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Dramatis Personae…

Part 29 of 34 · Friedrich Schiller · Public domain text

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Source: Project Gutenberg e-text #6800, public domain in the United States · text not rewritten or summarized · How RedLectern is built

 

Contents (529)
  1. Opening about 3 min
  2. Book I under 1 min
  3. Book II under 1 min
  4. Book III under 1 min
  5. Book IV under 1 min
  6. Book V about 1 min
  7. Book I about 2 h 3 min
  8. Book II about 2 h 21 min
  9. Book III about 2 h 27 min
  10. Book IV about 1 h 15 min
  11. Book V about 1 h 30 min
  12. III. Conspiracy of the Nobles about 4 min
  13. Introduction about 22 min
  14. Book I about 1 h 35 min
  15. II. CARDINAL GRANVELLA about 1 h 37 min
  16. III. CONSPIRACY OF THE NOBLES about 1 h 12 min
  17. IV. THE ICONOCLASTS about 5 h 14 min
  18. Book II about 13 min
  19. I. BARON VON F----- TO COUNT VON O--------- about 6 min
  20. Letter II about 5 min
  21. Letter III about 5 min
  22. Letter IV about 9 min
  23. V. BARON VON F------ TO COUNT VON O------ about 16 min
  24. Letter VI about 6 min
  25. Letter VII about 11 min
  26. Letter VIII about 4 min
  27. Letter IX about 5 min
  28. Letter X about 36 min
  29. Dramatis Personae under 1 min
  30. Act I, Scene I — Franconia about 16 min
  31. Act I, Scene II — A Tavern on the Frontier of Saxony about 23 min
  32. Act I, Scene III — MOOR'S Castle.--AMELIA'S Chamber about 7 min
  33. Act II, Scene I — FRANCIS VON MOOR in his chamber--in meditation about 8 min
  34. Act II, Scene II — Old Moor's Bedchamber about 13 min
  35. Act II, Scene III — THE BOHEMIAN WOODS about 32 min
  36. Act III, Scene I — AMELIA in the garden, playing the guitar about 4 min
  37. Act III, Scene VIII about 4 min
  38. Act III, Scene IX about 2 min
  39. Act III, Scene II — Country near the Danube about 12 min
  40. Act IV, Scene I — Rural scenery in the neighborhood of CHARLES VON MOOR'S castle about 2 min
  41. Act IV, Scene II — *--Gallery in the Castle about 11 min
  42. Act IV, Scene III — Another Room in the Castle about 7 min
  43. Act IV, Scene IV — In the Garden about 6 min
  44. Act IV, Scene V — A neighboring forest. Night. An old ruined castle in the centre of the scene about 20 min
  45. Act V, Scene I — A vista of rooms. Dark night about 18 min
  46. Act V, Scene II — The scene the same as the last scene of the preceding Act about 12 min
  47. Act V, Scene VIII about 1 min
  48. Act V, Scene IX about 2 min
  49. Author'S Preface about 2 min
  50. Dramatis Personae about 1 min
  51. Act I, Scene I — A Saloon in FIESCO'S House. The distant sound of dancing and music is heard about 4 min
  52. Act I, Scene IL about 1 min
  53. Act I, Scene III about 2 min
  54. Act I, Scene IV about 3 min
  55. Act I, Scene V about 2 min
  56. Act I, Scene VI about 1 min
  57. Act I, Scene VII about 3 min
  58. Act I, Scene VIII about 2 min
  59. Act I, Scene IX about 5 min
  60. Act I, Scene X — An apartment in the house of VERRINA about 3 min
  61. Act I, Scene XI about 2 min
  62. Act I, Scene XII about 4 min
  63. Act I, Scene XIII about 1 min
  64. Act II, Scene I — An Ante-chamber in the Palace of FIESCO under 1 min
  65. Act II, Scene II about 3 min
  66. Act II, Scene III about 2 min
  67. Act II, Scene IV about 4 min
  68. Act II, Scene V about 3 min
  69. Act II, Scene VI under 1 min
  70. Act II, Scene VII under 1 min
  71. Act II, Scene VIII about 3 min
  72. Act II, Scene IX about 1 min
  73. Act II, Scene X about 1 min
  74. Act II, Scene XI under 1 min
  75. Act II, Scene XII — The Palace of ANDREAS about 1 min
  76. Act II, Scene XIII about 2 min
  77. Act II, Scene XIV about 4 min
  78. Act II, Scene XV — An Ante-chamber in FIESCO'S Palace about 2 min
  79. Act II, Scene XVI under 1 min
  80. Act II, Scene XVII about 4 min
  81. Act II, Scene XVIII about 2 min
  82. Act II, Scene XIX — FIESCO, alone about 1 min
  83. Act III, Scene I — Midnight. A dreary wilderness about 4 min
