Motion pictures, 1912-1939 (part 18 of 23)

UNDER COVER OF NIGHT. 1937. 8 reels, sd., b&w.

Credits: Producers, Lucien Hubbard, Ned Marin; director, George B. Seitz; original story and screenplay, Bertram Millhauser; film editor, Ben Lewis; music score, William Axt.

UNDER CRIMSON SKIES. Jewel. 1920. 6 reels.

Credits: Director, Rex Ingram; story, J. C. Hawkes; scenario, Harvey Thew.

UNDER CUBAN SKIES. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

UNDER DESERT SKIES. Mustang. 1926. 2 reels.

Credits: Director, William A. Crinley; story and scenario, B. F. Oxford.

THE UNDER DOG. (Fable, no. 408) 1929. 1 reel.

Credits: Paul Terry.

THE UNDERDOG. (Pooch the Pup Cartoon) Snappy. 1932. 1 reel.

Credits: Animated and directed by Walter Lantz.

THE UNDERDOG. SEE James Barton in The Underdog.

UNDER EIGHTEEN. 1931. 9 reels, sd.

Credits: Director, Archie Mayo; screenplay and dialogue, Charles Kenyon, Maude Fulton.

UNDER FALSE COLORS. 1912. 1,000 ft.

UNDER FALSE COLORS. 1914. 1 reel.

Credits: Director, Van Dyke Brooke.

UNDER FALSE PRETENSES. 1918. 2 reels.

Credits: Producer, James D. Davis; story, George Hively.

UNDER FIRE. 1926. 5 reels.

Credits: Story, Charles King; adaptation, Frank Howard Clark.

UNDER HANDICAP. Presented by Yorke Film Corp. 1917. 8 reels.

Credits: Director, Fred J. Balshofer; story, Jackson Gregory; adaptation, Fred J. Balshofer, Richard V. Spencer.

UNDER MONTANA SKIES. 1930. 6 reels.

Credits: Director, Richard Thorpe; story, James K. Aubrey; screenplay, Bennett Cohen.

UNDER MOROCCAN SKIES. (Magic Carpet of Movietone) 1934. 1 reel, sd.

UNDER NEW MANAGEMENT. L-Ko. 1915. 2 reels.

UNDER NORTHERN LIGHTS. 1920. 5 reels.

Credits: Story and direction, Jacques Jaccard; scenario, Kay Harrison.

UNDER OATH. Presented by Lewis J. Selznick. 1922.

Credits: Director, George Archainbaud; story, Edward J. Montagne.

UNDER PAR. (Farrell Golf Series, no. 5) 1931. 1 reel.

Credits: Producer, Terry Ramsaye; director, Clyde Elliot.

UNDER PRESSURE. 1935. 6,353 ft., sd.

Credits: Director, Raoul Walsh; story, Borden Chase, Edward J. Doherty; screenplay, Borden Chase, Noel Pierce, Lester Cole; music director, Louis de Francesco.

THE UNDER-PUP. 1939. 9 reels, sd.

Credits: Producer, Joe Pasternak; director, Richard Wallace; original story, I. A. R. Wylie; screenplay, Grover Jones.

UNDER ROYAL PATRONAGE. 1916. 2 reels. A re-issue.

UNDER SECRET ORDERS. (Further Exploits of Yorke Norroy) 1923. 2 reels.

THE UNDER SECRETARY. SEE Unpaid Ransom.

UNDER SENTENCE. 1920. 2 reels.

Credits: Director, Edward Feeney; story, George Hively; scenario, Jack Ford.

UNDER SOUTHERN SKIES. Broadway Universal. 1915. 5 reels. Adapted from the play by Lottie Blair Parker.

Credits: Producer, Lucius Henderson; adaptation, William Addison Lathrop.

UNDER SOUTHERN STARS. (Broadway Brevity) 1937. 18 min., sd., color.

Credits: Director, Nick Grinde; story and screenplay, Forrest Barnes.

UNDER SUSPICION. Red Feather. 1916. 5 reels. From the story "The Game of Liberty" by E. Phillips Oppenheim.

Credits: Produced and adapted by George Loane Tucker.

UNDER SUSPICION. 1918. 5 reels. Adapted from the story by Hugh S. Weir.

Credits: Supervision, Maxwell Karger; director, Will S. Davis; adaptation, Albert Shelby De Vino.

UNDER SUSPICION. 1919. 5 reels.

Credits: Director, William C. Dowlan; story, Mildred Considine; scenario, Doris Schroeder.

UNDER SUSPICION. 1930. 5,800 ft., sd.

Credits: Director, A. E. Erickson; story and dialogue, Tom Barry; editor, J. Edwin Robbins.

UNDER SUSPICION. 1937. 7 reels, sd. From the story by Philip Wylie.

Credits: Director, Lewis D. Collins; screenplay, Joseph Hoffman, Jefferson Parker; film editor, Dwight Caldwell.

UNDER THE BED. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Eddie Lyons; scenario, C B. Hoadley, Fred A. Palmer.

UNDER THE BED. Bluebird. 1927. 1 reel.

Credits: Director, W. Scott Darling.

UNDER THE BIG TOP. Powers. 1917. 1/2 reel.

UNDER THE BIG TOP. 1938. 7 reels, sd.

Credits: Associate producer, William T. Lackey; director, Karl Brown; original story, Lewellyn Hughes; screenplay, Marion Orth; film editor, Russell Schoengarth; music director, Abe Meyer.

UNDER THE BLACK EAGLE. 1928. 7 reels, b&w, lavender sequences.

Credits: Director, W. S. Van Dyke; story, Norman Houston; continuity, Bradley King; film editor, Ben Lewis.

UNDER THE BORDER. 1923. 2 reels.

UNDER THE COCK-EYED MOON. (Rodeo Comedies) Presented by E. B. Derr. 1930. 2 reels, sd.

Credits: Producer, Fred Lalley; screenplay, Bobby Carney, Si Wells; adaptation and direction, Wallace Fox; film editor, Fred Maguire.

UNDER THE CRESCENT. Gold Seal. 1915. 2 reels each. © Universal Film Mfg. Co., Inc.

Credits: Producer, Burton King; scenario, Nell Shipman.

1. The Purple Iris. © 24May15; LP5374.

2. The Cage of the Golden Bars. © 2Jun15; LP5451.

3. In the Shadow of the Pyramids. © 8Jun15; LP5496.

4. For the Honor of a Woman. © 16Jun15; LP5575.

5. In the Name of the King. © 22Jun15; LP5639.

6. The Crown of Death. © 29Jun15; LP5696.

UNDER THE DAISIES; or, AS A TALE THAT IS TOLD. 1913. 2 reels.

Credits: Director, Van Dyke Brooke.

UNDER THE FIDDLER'S ELM. 1915. 2,000 ft. Based on a story by Elliot Balastier.

Credits: Producer, Edgar Jones.

UNDER THE GASLIGHT. 1914. 4 reels.

UNDER THE GREENWOOD TREE. Artcraft. Presented by Adolph Zukor. 1918. 5 reels. Based on the play by Henry V. Esmond.

Credits: Director, Emile Chautard; scenario, Adrian Gil-Spear.

UNDER THE INFLUENCE. Metro-Drew. 1918. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

UNDER THE LASH. 1921. 6 reels. Adapted from the novel "The Shulamite" by Alice and Claude Askew and the play by Edward Knoblock.

Credits: Director, Sam Wood; scenario, J. E. Nash.

UNDER THE LID. 1937. 1 reel.

UNDER THE LION'S PAW. Bison. 1916. 2 reels.

Credits: Director, Jay Hunt; scenario, Harry Schenck, Jay Hunt.

UNDER THE PAMPAS MOON. 1935. 8 reels, sd.

Credits: Director, James Tinling; original story, Gordon Morris; screenplay, Ernest Pascal, Bradley King; additional dialogue, Henry Johnson; music, Arthur Lange.

UNDER THE RED ROBE. Cosmopolitan. 1924. 10 reels, amber. From the novel by Stanley J. Weyman.

Credits: Director, Allen Crosland; scenario, Bayard Veiller; music, William Frederick Peters.

UNDER THE SEA. 1927. 1 reel.

UNDER THE SPELL. Special Rex. 1916. 1 reel.

UNDER THE TABLE. L-Ko. 1915. 2 reels.

Credits: Director, J. G. Blystone.

UNDER THE TONTO RIM. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 5,947 ft. From the story by Zane Grey.

Credits: Director, Herman C. Raymaker; screenplay, J. Walter Ruben.

UNDER THE TONTO RIM. 1933. 7 reels, sd. Based on the novel by Zane Grey.

Credits: Director, Henry Hathaway; screenplay, Jack Cunningham, Gerald Geraghty.

UNDER THE TOP. Artcraft. Presented by Jesse L. Lasky. 1918. 5 reels.

Credits: John Emerson, Anita Loos; director, Donald Crisp; scenario, Gardner Hunting.

UNDER THE WHITE ROBE. 1923. 1 reel.

Credits: Director, William Watson.

UNDER THE WIRE. 1937. 2 reels, sd.

Credits: Originated by Ken Kling; director, Lloyd French; story, Jack Henley, Eddie Forman.

UNDER THE YOKE. 1918. 5 reels.

Credits: Director, J. Gordon Edwards; story, George Scarborough; scenario, Adrian Johnson.

UNDER TWO FLAGS. 1915. 3 reels.

UNDER TWO FLAGS. 1916. For Fox Film Corp. 6 reels. From the novel by Ouida [pseud. of Louise De la Ramée].

Credits: Producer, J. Gordon Edwards; adapted by George Hall.

UNDER TWO FLAGS. 1922. 8 reels. Adapted from the novel by Ouida [pseud. of Louise De la Ramée].

Credits: Adaptation, Tod Browning, Edward J. Lowe, Jr.

UNDER TWO FLAGS. 1936. 10,039 ft., sd. From the novel by Ouida [pseud. of Louise De la Ramée].

Credits: Director, Frank Lloyd; screenplay, W. P. Lipscomb, Walter Ferris; music, Louis Silvers.

UNDER WESTERN SKIES. Jewel. 1926. 7 reels.

Credits: Story, Edward Sedgwick; adaptation and scenario, Charles E. Whittaker.

UNDER WESTERN STARS. 1938. 7 reels, sd.

Credits: Associate producer, Sol C. Siegel; director, Joe Kane; original story, Dorrell and Stuart McGowan; screenplay, Dorrell and Stuart McGowan, Betty Burbridge; film editor, Lester Orlebeck; music director, Alberto Colombo.

UNDER YOUR SPELL. 1936. 5,946 ft., sd.

Credits: Director, Otto Ludwig Preminger; stories, Bernice Mason, Sy Bartlett; screenplay, Frances Hyland, Saul Elkins; music, Arthur Lange.

THE UNDERCURRENT. Presented by Select Pictures Corp. 1919. 7 reels.

Credits: Director, Wilfrid North; story, Guy Empey; scenario, William Addison Lathrop.

UNDERGROUND FARMERS. (Struggle to Live, no. 5) 1936. 1 reel.

UNDERNEATH THE BROADWAY MOON. 1934. 1 reel, sd.

Credits: Director, Fred Waller.

UNDERNEATH THE PAINT. 1914. 3 reels.

Credits: Director, Charles L. Gaskill.

UNDERSEA KINGDOM. 1936. 2 reels each, except no. 1 which is 3 reels.

Credits: Supervision, Barney Sarecky; directors, B. Reeves Eason, Joseph Kane; original story, Tracy Knight, John Rathmell; screenplay, John Rathmell, Maurice Geraghty, Oliver Drake.

UNDER-SEA LIFE. 1932. 532 ft.

UNDERSEA REVUE. SEE Larry Cebellos' Undersea Revue.

UNDERSEAS. SEE No More Women.

THE UNDERSTANDER. SEE Melody Lane.

THE UNDERSTANDING HEART. Cosmopolitan. 1927. 7 reels. From the story by Peter B. Kyne.

Credits: Director, Jack Conway; adaptation and screenplay, Edward T. Lowe, Jr.; film editor, John W. English.

THE UNDERSTUDY. 1915. 1 reel.

Credits: Directors, Maurice Costello, Robert Gaillard.

THE UNDERSTUDY. Falcon Features. 1917. 4 reels. Based on the story by Leigh Gordon Giltner.

Credits: Supervision, H. M. and E. D. Horkheimer; director, William Bertram; scenario, Lela Leibrand.

THE UNDERSTUDY. 1922. 5 reels.

Credits: Director, William A. Seiter; story, Ethel M. Hadden; scenario, Beatrice Van.

THE UNDERSTUDY. Bluebird. 1925. 1 reel.

THE UNDERSTUDY. SEE Frou Frou.

THE UNDERTAKER'S DAUGHTER. 1915. 400 ft.

THE UNDERTAKER'S UNCLE. 1915. 1 reel.

THE UNDERTOW. 1915. 3 reels.

UNDERTOW. 1930. 6 reels, sd.

Credits: Director, Harry A. Pollard; story, Wilbur Daniel Steele; adaptation and dialogue, Winnifred Reeve, Edward T. Lowe, Jr.

UNDERWATER. (Sportscope, no. 7) 1938. 1 reel, sd.

Credits: Frank R. Donovan; supervision, Frederic Ullman, Jr.; editor, Foster Travis; narrator, Joe Bolton.

AN UNDERWATER ROMANCE. (Sportlight) 1937. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE UNDERWORLD. Laemmle. 1915. 1 reel.

Credits: Written and produced by Rupert Julian.

UNDERWORLD. 1927. 8 reels.

Credits: Supervised and produced by Hector Turnbull; director, Josef von Sternberg; story, Ben Hecht; screenplay, Robert N. Lee; adaptation, Charles Furthmann.

THE UNDERWORLD EXPOSED. SEE The Drug Terror.

THE UNDIE-WORLD. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, George Stevens; story, Jack Townley, Jean Yarbrough; film editor, John Lockert.

UNDINE. Bluebird. 1916. 5 reels.

Credits: Producer, Henry Otto; story, De la Motte Fouque; scenario, Walter Woods.

UNDOING EVIL. Laemmle. 1917. 1 reel.

UNDRESSED. 1928. 6 reels.

Credits: Director, Philip Rosen; story, John Leeds; continuity, Frances Guihan.

THE UNDYING FIRE. 1915. 1 reel.

THE UNDYING FLAME. 1917. 5 reels.

Credits: Director, Maurice Tourneur; story, Emma Bell; scenario, Charles E. Whitaker.

THE UNDYING PAST. SEE Flesh and the Devil.

UNEASY FEET. GOD'S COUNTRY and MEMORIES. 1920. 2 reels.

Credits: Written and directed by Ward Lascelle.

UNEASY MONEY. Released through George Kleine System. 1917. 75 min. From the story by P. G. Wodehouse.

Credits: Director, Lawrence C. Windom; adaptation, Raymond E. Dakin.

UNEASY MONEY. Joker. 1917. 1 reel.

Credits: Director, William W. Beaudine; story and scenario, Jack Cunningham.

UNEASY MONEY. (Star Comedy) 1921. 1 reel.

Credits: Director, William Watson.

UNEASY PAYMENTS. Released by F. B. O. 1927. 5 reels.

Credits: Director, David Kirkland; story, Walter A. Sinclair; continuity, Dorothy Yost.

UNEASY TERMS. (Cruelywed Comedy, no. 1) 1921. 2 reels.

Credits: Written and produced by S. M. Herzig.

THE UNEMPLOYED GHOST. 1931. 2 reels, sd. Story based on the sketch by Marc Connelly and Russel Crouse.

Credits: Director, Aubrey Scotto; dialogue staged by Max E. Hayes.

AN UNEVEN MATCH, MANANA LAND and MEMORIES. 1920. 2 reels.

Credits: Written and directed by Ward Lascelle.

THE UNEVEN ROAD. (Do Children Count?) 1917. 25 min.

Credits: Director, L. C. Windom; story, Charles Mortimer Peck.

THE UNEXPECTED. Rex. 1916. 1 reel.

Credits: Written and produced by Grace Cunard and Francis Ford.

THE UNEXPECTED FATHER. 1931. 7 reels.

Credits: Director, Thornton Freeland; screenplay, Dale Van Every.

UNEXPECTED FATHER. 1939. 9 reels, sd.

Credits: Associate producer, Ken Goldsmith; director, Charles Lamont; original screenplay, Leonard Spigelgass, Charles Grayson; film editor, Ted Kent.

AN UNEXPECTED HERO. (Texas Ranger Series) 1928. 2 reels.

Credits: Director, Walter Fabian; story and continuity, George Morgan.

UNEXPECTED PLACES. 1918. 5 reels. From the story by Frank R. Adams.

Credits: Director, E. Mason Hopper; adaptation, A. S. LeVino, George D. Baker.

AN UNEXPECTED ROMANCE. 1915. 1,000 ft.

AN UNEXPECTED SCOOP. Nestor. 1916. 1 reel.

Credits: Producer, Richard Stanton; story, Clifford Howard; scenario, Malcolm Strong.

Credits: Director, Henri Diamant-Berger; story, Eugene Walter.

THE UNFAIR SEX. 1931. 1 reel.

UNFAITHFUL. 1931. 8 reels, sd.

Credits: Director, John Cromwell; story and dialogue, John Van Druten; scenario, Eve Unsell.

THE UNFAITHFUL HUSBAND. SEE The Gay Nineties.

THE UNFAITHFUL WIFE. 1915. For Fox Film Corp. 6 reels.

Credits: Producer, J. Gordon Edwards; picturized by Mary Murillo.

UNFERMENTED BRICKS. (Star Comedy) 1922. 1 reel.

THE UNFINISHED CASE. Special Rex. 1916. 1 reel.

THE UNFINISHED PORTRAIT. 1915. 2 reels.

Credits: Director, Edw. J. Le Saint.

THE UNFINISHED STORY. SEE The Last Chapter.

THE UNFINISHED SYMPHONY. 1939. 10 min., sd.

Credits: Director, Frederick Feher.

THE UNFORESEEN. 1917. 5 reels. From the play by Robert Marshall.

Credits: Director, John B. O'Brien; scenario, Charles E. Whittaker.

THE UNFORGIVEN. 1915. 1 reel.

Credits: Director, Lorrimer Johnston.

THE UNGUARDED HOUR. 1925. 7 reels.

Credits: Margaretta Tuttle; supervision, Earl Hudson; director, Lambert Hillyer.

THE UNGUARDED HOUR. 1936. 9 reels, sd., b&w. Based on the play by Ladislaus Fodor.

Credits: Producer, Lawrence Weingarten; director, Sam Wood; English adaptation, Bernard Merivale; screenplay, Howard Emmett Rogers, Leon Gordon; film editor, Frank E. Hull; music score, William Axt.

UNGUARDED WOMEN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6 reels. From the Saturday Evening Post story "Face" by Lucy Stone Terrill.

Credits: Director, Alan Crosland; screenplay, James Creelman.

UNHAND ME, VILLAIN. 1916. 3 reels.

THE UNHAPPY FINISH. 1921. 2 reels.

Credits: Director, James Davis.

THE UNHOLY GARDEN. United Artists. 1931. 8 reels.

Credits: Producer, George Fitzmaurice; original picture play, Ben Hecht, Charles MacArthur.

THE UNHOLY NIGHT. 1929. 10 reels, sd., b&w.

Credits: Director, Lionel Barrymore; story, Ben Hecht; screenplay, Edwin Justus Mayer; adaptation, Dorothy Farnum; film editor, Grant Whytock.

THE UNHOLY THREE. Presented by Louis B. Mayer. 1925. 7 reels, tinted. From the book by Clarence Aaron Robbins.

Credits: Producer, Tod Browning; scenario, Waldemar Young; editor, Danny Gray.

THE UNHOLY THREE. 1930. 8 reels, sd., b&w. From the book by Clarence Aaron Robbins.

Credits: Director, Jack Conway; continuity and dialogue, J. C. Nugent, Elliot Nugent; film editor, Frank Sullivan.

THE UNINVITED GUEST. Presented by J. E. Williamson. 1924. 7 reels, b&w, color sequences.

Credits: Director, Ralph Ince; story and scenario, Curtis Benton.

UNION DEPOT. 1932. 7 reels, sd.

Credits: Director, Alfred E. Green.

UNION PACIFIC. 1939. 14 reels, sd.

Credits: Producer and director, Cecil B. De Mille; story, Ernest Haycox; adaptation, Jack Cunningham; screenplay, Walter DeLeon, C. Gardner Sullivan, Jesse Lasky, Jr.; film editor, Anne Bauchens; music score, George Antheil.

UNION WAGES. (Warren Doane Comedy) 1932. 2 reels.

Credits: Director, James W. Horne; story, Vernon Smith, J. A. Howe.

UNITED IN DANGER. 1914. 1 reel.

Credits: Gertrude McCoy; director, Ashley Miller.

THE UNITED STATES COAST GUARD ACADEMY. Produced in cooperation with the U. S. Coast Guard. 1938. 2 reels, sd.

Credits: Narrator, Alois Havrilla.

UNITED STATES FLAVOR. SEE Men of Steel.

UNITED STATES SMITH. Presented by Sam Sax. 1928. 7 reels.

Credits: Supervision, Harold Shumate; director, Joseph E. Henabery; story, Gerald Beaumont; screenplay, Curtis Benton.

U. S. SPRING PROMOTION. 1937. For U. S. Rubber Co. Filmstrip, sd.

UNIVERSAL NEWSPAPER NEWSREEL. 1929-35. 1 reel each. © Universal Pictures Corp. 1929.

61. © 31Jul29; MP656.

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104. © 28Dec29; MP1094.

Volume 2, 1930.

1. © 1Jan30; MP1095.

2. © 4Jan30; MP1214.

3. © 8Jan30; MP1215.

4. © 11Jan30; MP1216.

5. © 15Jan30; MP1217.

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Volume 3, 1931.

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44. © 29May31; MP2691.

45. © 2Jun31; MP2692.

46. © 6Jun31; MP2693.

47. © 9Jun31; MP2715.

48. © 12Jun31; MP2716.

49. © 16Jun31; MP2733.

50. © 19Jun31; MP2734.

51. © 23Jun31; MP2743.

52. © 26Jun31; MP2744.

53. © 29Jun31; MP2778.

54. © 3Jul31; MP2779.

55. © 7Jul31; MP2788.

56. © 10Jul31; MP2789.

57. © 14Jul31; MP2790.

58. © 17Jul31; MP2791.

59. © 21Jul31; MP2792.

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Volume 4, 1932.

2. © 1Jan32; MP3100.

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Volume 5, 1933.

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Volume 6, 1934.

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Volume 7, 1935.

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322. © 25Jan35; MP5442.

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327. © 12Feb35; MP5487.

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332. © 28Feb35; MP5508.

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For subsequent issues SEE Universal Newsreel. Volume 7, no. 371.

UNIVERSAL NEWSREEL. 1935-39. 1 reel each, sd. For preceding issues SEE Universal Newspaper Newsreel. © Universal Pictures Corp. Volume 7, 1935.

371. © 16Jul35; MP5818.

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552. © 9Apr37; MP7410.

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554. © 20Apr37; MP7420.

555. © 23Apr37; MP7438.

556. © 27Apr37; MP7439.

557. © 30Apr37; MP7486.

558. © 4May37; MP7487.

559. © 7May37; MP7532.

560. © 11May37; MP7533.

561. © 14May37; MP7534.

562. © 18May37; MP7535.

563. © 21May37; MP7561.

564. © 25May37; MP7562.

565. © 28May37; MP7563.

566. © 1Jun37; MP7564.

567. © 4Jun37; MP7575.

568. © 7Jun37; MP7576.

569. © 8Jun37; MP7613.

570. © 11Jun37; MP7614.

571. © 15Jun37; MP7638.

572. © 18Jun37; MP7639.

573. © 22Jun37; MP7640.

574. © 25Jun37; MP7641.

575. © 29Jun37; MP7668.

576. © 2Jul37; MP7667.

577. © 6Jul37; MP7672.

578. © 9Jul37; MP7673.

579. © 13Jul37; MP7703.

580. © 16Jul37; MP7704.

581. © 20Jul37; MP7731.

582. © 23Jul37; MP7732.

583. © 27Jul37; MP7733.

584. © 30Jul37; MP7734.

585. © 3Aug37; MP7744.

586. © 6Aug37; MP7745.

587. © 10Aug37; MP7755.

588. © 13Aug37; MP7756.

589. © 17Aug37; MP7770.

590. © 20Aug37; MP7771.

591. © 24Aug37; MP7795.

592. © 27Aug37; MP7796.

593. © 31Aug37; MP7813.

594. © 3Sep37; MP7814.

595. © 7Sep37; MP7834.

596. © 10Sep37; MP7835.

597. © 14Sep37; MP7870.

598. © 17Sep37; MP7871.

599. © 21Sep37; MP7878.

600. © 24Sep37; MP7879.

601. © 28Sep37; MP7894.

602. © 1Oct37; MP7895.

603. © 5Oct37; MP7904.

604. © 8Oct37; MP7905.

605. © 12Oct37; MP7915.

606. © 15Oct37; MP7916.

607. © 19Oct37; MP7941.

608. © 22Oct37; MP7942.

609. © 26Oct37; MP7990.

610. © 29Oct37; MP7991.

611. © 2Nov37; MP8002.

612. © 5Nov37; MP8003.

613. © 9Nov37; MP8009.

614. © 12Nov37; MP8010.

615. © 16Nov37; MP8025.

616. © 19Nov37; MP8026.

617. © 23Nov37; MP8034.

618. © 26Nov37; MP8035.

619. © 30Nov37; MP8051.

620. © 3Dec37; MP8052.

621. © 7Dec37; MP8078.

622. © 10Dec37; MP8079.

623. © 14Dec37; MP8093.

624. © 17Dec37; MP8094.

625. © 21Dec37; MP8121.

626. © 24Dec37; MP8122.

627. © 28Dec37; MP8145.

628. © 31Dec37; MP8146.

Volume 10, 1938.

629. © 4Jan38; MP8170.

630. © 7Jan38; MP8171.

631. © 11Jan38; MP8179.

632. © 14Jan38; MP8180.

633. © 18Jan38; MP8181.

634. © 20Jan38; MP8182.

635. © 25Jan38; MP8226.

636. © 28Jan38; MP8227.

637. © 1Feb38; MP8228.

638. © 4Jan38; MP8229.

639. © 8Feb38; MP8245.

640. © 11Feb38; MP8246.

641. © 15Jan38; MP8270.

642. © 17Feb38; MP8271.

643. © 22Feb38; MP8298.

644. © 24Feb38; MP8299.

645. © 1Mar38; MP8300.

646. © 3Mar38; MP8301.

647. © 8Mar38; MP8329.

648. © 10Mar38; MP8330.

649. © 15Mar38; MP8381.

650. © 17Mar38; MP8382.

651. © 22Mar38; MP8383.

652. © 24Mar38; MP8384.

653. © 29Mar38; MP8401.

654. © 31Mar38; MP8402.

655. © 5Apr38; MP8404.

656. © 7Apr38; MP8405.

657. © 12Apr38; MP8418.

658. © 14Apr38; MP8419.

659. © 19Apr38; MP8489.

660. © 21Apr38; MP8490.

661. © 26Apr38; MP8506.

662. © 28Apr38; MP8507.

663. © 3May38; MP8508.

664. © 5May38; MP8509.

665. © 10May38; MP8526.

666. © 12May38; MP8527.

667. © 17May38; MP8551.

668. © 19May38; MP8552.

669. © 24May38; MP8569.

670. © 26May38; MP8570.

671. © 31May38; MP8572.

672. © 2Jun38; MP8573.

673. © 7Jun38; MP8582.

674. © 9Jun38; MP8583.

675. © 14Jun38; MP8599.

676. © 16Jun38; MP8600.

677. © 21Jun38; MP8603.

678. © 23Jun38; MP8604.

679. © 28Jun38; MP8616.

680. © 30Jun38; MP8617.

681. © 5Jul38; MP8632.

682. © 7Jul38; MP8633.

683. © 12Jul38; MP8694.

684. © 15Jul38; MP8695.

685. © 19Jul38; MP8697.

686. © 21Jul38; MP8698.

687. © 26Jul38; MP8732.

688. © 28Jul38; MP8733.

689. © 2Aug38; MP8753.

690. © 4Aug38; MP8754.

691. © 9Aug38; MP8755.

692. © 11Aug38; MP8756.

693. © 16Aug38; MP8765.

694. © 18Aug38; MP8766.

695. © 23Aug38; MP8774.

696. © 25Aug38; MP8775.

697. © 30Aug38; MP8796.

698. © 30Aug38; MP8797.

699. © 1Sep38; MP8803.

700. © 9Sep38; MP8804.

701. © 13Sep38; MP8814.

702. © 15Sep38; MP8815.

703. © 20Sep38; MP8863.

704. © 22Sep38; MP8864.

705. © 27Sep38; MP8871.

706. © 29Sep38; MP8872.

707. © 4Oct38; MP8887.

708. © 6Oct38; MP8888.

709. © 11Oct38; MP8906.

710. © 13Oct38; MP8907.

711. © 18Oct38; MP8910.

712. © 20Oct38; MP8911.

713. © 25Oct38; MP8939.

714. © 27Oct38; MP8940.

715. © 1Nov38; MP8954.

716. © 3Nov38; MP8955.

717. © 8Nov38; MP8960.

718. © 11Nov38; MP8961.

719. © 15Nov38; MP8968.

720. © 17Nov38; MP8969.

721. © 25Dec38; MP8970.

722. © 27Dec38; MP8971.

723. © 29Nov38; MP9011.

724. © 1Dec38; MP9012.

725. © 6Dec38; MP9023.

726. © 8Dec38; MP9024.

727. © 13Dec38; MP9058.

728. © 15Dec38; MP9059.

729. © 20Dec38; MP9064.

730. © 23Dec38; MP9065.

731. © 27Dec38; MP9097.

732. © 29Dec38; MP9098.

Volume 11, 1939.

733. © 3Jan39; MP9121.

734. © 5Jan39; MP9122.

735. © 10Jan39; MP9142.

736. © 12Jan39; MP9143.

737. © 17Jan39; MP9150.

738. © 20Jan39; MP9151.

739. © 24Jan39; MP9177.

740. © 26Jan39; MP9178.

741. © 31Jan39; MP9198.

742. © 2Feb39; MP9199.

743. © 7Feb39; MP9244.

744. © 9Feb39; MP9245.

745. © 14Feb39; MP9261.

746. © 16Feb39; MP9262.

747. © 21Feb39; MP9316.

748. © 23Feb39; MP9317.

749. © 28Feb39; MP9318.

750. © 2Mar39; MP9319.

751. © 7Mar39; MP9321.

752. © 9Mar39; MP9322.

753. © 11Mar39; MP9323.

754. © 14Mar39; MP9324.

755. © 16Mar39; MP9342.

756. © 21Mar39; MP9343.

757. © 28Mar39; MP9365.

758. © 30Mar39; MP9366.

759. © 4Apr39; MP9391.

760. © 6Apr39; MP9392.

761. © 11Apr39; MP9406.

762. © 13Apr39; MP9407.

763. © 18Apr39; MP9417.

764. © 20Apr39; MP9418.

765. © 25Apr39; MP9420.

766. © 27Apr39; MP9421.

767. © 2May39; MP9429.

768. © 4May39; MP9430.

769. © 9May39; MP9475.

770. © 11May39; MP9476.

771. © 16May39; MP9494.

772. © 18May39; MP9495.

773. © 23May39; MP9496.

774. © 25May39; MP9497.

775. © 30May39; MP9502.

776. © 1Jun39; MP9503.

777. © 6Jun39; MP9529.

778. © 8Jun39; MP9530.

779. © 13Jun39; MP9538.

780. © 15Jun39; MP9539.

781. © 20Jun39; MP9553.

782. © 22Jun39; MP9554.

783. © 27Jun39; MP9564.

784. © 29Jun39; MP9565.

785. © 4Jul39; MP9569.

786. © 6Jul39; MP9570.

787. © 11Jul39; MP9582.

788. © 13Jul39; MP9583.

789. © 18Jul39; MP9605.

790. © 20Jul39; MP9606.

791. © 25Jul39; MP9616.

792. © 27Jul39; MP9617.

793. © 1Aug39; MP9629.

794. © 3Aug39; MP9630.

795. © 8Aug39; MP9643.

796. © 10Aug39; MP9644.

797. © 15Aug39; MP9652.

798. © 17Aug39; MP9653.

799. © 22Aug39; MP9668.

800. © 24Aug39; MP9669.

801. © 29Aug39; MP9680.

802. © 31Aug39; MP9681.

803. © 5Sep39; MP9695.

804. © 7Sep39; MP9696.

805. © 11Sep39; MP9713.

806. © 14Sep39; MP9714.

807. © 19Sep39; MP9724.

808. © 21Sep39; MP9725.

809. © 26Sep39; MP9739.

810. © 28Sep39; MP9740.

811. © 3Oct39; MP9742.

812. © 5Oct39; MP9743.

813. © 10Oct39; MP9763.

814. © 12Oct39; MP9764.

815. © 17Oct39; MP9768.

816. © 19Oct39; MP9769.

817. © 24Oct39; MP9779.

818. © 26Oct39; MP9780.

819. © 31Oct39; MP9792.

820. © 2Nov39; MP9793.

821. © 7Nov39; MP9813.

822. © 9Nov39; MP9814.

UNIVERSAL SCREEN MAGAZINE. 1916-19. 1 reel each. © Universal Film Mfg. Co., Inc.

Volume 1.

1. © 18Nov16; MP761.

2. © 29Nov16; MP777.

4. © 27Dec16; MP804.

5. © 4Jan17; MP814.

6. © 18Jan17; MP827.

7. © 29Jan17; MP833.

8. © 16Feb17; MP853.

9. © 1Mar17; MP861.

10. © 9Mar17; MP876.

11. © 15Mar17; MP879.

12. © 15Mar17; MP880.

13. © 27Mar17; MP898.

14. © 29Mar17; MP899.

15. © 6Apr17; MP908.

16. © 10Apr17; MP909.

17. © 17Apr17; MP917.

18. © 23Apr17; MP919.

19. © 5May17; MP930.

20. © 14May17; MP940.

21. © 18May17; MP942.

22. © 26May17; MP948.

23. © 1May17; MP952.

24. © 8Jun17; MP957.

25. © 15Jun17; MP961.

26. © 22Jun17; MP965.

27. © 30Jun17; MP968.

28. © 12Jul17; MP977.

29. © 13Jul17; MP978.

30. © 24Jul17; MP990.

31. © 2Aug17; MP995.

32. © 3Aug17; MP996.

33. © 13Aug17; MP1001.

34. © 20Aug17; MP1011.

35. © 24Aug17; MP1014.

36. © 31Aug17; MP1017.

37. © 8Sep17; MP1025.

38. © 14Sep17; MP1028.

39. © 20Sep17; MP1032.

40. © 27Sep17; MP1035.

41. © 5Oct17; MP1042.

42. © 12Oct17; MP1045.

43. © 24Oct17; MP1081.

44. © 29Oct17; MP1082.

45. © 2Nov17; MP1086.

46. © 13Nov17; MP1090.

47. © 17Nov17; MP1091.

48. © 26Nov17; MP1095.

49. © 5Dec17; MP1101.

50. © 10Dec17; MP1104.

51. © 14Dec17; MP1107.

52. © 22Dec17; MP1109.

53. © 2Jan18; MP1112.

54. © 10Jan18; MP1118.

55. © 11Jan18; MP1119.

56. © 17Jan18; MP1124.

57. © 30Jan18; MP1132.

58. © 5Feb18; MP1137.

59. © 13Feb18; MP1142.

60. © 18Feb18; MP1147.

61. © 26Feb18; MP1152.

62. © 6Mar18; MP1165.

63. © 13Mar18; MP1170.

64. © 18Mar18; MP1173.

65. © 26Mar18; MP1183.

66. © 1Apr18; MP1185.

67. © 8Apr18; MP1190.

68. © 18Apr18; MP1194.

69. © 22Apr18; MP1196.

70. © 27Apr18; MP1199.

71. © 7May18; MP1204.

72. © 9May18; MP1205.

73. © 20May18; MP1209.

74. © 28May18; MP1211.

75. © 4Jun18; MP1213.

