Chapter II…

Chapter II

Titania. If you will patiently dance in our round, And see our moonlight revels, go with us. MIDSUMMER NIGHT’S DREAM

Early on the following morning, the travellers set out for Turin. The luxuriant plain, that extends from the feet of the Alps to that magnificent city, was not then, as now, shaded by an avenue of trees nine miles in length; but plantations of olives, mulberry and palms, festooned with vines, mingled with the pastoral scenery, through with the rapid Po, after its descent from the mountains, wandered to meet the humble Doria at Turin. As they advanced towards this city, the Alps, seen at some distance, began to appear in all their awful sublimity; chain rising over chain in long succession, their higher points darkened by the hovering clouds, sometimes hid, and at others seen shooting up far above them; while their lower steeps, broken into fantastic forms, were touched with blue and purplish tints, which, as they changed in light and shade, seemed to open new scenes to the eye. To the east stretched the plains of Lombardy, with the towers of Turin rising at a distance; and beyond, the Apennines, bounding the horizon.

The general magnificence of that city, with its vistas of churches and palaces, branching from the grand square, each opening to a landscape of the distant Alps or Apennines, was not only such as Emily had never seen in France, but such as she had never imagined.

Montoni, who had been often at Turin, and cared little about views of any kind, did not comply with his wife’s request, that they might survey some of the palaces; but staying only till the necessary refreshments could be obtained, they set forward for Venice with all possible rapidity. Montoni’s manner, during this journey, was grave, and even haughty; and towards Madame Montoni he was more especially reserved; but it was not the reserve of respect so much as of pride and discontent. Of Emily he took little notice. With Cavigni his conversations were commonly on political or military topics, such as the convulsed state of their country rendered at this time particularly interesting, Emily observed, that, at the mention of any daring exploit, Montoni’s eyes lost their sullenness, and seemed instantaneously to gleam with fire; yet they still retained somewhat of a lurking cunning, and she sometimes thought that their fire partook more of the glare of malice than the brightness of valour, though the latter would well have harmonised with the high chivalric air of his figure, in which Cavigni, with all his gay and gallant manners, was his inferior.

On entering the Milanese, the gentlemen exchanged their French hats for the Italian cap of scarlet cloth, embroidered; and Emily was somewhat surprised to observe, that Montoni added to his the military plume, while Cavigni retained only the feather: which was usually worn with such caps: but she at length concluded, that Montoni assumed this ensign of a soldier for convenience, as a means of passing with more safety through a country over-run with parties of the military.

Over the beautiful plains of this country the devastations of war were frequently visible. Where the lands had not been suffered to lie uncultivated, they were often tracked with the steps of the spoiler; the vines were torn down from the branches that had supported them, the olives trampled upon the ground, and even the groves of mulberry trees had been hewn by the enemy to light fires that destroyed the hamlets and villages of their owners. Emily turned her eyes with a sigh from these painful vestiges of contention, to the Alps of the Grison, that overlooked them to the north, whose awful solitudes seemed to offer to persecuted man a secure asylum.

The travellers frequently distinguished troops of soldiers moving at a distance; and they experienced, at the little inns on the road, the scarcity of provision and other inconveniences, which are a part of the consequence of intestine war; but they had never reason to be much alarmed for their immediate safety, and they passed on to Milan with little interruption of any kind, where they staid not to survey the grandeur of the city, or even to view its vast cathedral, which was then building.

Beyond Milan, the country wore the aspect of a ruder devastation; and though everything seemed now quiet, the repose was like that of death, spread over features, which retain the impression of the last convulsions.

It was not till they had passed the eastern limits of the Milanese, that the travellers saw any troops since they had left Milan, when, as the evening was drawing to a close, they descried what appeared to be an army winding onward along the distant plains, whose spears and other arms caught the last rays of the sun. As the column advanced through a part of the road, contracted between two hillocks, some of the commanders, on horseback, were distinguished on a small eminence, pointing and making signals for the march; while several of the officers were riding along the line directing its progress, according to the signs communicated by those above; and others, separating from the vanguard, which had emerged from the pass, were riding carelessly along the plains at some distance to the right of the army.

As they drew nearer, Montoni, distinguishing the feathers that waved in their caps, and the banners and liveries of the bands that followed them, thought he knew this to be the small army commanded by the famous captain Utaldo, with whom, as well as with some of the other chiefs, he was personally acquainted. He, therefore, gave orders that the carriages should draw up by the side of the road, to await their arrival, and give them the pass. A faint strain of martial music now stole by, and, gradually strengthening as the troops approached, Emily distinguished the drums and trumpets, with the clash of cymbals and of arms, that were struck by a small party, in time to the march.

Montoni being now certain that these were the bands of the victorious Utaldo, leaned from the carriage window, and hailed their general by waving his cap in the air; which compliment the chief returned by raising his spear, and then letting it down again suddenly, while some of his officers, who were riding at a distance from the troops, came up to the carriage, and saluted Montoni as an old acquaintance. The captain himself soon after arriving, his bands halted while he conversed with Montoni, whom he appeared much rejoiced to see; and from what he said, Emily understood that this was a victorious army, returning into their own principality; while the numerous waggons, that accompanied them, contained the rich spoils of the enemy, their own wounded soldiers, and the prisoners they had taken in battle, who were to be ransomed when the peace, then negociating between the neighbouring states, should be ratified. The chiefs on the following day were to separate, and each, taking his share of the spoil, was to return with his own band to his castle. This was therefore to be an evening of uncommon and general festivity, in commemoration of the victory they had accomplished together, and of the farewell which the commanders were about to take of each other.

Emily, as these officers conversed with Montoni, observed with admiration, tinctured with awe, their high martial air, mingled with the haughtiness of the noblesse of those days, and heightened by the gallantry of their dress, by the plumes towering on their caps, the armorial coat, Persian sash, and ancient Spanish cloak. Utaldo, telling Montoni that his army were going to encamp for the night near a village at only a few miles distance, invited him to turn back and partake of their festivity, assuring the ladies also, that they should be pleasantly accommodated; but Montoni excused himself, adding, that it was his design to reach Verona that evening; and, after some conversation concerning the state of the country towards that city, they parted.

The travellers proceeded without any interruption; but it was some hours after sunset before they arrived at Verona, whose beautiful environs were therefore not seen by Emily till the following morning; when, leaving that pleasant town at an early hour, they set off for Padua, where they embarked on the Brenta for Venice. Here the scene was entirely changed; no vestiges of war, such as had deformed the plains of the Milanese, appeared; on the contrary, all was peace and elegance. The verdant banks of the Brenta exhibited a continued landscape of beauty, gaiety, and splendour. Emily gazed with admiration on the villas of the Venetian noblesse, with their cool porticos and colonnades, overhung with poplars and cypresses of majestic height and lively verdure; on their rich orangeries, whose blossoms perfumed the air, and on the luxuriant willows, that dipped their light leaves in the wave, and sheltered from the sun the gay parties whose music came at intervals on the breeze. The Carnival did, indeed, appear to extend from Venice along the whole line of these enchanting shores; the river was gay with boats passing to that city, exhibiting the fantastic diversity of a masquerade in the dresses of the people within them; and, towards evening, groups of dancers frequently were seen beneath the trees.

Cavigni, meanwhile, informed her of the names of the noblemen to whom the several villas they passed belonged, adding light sketches of their characters, such as served to amuse rather than to inform, exhibiting his own wit instead of the delineation of truth. Emily was sometimes diverted by his conversation; but his gaiety did not entertain Madame Montoni, as it had formerly done; she was frequently grave, and Montoni retained his usual reserve.

Nothing could exceed Emily’s admiration on her first view of Venice, with its islets, palaces, and towers rising out of the sea, whose clear surface reflected the tremulous picture in all its colours. The sun, sinking in the west, tinted the waves and the lofty mountains of Friuli, which skirt the northern shores of the Adriatic, with a saffron glow, while on the marble porticos and colonnades of St. Mark were thrown the rich lights and shades of evening. As they glided on, the grander features of this city appeared more distinctly: its terraces, crowned with airy yet majestic fabrics, touched, as they now were, with the splendour of the setting sun, appeared as if they had been called up from the ocean by the wand of an enchanter, rather than reared by mortal hands.

The sun, soon after, sinking to the lower world, the shadow of the earth stole gradually over the waves, and then up the towering sides of the mountains of Friuli, till it extinguished even the last upward beams that had lingered on their summits, and the melancholy purple of evening drew over them, like a thin veil. How deep, how beautiful was the tranquillity that wrapped the scene! All nature seemed to repose; the finest emotions of the soul were alone awake. Emily’s eyes filled with tears of admiration and sublime devotion, as she raised them over the sleeping world to the vast heavens, and heard the notes of solemn music, that stole over the waters from a distance. She listened in still rapture, and no person of the party broke the charm by an enquiry. The sounds seemed to grow on the air; for so smoothly did the barge glide along, that its motion was not perceivable, and the fairy city appeared approaching to welcome the strangers. They now distinguished a female voice, accompanied by a few instruments, singing a soft and mournful air; and its fine expression, as sometimes it seemed pleading with the impassioned tenderness of love, and then languishing into the cadence of hopeless grief, declared, that it flowed from no feigned sensibility. Ah! thought Emily, as she sighed and remembered Valancourt, those strains come from the heart!

She looked round, with anxious enquiry; the deep twilight, that had fallen over the scene, admitted only imperfect images to the eye, but, at some distance on the sea, she thought she perceived a gondola: a chorus of voices and instruments now swelled on the air—so sweet, so solemn! it seemed like the hymn of angels descending through the silence of night! Now it died away, and fancy almost beheld the holy choir reascending towards heaven; then again it swelled with the breeze, trembled awhile, and again died into silence. It brought to Emily’s recollection some lines of her late father, and she repeated in a low voice,

Oft I hear, Upon the silence of the midnight air, Celestial voices swell in holy chorus That bears the soul to heaven!

The deep stillness, that succeeded, was as expressive as the strain that had just ceased. It was uninterrupted for several minutes, till a general sigh seemed to release the company from their enchantment. Emily, however, long indulged the pleasing sadness, that had stolen upon her spirits; but the gay and busy scene that appeared, as the barge approached St. Mark’s Place, at length roused her attention. The rising moon, which threw a shadowy light upon the terraces, and illumined the porticos and magnificent arcades that crowned them, discovered the various company, whose light steps, soft guitars, and softer voices, echoed through the colonnades.

The music they heard before now passed Montoni’s barge, in one of the gondolas, of which several were seen skimming along the moonlight sea, full of gay parties, catching the cool breeze. Most of these had music, made sweeter by the waves over which it floated, and by the measured sound of oars, as they dashed the sparkling tide. Emily gazed, and listened, and thought herself in a fairy scene; even Madame Montoni was pleased; Montoni congratulated himself on his return to Venice, which he called the first city in the world, and Cavigni was more gay and animated than ever.

The barge passed on to the grand canal, where Montoni’s mansion was situated. And here, other forms of beauty and of grandeur, such as her imagination had never painted, were unfolded to Emily in the palaces of Sansovino and Palladio, as she glided along the waves. The air bore no sounds, but those of sweetness, echoing along each margin of the canal, and from gondolas on its surface, while groups of masks were seen dancing on the moonlight terraces, and seemed almost to realise the romance of fairyland.

The barge stopped before the portico of a large house, from whence a servant of Montoni crossed the terrace, and immediately the party disembarked. From the portico they passed a noble hall to a staircase of marble, which led to a saloon, fitted up in a style of magnificence that surprised Emily. The walls and ceilings were adorned with historical and allegorical paintings, in fresco; silver tripods, depending from chains of the same metal, illumined the apartment, the floor of which was covered with Indian mats painted in a variety of colours and devices; the couches and drapery of the lattices were of pale green silk, embroidered and fringed with green and gold. Balcony lattices opened upon the grand canal, whence rose a confusion of voices and of musical instruments, and the breeze that gave freshness to the apartment. Emily, considering the gloomy temper of Montoni, looked upon the splendid furniture of this house with surprise, and remembered the report of his being a man of broken fortune, with astonishment. “Ah!” said she to herself, “if Valancourt could but see this mansion, what peace would it give him! He would then be convinced that the report was groundless.”

Madame Montoni seemed to assume the air of a princess; but Montoni was restless and discontented, and did not even observe the civility of bidding her welcome to her home.

Soon after his arrival, he ordered his gondola, and, with Cavigni, went out to mingle in the scenes of the evening. Madame then became serious and thoughtful. Emily, who was charmed with everything she saw, endeavoured to enliven her; but reflection had not, with Madame Montoni, subdued caprice and ill-humour, and her answers discovered so much of both, that Emily gave up the attempt of diverting her, and withdrew to a lattice, to amuse herself with the scene without, so new and so enchanting.

The first object that attracted her notice was a group of dancers on the terrace below, led by a guitar and some other instruments. The girl, who struck the guitar, and another, who flourished a tambourine, passed on in a dancing step, and with a light grace and gaiety of heart, that would have subdued the goddess of spleen in her worst humour. After these came a group of fantastic figures, some dressed as gondolieri, others as minstrels, while others seemed to defy all description. They sung in parts, their voices accompanied by a few soft instruments. At a little distance from the portico they stopped, and Emily distinguished the verses of Ariosto. They sung of the wars of the Moors against Charlemagne, and then of the woes of Orlando: afterwards the measure changed, and the melancholy sweetness of Petrarch succeeded. The magic of his grief was assisted by all that Italian music and Italian expression, heightened by the enchantments of Venetian moonlight, could give.

Emily, as she listened, caught the pensive enthusiasm; her tears flowed silently, while her fancy bore her far away to France and to Valancourt. Each succeeding sonnet, more full of charming sadness than the last, seemed to bind the spell of melancholy: with extreme regret she saw the musicians move on, and her attention followed the strain till the last faint warble died in air. She then remained sunk in that pensive tranquillity which soft music leaves on the mind—a state like that produced by the view of a beautiful landscape by moonlight, or by the recollection of scenes marked with the tenderness of friends lost for ever, and with sorrows, which time has mellowed into mild regret. Such scenes are indeed, to the mind, like “those faint traces which the memory bears of music that is past.”

Other sounds soon awakened her attention: it was the solemn harmony of horns, that swelled from a distance; and, observing the gondolas arrange themselves along the margin of the terraces, she threw on her veil, and, stepping into the balcony, discerned, in the distant perspective of the canal, something like a procession, floating on the light surface of the water: as it approached, the horns and other instruments mingled sweetly, and soon after the fabled deities of the city seemed to have arisen from the ocean; for Neptune, with Venice personified as his queen, came on the undulating waves, surrounded by tritons and sea-nymphs. The fantastic splendour of this spectacle, together with the grandeur of the surrounding palaces, appeared like the vision of a poet suddenly embodied, and the fanciful images, which it awakened in Emily’s mind, lingered there long after the procession had passed away. She indulged herself in imagining what might be the manners and delights of a sea-nymph, till she almost wished to throw off the habit of mortality, and plunge into the green wave to participate them.

“How delightful,” said she, “to live amidst the coral bowers and crystal caverns of the ocean, with my sister nymphs, and listen to the sounding waters above, and to the soft shells of the tritons! and then, after sunset, to skim on the surface of the waves round wild rocks and along sequestered shores, where, perhaps, some pensive wanderer comes to weep! Then would I soothe his sorrows with my sweet music, and offer him from a shell some of the delicious fruit that hangs round Neptune’s palace.”

She was recalled from her reverie to a mere mortal supper, and could not forbear smiling at the fancies she had been indulging, and at her conviction of the serious displeasure, which Madame Montoni would have expressed, could she have been made acquainted with them.

After supper, her aunt sat late, but Montoni did not return, and she at length retired to rest. If Emily had admired the magnificence of the saloon, she was not less surprised, on observing the half-furnished and forlorn appearance of the apartments she passed in the way to her chamber, whither she went through long suites of noble rooms, that seemed, from their desolate aspect, to have been unoccupied for many years. On the walls of some were the faded remains of tapestry; from others, painted in fresco, the damps had almost withdrawn both colours and design. At length she reached her own chamber, spacious, desolate, and lofty, like the rest, with high lattices that opened towards the Adriatic. It brought gloomy images to her mind, but the view of the Adriatic soon gave her others more airy, among which was that of the sea-nymph, whose delights she had before amused herself with picturing; and, anxious to escape from serious reflections, she now endeavoured to throw her fanciful ideas into a train, and concluded the hour with composing the following lines:

THE SEA-NYMPH

Down, down a thousand fathom deep, Among the sounding seas I go; Play round the foot of ev’ry steep Whose cliffs above the ocean grow.

There, within their secret cares, I hear the mighty rivers roar; And guide their streams through Neptune’s waves To bless the green earth’s inmost shore:

And bid the freshen’d waters glide, For fern-crown’d nymphs of lake, or brook, Through winding woods and pastures wide, And many a wild, romantic nook.

For this the nymphs, at fall of eave, Oft dance upon the flow’ry banks, And sing my name, and garlands weave To bear beneath the wave their thanks.

In coral bow’rs I love to lie, And hear the surges roll above, And through the waters view on high The proud ships sail, and gay clouds move.

And oft at midnight’s stillest hour, When summer seas the vessel lave, I love to prove my charmful pow’r While floating on the moonlight wave.

