Motion pictures, 1912-1939 (part 16 of 23)

THE SMALL MAGNETIC HAND. Rex. 1916. 1 reel.

Credits: Director, Charles E. Bartlett; story, Sylvia Gibson Gowland; scenario, Bess Meredyth.

SMALL MIRACLES. SEE Four Hours To Kill!

SMALL TALK. (Our Gang Comedies) Presented by Hal Roach. 1929. 3 reels, sd., b&w.

Credits: Production, direction, and story, Robert F. McGowan; dialogue, H. M. Walker; editor, Richard Currier.

SMALL TIMERS. SEE Bert Wheeler in Small Timers.

SMALL TOWN BOY. 1937. 6 reels, sd. From the story "The Thousand Dollar Bill" by Manuel Komroff.

Credits: Producer, Zion Myers; direction and screenplay, Glenn Tryon; film editor, James Morley; music supervision, Abe Meyer.

A SMALL TOWN DERBY. Century. 1922. 2 reels.

Credits: Written and directed by Al. Herman.

THE SMALL TOWN GIRL. 1917. For Fox Film Corp. 5 reels.

Credits: Director, John G. Adolfi.

SMALL TOWN GIRL. 1936. 11 reels, sd., b&w. From the novel by Ben Ames Williams.

Credits: Producer, Hunt Stromberg; director, William A. Wellman; screenplay, John Lee Mahin, Francis Goodrich, Albert Hackett, Edith Fitzgerald; film editor, Blanche Sewell; music score, Herbert Stothart, Edward Ward; lyrics, Gus Kahn.

THE SMALL TOWN GUY. 1917. 65 min. Based on the novelette "A Picture of Innocence" by Freeman Tilden.

Credits: Director, L. C. Windom; scenario, H. Tipton Steck.

A SMALL TOWN IDOL. Associated Producers, Inc. 1921. 7 reels.

Credits: Supervision, Mack Sennett; director, Erle Kenton.

A SMALL TOWN IDOL. 1939. 20 min., sd.

SMALL TOWN RAMBLES. SEE Al Abbott in Small Town Rambles.

SMALL TOWN STUFF. 1916. 3 reels.

Credits: Director, Norval MacGregor.

SMALL TOWN STUFF. 1921. 2 reels.

Credits: Director, Al St. John.

THE SMART ALEC. Century. 1921. 2 reels.

Credits: Story and direction, Tom Buckingham.

SMART BLONDE. 1936. 6 reels.

Credits: Director, Frank McDonald; story, Frederick Nebel; screenplay, Kenneth Gamet, Don Ryan.

SMART GIRL. Presented by Adolph Zukor. 1935. 8 reels, sd.

Credits: Producer, Walter Wanger; director, Aubrey Scotto; original screenplay, Frances Hyland; additional dialogue, Wilson Collison; film editor, Tom Persons.

SMART MONEY. 1931. 9 reels, sd.

Credits: Director, Alfred E. Green; screen story and dialogue, Kubec Glasmon, John Bright, Lucien Hubbard, Joseph Jackson.

THE SMART SET. 1928. 7 reels, sd., b&w.

Credits: Producer and director, Jack Conway; story, Byron Morgan; scenario, Byron Morgan, Ann Price; titles, Robert Hopkins; film editor, Sam S. Zimbalist.

THE SMART SEX. 1921. 5 reels.

Credits: Producer, Fred Leroy Granville; story, Emma Bell Clifton; scenario, Doris Schroeder.

SMART STEPPERS. (Educational-Mermaid Comedy) 1929. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

THE SMART STYLIST. 1932. 1 reel.

THE SMART WAY. Presented by E. W. Hammons. 1937. 1,604 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy Klauber.

SMART WOMAN. 1931. 8 reels, sd.

Credits: Myron C. Fagan; associate producer, Bertram Milhauser; director, Gregory La Cava; dialogue and adaptation, Salisbury Field.

SMART WORK. (Cameo Comedies) 1931. 1 reel.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley.

SMARTEST GIRL IN TOWN. 1936. 6 reels, sd.

Credits: Producer, Edward Kaufman; director, Joseph Santley; story, Muriel Scheck, H. S. Kraft; screenplay, Viola Brothers Shore; editor, Jack Hively; music director, Nathaniel Shilkret.

SMARTY. Century. 1923. 2 reels.

SMARTY. Presented by Warner Bros. Pictures, Inc. & The Vitaphone Corp. 1934. 7 reels. Based on a play by F. Hugh Herbert.

Credits: Director, Robert Florey; screenplay, F. Hugh Herbert, Carl Erickson.

SMASH YOUR BAGGAGE. 1933. 1 reel, sd.

SMASHED IN THE CAREER. Sunshine Comedies. 1917. For Fox Film Corp. 2 reels.

Credit: Story and direction, Henry Lehrman.

SMASHING BARRIERS. 1919. 2 reels each. © The Vitagraph Co. of America.

Credits: Director, William Duncan; story, Albert E. Smith, Cyrus Townsend Brady; scenario, Graham Baker, R. Cecil Smith.

1. The Test of Courage. © 5Aug19; LP14037.

2. The Plunge of Death. © 10Aug19; LP14053.

3. The Tree-Hut of Torture. © 12Aug19; LP14069.

4. The Deed of a Devil. © 12Aug19; LP14070.

5. The Living Grave. © 26Aug19; LP14130.

6. Downward to Doom. © 16Sep19; LP14187.

7. The Fatal Flight. © 4Oct19; LP14256.

8. The Murder Car. © 15Oct19; LP14302.

9. The Dynamite Tree. © 22Oct19; LP14322.

10. Overpowered. © 24Oct19; LP14335.

11. The Den of Deviltry. © 1Nov19; LP14363.

12. Explosive Bullets. © 11Nov19; LP14415.

13. The Dead Fall. © 21Nov19; LP14464.

14. Trapped Like Rats. © 1Dec19; LP14499

15. The Final Barrier. © 3Dec19; LP14508.

SMASHING BARRIERS. 1923. 6 reels.

Credits: Director, William Duncan.

THE SMASHING STROKE. Special Big U. 1917. 2 reels.

SMASHING THE MONEY RING. First National. 1939. 7 reels.

Credits: Jonathan Finn; director, Terry Morse; original screenplay, Anthony Coldewey, Raymond Schrock.

SMASHING THE RACKETS. 1938. 69 min., sd. Suggested by the series of articles by Forrest Davis in The Saturday Evening Post.

Credits: Producer, B. P. Fineman; director, Lew Landers; original story, Forrest Davis; screenplay, Lionel Houser; editor, Harry Marker; music director, Frank Tours.

SMASHING THE SPY RING. 1938. 6 reels, sd.

Credits: Director, Christy Cabanne; story, Dorrell McGowan, Stuart E. McGowan; screenplay, Arthur T. Horman, Dorrell McGowan, Stuart E. McGowan; film editor, James Sweeney.

SMASHING THE VICE TRUST. 1937. 7 reels, sd.

Credits: Director, John Melville.

SMASHING THROUGH. 1918. 5 reels.

Credits: Director, Elmer Clifton; story, Walter Woods.

S'MATTER PETE. (Hot Dog Cartoon) Released by The Bray Studios. 1927. 1 reel.

THE SMELL OF THE YUKON. (Star Comedy) 1919. 1 reel.

Credits: Director, Lyons-Moran; story, J. Alexander Grubb, Tom J. Geraghty.

SMILE, BROTHER, SMILE. 1927. 7 reels.

Credits: Producers, John Francis Dillon, Charles Rogers; story, Al Boasberg; adaptation, Rex Taylor.

SMILE, BUTTERCUP, SMILE. (Toots and Casper Series, no. 5) 1929. 2 reels. From the cartoon by Jimmy Murphy.

Credits: Producer, Larry Darmour; director, St. Elmo Boyce; story, E. V. Durling, Hal Davit.

Credits: Director, George Jeske.

SMILES. 1919. 5 reels.

Credits: Director, A. E. Gillstrom; scenario, Arvid E. Gillstrom, Albert Glassmire.

SMILES. 1929. 1 reel, sd.

Credits: Director, Dave Fleischer; arranger, Max Fleischer.

SMILES ARE TRUMPS. 1922. 5 reels.

Credits: Director, George E. Marshall; story, Frank L. Packard.

SMILIN' GUNS. Universal-Jewel. 1928. 6 reels.

Credits: Director, Henry MacRae; story, Shannon Fife; continuity, George Morgan.

THE SMILIN' KID. 1920. 2 reels.

Credits: Director, Ed (Hoot) Gibson; story, Arthur Henry Gooden; scenario, Bob Horner.

SMILIN' THROUGH. 1932. 10 reels, b&w. From the play by Jane Cowl and Jane Murfin.

Credits: Director, Sidney Franklin; screenplay, Ernest Vajda, Claudine West; dialogue, Donald Ogden Stewart, James Bernard Fagan; film editor, Margaret Booth.

SMILIN' THROUGH. SEE Smiling Through.

Credits: Director, Fred J. Butler; scenario, Paul Schofield.

SMILING AT TROUBLE. Released by F. B. O. 1925. 6 reels.

Credits: Director, Harry Garson; story, Rob Wagner; adaptation, Gertrude Orr, A. B. Barringer.

SMILING IRISH EYES. Presented by John McCormick. 1929. 8 reels.

Credits: Producer, William A. Seiter; screenplay, Tom J. Geraghty.

SMILING IRISH EYES. Trailer. First National. 1929. 1 reel, sd.

THE SMILING LIEUTENANT. 1931. 10 reels. Based on "A Waltz Dream" by Leopold Jacobson and Felix Doermann [pseud. of Felix Biedermann] music by Oscar Straus, and the novel "Nux der Prinzgemahl" by Hans Muller.

Credits: Producer and director, Ernst Lubitsch; scenario and dialogue, Ernest Vajda, Samson Raphaelson; lyrics and music, Oscar Straus, Clifford Grey.

THE SMILING TERROR. (Thrill) 1928. 5 reels.

Credits: Director, Josef Levigard.

SMILING THROUGH. 1922. 8 reels. From the play "Smilin' Through" by Allan Langdon Martin [pseud.]

Credits: Director, Sidney A. Franklin; adaptation, James Ashmore Creelman, Sidney A. Franklin.

THE SMILING WOLF. 1927. 2 reels.

Credits: Director, Walter Fabian; story, Carol Halloway.

SMITH BABY'S BIRTHDAY. (Mack Sennett Comedy) 1928. 2 reels.

Credits: Supervision, John A. Waldron; director, Phil Whitman; story, Earle Rodney, Nick Barrows; film editor, William Hornbeck.

SMITH'S ARMY LIFE. Presented by Mack Sennett. 1928. 2 reels.

Credits: Supervision, J. A. Waldron; director, Alf Goulding; story, Jefferson Moffitt, Vernon Smith.

SMITH'S CATALINA ROWBOAT RACE. 1928. 1 reel.

Credits: Mack Sennett.

SMITH'S FARM DAYS. Presented by Mack Sennett. 1928. 2 reels.

Credits: Supervision, J. A. Waldron; director, Phil Whitman; story, Harry McCoy, Phil Whitman.

SMITH'S HOLIDAY. (A Mack Sennett Comedy) 1928. 2 reels.

Credits: Director, Alf Goulding; story, Jefferson Moffitt, Phil Whitman.

SMITH'S RESTAURANT. (Mack Sennett Comedy) 1928. 2 reels.

Credits: Director, Phil Whitman; story, Jefferson Moffitt, Harry McCoy.

THE SMITHSONIAN INSTITUTION. (The Washington Parade, series 2, no. 1) 1939. 1 reel, sd.

Credits: Narrative, Jack Kofoed; narrator, Basil Ruysdael; editor, Harry Foster.

SMOKE LIGHTNING. 1933. 5,450 ft., sd. From the story "Canon Walls" by Zane Grey.

Credits: Director, David Howard; screenplay, Gordon Rigby, Sidney Mitchell; editor, Jack Murray.

THE SMOKE SCREAM. SEE Felix the Cat in The Smoke Scream.

THE SMOKE SIGNAL. 1920. 2 reels.

Credits: Director, Martin Murphy; story, W. F. Collins; scenario, George W. Pyper.

THE SMOKE SIGNAL. 1924. 2 reels.

Credits: Director, Martin Murphy; story, W. F. Collins; scenario, George W. Pyper.

SMOKE TREE RANGE. 1937. 6 reels, sd.

Credits: Director, Lesley Selander; story, Arthur Henry Gooden; screenplay, Frances Guihan.

SMOKED HAMS. 1934. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Dolph Singer.

SMOKED OUT. 1925. 1 reel.

Credits: Director, William H. Watson.

SMOKEY SMOKES [and] LAMPOONS. (Goldwyn-Bray Comic) 1920. 1 reel.

SMOKING GUNS. 1934. 7 reels, sd.

Credits: Director, Alan James; story, Ken Maynard; screenplay and dialogue, Nate Gatzert.

THE SMOKING OUT OF BELLA BUTTS. 1914. 1 reel.

Credits: Director, George D. Baker.

SMOKY. 1933. 6,500 ft., sd. From the novel by Will James.

Credits: Director, Eugene Forde; screenplay and dialogue, Stuart Anthony, Paul Perez; musical director, Arthur Lange.

SMOOTH APPROACH. (RKO Pathe Sportscope, no. 10) 1939. 9 min., sd.

Credits: Producer, Frederic Ullman, Jr.; supervision, Frank R. Donovan.

SMOOTH AS SATIN. 1925. 6 reels. Based on "The Chatterbox" by Bayard Veiller.

Credits: Director, Ralph Ince; adaptation and continuity, Fred Kennedy Myton.

A SMOOTH GUY. 1929. 2 reels, sd.

Credits: Produced and directed by George LeMaire; story, Frank Davis; film editor, E. Pfitzenmeier.

SMOTHER O' MINE. Bluebird. 1927. 1 reel.

Credits: Director, Harry Sweet.

THE SMOULDERING. 1915. 2 reels.

Credits: Director, Frank Beal.

SMOULDERING FIRES. Universal-Jewel. 1924. 8 reels.

Credits: Director, Clarence Brown; story and continuity, Sada Cowan, Howard Higgin, Melville Brown.

SMUDGE. Presented by Arthur S. Kane. 1922. 6 reels.

Credits: Rob Wagner; director, Charles Ray.

SMUGGLED CARGO. 1939. 7 reels, sd.

Credits: Associate producer and director, John H. Auer; original screenplay, Michael Jacoby, Earl Felton; supervising editor, Murray Seldeen; film editor, Ernest Nims; music director, Cy Feuer.

THE SMUGGLERS. 1916. 3 reels.

THE SMUGGLER'S LASS. Bison. 1915. 2 reels.

Credits: Scenario and production by Jack J. Clark.

THE SMUGGLER'S WARD. 1915. 2 reels.

THE SNAILBURG VOLUNTEERS; Everything Fair in War. 1915. 1 reel.

Credits: Director, Norval MacGregor.

Credits: Written and directed by Aubrey M. Kennedy.

THE SNAKE IN THE GRASS. SEE The Bride's Bereavement.

SNAKE RIVER. SEE Hay Fever, Snake River, and Squirrel Food.

SNAKEBITE. SEE The Lady Who Lied.

SNAKEVILLE'S BEAUTY PARLOR. 1915. 1 reel.

SNAKEVILLE'S CHAMPION. 1915. 1 reel.

SNAKEVILLE'S EUGENIC MARRIAGE. 1915. 1 reel.

SNAKEVILLE'S HEN MEDIC. 1915. 1 reel.

SNAKEVILLE'S TWINS. 1915. 1 reel.

SNAKEVILLE'S WEAK WOMEN. 1915. 1 reel.

SNAP JUDGMENT. SEE Slam-Bang Jim.

SNAP SHOTS. 1915. 1 reel.

Credits: Mark Swan.

SNAPPING THE WHIP. (Fables, no. 398) 1929. 1 reel.

Credits: Paul Terry, Harry Bailey.

THE SNAPPY CABALLERO. (Colortone Novelty) 1931. 2 reels, sd., color.

SNAPPY CO-EDS. (Columbia-Victor Gems) 1929. 1 reel, sd.

Credits: Director, Basil Smith.

SNAPPY EYES. Century. 1924. 2 reels.

Credits: Written and directed by Al Herman.

SNAPPY SALESMAN. (A Walter Lantz Cartoon) 1930. 1 reel.

Credits: Animation, Bill Nolan.

SNAPPY SNEEZER. (A Hal Roach Comedy) Presented by Hal Roach. 1929. 2 reels.

Credits: Director, Warren Doane; story, Leo McCarey; film editor, Richard Currier; story editor, H. M. Walker.

SNARES OF PARIS. 1919. 5 reels.

Credits: Director, Howard M. Mitchell; story and scenario, Denison Clift.

SNATCHED FROM A BURNING DEATH. 1915. 2 reels.

Credits: Director, Charles L. Gaskill.

SNATCHED FROM THE ALTAR. Nestor. 1915. 1 reel.

Credits: Olive Field; producer, Al. E. Cristie.

THE SNEAK. 1919. 5 reels.

Credits: Director, E. Le Saint; story, J. Grubb Alexander; scenario, Ruth Ann Baldwin.

SNEAK EASILY. Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Director, Gus Meins; editor, Richard Currier.

SNEAKERS AND SNOOZERS. 1918. 1 reel.

Credits: Director, J. A. Howe; story, Montgomery, Rock.

THE SNEEZING WEASEL. (Merrie Melodies) 1937. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; story, Cal Howard; animation, Sid Sutherland; music score, Carl W. Stalling.

SNIFFLES AND THE BOOKWORM. 1939. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Charles Jones; story, Rich Hogan; animation, Bob McKimson; music director, Carl W. Stalling.

THE SNOB. 1920. 5 reels.

Credits: Director, Sam Wood; story, William J. Neidig.

THE SNOB. Metro-Goldwyn-Mayer Corp. Presented by Louis B. Mayer. 1924. 7 reels, b&w, tinted sequences. From the novel by Helen R. Martin.

Credits: Director, Monta Bell; film editor, Ralph Lawson.

SNOOKUMS ASLEEP. (The Newlyweds and Their Baby Series) (Stern Brothers Comedy) Junior Jewel. 1927. 2 reels.

Credits: Director, Gus Meins.

SNOOKUM'S BUGGY RIDE. (Newlyweds Series) (Stern Brothers Comedy) 1926. 2 reels.

Credits: Director, Gus Meins.

SNOOKUMS CLEANS UP. (Stern Brothers Comedy) (The Newlyweds and Their Baby Series) Junior Jewel. 1926. 2 reels.

Credits: Director, Gus Meins.

SNOOKUMS DISAPPEARS. (Sterns Brothers Comedy) (The Newlyweds and Their Baby Series) Junior Jewel. 1926. 2 reels.

Credits: Director, Gus Meins.

SNOOKUMS' MERRY CHRISTMAS. (Stern Brothers Comedy) (The Newlyweds and Their Baby Series) Junior Jewel. 1926. 2 reels.

Credits: Director, Gus Meins.

SNOOKUM'S OUTING. (Newlywed Series) (Stern Brothers Comedy) 1926. 2 reels.

Credits: Director, Gus Meins.

SNOOKUMS' PLAYMATES. (Stern Brothers Comedy) (The Newlyweds and Their Baby Series) 1926. 2 reels. From the cartoons by George McManus.

Credits: Director, Gus Meins.

SNOOKUMS' TOOTH. (Stern Brothers Comedy) (The Newlyweds Series) 1926. 2 reels.

Credits: Director, Gus Meins.

SNORING IN HIGH C. 1916. 1 reel.

SNOWBOUND. Tiffany Gem. 1927. 6 reels.

Credits: Douglas Bronston; director, Phil Stone; film editor, Leroy O. Lodwig.

THE SNOW BOUND PYRENEES. (Paramount-Burton Holmes Travel Picture) 1920. 1 reel.

THE SNOW BRIDE. Paramount. Presented by Adolph Zukor. 1923. 6 reels.

Credits: Sonya Levien, Julia Herne; director, Henry Kolker; adaptation, Sonya Levien.

THE SNOW BURNER. 1915. 3 reels. Adapted from Adventure Magazine.

Credits: Henry Oyen.

THE SNOW CURE. 1916. 3 reels.

Credits: Supervision, Mack Sennett; director, Arvid E. Gillstrom, assisted by Bob Eddy.

SNOW FALLS. (Sportscope, no. 7) 1939. 9 min., sd.

Credits: Producer, Frederic Ullman, Jr.; supervision, Frank R. Donovan.

SNOW FOLLIES. 1939. 2 reels, sd.

Credits: Director, Larry Ceballos; film editor, Charles Maynard; music director, Charles Previn.

SNOW FOOLIN! (News World of Sports) 1938. 903 ft., sd.

Credits: Narrative by Jack Kofoed; described by Ford Bond.

SNOW GETS IN YOUR EYES. Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Director, Will Jason; original story and screenplay, Stanley Rauh, Will Jason; music score, David Snell.

THE SNOW GIRL. Laemmle. 1915. 3 reels.

Credits: Written and produced by Frank S. Beresford.

THE SNOW HAWK. (Stan Laurel Series, no. 8) 1925. 2 reels.

SNOW MAN'S LAND. (Merrie Melodies) 1939. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Charles Jones; story, Dave Monahan; animation, Ken Harris; music director, Carl W. Stalling.

SNOW TIME. (Aesop Fable) 1930. 1 reel.

Credits: John Foster, Mannie Davis.

SNOW TIME. (Krazy Kat) Presented by Columbia Pictures Corp. 1932. 1 reel, sd. Adapted from George Herriman's cartoon character.

Credits: Producer, Charles Mintz; animation, Al Rose, Harry Love; music score, Joe De Nat.

SNOWTIME. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1938. 671 ft., sd., color.

Credits: Producer, Charles Mintz; director, Ub Iwerk; music, Eddie Kilfeather; music director, Joe de Nat.

SNOW USE. (A Walter Lantz Cartoon) 1929. 1 reel, sd.

SNOW WHITE. Released by Paramount Pictures Corp. 1916. 6 reels. An adaptation of the Grimm fairy tale.

Credits: Director, J. Searle Dawley.

SNOW WHITE. 1917. 3 reels. Adapted from one of "Grimm's Fairy Tales."

SNOW WHITE. 1933. 1 reel.

Credits: Director, Dave Fleischer.

SNOW WHITE AND THE SEVEN DWARFS. 1937. 10 reels, sd., color. Adapted from "Grimm's Fairy Tales."

Credits: Supervising director, David Hand; story adaptation, Ted Sears, Otto Englander, Earl Hurd, Dorothy Ann Blank, Richard Creedon, Dick Rickard, Merrill De Maris, Webb Smith.

THE SNOWBIRD. 1916. 6 reels.

Credits: Mary Rider; director, Edwin Carewe.

THE SNOWBIRD. SEE The Dancer's Peril.

SNOW BIRDS. (Fable, no. 418) 1929. 1 reel.

Credits: Paul Terry.

SNOW BIRDS. (A Sports Champion Picture) 1932. 929 ft.

Credits: Director, Jules White; explanatory remarks by Pete Smith.

SNOWBLIND. Goldwyn Studios. 1921. 6 reels. From the story by Katherine Newlin Burt.

Credits: Supervised, produced, and directed by Reginald Barker; scenario, J. G. Hawks.

SNOWBLIND. SEE Unseeing Eyes.

SNOWDRIFT. 1923. 5 reels. Based on the story by James B. Hendryx.

Credits: Director, Scott Dunlap; scenario, Jack Strumwasser.

SNOWED IN. 1926. 2 reels. © Pathe Exchange, Inc.

Credits: Frank Leon Smith; director, Spencer G. Bennet.

1. Storm Warnings. © 25Jun26; LP22843.

2. The Storm Starts. © 3Jul26; LP22866.

3. The Coming of Redfield. © 3Jul26; LP22867.

4. Redfield Strikes. © 17Jul26; LP22932.

5. Buried. © 21Jul26; LP22933.

6. The Enemy's Stronghold. © 23Jul26; LP22958.

7. The Trap. © 26Jul26; LP22959.

8. Thieves' Honor. © 9Aug26; LP23013.

9. Daybreak. © 10Aug26; LP23014.

10. The End of Redfield. © 2Sep26; LP23081.

SNOWED UNDER. 1923. 2 reels.

Credits: Story, adaptation, and direction, Hunt Stromberg.

SNOWED UNDER. First National. 1936. 7 reels, sd.

Credits: Director, Raymond Enright; story, Lawrence Saunders; screenplay, F. Hugh Herbert, Brown Holmes.

THE SNOWSHOE TRAIL. 1922. 6 reels.

Credits: Director, Chester Bennett; story, Edison Marshall; scenario, Marion Fairfax.

SNUFFY'S PARTY. (A Walter Lantz Cartune) 1939. 1 reel, sd.

Credits: Director, Elmer Perkins; story, Victor McLeod, Hicks Lokey; animation, Al Coe, Frank Tipper.

SNUG IN THE JUG. 1933. 2 reels, sd.

Credits: Story and direction, Ben Holmes; dialogue, Bobby Clark; film editor, Tom Persons.

SO AND SEW. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Jean W. Yarbrough; story, Jean W. Yarbrough, Charles E. Roberts; film editor, Edward Mann.

SO BIG. 1924. 9 reels. Based on the novel by Edna Ferber.

Credits: Director, Charles Brabin; adapted and supervised by Earl Hudson; scenario, Adelaide Heilbron.

SO BIG. 1925. 9 reels. Adapted from the novel by Edna Ferber.

Credits: Director, Charles Brabin; adaptation and supervision, Earl Hudson; scenario, Adelaide Heilbron.

SO BIG. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1932. 8 reels, sd. Based on the novel by Edna Ferber.

Credits: Director, William A. Wellman; adaptation, J. Grubb Alexander, Robert Lord.

SO DOES AN AUTOMOBILE. 1939. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Roland Crandall, Frank Kelling.

SO LONG BILL. 1925. 2 reels.

Credits: Director, Edward I. Luddy.

SO LONG BUDDY. Century. 1923. 2 reels.

SO LONG DAD! 1924. 2 reels.

Credits: Director, Eddie Lyons.

SO LONG LETTY. 1920. 6 reels. From the musical comedy by Oliver Morosco and Earl Carroll.

Credits: Director, Al Christie; story, Elmer Harris, Oliver Morosco; adaptation, Richard Ellison.

SO LONG LETTY. 1929. 6 reels.

Credits: Director, Lloyd Bacon; adaptation, Robert Lord, Arthur Caesar.

SO LONG LETTY. Trailer. 1929. 1 reel.

SO LONG SULTAN. 1923. 1 reel.

SO QUIET ON THE CANINE FRONT. (A Dogville Comedy) 1930. 2 reels, sd., b&w.

Credits: Directors, Zion Myers, Jules White.

SO RED THE ROSE. Presented by Adolph Zukor. 1935. 9 reels, sd. From the novel by Stark Young.

Credits: Producer, Douglas MacLean; director, King Vidor; screenplay, Laurence Stallings, Maxwell Anderson, Edwin Justus Mayer; film editor, Eda Warren; music, Frank Harling.

SO SIMPLE. 1925. 2 reels.

Credits: Director, George Jeske.

SO THIS IS AFRICA. 1933. 7 reels, sd.

Credits: Director, Edward F. Kline; story and screenplay, Norman Krasna.

SO THIS IS ART. 1925. 2 reels.

Credits: Director, Clyde Carruth.

SO THIS IS COLLEGE. 1929. 11 reels, sd., b&w.

Credits: Producer and director, Sam Wood; story, Al Boasberg, Delmer Daves; dialogue, Joe Farnum, Al Boasberg; film editor, Frank Sullivan; music, Martin Broones.

SO THIS IS HARRIS! 1933. 3 reels, sd.

Credits: Supervision, Louis Brock; director, Mark Sandrich; story, Ben Holmes, Mark Sandrich; film editor, John Lockert; music and lyrics, Will Jason, Val Burton.

SO THIS IS LONDON. 1930. 8,300 ft., sd. From the play by Arthur Goodrich.

Credits: Director, John Blystone; scenario, Sonya Levien; adaptation and dialogue, Owen Davis, Sr.; editor, Jack Dennis.

SO THIS IS LOVE. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, Frank Capra; story, Norman Springer; adaptation, Elmer Harris.

SO THIS IS MARRIAGE. Presented by Louis B. Mayer. 1924. 7 reels.

Credits: Producer, Hobart Henley; story, Carey Wilson; scenario, John Lynch, Alice D. G. Miller.

SO THIS IS MARRIAGE. (A Folly Comedy) 1929. 2 reels, sd.

Credits: Producer, Frank Davis; director, Bradley Barker; story, Will M. Hough; film editor, Ed. Pfitzenmeier.

SO THIS IS PARIS! Imp. 1916. 1 reel.

Credits: Director, King Baggot.

SO THIS IS PARIS. Bluebird. 1926. 1 reel.

Credits: Director, Richard Wallace.

SO THIS IS PARIS. 1926. 7 reels. Based on the French play "Reveillon" by Henri Meilhac and Ludovic Halévy.

Credits: Producer and director, Ernst Lubitsch; screen adaptation, Hans Kraely.

SO THIS IS PARIS GREEN. 1930. 2 reels, sd.

Credits: Director, William Watson; story, Kenyon Nicholson; screen adaptation, Colin Clements.

SO THIS IS SAP CENTER. (Harold Highbrow Series) Snappy. 1927. 1 reel.

Credits: Director, Doran Cox; story, James Madison; continuity, George H. Plympton.

SO YOU WON'T SING, EH? SEE Sing and Like It.

SO YOU WON'T T-T-T-TALK. 1934. 2 reels, sd.

Credits: Director, Lloyd French; story, Dolph Singer, Royal King Cole.

SOAK THE POOR. (A Crime Does Not Pay Subject) 1937. 2 reels, sd., b&w.

Credits: Director, Harold S. Bucquet; original story and screenplay, Karl Kamb, Philip P. Noyer.

SOAK THE RICH. 1936. 9 reels, sd. Based on the play by Ben Hecht and Charles MacArthur.

Credits: Written, directed, and produced by Ben Hecht, Charles MacArthur.

SOAP. 1929. 1 reel.

SOAP BUBBLES. 1916. 1 reel.

THE SOAP GIRL. 1918. 5 reels.

Credits: Lewis Allen Browne; director, Martin Justice.

SOAPSUDS AND SAPHEADS. 1919. 2 reels.

Credits: Written and directed by Jay A. Howe.

SOAPSUDS AND SIRENS. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Noel Smith.

SOARING WINGS. 1927. 1 reel.

Credits: Editor, Edward Bowes.

SOB SISTER. 1931. 6,400 ft., sd. From the novel by Mildred Gillman.

Credits: Director, Alfred Santell; screenplay, Edwin Burke; editor, Ralph Dietrich.

SOCCER. (Christy Walsh All-America Sports Shorts, no. 4) 1931. 1 reel.

Credits: Director, Albert Kelley; story, Samuel Freedman, Glen S. (Pop) Warner.

THE SOCIAL BUCCANEER. 1916. 5 reels. From the book by Frederic S. Isham.

Credits: Director, Jack Conway; scenario, Fred Myton.

THE SOCIAL BUCCANEER. Universal Special. 1922-23. 2 reels each. Adapted from the novel by Frederic S. Isham. © Universal Pictures Corp.

Credits: Director, Robert Hill; story and scenario, Anthony Coldewey.

1. Missing Millions. © 5Dec22; LP18547.

2. The Secret Ally. © 5Dec22; LP18548.

3. The Tell-Tale Coin. © 21Dec22; LP18549.

4. The Spider's Web. © 14Dec22; LP18524.

5. Black Shadows. © 21Dec22; LP18533.

6. Into the Depths. © 29Dec22; LP18550.

7. A Kingdom at Stake. © 12Jan23; LP18578.

8. Treason. © 18Jan23; LP18592.

9. The Coronation. © 24Jan23; LP18609.

10. Justice Triumphant. © 2Feb23; LP18645.

A SOCIAL CELEBRITY. Paramount. Presented by Adolph Zukor and Jesse L. Lasky, 1926. 6 reels.

Credits: Producer and director, Malcolm St. Clair; story, Monte M. Katterjohn; scenario, Pierre Collings.

THE SOCIAL CODE. 1923. 5 reels. From the story "To Whom It May Concern" by Rita Weiman.

Credits: Director, Oscar Apfel; scenario, Rex Taylor.

A SOCIAL DECEPTION. 1916. 3 reels.

Credits: Director, T. N. Heffron.

A SOCIAL ERROR. (Karnival Komedies) 1928. For Standard Cinema Corp. 2 reels.

Credits: Producer, Larry Darmour; director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

Credits: Director, Edwin August.

A SOCIAL HIGHWAYMAN. 1926. 7 reels.

Credits: Director, William Beaudine; story, Darryl Francis Zanuck; adaptation, Edward T. Lowe, Jr.

SOCIAL HYGIENE FOR WOMEN. 1920. 1 reel.

SOCIAL HYPOCRITES. 1918. 6 reels. From the play "Bridge" by Alicia Ramsey.

Credits: Director, Albert Capellani; scenario, June Mathis, Albert Capellani.

SOCIAL JUSTICE. 1936. 10 min., sd.

Credits: Director, Edward A. Ferguson; screenplay, Jack Myer Kellman; dialogue, J. A. Paradise; editor, Bernadine Pelon; narration, Arthur Van Slyke.

Credits: Director, Harley Knoles.

THE SOCIAL LION. Bison. 1915. 2 reels.

Credits: Producer, William Worthington; scenario, James Dayton.

THE SOCIAL LION. 1930. 7 reels, sd. From the story "Marco Himself" by Octavus Roy Cohen.

Credits: Director, A. Edward Sutherland; screenplay, Joseph L. Mankiewicz; scenario, Agnes Brand Leahy.

SOCIAL LIONS. (Harold Highbrow Series) Snappy. 1928. 1 reel.

Credits: Director, Doran Cox; story and continuity, George H. Plympton.

A SOCIAL OUTCAST. Rex. 1916. 3 reels.

Credits: Samuel Greiner; producer, Ben Wilson.

Credits: Director, Dell Henderson; story, E. Forst.

THE SOCIAL PIRATES. 1917. For the Fox Film Corp. 2 reels.

Credits: Written and directed by W. C. Reed.

SOCIAL PIRATES. SEE Going Highbrow.

SOCIAL PRESTIGE. 1928. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

SOCIAL QUICKSANDS. 1918. 5 reels.

Credits: Supervision, Maxwell Karger; director, Charles J. Brabin; story, Katharine Kavanaugh; scenario, June Mathis, Katharine Kavanaugh.

THE SOCIAL REGISTER. 1934. 8 reels, sd. From the play by Anita Loos and John Emerson.

Credits: Associate producer, William C. De Mille; director, Marshall Neilan; scenario and dialogue, James Creelman; adaptation, Clara Beranger; film editor, Robert Snody; music, Con Conrad, Ford Dabney.

THE SOCIAL SECRETARY. 1924. 5 reels.

Credits: Story, Anita Loos.

SOCIAL SINNERS. (Tuxedo Talking Comedies) 1929. 19 min., sd. From the play "The Bug Man" by Kenyon Nicholson.

Credits: Producer, Jack White; director, Charles Lamont.

A SOCIAL SLAVE. Laemmle. 1916. 1 reel.

Credits: Written and produced by Jacques Jaccard.

THE SOCIAL TRIANGLE. 1926. 2 reels.

Credits: Director, Bunny Dull; adaptation, John Stone.

SOCIALLY AMBITIOUS. 1915. 1,000 ft.

SOCIALLY CORRECT. 1931. 2 reels, sd.

Credits: Director, Aubrey Scotto; story, Harry W. Conn.

THE SOCIETY ARCHITECT. Presented by William Fox. 1927. 2 reels.

Credits: Supervision, George E. Marshall; director, Robert P. Kerr; story, Richard Harding Davis; adaptation, Edward Moran, Henry Johnson.

SOCIETY BAD MEN. (Herbert Kaufman's Weekly) 1920. 1 reel.

Credits: Director, William A. Shilling; story, Herbert Kaufman; scenario, Merle Johnson.

SOCIETY BREAKS. (Keeping Up with the Joneses Series) (Stern Brothers Comedy) 1927. 2 reels.

Credits: Director, Gus Meins.

SOCIETY CHEATERS. (Ely Culbertson in My Bridge Experiences) 1933. 2 reels, sd.

Credits: Supervision, Lou Brock; director, Sam White.

A SOCIETY CIRCUS. (Horace in Hollywood Series) Snappy. 1929. 1 reel.

Credits: Director, Vin Moore.

SOCIETY DOCTOR. 1935. 7 reels, sd., b&w. Based upon the play "The Harbor" by Theodore Reeves.

Credits: Producer, Lucien Hubbard; director, George B. Seitz; screenplay, Michael Fessier, Samuel Marx; film editor, Ben Lewis; music score, Oscar Radin.

SOCIETY DOG SHOW. (A Walt Disney Mickey Mouse) 1939. 1 reel.

SOCIETY DOGS. Century. 1921. 2 reels.

Credits: Story and direction, Fred Fishback.

A SOCIETY EXILE. Artcraft. 1919. 6 reels. From the play "We Can't Be As Bad As All That" by Henry Arthur Jones.

Credits: Director. George Fitzmaurice; scenario, Ouida Bergere.

SOCIETY FEVER. 1935. 7 reels, sd.

Credits: Director, Frank R. Strayer; story and screenplay, Karen De Wolf.

SOCIETY GIRL. 1932. 6,650 ft. Based on the play by John Larkin, Jr. and Charles Beahan.

Credits: Director, Sidney Lanfield; screenplay, Elmer Harris; editor, Margaret Clancy.

SOCIETY GOES SPAGHETTI. Presented by Radio Pictures. 1930. 2 reels, sd.

Credits: Producer, Lou Brock; director, Mark Sandrich; story and dialogue, Mark Sandrich, Charles Lamont, Arthur Greenlaw, A. L. Martin; film editor, Ted Cheesman.

SOCIETY HOBOES. (Star Comedy) 1922. 1 reel.

Credits: Director, William Watson; story, W. Scott Darling.

SOCIETY LAWYER. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w. From the Cosmopolitan Magazine story by Arthur Somers Roche. A remake of the 1933 motion picture "Penthouse."

Credits: Producer, John W. Considine, Jr.; director, Edwin L. Marin; screenplay, Frances Goodrich, Albert Hackett, Leon Gordon, Hugo Butler; film editor, Howard O'Neill; music directors, Georgie Stoll, Roger Edens.

SOCIETY NOTES. Presented by Adolph Zukor. 1934. 1 reel, sd.

Credits: Director, Fred Waller; story, Milton Hocky, Fred Rath.

SOCIETY SAILERS. (Star Comedy) 1922. 1 reel.

Credits: Director, William Watson; story and scenario, Hal Conklin.

A SOCIETY SCANDAL. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7 reels. From the play "The Laughing Lady" by Alfred Sutro.

Credits: Producer and director, Allan Dwan; screenplay, Forrest Halsey.

SOCIETY SECRETS. 1921. 5 reels.

Credits: Producer, Leo McCarey; story, Helen Christine; scenario, Douglas Z. Doty.

A SOCIETY SENSATION. 1918. 5 reels.

Credits: Director, Paul Powell; story, Perley Poore Sheehan.

A SOCIETY SENSATION. Universal Jewel. 1924. 2 reels.

Credits: Story, Perley Poore Sheehan.

A SOCIETY SHERLOCK. Victor. 1916. 1 reel. Adapted from the story by Paul West.

Credits: Producer, William Garwood; adaptation, Norbert Lusk.

SOCIETY SMUGGLERS. 1939. 7 reels, sd.

Credits: Associate producer, Ken Goldsmith; director, Joe May; original screenplay, Arthur T. Horman, Earl Felton; film editor, Philip Cahin.

SOCIETY SNOBS. Presented by Lewis J. Selznick. 1921. 5 reels.

Credits: Conway Tearle; producer, Hobart Henley; scenario, Lewis Allen Browne.

