XXI. THE DAY OF RECKONING…

XXI. THE DAY OF RECKONING

The great clock of Saint-Gervais struck one in the morning. It was so cold that the fine snow, flying through the air, hardened as it fell, covering the pavements with a slippery, white blanket.

Risler, wrapped in his cloak, was hastening home from the brewery through the deserted streets of the Marais. He had been celebrating, in company with his two faithful borrowers, Chebe and Delobelle, his first moment of leisure, the end of that almost endless period of seclusion during which he had been superintending the manufacture of his press, with all the searchings, the joys, and the disappointments of the inventor. It had been long, very long. At the last moment he had discovered a defect. The crane did not work well; and he had had to revise his plans and drawings. At last, on that very day, the new machine had been tried. Everything had succeeded to his heart's desire. The worthy man was triumphant. It seemed to him that he had paid a debt, by giving the house of Fromont the benefit of a new machine, which would lessen the labor, shorten the hours of the workmen, and at the same time double the profits and the reputation of the factory. He indulged in beautiful dreams as he plodded along. His footsteps rang out proudly, emphasized by the resolute and happy trend of his thoughts.

Quickening his pace, he reached the corner of Rue des Vieilles-Haudriettes. A long line of carriages was standing in front of the factory, and the light of their lanterns in the street, the shadows of the drivers seeking shelter from the snow in the corners and angles that those old buildings have retained despite the straightening of the sidewalks, gave an animated aspect to that deserted, silent quarter.

"Yes, yes! to be sure," thought the honest fellow, "we have a ball at our house." He remembered that Sidonie was giving a grand musical and dancing party, which she had excused him from attending, by the way, knowing that he was very busy.

Shadows passed and repassed behind the fluttering veil of the curtains; the orchestra seemed to follow the movements of those stealthy apparitions with the rising and falling of its muffled notes. The guests were dancing. Risler let his eyes rest for a moment on that phantasmagoria of the ball, and fancied that he recognized Sidonie's shadow in a small room adjoining the salon.

She was standing erect in her magnificent costume, in the attitude of a pretty woman before her mirror. A shorter shadow behind her, Madame Dobson doubtless, was repairing some accident to the costume, retieing the knot of a ribbon tied about her neck, its long ends floating down to the flounces of the train. It was all very indistinct, but the woman's graceful figure was recognizable in those faintly traced outlines, and Risler tarried long admiring her.

The contrast on the first floor was most striking. There was no light visible, with the exception of a little lamp shining through the lilac hangings of the bedroom. Risler noticed that circumstance, and as the little girl had been ailing a few days before, he felt anxious about her, remembering Madame Georges's strange agitation when she passed him so hurriedly in the afternoon; and he retraced his steps as far as Pere Achille's lodge to inquire.

The lodge was full. Coachmen were warming themselves around the stove, chatting and laughing amid the smoke from their pipes. When Risler appeared there was profound silence, a cunning, inquisitive, significant silence. They had evidently been speaking of him.

"Is the Fromont child still sick?" he asked.

"No, not the child, Monsieur."

"Monsieur Georges sick?"

"Yes, he was taken when he came home to-night. I went right off to get the doctor. He said that it wouldn't amount to anything--that all Monsieur needed was rest."

As Risler closed the door Pere Achille added, under his breath, with the half-fearful, half-audacious insolence of an inferior, who would like to be listened to and yet not distinctly heard:

"Ah! 'dame', they're not making such a show on the first floor as they are on the second."

This is what had happened.

Fromont jeune, on returning home during the evening, had found his wife with such a changed, heartbroken face, that he at once divined a catastrophe. But he had become so accustomed in the past two years to sin with impunity that it did not for one moment occur to him that his wife could have been informed of his conduct. Claire, for her part, to avoid humiliating him, was generous enough to speak only of Savigny.

"Grandpapa refused," she said.

The miserable man turned frightfully pale.

"I am lost--I am lost!" he muttered two or three times in the wild accents of fever; and his sleepless nights, a last terrible scene which he had had with Sidonie, trying to induce her not to give this party on the eve of his downfall, M. Gardinois' refusal, all these maddening things which followed so closely on one another's heels and had agitated him terribly, culminated in a genuine nervous attack. Claire took pity on him, put him to bed, and established herself by his side; but her voice had lost that affectionate intonation which soothes and persuades. There was in her gestures, in the way in which she arranged the pillow under the patient's head and prepared a quieting draught, a strange indifference, listlessness.

"But I have ruined you!" Georges said from time to time, as if to rouse her from that apathy which made him uncomfortable. She replied with a proud, disdainful gesture. Ah! if he had done only that to her!

At last, however, his nerves became calmer, the fever subsided, and he fell asleep.

She remained to attend to his wants.

"It is my duty," she said to herself.

Her duty. She had reached that point with the man whom she had adored so blindly, with the hope of a long and happy life together.

At that moment the ball in Sidonie's apartments began to become very animated. The ceiling trembled rhythmically, for Madame had had all the carpets removed from her salons for the greater comfort of the dancers. Sometimes, too, the sound of voices reached Claire's ears in waves, and frequent tumultuous applause, from which one could divine the great number of the guests, the crowded condition of the rooms.

Claire was lost in thought. She did not waste time in regrets, in fruitless lamentations. She knew that life was inflexible and that all the arguments in the world will not arrest the cruel logic of its inevitable progress. She did not ask herself how that man had succeeded in deceiving her so long--how he could have sacrificed the honor and happiness of his family for a mere caprice. That was the fact, and all her reflections could not wipe it out, could not repair the irreparable. The subject that engrossed her thoughts was the future. A new existence was unfolding before her eyes, dark, cruel, full of privation and toil; and, strangely enough, the prospect of ruin, instead of terrifying her, restored all her courage. The idea of the change of abode made necessary by the economy they would be obliged to practise, of work made compulsory for Georges and perhaps for herself, infused an indefinable energy into the distressing calmness of her despair. What a heavy burden of souls she would have with her three children: her mother, her child, and her husband! The feeling of responsibility prevented her giving way too much to her misfortune, to the wreck of her love; and in proportion as she forgot herself in the thought of the weak creatures she had to protect she realized more fully the meaning of the word "sacrifice," so vague on careless lips, so serious when it becomes a rule of life.

Such were the poor woman's thoughts during that sad vigil, a vigil of arms and tears, while she was preparing her forces for the great battle. Such was the scene lighted by the modest little lamp which Risler had seen from below, like a star fallen from the radiant chandeliers of the ballroom.

Reassured by Pere Achille's reply, the honest fellow thought of going up to his bedroom, avoiding the festivities and the guests, for whom he cared little.

On such occasions he used a small servants' staircase communicating with the counting-room. So he walked through the many-windowed workshops, which the moon, reflected by the snow, made as light as at noonday. He breathed the atmosphere of the day of toil, a hot, stifling atmosphere, heavy with the odor of boiled talc and varnish. The papers spread out on the dryers formed long, rustling paths. On all sides tools were lying about, and blouses hanging here and there ready for the morrow. Risler never walked through the shops without a feeling of pleasure.

Suddenly he spied a light in Planus's office, at the end of that long line of deserted rooms. The old cashier was still at work, at one o'clock in the morning! That was really most extraordinary.

Risler's first impulse was to retrace his steps. In fact, since his unaccountable falling-out with Sigismond, since the cashier had adopted that attitude of cold silence toward him, he had avoided meeting him. His wounded friendship had always led him to shun an explanation; he had a sort of pride in not asking Planus why he bore him ill-will. But, on that evening, Risler felt so strongly the need of cordial sympathy, of pouring out his heart to some one, and then it was such an excellent opportunity for a tete-a-tete with his former friend, that he did not try to avoid him but boldly entered the counting-room.

The cashier was sitting there, motionless, among heaps of papers and great books, which he had been turning over, some of which had fallen to the floor. At the sound of his employer's footsteps he did not even lift his eyes. He had recognized Risler's step. The latter, somewhat abashed, hesitated a moment; then, impelled by one of those secret springs which we have within us and which guide us, despite ourselves, in the path of our destiny, he walked straight to the cashier's grating.

"Sigismond," he said in a grave voice.

The old man raised his head and displayed a shrunken face down which two great tears were rolling, the first perhaps that that animate column of figures had ever shed in his life.

"You are weeping, old man? What troubles you?"

And honest Risler, deeply touched, held out his hand to his friend, who hastily withdrew his. That movement of repulsion was so instinctive, so brutal, that all Risler's emotion changed to indignation.

He drew himself up with stern dignity.

"I offer you my hand, Sigismond Planus!" he said.

"And I refuse to take it," said Planus, rising.

There was a terrible pause, during which they heard the muffled music of the orchestra upstairs and the noise of the ball, the dull, wearing noise of floors shaken by the rhythmic movement of the dance.

"Why do you refuse to take my hand?" demanded Risler simply, while the grating upon which he leaned trembled with a metallic quiver.

Sigismond was facing him, with both hands on his desk, as if to emphasize and drive home what he was about to say in reply.

"Why? Because you have ruined the house; because in a few hours a messenger from the Bank will come and stand where you are, to collect a hundred thousand francs; and because, thanks to you, I haven't a sou in the cash-box--that's the reason why!"

Risler was stupefied.

"I have ruined the house--I?"

"Worse than that, Monsieur. You have allowed it to be ruined by your wife, and you have arranged with her to benefit by our ruin and your dishonor. Oh! I can see your game well enough. The money your wife has wormed out of the wretched Fromont, the house at Asnieres, the diamonds and all the rest is invested in her name, of course, out of reach of disaster; and of course you can retire from business now."

"Oh--oh!" exclaimed Risler in a faint voice, a restrained voice rather, that was insufficient for the multitude of thoughts it strove to express; and as he stammered helplessly he drew the grating toward him with such force that he broke off a piece of it. Then he staggered, fell to the floor, and lay there motionless, speechless, retaining only, in what little life was still left in him, the firm determination not to die until he had justified himself. That determination must have been very powerful; for while his temples throbbed madly, hammered by the blood that turned his face purple, while his ears were ringing and his glazed eyes seemed already turned toward the terrible unknown, the unhappy man muttered to himself in a thick voice, like the voice of a shipwrecked man speaking with his mouth full of water in a howling gale: "I must live! I must live!"

When he recovered consciousness, he was sitting on the cushioned bench on which the workmen sat huddled together on pay-day, his cloak on the floor, his cravat untied, his shirt open at the neck, cut by Sigismond's knife. Luckily for him, he had cut his hands when he tore the grating apart; the blood had flowed freely, and that accident was enough to avert an attack of apoplexy. On opening his eyes, he saw on either side old Sigismond and Madame Georges, whom the cashier had summoned in his distress. As soon as Risler could speak, he said to her in a choking voice:

"Is this true, Madame Chorche--is this true that he just told me?"

She had not the courage to deceive him, so she turned her eyes away.

"So," continued the poor fellow, "so the house is ruined, and I--"

"No, Risler, my friend. No, not you."

"My wife, was it not? Oh! it is horrible! This is how I have paid my debt of gratitude to you. But you, Madame Chorche, you could not have believed that I was a party to this infamy?"

"No, my friend, no; be calm. I know that you are the most honorable man on earth."

He looked at her a moment, with trembling lips and clasped hands, for there was something child-like in all the manifestations of that artless nature.

"Oh! Madame Chorche, Madame Chorche," he murmured. "When I think that I am the one who has ruined you."

In the terrible blow which overwhelmed him, and by which his heart, overflowing with love for Sidonie, was most deeply wounded, he refused to see anything but the financial disaster to the house of Fromont, caused by his blind devotion to his wife. Suddenly he stood erect.

"Come," he said, "let us not give way to emotion. We must see about settling our accounts."

Madame Fromont was frightened.

"Risler, Risler--where are you going?"

She thought that he was going up to Georges' room.

Risler understood her and smiled in superb disdain.

"Never fear, Madame. Monsieur Georges can sleep in peace. I have something more urgent to do than avenge my honor as a husband. Wait for me here. I will come back."

He darted toward the narrow staircase; and Claire, relying upon his word, remained with Planus during one of those supreme moments of uncertainty which seem interminable because of all the conjectures with which they are thronged.

A few moments later the sound of hurried steps, the rustling of silk filled the dark and narrow staircase. Sidonie appeared first, in ball costume, gorgeously arrayed and so pale that the jewels that glistened everywhere on her dead-white flesh seemed more alive than she, as if they were scattered over the cold marble of a statue. The breathlessness due to dancing, the trembling of intense excitement and her rapid descent, caused her to shake from head to foot, and her floating ribbons, her ruffles, her flowers, her rich and fashionable attire drooped tragically about her. Risler followed her, laden with jewel-cases, caskets, and papers. Upon reaching his apartments he had pounced upon his wife's desk, seized everything valuable that it contained, jewels, certificates, title-deeds of the house at Asnieres; then, standing in the doorway, he had shouted into the ballroom:

"Madame Risler!"

She had run quickly to him, and that brief scene had in no wise disturbed the guests, then at the height of the evening's enjoyment. When she saw her husband standing in front of the desk, the drawers broken open and overturned on the carpet with the multitude of trifles they contained, she realized that something terrible was taking place.

"Come at once," said Risler; "I know all."

She tried to assume an innocent, dignified attitude; but he seized her by the arm with such force that Frantz's words came to her mind: "It will kill him perhaps, but he will kill you first." As she was afraid of death, she allowed herself to be led away without resistance, and had not even the strength to lie.

"Where are we going?" she asked, in a low voice.

Risler did not answer. She had only time to throw over her shoulders, with the care for herself that never failed her, a light tulle veil, and he dragged her, pushed her, rather, down the stairs leading to the counting-room, which he descended at the same time, his steps close upon hers, fearing that his prey would escape.

"There!" he said, as he entered the room. "We have stolen, we make restitution. Look, Planus, you can raise money with all this stuff." And he placed on the cashier's desk all the fashionable plunder with which his arms were filled--feminine trinkets, trivial aids to coquetry, stamped papers.

Then he turned to his wife:

"Take off your jewels! Come, be quick."

She complied slowly, opened reluctantly the clasps of bracelets and buckles, and above all the superb fastening of her diamond necklace on which the initial of her name-a gleaming S-resembled a sleeping serpent, imprisoned in a circle of gold. Risler, thinking that she was too slow, ruthlessly broke, the fragile fastenings. Luxury shrieked beneath his fingers, as if it were being whipped.

"Now it is my turn," he said; "I too must give up everything. Here is my portfolio. What else have I? What else have I?"

He searched his pockets feverishly.

"Ah! my watch. With the chain it will bring four-thousand francs. My rings, my wedding-ring. Everything goes into the cash-box, everything. We have a hundred thousand francs to pay this morning. As soon as it is daylight we must go to work, sell out and pay our debts. I know some one who wants the house at Asnieres. That can be settled at once."

He alone spoke and acted. Sigismond and Madame Georges watched him without speaking. As for Sidonie, she seemed unconscious, lifeless. The cold air blowing from the garden through the little door, which was opened at the time of Risler's swoon, made her shiver, and she mechanically drew the folds of her scarf around her shoulders, her eyes fixed on vacancy, her thoughts wandering. Did she not hear the violins of her ball, which reached their ears in the intervals of silence, like bursts of savage irony, with the heavy thud of the dancers shaking the floors? An iron hand, falling upon her, aroused her abruptly from her torpor. Risler had taken her by the arm, and, leading her before his partner's wife, he said:

"Down on your knees!"

Madame Fromont drew back, remonstrating:

"No, no, Risler, not that."

"It must be," said the implacable Risler. "Restitution, reparation! Down on your knees then, wretched woman!" And with irresistible force he threw Sidonie at Claire's feet; then, still holding her arm;

"You will repeat after me, word for word, what I say: Madame--"

Sidonie, half dead with fear, repeated faintly: "Madame--"

"A whole lifetime of humility and submission--"

"A whole lifetime of humil--No, I can not!" she exclaimed, springing to her feet with the agility of a deer; and, wresting herself from Risler's grasp, through that open door which had tempted her from the beginning of this horrible scene, luring her out into the darkness of the night to the liberty obtainable by flight, she rushed from the house, braving the falling snow and the wind that stung her bare shoulders.

"Stop her, stop her!--Risler, Planus, I implore you! In pity's name do not let her go in this way," cried Claire.

Planus stepped toward the door.

Risler detained him.

"I forbid you to stir! I ask your pardon, Madame, but we have more important matters than this to consider. Madame Risler concerns us no longer. We have to save the honor of the house of Fromont, which alone is at stake, which alone fills my thoughts at this moment."

Sigismond put out his hand.

"You are a noble man, Risler. Forgive me for having suspected you."

Risler pretended not to hear him.

"A hundred thousand francs to pay, you say? How much is there left in the strong-box?"

He sat bravely down behind the gratin, looking over the books of account, the certificates of stock in the funds, opening the jewel-cases, estimating with Planus, whose father had been a jeweller, the value of all those diamonds, which he had once so admired on his wife, having no suspicion of their real value.

Meanwhile Claire, trembling from head to foot, looked out through the window at the little garden, white with snow, where Sidonie's footsteps were already effaced by the fast-falling flakes, as if to bear witness that that precipitate departure was without hope of return.

Up-stairs they were still dancing. The mistress of the house was supposed to be busy with the preparations for supper, while she was flying, bare-headed, forcing back sobs and shrieks of rage.

Where was she going? She had started off like a mad woman, running across the garden and the courtyard of the factory, and under the dark arches, where the cruel, freezing wind blew in eddying circles. Pere Achille did not recognize her; he had seen so many shadows wrapped in white pass his lodge that night.

The young woman's first thought was to join the tenor Cazaboni, whom at the last she had not dared to invite to her ball; but he lived at Montmartre, and that was very far away for her to go, in that garb; and then, would he be at home? Her parents would take her in, doubtless; but she could already hear Madame Chebe's lamentations and the little man's sermon under three heads. Thereupon she thought of Delobelle, her old Delobelle. In the downfall of all her splendors she remembered the man who had first initiated her into fashionable life, who had given her lessons in dancing and deportment when she was a little girl, laughed at her pretty ways, and taught her to look upon herself as beautiful before any one had ever told her that she was so. Something told her that that fallen star would take her part against all others. She entered one of the carriages standing at the gate and ordered the driver to take her to the actor's lodgings on the Boulevard Beaumarchais.

For some time past Mamma Delobelle had been making straw hats for export-a dismal trade if ever there was one, which brought in barely two francs fifty for twelve hours' work.

And Delobelle continued to grow fat in the same degree that his "sainted wife" grew thin. At the very moment when some one knocked hurriedly at his door he had just discovered a fragrant soup 'au fromage', which had been kept hot in the ashes on the hearth. The actor, who had been witnessing at Beaumarchais some dark-browed melodrama drenched with gore even to the illustrated headlines of its poster, was startled by that knock at such an advanced hour.

"Who is there?" he asked in some alarm.

"It is I, Sidonie. Open the door quickly."

She entered the room, shivering all over, and, throwing aside her wrap, went close to the stove where the fire was almost extinct. She began to talk at once, to pour out the wrath that had been stifling her for an hour, and while she was describing the scene in the factory, lowering her voice because of Madame Delobelle, who was asleep close by, the magnificence of her costume in that poor, bare, fifth floor, the dazzling whiteness of her disordered finery amid the heaps of coarse hats and the wisps of straw strewn about the room, all combined to produce the effect of a veritable drama, of one of those terrible upheavals of life when rank, feelings, fortunes are suddenly jumbled together.

"Oh! I never shall return home. It is all over. Free--I am free!"

"But who could have betrayed you to your husband?" asked the actor.

"It was Frantz! I am sure it was Frantz. He wouldn't have believed it from anybody else. Only last evening a letter came from Egypt. Oh! how he treated me before that woman! To force me to kneel! But I'll be revenged. Luckily I took something to revenge myself with before I came away."

