XXXIV. No Place for Repentance…

XXXIV. No Place for Repentance

Messer Naldo came again sooner than was expected: he came on the evening of the twenty-eighth of November, only eleven days after his previous visit, proving that he had not gone far beyond the mountains; and a scene which we have witnessed as it took place that evening in the Via de’ Bardi may help to explain the impulse which turned his steps towards the hill of San Giorgio.

When Tito had first found this home for Tessa, on his return from Rome, more than a year and a half ago, he had acted, he persuaded himself, simply under the constraint imposed on him by his own kindliness after the unlucky incident which had made foolish little Tessa imagine him to be her husband. It was true that the kindness was manifested towards a pretty trusting thing whom it was impossible to be near without feeling inclined to caress and pet her; but it was not less true that Tito had movements of kindness towards her apart from any contemplated gain to himself. Otherwise, charming as her prettiness and prattle were in a lazy moment, he might have preferred to be free from her; for he was not in love with Tessa—he was in love for the first time in his life with an entirely different woman, whom he was not simply inclined to shower caresses on, but whose presence possessed him so that the simple sweep of her long tresses across his cheek seemed to vibrate through the hours. All the young ideal passion he had in him had been stirred by Romola, and his fibre was too fine, his intellect too bright, for him to be tempted into the habits of a gross pleasure-seeker. But he had spun a web about himself and Tessa, which he felt incapable of breaking: in the first moments after the mimic marriage he had been prompted to leave her under an illusion by a distinct calculation of his own possible need, but since that critical moment it seemed to him that the web had gone on spinning itself in spite of him, like a growth over which he had no power. The elements of kindness and self-indulgence are hard to distinguish in a soft nature like Tito’s; and the annoyance he had felt under Tessa’s pursuit of him on the day of his betrothal, the thorough intention of revealing the truth to her with which he set out to fulfil his promise of seeing her again, were a sufficiently strong argument to him that in ultimately leaving Tessa under her illusion and providing a home for her, he had been overcome by his own kindness. And in these days of his first devotion to Romola he needed a self-justifying argument. He had learned to be glad that she was deceived about some things. But every strong feeling makes to itself a conscience of its own—has its own piety; just as much as the feeling of the son towards the mother, which will sometimes survive amid the worst fumes of depravation; and Tito could not yet be easy in committing a secret offence against his wedded love.

But he was all the more careful in taking precautions to preserve the secrecy of the offence. Monna Lisa, who, like many of her class, never left her habitation except to go to one or two particular shops, and to confession once a year, knew nothing of his real name and whereabout: she only know that he paid her so as to make her very comfortable, and minded little about the rest, save that she got fond of Tessa, and found pleasure in the cares for which she was paid. There was some mystery behind, clearly, since Tessa was a contadina, and Messer Naldo was a signor; but, for aught Monna Lisa knew, he might be a real husband. For Tito had thoroughly frightened Tessa into silence about the circumstances of their marriage, by telling her that if she broke that silence she would never see him again; and Monna Lisa’s deafness, which made it impossible to say anything to her without some premeditation, had saved Tessa from any incautious revelation to her, such as had run off her tongue in talking with Baldassarre. For a long while Tito’s visits were so rare, that it seemed likely enough he took journeys between them. They were prompted chiefly by the desire to see that all things were going on well with Tessa; and though he always found his visit pleasanter than the prospect of it—always felt anew the charm of that pretty ignorant lovingness and trust—he had not yet any real need of it. But he was determined, if possible, to preserve the simplicity on which the charm depended; to keep Tessa a genuine contadina, and not place the small field-flower among conditions that would rob it of its grace. He would have been shocked to see her in the dress of any other rank than her own; the piquancy of her talk would be all gone, if things began to have new relations for her, if her world became wider, her pleasures less childish; and the squirrel-like enjoyment of nuts at discretion marked the standard of the luxuries he had provided for her. By this means, Tito saved Tessa’s charm from being sullied; and he also, by a convenient coincidence, saved himself from aggravating expenses that were already rather importunate to a man whose money was all required for his avowed habits of life.

This, in brief, had been the history of Tito’s relation to Tessa up to a very recent date. It is true that once or twice before Bardo’s death, the sense that there was Tessa up the hill, with whom it was possible to pass an hour agreeably, had been an inducement to him to escape from a little weariness of the old man, when, for lack of any positive engagement, he might otherwise have borne the weariness patiently and shared Romola’s burden. But the moment when he had first felt a real hunger for Tessa’s ignorant lovingness and belief in him had not come till quite lately, and it was distinctly marked out by circumstances as little to be forgotten as the oncoming of a malady that has permanently vitiated the sight and hearing. It was the day when he had first seen Baldassarre, and had bought the armour. Returning across the bridge that night, with the coat of mail in his hands, he had felt an unconquerable shrinking from an immediate encounter with Romola. She, too, knew little of the actual world; she, too, trusted him; but he had an uneasy consciousness that behind her frank eyes there was a nature that could judge him, and that any ill-founded trust of hers sprang not from pretty brute-like incapacity, but from a nobleness which might prove an alarming touchstone. He wanted a little ease, a little repose from self-control, after the agitation and exertions of the day; he wanted to be where he could adjust his mind to the morrow, without caring how he behaved at the present moment. And there was a sweet adoring creature within reach whose presence was as safe and unconstraining as that of her own kids,—who would believe any fable, and remain quite unimpressed by public opinion. And so on that evening, when Romola was waiting and listening for him, he turned his steps up the hill.

No wonder, then, that the steps took the same course on this evening, eleven days later, when he had had to recoil under Romola’s first outburst of scorn. He could not wish Tessa in his wife’s place, or refrain from wishing that his wife should be thoroughly reconciled to him; for it was Romola, and not Tessa, that belonged to the world where all the larger desires of a man who had ambition and effective faculties must necessarily lie. But he wanted a refuge from a standard disagreeably rigorous, of which he could not make himself independent simply by thinking it folly; and Tessa’s little soul was that inviting refuge.

It was not much more than eight o’clock when he went up the stone steps to the door of Tessa’s room. Usually she heard his entrance into the house, and ran to meet him, but not to-night; and when he opened the door he saw the reason. A single dim light was burning above the dying fire, and showed Tessa in a kneeling attitude by the head of the bed where the baby lay. Her head had fallen aside on the pillow, and her brown rosary, which usually hung above the pillow over the picture of the Madonna and the golden palm-branches, lay in the loose grasp of her right-hand. She had gone fast asleep over her beads. Tito stepped lightly across the little room, and sat down close to her. She had probably heard the opening of the door as part of her dream, for he had not been looking at her two moments before she opened her eyes. She opened them without any start, and remained quite motionless looking at him, as if the sense that he was there smiling at her shut out any impulse which could disturb that happy passiveness. But when he put his hand under her chin, and stooped to kiss her, she said—

“I dreamed it, and then I said it was dreaming—and then I awoke, and it was true.”

“Little sinner!” said Tito, pinching her chin, “you have not said half your prayers. I will punish you by not looking at your baby; it is ugly.”

Tessa did not like those words, even though Tito was smiling. She had some pouting distress in her face, as she said, bending anxiously over the baby—

“Ah, it is not true! He is prettier than anything. You do not think he is ugly. You will look at him. He is even prettier than when you saw him before—only he’s asleep, and you can’t see his eyes or his tongue, and I can’t show you his hair—and it grows—isn’t that wonderful? Look at him! It’s true his face is very much all alike when he’s asleep, there is not so much to see as when he’s awake. If you kiss him very gently, he won’t wake: you want to kiss him, is it not true?”

He satisfied her by giving the small mummy a butterfly kiss, and then putting his hand on her shoulder and turning her face towards him, said, “You like looking at the baby better than looking at your husband, you false one!”

She was still kneeling, and now rested her hands on his knee, looking up at him like one of Fra Lippo Lippi’s round-cheeked adoring angels.

“No,” she said, shaking her head; “I love you always best, only I want you to look at the bambino and love him; I used only to want you to love me.”

“And did you expect me to come again so soon?” said Tito, inclined to make her prattle. He still felt the effects of the agitation he had undergone—still felt like a man who has been violently jarred; and this was the easiest relief from silence and solitude.

“Ah, no,” said Tessa, “I have counted the days—to-day I began at my right thumb again—since you put on the beautiful chain-coat, that Messer San Michele gave you to take care of you on your journey. And you have got it on now,” she said, peeping through the opening in the breast of his tunic. “Perhaps it made you come back sooner.”

“Perhaps it did, Tessa,” he said. “But don’t mind the coat now. Tell me what has happened since I was here. Did you see the tents in the Prato, and the soldiers and horsemen when they passed the bridges—did you hear the drums and trumpets?”

“Yes, and I was rather frightened, because I thought the soldiers might come up here. And Monna Lisa was a little afraid too, for she said they might carry our kids off; she said it was their business to do mischief. But the Holy Madonna took care of us, for we never saw one of them up here. But something has happened, only I hardly dare tell you, and that is what I was saying more Aves for.”

“What do you mean, Tessa?” said Tito, rather anxiously. “Make haste and tell me.”

“Yes, but will you let me sit on your knee? because then I think I shall not be so frightened.”

He took her on his knee, and put his arm round her, but looked grave: it seemed that something unpleasant must pursue him even here.

“At first I didn’t mean to tell you,” said Tessa, speaking almost in a whisper, as if that would mitigate the offence; “because we thought the old man would be gone away before you came again, and it would be as if it had not been. But now he is there, and you are come, and I never did anything you told me not to do before. And I want to tell you, and then you will perhaps forgive me, for it is a long while before I go to confession.”

“Yes, tell me everything, my Tessa.” He began to hope it was after all a trivial matter.

“Oh, you will be sorry for him: I’m afraid he cries about something when I don’t see him. But that was not the reason I went to him first; it was because I wanted to talk to him and show him my baby, and he was a stranger that lived nowhere, and I thought you wouldn’t care so much about my talking to him. And I think he is not a bad old man, and he wanted to come and sleep on the straw next to the goats, and I made Monna Lisa say, ‘Yes, he might,’ and he’s away all the day almost, but when he comes back I talk to him, and take him something to eat.”

“Some beggar, I suppose. It was naughty of you, Tessa, and I am angry with Monna Lisa. I must have him sent away.”

“No, I think he is not a beggar, for he wanted to pay Monna Lisa, only she asked him to do work for her instead. And he gets himself shaved, and his clothes are tidy: Monna Lisa says he is a decent man. But sometimes I think he is not in his right mind: Lupo, at Peretola, was not in his right mind, and he looks a little like Lupo sometimes, as if he didn’t know where he was.”

“What sort of face has he?” said Tito, his heart beginning to beat strangely. He was so haunted by the thought of Baldassarre, that it was already he whom he saw in imagination sitting on the straw not many yards from him. “Fetch your stool, my Tessa, and sit on it.”

“Shall you not forgive me?” she said, timidly, moving from his knee.

“Yes, I will not be angry—only sit down, and tell me what sort of old man this is.”

“I can’t think how to tell you: he is not like my stepfather Nofri, or anybody. His face is yellow, and he has deep marks in it; and his hair is white, but there is none on the top of his head: and his eyebrows are black, and he looks from under them at me, and says, ‘Poor thing!’ to me, as if he thought I was beaten as I used to be; and that seems as if he couldn’t be in his right mind, doesn’t it? And I asked him his name once, but he couldn’t tell it me: yet everybody has a name—is it not true? And he has a book now, and keeps looking at it ever so long, as if he were a Padre. But I think he is not saying prayers, for his lips never move;—ah, you are angry with me, or is it because you are sorry for the old man?”

Tito’s eyes were still fixed on Tessa; but he had ceased to see her, and was only seeing the objects her words suggested. It was this absent glance which frightened her, and she could not help going to kneel at his side again. But he did not heed her, and she dared not touch him, or speak to him: she knelt, trembling and wondering; and this state of mind suggesting her beads to her, she took them from the floor, and began to tell them again, her pretty lips moving silently, and her blue eyes wide with anxiety and struggling tears.

Tito was quite unconscious of her movements—unconscious of his own attitude: he was in that wrapt state in which a man will grasp painful roughness, and press and press it closer, and never feel it. A new possibility had risen before him, which might dissolve at once the wretched conditions of fear and suppression that were marring his life. Destiny had brought within his reach an opportunity of retrieving that moment on the steps of the Duomo, when the Past had grasped him with living quivering hands, and he had disowned it. A few steps, and he might be face to face with his father, with no witness by; he might seek forgiveness and reconciliation; and there was money now, from the sale of the library, to enable them to leave Florence without disclosure, and go into Southern Italy, where under the probable French rule, he had already laid a foundation for patronage. Romola need never know the whole truth, for she could have no certain means of identifying that prisoner in the Duomo with Baldassarre, or of learning what had taken place on the steps, except from Baldassarre himself; and if his father forgave, he would also consent to bury, that offence.

But with this possibility of relief, by an easy spring, from present evil, there rose the other possibility, that the fierce-hearted man might refuse to be propitiated. Well—and if he did, things would only be as they had been before; for there would be no witness by. It was not repentance with a white sheet round it and taper in hand, confessing its hated sin in the eyes of men, that Tito was preparing for: it was a repentance that would make all things pleasant again, and keep all past unpleasant things secret. And Tito’s soft-heartedness, his indisposition to feel himself in harsh relations with any creature, was in strong activity towards his father, now his father was brought near to him. It would be a state of ease that his nature could not but desire, if the poisonous hatred in Baldassarre’s glance could be replaced by something of the old affection and complacency.

Tito longed to have his world once again completely cushioned with goodwill, and longed for it the more eagerly because of what he had just suffered from the collision with Romola. It was not difficult to him to smile pleadingly on those whom he had injured, and offer to do them much kindness: and no quickness of intellect could tell him exactly the taste of that honey on the lips of the injured. The opportunity was there, and it raised an inclination which hemmed in the calculating activity of his thought. He started up, and stepped towards the door; but Tessa’s cry, as she dropped her beads, roused him from his absorption. He turned and said—

“My Tessa, get me a lantern; and don’t cry, little pigeon, I am not angry.”

They went down the stairs, and Tessa was going to shout the need of the lantern in Monna Lisa’s ear, when Tito, who had opened the door, said, “Stay, Tessa—no, I want no lantern: go upstairs again, and keep quiet, and say nothing to Monna Lisa.”

In half a minute he stood before the closed door of the outhouse, where the moon was shining white on the old paintless wood.

In this last decisive moment, Tito felt a tremor upon him—a sudden instinctive shrinking from a possible tiger-glance, a possible tiger-leap. Yet why should he, a young man, be afraid of an old one? a young man with armour on, of an old man without a weapon? It was but a moment’s hesitation, and Tito laid his hand on the door. Was his father asleep? Was there nothing else but the door that screened him from the voice and the glance which no magic could turn into ease?

Baldassarre was not asleep. There was a square opening high in the wall of the hovel, through which the moonbeams sent in a stream of pale light; and if Tito could have looked through the opening, he would have seen his father seated on the straw, with something that shone like a white star in his hand. Baldassarre was feeling the edge of his poniard, taking refuge in that sensation from a hopeless blank of thought that seemed to lie like a great gulf between his passion and its aim.

He was in one of his most wretched moments of conscious helplessness: he had been poring, while it was light, over the book that lay open beside him; then he had been trying to recall the names of his jewels, and the symbols engraved on them; and though at certain other times he had recovered some of those names and symbols, to-night they were all gone into darkness. And this effort at inward seeing had seemed to end in utter paralysis of memory. He was reduced to a sort of mad consciousness that he was a solitary pulse of just rage in a world filled with defiant baseness. He had clutched and unsheathed his dagger, and for a long while had been feeling its edge, his mind narrowed to one image, and the dream of one sensation—the sensation of plunging that dagger into a base heart, which he was unable to pierce in any other way.

