. 1 reel.

Credits: Elaine Sterne; directors, Wilfred North, Willie Van.

ART FOR ART'S SAKE. Nestor. 1916. 1 reel.

Credits: Ben Cohn; producer, Eddie Lyons, Lee Moran.

ART FOR ART'S SAKE. (Aesop's Fable, no. 9) (The Little King) 1934. 1 reel. Based on "The Little King" cartoon by O. Soglow.

Credits: Director, George Stallings; animation, Jim Tyer.

ART FOR HEART'S SAKE. SEE Felix the Cat in Art for Heart's Sake.

ART GALLERY. Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., color.

Credits: Producer, Hugh Harman.

ART IN THE RAW. 1933. 2 reels, sd.

Credits: Supervision, Louis Brock; story and direction, Harry Sweet; screenplay, Ben Holmes, Walter Weems; film editor, Daniel Mandell.

ART JARRETT; Nick Kenny's radio thrills with radio stars. 1932. 2 reels.

Credits: Producer, Rowland Brice; director, Monte Brice; story, William Rowland, Arthur Jarrett, Sr.

THE ART OF RUG WEAVING. Presented by Mohawk Carpet Mills. 1930. Filmstrip, 72 frames.

THE ART OF SELLING. 1936. 2 reels, sd.

ART TROUBLE. 1934. 2 reels, sd.

Credits: Director, Ralph Staub; story, Jack Henley, Dolph Singer.

AN ARTFUL ARTIST. 1915. 1 reel.

Credits: Producer, Arthur D. Hotaling.

ARTHUR & MORTON HAVEL IN PLAYMATES. 1929. 1 reel, sd.

ARTHUR BYRON AND COMPANY IN A FAMILY AFFAIR. 1929. 1 reel, sd.

ARTHUR PAT WEST IN SHIP AHOY. 1929. 1 reel, sd.

ARTHUR TRUMAN'S WARD. 1914. 1 reel.

Credits: Director, Wilfrid North.

ARTHUR'S DESPERATE RESOLVE. Victor. 1916. 1 reel.

Credits: E. J. Clawson; producer, William Garwood.

ARTHUR'S LAST FLING. Laemmle. 1916. 1 reel.

Credits: Written and produced by Rupert Julian.

ARTIE SHAW AND HIS ORCHESTRA. (Melody Master) 1939. 10 min., sd.

Credits: Director, Roy Mack.

ARTIE SHAW'S CLASS IN SWING. (A Paramount Headliner) 1939. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Justin Herman.

ARTIE, THE MILLIONAIRE KID. 1916. 5 reels.

Credits: Director, Harry Handworth.

ARTIFICIAL RESPIRATION. 1927. 1 reel.

THE ARTIST. 1923. 2 reels.

Credits: Director, George Summerville.

THE ARTIST AND THE VENGEFUL ONE. Victor. 1915. 1 reel.

Credits: Producer, Harry C. Myers.

ARTISTIC CHINA AND JAPAN AS SEEN BY DR. DORSEY. Powers. 1917. 1/2 reel.

ARTISTIC ENEMIES. National Film Corp. of America. Released through Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Director, Mark Goldaine; story, Harry Wulze.

ARTISTIC INTERFERENCE. Imp. 1916. 1 reel.

Credits: Anna D. Williams; producer, Lucius Henderson.

ARTISTIC MIMICRY. SEE Bruce Bowers in Artistic Mimicry.

ARTISTS AND MODELS. Presented by Adolph Zukor. 1937. 10 reels, sd.

Credits: Producer, Lewis E. Gensler; director, Raoul Walsh; story, Sig Herzig, Gene Thackrey; adaptation, Eve Greene, Harlan Ware; screenplay, Walter DeLeon, Francis Martin; film editor, Ellsworth Hoagland.

ARTISTS AND MODELS ABROAD. Presented by Adolph Zukor. 1938. 10 reels, sd.

Credits: J. P. McEvoy; producer, Arthur Hornblow; director, Mitchell Leisen; original story, Howard Lindsay, Russel Crouse; screenplay, Howard Lindsay, Russel Crouse, Ken Englund; film editor, Doane Harrison; musical numbers by LeRoy Prinz.

THE ARTIST'S MODEL. (James Montgomery Flagg's Girls You Know) 1918. 1 reel, color.

Credits: Director, Jack Eaton.

THE ARTIST'S MODEL. (Pen and Ink Vaudeville) 1924. 1 reel.

Credits: Earl Hurd.

AN ARTIST'S MUDDLE. Rainbow. 1920. 2 reels.

Credits: Director, Noel Smith.

ARTIST'S MUDDLES. 1933. 20 min., sd.

Credits: Director, Harry J. Edwards; story and dialogue, Ernest Pagano, Phil Whitman, Ewart Adamson.

THE ARTIST'S REVERIE. 1930. 1 reel, sd.

Credits: Director, Frank Cambria.

THE ARYAN. 1916. 5 reels.

Credits: Producer, Fred Huntley.

AS A MATTER OF FACT. 1936. For the RCA Mfg. Co. 1 reel, sd.

AS A TALE THAT IS TOLD. SEE Under the Daisies.

AS FATE DECIDES. Laemmle. 1916. 1 reel.

Credits: M. De La Parelle; producer, Rupert Julian.

AS GOOD AS MARRIED. 1937. 8 reels, sd.

Credits: Associate producer, E. M. Asher; director, Edward Buzzell; original story, Norman Krasna; screenplay, F. Hugh Herbert, Lynn Starling.

AS HUSBANDS GO. 1933. 7,300 ft., sd. From the play by Rachel Crothers.

Credits: Director, Hamilton MacFadden; screenplay, Sonya Levien; additional dialogue, Sam Behrman.

AS IN A DREAM. Rex. 1916. 3 reels.

Credits: L. V. Jefferson.

Credits: Director, Frank H. Crane.

AS IT HAPPENED. 1915. 1 reel.

AS MAN DESIRES. 1925. 8 reels. From the novel "Pandora La Croix" by Gene Wright.

Credits: Director, Irving Cummings; adaptation and supervision, Earl Hudson; scenario, Marion Orth.

Credits: Director, George Archainbaud; story, Helen Beare.

AS MEN LOVE. 1917. 5 reels.

Credits: Director, E. Mason Hopper; story, Lois Zellner; scenario, Adele Harris.

AS NO MAN HAS LOVED. 1925. 8 reels. Based on "The Man Without a Country" by Edward Everett Hale.

Credits: Director, Rowland V. Lee; adaptation and scenario, Robert N. Lee.

AS OTHERS SEE US. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

AS THE CANDLE BURNED. Imp. 1916. 1 reel.

Credits: Directed and written by Joseph Le Brandt.

AS THE CROWS FLY. 1933. 19 min., sd.

Credits: Director, Harry J. Edwards; story and dialogue, Ernest Pagano, Jack Townley.

AS THE DEVIL COMMANDS. 1932. 7 reels.

Credits: Director, Roy William Neill; story, Keene Thompson; screenplay, Jo Swerling.

AS THE EARTH TURNS. 1934. 8 reels. Based on the novel by Gladys Hasty Carroll.

Credits: Director, Alfred E. Green; screenplay, Ernest Pascal.

AS THE SHADOWS FALL. Gold Seal. 1915. 2 reels.

Credits: Producer, William Worthington; story, Harvey Gates.

AS THE SUN WENT DOWN. 1919. 6 reels. Adapted from the stage drama by George D. Baker.

Credits: Director, E. Mason Hopper; adaptation, George D. Baker.

AS THE TOOTH CAME OUT. 1913.

Credits: Mark Swan.

AS THE TWIG IS BENT. 1915. 3,000 ft.

Credits: Producer, Wilbert Melville.

AS YE SOW. 1916. 2 reels.

Credits: Director, Burton L. King.

AS YOU DESIRE ME. 1932. 7 reels, sd., b&w. From the play by Luigi Pirandello.

Credits: Producer, George Fitzmaurice; adaptation and dialogue, Gene Markey; film editor, George Hively.

AS YOU LIKE IT. SEE Love in a Wood.

AS YOU MIKE IT. (H. C. Witwer Record Breaker Series) 1929. 2 reels.

Credits: Director, Albert Herman.

AS YOU WERE. 1919. 1 reel.

Credits: Director, Al Santell; story, Eleanor Fried.

THE ASBURY PARK MURDER MYSTERY. (William J. Burns Detective Mysteries) 1930. 1 reel.

Credits: Director, G. C. Reid; story, adaptation, and dialogue, Russell Matson.

THE ASCENSION OF KING'S PEAK; known as Koenigspitze. Rex. 1917. 1/4 reel.

THE ASCENT OF THE MATTERHORN. (Paramount-Burlingham Adventure Pictures) 1919. 1 reel.

ASEGURE A SU MUJER! (INSURE YOUR WIFE!) 1935. 8 reels, sd. Based on the story by Julio Escobar.

Credits: Director, Lewis Seiler; screenplay, Enrique Jardiel Poncela, Robert Ellis, Helen Logan; music director, Sam Kaylin; songs, Ernesto Piedra, Troy Sanders, Raúl Roulien.

ASHAMED OF PARENTS. 1921. 6 reels. From the story "What Children Will Do" by Charles K. Harris.

ASHAMED OF THE OLD FOLKS. Victor. 1916. 2 reels.

Credits: Produced and written by Matt Moore.

ASH-CAN ALLEY. 1918. 2 reels.

Credits: Supervision, J. G. Blystone; director, Dick Smith.

THE ASH CAN FLEET. Presented by Metro-Goldwyn-Mayer. 1939. 989 ft., sd., b&w.

Credits: Director, Fred Zinnemann; original screenplay, Herman Hoffman; film editor, Harry Komer; music, C. Bakaleinikoff, D. Amfitheatrof.

ASHENDEN. SEE Secret Agent.

ASHES. Gold Seal. 1916. 3 reels.

Credits: Written and directed by Robert F. Hill.

ASHES. 1916. 3 reels.

Credits: Producer, William Wolbert.

ASHES OF DESIRE. 1919. 6 reels.

Credits: Director, Frank Borzage; story, Sam Small, Jr.

ASHES OF GOLD. 1915. 1 reel.

Credits: Director, J. Le Saint.

ASHES OF HOPE. 1917. 5 reels.

ASHES OF INSPIRATION. 1915. 2 reels.

ASHES OF REMEMBRANCE. Rex. 1916. 2 reels.

Credits: Produced and written by Allan J. Holubar.

Credits: Producer, Harold Shaw.

ASHES OF VENGEANCE. First National. 1923. 10 reels. Based on the story by H. B. Somerville [pseud. of Ina Violet McComas]

Credits: Direction and adaptation, Frank Lloyd.

ASHES ON THE HEARTHSTONE. (Is Marriage Sacred?) 1917. 26 min.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

ASK DAD. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Sam Newfield.

ASK DAD. (Educational-Coronet Talking Comedy) 1929. 2 reels.

Credits: Joseph A. Jackson; supervision, Sidney Brennecke; director, Hugh Faulcon.

ASK DADDY. 1923. 3 reels.

Credits: Scenario, David S. Beyer.

ASK ME ANOTHER. 1927. 1 reel.

ASK UNCLE SOL. Educational Films Corp. of America. Presented by E. W. Hammons. 1937. 999 ft., sd.

Credits: Director, Raymond Kane; story, Arthur Jarrett, Marcy Klauber.

ASLEEP IN THE FEET. (Hal Roach Pitts-Todd Comedy) 1933. 2 reels, sd., b&w.

Credits: Director, Gus Meins; editor, Louis McManus.

ASSASSIN OF YOUTH. 1937. 8 reels, sd.

Credits: Producer, Leo J. McCarthy; director, Elmer Clifton; original story, Leo J. McCarthy, Elmer Clifton; screenplay, Elmer Clifton, Charles A. Brown.

Credits: Director, Reeves Eason.

ASSISTING ANANIAS. SEE Fools of Fortune.

ASSORTED BABIES. U. F. A., Germany. 1927. 1 reel.

Credits: Editor, Edward Bowes.

ASTRAY FROM THE STEERAGE. 1921. 2 reels.

Credits: Director, Frank Powell.

ASTRONOMEOWS. SEE Felix the Cat in Astronomeows.

AT A COUNTY FAIR. (A Walter Futter Novelty) Columbia. 1934. 810 ft., sd.

Credits: Producer, Walter A. Futter; written and spoken by John P. Medbury.

AT A PREMIUM. Metro-Drew. 1916. 1 reel.

Credits: Epes Winthrop Sargent; producer and director, Sidney Drew.

AT A TALKIE STUDIO. 1929. 1 reel, sd.

Credits: Basil Smith.

AT BEAR TRACK GULCH. 1912. 1 reel.

Credits: R. P. Janette.

AT DEVIL'S GORGE. (Edmund Cobb, no. 2) 1923. 5 reels.

Credits: Director, Ashton Dearholt; story and scenario, Daniel F. Whitcomb.

AT EASE. (Hamilton Comedies) 1927. 2 reels.

Credits: Written and directed by Norman Taurog.

AT FIRST SIGHT. 1917. 5 reels.

Credits: Director, Robert Leonard; story, George Middleton.

AT HIS OWN TERMS. 1915. 1 reel.

Credits: Producer, Charles Giblyn; scenario, Calder Johnstone.

AT HOME. 1930. 1 reel, sd.

Credits: Director, Ray Cozine.

AT HOME IN THE WATER. 1912. 1 reel.

Credits: G. C. Corsan.

AT IT AGAIN. National Film Corp. of America. Released through Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Director, Mark Goldaine.

AT IT AGAIN. (Mermaid Comedies) 1928. 2 reels.

Credits: Producer, Jack White; written and directed by Norman Taurog.

AT LARGE. 1922. 2 reels.

Credits: Director, Robert North Bradbury; story and scenario, Harvey Gates.

AT LAST WE ARE ALONE. 1914. 1 reel.

Credits: Producer, N. MacGregor.

AT MIDNIGHT. 1913.

Credits: Mark Swan.

AT PINEY RIDGE. 1916. 5 reels. From the stage play by David K. Higgins.

Credits: Director, William Robert Daly; adapted & picturized by Gilson Willets.

AT SEA ASHORE. (A Hal Roach Comedy) 1936. 2 reels, sd., b&w.

Credits: Director, William Terhune; film editor, Ray Snyder.

AT SWORDS' POINTS. 1918. 1 reel.

Credits: Arthur F. Statter; director, Al Sautell.

AT THE BALL GAME. SEE Leo Carillo ... in At the Ball Game.

AT THE BANQUET TABLE. Imp. 1915. 2 reels.

Credits: Producer, George A. Lessey; scenario, Harvey Gates.

AT THE BARN. SEE Two Weeks.

AT THE BEACH. (A McDougall Alley Comedy) 1926. 2 reels.

Credits: Supervision, Joe Rock.

AT THE BEACH INCOGNITO. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

AT THE BINGVILLE BOOSTERS BARBECUE. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Ben Cohn, Clarence G. Badger.

AT THE CHURCH FESTIVAL. SEE Dick Henderson in At the Church Festival.

AT THE CIRCUS. Presented by Metro-Goldwyn-Mayer. 1939. 9 reels, sd., b&w.

Credits: Producer, Mervyn LeRoy; director, Edward Buzzell; screenplay, Irving Brecher; film editor, William H. Terhune; music director, Franz Waxman; music, Harold Arlen.

AT THE COUNT OF TEN. Metro-Drew. 1916. 1 reel.

Credits: Charles Brown, Margaret Cameron.

AT THE DAMASCUS GATE OF OLD JERUSALEM. (Paramount-Burton Holmes Travel Picture) 1922. 1 reel.

AT THE DENTIST'S. (George Le Maire Comedies) 1929. 2 reels.

Credits: Producer, Robert T. Kane; director, Basil Smith.

AT THE END OF A PERFECT DAY. 1915. 1 reel.

AT THE END OF THE WORLD. 1921. 6 reels. From the play by Ernest Klein.

Credits: Director, Penrhyn Stanlaws; scenario, Edfrid A. Bingham; adaptation, Adelaide Heilbron.

AT THE FLOOD-TIDE. 1915. 1 reel.

Credits: Producer, Guy Oliver; scenario, Wallace C. Clifton.

AT THE FRONT. (Horace in Hollywood Series) Snappy. 1928. 1 reel.

Credits: Story and direction, Edward I. Luddy.

AT THE GATE. 1929. 1 reel, sd.

Credits: Director, Monte Brice.

AT THE HEADWATERS OF THE DALALVEN; the river of the Valley of Sweden. 1916. Split reel.

AT THE MASK-BALL. 1915. 1 reel.

Credits: Producer, Norval MacGregor; scenario, Malcolm Douglas.

AT THE MASQUERADE BALL. 1912. 1 reel.

Credits: Screenplay, M. B. Havey.

AT THE MERCY OF FATE. SEE Lost Memory.

AT THE MERCY OF MEN. 1918. 5 reels.

Credits: Director, Charles Miller; scenario, Paul West.

