← The Works of Frederick Schiller

Act IV, Scene IV…

Part 22 of 34 · Friedrich Schiller · Public domain text

About this edition

Source: Project Gutenberg e-text #6800, public domain in the United States · text not rewritten or summarized · How RedLectern is built

 

Contents (529)
  1. Opening about 3 min
  2. Book I under 1 min
  3. Book II under 1 min
  4. Book III under 1 min
  5. Book IV under 1 min
  6. Book V about 1 min
  7. Book I about 2 h 3 min
  8. Book II about 2 h 21 min
  9. Book III about 2 h 27 min
  10. Book IV about 1 h 15 min
  11. Book V about 1 h 30 min
  12. III. Conspiracy of the Nobles about 4 min
  13. Introduction about 22 min
  14. Book I about 1 h 35 min
  15. II. CARDINAL GRANVELLA about 1 h 37 min
  16. III. CONSPIRACY OF THE NOBLES about 1 h 12 min
  17. IV. THE ICONOCLASTS about 5 h 14 min
  18. Book II about 13 min
  19. I. BARON VON F----- TO COUNT VON O--------- about 6 min
  20. Letter II about 5 min
  21. Letter III about 5 min
  22. Letter IV about 9 min
  23. V. BARON VON F------ TO COUNT VON O------ about 16 min
  24. Letter VI about 6 min
  25. Letter VII about 11 min
  26. Letter VIII about 4 min
  27. Letter IX about 5 min
  28. Letter X about 36 min
  29. Dramatis Personae under 1 min
  30. Act I, Scene I — Franconia about 16 min
  31. Act I, Scene II — A Tavern on the Frontier of Saxony about 23 min
  32. Act I, Scene III — MOOR'S Castle.--AMELIA'S Chamber about 7 min
  33. Act II, Scene I — FRANCIS VON MOOR in his chamber--in meditation about 8 min
  34. Act II, Scene II — Old Moor's Bedchamber about 13 min
  35. Act II, Scene III — THE BOHEMIAN WOODS about 32 min
  36. Act III, Scene I — AMELIA in the garden, playing the guitar about 4 min
  37. Act III, Scene VIII about 4 min
  38. Act III, Scene IX about 2 min
  39. Act III, Scene II — Country near the Danube about 12 min
  40. Act IV, Scene I — Rural scenery in the neighborhood of CHARLES VON MOOR'S castle about 2 min
  41. Act IV, Scene II — *--Gallery in the Castle about 11 min
  42. Act IV, Scene III — Another Room in the Castle about 7 min
  43. Act IV, Scene IV — In the Garden about 6 min
  44. Act IV, Scene V — A neighboring forest. Night. An old ruined castle in the centre of the scene about 20 min
  45. Act V, Scene I — A vista of rooms. Dark night about 18 min
  46. Act V, Scene II — The scene the same as the last scene of the preceding Act about 12 min
  47. Act V, Scene VIII about 1 min
  48. Act V, Scene IX about 2 min
  49. Author'S Preface about 2 min
  50. Dramatis Personae about 1 min
  51. Act I, Scene I — A Saloon in FIESCO'S House. The distant sound of dancing and music is heard about 4 min
  52. Act I, Scene IL about 1 min
  53. Act I, Scene III about 2 min
  54. Act I, Scene IV about 3 min
  55. Act I, Scene V about 2 min
  56. Act I, Scene VI about 1 min
  57. Act I, Scene VII about 3 min
  58. Act I, Scene VIII about 2 min
  59. Act I, Scene IX about 5 min
  60. Act I, Scene X — An apartment in the house of VERRINA about 3 min
  61. Act I, Scene XI about 2 min
  62. Act I, Scene XII about 4 min
  63. Act I, Scene XIII about 1 min
  64. Act II, Scene I — An Ante-chamber in the Palace of FIESCO under 1 min
  65. Act II, Scene II about 3 min
  66. Act II, Scene III about 2 min
  67. Act II, Scene IV about 4 min
  68. Act II, Scene V about 3 min
  69. Act II, Scene VI under 1 min
  70. Act II, Scene VII under 1 min
  71. Act II, Scene VIII about 3 min
  72. Act II, Scene IX about 1 min
  73. Act II, Scene X about 1 min
  74. Act II, Scene XI under 1 min
  75. Act II, Scene XII — The Palace of ANDREAS about 1 min
  76. Act II, Scene XIII about 2 min
  77. Act II, Scene XIV about 4 min
  78. Act II, Scene XV — An Ante-chamber in FIESCO'S Palace about 2 min
  79. Act II, Scene XVI under 1 min
  80. Act II, Scene XVII about 4 min
  81. Act II, Scene XVIII about 2 min
  82. Act II, Scene XIX — FIESCO, alone about 1 min
  83. Act III, Scene I — Midnight. A dreary wilderness about 4 min
  84. Act III, Scene III about 2 min
  85. Act III, Scene IV about 5 min
  86. Act III, Scene V about 5 min
  87. Act III, Scene VI under 1 min
  88. Act III, Scene VII about 1 min
  89. Act III, Scene VIII about 1 min
  90. Act III, Scene IX about 1 min
  91. Act III, Scene X about 2 min
  92. Act III, Scene XI about 1 min
  93. Act IV under 1 min
  94. Act IV, Scene II about 1 min
  95. Act IV, Scene III about 1 min
  96. Act IV, Scene IV about 1 min
  97. Act IV, Scene V about 1 min
  98. Act IV, Scene VI about 3 min
  99. Act IV, Scene VII about 2 min
  100. Act IV, Scene VIII about 1 min
  101. Act IV, Scene IX about 2 min
  102. Act IV, Scene X under 1 min
  103. Act IV, Scene XI about 1 min
  104. Act IV, Scene XII about 3 min
  105. Act IV, Scene XIII about 2 min
  106. Act IV, Scene XIV about 5 min
  107. Act IV, Scene XV under 1 min
  108. Act V about 2 min
  109. Act V, Scene II under 1 min
  110. Act V, Scene III about 1 min
  111. Act V, Scene IV about 1 min
  112. Act V, Scene V about 2 min
  113. Act V, Scene VI about 1 min
  114. Act V, Scene VII under 1 min
  115. Act V, Scene VIII about 5 min
  116. Act V, Scene IX about 1 min
  117. Act V, Scene X about 1 min
  118. Act V, Scene XI under 1 min
  119. Act V, Scene XII about 2 min
  120. Act V, Scene XIII about 3 min
  121. Act V, Scene XIV about 1 min
  122. Act V, Scene XV about 1 min
  123. Act V, Scene XVI about 4 min
  124. Act V, Scene XVII under 1 min
  125. Dramatis Personae under 1 min
  126. Act I, Scene I about 4 min
  127. Act I, Scene II about 5 min
  128. Act I, Scene III about 3 min
  129. Act I, Scene IV about 3 min
  130. Act I, Scene V — A Chamber in the PRESIDENT.'S House about 4 min
  131. Act I, Scene VI about 2 min
  132. Act I, Scene VII about 6 min
  133. Act II about 5 min
  134. Act II, Scene II — An old valet of the DUKE'S, with a casket of jewels. The former about 4 min
  135. Act II, Scene III — FERDINAND VON WALTER. The former about 11 min
  136. Act II, Scene IV — Miller's House about 2 min
  137. Act II, Scene V about 4 min
  138. Act II, Scene VI about 4 min
  139. Act II, Scene VII about 2 min
  140. Act III, Scene I about 7 min
  141. Act III, Scene II about 5 min
  142. Act III, Scene III under 1 min
  143. Act III, Scene IV — Room in MILLER'S House about 4 min
  144. Act III, Scene V under 1 min
  145. Act III, Scene VI about 9 min
  146. Act IV, Scene I — Saloon in the PRESIDENT'S House under 1 min
  147. Act IV, Scene II about 2 min
  148. Act IV, Scene III about 5 min
  149. Act IV, Scene IV about 1 min
  150. Act IV, Scene V about 1 min
  151. Act IV, Scene VI — A magnificent Saloon in LADY MILFORD'S House about 2 min
  152. Act IV, Scene VII about 9 min
  153. Act IV, Scene VIII about 1 min
  154. Act IV, Scene IX about 4 min
  155. Act V, Scene I — Twilight; a room in MILLER'S house about 8 min
  156. Act V, Scene II about 5 min
  157. Act V, Scene III about 2 min
  158. Act V, Scene IV about 1 min
  159. Act V, Scene V about 4 min
  160. Act V, Scene VI about 1 min
  161. Act V, Scene VII about 9 min
  162. Act V, Scene VIII about 5 min
  163. Dramatis Personae under 1 min
  164. Scene I about 2 min
  165. Scene II about 1 min
  166. Scene III about 1 min
  167. Scene IV under 1 min
  168. Scene V about 2 min
  169. Scene VI about 7 min
  170. Scene VII about 4 min
  171. Scene VIII about 5 min
  172. Scene IX about 1 min
  173. Scene X about 1 min
  174. Scene XI about 16 min
  175. Preface about 3 min
  176. Dramatis Personae about 1 min
  177. Act I, Scene I about 3 min
  178. Act I, Scene II about 7 min
  179. Act I, Scene III about 4 min
  180. Act I, Scene IV about 7 min
  181. Act I, Scene V about 1 min
  182. Act II, Scene I about 2 min
  183. Act II, Scene II about 3 min
  184. Act II, Scene III about 2 min
  185. Act II, Scene IV about 2 min
  186. Act II, Scene V about 3 min
  187. Act II, Scene VI about 5 min
  188. Act II, Scene VII about 11 min
  189. Act III, Scene I about 3 min
  190. Act III, Scene II about 1 min
  191. Act III, Scene III about 4 min
  192. Act III, Scene IV about 6 min
  193. Act III, Scene V about 2 min
  194. Act III, Scene VI about 1 min
  195. Act III, Scene VII under 1 min
  196. Act III, Scene VIII about 4 min
  197. Act III, Scene IX about 1 min
  198. Act IV, Scene I about 2 min
  199. Act IV, Scene II under 1 min
  200. Act IV, Scene III about 1 min
  201. Act IV, Scene IV about 3 min
  202. Act IV, Scene V about 5 min
  203. Act IV, Scene VI about 4 min
  204. Act IV, Scene VII about 4 min
  205. Act V, Scene I about 12 min
  206. Act V, Scene II about 2 min
  207. Act V, Scene III about 6 min
  208. Dramatis Personae about 1 min
  209. Act I, Scene I about 2 min
  210. Act I, Scene II about 1 min
  211. Act I, Scene III about 3 min
  212. Act I, Scene IV about 3 min
  213. Act I, Scene V about 7 min
  214. Act I, Scene VI about 1 min
  215. Act I, Scene VII about 9 min
  216. Act II, Scene I about 1 min
  217. Act II, Scene II about 6 min
  218. Act II, Scene III about 4 min
  219. Act II, Scene IV under 1 min
  220. Act II, Scene V about 3 min
  221. Act II, Scene VI about 6 min
  222. Act II, Scene VII about 4 min
  223. Act III, Scene I about 1 min
  224. Act III, Scene II about 3 min
  225. Act III, Scene III about 3 min
  226. Act III, Scene IV about 5 min
  227. Act III, Scene V under 1 min
  228. Act III, Scene VI about 1 min
  229. Act III, Scene VII about 2 min
  230. Act III, Scene VIII about 1 min
  231. Act III, Scene IX about 1 min
  232. Act III, Scene X about 2 min
  233. Act III, Scene XI about 1 min
  234. Act III, Scene XII about 1 min
  235. Act III, Scene XIII about 2 min
  236. Act III, Scene XIV under 1 min
  237. Act III, Scene XV about 6 min
  238. Act III, Scene XVI about 1 min
  239. Act III, Scene XVII about 1 min
  240. Act III, Scene XVIII about 5 min
  241. Act III, Scene XIX about 1 min
  242. Act III, Scene XX about 2 min
  243. Act III, Scene XXI about 3 min
  244. Act III, Scene XXII under 1 min
  245. Act III, Scene XXIII about 3 min
  246. Act IV, Scene I under 1 min
  247. Act IV, Scene II about 4 min
  248. Act IV, Scene III about 2 min
  249. Act IV, Scene IV about 1 min
  250. Act IV, Scene V about 1 min
  251. Act IV, Scene VI about 3 min
  252. Act IV, Scene VII about 3 min
  253. Act IV, Scene VIII about 3 min
  254. Act IV, Scene IX about 4 min
  255. Act IV, Scene X about 3 min
  256. Act IV, Scene XI about 2 min
  257. Act IV, Scene XII under 1 min
  258. Act IV, Scene XIII about 1 min
  259. Act IV, Scene XIV under 1 min
  260. Act V, Scene I about 1 min
  261. Act V, Scene II about 6 min
  262. Act V, Scene III about 5 min
  263. Act V, Scene V about 3 min
  264. Act V, Scene V about 4 min
  265. Act V, Scene VI about 2 min
  266. Act V, Scene VII about 1 min
  267. Act V, Scene VIII under 1 min
  268. Act V, Scene IX about 1 min
  269. Act V, Scene X about 1 min
  270. Act V, Scene XI about 2 min
  271. Act V, Scene XII about 6 min
  272. Dramatis Personae about 1 min
  273. Act I, Scene I about 8 min
  274. Act I, Scene II about 6 min
  275. Act I, Scene III about 5 min
  276. Act I, Scene IV about 11 min
  277. Act II, Scene I about 8 min
  278. Act II, Scene II about 19 min
  279. Act III, Scene I about 5 min
  280. Act III, Scene II about 5 min
  281. Act III, Scene III about 16 min
  282. Act IV, Scene I about 8 min
  283. Act IV, Scene II about 10 min
  284. Act IV, Scene III about 12 min
  285. Act V, Scene I about 9 min
  286. Act V, Scene II about 8 min
  287. Act V, Scene III about 6 min
  288. Dramatis Personae about 1 min
  289. Act I, Scene I about 4 min
  290. Act I, Scene II about 9 min
  291. Act I, Scene III about 3 min
  292. Act I, Scene IV about 5 min
  293. Act I, Scene V about 7 min
  294. Act I, Scene VI about 3 min
  295. Act I, Scene VII about 1 min
  296. Act I, Scene VIII under 1 min
  297. Act I, Scene IX about 3 min
  298. Act II, Scene I about 1 min
  299. Act II, Scene II about 7 min
  300. Act II, Scene III about 1 min
  301. Act II, Scene IV about 4 min
  302. Act II, Scene V about 4 min
  303. Act II, Scene VI under 1 min
  304. Act II, Scene VII about 3 min
  305. Act II, Scene VIII about 12 min
  306. Act II, Scene IX about 2 min
  307. Act II, Scene X about 4 min
  308. Act II, Scene XI about 2 min
  309. Act II, Scene XII about 2 min
  310. Act II, Scene XIII under 1 min
  311. Act II, Scene XIV about 2 min
  312. Act II, Scene XV about 7 min
  313. Act III, Scene I about 1 min
  314. Act III, Scene II about 2 min
  315. Act III, Scene III about 4 min
  316. Act III, Scene IV about 5 min
  317. Act III, Scene V about 2 min
  318. Act III, Scene VI about 1 min
  319. Act III, Scene VII about 3 min
  320. Act III, Scene VIII under 1 min
  321. Act III, Scene IX about 1 min
  322. Act III, Scene X about 13 min
  323. Act IV, Scene I about 1 min
  324. Act IV, Scene II under 1 min
  325. Act IV, Scene III about 4 min
  326. Act IV, Scene IV about 2 min
  327. Act IV, Scene V about 3 min
  328. Act IV, Scene VI about 1 min
  329. Act IV, Scene VII under 1 min
  330. Act IV, Scene VIII under 1 min
  331. Act IV, Scene IX about 5 min
  332. Act IV, Scene X under 1 min
  333. Act IV, Scene XI under 1 min
  334. Act IV, Scene XII about 3 min
  335. Act IV, Scene XIII about 3 min
  336. Act IV, Scene XIV about 2 min
  337. Act IV, Scene XV about 2 min
  338. Act IV, Scene XVI about 1 min
  339. Act IV, Scene XVII about 1 min
  340. Act IV, Scene XVIII under 1 min
  341. Act IV, Scene XIX about 2 min
  342. Act IV, Scene XX about 1 min
  343. Act IV, Scene XXI about 7 min
  344. Act IV, Scene XXII about 2 min
  345. Act IV, Scene XXIII about 1 min
  346. Act IV, Scene XXIV about 1 min
  347. Act V, Scene I about 3 min
  348. Act V, Scene II about 1 min
  349. Act V, Scene III about 5 min
  350. Act V, Scene IV about 5 min
  351. Act V, Scene V about 1 min
  352. Act V, Scene VI about 1 min
  353. Act V, Scene VII about 1 min
  354. Act V, Scene VIII about 2 min
  355. Act V, Scene IX about 5 min
  356. Act V, Scene X about 5 min
  357. Act V, Scene XI about 3 min
  358. Act I, Scene I about 28 min
  359. Act II, Scene I about 13 min
  360. Act II, Scene II about 2 min
  361. Act II, Scene III about 11 min
  362. Dramatis Personae under 1 min
  363. Act I, Scene I about 5 min
  364. Act I, Scene II about 4 min
  365. Act I, Scene III about 1 min
  366. Act I, Scene IV about 4 min
  367. Act I, Scene V under 1 min
  368. Act I, Scene VI about 10 min
  369. Act I, Scene VII about 10 min
  370. Act I, Scene VIII about 3 min
  371. Act II, Scene I about 1 min
  372. Act II, Scene II about 5 min
  373. Act II, Scene III about 9 min
  374. Act II, Scene IV about 4 min
  375. Act II, Scene V about 2 min
  376. Act II, Scene VI about 1 min
  377. Act II, Scene VII about 1 min
  378. Act II, Scene VIII about 9 min
  379. Act II, Scene IX about 5 min
  380. Act III, Scene I about 3 min
  381. Act III, Scene II about 1 min
  382. Act III, Scene III about 2 min
  383. Act III, Scene IV about 8 min
  384. Act III, Scene V about 1 min
  385. Act III, Scene VI about 5 min
  386. Act III, Scene VII under 1 min
  387. Act III, Scene VIII about 1 min
  388. Act IV, Scene I — Antechamber under 1 min
  389. Act IV, Scene II about 2 min
  390. Act IV, Scene III about 1 min
  391. Act IV, Scene IV about 3 min
  392. Act IV, Scene V about 2 min
  393. Act IV, Scene VI about 6 min
  394. Act IV, Scene VII under 1 min
  395. Act IV, Scene VIII about 1 min
  396. Act IV, Scene IX about 4 min
  397. Act IV, Scene X about 2 min
  398. Act IV, Scene XI about 3 min
  399. Act IV, Scene XII about 1 min
  400. Act V, Scene I about 4 min
  401. Act V, Scene II about 1 min
  402. Act V, Scene III under 1 min
  403. Act V, Scene IV under 1 min
  404. Act V, Scene V about 1 min
  405. Act V, Scene VI about 4 min
  406. Act V, Scene VII about 7 min
  407. Act V, Scene VIII about 1 min
  408. Act V, Scene IX about 3 min
  409. Act V, Scene X about 2 min
  410. Act V, Scene XI about 1 min
  411. Act V, Scene XII about 1 min
  412. Act V, Scene XIII about 2 min
  413. Act V, Scene XIV about 1 min
  414. Act V, Scene XV about 1 min
  415. Dramatis Personae under 1 min
  416. Prologue under 1 min
  417. Scene I about 1 min
  418. Scene II about 4 min
  419. Scene III about 7 min
  420. Scene IV about 2 min
  421. Act I, Scene I about 1 min
  422. Act I, Scene II about 3 min
  423. Act I, Scene III about 2 min
  424. Act I, Scene IV about 2 min
  425. Act I, Scene V about 7 min
  426. Act I, Scene VI about 1 min
  427. Act I, Scene VII under 1 min
  428. Act I, Scene VIII about 1 min
  429. Act I, Scene IX about 3 min
  430. Act I, Scene X about 6 min
  431. Act I, Scene XI about 2 min
  432. Act II under 1 min
  433. Act II, Scene I about 3 min
  434. Act II, Scene II about 5 min
  435. Act II, Scene III about 1 min
  436. Act II, Scene IV about 1 min
  437. Act II, Scene V about 1 min
  438. Act II, Scene VI about 1 min
  439. Act II, Scene VII about 4 min
  440. Act II, Scene VIII under 1 min
  441. Act II, Scene IX about 1 min
  442. Act II, Scene X about 4 min
  443. Act III under 1 min
  444. Act III, Scene I about 2 min
  445. Act III, Scene II about 2 min
  446. Act III, Scene III about 4 min
  447. Act III, Scene IV about 7 min
  448. Act III, Scene V about 1 min
  449. Act III, Scene VI about 2 min
  450. Act III, Scene VII about 1 min
  451. Act III, Scene VIII about 1 min
  452. Act III, Scene IX about 2 min
  453. Act III, Scene X about 2 min
  454. Act III, Scene XI under 1 min
  455. Act IV under 1 min
  456. Act IV, Scene I about 3 min
  457. Act IV, Scene II about 4 min
  458. Act IV, Scene III about 2 min
  459. Act IV, Scene IV about 1 min
  460. Act IV, Scene V under 1 min
  461. Act IV, Scene VI about 1 min
  462. Act IV, Scene VII about 1 min
  463. Act IV, Scene VIII about 1 min
  464. Act IV, Scene IX about 3 min
  465. Act IV, Scene X about 1 min
  466. Act IV, Scene XI about 2 min
  467. Act IV, Scene XII under 1 min
  468. Act IV, Scene XIII about 1 min
  469. Act V under 1 min
  470. Act V, Scene I about 1 min
  471. Act V, Scene II about 1 min
  472. Act V, Scene III under 1 min
  473. Act V, Scene IV about 3 min
  474. Act V, Scene V about 1 min
  475. Act V, Scene VI about 1 min
  476. Act V, Scene VII about 1 min
  477. Act V, Scene VIII about 1 min
  478. Act V, Scene IX about 2 min
  479. Act V, Scene X about 1 min
  480. Act V, Scene XI about 3 min
  481. Act V, Scene XII about 1 min
  482. Act V, Scene IV under 1 min
  483. Act V, Scene XIV about 2 min
  484. Dramatis Personae under 1 min
  485. Scene I about 2 h 14 min
  486. Dramatis Personae under 1 min
  487. Scene I about 11 min
  488. Scene II about 3 h 39 min
  489. Preface about 9 min
  490. Book I about 2 min
  491. Book II about 2 min
  492. Book III about 18 min
  493. Appendix about 24 min
  494. Introduction under 1 min
  495. Introduction about 44 min
  496. Letter I about 2 min
  497. Letter II about 3 min
  498. Letter III about 4 min
  499. Letter IV about 5 min
  500. Letter V about 3 min
  501. Letter VI about 12 min
  502. Letter VII about 3 min
  503. Letter VIII about 4 min
  504. Letter IX about 7 min
  505. Letter X about 7 min
  506. Letter XI about 5 min
  507. Letter XII about 4 min
  508. Letter XIII about 5 min
  509. Letter XIV about 4 min
  510. Letter XV about 7 min
  511. Letter XVI about 5 min
  512. Letter XVII about 4 min
  513. Letter XVIII about 3 min
  514. Letter XIX about 7 min
  515. Letter XX about 3 min
  516. Letter XXI about 3 min
  517. Letter XXII about 7 min
  518. Letter XXIII about 6 min
  519. Letter XXIV about 9 min
  520. Letter XXV about 6 min
  521. Letter XXVI about 9 min
  522. Letter XXVII (part 1 of 2) about 7 h 8 min
  523. Letter XXVII (part 2 of 2) about 4 min
  524. I. Julius to Raphael. October about 4 min
  525. II. Julius to Raphael about 3 min
  526. III. Raphael to Julius about 3 min
  527. IV. Julius to Raphael about 21 min
  528. V. Raphael to Julius about 9 min
  529. Introduction about 53 min

