Appendix
List of Exogamous Clans
Sections of the Chandnahu subcaste:
Chanwar bambar Fly fan. Sandil Name of a Rishi. Gaind Ball. Sadaphal A fruit. Sondeha Gold-bodied. Sonkharchi Spender of gold. Kathail Kath, wood, or kaththa, catechu. Kashi enares. The Desha Kurmis are all of this gotra. It may also be a corruption of Kachhap, tortoise. Dhorha Dhor, cattle. Sumer A mountain. Chatur Midalia Chatur, clever. Bharadwaj After the Rishi of that name; also a bird. Kousil Name of a Rishi. Ishwar God. Samund Karkari A particle in an ocean. Akalchuwa Akal, famine. Padel Fallow. Baghmar Tiger-slayer. Harduba Green grass. Kansia Kans, a kind of grass. Ghiu Sagar Ocean of ghi Dharam Dhurandar Most charitable. Singnaha Singh, a lion. Chimangarhia Belonging to Chimangarh. Khairagarhia Belonging to Khairagarh. Gotam A Rishi. Kaskyap A Rishi. Pandariha From Pandaria, a village. Paipakhar One who washes feet. Banhpakhar One who washes arms. Chauria Chaurai, a vegetable. Sand Sathi Sand, bullock. Singhi Singh, lion or horn. Agra--Chandan Sandalwood. Tek Sanichar Saturday. Karaiya Frying-pan. Pukharia Pond. Dhubinha Dhobi, a caste. Pawanbare Pawan, air. Modganga Ganges.
Sections of the Gabel subcaste:
Gangajal Ganges water. Bimba Lohir Bearer of a lathi (stick). Sarang Peacock. Raja Rawat Royal prince. Singur Beauty. Bank pagar With a thread on the arm. Samundha Ocean. Parasram, Rishi Katarmal Katar, dagger. Chaultan Sept of Rajputs. Patan Village. Gajmani Elephant. Deori Sumer Village. Lahura Samudra Small sea. Hansbimbraon Hans, goose. Sunwani Purifier.
Sections of the Santora subcaste:
Narvaria Narwar, a town in Gwalior State. Mundharia Mundhra, a village. Naigaiyan Naogaon, a town in Bundelkhand. Pipraiya Piparia, a village. Dindoria Dindori, a village in Mandla District. Baheria A village. Bandha Bandh, embankment. Ktmusar Wooden pestle.
Sections of the Tirole subcaste:
Baghele Bagh, tiger, or a sept of Rajputs. Rathor Clan of Rajputs. Panwar Clan of Rajputs. Solanki Clan of Rajputs. Aulia Aonla, a fruit-bearing tree. Sindia Sindi, date-palm tree. Khusia Khusi, happiness. Sanoria San, hemp. Gora Fair-coloured. Bhakrya Bhakar, a thick bread.
Sections of the Gaur subcaste:
Bhandari Storekeeper. Dudhua Dudh, milk. Patele A headman. Lonia Salt-maker. Kumaria A potter. Sionia Seoni town. Chhaparia Chhapara, a town. Bijoria A tree. Simra A village. Ketharia Keth, a fruit. Usarguiyan Perhaps a village. Bhadoria Village. Rurgaiyan Village. Musrele Musar, a pestle.
Sections of the Usrete subcaste:
Shikare Hunter. Nahar Tiger. Gursaraiyan Gursarai, a town. Bardia A village. Sandia Sand, a bull. Sirwaiyan Sirwai, a village. Itguhan A village. Sengaiyan or Singaiyan Sengai, a village. Harkotia Harkoti, a village. Noria Norai, a village. Larent Lareti, a village. Rabia Rabai, a village. Lakhauria (Lakori village. It is said that whoever utters the name of this section early in the morning is sure to remain hungry the whole day, or at least will get into some trouble that day.) Dhandkonya Dhandakna, to roll. Badgaiyan Badagaon, a large village. Kotia Kot, a fort Bilwar Billi, cat Thutha Stump of a tree.
Sections of the Kanaujia subcaste:
Tidha.--From Tidha, a village. This section is subdivided into (a) Ghureparke (of the cow-dung hill); (b) Dwarparke (of the door); and (c) Jangi (warrior).
Chamania--From Chamyani (village). This is also subdivided into:
(a) Gomarkya (b) Mathuria (Muttra town).
Chaudhri (caste headman). This is divided as follows:
(a) Majhgawan A village. (b) Purva thok Eastern group. (c) Pashchim thok Western group. (d) Bamurya A village.
Rawat Title. Malha Perhaps sailor or wrestler. Chilolian Chiloli, a village. Dhanuiyan Dhanu Kheda, a village.
Lakhera
List of Paragraphs
1. General notice. 2. Social customs. 3. The lac industry. 4. Lac bangles. 5. Red, a lucky colour. 6. Vermilion and spangles. 7. Red dye on the feet. 8. Red threads. 9. Lac toys.
1. General notice
Lakhera, Laheri.--The small caste whose members make bangles and other articles of lac. About 3000 persons were shown as belonging to the caste in the Central Provinces in 1911, being most numerous in the Jubbulpore, Chhindwara and Betul Districts. From Berar 150 persons were returned, chiefly from Amraoti. The name is derived from the Sanskrit laksha-kara, a worker in lac. The caste are a mixed functional group closely connected with the Kacheras and Patwas; no distinction being recognised between the Patwas and Lakheras in some localities of the Central Provinces. Mr. Baillie gives the following notice of them in the Census Report of the North-Western Provinces (1891): "The accounts given by members of the caste of their origin are very various and sometimes ingenious. One story is that like the Patwas, with whom they are connected, they were originally Kayasths. According to another account they were made from the dirt washed from Parvati before her marriage with Siva, being created by the god to make bangles for his wife, and hence called Deobansi. Again, it is stated, they were created by Krishna to make bangles for the Gopis or milkmaids. The most elaborate account is that they were originally Yaduvansi Rajputs, who assisted the Kurus to make a fort of lac, in which the Pandavas were to be treacherously burned. For this traitorous conduct they were degraded and compelled eternally to work in lac or glass."
2. Social customs
The bulk of these artisan and manufacturing castes tell stories showing that their ancestors were Kayasths and Rajputs, but no importance can be attached to such legends, which are obviously manufactured by the family priests to minister to the harmless vanity of their clients. To support their claim the Lakheras have divided themselves like the Rajputs into the Surajvansi and Somvansi subcastes or those who belong to the Solar and Lunar races. Other subdivisions are the Marwari or those coming from Marwar in Rajputana, and the Tarkhera or makers of the large earrings which low-caste women wear. These consist of a circular piece of wood or fibre, nearly an inch across, which is worked through a large hole in the lobe of the ear. It is often the stalk of the ambari fibre, and on the outer end is fixed a slab decorated with little pieces of glass. The exogamous sections of the Lakheras are generally named after animals, plants and natural objects, and indicate that the caste is recruited from the lower classes of the population. Their social customs resemble those of the middle and lower Hindustani castes. Girls are married at an early age when the parents can afford the expense of the ceremony, but no penalty is incurred if the wedding is postponed for want of means. The remarriage of widows and divorce are permitted. They eat flesh, but not fowls or pork, and some of them drink liquor, while others abstain. Rajputs and Banias will take water from them, but not Brahmans. In Bombay, however, they are considered to rank above Kunbis.
3. The lac industry
The traditional occupation of the Lakheras is to make and sell bangles and other articles of lac. Lac is regarded with a certain degree of superstitious repugnance by the Hindus because of its red colour, resembling blood. On this account and also because of the sin committed in killing them, no Hindu caste will propagate the lac insect, and the calling is practised only by Gonds, Korkus and other primitive tribes. Even Gonds will often refuse employment in growing lac if they can make their living by cultivation. Various superstitions attach to the propagation of the insects to a fresh tree. This is done in Kunwar (September) and always by men, the insects being carried in a leaf-cup and placed on a branch of an uninfected tree, usually the kusum. [84] It is said that the work should be done at night and the man should be naked when he places the insects on the tree. The tree is fenced round and nobody is allowed to touch it, as it is considered that the crop would thus be spoiled. If a woman has lost her husband and has to sow lac, she takes her son in her arms and places the cup containing the insects on his head; on arriving at the tree she manages to apply the insects by means of a stick, not touching the cup with her own hands. All this ritual attaches simply to the infection of the first tree, and afterwards in January or February the insects are propagated on to other trees without ceremony. The juice of onions is dropped on to them to make them healthy. The stick-lac is collected by the Gonds and Korkus and sold to the Lakheras; they clear it of wood as far as possible and then place the incrusted twigs and bark in long cotton bags and heat them before a fire, squeezing out the gum, which is spread out on flat plates so as to congeal into the shape of a pancake. This is again heated and mixed with white clay and forms the material for the bangles. They are coloured with chapra, the pure gum prepared like sealing-wax, which is mixed with vermilion, or arsenic and turmeric for a yellow colour. In some localities at least only the Lakheras and Patwas and no higher caste will sell articles made of lac.
4. Lac bangles
The trade in lac bangles has now greatly declined, as they have been supplanted by the more ornamental glass bangles. They are thick and clumsy and five of them will cover a large part of the space between the elbow and the wrist. They may be observed on Banjara women. Lac bangles are also still used by the Hindus, generally on ceremonial occasions, as at a marriage, when they are presented to and worn by the bride, and during the month of Shrawan (July), when the Hindus observe a fast on behalf of the growing crops and the women wear bangles of lac. For these customs Mr. Hira Lal suggests the explanation that lac bangles were at one time generally worn by the Hindus, while glass ones are a comparatively recent fashion introduced by the Muhammadans. In support of this it may be urged that glass bangles are largely made by the Muhammadan Turkari or Sisgar, and also that lac bangles must have been worn prior to glass ones, because if the latter had been known the clumsy and unornamental bracelet made of lac and clay could never have come into existence. The wearing of lac bangles on the above occasions would therefore be explained according to the common usage of adhering on religious and ceremonial occasions to the more ancient methods and accessories, which are sanctified by association and custom. Similarly the Holi pyre is often kindled with fire produced by the friction of wood, and temples are lighted with vegetable instead of mineral oil.
5. Red, a lucky colour
It may be noted, however, that lac bangles are not always worn by the bride at a wedding, the custom being unknown in some localities. Moreover, it appears that glass was known to the Hindus at a period prior to the Muhammadan invasions, though bangles may not have been made from it. Another reason for the use of lac bangles on the occasions noticed is that lac, as already seen, represents blood. Though blood itself is now repugnant to the Hindus, yet red is pre-eminently their lucky colour, being worn at weddings and generally preferred. It is suggested in the Bombay Gazetteer [85] that blood was lucky as having been the first food of primitive man, who learnt to suck the blood of animals before he ate their flesh. But it does not seem necessary to go back quite so far as this. The earliest form of sacrifice, as shown by Professor Robertson Smith, [86] was that in which the community of kinsmen ate together the flesh of their divine or totem animal god and drank its blood. When the god became separated from the animal and was represented by a stone at the place of worship and the people had ceased to eat raw flesh and drink blood, the blood was poured out over the stone as an offering to the god. This practice still obtains among the lower castes of Hindus and the primitive tribes, the blood of animals offered to Devi and other village deities being allowed to drop on to the stones representing them. But the higher castes of Hindus have abandoned animal sacrifices, and hence cannot make the blood-offering. In place of it they smear the stone with vermilion, which seems obviously a substitute for blood, since it is used to colour the stones representing the deities in exactly the same manner. Even vermilion, however, is not offered to the highest deities of Neo-Hinduism, Siva or Mahadeo and Vishnu, to whom animal sacrifices would be abhorrent. It is offered to Hanuman, whose image is covered with it, and to Devi and Bhairon and to the many local and village deities. In past times animal sacrifices were offered to Bhairon, as they still are to Devi, and though it is not known that they were made to Hanuman, this is highly probable, as he is the god of strength and a mighty warrior. The Manbhao mendicants, who abhor all forms of bloodshed like the Jains, never pass one of these stones painted with vermilion if they can avoid doing so, and if they are aware that there is one on their road will make a circuit so as not to see it. [87] There seems, therefore, every reason to suppose that vermilion is a substitute for blood in offerings and hence probably on other occasions. As the places of the gods were thus always coloured red with blood, red would come to be the divine and therefore the propitious colour among the Hindus and other races.
6. Vermilion and spangles
Among the constituents of the Sohag or lucky trousseau without which no Hindu girl of good caste can be married are sendur or vermilion, kunku or red powder or a spangle (tikli), and mahawar or red balls of cotton-wool. In Chhattisgarh and Bengal the principal marriage rite is usually the smearing of vermilion by the bridegroom on the parting of the bride's hair, and elsewhere this is commonly done as a subsidiary ceremony. Here also there is little reason to doubt that vermilion is a substitute for blood; indeed, in some castes in Bengal, as noted by Sir H. Risley, the blood of the parties is actually mixed. [88] This marking of the bride with blood is a result of the sacrifice and communal feast of kinsmen already described; only those who could join in the sacrificial meal and eat the flesh of the sacred animal god were kin to it and to each other; but in quite early times the custom prevailed of taking wives from outside the clan; and consequently, to admit the wife into her husband's kin, it was necessary that she also should drink or be marked with the blood of the god. The mixing of blood at marriage appears to be a relic of this, and the marking of the forehead with vermilion is a substitute for the anointing with blood. Kunku is a pink powder made of turmeric, lime-juice and borax, which last is called by the Hindus 'the milk of Anjini,' the mother of Hanuman. It seems to be a more agreeable substitute for vermilion, whose constant use has probably an injurious effect on the skin and hair. Kunku is used in the Maratha country in the same way as vermilion, and a married woman will smear a little patch on her forehead every day and never allow her husband to see her without it. She omits it only during the monthly period of impurity. The tikli or spangle is worn in the Hindustani Districts and not in the south. It consists of a small piece of lac over which is smeared vermilion, while above it a piece of mica or thin glass is fixed for ornament. Other adornments may be added, and women from Rajputana, such as the Marwari Banias and Banjaras, wear large spangles set in gold with a border of jewels if they can afford it. The spangle is made and sold by Lakheras and Patwas; it is part of the Sohag at marriages and is affixed to the girl's forehead on her wedding and thereafter always worn; as a rule, if a woman has a spangle it is said that she does not smear vermilion on her forehead, though both may occasionally be seen. The name tikli is simply a corruption of tika, which means a mark of anointing or initiation on the forehead; as has been seen, the basis of the tikli is vermilion smeared on lac-clay, and it is made by Lakheras; and there is thus good reason to suppose that the spangle is also a more ornamental substitute for the smear of vermilion, the ancient blood-mark by which a married woman was admitted into her husband's clan. At her marriage a bride must always receive the glass bangles and the vermilion, kunku, or spangle from her husband, the other ornaments of the Sohag being usually given to her by her parents. Unmarried girls now also sometimes wear small ornamental spangles, and put kunku on their foreheads. But before marriage it is optional and afterwards compulsory. A widow may not wear vermilion, kunku, or spangles.
7. Red dye on the feet
The Lakheras also sell balls of red cotton-wool known as mahur ki guleli or mahawar. The cotton-wool is dipped in the melted lac-gum and is rubbed on to the feet of women to colour them red or pink at marriages and festivals. This is done by the barber's wife, who will colour the feet of the whole party, at the same time drawing lines round the outside of the foot and inward from the toes. The mahawar is also an essential part of the Sohag of marriage. Instead of lac the Muhammadans use mehndi or henna, the henna-leaves being pounded with catechu and the mixture rubbed on to the feet and hands. After a little time it is washed off and a red dye remains on the skin. It is supposed that the similar custom which prevailed among the ancient Greeks is alluded to in the epithet of 'rosy-fingered Aurora.' The Hindus use henna dye only in the month Shrawan (July), which is a period of fasting; the auspicious kunku and mahawar are therefore perhaps not considered suitable at such a time, but as special protection is needed against evil spirits, the necessary red colouring is obtained from henna. When a married woman rubs henna on her hands, if the dye comes out a deep red tinge, the other women say that her husband is not in love with her; but if of a pale yellowish tinge, that he is very much in love.
8. Red threads
The Lakheras and Patwas also make the kardora or waist-band of red thread. This is worn by Hindu men and women, except Maratha Brahmans. After he is married, if a man breaks this thread he must not take food until he has put on a fresh one, and the same rule applies to a woman all her life. Other threads are the rakhis tied round the wrists for protection against evil spirits on the day of Rakshabandhan, and the necklets of silk or cotton thread wound round with thin silver wire, which the Hindus put on at Anant Chaudas and frequently retain for the whole year. The colour of all these threads is generally red in the first place, but they soon get blackened by contact with the skin.
9. Lac toys
Toys of lac are especially made during the fast of Shrawan (July). At this time for five years after her marriage a Hindu bride receives annually from her husband a present called Shraoni, or that which is given in Shrawan. It consists of a chakri or reel, to which a string is attached, and the reel is thrown up into the air and wound and unwound on the string; a bhora or wooden top spun by a string; a bansuli or wooden flute; a stick and ball, lac bangles and a spangle, and cloth, usually of red chintz. All these toys are made by the carpenter and coloured red with lac by the Lakhera, with the exception of the bangles which may be yellow or green. For five years the bride plays with the toys, and then they are sent to her no longer as her childhood has passed. It is probable that some, if not all of them, are in a manner connected with the crops, and supposed to have a magical influence, because during the same period it is the custom for boys to walk on stilts and play at swinging themselves; and in these cases the original idea is to make the crops grow as high as the stilts or swing. As in the other cases, the red colour appears to have a protective influence against evil spirits, who are more than usually active at a time of fasting.
Lodhi
List of Paragraphs
1. Origin and traditions. 2. Position in the Central Provinces. 3. Subdivisions. 4. Exogamous groups. 5. Marriage customs. 6. The Gauna ceremony. Fertility rites. 7. Widow-marriage and puberty rite. 8. Mourning impurity. 9. Social customs. 10. Greetings and method of address. 11. Sacred thread and social status.
1. Origin and traditions
Lodhi, Lodha.--An important agricultural caste residing principally in the Vindhyan Districts and Nerbudda valley, whence they have spread to the Wainganga valley and the Khairagarh State of Chhattisgarh. Their total strength in the Province is 300,000 persons. The Lodhis are immigrants from the United Provinces, in whose Gazetteers it is stated that they belonged originally to the Ludhiana District and took their name from it. Their proper designation is Lodha, but it has become corrupted to Lodhi in the Central Provinces. A number of persons resident in the Harda tahsil of Hoshangabad are called Lodha and say that they are distinct from the Lodhis. There is nothing to support their statement, however, and it is probable that they simply represent the separate wave of immigration which took place from Central India into the Hoshangabad and Betul Districts in the fifteenth century. They spoke a different dialect of the group known as Rajasthani, and hence perhaps the caste-name did not get corrupted. The Lodhis of the Jubbulpore Division probably came here at a later date from northern India. The Mandla Lodhis are said to have been brought to the District by Raja Hirde Sah of the Gond-Rajput dynasty of Garha-Mandla in the seventeenth century, and they were given large grants of the waste land in the interior in order that they might clear it of forest. [89] The Lodhis are a good instance of a caste who have obtained a great rise in social status on migrating to a new area. In northern India Mr. Nesfield places them lowest among the agricultural castes and states that they are little better than a forest tribe. He derives the name from lod, a clod, according to which Lodhi would mean clodhopper. [90] Another suggestion is that the name is derived from the bark of the lodh tree, [91] which is collected by the Lodhas in northern India and sold for use as a dyeing agent. In Bulandshahr they are described as "Of short stature and uncouth appearance, and from this as well as from their want of a tradition of immigration from other parts they appear to be a mixed class proceeding from aboriginal and Aryan parents. In the Districts below Agra they are considered so low that no one drinks water touched by them; but this is not the case in the Districts above Agra." [92] In Hamirpur they appear to have some connection with the Kurmis, and a story told of them in Saugor is that the first Lodhi was created by Mahadeo from a scarecrow in a Kurmi woman's field and given the vocation of a farmservant But the Lodhis themselves claim Rajput ancestry and say that they are descended from Lava, the eldest of the two sons of Raja Ramchandra of Ajodhya.
2. Position in the central Provinces
In the Central Provinces they have become landholders and are addressed by the honorific title of Thakur, ranking with the higher cultivating castes. Several Lodhi landholders in Damoh and Saugor formerly held a quasi-independent position under the Muhammadans, and subsequently acknowledged the Raja of Panna as their suzerain, who conferred on some families the titles of Raja and Diwan. They kept up a certain amount of state, and small contingents of soldiery, attended by whom they went to pay their respects to the representative of the ruling power. "It would be difficult," says Grant, [93] "to recognise the descendants of the peaceful cultivators of northern India in the strangely accoutred Rajas who support their style and title by a score of ragged matchlock-men and a ruined mud fort on a hill-side." Sir B. Fuller's Damoh Settlement Report says of them: "A considerable number of villages had been for long time past in the possession of certain important families, who held them by prescription or by a grant from the ruling power, on a right which approximated as nearly to the English idea of proprietorship as native custom permitted. The most prominent of these families were of the Lodhi caste. They have developed tastes for sport and freebooting and have become decidedly the most troublesome item in the population. During the Mutiny the Lodhis as a class were openly disaffected, and one of their proprietors, the Talukdar of Hindoria, marched on the District headquarters and looted the treasury." Similarly the Ramgarh family of Mandla took to arms and lost the large estates till then held by them. On the other hand the village of Imjhira in Narsinghpur belonging to a Lodhi malguzar was gallantly defended against a band of marauding rebels from Saugor. Sir R. Craddock describes them as follows: "They are men of strong character, but their constant family feuds and love of faction militate against their prosperity. A cluster of Lodhi villages forms a hotbed of strife and the nearest relations are generally divided by bitter animosities. The Revenue Officer who visits them is beset by reckless charges and counter-charges and no communities are less amenable to conciliatory compromises. Agrarian outrages are only too common in some of the Lodhi villages." [94] The high status of the Lodhi caste in the Central Provinces as compared with their position in the country of their origin may be simply explained by the fact that they here became landholders and ruling chiefs.
3. Sub-divisions
In the northern Districts the landholding Lodhis are divided into a number of exogamous clans who marry with each other in imitation of the Rajputs. These are the Mahdele, Kerbania, Dongaria, Narwaria, Bhadoria and others. The name of the Kerbanias is derived from Kerbana, a village in Damoh, and the Balakote family of that District are the head of the clan. The Mahdeles are the highest clan and have the titles of Raja and Diwan, while the others hold those of Rao and Kunwar, the terms Diwan and Kunwar being always applied to the younger brother of the head of the house. These titles are still occasionally conferred by the Raja of Panna, whom the Lodhi clans looked on as their suzerain. The name of the Mahdeles is said to be derived from the mehndi or henna plant. The above clans sometimes practise hypergamy among themselves and also with the other Lodhis, taking daughters from the latter on receipt of a large bridegroom-price for the honour conferred by the marriage. This custom is now, however, tending to die out. There are also several endogamous subcastes ranking below the clans, of whom the principal are the Singrore, Jarha, Jangra and Mahalodhi. The Singrore take their name from the old town of Singraur or Shrengera in northern India, Singrore, like Kanaujia, being a common subcaste name among several castes. It is also connected more lately with the Singram Ghat or ferry of the Ganges in Allahabad District, and the title of Rawat is said to have been conferred on the Singrore Lodhis by the emperor Akbar on a visit there. The Jarha Lodhis belong to Mandla. The name is probably a form of Jharia or jungly, but since the leading members of the caste have become large landholders they repudiate this derivation. The Jangra Lodhis are of Chhattisgarh, and the Mahalodhis or 'Great Lodhis' are an inferior group to which the offspring of irregular unions are or were relegated. The Mahalodhis are said to condone adultery either by a man or woman on penalty of a feast to the caste. Other groups are the Hardiha, who grow turmeric (haldi), and the Gwalhare or cowherds. The Lodhas of Hoshangabad may also be considered a separate subcaste. They disclaim connection with the Lodhis, but the fact that the parent caste in the United Provinces is known as Lodha appears to establish their identity. They abstain from flesh and liquor, which most Lodhis consume.
This division of the superior branch of a caste into large exogamous clans and the lower one into endogamous subcastes is only found, so far as is known, among the Rajputs and one or two landholding castes who have imitated them. Its origin is discussed in the Introduction.
4. Exogamous groups
The subcastes are as usual divided into exogamous groups of the territorial, titular and totemistic classes. Among sections named after places may be mentioned the Chandpuria from Chandpur, the Kharpuria from Kharpur, and the Nagpuriha, Raipuria, Dhamonia, Damauha and Shahgariha from Nagpur, Raipur, Dhamoni, Damoh and Shahgarh. Two-thirds of the sections have the names of towns or villages. Among titular names are Saulakhia, owner of 100 lakhs, Bhainsmar, one who killed a buffalo, Kodonchor, one who stole kodon, [95] Kumharha perhaps from Kumhar a potter, and Rajbhar and Barhai (carpenter), names of castes. Among totemistic names are Baghela, tiger, also the name of a Rajput sept; Kutria, a dog; Khajuria, the date-palm tree; Mirchaunia, chillies; Andwar, from the castor-oil plant; Bhainsaiya, a buffalo; and Nak, the nose.
5. Marriage customs
A man must not marry in his own section nor in that of his mother. He may marry two sisters. The exchange of girls between families is only in force among the Bilaspur Lodhis, who say, 'Eat with those who have eaten with you and marry with those who have married with you.' Girls are usually wedded before puberty, but in the northern Districts the marriage is sometimes postponed from desire to marry into a good family or from want of funds to pay a bridegroom-price, and girls of twenty or more may be unmarried. A case is known of a man who had two daughters unmarried at twenty-two and twenty-three years old, because he had been waiting for good partis, with the result that one of them went and lived with a man and he then married off the other in the Singhast [96] year, which is forbidden among the Lodhis, and was put out of caste. The marriage and other ceremonies of the Lodhis resemble those of the Kurmis, except in Chhattisgarh where the Maratha fashion is followed. Here, at the wedding, the bride and bridegroom hold between them a doll made of dough with 21 cowries inside, and as the priest repeats the marriage texts they pull it apart like a cracker and see how many cowries each has got. It is considered auspicious if the bridegroom has the larger number. The priest is on the roof of the house, and before the wedding he cries out:
'Are the king and queen here?' And a man below answers, 'Yes.'
'Have they shoes on their feet?' 'Yes.'
'Have they bracelets on their hands?' 'Yes.'
'Have they rings in their ears?' 'Yes.'
'Have they crowns on their heads?' 'Yes.'
'Has she glass beads round her neck?' 'Yes.'
'Have they the doll in their hands?' 'Yes.'
And the priest then repeats the marriage texts and beats a brass dish while the doll is pulled apart In the northern Districts after the wedding the bridegroom must untie one of the festoons of the marriage-shed, and if he refuses to do this, it is an indelible disgrace on the bride's party. Before doing so he requires a valuable present, such as a buffalo.
6. The gauna ceremoney. Fertility rites
When the girl becomes mature the Gauna or going-away ceremony is performed. In Chhattisgarh before leaving her home the bride goes out with her sister and worships a palas tree. [97] Her sister waves a lighted lamp seven times over it, and the bride goes seven times round it in imitation of the marriage ceremony. At her husband's house seven pictures of the family gods are drawn on a wall inside the house and the bride worships these, placing a little sugar and bread on the mouth of each and bowing before them. She is then seated before the family god while an old woman brings a stone rolling-pin [98] wrapped up in a piece of cloth, which is supposed to be a baby, and the old woman imitates a baby crying. She puts the roller in the bride's lap saying, 'Take this and give it milk.' The bride is abashed and throws it aside. The old woman picks it up and shows it to the assembled women saying, 'The bride has just had a baby,' amid loud laughter. Then she gives the stone to the bridegroom who also throws it aside. This ceremony is meant to induce fertility, and it is supposed that by making believe that the bride has had a baby she will quickly have one.
7. Widow-marriage and puberty rite
The higher clans of Lodhis in Damoh and Saugor prohibit the remarriage of widows, but instances of it occur. It is said that a man who marries a widow is relegated to the Mahalodhi subcaste or the Lahuri Sen, an illegitimate group, and the Lodhis of his clan no longer acknowledge his family. But if a girl's husband dies before she has lived with him she may marry again. The other Lodhis freely permit widow-marriage and divorce. When a girl first becomes mature she is secluded, and though she may stay in the house cannot enter the cook-room. At the end of the period she is dressed in red cloth, and a present of cocoanuts stripped of their shells, sweetmeats, and a little money, is placed in her lap, while a few women are invited to a feast. This rite is also meant to induce fertility, the kernel of the cocoanut being held to resemble an unborn baby.
8. Mourning impurity
The higher clans consider themselves impure for a period of 12 days after a birth, and if the birth falls in the Mul asterism or Nakshatra, for 27 days. After death they observe mourning for 10 days; on the 10th day they offer ten pindas or funeral cakes, and on the 11th day make one large pinda or cake and divide it into eleven parts; on the 12th day they make sixteen pindas and unite the spirit of the dead man with the ancestors; and on the 13th day they give a feast and feed Brahmans and are clean. The lower subcastes only observe impurity for three days after a birth and a death. Their funeral rites are the same as those of the Kurmis.
9. Social customs
The caste employ Brahmans for weddings, but not necessarily for birth and death ceremonies. They eat flesh and fish, and the bulk of the caste eat fowls and drink liquor, but the landowning section abjures these practices. They will take food cooked with water from Brahmans, and that cooked without water also from Rajputs, Kayasths and Sunars. In Narsinghpur they also accept cooked food from such a low caste as Rajjahrs, [99] probably because the Rajjhars are commonly employed by them as farmservants, and hence have been accustomed to carry their master's food. A similar relation has been found to exist between the Panwar Rajputs and their Gond farmservants. The higher class Lodhis make an inordinate show of hospitality at their weddings. The plates of the guests are piled up profusely with food, and these latter think it a point of honour never to refuse it or say enough. When melted butter is poured out into their cups the stream must never be broken as it passes from one guest to the other, or it is said that they will all get up and leave the feast. Apparently a lot of butter must be wasted on the ground. The higher clans seclude their women, and these when they go out must wear long clothes covering the head and reaching to the feet. The women are not allowed to wear ornaments of a cheaper metal than silver, except of course their glass bangles. The Mahalodhis will eat food cooked with water in the cook-room and carried to the fields, which the higher clans will not do. Their women wear the sari drawn through the legs and knotted behind according to the Maratha fashion, but whenever they meet their husband's elder brother or any other elder of the family they must undo the knot and let the cloth hang down round their legs as a mark of respect. They wear no breast-cloth. Girls are tattooed before adolescence with dots on the chin and forehead, and marks on one hand. Before she is tattooed the girl is given sweets to eat, and during the process the operator sings songs in order that her attention may be diverted and she may not feel the pain. After she has finished the operator mutters a charm to prevent evil spirits from troubling the girl and causing her pain.
10. Greetings and method of address
The caste have some strict taboos on names and on conversation between the sexes. A man will only address his wife, sister, daughter, paternal aunt or niece directly. If he has occasion to speak to some other woman he will take his daughter or other female relative with him and do his business through her. He will not speak even to his own women before a crowd. A woman will similarly only speak to her father, son or nephew, and father-, son- or younger brother-in-law. She will not speak to her elder brother-in-law, and she will not address her husband in the presence of his father, elder brother or any other relative whom he reveres. A wife will never call her husband by his name, but always address him as father of her son, and, if she has no son, will sometimes speak to him through his younger brother. Neither the father nor mother will call their eldest son by his name, but will use some other name. Similarly a daughter-in-law is given a fresh name on coming into the house, and on her arrival her mother-in-law looks at her for the first time through a guna or ring of baked gram-flour. A man meeting his father or elder brother will touch his feet in silence. One meeting his sister's husband, sister's son or son-in-law, will touch his feet and say, 'Sahib, salaam.'
11. Sacred thread and social status
The higher clans invest boys with the sacred thread either when they are initiated by a Guru or spiritual preceptor, or when they are married. The thread is made by a Brahman and has five knots. Recently a large landholder in Mandla, a Jarha Lodhi, has assumed the sacred thread himself for the first time and sent round a circular to his caste-men enjoining them also to wear it. His family priest has produced a legend of the usual type showing how the Jarha Lodhis are Rajputs whose ancestors threw away their sacred threads in order to escape the vengeance of Parasurama. Generally in social position the Lodhis may be considered to rank with, but slightly above, the ordinary cultivating castes, such as the Kurmis. This superiority in no way arises from their origin, since, as already seen, they are a very low caste in their home in northern India, but from the fact that they have become large landholders in the Central Provinces and in former times their leaders exercised quasi-sovereign powers. Many Lodhis are fine-looking men and have still some appearance of having been soldiers. They are passionate and quarrelsome, especially in the Jubbulpore District. This is put forcibly in the saying that 'A Lodhi's temper is as crooked as the stream of a bullock's urine.' They are generally cultivators, but the bulk of them are not very prosperous as they are inclined to extravagance and display at weddings and on other ceremonial occasions.
Lohar
1. Legends of the caste
Lohar, Khati, Ghantra, Ghisari, Panchal.--The occupational caste of blacksmiths. The name is derived from the Sanskrit Lauha-kara>, a worker in iron. In the Central Provinces the Loharhas in the past frequently combined the occupations of carpenter and blacksmith, and in such a capacity he is known as Khati. The honorific designations applied to the caste are Karigar, which means skilful, and Mistri, a corruption of the English 'Master' or 'Mister.' In 1911 the Lohars numbered about 180,000 persons in the Central Provinces and Berar. The Lohar is indispensable to the village economy, and the caste is found over the whole rural area of the Province.
"Practically all the Lohars," Mr. Crooke writes [100], "trace their origin to Visvakarma, who is the later representative of the Vedic Twashtri, the architect and handicraftsman of the gods, 'The fashioner of all ornaments, the most eminent of artisans, who formed the celestial chariots of the deities, on whose craft men subsist, and whom, a great and immortal god, they continually worship,' One [101] tradition tells that Visvakarma was a Brahman and married the daughter of an Ahir, who in her previous birth had been a dancing-girl of the gods. By her he had nine sons, who became the ancestors of various artisan castes, such as the Lohar, Barhai, Sunar, and Kasera."
The Lohars of the Uriya country in the Central Provinces tell a similar story, according to which Kamar, the celestial architect, had twelve sons. The eldest son was accustomed to propitiate the family god with wine, and one day he drank some of the wine, thinking that it could not be sinful to do so as it was offered to the deity. But for this act his other brothers refused to live with him and left their home, adopting various professions; but the eldest brother became a worker in iron and laid a curse upon the others that they should not be able to practise their calling except with the implements which he had made. The second brother thus became a woodcutter (Barhai), the third a painter (Maharana), the fourth learnt the science of vaccination and medicine and became a vaccinator (Suthiar), the fifth a goldsmith, the sixth a brass-smith, the seventh a coppersmith, and the eighth a carpenter, while the ninth brother was weak in the head and married his eldest sister, on account of which fact his descendants are known as Ghantra. [102] The Ghantras are an inferior class of blacksmiths, probably an offshoot from some of the forest tribes, who are looked down on by the others. It is said that even to the present day the Ghantra Lohars have no objection to eating the leavings of food of their wives, whom they regard as their eldest sisters.
2. Social position of the Lohar
The above story is noticeable as indicating that the social position of the Lohar is somewhat below that of the other artisan castes, or at least of those who work in metals. This fact has been recorded in other localities, and has been explained by some stigma arising from his occupation, as in the following passage: "His social position is low even for a menial, and he is classed as an impure caste, in so far that Jats and others of similar standing will have no social communion with him, though not as an outcast like the scavenger. His impurity, like that of the barber, washerman and dyer, springs solely from the nature of his employment; perhaps because it is a dirty one, but more probably because black is a colour of evil omen. It is not improbable that the necessity under which he labours of using bellows made of cowhide may have something to do with his impurity," [103]
Mr. Nesfield also says: "It is owing to the ubiquitous industry of the Lohar that the stone knives, arrow-heads and hatchets of the indigenous tribes of Upper India have been so entirely superseded by iron-ores. The memory of the stone age has not survived even in tradition. In consequence of the evil associations which Hinduism has attached to the colour of black, the caste of Lohar has not been able to raise itself to the same social level as the three metallurgic castes which follow." The following saying also indicates that the Lohar is of evil omen:
Ar, Dhar, Chuchkar In tinon se bachawe Kartar.
Here Ar means an iron goad and signifies the Lohar; Dhar represents the sound of the oil falling from the press and means a Teli or oilman; Chuchkar is an imitation of the sound of clothes being beaten against a stone and denotes the Dhobi or washerman; and the phrase thus runs, 'My Friend, beware of the Lohar, Teli, and Dhobi, for they are of evil omen.' It is not quite clear why this disrepute should attach to the Lohar, because iron itself is lucky, though its colour, black, may be of bad omen. But the low status of the Lohar may partly arise from the fact of his being a village menial and a servant of the cultivators; whereas the trades of the goldsmith, brass-smith and carpenter are of later origin than the blacksmith's, and are urban rather than rural industries; and thus these artisans do not commonly occupy the position of village menials. Another important consideration is that the iron industry is associated with the primitive tribes, who furnished the whole supply of the metal prior to its importation from Europe: and it is hence probable that the Lohar caste was originally constituted from these and would thus naturally be looked down upon by the Hindus. In Bengal, where few or no traces of the village community remain, the Lohar ranks as the equal of Koiris and Kurmis, and Brahmans will take water from his hands; [104] and this somewhat favours the argument that his lower status elsewhere is not due to incidents of his occupation.
3. Caste subdivisions
The constitution of the Lohar caste is of a heterogeneous nature. In some localities Gonds who work as blacksmiths are considered to belong to the caste and are known as Gondi Lohars. But Hindus who work in Gond villages also sometimes bear this designation. Another subdivision returned consists of the Agarias, also an offshoot of the Gonds, who collect and smelt iron-ore in the Vindhyan and Satpura hills. The Panchals are a class of itinerant smiths in Berar. The Ghantras or inferior blacksmiths of the Uriya country have already been noticed. The Ghisaris are a similar low class of smiths in the southern Districts who do rough work only, but sometimes claim Rajput origin. Other subcastes are of the usual local or territorial type, as Mahulia, from Mahul in Berar; Jhade or Jhadia, those living in the jungles; Ojha, or those professing a Brahmanical origin; Maratha, Kanaujia, Mathuria, and so on.
4. Marriage and other customs
Infant-marriage is the custom of the caste, and the ceremony is that prevalent among the agricultural castes of the locality. The remarriage of widows is permitted, and they have the privilege of selecting their own husbands, or at least of refusing to accept any proposed suitor. A widow is always married from her father's house, and never from that of her deceased husband. The first husband's property is taken by his relatives, if there be any, and they also assume the custody of his children as soon as they are old enough to dispense with a mother's care. The dead are both buried and burnt, and in the eastern Districts some water and a tooth-stick are daily placed at a cross-road for the use of the departed spirit during the customary period of mourning, which extends to ten days. On the eleventh day the relatives go and bathe, and the chief mourner puts on a new loin-cloth. Some rice is taken and seven persons pass it from hand to hand. They then pound the rice, and making from it a figure to represent a human being, they place some grain in its mouth and say to it, 'Go and become incarnate in some human being,' and throw the image into the water. After this the impurity caused by the death is removed, and they go home and feast with their friends. In the evening they make cakes of rice, and place them seven times on the shoulder of each person who has carried the corpse to the cemetery or pyre, to remove the impurity contracted from touching it. It is also said that if this be not done the shoulder will feel the weight of the coffin for a period of six months. The caste endeavour to ascertain whether the spirit of the dead person returns to join in the funeral feast, and in what shape it will be born again. For this purpose rice-flour is spread on the floor of the cooking-room and covered with a brass plate. The women retire and sit in an adjoining room while the chief mourner with a few companions goes outside the village, and sprinkles some more rice-flour on the ground. They call to the deceased person by name, saying, 'Come, come,' and then wait patiently till some worm or insect crawls on to the floor. Some dough is then applied to this and it is carried home and let loose in the house. The flour under the brass plate is examined, and it is said that they usually see the footprints of a person or animal, indicating the corporeal entity in which the deceased soul has found a resting-place. During the period of mourning members of the bereaved family do not follow their ordinary business, nor eat flesh, sweets or other delicate food. They may not make offerings to their deities nor touch any persons outside the family, nor wear head-cloths or shoes. In the eastern Districts the principal deities of the Lohars are Dulha Deo and Somlai or Devi, the former being represented by a knife set in the ground inside the house, and the latter by the painting of a woman on the wall. Both deities are kept in the cooking-room, and here the head of the family offers to them rice soaked in milk, with sandal-paste, flowers, vermilion and lamp-black. He burns some melted butter in an earthen lamp and places incense upon it. If a man has been affected by the evil eye an exorcist will place some salt on his hand and burn it, muttering spells, and the evil influence is removed. They believe that a spell can be cast on a man by giving him to eat the bones of an owl, when he will become an idiot.
5. Occupation
In the rural area of the Province the Lohar is still a village menial, making and mending the iron implements of agriculture, such as the ploughshare, axe, sickle, goad and other articles. For doing this he is paid in Saugor a yearly contribution of twenty pounds of grain per plough of land [105] held by each cultivator, together with a handful of grain at sowing-time and a sheaf at harvest from both the autumn and spring crops. In Wardha he gets fifty pounds of grain per plough of four bullocks or forty acres. For making new implements the Lohar is sometimes paid separately and is always supplied with the iron and charcoal. The hand-smelting iron industry has practically died out in the Province and the imported metal is used for nearly all purposes. The village Lohars are usually very poor, their income seldom exceeding that of an unskilled labourer. In the towns, owing to the rapid extension of milling and factory industries, blacksmiths readily find employment and some of them earn very high wages. In the manufacture of cutlery, nails and other articles the capital is often found by a Bhatia or Bohra merchant, who acts as the capitalist and employs the Lohars as his workmen. The women help their husbands by blowing the bellows and dragging the hot iron from the furnace, while the men wield the hammer. The Panchals of Berar are described as a wandering caste of smiths, living in grass mat-huts and using as fuel the roots of thorn bushes, which they batter out of the ground with the back of a short-handled axe peculiar to themselves. They move from place to place with buffaloes, donkeys and ponies to carry their kit. [106] Another class of wandering smiths, the Ghisaris, are described by Mr. Crooke as follows: "Occasional camps of these most interesting people are to be met with in the Districts of the Meerut Division. They wander about with small carts and pack-animals, and, being more expert than the ordinary village Lohar, their services are in demand for the making of tools for carpenters, weavers and other craftsmen. They are known in the Punjab as Gadiya or those who have carts (gadi, gari). Sir D. Ibbetson [107] says that they come up from Rajputana and the North-Western Provinces, but their real country is the Deccan. In the Punjab they travel about with their families and implements in carts from village to village, doing the finer kinds of iron-work, which are beyond the capacity of the village artisan. In the Deccan [108] this class of wandering blacksmiths are called Saiqalgar, or knife-grinders, or Ghisara, or grinders (Hindi, ghisana 'to rub'). They wander about grinding knives and tools."
Lorha
Lorha. [109]--A small caste of cultivators in the Hoshangabad and Nimar Districts, whose distinctive occupation is to grow san-hemp (Crotalaria juncea) and to make sacking and gunny-bags from the fibre. A very strong prejudice against this crop exists among the Hindus, and those who grow it are usually cut off from their parent caste and become a separate community. Thus we have the castes known as Kumrawat, Patbina and Dangur in different parts of the Province, who are probably offshoots from the Kurmis and Kunbis, but now rank below them because they grow this crop; and in the Kurmi caste itself a subcaste of Santora (hemp-picking) Kurmis has grown up. In Bilaspur the Patharia Kurmis will grow san-hemp and ret it, but will not spin or weave the fibre; while the Atharia Kurmis will not grow the crop, but will spin the fibre and make sacking. The Saugor Kewats grow this fibre, and here Brahmans and other high castes will not take water from Kewats, though in the eastern Districts they will do so. The Narsinghpur Mallahs, a branch of the Kewats, have also adopted the cultivation of san-hemp as a regular profession. The basis of the prejudice against the san-hemp plant is not altogether clear. The Lorhas themselves say that they are looked down upon because they use wheat-starch (lapsi) for smoothing the fibre, and that their name is somehow derived from this fact. But the explanation does not seem satisfactory. Many of the country people appear to think that there is something uncanny about the plant because it grows so quickly, and they say that on one occasion a cultivator went out to sow hemp in the morning, and his wife was very late in bringing his dinner to the field. He grew hungry and angry, and at last the shoots of the hemp-seeds which he had sown in the morning began to appear above the ground. At this he was so enraged that when his wife finally came he said she had kept him waiting so long that the crop had come up in the meantime, and murdered her. Since then the Hindus have been forbidden to grow san-hemp lest they should lose their tempers in the same manner. This story makes a somewhat excessive demand on the hearer's credulity. One probable cause of the taboo seems to be that the process of soaking and retting the stalks of the plant pollutes the water, and if carried on in a tank or in the pools of a stream might destroy the village supply of drinking-water. In former times it may have been thought that the desecration of their sacred element was an insult to the deities of rivers and streams, which would bring down retribution on the offender. It is also the case that the proper separation of the fibres requires a considerable degree of dexterity which can only be acquired by practice. Owing to the recent increase in the price of the fibre and the large profits which can now be obtained from hemp cultivation, the prejudice against it is gradually breaking down, and the Gonds, Korkus and lower Hindu castes have waived their religious scruples and are glad to turn an honest penny by sowing hemp either on their own account or for hire. Other partially tabooed crops are turmeric and al or Indian madder (Morinda citrifolia), while onions and garlic are generally eschewed by Hindu cultivators. For growing turmeric and al special subcastes have been formed, as the Alia Kunbis and the Hardia Malis and Kachhis (from haldi, turmeric), just as in the case of san-hemp. The objection to these two crops is believed to lie in the fact that the roots which yield the commercial product have to be boiled, and by this process a number of insects contained in them are destroyed. But the preparation of the hemp-fibre does not seem to involve any such sacrifice of insect life. The Lorhas appear to be a mixed group, with a certain amount of Rajput blood in them, perhaps an offshoot of the Kirars, with whose social customs their own are said to be identical. According to another account, they are a lower or illegitimate branch of the Lodha caste of cultivators, of whose name their own is said to be a corruption. The Nimar Gujars have a subcaste named Lorha, and the Lorhas of Hoshangabad may be connected with these. They live in the Seoni and Harda tahsils of Hoshangabad, the san-hemp crop being a favourite one in villages adjoining the forests, because it is not subject to the depredations of wild animals. Cultivators are often glad to sublet their fields for the purpose of having a crop of hemp grown upon them, because the stalks are left for manure and fertilise the ground. String and sacking are also made from the hemp-fibre by vagrant and criminal castes like the Banjaras and Bhamtas, who formerly required the bags for carrying their goods and possessions about with them.
Mahar
List of Paragraphs
1. General Notice. 2. Length of residence in the Central Provinces. 3. Legend of origin. 4. Sub castes. 5. Exogamous groups and marriage customs. 6. Funeral rites. 7. Childbirth. 8. Names. 9. Religion. 10. Adoption of foreign religions. 11. Superstitions. 12. Social rules. 13. Social subjection. 14. Their position improving. 15. Occupation.
1. General Notice.
Mahar, Mehra, Dhed.--The impure caste of menials, labourers and village watchmen of the Maratha country, corresponding to the Chamars and Koris of northern India. They numbered nearly 1,200,000 persons in the combined Province in 1911, and are most numerous in the Nagpur, Bhandara, Chanda and Wardha Districts of the Central Provinces, while considerable colonies are also found in Balaghat, Chhindwara and Betul. Their distribution thus follows largely that of the Marathi language and the castes speaking it. Berar contained 400,000, distributed over the four Districts. In the whole Province this caste is third in point of numerical strength. In India the Mahars number about three million persons, of whom a half belong to Bombay. I am not aware of any accepted derivation for the word Mahar, but the balance of opinion seems to be that the native name of Bombay, Maharashtra, is derived from that of the caste, as suggested by Wilson. Another derivation which holds it to be a corruption of Maha Rastrakuta, and to be so called after the Rashtrakuta Rajput dynasty of the eighth and ninth centuries, seems less probable because countries are very seldom named after ruling dynasties. [110] Whereas in support of Maharashtra as 'The country of the Mahars,' we have Gujarashtra or Gujarat, 'the country of the Gujars,' and Saurashtra or Surat, 'the country of the Sauras.' According to Platts' Dictionary, however, Maharashtra means 'the great country,' and this is what the Maratha Brahmans themselves say. Mehra appears to be a variant of the name current in the Hindustani Districts, while Dheda, or Dhada, is said to be a corruption of Dharadas or billmen. [111] In the Punjab it is said to be a general term of contempt meaning 'Any low fellow.' [112]
Wilson considers the Mahars to be an aboriginal or pre-Aryan tribe, and all that is known of the caste seems to point to the correctness of this hypothesis. In the Bombay Gazetteer the writer of the interesting Gujarat volume suggests that the Mahars are fallen Rajputs; but there seems little to support this opinion except their appearance and countenance, which is of the Hindu rather than the Dravidian type. In Gujarat they have also some Rajput surnames, as Chauhan, Panwar, Rathor, Solanki and so on, but these may have been adopted by imitation or may indicate a mixture of Rajput blood. Again, the Mahars of Gujarat are the farmservants and serfs of the Kunbis. "Each family is closely connected with the house of some landholder or pattidar (sharer). For his master he brings in loads from the fields and cleans out the stable, receiving in return daily allowances of buttermilk and the carcases of any cattle that die. This connection seems to show traces of a form of slavery. Rich pattidars have always a certain number of Dheda families whom they speak of as ours (hamara) and when a man dies he distributes along with his lands a certain number of Dheda families to each of his sons. An old tradition among Dhedas points to some relation between the Kunbis and Dhedas. Two brothers, Leva and Deva, were the ancestors, the former of the Kunbis, the latter of the Dhedas." [113] Such a relation as this in Hindu society would imply that many Mahar women held the position of concubines to their Kunbi masters, and would therefore account for the resemblance of the Mahar to Hindus rather than the forest tribes. But if this is to be regarded as evidence of Rajput descent, a similar claim would have to be allowed to many of the Chamars and sweepers. Others of the lowest castes also have Rajput sept names, as the Pardhis and Bhils; but the fact can at most be taken, I venture to think, to indicate a connection of the 'Droit de Seigneur' type. On the other hand, the Mahars occupy the debased and impure position which was the lot of those non-Aryan tribes who became subject to the Hindus and lived in their villages; they eat the flesh of dead cattle and this and other customs appear to point decisively to a non-Aryan origin.
2. Length of residence in the Central Provinces
Several circumstances indicate that the Mahar is recognised as the oldest resident of the plain country of Berar and Nagpur. In Berar he is a village servant and is the referee on village boundaries and customs, a position implying that his knowledge of them is the most ancient. At the Holi festival the fire of the Mahars is kindled first and that of the Kunbis is set alight from it. The Kamdar Mahar, who acts as village watchman, also has the right of bringing the toran or rope of leaves which is placed on the marriage-shed of the Kunbis; and for this he receives a present of three annas. In Bhandra the Telis, Lohars, Dhimars and several other castes employ a Mahar Mohturia or wise man to fix the date of their weddings. And most curious of all, when the Panwar Rajputs of this tract celebrate the festival of Narayan Deo, they call a Mahar to their house and make him the first partaker of the feast before beginning to eat themselves. Again in Berar [114] the Mahar officiates at the killing of the buffalo on Dasahra. On the day before the festival the chief Mahar of the village and his wife with their garments knotted together bring some earth from the jungle and fashioning two images set one on a clay elephant and the other on a clay bullock. The images are placed on a small platform outside the village site and worshipped; a young he-buffalo is bathed and brought before the images as though for the same object. The Patel wounds the buffalo in the nose with a sword and it is then marched through the village. In the evening it is killed by the head Mahar, buried in the customary spot, and any evil that might happen during the coming year is thus deprecated and, it is hoped, averted. The claim to take the leading part in this ceremony is the occasion of many a quarrel and an occasional affray or riot Such customs tend to show that the Mahars were the earliest immigrants from Bombay into the Berar and Nagpur plain, excluding of course the Gonds and other tribes, who have practically been ousted from this tract. And if it is supposed that the Panwars came here in the tenth century, as seems not improbable, [115] the Mahars, whom the Panwars recognise as older residents than themselves, must have been earlier still, and were probably numbered among the subjects of the old Hindu kingdoms of Bhandak and Nagardhan.
3. Legend of origin
The Mahars say they are descended from Mahamuni, who was a foundling picked up by the goddess Parvati on the banks of the Ganges. At this time beef had not become a forbidden food; and when the divine cow, Tripad Gayatri, died, the gods determined to cook and eat her body and Mahamuni was set to watch the pot boiling. He was as inattentive as King Alfred, and a piece of flesh fell out of the pot. Not wishing to return the dirty piece to the pot Mahamuni ate it; but the gods discovered the delinquency, and doomed him and his descendants to live on the flesh of dead cows. [116]
4. Sub-castes
The caste have a number of subdivisions, generally of a local or territorial type, as Daharia, the residents of Dahar or the Jubbulpore country, Baonia (52) of Berar, Nemadya or from Nimar, Khandeshi from Khandesh, and so on; the Katia group are probably derived from that caste, Katia meaning a spinner; the Barkias are another group whose name is supposed to mean spinners of fine thread; while the Lonarias are salt-makers. The highest division are the Somvansis or children of the moon; these claim to have taken part with the Pandavas against the Kauravas in the war of the Mahabharata, and subsequently to have settled in Maharashtra. [117] But the Somvansi Mahars consent to groom horses, which the Baone and Kosaria subcastes will not do. Baone and Somvansi Mahars will take food together, but will not intermarry. The Ladwan subcaste are supposed to be the offspring of kept women of the Somvansi Mahars; and in Wardha the Dharmik group are also the descendants of illicit unions and their name is satirical, meaning 'virtuous.' As has been seen, the caste have a subdivision named Katia, which is the name of a separate Hindustani caste; and other subcastes have names belonging to northern India, as the Mahobia, from Mahoba in the United Provinces, the Kosaria or those from Chhattisgarh, and the Kanaujia from Kanauj. This may perhaps be taken to indicate that bodies of the Kori and Katia weaving castes of northern India have been amalgamated with the Mahars in Districts where they have come together along the Satpura Hills and Nerbudda Valley.
5. Exogamous groups and marriage customs
The caste have also a large number of exogamous groups, the names of which are usually derived from plants, animals, and natural objects. A few may be given as examples out of fifty-seven recorded in the Central Provinces, though this is far from representing the real total; all the common animals have septs named after them, as the tiger, cobra, tortoise, peacock, jackal, lizard, elephant, lark, scorpion, calf, and so on; while more curious names are--Darpan, a mirror; Khanda Phari, sword and shield; Undrimaria, a rat-killer; Aglavi, an incendiary; Andhare, a blind man; Kutramaria, a dog-killer; Kodu Dudh, sour milk; Khobragade, cocoanut-kernel; Bhajikhai, a vegetable eater, and so on.
A man must not marry in his own sept, but may take a wife from his mother's or grandmother's. A sister's son may marry a brother's daughter, but not vice versa. A girl who is seduced before marriage by a man of her own caste or any higher one can be married as if she were a widow, but if she has a child she must first get some other family to take it off her hands. The custom of Lamjhana or serving for a wife is recognised, and the expectant bridegroom will live with his father-in-law and work for him for a period varying from one to five years. The marriage ceremony follows the customary Hindustani or Maratha ritual [118] as the case may be. In Wardha the right foot of the bridegroom and the left one of the bride are placed together in a new basket, while they stand one on each side of the threshold. They throw five handfuls of coloured rice over each other, and each time, as he throws, the bridegroom presses his toe on the bride's foot; at the end he catches the girl by the finger and the marriage is complete. In the Central Provinces the Mohturia or caste priest officiates at weddings, but in Berar, Mr. Kitts states [119] the caste employ the Brahman Joshi or village priest. But as he will not come to their house they hold the wedding on the day that one takes place among the higher castes, and when the priest gives the signal the dividing cloth (Antarpat) between the couple is withdrawn, and the garments of the bride and bridegroom are knotted, while the bystanders clap their hands and pelt the couple with coloured grain. As the priest frequently takes up his position on the roof of the house for a wedding it is easy for the Mahars to see him. In Mandla some of the lower class of Brahmans will officiate at the weddings of Mahars. In Chhindwara the Mahars seat the bride and bridegroom in the frame of a loom for the ceremony, and they worship the hide of a cow or bullock filled with water. They drink together ceremoniously, a pot of liquor being placed on a folded cloth and all the guests sitting round it in a circle. An elder man then lays a new piece of cloth on the pot and worships it. He takes a cup of the liquor himself and hands round a cupful to every person present.
