IV. THE DEMON ABSINTHE…

IV. THE DEMON ABSINTHE

Three or four times a year M. Violette, accompanied by his son, paid a visit to an uncle of his deceased wife, whose heir Amedee might some day become.

M. Isidore Gaufre had founded and made successful a large house for Catholic books and pictures, to which he had added an important agency for the sale of all kinds of religious objects. This vast establishment was called, by a stroke of genius of its proprietor, "Bon Marche des Paroisses," and was famous among all the French clergy. At last it occupied the principal part of the house and all the out-buildings of an old hotel on the Rue Servandoni, constructed in the pompous and magnificent style of the latter part of the seventeenth century. He did a great business there.

All day long, priests and clerical-looking gentlemen mounted the long flight of steps that led to a spacious first floor, lighted by large, high windows surmounted by grotesque heads. There the long-bearded missionaries came to purchase their cargoes of glass beads or imitation coral rosaries, before embarking for the East, or the Gaboon, to convert the negroes and the Chinese.

The member of the third estate, draped in a long chocolate-colored, straight frock-coat, holding a gigantic umbrella under his arm, procured, dirt cheap and by the thousand, pamphlets of religious tenets. The country curate, visiting Paris, arranged for the immediate delivery of a remonstrance, in electrotype, Byzantine style, signing a series of long-dated bills, contracting, by zeal supplemented by some ready cash, to fulfil his liabilities, through the generosity of the faithful ones.

There, likewise, a young director of consciences came to look for some devotional work--for example, the 12mo entitled "Widows' Tears Wiped Away," by St. Francois de Sales--for some penitent. The representative from some deputation from a devoutly Catholic district would solicit a reduction upon a purchase of the "Twelve Stations of the Cross," hideously daubed, which he proposed to present to the parishes which his adversaries had accused of being Voltairians. A brother of the Christian Doctrine, or a sister of St. Vincent de Paul, would bargain for catechisms for their schools. From time to time, even a prince of the church, a bishop with aristocratic mien, enveloped in an ample gown, with his hat surrounded with a green cord and golden tassels, would mysteriously shut himself up in M. Isidore Gaufre's office for an hour; and then would be reconducted to the top of the steps by the cringing proprietor, profuse with his "Monseigneur," and obsequiously bowing under the haughty benediction of two fingers in a violet glove.

It was certainly not from sympathy that M. Violette had kept up his relations with his wife's uncle; for M. Gaufre, who was servilely polite to all those in whom he had an interest, was usually disdainful, sometimes even insolent, to those who were of no use to him. During his niece's life he had troubled himself very little about her, and had given her for a wedding present only an ivory crucifix with a shell for holy water, such as he sold by the gross to be used in convents. A self-made man, having already amassed--so they said--a considerable fortune, M. Gaufre held in very low estimation this poor devil of a commonplace employe whose slow advancement was doubtless due to the fact that he was lazy and incapable. From the greeting that he received, M. Violette suspected the poor opinion that M. Gaufre had of him. If he went there in spite of his natural pride it was only on his son's account. For M. Gaufre was rich, and he was not young. Perhaps--who could tell?--he might not forget Amedee, his nephew, in his will? It was necessary for him to see the child occasionally, and M. Violette, in pursuance of his paternal duty, condemned himself, three or four times a year, to the infliction of a visit at the "Bon Marche des Paroisses."

The hopes that M. Violette had formed as to his son's inheriting from M. Gaufre were very problematical; for the father, whom M. Gaufre had not been able to avoid receiving at his table occasionally, had been struck, even shocked, by the familiar and despotic tone of the old merchant's servant, a superb Normandy woman of about twenty-five years, answering to the royal name of Berenice. The impertinent ways of this robust woman betrayed her position in her master's house, as much as the diamonds that glittered in her ears. This creature would surely watch the will of her patron, a sexagenarian with an apoplectic neck, which became the color of dregs of wine after a glass of brandy.

M. Gaufre, although very practical and a churchwarden at St. Sulpice, had always had a taste for liaisons. His wife, during her life--he had been a widower for a dozen years--had been one of those unfortunate beings of whom people said, "That poor lady is to be pitied; she never can keep a servant." She had in vain taken girls from the provinces, without beauty and certified to be virtuous. One by one--a Flemish girl, an Alsatian, three Nivernaise, two from Picardy; even a young girl from Beauce, hired on account of her certificate as "the best-behaved girl in the village"--they were unsparingly devoured by the minotaur of the Rue Servandoni. All were turned out of doors, with a conscientious blow in the face, by the justly irritated spouse. When he became a widower he gave himself up to his liaisons in perfect security, but without scandal, of course, as to his passion for servants. New country-girls, wearing strange headdresses, responded favorably, in various patois, to his propositions. An Alsatian bow reigned six months; a Breton cap more than a year; but at last what must inevitably take place happened. The beautiful Berenice definitely bound with fetters of iron the old libertine. She was now all-powerful in the house, where she reigned supreme through her beauty and her talent for cooking; and as she saw her master's face grow more congested at each repast, she made her preparations for the future. Who could say but that M. Gaufre, a real devotee after all, would develop conscientious scruples some day, and end in a marriage, in extremis?

M. Violette knew all this; nevertheless it was important that Amedee should not be forgotten by his old relative, and sometimes, though rarely, he would leave his office a little earlier than usual, call for his son as he left the Batifol boarding-school, and take him to the Rue Servandoni.

The large drawing-rooms, transformed into a shop, where one could still see, upon forgotten panels, rococo shepherds offering doves to their shepherdesses, were always a new subject of surprise to little Amedee. After passing through the book-shop, where thousands of little volumes with figured gray and yellow covers crowded the shelves, and boys in ecru linen blouses were rapidly tying up bundles, one entered the jewellery department. There, under beautiful glass cases, sparkled all the glittering display and showy luxury of the Church, golden tabernacles where the Paschal Lamb reposed in a flaming triangle, censers with quadruple chains, stoles and chasubles, heavy with embroidery, enormous candelabra, ostensories and drinking-cups incrusted with enamel and false precious stones-before all these splendors the child, who had read the Arabian Nights, believed that he had entered Aladdin's cave, or Aboul-Cassem's pit. From this glittering array one passed, without transition, into the sombre depot of ecclesiastical vestments. Here all was black. One saw only piles of cassocks and pyramids of black hats. Two manikins, one clothed in a cardinal's purple robe, the other in episcopalian violet, threw a little color over the gloomy show.

But the large hall with painted statues amazed Amedee. They were all there, statues of all the saints in little chapels placed promiscuously upon the shelves in rows.

No more hierarchy. The Evangelist had, for a neighbor a little Jesuit saint--an upstart of yesterday. The unfortunate Fourier had at his side the Virgin Mary. The Saviour of men elbowed St. Labre. They were of plaster run into moulds, or roughly carved in wood, and were colored with paint as glaring as the red and blue of a barber's pole, and covered with vulgar gildings. Chins in the air, ecstatic eyes shining with varnish, horribly ugly and all new, they were drawn up in line like recruits at the roll-call, the mitred bishop, the martyr carrying his palm, St. Agnes embracing her lamb, St. Roch with his dog and shells, St. John the Baptist in his sheepskin, and, most ridiculous of all, poor Vincent de Paul carrying three naked children in his arms, like a midwife's advertisement.

This frightful exhibition, which was of the nature of the Tussaud Museum or a masquerade, positively frightened Amedee. He had recently been to his first communion, and was still burning with the mystical fever, but so much ugliness offended his already fastidious taste and threw him into his first doubt.

One day, about five o'clock, M. Violette and his son arrived at the "Bon Marche des Paroisses," and found Uncle Isidore in the room where the painted statues were kept, superintending--the packing of a St. Michel. The last customer of the day was just leaving, the Bishop 'in partibus' of Trebizonde, blessing M. Gaufre. The little apoplectic man, the giver of holy water, left alone with his clerks, felt under restraint no longer.

"Pay attention, you confounded idiot!" he cried to the young man just ready to lay the archangel in the shavings. "You almost broke the dragon's tail."

Then, noticing Amedee and M. Violette who had just entered:

"Ah! It is you, Violate! Good-day! Good-day, Amedee! You come at an unlucky time. It is shipping-day with us. I am in a great hurry--Eh! Monsieur Combier, by your leave, Monsieur Combier! Do not forget the three dozen of the Apparition de la Salette in stucco for Grenoble, with twenty-five per cent. reduction upon the bill. Are you working hard, Amedee? What do you say? He was first and assisted at the feast of St. Charlemagne! So much the better!--Jules, did you send the six chandeliers and the plated pyx and the Stations of the Cross, Number Two, to the Dames du Sacre-Coeur d'Alencons? What, not yet? But the order came three days ago! You must hurry, I tell you!--You can see, Violette, I am overflowing with work--but come in here a moment."

And once more ordering his bookkeeper, a captive in his glass case, to send the officers the notes that the cure of Sourdeval had allowed to go to protest, Uncle Isidore ushered M. Violette and his son into his office.

It was an ancient room, and M. Gaufre, who aimed at the austere, had made it gloomier still by a safe, and black haircloth furniture, which looked as if taken from a vestryroom. The pretty, high, and oval apartment, with its large window, opening upon a garden, its ceiling painted in light rosy clouds, its woodwork ornamented with wreaths and quivers, still preserved some of the charm and elegance of former days. Amedee would have been amused there, had not Uncle Isidore, who had seated himself before his desk, launched at once an unkind question at M. Violette.

"By the way, have you obtained the promotion that you counted so much upon last year?"

"Unfortunately, no, Monsieur Gaufre. You know what the Administration is."

"Yes, it is slow; but you are not overwhelmed with work, however. While in a business like this--what cares, what annoyances! I sometimes envy you. You can take an hour to cut your pens. Well, what is wanted of me now?"

The head of a clerk with a pencil behind his ear, appeared through the half-open door.

"Monsieur le Superieur of Foreign Missions wishes to speak with Monsieur."

"You can see! Not one minute to myself. Another time, my dear Violette. Adieu, my little man--it is astonishing how much he grows to look like Lucie! You must come and dine with me some Sunday, without ceremony. Berenice's 'souffle au fromage' is something delicious! Let Monsieur le Superieur come in."

M. Violette took his departure, displeased at his useless visit and irritated against Uncle Isidore, who had been hardly civil.

"That man is a perfect egotist," thought he, sadly; "and that girl has him in her clutches. My poor Amedee will have nothing from him."

Amedee himself was not interested in his uncle's fortune. He was just then a pupil in the fourth grade, which follows the same studies as at the Lycee Henri IV. Having suddenly grown tall, he was annoyed at wearing short trousers, and had already renounced all infantile games. The dangling crows which illustrated the pages of his Burnouf grammar were all dated the previous year, and he had entirely renounced feeding silkworms in his desk. Everything pointed to his not being a very practical man. Geometry disgusted him, and as for dates, he could not remember one. On holidays he liked to walk by himself through quiet streets; he read poems at the bookstalls, and lingered in the Luxembourg Gardens to see the sun set. Destined to be a dreamer and a sentimentalist--so much the worse for you, poor Amedee!

He went very often to the Gerards, but he no longer called his little friends "thou." Louise was now seventeen years old, thin, without color, and with a lank figure; decidedly far from pretty. People, in speaking of her, began to say, "She has beautiful eyes and is an excellent musician." Her sister Maria was twelve years old and a perfect little rosebud.

As to the neighbor's little girl, Rosine Combarieu, she had disappeared. One day the printer suddenly departed without saying a word to anybody, and took his child with him. The concierge said that he was concerned in some political plot, and was obliged to leave the house in the night. They believed him to be concealed in some small town.

Accordingly, Father Gerard was not angry with him for fleeing without taking leave of him. The conspirator had kept all his prestige in the eyes of the engraver, who, by a special run of ill-luck, was always engaged by a publisher of Bonapartist works, and was busy at that moment upon a portrait of the Prince Imperial, in the uniform of a corporal of the Guards, with an immense bearskin cap upon his childish head.

Father Gerard was growing old. His beard, formerly of a reddish shade, and what little hair there was remaining upon his head, had become silvery white; that wonderful white which, like a tardy recompense to red-faced persons, becomes their full-blooded faces so well. The good man felt the weight of years, as did his wife, whose flesh increased in such a troublesome way that she was forced to pant heavily when she seated herself after climbing the five flights. Father Gerard grew old, like everything that surrounded him; like the house opposite, that he had seen built, and that no longer had the air of a new building; like his curious old furniture, his mended crockery, and his engravings, yellow with age, the frames of which had turned red; like the old Erard piano, upon which Louise, an accomplished performer, now was playing a set of Beethoven's waltzes and Mendelssohn's "Songs Without Words." This poor old servant now had only the shrill, trembling tones of a harmonica.

The poor artist grew old, and he was uneasy as to the future; for he had not known how to manage like his school-friend, the intriguing Damourette, who had formerly cheated him out of the 'prix de Rome' by a favor, and who now played the gentleman at the Institute, in his embroidered coat, and received all the good orders. He, the simpleton, had saddled himself with a family, and although he had drudged like a slave he had laid nothing aside. One day he might be stricken with apoplexy and leave his widow without resources, and his two daughters without a dowry. He sometimes thought of all this as he filled his pipe, and it was not pleasant.

If M. Gerard grew gloomy as he grew older, M. Violette became mournful. He was more than forty years old now. What a decline! Does grief make the years count double? The widower was a mere wreck. His rebellious lock of hair had become a dirty gray, and always hung over his right eye, and he no longer took the trouble to toss it behind his ear. His hands trembled and he felt his memory leaving him. He grew more taciturn and silent than ever, and seemed interested in nothing, not even in his son's studies. He returned home late, ate little at dinner, and then went out again with a tottering step to pace the dark, gloomy streets. At the office, where he still did his work mechanically, he was a doomed man; he never would be elected chief assistant. "What depravity!" said one of his fellow clerks, a young man with a bright future, protected by the head of the department, who went to the races and had not his equal in imitating the "Gnouf! gnouf!" of Grassot, the actor. "A man of his age does not decline so rapidly without good cause. It is not natural!" What is it, then, that has reduced M. Violette to such a degree of dejection and wretchedness?

Alas! we must admit it. The unhappy man lacked courage, and he sought consolation in his despair, and found it in a vice.

Every evening when he left his office he went into a filthy little cafe on the Rue du Four. He would seat himself upon a bench in the back of the room, in the darkest corner, as if ashamed; and would ask in a low tone for his first glass of absinthe. His first! Yes, for he drank two, three even. He drank them in little sips, feeling slowly rise within him the cerebral rapture of the powerful liquor. Let those who are happy blame him if they will! It was there, leaning upon the marble table, looking at, without seeing her, through the pyramids of lump sugar and bowls of punch, the lady cashier with her well oiled hair reflected in the glass behind her--it was there that the inconsolable widower found forgetfulness of his trouble. It was there that for one hour he lived over again his former happiness.

For, by a phenomenon well known to drinkers of absinthe, he regulated and governed his intoxication, and it gave him the dream that he desired.

"Boy, one glass of absinthe!"

And once more he became the young husband, who adores his dear Lucie and is adored by her.

It is winter, he is seated in the corner by the fire, and before him, sitting in the light reflected by a green lampshade upon which dark silhouettes of jockey-riders are running at full speed, his wife is busying herself with some embroidery. Every few moments they look at each other and smile, he over his book and she over her work; the lover never tired of admiring Lucie's delicate fingers. She is too pretty! Suddenly he falls at her feet, slips his arm about her waist, and gives her a long kiss; then, overcome with languor, he puts his head upon his beloved's knees and hears her say to him, in a low voice: "That is right! Go to sleep!" and her soft hands lightly stroke his hair.

"Boy, one glass of absinthe!"

They are in that beautiful field filled with flowers, near the woods in Verrieres, upon a fine June afternoon when the sun is low. She has made a magnificent bouquet of field flowers. She stops at intervals to add a cornflower, and he follows, carrying her mantle and umbrella. How beautiful is summer and how sweet it is to love! They are a little tired; for during the whole of this bright Sunday they have wandered through the meadows. It is the hour for dinner, and here is a little tavern under some lindens, where the whiteness of the napkins rivals the blossoming thickets. They choose a table and order their repast of a moustached youth. While waiting for their soup, Lucie, rosy from being out all day in the open air and silent from hunger, amuses herself in looking at the blue designs on the plates, which represented battles in Africa. What a joyous dinner! There were mushrooms in the omelet, mushrooms in the stewed kidneys, mushrooms in the filet. But so much the better! They are very fond of them. And the good wine! The dear child is almost intoxicated at dessert! She takes it into her head to squeeze a cherry-stone between her thumb and first finger and makes it pop-slap! into her husband's face! And the naughty creature laughs! But he will have his revenge--wait a little! He rises, and leaning over the table buries two fingers between her collar and her neck, and the mischievous creature draws her head down into her shoulders as far as she can, begging him, with a nervous laugh, "No, no, I beseech you!" for she is afraid of being tickled. But the best time of all is the return through the country at night, the exquisite odor of new-mown hay, the road lighted by a summer sky where the whole zodiac twinkles, and through which, like a silent stream, the Chemin de St. Jacques rolls its diamond smoke.

Tired and happy she hangs upon her husband's arm. How he loves her! It seems to him that his love for Lucie is as deep and profound as the night. "Nobody is coming let me kiss your dear mouth!" and their kisses are so pure, so sincere, and so sweet, that they ought to rejoice the stars!

"Another glass of absinthe, boy--one more!"

And the unhappy man would forget for a few moments longer that he ought to go back to his lonely lodging, where the servant had laid the table some time before, and his little son awaited him, yawning with hunger and reading a book placed beside his plate. He forgot the horrible moment of returning, when he would try to hide his intoxicated condition under a feint of bad humor, and when he would seat himself at table without even kissing Amedee, in order that the child should not smell his breath.

A ROMANCE OF YOUTH

By FRANCOIS COPPEE

V. AMEDEE MAKES FRIENDS

Meanwhile the allegorical old fellow with the large wings and white beard, Time, had emptied his hour-glass many times; or, to speak plainer, the postman, with a few flakes of snow upon his blue cloth coat, presents himself three or four times a day at his customers' dwelling to offer in return for a trifling sum of money a calendar containing necessary information, such as the ecclesiastical computation, or the difference between the Gregorian and the Arabic Hegira; and Amedee Violette had gradually become a young man.

A young man! that is to say, a being who possesses a treasure without knowing its value, like a Central African negro who picks up one of M. Rothschild's cheque-books; a young man ignorant of his beauty or charms, who frets because the light down upon his chin has not turned into hideous bristles, a young man who awakes every morning full of hope, and artlessly asks himself what fortunate thing will happen to him to-day; who dreams, instead of living, because he is timid and poor.

It was then that Amedee made the acquaintance of one of his comrades--he no longer went to M. Batifol's boarding-school, but was completing his studies at the Lycee Henri IV--named Maurice Roger. They soon formed an affectionate intimacy, one of those eighteen-year-old friendships which are perhaps the sweetest and most substantial in the world.

Amedee was attracted, at first sight, by Maurice's handsome, blond, curly head, his air of frankness and superiority, and the elegant jackets that he wore with the easy, graceful manners of a gentleman. Twice a day, when they left the college, they walked together through the Luxembourg Gardens, confiding to each other their dreams and hopes, lingering in the walks, where Maurice already gazed at the grisettes in an impudent fashion, talking with the charming abandon of their age, the sincere age when one thinks aloud.

Maurice told his new friend that he was the son of an officer killed before Sebastopol, that his mother had never married again, but adored him and indulged him in all his whims. He was patiently waiting for his school-days to end, to live independently in the Latin Quarter, to study law, without being hurried, since his mother wished him to do so, and he did not wish to displease her. But he wished also to amuse himself with painting, at least as an amateur; for he was passionately fond of it. All this was said by the handsome, aristocratic young man with a happy smile, which expanded his sensual lips and nostrils; and Amedee admired him without one envious thought; feeling, with the generous warmth of youth, an entire confidence in the future and the mere joy of living. In his turn he made a confidant of Maurice, but not of everything. The poor boy could not tell anybody that he suspected his father of a secret vice, that he blushed over it, was ashamed of it, and suffered from it as much as youth can suffer. At least, honest-hearted fellow that he was, he avowed his humble origin without shame, boasted of his humble friends the Gerards, praised Louise's goodness, and spoke enthusiastically of little Maria, who was just sixteen and so pretty.

"You will take me to see them some time, will you not?" said Maurice, who listened to his friend with his natural good grace. "But first of all, you must come to dinner some day with me, and I will present you to my mother. Next Sunday, for instance. Is it agreeable?"