Continue:

Act IV, Scene IV

A Gallery. DON CARLOS, COUNT LERMA.

CARLOS. Here we are undisturbed. What would you now Impart to me?

LERMA. Your highness has a friend Here at the court.

CARLOS (starting). A friend! I knew it not! But what's your meaning?

LERMA. I must sue for pardon That I am learned in more than I should know. But for your highness' comfort I've received it From one I may depend upon--in short, I have it from myself.

CARLOS. Whom speak you of?

LERMA. The Marquis Posa.

CARLOS. What!

LERMA. And if your highness Has trusted to him more of what concerns you Than every one should know, as I am led To fear----

CARLOS. You fear!

LERMA. He has been with the king.

CARLOS. Indeed!

LERMA. Two hours in secret converse too.

CARLOS. Indeed!

LERMA. The subject was no trifling matter.

CARLOS. That I can well believe.

LERMA. And several times I heard your name.

CARLOS. That's no bad sign, I hope.

LERMA. And then, this morning, in the king's apartment, The queen was spoken of mysteriously.

CARLOS (starts back astonished). Count Lerma!

LERMA. When the marquis had retired I was commanded to admit his lordship In future unannounced.

CARLOS. Astonishing!

LERMA. And without precedent do I believe, Long as I served the king----

CARLOS. 'Tis strange, indeed! How did you say the queen was spoken of?

LERMA (steps back). No, no, my prince! that were against my duty.

CARLOS. 'Tis somewhat strange! One secret you impart. The other you withhold.

LERMA. The first was due To you, the other to the king.

CARLOS. You're right.

LERMA. And still I've thought you, prince, a man of honor.

CARLOS. Then you have judged me truly.

LERMA. But all virtue Is spotless till it's tried.

CARLOS. Some stand the trial.

LERMA. A powerful monarch's favor is a prize Worth seeking for; and this alluring bait Has ruined many a virtue.

CARLOS. Truly said!

LERMA. And oftentimes 'tis prudent to discover-- What scarce can longer be concealed.

CARLOS. Yes, prudent It may be, but you say you've ever known The marquis prove himself a man of honor.

LERMA. And if he be so still my fears are harmless, And you become a double gainer, prince.

[Going.

CARLOS (follows him with emotion, and presses his hand). Trebly I gain, upright and worthy man, I gain another friend, nor lose the one Whom I before possessed.

[Exit LERMA.

Spotted a typo or a problem in this chapter? Tell us

Act IV, Scene V

MARQUIS POSA comes through the gallery. CARLOS.

MARQUIS. Carlos! My Carlos!

CARLOS. Who calls me? Ah! 'tis thou--I was in haste To gain the convent! You will not delay.

[Going.

MARQUIS. Hold! for a moment.

CARLOS. We may be observed.

MARQUIS. No chance of that. 'Tis over now. The queen----

CARLOS. You've seen my father.

MARQUIS. Yes! he sent for me.

CARLOS (full of expectation). Well!

MARQUIS. 'Tis all settled--you may see the queen.

CARLOS. Yes! but the king! What said the king to you?

MARQUIS. Not much. Mere curiosity to learn My history. The zeal of unknown friends-- I know not what. He offered me employment.

CARLOS. Which you, of course, rejected?

MARQUIS. Yes, of course

CARLOS. How did you separate?

MARQUIS. Oh, well enough!

CARLOS. And was I mentioned?

MARQUIS. Yes; in general terms.

[Taking out a pocketbook and giving it to the PRINCE.

See here are two lines written by the queen, To-morrow I will settle where and how.

CARLOS (reads it carelessly, puts the tablet in his pocket, and is going). You'll meet me at the prior's?

MARQUIS. Yes! But stay Why in such haste? No one is coming hither.

CARLOS (with a forced smile). Have we in truth changed characters? To-day You seem so bold and confident.

MARQUIS. To-day-- Wherefore to-day?

CARLOS. What writes the queen to me?

MARQUIS. Have you not read this instant?

CARLOS. I? Oh yes.

MARQUIS. What is't disturbs you now?

CARLOS (reads the tablet again, delighted and fervently). Angel of Heaven! I will be so,--I will be worthy of thee. Love elevates great minds. So come what may, Whatever thou commandest, I'll perform. She writes that I must hold myself prepared For a great enterprise! What can she mean? Dost thou not know?

MARQUIS. And, Carlos, if I knew, Say, art thou now prepared to hear it from me?

CARLOS. Have I offended thee? I was distracted. Roderigo, pardon me.

MARQUIS. Distracted! How?

CARLOS. I scarcely know! But may I keep this tablet?

MARQUIS. Not so! I came to ask thee for thine own.

CARLOS. My tablet! Why?

MARQUIS. And whatsoever writings You have, unfit to meet a stranger's eye-- Letters or memorandums, and in short, Your whole portfolio.

CARLOS. Why?

MARQUIS. That we may be Prepared for accidents. Who can prevent Surprise? They'll never seek them in my keeping. Here, give them to me----

CARLOS (uneasy). Strange! What can it mean?

