← The Immortals: Masterpieces of Fiction, Crowned by the French Academy — Complete

XI. NEW MAN OF THE NEW EMPIRE…

Part 17 of 43 · Various · Public domain text

About this edition

Source: Project Gutenberg e-text #4000, public domain in the United States · text not rewritten or summarized · How RedLectern is built

 

Contents (485)
  1. Opening about 12 min
  2. I. THE HOUSE OF DESVARENNES about 21 min
  3. II. THE GALLEY-SLAVE OF PLEASURE about 15 min
  4. III. PIERRE RETURNS about 17 min
  5. IV. THE RIVALS about 14 min
  6. V. A CRITICAL INTERVIEW about 10 min
  7. VI. A SIGNIFICANT MEETING about 17 min
  8. VII. JEANNE'S SECRET about 12 min
  9. VIII. A PLEASANT UNDERSTANDING about 15 min
  10. IX. THE DOUBLE MARRIAGE about 19 min
  11. X. CAYROL'S DISAPPOINTMENT about 11 min
  12. XI. CONFESSION about 9 min
  13. XII. THE FETE about 7 min
  14. XIII. THE FIRST BREAK about 23 min
  15. XIV. A SUDDEN JOURNEY about 17 min
  16. XV. MOTHER AND DAUGHTER about 15 min
  17. XVI. THE TELLTALE KISS about 13 min
  18. XVII. CAYROL IS BLIND about 12 min
  19. XVIII. THE UNIVERSAL CREDIT COMPANY about 25 min
  20. XIX. SIN GROWS BOLDER about 18 min
  21. XX. THE CRISIS about 8 min
  22. Chapter XXI about 14 min
  23. XXII. THE MOTHER'S REVENGE about 19 min
  24. Chapter I about 23 min
  25. Chapter II about 9 min
  26. III. A DISCUSSION ON THE LITTLE CORPORAL about 18 min
  27. IV. THE END OF A DREAM about 15 min
  28. V. A DINNER 'EN FAMILLE' about 15 min
  29. VI. A DISTINGUISHED RELICT about 5 min
  30. VII. MADAME HAS HER WAY about 11 min
  31. VIII. THE LADY OF THE BELLS about 4 min
  32. IX. CHOULETTE FINDS A NEW FRIEND about 6 min
  33. X. DECHARTRE ARRIVES IN FLORENCE about 18 min
  34. Chapter XI about 4 min
  35. XII. HEARTS AWAKENED about 11 min
  36. Chapter XIII about 6 min
  37. XIV. THE AVOWAL about 4 min
  38. XV. THE MYSTERIOUS LETTER about 5 min
  39. Chapter XVI about 8 min
  40. XVII. MISS BELL ASKS A QUESTION about 4 min
  41. Chapter XVIII about 3 min
  42. XIX. CHOULETTE TAKES A JOURNEY about 10 min
  43. XX. WHAT IS FRANKNESS? about 3 min
  44. Chapter XXI about 14 min
  45. XXII. A MEETING AT THE STATION about 12 min
  46. Chapter XXIII about 8 min
  47. XXIV. CHOULETTE'S AMBITION about 6 min
  48. Chapter XXV about 5 min
  49. XXVI. IN DECHARTRE'S STUDIO about 11 min
  50. XXVII. THE PRIMROSE PATH about 5 min
  51. XXVIII. NEWS OF LE MENIL about 10 min
  52. XXIX. JEALOUSY about 8 min
  53. XXX. A LETTER FROM ROBERT about 6 min
  54. XXXI. AN UNWELCOME APPARITION about 14 min
  55. XXXII. THE RED LILY about 14 min
  56. XXXIII. A WHITE NIGHT about 7 min
  57. Chapter XXXIV about 14 min
  58. I. MY FIRST SUPPER PARTY about 5 min
  59. Chapter II about 13 min
  60. III. MADAME DE K about 8 min
  61. IV. SOUVENIRS OF LENT about 12 min
  62. V. MADAME AND HER FRIEND CHAT BY THE FIRESIDE about 6 min
  63. VI. A DREAM about 12 min
  64. VII. AN EMBASSY BALL about 6 min
  65. VIII. MY AUNT AS VENUS about 9 min
  66. Chapter IX about 12 min
  67. X. MADAME'S IMPRESSIONS about 12 min
  68. XI. A WEDDING NIGHT about 6 min
  69. XII. THE HONEYMOON about 10 min
  70. XIII. THE BLUE NOTE-BOOK about 15 min
  71. XIV. THE BLUE NOTE-BOOK AGAIN about 8 min
  72. XV. MY WIFE GOES TO A DANCE about 10 min
  73. XVI. A FALSE ALARM about 19 min
  74. XVII. I SUP WITH MY WIFE about 8 min
  75. XVIII. FROM ONE THING TO ANOTHER about 8 min
  76. XIX. A LITTLE CHAT about 10 min
  77. XX. THE HOT-WATER BOTTLE about 6 min
  78. XXI. A LONGING about 8 min
  79. XXII. FAMILY LIFE about 9 min
  80. XXIII. NEW YEAR'S DAY about 9 min
  81. XXIV. LETTERS OF A YOUNG MOTHER TO HER FRIEND about 6 min
  82. XXV. FOUR YEARS LATER about 3 min
  83. XXVI. OLD RECOLLECTIONS about 7 min
  84. XXVII. THE LITTLE BOOTS about 9 min
  85. XXVIII. BABIES AND PAPAS about 10 min
  86. XXIX. HIS FIRST BREECHES about 7 min
  87. XXX. COUNTRY CHILDREN about 7 min
  88. XXXI. AUTUMN about 6 min
  89. XXXII. HE WOULD HAVE BEEN FORTY NOW about 4 min
  90. XXXIII. CONVALESCENCE about 4 min
  91. XXXIV. FAMILY TIES about 12 min
  92. I. THE BETROTHAL FETE about 8 min
  93. II. THE BARONESS'S MATCHMAKING about 7 min
  94. III. THE STORY OF THE ZILAHS about 7 min
  95. Chapter IV about 7 min
  96. Chapter V about 12 min
  97. VI. A GYPSY PRINCESS about 7 min
  98. VII. THE STORY OF MARSA about 10 min
  99. Chapter VIII about 11 min
  100. Chapter IX about 7 min
  101. Chapter X about 8 min
  102. XI. A RIVER FETE about 8 min
  103. XII. A DARK PAGE about 18 min
  104. Chapter XIII about 8 min
  105. Chapter XIV about 13 min
  106. Chapter XV about 10 min
  107. Chapter XVI about 4 min
  108. XVII. MARSA'S GUARDIANS about 8 min
  109. Chapter XVIII about 2 min
  110. Chapter XIX about 10 min
  111. XX. THE BRIDAL DAY about 6 min
  112. Chapter XXI about 6 min
  113. XXII. A DREAM SHATTERED about 10 min
  114. Chapter XXIII about 8 min
  115. XXIV. A LITTLE PARISIAN ROMANCE about 15 min
  116. XXV. THE HOME OF "PUCK" about 20 min
  117. Chapter XXVI about 12 min
  118. Chapter XXVII about 2 min
  119. XXVIII. THE STRICKEN SOUL about 14 min
  120. Chapter XXIX about 11 min
  121. Chapter XXX about 11 min
  122. Chapter XXXI about 11 min
  123. XXXII. THE VALE OF VIOLETS about 7 min
  124. XXXIII. THE DUEL about 10 min
  125. XXXIV. A NEW LIFE about 18 min
  126. I. LES FRERES-PROVENCAUX about 4 min
  127. II. BIRDS OF PREY about 4 min
  128. III. THE GAME about 3 min
  129. IV. THE RESULT about 4 min
  130. V. A DESPERATE RESOLUTION about 5 min
  131. VI. THE FAREWELL about 3 min
  132. VII. THE VOW about 2 min
  133. VIII. IN SEARCH OF GLORY about 2 min
  134. Chapter IX about 7 min
  135. X. GENERAL DE PREROLLES about 9 min
  136. XI. EUGENIE GONTIER about 5 min
  137. XII. RIVAL BEAUTIES about 6 min
  138. XIII. THE INDUSTRIAL ORPHAN ASYLUM about 8 min
  139. XIV. A WOMAN'S INSTINCT about 6 min
  140. XV. DEFIANCE OF MRS. GRUNDY about 8 min
  141. XVI. FRATERNAL ADVICE about 7 min
  142. XVII. THE LADY BOUNTIFUL about 4 min
  143. XVIII. A MODERN TARTUFE about 4 min
  144. XIX. BROKEN TIES about 4 min
  145. XX. ZIBELINE RECEIVES about 5 min
  146. XXI. A DASHING AMAZON about 8 min
  147. XXII. AN UNEXPECTED MEETING about 6 min
  148. XXIII. THE MILITARY REVIEW about 8 min
  149. XXIV. THE CHALLENGE about 4 min
  150. XXV. THE AMAZON HAS A FALL about 6 min
  151. XXVI. AN UNCONSCIOUS AVOWAL about 5 min
  152. XXVII. DISTRACTION about 5 min
  153. XXVIII. THE VOW REDEEMED about 9 min
  154. XXIX. THE MARQUISE DE PREROLLES about 4 min
  155. I. THE UNFINISHED WILL about 26 min
  156. II. THE HEIR TO VIVEY about 29 min
  157. III. CONSCIENCE HIGHER THAN THE LAW about 32 min
  158. IV. THE DAWN OF LOVE about 27 min
  159. V. LOVE'S INDISCRETION about 27 min
  160. VI. LOVE BY PROXY about 28 min
  161. VII. THE STRANGE, DARK SECRET about 27 min
  162. VIII. LOVE'S SAD ENDING about 31 min
  163. IX. LOVE HEALS THE BROKEN HEART about 33 min
  164. I. TO THE READER about 1 min
  165. II. REFLECTIONS about 23 min
  166. III. THE BEGINNING OF THE CONFESSIONS about 13 min
  167. IV. THE PATH OF DESPAIR about 7 min
  168. V. A PHILOSOPHER'S ADVICE about 12 min
  169. VI. MADAME LEVASSEUR about 4 min
  170. VII. THE WISDOM OF SIRACH about 4 min
  171. VIII. THE SEARCH FOR HEALING about 5 min
  172. IX. BACCHUS, THE CONSOLER about 10 min
  173. I. AT THE CROSSWAYS about 11 min
  174. II. THE CHOSEN WAY about 5 min
  175. III. AFRICAN HOSPITALITY about 7 min
  176. IV. MARCO about 23 min
  177. V. SATIETY about 7 min
  178. I. DEATH, THE INEVITABLE about 2 min
  179. II. THE BALM OF SOLITUDE about 7 min
  180. III. BRIGITTE about 9 min
  181. IV. RIPENING ACQUAINTANCE about 15 min
  182. V. AN INTERVIEW about 6 min
  183. VI. THE RUGGED PATH OF LOVE about 13 min
  184. VII. THE VENUSBERG AGAIN about 5 min
  185. I. THE THORNS OF LOVE about 21 min
  186. II. UNCERTAINTY about 13 min
  187. III. EXPLANATIONS about 9 min
  188. IV. BRIGITTE'S LOSS about 10 min
  189. V. A TORTURED SOUL about 9 min
  190. I. SWEET ANTICIPATIONS about 6 min
  191. II. THE DEMON OF DOUBT about 10 min
  192. III. THE QUESTION OF SMITH about 8 min
  193. IV. IN THE FURNACE about 10 min
  194. V. TRUTH AT LAST about 31 min
  195. VI. SELF-SACRIFICE THE SOLUTION about 33 min
  196. Chapter I about 12 min
  197. II. FRUIT FROM THE HOTBED OF PARIS about 21 min
  198. III. DEBRIS FROM THE REVOLUTION about 13 min
  199. IV. A NEW ACTRESS IN A NOVEL ROLE about 21 min
  200. V. THE COUNT LOSES A LADY AND FINDS A MISSION about 17 min
  201. VI. THE OLD DOMAIN OF REUILLY about 15 min
  202. VII. ELISE DE TECLE about 10 min
  203. VIII. A DISH OF POLITICS about 21 min
  204. IX. LOVE CONQUERS PHILOSOPHY about 29 min
  205. X. THE PROLOGUE TO THE TRAGEDY about 21 min
  206. XI. NEW MAN OF THE NEW EMPIRE about 14 min
  207. XII. CIRCE about 23 min
  208. XIII. THE FIRST ACT OF THE TRAGEDY about 9 min
  209. XIV. AN ANONYMOUS LETTER about 14 min
  210. XV. THE COUNTESS DE CAMORS about 12 min
  211. XVI. THE REPTILE STRIVES TO CLIMB about 18 min
  212. XVII. LIGHTNING FROM A CLEAR SKY about 10 min
  213. XVIII. ONE GLEAM OF HOPE about 19 min
  214. XIX. THE REPTILE TURNS TO STING about 14 min
  215. XX. THE SECOND ACT OF THE TRAGEDY about 11 min
  216. XXI. THE FEATHER IN THE BALANCE about 21 min
  217. XXII. THE CURTAIN FALLS about 19 min
  218. Preface about 22 min
  219. I. THE ADIEU about 32 min
  220. II. THE STREET about 15 min
  221. III. THE GOOD PRIEST about 17 min
  222. IV. THE TRIAL about 15 min
  223. V. THE MARTYRDOM about 14 min
  224. VI. THE DREAM about 13 min
  225. VII. THE CABINET about 32 min
  226. VIII. THE INTERVIEW about 18 min
  227. IX. THE SIEGE about 18 min
  228. X. THE RECOMPENSE about 17 min
  229. XI. THE BLUNDERS about 16 min
  230. XII. THE NIGHT-WATCH about 23 min
  231. XIII. THE SPANIARD about 15 min
  232. XIV. THE RIOT about 22 min
  233. XV. THE ALCOVE about 21 min
  234. XVI. THE CONFUSION about 11 min
  235. XVII. TOILETTE about 20 min
  236. XVIII. THE SECRET about 10 min
  237. XIX. THE HUNTING PARTY about 37 min
  238. XX. THE READING about 27 min
  239. XXI. THE CONFESSIONAL about 14 min
  240. XXII. THE STORM about 17 min
  241. XXIII. ABSENCE about 11 min
  242. XXIV. THE WORK about 38 min
  243. XXV. THE PRISONERS about 39 min
  244. XXVI. THE FETE about 27 min
  245. I. THE SALE OF LONGUEVAL about 22 min
  246. II. THE NEW CHATELAINE about 17 min
  247. III. DELIGHTFUL SURPRISES about 20 min
  248. IV. A RIOT OF CHARITY about 12 min
  249. V. THE FAIR AMERICANS about 20 min
  250. VI. A LITTLE DINNER FOR FOUR about 14 min
  251. VII. CONFIDENCES about 9 min
  252. VIII. ANOTHER MARTYR TO MILLIONS about 26 min
  253. IX. THE REWARD OF TENDER COURAGE about 30 min
  254. I. ON THE BALCONY about 14 min
  255. II. SAD CHANGES about 12 min
  256. III. PAPA AND MAMMA GERARD about 17 min
  257. IV. THE DEMON ABSINTHE about 16 min
  258. V. AMEDEE MAKES FRIENDS about 13 min
  259. VI. DREAMS OF LOVE about 8 min
  260. VII. A GENTLE COUNSELLOR about 8 min
  261. VIII. BUTTERFLIES AND GRASSHOPPERS about 12 min
  262. IX. THORNS OF JEALOUSY about 15 min
  263. X. A BUDDING POET about 18 min
  264. XI. SUCCESS about 20 min
  265. XII. SOCIAL TRIUMPHS about 21 min
  266. XIII. A SERPENT AT THE FIRESIDE about 19 min
  267. XIV. TOO LATE! about 22 min
  268. XV. REPARATION about 17 min
  269. XVI. IN TIME OF WAR about 21 min
  270. Chapter XVII about 16 min
  271. I. A DILETTANTE AND A BELIEVER about 33 min
  272. II. THE BEGINNING OF A DRAMA about 35 min
  273. III. BOLESLAS GORKA about 33 min
  274. IV. APPROACHING DANGER about 43 min
  275. V. COUNTESS STENO about 40 min
  276. VI. THE INCONSISTENCY OF AN OLD CHOUAN about 1 h 7 min
  277. VII. A LITTLE RELATIVE OF IAGO about 38 min
  278. VIII. ON THE GROUND about 40 min
  279. IX. LUCID ALBA about 30 min
  280. X. COMMON MISERY about 23 min
  281. XI. THE LAKE DI PORTO about 25 min
  282. XII. EPILOGUE about 13 min
  283. I. A PARISIENNE'S "AT HOME" about 29 min
  284. II. A CLEVER STEPMOTHER about 13 min
  285. III. THE FRIEND OF THE FAY about 25 min
  286. IV. A DANGEROUS MODEL about 8 min
  287. V. SURPRISES about 21 min
  288. VI. A CONVENT FLOWER about 15 min
  289. VII. THE BLUE BAND about 29 min
  290. VIII. A PUZZLING CORRESPONDENCE about 20 min
  291. IX. BEAUTY AT THE FAIR about 16 min
  292. X. GISELLE'S CONSOLATION about 9 min
  293. XI. FRED ASKS A QUESTION about 17 min
  294. XII. A COMEDY AND A TRAGEDY about 14 min
  295. XIII. THE STORM BREAKS about 16 min
  296. XIV. BITTER DISILLUSION about 22 min
  297. XV. TREACHEROUS KINDNESS about 22 min
  298. XVI. THE SAILOR'S RETURN about 18 min
  299. XVII. TWIN DEVILS about 13 min
  300. Chapter XVIII about 12 min
  301. XIX. GENTLE CONSPIRATORS about 8 min
  302. XX. A CHIVALROUS SOUL about 15 min
  303. I. THE ACCIDENT about 11 min
  304. II. THE JUNIAN LATINS about 8 min
  305. III. AN APOLOGY about 9 min
  306. IV. THE STORY OF SYLVESTRE about 18 min
  307. V. A FRUITLESS SEARCH about 12 min
  308. VI. THE FLOWER-SHOW about 9 min
  309. VII. A WOODLAND SKETCH about 19 min
  310. VIII. JOY AND MADNESS about 15 min
  311. IX. A VISIT FROM MY UNCLE about 9 min
  312. X. A FAMILY BREACH about 8 min
  313. XI. IN THE BEATEN PATH about 7 min
  314. XII. I GO TO ITALY about 12 min
  315. XIII. STARTLING NEWS FROM SYLVESTRE about 12 min
  316. XIV. A SURPRISING ENCOUNTER about 30 min
  317. XV. BACK TO PARIS about 10 min
  318. XVI. A FISHING-TRIP AND AN OLD FRIEND about 16 min
  319. XVII. PLEASURES OF EAVESDROPPING about 14 min
  320. XVIII. A COOL RECEPTION about 13 min
  321. XIX. JEANNE THE ENCHANTRESS about 23 min
  322. XX. A HAPPY FAMILY about 8 min
  323. I. A WEDDING-PARTY AT THE CAFE VEFOUR about 15 min
  324. II. LITTLE CHEBE'S STORY about 20 min
  325. III. THE FALSE PEARLS about 19 min
  326. Chapter IV about 17 min
  327. V. HOW LITTLE CHEBE'S STORY ENDED about 9 min
  328. VI. Noon. The Marais is breakfasting about 13 min
  329. VII. THE TRUE PEARL AND THE FALSE about 11 min
  330. VIII. THE BREWERY ON THE RUE BLONDEL about 21 min
  331. IX. AT SAVIGNY about 7 min
  332. X. SIGISMOND PLANUS TREMBLES FOR HIS CASH-BOX about 14 min
  333. XI. THE INVENTORY about 22 min
  334. XII. A LETTER about 1 min
  335. XIII. THE JUDGE about 26 min
  336. XIV. EXPLANATION about 15 min
  337. XV. POOR LITTLE MAM'ZELLE ZIZI about 7 min
  338. XVI. THE WAITING-ROOM about 11 min
  339. XVII. AN ITEM OF NEWS about 14 min
  340. XVIII. SHE PROMISED NOT TO TRY AGAIN about 8 min
  341. XIX. APPROACHING CLOUDS about 6 min
  342. XX. REVELATIONS about 23 min
  343. XXI. THE DAY OF RECKONING about 21 min
  344. XXII. THE NEW EMPLOYEE OF THE HOUSE OF FROMONT about 17 min
  345. XXIII. CAFE CHANTANT about 22 min
  346. XXIV. SIDONIE'S VENGEANCE about 16 min
  347. I. THE TRAVELLER about 16 min
  348. II. THE CASTLE OF BERGENHEIM about 21 min
  349. III. A DIVIDED HOUSEHOLD about 15 min
  350. IV. THE GALLANT IN THE GARDEN about 18 min
  351. V. ART AND MUSIC about 15 min
  352. VI. GERFAUT'S STORY about 22 min
  353. VII. GERFAUT ASKS A FAVOR about 24 min
  354. VIII. A LOVER'S RUSE about 20 min
  355. IX. GERFAUT, THE WIZARD about 16 min
  356. X. PLOTS about 14 min
  357. XI. A QUARREL about 18 min
  358. XII. AN INHARMONIOUS MUSICALE about 16 min
  359. XIII. MONSIEUR DE BERGENHEIM about 4 min
  360. XIV. GERFAUT'S ALLEGORY about 8 min
  361. XV. DECLARATION OF WAR about 3 min
  362. XVI. GERFAUT WINS A POINT about 24 min
  363. XVII. A RUDE INTERRUPTION about 14 min
  364. XVIII. ESPIONAGE about 8 min
  365. XIX. THE REVELATION about 19 min
  366. XX. MARILLAC TELLS A STORY about 24 min
  367. XXI. A STRATAGEM about 11 min
  368. XXII. THE CRISIS about 15 min
  369. XXIII. THE AGREEMENT about 16 min
  370. XXIV. A FRIEND'S ADVICE about 18 min
  371. XXV. THE WILD BOAR about 9 min
  372. XXVI. BERGENHEIM'S REVENGE about 15 min
  373. I. THE REUNION about 8 min
  374. II. THE RICH MAN'S REFUSAL about 10 min
  375. III. A LAST RESORT about 9 min
  376. Chapter IV about 8 min
  377. V. A CHARMING VISITOR about 8 min
  378. VI. A SWEET CONSOLER about 8 min
  379. VII. A LITTLE DINNER FOR TWO about 7 min
  380. VIII. EXPLANATIONS about 10 min
  381. IX. CAFFIE'S ANSWER about 8 min
  382. X. SANIEL MAKES A RESOLUTION about 8 min
  383. XI. THE INSTRUMENT OF DEATH about 9 min
  384. XII. THE CRUCIAL MOMENT about 9 min
  385. XIII. DISTRACTION about 8 min
  386. XIV. THE EXAMINATION about 8 min
  387. XV. A NEW PLAN about 5 min
  388. XVI. THE SMILES OF FORTUNE about 8 min
  389. XVII. PHILLIS'S FEARS about 8 min
  390. XVIII. A GRAVE DISCUSSION about 8 min
  391. XIX. THE KNOCK AT THE DOOR about 8 min
  392. XX. A TIGHTENING CHAIN about 9 min
  393. Chapter XXI about 7 min
  394. XXII. NOUGAREDE'S BRIDE about 6 min
  395. XXIII. STUNNING NEWS about 8 min
  396. XXIV. HEDGING about 8 min
  397. XXV. DAGNEROUS DETAILS about 9 min
  398. XXVI. A GOOD MEMORY about 9 min
  399. XXVII. A NEW PERIL about 8 min
  400. XXVIII. SANIEL VISITS A BARBER about 7 min
  401. XXIX. A BROKEN NEGATIVE about 8 min
  402. XXX. PHILLIS PRECIPITATES MATTERS about 8 min
  403. XXXI. THE APPOINTMENT about 8 min
  404. XXXII. THE FATAL LIGHT about 8 min
  405. XXXIII. SUSPENSE about 8 min
  406. XXXIV. ON THE RACK about 9 min
  407. XXXV. A SECOND VICTIM about 9 min
  408. XXXVI. CONSCIENCE ASSERTS ITSELF about 8 min
  409. XXXVII. ATTEMPTED REPARATION about 8 min
  410. XXXVIII. THE IMPORTANT QUESTION about 8 min
  411. XXXIX. CONCESSION TO CONSCIENCE about 8 min
  412. XL. PHILLIS IS SURPRISED about 7 min
  413. XLI. A TROUBLED SOUL about 9 min
  414. XLII. THE POWER OF HYPNOTISM about 10 min
  415. XLIII. THE TERRIBLE REVELATION about 10 min
  416. XLIV. AFTER LONG YEARS about 11 min
  417. Dedication about 1 min
  418. Introduction about 2 min
  419. I. THE MYSTERIOUS LAND about 1 min
  420. II. STRANGE SCENES about 6 min
  421. III. THE GARDEN OF FLOWERS about 20 min
  422. IV. CHOOSING A BRIDE about 12 min
  423. V. A FANTASTIC MARRIAGE about 1 min
  424. VI. MY NEW MENAGE about 1 min
  425. VII. THE LADIES OF THE FANS about 1 min
  426. VIII. THE NECESSARY VEIL about 1 min
  427. IX. MY PLAYTHING about 1 min
  428. X. NOCTURNAL TERRORS about 2 min
  429. XI. A GAME OF ARCHERY about 8 min
  430. XII. HAPPY FAMILIES! about 5 min
  431. XIII. OUR "VERY TALL FRIEND" about 1 min
  432. XIV. OUR PIOUS HOSTS about 1 min
  433. Chapter XV about 1 min
  434. XVI. SLEEPING JAPAN about 1 min
  435. XVII. THE SONG OF THE CICALA about 1 min
  436. XVIII. MY FRIEND AND MY DOLL about 1 min
  437. XIX. MY JAPANESE RELATIVES about 1 min
  438. XX. A DEAD FAIRY about 4 min
  439. XXI. ANCIENT TOMBS about 1 min
  440. XXII. DAINTY DISHES FOR A DOLL about 1 min
  441. XXIII. A FANTASTIC FUNERAL about 2 min
  442. XXIV. SOCIABILITY about 1 min
  443. XXV. UNWELCOME GUESTS about 2 min
  444. XXVI. A QUIET SMOKE about 4 min
  445. XXVII. THE PRAYERFUL MADAME PRUNE about 3 min
  446. XXVIII. A DOLL'S CORRESPONDENCE about 2 min
  447. XXIX. SUDDEN SHOWERS about 7 min
  448. XXX. A LITTLE DOMESTIC DIFFICULTY about 3 min
  449. XXXI. BUTTERFLIES AND BEETLES about 1 min
  450. XXXII. STRANGE YEARNINGS about 3 min
  451. XXXIII. A GENEROUS HUSBAND about 2 min
  452. XXXIV. THE FEAST OF THE TEMPLE about 14 min
  453. XXXV. THROUGH A MICROSCOPE about 3 min
  454. XXXVI. MY NAUGHTY DOLL about 6 min
  455. XXXVII. COMPLICATIONS about 1 min
  456. XXXVIII. THE HEIGHT OF SOCIABILITY! about 2 min
  457. XXXIX. A LADY OF JAPAN about 1 min
  458. XL. OUR FRIENDS THE BONZES about 6 min
  459. XLI. AN UNEXPECTED CALL about 1 min
  460. XLII. AN ORIENTAL VISION about 3 min
  461. XLIII. THE CATS AND THE DOLLS about 2 min
  462. XLIV. TENDER MINISTRATIONS about 5 min
  463. XLV. TWO FAIR ARISTOCRATS about 3 min
  464. XLVI. GRAVE SUSPICIONS about 6 min
  465. XLVII. A MIDNIGHT ALARM about 4 min
  466. XLVIII. UNUSUAL HOSPITALITY about 5 min
  467. XLIX. RUMORS OF DEPARTURE about 5 min
  468. L. A DOLLS' DUET about 6 min
  469. LI. THE LAST DAY about 13 min
  470. Chapter LII about 7 min
  471. LIII. OFF FOR CHINA about 4 min
  472. LIV. A FADING PICTURE under 1 min
  473. LV. A WITHERED LOTUS-FLOWER about 4 min
  474. I. NEW-YEAR'S GIFTS about 11 min
  475. II. THE CARNIVAL about 13 min
  476. III. WHAT WE MAY LEARN BY LOOKING OUT OF WINDOW about 12 min
  477. IV. LET US LOVE ONE ANOTHER about 13 min
  478. V. COMPENSATION about 15 min
  479. VI. UNCLE MAURICE about 17 min
  480. VII. THE PRICE OF POWER AND THE WORTH OF FAME about 18 min
  481. VIII. MISANTHROPY AND REPENTANCE about 13 min
  482. IX. THE FAMILY OF MICHAEL AROUT about 18 min
  483. X. OUR COUNTRY about 20 min
  484. XI. MORAL USE OF INVENTORIES about 21 min
  485. XII. THE END OF THE YEAR about 17 min

