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XII. THE SQUIRE MAKES UP HIS MIND…

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Contents (383)
  1. Opening about 1 min
  2. Preface about 5 min
  3. Chapter I about 27 min
  4. II. OLD JOLYON GOES TO THE OPERA about 24 min
  5. III. DINNER AT SWITHIN'S about 21 min
  6. IV. PROJECTION OF THE HOUSE about 15 min
  7. V. A FORSYTE MENAGE about 10 min
  8. VI. JAMES AT LARGE about 14 min
  9. VII. OLD JOLYON'S PECCADILLO about 12 min
  10. VIII. PLANS OF THE HOUSE about 12 min
  11. IX. DEATH OF AUNT ANN about 14 min
  12. I. PROGRESS OF THE HOUSE about 12 min
  13. II. JUNE'S TREAT about 10 min
  14. III. DRIVE WITH SWITHIN about 16 min
  15. IV. JAMES GOES TO SEE FOR HIMSELF about 16 min
  16. V. SOAMES AND BOSINNEY CORRESPOND about 21 min
  17. VI. OLD JOLYON AT THE ZOO about 9 min
  18. VII. AFTERNOON AT TIMOTHY'S about 19 min
  19. VIII. DANCE AT ROGER'S about 13 min
  20. IX. EVENING AT RICHMOND about 16 min
  21. X. DIAGNOSIS OF A FORSYTE about 13 min
  22. XI. BOSINNEY ON PAROLE about 7 min
  23. XII. JUNE PAYS SOME CALLS about 13 min
  24. XIII. PERFECTION OF THE HOUSE about 12 min
  25. XIV. SOAMES SITS ON THE STAIRS about 6 min
  26. I. Mrs. MACANDER'S EVIDENCE about 17 min
  27. II. NIGHT IN THE PARK about 7 min
  28. III. MEETING AT THE BOTANICAL about 21 min
  29. IV. VOYAGE INTO THE INFERNO about 16 min
  30. V. THE TRIAL about 13 min
  31. VI. SOAMES BREAKS THE NEWS about 16 min
  32. VII. JUNE'S VICTORY about 12 min
  33. VIII. BOSINNEY'S DEPARTURE about 14 min
  34. IX. IRENE'S RETURN about 7 min
  35. Part 2 about 26 min
  36. XIV. II about 52 min
  37. I. AT TIMOTHY'S about 14 min
  38. II. EXIT A MAN OF THE WORLD about 18 min
  39. III. SOAMES PREPARES TO TAKE STEPS about 8 min
  40. IV. SOHO about 10 min
  41. V. JAMES SEES VISIONS about 8 min
  42. VI. NO-LONGER-YOUNG JOLYON AT HOME about 15 min
  43. VII. THE COLT AND THE FILLY about 7 min
  44. VIII. JOLYON PROSECUTES TRUSTEESHIP about 10 min
  45. IX. VAL HEARS THE NEWS about 12 min
  46. X. SOAMES ENTERTAINS THE FUTURE about 6 min
  47. XI. AND VISITS THE PAST about 8 min
  48. XII. ON FORSYTE 'CHANGE about 16 min
  49. XIII. JOLYON FINDS OUT WHERE HE IS about 8 min
  50. XIV. SOAMES DISCOVERS WHAT HE WANTS about 5 min
  51. I. THE THIRD GENERATION about 13 min
  52. II. SOAMES PUTS IT TO THE TOUCH about 14 min
  53. III. VISIT TO IRENE about 8 min
  54. IV. WHERE FORSYTES FEAR TO TREAD about 11 min
  55. V. JOLLY SITS IN JUDGMENT about 12 min
  56. VI. JOLYON IN TWO MINDS about 6 min
  57. VII. DARTIE VERSUS DARTIE about 16 min
  58. VIII. THE CHALLENGE about 7 min
  59. IX. DINNER AT JAMES' about 9 min
  60. X. DEATH OF THE DOG BALTHASAR about 6 min
  61. XI. TIMOTHY STAYS THE ROT about 9 min
  62. XII. PROGRESS OF THE CHASE about 8 min
  63. Chapter XIII about 13 min
  64. XIV. OUTLANDISH NIGHT about 4 min
  65. I. SOAMES IN PARIS about 10 min
  66. II. IN THE WEB about 5 min
  67. III. RICHMOND PARK about 10 min
  68. IV. OVER THE RIVER about 2 min
  69. V. SOAMES ACTS about 4 min
  70. VI. A SUMMER DAY about 10 min
  71. VII. A SUMMER NIGHT about 5 min
  72. VIII. JAMES IN WAITING about 5 min
  73. IX. OUT OF THE WEB about 13 min
  74. X. PASSING OF AN AGE about 15 min
  75. XI. SUSPENDED ANIMATION about 10 min
  76. XII. BIRTH OF A FORSYTE about 9 min
  77. XIII. JAMES IS TOLD about 7 min
  78. XIV. HIS about 5 min
  79. 3. AWAKENING and TO LET about 30 min
  80. I. ENCOUNTER about 2 h 18 min
  81. II. I MOTHER AND SON about 2 h 2 min
  82. III. I OLD JOLYON WALKS about 1 h 50 min
  83. I. Spring about 1 h 55 min
  84. II. SUMMER about 1 h 52 min
  85. III. AUTUMN about 1 h 42 min
  86. Prologue about 2 min
  87. Chapter I about 7 min
  88. Chapter II about 4 min
  89. Chapter III about 11 min
  90. Chapter IV about 10 min
  91. Chapter V about 10 min
  92. Chapter VI about 14 min
  93. Chapter VII about 10 min
  94. Chapter VIII about 19 min
  95. Chapter IX about 7 min
  96. Chapter X about 11 min
  97. Chapter XI about 9 min
  98. Chapter XII about 12 min
  99. Chapter XIII about 11 min
  100. Chapter XIV about 14 min
  101. Chapter XV about 11 min
  102. Chapter XVI about 17 min
  103. Chapter XVII about 9 min
  104. Chapter XVIII about 8 min
  105. Chapter XIX about 13 min
  106. Chapter XX about 8 min
  107. Chapter XXI about 8 min
  108. Chapter XXII about 13 min
  109. Chapter XXIII about 14 min
  110. Chapter XXIV about 16 min
  111. Chapter XXV about 13 min
  112. Chapter XXVI about 15 min
  113. Chapter XXVII about 10 min
  114. Chapter XXVIII about 18 min
  115. Chapter XXIX about 9 min
  116. Chapter XXX about 7 min
  117. Chapter XXXI about 12 min
  118. Chapter XXXII about 12 min
  119. Chapter XXXIII about 9 min
  120. Chapter XXXIV about 13 min
  121. Chapter XXXV about 7 min
  122. Chapter XXXVI about 7 min
  123. Chapter XXXVII about 11 min
  124. Chapter XXXVIII about 8 min
  125. Part I about 1 h 15 min
  126. Part II about 3 h 21 min
  127. Part III about 1 h 47 min
  128. Part IV about 1 h 41 min
  129. Preface about 6 h 38 min
  130. Part I about 1 h 40 min
  131. Part II about 1 h 48 min
  132. Part III about 2 h 13 min
  133. Part IV about 53 min
  134. Preface about 6 min
  135. I. SOCIETY about 11 min
  136. II. ANTONIA about 8 min
  137. III. A ZOOLOGICAL GARDEN about 9 min
  138. IV. THE PLAY about 12 min
  139. V. THE GOOD CITIZEN about 8 min
  140. VI. MARRIAGE SETTLEMENT about 8 min
  141. VII. THE CLUB about 9 min
  142. VIII. THE WEDDING about 5 min
  143. IX. THE DINNER about 5 min
  144. X. AN ALIEN about 8 min
  145. XI. THE VISION about 10 min
  146. XII. ROTTEN ROW about 5 min
  147. XIII. AN "AT HOME" about 9 min
  148. XIV. THE NIGHT CLUB about 8 min
  149. XV. POLE TO POLE about 11 min
  150. XVI. THE INDIAN CIVILIAN about 8 min
  151. XVII. A PARSON about 11 min
  152. XVIII. ACADEMIC about 10 min
  153. XIX. AN INCIDENT about 13 min
  154. XX. HOLM OAKS about 11 min
  155. XXI. ENGLISH about 7 min
  156. XXII. THE COUNTRY HOUSE about 10 min
  157. XXIII. THE STAINED-GLASS MAN about 7 min
  158. XXIV. PARADISE about 4 min
  159. XXV. THE RIDE about 7 min
  160. XXVI. THE BIRD 'OF PASSAGE about 10 min
  161. XXVII. SUB ROSA about 12 min
  162. XXVIII. THE RIVER about 4 min
  163. XXIX. ON THE WING about 10 min
  164. XXX. THE LADY FROM BEYOND about 8 min
  165. XXXI. THE STORM about 6 min
  166. XXXII. WILDERNESS about 15 min
  167. XXXIII. THE END about 7 min
  168. I. A PARTY AT WORSTED SKEYNES about 19 min
  169. II. THE COVERT SHOOT about 10 min
  170. III. THE BLISSFUL HOUR about 6 min
  171. IV. THE HAPPY HUNTING-GROUND about 9 min
  172. V. MRS. PENDYCE'S DANCE about 6 min
  173. VI. INFLUENCE OF THE REVEREND HUSSELL BARTER about 6 min
  174. VII. SABBATH AT WORSTED SKEYNES about 11 min
  175. VIII. GREGORY VIGIL PROPOSES about 9 min
  176. IX. MR. PARAMOR DISPOSES about 20 min
  177. X. AT BLAFARD'S about 7 min
  178. I. GREGORY REOPENS THE CAMPAIGN about 16 min
  179. II. CONTINUED INFLUENCE OF THE REVEREND HUSSELL BARTER about 14 min
  180. III. THE SINISTER NIGHT about 6 min
  181. IV. Mr. PENDYCE'S HEAD about 15 min
  182. V. RECTOR AND SQUIRE about 12 min
  183. VI. THE PARK about 8 min
  184. VII. DOUBTFUL POSITION AT WORSTED SKEYNES about 9 min
  185. VIII. COUNCIL AT WORSTED SKEYNES about 12 min
  186. IX. DEFINITION OF "PENDYCITIS" about 6 min
  187. X. GEORGE GOES FOR THE GLOVES about 10 min
  188. XI. MR. BARTER TAKES A WALK about 11 min
  189. XII. THE SQUIRE MAKES UP HIS MIND about 11 min
  190. I. MRS. PENDYCE'S ODYSSEY about 12 min
  191. II. THE SON AND THE MOTHER about 16 min
  192. III. MRS. BELLEW SQUARES HER ACCOUNTS about 3 min
  193. IV. MRS. PENDYCE'S INSPIRATION about 11 min
  194. V. THE MOTHER AND THE SON about 9 min
  195. VI. GREGORY LOOKS AT THE SKY about 9 min
  196. VII. TOUR WITH THE SPANIEL JOHN about 19 min
  197. VIII. ACUTE ATTACK OF 'PENDYCITIS' about 8 min
  198. IX. BELLEW BOWS TO A LADY about 9 min
  199. I. THE SHADOW about 17 min
  200. II. A FAMILY DISCUSSION about 12 min
  201. III. HILARY'S BROWN STUDY about 9 min
  202. IV. THE LITTLE MODEL about 8 min
  203. V. THE COMEDY BEGINS about 10 min
  204. VI. FIRST PILGRIMAGE TO HOUND STREET about 11 min
  205. VII. CECILIA'S SCATTERED THOUGHTS about 12 min
  206. VIII. THE SINGLE MIND OF MR. STONE about 17 min
  207. IX. HILARY GIVES CHASE about 7 min
  208. X. THE TROUSSEAU about 9 min
  209. XI. PEAR BLOSSOM about 3 min
  210. XII. SHIPS IN SAIL about 6 min
  211. XIII. SOUND IN THE NIGHT about 7 min
  212. XIV. A WALK ABROAD about 12 min
  213. XV. SECOND PILGRIMAGE TO HOUND STREET about 4 min
  214. XVI. BENEATH THE ELMS about 7 min
  215. XVII. TWO BROTHERS about 15 min
  216. XVIII. THE PERFECT DOG about 4 min
  217. XIX. BIANCA about 10 min
  218. XX. THE HUSBAND AND THE WIFE about 6 min
  219. XXI. A DAY OF REST about 17 min
  220. XXII. HILARY PUTS AN END TO IT about 9 min
  221. XXIII. THE "BOOK OF UNIVERSAL BROTHERHOOD" about 7 min
  222. XXIV. SHADOWLAND about 16 min
  223. XXV. MR. STONE IN WAITING about 4 min
  224. XXVI. THIRD PILGRIMAGE TO HOUND STREET about 9 min
  225. XXVII. STEPHEN'S PRIVATE LIFE about 17 min
  226. XXVIII. HILARY HEARS THE CUCKOO SING about 11 min
  227. XXIX. RETURN OF THE LITTLE MODEL about 12 min
  228. XXX. FUNERAL OF A BABY about 11 min
  229. XXXI. SWAN SONG about 12 min
  230. XXXII. BEHIND BIANCA'S VEIL about 8 min
  231. XXXIII. HILARY DEALS WITH THE SITUATION about 8 min
  232. XXXIV. THYME'S ADVENTURE about 10 min
  233. XXXV. A YOUNG GIRL'S MIND about 8 min
  234. XXXVI. STEPHEN SIGNS CHEQUES about 14 min
  235. XXXVII. THE FLOWERING OF THE ALOE about 9 min
  236. XXXVIII. THE HOME-COMING OF HUGHS about 9 min
  237. XXXIX. THE DUEL about 6 min
  238. XL. FINISH OF THE COMEDY about 6 min
  239. XLI. THE HOUSE OF HARMONY about 7 min
  240. Chapter I about 10 min
  241. Chapter II about 3 min
  242. Chapter III about 9 min
  243. Chapter IV about 4 min
  244. Chapter V about 12 min
  245. Chapter VI about 4 min
  246. Chapter VII about 16 min
  247. Chapter VIII about 9 min
  248. Chapter IX about 7 min
  249. Chapter X about 13 min
  250. Chapter XI about 10 min
  251. Chapter XII about 6 min
  252. Chapter XIII about 9 min
  253. Chapter XIV about 10 min
  254. Chapter XV about 5 min
  255. Chapter XVI about 9 min
  256. Chapter XVII about 9 min
  257. Chapter XVIII about 7 min
  258. Chapter XIX about 4 min
  259. Chapter XX about 13 min
  260. Chapter XXI about 6 min
  261. Chapter XXII about 10 min
  262. Chapter I about 9 min
  263. Chapter II about 8 min
  264. Chapter III about 9 min
  265. Chapter IV about 8 min
  266. Chapter V about 7 min
  267. Chapter VI about 7 min
  268. Chapter VII about 4 min
  269. Chapter VIII about 5 min
  270. Chapter IX about 4 min
  271. Chapter X about 6 min
  272. Chapter XI about 6 min
  273. Chapter XII about 5 min
  274. Chapter XIII about 5 min
  275. Chapter XIV about 5 min
  276. Chapter XV about 3 min
  277. Chapter XVI about 3 min
  278. Chapter XVII about 7 min
  279. Chapter XVIII about 6 min
  280. Chapter XIX about 4 min
  281. Chapter XX about 5 min
  282. Chapter XXI about 9 min
  283. Chapter XXII about 11 min
  284. Chapter XXIII about 4 min
  285. Chapter XXIV about 9 min
  286. Chapter XXV about 6 min
  287. Chapter XXVI about 10 min
  288. Chapter XXVII about 6 min
  289. Chapter XXVIII about 6 min
  290. Chapter XXIX about 9 min
  291. Chapter XXX (part 1 of 3) about 6 h 33 min
  292. Chapter XXX (part 2 of 3) about 6 h 58 min
  293. Chapter XXX (part 3 of 3) about 23 min
  294. Act I, Scene I about 3 min
  295. Act I, Scene II about 6 min
  296. Act I, Scene III about 19 min
  297. Act II, Scene I about 11 min
  298. Act II, Scene II about 17 min
  299. Act III about 21 min
  300. Act I about 27 min
  301. Act II about 26 min
  302. Act III about 26 min
  303. I. The dining-room of the Manager's house under 1 min
  304. III. The drawing-room of the Manager's house under 1 min
  305. Act I about 29 min
  306. Act II, Scene I about 19 min
  307. Act II, Scene II about 17 min
  308. Act III about 29 min
  309. III. The smoking-room; tea-time under 1 min
  310. Act I, Scene I about 5 min
  311. Act I, Scene II about 18 min
  312. Act II about 19 min
  313. Act III about 20 min
  314. Act III, Scene I about 5 min
  315. Act III, Scene II about 6 min
  316. Act III, Scene III about 7 min
  317. Act III, Scene IV about 4 min
  318. Act III, Scene V about 1 min
  319. Act III, Scene VI about 1 min
  320. II. Assizes. Afternoon. October under 1 min
  321. IV. The office of James and Walter How. Morning. March, two years later under 1 min
  322. Act I about 18 min
  323. Act II about 33 min
  324. Act III, Scene I about 9 min
  325. Act III, Scene II about 9 min
  326. Act III, Scene III about 3 min
  327. Act IV about 22 min
  328. IV. A small supper room at "The Gascony." under 1 min
  329. Act I about 21 min
  330. Act II about 21 min
  331. Act III about 11 min
  332. Act III, Scene II about 14 min
  333. Act IV about 14 min
  334. Act I about 24 min
  335. Act II about 26 min
  336. Act III about 20 min
  337. IV. The dining-room of More's house, late afternoon under 1 min
  338. Act I about 34 min
  339. Act III, Scene I about 6 min
  340. Act III, Scene II about 9 min
  341. Act IV about 17 min
  342. Act III, Scene I — STRANGWAY'S rooms. SCENE II. BURLACOMBE'S barn under 1 min
  343. Act I about 25 min
  344. Act II, Scene I about 14 min
  345. Act II, Scene II about 7 min
  346. Act II, Scene III about 4 min
  347. Act III, Scene I about 11 min
  348. Act III, Scene II about 9 min
  349. Act III, Scene III — Ante-room of the hall at LORD WILLIAM DROMONDY'S under 1 min
  350. Act I about 24 min
  351. Act II about 24 min
  352. Act III about 34 min
  353. Act I about 32 min
  354. Act II, Scene I about 23 min
  355. Act II, Scene II about 14 min
  356. Act III, Scene I about 13 min
  357. Act III, Scene II about 14 min
  358. Act III, Scene III — The Same under 1 min
  359. Act III, Scene I about 9 min
  360. Act III, Scene II about 13 min
  361. Act III, Scene III about 7 min
  362. Act III, Scene I about 8 min
  363. Act III, Scene II about 7 min
  364. Act III, Scene III about 58 min
  365. Characters under 1 min
  366. II. BUILDER'S Study. Lunchtime under 1 min
  367. Act I, Scene I about 13 min
  368. Act I, Scene II about 19 min
  369. Act II about 21 min
  370. Act III, Scene I about 13 min
  371. Act III, Scene II about 13 min
  372. Act III, Scene III about 6 min
  373. Persons of the Play about 1 min
  374. Act I, Scene I about 13 min
  375. Act I, Scene II about 16 min
  376. Act II, Scene I about 22 min
  377. Act III, Scene I about 18 min
  378. Act III, Scene II about 8 min
  379. Act III, Scene III about 7 min
  380. Persons of the Play under 1 min
  381. Act I about 30 min
  382. Act II about 29 min
  383. Act III about 18 min

Continue:

XII. THE SQUIRE MAKES UP HIS MIND

That same evening at nine o'clock, sitting over the last glass of a pint of port, Mr. Barter felt an irresistible longing for enjoyment, an impulse towards expansion and his fellow-men.

Taking his hat and buttoning his coat--for though the June evening was fine the easterly breeze was eager--he walked towards the village.

Like an emblem of that path to God of which he spoke on Sundays, the grey road between trim hedges threaded the shadow of the elm-trees where the rooks had long since gone to bed. A scent of wood-smoke clung in the air; the cottages appeared, the forge, the little shops facing the village green. Lights in the doors and windows deepened; a breeze, which hardly stirred the chestnut leaves, fled with a gentle rustling through the aspens. Houses and trees, houses and trees! Shelter through the past and through the days to come!

The Rector stopped the first man he saw.

"Fine weather for the hay, Aiken! How's your wife doing--a girl? Ah, ha! You want some boys! You heard of our event at the Rectory? I'm thankful to say----"

From man to man and house to house he soothed his thirst for fellowship, for the lost sense of dignity that should efface again the scar of suffering. And above him the chestnuts in their breathing stillness, the aspens with their tender rustling, seemed to watch and whisper: "Oh, little men! oh, little men!"

The moon, at the end of her first quarter, sailed out of the shadow of the churchyard--the same young moon that had sailed in her silver irony when the first Barter preached, the first Pendyce was Squire at Worsted Skeynes; the same young moon that, serene, ineffable, would come again when the last Barter slept, the last Pendyce was gone, and on their gravestones, through the amethystine air, let fall her gentle light.

The Rector thought:

'I shall set Stedman to work on that corner. We must have more room; the stones there are a hundred and fifty years old if they're a day. You can't read a single word. They'd better be the first to go.'

He passed on along the paddock footway leading to the Squire's.

Day was gone, and only the moonbeams lighted the tall grasses.

At the Hall the long French windows of the dining-room were open; the Squire was sitting there alone, brooding sadly above the remnants of the fruit he had been eating. Flanking him on either wall hung a silent company, the effigies of past Pendyces; and at the end, above the oak and silver of the sideboard, the portrait of his wife was looking at them under lifted brows, with her faint wonder.

He raised his head.

"Ah, Barter! How's your wife?"

"Doing as well as can be expected."

"Glad to hear that! A fine constitution--wonderful vitality. Port or claret?"

"Thanks; just a glass of port."

"Very trying for your nerves. I know what it is. We're different from the last generation; they thought nothing of it. When Charles was born my dear old father was out hunting all day. When my wife had George, it made me as nervous as a cat!"

The Squire stopped, then hurriedly added:

"But you're so used to it."

Mr. Barter frowned.

"I was passing Coldingham to-day," he said. "I saw Winlow. He asked after you."

"Ah! Winlow! His wife's a very nice woman. They've only the one child, I think?"

The Rector winced.

"Winlow tells me," he said abruptly, "that George has sold his horse."

