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Chapter XXVIII…

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Contents (383)
  1. Opening about 1 min
  2. Preface about 5 min
  3. Chapter I about 27 min
  4. II. OLD JOLYON GOES TO THE OPERA about 24 min
  5. III. DINNER AT SWITHIN'S about 21 min
  6. IV. PROJECTION OF THE HOUSE about 15 min
  7. V. A FORSYTE MENAGE about 10 min
  8. VI. JAMES AT LARGE about 14 min
  9. VII. OLD JOLYON'S PECCADILLO about 12 min
  10. VIII. PLANS OF THE HOUSE about 12 min
  11. IX. DEATH OF AUNT ANN about 14 min
  12. I. PROGRESS OF THE HOUSE about 12 min
  13. II. JUNE'S TREAT about 10 min
  14. III. DRIVE WITH SWITHIN about 16 min
  15. IV. JAMES GOES TO SEE FOR HIMSELF about 16 min
  16. V. SOAMES AND BOSINNEY CORRESPOND about 21 min
  17. VI. OLD JOLYON AT THE ZOO about 9 min
  18. VII. AFTERNOON AT TIMOTHY'S about 19 min
  19. VIII. DANCE AT ROGER'S about 13 min
  20. IX. EVENING AT RICHMOND about 16 min
  21. X. DIAGNOSIS OF A FORSYTE about 13 min
  22. XI. BOSINNEY ON PAROLE about 7 min
  23. XII. JUNE PAYS SOME CALLS about 13 min
  24. XIII. PERFECTION OF THE HOUSE about 12 min
  25. XIV. SOAMES SITS ON THE STAIRS about 6 min
  26. I. Mrs. MACANDER'S EVIDENCE about 17 min
  27. II. NIGHT IN THE PARK about 7 min
  28. III. MEETING AT THE BOTANICAL about 21 min
  29. IV. VOYAGE INTO THE INFERNO about 16 min
  30. V. THE TRIAL about 13 min
  31. VI. SOAMES BREAKS THE NEWS about 16 min
  32. VII. JUNE'S VICTORY about 12 min
  33. VIII. BOSINNEY'S DEPARTURE about 14 min
  34. IX. IRENE'S RETURN about 7 min
  35. Part 2 about 26 min
  36. XIV. II about 52 min
  37. I. AT TIMOTHY'S about 14 min
  38. II. EXIT A MAN OF THE WORLD about 18 min
  39. III. SOAMES PREPARES TO TAKE STEPS about 8 min
  40. IV. SOHO about 10 min
  41. V. JAMES SEES VISIONS about 8 min
  42. VI. NO-LONGER-YOUNG JOLYON AT HOME about 15 min
  43. VII. THE COLT AND THE FILLY about 7 min
  44. VIII. JOLYON PROSECUTES TRUSTEESHIP about 10 min
  45. IX. VAL HEARS THE NEWS about 12 min
  46. X. SOAMES ENTERTAINS THE FUTURE about 6 min
  47. XI. AND VISITS THE PAST about 8 min
  48. XII. ON FORSYTE 'CHANGE about 16 min
  49. XIII. JOLYON FINDS OUT WHERE HE IS about 8 min
  50. XIV. SOAMES DISCOVERS WHAT HE WANTS about 5 min
  51. I. THE THIRD GENERATION about 13 min
  52. II. SOAMES PUTS IT TO THE TOUCH about 14 min
  53. III. VISIT TO IRENE about 8 min
  54. IV. WHERE FORSYTES FEAR TO TREAD about 11 min
  55. V. JOLLY SITS IN JUDGMENT about 12 min
  56. VI. JOLYON IN TWO MINDS about 6 min
  57. VII. DARTIE VERSUS DARTIE about 16 min
  58. VIII. THE CHALLENGE about 7 min
  59. IX. DINNER AT JAMES' about 9 min
  60. X. DEATH OF THE DOG BALTHASAR about 6 min
  61. XI. TIMOTHY STAYS THE ROT about 9 min
  62. XII. PROGRESS OF THE CHASE about 8 min
  63. Chapter XIII about 13 min
  64. XIV. OUTLANDISH NIGHT about 4 min
  65. I. SOAMES IN PARIS about 10 min
  66. II. IN THE WEB about 5 min
  67. III. RICHMOND PARK about 10 min
  68. IV. OVER THE RIVER about 2 min
  69. V. SOAMES ACTS about 4 min
  70. VI. A SUMMER DAY about 10 min
  71. VII. A SUMMER NIGHT about 5 min
  72. VIII. JAMES IN WAITING about 5 min
  73. IX. OUT OF THE WEB about 13 min
  74. X. PASSING OF AN AGE about 15 min
  75. XI. SUSPENDED ANIMATION about 10 min
  76. XII. BIRTH OF A FORSYTE about 9 min
  77. XIII. JAMES IS TOLD about 7 min
  78. XIV. HIS about 5 min
  79. 3. AWAKENING and TO LET about 30 min
  80. I. ENCOUNTER about 2 h 18 min
  81. II. I MOTHER AND SON about 2 h 2 min
  82. III. I OLD JOLYON WALKS about 1 h 50 min
  83. I. Spring about 1 h 55 min
  84. II. SUMMER about 1 h 52 min
  85. III. AUTUMN about 1 h 42 min
  86. Prologue about 2 min
  87. Chapter I about 7 min