Tito had his hand on the door and was pulling it: it dragged against the ground as such old doors often do, and Baldassarre, startled out of his dreamlike state, rose from his sitting posture in vague amazement, not knowing where he was. He had not yet risen to his feet, and was still kneeling on one knee, when the door came wide open and he saw, dark against the moonlight, with the rays falling on one bright mass of curls and one rounded olive cheek, the image of his reverie—not shadowy—close and real like water at the lips after the thirsty dream of it. No thought could come athwart that eager thirst. In one moment, before Tito could start back, the old man, with the preternatural force of rage in his limbs, had sprung forward, and the dagger had flashed out. In the next moment the dagger had snapped in two, and Baldassarre, under the parrying force of Tito’s arm, had fallen back on the straw, clutching the hilt with its bit of broken blade. The pointed end lay shining against Tito’s feet.

Tito had felt one great heart-leap of terror as he had staggered under the weight of the thrust: he felt now the triumph of deliverance and safety. His armour had been proved, and vengeance lay helpless before him. But the triumph raised no devilish impulse; on the contrary, the sight of his father close to him and unable to injure him, made the effort at reconciliation easier. He was free from fear, but he had only the more unmixed and direct want to be free from the sense that he was hated. After they had looked at each other a little while, Baldassarre lying motionless in despairing rage, Tito said in his soft tones, just as they had sounded before the last parting on the shores of Greece—

“Padre mio!” There was a pause after those words, but no movement or sound till he said—

“I came to ask your forgiveness!”

Again he paused, that the healing balm of those words might have time to work. But there was no sign of change in Baldassarre: he lay as he had fallen, leaning on one arm: he was trembling, but it was from the shock that had thrown him down.

“I was taken by surprise that morning. I wish now to be a son to you again. I wish to make the rest of your life happy, that you may forget what you have suffered.”

He paused again. He had used the clearest and strongest words he could think of. It was useless to say more, until he had some sign that Baldassarre understood him. Perhaps his mind was too distempered or too imbecile even for that: perhaps the shock of his fall and his disappointed rage might have quite suspended the use of his faculties.

Presently Baldassarre began to move. He threw away the broken dagger, and slowly and gradually, still trembling, began to raise himself from the ground. Tito put out his hand to help him, and so strangely quick are men’s souls that in this moment, when he began to feel his atonement was accepted, he had a darting thought of the irksome efforts it entailed. Baldassarre clutched the hand that was held out, raised himself and clutched it still, going close up to Tito till their faces were not a foot off each other. Then he began to speak, in a deep trembling voice—

“I saved you—I nurtured you—I loved you. You forsook me—you robbed me—you denied me. What can you give me? You have made the world bitterness to me; but there is one draught of sweetness left—that you shall know agony.”

He let fall Tito’s hand, and going backwards a little, first rested his arm on a projecting stone in the wall, and then sank again in a sitting posture on the straw. The outleap of fury in the dagger-thrust had evidently exhausted him.

Tito stood silent. If it had been a deep yearning emotion which had brought him to ask his father’s forgiveness, the denial of it might have caused him a pang which would have excluded the rushing train of thought that followed those decisive words. As it was, though the sentence of unchangeable hatred grated on him and jarred him terribly, his mind glanced round with a self-preserving instinct to see how far those words could have the force of a substantial threat. When he had come down to speak to Baldassarre, he had said to himself that if his effort at reconciliation failed, things would only be as they had been before. The first glance of his mind was backward to that thought again, but the future possibilities of danger that were conjured up along with it brought the perception that things were not as they had been before, and the perception came as a triumphant relief. There was not only the broken dagger, there was the certainty, from what Tessa had told him, that Baldassarre’s mind was broken too, and had no edge that could reach him. Tito felt he had no choice now: he must defy Baldassarre as a mad, imbecile old man; and the chances were so strongly on his side that there was hardly room for fear. No; except the fear of having to do many unpleasant things in order to save himself from what was yet more unpleasant. And one of those unpleasant things must be done immediately: it was very difficult.

“Do you mean to stay here?” he said.

“No,” said Baldassarre, bitterly, “you mean to turn me out.”

“Not so,” said Tito; “I only ask.”

“I tell you, you have turned me out. If it is your straw, you turned me off it three years ago.”

“Then you mean to leave this place?” said Tito, more anxious about this certainty than the ground of it.

“I have spoken,” said Baldassarre.

Tito turned and re-entered the house. Monna Lisa was nodding; he went up to Tessa, and found her crying by the side of her baby.

“Tessa,” he said, sitting down and taking her head between his hands; “leave off crying, little goose, and listen to me.”

He lifted her chin upward, that she might look at him, while he spoke very distinctly and emphatically.

“You must never speak to that old man again. He is a mad old man, and he wants to kill me. Never speak to him or listen to him again.”

Tessa’s tears had ceased, and her lips were pale with fright.

“Is he gone away?” she whispered.

“He will go away. Remember what I have said to you.”

“Yes; I will never speak to a stranger any more,” said Tessa, with a sense of guilt.

He told her, to comfort her, that he would come again to-morrow; and then went down to Monna Lisa to rebuke her severely for letting a dangerous man come about the house.

Tito felt that these were odious tasks; they were very evil-tasted morsels, but they were forced upon him. He heard Monna Lisa fasten the door behind him, and turned away, without looking towards the open door of the hovel. He felt secure that Baldassarre would go, and he could not wait to see him go. Even his young frame and elastic spirit were shattered by the agitations that had been crowded into this single evening.

Baldassarre was still sitting on the straw when the shadow of Tito passed by. Before him lay the fragments of the broken dagger; beside him lay the open book, over which he had pored in vain. They looked like mocking symbols of his utter helplessness; and his body was still too trembling for him to rise and walk away.

But the next morning, very early, when Tessa peeped anxiously through the hole in her shutter, the door of the hovel was open, and the strange old man was gone.

XXXV. What Florence was thinking of

For several days Tito saw little of Romola. He told her gently, the next morning, that it would be better for her to remove any small articles of her own from the library, as there would be agents coming to pack up the antiquities. Then, leaning to kiss her on the brow, he suggested that she should keep in her own room where the little painted tabernacle was, and where she was then sitting, so that she might be away from the noise of strange footsteps, Romola assented quietly, making no sign of emotion: the night had been one long waking to her, and, in spite of her healthy frame, sensation had become a dull continuous pain, as if she had been stunned and bruised. Tito divined that she felt ill, but he dared say no more; he only dared, perceiving that her hand and brow were stone cold, to fetch a furred mantle and throw it lightly round her. And in every brief interval that he returned to her, the scene was nearly the same: he tried to propitiate her by some unobtrusive act or word of tenderness, and she seemed to have lost the power of speaking to him, or of looking at him. “Patience!” he said to himself. “She will recover it, and forgive at last. The tie to me must still remain the strongest.” When the stricken person is slow to recover and look as if nothing had happened, the striker easily glides into the position of the aggrieved party; he feels no bruise himself, and is strongly conscious of his own amiable behaviour since he inflicted the blow. But Tito was not naturally disposed to feel himself aggrieved; the constant bent of his mind was towards propitiation, and he would have submitted to much for the sake of feeling Romola’s hand resting on his head again, as it did that morning when he first shrank from looking at her.

But he found it the less difficult to wait patiently for the return of his home happiness, because his life out of doors was more and more interesting to him. A course of action which is in strictness a slowly-prepared outgrowth of the entire character, is yet almost always traceable to a single impression as its point of apparent origin; and since that moment in the Piazza del Duomo, when Tito, mounted on the bales, had tasted a keen pleasure in the consciousness of his ability to tickle the ears of men with any phrases that pleased them, his imagination had glanced continually towards a sort of political activity which the troubled public life of Florence was likely enough to find occasion for. But the fresh dread of Baldassarre, waked in the same moment, had lain like an immovable rocky obstruction across that path, and had urged him into the sale of the library, as a preparation for the possible necessity of leaving Florence, at the very time when he was beginning to feel that it had a new attraction for him. That dread was nearly removed now: he must wear his armour still, he must prepare himself for possible demands on his coolness and ingenuity, but he did not feel obliged to take the inconvenient step of leaving Florence and seeking new fortunes. His father had refused the offered atonement—had forced him into defiance; and an old man in a strange place, with his memory gone, was weak enough to be defied.

Tito’s implicit desires were working themselves out now in very explicit thoughts. As the freshness of young passion faded, life was taking more and more decidedly for him the aspect of a game in which there was an agreeable mingling of skill and chance.

And the game that might be played in Florence promised to be rapid and exciting; it was a game of revolutionary and party struggle, sure to include plenty of that unavowed action in which brilliant ingenuity, able to get rid of all inconvenient beliefs except that “ginger is hot in the mouth,” is apt to see the path of superior wisdom.

No sooner were the French guests gone than Florence was as agitated as a colony of ants when an alarming shadow has been removed, and the camp has to be repaired. “How are we to raise the money for the French king? How are we to manage the war with those obstinate Pisan rebels? Above all, how are we to mend our plan of government, so as to hit on the best way of getting our magistrates chosen and our laws voted?” Till those questions were well answered trade was in danger of standing still, and that large body of the working men who were not counted as citizens and had not so much as a vote to serve as an anodyne to their stomachs were likely to get impatient. Something must be done.

And first the great bell was sounded, to call the citizens to a parliament in the Piazza de’ Signori; and when the crowd was wedged close, and hemmed in by armed men at all the outlets, the Signoria (or Gonfaloniere and eight Priors for the time being) came out and stood by the stone lion on the platform in front of the Old Palace, and proposed that twenty chief men of the city should have dictatorial authority given them, by force of which they should for one year choose all magistrates, and set the frame of government in order. And the people shouted their assent, and felt themselves the electors of the Twenty. This kind of “parliament” was a very old Florentine fashion, by which the will of the few was made to seem the choice of the many.

The shouting in the Piazza was soon at an end, but not so the debating inside the palace: was Florence to have a Great Council after the Venetian mode, where all the officers of government might be elected, and all laws voted by a wide number of citizens of a certain age and of ascertained qualifications, without question of rank or party? or, was it to be governed on a narrower and less popular scheme, in which the hereditary influence of good families would be less adulterated with the votes of shopkeepers. Doctors of law disputed day after day, and far on into the night. Messer Pagolantonio Soderini alleged excellent reasons on the side of the popular scheme; Messer Guidantonio Vespucci alleged reasons equally excellent on the side of a more aristocratic form. It was a question of boiled or roast, which had been prejudged by the palates of the disputants, and the excellent arguing might have been protracted a long while without any other result than that of deferring the cooking. The majority of the men inside the palace, having power already in their hands, agreed with Vespucci, and thought change should be moderate; the majority outside the palace, conscious of little power and many grievances, were less afraid of change.

And there was a force outside the palace which was gradually tending to give the vague desires of that majority the character of a determinate will. That force was the preaching of Savonarola. Impelled partly by the spiritual necessity that was laid upon him to guide the people, and partly by the prompting of public-men who could get no measures carried without his aid, he was rapidly passing in his daily sermons from the general to the special—from telling his hearers that they must postpone their private passions and interests to the public good, to telling them precisely what sort of government they must have in order to promote that good—from “Choose whatever is best for all” to “Choose the Great Council,” and “the Great Council is the will of God.”

To Savonarola these were as good as identical propositions. The Great Council was the only practicable plan for giving an expression to the public will large enough to counteract the vitiating influence of party interests: it was a plan that would make honest impartial public action at least possible. And the purer the government of Florence would become—the more secure from the designs of men who saw their own advantage in the moral debasement of their fellows—the nearer would the Florentine people approach the character of a pure community, worthy to lead the way in the renovation of the Church and the world. And Fra Girolamo’s mind never stopped short of that sublimest end: the objects towards which he felt himself working had always the same moral magnificence. He had no private malice—he sought no petty gratification. Even in the last terrible days, when ignominy, torture, and the fear of torture, had laid bare every hidden weakness of his soul, he could say to his importunate judges: “Do not wonder if it seems to you that I have told but few things; for my purposes were few and great.”[1]

[1] “Se vi pare che io abbia detto poche cose, non ve ne maravigliate, perchè le mie cose erano poche e grandi.”Return to passage

XXXVI. Ariadne discrowns herself

It was more than three weeks before the contents of the library were all packed and carried away. And Romola, instead of shutting her eyes and ears, had watched the process. The exhaustion consequent on violent emotion is apt to bring a dreamy disbelief in the reality of its cause; and in the evening, when the workmen were gone, Romola took her hand-lamp and walked slowly round amongst the confusion of straw and wooden cases, pausing at every vacant pedestal, every well-known object laid prostrate, with a sort of bitter desire to assure herself that there was a sufficient reason why her love was gone and the world was barren for her. And still, as the evenings came, she went and went again; no longer to assure herself, but because this vivifying of pain and despair about her father’s memory was the strongest life left to her affections. On the 23rd of December, she knew that the last packages were going. She ran to the loggia at the top of the house that she might not lose the last pang of seeing the slow wheels move across the bridge.

It was a cloudy day, and nearing dusk. Arno ran dark and shivering; the hills were mournful; and Florence with its girdling stone towers had that silent, tomb-like look, which unbroken shadow gives to a city seen from above. Santa Croce, where her father lay, was dark amidst that darkness, and slowly crawling over the bridge, and slowly vanishing up the narrow street, was the white load, like a cruel, deliberate Fate carrying away her father’s lifelong hope to bury it in an unmarked grave. Romola felt less that she was seeing this herself than that her father was conscious of it as he lay helpless under the imprisoning stones, where her hand could not reach his to tell him that he was not alone.

She stood still even after the load had disappeared, heedless of the cold, and soothed by the gloom which seemed to cover her like a mourning garment and shut out the discord of joy. When suddenly the great bell in the palace-tower rang out a mighty peal: not the hammer-sound of alarm, but an agitated peal of triumph; and one after another every other bell in every other tower seemed to catch the vibration and join the chorus. And, as the chorus swelled and swelled till the air seemed made of sound—little flames, vibrating too, as if the sound had caught fire, burst out between the turrets of the palace and on the girdling towers.

That sudden clang, that leaping light, fell on Romola like sharp wounds. They were the triumph of demons at the success of her husband’s treachery, and the desolation of her life. Little more than three weeks ago she had been intoxicated with the sound of those very bells; and in the gladness of Florence, she had heard a prophecy of her own gladness. But now the general joy seemed cruel to her: she stood aloof from that common life—that Florence which was flinging out its loud exultation to stun the ears of sorrow and loneliness. She could never join hands with gladness again, but only with those whom it was in the hard nature of gladness to forget. And in her bitterness she felt that all rejoicing was mockery. Men shouted paeans with their souls full of heaviness, and then looked in their neighbours’ faces to see if there was really such a thing as joy. Romola had lost her belief in the happiness she had once thirsted for: it was a hateful, smiling, soft-handed thing, with a narrow, selfish heart.

She ran down from the loggia, with her hands pressed against her ears, and was hurrying across the antechamber, when she was startled by unexpectedly meeting her husband, who was coming to seek her.

His step was elastic, and there was a radiance of satisfaction about him not quite usual.

“What! the noise was a little too much for you?” he said; for Romola, as she started at the sight of him, had pressed her hands all the closer against her ears. He took her gently by the wrist, and drew her arm within his, leading her into the saloon surrounded with the dancing nymphs and fauns, and then went on speaking: “Florence is gone quite mad at getting its Great Council, which is to put an end to all the evils under the sun; especially to the vice of merriment. You may well look stunned, my Romola, and you are cold. You must not stay so late under that windy loggia without wrappings. I was coming to tell you that I am suddenly called to Rome about some learned business for Bernardo Rucellai. I am going away immediately, for I am to join my party at San Gaggio to-night, that we may start early in the morning. I need give you no trouble; I have had my packages made already. It will not be very long before I am back again.”

