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XI. THE VISION…

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Contents (383)
  1. Opening about 1 min
  2. Preface about 5 min
  3. Chapter I about 27 min
  4. II. OLD JOLYON GOES TO THE OPERA about 24 min
  5. III. DINNER AT SWITHIN'S about 21 min
  6. IV. PROJECTION OF THE HOUSE about 15 min
  7. V. A FORSYTE MENAGE about 10 min
  8. VI. JAMES AT LARGE about 14 min
  9. VII. OLD JOLYON'S PECCADILLO about 12 min
  10. VIII. PLANS OF THE HOUSE about 12 min
  11. IX. DEATH OF AUNT ANN about 14 min
  12. I. PROGRESS OF THE HOUSE about 12 min
  13. II. JUNE'S TREAT about 10 min
  14. III. DRIVE WITH SWITHIN about 16 min
  15. IV. JAMES GOES TO SEE FOR HIMSELF about 16 min
  16. V. SOAMES AND BOSINNEY CORRESPOND about 21 min
  17. VI. OLD JOLYON AT THE ZOO about 9 min
  18. VII. AFTERNOON AT TIMOTHY'S about 19 min
  19. VIII. DANCE AT ROGER'S about 13 min
  20. IX. EVENING AT RICHMOND about 16 min
  21. X. DIAGNOSIS OF A FORSYTE about 13 min
  22. XI. BOSINNEY ON PAROLE about 7 min
  23. XII. JUNE PAYS SOME CALLS about 13 min
  24. XIII. PERFECTION OF THE HOUSE about 12 min
  25. XIV. SOAMES SITS ON THE STAIRS about 6 min
  26. I. Mrs. MACANDER'S EVIDENCE about 17 min
  27. II. NIGHT IN THE PARK about 7 min
  28. III. MEETING AT THE BOTANICAL about 21 min
  29. IV. VOYAGE INTO THE INFERNO about 16 min
  30. V. THE TRIAL about 13 min
  31. VI. SOAMES BREAKS THE NEWS about 16 min
  32. VII. JUNE'S VICTORY about 12 min
  33. VIII. BOSINNEY'S DEPARTURE about 14 min
  34. IX. IRENE'S RETURN about 7 min
  35. Part 2 about 26 min
  36. XIV. II about 52 min
  37. I. AT TIMOTHY'S about 14 min
  38. II. EXIT A MAN OF THE WORLD about 18 min
  39. III. SOAMES PREPARES TO TAKE STEPS about 8 min
  40. IV. SOHO about 10 min
  41. V. JAMES SEES VISIONS about 8 min
  42. VI. NO-LONGER-YOUNG JOLYON AT HOME about 15 min
  43. VII. THE COLT AND THE FILLY about 7 min
  44. VIII. JOLYON PROSECUTES TRUSTEESHIP about 10 min
  45. IX. VAL HEARS THE NEWS about 12 min
  46. X. SOAMES ENTERTAINS THE FUTURE about 6 min
  47. XI. AND VISITS THE PAST about 8 min
  48. XII. ON FORSYTE 'CHANGE about 16 min
  49. XIII. JOLYON FINDS OUT WHERE HE IS about 8 min
  50. XIV. SOAMES DISCOVERS WHAT HE WANTS about 5 min
  51. I. THE THIRD GENERATION about 13 min
  52. II. SOAMES PUTS IT TO THE TOUCH about 14 min
  53. III. VISIT TO IRENE about 8 min
  54. IV. WHERE FORSYTES FEAR TO TREAD about 11 min
  55. V. JOLLY SITS IN JUDGMENT about 12 min
  56. VI. JOLYON IN TWO MINDS about 6 min
  57. VII. DARTIE VERSUS DARTIE about 16 min
  58. VIII. THE CHALLENGE about 7 min
  59. IX. DINNER AT JAMES' about 9 min
  60. X. DEATH OF THE DOG BALTHASAR about 6 min
  61. XI. TIMOTHY STAYS THE ROT about 9 min
  62. XII. PROGRESS OF THE CHASE about 8 min
  63. Chapter XIII about 13 min
  64. XIV. OUTLANDISH NIGHT about 4 min
  65. I. SOAMES IN PARIS about 10 min
  66. II. IN THE WEB about 5 min
  67. III. RICHMOND PARK about 10 min
  68. IV. OVER THE RIVER about 2 min
  69. V. SOAMES ACTS about 4 min
  70. VI. A SUMMER DAY about 10 min
  71. VII. A SUMMER NIGHT about 5 min
  72. VIII. JAMES IN WAITING about 5 min
  73. IX. OUT OF THE WEB about 13 min
  74. X. PASSING OF AN AGE about 15 min
  75. XI. SUSPENDED ANIMATION about 10 min
  76. XII. BIRTH OF A FORSYTE about 9 min
  77. XIII. JAMES IS TOLD about 7 min
  78. XIV. HIS about 5 min
  79. 3. AWAKENING and TO LET about 30 min
  80. I. ENCOUNTER about 2 h 18 min
  81. II. I MOTHER AND SON about 2 h 2 min
  82. III. I OLD JOLYON WALKS about 1 h 50 min
  83. I. Spring about 1 h 55 min
  84. II. SUMMER about 1 h 52 min
  85. III. AUTUMN about 1 h 42 min
  86. Prologue about 2 min
  87. Chapter I about 7 min
  88. Chapter II about 4 min
  89. Chapter III about 11 min
  90. Chapter IV about 10 min
  91. Chapter V about 10 min
  92. Chapter VI about 14 min
  93. Chapter VII about 10 min
  94. Chapter VIII about 19 min
  95. Chapter IX about 7 min
  96. Chapter X about 11 min
  97. Chapter XI about 9 min
  98. Chapter XII about 12 min
  99. Chapter XIII about 11 min
  100. Chapter XIV about 14 min
  101. Chapter XV about 11 min
  102. Chapter XVI about 17 min
  103. Chapter XVII about 9 min
  104. Chapter XVIII about 8 min
  105. Chapter XIX about 13 min
  106. Chapter XX about 8 min
  107. Chapter XXI about 8 min
  108. Chapter XXII about 13 min
  109. Chapter XXIII about 14 min
  110. Chapter XXIV about 16 min
  111. Chapter XXV about 13 min
  112. Chapter XXVI about 15 min
  113. Chapter XXVII about 10 min
  114. Chapter XXVIII about 18 min
  115. Chapter XXIX about 9 min
  116. Chapter XXX about 7 min
  117. Chapter XXXI about 12 min
  118. Chapter XXXII about 12 min
  119. Chapter XXXIII about 9 min
  120. Chapter XXXIV about 13 min
  121. Chapter XXXV about 7 min
  122. Chapter XXXVI about 7 min
  123. Chapter XXXVII about 11 min
  124. Chapter XXXVIII about 8 min
  125. Part I about 1 h 15 min
  126. Part II about 3 h 21 min
  127. Part III about 1 h 47 min
  128. Part IV about 1 h 41 min
  129. Preface about 6 h 38 min
  130. Part I about 1 h 40 min
  131. Part II about 1 h 48 min
  132. Part III about 2 h 13 min
  133. Part IV about 53 min
  134. Preface about 6 min
  135. I. SOCIETY about 11 min
  136. II. ANTONIA about 8 min
  137. III. A ZOOLOGICAL GARDEN about 9 min
  138. IV. THE PLAY about 12 min
  139. V. THE GOOD CITIZEN about 8 min
  140. VI. MARRIAGE SETTLEMENT about 8 min
  141. VII. THE CLUB about 9 min
  142. VIII. THE WEDDING about 5 min
  143. IX. THE DINNER about 5 min
  144. X. AN ALIEN about 8 min
  145. XI. THE VISION about 10 min
  146. XII. ROTTEN ROW about 5 min
  147. XIII. AN "AT HOME" about 9 min
  148. XIV. THE NIGHT CLUB about 8 min
  149. XV. POLE TO POLE about 11 min
  150. XVI. THE INDIAN CIVILIAN about 8 min
  151. XVII. A PARSON about 11 min
  152. XVIII. ACADEMIC about 10 min
  153. XIX. AN INCIDENT about 13 min
  154. XX. HOLM OAKS about 11 min
  155. XXI. ENGLISH about 7 min
  156. XXII. THE COUNTRY HOUSE about 10 min
  157. XXIII. THE STAINED-GLASS MAN about 7 min
  158. XXIV. PARADISE about 4 min
  159. XXV. THE RIDE about 7 min
  160. XXVI. THE BIRD 'OF PASSAGE about 10 min
  161. XXVII. SUB ROSA about 12 min
  162. XXVIII. THE RIVER about 4 min
  163. XXIX. ON THE WING about 10 min
  164. XXX. THE LADY FROM BEYOND about 8 min
  165. XXXI. THE STORM about 6 min
  166. XXXII. WILDERNESS about 15 min
  167. XXXIII. THE END about 7 min
  168. I. A PARTY AT WORSTED SKEYNES about 19 min
  169. II. THE COVERT SHOOT about 10 min
  170. III. THE BLISSFUL HOUR about 6 min
  171. IV. THE HAPPY HUNTING-GROUND about 9 min
  172. V. MRS. PENDYCE'S DANCE about 6 min
  173. VI. INFLUENCE OF THE REVEREND HUSSELL BARTER about 6 min
  174. VII. SABBATH AT WORSTED SKEYNES about 11 min
  175. VIII. GREGORY VIGIL PROPOSES about 9 min
  176. IX. MR. PARAMOR DISPOSES about 20 min
  177. X. AT BLAFARD'S about 7 min
  178. I. GREGORY REOPENS THE CAMPAIGN about 16 min
  179. II. CONTINUED INFLUENCE OF THE REVEREND HUSSELL BARTER about 14 min
  180. III. THE SINISTER NIGHT about 6 min
  181. IV. Mr. PENDYCE'S HEAD about 15 min
  182. V. RECTOR AND SQUIRE about 12 min
  183. VI. THE PARK about 8 min
  184. VII. DOUBTFUL POSITION AT WORSTED SKEYNES about 9 min
  185. VIII. COUNCIL AT WORSTED SKEYNES about 12 min
  186. IX. DEFINITION OF "PENDYCITIS" about 6 min
  187. X. GEORGE GOES FOR THE GLOVES about 10 min
  188. XI. MR. BARTER TAKES A WALK about 11 min
  189. XII. THE SQUIRE MAKES UP HIS MIND about 11 min
  190. I. MRS. PENDYCE'S ODYSSEY about 12 min
  191. II. THE SON AND THE MOTHER about 16 min
  192. III. MRS. BELLEW SQUARES HER ACCOUNTS about 3 min
  193. IV. MRS. PENDYCE'S INSPIRATION about 11 min
  194. V. THE MOTHER AND THE SON about 9 min
  195. VI. GREGORY LOOKS AT THE SKY about 9 min
  196. VII. TOUR WITH THE SPANIEL JOHN about 19 min
  197. VIII. ACUTE ATTACK OF 'PENDYCITIS' about 8 min
  198. IX. BELLEW BOWS TO A LADY about 9 min
  199. I. THE SHADOW about 17 min
  200. II. A FAMILY DISCUSSION about 12 min
  201. III. HILARY'S BROWN STUDY about 9 min
  202. IV. THE LITTLE MODEL about 8 min
  203. V. THE COMEDY BEGINS about 10 min
  204. VI. FIRST PILGRIMAGE TO HOUND STREET about 11 min
  205. VII. CECILIA'S SCATTERED THOUGHTS about 12 min
  206. VIII. THE SINGLE MIND OF MR. STONE about 17 min
  207. IX. HILARY GIVES CHASE about 7 min
  208. X. THE TROUSSEAU about 9 min
  209. XI. PEAR BLOSSOM about 3 min
  210. XII. SHIPS IN SAIL about 6 min
  211. XIII. SOUND IN THE NIGHT about 7 min
  212. XIV. A WALK ABROAD about 12 min
  213. XV. SECOND PILGRIMAGE TO HOUND STREET about 4 min
  214. XVI. BENEATH THE ELMS about 7 min
  215. XVII. TWO BROTHERS about 15 min
  216. XVIII. THE PERFECT DOG about 4 min
  217. XIX. BIANCA about 10 min
  218. XX. THE HUSBAND AND THE WIFE about 6 min
  219. XXI. A DAY OF REST about 17 min
  220. XXII. HILARY PUTS AN END TO IT about 9 min
  221. XXIII. THE "BOOK OF UNIVERSAL BROTHERHOOD" about 7 min
  222. XXIV. SHADOWLAND about 16 min
  223. XXV. MR. STONE IN WAITING about 4 min
  224. XXVI. THIRD PILGRIMAGE TO HOUND STREET about 9 min
  225. XXVII. STEPHEN'S PRIVATE LIFE about 17 min
  226. XXVIII. HILARY HEARS THE CUCKOO SING about 11 min
  227. XXIX. RETURN OF THE LITTLE MODEL about 12 min
  228. XXX. FUNERAL OF A BABY about 11 min
  229. XXXI. SWAN SONG about 12 min
  230. XXXII. BEHIND BIANCA'S VEIL about 8 min
  231. XXXIII. HILARY DEALS WITH THE SITUATION about 8 min
  232. XXXIV. THYME'S ADVENTURE about 10 min
  233. XXXV. A YOUNG GIRL'S MIND about 8 min
  234. XXXVI. STEPHEN SIGNS CHEQUES about 14 min
  235. XXXVII. THE FLOWERING OF THE ALOE about 9 min
  236. XXXVIII. THE HOME-COMING OF HUGHS about 9 min
  237. XXXIX. THE DUEL about 6 min
  238. XL. FINISH OF THE COMEDY about 6 min
  239. XLI. THE HOUSE OF HARMONY about 7 min
  240. Chapter I about 10 min
  241. Chapter II about 3 min
  242. Chapter III about 9 min
  243. Chapter IV about 4 min
  244. Chapter V about 12 min
  245. Chapter VI about 4 min
  246. Chapter VII about 16 min
  247. Chapter VIII about 9 min
  248. Chapter IX about 7 min
  249. Chapter X about 13 min
  250. Chapter XI about 10 min
  251. Chapter XII about 6 min
  252. Chapter XIII about 9 min
  253. Chapter XIV about 10 min
  254. Chapter XV about 5 min
  255. Chapter XVI about 9 min
  256. Chapter XVII about 9 min
  257. Chapter XVIII about 7 min
  258. Chapter XIX about 4 min
  259. Chapter XX about 13 min
  260. Chapter XXI about 6 min
  261. Chapter XXII about 10 min
  262. Chapter I about 9 min
  263. Chapter II about 8 min
  264. Chapter III about 9 min
  265. Chapter IV about 8 min
  266. Chapter V about 7 min
  267. Chapter VI about 7 min
  268. Chapter VII about 4 min
  269. Chapter VIII about 5 min
  270. Chapter IX about 4 min
  271. Chapter X about 6 min
  272. Chapter XI about 6 min
  273. Chapter XII about 5 min
  274. Chapter XIII about 5 min
  275. Chapter XIV about 5 min
  276. Chapter XV about 3 min
  277. Chapter XVI about 3 min
  278. Chapter XVII about 7 min
  279. Chapter XVIII about 6 min
  280. Chapter XIX about 4 min
  281. Chapter XX about 5 min
  282. Chapter XXI about 9 min
  283. Chapter XXII about 11 min
  284. Chapter XXIII about 4 min
  285. Chapter XXIV about 9 min
  286. Chapter XXV about 6 min
  287. Chapter XXVI about 10 min
  288. Chapter XXVII about 6 min
  289. Chapter XXVIII about 6 min
  290. Chapter XXIX about 9 min
  291. Chapter XXX (part 1 of 3) about 6 h 33 min
  292. Chapter XXX (part 2 of 3) about 6 h 58 min
  293. Chapter XXX (part 3 of 3) about 23 min
  294. Act I, Scene I about 3 min
  295. Act I, Scene II about 6 min
  296. Act I, Scene III about 19 min
  297. Act II, Scene I about 11 min
  298. Act II, Scene II about 17 min
  299. Act III about 21 min
  300. Act I about 27 min
  301. Act II about 26 min
  302. Act III about 26 min
  303. I. The dining-room of the Manager's house under 1 min
  304. III. The drawing-room of the Manager's house under 1 min
  305. Act I about 29 min
  306. Act II, Scene I about 19 min
  307. Act II, Scene II about 17 min
  308. Act III about 29 min
  309. III. The smoking-room; tea-time under 1 min
  310. Act I, Scene I about 5 min
  311. Act I, Scene II about 18 min
  312. Act II about 19 min
  313. Act III about 20 min
  314. Act III, Scene I about 5 min
  315. Act III, Scene II about 6 min
  316. Act III, Scene III about 7 min
  317. Act III, Scene IV about 4 min
  318. Act III, Scene V about 1 min
  319. Act III, Scene VI about 1 min
  320. II. Assizes. Afternoon. October under 1 min
  321. IV. The office of James and Walter How. Morning. March, two years later under 1 min
  322. Act I about 18 min
  323. Act II about 33 min
  324. Act III, Scene I about 9 min
  325. Act III, Scene II about 9 min
  326. Act III, Scene III about 3 min
  327. Act IV about 22 min
  328. IV. A small supper room at "The Gascony." under 1 min
  329. Act I about 21 min
  330. Act II about 21 min
  331. Act III about 11 min
  332. Act III, Scene II about 14 min
  333. Act IV about 14 min
  334. Act I about 24 min
  335. Act II about 26 min
  336. Act III about 20 min
  337. IV. The dining-room of More's house, late afternoon under 1 min
  338. Act I about 34 min
  339. Act III, Scene I about 6 min
  340. Act III, Scene II about 9 min
  341. Act IV about 17 min
  342. Act III, Scene I — STRANGWAY'S rooms. SCENE II. BURLACOMBE'S barn under 1 min
  343. Act I about 25 min
  344. Act II, Scene I about 14 min
  345. Act II, Scene II about 7 min
  346. Act II, Scene III about 4 min
  347. Act III, Scene I about 11 min
  348. Act III, Scene II about 9 min
  349. Act III, Scene III — Ante-room of the hall at LORD WILLIAM DROMONDY'S under 1 min
  350. Act I about 24 min
  351. Act II about 24 min
  352. Act III about 34 min
  353. Act I about 32 min
  354. Act II, Scene I about 23 min
  355. Act II, Scene II about 14 min
  356. Act III, Scene I about 13 min
  357. Act III, Scene II about 14 min
  358. Act III, Scene III — The Same under 1 min
  359. Act III, Scene I about 9 min
  360. Act III, Scene II about 13 min
  361. Act III, Scene III about 7 min
  362. Act III, Scene I about 8 min
  363. Act III, Scene II about 7 min
  364. Act III, Scene III about 58 min
  365. Characters under 1 min
  366. II. BUILDER'S Study. Lunchtime under 1 min
  367. Act I, Scene I about 13 min
  368. Act I, Scene II about 19 min
  369. Act II about 21 min
  370. Act III, Scene I about 13 min
  371. Act III, Scene II about 13 min
  372. Act III, Scene III about 6 min
  373. Persons of the Play about 1 min
  374. Act I, Scene I about 13 min
  375. Act I, Scene II about 16 min
  376. Act II, Scene I about 22 min
  377. Act III, Scene I about 18 min
  378. Act III, Scene II about 8 min
  379. Act III, Scene III about 7 min
  380. Persons of the Play under 1 min
  381. Act I about 30 min
  382. Act II about 29 min
  383. Act III about 18 min

Continue:

XI. THE VISION

A few days later he received a letter from Antonia which filled him with excitement:

. . . Aunt Charlotte is ever so much better, so mother thinks we can go home-hurrah! But she says that you and I must keep to our arrangement not to see each other till July. There will be something fine in being so near and having the strength to keep apart . . . All the English are gone. I feel it so empty out here; these people are so funny-all foreign and shallow. Oh, Dick! how splendid to have an ideal to look up to! Write at once to Brewer's Hotel and tell me you think the same . . . . We arrive at Charing Cross on Sunday at half-past seven, stay at Brewer's for a couple of nights, and go down on Tuesday to Holm Oaks.

Always your ANTONIA.

"To-morrow!" he thought; "she's coming tomorrow!" and, leaving his neglected breakfast, he started out to walk off his emotion. His square ran into one of those slums that still rub shoulders with the most distinguished situations, and in it he came upon a little crowd assembled round a dogfight. One of the dogs was being mauled, but the day was muddy, and Shelton, like any well-bred Englishman, had a horror of making himself conspicuous even in a decent cause; he looked for a policeman. One was standing by, to see fair play, and Shelton made appeal to him. The official suggested that he should not have brought out a fighting dog, and advised him to throw cold water over them.

"It is n 't my dog," said Shelton.

"Then I should let 'em be," remarked the policeman with evident surprise.

Shelton appealed indefinitely to the lower orders. The lower orders, however, were afraid of being bitten.

"I would n't meddle with that there job if I was you," said one.

"Nasty breed o' dawg is that."

He was therefore obliged to cast away respectability, spoil his trousers and his gloves, break his umbrella, drop his hat in the mud, and separate the dogs. At the conclusion of the "job," the lower orders said to him in a rather shamefaced spanner:

"Well, I never thought you'd have managed that, sir"; but, like all men of inaction, Shelton after action was more dangerous.

"D----n it!" he said, "one can't let a dog be killed"; and he marched off, towing the injured dog with his pocket-handkerchief, and looking scornfully at harmless passers-by. Having satisfied for once the smouldering fires within him, he felt entitled to hold a low opinion of these men in the street. "The brutes," he thought, "won't stir a finger to save a poor dumb creature, and as for policemen--" But, growing cooler, he began to see that people weighted down by "honest toil" could not afford to tear their trousers or get a bitten hand, and that even the policeman, though he had looked so like a demi-god, was absolutely made of flesh and blood. He took the dog home, and, sending for a vet., had him sewn up.

He was already tortured by the doubt whether or no he might venture to meet Antonia at the station, and, after sending his servant with the dog to the address marked on its collar, he formed the resolve to go and see his mother, with some vague notion that she might help him to decide. She lived in Kensington, and, crossing the Brompton Road, he was soon amongst that maze of houses into the fibre of whose structure architects have wrought the motto: "Keep what you have--wives, money, a good address, and all the blessings of a moral state!"

