Motion pictures, 1912-1939 (part 12 of 23)

63. © 19Apr38; MP8425.

64. © 21Apr38; MP8426.

65. © 26Apr38; MP8427.

66. © 28Apr38; MP8553.

67. © 3May38; MP8554.

68. © 5May38; MP8555.

69. © 10May38; MP8556.

70. © 12May38; MP8557.

71. © 17May38; MP8558.

72. © 19May38; MP8559.

73. © 24May38; MP8560.

74. © 26May38; MP8561.

75. © 31May38; MP8562.

76. © 2Jun38; MP8563.

77. © 7Jun38; MP8681.

78. © 9Jun38; MP8682.

79. © 14Jun38; MP8683.

80. © 16Jun38; MP8684.

81. © 21Jun38; MP8685.

82. © 23Jun38; MP8686.

83. © 28Jun38; MP8687.

84. © 30Jun38; MP8688.

85. © 5Jul38; MP8689.

86. © 7Jul38; MP8690.

87. © 12Jul38; MP8691.

88. © 14Jul38; MP8724.

89. © 19Jul38; MP8725.

90. © 21Jul38; MP8726.

91. © 26Jul38; MP8727.

92. © 28Jul38; MP8728.

93. © 2Aug38; MP8729.

94. © 4Aug38; MP8730.

95. © 9Aug38; MP8786.

96. © 11Aug38; MP8787.

97. © 16Aug38; MP8788.

98. © 18Aug38; MP8789.

99. © 23Aug38; MP8790.

100. © 25Aug38; MP8791.

101. © 30Aug38; MP8792.

102. © 1Sep38; MP8793.

103. © 6Sep38; MP8794.

104. © 8Sep38; MP8795.

Volume 21, 1938/39.

1. © 13Sep38; MP8817.

2. © 15Sep38; MP8818.

3. © 20Sep38; MP8819.

4. © 22Sep38; MP8820.

5. © 27Sep38; MP8821.

6. © 29Sep38; MP8865.

7. © 4Oct38; MP8866.

8. © 6Oct38; MP8867.

9. © 11Oct38; MP8928.

10. © 13Oct38; MP8929.

11. © 18Oct38; MP8930.

12. © 20Oct38; MP8931.

13. © 25Oct38; MP8932.

14. © 27Oct38; MP8933.

15. © 1Nov38; MP8934.

16. © 3Nov38; MP8935.

17. © 8Nov38; MP9000.

18. © 10Nov38; MP9001.

19. © 15Nov38; MP9002.

20. © 17Nov38; MP9003.

21. © 22Nov38; MP9004.

22. © 24Nov38; MP9005.

23. © 28Nov38; MP9006.

24. © 1Dec38; MP9007.

25. © 6Dec38; MP9008.

26. © 8Dec38; MP9009.

27. © 13Dec38; MP9010.

28. © 15Dec38; MP9082.

29. © 20Dec38; MP9083.

30. © 22Dec38; MP9084.

31. © 27Dec38; MP9085.

32. © 29Dec38; MP9086.

33. © 3Jan39; MP9087.

34. © 5Jan39; MP9128.

35. © 10Jan39; MP9129.

36. © 12Jan39; MP9130.

37. © 17Jan39; MP9131.

38. © 19Jan39; MP9132.

39. © 24Jan39; MP9133.

40. © 26Jan39; MP9217.

41. © 31Jan39; MP9218.

42. © 2Feb39; MP9219.

43. © 7Feb39; MP9220.

44. © 9Feb39; MP9221.

45. © 14Feb39; MP9222.

46. © 16Feb39; MP9223.

47. © 21Feb39; MP9295.

48. © 23Feb39; MP9296.

49. © 28Feb39; MP9297.

50. © 2Mar39; MP9298.

51. © 7Mar39; MP9299.

52. © 9Mar39; MP9300.

53. © 14Mar39; MP9301.

54. © 16Mar39; MP9302.

55. © 21Mar39; MP9370.

56. © 23Mar39; MP9371.

57. © 28Mar39; MP9372.

58. © 30Mar39; MP9373.

59. © 4Apr39; MP9374.

60. © 6Apr39; MP9375.

61. © 11Apr39; MP9393.

62. © 13Apr39; MP9394.

63. © 18Apr39; MP9395.

64. © 20Apr39; MP9396.

65. © 25Apr39; MP9397.

66. © 27Apr39; MP9440.

67. © 2May39; MP9441.

68. © 4May39; MP9442.

69. © 9May39; MP9443.

70. © 11May39; MP9444.

71. © 16May39; MP9445.

72. © 18May39; MP9446.

73. © 23May39; MP9487.

74. © 25May39; MP9488.

75. © 30May39; MP9489.

76. © 1Jun39; MP9524.

77. © 6Jun39; MP9525.

78. © 8Jun39; MP9526.

79. © 13Jun39; MP9527.

80. © 15Jun39; MP9528.

81. © 20Jun39; MP9540.

82. © 22Jun39; MP9557.

83. © 27Jun39; MP9558.

84. © 29Jun39; MP9559.

85. © 4Jul39; MP9560.

86. © 6Jul39; MP9561.

87. © 11Jul39; MP9576.

88. © 13Jul39; MP9577.

89. © 18Jul39; MP9578.

90. © 20Jul39; MP9579.

91. © 25Jul39; MP9623.

92. © 27Jul29; MP9624.

93. © 1Aug39; MP9625.

94. © 3Aug39; MP9626.

95. © 8Aug39; MP9627.

96. © 10Aug39; MP9628.

97. © 15Aug39; MP9654.

98. © 17Aug39; MP9655.

99. © 22Aug39; MP9656.

100. © 24Aug39; MP9657.

101. © 29Aug39; MP9658.

102. © 31Aug39; MP9691.

103. © 5Sep39; MP9692.

104. © 7Sep39; MP9693.

Volume 22, 1939/40.

1. © 12Sep39; MP9716.

2. © 14Sep39; MP9717.

3. © 19Sep39; MP9718.

4. © 21Sep39; MP9719.

5. © 26Sep39; MP9747.

6. © 28Sep39; MP9748.

7. © 3Oct39; MP9749.

8. © 5Oct39; MP9750.

9. © 10Oct39; MP9751.

10. © 12Oct39; MP9752.

11. © 17Oct39; MP9753.

12. © 19Oct39; MP9754.

13. © 24Oct39; MP9770.

14. © 26Oct39; MP9771.

15. © 31Oct39; MP9772.

16. © 2Nov39; MP9773.

17. © 7Nov39; MP9774.

18. © 9Nov39; MP9775.

19. © 15Nov39; MP9806.

20. © 17Nov39; MP9807.

21. © 22Nov39; MP9808.

MOVING. 1917. 1 reel.

Credits: Producer, Harry Jackson; story, Thomas J. Gray.

MOVING DAY. Nestor. 1917. 1 reel.

Credits: Director, Louis William Chaudet; story, Eddie Lyons, Lee Moran; scenario, Frederick A. Palmer.

MOVING DAY. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Albert Ray; story, Mabel Herbert Urner; adaptation, Catherine Carr.

MOVING DAY. (Walt Disney Mickey Mouse) 1936. 1 reel.

MOVING DAY. SEE Frank Hunter and Company in Moving Day.

THE MOVING FINGER. Rex. 1916. 1 reel.

Credits: Constance Crawley and Arthur Maude; director, Donald MacDonald.

MOVING MELODIES. 1935. 1 reel, sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos.

MOVING MELODIES. (A Pepper Pot) 1935. 10 min., sd.

Credits: Director, Joseph Henabery; story, A. Dorian Otvos.

THE MOVING PICTURE COWBOY. 1914. 2,000 ft.

Credits: Written and produced by Tom Mix.

MOVING VANITIES. 1939. 17 min., sd.

Credits: Producer, Bert Gilroy; director, Louis Brock; story, Berne Giler; film editor, Les Millbrook.

MUCH MYSTERY. (Mermaid Comedies) 1926. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

A MUCH NEEDED LESSON. 1915. 1 reel.

A MUCH NEEDED REST. National Film Corp. of America. Presented by Capitol Comedies. 1920. 2 reels.

Credits: Written and directed by Mark Goldaine.

MUCH OBLIGED. Black Cat. 1917. 29 min.

Credits: Director, Fred E. Wright; story, Edward T. Lowe, Jr.

MUCHLY MARRIED. Joker. 1916. 1 reel.

Credits: Producer, Allen Curtis; scenario, Aaron E. Bishop.

MUD AND MATRIMONY. 1915. Split reel.

MUD AND SAND. 1923. 3 reels.

Credits: Director, Gil Pratt.

THE MUD LARK. SEE The Purchase Price.

THE MUD TURTLE. SEE City Girl.

MUDDLED UP. Bluebird. 1925. 1 reel.

Credits: Director, Richard Smith.

A MUDDY BRIDE. 1921. 2 reels.

MUDDY WATERS. SEE Headline Shooter.

MUFF. 1914. 1 reel.

Credits: Producer, Norval MacGregor.

MUGGINS. Victor. 1916. 1 reel.

Credits: Producer, Clifford S. Elfelt; story, Harvey Gates; scenario, Fred Myton.

MULE MATES. Joker. 1917. 1 reel.

Credits: Director, William Beaudine; story and scenario by Jack Cunningham.

MULES AND MORTGAGES. 1919. 2 reels.

Credits: Direction and story, Jay A. Howe.

THE MULE'S DISPOSITION. (Unnatural History Comedy) 1926. 1 reel.

Credits: Director, Walt Lantz.

MULHALL'S GREAT CATCH. Released by F. B. O. 1926. 5 reels.

Credits: Director, Harry Garson; story, Gerald Beaumont; screen adaptation, Rex Taylor; continuity, Jefferson Moffitt.

THE MUMMY. 1923. 2 reels.

Credits: Director, Norman Taurog.

THE MUMMY. 1932. 8 reels.

Credits: Director, Karl Freund; story, Nina Wilcox Putnam, Richard Schayer; screenplay, John L. Balderston.

MUMMY LOVE. (Blue Ribbon Comedy) 1926. 2 reels.

Credits: Producer, Joe Rock.

MUMMY'S BOYS. 1936. 68 min., sd.

Credits: Producer, Lee Marcus; director, Fred Guiol; story, Jack Townley, Lew Lipton; screenplay, Jack Townley, Philip G. Epstein, Charles Roberts; editor, John Lockert; music director, Roy Webb.

MUMPS. Victor. 1915. 1 reel.

MUM'S THE WORD. Star Comedy. 1918. 1 reel.

Credits: Producers and directors, Eddie Lyons, Lee Moran; story, Leslie T. Peacocke.

MUM'S THE WORD. National Film Corp. of America. Released through Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Director, Mark Goldaine; story, Harry Wulze.

MUM'S THE WORD. 1927. 2 reels, b&w.

Credits: Director, Eugene J. Forde; story, Louis Breslow, Arthur Greenlaw.

THE MUNICIPAL BAND WAGON. 1932. 1 reel, sd.

Credits: Director, Roy Mack.

A MUNICIPAL REPORT. SEE I Will Repay.

A MUNITIONS WORKER'S CURSE. Nestor. 1917. 1 reel.

Credits: Craig Hutchinson; scenario, C. B. Hoadley.

MURDER. (U. F. A. Oddity) U. F. A. 1928. 1 reel.

Credits: Edited and titled by Edward Bowes.

MURDER. (U. F. A. Oddity) UFA. 1929. 1 reel.

Credits: Edited and titled by Edward Bowes.

MURDER. 1930. 10 reels, sd. From the story "Enter Sir John" by Clarence Dane [pseud. of Winifred Ashton] and Helen Simpson.

Credits: Director, Alfred Hitchcock; scenario, Alma Reville; film edited by Rene Harrison under the supervision of Emile de Ruelle.

MURDER AT DAWN. 1932. 6 reels, sd.

Credits: Director, Richard Thorpe; story, continuity, and dialogue, Barry Barringer.

MURDER AT GLEN ATHOL. 1935. 7 reels. From the story by Norman Lippincott.

Credits: Director, Frank R. Strayer; adaptation and screenplay, John W. Kraft.

MURDER AT MIDNIGHT. 1931. 7 reels, sd.

Credits: Producer, Phil Goldstone; director, Frank Strayer; story, W. Scott Darling, Frank Strayer; dialogue, W. S. Darling; editor, John Rawlins.

MURDER AT THE BRIDGE TABLE. (Ely Culbertson in My Bridge Experiences) 1933. 2 reels, sd.

Credits: Supervision, Lou Brock; director, Sam White.

MURDER AT THE VANITIES. 1934. 10 reels, sd. Based on the play by Earl Carroll and Rufus King.

Credits: Producer, E. Lloyd Sheldon; director, Mitchell Leisen; screenplay, Carey Wilson, Joseph Gollomb; dialogue, Sam Hellman; music, Arthur Johnston.

MURDER BY AN ARISTOCRAT. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1936. 7 reels.

Credits: Director, Frank McDonald; story, Mignon G. Eberhart; screenplay, Luci Ward, Roy Chanslor.

MURDER BY THE CLOCK. 1931. 6,684 ft., sd. From the story by Rufus King and the play by Charles Beahan.

Credits: Director, Edward Sloman; adaptation, Henry Myers.

MURDER GOES TO COLLEGE. Presented by Adolph Zukor. 1937. 8 reels, sd. Based on the novel by Kurt Steel [pseud. of Rudolph Kagey].

Credits: Director, Charles Riesner; screenplay, Brian Marlow, Robert Wyler, Eddie Welch; film editor, Edward Dmytryk.

MURDER IN A CHINESE THEATRE. SEE Mad Holiday.

MURDER IN GREENWICH VILLAGE. 1937. 7 reels, sd.

Credits: Director, Albert S. Rogell; story, Robert T. Shannon; screenplay, Michael L. Simmons; film editor, Dick Fantl; music director, Morris Stoloff.

MURDER IN SWINGTIME. 1937. 1 reel, sd.

Credits: Director, Arthur Dreifuss; story, dialogue, and dialogue direction, Edna Edson; music score, Rose Di Maggio.

MURDER IN THE CLOUDS. Presented by First National Productions Corp. and The Vitaphone Corp. 1934. 7 reels, sd.

Credits: Director, D. Ross Lederman; story and screenplay, Roy Chanslor, Dore Schary.

MURDER IN THE FLEET. 1935. 7 reels, sd.

Credits: Producer, Lucien Hubbard; director and original story, Edward Sedgwick; screenplay, Frank Wead, Joe Sherman; film editor, Conrad Nervig.

MURDER IN THE GILDED CAGE. SEE The Secret Witness.

MURDER IN THE PRIVATE CAR. 1934. 7 reels, sd., b&w. From the play "The Rear Car" by Edward E. Rose.

Credits: Producer, Lucien Hubbard; director, Harry Beaumont; screenplay, Ralph Spence, Edgar Allan Woolf, Al Boasberg; adaptation, Harvey Thew; film editor, William S. Gray.

MURDER IN THE SURGERY. SEE Mystery of the White Room.

MURDER IN TRINIDAD. 1934. 6,800 ft., sd. From the novel by John W. Vandercook.

Credits: Director, Louis King; screenplay, Seton I. Miller; music director, Samuel Kaylin; editor, Al DeGaetano.

MURDER IN YOUR EYES. 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvas, Eddie Moran.

MURDER IS NEWS. 1939. 6 reels, sd.

Credits: Director, Leon Barsha; story, Theodore A. Tinsley; screenplay, Edgar Edwards.

THE MURDER MAN. 1935. 7 reels, sd., b&w.

Credits: Producer, Harry Raph; director, Tim Whelan; story, Tim Whelan, Guy Bolton; screenplay, Tim Whelan, John C. Higgins; film editor, James E. Newcom.

THE MURDER OF DR. HARRIGAN. Presented by First National Pictures, Inc. and The Vitaphone Corp. 1935. 7 reels, sd.

Credits: Director, Frank MacDonald; story, Mignon G. Eberhart; screenplay, Peter Milne, Sy Bartlett; dialogue, Charles Belden.

THE MURDER OF STEVEN KESTER. SEE Green Eyes.

MURDER ON A BRIDLE PATH. 1936. 66 min., sd. From the novel by Stuart Palmer.

Credits: Associate producer, William Sistrom; directors, Edward Killy, William Hamilton; screenplay, Dorothy Yost, Thomas Lennon, Edmund North, James Gow; editor, Jack Hively; music director, Roy Webb.

MURDER ON A HONEYMOON. 1935. 8 reels, sd. From the novel "The Puzzle of the Pepper Tree" by Stuart Palmer.

Credits: Producer, Kenneth MacGowan; director, Lloyd Corrigan; screenplay, Seton I. Miller, Robert Benchley; music director, Albert Colombo; editor, William Morgan.

MURDER ON DIAMOND ROW. Presented by Alexander Korda. Released through United Artists. 1937. 8 reels, sd. From "The Squeaker" by Edgar Wallace.

Credits: Director, William K. Howard; screenplay, Edward O. Berkman; scenario, Bryan Wallace; editors, Jack Dennis, Russell Lloyd; music score, Miklos Rozsa; music director, Muir Mathieson.

MURDER ON SUNSET BOULEVARD. SEE The Sunset Strip Case.

MURDER ON THE BLACKBOARD. 1934. 7 reels, sd. From the Mystery Magazine serial by Stuart Palmer.

Credits: Associate producer, Kenneth MacGowan; director, George Archainbaud; screenplay, Willis Goldbeck; editor, Archie F. Marshek; music director, Max Steiner.

MURDER ON THE CAMPUS. 1934. 7 reels, sd. Adapted from the novel "The Campanile Murders" by Whitman Chambers.

Credits: Director, Richard Thorpe; continuity, Andrew Moses.

THE MURDER ON THE ROOF. 1930. 6 reels. From the story by Edward Doherty.

Credits: Producer, Harry Cohn; director, George B. Seitz; adaptation and dialogue, F. Hugh Herbert.

MURDER WILL OUT. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Jules White.

MURDER WILL OUT. First National and Vitaphone. 1930. 7 reels, sd. Adapted from the story "The Purple Hieroglyph" by Murray Leinster [pseud. of William Fitzgerald Jenkins].

Credits: Director, Clarence Badger; adaptation, J. Grubb Alexander.

MURDER WILL OUT. Trailer. 1930. 1 reel, sd.

MURDER WITH PICTURES. Presented by Adolph Zukor. 1936. 7 reels, sd.

Credits: Producer, A. M. Botsford; director, Charles Barton; story, George Harmon Coxe; screenplay, John C. Moffitt, Sidney Salkow.

MURDER WITH RESERVATIONS. (Broadway Brevity) 1938. 20 min., sd.

Credits: Director, Roy Mack; story, Cyrus Wood, Jack Henley.

MURDERED BY MISTAKE. 1916. 2 reels.

Credits: Supervision, J. G. Blystone; director, Craig Hutchinson.

Credits: Adaptation, Sol. A. Rosenberg.

MURDERS IN THE RUE MORGUE. 1932. 6 reels. Based on the story by Edgar Allan Poe.

Credits: Director, Robert Florey.

MURDERS IN THE ZOO. 1933. 7 reels, sd.

Credits: Philip Wylie, Seton I. Miller; director, Edward Sutherland.

MURPHY AND THE MERMAIDS. 1914. 1 reel.

MUSCLE MARVELS. (A Grantland Rice Sportlight) Presented by Amédée J. Van Beuren. 1928. 1 reel.

Credits: Producer, John L. Hawkinson.

MUSCLES. (Eastman Classroom Films. Health Series. Physiology) Made in Cooperation with the Dept. of Biology and Public Health, Massachusetts Institute of Technology. 1931. 981 ft.

MUSCLES AND MERRIMENT. 1915. 1/2 reel.

THE MUSEUM. 1930. 1 reel.

MUSH AGAIN. (Sunny Jim Talkie) 1929. 2 reels, sd.

Credits: Director, Harold Beaudine.

MUSH AND MILK. (A Hal Roach Our Gang Comedy) 1933. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; editor, Louis McManus.

MUSHROOMS. 1934. 2 reels, sd.

Credits: Director, Ralph Staub; story, Dolph Singer, Jack Henley.

MUSIC AND FLOWERS. Mentone. 1938. 2 reels, sd.

Credits: Supervision, Harold Godsoe; director, Milton Schwarzwald; dialogue, Sands & Wilson; orchestrations, Jack Schaindlin.

MUSIC & MODELS. Mentone. 1938. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

THE MUSIC BOX. (A Hal Roach Subject) Presented by Hal Roach. 1932. 3 reels, sd., b&w.

Credits: Director, James Parrott; dialogue, H. M. Walker; editor, Richard Currier.

MUSIC BY MORGAN. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky.

MUSIC FIENDS. Presented by William Fox. 1929. 3 reels.

Credits: Director, Harry Sweet; story and scenario by Clark & McCullough; film editor, Albert C. Dripps.

MUSIC FOR MADAME. 1937. 8 reels, sd.

Credits: Producer, Jesse L. Lasky; director, John Blystone; original story, Robert Harari; screenplay, Gertrude Purcell, Robert Harari; music director, Nathaniel Shilkret.

MUSIC FROM THE STARS. Educational Films Corp. of America. Treasure Chest. Presented by E. W. Hammons. 1938. 1 reel, sd.

Credits: Producer, B. E. Norrish; director, Gordon Sparling.

MUSIC-GLORIFIED, CLASSIFIED, AND MORTIFIED. SEE Coscia and Verdi in Music-Glorified, Classified, and Mortified.

THE MUSIC GOES 'ROUND. 1936. 9 reels, sd.

Credits: Director, Victor Schertzinger; story, Sidney Buchman; screenplay, Jo Swerling; film editor, Gene Milford; music director, Howard Jackson.

MUSIC HATH CHARMS. Metro-Drew. 1917. 1 reel.

Credits: Ruth Lloyd Kinney; written and produced by Mr. and Mrs. Drew.

MUSIC HATH CHARMS. (Oswald Rabbit) 1936. 1 reel, sd.

Credits: Producer, Walter Lantz; story, Walter Lantz, Victor McLeod.

MUSIC HATH CHARMS. SEE Ann Codee and Frank Orth in Music Hath Charms.

MUSIC HATH CHARMS—NOT. 1914. 1 reel.

Credits: Producer, Harry Jackson.

MUSIC HATH HARMS. (A Paramount-Christie Talking Play) 1929. 2 reels.

Credits: Director, Walter Graham; story, Octavus Roy Cohen; screen adaptation, Alfred A. Cohn.

MUSIC IN FLATS. 1915. 1 reel.

Credits: Howard Lester; director, Charles Ranson.

MUSIC IN THE AIR. 1934. 7,474 ft., sd.

Credits: Director, Joe May; screenplay, Howard I. Young, Billie Wilder; continuity, Robert Liebmann; music director, Louis de Francesco.

MUSIC IN YOUR HAIR. (Hal Roach Musical Comedy) 1934. 2 reels, sd.

Credits: Director, Charles Parrott; film editor, Louis McManus.

MUSIC IS MAGIC. Presented by Fox Film. 1935. 6,000 ft., sd. Based on play by Gladys Unger and Jesse Lasky, Jr.

Credits: Director, George Marshall; screenplay, Edward Eliscu, Lou Breslow; music director, Samuel Kaylin.

MUSIC LAND. (Walt Disney Silly Symphony) 1935. 1 reel.

THE MUSIC LESSON. (A Flip the Frog Cartoon) 1932. 1 reel, sd.

MUSIC MADE SIMPLE. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Roy Rowland.

THE MUSIC MAKERS. SEE Willie and Eugene Howard in The Music Makers.

THE MUSIC MASTER. Presented by William Fox. 1927. 8 reels. From the David Belasco play written for the stage by Charles Klein.

Credits: Director, Allan Dwan; adaptation, Philip Klein.

MUSIC, MUSIC EVERYWHERE. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Director, Fred Waller; script, Milton Hocky, Fred Rath; music, Clyde Lucas.

MUSIC OVER BROADWAY. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath; music, George Hall.

THE MUSIC RACKET. SEE Lee Morse in The Music Racket.

THE MUSIC SHOP. SEE Dick Henderson in The Music Shop.

MUSIC THROUGH THE YEARS. 1939. 1 reel, sd.

Credits: Director, Leslie Roush; continuity, Justin Herman.

MUSIC TO MY EARS. 1932. 1 reel, sd.

Credits: Director, Roy Mack.

MUSIC WILL TELL. 1938. 2 reels, sd.

Credits: Producer, Bert Gilroy; director, Jean W. Yarbrough; story, Jean W. Yarbrough, Richard English; film editor, Les Millbrook.

MUSIC WITH A SMILE IN THE HAPPY FELTON STYLE. (Melody Master) 1938. 10 min., sd.

Credits: Director, Lloyd French.

MUSICAL AIRWAYS. Mentone. 1936. 1 reel, sd.

Credits: Director, Milton Schwarzwald.

THE MUSICAL BARBER. 1916. 1 reel.

Credits: Producer, Edmond Stratton.

MUSICAL CHARMERS. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Director, Fred Waller; continuity, Milton Hocky, Fred Rath.

MUSICAL COCKTAIL. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Director, George M. Arthur.

THE MUSICAL DOCTOR. 1932. 1 reel, sd.

Credits: Director, Ray Cozine; story and music, Samuel Timberg, Samuel Lerner.

MUSICAL FARMER. (Mickey Mouse, no. 27) 1932. 1 reel.

MUSICAL FASHIONS. Presented by Adolph Zukor. 1936. 1 reel, sd.

Credits: Director, Fred Waller; script, Milton Hocky, Fred Rath; music, Ina Ray Hutton.

A MUSICAL JOURNEY TO SOUTH AMERICA. 1937. 1 reel, sd.

Credits: Director, Joseph Henabery.

MUSICAL JUSTICE. 1931. 1 reel, sd.

Credits: Director, Aubrey Scott; story and music, Samuel Lerner, Samuel Timberg.

MUSICAL MADNESS. Joker. 1916. 1 reel.

Credits: Harry Wulze; director, William Beaudine.

MUSICAL MEMORIES. 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

MUSICAL MOMENTS. SEE The Four Synco-Pets in Musical Moments.

MUSICAL MOODS. SEE Horace Heidt and His Californians in Musical Moods.

MUSICAL MOUNTAINEERS. 1939. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Harold Walker.

A MUSICAL OPERATION. 1937. 2 reels, sd.

Credits: Director, Roy Mack.

THE MUSICALE. SEE Al Trahan in The Musicale.

A MUSICALE MELANGE. SEE The Kjerulf's Mayfair Quintette in A Musicale Melange.

MUSS 'EM UP. 1936. 8 reels, sd. From the novel by James Edward Grant.

Credits: Producer, Pandro S. Berman; director, Charles Vidor; screenplay, Erwin Gelsey; editor, Jack Hively; music director, Roy Webb.

MUSSOLINI SPEAKS. 1933. 7 reels.

Credits: Described and interpreted by Lowell Thomas; edited and compiled by Jack Cohn.

MUSTACHES AND BOMBS. 1915. 1 reel.

MUSTANG PETE'S PRESSING ENGAGEMENT. 1915. 1 reel.

MUTINY. Imp. 1916. 1 reel.

Credits: Ben Cohn; producer, Jay Hunt.

MUTINY. 1917. 5 reels.

Credits: Written and directed by Lynn F. Reynolds.

THE MUTINY. C. E. Shurtleff, Inc. 1920. 6 reels. From the story "The Mutiny of the Elsinore" by Jack London.

Credits: Director, Edward Sloman; adaptation, Albert Shelby Le Vino.

MUTINY AHEAD. 1935. 7 reels, sd.

Credits: Producer, Larry Darmour; director, Tommy Atkins; original story, Stuart Anthony.

MUTINY AIN'T NICE. 1938. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, David Tendlar, William Sturm.

MUTINY IN THE BIG HOUSE. 1939. 9 reels, sd.

Credits: Associate producer, Grant Withers; director, William Nigh; original story, Martin Mooney; screenplay, Robert D. Andrews; film editor, Russell Schoengarth.

MUTINY IN THE JUNGLE. 1915. 1 reel.

Credits: Producer, Frank Beal.

THE MUTINY OF THE ELSINORE. SEE The Mutiny.

MUTINY ON THE BLACKHAWK. 1939. 8 reels, sd.

Credits: Associate producer, Ben Pivar; director, Christy Cabanne; original story, Ben Pivar; screenplay, Michael L. Simmons; film editor, Maurice Wright.

MUTINY ON THE BODY! 1939. 2 reels, sd.

Credits: Director, Charley Chase; original screenplay, Elwood Ullman, Searle Cramer.

MUTINY ON THE BOUNTY. 1935. 13 reels, sd., b&w. From the novel by Charles Nordhoff and James Norman Hall.

Credits: Producer and director, Frank Lloyd; screenplay, Talbot Jennings, Jules Furthman, Carey Wilson; film editor, Margaret Booth; musical score, Herbert Stothart.

MUTTS. Presented by Century Comedies. 1922. 2 reels.

Credits: Director, Fred Hibbard.

MUTTS AND MOTORS. 1918. 1 reel.

Credits: Scenario and direction, Lawrence Semon.

MUTTS TO YOU. 1938. 2 reels, sd.

Credits: Director, Charley Chase; story and screenplay, Elwood Ullman, Al Giebler.

THE MUTUAL MAN. 1933. 2 reels.

Credits: Directors, Hal Skelly, Barney Rogan; story, W. Carey Duncan, Hal Skelly.

A MUTUAL UNDERSTANDING. 1913. 1 reel.

Credits: J. H. Landau.

MY AMERICAN WIFE. Presented by Jesse L. Lasky. 1923. 6 reels. Based on the story by Hector Turnbull.

Credits: Monte M. Katterjohn; producer and director, Sam Wood.

MY AMERICAN WIFE. Presented by Adolph Zukor. 1936. 8 reels, sd. Based on the story "The Old Timer" by Elmer Davis.

Credits: Producer, Albert Lewis; director, Harold Young; screenplay, Virginia Van Upp.

MY ARTISTICAL TEMPERATURE. 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Abner Matthews.

MY BABY DOLL. Century. 1924. 2 reels.

Credits: Written and directed by Edward I. Luddy.

MY BABY JUST CARES FOR ME. 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

MY BAG O' TRIX. SEE Trixie Friganza in My Bag o' Trix.

MY BAREFOOT BOY. (Post Nature Pictures) 1921. 1 reel.

MY BEST GIRL. 1915. 5 reels. From the play by Channing Pollock and Rennold Wolf.

MY BEST GIRL. 1927. 9 reels. From the story by Kathleen Norris.

Credits: Director, Sam Taylor; screenplay, Allen McNeil, Tim Whelan; adaptation, Hope Loring.

MY BILL. First National. 1938. 7 reels. From the play "Courage" by Tom Barry.

Credits: Director, John Farrow; screenplay, Vincent Sherman, Robertson White.

MY BOY. First National. 1921. 5 reels.

Credits: Directors, Victor Heerman, Albert Austin; editor, Irene Morra.

MY CHILD. SEE Mon P'tit.

MY COUNTRY 'TIS OF THEE. 1916. 2 reels.

Credits: Charles Mortimer Peck; director, E. H. Calvert.

MY COUSIN. Artcraft. Presented by Adolph Zukor. 1918. 5 reels.

Credits: Director, Edward José; story and scenario, Margaret Turnbull.

MY DAD. 1922. 6 reels.

Credits: Director, Cliff Smith; story, Walter Richard Hall; scenario, E. Richard Schayer.

MY DEAR MISS ALDRICH. 1937. 8 reels, sd., b&w.

Credits: Director, George B. Seitz; original story and screenplay, Herman J. Mankiewicz; film editor, William S. Gray; music score, David Snell.

MY DOG PAL. Century. 1920. 2 reels.

Credits: Written and directed by Fred C. Fishback.

MY ERROR! (Mirthquake, no. 28) 1924. 2 reels.

Credits: Director, Eugene De Rue.

MY FOUR YEARS IN GERMANY. 1918. 9 reels. Based on the book by James W. Gerard.

Credits: Director, William Nigh; adaptation, Charles A. Logue.

MY FRIEND FROM INDIA. 1914. 3 reels.

MY FRIEND FROM INDIA. De Mille Pictures Corp. 1927. 6 reels. From the play by H. A. de Souchet.

Credits: Supervision, F. McGrew Willis; director, E. Mason Hopper; adaptation and continuity, Rex Taylor; film editor, James Morley.

MY FRIEND, THE DEVIL. 1922. 8 reels.

Credits: Director, Harry Millarde; story, George Ohnet; scenario, Paul H. Sloane.

MY FRIEND THE MONKEY. 1939. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson, Frank Endres.

MY GAL SAL. (Screen Song Series) 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Max Fleischer.

MY GIRL SALLY. (A Van Ronkel Comedy) 1935. 2 reels, sd.

Credits: Director, Alf Goulding; story, Raymond Cannon, Al Rondell.

MY GOODNESS. 1920. 2 reels.

Credits: Supervision and photoplay, Mack Sennett; director, Noel Smith.

MY GRANDFATHER'S CLOCK. (A Colortone Musical Comedy) 1934. 2 reels, sd., color.

Credits: Direction, screenplay, and lyrical continuity, Felix E. Feist; original story, Richard Goldstone.

MY GREEN FEDORA. (Merrie Melodie, no. 7) Released by Vitaphone. 1935. 1 reel, sd., b&w.

Credits: Producer, Leon Schlesinger; supervision, Isadore Freleng; animation, Robert Clampett, Charles Jones; music, Bernard Brown.

MY HAREM. (Ideal Talking Comedies) 1930. 20 min., sd.

Credits: Director, Stephen Roberts.

MY HEART IS CALLING. Gaumont British Picture Corp., Ltd., London. Released by Gaumont-British Distributors, Ltd. 1934. 7 reels. Adapted from a Cine-Alliance production.

Credits: Associate producer, Ivor Montagu; director, Carmine Gallone; original story, Ernst Marischka; scenario, Richard Benson; adaptation and dialogue, Sidney Gilliat; editor, Herbert Kemplen; musical director, Louis Levy.

MY HERO. 1922. 2 reels.

Credits: Directors, Eddie Lyons, Eugene De Rue; scenario, Bob McGowan.

MY HERO. 1922. 2 reels.

Credits: Director, Jack Blystone.

MY HERO. 1930. 1 reel.

MY HUSBAND. SEE The Story of Vernon and Irene Castle.

Credits: Director, J. Stuart Blackton.

MY HUSBAND'S WIFE. 1918. For Fox Film Corp. 2 reels.

Credits: Story, scenario, and direction, Harry Lehrman.

MY HUSBAND'S WIVES. 1924. 5 reels, b&w, tinted sequences.

Credits: Director, Maurice Elvey; story, Barbara La Marr; scenario, Dorothy Yost.

MY KID. (Juvenile Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

MY KINGDOM FOR A HEARSE. (Karnival Komedies, no. 7) 1928. 2 reels.

Credits: Producer, Larry Darmour; director, Albert Herman; story, E. V. Durling, W. H. Woodmansee.

MY LADY FRIENDS. 1921. 6 reels. From the stage play by Emile Nyitray and Frank Mandel.

Credits: Director, Lloyd Ingraham; adaptation, Rex Taylor.

MY LADY OF WHIMS. 1925. 7 reels. From the story "Protecting Prue" by Edgar Franklin [pseud. of Edgar Franklin Stearns].

Credits: Director, Dallas M. Fitzgerald; scenario, Doris Schroeder.

MY LADY'S ANKLE. (Star Comedy) 1920. 1 reel.

Credits: Director, Robert Anderson; story, Bernard McConville; scenario, Doris Schroeder.

MY LADY'S DRESS. SEE Blind Wives.

MY LADY'S GARDEN. (Paul Terry-Toons) Educational Pictures. Presented by E. W. Hammons. 1934. 562 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

MY LADY'S GARTER. Paramount-Artcraft. 1920. 5 reels. From the novel by Jacques Futrelle.

Credits: Director, Maurice Tourneur; scenario, Lloyd Lonergan.

MY LADY'S LATCHKEY. First National. 1921. 5 reels. From the novel "The Second Latchkey" by C. N. and A. M. Williamson.

Credits: Director, Edwin Carewe; scenario, Finis Fox.

MY LADY'S MILLIONS. Laemmle. 1916. 2 reels.

Credits: John C. Brownell; producer, Hobart Henley.

MY LADY'S PAST. 1929. 9 reels, si. & sd.

Credits: Director, Albert Ray; story and continuity, Frances Hyland; dialogue, Frederic and Fanny Hatton; music score, Hugo Riesenfeld.

MY LADY'S SLIPPER. 1916. 5 reels.

Credits: Director, Ralph Ince.

MY LIPS BETRAY. 1933. 7,177 ft., sd. From the play "Der Komet" by Attila Orbok.

Credits: Director, John Blystone; screenplay, Hans Kraly, Jane Storm; dialogue, S. N. Behrman; editor, Alex Troffey.

MY LITTLE BOY. 1917. 5 reels.

Credits: Director, Elsie Jane Wilson; story, Rupert Julian; scenario, Elliott J. Clawson.

MY LITTLE BROTHER. 1924. 1 reel.

Credits: Director, William Watson.

MY LITTLE BUCKAROO. (Merrie Melodies) 1937. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, I. Freleng; story, Ted Pierce; animation, Bob McKimson; music score, Carl W. Stalling.

MY LITTLE FELLER. 1937. 2 reels, sd.

Credits: Director, Charles Lamont; screenplay, Ewart Adamson.

MY LITTLE SISTER. 1919. 5 reels.

Credits: Scenario and direction, K. Buel; story, Elizabeth Robins.

MY LORD OF THE DOUBLE B. SEE The Lady From Hell.

MY LOST ONE. 1915. 3 reels.

Credits: Director, Harry Handsworth.

MY LUCKY STAR. 1938. 7,574 ft., sd.

Credits: Associate producer, Harry Joe Brown; director, Roy Del Ruth; story, Karl Tunberg, Don Ettlinger; screenplay, Harry Tugend, Jack Yellen; film editor, Allen McNeil; music director, Louis Silvers.

MY MADONNA. 1915. 5 reels. From "The Spell of the Yukon, and Other Verses" by Robert W. Service.

MY MAN. 1924. 7 reels. Adapted from the story "A Tale of Red Roses" by George Randolph Chester.

Credits: Director, David Smith; scenario, Donald Buchanan.

MY MAN. 1928. 12 reels.

Credits: Director, Archie L. Mayo; story, Mark Canfield; adaptation, Robert Lord.

MY MAN GODFREY. 1936. 10 reels, sd. Based on the novel by Eric Hatch.

Credits: Producer and director, Gregory La Cava; screenplay, Eric Hatch, Morrie Ryskind; film editor, Ted Kent.

MY MARRIAGE. 1936. 6,213 ft., sd.

Credits: Director, George Archainbaud; original screenplay, Frances Hyland; music director, Samuel Kaylin.

MY MEMORIES OF VERNON CASTLE. SEE The Story of Vernon and Irene Castle.

MY MISTAKE. 1922. 2 reels.

Credits: Directors, Eddie Lyons, Eugene DeRue; scenario, Bob McGowan.

MY MISTAKE. (The Excuse Maker Series) (Stern Brothers Comedy) 1927. 2 reels.

Credits: Director, Sam Newfield; story, William Anthony.

MY MUMMY'S ARMS. 1934. 2 reels, sd.

Credits: Director, Ralph Straub; story, Jack Henley, Justin Herman.

MY NEIGHBOR'S WIFE. 1926. 6 reels.

Credits: Director, Clarence Geldert; story, James Oliver Curwood.

MY OFFICIAL WIFE. 1914. 5 reels.

Credits: Director, James Young; picturized by Marguerite Bertsch.

MY OFFICIAL WIFE. 1926. 8 reels. From the play by A. C. Gunter.

Credits: Director, Paul L. Stein; adaptation, Graham C. Baker.

MY OLD DUTCH. Broadway Universal. 1915. 5 reels.

Credits: Arthur Shirley, Albert Chevalier; producer, Larry Trimble.

MY OLD DUTCH. Universal Jewel. 1926. 8 reels. From the play by Arthur Shirley and Albert Chevalier.

Credits: Director, Laurence Trimble.

MY OLD KENTUCKY HOME. Released by American Releasing Corp. 1922. 7 reels.

Credits: Producer and director, Ray C. Smallwood; original story, Anthony Paul Kelly.

MY OLD KENTUCKY HOME. Released through Monogram Pictures Corp. 1938. 8 reels, sd.

Credits: Producer, E. B. Derr; director, Lambert Hillyer; original story and screenplay, John T. Neville; film editor, Finn Ulback; music director, Abe Meyer.

MY OWN PAL. 1926. 6 reels, tinted.

Credits: Director, J. G. Blystone; story, Gerald Beaumont; scenario, Lillie Hayward.

MY OWN UNITED STATES. Frohman Amusement Corp. Presented by William L. Sherrill, Screen Classics, Inc. 1918. 8 reels.

Credits: Director, John W. Noble; story, Anthony Paul Kelly.

