XLVI. By a Street Lamp…

XLVI. By a Street Lamp

That evening, when it was dark and threatening rain, Romola, returning with Maso and the lantern by her side, from the hospital of San Matteo, which she had visited after vespers, encountered her husband just issuing from the monastery of San Marco. Tito, who had gone out again shortly after his arrival in the Via de’ Bardi, and had seen little of Romola during the day, immediately proposed to accompany her home, dismissing Maso, whose short steps annoyed him. It was only usual for him to pay her such an official attention when it was obviously demanded from him. Tito and Romola never jarred, never remonstrated with each other. They were too hopelessly alienated in their inner life ever to have that contest which is an effort towards agreement. They talked of all affairs, public and private, with careful adherence to an adopted course. If Tito wanted a supper prepared in the old library, now pleasantly furnished as a banqueting-room, Romola assented, and saw that everything needful was done: and Tito, on his side, left her entirely uncontrolled in her daily habits, accepting the help she offered him in transcribing or making digests, and in return meeting her conjectured want of supplies for her charities. Yet he constantly, as on this very morning, avoided exchanging glances with her; affected to believe that she was out of the house, in order to avoid seeking her in her own room; and playfully attributed to her a perpetual preference of solitude to his society.

In the first ardour of her self-conquest, after she had renounced her resolution of flight, Romola had made many timid efforts towards the return of a frank relation between them. But to her such a relation could only come by open speech about their differences, and the attempt to arrive at a moral understanding; while Tito could only be saved from alienation from her by such a recovery of her effusive tenderness as would have presupposed oblivion of their differences. He cared for no explanation between them; he felt any thorough explanation impossible: he would have cared to have Romola fond again, and to her, fondness was impossible. She could be submissive and gentle, she could repress any sign of repulsion; but tenderness was not to be feigned. She was helplessly conscious of the result: her husband was alienated from her.

It was an additional reason why she should be carefully kept outside of secrets which he would in no case have chosen to communicate to her. With regard to his political action he sought to convince her that he considered the cause of the Medici hopeless; and that on that practical ground, as well as in theory, he heartily served the popular government, in which she had now a warm interest. But impressions subtle as odours made her uneasy about his relations with San Marco. She was painfully divided between the dread of seeing any evidence to arouse her suspicions, and the impulse to watch lest any harm should come that she might have arrested.

As they walked together this evening, Tito said—“The business of the day is not yet quite ended for me. I shall conduct you to our door, my Romola, and then I must fulfil another commission, which will take me an hour, perhaps, before I can return and rest, as I very much need to do.”

And then he talked amusingly of what he had seen at Pisa, until they were close upon a loggia, near which there hung a lamp before a picture of the Virgin. The street was a quiet one, and hitherto they had passed few people; but now there was a sound of many approaching footsteps and confused voices.

“We shall not get home without a wetting, unless we take shelter under this convenient loggia,” Tito said, hastily, hurrying Romola, with a slightly startled movement, up the step of the loggia.

“Surely it is useless to wait for this small drizzling rain,” said Romola, in surprise.

“No: I felt it becoming heavier. Let us wait a little.” With that wakefulness to the faintest indication which belongs to a mind habitually in a state of caution, Tito had detected by the glimmer of the lamp that the leader of the advancing group wore a red feather and a glittering sword-hilt—in fact, was almost the last person in the world he would have chosen to meet at this hour with Romola by his side. He had already during the day had one momentous interview with Dolfo Spini, and the business he had spoken of to Romola as yet to be done was a second interview with that personage, a sequence of the visit he had paid at San Marco. Tito, by a long-preconcerted plan, had been the bearer of letters to Savonarola—carefully-forged letters; one of them, by a stratagem, bearing the very signature and seal of the Cardinal of Naples, who of all the Sacred College had most exerted his influence at Rome in favour of the Frate. The purport of the letters was to state that the Cardinal was on his progress from Pisa, and, unwilling for strong reasons to enter Florence, yet desirous of taking counsel with Savonarola at this difficult juncture, intended to pause this very day at San Casciano, about ten miles from the city, whence he would ride out the next morning in the plain garb of a priest, and meet Savonarola, as if casually, five miles on the Florence road, two hours after sunrise. The plot, of which these forged letters were the initial step, was that Dolfo Spini with a band of his Compagnacci was to be posted in ambush on the road, at a lonely spot about five miles from the gates; that he was to seize Savonarola with the Dominican brother who would accompany him according to rule, and deliver him over to a small detachment of Milanese horse in readiness near San Casciano, by whom he was to be carried into the Roman territory.

There was a strong chance that the penetrating Frate would suspect a trap, and decline to incur the risk, which he had for some time avoided, of going beyond the city walls. Even when he preached, his friends held it necessary that he should be attended by an armed guard; and here he was called on to commit himself to a solitary road, with no other attendant than a fellow-monk. On this ground the minimum of time had been given him for decision, and the chance in favour of his acting on the letters was, that the eagerness with which his mind was set on the combining of interests within and without the Church towards the procuring of a General Council, and also the expectation of immediate service from the Cardinal in the actual juncture of his contest with the Pope, would triumph over his shrewdness and caution in the brief space allowed for deliberation.

Tito had had an audience of Savonarola, having declined to put the letters into any hands but his, and with consummate art had admitted that incidentally, and by inference, he was able so far to conjecture their purport as to believe they referred to a rendezvous outside the gates, in which case he urged that the Frate should seek an armed guard from the Signoria, and offered his services in carrying the request with the utmost privacy. Savonarola had replied briefly that this was impossible: an armed guard was incompatible with privacy. He spoke with a flashing eye, and Tito felt convinced that he meant to incur the risk.

Tito himself did not much care for the result. He managed his affairs so cleverly, that all results, he considered, must turn to his advantage. Whichever party came uppermost, he was secure of favour and money. That is an indecorously naked statement; the fact, clothed as Tito habitually clothed it, was that his acute mind, discerning the equal hollowness of all parties, took the only rational course in making them subservient to his own interest.

If Savonarola fell into the snare, there were diamonds in question and papal patronage; if not, Tito’s adroit agency had strengthened his position with Savonarola and with Spini, while any confidences he obtained from them made him the more valuable as an agent of the Mediceans.

But Spini was an inconvenient colleague. He had cunning enough to delight in plots, but not the ability or self-command necessary to so complex an effect as secrecy. He frequently got excited with drinking, for even sober Florence had its “Beoni,” or topers, both lay and clerical, who became loud at taverns and private banquets; and in spite of the agreement between him and Tito, that their public recognition of each other should invariably be of the coolest sort, there was always the possibility that on an evening encounter he would be suddenly blurting and affectionate. The delicate sign of casting the becchetto over the left shoulder was understood in the morning, but the strongest hint short of a threat might not suffice to keep off a fraternal grasp of the shoulder in the evening.

Tito’s chief hope now was that Dolfo Spini had not caught sight of him, and the hope would have been well founded if Spini had had no clearer view of him than he had caught of Spini. But, himself in shadow, he had seen Tito illuminated for an instant by the direct rays of the lamp, and Tito in his way was as strongly marked a personage as the captain of the Compagnacci. Romola’s black-shrouded figure had escaped notice, and she now stood behind her husband’s shoulder in the corner of the loggia. Tito was not left to hope long.

“Ha! my carrier-pigeon!” grated Spini’s harsh voice, in what he meant to be an undertone, while his hand grasped Tito’s shoulder; “what did you run into hiding for? You didn’t know it was comrades who were coming. It’s well I caught sight of you; it saves time. What of the chase to-morrow morning? Will the bald-headed game rise? Are the falcons to be got ready?”

If it had been in Tito’s nature to feel an access of rage, he would have felt it against this bull-faced accomplice, unfit either for a leader or a tool. His lips turned white, but his excitement came from the pressing difficulty of choosing a safe device. If he attempted to hush Spini, that would only deepen Romola’s suspicion, and he knew her well enough to know that if some strong alarm were roused in her, she was neither to be silenced nor hoodwinked: on the other hand, if he repelled Spini angrily the wine-breathing Compagnaccio might become savage, being more ready at resentment than at the divination of motives. He adopted a third course, which proved that Romola retained one sort of power over him—the power of dread.

He pressed her hand, as if intending a hint to her, and said in a good-humoured tone of comradeship—

“Yes, my Dolfo, you may prepare in all security. But take no trumpets with you.”

“Don’t be afraid,” said Spini, a little piqued. “No need to play Ser Saccente with me. I know where the devil keeps his tail as well as you do. What! he swallowed the bait whole? The prophetic nose didn’t scent the hook at all?” he went on, lowering his tone a little, with a blundering sense of secrecy.

“The brute will not be satisfied till he has emptied the bag,” thought Tito: but aloud he said,—“Swallowed all as easily as you swallow a cup of Trebbiano. Ha! I see torches: there must be a dead body coming. The pestilence has been spreading, I hear.”

“Santiddio! I hate the sight of those biers. Good-night,” said Spini, hastily moving off.

The torches were really coming, but they preceded a church dignitary who was returning homeward; the suggestion of the dead body and the pestilence was Tito’s device for getting rid of Spini without telling him to go. The moment he had moved away, Tito turned to Romola, and said, quietly—

“Do not be alarmed by anything that bestia has said, my Romola. We will go on now: I think the rain has not increased.”

She was quivering with indignant resolution; it was of no use for Tito to speak in that unconcerned way. She distrusted every word he could utter.

“I will not go on,” she said. “I will not move nearer home until I have some security against this treachery being perpetrated.”

“Wait, at least, until these torches have passed,” said Tito, with perfect self-command, but with a new rising of dislike to a wife who this time, he foresaw, might have the power of thwarting him in spite of the husband’s predominance.

The torches passed, with the Vicario dell’ Arcivescovo, and due reverence was done by Tito, but Romola saw nothing outward. If for the defeat of this treachery, in which she believed with all the force of long presentiment, it had been necessary at that moment for her to spring on her husband and hurl herself with him down a precipice, she felt as if she could have done it. Union with this man! At that moment the self-quelling discipline of two years seemed to be nullified: she felt nothing but that they were divided.

They were nearly in darkness again, and could only see each other’s faces dimly.

“Tell me the truth, Tito—this time tell me the truth,” said Romola, in a low quivering voice. “It will be safer for you.”

“Why should I desire to tell you anything else, my angry saint?” said Tito, with a slight touch of contempt, which was the vent of his annoyance; “since the truth is precisely that over which you have most reason to rejoice—namely, that my knowing a plot of Spini’s enables me to secure the Frate from falling a victim to it.”

“What is the plot?”

“That I decline to tell,” said Tito. “It is enough that the Frate’s safety will be secured.”

“It is a plot for drawing him outside the gates that Spini may murder him.”

“There has been no intention of murder. It is simply a plot for compelling him to obey the Pope’s summons to Rome. But as I serve the popular government, and think the Frate’s presence here is a necessary means of maintaining it at present, I choose to prevent his departure. You may go to sleep with entire ease of mind to-night.”

For a moment Romola was silent. Then she said, in a voice of anguish, “Tito, it is of no use: I have no belief in you.”

She could just discern his action as he shrugged his shoulders, and spread out his palms in silence. That cold dislike which is the anger of unimpassioned beings was hardening within him.

“If the Frate leaves the city—if any harm happens to him,” said Romola, after a slight pause, in a new tone of indignant resolution,—“I will declare what I have heard to the Signoria, and you will be disgraced. What if I am your wife?” she went on, impetuously; “I will be disgraced with you. If we are united, I am that part of you that will save you from crime. Others shall not be betrayed.”

“I am quite aware of what you would be likely to do, anima mia,” said Tito, in the coolest of his liquid tones; “therefore if you have a small amount of reasoning at your disposal just now, consider that if you believe me in nothing else, you may believe me when I say I will take care of myself, and not put it in your power to ruin me.”

“Then you assure me that the Frate is warned—he will not go beyond the gates?”

“He shall not go beyond the gates.”

There was a moment’s pause, but distrust was not to be expelled.

“I will go back to San Marco now and find out,” Romola said, making a movement forward.

“You shall not!” said Tito, in a bitter whisper, seizing her wrists with all his masculine force. “I am master of you. You shall not set yourself in opposition to me.”

There were passers-by approaching. Tito had heard them, and that was why he spoke in a whisper. Romola was too conscious of being mastered to have struggled, even if she had remained unconscious that witnesses were at hand. But she was aware now of footsteps and voices, and her habitual sense of personal dignity made her at once yield to Tito’s movement towards leading her from the loggia.

They walked on in silence for some time, under the small drizzling rain. The first rush of indignation and alarm in Romola had begun to give way to more complicated feelings, which rendered speech and action difficult. In that simpler state of vehemence, open opposition to the husband from whom she felt her soul revolting had had the aspect of temptation for her; it seemed the easiest of all courses. But now, habits of self-questioning, memories of impulse subdued, and that proud reserve which all discipline had left unmodified, began to emerge from the flood of passion. The grasp of her wrists, which asserted her husband’s physical predominance, instead of arousing a new fierceness in her, as it might have done if her impetuosity had been of a more vulgar kind, had given her a momentary shuddering horror at this form of contest with him. It was the first time they had been in declared hostility to each other since her flight and return, and the check given to her ardent resolution then, retained the power to arrest her now. In this altered condition her mind began to dwell on the probabilities that would save her from any desperate course: Tito would not risk betrayal by her; whatever had been his original intention, he must be determined now by the fact that she knew of the plot. She was not bound now to do anything else than to hang over him that certainty, that if he deceived her, her lips would not be closed. And then, it was possible—yes, she must cling to that possibility till it was disproved—that Tito had never meant to aid in the betrayal of the Frate.

Tito, on his side, was busy with thoughts, and did not speak again till they were near home. Then he said—

“Well, Romola, have you now had time to recover calmness? If so, you can supply your want of belief in me by a little rational inference: you can see, I presume, that if I had had any intention of furthering Spini’s plot, I should now be aware that the possession of a fair Piagnone for my wife, who knows the secret of the plot, would be a serious obstacle in my way.”

Tito assumed the tone which was just then the easiest to him, conjecturing that in Romola’s present mood persuasive deprecation would be lost upon her.

“Yes, Tito,” she said, in a low voice, “I think you believe that I would guard the Republic from further treachery. You are right to believe it: if the Frate is betrayed, I will denounce you.” She paused a moment, and then said, with an effort, “But it was not so. I have perhaps spoken too hastily—you never meant it. Only, why will you seem to be that man’s comrade?”

“Such relations are inevitable to practical men, my Romola,” said Tito, gratified by discerning the struggle within her. “You fair creatures live in the clouds. Pray go to rest with an easy heart,” he added, opening the door for her.

XLVII. Check

Tito’s clever arrangements had been unpleasantly frustrated by trivial incidents which could not enter into a clever man’s calculations. It was very seldom that he walked with Romola in the evening, yet he had happened to be walking with her precisely on this evening when her presence was supremely inconvenient. Life was so complicated a game that the devices of skill were liable to be defeated at every turn by air-blown chances, incalculable as the descent of thistle-down.

It was not that he minded about the failure of Spini’s plot, but he felt an awkward difficulty in so adjusting his warning to Savonarola on the one hand, and to Spini on the other, as not to incur suspicion. Suspicion roused in the popular party might be fatal to his reputation and ostensible position in Florence: suspicion roused in Dolfo Spini might be as disagreeable in its effects as the hatred of a fierce dog not to be chained.

If Tito went forthwith to the monastery to warn Savonarola before the monks went to rest, his warning would follow so closely on his delivery of the forged letters that he could not escape unfavourable surmises. He could not warn Spini at once without telling him the true reason, since he could not immediately allege the discovery that Savonarola had changed his purpose; and he knew Spini well enough to know that his understanding would discern nothing but that Tito had “turned round” and frustrated the plot. On the other hand, by deferring his warning to Savonarola until the morning, he would be almost sure to lose the opportunity of warning Spini that the Frate had changed his mind; and the band of Compagnacci would come back in all the rage of disappointment. This last, however, was the risk he chose, trusting to his power of soothing Spini by assuring him that the failure was due only to the Frate’s caution.

Tito was annoyed. If he had had to smile it would have been an unusual effort to him. He was determined not to encounter Romola again, and he did not go home that night.

She watched through the night, and never took off her clothes. She heard the rain become heavier and heavier. She liked to hear the rain: the stormy heavens seemed a safeguard against men’s devices, compelling them to inaction. And Romola’s mind was again assailed, not only by the utmost doubt of her husband, but by doubt as to her own conduct. What lie might he not have told her? What project might he not have, of which she was still ignorant? Every one who trusted Tito was in danger; it was useless to try and persuade herself of the contrary. And was not she selfishly listening to the promptings of her own pride, when she shrank from warning men against him? “If her husband was a malefactor, her place was in the prison by his side”—that might be; she was contented to fulfil that claim. But was she, a wife, to allow a husband to inflict the injuries that would make him a malefactor, when it might be in her power to prevent them? Prayer seemed impossible to her. The activity of her thought excluded a mental state of which the essence is expectant passivity.

The excitement became stronger and stronger. Her imagination, in a state of morbid activity, conjured up possible schemes by which, after all, Tito would have eluded her threat; and towards daybreak the rain became less violent, till at last it ceased, the breeze rose again and dispersed the clouds, and the morning fell clear on all the objects around her. It made her uneasiness all the less endurable. She wrapped her mantle round her, and ran up to the loggia, as if there could be anything in the wide landscape that might determine her action; as if there could be anything but roofs hiding the line of street along which Savonarola might be walking towards betrayal.

If she went to her godfather, might she not induce him, without any specific revelation, to take measures for preventing Fra Girolamo from passing the gates? But that might be too late. Romola thought, with new distress, that she had failed to learn any guiding details from Tito, and it was already long past seven. She must go to San Marco: there was nothing else to be done.

She hurried down the stairs, she went out into the street without looking at her sick people, and walked at a swift pace along the Via de’ Bardi towards the Ponte Vecchio. She would go through the heart of the city; it was the most direct road, and, besides, in the great Piazza there was a chance of encountering her husband, who, by some possibility to which she still clung, might satisfy her of the Frate’s safety, and leave no need for her to go to San Marco. When she arrived in front of the Palazzo Vecchio, she looked eagerly into the pillared court; then her eyes swept the Piazza; but the well-known figure, once painted in her heart by young love, and now branded there by eating pain, was nowhere to be seen. She hurried straight on to the Piazza del Duomo. It was already full of movement: there were worshippers passing up and down the marble steps, there were men pausing for chat, and there were market-people carrying their burdens. Between those moving figures Romola caught a glimpse of her husband. On his way from San Marco he had turned into Nello’s shop, and was now leaning against the door-post. As Romola approached she could see that he was standing and talking, with the easiest air in the world, holding his cap in his hand, and shaking back his freshly-combed hair. The contrast of this ease with the bitter anxieties he had created convulsed her with indignation: the new vision of his hardness heightened her dread. She recognised Cronaca and two other frequenters of San Marco standing near her husband. It flashed through her mind—“I will compel him to speak before those men.” And her light step brought her close upon him before he had time to move, while Cronaca was saying, “Here comes Madonna Romola.”

A slight shock passed through Tito’s frame as he felt himself face to face with his wife. She was haggard with her anxious watching, but there was a flash of something else than anxiety in her eyes as she said—

“Is the Frate gone beyond the gates?”

“No,” said Tito, feeling completely helpless before this woman, and needing all the self-command he possessed to preserve a countenance in which there should seem to be nothing stronger than surprise.

“And you are certain that he is not going?” she insisted.

“I am certain that he is not going.”

“That is enough,” said Romola, and she turned up the steps, to take refuge in the Duomo, till she could recover from her agitation.

Tito never had a feeling so near hatred as that with which his eyes followed Romola retreating up the steps.

There were present not only genuine followers of the Frate, but Ser Ceccone, the notary, who at that time, like Tito himself, was secretly an agent of the Mediceans.

Ser Francesco di Ser Barone, more briefly known to infamy as Ser Ceccone, was not learned, not handsome, not successful, and the reverse of generous. He was a traitor without charm. It followed that he was not fond of Tito Melema.

XLVIII. Counter-Check

It was late in the afternoon when Tito returned home. Romola, seated opposite the cabinet in her narrow room, copying documents, was about to desist from her work because the light was getting dim, when her husband entered. He had come straight to this room to seek her, with a thoroughly defined intention, and there was something new to Romola in his manner and expression as he looked at her silently on entering, and, without taking off his cap and mantle, leaned one elbow on the cabinet, and stood directly in front of her.

Romola, fully assured during the day of the Frate’s safety, was feeling the reaction of some penitence for the access of distrust and indignation which had impelled her to address her husband publicly on a matter that she knew he wished to be private. She told herself that she had probably been wrong. The scheming duplicity which she had heard even her godfather allude to as inseparable from party tactics might be sufficient to account for the connection with Spini, without the supposition that Tito had ever meant to further the plot. She wanted to atone for her impetuosity by confessing that she had been too hasty, and for some hours her mind had been dwelling on the possibility that this confession of hers might lead to other frank words breaking the two years’ silence of their hearts. The silence had been so complete, that Tito was ignorant of her having fled from him and come back again; they had never approached an avowal of that past which, both in its young love and in the shock that shattered the love, lay locked away from them like a banquet-room where death had once broken the feast.

She looked up at him with that submission in her glance which belonged to her state of self-reproof; but the subtle change in his face and manner arrested her speech. For a few moments they remained silent, looking at each other.

Tito himself felt that a crisis was come in his married life. The husband’s determination to mastery, which lay deep below all blandness and beseechingness, had risen permanently to the surface now, and seemed to alter his face, as a face is altered by a hidden muscular tension with which a man is secretly throttling or stamping out the life from something feeble, yet dangerous.

“Romola,” he began, in the cool liquid tone that made her shiver, “it is time that we should understand each other.” He paused.

“That is what I most desire, Tito,” she said, faintly. Her sweet pale face; with all its anger gone and nothing but the timidity of self-doubt in it, seemed to give a marked predominance to her husband’s dark strength.

“You took a step this morning,” Tito went on, “which you must now yourself perceive to have been useless—which exposed you to remark and may involve me in serious practical difficulties.”

“I acknowledge that I was too hasty; I am sorry for any injustice I may have done you.” Romola spoke these words in a fuller and firmer tone; Tito, she hoped, would look less hard when she had expressed her regret, and then she could say other things.