And the smile of former days played about the corners of her pale lips.

The old strolling player listened to it all with deep interest. Notwithstanding his compassion for that poor devil of a Risler, and for Sidonie herself, for that matter, who seemed to him, in theatrical parlance, "a beautiful culprit," he could not help viewing the affair from a purely scenic standpoint, and finally cried out, carried away by his hobby:

"What a first-class situation for a fifth act!"

She did not bear him. Absorbed by some evil thought, which made her smile in anticipation, she stretched out to the fire her dainty shoes, saturated with snow, and her openwork stockings.

"Well, what do you propose to do now?" Delobelle asked after a pause.

"Stay here till daylight and get a little rest. Then I will see."

"I have no bed to offer you, my poor girl. Mamma Delobelle has gone to bed."

"Don't you worry about me, my dear Delobelle. I'll sleep in that armchair. I won't be in your way, I tell you!"

The actor heaved a sigh.

"Ah! yes, that armchair. It was our poor Zizi's. She sat up many a night in it, when work was pressing. Ah, me! those who leave this world are much the happiest."

He had always at hand such selfish, comforting maxims. He had no sooner uttered that one than he discovered with dismay that his soup would soon be stone-cold. Sidonie noticed his movement.

"Why, you were just eating your supper, weren't you? Pray go on."

"'Dame'! yes, what would you have? It's part of the trade, of the hard existence we fellows have. For you see, my girl, I stand firm. I haven't given up. I never will give up."

What still remained of Desiree's soul in that wretched household in which she had lived twenty years must have shuddered at that terrible declaration. He never would give up!

"No matter what people may say," continued Delobelle, "it's the noblest profession in the world. You are free; you depend upon nobody. Devoted to the service of glory and the public! Ah! I know what I would do in your place. As if you were born to live with all those bourgeois--the devil! What you need is the artistic life, the fever of success, the unexpected, intense emotion."

As he spoke he took his seat, tucked his napkin in his neck, and helped himself to a great plateful of soup.

"To say nothing of the fact that your triumphs as a pretty woman would in no wise interfere with your triumph as an actress. By the way, do you know, you must take a few lessons in elocution. With your voice, your intelligence, your charms, you would have a magnificent prospect."

Then he added abruptly, as if to initiate her into the joys of the dramatic art:

"But it occurs to me that perhaps you have not supped! Excitement makes one hungry; sit there, and take this soup. I am sure that you haven't eaten soup 'au fromage' for a long while."

He turned the closet topsy-turvy to find her a spoon and a napkin; and she took her seat opposite him, assisting him and laughing a little at the difficulties attending her entertainment. She was less pale already, and there was a pretty sparkle in her eyes, composed of the tears of a moment before and the present gayety.

The strolling actress! All her happiness in life was lost forever: honor, family, wealth. She was driven from her house, stripped, dishonored. She had undergone all possible humiliations and disasters. That did not prevent her supping with a wonderful appetite and joyously holding her own under Delobelle's jocose remarks concerning her vocation and her future triumphs. She felt light-hearted and happy, fairly embarked for the land of Bohemia, her true country. What more would happen to her? Of how many ups and downs was her new, unforeseen, and whimsical existence to consist? She thought about that as she fell asleep in Desiree's great easy-chair; but she thought of her revenge, too--her cherished revenge which she held in her hand, all ready for use, and so unerring, so fierce!

XXII. THE NEW EMPLOYEE OF THE HOUSE OF FROMONT

It was broad daylight when Fromont Jeune awoke. All night long, between the drama that was being enacted below him and the festivity in joyous progress above, he slept with clenched fists, the deep sleep of complete prostration like that of a condemned man on the eve of his execution or of a defeated General on the night following his disaster; a sleep from which one would wish never to awake, and in which, in the absence of all sensation, one has a foretaste of death.

The bright light streaming through his curtains, made more dazzling by the deep snow with which the garden and the surrounding roofs were covered, recalled him to the consciousness of things as they were. He felt a shock throughout his whole being, and, even before his mind began to work, that vague impression of melancholy which misfortunes, momentarily forgotten, leave in their place. All the familiar noises of the factory, the dull throbbing of the machinery, were in full activity. So the world still existed! and by slow degrees the idea of his own responsibility awoke in him.

"To-day is the day," he said to himself, with an involuntary movement toward the dark side of the room, as if he longed to bury himself anew in his long sleep.

The factory bell rang, then other bells in the neighborhood, then the Angelus.

"Noon! Already! How I have slept!"

He felt some little remorse and a great sense of relief at the thought that the drama of settling-day had passed off without him. What had they done downstairs? Why did they not call him?

He rose, drew the curtains aside, and saw Risler and Sigismond talking together in the garden. And it was so long since they had spoken to each other! What in heaven's name had happened? When he was ready to go down he found Claire at the door of his room.

"You must not go out," she said.

"Why not?"

"Stay here. I will explain it to you."

"But what's the matter? Did any one come from the Bank?"

"Yes, they came--the notes are paid."

"Paid?"

"Risler obtained the money. He has been rushing about with Planus since early morning. It seems that his wife had superb jewels. The diamond necklace alone brought twenty thousand francs. He has also sold their house at Asnieres with all it contained; but as time was required to record the deed, Planus and his sister advanced the money."

She turned away from him as she spoke. He, on his side, hung his head to avoid her glance.

"Risler is an honorable man," she continued, "and when he learned from whom his wife received all her magnificent things--"

"What!" exclaimed Georges in dismay. "He knows?"

"All," Claire replied, lowering her voice.

The wretched man turned pale, stammered feebly:

"Why, then--you?"

"Oh! I knew it all before Risler. Remember, that when I came home last night, I told you I had heard very cruel things down at Savigny, and that I would have given ten years of my life not to have taken that journey."

"Claire!"

Moved by a mighty outburst of affection, he stepped toward his wife; but her face was so cold, so sad, so resolute, her despair was so plainly written in the stern indifference of her whole bearing, that he dared not take her in his arms as he longed to do, but simply murmured under his breath:

"Forgive!--forgive!"

"You must think me strangely calm," said the brave woman; "but I shed all my tears yesterday. You may have thought that I was weeping over our ruin; you were mistaken. While one is young and strong as we are, such cowardly conduct is not permissible. We are armed against want and can fight it face to face. No, I was weeping for our departed happiness, for you, for the madness that led you to throw away your only, your true friend."

She was lovely, lovelier than Sidonie had ever been, as she spoke thus, enveloped by a pure light which seemed to fall upon her from a great height, like the radiance of a fathomless, cloudless sky; whereas the other's irregular features had always seemed to owe their brilliancy, their saucy, insolent charm to the false glamour of the footlights in some cheap theatre. The touch of statuesque immobility formerly noticeable in Claire's face was vivified by anxiety, by doubt, by all the torture of passion; and like those gold ingots which have their full value only when the Mint has placed its stamp upon them, those beautiful features stamped with the effigy of sorrow had acquired since the preceding day an ineffaceable expression which perfected their beauty.

Georges gazed at her in admiration. She seemed to him more alive, more womanly, and worthy of adoration because of their separation and all the obstacles that he now knew to stand between them. Remorse, despair, shame entered his heart simultaneously with this new love, and he would have fallen on his knees before her.

"No, no, do not kneel," said Claire; "if you knew of what you remind me, if you knew what a lying face, distorted with hatred, I saw at my feet last night!"

"Ah! but I am not lying," replied Georges with a shudder. "Claire, I implore you, in the name of our child--"

At that moment some one knocked at the door.

"Rise, I beg of you! You see that life has claims upon us," she said in a low voice and with a bitter smile; then she asked what was wanted.

Monsieur Risler had sent for Monsieur to come down to the office.

"Very well," she said; "say that he will come."

Georges approached the door, but she stopped him.

"No, let me go. He must not see you yet."

"But--"

"I wish you to stay here. You have no idea of the indignation and wrath of that poor man, whom you have deceived. If you had seen him last night, crushing his wife's wrists!"

As she said it she looked him in the face with a curiosity most cruel to herself; but Georges did not wince, and replied simply:

"My life belongs to him."

"It belongs to me, too; and I do not wish you to go down. There has been scandal enough in my father's house. Remember that the whole factory is aware of what is going on. Every one is watching us, spying upon us. It required all the authority of the foremen to keep the men busy to-day, to compel them to keep their inquisitive looks on their work."

"But I shall seem to be hiding."

"And suppose it were so! That is just like a man. They do not recoil from the worst crimes: betraying a wife, betraying a friend; but the thought that they may be accused of being afraid touches them more keenly than anything. Moreover, listen to what I say. Sidonie has gone; she has gone forever; and if you leave this house I shall think that you have gone to join her."

"Very well, I will stay," said Georges. "I will do whatever you wish."

Claire descended into Planus' office.

To see Risler striding to and fro, with his hands behind his back, as calm as usual, no one would ever have suspected all that had taken place in his life since the night before. As for Sigismond, he was fairly beaming, for he saw nothing in it all beyond the fact that the notes had been paid at maturity and that the honor of the firm was safe.

When Madame Fromont appeared, Risler smiled sadly and shook his head.

"I thought that you would prefer to come down in his place; but you are not the one with whom I have to deal. It is absolutely necessary that I should see Georges and talk with him. We have paid the notes that fell due this morning; the crisis has passed; but we must come to an understanding about many matters."

"Risler, my friend, I beg you to wait a little longer."

"Why, Madame Chorche, there's not a minute to lose. Oh! I suspect that you fear I may give way to an outbreak of anger. Have no fear--let him have no fear. You know what I told you, that the honor of the house of Fromont is to be assured before my own. I have endangered it by my fault. First of all, I must repair the evil I have done or allowed to be done."

"Your conduct toward us is worthy of all admiration, my good Risler; I know it well."

"Oh! Madame, if you could see him! he's a saint," said poor Sigismond, who, not daring to speak to his friend, was determined at all events to express his remorse.

"But aren't you afraid?" continued Claire. "Human endurance has its limits. It may be that in presence of the man who has injured you so--"

Risler took her hands, gazed into her eyes with grave admiration, and said:

"You dear creature, who speak of nothing but the injury done to me! Do you not know that I hate him as bitterly for his falseness to you? But nothing of that sort has any existence for me at this moment. You see in me simply a business man who wishes to have an understanding with his partner for the good of the firm. So let him come down without the slightest fear, and if you dread any outbreak on my part, stay here with us. I shall need only to look at my old master's daughter to be reminded of my promise and my duty."

"I trust you, my friend," said Claire; and she went up to bring her husband.

The first minute of the interview was terrible. Georges was deeply moved, humiliated, pale as death. He would have preferred a hundred times over to be looking into the barrel of that man's pistol at twenty paces, awaiting his fire, instead of appearing before him as an unpunished culprit and being compelled to confine his feelings within the commonplace limits of a business conversation.

Risler pretended not to look at him, and continued to pace the floor as he talked:

"Our house is passing through a terrible crisis. We have averted the disaster for to-day; but this is not the last of our obligations. That cursed invention has kept my mind away from the business for a long while. Luckily, I am free now, and able to attend to it. But you must give your attention to it as well. The workmen and clerks have followed the example of their employers to some extent. Indeed, they have become extremely negligent and indifferent. This morning, for the first time in a year, they began work at the proper time. I expect that you will make it your business to change all that. As for me, I shall work at my drawings again. Our patterns are old-fashioned. We must have new ones for the new machines. I have great confidence in our presses. The experiments have succeeded beyond my hopes. We unquestionably have in them a means of building up our business. I didn't tell you sooner because I wished to surprise you; but we have no more surprises for each other, have we, Georges?"

There was such a stinging note of irony in his voice that Claire shuddered, fearing an outbreak; but he continued, in his natural tone.

"Yes, I think I can promise that in six months the Risler Press will begin to show magnificent results. But those six months will be very hard to live through. We must limit ourselves, cut down our expenses, save in every way that we can. We have five draughtsmen now; hereafter we will have but two. I will undertake to make the absence of the others of no consequence by working at night myself. Furthermore, beginning with this month, I abandon my interest in the firm. I will take my salary as foreman as I took it before, and nothing more."

Fromont attempted to speak, but a gesture from his wife restrained him, and Risler continued:

"I am no longer your partner, Georges. I am once more the clerk that I never should have ceased to be. From this day our partnership articles are cancelled. I insist upon it, you understand; I insist upon it. We will remain in that relation to each other until the house is out of difficulty and I can--But what I shall do then concerns me alone. This is what I wanted to say to you, Georges. You must give your attention to the factory diligently; you must show yourself, make it felt that you are master now, and I believe there will turn out to be, among all our misfortunes, some that can be retrieved."

During the silence that followed, they heard the sound of wheels in the garden, and two great furniture vans stopped at the door.

"I beg your pardon," said Risler, "but I must leave you a moment. Those are the vans from the public auction rooms; they have come to take away my furniture from upstairs."

"What! you are going to sell your furniture too?" asked Madame Fromont.

"Certainly--to the last piece. I am simply giving it back to the firm. It belongs to it."

"But that is impossible," said Georges. "I can not allow that."

Risler turned upon him indignantly.

"What's that? What is it that you can't allow?"

Claire checked him with an imploring gesture.

"True--true!" he muttered; and he hurried from the room to escape the sudden temptation to give vent to all that was in his heart.

The second floor was deserted. The servants, who had been paid and dismissed in the morning, had abandoned the apartments to the disorder of the day following a ball; and they wore the aspect peculiar to places where a drama has been enacted, and which are left in suspense, as it were, between the events that have happened and those that are still to happen. The open doors, the rugs lying in heaps in the corners, the salvers laden with glasses, the preparations for the supper, the table still set and untouched, the dust from the dancing on all the furniture, its odor mingled with the fumes of punch, of withered flowers, of rice-powder--all these details attracted Risler's notice as he entered.

In the disordered salon the piano was open, the bacchanal from 'Orphee aux Enfers' on the music-shelf, and the gaudy hangings surrounding that scene of desolation, the chairs overturned, as if in fear, reminded one of the saloon of a wrecked packet-boat, of one of those ghostly nights of watching when one is suddenly informed, in the midst of a fete at sea, that the ship has sprung a leak, that she is taking in water in every part.

The men began to remove the furniture. Risler watched them at work with an indifferent air, as if he were in a stranger's house. That magnificence which had once made him so happy and proud inspired in him now an insurmountable disgust. But, when he entered his wife's bedroom, he was conscious of a vague emotion.

It was a large room, hung with blue satin under white lace. A veritable cocotte's nest. There were torn and rumpled tulle ruffles lying about, bows, and artificial flowers. The wax candles around the mirror had burned down to the end and cracked the candlesticks; and the bed, with its lace flounces and valances, its great curtains raised and drawn back, untouched in the general confusion, seemed like the bed of a corpse, a state bed on which no one would ever sleep again.

Risler's first feeling upon entering the room was one of mad indignation, a longing to fall upon the things before him, to tear and rend and shatter everything. Nothing, you see, resembles a woman so much as her bedroom. Even when she is absent, her image still smiles in the mirrors that have reflected it. A little something of her, of her favorite perfume, remains in everything she has touched. Her attitudes are reproduced in the cushions of her couch, and one can follow her goings and comings between the mirror and the toilette table in the pattern of the carpet. The one thing above all others in that room that recalled Sidonie was an 'etagere' covered with childish toys, petty, trivial knickknacks, microscopic fans, dolls' tea-sets, gilded shoes, little shepherds and shepherdesses facing one another, exchanging cold, gleaming, porcelain glances. That 'etagere' was Sidonie's very soul, and her thoughts, always commonplace, petty, vain, and empty, resembled those gewgaws. Yes, in very truth, if Risler, while he held her in his grasp last night, had in his frenzy broken that fragile little head, a whole world of 'etagere' ornaments would have come from it in place of a brain.

The poor man was thinking sadly of all these things amid the ringing of hammers and the heavy footsteps of the furniture-movers, when he heard an interloping, authoritative step behind him, and Monsieur Chebe appeared, little Monsieur Chebe, flushed and breathless, with flames darting from his eyes. He assumed, as always, a very high tone with his son-in-law.

"What does this mean? What is this I hear? Ah! so you're moving, are you?"

"I am not moving, Monsieur Chebe--I am selling out."

The little man gave a leap like a scalded fish.

"You are selling out? What are you selling, pray?"

"I am selling everything," said Risler in a hollow voice, without even looking at him.

"Come, come, son-in-law, be reasonable. God knows I don't say that Sidonie's conduct--But, for my part, I know nothing about it. I never wanted to know anything. Only I must remind you of your dignity. People wash their dirty linen in private, deuce take it! They don't make spectacles of themselves as you've been doing ever since morning. Just see everybody at the workshop windows; and on the porch, too! Why, you're the talk of the quarter, my dear fellow."

"So much the better. The dishonor was public, the reparation must be public, too."

This apparent coolness, this indifference to all his observations, exasperated Monsieur Chebe. He suddenly changed his tactics, and adopted, in addressing his son-in-law, the serious, peremptory tone which one uses with children or lunatics.

"Well, I say that you haven't any right to take anything away from here. I remonstrate formally, with all my strength as a man, with all my authority as a father. Do you suppose I am going to let you drive my child into the street. No, indeed! Oh! no, indeed! Enough of such nonsense as that! Nothing more shall go out of these rooms."

And Monsieur Chebe, having closed the door, planted himself in front of it with a heroic gesture. Deuce take it! his own interest was at stake in the matter. The fact was that when his child was once in the gutter he ran great risk of not having a feather bed to sleep on himself. He was superb in that attitude of an indignant father, but he did not keep it long. Two hands, two vises, seized his wrists, and he found himself in the middle of the room, leaving the doorway clear for the workmen.

"Chebe, my boy, just listen," said Risler, leaning over him. "I am at the end of my forbearance. Since this morning I have been making superhuman efforts to restrain myself, but it would take very little now to make my anger burst all bonds, and woe to the man on whom it falls! I am quite capable of killing some one. Come! Be off at once!--"

There was such an intonation in his son-in-law's voice, and the way that son-in-law shook him as he spoke was so eloquent, that Monsieur Chebe was fully convinced. He even stammered an apology. Certainly Risler had good reason for acting as he had. All honorable people would be on his side. And he backed toward the door as he spoke. When he reached it, he inquired timidly if Madame Chebe's little allowance would be continued.

"Yes," was Risler's reply, "but never go beyond it, for my position here is not what it was. I am no longer a partner in the house."

Monsieur Chebe stared at him in amazement, and assumed the idiotic expression which led many people to believe that the accident that had happened to him--exactly like that of the Duc d'Orleans, you know--was not a fable of his own invention; but he dared not make the slightest observation. Surely some one had changed his son-in-law. Was this really Risler, this tiger-cat, who bristled up at the slightest word and talked of nothing less than killing people?

He took to his heels, recovered his self-possession at the foot of the stairs, and walked across the courtyard with the air of a conqueror.

When all the rooms were cleared and empty, Risler walked through them for the last time, then took the key and went down to Planus's office to hand it to Madame Georges.

"You can let the apartment," he said, "it will be so much added to the income of the factory."

"But you, my friend?"

"Oh! I don't need much. An iron bed up under the eaves. That's all a clerk needs. For, I repeat, I am nothing but a clerk from this time on. A useful clerk, by the way, faithful and courageous, of whom you will have no occasion to complain, I promise you."

Georges, who was going over the books with Planus, was so affected at hearing the poor fellow talk in that strain that he left his seat precipitately. He was suffocated by his sobs. Claire, too, was deeply moved; she went to the new clerk of the house of Fromont and said to him:

"Risler, I thank you in my father's name."

At that moment Pere Achille appeared with the mail.