Continue:

XI. NEW MAN OF THE NEW EMPIRE

It was now five years since the electors of Reuilly had sent the Comte de Camors to the Corps Legislatif, and they had seen no cause to regret their choice. He understood marvellously well their little local interests, and neglected no occasion of forwarding them. Furthermore, if any of his constituents, passing through Paris, presented themselves at his small hotel on the Rue de l'Imperatrice--it had been built by an architect named Lescande, as a compliment from the deputy to his old friend--they were received with a winning affability that sent them back to the province with softened hearts. M. de Camors would condescend to inquire whether their wives or their daughters had borne them company; he would place at their disposal tickets for the theatres and passes into the Legislative Chamber; and would show them his pictures and his stables. He also trotted out his horses in the court under their eyes. They found him much improved in personal appearance, and even reported affectionately that his face was fuller and had lost the melancholy cast it used to wear. His manner, once reserved, was now warmer, without any loss of dignity; his expression, once morose, was now marked by a serenity at once pleasing and grave. His politeness was almost a royal grace; for he showed to women--young or old, rich or poor, virtuous or otherwise--the famous suavity of Louis the Fourteenth.

To his equals, as to his inferiors, his urbanity was perfection; for he cultivated in the depths of his soul--for women, for his inferiors, for his equals, and for his constituents--the same contempt.

He loved, esteemed, and respected only himself; but that self he loved, esteemed, and respected as a god! In fact, he had now, realized as completely as possible, in his own person, that almost superhuman ideal he had conceived in the most critical hour of his life.

When he surveyed himself from head to foot in the mental mirror before him, he was content! He was truly that which he wished to be. The programme of his life, as he had laid it down, was faithfully carried out.

By a powerful effort of his mighty will, he succeeded in himself adopting, rather than disdaining in others, all those animal instincts that govern the vulgar. These he believed fetters which bound the feeble, but which the strong could use. He applied himself ceaselessly to the development and perfection of his rare physical and intellectual gifts, only that he might, during the short passage from the cradle to the tomb, extract from them the greatest amount of pleasure. Fully convinced that a thorough knowledge of the world, delicacy of taste and elegance, refinement and the point of honor constituted a sort of moral whole which formed the true gentleman, he strove to adorn his person with the graver as well as the lighter graces. He was like a conscientious artist, who would leave no smallest detail incomplete. The result of his labor was so satisfactory, that M. de Camors, at the moment we rejoin him, was not perhaps one of the best men in the world, but he was beyond doubt one of the happiest and most amiable. Like all men who have determined to cultivate ability rather than scrupulousness, he saw all things developing to his satisfaction. Confident of his future, he discounted it boldly, and lived as if very opulent. His rapid elevation was explained by his unfailing audacity, by his cool judgment and neat finesse, by his great connection and by his moral independence. He had a hard theory, which he continually expounded with all imaginable grace: "Humanity," he would say, "is composed of speculators!"

Thoroughly imbued with this axiom, he had taken his degree in the grand lodge of financiers. There he at once made himself an authority by his manner and address; and he knew well how to use his name, his political influence, and his reputation for integrity. Employing all these, yet never compromising one of them, he influenced men by their virtues, or their vices, with equal indifference. He was incapable of meanness; he never wilfully entrapped a friend, or even an enemy, into a disastrous speculation; only, if the venture proved unsuccessful, he happened to get out and leave the others in it. But in financial speculations, as in battles, there must be what is called "food for powder;" and if one be too solicitous about this worthless pabulum, nothing great can be accomplished. So Camors passed as one of the most scrupulous of this goodly company; and his word was as potential in the region of "the rings," as it was in the more elevated sphere of the clubs and of the turf.

Nor was he less esteemed in the Corps Legislatif, where he assumed the curious role of a working member until committees fought for him. It surprised his colleagues to see this elegant young man, with such fine abilities, so modest and so laborious--to see him ready on the dryest subjects and with the most tedious reports. Ponderous laws of local interest neither frightened nor mystified him. He seldom spoke in the public debates, except as a reporter; but in the committee he spoke often, and there his manner was noted for its grave precision, tinged with irony. No one doubted that he was one of the statesmen of the future; but it could be seen he was biding his time.

The exact shade of his politics was entirely unknown. He sat in the "centre left;" polite to every one, but reserved with all. Persuaded, like his father, that the rising generation was preparing, after a time, to pass from theories to revolution--and calculating with pleasure that the development of this periodical catastrophe would probably coincide with his fortieth year, and open to his blase maturity a source of new emotions--he determined to wait and mold his political opinions according to circumstances.

His life, nevertheless, had sufficient of the agreeable to permit him to wait the hour of ambition. Men respected, feared, and envied him. Women adored him.

His presence, of which he was not prodigal, adorned an entertainment: his intrigues could not be gossiped about, being at the same time choice, numerous, and most discreetly conducted.

Passions purely animal never endure long, and his were most ephemeral; but he thought it due to himself to pay the last honors to his victims, and to inter them delicately under the flowers of his friendship. He had in this way made many friends among the Parisian women--a few only of whom detested him. As for the husbands--they were universally fond of him.

To these elegant pleasures he sometimes added a furious debauch, when his imagination was for the moment maddened by champagne. But low company disgusted him, and he shunned it; he was not a man for frequent orgies, and economized his health, his energies, and his strength. His tastes were as thoroughly elevated as could be those of a being who strove to repress his soul. Refined intrigues, luxury in music, paintings, books, and horses--these constituted all the joy of his soul, of his sense, and of his pride. He hovered over the flowers of Parisian elegance; as a bee in the bosom of a rose, he drank in its essence and revelled in its beauty.

It is easy to understand that M. de Camors, relishing this prosperity, attached himself more and more to the moral and religious creed that assured it to him; that he became each day more and more confirmed in the belief that the testament of his father and his own reflection had revealed to him the true evangel of men superior to their species. He was less and less tempted to violate the rules of the game of life; but among all the useless cards, to hold which might disturb his system, the first he discarded was the thought of marriage. He pitied himself too tenderly at the idea of losing the liberty of which he made such agreeable use; at the idea of taking on himself gratuitously the restraints, the tedium, the ridicule, and even the danger of a household. He shuddered at the bare thought of a community of goods and interest; and of possible paternity.

With such views he was therefore but little disposed to encourage the natural hopes in which Madame de Tecle had entombed her love. He determined so to conduct himself toward her as to leave no ground for the growth of her illusion. He ceased to visit Reuilly, remaining there but two or three weeks in each year, as such time as the session of the Council-General summoned him to the province.

It is true that during these rare visits Camors piqued himself on rendering Madame de Tecle and M. des Rameures all the duties of respectful gratitude. Yet avoiding all allusion to the past, guarding himself scrupulously from confidential converse, and observing a frigid politeness to Mademoiselle Marie, there remained doubt in his mind that, the fickleness of the fair sex aiding him, the young mother of the girl would renounce her chimerical project. His error was great: and it may be here remarked that a hard and scornful scepticism may in this world engender as many false judgments and erroneous calculations as candor or even inexperience can. He believed too much in what had been written of female fickleness; in deceived lovers, who truly deserved to be such; and in what disappointed men had judged of them.

The truth is, women are generally remarkable for the tenacity of their ideas and for fidelity to their sentiments. Inconstancy of heart is the special attribute of man; but he deems it his privilege as well, and when woman disputes the palm with him on this ground, he cries aloud as if the victim of a robber.

Rest assured this theory is no paradox; as proven by the prodigies of patient devotion--tenacious, inviolable--every day displayed by women of the lower classes, whose natures, if gross, retain their primitive sincerity. Even with women of the world, depraved though they be by the temptations that assail them, nature asserts herself; and it is no rarity to see them devote an entire life to one idea, one thought, or one affection! Their lives do not know the thousand distractions which at once disturb and console men; and any idea that takes hold upon them easily becomes fixed. They dwell upon it in the crowd and in solitude; when they read and while they sew; in their dreams and in their prayers. In it they live--for it they die.

It was thus that Madame de Tecle had dwelt year after year on the project of this alliance with unalterable fervor, and had blended the two pure affections that shared her heart in this union of her daughter with Camors, and in thus securing the happiness of both. Ever since she had conceived this desire--which could only have had its birth in a soul as pure as it was tender--the education of her child had become the sweet romance of her life. She dreamed of it always, and of nothing else.

Without knowing or even suspecting the evil traits lurking in the character of Camors, she still understood that, like the great majority of the young men of his day, the young Count was not overburdened with principle. But she held that one of the privileges of woman, in our social system, was the elevation of their husbands by connection with a pure soul, by family affections, and by the sweet religion of the heart. Seeking, therefore, by making her daughter an amiable and lovable woman, to prepare her for the high mission for which she was destined, she omitted nothing which could improve her. What success rewarded her care the sequel of this narrative will show. It will suffice, for the present, to inform the reader that Mademoiselle de Tecle was a young girl of pleasing countenance, whose short neck was placed on shoulders a little too high. She was not beautiful, but extremely pretty, well educated, and much more vivacious than her mother.

Mademoiselle Marie was so quick-witted that her mother often suspected she knew the secret which concerned herself. Sometimes she talked too much of M. de Camors; sometimes she talked too little, and assumed a mysterious air when others spoke of him.

Madame de Tecle was a little disturbed by these eccentricities. The conduct of M. de Camors, and his more than reserved bearing, annoyed her occasionally; but when we love any one we are likely to interpret favorably all that he does, or all that he omits to do. Madame de Tecle readily attributed the equivocal conduct of the Count to the inspiration of a chivalric loyalty. As she believed she knew him thoroughly, she thought he wished to avoid committing himself, or awakening public observation, before he had made up his mind.

He acted thus to avoid disturbing the repose of both mother and daughter. Perhaps also the large fortune which seemed destined for Mademoiselle de Tecle might add to his scruples by rousing his pride.

His not marrying was in itself a good augury, and his little fiancee was reaching a marriageable age. She therefore did not despair that some day M. de Camors would throw himself at her feet, and say, "Give her to met!"

If God did not intend that this delicious page should ever be written in the book of her destiny, and she was forced to marry her daughter to another, the poor woman consoled herself with the thought that all the cares she lavished upon her would not be lost, and that her dear child would thus be rendered better and happier.

The long months which intervened between the annual apparition of Camors at Reuilly, filled up by Madame de Tecle with a single idea and by the sweet monotony of a regular life, passed more rapidly than the Count could have imagined. His own life, so active and so occupied, placed ages and abysses between each of his periodical voyages. But Madame de Tecle, after five years, was always only a day removed from the cherished and fatal night on which her dream had begun. Since that period there had been no break in her thoughts, no void in her heart, no wrinkle on her forehead. Her dream continued young, like herself. But in spite of the peaceful and rapid succession of her days, it was not without anxiety that she saw the approach of the season which always heralded the return of Camors.

As her daughter matured, she preoccupied herself with the impression she would make on the mind of the Count, and felt more sensibly the solemnity of the matter.

Mademoiselle Marie, as we have already stated, was a cunning little puss, and had not failed to perceive that her tender mother chose habitually the season of the convocation of the Councils-General to try a new style of hair-dressing for her. The same year on which we have resumed our recital there passed, on one occasion, a little scene which rather annoyed Madame de Tecle. She was trying a new coiffure on Mademoiselle Marie, whose hair was very pretty and very black; some stray and rebellious portions had frustrated her mother's efforts.

There was one lock in particular, which in spite of all combing and brushing would break away from the rest, and fall in careless curls. Madame de Tecle finally, by the aid of some ribbons, fastened down the rebellious curl:

"Now I think it will do," she said sighing, and stepping back to admire the effect of her work.

"Don't believe it," said Marie, who was laughing and mocking. "I do not think so. I see exactly what will happen: the bell rings--I run out--my net gives way--Monsieur de Camors walks in--my mother is annoyed--tableau!"

"I should like to know what Monsieur de Camors has to do with it?" said Madame de Tecle.

Her daughter threw her arms around her neck--"Nothing!" she said.

Another time Madame de Tecle detected her speaking of M. de Camors in a tone of bitter irony. He was "the great man"--"the mysterious personage"--"the star of the neighborhood"--"the phoenix of guests in their woods"--or simply "the Prince!"

Such symptoms were of so serious a nature as not to escape Madame de Tecle.

In presence of "the Prince," it is true, the young girl lost her gayety; but this was another cross. Her mother found her cold, awkward, and silent--brief, and slightly caustic in her replies. She feared M. de Camors would misjudge her from such appearances.

But Camors formed no judgment, good or bad; Mademoiselle de Tecle was for him only an insignificant little girl, whom he never thought of for a moment in the year.

There was, however, at this time in society a person who did interest him very much, and the more because against his will. This was the Marquise de Campvallon, nee de Luc d'Estrelles.

The General, after making the tour of Europe with his young wife, had taken possession of his hotel in the Rue Vanneau, where he lived in great splendor. They resided at Paris during the winter and spring, but in July returned to their chateau at Campvallon, where they entertained in great state until the autumn. The General invited Madame de Tecle and her daughter, every year, to pass some weeks at Campvallon, rightly judging that he could not give his young wife better companions. Madame de Tecle accepted these invitations cheerfully, because it gave her an opportunity of seeing the elite of the Parisian world, from whom the whims of her uncle had always isolated her. For her own part, she did not much enjoy it; but her daughter, by moving in the midst of such fashion and elegance could thus efface some provincialisms of toilet or of language; perfect her taste in the delicate and fleeting changes of the prevailing modes, and acquire some additional graces. The young Marquise, who reigned and scintillated like a bright star in these high regions of social life, lent herself to the designs of her neighbor. She seemed to take a kind of maternal interest in Mademoiselle de Tecle, and frequently added her advice to her example. She assisted at her toilet and gave the final touches with her own dainty hands; and the young girl, in return, loved, admired, and confided in her.

Camors also enjoyed the hospitalities of the General once every season, but was not his guest as often as he wished. He seldom remained at Campvallon longer than a week. Since the return of the Marquise to France he had resumed the relations of a kinsman and friend with her husband and herself; but, while trying to adopt the most natural manner, he treated them both with a certain reserve, which astonished the General. It will not surprise the reader, who recollects the secret and powerful reasons which justified this circumspection.

For Camors, in renouncing the greater part of the restraints which control and bind men in their relations with one another, had religiously intended to preserve one--the sentiment of honor. Many times, in the course of this life, he had felt himself embarrassed to limit and fix with certainty the boundaries of the only moral law he wished to respect.

It is easy to know exactly what is in the Bible; it is not easy to know exactly what the code of honor commands.

XII. CIRCE

But there exists, nevertheless, in this code one article, as to which M. de Camors could not deceive himself, and it was that which forbade his attempting to assail the honor of the General under penalty of being in his own eyes, as a gentleman, a felon and foresworn. He had accepted from this old man confidence, affection, services, benefits--everything which could bind one man inviolably to another man--if there be beneath the heavens anything called honor. He felt this profoundly.

His conduct toward Madame de Campvallon had been irreproachable; and all the more so, because the only woman he was interdicted from loving was the only woman in Paris, or in the universe, who naturally pleased him most. He entertained for her, at once, the interest which attaches to forbidden fruit, to the attraction of strange beauty, and to the mystery of an impenetrable sphinx. She was, at this time, more goddess-like than ever. The immense fortune of her husband, and the adulation which it brought her, had placed her on a golden car. On this she seated herself with a gracious and native majesty, as if in her proper place.

The luxury of her toilet, of her jewels, of her house and of her equipages, was of regal magnificence. She blended the taste of an artist with that of a patrician. Her person appeared really to be made divine by the rays of this splendor. Large, blonde, graceful, the eyes blue and unfathomable, the forehead grave, the mouth pure and proud it was impossible to see her enter a salon with her light, gliding step, or to see her reclining in her carriage, her hands folded serenely, without dreaming of the young immortals whose love brought death.

She had even those traits of physiognomy, stern and wild, which the antique sculptors doubtless had surprised in supernatural visitations, and which they have stamped on the eyes and the lips of their marble gods. Her arms and shoulders, perfect in form, seemed models, in the midst of the rosy and virgin snow which covered the neighboring mountains. She was truly superb and bewitching. The Parisian world respected as much as it admired her, for she played her difficult part of young bride to an old man so perfectly as to avoid scandal. Without any pretence of extraordinary devotion, she knew how to join to her worldly pomps the exercise of charity, and all the other practices of an elegant piety. Madame de la Roche-Jugan, who watched her closely, as one watching a prey, testified, herself, in her favor; and judged her more and more worthy of her son. And Camors, who observed her, in spite of himself, with an eager curiosity, was finally induced to believe, as did his aunt and all the world, that she conscientiously performed her difficult duties, and that she found in the eclat of her life and the gratification of her pride a sufficient compensation for the sacrifice of her youth, her heart, and her beauty; but certain souvenirs of the past, joined to certain peculiarities, which he fancied he remarked in the Marquise, induced him to distrust.