Shelton pondered as he passed house after house of such intense respectability that even dogs were known to bark at them. His blood was still too hot; it is amazing what incidents will promote the loftiest philosophy. He had been reading in his favourite review an article eulogising the freedom and expansion which had made the upper middle class so fine a body; and with eyes wandering from side to side he nodded his head ironically. "Expansion and freedom," ran his thoughts: "Freedom and expansion!"

Each house-front was cold and formal, the shell of an owner with from three to five thousand pounds a year, and each one was armoured against the opinion of its neighbours by a sort of daring regularity. "Conscious of my rectitude; and by the strict observance of exactly what is necessary and no more, I am enabled to hold my head up in the world. The person who lives in me has only four thousand two hundred and fifty-five pounds each year, after allowing for the income tax." Such seemed the legend of these houses.

Shelton passed ladies in ones and twos and threes going out shopping, or to classes of drawing, cooking, ambulance. Hardly any men were seen, and they were mostly policemen; but a few disillusioned children were being wheeled towards the Park by fresh-cheeked nurses, accompanied by a great army of hairy or of hairless dogs.

There was something of her brother's large liberality about Mrs. Shelton, a tiny lady with affectionate eyes, warm cheeks, and chilly feet; fond as a cat of a chair by the fire, and full of the sympathy that has no insight. She kissed her son at once with rapture, and, as usual, began to talk of his engagement. For the first time a tremor of doubt ran through her son; his mother's view of it grated on him like the sight of a blue-pink dress; it was too rosy. Her splendid optimism, damped him; it had too little traffic with the reasoning powers.

"What right," he asked himself, "has she to be so certain? It seems to me a kind of blasphemy."

"The dear!" she cooed. "And she is coming back to-morrow? Hurrah! how I long to see her!"

"But you know, mother, we've agreed not to meet again until July."

Mrs. Shelton rocked her foot, and, holding her head on one side like a little bird, looked at her son with shining eyes.

"Dear old Dick!" she said, "how happy you must be!"

Half a century of sympathy with weddings of all sorts--good, bad, indifferent--beamed from her.

"I suppose," said Shelton gloomily, "I ought not to go and see her at the station."

"Cheer up!" replied the mother, and her son felt dreadfully depressed.

That "Cheer-up!"--the panacea which had carried her blind and bright through every evil--was as void of meaning to him as wine without a flavour.

"And how is your sciatica?" he asked.

"Oh, pretty bad," returned his mother; "I expect it's all right, really. Cheer up!" She stretched her little figure, canting her head still more.

"Wonderful woman!" Shelton thought. She had, in fact, like many of her fellow-countrymen, mislaid the darker side of things, and, enjoying the benefits of orthodoxy with an easy conscience, had kept as young in heart as any girl of thirty.

Shelton left her house as doubtful whether he might meet Antonia as when he entered it. He spent a restless afternoon.

The next day--that of her arrival--was a Sunday. He had made Ferrand a promise to go with him to hear a sermon in the slums, and, catching at any diversion which might allay excitement, he fulfilled it. The preacher in question--an amateur, so Ferrand told him--had an original method of distributing the funds that he obtained. To male sheep he gave nothing, to ugly female sheep a very little, to pretty female sheep the rest. Ferrand hazarded an inference, but he was a foreigner. The Englishman preferred to look upon the preacher as guided by a purely abstract love of beauty. His eloquence, at any rate, was unquestionable, and Shelton came out feeling sick.

It was not yet seven o'clock, so, entering an Italian restaurant to kill the half-hour before Antonia's arrival, he ordered a bottle of wine for his companion, a cup of coffee for himself, and, lighting a cigarette, compressed his lips. There was a strange, sweet sinking in his heart. His companion, ignorant of this emotion, drank his wine, crumbled his roll, and blew smoke through his nostrils, glancing caustically at the rows of little tables, the cheap mirrors, the hot, red velvet, the chandeliers. His juicy lips seemed to be murmuring, "Ah! if you only knew of the dirt behind these feathers!" Shelton watched him with disgust. Though his clothes were now so nice, his nails were not quite clean, and his fingertips seemed yellow to the bone. An anaemic waiter in a shirt some four days old, with grease-spots on his garments and a crumpled napkin on his arm, stood leaning an elbow amongst doubtful fruits, and reading an Italian journal. Resting his tired feet in turn, he looked like overwork personified, and when he moved, each limb accused the sordid smartness of the walls. In the far corner sat a lady eating, and, mirrored opposite, her feathered hat, her short, round face, its coat of powder, and dark eyes, gave Shelton a shiver of disgust. His companion's gaze rested long and subtly on her.

"Excuse me, monsieur," he said at length. "I think I know that lady!" And, leaving his host, he crossed the room, bowed, accosted her, and sat down. With Pharisaic delicacy, Shelton refrained from looking. But presently Ferrand came back; the lady rose and left the restaurant; she had been crying. The young foreigner was flushed, his face contorted; he did not touch his wine.

"I was right," he said; "she is the wife of an old friend. I used to know her well."

He was suffering from emotion, but someone less absorbed than Shelton might have noticed a kind of relish in his voice, as though he were savouring life's dishes, and glad to have something new, and spiced with tragic sauce, to set before his patron.

"You can find her story by the hundred in your streets, but nothing hinders these paragons of virtue"--he nodded at the stream of carriages--"from turning up their eyes when they see ladies of her sort pass. She came to London--just three years ago. After a year one of her little boys took fever--the shop was avoided--her husband caught it, and died. There she was, left with two children and everything gone to pay the debts. She tried to get work; no one helped her. There was no money to pay anyone to stay with the children; all the work she could get in the house was not enough to keep them alive. She's not a strong woman. Well, she put the children out to nurse, and went to the streets. The first week was frightful, but now she's used to it--one gets used to anything."

"Can nothing be done?" asked Shelton, startled.

"No," returned his companion. "I know that sort; if they once take to it all's over. They get used to luxury. One does n't part with luxury, after tasting destitution. She tells me she does very nicely; the children are happy; she's able to pay well and see them sometimes. She was a girl of good family, too, who loved her husband, and gave up much for him. What would you have? Three quarters of your virtuous ladies placed in her position would do the same if they had the necessary looks."

It was evident that he felt the shock of this discovery, and Shelton understood that personal acquaintance makes a difference, even in a vagabond.

"This is her beat," said the young foreigner, as they passed the illuminated crescent, where nightly the shadows of hypocrites and women fall; and Shelton went from these comments on Christianity to the station of Charing Cross. There, as he stood waiting in the shadow, his heart was in his mouth; and it struck him as odd that he should have come to this meeting fresh from a vagabond's society.

Presently, amongst the stream of travellers, he saw Antonia. She was close to her mother, who was parleying with a footman; behind them were a maid carrying a bandbox and a porter with the travelling-bags. Antonia's figure, with its throat settled in the collar of her cape, slender, tall, severe, looked impatient and remote amongst the bustle. Her eyes, shadowed by the journey, glanced eagerly about, welcoming all she saw; a wisp of hair was loose above her ear, her cheeks glowed cold and rosy. She caught sight of Shelton, and bending her neck, stag-like, stood looking at him; a brilliant smile parted her lips, and Shelton trembled. Here was the embodiment of all he had desired for weeks. He could not tell what was behind that smile of hers--passionate aching or only some ideal, some chaste and glacial intangibility. It seemed to be shining past him into the gloomy station. There was no trembling and uncertainty, no rage of possession in that brilliant smile; it had the gleam of fixedness, like the smiling of a star. What did it matter? She was there, beautiful as a young day, and smiling at him; and she was his, only divided from him by a space of time. He took a step; her eyes fell at once, her face regained aloofness; he saw her, encircled by mother, footman, maid, and porter, take her seat and drive away. It was over; she had seen him, she had smiled, but alongside his delight lurked another feeling, and, by a bitter freak, not her face came up before him but the face of that lady in the restaurant--short, round, and powdered, with black-circled eyes. What right had we to scorn them? Had they mothers, footmen, porters, maids? He shivered, but this time with physical disgust; the powdered face with dark-fringed eyes had vanished; the fair, remote figure of the railway-station came back again.

He sat long over dinner, drinking, dreaming; he sat long after, smoking, dreaming, and when at length he drove away, wine and dreams fumed in his brain. The dance of lamps, the cream-cheese moon, the rays of clean wet light on his horse's harness, the jingling of the cab bell, the whirring wheels, the night air and the branches--it was all so good! He threw back the hansom doors to feel the touch of the warm breeze. The crowds on the pavement gave him strange delight; they were like shadows, in some great illusion, happy shadows, thronging, wheeling round the single figure of his world.

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XII. ROTTEN ROW

With a headache and a sense of restlessness, hopeful and unhappy, Shelton mounted his hack next morning for a gallop in the Park.

In the sky was mingled all the languor and the violence of the spring. The trees and flowers wore an awakened look in the gleams of light that came stealing down from behind the purple of the clouds. The air was rain-washed, and the passers by seemed to wear an air of tranquil carelessness, as if anxiety were paralysed by their responsibility of the firmament.

Thronged by riders, the Row was all astir.

Near to Hyde Park Corner a figure by the rails caught Shelton's eye. Straight and thin, one shoulder humped a little, as if its owner were reflecting, clothed in a frock-coat and a brown felt hat pinched up in lawless fashion, this figure was so detached from its surroundings that it would have been noticeable anywhere. It belonged to Ferrand, obviously waiting till it was time to breakfast with his patron. Shelton found pleasure in thus observing him unseen, and sat quietly on his horse, hidden behind a tree.

It was just at that spot where riders, unable to get further, are for ever wheeling their horses for another turn; and there Ferrand, the bird of passage, with his head a little to one side, watched them cantering, trotting, wheeling up and down.

Three men walking along the rails were snatching off their hats before a horsewoman at exactly the same angle and with precisely the same air, as though in the modish performance of this ancient rite they were satisfying some instinct very dear to them.

Shelton noted the curl of Ferrand's lip as he watched this sight. "Many thanks, gentlemen," it seemed to say; "in that charming little action you have shown me all your souls."

What a singular gift the fellow had of divesting things and people of their garments, of tearing away their veil of shams, and their phylacteries! Shelton turned and cantered on; his thoughts were with Antonia, and he did not want the glamour stripped away.

He was glancing at the sky, that every moment threatened to discharge a violent shower of rain, when suddenly he heard his name called from behind, and who should ride up to him on either side but Bill Dennant and--Antonia herself!

They had been galloping; and she was flushed--flushed as when she stood on the old tower at Hyeres, but with a joyful radiance different from the calm and conquering radiance of that other moment. To Shelton's delight they fell into line with him, and all three went galloping along the strip between the trees and rails. The look she gave him seemed to say, "I don't care if it is forbidden!" but she did not speak. He could not take his eyes off her. How lovely she looked, with the resolute curve of her figure, the glimpse of gold under her hat, the glorious colour in her cheeks, as if she had been kissed.

"It 's so splendid to be at home! Let 's go faster, faster!" she cried out.

"Take a pull. We shall get run in," grumbled her brother, with a chuckle.

They reined in round the bend and jogged more soberly down on the far side; still not a word from her to Shelton, and Shelton in his turn spoke only to Bill Dennant. He was afraid to speak to her, for he knew that her mind was dwelling on this chance forbidden meeting in a way quite different from his own.

Approaching Hyde Park Corner, where Ferrand was still standing against the rails, Shelton, who had forgotten his existence, suffered a shock when his eyes fell suddenly on that impassive figure. He was about to raise his hand, when he saw that the young foreigner, noting his instinctive feeling, had at once adapted himself to it. They passed again without a greeting, unless that swift inquisition; followed by unconsciousness in Ferrand's eyes, could so be called. But the feeling of idiotic happiness left Shelton; he grew irritated at this silence. It tantalised him more and more, for Bill Dennant had lagged behind to chatter to a friend; Shelton and Antonia were alone, walking their horses, without a word, not even looking at each other. At one moment he thought of galloping ahead and leaving her, then of breaking the vow of muteness she seemed to be imposing on him, and he kept thinking: "It ought to be either one thing or the other. I can't stand this." Her calmness was getting on his nerves; she seemed to have determined just how far she meant to go, to have fixed cold-bloodedly a limit. In her happy young beauty and radiant coolness she summed up that sane consistent something existing in nine out of ten of the people Shelton knew. "I can't stand it long," he thought, and all of a sudden spoke; but as he did so she frowned and cantered on. When he caught her she was smiling, lifting her face to catch the raindrops which were falling fast. She gave him just a nod, and waved her hand as a sign for him to go; and when he would not, she frowned. He saw Bill Dennant, posting after them, and, seized by a sense of the ridiculous, lifted his hat, and galloped off.

The rain was coming down in torrents now, and every one was scurrying for shelter. He looked back from the bend, and could still make out Antonia riding leisurely, her face upturned, and revelling in the shower. Why had n't she either cut him altogether or taken the sweets the gods had sent? It seemed wicked to have wasted such a chance, and, ploughing back to Hyde Park Corner, he turned his head to see if by any chance she had relented.

His irritation was soon gone, but his longing stayed. Was ever anything so beautiful as she had looked with her face turned to the rain? She seemed to love the rain. It suited her--suited her ever so much better than the sunshine of the South. Yes, she was very English! Puzzling and fretting, he reached his rooms. Ferrand had not arrived, in fact did not turn up that day. His non-appearance afforded Shelton another proof of the delicacy that went hand in hand with the young vagrant's cynicism. In the afternoon he received a note.

. . . You see, Dick [he read], I ought to have cut you; but I felt too crazy--everything seems so jolly at home, even this stuffy old London. Of course, I wanted to talk to you badly--there are heaps of things one can't say by letter--but I should have been sorry afterwards. I told mother. She said I was quite right, but I don't think she took it in. Don't you feel that the only thing that really matters is to have an ideal, and to keep it so safe that you can always look forward and feel that you have been--I can't exactly express my meaning.

Shelton lit a cigarette and frowned. It seemed to him queer that she should set more store by an "ideal" than by the fact that they had met for the first and only time in many weeks.

"I suppose she 's right," he thought--"I suppose she 's right. I ought not to have tried to speak to her!" As a matter of fact, he did not at all feel that she was right.

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XIII. AN "AT HOME"

On Tuesday morning he wandered off to Paddington, hoping for a chance view of her on her way down to Holm Oaks; but the sense of the ridiculous, on which he had been nurtured, was strong enough to keep him from actually entering the station and lurking about until she came. With a pang of disappointment he retraced his steps from Praed Street to the Park, and once there tried no further to waylay her. He paid a round of calls in the afternoon, mostly on her relations; and, seeking out Aunt Charlotte, he dolorously related his encounter in the Row. But she found it "rather nice," and on his pressing her with his views, she murmured that it was "quite romantic, don't you know."

"Still, it's very hard," said Shelton; and he went away disconsolate.

As he was dressing for dinner his eye fell on a card announcing the "at home" of one of his own cousins. Her husband was a composer, and he had a vague idea that he would find at the house of a composer some quite unusually free kind of atmosphere. After dining at the club, therefore, he set out for Chelsea. The party was held in a large room on the ground-floor, which was already crowded with people when Shelton entered. They stood or sat about in groups with smiles fixed on their lips, and the light from balloon-like lamps fell in patches on their heads and hands and shoulders. Someone had just finished rendering on the piano a composition of his own. An expert could at once have picked out from amongst the applauding company those who were musicians by profession, for their eyes sparkled, and a certain acidity pervaded their enthusiasm. This freemasonry of professional intolerance flew from one to the other like a breath of unanimity, and the faint shrugging of shoulders was as harmonious as though one of the high windows had been opened suddenly, admitting a draught of chill May air.

Shelton made his way up to his cousin--a fragile, grey-haired woman in black velvet and Venetian lace, whose starry eyes beamed at him, until her duties, after the custom of these social gatherings, obliged her to break off conversation just as it began to interest him. He was passed on to another lady who was already talking to two gentlemen, and, their volubility being greater than his own, he fell into the position of observer. Instead of the profound questions he had somehow expected to hear raised, everybody seemed gossiping, or searching the heart of such topics as where to go this summer, or how to get new servants. Trifling with coffee-cups, they dissected their fellow artists in the same way as his society friends of the other night had dissected the fellow--"smart"; and the varnish on the floor, the pictures, and the piano were reflected on all the faces around. Shelton moved from group to group disconsolate.

A tall, imposing person stood under a Japanese print holding the palm of one hand outspread; his unwieldy trunk and thin legs wobbled in concert to his ingratiating voice.

"War," he was saying, "is not necessary. War is not necessary. I hope I make myself clear. War is not necessary; it depends on nationality, but nationality is not necessary." He inclined his head to one side, "Why do we have nationality? Let us do away with boundaries--let us have the warfare of commerce. If I see France looking at Brighton"--he laid his head upon one side, and beamed at Shelton,--"what do I do? Do I say 'Hands off'? No. 'Take it,' I say--take it!'" He archly smiled. "But do you think they would?"

And the softness of his contours fascinated Shelton.

"The soldier," the person underneath the print resumed, "is necessarily on a lower plane--intellectually--oh, intellectually--than the philanthropist. His sufferings are less acute; he enjoys the compensations of advertisement--you admit that?" he breathed persuasively. "For instance--I am quite impersonal--I suffer; but do I talk about it?" But, someone gazing at his well-filled waistcoat, he put his thesis in another form: "I have one acre and one cow, my brother has one acre and one cow: do I seek to take them away from him?"

Shelton hazarded, "Perhaps you 're weaker than your brother."

"Come, come! Take the case of women: now, I consider our marriage laws are barbarous."

For the first time Shelton conceived respect for them; he made a comprehensive gesture, and edged himself into the conversation of another group, for fear of having all his prejudices overturned. Here an Irish sculptor, standing in a curve, was saying furiously, "Bees are not bhumpkins, d---n their sowls!" A Scotch painter, who listened with a curly smile, seemed trying to compromise this proposition, which appeared to have relation to the middle classes; and though agreeing with the Irishman, Shelton felt nervous over his discharge of electricity. Next to them two American ladies, assembled under the tent of hair belonging to a writer of songs, were discussing the emotions aroused in them by Wagner's operas.

"They produce a strange condition of affairs in me," said the thinner one.

"They 're just divine," said the fatter.

"I don't know if you can call the fleshly lusts divine," replied the thinner, looking into the eyes of the writer of the songs.

Amidst all the hum of voices and the fumes of smoke, a sense of formality was haunting Shelton. Sandwiched between a Dutchman and a Prussian poet, he could understand neither of his neighbours; so, assuming an intelligent expression, he fell to thinking that an assemblage of free spirits is as much bound by the convention of exchanging their ideas as commonplace people are by the convention of having no ideas to traffic in. He could not help wondering whether, in the bulk, they were not just as dependent on each other as the inhabitants of Kensington; whether, like locomotives, they could run at all without these opportunities for blowing off the steam, and what would be left when the steam had all escaped. Somebody ceased playing the violin, and close to him a group began discussing ethics. Aspirations were in the air all round, like a lot of hungry ghosts. He realised that, if tongue be given to them, the flavour vanishes from ideas which haunt the soul.

Again the violinist played.

"Cock gracious!" said the Prussian poet, falling into English as the fiddle ceased: "Colossal! 'Aber, wie er ist grossartig'!"

"Have you read that thing of Besom's?" asked shrill voice behind.

"Oh, my dear fellow! too horrid for words; he ought to be hanged!"

"The man's dreadful," pursued the voice, shriller than ever; "nothing but a volcanic eruption would cure him."

Shelton turned in alarm to look at the authors of these statements. They were two men of letters talking of a third.

"'C'est un grand naif, vous savez,'" said the second speaker.

"These fellows don't exist," resumed the first; his small eyes gleamed with a green light, his whole face had a look as if he gnawed himself. Though not a man of letters, Shelton could not help recognising from those eyes what joy it was to say those words: "These fellows don't exist!"

"Poor Besom! You know what Moulter said . . ."

Shelton turned away, as if he had been too close to one whose hair smelt of cantharides; and, looking round the room, he frowned. With the exception of his cousin, he seemed the only person there of English blood. Americans, Mesopotamians, Irish, Italians, Germans, Scotch, and Russians. He was not contemptuous of them for being foreigners; it was simply that God and the climate had made him different by a skin or so.

But at this point his conclusions were denied (as will sometimes happen) by his introduction to an Englishman--a Major Somebody, who, with smooth hair and blond moustache, neat eyes and neater clothes, seemed a little anxious at his own presence there. Shelton took a liking to him, partly from a fellow-feeling, and partly because of the gentle smile with which he was looking at his wife. Almost before he had said "How do you do?" he was plunged into a discussion on imperialism.

"Admitting all that," said Shelton, "what I hate is the humbug with which we pride ourselves on benefiting the whole world by our so-called civilising methods."

The soldier turned his reasonable eyes.

"But is it humbug?"

Shelton saw his argument in peril. If we really thought it, was it humbug? He replied, however:

"Why should we, a small portion of the world's population, assume that our standards are the proper ones for every kind of race? If it 's not humbug, it 's sheer stupidity."

The soldier, without taking his hands out of his pockets, but by a forward movement of his face showing that he was both sincere and just, re-replied:

"Well, it must be a good sort of stupidity; it makes us the nation that we are."

Shelton felt dazed. The conversation buzzed around him; he heard the smiling prophet saying, "Altruism, altruism," and in his voice a something seemed to murmur, "Oh, I do so hope I make a good impression!"

He looked at the soldier's clear-cut head with its well-opened eyes, the tiny crow's-feet at their corners, the conventional moustache; he envied the certainty of the convictions lying under that well-parted hair.

"I would rather we were men first and then Englishmen," he muttered; "I think it's all a sort of national illusion, and I can't stand illusions."

"If you come to that," said the soldier, "the world lives by illusions. I mean, if you look at history, you'll see that the creation of illusions has always been her business, don't you know."

This Shelton was unable to deny.

"So," continued the soldier (who was evidently a highly cultivated man), "if you admit that movement, labour, progress, and all that have been properly given to building up these illusions, that--er--in fact, they're what you might call--er--the outcome of the world's crescendo," he rushed his voice over this phrase as if ashamed of it--"why do you want to destroy them?"

Shelton thought a moment, then, squeezing his body with his folded arms, replied:

"The past has made us what we are, of course, and cannot be destroyed; but how about the future? It 's surely time to let in air. Cathedrals are very fine, and everybody likes the smell of incense; but when they 've been for centuries without ventilation you know what the atmosphere gets like."

The soldier smiled.

"By your own admission," he said, "you'll only be creating a fresh set of illusions."

"Yes," answered Shelton, "but at all events they'll be the honest necessities of the present."