The Squire's face changed. He glanced suspiciously at Mr. Barter, but the Rector was looking at his glass.

"Sold his horse! What's the meaning of that? He told you why, I suppose?"

The Rector drank off his wine.

"I never ask for reasons," he said, "where racing-men are concerned. It's my belief they know no more what they're about than so many dumb animals."

"Ah! racing-men!" said Mr. Pendyce. "But George doesn't bet."

A gleam of humour shot into the Rector's eyes. He pressed his lips together.

The Squire rose.

"Come now, Barter!" he said.

The Rector blushed. He hated tale-bearing--that is, of course, in the case of a man; the case of a woman was different--and just as, when he went to Bellew he had been careful not to give George away, so now he was still more on his guard.

"No, no, Pendyce."

The Squire began to pace the room, and Mr. Barter felt something stir against his foot; the spaniel John emerging at the end, just where the moonlight shone, a symbol of all that was subservient to the Squire, gazed up at his master with tragic eyes. 'Here, again,' they seemed to say, 'is something to disturb me!'

The Squire broke the silence.

"I've always counted on you, Barter; I count on you as I would on my own brother. Come, now, what's this about George?"

'After all,' thought the Rector, 'it's his father!'--"I know nothing but what they say," he blurted forth; "they talk of his having lost a lot of money. I dare say it's all nonsense. I never set much store by rumour. And if he's sold the horse, well, so much the better. He won't be tempted to gamble again."

But Horace Pendyce made no answer. A single thought possessed his bewildered, angry mind:

'My son a gambler! Worsted Skeynes in the hands of a gambler!'

The Rector rose.

"It's all rumour. You shouldn't pay any attention. I should hardly think he's been such a fool. I only know that I must get back to my wife. Good-night."

And, nodding but confused, Mr. Barter went away through the French window by which he had come.

The Squire stood motionless.

A gambler!

To him, whose existence was bound up in Worsted Skeynes, whose every thought had some direct or indirect connection with it, whose son was but the occupier of that place he must at last vacate, whose religion was ancestor-worship, whose dread was change, no word could be so terrible. A gambler!

It did not occur to him that his system was in any way responsible for George's conduct. He had said to Mr. Paramor: "I never had a system; I'm no believer in systems." He had brought him up simply as a gentleman. He would have preferred that George should go into the Army, but George had failed; he would have preferred that George should devote himself to the estate, marry, and have a son, instead of idling away his time in town, but George had failed; and so, beyond furthering his desire to join the Yeomanry, and getting him proposed for the Stoics' Club, what was there he could have done to keep him out of mischief? And now he was a gambler!

Once a gambler always a gambler!

To his wife's face, looking down from the wall, he said:

"He gets it from you!"

But for all answer the face stared gently.

Turning abruptly, he left the room, and the spaniel John, for whom he had been too quick, stood with his nose to the shut door, scenting for someone to come and open it.

Mr. Pendyce went to his study, took some papers from a locked drawer, and sat a long time looking at them. One was the draft of his will, another a list of the holdings at Worsted Skeynes, their acreage and rents, a third a fair copy of the settlement, re-settling the estate when he had married. It was at this piece of supreme irony that Mr. Pendyce looked longest. He did not read it, but he thought:

'And I can't cut it! Paramor says so! A gambler!'

That "crassness" common to all men in this strange world, and in the Squire intensified, was rather a process than a quality--obedience to an instinctive dread of what was foreign to himself, an instinctive fear of seeing another's point of view, an instinctive belief in precedent. And it was closely allied to his most deep and moral quality--the power of making a decision. Those decisions might be "crass" and stupid, conduce to unnecessary suffering, have no relation to morality or reason; but he could make them, and he could stick to them. By virtue of this power he was where he was, had been for centuries, and hoped to be for centuries to come. It was in his blood. By this alone he kept at bay the destroying forces that Time brought against him, his order, his inheritance; by this alone he could continue to hand down that inheritance to his son. And at the document which did hand it down he looked with angry and resentful eyes.

Men who conceive great resolutions do not always bring them forth with the ease and silence which they themselves desire. Mr. Pendyce went to his bedroom determined to say no word of what he had resolved to do. His wife was asleep. The Squire's entrance wakened her, but she remained motionless, with her eyes closed, and it was the sight of that immobility, when he himself was so disturbed, which drew from him the words:

"Did you know that George was a gambler?"

By the light of the candle in his silver candlestick her dark eyes seemed suddenly alive.

"He's been betting; he's sold his horse. He'd never have sold that horse unless he were pushed. For all I know, he may be posted at Tattersalls!"

The sheets shivered as though she who lay within them were struggling. Then came her voice, cool and gentle:

"All young men bet, Horace; you must know that!"

The Squire at the foot of the bed held up the candle; the movement had a sinister significance.

"Do you defend him?" it seemed to say. "Do you defy me?"

Gripping the bed-rail, he cried:

"I'll have no gambler and profligate for my son! I'll not risk the estate!"

Mrs. Pendyce raised herself, and for many seconds stared at her husband. Her heart beat furiously. It had come! What she had been expecting all these days had come! Her pale lips answered:

"What do you mean? I don't understand you, Horace."

Mr. Pendyce's eyes searched here and therefor what, he did not know.

"This has decided me," he said. "I'll have no half-measures. Until he can show me he's done with that woman, until he can prove he's given up this betting, until--until the heaven's fallen, I'll have no more to do with him!"

To Margery Pendyce, with all her senses quivering, that saying, "Until the heaven's fallen," was frightening beyond the rest. On the lips of her husband, those lips which had never spoken in metaphors, never swerved from the direct and commonplace, nor deserted the shibboleth of his order, such words had an evil and malignant sound.

He went on:

"I've brought him up as I was brought up myself. I never thought to have had a scamp for my son!"

Mrs. Pendyce's heart stopped fluttering.

"How dare you, Horace!" she cried.

The Squire, letting go the bed-rail, paced to and fro. There was something savage in the sound of his footsteps through the utter silence.

"I've made up my mind," he said. "The estate----"

There broke from Mrs. Pendyce a torrent of words:

"You talk of the way you brought George up! You--you never understood him! You--you never did anything for him! He just grew up like you all grow up in this-----" But no word followed, for she did not know herself what was that against which her soul had blindly fluttered its wings. "You never loved him as I do! What do I care about the estate? I wish it were sold! D'you think I like living here? D'you think I've ever liked it? D'you think I've ever----" But she did not finish that saying: D'you think I've ever loved you? "My boy a scamp! I've heard you laugh and shake your head and say a hundred times: 'Young men will be young men!' You think I don't know how you'd all go on if you dared! You think I don't know how you talk among yourselves! As for gambling, you'd gamble too, if you weren't afraid! And now George is in trouble----"

As suddenly as it had broken forth the torrent of her words dried up.

Mr. Pendyce had come back to the foot of the bed, and once more gripped the rail whereon the candle, still and bright, showed them each other's faces, very changed from the faces that they knew. In the Squire's lean brown throat, between the parted points of his stiff collar, a string seemed working. He stammered:

"You--you're talking like a madwoman! My father would have cut me off, his father would have cut him off! By God! do you think I'll stand quietly by and see it all played ducks and drakes with, and see that woman here, and see her son, a--a bastard, or as bad as a bastard, in my place? You don't know me!"

The last words came through his teeth like the growl of a dog. Mrs. Pendyce made the crouching movement of one who gathers herself to spring.

"If you give him up, I shall go to him; I will never come back!"

The Squire's grip on the rail relaxed; in the light of the candle, still and steady and bright--his jaw could be seen to fall. He snapped his teeth together, and turning abruptly, said:

"Don't talk such rubbish!"

Then, taking the candle, he went into his dressing-room.

And at first his feelings were simple enough; he had merely that sore sensation, that sense of raw offence, as at some gross and violent breach of taste.

'What madness,' he thought, 'gets into women! It would serve her right if I slept here!'

He looked around him. There was no place where he could sleep, not even a sofa, and taking up the candle, he moved towards the door. But a feeling of hesitation and forlornness rising, he knew not whence, made him pause irresolute before the window.

The young moon, riding low, shot her light upon his still, lean figure, and in that light it was strange to see how grey he looked--grey from head to foot, grey, and sad, and old, as though in summary of all the squires who in turn had looked upon that prospect frosted with young moonlight to the boundary of their lands. Out in the paddock he saw his old hunter Bob, with his head turned towards the house; and from the very bottom of his heart he sighed.

In answer to that sigh came a sound of something falling outside against the door. He opened it to see what might be there. The spaniel John, lying on a cushion of blue linen, with his head propped up against the wall, darkly turned his eyes.

'I am here, master,' he seemed to say; 'it is late--I was about to go to sleep; it has done me good, however, to see you;' and hiding his eyes from the light under a long black ear, he drew a stertorous breath. Mr. Pendyce shut-to the door. He had forgotten the existence of his dog. But, as though with the sight of that faithful creature he had regained belief in all that he was used to, in all that he was master of, in all that was--himself, he opened the bedroom door and took his place beside his wife.

And soon he was asleep.

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I. MRS. PENDYCE'S ODYSSEY

But Mrs. Pendyce did not sleep. That blessed anodyne of the long day spent in his farmyards and fields was on her husband's eyes--no anodyne on hers; and through them, all that was deep, most hidden, sacred, was laid open to the darkness. If only those eyes could have been seen that night! But if the darkness had been light, nothing of all this so deep and sacred would have been there to see, for more deep, more sacred still, in Margery Pendyce, was the instinct of a lady. So elastic and so subtle, so interwoven of consideration for others and consideration for herself, so old, so very old, this instinct wrapped her from all eyes, like a suit of armour of the finest chain. The night must have been black indeed when she took that off and lay without it in the darkness.

With the first light she put it on again, and stealing from bed, bathed long and stealthily those eyes which felt as though they had been burned all night; thence went to the open window and leaned out. Dawn had passed, the birds were at morning music. Down there in the garden her flowers were meshed with the grey dew, and the trees were grey, spun with haze; dim and spectrelike, the old hunter, with his nose on the paddock rail, dozed in the summer mist.

And all that had been to her like prison out there, and all that she had loved, stole up on the breath of the unaired morning, and kept beating in her face, fluttering at the white linen above her heart like the wings of birds flying.

The first morning song ceased, and at the silence the sun smiled out in golden irony, and everything was shot with colour. A wan glow fell on Mrs. Pendyce's spirit, that for so many hours had been heavy and grey in lonely resolution. For to her gentle soul, unused to action, shrinking from violence, whose strength was the gift of the ages, passed into it against her very nature, the resolution she had formed was full of pain. Yet painful, even terrible in its demand for action, it did not waver, but shone like a star behind the dark and heavy clouds. In Margery Pendyce (who had been a Totteridge) there was no irascible and acrid "people's blood," no fierce misgivings, no ill-digested beer and cider--it was pure claret in her veins--she had nothing thick and angry in her soul to help her; that which she had resolved she must carry out, by virtue of a thin, fine flame, breathing far down in her--so far that nothing could extinguish it, so far that it had little warmth. It was not "I will not be overridden" that her spirit felt, but "I must not be over-ridden, for if I am over-ridden, I, and in me something beyond me, more important than myself, is all undone." And though she was far from knowing this, that something was her country's civilisation, its very soul, the meaning of it all gentleness, balance. Her spirit, of that quality so little gross that it would never set up a mean or petty quarrel, make mountains out of mole-hills, distort proportion, or get images awry, had taken its stand unconsciously, no sooner than it must, no later than it ought, and from that stand would not recede. The issue had passed beyond mother love to that self-love, deepest of all, which says:

"Do this, or forfeit the essence of your soul"

And now that she stole to her bed again, she looked at her sleeping husband whom she had resolved to leave, with no anger, no reproach, but rather with a long, incurious look which toad nothing even to herself.

So, when the morning came of age and it was time to rise, by no action, look, or sign, did she betray the presence of the unusual in her soul. If this which was before her must be done, it would be carried out as though it were of no import, as though it were a daily action; nor did she force herself to quietude, or pride herself thereon, but acted thus from instinct, the instinct for avoiding fuss and unnecessary suffering that was bred in her.

Mr. Pendyce went out at half-past ten accompanied by his bailiff and the spaniel John. He had not the least notion that his wife still meant the words she had spoken overnight. He had told her again while dressing that he would have no more to do with George, that he would cut him out of his will, that he would force him by sheer rigour to come to heel, that, in short, he meant to keep his word, and it would have been unreasonable in him to believe that a woman, still less his wife, meant to keep hers.

Mrs. Pendyce spent the early part of the morning in the usual way. Half an hour after the Squire went out she ordered the carriage round, had two small trunks, which she had packed herself, brought down, and leisurely, with her little green bag, got in. To her maid, to the butler Bester, to the coachman Benson, she said that she was going up to stay with Mr. George. Norah and Bee were at the Tharps', so that there was no one to take leave of but old Roy, the Skye; and lest that leave-taking should prove too much for her, she took him with her to the station.

For her husband she left a little note, placing it where she knew he must see it at once, and no one else see it at all. "DEAR HORACE,

"I have gone up to London to be with George. My address will be Green's Hotel, Bond Street. You will remember what I said last night. Perhaps you did not quite realise that I meant it. Take care of poor old Roy, and don't let them give him too much meat this hot weather. Jackman knows better than Ellis how to manage the roses this year. I should like to be told how poor Rose Barter gets on. Please do not worry about me. I shall write to dear Gerald when necessary, but I don't feel like writing to him or the girls at present.

"Good-bye, dear Horace; I am sorry if I grieve you.

"Your wife, "MARGERY PENDYCE."

Just as there was nothing violent in her manner of taking this step, so there was nothing violent in her conception of it. To her it was not running away, a setting of her husband at defiance; there was no concealment of address, no melodramatic "I cannot come back to you." Such methods, such pistol-holdings, would have seemed to her ridiculous. It is true that practical details, such as the financial consequences, escaped the grasp of her mind, but even in this, her view, or rather lack of view, was really the wide, the even one. Horace would not let her starve: the idea was inconceivable. There was, too, her own three hundred a year. She had, indeed, no idea how much this meant, or what it represented, neither was she concerned, for she said to herself, "I should be quite happy in a cottage with Roy and my flowers;" and though, of course, she had not the smallest experience to go by, it was quite possible that she was right. Things which to others came only by money, to a Totteridge came without, and even if they came not, could well be dispensed with--for to this quality of soul, this gentle self-sufficiency, had the ages worked to bring her.

Yet it was hastily and with her head bent that she stepped from the carriage at the station, and the old Skye, who from the brougham seat could just see out of the window, from the tears on his nose that were not his own, from something in his heart that was, knew this was no common parting and whined behind the glass.

Mrs. Pendyce told her cabman to drive to Green's Hotel, and it was only after she had arrived, arranged her things, washed, and had lunch, that the beginnings of confusion and home-sickness stirred within her. Up to then a simmering excitement had kept her from thinking of how she was to act, or of what she had hoped, expected, dreamed, would come of her proceedings. Taking her sunshade, she walked out into Bond Street.

A passing man took off his hat.

'Dear me,' she thought, 'who was that? I ought to know!'

She had a rather vague memory for faces, and though she could not recall his name, felt more at home at once, not so lonely and adrift. Soon a quaint brightness showed in her eyes, looking at the toilettes of the passers-by, and at each shop-front, more engrossing than the last. Pleasure, like that which touches the soul of a young girl at her first dance, the souls of men landing on strange shores, touched Margery Pendyce. A delicious sense of entering the unknown, of braving the unexpected, and of the power to go on doing this delightfully for ever, enveloped her with the gay London air of this bright June day. She passed a perfume shop, and thought she had never smelt anything so nice. And next door she lingered long looking at some lace; and though she said to herself, "I must not buy anything; I shall want all my money for poor George," it made no difference to that sensation of having all things to her hand.

A list of theatres, concerts, operas confronted her in the next window, together with the effigies of prominent artistes. She looked at them with an eagerness that might have seemed absurd to anyone who saw her standing there. Was there, indeed, all this going on all day and every day, to be seen and heard for so few shillings? Every year, religiously, she had visited the opera once, the theatre twice, and no concerts; her husband did not care for music that was "classical." While she was standing there a woman begged of her, looking very tired and hot, with a baby in her arms so shrivelled and so small that it could hardly be seen. Mrs. Pendyce took out her purse and gave her half a crown, and as she did so felt a gush of feeling which was almost rage.

'Poor little baby!' she thought. 'There must be thousands like that, and I know nothing of them!'

She smiled to the woman, who smiled back at her; and a fat Jewish youth in a shop doorway, seeing them smile, smiled too, as though he found them charming. Mrs. Pendyce had a feeling that the town was saying pretty things to her, and this was so strange and pleasant that she could hardly believe it, for Worsted Skeynes had omitted to say that sort of thing to her for over thirty years. She looked in the window of a hat shop, and found pleasure in the sight of herself. The window was kind to her grey linen, with black velvet knots and guipure, though it was two years old; but, then, she had only been able to wear it once last summer, owing to poor Hubert's death. The window was kind, too, to her cheeks, and eyes, which had that touching brightness, and to the silver-powdered darkness of her hair. And she thought: 'I don't look so very old!' But her own hat reflected in the hat-shop window displeased her now; it turned down all round, and though she loved that shape, she was afraid it was not fashionable this year. And she looked long in the window of that shop, trying to persuade herself that the hats in there would suit her, and that she liked what she did not like. In other shop windows she looked, too. It was a year since she had seen any, and for thirty-four years past she had only seen them in company with the Squire or with her daughters, none of whom cared much for shops.

The people, too, were different from the people that she saw when she went about with Horace or her girls. Almost all seemed charming, having a new, strange life, in which she--Margery Pendyce--had unaccountably a little part; as though really she might come to know them, as though they might tell her something of themselves, of what they felt and thought, and even might stand listening, taking a kindly interest in what she said. This, too, was strange, and a friendly smile became fixed upon her face, and of those who saw it--shop-girls, women of fashion, coachmen, clubmen, policemen--most felt a little warmth about their hearts; it was pleasant to see on the lips of that faded lady with the silvered arching hair under a hat whose brim turned down all round.

So Mrs. Pendyce came to Piccadilly and turned westward towards George's club. She knew it well, for she never failed to look at the windows when she passed, and once--on the occasion of Queen Victoria's Jubilee--had spent a whole day there to see that royal show.

She began to tremble as she neared it, for though she did not, like the Squire, torture her mind with what might or might not come to pass, care had nested in her heart.

George was not in his club, and the porter could not tell her where he was. Mrs. Pendyce stood motionless. He was her son; how could she ask for his address? The porter waited, knowing a lady when he saw one. Mrs. Pendyce said gently:

"Is there a room where I could write a note, or would it be----"

"Certainly not, ma'am. I can show you to a room at once."

And though it was only a mother to a son, the porter preceded her with the quiet discretion of one who aids a mistress to her lover; and perhaps he was right in his view of the relative values of love, for he had great experience, having lived long in the best society.

On paper headed with the fat white "Stoics' Club," so well known on George's letters, Mrs. Pendyce wrote what she had to say. The little dark room where she sat was without sound, save for the buzzing of a largish fly in a streak of sunlight below the blind. It was dingy in colour; its furniture was old. At the Stoics' was found neither the new art nor the resplendent drapings of those larger clubs sacred to the middle classes. The little writing-room had an air of mourning: "I am so seldom used; but be at home in me; you might find me tucked away in almost any country-house!"

Yet many a solitary Stoic had sat there and written many a note to many a woman. George, perhaps, had written to Helen Bellew at that very table with that very pen, and Mrs. Pendyce's heart ached jealously.

"DEAREST GEORGE" (she wrote),

"I have something very particular to tell you. Do come to me at Green's Hotel. Come soon, my dear. I shall be lonely and unhappy till I see you. "Your loving "MARGERY PENDYCE."

And this note, which was just what she would have sent to a lover, took that form, perhaps unconsciously, because she had never had a lover thus to write to.

She slipped the note and half a crown diffidently into the porter's hand; refused his offer of some tea, and walked vaguely towards the Park.

It was five o'clock; the sun was brighter than ever. People in carriages and people on foot in one leisurely, unending stream were filing in at Hyde Park Corner. Mrs. Pendyce went, too, and timidly--she was unused to traffic--crossed to the further side and took a chair. Perhaps George was in the Park and she might see him; perhaps Helen Bellew was there, and she might see her; and the thought of this made her heart beat and her eyes under their uplifted brows stare gently at each figure-old men and young men, women of the world, fresh young girls. How charming they looked, how sweetly they were dressed! A feeling of envy mingled with the joy she ever felt at seeing pretty things; she was quite unconscious that she herself was pretty under that hat whose brim turned down all round. But as she sat a leaden feeling slowly closed her heart, varied by nervous flutterings, when she saw someone whom she ought to know. And whenever, in response to a salute, she was forced to bow her head, a blush rose in her cheeks, a wan smile seemed to make confession:

"I know I look a guy; I know it's odd for me to be sitting here alone!"

She felt old--older than she had ever felt before. In the midst of this gay crowd, of all this life and sunshine, a feeling of loneliness which was almost fear--a feeling of being utterly adrift, cut off from all the world--came over her; and she felt like one of her own plants, plucked up from its native earth, with all its poor roots hanging bare, as though groping for the earth to cling to. She knew now that she had lived too long in the soil that she had hated; and was too old to be transplanted. The custom of the country--that weighty, wingless creature born of time and of the earth--had its limbs fast twined around her. It had made of her its mistress, and was not going to let her go.

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II. THE SON AND THE MOTHER

Harder than for a camel to pass through the eye of a needle is it for a man to become a member of the Stoics' Club, except by virtue of the hereditary principle; for unless he be nourished he cannot be elected, and since by the club's first rule he may have no occupation whatsoever, he must be nourished by the efforts of those who have gone before. And the longer they have gone before the more likely he is to receive no blackballs.