There were times, when recalling all that he had once witnessed--the abysses and the flame at the bottom of that heart--he was tempted to suspect the existence of many storms under all this calm exterior, and perhaps some wickedness. It is true she never was with him precisely as she was before the world. The character of their relations was marked by a peculiar tone. It was precisely that tone of covert irony adopted by two persons who desired neither to remember nor to forget. This tone, softened in the language of Camors by his worldly tact and his respect, was much more pointed, and had much more of bitterness on the side of the young woman.

He even fancied, at times, that he discovered a shade of coquetry under this treatment; and this provocation, vague as it was, coming from this beautiful, cold, and inscrutable creature, seemed to him a game fearfully mysterious, that at once attracted and disturbed him.

This was the state of things when the Count came, according to custom, to pass the first days of September at the chateau of Campvallon, and met there Madame de Tecle and her daughter. The visit was a painful one, this year, for Madame de Tecle. Her confidence deserted her, and serious concern took its place. She had, it is true, fixed in her mind, as the last point of her hopes, the moment when her daughter should have reached twenty years of age; and Marie was only eighteen.

But she already had had several offers, and several times public rumor had already declared her to be betrothed.

Now, Camors could not have been ignorant of the rumors circulating in the neighborhood, and yet he did not speak. His countenance did not change. He was coldly affectionate to Madame de Tecle, but toward Marie, in spite of her beautiful blue eyes, like her mother's, and her curly hair, he preserved a frozen indifference. For Camors had other anxieties, of which Madame de Tecle knew nothing. The manner of Madame Campvallon toward him had assumed a more marked character of aggressive raillery. A defensive attitude is never agreeable to a man, and Camors felt it more disagreeable than most men--being so little accustomed to it.

He resolved promptly to shorten his visit at Campvallon.

On the eve of his departure, about five o'clock in the afternoon, he was standing at his window, looking beyond the trees at the great black clouds sailing over the valley, when he heard the sound of a voice that had power to move him deeply--"Monsieur de Camors!" He saw the Marquise standing under his window.

"Will you walk with me?" she added.

He bowed and descended immediately. At the moment he reached her:

"It is suffocating," she said. "I wish to walk round the park and will take you with me."

He muttered a few polite phrases, and they began walking, side by side, through the alleys of the park.

She moved at a rapid pace, with her majestic motion, her body swaying, her head erect. One would have looked for a page behind her, but she had none, and her long blue robe--she rarely wore short skirts--trailed on the sand and over the dry leaves with the soft rustle of silk.

"I have disturbed you, probably?" she said, after a moment's pause. "What were you dreaming of up there?"

"Nothing--only watching the coming storm."

"Are you becoming poetical, cousin?"

"There is no necessity for becoming, for I already am infinitely so!"

"I do not think so. Shall you leave to-morrow?"

"I shall."

"Why so soon?"

"I have business elsewhere."

"Very well. But Vau--Vautrot--is he not there?"

Vautrot was the secretary of M. de Camors.

"Vautrot can not do everything," he replied.

"By the way, I do not like your Vautrot."

"Nor I. But he was recommended to me by my old friend, Madame d'Oilly, as a freethinker, and at the same time by my aunt, Madame de la Roche-Jugan, as a religious man!"

"How amusing!"

"Nevertheless," said Camors, "he is intelligent and witty, and writes a fine hand."

"And you?"

"How? What of me?"

"Do you also write a good hand?"

"I will show you, whenever you wish!"

"Ah! and will you write to me?"

It is difficult to imagine the tone of supreme indifference and haughty persiflage with which the Marquise sustained this dialogue, without once slackening her pace, or glancing at her companion, or changing the proud and erect pose of her head.

"I will write you either prose or verse, as you wish," said Camors.

"Ah! you know how to compose verses?"

"When I am inspired!"

"And when are you inspired?"

"Usually in the morning."

"And we are now in the evening. That is not complimentary to me."

"But you, Madame, had no desire to inspire me, I think."

"Why not, then? I should be happy and proud to do so. Do you know what I should like to put there?" and she stopped suddenly before a rustic bridge, which spanned a murmuring rivulet.

"I do not know!"

"You can not even guess? I should like to put an artificial rock there."

"Why not a natural one? In your place I should put a natural one!"

"That is an idea," said the Marquise, and walking on she crossed the bridge.

"But it really thunders. I like to hear thunder in the country. Do you?"

"I prefer to hear it thunder at Paris."

"Why?"

"Because then I should not hear it."

"You have no imagination."

"I have; but I smother it."

"Possibly. I have suspected you of hiding your merits, and particularly from me."

"Why should I conceal my merits from you?"

"'Why should I conceal my merits' is good!" said the Marquise, ironically. "Why? Out of charity, Monsieur, not to dazzle me, and in regard for my repose! You are really too good, I assure you. Here comes the rain."

Large drops of rain began to fall on the dry leaves, and on the yellow sand of the alley. The day was dying, and the sudden shower bent the boughs of the trees.

"We must return," said the young woman; "this begins to get serious."

She took, in haste, the path which led to the chateau; but after a few steps a bright flash broke over her head, the noise of the thunder resounded, and a deluge of rain fell upon the fields.

There was fortunately, near by, a shelter in which the Marquise and her companion could take refuge. It was a ruin, preserved as an ornament to the park, which had formerly been the chapel of the ancient chateau. It was almost as large as the village chapel--the broken walls half concealed under a thick mantle of ivy. Its branches had pushed through the roof and mingled with the boughs of the old trees which surrounded and shaded it. The timbers had disappeared. The extremity of the choir, and the spot formerly occupied by the altar, were alone covered by the remains of the roof. Wheelbarrows, rakes, spades, and other garden tools were piled there.

The Marquise had to take refuge in the midst of this rubbish, in the narrow space, and her companion followed her.

The storm, in the mean time, increased in violence. The rain fell in torrents through the old walls, inundating the soil in the ancient nave. The lightning flashed incessantly. Every now and then fragments of earth and stone detached themselves from the roof, and fell into the choir.

"I find this magnificent!" said Madame de Campvallon.

"I also," said Camors, raising his eyes to the crumbling roof which half protected them; "but I do not know whether we are safe here!"

"If you fear, you would better go!" said the Marquise.

"I fear for you."

"You are too good, I assure you."

She took off her cap and brushed it with her glove, to remove the drops of rain which had fallen upon it. After a slight pause, she suddenly raised her uncovered head and cast on Camors one of those searching looks which prepares a man for an important question.

"Cousin!" she said, "if you were sure that one of these flashes of lightning would kill you in a quarter of an hour, what would you do?"

"Why, cousin, naturally I should take a last farewell of you."

"How?"

He regarded her steadily, in his turn. "Do you know," he said, "there are moments when I am tempted to think you a devil?"

"Truly! Well, there are times when I am tempted to think so myself--for example, at this moment. Do you know what I should wish? I wish I could control the lightning, and in two seconds you would cease to exist."

"For what reason?"

"Because I recollect there was a man to whom I offered myself, and who refused me, and that this man still lives. And this displeases me a little--a great deal--passionately."

"Are you serious, Madame?" replied Camors.

She laughed.

"I hope you did not think so. I am not so wicked. It was a joke--and in bad taste, I admit. But seriously now, cousin, what is your opinion of me? What kind of woman has time made me?"

"I swear to you I am entirely ignorant."

"Admitting I had become, as you did me the honor to suppose, a diabolical person, do you think you had nothing to do with it? Tell me! Do you not believe that there is in the life of a woman a decisive hour, when the evil seed which is cast upon her soul may produce a terrible harvest? Do you not believe this? Answer me! And should I not be excusable if I entertained toward you the sentiment of an exterminating angel; and have I not some merit in being what I am--a good woman, who loves you well--with a little rancor, but not much--and who wishes you all sorts of prosperity in this world and the next? Do not answer me: it might embarrass you, and it would be useless."

She left her shelter, and turned her face toward the lowering sky to see whether the storm was over.

"It has stopped raining," she said, "let us go."

She then perceived that the lower part of the nave had been transformed into a lake of mud and water. She stopped at its brink, and uttered a little cry:

"What shall I do?" she said, looking at her light shoes. Then, turning toward Camors, she added, laughing:

"Monsieur, will you get me a boat?"

Camors, himself, recoiled from stepping into the greasy mud and stagnant water which filled the whole space of the nave.

"If you will wait a little," he said, "I shall find you some boots or sabots, no matter what."

"It will be much easier," she said abruptly, "for you to carry me to the door;" and without waiting for the young man's reply, she tucked up her skirts carefully, and when she had finished, she said, "Carry me!"

He looked at her with astonishment, and thought for a moment she was jesting; but soon saw she was perfectly serious.

"Of what are you afraid?" she asked.

"I am not at all afraid," he answered.

"Is it that you are not strong enough?"

"Mon Dieu! I should think I was."

He took her in his arms, as in a cradle, while she held up her skirts with both hands. He then descended the steps and moved toward the door with his strange burden. He was obliged to be very careful not to slip on the wet earth, and this absorbed him during the first few steps; but when he found his footing more sure, he felt a natural curiosity to observe the countenance of the Marquise.

The uncovered head of the young woman rested a little on the arm with which he held her. Her lips were slightly parted with a half-wicked smile that showed her fine white teeth; the same expression of ungovernable malice burned in her dark eyes, which she riveted for some seconds on those of Camors with persistent penetration--then suddenly veiled them under the fringe of her dark lashes. This glance sent a thrill like lightning to his very marrow.

"Do you wish to drive me mad?" he murmured.

"Who knows?" she replied.

The same moment she disengaged herself from his arms, and placing her foot on the ground again, left the ruin.

They reached the chateau without exchanging a word. Just before entering the house the young Marquise turned toward Camors and said to him:

"Be sure that at heart I am very good, really."

Notwithstanding this assertion, Camors was yet more determined to leave the next morning, as he had previously decided. He carried away the most painful impression of the scene of that evening.

She had wounded his pride, inflamed his hopeless passion, and disquieted his honor.

"What is this woman, and what does she want of me? Is it love or vengeance that inspires her with this fiendish coquetry?" he asked himself. Whatever it was, Camors was not such a novice in similar adventures as not to perceive clearly the yawning abyss under the broken ice. He resolved sincerely to close it again between them, and forever. The best way to succeed in this, avowedly, was to cease all intercourse with the Marquise. But how could such conduct be explained to the General, without awakening his suspicion and lowering his wife in his esteem? That plan was impossible. He armed himself with all his courage, and resigned himself to endure with resolute soul all the trials which the love, real or pretended, of the Marquise reserved for him.

He had at this time a singular idea. He was a member of several of the most aristocratic clubs. He organized a chosen group of men from the elite of his companions, and formed with them a secret association, of which the object was to fix and maintain among its members the principles and points of honor in their strictest form. This society, which had only been vaguely spoken of in public under the name of "Societe des Raffines," and also as "The Templars" which latter was its true name--had nothing in common with "The Devourers," illustrated by Balzac. It had nothing in it of a romantic or dramatic character. Those who composed this club did not, in any way, defy ordinary morals, nor set themselves above the laws of their country. They did not bind themselves by any vows of mutual aid in extremity. They bound themselves simply by their word of honor to observe, in their reciprocal relations, the rules of purest honor.

These rules were specified in their code. The text it is difficult to give; but it was based entirely on the point of honor, and regulated the affairs of the club, such as the card-table, the turf, duelling, and gallantry. For example, any member was disqualified from belonging to this association who either insulted or interfered with the wife or relative of one of his colleagues. The only penalty was exclusion: but the consequences of this exclusion were grave; for all the members ceased thereafter to associate with, recognize, or even bow to the offender. The Templars found in this secret society many advantages. It was a great security in their intercourse with one another, and in the different circumstances of daily life, where they met continually either at the opera, in salons, or on the turf.

Camors was an exception among his companions and rivals in Parisian life by the systematic decision of his doctrine. It was not so much an embodiment of absolute scepticism and practical materialism; but the want of a moral law is so natural to man, and obedience to higher laws so sweet to him, that the chosen adepts to whom the project of Camors was submitted accepted it with enthusiasm. They were happy in being able to substitute a sort of positive and formal religion for restraints so limited as their own confused and floating notions of honor. For Camors himself, as is easily understood, it was a new barrier which he wished to erect between himself and the passion which fascinated him. He attached himself to this with redoubled force, as the only moral bond yet left him. He completed his work by making the General accept the title of President of the Association. The General, to whom Honor was a sort of mysterious but real goddess, was delighted to preside over the worship of his idol. He felt flattered by his young friend's selection, and esteemed him the more.

It was the middle of winter. The Marquise Campvallon had resumed for some time her usual course of life, which was at the same time strict but elegant. Punctual at church every morning, at the Bois and at charity bazaars during the day, at the opera or the theatres in the evening, she had received M. de Camors without the shadow of apparent emotion. She even treated him more simply and more naturally than ever, with no recurrence to the past, no allusion to the scene in the park during the storm; as if she had, on that day, disclosed everything that had lain hidden in her heart. This conduct so much resembled indifference, that Camors should have been delighted; but he was not--on the contrary he was annoyed by it. A cruel but powerful interest, already too dear to his blase soul, was disappearing thus from his life. He was inclined to believe that Madame de Campvallon possessed a much less complicated character than he had fancied; and that little by little absorbed in daily trifles, she had become in reality what she pretended to be--a good woman, inoffensive, and contented with her lot.

He was one evening in his orchestra-stall at the opera. They were singing The Huguenots. The Marquise occupied her box between the columns. The numerous acquaintances Camors met in the passages during the first entr'acte prevented his going as soon as usual to pay his respects to his cousin. At last, after the fourth act, he went to visit her in her box, where he found her alone, the General having descended to the parterre for a few moments. He was astonished, on entering, to find traces of tears on the young woman's cheeks. Her eyes were even moist. She seemed displeased at being surprised in the very act of sentimentality.

"Music always excites my nerves," she said.

"Indeed!" said Camors. "You, who always reproach me with hiding my merits, why do you hide yours? If you are still capable of weeping, so much the better."

"No! I claim no merit for that. Oh, heavens! If you only knew! It is quite the contrary."

"What a mystery you are!"

"Are you very curious to fathom this mystery? Only that? Very well--be happy! It is time to put an end to this."

She drew her chair from the front of the box out of public view, and, turning toward Camors, continued: "You wish to know what I am, what I feel, and what I think; or rather, you wish to know simply whether I dream of love? Very well, I dream only of that! Have I lovers, or have I not? I have none, and never shall have, but that will not be because of my virtue. I believe in nothing, except my own self-esteem and my contempt of others. The little intrigues, the petty passions, which I see in the world, make me indignant to the bottom of my soul. It seems to me that women who give themselves for so little must be base creatures. As for myself, I remember having said to you one day--it is a million years since then!--that my person is sacred to me; and to commit a sacrilege I should wish, like the vestals of Rome, a love as great as my crime, and as terrible as death. I wept just now during that magnificent fourth act. It was not because I listened to the most marvellous music ever heard on this earth; it was because I admire and envy passionately the superb and profound love of that time. And it is ever thus--when I read the history of the glorious sixteenth century, I am in ecstacies. How well those people knew how to love and how to die! One night of love--then death. That is delightful. Now, cousin, you must leave me. We are observed. They will believe we love each other, and as we have not that pleasure, it is useless to incur the penalties. Since I am still in the midst of the court of Charles Tenth, I pity you, with your black coat and round hat. Good-night."

"I thank you very much," replied Camors, taking the hand she extended to him coldly, and left the box. He met M. de Campvallon in the passage.

"Parbleu! my dear friend," said the General, seizing him by the arm. "I must communicate to you an idea which has been in my brain all the evening."

"What idea, General?"

"Well, there are here this evening a number of charming young girls. This set me to thinking of you, and I even said to my wife that we must marry you to one of these young women!"

"Oh, General!"

"Well, why not?"

"That is a very serious thing--if one makes a mistake in his choice--that is everything."

"Bah! it is not so difficult a thing. Take a wife like mine, who has a great deal of religion, not much imagination, and no fancies. That is the whole secret. I tell you this in confidence, my dear fellow!"

"Well, General, I will think of it."

"Do think of it," said the General, in a serious tone; and went to join his young wife, whom he understood so well.

As to her, she thoroughly understood herself, and analyzed her own character with surprising truth.

Madame de Campvallon was just as little what her manner indicated as was M. de Camors on his side. Both were altogether exceptional in French society. Equally endowed by nature with energetic souls and enlightened minds, both carried innate depravity to a high degree. The artificial atmosphere of high Parisian civilization destroys in women the sentiment and the taste for duty, and leaves them, nothing but the sentiment and the taste for pleasure. They lose in the midst of this enchanted and false life, like theatrical fairyland, the true idea of life in general, and Christian life in particular. And we can confidently affirm that all those who do not make for themselves, apart from the crowd, a kind of Thebaid--and there are such--are pagans. They are pagans, because the pleasures of the senses and of the mind alone interest them, and they have not once, during the year, an impression of the moral law, unless the sentiment, which some of them detest, recalls it to them. They are pagans, like the beautiful, worldly Catholics of the fifteenth century--loving luxury, rich stuffs, precious furniture, literature, art, themselves, and love. They were charming pagans, like Marie Stuart, and capable, like her, of remaining true Catholics even under the axe.

We are speaking, let it be understood, of the best of the elite--of those that read, and of those that dream. As to the rest, those who participate in the Parisian life on its lighter side, in its childish whirl, and the trifling follies it entails, who make rendezvous, waste their time, who dress and are busy day and night doing nothing, who dance frantically in the rays of the Parisian sun, without thought, without passion, without virtue, and even without vice--we must own it is impossible to imagine anything more contemptible.

The Marquise de Campvallon was then--as she truly said to the man she resembled--a great pagan; and, as she also said to herself in one of her serious moments when a woman's destiny is decided by the influence of those they love, Camors had sown in her heart a seed which had marvellously fructified.

Camors dreamed little of reproaching himself for it, but struck with all the harmony that surrounded the Marquise, he regretted more bitterly than ever the fatality which separated them.

He felt, however, more sure of himself, since he had bound himself by the strictest obligations of honor. He abandoned himself from this moment with less scruple to the emotions, and to the danger against which he believed himself invincibly protected. He did not fear to seek often the society of his beautiful cousin, and even contracted the habit of repairing to her house two or three times a week, after leaving the Chamber of Deputies. Whenever he found her alone, their conversation invariably assumed a tone of irony and of raillery, in which both excelled. He had not forgotten her reckless confidences at the opera, and recalled it to her, asking her whether she had yet discovered that hero of love for whom she was looking, who should be, according to her ideas, a villain like Bothwell, or a musician like Rizzio.

"There are," she replied, "villains who are also musicians; but that is imagination. Sing me, then, something apropos."

It was near the close of winter. The Marquise gave a ball. Her fetes were justly renowned for their magnificence and good taste. She did the honors with the grace of a queen. This evening she wore a very simple costume, as was becoming in the courteous hostess. It was a gown of dark velvet, with a train; her arms were bare, without jewels; a necklace of large pearls lay on her rose-tinted bosom, and the heraldic coronet sparkled on her fair hair.

Camors caught her eye as he entered, as if she were watching for him. He had seen her the previous evening, and they had had a more lively skirmish than usual. He was struck by her brilliancy--her beauty heightened, without doubt, by the secret ardor of the quarrel, as if illuminated by an interior flame, with all the clear, soft splendor of a transparent alabaster vase.

When he advanced to join her and salute her, yielding, against his will, to an involuntary movement of passionate admiration, he said:

"You are truly beautiful this evening. Enough so to make one commit a crime."

She looked fixedly in his eyes, and replied:

"I should like to see that," and then left him, with superb nonchalance.

The General approached, and tapping the Count on the shoulder, said:

"Camors! you do not dance, as usual. Let us play a game of piquet."

"Willingly, General;" and traversing two or three salons they reached the private boudoir of the Marquise. It was a small oval room, very lofty, hung with thick red silk tapestry, covered with black and white flowers. As the doors were removed, two heavy curtains isolated the room completely from the neighboring gallery. It was there that the General usually played cards and slept during his fetes. A small card-table was placed before a divan. Except this addition, the boudoir preserved its every-day aspect. Woman's work, half finished, books, journals, and reviews were strewn upon the furniture. They played two or three games, which the General won, as Camors was very abstracted.

"I reproach myself, young man," said the former, "in having kept you so long away from the ladies. I give you back your liberty--I shall cast my eye on the journals."

"There is nothing new in them, I think," said Camors, rising. He took up a newspaper himself, and placing his back against the mantelpiece, warmed his feet, one after the other. The General threw himself on the divan, ran his eye over the 'Moniteur de l'Armee', approving of some military promotions, and criticising others; and, little by little, he fell into a doze, his head resting on his chest.

But Camors was not reading. He listened vaguely to the music of the orchestra, and fell into a reverie. Through these harmonies, through the murmurs and warm perfume of the ball, he followed, in thought, all the evolutions of her who was mistress and queen of all. He saw her proud and supple step--he heard her grave and musical voice--he felt her breath.

This young man had exhausted everything. Love and pleasure had no longer for him secrets or temptations; but his imagination, cold and blase, had arisen all inflamed before this beautiful, living, palpitating statue. She was really for him more than a woman--more than a mortal. The antique fables of amorous goddesses and drunken Bacchantes--the superhuman voluptuousness unknown in terrestrial pleasures--were in reach of his hand, separated from him only by the shadow of this sleeping old man. But a shadow was ever between them--it was honor.

His eyes, as if lost in thought, were fixed straight before him on the curtain opposite the chimney. Suddenly this curtain was noiselessly raised, and the young Marquise appeared, her brow surmounted by her coronet. She threw a rapid glance over the boudoir, and after a moment's pause, let the curtain fall gently, and advanced directly toward Camors, who stood dazzled and immovable. She took both his hands, without speaking, looked at his steadily--throwing a rapid glance at her husband, who still slept--and, standing on tiptoe, offered her lips to the young man.

Bewildered, and forgetting all else, he bent, and imprinted a kiss on her lips.

At that very moment, the General made a sudden movement and woke up; but the same instant the Marquise was standing before him, her hands resting on the card-table; and smiling upon him, she said, "Good-morning, my General!"

The General murmured a few words of apology, but she laughingly pushed him back on his divan.

"Continue your nap," she said; "I have come in search of my cousin, for the last cotillon." The General obeyed.

She passed out by the gallery. The young man; pale as a spectre, followed her.

Passing under the curtain, she turned toward him with a wild light burning in her eyes. Then, before she was lost in the throng, she whispered, in a low, thrilling voice:

"There is the crime!"

XIII. THE FIRST ACT OF THE TRAGEDY

Camors did not attempt to rejoin the Marquise, and it seemed to him that she also avoided him. A quarter of an hour later, he left the Hotel Campvallon.

He returned immediately home. A lamp was burning in his chamber. When he saw himself in the mirror, his own face terrified him. This exciting scene had shaken his nerves.