  88. Chapter II about 4 min
  89. Chapter III about 11 min
  90. Chapter IV about 10 min
  91. Chapter V about 10 min
  92. Chapter VI about 14 min
  93. Chapter VII about 10 min
  94. Chapter VIII about 19 min
  95. Chapter IX about 7 min
  96. Chapter X about 11 min
  97. Chapter XI about 9 min
  98. Chapter XII about 12 min
  99. Chapter XIII about 11 min
  100. Chapter XIV about 14 min
  101. Chapter XV about 11 min
  102. Chapter XVI about 17 min
  103. Chapter XVII about 9 min
  104. Chapter XVIII about 8 min
  105. Chapter XIX about 13 min
  106. Chapter XX about 8 min
  107. Chapter XXI about 8 min
  108. Chapter XXII about 13 min
  109. Chapter XXIII about 14 min
  110. Chapter XXIV about 16 min
  111. Chapter XXV about 13 min
  112. Chapter XXVI about 15 min
  113. Chapter XXVII about 10 min
  114. Chapter XXVIII about 18 min
  115. Chapter XXIX about 9 min
  116. Chapter XXX about 7 min
  117. Chapter XXXI about 12 min
  118. Chapter XXXII about 12 min
  119. Chapter XXXIII about 9 min
  120. Chapter XXXIV about 13 min
  121. Chapter XXXV about 7 min
  122. Chapter XXXVI about 7 min
  123. Chapter XXXVII about 11 min
  124. Chapter XXXVIII about 8 min
  125. Part I about 1 h 15 min
  126. Part II about 3 h 21 min
  127. Part III about 1 h 47 min
  128. Part IV about 1 h 41 min
  129. Preface about 6 h 38 min
  130. Part I about 1 h 40 min
  131. Part II about 1 h 48 min
  132. Part III about 2 h 13 min
  133. Part IV about 53 min
  134. Preface about 6 min
  135. I. SOCIETY about 11 min
  136. II. ANTONIA about 8 min
  137. III. A ZOOLOGICAL GARDEN about 9 min
  138. IV. THE PLAY about 12 min
  139. V. THE GOOD CITIZEN about 8 min
  140. VI. MARRIAGE SETTLEMENT about 8 min
  141. VII. THE CLUB about 9 min
  142. VIII. THE WEDDING about 5 min
  143. IX. THE DINNER about 5 min
  144. X. AN ALIEN about 8 min
  145. XI. THE VISION about 10 min
  146. XII. ROTTEN ROW about 5 min
  147. XIII. AN "AT HOME" about 9 min
  148. XIV. THE NIGHT CLUB about 8 min
  149. XV. POLE TO POLE about 11 min
  150. XVI. THE INDIAN CIVILIAN about 8 min
  151. XVII. A PARSON about 11 min
  152. XVIII. ACADEMIC about 10 min
  153. XIX. AN INCIDENT about 13 min
  154. XX. HOLM OAKS about 11 min
  155. XXI. ENGLISH about 7 min
  156. XXII. THE COUNTRY HOUSE about 10 min
  157. XXIII. THE STAINED-GLASS MAN about 7 min
  158. XXIV. PARADISE about 4 min
  159. XXV. THE RIDE about 7 min
  160. XXVI. THE BIRD 'OF PASSAGE about 10 min
  161. XXVII. SUB ROSA about 12 min
  162. XXVIII. THE RIVER about 4 min
  163. XXIX. ON THE WING about 10 min
  164. XXX. THE LADY FROM BEYOND about 8 min
  165. XXXI. THE STORM about 6 min
  166. XXXII. WILDERNESS about 15 min
  167. XXXIII. THE END about 7 min
  168. I. A PARTY AT WORSTED SKEYNES about 19 min
  169. II. THE COVERT SHOOT about 10 min
  170. III. THE BLISSFUL HOUR about 6 min
  171. IV. THE HAPPY HUNTING-GROUND about 9 min
  172. V. MRS. PENDYCE'S DANCE about 6 min
  173. VI. INFLUENCE OF THE REVEREND HUSSELL BARTER about 6 min
  174. VII. SABBATH AT WORSTED SKEYNES about 11 min
  175. VIII. GREGORY VIGIL PROPOSES about 9 min
  176. IX. MR. PARAMOR DISPOSES about 20 min
  177. X. AT BLAFARD'S about 7 min
  178. I. GREGORY REOPENS THE CAMPAIGN about 16 min
  179. II. CONTINUED INFLUENCE OF THE REVEREND HUSSELL BARTER about 14 min
  180. III. THE SINISTER NIGHT about 6 min
  181. IV. Mr. PENDYCE'S HEAD about 15 min
  182. V. RECTOR AND SQUIRE about 12 min
  183. VI. THE PARK about 8 min
  184. VII. DOUBTFUL POSITION AT WORSTED SKEYNES about 9 min
  185. VIII. COUNCIL AT WORSTED SKEYNES about 12 min
  186. IX. DEFINITION OF "PENDYCITIS" about 6 min
  187. X. GEORGE GOES FOR THE GLOVES about 10 min
  188. XI. MR. BARTER TAKES A WALK about 11 min