In Mandla at a wedding the barber comes and cuts the bride's nails, and the cuttings are rolled up in dough and placed in a little earthen pot beside the marriage-post. The bridegroom's nails and hair are similarly cut in his own house and placed in another vessel. A month or two after the wedding the two little pots are taken out and thrown into the Nerbudda. A wedding costs the bridegroom's party about Rs. 40 or Rs. 50 and the bride's about Rs. 25. They have no going-away ceremony, but the occasion of a girl's coming to maturity is known as Bolawan. She is kept apart for six days and given new clothes, and the caste-people are invited to a meal. When a woman's husband dies the barber breaks her bangles, and her anklets are taken off and given to him as his perquisite. Her brother-in-law or other relative gives her a new white cloth, and she wears this at first, and afterwards white or coloured clothes at her pleasure. Her hair is not cut, and she may wear patelas or flat metal bangles on the forearm and armlets above the elbow, but not other ornaments. A widow is under no obligation to marry her first husband's younger brother; when she marries a stranger he usually pays a sum of about Rs. 30 to her parents. When the price has been paid the couple exchange a ring and a bangle respectively in token of the agreement. When the woman is proceeding to her second husband's house, her old clothes, necklace and bangles are thrown into a river or stream and she is given new ones to wear. This is done to lay the first husband's spirit, which may be supposed to hang about the clothes she wore as his wife, and when they are thrown away or buried the exorcist mutters spells over them in order to lay the spirit. No music is allowed at the marriage of a widow except the crooked trumpet called singara. A bachelor who marries a widow must first go through a mock ceremony with a cotton-plant, a sword or a ring. Divorce must be effected before the caste panchayat or committee, and if a divorced woman marries again, her first husband performs funeral and mourning ceremonies as if she were dead. In Gujarat the practice is much more lax and "divorce can be obtained almost to an indefinite extent. Before they finally settle down to wedded life most couples have more than once changed their partners." [120] But here also, before the change takes place, there must be a formal divorce recognised by the caste.
6. Funeral rites
The caste either burn or bury the dead and observe mourning for three days, [121] having their houses whitewashed and their faces shaved. On the tenth day they give a feast to the caste-fellows. On the Akshaya Tritia [122] and the 30th day of Kunwar (September) they offer rice and cakes to the crows in the names of their ancestors. In Berar Mr. Kitts writes: [123] "If a Mahar's child has died, he will on the third day place bread on the grave; if an infant, milk; if an adult, on the tenth day, with five pice in one hand and five betel-leaves in the other, he goes into the river, dips himself five times and throws these things away; he then places five lighted lamps on the tomb, and after these simple ceremonies gets himself shaved as though he were an orthodox Hindu."
7. Childbirth
In Mandla the mother is secluded at childbirth in a separate house if one is available, and if not they fence in a part of the veranda for her use with bamboo screens. After the birth the mother must remain impure until the barber comes and colours her toe-nails and draws a line round her feet with red mahur powder. This is indispensable, and if the barber is not immediately available she must wait until his services can be obtained. When the navel-string drops it is buried in the place on which the mother sat while giving birth, and when this has been done the purification may be effected. The Dhobi is then called to wash the clothes of the household, and their earthen pots are thrown away. The head of the newborn child is shaved clean, as the birth-hair is considered to be impure, and the hair is wrapped up in dough and thrown into a river.
8. Names
A child is named on the seventh or twelfth day after its birth, the name being chosen by the Mohturia or caste headman. The ordinary Hindu names of deities for men and sacred rivers or pious and faithful wives for women are employed; instances of the latter being Ganga, Godavari, Jamuna, Sita, Laxmi and Radha. Opprobrious names are sometimes given to avert ill-luck, as Damdya (purchased for eight cowries), Kauria (a cowrie), Bhikaria (a beggar), Ghusia (from ghus, a mallet for stamping earth), Harchatt (refuse), Akali (born in famine-time), Langra (lame), Lula (having an arm useless); or the name of another low caste is given, as Bhangi (sweeper), Domari (Dom sweeper), Chamra (tanner), Basori (basket-maker). Not infrequently children are named after the month or day when they were born, as Pusau, born in Pus (December), Chaitu, born in Chait (March), Manglu (born on Tuesday), Buddhi (born on Wednesday), Sukka (born on Friday), Sanichra (born on Saturday). One boy was called Mulua or 'Sold' (mol-dena). His mother had no other children, so sold him for one pice (farthing) to a Gond woman. After five or six months, as he did not get fat, his name was changed to Jhuma or 'lean,' probably as an additional means of averting ill-luck. Another boy was named Ghurka, from the noise he made when being suckled. A child born in the absence of its father is called Sonwa, or one born in an empty house.
9. Religion
The great body of the caste worship the ordinary deities Devi, Hanuman, Dulha Deo, and others, though of course they are not allowed to enter Hindu temples. They principally observe the Holi and Dasahra festivals and the days of the new and full moon. On the festival of Nag-Panchmi they make an image of a snake with flour and sugar and eat it. At the sacred Ambala tank at Ramtek the Mahars have a special bathing-ghat set apart for them, and they may enter the citadel and go as far as the lowest step leading up to the temples; here they worship the god and think that he accepts their offerings. They are thus permitted to traverse the outer enclosures of the citadel, which are also sacred. In Wardha the Mahars may not touch the shrines of Mahadeo, but must stand before them with their hands joined. They may sometimes deposit offerings with their own hands on those of Bhimsen, originally a Gond god, and Mata Devi, the goddess of smallpox.
10. Adoption of foreign religions
In Berar and Bombay the Mahars have some curious forms of belief. "Of the confusion which obtains in the Mahar theogony the names of six of their gods will afford a striking example. While some Mahars worship Vithoba, the god of Pandharpur, others revere Varuna's twin sons, Meghoni and Deghoni, and his four messengers, Gabriel, Azrael, Michael and Anadin, all of whom they say hail from Pandharpur." [124] The names of archangels thus mixed up with Hindu deities may most probably have been obtained from the Muhammadans, as they include Azrael; but in Gujarat their religion appears to have been borrowed from Christianity. "The Karia Dhedas have some rather remarkable beliefs. In the Satya Yug the Dhedas say they were called Satyas; in the Dvapar Yug they were called Meghas; in the Treta Yug, Elias; and in the Kali Yug, Dhedas. The name Elias came, they say, from a prophet Elia, and of him their religious men have vague stories; some of them especially about a famine that lasted for three years and a half, easily fitting into the accounts of Elijah in the Jewish Scriptures. They have also prophecies of a high future in store for their tribe. The king or leader of the new era, Kuyam Rai by name, will marry a Dheda woman and will raise the caste to the position of Brahmans. They hold religious meetings or ochhavas, and at these with great excitement sing songs full of hope of the good things in store for them. When a man wishes to hold an ochhava he invites the whole caste, and beginning about eight in the evening they often spend the night in singing. Except perhaps for a few sweetmeats there is no eating or drinking, and the excitement is altogether religious and musical. The singers are chiefly religious Dhedas or Bhagats, and the people join in a refrain 'Avore Kuyam Rai Raja', 'Oh! come Kuyam Rai, our king.'" [125] It seems that the attraction which outside faiths exercise on the Mahars is the hope held out of ameliorating the social degradation under which they labour, itself an outcome of the Hindu theory of caste. Hence they turn to Islam, or to what is possibly a degraded version of the Christian story, because these religions do not recognise caste, and hold out a promise to the Mahar of equality with his co-religionists, and in the case of Christianity of a recompense in the world to come for the sufferings which he has to endure in this one. Similarly, the Mahars are the warmest adherents of the Muhammadan saint Sheikh Farid, and flock to the fairs held in his honour at Girar in Wardha and Partapgarh in Bhandara, where he is supposed to have slain a couple of giants. [126] In Berar [127] also they revere Muhammadan tombs. The remains of the Muhammadan fort and tank on Pimpardol hill in Jalgaon taluk are now one of the sacred places of the Mahars, though to the Muhammadans they have no religious associations. Even at present Mahars are inclined to adopt Islam, and a case was recently reported when a body of twenty of them set out to do so, but turned back on being told that they would not be admitted to the mosque. [128] A large proportion of the Mahars are also adherents of the Kabirpanthi sect, one of the main tenets of whose founder was the abolition of caste. And it is from the same point of view that Christianity appeals to them, enabling European missionaries to draw a large number of converts from this caste. But even the Hindu attitude towards the Mahars is not one of unmixed intolerance. Once in three or four years in the southern Districts, the Panwars, Mahars, Pankas and other castes celebrate the worship of Narayan Deo or Vishnu, the officiating priest being a Mahar. Members of all castes come to the Panwar's house at night for the ceremony, and a vessel of water is placed at the door in which they wash their feet and hands as they enter; and when inside they are all considered to be equal, and they sit in a line and eat the same food, and bind wreaths of flowers round their heads. After the cock crows the equality of status is ended, and no one who goes out of the house can enter again. At present also many educated Brahmans recognise fully the social evils resulting from the degraded position of the Mahars, and are doing their best to remove the caste prejudices against them.
11. Superstitions
They have various spells to cure a man possessed of an evil spirit, or stung by a snake or scorpion, or likely to be in danger from tigers or wild bears; and in the Morsi taluk of Berar it is stated that they so greatly fear the effect of an enemy writing their name on a piece of paper and tying it to a sweeper's broom that the threat to do this can be used with great effect by their creditors. [129] To drive out the evil eye they make a small human image of powdered turmeric and throw it into boiled water, mentioning as they do so the names of any persons whom they suspect of having cast the evil eye upon them. Then the pot of water is taken out at midnight of a Wednesday or a Sunday and placed upside down on some cross-roads with a shoe over it, and the sufferer should be cured. Their belief about the sun and moon is that an old woman had two sons who were invited by the gods to dinner. Before they left she said to them that as they were going out there would be no one to cook, so they must remember to bring back something for her. The elder brother forgot what his mother had said and took nothing away with him; but the younger remembered her and brought back something from the feast. So when they came back the old woman cursed the elder brother and said that as he had forgotten her he should be the sun and scorch and dry up all vegetation with his beams; but the younger brother should be the moon and make the world cool and pleasant at night. The story is so puerile that it is only worth reproduction as a specimen of the level of a Mahar's intelligence. The belief in evil spirits appears to be on the decline, as a result of education and accumulated experience. Mr. C. Brown states that in Malkapur of Berar the Mahars say that there are no wandering spirits in the hills by night of such a nature that people need fear them. There are only tiny pari or fairies, small creatures in human form, but with the power of changing their appearance, who do no harm to any one.
12. Social rules
When an outsider is to be received into the community all the hair on his face is shaved, being wetted with the urine of a boy belonging to the group to which he seeks admission. Mahars will eat all kinds of food including the flesh of crocodiles and rats, but some of them abstain from beef. There is nothing peculiar in their dress except that the men wear a black woollen thread round their necks. [130] The women may be recognised by their bold carriage, the absence of nose-rings and the large irregular dabs of vermilion on the forehead. Mahar women do not, as a rule, wear the choli or breast-cloth. An unmarried girl does not put on vermilion nor draw her cloth over her head. Women must be tattooed with dots on the face, representations of scorpions, flowers and snakes on the arms and legs, and some dots to represent flies on the hands. It is the custom for a girl's father or mother or father-in-law to have her tattooed in one place on the hand or arm immediately on her marriage. Then when girls are sitting together they will show this mark and say, 'My mother or father-in-law had this done,' as the case may be. Afterwards if a woman so desires she gets herself tattooed on her other limbs. If an unmarried girl or widow becomes with child by a man of the Mahar caste or any higher one she is subjected after delivery to a semblance of the purification by fire known as Agnikasht. She is taken to the bank of a river and there five stalks of juari are placed round her and burnt. Having fasted all day, at night she gives a feast to the caste-men and eats with them. If she offends with a man of lower caste she is finally expelled. Temporary exclusion from caste is imposed for taking food or drink from the hands of a Mang or Chamar or for being imprisoned in jail, or on a Mahar man if he lives with a woman of any higher caste; the penalty being the shaving of a man's face or cutting off a lock of a woman's hair, together with a feast to the caste. In the last case it is said that the man is not readmitted until he has put the woman away. If a man touches a dead dog, cat, pony or donkey, he has to be shaved and give a feast to the caste. And if a dog or cat dies in his house, or a litter of puppies or kittens is born, the house is considered to be defiled; all the earthen pots must be thrown away, the whole house washed and cleaned and a caste feast given. The most solemn oath of a Mahar is by a cat or dog and in Yeotmal by a black dog. [131] In Berar, the same paper states, the pig is the only animal regarded as unclean, and they must on no account touch it. This is probably owing to Muhammadan influence. The worst social sin which a Mahar can commit is to get vermin in a wound, which is known as Deogan or being smitten by God. While the affliction continues he is quite ostracised, no one going to his house or giving him food or water; and when it is cured the Mahars of ten or twelve surrounding villages assemble and he must give a feast to the whole community. The reason for this calamity being looked upon with such peculiar abhorrence is obscure, but the feeling about it is general among Hindus.
13. Social subjection
The social position of the Mahars is one of distressing degradation. Their touch is considered to defile and they live in a quarter by themselves outside the village. They usually have a separate well assigned to them from which to draw water, and if the village has only one well the Mahars and Hindus take water from different sides of it. Mahar boys were not until recently allowed to attend school with Hindu boys, and when they could not be refused admission to Government schools, they were allotted a small corner of the veranda and separately taught. When Dher boys were first received into the Chanda High School a mutiny took place and the school was boycotted for some time. The people say, 'Mahar sarva jaticha bahar' or 'The Mahar is outside all castes.' Having a bad name, they are also given unwarrantably a bad character; and 'Mahar jaticha' is a phrase used for a man with no moral or kindly feelings. But in theory at least, as conforming to Hinduism, they were supposed to be better than Muhammadans and other unbelievers, as shown by the following story from the Rasmala: [132] A Muhammadan sovereign asked his Hindu minister which was the lowest caste. The minister begged for leisure to consider his reply and, having obtained it, went to where the Dhedas lived and said to them: "You have given offence to the Padishah. It is his intention to deprive you of caste and make you Muhammadans." The Dhedas, in the greatest terror, pushed off in a body to the sovereign's palace, and standing at a respectful distance shouted at the top of their lungs: "If we've offended your majesty, punish us in some other way than that. Beat us, fine us, hang us if you like, but don't make us Muhammadans." The Padishah smiled, and turning to his minister who sat by him affecting to hear nothing, said, 'So the lowest caste is that to which I belong.' But of course this cannot be said to represent the general view of the position of Muhammadans in Hindu eyes; they, like the English, are regarded as distinguished foreigners, who, if they consented to be proselytised, would probably in time become Brahmans or at least Rajputs. A repartee of a Mahar to a Brahman abusing him is: The Brahman, 'Jare Maharya' or 'Avaunt, ye Mahar'; the Mahar, 'Kona diushi nein tumchi goburya' or 'Some day I shall carry cowdung cakes for you (at his funeral)'; as in the Maratha Districts the Mahar is commonly engaged for carrying fuel to the funeral pyre. Under native rule the Mahar was subjected to painful degradations. He might not spit on the ground lest a Hindu should be polluted by touching it with his foot, but had to hang an earthen pot round his neck to hold his spittle. [133] He was made to drag a thorny branch with him to brush out his footsteps, and when a Brahman came by had to lie at a distance on his face lest his shadow might fall on the Brahman. In Gujarat [134] they were not allowed to tuck up the loin-cloth but had to trail it along the ground. Even quite recently in Bombay a Mahar was not allowed to talk loudly in the street while a well-to-do Brahman or his wife was dining in one of the houses. In the reign of Sidhraj, the great Solanki Raja of Gujarat, the Dheras were for a time at any rate freed from such disabilities by the sacrifice of one of their number. [135] The great tank at Anhilvada Patan in Gujarat had been built by the Ods (navvies), but Sidhraj desired Jusma Odni, one of their wives, and sought to possess her. But the Ods fled with her and when he pursued her she plunged a dagger into her stomach, cursing Sidhraj and saying that his tank should never hold water. The Raja, returning to Anhilvada, found the tank dry, and asked his minister what should be done that water might remain in the tank. The Pardhan, after consulting the astrologers, said that if a man's life were sacrificed the curse might be removed. At that time the Dhers or outcastes were compelled to live at a distance from the towns; they wore untwisted cotton round their heads and a stag's horn as a mark hanging from their waists so that people might be able to avoid touching them. The Raja commanded that a Dher named Mayo should be beheaded in the tank that water might remain. Mayo died, singing the praises of Vishnu, and the water after that began to remain in the tank. At the time of his death Mayo had begged as a reward for his sacrifice that the Dhers should not in future be compelled to live at a distance from the towns nor wear a distinctive dress. The Raja assented and these privileges were afterwards permitted to the Dhers for the sake of Mayo.
14. Their position improving
From the painful state of degradation described above the Mahars are gradually being rescued by the levelling and liberalising tendency of British rule, which must be to these depressed classes an untold blessing. With the right of acquiring property they have begun to assert themselves, and the extension of railways more especially has a great effect in abolishing caste distinctions. The Brahman who cannot afford a second-class fare must either not travel or take the risk of rubbing shoulders with a Mahar in a third-class carriage, and if he chooses to consider himself defiled will have to go hungry and thirsty until he gets the opportunity of bathing at his journey's end. The observance of the rules of impurity thus becomes so irksome that they are gradually falling into abeyance.
15. Occupation
The principal occupations of the Mahars are the weaving of coarse country cloth and general labour. They formerly spun their own yarn, and their fabrics were preferred by the cultivators for their durability. But practically all thread is now bought from the mills; and the weaving industry is also in a depressed condition. Many Mahars have now taken to working in the mills, and earn better wages than they could at home. In Bombay a number of them are employed as police-constables. [136] They are usually the village watchmen of the Maratha Districts, and in this capacity were remunerated by contributions of grain from the tenants, the hides and flesh of animals dying in the village, and plots of rent-free land. For these have now been substituted in the Central Provinces a cash payment fixed by Government. In Berar the corresponding official is known as the Kamdar Mahar. Mr. Kitts writes of him: [137] As fourth balutedar on the village establishment the Mahar holds a post of great importance to himself and convenience to the village. To the patel (headman), patwari and big men of the village, he acts often as a personal servant and errand-runner; for a smaller cultivator he will also at times carry a torch or act as escort. He had formerly to clean the horses of travellers, and was also obliged, if required, to carry their baggage. [138] For the services which he thus renders as pandhewar the Mahar receives from the cultivators certain grain-dues. When the cut juari is lying in the field the Mahars go round and beg for a measure of the ears (bhik payali). But the regular payment is made when the grain has been threshed. Another duty performed by the Mahar is the removal of the carcases of dead animals. The flesh is eaten and the skin retained as wage for the work. The patel and his relatives, however, usually claim to have the skins of their own animals returned; and in some places where half the agriculturists of the village claim kinship with the patel, the Mahars feel and resent the loss. A third duty is the opening of grain-pits, the noxious gas from which sometimes produces asphyxia. For this the Mahars receive the tainted grain. They also get the clothes from a corpse which is laid on the pyre, and the pieces of the burnt wood which remain when the body has been consumed. Recent observations in the Nagpur country show that the position of the Mahars is improving. In Nagpur it is stated: [139] "Looked down upon as outcastes by the Hindus they are hampered by no sense of dignity or family prejudice. They are fond of drink, but are also hard workers. They turn their hands to anything and everything, but the great majority are agricultural labourers. At present the rural Mahar is in the background. If there is only one well in the village he may not use it, but has to get his water where he can. His sons are consigned to a corner in the village school, and the schoolmaster, if not superior to caste prejudices, discourages their attendance. Nevertheless, Mahars will not remain for years downtrodden in this fashion, and are already pushing themselves up from this state of degradation. In some places they have combined to dig wells, and in Nagpur have opened a school for members of their own community. Occasionally a Mahar is the most prosperous man in the village. Several of them are moneylenders in a small way, and a few are malguzars." Similarly in Bhandara Mr. Napier writes that a new class of small creditors has arisen from the Mahar caste. These people have given up drinking, and lead an abstemious life, wishing to raise themselves in social estimation. Twenty or more village kotwars were found to be carrying on moneylending transactions on a small scale, and in addition many of the Mahars in towns were exceedingly well off.
Mahli
1. Origin of the caste
Mahli, Mahili. [140]--A small caste of labourers, palanquin-bearers and workers in bamboo belonging to Chota Nagpur. In 1911 about 300 Mahlis were returned from the Feudatory States in this tract. They are divided into five subcastes: the Bansphor-Mahli, who make baskets and do all kinds of bamboo-work; the Pahar-Mahli, basket-makers and cultivators; the Sulunkhi, cultivators and labourers; the Tanti who carry litters; and the Mahli-Munda, who belong to Lohardaga. Sir H. Risley states that a comparison of the totemistic sections of the Mahlis given in the Appendix to his Tribes and Castes with those of the Santals seems to warrant the conjecture that the main body of the caste are merely a branch of the Santals. Four or five septs, Hansda a wild goose, Hemron, Murmu the nilgai, Saren or Sarihin, and perhaps Tudu or Turu are common to the two tribes. The Mahlis are also closely connected with the Mundas. Seven septs of the main body of the Mahlis, Dumriar the wild fig, Gundli a kind of grain, Kerketa a bird, Mahukal a bird (long-tail), Tirki, Tunduar and Turu are also Munda septs; and the three septs given of the Mahli-Munda subcaste, Bhuktuar, Lang Chenre, and Sanga are all found among the Mundas; while four septs, Hansda a wild goose, Induar a kind of eel, as well as Kerketa and Tirki, already mentioned, are common to the Mahlis and Turis who are also recognised by Sir H. Risley as an offshoot of the Munda tribe with the same occupation as the Mahlis, of making baskets. [141] The Santals and Mundas were no doubt originally one tribe, and it seems that the Mahlis are derived from both of them, and have become a separate caste owing to their having settled in villages more or less of the open country, and worked as labourers, palanquin-bearers and bamboo-workers much in the same manner as the Turis. Probably they work for hire for Hindus, and hence their status may have fallen lower than that of the parent tribe, who remained in their own villages in the jungles. Colonel Dalton notes [142] that the gipsy Berias use Manjhi and Mahali as titles, and it is possible that some of the Mahlis may have joined the Beria community.
2. Social customs
Only a very few points from Sir H. Risley's account of the caste need be recorded here, and for further details the reader may be referred to his article in the Tribes and Castes of Bengal. A bride-price of Rs. 5 is customary, but it varies according to the means of the parties. On the wedding day, before the usual procession starts to escort the bridegroom to the bride's house, he is formally married to a mango tree, while the bride goes through the same ceremony with a mahua. At the entrance to the bride's house the bridegroom, riding on the shoulders of some male relation and bearing on his head a vessel of water, is received by the bride's brother, equipped in similar fashion, and the two cavaliers sprinkle one another with water. At the wedding the bridegroom touches the bride's forehead five times with vermilion and presents her with an iron armlet. The remarriage of widows and divorce are permitted. When a man divorces his wife he gives her a rupee and takes away the iron armlet which was given her at her wedding. The Mahlis will admit members of any higher caste into the community. The candidate for admission must pay a small sum to the caste headman, and give a feast to the Mahlis of the neighbourhood, at which he must eat a little of the leavings of food left by each guest on his leaf-plate. After this humiliating rite he could not, of course, be taken back into his own caste, and is bound to remain a Mahli.
Majhwar
List of Paragraphs
1. Origin of the tribe. 2. The Mirzapur Majhwars derived from the Gonds. 3. Connection with the Kawars. 4. Exogamy and totemism. 5. Marriage customs. 6. Birth and funeral rites. 7. Religious dance.
1. Origin of the tribe
Majhwar, Manjhi, Majhia. [143]--A small mixed tribe who have apparently originated from the Gonds, Mundas and Kawars. About 14,000 Majhwars were returned in 1911 from the Raigarh, Sarguja and Udaipur States. The word Manjhi means the headman of a tribal subdivision, being derived from the Sanskrit madhya, or he who is in the centre. [144] In Bengal Manjhi has the meaning of the steersman of a boat or a ferryman, and this may have been its original application, as the steersman might well be he who sat in the centre. [145] When a tribal party makes an expedition by boat, the leader would naturally occupy the position of steersman, and hence it is easy to see how the term Manjhi came to be applied to the leader or head of the clan and to be retained as a title for general use. Sir H. Risley gives it as a title of the Kewats or fishermen and many other castes and tribes in Bengal. But it is also the name for a village headman among the Santals, and whether this meaning is derived from the prior signification of steersman or is of independent origin is, uncertain. In Raigarh Mr. Hira Lal states that the Manjhis or Majhias are fishermen and are sometimes classed, with the Kewats. They appear to be Kols who have taken to fishing and, being looked down on by the other Kols on this account, took the name of Majhia or Manjhi, which they now derive from Machh, a fish. "The appearance of the Majhias whom I saw and examined was typically aboriginal and their language was a curious mixture of Mundari, Santal and Korwa, though they stoutly repudiated connection with any of these tribes. They could count only up to three in their own language, using the Santal words mit, baria, pia. Most of their terms for parts of the body were derived from Mundari, but they also used some Santali and Korwa words. In their own language they called themselves Hor, which means a man, and is the tribal name of the Mundas."
2. The Mirzapur Majhwars derived from the Gonds
On the other hand the Majhwars of Mirzapur, of whom Mr. Crooke gives a detailed and interesting account, clearly appear to be derived from the Gonds. They have five subdivisions, which they say are descended from the five sons of their first Gond ancestor. These are Poiya, Tekam, Marai, Chika and Oiku. Four of these names are those of Gond clans, and each of the five subtribes is further divided into a number of exogamous septs, of which a large proportion bear typical Gond names, as Markam, Netam, Tekam, Masham, Sindram and so on. The Majhwars of Mirzapur also, like the Gonds, employ Patharis or Pardhans as their priests, and there can thus be no doubt that they are mainly derived from the Gonds. They would appear to have come to Mirzapur from Sarguja and the Vindhyan and Satpura hills, as they say that their ancestors ruled from the forts of Mandla, Garha in Jubbulpore, Sarangarh, Raigarh and other places in the Central Provinces. [146] They worship a deified Ahir, whose legs were cut off in a fight with some Raja, since when he has become a troublesome ghost. "He now lives on the Ahlor hill in Sarguja, where his petrified body may still be seen, and the Manjhis go there to worship him. His wife lives on the Jhoba hill in Sarguja. Nobody but a Baiga dares to ascend the hill, and even the Raja of Sarguja when he visits the neighbourhood sacrifices a black goat. Manjhis believe that if these two deities are duly propitiated they can give anything they need." The story makes it probable that the ancestors of these Manjhis dwelt in Sarguja. The Manjhis of Mirzapur are not boatmen or fishermen and have no traditions of having ever been so. They are a backward tribe and practise shifting cultivation on burnt-out patches of forest. It is possible that they may have abandoned their former aquatic profession on leaving the neighbourhood of the rivers, or they may have simply adopted the name, especially since it has the meaning of a village headman and is used as a title by the Santals and other castes and tribes. Similarly the term Munda, which at first meant the headman of a Kol village, is now the common name for the Kol tribe in Chota Nagpur.
3. Connection with the Kawars
Again the Manjhis appear to be connected with the Kawar tribe. Mr. Hira Lal states that in Raigarh they will take food with Kewats, Gonds, Kawars and Rawats or Ahirs, but they will not eat rice and pulse, the most important and sacred food, with any outsiders except Kawars; and this they explain by the statement that their ancestors and those of the Kawars were connected. In Mirzapur the Kaurai Ahirs will take food and water from the Majhwars, and these Ahirs are not improbably derived from the Kawars. [147] Here the Majhwars also hold an oath taken when touching a broadsword as most binding, and the Kawars of the Central Provinces worship a sword as one of their principal deities. [148] Not improbably the Manjhis may include some Kewats, as this caste also use Manjhi for a title; and Manjhi is both a subcaste and title of the Khairwars. The general conclusion from the above evidence appears to be that the caste is a very heterogeneous group whose most important constituents come from the Gond, Munda, Santal and Kawar tribes. Whether the original bond of connection among the various people who call themselves Manjhi was the common occupation of boating and fishing is a doubtful point.
4. Exogamy and totemism
The Manjhis of Sarguja, like those of Raigarh, appear to be of Munda and Santal rather than of Gond origin. They have no subdivisions, but a number of totemistic septs. Those of the Bhainsa or buffalo sept are split into the Lotan and Singhan subsepts, lotan meaning a place where buffaloes wallow and singh a horn. The Lotan Bhainsa sept say that their ancestor was born in a place where a buffalo had wallowed, and the Singhan Bhainsa that their ancestor was born while his mother was holding the horn of a buffalo. These septs consider the buffalo sacred and will not yoke it to a plough or cart, though they will drink its milk. They think that if one of them killed a buffalo their clan would become extinct. The Baghani Majhwars, named after the bagh or tiger, think that a tiger will not attack any member of their sept unless he has committed an offence entailing temporary excommunication from caste. Until this offence has been expiated his relationship with the tiger as head of his sept is in abeyance and the tiger will eat him as he would any other stranger. If a tiger meets a member of the sept who is free from sin, he will run away. When the Baghani sept hear that any Majhwar has killed a tiger they purify their houses by washing them with cowdung and water. Members of the Khoba or peg sept will not make a peg or drive one into the ground. Those of the Dumar [149] or fig-tree sept say that their first ancestor was born under this tree. They consider the tree to be sacred and never eat its fruit, and worship it once a year. Members of the sept named after the shiroti tree worship the tree every Sunday.
5. Marriage customs.
Marriage within the sept is prohibited and for three generations between persons related through females. Marriage is adult, but matches are arranged by the parents of the parties. At betrothal the elders of the caste must be regaled with cheora or parched rice and liquor. A bride-price of Rs. 10 is paid, but a suitor who cannot afford this may do service to his father-in-law for one or two years in lieu of it. At the wedding the bridegroom puts a copper ring on the bride's finger and marks her forehead with vermilion. The couple walk seven times round the sacred post, and seven little heaps of rice and pieces of turmeric are arranged so that they may touch one of them with their big toes at each round. The bride's mother and seven other women place some rice in the skirts of their cloths and the bridegroom throws this over his shoulder. After this he picks up the rice and distributes it to all the women present, and the bride goes through the same ceremony. The rice is no doubt an emblem of fertility, and its presentation to the women may perhaps be expected to render them fertile.
6. Birth and funeral rites
On the birth of a child the navel-string is buried in front of the house. When a man is at the point of death they place a little cooked rice and curds in his mouth so that he may not go hungry to the other world, in view of the fact that he has probably eaten very little during his illness. Some cotton and rice are also placed near the head of the corpse in the grave so that he may have food and clothing in the next world. Mourning is observed for five days, and at the end of this period the mourners should have their hair cut, but if they cannot get it done on this day, the rite may be performed on the same day in the following year.
7. Religious dance
The tribe worship Dulha Deo, the bridegroom god, and also make offerings to their ploughs at the time of eating the new rice and at the Holi and Dasahra festivals. They dance the karma dance in the months of Asarh and Kunwar or at the beginning and end of the rains. When the time has come the Gaontia headman or the Baiga priest fetches a branch of the karma tree from the forest and sets it up in his yard as a notice and invitation to the village. After sunset all the people, men, women and children, assemble and dance round the tree, to the accompaniment of a drum known as Mandar. The dancing continues all night, and in the morning the host plucks up the branch of the karma tree and consigns it to a stream, at the same time regaling the dancers with rice, pulse and a goat. This dance is a religious rite in honour of Karam Raja, and is believed to keep sickness from the village and bring it prosperity. The tribe eat flesh, but abstain from beef and pork. Girls are tattooed on arrival at puberty with representations of the tulsi or basil, four arrow-heads in the form of a cross, and the foot-ornament known as pairi.
Mal
Mal, Male, Maler, Mal Paharia. [150]--A tribe of the Rajmahal hills, who may be an isolated branch of the Savars. In 1911 about 1700 Mals were returned from the Chota Nagpur Feudatory States recently transferred to the Central Provinces. The customs of the Mals resemble those of the other hill tribes of Chota Nagpur. Sir H. Risley states that the average stature is low, the complexion dark and the figure short and sturdy. The following particulars are reproduced from Colonel Dalton's account of the tribe:
"The hill lads and lasses are represented as forming very romantic attachments, exhibiting the spectacle of real lovers 'sighing like furnaces,' and the cockney expression of 'keeping company' is peculiarly applicable to their courtship. If separated only for an hour they are miserable, but there are apparently few obstacles to the enjoyment of each other's society, as they work together, go to market together, eat together, and sleep together! But if it be found that they have overstepped the prescribed limits of billing and cooing, the elders declare them to be out of the pale, and the blood of animals must be shed at their expense to wash away the indiscretion and obtain their readmission into society.
"On the day fixed for a marriage the bridegroom with his relations proceeds to the bride's father's house, where they are seated on cots and mats, and after a repast the bride's father takes his daughter's hand and places it in that of the bridegroom, and exhorts him to be loving and kind to the girl that he thus makes over to him. The groom then with the little finger of his right hand marks the girl on the forehead with vermilion, and then, linking the same finger with the little finger of her right hand, he leads her away to his own house.
"The god of hunting is called Autga, and at the close of every successful expedition a thank-offering is made to him. This is the favourite pastime, and one of the chief occupations of the Malers, and they have their game laws, which are strictly enforced. If a man, losing an animal which he has killed or wounded, seeks for assistance to find it, those who aid are entitled to one-half of the animal when found. Another person accidentally coming on dead or wounded game and appropriating it, is subjected to a severe fine. The Manjhi or headman of the village is entitled to a share of all game killed by any of his people. Any one who kills a hunting dog is fined twelve rupees. Certain parts of an animal are tabooed to females as food, and if they infringe this law Autga is offended and game becomes scarce. When the hunters are unsuccessful it is often assumed that this is the cause, and the augur never fails to point out the transgressing female, who must provide a propitiatory offering. The Malers use poisoned arrows, and when they kill game the flesh round the wound is cut off and thrown away as unfit for food. Cats are under the protection of the game laws, and a person found guilty of killing one is made to give a small quantity of salt to every child in the village.
"I nowhere find any description of the dances and songs of the Paharias. Mr. Atkinson found the Malers extremely reticent on the subject, and with difficulty elicited that they had a dancing-place in every village, but it is only when under the influence of God Bacchus that they indulge in the amusement. All accounts agree in ascribing to the Paharias an immoderate devotion to strong drink, and Buchanan tells us that when they are dancing a person goes round with a pitcher of the home-brew and, without disarranging the performers, who are probably linked together by circling or entwining arms, pours into the mouth of each, male and female, a refreshing and invigorating draught. The beverage is the universal pachwai, that is, fermented grain. The grain, either maize, rice or janera (Holcus sorghum), is boiled and spread out on a mat to cool. It is then mixed with a ferment of vegetables called takar, and kept in a large earthen vessel for some days; warm water may at any time be mixed with it, and in a few hours it ferments and is ready for use."
When the attention of English officers was first drawn to them in 1770 the Males of the Rajmahal hills were a tribe of predatory freebooters, raiding and terrorising the plain country from the foot of the hills to the Ganges. It was Mr. Augustus Cleveland, Collector of Bhagalpur, who reduced them to order by entering into engagements with the chiefs for the prevention and punishment of offences among their own tribesmen, confirming them in their estates and jurisdiction, and enrolling a corps of Males, which became the Bhagalpur Hill Rangers, and was not disbanded till the Mutiny. Mr. Cleveland died at the age of 29, having successfully demonstrated the correct method of dealing with the wild forest tribes, and the Governor-General in Council erected a tomb and inscription to his memory, which was the original of that described by Mr. Kipling in The Tomb of his Ancestors, though the character of the first John Chinn in the story was copied from Outram. [151]
Mala
Mala.--A low Telugu caste of labourers and cotton-weavers. They numbered nearly 14,000 persons in the Central Provinces in 1911, belonging mainly to the Chanda, Nagpur, Jubbulpore, and Yeotmal Districts, and the Bastar State. The Marathas commonly call them Telugu Dhers, but they themselves prefer to be known as 'Telangi Sadar Bhoi,' which sounds a more respectable designation. They are also known as Mannepuwar and Netkani. They are the Pariahs of the Telugu country, and are regarded as impure and degraded. They may be distinguished by their manner of tying the head-cloth more or less in a square shape, and by their loin-cloths, which are worn very loose and not knotted. Those who worship Narsinghswami, the man-lion incarnation of Vishnu, are called Namaddar, while the followers of Mahadeo are known as Lingadars. The former paint their foreheads with vertical lines of sandal-paste, and the latter with horizontal ones. The Malas were formerly zealous partisans of the right-handed sect in Madras, and the description of this curious system of faction given by the Abbé Dubois more than a century ago may be reproduced: [152]
"Most castes belong either to the left-hand or right-hand faction. The former comprises the Vaishyas or trading classes, the Panchalas or artisan classes and some of the low Sudra castes. It also contains the lowest caste, viz. the Chaklas or leather-workers, who are looked upon as its chief support. To the right-hand faction belong most of the higher castes of Sudras. The Pariahs (Malas) are also its great support, as a proof of which they glory in the title of Valangai Maugattar or Friends of the Right Hand. In the disputes and conflicts which so often take place between the two factions it is always the Pariahs who make the most disturbance and do the most damage. The Brahmans, Rajas and several classes of Sudras are content to remain neutral and take no part in these quarrels. The opposition between the two factions arises from certain exclusive privileges to which both lay claim. But as these alleged privileges are nowhere clearly defined and recognised, they result in confusion and uncertainty, and are with difficulty capable of settlement. When one faction trespasses on the so-called right of the other, tumults arise which spread gradually over large tracts of territory, afford opportunity for excesses of all kinds, and generally end in bloody conflicts. The Hindu, ordinarily so timid and gentle in all other circumstances of life, seems to change his nature completely on occasions like these. There is no danger that he will not brave in maintaining what he calls his rights, and rather than sacrifice a little of them he will expose himself without fear to the risk of losing his life. The rights and privileges for which the Hindus are ready to fight such sanguinary battles appear highly ridiculous, especially to a European. Perhaps the sole cause of the contest is the right to wear slippers or to ride through the streets in a palanquin or on horseback during marriage festivals. Sometimes it is the privilege of being escorted on certain occasions by armed retainers, sometimes that of having a trumpet sounded in front of a procession, or of being accompanied by native musicians at public ceremonies." The writer of the Madras Census Report of 1871 states: [153] "It is curious that the females of two of the inferior castes should take different sides to their husbands in these disputes. The wives of the agricultural labourers side with the left hand, while their husbands help in fighting the battles of the right, and the shoemakers' wives also take the side opposed to their husbands. During these festival disturbances, the ladies who hold political views opposed to those of their husbands deny to the latter all the privileges of the connubial state." The same writer states that the right-hand castes claimed the prerogative of riding on horseback in processions, of appearing with standards bearing certain devices, and of erecting twelve pillars to sustain their marriage booths; while the left-hand castes might not have more than eleven pillars, nor use the same standards as the right. The quarrels arising out of these small differences of opinion were so frequent and serious in the seventeenth century that in the town of Madras it was found necessary to mark the respective boundaries of the right- and left-hand castes, and to forbid the right-hand castes in their processions from occupying the streets of the left hand and vice versa. These disturbances have gradually tended to disappear under the influence of education and good government, and no instance of them is known to have occurred in the Central Provinces. The division appears to have originated among the members of the Sakta sect or the worshippers of Sakti as the female principle of life in nature. Dr. L. D. Barnett writes: [154]--"The followers of the sect are of two schools. The 'Walkers in the Right Way' (Dakshinachari) pay a service of devotion to the deity in both male and female aspects, and except in their more pronounced tendency to dwell upon the horrific aspects of the deity (as Kali, Durga, etc.), they differ little from ordinary Saivas and Vaishnavas. The 'Walkers in the Left Way' (Vamachari), on the other hand, concentrate their thought upon the godhead in its sexually maternal aspect, and follow rites of senseless magic and--theoretically at least--promiscuous debauchery." As has been seen, the religious differences subsequently gave rise to political factions.
Mali
List of Paragraphs
1. General notice of the caste, and its social position. 2. Caste legend. 3. Flowers offered to the gods. 4. Custom of wearing garlands. 5. Subcastes. 6. Marriage. 7. Widow-marriage, divorce and polygamy. 8. Disposal of the dead. 9. Religion. 10. Occupation. 11. Traits and characters. 12. Other functions of the Mali. 13. Physical appearance.
1. General notice of the caste, and its social position
Mali, Marar, Maral. [155]--The functional caste of vegetable and flower-gardeners. The terms Mali and Marar appear to be used indifferently for the same caste, the former being more common in the west of the Province and the latter in the eastern Satpura Districts and the Chhattisgarh plain. In the Nerbudda valley and on the Vindhyan plateau the place of both Mali and Marar is taken by the Kachhi of Upper India. [156] Marar appears to be a Marathi name, the original term, as pointed out by Mr. Hira Lal, being Malal, or one who grows garden-crops in a field; but the caste is often called Mali in the Maratha country and Marar in the Hindi Districts. The word Mali is derived from the Sanskrit mala, a garland. In 1911 the Malis numbered nearly 360,000 persons in the present area of the Central Provinces, and 200,000 in Berar. A German writer remarks of the caste [157] that: "It cannot be considered to be a very ancient one. Generally speaking, it may be said that flowers have scarcely a place in the Veda. Wreaths of flowers, of course, are used as decorations, but the separate flowers and their beauty are not yet appreciated. That lesson was first learned later by the Hindus when surrounded by another flora. Amongst the Homeric Greeks, too, in spite of their extensive gardening and different flowers, not a trace of horticulture is yet to be found." It seems probable that the first Malis were not included among the regular cultivators of the village but were a lower group permitted to take up the small waste plots of land adjoining the inhabited area and fertilised by its drainage, and the sandy stretches in the beds of rivers, on which they were able to raise the flowers required for offerings and such vegetables as were known. They still hold a lower rank than the ordinary cultivator. Sir D. Ibbetson writes [158] of the gardening castes: "The group now to be discussed very generally hold an inferior position among the agricultural community and seldom if ever occupy the position of the dominant tribe in any considerable tract of country. The cultivation of vegetables is looked upon as degrading by the agricultural classes, why I know not, unless it be that night-soil is generally used for their fertilisation; and a Rajput would say: 'What! Do you take me for an Arain?' if anything was proposed which he considered derogatory." But since most Malis in the Central Provinces strenuously object to using night-soil as a manure the explanation that this practice has caused them to rank below the agricultural castes does not seem sufficient. And if the use of night-soil were the real circumstance which determined their social position, it seems certain that Brahmans would not take water from their hands as they do. Elsewhere Sir D. Ibbetson remarks: [159] "The Malis and Sainis, like all vegetable growers, occupy a very inferior position among the agricultural castes; but of the two the Sainis are probably the higher, as they more often own land or even whole villages, and are less generally mere market-gardeners than are the Malis." Here is given what may perhaps be the true reason for the status of the Mali caste as a whole. Again Sir C. Elliot wrote in the Hoshangabad Settlement Report: "Garden crops are considered as a kind of fancy agriculture and the true cultivator, the Kisan, looks on them with contempt as little peddling matters; what stirs his ambition is a fine large wheat-field eighty or a hundred acres in extent, as flat as a billiard-table and as black as a Gond." Similarly Mr. Low [160] states that in Balaghat the Panwars, the principal agricultural caste, look down on the Marars as growers of petty crops like sama and kutki. In Wardha the Dangris, a small caste of melon and vegetable growers, are an offshoot of the Kunbis; and they will take food from the Kunbis, though these will not accept it from them, their social status being thus distinctly lower than that of the parent caste. Again the Kohlis of Bhandara, who grow sugarcane with irrigation, are probably derived from an aboriginal tribe, the Kols, and, though they possess a number of villages, rank lower than the regular cultivating castes. It is also worth noting that they do not admit tenant-right in their villages among their own caste, and allot the sugarcane plots among the cultivators at pleasure. [161] In Nimar the Malis rank below the Kunbis and Gujars, the good agricultural castes, and it is said that they grow the crops which the cultivators proper do not care to grow. The Kachhis, the gardening caste of the northern Districts, have a very low status, markedly inferior to that of the Lodhis and Kurmis and little if any better than the menial Dhimars. Similarly, as will be seen later, the Marars themselves have customs pointing clearly to a non-Aryan origin. The Bhoyars of Betul, who grow sugarcane, are probably of mixed origin from Rajput fathers and mothers of the indigenous tribes; they eat fowls and are much addicted to liquor and rank below the cultivating castes. The explanation seems to be that the gardening castes are not considered as landholders, and have not therefore the position which attaches to the holding of land among all early agricultural peoples, and which in India consisted in the status of a constituent member of the village community. So far as ceremonial purity goes there is no difference between the Malis and the cultivating castes, as Brahmans will take water from both. It may be surmised that this privilege has been given to the Malis because they grow the flowers required for offerings to the gods, and sometimes officiate as village priests and temple servants; and their occupation, though not on a level with regular agriculture, is still respectable. But the fact that Brahmans will take water from them does not place the Malis on an equality with the cultivating castes, any more than it does the Nais (barbers) and Dhimars (watermen), the condemned menial servants of the cultivators, from whom Brahmans will also take water from motives of convenience.
2. Caste legend
The Malis have a Brahmanical legend of the usual type indicating that their hereditary calling was conferred and ratified by divine authority. [162] This is to the effect that the first Mali was a garland-maker attached to the household of Raja Kansa of Mathura. One day he met with Krishna, and, on being asked by him for a chaplet of flowers, at once gave it. On being told to fasten it with string, he, for want of any other, took off his sacred thread and tied it, on which Krishna most ungenerously rebuked him for his simplicity in parting with his paita, and announced that for the future his caste would be ranked among the Sudras.
The above story, combined with the derivation of Mali from mala, a garland, makes it a plausible hypothesis that the calling of the first Malis was to grow flowers for the adornment of the gods, and especially for making the garlands with which their images were and still are decorated. Thus the Malis were intimately connected with the gods and naturally became priests of the village temples, in which capacity they are often employed. Mr. Nesfield remarks of the Mali: [163] "To Hindus of all ranks, including even the Brahmans, he acts as a priest of Mahadeo in places where no Gosain is to be found, and lays the flower offerings on the lingam by which the deity is symbolised. As the Mali is believed to have some influence with the god to whose temple he is attached, none objects to his appropriating the fee which is nominally presented to the god himself. In the worship of those village godlings whom the Brahmans disdain to recognise and whom the Gosain is not permitted to honour the Mali is sometimes employed to present the offering. He is thus the recognised hereditary priest of the lower and more ignorant classes of the population." In the Central Provinces Malis are commonly employed in the temples of Devi because goats are offered to the goddess and hence the worship cannot be conducted by Brahmans. They also work as servants in Jain temples under the priest. They sweep the temple, clean the utensils, and do other menial business. This service, however, does not affect their religion and they continue to be Hindus.
His services in providing flowers for the gods would be remunerated by contributions of grain from the cultivators, the acceptance of which would place the Mali below them in the rank of a village menial, though higher than most of the class owing to the purity of his occupation. His status was probably much the same as that of the Guraos or village priests of Mahadeo in the Maratha country. And though he has now become a cultivator, his position has not improved to the level of other cultivating castes for the reasons already given. It was probably the necessity of regularly watering his plants in order to obtain a longer and more constant supply of blooms which first taught the Mali the uses of irrigation.
3. Flowers offered to the gods
Flowers are par excellence suited for the offerings and adornment of the gods, and many Hindus have rose or other plants in their houses whose flowers are destined to the household god. There is little reason to doubt that this was the purpose for which cultivated flowers were first grown. The marigold, lotus and champak are favourite religious flowers, while the tulsi or basil is itself worshipped as the consort of Vishnu; in this case, however, the scent is perhaps the more valued feature. In many Hindu households all flowers brought into the house are offered to the household god before being put to any other use. A Brahman school-boy to whom I had given some flowers to copy in drawing said that his mother had offered them to the god Krishna before he used them. When faded or done with they should be consigned to the sacred element, water, in any stream or river. The statues of the gods are adorned with sculptured garlands or hold them in their hands. A similar state of things prevailed in classical antiquity:
Who are these coming to the sacrifice? To what green altar, O mysterious priest, Lead'st thou that heifer lowing at the skies, And all her silken flanks with garlands drest?
And,
Fairer than these, though temple thou hast none, Nor altar decked with flowers, Nor virgin choir to make delicious moan Upon the midnight hours.
M. Fustel de Coulanges describes the custom of wearing crowns or garlands of flowers in ancient Rome and Greece as follows: "It is clear that the communal feasts were religious ceremonies. Each guest had a crown on the head; it was an ancient custom to crown oneself with leaves or flowers for any solemn religious act." "The more a man is adorned with flowers," they said, "the more pleasing he is to the gods; but they turn away from him who wears no crown at his sacrifice." And again, 'A crown is the auspicious herald which announces a prayer to the gods.' [164]
Among the Persians the flowers themselves are worshipped: [165] "When a pure Iranian sauntered through (the Victoria Gardens in Bombay) ... he would stand awhile and meditate over every flower in his path, and always as in a vision; and when at last the vision was fulfilled, and the ideal flower found, he would spread his mat or carpet before it, and sit before it to the going down of the sun, when he would arise and pray before it, and then refold his mat or carpet and go home; and the next night, and night after night, until that bright particular flower faded away, he would return to it, bringing his friends with him in ever-increasing numbers, and sit and sing and play the guitar or lute before it--and anon they all would arise together and pray before it; and after prayers, still sit on, sipping sherbet and talking the most hilarious and shocking scandal, late into the moonlight."
4. Custom of wearing garlands
From the custom of placing garlands on the gods as a mark of honour has no doubt arisen that of garlanding guests. This is not confined to India but obtained in Rome and probably in other countries. The word 'chaplet' [166] originally meant a garland or wreath to be worn on the head; and a garland of leaves with four flowers at equal distances. Dryden says, 'With chaplets green upon their foreheads placed.' The word mala originally meant a garland, and subsequently a rosary or string of beads. From this it seems a legitimate deduction that rosaries or strings of beads of a sacred wood were substituted for flower-garlands as ornaments for the gods in view of their more permanent nature. Having been thus sanctified they may have come to be worn as a mark of holiness by saints or priests in imitation of the divine images, this being a common or universal fashion of Hindu ascetics. Subsequently they were found to serve as a useful means of counting the continuous repetition of prayers, whence arose the phrase 'telling one's beads.' Like the Sanskrit mala, the English word rosary at first meant a garland of roses and subsequently a string of beads, probably made from rose-wood, on which prayers were counted. From this it may perhaps be concluded that the images of the deities were decorated with garlands of roses in Europe, and the development of the rosary was the same as the Indian mala. If the rose was a sacred flower we can more easily understand its importance as a badge in the Wars of the Roses.
5. Sub-castes
The caste has numerous endogamous groups, varying in different localities. The Phulmalis, who derive their name from their occupation of growing and selling flowers (phul), usually rank as the highest. The Ghase Malis are the only subcaste which will grow and prepare turmeric in Wardha; but they will not sell milk or curds, an occupation to which the Phulmalis, though the highest subcaste, have no objection. In Chanda the Kosaria Malis, who take their name from Kosala, the classical designation of the Chhattisgarh country, are the sole growers of turmeric, while in Berar the Halde subcaste, named after the plant, occupy the same position. The Kosaria or Kosre subcaste abstain from liquor, and their women wear glass bangles only on one hand and silver ones on the other. The objection entertained to the cultivation of turmeric by Hindus generally is said to be based on the fact that when the roots are boiled numbers of small insects are necessarily destroyed; but the other Malis relate that one of the ancestors of the caste had a calf called Hardulia, and one day he said to his daughter, Haldi paka, or 'Cook turmeric.' But the daughter thought that he said 'cook Hardulia,' so she killed and roasted the calf, and in consequence of this her father was expelled from the caste, and his descendants are the Ghase or Halde subcaste. Ever since this happened the shape of a calf may be seen in the flower of turmeric. This legend has, however, no real value and the meaning of the superstition attaching to the plant is obscure. Though the growing of turmeric is tabooed yet it is a sacred plant, and no Hindu girl, at least in the Central Provinces, can be married without having turmeric powder rubbed on her body. Mr. Gordon remarks in Indian Folk-Tales: "I was once speaking to a Hindu gardener of the possibility of turmeric and garlic being stolen from his garden. 'These two vegetables are never stolen,' he replied, 'for we Hindus believe that he who steals turmeric and garlic will appear with six fingers in the next birth, and this deformity is always considered the birth-mark of a thief.'" The Jire Malis are so named because they were formerly the only subcaste who would grow cumin (jira), but this distinction no longer exists as other Malis, except perhaps the Phulmalis, now grow it. Other subcastes have territorial names, as Baone from Berar, Jaipuria, Kanaujia, and so on. The caste have also exogamous septs or bargas, with designations taken from villages, titles or nicknames or inanimate objects.
6. Marriage
Marriage is forbidden between members of the same sept and between first and second cousins. Girls are generally betrothed in childhood and should be married before maturity. In the Uriya country if no suitable husband can be found for a girl she is sometimes made to go through the marriage ceremony with a peg of mahua wood driven into the ground and covered over with a cloth. She is then tied to a tree in the forest and any member of the caste may go and release her, when she becomes his wife. The Marars of Balaghat and Bhandara have the lamjhana form of marriage, in which the prospective husband serves for his wife; this is a Dravidian custom and shows their connection with the forest tribes. The marriage ceremony follows the standard form prevalent in the locality. In Betul the couple go seven times round a slab on which a stone roller is placed, with their clothes knotted together and holding in their hands a lighted lamp. The slab and roller may be the implements used in powdering turmeric. "Among the Marars of Balaghat [167] the maternal uncle of the bridegroom goes to the village of the bride and brings back with him the bridal party. The bride's party do not at once cross the boundary of the bridegroom's village, but will stay outside it for a few hours. Word is sent and the bridegroom's party will bring out cooked food, which they eat with the bride's party. This done, they go to the house of the bridegroom and the bride forthwith walks five times round a pounding-stone. Next day turmeric is applied to the couple, and the caste people are given a feast. The essential portion of the ceremony consists in the rubbing of vermilion on the foreheads of the couple under the cover of a cloth. The caste permit the practice of ralla-palla or exchanging sisters in marriage. They are said to have a custom at weddings known as kondia, according to which a young man of the bridegroom's party, called the Sand or bull, is shut up in a house at night with all the women of the bride's party; he is at liberty to seize and have intercourse with any of them he can catch, while they are allowed to beat him as much as they like. It is said that he seldom has much cause to congratulate himself." But the caste have now become ashamed of this custom and it is being abandoned. In Chhattisgarh the Marars, like other castes, have the forms of marriage known as the Badi Shadi and Chhoti Shadi or great and small weddings. The former is an elaborate form of marriage, taking place at the house of the bride. Those who cannot afford the expense of this have a 'Small Wedding' at the house of the bridegroom, at which the rites are curtailed and the expenditure considerably reduced.
7. Widow-marriage, divorce and polygamy
Widow-marriage is permitted. The widower, accompanied by his relatives and a horn-blower, goes to the house of the widow, and here a space is plastered with cowdung and the couple sit on two wooden boards while their clothes are knotted together. In Balaghat [168] the bridegroom and bride bathe in a tank and on emerging the widow throws away her old cloth and puts on a new one. After this they walk five times round a spear planted in the ground. Divorce is permitted and can be effected by mutual consent of the parties. Like other castes practising intensive cultivation the Malis marry several wives when they can afford it, in order to obtain the benefit of their labour in the vegetable garden; a wife being more industrious and honest than a hired labourer. But this practice results in large families and household dissensions, leading to excessive subdivision of property, and wealthy members of the caste are rare. The standard of sexual morality is low, and if an unmarried girl goes wrong her family conceal the fact and sometimes try to procure an abortion. If these efforts are unsuccessful a feast must be given to the caste and a lock of the woman's hair is cut off by way of punishment. A young hard-working wife is never divorced, however bad her character may be, but an old woman is sometimes abandoned for very little cause.
8. Disposal of the dead
The dead may be either buried or burnt; in the former case the corpse is laid with the feet to the north. Mourning is observed only for three days and propitiatory offerings are made to the spirits of the dead. If a man is killed by a tiger his family make a wooden image of a tiger and worship it.
9. Religion
Devi is the principal deity of the Malis. Weddings are celebrated before her temple and large numbers of goats are sacrificed to the favourite goddess at her festival in the month of Magh (January). Many of the Marars of Balaghat are Kabirpanthis and wear the necklace of that sect; but they appear none the less to intermarry freely with their Hindu caste-fellows. [169] After the birth of a child it is stated that all the members of the sept to which the parents belong remain impure for five days, and no one will take food or water from them.
10. Occupation
The Mali combines the callings of a gardener and nurseryman. "In laying out a flower-garden and in arranging beds," Mr. Shearing remarks, [170] "the Mali is exceedingly expert. His powers in this respect are hardly surpassed by gardeners in England. He lacks of course the excellent botanical knowledge of many English gardeners, and also the peculiar skill displayed by them in grafting and crossing, and in watching the habits of plants. Yet in manipulative labour, especially when superintended by a European, he is, though much slower in execution, almost if not quite equal to gardeners at home." They are excellent and very laborious cultivators, and show much skill in intensive cultivation and the use of water. Malis are the best sugarcane growers of Betul and their holdings usually pay a higher rental than those of other castes. "In Balaghat," Mr. Low remarks, [171] "they are great growers of tobacco and sugarcane, favouring the alluvial land on the banks of rivers. They mostly irrigate by a dhekli or dipping lift, from temporary wells or from water-holes in rivers. The pole of the lift has a weight at one end and a kerosene tin suspended from the other. Another form of lift is a hollowed tree trunk worked on a fulcrum, but this only raises the water a foot or two. The Marars do general cultivation as well; but as a class are not considered skilled agriculturists. The proverb about their cultivating status is:
Marar, Mali jote tali Tali margayi, dhare kudali
or, 'The Marar yokes cows; if the cow dies he takes to the pickaxe'; implying that he is not usually rich enough to keep bullocks." The saying has also a derogatory sense, as no good Hindu would yoke a cow to the plough. Another form of lift used by the Kachhis is the Persian wheel. In this two wheels are fixed above the well or tank and long looped ropes pass over them and down into the well, between which a line of earthen pots is secured. As the ropes move on the wheels the pots descend into the well, are filled with water, brought up, and just after they reach the apex of the wheel and turn to descend again, the water pours out to a hollow open tree-trunk, from which a channel conveys it to the field. The wheel which turns the rope is worked by a man pedalling, but he cannot do more than about three hours a day. The common lift for gardens is the mot or bag made of the hide of a bullock or buffalo. This is usually worked by a pair of bullocks moving forwards down a slope to raise the mot from the well and backwards up the slope to let it down when empty.