He could no longer control himself. His pupil had become his master. The fact itself did not surprise him. Woman is more exalted than man in morality. There is no virtue, no devotion, no heroism in which she does not surpass him; but once impelled to the verge of the abyss, she falls faster and lower than man. This is attributable to two causes: she has more passion, and she has no honor. For honor is a reality and must not be underrated. It is a noble, delicate, and salutary quality. It elevates manly attributes; in fact, it constitutes the modesty of man. It is sometimes a force, and always a grace. But to think that honor is all-sufficient; that in the face of great interests, great passions, great trials in life, it is a support and an infallible defence; that it can enforce the precepts which come from God--in fact that it can replace God--this is a terrible mistake. It exposes one in a fatal moment to the loss of one's self-esteem, and to fall suddenly and forever into that dismal ocean of bitterness where Camors at that instant was struggling in despair, like a drowning man in the darkness of midnight.

He abandoned himself, on this evil night, to a final conflict full of agony; and he was beaten.

The next evening at six o'clock he was at the house of the Marquise. He found her in her boudoir, surrounded by all her regal luxury. She was half buried in a fauteuil in the chimney-corner, looking a little pale and fatigued. She received him with her usual coldness and self-possession.

"Good-day," she said. "How are you?"

"Not very well," replied Camors.

"What is the matter?"

"I fancy that you know."

She opened her large eyes wide with surprise, but did not reply.

"I entreat you, Madame," continued Camors, smiling--"no more music, the curtain is raised, and the drama has begun."

"Ah! we shall see."

"Do you love me?" he continued; "or were you simply acting, to try me, last night? Can you, or will you, tell me?"

"I certainly could, but I do not wish to do so."

"I had thought you more frank."

"I have my hours."

"Well, then," said Camors, "if your hours of frankness have passed, mine have begun."

"That would be compensation," she replied.

"And I will prove it to you," continued Camors.

"I shall make a fete of it," said the Marquise, throwing herself back on the sofa, as if to make herself comfortable in order to enjoy an agreeable conversation.

"I love you, Madame; and as you wish to be loved. I love you devotedly and unto death--enough to kill myself, or you!"

"That is well," said the Marquise, softly.

"But," he continued in a hoarse and constrained tone, "in loving you, in telling you of it, in trying to make you share my love, I violate basely the obligations of honor of which you know, and others of which you know not. It is a crime, as you have said. I do not try to extenuate my offence. I see it, I judge it, and I accept it. I break the last moral tie that is left me; I leave the ranks of men of honor, and I leave also the ranks of humanity. I have nothing human left except my love, nothing sacred but you; but my crime elevates itself by its magnitude. Well, I interpret it thus: I imagine two beings, equally free and strong, loving and valuing each other beyond all else, having no affection, no loyalty, no devotion, no honor, except toward each other--but possessing all for each other in a supreme degree.

"I give and consecrate absolutely to you, my person, all that I can be, or may become, on condition of an equal return, still preserving the same social conventionalities, without which we should both be miserable.

"Secretly united, and secretly isolated; though in the midst of the human herd, governing and despising it; uniting our gifts, our faculties, and our powers, our two Parisian royalties--yours, which can not be greater, and mine, which shall become greater if you love me and living thus, one for the other, until death. You have dreamed, you told me, of strange and almost sacrilegious love. Here it is; only before accepting it, reflect well, for I assure you it is a serious thing. My love for you is boundless. I love you enough to disdain and trample under foot that which the meanest human being still respects. I love you enough to find in you alone, in your single esteem, and in your sole tenderness, in the pride and madness of being yours, oblivion and consolation for friendship outraged, faith betrayed, and honor lost. But, Madame, this is a sentiment which you will do well not to trifle with. You should thoroughly understand this. If you desire my love, if you consent to this alliance, opposed to all human laws, but grand and singular also, deign to tell me so, and I shall fall at your feet. If you do not wish it, if it terrifies you, if you are not prepared for the double obligation it involves, tell me so, and fear not a word of reproach. Whatever it might cost me--I would ruin my life, I would leave you forever, and that which passed yesterday should be eternally forgotten."

He ceased, and remained with his eyes fixed on the young woman with a burning anxiety. As he went on speaking her air became more grave; she listened to him, her head a little inclined toward him in an attitude of overpowering interest, throwing upon him at intervals a glance full of gloomy fire. A slight but rapid palpitation of the bosom, a scarcely perceptible quivering of the nostrils, alone betrayed the storm raging within her.

"This," she said, after a moment's silence, "becomes really interesting; but you do not intend to leave this evening, I suppose?"

"No," said Camors.

"Very well," she replied, inclining her head in sign of dismissal, without offering her hand; "we shall see each other again."

"But when?"

"At an early day."

He thought she required time for reflection, a little terrified doubtless by the monster she had evoked; he saluted her gravely and departed.

The next day, and on the two succeeding days, he vainly presented himself at her door.

The Marquise was either dining out or dressing.

It was for Camors a whole century of torment. One thought which often disquieted him revisited him with double poignancy. The Marquise did not love him. She only wished to revenge herself for the past, and after disgracing him would laugh at him. She had made him sign the contract, and then had escaped him. In the midst of these tortures of his pride, his passion, instead of weakening, increased.

The fourth day after their interview he did not go to her house. He hoped to meet her in the evening at the Viscountess d'Oilly's, where he usually saw her every Friday. This lady had been formerly the most tender friend of the Count's father. It was to her the Count had thought proper to confide the education of his son.

Camors had preserved for her a kind of affection. She was an amiable woman, whom he liked and laughed at.

No longer young, she had been compelled to renounce gallantry, which had been the chief occupation of her youth, and never having had much taste for devotion, she conceived the idea of having a salon. She received there some distinguished men, savants and artists, who piqued themselves on being free-thinkers.

The Viscountess, in order to fit herself for her new position, resolved to enlighten herself. She attended public lectures and conferences, which began to be fashionable. She spoke easily about spontaneous generation. She manifested a lively surprise when Camors, who delighted in tormenting her, deigned to inform her that men were descended from monkeys.

"Now, my friend," she said to him, "I can not really admit that. How can you think your grandfather was a monkey, you who are so handsome?"

She reasoned on everything with the same force.

Although she boasted of being a sceptic, sometimes in the morning she went out, concealed by a thick veil, and entered St. Sulpice, where she confessed and put herself on good terms with God, in case He should exist. She was rich and well connected, and in spite of the irregularities of her youth, the best people visited her house.

Madame de Campvallon permitted herself to be introduced by M. de Camors. Madame de la Roche-Jugan followed her there, because she followed her everywhere, and took her son Sigismund. On this evening the reunion was small. M. de Camors had only been there a few moments, when he had the satisfaction of seeing the General and the Marquise enter. She tranquilly expressed to him her regret at not having been at home the preceding day; but it was impossible to hope for a more decided explanation in a circle so small, and under the vigilant eye of Madame de la Roche-Jugan. Camors interrogated vainly the face of his young cousin. It was as beautiful and cold as usual. His anxiety increased; he would have given his life at that moment to hear her say one word of love.

The Viscountess liked the play of wit, as she had little herself. They played at her house such little games as were then fashionable. Those little games are not always innocent, as we shall see.

They had distributed pencils, pens, and packages of paper--some of the players sitting around large tables, and some in separate chairs--and scratched mysteriously, in turn, questions and answers. During this time the General played whist with Madame de la Roche-Jugan. Madame Campvallon did not usually take part in these games, as they fatigued her. Camors was therefore astonished to see her accept the pencil and paper offered her.

This singularity awakened his attention and put him on his guard. He himself joined in the game, contrary to his custom, and even charged himself with collecting in the basket the small notes as they were written.

An hour passed without any special incident. The treasures of wit were dispensed. The most delicate and unexpected questions--such as, "What is love?" "Do you think that friendship can exist between the sexes?" "Is it sweeter to love or to beloved?"--succeeded each other with corresponding replies. All at once the Marquise gave a slight scream, and they saw a drop of blood trickle down her forehead. She laughed, and showed her little silver pencil-case, which had a pen at one end, with which she had scratched her forehead in her abstraction.

The attention of Camors was redoubled from this moment--the more so from a rapid and significant glance from the Marquise, which seemed to warn him of an approaching event. She was sitting a little in shadow in one corner, in order to meditate more at ease on questions and answers. An instant later Camors was passing around the room collecting notes. She deposited one in the basket, slipping another into his hand with the cat-like dexterity of her sex. In the midst of these papers, which each person amused himself with reading, Camors found no difficulty in retaining without remark the clandestine note of the Marquise. It was written in red ink, a little pale, but very legible, and contained these words:

"I belong, soul, body, honor, riches, to my best-beloved cousin, Louis de Camors, from this moment and forever.

"Written and signed with the pure blood of my veins, March 5, 185-.

"CHARLOTTE DE LUC. D'ESTRELLES."

All the blood of Camors surged to his brain--a cloud came over his eyes--he rested his hand on the marble table, then suddenly his face was covered with a mortal paleness. These symptoms did not arise from remorse or fear; his passion overshadowed all. He felt a boundless joy. He saw the world at his feet.

It was by this act of frankness and of extraordinary audacity, seasoned by the bloody mysticism so familiar to the sixteenth century, which she adored, that the Marquise de Campvallon surrendered herself to her lover and sealed their fatal union.

XIV. AN ANONYMOUS LETTER

Nearly six weeks had passed after this last episode. It was five o'clock in the afternoon and the Marquise awaited Camors, who was to come after the session of the Corps Legislatif. There was a sudden knock at one of the doors of her room, which communicated with her husband's apartment. It was the General. She remarked with surprise, and even with fear, that his countenance was agitated.

"What is the matter with you, my dear?" she said. "Are you ill?"

"No," replied the General, "not at all."

He placed himself before her, and looked at her some moments before speaking, his eyes rolling wildly.

"Charlotte!" he said at last, with a painful smile, "I must own to you my folly. I am almost mad since morning--I have received such a singular letter. Would you like to see it?"

"If you wish," she replied.

He took a letter from his pocket, and gave it to her. The writing was evidently carefully disguised, and it was not signed.

"An anonymous letter?" said the Marquise, whose eyebrows were slightly raised, with an expression of disdain; then she read the letter, which was as follows:

"A true friend, General, feels indignant at seeing your confidence and your loyalty abused. You are deceived by those whom you love most.

"A man who is covered with your favors and a woman who owes everything to you are united by a secret intimacy which outrages you. They are impatient for the hour when they can divide your spoils.

"He who regards it as a pious duty to warn you does not desire to calumniate any one. He is sure that your honor is respected by her to whom you have confided it, and that she is still worthy of your confidence and esteem. She wrongs you in allowing herself to count upon the future, which your best friend dates from your death. He seeks your widow and your estate.

"The poor woman submits against her will to the fascinations of a man too celebrated for his successful affairs of the heart. But this man, your friend--almost your son--how can he excuse his conduct? Every honest person must be shocked by such behavior, and particularly he whom a chance conversation informed of the fact, and who obeys his conscience in giving you this information."

The Marquise, after reading it, returned the letter coldly to the General.

"Sign it Eleanore-Jeanne de la Roche-Jugan!" she said.

"Do you think so?" asked the General.

"It is as clear as day," replied the Marquise. "These expressions betray her--'a pious duty to warn you--'celebrated for his successful affairs of the heart'--'every honest person.' She can disguise her writing, but not her style. But what is still more conclusive is that which she attributes to Monsieur de Camors--for I suppose it alludes to him--and to his private prospects and calculations. This can not have failed to strike you, as it has me, I suppose?"

"If I thought this vile letter was her work," cried the General, "I never would see her again during my life."

"Why not? It is better to laugh at it!"

The General began one of his solemn promenades across the room. The Marquise looked uneasily at the clock. Her husband, intercepting one of these glances, suddenly stopped.

"Do you expect Camors to-day?" he inquired.

"Yes; I think he will call after the session."

"I think he will," responded the General, with a convulsive smile. "And do you know, my dear," he added, "the absurd idea which has haunted me since I received this infamous letter?--for I believe that infamy is contagious."

"You have conceived the idea of observing our interview?" said the Marquise, in a tone of indolent raillery.

"Yes," said the General, "there--behind that curtain--as in a theatre; but, thank God! I have been able to resist this base intention. If ever I allow myself to play so mean a part, I should wish at least to do it with your knowledge and consent."

"And do you ask me to consent to it?" asked the Marquise.

"My poor Charlotte!" said the General, in a sad and almost supplicating tone, "I am an old fool--an overgrown child--but I feel that this miserable letter will poison my life. I shall have no more an hour of peace and confidence. What can you expect? I was so cruelly deceived before. I am an honorable man, but I have been taught that all men are not like myself. There are some things which to me seem as impossible as walking on my head, yet I see others doing these things every day. What can I say to you? After reading this perfidious letter, I could not help recollecting that your intimacy with Camors has greatly increased of late!"

"Without doubt," said the Marquise, "I am very fond of him!"

"I remembered also your tete-a-tete with him, the other night, in the boudoir, during the ball. When I awoke you had both an air of mystery. What mysteries could there be between you two?"

"Ah, what indeed!" said the Marquise, smiling.

"And will you not tell me?"

"You shall know it at the proper time."

"Finally, I swear to you that I suspect neither of you--I neither suspect you of wronging me--of disgracing me--nor of soiling my name . . . God help me!

"But if you two should love each other, even while respecting my honor: if you love each other and confess it--if you two, even at my side, in my heart--if you, my two children, should be calculating with impatient eyes the progress of my old age--planning your projects for the future, and smiling at my approaching death--postponing your happiness only for my tomb you may think yourselves guiltless, but no, I tell you it would be shameful!"

Under the empire of the passion which controlled him, the voice of the General became louder. His common features assumed an air of sombre dignity and imposing grandeur. A slight shade of paleness passed over the lovely face of the young woman and a slight frown contracted her forehead.

By an effort, which in a better cause would have been sublime, she quickly mastered her weakness, and, coldly pointing out to her husband the draped door by which he had entered, said:

"Very well, conceal yourself there!"

"You will never forgive me?"

"You know little of women, my friend, if you do not know that jealousy is one of the crimes they not only pardon but love."

"My God, I am not jealous!"

"Call it yourself what you will, but station yourself there!"

"And you are sincere in wishing me to do so?"

"I pray you to do so! Retire in the interval, leave the door open, and when you hear Monsieur de Camors enter the court of the hotel, return."

"No!" said the General, after a moment's hesitation; "since I have gone so far"--and he sighed deeply "I do not wish to leave myself the least pretext for distrust. If I leave you before he comes, I am capable of fancying--"

"That I might secretly warn him? Nothing more natural. Remain here, then. Only take a book; for our conversation, under such circumstances, can not be lively."

He sat down.

"But," he said, "what mystery can there be between you two?"

"You shall hear!" she said, with her sphinx-like smile.

The General mechanically took up a book. She stirred the fire, and reflected. As she liked terror, danger, and dramatic incidents to blend with her intrigues, she should have been content; for at that moment shame, ruin, and death were at her door. But, to tell the truth, it was too much for her; and when she looked, in the midst of the silence which surrounded her, at the true character and scope of the perils which surrounded her, she thought her brain would fail and her heart break.

She was not mistaken as to the origin of the letter. This shameful work had indeed been planned by Madame de la Roche-Jugan. To do her justice, she had not suspected the force of the blow she was dealing. She still believed in the virtue of the Marquise; but during the perpetual surveillance she had never relaxed, she could not fail to see the changed nature of the intercourse between Camors and the Marquise. It must not be forgotten that she dreamed of securing for her son Sigismund the succession to her old friend; and she foresaw a dangerous rivalry--the germ of which she sought to destroy. To awaken the distrust of the General toward Camors, so as to cause his doors to be closed against him, was all she meditated. But her anonymous letter, like most villainies of this kind, was a more fatal and murderous weapon than its base author imagined.

The young Marquise, then, mused while stirring the fire, casting, from time to time, a furtive glance at the clock.

M. de Camors would soon arrive--how could she warn him? In the present state of their relations it was not impossible that the very first words of. Camors might immediately divulge their secret: and once betrayed, there was not only for her personal dishonor, a scandalous fall, poverty, a convent--but for her husband or her lover--perhaps for both--death!

When the bell in the lower court sounded, announcing the Count's approach, these thoughts crowded into the brain of the Marquise like a legion of phantoms. But she rallied her courage by a desperate effort and strained all her faculties to the execution of the plan she had hastily conceived, which was her last hope. And one word, one gesture, one mistake, or one carelessness of her lover, might overthrow it in a second. A moment later the door was opened by a servant, announcing M. de Camors. Without speaking, she signed to her husband to gain his hiding-place. The General, who had risen at the sound of the bell, seemed still to hesitate, but shrugging his shoulders, as if in disdain of himself, retired behind the curtain which faced the door.

M. de Camors entered the room carelessly, and advanced toward the fireplace where sat the Marquise; his smiling lips half opened to speak, when he was struck by the peculiar expression on the face of the Marquise, and the words were frozen on his lips. This look, fixed upon him from his entrance, had a strange, weird intensity, which, without expressing anything, made him fear everything. But he was accustomed to trying situations, and as wary and prudent as he was intrepid. He ceased to smile and did not speak, but waited.

She gave him her hand without ceasing to look at him with the same alarming intensity.

"Either she is mad," he said to himself, "or there is some great peril!"

With the rapid perception of her genius and of her love, she felt he understood her; and not leaving him time to speak and compromise her, instantly said:

"It is very kind of you to keep your promise."

"Not at all," said Camors, seating himself.

"Yes! For you know you come here to be tormented." There was a pause.

"Have you at last become a convert to my fixed idea?" she added after a second.

"What fixed idea? It seems to me you have a great many!"

"Yes! But I speak of a good one--my best one, at least--of your marriage!"

"What! again, cousin?" said Camors, who, now assured of his danger and its nature, marched with a firmer foot over the burning soil.

"Yes, again, cousin; and I will tell you another thing--I have found the person."

"Ah! Then I shall run away!"

She met his smile with an imperious glance.

"Then you still adhere to that plan?" said Camors, laughing.

"Most firmly! I need not repeat to you my reasons--having preached about it all winter--in fact so much so as to disturb the General, who suspects some mystery between us."

"The General? Indeed!"

"Oh, nothing serious, you must understand. Well, let us resume the subject. Miss Campbell will not do--she is too blonde--an odd objection for me to make by the way; not Mademoiselle de Silas--too thin; not Mademoiselle Rolet, in spite of her millions; not Mademoiselle d'Esgrigny--too much like the Bacquieres and Van-Cuyps. All this is a little discouraging, you will admit; but finally everything clears up. I tell you I have discovered the right one--a marvel!"

"Her name?" said Camors.

"Marie de Tecle!"

There was silence.

"Well, you say nothing," resumed the Marquise, "because you can have nothing to say! Because she unites everything--personal beauty, family, fortune, everything--almost like a dream. Then, too, your properties join. You see how I have thought of everything, my friend! I can not imagine how we never came to think of this before!"

M. de Camors did not reply, and the Marquise began to be surprised at his silence.

"Oh!" she exclaimed; "you may look a long time--there can not be a single objection--you are caught this time. Come, my friend, say yes, I implore you!" And while her lips said "I implore you," in a tone of gracious entreaty, her look said, with terrible emphasis, "You must!"

"Will you allow me to reflect upon it, Madame?" he said at last.

"No, my friend!"

"But really," said Camors, who was very pale, "it seems to me you dispose of the hand of Mademoiselle de Tecle very readily. Mademoiselle de Tecle is rich and courted on all sides--also, her great-uncle has ideas of the province, and her mother, ideas of religion, which might well--"

"I charge myself with all that," interrupted the Marquise.

"What a mania you have for marrying people!"

"Women who do not make love, cousin, always have a mania for matchmaking."

"But seriously, you will give me a few days for reflection?"

"To reflect about what? Have you not always told me you intended marrying and have been only waiting the chance? Well, you never can find a better one than this; and if you let it slip, you will repent the rest of your life."

"But give me time to consult my family!"

"Your family--what a joke! It seems to me you have reached full age; and then--what family? Your aunt, Madame de la Roche-Jugan?"

"Doubtless! I do not wish to offend her:"

"Ah, my dear cousin, don't be uneasy; suppress this uneasiness; I assure you she will be delighted!"

"Why should she?"

"I have my reasons for thinking so;" and the young woman in uttering these words was seized with a fit of sardonic laughter which came near convulsion, so shaken were her nerves by the terrible tension.

Camors, to whom little by little the light fell stronger on the more obscure points of the terrible enigma proposed to him, saw the necessity of shortening a scene which had overtasked her faculties to an almost insupportable degree. He rose:

"I am compelled to leave you," he said; "for I am not dining at home. But I will come to-morrow, if you will permit me."

"Certainly. You authorize me to speak to the General?"

"Well, yes, for I really can see no reasonable objection."

"Very good. I adore you!" said the Marquise. She gave him her hand, which he kissed and immediately departed.

It would have required a much keener vision than that of M. de Campvallon to detect any break, or any discordance, in the audacious comedy which had just been played before him by these two great artists.

The mute play of their eyes alone could have betrayed them; and that he could not see.

As to their tranquil, easy, natural dialogue there was not in it a word which he could seize upon, and which did not remove all his disquietude, and confound all his suspicions. From this moment, and ever afterward, every shadow was effaced from his mind; for the ability to imagine such a plot as that in which his wife in her despair had sought refuge, or to comprehend such depth of perversity, was not in the General's pure and simple spirit.

When he reappeared before his wife, on leaving his concealment, he was constrained and awkward. With a gesture of confusion and humility he took her hand, and smiled upon her with all the goodness and tenderness of his soul beaming from his face.

At this moment the Marquise, by a new reaction of her nervous system, broke into weeping and sobbing; and this completed the General's despair.

Out of respect to this worthy man, we shall pass over a scene the interest of which otherwise is not sufficient to warrant the unpleasant effect it would produce on all honest people. We shall equally pass over without record the conversation which took place the next day between the Marquise and M. de Camors.

Camors had experienced, as we have observed, a sentiment of repulsion at hearing the name of Mademoiselle de Tecle appear in the midst of this intrigue. It amounted almost to horror, and he could not control the manifestation of it. How could he conquer this supreme revolt of his conscience to the point of submitting to the expedient which would make his intrigue safe? By what detestable sophistries he dared persuade himself that he owed everything to his accomplice--even this, we shall not attempt to explain. To explain would be to extenuate, and that we wish not to do. We shall only say that he resigned himself to this marriage. On the path which he had entered a man can check himself as little as he can check a flash of lightning.

As to the Marquise, one must have formed no conception of this depraved though haughty spirit, if astonished at her persistence, in cold blood, and after reflection, in the perfidious plot which the imminence of her danger had suggested to her. She saw that the suspicions of the General might be reawakened another day in a more dangerous manner, if this marriage proved only a farce. She loved Camors passionately; and she loved scarcely less the dramatic mystery of their liaison. She had also felt a frantic terror at the thought of losing the great fortune which she regarded as her own; for the disinterestedness of her early youth had long vanished, and the idea of sinking miserably in the Parisian world, where she had long reigned by her luxury as well as her beauty, was insupportable to her.