SOCIETY STUFF. L-KO. 1919. 2 reels.

Credits: Director, Vin Moore.

SOCIETY'S DRIFTWOOD. Butterfly. 1917. 5 reels.

Credits: Director, Louis William Chaudet; story, Harvey Gates.

SOCIETY'S HYPOCRITES. Universal Special. 1916. 3 reels.

Credits: Willis Woods; producer, Ben Wilson.

SOCK A BYE BABY. (A Popeye the Sailor Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

THE SOCK EXCHANGE. (Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, Harold Beaudine; story, Sig Herzig.

SOCK ME TO SLEEP. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Ben Holmes; story, Joseph A. Fields, Ben Holmes; film editor, Edward Mann.

SODA POPPA. (A Krazy Kat Comic) Winkler. 1931. 1 reel, sd. Adapted from the cartoon character by George Herriman.

Credits: Ben Harrison, Manny Gould; musical score, Joe de Nat.

THE SODA SQUIRT. (Flip the Frog Cartoon) 1933. 1 reel, sd.

SODAS AND SHEBAS. Snappy. 1927. 1 reel.

Credits: Director, Max Kimmich; story and continuity, George H. Plympton.

SODOM AND GOMORRA. SEE Sacrifice of Isaac.

SODOM AND GOMORRAH. SEE The Queen of Sin.

SOFT BALL GAME. 1936. 1 reel.

Credits: Producer, Walter Lantz; story, Walter Lantz, Victor McLeod.

SOFT BOILED. 1923. 8 reels, b&w, tinted sequences.

Credits: Producer and director, A. J. G. Blystone; story, Edward Moran; scenario, Jack Blystone.

SOFT CUSHIONS. 1927. 7 reels.

Credits: Director, Edward Francis Cline; story, George Randolph Chester; screenplay, Wade Boteler, Frederick Chapin.

SOFT DRINKS AND SWEET MUSIC. 1935. 2 reels, sd.

Credits: Director, Roy Mack; story, Eddie Moran.

SOFT LIVING. Presented by William Fox. 1928. 6 reels.

Credits: Produced and directed by James Tinling; story, Grace Mack; scenario, Frances Agnew.

SOFT SHOES. Stellar Productions, Inc. Released by Producers Distributing Corp. 1925. 5 reels.

Credits: Supervision and story, Hunt Stromberg; director, Lloyd Ingraham; adaptation, Harvey Gates; film editor, Harry L. Decker.

SOFT SOAP. (A Life Cartoon Comedy) 1927. 1 reel.

A SOFT TENDERFOOT. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Tom Mix.

THE SOILERS. Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, George Marshall; editor, Richard Currier.

SOJOURN IN INDIA. (A Columbia Tour) 1939. 1 reel, sd.

Credits: Commentary, Joseph Best; narrator, Geoffrey Sumner.

SOL VIOLINSKY, THE ECCENTRIC ENTERTAINER. 1929. 1 reel, sd.

THE SOLAR FAMILY. 1936. 903 ft.

SOLD AT AUCTION. 1931. 2 reels.

Credits: Director, Harry J. Edwards; story, Francis J. Martin, Vernon Smith.

SOLD FOR MARRIAGE. 1916. 5 reels.

Credits: Director, W. Christy Cabanne; story, William Everett Wing.

SOLD TO SATAN. 1916. 3 reels.

Credits: Producer, Edward Sloman.

THE SOLDIER AND THE LADY. 1937. 9 reels, sd. Based on the novel "Michael Strogoff" by Jules Verne.

Credits: Producer, Pandro S. Berman; director, George Nicholls, Jr.; screenplay, Mortimer Offner, Anthony Veiller, Anne Morrison Chapin; editor, Frederic Knudtson; music director, Nathaniel Shilkret.

SOLDIER OF MISFORTUNE. (A Bed-time Story for Grown-ups) 1931. 1 reel, sd.

Credits: Director, Eddie Buzzell; story, William K. Wells; film editor, William Lyon.

A SOLDIER OF PEACE. 1914. 2 reels.

A SOLDIER OF THE LEGION. Gold Seal. 1917. 3 reels.

Credits: Director, Ruth Ann Baldwin; story, Maude Springer Nelson, E. J. Clawson; scenario, E. J. Clawson, Ruth Ann Baldwin.

SOLDIER OLD MAN. (A Krazy Kat Cartoon) 1932. 1 reel. Adapted from the cartoon character by George Herriman.

Credits: Manny Gould; producer, Charles Mintz, animation, Al Rose; musical score, Joe De Nat.

SOLDIER SONS. 1916. 3,000 ft.

Credits: Written and directed by Wilbert Melville.

SOLDIERS AND WOMEN. 1930. 7 reels, sd. Adapted from "The Soul Kiss" by Paul Hervey Fox and George Tilton.

Credits: Producer, Harry Cohn; director, Edward Sloman; continuity and dialogue, Dorothy Howell; film editor, Leonard Wheeler.

A SOLDIER'S DREAM. Special Big U. 1917. 1 reel.

A SOLDIER'S DUTY. 1912. 1 reel.

Credits: C. J. Brabin.

A SOLDIER'S OATH. 1915. For Fox Film Corp. 6 reels.

Credits: Producer, Oscar Apfel; picturized by Mary Murillo.

SOLDIERS OF CHANCE. 1917. 5 reels.

Credits: George H. Plympton; director, Paul Scardon; story, James Oliver Curwood.

SOLDIERS OF FORTUNE. 1919. 7 reels. From the novel by Richard Harding Davis.

Credits: Director, Allan Dwan.

SOLDIERS OF THE SEA. 1917. 1 reel.

SOLDIERS OF THE STORM. 1933. 7 reels, sd.

Credits: Director, D. Ross Lederman; story, Thomson Burtis; screenplay, Charles Condon; dialogue, Horace McCoy; film editor, Maurice Wright.

A SOLDIER'S PLAYTHING. 1930. 6 reels, sd.

Credits: Director, Michael Curtiz; original screen story, Vina Delmar; screen adaptation, Perry Vekroff; dialogue, Arthur Caesar.

SOLE MATES. Winkler. 1930. 1 reel.

Credits: Animation, Ben Harrison, Manny Gould.

SOLE SUPPORT. (Educational-Juvenile Comedy) 1929. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

SOLID CONCRETE. 1920. 2 reels.

Credits: Story and direction, Larry Semon.

SOLID GOLD. (Mermaid Comedies) 1926. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

THE SOLITAIRE MAN. 1933. 7 reels, sd., b&w. From the play by Bella and Samuel Spewack.

Credits: Director, Jack Conway; screenplay, James K. McGuinness; film editor, Frank Sullivan.

Credits: Story, Tosho Stolaroff; adaptation and scenario, Byron Rudolph.

Credits: Producer, John L. Hawkinson.

SOLOMON'S CHILDREN. 1927. 2 reels.

Credits: Hugh Herbert; directed by Bryan Foy.

SOLOMON'S TEMPLE. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

SOMBRAS DE GLORIA. Presented by O. E. Goebel and George W. Weeks. 1930. 11 reels, sd. Spanish version of the photoplay "Blaze o' Glory."

Credits: Producer, J. R. Crone; supervision, O. E. Goebel; director, Andrew Stone; story, Thomas Boyd; Spanish translation, Fernando C. Tamayo; film editor, Arthur Tavares; music director, Loren Powell; music, James F. Hanley, Jose Bohr.

SOME BABIES. (Charlie Puffy-Octavus Roy Cohen Comedy) 1927. 2 reels.

Credits: Director, Ralph Cedar; story, Octavus Roy Cohen.

SOME BABIES. 1930. 2 reels.

Credits: Director, Wallace Fox; story, Bobby Carney; adaptation, Charles Diltz.

SOME BABY. Special Victor. 1917. 1/2 reel.

SOME BLONDES ARE DANGEROUS. 1937. 7 reels, sd.

Credits: Producer, E. M. Asher; director, Milton Carruth; story, W. R. Burnett; screenplay, Lester Cole; film editor, Frank Gross.

SOME BOXER. 1916. 1 reel.

Credits: Director, Earl Metcalfe.

SOME BOY. 1917. For Fox Film Corp. 5 reels.

Credits: Direction and adaptation, Otis Turner; story, William Parker.

SOME BRAVERY. 1916. 1 reel.

SOME BRIDE. 1919. 5 reels.

Credits: Supervision, Maxwell Karger; director, Henry Otto; story, Anne Duffy, Alice Duffy; scenario, June Mathis, Luther A. Reed.

SOME BRIDGE WORK. 1935. 1 reel, sd.

Credits: Director, Lloyd French; story, Goodman Ace.

SOME CHAPERONE. Nestor. 1915. 1 reel.

Credits: Written and produced by Al. E. Christie.

SOME CHICKEN. 1916. 1 reel.

Credits: Director, William Wolbert.

SOME CLASS. Century. 1922. 2 reels.

Credits: Written and directed by Alfred T. Goulding.

SOME CLASS. 1936. 1 reel, sd.

Credits: Director, Lloyd French; story, Jack Henley, Burnet Hershey.

SOME DOCTOR. 1917. 1 reel.

Credits: Anthony P. Kelly; producer, Harry Jackson.

SOME DUEL. 1915. 1 reel.

Credits: Director, George D. Baker.

SOME DUEL. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

SOME FAMILY. Century. 1922. 2 reels.

Credits: Written and directed by Arvid E. Gillstrom.

SOME FISH. Powers. 1916. 1 reel.

SOME FIXER. Nestor. 1915. 1 reel.

Credits: Story, Marjorie Jones; scenario and production by Al. E. Christie.

SOME FRIENDLY BIRDS. 1930. 957 ft., 16 mm.

SOME HEROES. Imp. 1916. Split reel.

Credits: Scenario and production, Roy Clements.

SOME HONEYMOON. Nestor. 1916. 1 reel.

Credits: Producer, Al. E. Christie; story, Palmer Bowman.

Credits: Cartoon, Paul M. Felton.

Credits: Director, Al Sautell.

SOME LARGER MAMMALS. 1931. 968 ft.

SOME LIAR. 1919. 5 reels.

Credits: Director, Henry King; story, James Oliver Curwood; scenario, Stephen Fox.

SOME LIKE IT HOT. 1939. 7 reels, sd. Based on a play by Ben Hecht and Gene Fowler.

Credits: Director, George Archainbaud; screenplay, Lewis R. Foster, Wilkie C. Mahoney; film editor, Edward Dmytryk.

SOME MEDICINE MAN. Nestor. 1916. 1 reel.

Credits: Director, Roy Clements; story, Eugene B. Lewis; scenario, Fred Myton.

SOME MONKEY STARS. Powers. 1916. 490 ft.

SOME MONSTERS OF THE FARM. 1924. 1 reel.

SOME MORE EXCUSES. (Stern Brothers Comedy) (Excuse Maker Series) 1926. 2 reels.

Credits: Director, Scott Pembroke; story, William Anthony.

SOME NURSE. Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; story, Jack Cunningham; scenario, Tom Gibson.

SOME NURSE. (Joe Rock Comedy) 1923. 2 reels.

Credits: Director, Arvid Gillstrom.

SOME OF OUR BIGGEST STAR PERFORMERS. 1916. Split reel.

SOME OF UNCLE SAM'S WORKSHOPS. (Ford Educational Library, Civics and Citizenship, v. 3) Ford Motion Picture Laboratories. 1920. 1 reel.

SOME OF UNCLE SAM'S WORKSHOPS. (Ford Educational Library, Civics and Citizenship) Ford Motion Picture Laboratories. 1922. 1 reel.

SOME PETS. Snappy. 1927. 1 reel.

Credits: Director, Ansel Friedberger; story and continuity, George H. Plympton.

SOME PROFESSOR. 1918. 1 reel.

Credits: Robert James; director, Harry Jackson.

SOME PUMPKINS. SEE Summers and Hunt in Some Pumpkins.

SOME PUN'KINS. Presented by I. E. Chadwick. 1925. 7 reels.

Credits: Director, Jerome Storm; story, Bert Woodruff, Charles E. Banks.

SOME RARE SPECIMENS AND A FEW OLD FRIENDS, NEW YORK ZOOLOGICAL PARK. 1912. 1 reel.

SOME SCOUT. (Educational-Lupino Lane Comedy) 1927. 2 reels.

Credits: Director, Mark Sandrich.

SOME SEASHORE ANIMALS. 1930. 1 reel.

SOME SERVICE. 1922. 1 reel.

SOME SHIMMIERS. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons, Moran.

SOME SHOOTER. 1920. 2 reels.

Credits: Story and scenario, F. Hadden Ware, Jeanne Spencer; picturized by Ed (Hoot) Gibson.

SOME SHOW. (Arthur Lake Comedy) 1930. 2 reels.

Credits: Director, Gus Meins.

SOME SNAPSHOTS AT NIAGARA FALLS. 1913. 1 reel.

SOME SPECIMENS. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Jack Cunningham; scenario, Tom Gibson.

SOME SPEED. 1915. Split reel.

SOME SPOTS IN AND AROUND LOS ANGELES, CALIFORNIA. Powers. 1913. 1 reel.

SOME STEAMER SCOOPING. 1913. 1 reel.

Credits: Director, Maurice Costello.

SOME TOM-BOY. Century. 1924. 2 reels.

SOME WATER INSECTS. 1930. 1 reel.

SOME WHITE HOPE. 1915. 1 reel.

Credits: Director, Ralph Ince.

Credits: Supervision, Samuel Cummins; director, C. J. Williams; story and scenario, Jay Holly.

SOME WILD OATS. Released by Social Hygienic Films of America, Inc. 1920. Produced with the cooperation of the U. S. Dept. of Health and U. S. Navy Recruiting Service. 6 reels.

Credits: Producer, Samuel Cummins; story, Jay Holly.

SOMEBODY LIED. Victor. 1917. 2 reels.

Credits: Director, Ben Wilson; story, E. M. Ingleton; scenario, Maie Havey.

SOMEBODY LIED. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Eddie Lyons, Lee Moran.

SOMEBODY LIED. 1923. 2 reels.

Credits: Directors, Stephen Roberts, Bryan Foy.

SOMEBODY STOLE MY GAL. 1931. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

SOMEBODY'S FAULT. (Educational-Hamilton Comedy) 1927. 2 reels.

Credits: Written and directed by Norman Taurog.

SOMEBODY'S SISTER. 1914. 1 reel.

Credits: Producer, E. A. Martin.

SOMEBODY'S WRONG. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Jules White.

SOMEONE AND SOMEBODY. SEE Too Many Millions.

SOMEONE IN THE HOUSE. 1920. 6 reels. From the stage play by Larry Evans, George S. Kaufman, and Walter Percival.

Credits: Director, John E. Ince; screen adaptation, Lois Zellner, Mark Robbins.

SOMEONE TO LOVE. 1928. 6,323 ft. From the novel by Alice Duer Miller.

Credits: Director, F. Richard Jones; screenplay, Ray Harris; adaptation, Keene Thompson, Monte Brice.

SOMETHING ALWAYS HAPPENS. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 5 reels.

Credits: Producer and director, Frank Tuttle; screenplay, Florence Ryerson, Raymond Cannon; adaptation, Florence Ryerson.

SOMETHING DIFFERENT. 1920. 5 reels. Adapted from the novel "Calderon's Prisoner" by Alice Duer Miller.

Credits: Director, R. William Neill; scenario, Kathryne Stuart.

SOMETHING IS NOTHING. SEE The Post-Impressionists.

Credits: Written and directed by Nell Shipman, Bert Van Tuyle.

SOMETHING SIMPLE. (Hal Roach Comedy) (Charley Chase Comedy) 1934. 2 reels, sd.

Credits: Directors, Charles Parrott, Walter Weems; film editor, William Terhune.

SOMETHING TO A DOOR. 1914. 1 reel.

Credits: Mark Swan; director, C. Jay Williams.

SOMETHING TO CROW ABOUT. (Ford Educational Library, Agriculture, v. 4) Ford Motion Picture Laboratories. Released by Fitzpatrick & McElroy. 1921. 1 reel.

SOMETHING TO DO. 1919. 5 reels.

Credits: Director, Donald Crisp; story, Maximilian Foster; scenario, Will M. Ritchey.

SOMETHING TO SING ABOUT. Presented by Edward L. Alperson. 1937. 10 reels, sd.

Credits: Producer, Zion Myers; direction, story, and music, Victor Schertzinger; screenplay, Austin Parker; film editor, Gene Milford; music director, C. Bakaleinkoff.

SOMETHING TO TALK ABOUT. 1937. For RCA Manufacturing Co. Filmstrip, 108 frames, sd.

SOMETHING TO THINK ABOUT. Paramount. Presented by Jesse L. Lasky. 1920. 7 reels.

Credits: Producer and director, Cecil B. De Mille; story, Jeanie Macpherson.

SOME TIME SOON. (A Miniature Musical Comedy) 1937. 2 reels, sd., b&w.

Credits: Director, Sammy Lee; original story and music, Val Burton, Will Jason; screenplay, Stanley Rauh, Richard Goldstone; music score, David Snell.

SOMEWHAT SECRET. Presented by Metro-Goldwyn-Mayer. 1939. 2 reels, sd., b&w.

Credits: Director, Sammy Lee; original story, Richard English; screenplay, Julian Hochfelder, Mort Greene; music and lyrics, Earl Brent, Mort Greene; music score, David Snell.

SOMEWHERE IN ANY PLACE. 1917. 1 reel.

Credits: Lawrence Semon, Graham Baker; director, Lawrence Semon.

SOMEWHERE IN ANY PLACE. 1919. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

SOMEWHERE IN DREAMLAND. (A Max Fleischer Color Classic) 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

SOMEWHERE IN JERSEY. SEE William Halligan and Mary Mulhern in Somewhere in Jersey.

SOMEWHERE IN PARIS. Mentone. 1938. 17-1/2 min.

Credits: Director, Milton Schwarzwald.

SOMEWHERE IN SONORA. Presented by Charles R. Rogers. 1927. 6 reels. From the novel "Somewhere South in Sonora" by Will Levington Comfort.

Credits: Supervision, Harry J. Brown; director, Albert Rogell; adaptation by Marion Jackson.

SOMEWHERE IN SONORA. 1933. 57 min., sd. From the novel and Saturday Evening Post story by Will Levington Comfort.

Credits: Producer, Leon Schlesinger; director, Mack V. Wright; adaptation and dialogue, Joe Roach; film editor, William Clemens.

SOMEWHERE IN WRONG. Released by F. B. O. 1925. 2 reels.

SOMEWHERE ON THE BATTLEFIELD. Universal Special. 1916. 2 reels.

Credits: Production and story, Hobart Henley; scenario, Elliott J. Clawson.

SOMEWHERE OUT. (Grantland Rice Sound Sportlight) 1930. 1 reel, sd.

Credits: Editor, Jack Eaton.

SOMEWHERE SOUTH IN SONORA. SEE Somewhere in Sonora.

THE SOMME. 1928. 8,000 ft.

Credits: Director, M. A. Wetherell; editor, Geoffrey Barkas.

THE SON. 1915. 1 reel.

Credits: Producer, Percy Winter.

Credits: Director, M. H. Desfontaines; scenario, Delphi Fabrice.

A SON COMES HOME. Presented by Adolph Zukor. 1936. 8 reels.

Credits: Producer, Albert Lewis; director, E. A. Dupont; story, Harry Hervey; screenplay, Sylvia Thalberg.

THE SON-DAUGHTER. 1932. 9 reels, sd., b&w. Based on the play by George M. Scarborough and David Belasco.

Credits: Director, Clarence Brown; screenplay, John Goodrich, Claudine West; dialogue, Leon Gordon; film editor, Margaret Booth.

SON O' THE STARS. Victor. 1916. 3 reels.

Credits: Producer, Jacques Jaccard; scenario, Nell Shipman.

THE SON OF A GUN. 1918. 2 reels.

Credits: Production, supervision, story, and scenario, Henry Lehrman; director, Richard Jones.

THE SON OF A HUN. (Sunshine Comedies) 1918. 2 reels.

Credits: Production and supervision, Henry Lehrman; director, Jack White.

THE SON OF A REBEL CHIEF. Bison. 1916. 2 reels.

Credits: Written and directed by William V. Mong.

SON OF A SAILOR. 1933. 8 reels, sd.

Credits: Director, Lloyd Bacon; screenplay, Al Cohn, Paul Gerard Smith; additional dialogue, Ernest Pagano, H. M. Walker.

A SON OF ANANIAS. 1923. 1 reel.

Credits: Drawn by Hy Mayer.

SON OF COURAGE. 1930. 2 reels.

Credits: Director, Jack Nelson; story and continuity, Karl Krusada.

THE SON OF DEMOCRACY. 1918. 2 reels each. Founded on incidents in the early life of Abraham Lincoln. © Famous Players-Lasky Corp.

Credits: Produced, directed, and written by Benjamin Chapin.

8. Down the River. © 29Mar18; LP12245.

10. Under the Stars. © 16Apr18; LP12328.

A SON OF ERIN. 1916. 5 reels.

Credits: Director, Julia Crawford Ivers.

SON OF FRANKENSTEIN. 1939. 11 reels, sd. Suggested by a story by Mary Wollstonecraft Shelley.

Credits: Producer and director, Rowland V. Lee; original screenplay, Willis Cooper; film editor, Ted Kent.

THE SON OF HIS FATHER. 1918. 5 reels. From the book by Ridgwell Cullum.

Credits: Director, Victor Schertzinger.

A SON OF HIS FATHER. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,925 ft. From the novel by Harold Bell Wright.

Credits: Producer, Victor Fleming; screenplay, Anthony Coldewey.

SON OF INDIA. 1931. 8 reels, sd., b&w. Adapted from the book "Mr. Isaacs" by F. Marion Crawford.

Credits: Director, Jacques Feyder; continuity and dialogue, Ernest Vajda; additional dialogue, John Meehan, Claudine West; film editor, Conrad A. Nervig.

SON OF KONG. 1933. 7 reels, sd.

Credits: Associate producer, Archie Marshek; director, Ernest B. Schoedsack; story, Ruth Rose; music, J. O. Taylor, Max Steiner; editor, Ted Cheesman.

THE SON OF MADAME SANS GENE. 1924. 7 reels. From the novel by Emil Moreau.

Credits: Screen version, June Mathis.

THE SON OF MAN. 1929. 8 reels, color.

A SON OF NEPTUNE. Gold Seal. 1916. 3 reels.

Credits: Produced and written by William V. Mong.

SON OF OKLAHOMA. 1932. 6 reels.

Credits: Direction and story, Robert N. Bradbury; adaptation and dialogue, Berle Tuttle, George Hull.

Credits: Story, Paul Trinchera.

THE SON OF TARZAN. Presented by The National Film Corp. 1920-21. 2 reels each except no. 1 which is 3 reels. From the novel by Edgar Rice Burroughs. © David P. Howells.

Credits: Director, Harry J. Revier; scenario, Roy Somerville.

1. The Call of the Jungle. © 15Mar20; LP15639.

2. Out of the Lion's Jaws. © 15Mar20; LP15640.

3. The Girl of the Jungle. © 15Mar20; LP15641.

4. The Sheik's Revenge. © 30Oct20; LP15734.

5. The Pirate's Prey. © 30Oct20; LP15735.

6. The Killer's Mate. © 30Oct20; LP15736.

7. The Quest of the Killer. © 10Dec20; LP15889.

8. Coming of Tarzan. © 10Dec20; LP15890.

9. The Kiss of the Beast. © 10Dec20; LP15891.

10. Tarzan Takes the Trail. © 28Dec20; LP15985.

11. Ashes of Love. © 28Dec20; LP15984.

12. Meriem's Ride in the Night. © 17Jan21; LP16021.

13. Double Crossed. © 17Jan21; LP16020.

14. Blazing Hearts. © 27Jan21; LP16067.

15. An Amazing Denouement. © 27Jan21; LP16068.

SON OF THE BORDER. 1933. 6 reels, sd.

Credits: Associate producer, David Lewis; director, Lloyd Nosler; story and screenplay, Wellyn Totman; film editor, Fred Knudston.

A SON OF THE FRONTIER. (Western Featurette) 1928. 2 reels.

Credits: Director, Walter Fabian; story and continuity, Carl Krusada.

SON OF THE GODS. First National and Vitaphone. 1930. Si. & 93 min., sd., b&w, color sequences. Based on the novel by Rex Beach.

Credits: Producer, Frank Lloyd; screen version and dialogue, Bradley King.

SON OF THE GODS. Trailer. 1930. 1 reel, sd.

SON OF THE GOLDEN WEST. 1928. 5 reels.

Credits: Director, Eugene Forde; story and continuity, George W. Pyper.

A SON OF THE HILLS. 1917. 5 reels. From the novel by Harriet T. Comstock.

Credits: Director, Harry Davenport; adaptation, Joseph F. Poland.

A SON OF THE IMMORTALS. 1916. 5 reels.

Credits: Producer, Otis Turner; story, Louis Tracy; scenario, Bertram Grassby.

A SON OF THE SAHARA. 1924. 8 reels. From the novel by Louise Gerard.

Credits: Director, Edwin Carewe; screen adaptation, Adelaide Heilborn.

THE SON OF THE SHEIK. United Artists. Presented by John W. Considine, Jr. 1926. 7 reels. From the novel "The Sons of the Sheik" by E. M. Hull.

Credits: Producer, George Fitzmaurice; screen adaptation, Frances Marion, Fred de Gresac.

THE SON OF THE WOLF. 1922. 5 reels. From the story by Jack London.

Credits: Director, Norman Dawn.

THE SON OF WALLINGFORD. 1921. 8 reels.

Credits: Story, continuity, and direction, Mr. and Mrs. George Randolph Chester.

THE SON SHOWER. 1928. 1 reel.

Credits: Paul Terry, Hugh Shields.

A SONG A DAY. (Betty Boop Cartoon) 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, Nick Tafuri.

THE SONG AND DANCE MAN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6,997 ft.

Credits: George M. Cohan; producer and director, Herbert Brenon; screenplay, Paul Scofield.

SONG AND DANCE MAN. 1936. 8 reels, sd. Based on the play by George M. Cohan.

Credits: Director, Allan Dwan; screenplay, Maude Fulton; music director, Samuel Kaylin.

THE SONG AND THE SERGEANT. 1918. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, George Ridgwell; adaptation, Henry Southwell.

SONG BIRDS OF THE NORTH WOODS. Educational Films Corp. of America. Treasure Chest. Presented by E. W. Hammons. 1938. 918 ft., sd.

Credits: Story and narration, Arthur A. Allen.

A SONG CONTEST. (Organlogue, no. 23) 1931. 1 reel, sd.

Credits: Narration, Harry Von Zell.

A SONG DRAMA. SEE Derickson and Brown in A Song Drama.

SONG HITS. 1934. 1 reel, sd.

Credits: Roy Turk; director, Roy Mack.

SONG HITS ON PARADE. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Director, Fred Waller; script, Milton Hocky, Fred Rath; music, Freddie Rich.

SONG IMPRESSIONS. SEE Dora Maughan in Song Impressions.

THE SONG IN THE DARK. 1916. 2 reels.

Credits: Maibelle Heikes Justice.

A SONG IS BORN. 1939. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Justin Herman.

THE SONG IS ENDED. SEE The Song You Gave Me.

THE SONG IS OVER. SEE Das Lied Ist Aus.

SONG O' MY HEART. 1930. 7,740 ft.

Credits: Director, Frank Borzage; story, Tom Barry; adaptation, Sonia Levien; editor, Margaret Clancy.

SONG O' THE WOODS. Big U. 1916. 1 reel.

Credits: Olga Printzlau; director, Clifford S. Elfelt.

THE SONG OF A NATION. 1936. 2 reels, sd.

Credits: Director, Frank McDonald; screenplay, Forrest Barnes.

THE SONG OF FAME. 1934. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Cyrus Wood, A. Dorian Otvos, Eddie Moran.

THE SONG OF HATE. 1915. 6 reels.

Credits: Producer, J. Gordon Edwards; adaptation, Rex Ingram.

SONG OF KENTUCKY. 1929. 7,125 ft., sd.

Credits: Associate producer & director, Lew Seiler; editor, Carl Carruth.

THE SONG OF LIFE. First National. Presented by Louis B. Mayer. 1921. 7 reels.

Credits: Producer and director, John M. Stahl; scenario, Bess Meredyth.

THE SONG OF LOVE. First National. 1923. 8 reels. Adapted from the novel "Dust of Desire" by Margaret Peterson.

Credits: Directors, Chester Franklin, Frances Marion.

THE SONG OF LOVE. 1929. 9 reels, sd.

Credits: Producer, Edward Small; supervision, Harry Cohn; director, Erle C. Kenton; story, Howard J. Green, Henry McCarty.

SONG OF REVOLT. (A Tabloid Musical) 1937. 1 reel, sd., b&w.

Credits: Director, Roy Rowland; screenplay, Douglas Foster; music score, David Snell.

SONG OF SOHO. 1930. 8 reels, sd.

Credits: Director, Harry Lachman; story adapted by Harry Lachman, Val Valentine; scenario and dialogue, Arthur Wimperis, Randall Faye, Frank Launder; film editor, Emile DeRuelle.

THE SONG OF SOLOMON. 1914. 2 reels.

Credits: Ashley Miller.

THE SONG OF SONGS. 1918. 5 reels.

Credits: Director, Joseph Kaufman; story, Edward Sheldon; scenario, Charles Maigne.

THE SONGS OF SONGS. 1933. 10 reels, sd. From the novel by Hermann Sudermann and the play by Edward Sheldon.

Credits: Producer and director, Rouben Mamoulian; screenplay, Leo Birinski, Samuel Hoffenstein; music, Ralph Rainger.

THE SONG OF SONGS. SEE When the Call Came.

THE SONG OF THE BIRDS. 1935. 1 reel.

Credits: Director, Dave Fleischer.

SONG OF THE BUCKAROO. 1938. 6 reels, sd.

Credits: Producer, Edward Finney; director, Al Herman; story and screenplay, John Rathmell; film editor, Fred Bain; music director, Frank Sanucci.

THE SONG OF THE BUILDER. 1928. 1 reel. Based on the poem by Edgar A. Guest.

SONG OF THE CABALLERO. 1930. 7 reels.

Credits: Kenneth C. Beaton, Norman Sper; producer, Ken Maynard; director, Harry J. Brown; adaptation, Bennett R. Cohen.

SONG OF THE CITY. 1937. 7 reels, sd., b&w.

Credits: Producers, Lucien Hubbard, Michael Fessier; director, Errol Taggart; original story and screenplay, Michael Fessier; film editor, John B. Rogers; music, William Axt.

SONG OF THE EAGLE. 1933. 8 reels, sd.

Credits: Producer, Charles R. Rogers; director, Ralph Murphy; original story, Gene Towne, Graham Baker; screenplay, Casey Robinson, Willard Mack; film editor, Joseph Kane.

SONG OF THE DAMNED. 1935. 7 reels, sd.

Credits: Director, Albert S. Rogell; story, Fred De Gresac; screenplay, Earle Snell, Fred Niblo, Jr.; film editor, Otto Meyer.

THE SONG OF THE DRAGON. SEE Convoy.

SONG OF THE FLAME. First National and Vitaphone. 1930. 9 reels, sd., color. Adapted from the operetta by Otto Harbach, Oscar Hammerstein II, George Gershwin and Herbert Stothart.

Credits: Director, Alan Crosland; screen version and dialogue, Gordon Rigby; adaptation, Otto Harbach, Oscar Hammerstein II, George Gershwin, Herbert Stothart; film editor, Al Hall; music, George Gershwin, Herbert Stothart; additional music, Grant Clark, Harry Akst; director of orchestra, Leo Forbstein.

THE SONG OF THE FLAME. SEE The Flame Song.

THE SONG OF THE GHETTO. 1914. 2 reels.

Credits: Director, William Humphrey.

SONG OF THE GRINGO. Presented by Edward L. Alperson. 1936. 6 reels, sd.

Credits: Producer, Edward Finney; supervision, Lindsley Parsons; director, John P. McCarthy; story, John P. McCarthy, Robert Emmett; screenplay, John P. McCarthy, Robert Emmett, Al Jennings; music score, Jose Pacheco.

SONG OF THE ISLANDS; a Musical Romance. Presented by Adolph Zukor. 1937. 1 reel, sd., color.

A SONG OF THE RANGE. Trailer. 1936. 1 reel, sd.

SONG OF THE SADDLE. 1936. Presented by First National Pictures, Inc. and The Vitaphone Corp. 6 reels, sd.

Credits: Director, Louis King; story and screenplay, William Jacobs.

THE SONG OF THE SOUL. 1918. 5 reels.

Credits: Director, Tom Terriss; story, Shannon Fife; adaptation, Frederick Buckley, Tom Terriss.

THE SONG OF THE SOUL. 1920. 5 reels. From the novel "An Old World Romance" by William J. Luckes.

Credits: Director, John W. Noble.

SONG OF THE VOODOO. (Vagabond Adventure) The Van Beuren Corp. 1931. 1 reel.

THE SONG OF THE WAGE SLAVE. 1915. 5 reels. A picturization from the "Spell of the Yukon" and other verses by Robert W. Service.

SONG OF THE WEST. 1930. 9 reels, sd., color. From the operetta "Rainbow" by Laurence Stallings and Oscar Hammerstein, II.

Credits: Director, Ray Enright; screen version, Harvey Thew; music, Vincent Youmans.

SONG OF VIENNA. Treasure Chest. Educational Pictures. Presented by E. W. Hammons. 1933. 900 ft., sd.

Credits: Producer, Willy Goldberger; editor, Sam Citron; lyrics, Robert Gilbert.

SONG PAINTINGS. SEE Ann Seymour in Song Paintings.

THE SONG PARADE. (Organlogue, no. 18) 1931. 1 reel, sd.

Credits: Narration, Jack Arthur.

SONG PLUGGER. (A Song Hit Story) Educational Pictures. Presented by E. W. Hammons. 1935. 792 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story, Bert Granet.

THE SONG PLUGGER. SEE Joe Frisco in The Song Plugger.

SONG SAYINGS. SEE George Whiting and Sadie Burt in Song Sayings.

SONG SERVICE. 1930. 1 reel, sd.

Credits: Director, Norman Taurog.

SONG SHOPPING. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, David Tendlar.

THE SONG WRITER'S REVUE. (Colortone revue) 1930. 2 reels, sd., b&w.

Credits: Director, Sammy Lee.

THE SONG YOU GAVE ME. 1934. 7 reels, sd. From "The Song Is Ended" by Walter Reisch.

Credits: Director, Paul L. Stein; adaptation and scenario, Clifford Grey; film editor, L. A. Appelbaum; music director, Kurt Schroeder.

SONGOLOGY. SEE Coletta Ryan and Duke Yellman in Songology.

SONGS AND THINGS. SEE Jack Norworth in Songs and Things.

SONGS AS YOU LIKE THEM. SEE

Irene Stone Assisted by Esther La Rette in Songs as You Like Them.

Jim and Betty Morgan in Songs As You Like Them.

Credits: Written and directed by James A. FitzPatrick.

SONGS OF LOVE. SEE Jay Velie in Songs of Love.

SONGS OF MOTHER. (Song Sketch, no. 3) 1930. 1 reel.

Credits: Story and direction, Oscar Lund.

Credits: Written and directed by James A. FitzPatrick.

SONGS OF THE COLLEGES. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; editor, Charles L. Kimball.

SONGS OF THE DANUBE. Treasure Chest. Presented by E. W. Hammons. 1937. 815 ft., sd.

Credits: Written and directed by James A. FitzPatrick.

SONGS OF THE ROSES. (Gus Edwards' Colortone Revue) (Movietone Act) 1929. 1 reel.

SONGS OF THE SOUTH SEAS. SEE Randolph's Royal Hawaiians in Songs of the South Seas.

Credits: Producer, Colin Campbell.

SONGS THAT LIVE. 1934. 1 reel, sd.

Credits: Director, Roy Mack; continuity, A. Dorian Otvos.

SONGWRITERS OF THE GAY NINETIES. Presented by Adolph Zukor. 1935. 1 reel, sd. Based on an idea suggested by Frederick V. Bowers.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

SONNY. Presented by Inspiration Pictures, Inc. 1922. 7 reels. From the play by George V. Hobart.

Credits: Director, Henry King.

SONNY. 1922. 7 reels. From the play by George V. Hobart.

Credits: Director, Henry King.

SONNY BOY. 1929. 7 reels.

Credits: Director, Archie L. Mayo; story, Leon Zuardo; scenario, C. Graham Baker.

SONNY BOY. Trailer. 1929. 1 reel, sd.

SONNY JIM AND THE AMUSEMENT COMPANY LIMITED. 1915. 1 reel.

Credits: Director, Tefft Johnson.

SONNY JIM AND THE FAMILY PARTY. 1915. 1 reel.

Credits: Director, Tefft Johnson.

SONNY JIM AND THE GREAT AMERICAN GAME. 1915. 1 reel.

Credits: Director, Tefft Johnson.

SONNY JIM AND THE VALENTINE. 1915. 1 reel.

Credits: Director, Tefft Johnson.

SONNY JIM AT THE MARDI GRAS. 1915. 1 reel.

Credits: Director, Tefft Johnson.

SONNY JIM AT THE NORTH POLE. 1914. 1 reel.

Credits: Director, Tefft Johnson.

SONNY JIM'S FIRST LOVE AFFAIR. 1915. 1 reel.

Credits: Director, Tefft Johnson.

THE SONORA KID. Released by F. B. O. 1927. 5 reels. From the story "A Knight of the Range" by William Wallace Cook.

Credits: Director, Robert De Lacy; continuity, Percy Heath.

SONS O' GUNS. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1936. 9 reels, sd. From the play by Fred Thompson and Jack Donahue.

Credits: Director, Lloyd Bacon; screenplay, Jerry Wald, Julius J. Epstein; music and lyrics, Harry Warren, Al Dubin.

SONS OF LIBERTY. 1939. 20 min., sd., color.

Credits: Director, Michael Curtiz; original screenplay, Crane Wilbur.

Credits: Producer, George L. Tucker.

SONS OF SATAN. Red Feather. 1916. 5 reels.

SONS OF STEEL. 1935. 7 reels, sd.

Credits: Director, Charles LaMont; story and adaptation, Charles S. Belden.

Credits: Producer, John L. Hawkinson.

SONS OF THE DESERT. (Hal Roach Comedy) 1933. 7 reels, sd., b&w.

Credits: Director, William A. Seiter; story, Frank Craven; continuity, Byron Morgan; film editor, Bert Jordan.

SONS OF THE LEGION. Presented by Adolph Zukor. 1938. 6 reels, sd.

Credits: Director, James Hogan; original story and screenplay, Lillie Hayward, Lewis Foster, Robert F. McGowan; film editor, Anne Bauchens.

SONS OF THE PLAINS. (Broadway Brevity) 1938. 19 min., sd., color.

Credits: Direction and screenplay, Crane Wilbur; story, Lois Kennedy.

SONS OF THE SADDLE. 1930. 8 reels.

Credits: Bennett R. Cohen; director, Harry J. Brown.

SONS OF THE SEA. 1916. 3 reels.

Credits: Supervision, Wilbert Melville; director, Millard Wilson.

THE SONS OF THE SHEIK. SEE The Son of the Sheik.

SOOKY. 1932. 9 reels, sd. Adapted from the book "Dear Sooky" by Percy Crosby.

Credits: Director, Norman Taurog; screenplay, Sam Mintz, Joseph L. Mankiewicz, Norman McLeod.

SOONER OR LATER. 1920. 5 reels.

Credits: Director, Wesley Ruggles; story, Lewis Allen Browne, scenario, R. Cecil Smith.

SOPHIA'S IMAGINARY VISITORS. 1914. 1 reel. Based on "Beasley's Christmas Party" by Booth Tarkington.

SOPHIE AND THE FAKER. 1915. 1 reel.

SOPHIE CHANGES HER MIND. 1915. 1 reel.

SOPHIE LANG GOES WEST. Presented by Adolph Zukor. 1937. 6 reels, sd. From stories by Frederick Irving Anderson.

