Norse mythology; or, The religion of our forefathers, containing all the myths of the Eddas, systematized and interpreted. With an introduction, vocabulary and index

Front matter

Class _

The Social Spirit in America

TIkXDF:

Preface

r~F\HE race is subject to the same laws as the indi- -*- vidual. The recollections of our earliest childhood and youth have the deepest roots in our inner life, and are the last to be forgotten. While the most recent events may fail to impress themselves upon our memory in our old age, the things that happened in our childhood remain bright and clear to the soul, and the advancing years seem only to give them additional luster and distinctness. Here, if anywhere, it is true that distance lends enchantment to the view. If it were possible for these memories to disappear and be effaced, then man would be cut off from his root, and there would remain only the fragment of a real man. Within his narrower circle the individual repeats the experience of the whole race.

This fact is well illustrated by the old' folk-lore \j

story in which the traveler is referred to a very old man for the information he is seeking. After a long journey, he comes to an old man with snow-white hair and wrinkled face. This aged person is not, however, able to answer the traveler's questions, but refers him to his brother, a person much older than himself.

After journeying a long distance, he comes to this aged brother, and discovers that he is much older than the first one he met, although he actually looks much younger. Nor is he able to supply the traveler with the desired information, but refers him to a third brother, who is still older than the other two. Finally, after long and weary journeys, our traveler finds the third one, also, but is surprised to find that he looks the youngest, although he is, in fact, by far the oldest of the brothers. From him the desired knowledge is obtained.

This story contains an important truth, and despite its romantic garb, it presents a faithful picture of the effect of time upon our inheritance from our forefathers. The most ancient life, the oldest traditions, the oldest poetry, are at the same time the very youngest, and they can never grow old. This ancient life, these old traditions and this old poetry are largely preserved in what we call our mythology. In our mythological records we find the most vigorous life. In them we may safely look for memories from time's morning and for that fountain of youth where these memories dwell, and whence they well forth. There we may chat about the imaginative, prophetic and poetic childhood of our race with that one of the brothers who actually is the oldest, but who looks the youngest of the three. These mythological records are themselves the spring in which we all need to be baptized if we desire to be imbued with strength for the work we have to do in life and to become truly rejuvenated. In these old myths, traditions and ballads our poetry needs to be immersed now and then as in a fountain of youth, otherwise it will grow old and feeble, and either degenerate into mere reflections, metaphysics and abstractions, or lose itself in commonplace descriptions and platitudes.

What we claim for this work is, that it is the first complete and systematic presentation of the Norse mythology in the English language ; and this, we think, is a sufficient reason for our asking a humble place upon your bookshelves. And, while we make this claim, we fully appreciate the value of the many excellent treatises and translations that have appeared on this subject in England. We do not undervalue the labors of Dasent, Thorpe, Pigott, Carlyle, etc., but none of these give a comprehensive account of all the deities and the myths in full. There is, indeed, no work outside of Scandinavia that covers the whole ground. So far as America is concerned, the only work on Norse mythology that has hitherto been published in this country is Barclay Pennock's translation of the Norse Professor Rudolph Keyser's Religion of the Northmen. This is indeed an excellent and scholarly work, and a valuable contribution to knowledge ; but, instead of presenting the mythology of the Norsemen, it interprets it ; and Professor Keyser is yet one of the most eminent authorities in the exposition of the Asa doctrine.

Pennock's translation of Keyser is a book of three hundred and forty-six pages, and of these only sixteen are devoted to a presentation of the mythology itself ; and it is, as the reader may judge, nothing but a very brief synopsis. The remaining three hundred and thirty pages contain a history of Old Norse literature, an interpretation of the Odinic religion, and an exhibition of the manner of worship among the heathen Norsemen. In a word, Pennock's book presupposes a knowledge of the subject ; and for one who has this, we would recommend Pennock's Keyser as the best work extant in English. We are indebted to it for many valuable paragraphs in this volume.

This subject has, then, been investigated by many able writers ; and, in preparing this volume, we have borrowed from their works all the light they could shed upon our pathway. The authors we have chiefly consulted are named in the accompanying list. While we have used their very phrase whenever it Wao oCZ venient, we have not followed them in a slavish manner. We have made such changes as in our judgment seemed necessary to give our work harmony and symmetry throughout. We at first felt disposed to give the reader a mere translation either of N. M. Petersen, or of N. F. S. Grundtvig, or of P. A. Munch; but upon further reflection we came to the conclusion that we could treat the subject more satisfactorily to ourselves, and fully as acceptably to our readers, by sketching out a plan of our own, and making free use of all the best writers upon this subject. And as we now review our pages, we find that N. M. Petersen has served us the most. Much of his work has been appropriated in an almost unchanged form.