He knew he had nothing to expect from her but quiet endurance of what he said and did. He could not even venture to kiss her brow this evening, but just pressed her hand to his lips, and left her. Tito felt that Romola was a more unforgiving woman than he had imagined; her love was not that sweet clinging instinct, stronger than all judgments, which, he began to see now, made the great charm of a wife. Still, this petrified coldness was better than a passionate, futile opposition. Her pride and capability of seeing where resistance was useless had their convenience.

But when the door had closed on Tito, Romola lost the look of cold immobility which came over her like an inevitable frost whenever he approached her. Inwardly she was very far from being in a state of quiet endurance, and the days that had passed since the scene which had divided her from Tito had been days of active planning and preparation for the fulfilment of a purpose.

The first thing she did now was to call old Maso to her.

“Maso,” she said, in a decided tone, “we take our journey to-morrow morning. We shall be able now to overtake that first convoy of cloth, while they are waiting at San Piero. See about the two mules to-night, and be ready to set off with them at break of day, and wait for me at Trespiano.”

She meant to take Maso with her as far as Bologna, and then send him back with letters to her godfather and Tito, telling them that she was gone and never meant to return. She had planned her departure so that its secrecy might be perfect, and her broken love and life be hidden away unscanned by vulgar eyes. Bernardo del Nero had been absent at his villa, willing to escape from political suspicions to his favourite occupation of attending to his land, and she had paid him the debt without a personal interview. He did not even know that the library was sold, and was left to conjecture that some sudden piece of good fortune had enabled Tito to raise this sum of money. Maso had been taken into her confidence only so far that he knew her intended journey was a secret; and to do just what she told him was the thing he cared most for in his withered wintry age.

Romola did not mean to go to bed that night. When she had fastened the door she took her taper to the carved and painted chest which contained her wedding-clothes. The white silk and gold lay there, the long white veil and the circlet of pearls. A great sob rose as she looked at them: they seemed the shroud of her dead happiness. In a tiny gold loop of the circlet a sugar-plum had lodged—a pink hailstone from the shower of sweets: Tito had detected it first, and had said that it should always remain there. At certain moments—and this was one of them—Romola was carried, by a sudden wave of memory, back again into the time of perfect trust, and felt again the presence of the husband whose love made the world as fresh and wonderful to her as to a little child that sits in stillness among the sunny flowers: heard the gentle tones and saw the soft eyes without any lie in them, and breathed again that large freedom of the soul which comes from the faith that the being who is nearest to us is greater than ourselves. And in those brief moments the tears always rose: the woman’s lovingness felt something akin to what the bereaved mother feels when the tiny fingers seem to lie warm on her bosom, and yet are marble to her lips as she bends over the silent bed.

But there was something else lying in the chest besides the wedding-clothes: it was something dark and coarse, rolled up in a close bundle. She turned away her eyes from the white and gold to the dark bundle, and as her hands touched the serge, her tears began to be checked. That coarse roughness recalled her fully to the present, from which love and delight were gone. She unfastened the thick white cord and spread the bundle out on the table. It was the grey serge dress of a sister belonging to the third order of Saint Francis, living in the world but especially devoted to deeds of piety—a personage whom the Florentines were accustomed to call a Pinzochera. Romola was going to put on this dress as a disguise, and she determined to put it on at once, so that, if she needed sleep before the morning, she might wake up in perfect readiness to be gone. She put off her black garment, and as she thrust her soft white arms into the harsh sleeves of the serge mantle and felt the hard girdle of rope hurt her fingers as she tied it, she courted those rude sensations: they were in keeping with her new scorn of that thing called pleasure which made men base—that dexterous contrivance for selfish ease, that shrinking from endurance and strain, when others were bowing beneath burdens too heavy for them, which now made one image with her husband. Then she gathered her long hair together, drew it away tight from her face, bound it in a great hard knot at the back of her head, and taking a square piece of black silk, tied it in the fashion of a kerchief close across her head and under her chin; and over that she drew the cowl. She lifted the candle to the mirror. Surely her disguise would be complete to any one who had not lived very near to her. To herself she looked strangely like her brother Dino: the full oval of the cheek had only to be wasted; the eyes, already sad, had only to become a little sunken. Was she getting more like him in anything else? Only in this, that she understood now how men could be prompted to rush away for ever from earthly delights, how they could be prompted to dwell on images of sorrow rather than of beauty and joy.

But she did not linger at the mirror: she set about collecting and packing all the relics of her father and mother that were too large to be carried in her small travelling-wallet. They were all to be put in the chest along with her wedding-clothes, and the chest was to be committed to her godfather when she was safely gone. First she laid in the portraits; then one by one every little thing that had a sacred memory clinging to it was put into her wallet or into the chest.

She paused. There was still something else to be stript away from her, belonging to that past on which she was going to turn her back for ever. She put her thumb and her forefinger to her betrothal ring; but they rested there, without drawing it off. Romola’s mind had been rushing with an impetuous current towards this act, for which she was preparing: the act of quitting a husband who had disappointed all her trust, the act of breaking an outward tie that no longer represented the inward bond of love. But that force of outward symbols by which our active life is knit together so as to make an inexorable external identity for us, not to be shaken by our wavering consciousness, gave a strange effect to this simple movement towards taking off her ring—a movement which was but a small sequence of her energetic resolution. It brought a vague but arresting sense that she was somehow violently rending her life in two: a presentiment that the strong impulse which had seemed to exclude doubt and make her path clear might after all be blindness, and that there was something in human bonds which must prevent them from being broken with the breaking of illusions.

If that beloved Tito who had placed the betrothal ring on her finger was not in any valid sense the same Tito whom she had ceased to love, why should she return to him the sign of their union, and not rather retain it as a memorial? And this act, which came as a palpable demonstration of her own and his identity, had a power unexplained to herself, of shaking Romola. It is the way with half the truth amidst which we live, that it only haunts us and makes dull pulsations that are never born into sound. But there was a passionate voice speaking within her that presently nullified all such muffled murmurs.

“It cannot be! I cannot be subject to him. He is false. I shrink from him. I despise him!”

She snatched the ring from her finger and laid it on the table against the pen with which she meant to write. Again she felt that there could be no law for her but the law of her affections. That tenderness and keen fellow-feeling for the near and the loved which are the main outgrowth of the affections, had made the religion of her life: they had made her patient in spite of natural impetuosity: they would have sufficed to make her heroic. But now all that strength was gone, or, rather, it was converted into the strength of repulsion. She had recoiled from Tito in proportion to the energy of that young belief and love which he had disappointed, of that lifelong devotion to her father against which he had committed an irredeemable offence. And it seemed as if all motive had slipped away from her, except the indignation and scorn that made her tear herself asunder from him.

She was not acting after any precedent, or obeying any adopted maxims. The grand severity of the stoical philosophy in which her father had taken care to instruct her, was familiar enough to her ears and lips, and its lofty spirit had raised certain echoes within her; but she had never used it, never needed it as a rule of life. She had endured and forborne because she loved: maxims which told her to feel less, and not to cling close lest the onward course of great Nature should jar her, had been as powerless on her tenderness as they had been on her father’s yearning for just fame. She had appropriated no theories: she had simply felt strong in the strength of affection, and life without that energy came to her as an entirely new problem.

She was going to solve the problem in a way that seemed to her very simple. Her mind had never yet bowed to any obligation apart from personal love and reverence; she had no keen sense of any other human relations, and all she had to obey now was the instinct to sever herself from the man she loved no longer.

Yet the unswerving resolution was accompanied with continually varying phases of anguish. And now that the active preparation for her departure was almost finished, she lingered: she deferred writing the irrevocable words of parting from all her little world. The emotions of the past weeks seemed to rush in again with cruel hurry, and take possession even of her limbs. She was going to write, and her hand fell. Bitter tears came now at the delusion which had blighted her young years, tears very different from the sob of remembered happiness with which she had looked at the circlet of pearls and the pink hailstone. And now she felt a tingling shame at the words of ignominy she had cast, at Tito—“Have you robbed some one else who is not dead?” To have had such words wrung from her—to have uttered them to her husband seemed a degradation of her whole life. Hard speech between those who have loved is hideous in the memory, like the sight of greatness and beauty sunk into vice and rags.

That heart-cutting comparison of the present with the past urged itself upon Romola till it even transformed itself into wretched sensations: she seemed benumbed to everything but inward throbbings, and began to feel the need of some hard contact. She drew her hands tight along the harsh knotted cord that hung from her waist. She started to her feet and seized the rough lid of the chest: there was nothing else to go in? No. She closed the lid, pressing her hand upon the rough carving, and locked it.

Then she remembered that she had still to complete her equipment as a Pinzochera. The large leather purse or scarsella, with small coin in it, had to be hung on the cord at her waist (her florins and small jewels, presents from her godfather and cousin Brigida, were safely fastened within her serge mantle)—and on the other side must hang the rosary.

It did not occur to Romola, as she hung that rosary by her side, that something else besides the mere garb would perhaps be necessary to enable her to pass as a Pinzochera, and that her whole air and expression were as little as possible like those of a sister whose eyelids were used to be bent, and whose lips were used to move in silent iteration. Her inexperience prevented her from picturing distant details, and it helped her proud courage in shutting out any foreboding of danger and insult. She did not know that any Florentine woman had ever done exactly what she was going to do: unhappy wives often took refuge with their friends, or in the cloister, she knew, but both those courses were impossible to her; she had invented a lot for herself—to go to the most learned woman in the world, Cassandra Fedele, at Venice, and ask her how an instructed woman could support herself in a lonely life there.

She was not daunted by the practical difficulties in the way or the dark uncertainty at the end. Her life could never be happy any more, but it must not, could not, be ignoble. And by a pathetic mixture of childish romance with her woman’s trials, the philosophy which had nothing to do with this great decisive deed of hers had its place in her imagination of the future: so far as she conceived her solitary loveless life at all, she saw it animated by a proud stoical heroism, and by an indistinct but strong purpose of labour, that she might be wise enough to write something which would rescue her father’s name from oblivion. After all, she was only a young girl—this poor Romola, who had found herself at the end of her joys.

There were other things yet to be done. There was a small key in a casket on the table—but now Romola perceived that her taper was dying out, and she had forgotten to provide herself with any other light. In a few moments the room was in total darkness. Feeling her way to the nearest chair, she sat down to wait for the morning.

Her purpose in seeking the key had called up certain memories which had come back upon her during the past week with the new vividness that remembered words always have for us when we have learned to give them a new meaning. Since the shock of the revelation which had seemed to divide her for ever from Tito, that last interview with Dino had never been for many hours together out of her mind. And it solicited her all the more, because while its remembered images pressed upon her almost with the imperious force of sensations, they raised struggling thoughts which resisted their influence. She could not prevent herself from hearing inwardly the dying prophetic voice saying again and again,—“The man whose face was a blank loosed thy hand and departed; and as he went, I could see his face, and it was the face of the great Tempter... And thou, Romola, didst wring thy hands and seek for water, and there was none... and the plain was bare and stony again, and thou wast alone in the midst of it. And then it seemed that the night fell, and I saw no more.” She could not prevent herself from dwelling with a sort of agonised fascination on the wasted face; on the straining gaze at the crucifix; on the awe which had compelled her to kneel; on the last broken words and then the unbroken silence—on all the details of the death-scene, which had seemed like a sudden opening into a world apart from that of her lifelong knowledge.

But her mind was roused to resistance of impressions that, from being obvious phantoms, seemed to be getting solid in the daylight. As a strong body struggles against fumes with the more violence when they begin to be stifling, a strong soul struggles against phantasies with all the more alarmed energy when they threaten to govern in the place of thought.

What had the words of that vision to do with her real sorrows? That fitting of certain words was a mere chance; the rest was all vague—nay, those words themselves were vague; they were determined by nothing but her brother’s memories and beliefs. He believed there was something fatal in pagan learning; he believed that celibacy was more holy than marriage; he remembered their home, and all the objects in the library; and of these threads the vision was woven. What reasonable warrant could she have had for believing in such a vision and acting on it? None. True as the voice of foreboding had proved, Romola saw with unshaken conviction that to have renounced Tito in obedience to a warning like that, would have been meagre-hearted folly. Her trust had been delusive, but she would have chosen over again to have acted on it rather than be a creature led by phantoms and disjointed whispers in a world where there was the large music of reasonable speech, and the warm grasp of living hands.

But the persistent presence of these memories, linking themselves in her imagination with her actual lot, gave her a glimpse of understanding into the lives which had before lain utterly aloof from her sympathy—the lives of the men and women who were led by such inward images and voices.

“If they were only a little stronger in me,” she said to herself, “I should lose the sense of what that vision really was, and take it for a prophetic light. I might in time get to be a seer of visions myself, like the Suora Maddalena, and Camilla Rucellai, and the rest.”

Romola shuddered at the possibility. All the instruction, all the main influences of her life had gone to fortify her scorn of that sickly superstition which led men and women, with eyes too weak for the daylight, to sit in dark swamps and try to read human destiny by the chance flame of wandering vapours.

And yet she was conscious of something deeper than that coincidence of words which made the parting contact with her dying brother live anew in her mind, and gave a new sisterhood to the wasted face. If there were much more of such experience as his in the world, she would like to understand it—would even like to learn the thoughts of men who sank in ecstasy before the pictured agonies of martyrdom. There seemed to be something more than madness in that supreme fellowship with suffering. The springs were all dried up around her; she wondered what other waters there were at which men drank and found strength in the desert. And those moments in the Duomo when she had sobbed with a mysterious mingling of rapture and pain, while Fra Girolamo offered himself a willing sacrifice for the people, came back to her as if they had been a transient taste of some such far-off fountain. But again she shrank from impressions that were alluring her within the sphere of visions and narrow fears which compelled men to outrage natural affections as Dino had done.

This was the tangled web that Romola had in her mind as she sat weary in the darkness. No radiant angel came across the gloom with a clear message for her. In those times, as now, there were human beings who never saw angels or heard perfectly clear messages. Such truth as came to them was brought confusedly in the voices and deeds of men not at all like the seraphs of unfailing wing and piercing vision—men who believed falsities as well as truths, and did the wrong as well as the right. The helping hands stretched out to them were the hands of men who stumbled and often saw dimly, so that these beings unvisited by angels had no other choice than to grasp that stumbling guidance along the path of reliance and action which is the path of life, or else to pause in loneliness and disbelief, which is no path, but the arrest of inaction and death.

And so Romola, seeing no ray across the darkness, and heavy with conflict that changed nothing, sank at last to sleep.

XXXVII. The Tabernacle Unlocked

Romola was waked by a tap at the door. The cold light of early morning was in the room, and Maso was come for the travelling-wallet. The old man could not help starting when she opened the door, and showed him, instead of the graceful outline he had been used to, crowned with the brightness of her hair, the thick folds of the grey mantle and the pale face shadowed by the dark cowl.

“It is well, Maso,” said Romola, trying to speak in the calmest voice, and make the old man easy. “Here is the wallet quite ready. You will go on quietly, and I shall not be far behind you. When you get out of the gates you may go more slowly, for I shall perhaps join you before you get to Trespiano.”