77. © 20Jun18; MP1218.

78. © 20Jun18; MP1219.

79. © 1Jul18; MP1221.

80. © 8Jul18; MP1224.

81. © 17Jul18; MP1228.

82. © 22Jul18; MP1231.

83. © 1Aug18; MP1235.

84. © 6Aug18; MP1239.

85. © 14Aug18; MP1242.

86. © 24Aug18; MP1244.

87. © 30Aug18; MP1248.

88. © 30Aug18; MP1246.

89. © 10Sep18; MP1251.

90. © 18Sep18; MP1253.

91. © 25Sep18; MP1255.

92. © 2Oct18; MP1257.

93. © 9Sep18; MP1259.

94. © 15Nov18; MP1263.

95. © 21Nov18; MP1265.

96. © 6Dec18; MP1268.

97. © 13Dec18; MP1270.

98. © 20Dec18; MP1273.

99. © 27Dec18; MP1275.

100. © 4Jan19; MP1277.

101. © 9Jan19; MP1279.

102. © 15Jan19; MP1281.

103. © 21Jan19; MP1283.

104. © 28Jan19; MP1286.

105. © 5Feb19; MP1288.

SEE ALSO New Screen Magazine.

THE UNKISSED MAN. (Hal Roach All Star Comedy) 1929. 2 reels.

Credits: Story, Leo McCarey; editor, Richard Currier.

THE UNKNOWN. 1916. 3 reels.

THE UNKNOWN. 1927. 7 reels.

Credits: Story and direction, Tod Browning; scenario, Waldemar Young; film editors, Harry Reynolds, Errol Taggart.

THE UNKNOWN CAVALIER. Presented by Charles R. Rogers. 1926. 7 reels. From the novel "Ride Him Cowboy" by Kenneth Perkins.

Credits: Director, Albert Rogell; screen adaptation, Marion Jackson.

THE UNKNOWN COUNTRY. 1914. 1 reel.

UNKNOWN DANGERS. Presented by Peter Kanellos. 1926. 5 reels.

Credits: Written and directed by Grover Jones.

THE UNKNOWN LOVER. 1925. 6 reels.

Credits: Written and directed by Victor Hugo Halperin.

THE UNKNOWN PURPLE. 1923. 7 reels. From the stage play by Roland West and Carlyle Moore.

Credits: Director, Roland West; adaptation, Roland West, Paul Schofield; editor, Alfred A. Cohn.

THE UNKNOWN QUANTITY. 1919. 5 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills.

THE UNKNOWN RANGER. 1936. 6 reels.

Credits: Director, Spencer Gordon Bennet; story and screenplay, Nate Gatzert; film editor, Dwight Caldwell.

THE UNKNOWN SOLDIER. Presented by Charles R. Rogers. Released by Producers Distributing Corp. 1926. 8 reels.

Credits: Director and producer, Renaud Hoffman; scenario, E. Richard Schayer; adaptation, James J. Tynan.

UNKNOWN TREASURES. 1926. 6 reels. From the story "The House Behind the Hedge" by Mary Spain Vigus.

Credits: Director, Archie Mayo; adaptation and continuity, Charles A. Logue.

UNKNOWN 274. 1917. 6 reels.

Credits: Director, Harry Millarde; story, George Scarborough; scenario, Adrian Johnson.

UNKNOWN VALLEY. 1933. 7 reels, sd.

Credits: Direction and screenplay, Lambert Hillyer; story, Donald W. Lee.

THE UNKNOWN WIFE. 1921. 5 reels.

Credits: Producer, William Worthington; story, Bennett Cohen; scenario, Wallace Clifton.

UNKNOWN WOMAN. 1935. 7 reels, sd.

Credits: Director, Albert Rogell; story, W. Scott Darling; screenplay, Albert DeMond, Fred Niblo, Jr.; film editor, Gene Havlick.

UNLIKE OTHER GIRLS. Rex. 1915. 2 reels.

Credits: Producer, Joseph De Grasse; scenario, Ida May Park.

UNLUCKY LOUEY. 1915. 1 reel.

Credits: Director, Sidney Drew.

UNLUCKY STRIKE. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Ben Holmes; story, Johnnie Grey, Joseph A. Fields; film editor, Edward Mann.

UNMARRIED. 1939. 7 reels, sd.

Credits: Director, Kurt Neumann; story, Grover Jones, William Slavens McNutt; screenplay, Lillie Hayward, Brian Marlow; film editor, Stuart Gilmore.

THE UNMARRIED HUSBAND. 1915. 2,000 ft.

THE UNMARRIED LOOK. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Drew.

UNMARRIED WIVES. 1924. 6 reels.

Credits: Producer and director, James P. Hogan; story and adaptation, Dorothy Howell.

UNMASKED. Rex. 1917. 1 reel.

Credits: Written and directed by Grace Cunard, Francis Ford.

UNMASKED. 1922. 2 reels.

THE UNMOUNTED POLICEMAN. (Mirthquake, no. 22) 1924. 2 reels.

Credits: Producer, Eddie Lyons.

THE UNNECESSARY SEX. Imp. 1915. 1 reel.

Credits: M. B. Havey; producer, Jack Harvey.

UNNECESSARY WASTE KILLS PROFIT. SEE

Credits and Collections.

THE UNOPENED LETTER. 1914. 2 reels.

Credits: Bliss Milford; director, Preston Kendall.

THE UNORTHODOX MICROSCOPIC CRITERIA FOR THE PATHOLOGICAL DIFFERENTIATION OF GASTRIC NEOPLASMS FROM SIMPLE INFLAMMATORY ULCERS. A Colescopic Presentation, Scroll 3. 1937. 1 reel.

UNPAID RANSOM. 1915. 1 reel. Adapted from the story "The Under Secretary" by Scott Campbell [pseud. of Frederick William Davis].

THE UNPAINTED WOMAN. 1919. 6 reels.

Credits: Director, Tod Browning; story, Sinclair Lewis; scenario, Waldemar Young.

Credits: Producer, Barry O'Neill.

THE UNPOPULAR MECHANIC. (An Oswald Cartoon) 1936. 1 reel.

Credits: Producer, Walter Lantz; story, Walter Lantz, Victor McLeod; artists, Laverne Harding, Ed Benedict.

THE UNPROFITABLE BOARDER. 1913. 1 reel.

Credits: Herbert Prior.

UNPROTECTED. 1916. 5 reels.

Credits: James Hatton; director, James Young.

UNREAL NEWS REEL. 1923-24. 2 reels each. © William Fox (Fox Film Corp., author).

Credits: Director, George Summerville.

3. © 4Jun24; LP20287.

4. © 5Sep24; LP20542.

UNREAL NEWSREEL. 1937. 1 reel, sd.

Credits: Dialogue, Eddie Forman; commentator, Paul Douglas.

UNRELATED RELATIONS. 1936. 2 reels, sd.

Credits: Associate producer, Jules White; director, Del Lord; story and screenplay, Preston Black; film editor, William Lyon.

UNREST. 1914. 2,000 ft.

Credits: Producer, Thomas Santschi.

UNSEEING EYES. Presented by the Cosmopolitan Corp. 1923. 9 reels. From the story "Snowblind" by Arthur Stringer.

Credits: Director, E. H. Griffith; adaptation, Bayard Veiller.

Credits: Producer, Fred. W. Huntley.

UNSEEN FORCES. First National. 1921. 6 reels.

Credits: Producer and director, Sidney A. Franklin.

UNSEEN GUARDIANS. (John Nesbitt's Passing Parade) Presented by Metro-Goldwyn-Mayer. 1939. 984 ft., sd., b&w.

Credits: George Sayre, Doane Hoag, Samuel H. Chain; director, Basil Wrangell; film editor, Mildred Rich.

THE UNSHOD MAIDEN. 1932. 1 reel.

Credits: Story and direction, Albert DeMond.

THE UNSOCIAL THREE. 1927. 2 reels.

Credits: Director, Gil Pratt.

AN UNSULLIED SHIELD. 1912. 1 reel.

Credits: Charles J. Brabin.

THE UNTAMEABLE. 1923. 5 reels.

Credits: Director, Herbert Blache; story, Gelett Burgess; scenario, Hugh Hoffman.

THE UNTAMED. (Star Featurette) 1917. 2 reels.

Credits: L. Peacocke; director, Lucius Henderson; scenario, Catherine Carr.

THE UNTAMED. 1920. 6 reels. From the story by Max Brand [pseud. of Frederick Faust].

Credits: Director, Emmett J. Flynn.

THE UNTAMED. (Western Featurette) 1928. 2 reels.

Credits: Director, Lew Collins; story and continuity, Carl Krusada.

UNTAMED. 1930. 9 reels, sd., b&w.

Credits: Producer and director, Jack Conway; story, Charles E. Scoggins; adaptation and continuity, Sylvia Thalberg, Frank Butler; dialogue, Willard Mack; film editor, William S. Gray; words and music, Nacio Herb Brown, Louis Alter, Arthur Freed, Joe Goodwin.

THE UNTAMED. SEE Fair Warning.

UNTAMED AFRICA. 1933. 6 reels.

Credits: Director, Wynant D. Hubbard; dialogue, DeLeon Anthony; editor, Rex J. Steele.

THE UNTAMED HEART. SEE Hills of Kentucky.

UNTAMED LADIES. 1918. 2 reels.

THE UNTAMED LADY. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels. From the story by Fannie Hurst.

Credits: Producer and director, Frank Tuttle; screenplay, James Ashmore Creelman.

UNTAMED YOUTH. 1924. 6 reels. From the play by G. Marion Burton.

Credits: Director, Emile Chautard; adaptation, Charles Stilson, Charles Beahan.

UNTO THE LEAST OF THESE. 1916. 2 reels.

Credits: Ed. T. Lowe, Jr.; director, Richard Foster Baker.

UNTO THOSE WHO SIN. 1916. 5 reels.

THE UNTRAINED SEAL. (A Color Rhapsody) (Scrappy) Released by Columbia Pictures Corp. 1936. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe de Nat.

UNUSUAL HUNTING. (News World of Sports) 1938. 887 ft., sd.

Credits: Narrative by Jack Kofoed, described by Dan Seymour.

UNUSUAL OCCUPATIONS. 1937-39. 1 reel each, sd. © Paramount Pictures, Inc.

Credits: Gayne Whitman; narrator, Ken Carpenter. 1937/38.

L 7.

1. © 6Aug37; MP7680.

2. © 8Oct37; MP7832.

3. © 10Dec37; MP8155.

4. © 11Feb38; MP8237.

5. © 15Apr38; MP8335.

6. © 10Jun38; MP8521.

1938/39.

L 8.

1. © 5Aug38; MP8630.

2. © 7Oct38; MP8806.

3. © 2Dec38; MP8951.

4. © 3Feb39; MP9120.

5. © 14Apr39; MP9335.

6. © 16Jun39; MP9479.

1939/40.

L 9.

1. © 13Oct39; MP9710.

2. © 17Nov39; MP9789.

UNUSUALITIES. (The Easy Aces Series, no. 5) Presented by RKO Radio Pictures. 1935. 1 reel, sd.

Credits: Director, Frank Crane; story, Mann Page; scenario, Clara S. Beranger.

THE UNWANTED. Presented by Napoleon Films, Ltd. 1924. 7,250 ft.

Credits: Producer, G. B. Samuelson; director, Walter G. Summers.

UNWANTED. SEE The Deceiver.

UNWELCOME. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Director, Richard Smith.

THE UNWELCOME MOTHER. 1916. For Fox Film Corp. 5 reels.

Credits: Director, James Vincent; scenario, Mary Murillo.

THE UNWELCOME STRANGER. 1935. 7 reels, sd.

Credits: Director, Phil Rosen; story, William Jacobs; screenplay, Crane Wilbur; film editor, Arthur Hilton.

AN UNWILLING BURGLAR. 1915. 1,000 ft.

Credits: Producer, Earl Metcalfe.

AN UNWILLING HERO. 1921. 5 reels. From the story "Whistling Dick's Christmas Stocking" by O. Henry [pseud. of William Sydney Porter].

Credits: Supervised and directed by Clarence G. Badger; continuity, Arthur F. Statter.

AN UNWILLING SEPARATION. 1913. 1 reel.

Credits: Lillian E. Sweetser.

AN UNWILLING THIEF. 1915. 3,000 ft.

Credits: Mary Imlay Taylor; director, Langdon West.

THE UNWRITTEN LAW. 1925. 6 reels.

Credits: Director, Edward J. Lesaint; story and continuity, Tom J. Hopkins.

THE UNWRITTEN PLAY. 1914. 1 reel.

Credits: Director, Theodore Marston.

UP A TREE. (Lloyd Hamilton Talking Comedies) 1930. 20 min., sd.

Credits: Story and direction, William Goodrich; continuity and dialogue, Harry McCoy, Jimmy Starr.

UP AGAINST IT. 1915. 1,000 ft.

Credits: Written and produced by Edward McKim.

UP AND AT 'EM. 1922. 5 reels.

Credits: Director, William A. Seiter; story, William A. Seiter, Lewis Milestone; scenario, Eve Unsell.

UP AND DOWN. 1934. 2 reels, sd.

Credits: Producer, Phil L. Ryan; director, Del Lord; story and adaptation, James Mulhauser, Scott E. Cleethorpe; editor, Francis Lyon; music supervision, Abe Meyer.

UP AND DOWN STAIRS. 1930. 2 reels.

Credits: Director, Harry Edwards.

UP AND GOING. 1922. 5 reels.

Credits: Story, Tom Mix, Lynn Reynolds; scenario and direction, Lynn Reynolds.

UP FOR MURDER. 1931. 7 reels.

Credits: Written and directed by Monta Bell.

UP IN A BALLOON. 1913. 1 reel.

Credits: Director, James Young.

UP IN ALF'S PLACE. 1919. 2 reels.

Credits: Supervision, Mack Sennett; director, Richard Jones.

UP IN ARMS. (Dorothy Devore Comedy) 1927. 2 reels.

Credits: Written and directed by Norman Taurog.

UP IN LIGHTS. 1938. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood, Jack Henley.

UP IN MABEL'S ROOM. Released by Producers Distributing Corp. 1926. 7 reels. Adapted from the Al H. Woods stage production of the play by Wilson Collison and Otto Harbach.

Credits: Director, E. Mason Hopper; adaptation, F. McGrew Willis.

UP IN THE AIR. 1915. 1,000 ft.

Credits: J. E. Hungerford; director, Will Louis.

UP IN THE AIR. 1923. 2 reels.

Credits: Director, Tom Buckingham.

UP ON THE FARM. 1924. 2 reels.

Credits: Director, Lewis Seiler.

UP POPPED THE GHOST. 1932. 2 reels.

Credits: Director, Babe Stafford.

UP POPS THE DEVIL. 1931. 8 reels, sd. From the play by Albert Hackett and Frances Goodrich.

Credits: Director, A. Edward Sutherland; screenplay, Eve Unsell; adaptation, Arthur Kober.

UP POPS THE DUKE. (Mermaid Comedies) 1931. 20 min., sd.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley.

UP THE FLUE. 1917. 1 reel.

UP THE FLUE. (Star Comedy) 1919. 1 reel.

Credits: Producers, Eddie Lyons, Lee Moran; story, J. Grubb Alexander.

UP THE LADDER. Jewel. 1925. 7 reels. From the play by Owen Davis.

Credits: Director, Edward Sloman; scenario, Tom McNamara; adaptation, Grant Carpenter.

Credits: Produced by John L. Hawkinson.

UP THE RIVER. 1930. 8,200 ft.

Credits: Director, John Ford; editor, Frank Hull.

UP THE RIVER. 1938. 6,900 ft., sd.

Credits: Director, Alfred Werker; original story, Maurine Watkins; screenplay, Lou Breslow, John Patrick; music director, Samuel Kaylin.

UP THE ROAD WITH SALLIE. 1918. 1 reel. From the novel by Frances R. Sterrett.

Credits: Director, William D. Taylor; scenario, Julia Crawford Ivers.

AN UP-TO-DATE COURTSHIP. 1914. 1 reel.

Credits: J. Edward Hungerford; director, Charles H. France.

UP TO MARS. 1930. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

UP WITH MANPOWER. 1936. 1 reel.

THE UPHEAVAL. 1916. For the Metro program. 5 reels.

Credits: Lawrence McClosky; director, Charles Horan.

UPHILL AND DOWN. (U. F. A. Oddity) U. F. A. 1928. 1 reel, b&w.

Credits: Edited and titled by John Michael Flick.

UPHILL AND DOWN. (U. F. A. Oddity) U. F. A. 1929. 1 reel, b&w.

Credits: Edited and titled by John Michael Flick.

THE UPLAND RIDER. Presented by Charles R. Rogers. 1928. 6 reels.

Credits: Supervision, Harry J. Brown; director, Albert Rogell; story, Marion Jackson.

THE UPLIFT. 1916. 3 reels.

Credits: Written and directed by Clay M. Greene.

THE UPLIFTERS. 1919. 5 reels. Based on the Saturday Evening Post story by Wallace Irwin.

Credits: Supervision, Maxwell Karger; director, Herbert Blache; scenario, George D. Baker.

UPPER AND LOWER. Presented by Century Comedies. 1922. 2 reels.

Credits: Written and directed by Alf Goulding.

THE UPPER HAND. 1914.

Credits: Director, William Humphrey.

UPPERCUT O'BRIEN. 1929. 18 min., sd.

Credits: Supervision, Mack Sennett; director, Earl Rodney.

UPPERCUTLETS. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; story and direction, Al Boasberg; film editor, Tholen Gladden.

UPPERCUTS. 1926. 2 reels.

Credits: Director, Walter Graham.

UPPERWORLD. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1934. 8 reels.

Credits: Director, Roy Del Ruth; story, Ben Hecht; screenplay, Ben Markson.

THE UPRISING. Special Big U. 1916. 1 reel.

Credits: Producer, John L. Hawkinson.

THE UPRISING OF ANN, 1913. 1 reel.

Credits: Director, Hardee Kirkland.

UPS AND DOWNS. 1937. 2 reels, sd.

Credits: Director, Roy Mack; story, Jack Henley, Cyrus Wood.

THE UPS AND DOWNS OF MR. PHOOL PHAN. Powers. 1917. 1/2 reel.

Credits: Milt Gross.

UPS'N DOWNS. (Looney Tunes, no. 8) 1931. 1 reel, sd.

UPSTAGE. 1926. 6 reels.

Credits: Director, Monta Bell; story, Walter DeLeon; scenario, Lorna Moon; titles, Joe Farnham; film editor, Frank Sullivan.

UPSTAGE. SEE Rouged Lips.

UPSTAIRS. 1919. 5 reels. Founded on the novel by Perley Poore Sheehan.

Credits: Director, Victor Schertzinger.

UP-STAIRS AND DOWN. 1919. 5 reels. From the play by Frederic and Fanny Hatton.

Credits: Director, Charles Giblyn; scenario, Lillian Ducey.

THE UPSTART. Rolfe Photoplays, Inc. 1916. 5 reels. From the play by Thomas Barry.

UPSTREAM. 1927. 6 reels.

Credits: Director, John Ford; story, Wallace Smith; scenario, Randall H. Faye.

UPTOWN NEW YORK. KBS Film Co., Ltd. Presented by E. W. Hammons. 1932. 80 min., sd. Based on the story "Angie, Uptown Woman" by Vina Delmar.

Credits: Director, Victor Schertzinger; screenplay, Warren B. Duff.

THE UPWARD WAY. 1913. 1 reel.

Credits: Ashley Miller.

THE URCHIN. 1915. 1 reel.

Credits: Producer, John Ince.

URIAH'S SON. SEE The Necessary Evil.

US. Presented by Hal Roach. 1927. 2 reels.

Credits: Supervision, Leo McCarey; director, James Parrott; editor, Richard Currier.

US KIDS. Powers. 1916. 1 reel.

Credits: Written and produced by Lule Warrington.

USE 2,000,000 USERS. 1928. 1 reel.

USE YOUR IMAGINATION. 1933. 2 reels, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvos, Cyrus Wood.

USE YOUR NOODLE. 1931. 2 reels, sd.

Credits: Producer, Louis Brock; director, Lloyd French; story and continuity, Mauri Grashin, Lloyd French; film editor, Sam White.

USERS OF HILD FLOOR MACHINES. 1934. 1 reel, 16 mm.

THE USURER'S DUE. 1916. 2 reels.

Credits: Director, Paul Powell.

THE USURPER. 1919. 5 reels.

Credits: Director, James Young; story, I. N. Morris; scenario, Catherine Carr.

THE UTAH KID. 1930. 6 reels, sd.

Credits: Director, Richard Thorpe; story, Frank Howard Clark.

THE UTICA JUBILEE SINGERS IN A PROGRAM OF NEGRO SPIRITUALS. 1927. 1 reel.

UTILIZING OBJECTIONS. 1932. Filmstrip.

THE UTMOST ISLE. (Vagabond Adventure Series) The Van Beuren Corp. 1931. 1 reel, sd.

Credits: Supervision, Elmer Clifton.

UTOPIA. SEE Rocked to Sleep, Utopia and Squirrel Food.

VACATION DAZE. 1935. 2 reels, sd.

Credits: Director, Ralph Staub; story and screenplay, Joe Traub.

VACATION FROM LOVE. Presented by Metro-Goldwyn-Mayer. 1938. 7 reels, sd., b&w.

Credits: Producer, Orville O. Dull; director, George Fitzmaurice; original story and screenplay, Patterson McNutt, Harlan Ware; film editor, Ben Lewis; music score, Edward Ward.

Credits: Supervision, Charles E. Ford; story and description, Dempster MacMurphy; narrator, Wallace Butterworth.

VACATION LAND. SEE Friends and Enemies, Vacation Land, and Squirrel Food.

VACATION LOVES. Presented by Mack Sennett. 1930. 21 min., sd.

Credits: Director, Mack Sennett.

VACATION SPOTS. 1936. 1 reel, sd.

VACATION TIME. (Speed Comedy) Reggie Morris Productions, Inc. 1921. 2 reels.

VACATION WAVES. 1928. 2 reels.

Credits: Director, N. T. Barrows; story, T. J. Crizer, James Davis.

THE VACUUM TEST. Imp. 1915. 1 reel.

Credits: Pierre Hungate; producer, Leon D. Kent.

THE VAGABOND. 1916. 2 reels.

Credits: Produced and written by Charles Chaplin.

THE VAGABOND. 1917. 1 reel.

Credits: Producer, Frederick W. Hiller.

THE VAGABOND CUB. 1929. 6 reels.

Credits: Director, Louis King; story and continuity, Oliver Drake; film editor, Jack Kitchin.

THE VAGABOND KING. 1930. 9,413 ft., sd., color. From the play "If I Were King" by Justin Huntly McCarthy and the operetta "The Vagabond King" by William H. Post, Brian Hooker and Rudolph Friml.

Credits: Producer and director, Ludwig Berger; screen adaptation and added dialogue, Herman J. Mankiewicz.

VAGABOND LADY. (Hal Roach Feature Comedy) 1935. 8 reels, sd.

Credits: Producer and director, Sam Taylor; original screenplay, Frank Butler; film editor, Bernard Burton.

VAGABOND LOVE. Victor. 1915. 1 reel.

Credits: Producer, Norman MacDonald; scenario, L. V. Jefferson.

THE VAGABOND LOVER. Radio. 1929. 8 reels, sd.

Credits: Supervision and screenplay, James Ashmore Creelman; director, Marshall Neilan; music director, Victor Baravalle.

VAGABOND LUCK. 1919. 5 reels.

Credits: Director, Scott Dunlap; story, James Frank Tinney; scenario, Scott Dunlap, J. Anthony Roach.

THE VAGABOND TRAIL. 1924. 5 reels.

Credits: Director, William A. Wellman; story, George Owen Baxter; scenario, Doty Hobart.

VAIN JUSTICE. 1915. 2 reels.

Credits: Clinton Dangerfield.

VAL AND ERNIE STANTON IN CUT YOURSELF A PIECE OF CAKE. 1928. 1 reel, sd.

VAL AND ERNIE STANTON IN ENGLISH AS SHE IS NOT SPOKEN. 1928. 1 reel, sd.

VAL HARRIS AND ANN HOWE IN THE WILD WESTERNER. 1928. 1 reel, sd.

VAL HARRIS WITH ANN HOWE IN FAIR DAYS. 1928. 1 reel, sd.

VAL OF PARADISE. SEE North of the Rio Grande.

THE VALE OF KASHMIR. (A Rambling Reporter) 1931. 1 reel, sd.

Credits: Narrative, J. Guy Swafford.

VALENCIA. 1926. 6 reels.

Credits: Producer and director, Dimitri Buchowetzki; story, Dimitri Buchowetzki, Alice D. G. Miller; film editor, Hugh Wynn.

THE VALENTINE GIRL. 1917. 5 reels.

Credits: Director, J. Searle Dawley; story, Laura Sawyer.

VALENTINO FUNERAL AWES THOUSANDS, NEW YORK CITY. 1926. 300 ft.

THE VALIANT. Presented by William Fox. 1929. 6 reels.

Credits: Produced and directed by William K. Howard; story, Halworthy Hall, Robert Middlemass; scenario, Tom Barry.

VALIANT IS THE WORD FOR CARRIE. Presented by Adolph Zukor. 1936. 11 reels, sd. Based on the novel by Barry Benefield.

Credits: Producer and director, Wesley Ruggles; screenplay, Claude Binyon; editor, Otho Lovering; music director, Borros Morros.

THE VALIANT RIDER. 1928. 2 reels.

Credits: Director, Bruce Mitchell; story, Lola D. Moore; continuity, William Lester.

THE VALIANT TAILOR. (A ComiColor Cartoon) 1934. 1 reel, color.

THE VALIANTS OF VIRGINIA. Red Seal. 1916. 5 reels.

THE VALLEY OF BEAUTIFUL THINGS. Victor. 1917. 1 reel.

THE VALLEY OF BRAVERY. Released by F. B. O. 1926. 5 reels.

Credits: Director, Jack Nelson; story, E. Lanning Masters; continuity, Carl Krusada, James Ormont.

THE VALLEY OF CONTENT. SEE Pleasure Mad.

THE VALLEY OF DOUBT. 1920. 6 reels.

Credits: Director, Burton George; story, Willard Mack; scenario, R. Cecil Smith.

THE VALLEY OF HELL. Presented by Big Horn Ranch. 1927. 5 reels.

Credits: Director, Clifford S. Smith; story, Isadore Bernstein; editor, Richard Currier.

THE VALLEY OF HUMILIATION. 1915. 2 reels.

Credits: Director, Ulysses Davis.

THE VALLEY OF HUNTED MEN. 1928. 5 reels.

Credits: Director, Richard Thorpe; story, Harrington Strong; continuity, Frank L. Inghram.

THE VALLEY OF LOST HOPE. 1915. 4 reels.

THE VALLEY OF REGENERATION. 1915. 2 reels.

Credits: Producer, Burton King; scenario, F. McGrew Willis.

THE VALLEY OF ROGUES. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story and scenario, George Morgan.

THE VALLEY OF ROGUES. Mustang. 1925. 2 reels.

Credits: Director, Edward Laemmle; story and scenario, George Morgan.

THE VALLEY OF SILENT MEN. Rex. 1915. 2 reels.

Credits: Producer, H. C. Easton; scenario, Anthony Kelly.

THE VALLEY OF SILENT MEN. 1922. 7 reels. From the story by James Oliver Curwood.

Credits: Director, Frank Borzage.

Credits: Director, Robert F. Griggs.

THE VALLEY OF THE GIANTS. Paramount-Artcraft. Presented by Jesse L. Lasky. 1919. 5 reels. Based on the story by Peter B. Kyne.

Credits: Director, James Cruze; scenario, Marion Fairfax.

THE VALLEY OF THE GIANTS. A Charles J. Brabin Production. Presented by Richard A. Rowland. 1927. 7 reels. From the story by Peter B. Kyne.

Credits: Arthur Stone, Paul Hurst, George Fawcett; producer, Wid Gunning.

VALLEY OF THE GIANTS. 1938. 8 reels, sd., color. From the novel by Peter B. Kyne.

Credits: Director, William Keighley; screenplay, Seton I. Miller, Michael Fessier; music, Max Steiner.

THE VALLEY OF TOMORROW. 1920. 6 reels.

Credits: Director, Emmett J. Flynn; story, Stephen Fox.

Credits: Director, Neal Hart; story, Alvin J. Neitz.

THE VAMP. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Jerome Stern; story, C. Gardner Sullivan.

THE VAMP CURE. 1918. 1 reel.

Credits: Directors, Eddie Lyons, Lee Moran; scenario, Leslie T. Peacocke.

THE VAMP OF THE CAMP. Joker. 1917. 1 reel.

Credits: Tom Gibson; director, Allen Curtis.

VAMP TILL READY. (Hal Roach Comedy) (Charley Chase Comedy) 1936. 2 reels, sd., b&w.

Credits: Producer, Hal Roach; directors, Charles Parrott, Harold Law; film editor, William Ziegler.

VAMPED. Century. 1923. 2 reels.

Credits: Written and directed by Al Herman.

VAMPING BABIES. (Blue Ribbon Comedy) 1926. 2 reels.

VAMPING REUBEN'S MILLIONS. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Dick Smith.

VAMPING THE VAMP. Nestor. 1918. 1 reel.

Credits: Written and directed by Al Santell; scenario, A. F. Statter.

VAMPING VENUS. Presented by Richard A. Rowland. 1928. 7 reels.

Credits: Director, Eddie Cline; story, Bernard McConville; adaptation, Howard J. Green.

THE VAMPIRE. 1915. 5 reels.

Credits: English adaptation, W. K. Hedwig; screenplay, C. Th. Dreyer, Christen Jul.

THE VAMPIRE BAT. 1933. 7 reels.

Credits: Producer, Phil Goldstone; director, Frank Strayer; screen story, Edward T. Lowe; film editor, Otis Garrett.

A VAMPIRE OUT OF WORK. 1916. 1 reel.

Credits: Producer, S. Rankin Drew.

1. The Detective's Head. © 22Aug16; LP9504.

2. The Red Notebook. © 22Aug16; LP9505.

3. The Ghost. © 22Aug16; LP9537.

4. The Dead Man's Escape. © 22Aug16; LP9538.

5. The Eyes That Hold. © 22Aug16; LP9561.

6. Satanas. © 31Aug16; LP9583.

7. The Master of Thunder. © 31Aug16; LP9680.

8. The Poison Man. © 31Aug16; LP9801.

9. The Terrible Wedding. © 31Aug16; LP9925.

VAMPS AND SCAMPS. Century. 1921. 2 reels.

Credits: Written and directed by Jimmie Davis.

VAMPS AND VARIETY. 1919. 2 reels.

Credits: Director, Gilbert Pratt; story, Montgomery, Rock.

VAN & SCHENCK [IN] SONG, COHEN IS LIVING THE LIFE OF REILLY. (Movietone Act) 1928. 1 reel, sd.

VAN AND SCHENCK [IN] SONG, LILA. 1929. 1 reel, sd.

THE VAN BEUREN NEWS. (Sound Topics of the Day, no. 6) 1930. 1 reel, sd.

Credits: Elmer Clifton.

VANESSA. 1935. 9 reels, sd., b&w. From the book by Hugh Walpole.

Credits: Producer, David O. Selznick; director, William K. Howard; screenplay, Hugh Walpole, Lenore Coffee; adaptation, Lenore Coffee; film editor, Frank E. Hull; music score, Herbert Stothart.

THE VANISHING AMERICAN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 9,916 ft. From the novel by Zane Grey.

Credits: Director, George B. Seitz; screenplay, Ethel Doherty; adaptation, Lucien Hubbard.

THE VANISHING DAGGER. 1920. 2 reels each. © Universal Film Mfg. Co., Inc.

Credits: Directors, Eddie Polo, Edward Kull; story, Hope Loring, Jacques Jaccard, Milton Moore; scenario, Hope Loring, George W. Pyper.

1. The Scarlet Confession. © 22May20; LP15147.

2. The Night of Terror. © 22May20; LP15148.

3. In Death's Clutches. © 22May20; LP15149.

4. On the Trail of the Dagger. © 8Jun20; LP15232.

5. The End of the Rustlers. © 9Jun20; LP15240.

6. A Terrible Calamity. © 29Jun20; LP15325.

7. Plunged to His Doom. © 29Jun20; LP15326.

8. In Unmerciful Hands. © 15Jul20; LP15357.

9. Ferocious Foes. © 21Jul20; LP15379.

10. When London Sleeps. © 3Aug20; LP15429.

11. A Race to Scotland. © 6Aug20; LP15417.

12. An Evil Plot. © 14Aug20; LP15442.

13. Spears of Death. © 25Aug20; LP15489.

14. Walls of Doom. © 28Aug20; LP15509.

15. The Great Pendulum. © 3Sep20; LP15510.

16. Beneath the Sea. © 14Sep20; LP15549.

17. Beasts of the Jungle. © 17Sep20; LP15563.

18. Silver Linings. © 25Sep20; LP15581.

THE VANISHING FRONTIER. 1932. 7 reels.

Credits: Director, Philip E. Rosen; story and screenplay, Stuart Anthony.

THE VANISHING GANGSTERS. 1936. 5 reels, sd.

THE VANISHING PIONEER. 1928. 6 reels.

Credits: Director, John Waters; story, Zane Grey; scenario, J. Walter Ruben; adaptation, John Goodrich, Ray Harris.

A VANISHING RACE. 1917. 1 reel.

THE VANISHING RACE OF THE LAPLANDERS. SEE Life in Lapland.

THE VANISHING RIDER. 1927-28. 2 reels each. © Universal Pictures Corp.

Credits: Director, Ray Taylor; story, George H. Plympton; scenario, Val Cleveland.

1. The Road Agent. © 10Dec27; LP24756.

2. Trapped. © 10Dec27; LP24757.

3. A Fight for Life. © 10Dec27; LP24758.

4. Brother Against Brother. © 17Jan28; LP24887.

5. The Wings of Fury. © 23Jan28; LP24913.

6. The False Message. © 23Jan28; LP24914.

7. The Waters of Death. © 31Jan28; LP24947.

8. The Bargain of Fear. © 9Feb28; LP24986.

9. The Last Stand. © 16Feb28; LP24998.

10. Vengeance. © 27Feb28; LP25020.

VANISHING SCREAMS. (Krazy Kat) 1929. 1 reel.

Credits: Animation, Ben Harrison, Manny Gould.

THE VANISHING SHADOW. 1934. 2 reels each. © Universal Pictures Corp.

Credits: Director, Louis Friedlander; story, Ella O'Neill; screenplay, Het Manheim, Basil Dickey, George Morgan.

1. Accused of Murder. © 5Apr34; LP4596.

2. The Destroying Ray. © 16Apr33; LP4619.

3. The Avalanche. © 19Apr34; LP4627.

4. Trapped. © 24Apr34; LP4637.

5. Hurled from the Sky. © 2May34; LP4661.

6. Chain Lightening. © 15May34; LP4690.

7. The Tragic Crash. © 23May34; LP4708.

8. The Shadow of Death. © 31May34; LP4737.

9. Blazing Bulkheads. © 6Jun34; LP4753.

10. The Iron Death. © 12Jun34; LP4764.

11. The Juggernaut. © 20Jun34; LP4780.

12. Retribution. © 28Jun34; LP4798.

Credits: Producer, William N. Selig; director, Leon de La Mothe; story and scenario, William E. Wing.

1. The Midnight Mystery.

2. Silent Joe's Death Warrant.

3. The Dreadful Scourge.

4. Vengeance.

5. Death Pursues.

6. The Brand of Hate.

7. Death Shadows.

8. The Dare-Devil.

9. A Livid Fate.

10. The Mansion of Mystery.

11. Rails of Destruction.

12. The Final Hour.

13. The Death Trap.

14. For Murder.

15. Unmasked.

THE VANISHING VAULT. 1915. 1 reel.

Credits: Director, Lee Beggs.

THE VANISHING VILLAIN. 1927. 2 reels.

Credits: Producer, Charley Bowers; directions, Charley Bowers, H. L. Muller; story, Charley Bowers, H. L. Muller, Ted Sears.