Amedee would have liked to refuse, for he suddenly recalled--oh! the torture and suffering of poor young men! that his Sunday coat was almost as seedy as his everyday one, that his best pair of shoes were run-over at the heels, and that the collars and cuffs on his six white shirts were ragged on the edges from too frequent washings. Then, to go to dinner in the city, what an ordeal! What must he do to be presented in a drawing-room? The very thought of it made him shiver. But Maurice invited him so cordially that he was irresistible, and Amedee accepted.

The following Sunday, then, spruced up in his best-what could have possessed the haberdasher to induce him to buy a pair of red dog-skin gloves? He soon saw that they were too new and too startling for the rest of his costume--Amedee went up to the first floor of a fine house on the Faubourg St. Honore and rang gently at the door on the left. A young and pretty maid--one of those brunettes who have a waist that one can clasp in both hands, and a suspicion of a moustache--opened the door and ushered the young man into a drawing-room furnished in a simple but luxurious manner. Maurice was alone, standing with his back to the fire, in the attitude of master of the house. He received his friend with warm demonstrations of pleasure. Amedee's eyes were at once attracted by the portrait of a handsome lieutenant of artillery, dressed in the regimental coat, with long skirts, of 1845, and wearing a sword-belt fastened by two lion's heads. This officer, in parade costume, was painted in the midst of a desert, seated under a palm-tree.

"That is my father," said Maurice. "Do I not resemble him?"

The resemblance was really striking. The same warm, pleasant smile, and even the same blond curls. Amedee was admiring it when a voice repeated behind him, like an echo:

"Maurice resembles him, does he not?"

It was Madame Roger who had quietly entered. When Amedee saw this stately lady in mourning, with a Roman profile, and clear, white complexion, who threw such an earnest glance at her son, then at her husband's portrait, Amedee comprehended that Maurice was his mother's idol, and, moved by the sight of the widow, who would have been beautiful but for her gray hair and eyelids, red from so much weeping, he stammered a few words of thanks for the invitation to dinner.

"My son has told me," said she, "that you are the one among all his comrades that he cares for most. I know what affection you have shown him. I am the one who should thank you, Monsieur Amedee."

They seated themselves and talked; every few moments these words were spoken by Madame Roger with an accent of pride and tenderness, "My son . . . . my son Maurice." Amedee realized how pleasant his friend's life must be with such a good mother, and he could not help comparing his own sad childhood, recalling above all things the lugubrious evening repasts, when, for several years now, he had buried his nose in his plate so as not to see his father's drunken eyes always fastened upon him as if to ask for his pardon.

Maurice let his mother praise him for a few moments, looking at her with a pleasant smile which became a trifle saddened. Finally he interrupted her:

"It is granted, mamma, that I am a perfect phoenix," and he gayly embraced her.

At this moment the pretty maid announced, "Monsieur and Mesdemoiselles Lantz," and Madame Roger arose hastily to receive the newcomers. Lieutenant-Colonel Lantz, of the Engineer Corps, was with Captain Roger when he died in the trench before Mamelon Vert; and might have been at that time pleasant to look upon, in his uniform with its black velvet breastplate; but, having been promoted some time ago to the office, he had grown aged, leaning over the plans and draughts on long tables covered with rules and compasses. With a cranium that looked like a picked bird, his gray, melancholy imperial, his stooping shoulders, which shortened still more his tightly buttoned military coat, there was nothing martial in his appearance. With his head full of whims, no fortune, and three daughters to marry, the poor Colonel, who put on only two or three times a year, for official solemnities, his uniform, which he kept in camphor, dined every Sunday night with Madame Roger, who liked this estimable man because he was her husband's best friend, and had invited him with his three little girls, who looked exactly alike, with their turned-up noses, florid complexions, and little, black, bead-like eyes, always so carefully dressed that one involuntarily compared them to three pretty cakes prepared for some wedding or festive occasion. They sat down at the table.

Madame Roger employed an excellent cook, and for the first time in his life Amedee ate a quantity of good things, even more exquisite than Mamma Gerard's little fried dishes. It was really only a very comfortable and nice dinner, but to the young man it was a revelation of unsuspected pleasures. This decorated table, this cloth that was so soft when he put his hand upon it; these dishes that excited and satisfied the appetite; these various flavored wines which, like the flowers, were fragrant--what new and agreeable sensations! They were quickly and silently waited upon by the pretty maid. Maurice, seated opposite his mother, presided over the repast with his elegant gayety. Madame Roger's pale face would light up with a smile at each of his good-natured jokes, and the three young ladies would burst into discreet little laughs, all in unison, and even the sorrowful Colonel would arouse from his torpor.

He became animated after his second glass of burgundy, and was very entertaining. He spoke of the Crimean campaign; of that chivalrous war when the officers of both armies, enemies to each other, exchanged politenesses and cigars during the suspension of arms. He told fine military anecdotes, and Madame Roger, seeing her son's face excited with enthusiasm at these heroic deeds, became gloomy at once. Maurice noticed it first.

"Take care, Colonel," said he. "You will frighten mamma, and she will imagine at once that I still wish to enter Saint-Cyr. But I assure you, little mother, you may be tranquil. Since you wish it, your respectful and obedient son will become a lawyer without clients, who will paint daubs during his spare moments. In reality, I should much prefer a horse and a sword and a squadron of hussars. But no matter! The essential thing is not to give mamma any trouble."

This was said with so much warmth and gentleness, that Madame Roger and the Colonel exchanged softened looks; the young ladies were also moved, as much as pastry can be, and they all fixed upon Maurice their little black eyes, which had suddenly become so soft and tender that Amedee did not doubt but that they all had a sentimental feeling for Maurice, and thought him very fortunate to have the choice between three such pretty pieces for dessert.

How all loved this charming and graceful Maurice, and how well he knew how to make himself beloved!

Later, when they served the champagne, he arose, glass in hand, and delivered a burlesque toast, finding some pleasant word for all his guests. What frank gayety! what a hearty laugh went around the table! The three young ladies giggled themselves as red as peonies. A sort of joyous chuckle escaped from the Colonel's drooping moustache. Madame Roger's smile seemed to make her grow young; and Amedee noticed, in a corner of the dining-room, the pretty maid, who restrained herself no more than the others; and when she showed her teeth, that were like a young puppy's, she was charming indeed.

After the tea the Colonel, who lived at some distance, near the Military School, and who, as the weather was fine, wished to walk home and avoid the expense of a cab, left with his three marriageable daughters, and Amedee in his turn took his departure.

In the ante-chamber, the maid said to Maurice, as she helped him on with his topcoat.

"I hope that you will not come in very late this evening, Monsieur Maurice."

"What is that, Suzanne?" replied the young man, without anger, but a trifle impatiently. "I shall return at the hour that pleases me."

As he descended the stairs ahead of Amedee, he said, with a laugh

"Upon my word! she will soon make her jealousy public."

"What!" exclaimed Amedee, glad that his companion could not see his blushes.

"Well, yes! Is she not pretty? I admit it, Violette; I have not, like you, the artlessness of the flower whose name you bear. You will have to resign yourself to it; you have a very bad fellow for a friend. As to the rest, be content. I have resolved to scandalize the family roof no longer. I have finished with this bold-faced creature. You must know that she began it, and was the first to kiss me on the sly. Now, I am engaged elsewhere. Here we are outside, and here is a carriage. Here, driver! You will allow me to bid you adieu. It is only a quarter past ten. I still have time to appear at Bullier's and meet Zoe Mirilton. Until tomorrow, Violette."

Amedee returned home very much troubled. So, then, his friend was a libertine. But he made excuses for him. Had he not just seen him so charming to his mother and so respectful to the three young ladies? Maurice had allowed himself to be carried away by his youthful impetuosity, that was all! Was it for him, still pure, but tormented by the temptations and curiosity of youth, to be severe? Would he not have done as much had he dared, or if he had had the money in his pocket? To tell the truth, Amedee dreamed that very night of the pretty maid with the suspicion of a moustache.

The next day, when Amedee paid his visit to the Gerards, all they could talk of was the evening before. Amedee spoke with the eloquence of a young man who had seen for the first time a finger-bowl at dessert.

Louise, while putting on her hat and getting her roll of music--she gave lessons now upon the piano in boarding-schools--was much interested in Madame Roger's imposing beauty. Mamma Gerard would have liked to know how the chicken-jelly was made; the old engraver listened with pleasure to the Colonel's military anecdotes; while little Maria exacted a precise description of the toilettes of the three demoiselles Lantz, and turned up her nose disdainfully at them.

"Now, then, Amedee," said the young girl, suddenly, as she looked at herself in a mirror that was covered with flyspecks, "tell me honestly, were these young ladies any prettier than I?"

"Do you see the coquette?" exclaimed Father Gerard, bursting into laughter without raising his eyes from his work. "Do people ask such questions as that, Mademoiselle?"

There was a general gayety, but Amedee blushed without knowing why. Oh! no, certainly those three young ladies in their Savoy-cake skirts and nougat waists were not as pretty as little Maria in her simple brown frock. How she improved from day to day! It seemed to Amedee as if he never had seen her before until this minute. Where had she found that supple, round waist, that mass of reddish hair which she twisted upon the top of her head, that lovely complexion, that mouth, and those eyes that smiled with the artless tenderness of young flowers?

Mamma Gerard, while laughing like the others, scolded her daughter a little for her attack of feminine vanity, and then began to talk of Madame Roger in order to change the conversation.

Amedee did not cease to praise his friend. He told how affectionate he was to his mother, how he resisted the military blood that burned in him, how graceful he was, and how, at eighteen years, he did the honor of the drawing-room and table with all the manner of a grand seigneur.

Maria listened attentively.

"You have promised to bring him here, Amedee," said the spoiled child, with a serious air. "I should like very much to see him once."

Amedee repeated his promise; but on his way to the Lycee, for his afternoon class, he recalled the incident of the pretty maid and the name of Zoe Mirilton, and, seized with some scruples, he asked himself whether he ought to introduce his friend to the young Gerard girls. At first this idea made him uneasy, then he thought that it was ridiculous. Was not Maurice a good-hearted young man and well brought up? Had he not seen him conduct himself with tact and reserve before Colonel Lantz's daughters?

Some days later Maurice reminded him of the promised visit to the Gerards, and Amedee presented him to his old friends.

Louise was not at home; she had been going about teaching for some time to increase the family's resources, for the engraver was more red-faced than ever, and obliged to change the number of his spectacles every year, and could not do as much work as formerly.

But the agreeable young man made a conquest of the rest of the family by his exquisite good-nature and cordial, easy manner. Respectful and simple with Madame Gerard, whom he intimidated a little, he paid very little attention to Maria and did not appear to notice that he was exciting her curiosity to the highest pitch. He modestly asked Father Gerard's advice upon his project of painting, amusing himself with the knickknacks about the apartments, picking out by instinct the best engravings and canvases of value. The good man was enchanted with Maurice and hastened to show him his private museum, forgetting all about his pipe--he was smoking at present a Garibaldi--and presented him his last engraving, where one saw--it certainly was a fatality that pursued the old republican!--the Emperor Napoleon III, at Magenta, motionless upon his horse in the centre of a square of grenadiers, cut down by grape and canister.

Maurice's visit was short, and as Amedee had thought a great deal about little Maria for several days, he asked his friend, as he conducted him a part of the way:

"What did you think of her?"

Maurice simply replied, "Delicious!" and changed the conversation.

VI. DREAMS OF LOVE

Solemn moment approached for the two friends. They were to take their examinations for graduation. Upon the days when M. Violette--they now called him at the office "Father Violette," he had grown so aged and decrepit--was not too much "consoled" in the cafe in the Rue du Four, and when he was less silent and gloomy than usual, he would say to his son, after the soup:

"Do you know, Amedee, I shall not be easy in my mind until you have received your degree. Say what they may, it leads to everything."

To everything indeed! M. Violette had a college friend upon whom all the good marks had been showered, who, having been successively schoolmaster, journalist, theatrical critic, a boarder in Mazas prison, insurance agent, director of an athletic ring--he quoted Homer in his harangue--at present pushed back the curtains at the entrance to the Ambigu, and waited for his soup at the barracks gate, holding out an old tomato-can to be filled.

But M. Violette had no cause to fear! Amedee received his degree on the same day with his friend Maurice, and both passed honorably. A little old man with a head like a baboon--the scientific examiner--tried to make Amedee flounder on the subject of nitrogen, but he passed all the same. One can hope for everything nowadays.

But what could Amedee hope for first? M. Violette thought of it when he was not at his station at the Rue du Four. What could he hope for? Nothing very great.

Probably he could enter the ministry as an auxiliary. One hundred francs a month, and the gratuities, would not be bad for a beginner! M. Violette recalled his endless years in the office, and all the trouble he had taken to guess a famous rebus that was celebrated for never having been solved. Was Amedee to spend his youth deciphering enigmas? M. Violette hoped for a more independent career for his son, if it were possible. Commerce, for example! Yes! there was a future in commerce. As a proof of it there was the grocer opposite him, a simpleton who probably did not put the screws on enough and had just hanged himself rather than go into bankruptcy. M. Violette would gladly see his son in business. If he could begin with M. Gaufre? Why not? The young man might become in the end his uncle's partner and make his fortune. M. Violette spoke of it to Amedee.

"Shall we go to see your uncle Sunday morning?"

The idea of selling chasubles and Stations of the Cross did not greatly please Amedee, who had concealed in his drawer a little book full of sonnets, and had in his mind the plan of a romantic drama wherein one would say "Good heavens!" and "My lord!" But first of all, he must please his father. He was glad to observe that for some time M. Violette had interested himself more in him, and had resisted his baneful habit somewhat. The young man offered no resistance. The next day at noon he presented himself at the Rue Servandoni, accompanied by his father.

The "dealer in pious goods" received them with great good-humor. He had just come from high mass and was about to sit down at the table. He even invited them to follow his example and taste of his stewed kidneys, one of Berenice's triumphs, who served the dinner with her hands loaded with rings. The Violettes had dined, and the father made known his desire.

"Yes," said Uncle Isidore, "Amedee might enter the house. Only you know, Violette, it will be another education to be learned over again. He must begin at the very beginning and follow the regular course. Oh! the boy will not be badly treated! He may take his meals with us, is not that so, Berenice? At first he would be obliged to run about a little, as I did when I came from the province to work in the shop and tie up parcels."

M. Violette looked at his son and saw that he was blushing with shame. The poor man understood his mistake. What good to have dazzled M. Patin before the whole University by reciting, without hesitation, three verses of Aristophanes, only to become a drudge and a packer? Well! so Amedee would yawn over green boxes and guess at enigmas in the Illustration. It had to be so.

They took leave of Uncle Isidore.

"We will reflect over it, Monsieur Gaufre, and will come to see you again."

But Berenice had hardly shut the door upon them when M. Violette said to his son:

"Nothing is to be expected of that old egotist. Tomorrow we will go to see the chief of my department, I have spoken of you to him, at all events."

He was a good sort of fellow, this M. Courtet, who was head clerk, though too conceited and starched up, certainly. His red rosette, as large as a fifty-cent piece, made one's eyes blink, and he certainly was very imprudent to stand so long backed up to the fireplace with limbs spread apart, for it seemed that he must surely burn the seat of his trousers. But no matter, he has stomach enough. He has noticed M. Violette's pitiful decline--"a poor devil who never will live to be promoted." Having it in his power to distribute positions, M. Courtet had reserved a position for Amedee. In eight days the young man would be nominated an auxiliary employe at fifteen hundred francs a year. It is promised and done.

Ugh! the sickening heat from the stove! the disgusting odor of musty papers! However, Amedee had nothing to complain of; they might have given him figures to balance for five hours at a time. He owed it to M. Courtet's kindness, that he was put at once into the correspondence room. He studied the formulas, and soon became skilful in official politeness. He now knew the delicate shades which exist between "yours respectfully" and "most respectfully yours;" and he measured the abyss which separates an "agreeable" and "homage."

To sum it all up, Amedee was bored, but he was not unhappy; for he had time to dream.

He went the longest way to the office in the morning, while seeking to make "amour" rhyme with "jour" without producing an insipid thing; or else he thought of the third act of his drama after the style of 1830, and the grand love scene which should take place at the foot of the Montfaucon gallows. In the evening he went to the Gerards, and they seated themselves around--the lamp which stood on the dining-room table, the father reading his journal, the women sewing. He chatted with Maria, who answered him the greater part of the time without raising her eyes, because she suspected, the coquette! that he admired her beautiful, drooping lids.

Amedee composed his first sonnets in her honor, and he adored her, of course, but he was also in love with the Lantz young ladies, whom he saw sometimes at Madame Roger's, and who each wore Sunday evenings roses in her hair, which made them resemble those pantheons in sponge-cake that pastry-cooks put in their windows on fete days.

If Amedee had been presented to twelve thousand maidens successively, they would have inspired twelve thousand wishes. There was the servant of the family on the first floor, whose side-glance troubled him as he met her on the staircase; and his heart sank every time he turned the handle of the door of a shop in the Rue Bonaparte, where an insidious clerk always forced him to choose ox-colored kid gloves, which he detested. It must not be forgotten that Amedee was very young, and was in love with love.

He was so extremely timid that he never had had the audacity to tell the girl at the glove counter that he preferred bronze-green gloves, nor the boldness to show Maria Gerard his poems composed in her honor, in which he now always put the plural "amours," so as to make it rhyme with "toujours," which was an improvement. He never had dared to reply to the glance of the little maid on the second floor; and he was very wrong to be embarrassed, for one morning, as he passed the butcher's shop, he saw the butcher's foreman put his arm about the girl's waist and whisper a love speech over a fine sirloin roast.

Sometimes, in going or coming from the office, Amedee would go to see his friend Maurice, who had obtained from Madame Roger permission to install himself in the Latin Quarter so as to be near the law school.

In a very low-studded first-floor room in the Rue Monsieur-le-Prince, Amedee perceived through a cloud of tobacco-smoke the elegant Maurice in a scarlet jacket lying upon a large divan. Everything was rich and voluptuous, heavy carpets, handsomely bound volumes of poems, an open piano, and an odor of perfumery mingled with that of cigarettes. Upon the velvet-covered mantel Mademoiselle Irma, the favorite of the master of the apartment, had left the last fashionable novel, marking, with one of her hairpins, where she had left off reading. Amedee spent a delightful hour there. Maurice always greeted him with his joyful, kind manner, in which one hardly minded the slight shade of patronage. He walked up and down his room, expanding his finely moulded chest, lighting and throwing away his cigarettes, seating himself for two minutes at the piano and playing one of Chopin's sad strains, opening a book and reading a page, showing his albums to his friend, making him repeat some of his poems, applauding him and touching lightly upon different subjects, and charming Amedee more and more by his grace and manners.

However, Amedee could not enjoy his friend much, as he rarely found him alone. Every few moments--the key was in the door--Maurice's comrades, young pleasure-seekers like himself, but more vulgar, not having his gentlemanly bearing and manners, would come to talk with him of some projected scheme or to remind him of some appointment for the evening.

Often, some one of them, with his hat upon his head, would dash off a polka, after placing his lighted cigar upon the edge of the piano. These fast fellows frightened Amedee a little, as he had the misfortune to be fastidious.

After these visitors had left, Maurice would ask his friend to dinner, but the door would open again, and Mademoiselle Irma, in her furs and small veil--a comical little face--would enter quickly and throw her arms about Amedee's neck, kissing him, while rumpling his hair with her gloved hands.

"Bravo! we will all three dine together."

No! Amedee is afraid of Mademoiselle Irma, who has already thrown her mantle upon the sofa and crowned the bronze Venus de Milo with her otter toque. The young man excuses himself, he is expected at home.

"Timid fellow, go!" said Maurice to him, as he conducted him to the door, laughing.

What longings! What dreams! They made up all of poor Amedee's life. Sometimes they were sad, for he suffered in seeing his father indulge himself more and more in his vice. No woman loved him, and he never had one louis in his pocket for pleasure or liberty. But he did not complain. His life was noble and happy! He smiled with pleasure as he thought of his good friends; his heart beat in great throbs as he thought of love; he wept with rapture over beautiful verses. The spectacle of life, through hope and the ideal, seemed to him transfigured. Happy Amedee! He was not yet twenty years old!

VII. A GENTLE COUNSELLOR

One sombre, misty, winter morning, as Amedee lingered in his bed, his father entered, bringing him a letter that the wife of the concierge had just brought up. The letter was from Maurice, inviting his friend to dinner that evening at seven o'clock at Foyots, to meet some of his former companions at the Lycee Henri IV.

"Will you excuse me for not dining with you this evening, papa?" said Amedee, joyfully. "Maurice Roger entertains us at a restaurant."