11. Traits and character
"It is necessary," the account continues, "for the Marar's business for one member at least of his family to go to market with his vegetables; and the Mararin is a noteworthy feature in all bazars, sitting with her basket or garment spread on the ground, full of white onions and garlic, purple brinjals and scarlet chillies, with a few handfuls of strongly flavoured green stuff. Whether from the publicity which it entails on their women or from whatever cause, the Mararin does not bear the best of reputations for chastity; and is usually considered rather a bold, coarse creature. The distinctive feature of her attire is the way in which she ties up her body-cloth so as to leave a tail sticking up behind; whence the proverb shouted after her by rude little boys: 'Jump from roof to roof, Monkey. Pull the tail of the Mararin, Monkey,' She also rejoices in a very large tikli or spangle on her forehead and in a peculiar kind of angia (waistcoat). The caste are usually considered rather clannish and morose. They live in communities by themselves, and nearly always inhabit a separate hamlet of the village. The Marars of a certain place are said to have boycotted a village carpenter who lost an axe belonging to one of their number, so that he had to leave the neighbourhood for lack of custom."
12. Other functions of the Mali
Many Malis live in the towns and keep vegetable- or flower-gardens just outside. They sell flowers, and the Mali girls are very good flower-sellers, Major Sutherland says, being famous for their coquetry. A saying about them is: "The crow among birds, the jackal among beasts, the barber among men and the Malin among women; all these are much too clever." The Mali also prepares the maur or marriage-crown, made from the leaves of the date-palm, both for the bride and bridegroom at marriages. In return he gets a present of a rupee, a piece of cloth and a day's food. He also makes the garlands which are used for presentation at entertainments, and supplies the daily bunches of flowers which are required as offerings for Mahadeo. The Mali keeps garlands for sale in the bazar, and when a well-to-do person passes he goes up and puts a garland round his neck and expects a present of a pice or two.
13. Physical appearance
"Physically," Mr. Low states, "the Marar is rather a poor-looking creature, dark and undersized; but the women are often not bad looking, and dressed up in their best at a wedding, rattling their castanets and waving light-coloured silk handkerchiefs, give a very graceful dance. The caste are not as a rule celebrated for their cleanliness. A polite way of addressing a Marar is to call him Patel."
Mallah
Mallah, Malha. [172]--A small caste of boatmen and fishermen in the Jubbulpore and Narsinghpur Districts, which numbered about 5000 persons in 1911. It is scarcely correct to designate the Mallahs as a distinct caste, as in both these Districts it appears from inquiry that the term is synonymous with Kewat. Apparently, however, the Mallahs do form a separate endogamous group, and owing to many of them having adopted the profession of growing hemp, a crop which respectable Hindu castes usually refuse to cultivate, it is probable that they would not be allowed to intermarry with the Kewats of other Districts. In the United Provinces Mr. Crooke states that the Mallahs, though, as their Arabic name indicates, of recent origin, have matured into a definite social group, including a number of endogamous tribes. The term Mallah has nothing to do with the Mulla or Muhammadan priest among the frontier tribes, but comes from an Arabic word meaning 'to be salt,' or, according to another derivation, 'to move the wings as a bird.' [173] The Mallahs of the Central Provinces are also, in spite of their Arabic name, a purely Hindu caste. In Narsinghpur they say that their original ancestor was one Bali or Baliram, who was a boatman and was so strong that he could carry his boat to the river and back under his armpit. On one occasion he ferried Rama across the Ganges in Benares, and it is said that Rama gave him a horse to show his gratitude; but Baliram was so ignorant that he placed the bridle on the horse's tail instead of the head. And from this act of Baliram's arose the custom of having the rudder of a boat at the stern instead of at the bow. The Mallahs in the Central Provinces appear from their family names to be immigrants from Bundelkhand. Their customs resemble those of lower-class Hindus. Girls are usually married under the age of twelve years, and the remarriage of widows is permitted, while divorce may be effected in the presence of the panchayat or caste committee by the husband and wife breaking a straw between them. They are scantily clothed and are generally poor. A proverb about them says:
Jahan bethen Malao Tahan lage alao,
or, 'Where Mallahs sit, there is always a fire.' This refers to their custom of kindling fires on the river-bank to protect themselves from cold. In Narsinghpur the Mallahs have found a profitable opening in the cultivation of hemp, a crop which other Hindu castes until recently tabooed on account probably of the dirty nature of the process of cleaning out the fibre and the pollution necessarily caused to the water-supply. They sow and cut hemp on Sundays and Wednesdays, which are regarded as auspicious days. They also grow melons, and will not enter a melon-field with their shoes on or allow a woman during her periodical impurity to approach it. The Mallahs are poor and illiterate, but rank with Dhimars and Kewats, and Brahmans will take water from their hands.
Mana
Mana. [174]--A Dravidian caste of cultivators and labourers belonging to the Chanda District, from which they have spread to Nagpur, Bhandara and Balaghat. In 1911 they numbered nearly 50,000 persons, of whom 34,000 belonged to Chanda. The origin of the caste is obscure. In the Chanda Settlement Report of 1869 Major Lucie Smith wrote of them: "Tradition asserts that prior to the Gond conquest the Manas reigned over the country, having their strongholds at Surajgarh in Ahiri and at Manikgarh in the Manikgarh hills, now of Hyderabad, and that after a troubled rule of two hundred years they fell before the Gonds. In appearance they are of the Gond type, and are strongly and stoutly made; while in character they are hardy, industrious and truthful. Many warlike traditions still linger among them, and doubtless in days gone by they did their duty as good soldiers, but they have long since hung up sword and shield and now rank among the best cultivators of rice in Chanda." Another local tradition states that a line of Mana princes ruled at Wairagarh. The names of three princes are remembered: Kurumpruhoda, the founder of the line; Surjat Badwaik, who fortified Surjagarh; and Gahilu, who built Manikgarh. As regards the name Manikgarh, it may be mentioned that the tutelary deity of the Nagvansi kings of Bastar, who ruled there before the accession of the present Raj-Gond dynasty in the fourteenth century, was Manikya Devi, and it is possible that the chiefs of Wairagarh were connected with the Bastar kings. Some of the Manas say that they, as well as the Gowaris, are offshoots of the Gond tribe; and a local saying to the effect that 'The Gond, the Gowari and the Mana eat boiled juari or beans on leaf-plates' shows that they are associated together in the popular mind. Hislop states that the Ojhas, or soothsayers and minstrels of the Gonds, have a subdivision of Mana Ojhas, who lay claim to special sanctity, refusing to take food from any other caste. [175] The Gonds have a subdivision called Mannewar, and as war is only a Telugu suffix for the plural, the proper name Manne closely resembles Mana. It is shown in the article on the Parja tribe that the Parjas were a class of Gonds or a tribe akin to them, who were dominant in Bastar prior to the later immigration under the ancestors of the present Bastar dynasty. And the most plausible hypothesis as to the past history of the Manas is that they were also the rulers of some tracts of Chanda, and were displaced like the Parjas by a Gond invasion from the south.
In Bhandara, where the Manas hold land, it is related that in former times a gigantic kite lived on the hill of Ghurkundi, near Sakoli, and devoured the crops of the surrounding country by whole fields at a time. The king of Chanda proclaimed that whoever killed the kite would be granted the adjoining lands. A Mana shot the kite with an arrow and its remains were taken to Chanda in eight carts, and as his reward he received the grant of a zamindari. In appearance the Manas, or at least some of them, are rather fine men, nor do their complexion and features show more noticeable traces of aboriginal descent than those of the local Hindus. But their neighbours in Chanda and Bastar, the Maria Gonds, are also taller and of a better physical type than the average Dravidian, so that their physical appearance need not militate against the above hypothesis. They retained their taste for fighting until within quite recent times, and in Katol and other towns below the Satpura hills, Manas were regularly enlisted as a town guard for repelling the Pindari raids. Their descendants still retain the ancestral matchlocks, and several of them make good use of these as professional shikaris or hunters. Many of them are employed as servants by landowners and moneylenders for the collection of debts or the protection of crops, and others are proprietors, cultivators and labourers, while a few even lend money on their own account. Manas hold three zamindari estates in Bhandara and a few villages in Chanda; here they are considered to be good cultivators, but have the reputation as a caste of being very miserly, and though possessed of plenty, living only on the poorest and coarsest food. [176] The Mana women are proverbial for the assistance which they render to their husbands in the work of cultivation.
Owing to their general adoption of Maratha customs, the Manas are now commonly regarded as a caste and not a forest tribe, and this view may be accepted. They have two subcastes, the Badwaik Manas, or soldiers, and the Khad Manas, who live in the plains and are considered to be of impure descent. Badwaik or 'The Great Ones' is a titular term applied to a person carrying arms, and assumed by certain Rajputs and also by some of the lower castes. A third group of Manas are now amalgamated with the Kunbis as a regular subdivision of that caste, though they are regarded as somewhat lower than the others. They have also a number of exogamous septs of the usual titular and totemistic types, the few recognisable names being Marathi. It is worth noticing that several pairs of these septs, as Jamare and Gazbe, Narnari and Chudri, Wagh and Rawat, and others are prohibited from intermarriage. And this may be a relic of some wider scheme of division of the type common among the Australian aborigines. The social customs of the Manas are the same as those of the other lower Maratha castes, as described in the articles on Kunbi, Kohli and Mahar. A bride-price of Rs. 12-8 is usually paid, and if the bridegroom's father has the money, he takes it with him on going to arrange for the match. Only one married woman of the bridegroom's family accompanies him to the wedding, and she throws rice over him five times. Four days in the year are appointed for the celebration of weddings, the festivals of Shivratri and of Akhatij, and a day each in the months of Magh (January) and Phagun (February). This rule, however, is not universal. Brahmans do not usually officiate at their ceremonies, but they employ a Brahman to prepare the rice which is thrown over the couples. Marriage within the sept is forbidden, as well as the union of the children of two sisters. But the practice of marrying a brother's daughter to a sister's son is a very favourite one, being known as Mahunchar, and in this respect the Manas resemble the Gonds. When a widow is to be remarried, she stops on the way by the bank of a stream as she is proceeding to her new husband's house, and here her clothes are taken off and buried by an exorcist with a view to laying the first husband's spirit and preventing it from troubling the new household. If a woman goes wrong with a man of another caste she is not finally cast out, but if she has a child she must first dispose of it to somebody else after it is weaned. She may then be re-admitted into caste by having her hair shaved off and giving three feasts; the first is prepared by the caste and eaten outside her house, the second is prepared by her relatives and eaten within her house, and at the third the caste reinstate her by partaking of food cooked by herself. The dead are either buried or burnt; in the former case a feast is given immediately after the burial and no further mourning is observed; in the latter the period of mourning is three days. As among the Gonds, the dead are laid with feet to the north. A woman is impure for seven days after child-birth.
The Manas have Bhats or genealogists of their own caste, a separate one being appointed for each sept. The Bhat of any sept can only accept gifts from members of that sept, though he may take food from any one of the caste. The Bhats are in the position of beggars, and the other Manas will not take food from them. Every man must have a Bhat for his family under penalty of being temporarily put out of caste. It is said that the Bhats formerly had books showing the pedigrees of the different families, but that once in a spirit of arrogance they placed their shoes upon the books; and the other Manas, not brooking this insolence, burnt the books. The gravity of such an act may be realised when it is stated that if anybody even threatens to hit a Mana with a shoe, the indignity put upon him is so great that he is temporarily excluded from caste and penalised for readmission. Since this incident the Bhats have to address the Manas as 'Brahma,' to show their respect, the Mana replying 'Ram, Ram.' Their women wear short loin-cloths, exposing part of the thigh, like the Gonds. They eat pork and drink liquor, but will take cooked food only from Brahmans.
Manbhao
1. History and nature of the sect
Manbhao. [177]--A religious sect or order, which has now become a caste, belonging to the Maratha Districts of the Central Provinces and to Berar. Their total strength in India in 1911 was 10,000 persons, of whom the Central Provinces and Berar contained 4000. The name would appear to have some such meaning as 'The reverend brothers.' The Manbhaos are stated to be a Vaishnavite order founded in Berar some two centuries ago. [178] They themselves say that their order is a thousand years old and that it was founded by one Arjun Bhat, who lived at Domegaon, near Ahmadnagar. He was a great Sanskrit scholar and a devotee of Krishna, and preached his doctrines to all except the Impure castes. Ridhpur, in Berar, is the present headquarters of the order, and contains a monastery and three temples, dedicated to Krishna and Dattatreya, [179] the only deities recognised by the Manbhaos. Each temple is named after a village, and is presided over by a Mahant elected from the celibate Manbhaos. There are other Mahants, also known after the names of villages or towns in which the monasteries over which they preside are located. Among these are Sheone, from the village near Chandur in Amraoti District; Akulne, a village near Ahmadnagar; Lasorkar, from Lasor, near Aurangabad; Mehkarkar, from Mehkar in Buldana; and others. The order thus belongs to Berar and the adjoining parts of India. Colonel Mackenzie describes Ridhpur as follows: "The name is said to be derived from ridh, meaning blood, a Rakshas or demon having been killed there by Parasurama, and it owes its sanctity to the fact that the god lived there. Black stones innumerable scattered about the town show where the god's footsteps became visible. At Ridhpur Krishna is represented by an ever-open, sleeplessly watching eye, and some Manbhaos carry about a small black stone disk with an eye painted on it as an amulet." Frequently their shrines contain no images, but are simply chabutras or platforms built over the place where Krishna or Dattatreya left marks of their footprints. Over the platform is a small veranda, which the Manbhaos kiss, calling upon the name of the god. Sukli, in Bhandara, is also a headquarters of the caste, and contains many Manbhao tombs. Here they burn camphor in honour of Dattatreya and make offerings of cocoanuts. They make pilgrimages to the different shrines at the full moons of Chait (March) and Kartik (October). They pay reverence to no deities except Krishna and Dattatreya, and observe the festivals of Gokul Ashtami in August and Datta-Jayantri in December. They consider the month of Aghan (November) as holy, because Krishna called it so in the Bhagavat-Gita. This is their sacred book, and they reject the other Hindu scriptures. Their conception of Krishna is based on his description of himself to Arjun in the Bhagavat-Gita as follows: "'Behold things wonderful, never seen before, behold in this my body the whole world, animate and inanimate. But as thou art unable to see with these thy natural eyes, I will give thee a heavenly eye, with which behold my divine connection.'
"The son of Pandu then beheld within the body of the god of gods standing together the whole universe divided forth into its vast variety. He was overwhelmed with wonder and every hair was raised on end. 'But I am not to be seen as thou hast seen me even by the assistance of the Vedas, by mortification, by sacrifices, by charitable gifts: but I am to be seen, to be known in truth, and to be obtained by that worship which is offered up to me alone: and he goeth unto me whose works are done for me: who esteemeth me supreme: who is my servant only: who hath abandoned all consequences, and who liveth amongst all men without hatred.'"
Again: "He my servant is dear to me who is free from enmity, the friend of all nature, merciful, exempt from all pride and selfishness, the same in pain and in pleasure, patient of wrong, contented, constantly devout, of subdued passions and firm resolves, and whose mind and understanding are fixed on me alone."
2. Divisions of the order
The Manbhaos are now divided into three classes: the Brahmachari; the Gharbari; and the Bhope. The Brahmachari are the ascetic members of the sect who subsist by begging and devote their lives to meditation, prayer and spiritual instruction. The Gharbari are those who, while leading a mendicant life, wearing the distinctive black dress of the order and having their heads shaved, are permitted to get married with the permission of their Mahant or guru. The ceremony is performed in strict privacy inside a temple. A man sometimes signifies his choice of a spouse by putting his jholi or beggar's wallet upon hers; if she lets it remain there, the betrothal is complete. A woman may show her preference for a man by bringing a pair of garlands and placing one on his head and the other on that of the image of Krishna. The marriage is celebrated according to the custom of the Kunbis, but without feasting or music. Widows are permitted to marry again. Married women do not wear bangles nor toe-rings nor the customary necklace of beads; they put on no jewellery, and have no choli or bodice. The Bhope or Bhoall, the third division of the caste, are wholly secular and wear no distinctive dress, except sometimes a black head-cloth. They may engage in any occupation that pleases them, and sometimes act as servants in the temples of the caste. In Berar they are divided into thirteen bas or orders, named after the disciples of Arjun Bhat, who founded the various shrines. The Manbhaos are recruited by initiation of both men and women from any except the impure castes. Young children who have been vowed by their parents to a religious life or are left without relations, are taken into the order. Women usually join it either as children or late in life. The celibate members, male or female, live separately in companies like monks and nuns. They do not travel together, and hold services in their temples at different times. A woman admitted into the order is henceforward the disciple of the woman who initiated her by whispering the guru mantra or sacred verse into her ear. She addresses her preceptress as mother and the other women as sisters. The Manbhaos are intelligent and generally literate, and they lead a simple and pure life. They are respectable and are respected by the people, and a guru or spiritual teacher is often taken from them in place of a Brahman or Gosain. They often act as priests or gurus to the Mahars, for whom Brahmans will not perform these services. Their honesty and humility are proverbial among the Kunbis, and are in pleasing contrast to the character of many of the Hindu mendicant orders. They consider it essential that all their converts should be able to read the Bhagavat-Gita or a commentary on it, and for this purpose teach them to read and write during the rainy season when they are assembled at one of their monasteries.
3. Religious observances and customs
One of the leading tenets of the Manbhaos is a respect for all forms of animal and even vegetable life, much on a par with that of the Jains. They strain water through a cloth before drinking it, and then delicately wipe the cloth to preserve any insects that may be upon it. They should not drink water in, and hence cannot reside in, any village where animal sacrifices are offered to a deity. They will not cut down a tree nor break off a branch, or even a blade of grass, nor pluck a fruit or an ear of corn. Some, it is said, will not even bathe in tanks for fear of destroying insect-life. For this reason also they readily accept cooked food as alms, so that they may avoid the risk of the destruction of life involved in cooking. The Manbhaos dislike the din and noise of towns, and live generally in secluded places, coming into the towns only to beg. Except in the rains they wander about from place to place. They beg in the morning, and then return home and, after bathing and taking their food, read their religious books. They must always worship Krishna before taking food, and for this purpose when travelling they carry an image of the deity about with them. They will take food and water from the higher castes, but they must not do so from persons of low caste on pain of temporary excommunication. They neither smoke nor chew tobacco. Both men and women shave the head clean, and men also the face. This is first done on initiation by the village barber. But the sendhi or scalp-lock and moustaches of the novice must be cut off by his guru, this being the special mark of his renunciation of the world. The scalp-locks of the various candidates are preserved until a sufficient quantity of hair has been collected, when ropes are made of it, which they fasten round their loins. This may be because Hindus attach a special efficacy to the scalp-lock, perhaps as being the seat of a man's strength or power. The nuns also shave their heads, and generally eschew every kind of personal adornment. Both monks and nuns usually dress in black or ashen-grey clothes as a mark of humility, though some have discarded black in favour of the usual Hindu mendicant colour of red ochre. The black colour is in keeping with the complexion of Krishna, their chief god. They dye their cloths with lamp-black mixed with a little water and oil. They usually sleep on the ground, with the exception of those who are Mahants, and they sometimes have no metal vessels, but use bags made of strong cloth for holding food and water. Men's names have the suffix Boa, as Datto Boa, Kesho Boa, while those of boys end in da, as Manoda, Raojida, and those of women in Bai, as Gopa Bai, Som Bai. The dead are buried, not in the common burial-grounds, but in some waste place. The corpse is laid on its side, facing the east, with head to the north and feet to the south. A piece of silk or other valuable cloth is placed on it, on which salt is sprinkled, and the earth is then filled in and the ground levelled so as to leave no trace of the grave. No memorial is erected over a Manbhao tomb, and no mourning nor ceremony of purification is observed, nor are oblations offered to the spirits of the dead. If the dead man leaves any property, it is expended on feeding the brotherhood for ten days; and if not, the Mahant of his order usually does this in his name.
4. Hostility between Manbhaos and Brahmans
The Manbhaos are dissenters from orthodox Hinduism, and have thus naturally incurred the hostility of the Brahmans. Mr. Kitts remarks of them: [180] "The Brahmans hate the Manbhaos, who have not only thrown off the Brahmanical yoke themselves, but do much to oppose the influence of Brahmans among the agriculturists. The Brahmans represent them as descended from one Krishna Bhat, a Brahman who was outcasted for keeping a beautiful Mang woman as his mistress. His four sons were called the Mang-bhaos or Mang brothers." This is an excellent instance of the Brahman talent for pressing etymology into their service as an argument, in which respect they resemble the Jesuits. By asserting that the Manbhaos are descended from a Mang woman, one of the most despised castes, they attempt to dispose of these enemies of a Brahman hegemony without further ado.
Another story about their wearing black or ashen-coloured clothes related by Colonel Mackenzie is that Krishna Bhat's followers, refusing to believe the aspersions cast on their leader by the Brahmans, but knowing that some one among them had been guilty of the sin imputed to him, determined to decide the matter by the ordeal of fire. Having made a fire, they cast into it their own clothes and those of their guru, each man having previously written his name on his garments. The sacred fire made short work of all the clothes except those of Krishna Bhat, which it rejected and refused to burn, thereby forcing the unwilling disciples to believe that the finger of God pointed to their revered guru as the sinner. In spite of the shock of thus discovering that their idol had feet of very human clay, they still continued to regard Krishna Bhat's precepts as good and worthy of being followed, only stipulating that for all time Manbhaos should wear clothes the colour of ashes, in memory of the sacred fire which had disclosed to them their guru's sin.
Captain Mackintosh also relates that "About A.D. 1780, a Brahman named Anand Rishi, an inhabitant of Paithan on the Godavari, maltreated a Manbhao, who came to ask for alms at his door. This Manbhao, after being beaten, proceeded to his friends in the vicinity, and they collected a large number of brethren and went to the Brahman to demand satisfaction; Anand Rishi assembled a number of Gosains and his friends, and pursued and attacked the Manbhaos, who fled and asked Ahalya Bai, Rani of Indore, to protect them; she endeavoured to pacify Anand Rishi by telling him that the Manbhaos were her gurus; he said that they were Mangs, but declared that if they agreed to his proposals he would forgive them; one of them was that they were not to go to a Brahman's house to ask for alms, and another that if any Brahman repeated Anand Rishi's name and drew a line across the road when a Manbhao was advancing, the Manbhao, without saying a word, must return the road he came. Notwithstanding this attempt to prevent their approaching a Brahman's house, they continue to ask alms of the Brahmans, and some Brahmans make a point of supplying them with provisions."
This story endeavours to explain a superstition still observed by the caste. This is that when a Manbhao is proceeding along a road, if any one draws a line across the road with a stick in front of him the Manbhao will wait without passing the line until some one else comes up and crosses it before him. In reality this is probably a primitive superstition similar to that which makes a man stop when a snake has crossed the road in front of him and efface its track before proceeding. It is said that the members of the order also carry their sticks upside down, and a saying is repeated about them:
Manbhao hokar kale kapre darhi muchi mundhata hai, Ulti lakri hath men pakri woh kya Sahib milta hai;
or, "The Manbhao wears black clothes, shaves his face and holds his stick upside down, and thinks he will find God that way."
This saying is attributed to Kabir.
Mang
List of Paragraphs
1. Origin and traditions. 2. Subdivisions. 3. Marriage. 4. Widow-marriage. 5. Burial. 6. Occupation. 7. Religion and social status.
1. Origin and traditions
Mang. [181]--A low impure caste of the Maratha Districts, who act as village musicians and castrate bullocks, while their women serve as midwives. The Mangs are also sometimes known as Vajantri or musician. They numbered more than 90,000 persons in 1911, of whom 30,000 belonged to the Nagpur and Nerbudda Divisions of the Central Provinces, and 60,000 to Berar. The real origin of the Mangs is obscure, but they probably originated from the subject tribes and became a caste through the adoption of the menial services which constitute their profession. In a Maratha book called the Shudra Kamlakar [182], it is stated that the Mang was the offspring of the union of a Vaideh man and an Ambashtha woman. A Vaideh was the illegitimate child of a Vaishya father and a Brahman mother, and an Ambashtha of a Brahman father and a Vaishya mother. The business of the Mang was to play on the flute and to make known the wishes of the Raja to his subjects by beat of drum. He was to live in the forest or outside the village, and was not to enter it except with the Raja's permission. He was to remove the dead bodies of strangers, to hang criminals, and to take away and appropriate the clothes and bedding of the dead. The Mangs themselves relate the following legend of their origin as given by Mr. Sathe: Long ago before cattle were used for ploughing, there was so terrible a famine upon the earth that all the grain was eaten up, and there was none left for seed. Mahadeo took pity on the few men who were left alive, and gave them some grain for sowing. In those days men used to drag the plough through the earth themselves. But when a Kunbi, to whom Mahadeo had given some seed, went to try and sow it, he and his family were so emaciated by hunger that they were unable, in spite of their united efforts, to get the plough through the ground. In this pitiable case the Kunbi besought Mahadeo to give him some further assistance, and Mahadeo then appeared, and, bringing with him the bull Nandi, upon which he rode, told the Kunbi to yoke it to the plough. This was done, and so long as Mahadeo remained present, Nandi dragged the plough peaceably and successfully. But as soon as the god disappeared, the bull became restive and refused to work any longer. The Kunbi being helpless, again complained to Mahadeo, when the god appeared, and in his wrath at the conduct of the bull, great drops of perspiration stood upon his brow. One of these fell to the ground, and immediately a coal-black man sprang up and stood ready to do Mahadeo's bidding. He was ordered to bring the bull to reason, and he went and castrated it, after which it worked well and quietly; and since then the Kunbis have always used bullocks for ploughing, and the descendants of the man, who was the first Mang, are employed in the office for which he was created. It is further related that Nandi, the bull, cursed the Mang in his pain, saying that he and his descendants should never derive any profit from ploughing with cattle. And the Mangs say that to this day none of them prosper by taking to cultivation, and quote the following proverb: 'Keli kheti, Zhali mati,' or, 'If a Mang sows grain he will only reap dust.'
2. Subdivisions
The caste is divided into the following subcastes: Dakhne, Khandeshe and Berarya, or those belonging to the Deccan, Khandesh and Berar; Ghodke, those who tend horses; Dafle, tom-tom players; Uchle, pickpockets; Pindari, descendants of the old freebooters; Kakarkadhe, stone-diggers; Holer, hide-curers; and Garori. The Garoris [183] are a sept of vagrant snake-charmers and jugglers. Many are professional criminals.
3. Marriage
The caste is divided into exogamous family groups named after animals or other objects, or of a titular nature. One or two have the names of other castes. Members of the same group may not intermarry. Those who are well-to-do marry their daughters very young for the sake of social estimation, but there is no compulsion in this matter. In families which are particularly friendly, Mr. Sathe remarks, children may be betrothed before birth if the two mothers are with child together. Betel is distributed, and a definite contract is made, on the supposition that a boy and girl will be born. Sometimes the abdomen of each woman is marked with red vermilion. A grown-up girl should not be allowed to see her husband's face before marriage. The wedding is held at the bride's house, but if it is more convenient that it should be in the bridegroom's village, a temporary house is found for the bride's party, and the marriage-shed is built in front of it. The bride must wear a yellow bodice and cloth, yellow and red being generally considered among Hindus as the auspicious colours for weddings. When she leaves for her husband's house she puts on another or going-away dress, which should be as fine as the family can afford, and thereafter she may wear any colour except white. The distinguishing marks of a married woman are the mangal-sutram or holy thread, which her husband ties on her neck at marriage; the garsoli or string of black beads round the neck; the silver toe-rings and glass bangles. If any one of these is lost, it must be replaced at once, or she is likely soon to be a widow. The food served at the wedding-feast consists of rice and pulse, but more essential than these is an ample provision of liquor. It is a necessary feature of a Mang wedding that the bridegroom should go to it riding on a horse. The Mahars, another low caste of the Maratha Districts, worship the horse, and between them and the Mangs there exists a long-standing feud, so that they do not, if they can help it, drink of the same well. The sight of a Mang riding on a horse is thus gall and wormwood to the Mahars, who consider it a terrible degradation to the noble animal, and this fact inflaming their natural enmity, formerly led to riots between the castes. Under native rule the Mangs were public executioners, and it was said to be the proudest moment of Mang's life when he could perform his office on a Mahar.
The bride proceeds to her husband's house for a short visit immediately after the marriage, and then goes home again. Thereafter, till such time as she finally goes to live with him, she makes brief visits for festivals or on other social occasions, or to help her mother-in-law, if her assistance is required. If the mother-in-law is ill and requires somebody to wait on her, or if she is a shrew and wants some one to bully, or if she has strict ideas of discipline and wishes personally to conduct the bride's training for married life, she makes the girl come more frequently and stay longer.
4. Widow marriage
The remarriage of widows is permitted, and a widow may marry any one except persons of her own family group or her husband's elder brother, who stands to her in the light of a father. She is permitted, but not obliged, to marry her husband's younger brother, but if he has performed the dead man's obsequies, she may not marry him, as this act has placed him in the relation of a son to her deceased husband. More usually the widow marries some one in another village, because the remarriage is always held in some slight disrepute, and she prefers to be at a distance from her first husband's family. Divorce is said to be permitted only for persistent misconduct on the part of the wife.
5. Burial
The caste always bury the dead and observe mourning only for three days. On returning from a burial they all get drunk, and then go to the house of the deceased and chew the bitter leaves of the nim tree (Melia indica). These they then spit out of their mouths to indicate their complete severance from the dead man.
6. Occupation
The caste beat drums at village festivals, and castrate cattle, and they also make brooms and mats of date-palm and keep leeches for blood-letting. Some of them are village watchmen and their women act as midwives. As soon as a baby is born, the midwife blows into its mouth, ears and nose in order to clear them of any impediments. When a man is initiated by a guru or spiritual preceptor, the latter blows into his ear, and the Mangs therefore say that on account of this act of the midwife they are the gurus of all Hindus. During an eclipse the Mangs beg, because the demons Rahu and Ketu, who are believed to swallow the sun and moon on such occasions, were both Mangs, and devout Hindus give alms to their fellow-castemen in order to appease them. Those of them who are thieves are said not to steal from the persons of a woman, a bangle-seller, a Lingayat Mali or another Mang. [184] In Maratha villages they sometimes take the place of Chamars, and work in leather, and one writer says of them: "The Mang is a village menial in the Maratha villages, making all leather ropes, thongs and whips, which are used by the cultivators; he frequently acts as watchman; he is by profession a thief and executioner; he readily hires himself as an assassin, and when he commits a robbery he also frequently murders." In his menial capacity he receives presents at seed-time and harvest, and it is said that the Kunbi will never send the Mang empty away, because he represents the wrath of Mahadeo, being made from the god's sweat when he was angry.
7. Religion and social status
The caste especially venerate the goddess Devi. They apparently identify Devi with Saraswati, the goddess of wisdom, and they have a story to the effect that once Brahma wished to ravish his daughter Saraswati. She fled from him and went to all the gods, but none of them would protect her for fear of Brahma. At last in despair she came to a Mang's house, and the Mang stood in the door and kept off Brahma with a wooden club. In return for this Saraswati blessed him and said that he and his descendants should never lack for food. They also revere Mahadeo, and on every Monday they worship the cow, placing vermilion on her forehead and washing her feet. The cat is regarded as a sacred animal, and a Mang's most solemn oath is sworn on a cat. A house is defiled if a cat or a dog dies or a cat has kittens in it, and all the earthen pots must be broken. If a man accidentally kills a cat or a dog a heavy penance is exacted, and two feasts must be given to the caste. To kill an ass or a monkey is a sin only less heinous. A man is also put out of caste if kicked or beaten with a shoe by any one of another caste, even a Brahman, or if he is struck with the kathri or mattress made of rags which the villagers put on their sleeping-cots. Mr. Gayer remarks [185] that "The Mangs show great respect for the bamboo; and at a marriage the bridal couple are made to stand in a bamboo basket. They also reverence the nim tree, and the Mangs of Sholapur spread hariali [186] grass and nim leaves on the spot where one of their caste dies." The social status of the Mangs is of the lowest. They usually live in a separate quarter of the village and have a well for their own use. They may not enter temples. It is recorded that under native rule the Mahars and Mangs were not allowed within the gates of Poona between 3 P.M. and 9 A.M., because before nine and after three their bodies cast too long a shadow; and whenever their shadow fell upon a Brahman it polluted him, so that he dare not taste food or water until he had bathed and washed the impurity away. So also no low-caste man was allowed to live in a walled town; cattle and dogs could freely enter and remain but not the Mahar or Mang. [187] The caste will eat the flesh of pigs, rats, crocodiles and jackals and the leavings of others, and some of them will eat beef. Men may be distinguished by the senai flute which they carry and by a large ring of gold or brass worn in the lobe of the ear. A Mang's sign-manual is a representation of his bhall-singara or castration-knife. Women are tattooed before marriage, with dots on the forehead, nose, cheeks and chin, and with figures of a date-palm on the forearm, a scorpion on the palm of the hand, and flies on the fingers. The caste do not bear a good character, and it is said of a cruel man, 'Mang-Nirdayi,' or 'Hardhearted as a Mang.'
Mang-Garori
Mang-Garori.--This is a criminal subdivision of the Mang caste, residing principally in Berar. They were not separately recorded at the census. The name Garori appears to be a corruption of Garudi, and signifies a snake-charmer. [188] Garuda, the Brahminy kite, the bird on which Vishnu rides, was the great subduer of snakes, and hence probably snake-charmers are called Garudi. Some of the Mang-Garoris are snake-charmers, and this may have been the original occupation of the caste, though the bulk of them now appear to live by dealing in cattle and thieving. The following notice of them is abstracted from Major Gunthorpe's Notes on Criminal Tribes. [189] They usually travel about with small pals or tents, taking their wives, children, buffaloes and dogs with them. The men are well set up and tall. Their costume is something like that worn by professional gymnasts, consisting of light and short reddish-brown drawers (chaddi), a waistband with fringe at either end (katchhe), and a sheet thrown over the shoulders. The Naik or headman of the camp may be recognised by his wearing some red woollen cloth about his person or a red shawl over his shoulders. The women have short saris (body-cloths), usually of blue, and tied in the Telugu fashion. They are generally very violent when any attempt is made to search an encampment, especially if there is stolen property concealed in it. Instances have been known of their seizing their infants by the ankles and swinging them round their heads, declaring they would continue doing so till the children died, if the police did not leave the camp. Sometimes also the women of a gang have been known to throw off all their clothing and appear in a perfect state of nudity, declaring they would charge the police with violating their modesty. Men of this tribe are expert cattle-lifters, but confine themselves chiefly to buffaloes, which they steal while out grazing and very dexterously disguise by trimming the horns and firing, so as to avoid recognition by their rightful owners. To steal goats and sheep is also one of their favourite occupations, and they will either carry the animals off from their pens at night or kill them while out grazing, in the following manner: having marked a sheep or goat which is feeding farthest away from the flock, the thief awaits his opportunity till the shepherd's back is turned, when the animal is quickly captured. Placing his foot on the back of the neck near the head, and seizing it under the chin with his right hand, the thief breaks the animal's neck by a sudden jerk; he then throws the body into a bush or in some dip in the ground to hide it, and walks away, watching from a distance. The shepherd, ignorant of the loss of one of his animals, goes on leisurely driving his flock before him, and when he is well out of sight the Mang-Garori removes the captured carcase to his encampment. Great care is taken that the skin, horns and hoofs should be immediately burnt so as to avoid detection. Their ostensible occupation is to trade in barren half-starved buffaloes and buffalo calves, or in country ponies. They also purchase from Gaoli herdsmen barren buffaloes, which they profess to be able to make fertile; if successful they return them for double the purchase-money, but if not, having obtained if possible some earnest-money, they abscond and sell the animals at a distance. [190] Like the Bhamtas, the Mang-Garoris, Major Gunthorpe states, make it a rule not to give a girl in marriage until the intended husband has proved himself an efficient thief. Mr. Gayer [191] writes as follows of the caste: "I do not think Major Gunthorpe lays sufficient emphasis on the part taken by the women in crimes, for they apparently do by far the major part of the thieving, Sherring says the men never commit house-breaking and very seldom rob on the highway: he calls them 'wanderers, showmen, jugglers and conjurors,' and describes them as robbers who get their information by performing before the houses of rich bankers and others. Mang-Garori [192] women steal in markets and other places of public resort. They wait to see somebody put down his clothes or bag of rupees and watch till his attention is attracted elsewhere, when, walking up quietly between the article and its owner, they drop their petticoat either over or by it, and manage to transfer the stolen property into their basket while picking up the petticoat. If an unfavourable omen occurs on the way when the women set out to pilfer they place a stone on the ground and dash another on to it saying, 'If the obstacle is removed, break'; if the stone struck is broken, they consider that the obstacle portended by the unfavourable omen is removed from their path, and proceed on their way; but if not, they return. Stolen articles are often bartered at liquor-shops for drink, and the Kalars act as receivers of stolen property for the Mang-Garoris."
The following are some particulars taken from an old account of the criminal Mangs; [193] Their leader or headman was called the naik and was elected by a majority of votes, though considerable regard was paid to heredity. The naik's person and property were alike inviolable; after a successful foray each of the gang contributed a quarter of his share to the naik, and from the fund thus made up were defrayed the expenses of preparation, religious offerings and the triumphal feast. A pair of shoes were usually given to a Brahman and alms to the poor. To each band was attached an informer, who was also receiver of the stolen goods. These persons were usually bangle- or perfume-sellers or jewellers. In this capacity they were admitted into the women's apartments and so enabled to form a correct notion of the topography of a house and a shrewd guess as to the wealth of its inmates. Like all barbarous tribes and all persons addicted to criminal practices the Mangs were extremely superstitious. They never set out on an expedition on a Friday. After the birth of a child the mother and another woman stood on opposite sides of the cradle, and the former tossed her child to the other, commending it to the mercy of Jai Gopal, and waited to receive it back in like manner in the name of Jai Govind. Both Gopal and Govind are names of Krishna, The Mangs usually married young in life. If a girl happened to hang heavy on hand she was married at the age of puberty to the deity. In other words, she was attached as a prostitute to the temple of the god Khandoba or the goddess Yellama. Those belonging to the service of the latter were wont in the month of February to parade the streets in a state of utter nudity. When a bachelor wished to marry a widow he was first united to a swallow-wort plant, and this was immediately dug up and transplanted, and withering away left him at liberty to marry the widow. If a lady survived the sorrow caused by the death of two or three husbands she could not again enter the holy state unless she consented to be married with a fowl under her armpit; the unfortunate bird being afterwards killed to appease the manes of her former consorts.
Manihar
Manihar. [194]--A small caste of pedlars and hawkers. In northern India the Manihars are makers of glass bangles, and correspond to the Kachera caste of the Central Provinces. Mr. Nesfield remarks [195] that the special industry of the Manihars of the United Provinces is the making of glass bangles or bracelets. These are an indispensable adjunct to the domestic life of the Hindu woman; for the glass bangle is not worn for personal ornament, but as the badge of the matrimonial state, like the wedding-ring in Europe. But in the Central Provinces glass bangles are made by the Kacheras and the Muhammadan Turkaris or Sisgars, and the Manihars are petty hawkers of stationery and articles for the toilet, such as miniature looking-glasses, boxes, stockings, needles and thread, spangles, and imitation jewellery; and Hindu Jogis and others who take to this occupation are accustomed to give their caste as Manihar. In 1911 nearly 700 persons belonging to the caste were returned from the northern Districts of the Central Provinces. The Manihars are nominally Muhammadans, but they retain many Hindu customs. At their weddings they erect a marriage-tent, anoint the couple with oil and turmeric and make them wear a kankan or wrist-band, to which is attached a small purse containing a little mustard-seed and a silver ring. The mustard is intended to scare away the evil spirits. When the marriage procession reaches the bride's village it is met by her people, one of whom holds a bamboo in his hands and bars the advance of the procession. The bridegroom's father thereupon makes a present of a rupee to the village panchayat, and his people are allowed to proceed. When the bridegroom reaches the bride's house he finds her younger sister carrying a kalas or pot of water on her head; he drops a rupee into it and enters the house. The bride's sister then comes holding above her head a small frame like a tazia [196] with a cocoanut core hanging inside. She raises the frame as high as she can to prevent the bridegroom from plucking out the cocoanut core, which, however, he succeeds in doing in the end. The girl applies powdered mehndi or henna to the little finger of the boy's right hand, in return for which she receives a rupee and a piece of cloth. The Kazi then recites verses from the Koran which the bridegroom repeats after him, and the bride does the same in her turn. This is the Nikah or marriage proper, and before it takes place the bridegroom's father must present a nose-ring to the bride. The parents also fix the Meher or dowry, which, however, is not a dowry proper, but a stipulation that if the bridegroom should put away his wife after marriage he will pay her a certain agreed sum. After the Nikah the bridegroom is given some spices, which he grinds on a slab with a roller. He must do the grinding very slowly and gently so as to make no noise, or it is believed that the married life of the couple will be broken by quarrels. A widow is permitted to marry the younger brother of her deceased husband, but not his elder brother. The caste bury their dead with the head to the north. The corpse is first bathed and wrapped in a new white sheet, with another sheet over it, and is then laid on a cot or in a janaza or coffin. While it is being carried to the cemetery the bearers are changed every few steps, so that every man who accompanies the funeral may carry the corpse for a short distance. When it is lowered into the grave the sheet is taken off and given to a Fakir or beggar. When the body is covered with earth the priest reads the funeral verses at a distance of forty steps from the grave. Feasts are given to the caste-fellows on the third, tenth, twentieth and fortieth days after the death. The Manihars observe the Shabrat festival by distributing to the caste-fellows halua or a mixture of melted butter and flour. The Shabrat is the middle night of the month Shaban, and Muhammad declared that on this night God registers the actions which every man will perform during the following year, and all those who are fated to die and the children who are to be born. Like Hindu widows the Manihar women break their bangles when their husband's corpse is removed to the burial-ground. The Manihars eat flesh, but not beef or pork; and they also abstain from alcoholic liquor. If a girl is seduced and made pregnant before marriage either by a man of the caste or an outsider, she remains in her father's house until her child has been born, and may then be married either to her paramour or any other man of the caste by the simple repetition of the Nikah or marriage verses, omitting all other ceremonies. The Manihars will admit into their community converted Hindus belonging even to the lowest castes.
Mannewar
Mannewar. [197]--A small tribe belonging to the south or Telugu-speaking portion of the Chanda District, where they mustered about 1600 persons in 1911. The home of the tribe is the Hyderabad State, where it numbers 22,000 persons, and the Mannewars are said to have once been dominant over a part of that territory. The name is derived from a Telugu word mannem, meaning forest, while war is the plural termination in Telugu, Mannewar thus signifying 'the people of the forest.' The tribe appear to be the inferior branch of the Koya Gonds, and they are commonly called Mannewar Koyas as opposed to the Koya Doras or the superior branch, Dora meaning 'lord' or master. The Koya Doras thus correspond to the Raj-Gonds of the north of the Province and the Mannewar Koyas to the Dhur or 'dust' Gonds. [198] The tribe is divided into three exogamous groups: the Nalugu Velpulu worshipping four gods, the Ayidu Velpulu worshipping five, and the Anu Velpulu six. A man must marry a woman of one of the divisions worshipping a different number of gods from his own, but the Mannewars do not appear to know the names of these gods, and consequently no veneration can be paid to them at present, and they survive solely for the purpose of regulating marriage. When a betrothal is made a day is fixed for taking an omen. In the early morning the boy who is to be married has his face washed and turmeric smeared on his feet, and is seated on a wooden seat inside the house. The elders of the village then proceed outside it towards the rising sun and watch for any omen given by an animal or bird crossing their path. If this is good the marriage is celebrated, and if bad the match is broken off. In the former case five of the elders take their food on returning from the search for the omen and immediately proceed to the bride's village. Here they are met by the Pesamuda or village priest, and stay for three days, when the amount of the dowry is settled and a date fixed for the wedding. The marriage ceremony resembles that of the low Telugu castes. The couple are seated on a plough-yoke, and coloured rice is thrown on to their heads, and the bridegroom ties the mangalya or bead necklace, which is the sign of marriage, round the neck of the bride. If a girl is deformed, or has some other drawback which prevents her from being sought in marriage, she is given away with her sister to a first cousin [199] or some other near relative, the two sisters being married to him together. A widow may marry any man of the tribe except her first husband's brothers. If a man takes a widow to his house without marrying her he is fined three rupees, while for adultery with a married woman the penalty is twenty rupees. A divorce can always be obtained, but if the husband demands it he is mulcted of twenty rupees by the caste committee, while a wife who seeks a divorce must pay ten rupees. The Mannewars make an offering of a fowl and some liquor to the ploughshare on the festival of Ganesh Chaturthi. After the picking of the flowers of the mahua [200] they worship that tree, offering to it some of the liquor distilled from the new flowers, with a fowl and a goat. This is known as the Burri festival. At the Holi feast the Mannewars make two human figures to represent Kami and Rati, or the god of love and his wife. The male figure is then thrown on to the Holi fire with a live chicken or an egg. This may be a reminiscence of a former human sacrifice, which was a common custom in many parts of the world at the spring festival. The caste usually bury the dead, but are beginning to adopt cremation. They do not employ Brahmans for their ceremonies and eat all kinds of food, including the flesh of pigs, fowls and crocodiles, but in view of their having nominally adopted Hinduism, they abstain from beef.
Maratha
List of Paragraphs
1. Numerical statistics. 2. Double meaning of the term Maratha. 3. Origin and position of the caste. 4. Exogamous clans. 5. Other subdivisions. 6. Social customs. 7. Religion. 8. Present position of the caste. 9. Nature of the Maratha insurrection. 10. Maratha women in past times. 11. The Maratha horseman. 12. Cavalry in the field. 13. Military administration. 14. Sitting Dharna. 15. The infantry. 16. Character of the Maratha armies.
1. Numerical statistics
Maratha, Mahratta.--The military caste of southern India which manned the armies of Sivaji, and of the Peshwa and other princes of the Maratha confederacy. In the Central Provinces the Marathas numbered 34,000 persons in 1911, of whom Nagpur contained 9000 and Wardha 8000, while the remainder were distributed over Raipur, Hoshangabad and Nimar. In Berar their strength was 60,000 persons, the total for the combined province being thus 94,000. The caste is found in large numbers in Bombay and Hyderabad, and in 1901 the India Census tables show a total of not less than five million persons belonging to it.
2. Double meaning of the term Maratha
It is difficult to avoid confusion in the use of the term Maratha, which signifies both an inhabitant of the area in which the Marathi language is spoken, and a member of the caste to which the general name has in view of their historical importance been specifically applied. The native name for the Marathi-speaking country is Maharashtra, which has been variously interpreted as 'The great country' or 'The country of the Mahars.' [201] A third explanation of the name is from the Rashtrakuta dynasty which was dominant in this area for some centuries after A.D. 750. The name Rashtrakuta was contracted into Rattha, and with the prefix of Maha or Great might evolve into the term Maratha. The Rashtrakutas have been conjecturally identified with the Rathor Rajputs. The Nasik Gazetteer [202] states that in 246 B.C. Maharatta is mentioned as one of the places to which Asoka sent an embassy, and Maharashtraka is recorded in a Chalukyan inscription of A.D. 580 as including three provinces and 99,000 villages. Several other references are given in Sir J. Campbell's erudite note, and the name is therefore without doubt ancient. But the Marathas as a people do not seem to be mentioned before the thirteenth or fourteenth century. [203] The antiquity of the name would appear to militate against the derivation from the Rashtrakuta dynasty, which did not become prominent till much later, and the most probable meaning of Maharashtra would therefore seem to be 'The country of the Mahars.' Maharatta and Maratha are presumably derivatives from Maharashtra.
3. Origin and position of the caste
The Marathas are a caste formed from military service, and it seems probable that they sprang mainly from the peasant population of Kunbis, though at what period they were formed into a separate caste has not yet been determined. Grant-Duff mentions several of their leading families as holding offices under the Muhammadan rulers of Bijapur and Ahmadnagar in the fifteenth and sixteenth centuries, as the Nimbhalkar, Gharpure and Bhonsla; [204] and presumably their clansmen served in the armies of those states. But whether or no the designation of Maratha had been previously used by them, it first became prominent during the period of Sivaji's guerilla warfare against Aurangzeb. The Marathas claim a Rajput origin, and several of their clans have the names of Rajput tribes, as Chauhan, Panwar, Solanki and Suryavansi. In 1836 Mr. Enthoven states, [205] the Sesodia Rana of Udaipur, the head of the purest Rajput house, was satisfied from inquiries conducted by an agent that the Bhonslas and certain other families had a right to be recognised as Rajputs. Colonel Tod states that Sivaji was descended from a Rajput prince Sujunsi, who was expelled from Mewar to avoid a dispute about the succession about A.D. 1300. Sivaji is shown as 13th in descent from Sujunsi. Similarly the Bhonslas of Nagpur were said to derive their origin from one Bunbir, who was expelled from Udaipur about 1541, having attempted to usurp the kingdom. [206] As Rajput dynasties ruled in the Deccan for some centuries before the Muhammadan conquest, it seems reasonable to suppose that a Rajput aristocracy may have taken root there. This was Colonel Tod's opinion, who wrote: "These kingdoms of the south as well as the north were held by Rajput sovereigns, whose offspring, blending with the original population, produced that mixed race of Marathas inheriting with the names the warlike propensities of their ancestors, but who assume the names of their abodes as titles, as the Nimalkars, the Phalkias, the Patunkars, instead of their tribes of Jadon, Tüar, Püar, etc." [207] This statement would, however, apply only to the leading houses and not to the bulk of the Maratha caste, who appear to be mainly derived from the Kunbis. In Sholapur the Marathas and Kunbis eat together, and the Kunbis are said to be bastard Marathas. [208] In Satara the Kunbis have the same division into 96 clans as the Marathas have, and many of the same surnames. [209] The writer of the Satara Gazetteer says: [210] "The census of 1851 included the Marathas with the Kunbis, from whom they do not form a separate caste. Some Maratha families may have a larger strain of northern or Rajput blood than the Kunbis, but this is not always the case. The distinction between Kunbis and Marathas is almost entirely social, the Marathas as a rule being better off, and preferring even service as a constable or messenger to husbandry." Exactly the same state of affairs prevails in the Central Provinces and Berar, where the body of the caste are commonly known as Maratha Kunbis. In Bombay the Marathas will take daughters from the Kunbis in marriage for their sons, though they will not give their daughters in return. But a Kunbi who has got on in the world and become wealthy may by sufficient payment get his sons married into Maratha families, and even be adopted as a member of the caste. [211] In 1798 Colonel Tone, who commanded a regiment of the Peshwa's army, wrote [212] of the Marathas: "The three great tribes which compose the Maratha caste are the Kunbi or farmer, the Dhangar or shepherd, and the Goala or cowherd; to this original cause may perhaps be ascribed that great simplicity of manner which distinguishes the Maratha people."
It seems then most probable that, as already stated, the Maratha caste was of purely military origin, constituted from the various castes of Maharashtra who adopted military service, though some of the leading families may have had Rajputs for their ancestors. Sir D. Ibbetson thought that a similar relation existed in past times between the Rajputs and Jats, the landed aristocracy of the Jat caste being gradually admitted to Rajput rank. The Khandaits or swordsmen of Orissa are a caste formed in the same manner from military service. In the Imperial Gazetteer Sir H. Risley suggests that the Maratha people were of Scythian origin:
"The physical type of the people of this region accords fairly well with this theory, while the arguments derived from language and religion do not seem to conflict with it.... On this view the wide-ranging forays of the Marathas, their guerilla methods of warfare, their unscrupulous dealings with friend and foe, their genius for intrigue and their consequent failure to build up an enduring dominion, might well be regarded as inherited from their Scythian ancestors."
4. Exogamous clans
In the Central Provinces the Marathas are divided into 96 exogamous clans, known as the Chhanava Kule, which marry with one another. During the period when the Bhonsla family were rulers of Nagpur they constituted a sort of inner circle, consisting of seven of the leading clans, with whom alone they intermarried; these are known as the Satghare or Seven Houses, and consist of the Bhonsla, Gujar, Ahirrao, Mahadik, Sirke, Palke and Mohte clans. These houses at one time formed an endogamous group, marrying only among themselves, but recently the restriction has been relaxed, and they have arranged marriages with other Maratha families. It may be noted that the present representatives of the Bhonsla family are of the Gujar clan to which the last Raja of Nagpur, Raghuji III., belonged prior to his adoption. Several of the clans, as already noted, have Rajput sept names; and some are considered to be derived from those of former ruling dynasties; as Chalke, from the Chalukya Rajput kings of the Deccan and Carnatic; More, who may represent a branch of the great Maurya dynasty of northern India; Salunke, perhaps derived from the Solanki kings of Gujarat; and Yadav, the name of the kings of Deogiri or Daulatabad. [213] Others appear to be named after animals or natural objects, as Sinde from sindi the date-palm tree, Ghorpade from ghorpad the iguana; or to be of a titular nature, as Kale black, Pandhre white, Bhagore a renegade, Jagthap renowned, and so on. The More, Nimbhalkar, Ghatge, Mane, Ghorpade, Dafle, Jadav and Bhonsla clans are the oldest, and held prominent positions in the old Muhammadan kingdoms of Bijapur and Ahmadnagar. The Nimbhalkar family were formerly Panwar Rajputs, and took the name of Nimbhalkar from their ancestral village Nimbalik. The Ghorpade family are an offshoot of the Bhonslas, and obtained their present name from the exploit of one of their ancestors, who scaled a fort in the Konkan, previously deemed impregnable, by passing a cord round the body of a ghorpad or iguana. [214] A noticeable trait of these Maratha houses is the fondness with which they clung to the small estates or villages in the Deccan in which they had originally held the office of a patel or village headman as a watan or hereditary right, even after they had carved out for themselves principalities and states in other parts of India. The present Bhonsla Raja takes his title from the village of Deor in the Poona country. In former times we read of the Raja of Satara clinging to the watans he had inherited from Sivaji after he had lost his crown in all but the name; Sindhia was always termed patel or village headman in the revenue accounts of the villages he acquired in Nimar; while it is said that Holkar and the Panwar of Dhar fought desperately after the British conquest to recover the pateli rights of Deccan villages which had belonged to their ancestors. [215]
5. Other subdivisions
Besides the 96 clans there are now in the Central Provinces some local subcastes who occupy a lower position and do not intermarry with the Marathas proper. Among these are the Deshkar or 'Residents of the country'; the Waindesha or those of Berar and Khandesh; the Gangthade or those dwelling on the banks of the Godavari and Wainganga; and the Ghatmathe or residents of the Mahadeo plateau in Berar. It is also stated that the Marathas are divided into the Khasi or 'pure' and the Kharchi or the descendants of handmaids. In Bombay the latter are known as the Akarmashes or 11 mashas, meaning that as twelve mashas make a tola, a twelfth part of them is alloy.
6. Social customs
A man must not marry in his own clan or that of his mother. A sister's son may be married to a brother's daughter, but not vice versa. Girls are commonly married between five and twelve years of age, and the ceremony resembles that of the Kunbis. The bridegroom goes to the bride's house riding on horseback and covered with a black blanket When a girl first becomes mature, usually after marriage, the Marathas perform the Shantik ceremony. The girl is secluded for four days, after which she is bathed and puts on new clothes and dresses her hair and a feast is given to the caste-fellows. Sometimes the bridegroom comes and is asked whether he has visited his wife before she became mature, and if he confesses that he has done so a small fine is imposed on him. Such cases are, however, believed to be rare. The Marathas proper forbid widow-marriage, but the lower groups allow it. If a maiden is seduced by one of the caste she may be married to him as if she were a widow, a fine being imposed on her family; but if she goes wrong with an outsider she is finally expelled. Divorce is not ostensibly allowed but may be concluded by agreement between the parties. A wife who commits adultery is cast off and expelled from the caste. The caste burn their dead when they can afford it and perform the shraddh ceremony in the month of Kunwar (September), when oblations are offered to the dead and a feast is given to the caste-fellows. Sometimes a tomb is erected as a memorial to the dead, but without his name, and is surmounted usually by an image of Mahadeo. The caste eat the flesh of clean animals and of fowls and wild pig, and drink liquor. Their rules about food are liberal like those of the Rajputs, a too great stringency being no doubt in both cases incompatible with the exigencies of military service. They make no difference between food cooked with or without water, and will accept either from a Brahman, Rajput, Tirole Kunbi, Lingayat Bania or Phulmali.
The Marathas proper observe the parda system with regard to their women, and will go to the well and draw water themselves rather than permit their wives to do so. The women wear ornaments only of gold or glass and not of silver or any baser metal. They are not permitted to spin cotton as being an occupation of the lower classes. The women are tattooed in the centre of the forehead with a device resembling a trident. The men commonly wear a turban made of many folds of cloth twisted into a narrow rope and large gold rings with pearls in the upper part of the ear. Like the Rajputs they often have their hair long and wear beards and whiskers. They assume the sacred thread and invest a boy with it when he is seven or eight years old or on his marriage. Till then they let the hair grow on the front of his head, and when the thread ceremony is performed they cut this off and let the choti or scalp-lock grow at the back. In appearance the men are often tall and well-built and of a light wheat-coloured complexion.