“I wish you once for all to understand,” he said, without any change of voice, “that such collisions are incompatible with our position as husband and wife. I wish you to reflect on the mode in which you were led to that step, that the process may not be repeated.”

“That depends chiefly on you, Tito,” said Romola, taking fire slightly. It was not at all what she had thought of saying, but we see a very little way before us in mutual speech.

“You would say, I suppose,” answered Tito, “that nothing is to occur in future which can excite your unreasonable suspicions. You were frank enough to say last night that you have no belief in me. I am not surprised at any exaggerated conclusion you may draw from slight premises, but I wish to point out to you what is likely to be the fruit of your making such exaggerated conclusions a ground for interfering in affairs of which you are ignorant. Your attention is thoroughly awake to what I am saying?”

He paused for a reply.

“Yes,” said Romola, flushing in irrepressible resentment at this cold tone of superiority.

“Well, then, it may possibly not be very long before some other chance words or incidents set your imagination at work devising crimes for me, and you may perhaps rush to the Palazzo Vecchio to alarm the Signoria and set the city in an uproar. Shall I tell you what may be the result? Not simply the disgrace of your husband, to which you look forward with so much courage, but the arrest and ruin of many among the chief men in Florence, including Messer Bernardo del Nero.”

Tito had meditated a decisive move, and he had made it. The flush died out of Romola’s face, and her very lips were pale—an unusual effect with her, for she was little subject to fear. Tito perceived his success.

“You would perhaps flatter yourself,” he went on, “that you were performing a heroic deed of deliverance; you might as well try to turn locks with fine words as apply such notions to the politics of Florence. The question now is, not whether you can have any belief in me, but whether, now you have been warned, you will dare to rush, like a blind man with a torch in his hand, amongst intricate affairs of which you know nothing.”

Romola felt as if her mind were held in a vice by Tito’s: the possibilities he had indicated were rising before her with terrible clearness.

“I am too rash,” she said. “I will try not to be rash.”

“Remember,” said Tito, with unsparing insistence, “that your act of distrust towards me this morning might, for aught you knew, have had more fatal effects than that sacrifice of your husband which you have learned to contemplate without flinching.”

“Tito, it is not so,” Romola burst forth in a pleading tone, rising and going nearer to him, with a desperate resolution to speak out. “It is false that I would willingly sacrifice you. It has been the greatest effort of my life to cling to you. I went away in my anger two years ago, and I came back again because I was more bound to you than to anything else on earth. But it is useless. You shut me out from your mind. You affect to think of me as a being too unreasonable to share in the knowledge of your affairs. You will be open with me about nothing.”

She looked like his good angel pleading with him, as she bent her face towards him with dilated eyes, and laid her hand upon his arm. But Romola’s touch and glance no longer stirred any fibre of tenderness in her husband. The good-humoured, tolerant Tito, incapable of hatred, incapable almost of impatience, disposed always to be gentle towards the rest of the world, felt himself becoming strangely hard towards this wife whose presence had once been the strongest influence he had known. With all his softness of disposition, he had a masculine effectiveness of intellect and purpose which, like sharpness of edge, is itself an energy, working its way without any strong momentum. Romola had an energy of her own which thwarted his, and no man, who is not exceptionally feeble, will endure being thwarted by his wife. Marriage must be a relation either of sympathy or of conquest.

No emotion darted across his face as he heard Romola for the first time speak of having gone away from him. His lips only looked a little harder as he smiled slightly and said—

“My Romola, when certain conditions are ascertained, we must make up our minds to them. No amount of wishing will fill the Arno, as your people say, or turn a plum into an orange. I have not observed even that prayers have much efficacy that way. You are so constituted as to have certain strong impressions inaccessible to reason: I cannot share those impressions, and you have withdrawn all trust from me in consequence. You have changed towards me; it has followed that I have changed towards you. It is useless to take any retrospect. We have simply to adapt ourselves to altered conditions.”

“Tito, it would not be useless for us to speak openly,” said Romola, with the sort of exasperation that comes from using living muscle against some lifeless insurmountable resistance. “It was the sense of deception in you that changed me, and that has kept us apart. And it is not true that I changed first. You changed towards me the night you first wore that chain-armour. You had some secret from me—it was about that old man—and I saw him again yesterday. Tito,” she went on, in a tone of agonised entreaty, “if you would once tell me everything, let it be what it may—I would not mind pain—that there might be no wall between us! Is it not possible that we could begin a new life?”

This time there was a flash of emotion across Tito’s face. He stood perfectly still; but the flash seemed to have whitened him. He took no notice of Romola’s appeal, but after a moment’s pause, said quietly—

“Your impetuosity about trifles, Romola, has a freezing influence that would cool the baths of Nero.” At these cutting words, Romola shrank and drew herself up into her usual self-sustained attitude. Tito went on. “If by ‘that old man’ you mean the mad Jacopo di Nola who attempted my life and made a strange accusation against me, of which I told you nothing because it would have alarmed you to no purpose, he, poor wretch, has died in prison. I saw his name in the list of dead.”

“I know nothing about his accusation,” said Romola. “But I know he is the man whom I saw with the rope round his neck in the Duomo—the man whose portrait Piero di Cosimo painted, grasping your arm as he saw him grasp it the day the French entered, the day you first wore the armour.”

“And where is he now, pray?” said Tito, still pale, but governing himself.

“He was lying lifeless in the street from starvation,” said Romola. “I revived him with bread and wine. I brought him to our door, but he refused to come in. Then I gave him some money, and he went away without telling me anything. But he had found out that I was your wife. Who is he?”

“A man, half mad, half imbecile, who was once my father’s servant in Greece, and who has a rancorous hatred towards me because I got him dismissed for theft. Now you have the whole mystery, and the further satisfaction of knowing that I am again in danger of assassination. The fact of my wearing the armour, about which you seem to have thought so much, must have led you to infer that I was in danger from this man. Was that the reason you chose to cultivate his acquaintance and invite him into the house?”

Romola was mute. To speak was only like rushing with bare breast against a shield.

Tito moved from his leaning posture, slowly took off his cap and mantle, and pushed back his hair. He was collecting himself for some final words. And Romola stood upright looking at him as she might have looked at some on-coming deadly force, to be met only by silent endurance.

“We need not refer to these matters again, Romola,” he said, precisely in the same tone as that in which he had spoken at first. “It is enough if you will remember that the next time your generous ardour leads you to interfere in political affairs, you are likely, not to save any one from danger, but to be raising scaffolds and setting houses on fire. You are not yet a sufficiently ardent Piagnone to believe that Messer Bernardo del Nero is the prince of darkness, and Messer Francesco Valori the archangel Michael. I think I need demand no promise from you?”

“I have understood you too well, Tito.”

“It is enough,” he said, leaving the room.

Romola turned round with despair in her face and sank into her seat. “O God, I have tried—I cannot help it. We shall always be divided.” Those words passed silently through her mind. “Unless,” she said aloud, as if some sudden vision had startled her into speech—“unless misery should come and join us!”

Tito, too, had a new thought in his mind after he had closed the door behind him. With the project of leaving Florence as soon as his life there had become a high enough stepping-stone to a life elsewhere, perhaps at Rome or Milan, there was now for the first time associated a desire to be free from Romola, and to leave her behind him. She had ceased to belong to the desirable furniture of his life: there was no possibility of an easy relation between them without genuineness on his part. Genuineness implied confession of the past, and confession involved a change of purpose. But Tito had as little bent that way as a leopard has to lap milk when its teeth are grown. From all relations that were not easy and agreeable, we know that Tito shrank: why should he cling to them?

And Romola had made his relations difficult with others besides herself. He had had a troublesome interview with Dolfo Spini, who had come back in a rage after an ineffectual soaking with rain and long waiting in ambush, and that scene between Romola and himself at Nello’s door, once reported in Spini’s ear, might be a seed of something more unmanageable than suspicion. But now, at least, he believed that he had mastered Romola by a terror which appealed to the strongest forces of her nature. He had alarmed her affection and her conscience by the shadowy image of consequences; he had arrested her intellect by hanging before it the idea of a hopeless complexity in affairs which defied any moral judgment.

Yet Tito was not at ease. The world was not yet quite cushioned with velvet, and, if it had been, he could not have abandoned himself to that softness with thorough enjoyment; for before he went out again this evening he put on his coat of chain-armour.

XLIX. The Pyramid of Vanities

The wintry days passed for Romola as the white ships pass one who is standing lonely on the shore—passing in silence and sameness, yet each bearing a hidden burden of coming change. Tito’s hint had mingled so much dread with her interest in the progress of public affairs that she had begun to court ignorance rather than knowledge. The threatening German Emperor was gone again; and, in other ways besides, the position of Florence was alleviated; but so much distress remained that Romola’s active duties were hardly diminished, and in these, as usual, her mind found a refuge from its doubt.

She dared not rejoice that the relief which had come in extremity and had appeared to justify the policy of the Frate’s party was making that party so triumphant, that Francesco Valori, hot-tempered chieftain of the Piagnoni, had been elected Gonfaloniere at the beginning of the year, and was making haste to have as much of his own liberal way as possible during his two months of power. That seemed for the moment like a strengthening of the party most attached to freedom, and a reinforcement of protection to Savonarola; but Romola was now alive to every suggestion likely to deepen her foreboding, that whatever the present might be, it was only an unconscious brooding over the mixed germs of Change which might any day become tragic. And already by Carnival time, a little after mid-February, her presentiment was confirmed by the signs of a very decided change: the Mediceans had ceased to be passive, and were openly exerting themselves to procure the election of Bernardo del Nero as the new Gonfaloniere.

On the last day of the Carnival, between ten and eleven in the morning, Romola walked out, according to promise, towards the Corso degli Albizzi, to fetch her cousin Brigida, that they might both be ready to start from the Via de’ Bardi early in the afternoon, and take their places at a window which Tito had had reserved for them in the Piazza della Signoria, where there was to be a scene of so new and striking a sort, that all Florentine eyes must desire to see it. For the Piagnoni were having their own way thoroughly about the mode of keeping the Carnival. In vain Dolfo Spini and his companions had struggled to get up the dear old masques and practical jokes, well spiced with indecency. Such things were not to be in a city where Christ had been declared king.

Romola set out in that languid state of mind with which every one enters on a long day of sight-seeing purely for the sake of gratifying a child, or some dear childish friend. The day was certainly an epoch in carnival-keeping; but this phase of reform had not touched her enthusiasm: and she did not know that it was an epoch in her own life when another lot would begin to be no longer secretly but visibly entwined with her own.

She chose to go through the great Piazza that she might take a first survey of the unparalleled sight there while she was still alone. Entering it from the south, she saw something monstrous and many-coloured in the shape of a pyramid, or, rather, like a huge fir-tree, sixty feet high, with shelves on the branches, widening and widening towards the base till they reached a circumference of eighty yards. The Piazza was full of life: slight young figures, in white garments, with olive wreaths on their heads, were moving to and fro about the base of the pyramidal tree, carrying baskets full of bright-coloured things; and maturer forms, some in the monastic frock, some in the loose tunics and dark-red caps of artists, were helping and examining, or else retreating to various points in the distance to survey the wondrous whole: while a considerable group, amongst whom Romola recognised Piero di Cosimo, standing on the marble steps of Orgagna’s Loggia, seemed to be keeping aloof in discontent and scorn.

Approaching nearer, she paused to look at the multifarious objects ranged in gradation from the base to the summit of the pyramid. There were tapestries and brocades of immodest design, pictures and sculptures held too likely to incite to vice; there were boards and tables for all sorts of games, playing-cards along with the blocks for printing them, dice, and other apparatus for gambling; there were worldly music-books, and musical instruments in all the pretty varieties of lute, drum, cymbal, and trumpet; there were masks and masquerading-dresses used in the old Carnival shows; there were handsome copies of Ovid, Boccaccio, Petrarca, Pulci, and other books of a vain or impure sort; there were all the implements of feminine vanity—rouge-pots, false hair, mirrors, perfumes, powders, and transparent veils intended to provoke inquisitive glances: lastly, at the very summit, there was the unflattering effigy of a probably mythical Venetian merchant, who was understood to have offered a heavy sum for this collection of marketable abominations, and, soaring above him in surpassing ugliness, the symbolic figure of the old debauched Carnival.

This was the preparation for a new sort of bonfire—the Burning of Vanities. Hidden in the interior of the pyramid was a plentiful store of dry fuel and gunpowder; and on this last day of the festival, at evening, the pile of vanities was to be set ablaze to the sound of trumpets, and the ugly old Carnival was to tumble into the flames amid the songs of reforming triumph.

This crowning act of the new festivities could hardly have been prepared but for a peculiar organisation which had been started by Savonarola two years before. The mass of the Florentine boyhood and youth was no longer left to its own genial promptings towards street mischief and crude dissoluteness. Under the training of Fra Domenico, a sort of lieutenant to Savonarola, lads and striplings, the hope of Florence, were to have none but pure words on their lips, were to have a zeal for Unseen Good that should put to shame the lukewarmness of their elders, and were to know no pleasures save of an angelic sort—singing divine praises and walking in white robes. It was for them that the ranges of seats had been raised high against the walls of the Duomo; and they had been used to hear Savonarola appeal to them as the future glory of a city specially appointed to do the work of God.

These fresh-cheeked troops were the chief agents in the regenerated merriment of the new Carnival, which was a sort of sacred parody of the old. Had there been bonfires in the old time? There was to be a bonfire now, consuming impurity from off the earth. Had there been symbolic processions? There were to be processions now, but the symbols were to be white robes and red crosses and olive wreaths—emblems of peace and innocent gladness—and the banners and images held aloft were to tell the triumphs of goodness. Had there been dancing in a ring under the open sky of the Piazza, to the sound of choral voices chanting loose songs? There was to be dancing in a ring now, but dancing of monks and laity in fraternal love and divine joy, and the music was to be the music of hymns. As for the collections from street passengers, they were to be greater than ever—not for gross and superfluous suppers, but for the benefit of the hungry and needy; and, besides, there was the collecting of the Anathema, or the Vanities to be laid on the great pyramidal bonfire.

Troops of young inquisitors went from house to house on this exciting business of asking that the Anathema should be given up to them. Perhaps, after the more avowed vanities had been surrendered, Madonna, at the head of the household, had still certain little reddened balls brought from the Levant, intended to produce on a sallow cheek a sudden bloom of the most ingenuous falsity? If so, let her bring them down and cast them into the basket of doom. Or, perhaps, she had ringlets and coils of “dead hair?”—if so, let her bring them to the streetdoor, not on her head, but in her hands, and publicly renounce the Anathema which hid the respectable signs of age under a ghastly mockery of youth. And, in reward, she would hear fresh young voices pronounce a blessing on her and her house.

The beardless inquisitors, organised into little regiments, doubtless took to their work very willingly. To coerce people by shame, or other spiritual pelting, into the giving up of things it will probably vex them to part with, is a form of piety to which the boyish mind is most readily converted; and if some obstinately wicked men got enraged and threatened the whip or the cudgel, this also was exciting. Savonarola himself evidently felt about the training of these boys the difficulty weighing on all minds with noble yearnings towards great ends, yet with that imperfect perception of means which forces a resort to some supernatural constraining influence as the only sure hope. The Florentine youth had had very evil habits and foul tongues: it seemed at first an unmixed blessing when they were got to shout “Viva Gesù!” But Savonarola was forced at last to say from the pulpit, “There is a little too much shouting of ‘Viva Gesù!’ This constant utterance of sacred words brings them into contempt. Let me have no more of that shouting till the next Festa.”

Nevertheless, as the long stream of white-robed youthfulness, with its little red crosses and olive wreaths, had gone to the Duomo at dawn this morning to receive the communion from the hands of Savonarola, it was a sight of beauty; and, doubtless, many of those young souls were laying up memories of hope and awe that might save them from ever resting in a merely vulgar view of their work as men and citizens. There is no kind of conscious obedience that is not an advance on lawlessness, and these boys became the generation of men who fought greatly and endured greatly in the last struggle of their Republic. Now, in the intermediate hours between the early communion and dinner-time, they were making their last perambulations to collect alms and vanities, and this was why Romola saw the slim white figures moving to and fro about the base of the great pyramid.

“What think you of this folly, Madonna Romola?” said a brusque voice close to her ear. “Your Piagnoni will make l’inferno a pleasant prospect to us, if they are to carry things their own way on earth. It’s enough to fetch a cudgel over the mountains to see painters, like Lorenzo di Credi and young Baccio there, helping to burn colour out of life in this fashion.”

“My good Piero,” said Romola, looking up and smiling at the grim man, “even you must be glad to see some of these things burnt. Look at those gewgaws and wigs and rouge-pots: I have heard you talk as indignantly against those things as Fra Girolamo himself.”

“What then?” said Piero, turning round on her sharply. “I never said a woman should make a black patch of herself against the background. Va! Madonna Antigone, it’s a shame for a woman with your hair and shoulders to run into such nonsense—leave it to women who are not worth painting. What! the most holy Virgin herself has always been dressed well; that’s the doctrine of the Church:—talk of heresy, indeed! And I should like to know what the excellent Messer Bardo would have said to the burning of the divine poets by these Frati, who are no better an imitation of men than if they were onions with the bulbs uppermost. Look at that Petrarca sticking up beside a rouge-pot: do the idiots pretend that the heavenly Laura was a painted harridan? And Boccaccio, now: do you mean to say, Madonna Romola—you who are fit to be a model for a wise Saint Catherine of Egypt—do you mean to say you have never read the stories of the immortal Messer Giovanni?”

“It is true I have read them, Piero,” said Romola. “Some of them a great many times over, when I was a little girl. I used to get the book down when my father was asleep, so that I could read to myself.”

“Ebbene?” said Piero, in a fiercely challenging tone.

“There are some things in them I do not want ever to forget,” said Romola; “but you must confess, Piero, that a great many of those stories are only about low deceit for the lowest ends. Men do not want books to make them think lightly of vice, as if life were a vulgar joke. And I cannot blame Fra Girolamo for teaching that we owe our time to something better.”

“Yes, yes, it’s very well to say so now you’ve read them,” said Piero, bitterly, turning on his heel and walking away from her.

Romola, too, walked on, smiling at Piero’s innuendo, with a sort of tenderness towards the old painter’s anger, because she knew that her father would have felt something like it. For herself, she was conscious of no inward collision with the strict and sombre view of pleasure which tended to repress poetry in the attempt to repress vice. Sorrow and joy have each their peculiar narrowness; and a religious enthusiasm like Savonarola’s which ultimately blesses mankind by giving the soul a strong propulsion towards sympathy with pain, indignation against wrong, and the subjugation of sensual desire, must always incur the reproach of a great negation. Romola’s life had given her an affinity for sadness which inevitably made her unjust towards merriment. That subtle result of culture which we call Taste was subdued by the need for deeper motive; just as the nicer demands of the palate are annihilated by urgent hunger. Moving habitually amongst scenes of suffering, and carrying woman’s heaviest disappointment in her heart, the severity which allied itself with self-renouncing beneficent strength had no dissonance for her.

L. Tessa Abroad and at Home

Another figure easily recognised by us—a figure not clad in black, but in the old red, green, and white—was approaching the Piazza that morning to see the Carnival. She came from an opposite point, for Tessa no longer lived on the hill of San Giorgio. After what had happened there with Baldassarre, Tito had thought it best for that and other reasons to find her a new home, but still in a quiet airy quarter, in a house bordering on the wide garden grounds north of the Porta Santa Croce.

Tessa was not come out sight-seeing without special leave. Tito had been with her the evening before, and she had kept back the entreaty which she felt to be swelling her heart and throat until she saw him in a state of radiant ease, with one arm round the sturdy Lillo, and the other resting gently on her own shoulder as she tried to make the tiny Ninna steady on her legs. She was sure then that the weariness with which he had come in and flung himself into his chair had quite melted away from his brow and lips. Tessa had not been slow at learning a few small stratagems by which she might avoid vexing Naldo and yet have a little of her own way. She could read nothing else, but she had learned to read a good deal in her husband’s face.

And certainly the charm of that bright, gentle-humoured Tito who woke up under the Loggia de’ Cerchi on a Lenten morning five years before, not having yet given any hostages to deceit, never returned so nearly as in the person of Naldo, seated in that straight-backed, carved arm-chair which he had provided for his comfort when he came to see Tessa and the children. Tito himself was surprised at the growing sense of relief which he felt in these moments. No guile was needed towards Tessa: she was too ignorant and too innocent to suspect him of anything. And the little voices calling him “Babbo” were very sweet in his ears for the short while that he heard them. When he thought of leaving Florence, he never thought of leaving Tessa and the little ones behind. He was very fond of these round-cheeked, wide-eyed human things that clung about him and knew no evil of him. And wherever affection can spring, it is like the green leaf and the blossom—pure, and breathing purity, whatever soil it may grow in. Poor Romola, with all her self-sacrificing effort, was really helping to harden Tito’s nature by chilling it with a positive dislike which had beforehand seemed impossible in him; but Tessa kept open the fountains of kindness.

“Ninna is very good without me now,” began Tessa, feeling her request rising very high in her throat, and letting Ninna seat herself on the floor. “I can leave her with Monna Lisa any time, and if she is in the cradle and cries, Lillo is as sensible as can be—he goes and thumps Monna Lisa.”

Lillo, whose great dark eyes looked all the darker because his curls were of a light-brown like his mother’s, jumped off Babbo’s knee, and went forthwith to attest his intelligence by thumping Monna Lisa, who was shaking her head slowly over her spinning at the other end of the room. “A wonderful boy!” said Tito, laughing. “Isn’t he?” said Tessa, eagerly, getting a little closer to him; “and I might go and see the Carnival to-morrow, just for an hour or two, mightn’t I?”

“Oh, you wicked pigeon!” said Tito, pinching her cheek; “those are your longings, are they? What have you to do with carnivals now you are an old woman with two children?”

“But old women like to see things,” said Tessa, her lower lip hanging a little. “Monna Lisa said she should like to go, only she’s so deaf she can’t hear what is behind her, and she thinks we couldn’t take care of both the children.”

“No, indeed, Tessa,” said Tito, looking rather grave, “you must not think of taking the children into the crowded streets, else I shall be angry.”

“But I have never been into the Piazza without leave,” said Tessa, in a frightened, pleading tone, “since the Holy Saturday, and I think Nofri is dead, for you know the poor madre died; and I shall never forget the Carnival I saw once; it was so pretty—all roses and a king and queen under them—and singing. I liked it better than the San Giovanni.”