THE VANISHING WOMAN. (Is Marriage Sacred?) 1917. 29 min.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

VANITY. Rex. 1915. 2 reels.

Credits: Producer, Joseph De Grasse; scenario, Ida M. Parke.

VANITY. Produced for the Metro Program. 1916. 5 reels.

Credits: Director, John B. O'Brien; story, Aaron Hoffman; scenario, Wallace C. Clifton.

VANITY. De Mille Pictures Corp. Presented by C. Gardner Sullivan. Released by Producers Distributing Corp. 1927. 6 reels.

Credits: Producer and director, Donald Crisp; supervision, C. Gardner Sullivan; adaptation, continuity, and screenplay, Douglas Doty.

VANITY. 1930. 1 reel.

VANITY AND SOME SABLES. 1917. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, John Robertson; adaptation, Will Courtney.

THE VANITY CASE. 1914. 2 reels.

Credits: Director, Theodore Marston.

VANITY FAIR. 1915. 7 reels. Based on the story by William M. Thackeray.

VANITY FAIR. 1923. 8 reels. From the story by William Makepeace Thackeray.

VANITY FAIR. SEE Becky Sharp.

THE VANITY POOL. 1918. 6 reels.

Credits: Scenario and direction, Ida May Park; story, Nalbro Bartley.

VANITY STREET. 1932. 7 reels, sd.

Credits: Director, Nicholas Grinde; story, Frank Cavett, Edward Roberts; screenplay, Gertrude Purcell.

VANITY, THY NAME IS ...? Imp. 1916. 2 reels.

VANITY'S PRICE. Released by F. B. O. 1924. 6 reels.

Credits: Director, R. William Neil; story and scenario, Paul Bern.

THE VAN THORNTON DIAMONDS. 1915. 2 reels.

Credits: Director, F. J. Grandon.

VARIETY. 1926. 6 reels.

Credits: Written and directed by E. A. Dupont.

THE VARMINT. 1917. 5 reels. From the novel by Owen Johnson.

Credits: Director, William D. Taylor; scenario, Gardiner Hunting.

VARSITY. 1928. 5,802 ft.

Credits: Producer and director, Frank Tuttle; story, Wells Root; screenplay, Howard Eastabrook.

VARSITY SHOW. 1937. 13 reels, sd.

Credits: Director, William Keighley; original story, Warren Duff, Sig Herzig, screenplay, Jerry Wald, Richard Macaulay, Sig Herzig, Warren Duff; music and lyrics, Dick Whiting, Johnny Mercer.

THE VARSITY THREE—BLUE STREAKS OF RHYTHM. 1929. 1 reel, sd.

THE VARSITY VAMP. SEE Mike Ames in The Varsity Vamp.

THE VASES OF HYMEN. 1914. 1 reel.

Credits: Director, George D. Baker.

VAUDE-FESTIVAL. (Big Time Vaudeville) 1937. 10 min., sd.

VAUDEVILLE DAYS. Mentone. 1934. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

VAUDEVILLE HITS. 1937. 1 reel, sd.

A VAUDEVILLE INTERLUDE. (Vitaphone Variety) 1938. 10 min., sd.

VAUDEVILLE IS BACK. 1936. 1 reel.

VAUDEVILLE ON PARADE. Mentone. 1934. 2 reels, sd.

Credits: Direction and story, Milton Schwarzwald.

VAUDEVILLE REEL. 1935. 1 reel each, sd. © The Vitaphone Corp.

1. © 8Jun35; LP5595.

2. © 18Mar35; LP5400.

3. © 22Jun35; LP5625.

THE VAUD-O-MAT. Mentone. 1936. 2 reels, sd.

Credits: Story and direction, Milton Schwarzwald; scenario, Wez Fraser.

VAUD-VILLIANS. 1936. 1 reel, sd.

THE VAVASOUR BALL. 1913. 2 reels.

Credits: Director, Van Dyke Brooke; picturized by Marguerite Bertsch.

LA VEGLIONE. SEE Her Beloved Villain.

THE VEILED ADVENTURE. Presented by Lewis J. Selznick. 1919. 5 reels.

Credits: Director, Walter Edwards; scenario, Julia Crawford Ivers.

THE VEILED MARRIAGE. 1919. 5 reels.

Credits: Director, Kenean Buel; story, James L. Burke; scenario, John J. Glavey.

THE VEILED MYSTERY. 1920. 2 reels each. © The Vitagraph Co. of America.

Credits: Directors, F. J. Grandon, Webster Cullison, William J. Bowman; story, Albert E. Smith, Cleveland Moffett; scenario, Graham Baker; picturized by William B. Courtney.

1. The Menace. © 31Aug20; LP15498.

2. The Quicksand. © 31Aug20; LP15499.

3. The Sea Demon. © 21Aug20; LP15500.

4. Trapped in Mid-Air. © 2Oct20; LP15634.

5. The Well of Despair. © 2Oct20; LP15629.

6. The Fiery Furnace. © 2Oct20; LP15635.

7. Human Targets. © 9Oct20; LP15675.

8. The Span of Death. © 15Oct20; LP15680.

9. A Slide for Life. © 2Nov20; LP15763.

10. A Demon's Device. © 9Nov20; LP15789.

11. The Smoke of Doom. © 16Nov20; LP15807.

12. A Climax of Hate. © 24Nov20; LP15846.

13. The Sinister Stroke. © 28Nov20; LP15855.

14. The Veil's Secret. © 24Dec20; LP15961.

15. The Accounting. © 28Dec20; LP15974.

THE VEILED WOMAN. 1929. 6 reels.

Credits: Director, Emmett Flynn; story, Julio De Moraes; scenario, Douglas J. Doty.

VELMA. SEE Human Driftwood.

VELOCITY. (Bray Novelty) Bray Studios. 1926. 1 reel.

Credits: Editor, Don Carlos Ellis.

VELOCITY OF CHEMICAL REACTIONS. Erpi Picture Consultants, Inc. 1938. 1 reel.

1. To Catch a Thief. © title, descr. & 60 prints, 10Nov20; LU15776.

2. The Face Behind the Curtain. © title, descr. & 40 prints, 10Nov20; LU15777.

3. The Hand from Behind the Door. © title, descr. & 40 prints, 10Nov20; LU15778.

4. The Man in the Blue Spectacles. © title, descr. & 40 prints, 10Nov20; LU15779.

5. The Deserted Pavilion. © title, descr. & 40 prints, 10Nov20; LU15780.

6. Unmasked. © title, descr. & 40 prints, 10Nov20; LU15781.

7. The House of a Thousand Veils. © title, descr. & 40 prints, 10Nov20; LU15782.

8. Aiming Straight. © title, descr. & 40 prints, 10Nov20; LU15783.

9. The Broken Necklace. © title, descr. & 40 prints, 2Mar21; LU16203.

10. Shots in the Dark. © title, descr. & 40 prints, 2Mar21; LU16204.

11. The Other Woman. © title, descr. & 40 prints, 2Mar21; LU16205.

12. Into Ambush. © title, descr. & 40 prints, 2Mar21; LU16206.

13. The Hidden Room. © title, descr. & 40 prints, 2Mar21; LU16207.

14. The Trap. © title, descr. & 40 prints, 2Mar21; LU16208.

15. Out of the Web. © title, descr. & 40 prints, 2Mar21; LU16209.

THE VELVET HAND. 1918. 5 reels.

Credits: Director, Douglas Gerrard; story, Edith Bernard Delano.

Credits: Director, Maurice Tourneur; story, Paul West; scenario, Gardner Hunting.

Prologue. © title, descr. & 78 prints, 12Jul19; LU13951.

1. The Vineyard. © title, descr. & 339 prints, 12Jul19; LU13952.

2. The Vintage Vat. © title, descr. & 218 prints, 12Jul19; LU13953.

VENDETTA. 1914. 5 reels. From the novel by Marie Corelli.

VENDETTA. 1921. 6 reels.

Credits: Director, Ernst Lubitsch; scenario, George Jacoby, Leo Lasto.

VENDETTA. (Kendall-DeVally Operalogue) Released by Educational Film Exchanges, Inc. 1932. 20 min., sd. Suggested by "Cavalleria Rusticana" by Giovanni Verga.

Credits: Supervision, Antoine DeVally; director, Lew Seiler.

VENDETTA IN A HOSPITAL. L-Ko. 1915. 2 reels.

VENETIAN MOONLIGHT. (Nu-Atlas Musical) Presented by RKO Radio Pictures, Inc. 1938. 11 min., sd.

Credits: Director, Milton Schwarzwald.

VENETIAN NIGHTS. (Vagabond Adventure Series, no. 9) Produced by Van Beuren Corp. 1930. 1 reel, sd.

Credits: Supervision, Elmer Clifton, Alfred Mannon; director, Tom Terriss.

VENETIAN NIGHTS. 1934. 6 reels, sd.

Credits: Director, Herbert Wilcox.

VENETIANISCHE NACHT. SEE Venetian Night.

VENGEANCE. 1915. 3 reels.

Credits: Director, Travers Vale.

VENGEANCE. 1930. 7 reels, sd.

Credits: Producer, Harry Cohn; director, Archie Mayo; story, Ralph Graves; continuity and dialogue, F. Hugh Herbert.

VENGEANCE. 1930. 1 reel.

Credits: Director, Leon De La Mothe; story, William E. Wing.

VENGEANCE AND THE WOMAN. 1917-18. 2 reels each. © Vitagraph Co. of America.

Credits: Director, William Duncan; story, Albert E. Smith, Cyrus Townsend Brady; picturized by Garfield Thompson, Edward J. Montagne.

1. The Oath. © 28Nov17; LP11755.

2. Loaded Dice. © 28Nov17; LP11756.

3. The Unsealed Peak. © 28Nov17; LP11757.

4. The Signalling Cipher. © 22Dec17; LP11875.

5. The Plunge of Destruction. © 9Jan18; LP11912.

6. The Lure of Hate. © 2Jan18; LP11892.

7. The Wolf Trap. © 10Jan18; LP11932.

8. The Mountain of Devastation. © 22Jan18; LP11983.

9. Buried Alive. © 28Jan18; LP11995.

10. The Leap for Life. © 2Feb18; LP12020.

11. The Cavern of Terror. © 15Feb18; LP12075.

12. The Desperate Chance. © 19Feb18; LP12089.

13. Sands of Doom. © 28Feb18; LP12117.

14. The Hand of Fate. © 15Mar18; LP12182.

15. The Reckoning. © 18Mar18; LP12198.

Credits: Producer, Colin Campbell.

THE VENGEANCE OF DURAND; or, THE TWO PORTRAITS. 1917.

Credits: Story, Rex Beach.

THE VENGEANCE OF DURAND. 1919. 7 reels.

Credits: Director, Tom Terriss; story, Rex Beach; scenario and editing, Mr. and Mrs. George Randolph Chester.

THE VENGEANCE OF GUIDO. Powers. 1915. 1 reel.

Credits: Harvey Gates; producer, Lynn Reynolds.

THE VENGEANCE OF RANNAH. 1915. 2 reels.

Credits: Director, Thomas Santschi.

VENGEANCE OF THE LORD. SEE Bars of Hate.

VENGEANCE OF THE OPPRESSED. 1915. 3 reels.

Credits: Producer, Edward Sloman.

Credits: Producer, Henry McRae; scenario, James Dalton.

THE VENGEANCE OF THE WEST. 1917. 5 reels.

Credits: Direction and story, Joseph De Grasse; scenario, Bess Meredyth.

Credits: Written and produced by Big Otto; photographed by B. L. James.

YE VENGEFUL VAGABONDS. 1914. 2,000 ft.

Credits: Producer, Edw. J. LeSaint.

VENICE OF THE NORTH. (World on Parade, no. 7) 1936. 1 reel.

Credits: Text, Harold McCracken; narration, Alois Havrilla.

VENICE VAMP. (Aesop's Sound Fable) 1932. 7-1/2 min., sd.

Credits: John Foster, Mannie Davis.

VENITA GOULD, FAMOUS STAR IMPERSONATOR, ACCOMPANIED BY THE VITAPHONE SYMPHONY ORCHESTRA, OFFERS: A. WAY DOWN YONDER IN NEW ORLEANS [and others]. 1927. 1 reel, sd.

THE VENTURERS. 1917. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, Will Courtney.

VENUS. United Artists. Presented by Mercanton & Co. 1929. 8 reels. From the novel by Jean Vignaud.

Credits: Producer, Louis Mercanton.

VENUS IN THE EAST. Paramount. Presented by Jesse L. Lasky. 1918. 5 reels.

Credits: Director, Donald Crisp; story, Wallace Irwin; scenario, Gardner Hunting.

VENUS MAKES TROUBLE. 1937. 6 reels, sd.

Credits: Associate producer, Wallace MacDonald; director, Gordon Wiles; story and screenplay, Michael L. Simmons; film editor, James Sweeney; music director, Morris Stoloff.

THE VENUS MODEL. 1918. 5 reels.

Credits: H. R. Durant; director, Clarence G. Badger.

VENUS OF VENICE. First National. 1927. 7 reels.

Credits: Director, Marshall Neilan; screen story, Wallace Smith.

Credits: Director, G. M. Anderson.

THE VERDICT. 1922. 2 reels.

Credits: Producer, Albert Russell; story and scenario, George Morgan.

Credits: Director, Neal Hart.

VERGE OF DISASTER. (Your True Adventures) 1939. 11 min., sd.

Credits: Director, Joseph Henabery; screenplay, Burnet Hershey.

VERGLEICHEN DES BALKAN BRANDES. SEE The Balkan Traitors.

VERHANGNISSE. SEE The Sisters (Geschwister).

THE VERMILION PENCIL. 1922. 5 reels. From the story by Homer Lea.

Credits: Director, Norman Dawn; scenario, E. W. Guyol, A. Catlin.

VERMONT'S MAPLE INDUSTRY. 1935. 2 reels, 16 mm.

VERNON HOWE BAILEY'S SKETCH BOOK AND SCENES TAKEN IN THE CANADIAN ROCKIES. 1915. 1 reel.

VERNON HOWE BAILEY'S SKETCH BOOK OF BERLIN. 1916. Split reel.

VERNON HOWE BAILEY'S SKETCH BOOK OF BOSTON. 1916. Split reel.

VERNON HOWE BAILEY'S SKETCH BOOK OF CHICAGO. 1916. 1/2 reel.

VERNON HOWE BAILEY'S SKETCH BOOK OF LONDON. 1916. Split reel.

VERNON HOWE BAILEY'S SKETCH BOOK OF NEW ORLEANS. 1916. Split reel.

VERNON HOWE BAILEY'S SKETCH BOOK OF PARIS. 1916. Split reel.

VERNON HOWE BAILEY'S SKETCH BOOK OF PETROGRAD. 1916. Split reel.

VERNON HOWE BAILEY'S SKETCH BOOK OF PHILADELPHIA. 1916. Split reel.

VERNON HOWE BAILEY'S SKETCH BOOK OF ROME. 1916. Split reel.

VERNON HOWE BAILEY'S SKETCH BOOK OF ST. LOUIS. 1916. Split reel.

VERNON HOWE BAILEY'S SKETCH BOOK OF SAN FRANCISCO. 1916. Split reel.

VERNON HOWE BAILEY'S SKETCH BOOK OF WASHINGTON. 1916. Split reel.

VERNON THE BOUNTIFUL. Black Cat. 1917. 28 min.

Credits: Director, Fred E. Wright; story, Charles J. McQuirk.

VERNON'S AUNT. 1930. 2 reels.

Credits: Director, Harry Edwards.

A VERSATILE VILLAIN. 1915.

Credits: Producer, Mack Sennett.

VERSATILITY. (A Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

VERSE AND WORSE. 1921. 2 reels.

Credits: Directors, Ray Enright, George Gray.

VERSUS SLEDGE HAMMERS. 1915. 1 reel.

THE VERY BAD MAN. 1924. 1 reel.

Credits: Director, Slim Summerville.

VERY CLOSE VEINS. 1934. 2 reels, sd.

Credits: Director, Ralph Staub; story, Jack Henley, Dolph Singer.

VERY CONFIDENTIAL. Presented by William Fox. 1927. 6 reels.

Credits: Director, James Tinling; story, James Kevin McGuinness, Randall H. Faye; scenario, Randall H. Faye.

A VERY GOOD YOUNG MAN. Presented by Jesse L. Lasky. Paramount. 1919. 5 reels.

Credits: Director, Donald Crisp; story, Martin Brown, Robert Housum; scenario, Walter Woods.

A VERY HONORABLE GUY. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1934. 6 reels, sd.

Credits: Director, Lloyd Bacon; story, Damon Runyon; screenplay, Earl Baldwin.

THE VERY IDEA. 1920. 6 reels.

Credits: Director, Lawrence C. Windom; story, William Le Baron; scenario, S. E. V. Taylor.

THE VERY IDEA. Radio. 1929. 6,150 ft.

Credits: William Le Baron; supervision, Miles Connolly; pictorial director, Richard Rosson; stage director, Frank Craven.

THE VERY IDEA. Radio. 1929. 6,150 ft.

Credits: William Le Baron; supervision, Miles Connolly; pictorial director, Richard Rosson; stage director, Frank Craven.

VERY TRULY YOURS. 1922. 5 reels.

Credits: Director, Harry Beaumont; story, Hannah Hinsdale; scenario, Paul Schofield.

VESSEL OF WRATH. SEE The Beachcomber.

THE VEST WITH A TALE. (Mermaid Comedies) Larry Kent Productions, Inc. 1932. 22 min., sd.

Credits: Director, Aubrey Scotto; story, Tom Howard; dialogue staged by Max E. Hayes.

VESTIBULAR TESTS. 1929. 1 reel.

VIA EXPRESS. 1931. 1 reel, sd.

Credits: Director, Howard Bretherton; story, Tom Howard; dialogue staged by Max E. Hayes.

VIC DYSON PAYS. 1925. 5 reels.

Credits: Director, Jacques Jaccard; story, William E. Wing.

THE VICE OF FOOLS. 1920. 5 reels.

Credits: Director, Edward Griffith; story, Francis James; scenario, C. Graham Baker.

THE VICE SQUAD. 1931. 8 reels, sd.

Credits: Director, John Cromwell; story, Oliver H. P. Garrett.

Credits: Producer, Maurice Elbey.

VICKY VAN. Paramount. Presented by Jesse L. Lasky. 1919. 5 reels. From the story by Carolyn Wells.

Credits: Director, Robert Vignola; scenario, Marion Fairfax.

THE VICTIM. 1916. For the Fox Film Corp. 5 reels.

Credits: Written and directed by William Davis.

THE VICTIM. 1917. 9 reels. Based on the novel "A Victim to the Seal of Confession" by Rev. Joseph Spillmann.

Credits: Director, Joseph Levering; adaptation, O. E. Goebel.

A VICTIM TO THE SEAL OF CONFESSION. SEE The Victim.

Credits: Written and produced by Martha Russell.

THE VICTIMS OF REVENGE. SEE The Prisoner of the Owls.

THE VICTOR. 1923. 5 reels.

Credits: Director, Edward Laemmle; story, Gerald Beaumont.

VICTORIA AND VANCOUVER, GATEWAYS TO CANADA. (A James A. FitzPatrick Traveltalk) 1936. 812 ft., sd., color.

Credits: Director, Benjamin D. Sharpe; compiled by James A. FitzPatrick.

THE VICTORIA CROSS. Released by Paramount Pictures Corp. 1916. 5 reels.

Credits: Producer, E. J. LeSaint; story, Paul Potter.

VICTORIA THE GREAT. Imperator Film Productions, Ltd., London. 1937. 12 reels, sd., b&w, color sequences. Based on the life of Victoria, queen of Great Britain.

Credits: Producer and director, Herbert Wilcox; scenario and dialogue, Miles Malleson, Charles de Grandcourt; editors, James Elmo Williams, Jill Irving; music director, Muir Mathieson; music score, Anthony Collins.

THE VICTORIOUS BATTLE FOR THE CONQUEST OF MERGHEB, AFRICA. 1912.

THE VICTORIOUS JOCKEY. 1915. On the same reel with "Dog-Gone Luck."

VICTOR'S AT SEVEN. 1915. 3 reels.

Credits: Producer, C. Jay Williams.

VICTORY. Paramount-Artcraft. 1919. 2 reels. From the story by Joseph Conrad.

Credits: Producer, Maurice Tourneur; scenario, Stephen Fox.

VICTORY. SEE The Americans Come.

VICTORY MOUNTAIN PARK. (Paramount-Post Nature Pictures) 1920. 1 reel.

THE VICTORY OF CONSCIENCE. 1916. 5 reels. From the story by Alexandro de Jannelli.

Credits: Margaret Turnbull.

VICTORY PLAYS. 1932. 1 reel.

Credits: Direction and dialogue, Al Martin.

LA VIE DE BOHÈME. SEE Mimi.

THE VIENNESE CHARMER. SEE Street Girl.

VIENNESE MEDLEY. SEE The Greater Glory.

VIENNESE NIGHTS. 1930. 11 reels. From the play by Oscar Hammerstein II.

Credits: Director, Alan Crosland; music, Sigmund Romberg.

VIEWING SHERMAN INSTITUTE FOR INDIANS AT RIVERSIDE, CAL. 1915.

THE VIGILANTES ARE COMING. 1936. 2 reels each, except no. 1 which is 3 reels, sd.

Credits: Producer, Nat Levine; supervision, J. Laurence Wickland; directors, Mack V. Wright, Ray Taylor; original story, Maurice Geraghty, Leslie Swabacker; screenplay, John Rathmell, Maurice Geraghty, Winston Miller.

THE VIKING. Presented by Herbert T. Kalmus. 1929. 9 reels, color. Based on the novel "The Thrall of Leif the Lucky" by Ottilie A. Liljencrantz.

Credits: Producer, Herbert T. Kalmus; director, R. William Neill; story and screenplay, Jack Cunningham; film editor, Aubrey Scotto.

THE VIKING. 1931. 8 reels, sd.

THE VIKING QUEEN. 1914. 2 reels.

Credits: Mary Fuller; director, Walter Edwin.

THE VILLAGE BARBER. (A Flip the Frog Cartoon) 1931. 1 reel.

THE VILLAGE BLACKSMITH. 1916. 3 reels.

Credits: Supervision, Mack Sennett; director, Hank Mann.

THE VILLAGE BLACKSMITH. 1922. 8 reels. Suggested by the poem by Henry Wadsworth Longfellow.

Credits: Director, Jack Ford; adaptation, Paul H. Sloane.

THE VILLAGE BLACKSMITH. (Paul Terry Toons) Educational Pictures. Presented by E. W. Hammons. 1933. 518 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

THE VILLAGE BLACKSMITH. (A Terry-Toon) Presented by Paul Terry. 1938. 1 reel, sd.

Credits: Director, Mannie Davis; story, John Foster; music, Philip A. Scheib.

THE VILLAGE CHESTNUT. 1918. 2 reels.

Credits: Directors, Walter Wright, Ray Griffith.

THE VILLAGE CUT UP. Bluebird. 1926. 1 reel.

Credits: Director, George Summerville.

THE VILLAGE CUT-UP. SEE Putting It Over.

THE VILLAGE HOMESTEAD. 1915. 3,000 ft.

A VILLAGE SCANDAL. 1914. 1 reel.

Credits: Written and directed by Charles M. Seay.

Credits: Producer, Mack Sennett.

THE VILLAGE SCANDAL. 1915. 2 reels.

Credits: Supervision, Mack Sennett; director, Roscoe Arbuckle.

THE VILLAGE SHEIK. 1922. 2 reels.

Credits: Director, Al St. John.

THE VILLAGE SLEUTH. 1920. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Jerome Storm; story, Agnes Christine Johnston.

THE VILLAGE SMITHY. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, C. J. Badger.

THE VILLAGE SMITHY. 1919. 2 reels.

Credits: Director, Richard Jones.

THE VILLAGE SMITHY. (Looney Tunes) 1936. 1 reel.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Sid Sutherland, Cecil Surry; musical direction, Carl W. Stalling.

THE VILLAGE SMITTY. (A Flip the Frog Cartoon) 1931. 1 reel.

THE VILLAGE SPECIALIST. (Flip the Frog Cartoon) 1932. 1 reel.

VILLAGE TALE. Presented by Radio Pictures. 1935. 9 reels, sd. From the novel by Phil Strong.

Credits: Director, John Cromwell; screenplay, Allan Scott; editor, William Morgan; musical director, Alberto Colombo.

A VILLAGE VAMPIRE. 1916. 2 reels.

A VILLAGE VENUS. 1919. 2 reels.

Credits: Director, Fred Fishback.

Credits: Written and worked out by James O. Walsh, Joseph A. Richmond, and Rex A. Taylor.

THE VILLAINOUS UNCLE. 1914. 1 reel.

A VILLAINOUS VILLAIN. 1916. 1 reel.

Credits: Producer, Lawrence Semon.

A VILLAIN'S BROKEN HEART. (Rainbow Comedy) 1920. 2 reels.

Credits: Director, J. A. Howe.

THE VILLAIN'S CURSE. (Paul Terry-Toons) Educational Film Exchanges, Inc. 1932. 6 min.

Credits: Frank Moser, Paul Terry.

THE VILLAIN STILL PURSUED HER. (Terrytoons) Presented by E. W. Hammons. 1937. 1 reel, sd.

Credits: Paul Terry; scored and conducted by Philip A. Scheib.

VIM, VIGOR, AND VITALIKY. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

Credits: Director, Edwin L. Hollywood; adaptation, William Basil Courtney.

VINCENT LOPEZ AND HIS ORCHESTRA. 1936. 1 reel, sd.

Credits: Director, Joseph Henabery.

VINCENT LOPEZ AND HIS ORCHESTRA. (Melody Master) 1939. 10 min., sd.

Credits: Director, Joseph Henabery.

VINCENT LOPEZ AND HIS ORCHESTRA IN A NIGHT CLUB SCENE, HELLO BLUEBIRD [and others] 1927. 1 reel, sd.

VINCENT LOPEZ AND ORCHESTRA. 1934. 1 reel, sd.

Credits: Director, Joseph Henabery.

VINCENT LOPEZ HIMSELF IN ON THE AIR. (Movietone Act) 1929. 1 reel, sd.

VINCENT LOPEZ [IN] SONGS: DOLL DANCE [and others]. (Movietone Act) Presented by Metro Movietone. 1928. 1 reel, sd.

VINCENT ROSE AND JACKIE TAYLOR AND THEIR HOLLYWOOD MONTMARTRE ORCHESTRA. 1928. 1 reel each.

THE VINDICATION. 1915. 1 reel.

THE VINEGAR TREE. SEE Should Ladies Behave.

VIOLENT IS THE WORD FOR CURLY. 1938. 2 reels, sd.

Credits: Director, Charley Chase; story and screenplay, Al Giebler, Elwood Ullman.

VIOLETS IN SPRING. 1936. 2 reels, sd., b&w.

Credits: Director, Kurt Neumann; story and music, Val Burton, Will Jason, Stanley Rauh; vocal and orchestral arrangements, Leo Arnaud, George Bassman.

THE VIOLIN MAKER. Victor. 1915. 1 reel.

Credits: Producer, Lon Chaney; scenario, Milton M. Moore.

THE VIOLIN OF M'SIEUR. 1914. 2 reels.

Credits: Director, James Young.

VIRGIN LIPS. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, Elmer Clifton; story, Charles Beahan, Harvey Thew; continuity, Dorothy Howell.

THE VIRGIN OF PARIS. SEE Sophy of Kravonia.

THE VIRGIN OF STAMBOUL. Jewel. 1920. 7 reels.

Credits: Director, Tod Browning; story, H. H. Van Loan; scenario, Tod Browning, W. Parker.

A VIRGIN PARADISE. 1921. 8 reels.

Credits: Director, J. Searle Dawley; story, Hiram Percy Maxim.

THE VIRGIN QUEEN. Presented by Herbert T. Kalmus. 1928. 2 reels, sd., color. Based on an incident in the life of Sir Walter Raleigh.

Credits: Producer, Herbert T. Kalmus; supervision, Aubrey Scotto; director, R. William Neill; scenario, Leon Abrams.

VIRGINIA. Rex. 1916. 1 reel.

Credits: Producer, Cleo Madison; story, Ida M. Evans; scenario, Harvey Gates.

A VIRGINIA COURTSHIP. 1921. 5 reels. From the play by Eugene W. Presbrey.

Credits: Director, Frank O'Connor; scenario, Edfrid A. Bingham.

THE VIRGINIA JUDGE. Presented by Adolph Zukor. 1935. 7 reels.

Credits: Producer, Charles R. Rogers; director, Edward Sedgwick; original story, Octavus Roy Cohen, Walter C. Kelly; screenplay, Henry Johnson; adaptation, Frank R. Adams, Inez Lopez; film editor, Richard Currier.

THE VIRGINIA JUDGE. SEE Walter C. Kelly—The Virginia Judge.

A VIRGINIA ROMANCE. 1916. 2 reels.

Credits: Charles A. Taylor; director, Charles Belmore.

VIRGINIA, THE OLD DOMINION. 1932. 978 ft.

THE VIRGINIAN. Presented by B. P. Schulberg. 1923. 8 reels. From the novel by Owen Wister and the play by Owen Wister and Kirke LaShelle.

Credits: Producer, Tom Forman; adaptation, Hope Loring, Louis D. Lighton.

THE VIRGINIAN. 1929. Si. & 7,407 ft., sd. Based on the novel by Owen Wister.

Credits: Director, Victor Fleming; story, Owen Wister, Kirke LaShelle; adaptation, Howard Estabrook.

VIRGINS OF BALI. Presented by William M. Pizor. 1932. 5 reels, sd.

Credits: Producer and narrator, Deane H. Dickason; story, Deane H. Dickason.

A VIRGIN'S SACRIFICE. 1922. 5 reels.

Credits: Director, Webster Campbell; scenario, William B. Courtney.

VIRTUE. 1932. 7 reels, sd.

Credits: Director, Edward Buzzell; story, Ethel Hill; screenplay, Robert Riskin.

VIRTUE TRIUMPHANT. 1916. 3 reels.

Credits: Director, Robert Daily.

THE VIRTUOUS HUSBAND. 1931. 8 reels. From the play "Apron Strings" by Dorrance Davis.

Credits: Director, Vin Moore; screenplay, Dale Van Every; adaptation, Edward Luddy, C. Jerome Horwin; dialogue, Fred Niblo, Jr.

VIRTUOUS HUSBANDS. 1919. 2 reels.

Credits: Director, J. G. Blystone.

Credits: Picturized and directed by Albert Capellani.

THE VIRTUOUS OUTCAST. 1920. 5 reels. Adapted from "Faith."

Credits: Written and directed by James Kirkwood.

THE VIRTUOUS SIN. 1930. 7,238 ft. From the story "A Tabornok" ("The General") by Lajos Zilahy.

Credits: Directors, Louis Gasnier, George Cukor; screenplay, Martin Brown; scenario, Louise Long.

Credits: Director, Emmett J. Flynn.

THE VIRTUOUS THIEF. 1919. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Fred Niblo; story, C. Gardner Sullivan.

Credits: Producers, John Emerson, Anita Loos; director, David Kirkland; technical director, Willard Reineck.

THE VIRTUOUS VAMP. 1919. 5 reels. Adapted from the play "The Bachelor" by Clyde Fitch.

Credits: Producers, John Emerson, Anita Loos; director, David Kirkland; technical director, Willard Reineck.

VIRTUOUS WIVES. First National. 1918. 6 reels. From the novel by Owen Johnson, originally published in Cosmopolitan Magazine.

Credits: Scenario and direction, George Loane Tucker.

VIRTUOUS WIVES. 1921. 6 reels. Adapted from the novel by Owen Johnson.

Credits: Producer, Louis B. Mayer; director, George Loane Tucker.

THE VISION. Educational. Presented by Eugene H. Roth. 1926. 2 reels, color. Suggested by the famous painting "Speak! Speak!" by Sir John Millais.

Credits: Written and directed by Arthur Maude.

THE VISION OF THE SHEPHERD. 1915. 2 reels.

Credits: Director, Colin Campbell.

VISIONS OF SPAIN, FEATURING LINA BASQUETTE WITH SAM ASH AND ACCOMPANIED BY THE VITAPHONE SYMPHONY ORCHESTRA, ARTHUR KAY, CONDUCTING: A. CAPRICCIO ESPAGNOLA [and others] 1927. 1 reel.

A VISIT TO THE SOUTH SEAS. 1934. 1 reel, sd.

Credits: Editor, Bert Frank.

A VISIT TO WEST POINT. SEE The Fortune Telling Racket.

VISITING THE ESKIMOS WITH DONALD B. MACMILLAN. 1930. 1 reel each. © Donald B. MacMillan.

1. Eskimo Life in South Greenland. © 1Mar30; MP1374.

2. The Most Northern People in the World, the Smith Sound Eskimo. © 1Mar30; MP1375.

3. Birds and Animals of the Far North. © 1Mar30; MP1339.

4. Traveling with the Eskimos of the Far North. © 1Mar30; MP1340.

VISITORS WELCOME. (Tuxedo Comedies) 1928. 2 reels.

Credits: Director, Harry Sweet.

VISOMATIC NEWS RELEASE. 1934. Filmstrip.

THE VISUAL SOUND SALES TRAINING COURSE. Sound Pictures, Inc. 1933. For the Electric Refrigeration Dept. of the General Electric Co. Filmstrip.

VISUALIZED SPECIFICATIONS OF THE NEW STYLE WILLYS-KNIGHT SIX. 1929. 1 reel.

VISUALIZING WILLYS-KNIGHT VALUE. 1928. 1 reel.

THE VITAL QUESTION. 1916. 5 reels.

Credits: Director, S. Rankin Drew.

VITAL SUBJECTS. 1929. 1 reel, sd.

Credits: Director, Fred Allen.

VITAL VICTUALS. (M-G-M Oddity) 1934. 923 ft., sd., color.

Credits: Director, Nick Grinde; explanatory remarks, Pete Smith.

VITAPHONE BILLBOARD. 1936. 1 reel, sd.

VITAPHONE BILLBOARD. 1936. 11 min., sd.

VITAPHONE BROADWAYITES. 1937. 1 reel, sd.

VITAPHONE CAPERS. (Vitaphone Variety) 1937. 10 min., sd.

VITAPHONE CASINO. 1936. 1 reel, sd.

VITAPHONE CELEBRITIES. 1936. 1 reel, sd.

VITAPHONE DIVERSIONS. 1937. 1 reel, sd.

VITAPHONE ENTERTAINERS. 1936. 1 reel, sd.

VITAPHONE FROLICS. 1937. 1 reel, sd.

VITAPHONE FUNSTERS. 1937. 1 reel, sd.

VITAPHONE GAMBOLS. 1937. 1 reel, sd.

VITAPHONE GAYETIES. 1936. 1 reel, sd.

VITAPHONE HEADLINERS. 1936. 1 reel, sd.

VITAPHONE HIGHLIGHTS. 1936. 1 reel, sd.

VITAPHONE HIPPODROME. 1936. 1 reel, sd.

VITAPHONE INTERNATIONALS. 1936. 1 reel, sd., b&w.

VITAPHONE MUSIC HALL. 1936. 1 reel, sd.

A VITAPHONE PICTORIAL REVUE. 1936-1938. 1 reel each, sd. © The Vitaphone Corp.

Credits: Dialogue, Ira Genet; editor, Bert Frank; commentators, Howard Claney, John S. Young, Paul Douglas, Alan Kent, Basil Ruysdael, Kelvin Keech, Ben Grauer, Maida Severn, Clem McCarthy.

1936/37.

1. © 29Dec36; MP7028.

2. © 28Dec36; MP7014.

3. © 21Dec36; MP6997.

4. © 16Feb37; MP7177.

5. © 12Feb37; MP7174.

6. © 1May37; MP7434.

7. © 19Apr37; MP7343.

8. © 12May37; MP7405.

9. © 24May37; MP7435.

10. © 12Jul37; MP7595.

11. © 7Jul37; MP7572.

12. © 6Oct37; MP7806.

13. © 4Oct37; MP7804.

[Series] 2, 1937/38.

1. © 27Dec37; MP8017.

2. © 23Dec37; MP9111.

3. © 6Dec37; MP8374.

4. © 26Dec37; MP8353.