Although many of the ideas set forth in this work may seem new to American readers, yet they are by no means wholly original. Many of them have for many years been successfully advocated in Scandinavian countries, and to some extent, also, in Germany and England. Our aim has not at present been so much to make original investigations, as — that which is far more needed and to the purpose — to give the fruits of the labors performed in the North, and call the attention of the American public earnestly to the wealth stored up in the Eddas and Sagas of Iceland. No one can doubt the correctness of our position in this matter, when he reflects that we are now drawing near the close of the mneteeyith century, and have not yet had a complete Norse mythology in the English language, while the number of Greek and Roman mythologies is legion. Bayard Taylor said to us, recently, that the Scandinavian languages, in view of their rich literature, in view of the light which this literature throws upon early English history, and in view of the importance of Icelandic in a successful study of English and Anglo- Saxon, ought to be taught in every college in Vinland; and that is the very pith of what we have to say in this preface.

While Mallet's Northern Antiquities is a very valuable work, we cannot but make known our regrets that Blackwell's edition of it ever was published. Mr. Blackwell has in many ways injured the cause which he evidently intended to promote. While we, therefore, urge caution in the use of Mallet's Northern Antiquities by Blackwell, we can with all our heart recommend such writers upon the North as Dasent, Laing, Thorpe, G-osse, Pennock, Boyesen, Marsh, Fiske, the Howitts, Pigott, Lord Dufferin, Maurer, M5bius, Morris, Magnusson, Vigfusson, Hjaltalin, and several others.

It is sincerely hoped that by this our effort we may, at least for the present, fill a gap in English literature, and accomplish something in awakening among students some interest in Norse mythology, history, literature and institutions. Let it be remembered that Carlyle, and many others of our best scholars, claim that it is from the Norsemen we have derived our vital energy, our freedom of thought, and, in a measure that we do not yet suspect, our strength of speech.

We are conscious that our work contains many imperfections, and that others might have performed the task better ; and with this preface we commend our book to the kind indulgence of the critic and the reader.

R. B. ANDERSON,

University of Wisconsin, May 15, 1875.

LIST OF WORKS CONSULTED.

The following authors have been consulted in preparing this work, and to them the reader is referred, if he wishes to make special study of the subject of Norse mythology.

Of the Elder Edda we haye used Benjamin Thorpe's translation and Sophus Bugge's edition of the original. It has been found necessary to make a few alterations in Thorpe's translation. Of the Younger Edda we have used Dasent's translation and Sveinbjorn Egilsson's edition of the original. Of modern Scandinavian writers we have confined ourselves mainly to N. M. Petersen, N. F. S. Grundtvig, P. A. Munch, Rudolph Keyser, Finn Magnusson, and Christian Winther. Other authors borrowed from more or less are: H. W. Longfellow, H. G. Moller, R. Nyerup, E. G. Geier, M. Hammerich, F. J. Mone, Jacob Grimm, Thomas Keightly, Thomas Carlyle, Max Miiller, and Geo. W. Cox.

The recent excellent work of Alexander Murray has been referred to on the subject of Greek mythology. It claims on its title-page to give an account of Norse mythology; but we were surprised to find

fI3)

14 LIST OF WOEKS CONSULTED.

that the author dismisses the subject with fifteen pages and a few wood-cuts of questionable value.

The philological notes are chiefly based upon the Icelandic Dictionary recently published by Macmillan & Co., and edited by Gudbrand Vigfusson, of Oxford University, England. It is indeed a scholarly work, and marks a new epoch in the study of the Icelandic language.