“But there’s nothing like that now, my Tessa. They are going to make a bonfire in the Piazza—that’s all. But I cannot let you go out by yourself in the evening.”

“Oh no, no! I don’t want to go in the evening. I only want to go and see the procession by daylight. There will be a procession—is it not true?”

“Yes, after a sort,” said Tito, “as lively as a flight of cranes. You must not expect roses and glittering kings and queens, my Tessa. However, I suppose any string of people to be called a procession will please your blue eyes. And there’s a thing they have raised in the Piazza de’ Signori for the bonfire. You may like to see that. But come home early, and look like a grave little old woman; and if you see any men with feathers and swords, keep out of their way: they are very fierce, and like to cut old women’s heads off.”

“Santa Madonna! where do they come from? Ah! you are laughing; it is not so bad. But I will keep away from them. Only,” Tessa went on in a whisper, putting her lips near Naldo’s ear, “if I might take Lillo with me! He is very sensible.”

“But who will thump Monna Lisa then, if she doesn’t hear?” said Tito, finding it difficult not to laugh, but thinking it necessary to look serious. “No, Tessa, you could not take care of Lillo if you got into a crowd, and he’s too heavy for you to carry him.”

“It is true,” said Tessa, rather sadly, “and he likes to run away. I forgot that. Then I will go alone. But now look at Ninna—you have not looked at her enough.”

Ninna was a blue-eyed thing, at the tottering, tumbling age—a fair solid, which, like a loaded die, found its base with a constancy that warranted prediction. Tessa went to snatch her up, and when Babbo was paying due attention to the recent teeth and other marvels, she said, in a whisper, “And shall I buy some confetti for the children?”

Tito drew some small coins from his scarsella, and poured them into her palm.

“That will buy no end,” said Tessa, delighted at this abundance. “I shall not mind going without Lillo so much, if I bring him something.”

So Tessa set out in the morning towards the great Piazza where the bonfire was to be. She did not think the February breeze cold enough to demand further covering than her green woollen dress. A mantle would have been oppressive, for it would have hidden a new necklace and a new clasp, mounted with silver, the only ornamental presents Tito had ever made her. Tessa did not think at all of showing her figure, for no one had ever told her it was pretty; but she was quite sure that her necklace and clasp were of the prettiest sort ever worn by the richest contadina, and she arranged her white hood over her head so that the front of her necklace might be well displayed. These ornaments, she considered, must inspire respect for her as the wife of some one who could afford to buy them.

She tripped along very cheerily in the February sunshine, thinking much of the purchases for the little ones, with which she was to fill her small basket, and not thinking at all of any one who might be observing her. Yet her descent from her upper storey into the street had been watched, and she was being kept in sight as she walked by a person who had often waited in vain to see if it were not Tessa who lived in that house to which he had more than once dogged Tito. Baldassarre was carrying a package of yarn: he was constantly employed in that way, as a means of earning his scanty bread, and keeping the sacred fire of vengeance alive; and he had come out of his way this morning, as he had often done before, that he might pass by the house to which he had followed Tito in the evening. His long imprisonment had so intensified his timid suspicion and his belief in some diabolic fortune favouring Tito, that he had not dared to pursue him, except under cover of a crowd or of the darkness; he felt, with instinctive horror, that if Tito’s eyes fell upon him, he should again be held up to obloquy, again be dragged away; his weapon would be taken from him, and he should be cast helpless into a prison-cell. His fierce purpose had become as stealthy as a serpent’s, which depends for its prey on one dart of the fang. Justice was weak and unfriended; and he could not hear again the voice that pealed the promise of vengeance in the Duomo; he had been there again and again, but that voice, too, had apparently been stifled by cunning strong-armed wickedness. For a long while, Baldassarre’s ruling thought was to ascertain whether Tito still wore the armour, for now at last his fainting hope would have been contented with a successful stab on this side the grave; but he would never risk his precious knife again. It was a weary time he had had to wait for the chance of answering this question by touching Tito’s back in the press of the street. Since then, the knowledge that the sharp steel was useless, and that he had no hope but in some new device, had fallen with leaden weight on his enfeebled mind. A dim vision of winning one of those two wives to aid him came before him continually, and continually slid away. The wife who had lived on the hill was no longer there. If he could find her again, he might grasp some thread of a project, and work his way to more clearness.

And this morning he had succeeded. He was quite certain now where this wife lived, and as he walked, bent a little under his burden of yarn, yet keeping the green and white figure in sight, his mind was dwelling upon her and her circumstances as feeble eyes dwell on lines and colours, trying to interpret them into consistent significance.

Tessa had to pass through various long streets without seeing any other sign of the Carnival than unusual groups of the country people in their best garments, and that disposition in everybody to chat and loiter which marks the early hours of a holiday, before the spectacle has begun. Presently, in her disappointed search for remarkable objects, her eyes fell on a man with a pedlar’s basket before him, who seemed to be selling nothing but little red crosses to all the passengers. A little red cross would be pretty to hang up over her bed; it would also help to keep off harm, and would perhaps make Ninna stronger. Tessa went to the other side of the street that she might ask the pedlar the price of the crosses, fearing that they would cost a little too much for her to spare from her purchase of sweets. The pedlar’s back had been turned towards her hitherto, but when she came near him she recognised an old acquaintance of the Mercato, Bratti Ferravecchi, and, accustomed to feel that she was to avoid old acquaintances, she turned away again and passed to the other side of the street. But Bratti’s eye was too well practised in looking out at the corner after possible customers, for her movement to have escaped him, and she was presently arrested by a tap on the arm from one of the red crosses.

“Young woman,” said Bratti, as she unwillingly turned her head, “you come from some castello a good way off, it seems to me, else you’d never think of walking about, this blessed Carnival, without a red cross in your hand. Santa Madonna! Four white quattrini is a small price to pay for your soul—prices rise in purgatory, let me tell you.”

“Oh, I should like one,” said Tessa, hastily, “but I couldn’t spare four white quattrini.”

Bratti had at first regarded Tessa too abstractedly as a mere customer to look at her with any scrutiny, but when she began to speak he exclaimed, “By the head of San Giovanni, it must be the little Tessa, and looking as fresh as a ripe apple! What! you’ve done none the worse, then, for running away from father Nofri? You were in the right of it, for he goes on crutches now, and a crabbed fellow with crutches is dangerous; he can reach across the house and beat a woman as he sits.”

“I’m married,” said Tessa, rather demurely, remembering Naldo’s command that she should behave with gravity; “and my husband takes great care of me.”

“Ah, then, you’ve fallen on your feet! Nofri said you were good-for-nothing vermin; but what then? An ass may bray a good while before he shakes the stars down. I always said you did well to run away, and it isn’t often Bratti’s in the wrong. Well, and so you’ve got a husband and plenty of money? Then you’ll never think much of giving four white quattrini for a red cross. I get no profit; but what with the famine and the new religion, all other merchandise is gone down. You live in the country where the chestnuts are plenty, eh? You’ve never wanted for polenta, I can see.”

“No, I’ve never wanted anything,” said Tessa, still on her guard.

“Then you can afford to buy a cross. I got a Padre to bless them, and you get blessing and all for four quattrini. It isn’t for the profit; I hardly get a danaro by the whole lot. But then they’re holy wares, and it’s getting harder and harder work to see your way to Paradise: the very Carnival is like Holy Week, and the least you can do to keep the Devil from getting the upper hand is to buy a cross. God guard you! think what the Devil’s tooth is! You’ve seen him biting the man in San Giovanni, I should hope?”

Tessa felt much teased and frightened. “Oh, Bratti,” she said, with a discomposed face, “I want to buy a great many confetti: I’ve got little Lillo and Ninna at home. And nice coloured sweet things cost a great deal. And they will not like the cross so well, though I know it would be good to have it.”

“Come, then,” said Bratti, fond of laying up a store of merits by imagining possible extortions and then heroically renouncing them, “since you’re an old acquaintance, you shall have it for two quattrini. It’s making you a present of the cross, to say nothing of the blessing.”

Tessa was reaching out her two quattrini with trembling hesitation, when Bratti said abruptly, “Stop a bit! Where do you live?”

“Oh, a long way off,” she answered, almost automatically, being preoccupied with her quattrini; “beyond San Ambrogio, in the Via Piccola, at the top of the house where the wood is stacked below.”

“Very good,” said Bratti, in a patronising tone; “then I’ll let you have the cross on trust, and call for the money. So you live inside the gates? Well, well, I shall be passing.”

“No, no!” said Tessa, frightened lest Naldo should be angry at this revival of an old acquaintance. “I can spare the money. Take it now.”

“No,” said Bratti, resolutely; “I’m not a hard-hearted pedlar. I’ll call and see if you’ve got any rags, and you shall make a bargain. See, here’s the cross: and there’s Pippo’s shop not far behind you: you can go and fill your basket, and I must go and get mine empty. Addio, piccina.”

Bratti went on his way, and Tessa, stimulated to change her money into confetti before further accident, went into Pippo’s shop, a little fluttered by the thought that she had let Bratti know more about her than her husband would approve. There were certainly more dangers in coming to see the Carnival than in staying at home; and she would have felt this more strongly if she had known that the wicked old man, who had wanted to kill her husband on the hill, was still keeping her in sight. But she had not noticed the man with the burden on his back.

The consciousness of having a small basketful of things to make the children glad dispersed her anxiety, and as she entered the Via de’ Libraj her face had its visual expression of childlike content. And now she thought there was really a procession coming, for she saw white robes and a banner, and her heart began to palpitate with expectation. She stood a little aside, but in that narrow street there was the pleasure of being obliged to look very close. The banner was pretty: it was the Holy Mother with the Babe, whose love for her Tessa had believed in more and more since she had had her babies; and the figures in white had not only green wreaths on their heads, but little red crosses by their side, which caused her some satisfaction that she also had her red cross. Certainly, they looked as beautiful as the angels on the clouds, and to Tessa’s mind they too had a background of cloud, like everything else that came to her in life. How and whence did they come? She did not mind much about knowing. But one thing surprised her as newer than wreaths and crosses; it was that some of the white figures carried baskets between them. What could the baskets be for?

But now they were very near, and, to her astonishment, they wheeled aside and came straight up to her. She trembled as she would have done if Saint Michael in the picture had shaken his head at her, and was conscious of nothing but terrified wonder till she saw close to her a round boyish face, lower than her own, and heard a treble voice saying, “Sister, you carry the Anathema about you. Yield it up to the blessed Gesu, and He will adorn you with the gems of His grace.”

Tessa was only more frightened, understanding nothing. Her first conjecture settled on her basket of sweets. They wanted that, these alarming angels. Oh dear, dear! She looked down at it.

“No, sister,” said a taller youth, pointing to her necklace and the clasp of her belt, “it is those vanities that are the Anathema. Take off that necklace and unclasp that belt, that they may be burned in the holy Bonfire of Vanities, and save you from burning.”

“It is the truth, my sister,” said a still taller youth, evidently the archangel of this band. “Listen to these voices speaking the divine message. You already carry a red cross: let that be your only adornment. Yield up your necklace and belt, and you shall obtain grace.”

This was too much. Tessa, overcome with awe, dared not say “no,” but she was equally unable to render up her beloved necklace and clasp. Her pouting lips were quivering, the tears rushed to her eyes, and a great drop fell. For a moment she ceased to see anything; she felt nothing but confused terror and misery. Suddenly a gentle hand was laid on her arm, and a soft, wonderful voice, as if the Holy Madonna were speaking, said, “Do not be afraid; no one shall harm you.”

Tessa looked up and saw a lady in black, with a young heavenly face and loving hazel eyes. She had never seen any one like this lady before, and under other circumstances might have had awestruck thoughts about her; but now everything else was overcome by the sense that loving protection was near her. The tears only fell the faster, relieving her swelling heart, as she looked up at the heavenly face, and, putting her hand to her necklace, said sobbingly—

“I can’t give them to be burnt. My husband—he bought them for me—and they are so pretty—and Ninna—oh, I wish I’d never come!”

“Do not ask her for them,” said Romola, speaking to the white-robed boys in a tone of mild authority. “It answers no good end for people to give up such things against their will. That is not what Fra Girolamo approves: he would have such things given up freely.”

Madonna Romola’s word was not to be resisted, and the white train moved on. They even moved with haste, as if some new object had caught their eyes; and Tessa felt with bliss that they were gone, and that her necklace and clasp were still with her.

“Oh, I will go back to the house,” she said, still agitated; “I will go nowhere else. But if I should meet them again, and you not be there?” she added, expecting everything from this heavenly lady.

“Stay a little,” said Romola. “Come with me under this doorway, and we will hide the necklace and clasp, and then you will be in no danger.”

She led Tessa under the archway, and said, “Now, can we find room for your necklace and belt in your basket? Ah! your basket is full of crisp things that will break: let us be careful, and lay the heavy necklace under them.”

It was like a change in a dream to Tessa—the escape from nightmare into floating safety and joy—to find herself taken care of by this lady, so lovely, and powerful, and gentle. She let Romola unfasten her necklace and clasp, while she herself did nothing but look up at the face that bent over her.

“They are sweets for Lillo and Ninna,” she said, as Romola carefully lifted up the light parcels in the basket, and placed the ornaments below them.

“Those are your children?” said Romola, smiling. “And you would rather go home to them than see any more of the Carnival? Else you have not far to go to the Piazza de’ Signori, and there you would see the pile for the great bonfire.”

“No, oh no!” said Tessa, eagerly; “I shall never like bonfires again. I will go back.”

“You live at some castello, doubtless,” said Romola, not waiting for an answer. “Towards which gate do you go?”

“Towards Por’ Santa Croce.”

“Come, then,” said Romola, taking her by the hand and leading her to the corner of a street nearly opposite. “If you go down there,” she said, pausing, “you will soon be in a straight road. And I must leave you now, because some one else expects me. You will not be frightened. Your pretty things are quite safe now. Addio.”

“Addio, Madonna,” said Tessa, almost in a whisper, not knowing what else it would be right to say; and in an instant the heavenly lady was gone. Tessa turned to catch a last glimpse, but she only saw the tall gliding figure vanish round the projecting stonework. So she went on her way in wonder, longing to be once more safely housed with Monna Lisa, undesirous of carnivals for evermore.

Baldassarre had kept Tessa in sight till the moment of her parting with Romola: then he went away with his bundle of yarn. It seemed to him that he had discerned a clue which might guide him if he could only grasp the necessary details firmly enough. He had seen the two wives together, and the sight had brought to his conceptions that vividness which had been wanting before. His power of imagining facts needed to be reinforced continually by the senses. The tall wife was the noble and rightful wife; she had the blood in her that would be readily kindled to resentment; she would know what scholarship was, and how it might lie locked in by the obstructions of the stricken body, like a treasure buried by earthquake. She could believe him: she would be inclined to believe him, if he proved to her that her husband was unfaithful. Women cared about that: they would take vengeance for that. If this wife of Tito’s loved him, she would have a sense of injury which Baldassarre’s mind dwelt on with keen longing, as if it would be the strength of another Will added to his own, the strength of another mind to form devices.

Both these wives had been kind to Baldassarre, and their acts towards him, being bound up with the very image of them, had not vanished from his memory; yet the thought of their pain could not present itself to him as a check. To him it seemed that pain was the order of the world for all except the hard and base. If any were innocent, if any were noble, where could the utmost gladness lie for them? Where it lay for him—in unconquerable hatred and triumphant vengeance. But he must be cautious: he must watch this wife in the Via de’ Bardi, and learn more of her; for even here frustration was possible. There was no power for him now but in patience.

LI. Monna Brigida’s Conversion

When Romola said that some one else expected her, she meant her cousin Brigida, but she was far from suspecting how much that good kinswoman was in need of her. Returning together towards the Piazza, they had descried the company of youths coming to a stand before Tessa, and when Romola, having approached near enough to see the simple little contadina’s distress, said, “Wait for me a moment, cousin,” Monna Brigida said hastily, “Ah, I will not go on: come for me to Boni’s shop,—I shall go back there.”

The truth was, Monna Brigida had a consciousness on the one hand of certain “vanities” carried on her person, and on the other of a growing alarm lest the Piagnoni should be right in holding that rouge, and false hair, and pearl embroidery, endamaged the soul. Their serious view of things filled the air like an odour; nothing seemed to have exactly the same flavour as it used to have; and there was the dear child Romola, in her youth and beauty, leading a life that was uncomfortably suggestive of rigorous demands on woman. A widow at fifty-five whose satisfaction has been largely drawn from what she thinks of her own person, and what she believes others think of it, requires a great fund of imagination to keep her spirits buoyant. And Monna Brigida had begun to have frequent struggles at her toilet. If her soul would prosper better without them, was it really worth while to put on the rouge and the braids? But when she lifted up the hand-mirror and saw a sallow face with baggy cheeks, and crows’-feet that were not to be dissimulated by any simpering of the lips—when she parted her grey hair, and let it lie in simple Piagnone fashion round her face, her courage failed. Monna Berta would certainly burst out laughing at her, and call her an old hag, and as Monna Berta was really only fifty-two, she had a superiority which would make the observation cutting. Every woman who was not a Piagnone would give a shrug at the sight of her, and the men would accost her as if she were their grandmother. Whereas, at fifty-five a woman was not so very old—she only required making up a little. So the rouge and the braids and the embroidered berretta went on again, and Monna Brigida was satisfied with the accustomed effect; as for her neck, if she covered it up, people might suppose it was too old to show, and, on the contrary, with the necklaces round it, it looked better than Monna Berta’s. This very day, when she was preparing for the Piagnone Carnival, such a struggle had occurred, and the conflicting fears and longings which caused the struggle, caused her to turn back and seek refuge in the druggist’s shop rather than encounter the collectors of the Anathema when Romola was not by her side. But Monna Brigida was not quite rapid enough in her retreat. She had been descried, even before she turned away, by the white-robed boys in the rear of those who wheeled round towards Tessa, and the willingness with which Tessa was given up was, perhaps, slightly due to the fact that part of the troop had already accosted a personage carrying more markedly upon her the dangerous weight of the Anathema. It happened that several of this troop were at the youngest age taken into peculiar training; and a small fellow of ten, his olive wreath resting above cherubic cheeks and wide brown eyes, his imagination really possessed with a hovering awe at existence as something in which great consequences impended on being good or bad, his longings nevertheless running in the direction of mastery and mischief, was the first to reach Monna Brigida and place himself across her path. She felt angry, and looked for an open door, but there was not one at hand, and by attempting to escape now, she would only make things worse. But it was not the cherubic-faced young one who first addressed her; it was a youth of fifteen, who held one handle of a wide basket.

“Venerable mother!” he began, “the blessed Jesus commands you to give up the Anathema which you carry upon you. That cap embroidered with pearls, those jewels that fasten up your false hair—let them be given up and sold for the poor; and cast the hair itself away from you, as a lie that is only fit for burning. Doubtless, too, you have other jewels under your silk mantle.”

“Yes, lady,” said the youth at the other handle, who had many of Fra Girolamo’s phrases by heart, “they are too heavy for you: they are heavier than a millstone, and are weighting you for perdition. Will you adorn yourself with the hunger of the poor, and be proud to carry God’s curse upon your head?”

“In truth you are old, buona madre,” said the cherubic boy, in a sweet soprano. “You look very ugly with the red on your cheeks and that black glistening hair, and those fine things. It is only Satan who can like to see you. Your Angel is sorry. He wants you to rub away the red.”

The little fellow snatched a soft silk scarf from the basket, and held it towards Monna Brigida, that she might use it as her guardian angel desired. Her anger and mortification were fast giving way to spiritual alarm. Monna Berta and that cloud of witnesses, highly-dressed society in general, were not looking at her, and she was surrounded by young monitors, whose white robes, and wreaths, and red crosses, and dreadful candour, had something awful in their unusualness. Her Franciscan confessor, Fra Cristoforo, of Santa Croce, was not at hand to reinforce her distrust of Dominican teaching, and she was helplessly possessed and shaken by a vague sense that a supreme warning was come to her. Unvisited by the least suggestion of any other course that was open to her, she took the scarf that was held out, and rubbed her cheeks, with trembling submissiveness.

“It is well, madonna,” said the second youth. “It is a holy beginning. And when you have taken those vanities from your head, the dew of heavenly grace will descend on it.” The infusion of mischief was getting stronger, and putting his hand to one of the jewelled pins that fastened her braids to the berretta, he drew it out. The heavy black plait fell down over Monna Brigida’s face, and dragged the rest of the head-gear forward. It was a new reason for not hesitating: she put up her hands hastily, undid the other fastenings, and flung down into the basket of doom her beloved crimson-velvet berretta, with all its unsurpassed embroidery of seed-pearls, and stood an unrouged woman, with grey hair pushed backward from a face where certain deep lines of age had triumphed over embonpoint.

But the berretta was not allowed to lie in the basket. With impish zeal the youngsters lifted it, and held it up pitilessly, with the false hair dangling.

“See, venerable mother,” said the taller youth, “what ugly lies you have delivered yourself from! And now you look like the blessed Saint Anna, the mother of the Holy Virgin.”

Thoughts of going into a convent forthwith, and never showing herself in the world again, were rushing through Monna Brigida’s mind. There was nothing possible for her but to take care of her soul.

Of course, there were spectators laughing: she had no need to look round to assure herself of that. Well! it would, perhaps, be better to be forced to think more of Paradise. But at the thought that the dear accustomed world was no longer in her choice, there gathered some of those hard tears which just moisten elderly eyes, and she could see but dimly a large rough hand holding a red cross, which was suddenly thrust before her over the shoulders of the boys, while a strong guttural voice said—

“Only four quattrini, madonna, blessing and all! Buy it. You’ll find a comfort in it now your wig’s gone. Deh! what are we sinners doing all our lives? Making soup in a basket, and getting nothing but the scum for our stomachs. Better buy a blessing, madonna! Only four quattrini; the profit is not so much as the smell of a danaro, and it goes to the poor.”

Monna Brigida, in dim-eyed confusion, was proceeding to the further submission of reaching money from her embroidered scarsella, at present hidden by her silk mantle, when the group round her, which she had not yet entertained the idea of escaping, opened before a figure as welcome as an angel loosing prison-bolts.

“Romola, look at me!” said Monna Brigida, in a piteous tone, putting out both her hands.

The white troop was already moving away, with a slight consciousness that its zeal about the head-gear had been superabundant enough to afford a dispensation from any further demand for penitential offerings.