AT THE MIKE. Mentone. 1934. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

AT THE NIGHT CLUB. (A Laemmle Movietone) 1929. 1 reel, sd.

AT THE PARTY. 1927. 1 reel, sd.

AT THE PARTY. SEE Bud Harris and Frank Radcliffe in At the Party.

AT THE POINT OF A GUN. 1919. 2 reels.

Credits: Director, Edward Kull; story, Dorothy Rockfort; scenario, Anthony W. Coldeway.

AT THE RACES. 1934. 1 reel, sd.

Credits: Director, Joseph Henabery; story, Jack Henley.

AT THE RISK OF HIS LIFE. 1914. 1,000 ft.

Credits: Producer, Thomas Santschi.

AT THE ROAD'S END. 1915. 1 reel.

AT THE SIGN OF THE JACK O'LANTERN. Renco Film Co. Presented by H.J. Reynolds. 1922. 5,193 ft. From the story by Myrtle Reed.

Credits: Director, Lloyd Ingraham; scenario, David Kirkland; adaptation, Lloyd Ingraham, David Kirkland.

AT THE SIGN OF THE LOST ANGEL. 1913. 1 reel.

Credits: Director, Rollin S. Sturgeon.

AT THE STAGE DOOR. 1921. 6 reels.

Credits: Director, William Christy Cabanne.

AT THE TOP OF THE WORLD, ALASKA. 1916. 1/4 reel.

Credits: Producer, O. H. Martinek.

AT THE TRANSFER CORNER. 1914. 1,000 ft.

Credits; Producer, Norval MacGregor.

AT THE WAILING WALL. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

AT YALE. SEE Hold 'Em Yale.

AT YOUR SERVICE. 1930. 1 reel.

AT YOUR SERVICE. (An Oswald Cartoon), Snappy. 1935. 1 reel, sd.

Credits: Story and lyrics, Walter Lantz, Victor McLeod.

AT YOUR SERVICE MADAME. (Merrie Melodies) 1936. 1 reel, sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Don Williams, Cal Dalton; music, Norman Spencer.

THE ATHLETE. Snappy. (Pooch the Pup Cartoon) 1932. 1 reel.

Credits: Animated and directed by Walter Lantz and William Nolan.

ATHLETIC AMBITIONS. 1915. 1 reel.

Credits: Written and produced by Tom Mix.

ATHLETIC AND PHYSICAL CULTURE SERIES. 1915. 1 reel each. © Selig Polyscope Co.

1. © 25Mar15; MP299.

2. © 26Mar15; MP301.

ATHLETIC DAZE. (Sport Champions) 1932. 948 ft.

Credits: Director, Ray McCarey; explanatory remarks, Pete Smith.

THE ATHLETIC FAMILY. 1914. 1 reel.

Credits: Director, Stratton.

ATHLETIC ODDITIES. (Adventures of the Newsreel Cameraman) 1938. 1 reel.

Credits: Producer, Truman Talley; editor, Lew Lehr.

ATHLETIC YOUTH. (News World of Sports) 1938. 1 reel, sd.

Credits: Narrative by Jack Kofoed; described by Ford Bond.

ATLANTIC. 1930. 8,213 ft., sd. Adapted from the play "The Berg" by Ernest Raymond.

Credits: Producer and director, E. A. Dupont; music, John Reynders.

ATLANTIC ADVENTURE. 1935. 7 reels, sd.

Credits: Director, Albert S. Rogell; story, Diana Bourbon; screenplay, John T. Neville, Nat N. Dorfman; film editor, Ted Kent.

ATLANTIC FLIGHT. 1937. 8 reels, sd.

Credits: Producer, William Berke; director, William Nigh; screenplay, Scott Darling, Erna Lazarus.

L'ATLANTIDE. SEE

Lost Atlantis.

Missing Husbands.

ATMOSPHERIC GRADATION. SEE The Work of the Atmosphere.

ATMOSPHERIC PRESSURE. 1928. 1 reel.

Credits: Louis Mercanton, Rene Hervil; director, Louis Mercanton.

Credits: Director, William Humphrey; scenario, George Edwards Hall, William Humphrey.

ATTA BABY. (Educational-Juvenile Comedy) 1927. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

ATTENTION SUCKERS. (An Oddity) 1934. 915 ft., sd., b&w.

Credits: Director, Jack Cummings; explanatory remarks, Pete Smith.

ATTIC OF TERROR. (Your True Adventures) 1937. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Ira Genet.

THE ATTIC PRINCESS. Big U. 1916. 1 reel.

Credits: Producer, George Cochrane; story and scenario, Calder Johnstone.

THE ATTORNEY FOR THE DEFENSE. 1915. 3,000 ft.

Credits: Story, Edwin Balmer; adaptation, Harry Chandlee.

ATTORNEY FOR THE DEFENSE. 1932. 7 reels, sd.

Credits: Director, Irving Cummings; story, J. K. McGuinness; adaptation and dialogue, Jo. Swerling; film editor, Gene Havelick.

THE AUCTION BLOCK. 1917. 7 reels. Based on a story by Rex Beach.

Credits: Director, Lawrence Trimble; scenario, Gil Spear.

THE AUCTION BLOCK. 1926. 7 reels. From the novel by Rex Beach.

Credits: Director, Hobart Henley; scenario, Frederic and Fanny Hatton.

AUCTION OF SOULS. 1922. 8 reels.

Credits: Director, Oscar Apfel; scenario, Frederic Chapin.

Credits: Producer, Herbert Blaché; story, Joseph Poland.

THE AUCTION SALE OF RUN-DOWN RANCH. 1915. 1 reel.

Credits: Producer, Tom Mix; scenario, Cornelius Shea.

THE AUCTIONEER. 1927. 6 reels. Based on the play by Charles Klein and Lee Arthur, and the stage production by David Belasco.

Credits: Director, Alfred E. Green; scenario, L. G. Rigby, John Stone.

AUDIOSCOPIKS. 1935. 755 ft., sd.

Credits: Producers, J. F. Leventhal, J. A. Norling; commentator, Pete Smith.

THE AUDITION. 1933. 1 reel, sd.

Credits: Director, Roy Mack.

AUF WIEDERSEHEN. SEE Six Hours To Live.

DIE AUGEN DES OLE BRANDIS. SEE The Eyes of Ole Brandis.

AUGUST WEEK-END. 1936. 7 reels, sd. From the story by Faith Baldwin.

Credits: Director, Charles Lamont; adaptation and screenplay, Paul Perez.

AUNT ELSA'S VISIT. 1913. 1 reel.

Credits: Charles M. Seay.

AUNT JEMIMA, THE ORIGINAL FUN FLOUR MAKER, ACCOMPANIED BY ART SORENSON AT THE PIANO [SINGING] A. ETHEL LEVEY'S VIRGINIA SONG [and others]. 1927. 1 reel.

AUNT MARY. 1915. 1 reel.

Credits: Producer, Thomas Santschi.

Credits: Photographed and produced by Angela M. Gibson.

AUNTIE. 1914. 1 reel.

Credits: Director, Burton King.

AUNTIE'S ANTE. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Sam Newfield.

AUNTIE'S MISTAKE. (Dorothy Devore Comedies) 1929. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

AUNTIE'S PORTRAIT. 1914. 1 reel.

Credits: Director, George D. Baker.

AUNT'S IN THE PANTS. 1930. 2 reels, sd.

Credits: Producer, Lou Brook; director, Mark Sandrich; story and dialogue, Mark Sandrich, Johnny Grey; film editor, Ted Cheesman.

AUNTY AND THE GIRLS. 1913. 1 reel.

AURIOLE CRAVEN OFFERS: A. SUPPOSE I HAD NEVER MET YOU [and others]. 1927. 1 reel.

Credits: Director, Brian Foy.

AURORA FLOYD. 1915. 2 reels. Adapted from the play of the same name.

THE AUTHOR. 1923. 2 reels.

Credits: Director, Al St. John.

THE AUTHOR. SEE Walter Weems & Co.

AUTO ANTICS. (Our Gang Comedy) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., b&w.

Credits: Director, Edward Cahn; screenplay, Hal Law, Robert McGowan; film editor, Roy Brickner.

THE AUTO BANDIT'S CAPTURE. SEE Reformation.

THE AUTO CLINIC. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1938. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Allen Rose; animation, Harry Love; music, Joe de Nat.

AUTO-INTOXICATION. 1931. 2 reels, sd.

Credits: Director, Albert Ray; story, Edwin Burke.

AUTO SUGGESTION. (Krazy Kat) 1929. 1 reel.

Credits: Animation, Ben Harrison, Manny Gould.

AUTOBUYOGRAPHY. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; story and direction, Al Boasberg; film editor, George Crone.

THE AUTOCRAT OF FLAPJACK JUNCTION. 1913. 1 reel.

Credits: Director, George D. Baker.

THE AUTOGRAPH HUNTER. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Harry Love; animation, Allen Rose, Preston Blair; musical score, Joe de Nat.

AUTOMANIACS. 1917. 2 reels.

Credits: Director, J. G. Blystone.

THE AUTOMATIC HOUSE. 1915. 1 reel.

AUTOMATIC SPRINKLER SYSTEM CONTROL OF AIRPLANE HANGAR FIRES. Films of Commerce, Inc. 1931. 3 reels.

Credits: Signal Corps of the U. S. Army; re-edited and titled by Films of Commerce, Inc.

THE AUTOMOBILE. 1929. 1 reel.

AN AUTOMOBILE—ITS PRINCIPLE AND OPERATION. 1927. 1 reel.

Credits: Narrator, Harold Isbell.

AUTUMN. Red Feather. 1916. 5 reels.

Credits: Written and produced by O. A. C. Lund.

AUTUMN. (A Walt Disney Silly Symphony Comic) 1930. 1 reel.

THE AVALANCHE. Presented by Adolph Zukor. 1919. 2 reels. Based on the novel by Gertrude Atherton.

Credits: Director, George Fitzmaurice; scenario, Ouida Bergere.

AVALANCHE. 1928. 6 reels. From the story by Zane Grey.

Credits: Director, Otto Brower; story, J. Walter Ruben, Sam Mintz.

AVALANCHE; an Epic of Mont Blanc. 1932. 7 reels.

Credits: Director, Arnold Fanck.

AVARICE. Imp. 1917. 1 reel.

Credits: Written and directed by Leslie T. Peacocke.

AVENGED BY A FISH. L-Ko. 1915. 1 reel.

Credits: Martin Jörgensen, Louis Levy.

THE AVENGER. 1916. 2 reels.

Credits: Director, Leon D. Kent.

THE AVENGER. 1931. 7 reels, sd.

Credits: Director, Roy William Neill; story, Jack Townley; adaptation and dialogue, George Morgan; film editor, Ray Snyder.

THE AVENGER. 1933. 8 reels, sd. From the novel by John Goodwin [pseud. of Sidney Floyd Gowing].

Credits: Director, Edward L. Marin; adaptation, Brown Holmes; dialogue, Tristram Tupper.

THE AVENGER. SEE The Crime in the Tunnel.

THE AVENGERESS. SEE Carouge the Ghoul.

Credits: Arthur Preston Hankins.

1. The Vow of Mystery. © title, descr. & 60 prints, 23Feb21; LU16159.

2. The Enemy Strikes. © title, descr. & 40 prints, 23Feb21; LU16160.

3. The Hand of Treachery. © title, descr. & 40 prints, 23Feb21; LU16161.

4. A Life in Jeopardy. © title, descr. & 40 prints, 23Feb21; LU16162.

5. The Message Stone. © title, descr. & 40 prints, 23Feb21; LU16163.

6. The Midnight Attack. © title, descr. & 40 prints, 23Feb21; LU16164.

7. The Double Game. © title, descr. & 40 prints, 14May21; LU16535.

8. The Strange Pact. © title, descr. & 40 prints, 14May21; LU16536.

9. The Auction Block. © title, descr. & 40 prints, 14May21; LU16537.

10. Outwitted. © title, descr. & 40 prints, 14May21; LU16538.

11. Dangerous Waters. © title, descr. & 40 prints, 14May21; LU16539.

12. The House of Treachery. © title, descr. & 40 prints, 14May21; LU16540.

13. © title, descr. & 40 prints, 2Jun21; LU16621.

14. © title, descr. & 40 prints, 2Jun21; LU16620.

15. © title, descr. & 40 prints, 7Jun21; LU16652.

AVENGING BILL. 1915. Split reel.

THE AVENGING RIDER. 1928. 6 reels. From the story "Dancing Hoofs" by Adele Buffington.

Credits: Director, Wallace W. Fox; screenplay, Frank Howard Clark; film editor, Della M. King.

THE AVENGING SEA. 1915. 1 reel.

THE AVENGING SHADOW. Fred J. McConnell Productions. 1928. 4,293 ft.

Credits: Director, Ray Taylor; story and continuity, Bennett Cohen.

THE AVENGING SHOT. 1915. 2 reels.

THE AVENGING TRAIL. Yorke Film Corp. 1917. 5 reels. From the novel "Gaston Olaf" by Henry Oyen.

Credits: Supervision, Fred J. Balshofer; director, Francis Ford; scenario, Mary Murillo.

AVENGING WATERS. 1936. 6 reels, sd.

Credits: Director, Spencer Gordon Bennet; story and screenplay, Nate Gatzert; film editor, Dwight Caldwell.

AVERAGE HUSBAND. (Educational's Talking Comedies) Presented by Mack Sennett. 1930. 18 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earle Rodney, Vernon Smith, Jack Jevne.

THE AVERAGE WOMAN. 1924. 6 reels. Suggested by a Saturday Evening Post story by Dorothy De Jagers.

Credits: Director, William Christy Cabanne.

THE AVIATOR. Vitaphone. 1929. 7 reels. From the play by James Montgomery.

Credits: Director, Roy Del Ruth; screenplay and dialogue, Robert Lord, Arthur Caesar.

THE AVIATOR. Trailer. 1929. 1 reel, sd.

AVIATOR. SEE Going Wild.

AVIATOR SHORTY. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Commentary, Justin Herman; narrator, Marty May.

AW NURSE. (A Scrappy Cartoon) Presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; musical score, Joe de Nat.

THE AWAKENING. 1915. 2 reels.

Credits: Director, Ralph Ince.

Credits: Director, George Archainbaud.

THE AWAKENING. United Artists. 1928. 9 reels, sd.

Credits: Frances Marion; producer and director, Victor Fleming; scenario, Carey Wilson.

THE AWAKENING HOUR. 1915. 3 reels.

THE AWAKENING OF A MAN. 1913. 2 reels.

Credits: Bannister Merwin.

THE AWAKENING OF BARBARA DARE. 1914. 1 reel.

Credits: Director, Wilfrid North.

THE AWAKENING OF HELENA MINOR. Metro-Drew. 1917. 1 reel.

Credits: Helena Laughton; producer, Sidney Drew.

THE AWAKENING OF HELENA RICHIE. 1916. 5 reels.

Credits: Margaret Deland; director, John W. Noble.

AWAKENING OF JIM BURKE. 1935. 7 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Michael Simmons; film editor, John Rawlins.

THE AWAKENING OF PATSY. (Little Stories of Real Life) Victor. 1915. 1 reel.

Credits: Written and produced by Jacques Jaccard.

THE AWAKENING OF RUTH. 1917. 5 reels.

Credits: Director, Edward H. Griffith; story, Lucien Hubbard.

AWAY GOES PRUDENCE. Paramount-Artcraft. Produced by Adolph Zukor. 1920. 5 reels.

Credits: Director, John S. Robertson; story, Josephine Lovett; scenario, Kathryne Stuart.

THE AWFUL ADVENTURES OF AN AVIATOR. 1915. Split reel.

Credits: Producer, Norval MacGregor; story, Roy L. McCardell.

AN AWFUL BULL. (Star Comedy) 1921. 1 reel.

Credits: Director, Ward Hayes; story, Ward Hayes, Frank Kingsley.

THE AWFUL GOOF. 1939. 1,539 ft.

Credits: Director, Del Lord; story and screenplay, John Grey.

THE AWFUL TOOTH. (A Hal Roach Comedy) (Our Gang Comedy) 1938. 1 reel, sd., b&w.

Credits: Director, Nate Watt; film editor, William Ziegler.

THE AWFUL TRUTH. Presented by Elmer Harris. Released by Producers Distributing Corp. 1925. 6 reels. From the play by Arthur Richman.

Credits: Production and adaptation, Elmer Harris; director, Paul Powell.

THE AWFUL TRUTH. 1929. 8 reels. Based on the play by Arthur Richman.

Credits: Supervision, Maurice Revnes; director, Marshall Neilan; dialogue director, Rollo Lloyd; adaptation, Arthur Richman, Horace Jackson.

THE AWFUL TRUTH. 1937. 10 reels, sd. Based on the play by Arthur Richman.

Credits: Producer and director, Leo McCarey; screenplay, Vina Delmar; film editor, Al Clark; music, Ben Oakland; music director, Morris Stoloff.