  84. Act III, Scene III about 2 min
  85. Act III, Scene IV about 5 min
  86. Act III, Scene V about 5 min
  87. Act III, Scene VI under 1 min
  88. Act III, Scene VII about 1 min
  89. Act III, Scene VIII about 1 min
  90. Act III, Scene IX about 1 min
  91. Act III, Scene X about 2 min
  92. Act III, Scene XI about 1 min
  93. Act IV under 1 min
  94. Act IV, Scene II about 1 min
  95. Act IV, Scene III about 1 min
  96. Act IV, Scene IV about 1 min
  97. Act IV, Scene V about 1 min
  98. Act IV, Scene VI about 3 min
  99. Act IV, Scene VII about 2 min
  100. Act IV, Scene VIII about 1 min
  101. Act IV, Scene IX about 2 min
  102. Act IV, Scene X under 1 min
  103. Act IV, Scene XI about 1 min
  104. Act IV, Scene XII about 3 min
  105. Act IV, Scene XIII about 2 min
  106. Act IV, Scene XIV about 5 min
  107. Act IV, Scene XV under 1 min
  108. Act V about 2 min
  109. Act V, Scene II under 1 min
  110. Act V, Scene III about 1 min
  111. Act V, Scene IV about 1 min
  112. Act V, Scene V about 2 min
  113. Act V, Scene VI about 1 min
  114. Act V, Scene VII under 1 min
  115. Act V, Scene VIII about 5 min
  116. Act V, Scene IX about 1 min
  117. Act V, Scene X about 1 min
  118. Act V, Scene XI under 1 min
  119. Act V, Scene XII about 2 min
  120. Act V, Scene XIII about 3 min
  121. Act V, Scene XIV about 1 min
  122. Act V, Scene XV about 1 min
  123. Act V, Scene XVI about 4 min
  124. Act V, Scene XVII under 1 min
  125. Dramatis Personae under 1 min
  126. Act I, Scene I about 4 min
  127. Act I, Scene II about 5 min
  128. Act I, Scene III about 3 min
  129. Act I, Scene IV about 3 min
  130. Act I, Scene V — A Chamber in the PRESIDENT.'S House about 4 min
  131. Act I, Scene VI about 2 min
  132. Act I, Scene VII about 6 min
  133. Act II about 5 min
  134. Act II, Scene II — An old valet of the DUKE'S, with a casket of jewels. The former about 4 min
  135. Act II, Scene III — FERDINAND VON WALTER. The former about 11 min
  136. Act II, Scene IV — Miller's House about 2 min
  137. Act II, Scene V about 4 min
  138. Act II, Scene VI about 4 min
  139. Act II, Scene VII about 2 min
  140. Act III, Scene I about 7 min
  141. Act III, Scene II about 5 min
  142. Act III, Scene III under 1 min
  143. Act III, Scene IV — Room in MILLER'S House about 4 min
  144. Act III, Scene V under 1 min
  145. Act III, Scene VI about 9 min
  146. Act IV, Scene I — Saloon in the PRESIDENT'S House under 1 min
  147. Act IV, Scene II about 2 min
  148. Act IV, Scene III about 5 min
  149. Act IV, Scene IV about 1 min
  150. Act IV, Scene V about 1 min
  151. Act IV, Scene VI — A magnificent Saloon in LADY MILFORD'S House about 2 min
  152. Act IV, Scene VII about 9 min
  153. Act IV, Scene VIII about 1 min
  154. Act IV, Scene IX about 4 min
  155. Act V, Scene I — Twilight; a room in MILLER'S house about 8 min
  156. Act V, Scene II about 5 min
  157. Act V, Scene III about 2 min
  158. Act V, Scene IV about 1 min
  159. Act V, Scene V about 4 min
  160. Act V, Scene VI about 1 min
  161. Act V, Scene VII about 9 min
  162. Act V, Scene VIII about 5 min
  163. Dramatis Personae under 1 min
  164. Scene I about 2 min
  165. Scene II about 1 min
  166. Scene III about 1 min
  167. Scene IV under 1 min
  168. Scene V about 2 min
  169. Scene VI about 7 min
  170. Scene VII about 4 min
  171. Scene VIII about 5 min
  172. Scene IX about 1 min
  173. Scene X about 1 min
  174. Scene XI about 16 min
  175. Preface about 3 min
  176. Dramatis Personae about 1 min
  177. Act I, Scene I about 3 min
  178. Act I, Scene II about 7 min
  179. Act I, Scene III about 4 min
  180. Act I, Scene IV about 7 min
  181. Act I, Scene V about 1 min
  182. Act II, Scene I about 2 min
  183. Act II, Scene II about 3 min
  184. Act II, Scene III about 2 min
  185. Act II, Scene IV about 2 min
  186. Act II, Scene V about 3 min
  187. Act II, Scene VI about 5 min
  188. Act II, Scene VII about 11 min
  189. Act III, Scene I about 3 min
  190. Act III, Scene II about 1 min