Love, mystery, fortune-she wished to preserve them all at any price; and the more she reflected, the more the marriage of Camors appeared to her the surest safeguard.

It was true, it would give her a sort of rival. But she had too high an opinion of herself to fear anything; and she preferred Mademoiselle de Tecle to any other, because she knew her, and regarded her as an inferior in everything.

About fifteen days after, the General called on Madame de Tecle one morning, and demanded for M. de Camors her daughter's hand. It would be painful to dwell on the joy which Madame de Tecle felt; and her only surprise was that Camors had not come in person to press his suit. But Camors had not the heart to do so. He had been at Reuilly since that morning, and called on Madame de Tecle, where he learned his overture was accepted. Once having resolved on this monstrous action, he was determined to carry it through in the most correct manner, and we know he was master of all social arts.

In the evening Madame de Tecle and her daughter, left alone, walked together a long time on their dear terrace, by the soft light of the stars--the daughter blessing her mother, and the mother thanking God--both mingling their hearts, their dreams, their kisses, and their tears--happier, poor women, than is permitted long to human beings. The marriage took place the ensuing month.

MONSIEUR DE CAMORS

By OCTAVE FEUILLET

XV. THE COUNTESS DE CAMORS

After passing the few weeks of the honeymoon at Reuilly, the Comte and Comtesse de Camors returned to Paris and established themselves at their hotel in the Rue de l'Imperatrice. From this moment, and during the months that followed, the young wife kept up an active correspondence with her mother; and we here transcribe some of the letters, which will make us more intimately acquainted with the character of the young woman.

Madame de Camors to Madame de Tecle. "October.

"Am I happy? No, my dearest mother! No--not happy! I have only wings and soar to heaven like a bird! I feel the sunshine in my head, in my eyes, in my heart.

"It blinds me, it enchants me, it causes me to shed delicious tears! Happy? No, my tender mother; that is not possible, when I think that I am his wife! The wife--understand me--of him who has reigned in my poor thoughts since I was able to think--of him whom I should have chosen out of the whole universe! When I remember that I am his wife, that we are united forever, how I love life! how I love you! how I love God!

"The Bois and the lake are within a few steps of us, as you know. We ride thither nearly every morning, my husband and I!--I repeat, I and my husband! We go there, my husband and I--I and my husband!

"I know not how it is, but it is always delicious weather to me, even when it rains--as it does furiously to-day; for we have just come in, driven home by the storm.

"During our ride to-day, I took occasion to question him quietly as to some points of our history which puzzled me. First, why had he married me?

"'Because you pleased me apparently, Miss Mary.' He likes to give me this name, which recalls to him I know not what episode of my untamed youth--untamed still to him.

"'If I pleased you, why did I see you so seldom?'

"'Because I did not wish to court you until I had decided on marrying.'

"'How could I have pleased you, not being at all beautiful?'

"'You are not beautiful, it is true,' replies this cruel young man, 'but you are very pretty; and above all you are grace itself, like your mother.'

"All these obscure points being cleared up to the complete satisfaction of Miss Mary, Miss Mary took to fast galloping; not because it was raining, but because she became suddenly--we do not know the reason why--as red as a poppy.

"Oh, beloved mother! how sweet it is to be loved by him we adore, and to be loved precisely as we wish--as we have dreamed--according to the exact programme of our young, romantic hearts!

"Did you ever believe I had ideas on such a delicate subject? Yes, dear mother, I had them. Thus, it seemed to me there were many different styles of loving--some vulgar, some pretentious, some foolish, and others, again, excessively comic. None of these seemed suited to the Prince, our neighbor. I ever felt he should love, like the Prince he is, with grace and dignity; with serious tenderness, a little stern perhaps; with amiability, but almost with condescension--as a lover, but as a master, too--in fine, like my husband!

"Dear angel, who art my mother! be happy in my happiness, which was your sole work. I kiss your hands--I kiss your wings!

"I thank you! I bless you! I adore you!

"If you were near me, it would be too much happiness! I should die, I think. Nevertheless, come to us very soon. Your chamber awaits you. It is as blue as the heavens in which I float. I have already told you this, but I repeat it.

"Good-by, mother of the happiest woman in the world!

"MISS MARY,

"Comtesse de Camors."

...............................

"November.

"MY MOTHER:

"You made me weep--I who await you every morning. I will say nothing to you, however; I will not beg you. If the health of my grandfather seems to you so feeble as to demand your presence, I know no prayer would take you away from your duty. Nor would I make the prayer, my angel mother!

"But exaggerate nothing, I pray you, and think your little Marie can not pass by the blue chamber without feeling a swelling of the heart. Apart from this grief which you cause her, she continues to be as happy as even you could wish.

"Her charming Prince is ever charming and ever her Prince! He takes her to see the monuments, the museums, the theatres, like the poor little provincial that she is. Is it not touching on the part of so great a personage?

"He is amused at my ecstasies--for I have ecstasies. Do not breathe it to my Uncle Des Rameures, but Paris is superb! The days here count double our own for thought and life.

"My husband took me to Versailles yesterday. I suspect that this, in the eyes of the people here, is rather a ridiculous episode; for I notice the Count did not boast of it. Versailles corresponds entirely with the impressions you had given me of it; for there is not the slightest change since you visited it with my grandfather.

"It is grand, solemn, and cold. There is, though, a new and very curious museum in the upper story of the palace, consisting chiefly of original portraits of the famous men of history. Nothing pleases me more than to see these heroes of my memory passing before me in grand procession--from Charles the Bold to George Washington. Those faces my imagination has so often tried to evoke, that it seems to me we are in the Elysian Fields, and hold converse with the dead:

"You must know, my mother, I was familiar with many things that surprised M. de Camors very much. He was greatly struck by my knowledge of science and my genius. I did no more, as you may imagine, than respond to his questions; but it seemed to astonish him that I could respond at all.

"Why should he ask me these things? If he did not know how to distinguish the different Princesses of Conti, the answer is simple.

"But I knew, because my mother taught me. That is simple enough too.

"We dined afterward, at my suggestion, at a restaurant. Oh, my mother! this was the happiest moment of my life! To dine at a restaurant with my husband was the most delightful of all dissipations!

"I have said he seemed astonished at my learning. I ought to add in general, he seemed astonished whenever I opened my lips. Did he imagine me a mute? I speak little, I acknowledge, however, for he inspires me with a ceaseless fear: I am afraid of displeasing him, of appearing silly before him, or pretentious, or pedantic. The day when I shall be at ease with him, and when I can show him my good sense and gratitude--if that day ever comes--I shall be relieved of a great weight on my mind, for truly I sometimes fear he looks on me as a child.

"The other day I stopped before a toy-shop on the Boulevard. What a blunder! And as he saw my eye fixed on a magnificent squadron of dolls--

"'Do you wish one, Miss Mary?' he said.

"Was not this horrible, my mother--from him who knows everything except the Princesses of Conti? He explained everything to me; but briefly in a word, as if to a person he despaired of ever making understand him. And I understand so well all the time, my poor little mother!

"But so much the better, say I; for if he loves me while thinking me silly, what will it be later!

"With fond love, your

"MARIE."

.............................

"December.

"All Paris has returned once more, my dear mother, and for fifteen days I have been occupied with visits. The men here do not usually visit; but my husband is obliged to present me for the first time to the persons I ought to know. He accompanies me there, which is much more agreeable to me than to him, I believe.

"He is more serious than usual. Is not this the only form in which amiable men show their bad humor? The people we visit look on me with a certain interest. The woman whom this great lord has honored with his choice is evidently an object of great curiosity. This flatters and intimidates me; I blush and feel constrained; I appear awkward. When they find me awkward and insignificant, they stare. They believe he married me for my fortune: then I wish to cry. We reenter the carriage, he smiles upon me, and I am in heaven! Such are our visits.

"You must know, my mother, that to me Madame Campvallon is divine. She often takes me to her box at the Italiens, as mine will not be vacant until January. Yesterday she gave a little fete for me in her beautiful salon: the General opened the ball with me.

"Oh! my mother, what a wonderfully clever man the General is! And I admire him because he admires you!

"The Marquise presented to me all the best dancers. They were young gentlemen, with their necks so uncovered it almost gave me a chill. I never before had seen men bare-necked and the fashion is not becoming. It was very evident, however, that they considered themselves indispensable and charming. Their deportment was insolent and self-sufficient; their eyes were disdainful and all-conquering.

"Their mouths ever open to breathe freer, their coat-tails flapping like wings, they take one by the waist--as one takes his own property. Informing you by a look that they are about to do you the honor of removing you, they whirl you away; then, panting for breath, inform you by another look that they will do themselves the pleasure of stopping--and they stop. Then they rest a moment, panting, laughing, showing their teeth; another look--and they repeat the same performance. They are wonderful!

"Louis waltzed with me and seemed satisfied. I saw him for the first time waltz with the Marquise. Oh, my mother, it was the dance of the stars!

"One thing which struck me this evening, as always, was the manifest idolatry with which the women regard my husband. This, my tender mother, terrifies me. Why--I ask myself--why did he choose me? How can I please him? How can I succeed?

"Behold the result of all my meditations! A folly perhaps, but of which the effect is to reassure me:

"Portrait of the Comtesse de Camors, drawn by herself.

"The Comtesse de Camors, formerly Marie de Tecle, is a personage who, having reached her twentieth year, looks older. She is not beautiful, as her husband is the first person to confess. He says she is pretty; but she doubts even this. Let us see. She has very long limbs, a fault which she shares with Diana, the Huntress, and which probably gives to the gait of the Countess a lightness it might not otherwise possess. Her body is naturally short, and on horseback appears to best advantage. She is plump without being gross.

"Her features are irregular; the mouth being too large and the lips too thick, with--alas! the shade of a moustache; white teeth, a little too small; a commonplace nose, a slightly pug; and her mother's eyes--her best feature. She has the eyebrows of her Uncle Des Rameures, which gives an air of severity to the face and neutralizes the good-natured expression-a reflex from the softness of her heart.

"She has the dark complexion of her mother, which is more becoming to her mother than to her. Add to all this, blue-black hair in great silky masses. On the whole, one knows not what to pronounce her.

"There, my mother, is my portrait! Intended to reassure me, it has hardly done so; for it seems to me to be that of an ugly little woman!

"I wish to be the most lively of women; I wish to be one of the most distinguished. I wish to be one of the most captivating! But, oh, my mother! if I please him I am still more enchanted! On the whole, thank God! he finds me perhaps much better than I am: for men have not the same taste in these matters that we have.

"But what I really can not comprehend, is why he has so little admiration for the Marquise de Campvallon. His manner is very cold to her. Were I a man, I should be wildly in love with that superb woman! Good-night, most beloved of mothers!"

..........................

"January.

"You complain of me, my cherished one! The tone of my letters wounds you! You can not comprehend how this matter of my personal appearance haunts me. I scrutinize it; I compare it with that of others. There is something of levity in that which hurts you? You ask how can I think a man attaches himself to these things, while the merits of mind and soul go for nothing?

"But, my dearest mother, how will these merits of mind and of soul --supposing your daughter to possess them--serve her, unless she possesses the courage or has the opportunity to display them? And when I summon up the courage, it seems to me the occasion never comes.

"For I must confess to you that this delicious Paris is not perfect; and I discover, little by little, the spots upon the sun.

"Paris is the most charming place! The only pity is that it has inhabitants! Not but that they are agreeable, for they are only too much so; only they are also very careless, and appear to my view to live and die without reflecting much on what they are doing. It is not their fault; they have no time.

"Without leaving Paris, they are incessant travellers, eternally distracted by motion and novelty. Other travellers, when they have visited some distant corner--forgetting for a while their families, their duties, and their homes--return and settle down again. But these Parisians never do. Their life is an endless voyage; they have no home. That which elsewhere is the great aim of life is secondary here. One has here, as elsewhere, an establishment--a house, a private chamber. One must have. Here one is wife or mother, husband or father, just as elsewhere; but, my poor mother, they are these things just as little as possible. The whole interest centres not in the homes; but in the streets, the museums, the salons, the theatres, and the clubs. It radiates to the immense outside life, which in all its forms night and day agitates Paris, attracts, excites, and enervates you; steals your time, your mind, your soul--and devours them all!

"Paris is the most delicious of places to visit--the worst of places to live in.

"Understand well, my mother, that in seeking by what qualifies I can best attract my husband--who is the best of men, doubtless, but of Parisian men nevertheless--I have continually reflected on merits which may be seen at once, which do not require time to be appreciated.

"Finally, I do not deny that all this is miserable cynicism, unworthy of you and of myself; for you know I am not at heart a bad little woman. Certainly, if I could keep Monsieur de Camors for a year or two at an old chateau in the midst of a solitary wood, I should like it much. I could then see him more frequently, I could then become familiar with his august person, and could develop my little talents under his charmed eyes. But then this might weary him and would be too easy. Life and happiness, I know, are not so easily managed. All is difficulty, peril, and conflict.

"What joy, then, to conquer! And I swear to you, my mother, that I will conquer! I will force him to know me as you know me; to love me, not as he now does, but as you do, for many good reasons of which he does not yet dream.

"Not that he believes me absolutely a fool; I think he has abandoned that idea for at least two days past.

"How he came thus to think, my next letter shall explain.

"Your own

"MARIE."

XVI. THE REPTILE STRIVES TO CLIMB

"March.

"You will remember, my mother, that the Count has as secretary a man named Vautrot. The name is a bad one; but the man himself is a good enough creature, except that I somewhat dislike his catlike style of looking at one.

"Well, Monsieur de Vautrot lives in the house with us. He comes early in the morning, breakfasts at some neighboring cafe, passes the day in the Count's study, and often remains to dine with us, if he has work to finish in the evening.

"He is an educated man, and knows a little of everything; and he has undertaken many occupations before he accepted the subordinate though lucrative post he now occupies with my husband. He loves literature; but not that of his time and of his country, perhaps because he himself has failed in this. He prefers foreign writers and poets, whom he quotes with some taste, though with too much declamation.

"Most probably his early education was defective; for on all occasions, when speaking with us, he says, 'Yes, Monsieur le Comte!' or 'Certainly, Madame la Comtesse!' as if he were a servant. Yet withal, he has a peculiar pride, or perhaps I should say insufferable vanity. But his great fault, in my eyes, is the scoffing tone he adopts, when the subject is religion or morals.

"Two days ago, while we were dining, Vautrot allowed himself to indulge in a rather violent tirade of this description. It was certainly contrary to all good taste.

"'My dear Vautrot,' my husband said quietly to him, 'to me these pleasantries of yours are indifferent; but pray remember, that while you are a strong-minded man, my wife is a weak-minded woman; and strength, you know, should respect weakness.'

"Monsieur Vautrot first grew white, then red, and finally green. He rose, bowed awkwardly, and immediately afterward left the table. Since that time I have remarked his manner has been more reserved. The moment I was alone with Louis, I said:

"'You may think me indiscreet, but pray let me ask you a question. How can you confide all your affairs and all your secrets to a man who professes to have no principles?'

"Monsieur de Camors laughed.

"'Oh, he talks thus out of bravado,' he answered. 'He thinks to make himself more interesting in your eyes by these Mephistophelian airs. At bottom he is a good fellow.'

"'But,' I answered, 'he has faith in nothing.'

"'Not in much, I believe. Yet he has never deceived me. He is an honorable man.'

"I opened my eyes wide at this.

"'Well,' he said, with an amused look, 'what is the matter, Miss Mary?'

"'What is this honor you speak of?'

"'Let me ask your definition of it, Miss Mary,' he replied.

"'Mon Dieu!' I cried, blushing deeply, 'I know but little of it, but it seems to me that honor separated from morality is no great thing; and morality without religion is nothing. They all constitute a chain. Honor hangs to the last link, like a flower; but if the chain be broken, honor falls with the rest.' He looked at me with strange eyes, as if he were not only confounded but disquieted by my philosophy. Then he gave a deep sigh, and rising said:

"'Very neat, that definition-very neat.'

"That night, at the opera, he plied me with bonbons and orange ices. Madame de Campvallon accompanied us; and at parting, I begged her to call for me next day on her way to the Bois, for she is my idol. She is so lovely and so distinguished--and she I knows it well. I love to be with her. On our return home, Louis remained silent, contrary to his custom. Suddenly he said, brusquely:

"'Marie, do you go with the Marquise to the Bois to-morrow?'

"'Yes.'

"'But you see her often, it seems to me-morning and evening. You are always with her.'

"'Heavens! I do it to be agreeable to you. Is not Madame de Campvallon a good associate?'

"'Excellent; only in general I do not admire female friendships. But I did wrong to speak to you on this subject. You have wit and discretion enough to preserve the proper limits.'

"This, my mother, was what he said to me. I embrace you.

Ever your "MARIE."

............................

"March.

"I hope, my own mother, not to bore you this year with a catalogue of fetes and festivals, lamps and girandoles; for Lent is coming. To-day is Ash-Wednesday. Well, we dance to-morrow evening at Madame d'Oilly's. I had hoped not to go, but I saw Louis was disappointed, and I feared to offend Madame d'Oilly, who has acted a mother's part to my husband. Lent here is only an empty name. I sigh to myself: 'Will they never stop! Great heavens! will they never cease amusing themselves?'

"I must confess to you, my darling mother, I amuse myself too much to be happy. I depended on Lent for some time to myself, and see how they efface the calendar!

"This dear Lent! What a sweet, honest, pious invention it is, notwithstanding. How sensible is our religion! How well it understands human weakness and folly! How far-seeing in its regulations! How indulgent also! for to limit pleasure is to pardon it.

"I also love pleasure--the beautiful toilets that make us resemble flowers, the lighted salons, the music, the gay voices and the dance. Yes, I love all these things; I experience their charming confusion; I palpitate, I inhale their intoxication. But always-- always! at Paris in the winter--at the springs in summer--ever this crowd, ever this whirl, this intoxication of pleasure! All become like savages, like negroes, and--dare I say so?--bestial! Alas for Lent!

"HE foresaw it. HE told us, as the priest told me this morning: 'Remember you have a soul: Remember you have duties!--a husband --a child--a mother--a God!'

"Then, my mother, we should retire within ourselves; should pass the time in grave thought between the church and our homes; should converse on solemn and serious subjects; and should dwell in the moral world to gain a foothold in heaven! This season is intended as a wholesome interval to prevent our running frivolity into dissipation, and pleasure into convulsion; to prevent our winter's mask from becoming our permanent visage. This is entirely the opinion of Madame Jaubert.

"Who is this Madame Jaubert? you will ask. She is a little Parisian angel whom my mother would dearly love! I met her almost everywhere--but chiefly at St. Phillipe de Roule--for several months without being aware that she is our neighbor, that her hotel adjoins ours. Such is Paris!

"She is a graceful person, with a soft and tender, but decided air. We sat near each other at church; we gave each other side-glances; we pushed our chairs to let each other pass; and in our softest voices would say, 'Excuse me, Madame!' 'Oh, Madame!' My glove would fall, she would pick it up; I would offer her the holy water, and receive a sweet smile, with 'Dear Madame!' Once at a concert at the Tuileries we observed each other at a distance, and smiled recognition; when any part of the music pleased us particularly we glanced smilingly at each other. Judge of my surprise next morning when I saw my affinity enter the little Italian house next ours--and enter it, too, as if it were her home. On inquiry I found she was Madame Jaubert, the wife of a tall, fair young man who is a civil engineer.

"I was seized with a desire to call upon my neighbor. I spoke of it to Louis, blushing slightly, for I remembered he did not approve of intimacies between women. But above all, he loves me!

"Notwithstanding he slightly shrugged his shoulders--'Permit me at least, Miss Mary, to make some inquiries about these people.'

"A few days afterward he had made them, for he said: 'Miss Mary, you may visit Madame Jaubert; she is a perfectly proper person.'

"I first flew to my husband's neck, and thence went to call upon Madame Jaubert.

"'It is I, Madame!'

"'Oh, Madame, permit me!'

"And we embraced each other and were good friends immediately.

"Her husband is a civil engineer, as I have said. He was once occupied with great inventions and with great industrial works; but that was only for a short time. Having inherited a large estate, he abandoned his studies and did nothing--at least nothing but mischief. When he married to increase his fortune, his pretty little wife had a sad surprise. He was never seen at home; always at the club--always behind the scenes at the opera--always going to the devil! He gambled, he had mistresses and shameful affairs. But worse than all, he drank--he came to his wife drunk. One incident, which my pen almost refuses to write, will give you an idea. Think of it! He conceived the idea of sleeping in his boots! There, my mother, is the pretty fellow my sweet little friend transformed, little by little, into a decent man, a man of merit, and an excellent husband!

"And she did it all by gentleness, firmness, and sagacity. Now is not this encouraging?--for, God knows, my task is less difficult.

"Their household charms me; for it proves that one may build for one's self, even in the midst of this Paris, a little nest such as one dreams of. These dear neighbors are inhabitants of Paris--not its prey. They have their fireside; they own it, and it belongs to them. Paris is at their door--so much the better. They have ever a relish for refined amusement; 'they drink at the fountain,' but do not drown themselves in it. Their habits are the same, passing their evenings in conversation, reading, or music; stirring the fire and listening to the wind and rain without, as if they were in a forest.

"Life slips gently through their fingers, thread by thread, as in our dear old country evenings.

"My mother, they are happy!

"Here, then, is my dream--here is my plan.

"My husband has no vices, as Monsieur Jaubert had. He has only the habits of all the brilliant men of his Paris-world. It is necessary, my own mother, gradually to reform him; to suggest insensibly to him the new idea that one may pass one evening at home in company with a beloved and loving wife, without dying suddenly of consumption.

"The rest will follow.

"What is this rest? It is the taste for a quiet life, for the serious sweetness of the domestic hearth--the family taste--the idea of seclusion--the recovered soul!

"Is it not so, my good angel? Then trust me. I am more than ever full of ardor, courage, and confidence. For he loves me with all his heart, with more levity, perhaps, than I deserve; but still--he loves me!

"He loves me; he spoils me; he heaps presents upon me. There is no pleasure he does not offer me, except, be it understood, the pleasure of passing one evening at home together.

"But he loves me! That is the great point--he loves me!

"Now, dearest mother, let me whisper one final word-a word that makes me laugh and cry at the same time. It seems to me that for some time past I have had two hearts--a large one of my own, and-- another--smaller!

"Oh, my mother! I see you in tears. But it is a great mystery this. It is a dream of heaven; but perhaps only a dream, which I have not yet told even to my husband--only to my adorable mother! Do not weep, for it is not yet quite certain.

"Your naughty Miss MARY."