AXE ME ANOTHER. (A Popeye the Sailor Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

AXELLE. SEE Surrender.

AY TANK AY GO. 1936. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, John Grey.

THE AZURE SHORE. SEE The Rush Hour.

B. SEE The Rail Rider.

BABBITT. 1924. 8 reels. From the novel by Sinclair Lewis.

Credits: Director, Harry Beaumont; adaptation, Dorothy Farnum.

BABBITT. First National Productions Corp. 1934. 8 reels, sd. Based on the novel by Sinclair Lewis.

Credits: Director, William Keighley; screenplay, Mary McCall, Jr; adaptation, Tom Reed, Niven Busch; additional dialogue, Ben Markson; film editor, Jack Killifer.

BABBLING BOOK. 1932. 1 reel, sd.

Credits: Director, Aubrey Scotto; story, George N. Burns.

BABBLING TONGUES. Big U. 1915. 1 reel.

Credits: Producer, Murdock MacQuarrie; scenario, George E. Hall.

BABE COMES HOME. 1927. 6 reels. From the story "Said with Soap" by Gerald Beaumont.

Credits: Producer, Wid Gunning; director, Ted Wilde; scenario, Louis Stevens.

BABE O'MINE. 1932. 1 reel.

Credits: Director, Bert Frank.

BABES AND BOOBS. 1918. 1 reel.

Credits: Written and directed by Lawrence Semon.

BABES AT SEA. (Color Rhapsody) Presented by Columbia Pictures Corp. 1934. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe de Nat.

BABES IN ARMS. Presented by Metro-Goldwyn-Mayer. 1939. 10 reels, sd., b&w. Based on the play by Richard Rodgers and Lorenz Hart.

Credits: Producer, Arthur Freed; director, Busby Berkeley; screenplay, Jack McGowan, Kay Van Riper; film editor, Frank Sullivan; music director, George Stoll; musical adaptation, Roger Edens; orchestral arrangements, Leo Arnaud, George Bassman.

BABES IN HOLLYWOOD. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Producer, George M. Arthur; written and directed by Robert McGowan.

BABES IN THE GOODS. (Hal Roach Comedy) (Thelma Todd and Patsy Kelly Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

BABES IN THE JUNGLE. 1926. 2 reels.

Credits: Director, Jess Robbins.

BABES IN THE SAWDUST. Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

THE BABES IN THE WOODS. 1917. 6 reels.

Credits: Directors, C M. and S. A. Franklin; adaptation, Bernard McConville.

BABES IN THE WOODS. (Silly Symphony, no. U. A. 6) 1932. 1 reel.

BABES IN TOYLAND. Presented by Hal Roach. 1934. 9 reels, sd., b&w. From the operetta composed by Victor Herbert with book and lyrics by Glen MacDonough.

Credits: Directors, Gus Melns, Charles Rogers; screenplay, Frank Butler, Nick Grinde; film editors, William Terhune, Bert Jordan; music director, Harry Jackson.

BABE'S SCHOOL DAYS. 1915. Split reel.

Credits: Written and produced by Will Louis.

BABETTE. 1917. 5 reels.

Credits: F. Berkeley Smith; director, Charles Brabin; scenario, A. Van Buren Powell.

BABIES IS BABIES. Okeh. 1919. 1 reel.

Credits: Director, Al Santell; story, Ben Cohen.

BABIES OF WILD ANIMALS. (Ford Educational Library, Nature Study) Ford Motion Picture Laboratories. 1923. 1 reel.

BABOONA; an Aerial Epic Over Africa. 1935. 6,663 ft., sd.

Credits: Producers, Mr. and Mrs. Martin Johnson; supervision, Truman Talley; editors, Lew Lehr, Russell Sheilds.

BAB'S BURGLAR. 1917. 5 reels. Based on a story by Mary Roberts Rinehart.

Credits: Director, J. Searle Dawley.

BAB'S CANDIDATE. 1920. 5 reels.

Credits: Director, Edward Griffith; story, Forrest Crissey; scenario, Lucien Hubbard.

BAB'S DIARY. 1917. 5 reels. Based on the stories by Mary Roberts Rinehart.

Credits: Director, J. Searle Dawley.

BAB'S MATINEE IDOL. 1917. 5 reels. Based on a story by Mary Roberts Rinehart.

Credits: Director, J. Searle Dawley; scenario, Margaret Turnbull.

BABY. Victor. 1915. 2 reels.

Credits: Director, Harry C. Myers; scenario, S. Griener.

THE BABY. 1921. 2 reels.

Credits: Director, Harry Williams.

THE BABY AND THE LEOPARD. 1915. 1 reel.

Credits: Producer, Thomas Santschi; story, S. A. Van Patten.

THE BABY BANDIT. 1930. 1 reel.

BABY BE GOOD. (Juvenile Comedies) 1925. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

BABY BE GOOD. (A Betty Boop Cartoon) 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Edward Nolan.

BABY BEAVERS. 1930. 452 ft., 16 mm.

BABY BLUES. (Juvenile Comedies) Educational. 1925. 2 reels.

Credits: Director, Jules White.

BABY BLUES. 1934. 1 reel, sd.

Credits: Director, Robert F. McGowan.

THE BABY CYCLONE. 1928. 7 reels, b&w. From the play by George M. Cohan.

Credits: Producer and director, Edward Sutherland; adaptation and continuity, F. Hugh Herbert; film editor, Carl L. Pierson.

BABY DAZE. (Kennedy, no. 5) 1939. 15 min. sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story, Charles Roberts, George Jeske; film editor, Les Millbrook.

A BABY DOLL BANDIT. Universal-Jewel. 1919. 2 reels.

Credits: Written and directed by Fred C. Fishback.

THE BABY ELEPHANT. 1913. 1 reel. On same reel with Mr. Pickwick.

BABY FACE. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1933. 8 reels.

Credits: Director, Alfred E. Green; story, Mark Canfield; screenplay, Gene Markey, Kathryn Scola.

BABY FACE HARRINGTON. 1935. 7 reels, sd., b&w. From a play by Edgar Selwyn and William Le Baron.

Credits: Director, Raoul Walsh; screenplay, Nunnally Johnson, Edwin H. Knopf; additional dialogue, Charles Lederer; film editor, William S. Gray.

BABY FEUD. (Krazy Kat Cartoon) 1928. 1 reel. From the cartoons of George Herriman.

Credits: Story, Ben Harrison, Manny Gould.

BABY FOLLIES. (M. G. M. Colortone Revue) 1930. 2 reels, sd., color.

Credits: Staged by Gus Edwards; dialogue, Robert Hopkins; music, Gus Edwards.

BABY IN THE ICE-BOX. SEE She Made Her Bed.

BABY KITTENS. (A Walter Lantz Cartune) 1938. 1 reel, sd.

Credits: Director, Alex Lovy; story, Victor McLeod; animation, Hicks Lokey, Merle Gilson.

Credits: Producer, Leon T. Osborne; director, William Bertram.

BABY MINE. 1917. 6 parts. Based on the play by Margaret Mayo.

Credits: Directors, John S. Robertson, Hugo Ballin.

BABY MINE. 1928. 6 reels, sd., b&w. Based on the play by Margaret Mayo.

Credits: Producer and director, Robert Z. Leonard; adaptation, Sylvia Thalberg; continuity, F. Hugh Herbert, Lew Lipton; titles, Ralph Spence; film editor, Sam S. Zimbalist.

BABY RABBIT IN I WANTED RED WINGS. 1939. 1 reel, sd.

BABY ROSE MARIE, THE CHILD WONDER. 1929. 1 reel, sd.

THE BABY SHOW. 1928. 1 reel.

Credits: Paul Terry, Mannie Davis.

Credits: Producer, Lillian Delger Phillips; titles, H. I. Phillips.

THE BABY SPY. 1914. 2 reels.

Credits: Producer, Edward J. LeSaint.

BABY TAKE A BOW. 1934. 6,600 ft., sd. Based on a play by James P. Judge.

Credits: Director, Harry Lachman; screenplay, Philip Klein, E. E. Paramore, Jr.; music director, Samuel Kaylin.

BABY TALKS. (Sunny Jim Talkie) 1929. 2 reels, sd.

Credits: Director, Harold Beaudine.

BABYLON TO JERUSALEM. 1930. 2 reels.

A BABY'S DAY AT FORTY-EIGHT WEEKS. (Yale Films of Child Development) 1935. 1 reel.

A BABY'S DAY AT TWELVE WEEKS. (Yale Films of Child Development) 1935. 1 reel.

THE BABY'S FAULT. Nestor. 1915. 1 reel.

Credits: Producer, Al. E. Christie; scenario, Clyde C. Campbell.

A BABY'S SHOE. 1912. 1 reel.

Credits: Robert E. Coffey.

BABY'S TOOFS. Victor. 1916. 2 reels.

Credits: Directed and written by Harry C. Myers.

LA BACCARAT. SEE His Daughter Pays.

THE BACHELOR. SEE The Virtuous Vamp.

BACHELOR APARTMENT. 1931. 8 reels, sd.

Credits: Associate producer, Henry Hobart; director, Lowell Sherman; story, John Howard Lawson; adaptation and dialogue, J. Walter Ruben.

BACHELOR BAIT. 1934. 8 reels, sd.

Credits: Associate producer, Lou Brock; director, George Stevens; story, Edward and Victor Halperin; screenplay, Glenn Tryon; editor, James B. Morley; music director, Max Steiner.

BACHELOR BRIDES. Presented by Cecil B. De Mille. Released by Producers Distributing Corp. 1926. 6 reels. From the play by Charles Horace Malcolm.

Credits: Producer and director, William K. Howard; adaptation, Garrett Fort.

THE BACHELOR DADDY. Paramount. 1922. 7 reels.

Credits: Director, Alfred E. Green; story, Edward Peple; adaptation, Olga Printzlau.

THE BACHELOR FATHER. 1931. 10 reels, sd., b&w. From the play by Edward Childs Carpenter.

Credits: Producers, Robert Z. Leonard, Marion Davies; screenplay, Laurence E. Johnson; film editor, Harry Reynolds.

THE BACHELOR GIRL. 1929. 7 reels, sd., si.

Credits: Producer, Harry Cohn; director, Richard Thorpe; screenplay, Jack Townley.

BACHELOR MOTHER. 1939. 82 min., sd.

Credits: Producer, B. G. De Sylva; director, Garson Kanin; story, Felix Jackson; screenplay, Norman Krasna; editors, Henry Berman, Robert Wise; music score, Roy Webb.

BACHELOR OF ARTS. 1934. 6,820 ft., sd. From the novel by John Erskine.

Credits: Director, Louis King; screenplay, Lamar Trotti; music director, Samuel Kaylin.

BACHELOR'S AFFAIRS. 1932. 5,800 ft., sd. Based on the play "Precious" by James Forbes.

Credits: Director, Alfred Werker; screenplay, Barry Conners, Philip Klein; editor, Al De Gaetano.

BACHELORS' BABIES. (Juvenile comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

THE BACHELOR'S BABY. 1915. 1 reel.

THE BACHELOR'S BABY. 1927. 6 reels.

Credits: Director, Frank R. Strayer; story, Garrett Elsden Fort; screenplay, Julien Sands.

THE BACHELOR'S BURGLAR. 1915. 1 reel.

A BACHELOR'S CHILDREN. 1918. 5 reels.

Credits: Director, Paul Scardon; story and scenario, William Addison Lathrop.

A BACHELOR'S CHRISTMAS. Rex. 1915. 3 reels.

Credits: William Addison Lathrop; producer, Ben Wilson.

BACHELOR'S FOLLY. 1932. 69 min., sd. From the play "The Calendar" by Edgar Wallace.

Credits: Director, T. Hayes Hunter; scenario, Angus McPhail, Robert Stevenson.

BACHELOR'S PARADISE. 1928. 7 reels.

Credits: Director, George Archainbaud; story, Curtis Benton; continuity, Frances Guihan, Vera Clark; editor, Robert J. Kern.

A BACHELOR'S WIFE. 1919. 2 reels.

Credits: Director, Emmett J. Flynn; story, Joseph Franklin Poland.

BACK DOOR TO HEAVEN. Presented by Bernard Steele. 1939. 9 reels, sd.

Credits: Story, production, and direction, William K. Howard; screenplay, John Bright, Robert Tasker; film editor, Jack Murray.

BACKFIRE. 1926. 2 reels.

BACK FROM ABROAD. SEE McKay and Ardine, Back from Abroad.

BACK FROM THE DEAD. SEE Back to Life.

BACK HOME AND BROKE. 1922. 6 reels.

Credits: Director, Alfred E. Green; story and adaptation, George Ade.

BACK IN CIRCULATION. First National. 1937. 9 reels, sd. From a story by Adela Rogers St. Johns.

Credits: Director, Ray Enright; screenplay, Warren Duff.

BACK IN CIRCULATION. SEE Bulldog Edition.

Credits: Scenario, Robert W. Daly.

THE BACK PAGE. (Mermaid Comedies) 1931. 20 min., sd.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley.

BACK PAGE. 1933. 7 reels.

Credits: Director, Anton Lorenze; original story, Harry E. Chandlee, Douglas W. Churchill; continuity and dialogue, F. McGrew Willis; editor, Fred Bain.

BACK PAY. 1922. 7 reels.

Credits: Director, Frank Borzage; story, Fannie Hurst.

BACK PAY. First National and Vitaphone. 1930. 7 reels. Based on the story by Fannie Hurst.

Credits: Producers, Walter Morosco, William Seiter.

BACK PAY. Trailer. 1930. 1 reel.

BACK STAGE. 1919. 2 reels.

Credits: Written and directed by Fatty Arbuckle.

BACK STAGE. (Star Comedy) 1921. 1 reel.

Credits: Producer, William Watson; scenario, W. Scott Darling.

BACK STREET. 1932. 10 reels. From the novel by Fannie Hurst.

Credits: Director, John M. Stahl; screenplay, Gladys Lehman.

BACK TO BROADWAY. 1914. 2 reels.

Credits: Director, Ralph Ince.

BACK TO EARTH. Century. 1923. 2 reels.

Credits: Written and directed by Al Herman.

BACK TO EDEN. 1913. 1 reel.

Credits: Director, Robert T. Thornby.

BACK TO GOD'S COUNTRY. 1919. 6 reels. Adapted from the story "Wapi, the Walrus" by James Oliver Curwood.

BACK TO GOD'S COUNTRY. Jewel. 1927. 6 reels. Based on an original story by James Curwood.

Credits: Director, Irvin Willat.

BACK TO LIBERTY. Presented by Samuel Zierler. 1927. 7 reels.

Credits: Director, Bernard McEveety; story and continuity, Arthur Hoerl.

BACK TO LIFE. Presented by Associated Exhibitors, Inc. 1925. 6 reels. Founded on the novel "Back from the Dead" by Andrew Soutar.

Credits: Producer, Whitman Bennett; scenario, Harry Chandlee.

BACK TO MOTHER. Presented by William Fox. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Harry Sweet; story, Mabel Herbert Urner; adaptation, Murray Roth.

BACK TO NATURE. Bluebird. 1925. 1 reel.

Credits: Director, George Summerville.

BACK TO NATURE. Snappy. 1928. 1 reel.

Credits: Director, Ansel Friedberger; story and continuity, George H. Plympton.

BACK TO NATURE. 1936. 5,160 ft., sd. Based on characters created by Katharine Kavanaugh.

Credits: Director, James Tinling; original screenplay, Robert Ellis, Helen Logan; music, Samuel Kaylin.

BACK TO NATURE GIRLS. 1919. 2 reels.

Credits: Supervision, Hampton Del Ruth; director, J. G. Blystone.

BACK TO THE FARM. 1915. 1 reel.

BACK TO THE KITCHEN. Joker. 1917. 1 reel.

Credits: Producer, Allen Curtis; story, Warren Schoene; scenario, Tom Gibson.

BACK TO THE KITCHEN. Paramount-Mack Sennett. 1919. 2 reels.

Credits: Director, Reggie Morris.

BACK TO THE PRIMITIVE. 1915. 1 reel.

Credits: Director, Sidney Drew.

BACK TO THE RIGHT TRAIL. SEE Thieves' Gold.

BACK TO THE SIMPLE LIFE. 1914. 1 reel.

Credits: Jean Chamblin; director, Ashlay Miller.

BACK TO THE SOIL. (Fable, no. 404) 1929. 1 reel.

Credits: Paul Terry.

BACK TO THE SOIL. 1934. 2 reels, sd.

Credits: Director, Jules White; story and screenplay, Ewart Adamson.

BACK TO THE SUN. SEE The Nudists.

BACK TO THE WOODS. 1918. 5 reels.

Credits: J. Clarkson Miller; director, George Irving.

BACK TO THE WOODS. 1937. 2 reels.

Credits: Director, Preston Black; story, Searle Kramer; screenplay, Andrew Bennison.

BACK TO YELLOW JACKET. 1922. 6 reels.

Credits: Director, Ben Wilson; story, Peter B. Kyne; adaptation, J. Grubb Alexander.

