← The Works of William Cowper His life, letters, and poems, now first completed by the introduction of Cowper's private correspondence

Book I

Part 8 of 15 · William Cowper · Public domain text

About this edition

Source: Project Gutenberg e-text #47790, public domain in the United States · text not rewritten or summarized · How RedLectern is built

 

Contents (30)
  1. Opening about 3 min
  2. Dedication about 1 min
  3. Preface about 1 h 16 min
  4. I. The Sofa 547 (part 1 of 4) about 6 h 53 min
  5. I. The Sofa 547 (part 2 of 4) about 7 h 3 min
  6. I. The Sofa 547 (part 3 of 4) about 7 h 2 min
  7. I. The Sofa 547 (part 4 of 4) about 42 min
  8. V. Winter Morning's Walk. about 1 h 42 min
  9. VIII. line 687 under 1 min
  10. VIII. line 637 about 1 h 44 min
  11. VI. line 524 about 1 min
  12. XXII. line 354 about 2 min
  13. XXIV. line 622 about 3 h 21 min
  14. Book I about 2 min
  15. Book II about 2 h 48 min
  16. Book IV under 1 min
  17. Book VI about 1 min
  18. Book III under 1 min
  19. Book II under 1 min
  20. Book III about 1 min
  21. Book III under 1 min
  22. Book III under 1 min
  23. Book VI about 4 min
  24. Book I about 4 h 51 min
  25. II. THE TIME-PIECE about 27 min
  26. III. THE GARDEN about 27 min
  27. IV. THE WINTER EVENING about 25 min
  28. V. THE WINTER MORNING WALK about 29 min
  29. VI. THE WINTER WALK AT NOON (part 1 of 2) about 6 h 38 min
  30. VI. THE WINTER WALK AT NOON (part 2 of 2) about 2 h 36 min

Continue:

Book I

"There is a solemnity of sentiment, as well as majesty of numbers, in the exordium of this noble poem, which, in the works of the ancients, has no example.

"The sublimest of all subjects was reserved for Milton; and, bringing to the contemplation of that subject, not only a genius equal to the best of theirs but a heart also deeply impregnated with the divine truths which lay before him, it is no wonder that he has produced a composition, on the whole, superior to any that we have received from former ages. But he who addresses himself to the perusal of this work, with a mind entirely unaccustomed to serious and spiritual contemplation, unacquainted with the word of God, or prejudiced against it, is ill qualified to appreciate the value of a poem built upon it, or to taste its beauties. Milton is the poet of Christians: an infidel may have an ear for the harmony of his numbers, may be aware of the dignity of his expression, and, in some degree, of the sublimity of his conceptions; but the unaffected and masculine piety, which was his true inspirer, and is the very soul of his poem, he will either not perceive, or it will offend him."

To bellow through the vast and boundless deep.

Line 177.

"In this we seem to hear a thunder suited both to the scene and the occasion, incomparably more awful than any ever heard on earth, and the thunder winged with lightning is highly poetical. It may be observed here, that the thunder of Milton is not hurled from the hand like Homer's, but discharged like an arrow. Thus in book vi. line 712, the Father, ordering forth the Son for the destruction of the rebel angels, says--

..... Bring forth all my war, My bow, and thunder.

As if, jealous for the honour of the true God, the poet disdained to arm him like the god of the heathen."[736]

He spake, and to confirm his words, &c. &c.

Line 663.

[736] Psalm vii. 12.Return to passage

"This is another instance in which appears the advantage that Milton derives from the grandeur of his subject. What description could even he have given of a host of human warriors insulting their conqueror, at all comparable to this? First, their multitude is to be noticed. They are not thousands but millions; and they are millions, not of puny mortals, but of mighty cherubim. Their swords flame, not metaphorically, but they are swords of fire; they flash not by reflection of the sunbeams, like the swords of Homer, but by their own light, and that light plays not idly in the broad day, but far round illumines Hell. And lastly, they defy not a created being like themselves, but the Almighty."