She closed the door behind him, and then put her hand on the key which she had taken from the casket the last thing in the night. It was the original key of the little painted tabernacle: Tito had forgotten to drown it in the Arno, and it had lodged, as such small things will, in the corner of the embroidered scarsella which he wore with the purple tunic. One day, long after their marriage, Romola had found it there, and had put it by, without using it, but with a sense of satisfaction that the key was within reach. The cabinet on which the tabernacle stood had been moved to the side of the room, close to one of the windows, where the pale morning light fell upon it so as to make the painted forms discernible enough to Romola, who knew them well,—the triumphant Bacchus, with his clusters and his vine-clad spear, clasping the crowned Ariadne; the Loves showering roses, the wreathed vessel, the cunning-eyed dolphins, and the rippled sea: all encircled by a flowery border, like a bower of paradise. Romola looked at the familiar images with new bitterness and repulsion: they seemed a more pitiable mockery than ever on this chill morning, when she had waked up to wander in loneliness. They had been no tomb of sorrow, but a lying screen. Foolish Ariadne! with her gaze of love, as if that bright face, with its hyacinthine curls like tendrils among the vines, held the deep secret of her life!

“Ariadne is wonderfully transformed,” thought Romola. “She would look strange among the vines and the roses now.”

She took up the mirror, and looked at herself once more. But the sight was so startling in this morning light that she laid it down again, with a sense of shrinking almost as strong as that with which she had turned from the joyous Ariadne. The recognition of her own face, with the cowl about it, brought back the dread lest she should be drawn at last into fellowship with some wretched superstition—into the company of the howling fanatics and weeping nuns who had been her contempt from childhood till now. She thrust the key into the tabernacle hurriedly: hurriedly she opened it, and took out the crucifix, without looking at it; then, with trembling fingers, she passed a cord through the little ring, hung the crucifix round her neck, and hid it in the bosom of her mantle. “For Dino’s sake,” she said to herself. Still there were the letters to be written which Maso was to carry back from Bologna. They were very brief. The first said—

“Tito, my love for you is dead; and therefore, so far as I was yours, I too am dead. Do not try to put in force any laws for the sake of fetching me back: that would bring you no happiness. The Romola you married can never return. I need explain nothing to you after the words I uttered to you the last time we spoke long together. If you supposed them to be words of transient anger, you will know now that they were the sign of an irreversible change.

“I think you will fulfil my wish that my bridal chest should be sent to my godfather, who gave it me. It contains my wedding-clothes and the portraits and other relics of my father and mother.”

She folded the ring inside this letter, and wrote Tito’s name outside. The next letter was to Bernardo del Nero:—

“Dearest Godfather,—If I could have been any good to your life by staying I would not have gone away to a distance. But now I am gone. Do not ask the reason; and if you love my father, try to prevent any one from seeking me. I could not bear my life at Florence. I cannot bear to tell any one why. Help to cover my lot in silence. I have asked that my bridal chest should be sent to you: when you open it, you will know the reason. Please to give all the things that were my mother’s to my cousin Brigida, and ask her to forgive me for not saying any words of parting to her.

“Farewell, my second father. The best thing I have in life is still to remember your goodness and be grateful to you.

“Romola.”

Romola put the letters, along with the crucifix, within the bosom of her mantle, and then felt that everything was done. She was ready now to depart.

No one was stirring in the house, and she went almost as quietly as a grey phantom down the stairs and into the silent street. Her heart was palpitating violently, yet she enjoyed the sense of her firm tread on the broad flags—of the swift movement, which was like a chained-up resolution set free at last. The anxiety to carry out her act, and the dread of any obstacle, averted sorrow; and as she reached the Ponte Rubaconte, she felt less that Santa Croce was in her sight than that the yellow streak of morning which parted the grey was getting broader and broader, and that, unless she hastened her steps, she should have to encounter faces.

Her simplest road was to go right on to the Borgo Pinti, and then along by the walls to the Porta San Gallo, from which she must leave the city, and this road carried her by the Piazza di Santa Croce. But she walked as steadily and rapidly as ever through the piazza, not trusting herself to look towards the church. The thought that any eyes might be turned on her with a look of curiosity and recognition, and that indifferent minds might be set speculating on her private sorrows, made Romola shrink physically as from the imagination of torture. She felt degraded even by that act of her husband from which she was helplessly suffering. But there was no sign that any eyes looked forth from windows to notice this tall grey sister, with the firm step, and proud attitude of the cowled head. Her road lay aloof from the stir of early traffic, and when she reached the Porta San Gallo, it was easy to pass while a dispute was going forward about the toll for panniers of eggs and market produce which were just entering.

Out! Once past the houses of the Borgo, she would be beyond the last fringe of Florence, the sky would be broad above her, and she would have entered on her new life—a life of loneliness and endurance, but of freedom. She had been strong enough to snap asunder the bonds she had accepted in blind faith: whatever befell her, she would no more feel the breath of soft hated lips warm upon her cheek, no longer feel the breath of an odious mind stifling her own. The bare wintry morning, the chill air, were welcome in their severity: the leafless trees, the sombre hills, were not haunted by the gods of beauty and joy, whose worship she had forsaken for ever.

But presently the light burst forth with sudden strength, and shadows were thrown across the road. It seemed that the sun was going to chase away the greyness. The light is perhaps never felt more strongly as a divine presence stirring all those inarticulate sensibilities which are our deepest life, than in these moments when it instantaneously awakens the shadows. A certain awe which inevitably accompanied this most momentous act of her life became a more conscious element in Romola’s feeling as she found herself in the sudden presence of the impalpable golden glory and the long shadow of herself that was not to be escaped. Hitherto she had met no one but an occasional contadino with mules, and the many turnings of the road on the level prevented her from seeing that Maso was not very far ahead of her. But when she had passed Pietra and was on rising ground, she lifted up the hanging roof of her cowl and looked eagerly before her.

The cowl was dropped again immediately. She had seen, not Maso, but—two monks, who were approaching within a few yards of her. The edge of her cowl making a pent-house on her brow had shut out the objects above the level of her eyes, and for the last few moments she had been looking at nothing but the brightness on the path and at her own shadow, tall and shrouded like a dread spectre.

She wished now that she had not looked up. Her disguise made her especially dislike to encounter monks: they might expect some pious passwords of which she knew nothing, and she walked along with a careful appearance of unconsciousness till she had seen the skirts of the black mantles pass by her. The encounter had made her heart beat disagreeably, for Romola had an uneasiness in her religious disguise, a shame at this studied concealment, which was made more distinct by a special effort to appear unconscious under actual glances.

But the black skirts would be gone the faster because they were going down-hill; and seeing a great flat stone against a cypress that rose from a projecting green bank, she yielded to the desire which the slight shock had given her, to sit down and rest.

She turned her back on Florence, not meaning to look at it till the monks were quite out of sight, and raising the edge of her cowl again when she had seated herself, she discerned Maso and the mules at a distance where it was not hopeless for her to overtake them, as the old man would probably linger in expectation of her.

Meanwhile she might pause a little. She was free and alone.

XXXVIII. The Black Marks become Magical

That journey of Tito’s to Rome, which had removed many difficulties from Romola’s departure, had been resolved on quite suddenly, at a supper, only the evening before.

Tito had set out towards that supper with agreeable expectations. The meats were likely to be delicate, the wines choice, the company distinguished; for the place of entertainment was the Selva or Orto de’ Rucellai, or, as we should say, the Rucellai Gardens; and the host, Bernardo Rucellai, was quite a typical Florentine grandee. Even his family name has a significance which is prettily symbolic: properly understood, it may bring before us a little lichen, popularly named orcella or roccella, which grows on the rocks of Greek isles and in the Canaries; and having drunk a great deal of light into its little stems and button-heads, will, under certain circumstances, give it out again as a reddish purple dye, very grateful to the eyes of men. By bringing the excellent secret of this dye, called oricello, from the Levant to Florence, a certain merchant, who lived nearly a hundred years before our Bernardo’s time, won for himself and his descendants much wealth, and the pleasantly-suggestive surname of Oricellari, or Roccellari, which on Tuscan tongues speedily became Rucellai.

And our Bernardo, who stands out more prominently than the rest on this purple background, had added all sorts of distinction to the family name: he had married the sister of Lorenzo de’ Medici, and had had the most splendid wedding in the memory of Florentine upholstery; and for these and other virtues he had been sent on embassies to France and Venice, and had been chosen Gonfaloniere; he had not only built himself a fine palace, but had finished putting the black and white marble façade to the church of Santa Maria Novella; he had planted a garden with rare trees, and had made it classic ground by receiving within it the meetings of the Platonic Academy, orphaned by the death of Lorenzo; he had written an excellent, learned book, of a new topographical sort, about ancient Rome; he had collected antiquities; he had a pure Latinity. The simplest account of him, one sees, reads like a laudatory epitaph, at the end of which the Greek and Ausonian Muses might be confidently requested to tear their hair, and Nature to desist from any second attempt to combine so many virtues with one set of viscera.

His invitation had been conveyed to Tito through Lorenzo Tornabuoni, with an emphasis which would have suggested that the object of the gathering was political, even if the public questions of the time had been less absorbing. As it was, Tito felt sure that some party purposes were to be furthered by the excellent flavours of stewed fish and old Greek wine; for Bernardo Rucellai was not simply an influential personage, he was one of the elect Twenty who for three weeks had held the reins of Florence. This assurance put Tito in the best spirits as he made his way to the Via della Scala, where the classic garden was to be found: without it, he might have had some uneasy speculation as to whether the high company he would have the honour of meeting was likely to be dull as well as distinguished; for he had had experience of various dull suppers even in the Rucellai gardens, and especially of the dull philosophic sort, wherein he had not only been called upon to accept an entire scheme of the universe (which would have been easy to him), but to listen to an exposition of the same, from the origin of things to their complete ripeness in the tractate of the philosopher then speaking.

It was a dark evening, and it was only when Tito crossed the occasional light of a lamp suspended before an image of the Virgin, that the outline of his figure was discernible enough for recognition. At such moments any one caring to watch his passage from one of these lights to another might have observed that the tall and graceful personage with the mantle folded round him was followed constantly by a very different form, thickset and elderly, in a serge tunic and felt hat. The conjunction might have been taken for mere chance, since there were many passengers along the streets at this hour. But when Tito stopped at the gate of the Rucellai gardens, the figure behind stopped too. The sportello, or smaller door of the gate, was already being held open by the servant, who, in the distraction of attending to some question, had not yet closed it since the last arrival, and Tito turned in rapidly, giving his name to the servant, and passing on between the evergreen bushes that shone like metal in the torchlight. The follower turned in too.

“Your name?” said the servant.

“Baldassarre Calvo,” was the immediate answer.

“You are not a guest; the guests have all passed.”

“I belong to Tito Melema, who has just gone in. I am to wait in the gardens.”

The servant hesitated. “I had orders to admit only guests. Are you a servant of Messer Tito?”

“No, friend, I am not a servant; I am a scholar.”

There are men to whom you need only say, “I am a buffalo,” in a certain tone of quiet confidence, and they will let you pass. The porter gave way at once, Baldassarre entered, and heard the door closed and chained behind him, as he too disappeared among the shining bushes.

Those ready and firm answers argued a great change in Baldassarre since the last meeting face to face with Tito, when the dagger broke in two.

The change had declared itself in a startling way.

At the moment when the shadow of Tito passed in front of the hovel as he departed homeward, Baldassarre was sitting in that state of after-tremor known to every one who is liable to great outbursts of passion: a state in which physical powerlessness is sometimes accompanied by an exceptional lucidity of thought, as if that disengagement of excited passion had carried away a fire-mist and left clearness behind it. He felt unable to rise and walk away just yet; his limbs seemed benumbed; he was cold, and his hands shook. But in that bodily helplessness he sat surrounded, not by the habitual dimness and vanishing shadows, but by the clear images of the past; he was living again in an unbroken course through that life which seemed a long preparation for the taste of bitterness.

For some minutes he was too thoroughly absorbed by the images to reflect on the fact that he saw them, and note the fact as a change. But when that sudden clearness had travelled through the distance, and came at last to rest on the scene just gone by, he felt fully where he was: he remembered Monna Lisa and Tessa. Ah! he then was the mysterious husband; he who had another wife in the Via de’ Bardi. It was time to pick up the broken dagger and go—go and leave no trace of himself; for to hide his feebleness seemed the thing most like power that was left to him. He leaned to take up the fragments of the dagger; then he turned towards the book which lay open at his side. It was a fine large manuscript, an odd volume of Pausanias. The moonlight was upon it, and he could see the large letters at the head of the page:

ΜΕΣΣΕΝΙΚΑ. ΚΒ′.

In old days he had known Pausanias familiarly; yet an hour or two ago he had been looking hopelessly at that page, and it had suggested no more meaning to him than if the letters had been black weather-marks on a wall; but at this moment they were once more the magic signs that conjure up a world. That moonbeam falling on the letters had raised Messenia before him, and its struggle against the Spartan oppression.

He snatched up the book, but the light was too pale for him to read further by. No matter: he knew that chapter; he read inwardly. He saw the stoning of the traitor Aristocrates—stoned by a whole people, who cast him out from their borders to lie unburied, and set up a pillar with verses upon it telling how Time had brought home justice to the unjust. The words arose within him, and stirred innumerable vibrations of memory. He forgot that he was old: he could almost have shouted. The light was come again, mother of knowledge and joy! In that exultation his limbs recovered their strength: he started up with his broken dagger and book, and went out under the broad moonlight.

It was a nipping frosty air, but Baldassarre could feel no chill—he only felt the glow of conscious power. He walked about and paused on all the open spots of that high ground, and looked down on the domed and towered city, sleeping darkly under its sleeping guardians, the mountains; on the pale gleam of the river; on the valley vanishing towards the peaks of snow; and felt himself master of them all.

That sense of mental empire which belongs to us all in moments of exceptional clearness was intensified for him by the long days and nights in which memory had been little more than the consciousness of something gone. That city, which had been a weary labyrinth, was material that he could subdue to his purposes now: his mind glanced through its affairs with flashing conjecture; he was once more a man who knew cities, whose sense of vision was instructed with large experience, and who felt the keen delight of holding all things in the grasp of language. Names! Images!—his mind rushed through its wealth without pausing, like one who enters on a great inheritance.

But amidst all that rushing eagerness there was one End presiding in Baldassarre’s consciousness,—a dark deity in the inmost cell, who only seemed forgotten while his hecatomb was being prepared. And when the first triumph in the certainty of recovered power had had its way, his thoughts centred themselves on Tito. That fair slippery viper could not escape him now; thanks to struggling justice, the heart that never quivered with tenderness for another had its sensitive selfish fibres that could be reached by the sharp point of anguish. The soul that bowed to no right, bowed to the great lord of mortals, Pain.

He could search into every secret of Tito’s life now: he knew some of the secrets already, and the failure of the broken dagger, which seemed like frustration, had been the beginning of achievement. Doubtless that sudden rage had shaken away the obstruction which stifled his soul. Twice before, when his memory had partially returned, it had been in consequence of sudden excitation: once when he had had to defend himself from an enraged dog: once when he had been overtaken by the waves, and had had to scramble up a rock to save himself.

Yes, but if this time, as then, the light were to die out, and the dreary conscious blank come back again! This time the light was stronger and steadier; but what security was there that before the morrow the dark fog would not be round him again? Even the fear seemed like the beginning of feebleness: he thought with alarm that he might sink the faster for this excited vigil of his on the hill, which was expending his force; and after seeking anxiously for a sheltered corner where he might lie down, he nestled at last against a heap of warm garden straw, and so fell asleep.

When he opened his eyes again it was daylight. The first moments were filled with strange bewilderment: he was a man with a double identity; to which had he awaked? to the life of dim-sighted sensibilities like the sad heirship of some fallen greatness, or to the life of recovered power? Surely the last, for the events of the night all came back to him: the recognition of the page in Pausanias, the crowding resurgence of facts and names, the sudden wide prospect which had given him such a moment as that of the Maenad in the glorious amaze of her morning waking on the mountain top.