The young man's gayety left him suddenly when he looked at his father, who had seated himself on the side of the bed. He had become almost frightful to look at; old before his time, livid of complexion, his eyes bloodshot, the rebellious lock of hair straggling over his right temple. Nothing was more heartbreaking than his senile smile when he placed his bony trembling hands upon his thighs. Amedee, who knew, alas, why his father had reached such a pass, felt his heart moved with pity and shame.

"Are you suffering to-day?" asked the young man. "Would you prefer that we should dine together as usual? I will send word to Maurice. Nothing is easier."

"No, my child, no!" replied M. Violette, in a hollow tone. "Go and amuse yourself with your friends. I know perfectly well that the life you lead with me is too monotonous. Go and amuse yourself, it will please me--only there is an idea that troubles me more than usual--and I want to confide it to you."

"What is it then, dear papa?"

"Amedee, last March your mother had been dead fifteen years. You hardly knew her. She was the sweetest and best of creatures, and all that I can wish you is, that you may meet such a woman, make her your companion for life, and be more fortunate than I, my poor Amedee, and keep her always. During these frightful years since your mother's death I have suffered, do you see? suffered horribly, and I have never, never been consoled. If I have lived--if I have had the strength to live, in spite of all, it was only for you and in remembrance of her. I think I have nearly finished my task. You are a young man, intelligent and honest, and you have now an employment which will give you your bread. However, I often ask myself--oh, very often--whether I have fulfilled my duty toward you. Ah! do not protest," added the unhappy man, whom Amedee had clasped in his arms. "No, my poor child, I have not loved you sufficiently; grief has filled too large a place in my heart; above all, during these last few years I have not been with you enough. I have sought solitude. You understand me, Amedee, I can not tell you more," he said, with a sob. "There are some parts of my life that you must ignore, and if it grieves you to know what I have become during that time, you must never think of it; forget it. I beg of you, my child, do not judge me severely. And one of these days, if I die-ah! we must expect it--the burden of my grief is too heavy for me to bear, it crushes me! Well, my child, if I die, promise me to be indulgent to my memory, and when you think of your father only say: 'He was very unhappy!'"

Amedee shed tears upon his father's shoulder, who softly stroked his son's beautiful hair with his trembling hands.

"My father, my good father!" sobbed Amedee, "I love and respect you with all my heart. I will dress myself quickly and we will go to the office together; we will return the same way and dine like a pair of good friends. I beg of you, do not ask me to leave you to-day!"

But M. Violette suddenly arose as if he had formed some resolution.

"No, Amedee," said he, firmly. "I have said what I had to say to you, and you will remember it. That is sufficient. Go and amuse yourself this evening with your friends. Sadness is dangerous at your age. As for myself, I shall go to dine with Pere Bastide, who has just received his pension, and has invited me more than twenty times to come and see his little house at Grand Montrouge. It is understood; I wish it. Now then, wipe your eyes and kiss me."

Having tenderly embraced his son, M. Violette left the room. Amedee could hear him in the vestibule take down his hat and cane, open and close the door, and go down the stairs with a heavy step. A quarter of an hour after, as the young man was crossing the Luxembourg to go to the office, he met Louise Gerard with her roll of music in her hand, going to give some lessons in the city. He walked a few steps beside her, and the worthy girl noticed his red eyes and disturbed countenance.

"What is the matter with you, Amedee?" she inquired, anxiously.

"Louise," he replied, "do you not think that my father has changed very much in the last few months?"

She stopped and looked at him with eyes shining with compassion.

"Very much changed, my poor Amedee. You would not believe me if I told you that I had not remarked it. But whatever may be the cause--how shall I say it?--that has affected your father's health, you should think of only one thing, my friend; that is, that he has been tender and devoted to you; that he became a widower very young and he did not remarry; that he has endured, in order to devote himself to his only child, long years of solitude and unhappy memories. You must think of that, Amedee, and that only."

"I never shall forget it, Louise, never fear; my heart is full of gratitude. This morning, even, he was so affectionate and kind to me--but his health is ruined; he is now a weak old man. Soon--I not only fear it, but I am certain of it--soon he will be incapable of work. I can see his poor hands tremble now. He will not even have a right to a pension. If he could not continue to work in the office he could hardly obtain a meagre relief, and that by favor only. And for long years I can only hope for an insufficient salary. Oh! to think that the catastrophe draws near, that one of these days he may fall ill and become infirm, perhaps, and that we shall be almost needy and I shall be unable to surround him with care in his old age. That is what makes me tremble!"

They walked along side by side upon the moist, soft ground of the large garden, under the leafless trees, where hung a slight penetrating mist which made them shiver under their wraps.

"Amedee," said she, looking at the young man with a serious gentleness, "I have known you from a child, and I am the elder. I am twenty-two; that makes me almost an old maid, Amedee, and gives me the right to scold you a little. You lack confidence in life, my friend, and it is wrong at your age. Do you think I do not see that my father has aged very much, that his eyesight fails, that we are much more cramped in circumstances in the house than formerly? Are we any the more sad? Mamma makes fewer little dishes and I teach in Paris, that is all. We live nearly the same as before, and our dear Maria--she is the pet of us all, the joy and pride of the house-well, our Maria, all the same, has from time to time a new frock or a pretty hat. I have no experience, but it seems to me that in order to feel really unhappy I must have nobody to love--that is the only privation worth the trouble of noticing. Do you know that I have just had one of the greatest pleasures of my life? I noticed that papa did not smoke as much as usual, in order to be economical, poor man! Fortunately I found a new pupil at Batignolles, and as soon as I had the first month's pay in my pocket I bought a large package of tobacco and put it beside his work. One must never complain so long as one is fortunate enough to keep those one loves. I know the secret grief that troubles you regarding your father; but think what he has suffered, that he loves you, that you are his only consolation. And when you have gloomy thoughts, come and see your old friends, Amedee. They will try to warm your heart at the fireside of their friendship, and to give you some of their courage, the courage of poor people which is composed of a little indifference and a little resignation."

They had reached the Florentine Terrace, where stand the marble statues of queens and ladies, and on the other side of the balustrade, ornamented with large vases, they could see through the mist the reservoir with its two swans, the solitary gravel walks, the empty grass-plots of a pale green, surrounded by the skeletons of lilac-trees, and the facade of the old palace, whose clock-hands pointed to ten.

"Let us hasten," said Louise, after a glance at the dial. "Escort me as far at the Odeon omnibus. I am a little late."

As he walked by her side he looked at her. Alas! Poor Louise was not pretty, in spite of her large eyes, so loving but not coquettish. She wore a close, ugly hat, a mantle drawn tightly about her shoulders, colored gloves, and heavy walking-shoes. Yes, she was a perfect picture of a "two francs an hour" music-teacher. What a good, brave girl! With what an overflowing heart she had spoken of her family! It was to earn tobacco for her father and a new frock for her pretty sister that she left thus, so early in the misty morning, and rode in public conveyances, or tramped through the streets of Paris in the mud. The sight of her, more than what she said, gave the weak and melancholy Amedee courage and desire for manly resolutions.

"My dear Louise," said he, with emotion, "I am very fortunate to have such a friend as you, and for so many years! Do you remember when we used to have our hunts after the bearskin cap when we were children?"

They had just left the garden and found themselves behind the Odeon. Two tired-out omnibus horses, of a yellowish-white, and showing their ribs, were rubbing their noses against each other like a caress; then the horse on the left raised his head and placed it in a friendly way upon the other's mane. Louise pointed to the two animals and said to Amedee, smilingly:

"Their fate is hard, is it not? No matter! they are good friends, and that is enough to help them endure it."

Then, shaking hands with Amedee, she climbed lightly up into the carriage.

All that day at the office Amedee was uneasy about his father, and about four o'clock, a little before the time for his departure, he went to M. Violette's office. There they told him that his father had just left, saying that he would dine at Grand Montrouge with an old friend; and Amedee, a trifle reassured, decided to rejoin his friend Maurice at the Foyot restaurant.

VIII. BUTTERFLIES AND GRASSHOPPERS

Amedee was the first to arrive at the rendezvous. He had hardly pronounced Maurice Roger's name when a voice like a cannon bellowed out, "Now then! the yellow parlor!" and he was conducted into a room where a dazzling table was laid by a young man, with a Yankee goatee and whiskers, and the agility of a prestidigitateur. This frisky person relieved Amedee at once of his hat and coat, and left him alone in the room, radiant with lighted candles.

Evidently it was to be a banquet. Piled up in the centre of the table was a large dish of crayfish, and at each plate--there were five--were groups of large and small glasses.

Maurice came in almost immediately, accompanied by his other guests, three young men dressed in the latest fashion, whom Amedee did not at first recognize as his former comrades, who once wore wrinkled stockings and seedy coats, and wore out with him the seats of their trousers on the benches of the Lycee Henri IV.

After the greetings, "What! is it you?" "Do you remember me?" and a shaking of hands, they all seated themselves around the table.

What! is that little dumpy fellow with the turned-up nose, straight as an arrow and with such a satisfied air, Gorju, who wanted to be an actor? He is one now, or nearly so, since he studies with Regnier at the Conservatoire. A make-believe actor, he puts on airs, and in the three minutes that he has been in the room he has looked at his retrousse nose and his coarse face, made to be seen from a distance, ten times in the mirror. His first care is to inform Amedee that he has renounced his name Gorju, which was an impossible one for the theatre, and has taken that of Jocquelet. Then, without losing a moment, he refers to his "talents," "charms," and "physique."

Who is this handsome fellow with such neat side-whiskers, whose finely cut features suggest an intaglio head, and who has just placed a lawyer's heavy portfolio upon the sofa? It is Arthur Papillon, the distinguished Latin scholar who wished to organize a debating society at the Lycee, and to divide the rhetoric class into groups and sub-groups like a parliament. "What have you been doing, Papillon?" Papillon had studied law, and was secretary of the Patru Conference, of course.

Amedee immediately recognized the third guest.

"What! Gustave!" exclaimed he, joyously.

Yes! Gustave, the former "dunce," the one they had called "Good-luck" because his father had made an immense fortune in guano. Not one bit changed was Gustave! The same deep-set eyes and greenish complexion. But what style! English from the tips of his pointed shoes to the horseshoe scarfpin in his necktie. One would say that he was a horse-jockey dressed in his Sunday best. What was this comical Gustave doing now? Nothing. His father has made two hundred thousand pounds' income dabbling in certain things, and Gustave is getting acquainted with that is all--which means to wake up every morning toward noon, with a bitter mouth caused from the last night's supper, and to be surprised every morning at dawn at the baccarat table, after spending five hours saying "Bac!" in a stifled, hollow voice. Gustave understands life, and, taking into consideration his countenance like a death's-head, it may lead him to make the acquaintance of something entirely different. But who thinks of death at his age? Gustave wishes to know life, and when a fit of coughing interrupts him in one of his idiotic bursts of laughter, his comrades at the Gateux Club tell him that he has swallowed the wrong way. Wretched Gustave, so be it!

Meanwhile the boy with the juggler's motions appeared with the soup, and made exactly the same gestures when he uncovered the tureen as Robert Houdin would have made, and one was surprised not to see a bunch of flowers or a live rabbit fly out. But no! it was simply soup, and the guests attacked it vigorously and in silence. After the Rhine wine all tongues were unloosened, and as soon as they had eaten the Normandy sole-oh! what glorious appetites at twenty years of age!--the five young men all talked at once. What a racket! Exclamations crossed one another like rockets. Gustave, forcing his weak voice, boasted of the performances of a "stepper" that he had tried that morning in the Allee des Cavaliers. He would have been much better off had he stayed in his bed and taken cod-liver oil. Maurice called out to the boy to uncork the Chateau-Leoville. Amedee, having spoken of his drama to the comedian Gorju, called Jocquelet, that person, speaking in his bugle-like voice that came through his bugle-shaped nose, set himself up at once as a man of experience, giving his advice, and quoting, with admiration, Talma's famous speech to a dramatic poet: "Above all, no fine verses!" Arthur Papillon, who was destined for the courts, thought it an excellent time to lord it over the tumult of the assembly himself, and bleated out a speech of Jules Favre that he had heard the night before in the legislative assembly.

The timid Amedee was defeated at the start in this melee of conversation. Maurice also kept silent, with a slightly disdainful smile under his golden moustache, and an attack of coughing soon disabled Gustave. Alone, like two ships in line who let out, turn by turn, their volleys, the lawyer and the actor continued their cannonading. Arthur Papillon, who belonged to the Liberal opposition and wished that the Imperial government should come around to "a pacific and regular movement of parliamentary institutions," was listened to for a time, and explained, in a clear, full voice the last article in the 'Courrier du Dimanche'. But, bursting out in his terrible voice, which seemed like all of Gideon's trumpets blowing at once, the comedian took up the offensive, and victoriously declared a hundred foolish things--saying, for example, that the part of Alceste should be made a comic one; making fun of Shakespeare and Hugo, exalting Scribe, and in spite of his profile and hooked nose, which should have opened the doors of the Theatre-Francais and given him an equal share for life in its benefits, he affirmed that he intended to play lovers' parts, and that he meant to assume the responsibility of making "sympathetic" the role of Nero, in Britannicus.

This would have become terribly tiresome, but for the entrance upon the scene of some truffled partridges, which the juggler carved and distributed in less time than it would take to shuffle a pack of cards. He even served the very worst part of the bird to the simple Amedee, as he would force him to choose the nine of spades. Then he poured out the chambertin, and once more all heads became excited, and the conversation fell, as was inevitable, upon the subject of women.

Jocquelet began it, by speaking the name of one of the prettiest actresses in Paris. He knew them all and described them exactly, detailing their beauties like a slave-dealer.

"So little Lucille Prunelle is a friend of the great Moncontour--"

"Pardon me," interrupted Gustave, who was looking badly, "she has already left him for Cerfbeer the banker."

"I say she has not."

"I say that she has."

They would have quarrelled if Maurice, with his affable, bantering air, had not attacked Arthur Papillon on the subject of his love-affairs; for the young advocate drank many cups of Orleanist tea, going even into the same drawing-rooms as Beule and Prevost-Paradol, and accompanying political ladies to the receptions at the Academie Francaise.

"That is where you must make havoc, you rascal!"

But Papillon defends himself with conceited smiles and meaning looks. According to him--and he puts his two thumbs into the armholes of his vest--the ambitious must be chaste.

"Abstineo venere," said he, lowering his eyes in a comical manner, for he did not fear Latin quotations. However, he declared himself very hard to please in that matter; he dreamed of an Egeria, a superior mind. What he did not tell them was, that a dressmaker's little errand-girl, with whom he had tried to converse as he left the law-school, had surveyed him from head to foot and threatened him with the police.

Upon some new joke of Maurice's, the lawyer gave his amorous programme in the following terms:

"Understand me, a woman must be as intelligent as Hypatia, and have the sensibility of Heloise; the smile of a Joconde, and the limbs of an Antiope; and, even then, if she had not the throat of a Venus de Medicis, I should not love her."

Without going quite so far, the actor showed himself none the less exacting. According to his ideas, Deborah, the tragedienne at the Odeon--a Greek statue!--had too large hands, and the fascinating Blanche Pompon at the Varietes was a mere wax doll.

Gustave, after all, was the one who is most intractable; excited by the Bordeaux wine--a glass of mineral water would be best for him--he proclaimed that the most beautiful creature was agreeable to him only for one day; that it was a matter of principle, and that he had never made but one exception, in favor of the illustrious dancer at the Casino Cadet, Nina l'Auvergnate, because she was so comical! "Oh! my friends, she is so droll, she is enough to kill one!"

"To kill one!" Yes! my dear Monsieur Gustave, that is what will happen to you one of these fine mornings, if you do not decide to lead a more reasonable life--and on the condition that you pass your winters in the South, also!

Poor Amedee was in torture; all his illusions--desires and sentiments blended--were cruelly wounded. Then, he had just discovered a deplorable faculty; a new cause for being unhappy. The sight of this foolishness made him suffer. How these coarse young men lied! Gustave seemed to him a genuine idiot, Arthur Papillon a pedant, and as to Jocquelet, he was as unbearable as a large fly buzzing between the glass and the curtain of a nervous man's room. Fortunately, Maurice made a little diversion by bursting into a laugh.

"Well, my friends, you are all simpletons," he exclaimed. "I am not like you, thank fortune! I do not sputter over my soup. Long life to women! Yes, all of them, pretty and otherwise! For, upon my word, there are no ugly ones. I do not notice that Miss Keepsake has feet like the English, and I forget the barmaid's ruddy complexion, if she is attractive otherwise. Now do not talk in this stupid fashion, but do as I do; nibble all the apples while you have teeth. Do you know the reason why, at the moment that I am talking to the lady of the house, I notice the nose of the pretty waitress who brings in a letter on a salver? Do you know the reason why, just as I am leaving Cydalize's house, who has put a rose in my buttonhole, that I turn my head at the passing of Margoton, who is returning from the market with a basket upon her arm? It is because it is one other of my children. One other! that is a great word! Yes, one thousand and three. Don Juan was right. I feel his blood coursing in my veins. And now the boy shall uncork some champagne, shall he not? to drink to the health of love!"

Maurice was cynical, but this exposition of his philosophy served a good purpose all the same. Everybody applauded him. The prestidigitateur, who moved about the table like a schoolboy in a monkey-house, drew the cork from a bottle of Roederer--it was astonishing that fireworks did not dart out of it--and good-humor was restored. It reigned noisily until the end of the repast, when the effect was spoiled by that fool of a Gustave. He insisted upon drinking three glasses of kummel--why had they not poured in maple sirup?--and, imagining that Jocquelet looked at him askance, he suddenly manifested the intention of cutting his head open with the carafe. The comedian, who was very pale, recalled all the scenes of provocation that he had seen in the theatre; he stiffened in his chair, swelled out his chest, and stammered, "At your orders!" trying to "play the situation." But it was useless.

Gustave, restrained by Maurice and Amedee, and as drunk as a Pole, responded to his friend's objurgations by a torrent of tears, and fell under the table, breaking some of the dishes.

"Now, then, we must take the baby home," said Maurice, signing to the boy. In the twinkling of an eye the human rag called Gustave was lifted into a chair, clothed in his topcoat and hat, dressed and spruced up, pushed down the spiral staircase, and landed in a cab. Then the prestidigitateur returned and performed his last trick by making the plate disappear upon which Maurice had thrown some money to pay the bill.

It was not far from eleven o'clock when the comrades shook hands, in a thick fog, in which the gaslights looked like the orange pedlers' paper lanterns. Ugh! how damp it was!

"Good-by."

"I will see you again soon."

"Good-night to the ladies."

Arthur Papillon was in evening dress and white cravat, his customary attire every evening, and still had time to show himself in a political salon on the left side, where he met Moichod, the author of that famous Histoire de Napoleon, in which he proves that Napoleon was only a mediocre general, and that all his battles were gained by his lieutenants. Jocquelet wished to go to the Odeon and hear, for the tenth time, the fifth act of a piece of the common-sense school, in which the hero, after haranguing against money for four acts in badly rhymed verse, ends by marrying the young heiress, to the great satisfaction of the bourgeois. As to Maurice, before he went to rejoin Mademoiselle Irma at the Rue Monsieur-le-Prince, he walked part of the way with Amedee.

"These comrades of ours are a little stupid, aren't they?" said he to his friend.

"I must say that they almost disgust me," replied the young man. "Their brutal way of speaking of women and love wounded me, and you too, Maurice. So much the worse! I will be honest; you, who are so refined and proud, tell me that you did not mean what you said--that you made a pretence of vice just to please the others. It is not possible that you are content simply to gratify your appetite and make yourself a slave to your passions. You ought to have a higher ideal. Your conscience must reproach you."

Maurice brusquely interrupted this tirade, laughing in advance at what he was about to say.

"My conscience? Oh, tender and artless Violette; Oh, modest wood-flower! Conscience, my poor friend, is like a Suede glove, you can wear it soiled. Adieu! We will talk of this another day, when Mademoiselle Irma is not waiting for me."

Amedee walked on alone, shivering in the mist, weary and sad, to the Rue Notre-Dame-des-Champs.

No! it could not be true. There must be another love than that known to these brutes. There were other women besides the light creatures they had spoken of. His thoughts reverted to the companion of his childhood, to the pretty little Maria, and again he sees her sewing near the family lamp, and talking with him without raising her eyes, while he admires her beautiful, drooping lashes. He is amazed to think that this delicious child's presence has never given him the slightest uneasiness; that he has never thought of any other happiness than that of being near her. Why should not a love like that he has dreamed of some day spring up in her own heart? Have they not grown up together? Is he not the only young man that she knows intimately? What happiness to become her fiancee! Yes, it was thus that one should love! Hereafter he would flee from all temptations; he would pass all his evenings with the Gerards; he would keep as near as possible to his dear Maria, content to hear her speak, to see her smile; and he would wait with a heart full of tenderness for the moment when she would consent to become his wife. Oh! the exquisite union of two chaste beings! the adorable kiss of two innocent mouths! Did such happiness really exist?