In reply to this letter Madame de Camors received one three mornings after, announcing to her the death of her grandfather. The Comte de Tecle had died of apoplexy, of which his state of health had long given warning. Madame de Tecle foresaw that the first impulse of her daughter would be to join her to share her sad bereavement. She advised her strongly against undertaking the fatigue of the journey, and promised to visit her in Paris, as soon as she conveniently could. The mourning in the family heightened in the heart of the Countess the uneasy feeling and vague sadness her last letters had indicated.

She was much less happy than she told her mother; for the first enthusiasm and first illusions of marriage could not long deceive a spirit so quick and acute as hers.

A young girl who marries is easily deceived by the show of an affection of which she is the object. It is rare that she does not adore her husband and believe she is adored by him, simply because he has married her.

The young heart opens spontaneously and diffuses its delicate perfume of love and its songs of tenderness; and enveloped in this heavenly cloud all seems love around it. But, little by little, it frees itself; and, too often, recognizes that this delicious harmony and intoxicating atmosphere which charmed it came only from itself.

Thus was it with the Countess; so far as the pen can render the shadows of a feminine soul. Such were the impressions which, day by day, penetrated the very soul of our poor "Miss Mary."

It was nothing more than this; but this was everything to her!

The idea of being betrayed by her husband--and that, too, with cruel premeditation--never had arisen to torture her soul. But, beyond those delicate attentions to her which she never exaggerated in her letters to her mother, she felt herself disdained and slighted. Marriage had not changed Camors's habits: he dined at home, instead of at his club, that was all. She believed herself loved, however, but with a lightness that was almost offensive. Yet, though she was sometimes sad and nearly in tears, she did not despair; this valiant little heart attached itself with intrepid confidence to all the happy chances the future might have in store for it.

M. de Camors continued very indifferent--as one may readily comprehend--to the agitation which tormented this young heart, but which never occurred to him for a moment. For himself, strange as it may appear, he was happy enough. This marriage had been a painful step to take; but, once confirmed in his sin, he became reconciled to it. But his conscience, seared as it was, had some living fibres in it; and he would not have failed in the duty he thought he owed to his wife. These sentiments were composed of a sort of indifference, blended with pity. He was vaguely sorry for this child, whose existence was absorbed and destroyed between those of two beings of nature superior to her own; and he hoped she would always remain ignorant of the fate to which she was condemned. He resolved never to neglect anything that might extenuate its rigor; but he belonged, nevertheless, more than ever solely to the passion which was the supreme crime of his life. For his intrigue with Madame de Campvallon, continually excited by mystery and danger--and conducted with profound address by a woman whose cunning was equal to her beauty--continued as strong, after years of enjoyment, as at first.

The gracious courtesy of M. de Camors, on which he piqued himself, as regarded his wife, had its limits; as the young Countess perceived whenever she attempted to abuse it. Thus, on several occasions she declined receiving guests on the ground of indisposition, hoping her husband would not abandon her to her solitude. She was in error.

The Count gave her in reality, under these circumstances, a tete-a-tete of a few minutes after dinner; but near nine o'clock he would leave her with perfect tranquillity. Perhaps an hour later she would receive a little packet of bonbons, or a pretty basket of choice fruit, that would permit her to pass the evening as she might. These little gifts she sometimes divided with her neighbor, Madame Jaubert; sometimes with M. de Vautrot, secretary to her husband.

This M. de Vautrot, for whom she had at first conceived an aversion, was gradually getting into her good graces. In the absence of her husband she always found him at hand; and referred to him for many little details, such as addresses, invitations, the selection of books and the purchase of furniture. From this came a certain familiarity; she began to call him Vautrot, or "My good Vautrot," while he zealously performed all her little commissions. He manifested for her a great deal of respectful attention, and even refrained from indulging in the sceptical sneers which he knew displeased her. Happy to witness this reform and to testify her gratitude, she invited him to remain on two or three evenings when he came to take his leave, and talked with him of books and the theatres.

When her mourning kept her at home, M. de Camors passed the two first evenings with her until ten o'clock. But this effort fatigued him, and the poor young woman, who had already erected an edifice for the future on this frail basis, had the mortification of observing that on the third evening he had resumed his bachelor habits.

This was a great blow to her, and her sadness became greater than it had been up to that time; so much so in fact, that solitude was almost unbearable. She had hardly been long enough in Paris to form intimacies. Madame Jaubert came to her friend as often as she could; but in the intervals the Countess adopted the habit of retaining Vautrot, or even of sending for him. Camors himself, three fourths of the time, would bring him in before going out in the evening.

"I bring you Vautrot, my dear," he would say, "and Shakespeare. You can read him together."

Vautrot read well; and though his heavy declamatory style frequently annoyed the Countess, she thus managed to kill many a long evening, while waiting the expected visit of Madame de Tecle. But Vautrot, whenever he looked at her, wore such a sympathetic air and seemed so mortified when she did not invite him to stay, that, even when wearied of him, she frequently did so.

About the end of the month of April, M. Vautrot was alone with the Countess de Camors about ten o'clock in the evening. They were reading Goethe's Faust, which she had never before heard. This reading seemed to interest the young woman more than usual, and with her eyes fixed on the reader, she listened to it with rapt attention. She was not alone fascinated by the work, but--as is frequently the case-she traced her own thoughts and her own history in the fiction of the poet.

We all know with what strange clairvoyance a mind possessed with a fixed idea discovers resemblances and allusions in accidental description. Madame de Camors perceived without doubt some remote connection between her husband and Faust--between herself and Marguerite; for she could not help showing that she was strangely agitated. She could not restrain the violence of her emotion, when Marguerite in prison cries out, in her agony and madness:

Marguerite.

Who has given you, headsman, this power over me? You come to me while it is yet midnight. Be merciful and let me live.

Is not to-morrow morning soon enough?

I am yet so young--so young! and am to die already! I was fair, too; that was my undoing. My true love was near, now he is far away.

Torn lies my garland; scattered the flowers. Don't take hold of me so roughly! spare me! spare me. What have I done to you? Let me not implore you in vain! I never saw you before in all my life; you know.

Faust.

Can I endure this misery?

Marguerite.

I am now entirely in thy power. Only let me give suck to the child. I pressed it this whole night to my heart. They took it away to vex me, and now say I killed it, and I shall never be happy again. They sing songs upon me! It is wicked of the people. An old tale ends so--who bids them apply it?

Faust.

A lover lies at thy feet, to unloose the bonds of wickedness.

What a blending of confused sentiments, of powerful sympathies, of vague apprehensions, suddenly seized on the breast of the young Countess! One can hardly imagine their force--to the very verge of distracting her. She turned on her fauteuil and closed her beautiful eyes, as if to keep back the tears which rolled under the fringe of the long lashes.

At this moment Vautrot ceased to read, dropped his book, sighed profoundly, and stared a moment.

Then he knelt at the feet of the Comtesse de Camors! He took her hand; he said, with a tragic sigh, "Poor angel!"

It will be difficult to understand this incident and the unfortunately grave results that followed it, without having the moral and physical portrait of its principal actor.

M. Hippolyte Vautrot was a handsome man and knew it perfectly. He even flattered himself on a certain resemblance to his patron, the Comte de Camors. Partly from nature and partly from continual imitation, this idea had some foundation; for he resembled the Count as much as a vulgar man can resemble one of the highest polish.

He was the son of a small confectioner in the provinces; had received from his father an honestly acquired fortune, and had dissipated it in the varied enterprises of his adventurous life. The influence of his college, however, obtained for him a place in the Seminary. He left it to come to Paris and study law; placed himself with an attorney; attempted literature without success; gambled on the Bourse and lost there.

He had successively knocked with feverish hand at all the doors of Fortune, and none had opened to him, because, though his ambition was great, his capacity was limited. Subordinate positions, for which alone he was fit, he did not want. He would have made a good tutor: he sighed to be a poet. He would have been a respectable cure in the country: he pined to be a bishop. Fitted for an excellent secretary, he aspired to be a minister. In fine, he wished to be a great man, and consequently was a failure as a little one.

But he made himself a hypocrite; and that he found much easier. He supported himself on the one hand by the philosophic society to be met at Madame d'Oilly's; on the other, by the orthodox reunions of Madame de la Roche-Jugan.

By these influences he contrived to secure the secretaryship to the Comte de Camors, who, in his general contempt of the human species, judged Vautrot to be as good as any other. Now, familiarity with M. de Camors was, morally, fearfully prejudicial to the secretary. It had, it is true, the effect of stripping off his devout mask, which he seldom put on before his patron; but it terribly increased in venom the depravity which disappointment and wounded pride had secreted in his ulcerated heart.

Of course no one will imagine that M. de Camors had the bad taste to undertake deliberately the demoralization of his secretary; but contact, intimacy, and example sufficed fully to do this. A secretary is always more or less a confidant. He divines that which is not revealed to him; and Vautrot could not be long in discovering that his patron's success did not arise, morally, from too much principle--in politics, from excess of conviction--in business, from a mania for scruples! The intellectual superiority of Camors, refined and insolent as it was, aided to blind Vautrot, showing him evil which was not only prosperous, but was also radiant in grace and prestige. For these reasons he most profoundly admired his master--admired, imitated, and execrated him!

Camors professed for him and for his solemn airs an utter contempt, which he did not always take the trouble to conceal; and Vautrot trembled when some burning sarcasm fell from such a height on the old wound of his vanity--that wound which was ever sore within him. What he hated most in Camors was his easy and insolent triumph--his rapid and unmerited fortune--all those enjoyments which life yielded him without pain, without toil, without conscience--peacefully tasted! But what he hated above all, was that this man had thus obtained these things while he had vainly striven for them.

Assuredly, in this Vautrot was not an exception. The same example presented to a healthier mind would not have been much more salutary, for we must tell those who, like M. de Camors, trample under foot all principles of right, and nevertheless imagine that their secretaries, their servants, their wives and their children, may remain virtuous--we must tell these that while they wrong others they deceive themselves! And this was the case with Hippolyte Vautrot.

He was about forty years of age--a period of life when men often become very vicious, even when they have been passably virtuous up to that time. He affected an austere and puritanical air; was the great man of the cafe he frequented; and there passed judgment on his contemporaries and pronounced them all inferior. He was difficult to please--in point of virtue demanding heroism; in talent, genius; in art, perfection.

His political opinions were those of Erostratus, with this difference--always in favor of the ancient--that Vautrot, after setting fire to the temple, would have robbed it also. In short, he was a fool, but a vicious fool as well.

If M. de Camors, at the moment of leaving his luxurious study that evening, had had the bad taste to turn and apply his eye to the keyhole, he would have seen something greatly to astonish even him.

He would have seen this "honorable man" approach a beautiful Italian cabinet inlaid with ivory, turn over the papers in the drawers, and finally open in the most natural manner a very complicated lock, the key of which the Count at that moment had in his pocket.

It was after this search that M. Vautrot repaired with his volume of Faust to the boudoir of the young Countess, at whose feet we have already left him too long.

XVII. LIGHTNING FROM A CLEAR SKY

Madame de Camors had closed her eyes to conceal her tears. She opened them at the instant Vautrot seized her hand and called her "Poor angel!"

Seeing the man on his knees, she could not comprehend it, and only exclaimed, simply:

"Are you mad, Vautrot?"

"Yes, I am mad!" Vautrot threw his hair back with a romantic gesture common to him, and, as he believed, to the poets-"Yes, I am mad with love and with pity, for I see your sufferings, pure and noble victim!"

The Countess only stared in blank astonishment.

"Repose yourself with confidence," he continued, "on a heart that will be devoted to you until death--a heart into which your tears now penetrate to its most sacred depths!"

The Countess did not wish her tears to penetrate to such a distance, so she dried them.

A man on his knees before a woman he adores must appear to her either sublime or ridiculous. Unfortunately, the attitude of Vautrot, at once theatrical and awkward, did not seem sublime to the Countess. To her lively imagination it was irresistibly ludicrous. A bright gleam of amusement illumined her charming countenance; she bit her lip to conceal it, but it shone out of her eyes nevertheless.

A man never should kneel unless sure of rising a conqueror. Otherwise, like Vautrot, he exposes himself to be laughed at.

"Rise, my good Vautrot," the Countess said, gravely. "This book has evidently bewildered you. Go and take some rest and we will forget this; only you must never forget yourself again in this manner."

Vautrot rose. He was livid.

"Madame la Comtesse," he said, bitterly, "the love of a great heart never can be an offence. Mine at least would have been sincere; mine would have been faithful: mine would not have been an infamous snare!"

The emphasis of these words displayed so evident an intention, the countenance of the young woman changed immediately. She moved uneasily on her fauteuil.

"What do you mean, Monsieur Vautrot?"

"Nothing, Madame, which you do not know, I think," he replied, meaningly.

She rose.

"You shall explain your meaning immediately to me, Monsieur!" she exclaimed; "or later, to my husband."

"But your sadness, your tears," cried the secretary, in a tone of admirable sincerity--"these made me sure you were not ignorant of it!"

"Of what? You hesitate! Speak, man!"

"I am not a wretch! I love you and pity you!--that is all;" and Vautrot sighed deeply.

"And why do you pity me?" She spoke haughtily; and though Vautrot had never suspected this imperiousness of manner or of language, he reflected hurriedly on the point at which he had arrived. More sure than ever of success, after a moment he took from his pocket a folded letter. It was one with which he had provided himself to confirm the suspicions of the Countess, now awakened for the first time.

In profound silence he unfolded and handed it to her. She hesitated a moment, then seized it. A single glance recognized the writing, for she had often exchanged notes with the Marquise de Campvallon.

Words of the most burning passion terminated thus:

"--Always a little jealous of Mary; half vexed at having given her to you. For--she is pretty and--but I! I am beautiful, am I not, my beloved?--and, above all, I adore you!"

At the first word the Countess became fearfully pale. Finishing, she uttered a deep groan; then she reread the letter and returned it to Vautrot, as if unconscious of what she was doing.

For a few seconds she remained motionless--petrified--her eyes fixed on vacancy. A world seemed rolling down and crushing her heart.

Suddenly she turned, passed with rapid steps into her boudoir; and Vautrot heard the sound of opening and shutting drawers. A moment after she reappeared with bonnet and cloak, and crossed the boudoir with the same strong and rapid step.

Vautrot, greatly terrified, rushed to stop her.

"Madame!" he cried, throwing himself before her.

She waved him aside with an imperious gesture of her hand; he trembled and obeyed, and she left the boudoir. A moment later she was in the Avenue des Champs Elysees, going toward Paris.

It was now near midnight; cold, damp April weather, with the rain falling in great drops. The few pedestrians still on the broad pavement turned to follow with their eyes this majestic young woman, whose gait seemed hastened by some errand of life or death.

But in Paris nothing is surprising, for people witness all manner of things there. Therefore the strange appearance of Madame de Camors did not excite any extraordinary attention. A few men smiled and nodded; others threw a few words of raillery at her--both were unheeded alike. She traversed the Place de la Concorde with the same convulsive haste, and passed toward the bridge. Arriving on it, the sound of the swollen Seine rushing under the arches and against the pillars, caught her ear; she stopped, leaned against the parapet, and gazed into the angry water; then bowing her head she uttered a deep sigh, and resumed her rapid walk.

In the Rue Vanneau she stopped before a brilliantly lighted mansion, isolated from the adjoining houses by a garden wall. It was the dwelling of the Marquise de Campvallon: Arrived there, the unfortunate child knew not what to do, nor even why she had come. She had some vague design of assuring herself palpably of her misfortune; to touch it with her finger; or perhaps to find some reason, some pretext to doubt it.

She dropped down on a stone bench against the garden wall, and hid her face in both her hands, vainly striving to think. It was past midnight. The streets were deserted: a shower of rain was falling over Paris, and she was chilled to numbness.

A sergent-de-ville passed, enveloped in his cape. He turned and stared at the young woman; then took her roughly by the arm.

"What are you doing here?" he said, brutally.

She looked up at him with wondering eyes.

"I do not know myself," she answered.

The man looked more closely at her, discovered through all her confusion a nameless refinement and the subtle perfume of purity. He took pity on her.

"But, Madame, you can not stay here," he rejoined in a softer voice.

"No?"

"You must have some great sorrow?"

"Very great."

"What is your name?"

"The Comtesse de Camors," she said, simply.

The man looked bewildered.

"Will you tell me where you live, Madame?"

She gave the address with perfect simplicity and perfect indifference. She seemed to be thinking nothing of what she was saying. The man took a few steps, then stopped and listened to the sound of wheels approaching. The carriage was empty. He stopped it, opened the door, and requested the Countess to get in. She did so quietly, and he placed himself beside the driver.

The Comte de Camors had just reached his house and heard with surprise, from the lips of his wife's maid, the details of the Countess's mysterious disappearance, when the bell rang violently.

He rushed out and met his wife on the stairs. She had somewhat recovered her calmness on the road, and as he interrogated her with a searching glance, she made a ghastly effort to smile.

"I was slightly ill and went out a little," she said. "I do not know the streets and lost my way."

Notwithstanding the improbability of the explanation, he did not hesitate. He murmured a few soft words of reproach and placed her in the hands of her maid, who removed her wet garments.

During that time he called the sergent-de-ville, who remained in the vestibule, and closely interrogated him. On learning in what street and what precise spot he had found the Countess, her husband knew at once and fully the whole truth.

He went directly to his wife. She had retired and was trembling in every limb. One of her hands was resting outside the coverlet. He rushed to take it, but she withdrew it gently, with sad and resolute dignity.

The simple gesture told him they were separated forever.

By a tacit agreement, arranged by her and as tacitly accepted by him, Madame de Camors became virtually a widow.

He remained for some seconds immovable, his expression lost in the shadow of the bed-hangings; then walked slowly across the chamber. The idea of lying to defend himself never occurred to him.

His line of conduct was already arranged--calmly, methodically. But two blue circles had sunk around his eyes, and his face wore a waxen pallor. His hands, joined behind his back, were clenched; and the ring he wore sparkled with their tremulous movement. At intervals he seemed to cease breathing, as he listened to the chattering teeth of his young wife.

After half an hour he approached the bed.

"Marie!" he said in a low voice. She turned upon him her eyes gleaming with fever.

"Marie, I am ignorant of what you know, and I shall not ask," he continued. "I have been very criminal toward you, but perhaps less so than you think. Terrible circumstances bound me with iron bands. Fate ruled me! But I seek no palliation. Judge me as severely as you wish; but I beg of you to calm yourself--preserve yourself! You spoke to me this morning of your presentiments--of your maternal hopes. Attach yourself to those thoughts, and you will always be mistress of your life. As for myself, I shall be whatever you will--a stranger or a friend. But now I feel that my presence makes you ill. I would leave you for the present, but not alone. Do you wish Madame Jaubert to come to you tonight?"

"Yes!" she murmured, faintly.

"I shall go for her; but it is not necessary to tell you that there are confidences one must reserve even from one's dearest friends."

"Except a mother?" She murmured the question with a supplicating agony very painful to see.

He grew still paler. After an instant, "Except a mother!" he said. "Be it so!"

She turned her face and buried it in the pillow.

"Your mother arrives to-morrow, does she not?" She made an affirmative motion of her head. "You can make your arrangements with her. I shall accept everything."

"Thank you," she replied, feebly.

He left the room and went to find Madame Jaubert, whom he awakened, and briefly told her that his wife had been seized with a severe nervous attack--the effect of a chill. The amiable little woman ran hastily to her friend and spent the night with her.

But she was not the dupe of the explanation Camors had given her. Women quickly understand one another in their grief. Nevertheless she asked no confidences and received none; but her tenderness to her friend redoubled. During the silence of that terrible night, the only service she could render her was to make her weep.

Nor did those laggard hours pass less bitterly for M. de Camors. He tried to take no rest, but walked up and down his apartment until daylight in a sort of frenzy. The distress of this poor child wounded him to the heart. The souvenirs of the past rose before him and passed in sad procession. Then the morrow would show him the crushed daughter with her mother--and such a mother! Mortally stricken in all her best illusions, in all her dearest beliefs, in all connected with the happiness of life!

He found that he still had in his heart lively feelings of pity; still some remorse in his conscience.

This weakness irritated him, and he denounced it to himself. Who had betrayed him? This question agitated him to an equal degree; but from the first instant he had not been deceived in this matter.

The sudden grief and half-crazed conviction of his wife, her despairing attitude and her silence, could only be explained by strong assurance and certain revelation. After turning the matter over and over in his own mind, he arrived at the conclusion that nothing could have thrown such clear light into his life save the letters of Madame de Campvallon.

He never wrote the Marquise, but could not prevent her writing to him; for to her, as to all women, love without letters was incomplete.

But the fault of the Count--inexcusable in a man of his tact--was in preserving these letters. No one, however, is perfect, and he was an artist. He delighted in these the 'chefs-d'oeuvre' of passionate eloquence, was proud of inspiring them, and could not make up his mind to burn or destroy them. He examined at once the secret drawer where he had concealed them and, by certain signs, discovered the lock had been tampered with. Nevertheless no letter was missing; the arrangement of them alone had been disturbed.

His suspicions at once reverted to Vautrot, whose scruples he suspected were slight; and in the morning they were confirmed beyond doubt by a letter from the secretary. In fact Vautrot, after passing on his part a most wretched night, did not feel his nerves equal in the morning to meeting the reception the Count possibly had in waiting for him. His letter was skilfully penned to put suspicion to sleep if it had not been fully roused, and if the Countess had not betrayed him.

It announced his acceptance of a lucrative situation suddenly offered him in a commercial house in London. He was obliged to decide at once, and to sail that same morning for fear of losing an opportunity which could not occur again. It concluded with expressions of the liveliest gratitude and regret.

Camors could not reach his secretary to strangle him; so he resolved to pay him. He not only sent him all arrears of salary, but a large sum in addition as a testimonial of his sympathy and good wishes.

This, however, was a simple precaution; for the Count apprehended nothing more from the venomous reptile so far beneath him, after he had once shaken it off. Seeing him deprived of the only weapon he could use against him, he felt safe. Besides, he had lost the only interest he could desire to subserve, for he knew M. Vautrot had done him the compliment of courting his Wife.

And he really esteemed him a little less low, after discovering this gentlemanly taste!

XVIII. ONE GLEAM OF HOPE

It required on the part of M. de Camors, this morning, an exertion of all his courage to perform his duty as a gentleman in going to receive Madame de Tecle at the station. But courage had been for some time past his sole remaining virtue; and this at least he sought never to lose. He received, then, most gracefully his mother-in-law, robed in her mourning attire. She was surprised at not seeing her daughter with him. He informed her that she had been a little indisposed since the preceding evening. Notwithstanding the precautions he took in his language and by his smile, he could not prevent Madame de Tecle from feeling a lively alarm.

He did not pretend, however, entirely to reassure her. Under his reserved and measured replies, she felt the presentiment of some disaster. After first pressing him with many questions, she kept silent during the rest of the drive.