MY PAL. Century. 1923. 2 reels.

Credits: Written and directed by Al Herman.

MY PAL. 1925. 5 reels.

Credits: Director, Ward Hayes; story, Robert Walker, Ward Hayes.

MY PAL PAUL. (Walter Lantz Cartoon) 1930. 1 reel, sd.

MY PAL THE KING. 1932. 6 reels.

Credits: Director, Kurt Neumann; story, Richard Schayer; screenplay, Jack Natteford, Tom J. Crizer.

MY PAL THE PRINCE. (Greatest Composer Series) 1933. 2 reels, sd.

Credits: Director, Monte Price; story, Sig Herzig.

MY PAST. Warner Bros. & Vitaphone. 1931. 8 reels. Based on the novel "Ex-mistress" by Dora Macy [pseud. of Grace (Perkins) Oursler].

Credits: Director, Roy Del Ruth; screen adaptation and dialogue, Charles Kenyon.

MY PEOPLE. SEE Willie and Eugene Howard in My People.

MY PONY BOY. 1929. 1 reel.

Credits: Director, Dave Fleischer.

MY POP. 1938. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Eddie Forman.

MY SALOMY LIONS. Century. 1920. 2 reels.

Credits: Written and directed by Fred C. Fishback.

MY SECOND WIFE. SEE The Lady Escapes.

MY SIN. 1931. 8 reels, sd. Based on a play by Fred Jackson.

Credits: Direction and adaptation, George Abbott; screenplay, Owen Davis, Adelaide Heilbron.

MY SON. Presented by Edwin Carewe. 1925. 7 reels. An adaptation of the play by Martha Stanley.

Credits: Adaptation, Finis Fox.

MY SON IS A CRIMINAL. 1939. 6 reels, sd.

Credits: Director, C. C. Coleman, Jr.; original screenplay, Arthur T. Horman; film editor, Gene Havlick.

MY SONG FOR YOU. 1934. 7 reels, sd.

Credits: Associate producer, Jerome Jackson; director, Maurice Elvey; scenario, Richard Benson; dialogue, Austin Melford; editor, Charles Freud; music director, Louis Levy.

MY STARS. (Tuxedo Comedies) 1926. 2 reels.

Credits: Written and directed by William Goodrich.

MY SWEDIE. (Educational-Christie Comedies) 1926. 2 reels.

Credits: Director, Harry Beaudine; story, Sig Hersig.

MY TIME IS YOUR TIME. 1936. 1 reel.

MY TOMBOY GIRL. Victor. 1915. 2 reels.

Credits: Written and produced by Harry C. Myers.

MY UNMARRIED WIFE. 1917. 5 reels. Adapted from the book "Molly and I" by Frank R. Adams.

Credits: Director, George A. Siegmann; adaptation, Doris Schroeder.

Credits: Producer, Mack Sennett.

MY VALET. 1916. 3 reels.

MY WEAKNESS. 1933. 6,737 ft., sd.

Credits: Direction and continuity, David Butler; story and dialogue, B. G. De Sylva; editor, Irene Morra.

MY WEST. 1931. 1 reel.

Credits: Director, Robert C. Bruce.

MY WIFE. (Columbia-Victor Gems) 1929. 1 reel, sd.

Credits: Director, Basil Smith.

MY WIFE AND I. 1925. 7 reels. From the story by Harriet Beecher Stowe.

Credits: Director, Millard Webb; adaptation, Millard Webb, Julien Josephson.

MY WIFE, THE ADVENTURESS. SEE Meine Frau die Hochstaplerin.

MY WIFE'S GONE TO THE COUNTRY. 1931. 1 reel, sd.

Credits: Max Fleischer; director, Dave Fleischer.

MY WIFE'S JEWELRY. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, Eddie Cantor; dialogue staged by Edward D. Dowling.

MY WIFE'S RELATIONS. Presented by Joseph M. Schenck. 1922. 2 reels.

Credits: Written and directed by Buster Keaton and Eddie Cline.

MY WIFE'S RELATIVES. 1939. 7 reels, sd.

Credits: Associate producer, Sol C. Siegel; director, Gus Meins; original story, Dorrell and Stuart McGowan; screenplay, Jack Townley; film editor, Ernest Nims; music director, Cy Feuer.

MY WILD IRISH ROSE. 1922. 7 reels. From the play "The Shaughraun" by Dion Boucicault.

Credits: Director, David Smith; adaptation, C. Graham Baker, Harry Dittmar.

MY WOMAN. 1933. 8 reels, sd.

Credits: Director, Victor Schertzinger; story and screenplay, Brian Marlow; music, Victor Schertzinger.

MYRA MEETS HIS FAMILY. SEE The Husband Hunter.

MYRT AND MARGE. 1933. 7 reels, sd.

Credits: Director, Al Boasberg; screenplay, Beatrice Banyard.

MYRTLE, THE MANICURIST. 1916. 3 reels.

Credits: Director, Harry Davenport.

LES MYSTÈRES DE PARIS. SEE The Mysteries of Paris.

MYSTERIES OF MAH JONG. 1924. 2 reels.

THE MYSTERIES OF MYRA. Wharton, Inc. 1916. 2 reels each, except no. 1 which is 3 reels. © International Film Service, Inc.

Credits: Story, Hereward Carrington, Charles W. Goddard.

1. © 24Apr16; LP11171.

2. © 1May16; LP11172.

3. © 8May16; LP11173.

4. © 15May16; LP11174.

5. © 22May16; LP11175.

6. © 29May16; LP11176.

7. © 5Jun16; LP11177.

8. © 12Jun16; LP11178.

9. © 19Jun16; LP11179.

10. © 26Jun16; LP11180.

11. © 3Jul16; LP11181.

12. © 10Jul16; LP11182.

13. © 17Jul16; LP11183.

14. © 24Jul16; LP11184.

15. © 31Jul16; LP11185.

THE MYSTERIES OF PARIS. SEE The Secrets of Paris.

THE MYSTERIOUS AVENGER. 1936. 6 reels, sd.

Credits: Director, David Selman; story, Peter B. Kyne; screenplay, Ford Beebe; film editor, Richard Cahoon.

THE MYSTERIOUS BEAUTY. 1914. 1,000 ft.

Credits: Producer, Norval MacGregor.

THE MYSTERIOUS BLACK BOX. 1914. 1,000 ft.

Credits: Producer, Norval MacGregor.

MYSTERIOUS CEYLON. SEE E. M. Newman's Mysterious Ceylon.

THE MYSTERIOUS CITY. (Dorsey Educational) Powers. 1917. 1/2 reel.

Credits: Director, Fred Wright; story, Charles Davey; scenario, Roy Somerville.

MYSTERIOUS CONTRAGRAV. Gold Seal. 1915. 2 reels.

Credits: Written and produced by Henry McRae.

MYSTERIOUS CROSSING. 1936. 6 reels, sd.

Credits: Associate producer, Val Paul; director, Arthur Lubin; story, Fred MacIsaacs; screenplay, Jefferson Parker, John Grey; film editor, Bernard W. Burton; music director, Charles Previn.

THE MYSTERIOUS DANCER. SEE Folly of Ambition.

THE MYSTERIOUS DR. FU MANCHU. 1929. 8 reels, si., 7,663 ft., sd.

Credits: George Marion, Jr.; director, Rowland V. Lee; story, Sax Rohmer [pseud. of Arthur Sarsfield Ward]; screenplay, Florence Ryerson, Lloyd Corrigan; film editor, George Nicholls, Jr.

THE MYSTERIOUS IRON RING. Gold Seal. 1917. 3 reels.

Credits: Director, Jack Wells; story, Jeanette Benedict.

THE MYSTERIOUS ISLAND. 1929. 10 reels, sd., color. From the book by Jules Verne.

Credits: Direction and screenplay, Lucien Hubbard; film editor, Carl L. Pierson; music, Martin Broones, Arthur Lange.

THE MYSTERIOUS JUG. (An Oswald Cartoon) 1937. 1 reel, sd.

Credits: Producer, Walter Lantz; story, Victor McLeod, James Miele.

THE MYSTERIOUS KISS. 1934. 2 reels, sd.

Credits: Director, Roy Mack; story, Eddie Moran, Cyrus Wood, A. Dorian Otvos.

THE MYSTERIOUS LADY. 1928. 9 reels, b&w. Based on the novel "War in the Dark" by Ludwig Wolff.

Credits: Director, Fred Niblo; continuity, Bess Meredyth; film editor, Margaret Booth.

THE MYSTERIOUS LADY BAFFLES AND DETECTIVE DUCK. SEE Lady Baffles and Detective Duck.

THE MYSTERIOUS LODGER. 1914.

Credits: Directors, Maurice Costello, Robert Gaillard.

THE MYSTERIOUS MISS TERRY. Paramount Pictures Corp. Presented by Adolph Zukor. 1917. 5 reels.

Credits: Director, J. Searle Dawley; story, Gelett Burgess.

THE MYSTERIOUS MISS X. 1939. 7 reels, sd.

Credits: Associate producer, Herman Schlom; director, Gus Meins; original story, George W. Yates; screenplay, Olive Cooper; film editor, Lester Orlebeck; music director, Cy Feuer.

MYSTERIOUS MR. DAVEY. 1914. 1 reel.

Credits: Director, William Drew.

MYSTERIOUS MR. MOTO. 1938. 5,672 ft., sd. Based on the character "Mr. Moto" created by John P. Marquand.

Credits: Director, Norman Foster; original screenplay, Philip McDonald, Norman Foster; music director, Samuel Kaylin.

THE MYSTERIOUS MR. TILLER. 1917. 5 reels.

Credits: Elliott J. Clawson; director, Rupert Julian.

THE MYSTERIOUS MR. WONG. 1935. 7 reels, sd. Suggested by the story "The Twelve Coins of Confucius" by Harry Stephen Keeler.

Credits: Supervision, George Yohalem; director, William Nigh; screenplay, Nina Howatt; adaptation. Lew Levinson; editor, Jack Ogilvie.

THE MYSTERIOUS MRS. M. 1917. 5 reels. From the story by Thomas Edgelow in Love Stories Magazine.

Credits: Director, Lois Weber.

MYSTERIOUS MOSE. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Willard Bowsky, Ted Sears.

THE MYSTERIOUS MYSTERY. 1932. 2 reels, sd.

Credits: Director, Eddie Cline; story, H.O. Kusell.

A MYSTERIOUS NIGHT. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Zion Myers.

THE MYSTERIOUS OUTLAW. Big U. 1917. 1 reel.

Credits: Direction and story, Fred A. Kelsey; scenario, Karl R. Coolidge.

THE MYSTERIOUS PACKAGE. 1914. 1 reel.

Credits: Ethel Browning; director, Charles M. Seay.

THE MYSTERIOUS PILOT. 1937-38. 2 reels each, except no. 1 which is 3 reels, sd. From the novel "The Silver Hawk" by William Byron Mowery. © Columbia Pictures Corp. of California, Ltd.

Credits: Director, Spencer Gordon Bennet; continuity, George Rosener, George M. Merrick.

1. The Howl of the Wolf. © 7Dec37; LP7653.

2. The Web Tangles. © 2Jan38; LP7716.

3. Enemies of the Air. © 2Jan38; LP7717.

4. In the Hands of the Law. © 3Jan38; LP7770.

5. The Crackup. © 3Jan38; LP7694.

6. The Dark Hour. © 5Jan38; LP7697.

7. Wings of Destiny. © 10Jan38; LP7719.

8. Battle in the Sky. © 19Jan38; LP7746.

9. The Great Flight. © 27Jan38; LP7762.

10. Whirlpool of Death. © 3Feb38; LP7783.

11. The Haunted Mill. © 8Feb38; LP7795.

12. The Lost Trail. © 14Feb38; LP7813.

13. The Net Tightens. © 21Feb38; LP7842.

14. Vengeance Rides the Airways. © 28Feb38; LP7854.

15. Retribution. © 11Mar38; LP7873.

THE MYSTERIOUS RIDER. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6 reels. From the story by Zane Grey.

Credits: Director, John Waters; continuity, Fred Myton, Paul Gangelin.

THE MYSTERIOUS RIDER. 1933. 6 reels. From the story by Zane Grey.

Credits: Director, Fred Allen; screenplay, Harvey Gates, Robert N. Lee.

THE MYSTERIOUS RIDER. Presented by Adolph Zukor. 1938. 8 reels, sd. From the novel by Zane Grey.

Credits: Producer, Harry Sherman; director, Lesley Selander; screenplay, Maurice Geraghty.

THE MYSTERIOUS STRANGER. 1920. 2 reels.

Credits: Written and directed by Jess Robbins.

THE MYSTERIOUS STRANGER. 1925. 2 reels.

Credits: Director, Roy Del Ruth.

THE MYSTERIOUS WITNESS. 1923. 4,850 ft. From the story "The Stepsons of Light" by Eugene Manlove Rhodes.

Credits: Director, Seymour Zeliff.

THE MYSTERY BOX. 1922. 1 reel.

Credits: Written and directed by J. A. Norling.

THE MYSTERY BOX. 1925. 2 reels each, except no. 1 which is 3 reels. © Davis Distributing Division, Inc.

Credits: Written and directed by Alvin J. Neitz.

1. The Fatal Box. © 21Dec25; LP22146.

2. A Tragic Legacy. © 21Dec25; LP22147.

3. Daring Danger. © 21Dec25; LP22148.

4. A Leap for Life. © 21Dec25; LP22149.

5. Defying Fate. © 21Dec25; LP22150.

6. Trapped by Outlaws. © 21Dec25; LP22151.

7. The Pendulum of Death. © 21Dec25; LP22152.

8. The Miracle Rider. © 21Dec25; LP22153.

9. Vengeance of the Mystery Box. © 21Dec25; LP22154.

10. Vindicated. © 21Dec25; LP22155.

THE MYSTERY CLUB. Universal Jewel. 1926. From the novel by Arthur Somers Roche.

Credits: Director, Herbert Blache.

THE MYSTERY GIRL. Paramount. Presented by Jesse L. Lasky. 1918. 5 reels. From the story "Green Fancy" by George Barr McCutcheon.

Credits: Director, William C. De Mille; adaptation, Marion Fairfax.

MYSTERY HOUSE. 1937. 6 reels. From a novel by Mignon G. Eberhart.

Credits: Director, Noel Smith; screenplay, Sherman L. Lowe, Robertson White.

THE MYSTERY IN THE NORTH CASE. 1917. 2 reels.

Credits: Victoria Norton; director, Brinsley Shaw; adaptation, Halmar Walton Bergman.

MYSTERY LINER. 1934. 7 reels, sd. From the story "The Ghost of John Holling" by Edgar Wallace.

Credits: Supervision, Paul Malvern; director, William Nigh; screenplay, Wellyn Totman.

THE MYSTERY MAN. 1935. 67 min., sd.

Credits: Director, Raymond McCarey; original story, Tate Finn; screenplay, John Krafft, Rollo Lloyd; adaptation, William A. Johnston; editor, Carl Pierson.

THE MYSTERY MANSION. 1928. 2 reels, b&w, blue sequences.

Credits: Written and directed by Harry Delf.

Credits: Directors, F. W. Sittenham, W. S. Davis; story and scenario, Arthur B. Reeve, John W. Grey.

Prologue, The Road to Yesterday.

1. The Hypnotic Clue.

2. The Fires of Fury.

3. The War of Wills.

4. The Fumes of Fear.

5. Thought Waves.

6. A Halo of Help.

7. The Nether World.

8. The Mystery Mind.

9. Dual Personality.

10. Hounds of Hate.

11. The Sleepwalker.

12. The Temple of the Occult.

13. The Binding Ray.

14. The Water Cure.

15. The Gold of the Gods.

MYSTERY MOUNTAIN. Presented by Nat Levine. 1934. 2 reels each, except no. 1 which is 3 reels, sd.

Credits: Supervision, Victor Zobel; directors, Otto Brower, B. Reeves Eason; original story, Sherman Lowe, Barney Sarecky, B. Reeves Eason; continuity, Ben Cohen, Armand Schaefer; film editors, Earl Turner, Walter Thompson.

1. The Battler.

2. The Man Nobody Knows.

3. The Eye That Never Sleeps.

4. The Human Target.

5. Phantom Outlaws.

6. The Perfect Crime.

7. Tarzan the Cunning.

8. The Enemy's Stronghold.

9. The Fatal Warning.

10. The Secret of the Mountain.

11. Behind the Mask.

12. The Judgement of Tarzan.

THE MYSTERY OF BRAYTON COURT. 1914. 1 reel.

Credits: Director, Maurice Costello, Robert Gaillard.

MYSTERY OF COMPARTMENT C. (True Detective Stories of Celebrated Cases) 1931. 2 reels, sd. From the records of Nick Harris.

Credits: Producer and director, Spencer Gordon Bennet; adaptation, George R. Rogan.

THE MYSTERY OF DEAD MAN'S ISLE. 1915. 1 reel.

Credits: Producer, Giles R. Warren; scenario, James Oliver Curwood.

MYSTERY OF EDWIN DROOD. Presented by Carl Laemmle. 1935. 9 reels, sd. From the story by Charles Dickens.

Credits: Producer, Carl Laemmle, Jr; director, Stuart Walker; screenplay, John L. Balderston, Gladys Unger; adaptation, Leopold Atlas, Bradley King; film editor, Edward Curtiss.

THE MYSTERY OF HENRI VILLARD. 1915. 2 reels.

THE MYSTERY OF LAKE LETHE. 1917. 1 reel.

Credits; Frank Lawrence, Tom Bret; director, Rollin S. Sturgeon.

MYSTERY OF LIFE; a Drama of Evolution As Told by Clarence Darrow. 1931. 8 reels, sd.

Credits: Director, George Cochrane; scenario, H. M. Parshley.

THE MYSTERY OF LOST RANCH. 1925. 5 reels.

Credits: Directors, Harry S. Webb, Tom Gibson; story, Bar Cross; continuity, George Hull.

THE MYSTERY OF MARRIAGE. 1931. 2 reels.

Credits: Scenario and direction, Mary Field.

THE MYSTERY OF MARY. 1915. 3 reels.

Credits: Director, Harry Lambart.

THE MYSTERY OF MR. WONG. 1939. 8 reels, sd. Based on the James Lee Wong stories by Hugh Wiley.

Credits: Associate producer, William T. Lackey; director, William Nigh; screenplay, Scott Darling; film editor, Russell Schoengarth.

THE MYSTERY OF MR. X. 1934. 9 reels, sd. From the novel by Philip MacDonald.

Credits: Producer, Lawrence Weingarten; director, Edgar Selwyn; adaptation, Philip MacDonald; screenplay, Howard Emmet Rogers; additional dialogue, Monckton Hoffe; film editor, Hugh Wynn.

MYSTERY OF MOTHERHOOD. 1938. 3 reels.

Credits: Technical narrator, M. Greewald.

THE MYSTERY OF MY LADY'S BOUDOIR. Gold Seal. 1916. 3 reels.

Credits: Director, Francis J. Grandon; scenario, Harry Dittmar.

THE MYSTERY OF NUMBER 47. Red Seal. 1917. 5 reels. From the novel by J. Storer Clouston.

Credits: Director, Otis B. Thayer.

THE MYSTERY OF ORCIVAL. 1916. 3 reels.

THE MYSTERY OF ROOM 13. 1915. 4,000 ft.

Credits: Lee Arthur; director, George Ridgwell.

THE MYSTERY OF THE BOULE CABINET. SEE In the Next Room.

1. The Lady in Number 7. © title, descr. & 47 prints, 15Feb17; LU10194.

2. The Masked Stranger. © title, descr. & 41 prints, 15Feb17; LU10195.

3. An Hour to Live. © title, descr. & 47 prints, 15Feb17; LU10196.

4. Kidnapped. © title, descr. & 58 prints, 15Feb17; LU10197.

5. The Life Current. © title, descr. & 50 prints, 14Mar17; LU10368.

6. The Dead Come Back. © title, descr. & 44 prints, 14Mar17; LU10369.

7. Into Thin Air. © title, descr. & 38 prints, 14Mar17; LU10370.

8. The Stranger Disposes. © title, descr. & 54 prints, 14Mar17; LU10371.

9. When Jailbirds Fly. © title, descr. & 60 prints, 14Mar17; LU10372.

10. The Hole-in-the-Wall. © title, descr. & 48 prints, 14Mar17; LU10373.

11. Love's Sacrifice. © title, descr. & 54 prints, 14Mar17; LU10374.

12. The Riddle of the Cross. © title, descr. & 48 prints, 16Mar17; LU10392.

13. The Face of the Stranger. © title, descr. & 51 prints, 16Mar17; LU10393.

14. The Hidden Brand. © title, descr. & 60 prints, 16Mar17; LU10394.

15. The Double Cross. © title, descr. & 40 prints, 16Mar17; LU10395.

THE MYSTERY OF THE EMPTY ROOM. 1915. 2 reels.

Credits; Director, Courtland Van Deusen.

THE MYSTERY OF THE HIDDEN HOUSE. 1914. 2 reels.

Credits: Director, Ulysses Davis.

THE MYSTERY OF THE HOODED HORSEMEN. Presented by Edward L. Alperson. 1937. 6 reels, sd.

Credits: Producer, Edward F. Finney; supervision, Lindsley Parsons; director, Ray Taylor; story and screenplay, Edmond Kelso.

THE MYSTERY OF THE JEWEL. SEE Il Mistero di Osiris.

THE MYSTERY OF THE LOCKED ROOM. Rex. 1915. 3 reels.

Credits: William Addison Lathrop; producer, Ben Wilson.

A MYSTERY OF THE MOUNTAINS. 1915. 2 reels.

THE MYSTERY OF THE RED BARN. SEE Maria Marten.

THE MYSTERY OF THE SEVEN CHESTS. Released through General Film Co. 1914. 2 reels.

Credits: Director, E. A. Martin.

THE MYSTERY OF THE SEVENTH SIN. (The Seven Deadly Sins, no. 7) 1917. 7 reels.

THE MYSTERY OF THE SILENT DEATH. 1915. 1 reel.

Credits: Edward T. Lowe, Jr.

THE MYSTERY OF THE SILVER SKULL. 1913. 2 reels.

Credits: Directors, Wilfrid North, Maurice Costello.

THE MYSTERY OF THE TAPESTRY ROOM. Big U. 1915. 3 reels.

Credits: Producer, Murdock MacQuarrie; story, George E. Hall; scenario, H. G. Stafford.

THE MYSTERY OF THE WAX MUSEUM. Presented by Warner Brothers Pictures, Inc. and the Vitaphone Corp. 1933. 78 min., sd., color. From the play by Charles S. Belden.

Credits: Director, Michael Curtiz; screenplay, Don Mullaly, Carl Erickson; film editor, George Amy.

MYSTERY OF THE WHITE ROOM. Crime Club. 1939. 6 reels, sd. From the novel "Murder in the Surgery" by James G. Edwards [pseud. of James William MacQueen].

Credits: Producer, Irving Starr; director, Otis Garrett; screenplay, Alex Gottlieb; film editor, Harry Keller.

THE MYSTERY OF THE WHITE ROSE. SEE Oda.

Credits: Produced, adapted, and directed by Emile Chautard.

THE MYSTERY OF THE YELLOW ROOM. 1919. 6,200 ft. Adapted from the story by Gaston Leroux.

Credits: Producer and director, Emile Chautard.

Credits: Director, Frances Ford; story, Elsie Van Name; scenario, John B. Clymer.

1. Bitter Bondage.

2. Lights Out.

3. Submarine Gardens.

4. The Lone Rider.

5. Blown to Atoms.

6. Single Handed.

7. Fire and Water.

8. Pirate Loot.

9. The Phantom House.

10. The Raid.

11. Bare Handed.

12. The Death Ride.

13. Brother Against Brother.

14. The Man Hunt.

15. The Thirteenth Card.

THE MYSTERY OF WEST SEDGWICK. 1913. Based on "The Gold Bag" by Carolyn Wells.

MYSTERY PLANE. 1939. 6 reels, sd.

Credits: Supervision, Paul Malvern; director, George Waggner; original story, Hal Forrest; screenplay, Paul Schofield, Joseph West.

MYSTERY RANCH. 1932. 4,900 ft., sd. From the novel "The Killer" by Stewart Edward White.

Credits: Director, David Howard; screenplay, Al Cohn; editor, Paul Weatherwax.

MYSTERY RANCH. 1934. 6 reels, sd.

Credits: Director, B. B. Ray; story, J. K. Henry; continuity, Rose Gordon; dialogue, Carl Krusada; editor, Fred Bain.

THE MYSTERY RIDER. 1928. 2 reels each. © Universal Pictures Corp.

Credits: Director, Jack Nelson.

1. The Clutching Claw. © 28Sep28; LP25674.

2. Trapped. © 1Oct28; LP25675.

3. The Stampede. © 1Oct28; LP25676.

4. Hands Up. © 26Oct28; LP25761.

5. Buried Alive. © 1Nov28; LP25785.

6. The Fatal Shot. © 12Nov28; LP25830.

7. Hurled Through Space. © 14Nov28; LP25836.

8. Unmasked. © 24Nov28; LP25873.

9. Doomed. © 28Nov28; LP25877.

10. The End of the Trail. © 4Dec28; LP25894.

THE MYSTERY ROAD. 1921. 5 reels. From the novel by E. Phillips Oppenheim.

Credits: Director, Paul Powell; adaptation, Mary Hamilton O'Connor, Margaret Turnbull.

THE MYSTERY SHIP. Universal Special. 1917-18. 2 reels each. © Universal Film Mfg. Co., Inc.

Credits: Directors, Harry Harvey, Francis Ford; story, Elsie Van Name; scenario, William Parker, Blaine Pearson.

1. The Crescent Scar. © 20Oct17; LP11604.

2. The Grip of Hate. © 20Oct17; LP11605.

3. Adrift. © 20Oct17; LP11629.

4. The Secret of the Tomb. © 3Dec17; LP11777.

5. The Fire God. © 20Dec17; LP11852.

6. Treachery. © 20Dec17; LP11881.

7. One Minute to Live. © 20Dec17; LP11853.

8. Hidden Hands. © 20Dec17; LP11854.

9. The Black Masks. © 29Dec17; LP11882.

10. The Rescue. © 5Jan18; LP11919.

11. The Line of Death. © 17Jan18; LP11969.

12. The Rain of Fire. © 17Jan18; LP11970.

13. The Underground House. © 25Jan18; LP11992.

14. The Masked Riders. © 1Feb18; LP12007.

15. The House of Trickery. © 11Feb18; LP12060.

16. The Forced Marriage. © 18Feb18; LP12084.

17. The Deadly Torpedo. © 23Feb18; LP12106.

18. The Fight in Mid-Air. © 6Mar18; LP12148.

THE MYSTERY SHIP. SEE Suicide Fleet.

THE MYSTERY SQUADRON. Mascot Master. Presented by Nat Levine. 1933. 2 reels each, except no. 1 which is 3 reels, sd.

Credits: Directors, Colbert Clark, David Howard; story, Sherman Lowe, Al Martin; screenplay, Barney Sarecky, Colbert Clark, David Howard, Wyndham Gittens; film editor, Earl Turner.

1. The Black Ace.

2. The Fatal Warning.

3. The Black Ace Strikes.

4. Men of Steel.

5. The Death Swoop.

6. Doomed.

7. Enemy Signals.

8. The Canyon of Calamity.

9. The Secret of the Mine.

10. Clipped Wings.

11. The Beast at Bay.

12. The Ace of Aces.

THE MYSTERY WOMAN. 1935. 6,550 ft., sd.

Credits: Director, Eugene Forde; story, Dudley Nichols, E. E. Paramore, Jr.; screenplay, Philip MacDonald; music, Samuel Kaylin.

THE MYSTIC. 1925. 7 reels.

Credits: Story, Tod Browning; scenario, Waldemar Young.

THE MYSTIC BALL. 1915. 2 reels.

Credits: Director, William Robert Daly.

Credits: Director, Richard Ridgely; story and play, Agnes Fletcher Bain.

MYSTIC INDIA. 1927. 1 reel.

THE MYSTIC ISLES. (Vagabond Adventure Series, no. 16) 1930. 1 reel, sd.

Credits: Elmer Clifton, Alfred Mannon.

MYSTIC SIAM. (Lowell Thomas' Magic Carpet of Movietone) 1939. 1 reel, sd.

Credits: Producer, Truman Talley; editor, Lew Lehr; narrator, Lowell Thomas.

NABBED. Bison. 1915. 2 reels.

NABBING A NOBLE. 1917. 1 reel.

Credits: Supervision, J. G. Blystone; director, J. A. Howe.

NADA MAS QUE UNA MUJER (ONLY A WOMAN). 1934. 9 reels, sd. Based on the story "The Painted Lady" by Larry Evans.

Credits: Director, Harry Lachman; adaptation and screenplay, Raymond Van Sickle, John Reinhardt; Spanish dialogue, Miguel de Zarraga.

NADINE OF NOWHERE. Big U. 1916. 1 reel.

Credits: William W. Farmer; producer, Paul Bourgeois.

A NAG IN THE BAG. 1938. 2 reels, sd.

Credits: Director, Charley Chase; original screenplay, Elwood Ullman, Searle Cramer.

NAGANA. 1933. 8 reels.

Credits: Director, Ernst L. Frank; story, Lester Cohen; screenplay, Dale Van Every, Don Ryan.

THE NAGGER. SEE Mr. and Mrs. Jack Norworth in The Nagger.

THE NAGGERS AT THE DENTIST'S. 1931. 1 reel.

THE NAGGERS' DAY OF REST. SEE Mr. and Mrs. Jack Norworth in The Naggers' Day of Rest.

THE NAGGERS GO CAMPING. 1931. 1 reel.

THE NAGGERS GO ROOTING. SEE Mr. and Mrs. Jack Norworth in The Naggers Go Rooting.

NAILED AT THE PLATE. (Lyons-Moran Star Comedy) 1918. 1 reel.

Credits: Scenario, Frank Howard Clark.

NAKED FISTS. 1918. 2 reels.

NAKED FISTS. 1923. 2 reels.

NAKED HEARTS. 1916. 5 reels. Suggested by the poem "Maud" by Lord Tennyson.

Credits: Written and produced by Rupert Julian; scenario, Olga Printzlau.

Credits: Director, Louis Mercanton.

THE NAKED TRUTH. 1914. 5 reels.

THE NAKED TRUTH. SEE

The Perfect Love.

T. N. T. (The Naked Truth).

THE NAME IS FAMILIAR. 1933. 1 reel, sd.

Credits: Director, Alf Goulding.

NAME THE MAN. 1924. 8 reels. Adapted from "The Master of Man" by Hall Caine.

Credits: Director, Victor Seastrom.

NAME THE WOMAN. 1928. 6 reels. From the story "Bridge."

Credits: Producer, Harry Cohn; story and direction, Erle C. Kenton; adaptation, Elmer Harris; continuity, Peter Milne; film editor, Ben Pivar.

NAME THE WOMAN. 1934. 6 reels, sd.

Credits: Director, Albert Rogell; screenplay, Fred Niblo, Jr., Herbert Asbury; film editor, John Rawlins.

NAME YOUR OWN ODDS. 1936. 1 reel.

THE NAMELESS FEAR. 1915. 1,000 ft.

NAMELESS MEN. 1928. 6 reels.

Credits: Director, Christy Cabanne; story, E. Emerson Hough; continuity, John Francis Natteford.

Credits: Producer, Arthur Holmes Gore.

NAN GOOD FOR NOTHING. Big U. 1916. 1 reel.

NAN HALPERIN, AMERICA'S FAMOUS SATIRIST. 1929. 1 reel.

NAN O' THE BACKWOODS. 1915. 3,000 ft.

Credits: Written and produced by Sidney Olcott.

NAN OF MUSIC MOUNTAIN. 1917. 5 reels. From the story by Frank H. Spearman.

Credits: Director, George H. Melford; scenario, Beulah Marie Dix.

NAN OF THE NORTH. 1921-22. 2 reels each. © Arrow Film Corp.

Credits: Director, Duke Worne; story, Karl Coolidge.

1. The Missile from Mars. © 21Nov21; LP17216.

2. Fountain of Fury. © 21Nov21; LP17217.

3. The Brink of Despair. © 21Nov21; LP17218.

4. In Cruel Clutches. © 3Dec21; LP17276.

5. On Terror's Trail. © 12Dec21; LP17352.

6. The Cards of Chance. © 21Dec21; LP17379.

7. Into the Depths. © 27Dec21; LP17399.

8. Burning Sands. © 27Dec21; LP17400.

9. The Power of Titano. © 27Dec21; LP17401.

10. A Bolt from the Sky. © 27Dec21; LP17402.

11. The Ride for a Life. © 17Jan22; LP17476.

12. Adrift. © 17Jan22; LP17477.

13. Facing Death at Sea. © 17Jan22; LP17478.

14. The Volcano. © 1Feb22; LP17511.

15. Consequences. © 1Feb22; LP17512.

Credits: Producer, Fred Huntley.

NANA. Released through United Artists. 1934. 10 reels, sd. Suggested by the novel by Emile Zola.

Credits: Director, Dorothy Arzner; screen adaptation, Willard Mack, Harry Wagstaff Gribble.

NANCE. SEE Broken Shadows.

NANCY DREW AND THE HIDDEN STAIRCASE. 1939. 6 reels. Based on the Nancy Drew stories by Carolyn Keene [pseud.]

Credits: Director, William Clemens; original screenplay, Kenneth Gamet.

NANCY DREW—DETECTIVE. 1938. 7 reels, sd. Based on the Nancy Drew stories by Carolyn Keene [pseud.]

Credits: Director, William Clemens; original screenplay, Kenneth Gamet.

NANCY DREW—REPORTER. First National. 1939. 7 reels, sd. Based on the stories by Carolyn Keene [pseud.]

Credits: Director, William Clemens; original screenplay, Kenneth Gamet.

NANCY DREW—TROUBLE SHOOTER. 1939. 8 reels, sd. Based on the Nancy Drew stories by Carolyn Keene [pseud.]

Credits: Director, William Clemens; original screenplay, Kenneth Gamet; film editor, Doug Gould.

NANCY FROM NOWHERE. 1922. 5 reels.

Credits: Screen version, Douglas Doty.

NANCY LEE. SEE The Way of a Woman.

NANCY STEELE IS MISSING. 1937. 7,819 ft., sd.

Credits: Director, George Marshall; story, Charles Francis Coe; screenplay, Hal Long, Gene Fowler; music, David Buttolph.

NANETTE OF THE WILDS. Released by Paramount Pictures Corp. 1916. 5 reels.

Credits: Willard Mack.

NANNY. (A Harry Lauder Subject) Welsh-Pearson-Gainsborough. 1931. 1 reel, sd.

NAN'S VICTORY. 1914. 1 reel.

Credits: Producer, Thomas Santschi.

NANTAS. SEE A Man and the Woman.

NAPOLEON. Gaumont-Metro. 1928. 8 reels, lavender.

Credits: Story and direction, Abel Gance; titles, Lotta Woods; film editor, Frank Hull.

NAPOLEON AND JOSEPHINE. Released by Film Booking Offices of America. 1924. 6,591 ft. From the play by W. G. Wills and G. G. Collingham.

Credits: Supervision, G. B. Samuelson; director, Alexander Butler; continuity, Walter Summers.

NAPOLEON, JR. 1926. 2 reels.

Credits: Directors, Mark Sandrich, Lesley Selander; story, Edward P. Moran, Edward Marshall.

NAPOLEON OF BROADWAY. SEE Twentieth Century.

NAPOLEON'S BARBER. 1928. 4 reels, b&w.

Credits: Director, John Ford; story and scenario, Arthur Caesar.

NAPOLEON'S HOMELAND. UFA. 1929. 1 reel, b&w.

Credits: Edited by Edward Bowes.

THE NARROW CORNER. Presented by Warner Bros. Pictures. Inc. and The Vitaphone Corp. 1933. 8 reels. Based on the story by W. Somerset Maugham.

Credits: Director, Alfred E. Green; screenplay, Robert Presnell.

THE NARROW CREED. Big U. 1916. 2 reels.

Credits: Ben Cohn; director, Jay Hunt.

THE NARROW PATH. Red Feather. 1916. 5 reels. Subsequently released as "The Danger Path."

Credits: Catherine Carr; producer, Francis J. Grandon.

THE NARROW STREET. 1924. 7 reels.

Credits: Director, William Beaudine; story, Edwin Bateman Morris; scenario, Julien Josephson.

THE NARROW STREET. SEE Wide Open.

THE NARROW TRAIL. 1917. 5 reels.

Credits: Story, William S. Hart.

NAT CARR, CHARACTER COMEDIAN. 1927. 1 reel, sd.

NATALKA POLTAVKA. 1936. 10 reels, sd. Based on the operetta by Iwan Kotlyarevsky.

Credits: Director, Vasile Avramenko; screenplay, V. Avramenko, M. J. Gann; melodies, Mykola Lysenko; music score and arrangement, C. N. Shvedoff.

NATHAN HALE. SEE The Heart of a Hero.

THE NATIONAL ANTHEM. SEE The Marriage Whirl.

THE NATIONAL ANTHEM, OUR AMERICA. 1919.

Credits: Alice Morgan Harrison; music, Augusta E. Stetson.

NATIONAL MEMORIAL SHRINE. 1931. Filmstrip.

Credits: George M. Warthen.

THE NATION'S CAPITAL—WASHINGTON, D. C. (Ford Educational Library, Regional Geography, v. 5) Ford Motion Picture Laboratories. 1921. 1 reel.

THE NATION'S MARKET PLACE. 1928. 1 reel.

NATION'S PERIL. 1915. 5 reels.

Series 1. © title, descr. & 7 prints, 28Apr14; MU155.

Series 2. © title, descr. & 6 prints, 28Apr14; MU156.

A NATURAL BORN GAMBLER. 1916. 2 reels.

A NATURAL MAN. 1915. 2 reels.

Credits: Director, Ulysses Davis.

A NATURAL MISTAKE. 1914. Split reel.

NATURAL WONDERS OF THE WEST. (A FitzPatrick Traveltalk) 1938. 1 reel, sd., color.

Credits: Director, James H. Smith; photographer, Winton C. Hoch; music score, Jack Shilkret.

NATURAL WONDERS OF WASHINGTON STATE. (A FitzPatrick Traveltalk) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., color.

Credits: Producer and narrator, James A. FitzPatrick; photographer, Bob Carney; music score, Nathaniel Finston, C. Bakaleinikoff.

NATURE DANCERS. 1920.

THE NATURE GIRL. 1918. 5 reels.

Credits: Story and direction, O. A. C. Lund.

NATURE IN THE WRONG. (A Charlie Chase Comedy) Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Editor, William Terhune.

NATURE INCORPORATED. Gold Seal. 1916. 2 reels.

Credits: Producer, William Worthington; story, Sinclair Lewis; scenario, Ben Cohn.

THE NATURE MAN; or, THE STRUGGLE FOR EXISTENCE. Broadway Universal. 1915. 5 reels.

NATURE SPEAKS. Presented by Adolph Zukor. 1935. 1 reel, sd.

Credits: Poetry readings by David Ross; editors, Fred Waller, Leslie M. Roush, Maurice Kellerman.

NATURE—THE ARTIST. SEE E. M. Newman's Nature—the Artist.

NATURE'S GANGSTER. (A Battle for Life Release) Audio Productions, Inc. in cooperation with British Instructional Films, Ltd. Educational Pictures. Presented by E. W. Hammons. 1934. 600 ft., sd.

Credits: Narration, James C. Clemenger; editor, Sam Citron.

NATURE'S HANDIWORK. (E. M. Newman's Our Own United States) 1936. 1 reel.

Credits: Dialogue, Ira Genet; editor, Bert Frank.

Credits: Scenario and arrangement, E. M. Robinson.

NATURE'S JEWELS. 1924. 1 reel.

NATURE'S MIMICS. (The Color Parade) 1938. For Warner Bros.-Vitaphone. 10 min., sd., color.

Credits: Producer, E. M. Newman; narrator, Eddie Acuff.

NATURE'S MONSTROSITIES. 1915. 1/2 reel.

NATURE'S PERFECT THREAD SPINNER. 1917. 1/2 reel.

NATURE'S SONGSTERS. Treasure Chest. Presented by E. W. Hammons. 1936. 756 ft., sd.

NATURE'S TENT BUILDERS. 1924. 1 reel.

NATURE'S TRIUMPH. Laemmle. 1915. 1 reel.

NATURE'S WIZARDRY. (U. F. A. Oddity) U. F. A. 1928. 1 reel, b&w.

Credits: Edited and titled by Edward Bowes.

NATURE'S WORK SHOP. (Pooch the Pup Cartoon) Snappy. 1933. 1 reel.

Credits: Direction and animation, Walter Lantz, William Nolan.

NAUGHTY BABY. Presented by Richard A. Rowland. 1928. 7 reels.

Credits: Director, Mervyn Le Roy; story, Charles Beahn, Garrett Fort.

NAUGHTY BOY. (Educational-Lupino Lane Comedy) 1927. 2 reels.