To all who are interested in northern literature, we take great pleasure in recommending the following recent publications:

1. The Myths of the Rhine, translated from the French of X. B. Saintine by Prof. M. Scheie De Vere. This work gives an admirable sketch of primitive Teutonic times, of the Druids and their creed, of the Odinic religion and worship, and of a great variety of old customs and traditions. The translation is excellent, and it contains, moreover, a large number of very fine illustrations by Gustave Dore\

2. On pp. 375-382 of this work is given a brief synopsis of the Niblung story, showing its mythical connection with the gods of the North, giving the origin and history of the cursed ring (the Niblung hoard), etc. The Niblung story has been handed down to us in four versions, three Norse and one German. The Norse are : (a) Fragmentary Lays in the Elder Edda ; (b) The Volsunga Saga; (c) The Vilhina Saga. The German is The Nioelungen-Lied. In addition to these are numerous fragmentary accounts of the story, among which may be mentioned The Faroe Sigurd's Saga, some

LIST OF WORKS CONSULTED. 15

old Danish popular ballads, several Norse and German folk-lore stories, parts of The Book of the Heroes (Heldenbuch), etc. There are also, both in Icelandic and in German, various additions and variations, conspicuous among which are TJie Lay of Hildebrand, and the so-called Klage (Lament), the latter containing the lamentations of Etzel, Hildebrand and Ditrich over the dead, and the former treating of the return of Hildebrand with Ditrich of Bern after the fall of the Niblungs. During the last hundred years a whole army of writers have been busy, especially in Germany and Scandinavia, in publishing in the original languages, in translating, in criticizing, in dramatizing, in lecturing and commenting on the Niblung literature. If all the editions of the four prominent versions, the additions, variations, the fragmentary poems and sagas, and the folk-lore stories belonging to the Niblung cycle, were collected, they would make a large library ; and if we add to this all the translations and all the essays and commentaries, the result would be a most formidable collection of books and pamphlets. The following are the names of some of the more prominent Scandinavian and German writers on this subject: P. E. Miiller, Unger, Bngge, Munch, Keyser, Petersen, Grundtvig, Bodmer, Von der Hagen, Schlegel, the brothers Grimm, Simrock, Lachmann, Mone, Jordan, Braunsfeld, Fischer, Holtzmann, Volmer, Menzel, Bartsch, Geibel, Wagner, Massmann, Raszmann and Rehorn. In English, we have essays and criticism by Max Miiller, Thomas Carlyle and H. W. Longfellow {Poets and Poetry of Europe). There

16 LIST OF WOKKS CONSULTED.

are in all three English translations of the German Kibelungen-Lied. The first is by Birch (London, 1848); the second by Lettsom (London, 1850), and the third is a most excellent transprosing, or retelling in prose, by Auber Forestier (Chicago, 1877*). This is the first American edition of the Niblung epic, and it is to be recommended to all who wish to make a beginning in searching this wonderful mist-land, both for the easy, graphic and dramatic prose in which it is told, and for the scholarly and exhaustive introduction, which enlarges upon the various versions and traces their origin back to the gods of Asgard.

During the present decade we have had what may be termed a pan-Teutonic epoch of the Niblung literature. The various versions found in different countries have been combined and fashioned into one grand epic for the whole Teutonic race. Of such versions we have three, namely : (a) W. Jordan's Nibelunge (erster Theil, Sigfridsage ; Zweiter Theil, Hildelrants HeimJcehr) ; (b) W. R. Wagner's great musical and dramatic tetralogy called the Nibelungen Ring, performed under royal patronage and imperial countenance at Baireuth in 1876; (c) The Story of Sigurd the Volsung and the Fall of the Niblungs, by William Morris (London, 1877).

The intimate relation between the Niblung epic and Norse mythology is evident, and the reader is requested to regard this paragraph as supplementary to our note on page 382.

* Echoes from Mist-Land, or the Nibelungen Lay revealed to Lovers of Komance and Chivalry, by Auber Forestier. Chicago : Scott, Foresman & Co.

Table Of Contents

A list of authors consulted in the preparation of this work will be found on page 13.

Chapter I. What Is Mythology, And What Is Norse Mythology?

The myth the oldest form of truth — The Unknown God- Ingeniund the Old — Thorkel Maane — Harald Fairfax — Every cause in nature a divinity — Thor in the thunder-storm — Prominent faculties impersonated — These gods worthy of reverence — Church ceremonies — Different religions — Hints to preachers — The mythology of our ancestors — In its oldest form it is Teutonic — What Dasent says — Thomas Carlyle, 23

Chapter II

WHY CALL THIS MYTHOLOGY NORSE? OUGHT IT NOT RATHER TO BE CALLED GOTHIC OR TEUTONIC?