MARQUIS. Be not alarmed! 'Tis nothing of importance A mere precaution to prevent surprise. You need not be alarmed!

CARLOS (gives him the portfolio). Be careful of it.

MARQUIS. Be sure I will.

CARLOS (looks at him significantly). I give thee much, Roderigo!

MARQUIS. Not more than I have often had from thee. The rest we'll talk of yonder. Now farewell.

[Going.

CARLOS (struggling with himself, then calls him back). Give me my letters back; there's one amongst them The queen addressed to me at Alcala, When I was sick to death. Still next my heart I carry it; to take this letter from me Goes to my very soul. But leave me that, And take the rest.

[He takes it out, and returns the portfolio.

MARQUIS. I yield unwillingly-- For 'twas that letter which I most required.

CARLOS. Farewell!

[He goes away slowly, stops a moment at the door, turns back again, and brings him the letter.

You have it there.

[His hand trembles, tears start from his eyes, he falls on the neck of the MARQUIS, and presses his face to his bosom.

Oh, not my father, Could do so much, Roderigo! Not my father!

[Exit hastily.

Spotted a typo or a problem in this chapter? Tell us

Act IV, Scene VI

MARQUIS (looks after him with astonishment).

And is this possible! And to this hour Have I not known him fully? In his heart This blemish has escaped my eye. Distrust Of me--his friend! But no, 'tis calumny! What hath he done that I accuse him thus Of weakest weakness. I myself commit The fault I charge on him. What have I done Might well surprise him! When hath he displayed To his best friend such absolute reserve? Carlos, I must afflict thee--there's no help-- And longer still distress thy noble soul. In me the king hath placed his confidence, His holiest trust reposed--as in a casket, And this reliance calls for gratitude. How can disclosure serve thee when my silence Brings thee no harm--serves thee, perhaps? Ah! why Point to the traveller the impending storm? Enough, if I direct its anger past thee! And when thou wakest the sky's again serene.

[Exit.

Spotted a typo or a problem in this chapter? Tell us

Act IV, Scene VII

The KING's Cabinet. The KING seated, near him the INFANTA CLARA EUGENIA.

KING (after a deep silence). No--she is sure my daughter--or can nature Thus lie like truth! Yes, that blue eye is mine! And I am pictured in thy every feature. Child of my love! for such thou art--I fold thee Thus to my heart; thou art my blood. [Starts and pauses: My blood-- What's worse to fear? Are not my features his?

[Takes the miniature in his hand and looks first at the portrait, then at the mirror opposite; at last he throws it on the ground, rises hastily, and pushes the INFANTA from him.

Away, away! I'm lost in this abyss.

Spotted a typo or a problem in this chapter? Tell us

Act IV, Scene VIII

COUNT LERMA and the KING.

LERMA. Her majesty is in the antechamber.

KING. What! Now?

LERMA. And begs the favor of an audience.

KING. Now! At this unaccustomed hour! Not now-- I cannot see her yet.

LERMA. Here comes the queen.

[Exit LERMA.

Spotted a typo or a problem in this chapter? Tell us

Act IV, Scene IX

The KING, the QUEEN enters, and the INFANTA.

The INFANTA runs to meet the QUEEN and clings to her; the QUEEN falls at the KING's feet, who is silent, and appears confused and embarrassed.

QUEEN. My lord! My husband! I'm constrained to seek Justice before the throne!

KING. What? Justice!

QUEEN. Yes! I'm treated with dishonor at the court! My casket has been rifled.

KING. What! Your casket?

QUEEN. And things I highly value have been plundered.

KING. Things that you highly value.

QUEEN. From the meaning Which ignorant men's officiousness, perhaps, Might give to them----

KING. What's this? Officiousness, And meaning! How? But rise.

QUEEN. Oh no, my husband! Not till you bind yourself by sacred promise, By virtue of your own authority, To find the offender out, and grant redress, Or else dismiss my suite, which hides a thief.

KING. But rise! In such a posture! Pray you, rise.

QUEEN (rises). 'Tis some one of distinction--I know well; My casket held both diamonds and pearls Of matchless value, but he only took My letters.

KING. May I ask----

QUEEN. Undoubtedly, My husband. They were letters from the prince: His miniature as well.

KING. From whom?

QUEEN. The prince, Your son.

KING. To you?

QUEEN. Sent by the prince to me.

KING. What! From Prince Carlos! Do you tell me that?

QUEEN. Why not tell you, my husband?

KING. And not blush.

QUEEN. What mean you? You must surely recollect The letters Carlos sent me to St. Germains, With both courts' full consent. Whether that leave Extended to the portrait, or alone His hasty hope dictated such a step, I cannot now pretend to answer; but If even rash, it may at least be pardoned For thus much I may be his pledge--that then He never thought the gift was for his mother. [Observes the agitation of the KING. What moves you? What's the matter?

INFANTA (who has found the miniature on the ground, and has been playing with it, brings it to the QUEEN). Look, dear mother! See what a pretty picture!

QUEEN. What then my----

[She recognizes the miniature, and remains in speechless astonishment. They both gaze at each other. After a long pause.

In truth, this mode of trying a wife's heart Is great and royal, sire! But I should wish To ask one question?

KING. 'Tis for me to question.

QUEEN. Let my suspicions spare the innocent. And if by your command this theft was done----

KING. It was so done!

QUEEN. Then I have none to blame, And none to pity--other than yourself-- Since you possess a wife on whom such schemes Are thrown away.

KING. This language is not new-- Nor shall you, madam, now again deceive me As in the gardens of Aranjuez-- My queen of angel purity, who then So haughtily my accusation spurned-- I know her better now.

QUEEN. What mean you, sire?

KING. Madam! thus briefly and without reserve-- Say is it true? still true, that you conversed With no one there? Is really that the truth?

QUEEN. I spoke there with the prince.

KING. Then is clear As day! So daring! heedless of mine honor!

QUEEN. Your honor, sire! If that be now the question, A greater honor is, methinks, at stake Than Castile ever brought me as a dowry.

KING. Why did you then deny the prince's presence?

QUEEN. Because I'm not accustomed to be questioned Like a delinquent before all your courtiers; I never shall deny the truth when asked With kindness and respect. Was that the tone Your majesty used towards me in Aranjuez? Are your assembled grandees the tribunal Queens must account to for their private conduct? I gave the prince the interview he sought With earnest prayer, because, my liege and lord, I--the queen--wished and willed it, and because I never can admit that formal custom Should sit as judge on actions that are guiltless; And I concealed it from your majesty Because I chose not to contend with you About this right in presence of your courtiers.

KING. You speak with boldness, madam!

QUEEN. I may add, Because the prince, in his own father's heart, Scarce finds that kindness he so well deserves.

KING. So well deserves!

QUEEN. Why, sire! should I conceal it! Highly do I esteem him--yes! and love him As a most dear relation, who was once Deemed worthy of a dearer--tenderer--title. I've yet to learn that he, on this account, Should be estranged from me beyond all others,-- Because he once was better loved than they. Though your state policy may knit together What bands it pleases--'tis a harder task To burst such ties! I will not hate another For any one's command--and since I must So speak--such dictates I will not endure.

KING. Elizabeth! you've seen me in weak moments-- And their remembrance now emboldens you. On that strong influence you now depend, Which you have often, with so much success, Against my firmness tried. But fear the more The power which has seduced me to be weak May yet inflame me to some act of madness.

QUEEN. What have I done?

KING (takes her hand). If it should prove but so-- And is it not already? If the full Accumulated measure of your guilt Become but one breath heavier--should I be Deceived---- [Lets her hand go. I can subdue these last remains Of weakness--can and will--then woe betide Myself and you, Elizabeth!

QUEEN. What crime Have I committed?

KING. On my own account then Shall blood be shed.

QUEEN. And has it come to this? Oh, Heaven!

KING. I shall forget myself--I shall Regard no usage and no voice of nature-- Not e'en the law of nations.

QUEEN. Oh, how much I pity you!

KING. The pity of a harlot!

INFANTA (clinging to her mother in terror). The king is angry, and my mother weeps.

[KING pushes the child violently from the QUEEN.

QUEEN (with mildness and dignity, but with faltering voice). This child I must protect from cruelty-- Come with me, daughter. [Takes her in her arms. If the king no more Acknowledge thee--beyond the Pyrenees I'll call protectors to defend our cause.

[Going.

KING (embarrassed). Queen!

QUEEN. I can bear no more--it is too much!

[Hastening to the door, she falls with her child on the threshold.

KING (running to her assistance). Heavens! What is that?

INFANTA (cries out with terror). She bleeds! My mother bleeds!

[Runs out.

KING (anxiously assisting her). Oh, what a fearful accident! You bleed; Do I deserve this cruel punishment? Rise and collect yourself--rise, they are coming! They will surprise us! Shall the assembled court Divert themselves with such a spectacle? Must I entreat you? Rise.

[She rises, supported by the KING.

Spotted a typo or a problem in this chapter? Tell us

Act IV, Scene X

The former, ALVA, DOMINGO entering, alarmed, ladies follow.

KING. Now let the queen Be led to her apartment; she's unwell.

[Exit the QUEEN, attended by her ladies. ALVA and DOMINGO come forward.

ALVA. The queen in tears, and blood upon her face!

KING. Does that surprise the devils who've misled me?

ALVA and DOMINGO. We?

KING. You have said enough to drive me mad. But nothing to convince me.

ALVA. We gave you What we ourselves possessed.

KING. May hell reward you! I've done what I repent of! Ah! was hers, The language of a conscience dark with guilt?

MARQUIS POSA (from without). Say, can I see the king?

Spotted a typo or a problem in this chapter? Tell us

Act IV, Scene XI

The former, MARQUIS POSA.

KING (starts up at the sound of his voice, and advances some paces to meet him). Ah! here he comes. Right welcome, marquis! Duke! I need you now No longer. Leave us.

[ALVA and DOMINGO look at each other with silent astonishment and retire.

Spotted a typo or a problem in this chapter? Tell us

Act IV, Scene XII

The KING, and MARQUIS POSA.

MARQUIS. That old soldier, sire, Who has faced death, in twenty battles, for you, Must hold it thankless to be so dismissed.

KING. 'Tis thus for you to think--for me to act; In a few hours you have been more to me Than that man in a lifetime. Nor shall I Keep my content a secret. On your brow The lustre of my high and royal favor Shall shine resplendent--I will make that man A mark for envy whom I choose my friend.

MARQUIS. What if the veil of dark obscurity Were his sole claim to merit such a title?

KING. What come you now to tell me?

MARQUIS. As I passed Along the antechamber a dread rumor Fell on my ear,--it seemed incredible,-- Of a most angry quarrel--blood--the queen----

KING. Come you from her?

MARQUIS. I should be horrified Were not the rumor false: or should perhaps Your majesty meantime have done some act-- Discoveries of importance I have made, Which wholly change the aspect of affairs.

KING. How now?

MARQUIS. I found an opportunity To seize your son's portfolio, with his letters, Which, as I hope, may throw some light----

[He gives the PRINCE's portfolio to the KING.

KING (looks through it eagerly). A letter From the emperor, my father. How I a letter Of which I ne'er remember to have heard.

[He reads it through, puts it aside, and goes to the other papers.

A drawing of some fortress--detached thoughts From Tacitus--and what is here? The hand I surely recognize--it is a lady's.

[He reads it attentively, partly to himself, and partly aloud.

"This key--the farthest chamber of the queen's Pavilion!" Ha! what's this? "The voice of love,-- The timid lover--may--a rich reward." Satanic treachery! I see it now. 'Tis she--'tis her own writing!

MARQUIS. The queen's writing! Impossible!

KING. The Princess Eboli's.

MARQUIS. Then, it was true, what the queen's page confessed, Not long since--that he brought this key and letter.

KING (grasping the MARQUIS' hand in great emotion). Marquis! I see that I'm in dreadful hands. This woman--I confess it--'twas this woman Forced the queen's casket: and my first suspicions Were breathed by her. Who knows how deep the priest May be engaged in this? I am deceived By cursed villany.

MARQUIS. Then it was lucky----

KING. Marquis! O marquis! I begin to fear I've wronged my wife.

MARQUIS. If there exist between The prince and queen some secret understandings, They are of other import, rest assured, Than those they charge her with. I know, for certain, The prince's prayer to be despatched to Flanders Was by the queen suggested.

KING. I have thought so.

MARQUIS. The queen's ambitious. Dare I speak more fully? She sees, with some resentment, her high hopes All disappointed, and herself shut out From share of empire. Your son's youthful ardor Offers itself to her far-reaching views, Her heart! I doubt if she can love.

KING. Her schemes Of policy can never make me tremble.

MARQUIS. Whether the Infant loves her--whether we Have something worse to fear from him,--are things Worthy our deep attention. To these points Our strictest vigilance must be directed.

KING. You must be pledge for him.

MARQUIS. And if the king Esteem me capable of such a task, I must entreat it be intrusted to me Wholly without conditions.

KING. So it shall.

MARQUIS. That in the steps which I may think required, I may be thwarted by no coadjutors, Whatever name they bear.

KING. I pledge my word You shall not. You have proved my guardian angel. How many thanks I owe you for this service!

[LERMA enters--the KING to him.

How did you leave the queen?

LERMA. But scarce recovered From her deep swoon.

[He looks at the MARQUIS doubtfully, and exit.

MARQUIS (to the KING, after a pause). One caution yet seems needful. The prince may be advised of our design, For he has many faithful friends in Ghent, And may have partisans among the rebels. Fear may incite to desperate resolves; Therefore I counsel that some speedy means Be taken to prevent this fatal chance.

KING. You are quite right--but how?

MARQUIS. Your majesty May sign a secret warrant of arrest And place it in my hands, to be employed, As may seem needful, in the hour of danger.

[The KING appears thoughtful.

This step must be a most profound state secret Until----

KING (going to his desk and writing the warrant of arrest). The kingdom is at stake, and now The pressing danger sanctions urgent measures. Here marquis! I need scarcely say--use prudence.

MARQUIS (taking the warrant). 'Tis only for the last extremity.

KING (laying his hand on the shoulder of the MARQUIS). Go! Go, dear marquis! Give this bosom peace, And bring back slumber to my sleepless pillow.

[Exeunt at different sides.

Spotted a typo or a problem in this chapter? Tell us

Act IV, Scene XIII

A Gallery.

CARLOS entering in extreme agitation, COUNT LERMA meeting him.

CARLOS. I have been seeking you.

LERMA. And I your highness.