Yet without entering into the Stoics' Club it is difficult for a man to attain that supreme outward control which is necessary to conceal his lack of control within; and, indeed, the club is an admirable instance of how Nature places the remedy to hand for the disease. For, perceiving how George Pendyce and hundreds of other young men "to the manner born" had lived from their birth up in no connection whatever with the struggles and sufferings of life, and fearing lest, when Life in her careless and ironical fashion brought them into abrupt contact with ill-bred events they should make themselves a nuisance by their cries of dismay and wonder, Nature had devised a mask and shaped it to its highest form within the portals of the Stoics' Club. With this mask she clothed the faces of these young men whose souls she doubted, and called them--gentlemen. And when she, and she alone, heard their poor squeaks behind that mask, as Life placed clumsy feet on them, she pitied them, knowing that it was not they who were in fault, but the unpruned system which had made them what they were. And in her pity she endowed many of them with thick skins, steady feet, and complacent souls, so that, treading in well-worn paths their lives long, they might slumber to their deaths in those halls where their fathers had slumbered to their deaths before them. But sometimes Nature (who was not yet a Socialist) rustled her wings and heaved a sigh, lest the excesses and excrescences of their system should bring about excesses and excrescences of the opposite sort. For extravagance of all kinds was what she hated, and of that particular form of extravagance which Mr. Paramor so vulgarly called "Pendycitis" she had a horror.

It may happen that for long years the likeness between father and son will lie dormant, and only when disintegrating forces threaten the links of the chain binding them together will that likeness leap forth, and by a piece of Nature's irony become the main factor in destroying the hereditary principle for which it is the silent, the most worthy, excuse.

It is certain that neither George nor his father knew the depth to which this "Pendycitis" was rooted in the other; neither suspected, not even in themselves, the amount of essential bulldog at the bottom of their souls, the strength of their determination to hold their own in the way that would cause the greatest amount of unnecessary suffering. They did not deliberately desire to cause unnecessary suffering; they simply could not help an instinct passed by time into their fibre, through atrophy of the reasoning powers and the constant mating, generation after generation, of those whose motto had been, "Kings of our own dunghills." And now George came forward, defying his mother's belief that he was a Totteridge, as champion of the principle in tail male; for in the Totteridges, from whom in this stress he diverged more and more towards his father's line, there was some freer strain, something non-provincial, and this had been so ever since Hubert de-Totteridge had led his private crusade, from which he had neglected to return. With the Pendyces it had been otherwise; from immemorial time "a county family," they had construed the phrase literally, had taken no poetical licences. Like innumerable other county families, they were perforce what their tradition decreed--provincial in their souls.

George, a man-about-town, would have stared at being called provincial, but a man cannot stare away his nature. He was provincial enough to keep Mrs. Bellew bound when she herself was tired of him, and consideration for her, and for his own self-respect asked him to give her up. He had been keeping her bound for two months or more. But there was much excuse for him. His heart was sore to breaking-point; he was sick with longing, and deep, angry wonder that he, of all men, should be cast aside like a worn-out glove. Men tired of women daily--that was the law. But what was this? His dogged instinct had fought against the knowledge as long as he could, and now that it was certain he fought against it still. George was a true Pendyce!

To the world, however, he behaved as usual. He came to the club about ten o'clock to eat his breakfast and read the sporting papers. Towards noon a hansom took him to the railway-station appropriate to whatever race-meeting was in progress, or, failing that, to the cricket-ground at Lord's, or Prince's Tennis Club. Half-past six saw him mounting the staircase at the Stoics' to that card-room where his effigy still hung, with its look of "Hard work, hard work; but I must keep it going!" At eight he dined, a bottle of champagne screwed deep down into ice, his face flushed with the day's sun, his shirt-front and his hair shining with gloss. What happier man in all great London!

But with the dark the club's swing-doors opened for his passage into the lighted streets, and till next morning the world knew him no more. It was then that he took revenge for all the hours he wore a mask. He would walk the pavements for miles trying to wear himself out, or in the Park fling himself down on a chair in the deep shadow of the trees, and sit there with his arms folded and his head bowed down. On other nights he would go into some music-hall, and amongst the glaring lights, the vulgar laughter, the scent of painted women, try for a moment to forget the face, the laugh, the scent of that woman for whom he craved. And all the time he was jealous, with a dumb, vague jealousy of he knew not whom; it was not his nature to think impersonally, and he could not believe that a woman would drop him except for another man. Often he went to her Mansions, and walked round and round casting a stealthy stare at her windows. Twice he went up to her door, but came away without ringing the bell. One evening, seeing a light in her sitting-room, he rang, but there came no answer. Then an evil spirit leaped up in him, and he rang again and again. At last he went away to his room--a studio he had taken near--and began to write to her. He was long composing that letter, and many times tore it up; he despised the expression of feelings in writing. He only tried because his heart wanted relief so badly. And this, in the end, was all that he produced:

"I know you were in to-night. It's the only time I've come. Why couldn't you have let me in? You've no right to treat me like this. You are leading me the life of a dog." GEORGE.

The first light was silvering the gloom above the river, the lamps were paling to the day, when George went out and dropped this missive in the letter-box. He came back to the river and lay down on an empty bench under the plane-trees of the Embankment, and while he lay there one of those without refuge or home, who lie there night after night, came up unseen and looked at him.

But morning comes, and with it that sense of the ridiculous, so merciful to suffering men. George got up lest anyone should see a Stoic lying there in his evening clothes; and when it became time he put on his mask and sallied forth. At the club he found his mother's note, and set out for her hotel.

Mrs. Pendyce was not yet down, but sent to ask him to come up. George found her standing in her dressing-gown in the middle of the room, as though she knew not where to place herself for this, their meeting. Only when he was quite close did she move and throw her arms round his neck. George could not see her face, and his own was hidden from her, but through the thin dressing-gown he felt her straining to him, and her arms that had pulled his head down quivering; and for a moment it seemed to him as if he were dropping a burden. But only for a moment, for at the clinging of those arms his instinct took fright. And though she was smiling, the tears were in her eyes, and this offended him.

"Don't, mother!"

Mrs. Pendyce's answer was a long look. George could not bear it, and turned away.

"Well," he said gruffly, "when you can tell me what's brought you up----"

Mrs. Pendyce sat down on the sofa. She had been brushing her hair; though silvered, it was still thick and soft, and the sight of it about her shoulders struck George. He had never thought of her having hair that would hang down.

Sitting on the sofa beside her, he felt her fingers stroking his, begging him not to take offence and leave her. He felt her eyes trying to see his eyes, and saw her lips trembling; but a stubborn, almost evil smile was fixed upon his face.

"And so, dear--and so," she stammered, "I told your father that I couldn't see that done, and so I came up to you."

Many sons have found no hardship in accepting all that their mothers do for them as a matter of right, no difficulty in assuming their devotion a matter of course, no trouble in leaving their own affections to be understood; but most sons have found great difficulty in permitting their mothers to diverge one inch from the conventional, to swerve one hair's breadth from the standard of propriety appropriate to mothers of men of their importance.

It is decreed of mothers that their birth pangs shall not cease until they die.

And George was shocked to hear his mother say that she had left his father to come to him. It affected his self-esteem in a strange and subtle way. The thought that tongues might wag about her revolted his manhood and his sense of form. It seemed strange, incomprehensible, and wholly wrong; the thought, too, gashed through his mind: 'She is trying to put pressure on me!'

"If you think I'll give her up, Mother----" he said.

Mrs. Pendyce's fingers tightened.

"No, dear," she answered painfully; "of course, if she loves you so much, I couldn't ask you. That's why I----"

George gave a grim little laugh.

"What on earth can you do, then? What's the good of your coming up like this? How are you to get on here all alone? I can fight my own battles. You'd much better go back."

Mrs. Pendyce broke in:

"Oh, George; I can't see you cast off from us! I must be with you!"

George felt her trembling all over. He got up and walked to the window. Mrs. Pendyce's voice followed:

"I won't try to separate you, George; I promise, dear. I couldn't, if she loves you, and you love her so!"

Again George laughed that grim little laugh. And the fact that he was deceiving her, meant to go on deceiving her, made him as hard as iron.

"Go back, Mother!" he said. "You'll only make things worse. This isn't a woman's business. Let father do what he likes; I can hold on!"

Mrs. Pendyce did not answer, and he was obliged to look round. She was sitting perfectly still with her hands in her lap, and his man's hatred of anything conspicuous happening to a woman, to his own mother of all people, took fiercer fire.

"Go back!" he repeated, "before there's any fuss! What good can you possibly do? You can't leave father; that's absurd! You must go!"

Mrs. Pendyce answered:

"I can't do that, dear."

George made an angry sound, but she was so motionless and pale that he dimly perceived how she was suffering, and how little he knew of her who had borne him.

Mrs. Pendyce broke the silence:

"But you, George dear? What is going to happen? How are you going to manage?" And suddenly clasping her hands: "Oh! what is coming?"

Those words, embodying all that had been in his heart so long, were too much for George. He went abruptly to the door.

"I can't stop now," he said; "I'll come again this evening."

Mrs. Pendyce looked up.

"Oh, George"

But as she had the habit of subordinating her feelings to the feelings of others, she said no more, but tried to smile.

That smile smote George to the heart.

"Don't worry, Mother; try and cheer up. We'll go to the theatre. You get the tickets!"

And trying to smile too, but turning lest he should lose his self-control, he went away.

In the hall he came on his uncle, General Pendyce. He came on him from behind, but knew him at once by that look of feeble activity about the back of his knees, by his sloping yet upright shoulders, and the sound of his voice, with its dry and querulous precision, as of a man whose occupation has been taken from him.

The General turned round.

"Ah, George," he said, "your mother's here, isn't she? Look at this that your father's sent me!"

He held out a telegram in a shaky hand.

"Margery up at Green's Hotel. Go and see her at once. HORACE."

And while George read the General looked at his nephew with eyes that were ringed by little circles of darker pigment, and had crow's-footed purses of skin beneath, earned by serving his country in tropical climes.

"What's the meaning of it?" he said. "Go and see her? Of course, I'll go and see her! Always glad to see your mother. But where's all the hurry?"

George perceived well enough that his father's pride would not let him write to her, and though it was for himself that his mother had taken this step, he sympathised with his father. The General fortunately gave him little time to answer.

"She's up to get herself some dresses, I suppose? I've seen nothing of you for a long time. When are you coming to dine with me? I heard at Epsom that you'd sold your horse. What made you do that? What's your father telegraphing to me like this for? It's not like him. Your mother's not ill, is she?"

George shook his head, and muttering something about "Sorry, an engagement--awful hurry," was gone.

Left thus abruptly to himself, General Pendyce summoned a page, slowly pencilled something on his card, and with his back to the only persons in the hall, waited, his hands folded on the handle of his cane. And while he waited he tried as far as possible to think of nothing. Having served his country, his time now was nearly all devoted to waiting, and to think fatigued and made him feel discontented, for he had had sunstroke once, and fever several times. In the perfect precision of his collar, his boots, his dress, his figure; in the way from time to time he cleared his throat, in the strange yellow driedness of his face between his carefully brushed whiskers, in the immobility of his white hands on his cane, he gave the impression of a man sucked dry by a system. Only his eyes, restless and opinionated, betrayed the essential Pendyce that was behind.

He went up to the ladies' drawing-room, clutching that telegram. It worried him. There was something odd about it, and he was not accustomed to pay calls in the morning. He found his sister-in-law seated at an open window, her face unusually pink, her eyes rather defiantly bright. She greeted him gently, and General Pendyce was not the man to discern what was not put under his nose. Fortunately for him, that had never been his practice.

"How are you, Margery?" he said. "Glad to see you in town. How's Horace? Look here what he's sent me!" He offered her the telegram, with the air of slightly avenging an offence; then added in surprise, as though he had lust thought of it: "Is there anything I can do for you?"

Mrs. Pendyce read the telegram, and she, too, like George, felt sorry for the sender.

"Nothing, thanks, dear Charles," she said slowly. "I'm all right. Horace gets so nervous!"

General Pendyce looked at her; for a moment his eyes flickered, then, since the truth was so improbable and so utterly in any case beyond his philosophy, he accepted her statement.

"He shouldn't go sending telegrams like this," he said. "You might have been ill for all I could tell. It spoiled my breakfast!" For though, as a fact, it had not prevented his completing a hearty meal, he fancied that he felt hungry. "When I was quartered at Halifax there was a fellow who never sent anything but telegrams. Telegraph Jo they called him. He commanded the old Bluebottles. You know the old Bluebottles? If Horace is going to take to this sort of thing he'd better see a specialist; it's almost certain to mean a breakdown. You're up about dresses, I see. When do you come to town? The season's getting on."

Mrs. Pendyce was not afraid of her husband's brother, for though punctilious and accustomed to his own way with inferiors, he was hardly a man to inspire awe in his social equals. It was, therefore, not through fear that she did not tell him the truth, but through an instinct for avoiding all unnecessary suffering too strong for her, and because the truth was really untellable. Even to herself it seemed slightly ridiculous, and she knew the poor General would take it so dreadfully to heart.

"I don't know about coming up this season. The garden is looking so beautiful, and there's Bee's engagement. The dear child is so happy!"

The General caressed a whisker with his white hand.

"Ah yes," he said--"young Tharp! Let's see, he's not the eldest. His brother's in my old corps. What does this young fellow do with himself?"

Mrs. Pendyce answered:

"He's only farming. I'm afraid he'll have nothing to speak of, but he's a dear good boy. It'll be a long engagement. Of course, there's nothing in farming, and Horace insists on their having a thousand a year. It depends so much on Mr. Tharp. I think they could do perfectly well on seven hundred to start with, don't you, Charles?"

General Pendyce's answer was not more conspicuously to the point than usual, for he was a man who loved to pursue his own trains of thought.

"What about George?", he said. "I met him in the hall as I was coming in, but he ran off in the very deuce of a hurry. They told me at Epsom that he was hard hit."

His eyes, distracted by a fly for which he had taken a dislike, failed to observe his sister-in-law's face.

"Hard hit?" she repeated.

"Lost a lot of money. That won't do, you know, Margery--that won't do. A little mild gambling's one thing."

Mrs. Pendyce said nothing; her face was rigid: It was the face of a woman on the point of saying: "Do not compel me to hint that you are boring me!"

The General went on:

"A lot of new men have taken to racing that no one knows anything about. That fellow who bought George's horse, for instance; you'd never have seen his nose in Tattersalls when I was a young man. I find when I go racing I don't know half the colours. It spoils the pleasure. It's no longer the close borough that it was. George had better take care what he's about. I can't imagine what we're coming to!"

On Margery Pendyce's hearing, those words, "I can't imagine what we're coming to," had fallen for four-and-thirty years, in every sort of connection, from many persons. It had become part of her life, indeed, to take it for granted that people could imagine nothing; just as the solid food and solid comfort of Worsted Skeynes and the misty mornings and the rain had become part of her life. And it was only the fact that her nerves were on edge and her heart bursting that made those words seem intolerable that morning; but habit was even now too strong, and she kept silence.

The General, to whom an answer was of no great moment, pursued his thoughts.

"And you mark my words, Margery; the elections will go against us. The country's in a dangerous state."

Mrs. Pendyce said:

"Oh, do you think the Liberals will really get in?"

From custom there was a shade of anxiety in her voice which she did not feel.

"Think?" repeated General Pendyce. "I pray every night to God they won't!"

Folding both hands on the silver knob of his Malacca cane, he stared over them at the opposing wall; and there was something universal in that fixed stare, a sort of blank and not quite selfish apprehension. Behind his personal interests his ancestors had drilled into him the impossibility of imagining that he did not stand for the welfare of his country. Mrs. Pendyce, who had so often seen her husband look like that, leaned out of the window above the noisy street.

The General rose.

"Well," he said, "if I can't do anything for you, Margery, I'll take myself off; you're busy with your dressmakers. Give my love to Horace, and tell him not to send me another telegram like that."

And bending stiffly, he pressed her hand with a touch of real courtesy and kindness, took up his hat, and went away. Mrs. Pendyce, watching him descend the stairs, watching his stiff sloping shoulders, his head with its grey hair brushed carefully away from the centre parting, the backs of his feeble, active knees, put her hand to her breast and sighed, for with him she seemed to see descending all her past life, and that one cannot see unmoved.

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III. MRS. BELLEW SQUARES HER ACCOUNTS

Mrs. Bellew sat on her bed smoothing out the halves of a letter; by her side was her jewel-case. Taking from it an amethyst necklet, an emerald pendant, and a diamond ring, she wrapped them in cottonwool, and put them in an envelope. The other jewels she dropped one by one into her lap, and sat looking at them. At last, putting two necklets and two rings back into the jewel-case, she placed the rest in a little green box, and taking that and the envelope, went out. She called a hansom, drove to a post-office, and sent a telegram:

PENDYCE, STOICS' CLUB. "Be at studio six to seven.--H."

From the post-office she drove to her jeweller's, and many a man who saw her pass with the flush on her cheeks and the smouldering look in her eyes, as though a fire were alight within her, turned in his tracks and bitterly regretted that he knew not who she was, or whither going. The jeweller took the jewels from the green box, weighed them one by one, and slowly examined each through his lens. He was a little man with a yellow wrinkled face and a weak little beard, and having fixed in his mind the sum that he would give, he looked at his client prepared to mention less. She was sitting with her elbows on the counter, her chin resting in her hands, and her eyes were fixed on him. He decided somehow to mention the exact sum.

"Is that all?"

"Yes, madam; that is the utmost."

"Very well, but I must have it now in cash!"

The jeweller's eyes flickered.

"It's a large sum," he said--"most unusual. I haven't got such a sum in the place."

"Then please send out and get it, or I must go elsewhere."

The jeweller brought his hands together, and washed them nervously.

"Excuse me a moment; I'll consult my partner."

He went away, and from afar he and his partner spied her nervously. He came back with a forced smile. Mrs. Bellew was sitting as he had left her.

"It's a fortunate chance; I think we can just do it, madam."

"Give me notes, please, and a sheet of paper." The jeweller brought them.

Mrs. Bellew wrote a letter, enclosed it with the bank notes in the bulky envelope she had brought, addressed it, and sealed the whole.

"Call a cab, please!"

The jeweller called a cab.

"Chelsea Embankment!"

The cab bore her away.

Again in the crowded streets so full of traffic, people turned to look after her. The cabman, who put her down at the Albert Bridge, gazed alternately at the coins in his hands and the figure of his fare, and wheeling his cab towards the stand, jerked his thumb in her direction.

Mrs. Bellew walked fast down a street till, turning a corner, she came suddenly on a small garden with three poplar-trees in a row. She opened its green gate without pausing, went down a path, and stopped at the first of three green doors. A young man with a beard, resembling an artist, who was standing behind the last of the three doors, watched her with a knowing smile on his face. She took out a latch-key, put it in the lock, opened the door, and passed in.

The sight of her face seemed to have given the artist an idea. Propping his door open, he brought an easel and canvas, and setting them so that he could see the corner where she had gone in, began to sketch.

An old stone fountain with three stone frogs stood in the garden near that corner, and beyond it was a flowering currant-bush, and beyond this again the green door on which a slanting gleam of sunlight fell. He worked for an hour, then put his easel back and went out to get his tea.

Mrs. Bellew came out soon after he was gone. She closed the door behind her, and stood still. Taking from her pocket the bulky envelope, she slipped it into the letter-box; then bending down, picked up a twig, and placed it in the slit, to prevent the lid falling with a rattle. Having done this, she swept her hands down her face and breast as though to brush something from her, and walked away. Beyond the outer gate she turned to the left, and took the same street back to the river. She walked slowly, luxuriously, looking about her. Once or twice she stopped, and drew a deep breath, as though she could not have enough of the air. She went as far as the Embankment, and stood leaning her elbows on the parapet. Between the finger and thumb of one hand she held a small object on which the sun was shining. It was a key. Slowly, luxuriously, she stretched her hand out over the water, parted her thumb and finger, and let it fall.

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IV. MRS. PENDYCE'S INSPIRATION

But George did not come to take his mother to the theatre, and she whose day had been passed in looking forward to the evening, passed that evening in a drawing-room full of furniture whose history she did not know, and a dining-room full of people eating in twos and threes and fours, at whom she might look, but to whom she must not speak, to whom she did not even want to speak, so soon had the wheel of life rolled over her wonder and her expectation, leaving it lifeless in her breast. And all that night, with one short interval of sleep, she ate of bitter isolation and futility, and of the still more bitter knowledge: "George does not want me; I'm no good to him!"

Her heart, seeking consolation, went back again and again to the time when he had wanted her; but it was far to go, to the days of holland suits, when all those things that he desired--slices of pineapple, Benson's old carriage-whip, the daily reading out of "Tom Brown's School-days," the rub with Elliman when he sprained his little ankle, the tuck-up in bed--were in her power alone to give.

This night she saw with fatal clearness that since he went to school he had never wanted her at all. She had tried so many years to believe that he did, till it had become part of her life, as it was part of her life to say her prayers night and morning; and now she found it was all pretence. But, lying awake, she still tried to believe it, because to that she had been bound when she brought him, firstborn, into the world. Her other son, her daughters, she loved them too, but it was not the same thing, quite; she had never wanted them to want her, because that part of her had been given once for all to George.

The street noises died down at last; she had slept two hours when they began again. She lay listening. And the noises and her thoughts became tangled in her exhausted brain--one great web of weariness, a feeling that it was all senseless and unnecessary, the emanation of cross-purposes and cross-grainedness, the negation of that gentle moderation, her own most sacred instinct. And an early wasp, attracted by the sweet perfumes of her dressing-table, roused himself from the corner where he had spent the night, and began to hum and hover over the bed. Mrs. Pendyce was a little afraid of wasps, so, taking a moment when he was otherwise engaged, she stole out, and fanned him with her nightdress-case till, perceiving her to be a lady, he went away. Lying down again, she thought: 'People will worry them until they sting, and then kill them; it's so unreasonable,' not knowing that she was putting all her thoughts on suffering in a single nutshell.

She breakfasted upstairs, unsolaced by any news from George. Then with no definite hope, but a sort of inner certainty, she formed the resolution to call on Mrs. Bellew. She determined, however, first to visit Mr. Paramor, and, having but a hazy notion of the hour when men begin to work, she did not dare to start till past eleven, and told her cabman to drive her slowly. He drove her, therefore, faster than his wont. In Leicester Square the passage of a Personage between two stations blocked the traffic, and on the footways were gathered a crowd of simple folk with much in their hearts and little in their stomachs, who raised a cheer as the Personage passed. Mrs. Pendyce looked eagerly from her cab, for she too loved a show.

The crowd dispersed, and the cab went on.

