Chapter VI…

Chapter VI

I think it is the weakness of mine eyes, That shapes this monstrous apparition. It comes upon me! JULIUS CÆSAR

Daylight dispelled from Emily’s mind the glooms of superstition, but not those of apprehension. The Count Morano was the first image that occurred to her waking thoughts, and then came a train of anticipated evils, which she could neither conquer, nor avoid. She rose, and, to relieve her mind from the busy ideas, that tormented it, compelled herself to notice external objects. From her casement she looked out upon the wild grandeur of the scene, closed nearly on all sides by alpine steeps, whose tops, peeping over each other, faded from the eye in misty hues, while the promontories below were dark with woods, that swept down to their base, and stretched along the narrow valleys. The rich pomp of these woods was particularly delightful to Emily; and she viewed with astonishment the fortifications of the castle spreading along a vast extent of rock, and now partly in decay, the grandeur of the ramparts below, and the towers and battlements and various features of the fabric above. From these her sight wandered over the cliffs and woods into the valley, along which foamed a broad and rapid stream, seen falling among the crags of an opposite mountain, now flashing in the sunbeams, and now shadowed by over-arching pines, till it was entirely concealed by their thick foliage. Again it burst from beneath this darkness in one broad sheet of foam, and fell thundering into the vale. Nearer, towards the west, opened the mountain-vista, which Emily had viewed with such sublime emotion, on her approach to the castle: a thin dusky vapour, that rose from the valley, overspread its features with a sweet obscurity. As this ascended and caught the sunbeams, it kindled into a crimson tint, and touched with exquisite beauty the woods and cliffs, over which it passed to the summit of the mountains; then, as the veil drew up, it was delightful to watch the gleaming objects, that progressively disclosed themselves in the valley—the green turf—dark woods—little rocky recesses—a few peasants’ huts—the foaming stream—a herd of cattle, and various images of pastoral beauty. Then, the pine-forests brightened, and then the broad breast of the mountains, till, at length, the mist settled round their summit, touching them with a ruddy glow. The features of the vista now appeared distinctly, and the broad deep shadows, that fell from the lower cliffs, gave strong effect to the streaming splendour above; while the mountains, gradually sinking in the perspective, appeared to shelve into the Adriatic sea, for such Emily imagined to be the gleam of bluish light that terminated the view.

Thus she endeavoured to amuse her fancy, and was not unsuccessful. The breezy freshness of the morning, too, revived her. She raised her thoughts in prayer, which she felt always most disposed to do, when viewing the sublimity of nature, and her mind recovered its strength.

When she turned from the casement, her eyes glanced upon the door she had so carefully guarded, on the preceding night, and she now determined to examine whither it led; but, on advancing to remove the chairs, she perceived, that they were already moved a little way. Her surprise cannot be easily imagined, when, in the next minute, she perceived that the door was fastened.—She felt, as if she had seen an apparition. The door of the corridor was locked as she had left it, but this door, which could be secured only on the outside, must have been bolted, during the night. She became seriously uneasy at the thought of sleeping again in a chamber, thus liable to intrusion, so remote, too, as it was from the family, and she determined to mention the circumstance to Madame Montoni, and to request a change.

After some perplexity she found her way into the great hall, and to the room, which she had left, on the preceding night, where breakfast was spread, and her aunt was alone, for Montoni had been walking over the environs of the castle, examining the condition of its fortifications, and talking for some time with Carlo. Emily observed that her aunt had been weeping, and her heart softened towards her, with an affection, that showed itself in her manner, rather than in words, while she carefully avoided the appearance of having noticed, that she was unhappy. She seized the opportunity of Montoni’s absence to mention the circumstance of the door, to request that she might be allowed another apartment, and to enquire again, concerning the occasion of their sudden journey. On the first subject her aunt referred her to Montoni, positively refusing to interfere in the affair; on the last, she professed utter ignorance.

Emily, then, with a wish of making her aunt more reconciled to her situation, praised the grandeur of the castle and the surrounding scenery, and endeavoured to soften every unpleasing circumstance attending it. But, though misfortune had somewhat conquered the asperities of Madame Montoni’s temper, and, by increasing her cares for herself, had taught her to feel in some degree for others, the capricious love of rule, which nature had planted and habit had nourished in her heart, was not subdued. She could not now deny herself the gratification of tyrannising over the innocent and helpless Emily, by attempting to ridicule the taste she could not feel.

Her satirical discourse was, however, interrupted by the entrance of Montoni, and her countenance immediately assumed a mingled expression of fear and resentment, while he seated himself at the breakfast-table, as if unconscious of there being any person but himself in the room.

Emily, as she observed him in silence, saw, that his countenance was darker and sterner than usual. “O could I know,” said she to herself, “what passes in that mind; could I know the thoughts, that are known there, I should no longer be condemned to this torturing suspense!” Their breakfast passed in silence, till Emily ventured to request, that another apartment might be allotted to her, and related the circumstance which made her wish it.

“I have no time to attend to these idle whims,” said Montoni, “that chamber was prepared for you, and you must rest contented with it. It is not probable, that any person would take the trouble of going to that remote staircase, for the purpose of fastening a door. If it was not fastened, when you entered the chamber, the wind, perhaps, shook the door and made the bolts slide. But I know not why I should undertake to account for so trifling an occurrence.”

This explanation was by no means satisfactory to Emily, who had observed, that the bolts were rusted, and consequently could not be thus easily moved; but she forbore to say so, and repeated her request.

“If you will not release yourself from the slavery of these fears,” said Montoni, sternly, “at least forbear to torment others by the mention of them. Conquer such whims, and endeavour to strengthen your mind. No existence is more contemptible than that, which is embittered by fear.” As he said this, his eye glanced upon Madame Montoni, who coloured highly, but was still silent. Emily, wounded and disappointed, thought her fears were, in this instance, too reasonable to deserve ridicule; but, perceiving, that, however they might oppress her, she must endure them, she tried to withdraw her attention from the subject.

Carlo soon after entered with some fruit:

“Your Excellenza is tired after your long ramble,” said he, as he set the fruit upon the table; “but you have more to see after breakfast. There is a place in the vaulted passage leading to—”

Montoni frowned upon him, and waved his hand for him to leave the room. Carlo stopped, looked down, and then added, as he advanced to the breakfast-table, and took up the basket of fruit, “I made bold, your Excellenza, to bring some cherries, here, for my honoured lady and my young mistress. Will your ladyship taste them, madam?” said Carlo, presenting the basket, “they are very fine ones, though I gathered them myself, and from an old tree, that catches all the south sun; they are as big as plums, your ladyship.”

“Very well, old Carlo,” said Madame Montoni; “I am obliged to you.”

“And the young Signora, too, she may like some of them,” rejoined Carlo, turning with the basket to Emily, “it will do me good to see her eat some.”

“Thank you, Carlo,” said Emily, taking some cherries, and smiling kindly.

“Come, come,” said Montoni, impatiently, “enough of this. Leave the room, but be in waiting. I shall want you presently.”

Carlo obeyed, and Montoni, soon after, went out to examine further into the state of the castle; while Emily remained with her aunt, patiently enduring her ill humour, and endeavouring, with much sweetness, to soothe her affliction, instead of resenting its effect.

When Madame Montoni retired to her dressing-room, Emily endeavoured to amuse herself by a view of the castle. Through a folding door she passed from the great hall to the ramparts, which extended along the brow of the precipice, round three sides of the edifice; the fourth was guarded by the high walls of the courts, and by the gateway, through which she had passed, on the preceding evening. The grandeur of the broad ramparts, and the changing scenery they overlooked, excited her high admiration; for the extent of the terraces allowed the features of the country to be seen in such various points of view, that they appeared to form new landscapes. She often paused to examine the gothic magnificence of Udolpho, its proud irregularity, its lofty towers and battlements, its high-arched casements, and its slender watch-towers, perched upon the corners of turrets. Then she would lean on the wall of the terrace, and, shuddering, measure with her eye the precipice below, till the dark summits of the woods arrested it. Wherever she turned, appeared mountain-tops, forests of pine and narrow glens, opening among the Apennines and retiring from the sight into inaccessible regions.

While she thus leaned, Montoni, followed by two men, appeared, ascending a winding path, cut in the rock below. He stopped upon a cliff, and, pointing to the ramparts, turned to his followers, and talked with much eagerness of gesticulation.—Emily perceived, that one of these men was Carlo; the other was in the dress of a peasant, and he alone seemed to be receiving the directions of Montoni.

She withdrew from the walls, and pursued her walk, till she heard at a distance the sound of carriage wheels, and then the loud bell of the portal, when it instantly occurred to her, that Count Morano was arrived. As she hastily passed the folding doors from the terrace, towards her own apartment, several persons entered the hall by an opposite door. She saw them at the extremities of the arcades, and immediately retreated; but the agitation of her spirits, and the extent and duskiness of the hall, had prevented her from distinguishing the persons of the strangers. Her fears, however, had but one object, and they had called up that object to her fancy:—she believed that she had seen Count Morano.

When she thought that they had passed the hall, she ventured again to the door, and proceeded, unobserved, to her room, where she remained, agitated with apprehensions, and listening to every distant sound. At length, hearing voices on the rampart, she hastened to her window, and observed Montoni, with Signor Cavigni, walking below, conversing earnestly, and often stopping and turning towards each other, at which time their discourse seemed to be uncommonly interesting.

Of the several persons who had appeared in the hall, here was Cavigni alone: but Emily’s alarm was soon after heightened by the steps of some one in the corridor, who, she apprehended, brought a message from the Count. In the next moment, Annette appeared.

“Ah! ma’amselle,” said she, “here is the Signor Cavigni arrived! I am sure I rejoiced to see a christian person in this place; and then he is so good natured too, he always takes so much notice of me!—And here is also Signor Verezzi, and who do you think besides, ma’amselle?”

“I cannot guess, Annette; tell me quickly.”

“Nay, ma’am, do guess once.”

“Well, then,” said Emily, with assumed composure, “it is—Count Morano, I suppose.”

“Holy Virgin!” cried Annette, “are you ill, ma’amselle? you are going to faint! let me get some water.”

Emily sunk into a chair. “Stay, Annette,” said she, feebly, “do not leave me—I shall soon be better; open the casement.—The Count, you say—he is come, then?”

“Who, I!—the Count! No, ma’amselle, I did not say so.”

“He is not come then?” said Emily eagerly.

“No, ma’amselle.”

“You are sure of it?”

“Lord bless me!” said Annette, “you recover very suddenly, ma’am! why, I thought you were dying, just now.”

“But the Count—you are sure, is not come?”

“O yes, quite sure of that, ma’amselle. Why, I was looking out through the grate in the north turret, when the carriages drove into the courtyard, and I never expected to see such a goodly sight in this dismal old castle! but here are masters and servants, too, enough to make the place ring again. O! I was ready to leap through the rusty old bars for joy!—O! who would ever have thought of seeing a christian face in this huge dreary house? I could have kissed the very horses that brought them.”

“Well, Annette, well, I am better now.”

“Yes, ma’amselle, I see you are. O! all the servants will lead merry lives here, now; we shall have singing and dancing in the little hall, for the Signor cannot hear us there—and droll stories—Ludovico’s come, ma’am; yes, there is Ludovico come with them! You remember Ludovico, ma’am—a tall, handsome young man—Signor Cavigni’s lacquey—who always wears his cloak with such a grace, thrown round his left arm, and his hat set on so smartly, all on one side, and—”

“No,” said Emily, who was wearied by her loquacity.

“What, ma’amselle, don’t you remember Ludovico—who rowed the Cavaliero’s gondola, at the last regatta, and won the prize? And who used to sing such sweet verses about Orlandos and about the Black-a-moors, too; and Charly—Charly—magne, yes, that was the name, all under my lattice, in the west portico, on the moonlight nights at Venice? O! I have listened to him!—”

“I fear, to thy peril, my good Annette,” said Emily; “for it seems his verses have stolen thy heart. But let me advise you; if it is so, keep the secret; never let him know it.”

“Ah—ma’amselle!—how can one keep such a secret as that?”

“Well, Annette, I am now so much better, that you may leave me.”

“O, but, ma’amselle, I forgot to ask—how did you sleep in this dreary old chamber last night?”—“As well as usual.”—“Did you hear no noises?”—“None.”—“Nor see anything?”—“Nothing.”—“Well, that is surprising!”—“Not in the least: and now tell me, why you ask these questions.”

“O, ma’amselle! I would not tell you for the world, nor all I have heard about this chamber, either; it would frighten you so.”

“If that is all, you have frightened me already, and may therefore tell me what you know, without hurting your conscience.”

“O Lord! they say the room is haunted, and has been so these many years.”

“It is by a ghost, then, who can draw bolts,” said Emily, endeavouring to laugh away her apprehensions; “for I left the door open, last night, and found it fastened this morning.”

Annette turned pale, and said not a word.

“Do you know whether any of the servants fastened this door in the morning, before I rose?”

“No, ma’am, that I will be bound they did not; but I don’t know: shall I go and ask, ma’amselle?” said Annette, moving hastily towards the corridor.

“Stay, Annette, I have another question to ask; tell me what you have heard concerning this room, and whither that staircase leads.”

“I will go and ask it all directly, ma’am; besides, I am sure my lady wants me. I cannot stay now, indeed, ma’am.”

She hurried from the room, without waiting Emily’s reply, whose heart, lightened by the certainty, that Morano was not arrived, allowed her to smile at the superstitious terror, which had seized on Annette; for, though she sometimes felt its influence herself, she could smile at it, when apparent in other persons.

Montoni having refused Emily another chamber, she determined to bear with patience the evil she could not remove, and, in order to make the room as comfortable as possible, unpacked her books, her sweet delight in happier days, and her soothing resource in the hours of moderate sorrow: but there were hours when even these failed of their effect; when the genius, the taste, the enthusiasm of the sublimest writers were felt no longer.

Her little library being arranged on a high chest, part of the furniture of the room, she took out her drawing utensils, and was tranquil enough to be pleased with the thought of sketching the sublime scenes, beheld from her windows; but she suddenly checked this pleasure, remembering how often she had soothed herself by the intention of obtaining amusement of this kind, and had been prevented by some new circumstance of misfortune.

“How can I suffer myself to be deluded by hope,” said she, “and, because Count Morano is not yet arrived, feel a momentary happiness? Alas! what is it to me, whether he is here today, or tomorrow, if he comes at all?—and that he will come—it were weakness to doubt.”

To withdraw her thoughts, however, from the subject of her misfortunes, she attempted to read, but her attention wandered from the page, and, at length, she threw aside the book, and determined to explore the adjoining chambers of the castle. Her imagination was pleased with the view of ancient grandeur, and an emotion of melancholy awe awakened all its powers, as she walked through rooms, obscure and desolate, where no footsteps had passed probably for many years, and remembered the strange history of the former possessor of the edifice. This brought to her recollection the veiled picture, which had attracted her curiosity, on the preceding night, and she resolved to examine it. As she passed through the chambers, that led to this, she found herself somewhat agitated; its connection with the late lady of the castle, and the conversation of Annette, together with the circumstance of the veil, throwing a mystery over the subject, that excited a faint degree of terror. But a terror of this nature, as it occupies and expands the mind, and elevates it to high expectation, is purely sublime, and leads us, by a kind of fascination, to seek even the object, from which we appear to shrink.

Emily passed on with faltering steps, and having paused a moment at the door, before she attempted to open it, she then hastily entered the chamber, and went towards the picture, which appeared to be enclosed in a frame of uncommon size, that hung in a dark part of the room. She paused again, and then, with a timid hand, lifted the veil; but instantly let it fall—perceiving that what it had concealed was no picture, and, before she could leave the chamber, she dropped senseless on the floor.

When she recovered her recollection, the remembrance of what she had seen had nearly deprived her of it a second time. She had scarcely strength to remove from the room, and regain her own; and, when arrived there, wanted courage to remain alone. Horror occupied her mind, and excluded, for a time, all sense of past, and dread of future misfortune: she seated herself near the casement, because from thence she heard voices, though distant, on the terrace, and might see people pass, and these, trifling as they were, were reviving circumstances. When her spirits had recovered their tone, she considered, whether she should mention what she had seen to Madame Montoni, and various and important motives urged her to do so, among which the least was the hope of the relief, which an overburdened mind finds in speaking of the subject of its interest. But she was aware of the terrible consequences, which such a communication might lead to; and, dreading the indiscretion of her aunt, at length, endeavoured to arm herself with resolution to observe a profound silence on the subject. Montoni and Verezzi soon after passed under the casement, speaking cheerfully, and their voices revived her. Presently the Signors Bertolini and Cavigni joined the party on the terrace, and Emily, supposing that Madame Montoni was then alone, went to seek her; for the solitude of her chamber, and its proximity to that where she had received so severe a shock, again affected her spirit.

She found her aunt in her dressing-room, preparing for dinner. Emily’s pale and affrighted countenance alarmed even Madame Montoni; but she had sufficient strength of mind to be silent on the subject, that still made her shudder, and which was ready to burst from her lips. In her aunt’s apartment she remained till they both descended to dinner. There she met the gentlemen lately arrived, who had a kind of busy seriousness in their looks, which was somewhat unusual with them, while their thoughts seemed too much occupied by some deep interest, to suffer them to bestow much attention either on Emily or Madame Montoni. They spoke little, and Montoni less. Emily, as she now looked on him, shuddered. The horror of the chamber rushed on her mind. Several times the colour faded from her cheeks, and she feared, that illness would betray her emotions, and compel her to leave the room; but the strength of her resolution remedied the weakness of her frame; she obliged herself to converse, and even tried to look cheerful.

Montoni evidently laboured under some vexation, such as would probably have agitated a weaker mind or a more susceptible heart, but which appeared, from the sternness of his countenance, only to bend up his faculties to energy and fortitude.

It was a comfortless and silent meal. The gloom of the castle seemed to have spread its contagion even over the gay countenance of Cavigni, and with this gloom was mingled a fierceness such as she had seldom seen him indicate. Count Morano was not named, and what conversation there was, turned chiefly upon the wars which at that time agitated the Italian states, the strength of the Venetian armies, and the characters of their generals.

After dinner, when the servants had withdrawn, Emily learned, that the cavalier, who had drawn upon himself the vengeance of Orsino, had since died of his wounds, and that strict search was still making for his murderer. The intelligence seemed to disturb Montoni, who mused, and then enquired, where Orsino had concealed himself. His guests, who all, except Cavigni, were ignorant, that Montoni had himself assisted him to escape from Venice, replied, that he had fled in the night with such precipitation and secrecy, that his most intimate companions knew not whither. Montoni blamed himself for having asked the question, for a second thought convinced him, that a man of Orsino’s suspicious temper was not likely to trust any of the persons present with the knowledge of his asylum. He considered himself, however, as entitled to his utmost confidence, and did not doubt, that he should soon hear of him.

Emily retired with Madame Montoni, soon after the cloth was withdrawn, and left the cavaliers to their secret councils, but not before the significant frowns of Montoni had warned his wife to depart, who passed from the hall to the ramparts, and walked, for some time, in silence, which Emily did not interrupt, for her mind was also occupied by interests of its own. It required all her resolution, to forbear communicating to Madame Montoni the terrible subject, which still thrilled her every nerve with horror; and sometimes she was on the point of doing so, merely to obtain the relief of a moment; but she knew how wholly she was in the power of Montoni, and, considering, that the indiscretion of her aunt might prove fatal to them both, she compelled herself to endure a present and an inferior evil, rather than to tempt a future and a heavier one. A strange kind of presentiment frequently, on this day, occurred to her;—it seemed as if her fate rested here, and was by some invisible means connected with this castle.

“Let me not accelerate it,” said she to herself: “for whatever I may be reserved, let me, at least, avoid self-reproach.”

As she looked on the massy walls of the edifice, her melancholy spirits represented it to be her prison; and she started as at a new suggestion, when she considered how far distant she was from her native country, from her little peaceful home, and from her only friend—how remote was her hope of happiness, how feeble the expectation of again seeing him! Yet the idea of Valancourt, and her confidence in his faithful love, had hitherto been her only solace, and she struggled hard to retain them. A few tears of agony started to her eyes, which she turned aside to conceal.

While she afterwards leaned on the wall of the rampart, some peasants, at a little distance, were seen examining a breach, before which lay a heap of stones, as if to repair it, and a rusty old cannon, that appeared to have fallen from its station above. Madame Montoni stopped to speak to the men, and enquired what they were going to do. “To repair the fortifications, your ladyship,” said one of them; a labour which she was somewhat surprised, that Montoni should think necessary, particularly since he had never spoken of the castle, as of a place, at which he meant to reside for any considerable time; but she passed on towards a lofty arch, that led from the south to the east rampart, and which adjoined the castle, on one side, while, on the other, it supported a small watch-tower, that entirely commanded the deep valley below. As she approached this arch, she saw, beyond it, winding along the woody descent of a distant mountain, a long troop of horse and foot, whom she knew to be soldiers, only by the glitter of their pikes and other arms, for the distance did not allow her to discover the colour of their liveries. As she gazed, the vanguard issued from the woods into the valley, but the train still continued to pour over the remote summit of the mountain, in endless succession; while, in the front, the military uniform became distinguishable, and the commanders, riding first, and seeming, by their gestures, to direct the march of those that followed, at length, approached very near to the castle.

Such a spectacle, in these solitary regions, both surprised and alarmed Madame Montoni, and she hastened towards some peasants, who were employed in raising bastions before the south rampart, where the rock was less abrupt than elsewhere. These men could give no satisfactory answers to her enquiries, but, being roused by them, gazed in stupid astonishment upon the long cavalcade. Madame Montoni, then thinking it necessary to communicate further the object of her alarm, sent Emily to say, that she wished to speak to Montoni; an errand her niece did not approve, for she dreaded his frowns, which she knew this message would provoke; but she obeyed in silence.

As she drew near the apartment, in which he sat with his guests, she heard them in earnest and loud dispute, and she paused a moment, trembling at the displeasure, which her sudden interruption would occasion. In the next, their voices sunk all together; she then ventured to open the door, and, while Montoni turned hastily and looked at her, without speaking, she delivered her message.

“Tell Madam Montoni I am engaged,” said he.

Emily then thought it proper to mention the subject of her alarm. Montoni and his companions rose instantly and went to the windows, but, these not affording them a view of the troops, they at length proceeded to the ramparts, where Cavigni conjectured it to be a legion of condottieri, on their march towards Modena.