THE BACK TRAIL. 1924. 5 reels.

Credits: Director, Clifford S. Smith; story, Walter J. Coburn; adaptation and continuity, Isadore Bernstein.

BACKBONE. 1923. 7 reels. Adapted from the Saturday Evening Post story by Clarence Budington Kelland.

Credits: Director, Edward Sloman; adaptation, Chas. E. Whittaker.

BACKFIELD. SEE The Band Plays On.

BACKFIELD ACES. (Rockne Football, reel 6) 1930. 1 reel.

Credits: Terry Ramsaye.

BACKFIELD PLAY. Snappy. 1931. 1 reel.

Credits: Director, Albert Kelley; story, Knute Rockne.

BACKFIELD STRATEGY. (Football Thrills Series) 1932. 1 reel.

Credits: Producer, Clyde E. Elliott; editor, Leonard Mitchell.

BACKS TO NATURE. (Hal Roach-Thelma Todd and Patsy Kelly Comedy) 1933. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

THE BACKSLIDER. 1914. 1 reel.

BACKSTAGE. Tiffany Gem. 1927. 6 reels.

Credits: Director, Phil Stone; story, Sarah Y. Mason; continuity, John F. Natteford; film editor, Leroy O. Lodwig.

BACKSTAGE. 1936. 8 reels, sd.

Credits: Producer and director, Herbert Wilcox; story, Laura Whetter; music, Harry Woods; music director, Geraldo.

A BACKWARD CIVILIZATION. 1937. 2 reels, sd.

BACKWARD GEORGE. (Stern Brothers Comedy) 1926. 2 reels.

Credits: Director, Gus Meins.

BACKWARD SONS AND FORWARD DAUGHTERS. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Phil Dunham.

THE BACKYARD. 1920. 2 reels.

Credits: Author and director, Jess Robbins.

THE BACKYARD BROADCAST. (Broadway Brevity) 1936. 21 min., sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos.

BACKYARD FOLLIES. 1931. 1 reel, sd.

Credits: Director, Aubrey Scotto; story, J. P. Murray, Barry Trivers, Ben Oakland; staged by Max E. Hayes.

BACON GRABBERS. (A Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Lewis R. Foster; story, Leo McCarey; editor, Richard Currier.

BACTERIA. 1930. 1 reel.

THE BAD, BAD WOMAN. SEE Dora Maughan, The Bad, Bad Woman.

BAD BOY. Presented by Fox Film Corp. 1935. 5,030 ft., sd. From the story by Vina Delmar.

Credits: Director, John Blystone; screenplay, Allen Rivkin; music director, Arthur Lange.

A BAD BOY FROM A GOOD FAMILY. SEE Phil Baker, A Bad Boy from a Good Family.

BAD BREAKS. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Nate Watt.

BAD BUCK OF SANTA YNEZ. 1924. 2 reels.

BAD COMPANY. 1931. 8 reels, sd., b&w. Suggested by the story by Jack Lait.

Credits: Producer, Charles R. Rogers; director, Tay Garnett; screenplay and dialogue, Tom Buckingham, Tay Garnett; film editor, Claude Berkeley; musical director, Arthur Lange.

THE BAD GENIUS. (Scrappy) Presented by Columbia Pictures Corp. 1932. 1 reel, sd.

Credits: Producer, Charles Mintz; animation, Sid Marcus, Art Davis; music score, Joe De Nat.

BAD GIRL. 1931. 8,046 ft., sd. From the play by Vina Delmar and Brian Marlowe, based upon the novel by Vina Delmar.

Credits: Director, Frank Borzage; continuity and dialogue, Edwin Burke; editor, Margaret Clancy.

BAD GUY. 1937. 8 reels, sd., b&w.

Credits: Producer, Tom Reed; director, Edward Cahn; story, J. Robert Bren, Kathleen Shepherd, Hal Long; screenplay. Earl Felton, Harry Ruskin; film editor, Ben Lewis; music score, Edward Ward.

BAD HOUSEKEEPING. 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Leslie Goodwins, Monty Collins; film editor, Edward Mann.

THE BAD LANDS. Released by Producers Distributing Corp. 1925. 6 reels.

Credits: Director, Dell Henderson; story, Kate Corbaley; adaptation, Harvey Gates.

BAD LANDS. 1939. 70 min., sd.

Credits: Producer, Robert Sisk; director, Lew Landers; story and screenplay, Clarence Upson Young; editor, George Hively; music, Roy Webb.

BAD LITTLE ANGEL. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w. Based on a book by Margaret Turnbull.

Credits: Producer, Albert E. Levoy; director, William Thiele; screenplay, Dorothy Yost; film editor, Frank Sullivan; music, Edward Ward.

A BAD LITTLE GOOD MAN. Nestor. 1917. 1 reel.

Credits: Director, William W. Beaudine; story, King Vidor.

THE BAD MAN. First National. 1923. 7 reels. Based on the play by Porter Emerson Browne.

Credits: Producer and director, Edwin Carewe.

THE BAD MAN. 1930. 9 reels. Based on the play by Porter Emerson Browne.

Credits: Director, Clarence Badger.

THE BAD MAN. Trailer. First National. 1930. 1 reel.

BAD MAN BOBBS. 1915. 1 reel.

Credits: Producer, Tom Mix; story, Edwin Ray Coffin.

THE BAD MAN OF BRIMSTONE. 1937. 9 reels, sd., sepia.

Credits: Producer, Harry Rapf; director, J. Walter Ruben; original story, J. Walter Ruben, Maurice Rapf; screenplay, Cyril Hume, Richard Maibaum; film editor, Frank Sullivan; music, William Axt.

THE BAD MAN OF CHEYENNE. Bison. 1916. 2 reels.

Credits: Scenario and direction, Fred A. Kelsey; story, Harry Carey.

BAD MEDICINE. (Headliner, no. 5) 1936. 15 min., sd.

Credits: Producer, Lee Marcus; director, Jean Yarbrough; story, Ewart Adamson, Jean Yarbrough; film editor, John Lockert.

BAD MONEY. 1915. 1 reel.

BAD NEWS. (Star Comedy) 1918. 1 reel.

Credits: Lyons, Moran; director, Harry Edwards; story, Fred Palmer, Harry Edwards.

THE BAD ONE. United Artists Picture. 1930. 8 reels, sd.

Credits: Producer and director, George Fitzmaurice; supervision, John W. Considine, Jr.; original story, John Farrow; screen adaptation and dialogue, Carey Wilson, Howard Emmett Rogers; editor, Don Hays; music arrangement, Hugo Riesenfeld.

BAD SISTER. 1931. 7 reels.

Credits: Director, Hobart Henley; story, Booth Tarkington.

THE BADGE OF BRAVERY. 1930. 2 reels.

Credits: Director, Josef Levigard; story and continuity, William Lester.

BADGE OF HONOR. 1934. 7 reels, sd.

Credits: Producer, Lester F. Scott, Jr.; director, Spencer Gordon Bennet; story, Robert Emmett; continuity and dialogue, George Morgan; editor, Fred Bain.

THE BADGE OF POLICEMAN O'ROON. SEE Doctor Rhythm.

Credits: Director, Edwin August.

BADGERED. 1916. 1 reel.

Credits: Producer, T. N. Heffron; story, Wm. M. Henry.

BADGES. SEE The Ghost Talks.

BADLY BROKE. Bluebird. 1926. 1 reel.

Credits: Director, George (Slim) Summerville.

BAG AND BAGGAGE. 1923. 6 reels.

Credits: Director, Finis Fox; story, Finis Fox, Lois Zellner.

A BAG OF GOLD. 1915. 1 reel.

BAGS OF GOLD. 1915. 3,000 ft.

THE BAHAMA ISLANDS, NASSAU TO KINGSTON. (Ford Educational Library, Regional Geography, v. 6) Ford Motion Picture Laboratories. 1921. 1 reel.

BAILEY AND BARNUM IN THE GLOBE TROTTERS. 1928. 1 reel, sd.

BAILEY AND BARNUM IN THE GLOBE TROTTERS. (A Laemmle Novelty) Snappy. 1928. 1 reel, sd.

BAILEY AND BARNUM IN TWO WHITE ELEPHANTS. 1928. 1 reel, sd.

BAILEY AND BARNUM IN WITHOUT A BAND. 1928. 1 reel, sd.

THE BAIT. 1920. 5 reels.

Credits: Director, Maurice Tourneur; story, Sidney Toler; scenario, John Gilbert.

THE BAKERY. 1921. 2 reels.

Credits: Story and direction, Larry Semon, Norman Taurog.

BALANCE. (Sports-Eye-View) 1933. 1 reel, sd.

BALANCED BRAKES FOR FLEET PROFITS. 1935. For U. S. Asbestos Co., Fleet Div. 1 reel, sd.

BALANCED SELLING. 1935. For the U. S. Rubber Co. 1 reel.

BALAOO. SEE The Wizard.

BALI. (Vagabond Adventure Series, no. 5) 1933. 1 reel, sd.

Credits: Text, Russel Spaulding; narrator, Alois Havrilla.

BALI—THE ISLAND PARADISE. (James A. FitzPatrick's Traveltalks, no. 2) 1932. 1 reel.

Credits: Photographer, B. S. Dawley.

Credits: Producer, John L. Hawkinson.

THE BALL GAME. 1932. 508 ft.

Credits: John Foster, Geo. Rufle.

THE BALL PARK. (Aesop Fable, 415) 1929. 1 reel.

Credits: Paul Terry.

BALL TOSSERS. (The Grantland Rice Sportlight) 1937. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE BALLAD OF PADUCAH JAIL. (Hal Roach Comedy) (Irvin S. Cobb Comedy) 1934. 2 reels, sd., b&w.

BALLADS AND BOLOGNA. 1917. 1 reel.

Credits: Producer, Harry Jackson; story, Jerome N. Wilson.

BALLERINA. 1938. 10 reels, sd. From the novel "La Mort du Cygne" by Paul Morand.

Credits: Director, Jean Benoit-Levy; adaptation, Jean Benoit-Levy, Marie Epstein.

THE BALLET CLASS. 1930. 1 reel, sd.

Credits: Agnes De Mille; director, Frank Cambria.

BALLOON TIRED. (A Life Cartoon Comedy) 1926. 1 reel.

THE BALLOONATIC. 1923. 2 reels.

Credits: Written and directed by Buster Keaton and Eddie Cline.

BALLOONATICS. 1917. 2 reels.

Credits: Director, J. G. Blystone.

THE BALLYHOO BUSTER. 1928. 5 reels.

Credits: Director, Richard Thorpe; story, Robert Walker; continuity, Frank L. Inghram.

THE BALLYHOO'S STORY. 1913. 1 reel.

Credits: E. A. Brinistool; director, Rollin S. Sturgeon.

BALTIMORE AND THE OYSTER INDUSTRY. (Ford Educational Library, Regional Geography, v. 5) Ford Motion Picture Laboratories. 1921. 1 reel.

BALTO'S RACE TO NOME. (Educational Special) 1925. 2 reels.

Credits: Producer, Sol Lesser.

THE BANANA. (Ford Educational Library, Agriculture) Ford Motion Picture Laboratories. 1922. 1 reel.

BANANA GROWING IN THE FIJI ISLANDS. 1924. 1 reel.

BANCO. SEE Lost—A Wife.

THE BAND BEAUTIFUL. SEE The Ingénues. The Band Beautiful.

THE BAND CONCERT. 1935. 1 reel.

THE BAND LEADER. 1914. 1 reel.

Credits: Director, Edmond F. Stratton.

THE BAND PLAYS ON. 1934. 9 reels, sd., b&w. Based on the story "Backfield" by Byron Morgan and J. Robert Bren and on the story "The Gravy Game" by Harry Stuhldreher and W. Thornton Martin.

Credits: Producer, Ned Marin; director, Russel Mack; screenplay, Bernard Schubert, Ralph Spence, Harvey Gates; film editor, William Le Vanway; music score, Oscar Radin.

THE BANDIT AND THE BABY. 1915. 1 reel.

BANDITS AND BALLADS. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Frederick Hollander; story, Forman Brown; film editor, Edward Mann; music director, Roy Webb.

THE BANDIT'S BABY. Released by F. B. O. 1925. 5 reels.

Credits: Director, James P. Hogan; story, Leete Renick Brown; scenario, Marion Jackson.

BANDITS BEWARE. 1921. 2 reels.

Credits: Director, Lee Kohlmar; scenario, George Morgan.

THE BANDIT'S SON. 1928. 5 reels.

Credits: Director, Wallace W. Fox; story and continuity, Frank Howard Clark.

THE BANDIT'S WAGER. Big U. 1916. 1 reel.

Credits: Written and produced by Grace Cunard and Francis Ford.

THE BANDMASTER. Winkler. 1930. 1 reel, sd. Adapted from the cartoon character created by George Herriman.

Credits: Animation, Ben Harrison; Manny Gould; musical score, Joe DeNat.

THE BAND MASTER. (Oswald Comedy) Snappy. 1931. 1 reel.

THE BANDOLERO. Presented by Louis B. Mayer. 1924. 8 reels, tinted. Adapted from the story by Paul Gwynne [pseud. of Ernest Slater].

Credits: Production and scenario, Tom Terriss; story, Paul Gwynne; editors, Winchell Smith, Don Bartlett.

BANFF NATIONAL PARK. 1917. 1 reel.

BANJO ON MY KNEE. 1936. 8,587 ft., sd. Based on the novel by Harry Hamilton.

Credits: Director, John Cromwell; screenplay, Nunnally Johnson; music director, Arthur Lange.

BANJOLAND. SEE Eddie Peabody Assisted by Jimmy Maisel in Banjoland.

BANJOMANIA. SEE Eddie Peabody in Banjomania....

THE BANK. 1915. 2 reels.

BANK ALARM. Condor. Presented by L. Alperson. 1937. 6 reels, sd.

Credits: Producer, George A. Hirliman; supervision, Sam Diege; director, Louis J. Gasnier; original story, Cynthia and Laurence Meade; screenplay, Griffin Jay, David S. Levy; film editor, Dan Milner; music supervision, Abe Meyer.

BANK HOLIDAY. SEE Three on a Week-End.

BANK NOTES. Mentone. 1939. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

A BANK SWINDLE. (William J. Burns Detective Mysteries) 1931. 1 reel.

Credits: Story, adaptation and dialogue, Russell Matson.

THE BANKER AND THE THIEF. 1915. 1 reel.

THE BANKER'S DAUGHTER. 1914. 5 reels. Adapted from the play by Bronson Howard.

THE BANKER'S DAUGHTER. (An Oswald the Lucky Rabbit Cartoon) 1927. 1 reel.

Credits: Walt Disney.

THE BANKER'S DAUGHTER. (Paul Terry-Toons) Presented by E. W. Hammons. 1933. 1 reel, sd.

Credits: Music, Philip A. Scheib.

THE BANKER'S DOUBLE. 1914. 1 reel. Adapted from the Felix Boyd Series "Below the Dead Line" by Scott Campbell [pseud. of Frederick William Davis].

A BANKRUPT HONEYMOON. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Louis Seiler; story, Murray Roth.

THE BANKRUPTCY OF BOGGS AND SCHULTZ. 1916. 1 reel.

THE BANTAM COWBOY. 1928. 6 reels.

Credits: Director, Louis King; original story, Robert North Bradbury; adaptation, Frank Howard Clark.

Credits: William Sherwood.

BAR MITZVAH. 1935. 8 reels, sd.

Credits: Screenplay and direction, Henry Lynn; story, Bores Thomashefsky.

BAR NOTHIN'. 1921. 5 reels, b&w.

Credits: Director, Edward Sedgwick; story, Jack Strumwasser, Clyde C. Westover.

THE BAR SINISTER. SEE Almost Human.

BAR 20 JUSTICE. Presented by Adolph Zukor. 1938. 7 reels, sd.

Credits: Producer, Harry Sherman; director, Lesley Selander; original story, Clarence E. Mulford; screenplay and dialogue, Arnold Belgard; additional dialogue and sequences, Harrison Jacobs; film editor, Robert Warwick.

BAR 20 RIDES AGAIN. Presented by Adolph Zukor. 1935. 7 reels, sd. From the novel by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Howard Bretherton; screenplay, Doris Schroeder, Gerald Geraghty; adaptation, Doris Schroeder.

BAR 20 THREE. SEE Three on the Trail.

BAR-Z BAD MEN. 1937. 6 reels.

Credits: Producer, A. W. Hackel; director, Sam Newfield; original story, James P. Olsen; adaptation and screenplay, George H. Plympton.

BARBADOS & TRINIDAD; Gardens of the Caribbean. (A FitzPatrick M. G. M. Traveltalk) 1932. 1 reel.

Credits: Photographer, Frank A. Goodliffe.

BARBARA FRIETCHIE. 1915. 5 reels. Based on the poem by John Greenleaf Whittier and the play by Clyde Fitch.