It was the first time she had ever found herself in the business apartment of any professional man less important than a dentist. From the little waiting-room, where they handed her the Times, which she could not read from excitement, she caught sight of rooms lined to the ceilings with leather books and black tin boxes, initialed in white to indicate the brand, and of young men seated behind lumps of paper that had been written on. She heard a perpetual clicking noise which roused her interest, and smelled a peculiar odour of leather and disinfectant which impressed her disagreeably. A youth with reddish hair and a pen in his hand passed through and looked at her with a curious stare immediately averted. She suddenly felt sorry for him and all those other young men behind the lumps of paper, and the thought went flashing through her mind, 'I suppose it's all because people can't agree.'

She was shown in to Mr. Paramor at last. In his large empty room, with its air of past grandeur, she sat gazing at three La France roses in a tumbler of water with the feeling that she would never be able to begin.

Mr. Paramor's eyebrows, which jutted from his clean, brown face like little clumps of pothooks, were iron-grey, and iron-grey his hair brushed back from his high forehead. Mrs. Pendyce wondered why he looked five years younger than Horace, who was his junior, and ten years younger than Charles, who, of course, was younger still. His eyes, which from iron-grey some inner process of spiritual manufacture had made into steel colour, looked young too, although they were grave; and the smile which twisted up the corners of his mouth looked very young.

"Well," he said, "it's a great pleasure to see you."

Mrs. Pendyce could only answer with a smile.

Mr. Paramor put the roses to his nose.

"Not so good as yours," he said, "are they? but the best I can do."

Mrs. Pendyce blushed with pleasure.

"My garden is looking so beautiful----" Then, remembering that she no longer had a garden, she stopped; but remembering also that, though she had lost her garden, Mr. Paramor still had his, she added quickly: "And yours, Mr. Paramor--I'm sure it must be looking lovely."

Mr. Paramor drew out a kind of dagger with which he had stabbed some papers to his desk, and took a letter from the bundle.

"Yes," he said, "it's looking very nice. You'd like to see this, I expect."

"Bellew v. Bellew and Pendyce" was written at the top. Mrs. Pendyce stared at those words as though fascinated by their beauty; it was long before she got beyond them. For the first time the full horror of these matters pierced the kindly armour that lies between mortals and what they do not like to think of. Two men and a woman wrangling, fighting, tearing each other before the eyes of all the world. A woman and two men stripped of charity and gentleness, of moderation and sympathy-stripped of all that made life decent and lovable, squabbling like savages before the eyes of all the world. Two men, and one of them her son, and between them a woman whom both of them had loved! "Bellew v. Bellew and Pendyce"! And this would go down to fame in company with the pitiful stories she had read from time to time with a sort of offended interest; in company with "Snooks v. Snooks and Stiles," "Horaday v. Horaday," "Bethany v. Bethany and Sweetenham." In company with all those cases where everybody seemed so dreadful, yet where she had often and often felt so sorry, as if these poor creatures had been fastened in the stocks by some malignant, loutish spirit, for all that would to come and jeer at. And horror filled her heart. It was all so mean, and gross, and common.

The letter contained but a few words from a firm of solicitors confirming an appointment. She looked up at Mr. Paramor. He stopped pencilling on his blotting-paper, and said at once:

"I shall be seeing these people myself tomorrow afternoon. I shall do my best to make them see reason."

She felt from his eyes that he knew what she was suffering, and was even suffering with her.

"And if--if they won't?"

"Then I shall go on a different tack altogether, and they must look out for themselves."

Mrs. Pendyce sank back in her chair; she seemed to smell again that smell of leather and disinfectant, and hear a sound of incessant clicking. She felt faint, and to disguise that faintness asked at random, "What does 'without prejudice' in this letter mean?"

Mr. Paramor smiled.

"That's an expression we always use," he said. "It means that when we give a thing away, we reserve to ourselves the right of taking it back again."

Mrs. Pendyce, who did not understand, murmured:

"I see. But what have they given away?"

Paramor put his elbows on the desk, and lightly pressed his finger-tips together.

"Well," he said, "properly speaking, in a matter like this, the other side and I are cat and dog.

"We are supposed to know nothing about each other and to want to know less, so that when we do each other a courtesy we are obliged to save our faces by saying, 'We don't really do you one.' D'you understand?"

Again Mrs. Pendyce murmured:

"I see."

"It sounds a little provincial, but we lawyers exist by reason of provincialism. If people were once to begin making allowances for each other, I don't know where we should be."

Mrs. Pendyce's eyes fell again on those words, "Bellew v. Bellew and Pendyce," and again, as though fascinated by their beauty, rested there.

"But you wanted to see me about something else too, perhaps?" said Mr. Paramor.

A sudden panic came over her.

"Oh no, thank you. I just wanted to know what had been done. I've come up on purpose to see George. You told me that I----"

Mr. Paramor hastened to her aid.

"Yes, yes; quite right--quite right."

"Horace hasn't come with me."

"Good!"

"He and George sometimes don't quite----"

"Hit it off? They're too much alike."

"Do you think so? I never saw-----"

"Not in face, not in face; but they've both got----"

Mr. Paramor's meaning was lost in a smile; and Mrs. Pendyce, who did not know that the word "Pendycitis" was on the tip of his tongue, smiled vaguely too.

"George is very determined," she said. "Do you think--oh, do you think, Mr. Paramor, that you will be able to persuade Captain Bellew's solicitors----"

Mr. Paramor threw himself back in his chair, and his hand covered what he had written on his blotting-paper.

"Yes," he said slowly----"oh yes, yes!"

But Mrs. Pendyce had had her answer. She had meant to speak of her visit to Helen Bellew, but now her thought was:

'He won't persuade them; I feel it. Let me get away!'

Again she seemed to hear the incessant clicking, to smell leather and disinfectant, to see those words, "Bellew v. Bellew and, Pendyce."

She held out her hand.

Mr. Paramor took it in his own and looked at the floor.

"Good-bye," he said-"good-bye. What's your address--Green's Hotel? I'll come and tell you what I do. I know--I know!"

Mrs. Pendyce, on whom those words "I know--I know!" had a strange, emotionalising effect, as though no one had ever known before, went away with quivering lips. In her life no one had ever "known"--not indeed that she could or would complain of such a trifle, but the fact remained. And at this moment, oddly, she thought of her husband, and wondered what he was doing, and felt sorry for him.

But Mr. Paramor went back to his seat and stared at what he had written on his blotting paper. It ran thus:

"We stand on our petty rights here, And our potty dignity there; We make no allowance for others, They make no allowance for us; We catch hold of them by the ear, They grab hold of us by the hair The result is a bit of a muddle That ends in a bit of a fuss."

He saw that it neither rhymed nor scanned, and with a grave face he tore it up.

Again Mrs. Pendyce told her cabman to drive slowly, and again he drove her faster than usual; yet that drive to Chelsea seemed to last for ever, and interminable were the turnings which the cabman took, each one shorter than the last, as if he had resolved to see how much his horse's mouth could bear.

'Poor thing!' thought Mrs. Pendyce; 'its mouth must be so sore, and it's quite unnecessary.' She put her hand up through the trap. "Please take me in a straight line. I don't like corners."

The cabman obeyed. It worried him terribly to take one corner instead of the six he had purposed on his way; and when she asked him his fare, he charged her a shilling extra for the distance he had saved by going straight. Mrs. Pendyce paid it, knowing no better, and gave him sixpence over, thinking it might benefit the horse; and the cabman, touching his hat, said:

"Thank you, my lady," for to say "my lady" was his principle when he received eighteen pence above his fare.

Mrs. Pendyce stood quite a minute on the pavement, stroking the horse's nose and thinking:

'I must go in; it's silly to come all this way and not go in!'

But her heart beat so that she could hardly swallow.

At last she rang.

Mrs. Bellew was seated on the sofa in her little drawing-room whistling to a canary in the open window. In the affairs of men there is an irony constant and deep, mingled with the very springs of life. The expectations of Mrs. Pendyce, those timid apprehensions of this meeting which had racked her all the way, were lamentably unfulfilled. She had rehearsed the scene ever since it came into her head; the reality seemed unfamiliar. She felt no nervousness and no hostility, only a sort of painful interest and admiration. And how could this or any other woman help falling in love with George?

The first uncertain minute over, Mrs. Bellew's eyes were as friendly as if she had been quite within her rights in all she had done; and Mrs. Pendyce could not help meeting friendliness halfway.

"Don't be angry with me for coming. George doesn't know. I felt I must come to see you. Do you think that you two quite know all you're doing? It seems so dreadful, and it's not only yourselves, is it?"

Mrs. Bellew's smile vanished.

"Please don't say 'you two,'" she said.

Mrs. Pendyce stammered:

"I don't understand."

Mrs. Bellew looked her in the face and smiled; and as she smiled she seemed to become a little coarser.

"Well, I think it's quite time you did! I don't love your son. I did once, but I don't now. I told him so yesterday, once for all."

Mrs. Pendyce heard those words, which made so vast, so wonderful a difference--words which should have been like water in a wilderness --with a sort of horror, and all her spirit flamed up into her eyes.

"You don't love him?" she cried.

She felt only a blind sense of insult and affront.

This woman tire of George? Tire of her son? She looked at Mrs. Bellew, on whose face was a kind of inquisitive compassion, with eyes that had never before held hatred.

"You have tired of him? You have given him up? Then the sooner I go to him the better! Give me the address of his rooms, please."

Helen Bellew knelt down at the bureau and wrote on an envelope, and the grace of the woman pierced Mrs. Pendyce to the heart.

She took the paper. She had never learned the art of abuse, and no words could express what was in her heart, so she turned and went out.

Mrs. Bellew's voice sounded quick and fierce behind her.

"How could I help getting tired? I am not you. Now go!"

Mrs. Pendyce wrenched open the outer door. Descending the stairs, she felt for the bannister. She had that awful sense of physical soreness and shrinking which violence, whether their own or others', brings to gentle souls.

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V. THE MOTHER AND THE SON

To Mrs. Pendyce, Chelsea was an unknown land, and to find her way to George's rooms would have taken her long had she been by nature what she was by name, for Pendyces never asked their way to anything, or believed what they were told, but found out for themselves with much unnecessary trouble, of which they afterwards complained.

A policeman first, and then a young man with a beard, resembling an artist, guided her footsteps. The latter, who was leaning by a gate, opened it.

"In here," he said; "the door in the corner on the right."

Mrs. Pendyce walked down the little path, past the ruined fountain with its three stone frogs, and stood by the first green door and waited. And while she waited she struggled between fear and joy; for now that she was away from Mrs. Bellew she no longer felt a sense of insult. It was the actual sight of her that had aroused it, so personal is even the most gentle heart.

She found the rusty handle of a bell amongst the creeper-leaves, and pulled it. A cracked metallic tinkle answered her, but no one came; only a faint sound as of someone pacing to and fro. Then in the street beyond the outer gate a coster began calling to the sky, and in the music of his prayers the sound was lost. The young man with a beard, resembling an artist, came down the path.

"Perhaps you could tell me, sir, if my son is out?"

"I've not seen him go out; and I've been painting here all the morning."

Mrs. Pendyce looked with wonder at an easel which stood outside another door a little further on. It seemed to her strange that her son should live in such a place.

"Shall I knock for you?" said the artist. "All these knockers are stiff."

"If you would be so kind!"

The artist knocked.

"He must be in," he said. "I haven't taken my eyes off his door, because I've been painting it."

Mrs. Pendyce gazed at the door.

"I can't get it," said the artist. "It's worrying me to death."

Mrs. Pendyce looked at him doubtfully.

"Has he no servant?" she said.

"Oh no," said the artist; "it's a studio. The light's all wrong. I wonder if you would mind standing just as you are for one second; it would help me a lot!"

He moved back and curved his hand over his eyes, and through Mrs. Pendyce there passed a shiver.

'Why doesn't George open the door?' she thought. 'What--what is this man doing?'

The artist dropped his hand.

"Thanks so much!" he said. "I'll knock again. There! that would raise the dead!"

And he laughed.

An unreasoning terror seized on Mrs. Pendyce.

"Oh," she stammered, "I must get in--I must get in!"

She took the knocker herself, and fluttered it against the door.

"You see," said the artist, "they're all alike; these knockers are as stiff' as pokers."

He again curved his hand over his eyes. Mrs. Pendyce leaned against the door; her knees were trembling violently.

'What is happening?' she thought. 'Perhaps he's only asleep, perhaps----Oh God!'

She beat the knocker with all her force. The door yielded, and in the space stood George. Choking back a sob, Mrs. Pendyce went in. He banged the door behind her.

For a full minute she did not speak, possessed still by that strange terror and by a sort of shame. She did not even look at her son, but cast timid glances round his room. She saw a gallery at the far end, and a conical roof half made of glass. She saw curtains hanging all the gallery length, a table with tea-things and decanters, a round iron stove, rugs on the floor, and a large full-length mirror in the centre of the wall. A silver cup of flowers was reflected in that mirror. Mrs. Pendyce saw that they were dead, and the sense of their vague and nauseating odour was her first definite sensation.

"Your flowers are dead, my darling," she said. "I must get you some fresh!"

Not till then did she look at George. There were circles under his eyes; his face was yellow; it seemed to her that it had shrunk. This terrified her, and she thought:

'I must show nothing; I must keep my head!'

She was afraid--afraid of something desperate in his face, of something desperate and headlong, and she was afraid of his stubbornness, the dumb, unthinking stubbornness that holds to what has been because it has been, that holds to its own when its own is dead. She had so little of this quality herself that she could not divine where it might lead him; but she had lived in the midst of it all her married life, and it seemed natural that her son should be in danger from it now.

Her terror called up her self-possession. She drew George down on the sofa by her side, and the thought flashed through her: 'How many times has he not sat here with that woman in his arms!'

"You didn't come for me last night, dear! I got the tickets, such good ones!"

George smiled.

"No," he said; "I had something else to see to!"

At sight of that smile Margery Pendyce's heart beat till she felt sick, but she, too, smiled.

"What a nice place you have here, darling!"

"There's room to walk about."

Mrs. Pendyce remembered the sound she had heard of pacing to and fro. From his not asking her how she had found out where he lived she knew that he must have guessed where she had been, that there was nothing for either of them to tell the other. And though this was a relief, it added to her terror--the terror of that which is desperate. All sorts of images passed through her mind. She saw George back in her bedroom after his first run with the hounds, his chubby cheek scratched from forehead to jaw, and the bloodstained pad of a cub fox in his little gloved hand. She saw him sauntering into her room the last day of the 1880 match at Lord's, with a battered top-hat, a blackened eye, and a cane with a light-blue tassel. She saw him deadly pale with tightened lips that afternoon after he had escaped from her, half cured of laryngitis, and stolen out shooting by himself, and she remembered his words: "Well, Mother, I couldn't stand it any longer; it was too beastly slow!"

Suppose he could not stand it now! Suppose he should do something rash! She took out her handkerchief.

"It's very hot in here, dear; your forehead is quite wet!"

She saw his eyes turn on her suspiciously, and all her woman's wit stole into her own eyes, so that they did not flicker, but looked at him with matter-of-fact concern.

"That skylight is what does it," he said. "The sun gets full on there."

Mrs. Pendyce looked at the skylight.

"It seems odd to see you here, dear, but it's very nice--so unconventional. You must let me put away those poor flowers!" She went to the silver cup and bent over them. "My dear boy, they're quite nasty! Do throw them outside somewhere; it's so dreadful, the smell of old flowers!"

She held the cup out, covering her nose with her handkerchief.

George took the cup, and like a cat spying a mouse, Mrs. Pendyce watched him take it out into the garden. As the door closed, quicker, more noiseless than a cat, she slipped behind the curtains.

'I know he has a pistol,' she thought.

She was back in an instant, gliding round the room, hunting with her eyes and hands, but she saw nothing, and her heart lightened, for she was terrified of all such things.

'It's only these terrible first hours,' she thought.

When George came back she was standing where he had left her. They sat down in silence, and in that silence, the longest of her life, she seemed to feel all that was in his heart, all the blackness and bitter aching, the rage of defeat and starved possession, the lost delight, the sensation of ashes and disgust; and yet her heart was full enough already of relief and shame, compassion, jealousy, love, and deep longing. Only twice was the silence broken. Once when he asked her whether she had lunched, and she who had eaten nothing all day answered:

"Yes, dear--yes."

Once when he said:

"You shouldn't have come here, Mother; I'm a bit out of sorts!"

She watched his face, dearest to her in all the world, bent towards the floor, and she so yearned to hold it to her breast that, since she dared not, the tears stole up, and silently rolled down her cheeks. The stillness in that room, chosen for remoteness, was like the stillness of a tomb, and, as in a tomb, there was no outlook on the world, for the glass of the skylight was opaque.

That deathly stillness settled round her heart; her eyes fixed themselves on the skylight, as though beseeching it to break and let in sound. A cat, making a pilgrimage from roof to roof, the four dark moving spots of its paws, the faint blur of its body, was all she saw. And suddenly, unable to bear it any longer, she cried:

"Oh, George, speak to me! Don't put me away from you like this!"

George answered:

"What do you want me to say, Mother?"

"Nothing--only----"

And falling on her knees beside her son, she pulled his head down against her breast, and stayed rocking herself to and fro, silently shifting closer till she could feel his head lie comfortably; so, she had his face against her heart, and she could not bear to let it go. Her knees hurt her on the boarded floor, her back and all her body ached; but not for worlds would she relax an inch, believing that she could comfort him with her pain, and her tears fell on his neck. When at last he drew his face away she sank down on the floor, and could not rise, but her fingers felt that the bosom of her dress was wet. He said hoarsely:

"It's all right, Mother; you needn't worry!"

For no reward would she have looked at him just then, but with a deeper certainty than reason she knew that he was safe.

Stealthily on the sloping skylight the cat retraced her steps, its four paws dark moving spots, its body a faint blur.

Mrs. Pendyce rose.

"I won't stay now, darling. May I use your glass?"

Standing before that mirror, smoothing back her hair, passing her handkerchief over her cheeks and eyes and lips, she thought:

'That woman has stood here! That woman has smoothed her hair, looking in this glass, and wiped his kisses from her cheeks! May God give to her the pain that she has given to my son!'

But when she had wished that wish she shivered.

She turned to George at the door with a smile that seemed to say:

'It's no good to weep, or try and tell you what is in my heart, and so, you see, I'm smiling. Please smile, too, so as to comfort me a little.'

George put a small paper parcel in her hand and tried to smile.

Mrs. Pendyce went quickly out. Bewildered by the sunlight, she did not look at this parcel till she was beyond the outer gate. It contained an amethyst necklace, an emerald pendant, and a diamond ring. In the little grey street that led to this garden with its poplars, old fountain, and green gate, the jewels glowed and sparkled as though all light and life had settled there. Mrs. Pendyce, who loved colour and glowing things, saw that they were beautiful.

That woman had taken them, used their light and colour, and then flung them back! She wrapped them again in the paper, tied the string, and went towards the river. She did not hurry, but walked with her eyes steadily before her. She crossed the Embankment, and stood leaning on the parapet with her hands over the grey water. Her thumb and fingers unclosed; the white parcel dropped, floated a second, and then disappeared.

Mrs. Pendyce looked round her with a start.

A young man with a beard, whose face was familiar, was raising his hat.

"So your son was in," he said. "I'm very glad. I must thank you again for standing to me just that minute; it made all the difference. It was the relation between the figure and the door that I wanted to get. Good-morning!"

Mrs. Pendyce murmured "Good-morning," following him with startled eyes, as though he had caught her in the commission of a crime. She had a vision of those jewels, buried, poor things! in the grey slime, a prey to gloom, and robbed for ever of their light and colour. And, as though she had sinned, wronged the gentle essence of her nature, she hurried away.

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VI. GREGORY LOOKS AT THE SKY

Gregory Vigil called Mr. Paramor a pessimist it was because, like other people, he did not know the meaning of, the term; for with a confusion common to the minds of many persons who have been conceived in misty moments, he thought that, to see things as they were, meant, to try and make them worse. Gregory had his own way of seeing things that was very dear to him--so dear that he would shut his eyes sooner than see them any other way. And since things to him were not the same as things to Mr. Paramor, it cannot, after all, be said that he did not see things as they were. But dirt upon a face that he wished to be clean he could not see--a fluid in his blue eyes dissolved that dirt while the image of the face was passing on to their retinae. The process was unconscious, and has been called idealism. This was why the longer he reflected the more agonisedly certain he became that his ward was right to be faithful to the man she loved, right to join her life to his. And he went about pressing the blade of this thought into his soul.

About four o'clock on the day of Mrs. Pendyce's visit to the studio a letter was brought him by a page-boy.

"GREEN'S HOTEL, "Thursday. "DEAR GRIG,

"I have seen Helen Bellew, and have just come from George. We have all been living in a bad dream. She does not love him--perhaps has never loved him. I do not know; I do not wish to judge. She has given him up. I will not trust myself to say anything about that. From beginning to end it all seems so unnecessary, such a needless, cross-grained muddle. I write this line to tell you how things really are, and to beg you, if you have a moment to spare, to look in at George's club this evening and let me know if he is there and how he seems. There is no one else that I could possibly ask to do this for me. Forgive me if this letter pains you.

"Your affectionate cousin, "MARGERY PENDYCE."

To those with the single eye, the narrow personal view of all things human, by whom the irony underlying the affairs of men is unseen and unenjoyed, whose simple hearts afford that irony its most precious smiles, who; vanquished by that irony, remain invincible--to these no blow of Fate, no reversal of their ideas, can long retain importance. The darts stick, quaver, and fall off, like arrows from chain-armour, and the last dart, slipping upwards under the harness, quivers into the heart to the cry of "What--you! No, no; I don't believe you're here!"

Such as these have done much of what has had to be done in this old world, and perhaps still more of what has had to be undone.

When Gregory received this letter he was working on the case of a woman with the morphia habit. He put it into his pocket and went on working. It was all he was capable of doing.

"Here is the memorandum, Mrs. Shortman. Let them take her for six weeks. She will come out a different woman."

Mrs. Shortman, supporting her thin face in her thin hand, rested her glowing eyes on Gregory.

"I'm afraid she has lost all moral sense," she said. "Do you know, Mr. Vigil, I'm almost afraid she never had any!"

"What do you mean?"

Mrs. Shortman turned her eyes away.

"I'm sometimes tempted to think," she said, "that there are such people. I wonder whether we allow enough for that. When I was a girl in the country I remember the daughter of our vicar, a very pretty creature. There were dreadful stories about her, even before she was married, and then we heard she was divorced. She came up to London and earned her own living by playing the piano until she married again. I won't tell you her name, but she is very well known, and nobody has ever seen her show the slightest signs of being ashamed. If there is one woman like that there may be dozens, and I sometimes think we waste----"

Gregory said dryly:

"I have heard you say that before."