The pupils of the soldier's eyes contracted; he evidently felt the conversation slipping into generalities; he answered:

"I can't see how thinking small beer of ourselves is going to do us any good!"

An "At Home!"

Shelton felt in danger of being thought unpractical in giving vent to the remark:

"One must trust one's reason; I never can persuade myself that I believe in what I don't."

A minute later, with a cordial handshake, the soldier left, and Shelton watched his courteous figure shepherding his wife away.

"Dick, may I introduce you to Mr. Wilfrid Curly?" said his cousin's voice behind, and he found his hand being diffidently shaken by a fresh-cheeked youth with a dome-like forehead, who was saying nervously:

"How do you do? Yes, I am very well, thank you!"

He now remembered that when he had first come in he had watched this youth, who had been standing in a corner indulging himself in private smiles. He had an uncommon look, as though he were in love with life--as though he regarded it as a creature to whom one could put questions to the very end--interesting, humorous, earnest questions. He looked diffident, and amiable, and independent, and he, too, was evidently English.

"Are you good at argument?" said Shelton, at a loss for a remark.

The youth smiled, blushed, and, putting back his hair, replied:

"Yes--no--I don't know; I think my brain does n't work fast enough for argument. You know how many motions of the brain-cells go to each remark. It 's awfully interesting"; and, bending from the waist in a mathematical position, he extended the palm of one hand, and started to explain.

Shelton stared at the youth's hand, at his frowns and the taps he gave his forehead while he found the expression of his meaning; he was intensely interested. The youth broke off, looked at his watch, and, blushing brightly, said:

"I 'm afraid I have to go; I have to be at the 'Den' before eleven."

"I must be off, too," said Shelton. Making their adieux together, they sought their hats and coats.

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XIV. THE NIGHT CLUB

"May I ask," said Shelton, as he and the youth came out into the chilly street, "What it is you call the 'Den'?"

His companion smilingly answered:

"Oh, the night club. We take it in turns. Thursday is my night. Would you like to come? You see a lot of types. It's only round the corner."

Shelton digested a momentary doubt, and answered:

"Yes, immensely."

They reached the corner house in an angle of a, dismal street, through the open door of which two men had just gone in. Following, they ascended some wooden, fresh-washed stairs, and entered a large boarded room smelling of sawdust, gas, stale coffee, and old clothes. It was furnished with a bagatelle board, two or three wooden tables, some wooden forms, and a wooden bookcase. Seated on these wooden chairs, or standing up, were youths, and older men of the working class, who seemed to Shelton to be peculiarly dejected. One was reading, one against the wall was drinking coffee with a disillusioned air, two were playing chess, and a group of four made a ceaseless clatter with the bagatelle.

A little man in a dark suit, with a pale face, thin lips, and deep-set, black-encircled eyes, who was obviously in charge, came up with an anaemic smile.

"You 're rather late," he said to Curly, and, looking ascetically at Shelton, asked, without waiting for an introduction: "Do you play chess? There 's young Smith wants a game."

A youth with a wooden face, already seated before a fly-blown chess-board, asked him drearily if he would have black or white. Shelton took white; he was oppressed by the virtuous odour of this room.

The little man with the deep blue eyes came up, stood in an uneasy attitude, and watched:

"Your play's improving, young Smith," he said; "I should think you'd be able to give Banks a knight." His eyes rested on Shelton, fanatical and dreary; his monotonous voice was suffering and nasal; he was continually sucking in his lips, as though determined to subdue 'the flesh. "You should come here often," he said to Shelton, as the latter received checkmate; "you 'd get some good practice. We've several very fair players. You're not as good as Jones or Bartholomew," he added to Shelton's opponent, as though he felt it a duty to put the latter in his place. "You ought to come here often," he repeated to Shelton; "we have a lot of very good young fellows"; and, with a touch of complacence, he glanced around the dismal room. "There are not so many here tonight as usual. Where are Toombs and Body?"

Shelton, too, looked anxiously around. He could not help feeling sympathy with Toombs and Body.

"They 're getting slack, I'm afraid," said the little deep-eyed man. "Our principle is to amuse everyone. Excuse me a minute; I see that Carpenter is doing nothing." He crossed over to the man who had been drinking coffee, but Shelton had barely time to glance at his opponent and try to think of a remark, before the little man was back. "Do you know anything about astronomy?" he asked of Shelton. "We have several very interested in astronomy; if you could talk to them a little it would help."

Shelton made a motion of alarm.

"Please-no," said he; "I--"

"I wish you'd come sometimes on Wednesdays; we have most interesting talks, and a service afterwards. We're always anxious to get new blood"; and his eyes searched Shelton's brown, rather tough-looking face, as though trying to see how much blood there was in it. "Young Curly says you 've just been around the world; you could describe your travels."

"May I ask," said Shelton, "how your club is made up?"

Again a look of complacency, and blessed assuagement, visited the little man.

"Oh," he said, "we take anybody, unless there 's anything against them. The Day Society sees to that. Of course, we shouldn't take anyone if they were to report against them. You ought to come to our committee meetings; they're on Mondays at seven. The women's side, too--"

"Thank you," said Shelton; "you 're very kind--"

"We should be pleased," said the little man; and his face seemed to suffer more than ever. "They 're mostly young fellows here to-night, but we have married men, too. Of course, we 're very careful about that," he added hastily, as though he might have injured Shelton's prejudices--"that, and drink, and anything criminal, you know."

"And do you give pecuniary assistance, too?"

"Oh yes," replied the little man; "if you were to come to our committee meetings you would see for yourself. Everything is most carefully gone into; we endeavour to sift the wheat from the chaff."

"I suppose," said Shelton, "you find a great deal of chaff?"

The little man smiled a suffering smile. The twang of his toneless voice sounded a trifle shriller.

"I was obliged to refuse a man to-day--a man and a woman, quite young people, with three small children. He was ill and out of work; but on inquiry we found that they were not man and wife."

There was a slight pause; the little man's eyes were fastened on his nails, and, with an appearance of enjoyment, he began to bite them. Shelton's face had grown a trifle red.

"And what becomes of the woman and the children in a case like that?" he said.

The little man's eyes began to smoulder.

"We make a point of not encouraging sin, of course. Excuse me a minute; I see they've finished bagatelle."

He hurried off, and in a moment the clack of bagatelle began again. He himself was playing with a cold and spurious energy, running after the balls and exhorting the other players, upon whom a wooden acquiescence seemed to fall.

Shelton crossed the room, and went up to young Curly. He was sitting on a bench, smiling to himself his private smiles.

"Are you staying here much longer?" Shelton asked.

Young Curly rose with nervous haste.

"I 'm afraid," he said, "there 's nobody very interesting here to-night."

"Oh, not at all!" said Shelton; "on the contrary. Only I 've had a rather tiring day, and somehow I don't feel up to the standard here."

His new acquaintance smiled.

"Oh, really! do you think--that is--"

But he had not time to finish before the clack of bagatelle balls ceased, and the voice of the little deep-eyed man was heard saying: "Anybody who wants a book will put his name down. There will be the usual prayer-meeting on Wednesday next. Will you all go quietly? I am going to turn the lights out."

One gas-jet vanished, and the remaining jet flared suddenly. By its harder glare the wooden room looked harder too, and disenchanting. The figures of its occupants began filing through the door. The little man was left in the centre of the room, his deep eyes smouldering upon the backs of the retreating members, his thumb and finger raised to the turncock of the metre.

"Do you know this part?" asked young Curly as they emerged into the street. "It 's really jolly; one of the darkest bits in London--it is really. If you care, I can take you through an awfully dangerous place where the police never go." He seemed so anxious for the honour that Shelton was loath to disappoint him. "I come here pretty often," he went on, as they ascended a sort of alley rambling darkly between a wall and row of houses.

"Why?" asked Shelton; "it does n't smell too nice."

The young man threw up his nose and sniffed, as if eager to add any new scent that might be about to his knowledge of life.

"No, that's one of the reasons, you know," he said; "one must find out. The darkness is jolly, too; anything might happen here. Last week there was a murder; there 's always the chance of one."

Shelton stared; but the charge of morbidness would not lie against this fresh-cheeked stripling.

"There's a splendid drain just here," his guide resumed; "the people are dying like flies of typhoid in those three houses"; and under the first light he turned his grave, cherubic face to indicate the houses. "If we were in the East End, I could show you other places quite as good. There's a coffee-stall keeper in one that knows all the thieves in London; he 's a splendid type, but," he added, looking a little anxiously at Shelton, "it might n't be safe for you. With me it's different; they 're beginning to know me. I've nothing to take, you see."

"I'm afraid it can't be to-night," said Shelton; "I must get back."

"Do you mind if I walk with you? It's so jolly now the stars are out."

"Delighted," said Shelton; "do you often go to that club?"

His companion raised his hat, and ran his fingers through his hair.

"They 're rather too high-class for me," he said. "I like to go where you can see people eat--school treats, or somewhere in the country. It does one good to see them eat. They don't get enough, you see, as a rule, to make bone; it's all used up for brain and muscle. There are some places in the winter where they give them bread and cocoa; I like to go to those."

"I went once," said Shelton, "but I felt ashamed for putting my nose in."

"Oh, they don't mind; most of them are half-dead with cold, you know. You see splendid types; lots of dipsomaniacs . . . . It 's useful to me," he went on as they passed a police-station, "to walk about at night; one can take so much more notice. I had a jolly night last week in Hyde Park; a chance to study human nature there."

"And do you find it interesting?" asked Shelton.

His companion smiled.

"Awfully," he replied; "I saw a fellow pick three pockets."

"What did you do?"

"I had a jolly talk with him."

Shelton thought of the little deep-eyed man; who made a point of not encouraging sin.

"He was one of the professionals from Notting Hill, you know; told me his life. Never had a chance, of course. The most interesting part was telling him I 'd seen him pick three pockets--like creeping into a cave, when you can't tell what 's inside."

"Well?"

"He showed me what he 'd got--only fivepence halfpenny."

"And what became of your friend?" asked Shelton.

"Oh, went off; he had a splendidly low forehead."

They had reached Shelton's rooms.

"Will you come in," said the latter, "and have a drink?"

The youth smiled, blushed, and shook his head.

"No, thank you," he said; "I have to walk to Whitechapel. I 'm living on porridge now; splendid stuff for making bone. I generally live on porridge for a week at the end of every month. It 's the best diet if you're hard up"; once more blushing and smiling, he was gone.

Shelton went upstairs and sat down on his bed. He felt a little miserable. Sitting there, slowly pulling out the ends of his white tie, disconsolate, he had a vision of Antonia with her gaze fixed wonderingly on him. And this wonder of hers came as a revelation--just as that morning, when, looking from his window, he had seen a passer-by stop suddenly and scratch his leg; and it had come upon him in a flash that that man had thoughts and feelings of his own. He would never know what Antonia really felt and thought. "Till I saw her at the station, I did n't know how much I loved her or how little I knew her"; and, sighing deeply, he hurried into bed.

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XV. POLE TO POLE

The waiting in London for July to come was daily more unbearable to Shelton, and if it had not been for Ferrand, who still came to breakfast, he would have deserted the Metropolis. On June first the latter presented himself rather later than was his custom, and announced that, through a friend, he had heard of a position as interpreter to an hotel at Folkestone.

"If I had money to face the first necessities," he said, swiftly turning over a collection of smeared papers with his yellow fingers, as if searching for his own identity, "I 'd leave today. This London blackens my spirit."

"Are you certain to get this place," asked Shelton.

"I think so," the young foreigner replied; "I 've got some good enough recommendations."

Shelton could not help a dubious glance at the papers in his hand. A hurt look passed on to Ferrand's curly lips beneath his nascent red moustache.

"You mean that to have false papers is as bad as theft. No, no; I shall never be a thief--I 've had too many opportunities," said he, with pride and bitterness. "That's not in my character. I never do harm to anyone. This"--he touched the papers--"is not delicate, but it does harm to no one. If you have no money you must have papers; they stand between you and starvation. Society, has an excellent eye for the helpless--it never treads on people unless they 're really down." He looked at Shelton.

"You 've made me what I am, amongst you," he seemed to say; "now put up with me!"

"But there are always the workhouses," Shelton remarked at last.

"Workhouses!" returned Ferrand; "certainly there are--regular palaces: I will tell you one thing: I've never been in places so discouraging as your workhouses; they take one's very heart out."

"I always understood," said Shelton coldly; "that our system was better than that of other countries."

Ferrand leaned over in his chair, an elbow on his knee, his favourite attitude when particularly certain of his point.

"Well," he replied, "it 's always permissible to think well of your own country. But, frankly, I've come out of those places here with little strength and no heart at all, and I can tell you why." His lips lost their bitterness, and he became an artist expressing the result of his experience. "You spend your money freely, you have fine buildings, self-respecting officers, but you lack the spirit of hospitality. The reason is plain; you have a horror of the needy. You invite us--and when we come you treat us justly enough, but as if we were numbers, criminals, beneath contempt--as if we had inflicted a personal injury on you; and when we get out again, we are naturally degraded."

Shelton bit his lips.

"How much money will you want for your ticket, and to make a start?" he asked.

The nervous gesture escaping Ferrand at this juncture betrayed how far the most independent thinkers are dependent when they have no money in their pockets. He took the note that Shelton proffered him.

"A thousand thanks," said he; "I shall never forget what you have done for me"; and Shelton could not help feeling that there was true emotion behind his titter of farewell.

He stood at the window watching Ferrand start into the world again; then looked back at his own comfortable room, with the number of things that had accumulated somehow--the photographs of countless friends, the old arm-chairs, the stock of coloured pipes. Into him restlessness had passed with the farewell clasp of the foreigner's damp hand. To wait about in London was unbearable.

He took his hat, and, heedless of direction, walked towards the river. It was a clear, bright day, with a bleak wind driving showers before it. During one of such Shelton found himself in Little Blank Street. "I wonder how that little Frenchman that I saw is getting on!" he thought. On a fine day he would probably have passed by on the other side; he now entered and tapped upon the wicket.

No. 3 Little Blank Street had abated nothing of its stone-flagged dreariness; the same blowsy woman answered his inquiry. Yes, Carolan was always in; you could never catch him out--seemed afraid to go into the street! To her call the little Frenchman made his appearance as punctually as if he had been the rabbit of a conjurer. His face was as yellow as a guinea.

"Ah! it's you, monsieur!" he said.

"Yes," said Shelton; "and how are you?"

"It 's five days since I came out of hospital," muttered the little Frenchman, tapping on his chest; "a crisis of this bad atmosphere. I live here, shut up in a box; it does me harm, being from the South. If there's anything I can do for you, monsieur, it will give me pleasure."

"Nothing," replied Shelton, "I was just passing, and thought I should like to hear how you were getting on."

"Come into the kitchen,--monsieur, there is nobody in there. 'Brr! Il fait un froid etonnant'!"

"What sort of customers have you just now?" asked Shelton, as they passed into the kitchen.

"Always the same clientele," replied the little man; "not so numerous, of course, it being summer."

"Could n't you find anything better than this to do?"

The barber's crow's-feet radiated irony.

"When I first came to London," said he, "I secured an engagement at one of your public institutions. I thought my fortune made. Imagine, monsieur, in that sacred place I was obliged to shave at the rate of ten a penny! Here, it's true, they don't pay me half the time; but when I'm paid, I 'm paid. In this, climate, and being 'poitrinaire', one doesn't make experiments. I shall finish my days here. Have you seen that young man who interested you? There 's another! He has spirit, as I had once--'il fait de la philosophie', as I do--and you will see, monsieur, it will finish him. In this world what you want is to have no spirit. Spirit ruins you."

Shelton looked sideways at the little man with his sardonic, yellow, half-dead face, and the incongruity of the word "spirit" in his mouth struck him so sharply that he smiled a smile with more pity in it than any burst of tears.

"Shall we 'sit down?" he said, offering a cigarette.

"Merci, monsieur, it is always a pleasure to smoke a good cigarette. You remember, that old actor who gave you a Jeremiad? Well, he's dead. I was the only one at his bedside; 'un vrai drole'. He was another who had spirit. And you will see, monsieur, that young man in whom you take an interest, he'll die in a hospital, or in some hole or other, or even on the highroad; having closed his eyes once too often some cold night; and all because he has something in him which will not accept things as they are, believing always that they should be better. 'Il n'y a riens de plus tragique'!"

"According to you, then," said Shelton--and the conversation seemed to him of a sudden to have taken too personal a turn--"rebellion of any sort is fatal."

"Ah!" replied the little man, with the eagerness of one whose ideal it is to sit under the awning of a cafe, and talk life upside down, "you pose me a great problem there! If one makes rebellion; it is always probable that one will do no good to any one and harm one's self. The law of the majority arranges that. But I would draw your attention to this"--and he paused; as if it were a real discovery to blow smoke through his nose--"if you rebel it is in all likelihood because you are forced by your nature to rebel; this is one of the most certain things in life. In any case, it is necessary to avoid falling between two stools--which is unpardonable," he ended with complacence.

Shelton thought he had never seen a man who looked more completely as if he had fallen between two stools, and he had inspiration enough to feel that the little barber's intellectual rebellion and the action logically required by it had no more than a bowing acquaintanceship.

"By nature," went on the little man, "I am an optimist; it is in consequence of this that I now make pessimism. I have always had ideals; seeing myself cut off from them for ever, I must complain; to complain, monsieur, is very sweet!"

Shelton wondered what these ideals had been, but had no answer ready; so he nodded, and again held out his cigarettes, for, like a true Southerner, the little man had thrown the first away, half smoked.

"The greatest pleasure in life," continued the Frenchman, with a bow, "is to talk a little to a being who is capable of understanding you. At present we have no one here, now that that old actor's dead. Ah! there was a man who was rebellion incarnate! He made rebellion as other men make money, 'c'etait son metier'; when he was no longer capable of active revolution, he made it getting drunk. At the last this was his only way of protesting against Society. An interesting personality, 'je le regrette beaucoup'. But, as you see, he died in great distress, without a soul to wave him farewell, because as you can well understand, monsieur, I don't count myself. He died drunk. 'C'etait un homme'!"

Shelton had continued staring kindly at the little man; the barber added hastily:

"It's difficult to make an end like that one has moments of weakness."

"Yes," assented Shelton, "one has indeed."

The little barber looked at him with cynical discretion.

"Oh!" he said, "it 's to the destitute that such things are important. When one has money, all these matters--"

He shrugged his shoulders. A smile had lodged amongst his crow's-feet; he waved his hand as though to end the subject.

A sense of having been exposed came over Shelton.

"You think, then," said he, "that discontent is peculiar to the destitute?"

"Monsieur," replied the little barber, "a plutocrat knows too well that if he mixes in that 'galere' there 's not a dog in the streets more lost than he."

Shelton rose.

"The rain is over. I hope you 'll soon be better; perhaps you 'll accept this in memory of that old actor," and he slipped a sovereign into the little Frenchman's hand.

The latter bowed.

"Whenever you are passing, monsieur," he said eagerly, "I shall be charmed to see you."

And Shelton walked away. "'Not a dog in the streets more lost,'" thought he; "now what did he mean by that?"

Something of that "lost dog" feeling had gripped his spirit. Another month of waiting would kill all the savour of anticipation, might even kill his love. In the excitement of his senses and his nerves, caused by this strain of waiting, everything seemed too vivid; all was beyond life size; like Art--whose truths; too strong for daily use, are thus, unpopular with healthy people. As will the, bones in a worn face, the spirit underlying things had reached the surface; the meanness and intolerable measure of hard facts, were too apparent. Some craving for help, some instinct, drove him into Kensington, for he found himself before his, mother's house. Providence seemed bent on flinging him from pole to pole.

Mrs. Shelton was in town; and, though it was the first of June, sat warming her feet before a fire; her face, with its pleasant colour, was crow's-footed like the little barber's, but from optimism, not rebellion. She, smiled when she saw her son; and the wrinkles round her eyes twinkled, with vitality.

"Well, my dear boy," she said, "it's lovely to see you. And how is that sweet girl?"

"Very well, thank you," replied Shelton.

"She must be such a dear!"

"Mother," stammered Shelton, "I must give it up."

"Give it up? My dear Dick, give what up? You look quite worried. Come and sit down, and have a cosy chat. Cheer up!" And Mrs. Shelton; with her head askew, gazed at her son quite irrepressibly.

"Mother," said Shelton, who, confronted by her optimism, had never, since his time of trial began, felt so wretchedly dejected, "I can't go on waiting about like this."

"My dear boy, what is the matter?";

"Everything is wrong!"

"Wrong?" cried Mrs. Shelton. "Come, tell me all, about it!"

But Shelton, shook his head.

"You surely have not had a quarrel----"

Mrs. Shelton stopped; the question seemed so vulgar--one might have asked it of a groom.

"No," said Shelton, and his answer sounded like a groan.

"You know, my dear old Dick," murmured his mother, "it seems a little mad."

"I know it seems mad."

"Come!" said Mrs. Shelton, taking his hand between her own; "you never used to be like this."

"No," said Shelton, with a laugh; "I never used to be like this."

Mrs. Shelton snuggled in her Chuda shawl.

"Oh," she said, with cheery sympathy, "I know exactly how you feel!"

Shelton, holding his head, stared at the fire, which played and bubbled like his mother's face.

"But you're so fond of each other," she began again. "Such a sweet girl!"

"You don't understand," muttered Shelton gloomily; "it 's not her--it's nothing--it's--myself!"

Mrs. Shelton again seized his hand, and this time pressed it to her soft, warm cheek, that had lost the elasticity of youth.

"Oh!" she cried again; "I understand. I know exactly what you 're feeling." But Shelton saw from the fixed beam in her eyes that she had not an inkling. To do him justice, he was not so foolish as to try to give her one. Mrs. Shelton sighed. "It would be so lovely if you could wake up to-morrow and think differently. If I were you, my dear, I would have a good long walk, and then a Turkish bath; and then I would just write to her, and tell her all about it, and you'll see how beautifully it'll all come straight"; and in the enthusiasm of advice Mrs. Shelton rose, and, with a faint stretch of her tiny figure, still so young, clasped her hands together. "Now do, that 's a dear old Dick! You 'll just see how lovely it'll be!" Shelton smiled; he had not the heart to chase away this vision. "And give her my warmest love, and tell her I 'm longing for the wedding. Come, now, my dear boy, promise me that's what you 'll do."

And Shelton said: "I'll think about it."