Credits: Director, Charles Riesner; screenplay, Doris Anderson, Brian Marlow, Robert Wyler; film editor, Chandler House.

SOPHIE'S FIGHTING SPIRIT. 1915. 1 reel.

THE SOPHOMORE. 1929. 8 reels.

Credits: Supervision, William Conselman; director, Leo McCarey; story, Corey Ford, T. H. Wenning; adaptation, Joseph Franklin Poland; dialogue director, Anthony Brown.

SOPHOMORE SWING. (Broadway Brevity) 1939. 20 min., sd.

Credits: Director, Roy Mack; story, Cyrus D. Wood.

THE SORCERESS. 1914. 2 reels.

THE SORCERESS. Rex. 1917. 1 reel.

SORORITY BLUES. 1935. 1,000 ft., sd.

Credits: Director, William Watson; story, Marcy Klauber, Charlie Williams.

SORORITY HOUSE. 1939. 64 min., sd. From the story "Chi House" by Mary Coyle Chase.

Credits: Producer, Robert Sisk; director, John Farrow; screenplay, Dalton Trumbo; editor, Harry Marker; music score, Roy Webb.

A SORORITY MIXUP. (A Sunkist Comedy) Released by The Bray Studios. 1927. 2 reels.

Credits: Written and directed by Joseph Basil.

Credits: Producer, Bruce Mitchell; scenario, Anthony W. Coldewey.

SORRELL AND SON. Presented by Joseph M. Schenck. 1927. 10 reels. From the novel by Warwick Deeping.

Credits: Produced and directed by Herbert Brenon; adaptation, Elizabeth Meehan; film editor, Marie Halvey.

SORRELL AND SON. Released through United Artists. 1934. 10 reels, sd. Based on the novel by Warwick Deeping.

Credits: Produced by Herbert Wilcox; director, Jack Raymond; screenplay, Lydia Hayward.

SORRELL AND SON. Released through United Artists. 1934. 10 reels, sd. Based on the novel by Warwick Deeping.

Credits: Producer, Herbert Wilcox; director, Jack Raymond; screenplay, Lydia Hayward.

SORROWS OF HAPPINESS. 1915. 4,000 ft.

Credits: Producer, Joseph Kaufman.

THE SORROWS OF SATAN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 9 reels. From the story by Marie Corelli.

Credits: Producer and director, D. W. Griffith; screenplay, Forrest Halsey; adaptation, John Russell, George Hull.

THE-SORT-OF-GIRL-WHO-CAME-FROM-HEAVEN. 1915. 1 reel.

Credits: Director, Ralph Ince.

SO'S YOUR MONK. (A Sunkist Comedy) Presented by Al Nathan. 1927. 2 reels.

SO'S YOUR OLD MAN. 1926. 6 reels. Adapted from "Mr. Bisbee's Princess" by Julian Street.

Credits: Director, Gregory La Cava; adaptation, Howard Emmett Rogers; scenario, J. Clarkson Miller.

THE SOUBRETTE. Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

THE SOUBRETTE AND THE SIMP. 1914. 1 reel.

A SOUL AT STAKE. Imp. 1916. 2 reels.

Credits: Director, William Garwood; story, John Fleming Wilson; scenario, Calder Johnstone.

A SOUL ENSLAVED. Broadway Universal. 1916. 5 reels.

Credits: Producer, Cleo Madison; story, Adele Farrington; scenario, Olga Printzlau.

SOUL-FIRE. First National. 1925. 9 reels. Adapted from the play "Great Music" by Martin Brown.

Credits: Producer, John S. Robertson; scenario, Josephine Lovett.

A SOUL FOR SALE. Rex. 1916. 3 reels.

A SOUL FOR SALE. Universal Special. 1918. 6 reels. From the story by Evelyn Campbell.

Credits: Director, Allan C. Holubar; scenario, Elliott J. Clawson.

THE SOUL HERDER. Bison. 1917. 3 reels.

Credits: Director, Jack Ford; story and scenario, George Hively.

THE SOUL HERDER. 1922. 2 reels.

THE SOUL KISS. SEE Soldiers and Women.

THE SOUL MAN. Imp. 1916. 1 reel.

Credits: William Addison Lathrop; producer, Harry McRae Webster.

THE SOUL MARKET. Popular Plays and Players, Inc. 1916. 5 reels.

Credits: Director, Francis J. Grandon.

THE SOUL MASTER. 1917. 5 reels.

Credits: Direction and adaptation, Marguerite Bertsch; story, James Oliver Curwood.

THE SOUL MATE. Released through General Film Co. 1914. 1 reel.

Credits: Director, F. J. Grandon.

SOUL MATES. 1926. 6 reels.

Credits: Director, Jack Conway; story, Elinor Glyn; scenario, Carey Wilson; film editor, James McKay.

THE SOUL OF A HEEL. 1938. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Ewart Adamson.

THE SOUL OF A WOMAN. SEE Destiny.

THE SOUL OF BROADWAY. 1915. For Fox Film Corp. 6 reels.

Credits: Written and produced by Herbert Brenon.

Credits: Screen adaptation, Henry Roussell.

THE SOUL OF BUDDHA. 1918. 5 reels.

Credits: Director, J. Gordon Edwards; story, Theda Bara; scenario, Adrian Johnson.

THE SOUL OF FRANCE. 1929. 7,536 ft., si., sd.

Credits: Producer, Jacques Haïk; directors, A. Duges, A. Ryder; story, G. LeFaure.

THE SOUL OF KURA-SAN. Released by Paramount Pictures Corp. 1916. 5 reels.

Credits: Charles Sarver; story, Frances E. Guihan.

THE SOUL OF LUIGI. 1914. 1 reel.

Credits: Director, Theodore Marston.

THE SOUL OF MAGDALEN. 1917. 5 reels.

Credits: Director, Burton L. King; story and scenario, L. Case Russell.

THE SOUL OF PIERRE. 1915. 3 reels.

THE SOUL OF SATAN. 1917. For Fox Film Corp. 5 reels.

Credits: Director, Otis Turner.

SOUL OF THE BEAST. 1923. 5 reels.

Credits: Director, John Griffith Wray; story, C. Gardner Sullivan.

Credits: Director, W. D. Taylor.

THE SOUL OF YOUTH. 1920. 6 reels.

Credits: Director, William D. Taylor; story and scenario, Julia Crawford Ivers.

Credits: Director, Travers Vale.

Credits: Director, Harley Knoles; story, Andrew Soutar.

SOULS AT SEA. Presented by Adolph Zukor. 1937. 10 reels, sd.

Credits: Director, Henry Hathaway; story, Ted Lesser; screenplay, Grover Jones, Dale Van Every; editor, Ellsworth Hoagland; original music, Roland Anderson; music director, Boris Morros.

SOULS FOR SABLES. 1925. 6,500 ft. Suggested by "Garlan & Company" by David Graham Phillips.

Credits: Supervision, A. P. Younger; director, James C. McKay.

SOULS FOR SALE. 1923. 8 reels. From the story by Rupert Hughes.

Credits: Adapted and directed by Rupert Hughes.

SOULS IN BONDAGE. 1916. 5 reels.

Credits: Director, Edgar Lewis.

Credits: Director, William H. Clifford.

SOULS IN PAWN. Rex. 1915. 3 reels.

Credits: M. B. Havey; producer, Ben Wilson.

SOULS THAT MEET IN THE DARK. SEE Was She to Blame?

SOUL'S UNITED. Gold Seal. 1917. 3 reels.

Credits: Director, Francis J. Grandon; adaptation, Henry Dittmar.

SOUND DEFECTS. (Broadway Brevity) 1937. 22 min., sd.

Credits: Cyrus Wood, Leo Sherin, Cliff Hess; director, Roy Mack.

SOUND EFFECTS. SEE Buddy Traps in Sound Effects.

SOUND WAVES AND THEIR SOURCES. 1933. 1 reel, sd.

SOUND YOUR A. 1929. 3 reels, b&w.

Credits: Director, Henry Lehrman; story, Paul Gerald Smith.

SOUNDINGS. SEE The Whirlwind of Youth.

SOUP. SEE Harry Delf in Soup.

SOUP AND FISH. (Hal Roach Comedy) (Thelma Todd and Patsy Kelly Comedy) 1934. 2 reels, sd.

Credits: Director, Gus Meins; film editor, Louis McManus.

THE SOUP AND FISH BALL. Released thru General Film Co. 1918. 15 min.

Credits: Arranged and directed by Arthur D. Hotaling.

SOUP AND NUTS. Joker. 1916. 1 reel.

Credits: Ben Cohn; producer, Allen Curtis.

SOUP FOR NUTS. Mentone. 1934. 2 reels, sd.

Credits: Director, Milton Schwarzwald; story, Bert Granet.

THE SOUP INDUSTRY. (Near-Educational Series) 1915. Split reel.

THE SOUP SONG. (A Flip the Frog Cartoon) 1931. 1 reel.

SOUP TO MUTTS. (A Walter Lantz Cartune) 1939. 1 reel.

Credits: Director, Lester Kline; story, Vic McLeod; animation, George Nicholes, Dick Marion.

SOUP TO NUTS. (Educational-Christie Comedies) 1925. 2 reels.

Credits: Director, William Watson; story, Hal Conklin.

SOUP TO NUTS. 1930. 6,340 ft., sd.

Credits: Associate producer, A. L. Rockett; director, Benjamin Stoloff; original screen story and dialogue, Rube Goldberg; continuity, Howard J. Green; editor, Clyde Carruth.

SOUR GRAPES. SEE Let's Try Again.

THE SOURCE. Paramount. Presented by Jesse L. Lasky. 1918. 5 reels. From the novel by Clarence Budington Kelland.

Credits: Director, George H. Melford; adaptation, Monte Katterjohn.

THE SOURCE OF HAPPINESS. Laemmle. 1915. 1 reel.

Credits: Producer, Frank Lloyd; scenario, L. V. Jefferson.

THE SOUTH AFRICAN MINES. 1914. 1 reel.

THE SOUTH AFRICAN WHALING INDUSTRY. 1913. 1 reel.

SOUTH OF ARIZONA. 1938. 6 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Bennett R. Cohen; film editor, William Lyon; music director, Morris Stoloff.

Credits: Story and screen adaptation, Neal Hart.

SOUTH OF NORTHERN LIGHTS. 1927. 2 reels.

Credits: Director, Josef Levigard; story and continuity, Arthur Henry Gooden.

SOUTH OF SANTA FE. 1932. 61 min., sd.

Credits: Producer, Trem Carr; director, Bert Glennon; story and adaptation, G. A. Durlam.

SOUTH OF SUVA. 1922. 5 reels.

Credits: Director, Frank Urson; story, Ewart Adamson; scenario, Fred Myton.

SOUTH OF THE RIO GRANDE. 1932. 6 reels.

Credits: Director, Lambert Hillyer; story, Harold Shumate; adaptation, Milton Krims; film editor, Maurice Wright.

THE SOUTH POLE FLIGHT. (An Oswald Comedy) Snappy. 1928. 1 reel.

Credits: Directors, Hugh Harman, Ben Clopton.

SOUTH POLE OR BUST. (Paul Terry Toons) Educational. Presented by E. H. Hammons. 1934. 519 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

SOUTH RIDING. Presented by Alexander Korda. 1938. 10 reels, sd., b&w. Based on the novel by Winifred Holtby.

Credits: Associate producer, Stanley Haynes; director, Victor Saville; screenplay, Ian Dalrymple; film editor, Hugh Stewart; music score, Richard Addinsell; music director, Muir Mathieson.

SOUTH SEA LOVE. 1923. 5 reels.

Credits: Director, David Solomon; story, Frederick Hatton, Fannie Hatton; scenario, Harrison Josephs.

SOUTH SEA LOVE. 1927. 7 reels. From "A Game in the Bush" by Georges Surdez.

Credits: Director, Ralph Ince; continuity, Enid Hibbard.

SOUTH SEA ROSE. 1929. 6,500 ft., sd.

Credits: Director, Allan Dawn; play, Tom Cushing; scenario, Sonya Levien; editor, Harold Schuster.

SOUTH SEA SAGAS. (A Grantland Rice Sportlight) Presented by Amédée J. Van Beuren. 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

SOUTH SEASICKNESS. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Arthur Ripley; story, Arthur Ripley, Johnny Grey; film editor, John Lockert.

SOUTHBOUND LIMITED. (Monty Banks Comedy) 1923. 2 reels.

Credits: Written and directed by Alfred Goulding.

SOUTHERN EXPOSURE. (Krazy Kat) Presented by Columbia Pictures Corp. 1934. 1 reel, sd.

Credits: Producer, Charles Mintz; story and animation, Ben Harrison, Manny Gould; musical direction, Joe de Nat; musical score, Charles Rosoff.

SOUTHERN EXPOSURE. (Hal Roach Comedy) 1935. 2 reels, sd.

Credits: Director, Charles Parrott; film editor, William Terhune.

SOUTHERN HORSE-PITALITY. (Paul Terry-Toons) 1935. 1 reel.

Credits: Frank Moser; Paul Terry.

SOUTHERN JUSTICE. 1917. 5 reels.

Credits: Written, directed and produced by Lynn F. Reynolds.

SOUTHERN LOVE AND NORTHERN EXPOSURE. SEE Two Lips and Juleps.

SOUTHERN RHYTHM. (Paul Terry Toons) 1932. 6 min.

Credits: Frank Moser and Paul Terry.

SOUTHERN STYLE. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Alf Goulding; story, Stanley Rauh, Joseph A. Fields; film editor, John Lockert; music director, Roy Webb.

THE SOUTHERNER. 1931. 10 reels, sd., b&w.

Credits: Producer, Harry Pollard; dialogue continuity, Bess Meredyth, Wells Root; film editor, Margaret Booth; music and lyrics, Herbert Stothart, Jacques Wolfe, Howard Johnson, Arthur Freed.

THE SOUTHERNERS. 1914. 3 reels. Adapted from the novel by Cyrus Townsend Brady.

SOUTHLAND BOUND. (Organlogue, no. 20) 1931. 1 reel, sd.

Credits: Narration, Norman Brokenshire.

SOUTHWARD, HO! 1939. 6 reels, sd.

Credits: Associate producer and director, Joseph Kane; original story, John Rathmell, Jack Natteford; screenplay, Gerald Geraghty; film editor, Lester Orlebeck; music director, Cy Feuer.

SOUVENIRS. SEE Sarah Padden.

THE SOWERS. 1916. 5 reels.

SOWERS AND REAPERS. Rolfe Photoplays, Inc. Presented by B. A. Rolfe. 1917. 6 reels.

Credits: Written and directed by George D. Baker.

THE SOWING OF ALDERSON CREE. SEE Seeds of Vengeance.

SOWING THE WIND. 1921. 9 reels.

Credits: Producer, Louis B. Mayer; director, John M. Stahl; story, Sidney Grundy.

SPADES ARE TRUMPS. 1915. 1 reel.

Credits: Director, Lee Beggs.

SPAGHETTI AND LOTTERY. 1915. Split reel.

SPAIN. SEE Phil Baker in Spain.

SPAIN'S MADDEST FIESTA. (Around the World with Burton Holmes) 1930. 1 reel.

SPAIN'S ROMANTIC ISLES; MAJORCA. (World on Parade Series, no. 2) 1935. 1 reel, sd.

Credits: Narration, Alois Havrilla; text, Russell Spaulding.

SPANGLES. Jewel. 1926. 6 reels.

Credits: Director, Frank O'Connor; story, Nellie Revell; adaptation and scenario, Leah Baird.

THE SPANIARD. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,635 ft. From the novel by Juanita Savage.

Credits: Producer, Raoul Walsh; screenplay, J. T. O'Donohoe.

THE SPANISH ACRES. SEE The Santa Fe Trail.

SPANISH-AMERICA. (E. M. Newman's Musical World Journeys) 1934. 1 reel, sd.

Credits: Editor, Bert Frank.

THE SPANISH CAPE MYSTERY. 1935. 8 reels, sd. From the novel by Ellery Queen [pseud. of Frederic Dannay and Manfred Bennington Lee].

Credits: Producer, M. H. Hoffman; director, Lewis D. Collins; adaptation and screenplay, Albert DeMond; editor, Jack Ogilvie.

SPANISH CHILDREN. (A Paramount-Burton Holmes Travel-Picture) 1921. 1 reel.

SPANISH CONQUERORS. SEE Columbus.

THE SPANISH DANCER. Paramount. Presented by Adolph Zukor. 1923. 9 reels. Adapted from the play "Don César de Bazan" by Adolphe D'Ennery and P. F. P. Dumanoir.

Credits: Producer, Herbert Brenon; adaptation, June Mathis, Beulah Marie Dix.

SPANISH DANCER. (Models in Motion) 1931. 243 ft.

SPANISH FARM. SEE Roses of Picardy.

SPANISH HOLIDAYS. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

THE SPANISH JADE. 1922. 5 reels. From the story by Maurice Hewlett.

Credits: Supervision, Tom J. Geraghty; scenario, Josephine Lovett.

Credits: Producer, Frank E. Montgomery.

A SPANISH OMELET. 1927. 2 reels, b&w.

Credits: Director, Ray Flynn; story and scenario, Andrew Bennison.

SPANISH ONIONS. (Terrytoons) 1930. 1 reel.

A SPANISH ROMEO. 1925. 2 reels.

Credits: Director, George E. Marshall; story, Richard Harding Davis; scenario, W. Scott Darling.

A SPANISH SERENADE. SEE The La Valles.

SPANISH SUNLIGHT. SEE The Girl from Montmartre.

A SPANISH TWIST. (Tom and Jerry Series) The Van Beuren Corp. 1932. 1 reel.

Credits: John Foster, George Stallings.

THE SPANKING AGE. 1928. 2 reels, sd., b&w.

Credits: Story and direction, Robert McGowan; editor, Richard Currier.

SPANKY. (A Hal Roach Subject) Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; dialogue, H. M. Walker; editor, Richard Currier.

1. © title & descr., 17Apr19; 5 prints, 5Apr19; LU13854.

2. © title & descr., 17Apr19; 5 prints, 5Apr19; LU13855.

3. © title & descr., 17Apr19; 5 prints, 5Apr19; LU13856.

4. © title & descr., 17Apr19; 5 prints, 5Apr19; LU13857.

5. © title & descr., 17Apr19; 5 prints, 5Apr19; LU13858.

6. © title & descr., 17Apr19; 4 prints, 5Apr19; LU13859.

7. © title & descr., 17Apr19; 5 prints, 5Apr19; LU13860.

8. © title & descr., 17Apr19; 4 prints, 5Apr19; LU13861.

9. © title & descr., 17Apr19; 4 prints, 5Apr19; LU13862.

10. © title & descr., 17Apr19; 4 prints, 5Apr19; LU13863.

11. © title & descr., 17Apr19; 4 prints, 5Apr19; LU13864.

12. © title & descr., 17Apr19; 5 prints, 5Apr19; LU13865.

13. © title & descr., 17Apr19; 4 prints, 5Apr19; LU13866.

14. © title & descr., 17Apr19; 4 prints, 5Apr19; LU13867.

15. © title & descr., 17Apr19; 5 prints, 5Apr19; LU13868.

16. © title & descr., 27Oct19; 4 prints, 19Sep19; LU14393.

17. © title & descr., 27Oct19; 4 prints, 19Sep19; LU14394.

18. © title & descr., 27Oct19; 22 prints, 19Sep19; LU14395.

19. © title & descr., 27Oct19; 20 prints, 19Sep19; LU14396.

20. © title & descr., 27Oct19; 13 prints, 19Sep19; LU14397.

21. © title & descr., 27Oct19; 19 prints, 19Sep19; LU14398.

23. © title & descr., 27Oct19; 4 prints, 19Sep19; LU14399.

24. © title & descr., 27Oct19; 5 prints, 19Sep19; LU14400.

25. © title & descr., 27Oct19; 4 prints, 19Sep19; LU14401.

26. © title & descr., 27Oct19; 4 prints, 19Sep19; LU14402.

27. © title & descr., 27Oct19; 4 prints, 19Sep19; LU14403.

28. © title & descr., 27Oct19; 4 prints, 19Sep19; LU14404.

28. © title & descr., 11Mar20; 8 prints, 26Feb20; LU14857.

29. © title & descr., 11Mar20; 8 prints, 26Feb20; LU14858.

30. © title & descr., 11Mar20; 8 prints, 26Feb20; LU14859.

31. © title & descr., 11Mar20; 8 prints, 26Feb20; LU14860.

32. © title & descr., 11Mar20; 8 prints, 26Feb20; LU14861.

33. © title & descr., 11Mar20; 8 prints, 26Feb20; LU14862.

34. © title & descr., 11Mar20; 8 prints, 26Feb20; LU14863.

35. © title & descr., 11Mar20; 8 prints, 26Feb20; LU14864.

37. © title & descr., 11Mar20; 8 prints, 26Feb20; LU14865.

38. © title & descr., 11Mar20; 8 prints, 26Feb20; LU14866.

39. © title & descr., 11Mar20; 8 prints, 26Feb20; LU14867.

SPARERIBS REFORMS. (Toots & Casper Series, no. 9) 1929. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, Victor Potel.

THE SPARK AND THE FLAME. 1915. 1,000 ft.

Credits: Written and produced by Wilbert Melville.

THE SPARK DIVINE. 1919. 5 reels.

Credits: Director, Tom Terriss; story, Alicia Ramsey; scenario, George Proctor.

SPARK PLUG. 1936. 703 ft., sd., color. From the comic by Billy de Beck.

Credits: Producer, Charles B. Mintz; story, Sid Marcus; animation, Art Davis; music, Joe de Nat.

SPARKS OF FLINT. (Hoxie Feature) 1922. 5 reels.

Credits: Story and direction, Roy Clements.

SPARROWS. 1926. 9 reels. From an original story by Winifred Dunn.

Credits: Adaptation, C. Gardner Sullivan.

SPARTAN DIET. (A Grantland Rice Sportlight) Presented by Amédée J. Van Beuren. 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

SPAWN OF THE DESERT. 1923. 5 reels.

Credits: Director, Ben Wilson; scenario, Daniel F. Whitcomb.

THE SPEAK EASY. 1919. 2 reels.

Credits: Director, Richard Jones.

SPEAK EASY. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Director, Richard Smith.

SPEAKEASY. Presented by William Fox. 1929. 7 reels.

Credits: Produced and directed by Benjamin Stoloff; story, Edward Knoblock, George Rosener; scenario, Edwine Burke, F. H. Brennan; film editor, J. Edwin Robbins.

SPEAK FREELY. Century. 1925. 2 reels.

Credits: Written and directed by William Watson.

SPEAKING OF OPERATIONS. 1933. 2 reels, sd.

Credits: Director, Roy Mack; story, Jack Henley, Glen Lambert.

SPEAKING OF RELATIONS. (Hal Roach Comedy) (Irvin S. Cobb Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Hal Yates; film editor, William Terhune.

SPEAKING OF THE WEATHER. (Merrie Melodies) 1937. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Frank Tashlin; animation, Joe D'Igalo, Volney White.

SPECIAL AGENT. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1935. 9 reels.

Credits: Director, William Keighley; story idea, Martin Mooney; screenplay, Laird Doyle, Abem Finkel.

SPECIAL ARRANGEMENTS. 1937. 1 reel, sd.

Credits: Director, Joseph Henabery.

SPECIAL DELIVERY. 1922. 2 reels.

Credits: Director, Al St. John.

SPECIAL DELIVERY. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6 reels.

Credits: Eddie Cantor; director, William Goodrich; adaptation and continuity, John Goodrich.

SPECIAL EDITION. (Harold Highbrow Series) Snappy. 1928. 1 reel.

Credits: Director, Doran Cox; story, James Madison; continuity, George H. Plympton.

SPECIAL INSPECTOR. 1939. 6 reels, sd.

Credits: Director, Leon Barsha; screenplay, Edgar Edwards.

SPECIAL INVESTIGATOR. 1936. 61 min., sd. From the novel by Erle Stanley Gardner.

Credits: Associate producer, Cliff Reid; director, Louis King; screenplay, Louis Stevens, Thomas Lennon, Ferdinand Reyher; editor, George Hively; music director, Roy Webb.

SPECIAL SALES MADE PROFITABLE. SEE

Credits and Collections.

THE SPECIAL SIX AND THE GREAT SIX. 1928. 1 reel.

SPECIAL TODAY. Metro-Drew. 1918. 1 reel.

Credits: Mr. and Mrs. Sidney Drew.

SPECIAL TRAVEL SERIES. SEE Paramount Travel Pictures.

THE SPECIALIST. 1929. 2 reels, sd.

SPECIALLY POSED VIEWS OF THEODORE ROOSEVELT. 1916. Split reel.

A SPECIES OF MEXICAN MAN. 1915. 3,000 ft.

Credits: Written and produced by Romaine Fielding.

THE SPECK ON THE WALL. 1914. 2,000 ft.

Credits: Producer, Colin Campbell.

THE SPECKLED BAND. (Sherlock Holmes Series). Produced by British and Dominions Studios. Presented by First Division and Ameranglo Corp. 1931. 7 reels, sd. From the story by Arthur Conan Doyle.

Credits: Director, Jack Raymond; adaptation, W. P. Lipscomb; editing, P. M. Rogers.

THE SPECTACLE MAKER. (A Colortone Musical) 1934. 2 reels, sd., color.

Credits: Screenplay and direction, John Villiers Farrow; original story, Frank Harris; music, Herbert Stothart.

THE SPECTER OF THE SEA. 1913. 2 reels. Adapted from an ancient East Frisian legend, "The Gonger."

Credits: James O. Walsh, Rex Taylor, Horace G. Plimpton, Jr., William Louis, Russell Taylor.

SPEED. Paramount. 1920. 1 reel.

Credits: Written and directed by Al St. John.

1. The Getaway. © title, descr. & 48 prints, 9Oct22; LU18279.

2. Nerve. © title, descr. & 32 prints, 9Oct22; LU18280.

3. Pious Pedro. © title, descr. & 38 prints, 11Oct22; LU18305.

4. The Quagmire. © title, descr. & 34 prints, 9Oct22; LU18281.

5. Fighting Mad. © title, descr. & 38 prints, 9Oct22; LU18282.

6. Panic. © title, descr. & 40 prints, 9Oct22; LU18284.

7. Jaws of Danger. © title, descr. & 34 prints, 14Dec22; LU18493.

8. Caught. © title, descr. & 40 prints, 14Dec22; LU18494.

9. Hit or Miss. © title, descr. & 34 prints, 14Dec22; LU18495.

10. Buried Alive. © title, descr. & 34 prints, 14Dec22; LU18496.

11. Into the Crusher. © title, descr. & 40 prints, 20Feb23; LU18694.

12. Trimmed. © title, descr. & 32 prints, 20Feb23; LU18695.

13. Risky Business. © title, descr. & 32 prints, 20Feb23; LU18696.

14. The Peril Rider. © title, descr. & 39 prints, 20Feb23; LU18697.

15. Found Guilty. © title, descr. & 38 prints, 7Jun23; LU19059.

SPEED. 1925. 6 reels. From the story by Grace Sartwell Mason.

Credits: Producer, Ben Verschleiser; director, Edward J. LeSaint; adaptation, Lois Zellner.

SPEED. 1931. 21 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Ewart Adamson.

SPEED. 1936. 7 reels, sd., b&w.

Credits: Producer, Lucien Hubbard; director, Edwin L. Marin; original story, Milton Krims, Larry Bachman; screenplay, Michael Fessier; film editor, Ben Lewis; music score, Edward Ward.

SPEED AND SPUNK. 1916. 1 reel.

Credits: Lawrence Semon, Graham Baker; director, Lawrence Semon.

SPEED AND SPUNK. 1920. 1 reel.

Credits: Director, Lawrence Semon; story, Lawrence Semon, Graham Baker.

SPEED AND SPURS. 1928. 2 reels.

Credits: Story, continuity, and direction, Walter Fabian.

THE SPEED BOY. (Star Comedy) 1922. 1 reel.

SPEED, BOYS! Century. 1924. 2 reels.

SPEED BUGS. Century. 1923. 2 reels.

THE SPEED CLASSIC. Presented by Samuel Zierler. 1928. 4,700 ft. Adapted from the story "They're Off."

Credits: Director, Bruce Mitchell; editor, Bertha A. Montaigen.

THE SPEED DEMON. 1932. 7 reels, sd.

Credits: Director, D. Ross Lederman; screenplay, Charles R. Condon.

SPEED 'EM UP. Presented by Century Comedies. 1922. 2 reels.

Credits: Written and directed by Arvid E. Gillstrom.

THE SPEED GIRL. 1921. 5 reels.

Credits: Director, Maurice Campbell; story, Elmer Harris; screen version, Douglas Doty.

THE SPEED HOUND. (A Fistical Culture Comedy) Released by The Bray Studios. 1927. 2 reels.

Credits: Eddie Cantor; director, Albert Herman.

SPEED IN THE GAY NINETIES. (Educational's Comedies) Presented by Mack Sennett. 1932. 18 min., sd.

Credits: Director, Del Lord; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, John Grey.

THE SPEED KING. Imp. 1916. 2 reels.

Credits: Producer, Richard Stanton; scenario, Walter Woods.

THE SPEED LIMIT. Gotham. 1926. 6 reels.

Credits: Supervision, Renaud Hoffman; director, Frank O'Connor; story, James J. Tynan.

THE SPEED LIMIT. (Sportlight) The Van Beuren Corp. 1931. 1 reel.

SPEED MAD. 1925. 4,442 ft.

Credits: Director, Jay Marchant; story, Dorothy Howell; titles, Malcolm Stuart Boylan; editor, Charles J. Hunt.

SPEED MAD. (News World of Sports) 1936. 861 ft., sd.

Credits: Narrative by Jack Kofoed; described by Ford Bond.

SPEED MADNESS. Presented by Peter Kanellos. 1925. 5 reels.

Credits: Producer, Frank Merrill; director, Bruce Mitchell; story, William E. Wing.

THE SPEED MANIAC. 1919. 5 reels.

Credits: Director, E. J. LeSainte; story, H. H. Van Loan; scenario, Denison Clift.

THE SPEED SHEIK. Snappy. 1928. 1 reel.

Credits: Story and direction, Max Kimmich; continuity, George H. Plympton.

THE SPEED SPOOK. 1924. 7 reels.

Credits: Director, Charles Hines; story, William Wallace Cook; scenario, Raymond S. Harris.

SPEED TO BURN. 1938. 6 reels, sd.

Credits: Director, Otto Brower; original story, Edwin Dial Torgerson; screenplay, Robert Ellis, Helen Logan; music director, Samuel Kaylin.

SPEED TO SPARE. 1937. 6 reels, sd.

Credits: Associate producer, Ralph Colin; director, Lambert Hillyer; screenplay, Bert Granet, Lambert Hillyer; film editor, Viola Lawrence.

SPEED WILD. Released by F. B. O. 1925. 5 reels.

Credits: Director, Harry Garson; story, H. H. Van Loan; adaptation, Frank S. Beresford.

SPEED WINGS. 1934. 6 reels, sd.

Credits: Director, Otto Brower; story and screenplay, Horace McCoy; film editor, Jack Rawlins.

THE SPEEDER'S REVENGE. 1913. 1 reel.

Credits: Directors, Walfred North and Wally Van [pseud. of Wally Van Nostrand].

SPEEDING. Nestor. 1916. 1 reel.

Credits: Direction and scenario, P. C. Hartigan; story, R. A. Dillon.

Credits: Producer, Charles W. Barrell; animation, Carpenter-Goldman Laboratories.

THE SPEEDING VENUS. Released by Producers Distributing Corp. 1926. 6 reels. Adapted from the story "Behind the Wheel" by Welford Beaton.

Credits: Director, Robert Thornby; adaptation, Finis Fox.

SPEEDWAY. 1929. 8 reels, sd.

Credits: Produced and directed by Harry Beaumont; story, Byron Morgan; adaptation, Al Block, Ann Price, Byron Morgan; music director, William Axt; film editor, George Hively.

SPEEDWAY. (Bill Cunningham Sports Review) 1932. 9 min., sd.

Credits: Director, Howard C. Brown.

SPEEDY. Released by Paramount. 1928. 8 reels.

Credits: Director, Ted Wilde; story and scenario, John Grey, Lex Neal, Howard Rogers, Jay Howe.

SPEEDY JUSTICE. Mentone. 1935. 2 reels.

Credits: Director, Milton Schwarzwald; dialogue, Ballard MacDonald.

A SPEEDY MARRIAGE. Century. 1925. 2 reels.

Credits: Written and directed by Edw. I. Luddy.

SPEEDY MEADE. Released through Goldwyn. 1919. 5 reels.

Credits: Written and directed by Ira M. Loury.

THE SPELL. 1913. 1 reel.

Credits: Director, Rollin S. Sturgeon.

SPELL OF THE CIRCUS. 1930-31. 2 reels each. © Universal Pictures Corp.

Credits: Director, Robert F. Hill; story and continuity, Ian McClosky Heath.

1. A Menacing Monster. © 23Oct30; LP1673.

2. The Phantom Shadow. © 23Oct30; LP1674.

3. Racing with Death. © 23Oct30; LP1675.

4. A Scream of Terror. © 8Dec30; LP1800.

5. A Leap for Life. © 9Dec30; LP1805.

6. A Fatal Wedding. © 6Jan31; LP1865.

7. A Villain Unmasked. © 6Jan31; LP1866.

8. The Baited Trap. © 19Jan31; LP1903.

9. The Terror Tent. © 21Jan31; LP1917.

10. The Call of the Circus. © 2Feb31; LP1949.

Credits: Producer, Edward J. Le Saint.

THE SPELL OF THE YUKON. 1916. 5 reels. Adapted from the poem by Robert W. Service.

Credits: Director, Burton King.

THE SPELL OF THE YUKON. SEE

The Law of the Yukon.

The Lure of Heart's Desire.

My Madonna.

The Shooting of Dan McGrew.

The Song of the Wage Slave.

THE SPELLBINDER. 1939. 69 min., sd.

Credits: Production executive, Lee Marcus; producer, Cliff Reid; director, Jack Hively; story, Joseph Anthony; screenplay, Thomas Lennon, Joseph A. Fields; editor, Theron Warth; music director, Rex Dunn.

THE SPELLBINDER. SEE Robert Benchley in The Spellbinder.

THE SPENDER. 1919. 5 reels.

Credits: Supervision, George D. Baker; director, Charles Swickard; story, Frederick Orin Bartlett; adaptation, George D. Baker, A. K. Kenyon.

SPENDING AS A FINE ART. SEE Palm Beach.

THE SPENDTHRIFT. 1915. 6 reels.

SPENDTHRIFT. Presented by Adolph Zukor. 1936. 8 reels. Based on the original story by Eric Hatch.

Credits: Producer, Walter Wanger; director, Raoul Walsh; screenplay, Raoul Walsh, Bert Hanlon.

THE SPHINX. Red Feather. 1916. 5 reels.

Credits: Producer, Mr. Adolphi; story, Raymond L. Schrock.

THE SPHINX. 1933. 7 reels, sd.

Credits: Supervision, Sid Rogell; director, Phil Rosen; story and screenplay, Albert Demond.

THE SPICE OF LIFE. 1934-35. In cooperation with the Literary Digest. 1 reel each, sd. © Columbia Pictures Corp.

1. © 21Sep34; MP5010.

2. © 11Oct34; MP5037.

3. © 4Jan35; MP5255.

4. © 19Dec34; MP5223.

5. © 1Feb35; MP5384.

6. © 6Mar35; MP5443.

7. © 18Apr35; MP5534.

THE SPICE OF LIFE. SEE The Quitter.

THE SPIDER. 1915. 2 reels.

Credits: James Francis Dwyer; director, Lawrence Windom.

THE SPIDER. 1931. 5,400 ft., sd. Based on the play by Fulton Oursler and Lowell Brentano.

Credits: Associate producer, William Sistrom; director, William C. Menzies, Kenneth McKenna; continuity and dialogue, Barry Conners, Philip Klein; editor, Al DeGaetano.

THE SPIDER AND THE FLY. 1916. For Fox Film Corp. 5 reels.

Credits: Producer, J. Gordon Edwards; adaptation, Franklin B. Coates.

THE SPIDER AND THE FLY. (Silly Symphony Cartoon, no. 23) 1931. 1 reel.

THE SPIDER AND THE ROSE. 1923. 7 reels. From the story by Gerald C. Duffy.

Credits: Director, John McDermott.

THE SPIDER STORIES. SEE Spider's Web. (Serial)

THE SPIDER TALKS. (Paul Terry Toons) 1932. 6 min., sd.

Credits: Frank Moser, Paul Terry.

SPIDERS. 1931. 990 ft.

SPIDERS. 1931. 1 reel, sd.

Credits: Narrative, Clyde Fisher.

THE SPIDER'S LAIR. 1928. 1 reel.

Credits: Paul Terry and Mannie Davis.

THE SPIDER'S WEB. 1916. 3 reels. Adapted from the novel by Clarence J. Cullens.

Credits: Adaptation, Edward T. Lowe, Jr.

THE SPIDER'S WEB. 1938. 2 reels each, except no. 1 which is 3 reels, sd. Based on The Spider stories. © Columbia Pictures Corp. of California, Ltd.

Credits: Directors, Ray Taylor, James W. Horne; screenplay, Robert E. Kent, Basil Dickey, George Plympton, Martie Ramson.

1. Night of Terror. © 10Oct38; LP8358.

2. Death Below. © 12Oct38; LP8367.

3. High Voltage. © 21Oct38; LP8368.

4. Surrender or Die. © 24Oct38; LP8369.

5. Shoot To Kill. © 31Oct38; LP8377.

6. Sealed Lips. © 4Nov38; LP8391.

7. Shadows of the Night. © 7Nov38; LP8400.

8. While the City Sleeps. © 13Nov38; LP8422.

9. Doomed. © 21Nov38; LP8430.

10. Flaming Danger. © 25Nov38; LP8443.

11. The Road to Peril. © 5Dec38; LP8467.

12. The Spider Falls. © 8Dec38; LP8468.

13. The Man Hunt. © 9Dec38; LP8489.

14. The Double Cross. © 14Dec38; LP8492.

15. The Octopus Unmasked. © 21Dec38; LP8502.

THE SPIDER'S WEB. SEE Midnight Life.

THE SPIELER. 1928. 7 reels, sd.

Credits: Producer, Ralph Block; director, Tay Garnett; original story, Hal Conklin; adaptation, Hal Conklin, Tay Garnett.

SPIES. U. F. A. 1929. 9 reels, sd., b&w. Adapted from the novel "Spione" by Thea Von Harbon.

Credits: Director, Fritz Lang; adaptation, Thea Von Harbon.

SPIES AND SPILLS. 1918. 1 reel.

Credits: Directed and written by Lawrence Semon.

SPIKE SPEAKS. 1930. 1 reel.

Credits: Director, Jasper Ewing Brady.

Credits: Producer, John L. Hawkinson.

SPIKE'S BIZZY BIKE. 1917. 2 reels.

Credits: Director, Craig Hutchinson.

SPILLS AND FLASHES. (News World of Sports) 1935. 1 reel, sd.

Credits: Narrative, Jack Kofoed; described by Ford Bond.

SPILLS AND THRILLS. (A Grantland Rice Sound Sportlight) 1930. 1 reel, si. & sd.

Credits: Jack Eaton.

THE SPINACH OVERTURE. 1935. 1 reel.

THE SPINACH ROADSTER. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, George Germanetti.

THE SPINDLE OF LIFE. Butterfly. 1917. 5 reels. From the novel "Gladsome" by Sidney Robinson.

Credits: Director, George Cochrane; scenario, Carl R. Coolidge.

SPINNING MICE. (Rainbow Parade Series, no. 6) 1935. 1 reel, sd.

Credits: Directors, Burt Gillett, Tom Palmer.

SPINNING SPOKES. 1937. 2 reels.

Credits: Director, Harold M. Kuckuk.

SPINSTER DINNER. SEE Love Before Breakfast.

SPIONE. SEE Spies.