The young Countess, to spare her mother the first shock, had quitted her bed; and the poor child had even put a little rouge on her pale cheeks. M. de Camors himself opened for Madame de Tecle the door of her daughter's chamber, and then withdrew.

The young woman raised herself with difficulty from her couch, and her mother took her in her arms.

All that passed between them at first was a silent interchange of mutual caresses. Then the mother seated herself near her daughter, drew her head on her bosom, and looked into the depths of her eyes.

"What is the matter?" she said, sadly.

"Oh, nothing--nothing hopeless! only you must love your little Mary more than ever. Will you not?"

"Yes; but why?"

"I must not worry you; and I must not wrong myself either--you know why!"

"Yes; but I implore you, my darling, to tell me."

"Very well; I will tell you everything; but, mother, you must be brave as I am."

She buried her head lower still on her mother's breast, and recounted to her, in a low voice, without looking up once, the terrible revelation which had been made to her, and which her husband's avowal had confirmed.

Madame de Tecle did not once interrupt her during this cruel recital. She only imprinted a kiss on her hair from time to time. The young Countess, who did not dare to raise her eyes to her, as if she were ashamed of another's crime, might have imagined that she had exaggerated the gravity of her misfortune, since her mother had received the confidence with so much calmness. But the calmness of Madame de Tecle at this terrible moment was that of the martyrs; for all that could have been suffered by the Christians under the claws of the tiger, or on the rack of the torturer, this mother was suffering at the hands of her best-beloved daughter. Her beautiful pale face--her large eyes upturned to heaven, like those that artists give to the pure victims kneeling in the Roman circus--seemed to ask God whether He really had any consolation for such torture.

When she had heard all, she summoned strength to smile at her daughter, who at last looked up to her with an expression of timid uncertainty--embracing her more tightly still.

"Well, my darling," said she, at last, "it is a great affliction, it is true. You are right, notwithstanding; there is nothing to despair of."

"Do you really believe so?"

"Certainly. There is some inconceivable mystery under all this; but be assured that the evil is not so terrible as it appears."

"My poor mother! but he has acknowledged it?"

"I am better pleased that he has acknowledged it. That proves he has yet some pride, and that some good is left in his soul. Then, too, he feels very much afflicted--he suffers as much as we. Think of that. Let us think of the future, my darling."

They clasped each other's hands, and smiled at each other to restrain the tears which filled the eyes of both. After a few minutes--"I wish much, my child," said Madame de Tecle, "to repose for half an hour; and then also I wish to arrange my toilet."

"I will conduct you to your chamber. Oh, I can walk! I feel a great deal better."

Madame de Camors took her mother's arm and conducted her as far as the door of the chamber prepared for her. On the threshold she left her.

"Be sensible," said Madame de Tecle, turning and giving her another smile.

"And you also," said the young woman, whose voice failed her.

Madame de Tecle, as soon as the door was closed, raised her clasped hands toward heaven; then, falling on her knees before the bed, she buried her head in it, and wept despairingly.

The library of M. de Camors was contiguous to this chamber. He had been walking with long strides up and down this corridor, expecting every moment to see Madame de Tecle enter. As the time passed, he sat himself down and tried to read, but his thoughts wandered. His ear eagerly caught, against his will, the slightest sounds in the house. If a foot seemed approaching him, he rose suddenly and tried to compose his countenance. When the door of the neighboring chamber was opened, his agony was redoubled. He distinguished the whispering of the two voices; then, an instant after, the dull fall of Madame de Tecle upon the carpet; then her despairing sobs. M. de Camors threw from him violently the book which he was forcing himself to read, and, placing his elbows on the bureau which was before him, held, for a long time, his pale brow tightened in his contracted hands. When the sound of sobs abated little by little, and then ceased, he breathed freer. About midday he received this note:

"If you will permit me to take my daughter to the country for a few days, I shall be grateful to you.

"ELISE DE TECLE."

He returned immediately this simple reply:

"You can do nothing of which I do not approve to-day and always. CAMORS."

Madame de Tecle, in fact, having consulted the inclination and the strength of her daughter, had determined to remove her without delay, if possible, from the impressions of the spot where she had suffered so severely from the presence of her husband, and from the unfortunate embarrassment of their situation. She desired also to meditate in solitude, in order to decide what course to take under such unexampled circumstances. Finally, she had not the courage to see M. de Camors again--if she ever could see him again--until some time had elapsed. It was not without anxiety that she awaited the reply of the Count to the request she had addressed him.

In the midst of the troubled confusion of her ideas, she believed him capable of almost anything; and she feared everything from him. The Count's note reassured her. She hastened to read it to her daughter; and both of them, like two poor lost creatures who cling to the smallest twig, remarked with pleasure the tone of respectful abandonment with which he had reposed their destinies in their own hands. He spent his whole day at the session of the Corps Legislatif; and when he returned, they had departed.

Madame de Camors woke up the next morning in the chamber where her girlhood had passed. The birds of spring were singing under her windows in the old ancestral gardens. As she recognized these friendly voices, so familiar to her infancy, her heart melted; but several hours' sleep had restored to her her natural courage. She banished the thoughts which had weakened her, rose, and went to surprise her mother at her first waking. Soon after, both of them were walking together on the terrace of lime-trees. It was near the end of April; the young, scented verdure spread itself out beneath the sunbeams; buzzing flies already swarmed in the half-opened roses, in the blue pyramids of lilacs, and in the clusters of pink clover. After a few turns made in silence in the midst of this fresh and enchanting scene, the young Countess, seeing her mother absorbed in reverie, took her hand.

"Mother," she said, "do not be sad. Here we are as formerly--both of us in our little nook. We shall be happy."

The mother looked at her, took her head and kissed her fervently on the forehead.

"You are an angel!" she said.

It must be confessed that their uncle, Des Rameures, notwithstanding the tender affection he showed them, was rather in the way. He never had liked Camors; he had accepted him as a nephew as he had accepted him for a deputy--with more of resignation than enthusiasm. His antipathy was only too well justified by the event; but it was necessary to keep him in ignorance of it. He was an excellent man; but rough and blunt. The conduct of Camors, if he had but suspected it, would surely have urged him to some irreparable quarrel. Therefore Madame de Tecle and her daughter, in his presence, were compelled to make only half utterances, and maintain great reserve--as much as if he had been a stranger. This painful restraint would have become insupportable had not the young Countess's health, day by day, assumed a less doubtful character, and furnished them with excuses for their preoccupation, their disquiet, and their retired life.

Madame de Tecle, who reproached herself with the misfortunes of her daughter, as her own work, and who condemned herself with an unspeakable bitterness, did not cease to search, in the midst of those ruins of the past and of the present, some reparation, some refuge for the future. The first idea which presented itself to her imagination had been to separate absolutely, and at any cost, the Countess from her husband. Under the first shock of fright which the duplicity of Camors had inflicted upon her, she could not dwell without horror on the thought of replacing her child at the side of such a man. But this separation-supposing they could obtain it, through the consent of M. de Camors, or the authority of the law--would give to the public a secret scandal, and might entail redoubled catastrophes. Were it not for these consequences she would, at least, have dug between Madame de Camors and her husband an eternal abyss. Madame de Tecle did not desire this. By force of reflection she had finally seen through the character of M. de Camors in one day--not probably more favorably, but more truly. Madame de Tecle, although a stranger to all wickedness, knew the world and knew life, and her penetrating intelligence divined yet more than she knew certainly. She then very nearly understood what species of moral monster M. de Camors was. Such as she understood him, she hoped something from him still. However, the condition of the Countess offered her some consolation in the future, which she ought not to risk depriving herself of; and God might permit that this pledge of this unfortunate union might some day reunite the severed ties.

Madame de Tecle, in communicating her reflections, her hopes, and her fears to her daughter, added: "My poor child, I have almost lost the right to give you counsel; but I tell you, were it myself I should act thus."

"Very well, mother, I shall do so," replied the young woman.

"Reflect well on it first, for the situation which you are about to accept will have much bitterness in it; but we have only a choice of evils."

At the close of this conversation, and eight days after their arrival in the country, Madame de Tecle wrote M. de Camors a letter, which she read to her daughter, who approved it.

"I understood you to say, that you would restore to your wife her liberty if she wished to resume it. She neither wishes, nor could she accept it. Her first duty is to the child which will bear your name. It does not depend on her to keep this name stainless. She prays you, then, to reserve for her a place in your house. You need not fear any trouble or any reproach from her. She and I know how to suffer in silence. Nevertheless, I supplicate you to be true to her--to spare her. Will you leave her yet a few days in peace, then recall, or come for her?"

This letter touched M. de Camors deeply. Impassive as he was, it can easily be imagined that after the departure of his wife he had not enjoyed perfect ease of mind. Uncertainty is the worst of all evils, because everything may be apprehended. Deprived entirely of all news for eight days, there was no possible catastrophe he did not fancy floating over his head. He had the haughty courage to conceal from Madame de Campvallon the event that had occurred in his house, and to leave her undisturbed while he himself was sleepless for many nights. It was by such efforts of energy and of indomitable pride that this strange man preserved within his own consciousness a proud self-esteem. The letter of Madame de Tecle came to him like a deliverance. He sent the following brief reply:

"I accept your decision with gratitude and respect. The resolution of your daughter is generous. I have yet enough of generosity left myself to comprehend this. I am forever, whether you wish it or not, her friend and yours.

"CAMORS."

A week later, having taken the precaution of announcing his intention, he arrived one evening at Madame de Tecle's.

His young wife kept her chamber. They had taken care to have no witnesses, but their meeting was less painful and less embarrassing than they apprehended.

Madame de Tecle and her daughter found in his courteous reply a gleam of nobleness which inspired them with a shadow of confidence. Above all, they were proud, and more averse to noisy scenes than women usually are. They received him coldly, then, but calmly. On his part, he displayed toward them in his looks and language a subdued seriousness and sadness, which did not lack either dignity or grace.

The conversation having dwelt for some time on the health of the Countess, turned on current news, on local incidents, and took, little by little, an easy and ordinary tone. M. de Camors, under the pretext of slight fatigue, retired as he had entered--saluting both the ladies, but without attempting to take their hands. Thus was inaugurated, between Madame de Camors and her husband, the new, singular relation which should hereafter be the only tie in their common life.

The world might easily be silenced, because M. de Camors never had been very demonstrative in public toward his wife, and his courteous but reserved manner toward her did not vary from his habitual demeanor. He remained two days at Reuilly.

Madame de Tecle vainly waited for these two days for a slight explanation, which she did not wish to demand, but which she hoped for.

What were the terrible circumstances which had overruled the will of M. de Camors, to the point of making him forget the most sacred sentiments? When her thoughts plunged into this dread mystery, they never approached the truth. M. de Camors might have committed this base action under the menace of some great danger to save the fortune, the honor, probably the life of Madame de Campvallon. This, though a poor excuse in the mother's eyes, still was an extenuation. Probably also he had in his heart, while marrying her daughter, the resolution to break off this fatal liaison, which he had again resumed against his will, as often happens. On all these painful points she dwelt after the departure of M. de Camors, as she had previous to his arrival; confined to her own conjectures, when she suggested to her daughter the most consolatory appearances. It was agreed upon that Madame de Camors should remain in the country until her health was reestablished: only her husband expressed the desire that she should reside ordinarily on his estate at Reuilly, the chateau on which had recently been restored with the greatest taste.

Madame de Tecle felt the propriety of this arrangement. She herself abandoned the old habitation of the Comte de Tecle, to install herself near her daughter in the modest chateau which belonged to the maternal ancestors of M. de Camors, and which we have already described in another place, with its solemn avenue, its balustrades of granite, its labyrinths of hornbeams and the black fishpond, shaded with poplars.

Both dwelt there in the midst of their sweetest and most pleasant souvenirs; for this little chateau, so long deserted--the neglected woods which surrounded it the melancholy piece of water--the solitary nymph all this had been their particular domain, the favorite framework of their reveries, the legend of their infancy, the poetry of their youth. It was doubtless a great grief to revisit again, with tearful eyes and wounded hearts and heads bowed by the storms of life, the familiar paths where they once knew happiness and peace. But, nevertheless, all these dear confidants of past joys, of blasted hopes, of vanished dreams--if they are mournful witnesses they are also friends. We love them; and they seem to love us. Thus these two poor women, straying amid these woods, these waters, these solitudes, bearing with them their incurable wounds, fancied they heard voices which pitied them and breathed a healing sympathy. The most cruel trial reserved to Madame de Camors in the life which she had the courage and judgment to adopt, was assuredly the duty of again seeing the Marquise de Campvallon, and preserving with her such relations as might blind the eyes of the General and of the world.

She resigned herself even to this; but she desired to defer as long as possible the pain of such a meeting. Her health supplied her with a natural excuse for not going, during that summer, to Campvallon, and also for keeping herself confined to her own room the day the Marquise visited Reuilly, accompanied by the General.

Madame de Tecle received her with her usual kindness. Madame de Campvallon, whom M. de Camors had already warned, did not trouble herself much; for the best women, like the worst, excel in comedy, and everything passed off without the General having conceived the shadow of a suspicion.

The fine season had passed. M. de Camors had visited the country several times, strengthening at every interview the new tone of his relations with his wife. He remained at Reuilly, as was his custom, during the month of August; and under the pretext of the health of the Countess, did not multiply his visits that year to Campvallon. On his return to Paris, he resumed his old habits, and also his careless egotism, for he recovered little by little from the blow he had received. He began to forget his sufferings and those of his wife; and even to felicitate himself secretly on the turn that chance had given to her situation. He had obtained the advantage and had no longer any annoyance. His wife had been enlightened, and he no longer deceived her--which was a comfortable thing for him. As for her, she would soon be a mother, she would have a plaything, a consolation; and he designed redoubling his attentions and regards to her.

She would be happy, or nearly so; as much so as two thirds of the women in the world.

Everything was for the best. He gave anew the reins to his car and launched himself afresh on his brilliant career-proud of his royal mistress, and foreseeing in the distance, to crown his life, the triumphs of ambition and power. Pleading various doubtful engagements, he went to Reuilly only once during the autumn; but he wrote frequently, and Madame de Tecle sent him in return brief accounts of his wife's health.

One morning toward the close of November, he received a despatch which made him understand, in telegraphic style, that his presence was immediately required at Reuilly, if he wished to be present at the birth of his son.

Whenever social duties or courtesy were required of M. de Camors, he never hesitated. Seeing he had not a moment to spare if he wished to catch the train which left that morning, he jumped into a cab and drove to the station. His servant would join him the next morning.

The station at Reuilly was several miles distant from the house. In the confusion no arrangement had been made to receive him on his arrival, and he was obliged to content himself with making the intermediate journey in a heavy country-wagon. The bad condition of the roads was a new obstacle, and it was three o'clock in the morning when the Count, impatient and travel-worn, jumped out of the little cart before the railings of his avenue. He strode toward the house under the dark and silent dome of the tufted elms. He was in the middle of the avenue when a sharp cry rent the air. His heart bounded in his breast: he suddenly stopped and listened attentively. The cry echoed through the stillness of the night. One would have deemed it the despairing shriek of a human being under the knife of a murderer.

These dolorous sounds gradually ceasing, he continued his walk with greater haste, and only heard the hollow and muffled sound of his own beating heart. At the moment he saw the lights of the chateau, another agonized cry, more shrill and alarming than the first, arose.

This time Camors stopped. Notwithstanding that the natural explanation of these agonized cries presented itself to his mind, he was troubled.

It is not unusual that men like him, accustomed to a purely artificial life, feel a strange surprise when one of the simplest laws of nature presents itself all at once before them with a violence as imperious and irresistible as a divine law. Camors soon reached the house, and receiving some information from the servants, notified Madame de Tecle of his arrival. Madame de Tecle immediately descended from her daughter's room. On seeing her convulsed features and streaming eyes, "Are you alarmed?" Camors asked, quickly.

"Alarmed? No," she replied; "but she suffers much, and it is very long."

"Can I see her?"

There was a moment's silence.

Madame de Tecle, whose forehead was contracted, lowered her eyes, then raised them. "If you insist on it," she said.

"I insist on nothing! If you believe my presence would do her harm--" The voice of Camors was not as steady as usual.

"I am afraid," replied Madame de Tecle, "that it would agitate her greatly; and if you will have confidence in me, I shall be much obliged to you."

"But at least," said Camors, "she might probably be glad to know that I have come, and that I am here--that I have not abandoned her."

"I shall tell her."

"It is well." He saluted Madame de Tecle with a slight movement of his head, and turned away immediately.

He entered the garden at the back of the house, and walked abstractedly from alley to alley. We know that generally the role of men in the situation in which M. de Camors at this moment was placed is not very easy or very glorious; but the common annoyance of this position was particularly aggravated to him by painful reflections. Not only was his assistance not needed, but it was repelled; not only was he far from a support on the contrary, he was but an additional danger and sorrow. In this thought was a bitterness which he keenly felt. His native generosity, his humanity, shuddered as he heard the terrible cries and accents of distress which succeeded each other without intermission. He passed some heavy hours in the damp garden this cold night, and the chilly morning which succeeded it. Madame de Tecle came frequently to give him the news. Near eight o'clock he saw her approach him with a grave and tranquil air.

"Monsieur," she said, "it is a boy."

"I thank you. How is she?"

"Well. I shall request you to go and see her shortly."

Half an hour later she reappeared on the threshold of the vestibule, and called:

"Monsieur de Camors!" and when he approached her, she added, with an emotion which made her lips tremble:

"She has been uneasy for some time past. She is afraid that you have kept terms with her in order to take the child. If ever you have such a thought--not now, Monsieur. Have you?"

"You are severe, Madame," he replied in a hoarse voice.

She breathed a sigh.

"Come!" she said, and led the way upstairs. She opened the door of the chamber and permitted him to enter it alone.

His first glance caught the eyes of his young wife fixed upon him. She was half sitting up in bed, supported by pillows, and whiter than the curtains whose shadow enveloped her. She held clasped to her breast her sleeping infant, which was already covered, like its mother, with lace and pink ribbons. From the depths of this nest she fixed on her husband her large eyes, sparkling with a kind of savage light--an expression in which the sentiment of triumph was blended with one of profound terror. He stopped within a few feet of the bed, and saluted her with his most winning smile.

"I have pitied you very much, Marie," he said.

"I thank you!" she replied, in a voice as feeble as a sigh.

She continued to regard him with the same suppliant and affrighted air.

"Are you a little happier now?" he continued.

The glittering eye of the young woman was fastened on the calm face of her infant. Then turning toward Camors:

"You will not take him from me?"

"Never!" he replied.

As he pronounced these words his eyes were suddenly dimmed, and he was astonished himself to feel a tear trickling down his cheek. He experienced a singular feeling, he bent over, seized the folds of the sheet, raised them to his lips, rose immediately and left the room.

In this terrible struggle, too often victorious against nature and truth, the man was for once vanquished. But it would be idle to imagine that a character of this temperament and of this obduracy could transform itself, or could be materially modified under the stroke of a few transitory emotions, or of a few nervous shocks. M. de Camors rallied quickly from his weakness, if even he did not repent it. He spent eight days at Reuilly, remarking in the countenance of Madame de Tecle and in her manner toward him, more ease than formerly.

On his return to Paris, with thoughtful care he made some changes in the interior arrangement of his mansion. This was to prepare for the Countess and her son, who were to join him a few weeks later, larger and more comfortable apartments, in which they were to be installed.

XIX. THE REPTILE TURNS TO STING

When Madame de Camors came to Paris and entered the home of her husband, she there experienced the painful impressions of the past, and the sombre preoccupations of the future; but she brought with her, although in a fragile form, a powerful consolation.

Assailed by grief, and ever menaced by new emotion she was obliged to renounce the nursing of her child; but, nevertheless, she never left him, for she was jealous even of his nurse. She at least wished to be loved by him. She loved him with an infinite passion. She loved him because he was her own son and of her blood. He was the price of her misfortune--of her pain. She loved him because he was her only hope of human happiness hereafter. She loved him because she found him as beautiful as the day. And it was true he was so; for he resembled his father--and she loved him also on that account. She tried to concentrate her heart and all her thoughts on this dear creature, and at first she thought she had succeeded. She was surprised at herself, at her own tranquillity, when she saw Madame de Campvallon; for her lively imagination had exhausted, in advance, all the sadness which her new existence could contain; but when she had lost the kind of torpor into which excessive suffering had plunged her--when her maternal sensations were a little quieted by custom, her woman's heart recovered itself in the mother's. She could not prevent herself from renewing her passionate interest in her graceful though terrible husband.

Madame de Tecle went to pass two months with her daughter in Paris, and then returned to the country.

Madame de Camors wrote to her, in the beginning of the following spring, a letter which gave her an exact idea of the sentiments of the young woman at the time, and of the turn her domestic life had taken. After a long and touching detail of the health and beauty of her son Robert, she added:

"His father is always to me what you have seen him. He spares me everything he can spare me, but evidently the fatality he has obeyed continues under the same form. Notwithstanding, I do not despair of the future, my beloved mother. Since I saw that tear in his eye, confidence has entered my poor heart. Be assured, my adored mother, that he will love me one day, if it is only through our child, whom he begins quietly to love without himself perceiving it. At first, as you remember, this infant was no more to him than I was. When he surprised him on my knee, he would give him a cold kiss, say, 'Good-morning, Monsieur,' and withdraw. It is just one month--I have forgotten the date--it was, 'Good-morning, my son--how pretty you are!' You see the progress; and do you know, finally, what passed yesterday? I entered Robert's room noiselessly; the door was open-- what did I behold, my mother! Monsieur de Camors, with his head resting on the pillow of the cradle, and laughing at this little creature, who smiled back at him! I assure you, he blushed and excused himself: 'The door was open,' he said, 'and I came in.' I assured him that he had done nothing wrong.

"Monsieur de Camors is very odd sometimes. He occasionally passes the limits which were agreed upon as necessary. He is not only polite, but takes great trouble. Alas! once these courtesies would have fallen upon my heart like roses from heaven--now they annoy me a little. Last evening, for example, I sat down, as is my custom, at my piano after dinner, he reading a journal at the chimney- corner--his usual hour for going out passed. Behold me, much surprised. I threw a furtive glance, between two bars of music, at him: he was not reading, he was not sleeping--he was dreaming. 'Is there anything new in the Journal?'--'No, no; nothing at all.' Another two or three bars of music, and I entered my son's room. He was in bed and asleep. I devoured him with kisses and returned-- Monsieur de Camors was still there. And now, surprise after surprise: 'Have you heard from your mother? What does she say? Have you seen Madame Jaubert? Have you read this review?' Just like one who sought to open a conversation. Once I would willingly have paid with my blood for one of these evenings, and now he offers them to me, when I know not what to do with them. Notwithstanding I remember the advice of my mother, I do not wish to discourage these symptoms. I adopt a festive manner. I light four extra waxlights. I try to be amiable without being coquettish; for coquetry here would be shameful--would it not, my dear mother? Finally, we chatted together; he sang two airs to the piano; I played two others; he painted the design of a little Russian costume for Robert to wear next year; then talked politics to me. This enchanted me. He explained to me his situation in the Chamber. Midnight arrived; I became remarkably silent; he rose: 'May I press your hand in friendship?'--' Mon Dieu! yes.'--'Good-night, Marie.'--' Goodnight.' Yes, my mother, I read your thoughts. There is danger here! but you have shown it to me; and I believe also, I should have perceived it by myself. Do not fear, then. I shall be happy at his good inclinations, and shall encourage them to the best of my power; but I shall not be in haste to perceive a return, on his part, toward virtue and myself. I see here in society arrangements which revolt me. In the midst of my misfortune I remain pure and proud; but I should fall into the deepest contempt of myself if I should ever permit myself to be a plaything for Monsieur de Camors. A man so fallen does not raise himself in a day. If ever he really returns to me, it will be necessary for me to have much proof. I never have ceased to love him, and probably he doubts it: but he will learn that if this sad love can break my heart it can never abase it; and it is unnecessary to tell my mother that I shall live and die courageously in my widow's robe.