“Dear cousin, don’t be distressed,” said Romola, smitten with pity, yet hardly able to help smiling at the sudden apparition of her kinswoman in a genuine, natural guise, strangely contrasted with all memories of her. She took the black drapery from her own head, and threw it over Monna Brigida’s. “There,” she went on soothingly, “no one will remark you now. We will turn down the Via del Palagio and go straight to our house.”

They hastened away, Monna Brigida grasping Romola’s hand tightly, as if to get a stronger assurance of her being actually there.

“Ah, my Romola, my dear child!” said the short fat woman, hurrying with frequent steps to keep pace with the majestic young figure beside her; “what an old scarecrow I am! I must be good—I mean to be good!”

“Yes, yes; buy a cross!” said the guttural voice, while the rough hand was thrust once more before Monna Brigida: for Bratti was not to be abashed by Romola’s presence into renouncing a probable customer, and had quietly followed up their retreat. “Only four quattrini, blessing and all—and if there was any profit, it would all go to the poor.”

Monna Brigida would have been compelled to pause, even if she had been in a less submissive mood. She put up one hand deprecatingly to arrest Romola’s remonstrance, and with the other reached out a grosso, worth many white quattrini, saying, in an entreating tone—

“Take it, good man, and begone.”

“You’re in the right, madonna,” said Bratti, taking the coin quickly, and thrusting the cross into her hand; “I’ll not offer you change, for I might as well rob you of a mass. What! we must all be scorched a little, but you’ll come off the easier; better fall from the window than the roof. A good Easter and a good year to you!”

“Well, Romola,” cried Monna Brigida, pathetically, as Bratti left them, “if I’m to be a Piagnone it’s no matter how I look!”

“Dear cousin,” said Romola, smiling at her affectionately, “you don’t know how much better you look than you ever did before. I see now how good-natured your face is, like yourself. That red and finery seemed to thrust themselves forward and hide expression. Ask our Piero or any other painter if he would not rather paint your portrait now than before. I think all lines of the human face have something either touching or grand, unless they seem to come from low passions. How fine old men are, like my godfather! Why should not old women look grand and simple?”

“Yes, when one gets to be sixty, my Romola,” said Brigida, relapsing a little; “but I’m only fifty-five, and Monna Berta, and everybody—but it’s no use: I will be good, like you. Your mother, if she’d been alive, would have been as old as I am; we were cousins together. One must either die or get old. But it doesn’t matter about being old, if one’s a Piagnone.”

LII. A Prophetess

The incidents of that Carnival day seemed to Romola to carry no other personal consequences to her than the new care of supporting poor cousin Brigida in her fluctuating resignation to age and grey hairs; but they introduced a Lenten time in which she was kept at a high pitch of mental excitement and active effort.

Bernardo del Nero had been elected Gonfaloniere. By great exertions the Medicean party had so far triumphed, and that triumph had deepened Romola’s presentiment of some secretly-prepared scheme likely to ripen either into success or betrayal during these two months of her godfather’s authority. Every morning the dim daybreak as it peered into her room seemed to be that haunting fear coming back to her. Every morning the fear went with her as she passed through the streets on her way to the early sermon in the Duomo: but there she gradually lost the sense of its chill presence, as men lose the dread of death in the clash of battle.

In the Duomo she felt herself sharing in a passionate conflict which had wider relations than any enclosed within the walls of Florence. For Savonarola was preaching—preaching the last course of Lenten sermons he was ever allowed to finish in the Duomo: he knew that excommunication was imminent, and he had reached the point of defying it. He held up the condition of the Church in the terrible mirror of his unflinching speech, which called things by their right names and dealt in no polite periphrases; he proclaimed with heightening confidence the advent of renovation—of a moment when there would be a general revolt against corruption. As to his own destiny, he seemed to have a double and alternating prevision: sometimes he saw himself taking a glorious part in that revolt, sending forth a voice that would be heard through all Christendom, and making the dead body of the Church tremble into new life, as the body of Lazarus trembled when the Divine voice pierced the sepulchre; sometimes he saw no prospect for himself but persecution and martyrdom:—this life for him was only a vigil, and only after death would come the dawn.

The position was one which must have had its impressiveness for all minds that were not of the dullest order, even if they were inclined, as Macchiavelli was, to interpret the Frate’s character by a key that presupposed no loftiness. To Romola, whose kindred ardour gave her a firm belief in Savonarola’s genuine greatness of purpose, the crisis was as stirring as if it had been part of her personal lot. It blent itself as an exalting memory with all her daily labours; and those labours were calling not only for difficult perseverance, but for new courage. Famine had never yet taken its flight from Florence, and all distress, by its long continuance, was getting harder to bear; disease was spreading in the crowded city, and the Plague was expected. As Romola walked, often in weariness, among the sick, the hungry, and the murmuring, she felt it good to be inspired by something more than her pity—by the belief in a heroism struggling for sublime ends, towards which the daily action of her pity could only tend feebly, as the dews that freshen the weedy ground to-day tend to prepare an unseen harvest in the years to come.

But that mighty music which stirred her in the Duomo was not without its jarring notes. Since those first days of glowing hope when the Frate, seeing the near triumph of good in the reform of the Republic and the coming of the French deliverer, had preached peace, charity, and oblivion of political differences, there had been a marked change of conditions: political intrigue had been too obstinate to allow of the desired oblivion; the belief in the French deliverer, who had turned his back on his high mission, seemed to have wrought harm; and hostility, both on a petty and on a grand scale, was attacking the Prophet with new weapons and new determination.

It followed that the spirit of contention and self-vindication pierced more and more conspicuously in his sermons; that he was urged to meet the popular demands not only by increased insistence and detail concerning visions and private revelations, but by a tone of defiant confidence against objectors; and from having denounced the desire for the miraculous, and declared that miracles had no relation to true faith, he had come to assert that at the right moment the Divine power would attest the truth of his prophetic preaching by a miracle. And continually, in the rapid transitions of excited feeling, as the vision of triumphant good receded behind the actual predominance of evil, the threats of coming vengeance against vicious tyrants and corrupt priests gathered some impetus from personal exasperation, as well as from indignant zeal.

In the career of a great public orator who yields himself to the inspiration of the moment, that conflict of selfish and unselfish emotion which in most men is hidden in the chamber of the soul, is brought into terrible evidence: the language of the inner voices is written out in letters of fire.

But if the tones of exasperation jarred on Romola, there was often another member of Fra Girolamo’s audience to whom they were the only thrilling tones, like the vibration of deep bass notes to the deaf. Baldassarre had found out that the wonderful Frate was preaching again, and as often as he could, he went to hear the Lenten sermon, that he might drink in the threats of a voice which seemed like a power on the side of justice. He went the more because he had seen that Romola went too; for he was waiting and watching for a time when not only outward circumstances, but his own varying mental state, would mark the right moment for seeking an interview with her. Twice Romola had caught sight of his face in the Duomo—once when its dark glance was fixed on hers. She wished not to see it again, and yet she looked for it, as men look for the reappearance of a portent. But any revelation that might be yet to come about this old man was a subordinate fear now: it referred, she thought, only to the past, and her anxiety was almost absorbed by the present.

Yet the stirring Lent passed by; April, the second and final month of her godfather’s supreme authority, was near its close; and nothing had occurred to fulfil her presentiment. In the public mind, too, there had been fears, and rumours had spread from Rome of a menacing activity on the part of Piero de’ Medici; but in a few days the suspected Bernardo would go out of power.

Romola was trying to gather some courage from the review of her futile fears, when on the twenty-seventh, as she was walking out on her usual errands of mercy in the afternoon, she was met by a messenger from Camilla Rucellai, chief among the feminine seers of Florence, desiring her presence forthwith on matters of the highest moment. Romola, who shrank with unconquerable repulsion from the shrill volubility of those illuminated women, and had just now a special repugnance towards Camilla because of a report that she had announced revelations hostile to Bernardo del Nero, was at first inclined to send back a flat refusal. Camilla’s message might refer to public affairs, and Romola’s immediate prompting was to close her ears against knowledge that might only make her mental burden heavier. But it had become so thoroughly her habit to reject her impulsive choice, and to obey passively the guidance of outward claims, that, reproving herself for allowing her presentiments to make her cowardly and selfish, she ended by compliance, and went straight to Camilla.

She found the nervous grey-haired woman in a chamber arranged as much as possible like a convent cell. The thin fingers clutching Romola as she sat, and the eager voice addressing her at first in a loud whisper, caused her a physical shrinking that made it difficult for her to keep her seat.

Camilla had a vision to communicate—a vision in which it had been revealed to her by Romola’s Angel, that Romola knew certain secrets concerning her godfather, Bernardo del Nero, which, if disclosed, might save the Republic from peril. Camilla’s voice rose louder and higher as she narrated her vision, and ended by exhorting Romola to obey the command of her Angel, and separate herself from the enemy of God.

Romola’s impetuosity was that of a massive nature, and, except in moments when she was deeply stirred, her manner was calm and self-controlled. She had a constitutional disgust for the shallow excitability of women like Camilla, whose faculties seemed all wrought up into fantasies, leaving nothing for emotion and thought. The exhortation was not yet ended when she started up and attempted to wrench her arm from Camilla’s tightening grasp. It was of no use. The prophetess kept her hold like a crab, and, only incited to more eager exhortation by Romola’s resistance, was carried beyond her own intention into a shrill statement of other visions which were to corroborate this. Christ himself had appeared to her and ordered her to send his commands to certain citizens in office that they should throw Bernardo del Nero from the window of the Palazzo Vecchio. Fra Girolamo himself knew of it, and had not dared this time to say that the vision was not of Divine authority.

“And since then,” said Camilla, in her excited treble, straining upward with wild eyes towards Romola’s face, “the Blessed Infant has come to me and laid a wafer of sweetness on my tongue in token of his pleasure that I had done his will.”

“Let me go!” said Romola, in a deep voice of anger. “God grant you are mad! else you are detestably wicked!”

The violence of her effort to be free was too strong for Camilla now. She wrenched away her arm and rushed out of the room, not pausing till she had hurriedly gone far along the street, and found herself close to the church of the Badia. She had but to pass behind the curtain under the old stone arch, and she would find a sanctuary shut in from the noise and hurry of the street, where all objects and all uses suggested the thought of an eternal peace subsisting in the midst of turmoil.

She turned in, and sinking down on the step of the altar in front of Filippino Lippi’s serene Virgin appearing to Saint Bernard, she waited in hope that the inward tumult which agitated her would by-and-by subside.

The thought which pressed on her the most acutely was that Camilla could allege Savonarola’s countenance of her wicked folly. Romola did not for a moment believe that he had sanctioned the throwing of Bernardo del Nero from the window as a Divine suggestion; she felt certain that there was falsehood or mistake in that allegation. Savonarola had become more and more severe in his views of resistance to malcontents; but the ideas of strict law and order were fundamental to all his political teaching. Still, since he knew the possibly fatal effects of visions like Camilla’s, since he had a marked distrust of such spirit-seeing women, and kept aloof from them as much as possible, why, with his readiness to denounce wrong from the pulpit, did he not publicly denounce these pretended revelations which brought new darkness instead of light across the conception of a Supreme Will? Why? The answer came with painful clearness: he was fettered inwardly by the consciousness that such revelations were not, in their basis, distinctly separable from his own visions; he was fettered outwardly by the foreseen consequence of raising a cry against himself even among members of his own party, as one who would suppress all Divine inspiration of which he himself was not the vehicle—he or his confidential and supplementary seer of visions, Fra Salvestro.

Romola, kneeling with buried face on the altar-step, was enduring one of those sickening moments, when the enthusiasm which had come to her as the only energy strong enough to make life worthy, seemed to be inevitably bound up with vain dreams and wilful eye-shutting. Her mind rushed back with a new attraction towards the strong worldly sense, the dignified prudence, the untheoretic virtues of her godfather, who was to be treated as a sort of Agag because he held that a more restricted form of government was better than the Great Council, and because he would not pretend to forget old ties to the banished family.

But with this last thought rose the presentiment of some plot to restore the Medici; and then again she felt that the popular party was half justified in its fierce suspicion. Again she felt that to keep the Government of Florence pure, and to keep out a vicious rule, was a sacred cause; the Frate was right there, and had carried her understanding irrevocably with him. But at this moment the assent of her understanding went alone; it was given unwillingly. Her heart was recoiling from a right allied to so much narrowness; a right apparently entailing that hard systematic judgment of men which measures them by assents and denials quite superficial to the manhood within them. Her affection and respect were clinging with new tenacity to her godfather, and with him to those memories of her father which were in the same opposition to the division of men into sheep and goats by the easy mark of some political or religious symbol.

After all has been said that can be said about the widening influence of ideas, it remains true that they would hardly be such strong agents unless they were taken in a solvent of feeling. The great world-struggle of developing thought is continually foreshadowed in the struggle of the affections, seeking a justification for love and hope.

If Romola’s intellect had been less capable of discerning the complexities in human things, all the early loving associations of her life would have forbidden her to accept implicitly the denunciatory exclusiveness of Savonarola. She had simply felt that his mind had suggested deeper and more efficacious truth to her than any other, and the large breathing-room she found in his grand view of human duties had made her patient towards that part of his teaching which she could not absorb, so long as its practical effect came into collision with no strong force in her. But now a sudden insurrection of feeling had brought about that collision. Her indignation, once roused by Camilla’s visions, could not pause there, but ran like an illuminating fire over all the kindred facts in Savonarola’s teaching, and for the moment she felt what was true in the scornful sarcasms she heard continually flung against him, more keenly than she felt what was false.

But it was an illumination that made all life look ghastly to her. Where were the beings to whom she could cling, with whom she could work and endure, with the belief that she was working for the right? On the side from which moral energy came lay a fanaticism from which she was shrinking with newly-startled repulsion; on the side to which she was drawn by affection and memory, there was the presentiment of some secret plotting, which her judgment told her would not be unfairly called crime. And still surmounting every other thought was the dread inspired by Tito’s hints, lest that presentiment should be converted into knowledge, in such a way that she would be torn by irreconcilable claims.

Calmness would not come even on the altar-steps; it would not come from looking at the serene picture where the saint, writing in the rocky solitude, was being visited by faces with celestial peace in them. Romola was in the hard press of human difficulties, and that rocky solitude was too far off. She rose from her knees that she might hasten to her sick people in the courtyard, and by some immediate beneficent action, revive that sense of worth in life which at this moment was unfed by any wider faith. But when she turned round, she found herself face to face with a man who was standing only two yards off her. The man was Baldassarre.

LIII. On San Miniato

“I would speak with you,” said Baldassarre, as Romola looked at him in silent expectation. It was plain that he had followed her, and had been waiting for her. She was going at last to know the secret about him.

“Yes,” she said, with the same sort of submission that she might have shown under an imposed penance. “But you wish to go where no one can hear us?”

“Where he will not come upon us,” said Baldassarre, turning and glancing behind him timidly. “Out—in the air—away from the streets.”

“I sometimes go to San Miniato at this hour,” said Romola. “If you like, I will go now, and you can follow me. It is far, but we can be solitary there.”

He nodded assent, and Romola set out. To some women it might have seemed an alarming risk to go to a comparatively solitary spot with a man who had some of the outward signs of that madness which Tito attributed to him. But Romola was not given to personal fears, and she was glad of the distance that interposed some delay before another blow fell on her. The afternoon was far advanced, and the sun was already low in the west, when she paused on some rough ground in the shadow of the cypress-trunks, and looked round for Baldassarre. He was not far off, but when he reached her, he was glad to sink down on an edge of stony earth. His thickset frame had no longer the sturdy vigour which belonged to it when he first appeared with the rope round him in the Duomo; and under the transient tremor caused by the exertion of walking up the hill, his eyes seemed to have a more helpless vagueness.

“The hill is steep,” said Romola, with compassionate gentleness, seating herself by him. “And I fear you have been weakened by want?”

He turned his head and fixed his eyes on her in silence, unable, now the moment of speech was come, to seize the words that would convey the thought he wanted to utter: and she remained as motionless as she could, lest he should suppose her impatient. He looked like nothing higher than a common-bred, neglected old man; but she was used now to be very near to such people, and to think a great deal about their troubles. Gradually his glance gathered a more definite expression, and at last he said with abrupt emphasis—

“Ah! you would have been my daughter!”

The swift flush came in Romola’s face and went back again as swiftly, leaving her with white lips a little apart, like a marble image of horror. For her mind, the revelation was made. She divined the facts that lay behind that single word, and in the first moment there could be no check to the impulsive belief which sprang from her keen experience of Tito’s nature. The sensitive response of her face was a stimulus to Baldassarre; for the first time his words had wrought their right effect. He went on with gathering eagerness and firmness, laying his hand on her arm.

“You are a woman of proud blood—is it not true? You go to hear the preacher; you hate baseness—baseness that smiles and triumphs. You hate your husband?”

“Oh God! were you really his father?” said Romola, in a low voice, too entirely possessed by the images of the past to take any note of Baldassarre’s question. “Or was it as he said? Did you take him when he was little?”

“Ah, you believe me—you know what he is!” said Baldassarre, exultingly, tightening the pressure on her arm, as if the contact gave him power. “You will help me?”

“Yes,” said Romola, not interpreting the words as he meant them. She laid her palm gently on the rough hand that grasped her arm, and the tears came to her eyes as she looked at him. “Oh, it is piteous! Tell me—you were a great scholar; you taught him. How is it?”

She broke off. Tito’s allegation of this man’s madness had come across her; and where were the signs even of past refinement? But she had the self-command not to move her hand. She sat perfectly still, waiting to listen with new caution.

“It is gone!—it is all gone!” said Baldassarre; “and they would not believe me, because he lied, and said I was mad; and they had me dragged to prison. And I am old—my mind will not come back. And the world is against me.”

He paused a moment, and his eyes sank as if he were under a wave of despondency. Then he looked up at her again, and said with renewed eagerness—“But you are not against me. He made you love him, and he has been false to you; and you hate him. Yes, he made me love him: he was beautiful and gentle, and I was a lonely man. I took him when they were beating him. He slept in my bosom when he was little, and I watched him as he grew, and gave him all my knowledge, and everything that was mine I meant to be his. I had many things; money, and books, and gems. He had my gems—he sold them; and he left me in slavery. He never came to seek me, and when I came back poor and in misery, he denied me. He said I was a madman.”

“He told us his father was dead—was drowned,” said Romola, faintly. “Surely he must have believed it then. Oh! he could not have been so base then!”

A vision had risen of what Tito was to her in those first days when she thought no more of wrong in him than a child thinks of poison in flowers. The yearning regret that lay in that memory brought some relief from the tension of horror. With one great sob the tears rushed forth.

“Ah, you are young, and the tears come easily,” said Baldassarre, with some impatience. “But tears are no good; they only put out the fire within, and it is the fire that works. Tears will hinder us. Listen to me.”

Romola turned towards him with a slight start. Again the possibility of his madness had darted through her mind, and checked the rush of belief. If, after all, this man were only a mad assassin? But her deep belief in this story still lay behind, and it was more in sympathy than in fear that she avoided the risk of paining him by any show of doubt.

“Tell me,” she said, as gently as she could, “how did you lose your memory—your scholarship?”

“I was ill. I can’t tell how long—it was a blank. I remember nothing, only at last I was sitting in the sun among the stones, and everything else was darkness. And slowly, and by degrees, I felt something besides that: a longing for something—I did not know what—that never came. And when I was in the ship on the waters I began to know what I longed for; it was for the Boy to come back—it was to find all my thoughts again, for I was locked away outside them all. And I am outside now. I feel nothing but a wall and darkness.”

Baldassarre had become dreamy again, and sank into silence, resting his head between his hands; and again Romola’s belief in him had submerged all cautioning doubts. The pity with which she dwelt on his words seemed like the revival of an old pang. Had she not daily seen how her father missed Dino and the future he had dreamed of in that son?

“It all came back once,” Baldassarre went on presently. “I was master of everything. I saw all the world again, and my gems, and my books; and I thought I had him in my power, and I went to expose him where—where the lights were and the trees; and he lied again, and said I was mad, and they dragged me away to prison... Wickedness is strong; and he wears armour.”

The fierceness had flamed up again. He spoke with his former intensity, and again he grasped Romola’s arm.

“But you will help me? He has been false to you too. He has another wife, and she has children. He makes her believe he is her husband, and she is a foolish, helpless thing. I will show you where she lives.”

The first shock that passed through Romola was visibly one of anger. The woman’s sense of indignity was inevitably foremost. Baldassarre instinctively felt her in sympathy with him.

“You hate him,” he went on. “Is it not true? There is no love between you; I know that. I know women can hate; and you have proud blood. You hate falseness, and you can love revenge.”

Romola sat paralysed by the shock of conflicting feelings. She was not conscious of the grasp that was bruising her tender arm.

“You shall contrive it,” said Baldassarre, presently, in an eager whisper. “I have learned by heart that you are his rightful wife. You are a noble woman. You go to hear the preacher of vengeance; you will help justice. But you will think for me. My mind goes—everything goes sometimes—all but the fire. The fire is God: it is justice: it will not die. You believe that—is it not true? If they will not hang him for robbing me, you will take away his armour—you will make him go without it, and I will stab him. I have a knife, and my arm is still strong enough.”

He put his hand under his tunic, and reached out the hidden knife, feeling the edge abstractedly, as if he needed the sensation to keep alive his ideas.

It seemed to Romola as if every fresh hour of her life were to become more difficult than the last. Her judgment was too vigorous and rapid for her to fall into the mistake of using futile deprecatory words to a man in Baldassarre’s state of mind. She chose not to answer his last speech. She would win time for his excitement to allay itself by asking something else that she cared to know. She spoke rather tremulously—

“You say she is foolish and helpless—that other wife—and believes him to be her real husband. Perhaps he is: perhaps he married her before he married me.”

“I cannot tell,” said Baldassarre, pausing in that action of feeling the knife, and looking bewildered. “I can remember no more. I only know where she lives. You shall see her. I will take you; but not now,” he added hurriedly, “he may be there. The night is coming on.”

“It is true,” said Romola, starting up with a sudden consciousness that the sun had set and the hills were darkening; “but you will come and take me—when?”

“In the morning,” said Baldassarre, dreaming that she, too, wanted to hurry to her vengeance.

“Come to me, then, where you came to me to-day, in the church. I will be there at ten; and if you are not there, I will go again towards mid-day. Can you remember?”