One part of the cavalcade now extended along the valley, and another wound among the mountains towards the north, while some troops still lingered on the woody precipices, where the first had appeared, so that the great length of the procession seemed to include a whole army. While Montoni and his family watched its progress, they heard the sound of trumpets and the clash of cymbals in the vale, and then others, answering from the heights. Emily listened with emotion to the shrill blast, that woke the echoes of the mountains, and Montoni explained the signals, with which he appeared to be well acquainted, and which meant nothing hostile. The uniforms of the troops, and the kind of arms they bore, confirmed to him the conjecture of Cavigni, and he had the satisfaction to see them pass by, without even stopping to gaze upon his castle. He did not, however, leave the rampart, till the bases of the mountains had shut them from his view, and the last murmur of the trumpet floated away on the wind. Cavigni and Verezzi were inspirited by this spectacle, which seemed to have roused all the fire of their temper; Montoni turned into the castle in thoughtful silence.

Emily’s mind had not yet sufficiently recovered from its late shock, to endure the loneliness of her chamber, and she remained upon the ramparts; for Madame Montoni had not invited her to her dressing-room, whither she had gone evidently in low spirits, and Emily, from her late experience, had lost all wish to explore the gloomy and mysterious recesses of the castle. The ramparts, therefore, were almost her only retreat, and here she lingered, till the grey haze of evening was again spread over the scene.

The cavaliers supped by themselves, and Madame Montoni remained in her apartment, whither Emily went, before she retired to her own. She found her aunt weeping, and in much agitation. The tenderness of Emily was naturally so soothing, that it seldom failed to give comfort to the drooping heart: but Madame Montoni’s was torn, and the softest accents of Emily’s voice were lost upon it. With her usual delicacy, she did not appear to observe her aunt’s distress, but it gave an involuntary gentleness to her manners, and an air of solicitude to her countenance, which Madame Montoni was vexed to perceive, who seemed to feel the pity of her niece to be an insult to her pride, and dismissed her as soon as she properly could. Emily did not venture to mention again the reluctance she felt to her gloomy chamber, but she requested that Annette might be permitted to remain with her till she retired to rest; and the request was somewhat reluctantly granted. Annette, however, was now with the servants, and Emily withdrew alone.

With light and hasty steps she passed through the long galleries, while the feeble glimmer of the lamp she carried only showed the gloom around her, and the passing air threatened to extinguish it. The lonely silence, that reigned in this part of the castle, awed her; now and then, indeed, she heard a faint peal of laughter rise from a remote part of the edifice, where the servants were assembled, but it was soon lost, and a kind of breathless stillness remained. As she passed the suite of rooms which she had visited in the morning, her eyes glanced fearfully on the door, and she almost fancied she heard murmuring sounds within, but she paused not a moment to enquire.

Having reached her own apartment, where no blazing wood on the hearth dissipated the gloom, she sat down with a book, to enliven her attention, till Annette should come, and a fire could be kindled. She continued to read till her light was nearly expired, but Annette did not appear, and the solitude and obscurity of her chamber again affected her spirits, the more, because of its nearness to the scene of horror, that she had witnessed in the morning. Gloomy and fantastic images came to her mind. She looked fearfully towards the door of the staircase, and then, examining whether it was still fastened, found that it was so. Unable to conquer the uneasiness she felt at the prospect of sleeping again in this remote and insecure apartment, which some person seemed to have entered during the preceding night, her impatience to see Annette, whom she had bidden to enquire concerning this circumstance, became extremely painful. She wished also to question her, as to the object, which had excited so much horror in her own mind, and which Annette on the preceding evening had appeared to be in part acquainted with, though her words were very remote from the truth, and it appeared plainly to Emily, that the girl had been purposely misled by a false report: above all she was surprised, that the door of the chamber, which contained it, should be left unguarded. Such an instance of negligence almost surpassed belief. But her light was now expiring; the faint flashes it threw upon the walls called up all the terrors of fancy, and she rose to find her way to the habitable part of the castle, before it was quite extinguished. As she opened the chamber door, she heard remote voices, and, soon after, saw a light issue upon the further end of the corridor, which Annette and another servant approached. “I am glad you are come,” said Emily: “what has detained you so long? Pray light me a fire immediately.”

“My lady wanted me, ma’amselle,” replied Annette in some confusion; “I will go and get the wood.”

“No,” said Caterina, “that is my business,” and left the room instantly, while Annette would have followed; but, being called back, she began to talk very loud, and laugh, and seemed afraid to trust a pause of silence.

Caterina soon returned with the wood, and then, when the cheerful blaze once more animated the room, and this servant had withdrawn, Emily asked Annette, whether she had made the enquiry she bade her. “Yes, ma’amselle,” said Annette, “but not a soul knows anything about the matter: and old Carlo—I watched him well, for they say he knows strange things—old Carlo looked so as I don’t know how to tell, and he asked me again and again, if I was sure the door was ever unfastened. Lord, says I—am I sure I am alive? And as for me, ma’am, I am all astounded, as one may say, and would no more sleep in this chamber, than I would on the great cannon at the end of the east rampart.”

“And what objection have you to that cannon, more than to any of the rest?” said Emily smiling: “the best would be rather a hard bed.”

“Yes, ma’amselle, any of them would be hard enough for that matter; but they do say, that something has been seen in the dead of night, standing beside the great cannon, as if to guard it.”

“Well! my good Annette, the people who tell such stories, are happy in having you for an auditor, for I perceive you believe them all.”

“Dear ma’amselle! I will show you the very cannon; you can see it from these windows!”

“Well,” said Emily, “but that does not prove, that an apparition guards it.”

“What! not if I show you the very cannon! Dear ma’am, you will believe nothing.”

“Nothing probably upon this subject, but what I see,” said Emily.—“Well, ma’am, but you shall see it, if you will only step this way to the casement.”—Emily could not forbear laughing, and Annette looked surprised. Perceiving her extreme aptitude to credit the marvellous, Emily forbore to mention the subject she had intended, lest it should overcome her with idle terrors, and she began to speak on a lively topic—the regattas of Venice.

“Aye, ma’amselle, those rowing matches,” said Annette, “and the fine moonlight nights, are all, that are worth seeing in Venice. To be sure the moon is brighter than any I ever saw; and then to hear such sweet music, too, as Ludovico has often and often sung under the lattice by the west portico! Ma’amselle, it was Ludovico, that told me about that picture, which you wanted so to look at last night, and—”

“What picture?” said Emily, wishing Annette to explain herself.

“O! that terrible picture with the black veil over it.”

“You never saw it, then?” said Emily.

“Who, I!—No, ma’amselle, I never did. But this morning,” continued Annette, lowering her voice, and looking round the room, “this morning, as it was broad daylight, do you know, ma’am, I took a strange fancy to see it, as I had heard such odd hints about it, and I got as far as the door, and should have opened it, if it had not been locked!”

Emily, endeavouring to conceal the emotion this circumstance occasioned, enquired at what hour she went to the chamber, and found, that it was soon after herself had been there. She also asked further questions, and the answers convinced her, that Annette, and probably her informer, were ignorant of the terrible truth, though in Annette’s account something very like the truth, now and then, mingled with the falsehood. Emily now began to fear, that her visit to the chamber had been observed, since the door had been closed, so immediately after her departure; and dreaded lest this should draw upon her the vengeance of Montoni. Her anxiety, also, was excited to know whence, and for what purpose, the delusive report, which had been imposed upon Annette, had originated, since Montoni could only have wished for silence and secrecy; but she felt, that the subject was too terrible for this lonely hour, and she compelled herself to leave it, to converse with Annette, whose chat, simple as it was, she preferred to the stillness of total solitude.

Thus they sat, till near midnight, but not without many hints from Annette, that she wished to go. The embers were now nearly burnt out; and Emily heard, at a distance, the thundering sound of the hall doors, as they were shut for the night. She, therefore, prepared for rest, but was still unwilling that Annette should leave her. At this instant, the great bell of the portal sounded. They listened in fearful expectation, when, after a long pause of silence, it sounded again. Soon after, they heard the noise of carriage wheels in the courtyard. Emily sunk almost lifeless in her chair; “It is the Count,” said she.

“What, at this time of night, ma’am!” said Annette: “no, my dear lady. But, for that matter, it is a strange time of night for anybody to come!”

“Nay, pr’ythee, good Annette, stay not talking,” said Emily in a voice of agony—“Go, pr’ythee, go, and see who it is.”

Annette left the room, and carried with her the light, leaving Emily in darkness, which a few moments before would have terrified her in this room, but was now scarcely observed by her. She listened and waited, in breathless expectation, and heard distant noises, but Annette did not return. Her patience, at length, exhausted, she tried to find her way to the corridor, but it was long before she could touch the door of the chamber, and, when she had opened it, the total darkness without made her fear to proceed. Voices were now heard, and Emily even thought she distinguished those of Count Morano and Montoni. Soon after she heard steps approaching, and then a ray of light streamed through the darkness, and Annette appeared, whom Emily went to meet.

“Yes, ma’amselle,” said she, “you were right, it is the Count sure enough.”

“It is he!” exclaimed Emily, lifting her eyes towards heaven and supporting herself by Annette’s arm.

“Good Lord! my dear lady, don’t be in such a fluster, and look so pale, we shall soon hear more.”

“We shall, indeed!” said Emily, moving as fast as she was able towards her apartment. “I am not well; give me air.” Annette opened a casement, and brought water. The faintness soon left Emily, but she desired Annette would not go till she heard from Montoni.

“Dear ma’amselle! he surely will not disturb you at this time of night; why he must think you are asleep.”

“Stay with me till I am so, then,” said Emily, who felt temporary relief from this suggestion, which appeared probable enough, though her fears had prevented its occurring to her. Annette, with secret reluctance, consented to stay, and Emily was now composed enough to ask her some questions; among others, whether she had seen the Count.

“Yes, ma’am, I saw him alight, for I went from hence to the grate in the north turret, that overlooks the inner courtyard, you know. There I saw the Count’s carriage, and the Count in it, waiting at the great door,—for the porter was just gone to bed—with several men on horseback all by the light of the torches they carried.”

Emily was compelled to smile. “When the door was opened, the Count said something, that I could not make out, and then got out, and another gentleman with him. I thought, to be sure, the Signor was gone to bed, and I hastened away to my lady’s dressing-room, to see what I could hear. But in the way I met Ludovico, and he told me that the Signor was up, counselling with his master and the other Signors, in the room at the end of the north gallery; and Ludovico held up his finger, and laid it on his lips, as much as to say—There is more going on, than you think of, Annette, but you must hold your tongue. And so I did hold my tongue, ma’amselle, and came away to tell you directly.”

Emily enquired who the cavalier was, that accompanied the Count, and how Montoni received them; but Annette could not inform her.

“Ludovico,” she added, “had just been to call Signor Montoni’s valet, that he might tell him they were arrived, when I met him.”

Emily sat musing, for some time, and then her anxiety was so much increased, that she desired Annette would go to the servants’ hall, where it was possible she might hear something of the Count’s intention, respecting his stay at the castle.

“Yes, ma’am,” said Annette with readiness; “but how am I to find the way, if I leave the lamp with you?”

Emily said she would light her, and they immediately quitted the chamber. When they had reached the top of the great staircase, Emily recollected, that she might be seen by the Count, and, to avoid the great hall, Annette conducted her through some private passages to a back staircase, which led directly to that of the servants.

As she returned towards her chamber, Emily began to fear, that she might again lose herself in the intricacies of the castle, and again be shocked by some mysterious spectacle; and, though she was already perplexed by the numerous turnings, she feared to open one of the many doors that offered. While she stepped thoughtfully along, she fancied, that she heard a low moaning at no great distance, and, having paused a moment, she heard it again and distinctly. Several doors appeared on the right hand of the passage. She advanced, and listened. When she came to the second, she heard a voice, apparently in complaint, within, to which she continued to listen, afraid to open the door, and unwilling to leave it. Convulsive sobs followed, and then the piercing accents of an agonizing spirit burst forth. Emily stood appalled, and looked through the gloom, that surrounded her, in fearful expectation. The lamentations continued. Pity now began to subdue terror; it was possible she might administer comfort to the sufferer, at least, by expressing sympathy, and she laid her hand on the door. While she hesitated she thought she knew this voice, disguised as it was by tones of grief. Having, therefore, set down the lamp in the passage, she gently opened the door, within which all was dark, except that from an inner apartment a partial light appeared; and she stepped softly on. Before she reached it, the appearance of Madame Montoni, leaning on her dressing-table, weeping, and with a handkerchief held to her eyes, struck her, and she paused.

Some person was seated in a chair by the fire, but who it was she could not distinguish. He spoke, now and then, in a low voice, that did not allow Emily to hear what was uttered, but she thought, that Madame Montoni, at those times, wept the more, who was too much occupied by her own distress, to observe Emily, while the latter, though anxious to know what occasioned this, and who was the person admitted at so late an hour to her aunt’s dressing-room, forbore to add to her sufferings by surprising her, or to take advantage of her situation, by listening to a private discourse. She, therefore, stepped softly back, and, after some further difficulty, found the way to her own chamber, where nearer interests, at length, excluded the surprise and concern she had felt, respecting Madame Montoni.

Annette, however, returned without satisfactory intelligence, for the servants, among whom she had been, were either entirely ignorant, or affected to be so, concerning the Count’s intended stay at the castle. They could talk only of the steep and broken road they had just passed, and of the numerous dangers they had escaped and express wonder how their lord could choose to encounter all these, in the darkness of night; for they scarcely allowed, that the torches had served for any other purpose but that of showing the dreariness of the mountains. Annette, finding she could gain no information, left them, making noisy petitions, for more wood on the fire and more supper on the table.

“And now, ma’amselle,” added she, “I am so sleepy!—I am sure, if you were so sleepy, you would not desire me to sit up with you.”

Emily, indeed, began to think it was cruel to wish it; she had also waited so long, without receiving a summons from Montoni, that it appeared he did not mean to disturb her, at this late hour, and she determined to dismiss Annette. But, when she again looked round her gloomy chamber, and recollected certain circumstances, fear seized her spirits, and she hesitated.

“And yet it were cruel of me to ask you to stay, till I am asleep, Annette,” said she, “for I fear it will be very long before I forget myself in sleep.”

“I dare say it will be very long, ma’amselle,” said Annette.

“But, before you go,” rejoined Emily, “let me ask you—Had Signor Montoni left Count Morano, when you quitted the hall?”

“O no, ma’am, they were alone together.”

“Have you been in my aunt’s dressing-room, since you left me?”

“No, ma’amselle, I called at the door as I passed, but it was fastened; so I thought my lady was gone to bed.”

“Who, then, was with your lady just now?” said Emily, forgetting, in surprise, her usual prudence.

“Nobody, I believe, ma’am,” replied Annette, “nobody has been with her, I believe, since I left you.”

Emily took no further notice of the subject, and, after some struggle with imaginary fears, her good nature prevailed over them so far, that she dismissed Annette for the night. She then sat, musing upon her own circumstances and those of Madame Montoni, till her eye rested on the miniature picture, which she had found, after her father’s death, among the papers he had enjoined her to destroy. It was open upon the table, before her, among some loose drawings, having, with them, been taken out of a little box by Emily, some hours before. The sight of it called up many interesting reflections, but the melancholy sweetness of the countenance soothed the emotions, which these had occasioned. It was the same style of countenance as that of her late father, and, while she gazed on it with fondness on this account, she even fancied a resemblance in the features. But this tranquillity was suddenly interrupted, when she recollected the words in the manuscript, that had been found with this picture, and which had formerly occasioned her so much doubt and horror. At length, she roused herself from the deep reverie, into which this remembrance had thrown her; but, when she rose to undress, the silence and solitude, to which she was left, at this midnight hour, for not even a distant sound was now heard, conspired with the impression the subject she had been considering had given to her mind, to appall her. Annette’s hints, too, concerning this chamber, simple as they were, had not failed to affect her, since they followed a circumstance of peculiar horror, which she herself had witnessed, and since the scene of this was a chamber nearly adjoining her own.

The door of the staircase was, perhaps, a subject of more reasonable alarm, and she now began to apprehend, such was the aptitude of her fears, that this staircase had some private communication with the apartment, which she shuddered even to remember. Determined not to undress, she lay down to sleep in her clothes, with her late father’s dog, the faithful Manchon, at the foot of the bed, whom she considered as a kind of guard.

Thus circumstanced, she tried to banish reflection, but her busy fancy would still hover over the subjects of her interest, and she heard the clock of the castle strike two, before she closed her eyes.

From the disturbed slumber, into which she then sunk, she was soon awakened by a noise, which seemed to arise within her chamber; but the silence, that prevailed, as she fearfully listened, inclined her to believe, that she had been alarmed by such sounds as sometimes occur in dreams, and she laid her head again upon the pillow.

A return of the noise again disturbed her; it seemed to come from that part of the room, which communicated with the private staircase, and she instantly remembered the odd circumstance of the door having been fastened, during the preceding night, by some unknown hand. Her late alarming suspicion, concerning its communication, also occurred to her. Her heart became faint with terror. Half raising herself from the bed, and gently drawing aside the curtain, she looked towards the door of the staircase, but the lamp, that burnt on the hearth, spread so feeble a light through the apartment, that the remote parts of it were lost in shadow. The noise, however, which, she was convinced, came from the door, continued. It seemed like that made by the undrawing of rusty bolts, and often ceased, and was then renewed more gently, as if the hand, that occasioned it, was restrained by a fear of discovery.

While Emily kept her eyes fixed on the spot, she saw the door move, and then slowly open, and perceived something enter the room, but the extreme duskiness prevented her distinguishing what it was. Almost fainting with terror, she had yet sufficient command over herself, to check the shriek, that was escaping from her lips, and, letting the curtain drop from her hand, continued to observe in silence the motions of the mysterious form she saw. It seemed to glide along the remote obscurity of the apartment, then paused, and, as it approached the hearth, she perceived, in the stronger light, what appeared to be a human figure. Certain remembrances now struck upon her heart, and almost subdued the feeble remains of her spirits; she continued, however, to watch the figure, which remained for some time motionless, but then, advancing slowly towards the bed, stood silently at the feet, where the curtains, being a little open, allowed her still to see it; terror, however, had now deprived her of the power of discrimination, as well as of that of utterance.

Having continued there a moment, the form retreated towards the hearth, when it took the lamp, held it up, surveyed the chamber, for a few moments, and then again advanced towards the bed. The light at that instant awakening the dog, that had slept at Emily’s feet, he barked loudly, and, jumping to the floor, flew at the stranger, who struck the animal smartly with a sheathed sword, and, springing towards the bed, Emily discovered—Count Morano!

She gazed at him for a moment in speechless affright, while he, throwing himself on his knee at the bedside, besought her to fear nothing, and, having thrown down his sword, would have taken her hand, when the faculties, that terror had suspended, suddenly returned, and she sprung from the bed, in the dress, which surely a kind of prophetic apprehension had prevented her, on this night, from throwing aside.

Morano rose, followed her to the door, through which he had entered, and caught her hand, as she reached the top of the staircase, but not before she had discovered, by the gleam of a lamp, another man half-way down the steps. She now screamed in despair, and, believing herself given up by Montoni, saw, indeed, no possibility of escape.

The Count, who still held her hand, led her back into the chamber.

“Why all this terror?” said he, in a tremulous voice. “Hear me, Emily: I come not to alarm you; no, by Heaven! I love you too well—too well for my own peace.”

Emily looked at him for a moment, in fearful doubt.

“Then leave me, sir,” said she, “leave me instantly.”

“Hear me, Emily,” resumed Morano, “hear me! I love, and am in despair—yes—in despair. How can I gaze upon you, and know, that it is, perhaps, for the last time, without suffering all the frenzy of despair? But it shall not be so; you shall be mine, in spite of Montoni and all his villany.”

“In spite of Montoni!” cried Emily eagerly: “what is it I hear?”

“You hear, that Montoni is a villain,” exclaimed Morano with vehemence,—“a villain who would have sold you to my love!—Who—”

“And is he less, who would have bought me?” said Emily, fixing on the Count an eye of calm contempt. “Leave the room, sir, instantly,” she continued in a voice, trembling between joy and fear, “or I will alarm the family, and you may receive that from Signor Montoni’s vengeance, which I have vainly supplicated from his pity.” But Emily knew, that she was beyond the hearing of those, who might protect her.

“You can never hope anything from his pity,” said Morano, “he has used me infamously, and my vengeance shall pursue him. And for you, Emily, for you, he has new plans more profitable than the last, no doubt.” The gleam of hope, which the Count’s former speech had revived, was now nearly extinguished by the latter; and, while Emily’s countenance betrayed the emotions of her mind, he endeavoured to take advantage of the discovery.

“I lose time,” said he: “I came not to exclaim against Montoni; I came to solicit, to plead—to Emily; to tell her all I suffer, to entreat her to save me from despair, and herself from destruction. Emily! the schemes of Montoni are insearchable, but, I warn you, they are terrible; he has no principle, when interest, or ambition leads. Can I love you, and abandon you to his power? Fly, then, fly from this gloomy prison, with a lover, who adores you! I have bribed a servant of the castle to open the gates, and, before tomorrow’s dawn, you shall be far on the way to Venice.”

Emily, overcome by the sudden shock she had received, at the moment, too, when she had begun to hope for better days, now thought she saw destruction surround her on every side. Unable to reply, and almost to think, she threw herself into a chair, pale and breathless. That Montoni had formerly sold her to Morano, was very probable; that he had now withdrawn his consent to the marriage, was evident from the Count’s present conduct; and it was nearly certain, that a scheme of stronger interest only could have induced the selfish Montoni to forego a plan, which he had hitherto so strenuously pursued. These reflections made her tremble at the hints, which Morano had just given, which she no longer hesitated to believe; and, while she shrunk from the new scenes of misery and oppression, that might await her in the castle of Udolpho, she was compelled to observe, that almost her only means of escaping them was by submitting herself to the protection of this man, with whom evils more certain and not less terrible appeared,—evils, upon which she could not endure to pause for an instant.

Her silence, though it was that of agony, encouraged the hopes of Morano, who watched her countenance with impatience, took again the resisting hand she had withdrawn, and, as he pressed it to his heart, again conjured her to determine immediately. “Every moment we lose, will make our departure more dangerous,” said he: “these few moments lost may enable Montoni to overtake us.”

“I beseech you, sir, be silent,” said Emily faintly: “I am indeed very wretched, and wretched I must remain. Leave me—I command you, leave me to my fate.”

“Never!” cried the Count vehemently: “let me perish first! But forgive my violence! the thought of losing you is madness. You cannot be ignorant of Montoni’s character, you may be ignorant of his schemes—nay, you must be so, or you would not hesitate between my love and his power.”

“Nor do I hesitate,” said Emily.