Credits: Written and directed by Charles Lamont.

NAUGHTY BUT MICE. (Merrie Melodies) 1939. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Charles M. Jones; story, Richard Hogan; animation, Phil Monroe; music director, Carl W. Stalling.

NAUGHTY BUT NICE. Presented by John McCormick. 1927. 7 reels. Adapted from "The Bigamists" by Lewis Allen Browne.

Credits: Director, Millard Webb; scenario, Carey Wilson.

NAUGHTY BUT NICE. 1939. 90 min., sd.

Credits: Director, Ray Enright; original screenplay, Richard Macaulay, Jerry Wald; film editor, Thomas Richards; music and lyrics, Harry Warren, Johnny Mercer; music arrangements, Ray Haindorf; music director, Leo F. Forbstein.

NAUGHTY BUT NICE. SEE Georges Carpentier in Naughty but Nice.

NAUGHTY-CAL. 1932. 1 reel, sd.

Credits: Written and directed by Aubrey Scotto.

NAUGHTY CINDERELLA. SEE Good and Naughty.

THE NAUGHTY DUCHESS. 1928. 6 reels. Adapted from the novel "The Indiscretion of the Duchess" by Sir Anthony Hope [pseud. of Sir Anthony Hope Hawkins].

Credits: Direction, adaptation, and continuity, Tom Terriss.

THE NAUGHTY FLIRT. First National and Vitaphone. 1930. 57 min., sd.

Credits: Director, Edward Cline; screen adaptation, Richard Weil, Earl Baldwin.

THE NAUGHTY FLIRT. Trailer. 1930. 1 reel.

NAUGHTY LIONS AND WILD MEN. 1920. 2 reels.

Credits: Written and directed by Fred C. Fishback.

NAUGHTY MARIETTA. 1935. 11 reels, sd. From the operetta by Victor Herbert and Rida Johnson Young.

Credits: Screenplay, John Lee Mahin, Francis Goodrich, Albert Hackett.

NAUGHTY NANETTE. Released by F. B. O. 1927. 5 reels.

Credits: Director, J. Leo Meehan; story, Charles Henry Smith; continuity, Doris Schroeder.

NAUGHTY! NAUGHTY! 1918. 5 reels.

Credits: C. Gardner Sullivan; supervision, Thomas H. Ince; director, Jerome Storm.

NAUGHTY NEIGHBORS. (Looney Tunes) 1939. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Robert Clampett; story, Warren Foster; animation, I. Ellis; music direction, Carl W. Stalling.

A NAUGHTY NURSE. (Whirlwind Comedy) Presented by J. R. Bray. 1928.

Credits: Written and directed by Robert B. McKenzie.

NAUGHTY WIFE. SEE Let's Elope.

Credits: Director, George Fitzmaurice; scenario, George B. Seitz.

NAUTICAL KNIGHTS. Mentone. 1938. 2 reels, sd.

Credits: Director, Milton Schwarzwald.

NAVAJO CHILDREN. 1938. 1 reel, sd.

THE NAVAJO RING. 1914. 1 reel.

Credits: Director, Ulysses Davis.

NAVIGATION IN CHINA. Powers. 1917. 1 reel.

THE NAVIGATOR. Presented by Joseph M. Schenck. 1924. 6 reels, tinted.

Credits: Director, Donald Crisp; story and scenario, Clyde Bruckman, Joseph Mitchell, Jean Havez.

THE NAVY. 1930. 1 reel.

Credits: Animated and directed by Walter Lantz, William Nolan.

NAVY BEANS. (Big Boy-Juvenile Comedies) 1928. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

NAVY BLUE AND GOLD. A Sam Wood production. 1937. 10 reels, sd., b&w. From the novel by George Bruce.

Credits: Producer, Sam Zimbalist; director, Sam Wood; screenplay, George Bruce; film editor, Robert J. Kern; music score, Edward Ward.

NAVY BLUE DAYS. 1925. 2 reels.

NAVY BLUES. 1930. 9 reels, sd., b&w.

Credits: Producer and director, Clarence Brown; story, Raymond L. Schrock; adaptation, Dale Van Every; dialogue, J. C. Nugent, Elliott Nugent, W. L. River; film editor, Hugh Wynn.

NAVY BLUES. 1937. 7 reels.

Credits: Associate producer, Burt Kelly; director, Ralph Staub; original screenplay, Gordon Kahn, Eric Taylor; supervising editor, Murray Seldeen.

NAVY BORN. 1936. 8 reels.

Credits: Producer, Nat Levine; supervision. Ken Goldsmith; director, Nate Watt; original story, Mildred Cram; screenplay, Albert DeMond, Olive Cooper; adaptation, Marcus Goodrich; additional dialogue, Claire Church.

NAVY CHAMPIONS. (News World of Sports) 1939. 853 ft., sd.

Credits: Narrative by Jack Kofoed; described by Ford Bond.

NAVY SECRETS. 1939. 7 reels, sd. Based on a story by Steve Fisher.

Credits: Supervision, William Lackey; director, Howard Bretherton; screenplay, Harvey Gates; film editor, Russell Schoengarth.

NAVY SPY. Presented by Edward L. Alperson. 1937. 6 reels, sd.

Credits: Producer, George A. Hirliman; directors, Crane Wilbur, Joseph H. Lewis; screenplay, Crane Wilbur; film editor, Tony Martinelli.

NAVY WIFE. Presented by Fox Film Corp. 1935. 6,550 ft., sd. Based on the novel "Beauty's Daughter" by Kathleen Norris.

Credits: Director, Allan Dwan; screenplay, Sonya Levlen; additional dialogue, Edward T. Lowe; music director, David Buttolph.

1. The Survivors. © title, descr. & 78 prints, 25Oct15; LU6755.

2. The Yellow Packet. © title, descr. & 66 prints, 25Oct15; LU6756.

3. The Failure. © title, descr. & 76 prints, 25Oct15; LU6757.

4. The Tattered Parchment. © title, descr. & 70 prints, 25Oct15; LU6758.

5. A Message from the Past. © title, descr. & 69 prints, 25Oct15; LU6759.

6. The Cavern of Death. © title, descr. & 58 prints, 25Oct15; LU6760.

7. The Gun Runners. © title, descr. & 78 prints, 25Oct15; LU6761.

8. The Yellow Peril. © title, descr. & 52 prints, 27Oct15; LU6782.

9. The Sun Worshippers. © title, descr., & 77 prints, 8Feb16; LU7582.

10. The Rolling Terror. © title, descr. & 82 prints, 10Nov15; LU6918.

11. The Dreadful Pit. © title, descr. & 56 prints, 3Dec15; LU7117.

[12] The Worm Turns. © title, descr. & 67 prints, 6Dec15; LU7141.

13. White Gods. © title, descr. & 74 prints, 3Dec15; LU7115.

14. The Final Goal. © title, descr. & 71 prints, 30Dec15; LU7315.

NEAL SISTERS, BLONDES THAT GENTLEMEN PREFER. 1929. 1 reel, sd.

A NEAPOLITAN ROMANCE. SEE Pasquale Amato.

THE NEAR LADY. 1923. 5 reels.

Credits: Director, Herbert Blache; story, Frank R. Adams; scenario, Hugh Hoffman.

NEAR NATURE GIRLS. 1920. 1 reel.

NEAR THE TRAIL'S END. 1931. 6 reels, sd.

Credits: Producer, Trem Carr; director, Wallace Fox; story, Robert Quigley; adaptation, G.A. Durlam; editor, J. S. Harrington.

NEARLY A CHAPERONE. (Star Comedy) 1918. 1 reel.

NEARLY A PRIZE FIGHTER. 1915. 1 reel.

NEARLY A QUEEN. Joker. 1917. 1 reel.

Credits: Story and direction, Allen Curtis; scenario, Tom Gibson.

NEARLY A SCANDAL. 1915. 1,000 ft.

Credits: J. E. Hungerford; director, Charles Ranson.

NEARLY A WIDOW. 1914. 1 reel.

Credits: J. Edward Hungerford.

NEARLY DIVORCED. 1929. 2 reels, sd., b&w. From the play "Phipps" by Stanley Houghton.

NEARLY MARRIED. 1917. 6 reels.

Credits: Director, Chester Withey; story, Edgar Selwyn; scenario, Lawrence McCloskey.

NEARLY RICH. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Director, Dick Smith.

NEARLY WED. (Star Comedy) 1920. 1 reel.

Credits: Director, Vin Moore.

NEAT AND TIDY. (Rainbow Comedies) 1930. 2 reels, sd.

Credits: Producer, Gordon Bostock; director, Monty Banks; film editor, A. Knott.

'NEATH CALVARY'S SHADOW. 1915. 3 reels.

Credits: Director, William Robert Daly.

NEATH THE ARIZONA SKIES. (A Lone Star Western) 1935. 6 reels, sd.

Credits: Producer, Paul Malvern; director, Harry Fraser; story and screenplay, Burl Tuttle; editor, Carl Pierson.

'NEATH THE BABABA TREE. (Dr. Seuss Cartoon) 1931. 1 reel, sd.

Credits: Story, Irving A. Jacoby; animation. Dr. Seuss; musical score, Philip Schieb.

'NEATH THE LION'S PAW. 1914. 3 reels.

THE NECESSARY EVIL. 1925. 7 reels. Adapted from "Uriah's Son" by Stephen Vincent Benet.

Credits: Supervision, Earl Hudson; director, George Archainbaud.

NECK AND NECK. Presented by George W. Weeks. 1931. 6 reels.

Credits: Supervision, Roy Davidge; director, Richard Thorpe; story, Betty Burbridge.

NECK AND NOOSE. 1919. 2 reels.

Credits: Director, George Holt; story, Jim Youngdeer; scenario, Anthony Coldeway.

NECK 'N NECK. (An Oswald Comedy) Snappy. 1927. 1 reel.

Credits: Walt Disney.

A NECKIN' PARTY. 1937. 1 reel, sd.

Credits: Director, Lloyd French; story, Jack Henley.

THE NECKLACE OF RAMESES. 1914. 3 reels.

Credits: Charles Vernon; director, Charles J. Brabin.

NED MCCOBB'S DAUGHTER. 1928. 7 reels, sd. From the stage play by Sidney Howard.

Credits: Production manager, John Rohlfs; director, William J. Cowen; screenplay, Beulah Marie Dix; film editor, Anne Bauchens.

Credits: George Barr McCutcheon.

THE NEED OF MONEY. 1915. 1 reel.

THE NEEDS OF COMMERCE; Manufacturing Paper Money. 1915.

THE NE'ER-DO-WELL. 1915. 10 reels. Based on the novel by Rex Beach.

Credits: Director, Colin Campbell.

THE NE'ER-DO-WELL. Paramount. Presented by Adolph Zukor. 1923. 8 reels. From the novel by Rex Beach.

Credits: Director, Alfred E. Green; adaptation, Louis Stevens.

1. The Woman Alone. © title, descr. & 56 prints, 18Dec16; LU9752.

2. Weakening. © title, descr. & 60 prints, 18Dec16; LU9753.

3. In the Crucible. © title, descr. & 60 prints, 18Dec16; LU9754.

4. Beyond Recall. © title, descr. & 63 prints, 18Dec16; LU9755.

5. Under Suspicion. © title, descr. & 77 prints, 18Dec16; LU9756.

6. On the Precipice. © title, descr. & 49 prints, 24Apr17; LU10625.

7. The Message on the Mirror. © title, descr. & 47 prints, 25Apr17; LU10636.

8. A Relentless Fate. © title, descr. & 49 prints, 25Apr17; LU10637.

9. Deepening Degradation. © title, descr. & 67 prints, 25Apr17; LU10638.

10. A Veiled Intrigue. © title, descr. & 56 prints, 25Apr17; LU10639.

11. A Reckless Indiscretion. © title, descr. & 59 prints, 25Apr17; LU10640.

12. Embittered Love. © title, descr. & 48 prints, 25Apr17; LU10641.

13. Revolting Pride. © title, descr. & 54 prints, 25Apr17; LU10642.

14. Desperation. © title, descr. & 47 prints, 25Apr17; LU10643.

15. A Sacrifice Supreme. © title, descr. & 56 prints, 25Apr17; LU10644.

NEGLECTED WOMEN. Released by F. B. O. 1924. 6 reels. From the story "The Great Well" by Alfred Sutro.

Credits: Producer and director, Henry Kolker.

NEHI MARCHES ON. 1936. 1 reel.

NEIGH, NEIGH, SPARK PLUG. (Barney Google Series, no. 8) 1929. 2 reels.

Credits: Director, St. Elmo Boyce; story, E. V. Durling, George O'Hara.

NEIGHBOR TROUBLE. 1932. 19 min., sd.

Credits: Director, Leslie Pearce; story and dialogue, John A. Waldron, Earle Rodney, Felix Adler.

NEIGHBORHOOD HOUSE. (A Hal Roach Comedy) 1936. 2 reels, sd., b&w.

Credits: Director, Charles Parrott, Harold Law; film editor, Ray Snyder.

NEIGHBORLY NEIGHBORS. 1930. 2 reels, sd.

Credits: Director, Ray Cozine; dialogue direction, Max E. Hayes.

Credits: Director, Frank H. Crane; scenario, Hamilton Smith, Harry O. Hoyt.

NEIGHBORS. 1920. 2 reels.

Credits: Written and directed by Buster Keaton, Eddie Cline.

NEIGHBORS. 1929. 2 reels, sd.

Credits: Director, Harold Beaudine.

NEIGHBORS. (Color Rhapsody, no. 7) 1935. 1 reel, sd., color.

Credits: Story, Sid Marcus; animation, Art Davis.

NEIGHBORS. SEE Jack Baxley and Company in Neighbors with Babette Wilson.

A NEIGHBOR'S KEYHOLE. 1918. 2 reels.

Credits: Director, Henry Lehrman.

NEIGHBORS' WIVES. 1933. 7 reels, sd.

Credits: Director, Breezy Eason; screenplay and adaptation, John Francis Natteford.

NELL GWYN. Paramount. Presented by British National Pictures, Ltd. 1926. 7 reels. Based on the novel "Mistress Nell Gwyn" by Marjorie Bowen [pseud.]

Credits: Scenario and direction, Herbert Wilcox.

NELL GWYN. 1935. 8 reels, sd.

Credits: Miles Malleson; director, Herbert Wilcox.

NELL OF THE DANCE HALL. 1915. 3 reels.

Credits: Written and produced by Wilbert Melville.

NELLIE OF THE CIRCUS. (A Walter Lantz Mello-Drama) 1939. 1 reel.

Credits: Director, Alex Lovy; story, Victor McLeod, James Miele; animation, Merle Gilson, Ray Fahringer.

NELLIE, THE BEAUTIFUL CLOAK MODEL. 1924. 7 reels. From the play by Owen Davis.

Credits: Director, Emmett Flynn.

NELLIE, THE FIREMAN'S DAUGHTER. Special Victor. 1917. 1/2 reel.

NELLIE, THE INDIAN CHIEF'S DAUGHTER. (Oswald the Rabbit) 1938. 1 reel, sd.

Credits: Producer, Walter Lantz; story, Victor McLeod, Win Smith; animation, LaVerne Harding, George Dane.

NELLIE, THE SEWING MACHINE GIRL. (An Oswald Cartoon) 1938. 1 reel.

Credits: Producer, Walter Lantz; director, Alex Lovy; story, Victor McLeod, James Miele; animation, Ray Fahringer, George Grandpre.

NELLIE'S NAUGHTY BOARDER. 1919. 2 reels.

Credits: Director, F. Griffen.

NELL'S YELLS. (Scrappy) (A Color Rhapsody) Released by Columbia Pictures Corp. 1939. 1 reel, sd.

Credits: Director, U. B. Iwerks; music, Eddie Kilfeather; music director, Joe de Nat.

THE NELSON TOUCH. SEE Man of Affairs.

NEMESIS; or, THE 19 DOWN EXPRESS. 1913. 2,565 ft.

NEMESIS AND THE CANDY-MAN. 1918. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Ashley Miller; adaptation, Harry Southwell.

NEPTUNE NONSENSE. (Rainbow Parade, no. 7) 1936. 1 reel, color.

Credits: Directors, Burt Gillett, Tom Palmer.

Credits: Producer, Herbert Brenon; scenario, Leslie T. Peacocke.

NEPTUNE'S MYSTERIES. (The Struggle To Live Series, no. 1) Presented by RKO Radio Pictures. 1935. 1 reel, sd.

Credits: Associate producers, H. L. Woodard, Stacey Woodard; narrator, Gayne Whitman.

NEPTUNE'S NAUGHTY DAUGHTER. 1917. 2 reels.

Credits: Director, J. G. Blystone.

Credits: Producer, John L. Hawkinson.

NEPTUNE'S SCHOLARS. (Sportlight) 1936. 1 reel, sd.

Credits: Narrator, Ted Husing.

NEPTUNE'S STEPDAUGHTER. 1925. 2 reels.

Credits: Director, Max Gold.

NERO. 1922. 12 reels.

Credits: Director, J. Gordon Edwards; story, Charles Sarver, Virginia Tracy; scenario, Virginia Tracy.

NERO. (Hysterical History Comedies) 1925. 1 reel.

Credits: Director, William H. Watson.

NERTSERY RHYMES. 1933. 2 reels, sd., color.

Credits: Director, Jack Cummings.

NERVE CONTROL. (Sportlight) 1935. 1 reel, sd.

Credits: Narrator, Ted Husing.

THE NERVE OF FOLEY. SEE The Runaway Express.

THE NERVE OF SOME WOMEN. Presented by Adolph Zukor. 1934. 1 reel, sd.

Credits: Narrator, Ted Husing.

NERVE WRECKERS. (Football Thrills Series) 1932. 1 reel.

Credits: Producer, Clyde E. Elliott; editor, Leonard Mitchell.

NERVOUS HANDS. 1934. 2 reels, sd.

Credits: Director, Ralph Staub; story, Glen Lambert, Jack Henley.

Credits: Producer, John L. Hawkinson.

THE NERVOUS REPORTER. 1924. 2 reels.

Credits: Director, Ward Hayes.

THE NERVOUS SYSTEM. 1937. 1 reel, sd.

THE NERVOUS WRECK. Released by Producers Distributing Corp. 1926. 7 reels. From the dramatization by Owen Davis of the novel "The Wreck" by E. J. Rath [pseud.]

Credits: Director, Scott Sidney; adaptation, F. McGrew Willis.

THE NERVOUS WRECK. SEE Whoopee.

THE NERVY DENTIST. 1921. 2 reels.

Credits: Written and directed by Alf T. Goulding.

NERVY NAT HAS HIS FORTUNE TOLD. (Sullivan Cartoon Comedy) Powers. 1916. 1/2 reel.

THE NEST. 1926. 8 reels. From "Les Noces d'Argent" by Paul Géraldy.

Credits: Producer, Wesley Ruggles; director, William Nigh; scenario, Charles E. Whittaker.

THE NEST EGG. SEE Marry Me.

THE NET. 1923. 7 reels, b&w, tinted sequences.

Credits: Director, J. Gordon Edwards; story, Maravene Thompson; scenario, Olga Linek Schnoll, Virginia Tracy.

THE NET. SEE Fair Lady.

NETHER CURRENTS. SEE The Trap.

NETTY OR LETTY. 1914. 1 reel.

Credits: Scenario, Jack Freise.

NEVADA. 1927. 6,258 ft. From the novel by Zane Grey.

Credits: Director, John Waters; screenplay, John Stone, L. G. Rigby.

NEVADA. Presented by Adolph Zukor. 1935. 7 reels. From the novel by Zane Grey.

Credits: Director, Charles Barton; screenplay, Garnett Weston, Stuart Anthony; film editor, Jack Dennis.

THE NEVADA BUCKAROO. 1931. 6 reels.

Credits: Producer, Trem Carr; director, John P. McCarthy; story and adaptation, Wellyn Totman; editor, Len Wheeler.

NEVER AGAIN. 1914. 2 reels.

Credits: Director, Sidney Drew.

NEVER AGAIN. 1915. 1 reel.

Credits: Written and produced by Tom Mix.

NEVER AGAIN. 1916. 1 reel.

NEVER AGAIN. (Tuxedo Comedies) 1924. 2 reels.

Credits: Written and directed by Al St. John.

NEVER AGAIN, EDDIE. Nestor. 1916. 1 reel.

Credits: Story, J. Lewis; scenario, Al. E. Christie.

NEVER CATCH THE RABBIT. (Sports with Bill Corum, no. 6) 1936. 1 reel.

NEVER FEAR. (Cameo Comedy) 1925. 1 reel.

Credits: Director, Albert Ray.

NEVER GIVE A SUCKER A BREAK. 1933. 9 reels, sd., b&w.

Credits: Associate producer, Lawrence Weingarten; director, Jack Conway; original story, Chandler Sprague, Howard Emmett Rogers; adaptation and dialogue, Bella Spewack, Samuel Spewack; film editor, Frank Sullivan.

NEVER KICK A WOMAN. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Roland Crandall.

NEVER LET GO. 1922. 2 reels.

Credits: Director, Nathaniel Ross; story, George H. Plympton; scenario, Harvey Gates.

NEVER LIE TO YOUR WIFE. Nestor. 1916. 1 reel.

Credits: Al. E. Christie; producer, Horace Davey.

NEVER SAY DIE. 1924. 6 reels. From the play by William H. Post.

Credits: Scenario, Raymond Cannon; adaptation, Raymond Griffith, Wade Boteler.

NEVER SAY DIE. 1939. 9 reels, sd. Based on a play by William H. Post.

Credits: Producer, Paul Jones; director, Elliott Nugent; screenplay, Don Hartman, Frank Butler, Preston Sturges; film editor, James Smith.

NEVER SAY QUIT. 1919. 5 reels.

Credits: Director, Edward Dillon; story and scenario, R. L. Schrock.

NEVER SOCK A BABY. 1939. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, William Henning, Abner Matthews.

NEVER STRIKE YOUR MOTHER. 1930. 1 reel.

Credits: Story, John P. Medley, Eddie Buzzell.

NEVER THE DAMES SHALL MEET. Presented by Hal Roach. 1927. 2 reels, sd., b&w.

Credits: Supervision, Leo McCarey; director, James Parrott; titles, H. M. Walker; editor, Richard Currier.

NEVER THE TWAIN SHALL MEET. Cosmopolitan. 1925. 8 reels, b&w, tinted sequences. From the story by Peter B. Kyne.

Credits: Director, Eugene Tourneur; scenario, Eugene Mullin; film editor, Donn Hayes.

NEVER THE TWAIN SHALL MEET. 1931. 8 reels, sd., b&w. From the story by Peter B. Kyne.

Credits: Director, W. S. Van Dyke; dialogue continuity, Edwin Justus Mayer; additional dialogue, Ruth Cummings, John Lynch; film editor, Ben Lewis.

NEVER THE TWINS SHALL MEET. 1932. 2 reels, sd.

Credits: Producer, Louis Brock; director, Harold Schwartz; story and continuity, Thomas L. Lennon, Harold Schwartz; film editor, Ted Cheesman.

NEVER TOO LATE. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Jules White.

NEVER TOO LATE TO LEARN. 1937. 1 reel, sd.

NEVER TOO OLD. 1919. 2 reels.

Credits: Director, Richard Jones.

NEVER TOO OLD TO WOO. Victor. 1917. 1 reel.

Credits: Director, George Cochrane; story, Fleming Wilson; scenario, Calder Johnstone.

NEVILLE FLEESON AND GLADYS BAXTER IN A SATIRE ON RAIN; Mr. Fleeson Accompanies Miss Baxter at the Piano. 1927. 1 reel, sd.

NEVILLE FLEESON AND GLADYS BAXTER IN SONG PICTURES; Miss Baxter Singing, Accompanied by Mr. Fleeson at the Grand Piano. 1927. 1 reel, sd.

NEW ADVENTURES OF GET RICH QUICK WALLINGFORD. 1931. 10 reels, sd., b&w. From the Wallingford stories by George Randolph Chester.

Credits: Producer, Sam Wood; adaptation, Charles MacArthur; film editor, Frank Sullivan.

Credits: Produced by The Whartons.

3. A Rheumatic Joint. © title, descr. & 89 prints, 13Oct15; LU6625.

4. The Master Touch. © title, descr. & 63 prints, 13Oct15; LU6624.

* 5. The Lilac Splash. © title, descr. & 45 prints, 27Oct15; LU6781.

6. A Trap for Trapp. © title, descr. & 50 prints, 10Nov15; LU6921.

* 7. The Bang Sun Engine. © title, descr. & 60 prints, 10Nov15; LU6915.

8. A Transaction in Summer Boarders. © title, descr. & 43 prints, 6Dec15; LU7140.

9. Detective Blackie. © title, descr. & 40 prints, 3Dec15; LU7114.

10. Apples and Egg-Beaters. © title, descr. & 40 prints, 30Dec15; LU7316.

11. A Stony Deal. © title, descr. & 63 prints, 30Dec15; LU7314.

[12] Buying a Bank with Bunk. © title, descr. & 44 prints, 8Feb16; LU7662.

THE NEW ADVENTURES OF TERENCE O'ROURKE. Universal Special. 1915. 2 reels each. © Universal Film Mfg. Co., Inc.

Credits: Producer, Otis Turner; story, Louis Joseph Vance; scenario, Walter Woods, F. McGrew Willis.

1. Palace of Dust. © 15Nov15; LP6973.

2. When a Queen Loved O'Rourke. © 22Nov15; LP7045.

3. The Road to Paradise. © 30Nov15; LP7089.

Credits: Produced by The Whartons.

1. The Bungalow Bungle. © title, descr. & 64 prints, 27Oct15; LU6779.

2. Three Rings and a Goat. © title, descr. & 71 prints, 27Oct15; LU6780.

NEW AFRICAN HUNT. SEE Paul J. Rainey.

THE NEW AUDIOSCOPIKS. 1938. 1 reel, sd., b&w.

Credits: Producers, J. F. Leventhal, J. A. Norling; explanatory remarks, Pete Smith.

THE NEW AUNT. Presented by Mack Sennett. 1929. 2 reels.

Credits: Supervision, J. A. Waldron; director, Earle Rodney; story, Jefferson Moffitt, Carl Harbaugh; film editor, William Hornbeck.

NEW BROOMS. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6 reels. From the play by Frank Craven.

Credits: Producer, William De Mille; screenplay, Clara Beranger.

THE NEW BUTLER. 1915. 1,000 ft.

THE NEW CAR. (A Flip the Frog Cartoon) 1931. 1 reel, sd.

NEW CHAMPION. Presented by Perfection Pictures. 1925. 5 reels.

Credits: Director, Reaves Eason; story, Dorothy Howell.

THE NEW COMMANDMENT. Presented by Robert T. Kane. 1925. 7 reels. From the novel "Invisible Wounds" by Frederick Palmer.

Credits: Director, Howard Higgin; screen adaptation, Sada Cowan, Howard Higgin.

THE NEW DAY'S DAWN. 1912. 1 reel.

Credits: E. Boudinot Stockton.

NEW DEAL RHYTHM. 1934. 1 reel, sd.

THE NEW DEAL SHOW. (A Betty Boop Cartoon) 1937. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Hicks Lokey, Lillian Friedman.

THE NEW DEALERS. 1934. 2 reels, sd.

Credits: Producer, Phil L. Ryan; director, Del Lord; story, Harry McCoy; adaptation, James Mulhauser, Scott E. Cleethorpe; editor, Francis Lyon; music supervision, Abe Meyer.

THE NEW EDITOR. 1914. Split reel.

NEW ENGLAND. (Regional Geography) 1921. 2 reels.

NEW ENGLAND FISHERIES; pt. 1, Cod. 1927. 1 reel.

NEW ENGLAND FISHERIES; pt. 2, Mackerel. 1928. 1 reel.

NEW ENGLAND FISHERMEN. 1938. 1 reel, sd.

15. The Serpent Sign. © title, descr. & 67 prints, 15Oct15; LU6660.

16. The Cryptic Ring. © title, descr. & 78 prints, 15Oct15; LU6661.

17. The Watching Eye. © title, descr. & 64 prints, 15Oct15; LU6659.

18. The Vengeance of Wu Fang. © title, descr. & 57 prints, 15Oct15; LU6658.

19. The Saving Circles. © title, descr. & 70 prints, 15Oct15; LU6662.

20. Spontaneous Combustion. © title, descr. & 64 prints, 15Oct15; LU6663.

21. The Ear in the Wall. © title, descr. & 73 prints, 18Oct15; LU6678.

22. The Opium Smugglers. © title, descr. & 68 prints, 18Oct15; LU6679.

23. The Tell-Tale Heart. © title, descr. & 73 prints, 18Oct15; LU6680.

24. Shadows of War. © title, descr. & 69 prints, 18Oct15; LU6681.

For subsequent issues SEE The Romance of Elaine.

THE NEW FABLE OF ALL THAT TRIANGLE STUFF AS SIZED UP BY THE MEAL TICKET. 1917. 2 reels.

Credits: George Ade; director, Richard Foster Baker; adaptation, Charles J. McGuirk.

THE NEW FABLE OF PRINCE FORTUNATUS WHO MOVED AWAY FROM EASY STREET AND SILAS, THE SAVER, WHO MOVED IN. 1917. 29 min.

Credits: George Ade; director, Fred E. Wright; adaptation, H. Tipton Steck.

THE NEW FABLE OF THE BACK-TRACKER FROM THE HOT SIDEWALKS. 1917. 2 reels.

Credits: Director, Lee Metford; story, George Ade; adaptation, Charles J. McGuirk.

THE NEW FABLE OF THE FILM FED FAMILY. 1917. 1 reel.

Credits: George Ade; director, Richard Foster Baker; adaptation, Raymond E. Dakin.

THE NEW FABLE OF THE GIRL WHO TOOK NOTES AND GOT WISE AND THEN FELL DOWN. 1917. 25 min.

Credits: Director, Richard Foster Baker; story, George Ade; adaptation, Charles Mortimer Peck.

THE NEW FABLE OF THE SPEEDY SPRITE. 1917. 28 min.

Credits: George Ade; director, Richard Foster Baker; adaptation, Charles Mortimer Peck.

THE NEW FABLE OF THE TOILSOME ASCENT AND THE SHINING TABLE LAND. 1917. 2 reels.

Credits: Adapted and directed by Charles J. McGuirk; story, George Ade.

THE NEW FABLE OF THE UPLIFTER AND HIS DANDY LITTLE OPUS. 1917. 25 min.

Credits: George Ade; director, Richard Foster Baker; adaptation, H. Tipton Steck.

THE NEW FABLE OF THE WANDERING BOY AND THE WAYWARD PARENTS. 1917. 2 reels.

Credits: Director, Richard Foster Baker; story, George Ade; adaptation, Charles J. McGuirk.

THE NEW FABLE OF WHAT THE BEST PEOPLE ARE NOT DOING. 1917. 2 reels.

Credits: George Ade; director, Richard Foster Baker; adaptation, Charles J. McGuirk.

THE NEW FABLE OF WHAT TRANSPIRES AFTER THE WIND-UP. 1917. 2 reels.

Credits: Director, Richard Foster Baker; story, George Ade; adaptation, H. Tipton Steck.

NEW FACES FOR OLD. (Beauty Parlor Series, no. 11) Released by F. B. O. 1927. 2 reels.

Credits: Director, Reggie Morris; story, H. C. Witwer; adaptation, Tom McNamara; continuity, Jean DuPont; supervising editor, James Wilkinson.

NEW FACES OF 1937. 1937. 12 reels, sd. Based on the story "Shoestring" by George Bradshaw.

Credits: Producer, Edward Small; director, Leigh Jason; adaptation, Harold Kusell, Harry Clork, Howard J. Green; screenplay, Nat Perrin, Philip G. Epstein, Irving S. Brecher; editor, George Crone; music director, Roy Webb.

NEW FOLKS IN TOWN. 1919. 1 reel. Based on "The Days of Real Sport" drawn by Briggs.

Credits: Director, John Joseph Harvey.

THE NEW FRONTIER. 1935. 6 reels, sd.

Credits: Supervision, Paul Malvern; director. Carl L. Pierson; story and screenplay, Robert Emmett.

NEW FRONTIER. 1939. 6 reels, sd. Based on characters created by William Colt MacDonald.

Credits: Associate producer, William Berke; director, George Sherman; original screenplay, Betty Burbridge, Luci Ward; film editor, Tony Martinelli; music score, William Lava.

THE NEW GUMPS. SEE Gumps. 1925-26, no. 12.

THE NEW HALFBACK. 1929. 22 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron.

NEW HOMES FOR OLD. 1936. Produced for the Bigelow Weavers. 1 reel.

THE NEW HOMESTEAD. (A Scrappy Cartoon) 1937. 1 reel, sd.

Credits: Producer, Charles Mintz; story, Art Davis; animation, Sid Marcus; music, Joe de Nat.

THE NEW JANITOR. 1916. 1 reel.

Credits: Producer, Edwin McKim.

THE NEW JITNEY IN TOWN. Imp. 1915. 1 reel.

Credits: King Baggot; producer, George A. Lessey.

A NEW KIND OF TIRE. Presented by Goodrich. 1938. 1 reel, sd.

THE NEW KLONDIKE. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1926. 7 reels. From the story by Ring Lardner.

Credits: Director, Lewis Milestone; screenplay, Tom J. Geraghty, J. Clarkson Miller.

A NEW LEASE ON HOME TRADE. 1937. For Ice Refrigeration Bureau. Filmstrip, sd.

THE NEW LEATHER PUSHERS. SEE Leather Pushers.

NEW LIGHT ON THE OLDS. 1936. 1 reel, sd.

NEW LIVES FOR OLD. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,796 ft.

Credits: Director, Clarence Badger; adaptation, Adelaide Heilbron.

NEW LOVE FOR OLD. 1918. 5 reels.

Credits: Producer, Ella Hall; director, Elsie Jane Wilson; story, Waldemar Young.

THE NEW MAGDALEN. 1914. 2 reels.

THE NEW MAGDALEN. SEE Mercy Merrick.

NEW METHODS FOR MALARIA CONTROL. 1930. Produced in collaboration with the United States Public Health Service. Airplane views through the courtesy of the United States Dept. of Agriculture.

Credits: Supervision, J. A. Le Prince, H. A. Johnson.

THE NEW MISSION OF JUDEX. SEE La Nouvelle Mission de Judex.

THE NEW MOON. Select Pictures. Presented by Joseph M. Schenck. 1919. 6 reels.

Credits: Scenario and direction, Chester Withey; story, H. H. Van Loan.

NEW MOON. 1931. 9 reels, sd., b&w. Based on the operetta, with music by Sigmund Romberg, and book and lyrics by Oscar Hammerstein, 2d, Frank Mandel, and Laurence Schwab.

Credits: Director, Jack Conway; adaptation, Sylvia Thalberg, Frank Butler; dialogue, Cyril Hume; film editor, Margaret Booth.

NEW MORALS FOR OLD. 1932. 8 reels, sd., b&w. From the play "After All" by John Van Druten.

Credits: Director, Charles Brabin; additional dialogue, Zelda Sears, Wanda Tuchock; film editor, William S. Gray.

THE NEW NATION (CZECHOSLAVAKIA). 1938. 895 ft., sd.

Credits: Narrative by Harold Baumstone.

NEW NEWS. 1937. 813 ft.

Credits: Director, Charles Lamont; screenplay, Al Giebler, Elwood Ullman, Searle Kramer.

THE NEW 1938 SUPER-FEATURE EASY WASHERS AND IRONERS. 1937. 1 reel.

NEW ORLEANS. (Ford Educational Library. Cities) Ford Motion Picture Laboratories. 1925. 1 reel.

NEW ORLEANS. 1929. 990 ft.

NEW ORLEANS. 1929. 8 reels, si., sd.

Credits: Produced and directed by Reginald Barker; story and continuity, John Francis Natteford; dialogue and titles, Frederic and Fanny Hatton; music score, Hugo Riesenfeld.

THE NEW PARDNER. SEE Hot off the Press.

THE NEW PARTNER. 1914. 1 reel.

Credits: Grace Helen Bailey; director, Langdon West.

THE NEW PORTER. 1916. 1 reel.

Credits: Written and produced by Ralph Whiting.

THE NEW PROFESSOR. (Melody Master) 1937. 10 min., sd.

Credits: Director, Joseph Henabery.

THE NEW PUPIL. 1913. 1 reel.

Credits: John MacCormac.

THE NEW RACKET. 1930. 1 reel.

THE NEW REPORTER. 1914. 1 reel.

NEW RHYTHM. 1930. 1 reel, sd.

Credits: Director, Ray Cozine.

THE NEW ROAD'S MASCOT. 1914. 1 reel.

NEW ROADWAYS. (John Nesbitt's Passing Parade) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., b&w.

Credits: Director, Basil Wrangell; screenplay, Doane Hoag.

THE NEW SCHOOL TEACHER. 1923. 6 reels. From the stories "Lovers' Leap" and "Young Nuts of America" by Irvin S. Cobb.

Credits: Director, Gregory LaCava.

NEW SCREEN MAGAZINE. 1919-21. 1 reel each. © Universal Film Mfg. Co., Inc.

1. © 13Feb19; MP1290.

2. © 24Feb19; MP1293.

3. © 26Feb19; MP1294.

4. © 7Mar19; MP1296.

5. © 13Mar19; MP1298.

6. © 19Mar19; MP1300.

7. © 24Mar19; MP1304.

8. © 2Apr19; MP1308.

9. © 10Apr19; MP1311.

10. © 18Apr19; MP1315.

11. © 23Apr19; MP1317.

12. © 5May19; MP1323.

13. © 8May19; MP1325.

14. © 14May19; MP1335.

15. © 28May19; MP1340.

16. © 28May19; MP1344.

17. © 7Jun19; MP1346.

18. © 14Jun19; MP1348.

19. © 24Jun19; MP1352.

20. © 27Jun19; MP1353.

21. © 2Jul19; MP1359.

22. © 9Jul19; MP1365.

23. © 16Jul19; MP1370.

24. © 23Jul19; MP1375.

25. © 30Jul19; MP1381.

26. © 8Aug19; MP1387.

27. © 15Aug19; MP1396.

28. © 23Aug19; MP1403.

29. © 25Aug19; MP1408.

30. © 3Sep19; MP1415.

31. © 10Sep19; MP1418.

32. © 18Sep19; MP1428.

33. © 24Sep19; MP1432.

34. © 30Sep19; MP1436.

35. © 18Oct19; MP1445.

36. © 21Oct19; MP1448.

37. © 25Oct19; MP1451.

38. © 29Oct19; MP1455.

39. © 8Nov19; MP1464.

40. © 14Nov19; MP1468.

41. © 18Nov19; MP1474.

42. © 29Nov19; MP1481.

43. © 3Dec19; MP1486.

44. © 6Dec19; MP1487.

45. © 16Dec19; MP1492.

46. © 20Dec19; MP1496.

47. © 31Dec19; MP1502.

48. © 31Dec19; MP1504.

49. © 14Jan20; MP1509.

50. © 19Jan20; MP1512.

51. © 27Jan20; MP1518.

52. © 3Feb20; MP1527.

53. © 9Feb20; MP1528.

54. © 13Feb20; MP1532.

55. © 24Feb20; MP1538.

56. © 26Feb20; MP1539.

57. © 4Mar20; MP1548.

58. © 11Mar20; MP1552.

59. © 16Mar20; MP1554.

60. © 25Mar20; MP1562.

61. © 1Apr20; MP1566.

62. © 10Apr20; MP1570.

63. © 16Apr20; MP1573.

64. © 23Apr20; MP1582.

65. © 30Apr20; MP1586.

66. © 6May20; MP1590.

67. © 13May20; MP1596.

68. © 21May20; MP1603.

69. © 28May20; MP1623.

70. © 9Jun20; MP1635.

71. © 16Jun20; MP1639.

72. © 18Jun20; MP1640.

73. © 29Jun20; MP1651.

74. © 1Jul20; MP1654.

75. © 9Jul20; MP1660.

76. © 17Jul20; MP1668.

77. © 6Aug20; MP1678.

78. © 9Aug20; MP1681.

79. © 14Aug20; MP1683.

80. © 25Aug20; MP1689.

81. © 28Aug20; MP1690.

82. © 3Sep20; MP1693.

83. © 7Sep20; MP1702.

84. © 11Sep20; MP1698.

85. © 17Sep20; MP1703.

86. © 25Sep20; MP1709.

87. © 7Oct20; MP1722.

88. © 14Oct20; MP1729.

89. © 20Oct20; MP1732.

90. © 25Oct20; MP1735.

91. © 29Oct20; MP1748.

92. © 10Nov20; MP1753.

93. © 15Nov20; MP1756.

96. © 8Dec20; MP1776.

97. © 13Dec20; MP1788.

98. © 16Dec20; MP1791.

99. © 29Dec20; MP1831.

100. © 5Jan21; MP1830.

SEE ALSO Universal Screen Magazine.

Credits: Scenario, Alex Frank.