  189. XII. THE SQUIRE MAKES UP HIS MIND about 11 min
  190. I. MRS. PENDYCE'S ODYSSEY about 12 min
  191. II. THE SON AND THE MOTHER about 16 min
  192. III. MRS. BELLEW SQUARES HER ACCOUNTS about 3 min
  193. IV. MRS. PENDYCE'S INSPIRATION about 11 min
  194. V. THE MOTHER AND THE SON about 9 min
  195. VI. GREGORY LOOKS AT THE SKY about 9 min
  196. VII. TOUR WITH THE SPANIEL JOHN about 19 min
  197. VIII. ACUTE ATTACK OF 'PENDYCITIS' about 8 min
  198. IX. BELLEW BOWS TO A LADY about 9 min
  199. I. THE SHADOW about 17 min
  200. II. A FAMILY DISCUSSION about 12 min
  201. III. HILARY'S BROWN STUDY about 9 min
  202. IV. THE LITTLE MODEL about 8 min
  203. V. THE COMEDY BEGINS about 10 min
  204. VI. FIRST PILGRIMAGE TO HOUND STREET about 11 min
  205. VII. CECILIA'S SCATTERED THOUGHTS about 12 min
  206. VIII. THE SINGLE MIND OF MR. STONE about 17 min
  207. IX. HILARY GIVES CHASE about 7 min
  208. X. THE TROUSSEAU about 9 min
  209. XI. PEAR BLOSSOM about 3 min
  210. XII. SHIPS IN SAIL about 6 min
  211. XIII. SOUND IN THE NIGHT about 7 min
  212. XIV. A WALK ABROAD about 12 min
  213. XV. SECOND PILGRIMAGE TO HOUND STREET about 4 min
  214. XVI. BENEATH THE ELMS about 7 min
  215. XVII. TWO BROTHERS about 15 min
  216. XVIII. THE PERFECT DOG about 4 min
  217. XIX. BIANCA about 10 min
  218. XX. THE HUSBAND AND THE WIFE about 6 min
  219. XXI. A DAY OF REST about 17 min
  220. XXII. HILARY PUTS AN END TO IT about 9 min
  221. XXIII. THE "BOOK OF UNIVERSAL BROTHERHOOD" about 7 min
  222. XXIV. SHADOWLAND about 16 min
  223. XXV. MR. STONE IN WAITING about 4 min
  224. XXVI. THIRD PILGRIMAGE TO HOUND STREET about 9 min
  225. XXVII. STEPHEN'S PRIVATE LIFE about 17 min
  226. XXVIII. HILARY HEARS THE CUCKOO SING about 11 min
  227. XXIX. RETURN OF THE LITTLE MODEL about 12 min
  228. XXX. FUNERAL OF A BABY about 11 min
  229. XXXI. SWAN SONG about 12 min
  230. XXXII. BEHIND BIANCA'S VEIL about 8 min
  231. XXXIII. HILARY DEALS WITH THE SITUATION about 8 min
  232. XXXIV. THYME'S ADVENTURE about 10 min
  233. XXXV. A YOUNG GIRL'S MIND about 8 min
  234. XXXVI. STEPHEN SIGNS CHEQUES about 14 min
  235. XXXVII. THE FLOWERING OF THE ALOE about 9 min
  236. XXXVIII. THE HOME-COMING OF HUGHS about 9 min
  237. XXXIX. THE DUEL about 6 min
  238. XL. FINISH OF THE COMEDY about 6 min
  239. XLI. THE HOUSE OF HARMONY about 7 min
  240. Chapter I about 10 min
  241. Chapter II about 3 min
  242. Chapter III about 9 min
  243. Chapter IV about 4 min
  244. Chapter V about 12 min
  245. Chapter VI about 4 min
  246. Chapter VII about 16 min
  247. Chapter VIII about 9 min
  248. Chapter IX about 7 min
  249. Chapter X about 13 min
  250. Chapter XI about 10 min
  251. Chapter XII about 6 min
  252. Chapter XIII about 9 min
  253. Chapter XIV about 10 min
  254. Chapter XV about 5 min
  255. Chapter XVI about 9 min
  256. Chapter XVII about 9 min
  257. Chapter XVIII about 7 min
  258. Chapter XIX about 4 min
  259. Chapter XX about 13 min
  260. Chapter XXI about 6 min
  261. Chapter XXII about 10 min
  262. Chapter I about 9 min
  263. Chapter II about 8 min
  264. Chapter III about 9 min
  265. Chapter IV about 8 min
  266. Chapter V about 7 min
  267. Chapter VI about 7 min
  268. Chapter VII about 4 min
  269. Chapter VIII about 5 min
  270. Chapter IX about 4 min
  271. Chapter X about 6 min
  272. Chapter XI about 6 min
  273. Chapter XII about 5 min
  274. Chapter XIII about 5 min
  275. Chapter XIV about 5 min
  276. Chapter XV about 3 min
  277. Chapter XVI about 3 min
  278. Chapter XVII about 7 min
  279. Chapter XVIII about 6 min
  280. Chapter XIX about 4 min
  281. Chapter XX about 5 min
  282. Chapter XXI about 9 min
  283. Chapter XXII about 11 min