“Mid-day,” said Baldassarre—“only mid-day. The same place, and mid-day. And, after that,” he added, rising and grasping her arm again with his left hand, while he held the knife in his right; “we will have our revenge. He shall feel the sharp edge of justice. The world is against me, but you will help me.”

“I would help you in other ways,” said Romola, making a first, timid effort to dispel his illusion about her. “I fear you are in want; you have to labour, and get little. I should like to bring you comforts, and make you feel again that there is some one who cares for you.”

“Talk no more about that,” said Baldassarre, fiercely. “I will have nothing else. Help me to wring one drop of vengeance on this side of the grave. I have nothing but my knife. It is sharp; but there is a moment after the thrust when men see the face of death,—and it shall be my face that he will see.”

He loosed his hold, and sank down again in a sitting posture. Romola felt helpless: she must defer all intentions till the morrow.

“Mid-day, then,” she said, in a distinct voice.

“Yes,” he answered, with an air of exhaustion. “Go; I will rest here.”

She hastened away. Turning at the last spot whence he was likely to be in sight, she saw him seated still.

LIV. The Evening and the Morning

Romola had a purpose in her mind as she was hastening away; a purpose which had been growing through the afternoon hours like a side-stream, rising higher and higher along with the main current. It was less a resolve than a necessity of her feeling. Heedless of the darkening streets, and not caring to call for Maso’s slow escort, she hurried across the bridge where the river showed itself black before the distant dying red, and took the most direct way to the Old Palace. She might encounter her husband there. No matter. She could not weigh probabilities; she must discharge her heart. She did not know what she passed in the pillared court or up the wide stairs; she only knew that she asked an usher for the Gonfaloniere, giving her name, and begging to be shown into a private room.

She was not left long alone with the frescoed figures and the newly-lit tapers. Soon the door opened, and Bernardo del Nero entered, still carrying his white head erect above his silk lucco.

“Romola, my child, what is this?” he said, in a tone of anxious surprise as he closed the door.

She had uncovered her head and went towards him without speaking. He laid his hand on her shoulder, and held her a little way from him that he might see her better. Her face was haggard from fatigue and long agitation, her hair had rolled down in disorder; but there was an excitement in her eyes that seemed to have triumphed over the bodily consciousness.

“What has he done?” said Bernardo, abruptly. “Tell me everything, child; throw away pride. I am your father.”

“It is not about myself—nothing about myself,” said Romola, hastily. “Dearest godfather, it is about you. I have heard things—some I cannot tell you. But you are in danger in the palace; you are in danger everywhere. There are fanatical men who would harm you, and—and there are traitors. Trust nobody. If you trust, you will be betrayed.”

Bernardo smiled.

“Have you worked yourself up into this agitation, my poor child,” he said, raising his hand to her head and patting it gently, “to tell such old truth as that to an old man like me?”

“Oh no, no! they are not old truths that I mean,” said Romola, pressing her clasped hands painfully together, as if that action would help her to suppress what must not be told. “They are fresh things that I know, but cannot tell. Dearest godfather, you know I am not foolish. I would not come to you without reason. Is it too late to warn you against any one, every one who seems to be working on your side? Is it too late to say, ‘Go to your villa and keep away in the country when these three more days of office are over?’ Oh God! perhaps it is too late! and if any harm comes to you, it will be as if I had done it!”

The last words had burst from Romola involuntarily: a long-stifled feeling had found spasmodic utterance. But she herself was startled and arrested.

“I mean,” she added, hesitatingly, “I know nothing positive. I only know what fills me with fears.”

“Poor child!” said Bernardo, looking at her with quiet penetration for a moment or two. Then he said: “Go, Romola—go home and rest. These fears may be only big ugly shadows of something very little and harmless. Even traitors must see their interest in betraying; the rats will run where they smell the cheese, and there is no knowing yet which way the scent will come.”

He paused, and turned away his eyes from her with an air of abstraction, till, with a slow shrug, he added—

“As for warnings, they are of no use to me, child. I enter into no plots, but I never forsake my colours. If I march abreast with obstinate men, who will rush on guns and pikes, I must share the consequences. Let us say no more about that. I have not many years left at the bottom of my sack for them to rob me of. Go, child; go home and rest.”

He put his hand on her head again caressingly, and she could not help clinging to his arm, and pressing her brow against his shoulder. Her godfather’s caress seemed the last thing that was left to her out of that young filial life, which now looked so happy to her even in its troubles, for they were troubles untainted by anything hateful.

“Is silence best, my Romola?” said the old man.

“Yes, now; but I cannot tell whether it always will be,” she answered, hesitatingly, raising her head with an appealing look.

“Well, you have a father’s ear while I am above ground,”—he lifted the black drapery and folded it round her head, adding—“and a father’s home; remember that.” Then opening the door, he said: “There, hasten away. You are like a black ghost; you will be safe enough.”

When Romola fell asleep that night, she slept deep. Agitation had reached its limits; she must gather strength before she could suffer more; and, in spite of rigid habit, she slept on far beyond sunrise.

When she awoke, it was to the sound of guns. Piero de’ Medici, with thirteen hundred men at his back, was before the gate that looks towards Rome.

So much Romola learned from Maso, with many circumstantial additions of dubious quality. A countryman had come in and alarmed the Signoria before it was light, else the city would have been taken by surprise. His master was not in the house, having been summoned to the Palazzo long ago. She sent out the old man again, that he might gather news, while she went up to the loggia from time to time to try and discern any signs of the dreaded entrance having been made, or of its having been effectively repelled. Maso brought her word that the great Piazza was full of armed men, and that many of the chief citizens suspected as friends of the Medici had been summoned to the palace and detained there. Some of the people seemed not to mind whether Piero got in or not, and some said the Signoria itself had invited him; but however that might be, they were giving him an ugly welcome; and the soldiers from Pisa were coming against him.

In her memory of those morning hours, there were not many things that Romola could distinguish as actual external experiences standing markedly out above the tumultuous waves of retrospect and anticipation. She knew that she had really walked to the Badia by the appointed time in spite of street alarms; she knew that she had waited there in vain. And the scene she had witnessed when she came out of the church, and stood watching on the steps while the doors were being closed behind her for the afternoon interval, always came back to her like a remembered waking.

There was a change in the faces and tones of the people, armed and unarmed, who were pausing or hurrying along the streets. The guns were firing again, but the sound only provoked laughter. She soon knew the cause of the change. Piero de’ Medici and his horsemen had turned their backs on Florence, and were galloping as fast as they could along the Siena road. She learned this from a substantial shop-keeping Piagnone, who had not yet laid down his pike.

“It is true,” he ended, with a certain bitterness in his emphasis. “Piero is gone, but there are those left behind who were in the secret of his coming—we all know that; and if the new Signoria does its duty we shall soon know who they are.”

The words darted through Romola like a sharp spasm; but the evil they foreshadowed was not yet close upon her, and as she entered her home again, her most pressing anxiety was the possibility that she had lost sight for a long while of Baldassarre.

LV. Waiting

The lengthening sunny days went on without bringing either what Romola most desired or what she most dreaded. They brought no sign from Baldassarre, and, in spite of special watch on the part of the Government, no revelation of the suspected conspiracy. But they brought other things which touched her closely, and bridged the phantom-crowded space of anxiety with active sympathy in immediate trial. They brought the spreading Plague and the Excommunication of Savonarola.

Both these events tended to arrest her incipient alienation from the Frate, and to rivet again her attachment to the man who had opened to her the new life of duty, and who seemed now to be worsted in the fight for principle against profligacy. For Romola could not carry from day to day into the abodes of pestilence and misery the sublime excitement of a gladness that, since such anguish existed, she too existed to make some of the anguish less bitter, without remembering that she owed this transcendent moral life to Fra Girolamo. She could not witness the silencing and excommunication of a man whose distinction from the great mass of the clergy lay, not in any heretical belief, not in his superstitions, but in the energy with which he sought to make the Christian life a reality, without feeling herself drawn strongly to his side.

Far on in the hot days of June the Excommunication, for some weeks arrived from Rome, was solemnly published in the Duomo. Romola went to witness the scene, that the resistance it inspired might invigorate that sympathy with Savonarola which was one source of her strength. It was in memorable contrast with the scene she had been accustomed to witness there.

Instead of upturned citizen-faces filling the vast area under the morning light, the youngest rising amphitheatre-wise towards the walls, and making a garland of hope around the memories of age—instead of the mighty voice thrilling all hearts with the sense of great things, visible and invisible, to be struggled for—there were the bare walls at evening made more sombre by the glimmer of tapers; there was the black and grey flock of monks and secular clergy with bent, unexpectant faces; there was the occasional tinkling of little bells in the pauses of a monotonous voice reading a sentence which had already been long hanging up in the churches; and at last there was the extinction of the tapers, and the slow, shuffling tread of monkish feet departing in the dim silence.

Romola’s ardour on the side of the Frate was doubly strengthened by the gleeful triumph she saw in hard and coarse faces, and by the fear-stricken confusion in the faces and speech of many among his strongly-attached friends. The question where the duty of obedience ends, and the duty of resistance begins, could in no case be an easy one; but it was made overwhelmingly difficult by the belief that the Church was—not a compromise of parties to secure a more or less approximate justice in the appropriation of funds, but—a living organism, instinct with Divine power to bless and to curse. To most of the pious Florentines, who had hitherto felt no doubt in their adherence to the Frate, that belief in the Divine potency of the Church was not an embraced opinion, it was an inalienable impression, like the concavity of the blue firmament; and the boldness of Savonarola’s written arguments that the Excommunication was unjust, and that, being unjust, it was not valid, only made them tremble the more, as a defiance cast at a mystic image, against whose subtle immeasurable power there was neither weapon nor defence.

But Romola, whose mind had not been allowed to draw its early nourishment from the traditional associations of the Christian community in which her father had lived a life apart, felt her relation to the Church only through Savonarola; his moral force had been the only authority to which she had bowed; and in his excommunication she only saw the menace of hostile vice: on one side she saw a man whose life was devoted to the ends of public virtue and spiritual purity, and on the other the assault of alarmed selfishness, headed by a lustful, greedy, lying, and murderous old man, once called Rodrigo Borgia, and now lifted to the pinnacle of infamy as Pope Alexander the Sixth. The finer shades of fact which soften the edge of such antitheses are not apt to be seen except by neutrals, who are not distressed to discern some folly in martyrs and some judiciousness in the men who burnt them. But Romola required a strength that neutrality could not give; and this Excommunication, which simplified and ennobled the resistant position of Savonarola by bringing into prominence its wider relations, seemed to come to her like a rescue from the threatening isolation of criticism and doubt. The Frate was now withdrawn from that smaller antagonism against Florentine enemies into which he continually fell in the unchecked excitement of the pulpit, and presented himself simply as appealing to the Christian world against a vicious exercise of ecclesiastical power. He was a standard-bearer leaping into the breach. Life never seems so clear and easy as when the heart is beating faster at the sight of some generous self-risking deed. We feel no doubt then what is the highest prize the soul can win; we almost believe in our own power to attain it. By a new current of such enthusiasm Romola was helped through these difficult summer days. She had ventured on no words to Tito that would apprise him of her late interview with Baldassarre, and the revelation he had made to her. What would such agitating, difficult words win from him? No admission of the truth; nothing, probably, but a cool sarcasm about her sympathy with his assassin. Baldassarre was evidently helpless: the thing to be feared was, not that he should injure Tito, but that Tito, coming upon his traces, should carry out some new scheme for ridding himself of the injured man who was a haunting dread to him. Romola felt that she could do nothing decisive until she had seen Baldassarre again, and learned the full truth about that “other wife”—learned whether she were the wife to whom Tito was first bound.

The possibilities about that other wife, which involved the worst wound to her hereditary pride, mingled themselves as a newly-embittering suspicion with the earliest memories of her illusory love, eating away the lingering associations of tenderness with the past image of her husband; and her irresistible belief in the rest of Baldassarre’s revelation made her shrink from Tito with a horror which would perhaps have urged some passionate speech in spite of herself if he had not been more than usually absent from home. Like many of the wealthier citizens in that time of pestilence, he spent the intervals of business chiefly in the country: the agreeable Melema was welcome at many villas, and since Romola had refused to leave the city, he had no need to provide a country residence of his own.

But at last, in the later days of July, the alleviation of those public troubles which had absorbed her activity and much of her thought, left Romola to a less counteracted sense of her personal lot. The Plague had almost disappeared, and the position of Savonarola was made more hopeful by a favourable magistracy, who were writing urgent vindicatory letters to Rome on his behalf, entreating the withdrawal of the Excommunication.

Romola’s healthy and vigorous frame was undergoing the reaction of languor inevitable after continuous excitement and over-exertion; but her mental restlessness would not allow her to remain at home without peremptory occupation, except during the sultry hours. In the cool of the morning and evening she walked out constantly, varying her direction as much as possible, with the vague hope that if Baldassarre were still alive she might encounter him. Perhaps some illness had brought a new paralysis of memory, and he had forgotten where she lived—forgotten even her existence. That was her most sanguine explanation of his non-appearance. The explanation she felt to be most probable was, that he had died of the Plague.

LVI. The Other Wife

The morning warmth was already beginning to be rather oppressive to Romola, when, after a walk along by the walls on her way from San Marco, she turned towards the intersecting streets again at the gate of Santa Croce.

The Borgo La Croce was so still, that she listened to her own footsteps on the pavement in the sunny silence, until, on approaching a bend in the street, she saw, a few yards before her, a little child not more than three years old, with no other clothing than his white shirt, pause from a waddling run and look around him. In the first moment of coming nearer she could only see his back—a boy’s back, square and sturdy, with a cloud of reddish-brown curls above it; but in the next he turned towards her, and she could see his dark eyes wide with tears, and his lower lip pushed up and trembling, while his fat brown fists clutched his shirt helplessly. The glimpse of a tall black figure sending a shadow over him brought his bewildered fear to a climax, and a loud crying sob sent the big tears rolling.

Romola, with the ready maternal instinct which was one hidden source of her passionate tenderness, instantly uncovered her head, and, stooping down on the pavement, put her arms round him, and her cheeks against his, while she spoke to him in caressing tones. At first his sobs were only the louder, but he made no effort to get away, and presently the outburst ceased with that strange abruptness which belongs to childish joys and griefs: his face lost its distortion, and was fixed in an open-mouthed gaze at Romola.

“You have lost yourself, little one,” she said, kissing him. “Never mind! we will find the house again. Perhaps mamma will meet us.”

She divined that he had made his escape at a moment when the mother’s eyes were turned away from him, and thought it likely that he would soon be followed.

“Oh, what a heavy, heavy boy!” she said, trying to lift him. “I cannot carry you. Come, then, you must toddle back by my side.”

The parted lips remained motionless in awed silence, and one brown fist still clutched the shirt with as much tenacity as ever; but the other yielded itself quite willingly to the wonderful white hand, strong but soft.

“You have a mamma?” said Romola, as they set out, looking down at the boy with a certain yearning. But he was mute. A girl under those circumstances might perhaps have chirped abundantly; not so this square-shouldered little man with the big cloud of curls.

He was awake to the first sign of his whereabout, however. At the turning by the front of San Ambrogio he dragged Romola towards it, looking up at her.

“Ah, that is the way home, is it?” she said, smiling at him. He only thrust his head forward and pulled, as an admonition that they should go faster.

There was still another turning that he had a decided opinion about, and then Romola found herself in a short street leading to open garden ground. It was in front of a house at the end of this street that the little fellow paused, pulling her towards some stone stairs. He had evidently no wish for her to loose his hand, and she would not have been willing to leave him without being sure that she was delivering him to his friends. They mounted the stairs, seeing but dimly in that sudden withdrawal from the sunlight, till, at the final landing-place, an extra stream of light came from an open doorway. Passing through a small lobby, they came to another open door, and there Romola paused. Her approach had not been heard.

On a low chair at the farther end of the room, opposite the light, sat Tessa, with one hand on the edge of the cradle, and her head hanging a little on one side, fast asleep. Near one of the windows, with her back turned towards the door, sat Monna Lisa at her work of preparing salad, in deaf unconsciousness. There was only an instant for Romola’s eyes to take in that still scene; for Lillo snatched his hand away from her and ran up to his mother’s side, not making any direct effort to wake her, but only leaning his head back against her arm, and surveying Romola seriously from that distance.

As Lillo pushed against her, Tessa opened her eyes, and looked up in bewilderment; but her glance had no sooner rested on the figure at the opposite doorway than she started up, blushed deeply, and began to tremble a little, neither speaking nor moving forward.

“Ah! we have seen each other before,” said Romola, smiling, and coming forward. “I am glad it was your little boy. He was crying in the street; I suppose he had run away. So we walked together a little way, and then he knew where he was, and brought me here. But you had not missed him? That is well, else you would have been frightened.”

The shock of finding that Lillo had run away overcame every other feeling in Tessa for the moment. Her colour went again, and, seizing Lillo’s arm, she ran with him to Monna Lisa, saying, with a half sob, loud in the old woman’s ear—

“Oh, Lisa, you are wicked! Why will you stand with your back to the door? Lillo ran away ever so far into the street.”

“Holy Mother!” said Monna Lisa, in her meek, thick tone, letting the spoon fall from her hands. “Where were you, then? I thought you were there, and had your eye on him.”

“But you know I go to sleep when I am rocking,” said Tessa, in pettish remonstrance.

“Well, well, we must keep the outer door shut, or else tie him up,” said Monna Lisa, “for he’ll be as cunning as Satan before long, and that’s the holy truth. But how came he back, then?”

This question recalled Tessa to the consciousness of Romola’s presence. Without answering, she turned towards her, blushing and timid again, and Monna Lisa’s eyes followed her movement. The old woman made a low reverence, and said—

“Doubtless the most noble lady brought him back.” Then, advancing a little nearer to Romola, she added, “It’s my shame for him to have been found with only his shirt on; but he kicked, and wouldn’t have his other clothes on this morning, and the mother, poor thing, will never hear of his being beaten. But what’s an old woman to do without a stick when the lad’s legs get so strong? Let your nobleness look at his legs.”

Lillo, conscious that his legs were in question, pulled his shirt up a little higher, and looked down at their olive roundness with a dispassionate and curious air. Romola laughed, and stooped to give him a caressing shake and a kiss, and this action helped the reassurance that Tessa had already gathered from Monna Lisa’s address to Romola. For when Naldo had been told about the adventure at the Carnival, and Tessa had asked him who the heavenly lady that had come just when she was wanted, and had vanished so soon, was likely to be—whether she could be the Holy Madonna herself?—he had answered, “Not exactly, my Tessa; only one of the saints,” and had not chosen to say more. So that in the dreamlike combination of small experience which made up Tessa’s thought, Romola had remained confusedly associated with the pictures in the churches, and when she reappeared, the grateful remembrance of her protection was slightly tinctured with religious awe—not deeply, for Tessa’s dread was chiefly of ugly and evil beings. It seemed unlikely that good beings would be angry and punish her, as it was the nature of Nofri and the devil to do. And now that Monna Lisa had spoken freely about Lillo’s legs and Romola had laughed, Tessa was more at her ease.

“Ninna’s in the cradle,” she said. “She’s pretty too.”

Romola went to look at the sleeping Ninna, and Monna Lisa, one of the exceptionally meek deaf, who never expect to be spoken to, returned to her salad.

“Ah! she is waking: she has opened her blue eyes,” said Romola. “You must take her up, and I will sit down in this chair—may I?—and nurse Lillo. Come, Lillo!”

She sat down in Tito’s chair, and put out her arms towards the lad, whose eyes had followed her. He hesitated: and, pointing his small fingers at her with a half-puzzled, half-angry feeling, said, “That’s Babbo’s chair,” not seeing his way out of the difficulty if Babbo came and found Romola in his place.

“But Babbo is not here, and I shall go soon. Come, let me nurse you as he does,” said Romola, wondering to herself for the first time what sort of Babbo he was whose wife was dressed in contadina fashion, but had a certain daintiness about her person that indicated idleness and plenty. Lillo consented to be lifted up, and, finding the lap exceedingly comfortable, began to explore her dress and hands, to see if there were any ornaments beside the rosary.

Tessa, who had hitherto been occupied in coaxing Ninna out of her waking peevishness, now sat down in her low chair, near Romola’s knee, arranging Ninna’s tiny person to advantage, jealous that the strange lady too seemed to notice the boy most, as Naldo did.

“Lillo was going to be angry with me, because I sat in Babbo’s chair,” said Romola, as she bent forward to kiss Ninna’s little foot. “Will he come soon and want it?”

“Ah, no!” said Tessa, “you can sit in it a long while. I shall be sorry when you go. When you first came to take care of me at the Carnival, I thought it was wonderful; you came and went away again so fast. And Naldo said, perhaps you were a saint, and that made me tremble a little, though the saints are very good, I know; and you were good to me, and now you have taken care of Lillo. Perhaps you will always come and take care of me. That was how Naldo did a long while ago; he came and took care of me when I was frightened, one San Giovanni. I couldn’t think where he came from—he was so beautiful and good. And so are you,” ended Tessa, looking up at Romola with devout admiration.

“Naldo is your husband. His eyes are like Lillo’s,” said Romola, looking at the boy’s darkly-pencilled eyebrows, unusual at his age. She did not speak interrogatively, but with a quiet certainty of inference which was necessarily mysterious to Tessa.

“Ah! you know him!” she said, pausing a little in wonder. “Perhaps you know Nofri and Peretola, and our house on the hill, and everything. Yes, like Lillo’s; but not his hair. His hair is dark and long—” she went on, getting rather excited. “Ah! if you know it, ecco!”

She had put her hand to a thin red silk cord that hung round her neck, and drew from her bosom the tiny old parchment Breve, the horn of red coral, and a long dark curl carefully tied at one end and suspended with those mystic treasures. She held them towards Romola, away from Ninna’s snatching hand.

“It is a fresh one. I cut it lately. See how bright it is!” she said, laying it against the white background of Romola’s fingers. “They get dim, and then he lets me cut another when his hair is grown; and I put it with the Breve, because sometimes he is away a long while, and then I think it helps to take care of me.”