He took up the book again, he read, he remembered without reading. He saw a name, and the images of deeds rose with it: he saw the mention of a deed, and he linked it with a name. There were stories of inexpiable crimes, but stories also of guilt that seemed successful. There were sanctuaries for swift-footed miscreants: baseness had its armour, and the weapons of justice sometimes broke against it. What then? If baseness triumphed everywhere else, if it could heap to itself all the goods of the world and even hold the keys of hell, it would never triumph over the hatred which it had itself awakened. It could devise no torture that would seem greater than the torture of submitting to its smile. Baldassarre felt the indestructible independent force of a supreme emotion, which knows no terror, and asks for no motive, which is itself an ever-burning motive, consuming all other desire. And now in this morning light, when the assurance came again that the fine fibres of association were active still, and that his recovered self had not departed, all his gladness was but the hope of vengeance.

From that time till the evening on which we have seen him enter the Rucellai gardens, he had been incessantly, but cautiously, inquiring into Tito’s position and all his circumstances, and there was hardly a day on which he did not contrive to follow his movements. But he wished not to arouse any alarm in Tito: he wished to secure a moment when the hated favourite of blind fortune was at the summit of confident ease, surrounded by chief men on whose favour he depended. It was not any retributive payment or recognition of himself for his own behoof, on which Baldassarre’s whole soul was bent: it was to find the sharpest edge of disgrace and shame by which a selfish smiler could be pierced; it was to send through his marrow the most sudden shock of dread. He was content to lie hard, and live stintedly—he had spent the greater part of his remaining money in buying another poniard: his hunger and his thirst were after nothing exquisite but an exquisite vengeance. He had avoided addressing himself to any one whom he suspected of intimacy with Tito, lest an alarm raised in Tito’s mind should urge him either to flight or to some other counteracting measure which hard-pressed ingenuity might devise. For this reason he had never entered Nello’s shop, which he observed that Tito frequented, and he had turned aside to avoid meeting Piero di Cosimo.

The possibility of frustration gave added eagerness to his desire that the great opportunity he sought should not be deferred. The desire was eager in him on another ground; he trembled lest his memory should go again. Whether from the agitating presence of that fear, or from some other causes, he had twice felt a sort of mental dizziness, in which the inward sense or imagination seemed to be losing the distinct forms of things. Once he had attempted to enter the Palazzo Vecchio and make his way into a council-chamber where Tito was, and had failed. But now, on this evening, he felt that his occasion was come.

XXXIX. A Supper in the Rucellai Gardens

On entering the handsome pavilion, Tito’s quick glance soon discerned in the selection of the guests the confirmation of his conjecture that the object of the gathering was political, though, perhaps, nothing more distinct than that strengthening of party which comes from good-fellowship. Good dishes and good wine were at that time believed to heighten the consciousness of political preferences, and in the inspired ease of after-supper talk it was supposed that people ascertained their own opinions with a clearness quite inaccessible to uninvited stomachs. The Florentines were a sober and frugal people; but wherever men have gathered wealth, Madonna della Gozzoviglia and San Buonvino have had their worshippers; and the Rucellai were among the few Florentine families who kept a great table and lived splendidly. It was not probable that on this evening there would be any attempt to apply high philosophic theories; and there could be no objection to the bust of Plato looking on, or even to the modest presence of the cardinal virtues in fresco on the walls.

That bust of Plato had been long used to look down on conviviality of a more transcendental sort, for it had been brought from Lorenzo’s villa after his death, when the meetings of the Platonic Academy had been transferred to these gardens. Especially on every thirteenth of November, reputed anniversary of Plato’s death, it had looked down from under laurel leaves on a picked company of scholars and philosophers, who met to eat and drink with moderation, and to discuss and admire, perhaps with less moderation, the doctrines of the great master:—on Pico della Mirandola, once a Quixotic young genius with long curls, astonished at his own powers and astonishing Rome with heterodox theses; afterwards a more humble student with a consuming passion for inward perfection, having come to find the universe more astonishing than his own cleverness:—on innocent, laborious Marsilio Ficino, picked out young to be reared as a Platonic philosopher, and fed on Platonism in all its stages till his mind was perhaps a little pulpy from that too exclusive diet:—on Angelo Poliziano, chief literary genius of that age, a born poet, and a scholar without dulness, whose phrases had blood in them and are alive still:—or, further back, on Leon Battista Alberti, a reverend senior when those three were young, and of a much grander type than they, a robust, universal mind, at once practical and theoretic, artist, man of science, inventor, poet:—and on many more valiant workers whose names are not registered where every day we turn the leaf to read them, but whose labours make a part, though an unrecognised part, of our inheritance, like the ploughing and sowing of past generations.

Bernardo Rucellai was a man to hold a distinguished place in that Academy even before he became its host and patron. He was still in the prime of life, not more than four and forty, with a somewhat haughty, cautiously dignified presence; conscious of an amazingly pure Latinity, but, says Erasmus, not to be caught speaking Latin—no word of Latin to be sheared off him by the sharpest of Teutons. He welcomed Tito with more marked favour than usual and gave him a place between Lorenzo Tornabuoni and Giannozzo Pucci, both of them accomplished young members of the Medicean party.

Of course the talk was the lightest in the world while the brass bowl filled with scented water was passing round, that the company might wash their hands, and rings flashed on white fingers under the wax-lights, and there was the pleasant fragrance of fresh white damask newly come from France. The tone of remark was a very common one in those times. Some one asked what Dante’s pattern old Florentine would think if the life could come into him again under his leathern belt and bone clasp, and he could see silver forks on the table? And it was agreed on all hands that the habits of posterity would be very surprising to ancestors, if ancestors could only know them.

And while the silver forks were just dallying with the appetising delicacies that introduced the more serious business of the supper—such as morsels of liver, cooked to that exquisite point that they would melt in the mouth—there was time to admire the designs on the enamelled silver centres of the brass service, and to say something, as usual, about the silver dish for confetti, a masterpiece of Antonio Pollajuolo, whom patronising Popes had seduced from his native Florence to more gorgeous Rome.

“Ah, I remember,” said Niccolò Ridolfi, a middle-aged man, with that negligent ease of manner which, seeming to claim nothing, is really based on the lifelong consciousness of commanding rank—“I remember our Antonio getting bitter about his chiselling and enamelling of these metal things, and taking in a fury to painting, because, said he, ‘the artist who puts his work into gold and silver, puts his brains into the melting-pot.’”

“And that is not unlikely to be a true foreboding of Antonio’s,” said Giannozzo Pucci. “If this pretty war with Pisa goes on, and the revolt only spreads a little to our other towns, it is not only our silver dishes that are likely to go; I doubt whether Antonio’s silver saints round the altar of San Giovanni will not some day vanish from the eyes of the faithful to be worshipped more devoutly in the form of coin.”

“The Frate is preparing us for that already,” said Tornabuoni. “He is telling the people that God will not have silver crucifixes and starving stomachs; and that the church is best adorned with the gems of holiness and the fine gold of brotherly love.”

“A very useful doctrine of war-finance, as many a Condottiere has found,” said Bernardo Rucellai, drily. “But politics come on after the confetti, Lorenzo, when we can drink wine enough to wash them down; they are too solid to be taken with roast and boiled.”

“Yes, indeed,” said Niccolò Ridolfi. “Our Luigi Pulci would have said this delicate boiled kid must be eaten with an impartial mind. I remember one day at Careggi, when Luigi was in his rattling vein, he was maintaining that nothing perverted the palate like opinion. ‘Opinion,’ said he, ‘corrupts the saliva—that’s why men took to pepper. Scepticism is the only philosophy that doesn’t bring a taste in the mouth.’ ‘Nay,’ says poor Lorenzo de’ Medici, ‘you must be out there, Luigi. Here is this untainted sceptic, Matteo Franco, who wants hotter sauce than any of us.’ ‘Because he has a strong opinion of himself,’ flashes out Luigi, which is the original egg of all other opinion. He a sceptic? He believes in the immortality of his own verses. He is such a logician as that preaching friar who described the pavement of the bottomless pit. Poor Luigi! his mind was like sharpest steel that can touch nothing without cutting.”

“And yet a very gentle-hearted creature,” said Giannozzo Pucci. “It seemed to me his talk was a mere blowing of soap-bubbles. What dithyrambs he went into about eating and drinking! and yet he was as temperate as a butterfly.”

The light talk and the solid eatables were not soon at an end, for after the roast and boiled meats came the indispensable capon and game, and, crowning glory of a well-spread table, a peacock cooked according to the receipt of Apicius for cooking partridges, namely, with the feathers on, but not plucked afterwards, as that great authority ordered concerning his partridges; on the contrary, so disposed on the dish that it might look as much as possible like a live peacock taking its unboiled repose. Great was the skill required in that confidential servant who was the official carver, respectfully to turn the classical though insipid bird on its back, and expose the plucked breast from which he was to dispense a delicate slice to each of the honourable company, unless any one should be of so independent a mind as to decline that expensive toughness and prefer the vulgar digestibility of capon.

Hardly any one was so bold. Tito quoted Horace and dispersed his slice in small particles over his plate; Bernardo Rucellai made a learned observation about the ancient price of peacocks’ eggs, but did not pretend to eat his slice; and Niccolò Ridolfi held a mouthful on his fork while he told a favourite story of Luigi Pulci’s, about a man of Siena, who, wanting to give a splendid entertainment at moderate expense, bought a wild goose, cut off its beak and webbed feet, and boiled it in its feathers, to pass for a pea-hen.

In fact, very little peacock was eaten; but there was the satisfaction of sitting at a table where peacock was served up in a remarkable manner, and of knowing that such caprices were not within reach of any but those who supped with the very wealthiest men. And it would have been rashness to speak slightingly of peacock’s flesh, or any other venerable institution, at a time when Fra Girolamo was teaching the disturbing doctrine that it was not the duty of the rich to be luxurious for the sake of the poor.

Meanwhile, in the chill obscurity that surrounded this centre of warmth, and light, and savoury odours, the lonely disowned man was walking in gradually narrowing circuits. He paused among the trees, and looked in at the windows, which made brilliant pictures against the gloom. He could hear the laughter; he could see Tito gesticulating with careless grace, and hear his voice, now alone, now mingling in the merry confusion of interlacing speeches. Baldassarre’s mind was highly strung. He was preparing himself for the moment when he could win his entrance into this brilliant company; and he had a savage satisfaction in the sight of Tito’s easy gaiety, which seemed to be preparing the unconscious victim for more effective torture.

But the men seated among the branching tapers and the flashing cups could know nothing of the pale fierce face that watched them from without. The light can be a curtain as well as the darkness.

And the talk went on with more eagerness as it became less disconnected and trivial. The sense of citizenship was just then strongly forced even on the most indifferent minds. What the overmastering Fra Girolamo was saying and prompting was really uppermost in the thoughts of every one at table; and before the stewed fish was removed, and while the favourite sweets were yet to come, his name rose to the surface of the conversation, and, in spite of Rucellai’s previous prohibition, the talk again became political. At first, while the servants remained present, it was mere gossip: what had been done in the Palazzo on the first day’s voting for the Great Council; how hot-tempered and domineering Francesco Valori was, as if he were to have everything his own way by right of his austere virtue, and how it was clear to everybody who heard Soderini’s speeches in favour of the Great Council and also heard the Frate’s sermons, that they were both kneaded in the same trough.

“My opinion is,” said Niccolò Ridolfi, “that the Frate has a longer head for public matters than Soderini or any Piagnone among them: you may depend on it that Soderini is his mouthpiece more than he is Soderini’s.”

“No, Niccolò; there I differ from you,” said Bernardo Ruccellai: “the Frate has an acute mind, and readily sees what will serve his own ends; but it is not likely that Pagolantonio Soderini, who has had long experience of affairs, and has specially studied the Venetian Council, should be much indebted to a monk for ideas on that subject. No, no; Soderini loads the cannon; though, I grant you, Fra Girolamo brings the powder and lights the match. He is master of the people, and the people are getting master of us. Ecco!”

“Well,” said Lorenzo Tornabuoni, presently, when the room was clear of servants, and nothing but wine was passing round, “whether Soderini is indebted or not, we are indebted to the Frate for the general amnesty which has gone along with the scheme of the Council. We might have done without the fear of God and the reform of morals being passed by a majority of black beans; but that excellent proposition, that our Medicean heads should be allowed to remain comfortably on our shoulders, and that we should not be obliged to hand over our property in fines, has my warm approval, and it is my belief that nothing but the Frate’s predominance could have procured that for us. And you may rely on it that Fra Girolamo is as firm as a rock on that point of promoting peace. I have had an interview with him.”

There was a murmur of surprise and curiosity at the farther end of the table; but Bernardo Rucellai simply nodded, as if he knew what Tornabuoni had to say, and wished him to go on.

“Yes,” proceeded Tornabuoni, “I have been favoured with an interview in the Frate’s own cell, which, let me tell you, is not a common favour; for I have reason to believe that even Francesco Valori very seldom sees him in private. However, I think he saw me the more willingly because I was not a ready-made follower, but had to be converted. And, for my part, I see clearly enough that the only safe and wise policy for us Mediceans to pursue is to throw our strength into the scale of the Frate’s party. We are not strong enough to make head on our own behalf; and if the Frate and the popular party were upset, every one who hears me knows perfectly well what other party would be uppermost just now: Nerli, Alberti, Pazzi, and the rest—Arrabbiati, as somebody christened them the other day—who, instead of giving us an amnesty, would be inclined to fly at our throats like mad dogs, and not be satisfied till they had banished half of us.”

There were strong interjections of assent to this last sentence of Tornabuoni’s, as he paused and looked round a moment.

“A wise dissimulation,” he went on, “is the only course for moderate rational men in times of violent party feeling. I need hardly tell this company what are my real political attachments: I am not the only man here who has strong personal ties to the banished family; but, apart from any such ties, I agree with my more experienced friends, who are allowing me to speak for them in their presence, that the only lasting and peaceful state of things for Florence is the predominance of some single family interest. This theory of the Frate’s, that we are to have a popular government, in which every man is to strive only for the general good, and know no party names, is a theory that may do for some isle of Cristoforo Colombo’s finding, but will never do for our fine old quarrelsome Florence. A change must come before long, and with patience and caution we have every chance of determining the change in our favour. Meanwhile, the best thing we can do will be to keep the Frate’s flag flying, for if any other were to be hoisted just now it would be a black flag for us.”

“It’s true,” said Niccolò Ridolfi, in a curt decisive way. “What you say is true, Lorenzo. For my own part, I am too old for anybody to believe that I’ve changed my feathers. And there are certain of us—our old Bernardo del Nero for one—whom you would never persuade to borrow another man’s shield. But we can lie still, like sleepy old dogs; and it’s clear enough that barking would be of no use just now. As for this psalm-singing party, who vote for nothing but the glory of God, and want to make believe we can all love each other, and talk as if vice could be swept out with a besom by the Magnificent Eight, their day will not be a long one. After all the talk of scholars, there are but two sorts of government: one where men show their teeth at each other, and one where men show their tongues and lick the feet of the strongest. They’ll get their Great Council finally voted to-morrow—that’s certain enough—and they’ll think they’ve found out a new plan of government; but as sure as there’s a human skin under every lucco in the Council, their new plan will end like every other, in snarling or in licking. That’s my view of things as a plain man. Not that I consider it becoming in men of family and following, who have got others depending on their constancy and on their sticking to their colours, to go a-hunting with a fine net to catch reasons in the air, like doctors of law. I say frankly that, as the head of my family, I shall be true to my old alliances; and I have never yet seen any chalk-mark on political reasons to tell me which is true and which is false. My friend Bernardo Rucellai here is a man of reasons, I know, and I have no objection to anybody’s finding fine-spun reasons for me, so that they don’t interfere with my actions as a man of family who has faith to keep with his connections.”