THE SPIRIT AND THE CLAY. 1914. 3 reels.

Credits: Director, Harry Lambart.

THE SPIRIT OF A PATRIOT. SEE Sangue Irredento.

Credits: Director, Reeves Eason.

THE SPIRIT OF CHRISTMAS. 1913. 1 reel.

Credits: Directors, William Humphrey, Teft Johnson.

SPIRIT OF CULVER. 1939. 9 reels, sd.

Credits: Associate producer, Burt Kelly; director, Joseph Santley; original story, George Green, Tom Buckingham, Clarence Marks; screenplay, Nathanael West, Whitney Bolton; film editor, Frank Gross.

THE SPIRIT OF GOOD. 1920. 5 reels.

Credits: Director, Paul Cazeneuve; story, Clifford Howard, Burke Jenkins; scenario, Denison Clift.

THE SPIRIT OF JEALOUSY. 1914. 1 reel.

THE SPIRIT OF MERRY CHRISTMAS. Metro-Drew. 1917. 1 reel.

Credits: Written and produced by Mr. and Mrs. Sidney Drew.

THE SPIRIT OF 1918, OVERTURE, VITAPHONE SYMPHONY ORCHESTRA, HERMAN HELLER, CONDUCTOR. 1927. 1 reel, sd.

Credits: Arranger, Alfred Chiaffarelli.

THE SPIRIT OF 1976. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Leigh Jason; story, Ernest Pagano, Leigh Jason; Roy Webb; music and lyrics, Val Burton, Wil Jason; music director, Roy Webb; film editor, John Lockert.

SPIRIT OF NOTRE DAME. 1931. 8 reels.

Credits: Director, Russell Mack; screenplay, Richard Schayer, Dale Van Every; added dialogue, Walter de Leon.

Credits: Producer, John L. Hawkinson.

THE SPIRIT OF ROMANCE. 1917. 5 reels.

Credits: Story, George Hopkins; scenario, Adele Harris.

THE SPIRIT OF SAVING. Leavitt Cine Picture Co. 1929. 1 reel.

Credits: Director, Roland D. Reed.

THE SPIRIT OF '17. 1917. 5 reels.

Credits: Director, William D. Taylor; story, Judge Willis Brown; scenario, Julia Crawford Ivers.

THE SPIRIT OF THE SHO-GUN. (Vagabond Adventure Series, no. 18) 1930. 1 reel, sd.

Credits: Alfred Mannon.

THE SPIRIT OF THE U. S. A. 1924. 8 reels.

Credits: Director, Emory Johnson; story and scenario, Emilie Johnson.

THE SPIRIT OF THE VIOLIN. 1914. 2 reels.

Credits: Director, Edward J. Le Saint.

THE SPIRIT OF YOUTH. 1929. 7 reels.

Credits: Director, Walter Lang; story and continuity, Elmer Harris, Eve Unsell; editor, Desmond O'Brien.

A SPIRITED AFFAIR. (Star Comedy) 1922. 1 reel.

SPIRITS. 1920. 2 reels.

Credits: Director, Charles Parrott; story, Bob McGowan.

THE SPIRITS OF 76th STREET. 1931. 1 reel.

THE SPIRITS OF '21. (Star Comedy) 1921. 1 reel.

Credits: Director, Vin Moore.

A SPIRITUAL ELOPEMENT. 1915. Split reel.

Credits: E. J. Nerburn.

THE SPITE BRIDE. 1919. 5 reels.

Credits: Director, Charles Giblyn; story, Louise Winters; scenario, Lilian Ducey.

SPITE FLIGHT. (Willie Whopper Cartoon) 1933. 1 reel.

SPITE MARRIAGE. 1929. 9 reels.

Credits: Produced and directed by Edward Sedgwick; story, Lew Lipton; adaptation, Ernest S. Pagano; continuity, Richard Schayer; film editor, Frank Sullivan.

SPITFIRE. 1934. 9 reels, sd. From the play "Trigger" by Lula Vollmer.

Credits: Producer, Pandro S. Berman; director, John Cromwell; screenplay, Jane Murfin, Lula Vollmer; editor, William M. Morgan; music director, Max Steiner.

THE SPITFIRE. SEE The Heart of Cerise.

THE SPITFIRE OF SEVILLE. 1919. 6 reels.

Credits: Director, George Seigmann; story, Joseph Franklin Poland; scenario, Waldemar Young.

SPLASH! (Sport Champions) 1931. 1 reel, sd.

Credits: Directors, Zion Myers, Jules White; dialogue, Joe Farnham.

A SPLASH OF LOCAL COLOR. Gold Seal. 1916. 2 reels. Adapted from the story by Clifford F. Ivins.

Credits: Producer, Lucius Henderson; adaptation, Catherine Carr.

SPLASH YOURSELF. (A Paramount-Christie Comedy) 1927. 2 reels.

Credits: Director, Harold Beaudine; story, Frank R. Conklin.

SPLASHING THRU. (A Grantland Rice Sound Sportlight) 1930. 1 reel, sd.

Credits: Jack Eaton.

THE SPLENDID CRIME. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 6,069 ft.

Credits: Production, direction, and story, William De Mille; screenplay, Violet Clark.

A SPLENDID HAZARD. 1921. 6 reels. From a story by Harold MacGrath.

THE SPLENDID LIE. J.-G. Pictures, Inc. 1922. 6 reels.

Credits: Written and directed by Charles T. Horan.

THE SPLENDID ROAD. Presented by Frank Lloyd. 1925. 8 reels. From the story by Vingie E. Roe.

Credits: Director, Frank Lloyd.

A SPLENDID SCAPEGRACE. 1913. 1 reel. From "A Blackjack Bargainer" by O. Henry [pseud. of William Sydney Porter].

THE SPLENDID SIN. 1919. 5 reels.

Credits: Director, Howard M. Mitchell; story, E. Forst; scenario, Denison Clift.

THE SPLENDID SINNER. 1918. 6 reels.

Credits: Kate Jordan; director, Edwin Carewe.

SPLENDOR. 1935. 8 reels, sd.

Credits: Rachel Crothers; director, Elliott Nugent; film editor, Margaret Clancey; music director, Alfred Newman.

SPLITTING HAIRS. 1922. 2 reels.

Credits: Director, Erle Kenton.

SPLITTING THE BREEZE. Released by F. B. O. 1927. 5 reels.

Credits: Director, Bob DeLacey; story and continuity, Frank Howard Clark.

THE SPLURGE. SEE Early to Wed.

THE SPOILED GIRL. (James Montgomery Flagg's Girls You Know) 1918. 1 reel.

THE SPOILERS. 1914. Based on the novel by Rex Beach.

THE SPOILERS. 1923. 8 reels. Based on the novel by Rex Beach.

Credits: Director, Lambert Hillyer; adaptation, Fred Kennedy Myton.

THE SPOILERS. 1930. 11 reels, sd. From the novel by Rex Beach.

Credits: Producer and director, Edwin Carewe; screenplay, Bartlett Cormack; scenario, Agnes Brand Leahy.

SPOILERS OF THE RANGE. 1939. 6 reels, sd.

Credits: Director, C. C. Coleman, Jr.; original screenplay, Paul Franklin; film editor, William Lyon.

SPOILERS OF THE WEST. 1927. 6 reels.

Credits: Director, W. S. Van Dyke; story, John Thomas Neville; scenario, Madeleine Ruthven, Ross B. Willis; film editor, Dan Sharits.

SPOILS OF WAR. SEE Behind the Front.

THE SPONGE MAN. SEE Lampoons.

SPONGING FOR A LIVING. (Ford Educational Library, Industrial Geography, v. 1) Ford Motion Picture Laboratories. 1921. 1 reel.

SPOOK RANCH. Jewel. 1925. 6 reels.

Credits: Director, Edward Laemmle; story, Edward Sedgwick, Raymond L. Schrock.

SPOOK-SPOOFING. (Our Gang Comedies) Presented by Hal Roach. 1928. 2 reels, sd., b&w.

Credits: Producer, story, and direction, Robert W. McGowan; titles, Reed Heustis; editor, Richard Currier.

SPOOKEASY. 1930. 1 reel.

Credits: Ben Harrison, Manny Gould.

SPOOKS. (Chronicles of Bloom Center) 1915. 1 reel.

Credits: Producer, Marshal Neilan.

SPOOKS. (McDougall Alley Comedy) 1927. 2 reels.

Credits: Director, Robert B. Wilcox.

SPOOKS. (Oswald Cartoon) Snappy. 1930. 1 reel.

Credits: Director, Walter Lantz; animation, Bill Nolan.

SPOOKS. (A Flip the Frog Cartoon) 1932. 1 reel.

SPOOKS. Educational Films Corp. of America. Presented by E. W. Hammons. 1936. 773 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story, Arthur Jarrett.

SPOOKS AND SPASMS. 1917. 1 reel.

Credits: Story and direction, Lawrence Semon.

SPOOKY HOOKY. (Hal Roach Comedy) (Our Gang Comedy) 1936. 1 reel, sd., b&w.

Credits: Director, Gordon Douglas; film editor, William Ziegler.

A SPOOKY ROMANCE. Century. 1923. 2 reels.

Credits: Written and directed by Al Herman.

SPORT A LA CARTE. (Grantland Rice Sound Sportlight) 1929. 1 reel, sd.

Credits: John Foster.

SPORT AFLOAT. (Grantland Rice Sportlight) Presented by the Van Beuren Corporation. 1929. 1 reel.

Credits: Jack Eaton.

THE SPORT ALMANAC. (Sound Sportlight) 1929. 1 reel, sd.

Credits: Jack Eaton.

A SPORT CALENDAR. (Bray Novelty) Bray Studios. 1926. 1 reel.

Credits: Editor, Don Carlos Ellis.

SPORT MAGIC. (News World of Sports) 1936. 855 ft., sd.

Credits: Narrative by Jack Kofoed; described by Ford Bond.

A SPORT OF CIRCUMSTANCES. 1915. 1,000 ft.

Credits: Preston Kendall; director, Will Louis.

SPORT OF THE SEASONS. (News World of Sports) 1937. 845 ft., sd.

Credits: Narrative, Jack Kofoed; described by Ford Bond.

SPORT ON THE RANGE. (The Grantland Rice Sportlight) 1935. 1 reel, sd.

Credits: Narration, Ted Husing.

THE SPORT PARADE. 1932. 7 reels, sd. From a story by Jerry Horwin.

Credits: Director, Dudley Murphy; screenplay, Corey Ford, Francis Cockrell; film editor, Jack Kitchin; music director, Max Steiner.

SPORT STAMINA. (News World of Sports) 1938. 898 ft., sd.

Credits: Narrative by Jack Kofoed; described by Ford Bond.

SPORT THRILLS. Presented by Vitaphone. 1932-33. 1 reel each, sd. Title varies: no. 4, 1932-33, has title "Vitaphone Sport Thrills."

Credits: Dialogue and narrative, Ted Husing.

1. © 26Nov32; MP3663.

2. © 9Jan33; MP3739.

3. © 16Dec32; MP3697.

4. © 13Feb33; MP3818.

5. © 22Mar33; MP3903.

6. © 23Feb33; MP3836.

THE SPORTING AGE. 1928. 6 reels.

Credits: Producer, Harry Cohn; director, Erle C. Kenton; story, Armand Kaliz; adaptation, Elmer Harris; continuity, Peter Milne.

SPORTING BLOOD. 1916. For Fox Film Corp. 5 reels.

Credits: Produced and written by Bertram Bracken.

SPORTING BLOOD. 1931. 9 reels, sd., b&w. From the story by Frederick Hazlitt Brennan.

Credits: Charles Brabin, Willard Mack, Wanda Tuchock; director, Charles Brabin.

SPORTING BROTHERS. (Grantland Rice Sportlight) 1930. 1 reel, sd.

Credits: Editor, Jack Eaton.

A SPORTING CHANCE. 1919. 5 reels.

Credits: Director, Henry King; story, Stephen Fox.

A SPORTING CHANCE. Paramount. Presented by Jesse L. Lasky. 1919. 5 reels. From the story "Impulses" by Roger Hartman.

Credits: Director, George Melford; scenario, Will M. Ritchey.

THE SPORTING CHANCE. 1925. 7 reels.

Credits: Director, Oscar Apfel; story, Jack Boyle.

SPORTING COMPARISONS. (Sportlight) 1936. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE SPORTING DUCHESS. 1920. 7 reels. From the play by August Harris, Cecil Raleigh, and Henry Hamilton.

Credits: Director, George Terwilliger; scenario, Lucien Hubbard.

SPORTING GOODS. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 5,951 ft.

Credits: Producer and director, Malcolm St. Clair; screenplay, Tom Crizer, Ray Harris.

THE SPORTING IRISH. (Sportlight) 1939. 1 reel, sd.

Credits: Narrator, Ted Husing.

Credits: Producer, John L. Hawkinson.

SPORTING LIFE. Paramount-Artcraft Special. 1918. 7 reels. From the play by Cecil Raleigh and Seymour Hicks.

Credits: Producer and director, Maurice Tourneur; scenario, Winthrop Kelley.

SPORTING LIFE. Universal Jewel. 1925. 7 reels. From the play by Seymour Hicks and Cecil Raleigh.

Credits: Director, Maurice Tourneur.

THE SPORTING LOVER. Presented by Faultless Pictures, Inc. 1926. 7 reels. From the Drury Lane melodrama "Good Luck" by Seymour Hicks and Ian Hay [pseud. of John Hay Beith].

Credits: Director, Alan Hale; adaptation, Carey Wilson.

SPORTING MELODIES. (Grantland Rice Sportlight, no. 2) 1933. 1 reel, sd.

THE SPORTING NETWORK (The Grantland Rice Sportlight) 1935. 1 reel.

SPORTING NUTS. (An Oddity) 1935. 1 reel, sd., b&w.

Credits: Explanatory remarks, Pete Smith.

SPORTING PALS. (The Grantland Rice Sportlight) 1937. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE SPORTING QUIZ. (Sportlight) 1936. 1 reel, sd.

Credits: Producer, Jack Eaton; narrator, Ted Husing.

SPORTING SOUNDS. (Sportlight) 1935. 1 reel, sd.

Credits: Narrator, Ted Husing.

Credits: Producer, John L. Hawkinson.

A SPORTING TEST. (The Grantland Rice Sportlight) 1938. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE SPORTING VENUS. 1925. 7 reels, b&w, tinted sequences.

Credits: Story, Gerald Beaumont; scenario, Thomas Geraghty; film editor, Blanche Sewall.

SPORTING WINGS. (Sportscope, no. 8) 1939. 9 min., sd.

Credits: Producer, Frederic Ullman, Jr.; supervision, Frank Donovan.

SPORTING YOUTH. Universal-Jewel. 1924. 7 reels.

Credits: Director, Harry A. Pollard; story, Byron Morgan; scenario, Harvey Thew.

SPORTING YOUTH. Junior Jewel. 1929-30. 2 reels each, sd. © Universal Pictures Corp.

Credits: Directors, Ray Taylor, Ben Holmes; story, continuity and dialogue, George H. Plympton, Phil Dunham, Ford I. Beebe.

1. Lady of Lions. © 15Nov29; LP860.

2. Hi-Jack and the Game. © 23Nov29; LP874.

3. The Take-Off. © 9Dec29; LP908.

4. Steeplechase. © 27Dec29; LP964.

5. Live Ghosts. © 11Jan30; LP999.

6. Footlight Follies. © 15Jan30; LP1000.

7. A Royal Fourflush. © 1Feb30; LP1049.

8. Arabian Daze. © 19Feb30; LP1092.

9. Seeing Stars. © 21Mar30; LP1171.

10. Chinese Blues. © 5Apr30; LP1200.

10. Chinese Blues. © 12Apr30; LP1225.

11. Halloween. © 12Apr30; LP1226.

12. Schoolmates. © 24Apr30; LP1252.

SPORTLAND ON THE SCREEN. Presented by Persal Productions. 1935. 1 reel, sd.

Credits: Narrator, Arthur Hale.

A SPORTLIGHT COCKTAIL. 1934. 1 reel, sd.

Credits: Narrator, Ted Husing.

SPORTOLOGY. 1925. 1 reel.

SPORTS AND SPLASHES. 1917. 1 reel.

Credits: Graham Baker; director, Lawrence Semon.

SPORTS GREATEST THRILLS. (News World of Sports) 1937. 842 ft., sd.

Credits: Narrative, Jack Kofoed; described by Ford Bond.

SPORTS HEADLINERS OF 1936. (Adventures of the Newsreel Cameraman) 1936. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr.

SPORTS IN THE ALPS. Treasure Chest. Presented by E. W. Hammons. 1936. 819 ft.

Credits: Story and narration, Ed Thorgersen.

SPORTS ON ICE. (A Pete Smith Specialty) 1936. 1 reel, sd., b&w.

THE SPORTSMAN. 1920. 2 reels.

Credits: Directors, Larry Semon, Norman Taurog.

THE SPOT ON THE RUG. (Mack Sennett Comedy Featurettes) Educational Film Exchanges, Inc. 1932. 19 min., sd.

Credits: Director, Babe Stafford; story and dialogue, John A. Waldron, Gene Towne, Felix Adler, Del Lord.

SPOT LIGHT. (Mermaid Comedies) 1925. 2 reels.

Credits: Written and directed by Norman Taurog.

THE SPOTLIGHT. 1927. 4,866 ft. From the story "Footlights" by Rita Weiman.

Credits: Director, Frank Tuttle; adaptation, Hope Loring.

SPOTLIGHT SADIE. Presented by Samuel Goldwyn. 1919. 5 reels.

Credits: Director, Laurence Trimble; story, Lewis Allen Browne.

THE SPOTTED LILY. 1917. 5 reels.

Credits: J. Grubb Alexander, Fred Myton; director, Harry Solter.

THE SPOTTED NAG. 1919. 2 reels.

Credits: Director, Jim Davis.

SPOTTED WINGS. (A Battle for Life Release) Audio Productions, Inc. in cooperation with British Instructional Films, Ltd. Educational Pictures. Presented by E. W. Hammons. 1934. 614 ft., sd.

Credits: Narration, James F. Clemenger; editor, Sam Citron.

THE SPREADING DAWN. 1917. 6 reels.

Credits: Director, Lawrence Trimble; story, Basil King.

Credits: Written and produced by James Keane.

A SPRIG OF SHAMROCK. 1915. 1 reel.

Credits: Millard Johnson.

SPRING ANTICS. (Aesop's Sound Fable) 1932. 1 reel.

Credits: John Foster, Mannie Davis.

A SPRING CHICKEN. 1916. 3 reels.

SPRING CLEANING. SEE The Fast Set.

SPRING DANCE. SEE Spring Madness.

THE SPRING FESTIVAL. (Scrappy) (A Color Rhapsody) Columbia Pictures Corp. 1937. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

SPRING FEVER. 1916. 1 reel.

SPRING FEVER. Century. 1923. 2 reels.

SPRING FEVER. 1923. 2 reels.

Credits: Director, Archie Mayo.

SPRING FEVER. 1927. 7 reels, b&w. From the play by Vincent Lawrence.

Credits: Producer and director, Edward Sedgwick; screenplay, Albert Lewin, Frank Davis; titles, Ralph Spence; film editor, Frank Sullivan.

SPRING FEVER. SEE Love in the Rough.

SPRING HAS CAME. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Jules White.

A SPRING IDYLL. (Paula Blackton's Country Life Stories) 1917. 1 reel.

Credits: Director, J. Stuart Blackton.

SPRING IN THE PARK. (Oswald) Snappy. 1934. 1 reel.

Credits: Bill Nolan.

SPRING IS HERE. First National and Vitaphone. 1930. 70 min., sd. Adapted from the musical play by Owen Davis, Lorenz Hart, and Richard Rodgers.

Credits: Producer, John Francis Dillon; screen version, James A. Starr.

SPRING IS HERE. Trailer. 1930. 1 reel, sd.

SPRING IS HERE. (Paul Terry Toons) 1932. 6 min.

Credits: Frank Moser and Paul Terry.

SPRING IS HERE. Presented by E. W. Hammons. 1936. 1,810 ft., sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, Marcy Klauber.

SPRING IS HERE. SEE Yours Sincerely.

SPRING MADNESS. Presented by Metro-Goldwyn-Mayer. 1938. 7 reels, sd., b&w. Based on the play "Spring Dance" by Philip Barry, which was adapted from an original play by Eleanor Golden and Eloise Barrangon.

Credits: Production and screenplay, Edward Chodorov; director, S. Sylvan Simon; film editor, Conrad Nervig; music score, William Axt.

SPRING NIGHT. Presented by Frank Tuttle. 1935. 1 reel, sd.

Credits: Director, Tatiana Tuttle; music, Joseph Achron; orchestration, Edward Powell.

SPRING, 1964. 1924. 1 reel.

Credits: Written and directed by William H. Watson.

SPRING 3100. SEE Jealousy.

SPRING TONIC. 1935. 5,200 ft., sd. From the play "Man-Eating Tiger" by Ben Hecht and Rose Caylor.

Credits: Director, Clyde Bruckman; screenplay, Patterson McNutt, H. W. Haneman; adaptation, Howard I. Young; comedy sequences, Frank Griffin; musical director, Arthur Lange.

SPRINGBOARD CHAMPIONS. (The Grantland Rice Sportlight) 1934. 1 reel, sd.

SPRINGTIME. 1920. 2 reels.

Credits: Written and directed by Jess Robbins.

SPRINGTIME. (Walt Disney Cartoon) 1930. 1 reel.

SPRINGTIME A LA CARTE. 1918. 2 reels. From the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Kenneth Webb.

SPRINGTIME FOR HENRY. 1934. 6,695 ft., sd. From the play by Ben W. Levy.

Credits: Director, Frank Tuttle; screenplay, Keene Thompson, Frank Tuttle; music director, Louis de Francesco.

SPRINGTIME IN HOLLAND. 1935. 2 reels, sd., color.

Credits: Director, Ralph Staub; story, Joe Traub.

SPRINGTIME IN THE ROCKIES. 1937. 6 reels, sd.

Credits: Associate producer, Sol C. Siegel; director, Joe Kane; original screenplay, Gilbert Wright, Betty Burbridge; film editor, Lester Orlebeck; music director, Alberto Colombo.

THE SPRINGTIME OF THE SPIRIT. Rex. 1915. 3 reels.

Credits: John B. Clymer; producer, Ben Wilson.

SPRINGTIME SERENADE. Snappy. 1935. 1 reel, sd., color.

Credits: Story and lyrics, Walter Lantz, Victor McLeod; animation, Manuel Moreno, Lester Kline, Fred Kopietz.

SPRUCIN' UP. (Hal Roach Comedy) 1935. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

SPUDS. 1923. 1 reel.

SPURS. 1930. 6 reels, si., & sd.

Credits: Director, Reaves Eason; story and dialogue, Reaves Eason.

SPURS. SEE Freaks.

SPURS AND SADDLES. (Blue Streak Western) 1927. 5 reels.

Credits: Director, Clifford S. Smith; story, Paul M. Bryan; adaptation and scenario, Harrison Jacobs.

Credits: Director, Travers Vale; story, Louise Winter.

THE SPY. 1917. 7 reels.

Credits: Director, Richard Stanton.

THE SPY. 1929. 2 reels, sd.

Credits: Director, Monte Brice; story, Tom Howard, A. Dorian Otvos.

THE SPY. 1931. 5,255 ft., sd.

Credits: Associate producer, Ralph Block; director, Berthold Viertel; story, Ernest Pascal; dialogue, Ernest Pascal, Robert Presnell; editor, Eddie Robbins.

THE SPY RING. 1938. 7 reels, sd.

Credits: Producer, Trem Carr; director, Joseph H. Lewis; story, Frank Vanwyck Mason; screenplay, George Waggner.

SPY 77. 1934. 8 reels, sd.

Credits: Direction, adaptation, and scenario, Arthur Woods; dialogue, Frank Vosper.

THE SPY'S DAUGHTER. SEE The Waters of Death.

THE SPY'S FATE. 1914. 3 reels.

THE SPY'S SISTER. 1915. 1,000 ft.

SQUABS AND SQUABBLES. 1919. 2 reels.

Credits: Director, Noel Smith; story, Anthony W. Caldeway.

SQUADRON OF HONOR. 1937. 6 reels, sd.

Credits: Director, C. C. Coleman, Jr.; story, Martin Mooney; screenplay, Michael L. Simmons; film editor, Al Clark.

SQUADRONS. SEE Body and Soul.

THE SQUALL. Presented by Richard A. Rowland. 1929. 11 reels. From the play by Jean Bart [pseud. of Marie Antoinette Sarlabous].

Credits: Director, Alexander Korda; screen version, Bradley King.

THE SQUALL. Trailer. 1929. 1 reel.

SQUANDERED LIVES. 1920. 6 reels. Adapted from the story "Duke's Son" by Cosmo Hamilton.

Credits: Director, Franklyn Dyall; scenario, Guy Newall.

SQUARE CROOKS. 1928. 6 reels, b&w. From the play by James P. Judge.

Credits: Director, Lewis Seiler; scenario, Becky Gardiner.

Credits: Director, Harley Knoles; story, Louis V. Jefferson.

SQUARE DEAL SANDERSON. 1919. 5 reels. Based on the novel by Charles Alden Seltzer.

Credits: Director, Lambert Hillyer.

THE SQUARE DECEIVER. Yorke Film Corp. 1917. 5 reels. Based on the novel "Love Me for Myself Alone" by Francis Perry Elliott.

Credits: Director, Fred J. Balshofer; adaptation, Fred J. Balshofer, Richard V. Spencer.

A SQUARE PEG. SEE Denial.

THE SQUARE SHOOTER. 1920. 5 reels.

Credits: Director, Paul Cazeneuve; story and scenario, Denison Clift.

THE SQUARE SHOOTER. Mustang. 1927. 2 reels.

Credits: Director, William Wyler; story, Kenneth B. Langley.

SQUARE SHOOTER. 1934. 6 reels, sd.

Credits: Director, David Selman; story and screenplay, Harold Shumate; film editor, Al Clark.

SQUARE SHOULDERS. 1929. 7 reels.

Credits: Producer, Paul Bern; director, E. Mason Hopper; story, George Dromgold, Houston Branch; adaptation, Peggy Prior; film editor, Barbara Hunter.

SQUARED. (Paramount-Drew Comedy) V. B. K. Film Corp. 1919. 2 reels.

Credits: Supervision, Mr. & Mrs. Sidney Drew; story, Clarence Meily.

A SQUARED ACCOUNT. 1916. 1 reel.

Credits: Director, William Wolbert.

SQUARING IT. Bison. 1917. 3 reels.

Credits: Produced, directed, and written by George E. Marshall.

SQUARING THE TRIANGLE. 1931. 1 reel.

THE SQUASHVILLE SCHOOL. 1914. 1 reel.

THE SQUATTERS. 1914. 1 reel.

Credits: Producer, Fred W. Huntly.

THE SQUAW MAN. Artcraft. Presented by Jesse L. Lasky. 1918. 6 reels. Based on the play by Edwin Milton Royle.

Credits: Producer, Cecil B. De Mille; scenario, Beulah Marie Dix.

THE SQUAW MAN. 1931. 12 reels, sd., b&w. From the story by Edwin Milton Royle.

Credits: Producer and director, Cecil B. De Mille; screenplay, Lucien Hubbard, Lenore Coffee; dialogue, Elsie Janls; film editor, Anne Bauchens; music, Herbert Stothart.

THE SQUAW MAN'S SON. 1917. 5 reels.

Credits: Edwin Milton Royle; director, E. J. Le Saint; scenario, Charles Maigne.

THE SQUEAKER. SEE Murder on Diamond Row.

SQUEAKS AND SQUAWKS. 1920. 2 reels.

Credits: Director, Noel Smith; story, Anthony W. Coldewey.

SQUEAKS AND SQUAWKS. 1936. Filmstrip, sd.

THE SQUEALER. 1930. 7 reels. From the stage play by Mark Linder.

Credits: Director, Harry Joe Brown; screenplay, Dorothy Howell, Casey Robinson.

SQUIRREL FOOD. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Jules White.

SQUIRREL FOOD. SEE

Friends and Enemies, Vacation Land, and Squirrel Food.

Hay Fever, Snake River, and Squirrel Food.

Open the Bars, Squirrel Food, and A Leaf from Nature's Book.

Rocked to Sleep, Utopia, and Squirrel Food.

Shorty's Long Suit, Still Small Voice, and Squirrel Food.

Credits: Producer, Lillian Delger Powers; titles, H. I. Phillips.

STABLE MANNERS. (A Bray Naturgraph) 1932. 7 min.

STABLE MATES. 1934. 2 reels, sd.

Credits: Director, Jules White; story, Arthur Ripley, Jack Cluett; screenplay, Johnnie Grey.

STABLEMATES. Presented by Metro-Goldwyn-Mayer. 1938. 9 reels, sd., sepia.

Credits: Producer, Harry Rapf; director, Sam Wood; story, William Thiele, Reginald Owen; screenplay, Leonard Praskins, Richard Maibaum; film editor, W. Donn Hayes; music score, Edward Ward.

STADIUM. SEE Touchdown.

STAGE COACHED. (Krazy Kat) 1928. 1 reel.

Credits: Ben Harrison, Manny Gould; producer, Charles B. Mintz.

STAGE DOOR. 1937. 10 reels, sd. From the play by Edna Ferber and George S. Kaufman.

Credits: Producer, Pandro S. Berman; director, Gregory LaCava; screenplay, Morrie Ryskind, Anthony Veiller; editor, William Hamilton; music director, Roy Webb.

STAGE DOOR KNIGHTS. 1930. 1 reel, sd.

Credits: Director, Jasper Ewing Brady.

THE STAGE DOOR PEST. 1930. 1 reel.

Credits: Director, Jasper Ewing Brady.

STAGE FRIGHT. 1938. 18 min., sd.

Credits: Producer, Bert Gilroy; director, Charles Roberts; story, Jack Townley; film editor, John Lockert.

STAGE FRIGHTS. (Mermaid Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

STAGE FRIGHTS. 1935. 2 reels, sd.

Credits: Director, Al Kay; story and screenplay, Preston Black.

THE STAGE HAND. 1920. 2 reels.

Credits: Story and direction, Larry Semon, Norman Taurog.

THE STAGE HAND. (A Mermaid Comedy) 1933. 22 min., sd.

Credits: Director, Harry Langdon; story, Harry Langdon, Edward Davis.

STAGE KISSES. 1927. 6 reels.

Credits: Producer, Harry Cohn; director, Albert Kelly; adaptation and continuity, Dorothy Howell.

STAGE KRAZY. (Krazy Kat) 1933. 1 reel.

Credits: Producer, Charles Mintz; story, Rudy Zamora, Harry Love; animation, Allen Rose, Preston Blair.

STAGE MADNESS. 1927. 6 reels.

Credits: Director, Victor Schertzinger; story, Polan Banks; scenario, Randall H. Faye.

STAGE MOTHER. 1933. 9 reels, sd., b&w. From the book by Bradford Ropes.

Credits: Associate producer, Hunt Stromberg; director, Charles R. Braban; screenplay, John Meehan, Bradford Ropes; film editor, Frank Hull; music, Nacio Brown, Arthur Freed.

Credits: Scenario, Frank E. Montgomery.

A STAGE ROMANCE. 1922. 7 reels, 6,416 ft. Adapted from the drama "Mad Man or Genius" ["Kean, ou Desordre et Génie"] by Alexandre Dumas.

Credits: Director, Herbert Brenon; screen version, Paul H. Sloane.

STAGE-STRUCK. 1914. 1 reel.

Credits: Director, Ned Finley; story, H. C. Hendricks.

STAGE STRUCK. 1925. 7 reels.

Credits: Producer and director, Allan Dwan; story, Frank R. Adams; screenplay, Forrest Halsey.

STAGE STRUCK. (Aesop Sound Fable) 1929. 1 reel.

Credits: Paul Terry.

STAGE STRUCK. (Checker Comedies) Presented by E. B. Derr. 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; director, Al Ray; story, Walter Catlett; screenplay, Henry Johnson; film editor, Claude Berkeley; music director, Francis Gromon.

STAGE STRUCK. First National Productions Corp. 1936. 10 reels, sd.

Credits: Director, Busby Berkeley; story, Robert Lord; screenplay, Tom Buckingham, Pat C. Flick; music and lyrics, E. Y. Harburg, Harold Arlen.

STAGE-STRUCK SUSIE. (A Paramount-Christie Comedy) (Confessions of a Chorus Girl Series) 1929. 2 reels.

Credits: Director, Neal Burns; story, Jean Arlette.

STAGE STUNTS. Winkler. 1929. 1 reel.

Credits: Animation, Hugh Harman.

STAGE TO LORDSBURG. SEE Stagecoach.

THE STAGE VILLAIN. Joker. 1916. 1 reel.

Credits: Written and produced by Allen Curtis.

STAGECOACH. A John Ford production. Presented by Walter Wanger. Released through United Artists. 1939. Produced with the cooperation of the Navajo-Apache Indian agencies and the U. S. Department of the Interior. 10 reels, sd. From the story "Stage to Lordsburg" by Ernest Haycox.

Credits: Producer, Walter Wanger; director, John Ford; screenplay, Dudley Nichols; film editors, Otto Lovering, Dorothy Spencer; music director, Boris Morros.

STAGECOACH DAYS. 1938. 6 reels, sd.

Credits: Director, Joseph Levering; original screenplay, Nate Gatzert; film editor, Dwight Caldwell; music, Lee Zahler.

THE STAGE-COACH DRIVER AND THE GIRL. 1915. 1 reel.

Credits: Director, Tom Mix.

THE STAGECOACH GUARD. 1915. 1 reel.

Credits: Written and produced by Tom Mix.

STAGING THE SELLING ACT. 1930. 1 reel.

STAIRS OF SAND. 1929. 5,020 ft. Adapted from the novel by Zane Grey.

Credits: Director, Otto Brower; adaptation, Agnes Brand Leahy, J. Walter Ruben, Sam Mintz.

STAIRS OF SAND. SEE Arizona Mahoney.

STAKING HIS LIFE. 1918. 5 reels.

STAMBOUL. (Paramount-Burton Holmes Travel Picture) 1922. 1 reel.

STAMBOUL QUEST. 1934. 9 reels, sd., b&w.

Credits: Director, Sam Wood; original story, Leo Birinski; screenplay, Herman J. Mankiewicz; film editor, Hugh Wynn.

STAMINA. (Grantland Rice Sound Sportlight) 1929. 1 reel, sd.

Credits: John Foster; producer, Jack Eaton.

THE STAMPEDE. 1912. 3 reels.

THE STAMPEDE. 1916. 3 reels.

STAMPEDE. 1930. For British Instructional Films, Ltd. 7,200 ft.

Credits: Written and directed by C. Court Treatt, Stella Court Treatt, and Errol Hinds.

STAMPEDE. 1936. 6 reels, sd.

Credits: Director, Ford Beebe; story, Peter B. Kyne; scenario, Robert Watson; film editor, William Austin.

THE STAMPEDE IN THE NIGHT. Bison. 1916. 2 reels.

Credits: Story, Harry Carey; scenario and production, Jacques Jaccard.

STAMPEDE THUNDER. 1925. 5 reels.

Credits: Director, Tom Gibson; story and continuity, Victor Roberts.

STAN WILLIS, COWBOY. SEE The Terror of Bar X.

STAND AND DELIVER. De Mille Pictures Corp. 1928. 6 reels.

Credits: Produced and directed by Donald Crisp; screenplay, Sada Cowan; film editor, Barbara Hunter.

STAND-IN. Presented by Walter Wanger. 1937. 10 reels, sd. Based on the novel by Clarence Budington Kelland.

Credits: Director, Tay Garnett; screenplay, Gene Towne, Graham Baker; film editors, Otho Lovering, Dorothy Spencer; music director, Rox Rommell.

THE STAND UP. 1930. 1 reel, sd.

STAND UP AND CHEER. 1934. 7,300 ft., sd.

Credits: Will Rogers, Philip Klein; director, Hamilton MacFadden; dialogue, Ralph Spence; editor, Margaret Clancy; music director, Arthur Lange.

STAND UP AND FIGHT. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story, Burl Armstrong; scenario, George Morgan.

STAND UP AND FIGHT. Mustang. 1925. 2 reels.

Credits: Director, Edward Laemmle; story, Burl Armstrong.

STAND UP AND FIGHT. Presented by Metro-Goldwyn-Mayer. 1939. 10 reels, sd., sepia.

Credits: Producer, Mervyn LeRoy; director, W. S. Van Dyke II; story, Forbes Parkhill; screenplay, James M. Cain, Jane Murfin, Harvey Fergusson; film editor, Frank Sullivan; music score, William Axt.

STANDARD OBSTETRICAL ROUTINE. 1937. 2,400 ft., si., 16 mm.

THE STANDARD PRESENTATION. 1927. 1 reel.

STANDARDIZED PRESENTATION. 1927. 1 reel.

STANDING PAT. 1928. 2 reels.

Credits: Director, Earl T. Montgomery; story, Ray McCarey, Pinto Colvig, St. Elmo Boyce.

STANFIELD MURDER CASE. SEE Lem Hawkins' Confession.

STANLEY AND GINGER—A FEW ABSURD MOMENTS. 1929. 1 reel, sd.

STANLEY, THE LION-KILLER. 1914. 2 reels.

Credits: Director, Sidney Drew; picturized by George H. Plympton.

STANTON'S LAST FLING. 1913. 1 reel. From "The Interlude" by H. B. Marriott Watson.

STAR. Good Night Trailer. 1919.

THE STAR BOARDER. Paramount-Mack Sennett. 1919. 2 reels.

Credits: Supervision, Mack Sennett; director, James Davis.

THE STAR BOARDER. 1919. 2 reels.

Credits: Story and direction, Larry Semon.

STAR BUILDERS. (A Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

STAR BURLESQUE. 1920. 1 reel.

STAR DUST. Black Cat. 1917. 25 min.

Credits: Director, Fred E. Wright; story, H. Tipton Steck.

STAR DUST. First National. Presented by Hobart Henley Productions. 1921. 6 reels. Suggested by the story by Fannie Hurst.

Credits: Director, Hobart Henley; adaptation, Anthony Paul Kelly.

STARDUST. (Broadway Brevity) 1938. 22 min., sd.

Credits: Director, Roy Mack; continuity, Cyrus D. Wood, Eddie Forman.

THE STAR DUST TRAIL. 1925. 5 reels.

Credits: Director, Edmund Mortimer; story, Frederick and Fannie Hatton; scenario, Dorothy Yost.

STAR FOR A NIGHT. 1936. 6,850 ft., sd. Based on the play "Die Heilige Luege" by Karin Michaelis.

Credits: Director, Lewis Seiler; screenplay, Frances Hyland, Saul Elkins; music, Samuel Kaylin.

STAR GAZERS. Screen Classics, Inc. 1936. 886 ft., sd., color.

Credits: Story and dialogue, Burnet Lamont; narrator, Robert Sherwood.

STAR GAZING. 1935. 2 reels.

Credits: Director, Benny Rubin; story and screenplay, Felix Adler.

A STAR IS BORN. Released through United Artists. 1937. 12 reels, sd., color.

Credits: Producer, David O. Selznick; director, William A. Wellman; story, William A. Wellman, Robert Carson; screenplay, Dorothy Parker, Alan Campbell, Robert Carson; film editors, Hal C. Kern, Anson Stevenson; music, Max Steiner.

A STAR IS HATCHED. (Merrie Melodies) 1937. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; story, Ted Pierce; animation, Bob McKimson; music score, Carl W. Stalling.

A STAR IS SHORN. 1939. 2 reels, sd.

Credits: Director, Del Lord; original screenplay, Elwood Ullman, Searle Kramer.

THE STAR MAKER. 1939. 10 reels, sd.

Credits: Producer, Charles R. Rogers; director, Roy Del Ruth; story, Arthur Caesar, William A. Pierce; screenplay, Frank Butler, Don Hartman, Arthur Caesar; film editor, Alma Macrorie.