Introduction of Christianity — The Catholic priests — The Eddas — Mythology in its Germanic form — Thor not the same in Norway and Denmark — Norse mythology — Max Miiller, - 41

Chapter III. Norse Mythology Compared With The Greek

Norse and Greek mythology widely differ — Balder and Adonis — Greek gods free from decay — The Deluge — Not the same, but a similar tradition — The hard stone weeps tears — The separate groups exquisite — Greek mythology an epic poem

18 CONTENTS.

— Theoktony — The Norse yields the prize to the Greek — Depth of Norse and Christian thought — Naastrand — Outward nature influences the mythology — Visit Norseland — Norse scenery — Simple and martial religion — Sincerity and grace — Norse and Greek mythology, 51

Chapter IV. Roman Mythology

Oxford and Cambridge — The Romans were robbers — We must not throw Latin wholly overboard — We must study English and Anglo-Saxon — English more terse than Latin — Greek preferable to Hebrew or Latin — Shakespeare — He who is not a son of Thor, 71

Chapter V. Interpretation Of Norse Mythology

Aberration from the true religion — Historical interpretation — Ethical interpretation — Physical interpretation — Odin, Thor, Argos, Io — Our ancestors not prosaic — The Romans again — Physical interpretation insufficient — Natural science

— Historical prophecy — A complete mythology, - - -80

Chapter VI

THE NORSE MYTHOLOGY FURNISHES ABUNDANT AND EXCELLENT MATERIAL FOR THE USE OF POETS, SCULPTORS AND PAINTERS.

How to educate the child — Ole Bull — Men frequently act like ants — Oelenschlaeger — Thor's fishing — The dwarfs — Ten stanzas in Danish — The brush and the chisel — Nude art — The germ of the faith — We Goths are a chaste race — Dr. John Bascom — We are growing too prosaic and ungodly, - 94

Chapter VII. The Sources Of Norse Mythology And Influence Of The Asa-faith

The Elder Edda — Icelandic poetry — Beowulf's Drapa and Niebelungen-Lied — Influence of the Norse mythology — Influence of the Asa-faith — Samuel Laing — Odinic rules of life — Havamal — The lay of Sigdrifa — Rudolph Keyser — The days of the week, - ...... H6

CONTENTS. 19

NORSE MYTHOLOGY.

Chapter I. ""■""** The Creation

Section i. The original condition of the world — Ginungagap. Section ii. The origin of the giants — Ymer. Section iii. The origin of the cow Audhumbla and the birth of the gods — Odin, Vile and Ve. Section iv. The Norse deluge and the origin of heaven and earth. Section v. The heavenly bodies, time, the wind, the rainbow — The sun and moon — Hrimfaxe and Skinfaxe — The seasons — The Elder Edda — Bil and Hjuke. Section vi. The Golden Age — The origin of the dwarfs — The creation of the first man and woman — The Elder Edda. Section vii. The gods and their abodes. Section viii. The divisions of the world, .... 171

Chapter II. ~~"- The Preservation

The ash Ygdrasil — Mimer's fountain — Urd's fountain — The norns or fates — Mimer and the Urdar-fountain — The

Chapter III. Exegetical Remarks Upon The Creation And Preservation Of The World

Pondus iners — The supreme god — The cow Audhumbla — Trinity — The Golden Age — Creation of man — The giants — The gods bill or marry the giants — Elves and hulders — Trolls — Nisses and necks — Merman and mermaid — Ygdrasil — Mimer's fountain — The norns, 192

20 CONTENTS.

PAET II.

THE LIFE AND EXPLOITS OF THE GODS.

Chapter I. Odin

Section i. Odin. Section ii. Odin's names. Section iii. Odin's outward appearance. Section iv. Odin's attributes. Section v. Odin's journeys. Section vi. Odin and Mimer. Section vii. Hlidskjalf. Section viii. The historical Odin. Section ix. Odin's wives. Section x. Frigg's maid-servants. Section xi. Gefjun — Eir. Section xii. Bind. Section xiii. Gunlad — The origin of poetry. Section xiv. Saga. Section xv. Odin as the inventor of runes. Section xvi. Valhal. Section xvii. The valkyries, 215

Chapter IV. Thor, His Wife Sif And Son Uller

Section!. General synopsis — Thor, Sif and Uller. Section ii. Thor and Hrungner. Section iii. Thor and Geirrod. Section iv. Thor and Skrymer. Section v. Thor and the Midgard-serpent (Thor and Hymer). Section vi. Thor and Thrym, - - - - - - 298

Chapter VII

THE DEVELOPMENT OF EVIL, LORE AND HIS OFFSPRING. Section i. Loke. Section ii. Loke's children — The Fenris wolf. Section iii. Jormungander or the Midgard-serpent Section iv. Hel. Section v. The Norsemen's idea of death Section vi. Loke's punishment. Section vii. The iron post Section viii. A brief review, 371

CHAPTER II. Index, 462

INTEODUOTIOK

CHAPTER I.