  191. Act III, Scene III about 4 min
  192. Act III, Scene IV about 6 min
  193. Act III, Scene V about 2 min
  194. Act III, Scene VI about 1 min
  195. Act III, Scene VII under 1 min
  196. Act III, Scene VIII about 4 min
  197. Act III, Scene IX about 1 min
  198. Act IV, Scene I about 2 min
  199. Act IV, Scene II under 1 min
  200. Act IV, Scene III about 1 min
  201. Act IV, Scene IV about 3 min
  202. Act IV, Scene V about 5 min
  203. Act IV, Scene VI about 4 min
  204. Act IV, Scene VII about 4 min
  205. Act V, Scene I about 12 min
  206. Act V, Scene II about 2 min
  207. Act V, Scene III about 6 min
  208. Dramatis Personae about 1 min
  209. Act I, Scene I about 2 min
  210. Act I, Scene II about 1 min
  211. Act I, Scene III about 3 min
  212. Act I, Scene IV about 3 min
  213. Act I, Scene V about 7 min
  214. Act I, Scene VI about 1 min
  215. Act I, Scene VII about 9 min
  216. Act II, Scene I about 1 min
  217. Act II, Scene II about 6 min
  218. Act II, Scene III about 4 min
  219. Act II, Scene IV under 1 min
  220. Act II, Scene V about 3 min
  221. Act II, Scene VI about 6 min
  222. Act II, Scene VII about 4 min
  223. Act III, Scene I about 1 min
  224. Act III, Scene II about 3 min
  225. Act III, Scene III about 3 min
  226. Act III, Scene IV about 5 min
  227. Act III, Scene V under 1 min
  228. Act III, Scene VI about 1 min
  229. Act III, Scene VII about 2 min
  230. Act III, Scene VIII about 1 min
  231. Act III, Scene IX about 1 min
  232. Act III, Scene X about 2 min
  233. Act III, Scene XI about 1 min
  234. Act III, Scene XII about 1 min
  235. Act III, Scene XIII about 2 min
  236. Act III, Scene XIV under 1 min
  237. Act III, Scene XV about 6 min
  238. Act III, Scene XVI about 1 min
  239. Act III, Scene XVII about 1 min
  240. Act III, Scene XVIII about 5 min
  241. Act III, Scene XIX about 1 min
  242. Act III, Scene XX about 2 min
  243. Act III, Scene XXI about 3 min
  244. Act III, Scene XXII under 1 min
  245. Act III, Scene XXIII about 3 min
  246. Act IV, Scene I under 1 min
  247. Act IV, Scene II about 4 min
  248. Act IV, Scene III about 2 min
  249. Act IV, Scene IV about 1 min
  250. Act IV, Scene V about 1 min
  251. Act IV, Scene VI about 3 min
  252. Act IV, Scene VII about 3 min
  253. Act IV, Scene VIII about 3 min
  254. Act IV, Scene IX about 4 min
  255. Act IV, Scene X about 3 min
  256. Act IV, Scene XI about 2 min
  257. Act IV, Scene XII under 1 min
  258. Act IV, Scene XIII about 1 min
  259. Act IV, Scene XIV under 1 min
  260. Act V, Scene I about 1 min
  261. Act V, Scene II about 6 min
  262. Act V, Scene III about 5 min
  263. Act V, Scene V about 3 min
  264. Act V, Scene V about 4 min
  265. Act V, Scene VI about 2 min
  266. Act V, Scene VII about 1 min
  267. Act V, Scene VIII under 1 min
  268. Act V, Scene IX about 1 min
  269. Act V, Scene X about 1 min
  270. Act V, Scene XI about 2 min
  271. Act V, Scene XII about 6 min
  272. Dramatis Personae about 1 min
  273. Act I, Scene I about 8 min
  274. Act I, Scene II about 6 min
  275. Act I, Scene III about 5 min
  276. Act I, Scene IV about 11 min
  277. Act II, Scene I about 8 min
  278. Act II, Scene II about 19 min
  279. Act III, Scene I about 5 min
  280. Act III, Scene II about 5 min
  281. Act III, Scene III about 16 min
  282. Act IV, Scene I about 8 min
  283. Act IV, Scene II about 10 min
  284. Act IV, Scene III about 12 min
  285. Act V, Scene I about 9 min
  286. Act V, Scene II about 8 min
  287. Act V, Scene III about 6 min
  288. Dramatis Personae about 1 min
  289. Act I, Scene I about 4 min
  290. Act I, Scene II about 9 min
  291. Act I, Scene III about 3 min
  292. Act I, Scene IV about 5 min
  293. Act I, Scene V about 7 min
  294. Act I, Scene VI about 3 min
  295. Act I, Scene VII about 1 min
  296. Act I, Scene VIII under 1 min
  297. Act I, Scene IX about 3 min
  298. Act II, Scene I about 1 min
  299. Act II, Scene II about 7 min
  300. Act II, Scene III about 1 min