NEW SHOES. (A Tabloid Musical) 1936. 1 reel, sd.

Credits: Director, Sammy Lee; music, Bob Wright, Chet Forrest.

THE NEW SOUTH. 1932. 1 reel.

THE NEW SOUTH. SEE Broken Chains.

THE NEW SQUIRE. 1912. 1 reel.

Credits: Bannister Merwin.

THE NEW STENOGRAPHER. 1914. 1 reel.

Credits: Director, Wilfrid North.

THE NEW STYLE WILLYS KNIGHT SIX. 1929. 1 reel.

THE NEW SUPERIOR WHIPPET SIX. 1929. 1 reel.

THE NEW TEACHER. 1922. 5 reels. Adapted from the book "Little Aliens" by Myra Kelly.

Credits: Director, Joseph Franz; adaptation, Dorothy Yost.

NEW TOYS. Released through First National Pictures. 1925. 8 reels. Adapted from the play by Oscar Hammerstein, 2d, and Milton Herbert Gropper.

Credits: Producer, John S. Robertson; scenario, Josephine Lovett.

NEW TUBES—NEW PROFITS. Presented by U. S. Tire Dealers' Mutual Corp. 1937. Filmstrip, 92 frames, sd.

THE NEW U. S. ROYAL MASTER WITH CENTIPEDE GRIP. 1936. Produced for U. S. Rubber Company. 1 reel, sd.

THE NEW VALET. 1915. 1 reel.

A NEW WAY TO WIN. 1915. Split reel.

THE NEW WILLYS-KNIGHT GREAT SIX. 1929. 1 reel, color.

THE NEW WILLYS-KNIGHT MODEL 87. 1930. 1 reel.

NEW WRINKLES. (Educational-Hamilton Comedy) 1927. 2 reels.

Credits: Written and directed by Norman Taurog.

NEW YEAR'S EVE. 1929. 7 reels.

Credits: Director, Henry Lehrman; story, Richard Connell; scenario, Dwight Cummins.

Credits: A. H. Woods; producer and director, George Fitzmaurice.

NEW YORK. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 7 reels.

Credits: Director, Luther Reed; story, Barbara Chambers, Becky Gardiner; screenplay, Forrest Halsey.

NEW YORK—BY HECK. 1918. 1 reel.

NEW YORK CITY. (Ford Educational Library, Regional Geography, v. 5) Ford Motion Picture Laboratories. 1921. 1 reel.

NEW YORK CITY. (Ford Educational Library, American Cities) Ford Motion Picture Laboratories. 1922. 1 reel.

THE NEW YORK IDEA. 1920. 5 reels. Adapted from the play by Langdon Mitchell.

Credits: Director, Herbert Blache; scenario, Mary Murillo.

NEW YORK LADY. SEE Tarnished Lady.

NEW YORK LUCK. SEE A Live Wire Hick.

NEW YORK NIGHTS. United Artists. 1929. 9 reels, sd. Based on the play "Tin Pan Alley" by Hugh Stanislaus Stange.

Credits: Supervision, John W. Considine, Jr.; director, Lewis Milestone; screen adaptation, Jules Furthman.

NEW YORK, PAST AND PRESENT. 1916. 1 reel.

THE NEW YORK PEACOCK. 1917. For Fox Film Corp. 6 reels.

Credits: Director, Kenean Buel; scenario, Mary Murillo.

THE NEW YORK POLICE DEPARTMENT CARNIVAL HELD AT BRIGHTON BEACH RACE TRACK JUNE 26 AND 27, 1914. 1914. 1 reel.

NEW YORK WATER SUPPLY. 1928. 1 reel.

NEW YORK WEST. SEE West of Broadway.

NEW YORK'S RAPID TRANSIT. 1916. 1 reel.

Credits: Anne Maxwell; producer, Teft Johnson.

NEW YORK'S SWEETHEART. 1928. 1 reel.

NEW ZEALAND—THE WHITE MAN'S PARADISE. (A FitzPatrick Traveltalk) 1933. 1 reel, sd.

Credits: Compiler, James A. FitzPatrick; photographer, John Bradford.

NEWCOMB'S NECKTIE. 1913. 1 reel.

Credits: Alice Williams.

THE NEWCOMER. (A Terry-Toon) Presented by Paul Terry. 1938. 1 reel, sd.

Credits: Director, Mannie Davis; music, Philip A. Scheib.

THE NEWEST METHOD OF COALING BATTLESHIPS AT SEA; Practice Drill in New York Navy Yard. 1913. 1 reel.

NEWHOFF AND PHELPS IN CROSS WORDS. 1928. 1 reel, sd.

THE NEWLY REWEDS. 1935. 2 reels, sd.

Credits: Director, Harry Edwards; story, Leslie Goodwins, Jack Townley; film editor, Edward Mann.

THE NEWLY RICH. 1915. 1 reel.

Credits: William Herbert.

A NEWLYWED PHABLE. 1916. 1 reel.

NEWLYWEDS' ADVICE. (A Stern Brothers Comedy) Junior Jewel. 1927. 2 reels.

Credits: Director, Francis Corby.

NEWLYWEDS' ANGEL CHILD. 1929. 2 reels. From the cartoons of George McManus.

Credits: Director, Francis Corby.

NEWLYWEDS' ANNIVERSARY. Junior Jewel. 1928. 2 reels.

Credits: Director, Francis Corby; story, Page Wright, William Weber.

THE NEWLYWEDS BUILD. (Stern Brothers Comedy) (The Newlyweds and Their Baby Series) 1926. 2 reels. From the cartoons by George McManus.

Credits: Director, Gus Meins.

NEWLYWEDS CAMP OUT. (Stern Brothers Comedy) 1929. 2 reels.

Credits: Director, Francis Corby.

NEWLYWEDS' CHRISTMAS PARTY. Junior Jewel. 1927. 2 reels.

Credits: Director, Gus Meins.

NEWLYWEDS COURT TROUBLE. (Stern Brothers Comedy) 1928. 2 reels. From cartoons by George McManus.

Credits: Director, Francis Corby.

NEWLYWEDS' EXCUSE. (Stern Brothers Comedy) 1929. 2 reels. From the cartoons by George McManus.

Credits: Director, Francis Corby.

NEWLYWEDS' FALSE ALARM. (A Stern Brothers Comedy) Junior Jewel. 1927. 2 reels.

Credits: Director, Francis Corby.

NEWLYWEDS' FRIENDS. Universal Junior Jewel. 1927. 2 reels.

Credits: Director, Gus Meins.

NEWLYWEDS' HAPPY DAY. Junior Jewel. 1927. 2 reels.

Credits: Director, Francis Corby.

NEWLYWEDS' HARD LUCK. (Stern Brothers Comedy) 1928. 2 reels. From the cartoons by George McManus.

Credits: Director, Francis Corby.

NEWLYWEDS' HEADACHE. Junior Jewel. 1928. 2 reels. From the cartoons by George McManus.

NEWLYWEDS' HOLIDAY. 1928. 2 reels.

Credits: Director, Francis Corby.

NEWLYWEDS' IMAGINATION. Junior Jewel. 1927. 2 reels.

Credits: Director, Gus Meins.

NEWLYWEDS IN SOCIETY. 1928. 2 reels. From the cartoons of George McManus.

Credits: Director, Francis Corby.

NEWLYWEDS LOSE SNOOKUMS. (Stern Brothers Comedy) 1928. 2 reels. From cartoons by George McManus.

NEWLYWEDS' MISTAKE. (Stern Brothers Comedy) (The Newlyweds and Their Baby Series) Junior Jewel. 1927. 2 reels. From the cartoons by George McManus.

Credits: Director, Gus Meins.

THE NEWLYWEDS' MIX-UP. Nestor. 1916. 1 reel.

Credits: Al. E. Christie; producer, Eddie Lyons.

NEWLYWEDS NEED HELP. (A Stern Brothers Comedy) 1928. 2 reels. From cartoons by George McManus.

NEWLYWEDS' NEIGHBORS. (Stern Brothers Comedy) (Newlywed Series) 1926. 2 reels.

Credits: Director, Gus Meins.

THE NEWLYWEDS' PESTS. (Stern Bros. Comedy) 1929. 2 reels. From the cartoons of George McManus.

Credits: Director, Gus Meins.

NEWLYWEDS QUARANTINED. (Stern Brothers Comedy) (Newlyweds Series) 1926. 2 reels.

Credits: Director, Gus Meins.

NEWLYWEDS' SERVANT. (Stern Brothers Comedies) 1927. 2 reels.

Credits: Director, Gus Meins.

NEWLYWEDS' SHOPPING TOUR. (The Newlyweds and Their Baby Series) (Stern Brothers Comedy) Junior Jewel. 1927. 2 reels. From the cartoon by George McManus.

Credits: Director, Gus Meins.

NEWLYWEDS' SUCCESS. (Stern Bros. Comedies) 1927. 2 reels.

Credits: Director, Gus Meins.

NEWLYWEDS' SURPRISE. (Stern Brothers Comedy) (Newlyweds Series) Junior Jewel. 1927. 2 reels.

Credits: Director, Gus Meins; story, George McManus.

THE NEWLYWEDS' TROUBLES. (Stern Brothers Comedy) (Newlyweds Series) Junior Jewel. 1927. 2 reels.

Credits: Director, Gus Meins; story, George McManus.

NEWLYWEDS UNWELCOME. (Stern Brothers Comedy) 1928. 2 reels. From the cartoons by George McManus.

NEWLYWEDS' VISIT. (Stern Bros. Comedy) Junior Jewel. 1928. 2 reels. From cartoons by George McManus.

Credits: Director, Samuel Newfield.

NEWS; Animated Letters of Compass. 1931. 1 reel.

THE NEWS HOUND. 1932. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, Harry Sweet; story, Ewart Adamson; film editor, John Link.

NEWS HOUNDS. 1934. 2 reels, sd.

Credits: Producer, Phil L. Ryan; director, Del Lord; story, James Mulhauser, Scott E. Cleethorpe; editor, Francis Lyon; music supervision, Abe Meyer.

NEWS IS MADE AT NIGHT. 1939. 6,431 ft., sd.

Credits: Director, Alfred Werker; original screenplay, John Larkin; music director, Samuel Kaylin.

THE NEWS MAKER. (Star Comedy) 1922. 1 reel.

Credits: Director, Craig Hutchinson; story and scenario, Hal Conklin.

NEWS OF THE DAY. 1939. 1 reel each, sd. © Hearst Metrotone News, Inc. Volume 11, 1939.

217. © 14Nov39; MP9804.

218. © 16Nov39; MP9800.

219. © 21Nov39; MP9809.

220. © 23Nov39; MP9810.

THE NEWS PARADE. 1928. 7 reels, b&w.

Credits: Director, David Butler; story, William M. Conselman, David Butler; scenario, Burnett Hershey.

NEWS REELING. (Krazy Kat Cartoon) 1928. 1 reel. Based on cartoons by George Herriman.

Credits: Ben Harrison, Manny Gould.

THE NEWSBOY TENOR. 1914. 1,000 ft.

Credits: Producer, Norval MacGregor.

THE NEWSBOY'S HARMONICA BAND. 1928. 1 reel.

NEWSBOYS HOME. 1938. 8 reels, sd.

Credits: Associate producer, Ken Goldsmith; director, Harold Young; original story, Gordon Kahn, Charles Grayson; screenplay, Gordon Kahn; film editor, Phil Cahn.

NEWSBOY'S NOCTURNE. (Broadway Brevity) 1937. 20 min., sd.

Credits: Director, Roy Mack; continuity, Cyrus D. Wood, Leo Sherin.

NEWSLAFF. 1927-28. 1 reel each.

Credits: Producer, Bill Nolan.

1. © 4Sep27; MP4530.

2. © 18Sep27; MP4553.

3. © 2Oct27; MP4518.

4. © 16Oct27; LP24715.

5. © 30Oct27; MP4626.

6. © 13Nov27; MP4674.

7. © 27Nov27; MP4675.

8. © 11Dec27; MP4687.

9. © 25Dec27; MP4676.

10. © 8Jan28; MP4695.

11. © 22Dec27; MP4627.

12. © 5Feb28; MP4763.

13. © 19Feb28; MP4764.

14. © 2Mar28; MP4765.

15. © 2Mar28; MP4766.

16. © 5Mar28; MP4769.

17. © 16Apr28; MP4977.

18. © 30Apr28; MP4978.

19. © 14May28; MP5240.

20. © 28May28; MP5116.

21. © 11Jun28; MP5158.

22. © 25Jun28; MP5321.

23. © 9Jul28; MP5326.

24. © 23Jul28; MP5373.

NEXT? Released thru General Film Co. 1918. 1 reel.

Credits: Arranged and directed by Arthur D. Hotaling.

THE NEXT CORNER. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7,081 ft. From the novel and play by Kate Jordan.

Credits: Monte Katterjohn; producer and director, Sam Wood.

NEXT DOOR NEIGHBORS. (Melody Comedies) Presented by E. B. Derr. 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; direction and story, Harry Sweet; adaptation, George Green; film editor, Fred Maguire; music director, Francis Gromon.

THE NEXT GENERATION. 1913. 2 reels.

Credits: Director, L. Rogers Lytton.

NEXT TIME I MARRY. 1938. 7 reels, sd.

Credits: Producer, Cliff Reid; director, Garson Kanin; story, Thames Williamson; screenplay, John Twist, Helen Meinardi; editor, Jack Hively; music director, Roy Webb.

NEXT TIME WE LOVE. Presented by Carl Laemmle. 1936. 9 reels, sd. Based on the story "Say Goodbye Again" by Ursula Parrott.

Credits: Producer, Paul Kohner; director, Edward H. Griffith; screenplay, Melville Baker; film editor, Ted Kent; music, Franz Waxman.

NEXT WEEK-END. (Hal Roach Comedy) (All Star Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Eddie Dunn; film editor, William Terhune.

NIAGARA FALLS. 1915. 1,000 ft.

NIAGARA FALLS. (Ford Educational Library, Regional Geography, v. 5) Ford Motion Picture Laboratories. 1921. 1 reel.

NIAGARA FALLS. (Ford Educational Library, Regional Geography) Ford Motion Picture Laboratories. 1922. 1 reel.

NIAGARA FALLS. 1930. 1 reel.

NIAGARA FALLS. (Gay Girls Comedies) 1932. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, William Goodrich; story, Ewart Adamson; film editor, Walter Thompson.

NIAS AND SUMATRA, ISLANDS OF NETHERLANDS INDIA. Released by Harold Auten. 1936. 1 reel, sd.

Credits: Script collaborator, P. Paul Devlin.

NICE AND CANNES. (Paramount-Burton Holmes Travel Picture) 1921. 1 reel.

NICE PEOPLE. 1922. 7 reels. From the play by Rachel Crothers.

Credits: Director, William De Mille; adaptation, Clara Beranger.

A NICE PICKLE. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Director, Richard H. Smith.

NICE WOMEN. 1931. 7 reels. From the play by William A. Grew.

Credits: Screenplay and direction, Edwin H. Knopf; continuity, Gladys Lehman.

NICELY REWARDED. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Director, Richard Smith.

NICK CARTER, MASTER DETECTIVE. Presented by Metro-Goldwyn-Mayer. 1939. 6 reels, b&w, sd.

Credits: Producer, Lucien Hubbard; director, Jacques Tourneur; story, Bertram Millhauser, Harold Buckley; screenplay, Bertram Millhauser; film editor, Elmo Vernon; music, Edward Ward.

NICK LUCAS AND HIS TROUBADOURS. 1936. 1 reel, sd.

Credits: Director, Joseph Henabery.

THE NICK OF TIME. SEE One Gun Gary in The Nick of Time.

NICKED NAGS. (Krazy Kat Cartoon) 1928. 1 reel.

Credits: Producer, Charles B. Mintz; animation, Ben Harrison, Manny Gould.

NICKEL LOW-DOWN. 1937. 1 reel, sd.

THE NICKEL NURSER. (A Hal Roach Subject) Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, Warren Doane; dialogue, H. M. Walker; editor, Richard Currier.

THE NICKEL PLATED WEST. 1924. 2 reels.

Credits: Director, Al Herman.

THE NICKELETTE. 1932. 1 reel.

Credits: Bert Frank; dialogue, Burnet Hershey.

NICKELS AND DIMES. 1937. Filmstrip. 91 frames, sd.

NICK'S COFFEE POT. (A Terry-Toon) Presented by Paul Terry. 1939. 1 reel, sd.

Credits: Director, Connie Rasinski; story, John Foster; music, Philip A. Scheib.

NIFTY NAGS. (A Paramount-Christie Comedy) 1927. 2 reels.

Credits: Director, Arvid Gillstrom; story, Hal Conklin.

NIFTY NUMBERS. 1928. 2 reels.

Credits: Director, William Holland; story, Jean Arlette.

NIFTY NURSES. Presented by E. W. Hammons. 1934. 1,885 ft., sd.

Credits: Direction and story, Leigh Jason; dialogue, Stanley Rauh; film editor, Ray Lockert; music director, Arthur Kay.

THE NIGGER. 1915. For William Fox Vaudeville Co. 5 reels. Adapted from the play by Edward Sheldon.

Credits: Scenario, Edgar Lewis.

NIGHT. (A Walt Disney Comic) 1930. 1 reel.

NIGHT AFTER NIGHT. 1932. 8 reels, sd. From the story "Single Night" by Louis Bromfield.

Credits: Director, Archie Mayo; screenplay, Vincent Lawrence; continuity, Kathryn Scola.

NIGHT ALARM. 1934. 7 reels, sd.

Credits: Supervision, Larry Darmour; director, Spencer Bennet; original story, Jack Stanley; adaptation, Earle Snell; editor, Dwight Caldwell.

THE NIGHT ANGEL. 1931. 8 reels, sd.

Credits: Written and directed by Edmund Goulding.

A NIGHT AT COFFEE DAN'S; WILLIAM DEMAREST AS MASTER OF CEREMONIES, [IN] HAIL, HAIL, THE GANG'S ALL HERE [and others]. 1927. 1 reel.

Credits: Director, Bryan Foy.

A NIGHT AT THE BILTMORE BOWL. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Alf Goulding; story, Joseph A. Fields; film editor, Edward Mann; music director, Roy Webb.

A NIGHT AT THE INN. 1913. 1 reel.

Credits: Jeanette L. Gilder.

A NIGHT AT THE MOVIES. 1937. 1 reel, sd., b&w.

Credits: Director, Roy Rowland; original story, Robert Lees, Fred Rinaldo.

A NIGHT AT THE OPERA. 1935. 10 reels, sd., b&w.

Credits: Director, Sam Wood; story, James Kevin McGuinness; screenplay, George S. Kaufman, Morrie Ryskind; film editor, William LeVanway; musical score, Herbert Stothart.

A NIGHT AT THE RITZ. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1935. 7 reels, sd.

Credits: Director, William H. McGann; story and screenplay, Albert J. Cohen, Robert T. Shannon; additional dialogue, Manuel Seff.

A NIGHT AT THE TROC. (Musical Hall Vanities) Fanchon and Marco. 1939. 939 ft., sd.

Credits: Producer and director, Arthur Dreifuss; supervision, William C. Kent; music director, Ross Di Maggio.

THE NIGHT ATTACK. 1921. 2 reels.

Credits: Producer, Edward Kull; story and scenario, George H. Plympton.

THE NIGHT BEFORE. 1921. 2 reels.

Credits: Director, Malcolm St. Clair.

THE NIGHT BEFORE CHRISTMAS. (Walt Disney's Silly Symphony) 1933. 1 reel, sd.

THE NIGHT BIRD. A Denny production. Jewel. 1928. 7 reels.

Credits: Director, Fred Newmeyer; story, Frederick and Fanny Hatton; adaptation and continuity, Earle Snell.

NIGHT BIRDS. 1931. 7 reels, sd.

Credits: Supervision, Emile de Ruelle; producer and director, Richard Eichberg; story and scenario, Victor Kendall; dialogue, Miles Malleson; film editor, S. Simmonds; music, H. May.

THE NIGHT BRIDE. Presented by John C. Flinn. 1927. 6 reels.

Credits: Director, E. Mason Hopper; story, Frederic Chapin; adaptation, Zelda Sears; continuity, Fred Stanley.

THE NIGHT CAP. Nestor. 1917. 1 reel.

Credits: Director, Roy Clements; story, Virginia Kirtley; scenario, Fred Palmer.

NIGHT CLASS. (Campus Comedies) 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; story and direction, Harry Fraser; screenplay, Charles A. Callahan; film editor, John Link; music director, Francis Groman.

THE NIGHT CLUB. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 5,732 ft. From the play "After Five" by William C. and Cecil B. De Mille.

Credits: Director, Frank Urson, Paul Iribe; screenplay, Keene Thompson; adaptation, Walter Woods.

NIGHT CLUB. 1929. 5 reels, sd. From the story by Katharine Brush.

THE NIGHT CLUB. (Aesop Sound Fable). Presented by The Van Beuren Corp. 1929. 1 reel, sd.

Credits: John Foster, Mannie Davis.

THE NIGHT CLUB LADY. 1932. 7 reels, sd.

Credits: Director, Irving Cummings; story, Anthony Abbott; screenplay, Robert Riskin.

NIGHT CLUB REVELS. 1931. 1 reel.

NIGHT CLUB SCANDAL. Presented by Adolph Zukor. 1937. 8 reels, sd. From a play by Daniel N. Rubin.

Credits: Director, Ralph Murphy; screenplay, Lillie Hayward.

THE NIGHT COURT. 1927. 1 reel, sd.

Credits: Murray Roth; director, Bryan Foy.

NIGHT COURT. 1932. 9 reels, sd. Based on the play by Mark Hellinger and Charles Beahan.

Credits: Bayard Veiller, Lenore Coffee; director, W. S. Van Dyke; film editor, Ben Lewis.

THE NIGHT CRY. 1926. 7 reels.

Credits: Director, Herman C. Raymaker; story, Phil Klein, Edward Meagher; adaptation, Ewart Adamson.

NIGHT FLIGHT. 1933. 9 reels, sd., b&w. From the 1931 Prix Femina novel by Antoine de Saint-Exupéry.

Credits: Executive producer, David O. Selznick; director, Clarence Brown; screenplay, Oliver H. P. Garrett; film editor, Hal C. Kern; musical score, Herbert Stothart.

THE NIGHT FLYER. James Cruze, Inc. Presented by James Cruze. 1928. 7 reels. From the story "Held for Orders" by Frank Hamilton Spearman.

Credits: Director, Walter Lang; screenplay, Walter Woods; film editor, Mildred Johnston.

THE NIGHT HAWK. 1938. 7 reels, sd.

Credits: Associate producer, Herman Schlom; director, Sidney Salkow; original screenplay, Earl Felton; film editor, Ernest Nims; music director, Cy Feuer.

THE NIGHT HORSEMAN. 1921. 5 reels, b&w, tinted sequences. Based on the novel by Max Brand [pseud. of Frederick Faust].

Credits: Director, Lynn F. Reynolds.

NIGHT HOWLS. (Krazy Kat Cartoon) 1928. 1 reel.

Credits: Producer, Charles B. Mintz; animation, Ben Harrison, Manny Gould.

A NIGHT IN A DORMITORY. (A Melody Comedy) 1930. 2 reels, sd.

Credits: Supervision, Philip Tannura; producer and director, Harry Delmar; story, Benny Ryan, Violinsky; film editor, E. Pfitzenmeier.

A NIGHT IN A MUSIC HALL. (Music Hall Vanities) Fanchon and Marco. 1939. 969 ft., sd.

Credits: Producer and director, Arthur Dreifuss; supervision, William C. Kent; music director, Ross Di Maggio.

A NIGHT IN JUNE. (Paramount-Post Nature Pictures) Post Pictures Corp. 1919. 1 reel.

A NIGHT IN KENTUCKY. 1915. 1 reel.

Credits: Crittenden Marriot.

A NIGHT IN NEW ARABIA. 1917. 4 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, F. R. Buckley.

A NIGHT IN OLD SPAIN. 1915. 1 reel.

Credits: Producer, Wilbert Melville.

A NIGHT IN THE JUNGLE. 1915. 1 reel.

Credits: Director, E. A. Martin.

A NIGHT IN THE SHOW. 1915. 2 reels.

NIGHT INTRUDER. (Your True Adventures) 1938. 2 reels, sd.

Credits: Director, Joseph Henabery; screenplay, Ira Genet.

THE NIGHT IS YOUNG. 1935. 9 reels, sd., b&w.

Credits: Producer, Harry Rapf; director, Dudley Murphy; story, Vicki Baum; libretto, Oscar Hammerstein, II; screenplay, Edgar Allan Woolf, Franz Schulz; film editor, Conrad A. Nervig; music, Sigmund Romberg; music director, Herbert Stothart.

NIGHT KEY. 1937. 7 reels.

Credits: Associate producer, Robert Presnell; director, Lloyd Corrigan; original story, William Pierce; screenplay, Tristram Tupper, John C. Moffitt.

NIGHTLIFE. 1927. 7 reels.

Credits: Director, George Archainbaud; story, Albert Shelly LeVino; continuity, Gertrude Orr.

NIGHTLIFE. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Alf Goulding; story, Joseph A. Fields, Ben Holmes; film editor, John Lockert.

NIGHT LIFE IN HOLLYWOOD. 1922. 6 reels.

Credits: Story and direction by Fred Caldwell.

NIGHT LIFE OF EUROPE. (Adventures of the Newsreel Cameraman) 1935. 1 reel, sd.

Credits: Editor, Lew Lehr.

NIGHT LIFE OF NEW YORK. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,998 ft.

Credits: Edgar Selwyn; producer and director, Allan Dwan; screenplay, Paul Schofield.

NIGHT LIFE OF THE BUGS. (An Oswald Cartoon) 1936. 1 reel.

Credits: Producer, Walter Lantz; story, Walter Lantz, Victor McLeod; artists, Dick Bickenbach, Jack Dunham.

NIGHT LIFE OF THE GODS. A Lowell Sherman production. Presented by Carl Laemmle. 1935. 8 reels. From the novel by Thorne Smith.

Credits: Producer, Carl Laemmle, Jr.; director, Lowell Sherman; screenplay, Barry Trivers; film editor, Ted Kent.

THE NIGHT MAYOR. 1932. 7 reels, sd.

Credits: Director, Ben Stoloff; story, Sam Marx; adaptation and screenplay, Gertrude Purcell.

THE NIGHT MESSAGE. 1924. 5 reels.

Credits: Direction and story, Perley Poore Sheehan.

NIGHT MUST FALL. 1937. 12 reels, sd., b&w. From the play by Emlyn Williams.

Credits: Producer, Hunt Stromberg; director, Richard Thorpe; screenplay, John Van Druten; film editor, Robert J. Kern; music score, Edward Ward.

NIGHT 'N' GALES. (Hal Roach Comedy) (Our Gang Comedy) 1937. 1 reel, sd., b&w.

Credits: Director, Gordon Douglas; film editor, William Ziegler.

NIGHT NURSE. 1931. 8 reels, sd. From the novel by Dora Macy [pseud. of Grace Perkins Oursler].

Credits: Director, William A. Wellman; screenplay, Oliver H. P. Garrett; additional dialogue, Charles Kenyon.

THE NIGHT OF JUNE 13, 1932. 8 reels, sd.

Credits: Director, Stephen Roberts; story, Vera Caspary; screenplay, Agnes Brand Leahy, Brian Marlow, William Slavens McNutt.

THE NIGHT OF LOVE. 1927. 8 reels.

Credits: Director, George Fitzmaurice; adaptation, Lenore J. Coffee.

A NIGHT OF MYSTERY. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 5,741 ft. Story based on the play "Ferreol" by Victorien Sardou.

Credits: Director, Lothar Mendes; adaptation, Ernest Vajda.

NIGHT OF MYSTERY. Presented by Adolph Zukor. 1937. 7 reels, sd. Based on the novel "The Greene Murder Case" by S. S. Van Dine [pseud. of Willard Huntington Wright].

Credits: Director, E. A. Dupont; screenplay, Frank Partos. Gladys Unger; editor, James Smith; music director, Boris Morros.

THE NIGHT OF NIGHTS. 1939. 9 reels, sd.

Credits: Producer, George Arthur; director, Lewis Milestone; original screenplay, Donald Ogden Stewart; film editor, Doane Harrison.

THE NIGHT OF SOULS. 1915. 3 reels.

NIGHT OF TERROR. 1933. 7 reels, sd. From the story "The Public Be Damned" by Willard Mack.

Credits: Director. Benjamin Stoloff; screenplay, Beatrice Van, William Jacobs; film editor, Arthur Hilton.

THE NIGHT OF THE DUB. Paramount-Truex. AyVeeBee Film Corp. Presented by Amedee J. Van Beuren. 1919. 2 reels.

Credits: Director, John Joseph Harvey; story, Albert Payson Terhune.

A NIGHT OF THE GARTER. 1934. 7 reels, sd. From the play "Getting Gertie's Garter" by Avery Hopwood and Wilson Collison.

Credits: Director, Jack Raymond; adaptation, Austin Melford.

A NIGHT ON THE BOWERY. SEE Will Aubrey and Company in A Night on the Bowery.

A NIGHT OUT. 1914. 1 reel.

Credits: Mark Swan.

A NIGHT OUT. 1915. 2 reels.

NIGHT OUT. 1915. 5 reels.

Credits: Director, George D. Baker.

A NIGHT OUT. SEE The Essanay-Chaplin Revue of 1916.

THE NIGHT OWL. (Krazy Kat, no. 19) 1927. 1 reel.

NIGHT OWLS. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Mark Sandrich.

NIGHT OWLS. (Arthur Lake Comedy) 1929. 2 reels.

Credits: Director, Sam Newfield; story, T. P. Wright, Bill Weber.

NIGHT OWLS. (A Hal Roach Comedy) 1930. 2 reels, sd., b&w.

Credits: Director, James Parrott; story, Leo McCarey; film editor, Richard Currier; story editor, H. M. Walker.

NIGHT PARADE. Radio. 1929. 8 reels. From a play by George Abbott, Edward Paramore, and Hyatt Daab.

Credits: Director, Mal St. Clair.

NIGHT PARADE. Radio. 1929. 8 reels. From a play by George Abbott, Edward Paramore, and Hyatt Daab.

Credits: Director, Mal St. Clair.

THE NIGHT PATROL. Released by F. B. O. 1926. 6 reels.

Credits: Producer, Richard Talmadge; director, Mason Noel; story and scenario, Frank Howard Clark.

NIGHT PATROL. SEE Trouble at Midnight.

NIGHT RIDE. 1930. 6 reels, sd.

Credits: Director, John S. Robertson; story, Henry La Cossitt; adaptation, Edward T. Lowe, Jr.

THE NIGHT RIDERS. Bison. 1916. 2 reels.

Credits: Written and produced by Jacques Jaccard.

THE NIGHT RIDERS. 1922. 6 reels. From the story by Ridgewell Cullum.

Credits: Adaptation and direction, Alexander B. Butler.

THE NIGHT RIDERS. 1923. 2 reels.

THE NIGHT RIDERS. 1939. 6 reels, sd. Based on characters created by William Colt MacDonald.

Credits: Associate producer, William Berke; director, George Sherman; original screenplay, Betty Burbridge, Stanley Roberts; film editor, Lester Orlebeck; music score, William Lava.

THE NIGHT RIDERS OF PETERSHAM. 1914. 3 reels.

Credits: Director, Ulysses Davis.

THE NIGHT ROSE. 1921. 6 reels.

Credits: Leroy Scott; director, Wallace Worsley; scenario, Arthur F. Slatter.

NIGHT SHADOWS. Bison. 1916. 2 reels.

Credits: Willis Robards.

THE NIGHT SHIP. 1925. 6 reels.

Credits: Story, adaptation, and direction, Henry McCarty.

THE NIGHT SHIRT BANDIT. 1938. 2 reels.

Credits: Associate producer and director, Jules White; story, Aleen Wetstein; screenplay, Al Giebler, Elwood Ullman.

NIGHT SPOT. 1938. 6 reels, sd.

Credits: Producer, Robert Sisk; director, Christy Cabanne; story, Anne Jordan; screenplay, Lionel Houser; music director, Roy Webb; editor, Harry Marker.

THE NIGHT THAT SOPHIE GRADUATED. 1915. 1 reel.

NIGHT WAITRESS. 1936. 6 reels, sd.

Credits: Director, Lew Landers; story, Golda Draper; screenplay, Marcus Goodrich; editor, Desmond Marquette.

THE NIGHT WATCH. Presented by Richard A. Rowland. 1928. 7 reels.

Credits: Director, Alexander Korda; continuity, Lajos Biro.

THE NIGHT WATCHMAN. (Merrie Melodies) 1938. 7 min., sd., color.

Credits: Producer, Leon Schlesinger; supervision, Charles M. Jones; story, Ted Pierce; animation, Ken Harris; music director, Carl W. Stalling.

THE NIGHT WATCHMAN'S MISTAKE. (Handy Andy Series, no. 5) 1929. 2 reels.

Credits: Supervision, John A. Waldron; director, Harry Edwards; story, Harry McCoy, Robert Eddy; film editor, William Hornbeck.

NIGHT WORK. 1930. 9 reels, sd.

Credits: Producer, E. B. Derr; director, Russell Mack; story, Walter DeLeon; film editor, Joseph Kane; music director, Josiah Zuro.

NIGHT WORK. 1939. 6 reels, sd.

Credits: Director, George Archainbaud; original screenplay, Monte Brice, Lloyd Corrigan, Lewis R. Foster; film editor, Stuart Gilmore.

THE NIGHT WORKERS. 1917. 65 min.

Credits: Director, J. Charles Haydon; story, J. Bradley Smollen.

NIGHT WORLD. 1932. 6 reels.

Credits: Director, Hobart Henley; story, P. J. Wolfson, Allen Rivkin; screenplay, Richard Schayer.

THE NIGHTMARE OF A MOVIE FAN. Victor. 1915. 1 reel.

Credits: Producer, Charles Giblyn; scenario, James Dayton.

A NIGHT'S ADVENTURE. 1915. 2 reels.

NIGHTSTICK. SEE Alibi.

NILE GREEN. SEE Helen Broderick in Nile Green.

NINA TARASOVA IN THE HUT. 1928. 2 reels.

Credits: Marcel G. Silver.

NINA TARASOVA SINGING THERE WERE ONCE HAPPY DAYS. 1928. 1 reel.

Credits: Director, Earl I. Sponable.

NINE DAYS A QUEEN; the Story of Lady Jane Grey. 1936. 80 min., sd.

Credits: Written and directed by Robert Stevenson; dialogue, Miles Malleson; editor, T. R. Fisher; music director, Louis Levy.

NINE NIGHTS IN A BARROOM. 1931. 2 reels, sd.

Credits: Director, Sig Neufield.

A NINE O'CLOCK TOWN. 1918. 5 reels.

Credits: Written and directed by Victor Schertzinger.

NINE POINTS OF THE LAW. 1922. 6 reels.

Credits: Director, Wayne Mack; story, L. V. Jefferson; scenario. Ford Beebe.

NINETEEN AND PHYLLIS. First National. Presented by Arthur S. Kane. 1921. 6 reels.

Credits: Director, Joseph De Grasse; story, Frederick Stowers; adaptation, Bernard McConville.

THE 19 DOWN EXPRESS. SEE Nemesis.

Credits: Rita.

1914 PENDLETON OREGON ROUND-UP. SEE Where Cowboy Is King.

THE 1930 WHIPPET. HIGH VALUE AT LOW COST. 1930. 1 reel.

1934 THE WORLD'S FAIR. 1934. 100 ft., 16 mm.

1934 THE WORLD'S FAIR. 1934. 400 ft., 16 mm.

1934 VILLAGES OF THE WORLD'S FAIR. 1934. 100 ft., 16 mm.

1934 VILLAGES OF THE WORLD'S FAIR. 1934. 200 ft., 16 mm.

THE 1934 WORLD'S FAIR AT NIGHT. 1934. 100 ft., 16 mm.

THE 1934 WORLD'S FAIR BLACK FOREST. 1934. 100 ft., 16 mm.

1934 WORLD'S FAIR FROM THE AIR. 1934. 100 ft., 16 mm.

1934 WORLD'S FAIR WINGS OF A CENTURY. 1934. 200 ft., 16 mm.

THE 19TH HOLE CLUB. (Paul Terry-Toons) Presented by E. W. Hammons. 1936. 1 reel, sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

THE NINETY AND NINE. 1916. 5 reels. From the play by Ramsay Morris.

Credits: Director, Ralph Ince; picturized by Edward J. Montagne.

THE NINETY AND NINE. 1922. 7 reels. From the play by Ramsay Morris.

Credits: Director, David Smith.

THE NINETY-NINTH AMENDMENT. 1929. 1 reel.

NINOTCHKA. Presented by Metro-Goldwyn-Mayer. 1939. 12 reels, sd., b&w.

Credits: Producer and director, Ernst Lubitsch; original story, Melchior Lengyel; screenplay, Charles Brackett, Billy Wilder, Walter Reisch; film editor, Gene Ruggiero; music, Werner R. Heymann.

THE NINTH DAY. Gold Seal. 1917. 3 reels.

Credits: Director, George Marshall; story, Jasper E. Brady; scenario, Karl R. Coolidge.

THE NINTH GUEST. 1934. 7 reels, sd. From the play by Owen Davis, which was based on the novel "The Invisible Host" by Gwen Bristow and Bruce Manning [pseud.]

Credits: Director, Roy William Neill; adaptation, Garnett Weston; film editor, Gene Milford.

A NIP OF SCOTCH. 1924. 2 reels.

Credits: Director. Roy Del Ruth.

NIP-UPS. (An Oddity) 1934. 792 ft., sd., b&w.

Credits: Director, Marty Brooks; explanatory remarks by Pete Smith.

A NITE IN A NITE CLUB. Mentone. 1934. 2 reels, sd.

Credits: Director. Milton Schwarzwald.

THE NITROGEN CYCLE. 1938. 1 reel.

THE NITWITS. 1935. 9 reels, sd.

Credits: Associate producer, Lee Marcus; director, George Stevens; story, Stuart Palmer; screenplay, Fred Guiol, Al Boasberg; editor, John Lockert; music director, Roy Webb.

NIX ON DAMES. 1929. 5,988 ft., sd.

Credits: Associate producer, George Middleton; director, Donald Gallaher; story, Maude Fulton; dialogue and scenario, Maude Fulton, Frank Gay; editor, Dorothy Spencer.

NIZE MONKEY. (A Sunkist Comedy) 1926. 2 reels.

Credits: Director, George L. Sargent.

THE NO-ACCOUNT. 1930. 1 reel.

NO BABIES ALLOWED. Joker. 1915. 1 reel.

Credits: Written and produced by Allen Curtis.

NO BLONDES ALLOWED. (Mike and Ike Series) (Stern Brothers Comedies) 1927. 2 reels. From the Rube Goldberg cartoons.

Credits: Director, Francis Corby.

NO BOY WANTED. (Sunny Jim) 1929. 2 reels, sd.

Credits: Story and direction, Harold Beaudine.

NO BRAINS. 1922. 5 reels.

Credits: Written and directed by Tom Buckingham.

NO BREAKS. SEE Oh Yeah!

NO CHEATING. (Mermaid Comedy) 1927. 2 reels.

Credits: Director, Stephen Roberts.

NO CHILDREN. 1929. 2 reels.

Credits: James T. Tynan, Milton Carruth.

NO CLOTHES TO GUIDE HIM. (Star Comedy) 1921. 1 reel.

Credits: Producer, Craig Hutchinson; scenario, Scott Darling.

NO CONTEST. (Broadway Brevity) 1935. 21 min., sd.

Credits: Director, Joseph Henabery; story, Cyrus Wood, Eddie Moran, A. Dorian Otvos.

NO CONTROL. Presented by John C. Flinn. Released by Producers Distributing Corp. 1927. 6 reels.

Credits: Director, Scott Sidney, E. J. Babille; story, Frank Condon; continuity, Zelda Sears, Tay Garnett.

NO DANGER. (Mirthquake, no. 17) 1923. 2 reels.

Credits: Director, Eugene De Rue.

NO DEFENSE. 1921. 6 reels. From the novel "The Comeback" by J. Raleigh Davies.

Credits: Director, William Duncan; scenario, C. Graham Baker.

NO DEFENSE. 1929. 7 reels.

Credits: Director, Lloyd Bacon; story, J. Raleigh Davis; adaptation, Robert Lord.

NO DEFENSE. Trailer. 1929. 1 reel, sd.

NO EXPERIENCE REQUIRED. SEE The Pointing Finger.

NO EYES TODAY. 1929. 1 reel.

Credits: Producer, Max Fleischer.

NO FARE. (Big Boy Juvenile Comedies) 1928. 2 reels.

Credits: Director, Charles Lamont.

NO FLIRTING ALLOWED. L-Ko. 1915. 1 reel.

NO FOOLING. (Cameo Comedy) 1924. 1 reel.

NO FUELIN'. SEE Felix the Cat in No Fuelin'.