7. Religion
The principal deity of the Marathas is Khandoba, a warrior incarnation of Mahadeo. He is supposed to have been born in a field of millet near Poona and to have led the people against the Muhammadans in early times. He had a watch-dog who warned him of the approach of his enemies, and he is named after the khanda or sword which he always carried. In Bombay [216] he is represented on horseback with two women, one of the Bania caste, his wedded wife, in front of him, and another, a Dhangarin, his kept mistress, behind. He is considered the tutelary deity of the Maratha country, and his symbol is a bag of turmeric powder known as bhandar. The caste worship Khandoba on Sundays with rice, flowers and incense, and also on the 21st day of Magh (January), which is called Champa Sashthi and is his special festival. On this day they will catch hold of any dog, and after adorning him with flowers and turmeric give him a good feed and let him go again. The Marathas are generally kind to dogs and will not injure them. At the Dasahra festival the caste worship their horses and swords and go out into the field to see a blue-jay in memory of the fact that the Maratha marauding expeditions started on Dasahra. On coming back they distribute to each other leaves of the shami tree (Bauhinia racemosa) as a substitute for gold. It was formerly held to be fitting among the Hindus that the warrior should ride a horse (geldings being unknown) and the zamindar or landowner a mare, as more suitable to a man of peace. The warriors celebrated their Dasahra, and worshipped their horses on the tenth day of the light fortnight of Kunwar (September), while the cultivators held their festival and worshipped their mares on the ninth day. It is recorded that the great Raghuji Bhonsla, the first Raja of Nagpur, held his Dasahra on the ninth day, in order to proclaim the fact that he was by family an agriculturist and only incidentally a man of arms. [217]
8. Present position of the caste
The Marathas present the somewhat melancholy spectacle of an impoverished aristocratic class attempting to maintain some semblance of their former position, though they no longer have the means to do so. They flourished during two or three centuries of almost continuous war, and became a wealthy and powerful caste, but they find a difficulty in turning their hands to the arts of peace. Sir R. Craddock writes of them in Nagpur:
"Among the Marathas a large number represent connections of the Bhonsla family, related by marriage or by illegitimate descent to that house. A considerable proportion of the Government political pensioners are Marathas. Many of them own villages or hold tenant land, but as a rule they are extravagant in their living; and several of the old Maratha nobility have fallen very much in the world. Pensions diminish with each generation, but the expenditure shows no corresponding decrease. The sons are brought up to no employment and the daughters are married with lavish pomp and show. The native army does not much attract them, and but few are educated well enough for the dignified posts in the civil employ of Government. It is a question whether their pride of race will give way before the necessity of earning their livelihood soon enough for them to maintain or regain some of their former position. Otherwise those with the largest landed estates may be saved by the intervention of Government, but the rest must gradually deteriorate till the dignities of their class have become a mere memory. The humbler members of the caste find their employment as petty contractors or traders, private servants, Government peons, sowars and hangers-on in the retinue of the more important families.
"What [218] little display his means afford a Maratha still tries to maintain. Though he may be clad in rags at home, he has a spare dress which he himself washes and keeps with great care and puts on when he goes to pay a visit. He will hire a boy to attend him with a lantern at night, or to take care of his shoes when he goes to a friend's house and hold them before him when he comes out. Well-to-do Marathas have usually in their service a Brahman clerk known as divanji or minister, who often takes advantage of his master's want of education to defraud him. A Maratha seldom rises early or goes out in the morning. He will get up at seven or eight o'clock, a late hour for a Hindu, and attend to business if he has any or simply idle about chewing or smoking tobacco and talking till ten o'clock. He will then bathe and dress in a freshly-washed cloth and bow before the family gods which the priest has already worshipped. He will dine, chew betel and smoke tobacco and enjoy a short midday rest. Rising at three, he will play cards, dice or chess, and in the evening will go out walking or riding or pay a visit to a friend. He will come back at eight or nine and go to bed at ten or eleven. But Marathas who have estates to manage lead regular, fairly busy lives."
9. Nature of the Maratha insurrection
Sir D. Ibbetson drew attention to the fact that the rising of the Marathas against the Muhammadans was almost the only instance in Indian history of what might correctly be called a really national movement. In other cases, as that of the Sikhs, though the essential motive was perhaps of the same nature, it was obscured by the fact that its ostensible tendency was religious. The gurus of the Sikhs did not call on their followers to fight for their country but for a new religion. This was only in accordance with the Hindu intellect, to which the idea of nationality has hitherto been foreign, while its protests against both alien and domestic tyrannies tend to take the shape of a religious revolt. A similar tendency is observable even in the case of the Marathas, for the rising was from its inception largely engineered by the Maratha Brahmans, who on its success hastened to annex for themselves a leading position in the new Poona state. And it has been recorded that in calling his countrymen to arms, Sivaji did not ask them to defend their hearths and homes or wives and children, but to rally for the protection of the sacred persons of Brahmans and cows.
10. Maratha women in past times
Although the Marathas have now in imitation of the Rajputs and Muhammadans adopted the parda system, this is not a native custom, and women have played quite an important part in their history. The women of the household have also exercised a considerable influence and their opinions are treated with respect by the men. Several instances occur in which women of high rank have successfully acted as governors and administrators. In the Bhonsla family the Princess Baka Bai, widow of Raghuji II., is a conspicuous instance, while the famous or notorious Rani of Jhansi is another case of a Maratha lady who led her troops in person, and was called the best man on the native side in the Mutiny.
11. The Maratha horseman
This article may conclude with one or two extracts to give an idea of the way in which the Maratha soldiery took the field. Grant Duff describes the troopers as follows:
"The Maratha horsemen are commonly dressed in a pair of light breeches covering the knee, a turban which many of them fasten by passing a fold of it under the chin, a frock of quilted cotton, and a cloth round the waist, with which they generally gird on their swords in preference to securing them with their belts. The horseman is armed with a sword and shield; a proportion in each body carry matchlocks, but the great national weapon is the spear, in the use of which and the management of their horse they evince both grace and dexterity. The spearmen have generally a sword, and sometimes a shield; but the latter is unwieldy and only carried in case the spear should be broken. The trained spearmen may always be known by their riding very long, the ball of the toe touching the stirrup; some of the matchlockmen and most of the Brahmans ride very short and ungracefully. The bridle consists of a single headstall of cotton-rope, with a small but very severe flexible bit"
12. Cavalry in the field
The following account of the Maratha cavalry is given in General Hislop's Summary of the Maratha and Pindari Campaigns of 1817-1819:
"The Marathas possess extraordinary skill in horsemanship, and so intimate an acquaintance with their horses, that they can make their animals do anything, even in full speed, in halting, wheeling, etc.; they likewise use the spear with remarkable dexterity, sometimes in full gallop, grasping their spears short and quickly sticking the point in the ground; still holding the handles, they turn their horse suddenly round it, thus performing on the point of a spear as on a pivot the same circle round and round again. Their horses likewise never leave the particular class or body to which they belong; so that if the rider should be knocked off, away gallops the animal after its fellows, never separating itself from the main body. Every Maratha brings his own horse and his own arms with him to the field, and possibly in the interest they possess in this private equipment we shall find their usual shyness to expose themselves or even to make a bold vigorous attack. But if armies or troops could be frightened by appearances these horses of the Marathas would dishearten the bravest, actually darkening the plains with their numbers and clouding the horizon with dust for miles and miles around. A little fighting, however, goes a great way with them, as with most others of the native powers in India."
On this account the Marathas were called razah-bazan or lance-wielders. One Muhammadan historian says: "They so use the lance that no cavalry can cope with them. Some 20,000 or 30,000 lances are held up against their enemy so close together as not to leave a span between their heads. If horsemen try to ride them down the points of the spears are levelled at the assailants and they are unhorsed. While cavalry are charging them they strike their lances against each other and the noise so frightens the horses of the enemy that they turn round and bolt." [219] The battle-cries of the Marathas were, 'Har, Har Mahadeo,' and 'Gopal, Gopal.' [220]
13. Military administration
An interesting description of the internal administration of the Maratha cavalry is contained in the letter on the Marathas by Colonel Tone already quoted. But his account must refer to a period of declining efficiency and cannot represent the military system at its best:
"In the great scale of rank and eminence which is one peculiar feature of Hindu institutions the Maratha holds a very inferior situation, being just removed one degree above those castes which are considered absolutely unclean. He is happily free from the rigorous observances as regards food which fetter the actions of the higher castes. He can eat of all kinds of food with the exception of beef; can dress his meal at all times and seasons; can partake of all victuals dressed by any caste superior to his own; washing and praying are not indispensable in his order and may be practised or omitted at pleasure. The three great tribes which compose the Maratha caste are the Kunbi or farmer, the Dhangar or shepherd and the Goala or cowherd; to this original cause may perhaps be ascribed that great simplicity of manner which distinguishes the Maratha people. Homer mentions princesses going in person to the fountain to wash their household linen. I can affirm having seen the daughters of a prince who was able to bring an army into the field much larger than the whole Greek confederacy, making bread with their own hands and otherwise employed in the ordinary business of domestic housewifery. I have seen one of the most powerful chiefs of the Empire, after a day of action, assisting in kindling a fire to keep himself warm during the night, and sitting on the ground on a spread saddle-cloth dictating to his secretaries.
"The chief military force of the Marathas consists in their cavalry, which may be divided into four distinct classes: First the Khasi Pagah or household forces of the prince; these are always a fine well-appointed body, the horses excellent, being the property of the Sirkar, who gives a monthly allowance to each trooper of the value of about eight rupees. The second class are the cavalry furnished by the Silladars, [221] who contract to supply a certain number of horse on specified terms, generally about Rs. 35 a month, including the trooper's pay. The third and most numerous description are volunteers, who join the camp bringing with them their own horse and accoutrements; their pay is generally from Rs. 40 to Rs. 50 a month in proportion to the value of their horse. There is a fourth kind of native cavalry called Pindaris, who are mere marauders, serve without any pay and subsist but by plunder, a fourth part of which they give to the Sirkar; but these are so very licentious a body that they are not employed but in one or two of the Maratha services.
"The troops collected in this manner are under no discipline whatever and engage for no specific period, but quit the army whenever they please; with the exception of furnishing a picquet while in camp, they do no duty but in the day of battle.
"The Maratha cavalry is always irregularly and badly paid; the household troops scarcely ever receive money, but are furnished with a daily allowance of coarse flour and some other ingredients from the bazar which just enable them to exist. The Silladar is very nearly as badly situated. In his arrangements with the State he has allotted to him a certain proportion of jungle where he pastures his cattle; here he and his family reside, and his sole occupation when not on actual service is increasing his Pagah or troop by breeding out of his mares, of which the Maratha cavalry almost entirely consist. There are no people in the world who understand the method of rearing and multiplying the breed of cattle equal to the Marathas. It is by no means uncommon for a Silladar to enter a service with one mare and in a few years be able to muster a very respectable Pagah. They have many methods of rendering the animal prolific; they back their colts much earlier than we do and they are consequently more valuable as they come sooner on the effective strength.
"When called upon for actual service the Silladar is obliged to give muster. Upon this occasion it is always necessary that the Brahman who takes it should have a bribe; and indeed the Hazri, as the muster is termed, is of such a nature that it could not pass by any fair or honourable means. Not only any despicable tattus are substituted in the place of horses but animals are borrowed to fill up the complement. Heel-ropes and grain-bags are produced as belonging to cattle supposed to be at grass; in short every mode is practised to impose on the Sirkar, which in turn reimburses itself by irregular and bad payments; for it is always considered if the Silladars receive six months' arrears out of the year that they are exceedingly well paid. The Volunteers who join the camp are still worse situated, as they have no collective force, and money is very seldom given in a Maratha State without being extorted. In one word, the native cavalry are the worst-paid body of troops in the world. But there is another grand error in this mode of raising troops which is productive of the worst effects. Every man in a Maratha camp is totally independent; he is the proprietor of the horse he rides, which he is never inclined to risk, since without it he can get no service. This single circumstance destroys all enterprise and spirit in the soldier, whose sole business, instead of being desirous of distinguishing himself, is to keep out of the way of danger; for notwithstanding every horseman on entering a service has a certain value put upon his horse, yet should he lose it even in action he never receives any compensation or at least none proportioned to his loss. If at any time a Silladar is disgusted with the service he can go away without meeting any molestation even though in the face of an enemy. In fact the pay is in general so shamefully irregular that a man is justified in resorting to any measure, however apparently unbecoming, to attain it. It is also another very curious circumstance attending this service that many great Silladars have troops in the pay of two or three chiefs at the same time, who are frequently at open war with each other.
14. Sitting Dharna
"To recover an arrear of pay there is but one known mode which is universally adopted in all native services, the Mughal as well as the Maratha; this is called Dharna, [222] which consists in putting the debtor, be he who he will, into a state of restraint or imprisonment, until satisfaction be given or the money actually obtained. Any person in the Sirkar's service has a right to demand his pay of the Prince or his minister, and to sit in Dharna if it be not given; nor will he meet with the least hindrance in doing so; for none would obey an order that interfered with the Dharna, as it is a common cause; nor does the soldier incur the slightest charge of mutiny for his conduct, or suffer in the smallest manner in the opinion of his Chief, so universal is the custom. The Dharna is sometimes carried to very violent lengths and may either be executed on the Prince or his minister indifferently, with the same effect; as the Chief always makes it a point of honour not to eat or drink while his Diwan is in duress; sometimes the Dharna lasts for many days, during which time the party upon whom it is exercised is not suffered to eat or drink or wash or pray, or in short is not permitted to move from the spot where he sits, which is frequently bare-headed in the sun, until the money or security be given; so general is this mode of recovery that I suppose the Maratha Chiefs may be said to be nearly one-half of their time in a state of Dharna.
15. The infantry
"In the various Maratha services there are very little more than a bare majority who are Marathas by caste, and very few instances occur of their ever entering into the infantry at all. The sepoys in the pay of the different princes are recruited in Hindustan, and principally of the Rajput and Purbia caste; these are perhaps the finest race of men in the world for figure and appearance; of lofty stature, strong, graceful and athletic; of acute feelings, high military pride, quick, apprehensive, brave, prudent and economic; at the same time it must be confessed they are impatient of discipline, and naturally inclined to mutiny. They are mere soldiers of fortune and serve only for their pay. There are also a great number of Musalmans who serve in the different Maratha armies, some of whom have very great commands.
16. Character of the Maratha armies
"The Maratha cavalry at times make very long and rapid marches, in which they do not suffer themselves to be interrupted by the monsoon or any violence of weather. In very pressing exigencies it is incredible the fatigue a Maratha horseman will endure; frequently many days pass without his enjoying one regular meal, but he depends entirely for subsistence on the different corn-fields through which the army passes: a few heads of juari, which he chafes in his hands while on horseback, will serve him for the day; his horse subsists on the same fare, and with the addition of opium, which the Marathas frequently administer to their cattle, is enabled to perform incredible marches."
The above analysis of the Maratha troops indicates that their real character was that of freebooting cavalry, largely of the same type as, though no doubt greatly superior in tone and discipline to the Pindaris. Like them they lived by plundering the country. "The Marathas," Elphinstone remarked, "are excellent foragers. Every morning at daybreak long lines of men on small horses and ponies are seen issuing from their camps in all directions, who return before night loaded with fodder for the cattle, with firewood torn down from houses, and grain dug up from the pits where it had been concealed by the villagers; while other detachments go to a distance for some days and collect proportionately larger supplies of the same kind." [223] They could thus dispense with a commissariat, and being nearly all mounted were able to make extraordinarily long marches, and consequently to carry out effectively surprise attacks and when repulsed to escape injury in the retreat. Even at Panipat where their largest regular force took the field under Sadasheo Rao Bhao, he had 70,000 regular and irregular cavalry and only 15,000 infantry, of whom 9000 were hired sepoys under a Muhammadan leader. The Marathas were at their best in attacking the slow-moving and effeminate Mughal armies, while during their period of national ascendancy under the Peshwa there was no strong military power in India which could oppose their forays. When they were by the skill of their opponents at length brought to a set battle, their fighting qualities usually proved to be distinctly poor. At Panipat they lost the day by a sudden panic and flight after Ibrahim Khan Gardi had obtained for them a decided advantage; while at Argaon and Assaye their performances were contemptible. After the recovery from Panipat and the rise of the independent Maratha states, the assistance of European officers was invoked to discipline and train the soldiery. [224]
Mehtar
[Bibliography: Mr. R. Greeven's Knights of the Broom, Benares 1894 (pamphlet); Mr. Crooke's Tribes and Castes, art. Bhangi; Sir H. Risley's Tribes and Castes, art. Hari; Sir E. Maclagan's _Punjab Census Report_, 1891 (Sweeper Sects); Sir D. Ibbetson's _Punjab Census Report_, 1881 (art. Chuhra); Bombay Gazetteer, Hindus of Gujarat, Mr. Bhimbhai Kirparam.]
List of Paragraphs
1. Introductory notice. 2. Caste subdivisions. 3. Social organisation. 4. Caste punishments. 5. Admission of outsiders. 6. Marriage customs. 7. Disposal of the dead. 8. Devices for procuring children. 9. Divination of sex. 10. Childbirth. 11. Treatment of the mother. 12. Protecting the lives of children. 13. Infantile diseases. 14. Religion. Valmiki. 15. Lalbeg. 16. Adoption of foreign religions. 17. Social status. 18. Occupation. 19. Occupation (continued).
1. Introductory notice
Mehtar, Bhangi, Hari, [225] Dom, Lalbegi.--The caste of sweepers and scavengers. In 1911 persons returning themselves as Mehtar, Bhangi and Dom were separately classified, and the total of all three was only 30,000. In this Province they generally confine themselves to their hereditary occupation of scavenging, and are rarely met with outside the towns and large villages. In most localities the supply of sweepers does not meet the demand. The case is quite different in northern India, where the sweeper castes--the Chuhra in the Punjab, the Bhangi in the United Provinces and the Dom in Bengal--are all of them of great numerical strength. With these castes only a small proportion are employed on scavengers' work and the rest are labourers like the Chamars and Mahars of the Central Provinces. The present sweeper caste is made up of diverse elements, and the name Mehtar, generally applied to it, is a title meaning a prince or leader. Its application to the caste, the most abject and despised in the Hindu community, is perhaps partly ironical; but all the low castes have honorific titles, which are used as a method of address either from ordinary politeness or by those requiring some service, on the principle, as the Hindus say, that you may call an ass your uncle if you want him to do something for you. The regular caste of sweepers in northern India are the Bhangis, whose name is derived by Mr. Crooke from the Sanskrit bhanga, hemp, in allusion to the drunken habits of the caste. In support of this derivation he advances the Beria custom of calling their leaders Bhangi or hemp-drinker as a title of honour. [226] In Mr. Greeven's account also, Lalbeg, the patron saint of the sweepers, is described as intoxicated with the hemp drug on two occasions. [227] Mr. Bhimbhai Kirparam suggests [228] that Bhangia means broken, and is applied to the sweepers because they split bamboos. In Kaira, he states, the regular trade of the Bhangias is the plaiting of baskets and other articles of split bamboo, and in that part of Gujarat if a Koli is asked to split a bamboo he will say, 'Am I to do Bhangia's work?' The derivation from the hemp-plant is, however, the more probable. In the Punjab, sweepers are known as Chuhra, and this, name has been derived from their business of collecting and sweeping up scraps (chura-jharna) Similarly, in Bombay they are known as Olganas or scrap-eaters. The Bengal name Hari is supposed to come from haddi, a bone; the Hari is the bone-gatherer, and was familiar to early settlers of Calcutta under the quaint designation of the 'harry-wench,' [229] In the Central Provinces sections of the Ghasia, Mahar and Dom castes will do sweepers' work, and are therefore amalgamated with the Mehtars. The caste is thus of mixed constitution, and also forms a refuge for persons expelled from their own societies for social offences. But though called by different names, the sweeper community in most provinces appears to have the same stock of traditions and legends. The name of Mehtar is now generally employed, and has therefore been taken as the designation of the caste.
2. Caste subdivisions
Mr. Greeven gives seven main subdivisions, of which the Lalbegis or the followers of Lalbeg, the patron saint of sweepers, are the most important. The Rawats appear to be an aristocratic subdivision of the Lalbegis, their name being a corruption of the Sanskrit Rajputra, a prince. The Shaikh Mehtars are the only real Muhammadan branch, for though the Lalbegis worship a Musalman saint they remain Hindus. The Haris or bone-gatherers, as already stated, are the sweepers of Bengal. The Helas may either be those who carry baskets of sweepings, or may derive their name from hela, a cry; and in that case they are so called as performing the office of town-criers, a function which the Bhangi usually still discharges in northern India [230]. The other subcastes in his list are the Dhanuks or bowmen and the Bansphors or cleavers of bamboos. In the Central Provinces the Shaikh Mehtars belong principally to Nagpur, and another subcaste, the Makhia, is also found in the Maratha Districts and in Berar; those branches of the Ghasia and Dom castes who consent to do scavengers' work now form separate subcastes of Mehtars in the same locality, and another group are called Narnolia, being said to take their name from a place called Narnol in the Punjab. The Lalbegis are often considered here as Muhammadans rather than Hindus, and bury their dead. In Saugor the sweepers are said to be divided into Lalbegis or Muhammadans and Doms or Hindus. The Lalbegi, Dom or Dumar and the Hela are the principal subcastes of the north of the Province, and Chuhra Mehtars are found in Chhattisgarh. Each subcaste is divided into a number of exogamous sections named after plants and animals.
3. Social organisation
In Benares each subdivision, Mr. Greeven states, has an elaborate and quasi-military organisation. Thus the Lalbegi sweepers have eight companies or berhas, consisting of the sweepers working in different localities; these are the Sadar, or those employed by private residents in cantonments; the Kali Paltan, who serve the Bengal Infantry; the Lal Kurti, or Red-coats, who are employed by the British Infantry; the Teshan (station), or those engaged at the three railway stations of the town; the Shahar, or those of the city; the Ramnagar, taking their name from the residence of the Maharaja of Benares, whom they serve; the Kothiwal, or Bungalow men, who belong to residents in the civil lines; and lastly the Genereli, who are the descendants of sweepers employed at the military headquarters when Benares was commanded by a General of Division. This special organisation is obviously copied from that of the garrison and is not found in other localities, but deserves mention for its own interest. All the eight companies are commanded by a Brigadier, the local head of the caste, whose office is now almost hereditary; his principal duty is to give two dinners to the whole caste on election, with sweetmeats to the value of fourteen rupees. Each company has four officers--a Jamadar or president, a Munsif or spokesman, a Chaudhari or treasurer and a Naib or summoner. These offices are also practically hereditary, if the candidate entitled by birth can afford to give a dinner to the whole subcaste and a turban to each President of a company. All the other members of the company are designated as Sipahis or soldiers. A caste dispute is first considered by the inferior officers of each company, who report their view to the President; he confers with the other Presidents, and when an agreement has been reached the sentence is formally confirmed by the Brigadier. When any dispute arises, the aggrieved party, depositing a process-fee of a rupee and a quarter, addresses the officers of his company. Unless the question is so trivial that it can be settled without caste punishments, the President fixes a time and place, of which notice is given to the messengers of the other companies; each of these receives a fee of one and a quarter annas and informs all the Sipahis in his company.
4. Caste punishments
Only worthy members of the caste, Mr. Greeven continues, are allowed to sit on the tribal matting and smoke the tribal pipe (huqqa). The proceedings begin with the outspreading (usually symbolic) of a carpet and the smoking of a water-pipe handed in turn to each clansman. For this purpose the members sit on the carpet in three lines, the officers in front and the private soldiers behind. The parties and their witnesses are heard and examined, and a decision is pronounced. The punishments imposed consist of fines, compulsory dinners and expulsion from the caste; expulsion being inflicted for failure to comply with an order of fine or entertainment. The formal method of outcasting consists in seating the culprit on the ground and drawing the tribal mat over his head, from which the turban is removed; after this the messengers of the eight companies inflict a few taps with slippers and birch brooms. It is alleged that unfaithful women were formerly tied naked to trees and flogged with birch brooms, but that owing to the fatal results that occasionally followed such punishment, as in the case of the five kicks among Chamars (tanners) and the scourging with the clothes line which used to prevail among Dhobis (washer men), the caste has now found it expedient to abandon these practices. When an outcaste is readmitted on submission, whether by paying a fine or giving a dinner, he is seated apart from the tribal mat and does penance by holding his ears with his hands and confessing his offence. A new huqqa, which he supplies, is carried round by the messenger, and a few whiffs are taken by all the officers and Sipahis in turn. The messenger repeats to the culprit the council's order, and informs him that should he again offend his punishment will be doubled. With this warning he hands him the water-pipe, and after smoking this the offender is admitted to the carpet and all is forgotten in a banquet at his expense.
5. Admission of outsiders
The sweepers will freely admit outsiders into their community, and the caste forms a refuge for persons expelled from their own societies for sexual or moral offences. Various methods are employed for the initiation of a neophyte; in some places he, or more frequently she, is beaten with a broom made of wood taken from a bier, and has to give a feast to the caste; in others a slight wound is made in his body and the blood of another sweeper is allowed to flow on to it so that they mix; and a glass of sherbet and sugar, known as the cup of nectar, is prepared by the priest and all the members of the committee put their fingers into it, after which it is given to the candidate to drink; or he has to drink water mixed with cowdung into which the caste-people have dipped their little fingers, and a lock of his hair is cut off. Or he fasts all day at the shrine of Lalbeg and in the evening drinks sherbet after burning incense at the shrine; and gives three feasts, the first on the bank of a tank, the second in his courtyard and the third in his house, representing his gradual purification for membership; at this last he puts a little water into every man's cup and receives from him a piece of bread, and so becomes a fully qualified caste-man. Owing to this reinforcement from higher castes, and perhaps also to their flesh diet, the sweepers are not infrequently taller and stronger as well as lighter in colour than the average Hindu.
6. Marriage customs
The marriage ceremony in the Central Provinces follows the ordinary Hindu ritual. The lagan or paper fixing the date of the wedding is written by a Brahman, who seats himself at some distance from the sweeper's house and composes the letter. This paper must not be seen by the bride or bridegroom, nor may its contents be read to them, as it is believed that to do so would cause them to fall ill during the ceremony. Before the bridegroom starts for the wedding his mother waves a wooden pestle five times over his head, passing it between his legs and shoulders. After this the bridegroom breaks two lamp-saucers with his right foot, steps over the rice-pounder and departs for the bride's house without looking behind him. The sawasas or relatives of the parties usually officiate at the ceremony, but the well-to-do sometimes engage a Brahman, who sits at a distance from the house and calls out his instructions. When a man wishes to marry a widow he must pay six rupees to the caste committee and give a feast to the community. Divorce is permitted for incompatibility of temper, or immorality on the part of the wife, or if the husband suffers from leprosy or impotence. Among the Lalbegis, when a man wishes to get rid of his wife he assembles the brethren and in their presence says to her, 'You are as my sister,' and she answers, 'You are as my father and brother.' [231]
7. Disposal of the dead
The dead are usually buried, but the well-to-do sometimes cremate them. In Benares the face or hand of the corpse is scorched with fire to symbolise cremation and it is then buried. In the Punjab the ghosts of sweepers are considered to be malevolent and are much dreaded; and their bodies are therefore always buried or burnt face downwards to prevent the spirit escaping; and riots have taken place and the magistrates have been appealed to to prevent a Chuhra from being buried face upwards. [232] In Benares as the body is lowered into the grave the sheet is withdrawn for a moment from the features of the departed to afford him one last glimpse of the heavens, while with Muhammadans the face is turned towards Mecca. Each clansman flings a handful of dust over the corpse, and after the earth is filled in crumbles a little bread and sugar-cake and sprinkles water upon the grave. A provision of bread, sweetmeats and water is also left upon it for the soul of the departed. [233] In the Central Provinces the body of a man is covered with a white winding-sheet and that of a woman with a red one. If the death occurs during the lunar conjunction known as Panchak, four human images of flour are made and buried with the dead man, as they think that if this is not done four more deaths will occur in the family.
8. Devices for procuring children
If a woman greatly desires a child she will go to a shrine and lay a stone on it which she calls the dharna or deposit or pledge. Then she thinks that she has put the god under an obligation to give her a child. She vows that if she becomes pregnant within a certain period, six or nine months, she will make an offering of a certain value. If the pregnancy comes she goes to the temple, makes the offering and removes the stone. If the desired result does not happen, however, she considers that the god has broken his obligation and ceases to worship him. If a barren woman desires a child she should steal on a Sunday or a Wednesday a strip from the body-cloth of a fertile woman when it is hung out to dry; or she may steal a piece of rope from the bed in which a woman has been delivered of a child, or a piece of the baby's soiled swaddling clothes or a piece of cloth stained with the blood of a fertile woman. This last she will take and bury in a cemetery and the others wear round her waist; then she will become fertile and the fertile woman will become barren. Another device is to obtain from the midwife a piece of the navel-string of a newborn child and swallow it. For this reason the navel-string is always carefully guarded and its disposal seen to.
9. Divination of sex
If a pregnant woman is thin and ailing they think a boy will be born; but if fat and well that it will be a girl. In order to divine the sex of a coming child they pour a little oil on the stomach of the woman; if the oil flows straight down it is thought that a boy will be born and if crooked a girl. Similarly if the hair on the front of her body grows straight they think the child will be a boy, but if crooked a girl; and if the swelling of pregnancy is more apparent on the right side a boy is portended, but if on the left side a girl. If delivery is retarded they go to a gunmaker and obtain from him a gun which has been discharged and the soiling of the barrel left uncleaned; some water is put into the barrel and shaken up and then poured into a vessel and given to the woman to drink, and it is thought that the quality of swift movement appertaining to the bullet which soiled the barrel will be communicated to the woman and cause the swift expulsion of the child from her womb.
10. Childbirth
When a woman is in labour she squats down with her legs apart holding to the bed in front of her, while the midwife rubs her back. If delivery is retarded the midwife gets a broom and sitting behind the woman presses it on her stomach, at the same time drawing back the upper part of her body. By this means they think the child will be forced from the womb. Or the mother of the woman in labour will take a grinding-stone and stand holding it on her head so long as the child is not born. She says to her daughter, 'Take my name,' and the daughter repeats her mother's name aloud. Here the idea is apparently that the mother takes on herself some of the pain which has to be endured by the daughter, and the repetition of her name by the daughter will cause the goddess of childbirth to hasten the period of delivery in order to terminate the unjust sufferings of the mother for which the goddess has become responsible. The mother's name exerts pressure or influence on the goddess who is at the time occupied with the daughter or perhaps sojourning in her body.
11. Treatment of the mother
If a child is born in the morning they will give the mother a little sugar and cocoanut to eat in the evening, but if it is born in the evening they will give her nothing till next morning. Milk is given only sparingly as it is supposed to produce coughing. The main idea of treatment in childbirth is to prevent either the mother or child from taking cold or chill, this being the principal danger to which they are thought to be exposed. The door of the birth chamber is therefore kept shut and a fire is continually burning in it night and day. The woman is not bathed for several days, and the atmosphere and general insanitary conditions can better be imagined than described. With the same end of preventing cold they feed the mother on a hot liquid produced by cooking thirty-six ingredients together. Most of these are considered to have the quality of producing heat or warmth in the body, and the following are a few of them: Pepper, ginger, azgan (a condiment), turmeric, nutmeg, ajwain (aniseed), dates, almonds, raisins, cocoanut, wild singara or water-nut, cumin, chironji, [234] the gum of the babul [235] or khair, [236] asafoetida, borax, saffron, clarified butter and sugar. The mixture cannot be prepared for less than two rupees and the woman is fed on it for five days beginning from the second day after birth, if the family can afford the expense.
12. Protecting the lives of children
If the mother's milk runs dry, they use the dried bodies of the little fish caught in the shallow water of fields and tanks, and sometimes supposed to have fallen down with the rain. They are boiled in a little water and the fish and water are given to the woman to consume. Here the idea is apparently that as the fish has the quality of liquidness because it lives in water, so by eating it this will be communicated to the breasts and the milk will flow again. If a woman's children die, then the next time she is in labour they bring a goat all of one colour. When the birth of the child takes place and it falls from the womb on to the ground no one must touch it, but the goat, which should if possible be of the same sex as the child, is taken and passed over the child twenty-one times. Then they take the goat and the after-birth to a cemetery and here cut the goat's throat by the halal rite and bury it with the after-birth. The idea is thus that the goat's life is a substitute for that of the child. By being passed over the child it takes the child's evil destiny upon itself, and the burial in a cemetery causes the goat to resemble a human being, while the after-birth communicates to it some part of the life of the child. If a mother is afraid her child will die, she sells it for a few cowries to another woman. Of course the sale is only nominal, but the woman who has purchased the child takes a special interest in it, and at the naming or other ceremony she will give it a jewel or such other present as she can afford. Thus she considers that the fictitious sale has had some effect and that she has acquired a certain interest in the child.
13. Infantile diseases
If a baby, especially a girl, has much hair on its body, they make a cake of gram-flour and rub it with sesamum oil all over the body, and this is supposed to remove the hair.
If a child's skin dries up and it pines away, they think that an owl has taken away a cloth stained by the child when it was hung out to dry. The remedy is to obtain the liver of an owl and hang it round the child's neck.
For jaundice they get the flesh of a yellow snake which appears in the rains, and of the rohu fish which has yellowish scales, and hang them to its neck; or they get a verse of the Koran written out by a Maulvi or Muhammadan priest and use this as an amulet; or they catch a small frog alive, tie it up in a yellow cloth and hang it to the child's neck by a blue thread until it dies. For tetanus the jaws are branded outside and a little musk is placed on the mother's breast so that the child may drink it with the milk. When the child begins to cut its teeth they put honey on the gums and think that this will make the teeth slip out early as the honey is smooth and slippery. But as the child licks the gums when the honey is on them they fear that this may cause the teeth to grow broad and crooked like the tongue. Another device is to pass a piece of gold round the child's gums. If they want the child to have pretty teeth its maternal uncle threads a number of grains of rice on a piece of string and hangs them round its neck, so that the teeth may grow like the rice. If the child's navel is swollen, the maternal uncle will go out for a walk and on his return place his turban over the navel. For averting the evil eye the liver of the Indian badger is worn in an amulet, this badger being supposed to haunt cemeteries and feed on corpses; some hairs of a bear also form a very favourite amulet, or a tiger's claws set in silver, or the tail of a lizard enclosed in lac and made into a ring.
14. Religion. Valmiki
The religion of the sweepers has been described at length by Mr. Greeven and Mr. Crooke. It centres round the worship of two saints, Lalbeg or Bale Shah and Balnek or Balmik, who is really the huntsman Valmiki, the reputed author of the Ramayana. Balmik was originally a low-caste hunter called Ratnakar, and when he could not get game he was accustomed to rob and kill travellers. But one day he met Brahma and wished to kill him; but he could not raise his club against Brahma, and the god spoke and convinced him of his sins, directing him to repeat the name of Rama until he should be purified of them. But the hunter's heart was so evil that he could not pronounce the divine name, and instead he repeated 'Mara, Mara' (struck, struck), but in the end by repetition this came to the same thing. Mr. Greeven's account continues: "As a small spark of fire burneth up a heap of cotton, so the word Rama cleaneth a man of all his sins. So the words 'Ram, Ram,' were taught unto Ratnakar who ever repeated them for sixty thousand years at the self-same spot with a heart sincere. All his skin was eaten up by the white ants. Only the skeleton remained. Mud had been heaped over the body and grass had grown up, yet within the mound of mud the saint was still repeating the name of Rama. After sixty thousand years Brahma returned. No man could he see, yet he heard the voice of Ram, Ram, rising from the mound of mud. Then Brahma bethought him that the saint was beneath. He besought Indra to pour down rain and to wash away the mud. Indra complied with his request and the rain washed away the mud. The saint came forth. Nought save bones remained. Brahma called aloud to the saint. When the saint beheld him he prostrated himself and spake: 'Thou hast taught me the words "Ram, Ram," which have cleansed away all my sins.' Then spake Brahma: 'Hitherto thou wast Ratnakar. From to-day thy name shall be Valmiki (from valmik, an ant-hill). Now do thou compose a Ramayana in seven parts, containing the deeds and exploits of Rama.'" Valmiki had been or afterwards became a sweeper and was known as 'cooker of dog's food' (Swapach), a name applied to sweepers [237], who have adopted him as their eponymous ancestor and patron saint.
15. Lalbeg
Lalbeg, who is still more widely venerated, is considered to have been Ghazi Miyan, the nephew of Sultan Muhammad of Ghazni, and a saint much worshipped in the Punjab. Many legends are told of Lalbeg, and his worship is described by Mr. Greeven as follows: [238] "The ritual of Lalbeg is conducted in the presence of the whole brotherhood, as a rule at the festival of the Diwali and on other occasions when special business arises. The time for worship is after sunset and if possible at midnight. His shrine consists of a mud platform surrounded by steps, with four little turrets at the corners and a spire in the centre, in which is placed a lamp filled with clarified butter and containing a wick of twisted tow. Incense is thrown into the flame and offerings of cakes and sweetmeats are made. A lighted huqqa is placed before the altar and as soon as the smoke rises it is understood that a whiff has been drawn by the hero." A cock is offered to Lalbeg at the Dasahra festival. When a man is believed to have been affected by the evil eye they wave a broom in front of the sufferer muttering the name of the saint. In the Damoh District the guru or priest who is the successor of Lalbeg comes from the Punjab every year or two. He is richly clad and is followed by a sweeper carrying an umbrella. Other Hindus say that his teaching is that no one who is not a Lalbegi can go to heaven, but those on whom the dust raised by a Lalbegi sweeping settles acquire some modicum of virtue. Similarly Mr. Greeven remarks: [239] "Sweepers by no means endorse the humble opinion entertained with respect to them; for they allude to castes such as Kunbis and Chamars as petty (chhota), while a common anecdote is related to the effect that a Lalbegi, when asked whether Muhammadans could obtain salvation, replied: 'I never heard of it, but perhaps they might slip in behind Lalbeg.'"
16. Adoption of foreign religions
On the whole the religion of the Lalbegis appears to be monotheistic and of a sufficiently elevated character, resembling that of the Kabirpanthis and other reforming sects. Its claim to the exclusive possession of the way of salvation is a method of revolt against the menial and debased position of the caste. Similarly many sweepers have become Muhammadans and Sikhs with the same end in view, as stated by Mr. Greeven: [240] "As may be readily imagined, the scavengers are merely in name the disciples of Nanak Shah, professing in fact to be his followers just as they are prepared at a moment's notice to become Christians or Muhammadans. Their object is, of course, merely to acquire a status which may elevate them above the utter degradation of their caste. The acquaintance of most of them with the doctrines of Nanak Shah is at zero. They know little and care less about his rules of life, habitually disregarding, for instance, the prohibitions against smoking and hair-cutting. In fact, a scavenger at Benares no more becomes a Sikh by taking Nanak Shah's motto than he becomes a Christian by wearing a round hat and a pair of trousers." It was probably with a similar leaning towards the more liberal religion that the Lalbegis, though themselves Hindus, adopted a Muhammadan for their tutelary saint. In the Punjab Muhammadan sweepers who have given up eating carrion and refuse to remove night-soil rank higher than the others, and are known as Musalli. [241] And in Saugor the Muhammadans allow the sweepers to come into a mosque and to stand at the back, whereas, of course, they cannot approach a Hindu temple. Again in Bengal it is stated, "The Dom is regarded with both disgust and fear by all classes of Hindus, not only on account of his habits being abhorrent and abominable, but also because he is believed to have no humane or kindly feelings"; and further, "It is universally believed that Doms do not bury or burn their dead, but dismember the corpse at night like the inhabitants of Thibet, placing the fragments in a pot and sinking them in the nearest river or reservoir. This horrid idea probably originated from the old Hindu law, which compelled the Doms to bury their dead at night." [242] It is not astonishing that the sweepers prefer a religion whose followers will treat them somewhat more kindly. Another Muhammadan saint revered by the sweepers of Saugor is one Zahir Pir. At the fasts in Chait and Kunwar (March and September) they tie cocoanuts wrapped in cloth to the top of a long bamboo, and marching to the tomb of Zahir Pir make offerings of cakes and sweetmeats. Before starting for his day's work the sweeper does obeisance to his basket and broom.
17. Social status
The sweeper stands at the very bottom of the social ladder of Hinduism. He is considered to be the representative of the Chandala of Manu, [243] who was said to be descended of a Sudra father and a Brahman woman. "It was ordained that the Chandala should live without the town; his sole wealth should be dogs and asses; his clothes should consist of the cerecloths of the dead; his dishes should be broken pots and his ornaments rusty iron. No one who regarded his duties should hold intercourse with the Chandalas and they should marry only among themselves. By day they might roam about for the purposes of work, but should be distinguished by the badges of the Raja, and should carry out the corpse of any one who died without kindred. They should always be employed to slay those who by the law were sentenced to be put to death, and they might take the clothes of the slain, their beds and their ornaments." Elsewhere the Chandala is said to rank in impurity with the town boar, the dog, a woman during her monthly illness and a eunuch, none of whom must a Brahman allow to see him when eating. [244] Like the Chandala, the sweeper cannot be touched, and he himself acquiesces in this and walks apart. In large towns he sometimes carries a kite's wing in his turban to show his caste, or goes aloof saying pois, which is equivalent to a warning. When the sweeper is in company he will efface himself as far as possible behind other people. He is known by his basket and broom, and men of other castes will not carry these articles lest they should be mistaken for a sweeper. The sweeper's broom is made of bamboo, whereas the ordinary house-broom is made of date-palm leaves. The house-broom is considered sacred as the implement of Lakshmi used in cleaning the house. No one should tread upon or touch it with his foot. The sweeper's broom is a powerful agent for curing the evil eye, and mothers get him to come and wave it up and down in front of a sick child for this purpose. Nevertheless it is lucky to see a sweeper in the morning, especially if he has his basket with him. In Gujarat Mr. Bhimbhai Kirparam writes of him: "Though he is held to be lower and more unclean, the Bhangia is viewed with kindlier feelings than the Dhed (Mahar). To meet the basket-bearing Bhangia is lucky, and the Bhangia's blessing is valued. Even now if a Government officer goes into a Bhangia hamlet the men with hands raised in blessing say: 'May your rule last for ever.'" A sweeper will eat the leavings of other people, but he will not eat in their houses; he will take the food away to his own house. It is related that on one occasion a sweeper accompanied a marriage party of Lodhis (cultivators), and the Lodhi who was the host was anxious that all should share his hospitality and asked the sweeper to eat in his house; [245] but he repeatedly refused, until finally the Lodhi gave him a she-buffalo to induce him to eat, so that it might not be said that any one had declined to share in his feast. No other caste, of course, will accept food or water from a sweeper, and only a Chamar (tanner) will take a chilam or clay pipe-bowl from his hand. The sweeper will eat carrion and the flesh of almost all animals, including snakes, lizards, crocodiles and tigers, and also the leavings of food of almost any caste. Mr. Greeven remarks: [246] "Only Lalbegis and Rawats eat food left by Europeans, but all eat food left either by Hindus or Muhammadans; the Sheikh Mehtars as Muhammadans alone are circumcised and reject pig's flesh. Each subcaste eats uncooked food with all the others, but cooked food alone." From Betul it is reported that the Mehtars there will not accept food, water or tobacco from a Kayasth, and will not allow one to enter their houses.
18. Occupation
Sweeping and scavenging in the streets and in private houses are the traditional occupations of the caste, but they have others. In Bombay they serve as night watchmen, town-criers, drummers, trumpeters and hangmen. Formerly the office of hangman was confined to sweepers, but now many low-caste prisoners are willing to undertake it for the sake of the privilege of smoking tobacco in jail which it confers. In Mirzapur when a Dom hangman is tying a rope round the neck of a criminal he shouts out, 'Dohai Maharani, Dohai Sarkar, Dohai Judge Sahib,' or 'Hail Great Queen! Hail Government! Hail Judge Sahib!' in order to shelter himself under their authority and escape any guilt attaching to the death. [247] In the Central Provinces the hangman was accompanied by four or five other sweepers of the caste panchayat the idea being perhaps that his act should be condoned by their presence and approval and he should escape guilt. In order to free the executioner from blame the prisoner would also say: "Dohai Sarkar ke, Dohai Kampani ke; jaisa maine khun kiya waisa apne khun ko pahunchha" or "Hail to the Government and the Company; since I caused the death of another, now I am come to my own death"; and all the Panches said, 'Ram, Ram.' The hangman received ten rupees as his fee, and of this five rupees were given to the caste for a feast and an offering to Lalbeg to expiate his sin. In Bundelkhand sweepers are employed as grooms by the Lodhis, and may put everything on to the horse except a saddle-cloth. They are also the village musicians, and some of them play on the rustic flute called shahnai at weddings, and receive their food all the time that the ceremony lasts. Sweepers are, as a rule, to be found only in large villages, as in small ones there is no work for them. The caste is none too numerous in the Central Provinces, and in villages the sweeper is often not available when wanted for cleaning the streets. The Chamars of Bundelkhand will not remove the corpses of a cat or a dog or a squirrel, and a sweeper must be obtained for the purpose. These three animals are in a manner holy, and it is considered a sin to kill any one of them. But their corpses are unclean. A Chamar also refuses to touch the corpse of a donkey, but a Kumhar (potter) will sometimes do this; if he declines a sweeper must be fetched. When a sweeper has to enter a house in order to take out the body of an animal, it is cleaned and whitewashed after he has been in. In Hoshangabad an objection appears to be felt to the entry of a sweeper by the door, as it is stated that a ladder is placed for him, so that he presumably climbs through a window. Or where there are no windows it is possible that the ladder may protect the sacred threshold from contact with his feet. The sweeper also attends at funerals and assists to prepare the pyre; he receives the winding-sheet when this is not burnt or buried with the corpse, and the copper coins which are left on the ground as purchase-money for the site of the grave. In Bombay in rich families the winding-sheet is often a worked shawl costing from fifty to a hundred rupees. [248] When a Hindu widow breaks her bangles after her husband's death, she gives them, including one or two whole ones, to a Bhangia woman. [249] A letter announcing a death is always carried by a sweeper. [250] In Bengal a funeral could not be held without the presence of a Dom, whose functions are described by Mr. Sherring [251] as follows: "On the arrival of the dead body at the place of cremation, which in Benares is at the basis of one of the steep stairs or ghats, called the Burning-Ghat, leading down from the streets above to the bed of the river Ganges, the Dom supplies five logs of wood, which he lays in order upon the ground, the rest of the wood being given by the family of the deceased. When the pile is ready for burning a handful of lighted straw is brought by the Dom, and is taken from him and applied by one of the chief members of the family to the wood. The Dom is the only person who can furnish the light for the purpose; and if for any reason no Dom is available, great delay and inconvenience are apt to arise. The Dom exacts his fee for three things, namely, first for the five logs, secondly for the bunch of straw, and thirdly for the light."
19. Occupation (continued)
During an eclipse the sweepers reap a good harvest; for it is believed that Rahu, the demon who devours the sun and moon and thus causes an eclipse, was either a sweeper or the deity of the sweepers, and alms given to them at this time will appease him and cause him to let the luminaries go. Or, according to another account, the sun and moon are in Rahu's debt, and he comes and duns them, and this is the eclipse; and the alms given to sweepers are a means of paying the debt. In Gujarat as soon as the darkening sets in the Bhangis go about shouting, 'Garhandan, Vastradan, Rupadan,' or 'Gifts for the eclipse, gifts of clothes, gifts of silver.' [252] The sweepers are no doubt derived from the primitive or Dravidian tribes, and, as has been seen, they also practise the art of making bamboo mats and baskets, being known as Bansphor in Bombay on this account. In the Punjab the Chuhras are a very numerous caste, being exceeded only by the Jats, Rajputs and Brahmans. Only a small proportion of them naturally find employment as scavengers, and the remainder are agricultural labourers, and together with the vagrants and gipsies are the hereditary workers in grass and reeds. [253] They are closely connected with the Dhanuks, a caste of hunters, fowlers and village watchmen, being of nearly the same status. [254] And Dhanuk, again, is in some localities a complimentary term for a Basor or bamboo-worker. It has been seen that Valmiki, the patron saint of the sweepers, was a low-caste hunter, and this gives some reason for the supposition that the primary occupations of the Chuhras and Bhangis were hunting and working in grass and bamboo. In one of the legends of the sweeper saint Balmik or Valmiki given by Mr. Greeven, [255] Balmik was the youngest of the five Pandava brothers, and was persuaded by the others to remove the body of a calf which had died in their courtyard. But after he had done so they refused to touch him, so he went into the wilderness with the body; and when he did not know how to feed himself the carcase started into life and gave him milk until he was full grown, when it died again of its own accord. Balmik burst into tears, not knowing how he was to live henceforward, but a voice cried from heaven saying, "Of the sinews (of the calf's body) do thou tie winnows (sup), and of the caul do thou plait sieves (chalni)." Balmik obeyed, and by his handiwork gained the name of Supaj or the maker of winnowing-fans. These are natural occupations of the non-Aryan forest tribes, and are now practised by the Gonds.
Meo
Meo, Mewati.--The Muhammadan branch of the Mina tribe belonging to the country of Mewat in Rajputana which is comprised in the Alwar, Bharatpur and Jaipur States and the British District of Gurgaon. A few Meos were returned from the Hoshangabad and Nimar Districts in 1911, but it is doubtful whether any are settled here, as they may be wandering criminals. The origin of the Meo is discussed in the article on the Mina tribe, but some interesting remarks on them by Mr. Channing and Major Powlett in the Rajputana Gazetteer may be reproduced here. Mr. Channing writes: [256]
"The tribe, which has been known in Hindustan according to the Kutub Tawarikh for 850 years, was originally Hindu and became Muhammadan. Their origin is obscure. They themselves claim descent from the Rajput races of Jadon, Kachhwaha and Tuar, and they may possibly have some Rajput blood in their veins; but they are probably, like many other similar tribes, a combination from ruling and other various stocks and sources, and there is reason to believe them very nearly allied with the Minas, who are certainly a tribe of the same structure and species. The Meos have twelve clans or pals, the first six of which are identical in name and claim the same descent as the first six clans of the Minas. Intermarriage between them both was the rule until the time of Akbar, when owing to an affray at the marriage of a Meo with a Mina the custom was discontinued. Finally, their mode of life is or was similar, as both tribes were once notoriously predatory. It is probable that the original Meos were supplemented by converts to Islam from other castes. It is said that the tribe were conquered and converted in the eleventh century by Masud, son of Amir Salar and grandson of Sultan Mahmud Subaktagin on the mother's side, the general of the forces of Mahmud of Ghazni. Masud is still venerated by the Meos, and they swear by his name. They have a mixture of Hindu and Muhammadan customs. They practise circumcision, nikah [257] and the burial of the dead. They make pilgrimages to the tomb of Masud in Bahraich in Oudh, and consider the oath taken on his banner the most binding. They also make pilgrimages to Muhammadan shrines in India, but never perform the Haj. Of Hindu customs they observe the Holi or Diwali; their marriages are never arranged in the same got or sept; and they permit daughters to inherit. They call their children indiscriminately by both Muhammadan and Hindu names. They are almost entirely uneducated, but have bards and musicians to whom they make large presents. These sing songs known as Ratwai, which are commonly on pastoral and agricultural subjects. The Meos are given to the use of intoxicating drinks, and are very superstitious and have great faith in omens. The dress of the men and women resembles that of the Hindus. Infanticide was formerly common among them, but it is said to have entirely died out. They were also formerly robbers by avocation; and though they have improved they are still noted cattle-lifters."
In another description of them by Major Powlett it is stated that, besides worshipping Hindu gods and keeping Hindu festivals, they employ a Brahman to write the Pili Chhitthi or yellow note fixing the date of a marriage. They call themselves by Hindu names with the exception of Ram; and Singh is a frequent affix, though not so common as Khan. On the Amawas or monthly conjunction of the sun and moon, Meos, in common with Hindu Ahirs and Gujars, cease from labour; and when they make a well the first proceeding is to erect a chabutra (platform) to Bhaironji or Hanuman. However, when plunder was to be obtained they have often shown little respect for Hindu shrines and temples; and when the sanctity of a threatened place has been urged, the retort has been, 'Tum to Deo, Ham Meo' or 'You may be a Deo (God), but I am a Meo.'
Meos do not marry in their pal or clan, but they are lax about forming connections with women of other castes, whose children they receive into the community. As already stated, Brahmans take part in the formalities preceding a marriage, but the ceremony itself is performed by a Kazi. As agriculturists Meos are inferior to their Hindu neighbours. The point in which they chiefly fail is in working their wells, for which they lack patience. Their women, whom they do not confine, will, it is said, do more field-work than the men; indeed, one often finds women at work in the crops when the men are lying down. Like the women of low Hindu castes they tattoo their bodies, a practice disapproved by Musalmans in general. Abul Fazl writes that the Meos were in his time famous runners, and one thousand of them were employed by Akbar as carriers of the post.
Mina
1. The Minas locally termed Deswa
Mina, Deswali, Maina.--A well-known caste of Rajputana which is found in the Central Provinces in the Hoshangabad, Nimar and Saugor Districts. About 8000 persons of the caste were returned in 1911. The proper name for them is Mina, but here they are generally known as Deswali, a term which they probably prefer, as that of Mina is too notorious. A large part of the population of the northern Districts is recruited from Bundelkhand and Marwar, and these tracts are therefore often known among them as 'Desh' or native country. The term Deswali is applied to groups of many castes coming from Bundelkhand, and has apparently been specially appropriated as an alias by the Minas. The caste are sometimes known in Hoshangabad as Maina, which Colonel Tod states to be the name of the highest division of the Minas. The designation of Pardeshi or 'foreigner' is also given to them in some localities. The Deswalis came to Harda about A.D. 1750, being invited by the Maratha Amil or governor, who gave one family a grant of three villages. They thus gained a position of some dignity, and this reaching the ears of their brothers in Jaipur they also came and settled all over the District. [258] In view of the history and character of the Minas, of which some account will be given, it should be first stated that under the régime of British law and order most of the Deswalis of Hoshangabad have settled down into steady and honest agriculturists.
2. Historical notice of the Mina tribe
The Minas were a famous robber tribe of the country of Mewat in Rajputana, comprised in the Alwar and Bharatpur States and the British District of Gurgaon. [259] They are also found in large numbers in Jaipur State, which was formerly held by them. The Meos and Minas are now considered to be branches of one tribe, the former being at least nominally Muhammadans by religion and the latter Hindus. A favourite story for recitation at their feasts is that of Darya Khan Meo and Sasibadani Mini, a pair of lovers whose marriage led to a quarrel between the tribes to which they belonged, in the time of Akbar. This dispute caused the cessation of the practice of intermarriage between Meos and Minas which had formerly obtained. Both the Meos and Minas are divided into twelve large clans called pal, the word pal meaning, according to Colonel Tod, 'a defile in a valley suitable for cultivation or defence.' In a sandy desert like Rajputana the valleys of streams might be expected to be the only favourable tracts for settlement, and the name perhaps therefore is a record of the process by which the colonies of Minas in these isolated patches of culturable land developed into exogamous clans marrying with each other. The Meos have similarly twelve pals, and the names of six of these are identical with those of the Minas. [260] The names of the pals are taken from those of Rajput clans, [261] but the recorded lists differ, and there are now many other gots or septs outside the pals. The Minas seem originally to have been an aboriginal or pre-Aryan tribe of Rajputana, where they are still found in considerable numbers. The Raja of Jaipur was formerly marked on the forehead with blood taken from the great toe of a Mina on the occasion of his installation. Colonel Tod records that the Amber or Jaipur State was founded by one Dholesai in A.D. 967 after he had slaughtered large numbers of the Minas by treachery. And in his time the Minas still possessed large immunities and privileges in the Jaipur State. When the Rajputs settled in force in Rajputana, reducing the Minas to subjection, illicit connections would naturally arise on a large scale between the invaders and the women of the conquered country. For even when the Rajputs only came as small isolated parties of adventurers, as into the Central Provinces, we find traces of such connections in the survival of castes or subcastes of mixed descent from them and the indigenous tribes. It follows therefore that where they occupied the country and settled on the soil the process would be still more common. Accordingly it is generally recognised that the Minas are a caste of the most mixed and impure descent, and it has sometimes been supposed that they were themselves a branch of the Rajputs. In the Punjab when one woman accuses another of illicit intercourse she is said 'Mina dena,' or to designate her as a Mina. [262] Further it is stated [263] that "The Minas are of two classes, the Zamindari or agricultural and the Chaukidari or watchmen. These Chaukidari Minas are the famous marauders." The office of village watchman was commonly held by members of the aboriginal tribes, and these too furnished the criminal classes. Another piece of evidence of the Dravidian origin of the tribe is the fact that there exists even now a group of Dhedia or impure Minas who do not refuse to eat cow's flesh. The Chaukidari Minas, dispossessed of their land, resorted to the hills, and here they developed into a community of thieves and bandits recruited from all the outcastes of society. Sir A. Lyall wrote [264] of the caste as "a Cave of Adullam which has stood open for centuries. With them a captured woman is solemnly admitted by a form of adoption into one circle of affinity, in order that she may be lawfully married into another." With the conquest of northern India by the Muhammadans, many of the Minas, being bound by no ties to Hinduism, might be expected to embrace the new and actively proselytising religion, while their robber bands would receive fugitive Muhammadans as recruits as well as Hindus. Thus probably arose a Musalman branch of the community, who afterwards became separately designated as the Meos. As already seen, the Meos and Minas intermarried for a time, but subsequently ceased to do so. As might be expected, the form of Islam professed by the Meos is of a very bastard order, and Major Powlett's account of it is reproduced in a short separate notice of that tribe.