5. © 25Apr38; MP8346.

6. © 25Apr38; MP8347.

7. © 2Jun38; MP8620.

8. © 26Jul38; MP8605.

9. © 28Jul38; MP8606.

10. © 1Aug38; MP8607.

11. © 12Dec38; MP9114.

12. © 29Dec38; MP9115.

A VITAPHONE REVIEW. (Pepper Pot Novelty) 1936. 10 min., sd.

Credits: Narrators, Ray Saunders, Joseph Bolton.

VITAPHONE SPORT THRILLS. SEE Sport Thrills.

VITAPHONE SPORTLIGHT. 1936. 1 reel, sd.

VITAPHONE STAGE SHOW. 1936. 1 reel, sd.

VITAPHONE TOPNOTCHERS. 1936. 1 reel, sd.

VITAPHONE TRAILER ANNOUNCEMENT ON THE TERROR, BY ALEX FRANCIS AND THE CAST. 1928. 1 reel, sd.

VITAPHONE TROUPERS. 1936. 1 reel, sd.

VITAPHONE VARIETÉ. 1936. 1 reel, sd.

VIVA BUDDY. (Looney Tunes) 1934. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Jack King; animation, Frank Tipper, Cal Dalton; musical score, Norman Spencer.

VIVA VILLA! 1934. 12 reels, sd., b&w. Suggested by the book by Edgcumb Pinchon and O. B. Stade.

Credits: Producer, David O. Selznick; director, Jack Conway; screenplay, Ben Hecht; film editor, Robert J. Kern; music score, Herbert Stothart.

VIVA WILLIE. (Willie Whopper Cartoon) 1934. 1 reel.

VIVACIOUS LADY. 1938. 90 min., sd. From the story by I. A. R. Wylie.

Credits: Produced and directed by George Stevens; screenplay, P. J. Wolfson, Ernest Pagano; editor, Henry Berman; music director, Roy Webb.

VIVE LA FRANCE! 1918. 5 reels.

Credits: H. H. Van Loan; supervision, Thomas H. Ince; director, R. William Neill; screen adaptation, C. Gardner Sullivan.

VIVIETTE. 1918. 5 reels. From the book by William J. Locke.

Credits: Director, Walter Edwards; scenario, Julia Crawford Ivers.

THE VIXEN. 1916. For the Fox Film Corp. 6 reels.

Credits: Director, J. Gordon Edwards; scenario, Mary Murillo.

VOCALIZING. 1936. 21 min., sd.

Credits: Producer, Lee Marcus; director, Leslie Goodwins; story, Elisabeth Sanxay Holding; screenplay, Leslie Goodwins, Monty Collins; film editor, Edward Mann.

THE VODKA BOATMEN. 1936. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Burnet Hershey.

VOGUES OF 1938. SEE Walter Wanger's Vogues of 1938.

THE VOICE FROM THE MINARET. First National. 1923. 7 reels. From the novel by Robert Hichens.

Credits: Director, Frank Lloyd; adaptation, Frances Marion.

Credits: Producer, Donald MacDonald; scenario, Anthony W. Coldewey.

A VOICE IN THE DARK. 1920. 5 reels.

Credits: Supervision and direction, Frank Lloyd; story, Ralph E. Dyar; scenario, Arthur F. Statter.

THE VOICE IN THE NIGHT. 1916. 3 reels.

Credits: Director, Clay M. Greene.

VOICE IN THE NIGHT. 1934. 6 reels, sd.

Credits: Director, Charles C. Coleman; story and screenplay, Harold Shumate; film editor, John Rawlins.

THE VOICE IN THE WILDERNESS. 1916. 2 reels. Reissue.

THE VOICE OF BUGLE ANN. 1936. 7 reels, sd., b&w. From the novel by McKinley Kantor.

Credits: Producer, John W. Considine, Jr.; director, Richard Thorpe; screenplay, Harvey Gates, Samuel Hoffenstein; film editor, George Boemler; music score, Rudolph Kopp.

THE VOICE OF CONSCIENCE. 1915. 1 reel.

Credits: Elizabeth R. Carpenter.

THE VOICE OF CONSCIENCE. 1917. 6 reels.

Credits: Director, Edwin Carewe; original story, Finis Fox; adaptation, June Mathis.

THE VOICE OF EVA. 1915. 1 reel.

Credits: Producer, Burton L. King; scenario, Marc E. Jones.

THE VOICE OF EXPERIENCE. Rex Film Corp. 1935-36. 1 reel each, sd.

Credits: Director, B. K. Blake; adaptation, I. A. Jacoby; editor, Florence Bricker; music, Milton Schwarzwald.

1. © 25Jul35; MP5797.

2. © 6Sep35; MP5815.

3. © 9Sep35; MP5877.

4. © 14Oct35; MP5930.

5. © 7Nov35; MP5957.

6. © 26Nov35; MP6042.

7. © 7Dec35; MP6081.

8. © 3Jan36; MP6105.

9. © 27Feb36; MP6244.

10. © 17Mar36; MP6323.

A VOICE OF GLADNESS. (Paramount-Post Nature Pictures) Post Pictures Corp. 1919. 1 reel.

THE VOICE OF HOLLYWOOD. 1930-31. 1 reel each, sd.

1. © 8Jan30; MP1045.

2. © 8Jan30; MP1046.

3. © 8Jan30; MP1060.

4. © 16Jan30; MP1179.

5. © 1Feb30; MP1182.

6. © 26Feb30; MP1237.

7. © 7Mar30; MP1251.

8. © 22Mar30; MP1331.

9. © 1Apr30; MP1373.

10. © 28Apr30; MP1704.

11. © 16May30; MP1574.

12. © 26May30; MP1575.

13. © 13Jun30; MP1705.

14. © 2Jul30; MP1706.

15. © 22Jul30; MP1762.

16. © 11Aug30; MP1811.

17. © 31Aug30; MP1877.

18. © 12Sep30; MP1905.

19. © 10Oct30; MP1975.

20. © 18Sep30; MP1990.

21. © 29Oct30; MP2015.

22. © 9Nov30; MP2072.

23. © 28Nov30; MP2091.

24. © 19Dec30; MP2168.

25. © 22Jan31; MP2264.

26. © 20Mar31; MP2497.

THE VOICE OF SILENCE. 1914. 1 reel.

Credits: Richard R. Ridgely.

THE VOICE OF THE CITY. Cosmopolitan. 1929. 9 reels, si.

Credits: Story and direction, Willard Mack; film editor, Basil Wrangel.

VOICE OF THE CITY. 1929. 9 reels.

Credits: Direction and story, Willard Mack; film editor, William S. Gray.

VOICE OF THE SEA. (Song Sketch) 1930. 1 reel, sd.

Credits: Story and direction, Oscar Lund.

VOICE OF THE STORM. 1929. 7 reels.

Credits: Fred K. Myton, Harold Shumate; director, Lynn Shores; screenplay, Walter Woods.

THE VOICE OF THE TEMPTER. Gold Seal. 1916. 3 reels.

Credits: Olga Prinzlau; producer, E. J. Le Saint.

VOICE OF THE VATICAN. 1933. 1 reel, sd.

Credits: Director, Allyn Butterfield; dialogue, Graham McNamee.

THE VOICE ON THE WIRE. Universal Special. 1917. 2 reels each. From the novel by Eustace Hale Ball. © Universal Film Mfg. Co., Inc.

Credits; Director, Stuart Paton; scenario, J. Grubb Alexander.

1. The Oriental Death Punch. © 9Mar17; LP10324.

2. The Mysterious Man in Black. © 9Mar17; LP10325.

3. The Spider's Web. © 9Mar17; LP10387.

4. The Next Victim. © 23Mar17; LP10438.

5. The Spectral Hand. © 31Mar17; LP10482.

6. The Death Warrant. © 6Apr17; LP10526.

7. The Marked Room. © 16Apr17; LP10580.

8. High Finance. © 26Apr17; LP10666.

9. A Stern Chase. © 3May17; LP10707.

10. The Guarded Heart. © 9May17; LP10739.

11. The Thought Machine. © 14May17; LP10766.

12. The Sign of the Thumb. © 19May17; LP10804.

13. 'Twixt Death and Dawn. © 28May17; LP10846.

14. The Light of Dawn. © 31May17; LP10867.

15. The Living Death. © 8Jun17; LP10914.

THE VOICE UPSTAIRS. Special Imp. 1916. 1 reel.

Credits: Director, Herbert Brenon.

VOICES FROM THE PAST. 1915. 3,000 ft.

Credits: Producer, Joseph Smiley.

VOICES OF LONELY MEN. 1930. 1 reel, sd.

Credits: Director, Robert C. Bruce; story, Richard Cameron.

VOLCANO. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 5,462 ft. From the play "Martinique" by Laurence Eyre.

Credits: Producer and director, William Howard; screenplay, Bernard McConville.

VOLCANOES. (The Structure of the Earth) 1928. 1 reel.

Credits: Dept. of Geology, Harvard University.

VOLCANOES. 1931. 1,002 ft.

VOLCANOES IN ACTION. Produced by Erpi Picture Consultants Inc., in cooperation with the University of Chicago and the National Park Service. 1935. 1 reel, sd.

Credits: Carey Croneis.

THE VOLGA BOATMAN. Released by Producers Distributing Corp. 1926. 11 reels. From the story by Konrad Bercovici.

Credits: Producer and director, Cecil B. De Mille; adaptation, Lenore J. Coffee; film editor, Anne Bauchens.

VOLLEY AND SMASH. (Sport Champions) 1931. 1 reel, sd.

Credits: Eric Hatch; director, Ray McCarey.

VOLTAIRE. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1933. 8 reels. Based on the novel by George Gibbs and E. Lawrence Dudley.

Credits: Director, John G. Adolfi; screenplay, Paul Green, Maud T. Howell.

Credits: Director-general, William A. Brady; director, Harley Knoles; story, Julia Burnham.

THE VOLUNTEER ORGANIST. 1914. 8 reels.

VON PLESSEN, VICTOR, Baron. SEE Plessen, Viktor, Baron von.

VOODO. Presented by Sol Lesser. 1933. 4 reels.

Credits: Producer, Faustin Wirkus; narration, Frederick Shields; film editor, Carl Himm; music, Brown & Spencer.

VOODOO FIRES. (Your True Adventures) 1939. 1 reel, sd.

Credits: Director, Joseph Henabery; screenplay, Burnet Hershey.

VOODOO IN HARLEM. (Oswald the Rabbit) 1938. 1 reel, sd.

Credits: Producer, Walter Lantz; director, Rudy Zamora; story, Victor McLeod, Win Smith; animation, Frank Tipper, Merle Gilson.

VOODOO LAND. (Walter Futter's Travelaughs) Presented by Columbia Pictures Corp. 1932. 1 reel.

Credits: Producer, Walter Futter; written and spoken by John P. Medbury; film editor, David Miller.

VOODOO VENGEANCE. 1913. 3 reels.

THE VOORTREKKERS; or, WINNING A CONTINENT. 1917. 7 reels.

Credits: Production and adaptation, Harold Shaw.

VOTE TROUBLE. (Vitaphone Variety) 1939. 10 min.

Credits: Director, Lloyd French.

VOYAGE DE NOCES. SEE Three on a Honeymoon.

THE VULGAR YACHTSMEN. 1926. 10 reels.

Credits: Director, Marcel Perez.

THE VULTURE. 1915. 1 reel.

VULTURES OF SOCIETY. 1916. 5 reels.

Credits: Richard Goodall; director, E. H. Calvert.

THE W PLAN. Burlington. 1930. 10 reels, sd. From the novel by Graham Seton [pseud. of Graham Seton Hutchison].

Credits: Supervision, Graham Seton; director, Victor Saville.

THE WACKY FAMILY. (An Educational Mirthquake Comedy) Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Director, William Watson; story, David Freedman.

WADE BRENT PAYS. Released through General Film Co. 1914. 1 reel.

Credits: Director, F. J. Grandon.

WADING BIRDS. 1931. 1 reel.

THE WAFFLE IRON. SEE Are All Men Alike?

THE WAG LADY. SEE The Girl from Outside.

THE WAGER. 1916. For Metro program. 5 reels.

Credits: Written and directed by George D. Baker.

WAGES FOR WIVES. 1925. 7 reels, tinted. From the play by Guy Bolton.

Credits: Director, Frank Borzage; scenario, Kenneth B. Clarke.

WAGES NO OBJECT. Metro-Drew. 1917. 1 reel.

Credits: Written and directed by Mr. and Mrs. Sidney Drew.

THE WAGES OF SIN. 1914.

THE WAGES OF SIN. 1938. 8 reels, sd.

Credits: Producer, William Kent; director, Herman E. Webber; editor, Robert Jahns.

WAGES OF VIRTUE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7 reels. From the novel by Percival Wren.

Credits: Producer and director, Allan Dwan; adaptation, Forrest Halsey.

A WAGGIN' TALE. Released by Film Booking Offices of America. 1923. 2 reels.

Credits: Director, Carter De Haven; story, Monty Brice; scenario, Walter MacNamara.

THE WAGON MASTER. Jewel. 1929. 6 reels.

Credits: Director, Harry J. Brown; story, Marion Jackson.

THE WAGON SHOW. Presented by Charles R. Rogers. 1927. 7 reels.

Credits: Producer, Charles R. Rogers; director, Harry J. Brown; screen story, Ford I. Beebe; film editor, Fred Allen.

WAGON TRACKS. 1919. 5 reels.

Credits: Director, Lambert Hillyer; story, C. Gardner Sullivan.

WAGON WHEELS. Presented by Adolph Zukor. 1934. 6 reels, sd. From the story "Fighting Caravans" by Zane Grey.

Credits: Director, Charles Barton; screenplay, Jack Cunningham; adaptation, Charles Logue, Carl A. Buss.

WAIF OF THE WILDERNESS. (Bobbie Nelson Featurette) 1929. 2 reels.

Credits; Director, Jack Nelson.

Credits: Scenario, J. G. Hawks, Thos. H. Ince.

THE WAIFS. 1916. 5 reels.

Credits: Director, Albert Parker; story, Grace Sartwell Mason; scenario, Frank Leon Smith.

WAIFS OF THE SEA. 1915. 1,000 ft.

Credits: William Addison Lathrop; director, Frank McGlynn.

A WAIF'S WELCOME. (Rainbow Parade Cartoon, no. 9) 1936. 1 reel.

Credits: Director, Tom Palmer.

WAIKIKI WEDDING. Presented by Adolph Zukor. 1937. 10 reels, sd.

Credits: Producer, Arthur Hornblow; director, Frank Tuttle; story, Frank Butler, Don Hartman; screenplay, Frank Butler, Don Hartman, Walter DeLeon, Francis Martin; film editor, Paul Weatherwax.

WAIT A BIT. (Stern Bros. Comedy) Century. 1926. 2 reels.

Credits: Director, Francis Corby; story, Tad Ross.

Credits: Director, William Bertram.

Credits: Director, James Horne; adaptation and scenario, H. Tipton Steck.

WAIT TILL THE SUN SHINES, NELLIE. 1932. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

WAITE HOYT WITH J. FRED COOTS IN A BATTERY OF SONGS. 1930. 1 reel, sd.

A WAITER'S WASTED LIFE. (Sunshine Comedy) 1918. 2 reels.

Credits: Henry Lehman; directors, Jack White, William H. Watson.

WAITING. (A Hamilton Comedy) Educational Pictures. 1925. 2 reels.

Credits: Director, Stephen Roberts.

WAITING AROUND. 1938. 2 reels, sd.

Credits: Director, Lloyd French; story, Eddie Forman, Willi Weil.

WAITING AT THE CHURCH. (Lyons-Moran Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons-Moran.

A WAITING GAME. 1916. 18 min.

A WAITING MAID. (Star Comedy) 1921. 1 reel.

Credits: Director, James Clemens; story, Frank Roland Conklin; scenario, W. Scott Darling.

THE WAITING SOUL. 1917. For Metro. 5 reels. Based on the story by Marion Short.

Credits: Supervision, Aaron Hoffman; director, Burton L. King; scenario, Wallace C. Clifton.

WAJAN—SON OF THE WITCH. 1937. 6 reels.

Credits: Story, Friedrich Dalshein.

WAKE UP. (Cameo Comedy) 1925. 1 reel.

Credits: Director, Albert Ray.

WAKE UP. Ford Motion Picture Laboratories. 1928. 3 reels.

WAKE UP AND DREAM. Presented by Carl Laemmle, 1934. 8 reels, sd.

Credits: Producer, B. F. Zeidman; director, Kurt Neumann; original story and screenplay, John Meehan, Jr.; film editor, Danny Mandell; music, Bernie Grossman, Jack Stern, Grace Hamilton.

WAKE UP AND LIVE. 1937. 10 reels, sd. Based on the book by Dorothea Brande.

Credits: Director, Sidney Lanfield; original story, Curtis Kenyon; screenplay, Harry Tugend, Jack Yellen; music director, Louis Silvers.

WAKE UP THE GYPSY IN ME. (Merrie Melodies, no. 9) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawings, Isadore Freleng, Larry Silverman; music score, Frank Marsales.

WAKING UP THE TOWN. 1925. 6 reels.

Credits: Story, James Cruze, Frank Condon.

THE WALK-OFFS. Screen Classics, Inc. 1920. 7 reels. From the play by Frederic and Fanny Hatton.

Credits: Supervision, Maxwell Karger; director, Herbert Blache; adaptation, June Mathis, A. P. Younger.

WALKING BACK. De Mille Studio. 1928. 6 reels. From the story "A Ride in the Country" by George Kibbe Turner.

Credits: Director, Rupert Julian; screenplay, Monte Katterjohn; film editor, Claude Berkeley.

WALKING BACK HOME. 1933. 2 reels, sd.

Credits: Producer, Lou Brock; director, George Stevens; story, George Stevens, Fred Guiol; film editor, John Lockert.

THE WALKING DEAD. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1936. 7 reels, sd.

Credits: Director, Michael Curtiz; story, Ewart Adamson, Joseph Fields; screenplay, Ewart Adamson, Peter Milne, Robert Andrews, Lillie Hayward.

WALKING DOWN BROADWAY. 1938. 6,224 ft., sd.

Credits: Director, Norman Foster; screenplay, Robert Chapin, Karen de Wolf; music director, Samuel Kaylin.

WALKING FISH. (Our World Today) 1929. 1 reel.

WALKING ON AIR. 1936. 8 reels, sd.

Credits: Producer, Edward Kaufman; director, Joseph Santley; story, Francis M. Cockrell; screenplay, Bert Kalmar, Harry Ruby, Viola Brothers Shore, Rian James; editor, George Hively; music director, Nathaniel Shilkret.

WALKING THE BABY. 1933. 1 reel, sd.

Credits: Director, Aubrey Scotto; story, George N. Burns.

WALKING THE DOG. (As a Dog Thinks Series) Educational Pictures. 1933. 9 min.

Credits: Producer, Robert C. Bruce.

THE WALL BETWEEN. 1915. 1,000 ft.

Credits: Written and produced by Paul Powell.

THE WALL BETWEEN. 1916. 5 reels.

THE WALL NUT. (Star Comedy) 1922. 1 reel.

THE WALL OF FLAME. Special Imp. 1916. 1 reel.

THE WALL OF MONEY. Rex. 1916. 1 reel.

WALL STREET. 1930. 7 reels, sd.

Credits: Producer, Harry Cohn; director, Roy William Heill; story, Paul Gangelin, Jack Kirkland; continuity and dialogue, Norman Houston; film editor, Roy Snyder.

WALL STREET COWBOY. 1939. 7 reels, sd.

Credits: Associate producer and director, Joseph Kane; original story, Doris Schroeder; screenplay, Gerald Geraghty, Norman Hall; film editor, Lester Orlebeck; music director, Cy Feuer.

Credits: Director, Tom Collins; story, Pierce Kingsley.

THE WALL STREET WHIZ. Released by F. B. O. 1925. 5 reels.

Credits: Producer, Richard Talmadge; director, Jack Nelson; story and continuity, James Bell Smith.

WALLABY JIM OF THE ISLANDS. Presented by Edward L. Alperson. 1937. 7 reels, sd.

Credits: Producer, Bud Barsky; director, Charles Lamont; story, Albert Richard Wetjen; screenplay, Bennett Cohen, Houston Branch; film editor, Guy Thayer; music director, Arthur Kaye.

WALLACE FORD IN ABSENT-MINDED. 1930. 1 reel.

WALLACE FORD IN FORE. 1930. 1 reel.

THE WALLFLOWER. 1922. 6 reels.

Credits: Written and directed by Rupert Hughes.

WALLFLOWERS. 1928. 7 reels. From the novel by Temple Bailey.

Credits: Director, Leo Meehan; adaptation, Dorothy Yost.

THE WALLOP. 1921. 5 reels.

Credits: Producer, Jack Ford; story, Eugene Manlove Rhodes; scenario, George C. Hull.

A WALLOPING TIME. Victor. 1917. 1 reel.

Credits: Story and direction, Ruth Stonehouse; scenario, Fred Myton.

Credits: Director, Richard Thorpe.

Credits: Producer, John L. Hawkinson.

WALLS AND WALLOPS. 1916. 1 reel.

Credits: Director, Lawrence Semon.

WALLS OF GOLD. 1933. 6,657 ft., sd. From the novel by Kathleen Norris.

Credits: Director, Kenneth MacKenna; screenplay, Lester Cole; adaptation, Wallace Sullivan, Edmond Seward; music, Samuel Kaylin.

THE WALLS OF JERICHO. 1914. 5 reels. Adapted from the play by Alfred Sutro.

Credits: Picturized by Lloyd Carlton.

WALLS TELL TALES. 1928. 2 reels.

Credits: Irvin S. Cobb; director, Edmund Lawrence; scenario, Adeline Leitzbach.

WALPURGIS NIGHT. (Kendall-de Vally Operalogue) Released by Educational Film Exchanges, Inc. 1932. 20 min., sd. Suggested by "Faust" by Johann Wolfgang von Goethe.

Credits: Arranged and supervised by Antoine de Vally; director, Howard Higgin.

WALT KUHN'S ADVENTURES IN ART—LEARNING TO SEE. 1939. 1 reel.

Credits: Conceived and directed by Walt Kuhn.

WALT ROESNER [IN] SONGS: ANGELA MIA AND HOTTEST MAN IN THE BAND. (Movietone Act) 1928. 1 reel.

WALTER C. KELLY—THE VIRGINIA JUDGE. (Metro Movietone Act) 1929. 1 reel, sd.

WALTER DONALDSON. 1933. 1 reel, sd.

Credits: Director. Roy Mack.

WALTER FUTTER'S CURIOSITIES SERIES. SEE Curiosities, the Movie Sideshow.

WALTER WANGER'S VOGUES OF 1938. 1937. 12 reels, sd., color.

Credits: Producer, Walter Wanger; director, Irving Cummings; original screenplay, Samuel and Bella Spewack; film editors, Otho Lovering, Dorothy Spencer; music director, Boris Morros.

WALTER WEEMS & CO. IN THE AUTHOR. 1928. 1 reel, sd.

A WALTZ DREAM. U. F. A. 1926. 8 reels. From the operetta by Oscar Straus.

Credits: Director, Ludwig Berger; scenario, Robert Liebman, Norbert Falk; titles, Marian Ainslee, Ruth Cummings; film editor, Ben Lewis.

THE WALTZ DREAM. SEE The Smiling Lieutenant.

WALTZ IN A FLAT MAJOR. (Musical Moods) 1934. 1 reel, sd. Based on the musical score by Johannes Brahms.

WALTZ TIME IN VIENNA (WALZERKRIEG). 1933. 10 reels, sd. Based on the life of Johann Strauss.

Credits: Producer, Guenther Stapenhorst; director, Ludwig Berger; music, Johann Strauss, Joseph Lanner; music director, Aloys Melichar.

WALTZING AROUND. 1929. 4 reels, sd., b&w.

Credits: Director, Harry Sweet; story and scenario, Paul Gerard Smith.

WALZERKRIEG. SEE Waltz Time in Vienna.

Credits: Producer, Colin Campbell.

THE WANDERER. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 8,173 ft. From the play by Maurice V. Samuels.

Credits: Producer and director, Raoul Walsh; screenplay, James T. O'Donohoe.

WANDERER OF THE WASTELAND. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 5,755 ft., color. From the story by Zane Grey.

Credits: Director, Irvin Willat; screenplay, George C. Hull, Victor Irvin.

THE WANDERER OF THE WASTELAND. Presented by Adolph Zukor. 1935. 7 reels, sd. From the novel by Zane Grey.

Credits: Producer, Harold Hurley; director, Otho Lovering; screenplay, Stuart Anthony; film editor, Everett Douglass.

THE WANDERERS. 1915. 3 reels.

Credits: Director, William Wolbert.

WANDERERS OF THE ARABIAN DESERTS. 1929. 1 reel.

Credits: Edited by Dept. of Anthropology, Harvard University.

WANDERERS OF THE WAISTLINE. (A Standard Fat Man Comedy) Released by F. B. O. Pictures Corp. 1927. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

THE WANDERER'S PLEDGE. 1915. 1 reel.

WANDERING BILL. 1915.

WANDERING DAUGHTERS. First National. 1923. 6 reels. Adapted from the story by Dana Burnet.

Credits: Production, scenario, and direction, James Young.

WANDERING FIRES. 1925. 6 reels.

Credits: Producer and director, Maurice Campbell; story, Warner Fabian.

WANDERING FOOTSTEPS. 1925. 6 reels. From the novel "A Wise Son" by Charles Sherman.

Credits: Director, Phil Rosen; continuity, Hope Loring, Louis Duryea Leighton.

WANDERING GIRLS. 1927. 6 reels.

Credits: Director, Ralph Ince; story, Dorothy Howell.

THE WANDERING HORDE. 1916. 3 reels.

Credits: James Oliver Curwood; producer, Eugene Mullin; picturized by Joseph F. Poland.

WANDERING HUSBANDS. 1924. 6 reels.

Credits: C. Gardner Sullivan; director, William Beaudine.

THE WANDERING JEW. SEE

Morok.

The Standard Bearer of the Jewish People.

THE WANDERING MINSTREL. 1928. 1 reel.

Credits: Paul Terry, Harry Bailey.

THE WANDERLUST. 1930. 1 reel, sd.

Credits: Director, Robert C. Bruce; story, Kay Richard Cameron.

WANDERLUST. 1938. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Ira Genet.

THE WANING SEX. 1926. 7 reels. From the play by Frederic and Fanny Hatton.

Credits: Director, Robert Z. Leonard; adaptation and continuity, F. Hugh Herbert; titles, Joe Franham; film editor, William Le Vanway.

WANNA BE A MODEL? Presented by E. W. Hammons. 1938. 1,455 ft., sd.

Credits: Producer, Al Christie; story, Jefferson Machamer.

WANTA MAKE A DOLLAR? Joker. 1917. 1 reel.

Credits: Director, W. W. Beaudine; story, Jack Cunningham.

WANTED A BLEMISH. SEE An Amateur Devil.

WANTED A BRIDE. Bluebird. 1926. 1 reel.

Credits: Director, George Summerville.

WANTED, A BURGLAR. 1913. 1 reel.

Credits: William H. Kitchell.

WANTED—A CHAPERONE. Nestor. 1915. 2 reels.

WANTED—A COWARD. Presented by Banner Productions, Inc. 1927. 6 reels.

Credits: Director, Roy Clements; story, Vincent Starrett.

WANTED—A HOME. 1916. 5 reels.

Credits: Producers, The Smalleys; story, Lois Weber.

WANTED A HOUSE. 1914. 1 reel.

Credits: Director, Lee Beggs.

WANTED—A HUSBAND. Nestor. 1916. 1 reel.

Credits: Al. E. Christie; producer, Horace Davey.

WANTED—A HUSBAND. 1919. 5 reels. Based on the story "Enter Darcy" by Samuel Hopkins Adams.

Credits: Director, Lawrence Windom; scenario, Clara S. Beranger.

WANTED—A LEADING LADY. Nestor. 1915. 1 reel.

Credits: Written and produced by Al. E. Christie.

WANTED A MAN. SEE Daphne Pollard, the English Comedienne, in Wanted a Man.

WANTED A MASTER. (A Pete Smith Specialty) 1936. 1 reel, sd., b&w.

Credits: Directors, Gunther von Fritsch, Arthur Ornitz.

Credits: Director, Harley Knoles; story, Julia Burnham; scenario, Virginia Tyler Hudson.

WANTED, A NURSE. 1914. 1 reel.

Credits: Director, Sidney Drew.

WANTED A PIANO TUNER. Joker. 1916. 1 reel.

WANTED AT HEADQUARTERS. 5 reels. 1920.

Credits: Director, Stuart Paton; story, Edgar Wallace; scenario, Wallace Clifton.

WANTED BY THE POLICE. 1938. 6 reels, sd.

Credits: Supervision, Lindsley Parsons; director, Howard Bretherton; story, Donn O'Mullaly, Sally Sandlin; screenplay, Wellyn Totman.

WANTED FOR MURDER. Presented by Harry Rapf. 1918. 6 reels.

Credits: Director, Frank H. Crane; story, S. Jay Kaufman; scenario, Coolidge Streeter.

WANTED! JANE TURNER. 1936. 7 reels, sd.

Credits: Julius Klein; associate producer, Cliff Reid; director, Edward Killy; story, John Twist, Edmund L. Hartmann; screenplay, John Twist; film editor, Ted Chessman.

WANTED: NO MASTER. (An M. G. M. Cartoon) Presented by Metro-Goldwyn-Mayer. 1939. 736 ft., sd., sepia.

Credits: Milt Gross; music, Elbert C. Lewis.

THE WANTERS. 1923. 7 reels. From the story by Leila Burton Wells.

Credits: Producer and director, John M. Stahl; scenario, J. G. Hawks, Paul Bern.

WAPI, THE WALRUS. SEE Back to God's Country.

WAR. 1915. 2 reels.

Credits: Director, George Baker.

WAR BABIES. (Baby Burlesks) 1932. 11 min., sd.

Credits: Producer, Jack Hays; director, Charles Lamont.

A WAR BABY. 1914. 2 reels.

A WAR BRIDE. (Aesop) 1928. 1 reel.

Credits: Paul Terry, Harry Bailey.

THE WAR BRIDE OF PLUMVILLE. 1916. 3 reels.

Credits: Charles Michelson; director, Fred E. Wright.

THE WAR BRIDEGROOM. Nestor. 1917. 1 reel.

Credits: Director, Roy Clements; story and scenario, Frederick A. Palmer.

WAR BRIDES. 1916. For Selznick-Pictures. 8 reels.

Credits: Marion Craig Wentworth; producer and director, Herbert Brenon.

THE WAR BRIDE'S SECRET. 1916. For Fox Film Corp. 6 reels.

Credits: Director, Kenean Buel; scenario, Mary Murillo.

WAR CORRESPONDENT. 1932. 8 reels, sd.

Credits: Director, Paul Sloane; story, Keene Thompson; adaptation, Jo Swerling.

THE WAR HORSE. 1927. 5 reels.

Credits: Story, Buck Jones; scenario and direction, Lambert Hillyer.

WAR IN CHINA. Presented by Educational Pictures. 1932. 2 reels.

Credits: Producers, Leon Britton, Charles Hugo; narrator, John G. Young; editor, Forrest Izard.

WAR IN MEXICO. Rex. 1916. 1 reel.

WAR IN THE DARK. SEE The Mysterious Lady.

WAR MAMAS. (Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Director, Marshall Neilan; editor, Richard Currier.

WAR NURSE. 1930. 9 reels, sd., b&w.

Credits: Director, Edgar Selwyn; continuity Becky Gardiner; dialogue, Becky Gardiner and Joe Farnham; film editor, William Le Vanway.

THE WAR O' DREAMS. 1915. 3 reels.

Credits: Director, E. A. Martin.

WAR OF THE AMERICAN REVOLUTION. 1920. 1 reel.

THE WAR OF THE TONGS. Red Feather. 1917. 5 reels. Story by a Chinese dramatist, directed by a Chinese producer under supervision of Universal's director-general.

THE WAR OF THE WILD. Bison. 1915. 2 reels.

Credits: Written and produced by Henry McRae.

Credits: Paul M. Potter.

THE WAR OF WEALTH. 1914. 3 reels.

THE WAR OF WEALTH. 1916. 3 reels.

WAR PAINT. 1926. 6 reels.

Credits: Director, W. S. Van Dyke; story, Peter B. Kyne; continuity, Charles Maigne; titles, Joe Farnham.

Credits: Producer, Glen R. Carrier.

WAR-RIDDEN MEXICO. Rex Special. 1916. 1 reel.

THE WAR WAIF. 1917. 2 reels.

Credits: Director, Allen J. Holubar; story, Grace Helen Bailey; scenario, Maie Havey.

THE WARD OF THE MISSION. 1915. 1 reel.

WARDROBE GIRL. (Broadway Brevity) 1939. 20 min., sd.

Credits: Cyrus D. Wood, Eddie Forman; director, Roy Mack.

THE WARDROBE WOMAN. 1915. 1 reel.

Credits: Director, Theodore Marston.

WARD'S CLAIM. 1914. 1 reel.

Credits: Director, Ulysses Davis.

THE WARE CASE. 1928. 7 reels.

Credits: Director, Manning Haynes; story, George Pleydell Bancroft; screenplay, Lydia Hayward.

WARFARE IN THE SKIES. 1914. 2 reels.

Credits: Director, Frederick A. Thomson.

WARING'S PENNSYLVANIANS, FRED WARING, DIRECTOR, SINGING I LOVE THE COLLEGE GIRLS [and others]. 1927. 1 reel, sd.

WARING'S PENNSYLVANIANS, FRED WARING, DIRECTOR, SOLO SINGING, ENSEMBLE SINGING, AND COMEDY BITS: SLEEP [and others]. 1927. 1 reel, sd.

THE WARMAKERS. 1913. 2 reels.

Credits: Directors, Maurice Costello, Robert Gaillord.

WARMING UP. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 8 reels.

Credits: Producer and director, Fred Newmeyer; story, Sam Mintz; adaptation and screenplay, Ray Harris.

THE WARNING. 1915. 5 reels.

THE WARNING. 1927. 6 reels.

Credits: Producer, Harry Cohn; direction, adaptation, and continuity, George B. Seitz; story, Lilian Ducey, H. Milner Kitchin.

A WARNING FROM THE PAST. 1914. 2 reels.

Credits: Bannister Merwin.

WARREN DOANE'S BREVITIES. 1933. 2 reels, sd.

Credits: Direction and story, James W. Horne.

Credits: Director, Cecil B. De Mille.

THE WARRENS OF VIRGINIA. 1924. 7 reels.

Credits: Director, Elmer Clifton; story, William De Mille.

THE WARRIOR'S BRIDE. Big U. 1917. 1 reel.

THE WARRIOR'S HUSBAND. 1933. 6,703 ft., sd. Based on the play by Julian Thompson.

Credits: Director, Walter Lang; adaptation and dialogue, Ralph Spence; editor, Ralph Dietrich.

WARRIORS OF THE AIR. Powers. 1916. 1/2 reel.

WAR'S WOMEN. 1915. 5 reels.

THE WART ON THE WIRE. Joker. 1917. 1 reel.

Credits: Tom Gibson, C. B. Hoadley; director, Allen Curtis.

WAS HIS DECISION RIGHT. 1914. 2 reels.

Credits: Director, Charles Hutchison; story, Forrest Sheldon; scenario, John Francis Natteford.

WAS IT HER DUTY? 1915. 1,000 ft.

Credits: Margaret Turner; director, James W. Castle.

WAS SHE A VAMPIRE? Powers. 1915. 1 reel.

Credits: Producer, Al. Hale; story, George E. Hall; scenario, H. G. Stafford.

WASHDAY. (Aesop's Film Fables) 1929. Presented by the Van Beuren Corp. 1 reel.

Credits: Paul Terry, Mannie Davis.

A WASH LINE ROMANCE. (A Laemmle Novelty) Snappy. 1928. 1 reel.

Credits: Director, Jacques Rollens.

WASH YOUR STEP. (Broadway Brevities) 1936. 21 min., sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos, George Bennett.

WASHEE IRONEE. (Hal Roach Comedy) (Our Gang Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, James Parrott; film editor, Louis McManus.

