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Famous sculpture as seen and described by great writers

Esther Singleton · 1910 · Scanned text · Free in the US

90,862 words · about 6 h 22 min to read

Period artwork: Interior of the Bodleian Library, 1845
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Free in the US: this text is in the public domain in the United States; it may still be in copyright elsewhere.

Licence: PD · PD-US by publication date

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About this book

Author
Esther Singleton
Language
English
Published
1910
Length
90,862 words · about 6 h 22 min
Sections
4 reader sections
Text
Scanned text, read from page scans by OCR; may contain errors
Rights
Public domain in the United States · PD-US by publication date

 

Contents (4)
  1. Front matter about 1 min
  2. Preface about 1 min
  3. Contents about 4 h 15 min
  4. X. Queen of Sheba at Solomon’s Court about 2 h 5 min

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Front matter

Famous Sculpture

BOOKS BY MISS SINGLETON

Turrets, Towers, and Temples. Great Buildings of the World Described by Great Writers.

Preface

HIS volume, uniform with Great Pictures , etc., contains a selection of the most famous works of sculpture from the Sphinx to the Statue of Liberty.

Of all arts, sculpture is the one that receives least popular attention and appreciation. It has been suggested that this may be accounted for by the fact that the majority of the masterpieces are badly mutilated, and require imagination and special knowledge for their right comprehension.

I have tried to smooth away such difficulties by selecting descriptions that not only deal with the artistic qualities of the work, but also its individual history, or, if a portraitstatue, that of the person it represents. Thus, the great equestrian statue of Colleoni is doubly interesting when we are made acquainted with the career of the great general ; and we view Cellini’s Perseus with attentive sympathy after reading the sculptor’s own description of the harrowing conditions under which the statue was cast. The difficulties and dangers attending the exploration, excavation and removal of ancient sculpture, especially in Egypt and Babylonia, also lend additional interest to the contemplation of such works as the Head of Memnon and the Winged Lion.

I have arranged the works in chronological order, and it will be found that the articles contain sufficient general

VI

PREFACE information to enable the reader to gain a very clear and comprehensive idea of the history and characteristics of the various schools of sculpture from the dawn of history to the present day.

New York, September , IQIO .

E. S.

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