A slight shiver passed through Romola as the curl was laid across her fingers. At Tessa’s first mention of her husband as having come mysteriously she knew not whence, a possibility had risen before Romola that made her heart beat faster; for to one who is anxiously in search of a certain object the faintest suggestions have a peculiar significance. And when the curl was held towards her, it seemed for an instant like a mocking phantasm of the lock she herself had cut to wind with one of her own five years ago. But she preserved her outward calmness, bent not only on knowing the truth, but also on coming to that knowledge in a way that would not pain this poor, trusting, ignorant thing, with the child’s mind in the woman’s body. “Foolish and helpless:” yes; so far she corresponded to Baldassarre’s account.

“It is a beautiful curl,” she said, resisting the impulse to withdraw her hand. “Lillo’s curls will be like it, perhaps, for his cheek, too, is dark. And you never know where your husband goes to when he leaves you?”

“No,” said Tessa, putting back her treasures out of the children’s way. “But I know Messer San Michele takes care of him, for he gave him a beautiful coat, all made of little chains; and if he puts that on, nobody can kill him. And perhaps, if—”

Tessa hesitated a little, under a recurrence of that original dreamy wonder about Romola which had been expelled by chatting contact—“if you were a saint, you would take care of him, too, because you have taken care of me and Lillo.”

An agitated flush came over Romola’s face in the first moment of certainty, but she had bent her cheek against Lillo’s head. The feeling that leaped out in that flush was something like exultation at the thought that the wife’s burden might be about to slip from her overladen shoulders; that this little ignorant creature might prove to be Tito’s lawful wife. A strange exultation for a proud and high-born woman to have been brought to! But it seemed to Romola as if that were the only issue that would make duty anything else for her than an insoluble problem. Yet she was not deaf to Tessa’s last appealing words; she raised her head, and said, in her clearest tones—

“I will always take care of you if I see you need me. But that beautiful coat? your husband did not wear it when you were first married? Perhaps he used not to be so long away from you then?”

“Ah, yes! he was. Much—much longer. So long, I thought he would never come back. I used to cry. Oh me! I was beaten then; a long, long while ago at Peretola, where we had the goats and mules.”

“And how long had you been married before your husband had that chain-coat?” said Romola, her heart beating faster and faster.

Tessa looked meditative, and began to count on her fingers, and Romola watched the fingers as if they would tell the secret of her destiny.

“The chestnuts were ripe when we were married,” said Tessa, marking off her thumb and fingers again as she spoke; “and then again they were ripe at Peretola before he came back, and then again, after that, on the hill. And soon the soldiers came, and we heard the trumpets, and then Naldo had the coat.”

“You had been married more than two years. In which church were you married?” said Romola, too entirely absorbed by one thought to put any question that was less direct. Perhaps before the next morning she might go to her godfather and say that she was not Tito Melema’s lawful wife—that the vows which had bound her to strive after an impossible union had been made void beforehand.

Tessa gave a slight start at Romola’s new tone of inquiry, and looked up at her with a hesitating expression. Hitherto she had prattled on without consciousness that she was making revelations, any more than when she said old things over and over again to Monna Lisa.

“Naldo said I was never to tell about that,” she said, doubtfully. “Do you think he would not be angry if I told you?”

“It is right that you should tell me. Tell me everything,” said Romola, looking at her with mild authority.

If the impression from Naldo’s command had been much more recent than it was, the constraining effect of Romola’s mysterious authority would have overcome it. But the sense that she was telling what she had never told before made her begin with a lowered voice.

“It was not in a church—it was at the Nativita, when there was a fair, and all the people went overnight to see the Madonna in the Nunziata, and my mother was ill and couldn’t go, and I took the bunch of cocoons for her; and then he came to me in the church and I heard him say, ‘Tessa!’ I knew him because he had taken care of me at the San Giovanni, and then we went into the piazza where the fair was, and I had some berlingozzi, for I was hungry and he was very good to me; and at the end of the piazza there was a holy father, and an altar like what they have at the processions outside the churches. So he married us, and then Naldo took me back into the church and left me; and I went home, and my mother died, and Nofri began to beat me more, and Naldo never came back. And I used to cry, and once at the Carnival I saw him and followed him, and he was angry, and said he would come some time, I must wait. So I went and waited; but, oh! it was a long while before he came; but he would have come if he could, for he was good; and then he took me away, because I cried and said I could not bear to stay with Nofri. And, oh! I was so glad, and since then I have been always happy, for I don’t mind about the goats and mules, because I have Lillo and Ninna now; and Naldo is never angry, only I think he doesn’t love Ninna so well as Lillo, and she is pretty.”

Quite forgetting that she had thought her speech rather momentous at the beginning, Tessa fell to devouring Ninna with kisses, while Romola sat in silence with absent eyes. It was inevitable that in this moment she should think of the three beings before her chiefly in their relation to her own lot, and she was feeling the chill of disappointment that her difficulties were not to be solved by external law. She had relaxed her hold of Lillo, and was leaning her cheek against her hand, seeing nothing of the scene around her. Lillo was quick in perceiving a change that was not agreeable to him; he had not yet made any return to her caresses, but he objected to their withdrawal, and putting up both his brown arms to pull her head towards him, he said, “Play with me again!”

Romola, roused from her self-absorption, clasped the lad anew, and looked from him to Tessa, who had now paused from her shower of kisses, and seemed to have returned to the more placid delight of contemplating the heavenly lady’s face. That face was undergoing a subtle change, like the gradual oncoming of a warmer, softer light. Presently Romola took her scissors from her scarsella, and cut off one of her long wavy locks, while the three pair of wide eyes followed her movements with kitten-like observation.

“I must go away from you now,” she said, “but I will leave this lock of hair that it may remind you of me, because if you are ever in trouble you can think that perhaps God will send me to take care of you again. I cannot tell you where to find me, but if I ever know that you want me, I will come to you. Addio!”

She had set down Lillo hurriedly, and held out her hand to Tessa, who kissed it with a mixture of awe and sorrow at this parting. Romola’s mind was oppressed with thoughts; she needed to be alone as soon as possible, but with her habitual care for the least fortunate, she turned aside to put her hand in a friendly way on Monna Lisa’s shoulder and make her a farewell sign. Before the old woman had finished her deep reverence, Romola had disappeared.

Monna Lisa and Tessa moved towards each other by simultaneous impulses, while the two children stood clinging to their mother’s skirts as if they, too, felt the atmosphere of awe.

“Do you think she was a saint?” said Tessa, in Lisa’s ear, showing her the lock.

Lisa rejected that notion very decidedly by a backward movement of her fingers, and then stroking the rippled gold, said—

“She’s a great and noble lady. I saw such in my youth.”

Romola went home and sat alone through the sultry hours of that day with the heavy certainty that her lot was unchanged. She was thrown back again on the conflict between the demands of an outward law, which she recognised as a widely-ramifying obligation, and the demands of inner moral facts which were becoming more and more peremptory. She had drunk in deeply the spirit of that teaching by which Savonarola had urged her to return to her place. She felt that the sanctity attached to all close relations, and, therefore, pre-eminently to the closest, was but the expression in outward law of that result towards which all human goodness and nobleness must spontaneously tend; that the light abandonment of ties, whether inherited or voluntary, because they had ceased to be pleasant, was the uprooting of social and personal virtue. What else had Tito’s crime towards Baldassarre been but that abandonment working itself out to the most hideous extreme of falsity and ingratitude?

And the inspiring consciousness breathed into her by Savonarola’s influence that her lot was vitally united with the general lot had exalted even the minor details of obligation into religion. She was marching with a great army; she was feeling the stress of a common life. If victims were needed, and it was uncertain on whom the lot might fall, she would stand ready to answer to her name. She had stood long; she had striven hard to fulfil the bond, but she had seen all the conditions which made the fulfilment possible gradually forsaking her. The one effect of her marriage-tie seemed to be the stifling predominance over her of a nature that she despised. All her efforts at union had only made its impossibility more palpable, and the relation had become for her simply a degrading servitude. The law was sacred. Yes, but rebellion might be sacred too. It flashed upon her mind that the problem before her was essentially the same as that which had lain before Savonarola—the problem where the sacredness of obedience ended, and where the sacredness of rebellion began. To her, as to him, there had come one of those moments in life when the soul must dare to act on its own warrant, not only without external law to appeal to, but in the face of a law which is not unarmed with Divine lightnings—lightnings that may yet fall if the warrant has been false.

Before the sun had gone down she had adopted a resolve. She would ask no counsel of her godfather or of Savonarola until she had made one determined effort to speak freely with Tito and obtain his consent that she should live apart from him. She desired not to leave him clandestinely again, or to forsake Florence. She would tell him that if he ever felt a real need of her, she would come back to him. Was not that the utmost faithfulness to her bond that could be required of her? A shuddering anticipation came over her that he would clothe a refusal in a sneering suggestion that she should enter a convent as the only mode of quitting him that would not be scandalous. He knew well that her mind revolted from that means of escape, not only because of her own repugnance to a narrow rule, but because all the cherished memories of her father forbade that she should adopt a mode of life which was associated with his deepest griefs and his bitterest dislike.

Tito had announced his intention of coming home this evening. She would wait for him, and say what she had to say at once, for it was difficult to get his ear during the day. If he had the slightest suspicion that personal words were coming, he slipped away with an appearance of unpremeditated ease. When she sent for Maso to tell him that she would wait for his master, she observed that the old man looked at her and lingered with a mixture of hesitation and wondering anxiety; but finding that she asked him no question, he slowly turned away. Why should she ask questions? Perhaps Maso only knew or guessed something of what she knew already.

It was late before Tito came. Romola had been pacing up and down the long room which had once been the library, with the windows open, and a loose white linen robe on instead of her usual black garment. She was glad of that change after the long hours of heat and motionless meditation; but the coolness and exercise made her more intensely wakeful, and as she went with the lamp in her hand to open the door for Tito, he might well have been startled by the vividness of her eyes and the expression of painful resolution, which was in contrast with her usual self-restrained quiescence before him. But it seemed that this excitement was just what he expected.

“Ah! it is you, Romola. Maso is gone to bed,” he said, in a grave, quiet tone, interposing to close the door for her. Then, turning round, he said, looking at her more fully than he was wont, “You have heard it all, I see.”

Romola quivered. He then was inclined to take the initiative. He had been to Tessa. She led the way through the nearest door, set down her lamp, and turned towards him again.

“You must not think despairingly of the consequences,” said Tito, in a tone of soothing encouragement, at which Romola stood wondering, until he added, “The accused have too many family ties with all parties not to escape; and Messer Bernardo del Nero has other things in his favour besides his age.”

Romola started, and gave a cry as if she had been suddenly stricken by a sharp weapon.

“What! you did not know it?” said Tito, putting his hand under her arm that he might lead her to a seat; but she seemed to be unaware of his touch.

“Tell me,” she said, hastily—“tell me what it is.”

“A man, whose name you may forget—Lamberto dell’ Antella—who was banished, has been seized within the territory: a letter has been found on him of very dangerous import to the chief Mediceans, and the scoundrel, who was once a favourite hound of Piero de’ Medici, is ready now to swear what any one pleases against him or his friends. Some have made their escape, but five are now in prison.”

“My godfather?” said Romola, scarcely above a whisper, as Tito made a slight pause.

“Yes: I grieve to say it. But along with him there are three, at least, whose names have a commanding interest even among the popular party—Niccolò Ridolfi, Lorenzo Tornabuoni, and Giannozzo Pucci.”

The tide of Romola’s feelings had been violently turned into a new channel. In the tumult of that moment there could be no check to the words which came as the impulsive utterance of her long-accumulating horror. When Tito had named the men of whom she felt certain he was the confederate, she said, with a recoiling gesture and low-toned bitterness—

“And you—you are safe?”

“You are certainly an amiable wife, my Romola,” said Tito, with the coldest irony. “Yes; I am safe.”

They turned away from each other in silence.

LVII. Why Tito was Safe

Tito had good reasons for saying that he was safe. In the last three months, during which he had foreseen the discovery of the Medicean conspirators as a probable event, he had had plenty of time to provide himself with resources. He had been strengthening his influence at Rome and at Milan, by being the medium of secret information and indirect measures against the Frate and the popular party; he had cultivated more assiduously than ever the regard of this party, by showing subtle evidence that his political convictions were entirely on their side; and all the while, instead of withdrawing his agency from the Mediceans, he had sought to be more actively employed and exclusively trusted by them. It was easy to him to keep up this triple game. The principle of duplicity admitted by the Mediceans on their own behalf deprived them of any standard by which they could measure the trustworthiness of a colleague who had not, like themselves, hereditary interests, alliances, and prejudices, which were intensely Medicean. In their minds, to deceive the opposite party was fair stratagem; to deceive their own party was a baseness to which they felt no temptation; and, in using Tito’s facile ability, they were not keenly awake to the fact that the absence of traditional attachments which made him a convenient agent was also the absence of what among themselves was the chief guarantee of mutual honour. Again, the Roman and Milanese friends of the aristocratic party, or Arrabbiati, who were the bitterest enemies of Savonarola, carried on a system of underhand correspondence and espionage, in which the deepest hypocrisy was the best service, and demanded the heaviest pay; so that to suspect an agent because he played a part strongly would have been an absurd want of logic. On the other hand, the Piagnoni of the popular party, who had the directness that belongs to energetic conviction, were the more inclined to credit Tito with sincerity in his political adhesion to them, because he affected no religious sympathies.

By virtue of these conditions, the last three months had been a time of flattering success to Tito. The result he most cared for was the securing of a future position for himself at Rome or at Milan; for he had a growing determination, when the favourable moment should come, to quit Florence for one of those great capitals where life was easier, and the rewards of talent and learning were more splendid. At present, the scale dipped in favour of Milan; and if within the year he could render certain services to Duke Ludovico Sforza, he had the prospect of a place at the Milanese court which outweighed the advantages of Rome.

The revelation of the Medicean conspiracy, then, had been a subject of forethought to Tito; but he had not been able to foresee the mode in which it would be brought about. The arrest of Lamberto dell’ Antella with a tell-tale letter on his person, and a bitter rancour against the Medici in his heart, was an incalculable event. It was not possible, in spite of the careful pretexts with which his agency had been guarded, that Tito should escape implication: he had never expected this in case of any wide discovery concerning the Medicean plots. But his quick mind had soon traced out the course that would secure his own safety with the fewest unpleasant concomitants. It is agreeable to keep a whole skin; but the skin still remains an organ sensitive to the atmosphere.

His reckoning had not deceived him. That night, before he returned home, he had secured the three results for which he most cared: he was to be freed from all proceedings against him on account of complicity with the Mediceans; he was to retain his secretaryship for another year, unless he previously resigned it; and, lastly, the price by which he had obtained these guarantees was to be kept as a State secret. The price would have been thought heavy by most men; and Tito himself would rather not have paid it.

He had applied himself first to win the mind of Francesco Valori, who was not only one of the Ten under whom he immediately held his secretaryship, but one of the special council appointed to investigate the evidence of the plot. Francesco Valori, as we have seen, was the head of the Piagnoni, a man with certain fine qualities that were not incompatible with violent partisanship, with an arrogant temper that alienated his friends, nor with bitter personal animosities—one of the bitterest being directed against Bernardo del Nero. To him, in a brief private interview, after obtaining a pledge of secrecy, Tito avowed his own agency for the Mediceans—an agency induced by motives about which he was very frank, declaring at the same time that he had always believed their efforts futile, and that he sincerely preferred the maintenance of the popular government; affected to confide to Valori, as a secret, his own personal dislike for Bernardo del Nero; and, after this preparation, came to the important statement that there was another Medicean plot, of which, if he obtained certain conditions from the government, he could, by a journey to Siena and into Romagna, where Piero de’ Medici was again trying to gather forces, obtain documentary evidence to lay before the council. To this end it was essential that his character as a Medicean agent should be unshaken for all Mediceans, and hence the fact that he had been a source of information to the authorities must be wrapped in profound secrecy. Still, some odour of the facts might escape in spite of precaution, and before Tito could incur the unpleasant consequences of acting against his friends, he must be assured of immunity from any prosecution as a Medicean, and from deprivation of office for a year to come.

These propositions did not sound in the ear of Francesco Valori precisely as they sound to us. Valori’s mind was not intensely bent on the estimation of Tito’s conduct; and it was intensely bent on procuring an extreme sentence against the five prisoners. There were sure to be immense efforts to save them; and it was to be wished (on public grounds) that the evidence against them should be of the strongest, so as to alarm all well-affected men at the dangers of clemency. The character of legal proceedings at that time implied that evidence was one of those desirable things which could only be come at by foul means. To catch a few people and torture them into confessing everybody’s guilt was one step towards justice; and it was not always easy to see the next, unless a traitor turned up. Lamberto dell’ Antella had been tortured in aid of his previous willingness to tell more than he knew; nevertheless, additional and stronger facts were desirable, especially against Bernardo del Nero, who, so far as appeared hitherto, had simply refrained from betraying the late plot after having tried in vain to discourage it; for the welfare of Florence demanded that the guilt of Bernardo del Nero should be put in the strongest light. So Francesco Valori zealously believed; and perhaps he was not himself aware that the strength of his zeal was determined by his hatred. He decided that Tito’s proposition ought to be accepted, laid it before his colleagues without disclosing Tito’s name, and won them over to his opinion. Late in the day, Tito was admitted to an audience of the Special Council, and produced a deep sensation among them by revealing another plot for insuring the mastery of Florence to Piero de’ Medici, which was to have been carried into execution in the middle of this very month of August. Documentary evidence on this subject would do more than anything else to make the right course clear. He received a commission to start for Siena by break of day; and, besides this, he carried away with him from the council-chamber a written guarantee of his immunity and of his retention of office.

Among the twenty Florentines who bent their grave eyes on Tito, as he stood gracefully before them, speaking of startling things with easy periphrasis, and with that apparently unaffected admission of being actuated by motives short of the highest, which is often the intensest affectation, there were several whose minds were not too entirely preoccupied to pass a new judgment on him in these new circumstances; they silently concluded that this ingenious and serviceable Greek was in future rather to be used for public needs than for private intimacy. Unprincipled men were useful, enabling those who had more scruples to keep their hands tolerably clean in a world where there was much dirty work to be done. Indeed, it was not clear to respectable Florentine brains, unless they held the Frate’s extravagant belief in a possible purity and loftiness to be striven for on this earth, how life was to be carried on in any department without human instruments whom it would not be unbecoming to kick or to spit upon in the act of handing them their wages. Some of these very men who passed a tacit judgment on Tito were shortly to be engaged in a memorable transaction that could by no means have been carried through without the use of an unscrupulousness as decided as his; but, as their own bright poet Pulci had said for them, it is one thing to love the fruits of treachery, and another thing to love traitors—

“Il tradimento a molti piace assai, Ma il traditore a gnun non piacque mal.”

The same society has had a gibbet for the murderer and a gibbet for the martyr, an execrating hiss for a dastardly act, and as loud a hiss for many a word of generous truthfulness or just insight: a mixed condition of things which is the sign, not of hopeless confusion, but of struggling order.

For Tito himself, he was not unaware that he had sunk a little in the estimate of the men who had accepted his services. He had that degree of self-contemplation which necessarily accompanies the habit of acting on well-considered reasons, of whatever quality; and if he could have chosen, he would have declined to see himself disapproved by men of the world. He had never meant to be disapproved; he had meant always to conduct himself so ably that if he acted in opposition to the standard of other men they should not be aware of it; and the barrier between himself and Romola had been raised by the impossibility of such concealment with her. He shrank from condemnatory judgments as from a climate to which he could not adapt himself. But things were not so plastic in the hands of cleverness as could be wished, and events had turned out inconveniently. He had really no rancour against Messer Bernardo del Nero: he had a personal liking for Lorenzo Tornabuoni and Giannozzo Pucci. He had served them very ably, and in such a way that if their party had been winners he would have merited high reward; but was he to relinquish all the agreeable fruits of life because their party had failed? His proffer of a little additional proof against them would probably have no influence on their fate; in fact, he felt convinced they would escape any extreme consequences; but if he had not given it, his own fortunes, which made a promising fabric, would have been utterly ruined. And what motive could any man really have, except his own interest? Florentines whose passions were engaged in their petty and precarious political schemes might have no self-interest separable from family pride and tenacity in old hatreds and attachments; a modern simpleton who swallowed whole one of the old systems of philosophy, and took the indigestion it occasioned for the signs of a divine afflux or the voice of an inward monitor, might see his interest in a form of self-conceit which he called self-rewarding virtue; fanatics who believed in the coming Scourge and Renovation might see their own interest in a future palm-branch and white robe: but no man of clear intellect allowed his course to be determined by such puerile impulses or questionable inward fumes. Did not Pontanus, poet and philosopher of unrivalled Latinity, make the finest possible oration at Naples to welcome the French king, who had come to dethrone the learned orator’s royal friend and patron? and still Pontanus held up his head and prospered. Men did not really care about these things, except when their personal spleen was touched. It was weakness only that was despised; power of any sort carried its immunity; and no man, unless by very rare good fortune, could mount high in the world without incurring a few unpleasant necessities which laid him open to enmity, and perhaps to a little hissing, when enmity wanted a pretext.

It was a faint prognostic of that hissing, gathered by Tito from certain indications when he was before the council, which gave his present conduct the character of an epoch to him, and made him dwell on it with argumentative vindication. It was not that he was taking a deeper step in wrong-doing, for it was not possible that he should feel any tie to the Mediceans to be stronger than the tie to his father; but his conduct to his father had been hidden by successful lying: his present act did not admit of total concealment—in its very nature it was a revelation. And Tito winced under his new liability to disesteem.

Well! a little patience, and in another year, or perhaps in half a year, he might turn his back on these hard, eager Florentines, with their futile quarrels and sinking fortunes. His brilliant success at Florence had had some ugly flaws in it: he had fallen in love with the wrong woman, and Baldassarre had come back under incalculable circumstances. But as Tito galloped with a loose rein towards Siena, he saw a future before him in which he would no longer be haunted by those mistakes. He had much money safe out of Florence already; he was in the fresh ripeness of eight-and-twenty; he was conscious of well-tried skill. Could he not strip himself of the past, as of rehearsal clothing, and throw away the old bundle, to robe himself for the real scene?

It did not enter into Tito’s meditations on the future, that, on issuing from the council-chamber and descending the stairs, he had brushed against a man whose face he had not stayed to recognise in the lamplight. The man was Ser Ceccone—also willing to serve the State by giving information against unsuccessful employers.