  284. Chapter XXIII about 4 min
  285. Chapter XXIV about 9 min
  286. Chapter XXV about 6 min
  287. Chapter XXVI about 10 min
  288. Chapter XXVII about 6 min
  289. Chapter XXVIII about 6 min
  290. Chapter XXIX about 9 min
  291. Chapter XXX (part 1 of 3) about 6 h 33 min
  292. Chapter XXX (part 2 of 3) about 6 h 58 min
  293. Chapter XXX (part 3 of 3) about 23 min
  294. Act I, Scene I about 3 min
  295. Act I, Scene II about 6 min
  296. Act I, Scene III about 19 min
  297. Act II, Scene I about 11 min
  298. Act II, Scene II about 17 min
  299. Act III about 21 min
  300. Act I about 27 min
  301. Act II about 26 min
  302. Act III about 26 min
  303. I. The dining-room of the Manager's house under 1 min
  304. III. The drawing-room of the Manager's house under 1 min
  305. Act I about 29 min
  306. Act II, Scene I about 19 min
  307. Act II, Scene II about 17 min
  308. Act III about 29 min
  309. III. The smoking-room; tea-time under 1 min
  310. Act I, Scene I about 5 min
  311. Act I, Scene II about 18 min
  312. Act II about 19 min
  313. Act III about 20 min
  314. Act III, Scene I about 5 min
  315. Act III, Scene II about 6 min
  316. Act III, Scene III about 7 min
  317. Act III, Scene IV about 4 min
  318. Act III, Scene V about 1 min
  319. Act III, Scene VI about 1 min
  320. II. Assizes. Afternoon. October under 1 min
  321. IV. The office of James and Walter How. Morning. March, two years later under 1 min
  322. Act I about 18 min
  323. Act II about 33 min
  324. Act III, Scene I about 9 min
  325. Act III, Scene II about 9 min
  326. Act III, Scene III about 3 min
  327. Act IV about 22 min
  328. IV. A small supper room at "The Gascony." under 1 min
  329. Act I about 21 min
  330. Act II about 21 min
  331. Act III about 11 min
  332. Act III, Scene II about 14 min
  333. Act IV about 14 min
  334. Act I about 24 min
  335. Act II about 26 min
  336. Act III about 20 min
  337. IV. The dining-room of More's house, late afternoon under 1 min
  338. Act I about 34 min
  339. Act III, Scene I about 6 min
  340. Act III, Scene II about 9 min
  341. Act IV about 17 min
  342. Act III, Scene I — STRANGWAY'S rooms. SCENE II. BURLACOMBE'S barn under 1 min
  343. Act I about 25 min
  344. Act II, Scene I about 14 min
  345. Act II, Scene II about 7 min
  346. Act II, Scene III about 4 min
  347. Act III, Scene I about 11 min
  348. Act III, Scene II about 9 min
  349. Act III, Scene III — Ante-room of the hall at LORD WILLIAM DROMONDY'S under 1 min
  350. Act I about 24 min
  351. Act II about 24 min
  352. Act III about 34 min
  353. Act I about 32 min
  354. Act II, Scene I about 23 min
  355. Act II, Scene II about 14 min
  356. Act III, Scene I about 13 min
  357. Act III, Scene II about 14 min
  358. Act III, Scene III — The Same under 1 min
  359. Act III, Scene I about 9 min
  360. Act III, Scene II about 13 min
  361. Act III, Scene III about 7 min
  362. Act III, Scene I about 8 min
  363. Act III, Scene II about 7 min
  364. Act III, Scene III about 58 min
  365. Characters under 1 min
  366. II. BUILDER'S Study. Lunchtime under 1 min
  367. Act I, Scene I about 13 min
  368. Act I, Scene II about 19 min
  369. Act II about 21 min
  370. Act III, Scene I about 13 min
  371. Act III, Scene II about 13 min
  372. Act III, Scene III about 6 min
  373. Persons of the Play about 1 min
  374. Act I, Scene I about 13 min
  375. Act I, Scene II about 16 min
  376. Act II, Scene I about 22 min
  377. Act III, Scene I about 18 min
  378. Act III, Scene II about 8 min
  379. Act III, Scene III about 7 min
  380. Persons of the Play under 1 min
  381. Act I about 30 min
  382. Act II about 29 min
  383. Act III about 18 min