Mrs. Shelton had taken up her stand with one foot on the fender, in spite of her sciatica.

"Cheer up!" she cried; her eyes beamed as if intoxicated by her sympathy.

Wonderful woman! The uncomplicated optimism that carried her through good and ill had not descended to her son.

From pole to pole he had been thrown that day, from the French barber, whose intellect accepted nothing without carping, and whose little fingers worked all day, to save himself from dying out, to his own mother, whose intellect accepted anything presented with sufficient glow, but who, until she died, would never stir a finger. When Shelton reached his rooms, he wrote to Antonia:

I can't wait about in London any longer; I am going down to Bideford to start a walking tour. I shall work my way to Oxford, and stay there till I may come to Holm Oaks. I shall send you my address; do write as usual.

He collected all the photographs he had of her--amateur groups, taken by Mrs. Dennant--and packed them in the pocket of his shooting-jacket. There was one where she was standing just below her little brother, who was perched upon a wall. In her half-closed eyes, round throat, and softly tilted chin, there was something cool and watchful, protecting the ragamuffin up above her head. This he kept apart to be looked at daily, as a man says his prayers.

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XVI. THE INDIAN CIVILIAN

One morning then, a week later, Shelton found himself at the walls of Princetown Prison.

He had seen this lugubrious stone cage before. But the magic of his morning walk across the moor, the sight of the pagan tors, the songs of the last cuckoo, had unprepared him for that dreary building. He left the street, and, entering the fosse, began a circuit, scanning the walls with morbid fascination.

This, then, was the system by which men enforced the will of the majority, and it was suddenly borne in on him that all the ideas and maxims which his Christian countrymen believed themselves to be fulfilling daily were stultified in every cellule of the social honeycomb. Such teachings as "He that is without sin amongst you" had been pronounced unpractical by peers and judges, bishops, statesmen, merchants, husbands--in fact, by every truly Christian person in the country.

"Yes," thought Shelton, as if he had found out something new, "the more Christian the nation, the less it has to do with the Christian spirit."

Society was a charitable organisation, giving nothing for nothing, little for sixpence; and it was only fear that forced it to give at all!

He took a seat on a wall, and began to watch a warder who was slowly paring a last year's apple. The expression of his face, the way he stood with his solid legs apart, his head poked forward and his lower jaw thrust out, all made him a perfect pillar of Society. He was undisturbed by Shelton's scrutiny, watching the rind coil down below the apple; until in a springing spiral it fell on the path and collapsed like a toy snake. He took a bite; his teeth were jagged; and his mouth immense. It was obvious that he considered himself a most superior man. Shelton frowned, got down slowly, from the wall, and proceeded on his way.

A little further down the hill he stopped again to watch a group of convicts in a field. They seemed to be dancing in a slow and sad cotillon, while behind the hedge on every side were warders armed with guns. Just such a sight, substituting spears could have been seen in Roman times.

While he thus stood looking, a man, walking, rapidly, stopped beside him, and asked how many miles it was to Exeter. His round visage; and long, brown eyes, sliding about beneath their, brows, his cropped hair and short neck, seemed familiar.

"Your name is Crocker, is n't it?"

"Why! it's the Bird!" exclaimed the traveller; putting out his hand. "Have n't seen you since we both went down."

Shelton returned his handgrip. Crocker had lived above his head at college, and often kept him, sleepless half the night by playing on the hautboy.

"Where have you sprung from?"

"India. Got my long leave. I say, are you going this way? Let's go together."

They went, and very fast; faster and faster every minute.

"Where are you going at this pace?" asked Shelton.

"London."

"Oh! only as far as London?"

"I 've set myself to do it in a week."

"Are you in training?"

"No."

"You 'll kill yourself."

Crocker answered with a chuckle.

Shelton noted with alarm the expression of his eye; there was a sort of stubborn aspiration in it. "Still an idealist!" he thought; "poor fellow!" "Well," he inquired, "what sort of a time have you had in India?"

"Oh," said the Indian civilian absently, "I've, had the plague."

"Good God!"

Crocker smiled, and added:

"Caught it on famine duty."

"I see," said Shelton; "plague and famine! I suppose you fellows really think you 're doing good out there?"

His companion looked at him surprised, then answered modestly:

"We get very good screws."

"That 's the great thing," responded Shelton.

After a moment's silence, Crocker, looking straight before him, asked:

"Don't you think we are doing good?"

"I 'm not an authority; but, as a matter of fact, I don't."

Crocker seemed disconcerted.

"Why?" he bluntly asked.

Shelton was not anxious to explain his views, and he did not reply.

His friend repeated:

"Why don't you think we're doing good in India?"

"Well," said Shelton gruffly, "how can progress be imposed on nations from outside?"

The Indian civilian, glancing at Shelton in an affectionate and doubtful way, replied:

"You have n't changed a bit, old chap."

"No, no," said Shelton; "you 're not going to get out of it that way. Give me a single example of a nation, or an individual, for that matter, who 's ever done any good without having worked up to it from within."

Crocker, grunting, muttered, "Evils."

"That 's it," said Shelton; "we take peoples entirely different from our own, and stop their natural development by substituting a civilisation grown for our own use. Suppose, looking at a tropical fern in a hothouse, you were to say: 'This heat 's unhealthy for me; therefore it must be bad for the fern, I 'll take it up and plant it outside in the fresh air.'"

"Do you know that means giving up India?" said the Indian civilian shrewdly.

"I don't say that; but to talk about doing good to India is--h'm!"

Crocker knitted his brows, trying to see the point of view his friend was showing him.

"Come, now! Should we go on administering India if it were dead loss? No. Well, to talk about administering the country for the purpose of pocketing money is cynical, and there 's generally some truth in cynicism; but to talk about the administration of a country by which we profit, as if it were a great and good thing, is cant. I hit you in the wind for the benefit of myself--all right: law of nature; but to say it does you good at the same time is beyond me."

"No, no," returned Crocker, grave and anxious; "you can't persuade me that we 're not doing good."

"Wait a bit. It's all a question of horizons; you look at it from too close. Put the horizon further back. You hit India in the wind, and say it's virtuous. Well, now let's see what happens. Either the wind never comes back, and India gasps to an untimely death, or the wind does come back, and in the pant of reaction your blow--that's to say your labour--is lost, morally lost labour that you might have spent where it would n't have been lost."

"Are n't you an Imperialist?" asked Crocker, genuinely concerned.

"I may be, but I keep my mouth shut about the benefits we 're conferring upon other people."

"Then you can't believe in abstract right, or justice?"

"What on earth have our ideas of justice or right got to do with India?"

"If I thought as you do," sighed the unhappy Crocker, "I should be all adrift."

"Quite so. We always think our standards best for the whole world. It's a capital belief for us. Read the speeches of our public men. Does n't it strike you as amazing how sure they are of being in the right? It's so charming to benefit yourself and others at the same time, though, when you come to think of it, one man's meat is usually another's poison. Look at nature. But in England we never look at nature--there's no necessity. Our national point of view has filled our pockets, that's all that matters."

"I say, old chap, that's awfully bitter," said Crocker, with a sort of wondering sadness.

"It 's enough to make any one bitter the way we Pharisees wax fat, and at the same time give ourselves the moral airs of a balloon. I must stick a pin in sometimes, just to hear the gas escape." Shelton was surprised at his own heat, and for some strange reason thought of Antonia--surely, she was not a Pharisee.

His companion strode along, and Shelton felt sorry for the signs of trouble on his face.

"To fill your pockets," said Crocker, "is n't the main thing. One has just got to do things without thinking of why we do them."

"Do you ever see the other side to any question?" asked Shelton. "I suppose not. You always begin to act before you stop thinking, don't you?"

Crocker grinned.

"He's a Pharisee, too," thought Shelton, "without a Pharisee's pride. Queer thing that!"

After walking some distance, as if thinking deeply, Crocker chuckled out:

"You 're not consistent; you ought to be in favour of giving up India."

Shelton smiled uneasily.

"Why should n't we fill our pockets? I only object to the humbug that we talk."

The Indian civilian put his hand shyly through his arm.

"If I thought like you," he said, "I could n't stay another day in India."

And to this Shelton made no reply.

The wind had now begun to drop, and something of the morning's magic was stealing again upon the moor. They were nearing the outskirt fields of cultivation. It was past five when, dropping from the level of the tors, they came into the sunny vale of Monkland.

"They say," said Crocker, reading from his guide-book--"they say this place occupies a position of unique isolation."

The two travellers, in tranquil solitude, took their seats under an old lime-tree on the village green. The smoke of their pipes, the sleepy air, the warmth from the baked ground, the constant hum, made Shelton drowsy.

"Do you remember," his companion asked, "those 'jaws' you used to have with Busgate and old Halidome in my rooms on Sunday evenings? How is old Halidome?"

"Married," replied Shelton.

Crocker sighed. "And are you?" he asked.

"Not yet," said Shelton grimly; "I 'm--engaged."

Crocker took hold of his arm above the elbow, and, squeezing it, he grunted. Shelton had not received congratulations that pleased him more; there was the spice of envy in them.

"I should like to get married while I 'm home," said the civilian after a long pause. His legs were stretched apart, throwing shadows on the green, his hands deep thrust into his pockets, his head a little to one side. An absent-minded smile played round his mouth.

The sun had sunk behind a tor, but the warmth kept rising from the ground, and the sweet-briar on a cottage bathed them with its spicy perfume. From the converging lanes figures passed now and then, lounged by, staring at the strangers, gossiping amongst themselves, and vanished into the cottages that headed the incline. A clock struck seven, and round the shady lime-tree a chafer or some heavy insect commenced its booming rushes. All was marvellously sane and slumbrous. The soft air, the drawling voices, the shapes and murmurs, the rising smell of wood-smoke from fresh-kindled fires--were full of the spirit of security and of home. The outside world was far indeed. Typical of some island nation was this nest of refuge--where men grew quietly tall, fattened, and without fuss dropped off their perches; where contentment flourished, as sunflowers flourished in the sun.

Crocker's cap slipped off; he was nodding, and Shelton looked at him. From a manor house in some such village he had issued; to one of a thousand such homes he would find his way at last, untouched by the struggles with famines or with plagues, uninfected in his fibre, his prejudices, and his principles, unchanged by contact with strange peoples, new conditions, odd feelings, or queer points of view!

The chafer buzzed against his shoulder, gathered flight again, and boomed away. Crocker roused himself, and, turning his amiable face, jogged Shelton's arm.

"What are you thinking about, Bird?" he asked.

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XVII. A PARSON

Shelton continued to travel with his college friend, and on Wednesday night, four days after joining company, they reached the village of Dowdenhame. All day long the road had lain through pastureland, with thick green hedges and heavily feathered elms. Once or twice they had broken the monotony by a stretch along the towing-path of a canal, which, choked with water-lily plants and shining weeds, brooded sluggishly beside the fields. Nature, in one of her ironic moods, had cast a grey and iron-hard cloak over all the country's bland luxuriance. From dawn till darkness fell there had been no movement in the steely distant sky; a cold wind ruffed in the hedge-tops, and sent shivers through the branches of the elms. The cattle, dappled, pied, or bay, or white, continued grazing with an air of grumbling at their birthright. In a meadow close to the canal Shelton saw five magpies, and about five o'clock the rain began, a steady, coldly-sneering rain, which Crocker, looking at the sky, declared was going to be over in a minute. But it was not over in a minute; they were soon drenched. Shelton was tired, and it annoyed him very much that his companion, who was also tired, should grow more cheerful. His thoughts kept harping upon Ferrand: "This must be something like what he described to me, tramping on and on when you're dead-beat, until you can cadge up supper and a bed." And sulkily he kept on ploughing through the mud with glances at the exasperating Crocker, who had skinned one heel and was limping horribly. It suddenly came home to him that life for three quarters of the world meant physical exhaustion every day, without a possibility of alternative, and that as soon as, for some cause beyond control, they failed thus to exhaust themselves, they were reduced to beg or starve. "And then we, who don't know the meaning of the word exhaustion, call them 'idle scamps,'" he said aloud.

It was past nine and dark when they reached Dowdenhame. The street yielded no accommodation, and while debating where to go they passed the church, with a square tower, and next to it a house which was certainly the parsonage.

"Suppose," said Crocker, leaning on his arms upon the gate, "we ask him where to go"; and, without waiting for Shelton's answer, he rang the bell.

The door was opened by the parson, a bloodless and clean-shaven man, whose hollow cheeks and bony hands suggested a perpetual struggle. Ascetically benevolent were his grey eyes; a pale and ghostly smile played on the curves of his thin lips.

"What can I do for you?" he asked. "Inn? yes, there's the Blue Chequers, but I 'm afraid you 'll find it shut. They 're early people, I 'm glad to say"; and his eyes seemed to muse over the proper fold for these damp sheep. "Are you Oxford men, by any chance?" he asked, as if that might throw some light upon the matter. "Of Mary's? Really! I'm of Paul's myself. Ladyman--Billington Ladyman; you might remember my youngest brother. I could give you a room here if you could manage without sheets. My housekeeper has two days' holiday; she's foolishly taken the keys."

Shelton accepted gladly, feeling that the intonation in the parson's voice was necessary unto his calling, and that he did not want to patronise.

"You 're hungry, I expect, after your tramp. I'm very much afraid there 's--er--nothing in the house but bread; I could boil you water; hot lemonade is better than nothing."

Conducting them into the kitchen, he made a fire, and put a kettle on to boil; then, after leaving them to shed their soaking clothes, returned with ancient, greenish coats, some carpet slippers, and some blankets. Wrapped in these, and carrying their glasses, the travellers followed to the study, where, by doubtful lamp-light, he seemed, from books upon the table, to have been working at his sermon.

"We 're giving you a lot of trouble," said Shelton, "it's really very good of you."

"Not at all," the parson answered; "I'm only grieved the house is empty."

It was a truly dismal contrast to the fatness of the land they had been passing through, and the parson's voice issuing from bloodless lips, although complacent, was pathetic. It was peculiar, that voice of his, seeming to indicate an intimate acquaintanceship with what was fat and fine, to convey contempt for the vulgar need of money, while all the time his eyes--those watery, ascetic eyes--as plain as speech they said, "Oh, to know what it must be like to have a pound or two to spare just once a year, or so!"

Everything in the room had been bought for cheapness; no luxuries were there, and necessaries not enough. It was bleak and bare; the ceiling cracked, the wall-paper discoloured, and those books--prim, shining books, fat-backed, with arms stamped on them--glared in the surrounding barrenness.

"My predecessor," said the parson, "played rather havoc with the house. The poor fellow had a dreadful struggle, I was told. You can, unfortunately, expect nothing else these days, when livings have come down so terribly in value! He was a married man--large family!"

Crocker, who had drunk his steaming lemonade, was smiling and already nodding in his chair; with his black garment buttoned closely round his throat, his long legs rolled up in a blanket, and stretched towards the feeble flame of the newly-lighted fire, he had a rather patchy air. Shelton, on the other hand, had lost his feeling of fatigue; the strangeness of the place was stimulating his brain; he kept stealing glances at the scantiness around; the room, the parson, the furniture, the very fire, all gave him the feeling caused by seeing legs that have outgrown their trousers. But there was something underlying that leanness of the landscape, something superior and academic, which defied all sympathy. It was pure nervousness which made him say:

"Ah! why do they have such families?"

A faint red mounted to the parson's cheeks; its appearance there was startling, and Crocker chuckled, as a sleepy man will chuckle who feels bound to show that he is not asleep.

"It's very unfortunate," murmured the parson, "certainly, in many cases."

Shelton would now have changed the subject, but at this moment the unhappy Crocker snored. Being a man of action, he had gone to sleep.

"It seems to me," said Shelton hurriedly, as he saw the parson's eyebrows rising at the sound, "almost what you might call wrong."

"Dear me, but how can it be wrong?"

Shelton now felt that he must justify his saying somehow.

"I don't know," he said, "only one hears of such a lot of cases--clergymen's families; I've two uncles of my own, who--"

A new expression gathered on the parson's face; his mouth had tightened, and his chin receded slightly. "Why, he 's like a mule!" thought Shelton. His eyes, too, had grown harder, greyer, and more parroty. Shelton no longer liked his face.

"Perhaps you and I," the parson said, "would not understand each other on such matters."

And Shelton felt ashamed.

"I should like to ask you a question in turn, however," the parson said, as if desirous of meeting Shelton on his low ground: "How do you justify marriage if it is not to follow the laws of nature?"

"I can only tell you what I personally feel."

"My dear sir, you forget that a woman's chief delight is in her motherhood."

"I should have thought it a pleasure likely to pall with too much repetition. Motherhood is motherhood, whether of one or of a dozen."

"I 'm afraid," replied the parson, with impatience, though still keeping on his guest's low ground, "your theories are not calculated to populate the world."

"Have you ever lived in London?" Shelton asked. "It always makes me feel a doubt whether we have any right to have children at all."

"Surely," said the parson with wonderful restraint, and the joints of his fingers cracked with the grip he had upon his chair, "you are leaving out duty towards the country; national growth is paramount!"

"There are two ways of looking at that. It depends on what you want your country to become."

"I did n't know," said the parson--fanaticism now had crept into his smile--"there could be any doubt on such a subject."

The more Shelton felt that commands were being given him, the more controversial he naturally became--apart from the merits of this subject, to which he had hardly ever given thought.

"I dare say I'm wrong," he said, fastening his eyes on the blanket in which his legs were wrapped; "but it seems to me at least an open question whether it's better for the country to be so well populated as to be quite incapable of supporting itself."

"Surely," said the parson, whose face regained its pallor, "you're not a Little Englander?"

On Shelton this phrase had a mysterious effect. Resisting an impulse to discover what he really was, he answered hastily:

"Of course I'm not!"

The parson followed up his triumph, and, shifting the ground of the discussion from Shelton's to his own, he gravely said:

"Surely you must see that your theory is founded in immorality. It is, if I may say so, extravagant, even wicked."

But Shelton, suffering from irritation at his own dishonesty, replied with heat:

"Why not say at once, sir, 'hysterical, unhealthy'? Any opinion which goes contrary to that of the majority is always called so, I believe."

"Well," returned the parson, whose eyes seemed trying to bind Shelton to his will, "I must say your ideas do seem to me both extravagant and unhealthy. The propagation of children is enjoined of marriage."

Shelton bowed above his blanket, but the parson did not smile.

"We live in very dangerous times," he said, "and it grieves me when a man of your standing panders to these notions."

"Those," said Shelton, "whom the shoe does n't pinch make this rule of morality, and thrust it on to such as the shoe does pinch."

"The rule was never made," said the parson; "it was given us."

"Oh!" said Shelton, "I beg your pardon." He was in danger of forgetting the delicate position he was in. "He wants to ram his notions down my throat," he thought; and it seemed to him that the parson's face had grown more like a mule's, his accent more superior, his eyes more dictatorial: To be right in this argument seemed now of great importance, whereas, in truth, it was of no importance whatsoever. That which, however, was important was the fact that in nothing could they ever have agreed.

But Crocker had suddenly ceased to snore; his head had fallen so that a peculiar whistling arose instead. Both Shelton and the parson looked at him, and the sight sobered them.

"Your friend seems very tired," said the parson.

Shelton forgot all his annoyance, for his host seemed suddenly pathetic, with those baggy garments, hollow cheeks, and the slightly reddened nose that comes from not imbibing quite enough. A kind fellow, after all!

The kind fellow rose, and, putting his hands behind his back, placed himself before the blackening fire. Whole centuries of authority stood behind him. It was an accident that the mantelpiece was chipped and rusty, the fire-irons bent and worn, his linen frayed about the cuffs.

"I don't wish to dictate," said he, "but where it seems to me that you are wholly wrong in that your ideas foster in women those lax views of the family life that are so prevalent in Society nowadays."

Thoughts of Antonia with her candid eyes, the touch of freckling on her pink-white skin, the fair hair gathered back, sprang up in Shelton, and that word--"lax" seemed ridiculous. And the women he was wont to see dragging about the streets of London with two or three small children, Women bent beneath the weight of babies that they could not leave, women going to work with babies still unborn, anaemic-looking women, impecunious mothers in his own class, with twelve or fourteen children, all the victims of the sanctity of marriage, and again the word "lax" seemed to be ridiculous.

"We are not put into the world to exercise our wits,"--muttered Shelton.

"Our wanton wills," the parson said severely.

"That, sir, may have been all right for the last generation, the country is more crowded now. I can't see why we should n't decide it for ourselves."

"Such a view of morality," said the parson, looking down at Crocker with a ghostly smile, "to me is unintelligible."

Cracker's whistling grew in tone and in variety.

"What I hate," said Shelton, "is the way we men decide what women are to bear, and then call them immoral, decadent, or what you will, if they don't fall in with our views."

"Mr. Shelton," said the parson, "I think we may safely leave it in the hands of God."

Shelton was silent.

"The questions of morality," said the parson promptly, "have always lain through God in the hands of men, not women. We are the reasonable sex."

Shelton stubbornly replied

"We 're certainly the greater humbugs, if that 's the same."

"This is too bad," exclaimed the parson with some heat.

"I 'm sorry, sir; but how can you expect women nowadays to have the same views as our grandmothers? We men, by our commercial enterprise, have brought about a different state of things; yet, for the sake of our own comfort, we try to keep women where they were. It's always those men who are most keen about their comfort"--and in his heat the sarcasm of using the word "comfort" in that room was lost on him--"who are so ready to accuse women of deserting the old morality."

The parson quivered with impatient irony.

"Old morality! new morality!" he said. "These are strange words."

"Forgive me," explained Shelton; "we 're talking of working morality, I imagine. There's not a man in a million fit to talk of true morality."

The eyes of his host contracted.

"I think," he said--and his voice sounded as if he had pinched it in the endeavour to impress his listener--"that any well-educated man who honestly tries to serve his God has the right humbly--I say humbly--to claim morality."

Shelton was on the point of saying something bitter, but checked himself. "Here am I," thought he, "trying to get the last word, like an old woman."

At this moment there was heard a piteous mewing; the parson went towards the door.

"Excuse me a moment; I 'm afraid that's one of my cats out in the wet." He returned a minute later with a wet cat in his arms. "They will get out," he said to Shelton, with a smile on his thin face, suffused by stooping. And absently he stroked the dripping cat, while a drop of wet ran off his nose. "Poor pussy, poor pussy!" The sound of that "Poor pussy!" like nothing human in its cracked superiority, the softness of that smile, like the smile of gentleness itself, haunted Shelton till he fell asleep.