WHAT IS MYTHOLOGY AND WHAT IS NORSE MYTHOLOGY ?

The word mythology (ixuftoXoyia, from iiuftoq, word, tale, fable, and loyoq, speech, discourse,) is of Greek origin, and our vernacular tongue has become so adulterated with Latin and Greek words ; we have studied Latin and Greek in place of English, Anglo-Saxon, Norse and Gothic so long that we are always in a quandary {qu'en dirai-je ?), always tongue-tied when we attempt to speak of something outside or above the daily returning cares of life. Our own good old English words have been crowded out by foreign ones; this is our besetting sin. But, as the venerable Professor George Stephens remarks in his elaborate work on Eunic Monuments, we have watered our mother tongue long enough with bastard Latin; let us now brace and steel it with the life-water of our own sweet and soft and rich and shining and clear-ringing and manly and world-ranging, ever-dearest English.

Mythology is a system of myths; a collection of popular legends, fables, tales, or stories, relating to the gods, heroes, demons or other beings whose names have been preserved in popular belief. Such tales are not found in the traditions of the ancient Greeks, Hindoos

24 THE MYTH THE OLDEST FOEM OF TEUTH.

and Egyptians, only, but every nation has had its system of mythology; and that of the ancient Norsemen is more simple, earnest, miraculous, stupendous and divine than any other mythological system of which we have record.

The myth is the oldest form of truth; and mythology is the knowledge which the ancients had of the Divine. The object of mythology is to find God and come to him. Without a written revelation this may be done in two ways: either by studying the intellectual, moral and physical nature of man, for evidence of the existence of God may be found in the proper study of man; or by studying nature in the outward world in its general structure, adaptations and dependencies; and truthfully it may be said that God manifests himself in nature.

Our Norse forefathers (for it is their religion we are to present in this volume) had no clearly-defined knowledge of any god outside of themselves and nature. Like the ancient Greeks, they had only a somewhat vague idea about a supreme God, whom the rhapsodist or skald in the Elder Edda (HyndluljoS 43, 44) dare not name, and whom few, it is said, ever look far enough to see. In the language of the Elder Edda:

Then one is born

Greater than all ;

He becomes strong

With the strengths of earth;

The mightiest king

Men call him,

Fast knit in peace

With all powers.

Then comes another Yet more mighty ;

THE UNKNOWN GOD — INGEMUND THE OLD. 25

But Mm dare I not Venture to name.

Few further may look Than to where Odin To meet the wolf goes.

Odin goes to meet the Fenriswolf in Eagnarok (the twilight of the gods; that is, the final conflict between all good and evil powers) ; but now let the reader compare the above passage from the Elder Edda with the following passage from the seventeenth chapter of the Acts of the Apostles:

Then Paul stood in the midst of Mars' Hill and said : Ye men of Athens, I perceive that in all things ye are too superstitious ; for as I passed by and beheld your devotions, I found an altar with this inscription: TO THE UNKNOWN GOD. Whom therefore ye ignorantly worship, him declare I unto you.

It was of this same unknown God that one of the ancient Greek poets had said, that in him we live and move and have our being. Thus did the Greeks find Jehovah in the labyrinth of their heathen deities; and when we claim that the Norse mythology is more divine than any other system of mythology known, we mean by this assertion, that the supreme God is mentioned and referred to oftener, and stands out in bolder relief in the Norseman's heathen belief, than in any other.

It is a noticeable fact that long before Christianity was introduced or had even been heard of in Iceland, it is recorded that Ingemund the Old, a heathen Norseman, bleeding and dying, prayed God to forgive Rolleif, his murderer.