Mrs. Shortman bit her lips.

"I don't think," she said, "that I grudge my efforts or my time."

Gregory went quickly up, and took her hand.

"I know that--oh, I know that," he said with feeling.

The sound of Miss Mallow furiously typing rose suddenly from the corner. Gregory removed his hat from the peg on which it hung.

"I must go now," he said. "Good-night."

Without warning, as is the way with hearts, his heart had begun to bleed, and he felt that he must be in the open air. He took no omnibus or cab, but strode along with all his might, trying to think, trying to understand. But he could only feel-confused and battered feelings, with now and then odd throbs of pleasure of which he was ashamed. Whether he knew it or not, he was making his way to Chelsea, for though a man's eyes may be fixed on the stars, his feet cannot take him there, and Chelsea seemed to them the best alternative. He was not alone upon this journey, for many another man was going there, and many a man had been and was coming now away, and the streets were the one long streaming crowd of the summer afternoon. And the men he met looked at Gregory, and Gregory looked at them, and neither saw the other, for so it is written of men, lest they pay attention to cares that are not their own. The sun that scorched his face fell on their backs, the breeze that cooled his back blew on their cheeks. For the careless world, too, was on its way, along the pavement of the universe, one of millions going to Chelsea, meeting millions coming away....

"Mrs. Bellew at home?"

He went into a room fifteen feet square and perhaps ten high, with a sulky canary in a small gilt cage, an upright piano with an open operatic score, a sofa with piled-up cushions, and on it a woman with a flushed and sullen face, whose elbows were resting on her knees, whose chin was resting on her hand, whose gaze was fixed on nothing. It was a room of that size, with all these things, but Gregory took into it with him some thing that made it all seem different to Gregory. He sat down by the window with his eyes care fully averted, and spoke in soft tones broken by something that sounded like emotion. He began by telling her of his woman with the morphia habit, and then he told her that he knew every thing. When he had said this he looked out of the window, where builders had left by inadvertence a narrow strip of sky. And thus he avoided seeing the look on her face, contemptuous, impatient, as though she were thinking: 'You are a good fellow, Gregory, but for Heaven's sake do see things for once as they are! I have had enough of it.' And he avoided seeing her stretch her arms out and spread the fingers, as an angry cat will stretch and spread its toes. He told her that he did not want to worry her, but that when she wanted him for anything she must send for him--he was always there; and he looked at her feet, so that he did not see her lip curl. He told her that she would always be the same to him, and he asked her to believe that. He did not see the smile which never left her lips again while he was there--the smile he could not read, because it was the smile of life, and of a woman that he did not understand. But he did see on that sofa a beautiful creature for whom he had longed for years, and so he went away, and left her standing at the door with her teeth fastened on her lip: And since with him Gregory took his eyes, he did not see her reseated on the sofa, just as she had been before he came in, her elbows on her knees, her chin in her hand, her moody eyes like those of a gambler staring into the distance....

In the streets of tall houses leading away from Chelsea were many men, some, like Gregory, hungry for love, and some hungry for bread--men in twos and threes, in crowds, or by themselves, some with their eyes on the ground, some with their eyes level, some with their eyes on the sky, but all with courage and loyalty of one poor kind or another in their hearts. For by courage and loyalty alone it is written that man shall live, whether he goes to Chelsea or whether he comes away. Of all these men, not one but would have smiled to hear Gregory saying to himself: "She will always be the same to me! She will always be the same to me!" And not one that would have grinned....

It was getting on for the Stoics' dinner hour when Gregory found himself in Piccadilly, and, Stoic after Stoic, they were getting out of cabs and passing the club doors. The poor fellows had been working hard all day on the racecourse, the cricket-ground, at Hurlingham, or in the Park; some had been to the Royal Academy, and on their faces was a pleasant look: "Ah, God is good--we can rest at last!" And many of them had had no lunch, hoping to keep their weights down, and many who had lunched had not done themselves as well as might be hoped, and some had done themselves too well; but in all their hearts the trust burned bright that they might do themselves better at dinner, for their God was good, and dwelt between the kitchen and the cellar of the Stoics' Club. And all--for all had poetry in their souls--looked forward to those hours in paradise when, with cigars between their lips, good wine below, they might dream the daily dream that comes to all true Stoics for about fifteen shillings or even less, all told.

From a little back slum, within two stones' throw of the god of the Stoics' Club, there had come out two seamstresses to take the air; one was in consumption, having neglected to earn enough to feed herself properly for some years past, and the other looked as if she would be in consumption shortly, for the same reason. They stood on the pavement, watching the cabs drive up. Some of the Stoics saw them and thought: 'Poor girls! they look awfully bad.' Three or four said to themselves: "It oughtn't to be allowed. I mean, it's so painful to see; and it's not as if one could do anything. They're not beggars, don't you know, and so what can one do?"

But most of the Stoics did not look at them at all, feeling that their soft hearts could not stand these painful sights, and anxious not to spoil their dinners. Gregory did not see them either, for it so happened that he was looking at the sky, and just then the two girls crossed the road and were lost among the passers-by, for they were not dogs, who could smell out the kind of man he was.

"Mr. Pendyce is in the club; I will send your name up, sir." And rolling a little, as though Gregory's name were heavy, the porter gave it to the boy, who went away with it.

Gregory stood by the empty hearth and waited, and while he waited, nothing struck him at all, for the Stoics seemed very natural, just mere men like himself, except that their clothes were better, which made him think: 'I shouldn't care to belong here and have to dress for dinner every night.'

"Mr. Pendyce is very sorry, sir, but he's engaged."

Gregory bit his lip, said "Thank you," and went away.

'That's all Margery wants,' he thought; 'the rest is nothing to me,' and, getting on a bus, he fixed his eyes once more on the sky.

But George was not engaged. Like a wounded animal taking its hurt for refuge to its lair, he sat in his favourite window overlooking Piccadilly. He sat there as though youth had left him, unmoving, never lifting his eyes. In his stubborn mind a wheel seemed turning, grinding out his memories to the last grain. And Stoics, who could not bear to see a man sit thus throughout that sacred hour, came up from time to time.

"Aren't you going to dine, Pendyce?"

Dumb brutes tell no one of their pains; the law is silence. So with George. And as each Stoic came up, he only set his teeth and said:

"Presently, old chap."

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VII. TOUR WITH THE SPANIEL JOHN

Now the spaniel John--whose habit was to smell of heather and baked biscuits when he rose from a night's sleep--was in disgrace that Thursday. Into his long and narrow head it took time for any new idea to enter, and not till forty hours after Mrs. Pendyce had gone did he recognise fully that something definite had happened to his master. During the agitated minutes that this conviction took in forming, he worked hard. Taking two and a half brace of his master's shoes and slippers, and placing them in unaccustomed spots, he lay on them one by one till they were warm, then left them for some bird or other to hatch out, and returned to Mr. Pendyce's door. It was for all this that the Squire said, "John!" several times, and threatened him with a razorstrop. And partly because he could not bear to leave his master for a single second--the scolding had made him love him so--and partly because of that new idea, which let him have no peace, he lay in the hall waiting.

Having once in his hot youth inadvertently followed the Squire's horse, he could never be induced to follow it again. He both personally disliked this needlessly large and swift form of animal, and suspected it of designs upon his master; for when the creature had taken his master up, there was not a smell of him left anywhere--not a whiff of that pleasant scent that so endeared him to the heart. As soon, therefore, as the horse appeared, the spaniel John would. lie down on his stomach with his forepaws close to his nose, and his nose close to the ground; nor until the animal vanished could he be induced to abandon an attitude in which he resembled a couching Sphinx.

But this afternoon, with his tail down, his lips pouting, his shoulders making heavy work of it, his nose lifted in deprecation of that ridiculous and unnecessary plane on which his master sat, he followed at a measured distance. In such-wise, aforetime, the village had followed the Squire and Mr. Barter when they introduced into it its one and only drain.

Mr. Pendyce rode slowly; his feet, in their well-blacked boots, his nervous legs in Bedford cord and mahogany-coloured leggings, moved in rhyme to the horse's trot. A long-tailed coat fell clean and full over his thighs; his back and shoulders were a wee bit bent to lessen motion, and above his neat white stock under a grey bowler hat his lean, grey-whiskered and moustachioed face, with harassed eyes, was preoccupied and sad. His horse, a brown blood mare, ambled lazily, head raking forward, and bang tail floating outward from her hocks. And so, in the June sunshine, they went, all three, along the leafy lane to Worsted Scotton....

On Tuesday, the day that Mrs. Pendyce had left, the Squire had come in later than usual, for he felt that after their difference of the night before, a little coolness would do her no harm. The first hour of discovery had been as one confused and angry minute, ending in a burst of nerves and the telegram to General Pendyce. He took the telegram himself, returning from the village with his head down, a sudden prey to a feeling of shame--an odd and terrible feeling that he never remembered to have felt before, a sort of fear of his fellow-creatures. He would have chosen a secret way, but there was none, only the highroad, or the path across the village green, and through the churchyard to his paddocks. An old cottager was standing at the turnstile, and the Squire made for him with his head down, as a bull makes for a fence. He had meant to pass in silence, but between him and this old broken husbandman there was a bond forged by the ages. Had it meant death, Mr. Pendyce could not have passed one whose fathers had toiled for his fathers, eaten his fathers' bread, died with his fathers, without a word and a movement of his hand.

"Evenin', Squire; nice evenin'. Faine weather fur th' hay!"

The voice was warped and wavery.

'This is my Squire,' it seemed to say, 'whatever ther' be agin him!'

Mr. Pendyce's hand went up to his hat.

"Evenin', Hermon. Aye, fine weather for the hay! Mrs. Pendyce has gone up to London. We young bachelors, ha!"

He passed on.

Not until he had gone some way did he perceive why he had made that announcement. It was simply because he must tell everyone, everyone; then no one could be astonished.

He hurried on to the house to dress in time for dinner, and show all that nothing was amiss. Seven courses would have been served him had the sky fallen; but he ate little, and drank more claret than was his wont. After dinner he sat in his study with the windows open, and in the mingled day and lamp light read his wife's letter over again. As it was with the spaniel John, so with his master--a new idea penetrated but slowly into his long and narrow head.

She was cracked about George; she did not know what she was doing; would soon come to her senses. It was not for him to take any steps. What steps, indeed, could he take without confessing that Horace Pendyce had gone too far, that Horace Pendyce was in the wrong? That had never been his habit, and he could not alter now. If she and George chose to be stubborn, they must take the consequences, and fend for themselves.

In the silence and the lamplight, growing mellower each minute under the green silk shade, he sat confusedly thinking of the past. And in that dumb reverie, as though of fixed malice, there came to him no memories that were not pleasant, no images that were not fair. He tried to think of her unkindly, he tried to paint her black; but with the perversity born into the world when he was born, to die when he was dead, she came to him softly, like the ghost of gentleness, to haunt his fancy. She came to him smelling of sweet scents, with a slight rustling of silk, and the sound of her expectant voice, saying, "Yes, dear?" as though she were not bored. He remembered when he brought her first to Worsted Skeynes thirty-four years ago, "That timid, and like a rose, but a lady every hinch, the love!" as his old nurse had said.

He remembered her when George was born, like wax for whiteness and transparency, with eyes that were all pupils, and a hovering smile. So many other times he remembered her throughout those years, but never as a woman faded, old; never as a woman of the past. Now that he had not got her, for the first time Mr. Pendyce realised that she had not grown old, that she was still to him "timid, and like a rose, but a lady every hinch, the love!" And he could not bear this thought; it made him feel so miserable and lonely in the lamplight, with the grey moths hovering round, and the spaniel John asleep upon his foot.

So, taking his candle, he went up to bed. The doors that barred away the servants' wing were closed. In all that great remaining space of house his was the only candle, the only sounding footstep. Slowly he mounted as he had mounted many thousand times, but never once like this, and behind him, like a shadow, mounted the spaniel John.

And She that knows the hearts of men and dogs, the Mother from whom all things come, to whom they all go home, was watching, and presently, when they were laid, the one in his deserted bed, the other on blue linen, propped against the door, She gathered them to sleep.

But Wednesday came, and with it Wednesday duties. They who have passed the windows of the Stoics' Club and seen the Stoics sitting there have haunting visions of the idle landed classes. These visions will not let them sleep, will not let their tongues to cease from bitterness, for they so long to lead that "idle" life themselves. But though in a misty land illusions be our cherished lot, that we may all think falsely of our neighbours and enjoy ourselves, the word "idle" is not at all the word.

Many and heavy tasks weighed on the Squire at Worsted Skeynes. There was the visit to the stables to decide as to firing Beldame's hock, or selling the new bay horse because he did not draw men fast enough, and the vexed question of Bruggan's oats or Beal's, talked out with Benson, in a leather belt and flannel shirt-sleeves, like a corpulent, white-whiskered boy. Then the long sitting in the study with memorandums and accounts, all needing care, lest So-and-so should give too little for too little, or too little for too much; and the smart walk across to Jarvis, the head keeper, to ask after the health of the new Hungarian bird, or discuss a scheme whereby in the last drive so many of those creatures he had nurtured from their youth up might be deterred from flying over to his friend Lord Quarryman. And this took long, for Jarvis's feelings forced him to say six times, "Well, Mr. Pendyce, sir, what I say is we didn't oughter lose s'many birds in that last drive;" and Mr. Pendyce to answer: "No, Jarvis, certainly not. Well, what do you suggest?" And that other grievous question--how to get plenty of pheasants and plenty of foxes to dwell together in perfect harmony--discussed with endless sympathy, for, as the Squire would say, "Jarvis is quite safe with foxes." He could not bear his covers to be drawn blank.

Then back to a sparing lunch, or perhaps no lunch at all, that he might keep fit and hard; and out again at once on horseback or on foot to the home farm or further, as need might take him, and a long afternoon, with eyes fixed on the ribs of bullocks, the colour of swedes, the surfaces of walls or gates or fences.

Then home again to tea and to the Times, which had as yet received. but fleeting glances, with close attention to all those Parliamentary measures threatening, remotely, the existing state of things, except, of course, that future tax on wheat so needful to the betterment of Worsted Skeynes. There were occasions, too, when they brought him tramps to deal with, to whom his one remark would be, "Hold out your hands, my man," which, being found unwarped by honest toil, were promptly sent to gaol. When found so warped, Mr. Pendyce was at a loss, and would walk up and down, earnestly trying to discover what his duty was to them. There were days, too, almost entirely occupied by sessions, when many classes of offenders came before him, to whom he meted justice according to the heinousness of the offence, from poaching at the top down and down to wife-beating at the bottom; for, though a humane man, tradition did not suffer him to look on this form of sport as really criminal--at any rate, not in the country.

It was true that all these matters could have been settled in a fraction of the time by a young and trained intelligence, but this would have wronged tradition, disturbed the Squire's settled conviction that he was doing his duty, and given cause for slanderous tongues to hint at idleness. And though, further, it was true that all this daily labour was devoted directly or indirectly to interests of his own, what was that but doing his duty to the country and asserting the prerogative of every Englishman at all costs to be provincial?

But on this Wednesday the flavour of the dish was gone. To be alone amongst his acres, quite alone--to have no one to care whether he did anything at all, no one to whom he might confide that Beldame's hock was to be fired, that Peacock was asking for more gates, was almost more than he could bear. He would have wired to the girls to come home, but he could not bring him self to face their questions. Gerald was at Gib! George--George was no son of his!--and his pride forbade him to write to her who had left him thus to solitude and shame. For deep down below his stubborn anger it was shame that the Squire felt--shame that he should have to shun his neighbours, lest they should ask him questions which, for his own good name and his own pride, he must answer with a lie; shame that he should not be master in his own house--still more, shame that anyone should see that he was not. To be sure, he did not know that he felt shame, being unused to introspection, having always kept it at arm's length. For he always meditated concretely, as, for instance, when he looked up and did not see his wife at breakfast, but saw Bester making coffee, he thought, 'That fellow knows all about it, I shouldn't wonder!' and he felt angry for thinking that. When he saw Mr. Barter coming down the drive he thought, 'Confound it! I can't meet him,' and slipped out, and felt angry that he had thus avoided him. When in the Scotch garden he came on Jackman syringing the rose-trees, he said to him, "Your mistress has gone to London," and abruptly turned away, angry that he had been obliged by a mysterious impulse to tell him that:

So it was, all through that long, sad day, and the only thing that gave him comfort was to score through, in the draft of his will, bequests to his eldest son, and busy himself over drafting a clause to take their place:

"Forasmuch as my eldest son, George Hubert, has by conduct unbecoming to a gentleman and a Pendyce, proved himself unworthy of my confidence, and forasmuch as to my regret I am unable to cut the entail of my estate, I hereby declare that he shall in no way participate in any division of my other property or of my personal effects, conscientiously believing that it is my duty so to do in the interests of my family and of the country, and I make this declaration without anger."

For, all the anger that he was balked of feeling against his wife, because he missed her so, was added to that already felt against his son.

By the last post came a letter from General Pendyce. He opened it with fingers as shaky as his brother's writing.

"ARMY AND NAVY CLUB. "DEAR HORACE,

"What the deuce and all made you send that telegram? It spoiled my breakfast, and sent me off in a tearing hurry, to find Margery perfectly well. If she'd been seedy or anything I should have been delighted, but there she was, busy about her dresses and what not, and I dare say she thought me a lunatic for coming at that time in the morning. You shouldn't get into the habit of sending telegrams. A telegram is a thing that means something--at least, I've always thought so. I met George coming away from her in a deuce of a hurry. I can't write any more now. I'm just going to have my lunch.

"Your affectionate brother,

"CHARLES PENDYCE."

She was well. She had been seeing George. With a hardened heart the Squire went up to bed.

And Wednesday came to an end....

And so on the Thursday afternoon the brown blood mare carried Mr. Pendyce along the lane, followed by the spaniel John. They passed the Firs, where Bellew lived, and, bending sharply to the right, began to mount towards the Common; and with them mounted the image of that fellow who was at the bottom of it all--an image that ever haunted the Squire's mind nowadays; a ghost, high-shouldered, with little burning eyes, clipped red moustaches, thin bowed legs. A plague spot on that system which he loved, a whipping-post to heredity, a scourge like Attila the Hun; a sort of damnable caricature of all that a country gentleman should be--of his love of sport and open air, of his "hardness" and his pluck; of his powers of knowing his own mind, and taking his liquor like a man; of his creed, now out of date, of gallantry. Yes--a kind of cursed bogey of a man, a spectral follower of the hounds, a desperate character--a man that in old days someone would have shot; a drinking, white-faced devil who despised Horace Pendyce, whom Horace Pendyce hated, yet could not quite despise. "Always one like that in a hunting country!" A black dog on the shoulders of his order. 'Post equitem sedet' Jaspar Bellew!

The Squire came out on the top of the rise, and all Worsted Scotton was in sight. It was a sandy stretch of broom and gorse and heather, with a few Scotch firs; it had no value at all, and he longed for it, as a boy might long for the bite someone else had snatched out of his apple. It distressed him lying there, his and yet not his, like a wife who was no wife--as though Fortune were enjoying her at his expense. Thus was he deprived of the fulness of his mental image; for as with all men, so with the Squire, that which he loved and owned took definite form--a some thing that he saw. Whenever the words "Worsted Skeynes" were in his mind--and that was almost always--there rose before him an image defined and concrete, however indescribable; and what ever this image was, he knew that Worsted Scot ton spoiled it. It was true that he could not think of any use to which to put the Common, but he felt deeply that it was pure dog-in-the-mangerism of the cottagers, and this he could not stand. Not one beast in two years had fattened on its barrenness. Three old donkeys alone eked out the remnants of their days. A bundle of firewood or old bracken, a few peat sods from one especial corner, were all the selfish peasants gathered. But the cottagers were no great matter--he could soon have settled them; it was that fellow Peacock whom he could not settle, just because he happened to abut on the Common, and his fathers had been nasty before him. Mr. Pendyce rode round looking at the fence his father had put up, until he came to the portion that Peacock's father had pulled down; and here, by a strange fatality--such as will happen even in printed records--he came on Peacock himself standing in the gap, as though he had foreseen this visit of the Squire's. The mare stopped of her own accord, the spaniel John at a measured distance lay down to think, and all those yards away he could be heard doing it, and now and then swallowing his tongue.

Peacock stood with his hands in his breeches' pockets. An old straw hat was on his head, his little eyes were turned towards the ground; and his cob, which he had tied to what his father had left standing of the fence, had his eyes, too, turned towards the ground, for he was eating grass. Mr. Pendyce's fight with his burning stable had stuck in the farmer's "gizzard" ever since. He felt that he was forgetting it day by day--would soon forget it altogether. He felt the old sacred doubts inherited from his fathers rising every hour within him. And so he had come up to see what looking at the gap would do for his sense of gratitude. At sight of the Squire his little eyes turned here and there, as a pig's eyes turn when it receives a blow behind. That Mr. Pendyce should have chosen this moment to come up was as though Providence, that knoweth all things, knew the natural thing for Mr. Pendyce to do.

"Afternoon, Squire. Dry weather; rain's badly wanted. I'll get no feed if this goes on."

Mr. Pendyce answered:

"Afternoon, Peacock. Why, your fields are first-rate for grass."

They hastily turned their eyes away, for at that moment they could not bear to see each other.

There was a silence; then Peacock said:

"What about those gates of mine, Squire?" and his voice quavered, as though gratitude might yet get the better of him.

The Squire's irritable glance swept over the unfenced space to right and left, and the thought flashed through his mind:

'Suppose I were to give the beggar those gates, would he--would he let me enclose the Scotton again?'

He looked at that square, bearded man, and the infallible instinct, christened so wickedly by Mr. Paramor, guided him.

"What's wrong with your gates, man, I should like to know?"

Peacock looked at him full this time; there was no longer any quaver in his voice, but a sort of rough good-humour.

"Wy, the 'arf o' them's as rotten as matchwood!" he said; and he took a breath of relief, for he knew that gratitude was dead within his soul.

"Well, I wish mine at the home farm were half as good. Come, John!" and, touching the mare with his heel, Mr. Pendyce turned; but before he had gone a dozen paces he was back.

"Mrs. Peacock well, I hope? Mrs. Pendyce has gone up to London."