And when deep sleep the crew has bound, And the sad lover musing leans O’er the ship’s side, I breathe around Such strains as speak no mortal means!

O’er the dim waves his searching eye Sees but the vessel’s lengthen’d shade; Above—the moon and azure sky; Entranc’d he hears, and half afraid!

Sometimes, a single note I swell, That, softly sweet, at distance dies; Then wake the magic of my shell, And choral voices round me rise!

The trembling youth, charm’d by my strain, Calls up the crew, who, silent, bend O’er the high deck, but list in vain; My song is hush’d, my wonders end!

Within the mountain’s woody bay, Where the tall bark at anchor rides, At twilight hour, with tritons gay, I dance upon the lapsing tides:

And with my sister-nymphs I sport, Till the broad sun looks o’er the floods; Then, swift we seek our crystal court, Deep in the wave, ’mid Neptune’s woods.

In cool arcades and glassy halls We pass the sultry hours of noon, Beyond wherever sunbeam falls, Weaving sea-flowers in gay festoon.

The while we chant our ditties sweet To some soft shell that warbles near; Join’d by the murmuring currents, fleet, That glide along our halls so clear.

There, the pale pearl and sapphire blue, And ruby red, and em’rald green, Dart from the domes a changing hue, And sparry columns deck the scene.

When the dark storm scowls o’er the deep, And long, long peals of thunder sound, On some high cliff my watch I keep O’er all the restless seas around:

Till on the ridgy wave afar Comes the lone vessel, labouring slow, Spreading the white foam in the air, With sail and top-mast bending low.

Then, plunge I ’mid the ocean’s roar, My way by quiv’ring lightnings shown, To guide the bark to peaceful shore, And hush the sailor’s fearful groan.

And if too late I reach its side To save it from the ’whelming surge, I call my dolphins o’er the tide, To bear the crew where isles emerge.

Their mournful spirits soon I cheer, While round the desert coast I go, With warbled songs they faintly hear, Oft as the stormy gust sinks low.

My music leads to lofty groves, That wild upon the sea-bank wave; Where sweet fruits bloom, and fresh spring roves, And closing boughs the tempest brave.

Then, from the air spirits obey My potent voice they love so well, And, on the clouds, paint visions gay, While strains more sweet at distance swell.

And thus the lonely hours I cheat, Soothing the ship-wreck’d sailor’s heart, Till from the waves the storms retreat, And o’er the east the day-beams dart.

Neptune for this oft binds me fast To rocks below, with coral chain, Till all the tempest’s over-past, And drowning seamen cry in vain.

Whoe’er ye are that love my lay, Come, when red sunset tints the wave, To the still sands, where fairies play; There, in cool seas, I love to lave.

Chapter III

He is a great observer, and he looks Quite through the deeds of men: he loves no plays, ....................he hears no music; Seldom he smiles; and smiles in such a sort, As if he mock’d himself, and scorn’d his spirit that could be mov’d to smile at anything. Such men as he be never at heart’s ease, While they behold a greater than themselves. JULIUS CÆSAR

Montoni and his companion did not return home, till many hours after the dawn had blushed upon the Adriatic. The airy groups, which had danced all night along the colonnade of St. Mark, dispersed before the morning, like so many spirits. Montoni had been otherwise engaged; his soul was little susceptible of light pleasures. He delighted in the energies of the passions; the difficulties and tempests of life, which wreck the happiness of others, roused and strengthened all the powers of his mind, and afforded him the highest enjoyments, of which his nature was capable. Without some object of strong interest, life was to him little more than a sleep; and, when pursuits of real interest failed, he substituted artificial ones, till habit changed their nature, and they ceased to be unreal. Of this kind was the habit of gaming, which he had adopted, first, for the purpose of relieving him from the languor of inaction, but had since pursued with the ardour of passion. In this occupation he had passed the night with Cavigni and a party of young men, who had more money than rank, and more vice than either. Montoni despised the greater part of these for the inferiority of their talents, rather than for their vicious inclinations, and associated with them only to make them the instruments of his purposes. Among these, however, were some of superior abilities, and a few whom Montoni admitted to his intimacy, but even towards these he still preserved a decisive and haughty air, which, while it imposed submission on weak and timid minds, roused the fierce hatred of strong ones. He had, of course, many and bitter enemies; but the rancour of their hatred proved the degree of his power; and, as power was his chief aim, he gloried more in such hatred, than it was possible he could in being esteemed. A feeling so tempered as that of esteem, he despised, and would have despised himself also had he thought himself capable of being flattered by it.

Among the few whom he distinguished, were the Signors Bertolini, Orsino, and Verezzi. The first was a man of gay temper, strong passions, dissipated, and of unbounded extravagance, but generous, brave, and unsuspicious. Orsino was reserved, and haughty; loving power more than ostentation; of a cruel and suspicious temper; quick to feel an injury, and relentless in avenging it; cunning and unsearchable in contrivance, patient and indefatigable in the execution of his schemes. He had a perfect command of feature and of his passions, of which he had scarcely any, but pride, revenge and avarice; and, in the gratification of these, few considerations had power to restrain him, few obstacles to withstand the depth of his stratagems. This man was the chief favourite of Montoni. Verezzi was a man of some talent, of fiery imagination, and the slave of alternate passions. He was gay, voluptuous, and daring; yet had neither perseverance nor true courage, and was meanly selfish in all his aims. Quick to form schemes, and sanguine in his hope of success, he was the first to undertake, and to abandon, not only his own plans, but those adopted from other persons. Proud and impetuous, he revolted against all subordination; yet those who were acquainted with his character, and watched the turn of his passions, could lead him like a child.

Such were the friends whom Montoni introduced to his family and his table, on the day after his arrival at Venice. There were also of the party a Venetian nobleman, Count Morano, and a Signora Livona, whom Montoni had introduced to his wife, as a lady of distinguished merit, and who, having called in the morning to welcome her to Venice, had been requested to be of the dinner party.

Madame Montoni received with a very ill grace, the compliments of the Signors. She disliked them, because they were the friends of her husband; hated them, because she believed they had contributed to detain him abroad till so late an hour of the preceding morning; and envied them, since, conscious of her own want of influence, she was convinced, that he preferred their society to her own. The rank of Count Morano procured him that distinction which she refused to the rest of the company. The haughty sullenness of her countenance and manner, and the ostentatious extravagance of her dress, for she had not yet adopted the Venetian habit, were strikingly contrasted by the beauty, modesty, sweetness and simplicity of Emily, who observed, with more attention than pleasure, the party around her. The beauty and fascinating manners of Signora Livona, however, won her involuntary regard; while the sweetness of her accents and her air of gentle kindness awakened with Emily those pleasing affections, which so long had slumbered.

In the cool of the evening the party embarked in Montoni’s gondola, and rowed out upon the sea. The red glow of sunset still touched the waves, and lingered in the west, where the melancholy gleam seemed slowly expiring, while the dark blue of the upper æther began to twinkle with stars. Emily sat, given up to pensive and sweet emotions. The smoothness of the water, over which she glided, its reflected images—a new heaven and trembling stars below the waves, with shadowy outlines of towers and porticos, conspired with the stillness of the hour, interrupted only by the passing wave, or the notes of distant music, to raise those emotions to enthusiasm. As she listened to the measured sound of the oars, and to the remote warblings that came in the breeze, her softened mind returned to the memory of St. Aubert and to Valancourt, and tears stole to her eyes. The rays of the moon, strengthening as the shadows deepened, soon after threw a silvery gleam upon her countenance, which was partly shaded by a thin black veil, and touched it with inimitable softness. Hers was the contour of a Madona, with the sensibility of a Magdalen; and the pensive uplifted eye, with the tear that glittered on her cheek, confirmed the expression of the character.

The last strain of distant music now died in air, for the gondola was far upon the waves, and the party determined to have music of their own. The Count Morano, who sat next to Emily, and who had been observing her for some time in silence, snatched up a lute, and struck the chords with the finger of harmony herself, while his voice, a fine tenor, accompanied them in a rondeau full of tender sadness. To him, indeed, might have been applied that beautiful exhortation of an English poet, had it then existed:

Strike up, my master, But touch the strings with a religious softness! Teach sounds to languish through the night’s dull ear Till Melancholy starts from off her couch, And Carelessness grows concert to attention!

With such powers of expression the Count sung the following

RONDEAU

Soft as yon silver ray, that sleeps Upon the ocean’s trembling tide; Soft as the air, that lightly sweeps Yon sad, that swells in stately pride:

Soft as the surge’s stealing note, That dies along the distant shores, Or warbled strain, that sinks remote— So soft the sigh my bosom pours!

True as the wave to Cynthia’s ray, True as the vessel to the breeze, True as the soul to music’s sway, Or music to Venetian seas:

Soft as yon silver beams, that sleep Upon the ocean’s trembling breast; So soft, so true, fond Love shall weep, So soft, so true, with thee shall rest.

The cadence with which he returned from the last stanza to a repetition of the first; the fine modulation in which his voice stole upon the first line, and the pathetic energy with which it pronounced the last, were such as only exquisite taste could give. When he had concluded, he gave the lute with a sigh to Emily, who, to avoid any appearance of affectation, immediately began to play. She sung a melancholy little air, one of the popular songs of her native province, with a simplicity and pathos that made it enchanting. But its well-known melody brought so forcibly to her fancy the scenes and the persons, among which she had often heard it, that her spirits were overcome, her voice trembled and ceased—and the strings of the lute were struck with a disordered hand; till, ashamed of the emotion she had betrayed, she suddenly passed on to a song so gay and airy, that the steps of the dance seemed almost to echo to the notes. Bravissimo! burst instantly from the lips of her delighted auditors, and she was compelled to repeat the air. Among the compliments that followed, those of the Count were not the least audible, and they had not concluded, when Emily gave the instrument to Signora Livona, whose voice accompanied it with true Italian taste.

Afterwards, the Count, Emily, Cavigni, and the Signora, sung canzonettes, accompanied by a couple of lutes and a few other instruments. Sometimes the instruments suddenly ceased, and the voices dropped from the full swell of harmony into a low chant; then, after a deep pause, they rose by degrees, the instruments one by one striking up, till the loud and full chorus soared again to heaven!

Meanwhile, Montoni, who was weary of this harmony, was considering how he might disengage himself from his party, or withdraw with such of it as would be willing to play, to a Casino. In a pause of the music, he proposed returning to shore, a proposal which Orsino eagerly seconded, but which the Count and the other gentlemen as warmly opposed.

Montoni still meditated how he might excuse himself from longer attendance upon the Count, for to him only he thought excuse necessary, and how he might get to land, till the gondolieri of an empty boat, returning to Venice, hailed his people. Without troubling himself longer about an excuse, he seized this opportunity of going thither, and, committing the ladies to the care of his friends, departed with Orsino, while Emily, for the first time, saw him go with regret; for she considered his presence a protection, though she knew not what she should fear. He landed at St. Mark’s, and, hurrying to a Casino, was soon lost amidst a crowd of gamesters.

Meanwhile, the Count having secretly dispatched a servant in Montoni’s boat, for his own gondola and musicians, Emily heard, without knowing his project, the gay song of gondolieri approaching, as they sat on the stern of the boat, and saw the tremulous gleam of the moonlight wave, which their oars disturbed. Presently she heard the sound of instruments, and then a full symphony swelled on the air, and, the boats meeting, the gondolieri hailed each other. The Count then explaining himself, the party removed into his gondola, which was embellished with all that taste could bestow.

While they partook of a collation of fruits and ice, the whole band, following at a distance in the other boat, played the most sweet and enchanting strains, and the Count, who had again seated himself by Emily, paid her unremitted attention, and sometimes, in a low but impassioned voice, uttered compliments which she could not misunderstand. To avoid them she conversed with Signora Livona, and her manner to the Count assumed a mild reserve, which, though dignified, was too gentle to repress his assiduities: he could see, hear, speak to no person, but Emily while Cavigni observed him now and then, with a look of displeasure, and Emily, with one of uneasiness. She now wished for nothing so much as to return to Venice, but it was near midnight before the gondolas approached St. Mark’s Place, where the voice of gaiety and song was loud. The busy hum of mingling sounds was heard at a considerable distance on the water, and, had not a bright moonlight discovered the city, with its terraces and towers, a stranger would almost have credited the fabled wonders of Neptune’s court, and believed, that the tumult arose from beneath the waves.

They landed at St. Mark’s, where the gaiety of the colonnades and the beauty of the night, made Madame Montoni willingly submit to the Count’s solicitations to join the promenade, and afterwards to take a supper with the rest of the party, at his Casino. If anything could have dissipated Emily’s uneasiness, it would have been the grandeur, gaiety, and novelty of the surrounding scene, adorned with Palladio’s palaces, and busy with parties of masqueraders.

At length they withdrew to the Casino, which was fitted up with infinite taste, and where a splendid banquet was prepared; but here Emily’s reserve made the Count perceive, that it was necessary for his interest to win the favour of Madame Montoni, which, from the condescension she had already shown to him, appeared to be an achievement of no great difficulty. He transferred, therefore, part of his attention from Emily to her aunt, who felt too much flattered by the distinction even to disguise her emotion; and before the party broke up, he had entirely engaged the esteem of Madame Montoni. Whenever he addressed her, her ungracious countenance relaxed into smiles, and to whatever he proposed she assented. He invited her, with the rest of the party, to take coffee, in his box at the opera, on the following evening, and Emily heard the invitation accepted, with strong anxiety, concerning the means of excusing herself from attending Madame Montoni thither.

It was very late before their gondola was ordered, and Emily’s surprise was extreme, when, on quitting the Casino, she beheld the broad sun rising out of the Adriatic, while St. Mark’s Place was yet crowded with company. Sleep had long weighed heavily on her eyes, but now the fresh sea-breeze revived her, and she would have quitted the scene with regret, had not the Count been present, performing the duty, which he had imposed upon himself, of escorting them home. There they heard that Montoni was not yet returned; and his wife, retiring in displeasure to her apartment, at length released Emily from the fatigue of further attendance.

Montoni came home late in the morning, in a very ill humour, having lost considerably at play, and, before he withdrew to rest, had a private conference with Cavigni, whose manner, on the following day, seemed to tell, that the subject of it had not been pleasing to him.

In the evening, Madame Montoni, who, during the day, had observed a sullen silence towards her husband, received visits from some Venetian ladies, with whose sweet manners Emily was particularly charmed. They had an air of ease and kindness towards the strangers, as if they had been their familiar friends for years; and their conversation was by turns tender, sentimental and gay. Madame, though she had no taste for such conversation, and whose coarseness and selfishness sometimes exhibited a ludicrous contrast to their excessive refinement, could not remain wholly insensible to the captivations of their manner.

In a pause of conversation, a lady who was called Signora Herminia took up a lute, and began to play and sing, with as much easy gaiety, as if she had been alone. Her voice was uncommonly rich in tone, and various in expression; yet she appeared to be entirely unconscious of its powers, and meant nothing less than to display them. She sung from the gaiety of her heart, as she sat with her veil half thrown back, holding gracefully the lute, under the spreading foliage and flowers of some plants, that rose from baskets, and interlaced one of the lattices of the saloon. Emily, retiring a little from the company, sketched her figure, with the miniature scenery around her, and drew a very interesting picture, which, though it would not, perhaps, have borne criticism, had spirit and taste enough to awaken both the fancy and the heart. When she had finished it, she presented it to the beautiful original, who was delighted with the offering, as well as the sentiment it conveyed, and assured Emily, with a smile of captivating sweetness, that she should preserve it as a pledge of her friendship.

In the evening Cavigni joined the ladies, but Montoni had other engagements; and they embarked in the gondola for St. Mark’s, where the same gay company seemed to flutter as on the preceding night. The cool breeze, the glassy sea, the gentle sound of its waves, and the sweeter murmur of distant music; the lofty porticos and arcades, and the happy groups that sauntered beneath them; these, with every feature and circumstance of the scene, united to charm Emily, no longer teased by the officious attentions of Count Morano. But, as she looked upon the moonlight sea, undulating along the walls of St. Mark, and, lingering for a moment over those walls, caught the sweet and melancholy song of some gondolier as he sat in his boat below, waiting for his master, her softened mind returned to the memory of her home, of her friends, and of all that was dear in her native country.

After walking some time, they sat down at the door of a Casino, and, while Cavigni was accommodating them with coffee and ice, were joined by Count Morano. He sought Emily with a look of impatient delight, who, remembering all the attention he had shown her on the preceding evening, was compelled, as before, to shrink from his assiduities into a timid reserve, except when she conversed with Signora Herminia and the other ladies of her party.

It was near midnight before they withdrew to the opera, where Emily was not so charmed but that, when she remembered the scene she had just quitted, she felt how infinitely inferior all the splendour of art is to the sublimity of nature. Her heart was not now affected, tears of admiration did not start to her eyes, as when she viewed the vast expanse of ocean, the grandeur of the heavens, and listened to the rolling waters, and to the faint music that, at intervals, mingled with their roar. Remembering these, the scene before her faded into insignificance.

Of the evening, which passed on without any particular incident, she wished the conclusion, that she might escape from the attentions of the Count; and, as opposite qualities frequently attract each other in our thoughts, thus Emily, when she looked on Count Morano, remembered Valancourt, and a sigh sometimes followed the recollection.