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XVIII. ACADEMIC

The last sunlight was playing on the roofs when the travellers entered that High Street grave and holy to all Oxford men. The spirit hovering above the spires was as different from its concretions in their caps and gowns as ever the spirit of Christ was from church dogmas.

"Shall we go into Grinnings'?" asked Shelton, as they passed the club.

But each looked at his clothes, for two elegant young men in flannel suits were coming out.

"You go," said Crocker, with a smirk.

Shelton shook his head. Never before had he felt such love for this old city. It was gone now from out his life, but everything about it seemed so good and fine; even its exclusive air was not ignoble. Clothed in the calm of history, the golden web of glorious tradition, radiant with the alchemy of memories, it bewitched him like the perfume of a woman's dress. At the entrance of a college they glanced in at the cool grey patch of stone beyond, and the scarlet of a window flowerbox--secluded, mysteriously calm--a narrow vision of the sacred past. Pale and trencher-capped, a youth with pimply face and random nose, grabbing at his cloven gown, was gazing at the noticeboard. The college porter--large man, fresh-faced, and small-mouthed--stood at his lodge door in a frank and deferential attitude. An image of routine, he looked like one engaged to give a decorous air to multitudes of pecadilloes. His blue eyes rested on the travellers. "I don't know you, sirs, but if you want to speak I shall be glad to hear the observations you may have to make," they seemed to say.

Against the wall reposed a bicycle with tennis-racquet buckled to its handle. A bull-dog bitch, working her snout from side to side, was snuffling horribly; the great iron-studded door to which her chain was fastened stayed immovable. Through this narrow mouth, human metal had been poured for centuries--poured, moulded, given back.

"Come along," said Shelton.

They now entered the Bishop's Head, and had their dinner in the room where Shelton had given his Derby dinner to four-and-twenty well-bred youths; here was the picture of the racehorse that the wineglass, thrown by one of them, had missed when it hit the waiter; and there, serving Crocker with anchovy sauce, was the very waiter. When they had finished, Shelton felt the old desire to rise with difficulty from the table; the old longing to patrol the streets with arm hooked in some other arm; the old eagerness to dare and do something heroic--and unlawful; the old sense that he was of the forest set, in the forest college, of the forest country in the finest world. The streets, all grave and mellow in the sunset, seemed to applaud this after-dinner stroll; the entrance quad of his old college--spaciously majestic, monastically modern, for years the heart of his universe, the focus of what had gone before it in his life, casting the shadow of its grey walls over all that had come after-brought him a sense of rest from conflict, and trust in his own important safety. The garden-gate, whose lofty spikes he had so often crowned with empty water-bottles, failed to rouse him. Nor when they passed the staircase where he had flung a leg of lamb at some indelicate disturbing tutor, did he feel remorse. High on that staircase were the rooms in which he had crammed for his degree, upon the system by which the scholar simmers on the fire of cramming, boils over at the moment of examination, and is extinct for ever after. His coach's face recurred to him, a man with thrusting eyes, who reeled off knowledge all the week, and disappeared to town on Sundays.

They passed their tutor's staircase.

"I wonder if little Turl would remember us?" said Crocker; "I should like to see him. Shall we go and look him up?"

"Little Turl?" said Shelton dreamily.

Mounting, they knocked upon a solid door.

"Come in," said the voice of Sleep itself.

A little man with a pink face and large red ears was sitting in a fat pink chair, as if he had been grown there.

"What do you want?" he asked of them, blinking.

"Don't you know me, sir?"

"God bless me! Crocker, isn't it? I didn't recognise you with a beard."

Crocker, who had not been shaved since starting on his travels, chuckled feebly.

"You remember Shelton, sir?" he said.

"Shelton? Oh yes! How do you do, Shelton? Sit down; take a cigar"; and, crossing his fat little legs, the little gentleman looked them up and down with drowsy interest, as who should say, "Now, after, all you know, why come and wake me up like this?"

Shelton and Crocker took two other chairs; they too seemed thinking, "Yes, why did we come and wake him up like this?" And Shelton, who could not tell the reason why, took refuge in the smoke of his cigar. The panelled walls were hung with prints of celebrated Greek remains; the soft, thick carpet on the floor was grateful to his tired feet; the backs of many books gleamed richly in the light of the oil lamps; the culture and tobacco smoke stole on his senses; he but vaguely comprehended Crocker's amiable talk, vaguely the answers of his little host, whose face, blinking behind the bowl of his huge meerschaum pipe, had such a queer resemblance to a moon. The door was opened, and a tall creature, whose eyes were large and brown, whose face was rosy and ironical, entered with a manly stride.

"Oh!" he said, looking round him with his chin a little in the air, "am I intruding, Turl?"

The little host, blinking more than ever, murmured,

"Not at all, Berryman--take a pew!"

The visitor called Berryman sat down, and gazed up at the wall with his fine eyes.

Shelton had a faint remembrance of this don, and bowed; but the newcomer sat smiling, and did not notice the salute.

"Trimmer and Washer are coming round," he said, and as he spoke the door opened to admit these gentlemen. Of the same height, but different appearance, their manner was faintly jocular, faintly supercilious, as if they tolerated everything. The one whose name was Trimmer had patches of red on his large cheek-bones, and on his cheeks a bluish tint. His lips were rather full, so that he had a likeness to a spider. Washer, who was thin and pale, wore an intellectual smile.

The little fat host moved the hand that held the meerschaum.

"Crocker, Shelton," he said.

An awkward silence followed. Shelton tried to rouse the cultured portion of his wits; but the sense that nothing would be treated seriously paralysed his faculties; he stayed silent, staring at the glowing tip of his cigar. It seemed to him unfair to have intruded on these gentlemen without its having been made quite clear to them beforehand who and what he was; he rose to take his leave, but Washer had begun to speak.

"Madame Bovary!" he said quizzically, reading the title of the book on the little fat man's bookrest; and, holding it closer to his boiled-looking eyes, he repeated, as though it were a joke, "Madame Bovary!"

"Do you mean to say, Turl, that you can stand that stuff?" said Berryman.

As might have been expected, this celebrated novel's name had galvanised him into life; he strolled over to the bookcase, took down a book, opened it, and began to read, wandering in a desultory way about the room.

"Ha! Berryman," said a conciliatory voice behind--it came from Trimmer, who had set his back against the hearth, and grasped with either hand a fistful of his gown--"the book's a classic!"

"Classic!" exclaimed Berryman, transfixing Shelton with his eyes; "the fellow ought to have been horsewhipped for writing such putridity!"

A feeling of hostility instantly sprang up in Shelton; he looked at his little host, who, however, merely blinked.

"Berryman only means," explains Washer, a certain malice in his smile, "that the author is n't one of his particular pets."

"For God's sake, you know, don't get Berryman on his horse!" growled the little fat man suddenly.

Berryman returned his volume to the shelf and took another down. There was something almost godlike in his sarcastic absent-mindedness.

"Imagine a man writing that stuff," he said, "if he'd ever been at Eton! What do we want to know about that sort of thing? A writer should be a sportsman and a gentleman"; and again he looked down over his chin at Shelton, as though expecting him to controvert the sentiment.

"Don't you--" began the latter.

But Berryman's attention had wandered to the wall.

"I really don't care," said he, "to know what a woman feels when she is going to the dogs; it does n't interest me."

The voice of Trimmer made things pleasant:

"Question of moral standards, that, and nothing more."

He had stretched his legs like compasses,--and the way he grasped his gown-wings seemed to turn him to a pair of scales. His lowering smile embraced the room, deprecating strong expressions. "After all," he seemed to say, "we are men of the world; we know there 's not very much in anything. This is the modern spirit; why not give it a look in?"

"Do I understand you to say, Berryman, that you don't enjoy a spicy book?" asked Washer with his smile; and at this question the little fat man sniggered, blinking tempestuously, as if to say, "Nothing pleasanter, don't you know, before a hot fire in cold weather."

Berryman paid no attention to the impertinent inquiry, continuing to dip into his volume and walk up and down.

"I've nothing to say," he remarked, stopping before Shelton, and looking down, as if at last aware of him, "to those who talk of being justified through Art. I call a spade a spade."

Shelton did not answer, because he could not tell whether Berryman was addressing him or society at large. And Berryman went on:

"Do we want to know about the feelings of a middle-class woman with a taste for vice? Tell me the point of it. No man who was in the habit of taking baths would choose such a subject."

"You come to the question of-ah-subjects," the voice of Trimmer genially buzzed he had gathered his garments tight across his back--"my dear fellow, Art, properly applied, justifies all subjects."

"For Art," squeaked Berryman, putting back his second volume and taking down a third, "you have Homer, Cervantes, Shakespeare, Ossian; for garbage, a number of unwashed gentlemen."

There was a laugh; Shelton glanced round at all in turn. With the exception of Crocker, who was half asleep and smiling idiotically, they wore, one and all, a look as if by no chance could they consider any subject fit to move their hearts; as if, one and all, they were so profoundly anchored on the sea of life that waves could only seem impertinent. It may have been some glimmer in this glance of Shelton's that brought Trimmer once more to the rescue with his compromising air.

"The French," said he, "have quite a different standard from ourselves in literature, just as they have a different standard in regard to honour. All this is purely artificial."

What he, meant, however, Shelton found it difficult to tell.

"Honour," said Washer, "'l'honneur, die Ehre' duelling, unfaithful wives--"

He was clearly going to add to this, but it was lost; for the little fat man, taking the meerschaum with trembling fingers, and holding it within two inches of his chin, murmured:

"You fellows, Berryman's awf'ly strong on honour."

He blinked twice, and put the meerschaum back between his lips.

Without returning the third volume to its shelf, Berryman took down a fourth; with chest expanded, he appeared about to use the books as dumb-bells.

"Quite so," said Trimmer; "the change from duelling to law courts is profoundly--"

Whether he were going to say "significant" or "insignificant," in Shelton's estimate he did not know himself. Fortunately Berryman broke in:

"Law courts or not, when a man runs away with a wife of mine, I shall punch his head!"

"Come, come!" said Turner, spasmodically grasping his two wings.

Shelton had a gleam of inspiration. "If your wife deceived you," he thought, looking at Trimmer's eyes, "you 'd keep it quiet, and hold it over her."

Washer passed his hand over his pale chaps: his smile had never wavered; he looked like one for ever lost in the making of an epigram.

The punching theorist stretched his body, holding the books level with his shoulders, as though to stone his hearers with his point of view. His face grew paler, his fine eyes finer, his lips ironical. Almost painful was this combination of the "strong" man and the student who was bound to go to pieces if you hit him a smart blow.

"As for forgiving faithless wives," he said, "and all that sort of thing, I don't believe in sentiment."

The words were high-pitched and sarcastic. Shelton looked hastily around. All their faces were complacent. He grew red, and suddenly remarked, in a soft; clear voice:

"I see!"

He was conscious that he had never before made an impression of this sort, and that he never would again. The cold hostility flashing out all round was most enlightening; it instantly gave way to the polite, satirical indulgence peculiar to highly-cultivated men. Crocker rose nervously; he seemed scared, and was obviously relieved when Shelton, following his example, grasped the little fat man's hand, who said good-night in a voice shaken by tobacco.

"Who are your unshaven friends?" he heard as the door was closed behind them.

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XIX. AN INCIDENT

"Eleven o'clock," said Crocker, as they went out of college. "I don't feel sleepy; shall we stroll along the 'High' a bit?"

Shelton assented; he was too busy thinking of his encounter with the dons to heed the soreness of his feet. This, too, was the last day of his travels, for he had not altered his intention of waiting at Oxford till July.

"We call this place the heart of knowledge," he said, passing a great building that presided, white and silent, over darkness; "it seems to me as little that, as Society is the heart of true gentility."

Crocker's answer was a grunt; he was looking at the stars, calculating possibly in how long he could walk to heaven.

"No," proceeded Shelton; "we've too much common-sense up here to strain our minds. We know when it's time to stop. We pile up news of Papias and all the verbs in 'ui' but as for news of life or of oneself! Real seekers after knowledge are a different sort. They fight in the dark--no quarter given. We don't grow that sort up here."

"How jolly the limes smell!" said Crocker.

He had halted opposite a garden, and taken hold of Shelton by a button of his coat. His eyes, like a dog's, stared wistfully. It seemed as though he wished to speak, but feared to give offence.

"They tell you," pursued Shelton, "that we learn to be gentlemen up here. We learn that better through one incident that stirs our hearts than we learn it here in all the time we're up."

"Hum!" muttered Crocker, twisting at the button; "those fellows who seemed the best sorts up here have turned out the best sorts afterwards."

"I hope not," said Shelton gloomily; "I was a snob when I was up here. I believed all I was told, anything that made things pleasant; my "set" were nothing but--"

Crocker smiled in the darkness; he had been too "cranky" to belong to Shelton's "set."

"You never were much like your 'set,' old chap," he said.

Shelton turned away, sniffing the perfume of the limes. Images were thronging through his mind. The faces of his old friends strangely mixed with those of people he had lately met--the girl in the train, Ferrand, the lady with the short, round, powdered face, the little barber; others, too, and floating, mysterious,--connected with them all, Antonia's face. The scent of the lime-trees drifted at him with its magic sweetness. From the street behind, the footsteps of the passers-by sounded muffled, yet exact, and on the breeze was borne the strain: "For he's a jolly good fellow!"

"For he's a jolly good fellow! For he's a jolly good fe-ellow! And so say all of us!"

"Ah!" he said, "they were good chaps."

"I used to think," said Crocker dreamily, "that some of them had too much side."

And Shelton laughed.

"The thing sickens me," said he, "the whole snobbish, selfish business. The place sickens me, lined with cotton-wool-made so beastly comfortable."

Crocker shook his head.

"It's a splendid old place," he said, his eyes fastening at last on Shelton's boots. "You know, old chap," he stammered, "I think you--you ought to take care!"

"Take care? What of?"

Crocker pressed his arm convulsively.

"Don't be waxy, old boy," he said; "I mean that you seem somehow--to be--to be losing yourself."

"Losing myself! Finding myself, you mean!"

Crocker did not answer; his face was disappointed. Of what exactly was he thinking? In Shelton's heart there was a bitter pleasure in knowing that his friend was uncomfortable on his account, a sort of contempt, a sort of aching. Crocker broke the silence.

"I think I shall do a bit more walking to-night," he said; "I feel very fit. Don't you really mean to come any further with me, Bird?"

And there was anxiety in his voice, as though Shelton were in danger of missing something good. The latter's feet had instantly begun to ache and burn.

"No!"? he said; "you know what I'm staying here for."

Crocker nodded.

"She lives near here. Well, then, I'll say good-bye. I should like to do another ten miles to-night."

"My dear fellow, you're tired and lame."

Crocker chuckled.

"No," he said; "I want to get on. See you in London. Good-bye!" and, gripping Shelton's hand, he turned and limped away.

Shelton called after him: "Don't be an idiot: You 'll only knock yourself up."

But the sole answer was the pale moon of Crocker's face screwed round towards him in the darkness, and the waving of his stick.

Shelton strolled slowly on; leaning over the bridge, he watched the oily gleam of lamps, on the dark water underneath the trees. He felt relieved, yet sorry. His thoughts were random, curious, half mutinous, half sweet. That afternoon five years ago, when he had walked back from the river with Antonia across the Christchurch meadows, was vivid to his mind; the scent of that afternoon had never died away from him-the aroma of his love. Soon she would be his wife--his wife! The faces of the dons sprang up before him. They had wives, perhaps. Fat, lean, satirical, and compromising--what was it that through diversity they had in common? Cultured intolerance! . . . Honour! . . . A queer subject to discuss. Honour! The honour that made a fuss, and claimed its rights! And Shelton smiled. "As if man's honour suffered when he's injured!" And slowly he walked along the echoing, empty street to his room at the Bishop's Head. Next morning he received the following wire:

Thirty miles left eighteen hours heel bad but going strong CROCKER

He passed a fortnight at the Bishop's Head, waiting for the end of his probation, and the end seemed long in coming. To be so near Antonia, and as far as if he lived upon another planet, was worse than ever. Each day he took a sculling skiff, and pulled down to near Holm Oaks, on the chance of her being on the river; but the house was two miles off, and the chance but slender. She never came. After spending the afternoons like this he would return, pulling hard against the stream, with a queer feeling of relief, dine heartily, and fall a-dreaming over his cigar. Each morning he awoke in an excited mood, devoured his letter if he had one, and sat down to write to her. These letters of his were the most amazing portion of that fortnight. They were remarkable for failing to express any single one of his real thoughts, but they were full of sentiments which were not what he was truly feeling; and when he set himself to analyse, he had such moments of delirium that he was scared, and shocked, and quite unable to write anything. He made the discovery that no two human beings ever tell each other what they really feel, except, perhaps, in situations with which he could not connect Antonia's ice-blue eyes and brilliant smile. All the world was too engaged in planning decency.

Absorbed by longings, he but vaguely realised the turmoil of Commemoration, which had gathered its hundreds for their annual cure of salmon mayonnaise and cheap champagne. In preparation for his visit to Holm Oaks he shaved his beard and had some clothes sent down from London. With them was forwarded a letter from Ferrand, which ran as follows:

IMPERIAL PEACOCK HOTEL, FOLKESTONE,

June 20. MY DEAR SIR,

Forgive me for not having written to you before, but I have been so bothered that I have felt no taste for writing; when I have the time, I have some curious stories to tell you. Once again I have encountered that demon of misfortune which dogs my footsteps. Being occupied all day and nearly all night upon business which brings me a heap of worries and next to no profit, I have no chance to look after my things. Thieves have entered my room, stolen everything, and left me an empty box. I am once again almost without clothes, and know not where to turn to make that figure necessary for the fulfilment of my duties. You see, I am not lucky. Since coming to your country, the sole piece of fortune I have had was to tumble on a man like you. Excuse me for not writing more at this moment. Hoping that you are in good health, and in affectionately pressing your hand, I am, Always your devoted LOUIS FERRAND.

Upon reading this letter Shelton had once more a sense of being exploited, of which he was ashamed; he sat down immediately and wrote the following reply:

BISHOPS HEAD HOTEL, OXFORD,

June 25. MY DEAR FERRAND,

I am grieved to hear of your misfortunes. I was much hoping that you had made a better start. I enclose you Post Office Orders for four pounds. Always glad to hear from you.

Yours sincerely, RICHARD SHELTON.

He posted it with the satisfaction that a man feels who nobly shakes off his responsibilities.

Three days before July he met with one of those disturbing incidents which befall no persons who attend quietly to their, property and reputation.

The night was unbearably hot, and he had wandered out with his cigar; a woman came sidling up and spoke to him. He perceived her to be one of those made by men into mediums for their pleasure, to feel sympathy with whom was sentimental. Her face was flushed, her whisper hoarse; she had no attractions but the curves of a tawdry figure. Shelton was repelled by her proprietary tone, by her blowzy face, and by the scent of patchouli. Her touch on his arm startled him, sending a shiver through his marrow; he almost leaped aside, and walked the faster. But her breathing as she followed sounded laboured; it suddenly seemed pitiful that a woman should be panting after him like that.

"The least I can do," he thought, "is to speak to her." He stopped, and, with a mixture of hardness and compassion, said, "It 's impossible."

In spite of her smile, he saw by her disappointed eyes that she accepted the impossibility.

"I 'm sorry," he said.

She muttered something. Shelton shook his head.

"I 'm sorry," he said once more. "Good.-night."

The woman bit her lower lip.

"Good-night," she answered dully.

At the corner of the street he turned his head. The woman was hurrying uneasily; a policeman coming from behind had caught her by the arm.

His heart began to beat. "Heavens!" he thought, "what shall I do now?" His first impulse was to walk away, and think no more about it--to act, indeed, like any averagely decent man who did not care to be concerned in such affairs.

He retraced his steps, however, and halted half a dozen paces from their figures.

"Ask the gentleman! He spoke to me," she was saying in her brassy voice, through the emphasis of which Shelton could detect her fear.

"That's all right," returned the policeman, "we know all about that."

"You--police!" cried the woman tearfully; "I 've got to get my living, have n't I, the same as you?"

Shelton hesitated, then, catching the expression in her frightened face, stepped forward. The policeman turned, and at the sight of his pale, heavy jowl, cut by the cheek-strap, and the bullying eyes, he felt both hate and fear, as if brought face to face with all that he despised and loathed, yet strangely dreaded. The cold certainty of law and order upholding the strong, treading underfoot the weak, the smug front of meanness that only the purest spirits may attack, seemed to be facing him. And the odd thing was, this man was only carrying out his duty. Shelton moistened his lips.

"You're not going to charge her?"

"Aren't I?" returned the policeman.

"Look here; constable, you 're making a mistake."

The policeman took out his note-book.

"Oh, I 'm making a mistake? I 'll take your name and address, please; we have to report these things."

"By all means," said Shelton, angrily giving it. "I spoke to her first."

"Perhaps you'll come up to the court tomorrow morning, and repeat that," replied the policeman, with incivility.

Shelton looked at him with all the force at his command.

"You had better be careful, constable," he said; but in the act of uttering these words he thought how pitiable they sounded.

"We 're not to be trifled with," returned the policeman in a threatening voice.

Shelton could think of nothing but to repeat:

"You had better be careful, constable."

"You're a gentleman," replied the policeman. "I'm only a policeman. You've got the riches, I've got the power."

Grasping the woman's arm, he began to move along with her.

Shelton turned, and walked away.

He went to Grinnings' Club, and flung himself down upon a sofa. His feeling was not one of pity for the woman, nor of peculiar anger with the policeman, but rather of dissatisfaction with himself.

"What ought I to have done?" he thought, "the beggar was within his rights."

He stared at the pictures on the wall, and a tide of disgust surged up in him.

"One or other of us," he reflected, "we make these women what they are. And when we've made them, we can't do without them; we don't want to; but we give them no proper homes, so that they're reduced to prowl about the streets, and then we run them in. Ha! that's good--that's excellent! We run them in! And here we sit and carp. But what do we do? Nothing! Our system is the most highly moral known. We get the benefit without soiling even the hem of our phylacteries--the women are the only ones that suffer. And why should n't they--inferior things?"

He lit a cigarette, and ordered the waiter to bring a drink.