“Let us go, then,” said Morano, eagerly kissing her hand, and rising, “my carriage waits, below the castle walls.”

“You mistake me, sir,” said Emily. “Allow me to thank you for the interest you express in my welfare, and to decide by my own choice. I shall remain under the protection of Signor Montoni.”

“Under his protection!” exclaimed Morano, proudly, “his protection! Emily, why will you suffer yourself to be thus deluded? I have already told you what you have to expect from his protection.”

“And pardon me, sir, if, in this instance, I doubt mere assertion, and, to be convinced, require something approaching to proof.”

“I have now neither the time, nor the means of adducing proof,” replied the Count.

“Nor have I, sir, the inclination to listen to it, if you had.”

“But you trifle with my patience and my distress,” continued Morano. “Is a marriage with a man, who adores you, so very terrible in your eyes, that you would prefer to it all the misery, to which Montoni may condemn you in this remote prison? Some wretch must have stolen those affections, which ought to be mine, or you would not thus obstinately persist in refusing an offer, that would place you beyond the reach of oppression.” Morano walked about the room, with quick steps, and a disturbed air.

“This discourse, Count Morano, sufficiently proves, that my affections ought not to be yours,” said Emily, mildly, “and this conduct, that I should not be placed beyond the reach of oppression, so long as I remained in your power. If you wish me to believe otherwise, cease to oppress me any longer by your presence. If you refuse this, you will compel me to expose you to the resentment of Signor Montoni.”

“Yes, let him come,” cried Morano furiously, “and brave my resentment! Let him dare to face once more the man he has so courageously injured; danger shall teach him morality, and vengeance justice—let him come, and receive my sword in his heart!”

The vehemence, with which this was uttered, gave Emily new cause of alarm, who arose from her chair, but her trembling frame refused to support her, and she resumed her seat;—the words died on her lips, and, when she looked wistfully towards the door of the corridor, which was locked, she considered it was impossible for her to leave the apartment, before Morano would be apprised of, and able to counteract, her intention.

Without observing her agitation, he continued to pace the room in the utmost perturbation of spirits. His darkened countenance expressed all the rage of jealousy and revenge; and a person, who had seen his features under the smile of ineffable tenderness, which he so lately assumed, would now scarcely have believed them to be the same.

“Count Morano,” said Emily, at length recovering her voice, “calm, I entreat you, these transports, and listen to reason, if you will not to pity. You have equally misplaced your love, and your hatred.—I never could have returned the affection, with which you honour me, and certainly have never encouraged it; neither has Signor Montoni injured you, for you must have known, that he had no right to dispose of my hand, had he even possessed the power to do so. Leave, then, leave the castle, while you may with safety. Spare yourself the dreadful consequences of an unjust revenge, and the remorse of having prolonged to me these moments of suffering.”

“Is it for mine, or for Montoni’s safety, that you are thus alarmed?” said Morano, coldly, and turning towards her with a look of acrimony.

“For both,” replied Emily, in a trembling voice.

“Unjust revenge!” cried the Count, resuming the abrupt tones of passion. “Who, that looks upon that face, can imagine a punishment adequate to the injury he would have done me? Yes, I will leave the castle; but it shall not be alone. I have trifled too long. Since my prayers and my sufferings cannot prevail, force shall. I have people in waiting, who shall convey you to my carriage. Your voice will bring no succour; it cannot be heard from this remote part of the castle; submit, therefore, in silence, to go with me.”

This was an unnecessary injunction, at present; for Emily was too certain, that her call would avail her nothing; and terror had so entirely disordered her thoughts, that she knew not how to plead to Morano, but sat, mute and trembling, in her chair, till he advanced to lift her from it, when she suddenly raised herself, and, with a repulsive gesture, and a countenance of forced serenity, said, “Count Morano! I am now in your power; but you will observe, that this is not the conduct which can win the esteem you appear so solicitous to obtain, and that you are preparing for yourself a load of remorse, in the miseries of a friendless orphan, which can never leave you. Do you believe your heart to be, indeed, so hardened, that you can look without emotion on the suffering, to which you would condemn me?—”

Emily was interrupted by the growling of the dog, who now came again from the bed, and Morano looked towards the door of the staircase, where no person appearing, he called aloud, “Cesario!”

“Emily,” said the Count, “why will you reduce me to adopt this conduct? How much more willingly would I persuade, than compel you to become my wife! but, by Heaven! I will not leave you to be sold by Montoni. Yet a thought glances across my mind, that brings madness with it. I know not how to name it. It is preposterous—it cannot be.—Yet you tremble—you grow pale! It is! it is so;—you—you—love Montoni!” cried Morano, grasping Emily’s wrist, and stamping his foot on the floor.

An involuntary air of surprise appeared on her countenance. “If you have indeed believed so,” said she, “believe so still.”

“That look, those words confirm it,” exclaimed Morano, furiously. “No, no, no, Montoni had a richer prize in view, than gold. But he shall not live to triumph over me!—This very instant—”

He was interrupted by the loud barking of the dog.

“Stay, Count Morano,” said Emily, terrified by his words, and by the fury expressed in his eyes, “I will save you from this error.—Of all men, Signor Montoni is not your rival; though, if I find all other means of saving myself vain, I will try whether my voice may not arouse his servants to my succour.”

“Assertion,” replied Morano, “at such a moment, is not to be depended upon. How could I suffer myself to doubt, even for an instant, that he could see you, and not love?—But my first care shall be to convey you from the castle. Cesario! ho,—Cesario!”

A man now appeared at the door of the staircase, and other steps were heard ascending. Emily uttered a loud shriek, as Morano hurried her across the chamber, and, at the same moment, she heard a noise at the door, that opened upon the corridor. The Count paused an instant, as if his mind was suspended between love and the desire of vengeance; and, in that instant, the door gave way, and Montoni, followed by the old steward and several other persons, burst into the room.

“Draw!” cried Montoni to the Count, who did not pause for a second bidding, but, giving Emily into the hands of the people, that appeared from the staircase, turned fiercely round. “This in thine heart, villain!” said he, as he made a thrust at Montoni with his sword, who parried the blow, and aimed another, while some of the persons, who had followed him into the room, endeavoured to part the combatants, and others rescued Emily from the hands of Morano’s servants.

“Was it for this, Count Morano,” said Montoni, in a cool sarcastic tone of voice, “that I received you under my roof, and permitted you, though my declared enemy, to remain under it for the night? Was it, that you might repay my hospitality with the treachery of a fiend, and rob me of my niece?”

“Who talks of treachery?” said Morano, in a tone of unrestrained vehemence. “Let him that does, show an unblushing face of innocence. Montoni, you are a villain! If there is treachery in this affair, look to yourself as the author of it. If—do I say? I—whom you have wronged with unexampled baseness, whom you have injured almost beyond redress! But why do I use words?—Come on, coward, and receive justice at my hands!”

“Coward!” cried Montoni, bursting from the people who held him, and rushing on the Count, when they both retreated into the corridor, where the fight continued so desperately, that none of the spectators dared approach them, Montoni swearing, that the first who interfered, should fall by his sword.

Jealousy and revenge lent all their fury to Morano, while the superior skill and the temperance of Montoni enabled him to wound his adversary, whom his servants now attempted to seize, but he would not be restrained, and, regardless of his wound, continued to fight. He seemed to be insensible both of pain and loss of blood, and alive only to the energy of his passions. Montoni, on the contrary, persevered in the combat, with a fierce, yet wary, valour; he received the point of Morano’s sword on his arm, but, almost in the same instant, severely wounded and disarmed him. The Count then fell back into the arms of his servant, while Montoni held his sword over him, and bade him ask his life. Morano, sinking under the anguish of his wound, had scarcely replied by a gesture, and by a few words, feebly articulated, that he would not—when he fainted; and Montoni was then going to have plunged the sword into his breast, as he lay senseless, but his arm was arrested by Cavigni. To the interruption he yielded without much difficulty, but his complexion changed almost to blackness, as he looked upon his fallen adversary, and ordered, that he should be carried instantly from the castle.

In the mean time, Emily, who had been withheld from leaving the chamber during the affray, now came forward into the corridor, and pleaded a cause of common humanity, with the feelings of the warmest benevolence, when she entreated Montoni to allow Morano the assistance in the castle, which his situation required. But Montoni, who had seldom listened to pity, now seemed rapacious of vengeance, and, with a monster’s cruelty, again ordered his defeated enemy to be taken from the castle, in his present state, though there were only the woods, or a solitary neighbouring cottage, to shelter him from the night.

The Count’s servants having declared, that they would not move him till he revived, Montoni’s stood inactive, Cavigni remonstrating, and Emily, superior to Montoni’s menaces, giving water to Morano, and directing the attendants to bind up his wound. At length, Montoni had leisure to feel pain from his own hurt, and he withdrew to examine it.

The Count, meanwhile, having slowly recovered, the first object he saw, on raising his eyes, was Emily, bending over him with a countenance strongly expressive of solicitude. He surveyed her with a look of anguish.

“I have deserved this,” said he, “but not from Montoni. It is from you, Emily, that I have deserved punishment, yet I receive only pity!” He paused, for he had spoken with difficulty. After a moment, he proceeded. “I must resign you, but not to Montoni. Forgive me the sufferings I have already occasioned you! But for that villain—his infamy shall not go unpunished. Carry me from this place,” said he to his servants. “I am in no condition to travel: you must, therefore, take me to the nearest cottage, for I will not pass the night under his roof, although I may expire on the way from it.”

Cesario proposed to go out, and enquire for a cottage, that might receive his master, before he attempted to remove him: but Morano was impatient to be gone; the anguish of his mind seemed to be even greater than that of his wound, and he rejected, with disdain, the offer of Cavigni to entreat Montoni, that he might be suffered to pass the night in the castle. Cesario was now going to call up the carriage to the great gate, but the Count forbade him. “I cannot bear the motion of a carriage,” said he: “call some others of my people, that they may assist in bearing me in their arms.”

At length, however, Morano submitted to reason, and consented, that Cesario should first prepare some cottage to receive him. Emily, now that he had recovered his senses, was about to withdraw from the corridor, when a message from Montoni commanded her to do so, and also that the Count, if he was not already gone, should quit the castle immediately. Indignation flashed from Morano’s eyes, and flushed his cheeks.

“Tell Montoni,” said he, “that I shall go when it suits my own convenience; that I quit the castle, he dares to call his, as I would the nest of a serpent, and that this is not the last he shall hear from me. Tell him, I will not leave another murder on his conscience, if I can help it.”

“Count Morano! do you know what you say?” said Cavigni.

“Yes, Signor, I know well what I say, and he will understand well what I mean. His conscience will assist his understanding, on this occasion.”

“Count Morano,” said Verezzi, who had hitherto silently observed him, “dare again to insult my friend, and I will plunge this sword in your body.”

“It would be an action worthy the friend of a villain!” said Morano, as the strong impulse of his indignation enabled him to raise himself from the arms of his servants; but the energy was momentary, and he sunk back, exhausted by the effort. Montoni’s people, meanwhile, held Verezzi, who seemed inclined, even in this instant, to execute his threat; and Cavigni, who was not so depraved as to abet the cowardly malignity of Verezzi, endeavoured to withdraw him from the corridor; and Emily, whom a compassionate interest had thus long detained, was now quitting it in new terror, when the supplicating voice of Morano arrested her, and, by a feeble gesture, he beckoned her to draw nearer. She advanced with timid steps, but the fainting languor of his countenance again awakened her pity, and overcame her terror.

“I am going from hence for ever,” said he: “perhaps, I shall never see you again. I would carry with me your forgiveness, Emily; nay more—I would also carry your good wishes.”

“You have my forgiveness, then,” said Emily, “and my sincere wishes for your recovery.”

“And only for my recovery?” said Morano, with a sigh. “For your general welfare,” added Emily.

“Perhaps I ought to be contented with this,” he resumed; “I certainly have not deserved more; but I would ask you, Emily, sometimes to think of me, and, forgetting my offence, to remember only the passion which occasioned it. I would ask, alas! impossibilities: I would ask you to love me! At this moment, when I am about to part with you, and that, perhaps, for ever, I am scarcely myself. Emily—may you never know the torture of a passion like mine! What do I say? O, that, for me, you might be sensible of such a passion!”

Emily looked impatient to be gone. “I entreat you, Count, to consult your own safety,” said she, “and linger here no longer. I tremble for the consequences of Signor Verezzi’s passion, and of Montoni’s resentment, should he learn that you are still here.”

Morano’s face was overspread with a momentary crimson, his eyes sparkled, but he seemed endeavouring to conquer his emotion, and replied in a calm voice, “Since you are interested for my safety, I will regard it, and be gone. But, before I go, let me again hear you say, that you wish me well,” said he, fixing on her an earnest and mournful look.

Emily repeated her assurances. He took her hand, which she scarcely attempted to withdraw, and put it to his lips. “Farewell, Count Morano!” said Emily; and she turned to go, when a second message arrived from Montoni, and she again conjured Morano, as he valued his life, to quit the castle immediately. He regarded her in silence, with a look of fixed despair. But she had no time to enforce her compassionate entreaties, and, not daring to disobey the second command of Montoni, she left the corridor, to attend him.

He was in the cedar parlour, that adjoined the great hall, laid upon a couch, and suffering a degree of anguish from his wound, which few persons could have disguised, as he did. His countenance, which was stern, but calm, expressed the dark passion of revenge, but no symptom of pain; bodily pain, indeed, he had always despised, and had yielded only to the strong and terrible energies of the soul. He was attended by old Carlo and by Signor Bertolini, but Madame Montoni was not with him.

Emily trembled, as she approached and received his severe rebuke, for not having obeyed his first summons; and perceived, also, that he attributed her stay in the corridor to a motive, that had not even occurred to her artless mind.

“This is an instance of female caprice,” said he, “which I ought to have foreseen. Count Morano, whose suit you obstinately rejected, so long as it was countenanced by me, you favour, it seems, since you find I have dismissed him.”

Emily looked astonished. “I do not comprehend you, sir,” said she, “You certainly do not mean to imply, that the design of the Count to visit the double-chamber, was founded upon any approbation of mine.”

“To that I reply nothing,” said Montoni; “but it must certainly be a more than common interest, that made you plead so warmly in his cause, and that could detain you thus long in his presence, contrary to my express order—in the presence of a man, whom you have hitherto, on all occasions, most scrupulously shunned!”

“I fear, sir, it was a more than common interest, that detained me,” said Emily calmly; “for of late I have been inclined to think, that of compassion is an uncommon one. But how could I, could you, sir, witness Count Morano’s deplorable condition, and not wish to relieve it?”

“You add hypocrisy to caprice,” said Montoni, frowning, “and an attempt at satire, to both; but, before you undertake to regulate the morals of other persons, you should learn and practise the virtues, which are indispensable to a woman—sincerity, uniformity of conduct and obedience.”

Emily, who had always endeavoured to regulate her conduct by the nicest laws, and whose mind was finely sensible, not only of what is just in morals, but of whatever is beautiful in the female character, was shocked by these words; yet, in the next moment, her heart swelled with the consciousness of having deserved praise, instead of censure, and she was proudly silent. Montoni, acquainted with the delicacy of her mind, knew how keenly she would feel his rebuke; but he was a stranger to the luxury of conscious worth, and, therefore, did not foresee the energy of that sentiment, which now repelled his satire. Turning to a servant who had lately entered the room, he asked whether Morano had quitted the castle. The man answered, that his servants were then removing him, on a couch, to a neighbouring cottage. Montoni seemed somewhat appeased, on hearing this; and, when Ludovico appeared, a few moments after, and said, that Morano was gone, he told Emily she might retire to her apartment.

She withdrew willingly from his presence; but the thought of passing the remainder of the night in a chamber, which the door from the staircase made liable to the intrusion of any person, now alarmed her more than ever, and she determined to call at Madame Montoni’s room, and request, that Annette might be permitted to be with her.

On reaching the great gallery, she heard voices seemingly in dispute, and, her spirits now apt to take alarm, she paused, but soon distinguished some words of Cavigni and Verezzi, and went towards them, in the hope of conciliating their difference. They were alone. Verezzi’s face was still flushed with rage; and, as the first object of it was now removed from him, he appeared willing to transfer his resentment to Cavigni, who seemed to be expostulating, rather than disputing, with him.

Verezzi was protesting, that he would instantly inform Montoni of the insult, which Morano had thrown out against him, and above all, that, wherein he had accused him of murder.

“There is no answering,” said Cavigni, “for the words of a man in a passion; little serious regard ought to be paid to them. If you persist in your resolution, the consequences may be fatal to both. We have now more serious interests to pursue, than those of a petty revenge.”

Emily joined her entreaties to Cavigni’s arguments, and they, at length, prevailed so far, as that Verezzi consented to retire, without seeing Montoni.

On calling at her aunt’s apartment, she found it fastened. In a few minutes, however, it was opened by Madame Montoni herself.

It may be remembered, that it was by a door leading into the bedroom from a back passage, that Emily had secretly entered a few hours preceding. She now conjectured, by the calmness of Madame Montoni’s air, that she was not apprised of the accident, which had befallen her husband, and was beginning to inform her of it, in the tenderest manner she could, when her aunt interrupted her, by saying, she was acquainted with the whole affair.

Emily knew indeed, that she had little reason to love Montoni, but could scarcely have believed her capable of such perfect apathy, as she now discovered towards him; having obtained permission, however, for Annette to sleep in her chamber, she went thither immediately.

A track of blood appeared along the corridor, leading to it; and on the spot, where the Count and Montoni had fought, the whole floor was stained. Emily shuddered, and leaned on Annette, as she passed. When she reached her apartment, she instantly determined, since the door of the staircase had been left open, and that Annette was now with her, to explore whither it led,—a circumstance now materially connected with her own safety. Annette accordingly, half curious and half afraid, proposed to descend the stairs; but, on approaching the door, they perceived, that it was already fastened without, and their care was then directed to the securing it on the inside also, by placing against it as much of the heavy furniture of the room, as they could lift. Emily then retired to bed, and Annette continued on a chair by the hearth, where some feeble embers remained.

Chapter VII

Of aery tongues, that syllable men’s names On sands and shores and desert wildernesses. MILTON

It is now necessary to mention some circumstances, which could not be related amidst the events of Emily’s hasty departure from Venice, or together with those, which so rapidly succeeded to her arrival in the castle.

On the morning of her journey, Count Morano had gone at the appointed hour to the mansion of Montoni, to demand his bride. When he reached it, he was somewhat surprised by the silence and solitary air of the portico, where Montoni’s lacqueys usually loitered; but surprise was soon changed to astonishment, and astonishment to the rage of disappointment, when the door was opened by an old woman, who told his servants, that her master and his family had left Venice, early in the morning, for Terra-firma. Scarcely believing what his servants told, he left his gondola, and rushed into the hall to enquire further. The old woman, who was the only person left in care of the mansion, persisted in her story, which the silent and deserted apartments soon convinced him was no fiction. He then seized her with a menacing air, as if he meant to wreak all his vengeance upon her, at the same time asking her twenty questions in a breath, and all these with a gesticulation so furious, that she was deprived of the power of answering them; then suddenly letting her go, he stamped about the hall, like a madman, cursing Montoni and his own folly.

When the good woman was at liberty, and had somewhat recovered from her fright, she told him all she knew of the affair, which was, indeed, very little, but enough to enable Morano to discover, that Montoni was gone to his castle on the Apennine. Thither he followed, as soon as his servants could complete the necessary preparation for the journey, accompanied by a friend, and attended by a number of his people, determined to obtain Emily, or a full revenge on Montoni. When his mind had recovered from the first effervescence of rage, and his thoughts became less obscured, his conscience hinted to him certain circumstances, which, in some measure, explained the conduct of Montoni: but how the latter could have been led to suspect an intention, which, he had believed, was known only to himself, he could not even guess. On this occasion, however, he had been partly betrayed by that sympathetic intelligence, which may be said to exist between bad minds, and which teaches one man to judge what another will do in the same circumstances. Thus it was with Montoni, who had now received indisputable proof of a truth, which he had some time suspected—that Morano’s circumstances, instead of being affluent, as he had been bidden to believe, were greatly involved. Montoni had been interested in his suit, by motives entirely selfish, those of avarice and pride; the last of which would have been gratified by an alliance with a Venetian nobleman, the former by Emily’s estate in Gascony, which he had stipulated, as the price of his favour, should be delivered up to him from the day of her marriage. In the meantime, he had been led to suspect the consequence of the Count’s boundless extravagance; but it was not till the evening, preceding the intended nuptials, that he obtained certain information of his distressed circumstances. He did not hesitate then to infer, that Morano designed to defraud him of Emily’s estate; and in this supposition he was confirmed, and with apparent reason, by the subsequent conduct of the Count, who, after having appointed to meet him on that night, for the purpose of signing the instrument, which was to secure to him his reward, failed in his engagement. Such a circumstance, indeed, in a man of Morano’s gay and thoughtless character, and at a time when his mind was engaged by the bustle of preparation for his nuptials, might have been attributed to a cause less decisive, than design; but Montoni did not hesitate an instant to interpret it his own way, and, after vainly waiting the Count’s arrival, for several hours, he gave orders for his people to be in readiness to set off at a moment’s notice. By hastening to Udolpho he intended to remove Emily from the reach of Morano, as well as to break off the affair, without submitting himself to useless altercation: and, if the Count meant what he called honourably, he would doubtless follow Emily, and sign the writings in question. If this was done, so little consideration had Montoni for her welfare, that he would not have scrupled to sacrifice her to a man of ruined fortune, since by that means he could enrich himself; and he forbore to mention to her the motive of his sudden journey, lest the hope it might revive should render her more intractable, when submission would be required.

With these considerations, he had left Venice; and, with others totally different, Morano had, soon after, pursued his steps across the rugged Apennines. When his arrival was announced at the castle, Montoni did not believe, that he would have presumed to show himself, unless he had meant to fulfil his engagement, and he, therefore, readily admitted him; but the enraged countenance and expressions of Morano, as he entered the apartment, instantly undeceived him; and, when Montoni had explained, in part, the motives of his abrupt departure from Venice, the Count still persisted in demanding Emily, and reproaching Montoni, without even naming the former stipulation.

Montoni, at length, weary of the dispute, deferred the settling of it till the morrow, and Morano retired with some hope, suggested by Montoni’s apparent indecision. When, however, in the silence of his own apartment, he began to consider the past conversation, the character of Montoni, and some former instances of his duplicity, the hope, which he had admitted, vanished, and he determined not to neglect the present possibility of obtaining Emily by other means. To his confidential valet he told his design of carrying away Emily, and sent him back to Montoni’s servants to find out one among them, who might enable him to execute it. The choice of this person he entrusted to the fellow’s own discernment, and not imprudently; for he discovered a man, whom Montoni had, on some former occasion, treated harshly, and who was now ready to betray him. This man conducted Cesario round the castle, through a private passage, to the staircase, that led to Emily’s chamber; then showed him a short way out of the building, and afterwards procured him the keys, that would secure his retreat. The man was well rewarded for his trouble; how the Count was rewarded for his treachery, had already appeared.