This beautiful dream warmed the young man's heart, and he reached his home joyous and happy. He gave a vigorous pull to the bell, climbed quickly up the long flights of stairs and opened the door to their apartment. But what was this? His father must have come home very late, for a stream of light shines under the door of his sleeping-room.

"Poor man!" thought Amedee, recalling the scene of the morning. "He may be ill. Let us see."

He had hardly opened the door, when he drew back uttering a shriek of horror and distress. By the light of a candle that burned upon the mantel, Amedee had caught sight of his father extended upon the floor, his shirt disordered and covered with blood, holding in his clenched right hand the razor with which he had cut his throat.

Yes! the union of two loving hearts had at last taken place. Their love was happiness on earth; but if one of the two dies the other can never be consoled while life lasts.

M. Violette never was consoled.

IX. THORNS OF JEALOUSY

Now Amedee had no family. The day after his father's death he had a violent rupture with M. Isidore Gaufre. Under the pretext that a suicide horrified him, he allowed his niece's husband to be carried to the cemetery in a sixth-class hearse, and did not honor with his presence the funeral, which was even prohibited from using the parish road. But the saintly man was not deterred from swallowing for his dinner that same day, while thundering against the progress of materialism, tripe cooked after the Caen fashion, one of Berenice's weekly works of art.

Amedee had now no family, and his friends were dispersed. As a reward for passing his examinations in law, Madame Roger took her son with her on a trip to Italy, and they had just left France together.

As to the poor Gerards, just one month after M. Violette's death, the old engraver died suddenly, of apoplexy, at his work; and on that day there were not fifty francs in the house. Around the open grave where they lowered the obscure and honest artist, there was only a group of three women, in black, who were weeping, and Amedee in mourning for his father, with a dozen of Gerard's old comrades, whose romantic heads had become gray. The family was obliged to sell at once, in order to get a little money, what remained of proof-sheets in the boxes, some small paintings, old presents from artist friends who had become celebrated, and the last of the ruined knickknacks--indeed, all that constituted the charm of the house. Then, in order that her eldest daughter might not be so far from the boarding-school where she was employed as teacher of music, Madame Gerard went to live in the Rue St.-Pierre, in Montmartre, where they found a little cheap, first-floor apartment, with a garden as large as one's hand.

Now that he was reduced to his one hundred and twenty-five francs, Amedee was obliged to leave his too expensive apartment in the Rue Notre-Dame-des-Champs, and to sell the greater part of his family furniture. He kept only his books and enough to furnish his little room, perched under the roof of an old house in the Faubourg St.-Jacques.

It was far from Montmartre, so he could not see his friends as often as he would have liked, those friends whom grief in common had made dearer than ever to him. One single consolation remained for him--literary work. He threw himself into it blindly, deadening his sorrow with the fruitful and wonderful opiate of poetry and dreams. However, he had now begun to make headway, feeling that he had some thing new to say. He had long ago thrown into the fire his first poems, awkward imitations of favorite authors, also his drama after the style of 1830, where the two lovers sang a duet at the foot of the scaffold. He returned to truth and simplicity by the longest way, the schoolboy's road. Taste and inclination both induced him to express simply and honestly what he saw before him; to express, so far as he could, the humble ideal of the poor people with whom he had lived in the melancholy Parisian suburbs where his infancy was passed; in a word, to paint from nature. He tried, feeling that he could succeed; and in those days lived the most beautiful and perfect hours of his life--those in which the artist, already master of his instrument, having still the abundance and vivacity of youthful sensations, writes the first words that he knows to be good, and writes them with entire disinterestedness, not even thinking that others will see them; working for himself alone and for the sole joy of putting in visible form and spreading abroad his ideas, his thoughts-all his heart. Those moments of pure enthusiasm and perfect happiness he never could know again, even after he had nibbled at the savory food of success and had experienced the feverish desire for glory. Delicious hours they were, and sacred, too, such as can only be compared to the divine intoxication of first love.

Amedee worked courageously during the winter months that followed his father's death. He arose at six o'clock in the morning, lighted his lamp and the little stove which heated his room, and, walking up and down, leaning over his page, the poet would vigorously begin his struggle with fancies, ideas, and words. At nine o'clock he would go out and breakfast at a neighboring creamery; after which he would go to his office. There, his tiresome papers once written, he had two or three hours of leisure, which he employed in reading and taking notes from the volumes borrowed by him every morning at a reading-room on the Rue Rorer-Collard; for he had already learned that one leaves college almost ignorant, having, at best, only learned how to study. He left the office at nightfall and reached his room through the Boulevard des Invalides, and Montparnasse, which at this time was still planted with venerable elms; sometimes the lamplighter would be ahead of him, making the large gas-jets shoot out under the leafless old trees. This walk, that Amedee imposed upon himself for health's sake, would bring him, about six o'clock, a workman's appetite for his dinner,--in the little creamery situated in front of Val-de-Grace, where he had formed the habit of going. Then he would return to his garret, and relight his stove and lamp, and work until midnight. This ardent, continuous effort, this will-tension kept in his mind the warmth, animation, and excitement indispensable for poetical production. His mind expanded rapidly, ready to receive the germs that were blown to him by the mysterious winds of inspiration. At times he was astonished to see his pen fill the sheet so rapidly that he would stop, filled with pride at having thus reduced to obedience words and rhythms, and would ask himself what supernatural power had permitted him to arm these divine wild birds.

On Sundays, he had his meals brought him by the concierge, working all day and not going out until nearly five o'clock in the afternoon, to dine with Mamma Gerard. It was the only distraction that he allowed himself, or rather the only recompense that he permitted himself. He walked halfway across Paris to buy a cake in the Rue Fontaine for their dessert; then he climbed without fatigue, thanks to his young legs, to the top of Montmartre, lighted by swinging lamps, where one could almost believe one's self in the distant corner of some province. They would be waiting for him to serve the soup, and the young man would seat himself between the widow and the two orphans.

Alas, how hard these poor ladies' lives had become! Damourette, a member of the Institute, remembered that he had once joked in the studios with Gerard, and obtained a small annual pension for the widow; but it was charity--hardly enough to pay the rent. Fortunately Louise, who already looked like an old maid at twenty-three, going about the city all day with her roll of music under her black shawl, had many pupils, and more than twenty houses had well-nigh become uninhabitable through her exertions with little girls, whose red hands made an unendurable racket with their chromatic scales. Louise's earnings constituted the surest part of their revenue. What a strange paradox is the social life in large cities, where Weber's Last Waltz will bring the price of a four-pound loaf of bread, and one pays the grocer with the proceeds of Boccherini's Minuet!

In spite of all, they had hard work to make both ends meet at the Gerards. The pretty Maria wished to make herself useful and aid her mother and sister. She had always shown great taste for drawing, and her father used to give her lessons in pastel. Now she went to the Louvre to work, and tried to copy the Chardins and Latours. She went there alone. It was a little imprudent, she was so pretty; but Louise had no time to go with her, and her mother had to be at home to attend to the housework and cooking. Maria's appearance had already excited the hearts of several young daubers. There were several cases of persistent sadness and loss of appetite in Flandrin's studio; and two of Signol's pupils, who were surprised hovering about the young artist, were hated secretly as rivals; certain projects of duels, after the American fashion, were profoundly considered. To say that Maria was not a little flattered to see all these admirers turn timidly and respectfully toward her; to pretend that she took off her hat and hung it on one corner of her easel because the heat from the furnace gave her neuralgia and not to show her beautiful hair, would be as much of a lie as a politician's promise. However, the little darling was very serious, or at least tried to be. She worked conscientiously and made some progress. Her last copy of the portrait of that Marquise who holds a pug dog in her lap, with a ribbon about his neck, was not very bad. This copy procured a piece of good luck for the young artist.

Pere Issacar, a bric-a-brac merchant on the Quay Voltairean--an old-fashioned Jew with a filthy overcoat, the very sight of which made one long to tear it off--approached Maria one day, just as she was about to sketch a rose in the Marquise's powdered wig, and after raising a hat greasy enough to make the soup for a whole regiment, said to her:

"Matemoiselle, vould you make me von dozen vamily bordraits?"

The young girl did not at first understand his abominable language, but at last he made her comprehend.

Every thing is bought nowadays, even rank, provided, of course, that one has a purse sufficiently well filled. Nothing is simpler! In return for a little money you can procure at the Vatican--second corridor on your right, third door at the left--a brand-new title of Roman Count. A heraldic agency--see advertisement--will plant and make grow at your will a genealogical tree, under whose shade you can give a country breakfast to twenty-five people. You buy a castle with port-holes--port-holes are necessary--in a corner of some reactionary province. You call upon the lords of the surrounding castles with a gold fleur-de-lys in your cravat. You pose as an enraged Legitimist and ferocious Clerical. You give dinners and hunting parties, and the game is won. I will wager that your son will marry into a Faubourg St.-Germain family, a family which descends authentically from the Crusaders.

In order to execute this agreeable buffoonery, you must not forget certain accessories--particularly portraits of your ancestors. They should ornament the castle walls where you regale the country nobles. One must use tact in the selection of this family gallery. There must be no exaggeration. Do not look too high. Do not claim as a founder of your race a knight in armor hideously painted, upon wood, with his coat of arms in one corner of the panel. Bear in mind the date of chivalry. Be satisfied with the head of a dynasty whose gray beard hangs over a well-crimped ruff. I saw a very good example of that kind the other day on the Place Royale. A dog was just showing his disrespect for it as I passed. You can obtain an ancestor like this in the outskirts of the city for fifteen francs, if you haggle a little. Or you need not give yourself so much trouble. Apply to a specialist, Pere Issacar, for instance. He will procure magnificent ancestors for you; not dear either! If you will consent to descend to simple magistrates, the price will be insignificant. Chief justices are dirt cheap. Naturally, if you wish to be of the military profession, to have eminent clergy among your antecedents, the price increases. Pere Issacar is the only one who can give you, at a reasonable rate, ermine-draped bishops, or a colonel with a Louis XIV wig, and, if you wish it, a blue ribbon and a breast-plate under his red coat. What produces a good effect in a series of family portraits is a series of pastels. What would you say to a goggle-eyed abbe, or an old lady indecently decolletee, or a captain of dragoons wearing a tigerskin cap (it is ten francs more if he has the cross of St. Louis)? Pere Issacar knows his business, and always has in reserve thirty of these portraits in charming frames of the period, made expressly for him in the Faubourg St.-Antoine, and which have all been buried fifteen days and riddled with shot, in order to have the musty appearance and indispensable worm holes.

You can understand now why the estimable Jew, in passing through the Louvre for his weekly promenade, took an interest in little Maria copying the charming Marquise de Latour. He was just at this time short of powdered marquises, and they are always very much in demand. He begged the young woman to take her copy home and make twelve more of it, varying, only the color of the dress and some particular detail in each portrait. Thus, instead of the pug dog, marquise No. 2 would hold a King Charles spaniel, No. 2 a monkey, No. 3 a bonbon box, No. 4 a fan. The face could remain the same. All marquises looked alike to Pere Issacar; he only exacted that they should all be provided with two black patches, one under the right eye, the other on the left shoulder. This he insisted upon, for the patch, in his eyes, was a symbol of the eighteenth century.

Pere Issacar was a fair man and promised to furnish frames, paper, and pastels, and to pay the young girl fifteen francs for each marquise. What was better yet, he promised, if he was pleased with the first work, to order of the young artist a dozen canonesses of Remiremont and a half-dozen of royal gendarmes.

I wish you could have seen those ladies when Maria went home to tell the good news. Louise had just returned from distributing semiquavers in the city; her eyes and poor Mother Gerard's were filled with tears of joy.

"What, my darling," said the mother, embracing her child, "are you going to trouble yourself about our necessaries of life, too?"

"Do you see this little sister?" said Louise, laughing cordially. "She is going to earn a pile of money as large as she is herself. Do you know that I am jealous--I, with my piano and my displeasing profession? Good-luck to pastel! It is not noisy, it will not annoy the neighbors, and when you are old you can say, 'I never have played for anybody.'"

But Maria did not wish them to joke. They had always treated her like a doll, a spoiled child, who only knew how to curl her hair and tumble her frocks. Well, they should see!

When Amedee arrived on Sunday with his cake, they told him over several times the whole story, with a hundred details, and showed him the two marquises that Maria had already finished, who wore patches as large as wafers.

She appeared that day more attractive and charming than ever to the young man, and it was then that he conceived his first ambition. If he only had enough talent to get out of his obscurity and poverty, and could become a famous writer and easily earn his living! It was not impossible, after all. Oh, with what pleasure he would ask this exquisite child to be his wife! How sweet it would be to know that she was happy with, and proud of, him! But he must not think of it now, they were too poor; and then, would Maria love him?

He often asked himself that question, and with uneasiness. In his own heart he felt that the childish intimacy had become a sincere affection, a real love. He had no reason to hope that the same transformation had taken place in the young girl's heart. She always treated him very affectionately, but rather like a good comrade, and she was no more stirred by his presence now than she was when she had lain in wait with him behind the old green sofa to hunt Father Gerard's battered fur hat.

Amedee had most naturally taken the Gerard family into his confidence regarding his work. After the Sunday dinner they would seat themselves around the table where Mamma Gerard had just served the coffee, and the young man would read to his friends, in a grave, slow voice, the poem he had composed during the week. A painter having the taste and inclination for interior scenes, like the old masters of the Dutch school, would have been stirred by the contemplation of this group of four persons in mourning. The poet, with his manuscript in his right hand and marking the syllables with a rhythmical movement of his left, was seated between the two sisters. But while Louise--a little too thin and faded for her years--fixes her attentive eyes upon the reader and listens with avidity, the pretty Maria is listless and sits with a bored little face, gazing mechanically at the other side of the table. Mother Gerard knits with a serious air and her spectacles perched upon the tip of her nose.

Alas! during these readings Louise was the only one who heaved sighs of emotion; and sometimes even great tear-drops would tremble upon her lashes. She was the only one who could find just the right delicate word with which to congratulate the poet, and show that she had understood and been touched by his verses. At the most Maria would sometimes accord the young poet, still agitated by the declamation of his lines, a careless "It is very pretty!" with a commonplace smile of thanks.

She did not care for poetry, then? Later, if he married her, would she remain indifferent to her husband's intellectual life, insensible even to the glory that he might reap? How sad it was for Amedee to have to ask himself that question!

Soon Maria inspired a new fear within him. Maurice and his mother had been already three months in Italy, and excepting two letters that he had received from Milan, at the beginning of his journey, in the first flush of his enthusiasm, Amedee had had no news from his friend. He excused this negligence on the part of the lazy Maurice, who had smilingly told him, on the eve of departure, not to count upon hearing from him regularly. At each visit that Amedee paid the Gerards, Maria always asked him:

"Have you received any news from your friend Maurice?"

At first he had paid no attention to this, but her persistency at length astonished him, planting a little germ of suspicion and alarm in his heart. Maurice Roger had only paid the Gerards a few visits during the father's lifetime, and accompanied on each occasion by Amedee. He had always observed the most respectful manner toward Maria, and they had perhaps exchanged twenty words. Why should Maria preserve such a particular remembrance of a person so nearly a stranger to her? Was it possible that he had made a deep impression, perhaps even inspired a sentiment of love? Did she conceal in the depths of her heart, when she thought of him, a tender hope? Was she watching for him? Did she wish him to return?

When these fears crossed Amedee's mind, he felt a choking sensation, and his heart was troubled. Happy Maurice, who had only to be seen to please! But immediately, with a blush of shame, the generous poet chased away this jealous fancy. But every Sunday, when Maria, lowering her eyes, and with a slightly embarrassed voice, repeated her question, "Have you received any news from Monsieur Maurice?" Amedee felt a cruelly discouraged feeling, and thought, with deep sadness:

"She never will love me!"

To conquer this new grief, he plunged still more deeply into work; but he did not find his former animation and energy. After the drizzling rain of the last days of March, the spring arrived. Now, when Amedee awoke, it was broad daylight at six o'clock in the morning. Opening his mansard window, he admired, above the tops of the roofs, the large, ruddy sun rising in the soft gray sky, and from the convent gardens beneath came a fresh odor of grass and damp earth. Under the shade of the arched lindens which led to the shrine of a plaster Virgin, a first and almost imperceptible rustle, a presentiment of verdure, so to speak, ran through the branches, and the three almond trees in the kitchen-garden put forth their delicate flowers. The young poet was invaded by a sweet and overwhelming languor, and Maria's face, which was commonly before his inner vision upon awakening, became confused and passed from his mind. He seated himself for a moment before a table and reread the last lines of a page that he had begun; but he was immediately overcome by physical lassitude, and abandoned himself to thought, saying to himself that he was twenty years old, and that it would be very good, after all, to enjoy life.

X. A BUDDING POET

It is the first of May, and the lilacs in the Luxembourg Gardens are in blossom. It has just struck four o'clock. The bright sun and the pure sky have rendered more odious than ever the captivity of the office to Amedee, and he departs before the end of the sitting for a stroll in the Medicis garden around the pond, where, for the amusement of the children in that quarter, a little breeze from the northeast is pushing on a miniature flotilla. Suddenly he hears himself called by a voice which bursts out like a brass band at a country fair.

"Good-day, Violette."

It is Jocquelet, the future comedian, with his turned-up nose, which cuts the air like the prow of a first-class ironclad, superb, triumphant, dressed like a Brazilian, shaved to the quick, the dearest hope of Regnier's class at the Conservatoire-Jocquelet, who has made an enormous success in an act from the "Precieuses," at the last quarter's examination--he says so himself, without any useless modesty--Jocquelet, who will certainly have the first comedy prize at the next examination, and will make his debut with out delay at the Comedie Francaise! All this he announces in one breath, like a speech learned by heart, with his terrible voice, like a quack selling shaving-paste from a gilded carriage. In two minutes that favorite word of theatrical people had been repeated thirty times, punctuating the phrases: "I! I! I! I!"

Amedee is only half pleased at the meeting. Jocquelet was always a little too noisy to please him. After all, he was an old comrade, and out of politeness the poet congratulated him upon his success.

Jocquelet questioned him. What was Amedee doing? What had become of him? Where was his literary work? All this was asked with such cordiality and warmth of manner that one would have thought that Jocquelet was interested in Amedee, and had a strong friendship for him. Nothing of the, sort. Jocquelet was interested in only one person in this world, and that person was named Jocquelet. One is either an actor or he is not. This personage was always one wherever he was--in an omnibus, while putting on his suspenders, even with the one he loved. When he said to a newcomer, "How do you do?" he put so much feeling into this very original question, that the one questioned asked himself whether he really had not just recovered from a long and dangerous illness. Now, at this time Jocquelet found himself in the presence of an unknown and poor young poet. What role ought such an eminent person as himself to play in such circumstances? To show affection for the young man, calm his timidity, and patronize him without too much haughtiness; that was the position to take, and Jocquelet acted it.

Amedee was an artless dupe, and, touched by the interest shown him, he frankly replied:

"Well, my dear friend, I have worked hard this winter. I am not dissatisfied. I think that I have made some progress; but if you knew how hard and difficult it is!"

He was about to confide to Jocquelet the doubts and sufferings of a sincere artist, but Jocquelet, as we have said, thought only of himself, and brusquely interrupted the young poet:

"You do not happen to have a poem with you--something short, a hundred or a hundred and fifty lines--a poem intended for effect, that one could recite?"

Amedee had copied out that very day, at the office, a war story, a heroic episode of Sebastopol that he had heard Colonel Lantz relate not long since at Madame Roger's, and had put into verse with a good French sentiment and quite the military spirit, verse which savored of powder, and went off like reports of musketry. He took the sheets out of his pocket, and, leading the comedian into a solitary by-path of sycamores which skirted the Luxembourg orangery, he read his poem to him in a low voice. Jocquelet, who did not lack a certain literary instinct, was very enthusiastic, for he foresaw a success for himself, and said to the poet:

"You read those verses just like a poet, that is, very badly. But no matter, this battle is very effective, and I see what I could do with it-with my voice. But what do you mean?" added he, planting himself in front of his friend. "Do you write verses like these and nobody knows anything about them? It is absurd. Do you wish, then, to imitate Chatterton? That is an old game, entirely used up! You must push yourself, show yourself. I will take charge of that myself! Your evening is free, is it not? Very well, come with me; before six o'clock I shall have told your name to twenty trumpeters, who will make all Paris resound with the news that there is a poet in the Faubourg Saint-Jacques. I will wager, you savage, that you never have put your foot into the Cafe de Seville. Why, my dear fellow, it is our first manufactory of fame! Here is the Odeon omnibus, get on! We shall be at the Boulevard Montmartre in twenty minutes, and I shall baptize you there, as a great man, with a glass of absinthe."