BARBARA FRIETCHIE. Presented by Regal Pictures, Inc. Released thru Producers Distributing Corp. 1924. 8 reels. From play by Clyde Fitch.

Credits: Director, Lambert Hillyer.

Credits: Screen version, E. P. Heath.

THE BARBARIAN. 1933. 9 reels, sd., b&w.

Credits: Producer, Sam Wood; story, Edgar Selwyn; screenplay and dialogue, Anita Loos, Elmer Harris; film editor, Tom Held; music, Herbert Stothart.

BARBARY COAST. 1935. 10 reels, sd.

Credits: Director, Howard Hawkes; screenplay, Charles MacArthur, Ben Hecht; film editor, Edward Curtis; music director, Alfred Newman.

BARBARY SHEEP. 1917. 6 reels. From the novel by Robert Hichens.

Credits: Director, Maurice Tourneur; adaptation, Charles Maigne.

BARBED WIRE. 1927. 6,951 ft. Based on the novel "The Woman of Knockaloe" by Hall Caine.

Credits: Producer, Erich Pommer; direction and adaptation, Rowland V. Lee; screenplay, Jules Furthman.

THE BARBER SHOP. 1933. 2 reels, sd.

Credits: Director, Arthur Ripley; story, W. C. Fields.

BARBER SHOP BLUES. 1933. 1 reel, sd.

Credits: Director, Joseph Henabery.

THE BARBER SHOP CHORD. 1929. 1 reel, sd.

BARBEROUS PLOTS. 1918. 2 reels.

Credits: Director, Jim Davis.

BARBERS' COLLEGE. (George Le Maire Comedies) 1929. 2 reels, sd.

Credits: Producer and director, George Le Maire; story, George Le Maire, Leo Donnelly, Dolph Singer; film editor, E. Pfitzenmeier.

THE BARBER'S DAUGHTER. (Educational-Mack Sennett Talking Comedy) 1929. 20 min., sd.

Credits: Director, Mack Sennett.

BARDELYS THE MAGNIFICENT. 1926. 9 reels. Based on the novel by Rafael Sabatini.

Credits: Director, King Vidor; scenario, Dorothy Farnum.

THE BARE COED. (A Whirlwind Comedy) 1927. 2 reels.

Credits: Director, Craig Hutchinson.

BARE FISTS. 1919. 6 reels.

Credits: Director, Jack Ford; story, Bernard McConville; scenario, Eugene Lewis.

BARE FISTS. (Western Featurette) 1927. 2 reels.

Credits: Director, Josef Levigard; story and continuity, George Morgan.

BARE KNEES. Gotham. Presented by Sam Sax. 1928. 6 reels.

Credits: Adaptation and supervision, Harold Shumate; production manager, Carrol Sax; director, Erle C. Kenton; story, Adele Buffington; editor, Donn Hayes.

BARE KNEES. (A Capital Comedy) 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; director, Harry Fraser; story, David Silverstein; film editor, Joseph Kane; music director, Francis Gromon.

BARE KNUCKLES. 1921. 5 reels.

Credits: Story, A. Channing Edington.

A BARE LIVING. Victor. 1917. 1 reel.

Credits: W. Warren Schoene; director, Allen Curtis.

BAREE, SON OF KAZAN. 1918. 5 reels. From the story by James Oliver Curwood.

Credits: Director, David Smith.

BAREE, SON OF KAZAN. 1925. 7 reels.

Credits: James Oliver Curwood; director, David Smith.

THE BAREFOOT BOY. Presented by Mission Film Corp. 1924. 6 reels. Suggested by the poem by John Greenleaf Whittier.

Credits: Adapted and directed by David Kirkland; story, Wallace Clifton.

BAREFOOT BOY. 1938. 7 reels, sd. Suggested by the poem by John Greenleaf Whittier.

Credits: Producer, E. B. Derr; director, Karl Brown; original story and screenplay, John T. Neville; film editor, Finn Ullback.

BARELY REASONABLE. Mustang. 1926. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle.

THE BARFLY. Nestor. 1916. 1 reel.

Credits: Producer, Louis William Chaudet; scenario, Virginia Kirtley.

THE BARGAIN. 1914.

Credits: Producer, Thomas H. Ince.

THE BARGAIN. 1923. 5 reels.

Credits: Director, Reginald Barker.

THE BARGAIN. 1931. 70 min., sd. Adapted from "You and I" by Phillip Barry.

Credits: Director, Robert Milton; screen adaptation, Robert Presnell.

BARGAIN DAY. (Our Gang Comedies) 1931. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; dialogue, H. M. Walker; editor, Richard Currier.

THE BARGAIN HUNT. Presented by Mack Sennett. 1928. 2 reels.

Credits: Supervision, John Waldron; director, Phil Whitman.

BARGAIN MATINEE. Mentone. 1937. 1 reel, sd.

Credits: Director, Milton Schwarzwald.

THE BARGAIN OF THE CENTURY. (A Pitts-Todd Comedy) Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Director, Charley Chase; film editor, Jack Ogilvie.

A BARGAIN TABLE CLOTH. 1914. 600 ft.

A BARGAIN WITH SATAN. SEE The Student of Prague.

THE BARKER. 1917. 5 reels.

Credits: Charles K. Harris; director, J. A. Richmond.

THE BARKER. Presented by Richard A. Rowland. 1928. 8 reels. From the stage play by John Kenyon Nicholson.

Credits: Producer and director, George Fitzmaurice; screenplay, Benjamin Glazer.

THE BARKER. SEE Hoop-la.

BARKING DOGS. (Aesop's Sound Fables) 1933. 9 min.

Credits: Mannie Davis.

THE BARN DANCE. (Mickey Mouse Cartoon) Presented by Columbia Pictures Corp. 1929. 1 reel, sd.

Credits: U. B. Iwerks.

BARN YARNS. SEE Felix the Cat in Barn Yarns.

BARNABETTA. SEE Erstwhile Susan.

Credits: Producer, Thomas Bentley.

BARNABY RUDGE. SEE Dolly Varden.

BARNACLE BILL. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer.

BARNEY GOOGLE. SEE Patch Mah Britches.

BARNEY GOOGLE AND SPARK PLUG. SEE Horsefeathers.

BARNEY RAPP & HIS NEW ENGLANDERS. 1935. 1 reel, sd.

Credits: Director, Joseph Henabery.

BARNEY ROSS OF CHICAGO, IN DEFENSE OF HIS WORLD'S CHAMPIONSHIP WELTERWEIGHT TITLE AGAINST HENRY ARMSTRONG, OF CALIFORNIA, FEATHERWEIGHT CHAMPION, HELD AT THE MADISON SQUARE GARDEN BOWL, LONG ISLAND CITY, NEW YORK. © 1938.

Credits: Supervised and edited by Jack Reiger.

THE BARNSTORMER. Charles Ray Productions, Inc. Presented by Arthur S. Kane. 1922. 6 reels.

Credits: Richard Andrés; director, Charles Ray.

THE BARNSTORMER. 1922. 2 reels.

Credits: Director, Slim Summerville.

BARNUM AND RINGLING, INC. (Our Gang Comedies) Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; titles, H. M. Walker; editor, Richard Currier.

BARNUM WAS RIGHT. (A Life Cartoon Comedy) 1926. 1 reel.

BARNUM WAS RIGHT. 1929. 5 reels.

Credits: Director, Del Lord; story, Philip Bartholomoe.

BARNUM WAS WRONG. 1930. 2 reels, sd.

Credits: Director, Mark Sandrich; story and dialogue, Mark Sandrich, Rube Welch.

THE BARNYARD. 1923. 2 reels.

Credits: Written and directed by Larry Semon.

BARNYARD AMATEURS. (Paul Terry-Toons) Presented by E. W. Hammons. 1936. 1 reel, sd.

Credits: Frank Moser and Paul Terry; scored and conducted by Philip A. Scheib.

BARNYARD ARTISTS. 1928. 1 reel.

Credits: Paul Terry, Hugh Shields.

BARNYARD BABIES. (Happy Harmonies) 1935. 1 reel, sd., color.

Credits: Hugh Harman, Rudolf Ising.

BARNYARD BATTLE. (Mickey Mouse Cartoon) 1929. 1 reel.

Credits: U. B. Iwerks.

BARNYARD BOSS. (Terry Toons) Presented by E. W. Hammons. 1937. 606 ft., sd.

Credits: Paul Terry, Connie Rasinski; music, Philip A. Scheib.

BARNYARD BRAT. 1939. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Anthony Pabian.

THE BARNYARD BROADCAST. (Mickey Mouse, no. 18) 1931. 1 reel.

BARNYARD BUNK. (Tom and Jerry) 1932. 6 min.

Credits: John Foster, George Rufle.

THE BARNYARD CONCERT. (Mickey Mouse Cartoon) Presented by Columbia Pictures Corp. 1930. 1 reel, sd.

BARNYARD EGG-CITEMENT. (A Terry-Toon) 1939. 1 reel, sd.

Credits: Director, Connie Rasinski; story, John Foster; music, Philip A. Scheib.

THE BARNYARD FIVE. (An Oswald Cartoon) 1936. 1 reel.

Credits: Story, Walter Lantz, Victor McLeod.

THE BARNYARD HAMLET. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan; animation, W. E. Stark.

BARN YARD LODGE NO. 1. 1928. 1 reel.

Credits: Paul Terry, Frank Moser.

THE BARNYARD MELODY. (Aesop Sound Fable) Presented by The Van Beuren Corp. 1929. 1 reel, sd.

Credits: John Foster.

A BARNYARD MIX-UP. 1915. 400 ft. On same reel with "A New Way to Win."

Credits: Drawn by Vincent Whitman.

A BARNYARD NIGHTMARE. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan.

BARNYARD OLYMPICS. (Mickey Mouse, no. 25) 1932. 1 reel.

BARN YARD POLITICS. (Fables, no. 393) 1928. 1 reel.

Credits: Paul Terry, Hugh Shields.

BARNYARD RIVALS. (A Whirlwind Comedy) 1928. 2 reels. From the cartoons by Walter Lantz.

Credits: Director, Stan Delay.

A BARNYARD ROMANCE. Rainbow. 1919. 2 reels.

Credits: Director, Jess Robbins.

BARNYARD ROMEO. (Oswald the Rabbit) 1938. 1 reel, sd.

Credits: Producer, Walter Lantz; story, Victor McLeod, James Miele; animation, LaVerne Harding, George Dane.

THE BARONESS AND THE BUTLER. 1938. 7,201 ft., sd. Based on a play by Ladislaus Bus-Fekete.

Credits: Director, Walter Lang; screenplay, Sam Hellman, Lamar Trotti, Kathryn Scola; music director, Louis Silvers.

BAR-RACS NIGHT OUT. (A Pete Smith Specialty) 1937. 1 reel, sd.

Credits: Director, Earl Frank.

BARRED FROM THE BAR. Joker. 1917. 1 reel.

Credits: Director, William Beaudine; story and scenario, Karl Coolidge.

THE BARREL ORGAN. 1914. 1 reel.

Credits: Director, Edmond F. Stratton.

BARRETTS OF WIMPOLE STREET. 1934. 11 reels, sd., b&w. From the play by Rudolf Besier.

Credits: Director, Sidney Franklin; screenplay, Ernest Vajda, Claudine West, Donald Ogden Stewart; film editor, Margaret Booth; music score, Herbert Stothart.

THE BARRICADE. 1917. 5 reels.

Credits: Hamilton Smith; director, Edwin Carewe; scenario, June Mathis.

THE BARRICADE. 1921. 6 reels.

Credits: Director, William Christy Cabanne; story, Daniel Carson Goodman.

THE BARRIER. 1926. 7 reels. From the novel by Rex Beach.

Credits: Director, George Hill; scenario, Harvey Gates.

THE BARRIER. Presented by Adolph Zukor. 1937. 10 reels, sd. From the novel by Rex Beach.

Credits; Producer, Harry Sherman; director, Lesley Selander; screenplay, Bernard Schubert; additional dialogue, Harrison Jacobs, Mordaunt Shairp.

THE BARRIER BETWEEN. 1914. 1 reel.

Credits: Producer, John L. Hawkinson.

THE BARRIER OF FAITH. 1915. 1 reel.

Credit: Director, Van Dyke Brooks.

BARRIERS OF PREJUDICE. 1915. 2 reels.

Credits; Director, Ulysses Davis.

BARRIERS OF SOCIETY. Red Feather. 1916. 5 reels.

Credits: Director, Lloyd B. Carleton; story, Clarke Irvine; scenario, Fred Myton.

BARRY AND WHITLEDGE IN JEST FOR A WHILE. 1930. 1 reel, sd.

BARRYMORE TOMMY. Mustang. 1927. 2 reels.

Credits: Director, Ray Taylor; story. Rose Kurland.

BARRY'S BREAKING IN. 1913. 1 reel.

Credits: James Oppenheim.

BARS AND STRIPES. (A Krazy Kat Cartoon) 1931. 1 reel, sd. Adapted from the cartoon character created by George Herriman.

Credits: Manny Gould; producer, Charles Mintz; animation, Al Rose; musical score, Joe De Nat.

BARS AND STRIPES. (A Tabloid Musical) 1937. 1 reel, sd., b&w.

Credits: Director, Joseph Sherman; screenplay, Jean Plannette, Mauri Grashin; music score, David Snell.

BARS AND STRIPES FOREVER. (Merrie Melodies) 1939. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, J. B. Hardaway, Cal Dalton; story, Jack Miller; animation, Rod Scribner; music director, Carl W. Stalling.

BARS OF HATE. Presented by Sam Katzman. 1936. 6 reels, sd. Adapted from the story "Vengeance of the Lord" by Peter B. Kyne.

Credits: Supervision, Sam Katzman; director, Al Herman; screenplay, Al Martin; film editor, Dan Milner.

BARS OF IRON. 1921. 6 reels. From the novel by Ethel M. Dell.

Credits: Adaptation, F. Martin Thornton.

BARTCH-A-KALLOOP. SEE Steve Freda and Johnny Palace.

BARTERED LIVES. 1915. 4 reels.

BARTERED YOUTH. Laemmle. 1917. 1 reel.

Credits: Written and directed by William V. Mong.

BARTRAM AND SAXTON IN THE LAND OF HARMONY. 1927. 1 reel, sd.

BASEBALL AND BLOOMERS. (Facts and Follies Series) 1919. 1 reel.

Credits: Director, B. MacFadden.

BASEBALL AND TROUBLE. 1914. 1,000 ft.

BASEBALL BATTER. (Models in Motion) 1931. 243 ft.

Credits: Al Russell; produced, directed, and written by Billy Mason.

BASEBALL MADNESS. Victor. 1917. 1 reel.

Credits: Billy Mason, Al Russell; director, Billy Mason.

BASEBALL PITCHER. (Models in Motion) 1931. 250 ft.

BASHFUL BALLERINA. Presented by E. W. Hammons. 1937. 2 reels, sd.

Credits: Producer, Al Christie; story, Marcy Klauber, Art Jarrett.

BASHFUL BILLIE. 1915. 1 reel.

Credits: Producer, Earl Metcalfe.

THE BASHFUL BUCKAROO. Presented by E. W. Hammons. 1937. 1,753 ft., sd.

Credits: Director, William Watson; story, Tim Ryan; music, Patt Paterson.

BASHFUL BUDDIES. (An Educational Mirthquake Comedy) Presented by E. W. Hammons. 1936. 1,550 ft., sd.

Credits: Director, Robert Hall; story, Arthur Jarrett, Marcy Klauber.

BASHFUL CHARLIE'S PROPOSAL. Joker. 1916. 1 reel.

Credits: Written and produced by Allen Curtis.

BASHFUL GLEN. Imp. 1915. 1 reel.

Credits: Written and produced by John Adolfi.

THE BASHFUL SUITOR. 1921. 2 reels. Suggested by the painting by Jozef Israëls.

Credits: Director, Herbert Blache; story, Arthur Maude.

THE BASHFUL WHIRLWIND. Mustang. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story, Pierre Loucks; continuity, Carl Krusada.

THE BASKET HABIT. 1914. 1 reel.

Credits: Mark Swan; director, C. Jay Williams.

BASKETBALL TACTICS AND PLAYS. (Basketball, no. 3) 1931. 1 reel.

Credits: Director, Albert Kelley; story, Samuel Freedman.

BASKETBALL TECHNIQUE. (A Sports Parade Subject) 1935. 1 reel, sd., b&w.

Credits: Director, Ray McCarey; explanatory remarks, Pete Smith.

BASQUERIE. SEE Their Mad Moment.

THE BAT. 1926. 9 reels. From the play by Mary Roberts Rinehart and Avery Hopwood, as produced by Wagenhals and Avery.

Credits: Production, adaptation and direction, Roland West; continuity, Julien Josephson.

THE BAT. SEE The Bat Whispers.

THE BAT WHISPERS. Presented by Joseph M. Schenck. 1930. 10 reels, sd. Based on the play "The Bat" by Mary Roberts Rinehart and Avery Hopwood.

Credits: Adapted, directed and dialogued by Roland West; film editor, James Smith.