Meanwhile, old Carlo had overheard two of Morano’s servants, who had been ordered to be in waiting with the carriage, beyond the castle walls, expressing their surprise at their master’s sudden, and secret departure, for the valet had entrusted them with no more of Morano’s designs, than it was necessary for them to execute. They, however, indulged themselves in surmises, and in expressing them to each other; and from these Carlo had drawn a just conclusion. But, before he ventured to disclose his apprehensions to Montoni, he endeavoured to obtain further confirmation of them, and, for this purpose, placed himself, with one of his fellow-servants, at the door of Emily’s apartment, that opened upon the corridor. He did not watch long in vain, though the growling of the dog had once nearly betrayed him. When he was convinced, that Morano was in the room, and had listened long enough to his conversation, to understand his scheme, he immediately alarmed Montoni, and thus rescued Emily from the designs of the Count.

Montoni, on the following morning, appeared as usual, except that he wore his wounded arm in a sling; he went out upon the ramparts; overlooked the men employed in repairing them; gave orders for additional workmen, and then came into the castle to give audience to several persons, who were just arrived, and who were shown into a private apartment, where he communicated with them, for near an hour. Carlo was then summoned, and ordered to conduct the strangers to a part of the castle, which, in former times, had been occupied by the upper servants of the family, and to provide them with every necessary refreshment.—When he had done this, he was bidden to return to his master.

Meanwhile, the Count remained in a cottage in the skirts of the woods below, suffering under bodily and mental pain, and meditating deep revenge against Montoni. His servant, whom he had dispatched for a surgeon to the nearest town, which was, however, at a considerable distance, did not return till the following day, when, his wounds being examined and dressed, the practitioner refused to deliver any positive opinion, concerning the degree of danger attending them; but giving his patient a composing draught and ordering him to be quiet, remained at the cottage to watch the event.

Emily, for the remainder of the late eventful night, had been suffered to sleep, undisturbed; and, when her mind recovered from the confusion of slumber, and she remembered, that she was now released from the addresses of Count Morano, her spirits were suddenly relieved from a part of the terrible anxiety, that had long oppressed them; that which remained, arose chiefly from a recollection of Morano’s assertions, concerning the schemes of Montoni. He had said, that plans of the latter, concerning Emily, were insearchable, yet that he knew them to be terrible. At the time he uttered this, she almost believed it to be designed for the purpose of prevailing with her to throw herself into his protection, and she still thought it might be chiefly so accounted for; but his assertions had left an impression on her mind, which a consideration of the character and former conduct of Montoni did not contribute to efface. She, however, checked her propensity to anticipate evil; and, determined to enjoy this respite from actual misfortune, tried to dismiss thought, took her instruments for drawing, and placed herself at a window, to select into a landscape some features of the scenery without.

As she was thus employed, she saw, walking on the rampart below, the men, who had so lately arrived at the castle. The sight of strangers surprised her, but still more, of strangers such as these. There was a singularity in their dress, and a certain fierceness in their air, that fixed all her attention. She withdrew from the casement, while they passed, but soon returned to observe them further. Their figures seemed so well suited to the wildness of the surrounding objects, that, as they stood surveying the castle, she sketched them for banditti, amid the mountain-view of her picture, when she had finished which, she was surprised to observe the spirit of her group. But she had copied from nature.

Carlo, when he had placed refreshment before these men in the apartment assigned to them, returned, as he was ordered, to Montoni, who was anxious to discover by what servant the keys of the castle had been delivered to Morano, on the preceding night. But this man, though he was too faithful to his master quietly to see him injured, would not betray a fellow-servant even to justice; he, therefore, pretended to be ignorant who it was, that had conspired with Count Morano, and related, as before, that he had only overheard some of the strangers describing the plot.

Montoni’s suspicions naturally fell upon the porter, whom he ordered now to attend. Carlo hesitated, and then with slow steps went to seek him.

Barnardine, the porter, denied the accusation with a countenance so steady and undaunted, that Montoni could scarcely believe him guilty, though he knew not how to think him innocent. At length, the man was dismissed from his presence, and, though the real offender, escaped detection.

Montoni then went to his wife’s apartment, whither Emily followed soon after, but, finding them in high dispute, was instantly leaving the room, when her aunt called her back, and desired her to stay.—“You shall be a witness,” said she, “of my opposition. Now, sir, repeat the command, I have so often refused to obey.”

Montoni turned, with a stern countenance, to Emily, and bade her quit the apartment, while his wife persisted in desiring, that she would stay. Emily was eager to escape from this scene of contention, and anxious, also, to serve her aunt; but she despaired of conciliating Montoni, in whose eyes the rising tempest of his soul flashed terribly.

“Leave the room,” said he, in a voice of thunder. Emily obeyed, and, walking down to the rampart, which the strangers had now left, continued to meditate on the unhappy marriage of her father’s sister, and on her own desolate situation, occasioned by the ridiculous imprudence of her, whom she had always wished to respect and love. Madame Montoni’s conduct had, indeed, rendered it impossible for Emily to do either; but her gentle heart was touched by her distress, and, in the pity thus awakened, she forgot the injurious treatment she had received from her.

As she sauntered on the rampart, Annette appeared at the hall door, looked cautiously round, and then advanced to meet her.

“Dear ma’amselle, I have been looking for you all over the castle,” said she. “If you will step this way, I will show you a picture.”

“A picture!” exclaimed Emily, and shuddered.

“Yes, ma’am, a picture of the late lady of this place. Old Carlo just now told me it was her, and I thought you would be curious to see it. As to my lady, you know, ma’amselle, one cannot talk about such things to her.”

“And so,” said Emily smilingly, “as you must talk of them to somebody—”

“Why, yes, ma’amselle; what can one do in such a place as this, if one must not talk? If I was in a dungeon, if they would let me talk—it would be some comfort; nay, I would talk, if it was only to the walls. But come, ma’amselle, we lose time—let me show you the picture.”

“Is it veiled?” said Emily, pausing.

“Dear ma’amselle!” said Annette, fixing her eyes on Emily’s face, “what makes you look so pale?—are you ill?”

“No, Annette, I am well enough, but I have no desire to see this picture; return into the hall.”

“What! ma’am, not to see the lady of this castle?” said the girl; “the lady, who disappeared to strangely? Well! now, I would have run to the furthest mountain we can see, yonder, to have got a sight of such a picture; and, to speak my mind, that strange story is all, that makes me care about this old castle, though it makes me thrill all over, as it were, whenever I think of it.”

“Yes, Annette, you love the wonderful; but do you know, that, unless you guard against this inclination, it will lead you into all the misery of superstition?”

Annette might have smiled in her turn, at this sage observation of Emily, who could tremble with ideal terrors, as much as herself, and listen almost as eagerly to the recital of a mysterious story. Annette urged her request.

“Are you sure it is a picture?” said Emily, “Have you seen it?—Is it veiled?”

“Holy Maria! ma’amselle, yes, no, yes. I am sure it is a picture—I have seen it, and it is not veiled!”

The tone and look of surprise, with which this was uttered, recalled Emily’s prudence; who concealed her emotion under a smile, and bade Annette lead her to the picture. It was in an obscure chamber, adjoining that part of the castle, allotted to the servants. Several other portraits hung on the walls, covered, like this, with dust and cobweb.

“That is it, ma’amselle,” said Annette, in a low voice, and pointing. Emily advanced, and surveyed the picture. It represented a lady in the flower of youth and beauty; her features were handsome and noble, full of strong expression, but had little of the captivating sweetness, that Emily had looked for, and still less of the pensive mildness she loved. It was a countenance, which spoke the language of passion, rather than that of sentiment; a haughty impatience of misfortune—not the placid melancholy of a spirit injured, yet resigned.

“How many years have passed, since this lady disappeared, Annette?” said Emily.

“Twenty years, ma’amselle, or thereabout, as they tell me; I know it is a long while ago.” Emily continued to gaze upon the portrait.

“I think,” resumed Annette, “the Signor would do well to hang it in a better place, than this old chamber. Now, in my mind, he ought to place the picture of a lady, who gave him all these riches, in the handsomest room in the castle. But he may have good reasons for what he does: and some people do say that he has lost his riches, as well as his gratitude. But hush, ma’am, not a word!” added Annette, laying her finger on her lips. Emily was too much absorbed in thought, to hear what she said.

“’Tis a handsome lady, I am sure,” continued Annette: “the Signor need not be ashamed to put her in the great apartment, where the veiled picture hangs.” Emily turned round. “But for that matter, she would be as little seen there, as here, for the door is always locked, I find.”

“Let us leave this chamber,” said Emily: “and let me caution you again, Annette; be guarded in your conversation, and never tell, that you know anything of that picture.”

“Holy Mother!” exclaimed Annette, “it is no secret; why all the servants have seen it already!”

Emily started. “How is this?” said she—“Have seen it! When?—how?”

“Dear, ma’amselle, there is nothing surprising in that; we had all a little more curiousness than you had.”

“I thought you told me, the door was kept locked?” said Emily.

“If that was the case, ma’amselle,” replied Annette, looking about her, “how could we get here?”

“Oh, you mean this picture,” said Emily, with returning calmness. “Well, Annette, here is nothing more to engage my attention; we will go.”

Emily, as she passed to her own apartment, saw Montoni go down to the hall, and she turned into her aunt’s dressing-room, whom she found weeping and alone, grief and resentment struggling on her countenance. Pride had hitherto restrained complaint. Judging of Emily’s disposition from her own, and from a consciousness of what her treatment of her deserved, she had believed, that her griefs would be cause of triumph to her niece, rather than of sympathy; that she would despise, not pity her. But she knew not the tenderness and benevolence of Emily’s heart, that had always taught her to forget her own injuries in the misfortunes of her enemy. The sufferings of others, whoever they might be, called forth her ready compassion, which dissipated at once every obscuring cloud to goodness, that passion or prejudice might have raised in her mind.

Madame Montoni’s sufferings, at length, rose above her pride, and, when Emily had before entered the room, she would have told them all, had not her husband prevented her; now that she was no longer restrained by his presence, she poured forth all her complaints to her niece.

“O Emily!” she exclaimed, “I am the most wretched of women—I am indeed cruelly treated! Who, with my prospects of happiness, could have foreseen such a wretched fate as this?—who could have thought, when I married such a man as the Signor, I should ever have to bewail my lot? But there is no judging what is for the best—there is no knowing what is for our good! The most flattering prospects often change—the best judgments may be deceived—who could have foreseen, when I married the Signor, that I should ever repent my generosity?”

Emily thought she might have foreseen it, but this was not a thought of triumph. She placed herself in a chair near her aunt, took her hand, and, with one of those looks of soft compassion, which might characterise the countenance of a guardian angel, spoke to her in the tenderest accents. But these did not sooth Madame Montoni, whom impatience to talk made unwilling to listen. She wanted to complain, not to be consoled; and it was by exclamations of complaint only, that Emily learned the particular circumstances of her affliction.

“Ungrateful man!” said Madame Montoni, “he has deceived me in every respect; and now he has taken me from my country and friends, to shut me up in this old castle; and, here he thinks he can compel me to do whatever he designs! But he shall find himself mistaken, he shall find that no threats can alter—But who would have believed! who would have supposed, that a man of his family and apparent wealth had absolutely no fortune?—no, scarcely a sequin of his own! I did all for the best; I thought he was a man of consequence, of great property, or I am sure I would never have married him,—ungrateful, artful man!” She paused to take breath.

“Dear Madam, be composed,” said Emily: “the Signor may not be so rich as you had reason to expect, but surely he cannot be very poor, since this castle and the mansion at Venice are his. May I ask what are the circumstances, that particularly affect you?”

“What are the circumstances!” exclaimed Madame Montoni with resentment: “why is it not sufficient, that he had long ago ruined his own fortune by play, and that he has since lost what I brought him—and that now he would compel me to sign away my settlement (it was well I had the chief of my property settled on myself!) that he may lose this also, or throw it away in wild schemes, which nobody can understand but himself? And, and—is not all this sufficient?”

“It is, indeed,” said Emily, “but you must recollect, dear madam, that I knew nothing of all this.”

“Well, and is it not sufficient,” rejoined her aunt, “that he is also absolutely ruined, that he is sunk deeply in debt, and that neither this castle, nor the mansion at Venice, is his own, if all his debts, honourable and dishonourable, were paid!”

“I am shocked by what you tell me, madam,” said Emily.

“And is it not enough,” interrupted Madame Montoni, “that he has treated me with neglect, with cruelty, because I refused to relinquish my settlements, and, instead of being frightened by his menaces, resolutely defied him, and upbraided him with his shameful conduct? But I bore all meekly,—you know, niece, I never uttered a word of complaint, till now; no! That such a disposition as mine should be so imposed upon! That I, whose only faults are too much kindness, too much generosity, should be chained for life to such a vile, deceitful, cruel monster!”

Want of breath compelled Madame Montoni to stop. If anything could have made Emily smile in these moments, it would have been this speech of her aunt, delivered in a voice very little below a scream, and with a vehemence of gesticulation and of countenance, that turned the whole into burlesque. Emily saw, that her misfortunes did not admit of real consolation, and, contemning the commonplace terms of superficial comfort, she was silent; while Madame Montoni, jealous of her own consequence, mistook this for the silence of indifference, or of contempt, and reproached her with want of duty and feeling.

“O! I suspected what all this boasted sensibility would prove to be!” rejoined she; “I thought it would not teach you to feel either duty, or affection, for your relations, who have treated you like their own daughter!”

“Pardon me, madam,” said Emily, mildly, “it is not natural to me to boast, and if it was, I am sure I would not boast of sensibility—a quality, perhaps, more to be feared, than desired.”

“Well, well, niece, I will not dispute with you. But, as I said, Montoni threatens me with violence, if I any longer refuse to sign away my settlements, and this was the subject of our contest, when you came into the room before. Now, I am determined no power on earth shall make me do this. Neither will I bear all this tamely. He shall hear his true character from me; I will tell him all he deserves, in spite of his threats and cruel treatment.”

Emily seized a pause of Madame Montoni’s voice, to speak. “Dear madam,” said she, “but will not this serve to irritate the Signor unnecessarily? will it not provoke the harsh treatment you dread?”

“I do not care,” replied Madame Montoni, “it does not signify: I will not submit to such usage. You would have me give up my settlements, too, I suppose!”

“No, madam, I do not exactly mean that.”

“What is it you do mean then?”

“You spoke of reproaching the Signor,”—said Emily, with hesitation. “Why, does he not deserve reproaches?” said her aunt.

“Certainly he does; but will it be prudent in you, madam, to make them?”

“Prudent!” exclaimed Madame Montoni. “Is this a time to talk of prudence, when one is threatened with all sorts of violence?”

“It is to avoid that violence, that prudence is necessary.” said Emily.

“Of prudence!” continued Madame Montoni, without attending to her, “of prudence towards a man, who does not scruple to break all the common ties of humanity in his conduct to me! And is it for me to consider prudence in my behaviour towards him! I am not so mean.”

“It is for your own sake, not for the Signor’s, madam,” said Emily modestly, “that you should consult prudence. Your reproaches, however just, cannot punish him, but they may provoke him to further violence against you.”

“What! would you have me submit, then, to whatever he commands—would you have me kneel down at his feet, and thank him for his cruelties? Would you have me give up my settlements?”

“How much you mistake me, madam!” said Emily, “I am unequal to advise you on a point so important as the last: but you will pardon me for saying, that, if you consult your own peace, you will try to conciliate Signor Montoni, rather than to irritate him by reproaches.”

“Conciliate indeed! I tell you, niece, it is utterly impossible; I disdain to attempt it.”

Emily was shocked to observe the perverted understanding and obstinate temper of Madame Montoni; but, not less grieved for her sufferings, she looked round for some alleviating circumstance to offer her. “Your situation is, perhaps, not so desperate, dear madam,” said Emily, “as you may imagine. The Signor may represent his affairs to be worse than they are, for the purpose of pleading a stronger necessity for his possession of your settlement. Besides, so long as you keep this, you may look forward to it as a resource, at least, that will afford you a competence, should the Signor’s future conduct compel you to sue for separation.”

Madame Montoni impatiently interrupted her. “Unfeeling, cruel girl!” said she, “and so you would persuade me, that I have no reason to complain; that the Signor is in very flourishing circumstances, that my future prospects promise nothing but comfort, and that my griefs are as fanciful and romantic as your own! Is it the way to console me, to endeavour to persuade me out of my senses and my feelings, because you happen to have no feelings yourself? I thought I was opening my heart to a person, who could sympathise in my distress, but I find, that your people of sensibility can feel for nobody but themselves! You may retire to your chamber.”

Emily, without replying, immediately left the room, with a mingled emotion of pity and contempt, and hastened to her own, where she yielded to the mournful reflections, which a knowledge of her aunt’s situation had occasioned. The conversation of the Italian with Valancourt, in France, again occurred to her. His hints, respecting the broken fortunes of Montoni, were now completely justified; those, also, concerning his character, appeared not less so, though the particular circumstances, connected with his fame, to which the stranger had alluded, yet remained to be explained. Notwithstanding, that her own observations and the words of Count Morano had convinced her, that Montoni’s situation was not what it formerly appeared to be, the intelligence she had just received from her aunt on this point, struck her with all the force of astonishment, which was not weakened, when she considered the present style of Montoni’s living, the number of servants he maintained, and the new expences he was incurring, by repairing and fortifying his castle. Her anxiety for her aunt and for herself increased with reflection. Several assertions of Morano, which, on the preceding night, she had believed were prompted either by interest, or by resentment, now returned to her mind with the strength of truth. She could not doubt, that Montoni had formerly agreed to give her to the Count, for a pecuniary reward;—his character, and his distressed circumstances justified the belief; these, also, seemed to confirm Morano’s assertion, that he now designed to dispose of her, more advantageously for himself, to a richer suitor.

Amidst the reproaches, which Morano had thrown out against Montoni, he had said—he would not quit the castle he dared to call his, nor willingly leave another murder on his conscience—hints, which might have no other origin than the passion of the moment: but Emily was now inclined to account for them more seriously, and she shuddered to think, that she was in the hands of a man, to whom it was even possible they could apply. At length, considering, that reflection could neither release her from her melancholy situation, nor enable her to bear it with greater fortitude, she tried to divert her anxiety, and took down from her little library a volume of her favourite Ariosto; but his wild imagery and rich invention could not long enchant her attention; his spells did not reach her heart, and over her sleeping fancy they played, without awakening it.

She now put aside the book, and took her lute, for it was seldom that her sufferings refused to yield to the magic of sweet sounds; when they did so, she was oppressed by sorrow, that came from excess of tenderness and regret; and there were times, when music had increased such sorrow to a degree, that was scarcely endurable; when, if it had not suddenly ceased, she might have lost her reason. Such was the time, when she mourned for her father, and heard the midnight strains, that floated by her window near the convent in Languedoc, on the night that followed his death.

She continued to play, till Annette brought dinner into her chamber, at which Emily was surprised, and enquired whose order she obeyed. “My lady’s, ma’amselle,” replied Annette: “the Signor ordered her dinner to be carried to her own apartment, and so she has sent you yours. There have been sad doings between them, worse than ever, I think.”

Emily, not appearing to notice what she said, sat down to the little table, that was spread for her. But Annette was not to be silenced thus easily. While she waited, she told of the arrival of the men, whom Emily had observed on the ramparts, and expressed much surprise at their strange appearance, as well as at the manner, in which they had been attended by Montoni’s order. “Do they dine with the Signor, then?” said Emily.

“No, ma’amselle, they dined long ago, in an apartment at the north end of the castle, but I know not when they are to go, for the Signor told old Carlo to see them provided with everything necessary. They have been walking all about the castle, and asking questions of the workmen on the ramparts. I never saw such strange-looking men in my life; I am frightened whenever I see them.”

Emily enquired, if she had heard of Count Morano, and whether he was likely to recover: but Annette only knew, that he was lodged in a cottage in the wood below, and that everybody said he must die. Emily’s countenance discovered her emotion.

“Dear ma’amselle,” said Annette, “to see how young ladies will disguise themselves, when they are in love! I thought you hated the Count, or I am sure I would not have told you; and I am sure you have cause enough to hate him.”

“I hope I hate nobody,” replied Emily, trying to smile; “but certainly I do not love Count Morano. I should be shocked to hear of any person dying by violent means.”

“Yes, ma’amselle, but it is his own fault.”

Emily looked displeased; and Annette, mistaking the cause of her displeasure, immediately began to excuse the Count, in her way. “To be sure, it was very ungenteel behaviour,” said she, “to break into a lady’s room, and then, when he found his discoursing was not agreeable to her, to refuse to go; and then, when the gentleman of the castle comes to desire him to walk about his business—to turn round, and draw his sword, and swear he’ll run him through the body! To be sure it was very ungenteel behaviour, but then he was disguised in love, and so did not know what he was about.”

“Enough of this,” said Emily, who now smiled without an effort; and Annette returned to a mention of the disagreement between Montoni, and her lady. “It is nothing new,” said she: “we saw and heard enough of this at Venice, though I never told you of it, ma’amselle.”

“Well, Annette, it was very prudent of you not to mention it then: be as prudent now; the subject is an unpleasant one.”

“Ah dear, ma’amselle!—to see now how considerate you can be about some folks, who care so little about you! I cannot bear to see you so deceived, and I must tell you. But it is all for your own good, and not to spite my lady, though, to speak truth, I have little reason to love her; but—”

“You are not speaking thus of my aunt, I hope, Annette?” said Emily, gravely.

“Yes, ma’amselle, but I am, though; and if you knew as much as I do, you would not look so angry. I have often, and often, heard the Signor and her talking over your marriage with the Count, and she always advised him never to give up to your foolish whims, as she was pleased to call them, but to be resolute, and compel you to be obedient, whether you would, or no. And I am sure, my heart has ached a thousand times, and I have thought, when she was so unhappy herself, she might have felt a little for other people, and—”

“I thank you for your pity, Annette,” said Emily, interrupting her: “but my aunt was unhappy then, and that disturbed her temper perhaps, or I think—I am sure—You may take away, Annette, I have done.”