  301. Act II, Scene IV about 4 min
  302. Act II, Scene V about 4 min
  303. Act II, Scene VI under 1 min
  304. Act II, Scene VII about 3 min
  305. Act II, Scene VIII about 12 min
  306. Act II, Scene IX about 2 min
  307. Act II, Scene X about 4 min
  308. Act II, Scene XI about 2 min
  309. Act II, Scene XII about 2 min
  310. Act II, Scene XIII under 1 min
  311. Act II, Scene XIV about 2 min
  312. Act II, Scene XV about 7 min
  313. Act III, Scene I about 1 min
  314. Act III, Scene II about 2 min
  315. Act III, Scene III about 4 min
  316. Act III, Scene IV about 5 min
  317. Act III, Scene V about 2 min
  318. Act III, Scene VI about 1 min
  319. Act III, Scene VII about 3 min
  320. Act III, Scene VIII under 1 min
  321. Act III, Scene IX about 1 min
  322. Act III, Scene X about 13 min
  323. Act IV, Scene I about 1 min
  324. Act IV, Scene II under 1 min
  325. Act IV, Scene III about 4 min
  326. Act IV, Scene IV about 2 min
  327. Act IV, Scene V about 3 min
  328. Act IV, Scene VI about 1 min
  329. Act IV, Scene VII under 1 min
  330. Act IV, Scene VIII under 1 min
  331. Act IV, Scene IX about 5 min
  332. Act IV, Scene X under 1 min
  333. Act IV, Scene XI under 1 min
  334. Act IV, Scene XII about 3 min
  335. Act IV, Scene XIII about 3 min
  336. Act IV, Scene XIV about 2 min
  337. Act IV, Scene XV about 2 min
  338. Act IV, Scene XVI about 1 min
  339. Act IV, Scene XVII about 1 min
  340. Act IV, Scene XVIII under 1 min
  341. Act IV, Scene XIX about 2 min
  342. Act IV, Scene XX about 1 min
  343. Act IV, Scene XXI about 7 min
  344. Act IV, Scene XXII about 2 min
  345. Act IV, Scene XXIII about 1 min
  346. Act IV, Scene XXIV about 1 min
  347. Act V, Scene I about 3 min
  348. Act V, Scene II about 1 min
  349. Act V, Scene III about 5 min
  350. Act V, Scene IV about 5 min
  351. Act V, Scene V about 1 min
  352. Act V, Scene VI about 1 min
  353. Act V, Scene VII about 1 min
  354. Act V, Scene VIII about 2 min
  355. Act V, Scene IX about 5 min
  356. Act V, Scene X about 5 min
  357. Act V, Scene XI about 3 min
  358. Act I, Scene I about 28 min
  359. Act II, Scene I about 13 min
  360. Act II, Scene II about 2 min
  361. Act II, Scene III about 11 min
  362. Dramatis Personae under 1 min
  363. Act I, Scene I about 5 min
  364. Act I, Scene II about 4 min
  365. Act I, Scene III about 1 min
  366. Act I, Scene IV about 4 min
  367. Act I, Scene V under 1 min
  368. Act I, Scene VI about 10 min
  369. Act I, Scene VII about 10 min
  370. Act I, Scene VIII about 3 min
  371. Act II, Scene I about 1 min
  372. Act II, Scene II about 5 min
  373. Act II, Scene III about 9 min
  374. Act II, Scene IV about 4 min
  375. Act II, Scene V about 2 min
  376. Act II, Scene VI about 1 min
  377. Act II, Scene VII about 1 min
  378. Act II, Scene VIII about 9 min
  379. Act II, Scene IX about 5 min
  380. Act III, Scene I about 3 min
  381. Act III, Scene II about 1 min
  382. Act III, Scene III about 2 min
  383. Act III, Scene IV about 8 min
  384. Act III, Scene V about 1 min
  385. Act III, Scene VI about 5 min
  386. Act III, Scene VII under 1 min
  387. Act III, Scene VIII about 1 min
  388. Act IV, Scene I — Antechamber under 1 min
  389. Act IV, Scene II about 2 min
  390. Act IV, Scene III about 1 min
  391. Act IV, Scene IV about 3 min
  392. Act IV, Scene V about 2 min
  393. Act IV, Scene VI about 6 min
  394. Act IV, Scene VII under 1 min
  395. Act IV, Scene VIII about 1 min
  396. Act IV, Scene IX about 4 min
  397. Act IV, Scene X about 2 min
  398. Act IV, Scene XI about 3 min
  399. Act IV, Scene XII about 1 min
  400. Act V, Scene I about 4 min
  401. Act V, Scene II about 1 min
  402. Act V, Scene III under 1 min
  403. Act V, Scene IV under 1 min
  404. Act V, Scene V about 1 min
  405. Act V, Scene VI about 4 min
  406. Act V, Scene VII about 7 min
  407. Act V, Scene VIII about 1 min
  408. Act V, Scene IX about 3 min
  409. Act V, Scene X about 2 min
  410. Act V, Scene XI about 1 min
  411. Act V, Scene XII about 1 min