Dazzled and carried away, Amedee humored him and climbed upon the outside of the omnibus with his comrade. The vehicle hurried them quickly along toward the quay, crossed the Seine, the Carrousel, and passed before the Theatre-Francais, at which Jocquelet, thinking of his approaching debut, shook his fist, exclaiming, "Now I am ready for you!" Here the young men were planted upon the asphalt boulevard, in front of the Cafe de Seville.

Do not go to-day to see this old incubator, in which so many political and literary celebrities have been hatched; for you will only find a cafe, just like any other, with its groups of ugly little Jews who discuss the coming races, and here and there a poor creature, painted like a Jezebel, dying of chagrin over her pot of beer.

At the decline of the Second Empire--it was May 1, 1866, that Amedee Violette entered there for the first time--the Cafe de, Seville passed for, and with reason too, one of the most remarkable places in Paris. For this glorious establishment had furnished by itself, or nearly so, the eminent staff of our third Republic! Be honest, Monsieur le Prefet, you who presided at the opening of the agricultural meeting in our province, and who played the peacock in your dress-coat, embroidered in silver, before an imposing line of horned creatures; be honest and admit, that, at the time when you opposed the official candidates in your democratic journal, you had your pipe in the rack of the Cafe de Seville, with your name in white enamel upon the blackened bowl! Remember, Monsieur le Depute, you who voted against all the exemption cases of the military law, remember who, in this very place, at your daily game of dominoes for sixty points, more than a hundred times ranted against the permanent army--you, accustomed to the uproar of assemblies and the noise of the tavern--contributed to the parliamentary victories by crying, "Six all! count that!" And you too, Monsieur le Ministre, to whom an office-boy, dating from the tyrants, still says, "Your excellency," without offending you; you also have been a constant frequenter of the Cafe de Seville, and such a faithful customer that the cashier calls you by your Christian name. And do you recall, Monsieur the future president of the Council, that you did not acquit yourself very well when the sedentary dame, who never has been seen to rise from her stool, and who, as a joker pretended, was afflicted with two wooden legs, called you by a little sign to the desk, and said to you, not without a shade of severity in her tone: "Monsieur Eugene, we must be thinking of this little bill."

Notwithstanding his title of poet, Amedee had not the gift of prophecy. While seeing all these negligently dressed men seated outside at the Cafe de Seville's tables, taking appetizers, the young man never suspected that he had before him the greater part of the legislators destined to assure, some years later, France's happiness. Otherwise he would have respectfully taken note of each drinker and the color of his drink, since at a later period this would have been very useful to him as a mnemonical method for the understanding of our parliamentary combinations, which are a little complicated, we must admit. For example, would it not have been handy and agreeable to note down that the recent law on sugars had been voted by the solid majority of absinthe and bitters, or to know that the Cabinet's fall, day before yesterday, might be attributed simply to the disloyal and perfidious abandonment of the bitter mints or blackcurrant wine?

Jocquelet, who professed the most advanced opinions in politics, distributed several riotous and patronizing handshakes among these future statesmen as he entered the establishment, followed by Amedee.

Here, there were still more of politics, and also poets and literary men. They lived a sort of hurly-burly life, on good terms, but one could not get them confounded, for the politicians were all beard, the litterateurs, all hair.

Jocquelet directed his steps without hesitation toward the magnificent red head of the whimsical poet, Paul Sillery, a handsome young fellow with a wide-awake face, who was nonchalantly stretched upon the red velvet cushion of the window-seat, before a table, around which were three other heads of thick hair worthy of our early kings.

"My dear Paul," said Jocquelet, in his most thrilling voice, handing Sillery Amedee's manuscript, "here are some verses that I think are superb, and I am going to recite them as soon as I can, at some entertainment or benefit. Read them and give us your opinion of them. I present their author to you, Monsieur Amedee Violette. Amedee, I present you to Monsieur Paul Sillery."

All the heads of hair, framing young and amiable faces, turned curiously toward the newcomer, whom Paul Sillery courteously invited to be seated, with the established formula, "What will you take?" Then he began to read the lines that the comedian had given him.

Amedee, seated on the edge of his chair, was distracted with timidity, for Paul Sillery already enjoyed a certain reputation as a rising poet, and had established a small literary sheet called La Guepe, which published upon its first page caricatures of celebrated men with large heads and little bodies, and Amedee had read in it some of Paul's poems, full of impertinence and charm. An author whose work had been published! The editor of a journal! The idea was stunning to poor innocent Violette, who was not aware then that La Guepe could not claim forty subscribers. He considered Sillery something wonderful, and waited with a beating heart for the verdict of so formidable a judge. At the end of a few moments Sillery said, without raising his eyes from the manuscript:

"Here are some fine verses!"

A flood of delight filled the heart of the poet from the Faubourg St.-Jacques.

As soon as he had finished his reading, Paul arose from his seat, and, extending both hands over the carafes and glasses to Amedee, said, enthusiastically:

"Let me shake hands with you! Your description of the battle-scene is astonishing! It is admirable! It is as clear and precise as Merimee, and it has all the color and imagination that he lacks to make him a poet. It is something absolutely new. My dear Monsieur Violette, I congratulate you with all my heart! I can not ask you for this beautiful poem for La Guepe that Jocquelet is so fortunate as to have to recite, and of which I hope he will make a success. But I beg of you, as a great favor, to let me have some verses for my paper; they will be, I am sure, as good as these, if not better. To be sure, I forgot to tell you that we shall not be able to pay you for the copy, as La Guepe does not prosper; I will even admit that it only stands on one leg. In order to make it appear for a few months longer, I have recently been obliged to go to a money-lender, who has left me, instead of the classical stuffed crocodile, a trained horse which he had just taken from an insolvent circus. I mounted the noble animal to go to the Bois, but at the Place de la Concorde he began to waltz around it, and I was obliged to get rid of this dancing quadruped at a considerable loss. So your contribution to La Guepe would have to be gratuitous, like those of all the rest. You will give me the credit of having saluted you first of all, my dear Violette, by the rare and glorious title of true poet. You will let me reserve the pleasure of intoxicating you with the odor that a printer's first proofs give, will you not? Is it agreed?"

Yes, it was agreed! That is to say, Amedee, touched to the depths of his heart by so much good grace and fraternal cordiality, was so troubled in trying to find words to express his gratitude, that he made a terrible botch of it.

"Do not thank me," said Paul Sillery, with his pleasant but rather sceptical smile, "and do not think me better than I am. If all your verses are as strong as these that I have just read, you will soon publish a volume that will make a sensation, and--who knows?--perhaps will inspire me first of all with an ugly attack of jealousy. Poets are no better than other people; they are like the majority of Adam's sons, vain and envious, only they still keep the ability to admire, and the gift of enthusiasm, and that proves their superiority and is to their credit. I am delighted to have found a mare's nest to-day, an original and sincere poet, and with your permission we will celebrate this happy meeting. The price of the waltzing horse having hardly sufficed to pay off the debt to the publisher of La Guepe, I am not in funds this evening; but I have credit at Pere Lebuffle's, and I invite you all to dinner at his pot-house; after which we will go to my rooms, where I expect a few friends, and there you will read us your verses, Violette; we will all read some of them, and have a fine orgy of rich rhymes."

This proposition was received with favor by the three young men with the long hair, a la Clodion and Chilperic. As for Violette, he would have followed Paul Sillery at that moment, had it been into the infernal regions.

Jocquelet could not go with them, he had promised his evening to a lady, he said, and he gave this excuse with such a conceited smile that all were convinced he was going to crown himself with the most flattering of laurels at the mansion of some princess of the royal blood. In reality, he was going to see one of his Conservatoire friends, a large, lanky dowdy, as swarthy as a mole and full of pretensions, who was destined for the tragic line of character, and inflicted upon her lover Athalie's dream, Camille's imprecations, and Phedre's monologue.

After paying for the refreshments, Sillery gave his arm to Amedee, and, followed by the three Merovingians, they left the cafe. Forcing a way through the crowd which obstructed the sidewalk of the Faubourg Montmartre he conducted his guests to Pere Lebuffle's table d'hote, which was situated on the third floor of a dingy old house in the Rue Lamartine, where a sickening odor of burnt meat greeted them as soon as they reached the top of the stairs. They found there, seated before a tablecloth remarkable for the number of its wine-stains, two or three wild-looking heads of hair, and four or five shaggy beards, to whom Pere Lebuffle was serving soup, aided by a tired-looking servant. The name under which Sillery had designated the proprietor of the table d'hote might have been a nickname, for this stout person in his shirt-sleeves recommended himself to one's attentions by his bovine face and his gloomy, wandering eyes. To Amedee's amazement, Pere Lebuffle called the greater part of his clients "thou," and as soon as the newcomers were seated at table, Amedee asked Sillery, in a low voice, the cause of this familiarity.

"It is caused by the hard times, my dear Violette," responded the editor of 'La Guepe' as he unfolded his napkin. "There is no longer a 'Maecenas' or 'Lawrence the Magnificent.' The last patron of literature and art is Pere Lebufle. This wretched cook, who has perhaps never read a book or seen a picture, has a fancy for painters and poets, and allows them to cultivate that plant, Debt, which, contrary to other vegetables, grows all the more, the less it is watered with instalments. We must pardon the good man," said he, lowering his voice, "his little sin--a sort of vanity. He wishes to be treated like a comrade and friend by the artists. Those who have several accounts brought forward upon his ledger, arrive at the point of calling him 'thou,' and I, alas! am of that number. Thanks to that, I am going to make you drink something a little less purgative than the so-called wine which is turning blue in that carafe, and of which I advise you to be suspicious. I say, Lebuffle, my friend here, Monsieur Amedee Violette, will be, sooner or later, a celebrated poet. Treat him accordingly, my good fellow, and go and get us a bottle of Moulins-Vent."

The conversation meanwhile became general between the bearded and long-haired men. Is it necessary to say that they were all animated, both politicians and 'litterateurs', with the most revolutionary sentiments? At the very beginning, with the sardines, which evidently had been pickled in lamp-oil, a terribly hairy man, the darkest of them all, with a beard that grew up into its owner's eyes and then sprung out again in tufts from his nose and ears, presented some elegiac regrets to the memory of Jean-Paul Marat, and declared that at the next revolution it would be necessary to realize the programme of that delightful friend of the people, and make one hundred thousand heads fall.

"By thunder, Flambard, you have a heavy hand!" exclaimed one of the least important of beards, one of those that degenerate into side-whiskers as they become conservative. "One hundred thousand heads!"

"It is the minimum," replied the sanguinary beard.

Now, it had just been revealed to Amedee that under this ferocious beard was concealed a photographer, well known for his failures, and the young man could not help thinking that if the one hundred thousand heads in question had posed before the said Flambard's camera, he would not show such impatience to see them fall under the guillotine.

The conversation of the men with the luxuriant hair was none the less anarchical when the roast appeared, which sprung from the legendary animal called 'vache enragee'. The possessor of the longest and thickest of all the shock heads, which spread over the shoulders of a young story writer--between us, be it said, he made a mistake in not combing it oftener--imparted to his brothers the subject for his new novel, which should have made the hair of the others bristle with terror; for the principal episode in this agreeable fiction was the desecration of a dead body in a cemetery by moonlight. There was a sort of hesitation in the audience, a slight movement of recoil, and Sillery, with a dash of raillery in his glance, asked the novelist:

"Why the devil do you write such a story?"

The novelist replied, in a thundering tone:

"To astonish the bourgeoisie!"

And nobody made the slightest objection.

To "astonish the bourgeoisie" was the dearest hope and most ardent wish of these young men, and this desire betrayed itself in their slightest word; and doubtless Amedee thought it legitimate and even worthy of praise. However, he did not believe--must we admit his lack of confidence?--that so many glorious efforts were ever crowned with success. He went so far as to ask himself whether the character and cleverness of these bourgeoisie would not lead them to ignore not only the works, but even the existence, of the authors who sought to "astonish" them; and he thought, not without sadness, that when La Guepe should have published this young novelist's ghostly composition, the unconquerable bourgeoisie would know nothing about it, and would continue to devote itself to its favorite customs, such as tapping the barometer to know whether there was a change, or to heave a deep sigh after guzzling its soup, saying, "I feel better!" without being the least astonished in the world.

In spite of these mental reservations, which Amedee reproached himself with, being himself an impure and contemptible Philistine, the poet was delighted with his new friends and the unknown world opening before him. In this Bohemian corner, where one got intoxicated with wild excesses and paradoxes, recklessness and gayety reigned. The sovereign charm of youth was there, and Amedee, who had until now lived in a dark hiding-place, blossomed out in this warm atmosphere.

After a horrible dessert of cheese and prunes, Pere Lebuffle's guests dispersed. Sillery escorted Amedee and the three Merovingians to the little, sparsely furnished first floor in the Rue Pigalle, where he lived; and half a dozen other lyric poets, who might have furnished some magnificent trophies for an Apache warrior's scalping-knife, soon came to reenforce the club which met there every Wednesday evening.

Seats were wanting at the beginning, but Sillery drew from a closet an old black trunk which would hold two, and contented himself, as master of the house, with sitting from time to time, with legs dangling, upon the marble mantel. The company thus found themselves very comfortable; still more so when an old woman with a dirty cap had placed upon the table, in the middle of the room, six bottles of beer, some odd glasses, and a large flowered plate upon which was a package of cut tobacco with cigarette paper. They began to recite their verses in a cloud of smoke. Each recited his own, called upon by Sillery; each would rise without being urged, place his chair in front of him, and leaning one hand upon its back, would recite his poem or elegy. Certainly some of them were wanting in genius, some were even ludicrous. Among the number was a little fellow with a cadaverous face, about as large as two farthings' worth of butter, who declared, in a long speech with flat rhymes, that an Asiatic harem was not capable of quenching his ardent love of pleasure. A fat-faced fellow with a good, healthy, country complexion, announced, in a long story, his formal intention of dying of a decline, on account of the treason of a courtesan with a face as cold as marble; while, if the facts were known, this peaceable boy lived with an artless child of the people, brightening her lot by reducing her to a state of slavery; she blacked his boots for him every morning before he left the house.

In spite of these ridiculous things, there were present some genuine poets who knew their business and had real talent. These filled Amedee with respect and fear, and when Sillery called his name, he arose with a dry mouth and heavy heart.

"It is your turn now, you newcomer! Recite us your 'Before Sebastopol.'"

And so, thoroughbred that he was, Amedee overcame his emotion and recited, in a thrilling voice, his military rhymes, that rang out like the report of a veteran's gun.

The last stanza, was greeted with loud applause, and all the auditors arose and surrounded Amedee to offer him their congratulations.

"Why, it is superb!"

"Entirely new!"

"It will make an enormous success!"

"It is just what is needed to arouse the public!"

"Recite us something else!--something else!"

Reassured and encouraged, master of himself, he recited a popular scene in which he had freely poured out his love for the poor people. He next recited some of his Parisian suburban scenes, and then a series of sonnets, entitled "Love's Hopes," inspired by his dear Maria; and he astonished all these poets by the versatility and variety of his inspirations.

At each new poem bravos were thundered out, and the young man's heart expanded with joy under this warm sunshine of success. His audience vied with each other to approach Amedee first, and to shake his hand. Alas! some of those who were there would, later, annoy him by their low envy and treason; but now, in the generous frankness of their youth, they welcomed him as a master.

What an intoxicating evening! Amedee reached his home about two o'clock in the morning, his hands burning with the last grasps, his brain and heart intoxicated with the strong wine of praise. He walked with long and joyful strides through the fairy scene of a beautiful moonlight, in the fresh morning wind which made his clothes flutter and caressed his face. He thought he even felt the breath of fame.

A ROMANCE OF YOUTH

By FRANCOIS COPPEE

XI. SUCCESS

Success, which usually is as fickle as justice, took long strides and doubled its stations in order to reach Amedee. The Cafe de Seville, and the coterie of long-haired writers, were busying themselves with the rising poet already. His suite of sonnets, published in La Guepe, pleased some of the journalists, who reproduced them in portions in well-distributed journals. Ten days after Amedee's meeting with Jocquelet, the latter recited his poem "Before Sebastopol" at a magnificent entertainment given at the Gaite for the benefit of an illustrious actor who had become blind and reduced to poverty.

This "dramatic solemnity," to use the language of the advertisement, began by being terribly tiresome. There was an audience present who were accustomed to grand Parisian soirees, a blase and satiated public, who, upon this warm evening in the suffocating theatre, were more fatigued and satiated than ever. The sleepy journalists collapsed in their chairs, and in the back part of the stage-boxes, ladies' faces, almost green under paint, showed the excessive lassitude of a long winter of pleasure. The Parisians had all come there from custom, without having the slightest desire to do so, just as they always came, like galley-slaves condemned to "first nights." They were so lifeless that they did not even feel the slightest horror at seeing one another grow old. This chloroformed audience was afflicted with a long and too heavy programme, as is the custom in performances of this kind. They played fragments of the best known pieces, and sang songs from operas long since fallen into disuse even on street organs. This public saw the same comedians march out; the most famous are the most monotonous; the comical ones abused their privileges; the lover spoke distractedly through his nose; the great coquette--the actress par excellence, the last of the Celimenes --discharged her part in such a sluggish way that when she began an adverb ending in "ment," one would have almost had time to go out and smoke a cigarette or drink a glass of beer before she reached the end of the said adverb.

But at the most lethargic moment of this drowsy soirees, after the comedians from the Francais had played in a stately manner one act from a tragedy, Jocquelet appeared. Jocquelet, still a pupil at the Conservatoire, showed himself to the public for the first time and by an exceptional grace--Jocquelet, absolutely unknown, too short in his evening clothes, in spite of the two packs of cards that he had put in his boots. He appeared, full of audacity, riding his high horse, raising his flat-nosed, bull-dog face toward the "gallery gods," and, in his voice capable of making Jericho's wall fall or raising Jehoshaphat's dead, he dashed off in one effort, but with intelligence and heroic feeling, his comrade's poem.

The effect was prodigious. This bold, common, but powerful actor, and these picturesque and modern verses were something entirely new to this public satiated with old trash. What a happy surprise! Two novelties at once! To think of discovering an unheard-of poet and an unknown comedian! To nibble at these two green fruits! Everybody shook off his torpor; the anaesthetized journalists aroused themselves; the colorless and sleepy ladies plucked up a little animation; and when Jocquelet had made the last rhyme resound like a grand flourish of trumpets, all applauded enough to split their gloves.

In one of the theatre lobbies, behind a bill-board pasted over with old placards, Amedee Violette heard with delight the sound of the applause which seemed like a shower of hailstones. He dared not think of it! Was it really his poem that produced so much excitement, which had thawed this cold public? Soon he did not doubt it, for Jocquelet, who had just been recalled three times, threw himself into the poet's arms and glued his perspiring, painted face to his.

"Well, my little one, I have done it!" he exclaimed, bursting with gratification and vanity. "You heard how I caught them!"

Immediately twenty, thirty, a hundred spectators appeared, most of them very correct in white cravats, but all eager and with beaming countenances, asking to see the author and the interpreter, and to be presented to them, that they might congratulate them with an enthusiastic word and a shake of the hand. Yes! it was a success, an instantaneous one. It was certainly that rare tropical flower of the Parisian greenhouse which blossoms out so seldom, but so magnificently.

One large, very common-looking man, wearing superb diamond shirt-buttons, came in his turn to shake Amedee's hand, and in a hoarse, husky voice which would have been excellent to propose tickets "cheaper than at the office!" he asked for the manuscript of the poem that had just been recited.

"It is so that I may put you upon the first page of my tomorrow's edition, young man, and I publish eighty thousand. Victor Gaillard, editor of 'Le Tapage'. Does that please you?"

He took the manuscript without listening to the thanks of the poet, who trembled with joy at the thought that his work had caught the fancy of this Barnum of the press, the foremost advertiser in France and Europe, and that his verses would meet the eyes of two hundred thousand readers.