“Dear ma’amselle, you have eat nothing at all! Do try, and take a little bit more. Disturbed her temper truly! why, her temper is always disturbed, I think. And at Thoulouse I have heard my lady talking of you and Mons. Valancourt to Madame Merveille and Madame Vaison, often and often, in a very ill-natured way, as I thought, telling them what a deal of trouble she had to keep you in order, and what a fatigue and distress it was to her, and that she believed you would run away with Mons. Valancourt, if she was not to watch you closely; and that you connived at his coming about the house at night, and—”

“Good God!” exclaimed Emily, blushing deeply, “it is surely impossible my aunt could thus have represented me!”

“Indeed, ma’am, I say nothing more than the truth, and not all of that. But I thought, myself, she might have found something better to discourse about, than the faults of her own niece, even if you had been in fault, ma’amselle; but I did not believe a word of what she said. But my lady does not care what she says against anybody, for that matter.”

“However that may be, Annette,” interrupted Emily, recovering her composure, “it does not become you to speak of the faults of my aunt to me. I know you have meant well, but—say no more.—I have quite dined.”

Annette blushed, looked down, and then began slowly to clear the table.

“Is this, then, the reward of my ingenuousness?” said Emily, when she was alone; “the treatment I am to receive from a relation—an aunt—who ought to have been the guardian, not the slanderer of my reputation,—who, as a woman, ought to have respected the delicacy of female honour, and, as a relation, should have protected mine! But, to utter falsehoods on so nice a subject—to repay the openness, and, I may say with honest pride, the propriety of my conduct, with slanders—required a depravity of heart, such as I could scarcely have believed existed, such as I weep to find in a relation. O! what a contrast does her character present to that of my beloved father; while envy and low cunning form the chief traits of hers, his was distinguished by benevolence and philosophic wisdom! But now, let me only remember, if possible, that she is unfortunate.”

Emily threw her veil over her, and went down to walk upon the ramparts, the only walk, indeed, which was open to her, though she often wished, that she might be permitted to ramble among the woods below, and still more, that she might sometimes explore the sublime scenes of the surrounding country. But, as Montoni would not suffer her to pass the gates of the castle, she tried to be contented with the romantic views she beheld from the walls. The peasants, who had been employed on the fortifications, had left their work, and the ramparts were silent and solitary. Their lonely appearance, together with the gloom of a lowering sky, assisted the musings of her mind, and threw over it a kind of melancholy tranquillity, such as she often loved to indulge. She turned to observe a fine effect of the sun, as his rays, suddenly streaming from behind a heavy cloud, lighted up the west towers of the castle, while the rest of the edifice was in deep shade, except, that, through a lofty gothic arch, adjoining the tower, which led to another terrace, the beams darted in full splendour, and showed the three strangers she had observed in the morning. Perceiving them, she started, and a momentary fear came over her, as she looked up the long rampart, and saw no other persons. While she hesitated, they approached. The gate at the end of the terrace, whither they were advancing, she knew, was always locked, and she could not depart by the opposite extremity, without meeting them; but, before she passed them, she hastily drew a thin veil over her face, which did, indeed, but ill conceal her beauty. They looked earnestly at her, and spoke to each other in bad Italian, of which she caught only a few words; but the fierceness of their countenances, now that she was near enough to discriminate them, struck her yet more than the wild singularity of their air and dress had formerly done. It was the countenance and figure of him, who walked between the other two, that chiefly seized her attention, which expressed a sullen haughtiness and a kind of dark watchful villany, that gave a thrill of horror to her heart. All this was so legibly written on his features, as to be seen by a single glance, for she passed the group swiftly, and her timid eyes scarcely rested on them a moment. Having reached the terrace, she stopped, and perceived the strangers standing in the shadow of one of the turrets, gazing after her, and seemingly, by their action, in earnest conversation. She immediately left the rampart, and retired to her apartment.

In the evening, Montoni sat late, carousing with his guests in the cedar chamber. His recent triumph over Count Morano, or, perhaps, some other circumstance, contributed to elevate his spirits to an unusual height. He filled the goblet often, and gave a loose to merriment and talk. The gaiety of Cavigni, on the contrary, was somewhat clouded by anxiety. He kept a watchful eye upon Verezzi, whom, with the utmost difficulty, he had hitherto restrained from exasperating Montoni further against Morano, by a mention of his late taunting words.

One of the company exultingly recurred to the event of the preceding evening. Verezzi’s eyes sparkled. The mention of Morano led to that of Emily, of whom they were all profuse in the praise, except Montoni, who sat silent, and then interrupted the subject.

When the servants had withdrawn, Montoni and his friends entered into close conversation, which was sometimes checked by the irascible temper of Verezzi, but in which Montoni displayed his conscious superiority, by that decisive look and manner, which always accompanied the vigour of his thought, and to which most of his companions submitted, as to a power, that they had no right to question, though of each other’s self-importance they were jealously scrupulous. Amidst this conversation, one of them imprudently introduced again the name of Morano; and Verezzi, now more heated by wine, disregarded the expressive looks of Cavigni, and gave some dark hints of what had passed on the preceding night. These, however, Montoni did not appear to understand, for he continued silent in his chair, without discovering any emotion, while, the choler of Verezzi increasing with the apparent insensibility of Montoni, he at length told the suggestion of Morano, that this castle did not lawfully belong to him, and that he would not willingly leave another murder on his conscience.

“Am I to be insulted at my own table, and by my own friends?” said Montoni, with a countenance pale in anger. “Why are the words of that madman repeated to me?” Verezzi, who had expected to hear Montoni’s indignation poured forth against Morano, and answered by thanks to himself, looked with astonishment at Cavigni, who enjoyed his confusion. “Can you be weak enough to credit the assertions of a madman?” rejoined Montoni, “or, what is the same thing, a man possessed by the spirit of vengeance? But he has succeeded too well; you believe what he said.”

“Signor,” said Verezzi, “we believe only what we know.”—“How!” interrupted Montoni, sternly: “produce your proof.”

“We believe only what we know,” repeated Verezzi, “and we know nothing of what Morano asserts.” Montoni seemed to recover himself. “I am hasty, my friends,” said he, “with respect to my honour; no man shall question it with impunity—you did not mean to question it. These foolish words are not worth your remembrance, or my resentment. Verezzi, here is to your first exploit.”

“Success to your first exploit,” re-echoed the whole company.

“Noble Signor,” replied Verezzi, glad to find he had escaped Montoni’s resentment, “with my good will, you shall build your ramparts of gold.”

“Pass the goblet,” cried Montoni. “We will drink to Signora St. Aubert,” said Cavigni. “By your leave we will first drink to the lady of the castle.” said Bertolini.—Montoni was silent. “To the lady of the castle,” said his guests. He bowed his head.

“It much surprises me, Signor,” said Bertolini, “that you have so long neglected this castle; it is a noble edifice.”

“It suits our purpose,” replied Montoni, “and is a noble edifice. You know not, it seems, by what mischance it came to me.”

“It was a lucky mischance, be it what it may, Signor,” replied Bertolini, smiling. “I would, that one so lucky had befallen me.”

Montoni looked gravely at him. “If you will attend to what I say,” he resumed, “you shall hear the story.”

The countenances of Bertolini and Verezzi expressed something more than curiosity; Cavigni, who seemed to feel none, had probably heard the relation before.

“It is now near twenty years,” said Montoni, “since this castle came into my possession. I inherit it by the female line. The lady, my predecessor, was only distantly related to me; I am the last of her family. She was beautiful and rich; I wooed her; but her heart was fixed upon another, and she rejected me. It is probable, however, that she was herself rejected of the person, whoever he might be, on whom she bestowed her favour, for a deep and settled melancholy took possession of her; and I have reason to believe she put a period to her own life. I was not at the castle at the time; but, as there are some singular and mysterious circumstances attending that event, I shall repeat them.”

“Repeat them!” said a voice.

Montoni was silent; the guests looked at each other, to know who spoke; but they perceived, that each was making the same enquiry. Montoni, at length, recovered himself. “We are overheard,” said he: “we will finish this subject another time. Pass the goblet.”

The cavaliers looked round the wide chamber.

“Here is no person, but ourselves,” said Verezzi: “pray, Signor, proceed.”

“Did you hear anything?” said Montoni.

“We did,” said Bertolini.

“It could be only fancy,” said Verezzi, looking round again. “We see no person besides ourselves; and the sound I thought I heard seemed within the room. Pray, Signor, go on.”

Montoni paused a moment, and then proceeded in a lowered voice, while the cavaliers drew nearer to attend.

“Ye are to know, Signors, that the Lady Laurentini had for some months shown symptoms of a dejected mind, nay, of a disturbed imagination. Her mood was very unequal; sometimes she was sunk in calm melancholy, and, at others, as I have been told, she betrayed all the symptoms of frantic madness. It was one night in the month of October, after she had recovered from one of those fits of excess, and had sunk again into her usual melancholy, that she retired alone to her chamber, and forbade all interruption. It was the chamber at the end of the corridor, Signors, where we had the affray, last night. From that hour, she was seen no more.”

“How! seen no more!” said Bertolini, “was not her body found in the chamber?”

“Were her remains never found?” cried the rest of the company all together.

“Never!” replied Montoni.

“What reasons were there to suppose she destroyed herself, then?” said Bertolini.—“Aye, what reasons?” said Verezzi.—“How happened it, that her remains were never found? Although she killed herself, she could not bury herself.” Montoni looked indignantly at Verezzi, who began to apologise.

“Your pardon, Signor,” said he: “I did not consider, that the lady was your relative, when I spoke of her so lightly.”

Montoni accepted the apology.

“But the Signor will oblige us with the reasons, which urged him to believe, that the lady committed suicide.”

“Those I will explain hereafter,” said Montoni: “at present let me relate a most extraordinary circumstance. This conversation goes no further, Signors. Listen, then, to what I am going to say.”

“Listen!” said a voice.

They were all again silent, and the countenance of Montoni changed. “This is no illusion of the fancy,” said Cavigni, at length breaking the profound silence.—“No,” said Bertolini; “I heard it myself, now. Yet here is no person in the room but ourselves!”

“This is very extraordinary,” said Montoni, suddenly rising. “This is not to be borne; here is some deception, some trick. I will know what it means.”

All the company rose from their chairs in confusion.

“It is very odd!” said Bertolini. “Here is really no stranger in the room. If it is a trick, Signor, you will do well to punish the author of it severely.”

“A trick! what else can it be?” said Cavigni, affecting a laugh.

The servants were now summoned, and the chamber was searched, but no person was found. The surprise and consternation of the company increased. Montoni was discomposed. “We will leave this room,” said he, “and the subject of our conversation also; it is too solemn.” His guests were equally ready to quit the apartment; but the subject had roused their curiosity, and they entreated Montoni to withdraw to another chamber, and finish it; no entreaties could, however, prevail with him. Notwithstanding his efforts to appear at ease, he was visibly and greatly disordered.

“Why, Signor, you are not superstitious,” cried Verezzi, jeeringly; “you, who have so often laughed at the credulity of others!”

“I am not superstitious,” replied Montoni, regarding him with stern displeasure, “though I know how to despise the common-place sentences, which are frequently uttered against superstition. I will enquire further into this affair.” He then left the room; and his guests, separating for the night, retired to their respective apartments.

Chapter VIII

He wears the rose of youth upon his cheek. SHAKESPEARE

We now return to Valancourt, who, it may be remembered, remained at Thoulouse, some time after the departure of Emily, restless and miserable. Each morrow that approached, he designed should carry him from thence; yet tomorrow and tomorrow came, and still saw him lingering in the scene of his former happiness. He could not immediately tear himself from the spot, where he had been accustomed to converse with Emily, or from the objects they had viewed together, which appeared to him memorials of her affection, as well as a kind of surety for its faithfulness; and, next to the pain of bidding her adieu, was that of leaving the scenes which so powerfully awakened her image. Sometimes he had bribed a servant, who had been left in the care of Madame Montoni’s château, to permit him to visit the gardens, and there he would wander, for hours together, rapt in a melancholy, not unpleasing. The terrace, and the pavilion at the end of it, where he had taken leave of Emily, on the eve of her departure from Thoulouse, were his most favourite haunts. There, as he walked, or leaned from the window of the building, he would endeavour to recollect all she had said, on that night; to catch the tones of her voice, as they faintly vibrated on his memory, and to remember the exact expression of her countenance, which sometimes came suddenly to his fancy, like a vision; that beautiful countenance, which awakened, as by instantaneous magic, all the tenderness of his heart, and seemed to tell with irresistible eloquence—that he had lost her for ever! At these moments, his hurried steps would have discovered to a spectator the despair of his heart. The character of Montoni, such as he had received from hints, and such as his fears represented it, would rise to his view, together with all the dangers it seemed to threaten to Emily and to his love. He blamed himself, that he had not urged these more forcibly to her, while it might have been in his power to detain her, and that he had suffered an absurd and criminal delicacy, as he termed it, to conquer so soon the reasonable arguments he had opposed to this journey. Any evil, that might have attended their marriage, seemed so inferior to those, which now threatened their love, or even to the sufferings, that absence occasioned, that he wondered how he could have ceased to urge his suit, till he had convinced her of its propriety; and he would certainly now have followed her to Italy, if he could have been spared from his regiment for so long a journey. His regiment, indeed, soon reminded him, that he had other duties to attend, than those of love.

A short time after his arrival at his brother’s house, he was summoned to join his brother officers, and he accompanied a battalion to Paris; where a scene of novelty and gaiety opened upon him, such as, till then, he had only a faint idea of. But gaiety disgusted, and company fatigued, his sick mind; and he became an object of unceasing raillery to his companions, from whom, whenever he could steal an opportunity, he escaped, to think of Emily. The scenes around him, however, and the company with whom he was obliged to mingle, engaged his attention, though they failed to amuse his fancy, and thus gradually weakened the habit of yielding to lamentation, till it appeared less a duty to his love to indulge it. Among his brother-officers were many, who added to the ordinary character of a French soldier’s gaiety some of those fascinating qualities, which too frequently throw a veil over folly, and sometimes even soften the features of vice into smiles. To these men the reserved and thoughtful manners of Valancourt were a kind of tacit censure on their own, for which they rallied him when present, and plotted against him when absent; they gloried in the thought of reducing him to their own level, and, considering it to be a spirited frolic, determined to accomplish it.

Valancourt was a stranger to the gradual progress of scheme and intrigue, against which he could not be on his guard. He had not been accustomed to receive ridicule, and he could ill endure its sting; he resented it, and this only drew upon him a louder laugh. To escape from such scenes, he fled into solitude, and there the image of Emily met him, and revived the pangs of love and despair. He then sought to renew those tasteful studies, which had been the delight of his early years; but his mind had lost the tranquillity, which is necessary for their enjoyment. To forget himself and the grief and anxiety, which the idea of her recalled, he would quit his solitude, and again mingle in the crowd—glad of a temporary relief, and rejoicing to snatch amusement for the moment.

Thus passed weeks after weeks, time gradually softening his sorrow, and habit strengthening his desire of amusement, till the scenes around him seemed to awaken into a new character, and Valancourt, to have fallen among them from the clouds.

His figure and address made him a welcome visitor, wherever he had been introduced, and he soon frequented the most gay and fashionable circles of Paris. Among these, was the assembly of the Countess Lacleur, a woman of eminent beauty and captivating manners. She had passed the spring of youth, but her wit prolonged the triumph of its reign, and they mutually assisted the fame of each other; for those, who were charmed by her loveliness, spoke with enthusiasm of her talents; and others, who admired her playful imagination, declared, that her personal graces were unrivalled. But her imagination was merely playful, and her wit, if such it could be called, was brilliant, rather than just; it dazzled, and its fallacy escaped the detection of the moment; for the accents, in which she pronounced it, and the smile, that accompanied them, were a spell upon the judgment of the auditors. Her petits soupers were the most tasteful of any in Paris, and were frequented by many of the second class of literati. She was fond of music, was herself a scientific performer, and had frequently concerts at her house. Valancourt, who passionately loved music, and who sometimes assisted at these concerts, admired her execution, but remembered with a sigh the eloquent simplicity of Emily’s songs and the natural expression of her manner, which waited not to be approved by the judgment, but found their way at once to the heart.

Madame La Comtesse had often deep play at her house, which she affected to restrain, but secretly encouraged; and it was well known among her friends, that the splendour of her establishment was chiefly supplied from the profits of her tables. But her petits soupers were the most charming imaginable! Here were all the delicacies of the four quarters of the world, all the wit and the lighter efforts of genius, all the graces of conversation—the smiles of beauty, and the charm of music; and Valancourt passed his pleasantest, as well as most dangerous hours in these parties.

His brother, who remained with his family in Gascony, had contented himself with giving him letters of introduction to such of his relations, residing at Paris, as the latter was not already known to. All these were persons of some distinction; and, as neither the person, mind, nor manners of Valancourt the younger threatened to disgrace their alliance, they received him with as much kindness as their nature, hardened by uninterrupted prosperity, would admit of; but their attentions did not extend to acts of real friendship; for they were too much occupied by their own pursuits, to feel any interest in his; and thus he was set down in the midst of Paris, in the pride of youth, with an open, unsuspicious temper and ardent affections, without one friend, to warn him of the dangers, to which he was exposed. Emily, who, had she been present, would have saved him from these evils by awakening his heart, and engaging him in worthy pursuits, now only increased his danger;—it was to lose the grief, which the remembrance of her occasioned, that he first sought amusement; and for this end he pursued it, till habit made it an object of abstract interest.

There was also a Marchioness Champfort, a young widow, at whose assemblies he passed much of his time. She was handsome, still more artful, gay and fond of intrigue. The society, which she drew round her, was less elegant and more vicious, than that of the Countess Lacleur: but, as she had address enough to throw a veil, though but a slight one, over the worst part of her character, she was still visited by many persons of what is called distinction. Valancourt was introduced to her parties by two of his brother officers, whose late ridicule he had now forgiven so far, that he could sometimes join in the laugh, which a mention of his former manners would renew.

The gaiety of the most splendid court in Europe, the magnificence of the palaces, entertainments, and equipages, that surrounded him—all conspired to dazzle his imagination, and reanimate his spirits, and the example and maxims of his military associates to delude his mind. Emily’s image, indeed, still lived there; but it was no longer the friend, the monitor, that saved him from himself, and to which he retired to weep the sweet, yet melancholy, tears of tenderness. When he had recourse to it, it assumed a countenance of mild reproach, that wrung his soul, and called forth tears of unmixed misery; his only escape from which was to forget the object of it, and he endeavoured, therefore, to think of Emily as seldom as he could.

Thus dangerously circumstanced was Valancourt, at the time, when Emily was suffering at Venice, from the persecuting addresses of Count Morano, and the unjust authority of Montoni; at which period we leave him.

Chapter IX

The image of a wicked, heinous fault Lives in his eye; that close aspect of his Does show the mood of a much-troubled breast. KING JOHN

Leaving the gay scenes of Paris, we return to those of the gloomy Apennine, where Emily’s thoughts were still faithful to Valancourt. Looking to him as to her only hope, she recollected, with jealous exactness, every assurance and every proof she had witnessed of his affection; read again and again the letters she had received from him; weighed, with intense anxiety, the force of every word, that spoke of his attachment; and dried her tears, as she trusted in his truth.

Montoni, meanwhile, had made strict enquiry concerning the strange circumstance of his alarm, without obtaining information; and was, at length, obliged to account for it by the reasonable supposition, that it was a mischievous trick played off by one of his domestics. His disagreements with Madame Montoni, on the subject of her settlements, were now more frequent than ever; he even confined her entirely to her own apartment, and did not scruple to threaten her with much greater severity, should she persevere in a refusal.

Reason, had she consulted it, would now have perplexed her in the choice of a conduct to be adopted. It would have pointed out the danger of irritating by further opposition a man, such as Montoni had proved himself to be, and to whose power she had so entirely committed herself; and it would also have told her, of what extreme importance to her future comfort it was, to reserve for herself those possessions, which would enable her to live independently of Montoni, should she ever escape from his immediate control. But she was directed by a more decisive guide than reason—the spirit of revenge, which urged her to oppose violence to violence, and obstinacy to obstinacy.

Wholly confined to the solitude of her apartment, she was now reduced to solicit the society she had lately rejected; for Emily was the only person, except Annette, with whom she was permitted to converse.

Generously anxious for her peace, Emily, therefore, tried to persuade, when she could not convince, and sought by every gentle means to induce her to forbear that asperity of reply, which so greatly irritated Montoni. The pride of her aunt did sometimes soften to the soothing voice of Emily, and there even were moments, when she regarded her affectionate attentions with goodwill.

The scenes of terrible contention, to which Emily was frequently compelled to be witness, exhausted her spirits more than any circumstances, that had occurred since her departure from Thoulouse. The gentleness and goodness of her parents, together with the scenes of her early happiness, often stole on her mind, like the visions of a higher world; while the characters and circumstances, now passing beneath her eye, excited both terror and surprise. She could scarcely have imagined, that passions so fierce and so various, as those which Montoni exhibited, could have been concentrated in one individual; yet what more surprised her, was, that, on great occasions, he could bend these passions, wild as they were, to the cause of his interest, and generally could disguise in his countenance their operation on his mind; but she had seen him too often, when he had thought it unnecessary to conceal his nature, to be deceived on such occasions.

Her present life appeared like the dream of a distempered imagination, or like one of those frightful fictions, in which the wild genius of the poets sometimes delighted. Reflection brought only regret, and anticipation terror. How often did she wish to “steal the lark’s wing, and mount the swiftest gale,” that Languedoc and repose might once more be hers!

Of Count Morano’s health she made frequent enquiry; but Annette heard only vague reports of his danger, and that his surgeon had said he would never leave the cottage alive; while Emily could not but be shocked to think, that she, however innocently, might be the means of his death; and Annette, who did not fail to observe her emotion, interpreted it in her own way.

But a circumstance soon occurred, which entirely withdrew Annette’s attention from this subject, and awakened the surprise and curiosity so natural to her. Coming one day to Emily’s apartment, with a countenance full of importance, “What can all this mean, ma’amselle?” said she. “Would I was once safe in Languedoc again, they should never catch me going on my travels any more! I must think it a fine thing, truly, to come abroad, and see foreign parts! I little thought I was coming to be catched up in an old castle, among such dreary mountains, with the chance of being murdered, or, what is as good, having my throat cut!”

“What can all this mean, indeed, Annette?” said Emily, in astonishment.

“Aye, ma’amselle, you may look surprised; but you won’t believe it, perhaps, till they have murdered you, too. You would not believe about the ghost I told you of, though I showed you the very place, where it used to appear!—You will believe nothing, ma’amselle.”

“Not till you speak more reasonably, Annette; for Heaven’s sake, explain your meaning. You spoke of murder!”