CARLOS. For heaven's sake is it true?

LERMA. What do you mean?

CARLOS. That the king drew his dagger, and that she Was borne, all bathed in blood, from the apartment? Now answer me, by all that's sacred; say, What am I to believe? What truth is in it?

LERMA. She fainted, and so grazed her skin in falling That is the whole.

CARLOS. Is there no further danger? Count, answer on your honor.

LERMA. For the queen No further danger; for yourself, there's much!

CARLOS. None for my mother. Then, kind Heaven, I thank thee. A dreadful rumor reached me that the king Raved against child and mother, and that some Dire secret was discovered.

LERMA. And the last May possibly be true.

CARLOS. Be true! What mean you?

LERMA. One warning have I given you, prince, already, And that to-day, but you despised it; now Perhaps you'll profit better by a second.

CARLOS. Explain yourself.

LERMA. If I mistake not, prince, A few days since I noticed in your hands An azure-blue portfolio, worked in velvet And chased with gold.

CARLOS (with anxiety). Yes, I had such a one.

LERMA. And on the cover, if I recollect, a portrait Set in pearls?

CARLOS. 'Tis right; go on.

LERMA. I entered the king's chamber on a sudden, And in his hands I marked that same portfolio, The Marquis Posa standing by his side.

CARLOS (after a short silence of astonishment, hastily). 'Tis false!

LERMA (warmly). Then I'm a traitor!

CARLOS (looking steadfastly at him). That you are!

LERMA. Well, I forgive you.

CARLOS (paces the apartment in extreme agitation, at length stands still before him). Has he injured thee? What have our guiltless ties of friendship done, That with a demon's zeal thou triest to rend them?

LERMA. Prince, I respect the grief which renders you So far unjust.

CARLOS. Heaven shield me from suspicion!

LERMA. And I remember, too, the king's own words. Just as I entered he addressed the marquis: "How many thanks I owe you for this news."

CARLOS. Oh, say no more!

LERMA. Duke Alva is disgraced! The great seal taken from the Prince Ruy Gomez, And given to the marquis.

CARLOS (lost in deep thought). And from me Has he concealed all this? And why from me?

LERMA. As minister all-powerful, the court Looks on him now--as favorite unrivalled!

CARLOS. He loved me--loved me greatly: I was dear As his own soul is to him. That I know-- Of that I've had a thousand proofs. But should The happiness of millions yield to one? Must not his country dearer to him prove Than Carlos? One friend only is too few For his capacious heart. And not enough Is Carlos' happiness to engross his love. He offers me a sacrifice to virtue; And shall I murmur at him? Now 'tis certain I have forever lost him.

[He steps aside and covers his face.

LERMA. Dearest prince! How can I serve you?

CARLOS (without looking at him). Get you to the king; Go and betray me. I have naught to give.

LERMA. Will you then stay and brave the ill that follows?

CARLOS (leans on a balustrade and looks forward with a vacant gaze). I've lost him now, and I am destitute!

LERMA (approaching him with sympathizing emotion). And will you not consult your safety, prince?

CARLOS. My safety! Generous man!

LERMA: And is there, then, No other person you should tremble for?

CARLOS (starts up). Heavens! you remind me now. Alas! My mother! The letter that I gave him--first refused-- Then after, gave him!

[He paces backwards and forwards with agitation, wringing his hands.

Has she then deserved This blow from him? He should have spared her, Lerma.

[In a hasty, determined tone.

But I must see her--warn her of her danger-- I must prepare her, Lerma, dearest Lerma! Whom shall I send? Have I no friend remaining? Yes! Heaven be praised! I still have one; and now The worst is over. [Exit quickly.

LEEMA (follows, and calls after him). Whither, whither, prince?

Spotted a typo or a problem in this chapter? Tell us

Act IV, Scene XIV

The QUEEN, ALVA, DOMINGO.

ALVA. If we may be permitted, gracious queen----

QUEEN. What are your wishes?

DOMINGO. A most true regard For your high majesty forbids us now To watch in careless silence an event Pregnant with danger to your royal safety.

ALVA. We hasten, by a kind and timely warning, To counteract a plot that's laid against you.

DOMINGO. And our warm zeal, and our best services, To lay before your feet, most gracious queen!

QUEEN (looking at them with astonishment). Most reverend sir, and you, my noble duke, You much surprise me. Such sincere attachment, In truth, I had not hoped for from Domingo, Nor from Duke Alva. Much I value it. A plot you mention, menacing my safety-- Dare I inquire by whom----

ALVA. You will beware a certain Marquis Posa He has of late been secretly employed In the king's service.

QUEEN. With delight I hear The king has made so excellent a choice. Report, long since, has spoken of the marquis As a deserving, great, and virtuous man-- The royal grace was ne'er so well bestowed!

DOMINGO. So well bestowed! We think far otherwise.

ALVA. It is no secret now, for what designs This man has been employed.

QUEEN. How! What designs? You put my expectation on the rack.

DOMINGO. How long is it since last your majesty Opened your casket?

QUEEN. Why do you inquire?

DOMINGO. Did you not miss some articles of value?

QUEEN. Why these suspicions? What I missed was then Known to the court! But what of Marquis Posa? Say, what connection has all this with him?

ALVA. The closest, please your majesty--the prince Has lost some papers of importance; And they were seen this morning with the king After the marquis had an audience of him.

QUEEN (after some consideration). This news is strange indeed--inexplicable To find a foe where I could ne'er have dreamed it, And two warm friends I knew not I possessed!

[Fixing her eyes steadfastly upon them.

And, to speak truth, I had well nigh imputed To you the wicked turn my husband served me.

ALVA. To us!

QUEEN. To you yourselves!

DOMINGO. To me! Duke Alva!

QUEEN (her eyes still fastened on them). I am glad to be so timely made aware Of my rash judgment--else had I resolved This very day to beg his majesty Would bring me face to face with my accusers. But I'm contented now. I can appeal To the Duke Alva for his testimony.

ALVA. For mine? You would not sure do that!

QUEEN. Why not?

ALVA. 'Twould counteract the services we might Render in secret to you.

QUEEN. How! in secret? [With stern dignity. I fain would know what secret projects, duke, Your sovereign's spouse can have to form with you, Or, priest! with you--her husband should not know? Think you that I am innocent or guilty?

DOMINGO. Strange question!

ALVA. Should the monarch prove unjust-- And at this time----

QUEEN. Then I must wait for justice Until it come--and they are happiest far Whose consciences may calmly wait their right.

[Bows to them and exit. DOMINGO and ALVA exeunt on the opposite side.

Spotted a typo or a problem in this chapter? Tell us

Act IV, Scene XV

Chamber Of PRINCESS EBOLI. PRINCESS EBOLI. CARLOS immediately after.

EBOLI. Is it then true--the strange intelligence, That fills the court with wonder?

CARLOS (enters). Do not fear Princess! I shall be gentle as a child.

EBOLI. Prince, this intrusion!

CARLOS. Are you angry still? Offended still with me----

EBOLI. Prince!

CARLOS (earnestly). Are you angry? I pray you answer me.

EBOLI. What can this mean? You seem, prince, to forget--what would you with me?

CARLOS (seizing her hand with warmth). Dear maiden! Can you hate eternally? Can injured love ne'er pardon?

EBOLI (disengaging herself). Prince! of what Would you remind me?

CARLOS. Of your kindness, dearest! And of my deep ingratitude. Alas, Too well I know it! deeply have I wronged thee-- Wounded thy tender heart, and from thine eyes, Thine angel eyes, wrung precious tears, sweet maid! But ah! 'tis not repentance leads me hither.

EBOLI. Prince! leave me--I----

CARLOS. I come to thee, because Thou art a maid of gentle soul--because I trust thy heart--thy kind and tender heart. Think, dearest maiden! think, I have no friend, No friend but thee, in all this wretched world-- Thou who wert once so kind wilt not forever Hate me, nor will thy anger prove eternal.

EBOLI (turning away her face). O cease! No more! for heaven's sake! leave me, prince.

CARLOS. Let me remind thee of those golden hours-- Let me remind thee of thy love, sweet maid-- That love which I so basely have offended! Oh, let me now appear to thee again As once I was--and as thy heart portrayed me. Yet once again, once only, place my image, As in days past, before thy tender soul, And to that idol make a sacrifice Thou canst not make to me.

EBOLI. Oh, Carlos, cease! Too cruelly thou sportest with my feelings!

CARLOS. Be nobler than thy sex! Forgive an insult! Do what no woman e'er has done before thee, And what no woman, after thee, can equal. I ask of thee an unexampled favor. Grant me--upon my knees I ask of thee Grant me two moments with the queen, my mother!

[He casts himself at her feet.

Spotted a typo or a problem in this chapter? Tell us

Act IV, Scene XVI

The former. MARQUIS POSA rushes in; behind him two Officers of the Queen's Guard.

MARQUIS (breathless and agitated, rushing between CARLOS and the PRINCESS). Say, what has he confessed? Believe him not!

CARLOS (still on his knees, with loud voice). By all that's holy----

MARQUIS (interrupting him with vehemence). He is mad! He raves! Oh, listen to him not!

CARLOS (louder and more urgent). It is a question Of life and death; conduct me to her straight.

MARQUIS (dragging the PRINCESS from him by force). You die, if you but listen. [To one of the officers, showing an order. Count of Cordova! In the king's name, Prince Carlos is your prisoner.

[CARLOS stands bewildered. The PRINCESS utters a cry of horror, and tries to escape. The officers are astounded. A long and deep pause ensues. The MARQUIS trembles violently, and with difficulty preserves his composure. [To the PRINCE.

I beg your sword--The Princess Eboli Remains---- [To the officers. And you, on peril of your lives, Let no one with his highness speak--no person-- Not e'en yourselves. [He whispers a few words to one officer, then turns to the other. I hasten, instantly, To cast myself before our monarch's feet, And justify this step---- [To the PRINCE. And prince! for you-- Expect me in an hour.

[CARLOS permits himself to be led away without any signs of consciousness, except that in passing he casts a languid, dying look on the MARQUIS. The PRINCESS endeavors again to escape; the MARQUIS pulls her back by the arm.

Spotted a typo or a problem in this chapter? Tell us

Act IV, Scene XVII

PRINCESS EBOLI, MARQUIS POSA.

EBOLI. For Heaven's sake let me leave this place----

MARQUIS (leads her forward with dreadful earnestness). Thou wretch! What has he said to thee?

EBOLI. Oh, leave me! Nothing.

MARQUIS (with earnestness; holding her back by force). How much has he imparted to thee? Here No way is left thee to escape. To none In this world shalt thou ever tell it.

EBOLI (looking at him with terror). Heavens! What would you do? Would you then murder me?

MARQUIS (drawing a dagger). Yes, that is my resolve. Be speedy!

EBOLI. Mercy! What have I then committed?

MARQUIS (looking towards heaven, points the dagger to her breast). Still there's time-- The poison has not issued from these lips. Dash but the bowl to atoms, all remains Still as before! The destinies of Spain Against a woman's life!

[Remains doubtingly in this position.

EBOLI (having sunk down beside him, looks in his face). Do not delay-- Why do you hesitate? I beg no mercy-- I have deserved to die, and I am ready.

MARQUIS (letting his hand drop slowly--after some reflection). It were as cowardly as barbarous. No! God be praised! another way is left.

[He lets the dagger fall and hurries out. The PRINCESS hastens out through another door.

Spotted a typo or a problem in this chapter? Tell us

Act IV, Scene XVIII

A Chamber of the QUEEN. The QUEEN to the COUNTESS FUENTES.

What means this noisy tumult in the palace? Each breath to-day alarms me! Countess! see What it portends, and hasten back with speed.

[Exit COUNTESS FUENTES--the PRINCESS EBOLI rushes in.

Spotted a typo or a problem in this chapter? Tell us

Act IV, Scene XIX

The QUEEN, PRINCESS EBOLI.

EBOLI (breathless, pale, and wild, falls before the QUEEN). Help! Help! O Queen! he's seized!

QUEEN. Who?

EBOLI. He's arrested By the king's orders given to Marquis Posa.

QUEEN. Who is arrested? Who?

EBOLI. The prince!

QUEEN. Thou ravest

EBOLI. This moment they are leading him away.

QUEEN. And who arrested him?

EBOLI. The Marquis Posa.

QUEEN. Then heaven be praised! it was the marquis seized him!

EBOLI. Can you speak thus, and with such tranquil mien? Oh, heavens! you do not know--you cannot think----

QUEEN. The cause of his arrest! some trifling error, Doubtless arising from his headlong youth!

EBOLI. No! no! I know far better. No, my queen! Remorseless treachery! There's no help for him. He dies!

QUEEN. He dies!

EBOLI. And I'm his murderer!

QUEEN. What! Dies? Thou ravest! Think what thou art saying?

EBOLI. And wherefore--wherefore dies he? Had I known That it would come to this!

QUEEN (takes her affectionately by the hand). Oh, dearest princess, Your senses are distracted, but collect Your wandering spirits, and relate to me More calmly, not in images of horror That fright my inmost soul, whate'er you know! Say, what has happened?

EBOLI. Oh, display not, queen, Such heavenly condescension! Like hot flames This kindness sears my conscience. I'm not worthy To view thy purity with eyes profane. Oh, crush the wretch, who, agonized by shame, Remorse, and self-reproach writhes at thy feet!

QUEEN. Unhappy woman! Say, what is thy guilt?

EBOLI. Angel of light! Sweet saint! thou little knowest The demon who has won thy loving smiles. Know her to-day; I was the wretched thief Who plundered thee.

QUEEN. What! Thou?

EBOLI. And gave thy letters Up to the king?

QUEEN. What! Thou?

EBOLI. And dared accuse thee!

QUEEN. Thou! Couldst thou this?

EBOLI. Revenge and madness--love-- I hated thee, and loved the prince!

QUEEN. And did His love so prompt thee?

QUEEN. And who arrested him?

EBOLI. I had owned my love, But met with no return.

QUEEN (after a pause). Now all's explained! Rise up!--you loved him--I have pardoned you I have forgotten all. Now, princess, rise.

[Holding out her hand to the PRINCESS.

EBOLI. No, no; a foul confession still remains. I will not rise, great queen, till I----

QUEEN. Then speak! What have I yet to hear?

EBOLI. The king! Seduction! Oh, now you turn away. And in your eyes I read abhorrence. Yes; of that foul crime I charged you with, I have myself been guilty.