“If that is an appeal to me, Niccolò,” said Bernardo Rucellai, with a formal dignity, in amusing contrast with Ridolfi’s curt and pithy ease, “I may take this opportunity of saying, that while my wishes are partly determined by long-standing personal relations, I cannot enter into any positive schemes with persons over whose actions I have no control. I myself might be content with a restoration of the old order of things; but with modifications—with important modifications. And the one point on which I wish to declare my concurrence with Lorenzo Tornabuoni is, that the best policy to be pursued by our friends is, to throw the weight of their interest into the scale of the popular party. For myself, I condescend to no dissimulation; nor do I at present see the party or the scheme that commands my full assent. In all alike there is crudity and confusion of ideas, and of all the twenty men who are my colleagues in the present crisis, there is not one with whom I do not find myself in wide disagreement.”

Niccolò Ridolfi shrugged his shoulders, and left it to some one else to take up the ball. As the wine went round the talk became more and more frank and lively, and the desire of several at once to be the chief speaker, as usual caused the company to break up into small knots of two and three.

It was a result which had been foreseen by Lorenzo Tornabuoni and Giannozzo Pucci, and they were among the first to turn aside from the highroad of general talk and enter into a special conversation with Tito, who sat between them; gradually pushing away their seats, and turning their backs on the table and wine.

“In truth, Melema,” Tornabuoni was saying at this stage, laying one hose-clad leg across the knee of the other, and caressing his ankle, “I know of no man in Florence who can serve our party better than you. You see what most of our friends are: men who can no more hide their prejudices than a dog can hide the natural tone of his bark, or else men whose political ties are so notorious, that they must always be objects of suspicion. Giannozzo here, and I, I flatter myself, are able to overcome that suspicion; we have that power of concealment and finesse, without which a rational cultivated man, instead of having any prerogative, is really at a disadvantage compared with a wild bull or a savage. But, except yourself, I know of no one else on whom we could rely for the necessary discretion.”

“Yes,” said Giannozzo Pucci, laying his hand on Tito’s shoulder, “the fact is, Tito mio, you can help us better than if you were Ulysses himself, for I am convinced that Ulysses often made himself disagreeable. To manage men one ought to have a sharp mind in a velvet sheath. And there is not a soul in Florence who could undertake a business like this journey to Rome, for example, with the same safety that you can. There is your scholarship, which may always be a pretext for such journeys; and what is better, there is your talent, which it would be harder to match than your scholarship. Niccolò Macchiavelli might have done for us if he had been on our side, but hardly so well. He is too much bitten with notions, and has not your power of fascination. All the worse for him. He has lost a great chance in life, and you have got it.”

“Yes,” said Tornabuoni, lowering his voice in a significant manner, “you have only to play your game well, Melema, and the future belongs to you. For the Medici, you may rely upon it, will keep a foot in Rome as well as in Florence, and the time may not be far-off when they will be able to make a finer career for their adherents even than they did in old days. Why shouldn’t you take orders some day? There’s a cardinal’s hat at the end of that road, and you would not be the first Greek who has worn that ornament.”

Tito laughed gaily. He was too acute not to measure Tornabuoni’s exaggerated flattery, but still the flattery had a pleasant flavour.

“My joints are not so stiff yet,” he said, “that I can’t be induced to run without such a high prize as that. I think the income of an abbey or two held ‘in commendam,’ without the trouble of getting my head shaved, would satisfy me at present.”

“I was not joking,” said Tornabuoni, with grave suavity; “I think a scholar would always be the better off for taking orders. But we’ll talk of that another time. One of the objects to be first borne in mind, is that you should win the confidence of the men who hang about San Marco; that is what Giannozzo and I shall do, but you may carry it farther than we can, because you are less observed. In that way you can get a thorough knowledge of their doings, and you will make a broader screen for your agency on our side. Nothing of course can be done before you start for Rome, because this bit of business between Piero de’ Medici and the French nobles must be effected at once. I mean when you come back, of course; I need say no more. I believe you could make yourself the pet votary of San Marco, if you liked; but you are wise enough to know that effective dissimulation is never immoderate.”

“If it were not that an adhesion to the popular side is necessary to your safety as an agent of our party, Tito mio,” said Giannozzo Pucci, who was more fraternal and less patronising in his manner than Tornabuoni, “I could have wished your skill to have been employed in another way, for which it is still better fitted. But now we must look out for some other man among us who will manage to get into the confidence of our sworn enemies, the Arrabbiati; we need to know their movements more than those of the Frate’s party, who are strong enough to play above-board. Still, it would have been a difficult thing for you, from your known relations with the Medici a little while back, and that sort of kinship your wife has with Bernardo del Nero. We must find a man who has no distinguished connections, and who has not yet taken any side.”

Tito was pushing his hair backward automatically, as his manner was, and looking straight at Pucci with a scarcely perceptible smile on his lip.

“No need to look out for any one else,” he said, promptly. “I can manage the whole business with perfect ease. I will engage to make myself the special confidant of that thick-headed Dolfo Spini, and know his projects before he knows them himself.”

Tito seldom spoke so confidently of his own powers, but he was in a state of exaltation at the sudden opening of a new path before him, where fortune seemed to have hung higher prizes than any he had thought of hitherto. Hitherto he had seen success only in the form of favour; it now flashed on him in the shape of power—of such power as is possible to talent without traditional ties, and without beliefs. Each party that thought of him as a tool might become dependent on him. His position as an alien, his indifference to the ideas or prejudices of the men amongst whom he moved, were suddenly transformed into advantages; he became newly conscious of his own adroitness in the presence of a game that he was called on to play. And all the motives which might have made Tito shrink from the triple deceit that came before him as a tempting game, had been slowly strangled in him by the successive falsities of his life.

Our lives make a moral tradition for our individual selves, as the life of mankind at large makes a moral tradition for the race; and to have once acted nobly seems a reason why we should always be noble. But Tito was feeling the effect of an opposite tradition: he had won no memories of self-conquest and perfect faithfulness from which he could have a sense of falling.

The triple colloquy went on with growing spirit till it was interrupted by a call from the table. Probably the movement came from the listeners in the party, who were afraid lest the talkers should tire themselves. At all events it was agreed that there had been enough of gravity, and Rucellai had just ordered new flasks of Montepulciano.

“How many minstrels are there among us?” he said, when there had been a general rallying round the table. “Melema, I think you are the chief: Matteo will give you the lute.”

“Ah, yes!” said Giannozzo Pucci, “lead the last chorus from Poliziano’s ‘Orfeo,’ that you have found such an excellent measure for, and we will all fall in:—

“‘Ciascum segua, o Bacco, te: Bacco, Bacco, evoe, evoe!’”

The servant put the lute into Tito’s hands, and then said something in an undertone to his master. A little subdued questioning and answering went on between them, while Tito touched the lute in a preluding way to the strain of the chorus, and there was a confusion of speech and musical humming all round the table. Bernardo Rucellai had said, “Wait a moment, Melema;” but the words had been unheard by Tito, who was leaning towards Pucci, and singing low to him the phrases of the Maenad-chorus. He noticed nothing until the buzz round the table suddenly ceased, and the notes of his own voice, with its soft low-toned triumph, “Evoe, evoe!” fell in startling isolation.

It was a strange moment. Baldassarre had moved round the table till he was opposite Tito, and as the hum ceased there might be seen for an instant Baldassarre’s fierce dark eyes bent on Tito’s bright smiling unconsciousness, while the low notes of triumph dropped from his lips into the silence.

Tito looked up with a slight start, and his lips turned pale, but he seemed hardly more moved than Giannozzo Pucci, who had looked up at the same moment—or even than several others round the table; for that sallow deep-lined face with the hatred in its eyes seemed a terrible apparition across the wax-lit ease and gaiety. And Tito quickly recovered some self-command. “A mad old man—he looks like it—he is mad!” was the instantaneous thought that brought some courage with it; for he could conjecture no inward change in Baldassarre since they had met before. He just let his eyes fall and laid the lute on the table with apparent ease; but his fingers pinched the neck of the lute hard while he governed his head and his glance sufficiently to look with an air of quiet appeal towards Bernardo Rucellai, who said at once—

“Good man, what is your business? What is the important declaration that you have to make?”

“Messer Bernardo Rucellai, I wish you and your honourable friends to know in what sort of company you are sitting. There is a traitor among you.”

There was a general movement of alarm. Every one present, except Tito, thought of political danger and not of private injury.

Baldassarre began to speak as if he were thoroughly assured of what he had to say; but, in spite of his long preparation for this moment, there was the tremor of overmastering excitement in his voice. His passion shook him. He went on, but he did not say what he had meant to say. As he fixed his eyes on Tito again the passionate words were like blows—they defied premeditation.

“There is a man among you who is a scoundrel, a liar, a robber. I was a father to him. I took him from beggary when he was a child. I reared him, I cherished him, I taught him, I made him a scholar. My head has lain hard that his might have a pillow. And he left me in slavery; he sold the gems that were mine, and when I came again, he denied me.”

The last words had been uttered with almost convulsed agitation, and Baldassarre paused, trembling. All glances were turned on Tito, who was now looking straight at Baldassarre. It was a moment of desperation that annihilated all feeling in him, except the determination to risk anything for the chance of escape. And he gathered confidence from the agitation by which Baldassarre was evidently shaken. He had ceased to pinch the neck of the lute, and had thrust his thumbs into his belt, while his lips had begun to assume a slight curl. He had never yet done an act of murderous cruelty even to the smallest animal that could utter a cry, but at that moment he would have been capable of treading the breath from a smiling child for the sake of his own safety.

“What does this mean, Melema?” said Bernardo Rucellai, in a tone of cautious surprise. He, as well as the rest of the company, felt relieved that the tenor of the accusation was not political.

“Messer Bernardo,” said Tito, “I believe this man is mad. I did not recognise him the first time he encountered me in Florence, but I know now that he is the servant who years ago accompanied me and my adoptive father to Greece, and was dismissed on account of misdemeanours. His name is Jacopo di Nola. Even at that time I believe his mind was unhinged, for, without any reason, he had conceived a strange hatred towards me; and now I am convinced that he is labouring under a mania which causes him to mistake his identity. He has already attempted my life since he has been in Florence; and I am in constant danger from him. But he is an object of pity rather than of indignation. It is too certain that my father is dead. You have only my word for it; but I must leave it to your judgment how far it is probable that a man of intellect and learning would have been lurking about in dark corners for the last month with the purpose of assassinating me; or how far it is probable that, if this man were my second father, I could have any motive for denying him. That story about my being rescued from beggary is the vision of a diseased brain. But it will be a satisfaction to me at least if you will demand from him proofs of his identity, lest any malignant person should choose to make this mad impeachment a reproach to me.”

Tito had felt more and more confidence as he went on; the lie was not so difficult when it was once begun; and as the words fell easily from his lips, they gave him a sense of power such as men feel when they have begun a muscular feat successfully. In this way he acquired boldness enough to end with a challenge for proofs.

Baldassarre, while he had been walking in the gardens and afterwards waiting in an outer room of the pavilion with the servants, had been making anew the digest of the evidence he would bring to prove his identity and Tito’s baseness, recalling the description and history of his gems, and assuring himself by rapid mental glances that he could attest his learning and his travels. It might be partly owing to this nervous strain that the new shock of rage he felt as Tito’s lie fell on his ears brought a strange bodily effect with it: a cold stream seemed to rush over him, and the last words of the speech seemed to be drowned by ringing chimes. Thought gave way to a dizzy horror, as if the earth were slipping away from under him. Every one in the room was looking at him as Tito ended, and saw that the eyes which had had such fierce intensity only a few minutes before had now a vague fear in them. He clutched the back of a seat, and was silent.

Hardly any evidence could have been more in favour of Tito’s assertion.

“Surely I have seen this man before, somewhere,” said Tornabuoni.

“Certainly you have,” said Tito, readily, in a low tone. “He is the escaped prisoner who clutched me on the steps of the Duomo. I did not recognise him then; he looks now more as he used to do, except that he has a more unmistakable air of mad imbecility.”

“I cast no doubt on your word, Melema,” said Bernardo Rucellai, with cautious gravity, “but you are right to desire some positive test of the fact.” Then turning to Baldassarre, he said, “If you are the person you claim to be, you can doubtless give some description of the gems which were your property. I myself was the purchaser of more than one gem from Messer Tito—the chief rings, I believe, in his collection. One of them is a fine sard, engraved with a subject from Homer. If, as you allege, you are a scholar, and the rightful owner of that ring, you can doubtless turn to the noted passage in Homer from which that subject is taken. Do you accept this test, Melema? or have you anything to allege against its validity? The Jacopo you speak of, was he a scholar?”

It was a fearful crisis for Tito. If he said “Yes,” his quick mind told him that he would shake the credibility of his story: if he said “No,” he risked everything on the uncertain extent of Baldassarre’s imbecility. But there was no noticeable pause before he said, “No. I accept the test.”

There was a dead silence while Rucellai moved towards the recess where the books were, and came back with the fine Florentine Homer in his hand. Baldassarre, when he was addressed, had turned his head towards the speaker, and Rucellai believed that he had understood him. But he chose to repeat what he had said, that there might be no mistake as to the test.

“The ring I possess,” he said, “is a fine sard, engraved with a subject from Homer. There was no other at all resembling it in Messer Tito’s collection. Will you turn to the passage in Homer from which that subject is taken? Seat yourself here,” he added, laying the book on the table, and pointing to his own seat while he stood beside it.

Baldassarre had so far recovered from the first confused horror produced by the sensation of rushing coldness and chiming din in the ears as to be partly aware of what was said to him: he was aware that something was being demanded from him to prove his identity, but he formed no distinct idea of the details. The sight of the book recalled the habitual longing and faint hope that he could read and understand, and he moved towards the chair immediately.

The book was open before him, and he bent his head a little towards it, while everybody watched him eagerly. He turned no leaf. His eyes wandered over the pages that lay before him, and then fixed on them a straining gaze. This lasted for two or three minutes in dead silence. Then he lifted his hands to each side of his head, and said, in a low tone of despair, “Lost, lost!”

There was something so piteous in the wandering look and the low cry, that while they confirmed the belief in his madness they raised compassion. Nay, so distinct sometimes is the working of a double consciousness within us, that Tito himself, while he triumphed in the apparent verification of his lie, wished that he had never made the lie necessary to himself—wished he had recognised his father on the steps—wished he had gone to seek him—wished everything had been different. But he had borrowed from the terrible usurer Falsehood, and the loan had mounted and mounted with the years, till he belonged to the usurer, body and soul.

The compassion excited in all the witnesses was not without its danger to Tito; for conjecture is constantly guided by feeling, and more than one person suddenly conceived that this man might have been a scholar and have lost his faculties. On the other hand, they had not present to their minds the motives which could have led Tito to the denial of his benefactor, and having no ill-will towards him, it would have been difficult to them to believe that he had been uttering the basest of lies. And the originally common type of Baldassarre’s person, coarsened by years of hardship, told as a confirmation of Tito’s lie. If Baldassarre, to begin with, could have uttered precisely the words he had premeditated, there might have been something in the form of his accusation which would have given it the stamp not only of true experience but of mental refinement. But there had been no such testimony in his impulsive agitated words: and there seemed the very opposite testimony in the rugged face and the coarse hands that trembled beside it, standing out in strong contrast in the midst of that velvet-clad, fair-handed company.

His next movement, while he was being watched in silence, told against him too. He took his hands from his head, and felt for something under his tunic. Every one guessed what that movement meant—guessed that there was a weapon at his side. Glances were interchanged; and Bernardo Rucellai said, in a quiet tone, touching Baldassarre’s shoulder—

“My friend, this is an important business of yours. You shall have all justice. Follow me into a private room.”

Baldassarre was still in that half-stunned state in which he was susceptible to any prompting, in the same way as an insect that forms no conception of what the prompting leads to. He rose from his seat, and followed Rucellai out of the room.