  412. Act V, Scene XIII about 2 min
  413. Act V, Scene XIV about 1 min
  414. Act V, Scene XV about 1 min
  415. Dramatis Personae under 1 min
  416. Prologue under 1 min
  417. Scene I about 1 min
  418. Scene II about 4 min
  419. Scene III about 7 min
  420. Scene IV about 2 min
  421. Act I, Scene I about 1 min
  422. Act I, Scene II about 3 min
  423. Act I, Scene III about 2 min
  424. Act I, Scene IV about 2 min
  425. Act I, Scene V about 7 min
  426. Act I, Scene VI about 1 min
  427. Act I, Scene VII under 1 min
  428. Act I, Scene VIII about 1 min
  429. Act I, Scene IX about 3 min
  430. Act I, Scene X about 6 min
  431. Act I, Scene XI about 2 min
  432. Act II under 1 min
  433. Act II, Scene I about 3 min
  434. Act II, Scene II about 5 min
  435. Act II, Scene III about 1 min
  436. Act II, Scene IV about 1 min
  437. Act II, Scene V about 1 min
  438. Act II, Scene VI about 1 min
  439. Act II, Scene VII about 4 min
  440. Act II, Scene VIII under 1 min
  441. Act II, Scene IX about 1 min
  442. Act II, Scene X about 4 min
  443. Act III under 1 min
  444. Act III, Scene I about 2 min
  445. Act III, Scene II about 2 min
  446. Act III, Scene III about 4 min
  447. Act III, Scene IV about 7 min
  448. Act III, Scene V about 1 min
  449. Act III, Scene VI about 2 min
  450. Act III, Scene VII about 1 min
  451. Act III, Scene VIII about 1 min
  452. Act III, Scene IX about 2 min
  453. Act III, Scene X about 2 min
  454. Act III, Scene XI under 1 min
  455. Act IV under 1 min
  456. Act IV, Scene I about 3 min
  457. Act IV, Scene II about 4 min
  458. Act IV, Scene III about 2 min
  459. Act IV, Scene IV about 1 min
  460. Act IV, Scene V under 1 min
  461. Act IV, Scene VI about 1 min
  462. Act IV, Scene VII about 1 min
  463. Act IV, Scene VIII about 1 min
  464. Act IV, Scene IX about 3 min
  465. Act IV, Scene X about 1 min
  466. Act IV, Scene XI about 2 min
  467. Act IV, Scene XII under 1 min
  468. Act IV, Scene XIII about 1 min
  469. Act V under 1 min
  470. Act V, Scene I about 1 min
  471. Act V, Scene II about 1 min
  472. Act V, Scene III under 1 min
  473. Act V, Scene IV about 3 min
  474. Act V, Scene V about 1 min
  475. Act V, Scene VI about 1 min
  476. Act V, Scene VII about 1 min
  477. Act V, Scene VIII about 1 min
  478. Act V, Scene IX about 2 min
  479. Act V, Scene X about 1 min
  480. Act V, Scene XI about 3 min
  481. Act V, Scene XII about 1 min
  482. Act V, Scene IV under 1 min
  483. Act V, Scene XIV about 2 min
  484. Dramatis Personae under 1 min
  485. Scene I about 2 h 14 min
  486. Dramatis Personae under 1 min
  487. Scene I about 11 min
  488. Scene II about 3 h 39 min
  489. Preface about 9 min
  490. Book I about 2 min
  491. Book II about 2 min
  492. Book III about 18 min
  493. Appendix about 24 min
  494. Introduction under 1 min
  495. Introduction about 44 min
  496. Letter I about 2 min
  497. Letter II about 3 min
  498. Letter III about 4 min
  499. Letter IV about 5 min
  500. Letter V about 3 min
  501. Letter VI about 12 min
  502. Letter VII about 3 min
  503. Letter VIII about 4 min
  504. Letter IX about 7 min
  505. Letter X about 7 min
  506. Letter XI about 5 min
  507. Letter XII about 4 min
  508. Letter XIII about 5 min
  509. Letter XIV about 4 min
  510. Letter XV about 7 min
  511. Letter XVI about 5 min
  512. Letter XVII about 4 min
  513. Letter XVIII about 3 min
  514. Letter XIX about 7 min
  515. Letter XX about 3 min
  516. Letter XXI about 3 min
  517. Letter XXII about 7 min
  518. Letter XXIII about 6 min
  519. Letter XXIV about 9 min
  520. Letter XXV about 6 min
  521. Letter XXVI about 9 min
  522. Letter XXVII (part 1 of 2) about 7 h 8 min
  523. Letter XXVII (part 2 of 2) about 4 min
  524. I. Julius to Raphael. October about 4 min
  525. II. Julius to Raphael about 3 min
  526. III. Raphael to Julius about 3 min
  527. IV. Julius to Raphael about 21 min
  528. V. Raphael to Julius about 9 min
  529. Introduction about 53 min