STAR NIGHT AT THE COCOANUT GROVE. (Colortone Musical) 1935. 2 reels, sd., color.

Credits: Producer, Louis Lewyn.

THE STAR OF INDIA. 1913. 4 reels.

STAR OF MIDNIGHT. 1935. 10 reels, sd. From the novel by Arthur Somers Roche.

Credits: Director, Stephen Roberts; screenplay, Howard J. Green, Anthony Veiller, Edward Kaufman; editor, Arthur Roberts; music director, Max Steiner.

A STAR OVER NIGHT. Universal Special. 1919. 2 reels.

Credits: Director, George Terwilliger; story, Ann Irish; scenario, Calder Johnstone.

THE STAR PACKER. Lone Star. 1934. 6 reels, sd.

Credits: Producer, Paul Malvern; story, screenplay, and direction, Robert N. Bradbury.

THE STAR REPORTER. (Paramount Varieties) 1936. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE STAR REPORTER. Presented by Adolph Zukor. 1938. 1 reel each, sd.

Credits: Narrator, Ted Husing.

STAR REPORTER. 1939. 7 reels, sd.

Credits: Producer, E. B. Derr; director, Howard Bretherton; original screenplay, John T. Neville; film editor, Russell Schoengarth; music director, Theodore Joos.

THE STAR REPORTER IN HOLLYWOOD. Presented by Adolph Zukor. 1936. 1 reel, sd.

THE STAR REPORTER IN HOLLYWOOD. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Directors, Herbert Moulton, Leslie Roush.

THE STAR ROVER. C. E. Shurtleff, Inc. 1920. 6 reels. From the novel by Jack London.

Credits: Director, Edward Sloman; adaptation, A. S. Le Vino.

THE STAR-SPANGLED BANNER. 1917. 3 reels. From the story by Mrs. Mary Raymond Shipman Andrews.

Credits: Director, Edward H. Griffith; adaptation, Sumner Williams.

Credits: J. Masse.

THE STAR WITNESS. Laemmle. 1917. 2 reels.

Credits: Director, John McDermott; story, Grant Carpenter; scenario, W. Gibson.

THE STAR WITNESS. 1931. 7 reels, sd.

Credits: Director, William A. Wellman; story and dialogue, Lucien Hubbard.

THE STAR WITNESS. SEE Chic Sale in The Star Witness.

THE STARBRITE DIAMOND. (William J. Burns Detective Mysteries) Educational Film Exchanges, Inc. 1931. 11 min.

Credits: Director, G. C. Reid; story, adaptation and dialogue, Russell Matson.

STARK LOVE. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6,203 ft.

Credits: Produced, written, and directed by Karl Brown; adaptation, Walter Woods.

STARK MAD. Announcement Trailer. 1928. 1 reel.

STARK MAD. 1929. 7 reels.

Credits: Director, Lloyd Bacon; story, Jerome Kingston; scenario, Harvey Gates.

STARLETS. 1937. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Willi Weil.

STARLIGHT. SEE The Divine Woman.

STARLIGHT OVER TEXAS. 1938. 6 reels, sd.

Credits: Producer, Edward Finney; director, Al Herman; original story, Harry MacPherson; screenplay, John Rathmell.

STARLIGHT'S MESSAGE. Special Big U. 1916. 1 reel.

STARLIT DAYS AT THE LIDO. 1935. 2 reels, sd., color.

Credits: Producer, Louis Lewyn; continuity and dialogue, Alexander Van Dorn.

STARRING IN WESTERN STUFF. 1916. 2 reels.

Credits: Written and directed by Tom Mix.

THE STARRING OF FLORA FINCHURCH. 1915. 1 reel.

Credits: Director, Lee Beggs.

STARS AND STRIPES IN MEXICO; Uncle Sam Goes after the Arch-Fiend Villa. Powers. 1916. 1 reel.

THE STARS CAN'T BE WRONG. 1936. 2 reels, sd.

Credits: Director, Roy Mack; continuity, George Bennett.

STARS IN STRIPES. Mentone. 1938. 18 min., sd.

Credits: Director, Milton Schwarzwald; dialogue, Sands and Wilson.

STARS IN STRIPES. SEE Felix the Cat—Stars in Stripes.

STARS IN THE MAKING. 1934. 2 reels.

Credits: Written and directed by William O'Connor.

STARS OF TOMORROW. 1935-36. 1 reel each, sd. © Columbia Pictures Corp.

Credits: Producer, E. Schwartz; directors, Ben Schwartz, Benny Rubin.

[1] © 5Aug35; MP5780.

[2] © 9Sep35; MP5849.

3. © 26Nov35; MP6041.

4. © 8Nov35; MP5958.

5. © 14Jan36; MP6126.

6. © 14Jan36; MP6118.

STARS OF YESTERDAY. 1931. 1 reel.

STARS OVER ARIZONA. 1937. 7 reels, sd.

Credits: Producer and director, R. N. Bradbury; original screenplay, Robert Emmett.

STARS OVER BROADWAY. Presented by Warner Bros. Pictures, Inc., and The Vitaphone Corp. 1935. 10 reels, sd.

Credits: Director, William Keighley; story, Mildred Cram; screenplay, Jerry Wald, Julius J. Epstein; additional dialogue, Patsy Flick; numbers staged and directed by Busby Berkeley, Bobby Connolly; music and lyrics, Harry Warren, Al Dubin.

STARS THEIR COURSES CHANGE. 1915. 3 reels.

START CHEERING. 1937. 8 reels.

Credits: Associate producer, Nat Perrin; director, Albert S. Rogell; story, Corey Ford; screenplay, Eugene Solow, Richard E. Wormser, Philip Rapp; film editor, Gene Havlick; music, Johnny Green; music director, Morris Stoloff.

START SOMETHING. (A Stern Brothers Comedy) (Keeping Up with the Joneses Series) 1927. 2 reels. From the cartoons "Keeping up with the Joneses" by Pop Momand [pseud.]

Credits: Director, Gus Meins; story, Page Wright, William Weber.

Credits: Director, Jean Yarbrough; screenplay, James Prindle, Houston Branch; film editor, James Newcom.

THE STARTER. (James Montgomery Flagg's Girls You Know) 1918. 1 reel.

Credits: Director, Jack Eaton.

Credits: Producer, John L. Hawkinson.

THE STARTLING CLIMAX. Gold Seal. 1917. 3 reels.

Credits: Director, George L. Sargent; scenario, Karl Coolidge.

STARVED OUT. 1913.

Credits: Ashley Miller.

STARVING BEAUTIES. Century. 1924. 2 reels.

Credits: Written and directed by Al Herman.

STATE FAIR. 1933. 8,894 ft., sd. From the novel by Philip Stong.

Credits: Director, Henry King; screenplay, Sonya Levien, Paul Green; editor, R. W. Bischoff.

STATE OF OHIO. DEPARTMENT OF EDUCATION. SEE Ohio. Department of Education.

STATE POLICE. 1938. 7 reels.

Credits: Producer, Trem Carr; director, John Rawlins; original story and screenplay, George Waggner.

STATE STREET SADIE. 1928. 9 reels.

Credits: Director, Archie Mayo; story, Melville Crosman; adaptation, E. T. Lowe, Jr.

STATE STREET SADIE. Trailer Announcement. 1928. 1 reel, sd.

STATE TROOPER. 1933. 7 reels, sd.

Credits: Director, D. Ross Lederman; story, Lambert Hillyer; screenplay, Stuart Anthony.

THE STATE VERSUS ELINOR NORTON. SEE Elinor Norton.

STATEROOM 19. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, McLain Gates; dialogue staged by Max E. Hayes.

STATEROOM SECRETS. (Lyons-Moran Star Comedy) 1919. 1 reel.

Credits: Director, Roy S. Clements; story, Will Cressy; scenario, Fred Palmer.

STATE'S ATTORNEY. 1932. 9 reels, sd.

Credits: Producer, David O. Selznick; director, George Archainbaud; story, Louis Stevens; screenplay and dialogue, Gene Fowler, Rowland Brown; film editor, William Hamilton.

STATIA WITH A PAST. 1918. 1 reel.

STATIC. (Fables, no. 379) 1928. 1 reel.

STATIC. (Tom Howard Comedy) 1933. 21 min., sd.

Credits: Director, Al Christie; story, Tom Howard; adaptation, Sig Herzig.

STATIC IN THE ATTIC. 1939. 1,704 ft.

Credits: Director, Charley Chase; story, Elwood Ullman, Searle Kramer.

STATION B.U.N.K. 1929. 1 reel, sd.

Credits: Director, Jasper Ewing Brady.

STATION T-O-T. 1934. 1 reel, sd.

THE STATUE. SEE The Work.

STAY DOWN EAST. (Broadway Comedy) 1921. 2 reels.

Credits: Producer, Morris R. Schlank; director, Ward Hayes.

STAY OUT. (Charlie Murray Comedy) 1931. 2 reels.

Credits: Director, Albert Kelley; story, Francis J. Martin, James Mulhauser.

THE STEADFAST. 1915. 2,000 ft.

Credits: Producer, Joseph W. Smiley.

THE STEADFAST HEART. 1923. 7 reels. From the story in Collier's weekly by Clarence Budington Kelland.

Credits: Director, Sheridan Hall; adaptation, Philip Lonergan.

STEADY ALL-YEAR PROFITS IN STAPLE FRUITS. SEE Credits and Collections.

STEADY COMPANY. Rex. 1915. 1 reel.

Credits: Producer, Jos. De Grasse; story, Julius Grinnel Furthmann; scenario, Ida May Park.

STEADY COMPANY. 1932. 7 reels.

Credits: Director, Edward Ludwig; story, Edward I. Luddy.

THE STEALERS. 1920. 8 reels.

Credits: Story and direction, William Christy Cabanne.

STEALIN' HOME. Century. 1921. 2 reels.

Credits: Written and directed by Alfred Goulding.

STEALIN' HOME. (Rufftown Comedies) 1932. 2 reels, sd., b&w. From the "Rufftown Stories" by Arthur (Bugs) Baer.

Credits: Supervision, Lew Lipton; director, Harry Sweet; screenplay, Ralph Ceder; film editor, Fred Maguire.

STEAM POWER. 1930. 1 reel.

STEAMBOAT BILL, JR. United Artists. Presented by Joseph M. Schenck. 1928. 7 reels.

Credits: Director, Charles F. Reisner; story, Carl Harbaugh.

STEAMBOAT ROUND THE BEND. 1935. 7,350 ft., sd. From the novel by Ben Lucien Burman.

Credits: Director, John Ford; screenplay, Dudley Nichols, Lamar Trotti; music, Samuel Kaylin.

STEAMBOAT WILLIE. (Mickey Mouse Cartoon) 1928. 1 reel, sd.

Credits: U. B. Iwerks.

STEAMED UP. 1927. 2 reels.

Credits: Directors, Charley Bowers and H. L. Muller.

STEAMER DAY. (Robert C. Bruce Scenic Novelties) Presented by E. W. Hammons. 1927. 1 reel.

STEEL AND STONE. (E. M. Newman's Our Own United States) 1936. 1 reel, sd.

Credits: Dialogue, Ira Genet; editor, Bert Frank.

STEEL HEARTS. Bison. 1917. 2 reels.

Credits: Director, Henry McRae; scenario, Wright Roberts.

Credits: Producer and director, Oscar Apfel; story, Giles R. Warren; scenario, Howard Irving Young.

STEEL PREFERRED. Released by Producers Distributing Corp. 1925. 7 reels.

Credits: Director, James P. Hogan; story, Herschell S. Hall; adaptation, Elliott Clawson.

STEEL ROLLING MILLS. 1914. Split reel.

THE STEEL TRAIL. Universal Special. 1923. 2 reels each. © Universal Pictures Corp.

Credits: Director, William Duncan; story and scenario, George Plympton, Karl Coolidge, Paul M. Bryan.

1. Intrigue. © 18Jul23; LP19222.

2. Dynamite. © 18Jul23; LP19223.

3. Wildfire. © 1Aug23; LP19284.

4. Blown from the Cliff. © 1Aug23; LP19285.

5. Head On. © 10Sep23; LP19390.

6. Crushed. © 17Sep23; LP19420.

7. The Gold Rush. © 17Sep23; LP19421.

8. Judith's Peril. © 22Sep23; LP19432.

9. The Dam Bursts. © 10Oct23; LP19489.

10. The Trap. © 17Oct23; LP19507.

11. The Fight on the Cliff. © 26Oct23; LP19544.

12. The Tottering Bridge. © 3Nov23; LP19572.

13. Between Two Fires. © 9Nov23; LP19600.

14. Burning Fumes. © 17Nov23; LP19623.

15. Ten Seconds To Go. © 28Nov23; LP19662.

THE STEEL WORKERS. (Meany, Miny, Moe) Snappy. 1937. 1 reel.

Credits: Story, Walter Lantz, Victor McLeod; artists, Ray Abrams, Leo Salkin, Ed Benedict.

STEELE OF THE ROYAL MOUNTED. Presented by Albert E. Smith. 1925. 6 reels. From the novel by James Oliver Curwood.

Credits: Producer, David Smith; scenario, Jay Pilcher.

STEELHEART. 1921. 6 reels.

Credits: Director, William Duncan; scenario, Bradley J. Smollen.

THE STEEPLECHASE. (Mickey Mouse, no. 17) 1933. 1 reel.

THE STEEPLECHASER. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Jess Robbins; story, Henry Johnson, Gene Forde.

THE STEIN SONG. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer.

STELLA DALLAS. Released by United Artists Corp. 1926. 11 reels. From the novel by Olive Higgins Prouty.

Credits: Producer and director, Henry King; adaptation, Frances Marion.

STELLA DALLAS. Released through United Artists. 1937. 12 reels, sd. From the novel by Olive Higgins Prouty.

Credits: Associate producer, Merritt Hulburd; director, King Vidor; dramatization, Harry Wagstaff Gribble, Gertrude Purcell; screenplay, Victor Heerman, Sarah Y. Mason; film editor, Sherman Todd; music director, Alfred Newman.

STELLA MARIS. 1918. 6 reels. From the novel by William J. Locke.

Credits: Director, Marshall Neilan; scenario, Frances Marion.

STELLA MARIS. Jewel. 1925. 7 reels. From the novel by William J. Locke.

Credits: Director, Charles J. Brabin.

STELLA MAYHEW, THE HALLELUJAH LADY. 1929. 1 reel, sd.

THE STENOG. (James Montgomery Flagg's Girls You Know) 1918. 1 reel.

Credits: Director, Jack Eaton.

STEP AHEAD—DRIVE CARS BUILT BY HUDSON. 1936. Filmstrip, sd.

STEP FAST. Educational Pictures. 1925. 2 reels.

Credits: Director, Harold Beaudine.

STEP FORWARD. 1922. 2 reels.

Credits: Director, Gus Meins.

STEP LIGHTLY. (Mermaid Comedies) Educational. 1925. 2 reels.

Credits: Written and directed by Norman Taurog.

STEP LIVELY, JEEVES! 1937. 6,160 ft., sd. Based on the character Jeeves created by P. G. Wodehouse.

Credits: Director, Eugene Forde; original story, Frances Hyland; screenplay, Frank Fenton, Lynn Root; music, Samuel Kaylin.

STEP LIVELY PLEASE. 1922. 2 reels.

Credits: Director, Ed. Kennedy.

STEP ON IT! 1922. 5 reels.

Credits: Director, Jack Conway; story, Courtney Riley Cooper; scenario, Arthur F. Statter.

STEP ON IT. Fleischer Studios. 1931. 1 reel.

STEP RIGHT UP. (Sid Saylor Comedy) 1930. 2 reels.

Credits: Director, Gus Meins; story, T. Page Wright, Bill Weber.

STEP UP AND TAKE IT! 1937. For U. S. Tire Dealers Mutual Corp. Filmstrip, 77 frames, sd.

STEPHEN STEPS OUT. Presented by William Elliott and Jesse L. Lasky. 1923. 6 reels. Adapted from the story "The Grand Cross of the Crescent" by Richard Harding Davis.

Credits: Director, Joseph Henabery; adaptation, Edfrid Bingham.

STEPPIN' ALONG. SEE Sunshine Sammy and His Brothers in Steppin' Along.

STEPPIN' OUT. 1925. 6 reels. From the story "The Lure of Broadway" by Bernard Vorhaus.

Credits: Director, Frank Strayer.

STEPPIN' SOME. Presented by Century Comedies. 1924. 2 reels.

STEPPING ALONG. Presented by C. C. Burr. 1926. 8 reels. From "The Knickerbocker Kid" by Matt A. Taylor.

Credits: Director, Charles Hines.

STEPPING FAST. 1923. 5 reels.

Credits: Director, Joseph J. Franz; story and scenario, Bernard McConville.

STEPPING HIGH. (Horace in Hollywood Comedy) Snappy. 1929. 1 reel.

Credits: Director, Doran Cox.

STEPPING HIGH. SEE Syncopation.

STEPPING LIVELY. Carlos. Released by F. B. O. 1924. 6 reels.

Credits: Director, James W. Horne; story, and scenario, Frank Howard Clark.

STEPPING ON THE GAS IN 1931. 1 reel.

STEPPING OUT. 1919. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Fred Niblo; story, C. Gardner Sullivan.

STEPPING OUT. (Hal Roach Comedy) 1929. 2 reels, sd., b&w.

Credits: Director, Warren Doane; story, Leo McCarey; story editor, H. M. Walker; film editor, Richard Currier.

STEPPING OUT. 1931. 8 reels, sd., b&w.

Credits: Elmer Harris; director, Charles F. Riesner; dialogue, Elmer Harris, Robert E. Hopkins; film editor, William S. Gray.

STEPPING SISTERS. 1931. 5,316 ft., sd.

Credits: Director, Seymour Felix; stage play, Howard Warren Comstock; screenplay, William Conselman; dialogue staged by William Collier, Sr.; editor, Jack Murray.

STEPPING SOME. Star Comedy. 1918. 1 reel.

Credits: Directors, Eddie Lyons, Lee Moran; scenario, C. B. Hoadley.

Credits: C. Gardner Sullivan; producer, Thomas H. Ince.

THE STEPPING STONE. 1916. 5 reels.

STEPPING STONES. (Scrappy) 1932. 1 reel.

Credits: Dick Heumor; producer, Charles Mintz; animation, Sid Marcus, Art Davis; musical score, Joe De Nat.

STEPS TO SOMEWHERE. (Do Children Count?) 1917. 27 min.

Credits: Director, L. C. Windom; story, Charles Mortimer Peck.

THE STEPSONS OF LIGHT. SEE The Mysterious Witness.

STERLING'S RIVAL ROMEO. Presented by Carl Laemmle. 1934. 2 reels, sd.

Credits: Producer, Warren Doane; director, James W. Horne; story, James W. Horne, W. P. Hackney; editor, Lewis Sackin.

Credits: Producer, Ivan Melville Terwilliger.

STEVE FREDA AND JOHNNY PALACE IN BARTCH-A-KALLOOP. 1928. 1 reel, sd.

STEVE O'GRADY'S CHANCE. 1914. 2 reels.

Credits: Director, Ned Finley.

THE STEVEDORES. (Meany, Miny, Moe) Snappy. 1937. 1 reel.

Credits: Producer, Walter Lantz; story, Walter Lantz, Victor McLeod; artists, Manuel Moreno, George Nicholas, Ben Clopton.

Credits: Producer, Bruce Mitchell; scenario, Anthony W. Coldewey.

STEWART BRADY, THE SONG BIRD. 1928. 1 reel, sd.

STEWED, FRIED & BOILED. Presented by William Fox. 1929. 2 reels.

Credits: Director, James Parrott; story and scenario, Robert Benchley; film editor, Albert C. Dripps.

STICK AROUND. 1925. 2 reels.

Credits: Director, Ward Hayes.

STICK TO THE FACTS. Presented by Hudson Motor Car Co. 1937. Filmstrip, 62 frames.

THE STILL ALARM. Jewel. 1926. 7 reels. From the play by Joseph Arthur and A. C. Wheeler.

Credits: Director, Edward Laemmle; adaptation, Harvey O'Higgins.

THE STILL ALARM. 1930. 1 reel.

STILL FACE. SEE Masked Menace.

THE STILL SMALL VOICE. 1915. 2 reels.

Credits: Director, Charles L. Gaskill.

STILL SMALL VOICE. SEE Shorty's Long Suit, Still Small Voice, and Squirrel Food.

THE STILL VOICE. Rex. 1916. 1 reel.

Credits: J. Grubb Alexander; producer, Ben Wilson.

STILL WATERS. (Krazy Kat Cartoon) 1928. 1 reel.

Credits: Producer, Charles B. Mintz; animation, Ben Harrison, Manny Gould.

Credits: Producer, Fred Paul.

Credits: Adaptation, Mrs. Sidney Drew.

STIMULATION. SEE Johnny Arthur in Stimulation.

STING 'EM SWEET. Century. 1922. 2 reels.

THE STING OF CONSCIENCE. Rex. 1916. 3 reels.

Credits: Director, George Cochrane; scenario, F. McGrew Willis.

THE STING OF STINGS. 1927. 2 reels, b&w.

Credits: Director, James Parrott; titles, H. M. Walker; editor, Richard Currier.

THE STING OF THE LASH. 1921. 6 reels.

Credits: Harvey W. Gates; director, Henry King; adaptation, H. Tipton Steck.

THE STING OF THE SCORPION. (Edmund Cobb, no. 1) 1923. 5 reels.

Credits: Director, Richard Hatton; story and scenario, Daniel F. Whitcomb.

THE STING OF VICTORY. 1916. 5 reels.

Credits: Charles Mortimer Peck; director, J. Charles Haydon.

STINGAREE. Presented by Merian C. Cooper. 1934. 8 reels, sd. Based on a series of stories by E. W. Hornung.

Credits: Associate producer, David Lewis; director, William Wellman; screenplay, Becky Gardiner; adaptation, Lynn Riggs, Leonard Spigelgass; music director, Max Steiner.

THE STINGER STUNG. Joker. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, C. B. Hoadley.

Credits: O. Henry [pseud. of William Sydney Porter].

A STITCH IN TIME. 1919. 5 reels. From the play by Oliver Bailey and Lottie Meaney.

Credits: Director, Ralph Ince; scenario, Edward J. Montagne.

STOCK AT TAPIRAPAM. SEE Roosevelt Brazilian Expedition.

STOCKHOLM, PRIDE OF SWEDEN. (James A. FitzPatrick's Traveltalks) 1937. 1 reel, sd., color.

Credits: Music score, Jack Shilkret; photographer, Winton C. Hoch.

STOCKS AND BLONDES. 1928. 6 reels.

Credits: Supervision, L. A. Sarecky; original story and direction, Dudley Murphy.

STOCKS AND BLONDES. 1938. 2 reels, sd.

Credits: Director, Lloyd French; story, Eddie Forman, Willi Weil.

STOCKS AND BONDS. SEE Wedding Bills.

THE STOLEN ACTRESS. Gold Seal. 1917. 3 reels.

Credits: Director, Ruth Stonehouse; story, Fred Jackson.

THE STOLEN BRIDE. 1927. 8 reels.

Credits: Carey Wilson; director, Alexander Korda.

STOLEN BY GYPSIES; or, BEER AND BICYCLES. 1933. 2 reels, sd.

Credits: Associate producer, Lou Brock; director, Al Kay; story, Walter Weems; film editor, Tom Persons.

Credits: Producer, Oscar Eagle.

STOLEN GOLD. 1923. 2 reels.

Credits: Director, Nat Ross; story and scenario, Arthur H. Gooden.

STOLEN GOVERNMENT PAPERS. SEE Secret Documents of State.

STOLEN HARMONY. Presented by Adolph Zukor. 1935. 8 reels, sd.

Credits: Producer, Albert Lewis; director, Alfred Werker; original story, Leon Gordon; screenplay, Leon Gordon, Harry Ruskin; dialogue, Claude Binyon, Lewis Foster; music, Harry Revel.

STOLEN HEARTS AND NICKELS. 1915. 2 reels.

STOLEN HEAVEN. 1931. 8 reels, sd.

Credits: Adapted and directed by George Abbott; story, Dana Burnet.

STOLEN HEAVEN. Presented by Adolph Zukor. 1938. 10 reels, sd.

Credits: Direction and story, Andrew L. Stone; screenplay, Eve Greene, Frederick Jackson; film editor, Doane Harrison.

STOLEN HOLIDAY. First National. 1937. 10 reels, sd.

Credits: Director, Michael Curtiz; original story, Warren Duff, Virginia Kellogg; screenplay, Casey Robinson.

STOLEN HONOR. 1918. 5 reels.

Credits: Director, Richard Stanton; story, George Scarborough; scenario, Adeline Leitzbach.

STOLEN HONORS. Special Laemmle. 1916. 1 reel.

Credits: Director, Travers Vale.

THE STOLEN KEYHOLE. Nestor. 1918. 1 reel.

Credits: Director, Al Sautell; scenario, Arthur F. Statter.

THE STOLEN KISS. 1920. 5 reels. From the book "Little Miss By-the-Day" by Lucille Van Slyke.

Credits: Director, Kenneth Webb; scenario, Kathryne Stuart.

STOLEN KISSES. 1929. 7 reels.

Credits: Franz Suppe; director, Ray Enright; adaptation, Edward T. Lowe, Jr.

STOLEN KISSES. Trailer Announcement. 1929. 1 reel, sd.

THE STOLEN LADY. SEE Come Across.

STOLEN LIFE. Presented by Orion Productions, Ltd. 1939. 10 reels, sd. From the novel by K. J. Benes.

Credits: Producer and director, Paul Czinner; adaptation, Margaret Kennedy; music, William Walton.

STOLEN LOVE. 1928. 7 reels.

Credits: Director, Lynn Shores; story, Hazel Livingston; continuity, Winifred Kay.

Credits: Producer, Mack Sennett.

THE STOLEN MAGIC. 1915. 2 reels.

Credits: Director, Mack Sennett.

THE STOLEN MASTER. 1916. 3 reels.

Credits: Supervision, Wilbert Melville; written and directed by Jack Byrne.

Credits: Lem B. Parker.

THE STOLEN MELODY. Powers. 1916. 1 reel.

Credits: Producer, Sydney Ayres; scenario, M. R. MacKinstry.

THE STOLEN MELODY. 1934. 1 reel, sd.

Credits: Director, Joseph Henabery.

Credits: Producer, William Duncan.

THE STOLEN MODELS. 1913. 1 reel.

Credits: Mark Swan.

STOLEN MOMENTS. 1920. 6 reels.

Credits: Director, James Vincent; story, H. Thompson Rich; scenario, Richard Hall.

THE STOLEN NECKLACE. SEE The $1,000,000 Pearl Mystery.

Credits: Directors, Harley Knoles, George Kelson; screen adaptation, Charles Whittaker.

Credits: Director, Harley Knoles; story, Frances Marion.

THE STOLEN PEARLS. SEE One Way Out.

THE STOLEN PLANS; a Story of the English Army. 1913. 1 reel.

Credits: Gering Cholsey.

THE STOLEN PLAY. Falcon Features. 1917. 4 reels. From a story by D. F. Whitcomb.

Credits: Supervision, H. M. Harkheimer, E. D. Harkheimer; director, Harry Harvey.

STOLEN PLEASURES. 1927. 6 reels.

Credits: Director, Phil Rosen; story and continuity, Leah Baird.

THE STOLEN RANCH. (Blue Streak Western) 1926. 5 reels.

Credits: Director, William Wyler; story, Robert F. Hill; continuity, George H. Plympton.

STOLEN SECRETS. 1924. 5 reels.

Credits: Director, Irving Cummings; story, Richard Goodall.

STOLEN SWEETIES. 1924. 2 reels.

Credits: Director, Benjamin Stoloff.

STOLEN SWEETS. 1934. 8 reels.

Credits: Director, Richard Thorpe; story and continuity, Karl Brown.

THE STOLEN TREATY. 1917. 5 reels.

Credits: Director, Paul Scardon; story, Thomas Edgelow.

THE STOLEN TRIUMPH. 1916. For Metro program. 5 reels.

Credits: Director, David Thompson; scenario, Julius Steger, Maxwell Karger.

Credits: Picturized by Frank H. Crane.

THE STOLEN YACHT. 1914. 2 reels.

STOLL, FLYNN AND COMPANY IN THE JAZZMANIA QUINTETTE. 1928. 1 reel.

STOMACH TROUBLE. Winkler Pictures, Inc. 1927. 1 reel.

Credits: Producer, Charles E. Ford.

THE STONE AGE. (Oswald Comedy) Snappy. 1931. 1 reel.

Credits: Animated and directed by Walter Lantz, William Nolan.

THE STONE AGE ERROR. (Aesop's Fables) 1932. 595 ft.

Credits: John Foster, Mannie Davis.

A STONE AGE ROMANCE. (Aesop's Sound Fables) Presented by the Van Beuren Corp. 1929. 1 reel.

THE STONE AGE ROOST ROBBER. 1916. 1 reel.

Credits: L. M. Glackens.

STONE AGE STUNTS. 1930. 1 reel.

Credits: John Foster.

THE STONE HEART. 1915. 1 reel.

Credits: John H. Collins.

STONE OF SILVER CREEK. Presented by Carl Laemmle. Released through Universal Film Exchanges. 1935. For Buck Jones Productions. 7 reels, sd.

Credits: Producer, Irving Starr; director, Nick Grinde; original story, R. R. Harris; screenplay, Earl Snell; editor, B. T. Loftus.

Credits: Producer, Edgar Jones.

THE STONING. 1915. 3 reels. Adaptation of the story by James Oppenheim.

Credits: Scenario and production by Charles J. Brabin.

THE STOOL PIGEON. 1915. 1 reel.

THE STOOL PIGEON. Victor. 1915. 2 reels.

Credits: Producer, Lon Chaney; scenario, H. G. Stafford.

STOOL PIGEON. 1928. 6 reels.

Credits: Producer, Jack Cohn; director, Renaud Hoffman; story, Edward Meagher; screenplay, Stuart Anthony; film editor, Arthur Roberts.

THE STOOL PIGEON. 1928. 5 reels.

Credits: Director, Leigh Jason; story and continuity, Basil Dickey.

A STOOL PIGEON'S REVENGE. L-Ko. 1915. 1 reel.

Credits: Director, J. G. Blystone.

STOOPNOCRACY. 1933. 1 reel, sd.

Credits: Director, Dave Fleischer.

STOP AND GO. 1936. 1 reel, sd.

STOP AND GO. SEE Eddie Nelson and Company in Stop and Go.

STOP BARKING. (Stern Brothers Comedy) 1929. 2 reels. From the Buster Brown cartoons by R. F. Outcault.

Credits: Director, Samuel Newfield.

STOP, CEASE, HESITATE! (Star Comedy) 1919. 1 reel.

Credits: Story, Emnel Christie; scenario, Al Santell.

STOP FLIRTING. Presented by Al and Charles Christie. Released by Producers Distributing Corp. 1925. 6 reels. From the play by Fred Jackson.

Credits: Director, Scott Sidney; screen adaptation, Joseph W. Farnham.

STOP KIDDING! (Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, William Holland; story, Frank R. Conklin.

STOP-LOOK-AND GUESS. (News World of Sport) 1936. 869 ft., sd.

Credits: Narrative by Jack Kofoed; described by Ford Bond.

Credits: Director, Larry Semon.

STOP, LOOK, AND LOVE. 1939. 5,128 ft., sd. Based on the play "The Family Upstairs" by Harry Delf.

Credits: Director, Otto Brower; screenplay, Harold Tarshis, Sada Cowan; music director, Samuel Kaylin.

STOP, LOOK, AND WHISTLE. 1925. 2 reels.

Credits: Director, Al Herman.

STOP! LUKE! LISTEN! SEE Lonesome Luke in Stop! Luke! Listen!

A STOP-OFF IN NEW MEXICO. 1915. Split reel.

STOP SNOOKUMS. (The Newlyweds and Their Baby Series) (Stern Brothers Comedy) Junior Jewel. 1927. 2 reels.

Credits: Director, Gus Meins.

STOP THAT MAN. Universal Jewel. 1928. 6 reels. From the play by George V. Hobart.

Credits: Director, Nat Ross; adaptation, Dick Smith; story supervision, Joseph Franklin Poland; continuity, Harry O. Hoyt.

STOP THAT NOISE. 1930. 2 reels, sd.

Credits: Director, Gus Meins.

STOP THAT NOISE. (Betty Boop Cartoon) 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Edward Nolan.

STOP THAT RUN. 1932. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, Howard Bretherton; story, Nick Barrows, Charles A. Callahan; film editor, Russell Schoengarth.

STOP THAT SHIMMIE. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Eddie Lyons, Lee Moran.

STOP THAT WEDDING. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Eddie Lyons, Lee Moran.

STOP THIEF! 1915. 5 reels.

Credits: Carlyle Moore.

STOP THIEF. 1920. 5 reels. Produced by special arrangement with Cohan and Harris.

Credits: Carlyle Moore; director, Harry Beaumont; scenario, Charles Kenyon.

STOP YOUR SKIDDING. Victor. 1917. 1 reel.

STOPPING THE SHOW. 1932. 2 reel.

Credits: Director, Dave Fleischer.

THE STORK BROUGHT IT. 1926. 1 reel.

Credits: Director, Walter Lantz.

THE STORK EXCHANGE. 1927. 1 reel. From the "Krazy Kat Cartoons."

Credits: Producer, Charles B. Mintz.

THE STORK MARKET. (Krazy Kat Cartoon) Winkler. 1931. 1 reel, sd. Adapted from the cartoon character created by George Herriman.

Credits: Ben Harrison, Manny Gould; musical score, Joe De Nat.

THE STORK TAKES A HOLIDAY. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1937. 697 ft., sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

THE STORM. Victor. 1915. 2 reels.

Credits: Written and produced by Jacques Jaccard.

THE STORM. 1916. 5 reels.

Credits: Beatrice C. De Mille, Leighton Osmun; producer, Frank Reicher.

THE STORM. Universal Jewel. 1922. 8 reels. From the play by Langdon McCormick.

Credits: Director, Reginald Barker; scenario, J. G. Hawks.

THE STORM. 1930. 9 reels.

Credits: Director, William Wyler; story, Langdon McCormick; screenplay, Wells Root; adaptation, Charles Logue; dialogue, Tom Reed.

THE STORM. 1938. 8 reels, sd.

Credits: Producer, Ken Goldsmith; director, Harold Young; original story, Daniel Moore, Hugh King; screenplay, Theodore Reeves, Daniel Moore, Hugh King; film editor, Frank Gross.

STORM AT DAYBREAK. 1933. 8 reels, sd., b&w. Based on the play "Black-Stemmed Cherries" by Sandor Hunyady.

Credits: Associate producer, Lucien Hubbard; director, Richard Boleslavsky; screenplay, Bertram Millhauser; film editor, Margaret Booth.

THE STORM BREAKER. Universal-Jewel. 1925. 7 reels. From the novel "Titans" by Charles Guernon.

Credits: Director, Edward Sloman.

THE STORM DAUGHTER. Universal-Jewel. 1924. 6 reels.

Credits: Director, George Archainbaud; story, Leete Renick Brown.

STORM IN A TEACUP. 1937. 9 reels, sd. From the Anglo-Scottish version by James Bridie [pseud. of Osborne Henry Mavor] of the play "Sturm im Wasserglas" by Bruno Frank.

Credits: Producer, Victor Saville; directors, Victor Saville, Ian Dalrymple; screen adaptation, Ian Dalrymple, Donald Bull; editors, W. Hornbeck, Hugh Stewart, Cyril Randell; music score, Frederic Lewis; music director, Muir Mathieson.

STORM KING. Mustang. 1925. 2 reels.

Credits: Director, Ernest Laemmle; story, Tinny Wright; continuity, Carl Krusada.

STORM OVER BENGAL. 1938. 7 reels, sd.

Credits: Associate producer, Armand Schaefer; director, Sidney Salkow; original screenplay, Dudley Waters; film editor, William Morgan; music director, Cy Feuer.

STORM OVER THE ANDES. Presented by Carl Laemmle. 1935. 9 reels, sd.

Credits: Associate producer, Maurice Pivar; director, Christy Cabanne; story, Eliot Gibbons, La Clade Christy; screenplay, Albert DeMond, Frank Wead, Eve Greene; film editor, Maurice E. Wright.

STORMSWEPT. 1923. 5 reels.

Credits: Director, Robert Thornby; story, H. H. Van Loan.

THE STORM WOMAN. Gold Seal. 1917. 3 reels.

Credits: Director, Leo Pierson; written and directed by Ruth Ann Baldwin; story, E. Magnus Ingleton.

STORMING THE TRENCHES. Powers. 1916. 1 reel.

STORMY. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Associate producer, Henry MacRae; director, Louis Friedlander; story, Cherry Wilson; screenplay, George Plympton, Ben Grauman Kohn; film editor, Saul Goodkind.

A STORMY KNIGHT. 1917. 5 reels.

Credits: Director, Elmer Clifton; story, Jack Cunningham; scenario, Waldemar Young.

STORMY SEAS. (Flip the Frog Cartoon) 1932. 1 reel.

Metro-Goldwyn-Mayer Distributing Corp.; 19Apr32; MP3233.

STORMY WATERS. 1928. 6 reels. Suggested by the Jack London story "The Yellow Handkerchief."

Credits: Supervision, Roy Fitz Roy; director, Edgar Lewis; adaptation and continuity, Harry Dittmar; titles, Lesley Mason; editor, Martin Cohen.

THE STORY BOOK PARADE. 1930. 1 reel, sd.

Credits: Directors, Louis McDermott, Mort Blumenstock; story, Louis McDermott.

STORY CONFERENCE. 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvas, Eddie Moran, Cyrus Wood.

A STORY FROM LIFE. Special Rex. 1916. 1 reel.

Credits: Director, George Loane Tucker.

THE STORY OF A BEAR HUNT. 1919. 1 reel.

THE STORY OF A CHEAT (LE ROMAN D'UN TRICHEUR). 1938. 8 reels.

Credits: Story and direction, Sacha Guitry.

THE STORY OF A LEOPARD HUNT. 1919. 1 reel.

STORY OF A LION HUNT. 1919. 1 reel.

THE STORY OF A SOUL. SEE The Little Flower of Jesus.

THE STORY OF ALEXANDER GRAHAM BELL. 1939. 8,820 ft., sd.

Credits: Director, Irving Cummings; original story, Ray Harris; screenplay, Lamar Trotti; music director, Louis Silvers.

THE STORY OF ALFRED NOBEL. (John Nesbitt's Passing Parade) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., b&w.

Credits: Director, Joe Newman; screenplay, Douglas Foster; music score, David Snell.

THE STORY OF COOK VS. CHEF AND HICKS IN NIGHTMARELAND. (Animated Grouch Chaser, no. 15) 1916. 1 reel.

Credits: Raoul Barre.

THE STORY OF CORAL GROWTH. 1920. 1 reel.

A STORY OF CRIME. 1914. 1 reel.

THE STORY OF DOCTOR CARVER. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd.

Credits: Director, Fred Zinnemann; screenplay, Robert Lees, Fred Rinaldo.

THE STORY OF DR. JENNER. (John Nesbitt's Passing Parade) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., sepia.

Credits: Director, Henry K. Dunn; screenplay, Herman Boxer; research compilations, Dr. Ryland R. Madison; film editor, Mildred Rich; music score, David Snell.

Credits: Music director, Morton Kuder.

THE STORY OF FERDINAND. SEE Ferdinand the Bull.

Credits: Narrator, Harlow Wilcox.

THE STORY OF JEES UCK. SEE The Mohican's Daughter.

THE STORY OF LOUIS PASTEUR. Cosmopolitan. Released by First National Productions Corp. 1936. 10 reels, sd.

Credits: Director, William Dieterle; dialogue director, Gene Lewis; story and screenplay, Sheridan Libney, Pierre Collings; editor, Ralph Dawson.

Credits: Narrator, Harlow Wilcox.

Credits: Narrator, Edwin C. Hill.