"There are other symptoms which also strike me. He is more attentive to me when she is present. This may probably be arranged between them, but I doubt it. The other evening we were at the General's. She was waltzing, and Monsieur de Camors, as a rare favor, came and seated himself at your daughter's side. In passing before us she threw him a look--a flash. I felt the flame. Her blue eyes glared ferociously. He perceived it. I have not assuredly much tenderness for her. She is my most cruel enemy; but if ever she suffers what she has made me suffer-yes, I believe I shall pity her. My mother, I embrace you. I embrace our dear lime- trees. I taste their young leaves as in olden times. Scold me as in old times, and love, above all things, as in old times, your

"MARIE."

This wise young woman, matured by misfortune, observed everything saw everything--and exaggerated nothing. She touched, in this letter, on the most delicate points in the household of M. de Camors--and even of his secret thoughts--with accurate justice. For Camors was not at all converted, nor near being so; but it would be belying human nature to attribute to his heart, or that of any other human being, a supernatural impassibility. If the dark and implacable theories which M. de Camors had made the law of his existence could triumph absolutely, this would be true. The trials he had passed through did not reform him, they only staggered him. He did not pursue his paths with the same firmness; he strayed from his programme. He pitied one of his victims, and, as one wrong always entails another, after pitying his wife, he came near loving his child. These two weaknesses had glided into his petrified soul as into a marble fount, and there took root-two imperceptible roots, however. The child occupied him not more than a few moments every day. He thought of him, however, and would return home a little earlier than usual each day than was his habit, secretly attracted by the smile of that fresh face. The mother was for him something more. Her sufferings, her youthful heroism had touched him. She became somebody in his eyes. He discovered many merits in her. He perceived she was remarkably well-informed for a woman, and prodigiously so for a French woman. She understood half a word--knew a great deal--and guessed at the remainder. She had, in short, that blending of grace and solidity which gives to the conversation of a woman of cultivated mind an incomparable charm. Habituated from infancy to her mental superiority as to her pretty face, she carried the one as unconsciously as the other. She devoted herself to the care of his household as if she had no idea beyond it. There were domestic details which she would not confide to servants. She followed them into her salons, into her boudoirs, a blue feather-brush in hand, lightly dusting the 'etageres', the 'jardinieres', the 'consoles'. She arranged one piece of furniture and removed another, put flowers in a vase-gliding about and singing like a bird in a cage.

Her husband sometimes amused himself in following her with his eye in these household occupations. She reminded him of the princesses one sees in the ballet of the opera, reduced by some change of fortune to a temporary servitude, who dance while putting the house in order.

"How you love order, Marie!" said he to her one day.

"Order" she said, gravely, "is the moral beauty of things."

She emphasized the word things--and, fearing she might be considered pretentious, she blushed.

She was a lovable creature, and it can be understood that she might have many attractions, even for her husband. Yet though he had not for one instant the idea of sacrificing to her the passion that ruled his life, it is certain, however, that his wife pleased him as a charming friend, which she was, and probably as a charming forbidden fruit, which she also was. Two or three years passed without making any sensible change in the relations of the different persons in this history. This was the most brilliant phase and probably the happiest in the life of M. de Camors.

His marriage had doubled his fortune, and his clever speculations augmented it every day. He had increased the retinue of his house in proportion to his new resources. In the region of elegant high life he decidedly held the sceptre. His horses, his equipages, his artistic tastes, even his toilet, set the law.

His liaison with Madame de Campvallon, without being proclaimed, was suspected, and completed his prestige. At the same time his capacity as a political man began to be acknowledged. He had spoken in some recent debate, and his maiden speech was a triumph. His prosperity was great. It was nevertheless true that M. de Camors did not enjoy it without trouble. Two black spots darkened the sky above his head, and might contain destroying thunder. His life was eternally suspended on a thread.

Any day General Campvallon might be informed of the intrigue which dishonored him, either through some selfish treason, or through some public rumor, which might begin to spread. Should this ever happen, he knew the General never would submit to it; and he had determined never to defend his life against his outraged friend.

This resolve, firmly decided upon in his secret soul, gave him the last solace to his conscience. All his future destiny was thus at the mercy of an accident most likely to happen. The second cause of his disquietude was the jealous hatred of Madame Campvallon toward the young rival she had herself selected. After jesting freely on this subject at first, the Marquise had, little by little, ceased even to allude to it.

M. de Camors could not misunderstand certain mute symptoms, and was sometimes alarmed at this silent jealousy. Fearing to exasperate this most violent feminine sentiment in so strong a soul, he was compelled day by day to resort to tricks which wounded his pride, and probably his heart also; for his wife, to whom his new conduct was inexplicable, suffered intensely, and he saw it.

One evening in the month of May, 1860, there was a reception at the Hotel Campvallon. The Marquise, before leaving for the country, was making her adieus to a choice group of her friends. Although this fete professed to be but an informal gathering, she had organized it with her usual elegance and taste. A kind of gallery, composed of verdure and of flowers, connected the salon with the conservatory at the other end of the garden.

This evening proved a very painful one to the Comtesse de Camors. Her husband's neglect of her was so marked, his assiduities to the Marquise so persistent, their mutual understanding so apparent, that the young wife felt the pain of her desertion to an almost insupportable degree. She took refuge in the conservatory, and finding herself alone there, she wept.

A few moments later, M. de Camors, not seeing her in the salon, became uneasy. She saw him, as he entered the conservatory, in one of those instantaneous glances by which women contrive to see without looking. She pretended to be examining the flowers, and by a strong effort of will dried her tears. Her husband advanced slowly toward her.

"What a magnificent camellia!" he said to her. "Do you know this variety?"

"Very well," she replied; "this is the camellia that weeps."

He broke off the flowers.

"Marie," he said, "I never have been much addicted to sentimentality, but this flower I shall keep."

She turned upon him her astonished eyes.

"Because I love it," he added.

The noise of a step made them both turn. It was Madame de Campvallon, who was crossing the conservatory on the arm of a foreign diplomat.

"Pardon me," she said, smiling; "I have disturbed you! How awkward of me!" and she passed out.

Madame de Camors suddenly grew very red, and her husband very pale. The diplomat alone did not change color, for he comprehended nothing. The young Countess, under pretext of a headache, which her face did not belie, returned home immediately, promising her husband to send back the carriage for him. Shortly after, the Marquise de Campvallon, obeying a secret sign from M. de Camors, rejoined him in the retired boudoir, which recalled to them both the most culpable incident of their lives. She sat down beside him on the divan with a haughty nonchalance.

"What is it?" she said.

"Why do you watch me?" asked Camors. "It is unworthy of you!"

"Ah! an explanation? a disagreeable thing. It is the first between us--at least let us be quick and complete."

She spoke in a voice of restrained passion--her eyes fixed on her foot, which she twisted in her satin shoe.

"Well, tell the truth," she said. "You are in love with your wife."

He shrugged his shoulders. "Unworthy of you, I repeat."

"What, then, mean these delicate attentions to her?"

"You ordered me to marry her, but not to kill her, I suppose?"

She made a strange movement of her eyebrows, which he did not see, for neither of them looked at the other. After a pause she said:

"She has her son! She has her mother! I have no one but you. Hear me, my friend; do not make me jealous, for when I am so, ideas torment me which terrify even myself. Wait an instant. Since we are on this subject, if you love her, tell me so. You know me--you know I am not fond of petty artifices. Well, I fear so much the sufferings and humiliations of which I have a presentiment, I am so much afraid of myself, that I offer you, and give you, your liberty. I prefer this horrible grief, for it is at least open and noble! It is no snare that I set for you, believe me! Look at me. I seldom weep." The dark blue of her eyes was bathed in tears. "Yes, I am sincere; and I beg of you, if it is so, profit by this moment, for if you let it escape, you never will find it again."

M. de Camors was little prepared for this decided proposal. The idea of breaking off his liaison with the Marquise never had entered his mind. This liaison seemed to him very reconcilable with the sentiments with which his wife could inspire him.

It was at the same time the greatest wickedness and the perpetual danger of his life, but it was also the excitement, the pride, and the magnificent voluptuousness of it. He shuddered. The idea of losing the love which had cost him so dear exasperated him. He cast a burning glance on this beautiful face, refined and exalted as that of a warring archangel.

"My life is yours," he said. "How could you have dreamed of breaking ties like ours? How could you have alarmed yourself, or even thought of my feelings toward another? I do what honor and humanity command me--nothing more. As for you--I love you--understand that."

"Is it true?" she asked. "It is true! I believe you!"

She took his hand, and gazed at him a moment without speaking--her eye dimmed, her bosom palpitating; then suddenly rising, she said, "My friend, you know I have guests!" and saluting him with a smile, left the boudoir.

This scene, however, left a disagreeable impression on the mind of Camors. He thought of it impatiently the next morning, while trying a horse on the Champs Elysees--when he suddenly found himself face to face with his former secretary, Vautrot. He had never seen this person since the day he had thought proper to give himself his own dismissal.

The Champs Elysees was deserted at this hour. Vautrot could not avoid, as he had probably done more than once, encountering Camors.

Seeing himself recognized he saluted him and stopped, with an uneasy smile on his lips. His worn black coat and doubtful linen showed a poverty unacknowledged but profound. M. de Camors did not notice these details, or his natural generosity would have awakened, and curbed the sudden indignation that took possession of him.

He reined in his horse sharply.

"Ah, is it you, Monsieur Vautrot?" he said. "You have left England then! What are you doing now?"

"I am looking for a situation, Monsieur de Camors," said Vautrot, humbly, who knew his old patron too well not to read clearly in the curl of his moustache the warning of a storm.

"And why," said Camors, "do you not return to your trade of locksmith? You were so skilful at it! The most complicated locks had no secrets for you."

"I do not understand your meaning," murmured Vautrot.

"Droll fellow!" and throwing out these words with an accent of withering scorn, M. de Camors struck Vautrot's shoulder lightly with the end of his riding-whip, and tranquilly passed on at a walk.

Vautrot was truly in search of a place, had he consented to accept one fitted to his talents; but he was, as will be remembered, one of those whose vanity was greater than his merit, and one who loved an office better than work.

XX. THE SECOND ACT OF THE TRAGEDY

Vautrot had at this time fallen into the depth of want and distress, which, if aggravated, would prompt him to evil and even to crime. There are many examples of the extremes to which this kind of intelligence, at once ambitious, grasping, yet impotent, can transport its possessor. Vautrot, in awaiting better times, had relapsed into his old role of hypocrite, in which he had formerly succeeded so well. Only the evening before he had returned to the house of Madame de la Roche-Jugan, and made honorable amends for his philosophical heresies; for he was like the Saxons in the time of Charlemagne, who asked to be baptized every time they wanted new tunics. Madame de la Roche-Jugan had given a kind reception to this sad prodigal son, but she chilled perceptibly on seeing him more discreet than she desired on certain subjects, the mystery of which she had set her heart upon unravelling.

She was now more preoccupied than ever about the relations which she suspected to exist between M. de Camors and Madame de Campvallon. These relations could not but prove fatal to the hopes she had so long founded on the widowhood of the Marquise and the heritage of the General. The marriage of M. de Camors had for the moment deceived her, but she was one of those pious persons who always think evil, and whose suspicions are soon reawakened. She tried to obtain from Vautrot, who had so long been intimate with her nephew, some explanation of the mystery; but as Vautrot was too prudent to enlighten her, she turned him out of doors.

After his encounter with M. de Camors, he immediately turned his steps toward the Rue St. Dominique, and an hour later Madame de la Roche-Jugan had the pleasure of knowing all that he knew of the liaison between the Count and the Marquise. But we remember that he knew everything. These revelations, though not unexpected, terrified Madame de la Roche-Jugan, who saw her maternal projects destroyed forever. To her bitter feeling at this deception was immediately joined, in this base soul, a sudden thirst for revenge. It was true she had been badly recompensed for her anonymous letter, by which she had previously attempted to open the eyes of the unfortunate General; for from that moment the General, the Marquise, and M. de Camors himself, without an open rupture, let her feel their marks of contempt, which embittered her heart. She never would again expose herself to a similar slight of this kind; but she must assuredly, in the cause of good morals, at once confront the blind with the culpable, and this time with such proofs as would make the blow irresistible. By the mere thought, Madame de la Roche-Jugan had persuaded herself that the new turn events were taking might become favorable to the expectations which had become the fixed idea of her life.

Madame de Campvallon destroyed, M. de Camors set aside, the General would be alone in the world; and it was natural to suppose he would turn to his young relative Sigismund, if only to recognize the far-sighted affection and wounded heart of Madame de la Roche-Jugan.

The General, in fact, had by his marriage contract settled all his property on his wife; but Madame de la Roche-Jugan, who had consulted a lawyer on this question, knew that he had the power of alienating his fortune during life, and of stripping his unworthy wife and transferring it to Sigismund.

Madame de la Roche-Jugan did not shrink from the probability--which was most likely--of an encounter between the General and Camors. Every one knows the disdainful intrepidity of women in the matter of duels. She had no scruple, therefore, in engaging Vautrot in the meritorious work she meditated. She secured him by some immediate advantages and by promises; she made him believe the General would recompense him largely. Vautrot, smarting still from the cut of Camors's whip on his shoulder, and ready to kill him with his own hand had he dared, hardly required the additional stimulus of gain to aid his protectress in her vengeance by acting as her instrument.

He resolved, however, since he had the opportunity, to put himself, once for all, beyond misery and want, by cleverly speculating, through the secret he held, on the great fortune of the General. This secret he had already given to Madame de Camors under the inspiration of another sentiment, but he had then in his hands the proofs, which he now was without.

It was necessary, then, for him to arm himself with new and infallible proofs; but if the intrigue he was required to unmask still existed, he did not despair of detecting something certain, aided by the general knowledge he had of the private habits and ways of Camors. This was the task to which he applied himself from this moment, day and night, with an evil ardor of hate and jealousy. The absolute confidence which the General reposed in his wife and Camors after the latter's marriage with Marie de Tecle, had doubtless allowed them to dispense with much of the mystery and adventure of their intrigue; but that which was ardent, poetic, and theatrical to the Marquise's imagination had not been lost. Love alone was not sufficient for her. She needed danger, scenic effect, and pleasure heightened by terror. Once or twice, in the early time, she was reckless enough to leave her house during the night and to return before day. But she was obliged to renounce these audacious flights, finding them too perilous.

These nocturnal interviews with M. de Camors were rare, and she had usually received him at home. This was their arrangement: An open space, sometimes used as a woodyard, was next the garden of the Hotel Campvallon. The General had purchased a portion of it and had had a cottage erected in the midst of a kitchen-garden, and had placed in it, with his usual kind-heartedness, an old 'sous-officier', named Mesnil, who had served under him in the artillery. This Mesnil enjoyed his master's confidence. He was a kind of forester on the property; he lived in Paris in the winter, but occasionally passed two or three days in the country whenever the General wished to obtain information about the crops. Madame de Campvallon and M. de Camors chose the time of these absences for their dangerous interviews at night. Camors, apprised from within by some understood signal, entered the enclosure surrounding the cottage of Mesnil, and thence proceeded to the garden belonging to the house. Madame de Campvallon always charged herself with the peril that charmed her--with keeping open one of the windows on the ground floor. The Parisian custom of lodging the domestics in the attics gave to this hardihood a sort of security, notwithstanding its being always hazardous. Near the end of May, one of these occasions, always impatiently awaited on both sides, presented itself, and M. de Camors at midnight penetrated into the little garden of the old 'sous-officier'. At the moment when he turned the key in the gate of the enclosure, he thought he heard a slight sound behind him. He turned, cast a rapid glance over the dark space that surrounded him, and thinking himself mistaken, entered. An instant after, the shadow of a man appeared at the angle of a pile of lumber, which was scattered over the carpenter's yard. This shadow remained for some time immovable in front of the windows of the hotel and then plunged again into the darkness.

The following week M. de Camors was at the club one evening, playing whist with the General. He remarked that the General was not playing his usual game, and saw also imprinted on his features a painful preoccupation.

"Are you in pain, General?" said he, after they had finished their game.

"No, no!" said the General; "I am only annoyed--a tiresome affair between two of my people in the country. I sent Mesnil away this morning to examine into it."

The General took a few steps, then returned to Camors and took him aside: "My friend," he said, "I deceived you, just now; I have something on my mind--something very serious. I am even very unhappy!"

"What is the matter?" said Camors, whose heart sank.

"I shall tell you that probably to-morrow. Come, in any case, to see me to-morrow morning. Won't you?"

"Yes, certainly."

"Thanks! Now I shall go--for I am really not well."

He clasped his hand more affectionately than usual.

"Adieu, my dear child," he added, and turned around brusquely to hide the tears which suddenly filled his eyes. M. de Camors experienced for some moments a lively disquietude, but the friendly and tender adieus of the General reassured him that it did not relate to himself. Still he continued astonished and even affected by the emotion of the old man.

Was it not strange? If there was one man in the world whom he loved, or to whom he would have devoted himself, it was this one whom he had mortally wronged.

He had, however, good reason to be uneasy; and was wrong in reassuring himself; for the General in the course of that evening had been informed of the treachery of his wife--at least he had been prepared for it. Only he was still ignorant of the name of her accomplice.

Those who informed him were afraid of encountering the blind and obstinate faith of the General, had they named Camors.

It was probable, also, after what had already occurred, that had they again pronounced that name, the General would have repelled the suspicion as a monstrous impossibility, regretting even the thought.

M. de Camors remained until one o'clock at the club and then went to the Rue Vanneau. He was introduced into the Hotel Campvallon with the customary precautions; and this time we shall follow him there. In traversing the garden, he raised his eyes to the General's window, and saw the soft light of the night-lamp burning behind the blinds.

The Marquise awaited him at the door of her boudoir, which opened on a rotunda at an elevation of a few feet. He kissed her hand, and told her in few words of the General's sadness.

She replied that she had been very uneasy about his health for some days. This explanation seemed natural to M. de Camors, and he followed the Marquise through the dark and silent salon. She held in her hand a candle, the feeble light of which threw on her delicate features a strange pallor. When they passed up the long, echoing staircase, the rustling of her skirt on the steps was the only sound that betrayed her light movement.

She stopped from time to time, shivering--as if better to taste the dramatic solemnity that surrounded them--turned her blonde head a little to look at Camors; then cast on him her inspiring smile, placed her hand on her heart, as if to say, "I am fearful," and went on. They reached her chamber, where a dim lamp faintly illumined the sombre magnificence, the sculptured wainscotings, and the heavy draperies.

The flame on the hearth which flickered up at intervals, threw a bright gleam on two or three pictures of the Spanish school, which were the only decorations of this sumptuous, but stern-looking apartment.

The Marquise sank as if terrified on a divan near the chimney, and pushed with her feet two cushions before her, on which Camors half reclined; she then thrust back the thick braids of her hair, and leaned toward her lover.

"Do you love me to-day?" she asked.

The soft breath of her voice was passing over the face of Camors, when the door suddenly opened before them. The General entered. The Marquise and Camors instantly rose to their feet, and standing side by side, motionless, gazed upon him. The General paused near the door. As he saw them a shudder passed over his frame, and his face assumed a livid pallor. For an instant his eye rested on Camors with a stupefied surprise and almost bewilderment; then he raised his arms over his head, and his hands struck together with a sharp sound. At this terrible moment Madame de Campvallon seized the arm of Camors, and threw him a look so profound, supplicating, and tragic, that it alarmed him.

He roughly pushed her from him, crossed his arms, and waited the result.

The General walked slowly toward him. Suddenly his face became inflamed with a purple hue; his lips half opened, as if about to deliver some deadly insult. He advanced rapidly, his hand raised; but after a few steps the old man suddenly stopped, beat the air with both hands, as if seeking some support, then staggered and fell forward, striking his head against the marble mantelpiece, rolled on the carpet, and remained motionless. There was an ominous silence. A stifled cry from M. de Camors broke it. At the same time he threw himself on his knees by the side of the motionless old man, touched first his hand, then his heart. He saw that he was dead. A thin thread of blood trickled down his pale forehead where it had struck the marble; but this was only a slight wound. It was not that which had killed him. It was the treachery of those two beings whom he had loved, and who, he believed, loved him. His heart had been broken by the violence of the surprise, the grief, and the horror.

One look of Camors told Madame de Campvallon she was a widow. She threw herself on the divan, buried her face in the cushions and sobbed aloud. Camors still stood, his back against the mantelpiece, his eyes fixed, wrapped in his own thoughts. He wished in all sincerity of heart that he could have awakened the dead and restored him to life. He had sworn to deliver himself up to him without defence, if ever the old man demanded it of him for forgotten favors, betrayed friendship, and violated honor. Now he had killed him. If he had not slain him with his own hand, the crime was still there, in its most hideous form. He saw it before him, he inhaled its odor--he breathed its blood. An uneasy glance of the Marquise recalled him to himself and he approached her. They then conversed together in whispers, and he hastily explained to her the line of conduct she should adopt.

She must summon the servants, say the General had been taken suddenly ill, and that on entering her room he had been seized by an apoplectic stroke.

It was with some effort that she understood she was to wait long enough before giving the alarm to give Camors sufficient time to escape; and until then she was to remain in this frightful tete-a-tete, alone with the dead.

He pitied her, and decided on leaving the hotel by the apartment of M. de Campvallon, which had a private entrance on the street.

The Marquise immediately rang violently several times, and Camors did not retire till he heard the sound of hastening feet on the stairs. The apartment of the General communicated with that of his wife by a short gallery. There was a suite of apartments--first a study, then his sleeping-room. M. de Camors traversed this room with feelings we shall not attempt to describe and gained the street. The surgeon testified that the General had died from the rupture of a vessel in the heart. Two days after the interment took place, at which M. de Camors attended. The same evening he left Paris to join his wife, who had gone to Reuilly the preceding week.