“Aye, ma’amselle, they are coming to murder us all, perhaps; but what signifies explaining?—you will not believe.”

Emily again desired her to relate what she had seen, or heard.

“O, I have seen enough, ma’am, and heard too much, as Ludovico can prove. Poor soul! they will murder him, too! I little thought, when he sung those sweet verses under my lattice, at Venice!”—Emily looked impatient and displeased. “Well, ma’amselle, as I was saying, these preparations about the castle, and these strange-looking people, that are calling here every day, and the Signor’s cruel usage of my lady, and his odd goings-on—all these, as I told Ludovico, can bode no good. And he bid me hold my tongue. So, says I, the Signor’s strangely altered, Ludovico, in this gloomy castle, to what he was in France; there, all so gay! Nobody so gallant to my lady, then; and he could smile, too, upon a poor servant, sometimes, and jeer her, too, good-naturedly enough. I remember once, when he said to me, as I was going out of my lady’s dressing-room—Annette, says he—”

“Never mind what the Signor said,” interrupted Emily; “but tell me, at once, the circumstance, which has thus alarmed you.”

“Aye, ma’amselle,” rejoined Annette, “that is just what Ludovico said: says he, Never mind what the Signor says to you. So I told him what I thought about the Signor. He is so strangely altered, said I: for now he is so haughty, and so commanding, and so sharp with my lady; and, if he meets one, he’ll scarcely look at one, unless it be to frown. So much the better, says Ludovico, so much the better. And to tell you the truth, ma’amselle, I thought this was a very ill-natured speech of Ludovico: but I went on. And then, says I, he is always knitting his brows; and if one speaks to him, he does not hear; and then he sits up counselling so, of a night, with the other Signors—there they are, till long past midnight, discoursing together! Aye, but says Ludovico, you don’t know what they are counselling about. No, said I, but I can guess—it is about my young lady. Upon that, Ludovico burst out a-laughing, quite loud; so he put me in a huff, for I did not like that either I or you, ma’amselle, should be laughed at; and I turned away quick, but he stopped me. ‘Don’t be affronted, Annette,’ said he, ‘but I cannot help laughing;’ and with that he laughed again. ‘What!’ says he, ‘do you think the Signors sit up, night after night, only to counsel about thy young lady! No, no, there is something more in the wind than that. And these repairs about the castle, and these preparations about the ramparts—they are not making about young ladies.’ Why, surely, said I, the Signor, my master, is not going to make war? ‘Make war!’ said Ludovico, ‘what, upon the mountains and the woods? for here is no living soul to make war upon that I see.’

‘What are these preparations for, then?’ said I; why surely nobody is coming to take away my master’s castle! ‘Then there are so many ill-looking fellows coming to the castle every day,’ says Ludovico, without answering my question, ‘and the Signor sees them all, and talks with them all, and they all stay in the neighbourhood! By holy St. Marco! some of them are the most cut-throat-looking dogs I ever set my eyes upon.’

“I asked Ludovico again, if he thought they were coming to take away my master’s castle; and he said, No, he did not think they were, but he did not know for certain. ‘Then yesterday,’ said he, but you must not tell this, ma’amselle, ‘yesterday, a party of these men came, and left all their horses in the castle stables, where, it seems, they are to stay, for the Signor ordered them all to be entertained with the best provender in the manger; but the men are, most of them, in the neighbouring cottages.’

“So, ma’amselle, I came to tell you all this, for I never heard anything so strange in my life. But what can these ill-looking men be come about, if it is not to murder us? And the Signor knows this, or why should he be so civil to them? And why should he fortify the castle, and counsel so much with the other Signors, and be so thoughtful?”

“Is this all you have to tell, Annette?” said Emily. “Have you heard nothing else, that alarms you?”

“Nothing else, ma’amselle!” said Annette; “why, is not this enough?” “Quite enough for my patience, Annette, but not quite enough to convince me we are all to be murdered, though I acknowledge here is sufficient food for curiosity.” She forbore to speak her apprehensions, because she would not encourage Annette’s wild terrors; but the present circumstances of the castle both surprised, and alarmed her. Annette, having told her tale, left the chamber, on the wing for new wonders.

In the evening, Emily had passed some melancholy hours with Madame Montoni, and was retiring to rest, when she was alarmed by a strange and loud knocking at her chamber door, and then a heavy weight fell against it, that almost burst it open. She called to know who was there, and receiving no answer, repeated the call; but a chilling silence followed. It occurred to her—for, at this moment, she could not reason on the probability of circumstances—that some one of the strangers, lately arrived at the castle, had discovered her apartment, and was come with such intent, as their looks rendered too possible—to rob, perhaps to murder, her. The moment she admitted this possibility, terror supplied the place of conviction, and a kind of instinctive remembrance of her remote situation from the family heightened it to a degree, that almost overcame her senses. She looked at the door, which led to the staircase, expecting to see it open, and listening, in fearful silence, for a return of the noise, till she began to think it had proceeded from this door, and a wish of escaping through the opposite one rushed upon her mind. She went to the gallery door, and then, fearing to open it, lest some person might be silently lurking for her without, she stopped, but with her eyes fixed in expectation upon the opposite door of the staircase. As thus she stood, she heard a faint breathing near her, and became convinced, that some person was on the other side of the door, which was already locked. She sought for other fastening, but there was none.

While she yet listened, the breathing was distinctly heard, and her terror was not soothed, when, looking round her wide and lonely chamber, she again considered her remote situation. As she stood hesitating whether to call for assistance, the continuance of the stillness surprised her; and her spirits would have revived, had she not continued to hear the faint breathing, that convinced her, the person, whoever it was, had not quitted the door.

At length, worn out with anxiety, she determined to call loudly for assistance from her casement, and was advancing to it, when, whether the terror of her mind gave her ideal sounds, or that real ones did come, she thought footsteps were ascending the private staircase; and, expecting to see its door unclose, she forgot all other cause of alarm, and retreated towards the corridor. Here she endeavoured to make her escape, but, on opening the door, was very near falling over a person, who lay on the floor without. She screamed, and would have passed, but her trembling frame refused to support her; and the moment, in which she leaned against the wall of the gallery, allowed her leisure to observe the figure before her, and to recognise the features of Annette. Fear instantly yielded to surprise. She spoke in vain to the poor girl, who remained senseless on the floor, and then, losing all consciousness of her own weakness, hurried to her assistance.

When Annette recovered, she was helped by Emily into the chamber, but was still unable to speak, and looked round her, as if her eyes followed some person in the room. Emily tried to sooth her disturbed spirits, and forbore, at present, to ask her any questions; but the faculty of speech was never long withheld from Annette, and she explained, in broken sentences, and in her tedious way, the occasion of her disorder. She affirmed, and with a solemnity of conviction, that almost staggered the incredulity of Emily, that she had seen an apparition, as she was passing to her bedroom, through the corridor.

“I had heard strange stories of that chamber before,” said Annette: “but as it was so near yours, ma’amselle, I would not tell them to you, because they would frighten you. The servants had told me, often and often, that it was haunted, and that was the reason why it was shut up: nay, for that matter, why the whole string of these rooms, here, are shut up. I quaked whenever I went by, and I must say, I did sometimes think I heard odd noises within it. But, as I said, as I was passing along the corridor, and not thinking a word about the matter, or even of the strange voice that the Signors heard the other night, all of a sudden comes a great light, and, looking behind me, there was a tall figure, (I saw it as plainly, ma’amselle, as I see you at this moment), a tall figure gliding along (Oh! I cannot describe how!) into the room, that is always shut up, and nobody has the key of it but the Signor, and the door shut directly.”

“Then it doubtless was the Signor,” said Emily.

“O no, ma’amselle, it could not be him, for I left him busy a-quarrelling in my lady’s dressing-room!”

“You bring me strange tales, Annette,” said Emily: “it was but this morning, that you would have terrified me with the apprehension of murder; and now you would persuade me, you have seen a ghost! These wonderful stories come too quickly.”

“Nay, ma’amselle, I will say no more, only, if I had not been frightened, I should not have fainted dead away so. I ran as fast as I could, to get to your door; but, what was worst of all, I could not call out; then I thought something must be strangely the matter with me, and directly I dropt down.”

“Was it the chamber where the black veil hangs?” said Emily. “O! no, ma’amselle, it was one nearer to this. What shall I do, to get to my room? I would not go out into the corridor again, for the whole world!” Emily, whose spirits had been severely shocked, and who, therefore, did not like the thought of passing the night alone, told her she might sleep where she was. “O, no, ma’amselle,” replied Annette, “I would not sleep in the room now for a thousand sequins!”

Wearied and disappointed, Emily first ridiculed, though she shared, her fears, and then tried to sooth them; but neither attempt succeeded, and the girl persisted in believing and affirming, that what she had seen was nothing human. It was not till some time after Emily had recovered her composure, that she recollected the steps she had heard on the staircase—a remembrance, however, which made her insist that Annette should pass the night with her, and, with much difficulty, she, at length, prevailed, assisted by that part of the girl’s fear, which concerned the corridor.

Early on the following morning, as Emily crossed the hall to the ramparts, she heard a noisy bustle in the courtyard, and the clatter of horses’ hoofs. Such unusual sounds excited her curiosity; and, instead of going to the ramparts, she went to an upper casement, from whence she saw, in the court below, a large party of horsemen, dressed in a singular, but uniform, habit, and completely, though variously, armed. They wore a kind of short jacket, composed of black and scarlet, and several of them had a cloak, of plain black, which, covering the person entirely, hung down to the stirrups. As one of these cloaks glanced aside, she saw, beneath, daggers, apparently of different sizes, tucked into the horseman’s belt. She further observed, that these were carried, in the same manner, by many of the horsemen without cloaks, most of whom bore also pikes, or javelins. On their heads, were the small Italian caps, some of which were distinguished by black feathers. Whether these caps gave a fierce air to the countenance, or that the countenances they surmounted had naturally such an appearance, Emily thought she had never, till then, seen an assemblage of faces so savage and terrific. While she gazed, she almost fancied herself surrounded by banditti; and a vague thought glanced athwart her fancy—that Montoni was the captain of the group before her, and that this castle was to be the place of rendezvous. The strange and horrible supposition was but momentary, though her reason could supply none more probable, and though she discovered, among the band, the strangers she had formerly noticed with so much alarm, who were now distinguished by the black plume.

While she continued gazing, Cavigni, Verezzi, and Bertolini came forth from the hall, habited like the rest, except that they wore hats, with a mixed plume of black and scarlet, and that their arms differed from those of the rest of the party. As they mounted their horses, Emily was struck with the exulting joy, expressed on the visage of Verezzi, while Cavigni was gay, yet with a shade of thought on his countenance; and, as he managed his horse with dexterity, his graceful and commanding figure, which exhibited the majesty of a hero, had never appeared to more advantage. Emily, as she observed him, thought he somewhat resembled Valancourt, in the spirit and dignity of his person; but she looked in vain for the noble, benevolent countenance—the soul’s intelligence, which overspread the features of the latter.

As she was hoping, she scarcely knew why, that Montoni would accompany the party, he appeared at the hall door, but un-accoutred. Having carefully observed the horsemen, conversed awhile with the cavaliers, and bidden them farewell, the band wheeled round the court, and, led by Verezzi, issued forth under the portcullis; Montoni following to the portal, and gazing after them for some time. Emily then retired from the casement, and, now certain of being unmolested, went to walk on the ramparts, from whence she soon after saw the party winding among the mountains to the west, appearing and disappearing between the woods, till distance confused their figures, consolidated their numbers, and only a dingy mass appeared moving along the heights.

Emily observed, that no workmen were on the ramparts, and that the repairs of the fortifications seemed to be completed. While she sauntered thoughtfully on, she heard distant footsteps, and, raising her eyes, saw several men lurking under the castle walls, who were evidently not workmen, but looked as if they would have accorded well with the party which was gone. Wondering where Annette had hid herself so long, who might have explained some of the late circumstances, and then considering that Madame Montoni was probably risen, she went to her dressing-room, where she mentioned what had occurred; but Madame Montoni either would not, or could not, give any explanation of the event. The Signor’s reserve to his wife, on this subject, was probably nothing more than usual; yet, to Emily, it gave an air of mystery to the whole affair, that seemed to hint there was danger, if not villany, in his schemes.

Annette presently came, and, as usual, was full of alarm; to her lady’s eager enquiries of what she had heard among the servants, she replied:

“Ah, madam! nobody knows what it is all about, but old Carlo; he knows well enough, I dare say, but he is as close as his master. Some say the Signor is going out to frighten the enemy, as they call it: but where is the enemy? Then others say, he is going to take away somebody’s castle: but I am sure he has room enough in his own, without taking other people’s; and I am sure I should like it a great deal better, if there were more people to fill it.”

“Ah! you will soon have your wish, I fear,” replied Madame Montoni.

“No, madam, but such ill-looking fellows are not worth having. I mean such gallant, smart, merry fellows as Ludovico, who is always telling droll stories, to make one laugh. It was but yesterday, he told me such a humoursome tale! I can’t help laughing at it now.—Says he—”

“Well, we can dispense with the story,” said her lady.

“Ah!” continued Annette, “he sees a great way further than other people! Now he sees into all the Signor’s meaning, without knowing a word about the matter!”

“How is that?” said Madame Montoni.

“Why he says—but he made me promise not to tell, and I would not disoblige him for the world.”

“What is it he made you promise not to tell?” said her lady, sternly. “I insist upon knowing immediately—what is it he made you promise?”

“O madam,” cried Annette, “I would not tell for the universe!”

“I insist upon your telling this instant,” said Madame Montoni.

“O dear madam! I would not tell for a hundred sequins! You would not have me forswear myself madam!” exclaimed Annette.

“I will not wait another moment,” said Madame Montoni. Annette was silent.

“The Signor shall be informed of this directly,” rejoined her mistress; “he will make you discover all.”

“It is Ludovico, who has discovered,” said Annette: “but for mercy’s sake, madam, don’t tell the Signor, and you shall know all directly.” Madame Montoni said, that she would not.

“Well then, madam, Ludovico says, that the Signor, my master, is—is—that is, he only thinks so, and anybody, you know, madam, is free to think—that the Signor, my master, is—is—”

“Is what?” said her lady, impatiently.

“That the Signor, my master, is going to be—a great robber—that is—he is going to rob on his own account;—to be, (but I am sure I don’t understand what he means) to be a—captain of—robbers.”

“Art thou in thy senses, Annette?” said Madame Montoni; “or is this a trick to deceive me? Tell me, this instant, what Ludovico did say to thee;—no equivocation;—this instant.”

“Nay, madam,” cried Annette, “if this is all I am to get for having told the secret—” Her mistress thus continued to insist, and Annette to protest, till Montoni, himself, appeared, who bade the latter leave the room, and she withdrew, trembling for the fate of her story. Emily also was retiring, but her aunt desired she would stay; and Montoni had so often made her a witness of their contention, that he no longer had scruples on that account.

“I insist upon knowing this instant, Signor, what all this means:” said his wife—“what are all these armed men, whom they tell me of, gone out about?” Montoni answered her only with a look of scorn; and Emily whispered something to her. “It does not signify,” said her aunt: “I will know; and I will know, too, what the castle has been fortified for.”

“Come, come,” said Montoni, “other business brought me here. I must be trifled with no longer. I have immediate occasion for what I demand—those estates must be given up, without further contention; or I may find a way—”

“They never shall be given up,” interrupted Madame Montoni: “they never shall enable you to carry on your wild schemes;—but what are these? I will know. Do you expect the castle to be attacked? Do you expect enemies? Am I to be shut up here, to be killed in a siege?”

“Sign the writings,” said Montoni, “and you shall know more.”

“What enemy can be coming?” continued his wife. “Have you entered into the service of the state? Am I to be blocked up here to die?”

“That may possibly happen,” said Montoni, “unless you yield to my demand: for, come what may, you shall not quit the castle till then.” Madame Montoni burst into loud lamentation, which she as suddenly checked, considering, that her husband’s assertions might be only artifices, employed to extort her consent. She hinted this suspicion, and, in the next moment, told him also, that his designs were not so honourable as to serve the state, and that she believed he had only commenced a captain of banditti, to join the enemies of Venice, in plundering and laying waste the surrounding country.

Montoni looked at her for a moment with a steady and stern countenance; while Emily trembled, and his wife, for once, thought she had said too much. “You shall be removed, this night,” said he, “to the east turret: there, perhaps, you may understand the danger of offending a man, who has an unlimited power over you.”

Emily now fell at his feet, and, with tears of terror, supplicated for her aunt, who sat, trembling with fear, and indignation; now ready to pour forth execrations, and now to join the intercessions of Emily. Montoni, however, soon interrupted these entreaties with a horrible oath; and, as he burst from Emily, leaving his cloak, in her hand, she fell to the floor, with a force, that occasioned her a severe blow on the forehead. But he quitted the room, without attempting to raise her, whose attention was called from herself, by a deep groan from Madame Montoni, who continued otherwise unmoved in her chair, and had not fainted. Emily, hastening to her assistance, saw her eyes rolling, and her features convulsed.

Having spoken to her, without receiving an answer, she brought water, and supported her head, while she held it to her lips; but the increasing convulsions soon compelled Emily to call for assistance. On her way through the hall, in search of Annette, she met Montoni, whom she told what had happened, and conjured to return and comfort her aunt; but he turned silently away, with a look of indifference, and went out upon the ramparts. At length she found old Carlo and Annette, and they hastened to the dressing-room, where Madame Montoni had fallen on the floor, and was lying in strong convulsions. Having lifted her into the adjoining room, and laid her on the bed, the force of her disorder still made all their strength necessary to hold her, while Annette trembled and sobbed, and old Carlo looked silently and piteously on, as his feeble hands grasped those of his mistress, till, turning his eyes upon Emily, he exclaimed, “Good God! Signora, what is the matter?”

Emily looked calmly at him, and saw his enquiring eyes fixed on her: and Annette, looking up, screamed loudly; for Emily’s face was stained with blood, which continued to fall slowly from her forehead: but her attention had been so entirely occupied by the scene before her, that she had felt no pain from the wound. She now held a handkerchief to her face, and, notwithstanding her faintness, continued to watch Madame Montoni, the violence of whose convulsions was abating, till at length they ceased, and left her in a kind of stupor.

“My aunt must remain quiet,” said Emily. “Go, good Carlo; if we should want your assistance, I will send for you. In the mean time, if you have an opportunity, speak kindly of your mistress to your master.”

“Alas!” said Carlo, “I have seen too much! I have little influence with the Signor. But do, dear young lady, take some care of yourself; that is an ugly wound, and you look sadly.”

“Thank you, my friend, for your consideration,” said Emily, smiling kindly: “the wound is trifling, it came by a fall.”

Carlo shook his head, and left the room; and Emily, with Annette, continued to watch by her aunt. “Did my lady tell the Signor what Ludovico said, ma’amselle?” asked Annette in a whisper; but Emily quieted her fears on the subject.

“I thought what this quarrelling would come to,” continued Annette: “I suppose the Signor has been beating my lady.”

“No, no, Annette, you are totally mistaken, nothing extraordinary has happened.”

“Why, extraordinary things happen here so often, ma’amselle, that there is nothing in them. Here is another legion of those ill-looking fellows, come to the castle, this morning.”

“Hush! Annette, you will disturb my aunt; we will talk of that by and bye.”

They continued watching silently, till Madame Montoni uttered a low sigh, when Emily took her hand, and spoke soothingly to her; but the former gazed with unconscious eyes, and it was long before she knew her niece. Her first words then enquired for Montoni; to which Emily replied by an entreaty, that she would compose her spirits, and consent to be kept quiet, adding, that, if she wished any message to be conveyed to him, she would herself deliver it. “No,” said her aunt faintly, “no—I have nothing new to tell him. Does he persist in saying I shall be removed from my chamber?”

Emily replied that he had not spoken on the subject since Madame Montoni heard him; and then she tried to divert her attention to some other topic; but her aunt seemed to be inattentive to what she said, and lost in secret thoughts. Emily, having brought her some refreshment, now left her to the care of Annette, and went in search of Montoni, whom she found on a remote part of the rampart, conversing among a group of the men described by Annette. They stood round him with fierce, yet subjugated, looks, while he, speaking earnestly, and pointing to the walls, did not perceive Emily, who remained at some distance, waiting till he should be at leisure, and observing involuntarily the appearance of one man, more savage than his fellows, who stood resting on his pike, and looking, over the shoulders of a comrade, at Montoni, to whom he listened with uncommon earnestness. This man was apparently of low condition; yet his looks appeared not to acknowledge the superiority of Montoni, as did those of his companions; and sometimes they even assumed an air of authority, which the decisive manner of the Signor could not repress. Some few words of Montoni then passed in the wind; and, as the men were separating, she heard him say, “This evening, then, begin the watch at sunset.”

“At sunset, Signor,” replied one or two of them, and walked away; while Emily approached Montoni, who appeared desirous of avoiding her: but, though she observed this, she had courage to proceed. She endeavoured to intercede once more for her aunt, represented to him her sufferings, and urged the danger of exposing her to a cold apartment in her present state. “She suffers by her own folly,” said Montoni, “and is not to be pitied;—she knows how she may avoid these sufferings in future—if she is removed to the turret, it will be her own fault. Let her be obedient, and sign the writings you heard of, and I will think no more of it.”

When Emily ventured still to plead, he sternly silenced and rebuked her for interfering in his domestic affairs, but, at length, dismissed her with this concession—That he would not remove Madame Montoni, on the ensuing night, but allow her till the next to consider, whether she would resign her settlements, or be imprisoned in the east turret of the castle, “where she shall find,” he added, “a punishment she may not expect.”

Emily then hastened to inform her aunt of this short respite and of the alternative, that awaited her, to which the latter made no reply, but appeared thoughtful, while Emily, in consideration of her extreme languor, wished to sooth her mind by leading it to less interesting topics: and, though these efforts were unsuccessful, and Madame Montoni became peevish, her resolution, on the contended point, seemed somewhat to relax, and Emily recommended, as her only means of safety, that she should submit to Montoni’s demand. “You know not what you advise,” said her aunt. “Do you understand, that these estates will descend to you at my death, if I persist in a refusal?”

“I was ignorant of that circumstance, madam,” replied Emily, “but the knowledge of it cannot withhold me from advising you to adopt the conduct, which not only your peace, but, I fear, your safety requires, and I entreat, that you will not suffer a consideration comparatively so trifling, to make you hesitate a moment in resigning them.”

“Are you sincere, niece?” “Is it possible you can doubt it, madam?” Her aunt appeared to be affected. “You are not unworthy of these estates, niece,” said she: “I would wish to keep them for your sake—you show a virtue I did not expect.”