[She presses her burning face to the ground. Exit QUEEN. A long pause. The COUNTESS OLIVAREZ, after some minutes, comes out of the cabinet, into which the QUEEN entered, and finds the PRINCESS still lying in the above posture. She approaches in silence. On hearing a noise, the latter looks up and becomes like a mad person when she misses the QUEEN.

Spotted a typo or a problem in this chapter? Tell us

Act IV, Scene XX

PRINCESS EBOLI, COUNTESS OLIVAREZ.

EBOLI. Heavens! she has left me. I am now undone!

OLIVAREZ (approaching her). My princess--Eboli!

EBOLI. I know your business, Duchess, and you come hither from the queen, To speak my sentence to me; do it quickly.

OLIVAREZ. I am commanded by your majesty To take your cross and key.

EBOLI (takes from her breast a golden cross, and gives it to the UCHESS). And but once more May I not kiss my gracious sovereign's hand?

OLIVAREZ. In holy Mary's convent shall you learn Your fate, princess.

EBOLI (with a flood of tears). Alas! then I no more Shall ever see the queen.

OLIVAREZ (embraces her with her face turned away). Princess, farewell.

[She goes hastily away. The PRINCESS follows her as far as the door of the cabinet, which is immediately locked after the DUCHESS. She remains a few minutes silent and motionless on her knees before it. She then rises and hastens away, covering her face.

Spotted a typo or a problem in this chapter? Tell us

Act IV, Scene XXI

QUEEN, MARQUIS POSA.

QUEEN. Ah, marquis, I am glad you're come at last!

MARQUIS (pale, with a disturbed countenance and trembling voice, in solemn, deep agitation, during the whole scene). And is your majesty alone? Can none Within the adjoining chamber overhear us?

QUEEN. No one! But why? What news would you impart?

[Looking at him closely, and drawing back alarmed.

And what has wrought this change in you? Speak, marquis, You make me tremble--all your features seem So marked with death!

MARQUIS. You know, perhaps, already.

QUEEN. That Carlos is arrested--and they add, By you! Is it then true? From no one else Would I believe it but yourself.

MARQUIS. 'Tis true.

QUEEN. By you?

MARQUIS. By me?

QUEEN (looks at him for some time doubtingly). I still respect your actions E'en when I comprehend them not. In this Pardon a timid woman! I much fear You play a dangerous game.

MARQUIS. And I have lost it.

QUEEN. Merciful heaven!

MARQUIS. Queen, fear not! He is safe, But I am lost myself.

QUEEN. What do I hear?

MARQUIS. Who bade me hazard all on one chance throw? All? And with rash, foolhardy confidence, Sport with the power of heaven? Of bounded mind, Man, who is not omniscient, must not dare To guide the helm of destiny. 'Tis just! But why these thoughts of self. This hour is precious As life can be to man: and who can tell Whether the parsimonious hand of fate May not have measured my last drops of life.

QUEEN. The hand of fate! What means this solemn tone? I understand these words not--but I shudder.

MARQUIS. He's saved! no matter at what price--he's saved! But only for to-day--a few short hours Are his. Oh, let him husband them! This night The prince must leave Madrid.

QUEEN. This very night?

MARQUIS. All measures are prepared. The post will meet him At the Carthusian convent, which has served So long as an asylum to our friendship. Here will he find, in letters of exchange, All in the world that fortune gifts me with. Should more be wanting, you must e'en supply it. In truth, I have within my heart full much To unburden to my Carlos--it may chance I shall want leisure now to tell him all In person--but this evening you will see him, And therefore I address myself to you.

QUEEN. Oh, for my peace of mind, dear marquis, speak! Explain yourself more clearly! Do not use This dark, and fearful, and mysterious language! Say, what has happened?

MARQUIS. I have yet one thing, A matter of importance on my mind: In your hands I deposit it. My lot Was such as few indeed have e'er enjoyed-- I loved a prince's son. My heart to one-- To that one object given.--embraced the world! I have created in my Carlos' soul, A paradise for millions! Oh, my dream Was lovely! But the will of Providence Has summoned me away, before my hour, From this my beauteous work. His Roderigo Soon shall be his no more, and friendship's claim Will be transferred to love. Here, therefore, here, Upon this sacred altar--on the heart Of his loved queen--I lay my last bequest A precious legacy--he'll find it here, When I shall be no more.

[He turns away, his voice choked with grief.

QUEEN. This is the language Of a dying man--it surely emanates But from your blood's excitement--or does sense Lie hidden in your language?

MARQUIS (has endeavored to collect himself, and continues in a solemn voice). Tell the prince, That he must ever bear in mind the oath We swore, in past enthusiastic days, Upon the sacred host. I have kept mine-- I'm true to him till death--'tis now his turn----

QUEEN. Till death?

MARQUIS. Oh, bid him realize the dream, The glowing vision which our friendship painted, Of a new-perfect realm! And let him lay The first hand on the rude, unshapened stone. Whether he fail or prosper--all alike-- Let him commence the work. When centuries Have rolled away shall Providence again Raise to the throne a princely youth like him, And animate again a favorite son Whose breast shall burn with like enthusiasm. Tell him, in manhood, he must still revere The dreams of early youth, nor ope the heart Of heaven's all-tender flower to canker-worms Of boasted reason,--nor be led astray When, by the wisdom of the dust, he hears Enthusiasm, heavenly-born, blasphemed. I have already told him.

QUEEN. Whither, marquis? Whither does all this tend?

MARQUIS. And tell him further, I lay upon his soul the happiness Of man--that with my dying breath I claim, Demand it of him--and with justest title. I had designed a new, a glorious morn, To waken in these kingdoms: for to me Philip had opened all his inmost heart-- Called me his son--bestowed his seals upon me-- And Alva was no more his counsellor.

[He pauses, and looks at the QUEEN for a few moments in silence.

You weep! I know those tears, beloved soul! Oh, they are tears of joy!--but it is past-- Forever past! Carlos or I? The choice Was prompt and fearful. One of us must perish! And I will be that one. Oh, ask no more!

QUEEN. Now, now, at last, I comprehend your meaning, Unhappy man! What have you done?

MARQUIS. Cut off Two transient hours of evening to secure A long, bright summer-day! I now give up The king forever. What were I to the king? In such cold soil no rose of mine could bloom; In my great friend must Europe's fortune ripen. Spain I bequeath to him, still bathed in blood From Philip's iron hand. But woe to him, Woe to us both, if I have chosen wrong! But no--oh, no! I know my Carlos better-- 'Twill never come to pass!--for this, my queen, You stand my surety. [After a silence. Yes! I saw his love In its first blossom--saw his fatal passion Take root in his young heart. I had full power To check it; but I did not. The attachment Which seemed to me not guilty, I still nourished. The world may censure me, but I repent not, Nor does my heart accuse me. I saw life Where death appeared to others. In a flame So hopeless I discerned hope's golden beam. I wished to lead him to the excellent-- To exalt him to the highest point of beauty. Mortality denied a model to me, And language, words. Then did I bend his views To this point only--and my whole endeavor Was to explain to him his love.

QUEEN. Your friend, Marquis! so wholly occupied your mind, That for his cause you quite forgot my own-- Could you suppose that I had thrown aside All woman's weaknesses, that you could dare Make me his angel, and confide alone In virtue for his armor? You forget What risks this heart must run, when we ennoble Passion with such a beauteous name as this.

MARQUIS. Yes, in all other women--but in one, One only, 'tis not so. For you, I swear it. And should you blush to indulge the pure desire To call heroic virtue into life? Can it affect King Philip, that his works Of noblest art, in the Escurial, raise Immortal longings in the painter's soul, Who stands entranced before them? Do the sounds That slumber in the lute, belong alone To him who buys the chords? With ear unmoved He may preserve his treasure:--he has bought The wretched right to shiver it to atoms, But not the power to wake its silver tones, Or, in the magic of its sounds, dissolve. Truth is created for the sage, as beauty Is for the feeling heart. They own each other. And this belief, no coward prejudice Shall make me e'er disclaim. Then promise, queen, That you will ever love him. That false shame, Or fancied dignity, shall never make you Yield to the voice of base dissimulation:-- That you will love him still, unchanged, forever. Promise me this, oh, queen! Here solemnly Say, do you promise?

QUEEN. That my heart alone Shall ever vindicate my love, I promise----

MARQUIS (drawing his hand back). Now I die satisfied--my work is done.

[He bows to the QUEEN, and is about to go.

QUEEN (follows him with her eyes in silence). You are then going, marquis, and have not Told me how soon--and when--we meet again?

MARQUIS (comes back once more, his face turned away). Yes, we shall surely meet again!

QUEEN. Now, Posa, I understand you. Why have you done this?

MARQUIS. Carlos or I myself!

QUEEN. No! no! you rush Headlong into a deed you deem, sublime. Do not deceive yourself: I know you well: Long have you thirsted for it. If your pride But have its fill, what matters it to you Though thousand hearts should break. Oh! now, at length, I comprehend your feelings--'tis the love Of admiration which has won your heart----

MARQUIS (surprised, aside). No! I was not prepared for this----

QUEEN (after a pause). Oh, marquis! Is there no hope of preservation?

MARQUIS. None.

QUEEN. None? Oh, consider well! None possible! Not e'en by me?

MARQUIS. Not even, queen, by thee.

QUEEN. You but half know me--I have courage, marquis----

MARQUIS. I know it----

QUEEN. And no means of safety?

MARQUIS. None

QUEEN (turning away and covering her face). Go! Never more shall I respect a man----

MARQUIS (casts himself on his knees before her in evident emotion). O queen! O heaven! how lovely still is life!

[He starts up and rushes out. The QUEEN retires into her cabinet.

Spotted a typo or a problem in this chapter? Tell us

Act IV, Scene XXII

DUKE ALVA and DOMINGO walking up and down in silence and separately. COUNT LERMA comes out of the KING's cabinet, and afterwards DON RAYMOND OF TAXIS, the Postmaster-General.

LERMA. Has not the marquis yet appeared?

ALVA. Not yet.

[LERMA about to re-enter the cabinet.

TAXIS (enters). Count Lerma! Pray announce me to the king?

LERMA. His majesty cannot be seen.

TAXIS. But say That I must see him; that my business is Of urgent import to his majesty. Make haste--it will admit of no delay.

[LERMA enters the cabinet.

ALVA. Dear Taxis, you must learn a little patience-- You cannot see the king.

TAXIS. Not see him! Why?

ALVA. You should have been considerate, and procured Permission from the Marquis Posa first-- Who keeps both son and father in confinement.

TAXIS. The Marquis Posa! Right--that is the man From whom I bring this letter.

ALVA. Ah! What letter?

TAXIS. A letter to be forwarded to Brussels.

ALVA (attentively). To Brussels?

TAXIS. And I bring it to the king.

ALVA. Indeed! to Brussels! Heard you that, Domingo?

DOMINGO (joining them). Full of suspicion!

TAXIS. And with anxious mien, And deep embarrassment he gave it to me.

DOMINGO. Embarrassment! To whom is it directed?

TAXIS. The Prince of Orange and Nassau.

ALVA. To William! There's treason here, Domingo!

DOMINGO. Nothing less! In truth this letter must, without delay, Be laid before the king. A noble service You render, worthy man--to be so firm In the discharge of duty.

TAXIS. Reverend sir! 'Tis but my duty.

ALVA. But you do it well.

LERMA (coming out of the cabinet, addressing TAXIS). The king will see you. [TAXIS goes in. Is the marquis come?

DOMINGO. He has been sought for everywhere.

ALVA. 'Tis strange! The prince is a state prisoner! And the king Knows not the reason why!

DOMINGO. He never came To explain the business here.

ALVA. What says the king?

LERMA. The king spoke not a word.

[A noise in the cabinet.

ALVA. What noise is that?

TAXIS (coming out of the cabinet). Count Lerma! [Both enter.

ALVA (to DOMINGO). What so deeply can engage them.

DOMINGO. That look of fear! This intercepted letter! It augurs nothing good.

ALVA. He sends for Lerma! Yet he must know full well that you and I Are both in waiting.

DOMINGO. Ah! our day is over!

ALVA. And am I not the same to whom these doors Flew open once? But, ah! how changed is all Around me and how strange!

[DOMINGO approaches the cabinet door softly, and remains listening before it.

ALVA (after a pause). Hark! All is still And silent as the grave!' I hear them breathe.

DOMINGO. The double tapestry absorbs the sounds!

ALVA. Away! there's some one coming. All appears So solemn and so still--as if this instant Some deep momentous question were decided.

Spotted a typo or a problem in this chapter? Tell us

Act IV, Scene XXIII

The PRINCE OF PARMA, the DUKES OF FERIA and MEDINA SIDONIA, with other GRANDEES enter--the preceding.

PARMA. Say, can we see the king?

ALVA. No!

PARMA. Who is with him?

FERIA. The Marquis Posa, doubtless?

ALVA. Every instant He is expected here.

PARMA. This moment we Arrive from Saragossa. Through Madrid Terror prevails! Is the announcement true?

Domingo. Alas, too true!

FERIA. That he has been arrested By the marquis!

ALVA. Yes.

PARMA. And wherefore? What's the cause?

ALVA. Wherefore? That no one knows, except the king And Marquis Posa.

PARMA. And without the warrant Of the assembled Cortes of the Realm?

FERIA. That man shall suffer, who has lent a hand To infringe the nation's rights.

ALVA. And so say I!

MEDINA SIDONIA. And I!

THE OTHER GRANDEES. And all of us!

ALVA. Who'll follow me Into the cabinet? I'll throw myself Before the monarch's feet.

LERMA (rushing out of the cabinet). The Duke of Alva!

DOMINGO. Then God be praised at last!

LERMA. When Marquis Posa Comes, say the king's engaged and he'll be sent for.

DOMINGO (to LERMA; all the others having gathered round him, full of anxious expectation). Count! What has happened? You are pale as death!

LERMA (hastening away). Fell villany!

PARMA and FERIA. What! what!

MEDINA SIDONIA. How is the king?

DOMINGO (at the same time). Fell villany! Explain----

LERMA. The king shed tears!

DOMINGO. Shed tears!

ALL (together with astonishment). The king shed tears!

[The bell rings in the cabinet, COUNT LERMA hastens in.

DOMINGO. Count, yet one word. Pardon! He's gone! We're fettered in amazement.

Spotted a typo or a problem in this chapter? Tell us

Act IV, Scene XXIV

PRINCESS EBOLI, FERIA, MEDINA SIDONIA, PARMA, DOMINGO, and other grandees.

EBOLI (hurriedly and distractedly). Where is the king? Where? I must speak with him. [To FERIA. Conduct me to him, duke!