Several weeks passed in the course of customary visits, during which nothing remarkable occurred. Emily was amused by the manners and scenes that surrounded her, so different from those of France, but where Count Morano, too frequently for her comfort, contrived to introduce himself. His manner, figure and accomplishments, which were generally admired, Emily would, perhaps, have admired also, had her heart been disengaged from Valancourt, and had the Count forborne to persecute her with officious attentions, during which she observed some traits in his character, that prejudiced her against whatever might otherwise be good in it.

Soon after his arrival at Venice, Montoni received a packet from M. Quesnel, in which the latter mentioned the death of his wife’s uncle, at his villa on the Brenta; and that, in consequence of this event, he should hasten to take possession of that estate and of other effects bequeathed to him. This uncle was the brother of Madame Quesnel’s late mother; Montoni was related to her by the father’s side, and though he could have had neither claim nor expectation concerning these possessions, he could scarcely conceal the envy which M. Quesnel’s letter excited.

Emily had observed with concern, that, since they left France, Montoni had not even affected kindness towards her aunt, and that, after treating her, at first, with neglect, he now met her with uniform ill-humour and reserve. She had never supposed, that her aunt’s foibles could have escaped the discernment of Montoni, or that her mind or figure were of a kind to deserve his attention. Her surprise, therefore, at this match, had been extreme; but since he had made the choice, she did not suspect that he would so openly have discovered his contempt of it. But Montoni, who had been allured by the seeming wealth of Madame Cheron, was now severely disappointed by her comparative poverty, and highly exasperated by the deceit she had employed to conceal it, till concealment was no longer necessary. He had been deceived in an affair, wherein he meant to be the deceiver; out-witted by the superior cunning of a woman, whose understanding he despised, and to whom he had sacrificed his pride and his liberty, without saving himself from the ruin, which had impended over his head. Madame Montoni had contrived to have the greatest part of what she really did possess, settled upon herself: what remained, though it was totally inadequate both to her husband’s expectations, and to his necessities, he had converted into money, and brought with him to Venice, that he might a little longer delude society, and make a last effort to regain the fortunes he had lost.

The hints which had been thrown out to Valancourt, concerning Montoni’s character and condition, were too true; but it was now left to time and occasion, to unfold the circumstances, both of what had, and of what had not been hinted, and to time and occasion we commit them.

Madame Montoni was not of a nature to bear injuries with meekness, or to resent them with dignity: her exasperated pride displayed itself in all the violence and acrimony of a little, or at least of an ill-regulated mind. She would not acknowledge, even to herself, that she had in any degree provoked contempt by her duplicity, but weakly persisted in believing, that she alone was to be pitied, and Montoni alone to be censured; for, as her mind had naturally little perception of moral obligation, she seldom understood its force but when it happened to be violated towards herself: her vanity had already been severely shocked by a discovery of Montoni’s contempt; it remained to be farther reproved by a discovery of his circumstances. His mansion at Venice, though its furniture discovered a part of the truth to unprejudiced persons, told nothing to those who were blinded by a resolution to believe whatever they wished. Madame Montoni still thought herself little less than a princess, possessing a palace at Venice, and a castle among the Apennines. To the castle di Udolpho, indeed, Montoni sometimes talked of going for a few weeks to examine into its condition, and to receive some rents; for it appeared that he had not been there for two years, and that, during this period, it had been inhabited only by an old servant, whom he called his steward.

Emily listened to the mention of this journey with pleasure, for she not only expected from it new ideas, but a release from the persevering assiduities of Count Morano. In the country, too, she would have leisure to think of Valancourt, and to indulge the melancholy, which his image, and a recollection of the scenes of La Vallée, always blessed with the memory of her parents, awakened. The ideal scenes were dearer, and more soothing to her heart, than all the splendour of gay assemblies; they were a kind of talisman that expelled the poison of temporary evils, and supported her hopes of happy days: they appeared like a beautiful landscape, lighted up by a gleam of sunshine, and seen through a perspective of dark and rugged rocks.

But Count Morano did not long confine himself to silent assiduities; he declared his passion to Emily, and made proposals to Montoni, who encouraged, though Emily rejected, him: with Montoni for his friend, and an abundance of vanity to delude him, he did not despair of success. Emily was astonished and highly disgusted at his perseverance, after she had explained her sentiments with a frankness that would not allow him to misunderstand them.

He now passed the greater part of his time at Montoni’s, dining there almost daily, and attending Madame and Emily wherever they went; and all this, notwithstanding the uniform reserve of Emily, whose aunt seemed as anxious as Montoni to promote this marriage; and would never dispense with her attendance at any assembly where the Count proposed to be present.

Montoni now said nothing of his intended journey, of which Emily waited impatiently to hear; and he was seldom at home but when the Count, or Signor Orsino, was there, for between himself and Cavigni a coolness seemed to subsist, though the latter remained in his house. With Orsino, Montoni was frequently closeted for hours together, and, whatever might be the business, upon which they consulted, it appeared to be of consequence, since Montoni often sacrificed to it his favourite passion for play, and remained at home the whole night. There was somewhat of privacy, too, in the manner of Orsino’s visits, which had never before occurred, and which excited not only surprise, but some degree of alarm in Emily’s mind, who had unwillingly discovered much of his character when he had most endeavoured to disguise it. After these visits, Montoni was often more thoughtful than usual; sometimes the deep workings of his mind entirely abstracted him from surrounding objects, and threw a gloom over his visage that rendered it terrible; at others, his eyes seemed almost to flash fire, and all the energies of his soul appeared to be roused for some great enterprise. Emily observed these written characters of his thoughts with deep interest, and not without some degree of awe, when she considered that she was entirely in his power; but forbore even to hint her fears, or her observations, to Madame Montoni, who discerned nothing in her husband, at these times, but his usual sternness.

A second letter from M. Quesnel announced the arrival of himself and his lady at the Villa Miarenti; stated several circumstances of his good fortune, respecting the affair that had brought him into Italy; and concluded with an earnest request to see Montoni, his wife and niece, at his new estate.

Emily received, about the same period, a much more interesting letter, and which soothed for a while every anxiety of her heart. Valancourt, hoping she might be still at Venice, had trusted a letter to the ordinary post, that told her of his health, and of his unceasing and anxious affection. He had lingered at Thoulouse for some time after her departure, that he might indulge the melancholy pleasure of wandering through the scenes where he had been accustomed to behold her, and had thence gone to his brother’s château, which was in the neighbourhood of La Vallée. Having mentioned this, he added, “If the duty of attending my regiment did not require my departure, I know not when I should have resolution enough to quit the neighbourhood of a place which is endeared by the remembrance of you. The vicinity to La Vallée has alone detained me thus long at Estuvière: I frequently ride thither early in the morning, that I may wander, at leisure, through the day, among scenes, which were once your home, where I have been accustomed to see you, and to hear you converse. I have renewed my acquaintance with the good old Theresa, who rejoiced to see me, that she might talk of you: I need not say how much this circumstance attached me to her, or how eagerly I listened to her upon her favourite subject. You will guess the motive that first induced me to make myself known to Theresa: it was, indeed, no other than that of gaining admittance into the château and gardens, which my Emily had so lately inhabited: here, then, I wander, and meet your image under every shade: but chiefly I love to sit beneath the spreading branches of your favourite plane, where once, Emily, we sat together; where I first ventured to tell you, that I loved. O Emily! the remembrance of those moments overcomes me—I sit lost in reverie—I endeavour to see you dimly through my tears, in all the heaven of peace and innocence, such as you then appeared to me; to hear again the accents of that voice, which then thrilled my heart with tenderness and hope. I lean on the wall of the terrace, where we together watched the rapid current of the Garonne below, while I described the wild scenery about its source, but thought only of you. O Emily! are these moments passed for ever—will they never more return?”

In another part of his letter he wrote thus. “You see my letter is dated on many different days, and, if you look back to the first, you will perceive, that I began to write soon after your departure from France. To write was, indeed, the only employment that withdrew me from my own melancholy, and rendered your absence supportable, or rather, it seemed to destroy absence; for, when I was conversing with you on paper, and telling you every sentiment and affection of my heart, you almost appeared to be present. This employment has been from time to time my chief consolation, and I have deferred sending off my packet, merely for the comfort of prolonging it, though it was certain, that what I had written, was written to no purpose till you received it. Whenever my mind has been more than usually depressed I have come to pour forth its sorrows to you, and have always found consolation; and, when any little occurrence has interested my heart, and given a gleam of joy to my spirits, I have hastened to communicate it to you, and have received reflected satisfaction. Thus, my letter is a kind of picture of my life and of my thoughts for the last month, and thus, though it has been deeply interesting to me, while I wrote it, and I dare hope will, for the same reason, be not indifferent to you, yet to other readers it would seem to abound only in frivolities. Thus it is always, when we attempt to describe the finer movements of the heart, for they are too fine to be discerned, they can only be experienced, and are therefore passed over by the indifferent observer, while the interested one feels, that all description is imperfect and unnecessary, except as it may prove the sincerity of the writer, and sooth his own sufferings. You will pardon all this egotism—for I am a lover.”

“I have just heard of a circumstance, which entirely destroys all my fairy paradise of ideal delight, and which will reconcile me to the necessity of returning to my regiment, for I must no longer wander beneath the beloved shades, where I have been accustomed to meet you in thought.—La Vallée is let! I have reason to believe this is without your knowledge, from what Theresa told me this morning, and, therefore, I mention the circumstance. She shed tears, while she related, that she was going to leave the service of her dear mistress, and the château where she had lived so many happy years; and all this, added she, without even a letter from Mademoiselle to soften the news; but it is all Mons. Quesnel’s doings, and I dare say she does not even know what is going forward.”

“Theresa added, That she had received a letter from him, informing her the château was let, and that, as her services would no longer be required, she must quit the place, on that day week, when the new tenant would arrive.”

“Theresa had been surprised by a visit from M. Quesnel, some time before the receipt of this letter, who was accompanied by a stranger that viewed the premises with much curiosity.”

Towards the conclusion of his letter, which is dated a week after this sentence, Valancourt adds, “I have received a summons from my regiment, and I join it without regret, since I am shut out from the scenes that are so interesting to my heart. I rode to La Vallée this morning, and heard that the new tenant was arrived, and that Theresa was gone. I should not treat the subject thus familiarly if I did not believe you to be uninformed of this disposal of your house; for your satisfaction I have endeavoured to learn something of the character and fortune of your tenant, but without success. He is a gentleman, they say, and this is all I can hear. The place, as I wandered round the boundaries, appeared more melancholy to my imagination, than I had ever seen it. I wished earnestly to have got admittance, that I might have taken another leave of your favourite plane-tree, and thought of you once more beneath its shade: but I forbore to tempt the curiosity of strangers: the fishing-house in the woods, however, was still open to me; thither I went, and passed an hour, which I cannot even look back upon without emotion. O Emily! surely we are not separated for ever—surely we shall live for each other!”

This letter brought many tears to Emily’s eyes; tears of tenderness and satisfaction on learning that Valancourt was well, and that time and absence had in no degree effaced her image from his heart. There were passages in this letter which particularly affected her, such as those describing his visits to La Vallée, and the sentiments of delicate affection that its scenes had awakened. It was a considerable time before her mind was sufficiently abstracted from Valancourt to feel the force of his intelligence concerning La Vallée. That Mons. Quesnel should let it, without even consulting her on the measure, both surprised and shocked her, particularly as it proved the absolute authority he thought himself entitled to exercise in her affairs. It is true, he had proposed, before she left France, that the château should be let, during her absence, and to the economical prudence of this she had nothing to object; but the committing what had been her father’s villa to the power and caprice of strangers, and the depriving herself of a sure home, should any unhappy circumstances make her look back to her home as an asylum, were considerations that made her, even then, strongly oppose the measure. Her father, too, in his last hour, had received from her a solemn promise never to dispose of La Vallée; and this she considered as in some degree violated if she suffered the place to be let. But it was now evident with how little respect M. Quesnel had regarded these objections, and how insignificant he considered every obstacle to pecuniary advantage. It appeared, also, that he had not even condescended to inform Montoni of the step he had taken, since no motive was evident for Montoni’s concealing the circumstance from her, if it had been made known to him: this both displeased and surprised her; but the chief subjects of her uneasiness were—the temporary disposal of La Vallée, and the dismission of her father’s old and faithful servant.—“Poor Theresa,” said Emily, “thou hadst not saved much in thy servitude, for thou wast always tender towards the poor, and believd’st thou shouldst die in the family, where thy best years had been spent. Poor Theresa!—now thou art turned out in thy old age to seek thy bread!”

Emily wept bitterly as these thoughts passed over her mind, and she determined to consider what could be done for Theresa, and to talk very explicitly to M. Quesnel on the subject; but she much feared that his cold heart could feel only for itself. She determined also to enquire whether he had made any mention of her affairs, in his letter to Montoni, who soon gave her the opportunity she sought, by desiring that she would attend him in his study. She had little doubt, that the interview was intended for the purpose of communicating to her a part of M. Quesnel’s letter concerning the transactions at La Vallée, and she obeyed him immediately. Montoni was alone.

“I have just been writing to Mons. Quesnel,” said he when Emily appeared, “in reply to the letter I received from him a few days ago, and I wished to talk to you upon a subject that occupied part of it.”

“I also wished to speak with you on this topic, sir,” said Emily.

“It is a subject of some interest to you, undoubtedly,” rejoined Montoni, “and I think you must see it in the light that I do; indeed it will not bear any other. I trust you will agree with me, that any objection founded on sentiment, as they call it, ought to yield to circumstances of solid advantage.”

“Granting this, sir,” replied Emily, modestly, “those of humanity ought surely to be attended to. But I fear it is now too late to deliberate upon this plan, and I must regret, that it is no longer in my power to reject it.”

“It is too late,” said Montoni; “but since it is so, I am pleased to observe, that you submit to reason and necessity without indulging useless complaint. I applaud this conduct exceedingly, the more, perhaps, since it discovers a strength of mind seldom observable in your sex. When you are older you will look back with gratitude to the friends who assisted in rescuing you from the romantic illusions of sentiment, and will perceive, that they are only the snares of childhood, and should be vanquished the moment you escape from the nursery. I have not closed my letter, and you may add a few lines to inform your uncle of your acquiescence. You will soon see him, for it is my intention to take you, with Madame Montoni, in a few days to Miarenti, and you can then talk over the affair.”

Emily wrote on the opposite page of the paper as follows:

“It is now useless, sir, for me to remonstrate upon the circumstances of which Signor Montoni informs me that he has written. I could have wished, at least, that the affair had been concluded with less precipitation, that I might have taught myself to subdue some prejudices, as the Signor calls them, which still linger in my heart. As it is, I submit. In point of prudence nothing certainly can be objected; but, though I submit, I have yet much to say on some other points of the subject, when I shall have the honour of seeing you. In the meantime I entreat you will take care of Theresa, for the sake of, “Sir, “Your affectionate niece, “EMILY ST. AUBERT.”

Montoni smiled satirically at what Emily had written, but did not object to it, and she withdrew to her own apartment, where she sat down to begin a letter to Valancourt, in which she related the particulars of her journey, and her arrival at Venice, described some of the most striking scenes in the passage over the Alps; her emotions on her first view of Italy; the manners and characters of the people around her, and some few circumstances of Montoni’s conduct. But she avoided even naming Count Morano, much more the declaration he had made, since she well knew how tremblingly alive to fear is real love, how jealously watchful of every circumstance that may affect its interest; and she scrupulously avoided to give Valancourt even the slightest reason for believing he had a rival.

On the following day Count Morano dined again at Montoni’s. He was in an uncommon flow of spirits, and Emily thought there was somewhat of exultation in his manner of addressing her, which she had never observed before. She endeavoured to repress this by more than her usual reserve, but the cold civility of her air now seemed rather to encourage than to depress him. He appeared watchful of an opportunity of speaking with her alone, and more than once solicited this; but Emily always replied, that she could hear nothing from him which he would be unwilling to repeat before the whole company.

In the evening, Madame Montoni and her party went out upon the sea, and as the Count led Emily to his zendaletto, he carried her hand to his lips, and thanked her for the condescension she had shown him. Emily, in extreme surprise and displeasure, hastily withdrew her hand, and concluded that he had spoken ironically; but, on reaching the steps of the terrace, and observing by the livery, that it was the Count’s zendaletto which waited below, while the rest of the party, having arranged themselves in the gondolas, were moving on, she determined not to permit a separate conversation, and, wishing him a good evening, returned to the portico. The Count followed to expostulate and entreat, and Montoni, who then came out, rendered solicitation unnecessary, for, without condescending to speak, he took her hand, and led her to the zendaletto. Emily was not silent; she entreated Montoni, in a low voice, to consider the impropriety of these circumstances, and that he would spare her the mortification of submitting to them; he, however, was inflexible.

“This caprice is intolerable,” said he, “and shall not be indulged: there is no impropriety in the case.”