Continue:

Dramatis Personae

JUNO. SEMELE, Princess of Thebes. JUPITER. MERCURY.

SCENE--The Palace of Cadmus at Thebes.

Spotted a typo or a problem in this chapter? Tell us

Scene I

JUNO. (Descending from her chariot, enveloped in a cloud.) Away, ye peacocks, with my winged car! Upon Cithaeron's cloud-capped summit wait! [The chariot and cloud vanish. Hail, hail, thou house of my undying anger! A fearful hail to thee, thou hostile roof, Ye hated walls!--This, this, then, is the place Where Jupiter pollutes his marriage-bed Even before the face of modest day! 'Tis here, then, that a woman, a frail mortal, A dust-created being, dares to lure The mighty Thunderer from out mine arms, And hold him prisoner against her lips!

Juno! Juno! thought of madness! Thou all lonely and in sadness, Standest now on heaven's bright throne! Though the votive smoke ascendeth, Though each knee in homage bendeth, What are they when love has flown?

To humble, alas, each too-haughty emotion That swelled my proud breast, from the foam of the ocean Fair Venus arose, to enchant gods and men! And the Fates my still deeper abasement decreeing, Her offspring Hermione brought into being, And the bliss once mine own can ne'er glad me again!

Amongst the gods do I not reign the queen? Am I not sister of the Thunderer? Am I not wife of Zeus, the lord of all? Groans not the mighty axis of the heavens At my command? Gleams not Olympus' crown Upon my head? Ha! now I feel myself! In my immortal veins is Kronos' blood, Right royally now swells my godlike heart. Revenge! revenge! Shall she unpunished ridicule my might? Unpunished, discord roll amongst the gods, Inviting Eris to invade the courts, The joyous courts of heaven? Vain, thoughtless one! Perish, and learn upon the Stygian stream The difference 'twixt divine and earthly dust! The giant-armor, may it weigh thee down-- Thy passion for a god to atoms crush thee! Armed with revenge, as with a coat of mail, I have descended from Olympus' heights, Devising sweet, ensnaring, flattering words; But in those words, death and destruction lurk. Hark! 'tis her footstep! she approaches now-- Approaches ruin and a certain death! Veil thyself, goddess, in a mortal form! [Exit.

SEMELE. (Calling behind the scenes.) The sun is fast declining! Maidens, haste, Scatter ambrosial fragrance through the hall, Strew roses and narcissus flowers around, Forgetting not the gold-embroidered pillow. He comes not yet--the sun is fast declining--

JUNO. (hastily entering in the form of an old woman.) Praised be the deities, my dearest daughter!

SEMELE. Ha! Do I dream? Am I awake? Gods! Beroe!

JUNO. Is't possible that Semele can e'er Forget her nurse?

SEMELE. 'Tis Beroe! By Zeus! Oh, let thy daughter clasp thee to her heart! Thou livest still? What can have brought thee here From Epidaurus? Tell me all thy tale! Thou art my mother as of old?

JUNO. Thy mother! Time was thou call'dst me so.

SEMELE. Thou art so still, And wilt remain so, till I drink full deep Of Lethe's maddening draught. JUNO. Soon Beroe Will drink oblivion from the waves of Lethe; But Cadmus' daughter ne'er will taste that draught.

SEMELE. How, my good nurse? Thy language ne'er was wont To be mysterious or of hidden meaning; The spirit of gray hairs 'tis speaks in thee; Thou sayest I ne'er shall taste of Lethe's draught?

JUNO. I said so, yes! But wherefore ridicule Gray hairs? 'Tis true that they, unlike fair tresses, Have ne'er been able to ensnare a god!

SEMELE. Pardon poor thoughtless me! What cause have I To ridicule gray hairs? Can I suppose That mine forever fair will grace my neck? But what was that I heard thee muttering Between thy teeth? A god?

JUNO. Said I a god? The deities in truth dwell everywhere! 'Tis good for earth's frail children to implore them. The gods are found where thou art--Semele! What wouldst thou ask?

SEMELE. Malicious heart! But say What brings thee to this spot from Epidaurus? 'Tis not because the gods delight to dwell near Semele?

JUNO. By Jupiter, naught else!-- What fire was that which mounted to thy cheeks When I pronounced the name of Jupiter? Naught else, my daughter! Fearfully the plague At Epidaurus rages; every blast Is deadly poison, every breath destroys; The son his mother burns, his bride the bridegroom; The funeral piles rear up their flaming heads, Converting even midnight to bright day, While howls of anguish ceaseless rend the air; Full to overflowing is the cup of woe!-- In anger, Zeus looks down on our poor nation; In vain the victim's blood is shed, in vain Before the altar bows the priest his knee; Deaf is his ear to all our supplications-- Therefore my sorrow-stricken country now Has sent me here to Cadmus' regal daughter, In hopes that I may move her to avert His anger from us--"Beroe, the nurse, Has influence," thus they said, "with Semele, And Semele with Zeus"--I know no more, And understand still less what means the saying, That Semele such influence has with Zeus.

SEMELE. (Eagerly and thoughtlessly.) The plague shall cease to-morrow! Tell them so Zeus loves me! Say so! It shall cease to-day!