"I'll go to the Court," he thought; but suddenly it occurred to him that the case would get into the local papers. The press would never miss so nice a little bit of scandal--"Gentleman v. Policeman!" And he had a vision of Antonia's father, a neighbouring and conscientious magistrate, solemnly reading this. Someone, at all events, was bound to see his name and make a point of mentioning it too good to be missed! And suddenly he saw with horror that to help the woman he would have to assert again that he had spoken to her first. "I must go to the Court!" he kept thinking, as if to assure himself that he was not a coward.

He lay awake half the night worrying over this dilemma.

"But I did n't speak to her first," he told himself; "I shall only be telling a lie, and they 'll make me swear it, too!"

He tried to persuade himself that this was against his principles, but at the bottom of his heart he knew that he would not object to telling such a lie if only guaranteed immune from consequences; it appeared to him, indeed, but obvious humanity.

"But why should I suffer?" he thought; "I've done nothing. It's neither reasonable nor just."

He hated the unhappy woman who was causing him these horrors of uncertainty. Whenever he decided one way or other, the policeman's face, with its tyrannical and muddy eyes, rose before him like a nightmare, and forced him to an opposite conviction. He fell asleep at last with the full determination to go and see what happened.

He woke with a sense of odd disturbance. "I can do no good by going," he thought, remembering, aid lying very still; "they 're certain to believe the policeman; I shall only blacken myself for nothing;" and the combat began again within him, but with far less fury. It was not what other people thought, not even the risk of perjury that mattered (all this he made quite clear)--it was Antonia. It was not fair to her to put himself in such a false position; in fact, not decent.

He breakfasted. In the room were some Americans, and the face of one young girl reminded him a little of Antonia. Fainter and fainter grew the incident; it seemed to have its right proportions.

Two hours later, looking at the clock, he found that it was lunch-time. He had not gone, had not committed perjury; but he wrote to a daily paper, pointing out the danger run by the community from the power which a belief in their infallibility places in the hands of the police--how, since they are the sworn abettors of right and justice, their word is almost necessarily taken to be gospel; how one and all they hang together, from mingled interest and esprit de corps. Was it not, he said, reasonable to suppose that amongst thousands of human beings invested with such opportunities there would be found bullies who would take advantage of them, and rise to distinction in the service upon the helplessness of the unfortunate and the cowardice of people with anything to lose? Those who had in their hands the sacred duties of selecting a practically irresponsible body of men were bound, for the sake of freedom and humanity, to exercise those duties with the utmost care and thoroughness . . . .

However true, none of this helped him to think any better of himself at heart, and he was haunted by the feeling that a stout and honest bit of perjury was worth more than a letter to a daily paper.

He never saw his letter printed, containing, as it did, the germs of an unpalatable truth.

In the afternoon he hired a horse, and galloped on Port Meadow. The strain of his indecision over, he felt like a man recovering from an illness, and he carefully abstained from looking at the local papers. There was that within him, however, which resented the worsting of his chivalry.

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XX. HOLM OAKS

Holm Oaks stood back but little from the road--an old manor-house, not set upon display, but dwelling close to its barns, stables, and walled gardens, like a good mother; long, flat-roofed, red, it had Queen Anne windows, on whose white-framed diamond panes the sunbeams glinted.

In front of it a fringe of elms, of all trees the tree of most established principle, bordered the stretch of turf between the gravel drive and road; and these elms were the homes of rooks of all birds the most conventional. A huge aspen--impressionable creature--shivered and shook beyond, apologising for appearance among such imperturbable surroundings. It was frequented by a cuckoo, who came once a year to hoot at the rules of life, but seldom made long stay; for boys threw stones at it, exasperated by the absence of its morals.

The village which clustered in the dip had not yet lost its dread of motor-cars. About this group of flat-faced cottages with gabled roofs the scent of hay, manure, and roses clung continually; just now the odour of the limes troubled its servile sturdiness. Beyond the dip, again, a square-towered church kept within grey walls the record of the village flock, births, deaths, and marriages--even the births of bastards, even the deaths of suicides--and seemed to stretch a hand invisible above the heads of common folk to grasp the forgers of the manor-house. Decent and discreet, the two roofs caught the eye to the exclusion of all meaner dwellings, seeming to have joined in a conspiracy to keep them out of sight.

The July sun had burned his face all the way from Oxford, yet pale was Shelton when he walked up the drive and rang the bell.

"Mrs. Dennant at home, Dobson?" he asked of the grave butler, who, old servant that he was, still wore coloured trousers (for it was not yet twelve o'clock, and he regarded coloured trousers up to noon as a sacred distinction between the footmen and himself).

"Mrs. Dennant," replied this personage, raising his round and hairless face, while on his mouth appeared that apologetic pout which comes of living with good families--"Mrs. Dennant has gone into the village, sir; but Miss Antonia is in the morning-room."

Shelton crossed the panelled, low-roofed hall, through whose far side the lawn was visible, a vision of serenity. He mounted six wide, shallow steps, and stopped. From behind a closed door there came the sound of scales, and he stood, a prey to his emotions, the notes mingling in his ears with the beating of his heart. He softly turned the handle, a fixed smile on his lips.

Antonia was at the piano; her head was bobbing to the movements of her fingers, and pressing down the pedals were her slim monotonously moving feet. She had been playing tennis, for a racquet and her tam-o'-shanter were flung down, and she was dressed in a blue skirt and creamy blouse, fitting collarless about her throat. Her face was flushed, and wore a little frown; and as her fingers raced along the keys, her neck swayed, and the silk clung and shivered on her arms.

Shelton's eyes fastened on the silent, counting lips, on the fair hair about her forehead, the darker eyebrows slanting down towards the nose, the undimpled cheeks with the faint finger-marks beneath the ice-blue eyes, the softly-pouting and undimpled chin, the whole remote, sweet, suntouched, glacial face.

She turned her head, and, springing up, cried:

"Dick! What fun!" She gave him both her hands, but her smiling face said very plainly, "Oh; don't let us be sentimental!"

"Are n't you glad to see me?" muttered Shelton.

"Glad to see you! You are funny, Dick!--as if you did n't know! Why, you 've shaved your beard! Mother and Sybil have gone into the village to see old Mrs. Hopkins. Shall we go out? Thea and the boys are playing tennis. It's so jolly that you 've come!" She caught up the tam-o'-shanter, and pinned it to her hair. Almost as tall as Shelton, she looked taller, with arms raised and loose sleeves quivering like wings to the movements of her fingers. "We might have a game before lunch; you can have my other racquet."

"I've got no things," said Shelton blankly.

Her calm glance ran over him.

"You can have some of old Bernard's; he's got any amount. I'll wait for you." She swung her racquet, looked at Shelton, cried, "Be quick!" and vanished.

Shelton ran up-stairs, and dressed in the undecided way of men assuming other people's clothes. She was in the hall when he descended, humming a tune and prodding at her shoe; her smile showed all her pearly upper teeth. He caught hold of her sleeve and whispered:

"Antonia!"

The colour rushed into her cheeks; she looked back across her shoulder.

"Come along, old Dick!" she cried; and, flinging open the glass door, ran into the garden.

Shelton followed.

The tennis-ground was divided by tall netting from a paddock. A holm oak tree shaded one corner, and its thick dark foliage gave an unexpected depth to the green smoothness of the scene. As Shelton and Antonia came up, Bernard Dennant stopped and cordially grasped Shelton's hand. From the far side of the net Thea, in a shortish skirt, tossed back her straight fair hair, and, warding off the sun, came strolling up to them. The umpire, a small boy of twelve, was lying on his stomach, squealing and tickling a collie. Shelton bent and pulled his hair.

"Hallo, Toddles! you young ruffian!"

One and all they stood round Shelton, and there was a frank and pitiless inquiry in their eyes, in the angle of their noses something chaffing and distrustful, as though about him were some subtle poignant scent exciting curiosity and disapproval.

When the setts were over, and the girls resting in the double hammock underneath the holm oak, Shelton went with Bernard to the paddock to hunt for the lost balls.

"I say, old chap," said his old school-fellow, smiling dryly, "you're in for a wigging from the Mater."

"A wigging?" murmured Shelton.

"I don't know much about it, but from something she let drop it seems you've been saying some queer things in your letters to Antonia"; and again he looked at Shelton with his dry smile.

"Queer things?" said the latter angrily. "What d' you mean?"

"Oh, don't ask me. The Mater thinks she's in a bad way--unsettled, or what d' you call at. You've been telling her that things are not what they seem. That's bad, you know"; and still smiling he shook his head.

Shelton dropped his eyes.

"Well, they are n't!" he said.

"Oh, that's all right! But don't bring your philosophy down here, old chap."

"Philosophy!" said Shelton, puzzled.

"Leave us a sacred prejudice or two."

"Sacred! Nothing's sacred, except--" But Shelton did not finish his remark. "I don't understand," he said.

"Ideals, that sort of thing! You've been diving down below the line of 'practical politics,' that's about the size of it, my boy"; and, stooping suddenly, he picked up the last ball. "There is the Mater!" Shelton saw Mrs. Dennant coming down the lawn with her second daughter, Sybil.

By the time they reached the holm oak the three girls had departed towards the house, walking arm in arm, and Mrs. Dennant was standing there alone, in a grey dress, talking to an undergardener. Her hands, cased in tan gauntlets, held a basket which warded off the bearded gardener from the severe but ample lines of her useful-looking skirt. The collie, erect upon his haunches, looked at their two faces, pricking his ears in his endeavour to appreciate how one of these two bipeds differed from the other.

"Thank you; that 'll do, Bunyan. Ah, Dick! Charmin' to see you here, at last!"

In his intercourse with Mrs. Dennant, Shelton never failed to mark the typical nature of her personality. It always seemed to him that he had met so many other ladies like her. He felt that her undoubtable quality had a non-individual flavour, as if standing for her class. She thought that standing for herself was not the thing; yet she was full of character. Tall, with nose a trifle beaked, long, sloping chin, and an assured, benevolent mouth, showing, perhaps, too many teeth--though thin, she was not unsubstantial. Her accent in speaking showed her heritage; it was a kind of drawl which disregarded vulgar merits such as tone; leaned on some syllables, and despised the final 'g'--the peculiar accent, in fact, of aristocracy, adding its deliberate joys to life.

Shelton knew that she had many interests; she was never really idle, from the time (7 A.M.) when her maid brought her a little china pot of tea with a single biscuit and her pet dog, Tops, till eleven o'clock at night, when she lighted a wax candle in a silver candlestick, and with this in one hand, and in the other a new novel, or, better still, one of those charming volumes written by great people about the still greater people they have met, she said good-night to her children and her guests. No! What with photography, the presidency of a local league, visiting the rich, superintending all the poor, gardening, reading, keeping all her ideas so tidy that no foreign notions might stray in, she was never idle. The information she collected from these sources was both vast and varied, but she never let it flavour her opinions, which lacked sauce, and were drawn from some sort of dish into which, with all her class, she dipped her fingers.

He liked her. No one could help liking her. She was kind, and of such good quality, with a suggestion about her of thin, excellent, and useful china; and she was scented, too--not with verbena, violets, or those essences which women love, but with nothing, as if she had taken stand against all meretricity. In her intercourse with persons not "quite the thing" (she excepted the vicar from this category, though his father had dealt in haberdashery), her refinement, gently, unobtrusively, and with great practical good sense, seemed continually to murmur, "I am, and you--well, are you, don't you know?" But there was no self-consciousness about this attitude, for she was really not a common woman. She simply could not help it; all her people had done this. Their nurses breathed above them in their cradles something that, inhaled into their systems, ever afterwards prevented them from taking good, clear breaths. And her manner! Ah! her manner--it concealed the inner woman so as to leave doubt of her existence!

Shelton listened to the kindly briskness with which she dwelt upon the under-gardener.

"Poor Bunyan! he lost his wife six months ago, and was quite cheerful just at first, but now he 's really too distressin'. I 've done all I can to rouse him; it's so melancholy to see him mopin'. And, my dear Dick, the way he mangles the new rose-trees! I'm afraid he's goin' mad; I shall have to send him away; poor fellow!"

It was clear that she sympathised with Bunyan, or, rather, believed him entitled to a modicum of wholesome grief, the loss of wives being a canonised and legal, sorrow. But excesses! O dear, no!

"I 've told him I shall raise his wages," she sighed. "He used to be such a splendid gardener! That reminds me, my dear Dick; I want to have a talk with you. Shall we go in to lunch?"

Consulting the memorandum-book in which she had been noting the case of Mrs. Hopkins, she slightly preceded Shelton to the house.

It was somewhat late that afternoon when Shelton had his "wigging"; nor did it seem to him, hypnotised by the momentary absence of Antonia, such a very serious affair.

"Now, Dick," the Honourable Mrs. Dennant said, in her decisive drawl, "I don't think it 's right to put ideas into Antonia's head."

"Ideas!" murmured Shelton in confusion.

"We all know," continued Mrs. Dennant, "that things are not always what they ought to be."

Shelton looked at her; she was seated at her writing-table, addressing in her large, free writing a dinner invitation to a bishop. There was not the faintest trace of awkwardness about her, yet Shelton could not help a certain sense of shock. If she--she--did not think things were what they ought to be--in a bad way things must be indeed!

"Things!" he muttered.

Mrs. Dennant looked at him firmly but kindly with the eyes that would remind him of a hare's.

"She showed me some of your letters, you know. Well, it 's not a bit of use denyin', my dear Dick, that you've been thinkin' too much lately."

Shelton perceived that he had done her an injustice; she handled "things" as she handled under-gardeners--put them away when they showed signs of running to extremes.

"I can't help that, I 'm afraid," he answered.

"My dear boy! you'll never get on that way. Now, I want you to promise me you won't talk to Antonia about those sort of things."

Shelton raised his eyebrows.

"Oh, you know what I mean!"

He saw that to press Mrs. Dennant to say what she meant by "things" would really hurt her sense of form; it would be cruel to force her thus below the surface!

He therefore said, "Quite so!"

To his extreme surprise, flushing the peculiar and pathetic flush of women past their prime, she drawled out:

"About the poor--and criminals--and marriages--there was that wedding, don't you know?"

Shelton bowed his head. Motherhood had been too strong for her; in her maternal flutter she had committed the solecism of touching in so many words on "things."

"Does n't she really see the fun," he thought, "in one man dining out of gold and another dining in the gutter; or in two married people living on together in perfect discord 'pour encourages les autres', or in worshipping Jesus Christ and claiming all her rights at the same time; or in despising foreigners because they are foreigners; or in war; or in anything that is funny?" But he did her a certain amount of justice by recognising that this was natural, since her whole life had been passed in trying not to see the fun in all these things.

But Antonia stood smiling in the doorway. Brilliant and gay she looked, yet resentful, as if she knew they had been talking of her. She sat down by Shelton's side, and began asking him about the youthful foreigner whom he had spoken of; and her eyes made him doubt whether she, too, saw the fun that lay in one human being patronising others.

"But I suppose he's really good," she said, "I mean, all those things he told you about were only--"

"Good!" he answered, fidgeting; "I don't really know what the word means."

Her eyes clouded. "Dick, how can you?" they seemed to say.

Shelton stroked her sleeve.

"Tell us about Mr. Crocker," she said, taking no heed of his caress.

"The lunatic!" he said.

"Lunatic! Why, in your letters he was splendid."

"So he is," said Shelton, half ashamed; "he's not a bit mad, really--that is, I only wish I were half as mad."

"Who's that mad?" queried Mrs. Dennant from behind the urn--"Tom Crocker? Ah, yes! I knew his mother; she was a Springer."

"Did he do it in the week?" said Thea, appearing in the window with a kitten.

"I don't know," Shelton was obliged to answer.

Thea shook back her hair.

"I call it awfully slack of you not to have found out," she said.

Antonia frowned.

"You were very sweet to that young foreigner, Dick," she murmured with a smile at Shelton. "I wish that we could see him."

But Shelton shook his head.

"It seems to me," he muttered, "that I did about as little for him as I could."

Again her face grew thoughtful, as though his words had chilled her.

"I don't see what more you could have done," she answered.

A desire to get close to her, half fear, half ache, a sense of futility and bafflement, an inner burning, made him feel as though a flame were licking at his heart.

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XXI. ENGLISH

Just as Shelton was starting to walk back to Oxford he met Mr. Dennant coming from a ride. Antonia's father was a spare man of medium height, with yellowish face, grey moustache, ironical eyebrows, and some tiny crow's-feet. In his old, short grey coat, with a little slit up the middle of the back, his drab cord breeches, ancient mahogany leggings, and carefully blacked boats, he had a dry, threadbare quality not without distinction.

"Ah, Shelton!" he said, in his quietly festive voice; "glad to see the pilgrim here, at last. You're not off already?" and, laying his hand on Shelton's arm, he proposed to walk a little way with him across the fields.

This was the first time they had met since the engagement; and Shelton began to nerve himself to express some sentiment, however bald, about it. He squared his shoulders, cleared his throat, and looked askance at Mr. Dennant. That gentleman was walking stiffly, his cord breeches faintly squeaking. He switched a yellow, jointed cane against his leggings, and after each blow looked at his legs satirically. He himself was rather like that yellow cane-pale, and slim, and jointed, with features arching just a little, like the arching of its handle.

"They say it'll be a bad year for fruit," Shelton said at last.

"My dear fellow, you don't know your farmer, I 'm afraid. We ought to hang some farmers--do a world of good. Dear souls! I've got some perfect strawberries."

"I suppose," said Shelton, glad to postpone the evil moment, "in a climate like this a man must grumble."

"Quite so, quite so! Look at us poor slaves of land-owners; if I couldn't abuse the farmers I should be wretched. Did you ever see anything finer than this pasture? And they want me to lower their rents!"

And Mr. Dennant's glance satirically wavered, rested on Shelton, and whisked back to the ground as though he had seen something that alarmed him. There was a pause.

"Now for it!" thought the younger man.

Mr. Dennant kept his eyes fixed on his boots.

"If they'd said, now," he remarked jocosely, "that the frost had nipped the partridges, there 'd have been some sense in it; but what can you expect? They've no consideration, dear souls!"

Shelton took a breath, and, with averted eyes, he hurriedly began:

"It's awfully hard, sir, to--"

Mr. Dennant switched his cane against his shin.

"Yes," he said, "it 's awfully hard to put up with, but what can a fellow do? One must have farmers. Why, if it was n't for the farmers, there 'd be still a hare or two about the place!"

Shelton laughed spasmodically; again he glanced askance at his future father-in-law. What did the waggling of his head mean, the deepening of his crow's-feet, the odd contraction of the mouth? And his eye caught Mr. Dennant's eye; its expression was queer above the fine, dry nose (one of the sort that reddens in a wind).

"I've never had much to do with farmers," he said at last.

"Have n't you? Lucky fellow! The most--yes, quite the most trying portion of the human species--next to daughters."

"Well, sir, you can hardly expect me--" began Shelton.

"I don't--oh, I don't! D 'you know, I really believe we're in for a ducking."

A large black cloud had covered up the sun, and some drops were spattering on Mr. Dennant's hard felt hat.

Shelton welcomed the shower; it appeared to him an intervention on the part of Providence. He would have to say something, but not now, later.

"I 'll go on," he said; "I don't mind the rain. But you'd better get back, sir."

"Dear me! I've a tenant in this cottage," said Mr. Dennant in his, leisurely, dry manner "and a beggar he is to poach, too. Least we can do 's to ask for a little shelter; what do you think?" and smiling sarcastically, as though deprecating his intention to keep dry, he rapped on the door of a prosperous-looking cottage.

It was opened by a girl of Antonia's age and height.

"Ah, Phoebe! Your father in?"

"No," replied the girl, fluttering; "father's out, Mr. Dennant."

"So sorry! Will you let us bide a bit out of the rain?"

The sweet-looking Phoebe dusted them two chairs, and, curtseying, left them in the parlour.

"What a pretty girl!" said Shelton.

"Yes, she's a pretty girl; half the young fellows are after her, but she won't leave her father. Oh, he 's a charming rascal is that fellow!"

This remark suddenly brought home to Shelton the conviction that he was further than ever from avoiding the necessity for speaking. He walked over to the window. The rain was coming down with fury, though a golden line far down the sky promised the shower's quick end. "For goodness' sake," he thought, "let me say something, however idiotic, and get it over!" But he did not turn; a kind of paralysis had seized on him.

"Tremendous heavy rain!" he said at last; "coming down in waterspouts."

It would have been just as easy to say: "I believe your daughter to be the sweetest thing on earth; I love her, and I 'm going to make her happy!" Just as easy, just about the same amount of breath required; but he couldn't say it! He watched the rain stream and hiss against the leaves and churn the dust on the parched road with its insistent torrent; and he noticed with precision all the details of the process going on outside how the raindrops darted at the leaves like spears, and how the leaves shook themselves free a hundred times a minute, while little runnels of water, ice-clear, rolled over their edges, soft and quick. He noticed, too, the mournful head of a sheltering cow that was chewing at the hedge.

Mr. Dennant had not replied to his remark about the rain. So disconcerting was this silence that Shelton turned. His future father-in-law, upon his wooden chair, was staring at his well-blacked boots, bending forward above his parted knees, and prodding at the carpet; a glimpse at his face disturbed Shelton's resolution. It was not forbidding, stern, discouraging--not in the least; it had merely for the moment ceased to look satirical. This was so startling that Shelton lost his chance of speaking. There seemed a heart to Mr. Dennant's gravity; as though for once he were looking grave because he felt so. But glancing up at Shelton, his dry jocosity reappeared at once.

"What a day for ducks!" he said; and again there was unmistakable alarm about the eye. Was it possible that he, too, dreaded something?

"I can't express--" began Shelton hurriedly.

"Yes, it's beastly to get wet," said Mr. Dennant, and he sang--

"For we can wrestle and fight, my boys, And jump out anywhere."

"You 'll be with us for that dinner-party next week, eh? Capital! There's the Bishop of Blumenthal and old Sir Jack Buckwell; I must get my wife to put you between them--"

"For it's my delight of a starry night--"

"The Bishop's a great anti-divorce man, and old Buckwell 's been in the court at least twice--"

"In the season of the year!"

"Will you please to take some tea, gentlemen?" said the voice of Phoebe in the doorway.

"No, thank you, Phoebe. That girl ought to get married," went on Mr. Dennant, as Phoebe blushingly withdrew. A flush showed queerly on his sallow cheeks. "A shame to keep her tied like this to her father's apron-strings--selfish fellow, that!" He looked up sharply, as if he had made a dangerous remark.

The keeper he was watching us, For him we did n't care!