At this moment, Emily’s dislike of Count Morano rose to abhorrence. That he should, with undaunted assurance, thus pursue her, notwithstanding all she had expressed on the subject of his addresses, and think, as it was evident he did, that her opinion of him was of no consequence, so long as his pretensions were sanctioned by Montoni, added indignation to the disgust which she had felt towards him. She was somewhat relieved by observing that Montoni was to be of the party, who seated himself on one side of her, while Morano placed himself on the other. There was a pause for some moments as the gondolieri prepared their oars, and Emily trembled from apprehension of the discourse that might follow this silence. At length she collected courage to break it herself, in the hope of preventing fine speeches from Morano, and reproof from Montoni. To some trivial remark which she made, the latter returned a short and disobliging reply; but Morano immediately followed with a general observation, which he contrived to end with a particular compliment, and, though Emily passed it without even the notice of a smile, he was not discouraged.

“I have been impatient,” said he, addressing Emily, “to express my gratitude; to thank you for your goodness; but I must also thank Signor Montoni, who has allowed me this opportunity of doing so.”

Emily regarded the Count with a look of mingled astonishment and displeasure.

“Why,” continued he, “should you wish to diminish the delight of this moment by that air of cruel reserve?—Why seek to throw me again into the perplexities of doubt, by teaching your eyes to contradict the kindness of your late declaration? You cannot doubt the sincerity, the ardour of my passion; it is therefore unnecessary, charming Emily! surely unnecessary, any longer to attempt a disguise of your sentiments.”

“If I ever had disguised them, sir,” said Emily, with recollected spirit, “it would certainly be unnecessary any longer to do so. I had hoped, sir, that you would have spared me any farther necessity of alluding to them; but, since you do not grant this, hear me declare, and for the last time, that your perseverance has deprived you even of the esteem, which I was inclined to believe you merited.”

“Astonishing!” exclaimed Montoni: “this is beyond even my expectation, though I have hitherto done justice to the caprice of the sex! But you will observe, Mademoiselle Emily, that I am no lover, though Count Morano is, and that I will not be made the amusement of your capricious moments. Here is the offer of an alliance, which would do honour to any family; yours, you will recollect, is not noble; you long resisted my remonstrances, but my honour is now engaged, and it shall not be trifled with.—You shall adhere to the declaration, which you have made me an agent to convey to the Count.”

“I must certainly mistake you, sir,” said Emily; “my answers on the subject have been uniform; it is unworthy of you to accuse me of caprice. If you have condescended to be my agent, it is an honour I did not solicit. I myself have constantly assured Count Morano, and you also, sir, that I never can accept the honour he offers me, and I now repeat the declaration.”

The Count looked with an air of surprise and enquiry at Montoni, whose countenance also was marked with surprise, but it was surprise mingled with indignation.

“Here is confidence, as well as caprice!” said the latter. “Will you deny your own words, Madam?”

“Such a question is unworthy of an answer, sir;” said Emily blushing; “you will recollect yourself, and be sorry that you have asked it.”

“Speak to the point,” rejoined Montoni, in a voice of increasing vehemence. “Will you deny your own words; will you deny, that you acknowledged, only a few hours ago, that it was too late to recede from your engagements, and that you accepted the Count’s hand?”

“I will deny all this, for no words of mine ever imported it.”

“Astonishing! Will you deny what you wrote to Mons. Quesnel, your uncle? If you do, your own hand will bear testimony against you. What have you now to say?” continued Montoni, observing the silence and confusion of Emily.

“I now perceive, sir, that you are under a very great error, and that I have been equally mistaken.”

“No more duplicity, I entreat; be open and candid, if it be possible.”

“I have always been so, sir; and can claim no merit in such conduct, for I have had nothing to conceal.”

“How is this, Signor?” cried Morano, with trembling emotion.

“Suspend your judgment, Count,” replied Montoni, “the wiles of a female heart are unsearchable. Now, Madame, your explanation.”

“Excuse me, sir, if I withhold my explanation till you appear willing to give me your confidence; assertion as present can only subject me to insult.”

“Your explanation, I entreat you!” said Morano.

“Well, well,” rejoined Montoni, “I give you my confidence; let us hear this explanation.”

“Let me lead to it then, by asking a question.”

“As many as you please,” said Montoni, contemptuously.

“What, then, was the subject of your letter to Mons. Quesnel?”

“The same that was the subject of your note to him, certainly. You did well to stipulate for my confidence before you demanded that question.”

“I must beg you will be more explicit, sir; what was that subject?”

“What could it be, but the noble offer of Count Morano,” said Montoni.

“Then, sir, we entirely misunderstood each other,” replied Emily.

“We entirely misunderstood each other too, I suppose,” rejoined Montoni, “in the conversation which preceded the writing of that note? I must do you the justice to own, that you are very ingenious at this same art of misunderstanding.”

Emily tried to restrain the tears that came to her eyes, and to answer with becoming firmness. “Allow me, sir, to explain myself fully, or to be wholly silent.”

“The explanation may now be dispensed with; it is anticipated. If Count Morano still thinks one necessary, I will give him an honest one: you have changed your intention since our last conversation; and, if he can have patience and humility enough to wait till tomorrow, he will probably find it changed again: but as I have neither the patience nor the humility, which you expect from a lover, I warn you of the effect of my displeasure!”

“Montoni, you are too precipitate,” said the Count, who had listened to this conversation in extreme agitation and impatience;—“Signora, I entreat your own explanation of this affair!”

“Signor Montoni has said justly,” replied Emily, “that all explanation may now be dispensed with; after what has passed I cannot suffer myself to give one. It is sufficient for me, and for you, sir, that I repeat my late declaration; let me hope this is the last time it will be necessary for me to repeat it—I never can accept the honour of your alliance.”

“Charming Emily!” exclaimed the Count in an impassioned tone, “let not resentment make you unjust; let me not suffer for the offence of Montoni!—Revoke—”

“Offence!” interrupted Montoni—“Count, this language is ridiculous, this submission is childish!—speak as becomes a man, not as the slave of a pretty tyrant.”

“You distract me, Signor; suffer me to plead my own cause; you have already proved insufficient to it.”

“All conversation on this subject, sir,” said Emily, “is worse than useless, since it can bring only pain to each of us: if you would oblige me, pursue it no farther.”

“It is impossible, Madam, that I can thus easily resign the object of a passion, which is the delight and torment of my life.—I must still love—still pursue you with unremitting ardour;—when you shall be convinced of the strength and constancy of my passion, your heart must soften into pity and repentance.”

“Is this generous, sir? is this manly? Can it either deserve or obtain the esteem you solicit, thus to continue a persecution from which I have no present means of escaping?”

A gleam of moonlight that fell upon Morano’s countenance, revealed the strong emotions of his soul; and, glancing on Montoni discovered the dark resentment, which contrasted his features.

“By Heaven this is too much!” suddenly exclaimed the Count; “Signor Montoni, you treat me ill; it is from you that I shall look for explanation.”

“From me, sir! you shall have it;” muttered Montoni, “if your discernment is indeed so far obscured by passion, as to make explanation necessary. And for you, madam, you should learn, that a man of honour is not to be trifled with, though you may, perhaps, with impunity, treat a boy like a puppet.”

This sarcasm roused the pride of Morano, and the resentment which he had felt at the indifference of Emily, being lost in indignation of the insolence of Montoni, he determined to mortify him, by defending her.

“This also,” said he, replying to Montoni’s last words, “this also, shall not pass unnoticed. I bid you learn, sir, that you have a stronger enemy than a woman to contend with: I will protect Signora St. Aubert from your threatened resentment. You have misled me, and would revenge your disappointed views upon the innocent.”

“Misled you!” retorted Montoni with quickness, “is my conduct—my word”—then pausing, while he seemed endeavouring to restrain the resentment, that flashed in his eyes, in the next moment he added, in a subdued voice, “Count Morano, this is a language, a sort of conduct to which I am not accustomed: it is the conduct of a passionate boy—as such, I pass it over in contempt.”

“In contempt, Signor?”

“The respect I owe myself,” rejoined Montoni, “requires, that I should converse more largely with you upon some points of the subject in dispute. Return with me to Venice, and I will condescend to convince you of your error.”

“Condescend, sir! but I will not condescend to be so conversed with.”

Montoni smiled contemptuously; and Emily, now terrified for the consequences of what she saw and heard, could no longer be silent. She explained the whole subject upon which she had mistaken Montoni in the morning, declaring, that she understood him to have consulted her solely concerning the disposal of La Vallée, and concluding with entreating, that he would write immediately to M. Quesnel, and rectify the mistake.

But Montoni either was, or affected to be, still incredulous; and Count Morano was still entangled in perplexity. While she was speaking, however, the attention of her auditors had been diverted from the immediate occasion of their resentment, and their passion consequently became less. Montoni desired the Count would order his servants to row back to Venice, that he might have some private conversation with him; and Morano, somewhat soothed by his softened voice and manner, and eager to examine into the full extent of his difficulties, complied.

Emily, comforted by this prospect of release, employed the present moments in endeavouring, with conciliating care, to prevent any fatal mischief between the persons who so lately had persecuted and insulted her.

Her spirits revived, when she heard once more the voice of song and laughter, resounding from the grand canal, and at length entered again between its stately piazzas. The zendaletto stopped at Montoni’s mansion, and the Count hastily led her into the hall, where Montoni took his arm, and said something in a low voice, on which Morano kissed the hand he held, notwithstanding Emily’s effort to disengage it, and, wishing her a good evening, with an accent and look she could not misunderstand, returned to his zendaletto with Montoni.

Emily, in her own apartment, considered with intense anxiety all the unjust and tyrannical conduct of Montoni, the dauntless perseverance of Morano, and her own desolate situation, removed from her friends and country. She looked in vain to Valancourt, confined by his profession to a distant kingdom, as her protector; but it gave her comfort to know, that there was, at least, one person in the world, who would sympathise in her afflictions, and whose wishes would fly eagerly to release her. Yet she determined not to give him unavailing pain by relating the reasons she had to regret the having rejected his better judgment concerning Montoni; reasons, however, which could not induce her to lament the delicacy and disinterested affection that had made her reject his proposal for a clandestine marriage. The approaching interview with her uncle she regarded with some degree of hope, for she determined to represent to him the distresses of her situation, and to entreat that he would allow her to return to France with him and Madame Quesnel. Then, suddenly remembering that her beloved La Vallée, her only home, was no longer at her command, her tears flowed anew, and she feared that she had little pity to expect from a man who, like M. Quesnel, could dispose of it without deigning to consult with her, and could dismiss an aged and faithful servant, destitute of either support or asylum. But, though it was certain, that she had herself no longer a home in France, and few, very few friends there, she determined to return, if possible, that she might be released from the power of Montoni, whose particularly oppressive conduct towards herself, and general character as to others, were justly terrible to her imagination. She had no wish to reside with her uncle, M. Quesnel, since his behaviour to her late father and to herself, had been uniformly such as to convince her, that in flying to him she could only obtain an exchange of oppressors; neither had she the slightest intention of consenting to the proposal of Valancourt for an immediate marriage, though this would give her a lawful and a generous protector, for the chief reasons, which had formerly influenced her conduct, still existed against it, while others, which seemed to justify the step, would not be done away; and his interest, his fame were at all times too dear to her, to suffer her to consent to a union, which, at this early period of their lives, would probably defeat both. One sure, and proper asylum, however, would still be open to her in France. She knew that she could board in the convent, where she had formerly experienced so much kindness, and which had an affecting and solemn claim upon her heart, since it contained the remains of her late father. Here she could remain in safety and tranquillity, till the term, for which La Vallée might be let, should expire; or, till the arrangement of M. Motteville’s affairs enabled her so far to estimate the remains of her fortune, as to judge whether it would be prudent for her to reside there.

Concerning Montoni’s conduct with respect to his letters to M. Quesnel, she had many doubts; however he might be at first mistaken on the subject, she much suspected that he wilfully persevered in his error, as a means of intimidating her into a compliance with his wishes of uniting her to Count Morano. Whether this was or was not the fact, she was extremely anxious to explain the affair to M. Quesnel, and looked forward with a mixture of impatience, hope and fear, to her approaching visit.

On the following day, Madame Montoni, being alone with Emily, introduced the mention of Count Morano, by expressing her surprise, that she had not joined the party on the water the preceding evening, and at her abrupt departure to Venice. Emily then related what had passed, expressed her concern for the mutual mistake that had occurred between Montoni and herself, and solicited her aunt’s kind offices in urging him to give a decisive denial to the count’s further addresses; but she soon perceived, that Madame Montoni had not been ignorant of the late conversation, when she introduced the present.

“You have no encouragement to expect from me,” said her aunt, “in these notions. I have already given my opinion on the subject, and think Signor Montoni right in enforcing, by any means, your consent. If young persons will be blind to their interest, and obstinately oppose it, why, the greatest blessings they can have are friends, who will oppose their folly. Pray what pretensions of any kind do you think you have to such a match as is now offered you?”

“Not any whatever, Madam,” replied Emily, “and, therefore, at least, suffer me to be happy in my humility.”

“Nay, niece, it cannot be denied, that you have pride enough; my poor brother, your father, had his share of pride too; though, let me add, his fortune did not justify it.”

Emily, somewhat embarrassed by the indignation, which this malevolent allusion to her father excited, and by the difficulty of rendering her answer as temperate as it should be reprehensive, hesitated for some moments, in a confusion, which highly gratified her aunt. At length she said, “My father’s pride, Madam, had a noble object—the happiness which he knew could be derived only from goodness, knowledge and charity. As it never consisted in his superiority, in point of fortune, to some persons, it was not humbled by his inferiority, in that respect, to others. He never disdained those, who were wretched by poverty and misfortune; he did sometimes despise persons, who, with many opportunities of happiness, rendered themselves miserable by vanity, ignorance and cruelty. I shall think it my highest glory to emulate such pride.”

“I do not pretend to understand anything of these high-flown sentiments, niece; you have all that glory to yourself: I would teach you a little plain sense, and not have you so wise as to despise happiness.”

“That would indeed not be wisdom, but folly,” said Emily, “for wisdom can boast no higher attainment than happiness; but you will allow, Madam, that our ideas of happiness may differ. I cannot doubt, that you wish me to be happy, but I must fear you are mistaken in the means of making me so.”

“I cannot boast of a learned education, niece, such as your father thought proper to give you, and, therefore, do not pretend to understand all these fine speeches about happiness. I must be contented to understand only common sense, and happy would it have been for you and your father, if that had been included in his education.”

Emily was too much shocked by these reflections on her father’s memory, to despise this speech as it deserved.

Madame Montoni was about to speak, but Emily quitted the room, and retired to her own, where the little spirit she had lately exerted yielded to grief and vexation, and left her only to her tears. From every review of her situation she could derive, indeed, only new sorrow. To the discovery, which had just been forced upon her, of Montoni’s unworthiness, she had now to add, that of the cruel vanity, for the gratification of which her aunt was about to sacrifice her; of the effrontery and cunning, with which, at the time that she meditated the sacrifice, she boasted of her tenderness, or insulted her victim; and of the venomous envy, which, as it did not scruple to attack her father’s character, could scarcely be expected to withhold from her own.

During the few days that intervened between this conversation and the departure for Miarenti, Montoni did not once address himself to Emily. His looks sufficiently declared his resentment; but that he should forbear to renew a mention of the subject of it, exceedingly surprised her, who was no less astonished, that, during three days, Count Morano neither visited Montoni, nor was named by him. Several conjectures arose in her mind. Sometimes she feared that the dispute between them had been revived, and had ended fatally to the Count. Sometimes she was inclined to hope, that weariness, or disgust at her firm rejection of his suit had induced him to relinquish it; and, at others, she suspected that he had now recourse to stratagem, and forbore his visits, and prevailed with Montoni to forbear the repetition of his name, in the expectation that gratitude and generosity would prevail with her to give him the consent, which he could not hope from love.

Thus passed the time in vain conjecture, and alternate hopes and fears, till the day arrived when Montoni was to set out for the villa of Miarenti, which, like the preceding ones, neither brought the Count, nor the mention of him.

Montoni having determined not to leave Venice, till towards evening, that he might avoid the heats, and catch the cool breezes of night, embarked about an hour before sunset, with his family, in a barge, for the Brenta. Emily sat alone near the stern of the vessel, and, as it floated slowly on, watched the gay and lofty city lessening from her view, till its palaces seemed to sink in the distant waves, while its loftier towers and domes, illumined by the declining sun, appeared on the horizon, like those far-seen clouds which, in more northern climes, often linger on the western verge, and catch the last light of a summer’s evening. Soon after, even these grew dim, and faded in distance from her sight; but she still sat gazing on the vast scene of cloudless sky, and mighty waters, and listening in pleasing awe to the deep-sounding waves, while, as her eyes glanced over the Adriatic, towards the opposite shores, which were, however, far beyond the reach of sight, she thought of Greece, and, a thousand classical remembrances stealing to her mind, she experienced that pensive luxury which is felt on viewing the scenes of ancient story, and on comparing their present state of silence and solitude with that of their former grandeur and animation. The scenes of the Illiad illapsed in glowing colours to her fancy—scenes, once the haunt of heroes—now lonely, and in ruins; but which still shone, in the poet’s strain, in all their youthful splendour.

As her imagination painted with melancholy touches, the deserted plains of Troy, such as they appeared in this after-day, she reanimated the landscape with the following little story.