Risler took the pile of letters, opened them tranquilly one by one, and passed them over to Sigismond.

"Here's an order for Lyon. Why wasn't it answered at Saint-Etienne?"

He plunged with all his energy into these details, and he brought to them a keen intelligence, due to the constant straining of the mind toward peace and forgetfulness.

Suddenly, among those huge envelopes, stamped with the names of business houses, the paper of which and the manner of folding suggested the office and hasty despatch, he discovered one smaller one, carefully sealed, and hidden so cunningly between the others that at first he did not notice it. He recognized instantly that long, fine, firm writing,--To Monsieur Risler--Personal. It was Sidonie's writing! When he saw it he felt the same sensation he had felt in the bedroom upstairs.

All his love, all the hot wrath of the betrayed husband poured back into his heart with the frantic force that makes assassins. What was she writing to him? What lie had she invented now? He was about to open the letter; then he paused. He realized that, if he should read that, it would be all over with his courage; so he leaned over to the old cashier, and said in an undertone:

"Sigismond, old friend, will you do me a favor?"

"I should think so!" said the worthy man enthusiastically. He was so delighted to hear his friend speak to him in the kindly voice of the old days.

"Here's a letter someone has written me which I don't wish to read now. I am sure it would interfere with my thinking and living. You must keep it for me, and this with it."

He took from his pocket a little package carefully tied, and handed it to him through the grating.

"That is all I have left of the past, all I have left of that woman. I have determined not to see her, nor anything that reminds me of her, until my task here is concluded, and concluded satisfactorily,--I need all my intelligence, you understand. You will pay the Chebes' allowance. If she herself should ask for anything, you will give her what she needs. But you will never mention my name. And you will keep this package safe for me until I ask you for it."

Sigismond locked the letter and the package in a secret drawer of his desk with other valuable papers. Risler returned at once to his correspondence; but all the time he had before his eyes the slender English letters traced by a little hand which he had so often and so ardently pressed to his heart.

XXIII. CAFE CHANTANT

What a rare, what a conscientious clerk did that new employe of the house of Fromont prove himself!

Every day his lamp was the first to appear at, and the last to disappear from, the windows of the factory. A little room had been arranged for him under the eaves, exactly like the one he had formerly occupied with Frantz, a veritable Trappist's cell, furnished with an iron cot and a white wooden table, that stood under his brother's portrait. He led the same busy, regular, quiet life as in those old days.

He worked constantly, and had his meals brought from the same little creamery. But, alas! the disappearance forever of youth and hope deprived those memories of all their charm. Luckily he still had Frantz and Madame "Chorche," the only two human beings of whom he could think without a feeling of sadness. Madame "Chorche" was always at hand, always trying to minister to his comfort, to console him; and Frantz wrote to him often, without mentioning Sidonie, by the way. Risler supposed that some one had told Frantz of the disaster that had befallen him, and he too avoided all allusion to the subject in his letters. "Oh! when I can send for him to come home!" That was his dream, his sole ambition: to restore the factory and recall his brother.

Meanwhile the days succeeded one another, always the same to him in the restless activity of business and the heartrending loneliness of his grief. Every morning he walked through the workshops, where the profound respect he inspired and his stern, silent countenance had reestablished the orderly conditions that had been temporarily disturbed. In the beginning there had been much gossip, and various explanations of Sidonie's departure had been made. Some said that she had eloped with a lover, others that Risler had turned her out. The one fact that upset all conjectures was the attitude of the two partners toward each other, apparently as unconstrained as before. Sometimes, however, when they were talking together in the office, with no one by, Risler would suddenly start convulsively, as a vision of the crime passed before his eyes.

Then he would feel a mad longing to spring upon the villain, seize him by the throat, strangle him without mercy; but the thought of Madame "Chorche" was always there to restrain him. Should he be less courageous, less master of himself than that young wife? Neither Claire, nor Fromont, nor anybody else suspected what was in his mind. They could barely detect a severity, an inflexibility in his conduct, which were not habitual with him. Risler awed the workmen now; and those of them upon whom his white hair, blanched in one night, his drawn, prematurely old features did not impose respect, quailed before his strange glance-a glance from eyes of a bluish-black like the color of a gun-barrel. Whereas he had always been very kind and affable with the workmen, he had become pitilessly severe in regard to the slightest infraction of the rules. It seemed as if he were taking vengeance upon himself for some indulgence in the past, blind, culpable indulgence, for which he blamed himself.

Surely he was a marvellous employe, was this new officer in the house of Fromont.

Thanks to him, the factory bell, notwithstanding the quavering of its old, cracked voice, had very soon resumed its authority; and the man who guided the whole establishment denied himself the slightest recreation. Sober as an apprentice, he left three-fourths of his salary with Planus for the Chebes' allowance, but he never asked any questions about them. Punctually on the last day of the month the little man appeared to collect his little income, stiff and formal in his dealings with Sigismond, as became an annuitant on duty. Madame Chebe had tried to obtain an interview with her son-in-law, whom she pitied and loved; but the mere appearance of her palm-leaf shawl on the steps put Sidonie's husband to flight.

In truth, the courage with which he armed himself was more apparent than real. The memory of his wife never left him. What had become of her? What was she doing? He was almost angry with Planus for never mentioning her. That letter, above all things, that letter which he had had the courage not to open, disturbed him. He thought of it continually. Ah! had he dared, how he would have liked to ask Sigismond for it!

One day the temptation was too strong. He was alone in the office. The old cashier had gone out to luncheon, leaving the key in his drawer, a most extraordinary thing. Risler could not resist. He opened the drawer, moved the papers, and searched for his letter. It was not there. Sigismond must have put it away even more carefully, perhaps with a foreboding of what actually happened. In his heart Risler was not sorry for his disappointment; for he well knew that, had he found the letter, it would have been the end of the resigned and busy life which he imposed upon himself with so much difficulty.

Through the week it was all very well. Life was endurable, absorbed by the innumerable duties of the factory, and so fatiguing that, when night came, Risler fell on his bed like a lifeless mass. But Sunday was long and sad. The silence of the deserted yards and workshops opened a far wider field to his thoughts. He tried to busy himself, but he missed the encouragement of the others' work. He alone was busy in that great, empty factory whose very breath was arrested. The locked doors, the closed blinds, the hoarse voice of Pere Achille playing with his dog in the deserted courtyard, all spoke of solitude. And the whole neighborhood also produced the same effect. In the streets, which seemed wider because of their emptiness, and where the passers-by were few and silent, the bells ringing for vespers had a melancholy sound, and sometimes an echo of the din of Paris, rumbling wheels, a belated hand-organ, the click of a toy-peddler's clappers, broke the silence, as if to make it even more noticeable.

Risler would try to invent new combinations of flowers and leaves, and, while he handled his pencil, his thoughts, not finding sufficient food there, would escape him, would fly back to his past happiness, to his hopeless misfortunes, would suffer martyrdom, and then, on returning, would ask the poor somnambulist, still seated at his table: "What have you done in my absence?" Alas! he had done nothing.

Oh! the long, heartbreaking, cruel Sundays! Consider that, mingled with all these perplexities in his mind, was the superstitious reverence of the common people for holy days, for the twenty-four hours of rest, wherein one recovers strength and courage. If he had gone out, the sight of a workingman with his wife and child would have made him weep, but his monastic seclusion gave him other forms of suffering, the despair of recluses, their terrible outbreaks of rebellion when the god to whom they have consecrated themselves does not respond to their sacrifices. Now, Risler's god was work, and as he no longer found comfort or serenity therein, he no longer believed in it, but cursed it.

Often in those hours of mental struggle the door of the draughting-room would open gently and Claire Fromont would appear. The poor man's loneliness throughout those long Sunday afternoons filled her with compassion, and she would come with her little girl to keep him company, knowing by experience how contagious is the sweet joyousness of children. The little one, who could now walk alone, would slip from her mother's arms to run to her friend. Risler would hear the little, hurrying steps. He would feel the light breath behind him, and instantly he would be conscious of a soothing, rejuvenating influence. She would throw her plump little arms around his neck with affectionate warmth, with her artless, causeless laugh, and a kiss from that little mouth which never had lied. Claire Fromont, standing in the doorway, would smile as she looked at them.

"Risler, my friend," she would say, "you must come down into the garden a while,--you work too hard. You will be ill."

"No, no, Madame,--on the contrary, work is what saves me. It keeps me from thinking."

Then, after a long pause, she would continue:

"Come, my dear Risler, you must try to forget."

Risler would shake his head.

"Forget? Is that possible? There are some things beyond one's strength. A man may forgive, but he never forgets."

The child almost always succeeded in dragging him down to the garden. He must play ball, or in the sand, with her; but her playfellow's awkwardness and lack of enthusiasm soon impressed the little girl. Then she would become very sedate, contenting herself with walking gravely between the hedges of box, with her hand in her friend's. After a moment Risler would entirely forget that she was there; but, although he did not realize it, the warmth of that little hand in his had a magnetic, softening effect upon his diseased mind.

A man may forgive, but he never forgets!

Poor Claire herself knew something about it; for she had never forgotten, notwithstanding her great courage and the conception she had formed of her duty. To her, as to Risler; her surroundings were a constant reminder of her sufferings. The objects amid which she lived pitilessly reopened the wound that was ready to close. The staircase, the garden, the courtyard, all those dumb witnesses of her husband's sin, assumed on certain days an implacable expression. Even the careful precaution her husband took to spare her painful reminders, the way in which he called attention to the fact that he no longer went out in the evening, and took pains to tell her where he had been during the day, served only to remind her the more forcibly of his wrong-doing. Sometimes she longed to ask him to forbear,--to say to him: "Do not protest too much." Faith was shattered within her, and the horrible agony of the priest who doubts, and seeks at the same time to remain faithful to his vows, betrayed itself in her bitter smile, her cold, uncomplaining gentleness.

Georges was wofully unhappy. He loved his wife now. The nobility of her character had conquered him. There was admiration in his love, and--why not say it?--Claire's sorrow filled the place of the coquetry which was contrary to her nature, the lack of which had always been a defect in her husband's eyes. He was one of that strange type of men who love to make conquests. Sidonie, capricious and cold as she was, responded to that whim of his heart. After parting from her with a tender farewell, he found her indifferent and forgetful the next day, and that continual need of wooing her back to him took the place of genuine passion. Serenity in love bored him as a voyage without storms wearies a sailor. On this occasion he had been very near shipwreck with his wife, and the danger had not passed even yet. He knew that Claire was alienated from him and devoted entirely to the child, the only link between them thenceforth. Their separation made her seem lovelier, more desirable, and he exercised all his powers of fascination to recapture her. He knew how hard a task it would be, and that he had no ordinary, frivolous nature to deal with. But he did not despair. Sometimes a vague gleam in the depths of the mild and apparently impassive glance with which she watched his efforts, bade him hope.

As for Sidonie, he no longer thought of her. Let no one be astonished at that abrupt mental rupture. Those two superficial beings had nothing to attach them securely to each other. Georges was incapable of receiving lasting impressions unless they were continually renewed; Sidonie, for her part, had no power to inspire any noble or durable sentiment. It was one of those intrigues between a cocotte and a coxcomb, compounded of vanity and of wounded self-love, which inspire neither devotion nor constancy, but tragic adventures, duels, suicides which are rarely fatal, and which end in a radical cure. Perhaps, had he seen her again, he might have had a relapse of his disease; but the impetus of flight had carried Sidonie away so swiftly and so far that her return was impossible. At all events, it was a relief for him to be able to live without lying; and the new life he was leading, a life of hard work and self-denial, with the goal of success in the distance, was not distasteful to him. Luckily; for the courage and determination of both partners were none too much to put the house on its feet once more.

The poor house of Fromont had sprung leaks on all sides. So Pere Planus still had wretched nights, haunted by the nightmare of notes maturing and the ominous vision of the little blue man. But, by strict economy, they always succeeded in paying.

Soon four Risler Presses were definitively set up and used in the work of the factory. People began to take a deep interest in them and in the wall-paper trade. Lyons, Caen, Rixbeim, the great centres of the industry, were much disturbed concerning that marvellous "rotary and dodecagonal" machine. One fine day the Prochassons appeared, and offered three hundred thousand francs simply for an interest in the patent rights.

"What shall we do?" Fromont Jeune asked Risler Aine.

The latter shrugged his shoulders indifferently.

"Decide for yourself. It doesn't concern me. I am only an employe."

The words, spoken coldly, without anger, fell heavily upon Fromont's bewildered joy, and reminded him of the gravity of a situation which he was always on the point of forgetting.

But when he was alone with his dear Madame "Chorche," Risler advised her not to accept the Prochassons' offer.

"Wait,--don't be in a hurry. Later you will have a better offer."

He spoke only of them in that affair in which his own share was so glorious. She felt that he was preparing to cut himself adrift from their future.

Meanwhile orders came pouring in and accumulated on their hands. The quality of the paper, the reduced price because of the improved methods of manufacture, made competition impossible. There was no doubt that a colossal fortune was in store for the house of Fromont. The factory had resumed its former flourishing aspect and its loud, business-like hum. Intensely alive were all the great buildings and the hundreds of workmen who filled them. Pere Planus never raised his nose from his desk; one could see him from the little garden, leaning over his great ledgers, jotting down in magnificently molded figures the profits of the Risler press.

Risler still worked as before, without change or rest. The return of prosperity brought no alteration in his secluded habits, and from the highest window on the topmost floor of the house he listened to the ceaseless roar of his machines. He was no less gloomy, no less silent. One day, however, it became known at the factory that the press, a specimen of which had been sent to the great Exposition at Manchester, had received the gold medal, whereby its success was definitely established. Madame Georges called Risler into the garden at the luncheon hour, wishing to be the first to tell him the good news.

For the moment a proud smile relaxed his prematurely old, gloomy features. His inventor's vanity, his pride in his renown, above all, the idea of repairing thus magnificently the wrong done to the family by his wife, gave him a moment of true happiness. He pressed Claire's hands and murmured, as in the old days:

"I am very happy! I am very happy!"

But what a difference in tone! He said it without enthusiasm, hopelessly, with the satisfaction of a task accomplished, and nothing more.

The bell rang for the workmen to return, and Risler went calmly upstairs to resume his work as on other days.

In a moment he came down again. In spite of all, that news had excited him more than he cared to show. He wandered about the garden, prowled around the counting-room, smiling sadly at Pere Planus through the window.

"What ails him?" the old cashier wondered. "What does he want of me?"

At last, when night came and it was time to close the office, Risler summoned courage to go and speak to him.

"Planus, my old friend, I should like--"

He hesitated a moment.

"I should like you to give me the--letter, you know, the little letter and the package."

Sigismond stared at him in amazement. In his innocence, he had imagined that Risler never thought of Sidonie, that he had entirely forgotten her.

"What--you want--?"

"Ah! I have well earned it; I can think of myself a little now. I have thought enough of others."

"You are right," said Planus. "Well, this is what we'll do. The letter and package are at my house at Montrouge. If you choose, we will go and dine together at the Palais-Royal, as in the good old times. I will stand treat. We'll water your medal with a bottle of wine; something choice! Then we'll go to the house together. You can get your trinkets, and if it's too late for you to go home, Mademoiselle Planus, my sister, shall make up a bed for you, and you shall pass the night with us. We are very comfortable there--it's in the country. To-morrow morning at seven o'clock we'll come back to the factory by the first omnibus. Come, old fellow, give me this pleasure. If you don't, I shall think you still bear your old Sigismond a grudge."

Risler accepted. He cared little about celebrating the award of his medal, but he desired to gain a few hours before opening the little letter he had at last earned the right to read.

He must dress. That was quite a serious matter, for he had lived in a workman's jacket during the past six months. And what an event in the factory! Madame Fromont was informed at once.

"Madame, Madame! Monsieur Risler is going out!"

Claire looked at him from her window, and that tall form, bowed by sorrow, leaning on Sigismond's arm, aroused in her a profound, unusual emotion which she remembered ever after.

In the street people bowed to Risler with great interest. Even their greetings warmed his heart. He was so much in need of kindness! But the noise of vehicles made him a little dizzy.

"My head is spinning," he said to Planus:

"Lean hard on me, old fellow-don't be afraid."

And honest Planus drew himself up, escorting his friend with the artless, unconventional pride of a peasant of the South bearing aloft his village saint.

At last they arrived at the Palais-Royal.

The garden was full of people. They had come to hear the music, and were trying to find seats amid clouds of dust and the scraping of chairs. The two friends hurried into the restaurant to avoid all that turmoil. They established themselves in one of the large salons on the first floor, whence they could see the green trees, the promenaders, and the water spurting from the fountain between the two melancholy flower-gardens. To Sigismond it was the ideal of luxury, that restaurant, with gilding everywhere, around the mirrors, in the chandelier and even on the figured wallpaper. The white napkin, the roll, the menu of a table d'hote dinner filled his soul with joy. "We are comfortable here, aren't we?" he said to Risler.

And he exclaimed at each of the courses of that banquet at two francs fifty, and insisted on filling his friend's plate.

"Eat that--it's good."

The other, notwithstanding his desire to do honor to the fete, seemed preoccupied and gazed out-of-doors.

"Do you remember, Sigismond?" he said, after a pause.

The old cashier, engrossed in his memories of long ago, of Risler's first employment at the factory, replied:

"I should think I do remember--listen! The first time we dined together at the Palais-Royal was in February, 'forty-six, the year we put in the planches-plates at the factory."

Risler shook his head.

"Oh! no--I mean three years ago. It was in that room just opposite that we dined on that memorable evening."

And he pointed to the great windows of the salon of Cafe Vefour, gleaming in the rays of the setting sun like the chandeliers at a wedding feast.

"Ah! yes, true," murmured Sigismond, abashed. What an unlucky idea of his to bring his friend to a place that recalled such painful things!

Risler, not wishing to cast a gloom upon their banquet, abruptly raised his glass.

"Come! here's your health, my old comrade."

He tried to change the subject. But a moment later he himself led the conversation back to it again, and asked Sigismond, in an undertone, as if he were ashamed:

"Have you seen her?"

"Your wife? No, never."

"She hasn't written again?"

"No--never again."

"But you must have heard of her. What has she been doing these six months? Does she live with her parents?"

"No."

Risler turned pale.

He hoped that Sidonie would have returned to her mother, that she would have worked, as he had worked, to forget and atone. He had often thought that he would arrange his life according to what he should learn of her when he should have the right to speak of her; and in one of those far-off visions of the future, which have the vagueness of a dream, he sometimes fancied himself living in exile with the Chebes in an unknown land, where nothing would remind him of his past shame. It was not a definite plan, to be sure; but the thought lived in the depths of his mind like a hope, caused by the need that all human creatures feel of finding their lost happiness.

"Is she in Paris?" he asked, after a few moments' reflection.

"No. She went away three months ago. No one knows where she has gone."

Sigismond did not add that she had gone with her Cazaboni, whose name she now bore, that they were making the circuit of the provincial cities together, that her mother was in despair, never saw her, and heard of her only through Delobelle. Sigismond did not deem it his duty to mention all that, and after his last words he held his peace.

Risler, for his part, dared ask no further questions.

While they sat there, facing each other, both embarrassed by the long silence, the military band began to play under the trees in the garden. They played one of those Italian operatic overtures which seem to have been written expressly for public open-air resorts; the swiftly-flowing notes, as they rise into the air, blend with the call of the swallows and the silvery plash of the fountain. The blaring brass brings out in bold relief the mild warmth of the closing hours of those summer days, so long and enervating in Paris; it seems as if one could hear nothing else. The distant rumbling of wheels, the cries of children playing, the footsteps of the promenaders are wafted away in those resonant, gushing, refreshing waves of melody, as useful to the people of Paris as the daily watering of their streets. On all sides the faded flowers, the trees white with dust, the faces made pale and wan by the heat, all the sorrows, all the miseries of a great city, sitting dreamily, with bowed head, on the benches in the garden, feel its comforting, refreshing influence. The air is stirred, renewed by those strains that traverse it, filling it with harmony.