LVIII. A Final Understanding

Tito soon returned from Siena, but almost immediately set out on another journey, from which he did not return till the seventeenth of August. Nearly a fortnight had passed since the arrest of the accused, and still they were in prison, still their fate was uncertain. Romola had felt during this interval as if all cares were suspended for her, other than watching the fluctuating probabilities concerning that fate. Sometimes they seemed strongly in favour of the prisoners; for the chances of effective interest on their behalf were heightened by delay, and an indefinite prospect of delay was opened by the reluctance of all persons in authority to incur the odium attendant on any decision. On the one side there was a loud cry that the Republic was in danger, and that lenity to the prisoners would be the signal of attack for all its enemies; on the other, there was a certainty that a sentence of death and confiscation of property passed on five citizens of distinguished name, would entail the rancorous hatred of their relatives on all who were conspicuously instrumental to such a sentence.

The final judgment properly lay with the Eight, who presided over the administration of criminal justice; and the sentence depended on a majority of six votes. But the Eight shrank from their onerous responsibility, and asked in this exceptional case to have it shared by the Signoria (or the Gonfaloniere and the eight Priors). The Signoria in its turn shrugged its shoulders, and proposed the appeal to the Great Council. For, according to a law passed by the earnest persuasion of Savonarola nearly three years before, whenever a citizen was condemned to death by the fatal six votes (called the set fave or six beans, beans being in more senses than one the political pulse of Florence), he had the right of appealing from that sentence to the Great Council.

But in this stage of the business, the friends of the accused resisted the appeal, determined chiefly by the wish to gain delay; and, in fact, strict legality required that sentence should have been passed prior to the appeal. Their resistance prevailed, and a middle course was taken; the sentence was referred to a large assembly convened on the seventeenth, consisting of all the higher magistracies, the smaller council or Senate of Eighty, and a select number of citizens.

On this day Romola, with anxiety heightened by the possibility that before its close her godfather’s fate might be decided, had obtained leave to see him for the second time, but only in the presence of witnesses. She had returned to the Via de’ Bardi in company with her cousin Brigida, still ignorant whether the council had come to any decisive issue; and Monna Brigida had gone out again to await the momentous news at the house of a friend belonging to one of the magistracies, that she might bring back authentic tidings as soon as they were to be had.

Romola had sunk on the first seat in the bright saloon, too much agitated, too sick at heart, to care about her place, or be conscious of discordance in the objects that surrounded her. She sat with her back to the door, resting her head on her hands. It seemed a long while since Monna Brigida had gone, and Romola was expecting her return. But when the door opened she knew it was not Monna Brigida who entered.

Since she had parted from Tito on that memorable night, she had had no external proof to warrant her belief that he had won his safety by treachery; on the contrary, she had had evidence that he was still trusted by the Mediceans, and was believed by them to be accomplishing certain errands of theirs in Romagna, under cover of fulfilling a commission of the government. For the obscurity in which the evidence concerning the conspirators was shrouded allowed it to be understood that Tito had escaped any implication.

But Romola’s suspicion was not to be dissipated: her horror of his conduct towards Baldassarre projected itself over every conception of his acts; it was as if she had seen him committing a murder, and had had a diseased impression ever after that his hands were covered with fresh blood.

As she heard his step on the stone floor, a chill shudder passed through her; she could not turn round, she could not rise to give any greeting. He did not speak, but after an instant’s pause took a seat on the other side of the table just opposite to her. Then she raised her eyes and looked at him; but she was mute. He did not show any irritation, but said, coolly—

“This meeting corresponds with our parting, Romola. But I understand that it is a moment of terrible suspense. I am come, however, if you will listen to me, to bring you the relief of hope.”

She started, and altered her position, but looked at him dubiously.

“It will not be unwelcome to you to hear—even though it is I who tell it—that the council is prorogued till the twenty-first. The Eight have been frightened at last into passing a sentence of condemnation, but the demand has now been made on behalf of the condemned for the Appeal to the Great Council.”

Romola’s face lost its dubious expression; she asked eagerly—

“And when is it to be made?”

“It has not yet been granted; but it may be granted. The Special Council is to meet again on the twenty-first to deliberate whether the Appeal shall be allowed or not. In the meantime there is an interval of three days, in which chances may occur in favour of the prisoners—in which interest may be used on their behalf.”

Romola started from her seat. The colour had risen to her face like a visible thought, and her hands trembled. In that moment her feeling towards Tito was forgotten.

“Possibly,” said Tito, also rising, “your own intention may have anticipated what I was going to say. You are thinking of the Frate.”

“I am,” said Romola, looking at him with surprise. “Has he done anything? Is there anything to tell me?”

“Only this. It was Messer Francesco Valori’s bitterness and violence which chiefly determined the course of things in the council to-day. Half the men who gave in their opinion against the prisoners were frightened into it, and there are numerous friends of Fra Girolamo both in this Special Council and out of it who are strongly opposed to the sentence of death—Piero Guicciardini, for example, who is one member of the Signoria that made the stoutest resistance; and there is Giovan Battista Ridolfi, who, Piagnone as he is, will not lightly forgive the death of his brother Niccolò.”

“But how can the Appeal be denied,” said Romola, indignantly, “when it is the law—when it was one of the chief glories of the popular government to have passed the law?”

“They call this an exceptional case. Of course there are ingenious arguments, but there is much more of loud bluster about the danger of the Republic. But, you see, no opposition could prevent the assembly from being prorogued, and a certain powerful influence rightly applied during the next three days might determine the wavering courage of those who desire that the Appeal should be granted, and might even give a check to the headlong enmity of Francesco Valori. It happens to have come to my knowledge that the Frate has so far interfered as to send a message to him in favour of Lorenzo Tornabuoni. I know you can sometimes have access to the Frate: it might at all events be worth while to use your privilege now.”

“It is true,” said Romola, with an air of abstraction. “I cannot believe that the Frate would approve denying the Appeal.”

“I heard it said by more than one person in the court of the Palazzo, before I came away, that it would be to the everlasting discredit of Fra Girolamo if he allowed a government which is almost entirely made up of his party, to deny the Appeal, without entering his protest, when he has been boasting in his books and sermons that it was he who got the law passed.[1] But between ourselves, with all respect for your Frate’s ability, my Romola, he has got into the practice of preaching that form of human sacrifices called killing tyrants and wicked malcontents, which some of his followers are likely to think inconsistent with lenity in the present case.”

[1] The most recent, and in some respects the best, biographer of Savonarola, Signor Villari, endeavours to show that the Law of Appeal ultimately enacted, being wider than the law originally contemplated by Savonarola, was a source of bitter annoyance to him, as a contrivance of the aristocratic party for attaching to the measures of the popular government the injurious results of licence. But in taking this view the estimable biographer lost sight of the fact that, not only in his sermons, but in a deliberately prepared book (the Compendium Revelationum) written long after the Appeal had become law, Savonarola enumerates among the benefits secured to Florence, “the Appeal from the Six Votes, advocated by me, for the greater security of the citizens.”

“I know, I know,” said Romola, with a look and tone of pain. “But he is driven into those excesses of speech. It used to be different. I will ask for an interview. I cannot rest without it. I trust in the greatness of his heart.”

She was not looking at Tito; her eyes were bent with a vague gaze towards the ground, and she had no distinct consciousness that the words she heard came from her husband.

“Better lose no time, then,” said Tito, with unmixed suavity, moving his cap round in his hands as if he were about to put it on and depart. “And now, Romola, you will perhaps be able to see, in spite of prejudice, that my wishes go with yours in this matter. You will not regard the misfortune of my safety as an offence.”

Something like an electric shock passed through Romola: it was the full consciousness of her husband’s presence returning to her. She looked at him without speaking.

“At least,” he added, in a slightly harder tone, “you will endeavour to base our intercourse on some other reasonings than that because an evil deed is possible, I have done it. Am I alone to be beyond the pale of your extensive charity?”

The feeling which had been driven back from Romola’s lips a fortnight before rose again with the gathered force of a tidal wave. She spoke with a decision which told him that she was careless of consequences.

“It is too late, Tito. There is no killing the suspicion that deceit has once begotten. And now I know everything. I know who that old man was: he was your father, to whom you owe everything—to whom you owe more than if you had been his own child. By the side of that, it is a small thing that you broke my trust and my father’s. As long as you deny the truth about that old man, there is a horror rising between us: the law that should make us one can never be obeyed. I too am a human being. I have a soul of my own that abhors your actions. Our union is a pretence—as if a perpetual lie could be a sacred marriage.”

Tito did not answer immediately. When he did speak it was with a calculated caution, that was stimulated by alarm.

“And you mean to carry out that independence by quitting me, I presume?”

“I desire to quit you,” said Romola, impetuously.

“And supposing I do not submit to part with what the law gives me some security for retaining? You will then, of course, proclaim your reasons in the ear of all Florence. You will bring forward your mad assassin, who is doubtless ready to obey your call, and you will tell the world that you believe his testimony because he is so rational as to desire to assassinate me. You will first inform the Signoria that I am a Medicean conspirator, and then you will inform the Mediceans that I have betrayed them, and in both cases you will offer the excellent proof that you believe me capable in general of everything bad. It will certainly be a striking position for a wife to adopt. And if, on such evidence, you succeed in holding me up to infamy, you will have surpassed all the heroines of the Greek drama.”

He paused a moment, but she stood mute. He went on with the sense of mastery.

“I believe you have no other grievance against me—except that I have failed in fulfilling some lofty indefinite conditions on which you gave me your wifely affection, so that, by withdrawing it, you have gradually reduced me to the careful supply of your wants as a fair Piagnone of high condition and liberal charities. I think your success in gibbeting me is not certain. But doubtless you would begin by winning the ear of Messer Bernardo del Nero?”

“Why do I speak of anything?” cried Romola, in anguish, sinking on her chair again. “It is hateful in me to be thinking of myself.”

She did not notice when Tito left the room, or know how long it was before the door opened to admit Monna Brigida. But in that instant she started up and said—

“Cousin, we must go to San Marco directly. I must see my confessor, Fra Salvestro.”

LIX. Pleading

The morning was in its early brightness when Romola was again on her way to San Marco, having obtained through Fra Salvestro, the evening before, the promise of an interview with Fra Girolamo in the chapter-house of the convent. The rigidity with which Savonarola guarded his life from all the pretexts of calumny made such interviews very rare, and whenever they were granted, they were kept free from any appearance of mystery. For this reason the hour chosen was one at which there were likely to be other visitors in the outer cloisters of San Marco.

She chose to pass through the heart of the city that she might notice the signs of public feeling. Every loggia, every convenient corner of the piazza, every shop that made a rendezvous for gossips, was astir with the excitement of gratuitous debate; a languishing trade tending to make political discussion all the more vigorous. It was clear that the parties for and against the death of the conspirators were bent on making the fullest use of the three days’ interval in order to determine the popular mood. Already handbills were in circulation; some presenting, in large print, the alternative of justice on the conspirators or ruin to the Republic; others in equally large print urging the observance of the law and the granting of the Appeal. Round these jutting islets of black capitals there were lakes of smaller characters setting forth arguments less necessary to be read: for it was an opinion entertained at that time (in the first flush of triumph at the discovery of printing), that there was no argument more widely convincing than question-begging phrases in large type.

Romola, however, cared especially to become acquainted with the arguments in smaller type, and, though obliged to hasten forward, she looked round anxiously as she went that she might miss no opportunity of securing copies. For a long way she saw none but such as were in the hands of eager readers, or else fixed on the walls, from which in some places the sbirri were tearing them down. But at last, passing behind San Giovanni with a quickened pace that she might avoid the many acquaintances who frequented the piazza, she saw Bratti with a stock of handbills which he appeared to be exchanging for small coin with the passers-by. She was too familiar with the humble life of Florence for Bratti to be any stranger to her, and turning towards him she said, “Have you two sorts of handbills, Bratti? Let me have them quickly.”

“Two sorts,” said Bratti, separating the wet sheets with a slowness that tried Romola’s patience. “There’s ‘Law,’ and there’s ‘Justice.’”

“Which sort do you sell most of?”

“‘Justice’—‘Justice’ goes the quickest,—so I raised the price, and made it two danari. But then I bethought me the ‘Law’ was good ware too, and had as good a right to be charged for as ‘Justice;’ for people set no store by cheap things, and if I sold the ‘Law’ at one danaro, I should be doing it a wrong. And I’m a fair trader. ‘Law,’ or ‘Justice,’ it’s all one to me; they’re good wares. I got ’em both for nothing, and I sell ’em at a fair profit. But you’ll want more than one of a sort?”

“No, no: here’s a white quattrino for the two,” said Romola, folding up the bills and hurrying away.

She was soon in the outer cloisters of San Marco, where Fra Salvestro was awaiting her under the cloister, but did not notice the approach of her light step. He was chatting, according to his habit, with lay visitors; for under the auspices of a government friendly to the Frate, the timidity about frequenting San Marco, which had followed on the first shock of the Excommunication, had been gradually giving way. In one of these lay visitors she recognised a well-known satellite of Francesco Valori, named Andrea Cambini, who was narrating or expounding with emphatic gesticulation, while Fra Salvestro was listening with that air of trivial curiosity which tells that the listener cares very much about news and very little about its quality. This characteristic of her confessor, which was always repulsive to Romola, was made exasperating to her at this moment by the certainty she gathered, from the disjointed words which reached her ear, that Cambini was narrating something relative to the fate of the conspirators. She chose not to approach the group, but as soon as she saw that she had arrested Fra Salvestro’s attention, she turned towards the door of the chapter-house, while he, making a sign of approval, disappeared within the inner cloister. A lay Brother stood ready to open the door of the chapter-house for her, and closed it behind her as she entered.

Once more looked at by those sad frescoed figures which had seemed to be mourning with her at the death of her brother Dino, it was inevitable that something of that scene should come back to her; but the intense occupation of her mind with the present made the remembrance less a retrospect than an indistinct recurrence of impressions which blended themselves with her agitating fears, as if her actual anxiety were a revival of the strong yearning she had once before brought to this spot—to be repelled by marble rigidity. She gave no space for the remembrance to become more definite, for she at once opened the handbills, thinking she should perhaps be able to read them in the interval before Fra Girolamo appeared. But by the time she had read to the end of the one that recommended the observance of the law, the door was opening, and doubling up the papers she stood expectant.

When the Frate had entered she knelt, according to the usual practice of those who saw him in private; but as soon as he had uttered a benedictory greeting she rose and stood opposite to him at a few yards’ distance. Owing to his seclusion since he had been excommunicated, it had been an unusually long while since she had seen him, and the late months had visibly deepened in his face the marks of over-taxed mental activity and bodily severities; and yet Romola was not so conscious of this change as of another, which was less definable. Was it that the expression of serene elevation and pure human fellowship which had once moved her was no longer present in the same force, or was it that the sense of his being divided from her in her feeling about her godfather roused the slumbering sources of alienation, and marred her own vision? Perhaps both causes were at work. Our relations with our fellow-men are most often determined by coincident currents of that sort; the inexcusable word or deed seldom comes until after affection or reverence has been already enfeebled by the strain of repeated excuses.

It was true that Savonarola’s glance at Romola had some of that hardness which is caused by an egotistic prepossession. He divined that the interview she had sought was to turn on the fate of the conspirators, a subject on which he had already had to quell inner voices that might become loud again when encouraged from without. Seated in his cell, correcting the sheets of his ‘Triumph of the Cross,’ it was easier to repose on a resolution of neutrality.

“It is a question of moment, doubtless, on which you wished to see me, my daughter,” he began, in a tone which was gentle rather from self-control than from immediate inclination. “I know you are not wont to lay stress on small matters.”

“Father, you know what it is before I tell you,” said Romola, forgetting everything else as soon as she began to pour forth her plea. “You know what I am caring for—it is for the life of the old man I love best in the world. The thought of him has gone together with the thought of my father as long as I remember the daylight. That is my warrant for coming to you, even if my coming should have been needless. Perhaps it is: perhaps you have already determined that your power over the hearts of men shall be used to prevent them from denying to Florentines a right which you yourself helped to earn for them.”

“I meddle not with the functions of the State, my daughter,” said Fra Girolamo, strongly disinclined to reopen externally a debate which he had already gone through inwardly. “I have preached and laboured that Florence should have a good government, for a good government is needful to the perfecting of the Christian life; but I keep away my hands from particular affairs which it is the office of experienced citizens to administer.”

“Surely, father—” Romola broke off. She had uttered this first word almost impetuously, but she was checked by the counter-agitation of feeling herself in an attitude of remonstrance towards the man who had been the source of guidance and strength to her. In the act of rebelling she was bruising her own reverence.

Savonarola was too keen not to divine something of the conflict that was arresting her—too noble, deliberately to assume in calm speech that self-justifying evasiveness into which he was often hurried in public by the crowding impulses of the orator.

“Say what is in your heart; speak on, my daughter,” he said, standing with his arms laid one upon the other, and looking at her with quiet expectation.

“I was going to say, father, that this matter is surely of higher moment than many about which I have heard you preach and exhort fervidly. If it belonged to you to urge that men condemned for offences against the State should have the right to appeal to the Great Council—if—” Romola was getting eager again—“if you count it a glory to have won that right for them, can it less belong to you to declare yourself against the right being denied to almost the first men who need it? Surely that touches the Christian life more closely than whether you knew beforehand that the Dauphin would die, or whether Pisa will be conquered.”

There was a subtle movement, like a subdued sign of pain, in Savonarola’s strong lips, before he began to speak.

“My daughter, I speak as it is given me to speak—I am not master of the times when I may become the vehicle of knowledge beyond the common lights of men. In this case I have no illumination beyond what wisdom may give to those who are charged with the safety of the State. As to the law of Appeal against the Six Votes, I laboured to have it passed in order that no Florentine should be subject to loss of life and goods through the private hatred of a few who might happen to be in power; but these five men, who have desired to overthrow a free government and restore a corrupt tyrant, have been condemned with the assent of a large assembly of their fellow-citizens. They refused at first to have their cause brought before the Great Council. They have lost the right to the appeal.”

“How can they have lost it?” said Romola. “It is the right to appeal against condemnation, and they have never been condemned till now; and, forgive me, father, it is private hatred that would deny them the appeal; it is the violence of the few that frightens others; else why was the assembly divided again directly after it had seemed to agree? And if anything weighs against the observance of the law, let this weigh for it—this, that you used to preach more earnestly than all else, that there should be no place given to hatred and bloodshed because of these party strifes, so that private ill-will should not find its opportunities in public acts. Father, you know that there is private hatred concerned here: will it not dishonour you not to have interposed on the side of mercy, when there are many who hold that it is also the side of law and justice?”

“My daughter,” said Fra Girolamo, with more visible emotion than before, “there is a mercy which is weakness, and even treason against the common good. The safety of Florence, which means even more than the welfare of Florentines, now demands severity, as it once demanded mercy. It is not only for a past plot that these men are condemned, but also for a plot which has not yet been executed; and the devices that were leading to its execution are not put an end to: the tyrant is still gathering his forces in Romagna, and the enemies of Florence, who sit in the highest places of Italy, are ready to hurl any stone that will crush her.”

“What plot?” said Romola, reddening, and trembling with alarmed surprise.

“You carry papers in your hand, I see,” said Fra Girolamo, pointing to the handbills. “One of them will, perhaps, tell you that the government has had new information.”

Romola hastily opened the handbill she had not yet read, and saw that the government had now positive evidence of a second plot, which was to have been carried out in this August time. To her mind it was like reading a confirmation that Tito had won his safety by foul means; his pretence of wishing that the Frate should exert himself on behalf of the condemned only helped the wretched conviction. She crushed up the paper in her hand, and, turning to Savonarola, she said, with new passion, “Father, what safety can there be for Florence when the worst man can always escape? And,” she went on, a sudden flash of remembrance coming from the thought about her husband, “have not you yourself encouraged this deception which corrupts the life of Florence, by wanting more favour to be shown to Lorenzo Tornabuoni, who has worn two faces, and flattered you with a show of affection, when my godfather has always been honest? Ask all Florence who of those five men has the truest heart, and there will not be many who will name any other name than Bernardo del Nero. You did interpose with Francesco Valori for the sake of one prisoner: you have not then been neutral; and you know that your word will be powerful.”

“I do not desire the death of Bernardo,” said Savonarola, colouring deeply. “It would be enough if he were sent out of the city.”

“Then why do you not speak to save an old man of seventy-five from dying a death of ignominy—to give him at least the fair chances of the law?” burst out Romola, the impetuosity of her nature so roused that she forgot everything but her indignation. “It is not that you feel bound to be neutral; else why did you speak for Lorenzo Tornabuoni? You spoke for him because he is more friendly to San Marco; my godfather feigns no friendship. It is not, then, as a Medicean that my godfather is to die; it is as a man you have no love for!”

When Romola paused, with cheeks glowing, and with quivering lips, there was dead silence. As she saw Fra Girolamo standing motionless before her, she seemed to herself to be hearing her own words over again; words that in this echo of consciousness were in strange, painful dissonance with the memories that made part of his presence to her. The moments of silence were expanded by gathering compunction and self-doubt. She had committed sacrilege in her passion. And even the sense that she could retract nothing of her plea, that her mind could not submit itself to Savonarola’s negative, made it the more needful to her to satisfy those reverential memories. With a sudden movement towards him she said—

“Forgive me, father; it is pain to me to have spoken those words—yet I cannot help speaking. I am little and feeble compared with you; you brought me light and strength. But I submitted because I felt the proffered strength—because I saw the light. Now I cannot see it. Father, you yourself declare that there comes a moment when the soul must have no guide but the voice within it, to tell whether the consecrated thing has sacred virtue. And therefore I must speak.”

Savonarola had that readily-roused resentment towards opposition, hardly separable from a power-loving and powerful nature, accustomed to seek great ends that cast a reflected grandeur on the means by which they are sought. His sermons have much of that red flame in them. And if he had been a meaner man his susceptibility might have shown itself in irritation at Romola’s accusatory freedom, which was in strong contrast with the deference he habitually received from his disciples. But at this moment such feelings were nullified by that hard struggle which made half the tragedy of his life—the struggle of a mind possessed by a never-silent hunger after purity and simplicity, yet caught in a tangle of egoistic demands, false ideas, and difficult outward conditions, that made simplicity impossible. Keenly alive to all the suggestions of Romola’s remonstrating words, he was rapidly surveying, as he had done before, the courses of action that were open to him, and their probable results. But it was a question on which arguments could seem decisive only in proportion as they were charged with feeling, and he had received no impulse that could alter his bias. He looked at Romola, and said—

“You have full pardon for your frankness, my daughter. You speak, I know, out of the fulness of your family affections. But these affections must give way to the needs of the Republic. If those men who have a close acquaintance with the affairs of the State believe, as I understand they do, that the public safety requires the extreme punishment of the law to fall on the five conspirators, I cannot control their opinion, seeing that I stand aloof from such affairs.”