THE STORY OF MOTHER WISE. 1925. 1 reel.

THE STORY OF NORTON I, EMPEROR OF THE UNITED STATES. (Strange as It Seems) Screen Classics, Inc. 1936. 1 reel, sd.

Credits: John Hix; producer, Richard C. Kahn; supervision, Leonard Poole; editor, Robert Newman.

THE STORY OF PETROLEUM. 1920. 4 reels.

THE STORY OF PLYMOUTH ROCK. 1917. 1 reel.

THE STORY OF TEMPLE DRAKE. 1933. 8 reels, sd. From a novel by William Faulkner.

Credits: Director, Stephen Roberts; screenplay, Oliver H. P. Garrett.

THE STORY OF THE BELL; an Episode of the Revolution. 1913. 1 reel.

Credits: P. Herbert.

THE STORY OF THE BLOOD RED ROSE. 1914. 3,000 ft.

Credits: Producer, Colin Campbell.

THE STORY OF THE GLOVE. 1915. 1 reel.

Credits: Director, Sidney Drew.

Credits: Director, Sol Rothschild; story, Simon Frucht.

THE STORY OF THE INIMITABLE SARAH SIDDONS. 1938. 6 reels, sd.

Credits: Scenario and dialogue, George A. Cooper.

THE STORY OF THE JAGUAR. 1920. 1 reel.

Credits: Written and directed by Jack Allen.

THE STORY OF THE LITTLE MINISTER. 1912. From the novel, "The Little Minister" by J. M. Barrie. 3 reels.

THE STORY OF THE ROOSEVELT FAMILY IN AMERICA. SEE Man's Best Friend.

THE STORY OF THE SLEEVE VALVE ENGINE, no. 1-3. 1929. 1 reel each.

THE STORY OF THE UNITED STATES COAST GUARD. 1935. Produced in cooperation with the U. S. Coast Guard. 8 reels.

THE STORY OF THE UNITED STATES COAST GUARD. Released by the U. S. Coast Guard. 1939. 5 reels, sd.

Credits: Narrator, Alois Havrilla.

STORY OF THE WILLOW PATTERN. 1914. 1 reel. Based on a legend of "Old China."

Credits: Adaptation, Hettie Gray Baker.

THE STORY OF THE WOLF. 1920. 1 reel.

THE STORY OF VERNON AND IRENE CASTLE. 1939. 93 min., sd. Based on the stories "My Husband" and "My Memories of Vernon Castle" by Irene Castle.

Credits: Producer, George Haight; director, H. C. Potter; screenplay, Richard Sherman; adaptation, Oscar Hammerstein, Dorothy Yost; editor, William Hamilton; music director, Victor Baravalle.

THE STORY THAT COULDN'T BE PRINTED. (John Nesbitt's Passing Parade) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., b&w.

Credits: Director, Joe Newman; screenplay, Samuel H. Chain; film editor, Albert Akst; music score, David Snell.

THE STORY THAT THE KEG TOLD ME. 1917. 3 reels.

Credits: Director, Alan Crosland; story, Adirondack Murray; scenario, Raymond E. Dakin.

THE STORY THE CLOCK TOLD. Imp. 1915. 1 reel.

Credits: Stuart Paton, John B. Clymer.

THE STORY WITHOUT A NAME. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 5,912 ft.

Credits: Producer and director, Irvin Willat; story, Arthur Stringer; screenplay, Victor Irvin.

STOUT HEARTS AND WILLING HANDS. Presented by The Masquers Club of Hollywood. 1931. 2 reels, sd., b&w.

Credits: Director, Bryan Foy; story and dialogue, Al Austin, Walter Weems; film editor, Charles Craft.

STOWAWAY. Presented by Carl Laemmle. 1932. 5 reels.

Credits: Director, Phil Whitman; screenplay, Norman Springer.

STOWAWAY. 1936. 7,811 ft., sd.

Credits: Director, William A. Seiter; story, Samuel G. Engel; screenplay, William Conselman, Arthur Sheekman, Nat Perrin; music director, Louis Silvers.

STOWAWAYS AND STRATEGY. 1917. 1 reel.

Credits: Director, J. A. Howe; story, Earle Montgomery, Joseph Rock.

STRAIGHT AND NARROW. 1930. 1 reel.

STRAIGHT AS AN ARROW. Presented by Adolph Zukor. Fairbanks & Carlisle. 1936. 1 reel, sd.

Credits: Narrative, Gayne Whitman.

STRAIGHT CROOKS. (Lyons-Moran Star Comedy) 1918. 1 reel.

Credits: Story, L. V. Jefferson.

STRAIGHT FROM PARIS. 1921. 6 reels.

Credits: Director, Harry Garson; story, Sada Cowan.

STRAIGHT FROM THE FARM. 1922. 2 reels.

Credits: Director, Gil. Pratt.

STRAIGHT FROM THE HEART. Presented by Carl Laemmle. 1935. 8 reels, sd.

Credits: Producer, B. F. Zeidman; director, Scott R. Beal; original story and screenplay, Doris Anderson; film editor, Ted Kent.

STRAIGHT FROM THE SHOULDER. 1921. 6 reels.

Credits: Director, Bernard Durning; story, Roy Norton; scenario, John Montague.

STRAIGHT FROM THE SHOULDER. Presented by Adolph Zukor. 1936. 7 reels.

Credits: Producer, A. M. Botsford; director, Stuart Heisler; story, Lucian Cary; screenplay, Madeleine Ruthven.

STRAIGHT IS THE WAY. 1921. 6 reels. From the story "The Manifestations of Henry Ort" by Ethel Watts Mumford.

Credits: Director, Robert G. Vignola.

STAIGHT IS THE WAY. 1934. 6 reels, sd., b&w. From a play by Dana Burnet and George Abbott.

Credits: Producer, Lucien Hubbard; director, Paul Sloane; screenplay, Bernard Schubert; film editor, William S. Gray; music score, William Axt.

STRAIGHT LINE STOPS. Presented by Goodrich. 1938. 1 reel, sd.

STRAIGHT, PLACE, AND SHOW. 1938. 6,100 ft., sd. Based on a play by Damon Runyon and Irving Caesar.

Credits: Director, David Butler; screenplay, M. M. Musselman, Allen Rivkin; additional dialogue, Lew Brown; lyrics and music, Lew Brown, Lew Pollack; music director, Louis Silvers.

STRAIGHT SHOOTERS. (Sports-Eye-View) 1933. 1 reel, sd.

STRAIGHT SHOOTIN'. 1924. 2 reels.

Credits: Director, Jack Ford.

STRAIGHT SHOOTIN'. 1927. 5 reels.

Credits: Director, William Wyler; story and continuity, William Lester.

STRAIGHT SHOOTING. Butterfly. 1917. 5 reels.

Credits: Director, Jack Ford; story, George Hively.

STRAIGHT THROUGH. 1925. 5 reels.

Credits: Director, Arthur Rosson; story and continuity by Charles Logue.

THE STRAIGHT WAY. 1916. For Fox Film Corp. 5 reels.

Credits: Produced and written by Will S. Davis.

STRAIGHTAWAY. 1934. 6 reels, sd.

Credits: Director, Otto Brower; story and screenplay, Lambert Hillyer; film editor, Otto Meyer.

A STRAND OF BLOND HAIR. 1914. 1 reel.

Credits: Director, George D. Baker.

STRANDED. Century. 1925. 2 reels.

Credits: Written and directed by William Watson.

STRANDED. 1927. 6 reels.

Credits: Director, Philip Rosen; story, Anita Loos; continuity and adaptation, Frances Guihan.

STRANDED. 1927. 1 reel, sd.

STRANDED. Warner Brothers Productions Corp. Presented by Warner Brothers Pictures, Inc. and the Vitaphone Corp. 1935. 8 reels, sd. Based on the story "Lady with a Badge" by Frank Wead and Ferdinand Reyher.

Credits: Director, Frank Borzage; screenplay, Delmer Daves; additional dialogue, Carl Erickson.

STRANDED IN PARIS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels. From the play "Jenny's Escapade" by Hans Bachwitz and Fritz Jakobstetter.

Credits: Associate producer, B. P. Schulberg; director, Arthur Rosson; screenplay, Ethel Doherty, Louise Long; adaptation, Herman J. Mankiewicz, John McDermott.

STRANDED IN PARIS. SEE Codee and Orth in Stranded in Paris.

A STRANGE ADVENTURE. 1917. 1 reel.

Credits: Written and directed by Marshall Neilan.

A STRANGE ADVENTURE. 1932. 7 reels, sd.

Credits: Producer, I. E. Chadwick; supervision, Trem Carr; directors, Phil Whitman, Hampton Del Ruth; story, Arthur Hoerl; dialogue, Hampton Del Ruth; continuity, Lee Chadwick.

STRANGE AS IT SEEMS. Snappy. 1931-34. 1 reel each, sd. © Universal Pictures Corp.

Credits: Directed and produced by Manny Nathan, Hahn, Jerry Fairbanks; story, John Hix; narration, Gayne Whitman.

1. © 22Aug30; LP1535.

2. © 1Oct30; LP1600.

3. © 4Nov30; LP1726.

4. © 1Dec30; LP1801.

5. © 2Jan31; LP1862.

6. © 23Jan31; LP1919.

7. © 3Mar31; LP2038.

8. © 8Apr31; LP2134.

9. © 1May31; LP2218.

10. © 27May31; LP2261.

11. © 6Jul31; LP2322.

12. © 25Aug31; LP2427.

13. © 14Sep31; LP2484.

14. © 9Oct31; LP2547.

15. © 24Nov31; LP2713.

16. © 7Jan32; LP2841.

17. © 3Mar32; LP2924.

18. © 19Apr32; LP2996.

19. © 12May32; LP3040.

20. © 29Jun32; LP3118.

21. © 4Aug31; LP3189.

22. © 13Sep32; LP3247.

23. © 15Oct32; LP3358.

24. © 9Nov32; LP3404.

25. © 21Dec32; LP3510.

26. © 25Jan33; LP3606.

27. © 2Mar33; LP3698.

28. © 14Apr33; LP3803.

29. © 26May33; LP3913.

30. © 6Jul33; LP3999.

31. © 31Jul33; LP4045.

32. © 5Sep33; LP4096.

33. © 6Oct33; LP4158.

34. © 31Oct33; LP4216.

35. © 12Dec33; LP4324.

36. © 20Jan34; LP4426.

37. © 20Feb34; LP4503.

38. © 12Apr34; LP4613.

39. © 5May34; LP4665.

STRANGE BIRDS. 1930. 10 min.

THE STRANGE BOARDER. Presented by Samuel Goldwyn. 1920. 5 reels.

Credits: Director, Clarance G. Badger; story, Will Payne.

STRANGE BOARDERS. 1938. 8 reels, sd. Based on the novel "The Strange Boarders of Palace Crescent" by E. Phillips Oppenheim.

Credits: Director, Herbert Mason; screenplay, Sidney Gilliatt, A. R. Rawlinson; editor, Michael Gordon; music director, Louis Levy.

THE STRANGE BOARDERS OF PALACE CRESCENT. SEE Strange Boarders.

STRANGE CARGO. 1929. 7 reels.

Credits: Director, Arthur Gregor; play, Benjamin Glazer, Melchior Lengyel; screenplay, Horace Jackson.

A STRANGE CASE. 1916. 3 reels.

Credits: Producer and director, Eugene Mullin.

THE STRANGE CASE. 1931. 1 reel.

THE STRANGE CASE OF CAPTAIN RAMPER. Defu. 1928. 8 reels.

Credits: Director, Max Reichman; scenario, Curt J. Braun.

THE STRANGE CASE OF CAVENDISH. SEE Lion Man.

THE STRANGE CASE OF CLARA DEANE. 1932. 8 reels, sd. From the play by Arthur M. Brilant.

Credits: Directors, Louis Gasnier, Max Marcin; screenplay, Max Marcin.

THE STRANGE CASE OF DOCTOR JEKYLL AND MR. HYDE. SEE Dr. Jekyll and Mr. Hyde.

THE STRANGE CASE OF DR. MEADE. 1938. 7 reels, sd.

Credits: Director, Lewis D. Collins; story, Gordon Rigby, Carlton Sand; screenplay, Gordon Rigby; film editor, Dwight Caldwell.

STRANGE CASE OF HENNESSY. 1934. 2 reels, sd.

Credits: Producer, Van Beuren; supervision, Monroe Schaff; director, Ray McCarey; story, Johnny Burke, Harold Spina; editor, Paul Maschke.

THE STRANGE CASE OF MARY PAGE. 1916. 2 reels each. © Essanay Film Mfg. Co.

Credits: Frederick Lewis.

1. The Tragedy. © 11Jan16; LP7407.

2. The Trial. © 18Jan16; LP7485.

3. The Web. © 31Jan16; LP7545.

4. The Mark. © 5Feb16; LP7599.

5. The Alienist. © 14Feb16; LP7644.

6. The Depths. © 21Feb16; LP7693.

7. A Confession. © 1Mar16; LP7760.

8. The Perjury. © 6Mar16; LP7782.

9. The Accusing Eye. © 13Mar16; LP7831.

10. The Clew. © 20Mar16; LP7878.

11. The Raid. © 28Mar16; LP7949.

12. The Slums. © 3Apr16; LP8012.

13. Dawning Hope. © 11Apr16; LP8067.

14. Recrimination. © 18Apr16; LP8108.

15. The Verdict. © 24Apr16; LP8150.

THE STRANGE CASE OF POISON IVY. 1933. 2 reels.

Credits: Director, Lester Neilson; story and dialogue, Al Martin.

THE STRANGE CASE OF PRINCESS KAHN; How Love Conquered Hypnotism. 1914. 2 reels.

Credits: Director, Edw. J. LeSaint.

THE STRANGE CASE OF TALMAI LIND. 1915. 3 reels.

Credits: Director, William Robert Daly.

STRANGE CEREMONIES OF THE WORLD. (World Adventures, no. 12) 1933. 1 reel.

Credits: E. M. Newman.

A STRANGE CONFESSION. Victor. 1916. 1 reel.

Credits: Producer, Jay Hunt; story, L. Hutton; scenario, L. Hutton, Jay Hunt.

A STRANGE DISAPPEARANCE. Imp. 1915. 3 reels. Adapted from the novel by Anna Katherine Green.

Credits: Producer, George A. Letaoey; scenario, Raymond L. Schrock.

STRANGE FACES. 1938. 7 reels, sd.

Credits: Associate producer, Burt Kelly; director, Errol Taggart; original story, Cornelius Reece, Arndt Giusti; screenplay, Charles Grayson; film editor, Charles Maynard.

STRANGE GLORY. (An Historical Mystery) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Jacques Tourneurs; screenplay, Morgan Cox; historical compilations by Charles E. Whittaker; narrator, Carey Wilson; music score, David Snell.

STRANGE IDOLS. 1922. 5 reels.

Credits: Director, Bernard J. Durning; story, Emile Forst; scenario, Jules Furthman.

A STRANGE INHERITANCE. Mustang. 1927. 2 reels.

Credits: Director, Vin Moore; story, W. C. Tuttle.

STRANGE INNERTUBE. Presented by Hal Roach. 1932. 2 reels, b&w.

Credits: Director, Del Lord; editor, Richard Currier.

STRANGE INTERLUDE. 1932. 12 reels, sd., b&w. From the play by Eugene O'Neill.

Credits: Producer, Robert Z. Leonard; dialogue continuity, Bess Meredyth, C. Gardner Sullivan; film editor, Margaret Booth.

THE STRANGE INTERVIEW. 1930. 1 reel, sd.

Credits: Producer, Louis Brock; supervision, Dick Currier; director, Al Boasberg.

STRANGE JUSTICE. Presented by Radio Pictures. 1932. 7 reels, sd.

Credits: Director, Victor Schertzinger; story and screenplay, William A. Drake; film editor, William M. Morgan.

THE STRANGE LOVE OF MOLLY LOUVAIN. 1932. 8 reels, sd.

Credits: Director, Michael Curtiz.

STRANGE MAMMALS AT HOME. 1915.

THE STRANGE MOTHER. Special Laemmle. 1916. 1 reel.

STRANGE PRAYERS. (U. F. A. Oddity) UFA 1928. 1 reel, b&w.

Credits: Edited and titled by John Michael Flick.

STRANGE PRAYERS. (U. F. A. Oddity) UFA. 1929. 1 reel.

Credits: Edited and titled by John Michael Flick.

THE STRANGE RIDER. 1925. 5 reels.

Credits: Percy N. Vekroff; director, Ward Hayes.

THE STRANGE STORY OF SYLVIA GRAY. 1914. 4 reels.

Credits: Director, Charles L. Gaskill.

THE STRANGE UNKNOWN. 1915. 3,000 ft.

Credits: Producer, Wilbert Melville.

THE STRANGE WEDDING SIGN. 1932. 1 reel.

Credits: Director, Frank Melford; story, Abraham Schomer.

STRANGE WIVES. Presented by Carl Laemmle. 1934. 8 reels, sd. From the novel "Bread Upon the Waters" by Edith Wharton.

Credits: Producer, Stanley Bergerman; director, Richard Thorpe; adaptation and screenplay, Gladys Unger; additional dialogue, Barry Trivers, James Mulhauser; film editor, Edward Curtiss.

THE STRANGE WOMAN. 1918. 6 reels. Adapted from the play by William J. Hurlbut and the novel by Sidney McCall [pseud. of Mary (McNeil) Fenollosa].

Credits: Director, E. J. LeSainte; scenario, J. Grubb Alexander; synopsis, Raymond L. Schrock.

THE STRANGER. Powers. 1915. 1 reel.

Credits: C. Frank; producer, Sydney Ayres.

THE STRANGER. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6,660 ft. From the story "The First and the Last" by John Galsworthy.

Credits: Ralph Block; producer and director, Joseph Henabery; adaptation, Edfrid Bingham.

THE STRANGER FROM ARIZONA. Coronet Pictures, Inc. 1938. 6 reels, sd.

Credits: Production and story, Monroe Shaff; director, Elmer Clifton; film editor, Holbrook Todd.

A STRANGER FROM SOMEWHERE. 1916. 5 reels.

Credits: Willis Woods; director, William Worthington.

THE STRANGER FROM TEXAS. 1939. 6 reels, sd.

Credits: Director, Sam Nelson; story, Ford Beebe; screenplay, Paul Franklin; film editor, Mel Thorsen; music and lyrics, Bob Nolan, Tim Spencer.

A STRANGER IN CAMP. Victor. 1915. 1 reel.

A STRANGER IN HIS OWN HOME. Imp. 1916. 1 reel.

Credits: J. Grubb Alexander; producer, Matt Moore.

A STRANGER IN NEW YORK. 1916. 3 reels. From the play by Charles Hoyt.

Credits: Director, T. N. Heffron; scenario, Gilson Willets.

THE STRANGER IN THE VALLEY. 1915. 1 reel.

STRANGER IN TOWN. 1932. 7 reels, sd. Based on the story "Competition" by Carl Erickson.

Credits: Director, Erle C. Kenton; screenplay, Carl Erickson, Harvey Thew.

THE STRANGER RIDES AGAIN. 1938. 1 reel.

Credits: Director, Mannie Davis.

STRANGER THAN FICTION. 1921. 76 min.

Credits: Director, J. A. Barry; story, Charles Richman, Arthur Shelby Le Vino; editor, Ralph Spence.

STRANGER THAN FICTION. 1921. 6 reels.

Credits: Director, J. A. Barry; original story, Charles Richman, Albert Shelby LeVino.

STRANGER THAN FICTION. Snappy. 1934-39. 1 reel each, sd.

Credits: Producers, Joseph O'Brien, Thomas Mead, Allyn Butterfield, Charles E. Ford; direction and story, Charles E. Ford; script, Henry Clay Bate; narrators, Alois Havrilla, James Wallington.

1. © 29Jun34; MP4839.

2. © 1Aug34; MP4908.

3. © 20Aug34; MP4927.

4. © 6Dec34; MP5134.

5. © 10Dec34; MP5154.

6. © 4Feb35; MP5369.

7. © 11Feb35; MP5386.

8. © 20Mar35; MP5475.

9. © 20Mar35; MP5476.

10. © 4Jun35; MP5643.

11. © 6Jun35; MP5644.

12. © 24Jun35; MP5685.

13. © 24Jun35; MP5687.

14. © 11Nov35; MP5959.

15. © 21Nov35; MP5982.

16. © 17Dec35; MP6065.

17. © 17Dec35; MP6066.

18. © 23Mar36; MP6308.

19. © 25Mar36; MP6317.

20. © 25May36; MP6481.

21. © 4Jun36; MP6497.

22. © 17Jun36; MP6557.

23. © 29Jun36; MP6591.

24. © 14Jul36; MP6623.

25. © 30Jul36; MP6650.

26. © 14Aug36; MP6695.

27. © 25Sep36; MP6808.

28. © 6Oct36; MP6831.

29. © 26Oct36; MP6871.

30. © 4Dec36; MP6951.

31. © 22Dec36; MP7001.

32. © 23Dec36; MP7002.

33. © 11Feb37; MP7178.

34. © 10Mar37; MP7259.

35. © 12Apr37; MP7339.

36. © 12May37; MP7415.

37. © 3Jun37; MP7482.

38. © 25Jun37; MP7545.

39. © 29Jul37; MP7647.

40. © 18Aug37; MP7705.

41. © 20Sep37; MP7764.

42. © 19Oct37; MP7869.

43. © 12Nov37; MP7912.

44. © 26Nov37; MP7946.

45. © 6Jan38; MP8050.

46. © 2Feb38; MP8129.

47. © 11Mar38; MP8234.

48. © 17Mar38; MP8250.

49. © 7Apr38; MP8304.

50. © 2May38; MP8380.

51. © 25May38; MP8437.

52. © 13Jun38; MP8520.

53. © 2Sep38; MP8735.

54. © 13Sep38; MP8751.

55. © 13Sep38; MP8759.

56. © 21Nov38; MP8903.

57. © 21Nov38; MP8904.

58. © 21Nov38; MP8905.

59. © 23Feb39; MP9159.

60. © 28Feb39; MP9183.

61. © 28Feb39; MP9184.

62. © 9May39; MP9360.

63. © 10May39; MP9382.

64. © 16Jun39; MP9472.

65. © 16Jun39; MP9474.

66. © 8Sep39; MP9640.

67. © 8Sep39; MP9641.

68. © 26Sep39; MP9667.

69. © 7Dec39; MP9797.

70. © 7Dec39; MP9798.

71. © 7Dec39; MP9799.

STRANGERS ALL. 1935. 8 reels, sd. From the play by Marie M. Bercovici.

Credits: Associate producer. Cliff Reid; director, Charles Vidor; screenplay, Milton Krims; editor, Jack Hively; music director, Roy Webb.

THE STRANGER'S BANQUET. 1922. 9 reels. From the story by Donn Byrne.

STRANGERS IN LOVE. 1932. 6,334 ft. Based on the novel "The Shorn Lamb" by William J. Locke.

Credits: Director, Lothat Mendes; screenplay, Grover Jones, William Slavens McNutt.

STRANGERS MAY KISS. 1931. 10 reels, sd., b&w. From the book by Ursula Parrott.

Credits: Producer, George Fitzmaurice; dialogue continuity, John Meehan; film editor, Hugh Wynn.

STRANGERS OF THE EVENING. Presented by Tiffany Pictures. 1932. 7 reels, sd. Adapted from the book "The Illustrious Corpse" by Tiffany Thayer.

Credits: Producer, Sam Bischoff; director, H. Bruce Humberstone; adaptation and dialogue, Stuart Anthony, Warren B. Duff; film editor, Dave Berg.

STRANGERS OF THE NIGHT. Presented by Louis B. Mayer. 1923. 8 reels, tinted. Adapted from the Sam K. Harris production of "Captain Applejack" by Walter Hackett.

Credits: Production, supervision, and direction, Fred Niblo; scenario, Bess Meredyth; adaptation, G. Gardner Sullivan; film editor, Loyd Nosler.

STRANGERS ON A HONEYMOON. 1936. 7 reels, sd. From the novel "The Northing Tramp" by Edgar Wallace.

Credits: Director, Albert De Courville; adaptation, Julian Houston; screenplay, Sidney Gilliat, Bryan Wallace; editor, C. Randell; music director, Louis Levy.

THE STRANGER'S RETURN. 1933. 9 reels, sd., b&w. From the novel by Phil Stong.

Credits: Producer, King Vidor; screenplay, Brown Holmes, Phil Stong; film editor, Dick Fantl.

THE STRANGEST ARMY IN THE WORLD. Powers. 1917. 1 reel.

THE STRANGLER. (William J. Burns Detective Mysteries) Educational Film Exchanges, Inc. 1931. 12 min.

Credits: Director, G. C. Reid; story, adaptation, and dialogue, Russell Matson.

Credits: Director, James Gordon.

THE STRAPHANGER. Presented by Century Comedies. 1921. 2 reels.

Credits: Story and direction, Fred Hibbard.

THE STRATEGIST. 1915. 1 reel.

Credits: Producer, Norval MacGregor; scenario, Emily Brown Heininger.

STRATHMORE. SEE Flames of Desire.

STRATOS-FEAR. (Willie Whopper Cartoon) 1933. 1 reel.

STRAWBERRY ROAN. (Baskette) 1933. 6 reels.

Credits: Director, Alan James; story, screenplay, and dialogue, Nate Gatzert.

THE STRAY SHOT. 1915. 1 reel.

THE STRAYED LAMBS. SEE A Great Mistake.

STREAM GRADATION. SEE The Work of Rivers.

THE STREAM OF LIFE. 1919. 7 reels.

Credits: Director, Horace G. Plympton; story, James K. Shields.

STREAMLINE EXPRESS. Presented by Nat Levine. 1935. 8 reels, sd.

Credits: Supervision, George Yohalem; director, Leonard Fields; original story, Wellyn Totman; screenplay, Leonard Fields, Dave Silverstein, Olive Cooper; film editor, Joseph Lewis.

STREAMLINED GRETA GREEN. (Merrie Melodies) 1937. 8 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Cal Dalton, Ken Harris; musical score, Carl W. Stalling.

STREAMLINED SWING. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia.

Credits: Producer, Louis Lewyn; director, Buster Keaton; screenplay, Marion Mack; dialogue, John Krafft.

STREET ANGEL. 1928. 10 reels, b&w, lavender sequences. From the play by Monckton Hoffe.

Credits: Director, Frank Borzage; adaptation, Philip Klein, Henry Roberts Symonds; continuity, Marion Orth.

THE STREET CALLED STRAIGHT. 1919. 5 reels.

Credits: Director, Wallace Worsley; story, Basil King; scenario, Edward Lowe.

STREET FAKIRS. 1915. 1 reel.

STREET GIRL. Radio. 1929. 8,200 ft., sd. From the story "The Viennese Charmer" by W. Carey Wonderly.

Credits: Associate producer, Luther Reed; director, Wesley Ruggles; adaptation and dialogue, Jane Murfin.

STREET GIRL. Radio. 1929. 8,200 ft., sd. From the story "The Viennese Charmer" by W. Carey Wonderly.

Credits: Associate producer, Luther Reed; director, Wesley Ruggles; adaptation and dialogue, Jane Murfin.

STREET OF CHANCE. 1930. 7,023 ft.

Credits: Director, John Cromwell; story and dialogue, Oliver H. P. Garrett; scenario, Howard Estabrook.

THE STREET OF FORGOTTEN MEN. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 7 reels. From the Liberty Magazine story by George Kibbe Turner.

Credits: Producer, Herbert Brenon; screenplay, Paul Schofield; adaptation, John Russell.

THE STREET OF ILLUSION. 1928. 7 reels.

Credits: Producer, Harry Cohn; director, Erie C. Kenton; story, Channing Pollock; screenplay, Harvey Thew; continuity, Dorothy Howell; film editor, Frank Atkinson.

STREET OF MISSING MEN. 1939. 7 reels, sd.

Credits: Associate producer, Armand Schaefer; director, Sidney Salkow; original story, Eleanor Griffen, William Rankin; screenplay, Frank Dolan, Leonard Lee; film editor, Ernest Nims; music director, Cy Feuer.

THE STREET OF SIN. 1928. 7 reels.

Credits: Director, Mauritz Stiller; story, Josef von Sternberg, Benjamin Glazer; scenario, Chandler Sprague.

STREET OF WOMEN. 1932. 7 reels, sd. Based on the novel by Polan Banks.

Credits: Director, Archie Mayo; screenplay, Mary McCall, Jr.; adaptation and dialogue, Charles Kenyon, Brown Holmes.

STREET SAFETY FOR ADVANCED GRADES. (Safety Series) 1934. Made in cooperation with the Dept. of Biology and Public Health, Massachusetts Institute of Technology, the National Safety Council, and the American Automobile Association. 954 ft.

STREET SAFETY FOR PRIMARY GRADES, Grades 1-3. (Safety Series) 1934. Made in cooperation with the Dept. of Biology and Public Health, Massachusetts Institute of Technology, the National Safety Council, and the American Automobile Association. 474 ft.

STREET SCENE. United Artists. 1931. 9 reels. Adapted from the play by Elmer Rice.

Credits: Director, King Vidor; adaptation, Elmer Rice.

THE STREET SINGER. 1932. 2 reels.

Credits: Producer, Rowland Brice; director, Monte Brice; story, William Rowland, Monte Brice.

THE STREET SINGERS. 1913. 2 reels.

Credits: Directors, Wilfred North, Wallie Van [pseud. of Wally Van Nostrand].

THE STREETCAR. 1939. 1 reel.

STREET CARS AND CARBUNCLES. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Dick Smith.

THE STREETS OF CAIRO. (Rambling Reporter) Bray Pictures Corp. 1931. 1 reel.

Credits: Narrative by Malcolm La Prade.

THE STREETS OF MAKE BELIEVE. Imp. 1915. 1 reel.

Credits: Producer, George A. Lessey; scenario, P. Kelly.

STREETS OF MYSTERY. (Vagabond Series, no. 2) 1930. 1 reel, sd.

Credits: Tom Terriss.

THE STREETS OF NEW YORK. State Pictures Corp. 1922. 7 reels. Suggested by the play by Leota Morgan.

Credits: Director, Burton King.

STREETS OF NEW YORK. 1939. 8 reel, sd.

Credits: Supervision, William T. Lackey; director, William Nigh; screenplay and original story, Robert D. Andrews; film editor, Russell Schoengarth.

STREETS OF PARIS. (A Century of Progress) 1933. 100 ft.

STREETS OF PARIS. (A Century of Progress Exposition) New version. 1933. 1 reel.

STREETS OF SHANGHAI. Presented by Tiffany-Stahl. 1928. 6 reels. From the story by John Francis Natteford.

Credits: Director, Louis Gasnier; film editor, Martin G. Cohn.

STRENGTH. 1915. 1 reel.

Credits: Producer, Ulysses Davis.

THE STRENGTH OF A SAMSON. 1915. 1 reel.

Credits: Producer, E. A. Martin.

THE STRENGTH OF DONALD MCKENZIE. Mutual Star. 1916. 5 reels.

Credits: William Russell, John Prescott; dramatization, J. Edward Hungerford; story, Russell E. Smith.

THE STRENGTH OF LOVE. SEE When the Earth Trembled.

STRENGTH OF THE PINES. 1922. 5 reels.

Credits: Director, Edgar Lewis; story, B. Edison Marshall; adaptation, Louise Lewis.

THE STRENGTH OF THE WEAK. 1915. 2 reels.

THE STRENGTH OF THE WEAK. 1916. 5 reels. Adapted from the play by Alice M. Smith and Charlotte Thompson.

Credits: Producer, Lucius Henderson; adaptation, William Addison Lathrop.

STRENGTHENING OUR NATION. 1924. 3 reels.

Credits: Written and directed by M. Gertrude Slaughter.

THE STRENUOUS LIFE. 1914. 1 reel.

Credits: Producer, John L. Hawkinson.

STRETCHING THE TRUTH. 1924. 2 reels.

Credits: Director, Benjamin Stoloff.

STRICTLY BUSINESS. 1917. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, Will Courtney.

STRICTLY CONFIDENTIAL. 1919. 5 reels. Founded on the play "Fannie and the Servant Problem" by Jerome K. Jerome.

Credits: Director, Clarence G. Badger.

STRICTLY DISHONORABLE. 1931. 10 reels. From the stage play by Preston Sturges.

Credits: Director, John M. Stahl; screenplay, Gladys Lehman.

STRICTLY DYNAMITE. 1934. 8 reels, sd.

Credits: Associate producer, H. N. Swanson; director, Elliott Nugent; story, Robert T. Colwell, Robert A. Simon; screenplay, Maurine Watkins, Ralph Spence; additional dialogue, Milton Raison, Jack Harvey; editor, George Crone; music director, Max Steiner.

STRICTLY FRESH YEGGS. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; director, George Stevens; story, Fred Guiol, Jack Townley; film editor, John Lockert.

STRICTLY MODERN. 1930. 6 reels. Based on "Cousin Kate" a play by Hubert Henry Davies.

Credits: Producer, William A. Seiter; adaptation, Ray Harris, Gene Towne.

STRICTLY MODERN. Trailer. 1930. 1 reel, sd.

STRICTLY NEUTRAL. 1915. 1 reel.

Credits: Director, C. Jay Williams.

STRICTLY PERSONAL. 1933. 8 reels, sd.

Credits: Producer, Charles R. Rogers; director, Ralph Murphy; story, Wilson Mizner, Robert T. Shannon; screenplay, Willard Mack, Beatrice Banyard; additional dialogue, Casey Robinson; film editor, Joseph Kane.

STRICTLY-UNCONVENTIONAL. 1930. 6 reels, sd., b&w. Based on the play "The Circle" by W. Somerset Maugham.

Credits: Director, David Burton; talking version, Sylvia Thalberg, Frank Butler; film editor, Margaret Booth.

STRICTLY UNRELIABLE. (A Hal Roach Subject) Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, George Marshall; dialogue, H. M. Walker; editor, Richard Currier.

THE STRIFE ETERNAL; the Romance of Jane Shore. Barker Motion Photography, Ltd. 1915. 5 reels.

THE STRIFE OF THE PARTY. 1931. 2 reels.

Credits: Director, Mark Sandrich; story and adaptation, Ned Sparks, Mark Sandrich.

STRIKE! (The Grantland Rice Sportlight) 1938. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE STRIKE BREAKERS. (Lyons-Moran Star Comedy) 1919. 1 reel.

Credits: Story, C. B. Hoadley.

STRIKE ME PINK. Released through United Artists. 1936. 11 reels, sd. Adapted from the Saturday Evening Post serial "Dreamland" by Clarence Budington Kelland.

Credits: Director, Norman Taurog; adaptation and screenplay, Frank Butler, Walter DeLeon, Francis Martin; additional dialogue, Philip Rapp; film editor, Sherman Todd; music director, Alfred Newman; music and lyrics, Harold Arlen, Lew Brown.

THE STRIKE OF THE RATTLER. 1923. 2 reels.

Credits: Director, Jay Marchant; story and scenario, Karl Coolidge.

STRIKE ONE. Nestor. 1917. 1 reel.

Credits: Story and direction, Craig Hutchinson; scenario, C. B. Hoadley.

STRIKE UP THE BAND. 1930. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

STRIKE! YOU'RE OUT. Presented by E. W. Hammons. 1936. 968 ft., sd.

Credits: Director, Robert Hall; story, Art Jarrett, Marcy Klauber.

STRIKES AND SPARES. (M. G. M. Oddity) 1934. 1 reel.

Credits: Director, Felix E. Feist; explanatory remarks by Pete Smith.

STRING BEAN JACK. (Terry Toons) Presented by Paul Terry. 1938. 1 reel, sd., color.

Credits: Director, John Foster; music, Philip A. Scheib.

STRING BEANS. Presented by Thomas H. Ince. 1918. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Victor Schertzinger; story, Julien Josephson; editor, Duncan Mansfield.

THE STRING CHOIR. 1931. 1 reel.

THE STRING CHOIR. 1938. 1 reel, sd.

STRINGS AND STRAINS. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Produced and directed by George M. Arthur; music, Lewis E. Gensler.

STRINGS OF STEEL. 1926. 2 reels each.

Credits: Director, Henry Mac Rae; story, Phillip Dutton Hurn, Oscar Lund.

STRIPES AND STARS. 1918. 1 reel.

Credits: Story and direction, Walter Hall.

STRIPES AND STARS. Winkler. 1929. 1 reel.

Credits: Walt Lantz.

STRIPES AND STUMBLES. 1918. 1 reel.

Credits: Written and directed by Lawrence Semon.

STRIVING FOR FORTUNE. 1926. 6 reels.

Credits: Director, Nat Ross; story, Merle Johnson.

THE STROKE OF FATE. 1915. 1,000 ft.

STROKE OF GENIUS. (A Miniature) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Producer and director, Nat Ross; associate producer, Jack White; original story, Edwin Rutt, Vernon McKenzie; screenplay, Walter Wise, Hugo Butler.

THE STROKE OF MIDNIGHT. Swedish Biograph. 1922. 6 reels.

Credits: Selma Lagerlof; adapted and directed by Victor Seastrom.

THE STROKE OF THE PHOEBUS EIGHT. 1913. 1 reel.

Credits: Anne and Bannister Merwin.

STRONG AND WILLING. SEE Trixie Friganza in Strong and Willing.

THE STRONG ARM SQUAD. Rex. 1916. 1 reel.

Credits: Grace Cunard; producer, Francis Ford.

STRONG BOY. 1929. 6 reels, b&w.

Credits: Director, John Ford; story, Frederick Hazlitt Brennan; scenario, James Kevin McGuinness, Andrew Bennison.

STRONG EVIDENCE. 1916. 1 reel.

STRONG FOR LOVE. 1925. 2 reels.

Credits: Director, Louis Seiler.

THE STRONG MAN. Presented by Harry Langdon Corp. 1926. 7 reels.

Credits: Director, Frank Capra; story, Arthur Ripley.

STRONG TO THE FINICH. (A Popeye the Sailor Cartoon) 1934. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneltel, Roland Crandall.

Credits: Director, George Kelson; story, Octavus Roy Cohen.

Credits: Producer, A. Ambrosio.

THE STRONGER LOVE. 1916. 5 reels.

Credits: Director, Frank Lloyd.

THE STRONGER SEX. 1930. 2 reels, sd.

Credits: Director, William Watson; story, Florence Ryerson, Colin Clements.

STRONGER THAN DEATH. Rex. 1915. 2 reels.

Credits: Producer, Joseph Degrass; scenario, Bess Meredyth.

STRONGER THAN DEATH. Presented by Richard A. Rowland and Maxwell Karger. 1920. 7 reels. From the novel "The Hermit Doctor of Gaya" by I. A. R. Wylie.

Credits: Directors, Herbert Blache, Charles Bryant; scenario and adaptation, Charles Bryant.

STRONGER THAN DESIRE. Presented by Metro-Goldwyn-Mayer. 1939. 8 reels, sd., b&w. Based on a novel by W. E. Woodward.

Credits: Producer, John W. Considine, Jr.; director, Leslie Fenton; screenplay, David Hertz, William Ludwig; film editor, W. Donn Hayes; music score, Edward Ward, David Snell.

STRONGER THAN LOVE. 1915. 1 reel.

STRONGER THAN STEEL. Laemmle. 1916. 2 reels. From the story by George Bronson Howard.

Credits: Director, Allen J. Holubar.

STRONGER THAN WOMAN'S WILL. 1916. 3 reels.

THE STRONGER VOW. Presented by Samuel Goldwyn. 1919. 6 reels.

Credits: Director, Reginald Barker; story, Izola Forrester.

THE STRONGER WILL. Presented by Samuel Zierler. 1928. 6,723 ft.

Credits: Director, Bernard McEveety; supervision and story, Harry Chandlee; adaptation, Adrian Johnson.

THE STRONGEST. 1920. 5 reels, b&w, tinted sequences. Based on the story by Georges Clemenceau.

Credits: Direction and scenario, R. A. Walsh.

STRONGHEART. 1914.

STRONGHEART. SEE Braveheart.