Yes, it was certainly a success, and he experienced the first bitterness of it as soon as he arrived the next morning at the Cafe de Seville, where he now went every two or three days at the hour for absinthe. His verses had appeared in that morning's Tapage, printed in large type and headed by a few lines of praise written by Victor Gaillard, a la Barnum. As soon as Amedee entered the cafe he saw that he was the object of general attention, and the lyric gentlemen greeted him with acclamations and bravos; but at certain expressions of countenance, constrained looks, and bitter smiles, the impressionable young man felt with a sudden sadness that they already envied him.

"I warned you of it," said Paul Sillery to him, as he led him into a corner of the cafe. "Our good friends are not pleased, and that is very natural. The greater part of these rhymers are 'cheap jewellers,' and they are jealous of a master workman. Above all things, pretend not to notice it; they will never forgive you for guessing their bad sentiments. And then you must be indulgent to them. You have your beautiful lieutenant's epaulettes, Violette, do not be too hard upon these poor privates. They also are fighting under the poetic flag, and ours is a poverty-stricken regiment. Now you must profit by your good luck. Here you are, celebrated in forty-eight hours. Do you see, even the political people look at you with curiosity, although a poet in the estimation of these austere persons is an inferior and useless being. It is all they will do to accept Victor Hugo, and only on account of his 'Chatiments.' You are the lion of the day. Lose no time. I met just now upon the boulevard Massif, the publisher. He had read 'Le Tapage' and expects you. Carry him all your poems to-morrow; there will be enough to make a volume. Massif will publish it at his own expense, and you will appear before the public in one month. You never will inveigle a second time that big booby of a Gaillard, who took a mere passing fancy for you. But no matter! I know your book, and it will be a success. You are launched. Forward, march! Truly, I am better than I thought, for your success gives me pleasure."

This amiable comrade's words easily dissipated the painful feelings that Amedee had just experienced. However, it was one of those exalted moments when one will not admit that evil exists. He spent some time with the poets, forcing himself to be more gracious and friendly than ever, and left them persuaded--the unsuspecting child!--that he had disarmed them by his modesty; and very impatient to share his joy with his friends, the Gerards, he quickly walked the length of Montmartre and reached them just at their dinner hour.

They did not expect him, and only had for their dinner the remains of the boiled beef of the night before, with some cucumbers. Amedee carried his cake, as usual, and, what was better still, two sauces that always make the poorest meal palatable--hope and happiness.

They had already read the journals and knew that the poem had been applauded at the Gaite, and that it had at once been printed on the first page of the journal; and they were all so pleased, so glad, that they kissed Amedee on both cheeks. Mamma Gerard remembered that she had a few bottles--five or six--of old chambertin in the cellar, and you could not have prevented the excellent woman from taking her key and taper at once, and going for those old bottles covered with cobwebs and dust, that they might drink to the health of the triumphant one. As to Louise, she was radiant, for in several houses where she gave lessons she had heard them talk of the fine and admirable verses published in Le Tapage, and she was very proud to think that the author was a friend of hers. What completed Amedee's pleasure was that for the first time Maria seemed to be interested in his poem, and said several times to him, with such a pretty, vain little air:

"Do you know, your battle is very nice. Amedee, you are going to become a great poet, a celebrated man! What a superb future you have before you!"

Ah! what exquisitely sweet hopes he carried away that evening to his room in the Faubourg St.-Jacques! They gave him beautiful dreams, and pervaded his thoughts the next morning when the concierge brought him two letters.

Still more happiness! The first letter contained two notes of a hundred francs each, with Victor Gaillard's card, who congratulated Amedee anew and asked him to write something for his journal in the way of prose; a story, or anything he liked. The young poet gave a cry of joyful surprise when he recognized the handwriting of Maurice Roger upon the other envelope.

"I have just returned to Paris, my dear Amedee," wrote the traveller, "and your success was my first greeting. I must embrace you quickly and tell you how happy I am. Come to see me at four o'clock in my den in the Rue Monsieur-le-Prince. We will dine and pass the evening together."

Ah! how the poet loved life that morning, how good and sweet it seemed to him! Clothed in his best, he gayly descended the Rue St.-Jacques, where boxes of asparagus and strawberries perfumed the fruit-stalls, and went to the Boulevard St. Michel, where he purchased an elegant gray felt hat and a new cravat. Then he went to the Cafe Voltaire, where he lunched. He changed his second hundred-franc bill, so that he might feel, with the pleasure of a child, the beautiful louis d'or which he owed to his work and its success. At the office the head clerk--a good fellow, who sang well at dinners--complimented Amedee upon his poem. The young man had only made his appearance to ask for leave that afternoon, so as to take his manuscript to the publisher.

Once more in the street in the bright May sun, after the fashion of nabobs, he took an open carriage and was carried to Massif, in the Passage des Princes. The editor of the Jeunes was seated in his office, which was decorated with etchings and beautiful bindings. He is well known by his magnificent black beard and his large bald head, upon which a wicked jester once advised him to paste his advertisements; he publishes the works of audacious authors and sensational books, and had the honor of sharing with Charles Bazile, the poet, an imprisonment at St.-Pelagie. He received this thin-faced rhymer coldly. Amedee introduced himself, and at once there was a broad smile, a handshake, and a connoisseur's greedy sniffling. Then Massif opened the manuscript.

"Let us see! Ah, yes, with margins and false titles we can make out two hundred and fifty pages."

The business was settled quickly. A sheet of stamped paper--an agreement! Massif will pay all the expenses of the first edition of one thousand, and if there is another edition--and of course there will be!--he will give him ten cents a copy. Amedee signs without reading. All that he asks is that the volume should be published without delay.

"Rest easy, my dear poet! You will receive the first proofs in three days, and in one month it will appear."

Was it possible? Was Amedee not dreaming? He, poor Violette's son, the little office clerk--his book would be published, and in a month! Readers and unknown friends will be moved by his agitation, will suffer in his suspense; young people will love him and find an echo of their sentiments in his verses; women will dreamily repeat--with one finger in his book--some favorite verse that touches their hearts! Ah! he must have a confidant in his joy, he must tell some true friend.

"Driver, take me to the Rue Monsieur-le-Prince."

He mounted, four steps at a time, the stairs leading to Maurice's room. The key is in the door. He enters and finds the traveller there, standing in the midst of the disorder of open trunks.

"Maurice!"

"Amedee!"

What an embrace! How long they stood hand in hand, looking at each other with happy smiles!

Maurice is more attractive and gracious than ever. His beauty is more manly, and his golden moustache glistens against his sun-browned skin. What a fine fellow! How he rejoiced at his friend's first success!

"I am certain that your book will turn everybody's head. I always told you that you were a genuine poet. We shall see!"

As to himself, he was happy too. His mother had let him off from studying law and allowed him to follow his vocation. He was going to have a studio and paint. It had all been decided in Italy, where Madame Roger had witnessed her son's enthusiasm over the great masters. Ah, Italy! Italy! and he began to tell of his trip, show knickknacks and souvenirs of all kinds that littered the room. He turned in his hands, that he might show all its outlines, a little terra-cotta reduction of the Antinous in the Museum of Naples. He opened a box, full to bursting, of large photographs, and passed them to his friend with exclamations of retrospective admiration.

"Look! the Coliseum! the ruins of Paestum--and this antique from the Vatican! Is it not beautiful?"

While looking at the pictures he recalled the things that he had seen and the impressions he had experienced. There was a band of collegians in little capes and short trousers taking their walk; they wore buckled shoes, like the abbes of olden times, and nothing could be more droll than to see these childish priests play leapfrog. There, upon the Riva dei Schiavoni, he had followed a Venetian. "Shabbily dressed, and fancy, my friend, bare-headed, in a yellow shawl with ragged green fringe! No, I do not know whether she was pretty, but she possessed in her person all the attractions of Giorgione's goddesses and Titian's courtesans combined!"

Maurice is still the same wicked fellow. But, bah! it suits him; he even boasts of it with such a joyous ardor and such a youthful dash, that it is only one charm the more in him. The clock struck seven, and they went to dine. They started off through the Latin Quarter. Maurice gave his arm to Amedee and told him of his adventures on the other side of the Alps. Maurice, once started on this subject, could not stop, and while the dinner was being served the traveller continued to describe his escapades. This kind of conversation was dangerous for Amedee; for it must not be forgotten that for some time the young poet's innocence had weighed upon him, and this evening he had some pieces of gold in his pocket that rang a chime of pleasure. While Maurice, with his elbow upon the table, told him his tales of love, Amedee gazed out upon the sidewalk at the women who passed by in fresh toilettes, in the gaslight which illuminated the green foliage, giving a little nod of the head to those whom they knew. There was voluptuousness in the very air, and it was Amedee who arose from the table and recalled to Maurice that it was Thursday, and that there was a fete that night at Bullier's; and he also was the one to add, with a deliberate air:

"Shall we take a turn there?"

"Willingly," replied his gay friend. "Ah, ha! we are then beginning to enjoy ourselves a little, Monsieur Violette! Go to Bullier's? so be it. I am not sorry to assure myself whether or not I still love the Parisians."

They started off, smoking their cigarettes. Upon the highway, going in the same direction as themselves, were victorias carrying women in spring costumes and wearing bonnets decked with flowers. From time to time the friends were elbowed by students shouting popular refrains and walking in Indian-file.

Here is Bullier's! They step into the blazing entrance, and go thence to the stairway which leads to the celebrated public ballroom. They are stifled by the odor of dust, escaping gas, and human flesh. Alas! there are in every village in France doctors in hansom cabs, country lawyers, and any quantity of justices of the peace, who, I can assure you, regret this stench as they take the fresh air in the open country under the starry heavens, breathing the exquisite perfume of new-mown hay; for it is mingled with the little poetry that they have had in their lives, with their student's love-affairs, and their youth.

All the same, this Bullier's is a low place, a caricature of the Alhambra in pasteboard. Three or four thousand moving heads in a cloud of tobacco-smoke, and an exasperating orchestra playing a quadrille in which dancers twist and turn, tossing their legs with calm faces and audacious gestures.

"What a mob!" said Amedee, already a trifle disgusted. "Let us go into the garden."

They were blinded by the gas there; the thickets looked so much like old scenery that one almost expected to see the yellow breastplates of comic-opera dragoons; and the jet of water recalled one of those little spurts of a shooting-gallery upon which an empty egg-shell dances. But they could breathe there a little.

"Boy! two sodas," said Maurice, striking the table with his cane; and the two friends sat down near the edge of a walk where the crowd passed and repassed. They had been there about ten minutes when two women stopped before them.

"Good-day, Maurice," said the taller, a brunette with rich coloring, the genuine type of a tavern girl.

"What, Margot!" exclaimed the young man. "Will you take something? Sit down a moment, and your friend too. Do you know, your friend is charming? What is her name?"

"Rosine," replied the stranger, modestly, for she was only about eighteen, and, in spite of the blond frizzles over her eyes, she was not yet bold, poor child! She was making her debut, it was easy to see.

"Well, Mademoiselle Rosine, come here, that I may see you," continued Maurice, seating the young girl beside him with a caressing gesture. "You, Margot, I authorize to be unfaithful to me once more in favor of my friend Amedee. He is suffering with lovesickness, and has a heart to let. Although he is a poet, I think he happens to have in his pocket enough to pay for a supper."

Everywhere and always the same, the egotistical and amiable Maurice takes the lion's share, and Amedee, listening only with one ear to the large Margot, who is already begging him to make an acrostic for her, thinks Rosine is charming, while Maurice says a thousand foolish things to her. In spite of himself, the poet looks upon Maurice as his superior, and thinks it perfectly natural that he should claim the prettier of the two women. No matter! Amedee wanted to enjoy himself too. This Margot, who had just taken off her gloves to drink her wine, had large, red hands, and seemed as silly as a goose, but all the same she was a beautiful creature, and the poet began to talk to her, while she laughed and looked at him with a wanton's eyes. Meanwhile the orchestra burst into a polka, and Maurice, in raising his voice to speak to his friend, called him several times Amedee, and once only by his family name, Violette. Suddenly little Rosine started up and looked at the poet, saying with astonishment:

"What! Is your name Amedee Violette?"

"Certainly."

"Then you are the boy with whom I played so much when I was a child."

"With me?"

"Yes! Do you not remember Rosine, little Rosine Combarieu, at Madame Gerard's, the engraver's wife, in the Rue Notre-Dame-des-Champs? We played games with his little girls. How odd it is, the way one meets old friends!"

What is it that Amedee feels? His entire childhood rises before him. The bitterness of the thought that he had known this poor girl in her innocence and youth, and the Gerards' name spoken in such a place, filled the young man's heart with a singular sadness. He could only say to Rosine, in a voice that trembled a little with pity:

"You! Is it you?"

Then she became red and very embarrassed, lowering her eyes.

Maurice had tact; he noticed that Rosine and Amedee were agitated, and, feeling that he was de trop, he arose suddenly and said:

"Now then, Margot. Come on! these children want to talk over their childhood, I think. Give up your acrostic, my child. Take my arm, and come and have a turn."

When they were alone Amedee gazed at Rosine sadly. She was pretty, in spite of her colorless complexion, a child of the faubourg, born with a genius for dress, who could clothe herself on nothing-a linen gown, a flower in her hat. One who lived on salads and vegetables, so as to buy well-made shoes and eighteen-button gloves.

The pretty blonde looked at Amedee, and a timid smile shone in her nut-brown eyes.

"Now, Monsieur Amedee," said she, at last, "it need not trouble you to meet at Bullier's the child whom you once played with. What would have been astonishing would be to find that I had become a fine lady. I am not wise, it is true, but I work, and you need not fear that I go with the first comer. Your friend is a handsome fellow, and very amiable, and I accepted his attentions because he knew Margot, while with you it is very different. It gives me pleasure to talk with you. It recalls Mamma Gerard, who was so kind to me. What has become of her, tell me? and her husband and her daughters?"

"Monsieur Gerard is dead," replied Amedee; "but the ladies are well, and I see them often."

"Do not tell them that you met me here, will you? It is better not. If I had had a good 'mother, like those girls, things would have turned out differently for me. But, you remember, papa was always interested in his politics. When I was fifteen years old he apprenticed me to a florist. He was a fine master, a perfect monster of a man, who ruined me! I say, Pere Combarieu has a droll trade now; he is manager of a Republican journal--nothing to do--only a few months in prison now and then. I am always working in flowers, and I have a little friend, a pupil at Val-de-Grace, but he has just left as a medical officer for Algeria. I was lonely all by myself, and this evening big Margot, whom I got acquainted with in the shop, brought me here to amuse myself. But you--what are you doing? Your friend said just now that you were a poet. Do you write songs? I always liked them. Do you remember when I used to play airs with one finger upon the Gerards' old piano? You were such a pretty little boy then, and as gentle as a girl. You still have your nice blue eyes, but they are a little darker. I remember them. No, you can not know how glad I am to see you again!"

They continued to chatter, bringing up old reminiscences, and when she spoke of the Gerard ladies she put on a respectful little air which pleased Amedee very much. She was a poor feather-headed little thing, he did not doubt; but she had kept at least the poor man's treasure, a simple heart. The young man was pleased with her prattling, and as he looked at the young girl he thought of the past and felt a sort of compassion for her. As she was silent for a moment, the poet said to her, "Do you know that you have become very pretty? What a charming complexion you have! such a lovely pallor!"

The grisette, who had known what poverty was, gave a bitter little laugh:

"Oh, my pallor! that is nothing! It is not the pallor of wealth."

Then, recovering her good-humor at once, she continued:

"Tell me, Monsieur Amedee, does this big Margot, whom you began to pay attentions to a little while ago, please you?"

Amedee quickly denied it. "That immense creature? Never! Now then, Rosine, I came here to amuse myself a little, I will admit. That is not forbidden at my age, is it? But this ball disgusts me. You have no appointment here? No? Is it truly no? Very well, take my arm and let us go. Do you live far from here?"

"In the Avenue d'Orleans, near the Montrouge church."

"Will you allow me to escort you home, then?"

She would be happy to, and they arose and left the ball. It seemed to the young poet as if the pretty girl's arm trembled a little in his; but once upon the boulevard, flooded by the light from the silvery moon, Rosine slackened her steps and became pensive, and her eyes were lowered when Amedee sought a glance from them in the obscurity. How sweet was this new desire that troubled the young man's heart! It was mixed with a little sentiment; his heart beat with emotion, and Rosine was not less moved. They could both find only insignificant things to say.

"What a beautiful night!"

"Yes! It does one good to breathe the fresh air."

They continued their walk without speaking. Oh, how fresh and sweet it was under these trees!

At last they reached the door of Rosine's dwelling. With a slow movement she pressed her hand upon the bell-button. Then Amedee, with a great effort, and in a confused, husky voice, asked whether he might go up with her and see her little room.

She looked at him steadily, with a tender sadness in her eyes, and then said to him, softly:

"No, certainly not! One must be sensible. I please you this evening, and you know very well that I think you are charming. It is true we knew each other when we were young, and now that we have met again, it seems as if it would be pleasant to love each other. But, believe me, we should commit a great folly, perhaps a wrong. It is better, I assure you, to forget that you ever met me at Bullier's with big Margot, and only remember your little playmate of the Rue Notre-Dame-des-Champs. It will be better than a caprice, it will be something pure that you can keep in your heart. Do not let us spoil the remembrance of our childhood, Monsieur Amedee, and let us part good friends."

Before the young man could find a reply, the bell pealed again, and Rosine gave Amedee a parting smile, lightly kissing the tips of her fingers, and disappeared behind the doer, which fell together, with a loud bang. The poet's first movements was one of rage. Giddy weather-cock of a woman! But he had hardly taken twenty steps upon the sidewalk before he said to himself, with a feeling of remorse, "She was right!" He thought that this poor girl had kept in one corner of her heart a shadow of reserve and modesty, and he was happy to feel rise within him a sacred respect for woman!

Amedee, my good fellow, you are quite worthless as a man of pleasure. You had better give it up!

XII. SOCIAL TRIUMPHS

For one month now Amedee Violette's volume of verses, entitled Poems from Nature, had embellished with its pale-blue covers the shelves of the book-shops. The commotion raised by the book's success, and the favorable criticisms given by the journals, had not yet calmed down at the Cafe de Seville.

This emotion, let it be understood, did not exist except among the literary men. The politicians disdained poets and poetry, and did not trouble them selves over such commonplace matters. They had affairs of a great deal more importance to determine the overthrow of the government first, then to remodel the map of Europe! What was necessary to over throw the Empire? First, conspiracy; second, barricades. Nothing was easier than to conspire. Every body conspired at the Seville. It is the character of the French, who are born cunning, but are light and talkative, to conspire in public places. As soon as one of our compatriots joins a secret society his first care is to go to his favorite restaurant and to confide, under a bond of the most absolute secrecy, to his most intimate friend, what he has known for about five minutes, the aim of the conspiracy, names of the actors, the day, hour, and place of the rendezvous, the passwords and countersigns. A little while after he has thus relieved himself, he is surprised that the police interfere and spoil an enterprise that has been prepared with so much mystery and discretion. It was in this way that the "beards" dealt in dark deeds of conspiracy at the Cafe de Seville. At the hour for absinthe and mazagran a certain number of Fiesques and Catilines were grouped around each table. At one of the tables in the foreground five old "beards," whitened by political crime, were planning an infernal machine; and in the back of the room ten robust hands had sworn upon the billiard-table to arm themselves for regicide; only, as with all "beards," there were necessarily some false ones among them, that is to say, spies. All the plots planned at the Seville had miserably miscarried.

The art of building barricades was also--you never would suspect it!--very ardently and conscientiously studied. This special branch of the science of fortification reckoned more than one Vauban and Gribeauval among its numbers. "Professor of barricading," was a title honored at the Cafe de Seville, and one that they would willingly have had engraved upon their visiting-cards. Observe that the instruction was only theoretical; doubtless out of respect for the policemen, they could not give entirely practical lessons to the future rioters who formed the ground-work of the business. The master or doctor of civil war could not go out with them, for instance, and practise in the Rue Drouot. But he had one resource, one way of getting out of it; namely, dominoes. No! you never would believe what a revolutionary appearance these inoffensive mutton-bones took on under the seditious hands of the habitues of the Cafe de Seville. These miniature pavements simulated upon the marble table the subjugation of the most complicated of barricades, with all sorts of bastions, redans, and counterscarps. It was something after the fashion of the small models of war-ships that one sees in marine museums. Any one, not in the secret, would have supposed that the "beards" simply played dominoes. Not at all! They were pursuing a course of technical insurrection. When they roared at the top of their lungs "Five on all sides!" certain players seemed to order a general discharge, and they had a way of saying, "I can not!" which evidently expressed the despair of a combatant who has burned his last cartridge. A "beard" in glasses and a stovepipe hat, who had been refused in his youth at the Ecole Polytechnique, was frightful in the rapidity and mathematical precision with which he added up in three minutes his barricade of dominoes. When this man "blocked the six," you were transported in imagination to the Rue Transnonain, or to the Cloitre St. Merry. It was terrible!