Poor Risler felt as if the tension upon all his nerves were relaxed.

"A little music does one good," he said, with glistening eyes. "My heart is heavy, old fellow," he added, in a lower tone; "if you knew--"

They sat without speaking, their elbows resting on the window-sill, while their coffee was served.

Then the music ceased, the garden became deserted. The light that had loitered in the corners crept upward to the roofs, cast its last rays upon the highest windowpanes, followed by the birds, the swallows, which saluted the close of day with a farewell chirp from the gutter where they were huddled together.

"Now, where shall we go?" said Planus, as they left the restaurant.

"Wherever you wish."

On the first floor of a building on the Rue Montpensier, close at hand, was a cafe chantant, where many people entered.

"Suppose we go in," said Planus, desirous of banishing his friend's melancholy at any cost, "the beer is excellent."

Risler assented to the suggestion; he had not tasted beer for six months.

It was a former restaurant transformed into a concert-hall. There were three large rooms, separated by gilded pillars, the partitions having been removed; the decoration was in the Moorish style, bright red, pale blue, with little crescents and turbans for ornament.

Although it was still early, the place was full; and even before entering one had a feeling of suffocation, simply from seeing the crowds of people sitting around the tables, and at the farther end, half-hidden by the rows of pillars, a group of white-robed women on a raised platform, in the heat and glare of the gas.

Our two friends had much difficulty in finding seats, and had to be content with a place behind a pillar whence they could see only half of the platform, then occupied by a superb person in black coat and yellow gloves, curled and waxed and oiled, who was singing in a vibrating voice--

Mes beaux lions aux crins dores, Du sang des troupeaux alteres, Halte la!--Je fais sentinello!

[My proud lions with golden manes Who thirst for the blood of my flocks, Stand back!--I am on guard!]

The audience--small tradesmen of the quarter with their wives and daughters-seemed highly enthusiastic: especially the women. He represented so perfectly the ideal of the shopkeeper imagination, that magnificent shepherd of the desert, who addressed lions with such an air of authority and tended his flocks in full evening dress. And so, despite their bourgeois bearing, their modest costumes and their expressionless shop-girl smiles, all those women, made up their little mouths to be caught by the hook of sentiment, and cast languishing glances upon the singer. It was truly comical to see that glance at the platform suddenly change and become contemptuous and fierce as it fell upon the husband, the poor husband tranquilly drinking a glass of beer opposite his wife: "You would never be capable of doing sentry duty in the very teeth of lions, and in a black coat too, and with yellow gloves!"

And the husband's eye seemed to reply:

"Ah! 'dame', yes, he's quite a dashing buck, that fellow."

Being decidedly indifferent to heroism of that stamp, Risler and Sigismond were drinking their beer without paying much attention to the music, when, at the end of the song, amid the applause and cries and uproar that followed it, Pere Planus uttered an exclamation:

"Why, that is odd; one would say--but no, I'm not mistaken. It is he, it's Delobelle!"

It was, in fact, the illustrious actor, whom he had discovered in the front row near the platform. His gray head was turned partly away from them. He was leaning carelessly against a pillar, hat in hand, in his grand make-up as leading man: dazzlingly white linen, hair curled with the tongs, black coat with a camellia in the buttonhole, like the ribbon of an order. He glanced at the crowd from time to time with a patronizing air: but his eyes were most frequently turned toward the platform, with encouraging little gestures and smiles and pretended applause, addressed to some one whom Pere Planus could not see from his seat.

There was nothing very extraordinary in the presence of the illustrious Delobelle at a cafe concert, as he spent all his evenings away from home; and yet the old cashier felt vaguely disturbed, especially when he discovered in the same row a blue cape and a pair of steely eyes. It was Madame Dobson, the sentimental singing-teacher. The conjunction of those two faces amid the pipe-smoke and the confusion of the crowd, produced upon Sigismond the effect of two ghosts evoked by a bad dream. He was afraid for his friend, without knowing exactly why; and suddenly it occurred to him to take him away.

"Let us go, Risler. The heat here is enough to kill one."

Just as they rose--for Risler was no more desirous to stay than to go--the orchestra, consisting of a piano and several violins, began a peculiar refrain. There was a flutter of curiosity throughout the room, and cries of "Hush! hush! sit down!"

They were obliged to resume their seats. Risler, too, was beginning to be disturbed.

"I know that tune," he said to himself. "Where have I heard it?"

A thunder of applause and an exclamation from Planus made him raise his eyes.

"Come, come, let us go," said the cashier, trying to lead him away.

But it was too late.

Risler had already seen his wife come forward to the front of the stage and curtsey to the audience with a ballet-dancer's smile.

She wore a white gown, as on the night of the ball; but her whole costume was much less rich and shockingly immodest.

The dress was barely caught together at the shoulders; her hair floated in a blond mist low over her eyes, and around her neck was a necklace of pearls too large to be real, alternated with bits of tinsel. Delobelle was right: the Bohemian life was better suited to her. Her beauty had gained an indefinably reckless expression, which was its most characteristic feature, and made her a perfect type of the woman who has escaped from all restraint, placed herself at the mercy of every accident, and is descending stage by stage to the lowest depths of the Parisian hell, from which nothing is powerful enough to lift her and restore her to the pure air and the light.

And how perfectly at ease she seemed in her strolling life! With what self-possession she walked to the front of the stage! Ah! could she have seen the desperate, terrible glance fixed upon her down there in the hall, concealed behind a pillar, her smile would have lost that equivocal placidity, her voice would have sought in vain those wheedling, languorous tones in which she warbled the only song Madame Dobson had ever been able to teach her:

Pauv' pitit Mamz'elle Zizi, C'est l'amou, l'amou qui tourne La tete a li.

Risler had risen, in spite of Planus's efforts. "Sit down! sit down!" the people shouted. The wretched man heard nothing. He was staring at his wife.

C'est l'amou, l'amou qui tourne La tete a li,

Sidonie repeated affectedly.

For a moment he wondered whether he should not leap on the platform and kill her. Red flames shot before his eyes, and he was blinded with frenzy.

Then, suddenly, shame and disgust seized upon him and he rushed from the hall, overturning chairs and tables, pursued by the terror and imprecations of all those scandalized bourgeois.

XXIV. SIDONIE'S VENGEANCE

Never had Sigismond Planus returned home so late without giving his sister warning, during the twenty years and more that he had lived at Montrouge. Consequently Mademoiselle Planus was greatly worried. Living in community of ideas and of everything else with her brother, having but one mind for herself and for him, the old maid had felt for several months the rebound of all the cashier's anxiety and indignation; and the effect was still noticeable in her tendency to tremble and become agitated on slight provocation. At the slightest tardiness on Sigismond's part, she would think:

"Ah! mon Dieu! If only nothing has happened at the factory!"

That is the reason why on the evening in question, when the hens and chickens were all asleep on their perches, and the dinner had been removed untouched, Mademoiselle Planus was sitting in the little ground-floor living-room, waiting, in great agitation.

At last, about eleven o'clock, some one rang. A timid, melancholy ring, in no wise resembling Sigismond's vigorous pull.

"Is it you, Monsieur Planus?" queried the old lady from behind the door.

It was he; but he was not alone. A tall, bent old man accompanied him, and, as they entered, bade her good-evening in a slow, hesitating voice. Not till then did Mademoiselle Planus recognize Risler Aine, whom she had not seen since the days of the New Year's calls, that is to say, some time before the dramas at the factory. She could hardly restrain an exclamation of pity; but the grave taciturnity of the two men told her that she must be silent.

"Mademoiselle Planus, my sister, you will put clean sheets on my bed. Our friend Risler does us the honor to pass the night with us."

The sister hastened away to prepare the bedroom with an almost affectionate zeal; for, as we know, beside "Monsieur Planus, my brother," Risler was the only man excepted from the general reprobation in which she enveloped the whole male sex.

Upon leaving the cafe concert, Sidonie's husband had had a moment of frantic excitement. He leaned on Planus's arm, every nerve in his body strained to the utmost. At that moment he had no thought of going to Montrouge to get the letter and the package.

"Leave me--go away," he said to Sigismond. "I must be alone."

But the other knew better than to abandon him thus to his despair. Unnoticed by Risler, he led him away from the factory, and as his affectionate heart suggested to the old cashier what he had best say to his friend, he talked to him all the time of Frantz, his little Frantz whom he loved so dearly.

"That was genuine affection, genuine and trustworthy. No treachery to fear with such hearts as that!"

While they talked they left behind them the noisy streets of the centre of Paris. They walked along the quays, skirted the Jardin des Plantes, plunged into Faubourg Saint-Marceau. Risler followed where the other led. Sigismond's words did him so much good!

In due time they came to the Bievre, bordered at that point with tanneries whose tall drying-houses with open sides were outlined in blue against the sky; and then the ill-defined plains of Montsouris, vast tracts of land scorched and stripped of vegetation by the fiery breath that Paris exhales around its daily toil, like a monstrous dragon, whose breath of flame and smoke suffers no vegetation within its range.

From Montsouris to the fortifications of Montrouge is but a step. When they had reached that point, Planus had no great difficulty in taking his friend home with him. He thought, and justly, that his tranquil fireside, the spectacle of a placid, fraternal, devoted affection, would give the wretched man's heart a sort of foretaste of the happiness that was in store for him with his brother Frantz. And, in truth, the charm of the little household began to work as soon as they arrived.

"Yes, yes, you are right, old fellow," said Risler, pacing the floor of the living-room, "I mustn't think of that woman any more. She's like a dead woman to me now. I have nobody left in the world but my little Frantz; I don't know yet whether I shall send for him to come home, or go out and join him; the one thing that is certain is that we are going to stay together. Ah! I longed so to have a son! Now I have found one. I want no other. When I think that for a moment I had an idea of killing myself! Nonsense! it would make Madame What-d'ye-call-her, yonder, too happy. On the contrary, I mean to live--to live with my Frantz, and for him, and for nothing else."

"Bravo!" said Sigismond, "that's the way I like to hear you talk."

At that moment Mademoiselle Planus came to say that the room was ready.

Risler apologized for the trouble he was causing them.

"You are so comfortable, so happy here. Really, it's too bad to burden you with my melancholy."

"Ah! my old friend, you can arrange just such happiness as ours for yourself," said honest Sigismond with beaming face. "I have my sister, you have your brother. What do we lack?"

Risler smiled vaguely. He fancied himself already installed with Frantz in a quiet little quakerish house like that.

Decidedly, that was an excellent idea of Pere Planus.

"Come to bed," he said triumphantly. "We'll go and show you your room."

Sigismond Planus's bedroom was on the ground floor, a large room simply but neatly furnished; with muslin curtains at the windows and the bed, and little squares of carpet on the polished floor, in front of the chairs. The dowager Madame Fromont herself could have found nothing to say as to the orderly and cleanly aspect of the place. On a shelf or two against the wall were a few books: Manual of Fishing, The Perfect Country Housewife, Bayeme's Book-keeping. That was the whole of the intellectual equipment of the room.

Pere Planus glanced proudly around. The glass of water was in its place on the walnut table, the box of razors on the dressing-case.

"You see, Risler. Here is everything you need. And if you should want anything else, the keys are in all the drawers--you have only to turn them. Just see what a beautiful view you get from here. It's a little dark just now, but when you wake up in the morning you'll see; it is magnificent."

He opened the widow. Great drops of rain were beginning to fall, and lightning flashes rending the darkness disclosed the long, silent line of the fortifications, with telegraph poles at intervals, or the frowning door of a casemate. Now and then the footsteps of a patrol making the rounds, the clash of muskets or swords, reminded them that they were within the military zone.

That was the outlook so vaunted by Planus--a melancholy outlook if ever there were one.

"And now good-night. Sleep well!"

But, as the old cashier was leaving the room, his friend called him back:

"Sigismond."

"Here!" said Sigismond, and he waited.

Risler blushed slightly and moved his lips like a man who is about to speak; then, with a mighty effort, he said:

"No, no-nothing. Good-night, old man."

In the dining-room the brother and sister talked together a long while in low tones. Planus described the terrible occurrence of the evening, the meeting with Sidonie; and you can imagine the--"Oh! these women!" and "Oh! these men?" At last, when they had locked the little garden-door, Mademoiselle Planus went up to her room, and Sigismond made himself as comfortable as possible in a small cabinet adjoining.

About midnight the cashier was aroused by his sister calling him in a terrified whisper:

"Monsieur Planus, my brother?"

"What is it?"

"Did you hear?"

"No. What?"

"Oh! it was awful. Something like a deep sigh, but so loud and so sad! It came from the room below."

They listened. Without, the rain was falling in torrents, with the dreary rustling of leaves that makes the country seem so lonely.

"That is only the wind," said Planus.

"I am sure not. Hush! Listen!"

Amid the tumult of the storm, they heard a wailing sound, like a sob, in which a name was pronounced with difficulty:

"Frantz! Frantz!"

It was terrible and pitiful.

When Christ on the Cross sent up to heaven His despairing cry: 'Eli, eli, lama sabachthani', they who heard him must have felt the same species of superstitious terror that suddenly seized upon Mademoiselle Planus.

"I am afraid!" she whispered; "suppose you go and look--"

"No, no, we will let him alone. He is thinking of his brother. Poor fellow! It's the very thought of all others that will do him the most good."

And the old cashier went to sleep again.

The next morning he woke as usual when the drums beat the reveille in the fortifications; for the little family, surrounded by barracks, regulated its life by the military calls. The sister had already risen and was feeding the poultry. When she saw Sigismond she came to him in agitation.

"It is very strange," she said, "I hear nothing stirring in Monsieur Risler's room. But the window is wide open."

Sigismond, greatly surprised, went and knocked at his friend's door.

"Risler! Risler!"

He called in great anxiety:

"Risler, are you there? Are you asleep?"

There was no reply. He opened the door.

The room was cold. It was evident that the damp air had been blowing in all night through the open window. At the first glance at the bed, Sigismond thought: "He hasn't been in bed"--for the clothes were undisturbed and the condition of the room, even in the most trivial details, revealed an agitated vigil: the still smoking lamp, which he had neglected to extinguish, the carafe, drained to the last drop by the fever of sleeplessness; but the thing that filled the cashier with dismay was to find the bureau drawer wide open in which he had carefully bestowed the letter and package entrusted to him by his friend.

The letter was no longer there. The package lay on the table, open, revealing a photograph of Sidonie at fifteen. With her high-necked frock, her rebellious hair parted over the forehead, and the embarrassed pose of an awkward girl, the little Chebe of the old days, Mademoiselle Le Mire's apprentice, bore little resemblance to the Sidonie of to-day. And that was the reason why Risler had kept that photograph, as a souvenir, not of his wife, but of the "little one."

Sigismond was in great dismay.

"This is my fault," he said to himself. "I ought to have taken away the keys. But who would have supposed that he was still thinking of her? He had sworn so many times that that woman no longer existed for him."

At that moment Mademoiselle Planus entered the room with consternation written on her face.

"Monsieur Risler has gone!" she exclaimed.

"Gone? Why, wasn't the garden-gate locked?"

"He must have climbed over the wall. You can see his footprints."

They looked at each other, terrified beyond measure.

"It was the letter!" thought Planus.

Evidently that letter from his wife must have made some extraordinary revelation to Risler; and, in order not to disturb his hosts, he had made his escape noiselessly through the window, like a burglar. Why? With what aim in view?

"You will see, sister," said poor Planus, as he dressed with all haste, "you will see that that hussy has played him still another trick." And when his sister tried to encourage him, he recurred to his favorite refrain:

"I haf no gonfidence!"

As soon as he was dressed, he darted out of the house.

Risler's footprints could be distinguished on the wet ground as far as the gate of the little garden. He must have gone before daylight, for the beds of vegetables and flowers were trampled down at random by deep footprints with long spaces between; there were marks of heels on the garden-wall and the mortar was crumbled slightly on top. The brother and sister went out on the road skirting the fortifications. There it was impossible to follow the footprints. They could tell nothing more than that Risler had gone in the direction of the Orleans road.

"After all," Mademoiselle Planus ventured to say, "we are very foolish to torment ourselves about him; perhaps he has simply gone back to the factory."

Sigismond shook his head. Ah! if he had said all that he thought!

"Return to the house, sister. I will go and see."

And with the old "I haf no gonfidence" he rushed away like a hurricane, his white mane standing even more erect than usual.

At that hour, on the road near the fortifications, was an endless procession of soldiers and market-gardeners, guard-mounting, officers' horses out for exercise, sutlers with their paraphernalia, all the bustle and activity that is seen in the morning in the neighborhood of forts. Planus was striding along amid the tumult, when suddenly he stopped. At the foot of the bank, on the left, in front of a small, square building, with the inscription.

CITY OF PARIS, ENTRANCE TO THE QUARRIES,

On the rough plaster, he saw a crowd assembled, and soldiers' and custom-house officers' uniforms, mingled with the shabby, dirty blouses of barracks-loafers. The old man instinctively approached. A customs officer, seated on the stone step below a round postern with iron bars, was talking with many gestures, as if he were acting out his narrative.

"He was where I am," he said. "He had hanged himself sitting, by pulling with all his strength on the rope! It's clear that he had made up his mind to die, for he had a razor in his pocket that he would have used in case the rope had broken."

A voice in the crowd exclaimed: "Poor devil!" Then another, a tremulous voice, choking with emotion, asked timidly:

"Is it quite certain that he's dead?"

Everybody looked at Planus and began to laugh.

"Well, here's a greenhorn," said the officer. "Don't I tell you that he was all blue this morning, when we cut him down to take him to the chasseurs' barracks!"

The barracks were not far away; and yet Sigismond Planus had the greatest difficulty in the world in dragging himself so far. In vain did he say to himself that suicides are of frequent occurrence in Paris, especially in those regions; that not a day passes that a dead body is not found somewhere along that line of fortifications, as upon the shores of a tempestuous sea,--he could not escape the terrible presentiment that had oppressed his heart since early morning.

"Ah! you have come to see the man that hanged himself," said the quartermaster-sergeant at the door of the barracks. "See! there he is."

The body had been laid on a table supported by trestles in a sort of shed. A cavalry cloak that had been thrown over it covered it from head to foot, and fell in the shroud-like folds which all draperies assume that come in contact with the rigidity of death. A group of officers and several soldiers in duck trousers were looking on at a distance, whispering as if in a church; and an assistant-surgeon was writing a report of the death on a high window-ledge. To him Sigismond spoke.

"I should like very much to see him," he said softly.

"Go and look."

He walked to the table, hesitated a minute, then, summoning courage, uncovered a swollen face, a tall, motionless body in its rain-soaked garments.

"She has killed you at last, my old comrade!" murmured Planus, and fell on his knees, sobbing bitterly.

The officers had come forward, gazing curiously at the body, which was left uncovered.

"Look, surgeon," said one of them. "His hand is closed, as if he were holding something in it."

"That is true," the surgeon replied, drawing nearer. "That sometimes happens in the last convulsions.

"You remember at Solferino, Commandant Bordy held his little daughter's miniature in his hand like that? We had much difficulty in taking it from him."

As he spoke he tried to open the poor, tightly-closed dead hand.

"Look!" said he, "it is a letter that he is holding so tight."

He was about to read it; but one of the officers took it from his hands and passed it to Sigismond, who was still kneeling.

"Here, Monsieur. Perhaps you will find in this some last wish to be carried out."