FERIA. The monarch is Engaged in urgent business. No one now Can be admitted.

EBOLI. Has he signed, as yet, The fatal sentence? He has been deceived.

DOMINGO (giving her a significant look at a distance). The Princess Eboli!

EBOLI (going to him). What! you here, priest? The very man I want! You can confirm My testimony!

[She seizes his hand and would drag him into the cabinet.

DOMINGO. I? You rave, princess!

FERIA. Hold back. The king cannot attend you now.

EBOLI. But he must hear me; he must hear the truth The truth, were he ten times a deity.

EBOLI. Man, tremble at the anger of thy idol. I have naught left to hazard.

[Attempts to enter the cabinet; ALVA rushes out, his eyes sparkling, triumph in his gait. He hastens to DOMINGO, and embraces him.

ALVA. Let each church Resound with high To Dennis. Victory At length is ours.

DOMINGO. What! Ours?

ALVA (to DOMINGO and the other GRANDEES). Now to the king. You shall hereafter hear the sequel from me.

Spotted a typo or a problem in this chapter? Tell us

Act V, Scene I

A chamber in the royal palace, separated from a large fore-court by an iron-barred gate. Sentinels walking up and down. CARLOS sitting at a table, with his head leaning forward on his arms, as if he were asleep. In the background of the chamber are some officers, confined with him. The MARQUIS POSA enters, unobserved by him, and whispers to the officers, who immediately withdraw. He himself steps close up to CARLOS, and looks at him for a few minutes in silent sorrow. At last he makes a motion which awakens him out of his stupor. CARLOS rises, and seeing the MARQUIS, starts back. He regards him for some time with fixed eyes, and draws his hand over his forehead as if he wished to recollect something.

MARQUIS. Carlos! 'tie I.

CARLOS (gives him his hand). Comest thou to me again? 'Tis friendly of thee, truly.

MARQUIS. Here I thought Thou mightest need a friend.

CARLOS. Indeed! was that Thy real thought? Oh, joy unspeakable! Right well I knew thou still wert true to me.

MARQUIS. I have deserved this from thee.

CARLOS. Hast thou not? And now we understand each other fully, It joys my heart. This kindness, this forbearance Becomes our noble souls. For should there be One rash, unjust demand amongst my wishes, Wouldst thou, for that, refuse me what was just? Virtue I know may often be severe, But never is she cruel and inhuman. Oh! it hath cost thee much; full well I know How thy kind heart with bitter anguish bled As thy hands decked the victim for the altar.

MARQUIS. What meanest thou, Carlos?

CARLOS. Thou, thyself, wilt now Fulfil the joyous course I should have run. Thou wilt bestow on Spain those golden days She might have hoped in vain to win from me. I'm lost, forever lost; thou saw'st it clearly. This fatal love has scattered, and forever, All the bright, early blossoms of my mind. To all the great, exalted hopes I'm dead. Chance led thee to the king--or Providence,-- It cost thee but my secret--and at once He was thine own--thou may'st become his angel: But I am lost, though Spain perhaps may flourish. Well, there is nothing to condemn, if not My own mad blindness. Oh, I should have known That thou art no less great than tender-hearted.

MARQUIS. No! I foresaw not, I considered not That friendship's generous heart would lead thee on Beyond my worldly prudence. I have erred, My fabric's shattered--I forgot thy heart.

CARLOS. Yet, if it had been possible to spare Her fate--oh, how intensely I had thanked thee! Could I not bear the burden by myself? And why must she be made a second victim? But now no more, I'll spare thee this reproach. What is the queen to thee? Say, dost thou love her? Could thy exalted virtue e'er consult The petty interests of my wretched passion? Oh, pardon me! I was unjust----

MARQUIS. Thou art so! But not for this reproach. Deserved I one, I merit all--and then I should not stand Before you as I do. [He takes out his portfolio. I have some letters To give you back of those you trusted to me.

CARLOS (looks first at the letters, then at the MARQUIS, in astonishment). How!

MARQUIS. I return them now because they may Prove safer in thy custody than mine.

CARLOS. What meanest thou? Has his majesty not read them? Have they not been before him?

MARQUIS. What, these letters!

CARLOS. Thou didst not show them all, then?

MARQUIS. Who has said That ever I showed one?

CARLOS (astonished). Can it be so? Count Lerma----

MARQUIS. He! he told thee so! Now all Is clear as day. But who could have foreseen it? Lerma! Oh, no, he hath not learned to lie. 'Tis true, the king has all the other letters.

CARLOS (looks at him long with speechless astonishment). But wherefore am I here?

MARQUIS. For caution's sake, Lest thou should chance, a second time, to make An Eboli thy confidant.

CARLOS (as if waking from a dream). Ha! Now I see it all--all is explained.

MARQUIS (goes to the door). Who's there?

Spotted a typo or a problem in this chapter? Tell us

Act V, Scene II

DUKE ALVA. The former.

ALVA (approaching the PRINCE with respect, but turning his back on the MARQUIS during the whole scene). Prince, you are free. Deputed by the king I come to tell you so.

[CARLOS looks at the MARQUIS with astonishment. General silence.

And I, in truth, Am fortunate to have this honor first----

CARLOS (looking at both with extreme amazement, after a pause, to the DUKE). I am imprisoned, duke, and set at freedom, Unconscious of the cause of one or other.

ALVA. As far as I know, prince, 'twas through an error, To which the king was driven by a traitor.

CARLOS. Then am I here by order of the king?

ALVA. Yes, through an error of his majesty.

CARLOS. That gives me pain, indeed. But when the king Commits an error, 'twould beseem the king, Methinks, to remedy the fault in person. I am Don Philip's son--and curious eyes And slanderous looks are on me. What the king Hath done from sense of duty ne'er will I Appear to owe to your considerate favor. I am prepared to appear before the Cortes, And will not take my sword from such a hand.

ALVA. The king will never hesitate to grant Your highness a request so just. Permit That I conduct you to him.

CARLOS. Here I stay Until the king or all Madrid shall come To lead me from my prison. Take my answer.

[ALVA withdraws. He is still seen for some time lingering in the court and giving orders to the guards.

Spotted a typo or a problem in this chapter? Tell us

Act V, Scene III

CARLOS and MARQUIS POSA.

CARLOS (after the departure of the DUKE, full of expectation and astonishment, to the MARQUIS). What means all this? Inform me, Roderigo-- Art thou not, then, the minister?

MARQUIS. I was, As thou canst well perceive---- [Going to him with great emotion. O Carlos! Now

I have succeeded--yes--it is accomplished-- 'Tis over now--Omnipotence be praised, To whom I owe success.

CARLOS. Success! What mean you? Thy words perplex me.

MARQUIS (takes his hand). Carlos! thou art saved-- Art free--but I---- [He stops short.

CARLOS. But thou----

MARQUIS. Thus to my breast I press thee now, with friendship's fullest right, A right I've bought with all I hold most dear. How great, how lovely, Carlos, is this moment Of self-approving joy?

CARLOS. What sudden change I mark upon thy features! Proudly now Thy bosom heaves, thine eyes dart vivid fire!

MARQUIS. We must say farewell, Carlos! Tremble 'not, But be a man! And what thou more shalt hear, Promise me, not by unavailing sorrow, Unworthy of great souls, to aggravate The pangs of parting. I am lost to thee, Carlos, for many years--fools say forever.

[CARLOS withdraws his hand, but makes no reply.

Be thou a man: I've reckoned much on thee-- I have not even shunned to pass with thee This awful hour--which men, in words of fear, Have termed the final one. I own it, Carlos, I joy to pass it thus. Come let us sit-- I feel myself grown weary and exhausted.

[He approaches CARLOS, who is in a lifeless stupor, and allows himself to be involuntarily drawn down by him.

Where art thou? No reply! I must be brief. Upon the day that followed our last meeting At the Carthusian monastery the king Called me before him. What ensued thou knowest, And all Madrid. Thou hast not heard, however, Thy secret even then had reached his ears-- That letters in the queen's possession found Had testified against thee. This I learned From his own lips--I was his confidant.

[He pauses for CARLOS' answer, but he still remains silent.

Yes, Carlos, with my lips I broke my faith-- Guided the plot myself that worked thy ruin. Thy deed spoke trumpet-tongued; to clear thee fully 'Twas now too late: to frustrate his revenge Was all that now remained for me; and so I made myself thy enemy to-serve thee With fuller power--dost thou not hear me, Carlos,

CARLOS. Go on! go on! I hear thee.

MARQUIS. To this point I'm guiltless. But the unaccustomed beams Of royal favor dazzled me. The rumor, As I had well foreseen, soon reached thine ears But by mistaken delicacy led, And blinded by my vain desire to end My enterprise alone, I kept concealed From friendship's ear my hazardous design. This was my fatal error! Here I failed! I know it. My self-confidence was madness. Pardon that confidence--'twas founded, Carlos, Upon our friendship's everlasting base.

[He pauses. CARLOS passes from torpid silence to violent agitation.

That which I feared befell. Unreal dangers Alarmed your mind. The bleeding queen--the tumult Within the palace--Lerma's interference-- And, last of all, my own mysterious silence, Conspired to overwhelm thy heart with wonder. Thou wavered'st, thought'st me lost; but far too noble To doubt thy friend's integrity, thy soul Clothed his defection with a robe of honor, Nor judged him faithless till it found a motive To screen and justify his breach of faith. Forsaken by thy only friend--'twas then Thou sought'st the arms of Princess Eboli-- A demon's arms! 'Twas she betrayed thee, Carlos! I saw thee fly to her--a dire foreboding Struck on my heart--I followed thee too late! Already wert thou prostrate at her feet, The dread avowal had escaped thy lips-- No way was left to save thee.

CARLOS. No! her heart Was moved, thou dost mistake, her heart was moved.

MARQUIS. Night overspread my mind. No remedy, No refuge, no retreat was left to me In nature's boundless compass. Blind despair Transformed me to a fury--to a tiger-- I raised my dagger to a woman's breast. But in that moment--in that dreadful moment-- A radiant sunbeam fell upon my soul. "Could I mislead the king! Could I succeed In making him think me the criminal! However improbable, the very guilt Will be enough to win the king's belief. I'll dare the task--a sudden thunderbolt May make the tyrant start--what want I further? He stops to think, and Carlos thus gains time To fly to Brussels."

CARLOS. And hast thou done this?

MARQUIS. I have despatched a letter to Prince William, Saying I loved the queen, and had escaped The king's mistrust in the unjust suspicion Which falsely fell on thee--that I had found Means, through the monarch's favor, to obtain Free access to the queen. I added, further, That I was fearful of discovery-- That thou hadst learned my secret, and hadst sped To Princess Eboli, with hopes through her To warn the queen--that I had made thee prisoner-- And now that all seemed lost, I had resolved To fly to Brussels. This same letter I----

CARLOS (interrupts him, terrified). Hast surely not intrusted to the post! Thou knowest that letters to Brabant and Flanders----

MARQUIS. Are given to the king; and as things go Taxis would seem to have discharged his duty.

CARLOS. Heavens! then I'm lost.

MARQUIS. How lost? What meanest thou?

CARLOS. And thou, alas! art lost together with me-- This dreadful fraud my father ne'er will pardon.

MARQUIS. This fraud! Thou'rt mad! Who will disclose it to him?

CARLOS (regards him with a fixed look). Who! Dost thou ask? I will myself.

MARQUIS. Thou ravest! Stand back----

CARLOS. Away! For heaven's sake hold me not. While I stay here, he's hiring the assassins.

MARQUIS. Then is our time more precious--and we still Have much to say.

CARLOS. What! Before all is finished?

[He makes another effort to go. The MARQUIS holds him by the arm, and looks at him impressively.

MARQUIS. Carlos! was I so scrupulous--so eager-- When thou, a boy, didst shed thy blood for me?

CARLOS (with emotion, and full of admiration). Kind Providence!

MARQUIS. Reserve thyself for Flanders! The kingdom is thy destiny--'tis mine To give my life for thee.

CARLOS (takes his hand with deep sensibility). No, no! he will not, Cannot resist a virtue so sublime. I will conduct thee to him, and together, Arm linked in arm, will we appear before him. Then thus will I address him: "Father, see, This is the way a friend acts towards his friend." Trust me, 'twill move him--it will touch his heart. He's not without humanity,--my father. Yes, it will move him. With hot tears, his eyes Will overflow--and he will pardon us.

[A shot is fired through the iron grating. CARLOS leaps up.

Whom was that meant for?

MARQUIS (sinking down). I believe--for me.

CARLOS (falling to the earth with a loud cry of grief). O God of mercy!

MARQUIS. He is quick--the king. I had hoped--a little longer--Carlos--think Of means of flight--dost hear me?--of thy flight. Thy mother--knows it all--I can no more. [Dies.

[CARLOS remains by the corpse, like one bereft of life. After some time the KING enters, accompanied by many GRANDEES; and starts, panic-struck, at the sight. A general and deep silence. The GRANDEES range themselves in a semi-circle round them both, and regard the KING and his SON alternately. The latter continues without any sign of life. The KING regards him in thoughtful silence.

Spotted a typo or a problem in this chapter? Tell us

Act V, Scene IV

The KING, CARLOS, the DUKESS ALVA, FERIA, and MEDINA SIDONIA, PRINCE OF PARMA, COUNT LERMA, DOMINGO, and numerous GRANDEES.

KING (in a gentle tone). Thy prayer hath met a gracious hearing, prince, And here I come, with all the noble peers Of this my court, to bring thee liberty.

[CARLOS raises his eyes and looks around him like one awakened from a dream. His eyes are fixed now on the KING, now on the corpse; he gives no answer.

Receive thy sword again. We've been too rash!

[He approaches him, holds out his hand, and assists him to rise.

My son's not in his place; Carlos, arise! Come to thy father's arms! His love awaits thee.

CARLOS (receives the embrace of the KING without any consciousness. Suddenly recollects himself, pauses and looks fixedly at him). Thou smell'st of blood--no, I cannot embrace thee!

[Pushes his father back. All the GRANDEES are in commotion. CARLOS to them:--

Nay, stand not there confounded and amazed!-- What monstrous action have I done? Defiled The anointed of the Lord! Oh, fear me not, I would not lay a hand on him. Behold, Stamped on his forehead is the damning brand! The hand of God hath marked him!

KING (about to go quickly). Nobles! follow.

CARLOS. Whither? You stir not from this spot.

[Detaining the KING forcibly with both hands, while with one he manages to seize the sword which the KING has brought with him, and it comes from the scabbard.