STANZAS

O’er Ilion’s plains, where once the warrior bled, And once the poet rais’d his deathless strain, O’er Ilion’s plains a weary driver led His stately camels: For the ruin’d fane

Wide round the lonely scene his glance he threw, For now the red cloud faded in the west, And twilight o’er the silent landscape drew Her deep’ning veil; eastward his course he prest:

There, on the grey horizon’s glimm’ring bound, Rose the proud columns of deserted Troy, And wandering shepherds now a shelter found Within those walls, where princes wont to joy.

Beneath a lofty porch the driver pass’d, Then, from his camels heav’d the heavy load; Partook with them the simple, cool repast, And in short vesper gave himself to God.

From distant lands with merchandise he came, His all of wealth his patient servants bore; Oft deep-drawn sighs his anxious wish proclaim To reach, again, his happy cottage door;

For there, his wife, his little children, dwell; Their smiles shall pay the toil of many an hour: Ev’n now warm tears to expectation swell, As fancy o’er his mind extends her pow’r.

A death-like stillness reign’d, where once the song, The song of heroes, wak’d the midnight air, Save, when a solemn murmur roll’d along, That seem’d to say—“for future worlds prepare.”

For Time’s imperious voice was frequent heard Shaking the marble temple to its fall, (By hands he long had conquer’d, vainly rear’d), And distant ruins answer’d to his call.

While Hamet slept, his camels round him lay, Beneath him, all his store of wealth was piled; And here, his cruse and empty wallet lay, And there, the flute that chear’d him in the wild.

The robber Tartar on his slumber stole, For o’er the waste, at eve, he watch’d his train; Ah! who his thirst of plunder shall control? Who calls on him for mercy—calls in vain!

A poison’d poignard in his belt he wore, A crescent sword depended at his side, The deathful quiver at his back he bore, And infants—at his very look had died!

The moon’s cold beam athwart the temple fell, And to his sleeping prey the Tartar led; But soft!—a startled camel shook his bell, Then stretch’d his limbs, and rear’d his drowsy head.

Hamet awoke! the poignard glitter’d high! Swift from his couch he sprung, and ’scap’d the blow; When from an unknown hand the arrows fly, That lay the ruffian, in his vengeance, low.

He groan’d, he died! from forth a column’d gate A fearful shepherd, pale and silent, crept, Who, as he watch’d his folded flock star-late, Had mark’d the robber steal where Hamet slept.

He fear’d his own, and sav’d a stranger’s life! Poor Hamet clasp’d him to his grateful heart; Then, rous’d his camels for the dusty strife, And, with the shepherd, hasten’d to depart.

And now, aurora breathes her fresh’ning gale, And faintly trembles on the eastern cloud; And now, the sun, from under twilight’s veil, Looks gaily forth, and melts her airy shroud.

Wide o’er the level plains, his slanting beams Dart their long lines on Ilion’s tower’d site; The distant Hellespont with morning gleams, And old Scamander winds his waves in light.

All merry sound the camel bells, so gay, And merry beats fond Hamet’s heart, for he, E’er the dim evening steals upon the day, His children, wife and happy home shall see.

As Emily approached the shores of Italy she began to discriminate the rich features and varied colouring of the landscape—the purple hills, groves of orange pine and cypress, shading magnificent villas, and towns rising among vineyards and plantations. The noble Brenta, pouring its broad waves into the sea, now appeared, and, when she reached its mouth, the barge stopped, that the horses might be fastened which were now to tow it up the stream. This done, Emily gave a last look to the Adriatic, and to the dim sail,

that from the sky-mix’d wave Dawns on the sight,

and the barge slowly glided between the green and luxuriant slopes of the river. The grandeur of the Palladian villas, that adorn these shores, was considerably heightened by the setting rays, which threw strong contrasts of light and shade upon the porticos and long arcades, and beamed a mellow lustre upon the orangeries and the tall groves of pine and cypress, that overhung the buildings. The scent of oranges, of flowering myrtles, and other odoriferous plants was diffused upon the air, and often, from these embowered retreats, a strain of music stole on the calm, and “softened into silence.”

The sun now sunk below the horizon, twilight fell over the landscape, and Emily, wrapt in musing silence, continued to watch its features gradually vanishing into obscurity. She remembered her many happy evenings, when with St. Aubert she had observed the shades of twilight steal over a scene as beautiful as this, from the gardens of La Vallée, and a tear fell to the memory of her father. Her spirits were softened into melancholy by the influence of the hour, by the low murmur of the wave passing under the vessel, and the stillness of the air, that trembled only at intervals with distant music:—why else should she, at these moments, have looked on her attachment to Valancourt with presages so very afflicting, since she had but lately received letters from him, that had soothed for a while all her anxieties? It now seemed to her oppressed mind, that she had taken leave of him for ever, and that the countries, which separated them, would never more be retraced by her. She looked upon Count Morano with horror, as in some degree the cause of this; but apart from him, a conviction, if such that may be called, which arises from no proof, and which she knew not how to account for, seized her mind—that she should never see Valancourt again. Though she knew, that neither Morano’s solicitations, nor Montoni’s commands had lawful power to enforce her obedience, she regarded both with a superstitious dread, that they would finally prevail.

Lost in this melancholy reverie, and shedding frequent tears, Emily was at length roused by Montoni, and she followed him to the cabin, where refreshments were spread, and her aunt was seated alone. The countenance of Madame Montoni was inflamed with resentment, that appeared to be the consequence of some conversation she had held with her husband, who regarded her with a kind of sullen disdain, and both preserved, for some time, a haughty silence. Montoni then spoke to Emily of Mons. Quesnel: “You will not, I hope, persist in disclaiming your knowledge of the subject of my letter to him?”

“I had hoped, sir, that it was no longer necessary for me to disclaim it,” said Emily, “I had hoped, from your silence, that you were convinced of your error.”

“You have hoped impossibilities then,” replied Montoni; “I might as reasonably have expected to find sincerity and uniformity of conduct in one of your sex, as you to convict me of error in this affair.”

Emily blushed, and was silent; she now perceived too clearly, that she had hoped an impossibility, for, where no mistake had been committed no conviction could follow; and it was evident, that Montoni’s conduct had not been the consequence of mistake, but of design.

Anxious to escape from conversation, which was both afflicting and humiliating to her, she soon returned to the deck, and resumed her station near the stern, without apprehension of cold, for no vapour rose from the water, and the air was dry and tranquil; here, at least, the benevolence of nature allowed her the quiet which Montoni had denied her elsewhere. It was now past midnight. The stars shed a kind of twilight, that served to show the dark outline of the shores on either hand, and the grey surface of the river; till the moon rose from behind a high palm grove, and shed her mellow lustre over the scene. The vessel glided smoothly on: amid the stillness of the hour Emily heard, now and then, the solitary voice of the barge-men on the bank, as they spoke to their horses; while, from a remote part of the vessel, with melancholy song,

The sailor sooth’d, Beneath the trembling moon, the midnight wave.

Emily, meanwhile, anticipated her reception by Mons, and Madame Quesnel; considered what she should say on the subject of La Vallée; and then, to withhold her mind from more anxious topics, tried to amuse herself by discriminating the faint-drawn features of the landscape, reposing in the moonlight. While her fancy thus wandered, she saw, at a distance, a building peeping between the moonlight trees, and, as the barge approached, heard voices speaking, and soon distinguished the lofty portico of a villa, overshadowed by groves of pine and sycamore, which she recollected to be the same, that had formerly been pointed out to her, as belonging to Madame Quesnel’s relative.

The barge stopped at a flight of marble steps, which led up the bank to a lawn. Lights appeared between some pillars beyond the portico. Montoni sent forward his servant, and then disembarked with his family. They found Mons. and Madame Quesnel, with a few friends, seated on sofas in the portico, enjoying the cool breeze of the night, and eating fruits and ices, while some of their servants at a little distance, on the river’s bank, were performing a simple serenade. Emily was now accustomed to the way of living in this warm country, and was not surprised to find Mons. and Madame Quesnel in their portico, two hours after midnight.

The usual salutations being over, the company seated themselves in the portico, and refreshments were brought them from the adjoining hall, where a banquet was spread, and servants attended. When the bustle of this meeting had subsided, and Emily had recovered from the little flutter into which it had thrown her spirits, she was struck with the singular beauty of the hall, so perfectly accommodated to the luxuries of the season. It was of white marble, and the roof, rising into an open cupola, was supported by columns of the same material. Two opposite sides of the apartment, terminating in open porticos, admitted to the hall a full view of the gardens, and of the river scenery; in the centre a fountain continually refreshed the air, and seemed to heighten the fragrance, that breathed from the surrounding orangeries, while its dashing waters gave an agreeable and soothing sound. Etruscan lamps, suspended from the pillars, diffused a brilliant light over the interior part of the hall, leaving the remoter porticos to the softer lustre of the moon.

Mons. Quesnel talked apart to Montoni of his own affairs, in his usual strain of self-importance; boasted of his new acquisitions, and then affected to pity some disappointments, which Montoni had lately sustained. Meanwhile, the latter, whose pride at least enabled him to despise such vanity as this, and whose discernment at once detected under this assumed pity, the frivolous malignity of Quesnel’s mind, listened to him in contemptuous silence, till he named his niece, and then they left the portico, and walked away into the gardens.

Emily, however, still attended to Madame Quesnel, who spoke of France (for even the name of her native country was dear to her) and she found some pleasure in looking at a person, who had lately been in it. That country, too, was inhabited by Valancourt, and she listened to the mention of it, with a faint hope, that he also would be named. Madame Quesnel, who, when she was in France, had talked with rapture of Italy, now, that she was in Italy, talked with equal praise of France, and endeavoured to excite the wonder and the envy of her auditors by accounts of places, which they had not been happy enough to see. In these descriptions she not only imposed upon them, but upon herself, for she never thought a present pleasure equal to one, that was passed; and thus the delicious climate, the fragrant orangeries and all the luxuries, which surrounded her, slept unnoticed, while her fancy wandered over the distant scenes of a northern country.

Emily listened in vain for the name of Valancourt. Madame Montoni spoke in her turn of the delights of Venice, and of the pleasure she expected from visiting the fine castle of Montoni, on the Apennine; which latter mention, at least, was merely a retaliating boast, for Emily well knew, that her aunt had no taste for solitary grandeur, and, particularly, for such as the castle of Udolpho promised. Thus the party continued to converse, and, as far as civility would permit, to torture each other by mutual boasts, while they reclined on sofas in the portico, and were environed with delights both from nature and art, by which any honest minds would have been tempered to benevolence, and happy imaginations would have been soothed into enchantment.

The dawn, soon after, trembled in the eastern horizon, and the light tints of morning, gradually expanding, showed the beautifully declining forms of the Italian mountains and the gleaming landscapes, stretched at their feet. Then the sunbeams, shooting up from behind the hills, spread over the scene that fine saffron tinge, which seems to impart repose to all it touches. The landscape no longer gleamed; all its glowing colours were revealed, except that its remoter features were still softened and united in the mist of distance, whose sweet effect was heightened to Emily by the dark verdure of the pines and cypresses, that over-arched the foreground of the river.

The market people, passing with their boats to Venice, now formed a moving picture on the Brenta. Most of these had little painted awnings, to shelter their owners from the sunbeams, which, together with the piles of fruit and flowers, displayed beneath, and the tasteful simplicity of the peasant girls, who watched the rural treasures, rendered them gay and striking objects. The swift movement of the boats down the current, the quick glance of oars in the water, and now and then the passing chorus of peasants, who reclined under the sail of their little bark, or the tones of some rustic instrument, played by a girl, as she sat near her sylvan cargo, heightened the animation and festivity of the scene.

When Montoni and M. Quesnel had joined the ladies, the party left the portico for the gardens, where the charming scenery soon withdrew Emily’s thoughts from painful subjects. The majestic forms and rich verdure of cypresses she had never seen so perfect before: groves of cedar, lemon, and orange, the spiry clusters of the pine and poplar, the luxuriant chesnut and oriental plane, threw all their pomp of shade over these gardens; while bowers of flowering myrtle and other spicy shrubs mingled their fragrance with that of flowers, whose vivid and various colouring glowed with increased effect beneath the contrasted umbrage of the groves. The air also was continually refreshed by rivulets, which, with more taste than fashion, had been suffered to wander among the green recesses.

Emily often lingered behind the party, to contemplate the distant landscape, that closed a vista, or that gleamed beneath the dark foliage of the foreground;—the spiral summits of the mountains, touched with a purple tint, broken and steep above, but shelving gradually to their base; the open valley, marked by no formal lines of art; and the tall groves of cypress, pine and poplar, sometimes embellished by a ruined villa, whose broken columns appeared between the branches of a pine, that seemed to droop over their fall.

From other parts of the gardens, the character of the view was entirely changed, and the fine solitary beauty of the landscape shifted for the crowded features and varied colouring of inhabitation.

The sun was now gaining fast upon the sky, and the party quitted the gardens, and retired to repose.

Chapter IV

And poor Misfortune feels the lash of Vice. THOMSON

Emily seized the first opportunity of conversing alone with Mons. Quesnel, concerning La Vallée. His answers to her enquiries were concise, and delivered with the air of a man, who is conscious of possessing absolute power and impatient of hearing it questioned. He declared, that the disposal of the place was a necessary measure; and that she might consider herself indebted to his prudence for even the small income that remained for her. “But, however,” added he, “when this Venetian Count (I have forgot his name) marries you, your present disagreeable state of dependence will cease. As a relation to you I rejoice in the circumstance, which is so fortunate for you, and, I may add, so unexpected by your friends.” For some moments Emily was chilled into silence by this speech; and, when she attempted to undeceive him, concerning the purport of the note she had inclosed in Montoni’s letter, he appeared to have some private reason for disbelieving her assertion, and, for a considerable time, persevered in accusing her of capricious conduct. Being, at length, however, convinced that she really disliked Morano and had positively rejected his suit, his resentment was extravagant, and he expressed it in terms equally pointed and inhuman; for, secretly flattered by the prospect of a connection with a nobleman, whose title he had affected to forget, he was incapable of feeling pity for whatever sufferings of his niece might stand in the way of his ambition.

Emily saw at once in his manner all the difficulties, that awaited her, and, though no oppression could have power to make her renounce Valancourt for Morano, her fortitude now trembled at an encounter with the violent passions of her uncle.

She opposed his turbulence and indignation only by the mild dignity of a superior mind; but the gentle firmness of her conduct served to exasperate still more his resentment, since it compelled him to feel his own inferiority, and, when he left her, he declared, that, if she persisted in her folly, both himself and Montoni would abandon her to the contempt of the world.

The calmness she had assumed in his presence failed Emily, when alone, and she wept bitterly, and called frequently upon the name of her departed father, whose advice to her from his death-bed she then remembered. “Alas!” said she, “I do indeed perceive how much more valuable is the strength of fortitude than the grace of sensibility, and I will also endeavour to fulfil the promise I then made; I will not indulge in unavailing lamentation, but will try to endure, with firmness, the oppression I cannot elude.”

Somewhat soothed by the consciousness of performing a part of St. Aubert’s last request, and of endeavouring to pursue the conduct which he would have approved, she overcame her tears, and, when the company met at dinner, had recovered her usual serenity of countenance.

In the cool of the evening, the ladies took the fresco along the bank of the Brenta in Madame Quesnel’s carriage. The state of Emily’s mind was in melancholy contrast with the gay groups assembled beneath the shades that overhung this enchanting stream. Some were dancing under the trees, and others reclining on the grass, taking ices and coffee and calmly enjoying the effect of a beautiful evening, on a luxuriant landscape. Emily, when she looked at the snow-capped Apennines, ascending in the distance, thought of Montoni’s castle, and suffered some terror, lest he should convey her thither, for the purpose of enforcing her obedience; but the thought vanished, when she considered, that she was as much in his power at Venice as she could be elsewhere.

It was moonlight before the party returned to the villa, where supper was spread in the airy hall, which had so much enchanted Emily’s fancy, on the preceding night. The ladies seated themselves in the portico, till Mons. Quesnel, Montoni, and other gentlemen should join them at table, and Emily endeavoured to resign herself to the tranquillity of the hour. Presently, a barge stopped at the steps that led into the gardens, and, soon after, she distinguished the voices of Montoni and Quesnel, and then that of Morano, who, in the next moment, appeared. His compliments she received in silence, and her cold air seemed at first to discompose him; but he soon recovered his usual gaiety of manner, though the officious kindness of M. and Madame Quesnel Emily perceived disgusted him. Such a degree of attention she had scarcely believed could be shown by M. Quesnel, for she had never before seen him otherwise than in the presence of his inferiors or equals.

When she could retire to her own apartment, her mind almost involuntarily dwelt on the most probable means of prevailing with the Count to withdraw his suit, and to her liberal mind none appeared more probable, than that of acknowledging to him a prior attachment and throwing herself upon his generosity for a release. When, however, on the following day, he renewed his addresses, she shrunk from the adoption of the plan she had formed. There was something so repugnant to her just pride, in laying open the secret of her heart to such a man as Morano, and in suing to him for compassion, that she impatiently rejected this design and wondered, that she could have paused upon it for a moment. The rejection of his suit she repeated in the most decisive terms she could select, mingling with it a severe censure of his conduct; but, though the Count appeared mortified by this, he persevered in the most ardent professions of admiration, till he was interrupted and Emily released by the presence of Madame Quesnel.