Continue:

Chapter XXVIII

The clock over the stables was chiming seven when Miltoun and Barbara passed out of the tall iron gates, in their swift-moving small world, that smelled faintly of petrol. Though the cab was closed, light spurts of rain drifted in through the open windows, refreshing the girl's hot face, relieving a little her dread of this drive. For, now that Fate had been really cruel, now that it no longer lay in Miltoun's hands to save himself from suffering, her heart bled for him; and she remembered to forget herself. The immobility with which he had received her intrusion, was ominous. And though silent in her corner, she was desperately working all her woman's wits to discover a way of breaking into the house of his secret mood. He appeared not even to have noticed that they had turned their backs on London, and passed into Richmond Park.

Here the trees, made dark by rain, seemed to watch gloomily the progress of this whirring-wheeled red box, unreconciled even yet to such harsh intruders on their wind-scented tranquillity. And the deer, pursuing happiness on the sweet grasses, raised disquieted noses, as who should say: Poisoners of the fern, defilers of the trails of air!

Barbara vaguely felt the serenity out there in the clouds, and the trees, and wind. If it would but creep into this dim, travelling prison, and help her; if it would but come, like sleep, and steal away dark sorrow, and in one moment make grief-joy. But it stayed outside on its wistful wings; and that grand chasm which yawns between soul and soul remained unbridged. For what could she say? How make him speak of what he was going to do? What alternatives indeed were now before him? Would he sullenly resign his seat, and wait till he could find Audrey Noel again? But even if he did find her, they would only be where they were. She had gone, in order not to be a drag on him--it would only be the same thing all over again! Would he then, as Granny had urged him, put on his armour, and go down into the fight? But that indeed would mean the end, for if she had had the strength to go away now, she would surely never come back and break in on his life a second time. And a grim thought swooped down on Barbara. What if he resigned everything! Went out into the dark! Men did sometimes--she knew--caught like this in the full flush of passion. But surely not Miltoun, with his faith! 'If the lark's song means nothing--if that sky is a morass of our invention--if we are pettily creeping on, furthering nothing--persuade me of it, Babs, and I'll bless you.' But had he still that anchorage, to prevent him slipping out to sea? This sudden thought of death to one for whom life was joy, who had never even seen the Great Stillness, was very terrifying. She fixed her eyes on the back of the chauffeur, in his drab coat with the red collar, finding some comfort in its solidity. They were in a taxi-cab, in Richmond Park! Death--incongruous, incredible death! It was stupid to be frightened! She forced herself to look at Miltoun. He seemed to be asleep; his eyes were closed, his arms folded--only a quivering of his eyelids betrayed him. Impossible to tell what was going on in that grim waking sleep, which made her feel that she was not there at all, so utterly did he seem withdrawn into himself!

He opened his eyes, and said suddenly:

"So you think I'm going to lay hands on myself, Babs?"

Horribly startled by this reading of her thoughts, Barbara could only edge away and stammer:

"No; oh, no!"

"Where are we going in this thing?"

"Nettlefold. Would you like him stopped?"

"It will do as well as anywhere."

Terrified lest he should relapse into that grim silence, she timidly possessed herself of his hand.

It was fast growing dark; the cab, having left the villas of Surbiton behind, was flying along at great speed among pine-trees and stretches of heather gloomy with faded daylight.