NO GREATER GLORY. 1934. 8 reels, sd. From the book "The Paul Street Boys" by Ferenc Molnár.

Credits: Director, Frank Borzage; screenplay, Jo Swerling; film editor, Viola Lawrence.

NO GREATER LOVE. 1915. 5 reels.

NO GREATER LOVE. 1932. 6 reels.

Credits: Supervision, Benjamin Stoloff; director, Lewis Seiler; story and dialogue, Isadore Bernstein; continuity, Lou Breslow.

THE NO-GUN MAN. Released by F. B. O. 1924. 5 reels.

Credits: Director, Harry Garson; story and continuity, Dorothy Arzner, Paul Gangelin.

NO HOLDS BARRED. (Bill Cunningham Sports Review) Educational Film Exchanges, Inc. 1931. 10 min.

NO LICENSE. (Star Comedy) 1921. 1 reel.

Credits: Director, Ward Hays.

NO LIMIT. 1931. 8 reels, sd.

Credits: Director, Frank Tuttle; story, George Marion, Jr.; screenplay, Viola Brothers Shore, Salisbury Field.

NO LIVING WITNESS. Presented by George W. Weeks. 1932. 7 reels, sd.

Credits: Producer, Ralph M. Like; supervision, Cliff Broughton; director, E. Mason Hopper; story and continuity, Norman Houston; editor, Byron Robinson.

NO LUCK! 1922. 2 reels.

Credits: Director, Eugene De Rue; scenario, Ralph Ceder.

THE NO MAN. (Broadway Brevities) 1933. 2 reels, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvos, Cyrus Wood.

NO MAN OF HER OWN. 1933. 9 reels. From a story by Edmund Goulding and Benjamin Glazer.

Credits: Director, Wesley Ruggles; screenplay, Maurine Watkins, Milton H. Gropper.

NO MAN'S GOLD. 1926. 6 reels, b&w, tinted sequences.

Credits: Director, Lewis Seiler; story, J. Allan Dunn; adaptation and scenario, John Stone.

NO MAN'S LAND. 1918. 5 reels. From the novel by Louis Joseph Vance.

Credits: Director, William S. Davis; adaptation, Bert Lytell, A. S. Le Vino.

NO MAN'S LAW. Independent Picture Corp. Released by F. B. O. 1925. 5 reels.

Credits: Director, Del Andrews; story, Walter J. Coburn; continuity, William E. Wing.

NO MARRIAGE TIES. 1933. 8 reels, sd. From the play "Ad Man" by Arch Gaffney and Charles W. Curran.

Credits: Associate producer, William Goetz; director, J. Walter Ruben; dialogue, H. W. Hanemann, Arthur Caesar; adaptation, Sam Mintz; editor, George Hively; music director, Max Steiner.

NO MEN ALLOWED. 1920. 1 reel.

NO MONKEY BUSINESS. (Star Comedy) 1921. 1 reel.

NO MORE BRIDGE! 1934. 2 reels.

Credits: Director, Arvid E. Gillstrom; story, Joseph Santley, Harry Clarke; adaptation, Dean Ward, Vernon Dent; film editor, Jack English.

NO MORE HOOKEY. 1931. 1 reel, sd.

Credits: Director, Aubrey Scotto; story, J. P. Murray, Barry Trivers, Ben Oakland; staged by Max E. Hayes.

NO MORE LADIES. 1935. 9 reels, sd., b&w. From the play by A. E. Thomas.

Credits: Director, Edward H. Griffith; screenplay, Donald Ogden Stewart, Horace Jackson; film editor, Frank E. Hull; music, Edward Ward.

NO MORE ORCHIDS. 1932. 7 reels, sd. From the novel by Grace Perkins.

Credits: Director, Walter Lang; screenplay, Gertrude Purcell; adaptation, Keene Thompson.

NO MORE WEST. 1934. 2 reels, sd.

Credits: Associate producer, Meyer Davis; director, Nick Grinde; story, Burnet Hershey; music, Frank Weldon, Charles O'Flynn.

NO MORE WOMEN. Released by Allied Producers and Distributors Corp. Presented by Associated Authors, Inc., Frank Woods, Thompson Buchanan, Elmer Harris, and Clark W. Thomas. 1924. 6 reels.

Credits: Production and story, Elmer Harris; director, Lloyd Ingraham.

NO MORE WOMEN. 1934. 8 reels. Based on "Underseas" by John Mikale Strong.

Credits: Director, Albert Rogell; story, Delmer Daves, Grant Leenhouts; screenplay, Delmer Daves, Lon Breslow.

NO MOTHER TO GUIDE HER. 1923. 7 reels, b&w, tinted sequences.

Credits: Director, Charles Horan; story, Lillian Mortimer; scenario, Michael O'Connor.

NO MOTHER TO GUIDE HIM. 1919. 2 reels.

Credits: Directors, Mal St. Clair, Erle Kenton.

NO MOTOR TO GUIDE HIM. (Paramount Varieties) Presented by Adolph Zukor. 1935. 1 reel.

NO! NO! A THOUSAND TIMES NO!! 1935. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman, Edward Nolan.

NO, NO, LADY. (Educational's Talking Comedies) 1931. 20 min., sd.

Credits: Director, Eddie Cline; story and dialogue, John A. Waldron, Earle Rodney, Walter Weems, Jack Jevne.

NO, NO, NANETTE. 1930. 10 reels, sd., color. Adapted from the musical comedy by Frank Mandel, Otto Harbach, Vincent Youmans, Emil Nyitray, and Irving Caesar.

Credits: Director, Clarence Badger.

NO ONE MAN. 1932. 8 reels, sd. Adapted from the novel by Rupert Hughes.

Credits: Director, Lloyd Corrigan; screenplay, Sidney Buchman, Agnes Brand Leahy; adaptation, Percy Heath.

NO OTHER ONE. 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Thomas Johnson.

NO OTHER WOMAN. 1928. 6 reels, b&w.

Credits: Director, Lou Tellegen; story, Polan Banks; scenario, Jessie Burns, Bernard Vorhaus.

NO OTHER WOMAN. 1933. 6 reels, sd. From the play "Just a Woman" by Eugene Walter.

Credits: Executive producer, David O. Selznick; director, J. Walter Ruben; story, Owen Francis; screenplay, Wanda Tuchock, Bernard Schubert; film editor, William Hamilton; music director, Max Steiner.

NO PARKING ALOUD. 1923. 1 reel.

NO PICNIC. 1928. 2 reels.

Credits: Scenario, James J. Tynan.

NO PLACE FOR A MINISTER'S SON. 1912. 1 reel.

Credits: E. R. Coffin.

NO PLACE LIKE JAIL. 1916. 1 reel.

Credits: Written and directed by Edwin McKim.

NO PLACE LIKE ROME. (A Miniature Musical Comedy) 1936. 2 reels, sd., b&w.

Credits: Director, Reginald Le Borg; story and music, Val Burton, Will Jason, Stanley Rauh.

NO PLACE TO GO. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Director, Zion Myers.

NO PLACE TO GO. 1927. 7 reels. From the story "Isles of Romance" by Richard Connell.

Credits: Producer, Henry Hobart; director, Mervyn Le Roy; scenario, Adelaide Heilbron.

NO PLACE TO GO. First National. 1939. 6 reels. Adapted from the play "Minick" by Edna Ferber and George S. Kaufman.

Credits: Director, Terry Morse; screenplay, Lee Katz, Lawrence Kimble, Fred Niblo. Jr.

NO PLACE TO LIVE. (Star Comedy) 1921. 1 reel.

Credits: Producer, Craig Hutchinson; scenario, W. Scott Darling.

NO POWER ON EARTH. SEE The Big Guy.

NO PRIVACY. (Lloyd Hamilton Comedy) 1931. 2 reels.

Credits: Director, Harry Edwards; story, Francis J. Martin, James Mulhauser; continuity, Henry R. Symonds.

NO PUBLICITY. 1927. 2 reels.

Credits: Director, N. T. Barrows; story, T. J. Crizer, James Davis.

NO QUESTIONS ASKED. SEE Little Billy in No Questions Asked.

NO RANSOM. Presented by M. H. Hoffman. 1934. 8 reels, sd. Suggested by "The Big Mitten" by Damon Runyon.

Credits: Director, Fred Newmeyer; story, continuity, and dialogue, Albert De Mond; music, Abe Meyer; film editor, Mildred Johnston.

NO SALE. 1928. 2 reels.

Credits: James J. Tynan.

NO SALE. Presented by RKO Radio Pictures, Inc. 1938. 1 reel, sd.

Credits: Supervision, Harold Godsoe; director, Milton Schwarzwald; orchestrator, Jack Schaindlin.

NO SIR-EE BOB. (Chronicles of Bloom Center) 1915. 1 reel.

Credits: Producer, Sidney Smith.

NO SLEEP ON THE DEEP. (Mermaid Comedies) Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Director, Charles Lamont; story and dialogue, Ernest Pagano, Ewart Adamson.

NO SMOKING. 1915. 1,000 ft.

Credits: Producer, Earl Metcalfe.

NO SOUP. Joker. 1915. Split reel.

Credits: Archer McMackin; producer, Roy McCray.

NO SPARKING. Educational Film Exchanges, Inc. 1927. 2 reels.

Credits: Director, Harold Beaudine; story, Hal Conklin.

NO STORY. 1917. 2 reels. From a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Thomas R. Mills; adaptation, Katharine Reed.

NO TENDERFOOT. 1923. 2 reels.

Credits: Director. R. N. Bradbury; story and scenario, Ben Cohn.

NO TICKEE—NO WASHEE. 1915. 1 reel.

Credits: Director, Edmund Stratton.

NO TIME TO MARRY. 1937. 7 reels, sd. From a story by Paul Gallico.

Credits: Associate producer, Nat Perrin; director, Harry Lachman; story and screenplay, Paul Jarrico; film editor, Otto Meyer; music director, Morris Stoloff.

NO VACANCIES. (Speed Comedy, no. 5) The Reggie Morris Productions, Inc. 1921. 2 reels.

NO WEDDING BELLS. 1923. 2 reels.

Credits: Written and directed by Larry Semon.

NO WEDDING BELLS FOR HER. 1914. 1,000 ft.

Credits: Producer, Norval MacGregor.

NO WOMAN KNOWS. Universal Jewel. 1921. 7 reels. Adapted from the novel "Fanny Herself" by Edna Ferber.

Credits: Director, Tod Browning.

NOAH KNEW HIS ARK. (Aesop Sound Fable) Presented by the Van Beuren Corp. 1930. 1 reel, sd.

Credits: John Foster, Mannie Davis.

NOAH'S ARK. 1929. 11 reels.

Credits: Director, Michael Curtiz; story, Darryl Francis Zanuck; adaptation, Anthony Coldeway; film editor, Harold McCord.

NOAH'S ARK. Trailer. 1929. 1 reel, sd.

NOAH'S LARK. 1929. 1 reel, sd.

Credits: Producer, Max Fleischer.

NOAH'S OUTING. (Paul Terry-Toons) 1932. 6 min., sd.

Credits: Frank Moser, Paul Terry.

A NOBLE PROFESSION. 1912. 1 reel.

NOBLE SISSLE AND EUBIE BLAKE INTER- THEIR ORIGINAL PRESENTATION OF SYNCOPATED DITTIES: I WONDER WHERE MY SWEETIE CAN BE [and others]. 1927. 1 reel, sd.

NOBLE SISSLE AND EUBIE BLAKE, INTERNATIONAL STARS OF SYNCOPATION, OFFER THEIR VERSION OF THE BIG PARADE. 1927. 1 reel, sd.

NOBODY. 1921. 7 reels.

Credits: Scenario, Charles H. Smith, Roland West.

NOBODY. SEE The Outsider.

NOBODY GUILTY. Nestor. 1916. 1 reel.

Credits: Ben Cohn, Harry Lyons; director, Louis William Chaudet.

NOBODY HOME. Metro-Drew. 1916. 1 reel.

Credits: Richard Goodall; producer, Sidney Drew.

NOBODY HOME. 1919. 5 reels.

Credits: Director, Elmer Clifton; story, Lois Zellner.

NOBODY HOME. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Editor, Leslie Roush; narrator, George Shelton; commentator, Justin Herman.

NOBODY LOVES ME. Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

NOBODY TO LOVE. 1924. 1 reel.

Credits: Director, William H. Watson; story, Scott Darling.

NOBODY WINS. (Bull's Eye Comedy) 1925. 1 reel.

Credits: Director, W. Scott Darling, C. Richard Wallace.

NOBODY WORKS BUT FATHER. 1925. 2 reels.

Credits: Director, Al Herman.

NOBODY WOULD BELIEVE. 1915. 1,000 ft.

NOBODY'S BABY. (Hal Roach Feature Comedy) 1937. 7 reels, sd., b&w.

Credits: Director, Gus Meins; original story and screenplay, Harold Law, Hal Yates, Pat C. Flick; film editor, Ray Snyder; music, Marvin Hatley; musical arrangements, Jimmie Grier.

NOBODY'S BRIDE. 1923. 5 reels.

Credits: Director, Herbert Blache; story, Evelyn Campbell; scenario, Albert Kenyon.

NOBODY'S BUSINESS. (Hamilton Comedies) 1926. 2 reels.

Credits: Written and directed by Norman Taurog.

NOBODY'S CHILDREN. 1926. 10 reels.

Credits: Director, Ugo Del Colle; story, Ruggero Rindi.

NOBODY'S DARLING. 1923. 2 reels.

NOBODY'S FOOL. 1921. 5 reels.

Credits: Producer, King Baggot; story, Roy Clements; scenario, Doris Schroeder.

NOBODY'S FOOL. Presented by Carl Laemmle. 1936. 7 reels, sd.

Credits: Producer, Irving Starr; director, Arthur Greville Collins; original story, Frank Mitchell Dazey, Agnes Christine Johnston; screenplay, Ralph Block, Ben Markson; adaptation, Jerry Sackheim; film editor, Murray Wright.

NOBODY'S KID. 1921. 5 reels. Based on the novel "Mary Cary" by Kate Langley Bosher.

Credits: Director, Howard Hickman; screen version, Katherine Carr, Howard Hickman.

NOBODY'S MONEY. Paramount. Presented by Jesse L. Lasky. 1923. 6 reels. From the play by William LeBaron.

Credits: Director, Wallace Worsley; adaptation, Beulah Marie Dix.

NOBODY'S SWEETHEART. Century. 1924, 2 reels.

Credits: Written and directed by William Watson.

NOBODY'S WIDOW. (Success Series) De Mille Pictures Corp. 1927. 7 reels.

Credits: Director, Donald Crisp; story, Avery Hopwood.

NOBODY'S WIFE. 1918. 5 reels.

Credits: Producer, Louise Lovely; director, E. J. LeSaint; story, R. N. Bradbury, F. Clark; scenario, Charles Kenyon.

LES NOCES D'ARGENT. SEE The Nest.

NOISE ANNOYS KO-KO. 1929. 1 reel.

Credits: Producer, Max Fleischer.

A NOISE IN NEWBORO. 1923. 6 reels.

Credits: Producer, Harry Beaumont; story, Edgar Franklin; scenario and adaptation, Rex Taylor.

THE NOISE OF BOMBS. 1914. 1 reel.

Credits: Producer, Mack Sennett.

NOISELESS VALLEY. (Star Comedy) 1921. 1 reel.

Credits: Written and directed by Craig Hutchison.

NOISY NAGGERS AND NOSEY NEIGHBORS. 1917. 1 reel.

Credits: Story and direction, Lawrence Semon.

NOISY NEIGHBORS. 1929. 6 reels. From the story by F. Hugh Herbert.

Credits: Producer, Paul Bern; director, Charles Reisner; continuity, Scott Darling.

NOISY NOISES. (Our Gang Comedies) Presented by Hal Roach. 1929. 2 reels.

Credits: Production, direction, and story, Robert McGowan; editor, Richard Currier.

Credits: Producer, Colin Campbell.

NOMADS OF THE NORTH. First National. 1921. 68 min. From the novel by James Oliver Curwood.

Credits: Director, David M. Hartford; screened by James Oliver Curwood, David M. Hartford.

NON-SKID LOVE. 1920. 1 reel.

Credits: Written and directed by Lyons, Moran.

THE NON-STOP BRIDE. 1926. 2 reels.

Credits: Supervision, George E. Marshall; director, Jess Robbins; story, Andrew Bennison, Murray Roth.

THE NON-STOP FLIGHT. 1926. 6 reels.

Credits: Director, Emory Johnson; story, Emilie Johnson.

NON STOP NEW YORK. 1937. 8 reels, sd. Based on the novel "Sky Steward" by Ken Attiwill.

Credits: Director, Robert Stevenson; screenplay, Roland Pertwee, J. O. C. Orton; music director, Louis Levy.

NON SUPPORT. 1927. 1 reel, sd.

Credits: Director, Bryan Foy.

NONE BUT THE BRAVE. 1928. 6 reels, b&w, color.

Credits: Director, Albert Ray; story, Fred Stanley, James Cruen; scenario, Dwight Cummins, Frances Agnew.

Credits: Scenario, Thomas M. Metcalf.

NONE SO BLIND. 1916. 3 reels.

Credits: Producer, Wilbert Melville; director, Molin Mayo.

NONE SO BLIND. 1923. 6 reels.

Credits: Director, Burton King; story, Leota Morgan, Kathleen Kerrigan.

THE NOOSE. Presented by Richard A. Rowland. 1928. 8 reels.

Credits: Willard Mack, H. H. Van Loan; producer, Henry Hobart; director, John Francis Dillon; adaptation and continuity, James T. O'Donohoe.

THE NOOSE. SEE

The Green Temptation.

I'd Give My Life.

NORA'S BOARDERS. 1913. 1 reel.

Credits: Sidney S. Booth.

NORMAN ALLEY'S BOMBING OF THE U. S. S. PANAY. 1937. 3 reels, sd.

Credits: Producer, Charles E. Ford; photographer, Norman Alley; described by Graham McNamee.

NORMAN THOMAS QUINTETTE IN HARLEM MANIA. 1929. 1 reel.

NORTH OF 53. 1917. For Fox Film Corp. 5 reels.

Credits: Director, Richard Stanton; story, B. M. Sinclair; scenario, Gardner Hunting.

Credits: Director, Neal Hart; story, Daniel E. C. Campbell.

NORTH OF HUDSON BAY. 1923. 5 reels, b&w, tinted sequences.

Credits: Director, Jack Ford; story and scenario, Jules Furthman.

NORTH OF NEVADA. Released by Film Booking Offices of America. 1924. 5 reels.

Credits: Producer, H. J. Brown; director, Albert Rogell; story and adaptation, Marion Jackson.

NORTH OF NOME. 1925. 6 reels. From the theme by George Edward Lewis.

Credits: Director, Raymond K. Johnston; story, Harvey Gates.

NORTH OF NOME. 1936. 7 reels.

Credits: Director, William Nigh; story, Houston Branch; screenplay, Albert De Mond; film editor, Dwight Caldwell.

NORTH OF NOWHERE. (A Life Cartoon Comedy) 1927. 1 reel.

NORTH OF SHANGHAI. 1939. 6 reels, sd.

Credits: Director, D. Ross Lederman; original story and screenplay, Maurice Rapf, Harold Buchman; film editor, Al Clark; music director, M. W. Stoloff.

NORTH OF THE RIO GRANDE. 1922. 5 reels. From the novel "Val of Paradise" by Vingie E. Roe.

Credits: Director, Rollin S. Sturgeon; adaptation, Will M. Ritchey.

NORTH OF THE RIO GRANDE. Presented by Adolph Zukor. 1937. 7 reels, sd. Based on the novel "Cottonwood Gulch" by Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Nate Watt; screenplay and dialogue, Jack O'Donnell.

NORTH OF THE YUKON. 1939. 7 reels, sd.

Credits: Director, Sam Nelson; original screenplay, Bennett R. Cohen; film editor, William Lyon.

NORTH OF 36. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 7,908 ft. From the novel by Emerson Hough.

Credits: Producer and director, Irvin Willat; screenplay, James Shelley Hamilton.

NORTH OF ZERO. (An Educational Coronet Comedy) Presented by E. W. Hammons. 1934. 2 reels, sd.

Credits: Producer, Jack White; story, Harold Atteridge; editor, Leo Zochling.

NORTH SHORE. SEE The Woman in Red.

Credits: Producer, Howard Estabrook; director, Paul Powell.

THE NORTH WIND'S MALICE. Presented by Samuel Goldwyn and Rex Beach. 1920. 7 reels.

Credits: Directors, Carl Harbaugh, Paul Bern; story, Rex Beach.

NORTH WOODS. Snappy. 1931. 1 reel.

Credits: Animated and directed by Walter Lantz, William Nolan.

NORTHERN EXPOSURE. 1933. 2 reels, sd., color.

NORTHERN FRONTIER. 1935. 6 reels, sd. Based on the story "Four Minutes Late" by James Oliver Curwood.

Credits: Producer, Maurice Conn; supervision, Sig Newfield; director, Sam Newfield; screen adaptation, Barry Barringer; film editor, Jack English.

NORTHERN LIGHTS. SEE E. M. Newman's Northern Lights.

THE NORTHERN PATROL. SEE Mounted Police Quintette in The Northern Patrol.

THE NORTHING TRAMP. SEE Strangers on a Honeymoon.

NORTHWARD AGAINST THE CURRENT OF THE SEPUTUBA RIVER. SEE Roosevelt Brazilian Expedition.

NORWAY—LAND OF THE MIDNIGHT SUN. (FitzPatrick M. G. M. Traveltalk) 1933. 1 reel, sd.

Credits: Compiled by James A. FitzPatrick.

A NOSE FOR NEWS. Presented by E. W. Hammons. 1935. 2 reels, sd.

Credits: Producer, Al Christie; story, Joe Cook.

NOSED OUT. (Hal Roach Comedy) (Irvin S. Cobb Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Hal Yates; film editor, Louis McManus.

NOSTRADAMUS. (An Historical Mystery) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd.

Credits: Director, David Miller; screenplay, Carl Dudley; narrator, Carey Wilson; music score, David Snell.

NOSTROMO. SEE The Silver Treasure.

NOT A DRUM WAS HEARD. 1924. 5 reels. Based on the story by Ben Ames Williams.

Credits: Director, William A. Wellman; scenario, Doty Hobart.

NOT A LAMB SHALL STRAY. 1915. Produced by special authority of the Hebrew Infant Asylum. New York. 1 reel.

NOT DAMAGED. 1930. 6,500 ft., sd.

Credits: Director, Chandler Sprague; editor, Alex Troffey.

NOT EXACTLY GENTLEMEN. 1931. 5,530 ft., sd. From the novel "Over the Border" by Herman Whitaker.

Credits: Associate producer, Edmund Grainger; director, Benjamin Stoloff; screenplay, William Conselman, Dudley Nichols; editor, Clyde Carruth.

NOT FOR PUBLICATION. 1927. 7 reels. From the story "The Temple of the Giants" by Robert Welles Ritchie.

Credits: Producer and director, Ralph Ince; scenario, Ewart Adamson.

NOT GUILTY. 1915. 5 reels. Based on the play "Justice" by Edgar James.

NOT GUILTY. Presented by Albert A. Kaufman. Released by Associated First National Pictures, Inc. 1921. From the story "Parrot and Co." by Harold MacGrath.

Credits: Producer, Sidney A. Franklin; scenario, J. Grubb Alexander, Edwin Bower Hesser.

NOT GUILTY! Bluebird. 1926. 1 reel.

Credits: Director, Harry Sweet.

NOT GUILTY ENOUGH. 1938. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Ewart Adamson.

NOT HERBERT. SEE The Perfect Sap.

NOT IN THE NEWS. 1916. 2 reels.

Credits: H. Tipton Steck; director, Charles E. Ashley.

NOT MUCH FORCE. 1915. 1,000 ft.

Credits: William W. Pratt; director, Will Louis.

NOT NOW. (Betty Boop Cartoon) 1936. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Myron Waldman and Hicks Lokey.

NOT ONE TO SPARE. 1924. 5 reels. From the poem "Which Shall It Be" by Mrs. E. L. Beers.

Credits: Producer, Madeleine Brandeis; adaptation and direction, Renaud Hoffman.

NOT QUITE DECENT. 1929. 5 reels.

Credits: Director, Irving Cummings; story, Wallace Smith; scenario, Marlon Orth.

NOT SO DUMB. 1930. 9 reels. From the play "Dulcy" by George S. Kaufman and Marc Connelly.

Credits: Producer and director, King Vidor; continuity, Wanda Tuchock; dialogue, Edwin Justus Mayer; film editor, Blanche Sewell.

NOT SO DUMB. Treasure Chest. Presented by E. W. Hammons. 1937. 811 ft., sd.

Credits: Story and narration by A. L. Alexander.

NOT SO LONG AGO. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,849 ft. From the play by Arthur Richman.

Credits: Producer, Sidney Olcott; screenplay, Violet Clark.

NOT SO LOUD. (Melody Comedies) 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; story and direction, Harry Sweet; film editor, Walter Thompson; music director, Francis Groman.

NOT SO QUIET. (Oswald Comedy) Snappy. 1930. 1 reel.

NOT SO QUIET ON THE WESTERN FRONT. 1930. 4,626 ft., sd.

Credits: Supervision, Emile De Ruelle; director, Monte Banks; story, Lola Harvey, Syd Courtney; scenario, Victor Kendall; film editor, A. C. Hammond; musical director, John Reynders.

NOT THE MARRYING KIND. 1933. 2 reels, sd.

Credits: Producer, Warren Doane; director, W. P. Hackney; story, James W. Horne, B. Vernon Smith; editor, Harry Marker.

NOT THE TYPE. Presented by William Fox. 1927. 2 reels.

Credits: Supervision, George E. Marshall; director, Jess Robbins; scenario, Henry Johnson.

NOT TO BE TRUSTED. 1926. 2 reels. From the story by Mabel Herbert Urner.

Credits: Supervision, George E. Marshall; director, Thomas Buckingham; adaptation, Murray Roth.

NOT TONIGHT, JOSEPHINE. 1934. 2 reels, sd.

Credits: Director, Eddie Cline; story, Barry Trivers, Ed Joseph.

NOT TOO THIN TO FIGHT. Special Victor. 1917. 1 reel.

Credits: Director, Allen Curtis; scenario, W. Warren Schoene.

NOT WANTED. 1915. 1,000 ft.

Credits: Frank Hart; director, Langdon West.

NOT WANTED. (Broadway Comedies, no. 21) 1924. 2 reels.

Credits: Director, Bob Kerr.

NOTCH NUMBER ONE. 1924. 5 reels.

Credits: Story, Daniel F. Whitcomb.

NOTHING BUT LIES. 1920. 6 reels. From the story by Aaron Hoffman.

Credits: Director, L. C. Windom.

NOTHING BUT NERVE. Nestor. 1918. 1 reel.

Credits: Tom Gibson; director, Allen Curtis.

NOTHING BUT THE TOOTH. Big V. 1933. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Alan Wood, Glen Lambert.

NOTHING BUT THE TRUTH. 1920. 6 reels.

Credits: Director, David Kirkland; story, Frederick Isham; scenario, David Kirkland, Katherine Speer Reed.

NOTHING BUT THE TRUTH. 1929. 7,429 ft. Based on the novel by Frederic S. Isham.

Credits: Director, Victor Schertzinger; stage play, James Montgomery; adaptation, John McGowan.

NOTHING DOING. 1927. 2 reels.

Credits: Produced and directed by Charley Bowers, H. L. Muller.

NOTHING DOWN. SEE Saleslady.

NOTHING ELSE MATTERS. Jury's Imperial Pictures, Ltd. 1920. 6,400 ft.

Credits: Producer, George Pearson.

NOTHING EVER HAPPENS. 1933. 2 reels, sd.

Credits: Director, Roy Mack; continuity, Monroe Shaff, Burnet Hershey.

NOTHING EVER HAPPENS RIGHT. Joker. 1915. 1 reel.

Credits: Scenario and production, Roy McCray; story, Louis V. Jefferson.

NOTHING FLAT. (Educational-Mermaid Comedy) 1927. 2 reels.

Credits: Producer, Jack White; director, Stephen Roberts.

NOTHING MATTERS. (Hamilton Comedies) 1926. 2 reels.

Credits: Written and directed by Norman Taurog.

NOTHING SACRED. Released by United Artists. 1937. 8 reels, sd., color. Suggested by a story by James H. Street.

Credits: Producer, David O. Selznick; director, William A. Wellman; screenplay, Ben Hecht.

NOTHING TO DECLARE. 1931. 2 reels, sd.

Credits: Director, Casey Robinson; story, Elizabeth North, Sig. Herzig, Harry W. Conn; dialogue staged by Max E. Hayes.

NOTHING TO THINK ABOUT. 1921. 2 reels.

Credits: Director, Mark Goldaine; story, Kingsley Benedict.

NOTHING TO WEAR. Metro-Drew. 1917. 1 reel.

Credits: Berty Badger Moyers; written and produced by Mr. and Mrs. Drew.

NOTHING TO WEAR. 1929. 6 reels.

Credits: Producer, Jack Cohn; director, Erle C. Kenton; story and continuity, Peter Milne.

NOTICES. SEE Hit of the Show.

NOTIONS, THE LITTLE THINGS THAT COUNT. Presented by Corticelli Silk Co., I. B. Kleinert Rubber Co., William E. Wright & Sons Co., and Consolidated Safety Pin Co. 1929. Filmstrip, 72 frames.

NOTORIETY. 1922. 8 reels.

Credits: Written and directed by William Nigh.

A NOTORIOUS AFFAIR. First National and Vitaphone. 1930. 69 min., sd. Based on the play by Audrey and Waverly Carter.

Credits: Producer, Robert North; director, Lloyd Bacon; scenario, J. Grubb Alexander; film editor, Frank Ware.

A NOTORIOUS AFFAIR. Trailer. 1930. 1 reel, sd.

NOTORIOUS BUT NICE. 1933. 7 reels, sd.

Credits: Director, Richard Thorpe; story, Adeline Leitzbach; screenplay and dialogue, Carol Webster.

NOTORIOUS GALLAGHER; or, HIS GREAT TRIUMPH. 1916. 5 reels.

Credits: Written and produced by William Nigh.

A NOTORIOUS GENTLEMAN. 1935. 8 reels, sd.

Credits: Director, Edward Laemmle; original story, Florence Ryerson, Colin Clements; adaptation, Rufus King; screenplay, Leopold L. Atlas, Robert Tasker.

THE NOTORIOUS LADY. Presented by Sam E. Rork. 1927. 7 reels. From the play "The River" by Sir Patrick Hastings.

Credits: Producer and director, King Baggot; adaptation, Jane Murfin.

THE NOTORIOUS MISS LISLE. First National. 1921. 5 reels. Based on the novel by Mrs. Baillie Reynolds.

Credits: Adaptation and direction, James Young.

THE NOTORIOUS SOPHIE LANG. Presented by Adolph Zukor. 1934. 7 reels, sd. From stories by Frederick Irving Anderson.

Credits: Producer, Bayard Veiller; director, Ralph Murphy; screenplay, Anthony Veiller.

THE NOTRE DAME GLEE CLUB. 1928. 1 reel, sd.

Credits: Conductor, Joseph J. Casasanta.

THE NOTRE DAME GLEE CLUB. 1933. 1 reel, sd.

Credits: Director, Joseph Henabery.

1. The Disappearing Documents—The Descent of the Secret—A Summer Night's Mystery. © title, descr. & 205 prints, 14Dec17; LU11831.

2. Good Bye to Happiness. © title, descr. & 121 prints, 14Dec17; LU11832.

3. Hypnotized—The Bewitched Woman. © title, descr. & 106 prints, 14Dec17; LU11833.

4. The Trap Room—The Room of a Thousand Traps. © title, descr. & 124 prints, 14Dec17; LU11834.

5. The Haunted Forest. © title, descr. & 146 prints, 11Feb18; LU12044.

6. A Light in the Darkness. © title, descr. & 115 prints, 11Feb18; LU12045.

7. The Dead Hand. © title, descr. & 122 prints, 11Feb18; LU12046.

8. The Captives. © title, descr. & 132 prints, 4Mar18; LU12126.

9. Doctor Howey's Papers. © title, descr. & 72 prints, 4Mar18; LU12127.

10. The Two Destinies. © title, descr. & 244 prints, 18Mar18; LU12201.

11. An Involuntary Crime. © title, descr. & 109 prints, 18Mar18; LU12202.

12. Punishment. © title, descr. & 98 prints, 18Mar18; LU12203.

A NOVEL ROMANCE. Victor. 1917. 1 reel.

Credits: William Henry; director, H. Millarde.

LE NOVELLE DELLA PESCARA. SEE La Morte del Duca d'Ofena.

THE NOVELTY SHOP. (A Color Rhapsody) (Scrappy) Released by Columbia Pictures Corp. 1936. 1 reel, sd., color.

Credits: Producer, Charles Mintz; story, Sid Marcus; animation, Art Davis; music, Joe de Nat.

NOW AND FOREVER. Presented by Adolph Zukor. 1934. 9 reels, sd.

Credits: Producer, Louis D. Lighton; director, Henry Hathaway; story, Jack Kirkland, Melville Baker; screenplay, Vincent Lawrence, Sylvia Thalberg; music and lyrics, Harry Revel, Mack Gordon.

NOW AND THEN. Presented by Adolph Zukor and Jesse Lasky. 1929. 2 reels, sd.

Credits: Arranged by Joseph Santley.

NOW I'LL TELL. 1934. 7,889 ft., sd.

Credits: Screenplay and direction, Edwin Burke; story, Mrs. Arnold Rothstein; music director, Arthur Lange.

NOW IT CAN BE SOLD. 1939. 2 reels, sd.

Credits: Director, Del Lord; story, Churchill Ross; screenplay, Charley Chase.

NOW THAT SUMMER IS GONE. (Merrie Melodies) 1938. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Frank Tashlin; story, Fred Niemann; animation, Bob McKimson; music director, Carl W. Stalling.

NOW WE'LL TELL ONE. (A Charley Chase Comedy) 1933. 2 reels, sd., b&w.

Credits: Director, James Parrott; editor, Richard Currier.

NOW WE'RE IN THE AIR. 1927. 6 reels.

Credits: Director, Frank Strayer; story, Monte Brice, Keene Thompson; screenplay, Tom J. Geraghty.

NOW YOU TELL ONE. 1926. 2 reels.

Credits: Directors, Charley Bowers, H. L. Muller; story, Charley Bowers, H. L. Muller, Ted Sears.

NOW'S THE TIME. (Vanity Comedies) Educational. 1932. 20 min., sd.

Credits: Director, Harry J. Edwards; story, Carl Harbaugh, George Waggner; dialogue, Carl Harbaugh.

THE NTH COMMANDMENT. Paramount. Presented by The Cosmopolitan Corp. 1923. 8 reels. From the story by Fannie Hurst.

Credits: Director, Frank Borzage; scenario, Frances Marion.

NUGGET NELL. Paramount. Presented by The New Art Film Co. 1919. 5 reels.

Credits: Director, Elmer Clifton; story, Hugh R. Osborne.

THE NUISANCE. (Star Comedy) 1920. 1 reel.

Credits: Director, Horace Davey; story, Ben Cohen.

THE NUISANCE. 1921. 2 reels.

Credits: Written and directed by Jess Robbins.

THE NUISANCE. 1933. 9 reels, sd., b&w.

NUMBER ONE. Metro-Drew. 1916. 1 reel.

Credits: Paul West.

NUMBER PLEASE. 1930. 1 reel.

NO. 10—WESTBOUND. Bison. 1917. 2 reels.

Credits: Director, Henry McRae; story, T. Shelley Sutton; scenario, George Hively.

NUMBER 13, WESTBOUND. 1916. 3 reels.

Credits: Director, Frank Beal.

NO. 16 MARTIN STREET. Laemmle. 1916. 2 reels.

Credits: Bess Meredyth; producer, Lloyd B. Carleton.

NUMBER 17. 1920. 5 reels. From the story by Louis Tracy.

Credits: Director, George A. Beranger.

NO. 329. Big U. 1915. 2 reels.

Credits: Producer, Charles Giblyn; scenario, H. G. Stafford.

NUMBERED MEN. 1930. 8 reels. Adapted from the play "Jail Break" by Dwight Taylor.

Credits: Director, Mervyn Le Roy; screen version and dialogue, Al Cohn, Henry McCarty.

NUMBERED MEN. Trailer. First National. 1930. 1 reel, sd.

NUMBERED WOMAN. 1938. 7 reels, sd.

Credits: Producer, E. B. Derr; director, Karl Brown; original story and screenplay, John T. Neville; film editor, Finn Ulback; music director, Abe Meyer.

NUMBERS OF DEATH. SEE Monte Carlo Nights.

NURSE EDITH CAVELL. 1939. 98 min., sd. From the novel "Dawn" by Reginald Berkeley.

Credits: Producer and director, Herbert Wilcox; screenplay, Michael Hogan; editor, Elmo Williams; music, Anthony Collins.

NURSE FROM BROOKLYN. 1938. 7 reels.

Credits: Producer, Edmund Grainger; director, S. Sylvan Simon; story, Steve Fisher; screenplay, Roy Chanslor; film editor, Philip Cahn.

NURSE MAID. (Flip the Frog Cartoon) 1932. 1 reel, sd.

NURSE MARJORIE. 1920. 6 reels. From the play by Israel Zangwill.

Credits: Director, William D. Taylor; scenario, Julia Crawford Ivers.

THE NURSE OF AN ACHING HEART. 1917. 2 reels.

Credits: Supervision, J. G. Blystone; director, Archie Mayo.

NURSE TO YOU. (Hal Roach Comedy) Presented by Hal Roach. 1935. 2 reels, sd., b&w.

Credits: Director, Charles Parrott, Jeff Moffitt; film editor, William Terhune.

A NURSERY SCANDAL. (Aesop's Sound Fables) 1932. 7 min., sd.

Credits: John Foster, Harry Bailey.

NURSERY TROUBLES. Century. 1925. 2 reels.

Credits: Written and directed by William Watson.

THE NUT. 1921. 6 reels.

Credits: Director, Ted Reed; story, Kenneth Davenport; scenario, William Parker, Lotta Woods.

THE NUT FACTORY. (Aesop's Fables) The Van Beuren Corp. 1933. 1 reel.

Credits: Mannie Davis.

THE NUT FARM. 1935. 7 reels, sd. From the play by John C. Brownell.

Credits: Producer, William T. Lackey; director, Melville Brown; screenplay, George Waggner; editor, Carl Pierson.

NUT GUILTY. 1937. 1 reel, sd.

Credits: Director, Lloyd French; story, Burnet Hershey, Jack Henley.

NUT STUFF. Released through General Film, 1917. 15 min.

Credits: Arranged and directed by Arthur D. Hotaling.

NUTS AND JOLTS. (Oswald) Snappy. Winkler. 1929. 1 reel.

Credits: Hugh Harman.

NUTS AND NOODLES. 1918. 2 reels.

Credits: Director, James Davis.

NUTTY KNITTERS. 1917. 1 reel.

Credits: Director, Chester M. De Vonde; story, Thomas J. Gray.

THE NUTTY NETWORK. (A Terry-Toon) Presented by Paul Terry. 1939. 1 reel, sd., color.

Credits: Director, Mannie Davis; story, John Foster; music, Philip A. Scheib.

NUTTY NOTES. (A Walter Lantz Cartoon) 1929. 1 reel.

NUTVILLE. 1935. 1 reel, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvos, George J. Bennett.

NUX DER PRINZGEMAHL. SEE The Smiling Lieutenant.

A NYMPH OF THE FOOTHILLS. 1918. 5 reels.

Credits: Director, Frederick A. Thompson; story, Rex Taylor.

NYMPHS AND NUISANCES. 1920. 2 reels.

Credits: Director, Grover Jones; story, Joe Rock.

O, IT'S GREAT TO BE CRAZY. Nestor. 1918. 1 reel.

OK MNX. (Barney Google Series, no. 2) 1928. 2 reels.

Credits: Director, Ralph Ceder; story, E. V. Durling, Joseph Basil.

O-MY, THE TENT MOVER. Joker. 1917. 1 reel.

Credits: E. M. McCall; director, William W. Beaudine; scenario, Tom Gibson.

O PROMISE ME. SEE The Buckaroo Kid.

O, SAILOR BEHAVE! 1934. 2 reels, sd.

Credits: Director, Ralph Staub; story and screenplay, Phil Whitman.

Credits: Director, Al Santell; story and photoplay, Mae Havey.

O! U! WEST! Released by F. B. O. 1925. 5 reels.

Credits: Director, Harry Garson; story and continuity, Helen Broneau.

O! WHAT A KNIGHT! 1919. 2 reels.

Credits: Director, Henry Lehrman.

THE OAK LAWN HANDICAP. Bison. 1915. 2 reels.

Credits: Producer, Henry McRae; scenario, H. G. Stafford.

Credits: Producer and director, Oscar Apfel.

THE OATH. First National. 1921. 8 reels.