In two or three minutes Rucellai came back again, and said—

“He is safe under lock and key. Piero Pitti, you are one of the Magnificent Eight, what do you think of our sending Matteo to the palace for a couple of sbirri, who may escort him to the Stinche? (The largest prison in Florence.) If there is any danger in him, as I think there is, he will be safe there; and we can inquire about him to-morrow.”

Pitti assented, and the order was given.

“He is certainly an ill-looking fellow,” said Tornabuoni. “And you say he has attempted your life already, Melema?”

And the talk turned on the various forms of madness, and the fierceness of the southern blood. If the seeds of conjecture unfavourable to Tito had been planted in the mind of any one present, they were hardly strong enough to grow without the aid of much daylight and ill-will. The common-looking, wild-eyed old man, clad in serge, might have won belief without very strong evidence, if he had accused a man who was envied and disliked. As it was, the only congruous and probable view of the case seemed to be the one that sent the unpleasant accuser safely out of sight, and left the pleasant serviceable Tito just where he was before.

The subject gradually floated away, and gave place to others, till a heavy tramp, and something like the struggling of a man who was being dragged away, were heard outside. The sounds soon died out, and the interruption seemed to make the last hour’s conviviality more resolute and vigorous. Every one was willing to forget a disagreeable incident.

Tito’s heart was palpitating, and the wine tasted no better to him than if it had been blood.

To-night he had paid a heavier price than ever to make himself safe. He did not like the price, and yet it was inevitable that he should be glad of the purchase.

And after all he led the chorus. He was in a state of excitement in which oppressive sensations, and the wretched consciousness of something hateful but irrevocable, were mingled with a feeling of triumph which seemed to assert itself as the feeling that would subsist and be master of the morrow.

And it was master. For on the morrow, as we saw, when he was about to start on his mission to Rome, he had the air of a man well satisfied with the world.

XL. An Arresting Voice

When Romola sat down on the stone under the cypress, all things conspired to give her the sense of freedom and solitude: her escape from the accustomed walls and streets; the widening distance from her husband, who was by this time riding towards Siena, while every hour would take her farther on the opposite way; the morning stillness; the great dip of ground on the roadside making a gulf between her and the sombre calm of the mountains. For the first time in her life she felt alone in the presence of the earth and sky, with no human presence interposing and making a law for her.

Suddenly a voice close to her said—

“You are Romola de’ Bardi, the wife of Tito Melema.”

She knew the voice: it had vibrated through her more than once before; and because she knew it, she did not turn round or look up. She sat shaken by awe, and yet inwardly rebelling against the awe. It was one of those black-skirted monks who was daring to speak to her, and interfere with her privacy: that was all. And yet she was shaken, as if that destiny which men thought of as a sceptred deity had come to her, and grasped her with fingers of flesh.

“You are fleeing from Florence in disguise. I have a command from God to stop you. You are not permitted to flee.”

Romola’s anger at the intrusion mounted higher at these imperative words. She would not turn round to look at the speaker, whose examining gaze she resented. Sitting quite motionless, she said—

“What right have you to speak to me, or to hinder me?”

“The right of a messenger. You have put on a religious garb, and you have no religious purpose. You have sought the garb as a disguise. But you were not suffered to pass me without being discerned. It was declared to me who you were: it is declared to me that you are seeking to escape from the lot God has laid upon you. You wish your true name and your true place in life to be hidden, that you may choose for yourself a new name and a new place, and have no rule but your own will. And I have a command to call you back. My daughter, you must return to your place.”

Romola’s mind rose in stronger rebellion with every sentence. She was the more determined not to show any sign of submission, because the consciousness of being inwardly shaken made her dread lest she should fall into irresolution. She spoke with more irritation than before.

“I will not return. I acknowledge no right of priests and monks to interfere with my actions. You have no power over me.”

“I know—I know you have been brought up in scorn of obedience. But it is not the poor monk who claims to interfere with you: it is the truth that commands you. And you cannot escape it. Either you must obey it, and it will lead you; or you must disobey it, and it will hang on you with the weight of a chain which you will drag for ever. But you will obey it, my daughter. Your old servant will return to you with the mules; my companion is gone to fetch him; and you will go back to Florence.”

She started up with anger in her eyes, and faced the speaker. It was Fra Girolamo: she knew that well enough before. She was nearly as tall as he was, and their faces were almost on a level. She had started up with defiant words ready to burst from her lips, but they fell back again without utterance. She had met Fra Girolamo’s calm glance, and the impression from it was so new to her, that her anger sank ashamed as something irrelevant.

There was nothing transcendent in Savonarola’s face. It was not beautiful. It was strong-featured, and owed all its refinement to habits of mind and rigid discipline of the body. The source of the impression his glance produced on Romola was the sense it conveyed to her of interest in her and care for her apart from any personal feeling. It was the first time she had encountered a gaze in which simple human fellowship expressed itself as a strongly-felt bond. Such a glance is half the vocation of the priest or spiritual guide of men, and Romola felt it impossible again to question his authority to speak to her. She stood silent, looking at him. And he spoke again.

“You assert your freedom proudly, my daughter. But who is so base as the debtor that thinks himself free?”

There was a sting in those words, and Romola’s countenance changed as if a subtle pale flash had gone over it.

“And you are flying from your debts: the debt of a Florentine woman; the debt of a wife. You are turning your back on the lot that has been appointed for you—you are going to choose another. But can man or woman choose duties? No more than they can choose their birthplace or their father and mother. My daughter, you are fleeing from the presence of God into the wilderness.”

As the anger melted from Romola’s mind, it had given place to a new presentiment of the strength there might be in submission, if this man, at whom she was beginning to look with a vague reverence, had some valid law to show her. But no—it was impossible; he could not know what determined her. Yet she could not again simply refuse to be guided; she was constrained to plead; and in her new need to be reverent while she resisted, the title which she had never given him before came to her lips without forethought, “My father, you cannot know the reasons which compel me to go. None can know them but myself. None can judge for me. I have been driven by great sorrow. I am resolved to go.”

“I know enough, my daughter: my mind has been so far illuminated concerning you, that I know enough. You are not happy in your married life; but I am not a confessor, and I seek to know nothing that should be reserved for the seal of confession. I have a divine warrant to stop you, which does not depend on such knowledge. You were warned by a message from heaven, delivered in my presence—you were warned before marriage, when you might still have lawfully chosen to be free from the marriage-bond. But you chose the bond; and in wilfully breaking it—I speak to you as a pagan, if the holy mystery of matrimony is not sacred to you—you are breaking a pledge. Of what wrongs will you complain, my daughter, when you yourself are committing one of the greatest wrongs a woman and a citizen can be guilty of—withdrawing in secrecy and disguise from a pledge which you have given in the face of God and your fellow-men? Of what wrongs will you complain, when you yourself are breaking the simplest law that lies at the foundation of the trust which binds man to man—faithfulness to the spoken word? This, then, is the wisdom you have gained by scorning the mysteries of the Church?—not to see the bare duty of integrity, where the Church would have taught you to see, not integrity only, but religion.”

The blood had rushed to Romola’s face, and she shrank as if she had been stricken. “I would not have put on a disguise,” she began; but she could not go on,—she was too much shaken by the suggestion in the Frate’s words of a possible affinity between her own conduct and Tito’s.

“And to break that pledge you fly from Florence: Florence, where there are the only men and women in the world to whom you owe the debt of a fellow-citizen.”

“I should never have quitted Florence,” said Romola, tremulously, “as long as there was any hope of my fulfilling a duty to my father there.”

“And do you own no tie but that of a child to her father in the flesh? Your life has been spent in blindness, my daughter. You have lived with those who sit on a hill aloof, and look down on the life of their fellow-men. I know their vain discourse. It is of what has been in the times which they fill with their own fancied wisdom, while they scorn God’s work in the present. And doubtless you were taught how there were pagan women who felt what it was to live for the Republic; yet you have never felt that you, a Florentine woman, should live for Florence. If your own people are wearing a yoke, will you slip from under it, instead of struggling with them to lighten it? There is hunger and misery in our streets, yet you say, ‘I care not; I have my own sorrows; I will go away, if peradventure I can ease them.’ The servants of God are struggling after a law of justice, peace, and charity, that the hundred thousand citizens among whom you were born may be governed righteously; but you think no more of this than if you were a bird, that may spread its wings and fly whither it will in search of food to its liking. And yet you have scorned the teaching of the Church, my daughter. As if you, a wilful wanderer, following your own blind choice, were not below the humblest Florentine woman who stretches forth her hands with her own people, and craves a blessing for them; and feels a close sisterhood with the neighbour who kneels beside her and is not of her own blood; and thinks of the mighty purpose that God has for Florence; and waits and endures because the promised work is great, and she feels herself little.”

“I was not going away to ease and self-indulgence,” said Romola, raising her head again, with a prompting to vindicate herself. “I was going away to hardship. I expect no joy: it is gone from my life.”

“You are seeking your own will, my daughter. You are seeking some good other than the law you are bound to obey. But how will you find good? It is not a thing of choice: it is a river that flows from the foot of the Invisible Throne, and flows by the path of obedience. I say again, man cannot choose his duties. You may choose to forsake your duties, and choose not to have the sorrow they bring. But you will go forth; and what will you find, my daughter? Sorrow without duty—bitter herbs, and no bread with them.”

“But if you knew,” said Romola, clasping her hands and pressing them tight, as she looked pleadingly at Fra Girolamo; “if you knew what it was to me—how impossible it seemed to me to bear it.”

“My daughter,” he said, pointing to the cord round Romola’s neck, “you carry something within your mantle; draw it forth, and look at it.”

Romola gave a slight start, but her impulse now was to do just what Savonarola told her. Her self-doubt was grappled by a stronger will and a stronger conviction than her own. She drew forth the crucifix. Still pointing towards it, he said—

“There, my daughter, is the image of a Supreme Offering, made by Supreme Love, because the need of man was great.”

He paused, and she held the crucifix trembling—trembling under a sudden impression of the wide distance between her present and her past self. What a length of road she had travelled through since she first took that crucifix from the Frate’s hands! Had life as many secrets before her still as it had for her then, in her young blindness? It was a thought that helped all other subduing influences; and at the sound of Fra Girolamo’s voice again, Romola, with a quick involuntary movement, pressed the crucifix against her mantle and looked at him with more submission than before.

“Conform your life to that image, my daughter; make your sorrow an offering: and when the fire of Divine charity burns within you, and you behold the need of your fellow-men by the light of that flame, you will not call your offering great. You have carried yourself proudly, as one who held herself not of common blood or of common thoughts; but you have been as one unborn to the true life of man. What! you say your love for your father no longer tells you to stay in Florence? Then, since that tie is snapped, you are without a law, without religion: you are no better than a beast of the field when she is robbed of her young. If the yearning of a fleshly love is gone, you are without love, without obligation. See, then, my daughter, how you are below the life of the believer who worships that image of the Supreme Offering, and feels the glow of a common life with the lost multitude for whom that offering was made, and beholds the history of the world as the history of a great redemption in which he is himself a fellow-worker, in his own place and among his own people! If you held that faith, my beloved daughter, you would not be a wanderer flying from suffering, and blindly seeking the good of a freedom which is lawlessness. You would feel that Florence was the home of your soul as well as your birthplace, because you would see the work that was given you to do there. If you forsake your place, who will fill it? You ought to be in your place now, helping in the great work by which God will purify Florence, and raise it to be the guide of the nations. What! the earth is full of iniquity—full of groans—the light is still struggling with a mighty darkness, and you say, ‘I cannot bear my bonds; I will burst them asunder; I will go where no man claims me’? My daughter, every bond of your life is a debt: the right lies in the payment of that debt; it can lie nowhere else. In vain will you wander over the earth; you will be wandering for ever away from the right.”

Romola was inwardly struggling with strong forces: that immense personal influence of Savonarola, which came from the energy of his emotions and beliefs: and her consciousness, surmounting all prejudice, that his words implied a higher law than any she had yet obeyed. But the resisting thoughts were not yet overborne.

“How, then, could Dino be right? He broke ties. He forsook his place.”

“That was a special vocation. He was constrained to depart, else he could not have attained the higher life. It would have been stifled within him.”

“And I too,” said Romola, raising her hands to her brow, and speaking in a tone of anguish, as if she were being dragged to some torture. “Father, you may be wrong.”

“Ask your conscience, my daughter. You have no vocation such as your brother had. You are a wife. You seek to break your ties in self-will and anger, not because the higher life calls upon you to renounce them. The higher life begins for us, my daughter, when we renounce our own will to bow before a Divine law. That seems hard to you. It is the portal of wisdom, and freedom, and blessedness. And the symbol of it hangs before you. That wisdom is the religion of the Cross. And you stand aloof from it: you are a pagan; you have been taught to say, ‘I am as the wise men who lived before the time when the Jew of Nazareth was crucified.’ And that is your wisdom! To be as the dead whose eyes are closed, and whose ear is deaf to the work of God that has been since their time. What has your dead wisdom done for you, my daughter? It has left you without a heart for the neighbours among whom you dwell, without care for the great work by which Florence is to be regenerated and the world made holy; it has left you without a share in the Divine life which quenches the sense of suffering Self in the ardours of an ever-growing love. And now, when the sword has pierced your soul, you say, ‘I will go away; I cannot bear my sorrow.’ And you think nothing of the sorrow and the wrong that are within the walls of the city where you dwell: you would leave your place empty, when it ought to be filled with your pity and your labour. If there is wickedness in the streets, your steps should shine with the light of purity; if there is a cry of anguish, you, my daughter, because you know the meaning of the cry, should be there to still it. My beloved daughter, sorrow has come to teach you a new worship: the sign of it hangs before you.”

Romola’s mind was still torn by conflict. She foresaw that she should obey Savonarola and go back: his words had come to her as if they were an interpretation of that revulsion from self-satisfied ease, and of that new fellowship with suffering, which had already been awakened in her. His arresting voice had brought a new condition into her life, which made it seem impossible to her that she could go on her way as if she had not heard it; yet she shrank as one who sees the path she must take, but sees, too, that the hot lava lies there. And the instinctive shrinking from a return to her husband brought doubts. She turned away her eyes from Fra Girolamo, and stood for a minute or two with her hands hanging clasped before her, like a statue. At last she spoke, as if the words were being wrung from her, still looking on the ground.

“My husband... he is not... my love is gone!”

“My daughter, there is the bond of a higher love. Marriage is not carnal only, made for selfish delight. See what that thought leads you to! It leads you to wander away in a false garb from all the obligations of your place and name. That would not have been, if you had learned that it is a sacramental vow, from which none but God can release you. My daughter, your life is not as a grain of sand, to be blown by the winds; it is a thing of flesh and blood, that dies if it be sundered. Your husband is not a malefactor?”

Romola started. “Heaven forbid! No; I accuse him of nothing.”

“I did not suppose he was a malefactor. I meant, that if he were a malefactor, your place would be in the prison beside him. My daughter, if the cross comes to you as a wife, you must carry it as a wife. You may say, ‘I will forsake my husband,’ but you cannot cease to be a wife.”

“Yet if—oh, how could I bear—” Romola had involuntarily begun to say something which she sought to banish from her mind again.

“Make your marriage-sorrows an offering too, my daughter: an offering to the great work by which sin and sorrow are being made to cease. The end is sure, and is already beginning. Here in Florence it is beginning, and the eyes of faith behold it. And it may be our blessedness to die for it: to die daily by the crucifixion of our selfish will—to die at last by laying our bodies on the altar. My daughter, you are a child of Florence; fulfil the duties of that great inheritance. Live for Florence—for your own people, whom God is preparing to bless the earth. Bear the anguish and the smart. The iron is sharp—I know, I know—it rends the tender flesh. The draught is bitterness on the lips. But there is rapture in the cup—there is the vision which makes all life below it dross for ever. Come, my daughter, come back to your place!”