Sigismond Planus rose. As the light in the room was dim, he walked with faltering step to the window, and read, his eyes filled with tears:

"Well, yes, I love you, I love you, more than ever and forever! What is the use of struggling and fighting against fate? Our sin is stronger than we . . . "

It was the letter which Frantz had written to his sister-in-law a year before, and which Sidonie had sent to her husband on the day following their terrible scene, to revenge herself on him and his brother at the same time.

Risler could have survived his wife's treachery, but that of his brother had killed him.

When Sigismond understood, he was petrified with horror. He stood there, with the letter in his hand, gazing mechanically through the open window.

The clock struck six.

Yonder, over Paris, whose dull roar they could hear although they could not see the city, a cloud of smoke arose, heavy and hot, moving slowly upward, with a fringe of red and black around its edges, like the powder-smoke on a field of battle. Little by little, steeples, white buildings, a gilded cupola, emerged from the mist, and burst forth in a splendid awakening.

Then the thousands of tall factory chimneys, towering above that sea of clustered roofs, began with one accord to exhale their quivering vapor, with the energy of a steamer about to sail. Life was beginning anew. Forward, ye wheels of time! And so much the worse for him who lags behind!

Thereupon old Planus gave way to a terrible outburst of wrath.

"Ah! harlot-harlot!" he cried, shaking his fist; and no one could say whether he was addressing the woman or the city of Paris.

GERFAUT

By CHARLES DE BERNARD

With a Preface by JULES CLARETIE, of the French Academy

CHARLES DE BERNARD

PIERRE-MARIE-CHARLES DE BERNARD DU GRAIL DE LA VILLETTE, better known by the name of Charles de Bernard, was born in Besancon, February 24, 1804. He came from a very ancient family of the Vivarais, was educated at the college of his native city, and studied for the law in Dijon and at Paris. He was awarded a prize by the 'Jeux floraux' for his dithyrambics, 'Une fete de Neron' in 1829. This first success in literature did not prevent him aspiring to the Magistrature, when the Revolution of 1830 broke out and induced him to enter politics. He became one of the founders of the 'Gazette de Franche-Comte' and an article in the pages of this journal about 'Peau de chagrin' earned him the thanks and the friendship of Balzac.

The latter induced him to take up his domicile in Paris and initiated him into the art of novel-writing. Bernard had published a volume of odes: 'Plus Deuil que Joie' (1838), which was not much noticed, but a series of stories in the same year gained him the reputation of a genial 'conteur'. They were collected under the title 'Le Noeud Gordien', and one of the tales, 'Une Aventure du Magistrat, was adapted by Sardou for his comedy 'Pommes du voisin'. 'Gerfaut', his greatest work, crowned by the Academy, appeared also in 1838, then followed 'Le Paravent', another collection of novels (1839); 'Les Ailes d'Icare (1840); La Peau du Lion and La Chasse aux Amants (1841); L'Ecueil (1842); Un Beau-pere (1845); and finally Le Gentilhomme campagnard,' in 1847. Bernard died, only forty-eight years old, March 6, 1850.

Charles de Bernard was a realist, a pupil of Balzac. He surpasses his master, nevertheless, in energy and limpidity of composition. His style is elegant and cultured. His genius is most fully represented in a score or so of delightful tales rarely exceeding some sixty or seventy pages in length, but perfect in proportion, full of invention and originality, and saturated with the purest and pleasantest essence of the spirit which for six centuries in tableaux, farces, tales in prose and verse, comedies and correspondence, made French literature the delight and recreation of Europe. 'Gerfaut' is considered De Bernard's greatest work. The plot turns on an attachment between a married woman and the hero of the story. The book has nothing that can justly offend, the incomparable sketches of Marillac and Mademoiselle de Corandeuil are admirable; Gerfaut and Bergenheim possess pronounced originality, and the author is, so to speak, incarnated with the hero of his romance.

The most uncritical reader can not fail to notice the success with which Charles de Bernard introduces people of rank and breeding into his stories. Whether or not he drew from nature, his portraits of this kind are exquisitely natural and easy. It is sufficient to say that he is the literary Sir Joshua Reynolds of the post-revolution vicomtes and marquises. We can see that his portraits are faithful; we must feel that they are at the same time charming. Bernard is an amiable and spirited 'conteur' who excels in producing an animated spectacle for a refined and selected public, whether he paints the ridiculousness or the misery of humanity.

The works of Charles de Bernard in wit and urbanity, and in the peculiar charm that wit and urbanity give, are of the best French type. To any elevation save a lofty place in fiction they have no claim; but in that phase of literature their worth is undisputed, and from many testimonies it would seem that those whom they most amuse are those who are best worth amusing.

These novels, well enough as they are known to professed students of French literature, have, by the mere fact of their age, rather slipped out of the list of books known to the general reader. The general reader who reads for amusement can not possibly do better than proceed to transform his ignorance of them into knowledge.

JULES CLARETIE de l'Academie Francaise. GERFAUT

I. THE TRAVELLER

During the first days of the month of September, 1832, a young man about thirty years of age was walking through one of the valleys in Lorraine originating in the Vosges mountains. A little river which, after a few leagues of its course, flows into the Moselle, watered this wild basin shut in between two parallel lines of mountains. The hills in the south became gradually lower and finally dwindled away into the plain. Alongside the plateau, arranged in amphitheatres, large square fields stripped of their harvest lay here and there in the primitive forest; in other places, innumerable oaks and elms had been dethroned to give place to plantations of cherry-trees, whose symmetrical rows promised an abundant harvest.

This contest of nature with industry is everywhere, but is more pronounced in hilly countries. The scene changed, however, as one penetrated farther, and little by little the influence of the soil gained ascendancy. As the hills grew nearer together, enclosing the valley in a closer embrace, the clearings gave way to the natural obduracy of the soil. A little farther on they disappeared entirely. At the foot of one of the bluffs which bordered with its granite bands the highest plateau of the mountain, the forest rolled victoriously down to the banks of the river.

Now came patches of forest, like solid battalions of infantry; sometimes solitary trees appeared, as if distributed by chance upon the grassy slopes, or scaling the summit of the steepest rocks like a body of bold sharpshooters. A little, unfrequented road, if one can judge from the scarcity of tracks, ran alongside the banks of the stream, climbing up and down hills; overcoming every obstacle, it stretched out in almost a straight line. One might compare it to those strong characters who mark out a course in life and imperturbably follow it. The river, on the contrary, like those docile and compliant minds that bend to agreeable emergencies, described graceful curves, obeying thus the caprices of the soil which served as its bed.

At a first glance, the young man who was walking alone in the midst of this picturesque country seemed to have nothing remarkable in his dress; a straw hat, a blue blouse and linen trousers composed his costume. It would have been very natural to take him for an Alsatian peasant returning to his village through the Vosges's rough pathways; but a more attentive glance quickly dispelled this conjecture. There is something in the way in which a person wears the plainest costume which betrays the real man, no matter how he may be clothed. Thus, nothing could be more modest than this traveller's blouse, but the absence on collar and sleeves of the arabesques in white or red thread, the pride of all village dandies, was sufficient for one to realize that this was not a fancy costume.

His expressive, but not handsome face was dark, it is true, but it did not look as if wind or sun had contributed to its complexion; it seemed rather to have lost by a sedentary life something of the southern carnation, which had ended by blending these warmer tints into a dead uniform pallor. Finally, if, as one may suppose after different diagnoses, this person had the slightest desire to play the role of Tyrcis or Amintas, his white hand, as carefully cared for as a pretty woman's, would have been sufficient to betray him. It was evident that the man was above his costume; a rare thing! The lion's ears pierced the ass's skin this time.

It was three o'clock in the afternoon; the sky, which had been overcast all the morning, had assumed, within a few moments, a more sombre aspect; large clouds were rapidly moving from south to north, rolled one over another by an ominous wind. So the traveller, who had just entered the wildest part of the valley, seemed very little disposed to admire its fine vegetation and romantic sites. Impatient to reach the end of his journey, or fearing the approaching storm, he quickened his steps; but this pace was not kept long. At the end of a few moments, having crossed a small clearing, he found himself at the entrance of a lawn where the road divided in two directions, one continuing to skirt the river banks, the other, broader and better built, turning to the left into a winding ravine.

Which of these two roads should he follow? He did not know. The profound solitude of the place made him fear that he might not meet any one who could direct him, when the sound of a psalm vigorously chanted reached his ears from the distance. Soon it became more distinct, and he recognized the words, 'In exitu Israel de Egypto', sung at the top of the lungs by a voice so shrill that it would have irritated the larynx of any of the sopranos at the Opera. Its vibrating but sharp tones resounded so clearly in the dead silence of the forest that a number of stanzas were finished before the pious musician came in sight. At last a drove of cattle appeared through the trees which bordered the road on the left, walking with a slow, grave step; they were driven by a little shepherd about nine or ten years of age, who interrupted his song from time to time to reassemble the members of his flock with heavy blows from his whip, thus uniting temporal cares with those of a spiritual nature with a coolness which the most important personages might have envied him.

"Which of these roads leads to Bergenheim?" called out the traveller when they were near enough to speak to each other.

"Bergenheim!" repeated the child, taking off his cotton cap, which was striped like a rainbow, and adding a few words in an unintelligible Gallo-Germanic patois.

"You are not French, then?" asked the stranger, in a disappointed tone.

The shepherd raised his head proudly and replied:

"I am Alsatian, not French!"

The young man smiled at this trait of local patriotism so common then in the beautiful province by the Rhine; then he thought that pantomime might be necessary, so he pointed with his finger first at one road, then at the other:

"There or there, Bergenheim?" asked he.

The child, in his turn, pointed silently with the tip of his whip to the banks of the river, designating, at some distance on the other side, a thicket of woods behind which a slight column of smoke was rising.

"The deuce!" murmured the stranger, "it seems that I have gone astray; if the chateau is on the other side, where can I establish my ambuscade?"

The shepherd seemed to understand the traveller's embarrassment. Gazing at him with his intelligent blue eyes, he traced, with the tip of his toe in the middle of the road, a furrow across which he rounded his whip like the arch of a bridge; then he pointed a second time up the river.

"You are an honor to your country, young fellow," exclaimed the stranger; "there is the material in you to make one of Cooper's redskins." As he said these words he threw a piece of money into the child's cap and walked rapidly away in the direction indicated.

The Alsatian stood motionless for a few moments with one hand in his blond hair and his eyes fastened upon the piece of silver which shone like a star in the bottom of his cap; when the one whom he considered as a model of extraordinary generosity had disappeared behind the trees, he gave vent to his joy by heavy blows from his whip upon the backs of the cattle, then he resumed his way, singing in a still more triumphant tone: 'Mantes exultaverunt ut arites', and jumping higher himself than all the hills and rams in the Bible.

The young man had not walked more than five minutes before he recognized the correctness of the directions he had received. The ground which he had passed over was a field covered with clumps of low trees; it was easy to see by its disc-like shape that it had been formed by successive alluvia, at the expense of the other shore, which had been incessantly worn away by the stream. This sort of flat, level peninsula was crossed in a straight line by the road, which deviated from the river at the point where the two roads came together again, like the cross and string of a bow at its extremity. The trees, becoming thinner, revealed a perspective all the more wonderful as it was unexpected. While the eye followed the widening stream, which disappeared in the depths of a mountainous gorge, a new prospect suddenly presented itself on the right upon the other shore.

A second valley, smaller than the first and in measure its vassal, formed an amphitheatre the crest of which was bordered by a fringe of perpendicular rocks as white as dried bones. Under this crown, which rendered it almost inaccessible, the little valley was resplendent in its wealth of evergreen trees, oaks with their knotty branches, and its fresh green turf.

Taken as a whole, it was a foundation worthy of the picturesque edifice which met one's eye in the foreground, and at which the traveller gazed with extreme interest.

At the junction of the two valleys stood an enormous building, half manorial, half monastic in appearance. The shore formed, at this point, for an extent of several hundred feet, a bluff whose edge plunged vertically into the river. The chateau and its outbuildings rested upon this solid base. The principal house was a large parallelogram of very old construction, but which had evidently been almost entirely rebuilt at the beginning of the sixteenth century. The stones, of grayish granite which abounds in the Vosges, were streaked with blue and violet veins, and gave the facade a sombre aspect, increased by the scarcity of windows, some of which were 'a la Palladio', others almost as narrow as loop-holes. An immense roof of red tile, darkened by rain, projected several feet over the whole front, as is still to be seen in old cities in the North. Thanks to this projecting weather-board, the apartments upon the upper floor were shaded from the sun's rays, like those persons who have weak eyes and who protect them from a strong light by wearing a green shade.

The view which this melancholy dwelling presented from the place where the traveller had first seen it, was one which made it appear to the best advantage; it seemed, from this point, to come immediately out of the river, built as it was upon the very curb of the bluffs, at this place at least thirty feet high. This elevation, added to that of the building, effaced the lack of proportion of the roof and gave to the whole a most imposing appearance; it seemed as if the rocks were a part of the building to which it served as foundation, for the stones had ended by assuming the same color, and it would have been difficult to discover the junction of man's work and that of nature, had it not been outlined by a massive iron balcony running across the entire length of the first story, whence one could enjoy the pleasure of line-fishing. Two round towers with pointed roofs stood at each corner of the facade and seemed to gaze with proud satisfaction at their own reflection in the water.

A long line of sycamore-trees skirted the banks of the river, beginning from the foot of the chateau, and forming the edge of a park which extended to the back of the double valley. A little wooden bridge connected this sort of avenue with the road the traveller had just passed over; but the latter did not seem disposed to profit by this silent invitation to which large raindrops gave more emphasis. He was so absorbed in his meditation that, to arouse him, it needed the sound of a gruff voice behind him uttering these words:

"That is what I call an ugly castle! It is hardly as good as our common country houses around Marseilles."

The stranger turned quickly around and found himself face to face with a man wearing a gray cap and carrying his coat upon his shoulder, as workmen do in the South. He held in his hand a knotty stick which had been recently cut. The newcomer had a swarthy complexion, harsh features, and deep-set eyes which gave his face an ugly, false expression.

"I said an ugly castle," continued he. "However, the cage is made for the bird."

"It seems, then, that you do not like its master?" said the traveller.

"The master!" repeated the workman, seizing hold of his stick with a threatening air, "Monsieur le Baron de Bergenheim, as they say! He is rich and a nobleman, and I am only a poor carpenter. Well, then, if you stay here a few days, you will witness a comical ceremony; I shall make this brigand repent."

"Brigand!" exclaimed the stranger, in a surprised tone. "What has he done to you?"

"Yes, brigand! you may tell him so from me. But, by the way," continued the workman, surveying his companion from head to foot with a searching, defiant air, "do you happen to be the carpenter who is coming from Strasbourg? In that case, I have a few words to say to you. Lambernier does not allow any one to take the bread out of his mouth in that way; do you understand?"

The young man seemed very little moved by this declaration.

"I am not a carpenter," said he, smiling, "and I have no wish for your work."

"Truly, you do not look as if you had pushed a plane very often. It seems that in your business one does not spoil one's hands. You are a workman about as much as I am pope."

This remark made the one to whom it was addressed feel in as bad a humor as an author does when he finds a grammatical error in one of his books.

"So you work at the chateau, then," said he, finally, to change the conversation.

"For six months I have worked in that shanty," replied the workman; "I am the one who carved the new woodwork, and I will say it is well done. Well, this great wild boar of a Bergenheim turned me out of the house yesterday as if I had been one of his dogs."

"He doubtless had his reasons."

"I tell you, I will crush him--reasons! Damn it! They told him I talked too often with his wife's maid and quarrelled with the servants, a pack of idlers! Did he not forbid my putting my foot upon his land? I am upon his land now; let him come and chase me off; let him come, he will see how I shall receive him. Do you see this stick? I have just cut it in his own woods to use it on himself!"

The young man no longer listened to the workman; his eyes were turned toward the castle, whose slightest details he studied, as if he hoped that in the end the stone would turn into glass and let him see the interior. If this curiosity had any other object than the architecture and form of the building it was not gratified. No human figure came to enliven this sad, lonely dwelling. All the windows were closed, as if the house were uninhabited. The baying of dogs, probably imprisoned in their kennel, was the only sound which came to break the strange silence, and the distant thunder, with its dull rumbling, repeated by the echoes, responded plaintively, and gave a lugubrious character to the scene.

"When one speaks of the devil he appears," said the workman, suddenly, with an emotion which gave the lie to his recent bravado; "if you wish to see this devil incarnate of a Bergenheim, just turn your head. Good-by."

At these words he leaped a ditch at the left of the road and disappeared in the bushes. The stranger also seemed to feel an impression very like that of Lambernier's as he saw a man on horseback advancing on a gallop. Instead of waiting for him, he darted into the field which descended to the river, and hid behind a group of trees.

The Baron, who was not more than thirty-three years of age, had one of those energetic, handsome faces whose type seems to belong particularly to old military families. His bright, blond hair and clear, blue eyes contrasted strongly with his ruddy complexion; his aspect was severe, but noble and imposing, in spite of his negligent dress, which showed that indifference to matters of personal attire which becomes habitual with country lords. His tall figure was beginning to grow stout, and that increased his athletic appearance. He sat very erect in his saddle, and from the way in which he straightened out his long legs against the sides of his beast, one suspected that he could, if necessary, repeat the Marshal de Saxe's feats of skill. He stopped his horse suddenly at the very spot which the two men had just vacated and called out in a voice which would startle a regiment of cuirassiers:

"Here, Lambernier!"

The carpenter hesitated a moment, at this imperative call, between the fear which he could not overcome and shame at fleeing from a single man in the presence of a witness; finally this last feeling triumphed. He returned to the edge of the road without saying a word, and stationed himself in an insolent way face to face with the Baron, with his hat drawn down over his ears, and grasped through precaution the knotty stick which served him as a weapon.

"Lambernier," said the master of the castle, in a severe tone, "your account was settled yesterday; was it not paid in full? Is anything due you?"

"I ask nothing of you," replied the workman, brusquely.

"In that case, why are you wandering about my place when I forbade you?"

"I am upon the highway, nobody can prevent me from passing there."

"You are upon my land, and you came out of my woods," replied the Baron, emphasizing his words with the firmness of a man who would permit no violation of his rights as a landowner.

"The ground upon which I walk is mine," said the workman, in his turn, as he struck the end of his stick upon the ground as if to take possession. This gesture attracted Bergenheim's attention, and his eyes flashed with a sudden light at the sight of the stick which Lambernier held.

"You scoundrel!" he exclaimed, "you probably regard my trees also as your own. Where did you cut that stick?"

"Go and find out," said the workman, accompanying his reply with a flourish of the stick.

The Baron coolly dismounted, threw the bridle over his horse's neck, walked up to the workman, who had taken the position of a practised pugilist to receive him, and, without giving him time to strike, he disarmed him with one hand by a blow which would have been sufficient to uproot the beech rod before it was metamorphosed into a club; with the other hand he seized the man by the collar and gave him a shaking that it was as impossible to struggle against as if it had been caused by a steam-engine. Obeying this irresistible force, in spite of his kicking, Lambernier described a dozen circles around his adversary, while the latter set these off with some of the hardest blows from green wood that ever chastised an insolent fellow. This gymnastic exercise ended by a sleight-of-hand trick, which, after making the carpenter pirouette for the last time, sent him rolling head-first into a ditch, the bottom of which, fortunately for him, was provided with a bed of soft mud. When the punishment was over, Bergenheim remounted his horse as tranquilly as he had dismounted it, and continued his way toward the chateau.

The young man, in the midst of the thicket where he was concealed, had lost no detail of this rural scene. He could not help having a feeling of admiration for this energetic representative of the feudal ages who, with no fear of any court of justice or other bourgeois inventions, had thus exerted over his own domains the summary justice in force in Eastern countries.