3. Their robberies
The crimes and daring of the Minas have obtained for them a considerable place in history. A Muhammadan historian, Zia-ud-din Bami, wrote of the tribe: [265] "At night they were accustomed to come prowling into the city of Delhi, giving all kinds of trouble and depriving people of their rest, and they plundered the country houses in the neighbourhood of the city. Their daring was carried to such an extent that the western gates of the city were shut at afternoon prayer and no one dared to leave it after that hour, whether he travelled as a pilgrim or with the display of a king. At afternoon prayer they would often come to the Sarhouy, and assaulting the water-carriers and girls who were fetching water they would strip them and carry off their clothes. In turn they were treated by the Muhammadan rulers with the most merciless cruelty. Some were thrown under the feet of elephants, others were cut in halves with knives, and others again were flayed alive from head to foot." Regular campaigns against them were undertaken by the Muhammadans, [266] as in later times British forces had to be despatched to subdue the Pindaris. Babar on his arrival at Agra described the Mewati leader Raja Hasan Khan as 'the chief agitator in all these confusions and insurrections'; and Firishta mentions two terrible slaughters of Mewatis in A.D. 1259 and 1265. In 1857 Major Powlett records that in Alwar they assembled and burnt the State ricks and carried off cattle, though they did not succeed in plundering any towns or villages there. In British territory they sacked Firozpur and other villages, and when a British force came to restore order many were hanged. Sir D. Ibbetson wrote of them in the Punjab: [267]
"The Minas are the boldest of our criminal classes. Their headquarters so far as the Punjab is concerned are in the village of Shahjahanpur, attached to the Gurgaon District but surrounded on all sides by Rajputana territory. There they until lately defied our police and even resisted them with armed force. Their enterprises are on a large scale, and they are always prepared to use violence if necessary. In Marwar they are armed with small bows which do considerable execution. They travel great distances in gangs of from twelve to twenty men, practising robbery and dacoity even as far as the Deccan. The gangs usually start off immediately after the Diwali feast and often remain absent the whole year. They have agents in all the large cities of Rajputana and the Deccan who give them information, and they are in league with the carrying castes of Marwar. After a successful foray they offer one-tenth of the proceeds at the shrine of Kali Devi."
Like other criminals they were very superstitious, and Colonel Tod records that the partridge and the maloli or wagtail were their chief birds of omen. A partridge clamouring on the left when he commenced a foray was a certain presage of success to a Mina. Similarly, Mr. Kennedy notes that the finding of a dried goatskin, either whole or in pieces, among the effects of a suspected criminal is said to be an infallible indication of his identity as a Mina, the flesh of the goat's tongue being indispensable in connection with the taking of omens. In Jaipur the Minas were employed as guards, as a method of protection against their fellows, for whose misdeeds they were held responsible. Rent-free lands were given to them, and they were always employed to escort treasure. Here they became the most faithful and trusted of the Raja's servants. It is related that on one occasion a Mina sentinel at the palace had received charge of a basket of oranges. A friend of the same tribe came to him and asked to be shown the palace, which he had never seen. The sentinel agreed and took him over the palace, but when his back was turned the friend stole one orange from the basket. Subsequently the sentinel counted the oranges and found one short; on this he ran after his friend and taxed him with the theft, which being admitted, the Mina said that he had been made to betray his trust and had become dishonoured, and drawing his sword cut off his friend's head. The ancient treasure of Jaipur or Amber was, according to tradition, kept in a secret cave in the hills under a body of Mina guards who alone knew the hiding-place, and would only permit any part of it to be withdrawn for a great emergency. Nor would they accept the orders of the Raja alone, but required the consent of the heads of the twelve principal noble families of Amber, branches of the royal house, before they would give up any part of the treasure. The criminal Minas are said to inhabit a tract of country about sixty-five miles long and forty broad, stretching from Shahpur forty miles north of Jaipur to Guraora in Gurgaon on the Rohtak border. The popular idea of the Mina, Mr. Crooke remarks, [268] is quite in accordance with his historical character; his niggardliness is shown in the saying, 'The Meo will not give his daughter in marriage till he gets a mortar full of silver'; his pugnacity is expressed in, 'The Meo's son begins to avenge his feuds when he is twelve years old'; and his toughness in, 'Never be sure that a Meo is dead till you see the third-day funeral ceremony performed.'
4. The Deswalis of the Central Provinces
As already stated, the Deswalis of the Central Provinces have abandoned the wild life of their ancestors and settled down as respectable cultivators. Only a few particulars about them need be recorded. Girls are usually married before they are twelve years old and boys at sixteen to twenty. A sum of Rs. 24 is commonly paid for the bride, and a higher amount up to Rs. 71 may be given, but this is the maximum, and if the father of the girl takes more he will be fined by the caste and made to refund the balance. A triangle with some wooden models of birds is placed on the marriage-shed and the bridegroom strikes at these with a stick; formerly he fired a gun at them to indicate that he was a hunter by profession. A Brahman is employed to celebrate the marriage. A widow is usually taken by her late husband's younger brother, but if there be none the elder brother may marry her, contrary to the general rule among Hindus. The object is to keep the woman in the family, as wives are costly. If she is unwilling to marry her brother-in-law, however, no compulsion is exercised and she may wed another man. Divorce is allowed, and in Rajputana is very simply effected. If tempers do not assimilate or other causes prompt them to part, the husband tears a shred from his turban which he gives to his wife, and with this simple bill of divorce, placing two jars of water on her head, she takes whatever path she pleases, and the first man who chooses to ease her of her load becomes her future lord. 'Jehur nikala,' 'Took the jar and went forth,' is a common saying among the mountaineers of Merwara. [269]
The dead are cremated, the corpse of a man being wrapped in a white and that of a woman in a coloured cloth. They have no shraddh ceremony, but mourn for the dead only on the last day of Kartik (October), when they offer water and burn incense. Deswalis employ the Parsai or village Brahman to officiate at their ceremonies, but owing to their mixed origin they rank below the cultivating castes, and Brahmans will not take water from them. In Jaipur, however, Major Powlett says, their position is higher. They are, as already seen, the trusted guards of the palace and treasury, and Rajputs will accept food and water from their hands. This concession is no doubt due to the familiarity induced by living together for a long period, and parallel instances of it can be given, as that of the Panwars and Gonds in the Central Provinces. The Deswalis eat flesh and drink liquor, but abstain from fowls and pork. When they are invited to a feast they do not take their own brass vessels with them, but drink out of earthen pots supplied by the host, having the liquor poured on to their hands held to the mouth to avoid actual contact with the vessel. This is a Marwari custom and the Jats also have it. Before the commencement of the feast the guests wait until food has been given to as many beggars as like to attend. In Saugor the food served consists only of rice and pulse without vegetables or other dishes. It is said that a Mina will not eat salt in the house of another man, because he considers that to do so would establish the bond of Nimak-khai or salt-eating between them, and he would be debarred for ever from robbing that man or breaking into his house. The guests need not sit down together as among other Hindus, but may take their food in batches; so that the necessity of awaiting the arrival of every guest before commencing the feast is avoided. The Deswalis will not kill a black-buck nor eat the flesh of one, but they assign no reason for this and do not now worship the animal. The rule is probably, however, a totemistic survival. The men may be known by their manly gait and harsh tone of voice, as well as by a peculiar method of tying the turban; the women have a special ornament called rakhdi on the forehead and do not wear spangles or toe-rings. They are said also to despise ornaments of the baser metals as brass and pewter. They are tattooed with dots on the face to set off the fair-coloured skin by contrast, in the same manner as patches were carried on the face in Europe in the eighteenth century. A tattoo dot on a fair face is likened by a Hindu poet to a bee sitting on a half-opened mango.
Mirasi
Mirasi.--A Muhammadan caste of singers, minstrels and genealogists, of which a few members are found in the Central Provinces. General Cunningham says that they are the bards and singers of the Meos or Mewatis at all their marriages and festivals. [270] Mr. Crooke is of opinion that they are undoubtedly an offshoot of the great Dom caste who are little better than sweepers. [271] The word Mirasi is derived from the Arabic miras, inheritance, and its signification is supposed to be that the Mirasis are the hereditary bards and singers of the lower castes, as the Bhat is of the Rajputs. Miras as a word may, however, be used of any hereditary right, as that of the village headman or Karnam, or even those of the village watchman or temple dancing-girl, all of whom may have a mirasi right to fees or perquisites or plots of land held as remuneration for service. [272] The Mirasis are also known as Pakhawaji, from the pakhawaj or timbrel which they play; as Kawwal or one who speaks fluently, that is a professional, story-teller; and as Kalawant or one possessed of art or skill. The Mirasis are most numerous in the Punjab, where they number a quarter of a million. Sir D. Ibbetson says of them: [273] "The social position of the Mirasi as of all minstrel castes is exceedingly low, but he attends at weddings and similar occasions to recite genealogies. Moreover there are grades even among Mirasis. The outcaste tribes have their Mirasis, who though they do not eat with their clients and merely render their professional services are considered impure by the Mirasis of the higher castes. The Mirasi is generally a hereditary servant like the Bhat, and is notorious for his exactions, which he makes under the threat of lampooning the ancestors of him from whom he demands fees. The Mirasi is almost always a Muhammadan." They are said to have been converted to Islam in response to the request of the poet Amir Khusru, who lived in the reign of Ala-ud-din Khilji (A.D. 1295). The Mirasi has two functions, the men being musicians, storytellers and genealogists, while the women dance and sing, but only before the ladies of the zenana. Mr. Nesfield [274] says that they are sometimes regularly entertained as jesters to help these ladies to kill time and reconcile them to their domestic prisons. As they do not dance before men they are reputed to be chaste, as no woman who is not a prostitute will dance in the presence of men, though singing and playing are not equally condemned. The implements of the Mirasis are generally the small drum (dholak), the cymbals (majira) and the gourd lute (kingri). [275]
Mochi [276]
List of Paragraphs
1. General notice. 2. Legends of origin. 3. Art among the Hindus. 4. Antagonism of Mochis and Chamars. 5. Exogamous groups. 6. Social customs. 7. Shoes.
1. General notice
Mochi, Muchi, Jingar, Jirayat, Jildgar, Chitrakar, Chitevari, Musabir.--The occupational caste of saddlers and cobblers. In 1911 about 4000 Mochis and 2000 Jingars were returned from the Central Provinces and Berar, the former residing principally in the Hindustani and the latter in the Marathi-speaking Districts. The name is derived from the Sanskrit mochika and the Hindustani mojna, to fold, and the common name mojah for socks and stockings is from the same root (Platts). By origin the Mochis are no doubt an offshoot of the Chamar caste, but they now generally disclaim the connection. Mr. Nesfield observes [277] that, "The industry of tanning is preparatory to and lower than that of cobblery, and hence the caste of Chamar ranks decidedly below that of Mochi. The ordinary Hindu does not consider the touch of a Mochi so impure as that of the Chamar, and there is a Hindu proverb to the effect that 'Dried or prepared hide is the same thing as cloth,' whereas the touch of the raw hide before it has been tanned by the Chamar is considered a pollution. The Mochi does not eat carrion like the Chamar, nor does he eat swine's flesh; nor does his wife ever practise the much-loathed art of midwifery." In the Central Provinces, as in northern India, the caste may be considered to have two branches, the lower one consisting of the Mochis who make and cobble shoes and are admittedly descended from Chamars; while the better-class men either make saddles and harness, when they are known as Jingar; or bind books, when they are called Jildgar; or paint and make clay idols, when they are given the designation either of Chitrakar, Chitevari or Murtikar. In Berar some Jingars have taken up the finer kinds of iron-work, such as mending guns, and are known as Jirayat. All these are at great pains to dissociate themselves from the Chamar caste. They call themselves Thakur or Rajput and have exogamous sections the names of which are identical with those of the Rajput septs. The same people have assumed the name of Rishi in Bengal, and, according to a story related by Sir H. Risley, claim to be debased Brahmans; while in the United Provinces Mr. Crooke considers them to be connected with the Srivastab Kayasths, with whom they intermarry and agree in manners and customs. The fact that in the three Provinces these workers in leather claim descent from three separate high castes is an interesting instance of the trouble which the lower-class Hindus will take to obtain a slight increase in social consideration; but the very diversity of the accounts given induces the belief that all Mochis were originally sprung from the Chamars. In Bombay, again, Mr. Enthoven [278] writes that the caste prefers to style itself Arya Somavansi Kshatriya or Aryan Kshatriyas of the Moon division; while they have all the regular Brahmanical gotras as Bharadwaja, Vasishtha, Gautam and so on.
2. Legends of origin
The following interesting legends as to the origin of the caste adduced by them in support of their Brahmanical descent are related [279] by Sir H. Risley: "One of the Praja-pati, or mind-born sons of Brahma, was in the habit of providing the flesh of cows and clarified butter as a burnt-offering (Ahuti) to the gods. It was then the custom to eat a portion of the sacrifice, restore the victim to life, and drive it into the forest. On one occasion the Praja-pati failed to resuscitate the sacrificial animal, owing to his wife, who was pregnant at the time, having clandestinely made away with a portion. Alarmed at this he summoned all the other Praja-patis, and they sought by divination to discover the cause of the failure. At last they ascertained what had occurred, and as a punishment the wife was cursed and expelled from their society. The child which she bore was the first Mochi or tanner, and from that time forth, mankind being deprived of the power of reanimating cattle slaughtered for food, the pious abandoned the practice of killing kine altogether. Another story is that Muchiram, the ancestor of the caste, was born from the sweat of Brahma while dancing. He chanced to offend the irritable sage Durvasa, who sent a pretty Brahman widow to allure him into a breach of chastity. Muchiram accosted the widow as mother, and refused to have anything to do with her; but Durvasa used the miraculous power he had acquired by penance to render the widow pregnant so that the innocent Muchiram was made an outcaste on suspicion. From her two sons are descended the two main branches of the caste in Bengal."
3. Art among the Hindus
In the Central Provinces the term Mochi is often used for the whole caste in the northern Districts, and Jingar in the Maratha country; while the Chitrakars or painters form a separate group. Though the trades of cobbler and book-binder are now widely separated in civilised countries, the connection between them is apparent since both work in leather. It is not at first sight clear why the painter should be of the same caste, but the reason is perhaps that his brushes are made of the hair of animals, and this is also regarded as impure, as being a part of the hide. If such be the case a senseless caste rule of ceremonial impurity has prevented the art of painting from being cultivated by the Hindus; and the comparatively poor development of their music may perhaps be ascribed to the same cause, since the use of the sinews of animals for stringed instruments would also prevent the educated classes from learning to play them. Thus no stringed instruments are permitted to be used in temples, but only the gong, cymbal, horn and conch-shell. And this rule would greatly discourage the cultivation of music, which art, like all the others, has usually served in its early period as an appanage to religious services. It has been held that instruments were originally employed at temples and shrines in order to scare away evil spirits by their noise while the god was being fed or worshipped, and not for the purpose of calling the worshippers together; since noise is a recognised means of driving away spirits, probably in consequence of its effect in frightening wild animals. It is for the same end that music is essential at weddings, especially during the night when the spirits are more potent; and this is the primary object of the continuous discordant din which the Hindus consider a necessary accompaniment to a wedding.
Except for this ceremonial strictness Hinduism should have been favourable to the development of both painting and sculpture, as being a polytheistic religion. In the early stages of society religion and art are intimately connected, as is shown by the fact that images and paintings are at first nearly always of deities or sacred persons or animals, and it is only after a considerable period of development that secular subjects are treated. Similarly architecture is in its commencement found to be applied solely to sacred buildings, as temples and churches, and is only gradually diverted to secular buildings. The figures sculptured by the Mochis are usually images for temples, and those who practise this art are called Murtikar, from murti, an image or idol; and the pictures of the Chitrakars were until recently all of deities or divine animals, though secular paintings may now occasionally be met with. And the uneducated believers in a polytheistic religion regularly take the image for the deity himself, at first scarcely conceiving of the one apart from the other. Thus some Bharewas or brass-workers say that they dare not make metal images of the gods, because they are afraid that the badness of their handiwork might arouse the wrath of the gods and move them to take revenge. The surmise might in fact be almost justifiable that the end to which figures of men and animals were first drawn or painted, or modelled in clay or metal was that they might be worshipped as images of the deities, the savage mind not distinguishing at all between an image of the god and the god himself. For this reason monotheistic religions would be severely antagonistic to the arts, and such is in fact the case. Thus the Muhammadan commentary, the Hadith, has a verse: "Woe to him who has painted a living creature! At the day of the last judgment the persons represented by him will come out of the tomb and join themselves to him to demand of him a soul. Then that man, unable to give life to his work, will burn in eternal flames." And in Judaism the familiar prohibition of the Second Commandment appears to be directed to the same end.
Hindu sculpture has indeed been fairly prolific, but is not generally considered to have attained to any degree of artistic merit. Since sculpture is mainly concerned with the human form it seems clear that an appreciation of the beauty of muscular strength and the symmetrical development of the limbs is an essential preliminary to success in this art; and such a feeling can only arise among a people who set much store on feats of bodily strength and agility. This has never been the character of the Hindus, whose religion encourages asceticism and mortification of the body, and points to mental self-absorption and detachment from worldly cares and exercises as the highest type of virtue.
4. Antagonism of Mochis and Chamars
As a natural result of the pretensions to nobility made by the Mochis, there is no love lost between them and the Chamars; and the latter allege that the Mochis have stolen their rampi, the knife with which they cut leather. On this account the Chamars will neither take water to drink from the Mochis nor mend their shoes, and will not even permit them to try on a new pair of shoes until they have paid the price set on them; for they say that the Mochis are half-bred Chamars and therefore cannot be permitted to defile the shoes of a true Chamar by trying them on; but when they have been paid for, the maker has severed connection with them, and the use to which they may be put no longer affects him.
5. Exogamous groups
In the Central Provinces the Mochis are said to have forty exogamous sections or gotras, of which the bulk are named after all the well-known Rajput clans, while two agree with those of the Chamars. And they have also an equal number of kheras or groups named after villages. The limits of the two groups seem to be identical; thus members of the sept named after the Kachhwaha Rajputs say that their khera or village name is Mungavali in Gwalior; those of the Ghangere sept give Chanderi as their khera, the Sitawat sept Dhamoni in Saugor, the Didoria Chhatarpur, the Narele Narwar, and so on. The names of the village groups have now been generally forgotten and they are said to have no influence on marriage, which is regulated by the Rajput sept names; but it seems probable that the kheras were the original divisions and the Rajput gotras have been more recently adopted in support of the claims already noticed.
6. Social customs
The Mochis have adopted the customs of the higher Hindu castes. A man may not take a wife from his own gotra, his mother's gotra or from a family into which a girl from his own family has married. They usually marry their daughters in childhood and employ Brahmans in their ceremonies, and no degradation attaches to these latter for serving as their priests. In minor domestic ceremonies for which the Brahman is not engaged his place is taken by a relative, who is called sawasa, and is either the sister's husband, daughter's husband, or father's sister's husband, of the head of the family. They permit widow-remarriage and divorce, and in the southern Districts effect a divorce by laying a pestle between the wife and husband. They burn their dead and observe mourning for the usual period. After a death they will not again put on a coloured head-cloth until some relative sets it on their heads for the first time on the expiry of the period of mourning. They revere the ordinary Hindu deities, and like the Chamars they have a family god, known as Mair, whose representation in the shape of a lump of clay is enshrined within the house and worshipped at marriages and deaths. In Saugor he is said to be the collective representative of the spirits of their ancestors. In some localities they eat flesh and drink liquor, but in others abstain from both. Among the Hindus the Mochis rank considerably higher than the Chamars; their touch does not defile and they are permitted to enter temples and take part in religious ceremonies. The name of a Saugor Mochi is remembered who became a good drawer and painter and was held in much esteem at the Peshwa's court. In northern India about half the Mochis are Muhammadans, but in the Central Provinces they are all Hindus.
7. Shoes
In view of the fact that many of the Mochis were Muhammadans and that slippers are mainly a Muhammadan article of attire Buchanan thought it probable that they were brought into India by the invaders, the Hindus having previously been content with sandals and wooden shoes. He wrote: "Many Hindus now use leather slippers, but some adhere to the proper custom of wearing sandals, which have wooden soles, a strap of leather to pass over the instep, and a wooden or horn peg with a button on its top. The foot is passed through the strap and the peg is placed between two of the toes." [280] It is certain, however, that leather shoes and slippers were known to the Hindus from a fairly early period: "The episode related in the Ramayana of Bharata placing on the vacant throne of Ajodhya a pair of Rama's slippers, which he worshipped during the latter's protracted exile, shows that shoes were important articles of wear and worthy of attention. In Manu and the Mahabharata slippers are also mentioned and the time and mode of putting them on pointed out. The Vishnu Purana enjoins all who wish to protect their persons never to be without leather shoes. Manu in one place expresses great repugnance to stepping into another's shoes and peremptorily forbids it, and the Puranas recommend the use of shoes when walking out of the house, particularly in thorny places and on hot sand." [281] Thus shoes were certainly worn by the Hindus before Muhammadan times, though loose slippers may have been brought into fashion by the latter. And it seems possible that the Mochis may have adopted Islam, partly to obtain the patronage of the followers of the new religion, and also to escape from the degraded position to which their profession of leather-working was relegated by Hinduism and to dissociate themselves from the Chamars.
Mowar
Mowar.--A small caste of cultivators found in the Chhattisgarh country, in the Raipur and Bilaspur Districts and the Raigarh State. They numbered 2500 persons in 1901. The derivation of the name is obscure, but they themselves say that it is derived from Mow or Mowagarh, a town in the Jhansi District of the United Provinces, and they also call themselves Mahuwar or the inhabitants of Mow. They say that the Raja of Mowagarh, under whom they were serving, desired to marry the daughter of one of their Sirdars (headmen), because she was extremely beautiful, but her father refused, and when the Raja persisted in his desire they left the place in a body and came to Ratanpur in the time of Raja Bimbaji, in A.D. 1770. A Bilaspur writer states that the Mowars are an offshoot from the Rajwar Rajputs of Sarguja State. Colonel Dalton writes [282] of the Rajwar Rajputs of Sarguja and other adjoining States that they are peaceably disposed cultivators, who declare themselves to be fallen Kshatriyas; but he remarks later that they are probably aborigines, as they do not conform to Hindu customs, and they are skilled in a dance called Chailo, which he considers to be of Dravidian origin. In another place he remarks that the Rajwars of Bengal admit that they are derived from the miscegenation of Kurmis and Kols. The fact that the Mowars of Sarangarh make a representation of a bow and arrow on their documents, instead of signing their names, affords some support to the theory that they are probably a branch of one of the aboriginal tribes. The name may be derived from mowa, a radish, as the Mowars of Bilaspur are engaged principally in garden cultivation.
The Mowars have no subcastes, but are divided into a number of exogamous groups, principally of a totemistic nature. Those of the Surajha or sun sept throw away their earthen pots on the occasion of an eclipse, and those of the Hataia or elephant sept will not ride on an elephant and worship that animal at the Dasahra festival. Members of other septs named after the cobra, the crow, the monkey and the tiger will not kill their totem animal, and when they see the dead body of one of its species they throw away their earthen cooking-pots as a sign of mourning. The marriage of persons belonging to the same sept and also that of first cousins is prohibited. If an unmarried girl is seduced by a man of the caste she becomes his wife and is not expelled, but the caste will not eat food cooked by her. But a girl going wrong with an outsider is finally cast out. The marriage and other social customs resemble those of the Kurmis. The caste employ Brahmans at their ceremonies and have a great regard for them. Their gurus or spiritual preceptors are Bairagis and Gosains. They eat the flesh of clean animals and a few drink liquor, but most of them abstain from it. Their women are tattooed on the arms and hands with figures intended to represent deer, flies and other animals and insects. The caste say that they were formerly employed as soldiers under the native chiefs, but they are now all cultivators. They grow all kinds of grain and vegetables, except turmeric and onions. A few of them are landowners, and the majority tenants. Very few are constrained to labour for hire. In appearance the men are generally strong and healthy, and of a dark complexion.
Murha
1. Origin of the caste
Murha.--A Dravidian, caste of navvies and labourers found in Jubbulpore and the adjoining Districts, to the number of about 1500 persons. The name Murha has been held to show that the caste are connected with the Munda tribe. The Murhas, however, call themselves also Khare Bind Kewat and Lunia or Nunia (salt-maker), and in Jubbulpore they give these two names as subdivisions of the caste. And these names indicate that the caste are an offshoot of the large Bind tribe of Bengal and northern India, though in parts of the Central Provinces they have probably been recruited from the Kols or Mundas. Sir H. Risley [283] records a story related by the Binds to the effect that they and the Nunias were formerly one, and that the existing Nunias are descended from a Bind who consented to dig a grave for a Muhammadan king and was put out of caste for doing so. And he remarks that the Binds may be a true primitive tribe and the Nunias a functional group differentiated from them by taking to the manufacture of earth salt. This explanation of the relationship of the Binds and Nunias seems almost certainly correct. In the United Provinces the Binds are divided into the Khare and Dhusia or first and second subcastes, and the Khare Binds also call themselves Kewat. [284] And the Murhas of Narsinghpur call themselves Khare Bind Kewats, though the other Kewats repudiate all connection with them. There seems thus to be no doubt that the Murhas of these Provinces are another offshoot of the Bind tribe like the Nunias, who have taken up the profession of navvies and earthworkers and thus become a separate caste. Mr. Hira Lal notes that the Narsinghpur District contains a village Nonia, which is inhabited solely by Murhas who call themselves Khare Bind Kewat. As the village is no doubt named Nonia or Nunia after them, we thus have an instance of all the three designations being applied to the same set of persons. The Murhas say that they came into Narsinghpur from Rewah, and they still speak the Bagheli dialect, though the current vernacular of the locality is Bundeli. The Binds themselves derive their name from the Vindhya (Bindhya) hills. [285] They relate that a traveller passing by the Vindhya hills heard a strange flute-like sound coming out of a clump of bamboos. He cut a shoot and took from it a fleshy substance, which afterwards grew into a man, the supposed ancestor of the Binds. In Mandla the Murhas say that the difference between themselves and the Nunias is that the latter make field-embankments and other earthwork, while the Murhas work in stone and build bridges. According to their own story they were brought to Mandla from their home in Eastern Oudh more than ten generations ago by a Gond king of the Garha-Mandla dynasty for the purpose of building his fort or castle. He gave them two villages for their maintenance which they have now lost. The caste has, however, probably received some local accretions and in Mandla some Murhas appear to be Kols; members of this tribe are generally above the average in bodily strength and are in considerable request for employment on earth- and stone-work.
2. Marriage customs
In Narsinghpur the Murhas appear to have no regular exogamous divisions. Some of them remember the names of their kheros or ancestral villages and do not marry with families belonging to the same khero, but this is not a regular rule of the caste. Generally speaking, persons descended through males from a common ancestor do not intermarry so long as they remember the relationship. In Mandla they have five divisions, of which the highest is Purbia. The name Purbia (Eastern) is commonly applied in the Central Provinces to persons coming from Oudh, and in this case the Purbia Murhas are probably the latest immigrants from home and have a superior status on this account. Up till recently they practised hypergamy with the other groups, taking daughters from them in marriage, but not giving their daughters to them. This rule is now, however, breaking down on account of the difficulty they find in getting their daughters married. The children of brothers and sisters may marry in some places, but in others neither they nor their children may marry with each other. Anta Santa or the exchange of girls between two families is permitted. The bridegroom's father has to pay from five to twenty rupees as a chari or bride-price to the girl's father, which sum is regarded as the remuneration of the latter for having brought up his daughter. In the case of the daughter of a headman the bride-price is sometimes as high as Rs. 150. In Damoh a curious survival of marriage by capture remains. The bridegroom's party give a ram or he-goat to the bride's party and these take it to their shed, cut its head off and hang it by the side of the kham or marriage-pole. The brother-in-law of the bridegroom or of his father then sallies forth to bring back the head of the animal, but is opposed by the women of the bride's party, who belabour him and his friends with sticks, brooms and rolling-pins. But in the end the head is always taken away. The binding portion of the marriage is the bhanwar or walking round the sacred post. When the bride is leaving for her husband's house the women of her party take seven balls of flour with burning wicks thrust into them, and place them in a winnowing-fan. They wave this round the bride's head and then throw the balls and after them the fan over the litter in which the bride is seated. The bridegroom's party must catch the fan, and if they let it fall to the ground they are much laughed at for their clumsiness. When the pair arrive at the bridegroom's house, the fan is again waved over their heads; and a cloth is spread before the house, on which seven burning wicks are placed like the previous ones. The bride walks quickly over the cloth to the house and the bridegroom must keep pace with her, picking up the burning flour balls as he goes. When the pair arrive at the house the bridegroom's sister shuts the door and will not open it until she is given a present. Divorce and the remarriage of widows are permitted.
3. Funeral rites
The caste worship the ordinary Hindu deities. Well-to-do members burn their dead and the poorer ones bury them. The corpse is usually placed with the head to the south as is the custom among the primitive tribes, but in some localities the Hindu fashion of laying the head to the north has been adopted. Two pice are thrown down by the grave or burning-ghat to buy the site, and these are taken by the sweeper. The ashes are collected on the third day and thrown into a river. The usual period of mourning is only three days, but it is sometimes extended to nine days when the chief mourner is unable to feed the caste-fellows on the third day, and the feast may in case of necessity be postponed to any time within six months of the death. The chief mourner puts on a new white cloth and eats nothing but rice and pulse without salt.
4. Occupation
The caste are employed on all kinds of earthwork, such as building walls, excavating trenches, and making embankments in fields. Their trade implements consist of a pickaxe, a basket, and a thin wooden hod to fill the earth into the basket. The Murha invokes these as follows: "Oh! my lord the basket, my lord the pickaxe shaped like a snake, and my lady the hod, come and eat up those who do not pay me for my work!" The Murhas are strict in their rules about food and will not accept cooked food even from a Brahman, but notwithstanding this, their social position is so low that not even a sweeper would take food from them. The caste eat flesh and drink liquor, but abstain from fowls, pork and beef. They engage Brahmans on the occasion of births and marriages, but not usually for funerals. The women tattoo their bodies after marriage, and the charge for this should always be paid by the maternal uncle's wife, the paternal aunt, or some other similar relation of the girl. The fact that among most Hindus a girl must be tattooed before leaving for her husband's house, and that the cost of the operation must always be paid for by her own family, seems to indicate that tattooing was formerly a rite of puberty for the female sex. A wife must not mention the name of her husband or of any person who stands in the relation of father, mother, uncle or aunt to him. Parents do not call their eldest son by his proper name, but by some pet name. Women are impure for five days during menstruation and are not allowed to cook for that period. The Murhas have a caste panchayat or committee, the head of which is known as Patel or Mukhia, the office being hereditary. He receives a part of all fines levied for the commission of social offences. In appearance the caste are dark and short of stature, and have some resemblance to the Kols.
5. Women's song
In conclusion, I reproduce one of the songs which the women sing as they are carrying the basketfuls of earth or stones at their work; in the original each line consists of two parts, the last words of which sometimes rhyme with each other:
Our mother Nerbudda is very kind; blow, wind, we are hot with labour. He said to the Maina: Go, carry my message to my love. The red ants climb up the mango-tree; and the daughter follows her mother's way. I have no money to give her even lime and tobacco; I am poor, so how can I tell her of my love. The boat has gone down on the flood of the Nerbudda; the fisherwoman is weeping for her husband. She has no bangles on her arm nor necklace on her neck; she has no beauty, but seeks her lovers throughout the village. Bread from the girdle, curry from the lota; let us go, beloved, the moon is shining. The leaves of gram have been plucked from the plants; I think much on Dadaria, but she does not come. The love of a stranger is as a dream; think not of him, beloved, he cannot be yours. Twelve has struck and it is thirteen time (past the time of labour); oh, overseer, let your poor labourers go. The betel-leaf is pressed in the mouth (and gives pleasure); attractive eyes delight the heart. Catechu, areca and black cloves; my heart's secret troubles me in my dreams. The Nerbudda came and swept away the rubbish (from the works); fly away, bees, do not perch on my cloth. The colour does not come on the wheat; her youth is passing, but she cannot yet drape her cloth on her body. Like the sight of rain-drops splashing on the ground; so beautiful is she to look upon. It rains and the hidden streams in the woodland are filled (and come to view); hide as long as you may, some day you must be seen. The mahua flowers are falling from the trees on the hill; leave me your cloth so that I may know you will return. He went to the bazar and brought back a cocoanut; it is green without, but insects are eating the core. He went to the hill and cut strings of bamboo; you cannot drape your cloth, you have wound it round your body. The coral necklace hangs on the peg; if you become the second wife of my husband I shall give you clothes. She put on her clothes and went to the forest; she met her lover and said you are welcome to me. He went to the bazar and bought potatoes; but if he had loved me he would have brought me liquor. The fish in the river are on the look-out; the Brahman's daughter is bathing with her hair down. The arhar-stumps stand in the field; I loved one of another caste, but must give him up. He ate betel and coloured his teeth; his beloved came from without and knew him. The ploughmen are gone to the field; my clever writer is gone to the court-house. The Nerbudda flows like a bent bow; a beautiful youth is standing in court. [286] The broken areca-nuts lie in the forest; when a man comes to misfortune no one will help him. The broken areca-nuts cannot be mended; and two hearts which are sundered cannot be joined. Ask me for five rupees and I will give you twenty-five; but I will not give my lover for the whole world. I will put bangles on my arm; when the other wife sees me she will die of jealousy. Break the bangles which your husband gave you; and put others on your wrists in my name. O my lover, give me bangles; make me armlets, for I am content with you. My lover went to the bazar at Lakhanpur; but he has not brought me even a choli [287] that I liked. I had gone to the bazar and bought fish; she is so ugly that the flies would not settle on her.
Nagasia
Nagasia, Naksia.--A primitive tribe found principally in the Chota Nagpur States. They now number 16,000 persons in the Central Provinces, being returned almost entirely from Jashpur and Sarguja. The census returns are, however, liable to be inaccurate as the Nagasias frequently call themselves Kisan, a term which is also applied to the Oraons. The Nagasias say that they are the true Kisans whereas the Oraons are only so by occupation. The Oraons, on the other hand, call the Nagasias Kisada. The tribe derive their name from the Nag or cobra, and they say that somebody left an infant in the forest of Setambu and a cobra came and spread its hood over the child to protect him from the rays of the sun. Some Mundas happened to pass by and on seeing this curious sight they thought the child must be destined to greatness, so they took him home and made him their king, calling him Nagasia, and from him the tribe are descended. The episode of the snake is, of course, a stock legend related by many tribes, but the story appears to indicate that the Nagasias are an offshoot of the Mundas; and this hypothesis is strengthened by the fact that Nagbasia is often used as an alternative name for the Mundas by their Hindu neighbours. The term Nagbasia is supposed to mean the original settlers (basia) in Nag (Chota Nagpur).
The tribe are divided into the Telha, Dhuria and Senduria groups. The Telhas are so called because at the marriage ceremony they mark the forehead of the bride with tel (oil), while the Dhurias instead of oil use dust (dhur) taken from the sole of the bridegroom's foot, and the Sendurias like most Hindu castes employ vermilion (sendur) for this purpose. The Telhas and Dhurias marry with each other, but not with the Sendurias, who consider themselves to be superior to the others and use the term Nagbansia or 'Descendants of the Snake' as their tribal name. The Telha and Dhuria women do not wear glass bangles on their arms but only bracelets of brass, while the Sendurias wear glass bangles and also armlets above the elbow. Telha women do not wear nose-rings or tattoo their bodies, while the Sendurias do both. The Telhas say that the tattooing needle and vermilion, which they formerly employed in their marriages, were stolen from them by Wagdeo or the tiger god. So they hit upon sesamum oil as a substitute, which must be pressed for ceremonial purposes in a bamboo basket by unmarried boys using a plough-yoke. This is probably, Mr. Hira Lal remarks, merely the primitive method of extracting oil, prior to the invention of the Teli's ghani or oil-press; and the practice is an instance of the common rule that articles employed in ceremonial and religious rites should be prepared by the ancient and primitive methods which for ordinary purposes have been superseded by more recent labour-saving inventions.
Nahal
1. The tribe and its subdivisions
Nahal, Nihal. [288]--A forest tribe who are probably a mixture of Bhils and Korkus. In 1911 they numbered 12,000 persons, of whom 8000 belonged to the Hoshangabad, Nimar and Betul Districts, and nearly 4000 to Berar. They were classed at the census as a subtribe of Korkus. According to one story they are descended from a Bhil father and a Korku mother, and the writer of the Khandesh Gazetteer calls them the most savage of the Bhils. But in the Central Provinces their family or sept names are the same as those of the Korkus, and they speak the Korku language. Mr. Kitts [289] says that the Korkus who first went to Berar found the Nahals in possession of the Melghat hills. Gradually the latter caste lost their power and became the village drudges of the former. He adds that the Nahals were fast losing their language, and the younger generation spoke only Korku. The two tribes were very friendly, and the Nahals acknowledged the superior position of the Korkus. This, if it accurately represents the state of things prevailing for a long period, and was not merely an incidental feature of their relative position at the time Mr. Kitts' observations were made, would tend to show that the Nahals were the older tribe and had been subjected by the Korkus, just as the Korkus themselves and the Baigas have given way to the Gonds. Mr. Crosthwaite also states that the Nahal is the drudge of the Korku and belongs to a race which is supposed to have been glorious before the Korku star arose, and which is now fast dying out. In any case there is no doubt that the Nahals are a very mixed tribe, as they will even now admit into the community Gonds, Korkus and nearly all the Hindu castes, though in some localities they will not eat from the other tribes and the lower Hindu castes and therefore refuse to admit them. There are, moreover, two subdivisions of the caste called Korku and Marathi Nahals respectively. The latter are more Hinduised than the former and disclaim any connection with the Korkus. The Nahals have totemistic exogamous septs. Those of the Kasa sept worship a tortoise and also a bell-metal plate, which is their family god. They never eat off a bell-metal plate except on one day in the month of Magh (January), when they worship it. The members of the Nagbel sept worship the betel-vine or 'snake-creeper,' and refrain from chewing betel-leaves, and they also worship the Nag or cobra and do not kill it, thus having a sort of double totem. The Bhawaria sept, named after the bhaunr or black bee, do not eat honey, and if they see a person taking the honey-comb from a nest they will run away. The Khadia sept worship the spirits of their ancestors enshrined in a heap of stones (khad), or according to another account they worship a snake which sits on a heap of pebbles. The Surja sept worship Surya or the sun by offering him a fowl in the month of Pus (December-January), and some members of the sept keep a fast every Sunday. The Saoner sept worship the san or flax plant.
2. Marriage
Marriage is prohibited between members of the same sept, but there are no other restrictions and first cousins may marry. Both sexes usually marry when adult, and sexual license before wedlock is tolerated. A Brahman is employed only for fixing the date of the ceremony. The principal part of the marriage is the knotting together of the bride's and bridegroom's clothes on two successive days. They also gamble with tamarind seeds, and it is considered a lucky union if the bridegroom wins. A bride-price is usually paid consisting of Rs. 1-4 to Rs. 5 in cash, some grain and a piece of cloth for the bride's mother. The remarriage of widows is allowed, and the couple go five times round a bamboo stick which is held up to represent a spear, the ceremony being called barchhi se bhanwar phirna or the marriage of the spear.
3. Religion
The Nahals worship the forest god called Jharkhandi in the month of Chait, and until this rite has been performed they do not use the leaves or fruits of the palas, [290] aonla [291] or mango trees. When the god is worshipped they collect branches and leaves of these trees and offer cooked food to them and thereafter commence using the new leaves, and the fruit and timber. They also worship the ordinary village godlings. The dead are buried, except in the case of members of the Surja or sun sept, whose corpses are burnt. Cooked food is offered at the grave for four days after the death.
4. Occupation
The Nahals were formerly a community of hill-robbers, 'Nahal, Bhil, Koli' being the phrase generally used in old documents to designate the marauding bands of the western Satpura hills. The Raja of Jitgarh and Mohkot in Nimar has a long account in his genealogy of a treacherous massacre of a whole tribe of Nahals by his ancestor in Akbar's time, in recognition of which the Jitgarh pargana was granted to the family. Mr. Kitts speaks of the Nahals of Berar as having once been much addicted to cattle-lifting, and this propensity still exists in a minor degree in the Central Provinces, accentuated probably by the fact that a considerable number of Nahals follow the occupation of graziers. Some of them are also village watchmen, and another special avocation of theirs is the collection of the oil of the marking-nut tree (Semecarpus anacardium). This is to some extent a dangerous trade, as the oil causes swellings on the body, besides staining the skin and leaving a peculiar odour. The workers wrap a fourfold layer of cloth round their fingers with ashes between each fold, while the rest of the body is also protected by cloth when gathering the nuts and pounding them to extract the oil. At the end of the day's work powdered tamarind and ghi are rubbed on the whole body. The oil is a stimulant, and is given to women after delivery and to persons suffering from rheumatism.
5. Social status
The social status of the Nahals is very low and they eat the flesh of almost all animals, while those who graze cattle eat beef. Cow-killing is not regarded as an offence. They are also dirty and do not bathe for weeks together. To get maggots in a wound is, however, regarded as a grave offence, and the sufferer is put out of the village and has to live alone until he recovers.
Nai
List of Paragraphs
1. Structure of the caste. 2. Marriage and other customs. 3. Occupation. 4. Other services. 5. Duties at weddings. 6. The barber-surgeon. 7. A barber at the court of Oudh. 8. Character and position of the barber. 9. Beliefs about hair. 10. Hair of kings and priests. 11. The beard. 12. Significance of removal of the hair and shaving the head. 13. Shaving the head by mourners. 14. Hair offerings. 15. Keeping hair unshorn during a vow. 16. Disposal of cut hair and nails. 17. Superstitions about shaving the hair. 18. Reasons why the hair was considered the source of strength.
1. Structure of the caste
Nai, Nao, Mhali, Hajjam, Bhanari, Mangala. [292]--The occupational caste of barbers. The name is said to be derived from the Sanskrit napita according to some a corruption of snapitri, one who bathes. In Bundelkhand he is also known as Khawas, which was a title for the attendant on a grandee; and Birtiya, or 'He that gets his maintenance (vritti) from his constituents.' [293] Mhali is the Marathi name for the caste, Bhandari the Uriya name and Mangala the Telugu name. The caste numbered nearly 190,000 persons in the Central Provinces in 1911, being distributed over all Districts. Various legends of the usual type are related of its origin, but, as Sir. H. Risley observes, it is no doubt wholly of a functional character. The subcastes in the Central Provinces entirely bear out this view, as they are very numerous and principally of the territorial type: Telange of the Telugu country, Marathe, Pardeshi or northerners, Jharia or those of the forest country of the Wainganga Valley, Bandhaiya or those of Bandhogarh, Barade of Berar, Bundelkhandi, Marwari, Mathuria from Mathura, Gadhwaria from Garha near Jubbulpore, Lanjia from Lanji in Balaghat, Malwi from Malwa, Nimari from Nimar, Deccane, Gujarati, and so on. Twenty-six divisions in all are given. The exogamous groups are also of different types, some of them being named after Brahman saints, as Gautam, Kashyap, Kosil, Sandil and Bharadwaj; others after Rajput clans as Surajvansi, Jaduvansi, Solanki and Panwar; while others are titular or totemistic, as Naik, leader; Seth, banker; Rawat, chief; Nagesh, cobra; Bagh, a tiger; Bhadrawa, a fish.
2. Marriage and other customs
The exogamous groups are known as khero or kul, and marriage between members of the same group is prohibited. Girls are usually wedded between the ages of eight and twelve and boys between fifteen and twenty. A girl who goes wrong before marriage is finally expelled from the caste. The wedding ceremony follows the ritual prevalent in the locality as described in the articles on Kurmi and Kunbi. At an ordinary wedding the expenses on the girl's side amount to about Rs. 150, and on the boy's to Rs. 200. The remarriage of widows is permitted. In the northern Districts the widow may wed the younger brother of her deceased husband, but in the Maratha country she may not be married to any of his relatives. Divorce may be effected at the instance of the husband before the caste committee, and a divorced woman is at liberty to marry again. The Nais worship all the ordinary Hindu deities. On the Dasahra and Diwali festivals they wash and revere their implements, the razor, scissors and nail-pruners. They pay regard to omens. It is unpropitious to sneeze or hear the report of a gun when about to commence any business; and when a man is starting on a journey, if a cat, a squirrel, a hare or a snake should cross the road in front of him he will give it up and return home. The bodies of the dead are usually burnt. In Chhattisgarh the poor throw the corpses of their dead into the Mahanadi, and the bodies of children dying under one year of age were until recently buried in the courtyard of the house. The period of mourning for adults is ten days and for children three days. The chief mourner must take only one meal a day, which he cooks himself until the ceremony of the tenth day is performed.
3. Occupation
"The barber's trade," Mr. Crooke states, [294] "is undoubtedly of great antiquity. In the Veda we read, 'Sharpen us like the razor in the hands of the barber'; and again, 'Driven by the wind, Agni shaves the hair of the earth like the barber shaving a beard.'" In early times they must have enjoyed considerable dignity; Upali the barber was the first propounder of the law of the Buddhist church. The village barber's leather bag contains a small mirror (arsi), a pair of iron pincers (chimta), a leather strap, a comb (kanghi), a piece of cloth about a yard square and some oil in a phial. He shaves the faces, heads and armpits of his customers, and cuts the nails of both their hands and feet. He uses cold water in summer and hot in winter, but no soap, though this has now been introduced in towns. For the poorer cultivators he does a rapid scrape, and this process is called 'asudhal' or a 'tearful shave,' because the person undergoing it is often constrained to weep. The barber acquires the knowledge of his art by practice on the more obliging of his customers, hence the proverb, 'The barber's son learns his trade on the heads of fools.' The village barber is usually paid by a contribution of grain from the cultivators, calculated in some cases according to the number of ploughs of land possessed by each, in others according to the number of adult males in the family. In Saugor he receives 20 lbs. of grain annually for each adult male or 22 1/2 lbs. per plough of land, besides presents of a basket of grain at seed-time and a sheaf at harvest. Cultivators are usually shaved about once a fortnight. In towns the barber's fee may vary from a pice to two annas for a shave, which is, as has been seen, a much more protracted operation with a Hindu than with a European. It is said that Berar is now so rich that even ordinary cultivators can afford to pay the barber two annas (2d.) for a single shave, or the same price as in the suburbs of London.
4. Other services
After he has shaved a client the barber pinches and rubs his arms, presses his fingers together and cracks the joints of each finger, this last action being perhaps meant to avert evil spirits. He also does massage, a very favourite method of treatment in India, and also inexpensive as compared with Europe. For one rupee a month in towns the barber will come and rub a man's legs five or ten minutes every day. Cultivators have their legs rubbed in the sowing season, when the labour is intensely hard owing to the necessity of sowing all the land in a short period. If a man is well-to-do he may have his whole head and body rubbed with scented oil. Landowners have often a barber as a family servant, the office descending from father to son. Such a man will light his master's chilam (pipe-bowl) or huqqa (water-pipe), clean and light lamps, prepare his bed, tell his master stories to send him to sleep, act as escort for the women of the family when they go on a journey and arrange matches for the children. The barber's wife attends on women in child-birth after the days of pollution are over, and rubs oil on the bodies of her clients, pares their nails and paints their feet with red dye at marriages and on other festival occasions.
5. Duties at weddings
The barber has also numerous and important duties [295] in connection with marriages and other festival occasions. He acts as the Brahman's assistant, and to the lower castes, who cannot employ a Brahman, he is himself the matrimonial priest. The important part which he plays in marriage ceremonies has led to his becoming the matchmaker among all respectable castes. He searches for a suitable bride or bridegroom, and is often sent to inspect the other party to a match and report his or her defects to his clients. He may arrange the price or dowry, distribute the invitations and carry the presents from one house to the other. He supplies the leaf-plates and cups which are used at weddings, as the family's stock of metal vessels is usually quite inadequate for the number of guests. The price of these is about 4 annas (4d.) a hundred. He also provides the torans or strings of leaves which are hung over the door of the house and round the marriage-shed. At the feast the barber is present to hand to the guests water, betel-leaf and pipes as they may desire. He also partakes of the food, seated at a short distance from the guests, in the intervals of his service. He lights the lamps and carries the torches during the ceremony. Hence he was known as Masalchi or torch-bearer, a name now applied by Europeans to a menial servant who lights and cleans the lamps and washes the plates after meals. The barber and his wife act as prompters to the bride and bridegroom, and guide them through the complicated ritual of the wedding ceremony, taking the couple on their knees if they are children, and otherwise sitting behind them. The barber has a prescriptive right to receive the clothes in which the bridegroom goes to the bride's house, as on the latter's arrival he is always presented with new clothes by the bride's father. As the bridegroom's clothes may be an ancestral heirloom, a compact is often made to buy them back from the barber, and he may receive as much as Rs. 50 in lieu of them. When the first son is born in a family the barber takes a long bamboo stick, wraps it round with cloth and puts an earthen pot over it and carries this round to the relatives, telling them the good news. He receives a small present from each household.
6. The barber-surgeon
The barber also cleans the ears of his clients and cuts their nails, and is the village surgeon in a small way. He cups and bleeds his patients, applies leeches, takes out teeth and lances boils. In this capacity he is the counterpart of the barber-surgeon of mediaeval Europe. The Hindu physicians are called Baid, and are, as a rule, a class of Brahmans. They derive their knowledge from ancient Sanskrit treatises on medicine, which are considered to have divine authority. Consequently they think it unnecessary to acquire fresh knowledge by experiment and observation, as they suppose the perfect science of medicine to be contained in their sacred books. As these books probably do not describe surgical operations, of which little or nothing was known at the time when they were written, and as surgery involves contact with blood and other impure substances, the Baids do not practise it, and the villagers are left to get on as best they can with the ministrations of the barber. It is interesting to note that a similar state of things appears to have prevailed in Europe. The monks were the early practitioners of medicine and were forbidden to practise surgery, which was thus left to the barber-chirurgeon. The status of the surgeon was thus for long much below that of the physician. [296] The mediaeval barber of Europe kept a bottle of blood in his window, to indicate that he undertook bleeding and the application of leeches, and the coloured bottles in the chemist's window may have been derived from this. It is also said that the barber's pole originally served as a support for the patient to lean on while he was being bled, and those barbers who did the work of bleeding patients painted their poles in variegated red and white stripes to show it.
7. A barber at the court of Oudh
Perhaps the most successful barber known to Indian history was not a Hindu at all, but a Peninsular and Oriental Company's cabin-boy, who became the barber of one of the last kings of Oudh, Nasir-ud-Din, in the early part of the nineteenth century, and rose to the position of a favourite courtier. He was entrusted with the supply of every European article used at court, and by degrees became a regular guest at the royal table, and sat down to take dinner with the king as a matter of right; nor would his majesty taste a bottle of wine opened by any other hands than the barber's. [297] This was, however, a wise precaution as it turned out, since after he had finally been forced to part with the barber the king was poisoned by his own relatives. The barber was also made keeper of the royal menagerie, for which he supplied the animals and their food, and made enormous profits. The following is an account of the presentation of the barber's monthly bill of expenses: [298] "It was after tiffin, or lunch, when we usually retired from the palace until dinner-time at nine o'clock, that the favourite entered with a roll of paper in his hand. In India, long documents, legal and commercial, are usually written, not in books or on successive sheets, but on a long roll, strip being joined to strip for that purpose, and the whole rolled up like a map.
"'Ha, Khan!' said the king, observing him; 'the monthly bill, is it?'
"'It is, your majesty,' was the smiling reply.
"'Come, out with it; let us see the extent. Unroll it, Khan.'
"The king was in a playful humour; and the barber was always in the same mood as the king. He held the end of the roll in his hand, and threw the rest along the floor, allowing it to unroll itself as it retreated. It reached to the other side of the long apartment--a goodly array of items and figures, closely written too. The king wanted it measured. A measure was brought and the bill was found to be four yards and a half long. I glanced at the amount; it was upwards of Rs. 90,000, or £9000!"
The barber, however, encouraged the king in every form of dissipation and excess, until the state of the Oudh court became such a scandal that the king was forced by the British Government to dismiss him. [299] He retired, it was said, with a fortune of £240,000.
8. Character and position of the barber
The barber is also, Mr. Low writes, [300] the scandal-bearer and gossip-monger of the village. His cunning is proverbial, and he is known as Chhattisa from the saying--
Nai hai chhattisa Khai an ka pisa,
or 'A barber has thirty-six talents by which he eats at the expense of others.' His loquacity is shown in the proverb, 'As the crow among birds so the barber among men.' The barber and the professional Brahman are considered to be jealous of their perquisites and unwilling to share with their caste-fellows, and this is exemplified in the proverb, "The barber, the dog and the Brahman, these three snarl at meeting one of their own kind." The joint association of the Brahman priest and the barber with marriages and other ceremonies has led to the saying, "As there are always reeds in a river so there is always a barber with a Brahman." The barber's astuteness is alluded to in the saying, 'Nine barbers are equal to seventy-two tailors.' The fact that it is the barber's duty to carry the lights in marriage processions has led to the proverb, "At the barber's wedding all are gentlemen and it is awkward to have to ask somebody to carry the torch." The point of this is clear, though no English equivalent occurs to the mind. And a similar idea is expressed by 'The barber washes the feet of others but is ashamed to wash his own.' It would appear from these proverbs that the Nai is considered to enjoy a social position somewhat above his deserts. Owing to the nature of his duties, which make him a familiar inmate of the household and bring him into contact with the persons of his high-caste clients, the caste of the Nai is necessarily considered to be a pure one and Brahmans will take water from his hands. But, on the other hand, his calling is that of a village menial and has also some elements of impurity, as in cupping which involves contact with blood, and in cutting the nails and hair of the corpse before cremation. He is thus looked down upon as a menial and also considered as to some extent impure. No member of a cultivating caste would salute a barber first or look upon him as an equal, though Brahmans put them on the same level of ceremonial purity by taking water from both. The barber's loquacity and assurance have been made famous by the Arabian Nights, but they have perhaps been affected by the more strenuous character of life, and his conversation does not flow so freely as it did. Often he now confines himself to approving and adding emphasis to any remarks of the patron and greeting any of his little witticisms with bursts of obsequious laughter. In Madras, Mr. Pandian states, the village barber, like the washerman, is known as the son of the village. If a customer does not pay him his dues, he lies low, and when he has begun to shave the defaulter, engages him in a dispute and says something to excite his anger. The latter will then become abusive to the barber, whom he regards as a menial, and perhaps strike him, and this gives the barber an opportunity to stop shaving him and rush off to lay a complaint at the village court-house, leaving his enemy to proceed home with half his head shaved and thus exposed to general ridicule. [301]
9. Beliefs about hair
Numerous customs appear to indicate that the hair was regarded as the special seat of bodily strength. The Rajput warriors formerly wore their hair long and never cut it, but trained it in locks over their shoulders. Similarly the Maratha soldiers wore their hair long. The Hatkars, a class of Maratha spearmen, might never cut their hair while engaged on military service. A Sikh writer states of Guru Govind, the founder of the militant Sikh confederacy: "He appeared as the tenth Avatar (incarnation of Vishnu). He established the Khalsa, his own sect, and by exhibiting singular energy, leaving the hair on his head, and seizing the scimitar, he smote every wicked person." [302] As is well known, no Sikh may cut his hair, and one of the five marks of the Sikh is the kanga or comb, which he must always carry in order to keep his hair in proper order. A proverb states that 'The origin of a Sikh is in his hair.' [303] The following story, related by Sir J. Malcolm, shows the vital importance attached by the Sikh to his hair and beard: "Three inferior agents of Sikh chiefs were one day in my tent. I was laughing and joking with one of them, a Khalsa Sikh, who said he had been ordered to attend me to Calcutta. Among other subjects of our mirth I rallied him on trusting himself so much in my power. 'Why, what is the worst,' he said, 'that you can do to me?' I passed my hand across my chin, imitating the act of shaving. The man's face was in an instant distorted with rage and his sword half-drawn. 'You are ignorant,' he said to me, 'of the offence you have given; I cannot strike you who are above me, and the friend of my master and the state; but no power,' he added, indicating the Khalsa Sikhs, 'shall save these fellows who dared to smile at your action.' It was with the greatest difficulty and only by the good offices of some Sikh Chiefs that I was able to pacify his wounded honour." [304] These instances appear to show clearly that the Sikhs considered their hair of vital importance; and as fighting was their object in life, it seems most probable that they thought their strength in war was bound up in it. Similarly when the ancient Spartans were on a military expedition purple garments were worn and their hair was carefully decked with wreaths, a thing which was never done at home. [305] And when Leonidas and his three hundred were holding the pass of Thermopylae, and Xerxes sent scouts to ascertain what the Greeks were doing in their camp, the report was that some of them were engaged in gymnastics and warlike exercises, while others were merely sitting and combing their long hair. If the hypothesis already suggested is correct, the Spartan youths so engaged were perhaps not merely adorning themselves for death, but, as they thought, obtaining their full strength for battle. "The custom of keeping the hair unshorn during a dangerous expedition appears to have been observed, at least occasionally, by the Romans. Achilles kept unshorn his yellow hair, because his father had vowed to offer it to the river Sperchius if ever his son came home from the wars beyond the sea." [306]
When the Bhils turned out to fight they let down their long hair prior to beginning the conflict with their bows and arrows. [307] The pirates of Surat, before boarding a ship, drank bhang and hemp-liquor, and when they wore their long hair loose they gave no quarter. [308] The Mundas appear to have formerly worn their hair long and some still do. Those who are converted to Christianity must cut their hair, but a non-Christian Munda must always keep the chundi or pigtail. If the chundi is very long it is sometimes tied up in a knot. [309] Similarly the Oraons wore their hair long like women, gathered in a knot behind, with a wooden or iron comb in it. Those who are Christians can be recognised by the fact that they have cut off their pigtails. A man of the low Pardhi caste of hunters must never have his hair touched by a razor after he has once killed a deer. As already seen, every orthodox Hindu wore till recently a choti or scalp-lock, which should theoretically be as long as a cow's tail. Perhaps the idea was that for those who were not warriors it was sufficient to retain this and have the rest of the head shaved. The choti was never shaved off in mourning for any one but a father. The lower castes of Muhammadans, if they have lost several children, will allow the scalp-lock to grow on the heads of those subsequently born, dedicating it to one of their Muhammadan saints. The Kanjars relate of their heroic ancestor Mana that after he had plunged a bow so deeply into the ground that no one could withdraw it, he was set by the Emperor of Delhi to wrestle against the two most famous Imperial wrestlers. These could not overcome him fairly, so they made a stratagem, and while one provoked him in front the other secretly took hold of his choti behind. When Mana started forward his choti was thus left in the wrestler's hands, and though he conquered the other wrestler, showing him the sky as it is said, the loss of his choti deprived him for ever after of his virtue as a Hindu and in no small degree of his renown as an ancestor. [310] Thus it seems clear that a special virtue attaches to the choti. Before every warlike expedition the people of Minahassa in Celebes used to take the locks of hair of a slain foe and dabble them in boiling water to extract the courage; this infusion of bravery was then drunk by the warriors. [311] In a modern Greek folk-tale a man's strength lies in three golden hairs on his head. When his mother plucks them out, he grows weak and timid and is slain by his enemies. [312] The Red Indian custom of taking the scalp, of a slain enemy and sometimes wearing the scalps at the waist-belt may be due to the same relief.