“Then you desire that they should die? You desire that the Appeal should be denied them?” said Romola, feeling anew repelled by a vindication which seemed to her to have the nature of a subterfuge.

“I have said that I do not desire their death.”

“Then,” said Romola, her indignation rising again, “you can be indifferent that Florentines should inflict death which you do not desire, when you might have protested against it—when you might have helped to hinder it, by urging the observance of a law which you held it good to get passed. Father, you used not to stand aloof: you used not to shrink from protesting. Do not say you cannot protest where the lives of men are concerned; say rather, you desire their death. Say rather, you hold it good for Florence that there shall be more blood and more hatred. Will the death of five Mediceans put an end to parties in Florence? Will the death of a noble old man like Bernardo del Nero save a city that holds such men as Dolfo Spini?”

“My daughter, it is enough. The cause of freedom, which is the cause of God’s kingdom upon earth, is often most injured by the enemies who carry within them the power of certain human virtues. The wickedest man is often not the most insurmountable obstacle to the triumph of good.”

“Then why do you say again, that you do not desire my godfather’s death?” said Romola, in mingled anger and despair. “Rather, you hold it the more needful he should die because he is the better man. I cannot unravel your thoughts, father; I cannot hear the real voice of your judgment and conscience.”

There was a moment’s pause. Then Savonarola said, with keener emotion than he had yet shown—

“Be thankful, my daughter, if your own soul has been spared perplexity; and judge not those to whom a harder lot has been given. You see one ground of action in this matter. I see many. I have to choose that which will further the work intrusted to me. The end I seek is one to which minor respects must be sacrificed. The death of five men—were they less guilty than these—is a light matter weighed against the withstanding of the vicious tyrannies which stifle the life of Italy, and foster the corruption of the Church; a light matter weighed against the furthering of God’s kingdom upon earth, the end for which I live and am willing myself to die.”

Under any other circumstances, Romola would have been sensitive to the appeal at the beginning of Savonarola’s speech; but at this moment she was so utterly in antagonism with him, that what he called perplexity seemed to her sophistry and doubleness; and as he went on, his words only fed that flame of indignation, which now again, more fully than ever before, lit up the memory of all his mistakes, and made her trust in him seem to have been a purblind delusion. She spoke almost with bitterness.

“Do you, then, know so well what will further the coming of God’s kingdom, father, that you will dare to despise the plea of mercy—of justice—of faithfulness to your own teaching? Has the French king, then, brought renovation to Italy? Take care, father, lest your enemies have some reason when they say, that in your visions of what will further God’s kingdom you see only what will strengthen your own party.”

“And that is true!” said Savonarola, with flashing eyes. Romola’s voice had seemed to him in that moment the voice of his enemies. “The cause of my party is the cause of God’s kingdom.”

“I do not believe it!” said Romola, her whole frame shaken with passionate repugnance. “God’s kingdom is something wider—else, let me stand outside it with the beings that I love.”

The two faces were lit up, each with an opposite emotion, each with an opposite certitude. Further words were impossible. Romola hastily covered her head and went out in silence.

LX. The Scaffold

Three days later the moon that was just surmounting the buildings of the piazza in front of the Old Palace within the hour of midnight, did not make the usual broad lights and shadows on the pavement. Not a hand’s-breadth of pavement was to be seen, but only the heads of an eager struggling multitude. And instead of that background of silence in which the pattering footsteps and buzzing voices, the lute-thrumming or rapid scampering of the many night wanderers of Florence stood out in obtrusive distinctness, there was the background of a roar from mingled shouts and imprecations, tramplings and pushings, and accidental clashing of weapons, across which nothing was distinguishable but a darting shriek, or the heavy dropping toll of a bell.

Almost all who could call themselves the public of Florence were awake at that hour, and either enclosed within the limits of that piazza, or struggling to enter it. Within the palace were still assembled in the council-chamber all the chief magistracies, the eighty members of the senate, and the other select citizens who had been in hot debate through long hours of daylight and torchlight whether the Appeal should be granted or whether the sentence of death should be executed on the prisoners forthwith, to forestall the dangerous chances of delay. And the debate had been so much like fierce quarrel that the noise from the council-chamber had reached the crowd outside. Only within the last hour had the question been decided: the Signoria had remained divided, four of them standing out resolutely for the Appeal in spite of the strong argument that if they did not give way their houses should be sacked, until Francesco Valori, in brief and furious speech, made the determination of his party more ominously distinct by declaring that if the Signoria would not defend the liberties of the Florentine people by executing those five perfidious citizens, there would not be wanting others who would take that cause in hand to the peril of all who opposed it. The Florentine Cato triumphed. When the votes were counted again, the four obstinate white beans no longer appeared; the whole nine were of the fatal affirmative black, deciding the death of the five prisoners without delay—deciding also, only tacitly and with much more delay, the death of Francesco Valori.

And now, while the judicial Eight were gone to the Bargello to prepare for the execution, the five condemned men were being led barefoot and in irons through the midst of the council. It was their friends who had contrived this: would not Florentines be moved by the visible association of such cruel ignominy with two venerable men like Bernardo del Nero and Niccolò Ridolfi, who had taken their bias long before the new order of things had come to make Mediceanism retrograde—with two brilliant popular young men like Tornabuoni and Pucci, whose absence would be felt as a haunting vacancy wherever there was a meeting of chief Florentines? It was useless: such pity as could be awakened now was of that hopeless sort which leads not to rescue, but to the tardier action of revenge.

While this scene was passing upstairs Romola stood below against one of the massive pillars in the court of the palace, expecting the moment when her godfather would appear, on his way to execution. By the use of strong interest she had gained permission to visit him in the evening of this day, and remain with him until the result of the council should be determined. And now she was waiting with his confessor to follow the guard that would lead him to the Bargello. Her heart was bent on clinging to the presence of the childless old man to the last moment, as her father would have done; and she had overpowered all remonstrances. Giovan Battista Ridolfi, a disciple of Savonarola, who was going in bitterness to behold the death of his elder brother Niccolò, had promised that she should be guarded, and now stood by her side.

Tito, too, was in the palace; but Romola had not seen him. Since the evening of the seventeenth they had avoided each other, and Tito only knew by inference from the report of the Frate’s neutrality that her pleading had failed. He was now surrounded with official and other personages, both Florentine and foreign, who had been awaiting the issue of the long-protracted council, maintaining, except when he was directly addressed, the subdued air and grave silence of a man whom actual events are placing in a painful state of strife between public and private feeling. When an allusion was made to his wife in relation to those events, he implied that, owing to the violent excitement of her mind, the mere fact of his continuing to hold office under a government concerned in her godfather’s condemnation, roused in her a diseased hostility towards him; so that for her sake he felt it best not to approach her.

“Ah, the old Bardi blood!” said Cennini, with a shrug. “I shall not be surprised if this business shakes her loose from the Frate, as well as some others I could name.”

“It is excusable in a woman, who is doubtless beautiful, since she is the wife of Messer Tito,” said a young French envoy, smiling and bowing to Tito, “to think that her affections must overrule the good of the State, and that nobody is to be beheaded who is anybody’s cousin; but such a view is not to be encouraged in the male population. It seems to me your Florentine polity is much weakened by it.”

“That is true,” said Niccolò Macchiavelli; “but where personal ties are strong, the hostilities they raise must be taken due account of. Many of these half-way severities are mere hot-headed blundering. The only safe blows to be inflicted on men and parties are the blows that are too heavy to be avenged.”

“Niccolò,” said Cennini, “there is a clever wickedness in thy talk sometimes that makes me mistrust thy pleasant young face as if it were a mask of Satan.”

“Not at all, my good Domenico,” said Macchiavelli, smiling, and laying his hand on the elder’s shoulder. “Satan was a blunderer, an introducer of novita, who made a stupendous failure. If he had succeeded, we should all have been worshipping him, and his portrait would have been more flattered.”

“Well, well,” said Cennini, “I say not thy doctrine is not too clever for Satan: I only say it is wicked enough for him.”

“I tell you,” said Macchiavelli, “my doctrine is the doctrine of all men who seek an end a little farther off than their own noses. Ask our Frate, our prophet, how his universal renovation is to be brought about: he will tell you, first, by getting a free and pure government; and since it appears that this cannot be done by making all Florentines love each other, it must be done by cutting off every head that happens to be obstinately in the way. Only if a man incurs odium by sanctioning a severity that is not thorough enough to be final, he commits a blunder. And something like that blunder, I suspect, the Frate has committed. It was an occasion on which he might have won some lustre by exerting himself to maintain the Appeal; instead of that, he has lost lustre, and has gained no strength.”

Before any one else could speak, there came the expected announcement that the prisoners were about to leave the council-chamber; and the majority of those who were present hurried towards the door, intent on securing the freest passage to the Bargello in the rear of the prisoners’ guard; for the scene of the execution was one that drew alike those who were moved by the deepest passions and those who were moved by the coldest curiosity.

Tito was one of those who remained behind. He had a native repugnance to sights of death and pain, and five days ago whenever he had thought of this execution as a possibility he had hoped that it would not take place, and that the utmost sentence would be exile: his own safety demanded no more. But now he felt that it would be a welcome guarantee of his security when he had learned that Bernardo del Nero’s head was off the shoulders. The new knowledge and new attitude towards him disclosed by Romola on the day of his return, had given him a new dread of the power she possessed to make his position insecure. If any act of hers only succeeded in making him an object of suspicion and odium, he foresaw not only frustration, but frustration under unpleasant circumstances. Her belief in Baldassarre had clearly determined her wavering feelings against further submission, and if her godfather lived she would win him to share her belief without much trouble. Romola seemed more than ever an unmanageable fact in his destiny. But if Bernardo del Nero were dead, the difficulties that would beset her in placing herself in opposition to her husband would probably be insurmountable to her shrinking pride. Therefore Tito had felt easier when he knew that the Eight had gone to the Bargello to order the instant erection of the scaffold. Four other men—his intimates and confederates—were to die, besides Bernardo del Nero. But a man’s own safety is a god that sometimes makes very grim demands. Tito felt them to be grim: even in the pursuit of what was agreeable, this paradoxical life forced upon him the desire for what was disagreeable. But he had had other experience of this sort, and as he heard through the open doorway the shuffle of many feet and the clanking of metal on the stairs, he was able to answer the questions of the young French envoy without showing signs of any other feeling than that of sad resignation to State necessities.

Those sounds fell on Romola as if her power of hearing had been exalted along with every other sensibility of her nature. She needed no arm to support her; she shed no tears. She felt that intensity of life which seems to transcend both grief and joy—in which the mind seems to itself akin to elder forces that wrought out existence before the birth of pleasure and pain. Since her godfather’s fate had been decided, the previous struggle of feeling in her had given way to an identification of herself with him in these supreme moments: she was inwardly asserting for him that, if he suffered the punishment of treason, he did not deserve the name of traitor; he was the victim to a collision between two kinds of faithfulness. It was not given him to die for the noblest cause, and yet he died because of his nobleness. He might have been a meaner man and found it easier not to incur this guilt. Romola was feeling the full force of that sympathy with the individual lot that is continually opposing itself to the formulae by which actions and parties are judged. She was treading the way with her second father to the scaffold, and nerving herself to defy ignominy by the consciousness that it was not deserved.

The way was fenced in by three hundred armed men, who had been placed as a guard by the orders of Francesco Valori, for among the apparent contradictions that belonged to this event, not the least striking was the alleged alarm on the one hand at the popular rage against the conspirators, and the alleged alarm on the other lest there should be an attempt to rescue them in the midst of a hostile crowd. When they had arrived within the court of the Bargello, Romola was allowed to approach Bernardo with his confessor for a moment of farewell. Many eyes were bent on them even in that struggle of an agitated throng, as the aged man, forgetting that his hands were bound with irons, lifted them towards the golden head that was bent towards him, and then, checking that movement, leaned to kiss her. She seized the fettered hands that were hung down again, and kissed them as if they had been sacred things.

“My poor Romola,” said Bernardo, in a low voice, “I have only to die, but thou hast to live—and I shall not be there to help thee.”

“Yes,” said Romola, hurriedly, “you will help me—always—because I shall remember you.”

She was taken away and conducted up the flight of steps that led to the loggia surrounding the grand old court. She took her place there, determined to look till the moment when her godfather laid his head on the block. Now while the prisoners were allowed a brief interval with their confessor, the spectators were pressing into court until the crowd became dense around the black scaffold, and the torches fixed in iron rings against the pillars threw a varying startling light at one moment on passionless stone carvings, at another on some pale face agitated with suppressed rage or suppressed grief—the face of one among the many near relatives of the condemned, who were presently to receive their dead and carry them home.

Romola’s face looked like a marble image against the dark arch as she stood watching for the moment when her godfather would appear at the foot of the scaffold. He was to suffer first, and Battista Ridolfi, who was by her side, had promised to take her away through a door behind them when she would have seen the last look of the man who alone in all the world had shared her pitying love for her father. And still, in the background of her thought, there was the possibility striving to be a hope, that some rescue might yet come, something that would keep that scaffold unstained by blood.

For a long while there was constant movement, lights flickering, heads swaying to and fro, confused voices within the court, rushing waves of sound through the entrance from without. It seemed to Romola as if she were in the midst of a storm-troubled sea, caring nothing about the storm, caring only to hold out a signal till the eyes that looked for it could seek it no more.

Suddenly there was stillness, and the very tapers seemed to tremble into quiet. The executioner was ready on the scaffold, and Bernardo del Nero was seen ascending it with a slow firm step. Romola made no visible movement, uttered not even a suppressed sound: she stood more firmly, caring for his firmness. She saw him pause, saw the white head kept erect, while he said, in a voice distinctly audible—

“It is but a short space of life that my fellow-citizens have taken from me.”

She perceived that he was gazing slowly round him as he spoke. She felt that his eyes were resting on her, and that she was stretching out her arms towards him. Then she saw no more till—a long while after, as it seemed—a voice said, “My daughter, all is peace now. I can conduct you to your house.”

She uncovered her head and saw her godfather’s confessor standing by her, in a room where there were other grave men talking in subdued tones.

“I am ready,” she said, starting up. “Let us lose no time.”

She thought all clinging was at an end for her: all her strength now should be given to escape from a grasp under which she shuddered.

LXI. Drifting Away

On the eighth day from that memorable night Romola was standing on the brink of the Mediterranean, watching the gentle summer pulse of the sea just above what was then the little fishing village of Viareggio.

Again she had fled from Florence, and this time no arresting voice had called her back. Again she wore the grey religious dress; and this time, in her heart-sickness, she did not care that it was a disguise. A new rebellion had risen within her, a new despair. Why should she care about wearing one badge more than another, or about being called by her own name? She despaired of finding any consistent duty belonging to that name. What force was there to create for her that supremely hallowed motive which men call duty, but which can have no inward constraining existence save through some form of believing love?

The bonds of all strong affection were snapped. In her marriage, the highest bond of all, she had ceased to see the mystic union which is its own guarantee of indissolubleness, had ceased even to see the obligation of a voluntary pledge: had she not proved that the things to which she had pledged herself were impossible? The impulse to set herself free had risen again with overmastering force; yet the freedom could only be an exchange of calamity. There is no compensation for the woman who feels that the chief relation of her life has been no more than a mistake. She has lost her crown. The deepest secret of human blessedness has half whispered itself to her, and then for ever passed her by.

And now Romola’s best support under that supreme woman’s sorrow had slipped away from her. The vision of any great purpose, any end of existence which could ennoble endurance and exalt the common deeds of a dusty life with divine ardours, was utterly eclipsed for her now by the sense of a confusion in human things which made all effort a mere dragging at tangled threads; all fellowship, either for resistance or advocacy, mere unfairness and exclusiveness. What, after all, was the man who had represented for her the highest heroism: the heroism not of hard, self-contained endurance, but of willing, self-offering love? What was the cause he was struggling for? Romola had lost her trust in Savonarola, had lost that fervour of admiration which had made her unmindful of his aberrations, and attentive only to the grand curve of his orbit. And now that her keen feeling for her godfather had thrown her into antagonism with the Frate, she saw all the repulsive and inconsistent details in his teaching with a painful lucidity which exaggerated their proportions. In the bitterness of her disappointment she said that his striving after the renovation of the Church and the world was a striving after a mere name which told no more than the title of a book: a name that had come to mean practically the measures that would strengthen his own position in Florence; nay, often questionable deeds and words, for the sake of saving his influence from suffering by his own errors. And that political reform which had once made a new interest in her life seemed now to reduce itself to narrow devices for the safety of Florence, in contemptible contradiction with the alternating professions of blind trust in the Divine care.

It was inevitable that she should judge the Frate unfairly on a question of individual suffering, at which she looked with the eyes of personal tenderness, and he with the eyes of theoretic conviction. In that declaration of his, that the cause of his party was the cause of God’s kingdom, she heard only the ring of egoism. Perhaps such words have rarely been uttered without that meaner ring in them; yet they are the implicit formula of all energetic belief. And if such energetic belief, pursuing a grand and remote end, is often in danger of becoming a demon-worship, in which the votary lets his son and daughter pass through the fire with a readiness that hardly looks like sacrifice; tender fellow-feeling for the nearest has its danger too, and is apt to be timid and sceptical towards the larger aims without which life cannot rise into religion. In this way poor Romola was being blinded by her tears.

No one who has ever known what it is thus to lose faith in a fellow-man whom he has profoundly loved and reverenced, will lightly say that the shock can leave the faith in the Invisible Goodness unshaken. With the sinking of high human trust, the dignity of life sinks too; we cease to believe in our own better self, since that also is part of the common nature which is degraded in our thought; and all the finer impulses of the soul are dulled. Romola felt even the springs of her once active pity drying up, and leaving her to barren egoistic complaining. Had not she had her sorrows too? And few had cared for her, while she had cared for many. She had done enough; she had striven after the impossible, and was weary of this stifling crowded life. She longed for that repose in mere sensation which she had sometimes dreamed of in the sultry afternoons of her early girlhood, when she had fancied herself floating naïad-like in the waters.

The clear waves seemed to invite her: she wished she could lie down to sleep on them and pass from sleep into death. But Romola could not directly seek death; the fulness of young life in her forbade that. She could only wish that death would come.

At the spot where she had paused there was a deep bend in the shore, and a small boat with a sail was moored there. In her longing to glide over the waters that were getting golden with the level sun-rays, she thought of a story which had been one of the things she had loved to dwell on in Boccaccio, when her father fell asleep and she glided from her stool to sit on the floor and read the ‘Decamerone.’ It was the story of that fair Gostanza who in her lovelorn-ness desired to live no longer, but not having the courage to attack her young life, had put herself into a boat and pushed off to sea; then, lying down in the boat, had wrapt her mantle round her head, hoping to be wrecked, so that her fear would be helpless to flee from death. The memory had remained a mere thought in Romola’s mind, without budding into any distinct wish; but now, as she paused again in her walking to and fro, she saw gliding black against the red gold another boat with one man in it, making towards the bend where the first and smaller boat was moored. Walking on again, she at length saw the man land, pull his boat ashore and begin to unload something from it. He was perhaps the owner of the smaller boat also: he would be going away soon, and her opportunity would be gone with him—her opportunity of buying that smaller boat. She had not yet admitted to herself that she meant to use it, but she felt a sudden eagerness to secure the possibility of using it, which disclosed the half-unconscious growth of a thought into a desire.

“Is that little boat yours also?” she said to the fisherman, who had looked up, a little startled by the tall grey figure, and had made a reverence to this holy Sister wandering thus mysteriously in the evening solitude.

It was his boat; an old one, hardly seaworthy, yet worth repairing to any man who would buy it. By the blessing of San Antonio, whose chapel was in the village yonder, his fishing had prospered, and he had now a better boat, which had once been Gianni’s who died. But he had not yet sold the old one. Romola asked him how much it was worth, and then, while he was busy, thrust the price into a little satchel lying on the ground and containing the remnant of his dinner. After that, she watched him furling his sail and asked him how he should set it if he wanted to go out to sea, and then pacing up and down again, waited to see him depart.

The imagination of herself gliding away in that boat on the darkening waters was growing more and more into a longing, as the thought of a cool brook in sultriness becomes a painful thirst. To be freed from the burden of choice when all motive was bruised, to commit herself, sleeping, to destiny which would either bring death or else new necessities that might rouse a new life in her!—it was a thought that beckoned her the more because the soft evening air made her long to rest in the still solitude, instead of going back to the noise and heat of the village.

At last the slow fisherman had gathered up all his movables and was walking away. Soon the gold was shrinking and getting duskier in sea and sky, and there was no living thing in sight, no sound but the lulling monotony of the lapping waves. In this sea there was no tide that would help to carry her away if she waited for its ebb; but Romola thought the breeze from the land was rising a little. She got into the boat, unfurled the sail, and fastened it as she had learned in that first brief lesson. She saw that it caught the light breeze, and this was all she cared for. Then she loosed the boat from its moorings, and tried to urge it with an oar, till she was far out from the land, till the sea was dark even to the west, and the stars were disclosing themselves like a palpitating life over the wide heavens. Resting at last, she threw back her cowl, and, taking off the kerchief underneath, which confined her hair, she doubled them both under her head for a pillow on one of the boat’s ribs. The fair head was still very young and could bear a hard pillow.

And so she lay, with the soft night air breathing on her while she glided on the water and watched the deepening quiet of the sky. She was alone now: she had freed herself from all claims, she had freed herself even from that burden of choice which presses with heavier and heavier weight when claims have loosed their guiding hold.

Had she found anything like the dream of her girlhood? No. Memories hung upon her like the weight of broken wings that could never be lifted—memories of human sympathy which even in its pains leaves a thirst that the Great Mother has no milk to still. Romola felt orphaned in those wide spaces of sea and sky. She read no message of love for her in that far-off symbolic writing of the heavens, and with a great sob she wished that she might be gliding into death.

She drew the cowl over her head again and covered her face, choosing darkness rather than the light of the stars, which seemed to her like the hard light of eyes that looked at her without seeing her. Presently she felt that she was in the grave, but not resting there: she was touching the hands of the beloved dead beside her, and trying to wake them.