Another man of the heathen times, Thorkel Maane, a supreme judge of Iceland, a man of unblemished life and distinguished among the wisest magistrates of that

26 THORKEL MAAKE — HARALD FAIRFAX.

island during the time of the republic, avowed that he would worship no other God but him who had created the sun; and in his dying hour he prayed the Father of Light to illuminate his soul in the darkness of death. Arngrim Jonsson tells us that when Thorkel Maane had arrived at the age of maturity and reflection, he disdained a blind obedience to traditionary custom, and employed much of his time in weighing the established tenets of his countrymen by the standard of reason. He divested his mind of all prejudice; he pondered on the sublimity of nature, and guided himself by maxims founded on truth and reason. By these means he soon discovered not only the fallacy of that faith which governed his countrymen, but became a convert to the existence of a supreme power more mighty than Thor or Odin. In his maker he acknowledged his God, ard to him alone directed his homage from a conviction that none other was worthy to be honored and worshiped. On perceiving the approach of death, this pious and sensible man requested to be conveyed into the open air, in order that, as he said, he might in his last moments contemplate the glories of Almighty God, who has created the heavens and the earth and all that in them is.

Harald Fairfax (Haarfager), the first sovereign of Norway, the king that united Norway under his scepter in the year 872, is another remarkable example in this respect. He was accustomed to assist at the public offerings made by his people in honor of their gods. As no better or more pure religion was known in those days, he acted with prudence in not betraying either contempt or disregard for the prevailing worship of the country, lest his subjects, stimulated by such example, might become indifferent, not only to their sacred, but

EVERY CAUSE IN NATURE IS A DIVINITY. 27

also to their political, duties. Yet he rejected from his heart these profane ceremonies, and believed in the existence of a more powerful god, whom he secretly adored. I swear, he once said, never to make my offerings to an idol, but to that God alone whose omnipotence has formed the world and stamped man with his own image. It would be an act of folly in me to expect help from him whose power and empire arises from the accidental hollow of a tree or the peculiar form of a stone.

Such examples illustrate how near the educated and reflecting Norse heathen was in sympathy with Christianity, and also go far toward proving that the object of mythology is to find God and come to him.

.Still we must admit that of this supreme God our forefathers had only a somewhat vague conception ; and to many of them he was almost wholly unknown. Their god was a natural human god, a person. There can be no genuine poetry without impersonation, and a perfect system of mythology is a finished poem. Mythology is, in fact, religious truth expressed in poetical language. It ascribes all events and phenomena in the outward world to a personal cause. Each en use is some divinity or other — some god or demon, in this manner, when the ancients heard the echo from the woods or mountains, they did not think, as we now do, that the waves of sound were reflected, but that there stood a dwarf, a personal being, who repeated the words spoken by themselves. This dwarf had to have a history, a biography, and this gave rise to a myth. To our poetic ancestors the forces of nature were not veiled under scientific names. As Carlyle truthfully remarks, they had not yet learned to reduce to their fundamental elements and lecture learnedly about this beautiful,

28 THOR IN THE THUNDER-STORM.

green, rock-built, flowery earth, with its trees, mount, ains and many-sounding waters; about the great deep sea of azure that swims over our heads, and about the various winds that sweep through it. When they saw the black clouds gathering and shutting out the king of day, and witnessed them pouring out rain and ice and fire, and heard the thunder roll, they did not think, as we now do, of accumulated electricity discharged from the clouds to the earth, and show in the lecture room how something like these powerful shafts of lightning could be ground out of glass or silk, but they ascribed the phenomenon to a mighty divinity — Thor — who in his thunder-chariot rides through the clouds and strikes with his huge hammer, Mjolner. The theory of our forefathers furnishes food for the imagination, for our poetical nature, while the reflection of the waves of sound and the discharge of electricity is merely dry reasoning — mathematics and physics. To our ancestors Nature presented herself in her naked, beautiful and awful majesty; while to us in this age of Newtons, Millers, Oersteds, Berzeliuses and Tyndalls, she is enwrapped in a multitude of profound scientific phrases. These phrases make us flatter ourselves that we have fathomed her mysteries and revealed her secret workings, while in point of fact we are as far from the real bottom as our ancestors were. But we have robbed ourselves to a sad extent of the poetry of nature. Well might Barry Cornwall complain:

O ye delicious fables! where the wave And the woods were peopled, and the air, with things

So lovely! Why, ah! why has science grave Scattered afar your sweet imaginings?

The old Norsemen said: The mischief-maker Loke cuts for mere sport the hair of the goddess Sif, but

PROMINENT FACULTIES IMPERSONATED. 29

the gods compel him to furnish her new hair. Loke gets dwarfs to forge for her golden hair, which grows almost spontaneously. We, their prosaic descendants, say: The heat (Loke) scorches the grass (Sif's hair), but the same physical agent (heat) sets the forces of nature to work again, and new grass with golden (that is to say bright) color springs up again.