Adapted from the novel "Idols" by William J. Locke.

Credits: Producer and director, R. A. Walsh.

OATH-BOUND. 1922. 5 reels.

Credits: Director, Bernard J. Durning; story and scenario, Edward J. LeSaint.

THE OATH OF STEPHEN HULLER. SEE The Unwritten Law.

THE OATH ON THE BIBLE. SEE A Modern Mephisto.

OATS FOR THE WOMAN. SEE The Day She Paid.

OBEY THE LAW. Century. 1923. 2 reels.

Credits: Written and directed by Bob Kerr.

OBEY THE LAW. 1926. 6 reels. From the play by Max Marcin.

Credits: Director, Alfred L. Raboch.

OBEY THE LAW. 1933. 7 reels, sd.

Credits: Director, Benjamin Stoloff; story, Harry Sauber; screenplay, Arthur Caesar.

OBJECT—ALIMONY. 1929. 7 reels.

Credits: Producer, Jack Cohn; director, Scott R. Dunlap; story, Elmer Harris; adaptation, Sig Herzig; scenario, Peter B. Milne; film editor, Ben Pivar.

OBJECT—MATRIMONY. Victor. 1916. 2 reels.

Credits: Paul West; producer, Harry Myers.

OBJECT NOT MATRIMONY. (An Educational Star Personality Comedy) Presented by E. W. Hammons. 1935. 1,705 ft., sd.

Credits: Producer, Al. Christie; story, Arthur Jarrett, William Watson.

OBSCURITY. SEE Breach of Promise.

AN OBSTINATE SHERIFF. 1915. 1,000 feet.

L'OCCIDENT. SEE Eye for Eye.

OCEAN BLUES. (A Paramount-Christie Comedy) 1927. 2 reels.

Credits: Producer, Al. Christie; director, Robert Kerr; story, Sig Herzig.

THE OCEAN FLOOR. 1927. 1 reel.

THE OCEAN HOP. (Oswald Cartoon) Snappy. 1927. 1 reel.

Credits: Walt Disney.

OCEAN LINERS. 1930. 1 reel.

AN OCEAN RECLUSE. 1917. 1 reel.

OCEAN SWELLS. 1934. 2 reels, sd.

Credits: Producer, Lee Marcus; director, George Stevens; story, Fred Guiol, Jack Townley; film editor, John Lockert.

THE OCEAN WAIF. Golden Eagle. 1916. 5 reels.

THE OCTAVE OF CLAUDIUS. SEE A Blind Bargain.

OCTAVIUS—AMATEUR DETECTIVE. 1913-14. 1 reel each. © Thomas A. Edison, Inc.

Credits: Frederic Arnold Kummer; director, Charles H. Seay.

1. The Adventure of the Actress' Jewels.

2. The Adventure of the Extra Baby.

3. The Adventure of the Alarm Clock.

4. The Adventure of the Stolen Slipper.

5. The Adventure of the Counterfeit Money.

6. The Adventure of the Missing Legacy.

[7] The Adventure of the Absent-Minded Professor.

[8] The Adventure of the Pickpocket.

[9] The Adventure of the Hasty Elopement.

[10] The Adventure of the Smuggled Diamonds.

[11] The Adventure of the Lost Wife.

[12] The Adventure of the Wrong Santa Claus.

THE OCTOPUS. 1915. 3 reels. From the story by Charles Belmont Davis.

Credits: Director, Thomas Santschi.

THE OCTOPUS. SEE Mother o' Mine.

ODD ACQUAINTANCES. 1916. 1 reel.

Credits: Adapted and produced by Frank Miller.

ODD-JOBS. 1927. 1 reel.

ODD OCCUPATIONS. (E. M. Newman's Our Own United States) 1936. 1 reel, sd.

Credits: Dialogue, Ira Genet; editor, Bert Frank.

THE ODD SLIPPER. 1915. 1 reel.

Credits: Director, Burton L. King.

ODD SPORTS. (News World of Sports) 1939. 874 ft., sd.

Credits: Narrator, Jack Kofoed; described by Ford Bond.

ODD THURSDAY. SEE Such Women Are Dangerous.

Credits: Producer and narrator, Jack Vincent Wood.

ODDITIES OUT OF THE DAY'S NEWS.

Credits: Producer, George E. Hayes.

ODDS ARE EVEN. SEE Racing Lady.

ODDS IN YOUR FAVOR. 1936. Filmstrip, sd.

ODETTE MYRTIL [IN] SONGS: BON SOIR MADAM LA LUNE AND WHEN KATINKA SHAKES HER TAMBORINE. (Movietone Act) 1928. 1 reel.

ODETTE MYRTIL IN THE DANCING MASTER. (Movietone Act) 1929. 1 reel, sd.

ODOR IN THE COURT. 1934. 2 reels, sd.

Credits: Director, Ben Holmes; story, Ben Holmes, Johnnie Grey; dialogue, Bobby Clark; film editor, Edward Mann.

OEDIPUS REX. 1913. 4 reels.

OF HUMAN BONDAGE. 1934. 83 min., sd. From the novel by W. Somerset Maugham.

Credits: Director, John Cromwell; screenplay, Lester Cohen; editor, William Morgan.

OF HUMAN HEARTS. Presented by Metro-Goldwyn-Mayer. 1938. 11 reels, sd., b&w. From the story "Benefits Forgot" by Honoré Morrow.

Credits: Producer, John W. Considine, Jr.; director, Clarence Brown; screenplay, Bradbury Foote; film editor, Frank E. Hull; musical score, Herbert Stothart.

OFF AGAIN. (Cameo Comedy) 1927. 1 reel.

Credits: Director, Robert Dillon.

OFF BALANCE. (Cameo Comedy) 1928. 1 reel.

Credits: Director, Jules White.

OFF FOR A BOAT RIDE. 1915. 1,000 ft.

OFF HIS BASE. 1932. 20 min., sd. From the story by Charles W. Paddock.

Credits: Producer, Norman L. Sper; director, James Gleason.

OFF HIS BEAT. Presented by Century Comedies. 1922. 2 reels.

Credits: Written and directed by Tom Buckingham.

OFF HIS BEAT. (Walter Hiers Comedies) Educational Film Exchanges, Inc. 1925. 2 reels.

Credits: Producer, Christie; director, Archie Mayo.

OFF HIS TROLLEY. (Rainbow Comedy) 1920. 2 reels.

Credits: Written and directed by J. A. Howe.

OFF THE BEAT. 1934. 2 reels, sd.

Credits: Director, Joseph Henabery; story, Eddie Moran, A. Dorian Otvos.

OFF THE DECK. 1929. 2 reels.

Credits: Director, William Holland; story, Frank Conklin.

OFF THE EARTH. (Star Comedy) 1922. 1 reel.

OFF THE HIGHWAY. Released by Producers Distributing Corp. 1925. 8 reels. Adapted from the novel "Tatterly" by Tom Gallon.

Credits: Supervision, Hunt Stromberg; director, Tom Forman; adaptation, Dorothy Farnum.

OFF THE HORSES. Presented by E. W. Hammons. 1937. 2 reels, sd.

Credits: Producer, Al. Christie; story, Tim Ryan, Lloyd Rosenmond.

OFF THE RECORD. 1936. 1 reel, sd.

Credits: Director, Joseph Henabery; continuity, George J. Bennett, A. Dorian Otvos.

OFF THE RECORD. 1939. 8 reels, sd.

Credits: Director, James Flood; original story, Saul Elkins, Sally Sandlin; screenplay, Niven Busch, Lawrence Kimble, Earl Baldwin.

OFF TO BUFFALO. 1929. 2 reels, sd., b&w.

Credits: Supervision and story, Leo McCarey; director, James W. Horne; editor, William Terhune.

OFF TO CHINA. (Paul Terry Toons) Presented by E. W. Hammons. 1936. 539 ft.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

OFF TO PEORIA. 1930. 2 reels.

Credits: Director, Mark Sandrich; story and dialogue, Mark Sandrich, Rube Welch.

OFF TO THE RACES. 1937. 5,126 ft., sd. Based on a character created by Katharine Kavanaugh.

Credits: Director, Frank R. Strayer; original screenplay, Robert Ellis, Helen Logan; music, Samuel Kaylin.

THE OFFENDING KISS. 1915. 2 reels.

Credits: Director, Ulysses Davis.

OFFENSIVE SYSTEM. 1931. 1 reel.

Credits: Director, Albert Kelley; story, Knute Rockne.

OFFICE BLUES. 1930. 1 reel, sd.

Credits: Director, Mort Blumenstock.

THE OFFICE BOY. (Aesop Sound Fable) 1930. 1 reel.

Credits: John Foster, Harry Bailey.

THE OFFICE BOY. (Flip the Frog Cartoon) 1932. 1 reel.

THE OFFICE BOY'S BIRTHDAY. 1912. 1 reel.

Credits: Charles M. Seay.

THE OFFICE FITTING. 1930. Filmstrip, 34 frames.

THE OFFICE GIRL. Gainsborough. 1931. 7,918 ft. Released in United Kingdom as "Sunshine Susie."

Credits: Adapted and directed by Victor Saville; story, Franz Schulz; scenario, Robert Stevenson; music, Paul Abraham; lyrics, Desmond Carter.

THE OFFICE SCANDAL. 1929. 7 reels.

Credits: Producer, Ralph Block; director, Paul L. Stein; story and adaptation, Paul Gangelin, Jack Jungmeyer.

THE OFFICE SCANDAL. SEE Edgar Bergen in The Office Scandal.

OFFICE STEPS. 1930. 1 reel, sd.

THE OFFICE WIFE. 1930. 8 reels. From the novel by Faith Baldwin.

Credits: Director, Lloyd Bacon; screenplay, Charles Kenyon.

THE OFFICE WIFE. Trailer. 1930. 1 reel.

AN OFFICER AND A GENTLEMAN. 1914. 3 reels.

Credits: Director, Harry Lambart; story, Mrs. Tom Coleman.

OFFICER, CALL A COP. Joker. 1917. 1 reel.

Credits: Director, William Beaudine; story, F. M. Statter.

OFFICER, CALL A COP. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Lyons-Moran.

OFFICER CUPID. 1921. 2 reels.

Credits: Director, Frank Powell.

Credits: Producer, John E. Ince.

OFFICER JOHN DONOVAN. 1913. 2 reels.

Credits: Director, Van Dyke Brooke.

OFFICER KATE. 1914.

Credits: Director, Ned Finley.

OFFICER NO. 13. Century. 1925. 2 reels.

Credits: Written and directed by Edward I. Luddy.

OFFICER O'BRIEN. 1930. 8 reels, sd.

Credits: Associate producer, Ralph Block; director, Tay Garnett; story and adaptation, Thomas Buckingham.

AN OFFICER OF THE DAY. 1926. 2 reels.

Credits: Director and scenario, Max Gold, Andrew Bennison; story, Andrew Bennison.

OFFICER, SAVE MY CHILD! 1932. 2 reels.

Credits: Director, Lou Breslow; story, Francis J. Martin.

OFFICER 666. 1914. 5 reels. From the play by Augustin MacHugh.

OFFICER 666. 1920. 6 reels. Based on the play by Augustin MacHugh.

Credits: Director, Harry Beaumont; scenario, Gerald C. Duffy.

OFFICER THIRTEEN. 1932. 7 reels.

Credits: Director, George Melford; story, Paul Edwards; screenplay, Frances Hyland.

THE OFFICER'S MESS. 1935. 2 reels, sd.

Credits: Director, Lloyd French; story, Burnet Hershey, Jack Henley.

THE OFFICIAL INTRODUCER. SEE Indiscretion.

THE OFFICIAL MOTION PICTURES OF THE SENSATIONAL HEAVYWEIGHT BOXING CONTEST BETWEEN JOE LOUIS OF DETROIT, HEAVYWEIGHT CONTENDER AND JACK SHARKEY OF BOSTON, FORMER WORLD'S HEAVYWEIGHT CHAMPION. Presented by Twentieth Century Sporting Club, Inc. in conjunction with Mrs. William Randolph Hearst's Free Milk Fund for Babies. © 1937.

Credits: Supervision, Jack Rieger. ** © Jack Dietz & Bill Duffy; title, descr. & 15 prints, 16Sep37; MU7763.

Credits:

1a. With the Indian Troops at the Front, no. 1. 540 ft. © title, descr. & 52 prints, 29Jan16; MU544.

2a. With the Indian Troops at the Front, no. 2. 500 ft. © title, descr. & 18 prints, 29Jan16; MU545.

3a. The Making of an Officer: with the Artist Rifles at the Front. 680 ft. © title, descr. & 63 prints, 29Jan16; MU546.

4a. A Machine Gun School at the Front. 440 ft. © title, descr. & 30 prints, 29Jan16; MU547.

5a. With Our Territorials at the Front. 530 ft. © title, descr. & 32 prints, 29Jan16; MU548.

1b. Destruction of a German Blockhouse by 9.2 Howitzer. 513 ft. © title, descr. & 15 prints, 28Feb16; MU549.

2b. Ypres, the Shell-Shattered City of Flanders. 330 ft. © title, descr. & 19 prints, 28Feb16; MU550.

3b. H.R.H. the Prince of Wales with the Guards in the Front Line. 635 ft. © title, descr. & 19 prints, 28Feb16; MU551.

4b. In Action with Our Canadian Troops. 704 ft. © title, descr. & 24 prints, 28Feb16; MU552.

OFFICIAL TIME CLOCK. 1936. 1 reel, sd.

THE OFF-SHORE PIRATE. 1921. 6 reels. From the story by F. Scott Fitzgerald.

Credits: Director, Dallas M. Fitzgerald; screen adaptation, Waldemar Young.

OFT IN THE SILLY NIGHT. 1929. 2 reels.

Credits: Director, Arvid E. Gillstrom; story, Octavis Roy Cohn.

O'GARRY OF THE ROYAL MOUNTED. 1915. 3 reels.

Credits: Director, Ned Finley.

THE OGRE AND THE GIRL. 1915. 3,000 ft.

Credits: Written and produced by Clay M. Greene.

OH ANNICE. SEE The Gold Cure.

OH! BABY. 1918. 2 reels.

Credits: Director, J. G. Blystone.

OH, BABY! Jewel. 1926. 7 reels.

Credits: Story and direction, Harley Knoles; scenario, Arthur Hoerl.

OH! BILLY! 1924. 2 reels.

Credits: Director, James Davis.

Credits: Adapted, directed, and produced by Albert Capellani.

OH BOY! (A McDougall Alley Comedy) 1927. 2 reels.

Credits: Written and directed by Harry McCoy.

OH BRIDGET. (A Walter Hiers Comedy) Educational Pictures. 1925. 2 reels.

Credits: Director, Archie Mayo.

OH, BUSTER. Century. 1925. 2 reels.

Credits: Director, Gus Meins.

OH! DADDY. (Eddie Lyons Comedy, no. 1) 1921. 2 reels.

Credits: Producer, Eddie Lyons.

OH DADDY! 1922. 2 reels.

Credits: Director, Roy Del Ruth.

OH DARLING. (Jack White Talking Comedies) 1930. 17 min., sd.

Credits: Director, Stephen Roberts.

OH, DOCTOR! Paramount. 1917. 2 reels.

OH, DOCTOR! Universal-Jewel. 1924. 7 reels. From the novel by Harry Leon Wilson.

Credits: Director, Harry A. Pollard; adaptation and continuity, Harvey Thew.

OH, DOCTOR. 1937. 8 reels, sd. From the novel by Harry Leon Wilson.

Credits: Associate producer, Edmund Grainger; director, Raymond B. McCarey; screenplay, Harry Clork, Brown Holmes; film editor, Bernard Burton; music director, Charles Previn.

OH, DUCHESS! 1936. 2 reels.

Credits: Director, Charles Lamont; story and screenplay, Ewart Adamson.

OH! ETHEL. (Lyons-Moran Star Comedy) 1919. 1 reel.

Credits: Director, Burton George; scenario, Fred A. Palmer.

OH EVALINE! 1936. 2 reels, sd.

Credits: Director, Roy Mack; story, Cyrus Wood.

OH, FOR A MAN. Presented by William Fox. 1930. 9 reels, sd.

Credits: Producer, Hamilton MacFadden; original story, Mary T. Watkins; scenario and dialogue, Philip Klein, Lynn Starling; film editor, Al De Gaetano.

OH, FOR THE LIFE OF A FIREMAN. (Ford Educational Library, Civics and Citizenship, v. 3) Ford Motion Picture Laboratories. 1921. 1 reel.

OH, GIRLS! National Film Corp. of America. Released through Goldwyn Distributing Corp. 1920. 2 reels.

Credits: Director, Mark Goldaine; story, Billie Goldaine.

OH! HOW I HATE TO GET UP IN THE MORNING. 1932. 1 reel.

Credits: Director, Dave Fleischer; animation, Seymour Kneitel, Bernard Wolf.

OH, JOHNNY! Betzwood Film Co. 1918. 5 reels.

Credits: Wilson Bayley; director, Ira M. Lowry.

OH JUDGE! HOW COULD YOU? 1919. 2 reels.

Credits: Director, T. Hays Hunter.

OH KAY! Presented by John McCormick. 1928. 7 reels. From the musical comedy by Guy Bolton and P. G. Wodehouse.

Credits: Director, Mervyn LeRoy; scenario, Carey Wilson; adaptation, Elsie Janis.

OH KAY, RHYTHM. Presented by Adolph Zukor. 1937. 1 reel, sd.

Credits: Produced and directed by Leslie Roush, Herbert Moulton.

OH LADY, LADY. 1920. 5 reels. Adapted from the play by Guy Bolton and P. G. Wodehouse.

Credits: Director, Maurice Campbell; scenario, Edith Kennedy.

OH! LOOK WHO'S HERE! 1914. 1,000 ft.

Credits: Producer, Norval MacGregor.

OH, MABEL! (Mike and Ike Series) (Stern Brothers Comedy) 1927. 2 reels. From Rube Goldberg's cartoons "Mike and Ike."

Credits: Director, Francis Corby.

OH, MAMA! (Cameo Comedy) 1928. 1 reel.

Credits: Director, Jules White.

OH, MAN. Nestor. 1918. 1 reel.

Credits: Director, Allen Curtis; scenario, Tom Gibson.

OH! MARRY ME. (Manhattan Comedies) 1931. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, William Watson; story and adaptation, Nick Barrows; film editor, Russell Schoengarth.

OH, MIN. SEE The Gumps in Oh, Min.

OH MONKEY BE GOOD. (Sunkist Comedy) 1926. 2 reels.

Credits: Written and directed by Francis Corby.

OH MUMMY. (Paramount-Christie Comedy) 1927. 2 reels.

Credits: Director, Harold Beaudine; story and scenario, Sig Herzig; titles, Al Martin.

OH, MY NERVES. 1935. 2 reels, sd.

Credits: Director, Del Lord; story and screenplay, Preston Black.

OH, MY OPERATION. 1932. 1 reel, sd.

Credits: Director, Ray Cozine; story, George N. Burns; dialogue staged by Max E. Hayes.

OH! MY OPERATION. 1932. 2 reels.

Credits: Director, James W. Horne; story, Sam Newfield, J. A. Howe.

OH, NURSIE! (Star Comedy) 1921. 1 reel.

Credits: Producer, Craig Hutchinson; story and scenario, W. Scott Darling.

OH, NURSIE. Century. 1923. 2 reels.

OH! OH! CLEOPATRA. 1931. 2 reels, sd., b&w.

Credits: Direction and story, Joseph Santley; additional dialogue, Lew Lipton, Eddie Welch; film editor, John Link.

OH, OH NURSIE. (Star Comedy) 1919. 1 reel.

Credits: Written and directed by Lyons and Moran.

OH POP! 1917. 1 reel.

Credits: Producer, Harry Jackson; story, Thomas J. Gray.

OH, PROMISE ME. SEE Love, Honor, and Oh Baby.

OH SAILOR BEHAVE. 1930. 9 reels. From the play by Elmer Rice.

Credits: Director, Archie Mayo; screenplay and dialogue, Joseph Jackson.

OH SAILOR BEHAVE. Trailer. 1930. 1 reel.

OH SARAH. SEE Jack McLallen in Oh Sarah.

OH, SAY CAN YOU HEAR. Mentone. 1937. 2 reels, sd.

Credits: Director, Milton Schwarzwald; dialogue, Doug Leavitt.

OH SAY, CAN YOU SKI? (Paramount Paragraphics) 1938. 1 reel, sd., color.

Credits: Producers, Fairbanks and Carlisle; written and narrated by Gayne Whitman; music arrangements, Steve Pasternaki.

OH! SHOOT! 1923. 2 reels.

Credits: Director, Eugene DeRue.

OH! SUSANNA. (Paul Terry-Toons) 1933. 6 min., sd.

OH, SUSANNAH! 1936. 7 reels, sd.

Credits: Producer, Nat Levine; supervision, Armand Schaefer; director, Joseph Kane; screenplay and original story, Oliver Drake.

OH, TAXI! (Stern Brothers Comedy) (Let George Do It Series) 1927. 2 reels.

Credits: Director, Francis Corby.

OH! TEACHER! (Mirthquake Comedy) 1923. 2 reels.

Credits: Director, Eugene DeRue.

OH TEACHER. (Juvenile Comedies) 1924. 2 reels.

Credits: Director, Fred Hibbard.

OH, TEACHER. (Oswald Cartoon) Winkler. 1927. 1 reel.

Credits: Walt Disney.

OH, TEDDY. 1930. 2 reels, sd.

Credits: Director, Norman Taurog.

OH, TESSIE! (Star Comedy) 1921. 1 reel.

Credits: Director, Ward Hayes.

Credits: Director, George G. Grenier.

OH! U BOAT. 1917. 1 reel.

Credits: Thomas J. Gray; director, Chester M. DeVonde.

OH, WHAT A DAY. SEE The Gumps in Oh, What a Day.

OH, WHAT A FLIRT. 1925. 2 reels.

OH, WHAT A KICK! Bluebird. 1927. 1 reel.

Credits: Director, Richard Smith.

OH, WHAT A KNIGHT. (An Oswald Cartoon) Snappy. 1928. 1 reel.

Credits: Walt Disney.

OH, WHAT A KNIGHT. 1937. 2 reels, sd.

Credits: Director, Charley Chase; story and screenplay, Elwood Ullman, Al Giebler.

OH! WHAT A MAN. (Educational-Larry Semon Comedy) 1927. 2 reels.

Credits: Written and directed by Larry Semon.

OH, WHAT A NIGHT! 1926. 6 reels.

Credits: Director, Lloyd Ingraham; story, Florence Ryerson, Colin Clements.

OH! WHAT A NIGHT! SEE Hypnotized.

OH! WHAT A NURSE. 1926. 7 reels. From the story by Robert E. Sherwood and Bertram Bloch.

Credits: Director, Charles Reisner; adaptation, Darryl Francis Zanuck.

OH! WHAT A WHOPPER. Big U. 1916. 2 reels.

Credits: Written and produced by Sidney Goldin.

OH, WHERE IS MY WANDERING BOY TONIGHT? 1915. 2 reels.

Credits: John H. Collins.

OH YEAH! 1929. 8 reels, sd. From the story "No Brakes" by A. W. Somerville.

Credits: Adaptation and direction, Tay Garnett; director of dialogue, James Gleason.

OH YOU BEAUTIFUL DOLL. 1929. 1 reel.

Credits: Directed and arranged by Max Fleischer.

OH! YOU EAST LYNN! Rainbow. 1919. 2 reels.

Credits: Written and directed by J. A. Howe.

OH, YOU HONEYMOON! Nestor. 1916. 1 reel.

Credits: Written and directed by Leslie T. Peacocke.

OH, YOU TONY! 1924. 7 reels.

Credits: Director, J. G. Blystone; story and scenario, Don W. Lee.

OH, YOU UNCLE. 1916. 1 reel.

Credits: Director, Clay M. Greene.

OH, YOU WOMEN! 1919. 5 reels.

Credits: Director, John Emerson; story and scenario, John Emerson, Anita Loos.

1. © title, descr. & 52 prints, 24Jun37; MU7540.

2. © title, descr. & 43 prints, 30Jun37; MU7556.

3. © title, descr. & 41 prints, 30Jun37; MU7557.

4. © title, descr. & 39 prints, 30Jun37; MU7558.

5. © title, descr. & 49 prints, 30Jun37; MU7559.

6. © title, descr. & 34 prints, 30Jun37; MU7560.

9. © title, descr. & 27 prints, 9Jul37; MU7589.

10. © title, descr. & 41 prints, 13Sep37; MU7753.

OHIO TRAVELOGUE. SEE Ohio, the Buckeye State.

OHM SWEET OHM. SEE Felix the Cat in Ohm Sweet Ohm.

OIL. SEE Happy Hooligan in Oil.

OIL FOR THE LAMPS OF CHINA. Cosmopolitan. Presented by First National Productions Corp. and the Vitaphone Corp. Released by First National Productions Corp. 1935. 10 reels, sd. Based on the novel by Alice Tisdale Hobart.

Credits: Director, Mervyn LeRoy; screenplay, Laird Doyle.

THE OIL RAIDER. 1934. 7 reels, sd.

Credits: Producer, Lester Scott, Jr.; director, Spencer Gordon Bennet; story, Rex Taylor; continuity, George Morgan; dialogue, George Morgan, Homer King Gordon; film editor, Fred Bain.

THE OIL SMELLER. Joker. 1916. 1 reel.

Credits: Charles J. Wilson, Jr.; producer, P. C. Hartigan.

OIL, THE WOOD PRESERVER. 1928. 1 reel, sd.

Credits: Producer, C. W. Barrell.

THE OIL CAN MYSTERY. (Paul Terry-Toons) Educational Pictures. 1933. 6 min., sd.

Credits: Frank Moser, Paul Terry.

AN OILCAN ROMEO. Century. 1920. 2 reels.

OILING UNCLE. (Star Comedy) 1920. 1 reel.

Credits: Written and directed by Eddie Lyons, Lee Moran.

OIL'S WELL. (A Walter Lantz Cartoon) 1929. 1 reel.

Credits: Story, Walter Lantz.

OIL'S WELL. 1934. 2 reels, sd.

Credits: Producer, Phil L. Ryan; director, Del Lord; story, Mauri Grashin; adaptation, James Mulhauser, Scott E. Cleethorpe; editor, Francis Lyon; music, Abe Meyer.

THE OILY BIRD. 1936. 20 min., sd.

Credits: Director, Lloyd French; story, Jack Henley, Burnet Hershey, Eddie Forman.

THE OILY BIRD. SEE Felix the Cat in The Oily Bird.

AN OILY SCOUNDREL. 1916. 1 reel.

OILY TO BED AND OILY TO RISE. 1939. 856 ft.

Credits: Director, Jules White; original screenplay, Andrew Bennison, Mauri Grashin.

OKAY AMERICA. 1932. 8 reels.

Credits: Director, Tay Garnett; screenplay, William Anthony McGuire.

OKAY, JOSÉ. 1936. 2 reels, sd.

Credits: Director, Ralph Staub; story and screenplay, Joe Traub.

OKAY TOOTS. (Hal Roach Comedy) 1935. 1,391 ft., sd.

Credits: Directors, Charles Parrott, William Terhune; film editor, Burt Jordan.

OKLAHOMA AS IS. 1937. 1 reel, sd.

Credits: Written and directed by Carl Stearns Clancy.

OKLAHOMA BOB ALBRIGHT AND HIS RODEO DO FLAPPERS. 1929. 1 reel, sd.

OKLAHOMA FRONTIER. 1939. 6 reels, sd.

Credits: Associate producer, Albert Ray; direction and original screenplay, Ford Beebe; film editor, Louis Sackin; music director, Charles Previn.

THE OKLAHOMA KID. 1939. 9 reels, sd.

Credits: Director, Lloyd Bacon; original story, Edward E. Paramore, Wally Klein; screenplay, Warren Duff, Robert Buckner, Edward E. Paramore.

OKLAHOMA TERROR. 1939. 6 reels, sd.

Credits: Production and original story, Lindsley Parsons; director, Spencer Bennet; screenplay, Joseph West; film editor, Robert Golden.

THE OL' GRAY HOSS. (Our Gang Comedies) Presented by Hal Roach. 1928. 2 reels, b&w.

Credits: Production, story, and direction, Robert McGowan; editor, Richard Currier.

OL' KING COTTON. 1930. 1 reel, sd.

Credits: Director, Ray Cozine.

OL' MAN ADAM AN' HIS CHILLUN. SEE The Green Pastures.

Credits: Written and produced by Colin Campbell.

Credits: Harriet Bloch; director, Edmond Hansen.

OLD AGE PENSION. 1935. 2 reels, sd.

Credits: Director, James W. Horne; story, Al Austin, Raymond Cannon.

THE OLD AND THE NEW. 1915. 1 reel.

OLD APPLEJOY'S GHOST. SEE Fantasy.

AN OLD APPOINTMENT. 1912. 1 reel.

Credits: Harry Furniss.

THE OLD BARN. (Educational-Mack Sennett Talking Comedy) 1929. 2 reels.

Credits: Director, Mack Sennett.

THE OLD BARN DANCE. 1938. 7 reels, sd.

Credits: Director, Joseph Kane; original screenplay, Bernard McConville, Charles Francis Royal; film editor, Lester Orlebeck, music director, Alberto Colombo.

OLD BILL'S CHRISTMAS. 1930. 2 reels, sd.

Credits: Supervision, Dick Currier; director, J. Leo Meehan; story, Bruce Bairnsfather; editor, Arthur F. Ellis.

OLD BLACK JOE. 1929. 1 reel.

Credits: Director, Dave Fleischer.

THE OLD BUGLER. 1934. 2 reels, sd.

Credits: Producer, Phil L. Ryan; director, Del Lord; story and adaptation, James Mulhauser, Scott E. Cleethorpe; editor, Francis Lyon.

THE OLD BULL. (A Hal Roach Subject) Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, George Marshall; dialogue, H. M. Walker; editor, Richard Currier.

THE OLD CAMP GROUND. Presented by E. W. Hammons. 1935. 852 ft., sd.

Credits: Producer, Al Christie; director, William Watson; story, Arthur Jarrett, William Watson.

OLD CHINA. SEE The Story of the Willow Pattern.

Credits: Written and produced by Henry McRae.

OLD CLOTHES. 1925. 6 reels, tinted.

Credits: Supervision, Jackie Coogan, Sr.; story and scenario, Willard Mack.

OLD CLOTHES FOR NEW. (Star Comedy) 1930. 1 reel.

Credits: Written and directed by Lyons, Moran.

THE OLD CODE. 1915. 2 reels.

Credits: Director, E. A. Martin; screenplay, James Oliver Curwood.

OLD COMPANY'S LEHIGH. 1936. For Lehigh Navigation Coal Co. Filmstrip.

THE OLD CORRAL. 1936. 6 reels.

Credits: Producer, Nat Levine; director, Joseph Kane; original story, Bernard McConville; screenplay, Sherman Lowe, Joseph Poland.

Credits: Producer, Thomas Bentley.

OLD DAD. First National. 1921. 6 reels. From the novel by Eleanor Hallowell Abbott.

Credits: Director, Lloyd Ingraham; adaptation, J. Grubb Alexander.

THE OLD DARK HOUSE. Presented by Carl Laemmle. 1932. 9 reels, sd. From the novel by J. B. Priestly.

Credits: Producer, Carl Laemmle, Jr.; director, James Whale; adaptation and screenplay, Benn W. Levy; added dialogue, R. C. Sherriff; editorial supervision, Maurice Pivar; film editor, Clarence Kolster.

OLD DOCK GLOOM. 1916. 1 reel.

THE OLD DOCTOR. Big U. 1915. 2 reels.

Credits: Producer, Murdock MacQuarrie; scenario, Ben Cohn.

OLD DOG TRAY. (Paul Terry-Toons) Educational. Presented by E. W. Hammons. 1935. 529 ft., sd.

Credits: Frank Moser, Paul Terry; scored and conducted by Philip A. Scheib.

THE OLD DOLL'S HOUSE. SEE Midnight Alibi.

OLD DYNAMITE. 1921. 2 reels.

Credits: Producer, Robert Hill; story and scenario, George Morgan.

OLD EBENEZER. SEE Almost a Husband.

OLD ENGLISH. 1930. 11 reels. From the story by John Galsworthy.

Credits: Director, Alfred E. Green.

OLD FAITHFUL. Laemmle. 1917. 1 reel.

OLD FAITHFUL SPEAKS. 1934. 1 reel, sd.

Credits: Producer, Lorenzo del Riccio.

AN OLD FASHIONED BOY. 1920. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Jerome Storm; story, Agnes Christine Johnston.

AN OLD FASHIONED ELOPEMENT. 1912. From "The Gentlewomen." 1 reel.

Credits: F. G. Ford.

AN OLD FASHIONED GIRL. 1916. 2 reels.

Credits: Joseph A. Roach; director, Charles E. Ashley.

AN OLD FASHIONED MOVIE. (Easy Aces, no. 6) 1936.

AN OLD FASHIONED NEWS REEL. (Do You Remember) (A Johnnie Walker Novelty) Educational Pictures. Presented by E. W. Hammons. 1933. 673 ft., sd.

Credits: Miller, Lehr; associate producer, Monroe Gold; narrator. Lew Lehr; musical director, Paul Vincent.

THE OLD-FASHIONED WAY. Presented by Adolph Zukor. 1934. 8 reels, sd.

Credits: Producer, William LeBaron; director, William Beaudine; story, Charles Bogle; screenplay, Garnett Weston, Jack Cunningham; music, Harry Revel.

OLD FATHERS AND YOUNG SONS. SEE Father's Son.

THE OLD FIRE HORSE. 1914. 1 reel.

Credits: Mark Swan; director, Charles H. France.

THE OLD FIRE HORSE. (A Terry-Toon) Presented by Paul Terry. 1939. 1 reel, sd.

Credits: Director, Eddie Donnelly; story, John Foster; music, Philip A. Scheib.

THE OLD FIRE HORSE AND THE NEW FIRE CHIEF. 1914. 2 reels.

Credits: Director, George D. Baker.

AN OLD FLAME. Presented by William Fox. 1927. 2 reels.

Credits: Supervision, George E. Marshall; director, Harry Sweet; story, Mabel Herbert Urner; scenario, Frances Hyland.

AN OLD FLAME. Winkler. 1930. 1 reel.

Credits: Ben Harrison, Manny Gould.

THE OLD FLAME. 1931. 1 reel.

THE OLD FLUTE PLAYER. 1914. 3 reels.

OLD FOLKS AT HOME. SEE Addition to Old Folks at Home.

OLD FRENCH TOWNS. (Star Featurette) 1917. 1/2 reel.

OLD GLORY. (Merrie Melodies) 1939. 1 reel, sd.

Credits: Producer, Leon Schlesinger; supervision, Charles M. Jones; director, Robert McKimson; music director, Carl W. Stalling.

OLD GOOD FOR NUTHIN'. 1915. 1 reel.

Credits: Director, George Ridgwell.

THE OLD GREY MAYOR. 1935. 2 reels, sd.

Credits: Director, Lloyd French; story, Herman Ruby.

THE OLD GROUCH. Big U. 1915. 1 reel.

Credits: Producer, Murdock MacQuarrie; scenario, H. G. Stafford.

THE OLD GYPSY CUSTOM. 1934. 1,667 ft., sd.

Credits: Director, Harry J. Edwards; story and dialogue, Ernest Pagano, Ewart Adamson, C. Edward Roberts, N. T. Barrows.

OLD HEIDELBERG. 1915. 5 reels. Adapted from Max Chapelle's translation of the novel "Karl Heinrich" by Wilhelm Meyer-Förster.

Credits: Adaptation, John Emerson.

OLD HOKUM BUCKET. (Fable) Van Beuren Corp. 1931. 1 reel, sd.

OLD HOME WEEK. Paramount. Presented by Adolph Zukor and Jesse L. Lasky. 1925. 6,780 ft. Suggested by George Ade's story.

Credits: Director, Victor Heerman; screenplay, Thomas J. Geraghty.

THE OLD HOMESTEAD. Paramount. Presented by Jesse L. Lasky, 1922. 8 reels. From the play by Denman Thompson.

Credits: Director, James Cruze; scenario, Julien Josephson; adaptation, Perley Poore Sheehan, Frank E. Woods.

THE OLD HOMESTEAD. Presented by M. H. Hoffman. 1935. 8 reels, sd. Based on John Russell Coryell's novelized version of the play by Denman Thompson.

Credits: Director, William Nigh; story, continuity, and dialogue, W. Scott Darling; musical arrangements, Howard Jackson.

THE OLD HOUSE. (Happy Harmonies) 1936. 1 reel, sd., b&w.

Credits: Hugh Harman, Rudolf Ising.

OLD HUTCH. 1936. 8 reels, sd., b&w.

Credits: Producer, Harry Rapf; director, J. Walter Ruben; story, Garret Smith; screenplay, George Kelly; film editor, Frank Sullivan; music score, William Axt.

OLD HUTCH LIVES UP TO IT. SEE Honest Hutch.

OLD IRONSIDES. Presented by Adolph Zukor and Jesse L. Lasky. 1928. 8 reels.

Credits: Producer and director, James Cruze; story, Laurence Stallings; suggestion and adaptation, Harry Carr, Walter Woods.

OLD JIM. 1913. 1 reel.

Credits: Bannister Merwin.

OLD KENTUCKY HOUNDS. (Paramount Varieties) Presented by Adolph Zukor. 1934, 1 reel, sd.

Credits: Director, J. A. Duffy; story, Joseph Levering.

OLD KING COLE. (Silly Symphony, no. 11) 1933. 1 reel, sd.

THE OLD LADY. SEE La Vecchia Signora.

THE OLD LADY SHOWS HER MEDALS. SEE Seven Days Leave.

OLD LADY 31. 1920. 7 reels. From the stage play by Rachel Crothers.

Credits: Director general. Maxwell Karger; director, John E. Ince; adaptation, June Mathis.

THE OLD LETTER. 1914. 1 reel.

Credits: Director, Thomas Santschi.

OLD LOVES AND NEW. Presented by Sam E. Rork. 1926. 8 reels. Based on the novel "The Desert Healer" by E. M. Hull.

Credits: Production and adaptation, Marion Fairfax; director, Maurice Tourneur.

THE OLD MAID. First National. 1939. 10 reels, sd. Based on the play by Zoe Akins and the novel by Edith Wharton.

Credits: Associate producer, Henry Blanke; director, Edmund Goulding; screenplay, Casey Robinson; music, Max Steiner.

THE OLD MAID'S BABY. 1914. 1 reel.

Credits: Director, George D. Baker.

THE OLD MAID'S MISTAKE. 1934. 2 reels, sd.

Credits: Producer, Lou Brock; story and direction, Al Boasberg; film editor, Edward Mann.

OLD MAN BLUES. 1932. 1 reel, sd.

Credits: Director, Aubrey Scotto; story, J. P. Murray, Barry Trivers, Ben Oakland.

OLD MAN MINICK. SEE The Expert.

OLD MAN MURPHY. SEE His Family Tree.

THE OLD MAN OF THE MOUNTAIN. 1933. 1 reel.

Credits: Director, Dave Fleischer; animation, Bernard Wolf, Thomas Johnson.

OLD MAN RHYTHM. 1935. 75 min., sd.

Credits: Associate producer, Zion Myers; director, Edward Ludwig; story, Lewis Gensler, Sig Herzig, Don Hartman; screenplay, Sig Herzig, Ernest Pagano; editor, George Crone; music, Lewis Gensler; music director, Roy Webb.

OLD MAN TROUBLE. (Columbia-Victor Gems) 1929. 1 reel, sd.

Credits: Director, Basil Smith.

THE OLD MAN WHO TRIED TO GROW YOUNG. 1916. 3 reels.

Credits: Director, T. N. Heffron.

OLD MEXICO OF TODAY. (Ford Educational Library, Regional Geography, v. 5) Ford Motion Picture Laboratories. Released by Fitzpatrick & McElroy. 1921. 1 reel.

THE OLD MILL. (A Walt Disney Silly Symphony) 1937. 1 reel.

THE OLD MILL POND. (Happy Harmonies Cartoon) 1936. 1 reel, sd., color.

OLD MODDINGTON'S DAUGHTERS. 1913. 1 reel.

Credits: Director, W. J. Bauman.

THE OLD MONK'S TALE. 1913. 1 reel.

THE OLD NEST. Goldwyn Studios. 1921. 8 reels. Adapted from the story by Rupert Hughes.

Credits: Produced, directed, and supervised by Reginald Barker; adaptation, Rupert Hughes.

OLD NEW YORK. (Do You Remember) Educational Film Exchanges, Inc. 1932. 10 min.

Credits: Miller and Lehr.

THE OLD NORTHWEST. SEE Vincennes.

THE OLD OAKEN BUCKET. 1921. 5 reels.

Credits: Director, May Tully; scenario, May Tully, E. S. Harrison.

THE OLD OAK'S SECRET. 1914. 1 reel.