LA BATAILLE. SEE

The Battle.

Thunder in the East.

LA BATAILLE DES DAMES. SEE Devil May Care.

THE BATH BETWEEN. 1928. 2 reels, b&w.

Credits: Director, Ben Stoloff; story and adaptation, Sidney Lanfield.

BATH DAY. Century. 1922. 2 reels.

Credits: Story and direction, Fred Hibbard.

THE BATH HOUSE SCANDAL. Nestor. 1918. 1 reel.

Credits: Harry Wulze; director, Wallace Beery.

A BATH-HOUSE TANGLE. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Harry Edwards.

A BATH HOUSE TRAGEDY. L-Ko. 1915. 2 reels.

BATH TIME. (A Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

BATHING BEAUTY BABIES. (A McDougall Alley) Presented by J. R. Bray. 1928. 2 reels.

Credits: Director, Robert B. Wilcox.

BATHING PROHIBITED. 1920. 1 reel.

THE BATHING SUITOR. Presented by William Fox. 1927. 2 reels.

Credits: Supervision, George E. Marshall; directors, Gene Forde, Zion Myers; story, Murray Roth.

A BATH TUB MYSTERY. 1916. 1,000 ft.

Credits: Written and produced by Edwin McKim.

BATH TUB PERILS. 1917. 2 reels.

THE BATTAK OF SUMATRA. 1929. 1 reel.

Credits: Edited by Harvard University, Dept. of Anthropology.

BATTER UP. (Mermaid Comedies) 1927. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

BATTER UP. 1936. 1 reel.

A BATTERY OF SONGS. SEE Waite Hoyt with J. Fred Coots in A Battery of Songs.

BATTERY POWER. Presented by Willard. 1938. 1 reel, sd.

THE BATTLE. Presented by Léon Garganoff. 1934. 9 reels, sd. From the novel "La Bataille" by Claude Farrère.

Credits: Producer, Léon Garganoff; director, Nicholas Farkas; scenario, Nicholas Farkas, Bernard Zimmer; dialogue, Robert Stevenson; music, Andre Gailhard.

THE BATTLE. SEE

The Danger Line.

The Money Master.

THE BATTLE AT ELDERBUSH GULCH. 1913.

THE BATTLE CRY. SEE Her Man.

THE BATTLE CRY OF PEACE. 1915. 9 reels. Adapted from the book "Defenceless America" by Hudson Maxim.

Credits: Compiled and arranged by J. Stuart Blackton.

THE BATTLE FOR CHILE CON CARNE. Nester. 1916. 1 reel.

Credits: Director, L. W. Chaudet; story, Eddie Lyons, Lee Moran; scenario, Charles J. Wilson, Jr.

THE BATTLE HYMN OF THE REPUBLIC. Vitagraph Company of America. 1917. 1 reel.

Credits: Beta Breuil; director, Lawrence Trimble.

BATTLE OF BROADWAY. 1938. 7,600 ft., sd.

Credits: Director, George Marshall; original story, Norman Houston; screenplay, Lou Breslow, John Patrick; music director, Samuel Kaylin.

THE BATTLE OF FRENCHMAN'S RUN. 1915. 1 reel.

Credits: Director, Theodore Marston.

A BATTLE OF HEARTS. 1916. For Fox Film Corp. 5 reels. Adapted from "The Iron Man" by Francis Marion.

Credits: Produced and adapted by Oscar C. Apfel.

THE BATTLE OF LET'S GO. 1917. 2 reels.

Credits: Director, Craig Hutchinson.

THE BATTLE OF LIFE. 1916. For Fox Film Corp. 5 reels.

Credits: Director, James Vincent; story, James R. Garey; scenario, Adrian Johnson.

THE BATTLE OF PARIS. 1929. 8 reels, sd.

Credits: Director, Robert Florey; story and dialogue, Gene Markey; music and lyrics, Cole Porter.

THE BATTLE OF RUNNING BULL. Sterling. 1915. 2 reels.

BATTLE OF THE BARN. (A Scrappy Cartoon) 1932. 1 reel.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus, Art Davis.

THE BATTLE OF THE CENTURIES. (Battle for Life) 1932. 9 min.

Credits: Narration, Gayne Whitman.

THE BATTLE OF THE CENTURY. Presented by Hal Roach. 1928. 2 reels.

Credits: Supervision, Leo McCarey; director, Clyde Bruckman; story and production, Hal Roach; editor, Richard Currier.

THE BATTLE OF THE SEXES. United Artists. Presented by D. W. Griffith. 1928. 10 reels, sd.

Credits: Director, D. W. Griffith; story, Daniel Carson Goodman; adaptation, Gerrit J. Lloyd.

THE BATTLE OF THE WEAK. 1914. 1 reel.

Credits: Director, Theodore Marsten.

THE BATTLE OF TRUTH. 1916. 3 reels.

A BATTLE OF WITS. Big U. 1917. 2 reels.

A BATTLE OF WITS. 1921. 2 reels.

Credits: Producer, Edward Kull; story and scenario, George Morgan, George H. Plympton.

A BATTLE OF WITS. Mustang. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story and continuity, George Morgan.

THE BATTLE ROYAL. 1918. 2 reels.

Credits: Director, Richard Jones.

BATTLE ROYAL. 1932. 2 reels, sd., b&w. From the "Rufftown Stories" by Arthur (Bugs) Baer.

Credits: Supervision, Lew Lipton; director, Harry Sweet; screenplay, Ralph Ceder; film editor, Fred Maguire.

BATTLE ROYAL. (Oswald) Snappy. 1936. 1 reel.

Credits: Story, Walter Lantz, Victor McLeod; artists, Ed Benedict, Fred Kopletz.

THE BATTLER. 1916. 1 reel.

Credits: Director, Lawrence Semon.

Credits: Director, Frank Reicher; story, Forrest Halsey; scenario, Harry O. Hoyt.

THE BATTLER VS. THE BOTTLER. (Herbert Kaufman's Weekly) 1920. 1 reel.

Credits: Scenario, Tom Bret; picturization, Albert K. Dawson.

BATTLING BATES. 1923. 5 reels.

Credits: Director, Webster Cullison; story and scenario, Daniel F. Whitcomb.

BATTLING BEAUTIES. 1920. 1 reel.

THE BATTLING BELLBOY. Joker. 1917. 1 reel.

Credits: Jack Cunningham; director, W. W. Beaudine.

THE BATTLING BUCKAROO. (Western Featurette) 1927. 2 reels.

Credits: Director, Bruce Mitchell; story and continuity, Basil Dickey.

Credits: Director, Richard Thorpe; story, Elizabeth Burbridge.

BATTLING BUTLER. 1926. 7 reels. From a book by Stanley Brightman and Austin Melford.

Credits: Director, Buster Keaton; screen adaptation, Paul Gerard Smith, Albert Boasberg, Charles Smith, Lex Neal.

THE BATTLING DUET. 1928. 1 reel.

Credits: Paul Terry, Harry Bailey.

THE BATTLING FOOL. Presented by Perfection Pictures. 1924. 5 reels.

Credits: Director, W. S. Van Dyke.

BATTLING JANE. Paramount. Presented by The New Art Film Co. 1918. 5 reels.

Credits: Director, Elmer Clifton; story, Arnold Bernot.

BATTLING JUSTICE. (Western Featurette) 1928. 2 reels.

Credits: Director, Walter Fabian; story and continuity, George W. Pyper.

BATTLING KANGAROO. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Jules White; story, Hewlett Benjamin, Edward Marshall.

THE BATTLING KID. (Western Featurette) 1930. 2 reels.

Credits: Director, Jack Nelson.

Credits: Directors, Ted Wilde, Fred Guiol.

BATTLING SILVER KINGS. (A Grantland Rice Sportlight) 1931. 1 reel.

BATTLING SISTERS. (Educational-Lupino Lane Comedy) 1929. 2 reels.

Credits: Director, Henry W. George.

BATTLING WITH BUFFALO BILL. 1931. 2 reels each. Suggested by "The Great West That Was" by William F. Cody (Buffalo Bill). © Universal Pictures Corp.

Credits: Director, Ray Taylor; story, Henry McRae; dialogue, Ella O'Neill; continuity, George Plympton.

BAVU. Jewel. 1923. 8 reels.

Credits: Director, Stuart Paton; story, Edward Carrol; scenario, Raymond L. Schrock, Albert Kenyon.

BAWLED OUT. 1918. 2 reels.

Credits: Director, James Davis.

THE BAY OF SEVEN ISLES. Laemmle. 1915. 1 reel.

Credits: Producer, Frank Lloyd; scenario, James Dayton.

BAZAARS OF CAIRO. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

BE A LITTLE SPORT. 1919. 5 reels.

Credits: Director, Scott Dunlap; story, Hale Merriman; scenario, Joseph A. Roach.

BE BRAVE! 1924. 2 reels.

Credits: Producer, Eddie Lyons.

BE CAREFUL. (Jimmie Adams Comedies) Educational Film Exchanges, Inc. 1925. 2 reels.

Credits: Producer, Christie; director, Harold Beaudine.

BE CAREFUL DEARIE. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Zion Myers.

BE HUMAN. (Betty Boop Cartoon) 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Lillian Friedman.

BE KIND TO AMINALS. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer.

BE LIKE ME. 1933. 1 reel, sd.

Credits: Written and directed by Aubrey Scotto.

BE MY BEST MAN. Black Cat. 1917. 30 min.

Credits: Director, Fred E. Wright; story, H. Tipton Steck.

BE MY GUEST. 1923. 1 reel.

BE MY KING. 1928. 2 reels.

Credits: Director, Henry W. George.

BE MY WIFE. 1921. 5 reels.

Credits: Written and directed by Max Linder.

BE MY WIFE. (Stern Brothers Comedy) 1926. 2 reels.

Credits: Director, Francis Corby; story, William Anthony.

BE REASONABLE. 1921. 2 reels.

Credits: Supervision, Mack Sennett; director, Roy Del Ruth.

BE REASONABLE. 1921. 2 reels.

Credits: Director, Roy Del Ruth.

BE UP TO DATE. (A Betty Boop Cartoon) 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Harold Walker.

Credits: Supervision, F. Richard Jones; director, Leo McCarey; titles, H. M. Walker; editor, Richard Currier.

BE YOURSELF. (Broadway Comedy, no. 15) 1923. 2 reels.

BE YOURSELF. 1924. 2 reels.

Credits: Written and directed by Al St. John, Ben Stoloff.

BE YOURSELF. United Artists. 1930. 9 reels. Adapted from "The Champ" by Joseph Jackson.

Credits: Director, Thornton Freeland; adaptation, Max Marcin, Thornton Freeland; music arrangement, Hugo Riesenfeld; editor, Robert J. Kern.

BEACH AND SEA ANIMALS. 1931. 1 reel, sd.

Credits: Narrative, Clyde Fisher.

BEACH BABIES. (Variety Comedy) 1929. 2 reels.

Credits: Producer, Gordon Bostock; director, Bradley Barker; story, Joe Hayman, Gordon Bostock; film editor, E. Pfitzenmeier.

THE BEACH CLUB. 1928. 2 reels.

Credits: Director, Harry Edwards; story, Jefferson Moffitt, Harry McCoy.

BEACH MASTERS. (The Struggle to Live Series, no. 3) Presented by RKO Radio Pictures. 1935. 1 reel, sd.

Credits: Associate producers, Stacey Woodard, Howard Woodard; narrator, Gayne Whitman.

A BEACH NUT. Nestor. 1919. 1 reel.

Credits: Story, scenario, and direction, Wallace Beery.

THE BEACH NUT. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, Harry W. Conn; staged by Max E. Hayes.

BEACH NUTS. 1917. 2 reels.

Credits: Director General, J. G. Blystone; director, Noel Smith.

BEACH PAJAMAS. (Traveling Man Comedies) 1931. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, story and adaptation, William Goodrich; film editor, Walter Thompson.

THE BEACH PARTY. (Mickey Mouse, no. 19) 1931. 1 reel.

BEACH PICNIC. (A Walt Disney Donald Duck) 1939. 1 reel, sd.

BEACH SPORTS. (Bill Corum, no. 11) 1937. 1 reel.

BEACH VAMPS. 1920. 1 reel.

THE BEACHCOMBER. 1916. 2 reels.

Credits: Charles J. McGuirk; director, L. C. Windom.

THE BEACHCOMBER. Mayflower. 1939. 9 reels, sd. Based on the story "Vessel of Wrath" by W. Somerset Maugham.

Credits: Producer and director, Erich Pommer; screenplay, Bartlett Cormack; film editor, Robert Hamer.

BEACH COMBERS. (An Oswald Cartoon) 1936. 1 reel.

Credits: Producer, Walter Lantz; story, Walter Lantz, Victor McLeod; artists, Manuel Moreno, Lester Kline.

BEACHES AND PEACHES. 1918. 2 reels.

Credits: Director, Archie Mayo.

BEACHES AND SCREAM. (Krazy Cat Cartoon) 1928. 1 reel.

Credits: Story and animation, Ben Harrison, Manny Gould.

Credits: Producer, E. A. Martin.

BEANED BY A BEANSHOOTER. 1916. 1 reel.

Credits: Director, Theodore Marston.

BEANS! 1918. 5 reels.

Credits: Director, Jack Dillon; story, Rex Taylor; scenario, John B. Clymer.

BEANS AND BULLETS. Joker. 1916. 1 reel.

Credits: Producer, W. W. Beaudine; story, Barney Fury; scenario, Harry Wulze.

BEANSTALK JACK. (Paul Terry-Toons) Educational. 1933. 6 min., sd.

Credits: Frank Moser, Paul Terry.

A BEAR, A BOY, AND A DOG. 1921. 2 reels.

Credits: Director, Bert Van Tuyle; story, Nell Shipman.

A BEAR AFFAIR. 1915.

Credits: Producer, Mack Sennett.

THE BEAR-CAT. 1922. 5 reels.

Credits: Director, Edward Sedgwick; story, F. R. Buckley; scenario, George Hively.

BEAR CATS. (Juvenile Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

THE BEAR FACTS. 1914. 1 reel.

Credits: Director, Tefft Johnson.

BEAR FACTS. 1917. 2 reels. From the play by Charles Hoyt.

Credits: Director, J. A. Richmond.

BEAR FACTS. (Hal Roach Comedy) Presented by Hal Roach. 1938. 1 reel, sd.

Credits: Director, Gordon Douglas; film editor, William Ziegler.

BEAR FACTS. SEE Judge Rummy in Bear Facts.

BEAR KNEES. Presented by William Fox. 1928. 2 reels, b&w.

Credits: Director, Mark Sandrich; story, Fred Spencer.

A BEAR OF A STORY. 1916. 1 reel.

Credits: Produced and written by Tom Mix.

BEAR SKINNED BEAUTIES. Century. 1920. 2 reels.

Credits: Written and directed by F. C. Windemere.

THE BEAR TAMER'S DAUGHTER. SEE Revenge.

THE BEAR THAT COULDN'T SLEEP. Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., color.

Credits: Producer, Rudolph Ising.

THE BEAR TRAP. SEE Excuse My Dust.

THE BEARDED LADY. 1930. 2 reels, sd.

Credits: Director, William Watson; story, Addison Burkhart.

BEARS. 1933. 1 reel.

BEARS AND BAD MEN. 1918. 2 reels.

Credits: Written and directed by Lawrence Semon.

THE BEARS AND BEES. (Silly Symphony, no. U. A. 1) (A Mickey Mouse Cartoon) 1932. 1 reel.

THE BEARS AND BEES. (A Walt Disney Silly Symphony Cartoon, no. U. A. 1) 1932. 1 reel.

BEARS AND BULLETS. 1916. 1 reel.

BEASLEY'S CHRISTMAS PARTY. SEE Sophia's Imaginary Visitors.

THE BEAST. 1915. 2,000 ft.

THE BEAST. 1916. For Fox Film Corp. 5 reels.

Credits: Directed by Richard Stanton.

THE BEAST. SEE

The Awakening.

Irene Rich & Company.

THE BEAST OF BORNEO. 1934. 7 reels.

Credits: Director, Harry Garson; story, Alfred Hustwick, Frank J. Murray; screenplay, Alfred Hustwick.

A BEAST OF SOCIETY. Big U. 1916. 3 reels.

Credits: Harvey Gates; producer, Travers Vale.

THE BEAST OF THE CITY. 1932. 10 reels.

Credits: Director, Charles Brabin; story, W. R. Burnett; dialogue continuity, John L. Mahin.

Credits: Director, William Craft; story and scenario, Val Cleveland.

Credits: Scenario editor, Lloyd Lonergan.

BEATING CHEATERS. Paramount. 1920. 2 reels.

Credits: Director, Charles Parrott; story, Keene Thompson; scenario, Bob McGowan.

Credits: Scenario, Scotty Beall.

BEATING HEARTS AND CARPETS. 1915.

Credits: Producer, Mack Sennett.

BEATING THE BURGLAR. 1914. 400 ft.