Credits: Scenario, Frank E. Montgomery.

THE STRUGGLE. Rex. 1915. 1 reel.

Credits: Producer, Jos. DeGrasse; story, L. V. Jefferson; scenario, Calder Johnstone.

Credits: Director, John Ince; book, Harry Chandlee.

Credits: Story, William E. Wing.

THE STRUGGLE. 1931. 9 reels.

Credits: Director, D. W. Griffith; story, Anita Loos, John Emerson.

THE STRUGGLE EVERLASTING. Presented by Harry Rapf. 1918. 6 reels.

Credits: Edwin Milton Royle; director, James Kirkwood; scenario, Bennet Musson.

THE STRUGGLE FOR EXISTENCE. SEE The Nature Man.

STRUGGLE OF THE ENGLISH AND FRENCH FOR AMERICA. 1920. 1 reel.

THE STRUGGLE UPWARD. 1915. 2,000 ft.

Credits: Harold G. Files; director, James W. Castle.

THE STUBBORN MULE. (Walter Lantz Cartune) (A Walter Lantz Lil Eightball) 1939. 1 reel, sd.

STUCK IN THE STICKS. 1937. 2 reels, sd.

Credits: Director, Preston Black; screenplay, Ewart Adamson.

STUCK STUCK STUCCO. 1933. 1 reel, sd.

Credits: Director, Alf Goulding; story. Glen Lambert, Jack Henley.

THE STUDENT PRINCE IN OLD HEIDELBERG. 1928. 10 reels, b&w. From the book "Karl Heinrich" by Wilhelm Meyer-Förster.

Credits: Director, Ernst Lubitsch; story, Meyer-Förster; continuity, Hans Kraly; titles, Marian Ainslee, Ruth Cummings; film editor, Andrew Marton.

STUDENT TOUR. 1934. 9 reels, sd., b&w.

Credits: Producer, Monta Bell; director, Charles F. Reisner; original story, George Seaton, Arthur Bloch, Samuel Marx; screenplay, Ralph Spence, Philip Dunne; film editor, Frank Hall; music and lyrics, Nacio Herb Brown, Arthur Freed; music director. Jack Virgil.

THE STUDENT'S ROMANCE. Presented by Associated British Picture Corp., Ltd. 1936. 7,066 ft., sd. Adapted from the operetta "I Lost My Heart in Heidelberg;" original lyrics by Beda [pseud. of Fritz Löhner] and Ernst Neubach; English lyrics by Harry S. Pepper; music by Fredy Raymond.

Credits: Director, Otto Kanturek; adaptation and scenario, Clifford Grey, Richard Hutter, Norman Watson.

STUDIES IN CLAY. 1915.

Credits: Drawn by Vincent Whitman.

A STUDIO CINDERELLA. Special Laemmle. 1917. 1 reel.

A STUDIO ESCAPADE. 1915. 2 reels. From the story "The Escape" by Charles Belmont Davis.

Credits: Director, Lloyd B. Carleton.

THE STUDIO GIRL. 1918. 5 reels. Adapted from the comedy "La Gamine" by Pierre Veber and Henri de Gorsse.

Credits: Director, Charles Giblyn; adaptation, Paul West.

THE STUDIO MURDER MYSTERY. 1929. 6,009 ft.

Credits: Production, direction, adaptation and dialogue, Frank Tuttle; story by the Edingtons; screen playright, Ethel Doherty.

STUDIO PESTS. (An Ideal Comedy) 1929. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

THE STUDIO RUBE. 1922. 2 reels.

Credits; Director, Gil Pratt.

STUDIO SAP. (Chester Conklin Comedy) 1931. 1 reel.

Credits: Supervision, Phil L. Ryan; director, Frank C. Griffin; story, Frank C. Griffin, George Cleethorpe.

STUDIO SAP. (Chester Conklin Comedy) 1931. 2 reels, sd.

Credits: Supervision, Phil L. Ryan; director, Frank C. Griffin; story, Frank C. Griffin, George Cleethorpe.

STUDY AND UNDERSTUDY. 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus D. Wood, A. Dorian Otvos.

STUDY IN BOTANY. 1913. 1 reel.

A STUDY IN FEET. 1914. 1 reel.

Credits: Director, Harry Lambart.

A STUDY IN FORD SAFETY. Ford Motion Picture Laboratories. 1923. 2 reels.

A STUDY IN SCARLET. World Wide. Presented by E. W. Hammons. 1933. 62 min., sd. Suggested by the book by Sir Arthur Conan Doyle.

Credits: Director, Edwin L. Marin; screenplay, Robert Florey; continuity and dialog, Reginald Owen.

A STUDY IN TRAMPS. 1915. 1 reel.

Credits: Director, Lee Beggs.

THE STUDY OF A CAVE IN LIMESTONE. 1920. 1 reel.

THE STUDY OF INFANT BEHAVIOR. 1930. 2 reels.

Credits: Arnold Gesell.

A STUDY OF SHORE FEATURES: A BOLD SHORE. 1920. 1 reel.

A STUDY OF SHORE FEATURES: A LOW SHORE. 1920. 1 reel.

Credits: Story and continuity by J. Allman and E. O'Toole.

A STUDY OF THE WORK OF RIVERS. 1920. 1 reel.

STÜRME DER LEIDENSCHAFT (TEMPEST). 1932. 10 reels.

Credits: Director, Robert Siedmak; story, Robert Leibmann, Hans Mueller.

STUFF ON THE BALL. (Sports-Eye View, no. 4) 1932. 1 reel.

Credits: Director, Jack Eaton.

THE STUFF THAT DREAMS ARE MADE OF. 1914. 2 reels. A new version of the Edison comedy.

Credits: Director, Charles H. France.

STUFFED LIONS. Century. 1921. 2 reels.

Credits: Written and directed by Chuck Reisner.

STUFFY'S ERRAND OF MERCY. 1935. 1 reel, sd.

Credits: Editor, Bert Frank.

STUMBLING. Imp. 1916. 2 reels.

Credits: Producer and director, Leon D. Kent; story, Max Genaski; scenario, Harvey Gates.

THE STUMBLING HERD. SEE Rose of the Tenements.

STUNG. 1916. 1 reel.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

STUNG. 1931. 10 min.

Credits: F. R. Buckley; adapted and directed by William Cowen.

STUNG AGAIN. 1933. 2 reels.

Credits: Director, W. P. Hackney; story, B. Vernon Smith, James W. Horne.

THE STUNT MAN. (Educational-Larry Semon Comedy) 1927. 2 reels.

Credits: Written and directed by Larry Semon.

STUNT PILOT. 1939. 7 reels, sd.

Credits: Producer, Paul Malvern; director, George Waggner; original story, Hal Forrest; screenplay, Scott Darling, Joseph West; film editor, Carl Pierson.

Credits: Producer, John L. Hawkinson.

STUPID BUT BRAVE. (Tuxedo Comedies) Educational. 1924. 2 reels.

Credits: Written and directed by Al St. John.

THE STUPOR-VISOR. 1938. 2 reels, sd.

Credits: Producer, Bert Gilroy; story and direction, Charles Roberts; film editor, John Lockert.

STURM IN WASSERGLAS. SEE Storm in a Teacup.

A STUTTERING ROMANCE. 1930. 1 reel.

Credits: Director, Arthur Hurley; story, Stanley Raugh.

STYLES AND SMILES. (Nu-Atlas Musical, no. 2) 1938. 11 min., sd.

Credits: Director, Milton Schwarzwald.

STYLISH STOUTS. (An Educational Coronet Comedy) Presented by E. W. Hammons. 1935. 2 reels, sd.

Credits: Producer, Al Christie; story, Arthur Jarrett, William Watson.

SUBMARINE. 1928. 9 reels.

Credits: Producer, Irvin Willat; director, Frank R. Capra; story, Norman Springer.

SUBMARINE D-l. Cosmopolitan. First National. 1937. 11 reels, sd.

Credits: Director, Lloyd Bacon; story, Frank Wead; screenplay, Frank Wead, Warren Duff, Lawrence Kimble; music, Max Steiner.

THE SUBMARINE EYE. 1917. 8 reels.

SUBMARINE PATROL. 1938. 95 min., sd. From a book by Ray Millholland.

Credits: Associate producer, Gene Markey; director, John Ford; screenplay, Rian James, Darrell Ware, Jack Yellen; film editor, Robert Simpson; music director, Arthur Lange.

A SUBMARINE PIRATE. 1915. 4 reels.

Credits: Supervision, Mack Sennett; directors, Charles Avery, Syd Chaplin.

SUBMARINES AND SIMPS. 1918. 2 reels.

Credits: Director, Roy McGray; story, Earl Montgomery, Joe Rock.

THE SUBSTITUTE. 1915. 1,000 ft.

THE SUBSTITUTE HEIR. 1914. 1 reel.

Credits: Producer, E. A. Martin.

THE SUBSTITUTE STENOGRAPHER. (A Kate Kirby Detective Story) 1913.

THE SUBSTITUTE WIFE. 1925. 6 reels.

Credits: Director, Wilfred May; story, Katherine Smith.

THE SUBURBAN. Imp. 1915. 4 reels.

Credits: Producer, George Lessey; story, C. T. Dazy; scenario, James Dayton.

THE SUBURBAN. SEE The Kentucky Derby.

SUBWAY EXPRESS. 1931. 7 reels, sd. From the play by Eva Kay Flint [pseud. of Eva Finklestein] and Martha Madison [pseud. of Martha O'Dwyer].

Credits: Director, Fred Newmeyer; adaptation and dialogue, Earl Snell; film editor, Arthur Huffsmith.

SUBWAY SADIE. 1926. 7 reels.

Credits: Director, Alfred Santell; story, Mildred Cram; scenario, Adele Comandini, Paul Schofield.

SUCCESS. Presented by Murray W. Garsson. 1923. 7 reels.

Credits: Written and adapted by Adelaide Leitzbach, Theodore A. Liebler, Jr.; producer and director, Ralph Ince.

SUCCESS AT ANY PRICE. Group Theatre, Inc. 1934. 8 reels, sd. From the play "Success Story" by John Howard Lawson.

Credits: Associate producer, H. N. Swanson; director, J. Walter Ruben; screenplay, John Howard Lawson, Howard J. Green; editor, Jack Hively; music director, Max Steiner.

THE SUCCESS OF THE WHIPPET. 1927. 1 reel.

SUCCESS STORY. SEE Success at Any Price.

THE SUCCESSFUL ADVENTURE. 1918. 5 reels.

Credits: Supervisor, Maxwell Karger; director, Harry L. Franklin; story, June Mathis; scenario, June Mathis, Katharine Kavanaugh.

A SUCCESSFUL CALAMITY. Warner Bros, and Vitaphone. 1932. 8 reels. Based on the play by Clare Kummer.

Credits: Director, John G. Adolfi; adaptation and dialogue, Austin Parker, Maude Howell, Julian Josephson.

SUCCESSFUL DEMONSTRATIONS. 1926.

SUCCESSFUL FAILURE. 1934. 7 reels, sd. From the novel by Michael Kane.

Credits: Producer, Trem Carr; supervision, George Yohalem; director, Arthur Lubin; screenplay, Marion Orth; editor, Jack Ogilvie.

SUCCESSFUL SELLING METHODS. 1937. For the Texas Co. 1 reel, sd.

SUCH A HUNTER. 1914. 1 reel.

Credits: Director, George D. Baker.

SUCH A LITTLE PIRATE. Paramount. Presented by Jesse L. Lasky. 1918. 5 reels.

Credits: Director, George Melford; story, James Oliver Curwood; scenario, Monte M. Katterhohn.

SUCH A LITTLE QUEEN. 1921. 5 reels. Adapted from the play by Channing Pollock.

Credits: Director, George Fawcett; scenario, J. Clarkson Miller, Laurence McCloskey.

SUCH A LOVELY COUPLE. SEE People Will Talk.

SUCH A PRINCESS. Rex. 1915. 3 reels.

SUCH IS LIFE. (Century Comedy) 1923. 2 reels.

Credits: Orpheus B. Caravias; supervision and direction, James Vincent.

SUCH IS LIFE IN ALASKA. (Travelaugh) Powers. 1916. 1 reel.

Credits: Hy Mayer.

SUCH IS LIFE IN CHINA. (Universal Travelaugh) Powers. 1916. 1 reel.

Credits: Hy Mayer.

SUCH IS LIFE IN SOUTH ALGERIA. Powers. 1917. 1 reel.

SUCH MEN ARE DANGEROUS. 1930. 7,400 ft., sd. Based on the story by Elinor Glyn.

Credits: Associate producer, Al Rockett; screenplay and dialogue, Ernest Vajda; editor, Harold Schuster.

SUCH THINGS REALLY HAPPEN. 1915. 2,000 ft.

SUCH WOMEN ARE DANGEROUS. 1934. 7,421 ft., sd. From the story "Odd Thursday" by Vera Caspary.

Credits: Director, James Flood; screenplay, Jane Storm, Oscar M. Sheridan; additional dialogue, Lenore Coffee; music director, Louise de Francisco.

SUCKER MONEY. 1933. 8 reels, sd.

Credits: Directors, Dorothy Reid, Melville Shyer.

SUDDEN BILL DORN. 1937. 6 reels, sd.

Credits: Director, Ray Taylor; story, Jackson Gregory; screenplay, Frances Guihan; film editor, Bernard Loftus.

SUDDEN MONEY. 1939. 6 reels, sd. Based on a play by Milton Lazarus.

Credits: Director, Nick Grinde; screenplay, Lewis Foster; film editor, Ellsworth Hoagland.

Credits: Director, Emile Chautard; story, E. Richard Schayer; scenario, Clara S. Beranger.

SUDS. 1920. 5 reels. From the play "'Op o' Me Thumb" by Frederick Fenn and Richard Pryce.

Credits: Director, Jack Dillon; adaptation, Waldemar Young.

SUDS OF LOVE. 1917. For Fox Film Corp. 2 reels.

Credits: Written and directed by Jay A. Howe.

SUE. 1915. 1 reel.

Credits: Victor Eubank.

SUE MY LAWYER. 1938. 2 reels, sd.

Credits: Director, Jules White; story, Harry Langdon; screenplay, Ewart Adamson.

SUE OF THE SOUTH. 1919. 5 reels.

Credits: Director, W. Eugene Moore; story, Maud Reeves White; scenario, Charles J. Wilson, Jr.

SUED FOR LIBEL. 1939. 66 min., sd.

Credits: Producer, Cliff Reid; director, Leslie Goodwins; story, Wolfe Kaufman; screenplay, Jerry Cady; editor, Desmond Marquette; music director, Roy Webb.

SUEZ. 1938. 9,389 ft., sd.

Credits: Director, Allan Dwan; story, Sam Duncan; screenplay, Philip Dunne, Julien Josephson; music director, Louis Silvers.

THE SUFFERIN' BABY. 1915. 700 ft.

Credits: Marie Pavis; director, Will Louis.

THE SUFFERING OF SUSAN. 1914. 1 reel.

A SUFFRAGETTE IN SPITE OF HIMSELF. 1912. 600 ft.

Credits: Bannister Merwin.

SUGAR. (Ford Educational Library. Agriculture) Ford Motion Picture Laboratories. 1925. 1 reel.

THE SUGAR BOWL FOOTBALL GAME AT NEW ORLEANS, SANTA CLARA VS. L. S. U., JANUARY 1, 1938. 1938. 1 reel.

SUGAR DADDIES. 1927. 2 reels.

Credits: Director, Fred L. Guiol.

SUGAR PLUM PAPA. (Educational-Mack Sennett Talking Comedies) 1930. 21 min., sd.

Credits: Director, Mack Sennett.

THE SUICIDE CLUB. SEE Trouble for Two.

SUICIDE FLEET. 1931. 9 reels, sd., b&w. From the story "The Mystery Ship" by Herbert A. Jones.

Credits: Producer, Charles R. Rogers; director, Albert Rogell; screenplay, Lew Lipton; continuity and dialogue, F. McGrew Willis; film editor, Joseph Kane; musical director, Arthur Lange.

THE SUICIDE SHEIK. Snappy. Winkler. 1929. 1 reel.

Credits: Hugh Harman.

SUICIDE SQUAD. 1936. 6 reels, sd.

Credits: Producer, C. C. Burr; director, Raymond K. Johnson; story, C. E. Roberts, Ray Nazzaro; scenario, Homer King Gordon; special dialogue, Edward K. O'Brien; editor, Arthur Brooks; music, Abe Meyer.

SUITABILITY SELLS SUITS. 1937. For Associated Wool Industries. Filmstrip, sd.

SUITE HOMES. 1927. 2 reels, b&w. Based on the story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Zion Myers; scenario, Max Gold.

THE SUITOR. 1920. 2 reels.

Credits: Written and directed by Larry Semon and Norman Taurog.

THE SUITOR. 1929. 1 reel, sd.

Credits: Director, Dick Currier; editor, Arthur F. Ellis.

SUITS TO NUTS. 1933. 2 reels, sd.

Credits: Producer, Lou Brock; director, Harry Sweet; story, Harry Sweet, Hugh Cummings, Walter Weems, Hal Davitt; film editor, Tom Persons.

THE SULTAN AND THE ROLLER SKATES. 1914. 1 reel.

Credits: Epes Winthrop Sargent; director, C. Jay Williams.

THE SULTAN OF ZULON. 1915. 2 reels.

Credits: Director, Wally Van [pseud. of Wally Van Nostrand].

SULTAN PEPPER. (King Cartoon, no. 7) 1934. 1 reel. Based on "The Little King" cartoon by O. Soglow.

Credits: Director, George Stallings; animation, Jim Tyer.

Credits: Henry Rowland.

A SULTANA OF THE DESERT. 1915. 2 reels.

Credits: Director, Thomas Santschi.

THE SULTAN'S CAMP OF VICTORY. (Around the World with Burton Holmes) 1930. 1 reel, sd.

THE SULTAN'S CAT. (Paul Terry-Toons) 1931. 6 min.

Credits: Frank Moser, Paul Terry.

SUMMER. (Walt Disney Comic) 1930. 1 reel.

SUMMER BACHELORS. Presented by William Fox. 1926. 6 reels, tinted. From the novel by Warner Fabian [pseud.].

Credits: Director, Allan Dwan; scenario, James Shelley Hamilton.

SUMMER BOARDERS. 1917. 1 reel.

Credits: Director General, J. G. Blystone.

SUMMER BOARDING. 1917. 1 reel.

Credits: Director, Chester M. De Vonde; story, Thomas J. Gray.

SUMMER DAZE. 1932. 2 reels, sd.

Credits: Director, Albert Ray; story, H. O. Kusell.

Credits: Director, Edwin August; story, Louis V. Jefferson.

THE SUMMER GIRLS. 1918. 2 reels.

Credits: Director, Edward Cline.

SUMMER IN WINTER. 1921. 1 reel.

Credits: Direction and scenario, E. Dean Parmelee.

SUMMER KNIGHTS. Snappy. 1928. 1 reel.

Credits: Story and direction, Ansel Friedberger; continuity, George H. Plympton.

SUMMER LIGHTNING. SEE I Met My Love Again.

A SUMMER RESORT IDYLL. 1914. 1 reel.

Credits: Dorothy H. Brown.

SUMMER SAPS. (Educational-Lupino Lane Comedy) 1929. 2 reels.

Credits: Director, Henry W. George.

SUMMERS AND HUNT IN SOME PUMPKINS. 1929. 1 reel, sd.

SUMMERTIME. (Aesop Sound Fable) Presented by The Van Buren Corp. 1929. 1 reel, sd.

Credits: John Foster.

SUMMER TIME. (Paul Terry-Toons) Educational Film Exchanges, Inc. 1931. 6 min.

Credits: Frank Moser, Paul Terry.

THE SUMMONING SHOT. 1915. 1 reel.

Credits: Producer, John L. Hawkinson.

SUN-CHASERS. (Sportlight) 1936. 1 reel.

Credits: Narrator, Ted Husing.

THE SUN NEVER SETS. 1939. 10 reels, sd.

Credits: Producer and director, Rowland V. Lee; story, Jerry Horwin, Arthur FitzRichard; screenplay, W. P. Lipscomb; film editor, Ted Kent.

THE SUNBEAM. 1916. 5 reels.

Credits: Shannon Fife; director, Edwin Carewe; scenario, June Mathis.

SUNBEAMS. (Robert C. Bruce Scenic Novelties) Presented by E. W. Hammons. 1926. 1 reel.

A SUNBONNET BLUE. (Merrie Melodies) 1937. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Fred Avery; animation, Sid Sutherland, Virgil Ross; musical score, Carl W. Stalling.

SUNDAE SERENADE. (Broadway Brevity) 1939. 20 min., sd.

Credits: Director, Roy Mack; story, Cyrus D. Wood, Jack Henley.

Credits: Producer, George Lederer; screen version, Herbert Hall Winslow.

A SUNDAY AFTERNOON IN RURAL ENGLAND. 1912.

SUNDAY CLOTHES. (Scrappy) Presented by Columbia Pictures Corp. 1931. 1 reel, sd.

Credits: Dick Heumer; producer, Charles Mintz; animation, Sid Marcus; musical score, Joe De Nat.

SUNDAY GO TO MEETIN' TIME. (Merrie Melodies) 1936. 1 reel. Sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Bob McKimson, Paul Smith; musical score, Norman Spencer.

SUNDAY MORNING. 1929. 2 reels.

Credits: Director, Harry Edwards.

SUNDAY NIGHT AT THE TROCADERO. 1937. 2 reels, sd., b&w.

Credits: Producer, Louis Lewyn; director, George Sidney; dialogue, John Krafft.

SUNDAY ON THE FARM. (Fables, no. 380) 1928. 1 reel.

Credits: Paul Terry, John Foster.

THE SUNDAY ROUND-UP. 1937. 2 reels, sd.

Credits: Director, William Clemens; original story, William Collier, Jr.; screenplay, H. C. Witwer, Jr., Olga Jamison.

SUNDAY SPORTS IN MEXICO. Treasure Chest. Presented by E. W. Hammons. 1935. 917 ft., sd.

Credits: Director, Antonio Samaniego; narration, Norman Brokenshire.

SUNDAYING IN FAIRVIEW. Black Cat. 1917. 2 reels.

Credits: Director, L. C. Windom; story, Charles J. McGuirk.

SUN DOG TRAILS. 1923. 5 reels.

Credits: Director, Lewis King; story, W. C. Tuttle; scenario, Daniel Whitcomb.

SUNDOWN. 1924. 8 reels.

Credits: E. J. Hudson; directors, Laurence Trimble, Harry O. Hoyt.

SUNDOWN ON THE PRAIRIE. 1939. 6 reels, sd.

Credits: Producer, Edward Finney; director, Al Herman; story and screenplay, William Nolte, Edmond Kelso; additional dialogue, Edmond Kelso.

SUNDOWN RIDER. 1932. 7 reels.

Credits: Screenplay and direction, Lambert Hillyer; story, Jack Neville.

SUNDOWN SLIM. 1920. 5 reels. From the story by H. H. Knibbs.

Credits: Director, Val Paul.

SUNDOWN SLIM. SEE The Burning Trail.

THE SUNDOWN TRAIL. 1919. 6 reels.

Credits: Director, Rollin Sturgeon; story, J. G. Hawks; scenario, Waldemar Young.

SUNDOWN TRAIL. 1931. 6 reels, sd., b&w. From the story by Robert F. Hill.

Credits: Supervision, Fred Allen; direction and dialogue, Robert F. Hill; music director, Arthur Lange.

Credits: Producer and director, George B. Seitz; scenario and adaptation, Frank Leon Smith.

SUNKISSED SWEETIES. (Andy Clyde Comedies) 1932. 22 min., sd.

Credits: Director, Harry J. Edwards; story and dialogue, Ernest Pagano, Jack Townley.

SUNKIST STARS AT PALM SPRINGS. (An M-G-M Musical Revue) 1936. 2 reels, sd., color.

Credits: Producer, Louis Lewyn; director, Roy Rowland; dialogue, John Krafft.

SUNLIGHT AND SHADOW. Imp. 1916. 1 reel.

Credits: Written and produced by Brinsley Shaw; scenario, May B. Havey.

SUNLIGHT'S LAST RAID. 1917. 5 reels.

Credits: Director, William Wolbert; story, Cyrus Townsend Brady.

SUNNY. First National & Vitaphone. 1930. 80 min., sd.

Credits: Producer and director, William A. Seiter; book and lyrics, Otto Harbach, Oscar Hammerstein, II.; music, Jerome Kern.

SUNNY CALIFORNIA. SEE May McAvoy in Sunny California.

A SUNNYDAY EVERYDAY. 1937. For Crane Co. Filmstrip, sd.

SUNNY DUCROW. SEE Sunny Side up.

SUNNY GYM. Century. 1923. 2 reels.

Credits: Written and directed by Herman C. Raymaker.

SUNNY ITALY. 1928. 1 reel.

Credits: Paul Terry, Mannie Davis.

Credits: Producer, George Walter Staton.

SUNNY JIM IN SEARCH OF A MOTHER. 1913. 1 reel.

Credits: Director, Tefft Johnson.

SUNNY SANDS AND DRIFTING SNOW. SEE Henpecks and Pecked Hens, Sunny Sands and Drifting Snow, and Memories.

SUNNYSIDE. 1919. 3 reels.

Credits: Written and produced by Charlie Chaplin.

SUNNY SIDE UP. De Mille Pictures Corp. Released by Producers Distributing Corp. 1926. 6 reels. From the novel "Sunny Ducrow" by Henry St. John Cooper.

Credits: Supervision, Elmer Harris; director, Donald Crisp; adaptation, Beulah Marie Dix, Elmer Harris.

SUNNYSIDE UP. 1929. 12,000 ft., sd.

Credits: Continuity directed by David Butler, Ernest Palmer; staged by Seymour Felix; edited by Irene Morra.

SUNNY SKIES. 1930. 8 reels, sd.

Credits: Director, Norman Taurog; story, A. P. Younger; continuity. Earl Snell.

SUNNY SOUTH. (An Oswald Comedy) Snappy. 1931. 1 reel.

THE SUNNY SOUTH. (Paul Terry Toons) Educational Pictures. Presented by E. W. Hammons. 1933. 518 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

SUNNY, THE CATTLE THIEF. 1913. 1 reel.

Credits: Director, W. J. Bauman.

SUNRISE. 1927. 10 reels.

Credits: Hermann Sudermann; director, F. W. Murnau; scenario, Carl Mayer.

THE SUNRISE TRAIL. 1931. 6 reels, sd.

Credits: Director, J. P. McCarthy; story and adaptation, Wellyn Totman.

THE SUNSET DERBY. 1927. 6 reels.

Credits: Producer, Charles R. Rogers; director, Albert Rogell; story, William Dudley Pelley; scenario, Curtis Benton.

THE SUNSET HUNTER. 1930. 1 reel.

Credits: Director, Robert C. Bruce; story, Richard Cameron.

SUNSET JONES. 1921. 5 reels.

Credits: Director, George L. Cox; adaptation, Daniel F. Whitcomb.

THE SUNSET LEGION. 1928. 7 reels.

Credits: Director, Lloyd Ingraham, Alfred L. Werker; story, Frank M. Clifton.

SUNSET OF POWER. Presented by Carl Laemmle. 1935. 7 reels, sd.

Credits: Producer, Buck Jones; director, Ray Taylor; original story, J. E. Grinsted; screenplay, Earl Snell; film editor, Bernard Loftus.

SUNSET PASS. 1929. 5,862 ft. Based on the story by Zane Grey.

Credits: Director, Otto Brower; adaptation, J. Walter Ruben, Ray Harris.

SUNSET PASS. 1933. 7 reels, sd. From the novel by Zane Grey.

Credits: Director, Henry Hathaway; screenplay, Jack Cunningham, Gerald Geraghty.

SUNSET RANGE. 1935. 6 reels, sd.

Credits: Director, Ray McCarey; story and continuity, Paul Schofield.

SUNSET SPRAGUE. 1920. 5 reels.

Credits: Director, Thomas Heffron, Paul Cazeneuve; story and scenario, Clyde C. Westover.

THE SUNSET STRIP CASE. 1938. 7 reels, sd. From the original story "Murder on Sunset Boulevard" by Harold Joyce.

Credits: Producer, George Hirliman; director, Louis Gasnier; screenplay, Arthur Hoerl, Paul Franklin; film editor, Martin G. Cohn; music supervision, Hugo Riesenfeld; music director, Sam Coslow.

THE SUNSET TRAIL. 1917. 5 reels. From the story by Alice McIver.

Credits: Director, George H. Melford; adaptation, Beulah Marie Dix.

THE SUNSET TRAIL. 1924. 5 reels.

Credits: Director, Ernst Laemmle; adaptation, Isadore Bernstein; continuity, Wyndham Gittens.

SUNSET TRAIL. Presented by Adolph Zukor. 1939. 7 reels, sd. Based on characters created by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Lesley Selander; screenplay, Norman Houston.

SUNSHINE ALLEY. 1917. 6 reels.

Credits: Director, John Noble; story, Mary Rider.

SUNSHINE AND SHADOWS. 1914. 2 reels.

Credits: Director, Van Dyke Brooke.

SUNSHINE AND SHADOWS. (Paramount-Post Nature Pictures) Post Pictures Corp. 1919. 1 reel.

Credits: Verse, H. C. Ruth.

THE SUNSHINE BOYS, DAVE RINGLE, EDDIE ROTH [AND] BILLY SHARKEY [IN] A TRIPLE ALLIANCE OF SONG, MUSIC [AND] FUN. 1927. 1 reel each.

SUNSHINE DAD. 1916. 5 reels.

Credits: Scenario, Chester Withey, F. M. Pierson.

THE SUNSHINE MAKERS. Released by RKO Radio. 1935. 1 reel, color.

Credits: Directors, Burt Gillett, Ted Eshbaugh.

SUNSHINE NAN. 1918. Adapted from "Calvary Alley" by Alice Hegan Rice. 5 reels.

Credits: Director, Charles Giblyn; scenario, Eve Unsell.

SUNSHINE SAMMY AND HIS BROTHERS IN STEPPIN' ALONG. (Movietone Act) 1929. 1 reel, sd.

SUNSHINE SUSIE. SEE The Office Girl.

THE SUNSHINE TRAIL. 1923. 5 reels.

Credits: William Wallace Cook; adaptation, Bradley King.

SUNSHINE'S DARK MOMENT. (Barney Google Series, no. 7) 1929. 2 reels.

Credits: Director, St. Elmo Boyce; story, E. V. Durling, George Gray.

SUN UP. 1925. 7 reels, b&w, tinted sequences. From the play by Lulu S. Vollmer.

Credits: Production, direction, scenario, and adaptation, Edmund Goulding; story, Lulu S. Vollmer; film editor, Harold Young.

SUPER OF THE GAIETY. SEE His Tiger Lady.

SUPER-ATHLETES. (The Grantland Rice Sportlight) 1938. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE SUPERIOR CLAIM. Bison. 1915. 3 reels.

Credits: Ben Cohn; producer, Jos. Franz.

THE SUPERIOR WHIPPET'S DOLLAR FOR DOLLAR VALUE. 1929. 1 reel.

SUPERNATURAL. 1933. 7 reels, sd.

Credits: Producers, Victor and Edward Halperin; director, Victor Halperin; dialogue director, Sidney Salkow; story and adaptation, Garnett Weston; screenplay, Harvey Thew, Brian Marlow.

THE SUPER-SEX. 1922. 5,749 ft. Adapted from the story "Miles Brewster and the Super-Sex" by Frank R. Adams.

Credits: Producer, Frank R. Adams; direction, adaptation, and scenario, Lambert Hillyer.

SUPER-SLEUTH. 1937. 7 reels, sd. From the play by Harry Segall.

Credits: Producer, Edward Small; director, Ben Stoloff; screenplay, Gertrude Purcell, Ernest Pagano; editor, William Hamilton.

THE SUPER SNOOPER. Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Producer, E. H. Allen; director, Harry J. Edwards; story and dialogue, Ernest Pagano, Ewart Adamson, C. Edward Roberts, Beatrice Van.

THE SUPER SNOOPER. 1937. 2 reels.

Credits: Director, Preston Black; story and screenplay, Ewart Adamson.

SUPER-SOLVENIZED PRIZE CONTEST, APRIL 1 TO MAY 31, 1936. 1936. 1 reel. Sd.

SUPERSPEED. 1935. 6 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Harold Shumate; film editor, Otto Meyer.

SUPERSTITION. 1920. 2 reels.

Credits: Director, Edward Laemmle; story, A. H. Gooden; scenario, Ford Beebe.

THE SUPERSTITION OF THE BLACK CAT. (Paramount Varieties) Presented by Adolphe Zukor. 1934. 1 reel, sd.

Credits: Director, Ray Nazarro; story, Amille Milane.

THE SUPERSTITION OF THE RABBIT'S FOOT. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, Ray Nazarro; story, Amille Milane.

THE SUPERSTITION OF THREE ON A MATCH. (Paramount Varieties) Presented by Adolph Zukor. 1934. 1 reel, sd.

Credits: Director, Ray Nazarro; story, Amille Milane.

THE SUPERSTITION OF WALKING UNDER A LADDER. (Paramount Varieties) Presented by Adolph Zukor. 1934. 1 reel, sd.

Credits: Director, Ray Nazarro; story, Amille Milane.

SUPERSTITIONS OF SPORTS CHAMPIONS. SEE The Fortune Telling Racket, Superstitions of Sports Champions, and a Visit to West Point.

SUPERSTITIOUS CEYLON. 1916. 1/2 reel.

SUPERSTITIOUS CHINA. Powers. 1917. 1/2 reel.

THE SUPERSTITIOUS GIRL. (James Montgomery Flagg's Girls You Know) 1918. 1 reel.

Credits: Director, Jack Eaton; story, James Montgomery Flagg.

SUPERSTITIOUS JOE. 1913. 1 reel.

SUPER-STUPID. (Coronet Comedies) Presented by E. W. Hammons. 1934. 1,705 ft., sd.

Credits: Director, Leigh Jason; story and adaptation, Mauri Grashin, Leigh Jason, Billy Gilbert.

SUPPER AT SIX. Mentone. 1933. 2 reels.

Credits: Director, Lynn Shores; story and dialogue, Ballard MacDonald.

THE SUPPLE SEX. (A Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

SUPPORTING ADVERTISING AT THE COUNTER. SEE

Credits and Collections.

How Inventory Shortages Develop.

THE SUPPRESSED CRIME. (William J. Burns Detective Mysteries) 1931. 11 min.

SUPPRESSED EVIDENCE. 1915. 2 reels.

THE SUPREME IMPULSE. Imp. 1915. 1 reel.

Credits: John B. Clymer; director, Lucius Henderson.

Credits: Directors, Harley Knoles, Lionel Belmore.

THE SUPREME TEMPTATION. 1916. 5 reels.

Credits: Director, Harry Davenport.

THE SUPREME TEST. Broadway U. 1915. 5 reels.

Credits: Producer, E. J. Le Saint; story, L. V. Jefferson; adaptation, Harvey Gates.

THE SURE CURE. National Film Corp. of America. Presented by Smiling Bill Parsons. 1920. 2 reels.

Credits: Director, William A. Seiter; story, Bob McGowan.

SURE CURE. (Mermaid Comedies) 1927. 2 reels.

Credits: Supervision, Jack White; director, Stephen Roberts.

A SURE CURE. 1930. 1 reel, sd.

Credits: Director, Ray Cozine; dialogue staged, Max Hayes.

SURE FIRE. 1921. 5 reels.

Credits: Producer, Jack Ford; story, Eugene Manlove Rhodes; scenario, George Hull.

SURE FIRE. (Bobby Vernon Comedies) Educational Film Exchanges, Inc. 1926. 2 reels.

Credits: Director, Earl Rodney; story, Hal Conklin.

SURE FIRE FLINT. 1922. 7 reels.

Credits: Director, Dell Henderson; story and scenario, Gerald C. Duffy.

SURE-LOCKED HOMES. SEE Felix the Cat.

SURE SHOT MORGAN. Universal Special. 1922. 2 reels.

Credits: Story, T. Shelley Sutton; scenario, C. J. Wilson, Jr.

SURE—WE CAN SELL MORE MILK! For International Association of Milk Dealers. 1937. 1 reel, sd.

SURE WE LUBRICATE HYPOIDS. Presented by The Texas Co. 1937. Filmstrip, 72 frames, sd.

SURF AND SAIL. (A Grantland Rice Sportlight) Presented by the Van Beuren Corp. 1929. 1 reel.

Credits: Jack Eaton.

SURF HEROES. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Written and directed by Charles T. Trego.

SURF SCANDAL. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Noel Smith.

SURGEON WARREN'S WARD. 1914. 2 reels.

A SURGEON'S REVENGE. 1916. 2 reels.

SURPRISE. 1930. 1 reel.

SURPRISE. 1935. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

SURPRISE. 1939. 1 reel, sd.

THE SURPRISE OF MY LIFE. 1915. 1 reel. Adapted from the Munsey Magazine.

Credits: H. K. Ward.

A SURPRISE PARTY. 1914.

Credits: Producer, Norval MacGregor.

SURPRISED HONEY. Bluebird. 1927. 1 reel.

Credits: Director, Richard Smith.

THE SURPRISES OF AN EMPTY HOTEL. 1915. 4 reels. Based on the book by Archibald Clavering Gunter.

Credits: Director, Theodore Marston.

SURPRISING HUSBAND. 1918. 1 reel.

Credits: Director, Graham Baker.

THE SURRENDER. Bison. 1915. 3 reels.

Credits: Producer, Harold Entwhistle; scenario, L. V. Jefferson.

SURRENDER. Jewel. 1927. 8 reels. From the stage play "Lea Lyon" by Alexander Brady.

Credits: Director, Edward Sloman.

SURRENDER. 1931. 6,600 ft., sd. From the novel "Axelle" by Pierre Benoit.

Credits: Director, William K. Howard; screenplay and dialogue, S. N. Behrman, Sonya Levien; editor, Paul Weatherwax.

THE SURVEY. Presented by Willard. 1938. 1 reel, sd.

SUSAN LENOX. 1931. 8 reels, sd., b&w. From the book by David Graham Phillips.

Credits: Producer, Robert Z. Leonard; adaptation and continuity, Wanda Tuchock; dialogue, Zelda Sears, Leon Gordon; film editor, Margaret Booth.

SUSANNAH, A LITTLE GIRL OF THE MOUNTIES. SEE Susannah of the Mounties.

SUSANNAH OF THE MOUNTIES. 1939. 7,105 ft., sd. Based on the book "Susannah, a Little Girl of the Mounties" by Muriel Denison.

Credits: Director, William A. Seiter; story, Fidel la Barba, Walter Ferris; screenplay, Robert Ellis, Helen Logan; music director, Louis Silvers.

SUSAN'S GENTLEMAN. 1917. 5 reels.

Credits: Director, Edwin Stevens; scenario, John C. Brownell.

SUSIE THE SLEUTH. 1916. 1 reel.

Credits: Director, George D. Baker.

SUSIE'S AFFAIRS. 1934. 2 reels, sd.

Credits: Story and direction, Archie Gottler; film editor, James Sweeney.

SUSIE'S SUITORS. 1915. Split reel.

THE SUSPECT. 1916. 6 reels. From the story "The Silver Shell" by H. J. W. Dam.

SUSPENSE. 1919. 6 reels. From the story by Isabel Ostrander.

Credits: Director, Frank Reicher; adaptation, Eve Unsell.

SUSPENSE. 1930. 8 reels, sd. From the play by Patrick MacGill.

Credits: Adaptation and direction, Walter Summers; film edited by Walter Stokvis under the supervision of Emile de Ruelle.

SUSPICIOUS CHARACTERS. 1915. 1 reel.

Credits: Henry Beldon.

SUTTER'S GOLD. 1936. 10 reels, sd. Based on the story by Blaise Cendrars, by arrangement with Bruno Frank.

Credits: Director, James Cruze; screenplay, Jack Kirkland, Walter Woods, George O'Neil.