During her stay at this pleasant villa, Emily was thus rendered miserable by the assiduities of Morano, together with the cruelly exerted authority of M. Quesnel and Montoni, who, with her aunt, seemed now more resolutely determined upon this marriage than they had even appeared to be at Venice. M. Quesnel, finding, that both argument and menace were ineffectual in enforcing an immediate conclusion to it, at length relinquished his endeavours, and trusted to the power of Montoni and to the course of events at Venice. Emily, indeed, looked to Venice with hope, for there she would be relieved in some measure from the persecution of Morano, who would no longer be an inhabitant of the same house with herself, and from that of Montoni, whose engagements would not permit him to be continually at home. But amidst the pressure of her own misfortunes, she did not forget those of poor Theresa, for whom she pleaded with courageous tenderness to Quesnel, who promised, in slight and general terms, that she should not be forgotten.

Montoni, in a long conversation with M. Quesnel, arranged the plan to be pursued respecting Emily, and M. Quesnel proposed to be at Venice, as soon as he should be informed, that the nuptials were concluded.

It was new to Emily to part with any person, with whom she was connected, without feeling of regret; the moment, however, in which she took leave of M. and Madame Quesnel, was, perhaps, the only satisfactory one she had known in their presence.

Morano returned in Montoni’s barge, and Emily, as she watched her gradual approach to that magic city, saw at her side the only person, who occasioned her to view it with less than perfect delight. They arrived there about midnight, when Emily was released from the presence of the Count, who, with Montoni, went to a Casino, and she was suffered to retire to her own apartment.

On the following day, Montoni, in a short conversation, which he held with Emily, informed her, that he would no longer be trifled with, and that, since her marriage with the Count would be so highly advantageous to her, that folly only could object to it, and folly of such extent as was incapable of conviction, it should be celebrated without further delay, and, if that was necessary, without her consent.

Emily, who had hitherto tried remonstrance, had now recourse to supplication, for distress prevented her from foreseeing, that, with a man of Montoni’s disposition, supplication would be equally useless. She afterwards enquired by what right he exerted this unlimited authority over her, a question, which her better judgment would have withheld her, in a calmer moment, from making, since it could avail her nothing, and would afford Montoni another opportunity of triumphing over her defenceless condition.

“By what right!” cried Montoni, with a malicious smile, “by the right of my will; if you can elude that, I will not inquire by what right you do so. I now remind you, for the last time, that you are a stranger, in a foreign country, and that it is your interest to make me your friend; you know the means; if you compel me to become your enemy—I will venture to tell you, that the punishment shall exceed your expectation. You may know I am not to be trifled with.”

Emily continued, for some time after Montoni had left her, in a state of despair, or rather stupefaction; a consciousness of misery was all that remained in her mind. In this situation Madame Montoni found her, at the sound of whose voice Emily looked up, and her aunt, somewhat softened by the expression of despair, that fixed her countenance, spoke in a manner more kind than she had ever yet done. Emily’s heart was touched; she shed tears, and, after weeping for some time, recovered sufficient composure to speak on the subject of her distress, and to endeavour to interest Madame Montoni in her behalf. But, though the compassion of her aunt had been surprised, her ambition was not to be overcome, and her present object was to be the aunt of a Countess. Emily’s efforts, therefore, were as unsuccessful as they had been with Montoni, and she withdrew to her apartment to think and weep alone. How often did she remember the parting scene with Valancourt, and wish, that the Italian had mentioned Montoni’s character with less reserve! When her mind, however, had recovered from the first shock of this behaviour, she considered, that it would be impossible for him to compel her alliance with Morano, if she persisted in refusing to repeat any part of the marriage ceremony; and she persevered in her resolution to await Montoni’s threatened vengeance rather than give herself for life to a man, whom she must have despised for his present conduct, had she never even loved Valancourt; yet she trembled at the revenge she thus resolved to brave.

An affair, however, soon after occurred, which somewhat called off Montoni’s attention from Emily. The mysterious visits of Orsino were renewed with more frequency since the return of the former to Venice. There were others, also, besides Orsino, admitted to these midnight councils, and among them Cavigni and Verezzi. Montoni became more reserved and austere in his manner than ever; and Emily, if her own interests had not made her regardless of his, might have perceived, that something extraordinary was working in his mind.

One night, on which a council was not held, Orsino came in great agitation of spirits, and dispatched his confidential servant to Montoni, who was at a Casino, desiring that he would return home immediately; but charging the servant not to mention his name. Montoni obeyed the summons, and, on meeting Orsino, was informed of the circumstances, that occasioned his visit and his visible alarm, with a part of which he was already acquainted.

A Venetian nobleman, who had, on some late occasion, provoked the hatred of Orsino, had been way-laid and poniarded by hired assassins: and, as the murdered person was of the first connections, the Senate had taken up the affair. One of the assassins was now apprehended, who had confessed, that Orsino was his employer in the atrocious deed; and the latter, informed of his danger, had now come to Montoni to consult on the measures necessary to favour his escape. He knew, that, at this time, the officers of the police were upon the watch for him, all over the city; to leave it, at present, therefore, was impracticable, and Montoni consented to secrete him for a few days till the vigilance of justice should relax, and then to assist him in quitting Venice. He knew the danger he himself incurred by permitting Orsino to remain in his house, but such was the nature of his obligations to this man, that he did not think it prudent to refuse him an asylum.

Such was the person whom Montoni had admitted to his confidence, and for whom he felt as much friendship as was compatible with his character.

While Orsino remained concealed in his house, Montoni was unwilling to attract public observation by the nuptials of Count Morano; but this obstacle was, in a few days, overcome by the departure of his criminal visitor, and he then informed Emily, that her marriage was to be celebrated on the following morning. To her repeated assurances, that it should not take place, he replied only by a malignant smile; and, telling her that the Count and a priest would be at his house, early in the morning, he advised her no further to dare his resentment, by opposition to his will and to her own interest. “I am now going out for the evening,” said he, “remember, that I shall give your hand to Count Morano in the morning.” Emily, having, ever since his late threats, expected, that her trials would at length arrive to this crisis, was less shocked by the declaration, that she otherwise would have been, and she endeavoured to support herself by the belief, that the marriage could not be valid, so long as she refused before the priest to repeat any part of the ceremony. Yet, as the moment of trial approached, her long-harassed spirits shrunk almost equally from the encounter of his vengeance, and from the hand of Count Morano. She was not even perfectly certain of the consequence of her steady refusal at the altar, and she trembled, more than ever, at the power of Montoni, which seemed unlimited as his will, for she saw, that he would not scruple to transgress any law, if, by so doing, he could accomplish his project.

While her mind was thus suffering and in a state little short of distraction, she was informed that Morano asked permission to see her, and the servant had scarcely departed with an excuse, before she repented that she had sent one. In the next moment, reverting to her former design, and determining to try, whether expostulation and entreaty would not succeed, where a refusal and a just disdain had failed, she recalled the servant, and, sending a different message, prepared to go down to the Count.

The dignity and assumed composure with which she met him, and the kind of pensive resignation, that softened her countenance, were circumstances not likely to induce him to relinquish her, serving, as they did, to heighten a passion, which had already intoxicated his judgment. He listened to all she said with an appearance of complacency and of a wish to oblige her; but his resolution remained invariably the same, and he endeavoured to win her admiration by every insinuating art he so well knew how to practise. Being, at length, assured, that she had nothing to hope from his justice, she repeated, in a solemn and impressive manner, her absolute rejection of his suit, and quitted him with an assurance, that her refusal would be effectually maintained against every circumstance, that could be imagined for subduing it. A just pride had restrained her tears in his presence, but now they flowed from the fulness of her heart. She often called upon the name of her late father, and often dwelt with unutterable anguish on the idea of Valancourt.

She did not go down to supper, but remained alone in her apartment, sometimes yielding to the influence of grief and terror, and, at others, endeavouring to fortify her mind against them, and to prepare herself to meet, with composed courage, the scene of the following morning, when all the stratagem of Morano and the violence of Montoni would be united against her.

The evening was far advanced, when Madame Montoni came to her chamber with some bridal ornaments, which the Count had sent to Emily. She had, this day, purposely avoided her niece; perhaps, because her usual insensibility failed her, and she feared to trust herself with a view of Emily’s distress; or possibly, though her conscience was seldom audible, it now reproached her with her conduct to her brother’s orphan child, whose happiness had been entrusted to her care by a dying father.

Emily could not look at these presents, and made a last, though almost hopeless, effort to interest the compassion of Madame Montoni, who, if she did feel any degree of pity, or remorse, successfully concealed it, and reproached her niece with folly in being miserable, concerning a marriage, which ought only to make her happy. “I am sure,” said she, “if I was unmarried, and the Count had proposed to me, I should have been flattered by the distinction: and if I should have been so, I am sure, niece, you, who have no fortune, ought to feel yourself highly honoured, and show a proper gratitude and humility towards the Count, for his condescension. I am often surprised, I must own, to observe how humbly he deports himself to you, notwithstanding the haughty airs you give yourself; I wonder he has patience to humour you so: if I was he, I know, I should often be ready to reprehend you, and make you know yourself a little better. I would not have flattered you, I can tell you, for it is this absurd flattery that makes you fancy yourself of so much consequence, that you think nobody can deserve you, and I often tell the Count so, for I have no patience to hear him pay you such extravagant compliments, which you believe every word of!”

“Your patience, madam, cannot suffer more cruelly on such occasions, than my own,” said Emily.

“O! that is all mere affectation,” rejoined her aunt. “I know that his flattery delights you, and makes you so vain, that you think you may have the whole world at your feet. But you are very much mistaken; I can assure you, niece, you will not meet with many such suitors as the Count: every other person would have turned upon his heel, and left you to repent at your leisure, long ago.”

“O that the Count had resembled every other person, then!” said Emily, with a heavy sigh.

“It is happy for you, that he does not,” rejoined Madame Montoni; “and what I am now saying is from pure kindness. I am endeavouring to convince you of your good fortune, and to persuade you to submit to necessity with a good grace. It is nothing to me, you know, whether you like this marriage or not, for it must be; what I say, therefore, is from pure kindness. I wish to see you happy, and it is your own fault if you are not so. I would ask you, now, seriously and calmly, what kind of a match you can expect, since a Count cannot content your ambition?”

“I have no ambition whatever, madam,” replied Emily, “my only wish is to remain in my present station.”

“O! that is speaking quite from the purpose,” said her aunt, “I see you are still thinking of Mons. Valancourt. Pray get rid of all those fantastic notions about love, and this ridiculous pride, and be something like a reasonable creature. But, however, this is nothing to the purpose—for your marriage with the Count takes place tomorrow, you know, whether you approve it or not. The Count will be trifled with no longer.”

Emily made no attempt to reply to this curious speech; she felt it would be mean, and she knew it would be useless. Madame Montoni laid the Count’s presents upon the table, on which Emily was leaning, and then, desiring she would be ready early in the morning, bade her good-night. “Good-night, madam,” said Emily, with a deep sigh, as the door closed upon her aunt, and she was left once more to her own sad reflections. For some time she sat so lost in thought, as to be wholly unconscious where she was; at length, raising her head, and looking round the room, its gloom and profound stillness awed her. She fixed her eyes on the door, through which her aunt had disappeared, and listened anxiously for some sound, that might relieve the deep dejection of her spirits; but it was past midnight, and all the family except the servant, who sat up for Montoni, had retired to bed. Her mind, long harassed by distress, now yielded to imaginary terrors; she trembled to look into the obscurity of her spacious chamber, and feared she knew not what; a state of mind, which continued so long, that she would have called up Annette, her aunt’s woman, had her fears permitted her to rise from her chair, and to cross the apartment.

These melancholy illusions at length began to disperse, and she retired to her bed, not to sleep, for that was scarcely possible, but to try, at least, to quiet her disturbed fancy, and to collect strength of spirits sufficient to bear her through the scene of the approaching morning.

Chapter V

Dark power! with shudd’ring, meek submitted thought Be mine to read the visions old Which thy awak’ning bards have told, And, lest they meet my blasted view, Hold each strange tale devoutly true. COLLINS’ ODE TO FEAR

Emily was recalled from a kind of slumber, into which she had, at length, sunk, by a quick knocking at her chamber door. She started up in terror, for Montoni and Count Morano instantly came to her mind; but, having listened in silence for some time, and recognising the voice of Annette, she rose and opened the door. “What brings you hither so early?” said Emily, trembling excessively. She was unable to support herself, and sat down on the bed.

“Dear ma’amselle!” said Annette, “do not look so pale. I am quite frightened to see you. Here is a fine bustle below stairs, all the servants running to and fro, and none of them fast enough! Here is a bustle, indeed, all of a sudden, and nobody knows for what!”

“Who is below besides them?” said Emily, “Annette, do not trifle with me!”

“Not for the world, ma’amselle, I would not trifle for the world; but one cannot help making one’s remarks, and there is the Signor in such a bustle, as I never saw him before; and he has sent me to tell you, ma’am, to get ready immediately.”

“Good God support me!” cried Emily, almost fainting, “Count Morano is below, then!”

“No, ma’amselle, he is not below that I know of,” replied Annette, “only his Excellenza sent me to desire you would get ready directly to leave Venice, for that the gondolas would be at the steps of the canal in a few minutes: but I must hurry back to my lady, who is just at her wits’ end, and knows not which way to turn for haste.”

“Explain, Annette, explain the meaning of all this before you go,” said Emily, so overcome with surprise and timid hope, that she had scarcely breath to speak.

“Nay, ma’amselle, that is more than I can do. I only know that the Signor is just come home in a very ill humour, that he has had us all called out of our beds, and tells us we are all to leave Venice immediately.”

“Is Count Morano to go with the Signor?” said Emily, “and whither are we going?”

“I know neither, ma’am, for certain; but I heard Ludovico say something about going, after we get to Terra-firma, to the signor’s castle among some mountains, that he talked of.”

“The Apennines!” said Emily, eagerly, “O! then I have little to hope!”

“That is the very place, ma’am. But cheer up, and do not take it so much to heart, and think what a little time you have to get ready in, and how impatient the Signor is. Holy St. Mark! I hear the oars on the canal; and now they come nearer, and now they are dashing at the steps below; it is the gondola, sure enough.”

Annette hastened from the room; and Emily prepared for this unexpected flight, as fast as her trembling hands would permit, not perceiving, that any change in her situation could possibly be for the worse. She had scarcely thrown her books and clothes into her travelling trunk, when, receiving a second summons, she went down to her aunt’s dressing-room, where she found Montoni impatiently reproving his wife for delay. He went out, soon after, to give some further orders to his people, and Emily then enquired the occasion of this hasty journey; but her aunt appeared to be as ignorant as herself, and to undertake the journey with more reluctance.

The family at length embarked, but neither Count Morano, nor Cavigni, was of the party. Somewhat revived by observing this, Emily, when the gondolieri dashed their oars in the water, and put off from the steps of the portico, felt like a criminal, who receives a short reprieve. Her heart beat yet lighter, when they emerged from the canal into the ocean, and lighter still, when they skimmed past the walls of St. Mark, without having stopped to take up Count Morano.

The dawn now began to tint the horizon, and to break upon the shores of the Adriatic. Emily did not venture to ask any questions of Montoni, who sat, for some time, in gloomy silence, and then rolled himself up in his cloak, as if to sleep, while Madame Montoni did the same; but Emily, who could not sleep, undrew one of the little curtains of the gondola, and looked out upon the sea. The rising dawn now enlightened the mountain-tops of Friuli, but their lower sides, and the distant waves, that rolled at their feet, were still in deep shadow. Emily, sunk in tranquil melancholy, watched the strengthening light spreading upon the ocean, showing successively Venice and her islets, and the shores of Italy, along which boats, with their pointed latin sails, began to move.

The gondolieri were frequently hailed, at this early hour, by the market-people, as they glided by towards Venice, and the lagune soon displayed a gay scene of innumerable little barks, passing from Terra-firma with provisions. Emily gave a last look to that splendid city, but her mind was then occupied by considering the probable events, that awaited her, in the scenes, to which she was removing, and with conjectures, concerning the motive of this sudden journey. It appeared, upon calmer consideration, that Montoni was removing her to his secluded castle, because he could there, with more probability of success, attempt to terrify her into obedience; or, that, should its gloomy and sequestered scenes fail of this effect, her forced marriage with the Count could there be solemnized with the secrecy, which was necessary to the honour of Montoni. The little spirit, which this reprieve had recalled, now began to fail, and, when Emily reached the shore, her mind had sunk into all its former depression.

Montoni did not embark on the Brenta, but pursued his way in carriages across the country, towards the Apennine; during which journey, his manner to Emily was so particularly severe, that this alone would have confirmed her late conjecture, had any such confirmation been necessary. Her senses were now dead to the beautiful country, through which she travelled. Sometimes she was compelled to smile at the naïveté of Annette, in her remarks on what she saw, and sometimes to sigh, as a scene of peculiar beauty recalled Valancourt to her thoughts, who was indeed seldom absent from them, and of whom she could never hope to hear in the solitude, to which she was hastening.