THE WASHERWOMAN'S WAR. 1919. 2 reels.

Credits: Director, Otto Lederer; story, Alfred Henry Lewis.

WASHINGTON AND HIS COLLEAGUES. SEE Alexander Hamilton.

WASHINGTON AND HIS COMRADES AT ARMS. SEE Yorktown.

WASHINGTON, D. C., THE CAPITAL CITY. (Ford Educational Library, Regional Geography) Ford Motion Picture Laboratories. 1922. 1 reel.

WASHINGTON IN VIRGINIA. (World on Parade Series, no. 2) 1936. 1 reel, sd.

Credits: Text, Harold McCracken; narration, Alois Havrilla.

THE WASHINGTON MASQUERADE. 1932. 9 reels, sd., b&w. Based on "The Claw" by Henry Bernstein.

Credits: Director, Charles Brabin; continuity and dialogue, John Meehan; film editor, Ben Lewis; music, William Axt.

WASHINGTON MERRY-GO-ROUND. 1932. 8 reels, sd.

Credits: Director, James Cruze; story, Maxwell Anderson; screenplay, Joe Swerling; film editor, Richard Cahoon.

THE WASHINGTON PARADE. 1938. 1 reel, sd.

Credits: Story, Harry Newman; described by Dan Seymour.

WASHINGTON—THE CAPITAL CITY. 1930. 985 ft.

WASHINGTON, THE NATION'S CAPITAL. 1935. Issues 1-2. 1 reel each.

THE WASP. (Selig Blue Flame Detective Drama) 1914. 1 reel.

Credits: Producer, Edw. J. Le Saint.

Credits: Director, Lionel Belmore; story, Willard Mack.

WASTED LIVES. 1915. 3 reels.

Credits: Director, Theodore Marston.

WASTED LIVES. Mission Film Corp. 1923. 5 reels.

Credits: Director, Clarence H. Geldert.

WASTED LIVES. 1925. 6 reels.

Credits: Director, John Gorman; scenario, Van A. James; adaptation, Maude P. Kelso.

THE WASTER. SEE Youth.

WATCH, GEORGE! (Let George Do It Series) (Stern Brothers Comedy) 1927. 2 reels. From the cartoons by George McManus.

Credits: Director, Samuel Newfield.

WATCH MY SMOKE. 1929. 2 reels.

Credits: Director, Harry Edwards; scenario, Clarence Hennecke, Milton Carruth.

WATCH OUT! 1925. 2 reels.

Credits: Director, Mark Goldaine.

WATCH OUT. (Bobbie Vernon Comedies) Educational. 1925. 2 reels.

Credits: Director, William Watson.

WATCH THE BIRDIE. (A Buster Brown Comedy) 1928. 2 reels. From the cartoons by R. F. Outcault.

Credits: Director, Samuel Newfield; story, Page Wright, William Weber.

WATCH THE BIRDIE. 1935. 2 reels, sd.

Credits: Director, Lloyd French; story, Dolph Singer, Jack Henley.

WATCH YOUR FRIENDS. 1929. 2 reels, sd.

Credits: Director, Dick Smith.

WATCH YOUR HUSBAND. 1920. 2 reels.

Credits: Director, Reggie Morris.

WATCH YOUR PEP. (Cameo Comedy) 1924. 1 reel.

WATCH YOUR STEP. 1922. 5 reels.

Credits: Director, William Beaudine; story and scenario, Julien Josephson.

WATCH YOUR STEP! (The Grantland Rice Sportlight) 1939. 1 reel, sd.

Credits: Producer, Jack Eaton.

Credits: Director, Albert Kelley; music director, Samuel Benavie.

WATCH YOUR WALLET. (Star Comedy) 1922. 1 reel.

Credits: Director, Craig Hutchinson; story and scenario, Hal Conklin.

WATCH YOUR WATCH, Nestor. 1918. 1 reel.

Credits: Charles J. Wilson, Jr.

WATCH YOUR WIFE. Universal-Jewel. 1926. 7 reels. From the novel by Gösta Segercranz.

Credits: Director, Svend Gade; scenario, Chas. E. Whittaker, Svend Gade.

THE WATCH DOG. 1931. 1 reel, sd.

THE WATCHDOG. SEE Dizzy Dames.

WATCHING THE WAYANGS. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

WATER. (General Science) 1937. Filmstrip.

Credits: Arranged and produced by Gerrit C. Zwart; drawings by Helen S. Zwart.

WATER BABIES. (Silly Symphony) 1935. 1 reel, sd.

WATER BUGS. (A Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, William Watson; story, Hal Conklin.

WATER BUGS. (A Grantland Rice Sportlight) The Van Beuren Corp. 1931. 1 reel.

THE WATER CLUE. Laemmle. 1915. 1 reel.

Credits: Producer, Rupert Julian; scenario, Anthony Coldeway.

THE WATER CURE. 1929. 1 reel.

Credits: Paul Terry.

THE WATER CYCLE. 1928. 1 reel.

THE WATER HOLE. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 6,319 ft., sd., color. From the story by Zane Grey.

Credits: Producer and director, F. Richard Jones.

THE WATER JAMBOREE. (Grantland Rice's Sports-Eye-View, no. 2) 1932. 1 reel.

Credits: Director, Jack Eaton.

THE WATER LURE. (Grantland Rice Sportlight) 1933. 1 reel, sd.

WATER ON THE BRAIN. Nestor. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

WATER POWER. 1928. 1 reel.

WATER POWER. 1937. 1 reel, sd.

WATER POWERS OF EASTERN CANADA. 1918. 1 reel.

WATER POWERS OF WESTERN CANADA. 1917. 1 reel.

WATER RODEO. (Sportlight) 1934. 1 reel, sd.

Credits: Narrator, Ted Husing.

WATER RUSTLERS. Presented by Grand National Pictures, Inc. 1939. 6 reels, sd.

Credits: Producer, Don Lieberman; director, Samuel Diege; original story, Lawrence Meade, Don Laurie; screenplay, Arthur Hoerl; editor, Guy V. Thayer, Jr.; music score, Ross Dimaggio; music supervision, Lee Zahler.

WATER SPORTS. (A Sports Parade Subject) 1935. 1 reel, sd., b&w.

Credits: Director, Ray McCarey; explanatory remarks, Pete Smith.

Credits: Producer, John L. Hawkinson.

THE WATER SUPPLY OF A GREAT CITY. (Ford Educational Library, Sanitation and Health) Ford Motion Picture Laboratories. 1923. 1 reel.

WATER THRILLS. (News World of Sports) 1935. 1 reel, sd.

Credits: Narrative, Jack Kofoed; described by Ford Bond.

WATER, WATER, EVERYWHERE. 1919. 5 reels. Founded on the novel "Billy Fortune" by William R. and Louis D. Lighton.

Credits: Director, Clarence G. Badger; scenario, Robert F. Hill.

WATER, WATER, EVERYWHERE. (The Grantland Rice Sportlight) 1937. 1 reel, sd.

Credits: Narrator, Ted Husing.

WATER WONDERS. (Grantland Rice Sportlight) Presented by the Van Beuren Corporation. 1929. 1 reel.

Credits: Jack Eaton.

WATERFRONT. 1928. 7 reels.

Credits: Producer, William A. Seiter; story. Will Chappell, Gertrude Orr; continuity, Tom Geraghty.

WATERFRONT. 1939. 6 reels, sd. From the play by Kenyon Nicholson.

Credits: Director, Terry Morse; screenplay, Lee Katz, Arthur Ripley.

WATERFRONT LADY. Presented by Nat Levine. 1935. 7 reels, sd.

Credits: Supervision, Colbert Clark; director, Joseph Santley; story and screenplay, Wellyn Totman; additional dialogue, Joseph Fields; film editor, Ray Curtiss.

WATERLOO BRIDGE. 1931. 9 reels. From the stage play by Robert E. Sherwood.

Credits: Director, James Whale; screenplay, Tom Reed; adaptation and added dialogue, Benn Levy.

THE WATERS OF LETHE. 1916. 3 reels.

Credits: Producer, William Wolbert.

WATER-TIGHT UNIT MASONRY. 1935. For the National Lime Association. 1 reel, sd.

WATERY GRAVEY. (Krazy Kat) 1926. 1 reel.

Credits: Bill Nolan.

WATTS AND GILBERT. 1927. 1 reel.

WAVE MOTION. 1931. 3 reels.

Credits: Producer, Frank Lisintzki.

THE WAX FIGURES. (A Laemmle Novelty) Snappy. 1928. 1 reel.

Credits: Director, Jacques Rollens; story, Sam B. Jacobson.

THE WAX MODEL. 1917. 5 reels.

Credits: G. Vere Tyler; director, E. Mason Hopper.

WAX WORKS. (An Oswald Cartoon) 1934. 1 reel.

THE WAY. SEE When Strangers Meet.

THE WAY BACK. 1914. 1 reel.

THE WAY BACK. 1915. 4,000 ft.

Credits: Mary Rider; director, Carlton King.

WAY BACK HOME. 1931. 9 reels, sd.

Credits: Director, William Seiter; story and screenplay, Jane Murfin.

'WAY DOWN EAST. 1920. 13 reels. From the novel by Lottie Blair Parker and the play by William A. Brady.

Credits: Producer, D. W. Griffith; scenario, Anthony P. Kelly; elaborated by Joseph R. Grismer.

'WAY DOWN EAST. Presented by Fox Film. 1935. 7,661 ft., sd. From the play by Lottie Blair Parker.

Credits: Director, Henry King; screenplay, Howard Estabrook, William Hurlbut; music director, Oscar Bradley.

WAY DOWN NORTH. 1920. 1 reel.

Credits: Director, Vin Moore.

WAY DOWN SOUTH. Presented by RKO Radio Pictures, Inc. 1939. 63 min. sd.

Credits: Producer, Sol Lesser; director, Bernard Vorhaus; original story and screenplay, Clarence Muse, Langston Hughes; film editor, Arthur Hilton; music director, Victor Young.

WAY DOWN SOUTH. SEE Mary Lewis in Way Down South.

WAY DOWN YONDER. Presented by E. W. Hammons. 1934. 1 reel, sd.

Credits: Producer, Al Christie; director, William Watson; story, Marcy Klauber, Charlie Williams.

WAY FOR A SAILOR. 1930. 9 reels, sd., b&w. From the book by Albert Richard Wetjen.

Credits: Producer, Sam Wood; scenario and dialogue, Laurence Stallings, W. L. River; additional dialogue, Charles MacArthur; film editor, Frank Sullivan.

THE WAY HE WON THE WIDOW. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

THE WAY HOME. 1914. 1 reel.

THE WAY OF A GIRL. Presented by Louis B. Mayer. 1925. 6 reels.

Credits: Producer and director, Robert G. Vignola; story, Katherine Newlin Burt; adaptation, Albert Shelby Le Vino.

THE WAY OF A MAID. 1921. 5 reels.

Credits: Director, William P. S. Earle; story, Rex Taylor; scenario, Lewis Allen Browne.

1. Into the Unknown. © title, descr. & 52 prints, 31Oct23; LU19554.

2. Redskin and White. © title, descr. & 40 prints, 14Dec23; LU19719.

3. In the Toils of the Torrent. © title, descr. & 34 prints, 14Dec23; LU19720.

4. Lost in the Wilds. © title, descr. & 38 prints, 14Dec23; LU19721.

5. White Medicine. © title, descr. & 39 prints, 14Dec23; LU19722.

6. The Firing Squad. © title, descr. & 40 prints, 20Feb24; LU19923.

7. Gold! Gold! © title, descr. & 40 prints, 20Feb24; LU19924.

8. The Fugitive. © title, descr. & 38 prints, 20Feb24; LU19925.

9. California. © title, descr. & 40 prints, 20Feb24; LU19926.

10. Trail's End. © title, descr. & 40 prints, 20Feb24; LU19927.

THE WAY OF A MAN WITH A MAID. Paramount. Presented by Jesse L. Lasky. 1918. 5 reels. Based on The Saturday Evening Post story by Ida M. Evans.

Credits: Director, Donald Crisp; scenario, Edith M. Kennedy.

THE WAY OF A WOMAN. Select Pictures. Presented by Joseph M. Schenck. 1919. 5 reels. Adapted from the play "Nancy Lee" by Eugene Walter.

Credits: Director, Robert J. Leonard.

THE WAY OF A WOMAN'S HEART. 1915. 2 reels.

Credits: Director, Fred Beal.

THE WAY OF ALL FISH. (A Skylark Comedy) 1927. 2 reels.

Credits: Director, Craig Hutchinson.

THE WAY OF ALL FISH. 1931. 2 reels, sd.

Credits: Producer, Lou Brock; director, Mark Sandrich; story, Ned Sparks; adaptation and dialogue, Scott Darling, Mauri Grashin, Mark Sandrich; film editor, Ted Cheesman.

THE WAY OF ALL FLESH. 1927. 8,486 ft.

Credits: Director, Victor Fleming; story, Lajos Biro, Jules Furthman; continuity, Jules Furthman.

THE WAY OF ALL FRESHMEN. 1933. 2 reels, sd.

Credits: Director, Joseph Henabery; story. Jack Henley, Cliff Hess.

THE WAY OF ALL MEN. 1930. From the story "Sin Flood" by Henning Berger.

Credits: Producer, Frank Lloyd; screen version and dialogue, Bradley King.

THE WAY OF ALL MEN. Trailer. First National. 1930. 1 reel.

THE WAY OF ALL PANTS. Presented by Hal Roach. 1927. 2 reels.

Credits: Supervision, Leo McCarey; director, James Parrott; editor, Richard Currier.

Credits: Producer, Hardee Kirkland.

THE WAY OF PATIENCE. 1916. 3 reels.

Credits: Charles J. McGuirk; director, L. C. Windom.

THE WAY OF THE REDMAN. 1914. 1,000 ft.

Credits: Written and produced by Tom Mix.

THE WAY OF THE STRONG. 1919. 5 reels. From the novel by Ridgewell Cullum.

Credits: Director-general, Maxwell Karger; director, Edwin Carewe; scenario, June Mathis, Finis Fox.

THE WAY OF THE STRONG. A Frank Capra production. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, Frank Capra; screenplay, William Counselman; continuity, Peter Milne.

THE WAY OF THE STRONG. SEE The Strong Way.

THE WAY OF THE TRANSGRESSOR. 1915. 3 reels.

Credits: Director, William Humphrey.

THE WAY OF THE WEST. 1924. 2 reels.

Credits: Director, Ernst Laemmle; story, Isadore Bernstein; continuity, Carl Krusada.

THE WAY OF THE WORLD. Red Feather. 1916. 5 reels. From the play by Clyde Fitch.

Credits: Producer, L. B. Carleton; scenario, F. McGrew Willis.

THE WAY OUT. 1915. 1 reel.

Credits: Director, George Kelson; story, Jack O'Mara.

WAY OUT WEST. 1930. 8 reels, sd., b&w.

Credits: Director, Fred Niblo; story and continuity, Byron Morgan, Alfred Block; dialogue, Joe Farnham; film editor, William S. Gray.

WAY OUT WEST. Presented by E. W. Hammons. 1935. 944 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story, Marcy Klauber, Charles Williams.

WAY OUT WEST. (Hal Roach Feature Comedy) Presented by Hal Roach Studios. 1937. 7 reels, sd., b&w.

Credits: Producer, Stan Laurel; director, James W. Horne; original story, Jack Jevne, Charles Rogers; screenplay, Charles Rogers, Felix Adler, James Parrott; film editor, Bert Jordon; music director, Marvin Hatley.

THE WAY TO HEAVEN. 1914. 1 reel.

Credits: Director, Ulysses Davis.

THE WAY TO LOVE. 1933. 9 reels.

Credits: Director, Norman Taurog; original screenplay, Gene Fowler, Benjamin Glazer; additional dialogue, Claude Binyon, Frank Butler.

WAY UP NORTH. 1924. 1 reel.

Credits: Director, Wm. H. Watson.

WAY UP THAR. (A Young Romance Comedy) Presented by E. W. Hammons. 1935. 1,645 ft., sd.

Credits: Producer and director, Mack Sennett; story, Oliver Hatch; adaptation, Hugh Cummings, Joseph Montague, Jr.

Credits: Scenario and direction, Marcel Perez.

THE WAYVILLE SLUMBER PARTY. 1915. Split reel.

WAYWARD. 1932. 8 reels. Based on the novel "Wild Beauty" by Mateel Howe Farnham.

Credits: Director, Edward Sloman; screenplay, Gladys Unger, Lillian Day.

THE WAYWARD CANARY. (Mickey Mouse, no. U. A. 4) 1932. 1 reel.

A WAYWARD DAUGHTER. 1914. 2 reels.

THE WAYWARD PUPS. 1937. 775 ft., sd., color.

Credits: Hugh Harman, Rudolf Ising.

WE AIM TO PLEASE. (A Popeye Cartoon) 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, David Tendlar.

WE AMERICANS. Jewel. 1928. 9 reels. From the stage play by Milton Herbert Gropper and Max Siegel.

Credits: Director, Edward Sloman; adaptation and continuity, Alfred A. Cohn.

WE ARE FRENCH. SEE The Bugler of Algiers.

WE ARE NOT ALONE. 1939. 12 reels, sd. From the novel by James Hilton.

Credits: Director, Edmund Goulding; screenplay, James Hilton, Milton Krims; music, Max Steiner.

WE CAN'T BE AS BAD AS ALL THAT. SEE A Society Exile.

WE CAN'T HAVE EVERYTHING. 1918. 6 reels. Based on the novel by Rupert Hughes.

Credits: Produced and directed by Cecil B. De Mille; scenario, William C. De Mille.

WE DID IT. 1936. 1 reel.

WE DO OUR PART. 1935. 1 reel, sd.

WE EAT TO LIVE. (E. M. Newman's Our Own United States) 1936. 1 reel, sd.

Credits: Dialogue, Ira Genet; editor, Bert Frank.

WE FAW DOWN. 1928. 2 reels, b&w.

Credits: Director, Leo McCarey; editor, Richard Currier.

WE HAVE OUR MOMENTS. 1937. 7 reels.

Credits: Associate producer, Edmund Grainger; director, Alfred L. Werker; original story, Charles F. Belden, Frederick Stephani; screenplay, Bruce Manning, Charles Grayson.

WE KNOW YOUR WORTH—DO YOU? 1928. 1 reel.

WE LEARNED ABOUT BRAKES FROM THEM. 1936. For United States Asbestos Division. Filmstrip, sd.

WE LIVE AGAIN. Released through United Artists. 1934. 9 reels, sd. Based on the novel "Resurrection" by Leo Tolstoy.

Credits: Producer and director, Rouben Mamoulian; adaptation, Maxwell Anderson, Leonard Praskins, Preston Sturges; film editor, Otho Lovering; music director, Alfred Newman.

WE LIVE IN TWO WORLDS. Treasure Chest. Educational Films Corp. of America. Presented by E. W. Hammons. 1938. 968 ft., sd.

Credits: Narration, J. B. Priestley.

WE MODERNS. Presented by John McCormick. 1925. 7 reels. Adapted from the stage play by Israel Zangwill.

Credits: Director, John Francis Dillon; screenplay, June Mathis.

WE SHOULD WORRY. 1918. 5 reels.

Credits: Direction, story and scenario, Kenean Buel.

WE SHOULD WORRY FOR AUNTY. Victor. 1915. 1 reel.

Credits: J. Nelson; producer, Harry C. Myers.

WE, THE O'LEARY'S. SEE In Old Chicago.

WE WANT A TOUCHDOWN. (World of Sports) Bray Pictures Corp. 1933. 1 reel, sd.

Credits: Narrator, Ford Bond.

WE WANT OUR MUMMY. 1938. 2 reels, sd.

Credits: Director, Del Lord; original screenplay, Elwood Ullman, Searle Kramer.

WE! WE! MARIE! (Slim Summerville, no. 2) 1930. 2 reels.

Credits: Producer, Stanley Bergerman; director, Albert Ray; story, Ralph Ceder, James Mulhauser.

WE WENT TO COLLEGE. 1936. 7 reels, sd., b&w.

Credits: Producer, Harry Rapf; director, Joseph Santley; story, George Oppenheimer, Finley Peter Dunne, Jr.; screenplay, Richard Maibaum, Maurice Rapf; film editor, James E. Newcom; musical score, William Axt.

WE WHO ARE ABOUT TO DIE. 1936. 9 reels, sd. From the novel by David Lamson.

Credits: Producer, Edward Small; director, Christy Cabanne; screenplay, John Twist; editor, Arthur Roberts.

WEAK BUT WILLING. (Walter Hiers Comedies) Educational. 1926. 2 reels.

Credits: Frank Roland Conklin; director, Archie Mayo.

WEAK BUT WILLING. 1929. 2 reels, sd.

Credits: Director, William Watson; story, Will King.

THE WEAK-END PARTY. 1922. 2 reels.

WEAK HEARTS AND WILD LIONS. 1919. 2 reels.

Credits: Written and directed by Fred C. Fishback.

WEAK KNEES. (Cameo Comedy) 1925. 1 reel.

WEAK KNEES. (Fistical Culture, no. 10) 1927. 2 reels.

Credits: Written and directed by Glen Lambert.

WEAK SISTERS. SEE Dumb-Bells in Ermine.

THE WEAKER VESSEL. 1919. 6 reels.

Credits: Director, Paul Powell; story, Elmer Elsworth.

THE WEAKLING. 1924. 2 reels.

Credits: Director, Noel Smith.

Credits: Collated and directed by A. Lincoln Miller.

Credits: Director, Barry O'Neill; story, E. Lloyd Sheldon.

THE WEAKNESS OF STRENGTH. 1916. 5 reels.

Credits: Director, Harry Revier; story, Aaron Hoffman; scenario, Wallace C. Clifton.

WEALTH. 1921. 5 reels.

Credits: Director, William D. Taylor; story, Cosmo Hamilton; scenario, Julia Crawford Ivers.

THE WEALTH OF THE POOR. 1915. 1 reel.

WEAPONS OF LOVE. Big U. 1916. 1 reel.

Credits: Producer, C. S. Elfelt; story, Hapsburg Liebe; scenario, Olga Printzlau.

WEARY RIVER. Presented by Richard A. Rowland. 1929. 8 reels.

Credits: Director, Frank Lloyd; story, Courtney Ryley Cooper; screen version, Bradley King.

WEARY RIVER. SEE Announcement of Richard Barthelmess in Weary River.

WEARY WILLIES. (Oswald Cartoon) Winkler. 1929. 1 reel.

Credits: Animation, Isadore Freleng.

WEARY WILLIE'S BIRTHDAY. 1916. 1 reel.

Credits: Producer, Frank Currier.

WEARY WILLIE'S RAGS. 1914. Split reel.

WEATHER FORECASTING. 1931. 973 ft.

WEATHER WIZARDS. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Fred Zinnemann; screenplay, Robert Lees, Fred Rinaldo.

Credits: Producer, John L. Hawkinson.

WEAVER OF CLAYBANK. 1915. 2 reels.

A WEAVER OF DREAMS. Presented by B. A. Rolfe. 1918. 5 reels. Based on the book by Myrtle Reed.

Credits: Director, John H. Collins; scenario, John H. Collins, William Parker.

THE WEB. (Star Featurette) 1917. 2 reels.

Credits: Director, George Cochrane; story, Katherine Kingsbury; scenario, Harvey Gates.

WEB FEET. Winkler Pictures. Inc. 1927. 2 reels. Adapted from George Herriman's cartoons "Krazy Kat."

THE WEB OF CHANCE. 1919. 5 reels.

Credits: Director, Alfred Green; story, Edgar Franklin; scenario, Douglas Bronston.

THE WEB OF CRIME. 1915. 2 reels.

Credits: Director, Edwin Carewe; story, Finis Fox.

Credits: Director, Emile Chautard; story, E. Lloyd Sheldon.

THE WEB OF HATE. 1915. 2 reels.

Credits: Producer, Leon D. Kent.

WEDDED BLISTERS. (Tuxedo Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Jules White.

WEDDING BELLES. SEE Lorraine Howard and Florence Newton in Wedding Belles.

WEDDING BELLS. First National. 1921. 72 min. From the play by Salisbury Field.

Credits: Producer, Chet Withey; adaptation, Zelda Crosby.

WEDDING BELLS. 1924. 2 reels.

Credits: Director, Harry Edwards.

WEDDING BELLS. (Krazy Kat) Presented by Columbia Pictures Corp. 1933. 1 reel, sd. Adapted from George Herriman's cartoon character.

Credits: Ben Harrison, Manny Gould; producer, Charles Mintz; animation, Al Eugster, Preston Blair; music score, Joe De Nat.

WEDDING BELLS OUT OF TUNE. 1921. 2 reels.

Credits: Director, Mal St. Clair.

WEDDING BELLS SHALL RING. Joker. 1915. Split reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

WEDDING BILLS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 5,869 ft.

Credits: Director, Erle Kenton; screenplay, Grover Jones, Keene Thompson, Lloyd Corrigan.

WEDDING BILLS. 1931. 1 reel. Title changed from "Stocks and Bonds."

WEDDING DAZE. 1926. 2 reels.

THE WEDDING DEAL. (The Court of Human Relations) 1937. 1 reel, sd.

Credits: Director, B. K. Blake; editor, Florence Bricker; music, Milton Schwarzwald.

THE WEDDING GUEST. Bison. 1916. 2 reels.

Credits: Producer, Jacques Jaccard; story, Lucia Chamberlain.

THE WEDDING MARCH. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 10,400 ft.

Credits: Producer, Erich Von Stroheim; story, Erich Von Stroheim, Harry Carr.

THE WEDDING NIGHT. 1935. 9 reels, sd.

Credits: Director, King Vidor; original story, Edwin Knopf; screenplay, Edith Fitzgerald.

THE WEDDING OF PALO. Presented by J. H. Hoffberg. 1935. 84 min., sd.

Credits: Production and scenario, Knud Rasmussen; directors, Friedrich Dalsheim, Knud Rasmussen; original music, Emil Reesen.

WEDDING PRESENT. Presented by Adolph Zukor. 1936. 9 reels, sd.

Credits: Producer, B. P. Schulberg; director, Richard Wallace; story, Paul Gallico; screenplay, Joseph Anthony; editor, Robert Bischoff.

WEDDING PUMPS. Century. 1922. 2 reels.

Credits: Written and directed by Fred Hibbard.

WEDDING RINGS. 1930. 7 reels, sd. Adapted from "The Dark Swan" by Ernest Pascal.

Credits: Director, William Beaudine.

WEDDING RINGS. Trailer. 1930. 1 reel, sd.

WEDDING SLIPS. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Jules White.

THE WEDDING SONG. Presented by Cecil B. De Mille. 1925. 7 reels. Adapted from the play by Ethel Watts Mumford.

Credits: Producer and director, Alan Hale; adaptation, Charles Whittaker, Douglas Doty.

WEDDING WOWS. 1927. 2 reels.

Credits: Director, Arvid Gillstrom; story, Frank Conklin.

WEDDING YELLS. (Educational-Tuxedo Comedy) 1927. 2 reels.

Credits: Director, Charles Lamont.

WEDDING YELLS. 1938. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Eddie Forman.

WEDNESDAY AT THE RITZ. (Variety Comedy) 1930. 2 reels, sd.

Credits: Director, Philip Tannura; story and production, Gordon Bostock; film editor, E. Pfitzenmeier.

WEDNESDAY'S CHILD. 1934. 8 reels, sd. From the play by Leopold L. Atlas.

Credits: Associate producer, Kenneth MacGowan; director, John Robertson; screenplay, Willis Goldbeck; editor, George Hively; music director, Max Steiner.

A WEDTIME STORY. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Leslie Goodwins; story, Al Boasberg; screenplay, Leslie Goodwins, Charles Roberts; film editor, Edward Mann.

A WEE BIT O' SCOTCH. 1930. 1 reel.

Credits: Director, Robert C Bruce; story, Richard Cameron.

WEE' MEN. 1936. 1 reel, sd.

Credits: Director, Joseph Henabery.

THE WEE SCOTCH PIPER. 1928. 1 reel. From the story by Mary Gibsone Whitlock.

Credits: Producer and director, Madeline Brandeis.

WEE WEE MONSIEUR. 1938. 2 reels.

Credits: Director, Del Lord; story and screenplay, Searle Kramer.

WEE WILLIE WINKIE. 1937. 9,615 ft., sd. Based on the story by Rudyard Kipling.

Credits: Director, John Ford; screenplay, Ernest Pascal, Julien Josephson; music director, Alfred Newman.

THE WEEK-END. 1920. 6 reels.

Credits: Story, Cosmo Hamilton; adaptation, George L. Cox, Arthur J. Zellner.

A WEEK-END AT HAPPYHURST. 1914. 1 reel.

Credits: Charles M. Seay.

WEEK-END MARRIAGE. 1932. 8 reels, sd. From the novel by Faith Baldwin.

Credits: Director, Thornton Freeland; screenplay, Sheridan Gibney.

WEEK END MILLIONAIRE. 1936. 6 reels, sd.

Credits: Director, Arthur Woods; scenario and dialogue, Jack Davies, Jr., Geoffrey Kerr, Max Kester; film editor, George Black, Jr.

WEEK END WIVES. British International Pictures. 1929. 7 reels.

Credits: Victor Kendall, Rex Taylor; director, Harry Lachman.

WEEK ENDS ONLY. 1932. 6,245 ft., sd. From the novel by Warner Fabian [pseud.]

Credits: Director, Alan Crosland; screenplay, William Conselman; editor, Louis Loeffler.

A WEEK OFF. Presented by Century Comedies. 1921. 2 reels.

Credits: Written and directed by Fred Fishback.

WEENIE ROAST. (A Krazy Kat Cartoon) Winkler. 1931. 1 reel, sd. Adapted from the cartoon character by George Herriman.

Credits: Ben Harrison, Manny Gould; musical score, Joe De Nat.

Credits: Adaptation, Bettina Brown.

WEIGHT EVENTS. 1938. 1 reel.

Credits: Producer, Harry C. Myers.

A WEIGHTY MATTER FOR A DETECTIVE. 1915. Split reel.

Credits: Written and directed by Charles M. Seay.

THE WEIRD NEMESIS. Victor. 1915. 2 reels.

Credits: Story, G. E. Jenks; scenario and production by Jacques Jaccard.

WELCHE LIEBEN, WENN SIE STERBEN. SEE Those Who Die When They Love.

WELCOME DANGER. (Cameo Comedy) Educational. 1925. 1 reel.

Credits: Director, Albert Ray.

WELCOME DANGER. 1929. 12 reels.

Credits: Director, Clyde Bruckman; story, Felix Adler, Lex Neal, Clyde Bruckman; dialogue, Paul Gerard Smith.

WELCOME DANGER. 1929. 12 reels.

Credits: Director, Clyde Bruckman; story, Felix Adler, Lex Neal, Clyde Bruckman; dialogue, Paul Gerard Smith.

WELCOME HOME. Nestor. 1917. 1 reel.

Credits: Henry McRae; director, Roy S. Clements; scenario, Frederick A. Palmer.

WELCOME HOME. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 5,909 ft. From a play by Edna Ferber and George S. Kaufman.

Credits: Producer, James Cruze; screenplay, Walter Woods.

WELCOME HOME. 1935. 6,569 ft., sd.

Credits: Director, James Tinling; original story, Arthur T. Horman; screenplay, Marion Orth, Arthur T. Horman; additional dialogue, Paul Gerard Smith; music director, Oscar Bradley.

WELCOME, LITTLE STRANGER. 1919. 2 reels.

Credits: Director, Earl Metcalfe; story, James Montgomery Flagg.

WELCOME STRANGER. 1924. 6 reels. From the play by Aaron Hoffman.

Credits: Director, James Young.

WELCOME TO BOHEMIA. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

WELCOME UNCLE. 1923. 2 reels.

Credits: Story, Edward I. Luddy.

Credits: Producer, Lem B. Parker.

WELL, BY GEORGE! Mentone. 1934. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

WELL CURED HAM. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; story and direction, Al Boasberg; film editors, John Lockert, Edward Mann.

WELL I'LL BE ——. 1919. 2 reels.

Credits: Story and direction, Lawrence Semon.

THE WELL OF FORTALEZA. (Vagabond Adventure Series, no. 22) 1931. 1 reel, sd.

Credits: Elmer Clifton, Alfred Mannon.

THE WELL SICK MAN. 1913. 1 reel.

Credits: Charles Menges.

WELLESLEY'S YOUNG AMAZONS. (Sport Pictorial, no. 16) 1921. 1 reel.

WELLS FARGO. Presented by Adolph Zukor. 1937. 12 reel, sd.

Credits: Producer and director, Frank Lloyd; story, Stuart N. Lake; screenplay, Paul Schofield, Gerald Geraghty, Frederick Jackson; film editor, Hugh Bennett.

WENN DIE MASKE FÄLLT. SEE When the Mask Falls.

WE'RE ALL GAMBLERS. 1927. 7 reels. Adapted from the play "Lucky Sam McCarver" by Sydney Howard.

Credits: Producer and director, James Cruze; screenplay, Hope Loring.

WE'RE GOING TO BE RICH. 1938. 8 reels, sd.

Credits: Director, Monty Banks; story, James Edward Grant; screenplay, Sam Hellman, Rohama Siegel.

WE'RE IN THE LEGION NOW. Presented by Edward L. Alperson. 1937. 8 reels, sd., color.

Credits: Producer, George A. Hirliman; direction and additional dialogue, Crane Wilbur; original story, J. D. Newsom; screenplay, Roger Whately.

WE'RE IN THE MONEY. (Merrie Melodies, no. 13) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawn by Isadore Freleng, Larry Martin; musical score, Frank Marsales.

WE'RE IN THE MONEY. Warner Brothers Productions Corp. Presented by Warner Brothers Pictures, Inc. and The Vitaphone Corp. 1935. 7 reels.

Credits: Director, Ray Enright; story, George R. Dilson; screenplay, F. Hugh Herbert, Brown Holmes; adaptation, Erwin Gelsey.

WE'RE IN THE NAVY NOW. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6 reels.

Credits: Director, Edward Sutherland; story, Monte Brice; screenplay, John McDermott.

WE'RE NOT DRESSING. 1934. 8 reels, sd.

Credits: Production and story, Benjamin Glazer; director, Norman Taurog; screenplay, Horace Jackson, Francis Martin, George Marion, Jr.; music, Harry Revel, Mack Gordon.

WE'RE ON THE JURY. 1937. 8 reels, sd. From the play "Ladies of the Jury" by John Frederick Ballard.

Credits: Producer, Lee Marcus; director, Ben Holmes; screenplay, Franklin Coen; editor, Ted Cheesman.

WE'RE ONLY HUMAN. 1935. 7 reels, sd. From the story "Husk" by Thomas Walsh.

Credits: Associate producer, Edward Kaufman; director, James Flood; screenplay, Rian James; editor, Archie F. Marshek; music director, Roy Webb.

WE'RE RICH AGAIN. 1934. 7 reels, sd. From a play by Alden Nash.

Credits: Associate producer, Glendon Allvine; director, William A. Seiter; screenplay, Ray Harris; editor, George Crone; music director, Max Steiner.

WEREWOLF OF LONDON. Presented by Carl Laemmle. 1935. 2 reels, sd.

Credits: Director, Stuart Walker; original story, Robert Harris; screenplay, John Colton; adaptation, Harvey Gates, Robert Harris; film editor, Milton Carruth.

THE WEST-BOUND LIMITED. Released by Film Booking Offices of America. 1923. 7 reels.

Credits: Director, Emory Johnson; story and scenario, Emilie Johnson.

WEST BOUND LIMITED. 1937. 7 reels, sd.

Credits: Associate producers, Henry McRae, Ben Koenig; direction and original story, Ford Beebe; screenplay, Maurice Geraghty; film editor, Phil Cahn.

WESTBOUND MAIL. 1937. 6 reels, sd.

Credits: Director, Folmer Blangsted; story, James P. Hogan; screenplay, Frances Guihan; film editor, Richard Fantl.

WEST INDIES CRUISE. (Along the Road to Romance on the Magic Carpet of Movietone) 1935. 1 reel, sd.

Credits: Editor, Lew Lehr; described by Ed Thorgersen.