Credits: Producer, Hardee Kirkland.

SUZANNA. Released by Allied Producers and Distributors Corp. 1923. 8 reels. From the novel by Linton Wells.

Credits: Supervision, Mack Sennett; director, F. Richard Jones; film editor, Allen McNeil.

SUZANNE. SEE A Naked Soul.

SUZY. 1936. 9 reels, sd., b&w. From the novel by Herbert Gorman.

Credits: Producer, Maurice Revnes; director, George Fitzmaurice; screenplay, Dorothy Parker, Alan Campbell, Horace Jackson, Lenore Coffee; film editor, George Boemler; musical score, William Axt.

SVENGALI. 1931. 9 reels, sd. Based on the novel by George Louis DuMaurier.

Credits: Director, Archie Mayo; screenplay and dialogue, J. Grubb Alexander.

SVENGARLIC. (A Krazy Kat) Presented by Columbia Pictures. Winkler. 1931. 1 reel, sd. Adapted from the cartoon character by George Herriman.

Credits: Ben Harrison, Manny Gould; musical score, Joe De Nat.

THE SWAMI. SEE Vengeance.

THE SWAMP. 1921. 5,560 ft.

Credits: Director, Colin Campbell; story, Sessue Hayakawa; adaptation, J. Grubb Alexander.

THE SWAMP ANGEL. SEE Painted People.

SWAMP LAND. (Struggle to Live, no. 1) 1936. 1 reel, sd.

Credits: Narrator, Gayne Whitman.

THE SWAN. Paramount. 1925. 6 reels. From the play by Ferenc Molnar.

Credits: Screenplay and direction, Dimitri Buchowetzki.

THE SWAN. SEE One Romantic Night.

THE SWAN GIRL. 1913. 1 reel.

Credits: Director, Ralph Ince.

SWAN LIFE. 1915. Split reel.

SWANEE CRUISE. 1937. 1 reel, sd.

Credits: Director, Joseph Henabery.

SWANEE RIVER. Presented by George W. Weeks. 1931. 52 min., sd.

Credits: Supervision, Harry S. Webb; director, Raymond Cannon; story, screenplay, continuity, and dialogue, Barbara Chambers; adaptation, Arthur Hoerl; music, Harry Woods.

SWANEE RIVER. SEE Anna Case in Swanee River.

SWANS. (A Paramount Paragraphic) 1939. 1 reel, sd.

Credits: Commentary, Justin Herman; narrator, Frank Gallop.

SWAT THE FLIRT. (Lyons-Moran Star Comedy) 1918. 1 reel.

SWAT THE FLY. 1935. 1 reel, sd.

Credits; Director, Dave Fleischer.

SWAT THE SPY. 1918. 5 reels.

Credits: Director, Arvid E. Gillstrom; story, Hamilton Thompson, Arvid E. Gillstrom; scenario, Raymond L. Schrock.

SWEARING OFF. Victor. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, W. Warren Schoene.

SWEDE-HEARTS. Victor. 1917. 2 reels.

Credits: Story and direction, George E. Marshall; scenario, C. J. Wilson, Jr.

SWEDEN. 1934. 982 ft.

SWEDEY THE JANITOR. Nestor. 1916. 1 reel.

Credits; Written and produced by Wallace Beery.

SWEEDIE IN VAUDEVILLE. 1915. 1 reel.

SWEEDIE LEARNS TO RIDE. 1915. 1 reel.

SWEEDIE'S FINISH. 1915. 1 reel.

SWEEDIE'S HERO. 1915. 1 reel.

SWEEDIE'S HOPELESS LOVE. 1915. 1 reel.

Credits: Producer, Charles H. France.

SWEENEY'S CHRISTMAS BIRD. 1914. 1 reel.

Credits: Director, George D. Baker.

Credits: Producer, Charles H. France.

SWEEPINGS. 1933. 9 reels, sd. From the novel by Lester Cohen.

Credits: Executive producer, David O. Selznick; director, John Cromwell; screenplay, Lester Cohen; editor, George Nichols; music director, Max Steiner.

SWEEPINGS. SEE Three Sons.

SWEEPSTAKE ANNIE. Presented by M. H. Hoffman. 1935. 8 reels, sd. Suggested by Evelyn Law.

Credits: Associate producer, M. H. Hoffman, Jr.; director, William Nigh; story, continuity, and dialogue, W. Scott Darling; songs and lyrics, J. Walter Leopold; film editor, Mildred Johnston.

SWEEPSTAKES. 1931. 8 reels, sd.

Credits: Director, Albert Rogell; story, Lew Lipton; dialogue, Ralph Murphy.

SWEEPSTAKES. 1935. 1 reel, sd.

SWEEPSTAKES WINNER. First National. 1939. 7 reels, sd.

Credits: Director, William McGann; original story, Albert DeMond, Hugh Cummings; screenplay, John Krafft, Albert DeMond.

SWEET ADELINE. 1925. 7 reels.

Credits: Director, Jerome Storm; story and continuity, Charles E. Banks.

SWEET ADELINE. (Fable, no. 400) 1929. 1 reel.

Credits: Paul Terry, Frank Moser.

SWEET ADELINE. Presented by Warner Bros. Productions Corp. and The Vitaphone Corp. 1935. 10 reels, sd. Based on the play by Oscar Hammerstein II and Jerome Kern.

Credits: Director, Mervyn LeRoy; screenplay, Edwin S. Gelsey.

SWEET ALYSSUM. 1915. 5 reels.

Credits: Director, Colin Campbell.

SWEET AND LOWDOWN. SEE The Chumps.

SWEET AND PRETTY. Century. 1923. 2 reels.

Credits: Written and directed by James Davis.

SWEET AND PRETTY. (Cameo Comedy) 1925. 1 reel.

Credits: Director, Jess Robbins.

SWEET BABY. (Cameo Comedy) 1926. 1 reel.

Credits: Director, Hugh Fay.

SWEET CHARITY. Metro-Drew. 1916. 1 reel.

Credits: Producer, Sidney Drew.

SWEET COOKIE. (Broadway Comedy) 1921. 2 reels.

Credits: Producer, Morris R. Schlank.

SWEET COOKIE. 1933. 2 reels, sd.

Credits: Director, George Marshall.

SWEET DADDIES. 1926. 7 reels.

Credits: Producer and director, Alfred Santell; adaptation, W. C. Clifford.

SWEET DREAMS. Century. 1924. 2 reels.

Credits: Written and directed by Edward I. Luddy.

THE SWEET DRY AND DRY. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons-Moran.

SWEET DYNAMITE, THE LAND OF INCENSE, and MEMORIES. 1920. 2 reels.

Credits: Producer, Ward Lascelle; director, M. Moranti.

SWEET JENNY LEE. 1932. 1 reel.

Credits: Max Fleischer; director, Dave Fleischer.

SWEET KITTY BELLAIRS. Released by Paramount Pictures Corp. 1916. 5 reels. From the play by David Belasco and Egerton Castle.

SWEET KITTY BELLAIRS. 1930. 9 reels, sd., color. A musical version of the stage play by David Belasco and the novel by Agnes and Egerton Castle.

Credits: Director, Alfred E. Green; screenplay and dialogue, J. Grubb Alexander.

Credits: Producer, Cecil Hepworth.

SWEET LAVENDER. 1920. 5 reels. From the play by Sir Arthur Wing Pinero.

Credits: Director, Paul Powell.

THE SWEET LONG AGO. SEE Willman and Russell in The Sweet Long Ago.

SWEET MAMA. (Speed Comedy, no. 3) The Reggie Morris Productions, Inc. 1921. 2 reels.

SWEET MAMA. Presented by First National and Vitaphone. 1930. 7 reels.

Credits: Director, Edward Cline; screen version and dialogue, Earl Baldwin.

SWEET MAMA. Trailer. First National. 1930. 1 reel, sd.

SWEET MARIE. 1925. 2 reels.

Credits: Director, Ben Stoloff.

SWEET MOMENTS. 1939. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Justin Herman.

SWEET MUSIC. Presented by Warner Bros. Productions Corp. and the Vitaphone Corp. 1935. 10 reels, sd.

Credits: Director, Alfred E. Green; original story, Jerry Wald; screenplay, Jerry Wald, Carl Erickson, Warren Duff.

SWEET MYSTERY OF LIFE. SEE Gold Diggers of 1937.

SWEET PAPA. 1924. 2 reels.

Credits: Director, Albert Fay.

SWEET PATOOTIE. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons-Moran.

SWEET REVENGE. 1921. 2 reels.

Credits: Producer, Edward Laemmle; story and scenario, Ford Beebe.

SWEET ROSIE O'GRADY. 1926. 6 reels. From the song by Maude Nugent.

Credits: Director, Frank R. Strayer; story, Harry O'Hoyt.

SWEET SHOE. (Nu-Atlas Musical, no. 3) Presented by RKO Radio Pictures, Inc. 1937. 1 reel, sd.

Credits: Director, Milton Schwarzwald; orchestrations, Jack Schaindlin.

SWEET SIOUX. (Merrie Melodies) 1937. 8 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; animation, Bob McKimson, A. C. Gamer; musical score, Carl W. Stalling.

SWEET SURRENDER. Presented by Carl Laemmle. 1935. 9 reels, sd.

Credits: Director, Monte Brice; story, Herbert Fields; screenplay, John V. A. Weaver; adaptation, Charles Beahan; editor, Leo Zochling; music director, Rosario Bourdon.

SWEETER THAN REVENGE. 1915. 1,000 ft.

Credits: Producer, Percy Winter.

THE SWEETEST STORY EVER TOLD. 1933. 1 reel, sd.

SWEETHEART DAYS. 1921. 2 reels.

Credits: Director, Mal St. Clair.

SWEETHEART DAZE. Bluebird. 1926. 1 reel.

Credits: Director, Jay Belasco.

THE SWEETHEART OF SIGMA CHI. 1933. 8 reels, sd. Suggested by the song by Byron D. Stokes and F. Dudleigh Vernor.

Credits: Producer, W. L. Lackey; director, Edwin L. Marin; story, George Waggner; screenplay and dialogue, Luther Reed, Albert E. DeMond.

SWEETHEART OF THE NAVY. Presented by Edward L. Alperson. 1937. 7 reels, sd.

Credits: Producer, B. F. Zeidman; director, Duncan Mansfield; story, Garrett Graham, Jay Strauss; screenplay, Carroll Graham; film editor, Edward Schroeder.

SWEETHEARTS. Snappy. 1929. 1 reel.

Credits: Director, Ben Holmes; story, Edgar Allen Woolf.

SWEETHEARTS. Presented by Metro-Goldwyn-Mayer. 1938. 12 reels, sd., color. Based on the operetta by Victor Herbert; book and lyrics by Fred De Gresac, Harry B. Smith, and Robert B. Smith.

Credits: Producer, Hunt Stromberg; director, W. S. Van Dyke II; screenplay, Dorothy Parker, Alan Campbell; film editor, Robert J. Kern; music adaptation, Herbert Stothart.

SWEETHEARTS AND FLOWERS. 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood, A. Dorian Otvos.

SWEETHEARTS AND WIVES. 1930. 9 reels. Based on the play "Other Men's Wives" by Walter Hackett.

Credits: Director, Clarence Badger.

SWEETHEARTS AND WIVES. Trailer. 1930. 1 reel.

SWEETHEARTS ON PARADE. 1930. 7 reels.

Credits: Director, Marshall Nellan; story, Al Cohn, Jimmie Starr.

SWEETIE. Century. 1923. 2 reels.

Credits: Written and directed by Alf T. Goulding.

SWEETIE. 1929. Si. 8,969 ft., sd.

Credits: Director, Frank Tuttle; story, George Marion, Jr., Lloyd Corrigan; music, Richard A. Whiting; lyrics, George Marion, Jr.

SWEETIE PEACH. SEE The House That Jazz Built.

SWEETIES. (Paramount-Christie Comedy) 1928. 2 reels.

Credits: Director, Arvid Gillstrom; story, Sig Herzig.

SWEETIES. Presented by E. W. Hammons. 1937. 1,376 ft., sd.

Credits: Director, Robert Hall; story, Marcy Klauber, Arthur Jarrett.

SWEETS TO THE SOUR. 1918. 1 reel.

Credits: Epes Winthrop Sargent; director, Graham Baker.

A SWELL AFFAIR. Bluebird. 1926. 1 reel.

Credits: Director, George Summerville.

SWELL CLOTHES. (Drug Store Cowboy series) Snappy. 1927. 1 reel.

Credits: Story and direction, Max Kimmich; continuity, George H. Plympton.

THE SWELL HEAD. 1927. 6 reels. From the story "The Sidewalks of New York."

Credits: Director, Ralph Graves; screenplay, Robert Lord.

SWELLHEAD. 1930. 7 reels.

Credits: Director, James Flood; story, A. P. Younger.

SWELL-HEAD. 1935. 7 reels, sd.

Credits: Director, Ben Stoloff; story, Gerald Beaumont; screenplay, William Jacobs; film editor, Arthur Hilton.

SWELL PEOPLE. 1930. 2 reels.

Credits: Director, Wallace Fox; continuity, Hugh Cummings.

THE SWELLED HEAD. SEE Eddie Foy, Jr., with Bessie Love ...

Credits: Producer, John L. Hawkinson.

SWIFT JUSTICE. (True Detective Stories of Celebrated Cases) 1931. 2 reels, sd. From the records of Nick Harris.

Credits: Producer and director, Spencer Gordon Bennet; adaptation, George R. Rogan.

SWIFT LIGHTNING. SEE Call of the Yukon.

THE SWIFT SHADOW. 1927. 5 reels.

Credits: Director, Jerome Storm; story and continuity, Ethel Hill.

SWIM GIRL SWIM. 1927. 7 reels.

Credits: Producer and director, Clarence Badger; story and screenplay, Lloyd Corrigan.

SWIM OR SINK. The Van Beuren Corp. 1931. 1 reel.

SWIM OR SINK. 1932. 1 reel.

Credits: Director, David Fleischer; animation, Seymour Kneitel, Bernard Wolf.

THE SWIM PRINCESS. Presented by Mack Sennett. 1928. 2 reels, color.

Credits: Supervision, John Waldron; director, Alf Goulding; story, James J. Tynan, Frank Capra; film editor, William Hornbeck.

SWIM WITH THE STREAM. 1937. For Hiram Walker, Inc. Filmstrip, sd.

THE SWIMMING INSTRUCTOR. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Albert Austin; story, Richard Harding Davis; scenario, Sydney Lanfield, J. Walter Ruben.

SWING BANDITRY. (A Tabloid Musical) 1936. 1 reel, sd.

Credits: Written and directed by Reginald LeBorg; music, Georgie Stoll.

SWING CAT'S JAMBOREE. 1938. 1 reel, sd.

Credits: Director, Roy Mack.

SWING FEVER. 1937. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Jean W. Yarbrough; story, Venee Russell; screenplay, Charles Roberts, Gay Stevens; film editor, Les Millbrook; music director, Roy Webb.

SWING FOR SALE. 1937. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Willi Weil, Cyrus Wood.

SWING HIGH. Pathe Studios, Inc. 1930. 10 reels, sd.

Credits: Producer, E. B. Derr; director, Joseph Santley; story, Joseph Santley, James Seymour; continuity, Ray B. McCarey; adaptation and dialogue, James Seymour.

SWING HIGH. (A Sports Champion Picture) 1932. 1 reel, sd., b&w.

Credits: Director, Jack Cummings; explanatory remarks, Pete Smith.

SWING HIGH, SWING LOW. Presented by Adolph Zukor. 1937. 10 reels, sd. Based on a play by George Manker Watters and Arthur Hopkins.

Credits: Producer, Arthur Hornblow; director, Mitchell Leisen; screenplay, Virginia Van Upp, Oscar Hammerstein, II; editor, Eda Warren; music director, Boris Morros.

SWING HOTEL. 1939. 2 reels, sd.

Credits: Director, Ralph Staub; dialogue, Larry Rhine; film editor, Frank Gross; music director, Charles Previn.

SWING, HUTTON, SWING. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Director, Fred Waller; editor, Leslie M. Roush.

SWING IT. 1936. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Leslie Goodwins; story, Leslie Goodwins, Charles Roberts; film editor, Edward Mann.

SWING IT PROFESSOR. 1937. 6 reels.

Credits: Director, Marshall Neilan; story, Connie Lee; adaptation and screenplay, Nicholas H. Barrows, Robert St. Clair.

SWING IT SAILOR! Presented by Edward L. Alperson. 1937. 7 reels, sd.

Credits: Producer, David Diamond; director, Raymond Cannon; original screenplay, Clarence Marks, David Diamond.

SWING, MONKEY, SWING! (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1937. 695 ft., sd., color.

Credits: Producer, Charles Mintz; story, Ben Harrison; animation, Manny Gould; music, Joe de Nat.

A SWING OPERA. (Broadway Brevity) 1939. 20 min., sd. Based on the opera "The Bohemian Girl" by Michael Balfe.

Credits: Director, Roy Mack; adaptation, Cyrus D. Wood, Jack Henley, Eddie Forman.

SWING SANITARIUM. Mentone. 1939. 2 reels, sd.

Credits: Director, Milton Schwarzwald; dialogue, Alan Wilson.

SWING SCHOOL. (A Betty Boop Cartoon) 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Frank Endres.

SWING SISTER SWING. 1938. 8 reels, sd.

Credits: Associate producer, Burt Kelly; director, Joseph Santley; original story, Burt Kelly; screenplay, Charles Grayson; film editor, Frank Gross; music and lyrics, Frank Skinner, Charles Henderson.

SWING STARS. (The Grantland Rice Sportlight) 1937. 1 reel, sd.

Credits: Narrator, Ted Husing.

SWING STYLES. (Melody Master) 1939. 10 min., sd.

Credits: Director, Lloyd French.

SWING THAT CHEER. 1938. 7 reels, sd.

Credits: Producer, Max H. Golden; director, Harold Schuster; original story, Thomas Ahearn, F. Maury Grossman; screenplay, Charles Grayson, Lee Loeb; film editor, Edward Curtiss.

SWING TIME. 1936. 12 reels, sd.

Credits: Producer, Pandro S. Berman; director, George Stevens; story, Erwin Gelsey; screenplay, Howard Lindsay, Allan Scott; editor, Henry Berman; music director, Nathaniel Shilkret.

SWING VACATION. (Headliner, no. 3) 1939. 19 min., sd.

Credits: Producer, Bert Gilroy; director, Jean W. Yarbrough; story, Jack Townley, Charles Roberts; film editor, John Lockert; music and lyrics, Stan T. Smith, C. Bill Smith.

SWING WEDDING. 1937. 731 ft., sd.

Credits: Hugh Harman, Rudolf Ising.

SWING, YOU SINNER. 1930. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

SWING YOU SWINGERS! 1939. 2 reels, sd.

Credits: Director, Jules White; story and screenplay, Ewart Adamson.

SWING YOUR LADY. 1937. 9 reels. Adapted from the play by Kenyon Nicholson and Charles Robinson.

Credits: Director, Ray Enright; screenplay, Joseph Schrank, Maurice Leo.

THE SWINGING DOORS. Big U. 1915. 2 reels.

Credits: Producer, Murdock MacQuarrie; story, Virginia Whitmore; scenario, H. G. Stafford.

SWINGTIME IN THE MOVIES. 1938. 20 min., sd., color.

Credits: Original screenplay and direction, Crane Wilbur.

SWISS CHEESE. (Terrytoons) 1930. 1 reel.

Credits: Frank Moser, Paul Terry.

THE SWISS FAMILY ROBINSON. SEE Perils of the Wild.

SWISS MISS. Presented by Hal Roach. 1938. 8 reels, sd., b&w.

Credits: Director, John G. Blystone; original story, Jean Negulesco, Charles Rogers; screenplay, James Parrott, Felix Adler, Charles Melson; film editor, Bert Jordan; music director, Marvin Hatley.

SWISS MOVEMENTS. (A Paramount-Christie Comedy) 1927. 2 reels.

Credits: Director, Robert Kerr; story, Sig Herzig.

SWISS MOVEMENTS. (A Winkler Krazy Kat Cartoon) 1931. 1 reel. Adapted from the cartoon character by George Merriman.

Credits: Ben Harrison, Manny Gould; musical score, Joe De Nat.

A SWISS TRICK. (Tom and Jerry Cartoon) 1931. 1 reel.

Credits: John Foster, George Stallings.

SWITCHES AND SWEETIES. 1919. 2 reels.

Credits: Director, Noel Smith; story, Anthony W. Coldewey.

SWITCHING SLEEPERS. Bluebird. 1926. 1 reel.

Credits: Director, George Summerville.

SWITZERLAND. 1932. 1 reel, sd.

Credits: Directors, Frank Cambria, Ray Cozine.

SWITZERLAND THE BEAUTIFUL. (FitzPatrick M. G. M. Traveltalk) 1934. 1 reel, sd., color.

Credits: Director, Ruth FitzPatrick; compiled by James A. FitzPatrick; photographer, Ray Fernstrom.

THE SWOONERS. Metro-Drew. 1916. 1 reel.

Credits: Sidney Drew.

SWORD FISHING. (Vitaphone Variety) 1939. 10 min., sd.

Credits: Narrator, Ronald Reagan.

SWORD OF THE ARAB. Presented by Elmer Clifton. 1934. 3 reels.

Credits: Director, Alfred E. Smalley; story, Jack Natteford; editor, Anthony Martinelli.

SWORD POINTS. (Lupino Lane Comedies) 1928. 2 reels.

Credits: Director, Mark Sandrich.

SWORDS AND THE WOMAN. Released by F. B. O. 1924. 7 reels. From the novel by Baroness Orczy.

Credits: Director, Henry Kolker; scenario, Kinchea Wood, Isabel Johnston.

SWORN ENEMY. 1936. 8 reels, sd., b&w.

Credits: Producer, Lucien Hubbard; director, Edwin L. Marin; story, Richard Wormser; screenplay, Wells Root; film editor, Frank Hull; music score, Edward Ward.

SYBIL. SEE The Duchess of Buffalo.

Credits: Scenario, Sydney De Gray.

SYDNEY, PRIDE OF AUSTRALIA. (James A. FitzPatrick's Traveltalks) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., color.

Credits: Photographer, Hone M. Glendining; music score, Nathaniel Shilkret.

Credits: Scenario, Harry Wulz.

SYLVIA CLARK IN SEEING SARAH OFF. 1930. 1 reel.

SYLVIA FROOS IN THE LITTLE PRINCESS OF SONGS, SINGING TOMORROW MORNING [and others]. 1927. 1 reel, sd.

SYLVIA FROOS IN THE LITTLE PRINCESS OF SONGS, SINGING WHERE DID YOU GET THOSE EYES [and others]. 1927. 1 reel.

SYLVIA ON A SPREE. 1918. 5 reels.

Credits: Director, Harry L. Franklin; story, E. Forst; scenario, June Mathis.

SYLVIA SCARLETT. 1936. 10 reels, sd. From the novel by Compton MacKenzie.

Credits: Producer, Pandro S. Berman; director, George Cukor; screenplay, Gladys Unger, John Collier, Mortimer Offner; music director, Roy Hunt.

SYMPATHY. 1929. 1 reel.

SYMPHONY IN BLACK. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath; music, Duke Ellington.

A SYMPHONY IN COAL. Metro-Drew. 1916. 1 reel.

Credits: Mary Stewart Cutting; producer, Sidney Drew.

SYMPHONY IN SNOW. Treasure Chest. Presented by E. W. Hammons. 1936. 833 ft.

Credits: Story and narration, A. L. Alexander.

A SYMPHONY IN TWO FLATS. Gainsborough, Ltd. 1931. 6 reels, sd. From the play by Ivor Novello.

Credits: Scenario and direction, V. Gareth Gundrey.

SYMPHONY OF LIVING. 1935. 8 reels, sd.

Credits: Director, Frank R. Strayer; story and adaptation, Charles Spencer Belden.

SYMPHONY OF SIX MILLION. 1932. 10 reels, sd. From the story by Fannie Hurst.

Credits: Executive producer, David O. Selznick; director, Gregory La Cava; screenplay and dialogue, Bernard Schubert, J. Walter Ruben; additional dialogue, James Seymour; film editor, Archie F. Marshek; music, Max Steiner.

THE SYMPHONY ORCHESTRA. 1938. 1 reel, sd.

SYNCOPATED BREEZES. SEE Bobby Gillette with Doris Walker—Syncopated Breezes.

SYNCOPATED CITY. 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, Eddie Moran, A. Dorian Otvos.

SYNCOPATED TRIAL. 1929. 2 reels.

Credits: Harry Delmar, Lester Lee; director, Harry Delmar.

SYNCOPATING SUE. 1926. 7 reels.

Credits: Director, Richard Wallace; original story, Adelaide Heilbron; screenplay, Adelaide Heilbron, Jack Wagner.

SYNCOPATING SWEETIES. SEE The Ingénues, Syncopating Sweeties.

SYNCOPATION. 1929. 8 reels. From the novel "Stepping High" by Gene Markey.

Credits: Supervision, Robert Kane; director, Bert Glennon; adaptation, Frances Agnew.

SYNDOFLODEN. SEE The Sin Flood.

SYNTHETIC SIN. Presented by John McCormick. 1928. 7 reels. From the play by Frederic and Fanny Hatton.

Credits: Director, William A. Seiter; continuity, Tom J. Geraghty.

SYSTEM. 1930. 1 reel, sd.

SYSTEM IS EVERYTHING. Metro-Drew. 1916. 1 reel.

Credits: Charlotte Wharton Ayers.

SYSTEMATIZING YOUR BUSINESS. (Educational Film Service, v. 19) 1930. 1 reel.

T-BONE FOR TWO. Presented by William Fox. 1928. 2 reels. Adapted from "The Adventures of Van Bibber" by Richard Harding Davis.

Credits: Director, Orville Dull; scenario, Sidney Levee, James J. Tynan.

T-BONE HANDICAP. (Barney Google and Spark Plug, no. 3) 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, J. Basil.

T. HAVILAND HICKS—FRESHMAN. 1917. 3 reels.

Credits: Director, Ben Turbett; story, J. Raymond Elderdice; scenario, Raymond E. Dakin.

T. N. T. (THE NAKED TRUTH). 1924. 7 reels.

Credits: Original story, George D. Walters.

T. R. HIMSELF. (The Roosevelt Series of History and Biography, no. 1) 1926. 1 reel.

THE TABASCO KID. Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

TABLE MANNERS. (Bray Nature) Bray Studios. 1926. 1 reel.

Credits: Editor, Don Carlos Ellis.

TABLE MANNERS. 1938. 1 reel.

Credits: Director, Lloyd French.

TABLE STEAKS. Presented by Century Comedies. 1922. 2 reels.

Credits: Story and direction, Fred Hibbard.

TABLE TENNIS. (Sports Parade Subject) 1936. 1 reel, sd., b&w, color sequences.

Credits: Director, David Miller; explanatory remarks by Pete Smith.

TABLEWARE. (Eastman Classroom Films) 1929. 1 reel.

A TABORNOK. SEE The Virtuous Sin.

TABU. 1931. 7,383 ft., sd.

Credits: Director, F. W. Murnau; story, F. W. Murnau, R. J. Flaherty; musical setting, Hugo Riesenfeld.

Credits: Producer, John L. Hawkinson.

TACKY SUE'S ROMANCE. Rex. 1917. 2 reels.

Credits: Tom Gibson; director, Ruth Stonehouse.

TAIL END. (Oswald the Rabbit) 1938. 1 reel.

Credits: Producer, Walter Lantz; director, Lester Kline; story, Victor McLeod, Win Smith; animation, Fred Kopietz, Ralph Somerville.

THE TAIL OF A CAT. (Star Comedy) 1918. 1 reel.

Credits: Lyons, Moran.

THE TAIL OF A COAT. Released through General Film Co. 1914. 1 reel.

Credits: Director, Norval MacGregor.

Credits: Written and directed by Robert Reese.

THE TAIL OF THE MONKEY. (An Unnatural History Cartoon) Presented by Bray Studios. 1926. 1 reel.

Credits: Directors, Walt Lantz, David Hand.

THE TAIL OF THOMAS KAT. Powers. 1917. 1/2 reel.

Credits: Pat Sullivan.

TAIL SPIN. 1939. 9 reels, sd.

Credits: Director, Roy Del Ruth; original screenplay, Frank Wead; music director, Louis Silvers.

TAIL WAGGERS. (Grantland Rice Sportlight) 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

THE TAILOR. 1923. 2 reels.

Credits: Director, Al St. John.

A TAILOR-MADE MAN. Presented by Arthur S. Kane. Released by United Artists Corp. 1922. 8,649 ft. Adapted from the Cohan and Harris stage play by James Henry Smith.

Credits: Director, Joseph de Grasse; adaptation, Albert Ray; film editor, Harry L. Decker.

A TAILOR-MADE MAN. 1931. 9 reels, sd., b&w. Based on the Cohan and Harris stage play by Harry James Smith, taken from the play "Der Gutsitzende Frack" by Gabriel Dregeley.

Credits: Producer, Sam Wood; dialogue continuity, Edgar Allan Woolf; film editor, George Hively.

A TAILOR-MADE ROMANCE. 1919. 152 ft.

TAILOR MAID. Okeh. 1919. 1 reel.

TAILORING. SEE A Ton of Fun in Tailoring.

THE TAILOR'S BILL. 1915. Split reel.

Credits: Elizabeth Miller.

TAILS WIN. Century. 1920. 2 reels.

Credits: Director, William H. Watson.

TAILSPIN TOMMY. 1934-35. 2 reels each except no. 1 which is 3 reels, sd. Based on the cartoon strip by Hal Forrest. © Universal Pictures Corp.

Credits: Director, Louis Friedlander; screenplay, Norman S. Hall, Vin Moore, Basil Dickey, Ella O'Neill.

TAILSPIN TOMMY IN THE GREAT AIR MYSTERY. 1935. 2 reels each. Based on the cartoon strip by Hal Forrest. © Universal Pictures Corp.

Credits: Director, Ray Taylor; screenplay, Raymond Cannon, George Plympton, Basil Dickey, Robert Hershon, Ella O'Neill.

THE TAINT. 1915. 3 reels.

Credits: Producer, Sidney Olcott.

THE TAINT OF FEAR. Bison. 1916. 2 reels.

Credits: Written and directed by Allan J. Holubar.

THE TAINT OF MADNESS. 1914. 1 reel.

Credits: Producer, N. MacGregor.

TAINTED MONEY. 1914. 2 reels.

Credits: Director, Burton King.

TAINTED MONEY. 1925. 5 reels.

Credits: Director, Henry McRae; story, Stuart Payton.

TAJADO'S TIPICA ORCHESTRA. 1929. 1 reel, sd.

TAKE A CHANCE. 1933. 9 reels, sd. From the musical comedy by B. G. DeSylva, Sid Silvers, Nacio Brown, Laurence Schwab, Richard Whiting, and Vincent Youmans.

Credits: Producers, Laurence Schwab, William Rowland, Monte Brice; supervision, William Rowland; directors, Laurence Schwab, Buddy De Sylva, Monte Brice; music, Jay Gorney, Lou Alter, Herman Hupfeld.

TAKE A CUE. (A Pete Smith Specialty) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., sepia.

Credits: Director, Felix E. Feist; screenplay, Julian Hochfelder; film editor, Philip Anderson.

TAKE BACK YOUR WIFE. Joker. 1917. 1 reel.

Credits: Charles J. Wilson, Jr.; director, William W. Beaudine.

TAKE 'EM AND SHAKE 'EM. (Gay Girls Comedies) 1931. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, William Goodrich; story, Beatrice Van; film editor, John Link.

TAKE IT EASY. 1921. 2 reels.

Credits: Kingsley Benedict; director, Mark Goldaine.

TAKE IT FROM ME. Jewel. 1926. 7 reels. From the play by W. B. Johnstone and W. R. Anderson.

Credits: Director, William A. Seiter.

TAKE ME HOME. 1928. 5,614 ft.

Credits: Producer and director, Marshall Neilan; story, Harlan Thompson, Grover Jones; screenplay, Ethel Doherty.

TAKE THE HEIR. Presented by John R. Freuler and C. A. Stimson. 1930. 6 reels, sd.

Credits: Director, Lloyd Ingraham; story and continuity, Beatrice Van; musical score and synchronization, J. M. Coopersmith.

TAKE THE STAND. Presented by M. H. Hoffman. 1934. 9 reels, sd. Suggested by "The Deuce of Hearts" by Earl Derr Biggers.

Credits: Director, Phil Rosen; story, continuity, and dialogue, Albert DeMond; music supervision, Abe Meyer; film editor, Mildred Johnston.

TAKE YOUR MEDICINE. 1930. 11 min., sd.

Credits: Director, Eddie Cline; story and dialogue, John A. Waldron, Earle Rodney, Walter Weems, Jack Jevne, William Dugan.

TAKE YOUR PICK. (Stern Brothers Comedy) 1928. 2 reels. From cartoons by Rube Goldberg.

TAKE YOUR PICK. (A Grantland Rice Sportlight) 1932. 1 reel.

TAKEN BY STORM. 1914. 1 reel.

Credits: Director, James Young.

TAKEN FOR A RIDE. (Winkler Krazy Kat Cartoon) 1931. 1 reel. Adapted from cartoon character by George Herriman.

Credits: Ben Harrison, Manny Gould; musical score, Joe De Nat.

TAKING A CHANCE. 1916. 1 reel.

Credits: Written and produced by Tom Mix.

TAKING A CHANCE. 1928. 5 reels, b&w. Adapted from the story "The Saint of Calamity Gulch" by Richard Bret Harte.

Credits: Director, Norman Z. McLeod; scenario, A. A. Halprin.

TAKING A REST. Metro-Drew. 1916. 1 reel.

Credits: Mary S. Cutting; producer, Sidney Drew.

TAKING AN EMPTY CANOE THROUGH RAPIDS. SEE Roosevelt Brazilian Expedition.

TAKING CARE OF BABY. (An Oddity) 1934 831 ft., sd., b&w.

Credits: Director, Jack Cummings; explanatory remarks by Pete Smith.

TAKING CARE OF SYLVIA. SEE The Page Mystery.

TAKING CHANCES. Mustang. 1925. 2 reels.

Credits: Director, William Crinley; story, George Hull.

TAKING CHANCES. 1931. 1 reel.

THE TAKING OF MUSTANG PETE. 1915. 1 reel.

Credits: Producer, Tom Mix; scenario, Emma Bell.

TAKING ORDERS. Century. 1923. 2 reels.

Credits: Producer, John L. Hawkinson.

TAKING THE AIR. 1929. 1 reel, sd., b&w.

TAKING THE BLAME. (Betty Boop Cartoon) 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Hicks Lokey.

TAKING THE COUNT. 1916. 18 min.

TAKING THE COUNT. (Mike and Ike Series) (Stern Brothers Comedy) 1927. 2 reels. From the Rube Goldberg Cartoons.

Credits: Director, Francis Corby.

TAKING THE COUNT. 1937. 2 reels, sd. Based on characters created by Ham Fisher.

Credits: Director, Lloyd French; story, Jack Henley, Eddie Forman.

TAKING THE HEIR. Bluebird. 1926. 1 reel.

Credits: Director, George (Slim) Summerville.

TAKING THE HONEY OUT OF HONEYMOON. 1916. 1 reel.

Credits: C. Graham Baker, George Plympton; director, David Smith.

TAKING THEIR MEDICINE. Nestor. 1917. 1 reel.

Credits: Director, Roy Clements; story, Eddie Lyons, Lee Moran; scenario, Frederick A. Palmer.

TAKING THINGS EASY. (Lyons-Moran Comedy) (Star Comedy) 1919. 1 reel.

Credits: Director, Harry Edwards.

TAKING THINGS EASY. (Star Comedy) 1922. 1 reel.

Credits: Written and directed by William Watson.

TAKING WAYS. SEE Ann Codee and Frank Orth in Taking Ways.

TAL HENRY AND HIS NORTH CAROLINIANS. 1929. 1 reel.

A TALE FROM THE DECAMERON. Black Cat. 1916. 30 min.

Credits: Charles Michelson; director, L. C. Windom.

THE TALE OF A CAT. 1924. 1 reel.

THE TALE OF A COAT. 1914.

THE TALE OF A DOG. Century. 1920. 2 reels.

Credits: Written and directed by Thomas Buckingham.

THE TALE OF A SHIRT. Bluebird. 1927. 1 reel.

Credits: Original story, continuity, and direction, Max Kimmich.

THE TALE OF A SHIRT. (Paul Terry-Toons) 1933. 6 min.

Credits: Frank Moser, Paul Terry.

THE TALE OF A TELEGRAM. Joker. 1916. 1 reel.

Credits: Written and produced by Glen Curtis.

TALE OF A TIRE. 1915. 1 reel.

THE TALE OF A TURK. Joker. 1916. 1 reel.

Credits: Producer, Wm. Beaudine; story, Karl R. Coolidge, William Beaudine; scenario, Karl R. Coolidge.

THE TALE OF HIS PANTS. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davey; scenario, Homer Croy.

A TALE OF OLD TUCSON. 1914. 1 reel.

Credits: Eugene Clancy; director, Richard R. Ridgely.

A TALE OF RED ROSES. SEE My Man.

A TALE OF THE ALHAMBRA. (Around the World with Burton Holmes) 1930. 1 reel, sd.

Credits: Narrator, Burton Holmes.

THE TALE OF THE C. Victor. 1915. 3 reels.

Credits: Elaine Sterne; producer, Lucius Henderson.

Credits: Scenario, Anthony W. Coldewey.

TALE OF THE VIENNA WOODS. (Happy Harmonies) 1934. 759 ft., sd., color.

Credits: Producers, Hugh Harman, Rudolf Ising.

THE TALE OF TRIONA. SEE A Fool's Awakening.

A TALE OF TUTUILA. (Vagabond Adventure Series, no. 20) 1931. 1 reel, sd.

Credits: Elmer Clifton, Alfred Mannon.

A TALE OF TWENTY STORIES. L-Ko. 1915. 2 reels.

A TALE OF TWO CITIES. 1917. For Fox Film Corp. 7 reels. From the novel by Charles Dickens.

Credits: Adapted and directed by Frank Lloyd.

A TALE OF TWO CITIES. 1935. 13 reels, sd., b&w. Based on the novel by Charles Dickens.

Credits: Producer, David O. Selznick; director, Jack Conway; screenplay, W. P. Lipscomb, S. N. Behrman; film editor, Conrad A. Nervig; music score, Herbert Stothart; revolutionary sequences arranged by Val Lewton, Jacques Tourneur.

A TALE OF TWO CITIES. SEE The Only Way.

A TALE OF TWO KITTIES. SEE Felix the Cat in A Tale of Two Kitties.

A TALE OF TWO WORLDS. Goldwyn Studios. Presented by eminent authors. 1921. 6 reels.

Credits: Director, Frank Lloyd; story, Gouverneur Morris.

A TALE THAT IS KNOT. SEE Krazy Kat and Ignatz Mouse in A Tale That Is Knot.

TALENT AUCTION. Nu-Atlas. Presented by RKO Radio Pictures, Inc. 1938. 10 min., sd.

Credits: Director, Milton Schwarzwald.

TALENT SCOUT. First National. 1937. 62 min., sd.

Credits: Director, William Clemens; original story, George R. Bilson; screenplay, George R. Bilson, William Jacobs; film editor, Terry Morse; music and lyrics, M. K. Jerome, Jack Scholl.

THE TALES OF A THOUSAND AND ONE NIGHTS. 1925. 7 reels.

Credits: Director, M. Toujansky.

TALES OF THE FISH PATROL. SEE Jack London's Tales of the Fish Patrol. (Serial)

THE TALISMAN. SEE Richard the Lion-Hearted.

TALISMANS. SEE Fools for Luck.

THE TALK OF HOLLYWOOD. Presented by Samuel Zierler and Harry H. Thomas. 1930. 70 min., sd.

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Motion pictures, 1912-1939 (part 16 of 23)

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Motion pictures, 1912-1939 (part 16 of 23)