At length, the travellers began to ascend among the Apennines. The immense pine-forests, which, at that period, overhung these mountains, and between which the road wound, excluded all view but of the cliffs aspiring above, except, that, now and then, an opening through the dark woods allowed the eye a momentary glimpse of the country below. The gloom of these shades, their solitary silence, except when the breeze swept over their summits, the tremendous precipices of the mountains, that came partially to the eye, each assisted to raise the solemnity of Emily’s feelings into awe; she saw only images of gloomy grandeur, or of dreadful sublimity, around her; other images, equally gloomy and equally terrible, gleamed on her imagination. She was going she scarcely knew whither, under the dominion of a person, from whose arbitrary disposition she had already suffered so much, to marry, perhaps, a man who possessed neither her affection, nor esteem; or to endure, beyond the hope of succour, whatever punishment revenge, and that Italian revenge, might dictate.—The more she considered what might be the motive of the journey, the more she became convinced, that it was for the purpose of concluding her nuptials with Count Morano, with that secrecy, which her resolute resistance had made necessary to the honour, if not to the safety, of Montoni. From the deep solitudes, into which she was emerging, and from the gloomy castle, of which she had heard some mysterious hints, her sick heart recoiled in despair, and she experienced, that, though her mind was already occupied by peculiar distress, it was still alive to the influence of new and local circumstance; why else did she shudder at the idea of this desolate castle?

As the travellers still ascended among the pine forests, steep rose over steep, the mountains seemed to multiply, as they went, and what was the summit of one eminence proved to be only the base of another. At length, they reached a little plain, where the drivers stopped to rest the mules, whence a scene of such extent and magnificence opened below, as drew even from Madame Montoni a note of admiration. Emily lost, for a moment, her sorrows, in the immensity of nature. Beyond the amphitheatre of mountains, that stretched below, whose tops appeared as numerous almost, as the waves of the sea, and whose feet were concealed by the forests—extended the campagna of Italy, where cities and rivers, and woods and all the glow of cultivation were mingled in gay confusion. The Adriatic bounded the horizon, into which the Po and the Brenta, after winding through the whole extent of the landscape, poured their fruitful waves. Emily gazed long on the splendours of the world she was quitting, of which the whole magnificence seemed thus given to her sight only to increase her regret on leaving it; for her, Valancourt alone was in that world; to him alone her heart turned, and for him alone fell her bitter tears.

From this sublime scene the travellers continued to ascend among the pines, till they entered a narrow pass of the mountains, which shut out every feature of the distant country, and, in its stead, exhibited only tremendous crags, impending over the road, where no vestige of humanity, or even of vegetation, appeared, except here and there the trunk and scathed branches of an oak, that hung nearly headlong from the rock, into which its strong roots had fastened. This pass, which led into the heart of the Apennine, at length opened to day, and a scene of mountains stretched in long perspective, as wild as any the travellers had yet passed. Still vast pine-forests hung upon their base, and crowned the ridgy precipice, that rose perpendicularly from the vale, while, above, the rolling mists caught the sunbeams, and touched their cliffs with all the magical colouring of light and shade. The scene seemed perpetually changing, and its features to assume new forms, as the winding road brought them to the eye in different attitudes; while the shifting vapours, now partially concealing their minuter beauties and now illuminating them with splendid tints, assisted the illusions of the sight.

Though the deep valleys between these mountains were, for the most part, clothed with pines, sometimes an abrupt opening presented a perspective of only barren rocks, with a cataract flashing from their summit among broken cliffs, till its waters, reaching the bottom, foamed along with unceasing fury; and sometimes pastoral scenes exhibited their “green delights” in the narrow vales, smiling amid surrounding horror. There herds and flocks of goats and sheep, browsing under the shade of hanging woods, and the shepherd’s little cabin, reared on the margin of a clear stream, presented a sweet picture of repose.

Wild and romantic as were these scenes, their character had far less of the sublime, that had those of the Alps, which guard the entrance of Italy. Emily was often elevated, but seldom felt those emotions of indescribable awe which she had so continually experienced, in her passage over the Alps.

Towards the close of day, the road wound into a deep valley. Mountains, whose shaggy steeps appeared to be inaccessible, almost surrounded it. To the east, a vista opened, that exhibited the Apennines in their darkest horrors; and the long perspective of retiring summits, rising over each other, their ridges clothed with pines, exhibited a stronger image of grandeur, than any that Emily had yet seen. The sun had just sunk below the top of the mountains she was descending, whose long shadow stretched athwart the valley, but his sloping rays, shooting through an opening of the cliffs, touched with a yellow gleam the summits of the forest, that hung upon the opposite steeps, and streamed in full splendour upon the towers and battlements of a castle, that spread its extensive ramparts along the brow of a precipice above. The splendour of these illumined objects was heightened by the contrasted shade, which involved the valley below.

“There,” said Montoni, speaking for the first time in several hours, “is Udolpho.”

Emily gazed with melancholy awe upon the castle, which she understood to be Montoni’s; for, though it was now lighted up by the setting sun, the gothic greatness of its features, and its mouldering walls of dark grey stone, rendered it a gloomy and sublime object. As she gazed, the light died away on its walls, leaving a melancholy purple tint, which spread deeper and deeper, as the thin vapour crept up the mountain, while the battlements above were still tipped with splendour. From those, too, the rays soon faded, and the whole edifice was invested with the solemn duskiness of evening. Silent, lonely, and sublime, it seemed to stand the sovereign of the scene, and to frown defiance on all, who dared to invade its solitary reign. As the twilight deepened, its features became more awful in obscurity, and Emily continued to gaze, till its clustering towers were alone seen, rising over the tops of the woods, beneath whose thick shade the carriages soon after began to ascend.

The extent and darkness of these tall woods awakened terrific images in her mind, and she almost expected to see banditti start up from under the trees. At length, the carriages emerged upon a heathy rock, and, soon after, reached the castle gates, where the deep tone of the portal bell, which was struck upon to give notice of their arrival, increased the fearful emotions, that had assailed Emily. While they waited till the servant within should come to open the gates, she anxiously surveyed the edifice: but the gloom, that overspread it, allowed her to distinguish little more than a part of its outline, with the massy walls of the ramparts, and to know, that it was vast, ancient and dreary. From the parts she saw, she judged of the heavy strength and extent of the whole. The gateway before her, leading into the courts, was of gigantic size, and was defended by two round towers, crowned by overhanging turrets, embattled, where, instead of banners, now waved long grass and wild plants, that had taken root among the mouldering stones, and which seemed to sigh, as the breeze rolled past, over the desolation around them. The towers were united by a curtain, pierced and embattled also, below which appeared the pointed arch of a huge portcullis, surmounting the gates: from these, the walls of the ramparts extended to other towers, overlooking the precipice, whose shattered outline, appearing on a gleam, that lingered in the west, told of the ravages of war.—Beyond these all was lost in the obscurity of evening.

While Emily gazed with awe upon the scene, footsteps were heard within the gates, and the undrawing of bolts; after which an ancient servant of the castle appeared, forcing back the huge folds of the portal, to admit his lord. As the carriage-wheels rolled heavily under the portcullis, Emily’s heart sunk, and she seemed, as if she was going into her prison; the gloomy court, into which she passed, served to confirm the idea, and her imagination, ever awake to circumstance, suggested even more terrors, than her reason could justify.

Another gate delivered them into the second court, grass-grown, and more wild than the first, where, as she surveyed through the twilight its desolation—its lofty walls, overtopped with briony, moss and nightshade, and the embattled towers that rose above,—long-suffering and murder came to her thoughts. One of those instantaneous and unaccountable convictions, which sometimes conquer even strong minds, impressed her with its horror. The sentiment was not diminished, when she entered an extensive gothic hall, obscured by the gloom of evening, which a light, glimmering at a distance through a long perspective of arches, only rendered more striking. As a servant brought the lamp nearer partial gleams fell upon the pillars and the pointed arches, forming a strong contrast with their shadows, that stretched along the pavement and the walls.

The sudden journey of Montoni had prevented his people from making any other preparations for his reception, than could be had in the short interval, since the arrival of the servant, who had been sent forward from Venice; and this, in some measure, may account for the air of extreme desolation, that everywhere appeared.

The servant, who came to light Montoni, bowed in silence, and the muscles of his countenance relaxed with no symptom of joy.—Montoni noticed the salutation by a slight motion of his hand, and passed on, while his lady, following, and looking round with a degree of surprise and discontent, which she seemed fearful of expressing, and Emily, surveying the extent and grandeur of the hall in timid wonder, approached a marble staircase. The arches here opened to a lofty vault, from the centre of which hung a tripod lamp, which a servant was hastily lighting; and the rich fret-work of the roof, a corridor, leading into several upper apartments, and a painted window, stretching nearly from the pavement to the ceiling of the hall, became gradually visible.

Having crossed the foot of the staircase, and passed through an ante-room, they entered a spacious apartment, whose walls, wainscoted with black larch-wood, the growth of the neighbouring mountains, were scarcely distinguishable from darkness itself. “Bring more light,” said Montoni, as he entered. The servant, setting down his lamp, was withdrawing to obey him, when Madame Montoni observing, that the evening air of this mountainous region was cold, and that she should like a fire, Montoni ordered that wood might be brought.

While he paced the room with thoughtful steps, and Madame Montoni sat silently on a couch, at the upper end of it, waiting till the servant returned, Emily was observing the singular solemnity and desolation of the apartment, viewed, as it now was, by the glimmer of the single lamp, placed near a large Venetian mirror, that duskily reflected the scene, with the tall figure of Montoni passing slowly along, his arms folded, and his countenance shaded by the plume, that waved in his hat.

From the contemplation of this scene, Emily’s mind proceeded to the apprehension of what she might suffer in it, till the remembrance of Valancourt, far, far distant! came to her heart, and softened it into sorrow. A heavy sigh escaped her: but, trying to conceal her tears, she walked away to one of the high windows, that opened upon the ramparts, below which, spread the woods she had passed in her approach to the castle. But the night-shade sat deeply on the mountains beyond, and their indented outline alone could be faintly traced on the horizon, where a red streak yet glimmered in the west. The valley between was sunk in darkness.

The scene within, upon which Emily turned on the opening of the door, was scarcely less gloomy. The old servant, who had received them at the gates, now entered, bending under a load of pine-branches, while two of Montoni’s Venetian servants followed with lights.

“Your Excellenza is welcome to the castle,” said the old man, as he raised himself from the hearth, where he had laid the wood: “it has been a lonely place a long while; but you will excuse it, Signor, knowing we had but short notice. It is near two years, come next feast of St. Mark, since your Excellenza was within these walls.”

“You have a good memory, old Carlo,” said Montoni: “it is thereabout; and how hast thou contrived to live so long?”

“A-well-a-day, sir, with much ado; the cold winds, that blow through the castle in winter, are almost too much for me; and I thought sometimes of asking your Excellenza to let me leave the mountains, and go down into the lowlands. But I don’t know how it is—I am loth to quit these old walls I have lived in so long.”

“Well, how have you gone on in the castle, since I left it?” said Montoni.

“Why much as usual, Signor, only it wants a good deal of repairing. There is the north tower—some of the battlements have tumbled down, and had liked one day to have knocked my poor wife (God rest her soul!) on the head. Your Excellenza must know—”

“Well, but the repairs,” interrupted Montoni.

“Aye, the repairs,” said Carlo: “a part of the roof of the great hall has fallen in, and all the winds from the mountains rushed through it last winter, and whistled through the whole castle so, that there was no keeping one’s self warm, be where one would. There, my wife and I used to sit shivering over a great fire in one corner of the little hall, ready to die with cold, and—”

“But there are no more repairs wanted,” said Montoni, impatiently.

“O Lord! Your Excellenza, yes—the wall of the rampart has tumbled down in three places; then, the stairs, that lead to the west gallery, have been a long time so bad, that it is dangerous to go up them; and the passage leading to the great oak chamber, that overhangs the north rampart—one night last winter I ventured to go there by myself, and your Excellenza—”

“Well, well, enough of this,” said Montoni, with quickness: “I will talk more with thee tomorrow.”

The fire was now lighted; Carlo swept the hearth, placed chairs, wiped the dust from a large marble table that stood near it, and then left the room.

Montoni and his family drew round the fire. Madame Montoni made several attempts at conversation, but his sullen answers repulsed her, while Emily sat endeavouring to acquire courage enough to speak to him. At length, in a tremulous voice, she said, “May I ask, sir, the motive of this sudden journey?”—After a long pause, she recovered sufficient courage to repeat the question.

“It does not suit me to answer enquiries,” said Montoni, “nor does it become you to make them; time may unfold them all: but I desire I may be no further harassed, and I recommend it to you to retire to your chamber, and to endeavour to adopt a more rational conduct, than that of yielding to fancies, and to a sensibility, which, to call it by the gentlest name, is only a weakness.”

Emily rose to withdraw. “Good night, madam,” said she to her aunt, with an assumed composure, that could not disguise her emotion.

“Good night, my dear,” said Madame Montoni, in a tone of kindness, which her niece had never before heard from her; and the unexpected endearment brought tears to Emily’s eyes. She curtsied to Montoni, and was retiring; “But you do not know the way to your chamber,” said her aunt. Montoni called the servant, who waited in the ante-room, and bade him send Madame Montoni’s woman, with whom, in a few minutes, Emily withdrew.

“Do you know which is my room?” said she to Annette, as they crossed the hall.

“Yes, I believe I do, ma’amselle; but this is such a strange rambling place! I have been lost in it already: they call it the double chamber, over the south rampart, and I went up this great staircase to it. My lady’s room is at the other end of the castle.”

Emily ascended the marble staircase, and came to the corridor, as they passed through which, Annette resumed her chat—“What a wild lonely place this is, ma’am! I shall be quite frightened to live in it. How often, and often have I wished myself in France again! I little thought, when I came with my lady to see the world, that I should ever be shut up in such a place as this, or I would never have left my own country! This way, ma’amselle, down this turning. I can almost believe in giants again, and such like, for this is just like one of their castles; and, some night or other, I suppose I shall see fairies too, hopping about in that great old hall, that looks more like a church, with its huge pillars, than anything else.”

“Yes,” said Emily, smiling, and glad to escape from more serious thought, “if we come to the corridor, about midnight, and look down into the hall, we shall certainly see it illuminated with a thousand lamps, and the fairies tripping in gay circles to the sound of delicious music; for it is in such places as this, you know, that they come to hold their revels. But I am afraid, Annette, you will not be able to pay the necessary penance for such a sight: and, if once they hear your voice, the whole scene will vanish in an instant.”

“O! if you will bear me company, ma’amselle, I will come to the corridor, this very night, and I promise you I will hold my tongue; it shall not be my fault if the show vanishes.—But do you think they will come?”

“I cannot promise that with certainty, but I will venture to say, it will not be your fault if the enchantment should vanish.”

“Well, ma’amselle, that is saying more than I expected of you: but I am not so much afraid of fairies, as of ghosts, and they say there are a plentiful many of them about the castle: now I should be frightened to death, if I should chance to see any of them. But hush! ma’amselle, walk softly! I have thought, several times, something passed by me.”

“Ridiculous!” said Emily, “you must not indulge such fancies.”

“O ma’am! they are not fancies, for aught I know; Benedetto says these dismal galleries and halls are fit for nothing but ghosts to live in; and I verily believe, if I live long in them I shall turn to one myself!”

“I hope,” said Emily, “you will not suffer Signor Montoni to hear of these weak fears; they would highly displease him.”

“What, you know then, ma’amselle, all about it!” rejoined Annette. “No, no, I do know better than to do so; though, if the Signor can sleep sound, nobody else in the castle has any right to lie awake, I am sure.” Emily did not appear to notice this remark.

“Down this passage, ma’amselle; this leads to a back staircase. O! if I see anything, I shall be frightened out of my wits!”

“That will scarcely be possible,” said Emily smiling, as she followed the winding of the passage, which opened into another gallery: and then Annette, perceiving that she had missed her way, while she had been so eloquently haranguing on ghosts and fairies, wandered about through other passages and galleries, till, at length, frightened by their intricacies and desolation, she called aloud for assistance: but they were beyond the hearing of the servants, who were on the other side of the castle, and Emily now opened the door of a chamber on the left.

“O! do not go in there, ma’amselle,” said Annette, “you will only lose yourself further.”

“Bring the light forward,” said Emily, “we may possibly find our way through these rooms.”

Annette stood at the door, in an attitude of hesitation, with the light held up to show the chamber, but the feeble rays spread through not half of it. “Why do you hesitate?” said Emily, “let me see whither this room leads.”

Annette advanced reluctantly. It opened into a suite of spacious and ancient apartments, some of which were hung with tapestry, and others wainscoted with cedar and black larch-wood. What furniture there was, seemed to be almost as old as the rooms, and retained an appearance of grandeur, though covered with dust, and dropping to pieces with the damps, and with age.

“How cold these rooms are, ma’amselle!” said Annette: “nobody has lived in them for many, many years, they say. Do let us go.”