“How have I deserved this reproof, madam?” said Emily sorrowfully.

“Reproof!” replied Madame Montoni: “I meant to praise your virtue.”

“Alas! here is no exertion of virtue,” rejoined Emily, “for here is no temptation to be overcome.”

“Yet Monsieur Valancourt—” said her aunt. “O, madam!” interrupted Emily, anticipating what she would have said, “do not let me glance on that subject: do not let my mind be stained with a wish so shockingly self-interested.” She immediately changed the topic, and continued with Madame Montoni, till she withdrew to her apartment for the night.

At that hour, the castle was perfectly still, and every inhabitant of it, except herself, seemed to have retired to rest. As she passed along the wide and lonely galleries, dusky and silent, she felt forlorn and apprehensive of—she scarcely knew what; but when, entering the corridor, she recollected the incident of the preceding night, a dread seized her, lest a subject of alarm, similar to that, which had befallen Annette, should occur to her, and which, whether real, or ideal, would, she felt, have an almost equal effect upon her weakened spirits. The chamber, to which Annette had alluded, she did not exactly know, but understood it to be one of those she must pass in the way to her own; and, sending a fearful look forward into the gloom, she stepped lightly and cautiously along, till, coming to a door, from whence issued a low sound, she hesitated and paused; and, during the delay of that moment, her fears so much increased, that she had no power to move from the spot. Believing, that she heard a human voice within, she was somewhat revived; but, in the next moment, the door was opened, and a person, whom she conceived to be Montoni, appeared, who instantly started back, and closed it, though not before she had seen, by the light that burned in the chamber, another person, sitting in a melancholy attitude by the fire. Her terror vanished, but her astonishment only began, which was now roused by the mysterious secrecy of Montoni’s manner, and by the discovery of a person, whom he thus visited at midnight, in an apartment, which had long been shut up, and of which such extraordinary reports were circulated.

While she thus continued hesitating, strongly prompted to watch Montoni’s motions, yet fearing to irritate him by appearing to notice them, the door was again opened cautiously, and as instantly closed as before. She then stepped softly to her chamber, which was the next but one to this, but, having put down her lamp, returned to an obscure corner of the corridor, to observe the proceedings of this half-seen person, and to ascertain, whether it was indeed Montoni.

Having waited in silent expectation for a few minutes, with her eyes fixed on the door, it was again opened, and the same person appeared, whom she now knew to be Montoni. He looked cautiously round, without perceiving her, then, stepping forward, closed the door, and left the corridor. Soon after, Emily heard the door fastened on the inside, and she withdrew to her chamber, wondering at what she had witnessed.

It was now twelve o’clock. As she closed her casement, she heard footsteps on the terrace below, and saw imperfectly, through the gloom, several persons advancing, who passed under the casement. She then heard the clink of arms, and, in the next moment, the watch-word; when, recollecting the command she had overheard from Montoni, and the hour of the night, she understood, that these men were, for the first time, relieving guard in the castle. Having listened till all was again still, she retired to sleep.

Chapter X

And shall no lay of death With pleasing murmur sooth Her parted soul? Shall no tear wet her grave? SAYERS

On the following morning, Emily went early to the apartment of Madame Montoni, who had slept well, and was much recovered. Her spirits had also returned with her health, and her resolution to oppose Montoni’s demands revived, though it yet struggled with her fears, which Emily, who trembled for the consequence of further opposition, endeavoured to confirm.

Her aunt, as has been already shown, had a disposition, which delighted in contradiction, and which taught her, when unpleasant circumstances were offered to her understanding, not to enquire into their truth, but to seek for arguments, by which she might make them appear false. Long habit had so entirely confirmed this natural propensity, that she was not conscious of possessing it. Emily’s remonstrances and representations, therefore, roused her pride, instead of alarming, or convincing her judgment, and she still relied upon the discovery of some means, by which she might yet avoid submitting to the demand of her husband. Considering, that, if she could once escape from his castle, she might defy his power, and, obtaining a decisive separation, live in comfort on the estates, that yet remained for her, she mentioned this to her niece, who accorded with her in the wish, but differed from her, as to the probability of its completion. She represented the impossibility of passing the gates, secured and guarded as they were, and the extreme danger of committing her design to the discretion of a servant, who might either purposely betray, or accidentally disclose it.—Montoni’s vengeance would also disdain restraint, if her intention was detected: and, though Emily wished, as fervently as she could do, to regain her freedom, and return to France, she consulted only Madame Montoni’s safety, and persevered in advising her to relinquish her settlement, without braving further outrage.

The struggle of contrary emotions, however, continued to rage in her aunt’s bosom, and she still brooded over the chance of effecting an escape. While she thus sat, Montoni entered the room, and, without noticing his wife’s indisposition, said, that he came to remind her of the impolicy of trifling with him, and that he gave her only till the evening to determine, whether she would consent to his demand, or compel him, by a refusal, to remove her to the east turret. He added, that a party of cavaliers would dine with him, that day, and that he expected that she would sit at the head of the table, where Emily, also, must be present. Madame Montoni was now on the point of uttering an absolute refusal, but, suddenly considering, that her liberty, during this entertainment, though circumscribed, might favour her further plans, she acquiesced, with seeming reluctance, and Montoni, soon after, left the apartment. His command struck Emily with surprise and apprehension, who shrank from the thought of being exposed to the gaze of strangers, such as her fancy represented these to be, and the words of Count Morano, now again recollected, did not sooth her fears.

When she withdrew to prepare for dinner, she dressed herself with even more simplicity than usual, that she might escape observation—a policy, which did not avail her, for, as she repassed to her aunt’s apartment, she was met by Montoni, who censured what he called her prudish appearance, and insisted, that she should wear the most splendid dress she had, even that, which had been prepared for her intended nuptials with Count Morano, and which, it now appeared, her aunt had carefully brought with her from Venice. This was made, not in the Venetian, but, in the Neapolitan fashion, so as to set off the shape and figure, to the utmost advantage. In it, her beautiful chestnut tresses were negligently bound up in pearls, and suffered to fall back again on her neck. The simplicity of a better taste, than Madame Montoni’s, was conspicuous in this dress, splendid as it was, and Emily’s unaffected beauty never had appeared more captivatingly. She had now only to hope, that Montoni’s order was prompted, not by any extraordinary design, but by an ostentation of displaying his family, richly attired, to the eyes of strangers; yet nothing less than his absolute command could have prevailed with her to wear a dress, that had been designed for such an offensive purpose, much less to have worn it on this occasion. As she descended to dinner, the emotion of her mind threw a faint blush over her countenance, and heightened its interesting expression; for timidity had made her linger in her apartment, till the utmost moment, and, when she entered the hall, in which a kind of state dinner was spread, Montoni and his guests were already seated at the table. She was then going to place herself by her aunt; but Montoni waved his hand, and two of the cavaliers rose, and seated her between them.

The eldest of these was a tall man, with strong Italian features, an aquiline nose, and dark penetrating eyes, that flashed with fire, when his mind was agitated, and, even in its state of rest, retained somewhat of the wildness of the passions. His visage was long and narrow, and his complexion of a sickly yellow.

The other, who appeared to be about forty, had features of a different cast, yet Italian, and his look was slow, subtle and penetrating; his eyes, of a dark grey, were small, and hollow; his complexion was a sun-burnt brown, and the contour of his face, though inclined to oval, was irregular and ill-formed.

Eight other guests sat round the table, who were all dressed in a uniform, and had all an expression, more or less, of wild fierceness, of subtle design, or of licentious passions. As Emily timidly surveyed them, she remembered the scene of the preceding morning, and again almost fancied herself surrounded by banditti; then, looking back to the tranquillity of her early life, she felt scarcely less astonishment, than grief, at her present situation. The scene, in which they sat, assisted the illusion; it was an ancient hall, gloomy from the style of its architecture, from its great extent, and because almost the only light it received was from one large gothic window, and from a pair of folding doors, which, being open, admitted likewise a view of the west rampart, with the wild mountains of the Apennine beyond.

The middle compartment of this hall rose into a vaulted roof, enriched with fretwork, and supported, on three sides, by pillars of marble; beyond these, long colonnades retired in gloomy grandeur, till their extent was lost in twilight. The lightest footsteps of the servants, as they advanced through these, were returned in whispering echoes, and their figures, seen at a distance imperfectly through the dusk, frequently awakened Emily’s imagination. She looked alternately at Montoni, at his guests and on the surrounding scene; and then, remembering her dear native province, her pleasant home and the simplicity and goodness of the friends, whom she had lost, grief and surprise again occupied her mind.

When her thoughts could return from these considerations, she fancied she observed an air of authority towards his guests, such as she had never before seen him assume, though he had always been distinguished by a haughty carriage; there was something also in the manners of the strangers, that seemed perfectly, though not servilely, to acknowledge his superiority.

During dinner, the conversation was chiefly on war and politics. They talked with energy of the state of Venice, its dangers, the character of the reigning Doge and of the chief senators; and then spoke of the state of Rome. When the repast was over, they rose, and, each filling his goblet with wine from the gilded ewer, that stood beside him, drank “Success to our exploits!” Montoni was lifting his goblet to his lips to drink this toast, when suddenly the wine hissed, rose to the brim, and, as he held the glass from him, it burst into a thousand pieces.

To him, who constantly used that sort of Venice glass, which had the quality of breaking, upon receiving poisoned liquor, a suspicion, that some of his guests had endeavoured to betray him, instantly occurred, and he ordered all the gates to be closed, drew his sword, and, looking round on them, who stood in silent amazement, exclaimed, “Here is a traitor among us; let those, that are innocent, assist in discovering the guilty.”

Indignation flashed from the eyes of the cavaliers, who all drew their swords; and Madame Montoni, terrified at what might ensue, was hastening from the hall, when her husband commanded her to stay; but his further words could not now be distinguished, for the voice of every person rose together. His order, that all the servants should appear, was at length obeyed, and they declared their ignorance of any deceit—a protestation which could not be believed; for it was evident, that, as Montoni’s liquor, and his only, had been poisoned, a deliberate design had been formed against his life, which could not have been carried so far towards its accomplishment, without the connivance of the servant, who had the care of the wine ewers.

This man, with another, whose face betrayed either the consciousness of guilt, or the fear of punishment, Montoni ordered to be chained instantly, and confined in a strong room, which had formerly been used as a prison. Thither, likewise, he would have sent all his guests, had he not foreseen the consequence of so bold and unjustifiable a proceeding. As to those, therefore, he contented himself with swearing, that no man should pass the gates, till this extraordinary affair had been investigated, and then sternly bade his wife retire to her apartment, whither he suffered Emily to attend her.

In about half an hour, he followed to the dressing-room; and Emily observed, with horror, his dark countenance and quivering lip, and heard him denounce vengeance on her aunt.

“It will avail you nothing,” said he to his wife, “to deny the fact; I have proof of your guilt. Your only chance of mercy rests on a full confession;—there is nothing to hope from sullenness, or falsehood; your accomplice has confessed all.”

Emily’s fainting spirits were roused by astonishment, as she heard her aunt accused of a crime so atrocious, and she could not, for a moment, admit the possibility of her guilt. Meanwhile Madame Montoni’s agitation did not permit her to reply; alternately her complexion varied from livid paleness to a crimson flush; and she trembled,—but, whether with fear, or with indignation, it were difficult to decide.

“Spare your words,” said Montoni, seeing her about to speak, “your countenance makes full confession of your crime.—You shall be instantly removed to the east turret.”

“This accusation,” said Madame Montoni, speaking with difficulty, “is used only as an excuse for your cruelty; I disdain to reply to it. You do not believe me guilty.”

“Signor!” said Emily solemnly, “this dreadful charge, I would answer with my life, is false. Nay, Signor,” she added, observing the severity of his countenance, “this is no moment for restraint, on my part; I do not scruple to tell you, that you are deceived—most wickedly deceived, by the suggestion of some person, who aims at the ruin of my aunt:—it is impossible, that you could yourself have imagined a crime so hideous.”

Montoni, his lips trembling more than before, replied only, “If you value your own safety,” addressing Emily, “you will be silent. I shall know how to interpret your remonstrances, should you persevere in them.”

Emily raised her eyes calmly to heaven. “Here is, indeed, then, nothing to hope!” said she.

“Peace!” cried Montoni, “or you shall find there is something to fear.”

He turned to his wife, who had now recovered her spirits, and who vehemently and wildly remonstrated upon this mysterious suspicion: but Montoni’s rage heightened with her indignation, and Emily, dreading the event of it, threw herself between them, and clasped his knees in silence, looking up in his face with an expression, that might have softened the heart of a fiend. Whether his was hardened by a conviction of Madame Montoni’s guilt, or that a bare suspicion of it made him eager to exercise vengeance, he was totally and alike insensible to the distress of his wife, and to the pleading looks of Emily, whom he made no attempt to raise, but was vehemently menacing both, when he was called out of the room by some person at the door. As he shut the door, Emily heard him turn the lock and take out the key; so that Madame Montoni and herself were now prisoners; and she saw that his designs became more and more terrible. Her endeavours to explain his motives for this circumstance were almost as ineffectual as those to sooth the distress of her aunt, whose innocence she could not doubt; but she, at length, accounted for Montoni’s readiness to suspect his wife by his own consciousness of cruelty towards her, and for the sudden violence of his present conduct against both, before even his suspicions could be completely formed, by his general eagerness to effect suddenly whatever he was led to desire and his carelessness of justice, or humanity, in accomplishing it.

Madame Montoni, after some time, again looked round, in search of a possibility of escape from the castle, and conversed with Emily on the subject, who was now willing to encounter any hazard, though she forbore to encourage a hope in her aunt, which she herself did not admit. How strongly the edifice was secured, and how vigilantly guarded, she knew too well; and trembled to commit their safety to the caprice of the servant, whose assistance they must solicit. Old Carlo was compassionate, but he seemed to be too much in his master’s interest to be trusted by them; Annette could of herself do little, and Emily knew Ludovico only from her report. At present, however, these considerations were useless, Madame Montoni and her niece being shut up from all intercourse, even with the persons, whom there might be these reasons to reject.

In the hall, confusion and tumult still reigned. Emily, as she listened anxiously to the murmur, that sounded along the gallery, sometimes fancied she heard the clashing of swords, and, when she considered the nature of the provocation, given by Montoni, and his impetuosity, it appeared probable, that nothing less than arms would terminate the contention. Madame Montoni, having exhausted all her expressions of indignation, and Emily, hers of comfort, they remained silent, in that kind of breathless stillness, which, in nature, often succeeds to the uproar of conflicting elements; a stillness, like the morning, that dawns upon the ruins of an earthquake.

An uncertain kind of terror pervaded Emily’s mind; the circumstances of the past hour still came dimly and confusedly to her memory; and her thoughts were various and rapid, though without tumult.

From this state of waking visions she was recalled by a knocking at the chamber-door, and, enquiring who was there, heard the whispering voice of Annette.

“Dear madam, let me come in, I have a great deal to say,” said the poor girl.

“The door is locked,” answered the lady.

“Yes, ma’am, but do pray open it.”

“The Signor has the key,” said Madame Montoni.

“O blessed Virgin! what will become of us?” exclaimed Annette.

“Assist us to escape,” said her mistress. “Where is Ludovico?”

“Below in the hall, ma’am, amongst them all, fighting with the best of them!”

“Fighting! Who are fighting?” cried Madame Montoni.

“Why the Signor, ma’am, and all the Signors, and a great many more.”

“Is any person much hurt?” said Emily, in a tremulous voice. “Hurt! Yes, ma’amselle,—there they lie bleeding, and the swords are clashing, and—O holy saints! Do let me in, ma’am, they are coming this way—I shall be murdered!”

“Fly!” cried Emily, “fly! we cannot open the door.”

Annette repeated, that they were coming, and in the same moment fled.

“Be calm, madam,” said Emily, turning to her aunt, “I entreat you to be calm, I am not frightened—not frightened in the least, do not you be alarmed.”

“You can scarcely support yourself,” replied her aunt; “Merciful God! what is it they mean to do with us?”

“They come, perhaps, to liberate us,” said Emily, “Signor Montoni perhaps is—is conquered.”

The belief of his death gave her spirits a sudden shock, and she grew faint as she saw him in imagination, expiring at her feet.

“They are coming!” cried Madame Montoni—“I hear their steps—they are at the door!”

Emily turned her languid eyes to the door, but terror deprived her of utterance. The key sounded in the lock; the door opened, and Montoni appeared, followed by three ruffian-like men. “Execute your orders,” said he, turning to them, and pointing to his wife, who shrieked, but was immediately carried from the room; while Emily sunk, senseless, on a couch, by which she had endeavoured to support herself. When she recovered, she was alone, and recollected only, that Madame Montoni had been there, together with some unconnected particulars of the preceding transaction, which were, however, sufficient to renew all her terror. She looked wildly round the apartment, as if in search of some means of intelligence, concerning her aunt, while neither her own danger, nor an idea of escaping from the room, immediately occurred.

When her recollection was more complete, she raised herself and went, but with only a faint hope, to examine whether the door was unfastened. It was so, and she then stepped timidly out into the gallery, but paused there, uncertain which way she should proceed. Her first wish was to gather some information, as to her aunt, and she, at length, turned her steps to go to the lesser hall, where Annette and the other servants usually waited.

Everywhere, as she passed, she heard, from a distance, the uproar of contention, and the figures and faces, which she met, hurrying along the passages, struck her mind with dismay. Emily might now have appeared, like an angel of light, encompassed by fiends. At length, she reached the lesser hall, which was silent and deserted, but, panting for breath, she sat down to recover herself. The total stillness of this place was as awful as the tumult, from which she had escaped: but she had now time to recall her scattered thoughts, to remember her personal danger, and to consider of some means of safety. She perceived, that it was useless to seek Madame Montoni, through the wide extent and intricacies of the castle, now, too, when every avenue seemed to be beset by ruffians; in this hall she could not resolve to stay, for she knew not how soon it might become their place of rendezvous; and, though she wished to go to her chamber, she dreaded again to encounter them on the way.

Thus she sat, trembling and hesitating, when a distant murmur broke on the silence, and grew louder and louder, till she distinguished voices and steps approaching. She then rose to go, but the sounds came along the only passage, by which she could depart, and she was compelled to await in the hall, the arrival of the persons, whose steps she heard. As these advanced, she distinguished groans, and then saw a man borne slowly along by four others. Her spirits faltered at the sight, and she leaned against the wall for support. The bearers, meanwhile, entered the hall, and, being too busily occupied to detain, or even notice Emily, she attempted to leave it, but her strength failed, and she again sat down on the bench. A damp chillness came over her; her sight became confused; she knew not what had passed, or where she was, yet the groans of the wounded person still vibrated on her heart. In a few moments, the tide of life seemed again to flow; she began to breathe more freely, and her senses revived. She had not fainted, nor had ever totally lost her consciousness, but had contrived to support herself on the bench; still without courage to turn her eyes upon the unfortunate object, which remained near her, and about whom the men were yet too much engaged to attend to her.

When her strength returned, she rose, and was suffered to leave the hall, though her anxiety, having produced some vain enquiries, concerning Madame Montoni, had thus made a discovery of herself. Towards her chamber she now hastened, as fast as her steps would bear her, for she still perceived, upon her passage, the sounds of confusion at a distance, and she endeavoured, by taking her way through some obscure rooms, to avoid encountering the persons, whose looks had terrified her before, as well as those parts of the castle, where the tumult might still rage.

At length, she reached her chamber, and, having secured the door of the corridor, felt herself, for a moment, in safety. A profound stillness reigned in this remote apartment, which not even the faint murmur of the most distant sounds now reached. She sat down, near one of the casements, and, as she gazed on the mountain-view beyond, the deep repose of its beauty struck her with all the force of contrast, and she could scarcely believe herself so near a scene of savage discord. The contending elements seemed to have retired from their natural spheres, and to have collected themselves into the minds of men, for there alone the tempest now reigned.

Emily tried to tranquillize her spirits, but anxiety made her constantly listen for some sound, and often look out upon the ramparts, where all, however, was lonely and still. As a sense of her own immediate danger had decreased, her apprehension concerning Madame Montoni heightened, who, she remembered, had been fiercely threatened with confinement in the east turret, and it was possible, that her husband had satisfied his present vengeance with this punishment. She, therefore, determined, when night should return, and the inhabitants of the castle should be asleep, to explore the way to the turret, which, as the direction it stood in was mentioned, appeared not very difficult to be done. She knew, indeed, that although her aunt might be there, she could afford her no effectual assistance, but it might give her some comfort even to know, that she was discovered, and to hear the sound of her niece’s voice; for herself, any certainty, concerning Madame Montoni’s fate, appeared more tolerable, than this exhausting suspense.

Meanwhile, Annette did not appear, and Emily was surprised, and somewhat alarmed for her, whom, in the confusion of the late scene, various accidents might have befallen, and it was improbable, that she would have failed to come to her apartment, unless something unfortunate had happened.

Thus the hours passed in solitude, in silence, and in anxious conjecturing. Being not once disturbed by a message, or a sound, it appeared, that Montoni had wholly forgotten her, and it gave her some comfort to find, that she could be so unnoticed. She endeavoured to withdraw her thoughts from the anxiety, that preyed upon them, but they refused control; she could neither read, nor draw, and the tones of her lute were so utterly discordant with the present state of her feelings, that she could not endure them for a moment.

The sun, at length, set behind the western mountains; his fiery beams faded from the clouds, and then a dun melancholy purple drew over them, and gradually involved the features of the country below. Soon after, the sentinels passed on the rampart to commence the watch.

Twilight had now spread its gloom over every object; the dismal obscurity of her chamber recalled fearful thoughts, but she remembered, that to procure a light she must pass through a great extent of the castle, and, above all, through the halls, where she had already experienced so much horror. Darkness, indeed, in the present state of her spirits, made silence and solitude terrible to her; it would also prevent the possibility of her finding her way to the turret, and condemn her to remain in suspense, concerning the fate of her aunt; yet she dared not to venture forth for a lamp.

Continuing at the casement, that she might catch the last lingering gleam of evening, a thousand vague images of fear floated on her fancy. “What if some of these ruffians,” said she, “should find out the private staircase, and in the darkness of night steal into my chamber!” Then, recollecting the mysterious inhabitant of the neighbouring apartment, her terror changed its object. “He is not a prisoner,” said she, “though he remains in one chamber, for Montoni did not fasten the door, when he left it; the unknown person himself did this; it is certain, therefore, he can come out when he pleases.”