Miltoun said presently, in a queer, slow voice "If I want, I have only to open that door and jump. You who believe that 'to-morrow we die'--give me the faith to feel that I can free myself by that jump, and out I go!" Then, seeming to pity her terrified squeeze of his hand, he added: "It's all right, Babs; we, shall sleep comfortably enough in our beds tonight."

But, so desolate to the girl was his voice, that she hoped now for silence.

"Let us be skinned quietly," muttered Miltoun, "if nothing else. Sorry to have disturbed you."

Pressing close up to him, Barbara murmured:

"If only----Talk to me!".

But Miltoun, though he stroked her hand, was silent.

The cab, moving at unaccustomed speed along these deserted roads, moaned dismally; and Barbara was possessed now by a desire which she dared not put in practice, to pull his head down, and rock it against her. Her heart felt empty, and timid; to have something warm resting on it would have made all the difference. Everything real, substantial, comforting, seemed to have slipped away. Among these flying dark ghosts of pine-trees--as it were the unfrequented borderland between two worlds--the feeling of a cheek against her breast alone could help muffle the deep disquiet in her, lost like a child in a wood.

The cab slackened speed, the driver was lighting his lamps; and his red face appeared at the window.

"We'll 'ave to stop here, miss; I'm out of petrol. Will you get some dinner, or go through?"

"Through," answered Barbara:

While they were passing the little their, buying then petrol, asking the way, she felt less miserable, and even looked about her with a sort of eagerness. Then when they had started again, she thought: If I could get him to sleep--the sea will comfort him! But his eyes were staring, wide-open. She feigned sleep herself; letting her head slip a little to one side, causing small sounds of breathing to escape. The whirring of the wheels, the moaning of the cab joints, the dark trees slipping by, the scent of the wet fern drifting in, all these must surely help! And presently she felt that he was indeed slipping into darkness--and then-she felt nothing.

When she awoke from the sleep into which she had seen Miltoun fall, the cab was slowly mounting a steep hill, above which the moon had risen. The air smelled strong and sweet, as though it had passed over leagues of grass.

"The Downs!" she thought; "I must have been asleep!"

In sudden terror, she looked round for Miltoun. But he was still there, exactly as before, leaning back rigid in his corner of the cab, with staring eyes, and no other signs of life. And still only half awake, like a great warm sleepy child startled out of too deep slumber, she clutched, and clung to him. The thought that he had been sitting like that, with his spirit far away, all the time that she had been betraying her watch in sleep, was dreadful. But to her embrace there was no response, and awake indeed now, ashamed, sore, Barbara released him, and turned her face to the air.

Out there, two thin, dense-black, long clouds, shaped like the wings of a hawk, had joined themselves together, so that nothing of the moon showed but a living brightness imprisoned, like the eyes and life of a bird, between those swift sweeps of darkness. This great uncanny spirit, brooding malevolent over the high leagues of moon-wan grass, seemed waiting to swoop, and pluck up in its talons, and devour, all that intruded on the wild loneness of these far-up plains of freedom. Barbara almost expected to hear coming from it the lost whistle of the buzzard hawks. And her dream came back to her. Where were her wings-the wings that in sleep had borne her to the stars; the wings that would never lift her--waking--from the ground? Where too were Miltoun's wings? She crouched back into her corner; a tear stole up and trickled out between her closed lids-another and another followed. Faster and faster they came. Then she felt Miltoun's arm round her, and heard him say: "Don't cry, Babs!" Instinct telling her what to do, she laid her head against his chest, and sobbed bitterly. Struggling with those sobs, she grew less and less unhappy--knowing that he could never again feel quite so desolate, as before he tried to give her comfort. It was all a bad dream, and they would soon wake from it! And they would be happy; as happy as they had been before--before these last months! And she whispered:

"Only a little while, Eusty!"

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Chapter XXIX

Old Lady Harbinger dying in the early February of the following year, the marriage of Barbara with her son was postponed till June.

Much of the wild sweetness of Spring still clung to the high moor borders of Monkland on the early morning of the wedding day.

Barbara was already up and dressed for riding when her maid came to call her; and noting Stacey's astonished eyes fix themselves on her boots, she said:

"Well, Stacey?"

"It'll tire you."

"Nonsense; I'm not going to be hung."

Refusing the company of a groom, she made her way towards the stretch of high moor where she had ridden with Courtier a year ago. Here over the short, as yet unflowering, heather, there was a mile or more of level galloping ground. She mounted steadily, and her spirit rode, as it were, before her, longing to get up there among the peewits and curlew, to feel the crisp, peaty earth slip away under her, and the wind drive in her face, under that deep blue sky. Carried by this warm-blooded sweetheart of hers, ready to jump out of his smooth hide with pleasure, snuffling and sneezing in sheer joy, whose eye she could see straying round to catch a glimpse of her intentions, from whose lips she could hear issuing the sweet bitt-music, whose vagaries even seemed designed to startle from her a closer embracing--she was filled with a sort of delicious impatience with everything that was not this perfect communing with vigour.