"France has thrashed Gaul," said he, smiling to himself; "if all our men had this Bergenheim's iron fist many things determined upon to-day might be called in question. If I ever have the slightest difficulty with this Milo de Crotona, he may be sure I shall not choose pugilism as my mode of discussion."

The storm now burst forth in all its fury. A dark curtain covered the whole valley, and the rain fell in torrents. The Baron put spurs to his horse, crossed the bridge and, entering the sycamore avenue, was soon out of sight. Without paying any attention to Lambernier, who was uttering imprecations at the bottom of the ditch, into which he was sinking deeper and deeper, the stranger went to seek a less illusive shelter than the trees under which he had taken his position; but at this moment his attention was attracted to one side of the castle. A window, or rather a glass door, just then opened upon the balcony, and a young woman in a rose-colored negligee appeared upon the dark facade. It would be impossible to imagine anything more fresh or charming than this apparition at such a moment. Leaning upon the balustrade, the young woman rested her face upon a hand which was as white as a lily, and her finger smoothed with a mechanical caress the ringlets of chestnut hair that lay upon her forehead, while her large brown eyes gazed into the depths of the clouds from which the lightning was flashing, and with which they vied in brilliancy. A poet would have said it was Miranda evoked by the tempest.

The stranger parted the branches before him to get a better view; at the same instant he was blinded by a terrible flash which lighted the whole valley and was immediately followed by a terrific crash. When he opened his eyes the chateau which he believed to be at the bottom of the river stood still upright, solemn, and firm as before; but the lady in the rose-colored gown had disappeared.

II. THE CASTLE OF BERGENHEIM

The appearance of the room into which the lady had precipitately entered, when startled by the thunder, corresponded with the edifice to which it belonged. It was a very large room, longer than it was wide, and lighted by three windows, the middle one of which opened from top to bottom like a door and led out upon the balcony. The woodwork and ceiling were in chestnut, which time had polished and a skilful hand had ornamented with a profusion of allegorical figures. The beauty of this work of art was almost entirely concealed by a very remarkable decoration which covered every side of the room, consisting of one of the most glorious collections of family portraits which a country chateau of the nineteenth century could offer.

The first of these portraits hung opposite the windows at the right of the entrance door and was that of a chevalier in full armor, whose teeth gleamed from under his long moustache like those of an untamed tiger. Beginning with this formidable figure, which bore the date 1247, forty others of about the same dimensions were placed in order according to their dates. It seemed as if each period had left its mark upon those of the personages it had seen live and die, and had left something of its own character there.

There were more gallant cavaliers cut after the same pattern as the first. Their stern, harsh faces, red beards, and broad, square military shoulders told that by swordthrusts and broken lances they had founded the nobility of their race. An heroic preface to this family biography! A rough and warlike page of the Middle Ages! After these proud men-of-arms came several figures of a less ferocious aspect, but not so imposing. In these portraits of the fifteenth century beards had disappeared with the sword. In those wearing caps and velvet toques, silk robes and heavy gold chains supporting a badge of the same metal, one recognized lords in full and tranquil possession of the fiefs won by their fathers, landowners who had degenerated a little and preferred mountain life in a manor to the chances of a more hazardous existence. These pacific gentlemen were, for the most part, painted with the left hand gloved and resting upon the hip; the right one was bare, a sort of token of disarmament which one might take for a painter's epigram. Some of them had allowed their favorite dogs to share the honors of the picture. All in this group indicated that this branch of the family had many points of resemblance with the more illustrious faces. It was the period of idle kings.

A half dozen solemn personages with gold-braided hats and long red robes bordered with ermine, and wearing starched ruffles, occupied one corner of the parlor near the windows. These worthy advisers of the Dukes of Lorraine explained the way in which the masters of the chateau had awakened from the torpor in which they had been plunged for several generations, in order to participate in the affairs of their country and enter a more active sphere.

Here the portraits assumed the proportions of history. Did not this branch, descended from warlike stock, seem like a fragment taken from the European annals? Was it not a symbolical image of the progress of civilization, of regular legislation struggling against barbaric customs? Thanks to these respectable counsellors and judges, one might reverse the motto: 'Non solum toga', in favor of their race. But it did not seem as if these bearded ancestors looked with much gratitude upon this parliamentary flower added to their feudal crest. They appeared to look down from the height of their worm-eaten frames upon their enrobed descendants with that disdainful smile with which the peers of France used to greet men of law the first time they were called to sit by their side, after being for so long a time at their feet.

In the space between the windows and upon the remaining woodwork was a crowd of military men, with here and there an Abbe with cross and mitre, a Commander of Malta, and a solemn Canon, sterile branches of this genealogical tree. Several among the military ones wore sashes and plumes of the colors of Lorraine; others, even before the union of this province to France, had served the latter country; there were lieutenant-colonels of infantry and cavalry; some dressed in blue coats lined with buff serge and little round patches of black plush, which served as the uniform for the dragoons of the Lorraine legion.

Last of all was a young man with an agreeable face, who smiled superciliously from under a vast wig of powdered hair; a rose was in the buttonhole of his green cloth pelisse with orange facings, a red sabrecache hung against his boots a little lower than the hilt of his sabre. The costume represented a sprightly officer of the Royal Nassau hussars. The portrait was hung on the left of the entrance door and only separated by it from his great-grandfather of 1247, whom he might have assisted, had these venerable portraits taken some night a fancy to descend from their frames to execute a dance such as Hoffmann dreamed.

These two persons were the alpha and the omega of this genealogical tree, the two extreme links of the chain-one, the root buried in the sands of time; the other, the branch which had blossomed at the top. Fate had created a tragical resemblance between these two lives, separated by more than five centuries. The chevalier in coat-of-mail had been killed in the battle of the Mansourah during the first crusade of St. Louis. The young man with the supercilious smile had mounted the scaffold during the Reign of Terror, holding between his lips a rose, his usual decoration for his coat. The history of the French nobility was embodied in these two men, born in blood, who had died in blood.

Large gilded frames of Gothic style surrounded all these portraits. At the right, on the bottom of each picture was painted a little escutcheon having for its crest a baronial coronet and for supports two wild men armed with clubs. The field was red; with its three bulls' heads in silver, it announced to people well versed in heraldic art that they had before them the lineaments of noble and powerful lords, squires of Reisnach-Bergenheim, lords of Reisnach in Suabia, barons of the Holy Empire, lords of Sapois, Labresse, Gerbamont, etc., counts of Bergenheim, the latter title granted them by Louis XV, chevaliers of Lorraine, etc., etc., etc.

This ostentatious enumeration was not needed in order to recognize the kindred of all these noble personages. Had they been mingled with other portraits, a careful observer would have promptly distinguished and reunited them, so pronounced were the family features common to them all. The furniture of the room was not unworthy of these proud defunct ones. High-backed chairs and enormous armchairs, dating from the time of Louis XIII; more modern sofas, which had been made to harmonize with the older furniture, filled the room. They were covered with flowered tapestry in thousands of shades, which must have busied the white hands of the ladies of the house for two or three generations past.

The row of portraits was interrupted on one side by a large fireplace of grayish granite, which was too high for one to hang a mirror above or to place ornaments upon its mantel. Opposite was an ebony console inlaid with ivory, upon which was placed one of those elegant clocks whose delicate and original chased work has not been eclipsed by any modern workmanship. Two large Japanese vases accompanied it; the whole was reflected in an antique mirror which hung above the console; its edges were bevelled, doubtless in order to cause one to admire the thickness of the glass.

It would be impossible to imagine a stronger contrast than that of this Gothic room with the lady in the rose-colored gown who had just entered it so precipitately. The fire upon the hearth threw a warm light over the old portraits, and it was heightened by the heavy, red damask curtains which hung by the windows. The light sometimes softened, sometimes revivified by some sudden flash of the flames, glanced over the scowling faces and red beards, enlivening the eyes and giving a supernatural animation to those lifeless canvases. One would have said that the cold, grave faces looked with curiosity at the young woman with graceful movements and cool garments, whom Aladdin's genii seemed to have transported from the most elegant boudoir on the Chaussee d'Antin, and thrown, still frightened, into the midst of this strange assembly.

"You are crazy, Clemence, to leave that window open!" said at this moment an old voice issuing from an armchair placed in a corner near the fireplace.

The person who broke the charm of this silent scene was a woman of sixty or seventy years of age, according to the gallantry of the calculator. It was easy to judge that she was tall and thin as she lay, rather than sat, in her chair with its back lowered down. She was dressed in a yellowish-brown gown. A false front as black as jet, surmounted by a cap with poppy-colored ribbons, framed her face. She had sharp, withered features, and the brilliancy of her primitive freshness had been converted into a blotched and pimpled complexion which affected above all her nose and cheek-bones, but whose ardor had been dimmed only a trifle by age. There was something about the whole face as crabbed, sour, and unkind as if she had daily bathed it in vinegar. One could read old maid in every feature! Besides, a slight observation of her ways would have destroyed all lingering doubt in this respect.

A large, coffee-colored pug-dog was lying before the fire. This interesting animal served as a footstool for his mistress, stretched in her easy-chair, and recalled to mind the lions which sleep at the foot of chevaliers in their Gothic tombs. As a pug-dog and an old maid pertain to each other, it was only necessary, in order to divine this venerable lady's state, to read the name upon the golden circlet which served as a collar for the dog: "Constance belongs to Mademoiselle de Corandeuil."

Before the younger lady, who was leaning upon the back of a chair, seeming to breathe with difficulty, had time to reply, she received a second injunction.

"But, aunt," said she, at last, "it was a horrible crash! Did you not hear it?"

"I am not so deaf as that yet," replied the old maid. "Shut that window; do you not know that currents of air attract lightning?"

Clemence obeyed, dropping the curtain to shut out the flashes of lightning which continued to dart through the heavens; she then approached the fireplace.

"Since you are so afraid of lightning," said her aunt; "which, by the way, is perfectly ridiculous in a Corandeuil, what induced you to go out upon the balcony? The sleeve of your gown is wet. That is the way one gets cold; afterward, there is nothing but an endless array of syrups and drugs. You ought to change your gown and put on something warmer. Who would ever think of dressing like that in such weather as this?"

"I assure you, aunt, it is not cold. It is because you have a habit of always being near the fire--"

"Ah! habit! when you are my age you will not hint at such a thing. Now, everything goes wonderfully well; you never listen to my advice--you go out in the wind and rain with that flighty Aline and your husband, who has no more sense than his sister; you will pay for it later. Open the curtains, I pray; the storm is over, and I wish to read the Gazette."

The young woman obeyed a second time and stood with her forehead pressed against the glass. The distant rumbling of the thunder announced the end of the storm; but a few flashes still traversed the horizon.

"Aunt," said she, after a moment's silence, "come and look at the Montigny rocks; when the lightning strikes them they look like a file of silver columns or a procession of ghosts."

"What a romantic speech," growled the old lady, never taking her eyes from her paper.

"I assure you I am not romantic the least in the world," replied Clemence. "I simply find the storm a distraction, and here, you know, there is no great choice of pleasures."

"Then you find it dull?"

"Oh, aunt, horribly so!" At these words, pronounced with a heartfelt accent, the young woman dropped into an armchair.

Mademoiselle de Corandeuil took off her eye-glasses, put the paper upon the table and gazed for several moments at her pretty niece's face, which was tinged with a look of deep melancholy. She then straightened herself up in her chair, and, leaning forward, asked in a low tone:

"Have you had any trouble with your husband?"

"If so, I should not be so bored," replied Clemence, in a gay tone, which she repented immediately, for she continued more calmly:

"No, aunt; Christian is kind, very kind; he is very much attached to me, and full of good-humor and attentions. You have seen how he has allowed me to arrange my apartments to suit myself, even taking down the partition and enlarging the windows; and yet, you know how much he clings to everything that is old about the house. He tries to do everything for my pleasure. Did he not go to Strasbourg the other day to buy a pony for me, because I thought Titania was too skittish? It would be impossible to show greater kindness."

"Your husband," suddenly interrupted Mademoiselle de Corandeuil, for she held the praise of others in sovereign displeasure, "is a Bergenheim like all the Bergenheims present, past, and future, including your little sister-in-law, who appears more as if she had been brought up with boys than at the 'Sacred Heart.' He is a worthy son of his father there," said she, pointing to one of the portraits near the young Royal-Nassau officer; "and he was the most brutal, unbearable, and detestable of all the dragoons in Lorraine; so much so that he got into three quarrels at Nancy in one month, and at Metz, over a game of checkers, he killed the poor Vicomte de Megrigny, who was worth a hundred of him and danced so well! Some one described Bergenheim as being 'proud as a peacock, as stubborn as a mule, and as furious as a lion!' Ugly race! ugly race! What I say to you now, Clemence, is to excuse your husband's faults, for it would be time lost to try to correct them. However, all men are alike; and since you are Madame de Bergenheim, you must accept your fate and bear it as well as possible. And then, if you have your troubles, you still have your good aunt to whom you can confide them and who will not allow you to be tyrannized over. I will speak to your husband."

Clemence saw, from the first words of this tirade, that she must arm herself with resignation; for anything which concerned the Bergenheims aroused one of the hobbies which the old maid rode with a most complacent spite; so she settled herself back in her chair like a person who would at least be comfortable while she listened to a tiresome discourse, and busied herself during this lecture caressing with the tip of a very shapely foot the top of one of the andirons.

"But, aunt," said she at last, when the tirade was over, and she gave a rather drawling expression to her voice, "I can not understand why you have taken this idea into your head that Christian renders me unhappy. I repeat it, it is impossible that one should be kinder to me than he, and, on my side, I have the greatest respect and friendship for him."

"Very well, if he is such a pearl of husbands, if you live so much like turtle-doves-and, to tell the truth, I do not believe a word of it--what causes this ennui of which you complain and which has been perfectly noticeable for some time? When I say ennui, it is more than that; it is sadness, it is grief? You grow thinner every day; you are as pale as a ghost; just at this moment, your complexion is gone; you will end by being a regular fright. They say that it is the fashion to be pale nowadays; a silly notion, indeed, but it will not last, for complexion makes the woman."

The old lady said this like a person who had her reasons for not liking pale complexions, and who gladly took pimples for roses.

Madame de Bergenheim bowed her head as if to acquiesce in this decision, and then resumed in her drawling voice:

"I know that I am very unreasonable, and I am often vexed with myself for having so little control over my feelings, but it is beyond my strength. I have a tired sensation, a disgust for everything, something which I can not overcome. It is an inexplicable physical and moral languor, for which, for this reason, I see no remedy. I am weary and I suffer; I am sure it will end in my being ill. Sometimes I wish I were dead. However, I have really no reason to be unhappy. I suppose I am happy--I ought to be happy."

"Truly, I can not understand in the least the women of today. Formerly, upon exciting occasions, we had a good nervous attack and all was over; the crisis passed, we became amiable again, put on rouge and went to a ball. Now it is languor, ennui, stomach troubles--all imagination and humbug! The men are just as bad, and they call it spleen! Spleen! a new discovery, an English importation! Fine things come to us from England; to begin with, the constitutional government! All this is perfectly ridiculous. As for you, Clemence, you ought to put an end to such childishness. Two months ago, in Paris, you did not have any of the rest that you enjoy here. I had serious reasons for wishing to delay my departure; my apartment to refurnish, my neuralgia which still troubles me--and Constance, who had just been in the hands of the doctor, was hardly in a condition to travel, poor creature! You would listen to nothing; we had to submit to your caprices, and now--"

"But, aunt, you admitted yourself that it was the proper thing for me to do, to join my husband. Was it not enough, and too much, to have left him to pass the entire winter alone here while I was dancing in Paris?"

"It was very proper, of course, and I do not blame you. But why does the very thing you so much desired two months ago bore you so terribly now? In Paris you talked all the time of Bergenheim, longed only for Bergenheim, you had duties to fulfil, you wished to be with your husband; you bothered and wore me out with your conjugal love. When back at Bergenheim, you dream and sigh for Paris. Do not shake your head; I am an old aunt to whom you pay no heed, but who sees clearly yet. Will you do me the favor to tell me what it is that you regret in Paris at this time of the year, when there are no balls or parties, and not one human being worth visiting, for all the people you know are in the country? Is it because--"

Mademoiselle de Corandeuil did not finish her sentence, but she put a severity into these three words which seemed to condense all the quintessence of prudery that a celibacy of sixty years could coagulate in an old maid's heart.

Clemence raised her eyes to her aunt's face as if to demand an explanation.

It was such a calm, steady glance that the latter could not help being impressed by it.

"Well," said she, softening her voice, "there is no necessity for putting on such queenly airs; we are here alone, and you know that I am a kind aunt to you. Now, then, speak freely--have you left anything or any person in Paris, the remembrance of which makes your sojourn here more tiresome than it really is? Any of your adorers of the winter?"

"What an idea, aunt! Did I have any adorers?" exclaimed Madame de Bergenheim, quickly, as if trying to conceal by a smile the rosy flush that mounted to her cheeks.

"And what if you should have some, child?" continued the old maid, to whom curiosity lent an unaccustomed coaxing accent to her voice, "where would be the harm? Is it forbidden to please? When one is of good birth, must one not live in society and hold one's position there? One need not bury one's self in a desert at twenty-three years of age, and you really are charming enough to inspire love; you understand, I do not say, to experience it; but when one is young and pretty conquests are made almost unwittingly. You are not the first of the family to whom that has happened; you are a Corandeuil. Now, then, my good Clemence, what troubled heart is pining for you in Paris? Is it Monsieur de Mauleon?"

"Monsieur de Mauleon!" exclaimed the young woman, bursting into laughter; "he, a heart! and a troubled one, too! Oh, aunt, you do him honor! Monsieur de Mauleon, who is past forty-five years old and wears stays! an audacious man who squeezes his partners' hands in the dance and looks at them with passionate glances! Oh! Monsieur de Mauleon!"

Mademoiselle de Corandeuil sanctioned by a slight grimace of her thin lips her niece's burst of gayety, when, with one hand upon her heart, she rolled her sparkling eyes in imitation of the languishing air of her unfortunate adorer.

"Perhaps it is Monsieur d'Arzenac?"

"Monsieur d'Arzenac is certainly very nice; he has perfect manners; it may be that he did not disdain to chat with me; on my side, I found his conversation very entertaining; but you may rest assured that he did not think of me nor I of him. Besides, you know that he is engaged to marry Mademoiselle de la Neuville."

"Monsieur de Gerfaut?" continued Mademoiselle de Corandeuil, with the persistency with which aged people follow an idea, and as if determined to pass in review all the young men of their acquaintance until she had discovered her niece's secret.

The latter was silent a moment before replying.

"How can you think of such a thing, aunt?" said she at last, "a man with such a bad reputation, who writes books that one hardly dares read, and plays that it's almost a sin to witness! Did you not hear Madame de Pontivers say that a young woman who cared for her reputation would permit his visits very rarely?"

"Madame de Pontivers is a prude, whom I can not endure, with her show of little, grimaces and her pretentious, outrageous mock-modesty. Did she not take it into her head this winter to constitute me her chaperon? I gave her to understand that a widow forty years old was quite old enough to go about alone! She has a mania for fearing that she may be compromised. The idea of turning up her nose at Monsieur de Gerfaut! What presumption! He certainly is too clever ever to solicit the honor of being bored to death in her house; for he is clever, very clever. I never could understand your dislike for him, nor your haughty manner of treating him; especially, during the latter part of our stay in Paris."

"One is not mistress of one's dislikes or affections, aunt. But to reply to your questions, I will say that you may rest assured that none of these gentlemen, nor any of those whom you might name, has the slightest effect upon my state of mind. I am bored because it probably is my nature to need distractions, and there are none in this deserted place. It is an involuntary disagreeableness, for which I reproach myself and which I hope will pass away. Rest assured, that the root of the evil does not lie in my heart."