And touching his hat, without waiting for Peacock's answer, he rode away. He took the lane past Peacock's farm across the home paddocks, emerging on the cricket-ground, a field of his own which he had caused to be converted.

The return match with Coldingham was going on, and, motionless on his horse, the Squire stopped to watch. A tall figure in the "long field" came leisurely towards him. It was the Hon. Geoffrey Winlow. Mr. Pendyce subdued an impulse to turn the mare and ride away.

"We're going to give you a licking, Squire! How's Mrs. Pendyce? My wife sent her love."

On the Squire's face in the full sun was more than the sun's flush.

"Thanks," he said, "she's very well. She's gone up to London."

"And aren't you going up yourself this season?"

The Squire crossed those leisurely eyes with his own.

"I don't think so," he said slowly.

The Hon. Geoffrey returned to his duties.

"We got poor old Barter for a 'blob'!" he said over his shoulder.

The Squire became aware that Mr. Barter was approaching from behind.

"You see that left-hand fellow?" he said, pouting. "Just watch his foot. D'you mean to say that wasn't a no-ball? He bowled me with a no-ball. He's a rank no-batter. That fellow Locke's no more an umpire than----"

He stopped and looked earnestly at the bowler.

The Squire 'did not answer, sitting on his mare as though carved in stone. Suddenly his throat clicked.

"How's your wife?" he said. "Margery would have come to see her, but--but she's gone up to London."

The Rector did not turn his head.

"My wife? Oh, going on first-rate. There's another! I say, Winlow, this is too bad!"

The Hon. Geoffrey's pleasant voice was heard:

"Please not to speak to the man at the wheel!"

The Squire turned the mare and rode away; and the spaniel John, who had been watching from a measured distance, followed after, his tongue lolling from his mouth.

The Squire turned through a gate down the main aisle of the home covert, and the nose and the tail of the spaniel John, who scented creatures to the left and right, were in perpetual motion. It was cool in there. The June foliage made one long colonnade, broken by a winding river of sky. Among the oaks and hazels; the beeches and the elms, the ghostly body of a birch-tree shone here and there, captured by those grosser trees which seemed to cluster round her, proud of their prisoner, loth to let her go, that subtle spirit of their wood. They knew that, were she gone, their forest lady, wilder and yet gentler than themselves--they would lose credit, lose the grace and essence of their corporate being.

The Squire dismounted, tethered his horse, and sat under one of those birch-trees, on the fallen body of an elm. The spaniel John also sat and loved him with his eyes. And sitting there they thought their thoughts, but their thoughts were different.

For under this birch-tree Horace Pendyce had stood and kissed his wife the very day he brought her home to Worsted Skeynes, and though he did not see the parallel between her and the birch-tree that some poor imaginative creature might have drawn, yet was he thinking of that long past afternoon. But the spaniel John was not thinking of it; his recollection was too dim, for he had been at that time twenty-eight years short of being born.

Mr. Pendyce sat there long with his horse and with his dog, and from out the blackness of the spaniel John, who was more than less asleep, there shone at times an eye turned on his master like some devoted star. The sun, shining too, gilded the stem of the birch-tree. The birds and beasts began their evening stir all through the undergrowth, and rabbits, popping out into the ride, looked with surprise at the spaniel John, and popped in back again. They knew that men with horses had no guns, but could not bring themselves to trust that black and hairy thing whose nose so twitched whenever they appeared. The gnats came out to dance, and at their dancing, every sound and scent and shape became the sounds and scents and shapes of evening; and there was evening in the Squire's heart.

Slowly and stiffly he got up from the log and mounted to ride home. It would be just as lonely when he got there, but a house is better than a wood, where the gnats dance, the birds and creatures stir and stir, and shadows lengthen; where the sun steals upwards on the tree-stems, and all is careless of its owner, Man.

It was past seven o'clock when he went to his study. There was a lady standing at the window, and Mr. Pendyce said:

"I beg your pardon?"

The lady turned; it was his wife. The Squire stopped with a hoarse sound, and stood silent, covering his eyes with his hand.

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VIII. ACUTE ATTACK OF 'PENDYCITIS'

Mrs. Pendyce felt very faint when she hurried away from Chelsea. She had passed through hours of great emotion, and eaten nothing.

Like sunset clouds or the colours in mother-o'-pearl, so, it is written, shall be the moods of men--interwoven as the threads of an embroidery, less certain than an April day, yet with a rhythm of their own that never fails, and no one can quite scan.

A single cup of tea on her way home, and her spirit revived. It seemed suddenly as if there had been a great ado about nothing! As if someone had known how stupid men could be, and been playing a fantasia on that stupidity. But this gaiety of spirit soon died away, confronted by the problem of what she should do next.

She reached her hotel without making a decision. She sat down in the reading-room to write to Gregory, and while she sat there with her pen in her hand a dreadful temptation came over her to say bitter things to him, because by not seeing people as they were he had brought all this upon them. But she had so little practice in saying bitter things that she could not think of any that were nice enough, and in the end she was obliged to leave them out. After finishing and sending off the note she felt better. And it came to her suddenly that, if she packed at once, there was just time to catch the 5.55 to Worsted Skeynes.

As in leaving her home, so in returning, she followed her instinct, and her instinct told her to avoid unnecessary fuss and suffering.

The decrepit station fly, mouldy and smelling of stables, bore her almost lovingly towards the Hall. Its old driver, clean-faced, cheery, somewhat like a bird, drove her almost furiously, for, though he knew nothing, he felt that two whole days and half a day were quite long enough for her to be away. At the lodge gate old Roy, the Skye, was seated on his haunches, and the sight of him set Mrs. Pendyce trembling as though till then she had not realised that she was coming home.

Home! The long narrow lane without a turning, the mists and stillness, the driving rain and hot bright afternoons; the scents of wood smoke and hay and the scent of her flowers; the Squire's voice, the dry rattle of grass-cutters, the barking of dogs, and distant hum of threshing; and Sunday sounds--church bells and rooks, and Mr. Barter's preaching; the tastes, too, of the very dishes! And all these scents and sounds and tastes, and the feel of the air to her cheeks, seemed to have been for ever in the past, and to be going on for ever in the time to come.

She turned red and white by turns, and felt neither joy nor sadness, for in a wave the old life came over her. She went at once to the study to wait for her husband to come in. At the hoarse sound he made, her heart beat fast, while old Roy and the spaniel John growled gently at each other.

"John," she murmured, "aren't you glad to see me, dear?"

The spaniel John, without moving, beat his tail against his master's foot.

The Squire raised his head at last.

"Well, Margery?" was all he said.

It shot through her mind that he looked older, and very tired!

The dinner-gong began to sound, and as though attracted by its long monotonous beating, a swallow flew in at one of the narrow windows and fluttered round the room. Mrs. Pendyce's eyes followed its flight.

The Squire stepped forward suddenly and took her hand.

"Don't run away from me again, Margery!" he said; and stooping down, he kissed it.

At this action, so unlike her husband, Mrs. Pendyce blushed like a girl. Her eyes above his grey and close-cropped head seemed grateful that he did not reproach her, glad of that caress.

"I have some news to tell you, Horace. Helen Bellew has given George up!"

The Squire dropped her hand.

"And quite time too," he said. "I dare say George has refused to take his dismissal. He's as obstinate as a mule."

"I found him in a dreadful state."

Mr. Pendyce asked uneasily:

"What? What's that?"

"He looked so desperate."

"Desperate?" said the Squire, with a sort of startled anger.

Mrs. Pendyce went on:

"It was dreadful to see his face. I was with him this afternoon-"

The Squire said suddenly:

"He's not ill, is he?"

"No, not ill. Oh, Horace, don't you understand? I was afraid he might do something rash. He was so--miserable."

The Squire began to walk up and down.

"Is he is he safe now?" he burst out.

Mrs. Pendyce sat down rather suddenly in the nearest chair.

"Yes," she said with difficulty, "I--I think so."

"Think! What's the good of that? What----Are you feeling faint, Margery?"

Mrs. Pendyce, who had closed her eyes, said:

"No dear, it's all right."

Mr. Pendyce came close, and since air and quiet were essential to her at that moment, he bent over and tried by every means in his power to rouse her; and she, who longed to be let alone, sympathised with him, for she knew that it was natural that he should do this. In spite of his efforts the feeling of faintness passed, and, taking his hand, she stroked it gratefully.

"What is to be done now, Horace?"

"Done!" cried the Squire. "Good God! how should I know? Here you are in this state, all because of that d---d fellow Bellew and his d---d wife! What you want is some dinner."

So saying, he put his arm around her, and half leading, half carrying, took her to her room.

They did not talk much at dinner, and of indifferent things, of Mrs. Barter, Peacock, the roses, and Beldame's hock. Only once they came too near to that which instinct told them to avoid, for the Squire said suddenly:

"I suppose you saw that woman?"

And Mrs. Pendyce murmured:

"Yes."

She soon went to her room, and had barely got into bed when he appeared, saying as though ashamed:

"I'm very early."

She lay awake, and every now and then the Squire would ask her, "Are you asleep, Margery?" hoping that she might have dropped off, for he himself could not sleep. And she knew that he meant to be nice to her, and she knew, too, that as he lay awake, turning from side to side, he was thinking like herself: 'What's to be done next?' And that his fancy, too, was haunted by a ghost, high-shouldered, with little burning eyes, red hair, and white freckled face. For, save that George was miserable, nothing was altered, and the cloud of vengeance still hung over Worsted Skeynes. Like some weary lesson she rehearsed her thoughts: 'Now Horace can answer that letter of Captain Bellow's, can tell him that George will not--indeed, cannot--see her again. He must answer it. But will he?'

She groped after the secret springs of her husband's character, turning and turning and trying to understand, that she might know the best way of approaching him. And she could not feel sure, for behind all the little outside points of his nature, that she thought so "funny," yet could comprehend, there was something which seemed to her as unknown, as impenetrable as the dark, a sort of thickness of soul, a sort of hardness, a sort of barbaric-what? And as when in working at her embroidery the point of her needle would often come to a stop against stiff buckram, so now was the point of her soul brought to a stop against the soul of her husband. 'Perhaps,' she thought, 'Horace feels like that with me.' She need not so have thought, for the Squire never worked embroideries, nor did the needle of his soul make voyages of discovery.

By lunch-time the next day she had not dared to say a word. 'If I say nothing,' she thought, 'he may write it of his own accord.'

Without attracting his attention, therefore, she watched every movement of his morning. She saw him sitting at his bureau with a creased and crumpled letter, and knew it was Bellew's; and she hovered about, coming softly in and out, doing little things here and there and in the hall, outside. But the Squire gave no sign, motionless as the spaniel John couched along the ground with his nose between his paws.

After lunch she could bear it no longer.

"What do you think ought to be done now, Horace?"

The Squire looked at her fixedly.

"If you imagine," he said at last, "that I'll have anything to do with that fellow Bellew, you're very much mistaken."

Mrs. Pendyce was arranging a vase of flowers, and her hand shook so that some of the water was spilled over the cloth. She took out her handkerchief and dabbed it up.

"You never answered his letter, dear," she said.

The Squire put his back against the sideboard; his stiff figure, with lean neck and angry eyes, whose pupils were mere pin-points, had a certain dignity.

"Nothing shall induce me!" he said, and his voice was harsh and strong, as though he spoke for something bigger than himself. "I've thought it over all the morning, and I'm d---d if I do! The man is a ruffian. I won't knuckle under to him!"

Mrs. Pendyce clasped her hands.

"Oh, Horace," she said; "but for the sake of us all! Only just give him that assurance."

"And let him crow over me!" cried the Squire. "By Jove, no!"

"But, Horace, I thought that was what you wanted George to do. You wrote to him and asked him to promise."

The Squire answered:

"You know nothing about it, Margery; you know nothing about me. D'you think I'm going to tell him that his wife has thrown my son over--let him keep me gasping like a fish all this time, and then get the best of it in the end? Not if I have to leave the county--not if I----"

But, as though he had imagined the most bitter fate of all, he stopped.

Mrs. Pendyce, putting her hands on the lapels of his coat, stood with her head bent. The colour had gushed into her cheeks, her eyes were bright with tears. And there came from her in her emotion a warmth and fragrance, a charm, as though she were again young, like the portrait under which they stood.

"Not if I ask you, Horace?"

The Squire's face was suffused with dusky colour; he clenched his hands and seemed to sway and hesitate.

"No, Margery," he said hoarsely; "it's--it's--I can't!"

And, breaking away from her, he left the room.

Mrs. Pendyce looked after him; her fingers, from which he had torn his coat, began twining the one with the other.

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IX. BELLEW BOWS TO A LADY

There was silence at the Firs, and in that silent house, where only five rooms were used, an old manservant sat in his pantry on a wooden chair, reading from an article out of Rural Life. There was no one to disturb him, for the master was asleep, and the housekeeper had not yet come to cook the dinner. He read slowly, through spectacles, engraving the words for ever on the tablets of his mind. He read about the construction and habits of the owl: "In the tawny, or brown, owl there is a manubrial process; the furcula, far from being joined to the keel of the sternum, consists of two stylets, which do not even meet; while the posterior margin of the sternum presents two pairs of projections, with corresponding fissures between." The old manservant paused, resting his blinking eyes on the pale sunlight through the bars of his narrow window, so that a little bird on the window-sill looked at him and instantly flew away.

The old manservant read on again: "The pterylological characters of Photodilus seem not to have been investigated, but it has been found to want the tarsal loop, as well as the manubrial process, while its clavicles are not joined in a furcula, nor do they meet the keel, and the posterior margin of the sternum has processes and fissures like the tawny section." Again he paused, and his gaze was satisfied and bland.

Up in the little smoking-room in a leather chair his master sat asleep. In front of him were stretched his legs in dusty riding-boots. His lips were closed, but through a little hole at one corner came a tiny puffing sound. On the floor by his side was an empty glass, between his feet a Spanish bulldog. On a shelf above his head reposed some frayed and yellow novels with sporting titles, written by persons in their inattentive moments. Over the chimneypiece presided the portrait of Mr. Jorrocks persuading his horse to cross a stream.

And the face of Jaspar Bellew asleep was the face of a man who has ridden far, to get away from himself, and to-morrow will have to ride far again. His sandy eyebrows twitched with his dreams against the dead-white, freckled skin above high cheekbones, and two hard ridges were fixed between his brows; now and then over the sleeping face came the look of one riding at a gate.

In the stables behind the house she who had carried him on his ride, having rummaged out her last grains of corn, lifted her nose and poked it through the bars of her loosebox to see what he was doing who had not carried her master that sweltering afternoon, and seeing that he was awake, she snorted lightly, to tell him there was thunder in the air. All else in the stables was deadly quiet; the shrubberies around were still; and in the hushed house the master slept.

But on the edge of his wooden chair in the silence of his pantry the old manservant read, "This bird is a voracious feeder," and he paused, blinking his eyes and nervously puckering his lips, for he had partially understood....

Mrs. Pendyce was crossing the fields. She had on her prettiest frock, of smoky-grey crepe, and she looked a little anxiously at the sky. Gathered in the west a coming storm was chasing the whitened sunlight. Against its purple the trees stood blackish-green. Everything was very still, not even the poplars stirred, yet the purple grew with sinister, unmoving speed. Mrs. Pendyce hurried, grasping her skirts in both her hands, and she noticed that the cattle were all grouped under the hedge.

'What dreadful-looking clouds!' she thought. 'I wonder if I shall get to the Firs before it comes?' But though her frock made her hasten, her heart made her stand still, it fluttered so, and was so full. Suppose he were not sober! She remembered those little burning eyes, which had frightened her so the night he dined at Worsted Skeynes and fell out of his dogcart afterwards. A kind of legendary malevolence clung about his image.

'Suppose he is horrid to me!' she thought.

She could not go back now; but she wished--how she wished!--that it were over. A heat-drop splashed her glove. She crossed the lane and opened the Firs gate. Throwing frightened glances at the sky, she hastened down the drive. The purple was couched like a pall on the treetops, and these had begun to sway and moan as though struggling and weeping at their fate. Some splashes of warm rain were falling. A streak of lightning tore the firmament. Mrs. Pendyce rushed into the porch covering her ears with her hands.

'How long will it last?' she thought. 'I'm so frightened!'...

A very old manservant, whose face was all puckers, opened the door suddenly to peer out at the storm, but seeing Mrs. Pendyce, he peered at her instead.

"Is Captain Bellew at home?"

"Yes, ma'am. The Captain's in the study. We don't use the drawing-room now. Nasty storm coming on, ma'am--nasty storm. Will you please to sit down a minute, while I let the Captain know?"

The hall was low and dark; the whole house was low and dark, and smelled a little of woodrot. Mrs. Pendyce did not sit down, but stood under an arrangement of three foxes' heads, supporting two hunting-crops, with their lashes hanging down. And the heads of those animals suggested to her the thought: 'Poor man! He must be very lonely here.'

She started. Something was rubbing against her knees: it was only an enormous bulldog. She stooped down to pat it, and having once begun, found it impossible to leave off, for when she took her hand away the creature pressed against her, and she was afraid for her frock.

"Poor old boy--poor old boy!" she kept on murmuring. "Did he want a little attention?"

A voice behind her said:

"Get out, Sam! Sorry to have kept you waiting. Won't you come in here?"

Mrs. Pendyce, blushing and turning pale by turns, passed into a low, small, panelled room, smelling of cigars and spirits. Through the window, which was cut up into little panes, she could see the rain driving past, the shrubs bent and dripping from the downpour.

"Won't you sit down?"

Mrs. Pendyce sat down. She had clasped her hands together; she now raised her eyes and looked timidly at her host.

She saw a thin, high-shouldered figure, with bowed legs a little apart, rumpled sandy hair, a pale, freckled face, and little dark blinking eyes.

"Sorry the room's in such a mess. Don't often have the pleasure of seeing a lady. I was asleep; generally am at this time of year!"

The bristly red moustache was contorted as though his lips were smiling.

Mrs. Pendyce murmured vaguely.

It seemed to her that nothing of this was real, but all some horrid dream. A clap of thunder made her cover her ears.

Bellew walked to the window, glanced at the sky, and came back to the hearth. His little burning eyes seemed to look her through and through. 'If I don't speak at once,' she thought, 'I never shall speak at all.'

"I've come," she began, and with those words she lost her fright; her voice, that had been so uncertain hitherto, regained its trick of speech; her eyes, all pupil, stared dark and gentle at this man who had them all in his power--"I've come to tell you something, Captain Bellew!"

The figure by the hearth bowed, and her fright, like some evil bird, came guttering down on her again. It was dreadful, it was barbarous that she, that anyone, should have to speak of such things; it was barbarous that men and women should so misunderstand each other, and have so little sympathy and consideration; it was barbarous that she, Margery Pendyce, should have to talk on this subject that must give them both such pain. It was all so mean and gross and common! She took out her handkerchief and passed it over her lips.

"Please forgive me for speaking. Your wife has given my son up, Captain Bellew!"

Bellew did not move.

"She does not love him; she told me so herself! He will never see her again!"

How hateful, how horrible, how odious!

And still Bellew did not speak, but stood devouring her with his little eyes; and how long this went on she could not tell.

He turned his back suddenly, and leaned against the mantelpiece.

Mrs. Pendyce passed her hand over her brow to get rid of a feeling of unreality.

"That is all," she said.

Her voice sounded to herself unlike her own.

'If that is really all,' she thought, 'I suppose I must get up and go!' And it flashed through her mind: 'My poor dress will be ruined!'

Bellew turned round.

"Will you have some tea?"

Mrs. Pendyce smiled a pale little smile.

"No, thank you; I don't think I could drink any tea."

"I wrote a letter to your husband."

"Yes."

"He didn't answer it."

"No."

Mrs. Pendyce saw him staring at her, and a desperate struggle began within her. Should she not ask him to keep his promise, now that George----? Was not that what she had come for? Ought she not--ought she not for all their sakes?

Bellew went up to the table, poured out some whisky, and drank it off.

"You don't ask me to stop the proceedings," he said.

Mrs. Pendyce's lips were parted, but nothing came through those parted lips. Her eyes, black as sloes in her white face, never moved from his; she made no sound.

Bellew dashed his hand across his brow.

"Well, I will!" he said, "for your sake. There's my hand on it. You're the only lady I know!"

He gripped her gloved fingers, brushed past her, and she saw that she was alone.

She found her own way out, with the tears running down her face. Very gently she shut the hall door.

'My poor dress!' she thought. 'I wonder if I might stand here a little? The rain looks nearly over!'

The purple cloud had passed, and sunk behind the house, and a bright white sky was pouring down a sparkling rain; a patch of deep blue showed behind the fir-trees in the drive. The thrushes were out already after worms. A squirrel scampering along a branch stopped and looked at Mrs. Pendyce, and Mrs. Pendyce looked absently at the squirrel from behind the little handkerchief with which she was drying her eyes.

'That poor man!' she thought 'poor solitary creature! There's the sun!'

And it seemed to her that it was the first time the sun had shone all this fine hot year. Gathering her dress in both hands, she stepped into the drive, and soon was back again in the fields.

Every green thing glittered, and the air was so rain-sweet that all the summer scents were gone, before the crystal scent of nothing. Mrs. Pendyce's shoes were soon wet through.

'How happy I am!' she thought 'how glad and happy I am!'

And the feeling, which was not as definite as this, possessed her to the exclusion of all other feelings in the rain-soaked fields.

The cloud that had hung over Worsted Skeynes so long had spent itself and gone. Every sound seemed to be music, every moving thing danced. She longed to get to her early roses, and see how the rain had treated them. She had a stile to cross, and when she was safely over she paused a minute to gather her skirts more firmly. It was a home-field she was in now, and right before her lay the country house. Long and low and white it stood in the glamourous evening haze, with two bright panes, where the sunlight fell, watching, like eyes, the confines of its acres; and behind it, to the left, broad, square, and grey among its elms, the village church. Around, above, beyond, was peace--the sleepy, misty peace of the English afternoon.

Mrs. Pendyce walked towards her garden. When she was near it, away to the right, she saw the Squire and Mr. Barter. They were standing together looking at a tree and--symbol of a subservient under-world--the spaniel John was seated on his tail, and he, too, was looking at the tree. The faces of the Rector and Mr. Pendyce were turned up at the same angle, and different as those faces and figures were in their eternal rivalry of type, a sort of essential likeness struck her with a feeling of surprise. It was as though a single spirit seeking for a body had met with these two shapes, and becoming confused, decided to inhabit both.