BEATING THE GAME. Goldwyn Studios. 1921. 6 reels.

Credits: Directed and supervised by Victor Schertzinger; story and continuity, Charles Kenyon.

BEATING THE GAME. 1921. 2 reels.

Credits: Producer, Lee Kohlmar; story, Evelyn McKinney; scenario, Robert Dillon.

BEATING THE LIMITED. 1918. 2 reels.

Credits: Story, George Marshall; scenario, Tom Gibson.

BEATING THE ODDS. 1919. 5 reels.

Credits: Director, Paul Scardon; story, Irving R. Allen; scenario, Edward Montagne.

Credits: Scenario, Basil Dickey.

BEATRICE LILLIE AND HER BOY FRIENDS. 1930. 1 reel, sd.

BEATRICE LILLIE, MUSICAL COMEDY STAR OF SHE'S MY BABY, IN HER CHARACTERIZATION OF THE ROSES HAVE MADE ME REMEMBER. 1928. 1 reel.

Credits: Director, Marcel G. Silver.

BEAU AND ARROWS. (An Oswald Comedy) Snappy. 1932. 1 reel.

Credits: Walter Lantz, Bill Nolan.

BEAU BANDIT. 1930. 8 reels, sd.

Credits: Producer, William Le Baron; director, Lambert Hillyer; screenplay, Wallace Smith; editor, Archie F. Marshek.

BEAU BASHFUL. 1934. 2 reels.

Credits: Director, James W. Horne; story, Albert Austin, James W. Horne.

BEAU BEST. (Oswald Cartoon) Snappy. 1933. 1 reel.

Credits: Direction and animation, Walter Lantz, William Nolan.

BEAU BOSKO. (Looney Tunes, no. 3) 1933. 1 reel, sd.

Credits: Drawn by Rollin Hamilton, Norm Blackburn.

BEAU BROADWAY. 1928. 7 reels, b&w.

Credits: Story, production and direction, Malcolm St. Clair; adaptation, F. Hugh Herbert; continuity, George O'Hara; film editor, Harry Reynolds.

BEAU BRUMMEL. 1924. 10 reels. From the play by Clyde Fitch.

Credits: Director, Harry Beaumont; adaptation, Dorothy Farnum.

BEAU CRUMMEL AND HIS BRIDE. 1913. 1 reel.

Credits: Mark Swan.

BEAU GESTE. 1927. 10,000 ft. From the novel by Percival Wren.

Credits: Director, Herbert Brenon; adaptation, John Russell; scenario, Paul Schofield.

BEAU GESTE. 1939. 12 reels, sd. Based on the novel by Percival Christopher Wren.

Credits: Producer and director, William A. Wellman; screenplay, Robert Carson; film editor, Thomas Scott.

BEAU HUNKS. (A Hal Roach Comedy) 1931. 4 reels, sd.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

BEAU IDEAL. 1930. 9 reels. Based on the novel by Percival C. Wren.

Credits: Director, Herbert Brenon; screenplay, Paul Schofield; adaptation, Elizabeth Meehan.

BEAU NIGHT. SEE El Brendell and Flo Bert in Beau Night.

BEAU REVEL. 1921. 6 reels.

Credits: Director, John Griffith Wray; story, Louis Joseph Vance.

BEAU SABREUR. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 6,704 ft. From the story by Percival Christopher Wren.

Credits: Director, John Waters; adaptation, Tom J. Geraghty.

THE BEAUTIES. (Rainbow Comedies) 1930. 2 reels, sd.

Credits: Hugh Cummings; producer, John C. Flinn; director, Frank T. Davis; film editor, Fred Maguire; music director, Josiah Zuro.

BEAUTIES BEWARE. (Ideal Comedies) 1929. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

BEAUTIES IN DISTRESS. 1920.

THE BEAUTIFUL ADVENTURE. Presented by Charles Frohman. 1917. 6 reels. Based on the play "La Belle Aventure" by R. De Flers and A. De Caillavet.

Credits: Director, Dell Henderson; scenario, Joseph F. Poland.

THE BEAUTIFUL AND DAMNED. 1922. 7 reels. From the story by F. Scott Fitzgerald.

Credits: Director, William A. Seiter; scenario and adaptation, Olga Printzlau.

BEAUTIFUL AND DUMB. (A Van Beuren Miniature) RKO-Van Beuren Corp. Presented by Radio Pictures. 1932. 1 reel, sd. A short story from Liberty Magazine by Walter Marquiss.

Credits: Associate producer, Nat Ross; adaptation and direction, Emmett Flynn; screenplay, Ruth Todd, Dick Smith; editor, Vera Wade.

BEAUTIFUL BANFF AND LAKE LOUISE. (A FitzPatrick Traveltalk) 1935. 1 reel, sd., color.

Credits: Director, Benjamin D. Sharpe; compiler, J. A. FitzPatrick; photography, W. C. Hoch.

BEAUTIFUL BELINDA. 1915. 1 reel.

Credits: Producer, E. A. Martin.

BEAUTIFUL BERMUDA. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

BEAUTIFUL BUDAPEST. (A FitzPatrick Traveltalk) 1938. 791 ft., sd., color.

Credits: Photographer, Winton C. Hoch; music score, Jack Shilkret.

THE BEAUTIFUL BULLET. SEE Danger Street.

BEAUTIFUL BUT DUMB. 1928. 7 reels.

Credits: Director, Elmer Clifton; story and continuity, John Francis Natteford; editor, Desmond O'Brien.

BEAUTIFUL, BUT DUMMIES. 1938. 1,536 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy Klauber.

BEAUTIFUL CALIFORNIA, 1914. 1 reel.

THE BEAUTIFUL CAVERNS OF LURAY, A WORLD OF ROCK-RIBBED DARKNESS. 1938. 30 min., sd., b&w., color sequences, 16 mm.

THE BEAUTIFUL CHEAT. Jewel. 1926. 7 reels.

Credits: Director, Edward Sloman; story, Nina Wilcox Putnam; scenario, A. P. Younger, Olga Printzlau.

THE BEAUTIFUL CITY. First National. 1925. 7 reels.

Credits: Director, Kenneth Webb; screenplay, Edmund Goulding.

THE BEAUTIFUL GAMBLER. Universal Special. 1921. 5 reels.

Credits: Producer, William Worthington; story, Peter B. Kyne; scenario, Hope Loring.

THE BEAUTIFUL IMPOSTOR. (Star Featurette) 1917. 2 reels.

Credits: Catherine Carr; director, Lucius Henderson.

THE BEAUTIFUL LADY. 1915. 1 reel.

THE BEAUTIFUL LIAR. Nestor. 1918. 1 reel.

Credits: Director, Ben Wilson; story, Rex Taylor.

THE BEAUTIFUL LIAR. First National. Presented by B. P. Schulberg. 1921. 5 reels.

Credits: George Marion, Jr.; director, Wallace Worsley.

THE BEAUTIFUL LIE. Rolfe Photoplays, Inc. 1917. 5 reels. From the poem "Reveries of a Station House" by Ella Wheeler Wilcox.

Credits: Director, John W. Noble; adaptation, June Mathis.

Credits: Director, Arthur Ashley; story, Samuel M. Weller.

THE BEAUTIFUL SINNER. Presented by Perfection Pictures. 1924. 5 reels.

Credits: Director, W. S. Van Dyke; story, Wilfred Lucas.

BEAUTIFUL SWITZERLAND. (A Columbia Tour, series 3, no. 1) 1939. 1 reel, sd.

Credits: Producer, André De La Varre; narrator, Len Sterling.

THE BEAUTIFUL TEMPLES OF CEYLON. (Dr. Dorsey's Travel Pictures) Powers. 1916. 1 reel.

BEAUTIFUL THOUGHTS. 1915. 1 reel.

Credits: Director, Sidney Drew.

BEAUTIFULLY TRIMMED. 1920. 5 reels.

Credits: Producer, Marcel DeLano; story, Marguerite C. Storrs; scenario, Douglas Doty, Marcel DeLano.

BEAUTY. SEE

Beauty for Sale.

The Bondage of Fear.

BEAUTY A LA MUD. (Jimmie Adams Comedies) Educational Film Exchanges, Inc. 1926. 2 reels.

Credits: Director, Harold Beaudine.

BEAUTY AND BOOTY. 1918. 2 reels.

Credits: Written and directed by J. A. Howe.

BEAUTY AND BULLETS. 1928. 5 reels.

Credits: Director, Ray Taylor.

BEAUTY AND THE BAD MAN. Released by Producers Distributing Corp. 1925. 6 reels. Adapted from the story "Cornflower Cassie's Concert" by Peter B. Kyne.

Credits: Producer, Frank E. Woods; director, William Worthington; adaptation, E. Richard Schayer.

BEAUTY AND THE BANDIT. 1921. 2 reels.

Credits: Producer, Edward Kull; story, Harry McArthur, George H. Plympton.

BEAUTY AND THE BANDIT. Mustang. 1925. 2 reels.

Credits: Director, Edward Kull; story, Henry McArthur, Geo. H. Plympton.

BEAUTY AND THE BEAST. (Merrie Melodies) 1934. 1 reel, sd., color.

Credits: Producer, Leon Schlesinger; animation, Jack King, Rollin Hamilton; music, Bert Kalmar, Harry Ruby; musical score, Norman Spencer.

BEAUTY AND THE BOOB. 1919. 2 reels.

BEAUTY AND THE BOSS. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1932. 7 reels. Based on the play "Church Mouse" by Ladislaus Fodor.

Credits: Director, Roy Del Ruth; adaptation, Joseph Jackson.

BEAUTY AND THE BUMP. (A Skylark Comedy) 1927. 2 reels.

Credits: Written and directed by Craig Hutchinson.

BEAUTY AND THE BUS. (Hal Roach Comedy) Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, William Terhune.

THE BEAUTY BUNGLERS. 1915.

Credits: Producer, Mack Sennett.

THE BEAUTY DOCTOR. Victor. 1917. 1 reel.

Credits: Director, John Steppling; scenario, James Dayton.

BEAUTY FOR SALE. 1933. 9 reels, sd. From the novel "Beauty" by Faith Baldwin.

Credits: Associate producer, Lucien Hubbard; director, Richard Boleslavsky; screenplay, Zelda Sears, Eve Greene; film editor, Blanche Sewell.

BEAUTY FOR THE ASKING. 1939. 68 min., sd.

Credits: Grace Norton, Adele Buffington; producer, B. P. Fineman; director, Glenn Tryon; story, Edmund L. Hartmann; screenplay, Doris Anderson, Paul Jarrico; editor, George Crone; music director, Roy Webb.

THE BEAUTY HUNTERS. 1916. 1 reel.

Credits: Producer, William Robert Daly.

BEAUTY IN CHAINS. Special Feature. 1918. 5 reels. Based on the book "Doña Perfecta" by B. Pérez Galdós.

Credits: Director, Elsie Jane Wilson; scenario, Elliott J. Clawson.

THE BEAUTY MARKET. First National. Presented by The Katherine MacDonald Pictures Corp. 1919. 6 reels. Adapted from "The Bleeders" by Margery Land May.

Credits: Director, Colin Campbell.

BEAUTY ON BROADWAY. Rowland-Brice. 1933. 2 reels.

Credits: Director, Monte Brice; story, Sig Herzig, H. O. Kusell.

THE BEAUTY PARADE. 1930. 2 reels.

Credits: Director, Samuel Newfield.

THE BEAUTY PARLOR. 1926. 2 reels. Suggested by the Cosmopolitan Magazine stories by H. C. Witwer.

Credits: Directors, Arvid E. Gillstrom, Reggie Morris; adaptation, Tom McNamara; continuity, Jean Dupont.

A BEAUTY PARLOR. 1926. 2 reels.

THE BEAUTY PRIZE. 1924. 6 reels.

Credits: Director, Lloyd Ingraham; story, Nina Wilcox Putnam; continuity, Winifred Dunn.

BEAUTY-PROOF. 1919. 5 reels.

Credits: Director, Paul Scardon; story, James Oliver Curwood; scenario, Edward J. Montagne.

BEAUTY SECRETS FROM HOLLYWOOD. 1931. 1 reel, sd.

THE BEAUTY SHOP. Cosmopolitan Productions. Paramount. Presented by Famous Players-Lasky Corp. 1922. 7 reels. From the play by Channing Pollock and Rennold Wolf.

Credits: Director, Edward Dillon.

THE BEAUTY SHOP. SEE Mary Haynes in The Beauty Shop.

BEAUTY SHOPPE. 1936. 1 reel.

Credits: Director, Walter Lantz; story, Walter Lantz, Victor McLeod.

BEAUTY SHOPPE. Mentone. 1938. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

BEAUTY SHOPPERS. 1927. 6 reels.

Credits: Director, Louis J. Gasnier; story, Travers Lane; continuity, John F. Natteford.

THE BEAUTY SPOT. (A Folly Comedy) 1930. 2 reels, sd.

Credits: Director, Walter Brooks; story, Earle Mountain, Cliff Dixon; adaptation, Luther A. Yantis; film editor, E. Pfitzenmeier.

Credits: Producer, John L. Hawkinson.

BEAUTY SPOTS. 1933. 1 reel.

BEAUTY SPOTS IN CALIFORNIA. 1924. 1 reel.

BEAUTY TO LET. SEE Money Isn't Everything.

BEAUTY UNADORNED. 1913. 2 reels.

Credits: Directors, Messrs. Lytton and Young.

BEAUTY'S DAUGHTER. SEE Navy Wife.

BEAUTY'S WORTH. 1922. 7 reels.

Credits: Director, Robert G. Vignola; story, Sophie Kerr; scenario, Luther Reed.

BEAUX AND ERRORS. 1938. 18 min., sd.

Credits: Producer, Bert Gilroy; director, Charles E. Roberts; story, Charles E. Roberts, George Jeske; film editor, John Lockert.

BEAVERS. 1930. 1 reel.

BECAUSE HE LOVED HER. 1916. 2 reels.

Credits: Supervision, Mack Sennett; director, Del Henderson.

THE BECKONING FLAME. 1916. 5 reels.

THE BECKONING TRAIL. Red Feather. 1916. 5 reels.

Credits: F. McGrew Willis; director, Jack Conway.

BECKY. Cosmopolitan. 1927. 7 reels.

Credits: Director, John P. McCarthy; story, Raynor Selig; scenario, Marian Constance Blackton; film editor, John W. English.

BECKY SHARP. 1935. 9 reels, sd., color. Based on the novel "Vanity Fair" by Thackeray and the play "Becky Sharp" by Langdon Mitchell.

Credits: Producers, Kenneth Macgowan, Reuben Mamoulian; screenplay, Francis Edwards Faragoh; editor, Archie F. Marshek; music director, Max Steiner.

BECOMING LINES SELL APPAREL. 1930. Filmstrip, 76 frames.

BED OF ROSES. 1933. 7 reels, sd.

Credits: Producer, Pandro S. Berman; director, Gregory La Cava; original story and screenplay, Wanda Tuchock; dialogue, Gregory La Cava, Eugene Thackrey; film editor, Basil Wrangle; music director, Max Steiner.

BED ROCK. SEE Coming Through.

BEDELIA. 1930. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

BEDLAM OF BEARDS. 1934. 2 reels, sd.

Credits: Director, Ben Holmes; story, Ben Holmes, Johnnie Grey; dialogue, Bobby Clark; film editor, Charles L. Kimball.

THE BEDOUIN'S SACRIFICE. 1915. 1,000 ft.

Credits: Director, Harry Beaumont.

THE BEDROOM WINDOW. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7 reels.

Credits: Director, William De Mille; story, Clara Beranger.

BEDSIDE. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 7 reels, sd.

Credits: Director, Robert Florey; story, Manuel Seff, Harvey Thew; screenplay, Lillie Hayward, James Wharton; additional dialogue, Rian James.

BED TIME. SEE Hollingsworth and Crawford in Bed Time.

A BEDTIME STORY. Bluebird. 1926. 1 reel.

Credits: Director, George Summerville.

A BEDTIME STORY. 1933. 9 reels, sd. From a novel by Roy Horniman.

Credits: Director, Norman Taurog; screenplay, Waldemar Young, Nunnally Johnson; adaptation, Benjamin Glazer; music and lyrics, Ralph Rainger, Leo Robin.

BED-TIME VAUDEVILLE. 1937. 11 min., sd.

Credits: Director, Joseph Henabery.

BEDTIME WORRIES. (Hal Roach Our Gang Comedy) Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; film editor, William Terhune.

THE BEE AND THE FOX. SEE Harry Fox and Beatrice Curtis in The Bee and the Fox.

BEE BREAD. 1927. 1 reel.

BEE CAUSE. (Krazy Kat) 1927. 1 reel.

THE BEE THAT GETS THE HONEY. 1931. 1 reel.

BEEFSTEAKS. (Barney Google Series, no. 5) 1928. 2 reels.

Credits: Director, Ralph Ceder; story, E. V. Durling.

BEER AND BICYCLES. SEE Stolen by Gypsies.