Mademoiselle de Corandeuil understood by the cold and rather dry tone in which these words were spoken that her niece wished to keep her secret, if she had one; she could not prevent a gesture of anger as she saw her advances thus repelled, but felt that she was no wiser than when she began the conversation. She manifested her disappointment by pushing the dog aside with her foot--the poor thing was perfectly innocent!--and in a cross tone, which was much more familiar than her former coaxing one, she continued:

"Very well, since I am wrong, since your husband adores you and you him, since, to sum it all up, your heart is perfectly tranquil and free, your conduct is devoid of common-sense, and I advise you to change it. I warn you that all this hypochondria, paleness, and languor are caprices which are very disagreeable to others. There is a Provence proverb which says: Vaillance de Blacas, prudence de Pontevez, caprice de Corandeuil. If there was not such a saying, it should be created for you, for you have something incomprehensible enough in your character to make a saint swear. If anybody should know you, it is I, who brought you up. I do not wish to reproach you, but you gave me trouble enough; you were a most wayward, capricious, and fantastic creature, a spoiled child--"

"Aunt," interrupted Clemence, with heightened color in her pale cheeks, "you have told me of my faults often enough for me to know them, and, if they were not corrected, it was not your fault, for you never spared me scoldings. If I had not been so unfortunate as to lose my mother when I was a baby, I should not have given you so much trouble."

Tears came into the young woman's eyes, but she had enough control over herself to keep them from streaming down her burning cheeks. Taking a journal from the table, she opened it, in order to conceal her emotion and to put an end to this conversation, which had become painful to her. Mademoiselle de Corandeuil, on her side, carefully replaced her eye-glasses upon her nose, and, solemnly stretching herself upon her chair, she turned over the leaves of the 'Gazette de France,' which she had neglected so long.

Silence reigned for some moments in the room. The aunt apparently read the paper very attentively. Her niece sat motionless, with her eyes fastened upon the yellow cover of the last number of 'La Mode,' which had chanced to fall into her hands. She aroused herself at last from her revery and carelessly turned over the leaves of the review in a manner which showed how little interest she felt in it. As she turned the first page a surprised cry escaped her, and her eyes were fastened upon the pamphlet with eager curiosity. Upon the frontispiece, where the Duchesse de Berry's coat-of-arms is engraved, and in the middle of the shield, which was left empty at this time by the absence of the usual fleurs de lys, was sketched with a pencil a bird whose head was surmounted by a baron's coronet.

Curious to know what could have caused her niece so much surprise, Mademoiselle de Corandeuil stretched out her neck and gazed for an instant upon the page without seeing, at first, anything extraordinary, but finally her glance rested upon the armorial bearings, and she discovered the new feature added to the royal Bourbon coat-of-arms.

"A cock!" exclaimed she, after a moment's reflection; "a cock upon Madame's shield! What can that mean, 'bon Dieu'! and it is not engraved nor lithographed; it is drawn with a pencil."

"It is not a cock, it is a crowned gerfaut," said Madame de Bergenheim.

"A gerfaut! How do you know what a gerfaut is? At Corandeuil, in your grandfather's time, there was a falconry, and I have seen gerfauts there, but you--I tell you it is a cock, an old French cock; ugly thing! What you take for a coronet--and it really does resemble one--is a badly drawn cock's comb. How did this horrid creature come to be there? I should like to know if such pretty tricks are permitted at the postoffice. People protest against the 'cabinet noir', but it is a hundred times worse if one is permitted to outrage with impunity peaceable families in their own homes. I mean to find out who has played this trick. Will you be so kind as to ring the bell?"

"It really is very strange!" said Madame de Bergenheim, pulling the bell-rope with a vivacity which showed that she shared, if not the indignation, at least the curiosity of her aunt.

A servant in green livery appeared.

"Who went to Remiremont yesterday for the newspapers?" asked Mademoiselle de Corandeuil.

"It was Pere Rousselet, Mademoiselle," replied the servant.

"Where is Monsieur de Bergenheim?"

"Monsieur le Baron is playing billiards with Mademoiselle Aline."

"Send Leonard Rousselet here."

And Mademoiselle de Corandeuil settled herself back in her chair with the dignity of a chancellor about to hold court.

III. A DIVIDED HOUSEHOLD

The servants in the castle of Bergenheim formed a family whose members were far from living in harmony. The Baron managed his household himself, and employed a large number of day-laborers, farm servants, and kitchen-girls, whom the liveried servants treated with great disdain. The rustics, on their side, resisted these privileged lackeys and called them "coxcombs" and "Parisians," sometimes accompanying these remarks with the most expressive blows. Between these tribes of sworn enemies a third class, much less numerous, found them selves in a critical position; these were the two servants brought by Mademoiselle de Corandeuil. It was fortunate for them that their mistress liked large, vigorous men, and had chosen them for their broad, military shoulders; but for that it would have been impossible for them to come out of their daily quarrels safe and sound.

The question of superiority between the two households had been the first apple of discord; a number of personal quarrels followed to inflame them. They fought for their colors the whole time; the Bergenheim livery was red, the Corandeuil green. There were two flags; each exalted his own while throwing that of his adversaries in the mud. Greenhorn and crab were jokes; cucumber and lobster were insults.

Such were the gracious terms exchanged every day between the two parties. In the midst of this civil war, which was carefully concealed from their masters' eyes, whose severity they feared, lived one rather singular personage. Leonard Rousselet, Pere Rousselet, as he was generally called, was an old peasant who, disheartened with life, had made various efforts to get out of his sphere, but had never succeeded in doing so. Having been successively hairdresser, sexton, school-teacher, nurse, and gardener, he had ended, when sixty years old, by falling back to the very point whence he started. He had no particular employment in M. de Bergenheim's house; he went on errands, cared for the gardens, and doctored the mules and horses; he was a tall man, about as much at ease in his clothing as a dry almond in its shell. A long, dark, yellow coat usually hung about the calves of his legs, which were covered with long, blue woollen stockings, and looked more like vine-poles than human legs; a conformation which furnished daily jokes for the other servants, to which the old man deigned no response save a disdainful smile, grumbling through his teeth, "Menials, peasants without education." This latter speech expressed the late gardener's scorn, for it had been his greatest grief to pass for an uneducated man; and he had gathered from his various conditions a singularly dignified and pretentious way of speaking.

In spite of his self-confidence, it was not without some emotion that Leonard Rousselet responded to this call to appear in the drawing-room before the person he most feared in the chateau. His bearing showed this feeling when he presented himself at the drawing-room door, where he stood as grave and silent as Banquo's ghost. Constance arose at sight of this fantastic figure, barked furiously and darted toward a pair of legs for which she seemed to share the irreverence of the liveried servants; but the texture of the blue stocking and the flesh which covered the tibia were rather too hard morsels for the dowager's teeth; she was obliged to give up the attack and content herself with impotent barks, while the old man, who would gladly have given a month's wages to break her jaw with the tip of his, boot, caressed her with his hand, saying, "Softly, pretty dear! softly, pretty little creature!" in a hypocritical tone.

This courtier-like conduct touched the old lady's heart and softened the severe look upon her face.

"Stop your noise, Constance," said she, "lie down beside your mistress. Rousselet, come nearer."

The old man obeyed, walking across the floor with reverential bows, and taking a position like a soldier presenting arms.

"You were the one," said Mademoiselle de Corandeuil, "who was sent to Remiremont yesterday? Did you perform all the commissions that were given you?"

"It is not among the impossibilities, Mademoiselle, that I may have neglected some of them," replied the old man, fearing to compromise himself by a positive affirmative.

"Tell us, then, what you did."

Leonard wiped his nose behind his hat, like a well-bred orator, and, balancing himself upon his legs in a way not at all Bourbonic, he said:

"I went to the city that morning myself because Monsieur le Baron had said the night before that he should hunt to-day, and that the groom was to help Monsieur le Baron drive a wild boar out of the Corne woods. I reached Remiremont; I went to the butcher's; I purchased five kilogrammes of dressed goods--"

"Of dressed goods at the butcher's!" exclaimed Madame de Bergenheim.

"I would say ten pounds of what uneducated people call pork," said Rousselet, pronouncing this last word in a strangled voice.

"Pass over these details," said Mademoiselle de Corandeuil. "You went to the post-office."

"I went to the post-office, where I put in letters for Mademoiselle, Madame, Monsieur le Baron, and one from Mademoiselle Aline for Monsieur d'Artigues."

"Aline writing to her cousin! Did you know that?" said the old aunt, turning quickly toward her niece.

"Certainly; they correspond regularly," replied Clemence with a smile which seemed to say that she saw no harm in it.

The old maid shook her head and protruded her under lip, as much as to say: We will attend to this another time.

Madame de Bergenheim, who was out of patience at this questioning, began to speak in a quick tone which was a contrast to her aunt's solemn slowness.

"Rousselet," said she, "when you took the newspapers out of the office, did you notice whether the wrappers were intact, or whether they had been opened?"

The good man half concealed his face in his cravat at this precise questioning, and it was with embarrassment that he replied, after a moment's hesitation:

"Certainly, Madame--as to the wrappers--I do not accuse the postmaster--"

"If the journals were sealed when you received them, you are the only one who could have opened them."

Rousselet straightened himself up to his full height, and, giving to his nut-cracker face the most dignified look possible, he said in a solemn tone:

"With due deference to you, Madame, Leonard Rousselet is well known. Fifty-seven years old on Saint-Hubert's day, I am incapable of opening newspapers. When they have been read at the chateau and they send me with them to the cure, I do not say--perhaps on my way--it is a recreation--and then the cure is Jean Bartou, son of Joseph Bartou, the tilemaker. But to read the newspaper before my masters have done so! Never! Leonard Rousselet is an old man incapable of such baseness. Baptized when a child; fifty-seven years on Saint-Hubert's day."

"When you speak of your pastor, do so in a more becoming manner," interrupted Mademoiselle de Colrandeuil, although she herself in private did not speak of the plebeian priest in very respectful terms. But if Joseph Bartou's son was always the son of Joseph Bartou to her, she meant that he should be Monsieur le Cure to the peasants.

Madame de Bergenheim had not been much affected by Pere Rousselet's harangue, and shook her head impatiently, saying in an imperative tone:

"I am certain that the newspapers have been opened by you, or by some person to whom you have given them, and I wish to know at once by whom."

Rousselet dropped his pose of a Roman senator; passing his hand behind his ears, a familiar gesture with people when in embarrassing positions, he continued less emphatically:

"I stopped on my way back at La Fauconnerie, at the 'Femme-sans-Tete Inn'."

"And what were you doing in a tavern?" interrupted Mademoiselle de Corandeuil severely. "You know it is not intended that the servants in this house should frequent taverns and such low places, which are not respectable and corrupt the morals of the lower classes."

"Servants! lower classes! Old aristocrat!" growled Rousselet secretly; but, not daring to show his ill humor, he replied in a bland voice:

"If Mademoiselle had gone the same road that I did, with the same conveyance, she would know that it is a rather thirsty stretch. I stopped at the 'Femme-sans-Tete' to wash the dust down my parched throat. Whereupon Mademoiselle Reine--the daughter of Madame Gobillot, the landlady of the inn--Mademoiselle Reine asked me to allow her to look at the yellow-journal in which there are fashions for ladies; I asked her why; she said it was so that she might see how they made their bonnets, gowns, and other finery in Paris. The frivolity of women!"

Mademoiselle de Corandeuil threw herself back in her chair and gave way to an access of hilarity in which she rarely indulged.

"Mademoiselle Gobillot reading La Mode! Mademoiselle Gobillot talking of gowns, shawls, and cashmeres! Clemence, what do you say to that? You will see, she will be ordering her bonnets from Herbault! Ha! ha! This is what is called the progress of civilization, the age of light!"

"Mademoiselle Gobillot," said Clemence, fixing a penetrating glance upon the old man, "was not the only one who looked at La Mode. Was there no other person in the tavern who saw it?"

"Madame," replied Rousselet, forced from his last refuge, "there were two young men taking their refection, and one of them wore a beard no longer than a goat's. Madame will pardon me if I allow myself to use this vulgar expression, but Madame wished to know all."

"And the other young man?"

"The other had his facial epidermis shaved as close as a lady's or mine. He was the one who held the journal while his comrade was smoking outside the door."

Madame de Bergenheim made no further inquiries, but fell into a profound revery. With eyes fixed upon the last number of La Mode, she seemed to study the slightest lines of the sketch that had been made thereon, as if she hoped to find a solution to the mystery. Her irregular breathing, and the bright flush which tinged her usually pale cheeks, would have denoted to an eye-witness one of those tempests of the heart, the physical manifestations of which are like those of a fever. The pale winter flower dying under the snow had suddenly raised its drooping head and recovered its color; the melancholy against which the young woman had so vainly struggled had disappeared as if by enchantment. A little bird surmounted by a coronet, the whole rather badly sketched, was the strange talisman that had produced this change.

"They were commercial travellers," said the old aunt; "they always pretend to know everything. One of them, doubtless, when reading the well-known name of Monsieur de Bergenheim upon the wrapper, sketched the animal in question. These gentlemen of industry usually have a rather good education! But this is giving the affair more importance than it merits. Leonard Rousselet," said she, raising her voice as a judge does in court when pronouncing his charge, "you were wrong to let anything addressed to your master leave your hands. We will excuse you this time, but I warn you to be more careful in future; when you go to Madame Gobillot's, you may say to Mademoiselle Reine, from me, that if she wishes to read La Mode I shall be delighted to procure a subscriber to one of our journals. You may retire now."

Without waiting for this invitation to be repeated, Rousselet backed out of the room like an ambassador leaving the royal presence, escorted by Constance acting as master of ceremonies. Not having calculated the distance, he had just bumped against the door, when it suddenly opened and a person of extreme vivacity bounded into the middle of the room.

It was a very young and petite lady, whose perfectly developed form predicted an inclination to stoutness in the future. She belonged to the Bergenheim family, if one could credit the resemblance between her characteristic features and several of the old portraits in the room; she wore a dark-brown riding-habit, a gray hat perched on one side, showing on the left a mass of very curly, bright blond hair. This coiffure and the long green veil, floating at each movement like the plume in a helmet, gave a singularly easy air to the fresh face of this pretty amazon, who brandished, in guise of a lance, a billiard cue.

"Clemence," she exclaimed, "I have just beaten Christian; I made the red ball, I made the white, and then the double stroke; I made all! Mademoiselle, I have just beaten Christian two games; is it not glorious? He made only eighteen points in a single game. Pere Rousselet, I have just beaten Christian! Do you know how to play billiards?"

"Mademoiselle Aline, I am absolutely ignorant of the game," replied the old man, with as gracious a smile as was possible, while he tried to recover his equilibrium.

"You are needed no longer, Rousselet," said Mademoiselle de Corandeuil; "close the door as you go out."

When she had been obeyed, the old maid turned gravely toward Aline, who was still dancing about the room, having seized her sister-in-law's hands in order to force her to share her childish joy.

"Mademoiselle," said she in a severe tone, "is it the custom at the 'Sacred Heart' to enter a room without greeting the persons who are in it, and to jump about like a crazy person? a thing that is never permitted even in a peasant's house."

Aline stopped short in the midst of her dance and blushed a trifle; she caressed the pug dog, instead of replying, for she knew as well as Rousselet that it was the surest way of softening the old maid's heart. The cajolery was lost this time.

"Do not touch Constance, I beg of you," exclaimed the aunt, as if a dagger had been raised against the object of her love, "do not soil this poor beast with your hands. What dreadful thing have you on your fingers? Have you just come out of an indigo bag?"

The young girl blushed still deeper and gazed at her pretty hands, which were really a little daubed, and began to wipe them with an embroidered handkerchief which she took from her pocket.

"It was the billiards," she said, in a low voice, "it is the blue chalk they rub the cue with in order to make good shots and caroms."

"Make good shots! Caroms! Will you be so good as to spare us your slang speeches," continued Mademoiselle de Corandeuil, who seemed to become more crabbed as the young girl's confusion increased. "What a fine education for a young lady! and one who has just come from the 'Sacred Heart'! One that has taken five prizes not fifteen days ago! I really do not know what to think of those ladies, your teachers! And now I suppose you are going to ride. Billiards and horses, horses and billiards! It is fine! It is admirable!"

"But, Mademoiselle," said Aline, raising her large blue eyes, which were on the verge of tears, "it is vacation now, and there is no wrong in my playing a game of billiards with my brother; we have no billiards at the 'Sacred Heart,' and it is such fun! It is like riding; the doctor said that it would be very healthful for me, and Christian hoped that it might make me grow a little."

As she said these words, the young girl glanced into the mirror in order to see whether her brother's hopes had been realized; for her small stature was her sole anxiety. But this glance was as quick as a flash, for she feared that the severe old maid would make this act of coquetry serve as the text for another sermon.

"You are not my niece, and I am thankful for it," continued the old lady. "I am too old to begin another education; thank goodness, one is quite enough! I have no authority over you, and your conduct is your brother's concern. The advice which I give you is entirely disinterested; your amusements are not such as seem to me proper for a young girl of good birth. It may be possible that it is the fashion today, so I will say no more about it; but there is one thing more serious, upon which I should advise you to reflect. In my youth, a young lady never was allowed to write letters except to her father and mother. Your letters to your cousin d'Artigues are inconsiderate--do not interrupt me--they are inconsiderate, and I should advise you to mend your ways."

Mademoiselle de Corandeuil arose, and, as she had found an opportunity to read three sermons in one forenoon, she could not say, like Titus, "I have wasted my morning." She left the room with a majestic step, escorted by her dog and satisfied with herself, bestowing an ironical curtsey on the young girl, which the latter did not think it necessary to return.

"How hateful your aunt is!" exclaimed Mademoiselle de Bergenheim to her sister-in-law, when they were alone. "Christian says that I must pay no attention to her, because all women become like her if they never marry. As for myself, I know very well that if I am an old maid I shall try not to hurt others' feelings--I, inconsiderate! When she can think of nothing more to say, she scolds me about my cousin. It is hardly worth while, for what we write about! Alphonse wrote of nothing, in his last letter, but of the partridge he had shot and his hunting costume; he is such a boy! But why do you not say something? You sit there speechless; are you angry with me, too?"

She approached Clemence and was about to seat herself in her lap, when the latter arose to avoid this loving familiarity.

"So you really have beaten Christian," said she, in a listless tone; "are you going for a ride now? Your habit is very becoming."

"Truly? oh! I am so glad!" replied the young girl, planting herself before the glass to look at her pretty figure. She pulled down her waist, adjusted the folds of the skirt of her dress and arranged her veil, placed her hat on her head with a little more jaunty air, turned three quarters around to get a better view of her costume; in one word, she went through the coquettish movements that all pretty women learn upon entering society. On the whole, she seemed very well pleased with her examination, for she smiled and showed a row of small teeth which were as white as milk.

"I am sorry now," said she, "that I did not send for a black hat; my hair is so light that gray makes me look ugly. Do you not think so? Why do you not reply, Clemence? One can not get a word out of you to-day; is it because you have your neuralgia?"

"I have a trifle of it," said Madame de Bergenheim, in order to give some pretext for her preoccupation.

"Now, then, you ought to come with us for a ride; the fresh air will do you good. Look how fine the weather is now; we will have a good gallop. Will you? I will help you put on your habit, and in five minutes you will be ready. Listen, I hear them in the yard now. I am going to tell Christian to have your horse saddled; come."

Aline took her sister-in-law by the hand, led her into the next room and opened the window to see what was going on outside, where the cracking of whips and several voices were to be heard. A servant was walking up and down the yard leading a large horse which he had just brought from the stable; the Baron was holding a smaller one, which bore a lady's saddle, while he carefully examined all the buckles. As he heard the window open above his head, he turned and bowed to Clemence with much chivalrous gallantry.