Credits: Director, Robert T. Thornby; screenplay, Mary H. O'Connor.

OLD OFFENDERS. 1915. 1 reel.

OLD PANAMA. 1929. 1 reel.

THE OLD PIONEER. (Happy Harmonies) 1934. 738 ft., sd., color.

Credits: Producers, Hugh Harman, Rudolf Ising.

THE OLD PLANTATION. (Happy Harmonies) 1935. 1 reel, sd., color.

Credits: Hugh Harman, Rudolf Ising.

THE OLD RAID MULE. 1938. 2 reels.

Credits: Director, Charley Chase; story, John Bell Clayton.

OLD RELIABLE. 1914. 2 reels.

Credits: Director, Van Dyke Brooks; story, W. A. Tremayne.

THE OLD REPORTER. 1912. 1,000 ft.

OLD SAN FRANCISCO. 1927. 9 reels.

Credits: Director, Alan Crosland; story, Darryl Francis Zanucke; scenario, Anthony Coldeway.

YE OLD SAW MILL. (Educational Tuxedo Comedy) Presented by E. W. Hammons. 1935. 2 reels, sd.

Credits: Direction and story, Mack Sennett; adaptation, Glen Lambert, Olive Hatch; dialogue, Al Tyler.

OLD SAWBONES. 1935. 2 reels, sd.

Credits: Director, Del Lord; story, Preston Black; screenplay, Preston Black, Stuart McGowan.

OLD SHEP. (An Oddity) 1934. 796 ft., sd., b&w.

Credits: Irving Bacheller; director, Harry Bucquet.

THE OLD SIN. 1915. 3 reels.

OLD SMOKEY. (A Captain and the Kids Cartoon) Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., sepia. Based on the United Features Comic The Captain and the Kids.

THE OLD SOAK. Universal-Jewel. 1926. 8 reels. From the play by Don Marquis.

Credits: Director, Edward Sloman; adaptation and scenario, Charles Kenyon.

THE OLD SOAK. SEE The Good Old Soak.

AN OLD SOLDIER'S ROMANCE. Gold Seal. 1916. 3 reels.

Credits: Scenario and direction, William V. Mong; story, Constance Crawley, Arthur Maude.

OLD SONGS FOR NEW. 1932. 1 reel.

THE OLD SOUTH. 1932. 1 reel.

AN OLD SPANISH CUSTOM. (A Sports Champion Picture) 1932. 920 ft.

Credits: Directors, Antonio Samaniego, Carlos Navarro; explanatory remarks, Salph de Alberich.

AN OLD SPANISH ONION. 1935. 2 reels, sd.

Credits: Producer, Lee Marcus; director, Alf Goulding; story, Forman Brown.

AN OLD SWEETHEART OF MINE. 1923. 6 reels. Based on James Whitcomb Riley's poem.

Credits: Producer and director, Harry Garson; adaptation, Louis Duryea Lighton; editor, Violet Blair.

THE OLD SWIMMIN' HOLE. First National. Presented by Arthur S. Kane. 1921. 6 reels. Adapted from the poem by James Whitcomb Riley.

Credits: Director, Joseph De Grasse; adaptation, Bernard McConville.

AN OLD TIMER LEARNS A NEW TRICK. 1937. For Bohn Refrigerator Co. Filmstrip, 62 frames, sd.

THE OLD TIMERS. (Louis Sobol, no. 3) 1933. 2 reels.

Credits: Producer, Rowland-Brice; director, Monte Brice; story, Sig Herzig.

OLD TIN SIDES. 1927. 2 reels.

Credits: Director, Gil Pratt.

THE OLD TOYMAKER. Rex. 1917. 1 reel.

Credits: Scenario and direction, Allen J. Holubar; story, H. A. Polowsky.

OLD TUNES FOR NEW; or, YES, WE HAVE NO NEW MUSIC. 1929. 1 reel.

Credits: Director, Thomas H. Chalmers.

OLD TRUTHS IN NEW GARMENTS. 1930. 3 reels.

THE OLD TUTOR. Big U. 1915. 1 reel.

Credits: Producer, Murdock MacQuarrie; scenario, George E. Hall.

OLD VAMPS FOR NEW. 1930. 2 reels.

Credits: Director, Phil Whitman; story, Johnnie Grey.

Credits: Screenplay, Wallace C. Clifton.

THE OLD WALLOP. (Our Gang Comedies) Presented by Hal Roach. 1927. 2 reels, sd., b&w.

Credits: Producer and director, Robert McGowan; titles, H. M. Walker; editor, Richard Currier.

THE OLD WATCHMAN. 1916. 2,000 ft.

Credits: Producer, Leon D. Kent.

THE OLD WEST PER CONTRACT. SEE '49-'17.

OLD WIVES FOR NEW. 1918. 6 reels. Based on the novel by David Graham Phillips.

Credits: Producer and director, Cecil B. De Mille; scenario, Jeannie MacPherson.

OLD WIVES WHO KNEW. 1928. 2 reels, b&w.

Credits: Director, Billy West.

AN OLD WORLD ROMANCE. SEE The Song of the Soul.

THE OLD WYOMING TRAIL. 1937. 6 reels, sd.

Credits: Associate producer, Harry L. Decker; director, Folmer Blangsted; story, J. Benton Cheney; screenplay, Ed Earl Repp; film editor, William Lyon.

YE OLDE MELODIES. (Screen Songs) Presented by Dave Fleischer. 1929. 1 reel, sd.

Credits: Director, Dave Fleischer.

YE OLDE SONGS. (Paul Terry Toons) 1932. 6 min., sd.

Credits: Frank Moser, Paul Terry.

YE OLDE TIME MOVIES. 1938. 1 reel.

Credits: Editor, Jack Stern.

YE OLDE TOY SHOP. (Paul Terry Toons) 1935. 1 reel.

Credits: Frank Moser, Paul Terry.

YE OLDEN DAYS. (Mickey Mouse, no. U. A. 12) 1933. 1 reel.

YE OLDEN GRAFTER. 1915.

Credits: Producer, Mack Sennett.

Credits: Director, Harley Knoles; story, Romena Rue; scenario, Virginia Tyler Hudson.

OLE' MAN WHOOPEE. 1930. 1 reel, sd.

Credits: Directors, Louis McDermott, Ray Cozine; story, Art Frank.

THE OLE SWIMMIN' 'OLE. (An Oswald Comedy) Snappy. 1928. 1 reel.

Credits: Walt Disney.

OLGA'S BOATMAN. Bluebird. 1926. 1 reel.

Credits: Director, Edgar L. Kennedy.

OLIVE GROWING IN THE UNITED STATES. ORANGE CULTIVATION IN CALIFORNIA. (Ford Educational Library, Agriculture, v. 4) Ford Motion Picture Laboratories, 1920. 1 reel.

OLIVER THE EIGHTH. (Hal Roach Comedy) (A Laurel-Hardy Comedy) 1934. 3 reels, sd., b&w.

Credits: Director, Lloyd French; film editor, Bert Jordan.

OLIVER TWIST. Released by Paramount Pictures Corp. 1916. 5 reels. An adaptation of the novel by Charles Dickens.

Credits: Producer, James Young.

OLIVER TWIST. 1922. 7,600 ft. Based on the novel by Charles Dickens.

Credits: Director, Frank Lloyd; adaptation, Frank Lloyd, Harry Weil.

OLIVER TWIST. 1933. 8 reels, sd. From the novel by Charles Dickens.

Credits: Producers, Herbert Brenon, I. E. Chadwick; supervision, Herbert Brenon; director, William J. Cowen; screenplay and dialogue, Elizabeth Meehan; editor, Carl Pearson.

OLIVER TWIST. SEE Oliver Twist, Jr.

OLIVER TWIST, JR. 1921. 5 reels. Based on the novel "Oliver Twist" by Charles Dickens.

Credits: Director, Millard Webb; story, McGrew Willis.

OLIVE'S HERO. Sterling. 1915. Split reel.

Credits: Mrs. Wilson Woodrow.

OLIVE'S PET. Sterling. 1915. 1 reel.

OLSEN'S BIG MOMENT. 1933. 6,000 ft., sd.

Credits: Director, Malcolm St. Clair; story, George Marshall; screenplay and dialogue, Henry Johnson, James Tynan.

OLYMPIA. SEE His Glorious Night.

OLYMPIC EVENTS. (Sport Champions) 1932. 953 ft.

Credits: Director, Ray McCarey; explanatory remarks, Pete Smith.

OLYMPIC GAMES. (Hysterical History Comedies) 1925. 1 reel.

Credits: William H. Watson.

OLYMPIC TALENT. (Grantland Rice Sportlight) Van Beuren Corp. 1931. 1 reel, sd.

O'MALLEY OF THE MOUNTED. 1920. 6 reels.

Credits: Picturized and directed by Lambert Hillyer.

O'MALLEY OF THE MOUNTED. Presented by Twentieth Century-Fox Corp. 1936. 7 reels, sd.

Credits: Director, David Howard; story, William S. Hart; screenplay, Dan Jarrett, Frank Howard Clark.

OMAR KHAYYAM. (Hysterical History Comedies) 1924. 1 reel.

Credits: Director, Bryan Foy.

OMAR KYAYYAM. SEE The Rubaiyat of Omar Kyayyam.

OMAR KHAYYÁM THE TENTMAKER. SEE Omar the Tentmaker.

OMAR THE TENTMAKER. Presented by Richard Walton Tully. 1922. 8 reels. Based on the play "Omar Khayyám, the Tentmaker" by Richard Walton Tully.

Credits: Director, James Young; adaptation, Richard Walton Tully.

ON A SOUTH SEA ISLAND. SEE Lost and Found

ON A SUMMER'S DAY. 1920. 2 reels.

Credits: Director, Albert Austin.

ON A SUNDAY AFTERNOON. 1930. 1 reel, sd.

Credits: Director, Dave Fleischer; animation, Rudy Zamora, Jimmie Culhane.

ON ACCOUNT. Century. 1921. 2 reels.

Credits: Story and direction, William Watson.

ON AGAIN—OFF AGAIN. 1937. 7 reels, sd.

Credits: Producer, Lee Marcus; director, Edward Cline; screenplay, Nat Perrin, Benny Rubin; editor, John Lockert; music director, Roy Webb.

ON APPROVAL. 1934. 2 reels, sd.

Credits: Director, Kenneth Webb.

ON BITTER CREEK. 1915. 3,000 ft.

ON BORROWED TIME. Presented by Metro-Goldwyn-Mayer. 1939. 10 reels, sd., b&w. Based on the play by Paul Osborn from the novel by Lawrence Edward Watkin.

Credits: Producer, Sidney Franklin; director, Harold S. Bucquet; screenplay, Alice D. G. Miller, Frank O'Neill, Claudine West; film editor, George Boemler; music score, Franz Waxman.

ON CHRISTMAS EVE. 1914. 1 reel.

Credits: Mark Swan; director, John H. Collins.

Credits: Director, Robert Thornby.

ON DANGEROUS GROUND. Big U. 1916. 1 reel.

Credits: Producer, Murdock MacQuarrie; story, Clarice M. MacQuarrie; scenario, James Dayton.

ON DANGEROUS PATHS. 1915. 4 reels.

ON DECK. (Stern Brothers Comedy) (Let George Do It Series) 1927. 2 reels. From the cartoons by George McManus.

Credits: Director, Samuel Newfield.

ON DESERT ALTARS. SEE Woman, Woman!

ON DONOVAN'S DIVISION. 1912. 1 reel.

Credits: Dramatic synopsis, W. Hanson Durham.

ON DRESS PARADE. SEE The Dead End Kids on Dress Parade.

ON EDGE. (Mermaid Comedies) 1926. 2 reels.

Credits: Written and directed by Norman Taurog.

ON FOREIGN SERVICE. (Adventures of the Newsreel Cameraman) 1934. 1 reel, sd.

ON FURLOUGH. (Stern Brothers Comedy) (Let George Do It Series) 1927. 2 reels. From the cartoons by George McManus.

Credits: Director, Samuel Newfield.

Credits: Director, Arch Heath; story, Robert F. Glassburn; scenario, Paul Fairfax Fuller.

ON HER WEDDING NIGHT. 1915. 4 reels.

Credits: Director, William Humphrey.

ON HIS WEDDING DAY. Nestor. 1915. 1 reel.

Credits: Producer, Horace Davy; scenario, Al. E. Christie.

ON ICE. 1933. 2 reels, sd.

Credits: Producer and director, Arvid E. Gillstrom; story, Dean Ward, Vernon Dent; film editor, Jack English.

ON ICE. 1935. 1 reel.

ON ITALY'S FIRING LINE. 1916. 3 reels.

ON MOONSHINE MOUNTAIN. 1914. 1 reel.

ON PAROLE. SEE The Western Wallop.

ON PATROL. 1922. 2 reels.

Credits: Director, Roy Del Ruth.

ON PRINCIPLE. SEE Love's Redemption.

Credits: Scenario, J. F. Natteford.

ON RECORD. 1917. 5 reels.

Credits: George D. Proctor; producer, Robert Leonard; story, John B. Clymer and Paul West.

ON SPECIAL DUTY. 1927. 2 reels.

Credits: Director, Walter Fabian; story, Brandt Riley; continuity, William Lester.

ON SUCH A NIGHT. Presented by Adolph Zukor. 1937. 8 reels, sd.

Credits: Producer, Emanuel Cohen; director, E. A. Dupont; story, Morley F. Cassidy, S. S. Field, John D. Klorer; screenplay, Doris Malloy, William R. Lipman; film editor, Ray Curtiss.

ON SUSPICION. 1914. 2,000 ft.

ON THE AIR. 1928. 1 reel, sd.

Credits: Murray Roth; director, Bryan Foy.

ON THE AIR. (Topics of the Day, no. 1) 1930. 1 reel, sd.

Credits: Alfred T. Mannon.

ON THE AIR. SEE Vincent Lopez Himself in On the Air.

ON THE AIR AND OFF. Mentone. Presented by Carl Laemmle. 1933. 2 reels, sd.

Credits: Director, Lynn Shores; story, Ballard MacDonald.

ON THE AVENUE. 1937. 7,950 ft., sd.

Credits: Director, Roy Del Ruth; screenplay, Gene Markey, William Conselman; music director, Arthur Lange; words and music, Irving Berlin.

ON THE BANKS OF THE WABASH. 1923. 7 reels. Adapted from the song by Paul Dresser.

Credits: Director, J. Stuart Blackton; scenario, Elaine Sterne.

ON THE BORDER. 1915. Split reel.

ON THE BORDER. 1930. 5 reels, sd.

Credits: Director, William McGann: original story and screen adaptation, Lillian Hayward.

ON THE BORDER. Trailer. 1930. 1 reel, sd.

ON THE BOULEVARD. (Columbia-Victor Gems) 1929. 1 reel, sd.

Credits: Director, Basil Smith.

ON THE BROAD STAIRWAY. (Kate Kirby's Cases) 1913. 1 reel.

Credits: J. Searle Dawley.

ON THE DAWN ROAD. 1915. 1 reel.

Credits: H. Tipton Steck.

ON THE EAGLE TRAIL. 1915. 1 reel.

Credits: Producer, Tom Mix; story, Cornelius Shea.

ON THE FARM. (A McDougall Alley Comedy) 1926. 2 reels.

Credits: Supervision, Joe Rock.

ON THE FRINGE OF THE GLACIERS. SEE Prince of Daffydill.

Credits: Director, Richard Thorpe; story, Frank L. Inghram.

ON THE GO. 1925. 2 reels.

Credits: Director, Billy West.

ON THE GO. 1925. 2 reels.

Credits: Director, Lewis Seiler.

ON THE GREAT STEEL BEAM. 1913. 1 reel.

Credits: Sydney Booth.

ON THE HEIGHTS. 1914. 2 reels.

ON THE HIGH C'S. 1929. 1 reel, sd.

Credits: Director, Monte Brice.

ON THE HIGH SEAS. Paramount. Presented by Adolph Zukor. 1922. 6 reels.

Credits: Producer and director, Irvin Willat; story, Edward Sheldon; adaptation, E. Magnus Ingleton.

Credits: Producer, John L. Hawkinson.

ON THE ICE. 1928. 1 reel.

Credits: Paul Terry and Frank Moser.

ON THE ICE; a Demonstration of Fancy Skating [by] Mr. and Mrs. Edgar Syers, at Wengen Switzerland. 1914. 1 reel.

ON THE ISLE OF SARNE. 1914. 2 reels. Adapted from "The Picaroon" by H. B. Marriott Watson.

Credits: Director, Richard R. Ridgely.

ON THE JOB. 1924. 2 reels.

Credits: Directors, Ben Stoloff, Clyde Carruth.

ON THE JOB. 1931. 1 reel, sd.

ON THE JUMP. 1918. 6 reels.

Credits: Written and directed by Raoul A. Walsh.

ON THE JURIANA RIVER. SEE Roosevelt Brazilian Expedition.

ON THE LAZY LINE. 1914. 1 reel.

Credits: Epes Winthrop Sargent; director, C. Jay Williams.

ON THE LEVEE. 1930. 1 reel, sd.

Credits: Director, Basil Smith.

ON THE LEVEL. Gold Seal. 1915. 2 reels.

Credits: Producer, William Worthington; scenario, James Dayton.

ON THE LEVEL. 1917. 5 reels. From the story by Charles Kenyon.

Credits: Director, George Melford; adaptation, Marion Fairfax.

ON THE LEVEL. 1930. 6,350 ft., sd.

Credits: Associate producer, J. K. McGuinness; director, Irving Cummings; editor, Al De Gaetano.

ON THE LEVEL. 1936. Filmstrip, sd.

ON THE LINKS. 1925. 2 reels.

Credits: Director, Jimmy Davis.

ON THE LINKS. (Fables, no. 390) 1928. 1 reel.

ON THE LITTLE MILL TRACE. 1915. 2 reels.

Credits: Crittenden Marriott; director, Lawrence Windom.

ON THE LOOSE. (A Hal Roach Subject) Presented by Hal Roach. 1932. 2 reels, sd., b&w.

Credits: Director, Hal Roach; dialogue, H. M. Walker; editor, Richard Currier.

ON THE MAKE. SEE Mister Dynamite.

ON THE MARCH. (Metro Movietone Act) 1929. 956 ft., sd., color.

ON THE MINUTE. 1914. 2 reels.

Credits: Producer, E. A. Martin.

ON THE MUIR TRAIL. 1916. Split reel.

Credits: Photographed by Edward S. Curtis.

ON THE NIGHT STAGE. 1915.

Credits: Producer, Thomas H. Ince.

ON THE NIGHT STAGE. 1923. 5 reels.

ON THE NOSE. (Grantland Rice Sportlight) 1937. 1 reel, sd.

Credits; Producer, Jack Eaton; narrator, Ted Husing.

ON THE PAN. (The Little King) RKO Radio release, 1933. 1 reel. Based on the cartoon by O. Soglow.

ON THE PRINCE OF THE GLACIERS. SEE Prince of Daffydill.

ON THE PRIVATE WIRE. 1915. 2 reels.

ON THE QUIET. Paramount. Presented by Adolph Zukor. 1918. 5 reels. From the play by Augustus Thomas.

Credits: Director, Chet Withey; scenario, Charles Whitaker.

ON THE RANCHO. SEE Will and Gladys Ahern on the Rancho.

ON THE ROAD TO MANDALAY. (Song Sketch) Van Beuren. 1930. 1 reel, sd.

Credits: Oscar Lund, Hopp Hadley.

ON THE ROAD TO RENO. 1915. Split reel.

ON THE SPEUTUBA RIVER. SEE Roosevelt Brazilian Expedition.

ON THE SHELF. SEE Let Women Alone!

ON THE SLOPES OF THE ANDES. 1931. 1 reel.

Credits: Producer, William J. Ganz; narrative, S. H. MacKean.

ON THE SPANISH MAIN. 1917. 5 reels.

Credits: Director, Edward A. Salisbury.

ON THE STEPS. 1914. 1 reel.

Credits: Charles H. France.

ON THE STEPS OF THE THRONE. 1913. 4 reels.

ON THE STREETS OF INDIA, AS SEEN BY DR. DORSEY. Powers. 1917. 1/2 reel.

ON THE STROKE OF FIVE. 1914. 2 reels.

Credits: Director, Harry Lambart.

ON THE STROKE OF THREE. Released by F. B. O. 1924. 7 reels. Adapted from the story by Henry Payson Dowst.

Credits: Director, F. Harmon Weight; scenario, O. E. Goebel, Phillip Lonergan.

ON THE STROKE OF TWELVE. 1915. 3 reels.

Credits: Gertrude Lyon.

ON THE THRESHOLD. Presented by Charles R. Rogers. Released by Producers Distributing Corp. 1925. 6 reels.

Credits: Director, Renaud Hoffman; story, Wilbur Hall; adaptation, Alfred A. Cohn; film editor, Leonard Wheeler.

Credits: Story and photoplay, Hope Loring.

ON THE TRAIL. (Krazy Kat) 1927. 1 reel.

ON THE TRAIL OF THE LONESOME PILL. 1916. 2 reels.

ON THE TRAIL OF THE TIGRESS. Bison. 1915. 2 reels.

Credits: Producer, Paul Bourgeois; scenario, Olga Printzlau.

ON THE TURN OF A CARD. 1915. 1 reel.

Credits: Director, William Humphrey.

ON THE WAGON. 1935. 2 reels, sd.

Credits: Director, Lloyd French; story, Jack Henley, Burnet Hershey.

ON THE WAY DOWN THE JURIANA. SEE Roosevelt Brazilian Expedition.

ON THE WING. (Sportscope, no. 5) 1938. 10 min., sd.

Credits: Producer, Frederick Ullman, Jr.; supervision, Frank R. Donovan.

ON THE WRONG TRACK. 1915. Produced in cooperation with public service Railway Company of New Jersey. 1 reel.

ON THE WRONG TREK. (Hal Roach Comedy) 1936. 806 ft., sd.

Credits: Directors, Charles Parrott, Harold Law; film editor, William Ziegler.

ON THEIR WEDDING EVE. 1913. 1 reel.

Credits: Director, Maurice Costello.

ON THIN ICE. 1925. 7 reels. Adapted from the novel "The Dear Pretender" by Alice Ross Clover.

Credits: Darryl Francis Zanuck; director, Mal St. Clair.

ON TIME. Carlos Productions. 1924. 6 reels.

Credits: Producer, Richard Talmadge; director, Henry Lehrman; edited and titled by Ralph Spence.

ON TIME. Presented by Willard. 1938. 1 reel, sd.

ON TO RENO. James Cruze, Inc. 1927. 6 reels.

Credits: Director, James Cruze; story, Joseph Jackson; screenplay, Walter Woods; film editor, Mildred Johnson.

ON TRIAL. 1917. 7 reels. From the play by Elmer L. Reizenstein [name later changed to Elmer L. Rice].

Credits: Written and directed by James Young.

ON TRIAL. 1928. 10 reels, sd. Adapted from the stage play by Elmer Rice.

Credits: Director, Archie Mayo; screenplay, Robert Lord; scenario, Robert Lord, Max Pollock.

ON TRIAL. Trailer. 1928. 1 reel, sd.

ON TRIAL. 1939. 6 reels, sd. From the play by Elmer L. Rice.

Credits: Director, Terry Morse; screenplay, Don Ryan.

ON TRIAL FOR MURDER. SEE A Hungarian Tragedy.

ON WESTERN TRAILS! (Adventures of the Newsreel Cameraman) 1934. 1 reel, sd.

ON WITH THE DANCE. 1915. 1 reel.

Credits: Director, Jay Williams.

ON WITH THE DANCE. 1920. 7 reels. Based on the play by Michael Morton.

Credits: Director, George Fitzmaurice; scenario, Ouida Bergere.

ON WITH THE SHOW. Century. 1921. 2 reels.

Credits: Story and direction, James Davis.

ON WITH THE SHOW. 1929. 12 reels, sd., color.

Credits: Director, Alan Crosland; play, Humphrey Pearson; scenario, Robert Lord; lyrics and music, Harry Akst and Grant Clarke.

ON WITH THE SHOW. Trailer. 1929. 1 reel, sd., color.

ON YOUR BACK. 1930. 6,600 ft., sd. From the story by Rita Weiman.

Credits: Director, Guthrie McClintic; screenplay and dialogue, Howard J. Green; editor, Frank Hull.

ON YOUR RADIO DIAL. 1935. 2 reels.

Credits: Director, Milton Schwarzwald.

ON YOUR TOES. Jewel. 1927. 6 reels.

Credits: Director, Fred Newmeyer; adaptation, Pierre Couderc, James Davis; continuity, Earl Snell, Gladys Lehman.

ON YOUR TOES. First National. 1939. 11 reels. Based on the musical play by Richard Rodgers, Lorenz Hart, and George Abbott.

Credits: Director, Ray Enright; screenplay, Jerry Wald, Richard Macaulay; adaptation, Sig Herzig, Lawrence Riley.

ON ZE BOULEVARD. 1927. 6 reels.

Credits: Director, Henry Millarde; story, F. Hugh Herbert, Florence Ryerson; screenplay, Richard Schayer, Scott Darling; titles, Joe Farnham, Earl Baldwin; film editor, George Hively.

ONCE A BOOB. 1924. 2 reels.

Credits: Director, Eugene De Rue.

ONCE A DOCTOR. First National. 1936. 6 reels.

Credits: Director, William Clemens; original story, Frank Daugherty, Paul Perez; screenplay, Robertson White, Ben Grauman Kohn.

ONCE A GENTLEMAN. 1930. 9 reels, sd.

Credits: Director, James Cruze; story, George F. Worts; screen adaptation, Walter Woods; dialogue, Maude Fulton.

ONCE A HERO. (Mermaid Comedies) 1931. 19 min., sd.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley.

ONCE A LADY. 1931. 8 reels, sd. From the play "The Second Life" by Rudolf Bernauer and Rudolf Oesterreicher.

Credits: Director, Guthrie McClintic; screenplay, Zoe Akins, Samuel Hoffenstein; adaptation, Zoe Akins.

ONCE A MASON. 1919. 2 reels.

Credits: Directors, Mr. and Mrs. Sidney Drew; story, Albert Payson Terhune.

ONCE A PLUMBER. 1920. 5 reels.

Credits: Directors, Lyons, Moran; story, Edgar Franklin [pseud. of Edgar Franklin Stearns]; scenario, C. B. Hoadley.

ONCE A SINNER. 1930. 6,275 ft., sd.

Credits: Director, Guthrie McClintic; story, screenplay, and dialogue, George Middleton; editor, Ralph Dietrich.

ONCE A THIEF. 1916. 3 reels.

Credits: H. S. Sheldon.

ONCE AND FOREVER. 1927. 6 reels.

Credits: Houston Branch; supervision, L. L. Ostrow; director, Phil Stone; film editor, Martin G. Cohn.

ONCE IN A BLUE MOON. 1935. 8 reels, sd.

Credits: Written, directed, and produced by Ben Hecht and Charles MacArthur; story, Rose Caylor; musical score, George Antheil.

ONCE IN A LIFETIME. 1932. 9 reels. From the play by George S. Kaufman and Moss Hart.

Credits: Director, Russell Mack; adaptation, Seton I. Miller.

ONCE IN A MILLION. Presented by Associated British. 1936. 6,900 ft.

Credits: Director, Arthur Woods; scenario and dialogue, Jack Davies, Jr., Geoffrey Kerr, Max Kester.

ONCE OVER, LIGHT. 1931. 1 reel, sd.

Credits: Director, Howard Bretherton; story, George N. Burns; dialogue staged by Max E. Hayes.

ONCE OVER LIGHTLY. 1935. 2 reels, sd.

Credits: Director, Lloyd French; story, Dolph Singer, Jack Henley.

ONCE OVER LIGHTLY. Presented by Metro-Goldwyn-Mayer. 1938. 2 reels, sd., b&w.

Credits: Director, Will Jason; original story, Richard Goldstone, Will Jason; screenplay, Mort Greene, Julian Hochfelder, Billy Gilbert; music score, David Snell.

ONCE OVER LIGHTLY. SEE Don't Tell the Wife.

ONCE THERE WAS A PRINCESS. SEE Misbehaving Ladies.

ONCE TO EVERY BACHELOR. Presented by M. H. Hoffman. 1934. 8 reels. Suggested by "Search for the Spring" by Eleanor Gates.

Credits: Director, William Nigh; story, continuity, and dialogue, George Waggner; film editor, Mildred Johnston.

ONCE TO EVERY BOY. 1922. 1 reel.

ONCE TO EVERY WOMAN. 1934. 7 reels, sd. Based on a story by A. J. Cronin.

Credits: Director, Lambert Hillyer; screenplay, Jo Swerling; film editor, Richard Cahoon.

ONDA OF THE ORIENT. Gold Seal. 1916. 3 reels.

Credits: Ben Cohn, Walter Woods; producer, Henry MacRae.

ONE A MINUTE. Ince-Paramount. 1921. 5 reels.

Credits: Supervision and photoplay, Thomas H. Ince; story, Fred Jackson; scenario, Joseph Franklin Poland.

ONE AGAINST THE WORLD. (John Nesbitt's Passing Parade) Presented by Metro-Goldwyn-Mayer. 1939. 973 ft., sd., sepia.

Credits: Director, Fred Zinnemann; story, Barney Gerard; screenplay, Doane Hoag; film editor, Albert Akst; music, C. Bakaleinikoff.

ONE A.M. 1916. 2 reels.

Credits: Produced and written by Charles Chaplin.

ONE ARABIAN NIGHT. 1921. 8 reels.

Credits: Director, Ernst Lubitsch.

** Associated First National Pictures, Inc.; 3Oct21; LP17033.

THE ONE-ARMED BANDIT. (A Walter Lantz Cartune) 1939. 1 reel, sd.

Credits: Director, Alex Lovy; story, Vic McLeod, James Miele; animation, George Granpre, Hicks Lokey.

ONE AWFUL NIGHT. 1933. 2 reels, sd.

Credits: Producer, Phil Ryan; director, Del Lord; story and adaptation, Mauri Grashin, Scott E. Cleethorpe; editor, Francis Lyon.

ONE BIG HAPPY FAMILY. (An Educational Tuxedo Comedy) Presented by E. W. Hammons. 1935. 1,889 ft., sd.

Credits: Producer, Al Christie; story, David Freedman.

ONE BIG NIGHT. 1931. 1 reel, sd.

Credits: Director, Howard Bretherton; story, Rube Welch.

ONE BRIDE TOO MANY. Victor. 1917. 2 reels.

Credits: Cyril Bentnick; director, Matt Moore.

ONE BRIGHT IDEA. SEE All Night.

ONE CHANCE IN A MILLION. 1927. 5 reels.

Credits: Director, Mason Noel Smith; story and continuity, L. V. Jefferson.

ONE CLEAR CALL. First National. Presented by Louis B. Mayer. 1922. 7 reels. From the book by Frances Nimmo Greene.

Credits: Producer and director, John M. Stahl.

A ONE-CYLINDER COURTSHIP. Nestor. 1915. 1 reel.

Credits: Al. E. Christie; producer, Horace Davey.

A ONE CYLINDER LOVE RIOT. Century. 1920. 2 reels.

Credits: Written and directed by Tom Buckingham.

ONE DAMP DAY. Joker. 1917. 1 reel.

Credits: Jack Cunningham; director, William W. Beaudine.

ONE DAY IN '93. 1930. 1 reel.

ONE DAY STAND. (Vitaphone Variety) Filmed through the courtesy of the Cole Bros. Clyde Beatty Circus. 1939. 10 min., sd.

Credits: Dialogue, Ira Genet; commentator, Dwight Weist.

ONE DAY TO LIVE. 1931. 2 reels.

Credits: Director, Albert Kelley; story, Douglas Doty.

ONE DAY'S WORK. SEE Rio Grande Romance

ONE DOLLAR DOWN. National Film Corp. of America. 1920. 2 reels.

Credits: Director, Mark Goldaine.

ONE DOLLAR'S WORTH. 1917. 2 reels. Based on a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, David Smith; adapted by Harry Southwell.

ONE EIGHTH APACHE. 1922. 6 reels. From the story by Peter B. Kyne.

Credits: Director, Ben Wilson; scenario, J. Grubb Alexander.

ONE-EIGHTH APACHE. SEE Danger Ahead.

ONE EMBARRASSING NIGHT. 1930. 11 reels, sd., b&w. Based on the play "Rookery Nook" by Ben Travers.

ONE EVERY MINUTE. (Paramount-Flagg Comedy) 1918. 2 reels.

Credits: Director, Saul Harrison; story, James Montgomery Flagg.

ONE EVERY MINUTE. Snappy. 1928. 1 reel.

Credits: Director, Ansel Friedberger; story, James Madison; continuity, George H. Plympton.

ONE EXCITING ADVENTURE. Presented by Carl Laemmle. 1934. 7 reels, sd.

Credits: Associate producer and director, Ernst L. Frank; story, Franz Schulz, Billie Wilder; screenplay, William Hurlbut, William B. Jutte; film editor, Murray Seldeen.

ONE EXCITING DAY. Century. 1923. 2 reels.

ONE EXCITING EVENING. (Broadway Comedy) 1923. 2 reels.

Credits: Director, Noel Smith.

ONE EXCITING NIGHT. Released by United Artists Corp. 1922. 11 reels.

Credits: Director, D. W. Griffith; story, Irene Sinclair; musical score, Albert Pesce.

THE ONE FORGOTTEN. 1915. 1 reel.

ONE FRIGHTENED NIGHT. Presented by Nat Levine. 1935. 7 reels, sd.

Credits: Director, Christy Cabanne; supervisor, George Yohalem; original story, Stuart Palmer; screenplay, Wellyn Totman; film editor, Joseph Lewis.

ONE GLORIOUS DAY. 1922. 5 reels.

Credits: Director, James Cruze; story, A. B. Barringer, Walter Woods; adaptation, Walter Woods.

ONE GLORIOUS NIGHT. 1924. 6 reels.

Credits: Director, Scott Dunlap; story, Harvey Gates, J. G. Alexander.

ONE GLORIOUS SCRAP. Mustang. 1925. 2 reels.

Credits: Director, Ernst Laemmle; story, Tenny Wright; continuity, Carl Krusada.

ONE GLORIOUS SCRAP. 1927. 5 reels.

Credits: Director, Edgar Lewis; story, Leigh Jacobson; adaptation and continuity, George H. Plympton, George Morgan.

ONE GOOD TURN. 1930. 2 reels, sd.

ONE GOOD TURN. (Hal Roach Comedy) 1931. 2 reels, sd., b&w.

Credits: Director, James W. Horne; dialogue, H. M. Walker; editor, Richard Currier.

ONE GOOD TURN DESERVES ANOTHER and LAMPOONS. (Goldwyn-Bray Comic) 1920. 1 reel.

ONE GUN GARY IN THE NICK OF TIME. (A Terry-Toon) Presented by Paul Terry. 1939. 1 reel, sd.

Credits: Director, Ed. Donnelly; story, John Foster; music, Philip A. Scheib.

ONE HE MAN. 1920. 2 reels.

Credits: Direction and scenario, Henry Murray; story, George Hively.

ONE HE MAN. 1924. 2 reels.

Credits: Director, Henry Murray.

ONE HEAVENLY NIGHT. United Artists. 1930. 9 reels, sd.

Credits: Director, George Fitzmaurice; story, Louis Bromfield; adaptation, Sidney Howard; music, Herb Nacio Brown, Bruno Granichstaedten, Edward Eliscur.

ONE HORSE FARMERS. (Hal Roach Comedy) (Todd-Kelly Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Bert Jordan.

THE ONE HORSE SHOW. (Star Comedy) 1918. 1 reel.

Credits: C. B. Hoadley; directors, Eddie Lyons, Lee Moran.

A ONE HORSE TOWN. Presented by Century Comedies. 1922. 1 reel.

Credits: Written and directed by Tom Buckingham.

ONE HOUR. 1917. 6 reels.

Credits: Harry Rapf; directors, Paul McAllister, Edwin T. Hollywood; scenario, Paul McAllister.

Credits: Mansfield Scott.

ONE HOUR LATE. Presented by Adolpf Zukor. 1934. 8 reels, sd.

Credits: Producer, Bayard Veiller; director, Ralph Murphy; story, Libbie Block; screenplay, Katheryn Scola, Paul Gerard Smith; lyrics and music, Sam Coslow, Lewis Gensler, Leo Robin.

ONE HOUR OF LOVE. 1927. 7 reels. From the story "The Broken Gate" by Emerson Hough.

Credits: Director, Robert Florey; adaptation and scenario, Sarah Y. Mason; film editor, James C. McKay.

ONE HOUR PAST MIDNIGHT. 1923. 5 reels.

Credits: Story and direction, B. C. Rule.

ONE HOUR TO LIVE. 1939. 8 reels, sd.

Credits: Associate producer, George Yohalem; director, Harold Schuster; original screenplay, Roy Chanslor; film editor, Edward Curtis.

ONE HOUR WITH YOU. 1932. 9 reels, sd. From the play by Lothar Schmidt [pseud. of Lothar Goldschmidt].

Credits: Supervision and production, Ernst Lubitsch; directors, Ernst Lubitsch, George Cukor; screenplay, Samson Raphaelson; music, Oscar Straus; interpolated music, Richard Whiting; lyrics, Leo Robin.

THE ONE HUNDRED DOLLAR ELOPEMENT. 1913. 1 reel.

Credits: Mrs. E. F. Fenellosa.

ONE HUNDRED DOLLARS. 1915. 1 reel.

ONE HUNDRED DOLLARS. 1931. 2 reels.

Credits: Director, Charles Lamont; story, James Mulhauser, Francis J. Martin.

ONE HUNDRED MEN AND A GIRL. 1937. 9 reels, sd.

Credits: Associate producer, Joe Pasternak; director, Henry Koster; story, Hans Kraly; original screenplay, Bruce Manning, Charles Kenyon, James Mulhauser.

100 o/o AMERICAN. 1918. 1 reel.

100 o/o SERVICE. 1931. 1 reel, sd.

Credits: Director, Ray Cozine; story, George N. Burns; dialogue staged by Max E. Hayes.

$100,000. Laemmle. 1915. 1 reel.

Credits: Written and produced by Frank Lloyd.

ONE HUNDRED YEARS AGO. Laemmle. 1915. 2 reels.

ONE HYSTERICAL NIGHT. 1929. 6 reels.

Credits: Director, William J. Craft; story, Reginald Denny.

ONE IN A MILLION. 1934. 7 reels, sd.

Credits: Director, Frank R. Strayer; screenplay and dialogue, Karl Brown, Robert Ellis.

ONE IN A MILLION. 1937. 8,487 ft., sd.

Credits: Director, Sidney Lanfield; story and screenplay, Leonard Praskins, Mark Kelly; music director, Louis Silvers.

ONE INCREASING PURPOSE. 1927. 8 reels. From the story by A. S. M. Hutchinson.

Credits: Director, Harry Beaumont; scenario, Bradley King.

ONE IS GUILTY. 1934. 7 reels, sd.

Credits: Director, Lambert Hillyer; story and screenplay, Harold Shumate.

ONE KIND OF A FRIEND. Laemmle. 1915. 1 reel.

Credits: Producer, Francis Ford; scenario, Grace Cunard.

ONE KIND OF WIRELESS. 1917. 1 reel.

Credits: R. Lovell Coombs; director, Saul Harrison; scenario, Paul H. Sloane.

ONE KISS. Released through General Film Co. 1914. 1 reel.

Credits: Director, Norval MacGregor.

ONE LAW BREAKER. 1915. 1,000 feet.

ONE LAW FOR ALL. 1920. 2 reels.

Credits: Producer, Leo Maloney; story and scenario, Ford Beebe.

ONE LAW FOR THE WOMAN. 1924. 6 reels.

Credits: Director, Del Henderson; story, Charles E. Blaney.

ONE LIVE GHOST. (Superba, no. 1) 1936. 21 min., sd.

Credits: Producer, Lee Marcus; director, Leslie Goodwins; story, Leslie Goodwins, Monty Collins; film editor, Edward Mann.

ONE LOVELY NIGHT. Okeh. 1919. 1 reel.

Credits: Director, Al Santell; story, Karl R. Coolidge.

ONE MAD KISS. 1930. 5,766 ft., sd. Based on a play by Adolph Paul.

Credits: Director, James Tinling; adaptation and dialogue, Dudley Nichols; editor, Louis Loeffler.

THE ONE MAN DOG. 1929. 6 reels.

Credits: Director, Leon D'Usseau; story and continuity, Frank Howard Clark.

A ONE MAN GAME. (Blue Streak Western) 1926. 5 reels.

Credits: Director, Ernst Laemmle; story and scenario, William Lester.

ONE MAN IN A MILLION. 1921. 6 reels.

Credits: Written and directed by George Beban; scenario, Dorothy Yost.

ONE MAN JUSTICE. 1937. 6 reels, sd.

Credits: Producer, Peter B. Kyne; director, Leon Barsha; story, William Colt MacDonald; screenplay, Paul Perez; film editor, William Lyon.