KING. What! Draw A sword upon thy father?

ALL THE GRANDEES (drawing their swords). Regicide!

CARLOS (holding the KING firmly with one hand, the naked sword in the other). Put up your swords! What! Think you I am mad? I am not so: or you were much to blame Thus to remind me, that upon the point Of this my sword, his trembling life doth hover. I pray you, stand aloof; for souls like mine Need soothing. There--hold back! And with the king What I have yet to settle touches not Your loyalty. See there--his hand is bloody! Do you not see it? And now look you here!

[Pointing to the corpse.

This hath he done with a well-practised hand.

KING (to the GRANDEES, who press anxiously around him). Retire! Why do you tremble? Are we not Father and son? I will yet wait and see To what atrocious crime his nature----

CARLOS. Nature I know her not. Murder is now the word! The bonds of all humanity are severed, Thine own hands have dissolved them through the realm. Shall I respect a tie which thou hast scorned? Oh, see! see here! the foulest deed of blood That e'er the world beheld. Is there no God That kings, in his creation, work such havoc? Is there no God, I ask? Since mother's wombs Bore children, one alone--and only one-- So guiltlessly hath died. And art thou sensible What thou hast done? Oh, no! he knows it not: Knows not that he has robbed--despoiled the world Of a more noble, precious, dearer life Than he and all his century can boast.

KING (with a tone of softness). If I have been too hasty, Carlos--thou For whom I have thus acted, should at least Not call me to account.

CARLOS. Is't possible! Did you then never guess how dear to me Was he who here lies dead? Thou lifeless corpse! Instruct him--aid his wisdom, to resolve This dark enigma now. He was my friend. And would you know why he has perished thus? He gave his life for me.

KING. Ha? my suspicions!

CARLOS. Pardon, thou bleeding corpse, that I profane Thy virtue to such ears. But let him blush With deep-felt shame, the crafty politician, That his gray-headed wisdom was o'erreached, E'en by the judgment of a youth. Yes, sire, We two were brothers! Bound by nobler bands Than nature ties. His whole life's bright career Was love. His noble death was love for me. E'en in the moment when his brief esteem Exalted you, he was my own. And when With fascinating tongue he sported with Your haughty, giant mind, 'twas your conceit To bridle him; but you became yourself The pliant tool of his exalted plans. That I became a prisoner, my arrest, Was his deep friendship's meditated work. That letter to Prince William was designed To save my life. It was the first deceit He ever practised. To insure my safety He rushed on death himself, and nobly perished. You lavished on him all your favor; yet For me he died. Your heart, your confidence, You forced upon him. As a toy he held Your sceptre and your power; he cast them from him, And gave his life for me.

[The KING stands motionless, with eyes fixed on the ground; all the GRANDEES regard him with surprise and alarm.

How could it be That you gave credit to this strange deceit? Meanly indeed he valued you, to try By such coarse artifice to win his ends. You dared to court his friendship, but gave way Before a test so simple. Oh, no! never For souls like yours was such a being formed. That well he knew himself, when he rejected Your crowns, your gifts, your greatness, and yourself. This fine-toned lyre broke in your iron hand, And you could do no more than murder him.

ALVA (never having taken his eyes from the KING, and observing his emotion with uneasiness, approaches him with apprehension). Keep not this deathlike silence, sire. Look round, And speak at least to us.

CARLOS. Once you were not Indifferent to him. And deeply once You occupied his thoughts. It might have been His lot to make you happy. His full heart Might have enriched you; with its mere abundance An atom of his soul had been enough To make a god of you. You've robbed yourself-- Plundered yourself and me. What could you give, To raise again a spirit like to this?

[Deep silence. Many of the GRANDEES turn away, or conceal their faces in their mantles.

Oh, ye who stand around with terror dumb, And mute surprise, do not condemn the youth Who holds this language to the king, his father. Look on this corpse. Behold! for me he died. If ye have tears--if in your veins flow blood, Not molten brass, look here, and blame me not.

[He turns to the KING with more self-possession and calmness.

Doubtless you wait the end of this rude scene? Here is my sword, for you are still my king. Think not I fear your vengeance. Murder me, As you have murdered this most noble man. My life is forfeit; that I know full well. But what is life to me? I here renounce All that this world can offer to my hopes. Seek among strangers for a son. Here lies My kingdom.

[He sinks down on the corpse, and takes no part in what follows. A confused tumult and the noise of a crowd is heard in the distance. All is deep silence round the KING. His eyes scan the circle over, but no one returns his looks.

KING. What! Will no one make reply? Each eye upon the ground, each look abashed! My sentence is pronounced. I read it here Proclaimed in all this lifeless, mute demeanor. My vassals have condemned me.

[Silence as before. The tumult grows louder. A murmur is heard among the GRANDEES. They exchange embarrassed looks. COUNT LERMA at length gently touches ALVA.

LERMA. Here's rebellion!

ALVA (in a low voice). I fear it.

LERMA. It approaches! They are coming!

Spotted a typo or a problem in this chapter? Tell us

Act V, Scene V

An officer of the Body Guard. The former.

OFFICER (urgently). Rebellion! Where's the king? [He makes his way through the crowd up to the KING. Madrid's in arms! To thousands swelled, the soldiery and people Surround the palace; and reports are spread That Carlos is a prisoner--that his life Is threatened. And the mob demand to see Him living, or Madrid will be in flames.

THE GRANDEES (with excitement). Defend the king!

ALVA (to the KING, who remains quiet and unmoved). Fly, sire! your life's in danger. As yet we know not who has armed the people.

KING (rousing from his stupor, and advancing with dignity among then). Stands my throne firm, and am I sovereign yet Over this empire? No! I'm king no more. These cowards weep--moved by a puny boy. They only wait the signal to desert me. I am betrayed by rebels!

ALVA. Dreadful thought!

KING. There! fling yourselves before him--down before The young, the expectant king; I'm nothing now But a forsaken, old, defenceless man!

ALVA. Spaniards! is't come to this?

[All crowd round the KING, and fall on their knees before him with drawn swords. CARLOS remains alone with the corpse, deserted by all.

KING (tearing off his mantle and throwing it from him). There! clothe him now With this my royal mantle; and on high Bear him in triumph o'er my trampled corpse!

[He falls senseless in ALVA's and LERMA's arms.

LERMA. For heaven's sake, help!

FERIA. Oh, sad, disastrous chance!

LERMA. He faints!

ALVA (leaves the KING in LERMA's and FERIA's hands). Attend his majesty! whilst I Make it my aim to tranquillize Madrid.

[Exit ALVA. The KING is borne off, attended by all the grandees.

Spotted a typo or a problem in this chapter? Tell us

Act V, Scene VI

CARLOS remains behind with the corpse. After a few moments Louis MERCADO appears, looks cautiously round him, and stands a long time silent behind the PRINCE, who does not observe him.

MERCADO. I come, prince, from her majesty the queen. [CARLOS turns away and makes no reply. My name, Mercado, I'm the queen's physician See my credentials. [Shows the PRINCE a signet ring. CARLOS remains still silent. And the queen desires To speak with you to-day--on weighty business.

CARLOS. Nothing is weighty in this world to me.

MERCADO. A charge the Marquis Posa left with her.

CARLOS (looking up quickly). Indeed! I come this instant.

MERCADO. No, not yet, Most gracious prince! you must delay till night. Each avenue is watched, the guards are doubled You ne'er could reach the palace unperceived; You would endanger everything.

CARLOS. And yet----

MERCADO. I know one means alone that can avail us. 'Tis the queen's thought, and she suggests it to you; But it is bold, adventurous, and strange!

CARLOS. What is it?

MERCADO. A report has long prevailed That in the secret vaults, beneath the palace, At midnight, shrouded in a monk's attire, The emperor's departed spirit walks. The people still give credit to the tale, And the guards watch the post with inward terror. Now, if you but determine to assume This dress, you may pass freely through the guards, Until you reach the chamber of the queen, Which this small key will open. Your attire Will save you from attack. But on the spot, Prince! your decision must be made at once. The requisite apparel and the mask Are ready in your chamber. I must haste And take the queen your answer.

CARLOS. And the hour?

MERCADO. It is midnight.

CARLOS. Then inform her I will come.

[Exit MERCADO.

Spotted a typo or a problem in this chapter? Tell us

Act V, Scene VII

CARLOS and COUNT LERMA.

LERMA. Save yourself, prince! The king's enraged against you. Your liberty, if not your life's in danger! Ask me no further--I have stolen away To give you warning--fly this very instant!

CARLOS. Heaven will protect me!

LERMA. As the queen observed To me, this moment, you must leave Madrid This very day, and fly to Brussels, prince. Postpone it not, I pray you. The commotion Favors your flight. The queen, with this design, Has raised it. No one will presume so far As to lay hand on you. Swift steeds await you At the Carthusian convent, and behold, Here are your weapons, should you be attacked.

[LERMA gives him a dagger and pistols.

CARLOS. Thanks, thanks, Count Lerma!

LERMA. This day's sad event Has moved my inmost soul! No faithful friend Will ever love like him. No patriot breathes But weeps for you. More now I dare not say.

CARLOS. Count Lerma! he who's gone considered you A man of honor.

LERMA. Farewell, prince, again! Success attend you! Happier times will come-- But I shall be no more. Receive my homage!

[Falls on one knee.

CARLOS (endeavors to prevent him, with much emotion). Not so--not so, count! I am too much moved-- I would not be unmanned!

LERMA (kissing his hand with feeling). My children's king! To die for you will be their privilege! It is not mine, alas! But in those children Remember me! Return in peace to Spain. May you on Philip's throne feel as a man, For you have learned to suffer! Undertake No bloody deed against your father, prince! Philip compelled his father to yield up The throne to him; and this same Philip now Trembles at his own son. Think, prince, of that And may Heaven prosper and direct your path!

[Exit quickly. CARLOS about to hasten away by another side, but turns rapidly round, and throws himself down before the copse, which he again folds in his arms. He then hurries from the room.

Spotted a typo or a problem in this chapter? Tell us

Act V, Scene VIII

The KING's Antechamber. DUKE ALVA and DUKE FERIA enter in conversation.

ALVA. The town is quieted. How is the king?

FERIA. In the most fearful state. Within his chamber He is shut up, and whatso'er may happen He will admit no person to his presence. The treason of the marquis has at once Changed his whole nature. We no longer know him.

ALVA. I must go to him, nor respect his feelings. A great discovery which I have made----

FERIA. A new discovery!

ALVA. A Carthusian monk My guards observed, with stealthy footsteps, creep Into the prince's chamber, and inquire With anxious curiosity, about The Marquis Posa's death. They seized him straight, And questioned him. Urged by the fear of death, He made confession that he bore about him Papers of high importance, which the marquis Enjoined him to deliver to the prince, If, before sunset, he should not return.

FERIA. Well, and what further?

ALVA. These same letters state That Carlos from Madrid must fly before The morning dawn.

FERIA. Indeed!

ALVA. And that a ship at Cadiz lies Ready for sea, to carry him to Flushing. And that the Netherlands but wait his presence, To shake the Spanish fetters from their arms.

FERIA. Can this be true?

ALVA. And other letters say A fleet of Soliman's will sail for Rhodes, According to the treaty, to attack The Spanish squadron in the Midland seas.

FERIA. Impossible.

ALVA. And hence I understand The object of the journeys, which of late The marquis made through Europe. 'Twas no less Than to rouse all the northern powers to arms In aid of Flanders' freedom.

FERIA. Was it so?

ALVA. There is besides appended to these letters The full concerted plan of all the war Which is to disunite from Spain's control The Netherlands forever. Naught omitted; The power and opposition close compared; All the resources accurately noted, Together with the maxims to be followed, And all the treaties which they should conclude. The plan is fiendish, but 'tis no less splendid.

FERIA. The deep, designing traitor!

ALVA. And, moreover, There is allusion made, in these same letters, To some mysterious conference the prince Must with his mother hold upon the eve Preceding his departure.

FERIA.

That must be This very day.

ALVA. At midnight. But for this I have already taken proper steps. You see the case is pressing. Not a moment Is to be lost. Open the monarch's chamber.

FERIA. Impossible! All entrance is forbidden.

ALVA. I'll open then myself; the increasing danger Must justify my boldness.

[As he is on the point of approaching the door it opens, and the KING comes out.

FERIA. 'Tis himself.

Spotted a typo or a problem in this chapter? Tell us

Act V, Scene IX

The KING. The preceding.

All are alarmed at his appearance, fall back, and let him pass through them. He appears to be in a waking dream, like a sleep-walker. His dress and figure indicate the disorder caused by his late fainting. With slow steps he walks past the GRANDEES and looks at each with a fixed eye, but without recognizing any of them. At last he stands still, wrapped in thought, his eyes fixed on the ground, till the emotions of his mind gradually express themselves in words.

KING. Restore me back the dead! Yes, I must have him.

DOMINGO (whispering to ALVA). Speak to him, duke.

KING. He died despising me! Have him again I must, and make him think More nobly of me.

ALVA (approaching with fear). Sire!

KING (looking round the circle). Who speaks to me! Have you forgotten who I am? Why not Upon your knees, before your king, ye creatures! Am I not still your king? I must command Submission from you. Do you all then slight me Because one man despised me?

ALVA. Gracious king! No more of him: a new and mightier foe Arises in the bosom of your realm.

FERIA. Prince Carlos----

KING. Had a friend who died for him; For him! With me he might have shared an empire. How he looked down upon me! From the throne Kings look not down so proudly. It was plain How vain his conquest made him. His keen sorrow Confessed how great his loss. Man weeps not so For aught that's perishable. Oh, that he might But live again! I'd give my Indies for it! Omnipotence! thou bring'st no comfort to me: Thou canst not stretch thine arm into the grave To rectify one little act, committed With hasty rashness, 'gainst the life of man. The dead return no more. Who dare affirm That I am happy? In the tomb he dwells, Who scorned to flatter me. What care I now For all who live? One spirit, one free being, And one alone, arose in all this age! He died despising me!

ALVA. Our lives are useless! Spaniards, let's die at once! E'en in the grave This man still robs us of our monarch's heart.

KING (sits down, and leans his head on his arm). Oh! had he died for me! I loved him, too, And much. Dear to me was he as a son. In his young mind there brightly rose for me A new and beauteous morning. Who can say What I had destined for him? He to me Was a first love. All Europe may condemn me, Europe may overwhelm me with its curse, But I deserved his thanks.

DOMINGO. What spell is this?

