The autobiography of Goethe : truth and poetry, from my own life

Front matter

DM v*l

CORNELL UNIVERSITY LIBRARY v

FROM

Contents

Vol. I. The Life of Shakespeare. The Tempest. The Two Gentlemen

of Verona. The Merry Wives of Windsor. Measure for

Measure.

Author's Preface

A.s a preface to the present work, ■which, perhaps, more than another requires one. I adduce the letter of a friend, by which so serious an undertaumg was occasioned.

"We have now, my dear friend, collected the twelve parts of your poetical works, and on reading them through, find much that is known, much that is unknown; while much that had been forgotten is revived by this collection. These twelve volumes, standing before us, in uniform appearance, we cannot refrain from regarding as a whole ; and one would like to sketch therefrom some image of the author and his talents. But it cannot be denied, considering the,vigour with which he began nis literary career, and the length of time which has since elapsed, that a dozen small volumes must appear incommensurate. Nor can one forget that, with respect to the detached pieces, they have mostly been called forth by special occasions, and reflect particular external objects, as well as distinct grades of inward culture ; while it is equally clear, that tentporary moral and aesthetic maxims and convictions prevail in them. As a whole, however, these productions remain without connexion ; nay, it is often difficult to believe that they emanate from one and the same writer.

" Your friends, in the meantime, have not relinquished the inquiry, and try, as they become more closely acquainted with your mode of fife and thought, to guess many a riddle, to solve many a problem ; indeed, with the assistance of an old liking, and a connexion of many years' standing, they find a charm even in the difficulties which present themselves. Yet a little assistance here and there would not be unacceptable, and you cannot well refuse this to our friendly entreaties.

"The first thing, then, we require, is that your poetical works, arranged in the late edition according to some internal relations, may be presented by you in chronological vi author's feefacb.

order, and that the states of life and feeling which afforded the examples that influenced you, and the theoretical principles by which you were governed, may be imparted m some kind of connexion. Bestow this labour for the gratification of a limited circle, and perhaps it may give rise to something that will be entertaining and useful to an extensive one. The author, to the most advanced period of his life, should not relinquish the advantage of communicating, even at a distance, with those whom affection binds to him ; and if it is not granted to every one to step forth anew, at a certain age, with surprising and powerful productions, yet just at that period of life when knowledge is most perfect, and consciousness most distinct, it must be a very agreeable and re-animating task to treat former creations as new matter, and work them up into a kind of Last Part, which may serve once more for the edification of those who have been previously edified with and by the artist."

This desire, so kindly expressed, immediately awakened within me an inclination to comply with it ; for, if in the early years of life our passions lead us to follow our own course, and, in order not to swerve from it, we impatiently repel the demands of others, so, in our later days, it becomes highly advantageous to us, should any sympathy excite and determine us, cordially, to new activity. I therefore instantly undertook the preparatory labour of separating the poems of my twelve volumes, both great and small, and of arranging them according to years. I strove to recall the times and circumstances under which each had been produced. But the task soon grew more difficult, as full explanatory notes and illustrations were necessary to fill up the chasms between those which had already been given to the world. For, in the first place, all on which I had originally exercised myself were Wanting, many that had been begun and not finished were also wanting, and of many that were finished even the external form had completely disappeared, having since been entirely reworked and cast into a different shape. Besides, I had also to call to mind how I had laboured in the sciences and other arts, and what, in such apparently foreign departments, both individually and in conjunction with friends, I had practised in silence, or had laid before the public.

ATJTHOK S PREFACE. VU

All this I wished to introduce by degrees for the satisfaction of my well-wishers ; but my efforts and reflections always led me further on ; since while I was anxious to comply with that very considerate request, and laboured to set forth in succession my internal emotions, external influences, and the steps which, theoretically and practically, I had trod, I was carried out of my narrow private sphere into the wide world. The images of a hundred important men, who either directly or indirectly had influenced me, presented themselves to my view ; and even the prodigious movements of the great political world, which had operated most extensively upon me, as well as upon the whole mass of my contemporaries, had to be particularly considered. For this seems to be the main object of Biography, to exhibit the man in relation to the features of his time ; and to show to what extent they have opposed or favoured his progress ; what view of mankind and the world he has formed from them, and how far he himself, if an artist, poet, or author, may externally reflect them. But for this is required what is scarcely attainable, namely, that the individual should know himself and his age : himself, so far as he has remained the same under all circumstances ; his age, as that which carries along with it, determines and fashions, both the willing and the unwilling ; so that one may venture to pronounce, that any person bom ten years earlier or later would have been quite a different being, both as regards his own culture and his influence on others.

In this manner, from such reflections and endeavours, from such recollections and considerations, arose the present delineation ; and from this point of view, as to its origin, will it be the best enjoyed and used, and most impartially estimated, t For anything further it may be needful to say, particularly ' with respect to the half-poetical, half-historic mode of treatment, an opportunity will, no doubt, frequently occur in the course of the narrative.

CONTENTS.

PAET THE FIEST.

I'aga 1

Fibst Book.— Childhood— the City of Frankfort

Second Book.— The New Paris— Frankfort Citizens . . 32

Thikd Book. — Occupation of Frankfort by the French . 64

Fodbth Book.— Studies— The Bible— Frankfort Characters 92 Fieth Book. — Gretchen — Coronation Ceremonies . .135

PAET THE SECOND.

Sixth Book. — Illness and Eecovery — Leipzig . . .181

Seventh Book. — Leipzig (continued,^— German Literature . 218

Eighth Book. — Art —Dresden — Beturn from Leipzig . . 264

Ninth Book.— Strasbourg ...... 303

Tenth Book. — Strasbourg (continued) — Herder — Tour in

Alsace and Lorraine — Frederika .... 342

PAET THE THIED.

Eleventh Book. — Frederica (continued) — Beturn from

Strasbourg 388

Twelfth Book. — Merck— Wetzlar ; the Imperial Chamber

— Charlotte 437

Thirteenth Book — Goetz f on Berlichingen and Werthcr . 484

TRUTH AND POETRY;

FROM MY OWN LIFE.