As to foreign politics, or the remodelling of the map of Europe, it was, properly speaking, only sport and recreation to the "beards." It added interest to the game, that was all. Is it not agreeable, when you are preparing a discard, at the decisive moment, with one hundred at piquet, which gives you 'quinte' or 'quatorze', to deliver unhappy Poland; and when one has the satisfaction to score a king and take every trick, what does it cost to let the Russians enter Constantinople?

Nevertheless, some of the most solemn "beards" of the Cafe de Seville attached themselves to international questions, to the great problem of European equilibrium. One of the most profound of these diplomats--who probably had nothing to buy suspenders with, for his shirt always hung out between his waistcoat and trousers--was persuaded that an indemnity of two million francs would suffice to obtain from the Pope the transfer of Rome to the Italians; and another Metternich on a small scale assumed for his specialty the business of offering a serious affront to England and threatening her, if she did not listen to his advice, with a loss in a short time of her Indian Empire and other colonial possessions.

Thus the "beards," absorbed by such grave speculations, did not trouble themselves about the vanity called literature, and did not care a pin for Amedee Violette's book. Among the long-haired ones, however, we repeat, the emotion was great. They were furious, they were agitated, and bristled up; the first enthusiasm over Amedee Violette's verses could not be lasting and had been only a mere flash. The young man saw these Merovingians as they really were toward a man who succeeded, that is, severe almost to cruelty. What! the first edition of Poems from Nature was exhausted and Massif had another in press! What! the bourgeoisie, far from being "astonished" at this book, declared themselves delighted with it, bought it, read it, and perhaps had it rebound! They spoke favorably of it in all the bourgeois journals, that is to say, in those that had subscribers! Did they not say that Violette, incited by Jocquelet, was working at a grand comedy in verse, and that the Theatre-Francais had made very flattering offers to the poet? But then, if he pleased the bourgeoisie so much he was--oh, horror!--a bourgeois himself. That was obvious. How blind they had been not to see it sooner! When Amedee had read his verses not long since at Sillery's, by what aberration had they confounded this platitude with simplicity, this whining with sincere emotion, these stage tricks with art? Ah! you may rest assured, they never will be caught again!

As the poets' tables at the Cafe de Seville had been for some time transformed into beds of torture upon which Amedee Violette's poems were stretched out and racked every day from five to seven, the amiable Paul Sillery, with a jeering smile upon his lips, tried occasionally to cry pity for his friend's verses, given up to such ferocious executioners. But these literary murderers, ready to destroy a comrade's book, are more pitiless than the Inquisition. There were two inquisitors more relentless than the others; first, the little scrubby fellow who claimed for his share all the houris of a Mussulman's palace; another, the great elegist from the provinces. Truly, his heartaches must have made him gain flesh, for very soon he was obliged to let out the strap on his waistcoat.

Of course, when Amedee appeared, the conversation was immediately changed, and they began to talk of insignificant things that they had read in the journals; for example, the fire-damp, which had killed twenty-five working-men in a mine, in a department of the north; or of the shipwreck of a transatlantic steamer in which everything was lost, with one hundred and fifty passengers and forty sailors--events of no importance, we must admit, if one compares them to the recent discovery made by the poet inquisitors of two incorrect phrases and five weak rhymes in their comrade's work.

Amedee's sensitive nature soon remarked the secret hostility of which he was the object in this group of poets, and he now came to the Cafe de Seville only on rare occasions, in order to take Paul Sillery by the hand, who, in spite of his ironical air, had always shown himself a good and faithful friend.

It was there that he recognized one evening his classmate of the Lycee, Arthur Papillon, seated at one of the political tables. The poet wondered to himself how this fine lawyer, with his temperate opinions, happened to be among these hot-headed revolutionists, and what interest in common could unite this correct pair of blond whiskers to the uncultivated, bushy ones. Papillon, as soon as he saw Amedee, took leave of the group with whom he was talking and came and offered his hearty congratulations to the author of Poems from Nature, leading him out upon the boulevard and giving him the key to the mystery.

All the old parties were united against the Empire, in view of the coming elections; Orleanists and Republicans were, for the time being, close friends. He, Papillon, had just taken his degree, and had attached himself to the fortunes of an old wreck of the July government; who, having rested in oblivion since 1852, had consented to run as candidate for the Liberal opposition in Seine-et-Oise. Papillon was flying around like a hen with her head cut off, to make his companion win the day. He came to the Seville to assure himself of the neutral goodwill of the unreconciled journalists, and he was full of hope.

"Oh! my dear friend, how difficult it is to struggle against an official candidate! But our candidate is an astonishing man. He goes about all day upon the railroads in our department, unfolding his programme before the travelling countrymen and changing compartments at each station. What a stroke of genius! a perambulating public assembling. This idea came to him from seeing a harpist make the trip from Havre to Honfleur, playing 'Il Bacio' all the time. Ah, one must look alive! The prefect does not shrink from any way of fighting us. Did he not spread through one of our most Catholic cantons the report that we were Voltairians, enemies to religion and devourers of priests? Fortunately, we have yet four Sundays before us, from now until the voting-day, and the patron will go to high mass and communion in our four more important parishes. That will be a response! If such a man is not elected, universal suffrage is hopeless!"

Amedee was not at that time so disenchanted with political matters as he became later, and he asked himself with an uneasy feeling whether this model candidate, who was perhaps about to give himself sacrilgious indigestion, and who showed his profession of faith as a cutler shows his knives, was not simply a quack.

Arthur Papillon did not give him time to devote himself to such unpleasant reflections, but said to him, in a frank, protecting tone:

"And you, my boy, let us see, where do you stand? You have been very successful, have you not? The other evening at the house of Madame la Comtesse Fontaine, you know--the widow of one of Louis Philippe's ministers and daughter of Marshal Lefievre--Jocquelet recited your 'Sebastopol' with enormous success. What a voice that Jocquelet has! We have not his like at the Paris bar. Fortunate poet! I have seen your book lying about in the boudoir of more than one beautiful woman. Well, I hope that you will leave the Cafe de Seville and not linger with all these badly combed fellows. You must go into society; it is indispensable to a man of letters, and I will present you whenever you wish."

For the time being Amedee's ardor was a little dampened concerning the Bohemians with whom he enjoyed so short a favor, and who had also in many ways shocked his delicacy. He was not desirous to be called "thou" by Pere Lebuffle.

But to go into society! His education had been so modest! Should he know how to appear, how to conduct himself properly? He asked this of Papillon. Our poet was proud, he feared ridicule, and would not consent to play an inferior role anywhere; and then his success just then was entirely platonic. He was still very poor and lived in the Faubourg St.-Jacques. Massif ought to pay him in a few days five hundred francs for the second edition of his book; but what is a handful of napoleons?

"It is enough," said the advocate, who thought of his friend's dress. "It is all that is necessary to buy fine linen, and a well cut dress-coat, that is the essential thing. Good form consists, above all things, in keeping silent. With your fine and yielding nature you will become at once a gentleman; better still, you are not a bad-looking fellow; you have an interesting pallor. I am convinced that you will please. It is now the beginning of July, and Paris is almost empty, but Madame la Comtesse Fontaine does not go away until the vacations, as she is looking after her little son, who is finishing his studies at the Lycee Bonaparte. The Countess's drawing-rooms are open every evening until the end of the month, and one meets there all the chic people who are delayed in Paris, or who stop here between two journeys. Madame Fontaine is a very amiable and influential old lady; she has a fancy for writers when they are good company. Do not be silly, but go and order yourself some evening clothes. By presenting you there, my dear fellow, I assure you, perhaps in fifteen years, a seat in the Academy. It is agreed! Get ready for next week."

Attention! Amedee Violette is about to make his first appearance in society.

Although his concierge, who aided him to finish his toilette and saw him put on his white cravat, had just said to him, "What a love of a husband you would make!" the poet's heart beat rapidly when the carriage in which he was seated beside Arthur Papillon stopped before the steps of an old house in the Rue de Bellechasse, where Madame la Comtesse Fontaine lived.

In the vestibule he tried to imitate the advocate's bearing, which was full of authority; but quickly despaired of knowing how to swell out his starched shirt-front under the severe looks of four tall lackeys in silk stockings. Amedee was as much embarrassed as if he were presented naked before an examining board. But they doubtless found him "good for service," for the door opened into a brightly lighted drawing-room into which he followed Arthur Papillon, like a frail sloop towed in by an imposing three-master, and behold the timid Amedee presented in due form to the mistress of the house! She was a lady of elephantine proportions, in her sixtieth year, and wore a white camellia stuck in her rosewood-colored hair. Her face and arms were plastered with enough flour to make a plate of fritters; but for all that, she had a grand air and superb eyes, whose commanding glance was softened by so kindly a smile that Amedee was a trifle reassured.

She had much applauded M. Violette's beautiful verse, she said, that Jocquelet had recited at her house on the last Thursday of her season; and she had just read with the greatest pleasure his Poems from Nature. She thanked M. Papillon--who bows his head and lets his monocle fall--for having brought M. Violette. She was charmed to make his acquaintance.

Amedee was very much embarrassed to know what to reply to this commonplace compliment which was paid so gracefully. Fortunately he was spared this duty by the arrival of a very much dressed, tall, bony woman, toward whom the Countess darted off with astonishing vivacity, exclaiming, joyfully: "Madame la Marechale!" and Amedee, still following in the wake of his comrade, sailed along toward the corner of the drawing-room, and then cast anchor before a whole flotilla of black coats. Amedee's spirits began to revive, and he examined the place, so entirely new to him, where his growing reputation had admitted him.

It was a vast drawing-room after the First Empire style, hung and furnished in yellow satin, whose high white panels were decorated with trophies of antique weapons carved in wood and gilded. A dauber from the Ecole des Beaux-Arts would have branded with the epithet "sham" the armchairs and sofas ornamented with sphinx heads in bronze, as well as the massive green marble clock upon which stood, all in gold, a favorite court personage, clothed in a cap, sword, and fig-leaf, who seemed to be making love to a young person in a floating tunic, with her hair dressed exactly like that of the Empress Josephine. But the dauber would have been wrong, for this massive splendor was wanting neither in grandeur nor character. Two pictures only lighted up the cold walls; one, signed by Gros, was an equestrian portrait of the Marshal, Madame Fontaine's father, the old drummer of Pont de Lodi, one of the bravest of Napoleon's lieutenants. He was represented in full-dress uniform, with an enormous black-plumed hat, brandishing his blue velvet baton, sprinkled with golden bees, and under the rearing horse's legs one could see in the dim distance a grand battle in the snow, and mouths of burning cannons. The other picture, placed upon an easel and lighted by a lamp with a reflector, was one of Ingre's the 'chef-d'oeuvres'. It was the portrait of the mistress of the house at the age of eighteen, a portrait of which the Countess was now but an old and horrible caricature.

Arthur Papillon talked in a low voice with Amedee, explaining to him how Madame Fontaine's drawing-room was neutral ground, open to people of all parties. As daughter of a Marshal of the First Empire, the Countess preserved the highest regard for the people at the Tuileries, although she was the widow of Count Fontaine, who was one of the brood of Royer-Collard's conservatives, a parliamentarian ennobled by Louis-Philippe, twice a colleague of Guizot on the ministerial bench, who died of spite and suppressed ambition after '48 and the coup d'etat. Besides, the Countess's brother, the Duc d'Eylau, married, in 1829, one of the greatest heiresses in the Faubourg St. Germain; for his father, the Marshal, whose character did not equal his bravery, attached himself to every government, and carried his candle in the processions on Corpus Christi Day under Charles X, and had ended by being manager of the Invalides at the beginning of the July monarchy. Thanks to this fortunate combination of circumstances, one met several great lords, many Orleanists, a certain number of official persons, and even some republicans of high rank, in this liberal drawing-room, where the Countess, who was an admirable hostess, knew how to attract learned men, writers, artists, and celebrities of all kinds, as well as young and pretty women. As the season was late, the gathering this evening was not large. However, neglecting the unimportant gentlemen whose ancestors had perhaps been fabricated by Pere Issacar, Papillon pointed out to his friend a few celebrities. One, with the badge of the Legion of Honor upon his coat, which looked as if it had come from the stall of an old-clothes man, was Forgerol, the great geologist, the most grasping of scientific men; Forgerol, rich from his twenty fat sinecures, for whom one of his confreres composed this epitaph in advance: "Here lies Forgerol, in the only place he did not solicit."

That grand old man, with the venerable, shaky head, whose white, silky hair seemed to shed blessings and benedictions, was M. Dussant du Fosse, a philanthropist by profession, honorary president of all charitable works; senator, of course, since he was one of France's peers, and who in a few years after the Prussians had left, and the battles were over, would sink into suspicious affairs and end in the police courts.

That old statesman, whose rough, gray hairs were like brushes for removing cobwebs, a pedant from head to foot, leaning in his favorite attitude against the mantel decorated only with flowers, by his mulish obstinacy contributed much to the fall of the last monarchy. He was respectfully listened to and called "dear master" by a republican orator, whose red-hot convictions began to ooze away, and who, soon after, as minister of the Liberal empire, did his best to hasten the government's downfall.

Although Amedee was of an age to respect these notabilities, whom Papillon pointed out to him with so much deference, they did not impress him so much as certain visitors who belonged to the world of art and letters. In considering them the young man was much surprised and a little saddened at the want of harmony that he discovered between the appearance of the men and the nature of their talents. The poet Leroy des Saules had the haughty attitude and the Apollo face corresponding to the noble and perfect beauty of his verses; but Edouard Durocher, the fashionable painter of the nineteenth century, was a large, common-looking man with a huge moustache, like that of a book agent; and Theophile de Sonis, the elegant story-writer, the worldly romancer, had a copper-colored nose, and his harsh beard was like that of a chief in a custom-house.

What attracted Amedee's attention, above all things, were the women--the fashionable women that he saw close by for the first time. Some of them were old, and horrified him. The jewels with which they were loaded made their fatigued looks, dark-ringed eyes, heavy profiles, thick flabby lips, like a dromedary's, still more distressing; and with their bare necks and arms--it was etiquette at Madame Fontaine's receptions--which allowed one to see through filmy lace their flabby flesh or bony skeletons, they were as ridiculous as an elegant cloak would be upon an old crone.

As he saw these decrepit, painted creatures, the young man felt the respect that he should have for the old leave him. He would look only at the young and beautiful women, those with graceful figures and triumphant smiles upon their lips, flowers in their hair, and diamonds upon their necks. All this bare flesh intimidated Amedee; for he had been brought up so privately and strictly that he was distressed enough to lower his eyes at the sight of so many arms, necks, and shoulders. He thought of Maria Gerard as she looked the other day, when he met her going to work in the Louvre, so pretty in her short high-necked dress, her magnificent hair flying out from her close bonnet, and her box of pastels in her hand. How much more he preferred this simple rose, concealed among thorns, to all these too full-blown peonies!

Soon the enormous and amiable Countess came to the poet and begged him, to his great confusion, to recite a few verses. He was forced to do it. It was his turn to lean upon the mantel. Fortunately it was a success for him; all the full-blown peonies, who did not understand much of his poetry, thought him a handsome man, with his blue eyes, and their ardent, melancholy glance; and they applauded him as much as they could without bursting their very tight gloves. They surrounded him and complimented him. Madame Fontaine presented him to the poet Leroy des Saules, who congratulated him with the right word, and invited him with a paternal air to come and see him. It would have been a very happy moment for Amedee, if one of the old maids with camel-like lips, whose stockings were probably as blue as her eyelids, had not monopolized him for a quarter of an hour, putting him through a sort of an examination on contemporary poets. At last the poet retired, after receiving a cup of tea and an invitation to dinner for the next Tuesday. Then he was once more seated in the carriage with Arthur Papillon, who gave him a slap on the thigh, exclaiming, joyfully:

"Well, you are launched!"

It was true; he was launched, and he will wear out more than one suit of evening clothes before he learns all that this action "going into society," which seems nothing at all at first, and which really is nothing, implies, to an industrious man and artist, of useless activity and lost time. He is launched! He has made a successful debut! A dinner in the city! At Madame Fontaine's dinner on the next Tuesday, some abominable wine and aged salmon was served to Amedee by a butler named Adolphe, who ought rather to have been called Exili or Castaing, and who, after fifteen years' service to the Countess, already owned two good paying houses in Paris. At the time, however, all went well, for Amedee had a good healthy stomach and could digest buttons from a uniform; but when all the Borgias, in black-silk stockings and white-silk gloves, who wish to become house-owners, have cooked their favorite dishes for him, and have practised only half a dozen winters, two or three times a week upon him, we shall know more as to his digestion. Still that dinner was enjoyable. Beginning with the suspicious salmon, the statesman with the brush-broom head, the one who had overthrown Louis-Philippe without suspecting it, started to explain how, if they had listened to his advice, this constitutional king's dynasty would yet be upon the throne; and at the moment when the wretched butler poured out his most poisonous wine, the old lady who looked like a dromedary with rings in its ears, made Amedee--her unfortunate neighbor--undergo a new oral examination upon the poets of the nineteenth century, and asked him what he thought of Lamartine's clamorous debts, and Victor Hugo's foolish pride, and Alfred de Musset's intemperate habits.

The worthy Amedee is launched! He will go and pay visits of indigestion; appear one day at Madame such a one's, and at the houses of several other "Madames." At first he will stay there a half-hour, the simpleton! until he sees that the cunning ones only come in and go out exactly as one does in a booth at a fair. He will see pass before him--but this time in corsages of velvet or satin-all the necks and shoulders of his acquaintances, those that he turned away from with disgust and those that made him blush. Each Madame this one, entering Madame that one's house, will seat herself upon the edge of a chair, and will always say the same inevitable thing, the only thing that can be or should be said that day; for example, "So the poor General is dead!" or "Have you heard the new piece at the Francais? It is not very strong, but it is well played!" "This will be delicious;" and Amedee will admire, above all things, Madame this one's play of countenance, when Madame G------tells her that Madame B-------'s daughter is to marry Madame C-----'s nephew. While she hardly knows these people, she will manifest as lively a joy as if they had announced the death of an old aunt, whose money she is waiting for to renew the furniture in her house. And, on the contrary, when Madame D---announces that Madame E-----'s little son has the whooping-cough, at once, without transition, by a change of expression that would make the fortune of an actress, the lady of the house puts on an air of consternation, as if the cholera had broken out the night before in the Halles quarter.

Amedee is launched, I repeat it. He is still a little green and will become the dupe, for a long time, of all the shams, grimaces, acting, and false smiles, which cover so many artificial teeth. At first sight all is elegance, harmony, and delicacy. Since Amedee does not know that the Princess Krazinska's celebrated head of hair was cut from the heads of the Breton girls, how could he suspect that the austere defender of the clergy, M. Lemarguillier, had been gravely compromised in a love affair, and had thrown himself at the feet of the chief of police, exclaiming, "Do not ruin me!" When the king of society is announced, the young Duc de la Tour-Prends-Garde, whose one ancestor was at the battle of the bridge, and who is just now introducing a new style in trousers, Amedee could not suspect that the favorite amusement of this fashionable rake consisted in drinking in the morning upon an empty stomach, with his coachman, at a grog-shop on the corner. When the pretty Baroness des Nenuphars blushed up to her ears because someone spoke the word "tea-spoon" before her, and she considered it to be an unwarrantable indelicacy--nobody knows why--it is assuredly not our young friend who will suspect that, in order to pay the gambling debts of her third lover, this modest person had just sold secretly her family jewels.

Rest assured Amedee will lose all these illusions in time. The day will come when he will not take in earnest this grand comedy in white cravats. He will not have the bad taste to show his indignation. No! he will pity these unfortunate society people condemned to hypocrisy and falsehood. He will even excuse their whims and vices as he thinks of the frightful ennui that overwhelms them. Yes, he will understand how the unhappy Duc de la Tour-Prends-Garde, who is condemned to hear La Favorita seventeen times during the winter, may feel at times the need of a violent distraction, and go to drink white wine with his servant. Amedee will be full of indulgence, only one must pardon him for his plebeian heart and native uncouthness; for at the moment when he shall have fathomed the emptiness and vanity of this worldly farce, he will keep all of his sympathy for those who retain something like nature. He will esteem infinitely more the poorest of the workmen--a wood-sawyer or a bell-hanger--than a politician haranguing from the mantel, or an old literary dame who sparkles like a window in the Palais-Royal, and is tattooed like a Caribbean; he will prefer an old; wrinkled, village grand-dame in her white cap, who still hoes, although sixty years old, her little field of potatoes.