Mrs. Pendyce did not wave to them, but passed quickly, between the yew-trees, through the wicket-gate....

In her garden bright drops were falling one by one from every rose-leaf, and in the petals of each rose were jewels of water. A little down the path a weed caught her eye; she looked closer, and saw that there were several.

'Oh,' she thought, 'how dreadfully they've let the weeds I must really speak to Jackman!'

A rose-tree, that she herself had planted, rustled close by, letting fall a shower of drops.

Mrs. Pendyce bent down, and took a white rose in her fingers. With her smiling lips she kissed its face. 1907.

THE END.

FRATERNITY By John Galsworthy

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I. THE SHADOW

In the afternoon of the last day of April, 190-, a billowy sea of little broken clouds crowned the thin air above High Street, Kensington. This soft tumult of vapours, covering nearly all the firmament, was in onslaught round a patch of blue sky, shaped somewhat like a star, which still gleamed--a single gentian flower amongst innumerable grass. Each of these small clouds seemed fitted with a pair of unseen wings, and, as insects flight on their too constant journeys, they were setting forth all ways round this starry blossom which burned so clear with the colour of its far fixity. On one side they were massed in fleecy congeries, so crowding each other that no edge or outline was preserved; on the other, higher, stronger, emergent from their fellow-clouds, they seemed leading the attack on that surviving gleam of the ineffable. Infinite was the variety of those million separate vapours, infinite the unchanging unity of that fixed blue star.

Down in the street beneath this eternal warring of the various soft-winged clouds on the unmisted ether, men, women, children, and their familiars--horses, dogs, and cats--were pursuing their occupations with the sweet zest of the Spring. They streamed along, and the noise of their frequenting rose in an unbroken roar: "I, I--I, I!"

The crowd was perhaps thickest outside the premises of Messrs. Rose and Thorn. Every kind of being, from the highest to the lowest, passed in front of the hundred doors of this establishment; and before the costume window a rather tall, slight, graceful woman stood thinking: "It really is gentian blue! But I don't know whether I ought to buy it, with all this distress about!"

Her eyes, which were greenish-grey, and often ironical lest they should reveal her soul, seemed probing a blue gown displayed in that window, to the very heart of its desirability.

"And suppose Stephen doesn't like me in it!" This doubt set her gloved fingers pleating the bosom of her frock. Into that little pleat she folded the essence of herself, the wish to have and the fear of having, the wish to be and the fear of being, and her veil, falling from the edge of her hat, three inches from her face, shrouded with its tissue her half-decided little features, her rather too high cheek-bones, her cheeks which were slightly hollowed, as though Time had kissed them just too much.

The old man, with a long face, eyes rimmed like a parrot's, and discoloured nose, who, so long as he did not sit down, was permitted to frequent the pavement just there and sell the 'Westminster Gazette', marked her, and took his empty pipe out of his mouth.

It was his business to know all the passers-by, and his pleasure too; his mind was thus distracted from the condition of his feet. He knew this particular lady with the delicate face, and found her puzzling; she sometimes bought the paper which Fate condemned him, against his politics, to sell. The Tory journals were undoubtedly those which her class of person ought to purchase. He knew a lady when he saw one. In fact, before Life threw him into the streets, by giving him a disease in curing which his savings had disappeared, he had been a butler, and for the gentry had a respect as incurable as was his distrust of "all that class of people" who bought their things at "these 'ere large establishments," and attended "these 'ere subscription dances at the Town 'All over there." He watched her with special interest, not, indeed, attempting to attract attention, though conscious in every fibre that he had only sold five copies of his early issues. And he was sorry and surprised when she passed from his sight through one of the hundred doors.

The thought which spurred her into Messrs. Rose and Thorn's was this: "I am thirty-eight; I have a daughter of seventeen. I cannot afford to lose my husband's admiration. The time is on me when I really must make myself look nice!"

Before a long mirror, in whose bright pool there yearly bathed hundreds of women's bodies, divested of skirts and bodices, whose unruffled surface reflected daily a dozen women's souls divested of everything, her eyes became as bright as steel; but having ascertained the need of taking two inches off the chest of the gentian frock, one off its waist, three off its hips, and of adding one to its skirt, they clouded again with doubt, as though prepared to fly from the decision she had come to. Resuming her bodice, she asked:

"When could you let me have it?"

"At the end of the week, madam."

"Not till then?"

"We are very pressed, madam."

"Oh, but you must let me have it by Thursday at the latest, please."

The fitter sighed: "I will do my best."

"I shall rely on you. Mrs. Stephen Dallison, 76, The Old Square."

Going downstairs she thought: "That poor girl looked very tired; it's a shame they give them such long hours!" and she passed into the street.

A voice said timidly behind her: "Westminister, marm?"

"That's the poor old creature," thought Cecilia Dallison, "whose nose is so unpleasant. I don't really think I--" and she felt for a penny in her little bag. Standing beside the "poor old creature" was a woman clothed in worn but neat black clothes, and an ancient toque which had once known a better head. The wan remains of a little bit of fur lay round her throat. She had a thin face, not without refinement, mild, very clear brown eyes, and a twist of smooth black hair. Beside her was a skimpy little boy, and in her arms a baby. Mrs. Dallison held out two-pence for the paper, but it was at the woman that she looked.

"Oh, Mrs. Hughs," she said, "we've been expecting you to hem the curtains!"

The woman slightly pressed the baby.

"I am very sorry, ma'am. I knew I was expected, but I've had such trouble."

Cecilia winced. "Oh, really?"

"Yes, m'm; it's my husband."

"Oh, dear!" Cecilia murmured. "But why didn't you come to us?"

"I didn't feel up to it, ma'am; I didn't really--"

A tear ran down her cheek, and was caught in a furrow near the mouth.

Mrs. Dallison said hurriedly: "Yes, yes; I'm very sorry."

"This old gentleman, Mr. Creed, lives in the same house with us, and he is going to speak to my husband."

The old man wagged his head on its lean stalk of neck.

"He ought to know better than be'ave 'imself so disrespectable," he said.

Cecilia looked at him, and murmured: "I hope he won't turn on you!"

The old man shuffled his feet.

"I likes to live at peace with everybody. I shall have the police to 'im if he misdemeans hisself with me!... Westminister, sir?" And, screening his mouth from Mrs. Dallison, he added in a loud whisper: "Execution of the Shoreditch murderer!"

Cecilia felt suddenly as though the world were listening to her conversation with these two rather seedy persons.

"I don't really know what I can do for you, Mrs. Hughs. I'll speak to Mr. Dallison, and to Mr. Hilary too."

"Yes, ma'am; thank you, ma'am."

With a smile which seemed to deprecate its own appearance, Cecilia grasped her skirts and crossed the road. "I hope I wasn't unsympathetic," she thought, looking back at the three figures on the edge of the pavement--the old man with his papers, and his discoloured nose thrust upwards under iron-rimmed spectacles; the seamstress in her black dress; the skimpy little boy. Neither speaking nor moving, they were looking out before them at the traffic; and something in Cecilia revolted at this sight. It was lifeless, hopeless, unaesthetic.

"What can one do," she thought, "for women like Mrs. Hughs, who always look like that? And that poor old man! I suppose I oughtn't to have bought that dress, but Stephen is tired of this."

She turned out of the main street into a road preserved from commoner forms of traffic, and stopped at a long low house half hidden behind the trees of its front garden.

It was the residence of Hilary Dallison, her husband's brother, and himself the husband of Bianca, her own sister.

The queer conceit came to Cecilia that it resembled Hilary. Its look was kindly and uncertain; its colour a palish tan; the eyebrows of its windows rather straight than arched, and those deep-set eyes, the windows, twinkled hospitably; it had, as it were, a sparse moustache and beard of creepers, and dark marks here and there, like the lines and shadows on the faces of those who think too much. Beside it, and apart, though connected by a passage, a studio stood, and about that studio--of white rough-cast, with a black oak door, and peacock-blue paint--was something a little hard and fugitive, well suited to Bianca, who used it, indeed, to paint in. It seemed to stand, with its eyes on the house, shrinking defiantly from too close company, as though it could not entirely give itself to anything. Cecilia, who often worried over the relations between her sister and her brother-in-law, suddenly felt how fitting and symbolical this was.

But, mistrusting inspirations, which, experience told her, committed one too much, she walked quickly up the stone-flagged pathway to the door. Lying in the porch was a little moonlight-coloured lady bulldog, of toy breed, who gazed up with eyes like agates, delicately waving her bell-rope tail, as it was her habit to do towards everyone, for she had been handed down clearer and paler with each generation, till she had at last lost all the peculiar virtues of dogs that bait the bull.

Speaking the word "Miranda!" Mrs. Stephen Dallison tried to pat this daughter of the house. The little bulldog withdrew from her caress, being also unaccustomed to commit herself....

Mondays were Blanca's "days," and Cecilia made her way towards the studio. It was a large high room, full of people.

Motionless, by himself, close to the door, stood an old man, very thin and rather bent, with silvery hair, and a thin silvery beard grasped in his transparent fingers. He was dressed in a suit of smoke-grey cottage tweed, which smelt of peat, and an Oxford shirt, whose collar, ceasing prematurely, exposed a lean brown neck; his trousers, too, ended very soon, and showed light socks. In his attitude there was something suggestive of the patience and determination of a mule. At Cecilia's approach he raised his eyes. It was at once apparent why, in so full a room, he was standing alone. Those blue eyes looked as if he were about to utter a prophetic statement.

"They have been speaking to me of an execution," he said.

Cecilia made a nervous movement.

"Yes, Father?"

"To take life," went on the old man in a voice which, though charged with strong emotion, seemed to be speaking to itself, "was the chief mark of the insensate barbarism still prevailing in those days. It sprang from that most irreligious fetish, the belief in the permanence of the individual ego after death. From the worship of that fetish had come all the sorrows of the human race."

Cecilia, with an involuntary quiver of her little bag, said:

"Father, how can you?"

"They did not stop to love each other in this life; they were so sure they had all eternity to do it in. The doctrine was an invention to enable men to act like dogs with clear consciences. Love could never come to full fruition till it was destroyed."

Cecilia looked hastily round; no one had heard. She moved a little sideways, and became merged in another group. Her father's lips continued moving. He had resumed the patient attitude which so slightly suggested mules. A voice behind her said: "I do think your father is such an interesting man, Mrs. Dallison."

Cecilia turned and saw a woman of middle height, with her hair done in the early Italian fashion, and very small, dark, lively eyes, which looked as though her love of living would keep her busy each minute of her day and all the minutes that she could occupy of everybody else's days.

"Mrs. Tallents Smallpeace? Oh! how do you do? I've been meaning to come and see you for quite a long time, but I know you're always so busy."

With doubting eyes, half friendly and half defensive, as though chaffing to prevent herself from being chaffed, Cecilia looked at Mrs. Tallents Smallpeace, whom she had met several times at Bianca's house. The widow of a somewhat famous connoisseur, she was now secretary of the League for Educating Orphans who have Lost both Parents, vice-president of the Forlorn Hope for Maids in Peril, and treasurer to Thursday Hops for Working Girls. She seemed to know every man and woman who was worth knowing, and some besides; to see all picture-shows; to hear every new musician; and attend the opening performance of every play. With regard to literature, she would say that authors bored her; but she was always doing them good turns, inviting them to meet their critics or editors, and sometimes--though this was not generally known--pulling them out of the holes they were prone to get into, by lending them a sum of money--after which, as she would plaintively remark; she rarely saw them more.

She had a peculiar spiritual significance to Mrs. Stephen Dallison, being just on the borderline between those of Bianca's friends whom Cecilia did not wish and those whom she did wish to come to her own house, for Stephen, a barrister in an official position, had a keen sense of the ridiculous. Since Hilary wrote books and was a poet, and Bianca painted, their friends would naturally be either interesting or queer; and though for Stephen's sake it was important to establish which was which, they were so very often both. Such people stimulated, taken in small doses, but neither on her husband's account nor on her daughter's did Cecilia desire that they should come to her in swarms. Her attitude of mind towards them was, in fact, similar-a sort of pleasurable dread-to that in which she purchased the Westminster Gazette to feel the pulse of social progress.

Mrs. Tallents Smallpeace's dark little eyes twinkled.

"I hear that Mr. Stone--that is your father's name, I think--is writing a book which will create quite a sensation when it comes out."

Cecilia bit her lips. "I hope it never will come out," she was on the point of saying.

"What will it be called?" asked Mrs. Tallents Smallpeace. "I gather that it's a book of Universal Brotherhood. That's so nice!"

Cecilia made a movement of annoyance. "Who told you?"

"Ah!" said Mrs. Tallents Smallpeace, "I do think your sister gets such attractive people at her At Homes. They all take such interest in things."

A little surprised at herself, Cecilia answered "Too much for me!"

Mrs. Tallents Smallpeace smiled. "I mean in art and social questions. Surely one can't be too interested in them?"

Cecilia said rather hastily:

"Oh no, of course not." And both ladies looked around them. A buzz of conversation fell on Cecilia's ears.

"Have you seen the 'Aftermath'? It's really quite wonderful!"

"Poor old chap! he's so rococo...."

"There's a new man.

"She's very sympathetic.

"But the condition of the poor....

"Is that Mr. Balladyce? Oh, really.

"It gives you such a feeling of life.

"Bourgeois!..."

The voice of Mrs. Tallents Smallpeace broke through: "But do please tell me who is that young girl with the young man looking at the picture over there. She's quite charming!"

Cecilia's cheeks went a very pretty pink.

"Oh, that's my little daughter."

"Really! Have you a daughter as big as that? Why, she must be seventeen!"

"Nearly eighteen!"

"What is her name?"

"Thyme," said Cecilia, with a little smile. She felt that Mrs. Tallents Smallpeace was about to say: 'How charming!'

Mrs. Tallents Smallpeace saw her smile and paused. "Who is the young man with her?"

"My nephew, Martin Stone."

"The son of your brother who was killed with his wife in that dreadful Alpine accident? He looks a very decided sort of young man. He's got that new look. What is he?"

"He's very nearly a doctor. I never know whether he's quite finished or not."

"I thought perhaps he might have something to do with Art."

"Oh no, he despises Art."

"And does your daughter despise it, too?"

"No; she's studying it."

"Oh, really! How interesting! I do think the rising generation amusing, don't you? They're so independent."

Cecilia looked uneasily at the rising generation. They were standing side by side before the picture, curiously observant and detached, exchanging short remarks and glances. They seemed to watch all these circling, chatting, bending, smiling people with a sort of youthful, matter-of-fact, half-hostile curiosity. The young man had a pale face, clean-shaven, with a strong jaw, a long, straight nose, a rather bumpy forehead which did not recede, and clear grey eyes. His sarcastic lips were firm and quick, and he looked at people with disconcerting straightness. The young girl wore a blue-green frock. Her face was charming, with eager, hazel-grey eyes, a bright colour, and fluffy hair the colour of ripe nuts.

"That's your sister's picture, 'The Shadow,' they're looking at, isn't it?" asked Mrs. Tallents Smallpeace. "I remember seeing it on Christmas Day, and the little model who was sitting for it--an attractive type! Your brother-in-law told me how interested you all were in her. Quite a romantic story, wasn't it, about her fainting from want of food when she first came to sit?"

Cecilia murmured something. Her hands were moving nervously; she looked ill at ease.

These signs passed unperceived by Mrs. Tallents Smallpeace, whose eyes were busy.

"In the F.H.M.P., of course, I see a lot of young girls placed in delicate positions, just on the borders, don't you know? You should really join the F.H.M.P., Mrs. Dallison. It's a first-rate thing--most absorbing work."

The doubting deepened in Cecilia's eyes.

"Oh, it must be!" she said. "I've so little time."

Mrs. Tallents Smallpeace went on at once.

"Don't you think that we live in the most interesting days? There are such a lot of movements going on. It's quite exciting. We all feel that we can't shut our eyes any longer to social questions. I mean the condition of the people alone is enough to give one nightmare!"

"Yes, yes," said Cecilia; "it is dreadful, of course.

"Politicians and officials are so hopeless, one can't look for anything from them."

Cecilia drew herself up. "Oh, do you think so?" she said.

"I was just talking to Mr. Balladyce. He says that Art and Literature must be put on a new basis altogether."

"Yes," said Cecilia; "really? Is he that funny little man?"

"I think he's so monstrously clever."

Cecilia answered quickly: "I know--I know. Of course, something must be done."

"Yes," said Mrs. Tallents Smallpeace absently, "I think we all feel that. Oh, do tell me! I've been talking to such a delightful person--just the type you see when you go into the City--thousands of them, all in such good black coats. It's so unusual to really meet one nowadays; and they're so refreshing, they have such nice simple views. There he is, standing just behind your sister."

Cecilia by a nervous gesture indicated that she recognized the personality alluded to. "Oh, yes," she said; "Mr. Purcey. I don't know why he comes to see us."

"I think he's so delicious!" said Mrs. Tallents Smallpeace dreamily. Her little dark eyes, like bees, had flown to sip honey from the flower in question--a man of broad build and medium height, dressed. with accuracy, who seemed just a little out of his proper bed. His mustachioed mouth wore a set smile; his cheerful face was rather red, with a forehead of no extravagant height or breadth, and a conspicuous jaw; his hair was thick and light in colour, and his eyes were small, grey, and shrewd. He was looking at a picture.

"He's so delightfully unconscious," murmured Mrs. Tallents Smallpeace. "He didn't even seem to know that there was a problem of the lower classes."

"Did he tell you that he had a picture?" asked Cecilia gloomily.

"Oh yes, by Harpignies, with the accent on the 'pig.' It's worth three times what he gave for it. It's so nice to be made to feel that there is still all that mass of people just simply measuring everything by what they gave for it."

"And did he tell you my grandfather Carfax's dictum in the Banstock case?" muttered Cecilia.

"Oh yes: 'The man who does not know his own mind should be made an Irishman by Act of Parliament.' He said it was so awfully good."

"He would," replied Cecilia.

"He seems to depress you, rather!"

"Oh no; I believe he's quite a nice sort of person. One can't be rude to him; he really did what he thought a very kind thing to my father. That's how we came to know him. Only it's rather trying when he will come to call regularly. He gets a little on one's nerves."

"Ah, that's just what I feel is so jolly about him; no one would ever get on his nerves. I do think we've got too many nerves, don't you? Here's your brother-in-law. He's such an uncommon-looking man; I want to have a talk with him about that little model. A country girl, wasn't she?"

She had turned her head towards a tall man with a very slight stoop and a brown, thin, bearded face, who was approaching from the door. She did not see that Cecilia had flushed, and was looking at her almost angrily. The tall thin man put his hand on Cecilia's arm, saying gently: "Hallo Cis! Stephen here yet?"

Cecilia shook her head.

"You know Mrs. Tallents Smallpeace, Hilary?"

The tall man bowed. His hazel-coloured eyes were shy, gentle, and deep-set; his eyebrows, hardly ever still, gave him a look of austere whimsicality. His dark brown hair was very lightly touched with grey, and a frequent kindly smile played on his lips. His unmannerismed manner was quiet to the point of extinction. He had long, thin, brown hands, and nothing peculiar about his dress.

"I'll leave you to talk to Mrs. Tallents Smallpeace," Cecilia said.

A knot of people round Mr. Balladyce prevented her from moving far, however, and the voice of Mrs. Smallpeace travelled to her ears.

"I was talking about that little model. It was so good of you to take such interest in the girl. I wondered whether we could do anything for her."

Cecilia's hearing was too excellent to miss the tone of Hilary's reply:

"Oh, thank you; I don't think so."

"I fancied perhaps you might feel that our Society---hers is an unsatisfactory profession for young girls!"

Cecilia saw the back of Hilary's neck grow red. She turned her head away.

"Of course, there are many very nice models indeed," said the voice of Mrs. Tallents Smallpeace. "I don't mean that they are necessarily at all--if they're girls of strong character; and especially if they don't sit for the--the altogether."

Hilary's dry, staccato answer came to Cecilia's ears: "Thank you; it's very kind of you."

"Oh, of course, if it's not necessary. Your wife's picture was so clever, Mr. Dallison--such an interesting type."

Without intention Cecilia found herself before that picture. It stood with its face a little turned towards the wall, as though somewhat in disgrace, portraying the full-length figure of a girl standing in deep shadow, with her arms half outstretched, as if asking for something. Her eyes were fixed on Cecilia, and through her parted lips breath almost seemed to come. The only colour in the picture was the pale blue of those eyes, the pallid red of those parted lips, the still paler brown of the hair; the rest was shadow. In the foreground light was falling as though from a street-lamp.

Cecilia thought: "That girl's eyes and mouth haunt me. Whatever made Blanca choose such a subject? It is clever, of course--for her."

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II. A FAMILY DISCUSSION

The marriage of Sylvanus Stone, Professor of the Natural Sciences, to Anne, daughter of Mr. Justice Carfax, of the well-known county family--the Carfaxes of Spring Deans, Hants--was recorded in the sixties. The baptisms of Martin, Cecilia, and Bianca, son and daughters of Sylvanus and Anne Stone, were to be discovered registered in Kensington in the three consecutive years following, as though some single-minded person had been connected with their births. After this the baptisms of no more offspring were to be found anywhere, as if that single mind had encountered opposition. But in the eighties there was noted in the register of the same church the burial of "Anne, nee Carfax, wife of Sylvanus Stone." In that "nee Carfax" there was, to those who knew, something more than met the eye. It summed up the mother of Cecilia and Bianca, and, in more subtle fashion, Cecilia and Bianca, too. It summed up that fugitive, barricading look in their bright eyes, which, though spoken of in the family as "the Carfax eyes," were in reality far from coming from old Mr. Justice Carfax. They had been his wife's in turn, and had much annoyed a man of his decided character. He himself had always known his mind, and had let others know it, too; reminding his wife that she was an impracticable woman, who knew not her own mind; and devoting his lawful gains to securing the future of his progeny. It would have disturbed him if he had lived to see his grand-daughters and their times. Like so many able men of his generation, far-seeing enough in practical affairs, he had never considered the possibility that the descendants of those who, like himself, had laid up treasure for their children's children might acquire the quality of taking time, balancing pros and cons, looking ahead, and not putting one foot down before picking the other up. He had not foreseen, in deed, that to wobble might become an art, in order that, before anything was done, people might know the full necessity for doing some thing, and how impossible it would be to do indeed, foolish to attempt to do--that which would fully meet the case. He, who had been a man of action all his life, had not perceived how it would grow to be matter of common instinct that to act was to commit oneself, and that, while what one had was not precisely what one wanted, what one had not (if one had it) would be as bad. He had never been self-conscious--it was not the custom of his generation--and, having but little imagination, had never suspected that he was laying up that quality for his descendants, together with a competence which secured them a comfortable leisure.