WEST IS BEST. 1920. 2 reels.

Credits: Director, Philip E. Rosen; story, Gwendolyn Logan; scenario, Philip Hubbard.

WEST IS WEST. 1920. 5 reels.

Credits: Director, Val Paul; story, Eugene Manlove Rhodes; scenario, George C. Hull.

WEST IS WEST. 1922. 2 reels.

Credits: Director, George E. Marshall.

WEST IS WEST. 1925. 2 reels.

Credits: Written and directed by Jess Robbins.

WEST OF ARIZONA. 1925. 5 reels.

Credits: Director, Tom Gibson; story, Barr Cross; adaptation, Victor Roberts.

WEST OF BROADWAY. Released by Producers Distributing Corp. Presented by John C. Flinn. 1926. 6 reels. From the story "New York West" by Wallace Smith.

Credits: Director, Robert Thornby; adaptation, Harold Shumate; editor, Jack Cunningham.

WEST OF BROADWAY. 1931. 7 reels, sd., b&w.

Credits: Director, Harry Beaumont; story, Ralph Graves, Bess Meredyth; adaptation and dialogue, Gene Markey; additional dialogue, J. K. McGuinness; film editor, George Hively.

WEST OF CARSON CITY. 1939. 6 reels, sd.

Credits: Director, Ray Taylor; original story, Milton Raison; screenplay, Milton Raison, Sherman Lowe, Jack Bernhard.

WEST OF CHEYENNE. 1938. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Ed Earl Repp; film editor, William Lyon; music director, Morris Stoloff.

WEST OF CHICAGO. 1922. 5 reels, b&w, blue sequences.

Credits: Directors, Scott Dunlap, C. R. Wallace; story, George Scarborough; scenario, Paul Schofield.

WEST OF HOT DOG. 1924. 2 reels.

Credits: Producer, Joe Rock; director, Percy Pembroke.

WEST OF RAINBOW'S END. Concord Productions, Inc. 1938. 6 reels, sd.

Credits: Supervision, Maurice Cohn; director, Alan James; original story, Robert Emmett; screenplay, Stanley Roberts, Gennard Rea; music, Connie Lee.

WEST OF SHANGHAI. First National. 1937. 7 reels, sd. From a play by Porter Emerson Browne.

Credits: Director, John Farrow; screenplay, Crane Wilbur.

WEST OF SINGAPORE. 1933. 7 reels, sd.

Credits: Producer, M. H. Hoffman; supervision, Trem Carr; director, Albert Ray; story, Houston Branch; continuity and dialogue, Adele Buffington.

WEST OF THE DIVIDE. Presented by Lone Star Productions. 1934. 6 reels, sd.

Credits: Producer, Paul Malvern; story, screenplay, and direction, Robert N. Bradbury.

Credits: Direction, story, and screen adaptation, Neal Hart.

WEST OF THE PECOS. 1935. 7 reels, sd. From the novel by Zane Grey.

Credits: Associate producer, Cliff Reid; director, Phil Rosen; screenplay, Milton Krims, John Twist; editor, Archie Marshek; music director, Roy Webb.

WEST OF THE SANTA FE. 1938. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Bennett R. Cohen; film editor, William Lyon; music director, Morris Stoloff.

WEST OF THE WATER TOWER. Paramount. Presented by Adolph Zukor. 1924. 8 reels. From the novel by Homer Croy.

Credits: Director, Rollin S. Sturgeon; scenario, Doris Schroeder; adaptation, Lucien Hubbard.

WEST OF ZANZIBAR. 1928. 7 reels, b&w.

Credits: Director, Tod Browning; story, Chester De Vonde, Kilbourn Gordon; scenario, Elliott Clawson; titles, Joe Farnham; film editor, Harry Reynolds.

WEST POINT. 1928. Produced by permission of the War Dept. with cooperation of U. S. Military Academy. 9 reels, sd., b&w.

Credits: Producer and director, Edward Sedgwick; technical supervision, Raymond G. Moses; story and continuity, Raymond L. Schrock; titles, Joe Farnham; film editor, Frank Sullivan.

WEST POINT OF THE AIR. 1935. 9 reels, sd., b&w.

Credits: Producer, Monta Bell; director, Richard Rosson; original story, James K. McGuinness, John Monk Saunders; screenplay, Frank Wead, Arthur J. Beckhard; film editor, Frank Sullivan.

WEST POINT OF THE SOUTH. (A Miniature) 1936. 687 ft., sd.

Credits: Director, Richard Rosson; commentator, Pete Smith.

WEST SIDE MIRACLE. SEE Secrets of a Nurse.

WEST WIND. 1915. 3 reels.

Credits: Director, Lionel Belmore.

WESTERN BLOOD. 1918. 5 reels.

Credits: Direction and adaptation, Lynn F. Reynolds; story, Tom Mix.

Credits: Scenario, Frank E. Montgomery.

WESTERN CARAVANS. 1939. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Bennett R. Cohen; film editor, William Lyon; music director, M. W. Stoloff; music and lyrics, Bob Nolan.

THE WESTERN CODE. 1932. 6 reels, sd.

Credits: Director, J. P. McCarthy; story, William Colt MacDonald; screenplay, Milton Krims; film editor, Otto Meyer.

WESTERN COURAGE. 1935. 6 reels, sd.

Credits: Director, Spencer Gordon Bennett; story, Charles Francis Royal; screenplay, Nate Gatzert; film editor, Dwight Caldwell.

A WESTERN ENGAGEMENT. 1925. 5 reels.

Credits: Director, Paul Hurst.

WESTERN FATE. 1924. 5 reels.

Credits: Director, George Holt; story and scenario, George H. Plympton.

WESTERN FEUDS. 1923. 5 reels.

Credits: Director, Francis Ford; story and scenario, Isabel Blodgett, Ashton Dearholt.

WESTERN FRONTIER. 1935. 6 reels, sd.

Credits: Director, Albert Herman; story, Ken Maynard; screenplay, Nate Gatzert; film editor, Dwight Caldwell.

WESTERN GOLD. 1937. 6 reels, sd. Adapted from the novel "Helen of the Old House" by Harold Bell Wright.

Credits: Producer, Sol Lesser; director, Howard Bretherton; screenplay, Earle Snell, Forrest Barnes; film editors, Arthur Hilton, Carl Pierson.

A WESTERN GOVERNOR'S HUMANITY. 1915. 3,000 ft.

Credits: Written and produced by Romaine Fielding.

WESTERN GRANDEUR. (Along the Road to Romance on the Magic Carpet of Movietone) 1937. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr; narrator, Ed Thorgersen.

WESTERN GRIT. 1924. 5 reels.

Credits: Written and directed by Ad Cook.

WESTERN HEARTS. Presented by Cliff Smith Productions. 1921. 5 reels.

Credits: Director, Cliff Smith; story and continuity, Cliff Smith, Alvin J. Neitz.

WESTERN JAMBOREE. 1938. 6 reels, sd.

Credits: Associate producer, Harry Grey; director, Ralph Staub; original story, Pat Harper; screenplay, Gerald Geraghty; film editor, Lester Orlebeck; music supervision, Raoul Kraushaar.

WESTERN JUSTICE. 1922. 5 reels.

Credits: Written and directed by Fred Caldwell.

WESTERN KNIGHTS. (Educational-Mermaid Talking Comedies) 1930. 18 min., sd.

Credits: Production and supervision, Jack White; director, Stephen Roberts.

WESTERN LUCK. 1924. 5 reels, b&w, tinted sequences.

Credits: Director, George Andre Beranger; story and scenario, Robert N. Lee.

A WESTERN MASQUERADE. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

Credits: Written and directed by Aubrey M. Kennedy.

WESTERN PLUCK. (Blue Streak Western) 1925. 5 reels.

Credits: Director, Travers Vale; story, W. C. Tuttle.

Credits: Producer, Lem B. Parker.

THE WESTERN ROVER. (Blue Streak Western) 1927. 5 reels.

Credits: Director, Albert Rogell; story and scenario, George Hively.

WESTERN SKETCHES. 1936. 1 reel, color.

WESTERN SKIES. 1923. 2 reels.

Credits: Director, Nat Ross; story and scenario, Karl Coolidge.

WESTERN SPEED. 1922. 5 reels.

Credits: Directors, Scott Dunlap, C. R. Wallace; story, William Patterson White; scenario, Scott Dunlap.

THE WESTERN TRAIL. (Paul Terry Toons) Presented by E. W. Hammons. 1936. 1 reel.

Credits: Paul Terry, Mannie Davis, George Gordon; scored and conducted by Philip A. Scheib.

WESTERN TRAILS. 1938. 6 reels, sd.

Credits: Associate producer, Paul Malvern; director, George Waggner; original story and screenplay, Norton S. Parker; film editor, Charles Craft.

THE WESTERN WALLOP. 1924. 5 reels. Adapted from the story "On Parole" by Adolph Bennauer.

Credits: Director, Clifford S. Smith.

THE WESTERN WAY. 1915. 1 reel.

A WESTERN WELCOME. 1938. 19 min., sd., color.

Credits: Producer, Bert Gilroy; director, Leslie Goodwins; story, Charles Roberts, Leslie Goodwins; film editor, John Lockert.

THE WESTERN WHIRLWIND. (Blue Streak Western) 1926. 5 reels.

Credits: Written and directed by Albert Rogell.

WESTERN WHOOPEE. (An Aesop Sound Fable) 1930. 1 reel, sd.

Credits: John Foster, Harry Bailey.

A WESTERN WOOING. 1919. 2 reels.

Credits: Director, George Holt; story, Harvey Gates; scenario, Anthony W. Coldeway.

WESTERN YESTERDAYS. 1924. 5 reels.

Credits: Producer, Ashton Dearholt; adapted and directed by Francis Ford; story, E. R. Hickson, Ashton Dearholt.

THE WESTERNER. 1934. 6 reels, sd.

Credits: Director, David Selman; story, Walt Coburn; screenplay, Harold Shumate; film editor, Ray Snyder.

WESTINGHOUSE 8-1/2 INCH CROSS-COMPOUND AIR COMPRESSOR ON LOCOMOTIVES, BOTH IN REPOSE AND IN OPERATION, INCLUDING DIAGRAMMATIC DRAWINGS AND COMPLETE DETAILED EXPLANATIONS. 1928. 3 reels.

WESTINGHOUSE NO. 6 E-T BRAKING EQUIPMENT, INCLUDING OPERATING VALVES IN CAB AND VALVES UNDER THE RUNNING BOARD OF LOCOMOTIVE, BOTH IN REPOSE AND IN OPERATION, INCLUDING DIAGRAMMATIC DRAWINGS AND COMPLETE DETAILED EXPLANATIONS. 1928. 4 reels.

WESTINGHOUSE PLAIN TRIPLE VALVES OF THE BRAKING APPARATUS ON LOCOMOTIVE'S TENDER, TOGETHER WITH WESTINGHOUSE STANDARD QUICK ACTION TRIPLE VALVES AND WESTINGHOUSE TYPE "K" VALVES ON CARS, BOTH IN REPOSE AND IN OPERATION, INCLUDING DIAGRAMMATIC DRAWINGS AND COMPLETE DETAILED EXPLANATIONS. 1928. 3 reels.

THE WESTLAND CASE. Crime Club. 1937. 7 reels, sd. From the novel "Headed for a Hearse" by Jonathan Latimer.

Credits: Producers, Larry Fox, Irving Starr; director, Christy Cabanne; screenplay, Robertson White.

WESTWARD BOUND. (E. M. Newman's See America First Series, no. 9) 1935. 1 reel, sd.

Credits: Narrative, John B. Kennedy; editor, Bert Frank.

WESTWARD HO! Bluebird. 1925. 1 reel.

Credits: Director, Richard Smith.

WESTWARD HO. 1935. 7 reels, sd.

Credits: Producer, Paul Malvern; director, R. N. Bradbury; story and screenplay, Robert Emmett, Lindsley Parsons; continuity, Harry Friedman; editor, Carl Pierson.

WESTWARD PASSAGE. Presented by RKO Pathe. 1932. 8 reels, sd. From the novel by Margaret Ayer Barnes.

Credits: Producer, David O. Selznick; director, Robert Milton; adaptation, Bradley King; dialogue, Humphrey Pearson; film editor, Charles Craft; music director, Max Steiner.

WESTWARD WHOA. (Star Comedy) 1921. 1 reel.

Credits: Producer, Craig Hutchinson; story and scenario, W. Scott Darling.

WESTWARD WHOA. 1924. 2 reels.

Credits: Director, Lewis Seiler.

WESTWARD WHOA. (Looney Tunes) 1936. 1 reel.

Credits: Producer, Leon Schlesinger; animation, Paul Smith, Ben Clopton; music, Norman Spencer.

WET AND WARMER. 1921. 2 reels.

Credits: Director, Henry Lehrman.

WET AND WEARY. 1923. 2 reels.

Credits: Edited and titled by Ralph Spence.

WET GOLD. 1921. 6 reels.

Credits: Producer, J. Ernest Williamson; director, Ralph Ince.

A WET KNIGHT. (An Oswald Comedy) Snappy. 1932. 1 reel.

WET PAINT. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6 reels.

Credits: Director, Arthur Rosson; original story, Reginald Morris; scenario, Lloyd Corrigan.

THE WET PARADE. 1932. 13 reels, sd. From the novel by Upton Sinclair.

Credits: Producer, Victor Fleming; adaptation, John L. Mahin; film editor, Anne Bauchens.

WHACKS MUSEUM. (A Krazy Kat Cartoon) Presented by Columbia Pictures Corp. 1933. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Harry Love, Al Eugster; animation, Allen Rose, Preston Blair; musical score, Joe de Nat.

WHALE! HO! 1937. 1 reel, sd.

A WHALE OF A YARN. Presented by Vitaphone. 1933. 1 reel, sd.

Credits: Editor, Bert Frank.

THE WHALERS. 1938. 1 reel, sd.

WHALING IN THE FAR NORTH OFF THE COAST OF ALASKA IN THE TREACHEROUS BERING SEA. 1912. 1 reel.

THE WHARF ANGEL. 1934. 7 reels, sd.

Credits: Producer, Albert Lewis; director, William Cameron Menzies, George Somnes; story, Frederick Schlick; screenplay, Samuel Hoffenstein, Frank Partos; dialogue, Stephen Morehouse Avery; music, Ralph Rainger.

WHAT A BLIND MAN SAW. Laemmle. 1915. 2 reels.

Credits: Producer, Sydney Ayres; scenario, M. R. MacKinstry.

WHAT A BOZO. (Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Director, James Parrott; dialogue, H. M. Walker; editor, Richard Currier.

WHAT A BUSINESS! 1934. 2 reels, sd.

Credits: Director, Milton Schwarzwald; dialogue, Melvin Aaronson.

WHAT A CINCH. 1915. Split reel.

WHAT A CLUE WILL DO. Nestor. 1917. 1 reel.

Credits: C. B. Hoadley, Frederick A. Palmer; director, Louis William Chaudet.

WHAT A DAY. (Educational-Mermaid Comedy) 1929. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

WHAT A DAY! (George LeMaire Comedies) Sound Studios, Inc. 1929. 2 reels, sd.

Credits: Director, George LeMaire; story, George LeMaire, Walter DeLeon; editor, E. Pfitzenmeier.

WHAT A GIRL CAN DO. 1924. 7 reels.

Credits: Scenario and production, Edward Stuart.

WHAT A HEAD! (Tuxedo Comedies) 1931. 20 min., sd.

Credits: Producer, Al Christie; director, Robert Hall; story and dialogue, Frank R. Conklin.

WHAT A KNIGHT. (Krazy Kat Cartoon) 1932. 1 reel. Adapted from the cartoon character by Geo. Herriman.

Credits: Manny Gould; producer, Charles Mintz; animation, Harry Love; musical score, Joe de Nat.

WHAT A LIFE. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Jules White.

WHAT A LIFE. 1930. 1 reel, sd.

WHAT A LIFE. (Flip the Frog Cartoon) 1932. 1 reel.

WHAT A LIFE. 1939. 8 reels, sd. Based on the play by Clifford Goldsmith.

Credits: Producer and director, Jay Theodore Reed; screenplay, Charles Brackett, Billy Wilder; film editor, William Shea.

WHAT A LION! (A Captain and the Kids Cartoon) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia. Based upon the United Features comic "The Captain and the Kids."

Credits: Supervision, William Hanna.

WHAT A MAN. 1930. 9 reels, sd. Adapted from the novel "His Dark Chapter."

Credits: Director, George J. Crone.

WHAT A NIGHT. (Mermaid Comedies) Educational. 1924. 2 reels.

Credits: Written and directed by Norman Taurog.

WHAT A NIGHT! 1928. 6 reels.

Credits: Director, A. Edward Sutherland; story, Lloyd Corrigan, Grover Jones; screenplay, Louise Long.

WHAT A NIGHT. (Paul Terry Toons) Educational. Presented by E. W. Hammons. 1935. 549 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

WHAT A PARTY! (Mike and Ike Series) (Stern Brothers Comedies) 1927. 2 reels. From the cartoons of Rube Goldberg.

Credits: Director, Francis Corby.

WHAT A PILL. (Cameo Comedy) 1929. 1 reel.

Credits: Director, Francis J. Martin.

WHAT A SALESPERSON SHOULD KNOW ABOUT KNIT UNDERWEAR. 1921. 1 reel.

WHAT A SALESPERSON SHOULD KNOW ABOUT WOOLEN FABRICS, WOOLEN TEXTILES. 1921. 1 reel.

WHAT A TIME. (Manhattan Comedies) Presented by E. B. Derr. 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; director, Arch B. Heath; story, Mauri Grashin; screenplay, Arch B. Heath, Harry Fraser; film editor, John Link; music director, Francis Gromon.

WHAT A TRIP. (Cameo Comedy) 1929. 1 reel.

Credits: Director, Francis J. Martin.

WHAT A WIDOW. 1930. 10 reels, sd.

Credits: Producer, Allan Dawn; story, Josephine Lovett; dialogue, James Gleason, James Seymour; music director, Josiah Zuro.

WHAT A WIFE. (Toots and Casper Series, no. 2) 1928. 2 reels.

Credits: Director, St. Elmo Boyce; story, E. V. Durling, Hal Davitt.

WHAT A WIFE LEARNED. First National Pictures, Inc. 1923. 7 reels.

Credits: Bradley King; supervision, Thomas H. Ince; director, John Griffith Wray.

WHAT ABOUT CHRISTMAS. 1936. Filmstrip, sd.

WHAT ADVERTISING DID TO HELP ONE POOR SOUL. SEE The Rejuvenation of Sally Diddet.

WHAT AM I BID? 1919. 6 reels.

Credits: Director, Robert Z. Leonard; scenario, Harvey Thew.

WHAT AN EXCUSE. (The Excuse Maker Series) (Stern Brothers Comedy) 1927. 2 reels.

Credits: Director, Samuel Newfield; story, William Anthony.

WHAT AN EYE. Century. 1924. 2 reels.

Credits: Written and directed by Edward I. Luddy.

WHAT BECAME OF JANE? 1914. 1,000 ft.

Credits: Producer, Edward J. LeSaint.

WHAT CHILDREN WILL DO. SEE Ashamed of Parents.

WHAT COULD BE SWEETER. National Film Corp. of America. Released through Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Written and directed by Carter De Haven.

WHAT COULD SHE DO? 1914. 3 reels.

Credits: Gertrude Lyon; director, John H. Collins.

WHAT COULD THE POOR GIRL DO? Nestor. 1916. 2 reels.

Credits: Producer, Eddie Lyons.

WHAT DARWIN MISSED. Victor. 1916. 1 reel.

Credits: Producer, Beverly Griffith; scenario, Frank Wiltermood.

WHAT DID HE WHISPER? 1915. 1 reel.

Credits: Director, Ulysses Davis.

WHAT DO I CARE. 1929. 1 reel, sd.

Credits: Director, Monte Brice.

WHAT DO MEN WANT? 1921. 7 reels.

Credits: Written and directed by Lois Weber.

Credits: Directors, Felix E. Feist, Jacques Tourneur; screenplay, Carl Dudley, Jack Woodford; narration, Carey Wilson.

WHAT DO YOU WANT? A TALK WITH THE JOHN HANCOCK AGENT. 1930. Filmstrip, 57 frames.

WHAT DOES 1934 HOLD? Treasure Chest. Educational Pictures. Presented by E. W. Hammons. 1934. 954 ft., sd.

Credits: Director, William Watson; editor, Leonard Weiss.

WHAT DOES THE PROSPECT WANT? 1930. Filmstrip, 52 frames.

WHAT EVERY BOY SHOULD KNOW. (Lew Lehr's Kindergarten) 1938. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Russell Sheilds.

WHAT EVERY GIRL SHOULD KNOW. 1927. 7 reels.

Credits: Director, Charles F. Reisner; story, John Wagner; screenplay, Lois Jackson.

WHAT EVERY GIRL SHOULD KNOW. (Lew Lehr's Kindergarten) 1938. 1 reel, sd.

Credits: Producer, Truman Talley; research, Jack Gordon; editor, Russell Shields.

WHAT EVERY ICEMAN KNOWS. 1927. 2 reels, b&w, tinted sequences.

Credits: Supervision, Leo McCarey; director, Hal Yates; titles, H. M. Walker; editor, Richard Currier.

WHAT EVERY INVENTOR SHOULD KNOW. (Lew Lehr's Kindergarten) 1938. 1 reel, sd.

Credits: Producer, Truman Talley; research by Jack Gordon; editor, Russell Sheilds.

WHAT EVERY WOMAN KNOWS. 1921. 7 reels. Based on the play by Sir James M. Barrie.

Credits: Director, William C. De Mille; picturization, Olga Printzlau.

WHAT EVERY WOMAN KNOWS. 1934. 9 reels, sd., b&w. Based on the play by Sir James Matthew Barrie.

Credits: Producer, Gregory La Cava; screenplay, Monckton Hoffe, John Meehan, James K. McGuinness; film editor, Blanche Sewell; music score, Herbert Stothart.

WHAT EVERY WOMAN LEARNS. 1919. 5 reels.

Credits: Director, Fred Niblo; story, Eugene B. Lewis.

WHAT FOOLS MEN. 1925. 8 reels. Adapted from the novel "Joseph Greer and His Daughter" by Henry Kitchell Webster.

Credits: Director, George Archainbaud.

WHAT FOOLS MEN ARE. 1922. 6 reels. From the play "The Flapper" by Eugene Walter.

Credits: Director, George Terwilliger; scenario, Peter Milne.

WHAT FORM MEANS TO AN ATHLETE. 1917. 1 reel.

WHAT FUR. 1933. 2 reels, sd.

Credits: Producer, Lou Brock; director, George Stevens; story, George Stevens, Fred Guiol; film editor, George Crone.

Credits: Director, George Irving; story, Paul Wilstach.

WHAT HAPPENED ON THE BARBUDA. 1915. 3 reels.

Credits: Willie C. Pratt.

WHAT HAPPENED TO FATHER. 1915. 5 reels.

Credits: Director, C. Jay Williams.

WHAT HAPPENED TO FATHER. 1927. 6 reels.

Credits: Director, John G. Adolfi; story, Mary Roberts Rinehart; scenario, Charles R. Condon.

WHAT HAPPENED TO JONES. 1920. 5 reels. From the play by George Broadhurst.

Credits: Director, James Cruze; scenario, Elmer Harris.

WHAT HAPPENED TO JONES. Jewel. 1925. 7 reels. From the play by George Broadhurst.

Credits: Director, William A. Seiter; adaptation and continuity, Melville W. Brown.

For sequel SEE Who Will Marry Mary?

WHAT HAPPENED TO PEGGY. 1916. 2 reels.

WHAT HAPPENED TO ROSA. Goldwyn Studios. 1920. 5 reels.

Credits: Pearl Lenore Curran; director, Victor Schertzinger; scenario, Gerald C. Duffy.

WHAT HAPPENS WHEN YOU LET THE LAUNDRY WASH IT. 1929. 1 reel.

WHAT HE FORGOT. 1914. Split reel.

WHAT I SAID GOES. 1916. 3 reels.

Credits: Edward T. Lowe, Jr.; director, J. Charles Haydon.

WHAT INTERESTS OUR PROSPECTS AND WHY? 1929. 1 reel.

WHAT INTERESTS YOUR PROSPECT? 1927. 1 reel.

WHAT IS IT? 1929. 1 reel, sd.

WHAT IS YOUR VALUE, MADAME? SEE This Wife Business.

WHAT IT TAKES TO WIN. 1936. For Plymouth Motor Corp. 1 reel, sd.

WHAT KATIE DID. 1912. 1,000 ft.

Credits: Charles M. Seay.

WHAT KELLY SAW AT THE KNOT HOLE. 1920. 1 reel.

WHAT LOVE CAN DO. Red Feather. 1916. 5 reels.

Credits: Story, Gertrude H. Andrews; scenario and direction, Jay Hunt.

Credits: Director, Henry Vekroff; story, Gardner Hunting; scenario, George D. Proctor.

WHAT LOVE WILL DO. 1921. 5 reels.

Credits: Director, William K. Howard; story, L. G. Rigly; scenario, Jack Strumwasser.

WHAT MAKES A CHAMPION? (A Grantland Rice Sportlight) 1933. 1 reel.

WHAT MEN WANT. 1930. 7 reels.

Credits: Warner Fabian; director, Ernst Laemmle; adaptation and dialogue, Dorothy Yost, John B. Clymer.

WHAT MIGHT HAVE BEEN. Imp. 1915. 1 reel.

Credits: Dwight Cleveland; producer, Sidney Goldin.

WHAT MIGHT HAVE BEEN. SEE Her Only Way.

WHAT MONEY CAN'T BUY. 1917. 5 reels. From the play by George Broadhurst.

Credits: Director, Lou Tellegen; scenario, Beulah Marie Dix.

WHAT MONEY WILL DO. 1915. 1,000 ft.

WHAT NEXT? (Broadway Comedy) 1922. 2 reels.

Credits: Producer, Morris R. Schlank.

WHAT! NO BAIT! (Sound Topics of the Day) 1930. 1 reel, sd.

Credits: Alfred T. Mannon.

WHAT! NO BEER? 1933. 7 reels, sd., b&w.

Credits: Director, Edward Sedgwick; original story, Robert E. Hopkins; screenplay, Carey Wilson; additional dialogue, Jack Cluett; film editor, Frank Sullivan.

WHAT, NO GROCERIES! 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, Fred Guiol; story, Fred Guiol, Jack Townley; film editor, John Lockert.

WHAT NO MAN KNOWS. 1921. 6 reels.

Credits: Director, Harry Garson; story, Sada Cowan.

WHAT, NO MEN? 1935. 2 reels, sd.

Credits: Director, Ralph Staub; screenplay and dialogue, Joe Traub, Paul Gerard Smith.

WHAT! NO SPINACH? (Blue Ribbon Comedies) 1926. 2 reels.

Credits: Director, Harry Sweet.

WHAT NO SPINACH? 1936. 1 reel.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

WHAT NOT TO DO IN BRIDGE. (Ely Culbertson in My Bridge Experiences) 1933. 2 reels, sd.

Credits: Supervision, Lou Brock; director, Murray Roth; film editor, Charles Kimball.

WHAT PRICE AIR. 1932. 2 reels, sd.

Credits: Director, Aubrey Scotto; story, Harry W. Conn.

WHAT PRICE BEAUTY. 1928. 5 reels.

Credits: Director, Thomas Buckingham; story, Natcha Rambova.

WHAT PRICE BURLESQUE. SEE Sammy Cohen in What Price Burlesque.

WHAT PRICE DOUGH. 1927. 2 reels.

Credits: Director, Albert Herman.

WHAT PRICE GEORGIE. SEE Georgie Price in What Price Georgie.

WHAT PRICE GLORY. 1926. 12 reels, tinted. Based on the play by Laurence Stallings and Maxwell Anderson.

Credits: Director, Raoul Walsh.

WHAT PRICE HOLLYWOOD? 1932. 78 min., sd.

Credits: Gene Fowler, Rowland Brown; producer, David O. Selznick; director, George Cukor; story, Adela Rogers St. Johns Hyland; screenplay, Jane Murfin, Ben Markson; film editor, Jack Kitchin.

WHAT PRICE INNOCENCE? 1933. 7 reels, sd.

Credits: Written and directed by Willard Mack; film editor, Arthur Hilton.

WHAT PRICE JAZZ. (M-G-M Musical Revue) 1934. 2 reels, sd., b&w.

Credits: Sam Timberg, Herman Timberg; director, Samuel Baerwitz.

WHAT PRICE NOISE? 1926. 1 reel.

WHAT PRICE, ORPHANS? 1925. 2 reels.

Credits: Director, Mark Goldaine; story, King Benedict, C. E. Morehouse.

WHAT PRICE PANTS. 1931. 2 reels, sd.

Credits: Director, Casey Robinson; dialogue staged by Max E. Hayes.

WHAT PRICE PIANO. SEE Pauline Alpert in What Price Piano.

WHAT PRICE PLEASURE? Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

WHAT PRICE PORKY. (Looney Tunes) 1938. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Robert Clampett; animation, Charles Jones, Robert Cannon; music score, Carl W. Stalling.

WHAT PRICE SAFETY! (A Crime Does Not Pay Subject) Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Director, Harold S. Bucquet; original story and screenplay, John C. Higgins.

WHAT PRICE SPEED. (World of Sports) Bray Pictures Corp. 1933. 1 reel, sd.

Credits: Narrator, Ford Bond.

WHAT PRICE TAXI. (Hal Roach Comedy) Presented by Hal Roach. 1932. 2 reels, sd.

Credits: Director, Del Lord; dialogue, H. M. Walker; editor, Richard Currier.

Credits: Producer, John L. Hawkinson.

WHAT SHALL I DO? Released by the W. W. Hodkinson Corp. 1924. 6 reels.

Credits: Story, supervision and editing, Frank Woods; director, John G. Adolfi.

WHAT SHALL IT PROFIT A MAN. 1913. 1 reel.

Credits: Bannister Merwin.

WHAT THE——? Joker. 1917. 1 reel.

Credits: Director, William Beaudine; story, Jack Cunningham.

WHAT THE RIVER FORETOLD. Bison. 1915. 3 reels.

Credits: Producer, Joseph Franz; story, Peter B. Kyne; scenario, Ben Cohn.

WHAT THE SCOTCH STARTED. (World of Sports) Bray Pictures Corp. 1933. 1 reel, sd.

Credits: Narrator, Ford Bond.

WHAT THE WORLD MAKES. SEE E. M. Newman's What the World Makes.

WHAT THIS COUNTRY NEEDS. 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, Eddie Moran, A. Dorian Otvos.

WHAT TO DO AND WHAT TO SAY. 1931. Filmstrip.

WHAT WILL PEOPLE SAY? Popular Plays and Players. 1915. 5 reels. Based on the story by Rupert Hughes.

WHAT WIVES WANT. 1923. 5 reels.

Credits: Director, Jack Conway; story, Edward T. Lowe, Jr., Perry N. Vekroff.

WHAT WOMEN LOVE. 1920. 6 reels.

Credits: Director, Nate C. Watt; story, Bernard McConville.

Credits: Director, George Archainbaud; story, George Middleton; scenario, Garfield Thompson.

WHAT WOULD YOU DO? 1917. 30 min.

Credits: Edward T. Lowe, Jr.; director, L. C. Windom.

WHAT WOULD YOU DO? 1920. 5 reels.

Credits: Director, E. Lawrence; story and scenario, Denison Clift.

WHAT YOU WILL WANT TO KNOW ABOUT THE WILLYS-KNIGHT STANDARD SIX. 1928. 1 reel.

WHATEVER SHE WANTS. 1921. 5 reels.

Credits: Director, C. R. Wallace; story, Edgar Franklin [pseud. of Edgar Franklin Stearns].

WHAT'LL WE DO WITH UNCLE? Victor. 1917. 1 reel.

Credits: Director, William W. Beaudine; story, King Vidor.

WHAT'LL YOU HAVE? (Stern Brothers Comedy) (Excuse Maker Series) 1926. 2 reels.

Credits: Director, Francis Corby; story, William Anthony.

WHAT'S A FIXER FOR. SEE Fixer Dugan.

WHAT'S A WIFE WORTH? 1921. 6 reels.

Credits: Written and directed by William Christy Cabanne.

Credits: Director, John Steppling.

WHAT'S IN A NAME. 1925. 1 reel.

WHAT'S OURS. 1915. 1 reel.

Credits: Director, S. Rankin Drew, Jr.

WHAT'S THE ANSWER. 1936. 1 reel, sd.

WHAT'S THE IDEA. 1935. 1 reel, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

WHAT'S THE MATTER WITH FATHER? 1918. 2 reels.

Credits: Director, J. G. Blystone.

WHAT'S TO DO? (Frolics of Youth) Presented by E. W. Hammons. 1933. 1,631 ft., sd.

Credits: Director, Charles Lamont; story and dialogue, Ernest Pagano, Ewart Adamson, C. Edward Roberts.

WHAT'S UNDER THE HOOD? (Socony Screen Talks, no. 1) Presented by Standard Oil Company of New York. 1930. Filmstrip, 109 frames.

WHAT'S UP? (Cameo Comedy) 1926. 1 reel.

Credits: Director, Jess Robbins.

WHAT'S WORTH WHILE? 1921. 6 reels.

Credits: Written and produced by Lois Weber.

WHAT'S WRONG WITH THE WOMEN? 1922. 7 reels.

Credits: Director, R. William Neil; written and adapted by Daniel Carson Goodman.

WHAT'S YOUR HURRY? Paramount. Presented by Jesse L. Lasky. 1920. 5 reels. From the story "The Hippopotamus Parade" by Byron Morgan.

Credits: Director, Sam Wood; scenario, Byron Morgan.

WHAT'S YOUR HURRY? (Mirthquake, no. 11) 1922. 2 reels.

Credits: Director, Eugene De Rue; scenario, Glen Lambert.

WHAT'S YOUR HURRY? (Stern Brothers Comedy) 1926. 2 reels.

Credits: Director, Samuel Newfield; story, William B. Anthony.

WHAT'S YOUR HUSBAND DOING? 1919. 5 reels.

Credits: Director, Lloyd Ingraham; story, George V. Hobart; scenario, R. Cecil Smith.

WHAT'S YOUR RACKET? 1934. 7 reels.

Credits: Director, Fred Guiol; original story, George R. Rogan; screenplay, Barry Barringer; film editor, Dan Milner.

WHAT'S YOUR REPUTATION WORTH? 1921. 6 reels.

Credits: Director, Webster Campbell; story, Heliodore Tenno.

WHAT'S YOUR WIFE DOING. SEE Reckless Romance.

WHEAT. 1928. 1 reel.

WHEAT AND FLOUR. (Ford Educational Library, Agriculture) Ford Motion Picture Laboratories. 1922. 1 reel.

THE WHEAT AND THE CHAFF. 1916. 3 reels.

Credits: Supervision, Wilbert Melville; director, Melvin Mayo.

THE WHEAT AND THE TARES. 1914. 2 reels.

Credits: Director, Theodore Marston.

THE WHEAT FARMER. 1938. 1 reel, sd.

THE WHEEL. 1925. 8 reels, b&w, tinted sequences.

Credits: Director, Victor Schertzinger; story, Winchell Smith; scenario, Edfrid Bingham.

WHEEL OF CHANCE. Presented by Richard A. Rowland. 1928. 7 reels. From the story "Roulette" by Fannie Hurst.

Credits: Producer and director, Alfred Santell; adaptation and continuity, Gerald C. Duffy.

THE WHEEL OF CHANCE. 1936. For Coca-Cola Co. 1 reel, sd.

THE WHEEL OF LIFE. 1929. 6 reels, si., 5,153 ft., sd.

Credits: James Bernard Fagan; director, Victor Schertzinger; adaptation and screenplay, John Farrow.

THE WHEEL OF THE GODS. 1915. 1 reel.

THE WHEEL OF THE LAW. 1916. For the Metro program. 5 reels.

Credits: Produced and directed by George D. Baker; story, Katherine Kavanaugh.

WHEELS OF DESTINY. 1934. 7 reels.

Credits: Director, Alan James; story, screenplay, and dialogue, Nate Gatzert.