XIII. A SERPENT AT THE FIRESIDE

A little more than a year has passed. It is now the first days of October; and when the morning mist is dissipated, the sky is of so limpid a blue and the air so pure and fresh, that Amedee Violette is almost tempted to make a paper kite and fly it over the fortifications, as he did in his youth. But the age for that has passed; Amedee's real kite is more fragile than if it had been made of sticks and pieces of old paper pasted on one over another; it does not ascend very high yet, and the thread that sails it is not very strong. Amedee's kite is his growing reputation. He must work to sustain it; and always with the secret hope of making little Maria his wife. Amedee works. He is not so poor now, since he earns at the ministry two hundred francs a month, and from time to time publishes a prose story in journals where his copy is paid for. He has also left his garret in the Faubourg St.-Jacques and lives on the Ile St. Louis, in one room only, but large and bright, from whose window he can see, as he leans out, the coming and going of boats on the river and the sun as it sets behind Notre-Dame.

Amedee has been working mostly upon his drama, for the Comedie-Francaise this summer, and it is nearly done; it is a modern drama in verse, entitled L'Atelier. The action is very simple, like that of a tragedy, but he believes it is sympathetic and touching, and it ends in a popular way. Amedee thinks he has used for his dialogue familiar but nevertheless poetic lines, in which he has not feared to put in certain graphic words and energetic speeches from the mouths of working-people.

The grateful poet has destined the principal role for Jocquelet, who has made a successful debut in the 'Fourberies de Scapin', and who, since then, has won success after success. Jocquelet, like all comic actors, aspires to play also in drama. He can do so in reality, but under particular conditions; for in spite of his grotesque nose, he has strong and spirited qualities, and recites verses very well. He is to represent an old mechanic, in his friend's work, a sort of faubourg Nestor, and this type will accommodate itself very well to the not very aristocratic face of Jocquelet, who more and more proves his cleverness at "making-up." However, at first the actor was not satisfied with his part. He fondles the not well defined dream of all actors, he wishes, like all the others, the "leading part." They do not exactly know what they mean by it, but in their dreams is vaguely visible a wonderful Almanzor, who makes his first entrance in an open barouche drawn by four horses harnessed a la Daumont, and descends from it dressed in tight-fitting gray clothes, tasselled boots, and decorations. This personage is as attractive as Don Juan, brave as Murat, a poet like Shakespeare, and as charitable as St. Vincent de Paul. He should have, before the end of the first act, crushed with love by one single glance, the young leading actress; dispersed a dozen assassins with his sword; addressed to the stars--that is to say, the spectators in the upper gallery--a long speech of eighty or a hundred lines, and gathered up two lost children under the folds of his cloak.

A "fine leading part" should also, during the rest of the piece, accomplish a certain number of sublime acts, address the multitude from the top of a staircase, insult a powerful monarch to his face, dash into the midst of a conflagration--always in the long-topped boots. The ideal part would be for him to discover America, like Christopher Columbus; win pitched battles, like Bonaparte, or some other equally senseless thing; but the essential point is, never to leave the stage and to talk all the time--the work, in reality, should be a monologue in five acts.

This role of an old workman, offered to Jocquelet by Amedee, obtained only a grimace of displeasure from the actor. However, it ended by his being reconciled to the part, studying it, and, to use his own expression, "racking his brains over it," until one day he ran to Violette's, all excited, exclaiming:

"I have the right idea of my old man now! I will dress him in a tricot waistcoat with ragged sleeves and dirty blue overalls. He is an apprentice, is he not? A fellow with a beard! Very well! in the great scene where they tell him that his son is a thief and he defies the whole of the workmen, he struggles and his clothes are torn open, showing a hairy chest. I am not hairy, but I will make myself so--does that fill the bill? You will see the effect."

While reserving the right to dissuade Jocquelet from making himself up in this way, Amedee carried his manuscript to the director of the Theatre Francais, who asked a little time to look it over, and also promised the young poet that he would read it aloud to the committee.

Amedee is very anxious, although Maurice Roger, to whom he has read the piece, act by act, predicts an enthusiastic acceptance.

The handsome Maurice has been installed for more than a year in a studio on the Rue d'Assas and leads a jolly, free life there. Does he work? Sometimes; by fits and starts. And although he abandons his sketches at the first attack of idleness, there is a charm about these sketches, suspended upon the wall; and he will some day show his talent. One of his greatest pleasures is to see pass before him all his beautiful models, at ten francs an hour. With palette in hand, he talks with the young women, tells them amusing stories, and makes them relate all their love-affairs. When friends come to see him, they can always see a model just disappearing behind a curtain. Amedee prefers to visit his friend on Sunday afternoons, and thus avoid meeting these models; and then, too, he meets there on that day Arthur Papillon, who paves the way for his political career by pleading lawsuits for the press. Although he is, at heart, only a very moderate Liberalist, this young man, with the very chic side whiskers, defends the most republican of "beards," if it can be called defending; for in spite of his fine oratorical efforts, his clients are regularly favored with the maximum of punishment. But they are all delighted with it, for the title of "political convict" is one very much in demand among the irreconcilables. They are all convinced that the time is near when they will overthrow the Empire, without suspecting, alas! that in order to do that twelve hundred thousand German bayonets will be necessary. The day after the triumph, the month of imprisonment will be taken into account, and St. Pelagie is not the 'carcere duro'. Papillon is cunning and wishes to have a finger in every pie, so he goes to dine once a week with those who owe their sojourn in this easy-going jail to him, and regularly carries them a lobster.

Paul Sillery, who has also made Maurice's acquaintance, loiters in this studio. The amiable Bohemian has not yet paid his bill to Pere Lebuffle, but he has cut his red fleece close to his head, and publishes every Sunday, in the journals, news full of grace and humor. Of course they will never pardon him at the Cafe de Seville; the "long-haired" ones have disowned this traitor who has gone over to the enemy, and is now only a sickening and fetid bourgeois; and if the poetical club were able to enforce its decrees, Paul Sillery, like an apostate Jew in the times of the Inquisition, would have been scourged and burned alive. Paul Sillery does not trouble himself about it, however; and from time to time returns to the "Seville" and treats its members to a bumper all around, which he pays for with the gold of his dishonor. Sometimes Jocquelet appears, with his smooth-shaved face; but only rarely, for he is at present a very busy man and already celebrated. His audacious nose is reproduced in all positions and displayed in photographers' windows, where he has for neighbors the negatives most in demand; for instance, the fatherly and benevolent face of the pope; Pius IX, or the international limbs of Mademoiselle Ketty, the majestic fairy, in tights. The journals, which print Jocquelet's name, treat him sympathetically and conspicuously, and are full of his praises. "He is good to his old aunt," "gives alms," "picked up a lost dog in the street the other evening." An artist such as he, who stamps immortality on all the comic repertory, and takes Moliere under his wing, has no time to go to visit friends, that is understood. However, he still honors Maurice Roger with short visits. He only has time to make all the knickknacks and china on the sideboard tremble with the noise of his terrible voice; only time to tell how, on the night before, in the greenroom, when still clothed in Scapin's striped cloak, he deigned to receive, with the coldest dignity, the compliments of a Royal Highness, or some other person of high rank. A prominent society lady has been dying of love for him the past six months; she occupies stage box Number Six--and then off he goes. Good riddance!

Amedee enjoys himself in his friend's studio, where gay and witty artists come to talk. They laugh and amuse themselves, and this Sunday resting-place is the most agreeable of the hard-working poet's recreations. Amedee prolongs them as long as possible, until at last he is alone with his friend; then the young men stretch themselves out upon the Turkish cushions, and they talk freely of their hopes, ambitions, and dreams for the future.

Amedee, however, keeps one secret to himself; he never has told of his love for Maria Gerard. Upon his return from Italy the traveller inquired several times for the Gerards, sympathized politely with their misfortune, and wished to be remembered to them through Amedee. The latter had been very reserved in his replies, and Maurice no longer broaches the subject in their conversation. Is it through neglect? After all, he hardly knew the ladies; still, Amedee is not sorry to talk of them no longer with his friend, and it is never without a little embarrassment and unacknowledged jealousy that he replies to Maria when she asks for news of Maurice.

She no longer inquires. The pretty Maria is cross and melancholy, for now they talk only of one thing at the Gerards; it is always the same, the vulgar and cruel thought, obtaining the means to live; and within a short time they have descended a few steps lower on the slippery ladder of poverty. It is not possible to earn enough to feed three mouths with a piano method and a box of pastels--or, at least, it does not hold out. Louise has fewer pupils, and Pere Issacar has lessened his orders. Mamma Gerard, who has become almost an old woman, redoubles her efforts; but they can no longer make both ends meet. Amedee sees it, and how it makes him suffer!

The poor women are proud, and complain as little as possible; but the decay inside this house, already so modest, is manifested in many ways. Two beautiful engravings, the last of their father's souvenirs, had been sold in an hour of extreme want; and one could see, by the clean spots upon the wall, where the frames once hung. Madame Gerard's and her daughters' mourning seemed to grow rusty, and at the Sunday dinner Amedee now brings, instead of a cake, a pastry pie, which sometimes constitutes the entire meal. There is only one bottle of old wine in the cellar, and they drink wine by the pot from the grocer's. Each new detail that proves his friends' distress troubles the sensitive Amedee. Once, having earned ten Louis from some literary work, he took the poor mother aside and forced her to accept one hundred francs. The unfortunate woman, trembling with emotion, while two large tears rolled down her cheeks, admitted that the night before, in order to pay the washerwoman, they had pawned the only clock in the house.

What can he do to assist them, to help them to lead a less terrible life? Ah! if Maria would have it so, they could be married at once, without any other expense than the white dress, as other poor people do; and they would all live together. He has his salary of twenty-four hundred francs, besides a thousand francs that he has earned in other ways. With Louise's lessons this little income would be almost sufficient. Then he would exert himself to sell his writings; he would work hard, and they could manage. Of course it would be quite an undertaking on his part to take all this family under his charge. Children might be born to them. Had he not begun to gain a reputation; had he not a future before him? His piece might be played and meet with success. This would be their salvation. Oh! the happy life that the four would lead together! Yes, if Maria could love him a little, if he persisted in hoping, if she had the courage, it was the only step to take.

Becoming enthusiastic upon this subject, Amedee decided to submit the question to the excellent Louise, in whom he had perfect confidence, and considered to be goodness and truth personified. Every Thursday, at six o'clock, she left a boarding-school in the Rue de la Rochechouart, where she gave lessons to young ladies in singing. He would go and wait for her as she came out that very evening. And there he met her. Poor Louise! her dress was lamentable; and what a sad countenance! What a tired, distressed look!

"What, you, Amedee!" said she, with a happy smile, as he met her.

"Yes, my dear Louise. Take my arm and let me accompany you part of the way. We will talk as we walk; I have something very serious to say to you, confidentially--important advice to ask of you."

The poet then began to make his confession. He recalled their childhood days in the Rue Notre-Dame-des-Champs, when they played together; it was as long ago as that that he had first begun to be charmed by little Maria. As soon as he became a young man he felt that he loved the dear child, and had always cherished the hope that he might inspire her with a tender sentiment and marry her some day. If he had not spoken sooner it was because he was too poor, but he had always loved her, he loved her now, and never should love any other woman. He then explained his plan of life in simple and touching terms; he would become Madame Gerard's son and his dear Louise's brother; the union of their two poverties would become almost comfort. Was it not very simple and reasonable? He was very sure that she would approve of it, and she was wisdom itself and the head of the family.

While he was talking Louise lowered her eyes and looked at her feet. He did not feel that she was trembling violently. Blind, blind Amedee! You do not see, you will never see, that she is the one who loves you! Without hope! she knows that very well; she is older than you, she is not pretty, and she will always be in your eyes an adopted elder sister, who once showed you your alphabet letters with the point of her knitting-needle. She has suspected for a long time your love for Maria; she suffers, but she is resigned to it, and she will help you, the brave girl! But this confession that you make, Maria's name that you murmur into her ear in such loving accents, this dream of happiness in which, in your artless egotism, you reserve for her the role of an old maid who will bring up your children, is cruel, oh! how cruel! They have reached the Boulevard Pigalle; the sun has set; the sky is clear and bright as a turquoise, and the sharp autumn wind detaches the last of the dried leaves from the trees. Amedee is silent, but his anxious glance solicits and waits for Louise's reply.

"Dear Amedee," said she, raising her frank, pure eyes to his face, "you have the most generous and best of hearts. I suspected that you loved Maria, and I would be glad to tell you at once that she loves you, so that we might hereafter be but one family--but frankly I can not. Although the dear child is a little frivolous, her woman's instinct must suspect your feeling for her, but she has never spoken of it to mamma or to me. Have confidence; I do not see anything that augurs ill for you in that. She is so young and so innocent that she might love you without suspecting it herself. It is very possible, probable even, that your avowal will enlighten her as to the state of her own heart. She will be touched by your love, I am sure, as well as by your devotion to the whole family. I hope, with all my heart, Amedee, that you will succeed; for, I can say it to you, some pleasure must happen in poor Maria's life soon. She has moments of the deepest sadness and attacks of weeping that have made me uneasy for some time. You must have noticed, too, that she is overwhelmed with ennui. I can see that she suffers more than mamma or I, at the hard life that we lead. It is not strange that she feels as she does, for she is pretty and attractive, and made for happiness; and to see the present and the future so sad! How hard it is! You can understand, my friend, how much I desire this marriage to take place. You are so good and noble, you will make Maria happy; but you have said it, I am the one who represents wisdom in our house. Let me have then a few days in which to observe Maria, to obtain her confidence, to discover perhaps a sentiment in her heart of which she is ignorant; and remember that you have a sure and faithful ally in me."

"Take your own time, dear Louise," replied the poet. "I leave everything to you. Whatever you do will be for the best."

He thanked her and they parted at the foot of the Rue Lepic. It was a bitter pleasure for the slighted one to give the young man her poor, deformed, pianist's hand, and to feel that he pressed it with hope and gratitude.

She desired and must urge this marriage. She said this over and over again to herself, as she walked up the steep street, where crowds of people were swarming at the end of their day's work. No! no! Maria did not care for Amedee. Louise was very sure of it; but at all events it was necessary that she should try to snatch her young sister from the discouragements and bad counsel of poverty. Amedee loved her and would know how to make her love him. In order to assure their happiness these two young people must be united. As to herself, what matter! If they had children she would accept in advance her duties as coddling aunt and old godmother. Provided, of course, that Maria would be guided, or, at least, that she would consent. She was so pretty that she was a trifle vain. She was nourishing, perhaps, nobody knew what fancy or vain hope, based upon her beauty and youth. Louise had grave fears. The poor girl, with her thin, bent shoulders wrapped up in an old black shawl, had already forgotten her own grief and only thought of the happiness of others, as she slowly dragged herself up Montmartre Hill. When she reached the butcher's shop in front of the mayor's office, she remembered a request of her mother's; and as is always the case with the poor, a trivial detail is mixed with the drama of life. Louise, without forgetting her thoughts, while sacrificing her own heart, went into the shop and picked out two breaded cutlets and had them done up in brown paper, for their evening's repast.

The day after his conversation with Louise, Amedee felt that distressing impatience that waiting causes nervous people. The day at the office seemed unending, and in order to escape solitude, at five o'clock he went to Maurice's studio, where he had not been for fifteen days. He found him alone, and the young artist also seemed preoccupied. While Amedee congratulated him upon a study placed upon an easel, Maurice walked up and down the room with his hands in his pocket, and eyes upon the floor, making no reply to his friend's compliments. Suddenly he stopped and looking at Amedee said:

"Have you seen the Gerard ladies during the past few days?"

Maurice had not spoken of these ladies for several months, and the poet was a trifle surprised.

"Yes," he replied. "Not later than yesterday I met Mademoiselle Louise."

"And," replied Maurice, in a hesitating manner, "were all the family well?"

"Yes."

"Ah!" said the artist, in a strange voice, and he resumed his silent promenade.

Amedee always had a slightly unpleasant sensation when Maurice spoke the name of the Gerards, but this time the suspicious look and singular tone of the young painter, as he inquired about them, made the poet feel genuinely uneasy. He was impressed, above all, by Maurice's simple exclamation, "Ah!" which seemed to him to be enigmatical and mysterious. But nonsense! all this was foolish; his friend's questions were perfectly natural.

"Shall we pass the evening together, my dear Maurice?"

"It is impossible this evening," replied Maurice, still continuing his walk. "A duty--I have an engagement."

Amedee had the feeling that he had come at an unfortunate time, and discreetly took his departure. Maurice had seemed indifferent and less cordial than usual.

"What is the matter with him?" said the poet to himself several times, while dining in the little restaurant in the Latin Quarter. He afterward went to the Comedie Francaise, to kill time, as well as to inquire after his drama of Jocquelet, who played that evening in 'Le Legataire Universel'.

The comedian received him in his dressing-room, being already arrayed in Crispin's long boots and black trousers. He was seated in his shirt-sleeves be fore his toilet-table, and had just pasted over his smooth lips the bristling moustache of this traditional personage. Without rising, or even saying "Good-day," he cried out to the poet as he recognized him in the mirror.

"No news as to your piece! The manager has not one moment to himself; we are getting ready for the revival of Camaraderie. But we shall be through with it in two days, and then--"

And immediately, talking to hear himself talk, and to exercise his terrible organ, he belched out, like the noise from an opened dam, a torrent of commonplace things. He praised Scribe's works, which they had put on the stage again; he announced that the famous Guillery, his senior in the comedy line, would be execrable in this performance, and would make a bungle of it. He complained of being worried to death by the pursuit of a great lady--"You know, stage box Number Six," and showed, with a conceited gesture, a letter, tossed in among the jars of paint and pomade, which smelled of musk. Then, ascending to subjects of a more elevated order, he scored the politics of the Tuileries, and scornfully exposed the imperial corruption while recognizing that this "poor Badingue," who, three days before, had paid a little compliment to the actor, was of more account than his surroundings.

The poet went home and retired, bewildered by such gossip. When he awoke, the agony of his thoughts about Maria had become still more painful. When should he see Louise again? Would her reply be favorable? In spite of the fine autumn morning his heart was troubled, and he felt that he had no courage. His administrative work had never seemed more loathsome than on that day. His fellow-clerk, an amateur in hunting, had just had two days' absence, and inflicted upon him, in an unmerciful manner, his stories of slaughtered partridges, and dogs who pointed, so wonderfully well, and of course punctuated all this with numerous Pan-Pans! to imitate the report of a double-barrelled gun.

When he left the office Amedee regained his serenity a little; he returned home by the quays, hunting after old books and enjoying the pleasures of a beautiful evening, watching, in the golden sky, around the spires of Ste.-Chapelle, a large flock of swallows assembling for their approaching departure.

At nightfall, after dining, he resolved to baffle his impatience by working all the evening and retouching one act of his drama with which he was not perfectly content. He went to his room, lighted his lamp, and seated himself before his open manuscript. Now, then! to work! He had been silly ever since the night before. Why should he imagine that misfortune was in the air? Do such things as presentiments exist?

Suddenly, three light, but hasty and sharp knocks were struck upon his door. Amedee arose, took his lamp, and opened it. He jumped back--there stood Louise Gerard in her deep mourning!

"You?--At my rooms?--At this hour?--What has happened?"

She entered and dropped into the poet's armchair. While he put the lamp upon the table he noticed that the young girl was as white as wax. Then she seized his hands and pressing them with all her strength, she said, in a voice unlike her own--a voice hoarse with despair:

"Amedee, I come to you by instinct, as toward our only friend, as to a brother, as to the only man who will be able to help us repair the frightful misfortune which overwhelms us!" She stopped, stifled with emotion.

"A misfortune!" exclaimed the young man. "What misfortune? Maria?"

"Yes! Maria!"

"An accident?--An illness?"

Louise made a rapid gesture with her arm and head which signified: "If it were only that!" With her mouth distorted by a bitter smile and with lowered eyes, talking confusedly, she said:

"Monsieur Maurice Roger--yes--your friend Maurice! A miserable wretch!--he has deceived and ruined the unhappy child! Oh! what infamy!--and now--now--"

Her deathly pale face flushed and became purple to the roots of her hair.

"Now Maria will become a mother!"

At these words the poet gave a cry like some enraged beast; he reeled, and would have fallen had the table not been near. He sat down on the edge of it, supporting himself with his hands, completely frozen as if from a great chill. Louise, overcome with shame, sat in the armchair, hiding her face in her hands while great tears rolled down between the fingers of her ragged gloves.

A ROMANCE OF YOUTH

By FRANCOIS COPPEE