Of all the persons in his grand-daughter's studio that afternoon, that stray sheep Mr. Purcey would have been, perhaps, the only one whose judgments he would have considered sound. No one had laid up a competence for Mr. Purcey, who had been in business from the age of twenty.

It is uncertain whether the mere fact that he was not in his own fold kept this visitor lingering in the studio when all other guests were gone; or whether it was simply the feeling that the longer he stayed in contact with really artistic people the more distinguished he was becoming. Probably the latter, for the possession of that Harpignies, a good specimen, which he had bought by accident, and subsequently by accident discovered to have a peculiar value, had become a factor in his life, marking him out from all his friends, who went in more for a neat type of Royal Academy landscape, together with reproductions of young ladies in eighteenth-century costumes seated on horseback, or in Scotch gardens. A junior partner in a banking-house of some importance, he lived at Wimbledon, whence he passed up and down daily in his car. To this he owed his acquaintance with the family of Dallison. For one day, after telling his chauffeur to meet him at the Albert Gate, he had set out to stroll down Rotten Row, as he often did on the way home, designing to nod to anybody that he knew. It had turned out a somewhat barren expedition. No one of any consequence had met his eye; and it was with a certain almost fretful longing for distraction that in Kensington Gardens he came on an old man feeding birds out of a paper bag. The birds having flown away on seeing him, he approached the feeder to apologize.

"I'm afraid I frightened your birds, sir," he began.

This old man, who was dressed in smoke-grey tweeds which exhaled a poignant scent of peat, looked at him without answering.

"I'm afraid your birds saw me coming," Mr. Purcey said again.

"In those days," said the aged stranger, "birds were afraid of men."

Mr. Purcey's shrewd grey eyes perceived at once that he had a character to deal with.

"Ah, yes!" he said; "I see--you allude to the present time. That's very nice. Ha, ha!"

The old man answered: "The emotion of fear is inseparably connected with a primitive state of fratricidal rivalry."

This sentence put Mr. Purcey on his guard.

'The old chap,' he thought, 'is touched. He evidently oughtn't to be out here by himself.' He debated, therefore, whether he should hasten away toward his car, or stand by in case his assistance should be needed. Being a kind-hearted man, who believed in his capacity for putting things to rights, and noticing a certain delicacy--a "sort of something rather distinguished," as he phrased it afterwards--in the old fellow's face and figure, he decided to see if he could be of any service. They walked along together, Mr. Purcey watching his new friend askance, and directing the march to where he had ordered his chauffeur to await him.

"You are very fond of birds, I suppose," he said cautiously.

"The birds are our brothers."

The answer was of a nature to determine Mr. Purcey in his diagnosis of the case.

"I've got my car here," he said. "Let me give you a lift home."

This new but aged acquaintance did not seem to hear; his lips moved as though he were following out some thought.

"In those days," Mr. Purcey heard him say, "the congeries of men were known as rookeries. The expression was hardly just towards that handsome bird."

Mr. Purcey touched him hastily on the arm.

"I've got my car here, sir," he said. "Do let me put you down!"

Telling the story afterwards, he had spoken thus:

"The old chap knew where he lived right enough; but dash me if I believe he noticed that I was taking him there in my car--I had the A.i. Damyer out. That's how I came to make the acquaintance of these Dallisons. He's the writer, you know, and she paints--rather the new school--she admires Harpignies. Well, when I got there in the car I found Dallison in the garden. Of course I was careful not to put my foot into it. I told him: 'I found this old gentleman wandering about. I've just brought him back in my car.' Who should the old chap turn out to be but her father! They were awfully obliged to me. Charmin' people, but very what d'you call it 'fin de siecle'--like all these professors, these artistic pigs--seem to know rather a queer set, advanced people, and all that sort of cuckoo, always talkin' about the poor, and societies, and new religions, and that kind of thing."

Though he had since been to see them several times, the Dallisons had never robbed him of the virtuous feeling of that good action--they had never let him know that he had brought home, not, as he imagined, a lunatic, but merely a philosopher.

It had been somewhat of a quiet shock to him to find Mr. Stone close to the doorway when he entered Bianca's studio that afternoon; for though he had seen him since the encounter in Kensington Gardens, and knew that he was writing a book, he still felt that he was not quite the sort of old man that one ought to meet about. He had at once begun to tell him of the hanging of the Shoreditch murderer, as recorded in the evening papers. Mr. Stone's reception of that news had still further confirmed his original views. When all the guests were gone--with the exception of Mr. and Mrs. Stephen Dallison and Miss Dallison, "that awfully pretty girl," and the young man "who was always hangin' about her"--he had approached his hostess for some quiet talk. She stood listening to him, very well bred, with just that habitual spice of mockery in her smile, which to Mr. Purcey's eyes made her "a very strikin'-lookin' woman, but rather---" There he would stop, for it required a greater psychologist than he to describe a secret disharmony which a little marred her beauty. Due to some too violent cross of blood, to an environment too unsuited, to what not--it was branded on her. Those who knew Bianca Dallison better than Mr. Purcey were but too well aware of this fugitive, proud spirit permeating one whose beauty would otherwise have passed unquestioned.

She was a little taller than Cecilia, her figure rather fuller and more graceful, her hair darker, her eyes, too, darker and more deeply set, her cheek-bones higher, her colouring richer. That spirit of the age, Disharmony, must have presided when a child so vivid and dark-coloured was christened Bianca.

Mr. Purcey, however, was not a man who allowed the finest shades of feeling to interfere with his enjoyments. She was a "strikin'-lookin' woman," and there was, thanks to Harpignies, a link between them.

"Your father and I, Mrs. Dallison, can't quite understand each other," he began. "Our views of life don't seem to hit it off exactly."

"Really," murmured Bianca; "I should have thought that you'd have got on so well."

"He's a little bit too--er--scriptural for me, perhaps," said Mr. Purcey, with some delicacy.

"Did we never tell you," Bianca answered softly, "that my father was a rather well--known man of science before his illness?"

"Ah!" replied Mr. Purcey, a little puzzled; "that, of course. D'you know, of all your pictures, Mrs. Dallison, I think that one you call 'The Shadow' is the most rippin'. There's a something about it that gets hold of you. That was the original, wasn't it, at your Christmas party--attractive girl--it's an awf'ly good likeness."

Bianca's face had changed, but Mr. Purcey was not a man to notice a little thing like that.

"If ever you want to part with it," he said, "I hope you'll give me a chance. I mean it'd be a pleasure to me to have it. I think it'll be worth a lot of money some day."

Bianca did not answer, and Mr. Purcey, feeling suddenly a little awkward, said: "I've got my car waiting. I must be off--really." Shaking hands with all of them, he went away.

When the door had closed behind his back, a universal sigh went up. It was followed by a silence, which Hilary broke.

"We'll smoke, Stevie, if Cis doesn't mind."

Stephen Dallison placed a cigarette between his moustacheless lips, always rather screwed up, and ready to nip with a smile anything that might make him feel ridiculous.

"Phew!" he said. "Our friend Purcey becomes a little tedious. He seems to take the whole of Philistia about with him."

"He's a very decent fellow," murmured Hilary.

"A bit heavy, surely!" Stephen Dallison's face, though also long and narrow, was not much like his brother's. His eyes, though not unkind, were far more scrutinising, inquisitive, and practical; his hair darker, smoother.

Letting a puff of smoke escape, he added:

"Now, that's the sort of man to give you a good sound opinion. You should have asked him, Cis."

Cecilia answered with a frown:

"Don't chaff, Stephen; I'm perfectly serious about Mrs. Hughs."

"Well, I don't see what I can do for the good woman, my dear. One can't interfere in these domestic matters."

"But it seems dreadful that we who employ her should be able to do nothing for her. Don't you think so, B.?"

"I suppose we could do something for her if we wanted to badly enough."

Bianca's voice, which had the self-distrustful ring of modern music, suited her personality.

A glance passed between Stephen and his wife.

"That's B. all over!" it seemed to say....

"Hound Street, where they live, is a horrid place."

It was Thyme who spoke, and everybody looked round at her.

"How do you know that?" asked Cecilia.

"I went to see."

"With whom?"

"Martin."

The lips of the young man whose name she mentioned curled sarcastically.

Hilary asked gently:

"Well, my dear, what did you see?"

"Most of the doors are open---"

Bianca murmured: "That doesn't tell us much."

"On the contrary," said Martin suddenly, in a deep bass voice, "it tells you everything. Go on."

"The Hughs live on the top floor at No. 1. It's the best house in the street. On the ground-floor are some people called Budgen; he's a labourer, and she's lame. They've got one son. The Hughs have let off the first-floor front-room to an old man named Creed---"

"Yes, I know," Cecilia muttered.

"He makes about one and tenpence a day by selling papers. The back-room on that floor they let, of course, to your little model, Aunt B."

"She is not my model now."

There was a silence such as falls when no one knows how far the matter mentioned is safe to, touch on. Thyme proceeded with her report.

"Her room's much the best in the house; it's airy, and it looks out over someone's garden. I suppose she stays there because it's so cheap. The Hughs' rooms are---" She stopped, wrinkling her straight nose.

"So that's the household," said Hilary. "Two married couples, one young man, one young girl"--his eyes travelled from one to another of the two married couples, the young man, and the young girl, collected in this room--"and one old man," he added softly.

"Not quite the sort of place for you to go poking about in, Thyme," Stephen said ironically. "Do you think so, Martin?"

"Why not?"

Stephen raised his brows, and glanced towards his wife. Her face was dubious, a little scared. There was a silence. Then Bianca spoke:

"Well?" That word, like nearly all her speeches, seemed rather to disconcert her hearers.

"So Hughs ill-treats her?" said Hilary.

"She says so," replied Cecilia--"at least, that's what I understood. Of course, I don't know any details."

"She had better get rid of him, I should think," Bianca murmured.

Out of the silence that followed Thyme's clear voice was heard saying:

"She can't get a divorce; she could get a separation."

Cecilia rose uneasily. These words concreted suddenly a wealth of half-acknowledged doubts about her little daughter. This came of letting her hear people talk, and go about with Martin! She might even have been listening to her grandfather--such a thought was most disturbing. And, afraid, on the one hand, of gainsaying the liberty of speech, and, on the other, of seeming to approve her daughter's knowledge of the world, she looked at her husband.

But Stephen did not speak, feeling, no doubt, that to pursue the subject would be either to court an ethical, even an abstract, disquisition, and this one did not do in anybody's presence, much less one's wife's or daughter's; or to touch on sordid facts of doubtful character, which was equally distasteful in the circumstances. He, too, however, was uneasy that Thyme should know so much.

The dusk was gathering outside; the fire threw a flickering light, fitfully outlining their figures, making those faces, so familiar to each other, a little mysterious.

At last Stephen broke the silence. "Of course, I'm very sorry for her, but you'd better let it alone--you can't tell with that sort of people; you never can make out what they want--it's safer not to meddle. At all events, it's a matter for a Society to look into first!"

Cecilia answered: "But she's, on my conscience, Stephen."

"They're all on my conscience," muttered Hilary.

Bianca looked at him for the first time; then, turning to her nephew, said: "What do you say, Martin?"

The young man, whose face was stained by the firelight the colour of pale cheese, made no answer.

But suddenly through the stillness came a voice:

"I have thought of something."

Everyone turned round. Mr. Stone was seen emerging from behind "The Shadow"; his frail figure, in its grey tweeds, his silvery hair and beard, were outlined sharply against the wall.

"Why, Father," Cecilia said, "we didn't know that you were here!"

Mr. Stone looked round bewildered; it seemed as if he, too, had been ignorant of that fact.

"What is it that you've thought of?"

The firelight leaped suddenly on to Mr. Stone's thin yellow hand.

"Each of us," he said, "has a shadow in those places--in those streets."

There was a vague rustling, as of people not taking a remark too seriously, and the sound of a closing door.

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III. HILARY'S BROWN STUDY

"What do you really think, Uncle Hilary?"

Turning at his writing-table to look at the face of his young niece, Hilary Dallison answered:

"My dear, we have had the same state of affairs since the beginning of the world. There is no chemical process; so far as my knowledge goes, that does not make waste products. What your grandfather calls our 'shadows' are the waste products of the social process. That there is a submerged tenth is as certain as that there is an emerged fiftieth like ourselves; exactly who they are and how they come, whether they can ever be improved away, is, I think, as uncertain as anything can be."

The figure of the girl seated in the big armchair did not stir. Her lips pouted contemptuously, a frown wrinkled her forehead.

"Martin says that a thing is only impossible when we think it so."

"Faith and the mountain, I'm afraid."

Thyme's foot shot forth; it nearly came into contact with Miranda, the little bulldog.

"Oh, duckie!"

But the little moonlight bulldog backed away.

"I hate these slums, uncle; they're so disgusting!"

Hilary leaned his face on his thin hand; it was his characteristic attitude.

"They are hateful, disgusting, and heartrending. That does not make the problem any the less difficult, does it?"

"I believe we simply make the difficulties ourselves by seeing them."

Hilary smiled. "Does Martin say that too?"

"Of course he does."

"Speaking broadly," murmured Hilary, "I see only one difficulty--human nature."

Thyme rose. "I think it horrible to have a low opinion of human nature."

"My dear," said Hilary, "don't you think perhaps that people who have what is called a low opinion of human nature are really more tolerant of it, more in love with it, in fact, than those who, looking to what human nature might be, are bound to hate what human nature is."

The look which Thyme directed at her uncle's amiable, attractive face, with its pointed beard, high forehead, and special little smile, seemed to alarm Hilary.

"I don't want you to have an unnecessarily low opinion of me, my dear. I'm not one of those people who tell you that everything's all right because the rich have their troubles as well as the poor. A certain modicum of decency and comfort is obviously necessary to man before we can begin to do anything but pity him; but that doesn't make it any easier to know how you're going to insure him that modicum of decency and comfort, does it?"

"We've got to do it," said Thyme; "it won't wait any longer."

"My dear," said Hilary, "think of Mr. Purcey! What proportion of the upper classes do you imagine is even conscious of that necessity? We, who have got what I call the social conscience, rise from the platform of Mr. Purcey; we're just a gang of a few thousands to Mr. Purcey's tens of thousands, and how many even of us are prepared, or, for the matter of that, fitted, to act on our consciousness? In spite of your grandfather's ideas, I'm afraid we're all too much divided into classes; man acts, and always has acted, in classes."

"Oh--classes!" answered Thyme--"that's the old superstition, uncle."

"Is it? I thought one's class, perhaps, was only oneself exaggerated--not to be shaken off. For instance, what are you and I, with our particular prejudices, going to do?"

Thyme gave him the cruel look of youth, which seemed to say: 'You are my very good uncle, and a dear; but you are more than twice my age. That, I think, is conclusive!'

"Has something been settled about Mrs. Hughs?" she asked abruptly.

"What does your father say this morning?"

Thyme picked up her portfolio of drawings, and moved towards the door.

"Father's hopeless. He hasn't an idea beyond referring her to the S.P.B."

She was gone; and Hilary, with a sigh, took his pen up, but he wrote nothing down ....

Hilary and Stephen Dallison were grandsons of that Canon Dallison, well known as friend, and sometime adviser, of a certain Victorian novelist. The Canon, who came of an old Oxfordshire family, which for three hundred years at least had served the Church or State, was himself the author of two volumes of "Socratic Dialogues." He had bequeathed to his son--a permanent official in the Foreign Office--if not his literary talent, the tradition at all events of culture. This tradition had in turn been handed on to Hilary and Stephen.

Educated at a public school and Cambridge, blessed with competent, though not large, independent incomes, and brought up never to allude to money if it could possibly be helped, the two young men had been turned out of the mint with something of the same outward stamp on them. Both were kindly, both fond of open-air pursuits, and neither of them lazy. Both, too, were very civilised, with that bone-deep decency, that dislike of violence, nowhere so prevalent as in the upper classes of a country whose settled institutions are as old as its roads, or the walls which insulate its parks. But as time went on, the one great quality which heredity and education, environment and means, had bred in both of them--self-consciousness--acted in these two brothers very differently. To Stephen it was preservative, keeping him, as it were, in ice throughout hot-weather seasons, enabling him to know exactly when he was in danger of decomposition, so that he might nip the process in the bud; it was with him a healthy, perhaps slightly chemical, ingredient, binding his component parts, causing them to work together safely, homogeneously. In Hilary the effect seemed to have been otherwise; like some slow and subtle poison, this great quality, self-consciousness, had soaked his system through and through; permeated every cranny of his spirit, so that to think a definite thought, or do a definite deed, was obviously becoming difficult to him. It took in the main the form of a sort of gentle desiccating humour.

"It's a remarkable thing," he had one day said to Stephen, "that by the process of assimilating little bits of chopped-up cattle one should be able to form the speculation of how remarkable a thing it is."

Stephen had paused a second before answering--they were lunching off roast beef in the Law Courts--he had then said:

"You're surely not going to eschew the higher mammals, like our respected father-in-law?"

"On the contrary," said Hilary, "to chew them; but it is remarkable, for all that; you missed my point."

It was clear that a man who could see anything remarkable in such a thing was far gone, and Stephen had murmured:

"My dear old chap, you're getting too introspective."

Hilary, having given his brother the special retiring smile, which seemed not only to say; "Don't let me bore you," but also, "Well, perhaps you had better wait outside," the conversation closed.

That smile of Hilary's, which jibbed away from things, though disconcerting and apt to put an end to intercourse, was natural enough. A sensitive man, who had passed his life amongst cultivated people in the making of books, guarded from real wants by modest, not vulgar, affluence, had not reached the age of forty-two without finding his delicacy sharpened to the point of fastidiousness. Even his dog could see the sort of man he was. She knew that he would take no liberties, either with her ears or with her tail. She knew that he would never hold her mouth ajar, and watch her teeth, as some men do; that when she was lying on her back he would gently rub her chest without giving her the feeling that she was doing wrong, as women will; and if she sat, as she was sitting now, with her eyes fixed on his study fire, he would never, she knew, even from afar, prevent her thinking of the nothing she loved to think on.

In his study, which smelt of a particular mild tobacco warranted to suit the nerves of any literary man, there was a bust of Socrates, which always seemed to have a strange attraction for its owner. He had once described to a fellow-writer the impression produced on him by that plaster face, so capaciously ugly, as though comprehending the whole of human life, sharing all man's gluttony and lust, his violence and rapacity, but sharing also his strivings toward love and reason and serenity.

"He's telling us," said Hilary, "to drink deep, to dive down and live with mermaids, to lie out on the hills under the sun, to sweat with helots, to know all things and all men. No seat, he says, among the Wise, unless we've been through it all before we climb! That's how he strikes me--not too cheering for people of our sort!"

Under the shadow of this bust Hilary rested his forehead on his hand. In front of him were three open books and a pile of manuscript, and pushed to one side a little sheaf of pieces of green-white paper, press-cuttings of his latest book.

The exact position occupied by his work in the life of such a man is not too easy to define. He earned an income by it, but he was not dependent on that income. As poet, critic, writer of essays, he had made himself a certain name--not a great name, but enough to swear by. Whether his fastidiousness could have stood the conditions of literary existence without private means was now and then debated by his friends; it could probably have done so better than was supposed, for he sometimes startled those who set him down as a dilettante by a horny way of retiring into his shell for the finish of a piece of work.

Try as he would that morning to keep his thoughts concentrated on his literary labour, they wandered to his conversation with his niece and to the discussion on Mrs. Hughs; the family seamstress, in his wife's studio the day before. Stephen had lingered behind Cecilia and Thyme when they went away after dinner, to deliver a last counsel to his brother at the garden gate.

"Never meddle between man and wife--you know what the lower classes are!"

And across the dark garden he had looked back towards the house. One room on the ground-floor alone was lighted. Through its open window the head and shoulders of Mr. Stone could be seen close to a small green reading-lamp. Stephen shook his head, murmuring:

"But, I say, our old friend, eh? 'In those places--in those streets!' It's worse than simple crankiness--the poor old chap is getting almost---"

And, touching his forehead lightly with two fingers, he had hurried off with the ever-springy step of one whose regularity habitually controls his imagination.

Pausing a minute amongst the bushes, Hilary too had looked at the lighted window which broke the dark front of his house, and his little moonlight bulldog, peering round his legs, had gazed up also. Mr. Stone was still standing, pen in hand, presumably deep in thought. His silvered head and beard moved slightly to the efforts of his brain. He came over to the window, and, evidently not seeing his son-in-law, faced out into the night.

In that darkness were all the shapes and lights and shadows of a London night in spring: the trees in dark bloom; the wan yellow of the gas-lamps, pale emblems of the self-consciousness of towns; the clustered shades of the tiny leaves, spilled, purple, on the surface of the road, like bunches of black grapes squeezed down into the earth by the feet of the passers-by. There, too, were shapes of men and women hurrying home, and the great blocked shapes of the houses where they lived. A halo hovered above the City--a high haze of yellow light, dimming the stars. The black, slow figure of a policeman moved noiselessly along the railings opposite.

From then till eleven o'clock, when he would make himself some cocoa on a little spirit-lamp, the writer of the "Book of Universal Brotherhood" would alternate between his bent posture above his manuscript and his blank consideration of the night....

With a jerk, Hilary came back to his reflections beneath the bust of Socrates.

"Each of us has a shadow in those places--in those streets!"

There certainly was a virus in that notion. One must either take it as a jest, like Stephen; or, what must one do? How far was it one's business to identify oneself with other people, especially the helpless--how far to preserve oneself intact--'integer vita'? Hilary was no young person, like his niece or Martin, to whom everything seemed simple; nor was he an old person like their grandfather, for whom life had lost its complications.

And, very conscious of his natural disabilities for a decision on a like, or indeed on any, subject except, perhaps, a point of literary technique, he got up from his writing-table, and, taking his little bulldog, went out. His intention was to visit Mrs. Hughs in Hound Street, and see with his own eyes the state of things. But he had another reason, too, for wishing to go there ....

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