In Ceram the hair might not be cut because it was the seat of a man's strength; and the Gaboon negroes for the same reason would not allow any of their hair to pass into the possession of a stranger. [313]
10. Hair of kings and priests
If the hair was considered to be the special source of strength and hence frequently of life, that of the kings and priests, in whose existence the primitive tribe believed its own communal life to be bound up, would naturally be a matter of peculiar concern. That it was so has been shown in the Golden Bough. Two hundred years ago the hair and nails of the Mikado of Japan could only be cut when he was asleep. [314] The hair of the Flamen Dialis at Rome could be cut only by a freeman and with a bronze knife, and his hair and nails when cut had to be buried under a lucky tree. [315] The Frankish kings were never allowed to crop their hair; from their childhood upwards they had to keep it unshorn. The hair of the Aztec priests hung down to their hams so that the weight of it became very troublesome; for they might never crop it so long as they lived, or at least till they had been relieved from their office on the score of old age. [316] In the Male Paharia tribe from the time that any one devoted himself to the profession of priest and augur his hair was allowed to grow like that of a Nazarite; his power of divination entirely disappeared if he cut it. [317] Among the Bawarias of India the Bhuva or priest of Devi may not cut or shave his hair under penalty of a fine of Rs. 10. A Parsi priest or Mobed must never be bare-headed and never shave his head or face. [318] Professor Robertson Smith states: "As a diadem is in its origin nothing more than a fillet to confine hair that is worn long, I apprehend that in old times the hair of Hebrew princes like that of a Maori chief, was taboo, and that Absalom's long locks (2 Sam. xiv. 26) were the mark of his political pretensions and not of his vanity. When the hair of a Maori chief was cut, it was collected and buried in a sacred place or hung on a tree; and it is noteworthy that Absalom's hair was cut annually at the end of the year, in the sacred season of pilgrimage, and that it was collected and weighed." [319]
11. The beard
The importance attached by other races to the hair of the head seems among the Muhammadans to have been concentrated specially in the beard. The veneration displayed for the beard in this community is well known. The Prophet ordained that the minimum length of the beard should be the breadth of five fingers. When the beard is turning grey they usually dye it with henna and sometimes with indigo; it may be thought that a grey beard is a sign of weakness. The Prophet said, 'Change the whiteness of your hair, but not with anything black.' It is not clear why black was prohibited. It is said that the first Caliph Abu Bakar was accustomed to dye his beard red with henna, and hence this practice has been adopted by Muhammadans. [320] The custom of shaving the chin is now being adopted by young Muhammadans, but as they get older they still let the beard grow. A very favourite Muhammadan oath is, 'By the beard of the Prophet'; and in Persia if a man thinks another is mocking him he says, 'Do you laugh at my beard?' Neither Hindus nor Muhammadans have any objection to becoming bald, as the head is always covered by the turban in society. But when a man wishes to grow a beard it is a serious drawback if he is unable to do it; and he will then sometimes pluck the young wheat-ears and rub the juice over his cheeks and chin so that he may grow bearded like the wheat. Among the Hindus, Rajputs and Marathas, as well as the Sikhs, commonly wore beards, all of these being military castes. Both the beard and hair were considered to impart an aspect of ferocity to the countenance, and when the Rajputs and Muhammadans were going into battle they combed the hair and trained the beard to project sideways from the face. When a Muhammadan wears a beard he must have hair in the centre of his chin, whereas a Hindu shaves this part. A Muhammadan must have his moustache short so that it may not touch and defile food entering the mouth. It is related that a certain Kazi had a small head and a very long beard; and he had a dream that a man with a small head and a long beard must be a fool. When he woke up he thought this was applicable to himself. As he could not make his head larger he decided to make his beard smaller, and looked for scissors to cut part of it off. But he could not find any scissors, and being in a hurry to shorten his beard he decided to burn away part of it, and set it alight. But the fire consumed the whole of his beard before he could put it out, and he then realised the truth of the dream.
12. Significance of removal of the hair and shaving the head
If the hair was considered to be the source of a man's strength and vigour, the removal of it would involve the loss of this and might be considered especially to debar him from fighting or governing. The instances given from the Golden Bough have shown the fear felt by many people of the consequences of the removal of their hair. The custom of shaving the head might also betoken the renunciation of the world and of the pursuit of arms. This may be the reason why monks shaved the head, a practice which was followed by Buddhist as well as Christian monks. A very clear case is also given by Sir James Frazer: "When the wicked brothers Clotaire and Childebert coveted the kingdom of their dead brother Clodomir, they inveigled into their power their little nephews, the two sons of Clodomir; and having done so, they sent a messenger bearing scissors and a naked sword to the children's grandmother, Queen Clotilde, at Paris. The envoy showed the scissors and the sword to Clotilde, and bade her choose whether the children should be shorn and live, or remain unshorn and die. The proud queen replied that if her grandchildren were not to come to the throne she would rather see them dead than shorn. And murdered they were by their ruthless uncle Clotaire with his own hand." [321] In this case it appears that if their hair was shorn the children could not come to the throne but would be destined to become monks. Similarly, in speaking of the Georgians, Marco Polo remarks that they cut their hair short like churchmen. [322] When a member of the religious order of the Manbhaos is initiated his head is shaved clean by the village barber, and the scalp-lock and moustache must be cut off by his guru or preceptor, this being perhaps the special mark of his renunciation of the world. The scalp-locks are preserved and made into ropes which some of them fasten round their loins. Members of the Hindu orders generally shave their scalp-locks and the head on initiation, probably for the same reason as the Manbhaos. But afterwards they often let the whole of their hair grow long. These men imagine that by the force of their austerities they will obtain divine power, so their religious character appears to be of a different order from monasticism. Perhaps, therefore, they wear their hair long in order to increase their spiritual potency. They themselves now say that they do it in imitation of the god Siva and the ancient ascetics who had long matted locks. The common Hindu practice of shaving the heads of widows may thus be interpreted as a symbol of their complete renunciation of the world and of any idea of remarriage. It was accompanied by numerous other rules designed to make a widow's life a continual penance. This barbarous custom was formerly fairly general, at least among the higher castes, but is rapidly being abandoned except by one or two of the stricter sections of Brahmans. Shaving the head might also be imposed as a punishment. Thus in the time of the reign of the Emperor Chandraguptra Maurya in the fourth century B.C. it is stated that ordinary wounding by mutilation was punished by the corresponding mutilation of the offender, in addition to the amputation of his hand. The crime of giving false evidence was visited with mutilation of the extremities; and in certain unspecified cases, serious offences were punished by the shaving of the offender's hair, a penalty regarded as specially infamous. [323] The cutting off of some or all of the hair is at the present time a common punishment for caste offences. Among the Korkus a man and woman caught in adultery have each a lock of hair cut off. If a Chamar man and woman are detected in the same offence, the heads of both are shaved clean of hair. A Dhimar girl who goes wrong before marriage has a lock of her hair cut off as a penalty, the same being done in several other castes.
13. Shaving the head by mourners
The exact significance which is to be attached to the removal by mourners of their hair after a death is perhaps doubtful. Sir James Frazer shows that the Australian aborigines are accustomed to let their own blood flow on to the corpse of a dead kinsman and to place their cut hair on the corpse. He suggests that in both cases the object is to strengthen the feeble spirit within the corpse and sustain its life, in order that it may be born again. As a development of such a rite the hair might have become an offering to the dead, and later still its removal might become a sacrifice and indication of grief. In this manner the common custom of tearing the hair in token of grief and mourning for the dead would be accounted for. Whether the Hindu custom of shaving the heads of mourners was also originally a sacrifice and offering appears to be uncertain. Professor Robertson Smith considered [324] that in this case the hair is shaved off as a means of removing impurity, and quotes instances from the Bible where lepers and persons defiled by contact with the dead are purified by shaving the hair. [325] As the father of a child is also shaved after its birth, and the shaving must here apparently be a rite of purification, it probably has the same significance in the case of mourners; it is not clear whether any element of sacrifice is also involved. The degree to which the Hindu mourner parts with his hair varies to some extent with the nearness of the relationship, and for females or distant relatives they do not always shave. The mourners are shaved on the last day of the impurity, when presents are given to the Maha-Brahman, and the latter, representing the dead man, is also shaved with them. When a Hindu is at the point of death, before he makes the gifts for the good of his soul the head is shaved with the exception of his choti or scalp-lock, the chin and upper lip. Often the corpse is also shaved after death.
14. Hair offerings
Another case of the hair offering is that made in fulfilment of a vow or at a temple. In this case the hair appears to be a gift-offering which is made to the god as representing the life and strength of the donor; owing to the importance attached to the hair as the source of life and strength, it was a very precious sacrifice. Sir James Frazer also suggests that the hair so given would impart life and strength to the god, of which he stood in need, just as he needed food to nourish him. Among the Hindus it is a common practice to take a child to some well-known temple to have its hair cut for the first time, and to offer the clippings of hair to the deity. If they cannot go to the temple to have the hair cut they have it cut at home, and either preserve the whole hair or a lock of it, until an opportunity occurs to offer it at the temple. In some castes a Brahman is invited at the first cutting of a child's hair, and he repeats texts and blesses the child; the first lock of hair is then cut by the child's maternal uncle, and its head is shaved by the barber. A child's hair is cut in the first, third or fifth year after birth, but not in the second or fourth year. Among the Muhammadans when a child's hair is cut for the first time, or at least on one occasion in its life, the hair should be weighed against silver or gold and the amount distributed in charity. In these cases also it would appear that the hair as a valuable part of the child is offered to the god to obtain his protection for the life of the child. If a woman has no child and desires one, or if she has had children and lost them, she will vow her next child's hair to some god or temple. A small patch known as chench is then left unshorn on the child's head until it can be taken to the temple.
15. Keeping hair unshorn during a vow
It was also the custom to keep the hair unshorn during the performance of a vow. "While his vow lasted a Nazarite might not have his hair cut: 'All the days of the vow of his separation there shall no razor come upon his head.' [326] The Egyptians on a journey kept their hair uncut till they returned home. [327] Among the Chatti tribe of the ancient Germans the young warriors never clipped their hair or their beard till they had slain an enemy. Six thousand Saxons once swore that they would not clip their hair nor shave their beards until they had taken vengeance on their enemies." [328] Similarly, Hindu religious mendicants keep their hair long while they are journeying on a pilgrimage, and when they arrive at the temple which is their goal they shave it all off and offer it to the god. In this case, as the hair is vowed as an offering, it clearly cannot be cut during the performance of the vow, but must be preserved intact. When the task to be accomplished for the fulfilment of a vow is a journey or the slaying of enemies, the retention of the hair is probably also meant to support and increase the wearer's strength for the accomplishment of his purpose.
16. Disposal of cut hair and nails
If the hair contained a part of the wearer's life and strength its disposal would be a matter of great importance, because, according to primitive belief, these qualities would remain in it after it had been severed. Hence, if an enemy obtained it, by destroying the hair or some analogous action he might injure or destroy the life and strength of the person to whom it belonged. The Hindus usually wrap up a child's first hair in a ball of dough and throw it into a running stream, with the cuttings of his nails. Well-to-do people also place a rupee in the ball, so that it is now regarded as an offering. The same course is sometimes followed with the hair and nails cut ceremoniously at a wedding, and possibly on one or two other occasions, such as the investiture with the sacred thread; but the belief is decaying, and ordinarily no care is taken of the shorn hair. In Berar when the Hindus cut a child's hair for the first time they sometimes bury it under a water-pot where the ground is damp, perhaps with the idea that the child's hair will grow thickly and plentifully like grass in a damp place. It is a common belief that if a barren woman gets hold of a child's first hair and wears it round her waist the fertility of the child's mother will be transferred to her. The Sarwaria Brahmans shave a child's hair in its third year. A small silver razor is made specially for the occasion, costing a rupee and a quarter, and the barber first touches the child's hair with this and then shaves it ceremoniously with his own razor. [329] The Halbas think that the severed clippings of hair are of no use for magic, but if a witch can cut a lock of hair from a man's head she can use it to work magic on him. In making an image of a person with intent to injure or destroy him, it was customary to put a little of his hair into the image, by which means his life and strength were conveyed to it. A few years ago a London newspaper mentioned the case of an Essex man entering a hairdresser's and requesting the barber to procure for him a piece of a certain customer's hair. When asked the reason for this curious demand, he stated that the customer had injured him and he wished to 'work a spell' against him. [330] In the Parsi Zend-Avesta it is stated that if the clippings of hair or nails are allowed to fall in the ground or ditches, evil spirits spring up from them and devour grain and clothing in the house. It was therefore ordained for the Parsis through their prophet Zarathustra that the cuttings of hair or nails should be buried in a deep hole ten paces from a dwelling, twenty paces from fire, and fifty paces from the sacred bundles called baresman. Texts should be said over them and the hole filled in. Many Parsis still bury their cut hair and nails four inches under ground, and an extracted tooth is disposed of in the same manner. [331] Some Hindus think that the nail-parings should always be thrown into a frequented place, where they will be destroyed by the traffic. If they are thrown on to damp earth they will grow into a plant which will ruin the person from whose body they came. It is said that about twenty years ago a man in Nagpur was ruined by the growth of a piece of finger-nail, which had accidentally dropped into a flower-pot in his house. Apparently in this case the nail is supposed to contain a portion of the life and strength of the person to whom it belonged, and if the nail grows it gradually absorbs more and more of his life and strength, and he consequently becomes weaker and weaker through being deprived of it. The Hindu superstition against shaving the head appears to find a parallel regarding the nails in the old English saying:
Cut no horn On the Sabbath morn.
Among some Hindus it is said that the toe-nails should not be cut at all until a child is married, when they are cut ceremoniously by the barber.
17. Superstitions about shaving the hair
Since the removal of the hair is held to involve a certain loss of strength and power, it should only be effected at certain seasons and not on auspicious days. A man who has male children should not have his head shaved on Monday, as this may cause his children to die. On the other hand, a man who has no children will fast on Sunday in the hope of getting them, and therefore he will neither shave his head nor visit his wife on that day. A Hindu must not be shaved on Thursday, because this is the day of the planet Jupiter, which is also known as Guru, and his act would be disrespectful to his own guru or preceptor. Tuesday is Devi's day, and a man will not get shaved on that day; nor on Saturday, because it is Hanuman's day. [332] On Sundays, Wednesdays and Fridays he may be shaved, but not if the day happens to be the new moon, full moon, or the Ashtami or Ekadashi, that is the eighth or eleventh day of the fortnight. He should not shave on the day that he is going on a journey. If all these rules were strictly observed there would be very few days on which one could get shaved, but many of them are necessarily more honoured in the breach. Wednesdays and Fridays are the best days for shaving, and by shaving on these days a man will see old age. Debtors are shaved on Wednesdays, as they think that this will help them to pay off their debts. Some Brahmans are not shaved during the month of Shrawan (July), when the crops are growing, nor during the nine days of the months of Kunwar (September) and Chait (March), when a fast is observed and the jawaras [333] are sown. After they have been shaved high-caste Hindus consider themselves impure till they have bathed. They touch no person or thing in the house, and sometimes have the water thrown on them by a servant so as to avoid contact with the vessels. They will also neither eat, drink nor smoke until they have bathed. Sometimes they throw so much water over the head in order to purify themselves as to catch a bad cold. In this case, apparently, the impurity accrues from the loss of the hair, and the man feels that virtue has gone out of him. Women never shave their hair with a razor, as they think that to do so would make the body so heavy after death that it could not be carried to the place of cremation. They carefully pluck out the hair under the armpits and the pubic hair with a pair of pincers. A girl's hair may be cut with scissors, but not after she is ten years old or is married. Sometimes a girl's hair is not cut at all, but her father will take a pearl and entwine it into her hair, where it is left until she is married. It is considered very auspicious to give away a girl in marriage with hair which has never been cut, and a pearl in it. After marriage she will take out the pearl and wear it in an ornament.
18. Reasons why the hair was considered the source of strength
The above evidence appears to indicate that the belief of a man's strength and vigour being contained in his hair is by no means confined to the legend of Samson, but is spread all over the world. This has been pointed out by Professor Robertson Smith, [334] Professor Wilken and others. Sir J.G. Frazer also adduces several instances in the Golden Bough to show that the life or soul was believed to be contained in the hair. This may well have been the case, but the hair was also specialised, so to speak, as the seat of bodily vigour and strength. The same idea appears to have applied in a minor measure to the nails and teeth. The rules for disposing of the cut hair usually apply to the parings of nails, and the first teeth are also deposited in a rat's hole or on the roof of the house. As suggested by Professor Robertson Smith it seems likely that the strength and vigour of the body was believed to be located in the hair, and also to a less extent in the nails and teeth, because they grew more visibly and quickly than the body and continued to do so after it had attained to maturity. The hair and nails continue to grow all through life, and though the teeth do not grow when fully formed, the second teeth appear when the body is considerably developed and the wisdom teeth after it is fully developed. The hair grows much more palpably and vigorously than the nails and teeth, and hence might be considered especially the source of strength. Other considerations which might confirm the idea are that men have more hair on their bodies than women, and strongly built men often have a large quantity of hair. Some of the stronger wild animals have long hair, as the lion, bear and wild boar; and the horse, often considered the embodiment of strength, has a long mane. And when anger is excited the hair sometimes appears to rise, as it were, from the skin. The nails and teeth were formerly used on occasion as weapons of offence, and hence might be considered to contain part of the strength and vigour of the body.
Finally, it may be suggested as a possibility that the Roundheads cut their hair short as a protest against the superstition that a soldier's hair must be long, which originated in the idea that strength is located in the hair and may have still been current in their time. We know that the Puritans strove vainly against the veneration of the Maypole as the spirit of the new vegetation, [335] and against the old nature-rites observed at Christmas, the veneration of fire as the preserver of life against cold, and the veneration of the evergreen plants, the fir tree, the holly, and the mistletoe, which retained their foliage through the long night of the northern winter, and were thus a pledge to man of the return of warmth and the renewal of vegetation in the spring. And it therefore seems not altogether improbable that the Puritans may have similarly contended against the superstition as to the wearing of long hair.
Naoda
Naoda. [336]--A small caste found in the Nimar District and in Central India. The name means a rower and is derived from nao, a boat. The caste are closely connected with the Mallahs or Kewats, but have a slightly distinctive position, as they are employed to row pilgrims over the Nerbudda at the great fair held at Siva's temple on the island of Mandhata. They say that their ancestors were Rajputs, and some of their family names, as Solanki, Rawat and Mori, are derived from those of Rajput septs. But these have probably been adopted in imitation of their Kshatriya overlords. The caste is an occupational one. They have a tradition that in former times a Naoda boatman recovered the corpse of a king's daughter, who had drowned herself in the river wearing costly jewels, and the king as a reward granted them the right of ferrying pilgrims at Mandhata, which they still continue to enjoy, keeping their earnings for themselves. They have a division of impure blood called the Gate or bastard Naodas, who marry among themselves, and any girl who reaches the age of puberty without being married is relegated to this. In the case of a caste whose numbers are so small, irregular connections with outsiders must probably be not infrequent. Another report states that adult unmarried girls are not expelled but are married to a pipal tree. But girls are sought after, and it is customary to pay a bride-price, the average amount of which is Rs. 25. Before the bridegroom starts for his wedding his mother takes and passes in front of him, successively from his head to his feet, a pestle, some stalks of rusa grass, a churning rod and a winnowing-fan. This is done with the object of keeping off evil spirits, and it is said that by her action she threatens to pound the spirits with the pestle, to tie them up with the grass, to churn and mash them with the churning-rod, and to scatter them to the winds with the winnowing-fan. When a man wishes to divorce his wife he simply turns her out of the house in the presence of four or five respectable men of the caste. The marriage of a widow is celebrated on a Sunday or Tuesday, the clothes of the couple being tied together by another widow at night. The following day they spend together in a garden, and in the evening are escorted home by their relatives with torches and music. Next morning the woman goes to the well and draws water, and her husband, accompanying her, helps her to lift the water-pots on to her shoulder.
The caste worship the ordinary Hindu deities and especially Bhairon, the guardian of the gate of Mahadeo's temple. They have a nail driven into the bow of their boat which is called 'Bhairon's nail,' and at the Dasahra festival they offer to this a white pumpkin with cocoanuts, vermilion, incense and liquor. The caste hold in special reverence the cow, the dog and the tamarind tree. The dog is sacred as being the animal on which Bhairava rides, and their most solemn oaths are sworn by a dog or a cow. They will on no account cut or burn the tamarind tree, and the women veil their faces before it. They cannot explain this sentiment, which is probably due to some forgotten belief of the nature of totemism. To kill a cow or a cat intentionally involves permanent exclusion from the caste, while the slaughter of a squirrel, dog, horse, buffalo or monkey is punished by temporary exclusion, it being equally sinful to allow any of these animals to die with a rope round its neck. The Naodas eat the flesh of pigs and fowls, but they occupy a fairly good social position and Brahmans will take water from their hands.
Nat
List of Paragraphs
1. The Nats not a proper caste. 2. Muhammadan Nats. 3. Social customs of the Nats. Their low status. 4. Acrobatic performances. 5. Sliding or walking on ropes as a charm for the crops. 6. Snake-charmers.
1. The Nats not a proper caste
Nat, [337] Badi, Dang-Charha, Karnati, Bazigar, Sapera.--The term Nat (Sanskrit Nata--a dancer) appears to be applied indefinitely to a number of groups of vagrant acrobats and showmen, especially those who make it their business to do feats on the tight-rope or with poles, and those who train and exhibit snakes. Badi and Bazigar mean a rope-walker, Dang-Charha a rope-climber, and Sapera a snake-charmer. In the Central Provinces the Garudis or snake-charmers, and the Kolhatis, a class of gipsy acrobats akin to the Berias, are also known as Nat, and these are treated in separate articles. It is almost certain that a considerable section, if not the majority, of the Nats really belong to the Kanjar or Beria gipsy castes, who themselves maybe sprung from the Doms. [338] Sir D. Ibbetson says: "They wander about with their families, settling for a few days or weeks at a time in the vicinity of large villages or towns, and constructing temporary shelters of grass. In addition to practising acrobatic feats and conjuring of a low class, they make articles of grass, straw and reeds for sale; and in the centre of the Punjab are said to act as Mirasis, though this is perhaps doubtful. They often practise surgery and physic in a small way and are not free from suspicion of sorcery." [339] This account would just as well apply to the Kanjar gipsies, and the Nat women sometimes do tattooing like Kanjar or Beria women. In Jubbulpore also the caste is known as Nat Beria, indicating that the Nats there are probably derived from the Beria caste. Similarly Sir H. Risley gives Bazigar and Kabutari as groups of the Berias of Bengal, and states that these are closely akin to the Nats and Kanjars of Hindustan. [340] An old account of the Nats or Bazigars [341] would equally well apply to the Kanjars; and in Mr. Crooke's detailed article on the Nats several connecting links are noticed. The Nat women are sometimes known as Kabutari or pigeon, either because their acrobatic feats are like the flight of the tumbler pigeon, or on account of the flirting manner with which they attract their male customers. [342] In the Central Provinces the women of the small Gopal caste of acrobats are called Kabutari, and this further supports the hypothesis that Nat is rather an occupational term than the name of a distinct caste, though it is quite likely that there may be Nats who have no other caste. The Badi or rope-dancer group again is an offshoot of the Gond tribe, at least in the tracts adjoining the Central Provinces. They have Gond septs as Marai, Netam, Wika, [343] and they have the damru or drum used by the Gaurias or snake-charmers and jugglers of Chhattisgarh, who are also derived from the Gonds. The Chhattisgarhi Dang-Charhas are Gonds who say they formerly belonged to Panna State and were supported by Raja Aman Singh of Panna, a great patron of their art. They sing a song lamenting his death in the flower of his youth. The Karnatis or Karnataks are a class of Nats who are supposed to have come from the Carnatic. Mr. Crooke notes that they will eat the leavings of all high castes, and are hence known as Khushhaliya or 'Those in prosperous circumstances.' [344]
2. Muhammadan Nats
One division of the Nats are Muhammadans and seem to be to some extent a distinctive group. They have seven gotras--Chicharia, Damaria, Dhalbalki, Purbia, Dhondabalki, Karimki and Kalasia. They worship two Birs or spirits, Halaila Bir and Sheikh Saddu, to whom they sacrifice fowls in the months of Bhadon (August) and Baisakh (April). Hindus of any caste are freely admitted into their community, and they can marry Hindu girls.
3. Social customs of the Nats. Their low status
Generally the customs of the Nats show them to be the dregs of the population. There is no offence which entails permanent expulsion from caste. They will eat any kind of food including snakes, crocodiles and rats, and also take food from the hands of any caste, even it is said from sweepers. It is not reported that they prostitute their women, but there is little doubt that this is the case; in the Punjab [345] when a Nat woman marries, the first child is either given to the grandmother as compensation for the loss of the mother's gains as a prostitute, or is redeemed by a payment of Rs. 30. Among the Chhattisgarhi Dang-Charhas a bride-price of Rs. 40 is paid, of which the girl's father only keeps ten, and the remaining sum of Rs. 30 is expended on a feast to the caste. Some of the Nats have taken to cultivation and become much more respectable, eschewing the flesh of unclean animals. Another group of the caste keep trained dogs and hunt the wild pig with spears like the Kolhatis of Berar. The villagers readily pay for their services in order to get the pig destroyed, and they sell the flesh to the Gonds and lower castes of Hindus. Others hunt jackals with dogs in the same manner. They eat the flesh of the jackals and dispose of any surplus to the Gonds, who also eat it. The Nats worship Devi and also Hanuman, the monkey god, on account of the acrobatic powers of monkeys. But in Bombay they say that their favourite and only living gods are their bread-winners and averters of hunger, the drum, the rope and the balancing-pole. [346]
4. Acrobatic performances
The tight-rope is stretched between two pairs of bamboos, each pair being fixed obliquely in the ground and crossing each other at the top so as to form a socket over which the rope passes. The ends of the rope are taken over the crossed bamboos and firmly secured to the ground by heavy pegs. The performer takes another balancing-pole in his hands and walks along the rope between the poles which are about 12 feet high. Another man beats a drum, and a third stands under the rope singing the performer's praises and giving him encouragement. After this the performer ties two sets of cow or buffalo horns to his feet, which are secured to the back of the skulls so that the flat front between the horns rests on the rope, and with these he walks over the rope, holding the balancing-rod in his hands and descends again. Finally he takes a brass plate and a cloth and again ascends the rope. He places the plate on the rope and folds the cloth over it to make a pad. He then stands on his head on the pad with his feet in the air and holds the balancing-rod in his hands; two strings are tied to the end of this rod and the other ends of the strings are held by the man underneath. With the assistance of the balancing-rod the performer then jerks the plate along the rope with his head, his feet being in the air, until he arrives at the end and finally descends again. This usually concludes the performance, which demands a high degree of skill. Women occasionally, though rarely, do the same feats. Another class of Nats walk on high stilts and the women show their confidence by dancing and singing under them. A saying about the Nats is: Nat ka bachcha to kalabazi hi karega; or 'The rope-dancer's son is always turning somersaults.' [347]
5. Sliding or walking on ropes as a charm for the crops
The feats of the Nats as tight-rope walkers used apparently to make a considerable impression on the minds of the people, as it is not uncommon to find a deified Nat, called Nat Baba or Father Nat, as a village god. A Natni or Nat woman is also sometimes worshipped, and where two sharp peaks of hills are situated close to each other, it is related that in former times there was a Natni, very skilful on the tight-rope, who performed before the king; and he promised her that if she would stretch a rope from the peak of one hill to that of the other and walk across it he would marry her and make her wealthy. Accordingly the rope was stretched, but the queen from jealousy went and cut it half through in the night, and when the Natni started to walk the rope broke and she fell down and was killed. She was therefore deified and worshipped. It is probable that this legend recalls some rite in which the Nat was employed to walk on a tight-rope for the benefit of the crops, and, if he failed, was killed as a sacrifice; for the following passage taken from Traill's account of Kumaon [348] seems clearly to refer to some such rite:
"Drought, want of fertility in the soil, murrain in cattle, and other calamities incident to husbandry are here invariably ascribed to the wrath of particular gods, to appease which recourse is had to various ceremonies. In the Kumaon District offerings and singing and dancing are resorted to on such occasions. In Garhwal the measures pursued with the same view are of a peculiar nature, deserving of more particular notice. In villages dedicated to the protection of Mahadeva propitiatory festivals are held in his honour. At these Badis or rope-dancers are engaged to perform on the tight-rope, and slide down an inclined rope stretched from the summit of a cliff to the valley beneath and made fast to posts driven into the ground. The Badi sits astride on a wooden saddle, to which he is tied by thongs; the saddle is similarly secured to the bast or sliding cable, along which it runs, by means of a deep groove; sandbags are tied to the Badi's feet sufficient to secure his balance, and he is then, after various ceremonies and the sacrifice of a kid, started off; the velocity of his descent is very great, and the saddle, however well greased, emits a volume of smoke throughout the greater part of his progress. The length and inclination of the bast necessarily vary with the nature of the cliff, but as the Badi is remunerated at the rate of a rupee for every hundred cubits, hence termed a tola, a correct measurement always takes place; the longest bast which has fallen within my observation has been twenty-one tolas, or 2100 cubits in length. From the precautions taken as above mentioned the only danger to be apprehended by the Badi is from breaking of the rope, to provide against which the latter, commonly from one and a half to two inches in diameter, is made wholly by his own hand; the material used is the bhabar grass. Formerly, if a Badi fell to the ground in his course, he was immediately despatched with a sword by the surrounding spectators, but this practice is now, of course, prohibited. No fatal accident has occurred from the performance of this ceremony since 1815, though it is probably celebrated at not less than fifty villages in each year. After the completion of the sliding, the bast or rope is cut up and distributed among the inhabitants of the village, who hang the pieces as charms on the eaves of their houses. The hair of the Badi is also taken and preserved as possessing similar virtues. He being thus made the organ to obtain fertility for the lands of others, the Badi is supposed to entail sterility on his own; and it is firmly believed that no grain sown with his hand can ever vegetate. Each District has its hereditary Badi, who is supported by annual contributions of grain from the inhabitants." It is not improbable that the performance of the Nat is a reminiscence of a period when human victims were sacrificed for the crops, this being a common practice among primitive peoples, as shown by Sir J.G. Frazer in Attis, Adonis, Osiris. Similarly the spirits of Nats which are revered in the Central Provinces may really be those of victims killed during the performance of some charm for the good of the crops, akin to that still prevalent in the Himalayas. The custom of making the Nat slide down a rope is of the same character as that of swinging a man in the air by a hook secured in his flesh, which was formerly common in these Provinces. But in both cases the meaning of the rite is obscure.
6. Snake-charmers
The groups who practise snake-charming are known as Sapera or Garudi and in the Maratha Districts as Madari. Another name for them is Nag-Nathi, or one who seizes a cobra. They keep cobras, pythons, scorpions, and the iguana or large lizard, which they consider to be poisonous. Some of them when engaged with their snakes wear two pieces of tiger-skin on their back and chest, and a cap of tiger-skin in which they fix the eyes of various birds. They have a hollow gourd on which they produce a kind of music and this is supposed to charm the snakes. When catching a cobra they pin its head to the ground with a stick and then seize it in a cleft bamboo and prick out the poison-fangs with a large needle. They think that the teeth of the iguana are also poisonous and they knock them out with a stick, and if fresh teeth afterwards grow they believe them not to contain poison. The python is called Ajgar, which is said to mean eater of goats. In captivity the pythons will not eat of themselves, and the snake-charmers chop up pieces of meat and fowls and placing the food in the reptile's mouth massage it down the body. They feed the pythons only once in four or five days. They have antidotes for snake-bite, the root of a creeper called kalipar and the bark of the karheya tree. When a patient is brought to them they give him a little pepper, and if he tastes the pungent flavour they think that he has not been affected by snake-poison, but if it seems tasteless that he has been bitten. Then they give him small pieces of the two antidotes already mentioned with tobacco and 2 1/2 leaves of the nim tree [349] which is sacred to Devi. On the festival of Nag-Panchmi (Cobra's Fifth) they worship their cobras and give them milk to drink and then take them round the town or village and the people also worship and feed the snakes and give a present of a few annas to the Sapera. In towns much frequented by cobras, a special adoration is paid to them. Thus in Hatta in the Damoh District a stone image of a snake, known as Nag-Baba or Father Cobra is worshipped for a month before the festival of Nag-Panchmi. During this period one man from every house in the village must go to Nag-Baba's shrine outside and take food there and come back. And on Nag-Panchmi the whole town goes out in a body to pay him reverence, and it is thought that if any one is absent the cobras will harass him for the whole year. But others say that cobras will only bite men of low caste. The Saperas will not kill a snake as a rule, but occasionally it is said that they kill one and cut off the head and eat the body, this being possibly an instance of eating the divine animal at a sacrificial meal. The following is an old account of the performances of snake-charmers in Bengal: [350]
"Hence, on many occasions throughout the year, the dread Manasa Devi, the queen of snakes, is propitiated by presents, vows and religious rites. In the month of Shrabana the worship of the snake goddess is celebrated with great éclat. An image of the goddess, seated on a water-lily, encircled with serpents, or a branch of the snake-tree (a species of Euphorbia), or a pot of water, with images of serpents made of clay, forms the object of worship. Men, women and children, all offer presents to avert from themselves the wrath of the terrific deity. The Mals or snake-catchers signalise themselves on this occasion. Temporary scaffolds of bamboo work are set up in the presence of the goddess. Vessels filled with all sorts of snakes are brought in. The Mals, often reeling with intoxication, mount the scaffolds, take out serpents from the vessels, and allow them to bite their arms. Bite after bite succeeds; the arms run with blood; and the Mals go on with their pranks, amid the deafening plaudits of the spectators. Now and then they fall off from the scaffold and pretend to feel the effects of poison, and cure themselves by their incantations. But all is mere pretence. The serpents displayed on the occasion and challenged to do their worst, have passed through a preparatory state. Their fangs have been carefully extracted from their jaws. But most of the vulgar spectators easily persuade themselves to believe that the Mals are the chosen servants of Siva and the favourites of Manasa. Although their supernatural pretensions are ridiculous, yet it must be confessed that the Mals have made snakes the subject of their peculiar study. They are thoroughly acquainted with their qualities, their dispositions, and their habits. They will run down a snake into its hole, and bring it out thence by main force. Even the terrible cobra is cowed down by the controlling influence of a Mal. When in the act of bringing out snakes from their subterranean holes, the Mals are in the habit of muttering charms, in which the names of Manasa and Mahadeva frequently occur; superstition alone can clothe these unmeaning words with supernatural potency. But it is not inconsistent with the soundest philosophy to suppose that there may be some plants whose roots are disagreeable to serpents, and from which they instinctively turn away. All snake-catchers of Bengal are provided with a bundle of the roots of some plant which they carefully carry along with them, when they set out on their serpent-hunting expeditions. When a serpent, disturbed in its hole, comes out furiously hissing with rage, with its body coiled, and its head lifted up, the Mal has only to present before it the bundle of roots above alluded to, at the sight of which it becomes spiritless as an eel. This we have ourselves witnessed more than once."
These Mals appear to have been members of the aboriginal Male or Male Paharia tribe of Bengal.
Nunia
Nunia, Lunia. [351]--A mixed occupational caste of salt-makers and earth-workers, made up of recruits from the different non-Aryan tribes of northern India. The word non means salt, and is a corruption of the Sanskrit lavana, 'the moist,' which first occurs as a name for sea-salt in the Atharva Veda. [352] In the oldest prose writings salt is known as Saindhava or 'that which is brought from the Indus,' this perhaps being Punjab rock-salt. The Nunias are a fairly large caste in Bengal and northern India, numbering 800,000 persons, but the Central Provinces and Berar contain only 3000, who are immigrants from Upper India. Here they are navvies and masons, a calling which they have generally adopted since the Government monopoly has interfered with their proper business of salt-refining. The mixed origin of the caste is shown by the list of their subdivisions in the United Provinces, which includes the names Mallah, Kewat, Kuchbandhia, Bind, Musahar, Bhuinhar and Lodha, all of which are distinct castes, besides a number of territorial subcastes. A list of nearly thirty subcastes is given by Mr. Crooke, and this is an instance of the tendency of migratory castes to split up into small groups for the purpose of arranging marriages, owing to the difficulty of ascertaining the status and respectability of each other's families, and the unwillingness to contract alliances with those whose social position may turn out to be not wholly satisfactory. "The internal structure of the caste," Mr. Crooke remarks, "is far from clear; it would appear that they are still in a state of transition, and the different endogamous subcastes are not as yet fully recognised." In Bilaspur the Nunias have three local subcastes, the Bandhaiya, the Ratanpuria and the Kharodhia. The two last, deriving their names from the towns of Ratanpur and Kharod in Bilaspur, are said to have been employed in former times in the construction of the temples and other buildings which abound in these localities, and have thus acquired a considerable degree of professional skill in masonry work; while the Bandhaiya, who take their name from Bandhogarh, confine themselves to the excavation of tanks and wells. The exogamous divisions of the caste are also by no means clearly defined; in Mirzapur they have a system of local subdivisions called dih, each subdivision being named after the village which is supposed to be its home. The word dih itself means a site or village. Those who have a common dih do not intermarry. [353] This fact is interesting as being an instance of the direct derivation of the exogamous clan from residence in a parent village and not from any heroic or supposititious ancestor.
The caste have a legend which shows their mixed origin. Some centuries ago, they say, a marriage procession consisting of Brahmans, Rajputs, Banias and Gosains went to a place near Ajodhya. After the ceremony was over the bride, on being taken to the bridegroom's lodging, scraped up a little earth with her fingers and put it in her mouth. She found it had a saltish taste, and spat it out on the ground, and this enraged the tutelary goddess of the village, who considered herself insulted, and swore that all the bride's descendants should excavate salt in atonement; and thus the caste arose.
In Bilaspur the caste permit a girl to be married to a boy younger than herself. A price of five rupees has to be paid for the bride, unless her family give a girl in exchange. The bridegroom is taken to the wedding in a palanquin borne by Mahars. After its conclusion the couple are carried back in the litter for some distance, after which the bridegroom gets out and walks or rides. When he goes to fetch his wife on her coming of age the bridegroom wears white clothes, which is rather peculiar, as white is not a lucky colour among the Hindus. The Nunias employ Brahmans at their ceremonies, and they have a caste panchayat or committee, whose headman is known as Kurha. The Bilaspur section of the caste has two Kurhas. Here Brahmans take water from them, but not in all places. They consider their traditional occupation to have been the extraction of salt and saltpetre from saline earth. At present they are generally employed in the excavation of tanks and the embankment of fields, and they also sink wells, build and erect houses, and undertake all kinds of agricultural labour.
Ojha
Ojha.--The community of soothsayers and minstrels of the Gonds. The Ojhas may now be considered a distinct subtribe, as they are looked down upon by the Gonds and marry among themselves. They derive their name from the word ojh meaning 'entrail,' their original duty having been, like that of the Roman augurs, to examine the entrails of the victim immediately after it had been slain as an offering to the gods. In 1911 the Ojhas numbered about 5000 persons distributed over all Districts of the Central Provinces. At present the bulk of the community subsist by beggary. The word Ojha is of Sanskrit and not of Gond origin and is applied by the Hindus to the seers or magicians of several of the primitive tribes, while there is also a class of Ojha Brahmans who practise magic and divination. The Gond Ojhas, who are the subject of this article, originally served the Gonds and begged from them alone, but in some parts of the western Satpuras they are also the minstrels of the Korkus. Those who beg from the Korkus play on a kind of drum called dhank while the Gond Ojhas use the kingri or lyre. Some of them also catch birds and are therefore known as Moghia. Mr. Hislop [354] remarks of them: "The Ojhas follow the two occupations of bard and fowler. They lead a wandering life and when passing through villages they sing from house to house the praises of their heroes, dancing with castanets in their hands, bells at their ankles and long feathers of jungle birds in their turbans. They sell live quails and the skins of a species of Buceros named Dhan-chiria; these are used for making caps and for hanging up in houses in order to secure wealth (dhan), while the thigh-bones of the same bird when fastened round the waists of children are deemed an infallible preservative against the assaults of devils and other such calamities. Their wives tattoo the arms of Hindu and Gond women. Among them there is a subdivision known as the Mana Ojhas, who rank higher than the others. Laying claim to unusual sanctity, they refuse to eat with any one, Gonds, Rajputs or even Brahmans, and devote themselves to the manufacture of rings and bells which are in request among their own race, and even of lingas (phallic emblems) and nandis (bull images), which they sell to all ranks of the Hindu community. Their wives are distinguished by wearing the cloth of the upper part of the body over the right shoulder, whereas those of the common Ojhas and of all the other Gonds wear it over the left."
Mr. Tawney wrote of the Ojhas as follows: [355] "The Ojha women do not dance. It is only men who do so, and when thus engaged they put on special attire and wear anklets with bells. The Ojhas like the Gonds are divided into six or seven god gots (classes or septs), and those with the same number of gods cannot intermarry. They worship at the same Deokhala (god's threshing-floor) as the Gonds, but being regarded as an inferior caste they are not allowed so near the sacred presence. Like the Gonds they incorporate the spirits of the dead with the gods, but their manner of doing so is somewhat different, as they make an image of brass to represent the soul of the deceased and keep this with the household gods. As with the Gonds, if a household god makes himself too objectionable he is quietly buried to keep him out of mischief and a new god is introduced into the family. The latter should properly bear the same name as his degraded predecessor, but very often does not. The Ojhas are too poor to indulge in the luxury of burning their deceased friends and therefore invariably bury them."
The customs of the Ojhas resemble those of the Gonds. They take the bride to the bridegroom's house to be married, and a widow among them is expected, though not obliged, to wed her late husband's younger brother. They eat the flesh of fowls, pigs, and even oxen, but abstain from that of monkeys, crocodiles and jackals. They will not touch an ass, a cat or a dog, and consider it sinful to kill animals which bark or bray.
They will take food from the hands of all except the most impure castes, and will admit into the community any man who has taken an Ojha woman to live with him, even though he be a sweeper, provided that he will submit to the prescribed test of begging from the houses of five Gonds and eating the leavings of food of the other Ojhas. They will pardon the transgression of one of their women with an outsider of any caste whatever, if she is able and willing to provide the usual penalty feast. They have no sutak or period of impurity after a death, but merely take a mouthful of liquor and consider themselves clean. In physical appearance the Ojhas resemble the Gonds but are less robust. They rank below the Gonds and are considered as impure by the Hindu castes. In 1865, an Ojha held a village in Hoshangabad District which he had obtained as follows: [356] "He was singing and dancing before Raja Raghuji, when the Raja said he would give a rent-free village to any one who would pick up and chew a quid of betel-leaf which he (the Raja) had had in his mouth and had spat out. The Ojha did this and got the village."
The Maithil or Tirhut Brahmans who are especially learned in Tantric magic are also sometimes known as Ojha, and a family bearing this title were formerly in the service of the Gond kings of Mandla. They do not now admit that they acted as augurs or soothsayers, but state that their business was to pray continuously for the king's success when he was engaged in any battle, and to sit outside the rooms of sick persons repeating the sacred Gayatri verse for their recovery. This is often repeated ten times, counting by a special method on the joints of the fingers and is then known as Jap. When it is repeated a larger number of times, as 54 or 108, a rosary is used.
Oraon
[Authorities: The most complete account of the Oraons is a monograph entitled, The Religion and Customs of the Oraons, by the late Rev. Father P. Dehon, published in 1906 in the Memoirs of the Asiatic Society of Bengal, vol. i. No. 9. The tribe is also described at length by Colonel Dalton in The Ethnography of Bengal, and an article on it is included in Mr. (Sir H.) Risley's Tribes and Castes of Bengal. References to the Oraons are contained in Mr. Bradley-Birt's Chota Nagpur, and Mr. Ball's Jungle Life in India. The Kurukh language is treated by Dr. Grierson in the volume of the Linguistic Survey on Munda and Dravidian Languages. The following article is principally made up of extracts from the accounts of Father Dehon and Colonel Dalton. Papers have also been received from Mr. Hira Lal, Mr. Balaram Nand, Deputy Inspector of Schools, Sambalpur, Mr. Jeorakhan Lal, Deputy Inspector of Schools, Bilaspur, and Munshi Kanhya Lal of the Gazetteer Office.]
List of Paragraphs
1. General notice. 2. Settlement in Chota Nagpur. 3. Subdivisions. 4. Pre-nuptial licence. 5. Betrothal. 6. Marriage ceremony. 7. Special customs. 8. Widow-remarriage and divorce. 9. Customs at birth. 10. Naming a child. 11. Branding and tattooing. 12. Dormitory discipline. 13. Disposal of the dead. 14. Worship of ancestors. 15. Religion. The supreme deity. 16. Minor godlings. 17. Human sacrifice. 18. Christianity. 19. Festivals. The Karma or May-day. 20. The Sal flower festival. 21. The harvest festival. 22. Fast for the crops. 23. Physical appearance and costume of the Oraons. 24. Dress of women. 25. Dances. 26. Social customs. 27. Social rules. 28. Character. 29. Language.
1. General notice
Oraon, Uraon, Kurukh, Dhangar, Kuda, Kisan.--The Oraons are an important Dravidian tribe of the Chota Nagpur plateau, numbering altogether about 750,000 persons, of whom 85,000 now belong to the Central Provinces, being residents of the Jashpur and Sarguja States and the neighbouring tracts. They are commonly known in the Central Provinces as Dhangar or Dhangar-Oraon. In Chota Nagpur the word Dhangar means a farmservant engaged according to a special customary contract, and it has come to be applied to the Oraons, who are commonly employed in this capacity. Kuda means a digger or navvy in Uriya, and enquiries made by Mr. B.C. Mazumdar and Mr. Hira Lal have demonstrated that the 18,000 persons returned under this designation from Raigarh and Sambalpur in 1901 were really Oraons. The same remark applies to 33,000 persons returned from Sambalpur as Kisan or cultivator, these also being members of the tribe. The name by which the Oraons know themselves is Kurukh or Kurunkh, and the designation of Oraon or Orao has been applied to them by outsiders. The meaning of both names is obscure. Dr. Halm [357] was of opinion that the word kurukh might be identified with the Kolarian horo, man, and explained the term Oraon as the totem of one of the septs into which the Kurukhs were divided. According to him Oraon was a name coined by the Hindus, its base being orgoran, hawk or cunny bird, used as the name of a totemistic sept. Sir G. Grierson, however, suggested a connection with the Kaikari, urupai, man; Burgandi urapo, man; urang, men. The Kaikaris are a Telugu caste, and as the Oraons are believed to have come from the south of India, this derivation sounds plausible. In a similar way Sir. G. Grierson states, Kurukh may be connected with Tamil kurugu, an eagle, and be the name of a totemistic clan. Compare also names, such as Korava, Kurru, a dialect of Tamil, and Kudagu. In the Nerbudda valley the farmservant who pours the seed through the tube of the sowing-plough is known as Oraya; this word is probably derived from the verb urna to pour, and means 'one who pours.' Since the principal characteristic of the Oraons among the Hindus is their universal employment as farmservants and labourers, it may be suggested that the name is derived from this term. Of the other names by which they are known to outsiders Dhangar means a farmservant, Kuda a digger, and Kisan a cultivator. The name Oraon and its variant Orao is very close to Oraya, which, as already seen, means a farmservant. The nasal seems to be often added or omitted in this part of the country, as Kurukh or Kurunkh.
2. Settlement in Chota Nagpur
According to their own traditions, Mr. Gait writes, [358] "The Kurukh tribe originally lived in the Carnatic, whence they went up the Nerbudda river and settled in Bihar on the banks of the Son. Driven out by the Muhammadans, the tribe split into two divisions, one of which followed the course of the Ganges and finally settled in the Rajmahal hills: while the other went up the Son and occupied the north-western portion of the Chota Nagpur plateau, where many of the villages they occupy are still known by Mundari names. The latter were the ancestors of the Oraons or Kurukhs, while the former were the progenitors of the Male or Saonria as they often call themselves." Towards Lohardaga the Oraons found themselves among the Mundas or Kols, who probably retired by degrees and left them in possession of the country. "The Oraons," Father Dehon states, "are an exceedingly prolific tribe and soon become the preponderant element, while the Mundas, being conservative and averse to living among strangers, emigrate towards another jungle. The Mundas hate zamindars, and whenever they can do so, prefer to live in a retired corner in full possession of their small holding; and it is not at all improbable that, as the zamindars took possession of the newly-formed villages, they retired towards the east, while the Oraons, being good beasts of burden and more accustomed to subjection, remained." In view of the fine physique and martial character of the Larka or Fighting Kols or Mundas, Dalton was sceptical of the theory that they could ever have retired before the Oraons; but in addition to the fact that many villages in which Oraons now live have Mundari names, it may be noted that the headman of an Oraon village is termed Munda and is considered to be descended from its founder, while for the Pahan or priest of the village gods, the Oraons always employ a Munda if available, and it is one of the Pahan's duties to point out the boundary of the village in cases of dispute; this is a function regularly assigned to the earliest residents, and seems to be strong evidence that the Oraons found the Mundas settled in Chota Nagpur when they arrived there. It is not necessary to suppose that any conquest or forcible expropriation took place; and it is probable that, as the country was opened up, the Mundas by preference retired to the wilder forest tracts, just as in the Central Provinces the Korkus and Baigas gave way to the Gonds, and the Gonds themselves relinquished the open country to the Hindus. None of the writers quoted notice the name Munda as applied to the headman of an Oraon village, but it can hardly be doubted that it is connected with that of the tribe; and it would be interesting also to know whether the Pahan or village priest takes his name from the Pans or Gandas. Dalton says that the Pans are domesticated as essential constituents of every Ho or Kol village community, but does not allude to their presence among the Oraons. The custom in the Central Provinces, by which in Gond villages the village priest is always known as Baiga, because in some localities members of the Baiga tribe are commonly employed in the office, suggests the hypothesis of a similar usage here. In villages first settled by Oraons, the population, Father Dehon states, is divided into three khunts or branches, named after the Munda, Pahan and Mahto, the founders of the three branches being held to have been sons of the first settler. Members of each branch belong therefore to the same sept or got. Each khunt has a share of the village lands.
3. Subdivisions
The Oraons have no proper subcastes in the Central Provinces, but the Kudas and Kisans, having a distinctive name and occupation, sometimes regard themselves as separate bodies and decline intermarriage with other Oraons. In Bengal Sir H. Risley gives five divisions, Barga, Dhanka, Kharia, Khendro and Munda; of these Kharia and Munda are the names of other tribes, and Dhanka may be a variant for Dhangar. The names show that as usual with the tribes of this part of the country the law of endogamy is by no means strict. The tribe have also a large number of exogamous septs of the totemistic type, named after plants and animals. Members of any sept commonly abstain from killing or eating their sept totem. A man must not marry a member of his own sept nor a first cousin on the mother's side.
4. Pre-nuptial licence
Marriage is adult and pre-nuptial unchastity appears to be tacitly recognised. Oraon villages have the institution of the Dhumkuria or Bachelors' dormitory, which Dalton describes as follows: [359] "In all the older Oraon villages when there is any conservation of ancient customs, there is a house called the Dhumkuria in which all the bachelors of the village must sleep under penalty of a fine. The huts of the Oraons have insufficient accommodation for a family, so that separate quarters for the young men are a necessity. The same remark applies to the young unmarried women, and it is a fact that they do not sleep in the house with their parents. They are generally frank enough when questioned about their habits, but on this subject there is always a certain amount of reticence, and I have seen girls quietly withdraw when it was mooted. I am told that in some villages a separate building is provided for them like the Dhumkuria, in which they consort under the guardianship of an elderly duenna, but I believe the more common practice is to distribute them among the houses of the widows, and this is what the girls themselves assert, if they answer at all when the question is asked; but however billeted, it is well known that they often find their way to the bachelors' hall, and in some villages actually sleep there. I not long ago saw a Dhumkuria in a Sarguja village in which the boys and girls all slept every night." Colonel Dalton considered it uncertain that the practice led to actual immorality, but the fact can hardly be doubted. Sexual intercourse before marriage, Sir H. Risley says, is tacitly recognised, and is so generally practised that in the opinion of the best observers no Oraon girl is a virgin at the time of her marriage. "To call this state of things immoral is to apply a modern conception to primitive habits of life. Within the tribe, indeed, the idea of sexual morality seems hardly to exist, and the unmarried Oraons are not far removed from the condition of modified promiscuity which prevails among many of the Australian tribes. Provided that the exogamous circle defined by the totem is respected, an unmarried woman may bestow her favours on whom she will. If, however, she becomes pregnant, arrangements are made to get her married without delay, and she is then expected to lead a virtuous life." [360] According to Dalton, however, liaisons between boys and girls of the same village seldom end in marriage, as it is considered more respectable to bring home a bride from a distance. This appears to arise from the primitive rule of exogamy that marriage should not be allowed between those who have been brought up together. The young men can choose for themselves, and at dances, festivals and other social gatherings they freely woo their sweethearts, giving them flowers for the hair and presents of grilled field-mice, which the Oraons consider to be the most delicate of food. Father Dehon, however, states that matches are arranged by the parents, and the bride and bridegroom have nothing to say in the matter. Boys are usually married at sixteen and girls at fourteen or fifteen. The girls thus have only about two years of preliminary flirtation or Dhumkuria life before they are settled.
5. Betrothal
The first ceremony for a marriage is known as pan bandhi or the settling of the price; for which the boy's father, accompanied by some men of his village to represent the panch or elders, goes to the girl's house. Father Dehon states that the bride-price is five rupees and four maunds of grain. When this has been settled the rejoicings begin. "All the people of the village are invited; two boys come and anoint the visitors with oil. From every house of the village that can afford it a handia or pot of rice-beer is brought, and they drink together and make merry. All this time the girl has been kept inside, but now she suddenly sallies forth carrying a handia on her head. A murmur of admiration greets her when stepping through the crowd she comes and stands in front of her future father-in-law, who at once takes the handia from her head, embraces her, and gives her one rupee. From that time during the whole of the feast the girl remains sitting at the feet of her father-in-law. The whole party meanwhile continue drinking and talking; and voices rise so high that they cannot hear one another. As a diversion the old women of the village all come tumbling in, very drunk and wearing fantastic hats made of leaves, gesticulating like devils and carrying a straw manikin representing the bridegroom. They all look like old witches, and in their drunken state are very mischievous."
6. Marriage ceremony
The marriage takes place after about two years, visits being exchanged twice a year in the meantime. When the day comes the bridegroom proceeds with a large party of his friends, male and female, to the bride's house. Most of the males have warlike weapons, real or sham, and as they approach the village of the bride's family the young men from thence emerge, also armed, as if to repel the invasion, and a mimic fight ensues, which like a dissolving view blends pleasantly into a dance. In this the bride and bridegroom join, each riding on the hips of one of their friends. After this they have a feast till late in the night. Next morning bread cooked by the bride's mother is taken to the dari or village spring, where all the women partake of it. When they have finished they bring a vessel of water with some leaves of the mango tree in it. Meanwhile the bride and bridegroom are in the house, being anointed with oil and turmeric by their respective sisters. When everybody has gathered under the marriage-bower the boy and girl are brought out of the house and a heap is made of a plough-yoke, a bundle of thatching-grass and a curry-stone. The bride and bridegroom are made to stand on the curry-stone, the boy touching the heels of the bride with his toes, and a long piece of cloth is put round them to screen them from the public. Only their heads and feet can be seen. A goblet full of vermilion is presented to the boy, who dips his finger in it and makes three lines on the forehead of the girl; and the girl does the same to the boy, but as she has to reach him over her shoulder and cannot see him, the boy gets it anywhere, on his face, which never fails to provoke hearty bursts of laughter. "When this is complete," Dalton states, "a gun is fired and then by some arrangement vessels full of water, placed over the bower, are upset, and the young couple and those near them receive a drenching shower-bath, the women shouting, 'The marriage is done, the marriage is done.' They now retire into an apartment prepared for them, ostensibly to change their clothes, but they do not emerge for some time, and when they do appear they are saluted as man and wife."
