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History of Lace

Mrs. Bury Palliser · Public domain text

191,492 words · about 13 h 25 min to read

Period artwork: Interior of the Bodleian Library, 1845

Text only · 270 illustrations omitted. Illustrated source.

About this edition

The text of History of Lace comes from Project Gutenberg e-text #57009. It is in English and public domain in the United States. Edited by Alice Dryden and Margaret Jourdain. Project Gutenberg’s header and license text are removed, and RedLectern sets the text out for reading on screen; no words of the book are rewritten or summarized. More formats (EPUB, Kindle) · How RedLectern is built

This text-only edition leaves out 270 illustrations. See the illustrated edition at Project Gutenberg.

This book is long enough to be split into 5 parts, so each one loads quickly on its own.

About this book

Author
Palliser, Bury, Mrs. (1805–1878)
Language
English
Subjects
Lace and lace making › History
Length
191,492 words · about 13 h 25 min
Sections
14 reader sections · Table of contents
Contents (14)
  1. Opening about 9 min
  2. I. NEEDLEWORK (part 1 of 2) about 6 h 27 min
  3. I. NEEDLEWORK (part 2 of 2) about 1 h 7 min
  4. 1 about 1 min
  5. 2 under 1 min
  6. 3 about 1 min
  7. 4 about 1 min
  8. 5 under 1 min
  9. 6 under 1 min
  10. 7 under 1 min
  11. 8 about 1 min
  12. 9 about 1 min
  13. 10 (part 1 of 2) about 5 h 23 min
  14. 10 (part 2 of 2) about 12 min

The opening of I. NEEDLEWORK

"As ladies wont
To finger the fine needle and nyse thread."--Faerie Queene.

The art of lace-making has from the earliest times been so interwoven with the art of needlework that it would be impossible to enter on the subject of the present work without giving some mention of the latter.

With the Egyptians the art of embroidery was general, and at Beni Hassan figures are represented making a sort of net--"they that work in flax, and they that weave network."[1] Examples of elaborate netting have been found in Egyptian tombs, and mummy wrappings are ornamented with drawn-work, cut-work, and other open ornamentation. The outer tunics of the robes of state of important personages appear to be fashioned of network darned round the hem with gold and silver and coloured silks. Amasis, King of Egypt, according to Herodotus,[2] sent to Athene of Lindus a corslet with figures interwoven with gold and cotton, and to judge from a passage of Ezekiel, the Egyptians even embroidered the sails of their galleys which they exported to Tyre.[3]

Read on in Part 2 →