Shelton suddenly felt certain that Antonia's father was just as anxious to say something expressive of his feelings, and as unable as himself. And this was comforting.

"You know, sir--" he began.

But Mr. Dennant's eyebrows rose, his crow's-feet twinkled; his personality seemed to shrink together.

"By Jove!" he said, "it's stopped! Now's our chance! Come along, my dear fellow; delays are dangerous!" and with his bantering courtesy he held the door for Shelton to pass out. "I think we'll part here," he said--"I almost think so. Good luck to you!"

He held out his dry, yellow hand. Shelton seized it, wrung it hard, and muttered the word:

"Grateful!"

Again Mr. Dennant's eyebrows quivered as if they had been tweaked; he had been found out, and he disliked it. The colour in his face had died away; it was calm, wrinkled, dead-looking under the flattened, narrow brim of his black hat; his grey moustache drooped thinly; the crow's-feet hardened round his eyes; his nostrils were distended by the queerest smile.

"Gratitude!" he said; "almost a vice, is n't it? Good-night!"

Shelton's face quivered; he raised his hat, and, turning as abruptly as his senior, proceeded on his way. He had been playing in a comedy that could only have been played in England. He could afford to smile now at his past discomfort, having no longer the sense of duty unfulfilled. Everything had been said that was right and proper to be said, in the way that we such things should say. No violence had been done; he could afford to smile--smile at himself, at Mr. Dennant, at to-morrow; smile at the sweet aroma of the earth, the shy, unwilling sweetness that only rain brings forth.

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XXII. THE COUNTRY HOUSE

The luncheon hour at Holm Oaks, was, as in many well-bred country houses--out of the shooting season, be it understood--the soulful hour. The ferment of the daily doings was then at its full height, and the clamour of its conversation on the weather, and the dogs, the horses, neighbours, cricket, golf, was mingled with a literary murmur; for the Dennants were superior, and it was quite usual to hear remarks like these "Have you read that charmin' thing of Poser's?" or, "Yes, I've got the new edition of old Bablington: delightfully bound--so light." And it was in July that Holm Oaks, as a gathering-place of the elect, was at its best. For in July it had become customary to welcome there many of those poor souls from London who arrived exhausted by the season, and than whom no seamstress in a two-pair back could better have earned a holiday. The Dennants themselves never went to London for the season. It was their good pleasure not to. A week or fortnight of it satisfied them. They had a radical weakness for fresh air, and Antonia, even after her presentation two seasons back, had insisted on returning home, stigmatising London balls as "stuffy things."

When Shelton arrived the stream had only just begun, but every day brought fresh, or rather jaded, people to occupy the old, dark, sweet-smelling bedrooms. Individually, he liked his fellow-guests, but he found himself observing them. He knew that, if a man judged people singly, almost all were better than himself; only when judged in bulk were they worthy of the sweeping criticisms he felt inclined to pass on them. He knew this just as he knew that the conventions, having been invented to prevent man following his natural desires, were merely the disapproving sums of innumerable individual approvals.

It was in the bulk; then, that he found himself observing. But with his amiability and dread of notoriety he remained to all appearance a well-bred, docile creature, and he kept his judgments to himself.

In the matter of intellect he made a rough division of the guests--those who accepted things without a murmur, those who accepted them with carping jocularity; in the matter of morals he found they all accepted things without the semblance of a kick. To show sign of private moral judgment was to have lost your soul, and, worse, to be a bit of an outsider. He gathered this by intuition rather than from conversation; for conversation naturally tabooed such questions, and was carried on in the loud and cheerful tones peculiar to people of good breeding. Shelton had never been able to acquire this tone, and he could not help feeling that the inability made him more or less an object of suspicion. The atmosphere struck him as it never had before, causing him to feel a doubt of his gentility. Could a man suffer from passion, heart-searchings, or misgivings, and remain a gentleman? It seemed improbable. One of his fellow-guests, a man called Edgbaston, small-eyed and semi-bald, with a dark moustache and a distinguished air of meanness, disconcerted him one day by remarking of an unknown person, "A half-bred lookin' chap; did n't seem to know his mind." Shelton was harassed by a horrid doubt.

Everything seemed divided into classes, carefully docketed and valued. For instance, a Briton was of more value than a man, and wives than women. Those things or phases of life with which people had no personal acquaintance were regarded with a faint amusement and a certain disapproval. The principles of the upper class, in fact, were strictly followed.

He was in that hypersenstive and nervous state favourable for recording currents foreign to itself. Things he had never before noticed now had profound effect on him, such as the tone in which men spoke of women--not precisely with hostility, nor exactly with contempt best, perhaps, described as cultured jeering; never, of course, when men spoke of their own wives, mothers, sisters, or immediate friends, but merely when they spoke of any other women. He reflected upon this, and came to the conclusion that, among the upper classes, each man's own property was holy, while other women were created to supply him with gossip, jests, and spice. Another thing that struck him was the way in which the war then going on was made into an affair of class. In their view it was a baddish business, because poor hack Blank and Peter Blank-Blank had lost their lives, and poor Teddy Blank had now one arm instead of two. Humanity in general was omitted, but not the upper classes, nor, incidentally, the country which belonged to them. For there they were, all seated in a row, with eyes fixed on the horizon of their lawns.

Late one evening, billiards and music being over and the ladies gone, Shelton returned from changing to his smoking-suit, and dropped into one of the great arm-chairs that even in summer made a semicircle round the fendered hearth. Fresh from his good-night parting with Antonia, he sat perhaps ten minutes before he began to take in all the figures in their parti-coloured smoking jackets, cross-legged, with glasses in their hands, and cigars between their teeth.

The man in the next chair roused him by putting down his tumbler with a tap, and seating himself upon the cushioned fender. Through the mist of smoke, with shoulders hunched, elbows and knees crooked out, cigar protruding, beak-ways, below his nose, and the crimson collar of his smoking jacket buttoned close as plumage on his breast, he looked a little like a gorgeous bird.

"They do you awfully well," he said.

A voice from the chair on Shelton's right replied,

"They do you better at Verado's."

"The Veau d'Or 's the best place; they give you Turkish baths for nothing!" drawled a fat man with a tiny mouth.

The suavity of this pronouncement enfolded all as with a blessing. And at once, as if by magic, in the old, oak-panelled room, the world fell naturally into its three departments: that where they do you well; that where they do you better; and that where they give you Turkish baths for nothing.

"If you want Turkish baths," said a tall youth with clean red face, who had come into the room, and stood, his mouth a little open, and long feet jutting with sweet helplessness in front of him, "you should go, you know, to Buda Pesth; most awfully rippin' there."

Shelton saw an indescribable appreciation rise on every face, as though they had been offered truffles or something equally delicious.

"Oh no, Poodles," said the man perched on the fender. "A Johnny I know tells me they 're nothing to Sofia." His face was transfigured by the subtle gloating of a man enjoying vice by proxy.

"Ah!" drawled the small-mouthed man, "there 's nothing fit to hold a candle to Baghda-ad."

Once again his utterance enfolded all as with a blessing, and once again the world fell into its three departments: that where they do you well; that where they do you better; and--Baghdad.

Shelton thought to himself: "Why don't I know a place that's better than Baghdad?"

He felt so insignificant. It seemed that he knew none of these delightful spots; that he was of no use to any of his fellow-men; though privately he was convinced that all these speakers were as ignorant as himself, and merely found it warming to recall such things as they had heard, with that peculiar gloating look. Alas! his anecdotes would never earn for him that prize of persons in society, the label of a "good chap" and "sportsman."

"Have you ever been in Baghdad?" he feebly asked.

The fat man did not answer; he had begun an anecdote, and in his broad expanse of face his tiny mouth writhed like a caterpillar. The anecdote was humorous.

With the exception of Antonia, Shelton saw but little of the ladies, for, following the well-known custom of the country house, men and women avoided each other as much as might be. They met at meals, and occasionally joined in tennis and in croquet; otherwise it seemed--almost Orientally--agreed that they were better kept apart.

Chancing one day to enter the withdrawing room, while searching for Antonia, he found that he had lighted on a feminine discussion; he would have beaten a retreat, of course, but it seemed too obvious that he was merely looking for his fiancee, so, sitting down, he listened.

The Honourable Charlotte Penguin, still knitting a silk tie--the sixth since that she had been knitting at Hyeres--sat on the low window-seat close to a hydrangea, the petals of whose round flowers almost kissed her sanguine cheek. Her eyes were fixed with languid aspiration on the lady who was speaking. This was a square woman of medium height, with grey hair brushed from her low forehead, the expression of whose face was brisk and rather cross. She was standing with a book, as if delivering a sermon. Had she been a man she might have been described as a bright young man of business; for, though grey, she never could be old, nor ever lose the power of forming quick decisions. Her features and her eyes were prompt and slightly hard, tinged with faith fanatical in the justice of her judgments, and she had that fussy simpleness of dress which indicates the right to meddle. Not red, not white, neither yellow nor quite blue, her complexion was suffused with a certain mixture of these colours, adapted to the climate; and her smile had a strange sour sweetness, like nothing but the flavour of an apple on the turn.

"I don't care what they tell you," she was saying--not offensively, though her voice seemed to imply that she had no time to waste in pleasing--"in all my dealings with them I've found it best to treat them quite like children."

A lady, behind the Times, smiled; her mouth--indeed, her whole hard, handsome face--was reminiscent of dappled rocking-horses found in the Soho Bazaar. She crossed her feet, and some rich and silk stuff rustled. Her whole personality seemed to creak as, without looking, she answered in harsh tones:

"I find the poor are most delightful persons."

Sybil Dennant, seated on the sofa, with a feathery laugh shot a barking terrier dog at Shelton.

"Here's Dick," she said. "Well, Dick, what's your opinion?"

Shelton looked around him, scared. The elder ladies who had spoken had fixed their eyes on him, and in their gaze he read his utter insignificance.

"Oh, that young man!" they seemed to say. "Expect a practical remark from him? Now, come!"

"Opinion," he stammered, "of the poor? I haven't any."

The person on her feet, whose name was Mrs. Mattock, directing her peculiar sweet-sour smile at the distinguished lady with the Times, said:

"Perhaps you 've not had experience of them in London, Lady Bonington?"

Lady Bonington, in answer, rustled.

"Oh, do tell us about the slums, Mrs. Mattock!" cried Sybil.

"Slumming must be splendid! It's so deadly here--nothing but flannel petticoats."

"The poor, my dear," began Mrs. Mattock, "are not the least bit what you think them--"

"Oh, d' you know, I think they're rather nice!" broke in Aunt Charlotte close to the hydrangea.

"You think so?" said Mrs. Mattock sharply. "I find they do nothing but grumble."

"They don't grumble at me: they are delightful persons", and Lady Bonington gave Shelton a grim smile.

He could not help thinking that to grumble in the presence of that rich, despotic personality would require a superhuman courage.

"They're the most ungrateful people in the world," said Mrs. Mattock.

"Why, then," thought Shelton, "do you go amongst them?"

She continued, "One must do them good, one, must do one's duty, but as to getting thanks--"

Lady Bonington sardonically said,

"Poor things! they have a lot to bear."

"The little children!" murmured Aunt Charlotte, with a flushing cheek and shining eyes; "it 's rather pathetic."

"Children indeed!" said Mrs. Mattock. "It puts me out of all patience to see the way that they neglect them. People are so sentimental about the poor."

Lady Bonington creaked again. Her splendid shoulders were wedged into her chair; her fine dark hair, gleaming with silver, sprang back upon her brow; a ruby bracelet glowed on the powerful wrist that held the journal; she rocked her copper-slippered foot. She did not appear to be too sentimental.

"I know they often have a very easy time," said Mrs. Mattock, as if some one had injured her severely. And Shelton saw, not without pity, that Fate had scored her kind and squashed-up face with wrinkles, whose tiny furrows were eloquent of good intentions frustrated by the unpractical and discontented poor. "Do what you will, they are never satisfied; they only resent one's help, or else they take the help and never thank you for it!"

"Oh!" murmured Aunt Charlotte, "that's rather hard."

Shelton had been growing, more uneasy. He said abruptly:

"I should do the same if I were they."

Mrs. Mattock's brown eyes flew at him; Lady Bonington spoke to the Times; her ruby bracelet and a bangle jingled.

"We ought to put ourselves in their places."

Shelton could not help a smile; Lady Bonington in the places of the poor!

"Oh!" exclaimed Mrs. Mattock, "I put myself entirely in their place. I quite understand their feelings. But ingratitude is a repulsive quality."

"They seem unable to put themselves in your place," murmured Shelton; and in a fit of courage he took the room in with a sweeping glance.

Yes, that room was wonderfully consistent, with its air of perfect second-handedness, as if each picture, and each piece of furniture, each book, each lady present, had been made from patterns. They were all widely different, yet all (like works of art seen in some exhibitions) had the look of being after the designs of some original spirit. The whole room was chaste, restrained, derived, practical, and comfortable; neither in virtue nor in work, neither in manner, speech, appearance, nor in theory, could it give itself away.

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XXIII. THE STAINED-GLASS MAN

Still looking for Antonia, Shelton went up to the morning-room. Thea Dennant and another girl were seated in the window, talking. From the look they gave him he saw that he had better never have been born; he hastily withdrew. Descending to the hall, he came on Mr. Dennant crossing to his study, with a handful of official-looking papers.

"Ah, Shelton!" said he, "you look a little lost. Is the shrine invisible?"

Shelton grinned, said "Yes," and went on looking. He was not fortunate. In the dining-room sat Mrs. Dennant, making up her list of books.

"Do give me your opinion, Dick," she said. "Everybody 's readin' this thing of Katherine Asterick's; I believe it's simply because she's got a title."

"One must read a book for some reason or other," answered Shelton.

"Well," returned Mrs. Dennant, "I hate doin' things just because other people do them, and I sha'n't get it."

"Good!"

Mrs. Dennant marked the catalogue.

"Here 's Linseed's last, of course; though I must say I don't care for him, but I suppose we ought to have it in the house. And there's Quality's 'The Splendid Diatribes': that 's sure to be good, he's always so refined. But what am I to do about this of Arthur Baal's? They say that he's a charlatan, but everybody reads him, don't you know"; and over the catalogue Shelton caught the gleam of hare-like eyes.

Decision had vanished from her face, with its arched nose and slightly sloping chin, as though some one had suddenly appealed to her to trust her instincts. It was quite pathetic. Still, there was always the book's circulation to form her judgment by.

"I think I 'd better mark it," she said, "don't you? Were you lookin' for Antonia? If you come across Bunyan in the garden, Dick, do say I want to see him; he's gettin' to be a perfect nuisance. I can understand his feelin's, but really he 's carryin' it too far."

Primed with his message to the under-gardener, Shelton went. He took a despairing look into the billiard-room. Antonia was not there. Instead, a tall and fat-cheeked gentleman with a neat moustache, called Mabbey, was practising the spot-stroke. He paused as Shelton entered, and, pouting like a baby, asked in a sleepy voice,

"Play me a hundred up?"

Shelton shook his head, stammered out his sorrow, and was about to go.

The gentleman called Mabbey, plaintively feeling the places where his moustaches joined his pink and glossy cheeks, asked with an air of some surprise,

"What's your general game, then?"

"I really don't know," said Shelton.

The gentleman called Mabbey chalked his cue, and, moving his round, knock-kneed legs in their tight trousers, took up his position for the stroke.

"What price that?" he said, as he regained the perpendicular; and his well-fed eyes followed Shelton with sleepy inquisition. "Curious dark horse, Shelton," they seemed to say.

Shelton hurried out, and was about to run down the lower lawn, when he was accosted by another person walking in the sunshine--a slight-built man in a turned-down collar, with a thin and fair moustache, and a faint bluish tint on one side of his high forehead, caused by a network of thin veins. His face had something of the youthful, optimistic, stained-glass look peculiar to the refined English type. He walked elastically, yet with trim precision, as if he had a pleasant taste in furniture and churches, and held the Spectator in his hand.

"Ah, Shelton!" he said in high-tuned tones, halting his legs in such an easy attitude that it was impossible to interrupt it: "come to take the air?"

Shelton's own brown face, nondescript nose, and his amiable but dogged chin contrasted strangely with the clear-cut features of the stained-glass man.

"I hear from Halidome that you're going to stand for Parliament," the latter said.

Shelton, recalling Halidome's autocratic manner of settling other people's business, smiled.

"Do I look like it?" he asked.

The eyebrows quivered on the stained-glass man. It had never occurred to him, perhaps, that to stand for Parliament a man must look like it; he examined Shelton with some curiosity.

"Ah, well," he said, "now you mention it, perhaps not." His eyes, so carefully ironical, although they differed from the eyes of Mabbey, also seemed to ask of Shelton what sort of a dark horse he was.

"You 're still in the Domestic Office, then?" asked Shelton.

The stained-glass man stooped to sniff a rosebush. "Yes," he said; "it suits me very well. I get lots of time for my art work."

"That must be very interesting," said Shelton, whose glance was roving for Antonia; "I never managed to begin a hobby."

"Never had a hobby!" said the stained-glass man, brushing back his hair (he was walking with no hat); "why, what the deuce d' you do?"

Shelton could not answer; the idea had never troubled him.

"I really don't know," he said, embarrassed; "there's always something going on, as far as I can see."

The stained-glass man placed his hands within his pockets, and his bright glance swept over his companion.

"A fellow must have a hobby to give him an interest in life," he said.

"An interest in life?" repeated Shelton grimly; "life itself is good enough for me."

"Oh!" replied the stained-glass man, as though he disapproved of regarding life itself as interesting.

"That's all very well, but you want something more than that. Why don't you take up woodcarving?"

"Wood-carving?"

"The moment I get fagged with office papers and that sort of thing I take up my wood-carving; good as a game of hockey."

"I have n't the enthusiasm."

The eyebrows of the stained-glass man twitched; he twisted his moustache.

"You 'll find not having a hobby does n't pay," he said; "you 'll get old, then where 'll you be?"

It came as a surprise that he should use the words "it does n't pay," for he had a kind of partially enamelled look, like that modern jewellery which really seems unconscious of its market value.

"You've given up the Bar? Don't you get awfully bored having nothing to do?" pursued the stained-glass man, stopping before an ancient sundial.

Shelton felt a delicacy, as a man naturally would, in explaining that being in love was in itself enough to do. To do nothing is unworthy of a man! But he had never felt as yet the want of any occupation. His silence in no way disconcerted his acquaintance.

"That's a nice old article of virtue," he said, pointing with his chin; and, walking round the sundial, he made its acquaintance from the other side. Its grey profile cast a thin and shortening shadow on the turf; tongues of moss were licking at its sides; the daisies clustered thick around its base; it had acquired a look of growing from the soil. "I should like to get hold of that," the stained-glass man remarked; "I don't know when I 've seen a better specimen," and he walked round it once again.

His eyebrows were still ironically arched, but below them his eyes were almost calculating, and below them, again, his mouth had opened just a little. A person with a keener eye would have said his face looked greedy, and even Shelton was surprised, as though he had read in the Spectator a confession of commercialism.

"You could n't uproot a thing like that," he said; "it would lose all its charm."

His companion turned impatiently, and his countenance looked wonderfully genuine.

"Couldn't I?" he said. "By Jove! I thought so. 1690! The best period." He ran his forger round the sundial's edge. "Splendid line-clean as the day they made it. You don't seem to care much about that sort of thing"; and once again, as though accustomed to the indifference of Vandals, his face regained its mask.

They strolled on towards the kitchen gardens, Shelton still busy searching every patch of shade. He wanted to say "Can't stop," and hurry off; but there was about the stained-glass man a something that, while stinging Shelton's feelings, made the showing of them quite impossible. "Feelings!" that person seemed to say; "all very well, but you want more than that. Why not take up wood-carving? . . . . Feelings! I was born in England, and have been at Cambridge."

"Are you staying long?" he asked Shelton. "I go on to Halidome's to-morrow; suppose I sha'n't see you there? Good, chap, old Halidome! Collection of etchings very fine!"

"No; I 'm staying on," said Shelton.

"Ah!" said the stained-glass man, "charming people, the Dennants!"

Shelton, reddening slowly, turned his head away; he picked a gooseberry, and muttered, "Yes."

"The eldest girl especially; no nonsense about her. I thought she was a particularly nice girl."

Shelton heard this praise of Antonia with an odd sensation; it gave him the reverse of pleasure, as though the words had cast new light upon her. He grunted hastily,

"I suppose you know that we 're engaged?"

"Really!" said the stained-glass man, and again his bright, clear, iron-committal glance swept over Shelton--"really! I didn't know. Congratulate you!"

It was as if he said: "You're a man of taste; I should say she would go well in almost any drawing-room!"

"Thanks," said Shelton; "there she' is. If you'll excuse me, I want to speak to her."

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XXIV. PARADISE

Antonia, in a sunny angle of the old brick wall, amid the pinks and poppies and cornflowers, was humming to herself. Shelton saw the stained-glass man pass out of sight, then, unobserved, he watched her smelling at the flowers, caressing her face with each in turn, casting away spoiled blossoms, and all the time humming that soft tune.

In two months, or three, all barriers between himself and this inscrutable young Eve would break; she would be a part of him, and he a part of her; he would know all her thoughts, and she all his; together they would be as one, and all would think of them, and talk of them, as one; and this would come about by standing half an hour together in a church, by the passing of a ring, and the signing of their names.

The sun was burnishing her hair--she wore no hat flushing her cheeks, sweetening and making sensuous her limbs; it had warmed her through and through, so that, like the flowers and bees, the sunlight and the air, she was all motion, light, and colour.

She turned and saw Shelton standing there.

"Oh, Dick!" she said: "Lend me your hand-kerchief to put these flowers in, there 's a good boy!"

Her candid eyes, blue as the flowers in her hands, were clear and cool as ice, but in her smile was all the warm profusion of that corner; the sweetness had soaked into her, and was welling forth again. The sight of those sun-warmed cheeks, and fingers twining round the flower-stalks, her pearly teeth, and hair all fragrant, stole the reason out of Shelton. He stood before her, weak about the knees.

"Found you at last!" he said.

Curving back her neck, she cried out, "Catch!" and with a sweep of both her hands flung the flowers into Shelton's arms.

Under the rain of flowers, all warm and odorous, he dropped down on his knees, and put them one by one together, smelling at the pinks, to hide the violence of his feelings. Antonia went on picking flowers, and every time her hand was full she dropped them on his hat, his shoulder, or his arms, and went on plucking more; she smiled, and on her lips a little devil danced, that seemed to know what he was suffering. And Shelton felt that she did know.