Reaching the top, she put him into a gallop. With the wind furiously assailing her face and throat, every muscle crisped; and all her blood tingling--this was a very ecstasy of motion!

She reined in at the cairn whence she and Courtier had looked down at the herds of ponies. It was the merest memory now, vague and a little sweet, like the remembrance of some exceptional Spring day, when trees seem to flower before your eyes, and in sheer wantonness exhale a scent of lemons. The ponies were there still, and in distance the shining sea. She sat thinking of nothing, but how good it was to be alive. The fullness and sweetness of it all, the freedom and strength! Away to the West over a lonely farm she could see two buzzard hawks hunting in wide circles. She did not envy them--so happy was she, as happy as the morning. And there came to her suddenly the true, the overmastering longing of mountain tops.

"I must," she thought; "I simply must!"

Slipping off her horse she lay down on her back, and at once everything was lost except the sky. Over her body, supported above solid earth by the warm, soft heather, the wind skimmed without sound or touch. Her spirit became one with that calm unimaginable freedom. Transported beyond her own contentment, she no longer even knew whether she was joyful.

The horse Hal, attempting to eat her sleeve, aroused her. She mounted him, and rode down. Near home she took a short cut across a meadow, through which flowed two thin bright streams, forming a delta full of lingering 'milkmaids,' mauve marsh orchis, and yellow flags. From end to end of this long meadow, so varied, so pied with trees and stones, and flowers, and water, the last of the Spring was passing.

Some ponies, shyly curious of Barbara and her horse, stole up, and stood at a safe distance, with their noses dubiously stretched out, swishing their lean tails. And suddenly, far up, following their own music, two cuckoos flew across, seeking the thorn-trees out on the moor. While she was watching the arrowy birds, she caught sight of someone coming towards her from a clump of beech-trees, and suddenly saw that it was Mrs. Noel!

She rode forward, flushing. What dared she say? Could she speak of her wedding, and betray Miltoun's presence? Could she open her mouth at all without rousing painful feeling of some sort? Then, impatient of indecision, she began:

"I'm so glad to see you again. I didn't know you were still down here."

"I only came back to England yesterday, and I'm just here to see to the packing of my things."

"Oh!" murmured Barbara. "You know what's happening to me, I suppose?"

Mrs. Noel smiled, looked up, and said: "I heard last night. All joy to you!"

A lump rose in Barbara's throat.

"I'm so glad to have seen you," she murmured once more; "I expect I ought to be getting on," and with the word "Good-bye," gently echoed, she rode away.

But her mood of delight was gone; even the horse Hal seemed to tread unevenly, for all that he was going back to that stable which ever appeared to him desirable ten minutes after he had left it.

Except that her eyes seemed darker, Mrs. Noel had not changed. If she had shown the faintest sign of self-pity, the girl would never have felt, as she did now, so sorry and upset.

Leaving the stables, she saw that the wind was driving up a huge, white, shining cloud. "Isn't it going to be fine after all!" she thought.

Re-entering the house by an old and so-called secret stairway that led straight to the library, she had to traverse that great dark room. There, buried in an armchair in front of the hearth she saw Miltoun with a book on his knee, not reading, but looking up at the picture of the old Cardinal. She hurried on, tiptoeing over the soft carpet, holding her breath, fearful of disturbing the queer interview, feeling guilty, too, of her new knowledge, which she did not mean to impart. She had burnt her fingers once at the flame between them; she would not do so a second time!

Through the window at the far end she saw that the cloud had burst; it was raining furiously. She regained her bedroom unseen. In spite of her joy out there on the moor, this last adventure of her girlhood had not been all success; she had again the old sensations, the old doubts, the dissatisfaction which she had thought dead. Those two! To shut one's eyes, and be happy--was it possible! A great rainbow, the nearest she had ever seen, had sprung up in the park, and was come to earth again in some fields close by. The sun was shining out already through the wind-driven bright rain. Jewels of blue had begun to star the black and white and golden clouds. A strange white light-ghost of Spring passing in this last violent outburst-painted the leaves of every tree; and a hundred savage hues had come down like a motley of bright birds on moor and fields.

The moment of desperate beauty caught Barbara by the throat. Its spirit of galloping wildness flew straight into her heart. She clasped her hands across her breast to try and keep that moment. Far out, a cuckoo hooted-and the immortal call passed on the wind. In that call all the beauty, and colour, and rapture of life seemed to be flying by. If she could only seize and evermore have it in her heart, as the buttercups out there imprisoned the sun, or the fallen raindrops on the sweetbriars round the windows enclosed all changing light! If only there were no chains, no walls, and finality were dead!