"You still refuse to go with us?" he asked.

"Is Aline going to ride Titania," replied Madame de Bergenheim, making an effort to speak; "I am sure the mare will end by playing her some trick."

The young girl, who had a fancy for Titania because the skittish creature had the attraction of forbidden fruit, nudged her sister with her elbow, and made a little grimace.

"Aline is afraid of nothing," said the Baron; "we will enlist her with the hussars as soon as she leaves the 'Sacred Heart.' Come, Aline."

The young girl kissed the Baroness, gathered up her skirt, and in a few moments was in the yard patting the neck of her dear brown mare.

"Up with you!" said Christian, taking his sister's foot in one hand while he raised her with the other, placing her in the saddle as easily as he would a six-year-old child. Then he mounted his large horse, saluted his wife, and the couple, starting at a trot, soon disappeared down the avenue, which began at the gate of the courtyard.

As soon as they were out of sight, Clemence went to her room, took a shawl from her bed, and went rapidly down a secret stairway which led into the gardens.

IV. THE GALLANT IN THE GARDEN

Madame de Bergenheim's apartments occupied the first floor of the wing on the left side of the house. On the ground floor were the library, a bathroom, and several guest-chambers. The large windows had a modern look, but they were made to harmonize with the rest of the house by means of grayish paint. At the foot of this facade was a lawn surrounded by a wall and orange-trees planted in tubs, forming a sort of English garden, a sanctuary reserved for the mistress of the castle, and which brought her, as a morning tribute, the perfume of its flowers and the coolness of its shade.

Through the tops of the fir-trees and the tuliptrees, which rose above the group of smaller shrubs, the eye could follow the winding river until it finally disappeared at the extremity of the valley. It was this picturesque view and a more extensive horizon which had induced the Baroness to choose this part of the Gothic manor for her own private apartments.

After crossing the lawn, the young woman opened a gate concealed by shrubs and entered the avenue by the banks of the river. This avenue described a curve around the garden, and led to the principal entrance of the chateau. Night was approaching, the countryside, which had been momentarily disturbed by the storm, had resumed its customary serenity. The leaves of the trees, as often happens after a rain, looked as fresh as a newly varnished picture. The setting sun cast long shadows through the trees, and their interlaced branches looked like a forest of boa-constrictors.

Clemence advanced slowly under this leafy dome, which became darker and more mysterious every moment, with head bent and enveloped in a large cashmere shawl which fell in irregular folds to the ground. Madame de Bergenheim had one of those faces which other women would call not at all remarkable, but which intelligent men ardently admire. At the first glance she seemed hardly pretty; at the second, she attracted involuntary admiration; afterward, it was difficult to keep her out of one's thoughts. Her features, which taken separately might seem irregular, were singularly harmonious, and, like a thin veil which tempers a too dazzling light, softened the whole expression. Her light chestnut hair was arranged about the temples in ingenious waves; while her still darker eyebrows gave, at times, an imposing gravity to her face. The same contrast was to be found in the mouth; the short distance which separated it from the nose would indicate, according to Lavater, unusual energy; but the prominent underlip impregnated her smile with enchanting voluptuousness. Her rather clearcut features, the exceeding brilliancy of her brown eyes, which seemed like diamonds set in jet, would, perhaps, have given to the whole rather too strong a character had not these eyes when veiled given to their dazzling rays a glamour of indescribable softness.

The effect produced by this face might be compared to that of a prism, every facet of which reflects a different color. The ardor burning under this changeable surface, which, through some sudden cause, betrayed its presence, was so deeply hidden, however, that it seemed impossible to fathom it completely. Was she a coquette, or simply a fashionable lady, or a devotee? In one word, was she imbued with the most egotistical pride or the most exalted love? One might suppose anything, but know nothing; one remained undecided and thoughtful, but fascinated, the mind plunged into ecstatic contemplation such as the portrait of Monna Lisa inspires. An observer might have perceived that she had one of those hearts, so finely strung, from which a clever hand might make incomparable harmonies of passion gush; but perhaps he would be mistaken. So many women have their souls only in their eyes!

Madame de Bergenheim's revery rendered the mysterious and impenetrable veil which usually enveloped her countenance more unfathomable yet. What sentiment made her bend her head and walk slowly as she meditated? Was it the ennui of which she had just complained to her aunt? Was it pure melancholy? The monotonous ripple of the stream, the singing of the birds in the woods, the long golden reflections under the trees, all seemed to unite in filling the soul with sadness; but neither the murmuring water, the singing birds, nor the sun's splendor was paid any attention to by Madame de Bergenheim; she gave them neither a glance nor a sigh. Her meditation was not revery, but thought; not thoughts of the past, but of the present. There was something precise and positive in the rapid, intelligent glance which flashed from her eyes when she raised them; it was as if she had a lucid foresight of an approaching drama.

A moment after she had passed over the wooden bridge which led from the avenue, a man wearing a blouse crossed it and followed her. Hearing the sound of hurried steps behind her, she turned and saw, not two steps from her, the stranger who, during the storm, had vainly tried to attract her attention. There was a moment's silence. The young man stood motionless, trying to catch his breath, which had been hurried, either by emotion or rapid walking. Madame de Bergenheim, with head thrown back and widely opened eyes, looked at him with a more agitated than surprised look.

"It is you," exclaimed he, impulsively, "you whom I had lost and now find again!"

"What madness, Monsieur!" she replied, in a low voice, putting out her hand as if to stop him.

"I beg of you, do not look at me so! Let me gaze at you and assure myself that it is really you--I have dreamed of this moment for so long! Have I not paid dear enough for it? Two months passed away from you--from heaven! Two months of sadness, grief, and unhappiness! But you are pale! Do you suffer, too?"

"Much, at this moment."

"Clemence!"

"Call me Madame, Monsieur de Gerfaut," she interrupted, severely.

"Why should I disobey you? Are you not my lady, my queen?"

He bent his knee as a sign of bondage, and tried to seize her hand, which she immediately withdrew. Madame de Bergenheim seemed to pay very little attention to the words addressed her; her uneasy glances wandered in every direction, into the depths of the bushes and the slightest undulations of the ground. Gerfaut understood this pantomime. He glanced, in his turn, over the place, and soon discovered at some distance a more propitious place for such a conversation as theirs. It was a semicircular recess in one of the thickets in the park. A rustic seat under a large oak seemed to have been placed there expressly for those who came to seek solitude and speak of love. From there, one could see the approach of danger, and, in case of alarm, the wood offered a secure retreat. The young man had had enough experience in gallant strategies to seize the advantage of this position, and wended his steps in that direction while continuing to converse. It may be that instinct which, in a critical situation, makes us follow mechanically an unknown impulse; it may be that the same idea of prudence had also struck her, for Madame de Bergenheim walked beside him.

"If you could understand what I suffered," said he, "when I found that you had left Paris! I could not discover at first where you had gone; some spoke of Corandeuil, others of Italy. I thought, from this hasty departure and the care you took to conceal your abiding-place, that you were fleeing from me. Oh! tell me that I was mistaken; or, if it is true that you wished to separate yourself from me, say that this cruel resolve had left your mind, and that you will pardon me for following you! You will pardon me, will you not? If I trouble or annoy you, lay the blame entirely upon my love, which I can not restrain, and which drives me at times to do the most extravagant things; call it reckless, insane love, if you will; but believe it to be true and devoted!"

Clemence replied to this passionate tirade by simply shaking her head as a child does who hears the buzzing of a wasp and fears its sting; then, as they reached the bench, she said with affected surprise:

"You have made a mistake, this is not your road; you should have gone over the bridge."

There was a little palpable insincerity in these words; for if the road which they had taken did not lead to the bridge, neither did it lead to the chateau, and the mistake, if there was one, was mutual.

"Listen to me, I beg of you," replied the lover, with 'a supplicating glance, "I have so many things to say to you! I beg of you, grant me one moment."

"Afterward, will you obey me?"

"Only a few words, and I will then do all that you wish."

She hesitated a moment; then, her conscience doubtless lulled by this promise, she seated herself and made a gesture for M. de Gerfaut to do likewise. The young man did not make her repeat this invitation, but hypocritically seated himself on the farther end of the seat.

"Now, talk reasonably," she said, in a calm tone. "I suppose that you are on your way to Germany or Switzerland, and as you passed near me you wished to favor me with a call. I ought to be proud of this mark of respect from a man so celebrated as you are, although you are rather hiding your light under this garb. We are not very strict as to dress in the country, but, really, yours is quite unceremonious. Tell me, where did you find that headdress?"

These last words were spoken with the careless, mocking gayety of a young girl.

Gerfaut smiled, but he took off his cap. Knowing the importance that women attach to little things, and what an irreparable impression an ugly cravat or unblacked boots might produce in the most affecting moments, he did not wish to compromise himself by a ridiculous head-gear. He passed his hand through his hair, pushing it back from his large, broad forehead, and said softly:

"You know very well that I am not going to Germany or Switzerland, and that Bergenheim is the end of my journey, as it has been its aim."

"Then will you be so good as to tell me what your intention was in taking such a step, and whether you have realized how strange, inconsiderate, and in every way extravagant your conduct is?"

"I have realized it; I know it. You were here, I came because there is a loadstone within you, that is my heart's sole attraction, and I must follow my heart. I came because I wanted to see your beautiful eyes again, to be intoxicated by your sweet voice, because to live away from you is impossible for me; because your presence is as necessary to my happiness as air to my life; because I love you. That is why I came. Is it possible that you do not understand me, that you will not pardon me?"

"I do not wish to believe that you are speaking seriously," said Clemence, with increased severity. "What sort of an idea can you have of me, if you think I will allow such conduct? And then, even if I were foolish enough for that-which I never shall be--to what would it lead? You know perfectly well that it is impossible for you to come to the castle, as you are not acquainted with Monsieur de Bergenheim, and I certainly shall not introduce you to him. My aunt is here, and she would persecute me the whole day long with questions! Mon Dieu! how you disturb me! how unhappy you make me!"

"Your aunt never goes out, so she will not see me, unless I am officially received at the chateau, and then there could be no danger."

"But the servants she brought with her, and mine, who have seen you in her house! I tell you, the whole thing is as perilous as it is crazy, and you will make me die of fright and chagrin."

"If one of those servants should chance to meet me, how could he ever recognize me in this costume? Do not fear, I shall be prudent! I would live in a log cabin, if necessary, for the joy of seeing you occasionally."

Madame de Bergenheim smiled disdainfully.

"That would be quite pastoral," she replied; "but I believe that such disguises are seldom seen now except upon the stage. If this is a scene out of a play, which you wish to rehearse in order to judge its effect, I warn you that it is entirely lost upon me, and that I consider the play itself very ill-timed, improper, and ridiculous. Besides, for a man of talent and a romantic poet you have not exhibited any very great imagination. It is a classical imitation, nothing better. There is something like it in mythology, I believe. Did not Apollo disguise himself as a shepherd?"

Nothing more is to be feared by a lover than a witty woman who does not love or loves but half; he is obliged to wear velvet gloves in all such sentimental controversies; he owes it to himself out of propriety first, out of prudence afterward. For it is not a question of taking part in a conversation for the simple pleasure of brilliant repartee; and while he applies himself carefully to play his part well, he feels that he has been dexterously cut to pieces with a well-sharpened knife.

Gerfaut indulged in these unpleasant reflections while gazing at Madame de Bergenheim. Seated up on the bench as proudly as a queen upon her throne, with shining eyes, scornful lips, and arms tightly folded under her cashmere shawl, with that haughty gesture familiar to her, the young woman looked as invulnerable under this light wrap as if she had been covered with Ajax's shield, formed, if we can credit Homer, of seven bulls' hides and a sheet of brass.

After gazing at this scornful face for a moment, Gerfaut glanced at his coarse blouse, his leggings, and muddy boots. His usual dainty ways made the details of this costume yet more shocking to him, and he exaggerated this little disaster. He felt degraded and almost ridiculous. The thought took away for a moment his presence of mind; he began mechanically to twirl his hat in his hands, exactly as if he had been Pere Rousselet himself. But instead of being hurtful to him, this awkwardness served him better than the eloquence of Rousseau or the coolness of Richelieu. Was it not a genuine triumph for Clemence to reduce a man of his recognized talent, who was usually anything but timid, to this state of embarrassment? What witty response, what passionate speech could equal the flattery of this poet with bent head and this expression of deep sadness upon his face?

Madame de Bergenheim continued her raillery, but in a softer tone.

"This time, instead of staying in a cabin, the god of poetry has descended to a tavern. Have you not established your general headquarters at La Fauconnerie?"

"How did you know that?"

"By the singular visiting-card that you drew in La Mode. Do I not know your coat-of-arms? An expressive one, as my aunt would say."

At these words, which probably referred to some letters, doubtless read without very much anger, since they were thus recalled, Gerfaut took courage.

"Yes," said he, "I am staying at La Fauconnerie; but I can not stay there any longer, for I think your servants make the tavern their pleasure-ground. I must come to some decision. I have two propositions to submit to you: the first is, that you will allow me to see you occasionally; there are numerous promenades about here; you go out alone, so it would be very easy."

"Let us hear the second," said Clemence, with a shrug of the shoulders.

"If you will not grant my first, I beg of you to persuade your aunt that she is ill and to take her with you to Plombieres or Baden. The season is not very far advanced; there, at least, I should be able to see you."

"Let us end this folly," said the Baroness; "I have listened patiently to you; now, in your turn, listen to me. You will be sensible, will you not? You will leave me and go. You will go to Switzerland, and return to the Montanvert, where you met me for the first time, which I shall always remember, if you, yourself, do not make it painful for me to do so. You will obey me, Octave, will you not? Give me this proof of your esteem and friendship. You know very well that it is impossible for me to grant what you ask; believe me, it is painful to me to be forced to refuse you. So, say farewell to me; you shall see me again next winter in Paris. Adieu!"

She arose and extended her hand; he took it, but, thinking to profit by the emotion betrayed by Madame de Bergenheim's voice, he exclaimed in a sort of transport:

"No! I will not wait until next winter to see you. I was about to submit to your will; if you repulse me I will consult only myself; if you repulse me, Clemence, I warn you that tomorrow I shall be in your house, seated at your table and admitted to your drawing-room."

"You?" "I!"

"To-morrow?"

"To-morrow."

"And how will you do it, pray?" said she, defiantly.

"That is my secret, Madame," he replied, coldly.

Although her curiosity was greatly aroused, Clemence felt that it would be beneath her to ask any more questions. She replied with an affectation of mocking indifference:

"Since I am to have the pleasure of seeing you tomorrow, I hope you will permit me to leave you today. You know that I am not well, and it is showing me very little attention to allow me to stand here in this wet grass."

She raised her skirt a trifle and extended her foot, showing her slipper, which was really covered with pearly drops of rain. Octave threw himself quickly upon his knees, and, taking a silk handkerchief from his pocket, began to wipe away all traces of the storm. His action was so rapid that Madame de Bergenheim stood for a moment motionless and speechless, but when she felt her foot imprisoned in the hand of the man who had just declared war against her, her surprise gave place to a mingled feeling of impatience and anger. She drew her foot back with a sudden movement, but unfortunately the foot went one way and the slipper another. A fencing-master, who sees his foil carried ten steps away from him by a back stroke, could not feel more astonishment than that felt by Madame de Bergenheim. Her first movement was to place her foot, so singularly undressed, upon the ground; an instinctive horror of the damp, muddy walk made her draw it quickly back. She stood thus with one foot lifted; the movement which she had started to make threw her off her balance and as she was about to fall she extended her hand to find some support. This support proved to be Octave's head, for he still remained upon his knees. With the usual presumption of lovers, he believed that he had the right to give her the assistance which she seemed to ask for, and passed his arm about the slender waist which was bent toward him.

Clemence drew herself up at once, and with frowning brow regained her coolness, standing upright upon one foot, like Cupid in the painting by Gerard; like him, also, she seemed about to fly away, there was so much airy lightness in her improvised attitude.

Many puerile incidents and ridiculous events occur in life, which it would render impossible for the most imperturbable of mandarins to struggle against in order to preserve his gravity. When Louis XIV, this king so expert in courtly ways, dressed his hair alone behind his curtains before presenting himself to the eyes of his courtiers, he feared that this disarray of costume might compromise even his royal majesty. So, upon such authority, if one looks upon a complete head of hair as indispensable to the dignity of manhood, the same reasoning should exist for the covering of one's feet. In less than a second, Madame de Bergenheim comprehended that in such circumstances prudish airs would fail of their effect. Meanwhile, the agreeable side of her position operated within her; she felt unable to keep up the show of anger that she had wished to assume. The involuntary smile upon her lips smoothed her forehead as a ray of sun dissipates a cloud. Thus, disposed to clemency by reflection or fascination, it was in a very sweet and coaxing voice that she said: "Octave, give me my slipper." Gerfaut gazed at the lovely face bent toward him with an expression of childish entreaty, then he glanced with an irresolute air at the trophy which he held in his hand. This slipper, which was as small as Cinderella's, was not green, but gray, the lining was of rose-colored silk, and the whole was so pretty, coquettish, and dainty that it seemed impossible its owner could be vexed with him if he examined it closely. "I will give it back to you," said he, at last, "on condition that you will allow me to put it on for you."

"As to that, certainly not," said she, in a sharp tone; "I should much prefer to leave it with you and return home as I am."

Gerfaut shook his head and smiled incredulously.

"Think of your delicate lungs and of this terrible mud?"

Clemence drew her foot suddenly back under her skirt, concealing it entirely from the sight of the young man, who gazed at it more than she thought proper. Then she exclaimed, with the obstinacy of a spoiled child:

"Very well! I will return hopping on one foot; I could hop very well when I was young, I should be able to do so now."

To give more weight to this observation, she took two little jumps with a grace and sprightliness worthy of Mademoiselle Taglioni.

Octave arose.

"I have had the pleasure of seeing you waltz," said he; "but I admit that I shall be pleased to witness a new dance, and one executed for me alone."

As he said these words, he pretended to conceal the innocent object of this dispute in his blouse. The pretty dancer saw by this that a compromise would be necessary. Recourse to concessions is often as fatal to women as to kings; but what can one do when every other exit is closed? Obliged by absolute necessity to accept the conditions imposed upon her, Clemence wished at least to cover this defeat with sufficient dignity, and escape from an awkward position with the honors of war.

"Get down upon your knees, then," she said, haughtily, "and put on my slipper, since you exact it, and let this end this ridiculous scene. I think you should be too proud to regard a maid's privilege as a favor."

"As a favor which a king would envy," replied Gerfaut, in a voice as tender as hers had been disdainful. He put one knee on the ground, placed the little slipper upon the other and seemed to await his enemy's pleasure. But the latter found a new subject for complaint in the pedestal offered her, for she said with increased severity:

"On the ground, Monsieur; and let that end it."

He obeyed, without a reply, after giving her a reproachful glance by which she was as much moved as by his silent obedience. She put out her foot with a more gracious air, and thrust it into the slipper. To be a correct historian, we must admit that this time she left it in the hands which softly pressed it longer than was strictly necessary. When Octave had fastened it with skill but with no haste, he bent his head and pressed his lips to the openwork stocking, through which he could catch a glimpse of white, satiny skin.

"My husband!" exclaimed Madame de Bergenheim, as she heard the clatter of horses' hoofs at the end of the avenue; and without adding a word she fled rapidly toward the chateau. Gerfaut arose from his position no less rapidly and darted into the woods. A rustling of branches which he heard a few steps from him made him uneasy at first, for he feared that an invisible witness had been present at this imprudent interview; but he was soon reassured by the silence which reigned about him.

After the Baron and his sister had passed, he crossed the avenue and soon disappeared over the winding road on the other side of the bridge.