KING. And, say, for whom did he desert me thus? A boy,--my son? Oh, no, believe it not! A Posa would not perish for a boy; The scanty flame of friendship could not fill A Posa's heart. It beat for human kind. His passion was the world, and the whole course Of future generations yet unborn. To do them service he secured a throne-- And lost it. Such high treason 'gainst mankind Could Posa e'er forgive himself? Oh, no; I know his feelings better. Not that he Carlos preferred to Philip, but the youth-- The tender pupil,--to the aged monarch. The father's evening sunbeam could not ripen His novel projects. He reserved for this The young son's orient rays. Oh, 'tis undoubted, They wait for my decease.

ALVA. And of your thoughts, Read in these letters strongest confirmation.

KING. 'Tis possible he may miscalculate. I'm still myself. Thanks, Nature, for thy gifts; I feel within my frame the strength of youth; I'll turn their schemes to mockery. His virtue Shall be an empty dream--his death, a fool's. His fall shall crush his friend and age together. We'll test it now--how they can do without me. The world is still for one short evening mine, And this same evening will I so employ, That no reformer yet to cone shall reap Another harvest, in the waste I'll leave, For ten long generations after me. He would have offered me a sacrifice To his new deity--humanity! So on humanity I'll take revenge. And with his puppet I'll at once commence. [To the DUKE ALVA. What you have now to tell me of the prince, Repeat. What tidings do these letters bring?

ALVA. These letters, sire, contain the last bequest Of Posa to Prince Carlos.

KING (reads the papers, watched by all present. He then lays them aside and walks in silence up and down the room). Summon straight The cardinal inquisitor; and beg He will bestow an hour upon the king, This very night!

TAXIS. Just on the stroke of two The horses must be ready and prepared, At the Carthusian monastery.

ALVA. Spies Despatched by me, moreover, have observed Equipments at the convent for a journey, On which the prince's arms were recognized.

FERIA. And it is rumored that large sums are raised In the queen's name, among the Moorish agents, Destined for Brussels.

KING. Where is Carlos?

ALVA. With Posa's body.

KING. And there are lights as yet Within the queen's apartments?

ALVA. Everything Is silent there. She has dismissed her maids Far earlier than as yet has been her custom. The Duchess of Arcos, who was last with her, Left her in soundest sleep.

[An officer of the Body Guard enters, takes the DUKE OF FERIA aside, and whispers to him. The latter, struck with surprise, turns to DUKE ALVA. The others crowd round him, and a murmuring noise arises.

FERIA, TAXIS, and DOMINGO (at the same time) 'Tis wonderful!

KING. What is the matter!

FERIA. News scarce credible!

DOMINGO. Two soldiers, who have just returned from duty, Report--but--oh, the tale's ridiculous!

KING. What do they say?

ALVA. They say, in the left wing Of the queen's palace, that the emperor's ghost Appeared before them, and with solemn gait Passed on. This rumor is confirmed by all The sentinels, who through the whole pavilion Their watches keep. And they, moreover, add, The phantom in the queen's apartment vanished.

KING. And in what shape appeared it?

OFFICER. In the robes, The same attire he in Saint Justi wore For the last time, apparelled as a monk.

KING. A monk! And did the sentries know his person Whilst he was yet alive? They could not else Determine that it was the emperor.

OFFICER. The sceptre which he bore was evidence It was the emperor.

DOMINGO. And the story goes He often has been seen in this same dress.

KING. Did no one speak to him?

OFFICER. No person dared. The sentries prayed, and let him pass in silence.

KING. The phantom vanished in the queen's apartments!

OFFICER. In the queen's antechamber.

[General silence.

KING (turns quickly round). What say you?

ALVA. Sire! we are silent.

KING (after some thought, to the OFFICER). Let my guards be ready And under arms, and order all approach To that wing of the palace to be stopped. I fain would have a word with this same ghost.

[Exit OFFICER. Enter a PAGE.

PAGE. The cardinal inquisitor.

KING (to all present). Retire!

[The CARDINAL INQUISITOR, an old man of ninety, and blind, enters, supported on a staff, and led by two Dominicans. The GRANDEES fall on their knees as he passes, and touch the hem of his garment. He gives them his blessing, and they depart.

Spotted a typo or a problem in this chapter? Tell us

Act V, Scene X

The KING and the GRAND INQUISITOR. A long silence.

GRAND INQUISITOR. Say, do I stand before the king?

KING. You do.

GRAND INQUISITOR. I never thought it would be so again!

KING. I now renew the scenes of early youth, When Philip sought his sage instructor's counsel.

GRAND INQUISITOR. Your glorious sire, my pupil, Charles the Fifth, Nor sought or needed counsel at my hands.

KING. So much happier he! I, cardinal, Am guilty of a murder, and no rest----

GRAND INQUISITOR.

What was the reason for this murder?

KING. 'Twas A fraud unparalleled----

GRAND INQUISITOR. I know it all.

KING. What do you know? Through whom, and since what time?

GRAND INQUISITOR.

For years--what you have only learned since sunset.

KING (with astonishment). You know this man then!

GRAND INQUISITOR. All his life is noted From its commencement to its sudden close, In Santa Casa's holy registers.

KING. Yet he enjoyed his liberty!

GRAND INQUISITOR. The chain With which he struggled, but which held him bound, Though long, was firm, nor easy to be severed.

KING. He has already been beyond the kingdom.

GRAND INQUISITOR. Where'er he travelled I was at his side.

KING (walks backwards and forwards in displeasure). You knew the hands, then, I had fallen into; And yet delayed to warn me!

GRAND INQUISITOR. This rebuke I pay you back. Why did you not consult us Before you sought the arms of such a man? You knew him: one sole glance unmasked him to you. Why did you rob the office of its victim? Are we thus trifled with! When majesty Can stoop to such concealment, and in secret, Behind our backs, league with our enemies, What must our fate be then? If one be spared What plea can justify the fate of thousands?

KING. But he, no less, has fallen a sacrifice.

GRAND INQUISITOR. No; he is murdered--basely, foully murdered. The blood that should so gloriously have flowed To honor us has stained the assassin's hand. What claim had you to touch our sacred rights? He but existed, by our hands to perish. God gave him to this age's exigence, To perish, as a terrible example, And turn high-vaunting reason into shame. Such was my long-laid plan--behold, destroyed In one brief hour, the toil of many years. We are defrauded, and your only gain Is bloody hands.

KING. Passion impelled me to it. Forgive me.

GRAND INQUISITOR. Passion! And does royal Philip Thus answer me? Have I alone grown old? [Shaking his head angrily. Passion! Make conscience free within your realms, If you're a slave yourself.

KING. In things like this I'm but a novice. Bear in patience with me.

GRAND INQUISITOR. No, I'm ill pleased with you--to see you thus Tarnish the bygone glories of your reign. Where is that Philip, whose unchanging soul, Fixed as the polar star in heaven above, Round its own axis still pursued its course? Is all the memory of preceding years Forever gone? And did the world become New moulded when you stretched your hand to him? Was poison no more poison? Did distinction 'Twixt good and evil, truth and falsehood, vanish? What then is resolution? What is firmness? What is the faith of man, if in one weak, Unguarded hour, the rules of threescore years Dissolve in air, like woman's fickle favor?

KING. I looked into his eyes. Oh, pardon me This weak relapse into mortality. The world has one less access to your heart; Your eyes are sunk in night.

GRAND INQUISITOR. What did this man Want with you? What new thing could he adduce, You did not know before? And are you versed So ill with fanatics and innovators? Does the reformer's vaunting language sound So novel to your ears? If the firm edifice Of your conviction totters to mere words, Should you not shudder to subscribe the fate Of many thousand poor, deluded souls Who mount the flaming pile for nothing worse?

KING. I sought a human being. These Domingos----

GRAND INQUISITOR. How! human beings! What are they to you? Cyphers to count withal--no more! Alas! And must I now repeat the elements Of kingly knowledge to my gray-haired pupil? An earthly god must learn to bear the want Of what may be denied him. When you whine For sympathy is not the world your equal? What rights should you possess above your equals?

KING (throwing himself into a chair). I'm a mere suffering mortal, that I feel; And you demand from me, a wretched creature, What the Creator only can perform.

GRAND INQUISITOR. No, sire; I am not thus to be deceived. I see you through. You would escape from us. The church's heavy chains pressed hard upon you; You would be free, and claim your independence. [He pauses. The KING is silent. We are avenged. Be thankful to the church, That checks you with the kindness of a mother. The erring choice you were allowed to make Has proved your punishment. You stand reproved! Now you may turn to us again. And know If I, this day, had not been summoned here, By Heaven above! before to-morrow's sun, You would yourself have stood at my tribunal!

KING. Forbear this language, priest. Restrain thyself. I'll not endure it from thee. In such tones No tongue shall speak to me.

GRAND INQUISITOR. Then why, O king Call up the ghost of Samuel? I've anointed Two monarchs to the throne of Spain. I hoped To leave behind a firm-established work. I see the fruit of all my life is lost. Don Philip's hands have shattered what I built. But tell me, sire, wherefore have I been summoned? What do I hear? I am not minded, king, To seek such interviews again.

KING. But one One service more--the last--and then in peace Depart. Let all the past be now forgotten-- Let peace be made between us. We are friends.

GRAND INQUISITOR. When Philip bends with due humility.

KING (after a pause). My son is meditating treason.

GRAND INQUISITOR, Well! And what do you resolve?

KING. On all, or nothing.

GRAND INQUISITOR. What mean you by this all?

KING. He must escape, Or die.

GRAND INQUISITOR. Well, sire! decide.

KING. And can you not Establish some new creed to justify The bloody murder of one's only son?

GRAND INQUISITOR. To appease eternal justice God's own Son Expired upon the cross.

KING. And can you spread This creed throughout all Europe?

GRAND INQUISITOR. Ay, as far As the true cross is worshipped.

KING. But I sin-- Sin against nature. Canst thou, by thy power, Silence her mighty voice.

GRAND INQUISITOR. The voice of nature Avails not over faith.

KING. My right to judge I place within your hands. Can I retrace The step once taken?

GRAND INQUISITOR. Give him to me!

KING. My only son! For whom then have I labored?

GRAND INQUISITOR. For the grave rather than for liberty!

KING (rising up). We are agreed. Come with me.

GRAND INQUISITOR. Monarch! Whither

KING. From his own father's hands to take the victim.

[Leads him away.

Spotted a typo or a problem in this chapter? Tell us

Act V, Scene XI

Queen's Apartment.

CARLOS. The QUEEN. Afterwards the KING and attendants. CARLOS in monk's attire, a mask over his face, which he is just taking off; under his arm a naked sword. It is quite dark. He approaches a door, which is in the act of opening. The QUEEN comes out in her night-dress with a lighted candle. CARLOS falls on one knee before her.

CARLOS. Elizabeth!

QUEEN (regarding him with silent sorrow). Do we thus meet again?

CARLOS. 'Tis thus we meet again!

[A silence.

QUEEN (endeavoring to collect herself). Carlos, arise! We must not now unnerve each other thus. The mighty dead will not be honored now By fruitless tears. Tears are for petty sorrows! He gave himself for thee! With his dear life He purchased thine. And shall this precious blood Flow for a mere delusion of the brain? Oh, Carlos, I have pledged myself for thee. On that assurance did he flee from hence More satisfied. Oh, do not falsify My word.

CARLOS (with animation) To him I'll raise a monument Nobler than ever honored proudest monarch, And o'er his dust a paradise shall bloom!

QUEEN. Thus did I hope to find thee! This was still The mighty purpose of his death. On me Devolves the last fulfilment of his plans, And I will now fulfil my solemn oath. Yet one more legacy your dying friend Bequeathed to me. I pledged my word to him, And wherefore should I now conceal it from you? To me did he resign his Carlos--I Defy suspicion, and no longer tremble Before mankind, but will for once assume The courage of a friend; My heart shall speak. He called our passion--virtue! I believe him, And will my heart no longer----

CARLOS. Hold, O queen! Long was I sunk in a delusive dream. I loved, but now I am at last awake Forgotten be the past. Here are your letters,-- Destroy my own. Fear nothing from my passion, It is extinct. A brighter flame now burns, And purifies my being. All my love Lies buried in the grave. No mortal wish Finds place within this bosom. [After a pause, taking her hand. I have come To bid farewell to you, and I have learned There is a higher, greater good, my mother, Than to call thee mine own. One rapid night Has winged the tardy progress of my years, And prematurely ripened me to manhood. I have no further business in the world, But to remember him. My harvest now Is ended. [He approaches the QUEEN, who conceals her face. Mother! will you not reply!

QUEEN. Carlos! regard not these my tears. I cannot Restrain then. But believe me I admire you.

CARLOS. Thou wert the only partner of our league And by this name thou shalt remain to me The most beloved object in this world. No other woman can my friendship share, More than she yesterday could win my love. But sacred shall the royal widow be, Should Providence conduct me to the throne.

[The KING, accompanied by the GRAND INQUISITOR, appears in the background without being observed.

I hasten to leave Spain, and never more Shall I behold my father in this world. No more I love him. Nature is extinct Within this breast. Be you again his wife-- His son's forever lost to him! Return Back to your course of duty--I must speed To liberate a people long oppressed From a fell tyrant's hand. Madrid shall bail Carlos as king, or ne'er behold him more. And now a long and last farewell----

[He kisses her.

QUEEN. Oh, Carlos! How you exalt me! but I dare not soar To such a height of greatness:--yet I may Contemplate now your noble mind with wonder.

CARLOS. Am I not firm, Elizabeth? I hold thee Thus in my arms and tremble not. The fear Of instant death had, yesterday, not torn me From this dear spot. [He leaves her. All that is over now, And I defy my mortal destinies. I've held thee in these arms and wavered not. Hark! Heard you nothing!

[A clock strikes.

QUEEN. Nothing but the bell That tolls the moment of our separation.

CARLOS. Good night, then, mother! And you shall, from Ghent, Receive a letter, which will first proclaim Our secret enterprise aloud. I go To dare King Philip to an open contest. Henceforth there shall be naught concealed between us! You need not shun the aspect of the world. Be this my last deceit.

[About to take up the mask--the KING stands between them.

KING. It is thy last.

[The QUEEN falls senseless.

CARLOS (hastens to her and supports her in his arms). Is the queen dead? Great heavens!

KING (coolly and quietly to the GRAND INQUISITOR). Lord Cardinal! I've done my part. Go now, and do your own.

[Exit.

DEMETRIUS

By Frederich Schiller

Spotted a typo or a problem in this chapter? Tell us