WHEELS OF FATE. SEE Code of the Mounted.

THE WHEELS OF JUSTICE. 1915. 4 reels.

Credits: Director, Theodore Marston.

THE WHELP. Imp. 1916. 1 reel.

Credits: Harvey Gates; director, Millard K. Wilson.

WHEN A DOG LOVES. (Ranger, no. 3) Released by F. B. O. 1927. 5 reels.

Credits: Director, J. P. McGowan; story, John A. Moroso; continuity, F. A. E. Pine.

WHEN A FELLER'S NOSE IS OUT OF JOINT. 1915. 1 reel.

Credits: Director, Tefft Johnson.

WHEN A FELLOW NEEDS A FRIEND. 1932. 8 reels, sd., b&w. From the book "Limpy" by William Johnston.

Credits: Producer, Harry Pollard; dialogue continuity, Sylvia Thalberg, Frank Butler; film editor, William Le Vanway.

WHEN A GIRL LOVES. Universal Special. 1918. 6 reels. From the story "The Man Who Dared" by Lois Weber.

WHEN A MAN LOVES. 1919. 5 reels.

Credits: Director, Chester Bennett; story, Florine Walz Williams, H. H. Van Loan; scenario, E. Richard Schayer.

WHEN A MAN LOVES. 1926. 10 reels.

Credits: Director, Alan Crosland; adaptation, Bess Meredyth.

WHEN A MAN RIDES ALONE. 1918. 5 reels.

Credits: Director, Harry King; story and scenario, Stephen Fox.

WHEN A MAN SEES RED. 1917. For Fox Film Corp. 7 reels. Adapted from the story "The Painted Lady" by Larry Evans.

Credits: Scenario and direction, Frank Lloyd.

WHEN A MAN SEES RED. 1934. 7 reels, sd.

Credits: Direction and screenplay, Alan James; original story, Basil Dickey.

WHEN A MAN'S A MAN. First National. 1924. 7 reels. From the novel by Harold Bell Wright.

Credits: Director, Edward F. Cline.

WHEN A MAN'S A MAN. Presented by Sol Lesser and John Zanft. Released by Fox Film Corp. 1935. 7 reels, sd. From the novel by Harold Bell Wright.

Credits: Producer, Sol Lesser; director, Edward F. Cline; adaptation and screenplay, Agnes Christine Johnston, Frank M. Dazey; film editor, Donn Hayes.

WHEN A MAN'S FICKLE. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; story, L. J. Pouliot.

WHEN A MAN'S MARRIED. Metro-Drew. 1918. 1 reel.

Credits: Josephine Hoelder; directed and written by Mr. and Mrs. Sidney Drew.

WHEN A WIFE WORRIES. Imp. 1916. 1 reel.

Credits: Scenario and production, Hal Clotworthy.

WHEN A WOMAN LOVES. 1915. 5 reels.

Credits: Charles Horan.

WHEN A WOMAN SINS. 1918. 7 reels.

Credits: Director, J. Gordon Edwards; story, Betta Breuil; scenario, E. Lloyd Sheldon.

WHEN A WOMAN STRIKES. 1919. 5 reels.

Credits: Story and direction, Roy Clements.

WHEN A WOMAN'S 40. 1914. 2,000 ft.

Credits: Producer, E. A. Martin.

WHEN AMBROSE DARED WALRUS. 1915.

Credits: Producer, Mack Sennett.

WHEN AMBROSE DARED WALRUS. 1923. 2 reels.

WHEN AMERICA AWOKE. SEE Me und Gott.

WHEN AUNT MATILDA FELL. Nestor. 1916. 1 reel.

Credits: Written and produced by Al. E. Christie.

Credits: Director, Allie L. Sellers.

WHEN BEAUTY BUTTS IN. Imp. 1915. 1 reel.

Credits: Written and produced by Roy Clements.

WHEN BOBBY BROKE HIS ARM. 1917. 1 reel.

Credits: Written and directed by Charles M. Seay.

WHEN BONITA RODE. Mustang. 1926. 2 reels.

Credits: Director, Lew Collins; story, Phelps Decker.

Credits: Written and produced by O. A. C. Lund.

WHEN CAESAR RAN A NEWSPAPER. 1929. 2 reels.

Credits: Waldemar Young, William Jacobs; director, Walter Graham.

WHEN CALIFORNIA WAS WILD. 1915. 1 reel.

Credits: Producer, William Robert Daly; story, John J. Sheridan.

WHEN CAROL TOOK THE SUBWAY. SEE Adventures of Carol.

WHEN CONSCIENCE SLEEPS. 1915. 1 reel.

Credits: Harold K. Weed; director, Edward C. Taylor.

Credits: Written and directed by Aubrey M. Kennedy.

WHEN CUPID CROSSED THE BAY. Nestor. 1915. Split reel.

Credits: Written and produced by Al. E. Christie.

WHEN CUPID SLIPPED. 1916. 1 reel.

Credits: Written and produced by Victoria Forde.

WHEN DAD WAS A BOY. (A Johnnie Walker Novelty) (Do You Remember) Presented by E. W. Hammons. 1933. 1 reel, sd.

Credits: Miller and Lehr; associate producer, Monroe Gold; narrator, Lew Lehr; music director, Paul Vincent.

WHEN DAMON FELL FOR PYTHIAS. Joker. 1916. 2 reels.

Credits: Written and directed by W. W. Beaudine.

WHEN DANGER CALLS. 1927. 5 reels.

Credits: Supervision, Sam Bischoff; director, Charles Hutchison; story and continuity, Ben Allah.

WHEN DANGER SMILES. 1922. 5 reels.

Credits: Director, William Duncan; story, John B. Clymer.

WHEN DISASTER STRIKES. (Adventure of the Newsreel Cameraman) 1934. 1 reel, sd.

WHEN DO WE EAT? Presented by Thomas H. Ince. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Fred Niblo; story, C. Gardner Sullivan.

WHEN DO WE EAT? 1934. 2 reels.

Credits: Director, Alf Goulding; story and screenplay, Thomas Dugan, Lou Holtz; film editor, Robert Carlisle.

WHEN DOCTORS DISAGREE. Presented by Samuel Goldwyn. 1919. 5 reels.

Credits: Director, Victor L. Schertzinger; story, Anna F. Briand.

WHEN DOES A HEN LAY AN EGG? Keen Cartoon Corp. Powers. 1917. 1/2 reel.

WHEN DUMB-BELLS RING. 1925. 2 reels.

Credits: Director, George Summerville.

WHEN DUMBLEIGH SAW THE JOKE. 1915. 1 reel.

Credits: Director, Sidney Drew.

WHEN EAST MEETS WEST. Mustang. 1926. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle; adaptation, Robert McKenzie.

WHEN EAST MEETS WEST. SEE Ray Mayer and Edith Evans in When East Meets West.

WHEN EAST MET WEST IN BOSTON. 1914. 1 reel.

Credits: Y. Spinner; director, Walter Edwin.

WHEN EAST WENT WEST. (A Whirlwind Comedy) 1927. 2 reels.

Credits: Director, Craig Hutchinson.

WHEN EVE FELL. (Star Comedy) 1921. 1 reel.

Credits: Director, James Clemens.

WHEN FALSE TONGUES SPEAK. For Fox Film Corp. 1917. 5 reels.

Credits: Scenario and direction, Carl Harbaugh; story, George Scarborough.

WHEN FATE DECIDES. 1919. 5 reels.

Credits: Director, H. Millarde; story, Evelyn Campbell; scenario, Denison Clift.

WHEN FATHER HAD THE GOUT. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davy; scenario, Al. E. Christie.

WHEN FATHER INTERFERED. 1915. 1,000 ft.

WHEN FATHER WAS THE GOAT. Nestor. 1915. 1 reel.

Credits: Charles H. Christie; producer, Horace Davey.

WHEN FISH FIGHT. (Pepper Pot Novelty) 1936. 10 min., sd.

Credits: Director, Ned Schafer; narrator, Clem McCarthy.

WHEN FRIENDSHIP CEASES. 1913. 1 reel.

Credits: Director, Robert T. Thornby.

WHEN G-MEN STEP IN. 1938. 6 reels, sd.

Credits: Director, C. C. Coleman Jr.; story, Arthur T. Horman, Robert Chalmers Bennett; screenplay, Arthur T. Horman; film editor, Al Clark.

WHEN GEORGE HOPS. (A Stern Brothers Comedy) 1927. 2 reels. From the cartoons by George McManus.

Credits: Director, Samuel Newfield.

WHEN GLASSES ARE NOT GLASSES. 1913. 1 reel.

Credits: Director, Van Dyke Brooke.

WHEN GOOD FELLOWS GET TOGETHER. (Sport Pictorial, no. 14) 1921. 1 reel.

Credits: Producer, Jack Eaton; editor, Grantland Rice.

WHEN GRATITUDE IS LOVE. 1915. 1 reel.

Credits: J. G. Proctor; director, Charles M. Seay.

WHEN GREEK MEETS GREEK; a Story of Opposing Wills. 1913. 1 reel.

Credits: Mary Fuller.

WHEN GREEK MEETS GREEK. 1915. 1 reel.

Credits: Director, Sidney Drew.

WHEN HE CAME BACK. Imp. 1916. 1 reel.

Credits: Joseph Le Brandt; director, John McDermott.

WHEN HEARTS ARE YOUNG. 1915. 1 reel.

WHEN HEARTS WERE TRUMPS. Rex. 1915. 1 reel.

WHEN HER IDOL FELL. Nestor. 1915. 1 reel.

Credits: Producer, Al E. Christie; scenario, Ben Cohn.

WHEN HIRAM WENT TO THE CITY. Joker. 1915. 1 reel.

WHEN HIS SHIP CAME IN. 1914. 2,000 ft.

Credits: Producer, Thomas Santschi.

WHEN HONOR WAKES. 1915. 2,000 ft.

WHEN HOOLIGAN AND DOOLIGAN RAN FOR MAYOR. 1915. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

WHEN HUBBY GREW JEALOUS. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davy; scenario, Al. E. Christie.

WHEN HUSBANDS FLIRT. 1925. 6 reels.

Credits: Director, William Wellman; story and continuity, Paul Gangelin, Dorothy Arzner.

WHEN I YOO HOO. (Merrie Melodies) 1936. 1 reel, sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Bob McKimson, Don Williams; music, Norman Spencer.

WHEN IT RAINS IT POURS. 1916. 1 reel.

Credits: Producer, William Wolbert.

WHEN IT RAINS IT STOPS. Presented by Goodrich. 1938. 1 reel, sd.

WHEN JEALOUSY TUMBLED. Big U. 1915. 1 reel.

Credits: Written and produced by Burton King.

WHEN JERRY COMES HOME. SEE Itching Palms.

WHEN JOEY WAS ON TIME. 1912. 1 reel.

Credits: Richard Ridgely.

WHEN JOHNNY COMES MARCHING HOME. SEE The Home Stretch.

WHEN JUSTICE WON. 1916. 2 reels.

Credits: Joseph A. Roach; director, E. H. Calvert.

WHEN KNIGHTHOOD WAS IN FLOWER. Paramount. 1922. 12 reels. From the novel by Charles Major.

Credits: Director, Robert G. Vignola; adaptation, Luther Reed.

Credits: Producer, Maurice Elvey.

WHEN KNIGHTS WERE COLD. 1923. 2 reels.

Credits: Director, Frank Fouse.

WHEN LADIES MEET. Cosmopolitan. 1933. 9 reels, sd., b&w. Based on the play by Rachel Crothers, produced by John Golden, Inc.

Credits: Associate producer, Lawrence Weingarten; director, Harry Beaumont; screenplay, John Meehan, Leon Gordon; film editor, Hugh Wynn.

Credits: Producer, Colin Campbell.

WHEN LIN CAME HOME. 1915. 1 reel.

Credits: Director, William Wolbert.

WHEN LITTLE LINDY SANG. Powers Educational. 1916. 1/2 reel.

Credits: Producer, Lule Warrenton; story, Olga Printzlau.

WHEN LIZ LET LOOSE. Victor. 1917. 1 reel.

Credits: Director, Ruth Ann Baldwin; story, E. Magnus Ingleton.

WHEN LIZZIE DISAPPEARED. Nestor. 1916. 1 reel.

Credits: Written and produced by Al. E. Christie.

WHEN LIZZIE WENT TO SEA. Nestor. 1915. 1 reel.

Credits: Scenario, Al. E. Christie.

WHEN LOVE AND HONOR CALLED. Released through General Film Co. 1914. 3 reels.

Credits: Frank Blighton.

WHEN LOVE COMES. 1922. 5 reels.

Credits: Producer, Ray Carroll; director, William A. Seiter; adaptation, Winifred Dunn.

WHEN LOVE GROWS COLD. Released by F. B. O. 1926. 7 reels. From the novel by Laura Jean Libbey.

Credits: Supervision, Daniel Carson Goodman; direction and continuity, Harry O. Hoyt; adaptation, John C. Brownell.

WHEN LOVE IS BLIND. 1919. 2 reels.

Credits: Director, Eddie Cline.

WHEN LOVE IS KING. 1916. 5 reels.

Credits: Sumner Williams; director, Ben Turbett.

WHEN LOVE IS LOVE. Rex. 1915. 2 reels.

WHEN LOVE IS MOCKED. 1915. 3 reels.

WHEN LOVE IS YOUNG. 1924. 1 reel.

Credits: Director, Wm. H. Watson.

WHEN LOVE IS YOUNG. 1937. 9 reels, sd. From the story "Class Prophecy" by Eleanore Griffin.

Credits: Associate producer, Robert Presnell; director, Hal Mohr; screenplay, Eve Greene, Joseph Fields; film editor, Bernard W. Burton; music director, Charles Previn.

WHEN LOVE LAUGHS. Imp. 1915. 1 reel.

WHEN LOVE SPEAKS. SEE Children of the Stage.

WHEN LOVE TOOK WINGS. 1915.

Credits: Producer, Mack Sennett.

WHEN MARTIN GETS HERE. Capitol Comedies. 1921. 2 reels.

Credits: Director, Mark Goldaine; story, Kingsley Benedict.

WHEN MEN ARE TEMPTED. 1917. 5 reels. From the novel "John Burt" by Frederick Upham Adams.

Credits: Director, William Wolbert.

WHEN MEN DESIRE. 1919. 5 reels.

Credits: Director, J. Gordon Edwards; story, E. Lloyd Sheldon, J. Searle Dawley; scenario, Adrian Johnson.

WHEN MEN FIGHT. (World of Sports) 1935. 1 reel, sd.

Credits: Story, Jack Kofoed; narrator, Fred Uttal.

Credits: Producer, Colin Campbell.

WHEN MONEY COMES. (Roach Star Comedies) 1929. 2 reels, sd., b&w.

Credits: Director, Hal Roach; story, Leo McCarey; editor, Richard Currier.

WHEN MOTHER VISITED NELLIE. 1915. 1,000 ft.

WHEN MY LADY SMILES. 1915. 3 reels.

Credits: Edward T. Lowe, Jr.

WHEN MY SHIP COMES IN. 1919. 5 reels. Adapted from the novel by Gouverneur Morris.

Credits: Director, Robert T. Thornby.

WHEN MY SHIP COMES IN. (A Betty Boop Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer.

WHEN NATURE SMILES. (Paramount-Post Nature Pictures) Post Pictures Corp. 1919. 1 reel.

WHEN NOAH'S ARK EMBARKED. Powers. 1917. 1/2 reel.

Credits: John C. Terry.

WHEN ODDS ARE EVEN. 1923. 5 reels, b&w, tinted sequences.

Credits: Director, James Flood; story and scenario, Dorothy Yost.

WHEN OSCAR WENT WILD. Mustang. 1927. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle; adaptation, Robert McKenzie.

WHEN PARIS GREEN SAW RED. Nestor. 1918. 1 reel.

WHEN ROGUES FALL OUT. Bison. 1915. 3 reels.

Credits: Helen Holmes; producer, J. P. McGowan.

WHEN ROMANCE RIDES. 1922. 6 reels. Suggested by the novel "Wildfire" by Zane Grey.

Credits: Production and adaptation, Benjamin B. Hampton.

WHEN SAMUEL SKIDDED. 1915. 1 reel.

Credits: Director, Edmond F. Stratton.

WHEN SCHULTZ LED THE ORCHESTRA. Joker. 1915. 1 reel.

Credits: Producer, Allen Curtis; scenario, Clarence G. Badger.

WHEN SLIM PICKED A PEACH. Imp. 1916. 1 reel.

Credits: Written and produced by Roy Clements.

WHEN SLIM WAS HOME CURED. Imp. 1916. 1 reel.

Credits: Written and produced by Roy Clements.

WHEN SMITH MEETS SMITH. SEE Beyond the Border.

WHEN SNAKEVILLE STRUCK OIL. 1915. 1 reel.

WHEN SOCIETY CALLS. 1913. 1 reel.

Credits: Director, Wilfred North.

WHEN SORROW WEEPS. (Do Children Count?) 1917. 25 min.

Credits: Director, L. C. Windom; story, Charles Mortimer Peck.

WHEN SOULS ARE TRIED. 1915. 1 reel.

WHEN STRANGERS MARRY. 1933. 7 reels, sd.

Credits: Director, Clarence Badger; story, Maximilian Foster; screenplay, James Kevin McGuinness; film editor, Gene Havlick.

WHEN STRANGERS MEET. 1934. 8 reels, sd. Suggested by "The Way" by Zona Gale.

Credits: Director, William Christy Cabanne; story, continuity and dialogue, Adele Buffington.

WHEN SUMMER COMES. 1922. 2 reels.

Credits: Director, Roy Del Ruth.

WHEN SUMMONS COMES. 1932. 2 reels, sd.

Credits: Producer, Louis Brock; director, Mark Sandrich; story and continuity, Thomas L. Lennon, Ned Sparks, Mark Sandrich; film editor, Ted Cheesman.

WHEN THE BLIND SEE. 1914. 2 reels.

WHEN THE CALL CAME. Imp. 1915. 2 reels. Adapted from the story "The Song of Songs" by Bruno Lessing [pseud. of Rudolph Edgar Block].

Credits: Producer, Sidney M. Goldin; director, DeVilliers; adaptation, Sidney Goldin and DeVilliers.

WHEN THE CARTRIDGES FAILED. 1914. 1 reel.

Credits: Benjamin Wilson.

WHEN THE CAT'S AWAY. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Eddie Lyons, Lee Moran; scenario, C. B. Hoadley.

WHEN THE CAT'S AWAY. (Mickey Mouse Cartoon) Presented by Columbia Pictures Corp. 1929. 1 reel, sd.

Credits: U. B. Iwerks.

WHEN THE CAT'S AWAY. (Happy Harmonies) 1935. 789 ft., sd., color.

Credits: Hugh Harman, Rudolf Ising.

Credits: Producer, Colin Campbell.

WHEN THE CIRCUS CAME TO TOWN. (Chronicles of Bloom Center) 1916. 1 reel.

Credits: Producer, Sidney Smith.

WHEN THE CLOUDS ROLL BY. 1919. 6 reels.

Credits: Directors, Victor Fleming, Ted Reed; original story and scenario, Douglas Fairbanks, Lewis Weadon, Tom Geraghty.

WHEN THE COOK FELL ILL. 1914. 1 reel.

Credits: Producer, Colin Campbell.

WHEN THE COUGAR CALLED. 1920. 2 reels.

Credits: Story, Arthur H. Gooden; scenario, George Hively.

WHEN THE DESERT CALLS. 1922. 6 reels.

Credits: Producer and director, Roy C. Smallwood; story, Donald McGibeny; adaptation, Peter Milne, Georgette Duchesne; editor, George McGuire.

WHEN THE DEVIL WAS SICK. SEE Clear the Decks.

WHEN THE DOOR OPENED. 1925. 7 reels, b&w, tinted sequences.

Credits: Director, Reginald Barker; story, James Oliver Curwood; scenario, Bradley King.

WHEN THE EARTH TREMBLED; or, THE STRENGTH OF LOVE. 1913. 3 reels.

WHEN THE FATES SPIN. 1915. 1 reel.

Credits: Kitty Kelly.

WHEN THE GODS FORGIVE. 1914. 1 reel.

Credits: Producer, Ulysses Davis.

WHEN THE LAUNDRY WASHES BEST. 1929. 1 reel.

WHEN THE LAW RIDES. 1928. 5 reels. From an original story by Oliver Drake.

Credits: Director, Robert DeLacy; continuity, Oliver Drake.

WHEN THE LIGHT CAME IN. 1915. 2 reels.

WHEN THE LIGHTS WENT OUT. (Minute Mysteries) Produced and presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Supervision, Ben Schwalb; director, Louis De Rochemont; adaptation, Ross Callaway.

WHEN THE LOSERS WON. Nestor. 1916. 1 reel.

Credits: Production and scenario, Al E. Christie; story, Warren Frost, Mae Frost.

WHEN THE MAN SPEAKS. (Is Marriage Sacred? no. 4) 1916. 29 min.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

WHEN THE MEN LEFT TOWN. 1914. 2 reels.

Credits: Mark Swan.

WHEN THE MENAGERIE BROKE LOOSE. SEE Wild Beasts at Large.

WHEN THE MINSTRELS CAME TO TOWN. Victor. 1916. 2 reels.

Credits: Producer, H. C. Matthews.

WHEN THE NIGHT CALL CAME. 1914. 1 reel.

Credits: Producer, Edw. J. LeSaint.

WHEN THE PRESS SPEAKS. 1913.

Credits: Director, George Baker.

WHEN THE RANGE CALLED. 1915. 1,000 ft.

WHEN THE RED RED ROBIN COMES BOB BOB BOBBIN' ALONG. 1932. 1 reel.

Credits: Director, Dave Fleischer; story, Max Fleischer.

WHEN THE RIGHT MAN COMES ALONG. 1913. 1 reel.

Credits: Mary Fuller.

WHEN THE SPIDER TORE LOOSE. Laemmle. 1915. 1 reel.

Credits: Scenario, W. M. Caldwell.

WHEN THE SPIRITS MOVED. Nestor. 1915. 1 reel.

Credits: Written and produced by Al. E. Christie.

WHEN THE TIDE TURNED. 1915. 1 reel.

WHEN THE WEATHER TURNS COOL. 1938. 1 reel, sd.

WHEN THE WEST WAS YOUNG. 1913. 1 reel.

Credits: Director, W. J. Bauman.

WHEN THE WEST WAS YOUNG. 1914. 2,000 ft.

Credits: Producer, Colin Campbell.

WHEN THE WEST WAS YOUNG. 1937. 907 ft., sd.

WHEN THE WIFE'S AWAY. 1926. 6 reels.

Credits: Director, Frank R. Strayer; story, Douglas Bronston.

WHEN THE WIFE'S AWAY. 1927. 1 reel, sd.

Credits: Murray Roth; director, Bryan Foy.

WHEN THE WIND BLOWS. (Hal Roach Comedy) (Our Gang Comedies) Presented by Hal Roach. 1930. 2 reels, sd., b&w.

Credits: Producer and director, James W. Horne; story, Robert F. McGowan; film editor, Richard Currier.

WHEN THE WIRES CROSSED. 1915. 1,000 ft.

WHEN THE WOLF HOWLS. Rex. 1916. 1 reel.

Credits: Producers, Cleo Madison, W. V. Mong; story, Chas. Somerville; scenario, W. V. Mong.

WHEN THEIR DADS FELL OUT. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; scenario, Al. E. Christie.

WHEN THEY WERE CO-EDS. Nestor. 1915. 1 reel.

Credits: Scenario and production by Al. E. Christie.

WHEN THEY WERE TWENTY ONE. 1915.

WHEN THIEF MEETS THIEF. Released through United Artists. 1937. 8 reels, sd. From the novel "Jump for Glory" by Gordon McDonell.

Credits: Producer, Marcel Hellman; director, Raoul Walsh; screenplay, John Meehan; editor, Conrad von Molo; music, Percival Mackey.

WHEN THIEVES FALL OUT. 1913. 3 reels.

WHEN THIEVES FALL OUT. Imp. 1917. 2 reels.

Credits: William H. Lippert; director, John Harvey.

WHEN THREE IS A CROWD. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; scenario, Al. E. Christie.

WHEN TOMORROW COMES. 1939. 10 reels, sd.

Credits: Producer and director, John M. Stahl; story, James M. Cain; screenplay, Dwight Taylor; film editor, Milton Carruth.

Credits: Directors, Louis Mercanton, Rene Hervil.

WHEN TWO PLAY A GAME. 1915. 1 reel.

Credits: Director, Sidney Drew.

WHEN WAR THREATENED. 1915. 2,000 ft.

Credits: Producer, Paul M. Powell.

WHEN WAR THREATENED. Joker. 1915. 1 reel.

Credits: Producer, C. Jay Williams; scenario, F. M. Brandon.

WHEN WE WERE TWENTY-ONE. SEE The Truth About Youth.

WHEN WERE YOU BORN. 1938. 7 reels.

Credits: Director, William McGann; original story, Manley Hall; screenplay, Anthony Coldeway.

WHEN, WHERE AND HOW TO DEMONSTRATE. 1927. 1 reel.

WHEN WIFIE SLEEPS. 1915. 1,000 ft.

WHEN WILLIE WENT WILD. Imp. 1915. 1 reel.

Credits: Written and produced by Ray Clements.

WHEN WISE DUCKS MEET. 1924. 2 reels.

Credits: Directors, Ben Stoloff, Clyde Carruth.

WHEN WOMEN GO ON THE WARPATH; or, WHY JONESVILLE WENT DRY. 1913. 1 reel.

Credits: Directors, Milfrid North, James Young.

WHEN YOU'RE IN LOVE. 1937. 11 reels, sd.

Credits: Ethel Hill, Cedric Worth; written and directed by Robert Riskin; film editor, Gene Milford; music director, Alfred Newman.

WHEN YOU'RE SINGLE. 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

WHEN YOUTH IS AMBITIOUS. 1915. 2 reels.

Credits: Producer, Joseph Kaufman.

WHEN YUBA PLAYS THE RUMBA ON THE TUBA. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Bernard Wolf, Thomas Johnson.

WHERE ARE MY CHILDREN? 1916. 5 reels.

Credits: Producer, The Smalleys; story, Lucy Payton, Franklin Hall; scenario, Lois Weber.

WHERE ARE MY TROUSERS? Victor. 1917. 2 reels.

Credits: Director, Carter DeHaven; story, Daisy O'Connor; scenario, Jack Cunningham.

WHERE BRAINS ARE NEEDED. Big U. 1915. 2 reels.

Credits: Producer, Murdock MacQuarrie; scenario, Geo. E. Hall.

WHERE CANARIES SING BASS. (Rufftown Comedies) 1931. 2 reels, sd., b&w. From the "Rufftown Stories" by Arthur (Bugs) Baer.

Credits: Director, George Green; adaptation, Ralph Ceder; film editor, Fred Maguire.

WHERE CHAMPIONS MEET. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Commentary, Justin Herman; narrator, Ted Husing; editors, Fred Waller, Carl Timin.

WHERE D'YE GET THAT STUFF? 1916. 5 reels.

Credits: Dialogue, H. C. Witwer, H. H. Van Loan.

WHERE EAST IS EAST. 1929. 7 reels.

Credits: Produced and directed by Tod Browning; story, Tod Browning, Harry Sinclair Drago; adaptation, Waldemar Young; continuity, Richard Schayer; film editor, Harry Reynolds.

WHERE EAST MEETS VEST. 1931. 2 reels, sd.

Credits: Director, Aubrey Scotto; story, Harry W. Conn, Aubrey Scotto.

WHERE ENMITY DIES. 1915. 1 reel.

WHERE GLORY WAITS. Laemmle. 1917. 2 reels.

Credits: Director, Allen J. Holubor; story, E. Magnus Ingleton.

WHERE HAPPINESS DWELLS. Big U. 1915. 1 reel.

Credits: Producer, Burton King; scenario, Ben Cohn.

WHERE IGNORANCE IS BLISS. Joker. 1915. 1 reel.

Credits: Producer, Roy McCray; scenario, Earl R. Hewitt.

WHERE IS MY CHE-ILD? 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Noel Smith.

WHERE IS MY CHILD? 1937. 10 reels, sd. Scripts in Yiddish and in English.

Credits: Directors, Abraham Leff, Henry Lynn; story, S. Siegel, S. Steinberg; screenplay, Henry Lynn.

WHERE IS MY DOG? (Star Comedy) 1920. 1 reel.

Credits: Harry Mann; director, Harry Gibson; scenario, Tom Gibson.

Credits: Direction and scenario, Joseph Adelman.

WHERE IS MY HUSBAND? 1916. 2 reels.

WHERE IS MY MOTHER? (Do Children Count?) 1917. 25 min.

Credits: Director, Arthur Berthelet; story, Charles Mortimer Peck.

WHERE IS MY WANDERING BOY TONIGHT? 1922. 7 reels. Suggested by the hymn of the same name.

Credits: Producer, B. F. Zeidman; directors, J. P. Hogan, Mildred Webb; story and scenario, Gerald C. Duffy.

WHERE IS MY WANDERING WIFE. (Star Comedy) 1921. 1 reel.

Credits: Producer, William Watson; scenario, W. Scott Darling.

WHERE IS MY WIFE? 1916. 2 reels.

WHERE IS THIS WEST? Presented by Carl Laemmle. 1923. 5 reels.

Credits: Director, George E. Marshall; story, George Hull; scenario, George Hively.

WHERE IS WALL STREET? (An Educational Coronet Comedy) Presented by E. W. Hammons. 1936. 1,707 ft., sd.

Credits: Director, Raymond Kane; story, David Freedman.

WHERE IS YOUR FRIEND? 1916. 1 reel.

WHERE KISSES COME HIGH. (U. F. A. Oddity) U. F. A. 1928. 1 reel, b&w.

Credits: Edited and titled by John Michael Flick.

WHERE KISSES COME HIGH. (U. F. A. Oddity) U. F. A. 1928. 1 reel, b&w.

Credits: Edited and titled by John Michael Flick.

WHERE LOVE IS. 1917. 6 reels. An adaptation of the novel by William J. Locke.

WHERE LOVE LEADS. 1916. For Fox Film Corp. 5 reels.

Credits: Produced and written by Frank C. Griffin.

WHERE MEN ARE MEN. 1921. 5 reels.

Credits: Director, William Duncan; story, Ralph Cummins.

WHERE ROMANCE RIDES. 1925. 5 reels.

Credits: Director, Ward Hayes.

WHERE SHORE AND WATER MEET. 1913. 1 reel.

WHERE SINNERS MEET. 1934. 8 reels. From the play "The Dover Road" by A. A. Milne.

Credits: Associate producer, David Lewis; director, J. Walter Ruben; screenplay, H. W. Hanemann; editor, Jack Hively; music director, Max Steiner.

WHERE SNOW IS KING. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Narrator, Alois Havrilla; commentator, Justin Herman.

WHERE THE BUFFALO ROAM. 1938. 6 reels, sd.

Credits: Producer, Edward Finney; director, Al Herman; story and screenplay, Robert Emmett; film editor, Fred Bain; music director, Frank Sanucci.

WHERE THE COLUMBIA RIVER RISES. (Ford Educational Library, Regional Geography, v. 5) Ford Motion Picture Laboratories. 1921. 1 reel.

WHERE THE HEATHER BLOOMS. Nestor. 1915. 2 reels.

Credits: Written and produced by Al. E. Christie.

WHERE THE NORTH BEGINS. 1923. 6 reels.

Credits: Producer, Harry Rapf; director, Chester M. Franklin; story by Fred Myton and Millard Webb.

WHERE THE PAVEMENT ENDS. 1923. 7 reels. From the novel by John Russell.

Credits: Producer, Rex Ingram; adaptation and direction, Rex Ingram; editor, Grant Whytock.

WHERE THE ROAD DIVIDED. 1915. 2,000 ft.

Credits: Producer, Edgar Jones.

WHERE THE WEST BEGINS. 1919. 5 reels.

Credits: Director, Henry King; story and scenario, Stephen Fox.

WHERE THE WEST BEGINS. Concord Productions, Inc. 1938. 6 reels, sd.

Credits: Supervision, Maurice Cohn; director, J. P. McGowan; original story, Stanley Roberts; screenplay, Stanley Roberts, Gennaro Rea.

WHERE THE WORST BEGINS. Co-Artists Productions. 1925. 6 reels, sd.

Credits: Director, John W. McDermott; story, George F. Worts; adaptation, Joseph Anthony Roach; editor, Edward W. McDermott.

WHERE THERE'S A WILL. 1923. 2 reels.

Credits: Director, Jack Blystone.

WHERE THERE'S A WILL. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Alf Goulding; story, John Grey; film editor, Edward Mann.

WHERE THERE'S A WILL. Gainsborough. 1937. 8 reels, sd. Released In England under the title "Good Morning Boys."

Credits: Director, Marcel Varnel; original story, Anthony Kimmins; screenplay and dialogue, Val Guest, Leslie Arliss, Marriott Edgar; editor, R. E. Dearing, Alfred Roone; music director, Louis Levy.

WHERE TRAILS DIVIDE. 1937. 6 reels, sd.

Credits: Producer and director, Robert N. Bradbury; original screenplay, Robert Emmett.

WHERE WAS I? Universal Jewel. 1925. 7 reels. From the novel by Edgar Franklin [pseud. of Edgar Franklin Stearns].

Credits: Director, Wm. A. Seiter.

WHERE YOUR MORNING PAPER COMES FROM. 1915. Split reel.

WHERE'S ELMER? Presented by Carl Laemmle. 1934. 2 reels.

Credits: Producer, Warren Doane; director, James W. Horne; story, Albert Austin, W. P. Hackney; editor, Harry Marker.

WHERE'S MY BABY? Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

WHERE'S THAT TIGER. 1933. 1 reel, sd.

Credits: Theme song, Barrah Minnevitch.

WHERE'S THE PARADE. 1922. 1 reel.

WHICH. 1913. 1 reel.

Credits: Director, James Lackaye.

WHICH HAM IS SCHNAPPSMEIER'S? 1914. 1 reel.

Credits: Director, Norval MacGregor.

WHICH IS WHICH. 1915. 1,000 ft.

Credits: Written and produced by Edwin McKim.

WHICH IS WHICH. (Stern Brothers Comedy) (The Excuse Maker Series) 1926. 2 reels.

Credits: Director, Samuel Newfield; story, William Anthony.

WHICH SHALL IT BE? SEE Not One To Spare.

WHICH WAY DID HE GO? 1913. 1 reel.

Credits: Director, George D. Baker.

WHICH WOMAN. 1918. 5 reels. From the novel by Evelyn Campbell.

Credits: Director, Ted Browning; adaptation, Anthony W. Coldeway.

A WHIFF OF HELIOTROPE. SEE Heliotrope.

WHILE AMERICA SLEEPS. (A Crime Does Not Pay Subject) Presented by Metro-Goldwyn-Mayer. 1939. 2 reels, sd, b&w.

Credits: Director, Fred Zinnemann; original story and screenplay, Karl Lamb; film editor, Ralph E. Goldstein.

WHILE JOHN BOLT SLEPT; a Study of Conscience. 1913. 1 reel.

Credits: Bannister Merwin.

WHILE JUSTICE WAITS. 1922. 5 reels.

Credits: Director, Bernard J. Durning; story, Don Short, Charles A. Short; scenario, Edwin B. Tilton, Jack Strumwasser.

WHILE LONDON SLEEPS. 1926. 6 reels.

Credits: Director, H. P. Bretherton; screenplay, Walter Morosco.

WHILE NEW YORK SLEEPS. 1920. 8 reels.

Credits: Director, C. J. Brabin; scenario, C. J. Brabin, Thomas F. Fallon.

WHILE NEW YORK SNORES. (Star Comedy) 1921. 1 reel.

Credits: Director, Ward Hayes; story, Ward Hayes, Frank Kingsley.

WHILE PARIS SLEEPS. 1932. 6,050 ft., sd.

Credits: Director, Allan Dwan; screenplay, Basil Woon; editor, Paul Weatherwax.

WHILE SATAN SLEEPS. 1922. 7 reels. Adapted from the story "The Parson of Panamint" by Peter B. Kyne.

Credits: Director, Joseph Henabery; scenario, Albert Shelby LeVino.