"Are you tired?" she asked; "there are heaps more wanted. These are the bedroom-flowers--fourteen lots. I can't think how people can live without flowers, can you?" and close above his head she buried her face in pinks.

He kept his eyes on the plucked flowers before him on the grass, and forced himself to answer,

"I think I can hold out."

"Poor old Dick!" She had stepped back. The sun lit the clear-cut profile of her cheek, and poured its gold over the bosom of her blouse. "Poor old Dick! Awfully hard luck, is n't it?" Burdened with mignonette, she came so close again that now she touched his shoulder, but Shelton did not look; breathless, with wildly beating heart, he went on sorting out the flowers. The seeds of mignonette rained on his neck, and as she let the blossoms fall, their perfume fanned his face. "You need n't sort them out!" she said.

Was she enticing him? He stole a look; but she was gone again, swaying and sniffing at the flowers.

"I suppose I'm only hindering you," he growled; "I 'd better go."

She laughed.

"I like to see you on your knees, you look so funny!" and as she spoke she flung a clove carnation at him. "Does n't it smell good?"

"Too good Oh, Antonia! why are you doing this?"

"Why am I doing what?"

"Don't you know what you are doing?"

"Why, picking flowers!" and once more she was back, bending and sniffing at the blossoms.

"That's enough."

"Oh no," she called; "it's not not nearly.

"Keep on putting them together, if you love me."

"You know I love you," answered Shelton, in a smothered voice.

Antonia gazed at him across her shoulder; puzzled and inquiring was her face.

"I'm not a bit like you," she said. "What will you have for your room?"

"Choose!"

"Cornflowers and clove pinks. Poppies are too frivolous, and pinks too--"

"White," said Shelton.

"And mignonette too hard and--"

"Sweet. Why cornflowers?"

Antonia stood before him with her hands against her sides; her figure was so slim and young, her face uncertain and so grave.

"Because they're dark and deep."

"And why clove pinks?"

Antonia did not answer.

"And why clove pinks?"

"Because," she said, and, flushing, touched a bee that had settled on her skirt, "because of something in you I don't understand."

"Ah! And what flowers shall t give YOU?"

She put her hands behind her.

"There are all the other flowers for me."

Shelton snatched from the mass in front of him an Iceland poppy with straight stem and a curved neck, white pinks, and sprigs of hard, sweet mignonette, and held it out to her.

"There," he said, "that's you." But Antonia did not move.

"Oh no, it is n't!" and behind her back her fingers slowly crushed the petals of a blood-red poppy. She shook her head, smiling a brilliant smile. The blossoms fell, he flung his arms around her, and kissed her on the lips.

But his hands dropped; not fear exactly, nor exactly shame, had come to him. She had not resisted, but he had kissed the smile away; had kissed a strange, cold, frightened look, into her eyes.

"She did n't mean to tempt me, then," he thought, in surprise and anger. "What did she mean?" and, like a scolded dog, he kept his troubled watch upon her face.

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XXV. THE RIDE

"Where now?" Antonia asked, wheeling her chestnut mare, as they turned up High Street, Oxford City. "I won't go back the same way, Dick!"

"We could have a gallop on Port Meadow, cross the Upper River twice, and get home that way; but you 'll be tired."

Antonia shook her head. Aslant her cheek the brim of a straw hat threw a curve of shade, her ear glowed transparent in the sun.

A difference had come in their relations since that kiss; outwardly she was the same good comrade, cool and quick. But as before a change one feels the subtle difference in the temper of the wind, so Shelton was affected by the inner change in her. He had made a blot upon her candour; he had tried to rub it out again, but there was left a mark, and it was ineffaceable. Antonia belonged to the most civilised division of the race most civilised in all the world, whose creed is "Let us love and hate, let us work and marry, but let us never give ourselves away; to give ourselves away is to leave a mark, and that is past forgive ness. Let our lives be like our faces, free from every kind of wrinkle, even those of laughter; in this way alone can we be really civilised."

He felt that she was ruffled by a vague discomfort. That he should give himself away was natural, perhaps, and only made her wonder, but that he should give her the feeling that she had given herself away was a very different thing.

"Do you mind if I just ask at the Bishop's Head for letters?" he said, as they passed the old hotel.

A dirty and thin envelope was brought to him, addressed "Mr. Richard Shelton, Esq.," in handwriting that was passionately clear, as though the writer had put his soul into securing delivery of the letter. It was dated three days back, and, as they rode away, Shelton read as follows:

IMPERIAL PEACOCK HOTEL, FOLKESTONE. MON CHER MONSIEUR SHELTON,

This is already the third time I have taken up pen to write to you, but, having nothing but misfortune to recount, I hesitated, awaiting better days. Indeed, I have been so profoundly discouraged that if I had not thought it my duty to let you know of my fortunes I know not even now if I should have found the necessary spirit. 'Les choses vont de mal en mal'. From what I hear there has never been so bad a season here. Nothing going on. All the same, I am tormented by a mob of little matters which bring me not sufficient to support my life. I know not what to do; one thing is certain, in no case shall I return here another year. The patron of this hotel, my good employer, is one of those innumerable specimens who do not forge or steal because they have no need, and if they had would lack the courage; who observe the marriage laws because they have been brought up to believe in them, and know that breaking them brings risk and loss of reputation; who do not gamble because they dare not; do not drink because it disagrees with them; go to church because their neighbours go, and to procure an appetite for the mid-day meal; commit no murder because, not transgressing in any other fashion, they are not obliged. What is there to respect in persons of this sort? Yet they are highly esteemed, and form three quarters of Society. The rule with these good gentlemen is to shut their eyes, never use their thinking powers, and close the door on all the dogs of life for fear they should get bitten.

Shelton paused, conscious of Antonia's eyes fixed on him with the inquiring look that he had come to dread. In that chilly questioning she seemed to say: "I am waiting. I am prepared to be told things--that is, useful things--things that help one to believe without the risk of too much thinking."

"It's from that young foreigner," he said; and went on reading to himself.

I have eyes, and here I am; I have a nose 'pour, flairer le humbug'. I see that amongst the value of things nothing is the equal of "free thought." Everything else they can take from me, 'on ne pent pas m'oter cela'! I see no future for me here, and certainly should have departed long ago if I had had the money, but, as I have already told you, all that I can do barely suffices to procure me 'de quoi vivre'. 'Je me sens ecceuye'. Do not pay too much attention to my Jeremiads; you know what a pessimist I am. 'Je ne perds pas courage'.

Hoping that you are well, and in the cordial pressing of your hand, I subscribe myself,

Your very devoted

LOUIS FERRAND.

He rode with the letter open in his hand, frowning at the curious turmoil which Ferrand excited in his heart. It was as though this foreign vagrant twanged within him a neglected string, which gave forth moans of a mutiny.

"What does he say?" Antonia asked.

Should he show it to her? If he might not, what should he do when they were married?

"I don't quite know," he said at last; "it 's not particularly cheering."'

"What is he like, Dick--I mean, to look at? Like a gentleman, or what?"

Shelton stifled a desire to laugh.

"He looks very well in a frock-coat," he replied; "his father was a wine merchant."

Antonia flicked her whip against her skirt.

"Of course," she murmured, "I don't want to hear if there's anything I ought not."

But instead of soothing Shelton, these words had just the opposite effect. His conception of the ideal wife was not that of one from whom the half of life must be excluded.

"It's only," he stammered again, "that it's not cheerful."

"Oh, all right!" she cried, and, touching her horse, flew off in front. "I hate dismal things."

Shelton bit his lips. It was not his fault that half the world was dark. He knew her words were loosed against himself, and, as always at a sign of her displeasure, was afraid. He galloped after her on the scorched turf.

"What is it?" he said. "You 're angry with me!"

"Oh no!"

"Darling, I can't help it if things are n't cheerful. We have eyes," he added, quoting from the letter.

Antonia did not look at him; but touched her horse again.

"Well, I don't want to see the gloomy side," she said, "and I can't see why YOU should. It's wicked to be discontented;" and she galloped off.

It was not his fault if there were a thousand different kinds of men, a thousand different points of view, outside the fence of her experience! "What business," he thought, digging in his dummy spurs, "has our class to patronise? We 're the only people who have n't an idea of what life really means." Chips of dried turf and dust came flying back, stinging his face. He gained on her, drew almost within reach, then, as though she had been playing with him, was left hopelessly behind.

She stooped under the far hedge, fanning her flushed face with dock-leaves:

"Aha, Dick! I knew you'd never catch me" and she patted the chestnut mare, who turned her blowing muzzle with contemptuous humour towards Shelton's steed, while her flanks heaved rapturously, gradually darkening with sweat.

"We'd better take them steadily," grunted Shelton, getting off and loosening his girths, "if we mean to get home at all."

"Don't be cross, Dick!"

"We oughtn't to have galloped them like this; they 're not in condition. We'd better go home the way we came."

Antonia dropped the reins, and straightened her back hair.

"There 's no fun in that," she said. "Out and back again; I hate a dog's walk."

"Very well," said Shelton; he would have her longer to himself!

The road led up and up a hill, and from the top a vision of Saxonia lay disclosed in waves of wood and pasture. Their way branched down a gateless glade, and Shelton sidled closer till his knee touched the mare's off-flank.

Antonia's profile conjured up visions. She was youth itself; her eyes so brilliant, and so innocent, her cheeks so glowing, and her brow unruffled; but in her smile and in the setting of her jaw lurked something resolute and mischievous. Shelton put his hand out to the mare's mane.

"What made you promise to marry me?" he said.

She smiled.

"Well, what made you?"

"I?" cried Shelton.

She slipped her hand over his hand.

"Oh, Dick!" she said.

"I want," he stammered, "to be everything to you. Do you think I shall?"

"Of course!"

Of course! The words seemed very much or very little.

She looked down at the river, gleaming below the glade in a curving silver line. "Dick, there are such a lot of splendid things that we might do."

Did she mean, amongst those splendid things, that they might understand each other; or were they fated to pretend to only, in the old time-honoured way?

They crossed the river by a ferry, and rode a long time in silence, while the twilight slowly fell behind the aspens. And all the beauty of the evening, with its restless leaves, its grave young moon, and lighted campion flowers, was but a part of her; the scents, the witchery and shadows, the quaint field noises, the yokels' whistling, and the splash of water-fowl, each seemed to him enchanted. The flighting bats, the forms of the dim hayricks, and sweet-brier perfume-she summed them all up in herself. The fingermarks had deepened underneath her eyes, a languor came upon her; it made her the more sweet and youthful. Her shoulders seemed to bear on them the very image of our land--grave and aspiring, eager yet contained--before there came upon that land the grin of greed, the folds of wealth, the simper of content. Fair, unconscious, free!

And he was silent, with a beating heart.

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XXVI. THE BIRD 'OF PASSAGE

That night, after the ride, when Shelton was about to go to bed, his eyes fell on Ferrand's letter, and with a sleepy sense of duty he began to read it through a second time. In the dark, oak-panelled bedroom, his four-post bed, with back of crimson damask and its dainty sheets, was lighted by the candle glow; the copper pitcher of hot water in the basin, the silver of his brushes, and the line of his well-polished boots all shone, and Shelton's face alone was gloomy, staring at the yellowish paper in his hand.

"The poor chap wants money, of course," he thought. But why go on for ever helping one who had no claim on him, a hopeless case, incurable--one whom it was his duty to let sink for the good of the community at large? Ferrand's vagabond refinement had beguiled him into charity that should have been bestowed on hospitals, or any charitable work but foreign missions. To give a helping hand, a bit of himself, a nod of fellowship to any fellow-being irrespective of a claim, merely because he happened to be down, was sentimental nonsense! The line must be drawn! But in the muttering of this conclusion he experienced a twinge of honesty. "Humbug! You don't want to part with your money, that's all!"

So, sitting down in shirt-sleeves at his writing table, he penned the following on paper stamped with the Holm Oaks address and crest: MY DEAR FERRAND,

I am sorry you are having such a bad spell. You seem to be dead out of luck. I hope by the time you get this things will have changed for the better. I should very much like to see you again and have a talk, but shall be away for some time longer, and doubt even when I get back whether I should be able to run down and look you up. Keep me 'au courant' as to your movements. I enclose a cheque.

Yours sincerely,

RICHARD SHELTON.

Before he had written out the cheque, a moth fluttering round the candle distracted his attention, and by the time he had caught and put it out he had forgotten that the cheque was not enclosed. The letter, removed with his clothes before he was awake, was posted in an empty state.

One morning a week later he was sitting in the smoking-room in the company of the gentleman called Mabbey, who was telling him how many grouse he had deprived of life on August 12 last year, and how many he intended to deprive of life on August 12 this year, when the door was opened, and the butler entered, carrying his head as though it held some fatal secret.

"A young man is asking for you, sir," he said to Shelton, bending down discreetly; "I don't know if you would wish to see him, sir."

"A young man!" repeated Shelton; "what sort of a young man?"

"I should say a sort of foreigner, sir," apologetically replied the butler. "He's wearing a frock-coat, but he looks as if he had been walking a good deal."

Shelton rose with haste; the description sounded to him ominous.

"Where is he?"

"I put him in the young ladies' little room, sir."

"All right," said Shelton; "I 'll come and see him. Now, what the deuce!" he thought, running down the stairs.

It was with a queer commingling of pleasure and vexation that he entered the little chamber sacred to the birds, beasts, racquets, golf-clubs, and general young ladies' litter. Ferrand was standing underneath the cage of a canary, his hands folded on his pinched-up hat, a nervous smile upon his lips. He was dressed in Shelton's old frock-coat, tightly buttoned, and would have cut a stylish figure but far his look of travel. He wore a pair of pince-nez, too, which somewhat veiled his cynical blue eyes, and clashed a little with the pagan look of him. In the midst of the strange surroundings he still preserved that air of knowing, and being master of, his fate, which was his chief attraction.

"I 'm glad to see you," said Shelton, holding out his hand.

"Forgive this liberty," began Ferrand, "but I thought it due to you after all you've done for me not to throw up my efforts to get employment in England without letting you know first. I'm entirely at the end of my resources."

The phrase struck Shelton as one that he had heard before.

"But I wrote to you," he said; "did n't you get my letter?"

A flicker passed across the vagrant's face; he drew the letter from his pocket and held it out.

"Here it is, monsieur."

Shelton stared at it.

"Surely," said he, "I sent a cheque?"

Ferrand did not smile; there was a look about him as though Shelton by forgetting to enclose that cheque had done him a real injury.

Shelton could not quite hide a glance of doubt.

"Of course," he said, "I--I--meant to enclose a cheque."

Too subtle to say anything, Ferrand curled his lip. "I am capable of much, but not of that," he seemed to say; and at once Shelton felt the meanness of his doubt.

"Stupid of me," he said.

"I had no intention of intruding here," said Ferrand; "I hoped to see you in the neighbourhood, but I arrive exhausted with fatigue. I've eaten nothing since yesterday at noon, and walked thirty miles." He shrugged his shoulders. "You see, I had no time to lose before assuring myself whether you were here or not."

"Of course--" began Shelton, but again he stopped.

"I should very much like," the young foreigner went on, "for one of your good legislators to find himself in these country villages with a penny in his pocket. In other countries bakers are obliged to sell you an equivalent of bread for a penny; here they won't sell you as much as a crust under twopence. You don't encourage poverty."

"What is your idea now?" asked Shelton, trying to gain time.

"As I told you," replied Ferrand, "there 's nothing to be done at Folkestone, though I should have stayed there if I had had the money to defray certain expenses"; and again he seemed to reproach his patron with the omission of that cheque. "They say things will certainly be better at the end of the month. Now that I know English well, I thought perhaps I could procure a situation for teaching languages."

"I see," said Shelton.

As a fact, however, he was far from seeing; he literally did not know what to do. It seemed so brutal to give Ferrand money and ask him to clear out; besides, he chanced to have none in his pocket.

"It needs philosophy to support what I 've gone through this week," said Ferrand, shrugging his shoulders. "On Wednesday last, when I received your letter, I had just eighteen-pence, and at once I made a resolution to come and see you; on that sum I 've done the journey. My strength is nearly at an end."

Shelton stroked his chin.

"Well," he had just begun, "we must think it over," when by Ferrand's face he saw that some one had come in. He turned, and saw Antonia in the doorway. "Excuse me," he stammered, and, going to Antonia, drew her from the room.

With a smile she said at once: "It's the young foreigner; I'm certain. Oh, what fun!"

"Yes," answered Shelton slowly; "he's come to see me about getting some sort of tutorship or other. Do you think your mother would mind if I took him up to have a wash? He's had a longish walk. And might he have some breakfast? He must be hungry."

"Of course! I'll tell Dobson. Shall I speak to mother? He looks nice, Dick."

He gave her a grateful, furtive look, and went back to his guest; an impulse had made him hide from her the true condition of affairs.

Ferrand was standing where he had been left his face still clothed in mordant impassivity.

"Come up to my room!" said Shelton; and while his guest was washing, brushing, and otherwise embellishing his person, he stood reflecting that Ferrand was by no means unpresentable, and he felt quite grateful to him.

He took an opportunity, when the young man's back was turned, of examining his counterfoils. There was no record, naturally, of a cheque drawn in Ferrand's favour. Shelton felt more mean than ever.

A message came from Mrs. Dennant; so he took the traveller to the dining-room and left him there, while he himself went to the lady of the house. He met Antonia coming down.

"How many days did you say he went without food that time--you know?" she asked in passing.

"Four."

"He does n't look a bit common, Dick."

Shelton gazed at her dubiously.

"They're surely not going to make a show of him!" he thought.

Mrs. Dennant was writing, in a dark-blue dress starred over with white spots, whose fine lawn collar was threaded with black velvet.

"Have you seen the new hybrid Algy's brought me back from Kidstone? Is n't it charmin'?" and she bent her face towards this perfect rose. "They say unique; I'm awfully interested to find out if that's true. I've told Algy I really must have some."

Shelton thought of the unique hybrid breakfasting downstairs; he wished that Mrs. Dennant would show in him the interest she had manifested in the rose. But this was absurd of him, he knew, for the potent law of hobbies controlled the upper classes, forcing them to take more interest in birds, and roses, missionaries, or limited and highly-bound editions of old books (things, in a word, in treating which you knew exactly where you were) than in the manifestations of mere life that came before their eyes.

"Oh, Dick, about that young Frenchman. Antonia says he wants a tutorship; now, can you really recommend him? There's Mrs. Robinson at the Gateways wants someone to teach her boys languages; and, if he were quite satisfactory, it's really time Toddles had a few lessons in French; he goes to Eton next half."

Shelton stared at the rose; he had suddenly realised why it was that people take more interest in roses than in human beings--one could do it with a quiet heart.

"He's not a Frenchman, you know," he said to gain a little time.

"He's not a German, I hope," Mrs. Dennant answered, passing her forgers round a petal, to impress its fashion on her brain; "I don't like Germans. Is n't he the one you wrote about--come down in the world? Such a pity with so young a fellow! His father was a merchant, I think you told us. Antonia says he 's quite refined to look at."

"Oh, yes," said Shelton, feeling on safe ground; "he's refined enough to look at."

Mrs. Dennant took the rose and put it to her nose.

"Delicious perfume! That was a very touchin' story about his goin' without food in Paris. Old Mrs. Hopkins has a room to let; I should like to do her a good turn. I'm afraid there's a hole in the ceilin', though. Or there's the room here in the left wing on the ground-floor where John the footman used to sleep. It's quite nice; perhaps he could have that."

"You 're awfully kind," said Shelton, "but--"

"I should like to do something to restore his self-respect,", went on Mrs. Dennant, "if, as you say, he 's clever and all that. Seein' a little refined life again might make a world of difference to him. It's so sad when a young man loses self-respect."

Shelton was much struck by the practical way in which she looked at things. Restore his self-respect! It seemed quite a splendid notion! He smiled, and said,

"You're too kind. I think--"

"I don't believe in doin' things by halves," said Mrs. Dennant; "he does n't drink, I suppose?"

"Oh, no," said Shelton. "He's rather a tobacco maniac, of course."

"Well, that's a mercy! You would n't believe the trouble I 've had with drink, especially over cooks and coachmen. And now Bunyan's taken to it."

"Oh, you'd have no trouble with Ferrand," returned Shelton; "you couldn't tell him from a gentleman as far as manners go."

Mrs. Dennant smiled one of her rather sweet and kindly smiles.

"My dear Dick," she said, "there's not much comfort in that. Look at poor Bobby Surcingle, look at Oliver Semples and Victor Medallion; you could n't have better families. But if you 're sure he does n't drink! Algy 'll laugh, of course; that does n't matter--he laughs at everything."

Shelton felt guilty; being quite unprepared for so rapid an adoption of his client.

"I really believe there's a lot of good in him," he stammered; "but, of course, I know very little, and from what he tells me he's had a very curious life. I shouldn't like--"

"Where was he educated?" inquired Mrs. Dennant. "They have no public schools in France, so I 've been told; but, of course, he can't help that, poor young fellow! Oh, and, Dick, there 's one thing--has he relations? One has always to be so careful about that. It 's one thing to help a young fellow, but quite another to help his family too. One sees so many cases of that where men marry girls without money, don't you know."

"He has told me," answered Shelton, "his only relations are some cousins, and they are rich."

Mrs. Dennant took out her handkerchief, and, bending above the rose, removed a tiny insect.

"These green-fly get in everywhere," she said.

"Very sad story; can't they do anything for him?" and she made researches in the rose's heart.

"He's quarrelled with them, I believe," said Shelton; "I have n't liked to press him, about that."

"No, of course not," assented Mrs. Dennant absently--she had found another green-fly "I always think it's painful when a young man seems so friendless."

Shelton was silent; he was thinking deeply. He had never before felt so distrustful of the youthful foreigner.

"I think," he said at last, "the best thing would be for you to see him for yourself."

"Very well," said Mrs. Dennant. "I should be so glad if you would tell him to come up. I must say I do think that was a most touchin' story about Paris. I wonder whether this light's strong enough now for me to photograph this rose."

Shelton withdrew and went down-stairs. Ferrand was still at breakfast. Antonia stood at the sideboard carving beef for him, and in the window sat Thea with her Persian kitten.

Both girls were following the traveller's movements with inscrutable blue eyes. A shiver ran down Shelton's spine. To speak truth, he cursed the young man's coming, as though it affected his relations with Antonia.

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