BEER AND PRETZELS. (An M-G-M Revue) 1933. 913 ft., sd., b&w.

Credits: Music, Al Goodhart; lyrics, Gus Kahn.

BEER MUST GO DOWN. Nestor. 1916. 1 reel.

Credits: Ben Cohn; producer, Eddie Lyons, Lee Moran.

THE BEER PARADE. (Scrappy) Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus, Art Davis; music score, Joe De Nat.

BEES AND HONEY. 1913. 1 reel.

THE BEES' BUZZ. (Educational-Mack Sennett Talking Comedy) 1929. 2 reels.

Credits: Director, Mack Sennett.

BEET AND CANE SUGAR. 1930. 1 reel.

BEETLES. 1931. 1 reel, sd.

Credits; Narrative, Clyde Fisher.

BEFORE AND AFTER TAKING. Metro-Drew. 1918. 1 reel.

Credits; Written and directed by Mr. and Mrs. Sidney Drew.

BEFORE DAWN. 1933. 6 reels, sd. From the story by Edgar Wallace.

Credits: Associate producer, Shirley Burden; director, Irving Pichel; screenplay, Garrett Fort; editor, William Hamilton; music director, Max Steiner.

BEFORE MIDNIGHT. 1925. 5 reels.

Credits: Director, John Adolfi; story, Jules Furthman.

BEFORE MIDNIGHT. 1933. 6 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Robert Quigley; film editor. Otto Meyer.

BEFORE THE BAR. SEE Hurst and Vogt in Before the Bar.

BEFORE THE CIRCUS. Paramount-Briggs. 1919. 1 reel. Based on "The Days of Real Sport" by Briggs.

Credits: Director, John William Kellette; scenario. Doty Hobart.

BEG, BORROW, OR STEAL. 1937. 8 reels, sd., b&w. Suggested by a story by William C. White.

Credits: Producer, Frederick Stephani; director, William Thiele; screenplay, Leonard Lee, Harry Ruskin, Marion Parsonnet; film editor, Conrad A. Nervig; music score, William Axt.

THE BEGGAR KING. 1916. 2 reels.

Credits: Written and directed by Wilbert Melville.

THE BEGGAR MAID. 1921. 2 reels.

Credits: Supervision, Thos. H. Ince; director, Charles Swickard.

BEGGAR ON HORSEBACK. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 8 reels. From the play by George S. Kaufman and Marc Connelly.

Credits: Producer, James Cruze; screenplay, Walter Woods.

Credits: Director, Cheslar Subinsky.

BEGGARS IN ERMINE. 1934. 8 reels, sd. From the novel by Esther Lynd Day.

Credits: Producer, W. T. Lackey; director, Phil Rosen; screenplay and dialogue, Tristram Tupper.

BEGGARS OF LIFE. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 7,504 ft. From the story by Jim Tully.

Credits: Producer and director, William A. Wellman; scenario, Benjamin Glazer.

BEGINNER'S LUCK. (Hal Roach Comedy) (Our Gang Comedy) 1935. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

BEGINNING OF THE RAPIDS OF THE TAPAJOHS. SEE Roosevelt Brazilian Expedition.

BEGINNING THE SALE. 1932. Filmstrip.

THE BEHAVIOR OF LIGHT. 1930. 995 ft.

BEHAVIOR PATTERNS AT ONE YEAR. (Yale Films of Child Development) 1935. 1 reel.

BEHAVIOUR OF MRS. CRANE. SEE Uncertain Lady.

BEHIND CLOSED DOORS. 1915. 5 reels.

BEHIND CLOSED DOORS. 1929. 6 reels.

Credits: Producer, Harry Cohn; director, R. William Neill; story, Lilian Ducey, H. Milner Kitchin; scenario and adaptation, Howard J. Green.

BEHIND IN FRONT. SEE Felix the Cat—Behind in Front.

BEHIND JURY DOORS. Presented by George W. Weeks. 1933. 7 reels, sd.

Credits: Producer, Fanchon Royer; director, Breezy Eason; assistant director, Bill Billings; story, Frank E. Fenton; adaptation, John Thomas Neville.

BEHIND LIFE'S STAGE. Universal Special. 1916. 2 reels.

Credits: Allen J. Holubar.

BEHIND MASKS. 1921. 5 reels. Adapted from the story "Jeanne of the Marshes" by E. Phillips Oppenheim.

Credits: Director, Frank Reicher; scenario, Kathryn Stuart.

BEHIND OFFICE DOORS. 1931. 9 reels, sd.

Credits: Director, Melville Brown; story, Alan Brener Schultz; screenplay, Carey Wilson.

BEHIND PRISON GATES. 1939. 7 reels, sd.

Credits: Director, Charles Barton; original screenplay, Arthur T. Horman, Leslie T. White.

BEHIND THAT CURTAIN. 1929. 10 reels. From the story by Earl Derr Biggers.

Credits: Director, Irving Cummings; scenario, Sonya Levien, Clarke Silvernail.

BEHIND THE BROADCAST. 1936. For RCA Victor Co. 1 reel, sd.

BEHIND THE COUNTER. Presented by Hollywood Productions, 1928. 2 reels.

Credits: Director, J. A. Howe; story, T. J. Crizer, N. T. Barrows, James Davis.

BEHIND THE CRIMINAL. (A Crime Does Not Pay Subject) 1937. 2 reels, sd., b&w.

Credits: Director, Harold S. Bucquet; original story and screenplay, Winston Miller.

Credits: Narrator, Carroll Wilson; music score and direction, Aaron Gonzalez.

BEHIND THE CURTAIN. Rex. 1916. 1 reel.

Credits: Robert Thomas Hardy; producer, Henry Otto.

BEHIND THE CURTAIN. 1924. 5 reels.

Credits: Director, Chester M. Franklin; story, William J. Flynn; adaptation, Emile Forst.

BEHIND THE DOOR. Paramount-Artcraft. 1919. 7 reels. From the play by Gouverneur Morris.

Credits: Director, Irvin V. Willat; scenario, Luther Reed.

BEHIND THE EVIDENCE. 1935. 6 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Harold Shumate; film editor, Richard Cahoon.

BEHIND THE FRONT. 1919. 2 reels.

BEHIND THE FRONT. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6 reels. From "Spoils of War" by Hugh Wiley.

Credits: Producer and director, Edward Sutherland; story, Hugh Wiley; screenplay, Ethel Doherty; adaptation, Monty Brice.

BEHIND THE GERMAN LINES. Ufa. Presented by Adolph Zukor and Jesse L. Lasky. 1929. Sd., si.

BEHIND THE GREAT WALL OF CHINA. Powers. 1917. 1/2 reel.

BEHIND THE GREEN LIGHTS. Presented by Nat Levine. 1935. 7 reels, sd. From the book by Capt. Cornelius W. Willemse.

Credits: Supervision, Colbert Clark; director, Christy Cabanne; screenplay, James Gruen, Colbert Clark; film editor, Joseph Lewis.

BEHIND THE GREEN PORTIERES. SEE The Way Women Love.

BEHIND THE HEADLINES. (A Pete Smith Specialty) 1936. Produced with the cooperation of the Los Angeles Times. 1 reel, sd.

Credits: Director, Edward Cahn.

BEHIND THE HEADLINES. 1937. 6 reels, sd.

Credits: Producer, Cliff Reid; director, Richard Rosson; story, Thomas Ahearn; screenplay, Edmund L. Hartmann, J. Robert Bren; editor, Harry Marker.

BEHIND THE LINE. (Football Thrills Series) 1932. 1 reel.

Credits: Producer, Clyde E. Elliott; editor, Leonard Mitchell.

BEHIND THE LINES. 1916. 5 reels.

Credits: Mary Rider; director, Henry McRae; adaptation, Walter Woods.

BEHIND THE MAKE-UP. 1930. 8 reels, si. & sd. From the story "The Feeder" by Mildred Cram.

Credits: Director, Robert Milton; adaptation, George Manker Watters, Howard Estabrook; film editor, Doris Drought.

BEHIND THE MAP. Joker. 1917. 1 reel.

Credits: Direction and story, William W. Beaudine; scenario, Tom Gibson.

BEHIND THE MASK. 1915. 1 reel.

Credits: Director, George Moore.

BEHIND THE MASK. Bison. 1916. 2 reels.

Credits: Producer, Francis Ford; scenario, Grace Cunard.

BEHIND THE MASK. 1932. 7 reels. Adapted from "In the Secret Service."

Credits: Director, John Francis Dillon; story, adaptation and dialogue, Jo Swerling; continuity, Dorothy Howell; film editor, Otis Garrett.

BEHIND THE MIKE. 1937. 7 reels, sd.

Credits: Producer, Lou Brock; director, Sidney Salkow; original story, Thomas Ahearn, Walton Butterfield; screenplay, Barry Trivers; film editor, Phil Cahn.

BEHIND THE PRISON BARS. SEE Sotto e Cancelle.

Credits: Directed and produced by George U. Wood.

BEHIND THE SCENES IN JAPAN. (Dr. Dorsey's Travel Pictures) Powers. 1916. 1 reel.

BEHIND THE SCREEN. Nestor. 1915. 2 reels.

Credits: Written and produced by Al. E. Christie.

BEHIND THE SCREEN. 1916. 2 reels.

Credits: Written and produced by Charles Chaplin.

BEHIND THE SECRET PANEL. Imp. 1916. 3 reels.

Credits: William Addison Lathrop; director, George Ridgwell.

BEHIND THE VEIL. Victor. 1916. 2 reels.

Credits: Producer, Lucius J. Henderson; story, Elizabeth R. Carpenter; adaptation, Catherine Carr.

BEHIND THE WHEEL. SEE The Speeding Venus.

BEHOLD MY WIFE. Paramount. Presented by Jesse L. Lasky. 1920. 7 reels. From the novel "The Translation of a Savage" by Sir Gilbert Parker.

Credits: Producer and director, George Melford; scenario, Frank Condon.

BEHOLD MY WIFE! Presented by Adolph Zukor. 1934. 9 reels, sd. From the novel "The Translation of a Savage" by Sir Gilbert Parker.

Credits: Producer, B. P. Schulberg; director, Mitchell Leisen; screenplay, Vincent Lawrence, Grover Jones; adaptation, William R. Lipman, Oliver La Farge.

BEHOLD THE WOMAN. 1924. 7 reels. From the novel "The Hillman" by E. Phillips Oppenheim.

Credits: Director, J. Stuart Oppenheim; adaptation, Marian Constance.

BEHOLD WE LIVE. SEE If I Were Free.

BEING RESPECTABLE. 1924. 6 reels.

Credits: Director, Phil Rosen; story, Grace Flandrau; scenario, Dorothy Farnum.

BELATED EVIDENCE. SEE Hard-Boiled Haggerty.

A BELATED HONEYMOON. 1915. 1,000 feet.

BELFLEX SHACKLES—A STEP AHEAD. 1926. 1 reel.

BELGIAN VILLAGE. (A Century of Progress) 1933. 100 ft.

BELIEVE IT OR ELSE. (Merrie Melodies) 1939. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; story, Dave Monahan; animation, Virgil Ross; music director, Carl W. Stalling.

BELIEVE IT OR NOT! (Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, Harold Beaudine; story, Jean Arlette; titles, Al Martin.

BELIEVE IT OR NOT. 1930. 1 reel.

Credits: Robert L. Ripley.

BELIEVE IT OR NOT. 1931. 1 reel.

Credits: Robert L. Ripley.

BELIEVE IT OR NOT. 1931. 1 reel.

Credits: Robert L. Carlson.

BELIEVE IT OR NOT. 1932. 1 reel.

Credits: Narrator, Leo Donnelly.

BELIEVE ME. 1925. 2 reels.

Credits: Director, George Jeske.

BELIEVE ME IF ALL THOSE ENDEARING YOUNG CHARMS. SEE The Supreme Passion.

BELIEVE ME XANTIPPE. 1918. 5 reels. From the play by Frederick Ballard.

Credits: Director, Donald Crisp; scenario, Olga Printzlau.

A BELIEVER IN DREAMS. 1914. 1 reel.

BELL AND COATES IN A SINGING ACT. 1928. 1 reel, sd.

THE BELL BOY. Paramount-Arbuckle Comedy. Presented by Joseph M. Schenck. 1918. 2 reels.

Credits: Director, Fatty Arbuckle.

BELLBOY THIRTEEN. 1923. 5 reels.

Credits: Director, William Seiter.

THE BELL-HOP. 1915. 1 reel.

THE BELL HOP. 1921. 2 reels.

Credits: Story and direction, Larry Semon, Norman Taurog.

BELLA DONNA. Paramount. Presented by Adolph Zukor. 1923. 8 reels. From the novel by Robert Hichens.

Credits: Producer and director, Robert Hichens; scenario, Ouida Bergere.

BELLAMY THE MAGNIFICENT. SEE A Gentleman of Paris.

BELLAMY TRIAL. Hearst News Service, Inc. 1928. 8 reels, b&w. From the story by Frances Noyes Hart.

Credits: Film editor, Frank Sullivan.

BELLA'S ELOPEMENT. 1914. 1 reel.

Credits: Directors, Maurice Costello, Robert Gaillard.

THE BELLE AND THE BELLHOP. Victor. 1916. 2 reels.

Credits: Written and produced by Roy Clements.

THE BELLE AND THE BILL. (Star Comedy) 1920. 1 reel.

Credits: Producer, Horace Davey; story and scenario, Ben Cohen.

LA BELLE AVENTURE. SEE The Beautiful Adventure.

Credits: Producer, Oscar Eagle.

THE BELLE OF BARNEGAT. 1915. 1,000 ft.

Credits: Written and produced by Clay M. Greene.

THE BELLE OF BROADWAY. 1926. 6 reels.

Credits: Director, Harry O. Hoyt; story, J. Grubb Alexander, Jean Peary.

THE BELLE OF NEW YORK. 1919. 5 reels. From the play by Hugh Morton [pseud. of Charles M. S. McLellan] and Gustave Kerker.

THE BELLE OF SAMOA. 1929. 2 reels, b&w.

Credits: Director, Marcel Silver.

BELLE OF THE NIGHT. Presented by Adolph Zukor and Jesse Lasky. 1930. 2 reels, sd.

Credits: Director, Morton Blumenstock.

BELLE OF THE NINETIES. Presented by Adolph Zukor. 1934. 8 reels, sd.

Credits: Producer, William Le Baron; director, Leo McCarey; original story and screenplay, Mae West; music and lyrics, Arthur Johnston, Sam Coslow.

THE BELLE OF THE SEASON. 1919. 5 reels. From the poem by Ella Wheeler Wilcox.

Credits: Producer, B. A. Rolfe; scenario and direction, S. Rankin Drew.

LA BELLE RUSSE. 1919. 6 reels. From the play by David Belasco.

Credits: Scenario and direction, Charles J. Brabin.

THE BELLED PALM. SEE Paradise Isle.

THE BELLES OF LIBERTY. 1918. 2 reels.

Credits: Director, James Davis.

Credits: Scenario and production, Grace Mel Murray.

THE BELLS. 1913. Suggested by the poem by Edgar Allan Poe.

Credits: Director, Ernest C. Warde; picturized by Gilson Willets, Jack Cunningham.

BELLS OF SAN JUAN. 1922. 5 reels.

Credits: Director, Scott Dunlap; story, Jackson Gregory; scenario, Rex Taylor.

BELONGING. SEE In Every Woman's Life.

BELOVED. 1934. 9 reels.

Credits: Director, Victor Schertzinger; original story, Paul Gangelin; screenplay, Paul Gangelin, George O'Neil.

Credits: Director, George Cowl; story, Frances Marion.

THE BELOVED BACHELOR. 1931. 8 reels, sd. Based on the play by Edward H. Peple.

Credits: Director, Lloyd Corrigan; adaptation, Raymond Griffith, Agnes Brand Leahy.

Credits: Director, Dell Henderson; story, Harry O. Hoyt; scenario, Clara S. Beranger, Lucien Hubbard.

THE BELOVED BRAT. 1938. 6 reels.

Credits: Director, Arthur Lubin; original story, Jean Negulesco; screenplay, Lawrence Kimble.

THE BELOVED BRUTE. 1924. 7 reels. From the novel by Kenneth Perkins.

Credits: Director, J. Stuart Blackton.

BELOVED ENEMY. Released through United Artists. 1937. 9 reels, sd.

Credits: Director, H. C. Potter; screenplay, John Balderston, Rose Franken, William Brown Meloney; additional dialogue, David Hertz; film editor, Sherman Todd; music director, Alfred Newman.

THE BELOVED IMPOSTER. 1918. 5 reels.

Credits: Director, Joseph Gleason; story, Elizabeth J. Mariani; scenario, A. Van Buren Powell.

BELOVED JIM. Butterfly. 1917. 5 reels.

Credits: Story, Joseph W. Girard.

THE BELOVED LIAR. Big U. 1916. 3 reels.

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Motion pictures, 1912-1939 (part 2 of 23)

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