WHILE THE AUTO WAITS. 1920. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Joseph Byron Totten.

WHILE THE CAPTAIN WAITS. 1930. 1 reel, sd.

Credits: Director, Ray Cozine.

WHILE THE CAT'S AWAY. 1936. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Burnet Hershey.

WHILE THE CITY SLEEPS. 1928. 9 reels, b&w.

Credits: Producer and director, Jack Conway; story and scenario, A. P. Younger; film editor, Sam S. Zimbalist.

WHILE THE DEVIL LAUGHS. 1921. 5 reels, b&w, tinted sequences.

Credits: Written and directed by George William Hill.

WHILE THE PATIENT SLEPT. Presented by First National Production Corp. and The Vitaphone Corp. 1935. 7 reels, sd. Based on the novel by Mignon Eberhart.

Credits: Director, Ray Enright; screenplay, Robert N. Lee, Eugene Solow; additional dialogue, Brown Holmes.

WHILE THE TIDE WAS RISING. 1914. 1 reel.

Credits: Written and directed by Ben Wilson.

THE WHIM. SEE The Price of a Good Time.

Credits: Story, William Addison Lathrop.

Credits: Produced and written by Grant Wallace.

THE WHIMSICAL THREADS OF DESTINY. 1913. 2 reels.

Credits: Director, Frederick Thomson.

Credits: Producer, Allen Curtis; scenario, James Dayton.

Credits: Director, Maurice Tourneur; adaptation, Charles Everard Whittaker.

THE WHIP. Presented by Richard A. Rowland. 1928. 7 reels.

Credits: Producer, Charles J. Brabin; continuity, Bernard McConville, J. L. Campbell.

THE WHIP HAND. 1924. 2 reels.

Credits: Director, Ernst Laemmle; story, Isadore Bernstein.

THE WHIP WOMAN. Presented by Robert Kane. 1928. 6 reels.

Credits: Producer, Allan Dwan; director, Joseph C. Boyle; story, Forrest Halsey, Leland Hayward; continuity, Earle Roebuck.

THE WHIPPET. 1927. 1 reel.

THE WHIPPET APPROVED AND NOW IMPROVED. 1930. 1 reel.

WHIPPET BEAUTY AND EASE OF HANDLING. 1927. 1 reel.

WHIPPET ECONOMY. 1927. 1 reel.

WHIPPET RACING. (Sport Champions) 1931. 1 reel, sd.

Credits: Pete Smith; director, Ward Wing.

WHIPPET VALUE. 1928. 1 reel.

WHIPSAW. A Sam Wood Production. 1935. 9 reels, sd.; b&w.

Credits: Producer, Harry Rapf; director, Sam Wood; story, James Edward Grant; screenplay, Howard Emmett Rogers; film editor, Basil Wrangell; music score, William Axt.

THE WHIRL OF LIFE. British International. 1929. 65 min. Adapted from the novel "Confession" by Clara Ratska.

Credits: Director, Richard Eichberg.

Credits: Producer, Lillian Delger Powers; titles, H. I. Phillips.

THE WHIRLING DISK. Gold Seal. 1915. 2 reels.

Credits: Producer, Charles Giblyn; scenario, H. G. Stafford.

THE WHIRLPOOL. 1915. 3 reels.

THE WHIRLPOOL. 1918. 5 reels.

Credits: Victoria Morton; director, Alan Crosland; scenario, Eve Unsell.

WHIRLPOOL. 1934. 8 reels, sd.

Credits: Director, Roy William Neill; story, Howard Emmet Rogers; screenplay, Dorothy Howell, Ethel Hill; film editor, Richard Cahoon.

THE WHIRLPOOL OF DESTINY. Red Feather. 1916. 5 reels.

Credits: Producer and director, Otis Turner; story, F. McGrew Willis, Eugene B. Lewis; scenario, F. McGrew Willis.

WHIRLS AND GIRLS. 1929. 1 reel.

Credits: Director, Mack Sennett.

WHIRLWIND. 1933. 6 reels, sd.

Credits: Director, D. Ross Lederman; story, Walt Coburn; screenplay, Stuart Anthony.

THE WHIRLWIND DRIVER. Mustang. 1926. 2 reels.

Credits: Director, Lew Collins; story, Florence Mack; scenario, Lilah Hall.

THE WHIRLWIND FINISH. 1918. 2 reels.

Credits: Producer, Henry McRae; story, Mrs. A. G. Robinson.

WHIRLWIND HORSEMAN. Presented by Edward L. Alperson. 1938. 6 reels, sd.

Credits: Producers, Max and Arthur Alexander; director, Robert Hill; original screenplay, George Plympton.

THE WHIRLWIND OF YOUTH. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6 reels. From the novel "Soundings" by A. Hamilton Gibbs.

Credits: Producer and director, Rowland V. Lee; scenario, Julien Josephson.

THE WHIRLWIND RANGER. 1924. 5 reels.

Credits: Director, Richard Hatton; story, Robert McKenzie.

WHISKERS. 1923. 1 reel.

THE WHISPER MARKET. Presented by Albert E. Smith. 1920. 5 reels.

Credits: Director, George L. Sargent; story, W. E. Scutt; adaptation, C. Graham Baker.

THE WHISPERED NAME. Rex. 1916. 2 reels.

Credits: Director, Donald MacDonald; story, William Wallace Cook; scenario, Charles J. Wilson, Jr.

THE WHISPERED NAME. 1923. 5 reels. From the play by Rita Weiman and Alice L. Pollard.

Credits: Director, King Baggot.

WHISPERIN' BILL. (An M. G. M. Oddity) 1933. 1 reel, sd., b&w. Based on the poem by Irving Bacheller.

Credits: Director, Ben Holmes.

WHISPERING CANYON. 1926. 6 reels. From the novel by John Mersereau.

Credits: Director, Tom Forman; adaptation and continuity, Mary Alice Scully.

THE WHISPERING CHORUS. Artcraft. 1918. Based on the novel by Perley Poore Sheehan.

Credits: Director, Cecil B. De Mille; scenario, Jeanie MacPherson.

WHISPERING ENEMIES. 1939. 7 reels, sd.

Credits: Director, Lewis D. Collins; story, John Rawlins, Harold Tarshis; screenplay, Gordon Rigby, Tom Kilpatrick; film editor, Dwight Caldwell.

WHISPERING SAGE. 1927. 5 reels. From the story by Harry Sinclair Drago and Joseph Noel.

Credits: Director, Scott R. Dunlap; scenario, Harold Shumate.

WHISPERING SMITH. Presented by John C. Flinn. Released by Producers Distributing Corp. 1926. 7 reels. From the novel by Frank H. Spearman.

Credits: Director, George Melford; adaptation, Elliott J. Clawson, Will M. Ritchey.

WHISPERING SMITH. SEE Whispering Smith Rides.

WHISPERING SMITH RIDES. 1927. 2 reels each. From the story "Whispering Smith" by Frank Hamilton Spearman. © Universal Pictures Corp.

Credits: Director, Ray Taylor; scenario, Arthur Henry Gooden.

WHISPERING SMITH RIDES. SEE Lightning Express.

WHISPERING SMITH SPEAKS. 1936. 7 reels, sd. From a story by Frank H. Spearman.

Credits: Director, David Howard; screenplay, Don Swift, Dan Jarrett; adaptation, Gilbert Wright, Rex Taylor.

THE WHISPERING WINDOW. SEE The Longest Night.

WHISPERING WINDS. 1929. 7 reels, sd.

Credits: Director, James Flood; story and continuity, Jean Plannette; dialogue, Charles Logue; music score, Erno Rapee.

WHISPERING WIRES. 1926. 6 reels, tinted.

Credits: Director, Albert Ray; story, Kate L. McLaurin, Henry Leverage; scenario, L. G. Rigby.

WHISPERS. Presented by Louis J. Selznick. 1920. 5 reels.

Credits: Director, William P. S. Earle; story, Marc Connelly; editor, Cyril Gardner.

WHISPERS IN THE DARK. (A Max Fleischer Screen Song) 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Roland Crandall.

THE WHISTLE. 1921. 6 reels.

Credits: Direction and screen adaptation, Lambert Hillyer; story, May Wilmoth, Olin Lyman.

WHISTLES AND WINDOWS. 1918. 1 reel.

Credits: Directed and written by Lawrence Semon.

WHISTLIN' DAN. 1932. 7 reels, sd.

Credits: Director, Phil Rosen; story and continuity, Stuart Anthony; film editor, Rose Loewinger.

WHISTLING DICK'S CHRISTMAS STOCKING. 1917. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, George Ridgwell; adaptation, Wm. Addison Lathrop.

WHISTLING DICK'S CHRISTMAS STOCKING. SEE An Unwilling Hero.

WHISTLING IN THE DARK. 1933. 8 reels, sd., b&w. Based on the play by Laurence Gross and Edward Childs Carpenter.

Credits: Direction and screenplay, Elliott Nugent; film editor, Ben Lewis.

WHITE AGAINST BLACK. SEE The Fortune Hunter.

THE WHITE ALLEY. 1916. 3 reels.

WHITE AND UNMARRIED. 1921. 5 reels.

Credits: Director, Tom Forman; story, John D. Swan; scenario, Will M. Ritchey.

WHITE AND YELLOW. SEE The Haunted Ship.

THE WHITE ANGEL. First National. 1936. 9 reels.

Credits: Director, William Dieterle; screenplay, Mordaunt Shairp.

WHITE BANNERS. Cosmopolitan. 1938. 10 reels, sd. From the story by Lloyd C. Douglas.

Credits: Director, Edmund Goulding; screenplay, Leonore Coffee, Cameron Rogers, Abem Finkel; music, Max Steiner.

THE WHITE BLACK SHEEP. 1926. 7 reels. From the story by Violet E. Powell.

Credits: Director, Sidney Olcott; adaptation, Jerome N. Wilson, Agnese Pat McKenna.

WHITE BONDAGE. 1937. 6 reels, sd.

Credits: Director, Nick Grinde; original story and screenplay, Anthony Coldeway.

THE WHITE BOTTLE. Harry Levey Service Corp. 1921. 2 reels.

WHITE CARGO. 1930. 8 reels, sd. From the play by Leon Gordon.

Credits: Director, J. B. Williams.

THE WHITE CIRCLE. Paramount-Artcraft. 1920. 5 reels. From the story "The Pavilion on the Links" by Robert Louis Stevenson.

Credits: Producer, Maurice Tourneur; adaptation, Jack Gilbert, Jules Furthman.

THE WHITE COCKATOO. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1935. 7 reels, sd.

Credits: Director, Alan Crosland.

WHITE COLLARS. SEE

The Idle Rich.

Rich Man, Poor Girl.

THE WHITE DESERT. 1925. 7 reels.

Credits: Story, Courtney Riley Cooper; scenario, L. G. Rigby.

WHITE EAGLE. 1932. 7 reels.

Credits: Director, Lambert Hillyer; screenplay, Fred Myton.

A WHITE ELEPHANT. (Fables, no. 397) 1928. 1 reel.

Credits: Paul Terry, Hugh Shields.

THE WHITE FACE FOOL. 1928. 3 reels.

Credits: Director, Thomas H. Chalmers; story and scenario, Edgar Allan Woolf.

WHITE FANG. Released by F. B. O. 1925. 6 reels. From the novel by Jack London.

Credits: Director, Lawrence Trimble; adaptation and scenario, Jane Murfin.

WHITE FANG. 1936. 6,720 ft., sd. From the story by Jack London.

Credits: Director, David Butler; screenplay, Gene Fowler, Hal Long, S. G. Duncan; music director, Arthur Lange.

THE WHITE FEATHER. 1913. 1 reel.

Credits: Director, W. J. Bauman.

A WHITE FEATHER VOLUNTEER. Laemmle. 1915. 2 reels.

Credits: Written and produced by Rupert Julian.

WHITE FLANNELS. 1927. 7 reels. From the Saturday Evening Post story by Lucian Cary.

Credits: Director, Lloyd Bacon; scenario, Graham Baker.

THE WHITE FLOWER. Paramount. Presented by Adolph Zukor. 1923. 6 reels.

Credits: Written and directed by Julia Crawford Ivers.

THE WHITE FRONTIER. SEE Slander the Woman.

WHITE GOLD. De Mille Pictures Corp. Released by Producers Distributing Corp. 1927. 7 reels. From the play by J. Palmer Parsons.

Credits: Supervision, C. Gardner Sullivan; director, William K. Howard; adaptation, Garett Fort, Tay Garnett.

THE WHITE HAND SOCIETY. 1914, 1 reel.

WHITE HANDS. 1921. 6 reels.

Credits: Director, Lambert Hillyer; story, C. Gardner Sullivan.

WHITE HANDS. SEE Half a Bride.

THE WHITE HEATHER. 1919. 6 reels.

Credits: Director, Maurice Tourneur; story, Cecil Raleigh, Henry Hamilton; scenario, Charles Everard Whittaker.

WHITE HELL OF PITZ PALU. 1930. 8 reels, sd.

Credits: Directors, Arnold Fanck, G. W. Pabst; story, Arnold Fanck, Lad Vayda.

Credits: Producer, Frank Wilson; adaptation, Victor Montefiore.

THE WHITE HOPE. (An Educational Star Personality Comedy) Presented by E. W. Hammons. 1936. 1,679 ft., sd.

Credits: Director, Walter Graham; story, David Freedman.

Credits: Producer, Albert Russell; story and scenario, Albert Russell, Ford Beebe.

WHITE HUNTER. 1936. 5,960 ft., sd.

Credits: Director, Irving Cummings; story, Gene Markey; screenplay, Sam Duncan, Kenneth Earl; music, Arthur Lang.

WHITE LEGION. Presented by Edward L. Alperson. 1936. 9 reels, sd.

Credits: Producer, Bennie F. Zeidman; story and direction, Karl Brown; film editor, Duncan Mansfield; music supervision, Abe Meyer; musical setting, Hugo Riesenfeld.

WHITE LIES. 1920. 5 reels. From the story by Charles Reade.

Credits: Director, Edward J. Le Saint; scenario, Charles Wilson.

WHITE LIES. 1929. 1 reel, sd.

WHITE LIES. 1934. 7 reels, sd.

Credits: Director, Leo Bulgakov; story and screenplay, Harold Shumate; film editor, Otto Meyer.

THE WHITE LIGHT OF PUBLICITY. 1915. 1 reel.

Credits: Producer, Lloyd B. Carleton; story, Charles Belmont Davis.

THE WHITE MAN'S LAW. Special Big U. 1916. 1 reel.

THE WHITE MAN'S LAW. Paramount. 1918. 5 reels.

Credits: Director, James Young; story, Marion Fairfax, John B. Browne.

THE WHITE MASK. 1915. 3,000 ft.

THE WHITE MESSENGER. 1922. 2 reels.

Credits: Producer, Perry N. Vekroff; story and scenario, Sheridan Hall.

Credits: Producer, Royal W. Wetherald; director, Edward H. Griffith; adaptation, Randolph Bartlett.

THE WHITE MOLL. 1920. 8 reels. From the story by Frank L. Packard.

Credits: Director, Harry Millarde; scenario, E. Lloyd Sheldon.

THE WHITE MONKEY. Sawyer-Lubin. Presented by Associated Pictures Corp. 1925. 7 reels. From the novel by John Galsworthy.

Credits: Supervision, Arthur H. Sawyer; director, Phil Rosen; adaptation, Arthur Hoerl.

THE WHITE MOTH. First National. 1924. 7 reels.

Credits: Director, Maurice Tourneur; story, Izola Forrester; screenplay, Albert Shelby LeVino.

THE WHITE MOUSE. 1914. 2 reels.

Credits: Producer, Colin Campbell.

WHITE OAK. 1921. 7 reels.

Credits: Director, Lambert Hillyer; story, William S. Hart; adaptation, Bennet Musson; editor, William Shea.

THE WHITE OUTLAW. (Blue Streak Western) 1925. 5 reels.

Credits: Director, Clifford Smith; story, Isadore Bernstein.

WHITE PANTS WILLIE. 1927. 7 reels. From the story by Elmer Davis.

Credits: Adaptation, Howard J. Green.

THE WHITE PARADE. 1934. 7,573 ft., sd. From the novel by Rian James.

Credits: Director, Irving Cummings; screenplay, Sonya Levien, Ernest Pascal; adaptation, Rian James, Jesse Lasky, Jr.; music director, Louis de Francesco.

THE WHITE RAVEN. 1917. 6 reels.

Credits: Adapted and directed by George D. Baker; story, Charles A. Logue.

THE WHITE ROOK. SEE His Wife's Friend.

THE WHITE ROSE. Presented by D. W. Griffith. Released by United Artists Corp. 1923. 10 reels.

Credits: Director, D. W. Griffith; story and arrangement for screen, Irene Sinclair; musical setting, Joseph Carl Breil.

THE WHITE SCAR. Broadway Universal. 1915. 5 reels.

Credits: Producer, Hobart Bosworth; story, Robald Bradbury.

THE WHITE SHADOW. SEE White Shadows.

WHITE SHADOWS. 1924. 6 reels. Released under the title "The White Shadow."

Credits: Director, Graham Cutts; screenplay, Michael Morton.

WHITE SHADOWS IN THE SOUTH SEAS. 1928. 9 reels, b&w. From the book by Frederick O'Brien.

Credits: Director, W. S. Van Dyke; compiled by Ray Doyle, Jack Cunningham; titles, John Colton; editor, Ben Lewis.

WHITE SHOULDERS. Presented by B. P. Schulberg. 1922. 6 reels.

Credits: Director, Tom Forman; story, George Kibbe Turner; adaptation, Lois Zellner.

WHITE SHOULDERS. 1931. 9 reels, sd.

Credits: Associate producer, Henry Hobart; director, Melville Brown; original story, Rex Beach; adaptation and dialogue, J. Walter Ruben.

THE WHITE SILENCE. SEE Romance of the Redwoods.

THE WHITE SIN. Released by Film Booking Offices of America. 1924. 6,237 ft.

Credits: Director, William Seiter; story, Harold Shumate; adaptation, Del Andrews, Julian La Mothe.

THE WHITE SISTER. 1915. 6 reels.

Credits: F. Marion Crawford.

THE WHITE SISTER. 1924. 12 reels. Based on the novel by Francis Marion Crawford.

Credits: Director, Henry King; adaptation, George V. Hobart, Charles E. Whittaker.

THE WHITE SISTER. 1933. 12 reels, sd., b&w. Based on the novel by F. Marion Crawford.

Credits: Producer, Victor Fleming; screenplay, Donald Ogden Stewart; dramatized by Walter Hackett; film editor, Margaret Booth; music, Herbert Stothart.

WHITE SLAVE TRAFFIC. Liberty Film Co., Berlin. 1928. 7 reels. Based on a League of Nations report.

Credits: Director, Jaap Speyer.

THE WHITE TERROR. Imp. 1915. 4 reels.

Credits: Raymond L. Schrock; producer, Stuart Paton.

WHITE THUNDER. Released by F. B. O. 1925. 5 reels.

Credits: Director, Ben Wilson; story and scenario, Kingsley Benedict.

WHITE TIGER. Universal Jewel. 1923. 7 reels.

Credits: Written and directed by Tod Browning.

THE WHITE TURKEY. Nestor. 1916. 1 reel.

Credits: Director, Louis William Chaudet; scenario, Bess Meredyth.

A WHITE WING MONKEY. 1924. 1 reel.

Credits: Written and directed by Harry Burns.

WHITE WOMAN. 1933. 8 reels. From a play by Norman Reilly Raine and Frank Butler.

Credits: Producer, E. Lloyd Sheldon; director, Stuart Walker; screenplay, Samuel Hoffenstein, Gladys Lehman.

WHITE YOUTH. 1920. 5 reels.

Credits: Story, Clara Beranger, Forrest Halsey; scenario, George Hull.

WHITE ZOMBIE. Presented by Amusement Securities Corporation. 1932. 8 reels.

Credits: Producer, Edward Halperin; director, Victor Halperin; story and dialogue, Garnett Weston.

WHITHER GOEST THOU? SEE Quo Vadis?

WHITHER THOU GOEST. 1917. 5 reels.

WHIZ AND WHISKERS. 1919. 2 reels.

Credits: Director, Harry Mann.

THE WHIZBANG. Century. 1921. 2 reels.

Credits: Written and directed by Fred Fishback.

WHO AM I? Presented by Lewis J. Selznick. 1921. 5 reels.

Credits: Director, Henry Kolker; story, Max Brand [pseud. of Frederick Faust]; picturized by Katherine Reed.

WHO ARE MY PARENTS? 1922. 9 reels.

Credits: Director, J. Searle Dawley; story, Mr. X; scenario, Paul H. Sloane.

WHO BEARS MALICE. 1915. 2,000 ft.

WHO CARES. 1918. 5 reels. From the story by Cosmo Hamilton.

Credits: Director, Walter Edwards; scenario, Julia Crawford Ivers.

WHO CARES. 1925. 6 reels. Based on the story by Cosmo Hamilton.

Credits: Director, David Kirkland; adaptation, Douglas Z. Doty; titles, Walter Anthony.

WHO DONE IT? Joker. 1917. 1 reel.

Credits: Director, William W. Beaudine; scenario, Robert A. Dillon.

WHO GOES THERE? 1914. 2 reels. Adaptation of the play by H. A. DuSouchet.

WHO GOES THERE. 1917. 5 reels.

Credits: Director, William P. S. Earle; story, Robert W. Chambers.

WHO GOT STUNG? 1914. 1 reel.

WHO HIT ME? (Mermaid Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Stephen Roberts.

WHO IS THAT GIRL? 1934. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Cyrus Wood.

WHO KILLED COCK-ROBIN? (Paul Terry-Toons) 1933. 6 min., sd.

WHO KILLED COCK-ROBIN? (Silly Symphony) 1935. 1 reel, sd.

WHO KILLED GAIL PRESTON? 1937. 6 reels.

Credits: Director, Leon Barsha; screenplay, Robert E. Kent, Henry Taylor.

WHO KILLED GEORGE GRAVES? 1914. 2,000 ft.

Credits: Producer, Edward J. LeSaint.

WHO KILLED GEORGE LAMBERT? 1913. 3 reels.

WHO KILLED JOE MERRION? 1915. 4 reels.

Credits: Director, Tefft Johnson.

WHO KILLED ROVER? 1930. 2 reels, sd., b&w.

Credits: Directors, Zion Myers, Jules White.

WHO KILLED SIMON BAIRD? SEE By Whose Hand?

WHO KILLED THE CAT. SEE Haunted.

WHO KISSED ME? (Star Comedy) 1921. 1 reel.

WHO! ME? 1932. 2 reels.

Credits: Producer, Warren Doane; director, George Stevens; story, James W. Horne, Fred Guiol.

WHO PAYS. 1930. 1 reel.

Credits: Herman Ruby.

WHO PULLED THE TRIGGER? Gold Seal. 1916. 3 reels. Adapted from the story by Edwin Balmer.

Credits: Producer, McRae; adaptation, Walter Woods.

WHO SAID CHICKEN? Victor. 1917. 1 reel.

Credits: Walter H. Newman; director, P. C. Hartigan.

WHO SAID THEY NEVER COME BACK? 1916. 1 reel.

WHO SAID WEAKER SEX. (World of Sports) Bray Pictures Corp. 1933. 1 reel, sd.

Credits: Narrator, Ford Bond.

WHO STOLE THE DOGGIES. 1915. 400 ft.

WHO THREW THE BRICK? (Herbert Kaufman's Weekly, no. 8) Presented by Louis J. Selznick. 1920. 1 reel.

Credits: Director, Wray Physioc.

WHO VIOLATES THE LAW. 1915. 3,000 ft.

WHO WANTS TO BE A HERO? 1915. 1 reel.

WHO WAS THE MAN? 1921. 2 reels.

Credits: Story, W. J. Craft, George H. Plympton; scenario, George Morgan, George H. Plympton.

WHO WAS THE OTHER MAN. Butterfly. 1917. 5 reels.

Credits: Director, Francis Ford; story, Jessie Loe; scenario, William Parker.

WHO WAS WHO IN HOGG'S HOLLOW. 1914. 1 reel.

Credits: Director, Sidney Drew.

WHO WILL MARRY MARY? 1913. 1 reel each. Produced in collaboration with The Ladies World. A continuation of "What Happened to Mary." © Thomas A. Edison, Inc.

WHO WILL MARRY ME? 1919. 5 reels.

Credits: Director, Paul Powell; story, Sonia Levien; scenario, Fred Myton.

WHOA EMMA. (Jimmie Adams Comedies) Educational. 1926. 2 reels.

Credits: Frank Roland Conklin; director, Robert Thornby.

THE WHOLE JUNGLE WAS AFTER HIM. Joker. 1916. 1 reel.

Credits: Story and production, Paul Bourgeois; scenario, F. M. Wiltermood.

THE WHOLE SHOW. Mentone. 1934. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

THE WHOLE TOWN'S TALKING. Universal-Jewel. 1926. 7 reels. From the play by John Emerson and Anita Loos.

Credits: Director, Edward Laemmle; adaptation and scenario, Raymond Cannon.

THE WHOLE TOWN'S TALKING. 1935. 9 reels, sd.

Credits: Director, John Ford; story, W. R. Burnett; screenplay, Jo Swerling, Robert Riskin; film editor, Viola Lawrence.

THE WHOLE TOWN'S TALKING. SEE Ex-bad Boy.

WHOLESAILING ALONG. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; story and direction, Al Boasberg; film editor, Edward Mann.

WHOLLY SMOKE. (Looney Tunes) 1938. 7 min., sd.

Credits: Producer, Leon Schlesinger; supervision, Frank Tashlin; story, George Manuell; animation, Robert Bentley; music director, Carl W. Stalling.

WHOM THE GODS DESTROY. 1916. 5 reels.

Credits: Cyrus Townsend Brady, J. Stuart Blackton; adaptation and direction, J. Stuart Blackton, assisted by William P. S. Earle.

WHOM THE GODS DESTROY. 1934. 7 reels, sd.

Credits: Director, Walter Lang; story, Albert Payson Terhune; adaptation, Fred Niblo, Jr.; screenplay, Sidney Buchman; film editor, Viola Lawrence.

WHOM THE GODS WOULD DESTROY. 1915. 3,000 ft.

WHOOPEE. Presented by Florenz Ziegfeld and Samuel Goldwyn. 1930. 12 reels, sd., color. From the musical comedy by William Anthony McGuire; founded on the stage play "The Nervous Wreck" by Owen Davis; based on the story "The Wreck" by E. J. Rath [pseud.] in collaboration with Robert H. Davis.

Credits: Music, Walter Donaldson; lyrics, Gus Kahn.

WHOOPEE BOYS. (Mermaid Comedies) 1929. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

THE WHOOPEE PARTY. (Mickey Mouse, no. U. M. 3) 1932. 1 reel.

WHOOPS! I'M A COWBOY. (Betty Boop Cartoon) 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson.

WHOOPS, I'M AN INDIAN. 1936. 2 reels, sd.

Credits: Director, Del Lord; story, Searle Kramer, Herman Boxer; screenplay, Clyde Bruckman.

WHOOZIT. (Educational-Bowers Comedies) 1928. 2 reels.

Credits: Director, H. L. Muller.

WHO'S AFRAID. 1927. 2 reels.

Credits: Director, Charles Lamont.

WHO'S AFRAID. SEE Ghosts.

WHO'S BOSS. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Jules White.

WHO'S CRAZY? Presented by E. W. Hammons. 1937. 1,694 ft., sd.

Credits: Director, William Watson; story, Parke Levy.

WHO'S CRAZY NOW? (Star Comedy) 1920. 1 reel.

Credits: Director, Horace Davey; story, Don Kahn; scenario, Ben Cohen.

WHO'S GOT THE BODY. 1930. 2 reels.

WHO'S HER HUSBAND? (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons and Moran.

WHO'S LOONEY NOW? 1914. 2 reels.

WHO'S LOONEY NOW? Special Nestor. 1917. 2 reels.

Credits: Director, Al Christie; story, S. A. Van Patten.

WHO'S LOONEY NOW? 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Leslie Goodwins; story, Leslie Goodwins, Monty Collins; film editor, Edward Mann.

WHO'S LYIN? (Mermaid Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

WHO'S MY WIFE? (Mermaid Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Stephen Roberts.

WHO'S NEXT? Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

WHO'S THE BOSS? (Toots and Casper Series, no. 11) 1929. 2 reels.

Credits: Director, Slim Summerville; story, E. V. Durling.

WHO'S TO BLAME? Nestor. 1918. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

WHO'S WHICH. (Cameo Comedy) 1925. 1 reel.

Credits: Director, Jules White.

WHO'S WHO. 1914. Split reel.

WHO'S WHO. 1921. 2 reels.

Credits: Director, Eddie Cline.

WHO'S WHO. Presented by E. W. Hammons. 1937. 1,774 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy Klauber.

WHO'S WHO. SEE Harry Lang and Bernice Haley in Who's Who.

WHO'S WHO IN SOCIETY. 1915. 4 reels.

WHO'S WHO IN THE ZOO. (Mack Sennett Brevities) 1931. 9 min., sd.

Credits: Director, Babe Stafford.

WHO'S WHO IN WILLYS-OVERLAND TRUCK OWNERS. 1930. 1 reel.

WHO'S YOUR FATHER? 1918. 2 reels.

Credits: Producer, Henry Lehrman; director, Tom Mix.

WHO'S YOUR WIFE? Nestor. 1918. 1 reel.

Credits: Director, Allan Curtis; scenario, Tom Gibson.

WHO'S ZOO IN AFRICA. SEE Thru Thin and Thicket.

WHOSE BABY? Joker. 1917. 1 reel.

Credits: Director, W. W. Beaudine; story and scenario, Jack Cunningham.

WHOSE BABY? (Horace in Hollywood Series) Snappy. 1928. 1 reel.

Credits: Story and direction, Edward I. Luddy.

WHOSE BABY ARE YOU? (Star Comedy) 1918. 1 reel.

Credits: Directors, Eddie Lyons, Lee Moran; scenario, C. B. Hoadley.

WHOSE BABY ARE YOU? Presented by E. W. Hammons. 1936. 2 reels, sd.

Credits: Producer, Al Christie; story, David Freedman.

WHOSE HUSBAND? 1915. 1 reel.

Credits: Producer, C. Jay Williams.

WHOSE HUSBAND ARE YOU? (Broadway Comedy) 1922. 2 reels.

Credits: Producer, Morris R. Schlank.

WHOSE LITTLE WIFE ARE YOU. 1918. 2 reels.

Credits: Director, Edward Cline.

WHOSE WAS THE SHAME? 1915. 1 reel.

WHOSE WIDOW. SEE The Amazing Wife.

WHOSE WIFE? (A Stern Brothers Comedy) (Mike and Ike Series) 1927. 2 reels. From the cartoons by Rube Goldberg.

Credits: Director, Francis Corby.

WHOSE ZOO? 1918. 2 reels.

Credits: Directed and written by Craig Hutchinson.

Credits: Producer, Frank Crane; supervision, Herbert Blaché; scenario, Rudolph de Cordova.

WHOZIT. 1939. 1 reel, sd.

Credits: Script, Barry Alexander; narration, Dick Pyron.

WHY AMERICA WILL WIN. 1918. 7 reels.

Credits: Director, Richard Stanton; scenario, Adrian Johnson.

WHY ANNOUNCE YOUR MARRIAGE? 1922. 5 reels.

Credits: Producer, Alan Crosland; story, Lewis Allen Browne, Alan Crosland.

WHY BE A GOOSE? 1929. 1 reel.

WHY BE GOOD? 1929. 8 reels.

Credits: Carey Wilson; producer, William A. Seiter.

WHY BE JEALOUS? 1924. 1 reel.

Credits: Director, William H. Watson.

WHY BE SERIOUS. SEE Will Mahoney in Why Be Serious.

WHY BILLINGS WAS LATE. 1915. 1 reel.

Credits: Director, Norval MacGregor.

WHY BLAME ME? 1918. 7 reels.

WHY BLONDES LEAVE HOME. Imperial. Presented by William Fox. 1927. 2 reels.

Credits: Supervision, George E. Marshall; director, Gus Meins; story, Henry Johnson; titles, Alfred M. Loewenthal.

WHY BRING THAT UP? 1929. Si. & 7,882 ft., sd.

Credits: Direction and screenplay, George Abbott; story, Octavus Roy Cohen; adaptation, Hector Turnbill; titles, George Marion, Jr.

WHY CHANGE YOUR WIFE? Paramount-Artcraft. 1920. 7 reels.

Credits: Director, Cecil B. De Mille; story, William De Mille; scenario, Olga Printzlau, Sada Cowan.

WHY CONTINUE THE STRUGGLE. 1930. 1 reel, sd.

Credits: Director, Mort Blumenstock; dialogue staged by Max E. Hayes.

WHY DO I DREAM THOSE DREAMS. (Merrie Melodies) 1934. 1 reel.

Credits: Animation, Rollin Hamilton, Bob McKimson.

WHY DO THEY DO IT? 1921. 1 reel.

WHY DOGS LEAVE HOME. Century. 1923. 2 reels.

Credits: H. K. Ward.

WHY GEORGE! (Stern Brothers Comedy) (Let George Do It Series) 1926. 2 reels.

Credits: Director, Charles Lamont.

WHY GERMANY MUST PAY. Presented by Screen Classics, Inc. 1918. 5 reels.

Credits: Director general and director, Charles Miller; original story, Maxwell Karger; scenario, June Mathis, A. S. Le Vino.

WHY GIRLS GO BACK HOME. 1926. 6 reels.

Credits: Director, James Flood; story, Catherine Brody; scenario, Sonya Hovey; adaptation, Walter Morosco.

WHY GIRLS LEAVE HOME. 1913. 2 reels. A new version of the Edison comedy.

WHY GIRLS LEAVE HOME. 1921. 8 reels. Adapted from the play by William H. Nigh.

Credits: Director, William H. Nigh.

WHY GORILLAS LEAVE HOME. 1929. 2 reels.

Credits: Director, Arvid Gillstrom; story, Frank Conklin.

WHY HENRY LEFT HOME. 1918. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

WHY HESITATE. (Educational-Christie Comedies) 1925. 2 reels.

Credits: Frank Roland Conklin; director, Archie Mayo.

WHY HURRY. (Educational-Christie Comedies) 1924. 2 reels.

Credits: Director, Harold Beaudine.

WHY I AM HERE. 1913. 1 reel.

Credits: Director, Ralph Ince.

WHY I WOULD NOT MARRY. 1918. 6 reels.

Credits: Director, Richard Stanton; scenario, Adrian Johnson.

WHY IS A PLUMBER. (Roach Star Comedies) 1929. 2 reels, sd., b&w.

Credits: Director, Hal Roach; story, Leo McCarey; editor, Richard Currier.

WHY JONESVILLE WENT DRY. SEE When Women Go on the Warpath.

Credits: Producer, John L. Hawkinson.

WHY LEAVE HOME. 1929. 6,388 ft.

Credits: Director, Raymond Cannon; play, Russell Medcraft, Norma Mitchell; adaptation, Robert S. Carr; dialogue, Walter Catlett; editor, Jack Murray.

WHY LEE! (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Eddie Lyons and Lee Moran.

WHY LIFE INSURANCE. 1931. Filmstrip.

WHY LOVE IS BLIND. 1916. 3 reels.

Credits: Director, George Nicholls.

WHY MEN FORGET. 1922. 5 reels. From the novel "Demos" by George Gissing.

Credits: Scenario, Denison Clift.

WHY MEN LEAVE HOME. First National. 1924. 8 reels. Adapted from the play by Avery Hopwood.

Credits: Producer and director, John M. Stahl; adaptation, A. P. Younger.

WHY MEN LEAVE HOME. First National. Presented by Louis B. Mayer. 1924. 8 reels. From the play by Avery Hopwood.

Credits: Director, John M. Stahl; adaptation, A. P. Younger.

WHY MRS. JONES CHOOSES ICE. 1932. 1 reel.

WHY MRS. KENTWORTH LIED. Imp. 1916. 3 reels. Adapted from the story by Hugh Weir.

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Motion pictures, 1912-1939 (part 18 of 23)

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Motion pictures, 1912-1939 (part 18 of 23)