She paused, for, notwithstanding the terrors of darkness, she considered it to be very improbable, whoever he was, that he could have any interest in intruding upon her retirement; and again the subject of her emotion changed, when, remembering her nearness to the chamber, where the veil had formerly disclosed a dreadful spectacle, she doubted whether some passage might not communicate between it and the insecure door of the staircase.

It was now entirely dark, and she left the casement. As she sat with her eyes fixed on the hearth, she thought she perceived there a spark of light; it twinkled and disappeared, and then again was visible. At length, with much care, she fanned the embers of a wood fire, that had been lighted in the morning, into flame, and, having communicated it to a lamp, which always stood in her room, felt a satisfaction not to be conceived, without a review of her situation. Her first care was to guard the door of the staircase, for which purpose she placed against it all the furniture she could move, and she was thus employed, for some time, at the end of which she had another instance how much more oppressive misfortune is to the idle, than to the busy; for, having then leisure to think over all the circumstances of her present afflictions, she imagined a thousand evils for futurity, and these real and ideal subjects of distress alike wounded her mind.

Thus heavily moved the hours till midnight, when she counted the sullen notes of the great clock, as they rolled along the rampart, unmingled with any sound, except the distant foot-fall of a sentinel, who came to relieve guard. She now thought she might venture towards the turret, and, having gently opened the chamber door to examine the corridor, and to listen if any person was stirring in the castle, found all around in perfect stillness. Yet no sooner had she left the room, than she perceived a light flash on the walls of the corridor, and, without waiting to see by whom it was carried, she shrunk back, and closed her door. No one approaching, she conjectured, that it was Montoni going to pay his midnight visit to her unknown neighbour, and she determined to wait, till he should have retired to his own apartment.

When the chimes had tolled another half hour, she once more opened the door, and, perceiving that no person was in the corridor, hastily crossed into a passage, that led along the south side of the castle towards the staircase, whence she believed she could easily find her way to the turret. Often pausing on her way, listening apprehensively to the murmurs of the wind, and looking fearfully onward into the gloom of the long passages, she, at length, reached the staircase; but there her perplexity began. Two passages appeared, of which she knew not how to prefer one, and was compelled, at last, to decide by chance, rather than by circumstances. That she entered, opened first into a wide gallery, along which she passed lightly and swiftly; for the lonely aspect of the place awed her, and she started at the echo of her own steps.

On a sudden, she thought she heard a voice, and, not distinguishing from whence it came, feared equally to proceed, or to return. For some moments, she stood in an attitude of listening expectation, shrinking almost from herself and scarcely daring to look round her. The voice came again, but, though it was now near her, terror did not allow her to judge exactly whence it proceeded. She thought, however, that it was the voice of complaint, and her belief was soon confirmed by a low moaning sound, that seemed to proceed from one of the chambers, opening into the gallery. It instantly occurred to her, that Madame Montoni might be there confined, and she advanced to the door to speak, but was checked by considering, that she was, perhaps, going to commit herself to a stranger, who might discover her to Montoni; for, though this person, whoever it was, seemed to be in affliction, it did not follow, that he was a prisoner.

While these thoughts passed over her mind, and left her still in hesitation, the voice spoke again, and, calling “Ludovico,” she then perceived it to be that of Annette; on which, no longer hesitating, she went in joy to answer her.

“Ludovico!” cried Annette, sobbing—“Ludovico!”

“It is not Ludovico, it is I—Mademoiselle Emily.”

Annette ceased sobbing, and was silent.

“If you can open the door, let me in,” said Emily, “here is no person to hurt you.”

“Ludovico!—O, Ludovico!” cried Annette.

Emily now lost her patience, and her fear of being overheard increasing, she was even nearly about to leave the door, when she considered, that Annette might, possibly, know something of the situation of Madame Montoni, or direct her to the turret. At length, she obtained a reply, though little satisfactory, to her questions, for Annette knew nothing of Madame Montoni, and only conjured Emily to tell her what was become of Ludovico. Of him she had no information to give, and she again asked who had shut Annette up.

“Ludovico,” said the poor girl, “Ludovico shut me up. When I ran away from the dressing-room door today, I went I scarcely knew where, for safety; and, in this gallery, here, I met Ludovico, who hurried me into this chamber, and locked me up to keep me out of harm, as he said. But he was in such a hurry himself, he hardly spoke ten words, but he told me he would come, and let me out, when all was quiet, and he took away the key with him. Now all these hours are passed, and I have neither seen, nor heard a word of him; they have murdered him—I know they have!”

Emily suddenly remembered the wounded person, whom she had seen borne into the servants’ hall, and she scarcely doubted, that he was Ludovico, but she concealed the circumstance from Annette, and endeavoured to comfort her. Then, impatient to learn something of her aunt, she again enquired the way to the turret.

“O! you are not going, ma’amselle,” said Annette, “for Heaven’s sake, do not go, and leave me here by myself.”

“Nay, Annette, you do not think I can wait in the gallery all night,” replied Emily. “Direct me to the turret; in the morning I will endeavour to release you.”

“O holy Mary!” exclaimed Annette, “am I to stay here by myself all night! I shall be frightened out of my senses, and I shall die of hunger; I have had nothing to eat since dinner!”

Emily could scarcely forbear smiling at the heterogeneous distresses of Annette, though she sincerely pitied them, and said what she could to sooth her. At length, she obtained something like a direction to the east turret, and quitted the door, from whence, after many intricacies and perplexities, she reached the steep and winding stairs of the turret, at the foot of which she stopped to rest, and to reanimate her courage with a sense of her duty. As she surveyed this dismal place, she perceived a door on the opposite side of the staircase, and, anxious to know whether it would lead her to Madame Montoni, she tried to undraw the bolts, which fastened it. A fresher air came to her face, as she unclosed the door, which opened upon the east rampart, and the sudden current had nearly extinguished her light, which she now removed to a distance; and again, looking out upon the obscure terrace, she perceived only the faint outline of the walls and of some towers, while, above, heavy clouds, borne along the wind, seemed to mingle with the stars, and wrap the night in thicker darkness. As she gazed, now willing to defer the moment of certainty, from which she expected only confirmation of evil, a distant footstep reminded her, that she might be observed by the men on watch, and, hastily closing the door, she took her lamp, and passed up the staircase. Trembling came upon her, as she ascended through the gloom. To her melancholy fancy this seemed to be a place of death, and the chilling silence, that reigned, confirmed its character. Her spirits faltered. “Perhaps,” said she, “I am come hither only to learn a dreadful truth, or to witness some horrible spectacle; I feel that my senses would not survive such an addition of horror.”

The image of her aunt murdered—murdered, perhaps, by the hand of Montoni, rose to her mind; she trembled, gasped for breath—repented that she had dared to venture hither, and checked her steps. But, after she had paused a few minutes, the consciousness of her duty returned, and she went on. Still all was silent. At length a track of blood, upon a stair, caught her eye; and instantly she perceived, that the wall and several other steps were stained. She paused, again struggled to support herself, and the lamp almost fell from her trembling hand. Still no sound was heard, no living being seemed to inhabit the turret; a thousand times she wished herself again in her chamber; dreaded to enquire farther—dreaded to encounter some horrible spectacle, and yet could not resolve, now that she was so near the termination of her efforts, to desist from them. Having again collected courage to proceed, after ascending about half way up the turret, she came to another door, but here again she stopped in hesitation; listened for sounds within, and then, summoning all her resolution, unclosed it, and entered a chamber, which, as her lamp shot its feeble rays through the darkness, seemed to exhibit only dew-stained and deserted walls. As she stood examining it, in fearful expectation of discovering the remains of her unfortunate aunt, she perceived something lying in an obscure corner of the room, and, struck with a horrible conviction, she became, for an instant, motionless and nearly insensible. Then, with a kind of desperate resolution, she hurried towards the object that excited her terror, when, perceiving the clothes of some person, on the floor, she caught hold of them, and found in her grasp the old uniform of a soldier, beneath which appeared a heap of pikes and other arms. Scarcely daring to trust her sight, she continued, for some moments, to gaze on the object of her late alarm, and then left the chamber, so much comforted and occupied by the conviction, that her aunt was not there, that she was going to descend the turret, without enquiring farther; when, on turning to do so, she observed upon some steps on the second flight an appearance of blood, and remembering, that there was yet another chamber to be explored, she again followed the windings of the ascent. Still, as she ascended, the track of blood glared upon the stairs.

It led her to the door of a landing-place, that terminated them, but she was unable to follow it farther. Now that she was so near the sought-for certainty, she dreaded to know it, even more than before, and had not fortitude sufficient to speak, or to attempt opening the door.

Having listened, in vain, for some sound, that might confirm, or destroy her fears, she, at length, laid her hand on the lock, and, finding it fastened, called on Madame Montoni; but only a chilling silence ensued.

“She is dead!” she cried,—“murdered!—her blood is on the stairs!”

Emily grew very faint; could support herself no longer, and had scarcely presence of mind to set down the lamp, and place herself on a step.

When her recollection returned, she spoke again at the door, and again attempted to open it, and, having lingered for some time, without receiving any answer, or hearing a sound, she descended the turret, and, with all the swiftness her feebleness would permit, sought her own apartment.

As she turned into the corridor, the door of a chamber opened, from whence Montoni came forth; but Emily, more terrified than ever to behold him, shrunk back into the passage soon enough to escape being noticed, and heard him close the door, which she had perceived was the same she formerly observed. Having here listened to his departing steps, till their faint sound was lost in distance, she ventured to her apartment, and, securing it once again, retired to her bed, leaving the lamp burning on the hearth. But sleep was fled from her harassed mind, to which images of horror alone occurred. She endeavoured to think it possible, that Madame Montoni had not been taken to the turret; but, when she recollected the former menaces of her husband and the terrible spirit of vengeance, which he had displayed on a late occasion; when she remembered his general character, the looks of the men, who had forced Madame Montoni from her apartment, and the written traces on the stairs of the turret—she could not doubt, that her aunt had been carried thither, and could scarcely hope, that she had not been carried to be murdered.

The grey of morning had long dawned through her casements, before Emily closed her eyes in sleep; when wearied nature, at length, yielded her a respite from suffering.

Chapter XI

Who rears the bloody hand? SAYERS

Emily remained in her chamber, on the following morning, without receiving any notice from Montoni, or seeing a human being, except the armed men, who sometimes passed on the terrace below. Having tasted no food since the dinner of the preceding day, extreme faintness made her feel the necessity of quitting the asylum of her apartment to obtain refreshment, and she was also very anxious to procure liberty for Annette. Willing, however, to defer venturing forth, as long as possible, and considering, whether she should apply to Montoni, or to the compassion of some other person, her excessive anxiety concerning her aunt, at length, overcame her abhorrence of his presence, and she determined to go to him, and to entreat, that he would suffer her to see Madame Montoni.

Meanwhile, it was too certain, from the absence of Annette, that some accident had befallen Ludovico, and that she was still in confinement; Emily, therefore, resolved also to visit the chamber, where she had spoken to her, on the preceding night, and, if the poor girl was yet there, to inform Montoni of her situation.

It was near noon, before she ventured from her apartment, and went first to the south gallery, whither she passed without meeting a single person, or hearing a sound, except, now and then, the echo of a distant footstep.

It was unnecessary to call Annette, whose lamentations were audible upon the first approach to the gallery, and who, bewailing her own and Ludovico’s fate, told Emily, that she should certainly be starved to death, if she was not let out immediately. Emily replied, that she was going to beg her release of Montoni; but the terrors of hunger now yielded to those of the Signor, and, when Emily left her, she was loudly entreating, that her place of refuge might be concealed from him.

As Emily drew near the great hall, the sounds she heard and the people she met in the passages renewed her alarm. The latter, however, were peaceable, and did not interrupt her, though they looked earnestly at her, as she passed, and sometimes spoke. On crossing the hall towards the cedar room, where Montoni usually sat, she perceived, on the pavement, fragments of swords, some tattered garments stained with blood, and almost expected to have seen among them a dead body; but from such a spectacle she was, at present, spared. As she approached the room, the sound of several voices issued from within, and a dread of appearing before many strangers, as well as of irritating Montoni by such an intrusion, made her pause and falter from her purpose. She looked up through the long arcades of the hall, in search of a servant, who might bear a message, but no one appeared, and the urgency of what she had to request made her still linger near the door. The voices within were not in contention, though she distinguished those of several of the guests of the preceding day; but still her resolution failed, whenever she would have tapped at the door, and she had determined to walk in the hall, till some person should appear, who might call Montoni from the room, when, as she turned from the door, it was suddenly opened by himself. Emily trembled, and was confused, while he almost started with surprise, and all the terrors of his countenance unfolded themselves. She forgot all she would have said, and neither enquired for her aunt, nor entreated for Annette, but stood silent and embarrassed.

After closing the door he reproved her for a meanness, of which she had not been guilty, and sternly questioned her what she had overheard; an accusation, which revived her recollection so far, that she assured him she had not come thither with an intention to listen to his conversation, but to entreat his compassion for her aunt, and for Annette. Montoni seemed to doubt this assertion, for he regarded her with a scrutinizing look; and the doubt evidently arose from no trifling interest. Emily then further explained herself, and concluded with entreating him to inform her, where her aunt was placed, and to permit, that she might visit her; but he looked upon her only with a malignant smile, which instantaneously confirmed her worst fears for her aunt, and, at that moment, she had not courage to renew her entreaties.

“For Annette,” said he,—“if you go to Carlo, he will release the girl; the foolish fellow, who shut her up, died yesterday.” Emily shuddered.—“But my aunt, Signor”—said she, “O tell me of my aunt!”

“She is taken care of,” replied Montoni hastily, “I have no time to answer idle questions.”

He would have passed on, but Emily, in a voice of agony, that could not be wholly resisted, conjured him to tell her, where Madame Montoni was; while he paused, and she anxiously watched his countenance, a trumpet sounded, and, in the next moment, she heard the heavy gates of the portal open, and then the clattering of horses’ hoofs in the court, with the confusion of many voices. She stood for a moment hesitating whether she should follow Montoni, who, at the sound of the trumpet, had passed through the hall, and, turning her eyes whence it came, she saw through the door, that opened beyond a long perspective of arches into the courts, a party of horsemen, whom she judged, as well as the distance and her embarrassment would allow, to be the same she had seen depart, a few days before. But she staid not to scrutinize, for, when the trumpet sounded again, the chevaliers rushed out of the cedar room, and men came running into the hall from every quarter of the castle. Emily once more hurried for shelter to her own apartment. Thither she was still pursued by images of horror. She reconsidered Montoni’s manner and words, when he had spoken of his wife, and they served only to confirm her most terrible suspicions. Tears refused any longer to relieve her distress, and she had sat for a considerable time absorbed in thought, when a knocking at the chamber door aroused her, on opening which she found old Carlo.

“Dear young lady,” said he, “I have been so flurried, I never once thought of you till just now. I have brought you some fruit and wine, and I am sure you must stand in need of them by this time.”

“Thank you, Carlo,” said Emily, “this is very good of you. Did the Signor remind you of me?”

“No, Signora,” replied Carlo, “his Excellenza has business enough on his hands.” Emily then renewed her enquiries, concerning Madame Montoni, but Carlo had been employed at the other end of the castle, during the time, that she was removed, and he had heard nothing since, concerning her.

While he spoke, Emily looked steadily at him, for she scarcely knew whether he was really ignorant, or concealed his knowledge of the truth from a fear of offending his master. To several questions, concerning the contentions of yesterday, he gave very limited answers; but told, that the disputes were now amicably settled, and that the Signor believed himself to have been mistaken in his suspicions of his guests. “The fighting was about that, Signora,” said Carlo; “but I trust I shall never see such another day in this castle, though strange things are about to be done.”

On her enquiring his meaning, “Ah, Signora!” added he, “it is not for me to betray secrets, or tell all I think, but time will tell.”

She then desired him to release Annette, and, having described the chamber in which the poor girl was confined, he promised to obey her immediately, and was departing, when she remembered to ask who were the persons just arrived. Her late conjecture was right; it was Verezzi, with his party.

Her spirits were somewhat soothed by this short conversation with Carlo; for, in her present circumstances, it afforded some comfort to hear the accents of compassion, and to meet the look of sympathy.

An hour passed before Annette appeared, who then came weeping and sobbing. “O Ludovico—Ludovico!” cried she.

“My poor Annette!” said Emily, and made her sit down.

“Who could have foreseen this, ma’amselle? O miserable, wretched, day—that ever I should live to see it!” and she continued to moan and lament, till Emily thought it necessary to check her excess of grief. “We are continually losing dear friends by death,” said she, with a sigh, that came from her heart. “We must submit to the will of Heaven—our tears, alas! cannot recall the dead!”

Annette took the handkerchief from her face.

“You will meet Ludovico in a better world, I hope,” added Emily.

“Yes—yes,—ma’amselle,” sobbed Annette, “but I hope I shall meet him again in this—though he is so wounded!”

“Wounded!” exclaimed Emily, “does he live?”

“Yes, ma’am, but—but he has a terrible wound, and could not come to let me out. They thought him dead, at first, and he has not been rightly himself, till within this hour.”

“Well, Annette, I rejoice to hear he lives.”

“Lives! Holy Saints! why he will not die, surely!”

Emily said she hoped not, but this expression of hope Annette thought implied fear, and her own increased in proportion, as Emily endeavoured to encourage her. To enquiries, concerning Madame Montoni, she could give no satisfactory answers.

“I quite forgot to ask among the servants, ma’amselle,” said she, “for I could think of nobody but poor Ludovico.”

Annette’s grief was now somewhat assuaged, and Emily sent her to make enquiries, concerning her lady, of whom, however, she could obtain no intelligence, some of the people she spoke with being really ignorant of her fate, and others having probably received orders to conceal it.

This day passed with Emily in continued grief and anxiety for her aunt; but she was unmolested by any notice from Montoni; and, now that Annette was liberated, she obtained food, without exposing herself to danger, or impertinence.

Two following days passed in the same manner, unmarked by any occurrence, during which she obtained no information of Madame Montoni. On the evening of the second, having dismissed Annette, and retired to bed, her mind became haunted by the most dismal images, such as her long anxiety, concerning her aunt, suggested; and, unable to forget herself, for a moment, or to vanquish the phantoms, that tormented her, she rose from her bed, and went to one of the casements of her chamber, to breathe a freer air.

All without was silent and dark, unless that could be called light, which was only the faint glimmer of the stars, showing imperfectly the outline of the mountains, the western towers of the castle and the ramparts below, where a solitary sentinel was pacing. What an image of repose did this scene present! The fierce and terrible passions, too, which so often agitated the inhabitants of this edifice, seemed now hushed in sleep;—those mysterious workings, that rouse the elements of man’s nature into tempest—were calm. Emily’s heart was not so; but her sufferings, though deep, partook of the gentle character of her mind. Hers was a silent anguish, weeping, yet enduring; not the wild energy of passion, inflaming imagination, bearing down the barriers of reason and living in a world of its own.

The air refreshed her, and she continued at the casement, looking on the shadowy scene, over which the planets burned with a clear light, amid the deep blue æther, as they silently moved in their destined course. She remembered how often she had gazed on them with her dear father, how often he had pointed out their way in the heavens, and explained their laws; and these reflections led to others, which, in an almost equal degree, awakened her grief and astonishment.

They brought a retrospect of all the strange and mournful events, which had occurred since she lived in peace with her parents. And to Emily, who had been so tenderly educated, so tenderly loved, who once knew only goodness and happiness—to her, the late events and her present situation—in a foreign land—in a remote castle—surrounded by vice and violence—seemed more like the visions of a distempered imagination, than the circumstances of truth. She wept to think of what her parents would have suffered, could they have foreseen the events of her future life.

While she raised her streaming eyes to heaven, she observed the same planet, which she had seen in Languedoc, on the night, preceding her father’s death, rise above the eastern towers of the castle, while she remembered the conversation, which has passed, concerning the probable state of departed souls; remembered, also, the solemn music she had heard, and to which the tenderness of her spirits had, in spite of her reason, given a superstitious meaning. At these recollections she wept again, and continued musing, when suddenly the notes of sweet music passed on the air. A superstitious dread stole over her; she stood listening, for some moments, in trembling expectation, and then endeavoured to recollect her thoughts, and to reason herself into composure; but human reason cannot establish her laws on subjects, lost in the obscurity of imagination, any more than the eye can ascertain the form of objects, that only glimmer through the dimness of night.

Her surprise, on hearing such soothing and delicious sounds, was, at least, justifiable; for it was long—very long, since she had listened to anything like melody. The fierce trumpet and the shrill fife were the only instruments she had heard, since her arrival at Udolpho.

When her mind was somewhat more composed, she tried to ascertain from what quarter the sounds proceeded, and thought they came from below; but whether from a room of the castle, or from the terrace, she could not with certainty judge. Fear and surprise now yielded to the enchantment of a strain, that floated on the silent night, with the most soft and melancholy sweetness. Suddenly, it seemed removed to a distance, trembled faintly, and then entirely ceased.

She continued to listen, sunk in that pleasing repose, which soft music leaves on the mind—but it came no more. Upon this strange circumstance her thoughts were long engaged, for strange it certainly was to hear music at midnight, when every inhabitant of the castle had long since retired to rest, and in a place, where nothing like harmony had been heard before, probably, for many years. Long suffering had made her spirits peculiarly sensible to terror, and liable to be affected by the illusions of superstition.—It now seemed to her, as if her dead father had spoken to her in that strain, to inspire her with comfort and confidence, on the subject, which had then occupied her mind. Yet reason told her, that this was a wild conjecture, and she was inclined to dismiss it; but, with the inconsistency so natural, when imagination guides the thoughts, she then wavered towards a belief as wild. She remembered the singular event, connected with the castle, which had given it into the possession of its present owner; and, when she considered the mysterious manner, in which its late possessor had disappeared, and that she had never since been heard of, her mind was impressed with a high degree of solemn awe; so that, though there appeared no clue to connect that event with the late music, she was inclined fancifully to think they had some relation to each other. At this conjecture, a sudden chillness ran through her frame; she looked fearfully upon the duskiness of her chamber, and the dead silence, that prevailed there, heightened to her fancy its gloomy aspect.

At length, she left the casement, but her steps faltered, as she approached the bed, and she stopped and looked round. The single lamp, that burned in her spacious chamber, was expiring; for a moment, she shrunk from the darkness beyond; and then, ashamed of the weakness, which, however, she could not wholly conquer, went forward to the bed, where her mind did not soon know the soothings of sleep. She still mused on the late occurrence, and looked with anxiety to the next night, when, at the same hour, she determined to watch whether the music returned. “If those sounds were human,” said she, “I shall probably hear them again.”