Her clock struck ten. At this time to-morrow! Her cheeks turned hot; in a mirror she could see them burning, her lips scornfully curved, her eyes strange. Standing there, she looked long at herself, till, little by little, her face lost every vestige of that disturbance, became solid and resolute again. She ceased to have the galloping wild feeling in her heart, and instead felt cold. Detached from herself she watched, with contentment, her own calm and radiant beauty resume the armour it had for that moment put off.

After dinner that night, when the men left the dining-hall, Miltoun slipped away to his den. Of all those present in the little church he had seemed most unemotional, and had been most moved. Though it had been so quiet and private a wedding, he had resented all cheap festivity accompanying the passing of his young sister. He would have had that ceremony in the little dark disused chapel at the Court; those two, and the priest alone. Here, in this half-pagan little country church smothered hastily in flowers, with the raw singing of the half-pagan choir, and all the village curiosity and homage-everything had jarred, and the stale aftermath sickened him. Changing his swallow-tail to an old smoking jacket, he went out on to the lawn. In the wide darkness he could rid himself of his exasperation.

Since the day of his election he had not once been at Monkland; since Mrs. Noel's flight he had never left London. In London and work he had buried himself; by London and work he had saved himself! He had gone down into the battle.

Dew had not yet fallen, and he took the path across the fields. There was no moon, no stars, no wind; the cattle were noiseless under the trees; there were no owls calling, no night-jars churring, the fly-by-night chafers were not abroad. The stream alone was alive in the quiet darkness. And as Miltoun followed the wispy line of grey path cleaving the dim glamour of daisies and buttercups, there came to him the feeling that he was in the presence, not of sleep, but of eternal waiting. The sound of his footfalls seemed desecration. So devotional was that hush, burning the spicy incense of millions of leaves and blades of grass.

Crossing the last stile he came out, close to her deserted cottage, under her lime-tree, which on the night of Courtier's adventure had hung blue-black round the moon. On that side, only a rail, and a few shrubs confined her garden.

The house was all dark, but the many tall white flowers, like a bright vapour rising from earth, clung to the air above the beds. Leaning against the tree Miltoun gave himself to memory.

From the silent boughs which drooped round his dark figure, a little sleepy bird uttered a faint cheep; a hedgehog, or some small beast of night, rustled away in the grass close by; a moth flew past, seeking its candle flame. And something in Miltoun's heart took wings after it, searching for the warmth and light of his blown candle of love. Then, in the hush he heard a sound as of a branch ceaselessly trailed through long grass, fainter and fainter, more and more distinct; again fainter; but nothing could he see that should make that homeless sound. And the sense of some near but unseen presence crept on him, till the hair moved on his scalp. If God would light the moon or stars, and let him see! If God would end the expectation of this night, let one wan glimmer down into her garden, and one wan glimmer into his breast! But it stayed dark, and the homeless noise never ceased. The weird thought came to Miltoun that it was made by his own heart, wandering out there, trying to feel warm again. He closed his eyes and at once knew that it was not his heart, but indeed some external presence, unconsoled. And stretching his hands out he moved forward to arrest that sound. As he reached the railing, it ceased. And he saw a flame leap up, a pale broad pathway of light blanching the grass.

And, realizing that she was there, within, he gasped. His fingernails bent and broke against the iron railing without his knowing. It was not as on that night when the red flowers on her windowsill had wafted their scent to him; it was no sheer overpowering rush of passion. Profounder, more terrible, was this rising up within him of yearning for love--as if, now defeated, it would nevermore stir, but lie dead on that dark grass beneath those dark boughs. And if victorious--what then? He stole back under the tree.

He could see little white moths travelling down that path of lamplight; he could see the white flowers quite plainly now, a pale watch of blossoms guarding the dark sleepy ones; and he stood, not reasoning, hardly any longer feeling; stunned, battered by struggle. His face and hands were sticky with the honey-dew, slowly, invisibly distilling from the lime-tree. He bent down and felt the grass. And suddenly there came over him the certainty of her presence. Yes, she was there--out on the verandah! He could see her white figure from head to foot; and, not realizing that she could not see him, he expected her to utter some cry. But no sound came from her, no gesture; she turned back into the house. Miltoun ran forward to the railing. But there, once more, he stopped--unable to think, unable to feel; as it were abandoned by himself. And he suddenly found his hand up at his mouth, as though there were blood there to be staunched that had escaped from his heart.

Still holding that hand before his mouth, and smothering the sound of his feet in the long grass, he crept away.

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