7. Special Customs
Meanwhile the guests sit round drinking handias or earthen pots full of rice-beer. The bride and bridegroom come out and retire a second time and are called out for the following rite. A vessel of beer is brought and the bride carries a cupful of it to the bridegroom's brother, but instead of giving it into his hand she deposits it on the ground in front of him. This is to seal a kind of tacit agreement that from that time the bridegroom's brother will not touch his sister-in-law, and was probably instituted to mark the abolition of the former system of fraternal polyandry, customs of an analogous nature being found among the Khonds and Korkus. "Then," Father Dehon continues, "comes the last ceremony, which is called khiritengna handia or the handia of the story, and is considered by the Oraons to be the true form of marriage which has been handed down to them by their forefathers. The boy and girl sit together before the people, and one of the elder men present rises and addressing the boy says: 'If your wife goes to fetch sag and falls from a tree and breaks her leg, do not say that she is disfigured or crippled. You will have to keep and feed her.' Then turning to the girl: 'When your husband goes hunting, if his arm or leg is broken, do not say, "He is a cripple, I won't live with him." Do not say that, for you have to remain with him. If you prepare meat, give two shares to him and keep only one for yourself. If you prepare vegetables, give him two parts and keep only one part for yourself. If he gets sick and cannot go out, do not say that he is dirty, but clean his mat and wash him.' A feast follows, and at night the girl is brought to the boy by her mother, who says to him, 'Now this my child is yours; I do not give her for a few days but for ever; take care of her and love her well.' A companion of the bridegroom's then seizes the girl in his arms and carries her inside the house."
8. Widow-remarriage and divorce
It is uncommon for a man to have two wives. Divorce is permitted, and is usually effected by the boy or girl running away to the Duars or Assam. Widow-remarriage is a regular practice. The first time a widow marries again, Father Dehon states, the bridegroom must pay Rs. 3-8 for her; if successive husbands die her price goes down by a rupee on each fresh marriage, so that a fifth husband would pay only eight annas. Cases of adultery are comparatively rare. When offenders are caught a heavy fine is imposed if they are well-to-do, and if they are not, a smaller fine and a beating.
9. Customs at birth
"The Oraons," Father Dehon continues, "are a very prolific race, and whenever they are allowed to live without being too much oppressed they increase prodigiously. What strikes you when you come to an Oraon village is the number of small dirty children playing everywhere, while you can scarcely meet a woman that does not carry a baby on her back. The women seem, to a great extent, to have been exempted from the curse of our first mother: 'Thou shalt bring forth, etc.' They seem to give birth to their children with the greatest ease. There is no period of uncleanness, and the very day after giving birth to a child, you will see the mother with her baby tied up in a cloth on her back and a pitcher on her head going, as if nothing had happened, to the village spring." This practice, it may be remarked in parenthesis, may arise from the former observance of the Couvade, the peculiar custom prevailing among several primitive races, by which, when a child is born, the father lies in the house and pretends to be ill, while the mother gets up immediately and goes about her work. The custom has been reported as existing among the Oraons by one observer from Bilaspur, [361] but so far without confirmation.
10. Naming a child
"A child is named eight or ten days after birth, and on this day some men of the village and the members of the family assemble at the parents' house. Two leaf-cups are brought, one full of water and the other of rice. After a preliminary formula grains of rice are let fall into the cup, first in the name of the child and then successively in those of his ancestors in the following order: paternal grandfather, paternal great-grandfather, father, paternal uncle, maternal grandfather, other relatives. When the grain dropped in the name of any relative meets the first one dropped to represent the child, he is given the name of that relative and is probably considered to be a reincarnation of him."
11. Branding and tattooing
"When a boy is six or seven years old it is time for him to become a member of the Dhumkuria or common dormitory. The eldest boys catch hold of his left arm and, with burning cloth, burn out five deep marks on the lower part of his arm. This is done so that he may be recognised as an Oraon at his death when he goes into the other world." The ceremony was probably the initiation to manhood on arrival at puberty, and resembled those prevalent among the Australian tribes. With this exception men are not tattooed, but this decoration is profusely resorted to by women. They have three parallel vertical lines on the forehead which form a distinctive mark, and other patterns on the arms, chest, knees and ankles. These usually consist of lines vertical and horizontal as shown below:
The marks on the knees are considered to be steps by which the wearer will ascend to heaven after her death. If a baby cries much it is also tattooed on the nose and chin.
12. Dormitory discipline
The Dhumkuria fraternity, Colonel Dalton remarks, are, under the severest penalties, bound down to secrecy in regard to all that takes place in their dormitory; and even girls are punished if they dare to tell tales. They are not allowed to join in the dances till the offence is condoned. They have a regular system of fagging in this curious institution. The small boys serve those of larger growth, shampoo their limbs, comb their hair, and so on, and they are sometimes subjected to severe discipline to make men of them.
13. Disposal of the dead
The Oraons either bury or burn the dead. As the corpse is carried to the grave, beginning from the first crossroads, they sprinkle a line of rice as far as the grave or pyre. This is done so that the soul of the deceased may find its way back to the house. Before the burial or cremation cooked food and some small pieces of money are placed in the mouth of the corpse. They are subsequently, however, removed or recovered from the ashes and taken by the musicians as their fee. Some clothes belonging to the deceased and a vessel with some rice are either burnt with the corpse or placed in the grave. As the grave is being filled in they place a stalk of orai [362] grass vertically on the head of the corpse and gradually draw it upwards as the earth is piled on the grave. They say that this is done in order to leave a passage for the air to pass to the nostrils of the deceased. This is the grass from which reed pens are made, and the stalk is hard and hollow. Afterwards they plant a root of the same grass where the stalk is standing over the head of the corpse. On the tenth day they sacrifice a pig and fowl and bury the legs, tail, ears and nose of the pig in a hole with seven balls of iron dross. They then proceed to the grave scattering a little parched rice all the way along the path. Cooked rice is offered at the grave. If the corpse has been burnt they pick up the bones and place them in a pot, which is brought home and hung up behind the dead man's house. At night-time a relative sits inside the house watching a burning lamp, while some friends go outside the village and make a miniature hut with sticks and grass and set fire to it. They then call out to the dead man, 'Come, your house is being burnt,' and walk home striking a mattock and sickle together. On coming to the house they kick down the matting which covers the doorway; the man inside says, 'Who are you?' and they answer, 'It is we.' They watch the lamp and when the flame wavers they believe it to show that the spirit of the deceased has followed them and has also entered the house. Next day the bones are thrown into a river and the earthen pot broken against a stone.
14. Worship of ancestors
The pitras or ancestors are worshipped at every festival, and when the new rice is reaped a hen is offered to them. They pray to their dead parents to accept the offering and then place a few grains of rice before the hen. If she eats them, it is a sign that the ancestors have accepted the offering and a man kills the hen by crushing its head with his closed fist. This is probably, as remarked by Father Dehon, in recollection of the method employed before the introduction of knives, and the same explanation may be given of the barbaric method of the Baigas of crushing a pig to death by a beam of wood used as a see-saw across its body, and of the Gond bride and bridegroom killing a fowl by treading on it when they first enter their house after the wedding.
15. Religion. The supreme deity
The following account of the tribal religion is abridged from Father Dehon's full and interesting description:
"The Oraons worship a supreme god who is known as Dharmes; him they invoke in their greatest difficulties when recourse to the village priests and magicians has proved useless. Then they turn to Dharmes and say, 'Now we have tried everything, but we have still you who can help us.' They sacrifice to him a white cock. They think that god is too good to punish them, and that they are not answerable to him in any way for their conduct; they believe that everybody will be treated in the same way in the other world. There is no hell for them or place of punishment, but everybody will go to merkha or heaven. The Red Indians speak of the happy hunting-grounds and the Oraons imagine something like the happy ploughing-grounds, where everybody will have plenty of land, plenty of bullocks to plough it with, and plenty of rice-beer to drink after his labour. They look on god as a big zamindar or landowner, who does nothing himself, but keeps a chaprasi as an agent or debt-collector; and they conceive the latter as having all the defects so common to his profession. Baranda, the chaprasi, exacts tribute from them mercilessly, not exactly out of zeal for the service of his master, but out of greed for his talbana or perquisites. When making a sacrifice to Dharmes they pray: 'O god, from to-day do not send any more your chaprasi to punish us. You see we have paid our respects to you, and we are going to give him his dasturi (tip).'
16. Minor godlings
"But in the concerns of this world, to obtain good crops and freedom from sickness, a host of minor deities have to be propitiated. These consist of bhuts or spirits of the household, the sept, the village, and common deities, such as the earth and sun. Chola Pacho or the lady of the grove lives in the sarna or sacred grove, which has been left standing when the forest was cleared. She is credited with the power of giving rain and consequently good crops. Churel is the shade of a woman who has died while pregnant or in childbirth. She hovers over her burial-place and is an object of horror and fright to every passer-by. It is her nature to look out for a companion, and she is said always to choose that member of a family whom she liked best during her lifetime. She will then come at night and embrace him and tickle him under the arms, making him laugh till he dies. Bhula or the wanderers are the shades of persons who have died an unnatural death, either having been murdered, hanged, or killed by a tiger. They all keep the scars of their respective wounds and one can imagine what a weird-looking lot they are. They are always on the move, and are, as it were, the mendicant portion of the invisible community. They are not very powerful and are responsible only for small ailments, like nightmares and slight indispositions. When an Ojha or spirit-raiser discovers that a Bhula has appeared in the light of his lamp he shows a disappointed face, and says: 'Pshaw, only Bhula!' No sacrifice is offered to him, but the Ojha then and there takes a few grains of rice, rubs them in charcoal and throws them at the flame of his lamp, saying, 'Take this, Bhula, and go away.' Murkuri is the thumping bhut. Europeans to show their kindness and familiarity thump people on the back. If this is followed by fever or any kind of sickness it will be ascribed to the passing of Murkuri from the body of the European into the body of the native.
"Chordewa is a witch rather than a bhut. It is believed that some women have the power to change their soul into a black cat, who then goes about in the houses where there are sick people. Such a cat has a peculiar way of mewing, quite different from its brethren, and is easily recognised. It steals quietly into the house, licks the lips of the sick man and eats the food which has been prepared for him. The sick man soon gets worse and dies. They say it is very difficult to catch the cat, as it has all the nimbleness of its nature and the cleverness of a bhut. However, they sometimes succeed, and then something wonderful happens. The woman out of whom the cat has come remains insensible, as it were in a state of temporary death, until the cat re-enters her body. Any wound inflicted on the cat will be inflicted on her; if they cut its ears or break its legs or put out its eyes the woman will suffer the same mutilation. The Oraons say that formerly they used to burn any woman who was suspected of being a Chordewa.
17. Human sacrifice
"There is also Anna Kuari or Mahadhani, who is in our estimation the most cruel and repulsive deity of all, as she requires human sacrifice. Those savage people, who put good crops above everything, look upon her in a different light. She can give good crops and make a man rich, and this covers a multitude of sins. People may be sceptical about it and say that it is impossible that in any part of India under the British Government there should still be human sacrifices. Well, in spite of all the vigilance of the authorities, there are still human sacrifices in Chota Nagpur. As the vigilance of the authorities increases, so also does the carefulness of the Urkas or Otongas increase. They choose for their victims poor waifs or strangers, whose disappearance no one will notice. April and May are the months in which the Urkas are at work. Doisa, Panari, Kukra and Sarguja have a very bad reputation. During these months no strangers will go about the country alone and during that time nowhere will boys and girls be allowed to go to the jungle and graze the cattle for fear of the Urkas. When an Urka has found a victim he cuts his throat and carries away the upper part of the ring finger and the nose. Anna Kuari finds votaries not only among the Oraons, but especially among the big zamindars and Rajas of the Native States. When a man has offered a sacrifice to Anna Kuari she goes and lives in his house in the form of a small child. From that time his fields yield double harvest, and when he brings in his paddy he takes Anna Kuari and rolls her over the heap to double its size. But she soon becomes restless and is only pacified by new human sacrifices. At last after some years she cannot bear remaining in the same house any more and kills every one."
18. Christianity
In Jashpur State where the Oraons number 47,000 about half the total number have become Christians. The non-Christians call themselves Sansar, and the principal difference between them is that the Christians have cut off the pigtail, while the Sansar retain it. In some families the father may be a Sansar and the son a Kiristan, and they live together without any distinction. The Christians belong to the Roman Catholic and Lutheran Missions, but though they all know their Church, they naturally have little or no idea of the distinctions of doctrine.
19. Festivals. The Karma or May-day
The principal festivals are the Sarhul, celebrated when the sal tree [363] flowers, the Karma or May-day when the rice is ready for planting out, and the Kanihari or harvest celebration.
"At the Karma festival a party of young people of both sexes," says Colonel Dalton, "proceed to the forest and cut a young karma tree (Nauclea parvifolia) or the branch of one; they bear this home in triumph and plant it in the centre of the Akhara or wrestling ground. Next morning all may be seen at an early hour in holiday array, the elders in groups under the fine old tamarind trees that surround the Akhara, and the youth of both sexes, arm-linked in a huge circle, dancing round the karma tree, which, festooned with garlands, decorated with strips of coloured cloth and sham bracelets and necklets of plaited straw, and with the bright faces and merry laughter of the young people encircling it, reminds one of the gift-bearing tree so often introduced at our own great festival." The tree, however, probably corresponds to the English Maypole, and the festival celebrates the renewal of vegetation.
20. The sal flower festival
At the Sarhul festival the marriage of the sun-god and earth-mother is celebrated, and this cannot be done till the sal tree gives the flowers for the ceremony. It takes place about the beginning of April on any day when the tree is in flower. A white cock is taken to represent the sun and a black hen the earth; their marriage is celebrated by marking them with vermilion, and they are sacrificed. The villagers then accompany the Pahan or Baiga, the village priest, to the sarna or sacred grove, a remnant of the old sal forest in which is located Sarna Burhi or 'The old women of the grove.' "To this dryad," writes Colonel Dalton, "who is supposed to have great influence over the rain (a superstition not improbably founded on the importance of trees as cloud-compellers), the party offer five fowls, which are afterwards eaten, and the remainder of the day is spent in feasting. They return laden with the flowers of the sal tree, and next morning with the Baiga pay a visit to every house, carrying the flowers. The women of the village all stand on the threshold of their houses, each holding two leaf-cups; one empty to receive the holy water; the other with rice-beer for the Baiga. His reverence stops at each house, and places flowers over it and in the hair of the women. He sprinkles the holy water on the seeds that have been kept for the new year and showers blessings on every house, saying, 'May your rooms and granary be filled with paddy that the Baiga's name may be great.' When this is accomplished the woman throws a vessel of water over his venerable person, heartily dousing the man whom the moment before they were treating with such profound respect. This is no doubt a rain-charm, and is a familiar process. The Baiga is prevented from catching cold by being given the cup of rice-beer and is generally gloriously drunk before he completes his round. There is now a general feast, and afterwards the youth of both sexes, gaily decked with the sal blossoms, the pale cream-white flowers of which make the most becoming of ornaments against their dusky skins and coal-black hair, proceed to the Akhara and dance all night."
21. The harvest festival
The Kanihari, as described by Father Dehon, is held previous to the threshing of the rice, and none is allowed to prepare his threshing-floor until it has been celebrated. It can only take place on a Tuesday. A fowl is sacrificed and its blood sprinkled on the new rice. In the evening a common feast is held at which the Baiga presides, and when this is over they go to the place where Mahadeo is worshipped and the Baiga pours milk over the stone that represents him. The people then dance. Plenty of rice-beer is brought, and a scene of debauchery takes place in which all restraint is put aside. They sing the most obscene songs and give vent to all their passions. On that day no one is responsible for any breach of morality.
22. Fast for the crops
Like other primitive races, and the Hindus generally, the Oraons observe the Lenten fast, as explained by Sir J.G. Frazer, after sowing their crops. Having committed his seed with every propitiatory rite to the bosom of Mother Earth, the savage waits with anxious expectation to see whether she will once again perform on his behalf the yearly miracle of the renewal of vegetation, and the growth of the corn-plants from the seed which the Greeks typified by the descent of Proserpine into Hades for a season of the year and her triumphant re-emergence to the upper air. Meanwhile he fasts and atones for any sin or shortcoming of his which may possibly have offended the goddess and cause her to hold her hand. From the beginning of Asarh (June) the Oraons cease to shave, abstain from eating turmeric, and make no leaf-plates for their food, but eat it straight from the cooking-vessel. This they now say is to prevent the field-mice from consuming the seeds of the rice.
23. Physical appearance and costume of the Oraons
"The colour of most Oraons," Sir H. Risley states, "is the darkest brown approaching to black; the hair being jet-black, coarse and rather inclined to be frizzy. Projecting jaws and teeth, thick lips, low narrow foreheads, and broad flat noses are the features characteristic of the tribe. The eyes are often bright and full, and no obliquity is observable in the opening of the eyelids."
"The Oraon youths," Dalton states, "though with features very far from being in accordance with the statutes of beauty, are of a singularly pleasing class, their faces beaming with animation and good humour. They are a small race, averaging 4 feet 5 inches, but there is perfect proportion in all parts of their form, and their supple, pliant, lithe figures are often models of symmetry. There is about the young Oraon a jaunty air and mirthful expression that distinguishes him from the Munda or Ho, who has more of the dignified gravity that is said to characterise the North American Indian. The Oraon is particular about his personal appearance only so long as he is unmarried, but he is in no hurry to withdraw from the Dhumkuria community, and generally his first youth is passed before he resigns his decorative propensities.
"He wears his hair long like a woman, gathered in a knot behind, supporting, when he is in gala costume, a red or white turban. In the knot are wooden combs and other instruments useful and ornamental, with numerous ornaments of brass. [364] At the very extremity of the roll of hair gleams a small circular mirror set in brass, from which, and also from his ears, bright brass chains with spiky pendants dangle, and as he moves with the springy elastic step of youth and tosses his head like a high-mettled steed in the buoyancy of his animal spirits, he sets all his glittering ornaments in motion and displays as he laughs a row of teeth, round, white and regular, that give light and animation to his dusky features. He wears nothing in the form of a coat; his decorated neck and chest are undraped, displaying how the latter tapers to the waist, which the young dandies compress within the smallest compass. In addition to the cloth, there is always round the waist a girdle of cords made of tasar-silk or of cane. This is now a superfluity, but it is no doubt the remnant of a more primitive costume, perhaps the support of the antique fig-leaves.
"Out of the age of ornamentation nothing can be more untidy or more unprepossessing than the appearance of the Oraon. The ornaments are nearly all discarded, hair utterly neglected, and for raiment any rags are used. This applies both to males and females of middle age.
24. Dress of women
"The dress of the women consists of one cloth, six yards long, gracefully adjusted so as to form a shawl and a petticoat. The upper end is thrown over the left shoulder and falls with its fringe and ornamented border prettily over the back of the figure. Vast quantities of red beads and a large, heavy brass ornament shaped like a torque are worn round the neck. On the left hand are rings of copper, as many as can be induced on each finger up to the first joint, on the right hand a smaller quantity; rings on the second toe only of brass or bell-metal, and anklets and bracelets of the same material are also worn." The women wear only metal and not glass bangles, and this with the three vertical tattoo-marks on the forehead and the fact that the head and right arm are uncovered enables them to be easily recognised. "The hair is made tolerably smooth and amenable by much lubrication, and false hair or some other substance is used to give size to the mass into which it is gathered not immediately behind, but more or less on one side, so that it lies on the neck just behind and touching the right ear; and flowers are arranged in a receptacle made for them between the roll of hair and the head." Rings are worn in the lobes of the ear, but not other ornaments. "When in dancing costume on grand occasions they add to their head-dress plumes of heron feathers, and a gay bordered scarf is tightly bound round the upper part of the body."
25. Dances
"The tribe I am treating of are seen to best advantage at the great national dance meetings called Jatras, which are held once a year at convenient centres, generally large mango groves in the vicinity of old villages. As a signal to the country round, the flags of each village are brought out on the day fixed and set upon the road that leads to the place of meeting. This incites the young men and maidens to hurry through their morning's work and look up their jatra dresses, which are by no means ordinary attire. Those who have some miles to go put up their finery in a bundle to keep it fresh and clean, and proceed to some tank or stream in the vicinity of the tryst grove; and about two o'clock in the afternoon may be seen all around groups of girls laughingly making their toilets in the open air, and young men in separate parties similarly employed. When they are ready the drums are beaten, huge horns are blown, and thus summoned the group from each village forms its procession. In front are young men with swords and shields or other weapons, the village standard-bearers with their flags, and boys waving yaks' tails or bearing poles with fantastic arrangements of garlands and wreaths intended to represent umbrellas of dignity. Sometimes a man riding on a wooden horse is carried, horse and all, by his friends as the Raja, and others assume the form of or paint themselves up to represent certain beasts of prey. Behind this motley group the main body form compactly together as a close column of dancers in alternate ranks of boys and girls, and thus they enter the grove, where the meeting is held in a cheery dashing style, wheeling and countermarching and forming lines, circles and columns with grace and precision. The dance with these movements is called kharia, and it is considered to be an Oraon rather than a Munda dance, though Munda girls join in it. When they enter the grove the different groups join and dance the kharia together, forming one vast procession and then a monstrous circle. The drums and musical instruments are laid aside, and it is by the voices alone that the time is given; but as many hundreds, nay, thousands, join, the effect is imposing. In serried ranks, so closed up that they appear jammed, they circle round in file, all keeping perfect step, but at regular intervals the strain is terminated by a hururu, which reminds one of Paddy's 'huroosh' as he 'welts the floor,' and at the same moment they all face inwards and simultaneously jumping up come down on the ground with a resounding stamp that makes the finale of the movements, but only for a momentary pause. One voice with a startling yell takes up the strain again, a fresh start is made, and after gyrating thus till they tire of it the ring breaks up, and separating into village groups they perform other dances independently till near sunset, and then go dancing home."
26. Social customs
But more often they go on all night. Mr. Ball mentions their dance as follows: [365] "The Oraon dance was distinct from any I had seen by the Santals or other races. The girls, carefully arranged in lines by sizes, with the tallest at one end and the smallest at the other, firmly grasp one another's hands, and the whole movements are so perfectly in concert that they spring about with as much agility as could a single individual." Father Dehon gives the following interesting notice of their social customs: "The Oraons are very sociable beings, and like to enjoy life together. They are paying visits or pahis to one another nearly the whole year round. In these the handia (beer-jar) always plays a great part. Any man who would presume to receive visitors without offering them a handia would be hooted and insulted by his guests, who would find a sympathising echo from all the people of the village. One may say that from the time of the new rice at the end of September to the end of the marriage feast or till March there is a continual coming and going of visitors. For a marriage feast forty handias are prepared by the groom's father, and all the people of the village who can afford it supply one also. Each handia gives about three gallons of rice-beer, so that in one day and a half, in a village of thirty houses, about 200 gallons of rice-beer are despatched. The Oraons are famous for their dances. They delight in spending the whole night from sunset till morning in this most exciting amusement, and in the dancing season they go from village to village. They get, as it were, intoxicated with the music, and there is never any slackening of the pace. On the contrary, the evolutions seem to increase till very early in the morning, and it sometimes happens that one of the dancers shoots off rapidly from the gyrating group, and speeds away like a spent top, and, whirlwind-like, disappears through paddy-fields and ditches till he falls entirely exhausted. Of course it is the devil who has taken possession of him. One can well imagine in what state the dancers are at the first crow of the cock, and when 'L'aurore avec ses doigts de rose entr'ouvre les portes de l'orient,' she finds the girls straggling home one by one, dishevelled, traînant l'aile, too tired even to enjoy the company of the boys, who remain behind in small groups, still sounding their tom-toms at intervals as if sorry that the performance was so soon over. And, wonderful to say and incredible to witness, they will go straight to the stalls, yoke their bullocks, and work the whole morning with the same spirit and cheerfulness as if they had spent the whole night in refreshing sleep. At eleven o'clock they come home, eat their meal, and stretched out in the verandah sleep like logs until two, when poked and kicked about unmercifully by the people of the house, they reluctantly get up with heavy eyes and weary limbs to resume their work."
27. Social rules
The Oraons do not now admit outsiders into the tribe. There is no offence for which a man is permanently put out of caste, but a woman living with any man other than an Oraon is so expelled. Temporary expulsion is awarded for the usual offences. The head of the caste panchayat is called Panua, and when an offender is reinstated, the Panua first drinks water from his hand, and takes upon himself the burden of the erring one's transgression. For this he usually receives a fee of five rupees, and in some States the appointment is in the hands of the Raja, who exacts a fine of a hundred rupees or more from a new candidate. The Oraons eat almost all kinds of food, including pork, fowls and crocodiles, but abstain from beef. Their status is very low among the Hindus; they are usually made to live in a separate corner of the village, and are sometimes not allowed to draw water from the village well. As already stated, the dress of the men consists only of a narrow wisp of cloth round the loins. Some of them say, like the Gonds, that they are descended from the subjects of Rawan, the demon king of Ceylon; this ancestry having no doubt in the first instance been imputed to them by the Hindus. And they explain that when Hanuman in the shape of a giant monkey came to the assistance of Rama, their king Rawan tried to destroy Hanuman by taking all the loin-cloths of his subjects and tying them soaked in oil to the monkey's tail with a view to setting them on fire and burning him to death. The device was unsuccessful and Hanuman escaped, but since then the subjects of Rawan and their descendants have never had a sufficient allowance of cloth to cover them properly.
28. Character
"The Oraons," Colonel Dalton says, "if not the most virtuous, are the most cheerful of the human race. Their lot is not a particularly happy one. They submit to be told that they are especially created as a labouring class, and they have had this so often dinned into their ears that they believe and admit it. I believe they relish work if the taskmaster be not over-exacting. Oraons sentenced to imprisonment without labour, as sometimes happens, for offences against the excise laws, insist on joining the working gangs, and wherever employed, if kindly treated, they work as if they felt an interest in their task. In cold weather or hot, rain or sun, they go cheerfully about it, and after some nine or ten hours of toil (seasoned with a little play and chaff among themselves) they return blithely home in flower-decked groups holding each other by the hand or round the waist and singing."
29. Language
The Kurukh language, Dr. Grierson states, has no written character, but the gospels have been printed in it in the Devanagri type. The translation is due to the Rev. F. Halm, who has also published a Biblical history, a catechism and other small books in Kurukh. More than five-sixths of the Oraons are still returned as speaking their own language.
Paik
Paik.--A small caste of the Uriya country formed from military service, the term paik meaning 'a foot-soldier.' In 1901 the Paiks numbered 19,000 persons in the Kalahandi and Patna States and the Raipur District, but since the transfer of the Uriya States to Bengal less than 3000 remain in the Central Provinces. In Kalahandi, where the bulk of them reside, they are called Nalia Sipahis from the fact that they were formerly armed with nalis or matchlocks by the State. After the Khond rising of 1882 in Kalahandi these were confiscated and bows and arrows given in lieu of them. The Paiks say that they were the followers of two warriors, Kalmir and Jaimir, who conquered the Kalahandi and Jaipur States from the Khonds about a thousand years ago. There is no doubt that they formed the rough militia of the Uriya Rajas, a sort of rabble half military and half police, like the Khandaits. But the Khandaits were probably the leaders and officers, and, as a consequence, though originally only a mixed occupational group, have acquired a higher status than the Paiks and in Orissa rank next to the Rajputs. The Paiks were the rank and file, mainly recruited from the forest tribes, and they are counted as a comparatively low caste, though to strangers they profess to be Rajputs. In Sambalpur it is said that Rajputs, Sudhs, Bhuiyas and Gonds are called Paiks. In Kalahandi they wear the sacred thread, being invested with it by a Brahman at the time of their marriage, and they say that this privilege was conferred on them by the Raja. It is reported, however, that social distinctions may be purchased in some of the Uriya States for comparatively small sums. A Bhatra or member of a forest tribe was observed wearing the sacred thread, and, on being questioned, stated that his grandfather had purchased the right from the Raja for Rs. 50. The privileges of wearing gold ear ornaments, carrying an umbrella, and riding on horseback were obtainable in a similar manner. It is also related that when one Raja imported the first pair of boots seen in his State, the local landholders were allowed to wear them in turn for a few minutes on payment of five rupees each, as a token of their right thereafter to procure and wear boots of their own. In Damoh and Jubbulpore another set of Paiks is to be found who also claim to be Rajputs, and are commonly so called, though true Rajputs will not eat or intermarry with them. These are quite distinct from the Sambalpur Paiks, but have probably been formed into a caste in exactly the same manner. The sept or family names of the Uriya Paiks sufficiently indicate their mixed descent. Some of them are as follows: Dube (a Brahman title), Chalak Bansi (of the Chalukya royal family), Chhit Karan (belonging to the Karans or Uriya Kayasths), Sahani (a sais or groom), Sudh (the name of an Uriya caste), Benet Uriya (a subdivision of the Uriya or Od mason caste), and so on. It is clear that members of different castes who became Paiks founded separate families, which in time developed into exogamous septs. Some of the septs will not eat food cooked with water in company with the rest of the caste, though they do not object to intermarrying with them. After her marriage a girl may not take food cooked by her parents nor will they accept it from her. And at a marriage party each guest is supplied with grain and cooks it himself, but everybody will eat with the bride and bridegroom as a special concession to their position. Besides the exogamous clans the Paiks have totemistic gots or groups named after plants and animals, as Harin (a deer), Kadamb (a tree), and so on. But these have no bearing on marriage, and the bulk of the caste have the Nagesh or cobra as their sept name. It is said that anybody who does not know his sept considers himself to be a Nagesh, and if he does not know his clan, he calls himself a Mahanti. Each family among the Paiks has also a Sainga or title, of a high-sounding nature, as Naik (lord), Pujari (worshipper), Baidya (physician), Raut (noble), and so on. Marriages are generally celebrated in early youth, but no penalty is incurred for a breach of this rule. If the signs of adolescence appear in a girl for the first time on a Tuesday, Saturday or Sunday, it is considered a bad omen, and she is sometimes married to a tree to avert the consequences. Widow-marriage and divorce are freely permitted. The caste burn their dead and perform the shraddh ceremony. The women are tattooed, and men sometimes tattoo their arms with figures of the sun and moon in the belief that this will protect them from snake-bite. The Paiks eat flesh and fish, but abstain from fowls and other unclean animals and from liquor. Brahmans will not take water from them, but other castes generally do so. Some of them are still employed as armed retainers and are remunerated by free grants of land.
Panka
List of Paragraphs
1. Origin of the caste. 2. Caste subdivisions. 3. Endogamous divisions. 4. Marriage. 5. Religion. 6. Other customs. 7. Occupation.
1. Origin of the caste
Panka. [366]--A Dravidian caste of weavers and labourers found in Mandla, Raipur and Bilaspur, and numbering 215,000 persons in 1911. The name is a variant on that of the Pan tribe of Orissa and Chota Nagpur, who are also known as Panika, Chik, Ganda and by various other designations. In the Central Provinces it has, however, a peculiar application; for while the Pan tribe proper is called Ganda in Chhattisgarh and the Uriya country, the Pankas form a separate division of the Gandas, consisting of those who have become members of the Kabirpanthi sect. In this way the name has been found very convenient, for since Kabir, the founder of the sect, was discovered by a weaver woman lying on the lotus leaves of a tank, like Moses in the bulrushes, and as a newly initiated convert is purified with water, so the Pankas hold that their name Is pani ka or 'from water.' As far as possible then they disown their connection with the Gandas, one of the most despised castes, and say that they are a separate caste consisting of the disciples of Kabir. This has given rise to the following doggerel rhyme about them:
Pani se Panka bhae, bundan rache sharir, Age age Panka bhae, pachhe Das Kabir.
Which may be rendered, 'The Panka indeed is born of water, and his body is made of drops of water, but there were Pankas before Kabir.' Or another rendering of the second line is, 'First he was a Panka, and afterwards he became a disciple of Kabir,' Nevertheless the Pankas have been successful in obtaining a somewhat higher position than the Gandas, in that their touch is not considered to convey impurity. This is therefore an instance of a body of persons from a low caste embracing a new religion and thereby forming themselves into a separate caste and obtaining an advance in social position.
2. Caste subdivisions
Of the whole caste 84 per cent are Kabirpanthis and these form one subcaste; but there are a few others. The Manikpuria say that their ancestors came from Manikpur in Darbhanga State about three centuries ago; the Saktaha are those who profess to belong to the Sakta sect, which simply means that they eat flesh and drink liquor, being unwilling to submit to the restrictions imposed on Kabirpanthis; the Bajania are those who play on musical instruments, an occupation which tends to lower them in Hindu eyes; and the Dom Pankas are probably a section of the Dom or sweeper caste who have somehow managed to become Pankas. The main distinction is however between the Kabirha, who have abjured flesh and liquor, and the Saktaha, who indulge in them; and the Saktaha group is naturally recruited from backsliding Kabirpanthis. Properly the Kabirha and Saktaha do not intermarry, but if a girl from either section goes to a man of the other she will be admitted into the community and recognised as his wife, though the regular ceremony is not performed. The Saktaha worship all the ordinary village deities, but some of the Kabirha at any rate entirely refrain from doing so, and have no religious rites except when a priest of their sect comes round, when he gives them a discourse and they sing religious songs.
3. Endogamous divisions
The caste have a number of exogamous septs, many of which are named after plants and animals: as Tandia an earthen pot, Chhura a razor, Neora the mongoose, Parewa the wild pigeon, and others. Other septs are Panaria the bringer of betel-leaf, Kuldip the lamp-lighter, Pandwar the washer of feet, Ghughua one who eats the leavings of the assembly, and Khetgarhia, one who watches the fields during religious worship. The Sonwania or 'Gold-water' sept has among the Pankas, as with several of the primitive tribes, the duty of readmitting persons temporarily put out of caste; while the Naurang or nine-coloured sept may be the offspring of some illegitimate unions. The Sati sept apparently commemorate by their name an ancestress who distinguished herself by self-immolation, naturally a very rare occurrence in so low a caste as the Pankas. Each sept has its own Bhat or genealogist who begs only from members of the sept and takes food from them.
4. Marriage
Marriage is prohibited between members of the same sept and also between first cousins, and a second sister may not be married during the lifetime of the first. Girls are usually wedded under twelve years of age. In Mandla the father of the boy and his relatives go to discuss the match, and if this is arranged each of them kisses the girl and gives her a piece of small silver. When a Saktaha is going to look for a wife he makes a fire offering to Dulha Deo, the young bridegroom god, whose shrine is in the cook-room, and prays to him saying, 'I am going to such and such a village to ask for a wife; give me good fortune.' The father of the girl at first refuses his consent as a matter of etiquette, but finally agrees to let the marriage take place within a year. The boy pays Rs. 9, which is spent on the feast, and makes a present of clothes and jewels to the bride. In Chanda a chauka or consecrated space spread with cowdung with a pattern of lines of flour is prepared and the fathers of the parties stand inside this, while a member of the Pandwar sept cries out the names of the gotras of the bride and bridegroom and says that the everlasting knot is to be tied between them with the consent of five caste-people and the sun and moon as witnesses. Before the wedding the betrothed couple worship Mahadeo and Parvati under the direction of a Brahman, who also fixes the date of the wedding. This is the only purpose for which a Brahman is employed by the caste. Between this date and that of the marriage neither the boy nor girl should be allowed to go to a tank or cross a river, as it is considered dangerous to their lives. The superstition has apparently some connection with the belief that the Pankas are sprung from water, but its exact meaning cannot be determined. If a girl goes wrong before marriage with a man of the caste, she is given to him as wife without any ceremony. Before the marriage seven small pitchers full of water are placed in a bamboo basket and shaken over the bride's head so that the water may fall on her. The principal ceremony consists in walking round the sacred pole called magrohan, the skirts of the pair being knotted together. In some localities this is done twice, a first set of perambulations being called the Kunwari (maiden) Bhanwar, and the second one of seven, the Byahi (married) Bhanwar. After the wedding the bride and her relations return with the bridegroom to his house, their party being known as Chauthia. The couple are taken to a river and throw their tinsel wedding ornaments into the water. The bride then returns home if she is a minor, and when she subsequently goes to live with her husband the gauna ceremony is performed. Widow-marriage is permitted, and divorce may be effected for bad conduct on the part of the wife, the husband giving a sort of funeral feast, called Marti jiti ka bhat, to the castefellows. Usually a man gives several warnings to his wife to amend her bad conduct before he finally casts her off.
5. Religion
The Pankas worship only Kabir. They prepare a chauka and, sitting in it, sing songs in his praise, and a cocoanut is afterwards broken and distributed to those who are present. The assembly is presided over by a Mahant or priest and the chauka is prepared by his subordinate called the Diwan. The offices of Mahant and Diwan are hereditary, and they officiate for a collection of ten or fifteen villages. Otherwise the caste perform no special worship, but observe the full moon days of Magh (January), Phagun (February) and Kartik (October) as fasts in honour of Kabir. Some of the Kabirhas observe the Hindu festivals, and the Saktahas, as already stated, have the same religious practices as other Hindus. They admit into the community members of most castes except the impure ones. In Chhattisgarh a new convert is shaved and the other Pankas wash their feet over him in order to purify him. He then breaks a stick in token of having given up his former caste and is invested with a necklace of tulsi [367] beads. A woman of any such caste who has gone wrong with a man of the Panka caste may be admitted after she has lived with him for a certain period on probation, during which her conduct must be satisfactory, her paramour also being put out of caste for the same time. Both are then shaved and invested with the necklaces of tulsi beads. In Mandla a new convert must clean and whitewash his house and then vacate it with his family while the Panch or caste committee come and stay there for some time in order to purify it. While they are there neither the owner nor any member of his family may enter the house. The Panch then proceed to the riverside and cook food, after driving the new convert across the river by pelting him with cowdung. Here he changes his clothes and puts on new ones, and coming back again across the stream is made to stand in the chauk and sip the urine of a calf. The chauk is then washed out and a fresh one made with lines of flour, and standing in this the convert receives to drink the dal, that is, water in which a little betel, raw sugar and black pepper have been mixed and a piece of gold dipped. In the evening the Panch again take their food in the convert's house, while he eats outside it at a distance. Then he again sips the dal, and the Mahant or priest takes him on his lap and a cloth is put over them both; the Mahant whispers the mantra or sacred verse into his ear, and he is finally considered to have become a full Kabirha Panka and admitted to eat with the Panch.
6. Other customs
The Pankas are strict vegetarians and do not drink liquor. A Kabirha Panka is put out of caste for eating flesh meat. Both men and women generally wear white clothes, and men have the garland of beads round the neck. The dead are buried, being laid on the back with the head pointing to the north. After a funeral the mourners bathe and then break a cocoanut over the grave and distribute it among themselves. On the tenth day they go again and break a cocoanut and each man buries a little piece of it in the earth over the grave. A little cup made of flour containing a lamp is placed on the grave for three days afterwards, and some food and water are put in a leaf cup outside the house for the same period. During these days the family do not cook for themselves but are supplied with food by their friends. After childbirth a mother is supposed not to eat food during the time that the midwife attends on her, on account of the impurity caused by this woman's presence in the room.
7. Occupation
The caste are generally weavers, producing coarse country cloth, and a number of them serve as village watchmen, while others are cultivators and labourers. They will not grow san-hemp nor breed tasar silk cocoons. They are somewhat poorly esteemed by their neighbours, who say of them, 'Where a Panka can get a little boiled rice and a pumpkin, he will stay for ever,' meaning that he is satisfied with this and will not work to get more. Another saying is, 'The Panka felt brave and thought he would go to war; but he set out to fight a frog and was beaten'; and another, 'Every man tells one lie a day; but the Ahir tells sixteen, the Chamar twenty, and the lies of the Panka cannot be counted.' Such gibes, however, do not really mean much. Owing to the abstinence of the Pankas from flesh and liquor they rank above the Gandas and other impure castes. In Bilaspur they are generally held to be quiet and industrious. [368] In Chhattisgarh the Pankas are considered above the average in intelligence and sometimes act as spokesmen for the village people and as advisers to zamindars and village proprietors. Some of them become religious mendicants and act as gurus or preceptors to Kabirpanthis. [369]
Panwar Rajput
List of Paragraphs
1. _Historical notice. The Agnikula clans and the slaughter of the Kshatriyas by Parasurama_. 2. The legend of Parasurama. 3. The Panwar dynasty of Dhar and Ujjain. 4. Diffusion of the Panwars over India. 5. The Nagpur Panwars. 6. Subdivisions. 7. Marriage customs. 8. Widow-marriage. 9. Religion. 10. Worship of the spirits of those dying a violent death. 11. Funeral rites. 12. Caste discipline. 13. Social customs.
1. Historical notice. The Agnikula clans and the slaughter of the Kshatriyas by Parasurama
Panwar, [370] Puar, Ponwar, Pramara Rajput.--The Panwar or Pramara is one of the most ancient and famous of the Rajput clans. It was the first of the four Agnikulas, who were created from the fire-pit on the summit of Mount Abu after the Kshatriyas had been exterminated by Parasurama the Brahman. "The fire-fountain was lustrated with the waters of the Ganges; [371] expiatory rites were performed, and after a protracted debate among the gods it was resolved that Indra should initiate the work of recreation. Having formed an image of duba grass he sprinkled it with the water of life and threw it into the fire-fountain. Thence on pronouncing the sajivan mantra (incantation to give life) a figure slowly emerged from the flame, bearing in the right hand a mace and exclaiming, 'Mar, Mar!' (Slay, slay). He was called Pramar; and Abu, Dhar, and Ujjain were assigned to him as a territory."
The four clans known as Agnikula, or born from the fire-pit, were the Panwar, the Chauhan, the Parihar and the Chalukya or Solanki. Mr. D.R. Bhandarkar adduces evidence in support of the opinion that all these were of foreign origin, derived from the Gujars or other Scythian or Hun tribes. [372] And it seems therefore not unlikely that the legend of the fire-pit may commemorate the reconstitution of the Kshatriya aristocracy by the admission of these tribes to Hinduism after its partial extinction during their wars of invasion; the latter event having perhaps been euphemised into the slaughter of the Kshatriyas by Parasurama the Brahman. A great number of Indian castes date their origin from the traditional massacre of the Kshatriyas by Parasurama, saying that their ancestors were Rajputs who escaped and took to various occupations; and it would appear that an event which bulks so largely in popular tradition must have some historical basis. It is noticeable also that Buddhism, which for some five centuries since the time of Asoka Maurya had been the official and principal religion of northern India, had recently entered on its decline. "The restoration of the Brahmanical religion to popular favour and the associated revival of the Sanskrit language first became noticeable in the second century, were fostered by the satraps of Gujarat and Surashtra during the third, and made a success by the Gupta emperors in the fourth century. [373] The decline of Buddhism and the diffusion of Sanskrit proceeded side by side with the result that by the end of the Gupta period the force of Buddhism on Indian soil had been nearly spent; and India with certain local exceptions had again become the land of the Brahman. [374] The Gupta dynasty as an important power ended about A.D. 490 and was overthrown by the Huns, whose leader Toramana was established at Malwa in Central India prior to A.D. 500." [375] The revival of Brahmanism and the Hun supremacy were therefore nearly contemporaneous. Moreover one of the Hun leaders, Mihiragula, was a strong supporter of Brahmanism and an opponent of the Buddhists. Mr. V.A. Smith writes: "The savage invader, who worshipped as his patron deity Siva, the god of destruction, exhibited ferocious hostility against the peaceful Buddhist cult, and remorselessly overthrew the stupas and monasteries, which he plundered of their treasures." [376] This warrior might therefore well be venerated by the Brahmans as the great restorer of their faith and would easily obtain divine honours. The Huns also subdued Rajputana and Central India and were dominant here for a time until their extreme cruelty and oppression led to a concerted rising of the Indian princes by whom they were defeated. The discovery of the Hun or Scythian origin of several of the existing Rajput clans fits in well with the legend. The stories told by many Indian castes of their first ancestors having been Rajputs who escaped from the massacre of Parasurama would then have some historical value as indicating that the existing occupational grouping of castes dates from the period of the revival of the Brahman cult after a long interval of Buddhist supremacy. It is however an objection to the identification of Parasurama with the Huns that he is the sixth incarnation of Vishnu, coming before Rama and being mentioned in the Mahabharata, and thus if he was in any way historical his proper date should be long before their time. As to this it may be said that he might have been interpolated or put back in date, as the Brahmans had a strong interest in demonstrating the continuity of the Kshatriya caste from Vedic times and suppressing the Hun episode, which indeed they have succeeded in doing so well that the foreign origin of several of the most prominent Rajput clans has only been established quite recently by modern historical and archaeological research. The name Parasurama signifies 'Rama with the axe' and seems to indicate that this hero came after the original Rama. And the list of the incarnations of Vishnu is not always the same, as in one list the incarnations are nearly all of the animal type and neither Parasurama, Rama nor Krishna appear.
2. The legend of Parasurama
The legend of Parasurama is not altogether opposed to this view in itself. [377] He was the son of a Brahman Muni or hermit, named Jamadagni, by a lady, Renuka, of the Kshatriya caste. He is therefore not held to have been a Brahman and neither was he a true Kshatriya. This might portray the foreign origin of the Huns. Jamadagni found his wife Renuka to be harbouring thoughts of conjugal infidelity, and commanded his sons, one by one, to slay her. The four elder ones successively refused, and being cursed by Jamadagni lost all understanding and became as idiots; but the youngest, Parasurama, at his father's bidding, struck off his mother's head with a blow of his axe. Jamadagni thereupon was very pleased and promised to give Parasurama whatever he might desire. On which Parasurama begged first for the restoration of his mother to life, with forgetfulness of his having slain her and purification from all defilement; secondly, the return of his brothers to sanity and understanding; and for himself that he should live long and be invincible in battle; and all these boons his father bestowed. Here the hermit Jamadagni might represent the Brahman priesthood, and his wife Renuka might be India, unfaithful to the Brahmans and turning towards the Buddhist heresy. The four elder sons would typify the princes of India refusing to respond to the exhortations of the Brahmans for the suppression of Buddhism, and hence themselves made blind to the true faith and their understandings darkened with Buddhist falsehood. But Parasurama, the youngest, killed his mother, that is, the Huns devastated India and slaughtered the Buddhists; in reward for this he was made invincible as the Huns were, and his mother, India, and his brothers, the indigenous princes, regained life and understanding, that is, returned to the true Brahman faith. Afterwards, the legend proceeds, the king Karrtavirya, the head of the Haihaya tribe of Kshatriyas, stole the calf of the sacred cow Kamdhenu from Jamadagni's hermitage and cut down the trees surrounding it. When Parasurama returned, his father told him what had happened, and he followed Karrtavirya and killed him in battle. But in revenge for this the sons of the king, when Parasurama was away, returned to the hermitage and slew the pious and unresisting sage Jamadagni, who called fruitlessly for succour on his valiant son. When Parasurama returned and found his father dead he vowed to extirpate the whole Kshatriya race. 'Thrice times seven did he clear the earth of the Kshatriya caste,' says the Mahabharata. If the first part of the story refers to the Hun conquest of northern India and the overthrow of the Gupta dynasty, the second may similarly portray their invasion of Rajputana. The theft of the cow and desecration of Jamadagni's hermitage by the Haihaya Rajputs would represent the apostasy of the Rajput princes to Buddhist monotheism, the consequent abandonment of the veneration of the cow and the spoliation of the Brahman shrines; while the Hun invasions of Rajputana and the accompanying slaughter of Rajputs would be Parasurama's terrible revenge.
3. The Panwar dynasty of Dhar and Ujjain
The Kings of Malwa or Ujjain who reigned at Dhar and flourished from the ninth to the twelfth centuries were of the Panwar clan. The seventh and ninth kings of this dynasty rendered it famous. [378] "Raja Munja, the seventh king (974-995), renowned for his learning and eloquence, was not only a patron of poets, but was himself a poet of no small reputation, the anthologies including various works from his pen. He penetrated in a career of conquest as far as the Godavari, but was finally defeated and executed there by the Chalukya king. His nephew, the famous Bhoja, ascended the throne of Dhara about A.D. 1018 and reigned gloriously for more than forty years. Like his uncle he cultivated with equal assiduity the arts of peace and war. Though his fights with neighbouring powers, including one of the Muhammadan armies of Mahmud of Ghazni, are now forgotten, his fame as an enlightened patron of learning and a skilled author remains undimmed, and his name has become proverbial as that of the model king according to the Hindu standard. Works on astronomy, architecture, the art of poetry and other subjects are attributed to him. About A.D. 1060 Bhoja was attacked and defeated by the confederate kings of Gujarat and Chedi, and the Panwar kingdom was reduced to a petty local dynasty until the thirteenth century. It was finally superseded by the chiefs of the Tomara and Chauhan clans, who in their turn succumbed to the Muhammadans in 1401." The city of Ujjain was at this time a centre of Indian intellectual life. Some celebrated astronomers made it their home, and it was adopted as the basis of the Hindu meridional system like Greenwich in England. The capital of the state was changed from Ujjain to Dhar or Dharanagra by the Raja Bhoja already mentioned; [379] and the name of Dhar is better remembered in connection with the Panwars than Ujjain.
A saying about it quoted by Colonel Tod was:
Jahan Puar tahan Dhar hai; Aur Dhar jahan Puar; Dhar bina Puar nahin; Aur nahin Puar bina Dhar:
or, "Where the Panwar is there is Dhar, and Dhar is where the Panwar is; without the Panwars Dhar cannot stand, nor the Panwars without Dhar." It is related that in consequence of one of his merchants having been held to ransom by the ruler of Dhar, the Bhatti Raja of Jaisalmer made a vow to subdue the town. But as he found the undertaking too great for him, in order to fulfil his vow he had a model of the city made in clay and was about to break it up. But there were Panwars in his army, and they stood out to defend their mock capital, repeating as their reason the above lines; and in resisting the Raja were cut to pieces to the number of a hundred and twenty. [380] There is little reason to doubt that the incident, if historical, was produced by the belief in sympathetic magic; the Panwars really thought that by destroying its image the Raja could effect injury to the capital itself, [381] just as many primitive races believe that if they make a doll as a model of an enemy and stick pins into or otherwise injure it, the man himself is similarly affected. A kindred belief prevails concerning certain mythical old kings of the Golden Age of India, of whom it is said that to destroy their opponents all they had to do was to collect a bundle of juari stalks and cut off the heads, when the heads of their enemies flew off in unison.
The Panwars were held to have ruled from nine castles over the Marusthali or 'Region of death,' the name given to the great desert of Rajputana, which extends from Sind to the Aravalli mountains and from the great salt lake to the flat skirting the Garah. The principal of these castles were Abu, Nundore, Umarkot, Arore, and Lodorva. [382] And, 'The world is the Pramara's,' was another saying expressive of the resplendent position of Dharanagra or Ujjain at this epoch. The siege and capture of the town by the Muhammadans and consequent expulsion of the Panwars are still a well-remembered tradition, and certain castes of the Central Provinces, as the Bhoyars and Korkus, say that their ancestors formed part of the garrison and fled to the Satpura hills after the fall of Dharanagra. Mr. Crooke [383] states that the expulsion of the Panwars from Ujjain under their leader Mitra Sen is ascribed to the attack of the Muhammadans under Shahab-ud-din Ghori about A.D. 1190.
4. Diffusion of the Panwars over India
After this they spread to various places in northern India, and to the Central Provinces and Bombay. The modern state of Dhar is or was recently still held by a Panwar family, who had attained high rank under the Marathas and received it as a grant from the Peshwa. Malcolm considered them to be the descendants of Rajput emigrants to the Deccan. He wrote of them: [384] "In the early period of Maratha history the family of Puar appears to have been one of the most distinguished. They were of the Rajput tribe, numbers of which had been settled in Malwa at a remote era; from whence this branch had migrated to the Deccan. Sivaji Puar, the first of the family that can be traced in the latter country, was a landholder; and his grandsons, Sambaji and Kaloji, were military commanders in the service of the celebrated Sivaji. Anand Rao Puar was vested with authority to collect the Maratha share of the revenue of Malwa and Gujarat in 1734, and he soon afterwards settled at Dhar, which province, with the adjoining districts and the tributes of some neighbouring Rajput chiefs, was assigned for the support of himself and his adherents. It is a curious coincidence that the success of the Marathas should, by making Dhar the capital of Anand Rao and his descendants, restore the sovereignty of a race who had seven centuries before been expelled from the government of that city and territory. But the present family, though of the same tribe (Puar), claim no descent from the ancient Hindu princes of Malwa. They have, like all the Kshatriya tribes who became incorporated with the Marathas, adopted even in their modes of thinking the habits of that people. The heads of the family, with feelings more suited to chiefs of that nation than Rajput princes, have purchased the office of patel or headman in some villages in the Deccan; and their descendants continue to attach value to their ancient, though humble, rights of village officers in that quarter. Notwithstanding that these usages and the connections they formed have amalgamated this family with the Marathas, they still claim, both on account of their high birth and of being officers of the Raja of Satara (not of the Peshwa), rank and precedence over the houses of Sindhia and Holkar; and these claims, even when their fortunes were at the lowest ebb, were always admitted as far as related to points of form and ceremony." The great Maratha house of Nimbhalkar is believed to have originated from ancestors of the Panwar Rajput clan. While one branch of the Panwars went to the Deccan after the fall of Dhar and marrying with the people there became a leading military family of the Marathas, the destiny of another group who migrated to northern India was less distinguished. Here they split into two, and the inferior section is described by Mr. Crooke as follows: [385] "The Khidmatia, Barwar or Chobdar are said to be an inferior branch of the Panwars, descended from a low-caste woman. No high-caste Hindu eats food or drinks water touched by them." According to the Ain-i-Akbari [386] a thousand men of the sept guarded the environs of the palace of Akbar, and Abul Fazl says of them: "The caste to which they belong was notorious for highway robbery, and former rulers were not able to keep them in check. The effective orders of His Majesty have led them to honesty; they are now famous for their trustworthiness. They were formerly called Mawis. Their chief has received the title of Khidmat Rao. Being near the person of His Majesty he lives in affluence. His men are called Khidmatias." Thus another body of Panwars went north and sold their swords to the Mughal Emperor, who formed them into a bodyguard. Their case is exactly analogous to that of the Scotch and Swiss Guards of the French kings. In both cases the monarch preferred to entrust the care of his person to foreigners, on whose fidelity he could the better rely, as their only means of support and advancement lay in his personal favour, and they had no local sympathies which could be used as a lever to undermine their loyalty. Buchanan states that a Panwar dynasty ruled for a considerable period over the territory of Shahabad in Bengal. And Jagdeo Panwar was the trusted minister of Sidhraj, the great Solanki Raja of Gujarat. The story of the adventures of Jagdeo and his wife when they set out together to seek their fortune is an interesting episode in the Rasmala. In the Punjab the Panwars are found settled up the whole course of the Sutlej and along the lower Indus, and have also spread up the Bias into Jalandhar and Gurdaspur. [387]
5. The Nagpur Panwars
While the above extracts have been given to show how the Panwars migrated from Dhar to different parts of India in search of fortune, this article is mainly concerned with a branch of the clan who came to Nagpur, and subsequently settled in the rice country of the Wainganga Valley. At the end of the eleventh century Nagpur appears to have been held by a Panwar ruler as an appanage of the kingdom of Malwa. [388] It has already been seen how the kings of Malwa penetrated to Berar and the Godavari, and Nagpur may well also have fallen to them. Mr. Muhammad Yusuf quotes an inscription as existing at Bhandak in Chanda of the year A.D. 1326, in which it is mentioned that the Panwar of Dhar repaired a statue of Jag Narayan in that place. [389] Nothing more is heard of them in Nagpur, and their rule probably came to an end with the subversion of the kingdom of Malwa in the thirteenth century. But there remain in Nagpur and in the districts of Bhandara, Balaghat and Seoni to the north and east of it a large number of Panwars, who have now developed into an agricultural caste. It may be surmised that the ancestors of these people settled in the country at the time when Nagpur was held by their clan, and a second influx may have taken place after the fall of Dhar. According to their own account, they first came to Nagardhan, an older town than Nagpur, and once the headquarters of the locality. One of their legends is that the men who first came had no wives, and were therefore allowed to take widows of other castes into their houses. It seems reasonable to suppose that something of this kind happened, though they probably did not restrict themselves to widows. The existing family names of the caste show that it is of mixed ancestry, but the original Rajput strain is still perfectly apparent in their fair complexions, high foreheads and in many cases grey eyes. The Panwars have still the habit of keeping women of lower castes to a greater degree than the ordinary, and this has been found to be a trait of other castes of mixed origin, and they are sometimes known as Dhakar, a name having the sense of illegitimacy. Though they have lived for centuries among a Marathi-speaking people, the Panwars retain a dialect of their own, the basis of which is Bagheli or eastern Hindi. When the Marathas established themselves at Nagpur in the eighteenth century some of the Panwars took military service under them and accompanied a general of the Bhonsla ruling family on an expedition to Cuttack. In return for this they were rewarded with grants of the waste and forest lands in the valley of the Wainganga river, and here they developed great skill in the construction of tanks and the irrigation of rice land, and are the best agricultural caste in this part of the country. Their customs have many points of interest, and, as is natural, they have abandoned many of the caste observances of the Rajputs. It is to this group of Panwars [390] settled in the Maratha rice country of the Wainganga Valley that the remainder of this article is devoted.
6. Subdivisions
They number about 150,000 persons, and include many village proprietors and substantial cultivators. The quotations already given have shown how this virile clan of Rajputs travelled to the north, south and east from their own country in search of a livelihood. Everywhere they made their mark so that they live in history, but they paid no regard to the purity of their Rajput blood and took to themselves wives from the women of the country as they could get them. The Panwars of the Wainganga Valley have developed into a caste marrying among themselves. They have no subcastes but thirty-six exogamous sections. Some of these have the names of Rajput clans, while others are derived from villages, titles or names of offices, or from other castes. Among the titular names are Chaudhri (headman), Patlia (patel or chief officer of a village) and Sonwania (one who purifies offenders among the Gonds and other tribes). Among the names of other castes are Bopcha or Korku, Bhoyar (a caste of cultivators), Pardhi (hunter), Kohli (a local cultivating caste) and Sahria (from the Saonr tribe). These names indicate how freely they have intermarried. It is noticeable that the Bhoyars and Korkus of Betul both say that their ancestors were Panwars of Dhar, and the occurrence of both names among the Panwars of Balaghat may indicate that these castes also have some Panwar blood. Three names, Rahmat (kind), Turukh or Turk, and Farid (a well-known saint), are of Muhammadan origin, and indicate intermarriage in that quarter.