JUNO. (Starting up in astonishment.) Ha! Is it true what fame with thousand tongues Has spread abroad from Ida to Mount Haemus? Zeus loves thee? Zeus salutes thee in the glory Wherein the denizens of heaven regard him, When in Saturnia's arms he sinks to rest? Let, O ye gods, my gray hairs now descend To Orcus' shades, for I have lived enough! In godlike splendor Kronos' mighty son Comes down to her,--to her, who on this breast Once suckled--yes! to her--

SEMELE. Oh, Beroe! In youthful form he came, in lovelier guise Than they who from Aurora's lap arise; Fairer than Hesper, breathing incense dim,-- In floods of ether steeped appeared each limb; He moved with graceful and majestic motion, Like silvery billows heaving o'er the ocean, Or as Hyperion, whose bright shoulders ever His bow and arrow bear, and clanging quiver; His robe of light behind him gracefully Danced in the breeze, his voice breathed melody, Like crystal streams with silvery murmur falling, More ravishing than Orpheus' strains enthralling.

JUNO. My daughter! Inspiration spurs thee on, Raising thy heart to flights of Helicon! If thus in strains of Delphic ecstasy Ascends the short-lived blissful memory Of his bright charms,--Oh, how divine must be His own sweet voice,--his look how heavenly! But why of that great attribute Kronion joys in most, be mute,-- The majesty that hurls the thunder, And tears the fleeting clouds asunder? Wilt thou say naught of that alone? Prometheus and Deucalion May lend the fairest charms of love, But none can wield the bolt save Jove! The thunderbolt it is alone Which he before thy feet laid down That proves thy right to beauty's crown.

SEMELE. What sayest thou? What are thunder-bolts to me?

JUNO. (Smiling.) Ah, Semele! A jest becomes thee well!

SEMELE. Deucalion has no offspring so divine As is my Zeus--of thunder naught I know.

JUNO. Mere envy! Fie!

SEMELE. No, Beroe! By Zeus!

JUNO. Thou swearest?

SEMELE. By Zeus! by mine own Zeus!

JUNO. (Shrieking.) Thou swearest? Unhappy one!

SEMELE. (In alarm.) What meanest thou, Beroe?

JUNO. Repeat the word that dooms thee to become the wretchedest of all on earth's wide face!-- Alas, lost creature! 'Twas not Zeus!

SEMELE. Not Zeus? Oh, fearful thought!

JUNO. A cunning traitor 'twas From Attica, who 'neath a godlike form, Robbed thee of honor, shame, and innocence!-- [SEMELE sinks to the ground. Well mayest thou fall! Ne'er mayest thou rise again! May endless night enshroud thine eyes in darkness, May endless silence round thine ears encamp! Remain forever here a lifeless mass! Oh, infamy! Enough to hurl chaste day Back into Hecate's gloomy arms once more! Ye gods! And is it thus that Beroe Finds Cadmus' daughter, after sixteen years Of bitter separation! Full of joy I came from Epidaurus; but with shame To Epidaurus must retrace my steps.-- Despair I take with me. Alas, my people! E'en to the second Deluge now the plague May rage at will, may pile mount Oeta high With corpses upon corpses, and may turn All Greece into one mighty charnel-house, Ere Semele can bend the angry gods. I, thou, and Greece, and all, have been betrayed!

SEMELE. (Trembling as she rises, and extending an arm towards her.) Oh, Beroe!

JUNO. Take courage, my dear heart! Perchance 'tis Zeus! although it scarce can be! Perchance 'tis really Zeus! This we must learn! He must disclose himself to thee, or thou Must fly his sight forever, and devote The monster to the death-revenge of Thebes. Look up, dear daughter--look upon the face Of thine own Beroe, who looks on thee With sympathizing eyes--my Semele, Were it not well to try him?

SEMELE. No, by heaven! I should not find him then--

JUNO. What! Wilt thou be Perchance less wretched, if thou pinest on In mournful doubt?--and if 'tis really he,--

SEMELE. (Hiding her face in Juno's lap.) Ah! 'tis not he!

JUNO. And if he came to thee Arrayed in all the majesty wherein Olympus sees him? Semele! What then? Wouldst thou repent thee then of having tried him?

SEMELE. (Springing up.) Ha! be it so! He must unveil himself!

JUNO. (Hastily.) Thou must not let him sink into thine arms. Till he unveils himself--so hearken, child, To what thy faithful nurse now counsels thee,-- To what affection whispers in mine ear, And will accomplish!--Say! will he soon come?

SEMELE. Before Hyperion sinks in Thetis' bed, He promised to appear.

JUNO. (Forgetting herself hastily.) Is't so, indeed? He promised? Ha! To-day? (Recovering herself.) Let him approach, And when he would attempt, inflamed with love, To clasp his arms around thee, then do thou,-- Observe me well,--as if by lightning struck, Start back in haste. Ha! picture his surprise! Leave him not long in wonderment, my child; Continue to repulse him with a look As cold as ice--more wildly, with more ardor He'll press thee then--the coyness of the fair Is but a dam, that for awhile keeps back The torrent, only to increase the flood With greater fury. Then begin to weep 'Gainst giants he might stand,--look calmly on When Typheus, hundred-armed, in fury hurled Mount Ossa and Olympus 'gainst his throne: But Zeus is soon subdued by beauty's tears. Thou smilest?--Be it so! Is, then, the scholar Wiser, perchance, than she who teaches her?-- Then thou must pray the god one little, little Most innocent request to grant to thee-- One that may seal his love and godhead too. He'll swear by Styx. The Styx he must obey! That oath he dares not break! Then speak these words: "Thou shalt not touch this body, till thou comest To Cadmus' daughter clothed in all the might Wherein thou art embraced by Kronos' daughter!" Be not thou terrified, my Semele, If he, in order to escape thy wish, As bugbears paints the horrors of his presence-- Describes the flames that round about him roar, The thunder round him rolling when he comes: These, Semele, are naught but empty fears-- The gods dislike to show to us frail mortals These the most glorious of their attributes; Be thou but obstinate in thy request, And Juno's self will gaze on thee with envy.