ONE MAN LAW. 1932. 6 reels, sd.

Credits: Written and directed by Lambert Hillyer.

THE ONE MAN QUARTETTE. SEE Eddie Miller in the One Man Quartette.

THE ONE-MAN REUNION. 1929. 1 reel, sd.

Credits: Director, Robert C. Bruce; story, Richard Cameron.

A ONE MAN SHOW. Bluebird. 1927. 1 reel.

Credits: Director, Richard Smith.

THE ONE MAN TRAIL. 1921. 5 reels.

Credits: Director, Bernard J. Durning; story, Jack Strumwasser, C. C. Westover; scenario, William H. Howard.

ONE MAN'S EVIL. Bison. 1915. 2 reels.

Credits: Producer, Joseph De Grasse; scenario, Ida May Parke.

ONE MAN'S JOURNEY. 1933. 8 reels, sd. From the story "Failure" by Katharine Haviland-Taylor.

Credits: Producer, Pandro S. Berman; director, John Robertson; screenplay, Lester Cohen, Sam Ornitz; editor, Arthur Roberts; music director, Max Steiner.

ONE MILE FROM HEAVEN. 1937. 7 reels, sd. Based on the original stories by Judge Ben B. Lindsey, Robin Harris, Alfred Golden.

Credits: Director, Allan Dwan; screenplay, Lou Breslow, John Patrick; music, Samuel Kaylin.

ONE MILLION DOLLARS. Presented by Rolfe Photoplays, Inc. 1915. 5 reels.

ONE MINUTE TO PLAY. 1926. 8 reels.

Credits: Director, Sam Wood; story and continuity, Byron Morgan.

ONE MOMENT, PLEASE. 1921. 2 reels.

Credits: Director, Slim Summerville.

ONE MORE AMERICAN. 1918. Based on the play "The Land of the Free" by William C. De Mille.

Credits: Director, William C. De Mille; scenario, Olga Printzlau.

ONE MORE CHANCE. 1931. 20 min., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Lew Foster.

ONE MORE CHANCE. (A Mack Sennett Talking Picture) Presented by E. W. Hammons. 1934. 1,868 ft., sd.

Credits: Director, Mack Sennett; story and dialogue, John A. Waldron, Earle Rodney, Harry McCoy, Lew Foster; film editor, William Hornback.

ONE MORE RIVER. 1934. 9 reels. From the story by John Galsworthy.

Credits: Director, James Whale; screenplay, R. C. Sherriff.

ONE MORE SPRING. 1935. 7,860 ft., sd. From the novel by Robert Nathan.

Credits: Director, Henry King; screenplay and dialogue, Edwin Burke; music, Arthur Lange.

ONE MOTHER'S FAMILY. (An M.G.M. Cartoon) Presented by Metro-Goldwyn-Mayer. 1939. 1 reel, sd., color.

Credits: Producer, Rudolf Ising.

ONE NEW YORK NIGHT. 1935. 7 reels, sd., b&w. From the play "Order Please" by Edward Childs Carpenter, which was based on a play by Walter Hackett.

Credits: Producer, Bernard H. Hyman; director, Jack Conway; screenplay, Frank Davis; film editor, Tom Held.

ONE NIGHT. Imp. 1915. 1 reel.

ONE NIGHT. 1918. 15 min.

Credits: Arranged and directed by Arthur D. Hotaling.

ONE NIGHT AT SUSIE'S. 1930. 8 reels, sd.

Credits: Producer, John Francis Dillon; story, Frederick Hazlitt Brennan; screen version and dialogue, Forrest Halsey, Kathryn Scola.

ONE NIGHT AT SUSIE'S. Trailer. First National. 1930. 1 reel.

ONE NIGHT IN ROME. 1924. 7 reels.

Credits: Story, J. Hartley Manners.

ONE NIGHT OF LOVE. 1934. 9 reels, sd.

Credits: Director, Victor Schertzinger; story, Dorothy Speare, Charles Beahan; screenplay, S. K. Lauren, James Gow, Edmund North; music, Louis Silvers; music director, Pietro Cimini.

Credits: Written and directed by Charles Parrott.

A ONE NIGHT STAND. 1915. 1 reel.

Credits: Producer, Mack Sennett.

ONE NUTTY NIGHT. (Checker Comedies) 1930. 2 reels, sd.

Credits: Producer, John C. Flinn; director, Wallace Fox; story, Bobby Carney, Si Wills; screenplay, Wallace Fox; film editor, Charles Craft; music director, Josiah Zuro.

ONE OF MANY. 1917. Presented by Arthur James. 5 reels.

Credits: Written and produced by William Christy Cabanne.

ONE OF THE BRAVEST. Gotham. 1925. 6 reels.

Credits: Director, Frank O'Connor; story, James J. Tynan; continuity, Henry McCarty; film editor, Irene Morra.

ONE OF THE FINEST. Presented by Samuel Goldwyn. 1919. 5 reels.

Credits: Director, Harry Beaumont; story, J. Clarkson Miller.

ONE OF THE PACK. 1916. 2 reels.

Credits: Producer, Leon D. Kent.

ONE OF THE SMITHS. Presented by Hal Roach. 1931. 3 reels, sd., b&w.

Credits: Director, James Parrott; dialogue, H. M. Walker; editor, Richard Currier.

ONE OF THREE. (Further Exploits of Yorke Norroy, no. 2) 1923. 2 reels.

ONE OF US. SEE The Love Burglar.

ONE ON HENRY. Metro-Drew. 1916. 1 reel.

Credits: Charlotte W. Ayers; producer, Sidney Drew.

ONE ON HIM. 1917. Split reel.

ONE ON MOTHER. Rex. 1915. 1 reel.

Credits: Producer, H. C. Matthews.

ONE ON THE AISLE. 1930. 1 reel, sd.

ONE ON THE HOUSE. 1938. 20 min., sd.

Credits: Director, Lloyd French; story, Eddie Forman.

ONE PERFORMANCE ONLY. 1915. 3 reels.

Credits: Producer, Eugene Mullin.

ONE PLUS ONE EQUALS ONE. 1915. 1 reel.

Credits: Director, Tefft Johnson.

1 PLUS 1 EQUALS 2. SEE A Perfect Match.

ONE PUNCH O'TOOLE. 1931. 2 reels, sd.

Credits: Director, Sig Neufeld; story, Scott Darling; continuity and dialogue, Scott Darling, Sig Neufeld.

ONE QUIET NIGHT. (Cameo Comedies) 1931. 1 reel.

Credits: Director, William Goodrich; story and dialogue, Ernest Pagano, Jack Townley, Harrison Jacobs.

ONE RAINY AFTERNOON. Released through United Artists. 1936. 80 min., sd. From the story "Monsieur Sans Gene" by Pressburger and Rene Pujal.

Credits: Director, Rowland V. Lee screenplay and dialogue, Stephen Morehouse Avery; additional dialogue, Maurice Hanline; film editor, Margaret Clancy; music, Ralph Irwin; music directors, Al Newman, Merritt Gerstad.

A ONE-REEL FEATURE. 1915.

ONE ROMANTIC NIGHT. United Artists. 1930. 8 reels, sd. Adapted from the play "The Swan" by Ferenc Molnár.

Credits: Supervising producer, John W. Considine, Jr.; director, Paul L. Stein; adaptation, Melville Baker; editor, James Smith; music arrangement, Hugo Riesenfeld.

ONE ROUND HOGAN. 1927. 7 reels.

Credits: George Godfrey; director, Howard Bretherton; story, F. L. Giffen; adaptation, Charles Condon.

ONE RUN ELMER. (An Educational Star Comedy Special) Presented by E. W. Hammons. 1935. 1,753 ft., sd.

Credits: Director, Charles Lamont; story, Glen Lambert.

Credits: Screenplay, George Hennessy.

ONE SHOT RANGER. 1925. 5 reels.

ONE SPLENDID HOUR. Presented by Samuel Zierler. 1929. 6 reels. Suggested by a story by Adeline Leitzbach.

Credits: Director, Burton King; adaptation, Isadore Bernstein; screenplay, Sylvia Bernstein, Jacques Jaccard; editor, Betty Davis.

ONE STEP AHEAD OF MY SHADOW. (Merrie Melodies, no. 6) 1933. 1 reel.

Credits: Associate producer, Leon Schlesinger; drawn by Isadore Frel and Max Maxwell; musical score, Frank Marsales.

ONE STOLEN NIGHT. 1923. 5 reels. Adapted from the story "The Arab" by D. D. Calhoun.

Credits: Director, Robert Ensminger; scenario, Bradley J. Smollen.

ONE STOLEN NIGHT. 1929. 6 reels.

Credits: Director, Scott R. Dunlap; story, D. D. Calhoun; adaptation, Edward T. Lowe, Jr.

ONE STOLEN NIGHT. Trailer. 1929. 1 reel, sd.

ONE STORMY ORPHAN. (Mirthquake, no. 7) 1922. 2 reels.

Credits: Director, Eugene De Rue; scenario, Ralph Ceder.

ONE SUNDAY AFTERNOON. 1933. 8 reels. From the stage play by James Hagan.

Credits: Producer, Louis D. Lighton; director, Stephen Roberts; screenplay, Grover Jones, William Slavens McNutt.

ONE SUNDAY MORNING. (Hamilton Comedies) 1926. 2 reels.

Credits: Written and directed by William Goodrich.

ONE-THING-AT-A-TIME-O'DAY. 1919. 5 reels. Based on the Saturday Evening Post story by William Dudley Pelley.

Credits: Supervision, Maxwell Karger; director, John Ince; scenario, George D. Baker.

... ONE THIRD OF A NATION.... A Dudley Murphy production. Presented by Harold Orlob. 1939. 8 reels, sd. From the play by Arthur Arent.

Credits: Producer, Harold Orlob; direction and adaptation, Dudley Murphy; screenplay, Oliver H. P. Garrett.

ONE THOUSAND DOLLARS. 1918. 5 reels. Adapted from a story by O. Henry [pseud. of William Sydney Porter].

Credits: Director, Kenneth Webb; adaptation, Stanley Olmsted.

$1,000 A MINUTE. 1935. 7 reels, sd. From the story by Everett Freeman.

Credits: Producer, Nat Levine; supervision, Colbert Clark; director, Aubrey Scotto; screenplay, Joseph Fields; adaptation, Jack Natteford, Claire Church; film editor, Ray Curtiss.

$1,000 A TOUCHDOWN. 1939. 8 reels, sd.

Credits: Director, James Hogan; original screenplay, Delmer Daves; film editor, Chandler House.

ONE THOUSAND MILES AN HOUR. Nestor. 1916. 1 reel.

Credits: Bess Meredyth; director, Louis William Chaudet.

ONE TOO MANY. 1934. 2 reels, sd.

Credits: Director, Robert McGowan; story and screenplay, Harry McCoy; film editor, James Sweeney.

ONE TOUCH OF NATURE. 1914. 1 reel.

Credits: Courtenay Ryley Cooper.

ONE TOUCH OF NATURE. 1917. 5 reels.

Credits: Director, Edward H. Griffith; story, Peter B. Kyne.

ONE TOUCH OF SIN. 1917. For Fox Film Corporation. 5 reels.

Credits: Story, L. Genez; scenario, Richard J. Stanton.

ONE TRACK MINDS. (A Pitts-Todd Comedy) Presented by Hal Roach. 1933. 2 reels, sd., b&w.

Credits: Director, Gus Meins; film editor, Louis McManus.

ONE TRAVELER RETURNS. Released through General Film Co. 1914. 1 reel.

Credits: Director, J. Le Saint.

ONE-TWO-THREE-KICK. (A Sunkist Comedy) Released by Bray Studios. 1927. 2 reels.

Credits: Written and directed by Victor Potel.

ONE WAY OUT. 1931. 1 reel.

ONE WAY OUT. (Minute Mysteries) 1934. 1 reel, sd. From the story "The Stolen Pearls" by H. A. Ripley.

Credits: Director, Lambert Hillyer; screenplay, Harold Shumate; film editor, Gene Havlick.

ONE WAY PASSAGE. Presented by Warner Bros. Pictures, Inc. and The Vitaphone Corp. 1932. 7 reels.

Credits: Director, Tay Garnett; story, Robert Lord; screenplay, Wilson Mizner, Joseph Jackson.

ONE WAY STREET. 1925. 6 reels.

Credits: Director, John Francis Dillon; adaptation and supervision, Earl Hudson; story, Beale Davis; scenario, Arthur Statter, Mary Alice Scully.

ONE WAY TICKET. 1935. 7 reels, sd.

Credits: Producer, B. P. Schulberg; director, Herbert Biberman; story, Ethel Turner; screenplay, Vincent Lawrence, Joseph Anthony; adaptation, Oliver H. P. Garrett, Grover Jones; film editor, John Rawlins.

ONE WAY TO ADVERTISE. 1915. Split reel.

Credits: H. D. Phillips.

Credits: Story and picturization by Charles Mortimer Peck.

THE ONE WAY TRAIL. 1931. 6 reels, sd.

Credits: Director, Ray Taylor; story, Claude Rister; dialogue and continuity, George Plympton; film editor, Otto Meyer.

ONE WEEK. 1920. 2 reels.

Credits: Producer, Joseph M. Schenck; written and directed by Buster Keaton and Eddie Cline.

ONE WEEK OF LIFE. Presented by Samuel Goldwyn. 1919. 5 reels.

Credits: Director, Hobart Henley; story, Cosmo Hamilton; arranged for the screen by Willard Mack.

ONE WEEK OF LOVE. Presented by Lewis J. Selznick. 1922. 7 reels.

Credits: Producer, Myron Selznick; director, George Archainbaud; story, Edward J. Montagne, George Archainbaud.

ONE WET NIGHT. 1924. 1 reel.

Credits: Written and directed by William H. Watson.

THE ONE WHO HAD TO PAY. SEE The Father Must Suffer for His Son's Sin.

THE ONE WHO LOVED HIM BEST. 1914. 2 reels.

Credits: Richard Ridgely.

ONE WHO PASSED BY. Rex. 1916. 1 reel.

Credits: M. B. Havey; producer, Ben Wilson.

THE ONE WHO WAS CLEVER. SEE Young Eagles.

ONE WILD DAY. 1923. 2 reels.

ONE WILD NIGHT. Bison. 1917. 2 reels.

Credits: W. B. Pearson; director, Henry McRae.

ONE WILD NIGHT. Bluebird. 1925. 1 reel.

Credits: Director, Richard Wallace.

ONE WILD NIGHT. 1938. 6,433 ft., sd.

Credits: Edwin Dial-Torgerson; director, Eugene Forde; screenplay, Charles Belden, Jerry Cady; music director, Samuel Kaylin.

ONE WILD TIME. Mustang. 1926. 2 reels. From the story by W. C. Tuttle.

Credits: Director, Vin Moore; adaptation, Robert McKenzie.

ONE WILD WEEK. 1921. 5 reels.

Credits: Percy Heath; director, Maurice Campbell.

THE ONE WOMAN. Bison. 1916. 3 reels.

Credits: Producer, Henry Otto; story, Thomas Delmar; scenario, Harvey Gates.

THE ONE WOMAN. 1918. 6 reels. From the novel by Thomas Dixon.

Credits: Director, Reginald Barker.

ONE WOMAN IDEA. 1929. 7 reels.

Credits: Director, Berthold Viertel; story, Alan Williams; scenario, Marion Orth.

ONE WOMAN TO ANOTHER. 1927. 4,022 ft. From the play by Frances Nordstrom.

Credits: Director, Frank Tuttle; screenplay, James L. Campbell.

ONE WONDERFUL NIGHT. 1922. 5 reels.

Credits: Director, Stuart Paton; story, Louis Tracy; scenario, George C. Hull.

ONE YARD TO GO. (Educational's Comedies) (Mack Sennett Comedy) 1931. 2 reels, sd.

Credits: Director, William Beaudine; story and dialogue, John A. Waldron, Earle Rodney, Walter Weems, Jack Jevne.

ONE YEAR LATER. 1933. 8 reels.

Credits: Director, E. Mason Hopper; story, F. Hugh Herbert, Paul Perez; screenplay, F. Hugh Herbert; additional dialogue, Will Ahern.

ONE YEAR TO LIVE. 1925. 7 reels.

Credits: John Hunter; screenplay, J. G. Hawks.

O'NEIL AND VERMONT. 1927. 1 reel.

THE ONION HERO. Joker. 1917. 1 reel.

Credits: Director, W. W. Beaudine; story, William Franey; scenario, C. B. Hoadley.

THE ONION PATCH. 1915. 1 reel.

Credits: Producer, Norval MacGregor; story, Maibelle Heikes Justice.

ONLY A BILL COLLECTOR. 1924. 2 reels.

Credits: Producer, Eddie Lyons.

ONLY A FARMER'S DAUGHTER. 1915. 1 reel.

Credits: Producer, Nick Cogley.

ONLY A JANITOR. Nestor. 1919. 1 reel.

ONLY A JEW. SEE Humanity.

ONLY A MESSENGER BOY. 1923. 2 reels.

ONLY A ROSE. 1916. 2 reels.

Credits: Director, Burton L. King.

ONLY A SHOP GIRL. 1922. 6,400 ft. Adapted from the play by Charles E. Blaney.

Credits: Direction and scenario, Edward J. LeSaint.

ONLY A SISTER. 1914. 1 reel.

Credits: Director, Ulysses Davis.

ONLY ANGELS HAVE WINGS. 1939. 12 reels, sd.

Credits: Story, production, and direction, Howard Hawks; screenplay, Jules Furthman; film editor, Viola Lawrence; music director, M. W. Stoloff.

Credits: Producer, William Duncan.

THE ONLY CHILD. 1915. 1 reel.

Credits: King Baggott; producer, George A. Lessey.

ONLY HER HUSBAND. (Educational-Ideal Comedy) 1929. 2 reels.

Credits: Producer, Jack White; director, Charles Lamont.

ONLY ME. (Lupino Lane Comedies) 1929. 2 reels.

Credits: Director, Henry W. George.

ONLY MEN WANTED. 1932. 2 reels, sd., b&w.

Credits: Supervision, Lew Lipton; director, Ralph Ceder; story, Beatrice Van; film editor, Walter Thompson.

THE ONLY ROAD. 1918. 5 reels.

Credits: Director, Frank Reicher; story, Albert Shelby Le Vino; adaptation, Albert Shelby Le Vino, George D. Baker.

ONLY SAPS WORK. 1930. 6,644 ft., sd. From a play by Owen Davis.

Credits: Directors, Cyril Gardner, Edwin H. Knopf; adaptation and screenplay, Sam Mintz, Percy Heath, Joseph L. Mankiewicz.

Credits: Picturized by Cecil B. De Mille.

ONLY THE BRAVE. 1930. 6,024 ft., sd.

Credits: Director, Frank Tuttle; story, Keene Thompson; screenplay, Edward E. Paramore, Jr.

ONLY THE BRAVE. (An Educational Star Personality Comedy) Educational Films Corp.; of America. Presented by E. W. Hammons. Distributed by Fox Film Corp. 1935. 2 reels, sd.

Credits: Producer, Al Christie; story, Charlie Williams, Marcy Klauber.

ONLY THE MAID. 1915. 1 reel.

Credits: Ashley Miller.

THE ONLY THING. 1925. 6 reels, b&w, tinted sequences.

Credits: Production, story, and scenario by Elinor Glyn; director, Jack Conway; film editor, Aubrey Scotto.

ONLY THIRTY EIGHT. Paramount. Presented by Adolph Zukor. 1923. 7 reels. From the play by A. E. Thomas.

Credits: Producer and director, William De Mille; scenario, Clara Beranger.

ONLY TWO OF US LEFT. SEE High Speed Lee.

THE ONLY WAY. Released by United Artists Corp. 1926. 7 reels. Adapted from the stage play by Freeman Wills and Frederick Langbridge, which was based on the novel "A Tale of Two Cities" by Charles Dickens.

Credits: Scenario and direction, Herbert Wilcox.

THE ONLY WAY OUT. 1915. 3,000 ft.

THE ONLY WOMAN. First National. 1924. 7 reels.

Credits: Director, Sidney Olcott; story, C. Gardner Sullivan.

ONLY YESTERDAY. 1933. 11 reels. Based on the novel by Frederick Lewis Allen.

Credits: Director, John M. Stahl; screenplay, William Hurlbut, Arthur Richman, George O'Neill.

OOH LA-LA! 1930. 2 reels.

Credits: Director, Harry J. Edwards; story, Francis J. Martin, James Mulhauser.

OOM PAH PAH. (Aesop Sound Fable) Presented by the Van Beuren Corp. 1930. 1 reel, sd.

Credits: John Foster, Harry Bailey.

'OP O' ME THUMB. SEE Suds.

AN OPAL RING. 1915. 2 reels. Adapted from Smart Set magazine.

Credits: Justus Miles Forman.

OPEN ALL NIGHT. Presented by Adolph Zukor and Jesse L. Lasky. 1924. 6 reels. Suggested by the stories of Paul Morand.

Credits: Willis Goldbeck; director, Paul Bern.

THE OPEN BOOK. Calumet Refining Co. 1938. Sd.

Credits: Director, Dallas M. Fitzgerald; story, Garfield Thompson.

THE OPEN DOOR. SEE

Is Life Worth Living?

Is Matrimony a Failure?

OPEN HOUSE. (Tuxedo Comedies) 1926. 2 reels.

Credits: Director, Charles Lamont; story, Donna Barrell.

OPEN HOUSE. (Campus Comedies) 1931. 2 reels, sd., b&w.

Credits: Producer, Fred Lalley; direction and story, Harry Fraser; film editor, Fred Maguire; musical direction, Francis Gromon.

AN OPEN LETTER TO THE PROSPECT. 1928. 1 reel.

THE OPEN PLACES. 1917. 65 min.

Credits: Written and directed by W. S. Van Dyke.

OPEN RANGE. Presented by Adolph Zukor and Jesse L. Lasky. 1927. 6 reels.

Credits: Director, Clifford S. Smith; story, Zane Grey; screenplay, J. Walter Ruben, John Stone.

OPEN SESAME. Presented by Carl Laemmle. 1933. 2 reels, sd.

Credits: Producer, Warren Doane; director, James W. Horne; story, Albert Austin, W. P. Hackney; editor, Walter Waddell.

OPEN SESAME. SEE Alias Mike Moran.

OPEN SPACES. (Juvenile Comedies) 1926. 2 reels.

Credits: Supervision, Jack White; director, Charles Lamont.

OPEN THE BARS, SQUIRREL FOOD, and A LEAF FROM NATURE'S BOOK. 1920. 2 reels.

Credits: Producer, Ward Lascelle; directors, M. Moranti, J. Parrott.

OPEN TRAILS. (A SPORT PICTORIAL) 1922. 1 reel.

Credits: Producer, Jack Eaton; editor, Grantland Rice.

THE OPEN WIRE. 1922. 2 reels.

Credits: Producer, Edward Kull; story and scenario, George Morgan, George H. Plympton.

OPEN YOUR EYES. 1919. 7 reels.

Credits: Director, Gilbert P. Hamilton; story, S. L. Warner, C. B. Mintz.

OPENED BY MISTAKE. (Hal Roach Comedy) (Todd-Kelly Comedy) 1934. 2 reels, sd., b&w.

Credits: Director, James Parrott; film editor, Louis McManus.

THE OPENED SHUTTERS. 1921. 5 reels.

Credits: Director, William Worthington; story, Clara Louise Burnham; scenario, Doris Schroeder.

OPENING DAY. Presented by Metro-Goldwyn-Mayer. 1938. 1 reel, sd., b&w.

Credits: Director, Roy Rowland.

OPENING DAY CEREMONIES and THE QUEEN AND HER COURT. (A Century of Progress) 1933. 100 ft.

THE OPENING NIGHT. Big U. 1915. 2 reels.

Credits: F. McGrew Willis; producer, Burton King.

THE OPENING NIGHT. 1927. 6 reels.

Credits: Producer, Harry Cohn; adaptation and direction, Edward H. Griffith; story, Albert Payson Terhune.

OPENING NIGHT. 1931. 1 reel.

OPENING NIGHT. (Aesop's Sound Fables) The Van Beuren Corp. 1933. 681 ft.

OPERA NIGHT. (Paul Terry-Toons) Educational Pictures. Presented by E. W. Hammons. 1935. 548 ft., sd.

Credits: Frank Moser, Paul Terry; music, Philip A. Scheib.

THE OPERA SLINGER'S ROMANCE. Joker. 1915. 1 reel.

Credits: James Dayton; producer, Allen Curtis.

OPERATING ON CUPID. Nestor. 1915. 1 reel.

Credits: Al. E. Christie; producer, Horace Davey.

THE OPERATION. SEE Edgar Bergen in The Operation....

OPERATOR 13. Cosmopolitan. 1934. 9 reels, sd., b&w. From the stories by Robert W. Chambers.

Credits: Producer, Lucien Hubbard; director, Richard Boleslavsky; screenplay, Harvey Thew, Zelda Sears, Eve Greene; film editor, Frank Sullivan.

THE OPERATOR'S OPERA. 1933. 2 reels, sd.

Credits: Director, Roy Mack; story, A. Dorian Otvos, Cyrus Wood.

OPPORTUNITIES OF A GREAT BUSINESS. 1931. Filmstrip.

OPPORTUNITY. 1918. 5 reels.

Credits: Supervision, Maxwell Karger; direction and adaptation, John H. Collins; story, Edgar Franklyn.

OPPORTUNITY. 1930. Filmstrip, 102 frames.

OPPORTUNITY. 1931. Filmstrip, 91 frames.

OPREY HOUSE TONIGHT. Bluebird. 1926. 1 reel.

Credits: Director, George Summerville.

THE OPRY HOUSE. 1929. 1 reel.

THE OPRY HOUSE. (Mickey Mouse Cartoon) Presented by Columbia Pictures Corp. 1929. 1 reel, sd.

Credits: U. B. Iwerks.

OPTICAL ILLUSIONS. 1937. 1 reel.

Credits: Drawings, Helen Smith Zwart.

OPTICAL INSTRUMENTS. 1931. 1,016 ft.

AN OPTICAL POEM; Second Hungarian Rhapsody by Franz Liszt. Presented by Metro-Goldwyn-Mayer. 1938. 650 ft., sd., color.

Credits: Producer, Oskar Fischinger; orchestration, Paul Marquardt; musical adaptation, David Snell.

THE OPTIMIST. Bluebird. 1926. 1 reel.

Credits: Director, Richard Smith.

THE ORANG-OUTANG. 1915. 1 reel.

Credits: Producer, L. W. Chaudet; scenario, Emma Bell.

ORANGE BLOSSOMS. SEE Borrowed Clothes.

ORANGE CULTIVATION IN CALIFORNIA. SEE Olive Growing in the United States.

ORANGES AND OLIVES. (Ford Educational Library, Agriculture) Ford Motion Picture Laboratories. 1922. 1 reel.

ORCHIDS AND ERMINE. Presented by John McCormick. 1927. 7 reels.

Credits: Director, Alfred Santell; story and scenario, Carey Wilson.

ORCHIDS TO YOU. 1935. 6,640 ft., sd.

Credits: Director, William A. Seiter; original story, Gordon Rigby, Robert Dillon; screenplay, William Hurlbut, Bartlett Cormack; adaptation, Howard Easterbrook; additional dialogue, Glenn Tryon; music, Arthur Lange.

THE ORDEAL. 1914. 5 reels.

THE ORDEAL. 1914. 1 reel.

Credits: Producer, Thomas Santschi.

THE ORDEAL. 1922. 5 reels.

Credits: Director, Paul Powell; story, Somerset Maugham; adaptation, Beulah Marie Dix.

ORDEAL. SEE The Ship from Shanghai.

THE ORDEAL OF ELIZABETH. 1916. 5 reels.

Credits: Director, Wilfrid North; dramatization by George C. Hazelton.

THE ORDEAL OF ROSETTA. 1918. 5 reels.

Credits: Edmund Goulding; scenario, Paul West.

AN ORDER OF FISH. (Sport Pictorial, no. 20) Town and Country Films, Inc. 1921. 1 reel.

Credits: Editor, Grantland Rice.

ORDER PLEASE. SEE One New York Night.

ORDERS. 1915. 1 reel.

Credits: Producer, Thomas Santschi; story, Arthur P. Hankins.

ORDERS IS ORDERS. Victor. 1916 2 reels.

Credits: Written and produced by Francis Ford.

THE ORE RAIDERS. Mustang. 1927. 2 reels.

Credits: Director, William Wyler; story and continuity, William Lester.

AN OREGON CAMERA HUNT. (Bray's Naturgraphs) 1932. 9 min.

THE OREGON COUNTRY. 1930. 1 reel.

Credits: Director, Edward Laemmle; story, Robert Dillon; scenario, Anthony Coldewey, Douglas Bronston, Jefferson Moffitt.

THE OREGON TRAIL. 1936. 6 reels, sd.

Credits: Producer, Paul Malvern; director, Scott Pembroke; story and screenplay, Jack Natteford, Lindsley Parsons, Robert Emmett; editor, Carl Pierson.

Credits: Directors, Ford Beebe, Saul A. Goodkind; screenplay, George Plympton, Basil Dickey, Edmund Kelso, W. W. Watson; dialogue, Dorothy Cormack.

THE OREGON TRAIL FROM THE COVERED WAGON TO THE AUTOMOBILE. 1929. Filmstrip, 100 frames, color, 35 min.

Credits: Compiler, Harris Anderson.

O'REILLY OF NOTRE DAME. SEE Rose Bowl.

THE ORGAN GRINDER. (Merrie Melodies, no. 8) 1933. 1 reel, sd.

Credits: Associate producer, Leon Schlesinger; drawings, Rollin Hamilton, Thomas McKimson; music score, Frank Marsales.

ORGAN GRINDER'S SWING. 1937. 1 reel, sd.

Credits: Director, David Fleischer; animation, David Tendlar, William Sturm.

ORGANIZATION OF SERVICE. 1920. For Lord and Taylor. 3 reels.

ORGANIZED PROSPECTING. 1931. Filmstrip.

THE ORGY. 1915. 1 reel.

Credits: Producer, Joseph Kaufman.

ORIENT EXPRESS. 1934. 6,600 ft., sd. From the novel by Graham Greene.

Credits: Director, Paul Martin; screenplay, Paul Martin, Carl Hovey, Oscar Levant; dialogue, William Conselman.

AN ORIENTAL COCKTAIL. 1932. 1 reel.

Credits: Editor, Bert Frank.

ORIENTAL HUGS. (Paramount-Christie Comedy) 1928. 2 reels, sd.

Credits: Director, Arvid Gillstrom; story, Hal Conklin.

ORIENTAL MOTORING. (Ufa Oddity) 1929. 1 reel, b&w.

ORIENTAL PARADISE. (A FitzPatrick TravelTalk) 1937. 1 reel, sd., color.

Credits: Photographer, Wilfrid M. Cline; music score, Maria Grever; music director, Rosario Bourdon.

AN ORIENTAL ROMEO. Presented by Rainbow Comedies. 1919. 2 reels.

Credits: Written and directed by Jess Robbins.

THE ORIENTAL RUBY. 1915. 1 reel.

ORIENTAL WIGGLES. 1920. 1 reel.

THE ORIGIN OF COAL. 1924. 1 reel.

THE ORIGINAL HILLBILLIES WITH AL HOPKINS. 1929. 1 reel, sd.

THE ORIGINAL SIX BROWN BROTHERS, SAXOPHONE ORCHESTRA HEADED BY TOM BROWN, OFFERING: A. IN A LITTLE SPANISH TOWN [and others]. 1927. 1 reel.

Credits: Art designs, Reed Williams.

ORNAMENTAL SWIMMING. Treasure Chest. Presented by E. W. Hammons. 1937. 903 ft., sd.

Credits: Producer, B. E. Norrish; director, Gordon Sparling; text, Margot Blaisdell; narrator, Corey Thomson.

THE ORPHAN. 1913. 1 reel.

THE ORPHAN. 1920. 6 reels. From the story by Clarence Mulford.

Credits: Director, J. Gordon Edwards; scenario, Roy Somerville.

THE ORPHAN. 1924. 2 reels.

Credits: Director, George Summerville.

THE ORPHAN. SEE L'Orpheline.

ORPHAN JOYCE. 1916. 2 reels.

Credits: H. Tipton Steck.

ORPHAN OF THE SAGE. 1928. 6 reels.

Credits: Director, Louis King; story and continuity, Oliver Drake.

ORPHAN OF THE WAGON TRAILS. (Pioneer Kid Series) 1929. 2 reels.

Credits: Director, Jack Nelson.

THE ORPHANS. (A McDougall Alley Comedy) 1927. 2 reels.

Credits: Story and direction, Robert B. Wilcox.

ORPHANS' BENEFIT. (Walt Disney's Mickey Mouse) 1934. 1 reel.

ORPHANS OF THE STORM. 1921. 12 reels. Adapted from the Palmer-Jackson version of the play "The Two Orphans" by D'Ennery and Cormon.

ORPHANS OF THE STREET. 1938. 7 reels, sd.

Credits: Associate producer, Herman Schlom; director, John H. Auer; original story, Earl Felton; screenplay, Eric Taylor, Jack Townley, Olive Cooper; film editor, Ernest Nims; music director, Cy Feuer.

ORPHAN'S PICNIC. 1936. 1 reel.

ORPHEUS, OVERTURE BY OFFENBACH. PLAYED BY VITAPHONE SYMPHONY ORCHESTRA. HERMAN HELLER CONDUCTING. 1927. 1 reel, sd.

ORRIN TUCKER AND HIS ORCHESTRA. Presented by Adolph Zukor. 1938. 1 reel, sd.

Credits: Director, Leslie Roush.

O'SHAUGHNESSY'S BOY. 1935. 9 reels, sd., b&w.

Credits: Producer, Philip Goldstone; director, Richard Boleslawski; story, Harvey Gates, Malcolm Stuart Boylan; screenplay, Leonard Praskins, Wanda Tuchock, Otis Garrett; film editor, Frank Sullivan.

THE OSTEOGRAM. 1928. 1 reel.

Credits: Described & demonstrated by Perrin T. Wilson; screen adaptation, Ralph W. Rice; photographer, Wallace P. Muir.

Credits: Developed, described, and demonstrated by George V. Webster; photographer, Ralph W. Rice.

Credits: Developed and applied by George V. Webster; photographed by Ralph W. Rice.

Credits: Developed, described, and demonstrated by H. H. Fryette; direction and screen adaptation, Ralph W. Rice.

OSTEOPLASTIC CRANIOTOMY. (Ford Educational Library, Technical Surgery) Ford Motion Picture Laboratories. 1923. 1 reel.

OSTRICH FARMING, SOUTH AFRICA. 1914. 1 reel.

OSTRICH FARMING, SOUTH AFRICA. 1917. 1 reel.

OSTRICH FEATHERS. (Meany, Miny, Moe) Snappy. 1937. 1 reel.

Credits: Story, Walter Lantz, Victor McLeod; artists, Ray Abrams, Ted Dubois, Ralph Somerville.

THE OSTRICH'S PLUMES. 1926. 1 reel.

Credits: Written and directed by Walter Lantz.

OTHELLO IN JONESVILLE. 1913. 1 reel.

Credits: Herbert Prior.

OTHELLO, THE MOOR OF VENICE. SEE The Moor.

THE OTHER FELLOW AND YOU. Brewery version. Presented by Interboro Mutual Indemnity Insurance Co. 1937. Filmstrip, 138 frames, sd.

THE OTHER FELLOW AND YOU. Milk version. Presented by Interboro Mutual Indemnity Insurance Co. 1937. Filmstrip, sd.

THE OTHER GIRL. 1915. 1 reel.

THE OTHER HALF. Gold Seal. 1916. 2 reels.

Credits: Jacques Jaccard.

THE OTHER MAN. 1916. 2 reels. A reissue.

Credits: Maibelle Heikes Justice.

THE OTHER MAN. 1916. 2 reels.

THE OTHER MAN. 1918. 5 reels.

Credits: Rex Taylor, Irma Whelpley Taylor; director, Paul Scardon; picturized by Fred Buckley.

THE OTHER MAN'S WIFE. 1915. 1 reel.

Credits: Director, Ulysses Davis.

THE OTHER MAN'S WIFE. 1919. 6 reels.

Credits: Director, Carl Harbough; scenario, Mary Murillo.

OTHER MEN'S DAUGHTERS. 1918. 5 reels.

Credits: Director, Carl Harbaugh; story, E. Lloyd Sheldon.

OTHER MEN'S DAUGHTERS. 1923. 6 reels.

Credits: Producer, Ben Wilson; story, Evelyn Campbell; scenario, Frank Sullivan.

Credits: Director, Edgar Lewis.

OTHER MEN'S WIVES. 1919. 5 reels.

Credits: Supervision, Thomas H. Ince; director, Victor L. Schertzinger; story and continuity, C. Gardner Sullivan.

OTHER MEN'S WIVES. SEE Sweethearts and Wives.

OTHER PEOPLE'S BUSINESS. 1914. 1 reel.

Credits: Producer, Mack Sennett.

THE OTHER SIDE OF THE DOOR. 1916. 5 reels.

Credits: Director, Thomas Ricketts.

THE OTHER SISTER. 1915. 1 reel.

Credits: Producer, Joseph W. Smiley.

THE OTHER SISTER. SEE The Scarlet Oath.

THE OTHER STOCKING. Nestor. 1917. 1 reel.

Credits: Director, Roy S. Clements; story, Arthur F. Statter.

OTHER TIMES. SEE Children of Jazz.

THE OTHER TOMORROW. 1930. 7 reels, sd. Based on the novel by Octavus Roy Cohen.

Credits: Director, Lloyd Bacon; screen version, Fred Myton.

THE OTHER TOMORROW. Trailer. 1930. 1 reel, sd.

THE OTHER WOMAN. 1913. 1 reel.

Credits: Director, Van Dyke Brooke.

Credits: Director, Albert Parker; scenario, Philip Bartholomae.

THE OTHER WOMAN. SEE Fools of Fashion.

THE OTHER WOMAN'S PICTURE. 1915. 1 reel.

Credits: Mrs. John Van Vorst.

OTHER WOMEN'S CLOTHES. Hodkinson. 1922. 6 reels. From the story "The Luxury Tax" by Ethel Donoher.

Credits: Producer and director, Hugo Ballin.

OTHER WOMEN'S HUSBANDS. 1926. 7 reels.

Credits: Director, Erle C. Kenton; story, Edward T. Lowe, Jr.; adaptation, E. T. Lowe, Jr., Jack Wagner.

OTHERS STARTED BUT SOPHIE FINISHED. 1915. 1 reel.

OTHERWISE BILL HARRISON. 1915. 2 reels.

OTTO THE ARTIST. 1916. 1 reel.

Credits: Adapted and directed by Edwin McKim; story, Burk Symon.

OTTO, THE BELL BOY. 1916. 1 reel.

Credits: Written and directed by Edwin McKim.

OTTO, THE COBBLER. 1916. 1 reel.

Credits: Written and directed by Edwin McKim.

OTTO THE GARDENER. 1916. 1 reel.

Credits: Written and directed by Edwin McKim.

OTTO, THE HERO. 1916. 1 reel.

Credits: Written and produced by Edwin McKim.

OTTO, THE REPORTER. 1916. 1 reel.

Credits: Written and directed by Edwin McKim.

OTTO, THE SALESMAN. 1916. 1 reel.

Credits: Mark Jonak; adapted and directed by Edwin McKim.

OTTO THE SLEUTH. 1916. 1 reel.

Credits: Marie Foster; adapted and directed by Edwin McKim.

OTTO THE SOLDIER. 1916. 1 reel.

Credits: Director, Edwin McKim.

OTTO, THE TRAFFIC COP. 1916. 1 reel.

Credits: Written and directed by Edwin McKim.

OTTO'S LEGACY. 1916. 1 reel.

Credits: Written and directed by Edwin McKim.

OTTO'S VACATION. 1916. 1 reel.

Credits: V. L. Wormell; adapted and directed by Edwin McKim.

OUI! OUI! HEIDELBERG. 1928. 2 reels.

Credits: Director, Albert Herman; story, E. V. Durling, E. T. Montgomery, Joseph Basil.

THE OUIJA BOARD HOUND. SEE Prince of Daffydill.

AN OUNCE OF INVENTION. 1936. 1 reel, sd.

Credits: Director, Lloyd French; story, Jack Henley, Burnet Hershey.

OUR ALLEY. (Mirthquake, no. 14) 1923. 2 reels.

Credits: Director, Eugene DeRue.

OUR ANT GANG. 1927. 1 reel.

Credits: Director, George Fitzmaurice; story and scenario, Ouida Bergere.

OUR BETTERS. 1933. 9 reels, sd. From the play by W. Somerset Maugham.

Spotted a typo or a problem in this chapter? Tell us

Motion pictures, 1912-1939 (part 12 of 23)

Cite this passage

MLA

APA

Chicago

Motion pictures, 1912-1939 (part 12 of 23)