7. Marriage customs
Girls are usually, but not necessarily, wedded before adolescence. Occasionally a Panwar boy who cannot afford a regular marriage will enter his prospective father-in-law's house and serve him for a year or more, when he will obtain a daughter in marriage. And sometimes a girl will contract a liking for some man or boy of the caste and will go to his house, leaving her home. In such cases the parents accept the accomplished fact, and the couple are married. If the boy's parents refuse their consent they are temporarily put out of caste, and subsequently the neighbours will not pay them the customary visits on the occasions of family joys and griefs. Even if a girl has lived with a man of another caste, as long as she has not borne a child, she may be re-admitted to the community on payment of such penalty as the elders may determine. If her own parents will not take her back, a man of the same gotra or section is appointed as her guardian and she can be married from his house.
The ceremonies of a Panwar marriage are elaborate. Marriage-sheds are erected at the houses both of the bride and bridegroom in accordance with the usual practice, and just before the marriage, parties are given at both houses; the village watchman brings the toran or string of mango-leaves, which is hung round the marriage-shed in the manner of a triumphal arch, and in the evening the party assembles, the men sitting at one side of the shed and the women at the other. Presents of clothes are made to the child who is to be married, and the following song is sung:
The mother of the bride grew angry and went away to the mango grove. Come soon, come quickly, Mother, it is the time for giving clothes. The father of the bridegroom has sent the bride a fold of cloth from his house, The fold of it is like the curve of the winnowing-fan, and there is a bodice decked with coral and pearls.
Before the actual wedding the father of the bridegroom goes to the bride's house and gives her clothes and other presents, and the following is a specimen given by Mr. Muhammad Yusuf of the songs sung on this occasion:
Five years old to-day is Baja Bai the bride; Send word to the mother of the bridegroom; Her dress is too short, send for the Koshta, Husband; The Koshta came and wove a border to the dress.
Afterwards the girl's father goes and makes similar presents to the bridegroom. After many preliminary ceremonies the marriage procession proper sets forth, consisting of men only. Before the boy starts his mother places her breast in his mouth; the maid-servants stand before him with vessels of water, and he puts a pice in each. During the journey songs are sung, of which the following is a specimen:
The linseed and gram are in flower in Chait. [391] O! the boy bridegroom is going to another country; O Mother! how may he go to another country? Make payment before he enters another country; O Mother! how may he cross the border of another country? Make payment before he crosses the border of another country; O Mother! how may he touch another's bower? Make payment before he touches another's bower; O Mother! how shall he bathe with strange water? Make payment before he bathes with strange water; O Mother! how may he eat another's banwat? [392] Make payment before he eats another's banwat; O Mother! how shall he marry another woman? He shall wed her holding the little finger of her left hand.
The bridegroom's party are always driven to the wedding in bullock-carts, and when they approach the bride's village her people also come to meet them in carts. All the party then turn and race to the village, and the winner obtains much distinction. The cartmen afterwards go to the bridegroom's father and he has to make them a present of from one to forty rupees. On arriving at the village the bridegroom is carried to Devi's shrine in a man's arms, while four other men hold a canopy over him, and from there to the marriage-shed. He touches a bamboo of this, and a man seated on the top pours turmeric and water over his head. Five men of the groom's party go to the bride's house carrying salt, and here their feet are washed and the tika or mark of anointing is made on their foreheads. Afterwards they carry rice in the same manner and with this is the wedding-rice, coloured yellow with turmeric and known as the Lagun-gath. Before sunset the bridegroom goes to the bride's house for the wedding. Two baskets are hung before Dulha Deo's shrine inside the house, and the couple are seated in these with a cloth between them. The ends of their clothes are knotted, each places the right foot on the left foot of the other and holds the other's ear with the hand. Meanwhile a Brahman has climbed on to the roof of the house, and after saying the names of the bride and bridegroom shouts loudly, 'Ram nawara, Sita nawari, Saodhan,' or 'Ram, the Bridegroom, and Sita, the Bride, pay heed,' The people inside the house repeat these words and someone beats on a brass plate; the wedding-rice is poured over the heads of the couple, and a quid of betel is placed first in the mouth of one and then of the other. The bridegroom's party dance in the marriage-shed and their feet are washed. Two plough-yokes are brought in and a cloth spread over them, and the couple are seated on them face to face. A string of twisted grass is drawn round their necks and a thread is tied round their marriage-crowns. The bride's dowry is given and her relatives make presents to her. This property is known as khamora, and is retained by a wife for her own use, her husband having no control over it. It is customary also in the caste for the parents to supply clothes to a married daughter as long as they live, and during this period a wife will not accept any clothes from her husband. On the following day the maid-servants bring a present of gulal or red powder to the fathers of the bride and bridegroom, who sprinkle it over each other. The bridegroom's father makes them a present of from one to twenty rupees according to his means, and also gives suitable fees to the barber, the washerman, the Barai or betel-leaf seller and the Bhat or bard. The maid-servants then bring vessels of water and throw it over each other in sport. After the evening meal, the party go back, the bride and bridegroom riding in the same cart. As they start the women sing:
Let us go to the basket-maker And buy a costly pair of fans; Fans worth a lot of money; Let us praise the mother of the bride.
8. Widow-marriage
After a few days at her husband's house the bride returns home, and though she pays short visits to his family from time to time, she does not go to live with her husband until she is adolescent, when the usual pathoni or going-away ceremony is performed to celebrate the event. The people repeat a set of verses containing advice which the bride's mother is supposed to give her on this occasion, in which the desire imputed to the caste to make money out of their daughters is satirised. They are no doubt libellous as being a gross exaggeration, but may contain some substratum of truth. The gist of them is as follows: "Girl, if you are my daughter, heed what I say. I will make you many sweetmeats and speak words of wisdom. Always treat your husband better than his parents. Increase your private money (khamora) by selling rice and sugar; abuse your sisters-in-law to your husband's mother and become her favourite. Get influence over your husband and make him come with you to live with us. If you cannot persuade him, abandon your modesty and make quarrels in the household. Do not fear the village officers, but go to the houses of the patel [393] and Pandia [394] and ask them to arrange your quarrel."
It is not intended to imply that Panwar women behave in this manner, but the passage is interesting as a sidelight on the joint family system. It concludes by advising the girl, if she cannot detach her husband from his family, to poison him and return as a widow. This last counsel is a gibe at the custom which the caste have of taking large sums of money for a widow on her second marriage. As such a woman is usually adult, and able at once to perform the duties of a wife and to work in the fields, she is highly valued, and her price ranges from Rs. 25 to Rs. 1000. In former times, it is stated, the disposal of widows did not rest with their parents but with the Sendia or headman of the caste. The last of them was Karun Panwar of Tumsar, who was empowered by the Bhonsla Raja of Nagpur to act in this manner, and was accustomed to receive an average sum of Rs. 25 for each widow or divorced woman whom he gave away in marriage. His power extended even to the reinstatement of women expelled from the caste, whom he could subsequently make over to any one who would pay for them. At the end of his life he lost his authority among the people by keeping a Dhimar woman as a mistress, and he had no successor. A Panwar widow must not marry again until the expiry of six months after her husband's death. The stool on which a widow sits for her second marriage is afterwards stolen by her husband's friends. After the wedding when she reaches the boundary of his village the axle of her cart is removed, and a new one made of tendu wood is substituted for it. The discarded axle and the shoes worn by the husband at the ceremony are thrown away, and the stolen stool is buried in a field. These things, Mr. Hira Lal points out, are regarded as defiled, because they have been accessories in an unlucky ceremony, that of the marriage of a widow. On this point Dr. Jevons writes [395] that the peculiar characteristic of taboo is this transmissibility of its infection or contagion. In ancient Greece the offerings used for the purification of the murderer became themselves polluted during the process and had to be buried. A similar reasoning applies to the articles employed in the marriage of a widow. The wood of the tendu or ebony tree [396] is chosen for the substituted axle, because it has the valuable property of keeping off spirits and ghosts. When a child is born a plank of this wood is laid along the door of the room to keep the spirits from troubling the mother and the newborn infant. In the same way, no doubt, this wood keeps the ghost of the first husband from entering with the widow into her second husband's village. The reason for the ebony-wood being a spirit-scarer seems to lie in its property of giving out sparks when burnt. "The burning wood gives out showers of sparks, and it is a common amusement to put pieces in a camp fire in order to see the column of sparks ascend." [397] The sparks would have a powerful effect on the primitive mind and probably impart a sacred character to the tree, and as they would scare away wild animals, the property of averting spirits might come to attach to the wood. The Panwars seldom resort to divorce, except in the case of open and flagrant immorality on the part of a wife. "They are not strict," Mr. Low writes, [398] "in the matter of sexual offences within the caste, though they bitterly resent and if able heavily avenge any attempt on the virtue of their women by an outsider. The men of the caste are on the other hand somewhat notorious for the freedom with which they enter into relations with the women of other castes." They not infrequently have Gond and Ahir girls from the families of their farmservants as members of their households.
9. Religion
The caste worship the ordinary Hindu divinities, and their household god is Dulha Deo, the deified bridegroom. He is represented by a nut and a date, which are wrapped in a cloth and hung on a peg in the wall of the house above the platform erected to him. Every year, or at the time of a marriage or the birth of a first child, a goat is offered to Dulha Deo. The animal is brought to the platform and given some rice to eat. A dedicatory mark of red ochre is made on its forehead and water is poured over the body, and as soon as it shivers it is killed. The shivering is considered to be an indication from the deity that the sacrifice is acceptable. The flesh is cooked and eaten by the family inside the house, and the skin and bones are buried below the floor. Narayan Deo or Vishnu or the Sun is represented by a bunch of peacock's feathers. He is generally kept in the house of a Mahar, and when his worship is to be celebrated he is brought thence in a gourd to the Panwar's house, and a black goat, rice and cakes are offered to him by the head of the household. While the offering is being made the Mahar sings and dances, and when the flesh of the goat is eaten he is permitted to sit inside the Panwar's house and begin the feast, the Panwars eating after him. On ordinary occasions a Mahar is not allowed to come inside the house, and any Panwar who took food with him would be put out of caste; and this rite is no doubt a recognition of the position of the Mahars as the earlier residents of the country before the Panwars came to it. The Turukh or Turk sept of Panwars pay a similar worship to Baba Farid, the Muhammadan saint of Girar. He is also represented by a bundle of peacock's feathers, and when a goat is sacrificed to him a Muhammadan kills it and is the first to partake of its flesh.
10. Worship of the spirits of those dying a violent death
When a man has been killed by a tiger (bagh) he is deified and worshipped as Bagh Deo. A hut is made in the yard of the house, and an image of a tiger is placed inside and worshipped on the anniversary of the man's death. The members of the household will not afterwards kill a tiger, as they think the animal has become a member of the family. A man who is bitten by a cobra (nag) and dies is similarly worshipped as Nag Deo. The image of a snake made of silver or iron is venerated, and the family will not kill a snake. If a man is killed by some other animal, or by drowning or a fall from a tree, his spirit is worshipped as Ban Deo or the forest god with similar rites, being represented by a little lump of rice and red lead. In all these cases it is supposed, as pointed out by Sir James Frazer, that the ghost of the man who has come to such an untimely end is especially malignant, and will bring trouble upon the survivors unless appeased with sacrifices and offerings. A good instance of the same belief is given by him in Psyche's Task [399] as found among the Karens of Burma: "They put red, yellow and white rice in a basket and leave it in the forest, saying: Ghosts of such as died by falling from a tree, ghosts of such as died of hunger or thirst, ghosts of such as died by the tiger's tooth or the serpent's fang, ghosts of the murdered dead, ghosts of such as died by smallpox or cholera, ghosts of dead lepers, oh ill-treat us not, seize not upon our persons, do us no harm! Oh stay here in this wood! We will bring hither red rice, yellow rice, and white rice for your subsistence."
That the same superstition is generally prevalent in the Central Provinces appears to be shown by the fact that among castes who practise cremation, the bodies of men who come to a violent end or die of smallpox or leprosy are buried, though whether burial is considered as more likely to prevent the ghost from walking than cremation, is not clear. Possibly, however, it may be considered that the bodies are too impure to be committed to the sacred fire.
11. Funeral rites
Cremation of the dead is the rule, but the bodies of those who have not died a natural death are buried, as also of persons who are believed to have been possessed of the goddess Devi in their lifetime. The bodies of small children are buried when the Khir Chatai ceremony has not been performed. This takes place when a child is about two years old: he is invited to the house of some member of the same section on the Diwali day and given to eat some Khir or a mess of new rice with milk and sugar, and thus apparently is held to become a proper member of the caste, as boys do in other castes on having their ears pierced. When a corpse is to be burnt a heap of cowdung cakes is made, on which it is laid, while others are spread over it, together with butter, sugar and linseed. The fire with which the pyre is kindled is carried by the son or other chief mourner in an earthen pot at the head of the corpse. After the cremation the ashes of the body are thrown into water, but the bones are kept by the chief mourner; his head and face are then shaved by the barber, and the hair is thrown into the water with most of the bones; he may retain a few to carry them to the Nerbudda at a convenient season, burying them meanwhile under a mango or pipal tree. A present of a rupee or a cow may be made to the barber. After the removal of a dead body the house is swept, and the rubbish with the broom and dustpan are thrown away outside the village. Before the body is taken away the widow of the dead man places her hands on his breast and forehead, and her bangles are broken by another widow. The shraddh ceremony is performed every year in the month of Kunwar (September) on the same day of the fortnight as that on which the death took place. On the day before the ceremony the head of the household goes to the houses of those whom he wishes to invite, and sticks some grains of rice on their foreheads. The guests must then fast up to the ceremony. On the following day, when they arrive at noon, the host, wearing a sacred thread of twisted grass, washes their feet with water in which the sacred kusa grass has been mixed, and marks their foreheads with sandal-paste and rice. The leaf-plates of the guests are set out inside the house, and a very small quantity of cooked rice is placed in each. The host then gathers up all this rice and throws it on to the roof of the house while his wife throws up some water, calling aloud the name of the dead man whose shraddh ceremony is being performed, and after this the whole party take their dinner.
12. Caste discipline
As has been shown, the Panwars have abandoned most of the distinctive Rajput customs. They do not wear the sacred thread and they permit the remarriage of widows. They eat the flesh of goats, fowls, wild pig, game-birds and fish, but abstain from liquor except on such ceremonial occasions as the worship of Narayan Deo, when every one must partake of it. Mr. Low states that the injurious habit of smoking madak (a preparation of opium) is growing in the caste. They will take water to drink from a Gond's hand and in some localities even cooked food. This is the outcome of their close association in agriculture, the Gonds having been commonly employed as farmservants by Panwar cultivators. A Brahman usually officiates at their ceremonies, but his presence is not essential and his duties may be performed by a member of the caste. Every Panwar male or female has a guru or spiritual preceptor, who is either a Brahman, a Gosain or a Bairagi. From time to time the guru comes to visit his chela or disciple, and on such occasions the chauk or sacred place is prepared with lines of wheat-flour. Two wooden stools are set within it and the guru and his chela take their seats on these. Their heads are covered with a new piece of cloth and the guru whispers some text into the ear of the disciple. Sweetmeats and other delicacies are then offered to the guru, and the disciple makes him a present of one to five rupees. When a Panwar is put out of caste two feasts have to be given on reinstatement, known as the Maili and Chokhi Roti (impure and pure food). The former is held in the morning on the bank of a tank or river and is attended by men only. A goat is killed and served with rice to the caste-fellows, and in serious cases the offender's head and face are shaved, and he prays, 'God forgive me the sin, it will never be repeated.' The Chokhi Roti is held in the evening at the offender's house, the elders and women as well as men of the caste being present. The Sendia or leader of the caste eats first, and he will not begin his meal unless he finds a douceur of from one to five rupees deposited beneath his leaf-plate. The whole cost of the ceremony of readmission is from fifteen to fifty rupees.
13. Social customs
The Panwar women wear their clothes tied in the Hindustani and not in the Maratha fashion. They are tattooed on the legs, hands and face, the face being usually decorated with single dots which are supposed to enhance its beauty, much after the same fashion as patches in England. Padmakar, the Saugor poet, Mr. Hira Lal remarks, compared the dot on a woman's chin to a black bee buried in a half-ripe mango. The women, Mr. Low says, are addicted to dances, plays and charades, the first being especially graceful performances. They are skilful with their fingers and make pretty grass mats and screens for the house, and are also very good cooks and appreciate variety in food. The Panwars do not eat off the ground, but place their dishes on little iron stands, sitting themselves on low wooden stools. The housewife is a very important person, and the husband will not give anything to eat or drink out of the house without her concurrence. Mr. Low writes on the character and abilities of the Panwars as follows: "The Panwar is to Balaghat what the Kunbi is to Berar or the Gujar to Hoshangabad, but at the same time he is less entirely attached to the soil and its cultivation, and much more intelligent and cosmopolitan than either. One of the most intelligent officials in the Agricultural Department is a Panwar, and several members of the caste have made large sums as forest and railway contractors in this District; Panwar shikaris are also not uncommon. They are generally averse to sedentary occupations, and though quite ready to avail themselves of the advantages of primary education, they do not, as a rule, care to carry their studies to a point that would ensure their admission to the higher ranks of Government service. Very few of them are to be found as patwaris, constables or peons. They are a handsome race, with intelligent faces, unusually fair, with high foreheads, and often grey eyes. They are not, as a rule, above middle height, but they are active and hard-working and by no means deficient in courage and animal spirits, or a sense of humour. They are clannish in the extreme, and to elucidate a criminal case in which no one but Panwars are concerned, and in a Panwar village, is usually a harder task than the average local police officer can tackle. At times they are apt to affect, in conversation with Government officials, a whining and unpleasant tone, especially when pleading their claim to some concession or other; and they are by no means lacking in astuteness and are good hands at a bargain. But they are a pleasant, intelligent and plucky race, not easily cast down by misfortune and always ready to attempt new enterprises in almost any direction save those indicated by the Agricultural Department.
"In the art of rice cultivation they are past masters. They are skilled tank-builders, though perhaps hardly equal to the Kohlis of Chanda. But they excel especially in the mending and levelling of their fields, in neat transplantation, and in the choice and adaptation of the different varieties of rice to land of varying qualities. They are by no means specially efficient as labourers, though they and their wives do their fair share of field work; but they are well able to control the labour of others, especially of aborigines, through whom most of their tank and other works are executed."
Pardhan
List of Paragraphs
1. General notice. 2. Tribal subdivisions. 3. Marriage. 4. Religion. 5. Social customs. 6. Methods of cheating among Patharis. 7. Musicians and priests.
1. General notice
Pardhan, Pathari, Panal.--An inferior branch of the Gond tribe whose occupation is to act as the priests and minstrels of the Gonds. In 1911 the Pardhans numbered nearly 120,000 persons in the Central Provinces and Berar. The only other locality where they are found is Hyderabad, which returned 8000. The name Pardhan is of Sanskrit origin and signifies a minister or agent. It is the regular designation of the principal minister of a Rajput State, who often fulfils the functions of a Mayor of the Palace. That it was applied to the tribe in this sense is shown by the fact that they are also known as Diwan, which has the same meaning. There is a tradition that the Gond kings employed Pardhans as their ministers, and as the Pardhans acted as genealogists they may have been more intelligent than the Gonds, though they are in no degree less illiterate. To themselves and their Gond relations the Pardhans are frequently not known by that name, which has been given to them by the Hindus, but as Panal. Other names for the tribe are Parganiha, Desai and Pathari. Parganiha is a title signifying the head of a pargana, and is now applied by courtesy to some families in Chhattisgarh. Desai has the same signification, being a variant of Deshmukh or the Maratha revenue officer in charge of a circle of villages. Pathari means a bard or genealogist, or according to another derivation a hillman. On the Satpura plateau and in Chhattisgarh the tribe is known as Pardhan Patharia. In Balaghat they are also called Mokasi. The Gonds themselves look down on the Pardhans and say that the word Patharia means inferior, and they relate that Bura Deo, their god, had seven sons. These were talking together one day as they dined and they said that every caste had an inferior branch to do it homage, but they had none; and they therefore agreed that the youngest brother and his descendants should be inferior to the others and make obeisance to them, while the others promised to treat him almost as their equal and give him a share in all the offerings to the dead. The Pardhans or Patharias are the descendants of the youngest brother and they accost the Gonds with the greeting 'Babu Johar,' or 'Good luck, sir.' The Gonds return the greeting by saying 'Pathari Johar,' or 'How do you do, Pathari.' Curiously enough Johar is also the salutation sent by a Rajput chief to an inferior landholder, [400] and the custom must apparently have been imitated by the Gonds. A variant of the story is that one day the seven Gond brothers were worshipping their god, but he did not make his appearance; so the youngest of them made a musical instrument out of a string and a piece of wood and played on it. The god was pleased with the music and came down to be worshipped, and hence the Pardhans as the descendants of the youngest brother continue to play on the kingri or lyre, which is their distinctive instrument. The above stories have been invented to account for the social inferiority of the Pardhans to the Gonds, but their position merely accords with the general rule that the bards and genealogists of any caste are a degraded section. The fact is somewhat contrary to preconceived ideas, but the explanation given of it is that such persons make their living by begging from the remainder of the caste and hence are naturally looked down upon by them; and further, that in pursuit of their calling they wander about to attend at wedding feasts all over the country, and consequently take food with many people of doubtful social position. This seems a reasonable interpretation of the rule of the inferiority of the bard, which at any rate obtains generally among the Hindu castes.
2. Tribal Subdivisions
The tribe have several endogamous divisions, of which the principal are the Raj Pardhans, the Ganda Pardhans and the Thothia Pardhans. The Raj Pardhans appear to be the descendants of alliances between Raj Gonds and Pardhan women. They say that formerly the priests of Bura Deo lived a celibate life, and both men and women attended to worship the god; but on one occasion the priests ran away with some women and after this the Gonds did not know who should be appointed to serve the deity. While they were thus perplexed, a kingri (or rude wooden lyre) fell from heaven on to the lap of one of them, and, in accordance with this plain indication of the divine will, he became the priest, and was the ancestor of the Raj Pardhans; and since this contretemps the priests are permitted to marry, while women are no longer allowed to attend the worship of Bura Deo. The Thothia subtribe are said to be the descendants of illicit unions, the word Thothia meaning 'maimed'; while the Gandas are the offspring of intermarriages between the Pardhans and members of that degraded caste. Other groups are the Mades or those of the Mad country in Chanda and Bastar, the Khalotias or those of the Chhattisgarh plain, and the Deogarhias of Deogarh in Chhindwara; and there are also some occupational divisions, as the Kandres or bamboo-workers, the Gaitas who act as priests in Chhattisgarh, and the Arakhs who engage in service and sell old clothes. A curious grouping is found in Chanda, where the tribe are divided into the Gond Patharis and Chor or 'Thief' Patharis. The latter have obtained their name from their criminal propensities, but they are said to be proud of it and to refuse to intermarry with any families not having the designation of Chor Pathari. In Raipur the Patharis are said to be the offspring of Gonds by women of other castes, and the descendants of such unions. The exogamous divisions of the Pardhans are the same as those of the Gonds, and like them they are split up into groups worshipping different numbers of gods whose members may not marry with one another.
3. Marriage
A Pardhan wedding is usually held in the bridegroom's village in some public place, such as the market or cross-roads. The boy wears a blanket and carries a dagger in his hand. The couple walk five times round in a circle, after which the boy catches hold of the girl's hand. He tries to open her fist which she keeps closed, and when he succeeds in this he places an iron ring on her little finger and puts his right toe over that of the girl's. The officiating priest then ties the ends of their clothes together and five chickens are killed. The customary bride-price is Rs. 12, but it varies in different localities. A widower taking a girl bride has, as a rule, to pay a double price. A widow is usually taken in marriage by her deceased husband's younger brother.
4. Religion
As the priests of the Gonds, the Pardhans are employed to conduct the ceremonial worship of their great god Bura Deo, which takes place on the third day of the bright fortnight of Baisakh (April). Many goats or pigs are then offered to him with liquor, cocoanuts, betel-leaves, flowers, lemons and rice. Bura Deo is always enshrined under a tree outside the village, either of the mahua or saj (Terminalia tomentosa) varieties. In Chhattisgarh the Gonds say that the origin of Bura Deo was from a child born of an illicit union between a Gond and a Rawat woman. The father murdered the child by strangling it, and its spirit then began to haunt and annoy the man and all his relations, and gradually extended its attentions to all the Gonds of the surrounding country. It finally consented to be appeased by a promise of adoration from the whole tribe, and since then has been installed as the principal deity of the Gonds. The story is interesting as showing how completely devoid of any supernatural majesty or power is the Gond conception of their principal deity.
5. Social Customs
Like the Gonds, the Pardhans will eat almost any kind of food, including beef, pork and the flesh of rats and mice, but they will not eat the leavings of others. They will take food from the hands of Gonds, but the Gonds do not return the compliment. Among the Hindus generally the Pardhans are much despised, and their touch conveys impurity while that of a Gond does not. Every Pardhan has tattooed on his left arm near the inside of the elbow a dotted figure which represents his totem or the animal, plant or other natural object after which his sept is named. Many of them have a better type of countenance than the Gonds, which is perhaps due to an infusion of Hindu blood. They are also generally more intelligent and cunning. They have criminal propensities, and the Patharias of Chhattisgarh are especially noted for cattle-lifting and thieving. Writing forty years ago Captain Thomson [401] described the Pardhans of Seoni as bearing the very worst of characters, many of them being regular cattle-lifters and gang robbers. In some parts of Seoni they had become the terror of the village proprietors, whose houses and granaries they fired if they were in any way reported on or molested. Since that time the Pardhans have become quite peaceable, but they still have a bad reputation for petty thieving.
6. Methods of cheating among Patharis
In Chhattisgarh one subdivision is said to be known as Sonthaga (sona, gold, and thag, a cheat), because they cheat people by passing counterfeit gold. Their methods were described as follows in 1872 by Captain McNeill, District Superintendent of Police: [402] "They procure a quantity of the dry bark of the pipal, [403] mahua, [404] tamarind or gular [405] trees and set it on fire; when it has become red-hot it is raked into a small hole and a piece of well-polished brass is deposited among the glowing embers. It is constantly moved and turned about and in ten or fifteen minutes has taken a deep orange colour resembling gold. It is then placed in a small heap of wood-ashes and after a few minutes taken out again and carefully wrapped in cotton-wool. The peculiar orange colour results from the sulphur and resin in the bark being rendered volatile. They then proceed to dispose of the gold, sometimes going to a fair and buying cattle. On concluding a bargain they suddenly find they have no money, and after some hesitation reluctantly produce the gold, and say they are willing to part with it at a disadvantage, thereby usually inducing the belief that it has been stolen. The cupidity of the owner of the cattle is aroused, and he accepts the gold at a rate which would be very advantageous if it were genuine. At other times they join a party of pilgrims, to which some of their confederates have already obtained admission in disguise, and offer to sell their gold as being in great want of money. A piece is first sold to the confederates on very cheap terms and the other pilgrims eagerly participate." It would appear that the Patharis have not much to learn from the owners of buried treasure or the confidence or three-card trick performers of London, and their methods are in striking contrast to the guileless simplicity usually supposed to be a characteristic of the primitive tribes. Mr. White states that "All the property acquired is taken back to the village and there distributed by a panchayat or committee, whose head is known as Mokasi. The Mokasi is elected by the community and may also be deposed by it, though he usually holds office for life; to be a successful candidate for the position of Mokasi one should have wealth and experience and it is not a disadvantage to have been in jail. The Mokasi superintends the internal affairs of the community and maintains good relations with the proprietor and village watchman by means of gifts."
7. Musicians and priests
The Pardhans and Patharis are also, as already stated, village musicians, and their distinctive instrument the kingri or kingadi is described by Mr. White as consisting of a stick passed through a gourd. A string or wire is stretched over this and the instrument is played with the fingers. Another kind possesses three strings of woven horse-hair and is played with the help of a bow. The women of the Ganda Pardhan subtribe act as midwives. Mr. Tawney wrote of the Pardhans of Chhindwara: [406] "The Raj-Pardhans are the bards of the Gonds and they can also officiate as priests, but the Bhumka generally acts in the latter capacity and the Pardhans confine themselves to singing the praises of the god. At every public worship in the Deo-khalla or dwelling-place of the gods, there should, if possible, be a Pardhan, and great men use them on less important occasions. They cannot even worship their household gods or be married without the Pardhans. The Raj-Pardhans are looked down on by the Gonds, and considered as somewhat inferior, seeing that they take the offerings at religious ceremonies and the clothes of the dear departed at funerals. This has never been the business of a true Gond, who seems never happier than when wandering in the jungle, and who above all things loves his axe, and next to that a tree to chop at. There is nothing in the ceremonies or religion of the Pardhans to distinguish them from the Gonds."
Pardhi
List of Paragraphs
1. General notice of the caste. 2. Subdivisions. 3. Marriage and funeral customs. 4. Religion. 5. Dress, food and social customs. 6. Ordeals. 7. Methods of catching birds. 8. Hunting with leopards. 9. Decoy stags. 10. Hawks. 11. Crocodile fishing. 12. Other occupations and criminal practices.
1. General notice of the caste
Pardhi, [407] Bahelia, Mirshikar, Moghia, Shikari, Takankar.--A low caste of wandering fowlers and hunters. They numbered about 15,000 persons in the Central Provinces and Berar in 1911, and are found scattered over several Districts. These figures include about 2000 Bahelias. The word Pardhi is derived from the Marathi paradh, hunting. Shikari, the common term for a native hunter, is an alternative name for the caste, but particularly applied to those who use firearms, which most Pardhis refuse to do. Moghia is the Hindustani word for fowler, and Takankar is the name of a small occupational offshoot of the Pardhis in Berar, who travel from village to village and roughen the household grinding-mills when they have worn smooth. The word is derived from takna, to tap or chisel. The caste appears to be a mixed group made up of Bawarias or other Rajput outcastes, Gonds and social derelicts from all sources. The Pardhis perhaps belong more especially to the Maratha country, as they are numerous in Khandesh, and many of them talk a dialect of Gujarati. In the northern Districts their speech is a mixture of Marwari and Hindi, while they often know Marathi or Urdu as well. The name for the similar class of people in northern India is Bahelia, and in the Central Provinces the Bahelias and Pardhis merge into one another and are not recognisable as distinct groups. The caste is recruited from the most diverse elements, and women of any except the impure castes can be admitted into the community; and on this account their customs differ greatly in different localities. According to their own legends the first ancestor of the Pardhis was a Gond, to whom Mahadeo taught the art of snaring game so that he might avoid the sin of shooting it; and hence the ordinary Pardhis never use a gun.
2. Subdivisions
Like other wandering castes the Pardhis have a large number of endogamous groups, varying lists being often given in different areas. The principal subcastes appear to be the Shikari or Bhil Pardhis, who use firearms; the Phanse Pardhis, who hunt with traps and snares; the Langoti Pardhis, so called because they wear only a narrow strip of cloth round the loins; and the Takankars. Both the Takankars and Langotis have strong criminal tendencies. Several other groups are recorded in different Districts, as the Chitewale, who hunt with a tame leopard; the Gayake, who stalk their prey behind a bullock; the Gosain Pardhis, who dress like religious mendicants in ochre-coloured clothes and do not kill deer, but only hares, jackals and foxes; the Shishi ke Telwale, who sell crocodile's oil; and the Bandarwale who go about with performing monkeys. The Bahelias have a subcaste known as Karijat, the members of which only kill birds of a black colour. Their exogamous groups are nearly all those of Rajput tribes, as Sesodia, Panwar, Solanki, Chauhan, Rathor, and soon; it is probable that these have been adopted through imitation by vagrant Bawarias and others sojourning in Rajputana. There are also a few groups with titular or other names, and it is stated that members of clans bearing Rajput names will take daughters from the others in marriage, but will not give their daughters to them.
3. Marriage and funeral customs
Girls appear to be somewhat scarce in the caste and a bride-price is usually paid, which is given as Rs. 9 in Chanda, Rs. 35 in Bilaspur, and Rs. 60 or more in Hoshangabad and Saugor. If a girl should be seduced by a man of the caste she would be united to him by the ceremony of a widow's marriage: but her family will require a bride from her husband's family in exchange for the girl whose value he has destroyed. Even if led astray by an outsider a girl may be readmitted into the caste; and in the extreme case of her being debauched by her brother, she may still be married to one of the community, but no one will take food from her hands during her lifetime, though her children will be recognised as proper Pardhis. A special fine of Rs. 100 is imposed on a brother who commits this crime. The ceremony of marriage varies according to the locality in which they reside; usually the couple walk seven times round a tanda or collection of their small mat tents. In Berar a cloth is held up by four poles as a canopy over them and they are preceded by a married woman carrying five pitchers of water. Divorce and the marriage of widows are freely permitted. The caste commonly bury their dead, placing the head to the north. They do not shave their heads in token of mourning.
4. Religion
In Berar their principal deity is the goddess Devi, who is known by different names. Every family of Langoti Pardhis has, Mr. Gayer states, [408] its image in silver of the goddess, and because of this no Langoti Pardhi woman will wear silver below the waist or hang her sari on a peg, as it must never be put on the same level as the goddess. They also sometimes refuse to wear red or coloured clothes, one explanation for this being that the image of the goddess is placed on a bed of red cloth. In Hoshangabad their principal deity is called Guraiya Deo, and his image, consisting of a human figure embossed in silver, is kept in a leather bag on the west side of their tents; and for this reason women going out of the encampment for a necessary purpose always proceed to the east. They also sleep with their feet to the east. Goats are offered to Guraiya Deo and their horns are placed in his leather bag. In Hoshangabad they sacrifice a fowl to the ropes of their tents at the Dasahra and Diwali festivals, and on the former occasion clean their hunting implements and make offerings to them of turmeric and rice. They are reported to believe that the sun and moon die and are reborn daily. The hunter's calling is one largely dependent on luck or chance, and, as might be expected, the Pardhis are firm believers in omens, and observe various rules by which they think their fortune will be affected. A favourite omen is the simple device of taking some rice or juari in the hand and counting the grains. Contrary to the usual rule, even numbers are considered lucky and odd ones unlucky. If the first result is unsatisfactory a second or third trial may be made. If a winnowing basket or millstone be let fall and drop to the right hand it is a lucky omen, and similarly if a flower from Devi's garland should fall to the right side. The bellowing of cows, the mewing of a cat, the howling of a jackal and sneezing are other unlucky omens. If a snake passes from left to right it is a bad omen and if from right to left a good one. A man must not sleep with his head on the threshold of a house or in the doorway of a tent under penalty of a fine of Rs. 2-8; the only explanation given of this rule is that such a position is unlucky because a corpse is carried out across the threshold. A similar penalty is imposed if he falls down before his wife even by accident. A Pardhi, with the exception of members of the Sesodia clan, must never sleep on a cot, a fine of five rupees being imposed for a breach of this rule. A man who has once caught a deer must not again have the hair of his head touched by a razor, and thus the Pardhis may be recognised by their long and unkempt locks. A breach of this rule is punished with a fine of fifteen rupees, but it is not observed everywhere. A woman must never step across the rope or peg of a tent, nor upon the place where the blood of a deer has flowed on to the ground. During her monthly period of impurity a woman must not cross a river nor sit in a boat. A Pardhi will never kill or sell a dog and they will not hunt wild dogs even if money is offered to them. This is probably because they look upon the wild dog as a fellow-hunter, and consider that to do him injury would bring ill-luck upon themselves. A Pardhi has also theoretically a care for the preservation of game. When he has caught a number of birds in his trap, he will let a pair of them loose so that they may go on breeding. Women are not permitted to take any part in the work of hunting, but are confined strictly to their household duties. A woman who kicks her husband's stick is fined Rs. 2-8. The butt end of the stick is employed for mixing vegetables and other purposes, but the meaning of the rule is not clear unless one of its uses is for the enforcement of conjugal discipline. A Pardhi may not swear by a dog, a cat or a squirrel. Their most solemn oath is in the name of their deity Guraiya Deo, and it is believed that any one who falsely takes this oath will become a leper. The Phans Pardhis may not travel in a railway train, and some of them are forbidden even to use a cart or other conveyance.
5. Dress, food and social customs
In dress and appearance the Pardhis are disreputable and dirty. Their features are dark and their hair matted and unkempt. They never wear shoes and say that they are protected by a special promise of the goddess Devi to their first ancestor that no insect or reptile in the forests should injure them. The truth is, no doubt, that shoes would make it impossible for them to approach their game without disturbing it, and from long practice the soles of their feet become impervious to thorns and minor injuries. Similarly the Langoti Pardhis are so called because they wear only a narrow strip of cloth round the loins, the reason probably being that a long one would impede them by flapping and catching in the brushwood. But the explanation which they themselves give, [409] a somewhat curious one in view of their appearance, is that an ordinary dhoti or loin-cloth if worn might become soiled and therefore unlucky. Their women do not have their noses pierced and never wear spangles or other marks on the forehead. The Pardhis still obtain fire by igniting a piece of cotton with flint and iron. Mr. Sewell notes that their women eat at the same time as the men, instead of after them as among most Hindus. They explain this custom by saying that on one occasion a woman tried to poison her husband and it was therefore adopted as a precaution against similar attempts; but no doubt it has always prevailed, and the more orthodox practice would be almost incompatible with their gipsy life. Similar reasons of convenience account for their custom of celebrating marriages all the year round and neglecting the Hindu close season of the four months of the rains. They travel about with little huts made of matting, which can be rolled up and carried off in a few minutes. If rain comes on they seek shelter in the nearest village. [410] In some localities the caste eat no food cooked with butter or oil. They are usually considered as an impure caste, whose touch is a defilement to Hindus. Brahmans do not officiate at their ceremonies, though the Pardhis resort to the village Joshi or astrologer to have a propitious date indicated for marriages. They have to pay for such services in money, as Brahmans usually refuse to accept even uncooked grain from them. After childbirth women are held to be impure and forbidden to cook for their families for a period varying from six weeks to six months. During their periodical impurity they are secluded for four, six or eight days, the Pardhis observing very strict rules in these matters, as is not infrequently the case with the lowest castes. Their caste meetings, Mr. Sewell states, are known as Deokaria or 'An act performed in honour of God'; at these meetings arrangements for expeditions are discussed and caste disputes decided. The penalty for social offences is a fine of a specified quantity of liquor, the liquor provided by male and female delinquents being drunk by the men and women respectively. The punishment for adultery in either sex consists in cutting off a piece of the left ear with a razor, and a man guilty of intercourse with a prostitute is punished as if he had committed adultery. The Pardhi women are said to be virtuous.
6. Ordeals
The Pardhis still preserve the primitive method of trial by ordeal. If a woman is suspected of misconduct she is made to pick a pice coin out of boiling oil; or a pipal leaf is placed on her hand and a red-hot axe laid over it, and if her hand is burnt or she refuses to stand the test she is pronounced guilty. Or, in the case of a man, the accused is made to dive into water; and as he dives an arrow is shot from a bow. A swift runner fetches and brings back the arrow, and if the diver can remain under water until the runner has returned he is held to be innocent. In Nimar, if an unmarried girl becomes pregnant, two cakes of dough are prepared, a piece of silver being placed in one and a lump of coal in the other. The girl takes one of the cakes, and if it is found to contain the coal she is expelled from the community, while if she chooses the piece of silver, she is pardoned and made over to one of the caste. The idea of the ordeal is apparently to decide the question whether her condition was caused by a Pardhi or an outsider.
7. Methods of catching birds
The Phans Pardhis hunt all kinds of birds and the smaller animals with the phanda or snare. Mr. Ball describes their procedure as follows: [411] "For peacock, saras crane and bustard they have a long series of nooses, each provided with a wooden peg and all connected with a long string. The tension necessary to keep the nooses open is afforded by a slender slip of antelope's horn (very much resembling whalebone), which forms the core of the loop. Provided with several sets of these nooses, a trained bullock and a shield-like cloth screen dyed buff and pierced with eye-holes, the bird-catcher sets out for the jungle, and on seeing a flock of pea-fowl circles round them under cover of the screen and the bullock, which he guides by a nose-string. The birds feed on undisturbed, and the man rapidly pegs out his long strings of nooses, and when all are properly disposed, moves round to the opposite side of the birds and shows himself; when they of course run off, and one or more getting their feet in the nooses fall forwards and flap on the ground; the man immediately captures them, knowing that if the strain is relaxed the nooses will open and permit of the bird's escape. Very cruel practices are in vogue with these people with reference to the captured birds, in order to keep them alive until a purchaser is found. The peacocks have a feather passed through the eyelids, by which means they are effectually blinded, while in the case of smaller birds both the legs and wings are broken." Deer, hares and even pig are also caught by a strong rope with running nooses. For smaller birds the appliance is a little rack about four inches high with uprights a few inches apart, between each of which is hung a noose. Another appliance mentioned by Mr. Ball is a set of long conical bag nets, which are kept open by hooks and provided with a pair of folding doors. The Pardhi has also a whistle made of deer-horn, with which he can imitate the call of the birds. Tree birds are caught with bird-lime as described by Sir G. Grierson. [412] The Bahelia has several long shafts of bamboos called nal or nar, which are tied together like a fishing rod, the endmost one being covered with bird-lime. Concealing himself behind his bamboo screen the Bahelia approaches the bird and when near enough strikes and secures it with his rod; or he may spread some grain out at a short distance, and as the birds are hopping about over it he introduces the pole, giving it a zig-zag movement and imitating as far as possible the progress of a snake. Having brought the point near one of the birds, which is fascinated by its stealthy approach, he suddenly jerks it into its breast and then drawing it to him, releases the poor palpitating creature, putting it away in his bag, and recommences the same operation. This method does not require the use of bird-lime.
8. Hunting with leopards
The manner in which the Chita Pardhis use the hunting leopard (Felis jubata) for catching deer has often been described. [413] The leopard is caught full-grown by a noose in the manner related above. Its neck is first clasped in a wooden vice until it is half-strangled, and its feet are then bound with ropes and a cap slipped over its head. It is partially starved for a time, and being always fed by the same man, after a month or so it becomes tame and learns to know its master. It is then led through villages held by ropes on each side to accustom it to the presence of human beings. On a hunting party the leopard is carried on a cart, hooded, and, being approached from down wind, the deer allow the cart to get fairly close to them. The Indian antelope or black-buck are the usual quarry, and as these frequent cultivated land, they regard country carts without suspicion. The hood is then taken off and the leopard springs forward at the game with extreme velocity, perhaps exceeding that which any other quadruped possesses. The accounts given by Jerdon say that for the moment its speed is greater than that of a race-horse. It cannot maintain this for more than three or four hundred yards, however, and if in that distance the animal has not seized its prey, it relinquishes the pursuit and stalks about in a towering passion. The Pardhis say that when it misses the game the leopard is as sulky as a human being and sometimes refuses food for a couple of days. If successful in the pursuit, it seizes the antelope by the throat; the keeper then comes up, and cutting the animal's throat collects some of the blood in the wooden ladle with which the leopard is always fed; this is offered to him, and dropping his hold he laps it up eagerly, when the hood is cleverly slipped on again.
The conducting of the cheetah from its cage to the chase is by no means an easy matter. The keeper leads him along, as he would a large dog, with a chain; and for a time as they scamper over the country the leopard goes willingly enough; but if anything arrests his attention, some noise from the forest, some scented trail upon the ground, he moves more slowly, throws his head aloft and peers savagely round. A few more minutes perhaps and he would be unmanageable. The keeper, however, is prepared for the emergency. He holds in his left hand a cocoanut shell, sprinkled on the inside with salt; and by means of a handle affixed to the shell he puts it at once over the nose of the cheetah. The animal licks the salt, loses the scent, forgets the object which arrested his attention, and is led quietly along again. [414]
9. Decoy stags
For hunting stags, tame stags were formerly used as decoys according to the method described as follows: "We had about a dozen trained stags, all males, with us. These, well acquainted with the object for which they were sent forward, advanced at a gentle trot over the open ground towards the skirt of the wood. They were observed at once by the watchers of the herd, and the boldest of the wild animals advanced to meet them. Whether the intention was to welcome them peacefully or to do battle for their pasturage I cannot tell; but in a few minutes the two parties were engaged in a furious contest. Head to head, antlers to antlers, the tame deer and the wild fought with great fury. Each of the tame animals, every one of them large and formidable, was closely engaged in contest with a wild adversary, standing chiefly on the defensive, not in any feigned battle or mimicry of war but in a hard-fought combat. We now made our appearance in the open ground on horseback, advancing towards the scene of conflict. The deer on the skirts of the wood, seeing us, took to flight; but those actually engaged maintained their ground and continued the contest. In the meantime a party of native huntsmen, sent for the purpose, gradually drew near to the wild stags, getting in between them and the forest. What their object was we were not at the time aware; in truth it was not one that we could have approved or encouraged. They made their way into the rear of the wild stags, which were still combating too fiercely to mind them; they approached the animals, and with a skilful cut of their long knives the poor warriors fell hamstrung. We felt pity for the noble animals as we saw them fall helplessly on the ground, unable longer to continue the contest and pushed down of course by the decoy-stags. Once down, they were unable to rise again." [415]
10. Hawks
Hawks were also used in a very ingenious fashion to prevent duck from flying away when put upon water: "The trained hawks were now brought into requisition, and marvellous it was to see the instinct with which they seconded the efforts of their trainers. The ordinary hawking of the heron we had at a later period of this expedition; but the use now made of the animal was altogether different, and displayed infinitely more sagacity than one would suppose likely to be possessed by such an animal. These were trained especially for the purpose for which they were now employed. A flight of ducks--thousands of birds--were enticed upon the water as before by scattering corn over it. The hawks were then let fly, four or five of them. We made our appearance openly upon the bank, guns in hand, and the living swarm of birds rose at once into the air. The hawks circled above them, however, in a rapid revolving flight and they dared not ascend high. Thus was our prey retained fluttering in mid-air, until hundreds had paid the penalty with their lives. Only picture in your mind's eye the circling hawks above gyrating monotonously, the fluttering captives in mid-air, darting now here, now there to escape, and still coward-like huddling together; and the motley group of sportsmen on the bank and you have the whole scene before you at once." [416]
11. Crocodile fishing
For catching crocodile, a method by which as already stated one group of the Pardhis earn their livelihood, a large double hook is used, baited with a piece of putrid deer's flesh and attached to a hempen rope 70 or 80 feet long. When the crocodile has swallowed the hook, twenty or thirty persons drag the animal out of the water and it is despatched with axes. Crocodiles are hunted only in the months of Pus (December), Magh (January) and Chait (March), when they are generally fat and yield plenty of oil. The flesh is cut into pieces and stewed over a slow fire, when it exudes a watery oil. This is strained and sold in bottles at a rupee a seer (2 lbs.). It is used as an embrocation for rheumatism and for neck galls of cattle. The Pardhis do not eat crocodile's flesh.
12. Other occupations and criminal practices
A body of Pardhis are sometimes employed by all the cultivators of a village jointly for the purpose of watching the spring crops during the day and keeping black-buck out of them. They do this perhaps for two or three months and receive a fixed quantity of grain. The Takankars are regularly employed as village servants in Berar and travel about roughening the stones of the household grinding-mills when their surfaces have worn smooth. For this they receive an annual contribution of grain from each household. The caste generally have criminal tendencies and Mr. Sewell states, that "The Langoti Pardhis and Takankars are the worst offenders. Ordinarily when committing dacoity they are armed with sticks and stones only. In digging through a wall they generally leave a thin strip at which the leader carefully listens before finally bursting through. Then when the hole has been made large enough, he strikes a match and holding it in front of him so that his features are shielded has a good survey of the room before entering.... As a rule, they do not divide the property on or near the scene of the crime, but take it home. Generally it is carried by one of the gang well behind the rest so as to enable it to be hidden if the party is challenged." In Bombay they openly rob the standing crops, and the landlords stand in such awe of them that they secure their goodwill by submitting to a regular system of blackmail. [417]
Parja
List of Paragraphs
1. General notice of the tribe. 2. Exogamous septs. 3. Kinship and marriage. 4. Marriage dance. 5. Nuptial ceremony. 6. Widow-marriage and divorce. 7. Religion and festivals. 8. Disposal of the dead. 9. Occupation and social customs.
1. General notice of the tribe
Parja.--A small tribe, [418] originally an offshoot of the Gonds, who reside in the centre and east of the Bastar State and the adjoining Jaipur zamindari of Madras. They number about 13,000 persons in the Central Provinces and 92,000 in Madras, where they are also known as Poroja. The name Parja appears to be derived from the Sanskrit Parja, a subject. The following notice of it is taken from the Madras Census Report [419] of 1871: "The term Parja is, as Mr. Carmichael has pointed out, merely a corruption of a Sanskrit term signifying a subject; and it is understood as such by the people themselves, who use it in contradistinction to a free hillman. Formerly, says a tradition that runs through the whole tribe, Rajas and Parjas were brothers, but the Rajas took to riding horses or, as the Barenja Parjas put it, sitting still, and we became carriers of burdens and Parjas. It is quite certain in fact that the term Parja is not a tribal denomination, but a class denomination; and it may be fitly rendered by the familiar epithet of ryot. There is no doubt, however, that by far the greater number of these Parjas are akin to the Khonds of the Ganjam Maliahs. They are thrifty, hardworking cultivators, undisturbed by the intestinal broils which their cousins in the north engage in, and they bear in their breasts an inalienable reverence for their soil, the value of which they are rapidly becoming acquainted with. Their ancient rights to these lands are acknowledged by colonists from among the Aryans, and when a dispute arises about the boundaries of a field possessed by recent arrivals a Parja is usually called in to point out the ancient landmarks. Gadbas are also represented as indigenous from the long lapse of years that they have been in the country, but they are by no means of the patriarchal type that characterises the Parjas."
In Bastar the caste are also known as Dhurwa, which may be derived from Dhur, the name applied to the body of Gonds as opposed to the Raj-Gonds. In Bastar, Dhurwa now conveys the sense of a headman of a village. The tribe have three divisions, Thakara or Tagara, Peng and Mudara, of which only the first is found in Bastar. Thakara appears to be a corruption of Thakur, a lord, and the two names point to the conclusion that the Parjas were formerly dominant in this tract. They themselves have a story, somewhat resembling the one quoted above from Madras, to the effect that their ancestor was the elder brother of the first Raja of Bastar when he lived in Madras, to the south of Warangal. From there he had to flee on account of an invasion of the Muhammadans, and was accompanied by the goddess Danteshwari, the tutelary deity of the Rajas of Bastar. In accordance with the command of the goddess the younger brother was considered as the Raja and rode on a horse, while the elder went before him carrying their baggage. At Bhadrachallam they met the Bhatras, and further on the Halbas. The goddess followed them, guiding their steps, but she strictly enjoined on the Raja not to look behind him so as to see her. But when they came to the sands of the rivers Sankani and Dankani, the tinkle of the anklets of the goddess could not be heard for the sand. The Raja therefore looked behind him to see if she was following, on which she said that she could go no more with him, but he was to march as far as he could and then settle down. The two brothers settled in Bastar, where the descendants of the younger became the ruling clan, and those of the elder were their servants, the Parjas. The story indicates, perhaps, that the Parjas were the original Gond inhabitants and rulers of the country, and were supplanted by a later immigration of the same tribe, who reduced them to subjection, and became Raj-Gonds. Possibly the first transfer of power was effected by the marriage of an immigrant into a Parja Raja's family, as so often happened with these old dynasties. The Parjas still talk about the Rani of Bastar as their Bohu or 'younger brother's wife,' and the custom is probably based on some such legend. The Madras account of them as the arbiters of boundary disputes points to the same conclusion, as this function is invariably assigned to the oldest residents in any locality. The Parjas appear to be Gonds and not Khonds. Their sept names are Gondi words, and their language is a form of Gondi, called after them Parji. Parji has hitherto been considered a form of Bhatri, but Sir G. Grierson [420] has now classified the latter as a dialect of the Uriya language, while Parji remains 'A local and very corrupt variation of Gondi, considerably mixed with Hindi forms.' While then the Parjas, in Bastar at any rate, must be held to be a branch of the Gonds, they may have a considerable admixture of the Khonds, or other tribes in different localities, as the rules of marriage are very loose in this part of the country. [421]
2. Exogamous septs
The tribe have exogamous totemistic septs, as Bagh a tiger, Kachhim a tortoise, Bokda a goat, Netam a dog, Gohi a big lizard, Pandki a dove and so on. If a man kills accidentally the animal after which his sept is named, the earthen cooking-pots of his household are thrown away, the clothes are washed, and the house is purified with water in which the bark of the mango or jamun [422] tree has been steeped. This is in sign of mourning, as it is thought that such an act will bring misfortune. If a man of the snake sept kills a snake accidentally, he places a piece of new yarn on his head, praying for forgiveness, and deposits the body on an anthill, where snakes are supposed to live. If a man of the goat sept eats goat's flesh, it is thought that he will become blind at once. A Parja will not touch the body of his totem-animal when dead, and if he sees any one killing or teasing it when alive, he will go away out of sight. It is said that a man of the Kachhim sept once found a tortoise while on a journey, and leaving it undisturbed, passed on. When the tortoise died it was reborn in the man's belly and troubled him greatly, and since then every Parja is liable to be afflicted in the same way in the side of the abdomen, the disease which is produced being in fact enlarged spleen. The tortoise told the man that as he had left it lying by the road, and had not devoted it to any useful purpose, he was afflicted in this way. Consequently, when a man of the Kachhim sept finds a tortoise nowadays, he gives it to somebody else who can cut it up. The story is interesting as a legend of the origin of spleen, but has apparently been invented as an excuse for killing the sacred animal.
3. Kinship and marriage
Marriage is prohibited in theory between members of the same sept. But as the number of septs is rather small, the rule is not adhered to, and members of the same sept are permitted to marry so long as they do not come from the same village; the original rule of exogamy being perhaps thus exemplified. The proposal for a match is made by the boy's father, who first offers a cup of liquor to the girl's father in the bazar, and subsequently explains his errand. If the girl's father, after consulting with his family, disapproves of the match, he returns an equal quantity of liquor to the boy's father in token of his decision. The girl is usually consulted, and asked if she would like to marry her suitor, but not much regard is had to her opinion. If she dislikes him, however, she usually runs away from him after a short interlude of married life. If a girl becomes pregnant with a caste-fellow before marriage, he is required to take her, and give to the family the presents which he would make to them on a regular marriage. The man can subsequently be properly married to some other woman, but the girl cannot be married at all. If a girl is seduced by a man outside the caste, she is made over to him. It is essential for a man to be properly married at least once, and an old bachelor will sometimes go through the form of being wedded to his maternal uncle's daughter, even though she may be an infant. If no proposal for marriage is made for a girl, she is sometimes handed over informally to any man who likes to take her, and who is willing to give as much for her as the parents would receive for a regular marriage. A short time before the wedding, the boy's father sends a considerable quantity of rice to the girl's father, and on the day before he sends a calf, a pot of liquor, fifteen annas worth of copper coin, and a new cloth. The bridegroom's expenses are about Rs. 50, and the bride's about Rs. 10.
4. Marriage dance
At weddings the tribe have a dance called Surcha, for which the men wear a particular dress consisting of a long coat, a turban and two or three scarves thrown loosely over the shoulders. Strings of little bells are tied about the feet, and garlands of beads round the neck; sometimes men and women dance separately, and sometimes both sexes together in a long line or a circle. Music is provided by bamboo flutes, drums and an iron instrument something like a flute. As they dance, songs are sung in the form of question and answer between the lines of men and women, usually of a somewhat indecent character. The following short specimen may be given:--
Man. If you are willing to go with me we will both follow the officer's elephant. If I go back without you my heart can have no rest.
Woman. Who dare take me away from my husband while the Company is reigning. My husband will beat me and who will pay him the compensation?
Man. You had better make up your mind to go with me. I will ask the Treasurer for some money and pay it to your husband as compensation.
Woman. Very well, I will make ready some food, and will run away with you in the next bright fortnight.
These dialogues often, it is said, lead to quarrels between husband and wife, as the husband cannot rebuke his wife in the assembly. Sometimes the women fall in love with men in the dance, and afterwards run away with them.
5. Nuptial ceremony
The marriage takes place at the boy's house, where two marriage-sheds are made. It is noticeable that the bride on going to the bridegroom's house to be married is accompanied only by her female relatives, no man of her family being allowed to be with her. This is probably a reminiscence of the old custom of marriage by capture, as in former times she was carried off by force, the opposition of her male relatives having been quelled. In memory of this the men still do not countenance the wedding procession by their presence. The bridal couple are made to sit down together on a mat, and from three to seven pots of cold water are poured over them. About a week after the wedding the couple go to a market with their friends, and after walking round it they all sit down and drink liquor.
6. Widow-marriage and divorce
The remarriage of widows is permitted, and a widow is practically compelled to marry her late husband's younger brother, if he has one. If she persistently refuses to do so, in spite of the strongest pressure, her parents turn her out of their house. In order to be married the woman goes to the man's house with some friends; they sit together on the ground, and the friends apply the tika or sign by touching their foreheads with dry rice. A man can divorce his wife if she is of bad character, or if she is supposed to be under an unfavourable star, or if her children die in infancy. A divorced woman can marry again as if she were a widow.
7. Religion and festivals