“They may open upon the great staircase, perhaps,” said Emily, passing on till she came to a chamber, hung with pictures, and took the light to examine that of a soldier on horseback in a field of battle.—He was darting his spear upon a man, who lay under the feet of the horse, and who held up one hand in a supplicating attitude. The soldier, whose beaver was up, regarded him with a look of vengeance, and the countenance, with that expression, struck Emily as resembling Montoni. She shuddered, and turned from it. Passing the light hastily over several other pictures, she came to one concealed by a veil of black silk. The singularity of the circumstance struck her, and she stopped before it, wishing to remove the veil, and examine what could thus carefully be concealed, but somewhat wanting courage. “Holy Virgin! what can this mean?” exclaimed Annette. “This is surely the picture they told me of at Venice.”

“What picture?” said Emily. “Why a picture—a picture,” replied Annette, hesitatingly—“but I never could make out exactly what it was about, either.”

“Remove the veil, Annette.”

“What! I, ma’amselle!—I! not for the world!” Emily, turning round, saw Annette’s countenance grow pale. “And pray, what have you heard of this picture, to terrify you so, my good girl?” said she. “Nothing, ma’amselle: I have heard nothing, only let us find our way out.”

“Certainly: but I wish first to examine the picture; take the light, Annette, while I lift the veil.” Annette took the light, and immediately walked away with it, disregarding Emily’s call to stay, who, not choosing to be left alone in the dark chamber, at length followed her. “What is the reason of this, Annette?” said Emily, when she overtook her, “what have you heard concerning that picture, which makes you so unwilling to stay when I bid you?”

“I don’t know what is the reason, ma’amselle,” replied Annette, “nor anything about the picture, only I have heard there is something very dreadful belonging to it—and that it has been covered up in black ever since—and that nobody has looked at it for a great many years—and it somehow has to do with the owner of this castle before Signor Montoni came to the possession of it—and—”

“Well, Annette,” said Emily, smiling, “I perceive it is as you say—that you know nothing about the picture.”

“No, nothing, indeed, ma’amselle, for they made me promise never to tell:—but—”

“Well,” rejoined Emily, who observed that she was struggling between her inclination to reveal a secret, and her apprehension for the consequence, “I will enquire no further—”

“No, pray, ma’am, do not.”

“Lest you should tell all,” interrupted Emily.

Annette blushed, and Emily smiled, and they passed on to the extremity of this suite of apartments, and found themselves, after some further perplexity, once more at the top of the marble staircase, where Annette left Emily, while she went to call one of the servants of the castle to show them to the chamber, for which they had been seeking.

While she was absent, Emily’s thoughts returned to the picture; an unwillingness to tamper with the integrity of a servant, had checked her enquiries on this subject, as well as concerning some alarming hints, which Annette had dropped respecting Montoni; though her curiosity was entirely awakened, and she had perceived, that her questions might easily be answered. She was now, however, inclined to go back to the apartment and examine the picture; but the loneliness of the hour and of the place, with the melancholy silence that reigned around her, conspired with a certain degree of awe, excited by the mystery attending this picture, to prevent her. She determined, however, when daylight should have reanimated her spirits, to go thither and remove the veil. As she leaned from the corridor, over the staircase, and her eyes wandered round, she again observed, with wonder, the vast strength of the walls, now somewhat decayed, and the pillars of solid marble, that rose from the hall, and supported the roof.

A servant now appeared with Annette, and conducted Emily to her chamber, which was in a remote part of the castle, and at the very end of the corridor, from whence the suite of apartments opened, through which they had been wandering. The lonely aspect of her room made Emily unwilling that Annette should leave her immediately, and the dampness of it chilled her with more than fear. She begged Caterina, the servant of the castle, to bring some wood and light a fire.

“Aye, lady, it’s many a year since a fire was lighted here,” said Caterina.

“You need not tell us that, good woman,” said Annette; “every room in the castle feels like a well. I wonder how you contrive to live here; for my part, I wish myself at Venice again.” Emily waved her hand for Caterina to fetch the wood.

“I wonder, ma’am, why they call this the double chamber?” said Annette, while Emily surveyed it in silence and saw that it was lofty and spacious, like the others she had seen, and, like many of them, too, had its walls lined with dark larch-wood. The bed and other furniture was very ancient, and had an air of gloomy grandeur, like all that she had seen in the castle. One of the high casements, which she opened, overlooked a rampart, but the view beyond was hid in darkness.

In the presence of Annette, Emily tried to support her spirits, and to restrain the tears, which, every now and then, came to her eyes. She wished much to enquire when Count Morano was expected at the castle, but an unwillingness to ask unnecessary questions, and to mention family concerns to a servant, withheld her. Meanwhile, Annette’s thoughts were engaged upon another subject: she dearly loved the marvellous, and had heard of a circumstance, connected with the castle, that highly gratified this taste. Having been enjoined not to mention it, her inclination to tell it was so strong, that she was every instant on the point of speaking what she had heard. Such a strange circumstance, too, and to be obliged to conceal it, was a severe punishment; but she knew, that Montoni might impose one much severer, and she feared to incur it by offending him.

Caterina now brought the wood, and its bright blaze dispelled, for a while, the gloom of the chamber. She told Annette, that her lady had enquired for her, and Emily was once again left to her own sad reflections. Her heart was not yet hardened against the stern manners of Montoni, and she was nearly as much shocked now, as she had been when she first witnessed them. The tenderness and affection, to which she had been accustomed, till she lost her parents, had made her particularly sensible to any degree of unkindness, and such a reverse as this no apprehension had prepared her to support.

To call off her attention from subjects, that pressed heavily on her spirits, she rose and again examined her room and its furniture. As she walked round it, she passed a door, that was not quite shut, and, perceiving, that it was not the one, through which she entered, she brought the light forward to discover whither it led. She opened it, and, going forward, had nearly fallen down a steep, narrow staircase that wound from it, between two stone walls. She wished to know to what it led, and was the more anxious, since it communicated so immediately with her apartment; but, in the present state of her spirits, she wanted courage to venture into the darkness alone. Closing the door, therefore, she endeavoured to fasten it, but, upon further examination, perceived, that it had no bolts on the chamber side, though it had two on the other. By placing a heavy chair against it, she in some measure remedied the defect; yet she was still alarmed at the thought of sleeping in this remote room alone, with a door opening she knew not whither, and which could not be perfectly fastened on the inside. Sometimes she wished to entreat of Madame Montoni, that Annette might have leave to remain with her all night, but was deterred by an apprehension of betraying what would be thought childish fears, and by an unwillingness to increase the apt terrors of Annette.

Her gloomy reflections were, soon after, interrupted by a footstep in the corridor, and she was glad to see Annette enter with some supper, sent by Madame Montoni. Having a table near the fire, she made the good girl sit down and sup with her; and, when their little repast was over, Annette, encouraged by her kindness and stirring the wood into a blaze, drew her chair upon the hearth, nearer to Emily, and said—“Did you ever hear, ma’amselle, of the strange accident, that made the Signor lord of this castle?”

“What wonderful story have you now to tell?” said Emily, concealing the curiosity, occasioned by the mysterious hints she had formerly heard on that subject.

“I have heard all about it, ma’amselle,” said Annette, looking round the chamber and drawing closer to Emily; “Benedetto told it me as we travelled together: says he, ‘Annette, you don’t know about this castle here, that we are going to?’ ‘No,’ says I, ‘Mr. Benedetto, pray what do you know?’ But, ma’amselle, you can keep a secret, or I would not tell it you for the world; for I promised never to tell, and they say, that the Signor does not like to have it talked of.”

“If you promised to keep this secret,” said Emily, “you do right not to mention it.”

Annette paused a moment, and then said, “O, but to you, ma’amselle, to you I may tell it safely, I know.”

Emily smiled, “I certainly shall keep it as faithful as yourself, Annette.”

Annette replied very gravely, that would do, and proceeded—“This castle, you must know, ma’amselle, is very old, and very strong, and has stood out many sieges as they say. Now it was not Signor Montoni’s always, nor his father’s; no; but, by some law or other, it was to come to the Signor, if the lady died unmarried.”

“What lady?” said Emily.

“I am not come to that yet,” replied Annette, “it is the lady I am going to tell you about, ma’amselle: but, as I was saying, this lady lived in the castle, and had everything very grand about her, as you may suppose, ma’amselle. The Signor used often to come to see her, and was in love with her, and offered to marry her; for, though he was somehow related, that did not signify. But she was in love with somebody else, and would not have him, which made him very angry, as they say, and you know, ma’amselle, what an ill-looking gentleman he is, when he is angry. Perhaps she saw him in a passion, and therefore would not have him. But, as I was saying, she was very melancholy and unhappy, and all that, for a long while, and—Holy Virgin! what noise is that? did not you hear a sound, ma’amselle?”

“It was only the wind,” said Emily, “but do come to the end of your story.”

“As I was saying—O, where was I?—as I was saying—she was very melancholy and unhappy a long while, and used to walk about upon the terrace, there, under the windows, by herself, and cry so! it would have done your heart good to hear her. That is—I don’t mean good, but it would have made you cry too, as they tell me.”

“Well, but, Annette, do tell me the substance of your tale.”

“All in good time, ma’am; all this I heard before at Venice, but what is to come I never heard till today. This happened a great many years ago, when Signor Montoni was quite a young man. The lady—they called her Signora Laurentini, was very handsome, but she used to be in great passions, too, sometimes, as well as the Signor. Finding he could not make her listen to him—what does he do, but leave the castle, and never comes near it for a long time! but it was all one to her; she was just as unhappy whether he was here or not, till one evening, Holy St. Peter! ma’amselle,” cried Annette, “look at that lamp, see how blue it burns!” She looked fearfully round the chamber. “Ridiculous girl!” said Emily, “why will you indulge those fancies? Pray let me hear the end of your story, I am weary.”

Annette still kept her eyes on the lamp, and proceeded in a lower voice. “It was one evening, they say, at the latter end of the year, it might be about the middle of September, I suppose, or the beginning of October; nay, for that matter, it might be November, for that, too, is the latter end of the year, but that I cannot say for certain, because they did not tell me for certain themselves. However, it was at the latter end of the year, this grand lady walked out of the castle into the woods below, as she had often done before, all alone, only her maid was with her. The wind blew cold, and strewed the leaves about, and whistled dismally among those great old chesnut trees, that we passed, ma’amselle, as we came to the castle—for Benedetto showed me the trees as he was talking—the wind blew cold, and her woman would have persuaded her to return: but all would not do, for she was fond of walking in the woods, at evening time, and, if the leaves were falling about her, so much the better.

“Well, they saw her go down among the woods, but night came, and she did not return: ten o’clock, eleven o’clock, twelve o’clock came, and no lady! Well, the servants thought to be sure, some accident had befallen her, and they went out to seek her. They searched all night long, but could not find her, or any trace of her; and, from that day to this, ma’amselle, she has never been heard of.”

“Is this true, Annette?” said Emily, in much surprise.

“True, ma’am!” said Annette, with a look of horror, “yes, it is true, indeed. But they do say,” she added, lowering her voice, “they do say, that the Signora has been seen, several times since, walking in the woods and about the castle in the night: several of the old servants, who remained here some time after, declare they saw her; and, since then, she has been seen by some of the vassals, who have happened to be in the castle, at night. Carlo, the old steward, could tell such things, they say, if he would.”

“How contradictory is this, Annette!” said Emily, “you say nothing has been since known of her, and yet she has been seen!”

“But all this was told me for a great secret,” rejoined Annette, without noticing the remark, “and I am sure, ma’am, you would not hurt either me or Benedetto, so much as to go and tell it again.” Emily remained silent, and Annette repeated her last sentence.

“You have nothing to fear from my indiscretion,” replied Emily, “and let me advise you, my good Annette, be discreet yourself, and never mention what you have just told me to any other person. Signor Montoni, as you say, may be angry if he hears of it. But what inquiries were made concerning the lady?”

“O! a great deal, indeed, ma’amselle, for the Signor laid claim to the castle directly, as being the next heir, and they said, that is, the judges, or the senators, or somebody of that sort, said, he could not take possession of it till so many years were gone by, and then, if, after all, the lady could not be found, why she would be as good as dead, and the castle would be his own; and so it is his own. But the story went round, and many strange reports were spread, so very strange, ma’amselle, that I shall not tell them.”

“That is stranger still, Annette,” said Emily, smiling, and rousing herself from her reverie. “But, when Signora Laurentini was afterwards seen in the castle, did nobody speak to her?”

“Speak—speak to her!” cried Annette, with a look of terror; “no, to be sure.”

“And why not?” rejoined Emily, willing to hear further.

“Holy Mother! speak to a spirit!”

“But what reason had they to conclude it was a spirit, unless they had approached, and spoken to it?”

“O ma’amselle, I cannot tell. How can you ask such shocking questions? But nobody ever saw it come in, or go out of the castle; and it was in one place now, and then the next minute in quite another part of the castle; and then it never spoke, and, if it was alive, what should it do in the castle if it never spoke? Several parts of the castle have never been gone into since, they say, for that very reason.”

“What, because it never spoke?” said Emily, trying to laugh away the fears that began to steal upon her.

“No, ma’amselle, no;” replied Annette, rather angrily “but because something has been seen there. They say, too, there is an old chapel adjoining the west side of the castle, where, any time at midnight, you may hear such groans!—it makes one shudder to think of them!—and strange sights have been seen there—”

“Pr’ythee, Annette, no more of these silly tales,” said Emily.

“Silly tales, ma’amselle! O, but I will tell you one story about this, if you please, that Caterina told me. It was one cold winter’s night that Caterina (she often came to the castle then, she says, to keep old Carlo and his wife company, and so he recommended her afterwards to the Signor, and she has lived here ever since) Caterina was sitting with them in the little hall, says Carlo, ‘I wish we had some of those figs to roast, that lie in the store-closet, but it is a long way off, and I am loath to fetch them; do, Caterina,’ says he, ‘for you are young and nimble, do bring us some, the fire is in nice trim for roasting them; they lie,’ says he, ‘in such a corner of the store-room, at the end of the north-gallery; here, take the lamp,’ says he, ‘and mind, as you go up the great staircase, that the wind, through the roof, does not blow it out.’ So, with that, Caterina took the lamp—Hush! ma’amselle, I surely heard a noise!”

Emily, whom Annette had now infected with her own terrors, listened attentively; but everything was still, and Annette proceeded:

“Caterina went to the north-gallery, that is the wide gallery we passed, ma’am, before we came to the corridor, here. As she went with the lamp in her hand, thinking of nothing at all—There, again!” cried Annette suddenly—“I heard it again!—it was not fancy, ma’amselle!”

“Hush!” said Emily, trembling. They listened, and, continuing to sit quite still, Emily heard a low knocking against the wall. It came repeatedly. Annette then screamed loudly, and the chamber door slowly opened.—It was Caterina, come to tell Annette, that her lady wanted her. Emily, though she now perceived who it was, could not immediately overcome her terror; while Annette, half laughing, half crying, scolded Caterina heartily for thus alarming them; and was also terrified lest what she had told had been overheard.—Emily, whose mind was deeply impressed by the chief circumstance of Annette’s relation, was unwilling to be left alone, in the present state of her spirits; but, to avoid offending Madame Montoni, and betraying her own weakness, she struggled to overcome the illusions of fear, and dismissed Annette for the night.

When she was alone, her thoughts recurred to the strange history of Signora Laurentini and then to her own strange situation, in the wild and solitary mountains of a foreign country, in the castle, and the power of a man, to whom, only a few preceding months, she was an entire stranger; who had already exercised a usurped authority over her, and whose character she now regarded, with a degree of terror, apparently justified by the fears of others. She knew, that he had invention equal to the conception and talents to the execution of any project, and she greatly feared he had a heart too void of feeling to oppose the perpetration of whatever his interest might suggest. She had long observed the unhappiness of Madame Montoni, and had often been witness to the stern and contemptuous behaviour she received from her husband. To these circumstances, which conspired to give her just cause for alarm, were now added those thousand nameless terrors, which exist only in active imaginations, and which set reason and examination equally at defiance.

Emily remembered all that Valancourt had told her, on the eve of her departure from Languedoc, respecting Montoni, and all that he had said to dissuade her from venturing on the journey. His fears had often since appeared to her prophetic—now they seemed confirmed. Her heart, as it gave her back the image of Valancourt, mourned in vain regret, but reason soon came with a consolation which, though feeble at first, acquired vigour from reflection. She considered, that, whatever might be her sufferings, she had withheld from involving him in misfortune, and that, whatever her future sorrows could be, she was, at least, free from self-reproach.

Her melancholy was assisted by the hollow sighings of the wind along the corridor and round the castle. The cheerful blaze of the wood had long been extinguished, and she sat with her eyes fixed on the dying embers, till a loud gust, that swept through the corridor, and shook the doors and casements, alarmed her, for its violence had moved the chair she had placed as a fastening, and the door, leading to the private staircase stood half open. Her curiosity and her fears were again awakened. She took the lamp to the top of the steps, and stood hesitating whether to go down; but again the profound stillness and the gloom of the place awed her, and, determining to enquire further, when daylight might assist the search, she closed the door, and placed against it a stronger guard.

She now retired to her bed, leaving the lamp burning on the table; but its gloomy light, instead of dispelling her fear, assisted it; for, by its uncertain rays, she almost fancied she saw shapes flit past her curtains and glide into the remote obscurity of her chamber.—The castle clock struck one before she closed her eyes to sleep.