SEMELE. The frightful ox-eyed one! How often he Complains, in the blest moments of our love, Of her tormenting him with her black gall--

JUNO. (Aside, furiously, but with embarrassment.) Ha! creature! Thou shalt die for this contempt!

SEMELE. My Beroe! What art thou murmuring there?

JUNO. (In confusion.) Nothing, my Semele! Black gall torments Me also--Yes! a sharp, reproachful look With lovers often passes as black gall-- Yet ox-eyes, after all, are not so ugly.

SEMELE. Oh, Beroe, for shame! they're quite the worst That any head can possibly contain! And then her cheeks of green and yellow hues, The obvious penalty of poisonous envy-- Zeus oft complains to me that that same shrew Each night torments him with her nauseous love, And with her jealous whims,--enough, I'm sure, Into Ixion's wheel to turn all heaven.

JUNO. (Raving up and down in extreme confusion.) No more of this!

SEMELE. What, Beroe! So angry? Have I said more than what is true? Said more Than what is wise?

JUNO. Thou hast said more, young woman, Than what is true--said more than what is wise! Deem thyself truly blest, if thy blue eyes Smile thee not into Charon's bark too soon! Saturnia has her altars and her temples, And wanders amongst mortals--that great goddess Avenges naught so bitterly as scorn

SEMELE. Here let her wander, and give birth to scorn! What is't to me?--My Jupiter protects My every hair,--what harm can Juno do? But now, enough of this, my Beroe! Zeus must appear to-day in all his glory; And if Saturnia should on that account Find out the path to Orcus--

JUNO. (Aside.) That same path Another probably will find before her, If but Kronion's lightning hits the mark!-- (To Semele.) Yes, Semele, she well may burst with envy When Cadmus' daughter, in the sight of Greece, Ascends in triumph to Olympus' heights!--

SEMELE. (Smiling gently.) Thinkest thou they'll hear in Greece of Cadmus' daughter?

JUNO. From Sidon to Athens the trumpet of fame Shall ring with no other but Semele's name! The gods from the heavens shall even descend, And before thee their knees in deep homage shall bend, While mortals in silent submission abide The will of the giant-destroyer's loved bride; And when distant years shall see Thy last hour--

SEMELE. (Springing up, and falling on her neck.) Oh, Beroe!

JUNO. Then a tablet white shall bear This inscription graven there: Here is worshipped Semele! Who on earth so fair as she? She who from Olympus' throne Lured the thunder-hurler down! She who, with her kisses sweet, Laid him prostrate at her feet! And when fame on her thousand wings bears it around, The echo from valley and hill shall resound.

SEMELE. (Beside herself.) Pythia! Apollo! Hear! When, oh when will he appear?

JUNO. And on smoking altars they Rites divine to thee shall pay--

SEMELE. (Inspired.) I will harken to their prayer, And will drive away their care,-- Quench with my tears the lightning of great Jove, His breast to pity with entreaty move!

JUNO. (Aside.) Poor thing! that wilt thou ne'er have power to do. (Meditating.) Ere long will melt . . . yet--yet--she called me ugly!-- No pity only when in Tartarus! (To Semele.) Fly now, my love! Make haste to leave this spot, That Zeus may not observe thee--Let him wait Long for thy coming, that he with more fire May languish for thee--

SEMELE. Beroe! The heavens Have chosen thee their mouthpiece! Happy I! The gods from Olympus shall even descend, And before me their knees in deep homage shall bend, While mortals in silent submission abide-- But hold!--'tis time for me to haste away! [Exit hurriedly.

JUNO. (Looking after her with exultation.) Weak, proud, and easily-deluded woman! His tender looks shall be consuming fire-- His kiss, annihilation--his embrace, A raging tempest to thee! Human frames Are powerless to endure the dreaded presence Of him who wields the thunderbolt on high! (With raving ecstasy.) Ha! when her waxen mortal body melts Within the arms of him, the fire-distilling, As melts the fleecy snow before the heat Of the bright sun--and when the perjured one In place of his soft tender bride, embraces A form of terror--with what ecstasy Shall I gaze downwards from Cithaeron's height, Exclaiming, so that in his hand the bolt Shall quake: "For shame, Saturnius! Fie, for shame! What need is there for thee to clasp so roughly?" [Exit hastily. (A, Symphony.)

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