While Savonarola spoke with growing intensity, his arms tightly folded before him still, as they had been from the first, but his face alight as from an inward flame, Romola felt herself surrounded and possessed by the glow of his passionate faith. The chill doubts all melted away; she was subdued by the sense of something unspeakably great to which she was being called by a strong being who roused a new strength within herself. In a voice that was like a low, prayerful cry, she said—

“Father, I will be guided. Teach me! I will go back.”

Almost unconsciously she sank on her knees. Savonarola stretched out his hands over her; but feeling would no longer pass through the channel of speech, and he was silent.

XLI. Coming Back

“Rise, my daughter,” said Fra Girolamo at last. “Your servant is waiting not far off with the mules. It is time that I should go onward to Florence.”

Romola arose from her knees. That silent attitude had been a sort of sacrament to her, confirming the state of yearning passivity on which she had newly entered. By the one act of renouncing her resolve to quit her husband, her will seemed so utterly bruised that she felt the need of direction even in small things. She lifted up the edge of her cowl, and saw Maso and the second Dominican standing with their backs towards her on the edge of the hill about ten yards from her; but she looked at Savonarola again without speaking, as if the order to Maso to turn back must come from him and not from her.

“I will go and call them,” he said, answering her glance of appeal; “and I will recommend you, my daughter, to the Brother who is with me. You desire to put yourself under guidance, and to learn that wisdom which has been hitherto as foolishness to you. A chief gate of that wisdom is the sacrament of confession. You will need a confessor, my daughter, and I desire to put you under the care of Fra Salvestro, one of the brethren of San Marco, in whom I most confide.”

“I would rather have no guidance but yours, father,” said Romola, looking anxious.

“My daughter, I do not act as a confessor. The vocation I have withdraws me from offices that would force me into frequent contact with the laity, and interfere with my special duties.”

“Then shall I not be able to speak to you in private? if I waver, if—” Romola broke off from rising agitation. She felt a sudden alarm lest her new strength in renunciation should vanish if the immediate personal influence of Savonarola vanished.

“My daughter, if your soul has need of the word in private from my lips, you will let me know it through Fra Salvestro, and I will see you in the sacristy or in the choir of San Marco. And I will not cease to watch over you. I will instruct my brother concerning you, that he may guide you into that path of labour for the suffering and the hungry to which you are called as a daughter of Florence in these times of hard need. I desire to behold you among the feebler and more ignorant sisters as the apple-tree among the trees of the forest, so that your fairness and all natural gifts may be but as a lamp through which the Divine light shines the more purely. I will go now and call your servant.”

When Maso had been sent a little way in advance, Fra Salvestro came forward, and Savonarola led Romola towards him. She had beforehand felt an inward shrinking from a new guide who was a total stranger to her: but to have resisted Savonarola’s advice would have been to assume an attitude of independence at a moment when all her strength must be drawn from the renunciation of independence. And the whole bent of her mind now was towards doing what was painful rather than what was easy. She bowed reverently to Fra Salvestro before looking directly at him; but when she raised her head and saw him fully, her reluctance became a palpitating doubt. There are men whose presence infuses trust and reverence; there are others to whom we have need to carry our trust and reverence ready-made; and that difference flashed on Romola as she ceased to have Savonarola before her, and saw in his stead Fra Salvestro Maruffi. It was not that there was anything manifestly repulsive in Fra Salvestro’s face and manner, any air of hypocrisy, any tinge of coarseness; his face was handsomer than Fra Girolamo’s, his person a little taller. He was the long-accepted confessor of many among the chief personages in Florence, and had therefore had large experience as a spiritual director. But his face had the vacillating expression of a mind unable to concentrate itself strongly in the channel of one great emotion or belief—an expression which is fatal to influence over an ardent nature like Romola’s. Such an expression is not the stamp of insincerity; it is the stamp simply of a shallow soul, which will often be found sincerely striving to fill a high vocation, sincerely composing its countenance to the utterance of sublime formulas, but finding the muscles twitch or relax in spite of belief, as prose insists on coming instead of poetry to the man who has not the divine frenzy. Fra Salvestro had a peculiar liability to visions, dependent apparently on a constitution given to somnambulism. Savonarola believed in the supernatural character of these visions, while Fra Salvestro himself had originally resisted such an interpretation of them, and had even rebuked Savonarola for his prophetic preaching: another proof, if one were wanted, that the relative greatness of men is not to be gauged by their tendency to disbelieve the superstitions of their age. For of these two there can be no question which was the great man and which the small.

The difference between them was measured very accurately by the change in Romola’s feeling as Fra Salvestro began to address her in words of exhortation and encouragement. After her first angry resistance of Savonarola had passed away, she had lost all remembrance of the old dread lest any influence should drag her within the circle of fanaticism and sour monkish piety. But now again, the chill breath of that dread stole over her. It could have no decisive effect against the impetus her mind had just received; it was only like the closing of the grey clouds over the sunrise, which made her returning path monotonous and sombre.

And perhaps of all sombre paths that on which we go back after treading it with a strong resolution is the one that most severely tests the fervour of renunciation. As they re-entered the city gates the light snow-flakes fell about them; and as the grey sister walked hastily homeward from the Piazza di San Marco, and trod the bridge again, and turned in at the large door in the Via de’ Bardi, her footsteps were marked darkly on the thin carpet of snow, and her cowl fell laden and damp about her face.

She went up to her room, threw off her serge, destroyed the parting letters, replaced all her precious trifles, unbound her hair, and put on her usual black dress. Instead of taking a long exciting journey, she was to sit down in her usual place. The snow fell against the windows, and she was alone.

She felt the dreariness, yet her courage was high, like that of a seeker who has come on new signs of gold. She was going to thread life by a fresh clue. She had thrown all the energy of her will into renunciation. The empty tabernacle remained locked, and she placed Dino’s crucifix outside it.

Nothing broke the outward monotony of her solitary home, till the night came like a white ghost at the windows. Yet it was the most memorable Christmas-eve in her life to Romola, this of 1494.

XLII. Romola in her Place

It was the thirtieth of October 1496. The sky that morning was clear enough, and there was a pleasant autumnal breeze. But the Florentines just then thought very little about the land breezes: they were thinking of the gales at sea, which seemed to be uniting with all other powers to disprove the Frate’s declaration that Heaven took special care of Florence.

For those terrible gales had driven away from the coast of Leghorn certain ships from Marseilles, freighted with soldiery and corn; and Florence was in the direst need, first of food, and secondly of fighting men. Pale Famine was in her streets, and her territory was threatened on all its borders.

For the French king, that new Charlemagne, who had entered Italy in anticipatory triumph, and had conquered Naples without the least trouble, had gone away again fifteen months ago, and was even, it was feared, in his grief for the loss of a new-born son, losing the languid intention of coming back again to redress grievances and set the Church in order. A league had been formed against him—a Holy League, with Pope Borgia at its head—to “drive out the barbarians,” who still garrisoned the fortress of Naples. That had a patriotic sound; but, looked at more closely, the Holy League seemed very much like an agreement among certain wolves to drive away all other wolves, and then to see which among themselves could snatch the largest share of the prey. And there was a general disposition to regard Florence not as a fellow-wolf, but rather as a desirable carcass. Florence, therefore, of all the chief Italian States, had alone declined to join the League, adhering still to the French alliance.

She had declined at her peril. At this moment Pisa, still fighting savagely for liberty, was being encouraged not only by strong forces from Venice and Milan, but by the presence of the German Emperor Maximilian, who had been invited by the League, and was joining the Pisans with such troops as he had in the attempt to get possession of Leghorn, while the coast was invested by Venetian and Genoese ships. And if Leghorn should fall into the hands of the enemy, woe to Florence! For if that one outlet towards the sea were closed, hedged in as she was on the land by the bitter ill-will of the Pope and the jealousy of smaller States, how could succours reach her?

The government of Florence had shown a great heart in this urgent need, meeting losses and defeats with vigorous effort, raising fresh money, raising fresh soldiers, but not neglecting the good old method of Italian defence—conciliatory embassies. And while the scarcity of food was every day becoming greater, they had resolved, in opposition to old precedent, not to shut out the starving country people, and the mendicants driven from the gates of other cities, who came flocking to Florence like birds from a land of snow.

These acts of a government in which the disciples of Savonarola made the strongest element were not allowed to pass without criticism. The disaffected were plentiful, and they saw clearly that the government took the worst course for the public welfare. Florence ought to join the League and make common cause with the other great Italian States, instead of drawing down their hostility by a futile adherence to a foreign ally. Florence ought to take care of her own citizens, instead of opening her gates to famine and pestilence in the shape of starving contadini and alien mendicants.

Every day the distress became sharper: every day the murmurs became louder. And, to crown the difficulties of the government, for a month and more—in obedience to a mandate from Rome—Fra Girolamo had ceased to preach. But on the arrival of the terrible news that the ships from Marseilles had been driven back, and that no corn was coming, the need for the voice that could infuse faith and patience into the people became too imperative to be resisted. In defiance of the Papal mandate the Signoria requested Savonarola to preach. And two days ago he had mounted again the pulpit of the Duomo, and had told the people only to wait and be steadfast and the divine help would certainly come.

It was a bold sermon: he consented to have his frock stripped off him if, when Florence persevered in fulfilling the duties of piety and citizenship, God did not come to her rescue.

Yet at present, on this morning of the thirtieth, there were no signs of rescue. Perhaps if the precious Tabernacle of the Madonna dell’ Impruneta were brought into Florence and carried in devout procession to the Duomo, that Mother, rich in sorrows and therefore in mercy, would plead for the suffering city? For a century and a half there were records how the Florentines, suffering from drought, or flood, or famine, or pestilence, or the threat of wars, had fetched the potent image within their walls, and had found deliverance. And grateful honour had been done to her and her ancient church of L’Impruneta; the high house of Buondelmonti, patrons of the church, had to guard her hidden image with bare sword; wealth had been poured out for prayers at her shrine, for chantings, and chapels, and ever-burning lights; and lands had been added, till there was much quarrelling for the privilege of serving her. The Florentines were deeply convinced of her graciousness to them, so that the sight of her tabernacle within their walls was like the parting of the cloud, and the proverb ran, that the Florentines had a Madonna who would do what they pleased.

When were they in more need of her pleading pity than now? And already, the evening before, the tabernacle containing the miraculous hidden image had been brought with high and reverend escort from L’Impruneta, the privileged spot six miles beyond the gate of San Piero that looks towards Rome, and had been deposited in the church of San Gaggio, outside the gate, whence it was to be fetched in solemn procession by all the fraternities, trades, and authorities of Florence.

But the Pitying Mother had not yet entered within the walls, and the morning arose on unchanged misery and despondency. Pestilence was hovering in the track of famine. Not only the hospitals were full, but the courtyards of private houses had been turned into refuges and infirmaries; and still there was unsheltered want. And early this morning, as usual, members of the various fraternities who made it part of their duty to bury the unfriended dead, were bearing away the corpses that had sunk by the wayside. As usual, sweet womanly forms, with the refined air and carriage of the well-born, but in the plainest garb, were moving about the streets on their daily errands of tending the sick and relieving the hungry.

One of these forms was easily distinguishable as Romola de’ Bardi. Clad in the simplest garment of black serge, with a plain piece of black drapery drawn over her head, so as to hide all her hair, except the bands of gold that rippled apart on her brow, she was advancing from the Ponte Vecchio towards the Por’ Santa Maria—the street in a direct line with the bridge—when she found her way obstructed by the pausing of a bier, which was being carried by members of the company of San Jacopo del Popolo, in search for the unburied dead. The brethren at the head of the bier were stooping to examine something, while a group of idle workmen, with features paled and sharpened by hunger, were clustering around and all talking at once.

“He’s dead, I tell you! Messer Domeneddio has loved him well enough to take him.”

“Ah, and it would be well for us all if we could have our legs stretched out and go with our heads two or three bracci foremost! It’s ill standing upright with hunger to prop you.”

“Well, well, he’s an old fellow. Death has got a poor bargain. Life’s had the best of him.”

“And no Florentine, ten to one! A beggar turned out of Siena. San Giovanni defend us! They’ve no need of soldiers to fight us. They send us an army of starving men.”

“No, no! This man is one of the prisoners turned out of the Stinche. I know by the grey patch where the prison badge was.”

“Keep quiet! Lend a hand! Don’t you see the brethren are going to lift him on the bier?”

“It’s likely he’s alive enough if he could only look it. The soul may be inside him if it had only a drop of vernaccia to warm it.”

“In truth, I think he is not dead,” said one of the brethren, when they had lifted him on the bier. “He has perhaps only sunk down for want of food.”

“Let me try to give him some wine,” said Romola, coming forward. She loosened the small flask which she carried at her belt, and, leaning towards the prostrate body, with a deft hand she applied a small ivory implement between the teeth, and poured into the mouth a few drops of wine. The stimulus acted: the wine was evidently swallowed. She poured more, till the head was moved a little towards her, and the eyes of the old man opened full upon her with the vague look of returning consciousness.

Then for the first time a sense of complete recognition came over Romola. Those wild dark eyes opening in the sallow deep-lined face, with the white beard, which was now long again, were like an unmistakable signature to a remembered handwriting. The light of two summers had not made that image any fainter in Romola’s memory: the image of the escaped prisoner, whom she had seen in the Duomo the day when Tito first wore the armour—at whose grasp Tito was paled with terror in the strange sketch she had seen in Piero’s studio. A wretched tremor and palpitation seized her. Now at last, perhaps, she was going to know some secret which might be more bitter than all that had gone before. She felt an impulse to dart away as from a sight of horror; and again, a more imperious need to keep close by the side of this old man whom, the divination of keen feeling told her, her husband had injured. In the very instant of this conflict she still leaned towards him and kept her right-hand ready to administer more wine, while her left was passed under his neck. Her hands trembled, but their habit of soothing helpfulness would have served to guide them without the direction of her thought.

Baldassarre was looking at her for the first time. The close seclusion in which Romola’s trouble had kept her in the weeks preceding her flight and his arrest, had denied him the opportunity he had sought of seeing the Wife who lived in the Via de’ Bardi: and at this moment the descriptions he had heard of the fair golden-haired woman were all gone, like yesterday’s waves.

“Will it not be well to carry him to the steps of San Stefano?” said Romola. “We shall cease then to stop up the street, and you can go on your way with your bier.”

They had only to move onward for about thirty yards before reaching the steps of San Stefano, and by this time Baldassarre was able himself to make some efforts towards getting off the bier, and propping himself on the steps against the church-doorway. The charitable brethren passed on, but the group of interested spectators, who had nothing to do and much to say, had considerably increased. The feeling towards the old man was not so entirely friendly now it was quite certain that he was alive, but the respect inspired by Romola’s presence caused the passing remarks to be made in a rather more subdued tone than before.

“Ah, they gave him his morsel every day in the Stinche—that’s why he can’t do so well without it. You and I, Cecco, know better what it is to go to bed fasting.”

“Gnaffè! that’s why the Magnificent Eight have turned out some of the prisoners, that they may shelter honest people instead. But if every thief is to be brought to life with good wine and wheaten bread, we Ciompi had better go and fill ourselves in Arno while the water’s plenty.”

Romola had seated herself on the steps by Baldassarre, and was saying, “Can you eat a little bread now? perhaps by-and-by you will be able, if I leave it with you. I must go on, because I have promised to be at the hospital. But I will come back if you will wait here, and then I will take you to some shelter. Do you understand? Will you wait? I will come back.”

He looked dreamily at her, and repeated her words, “come back.” It was no wonder that his mind was enfeebled by his bodily exhaustion, but she hoped that he apprehended her meaning. She opened her basket, which was filled with pieces of soft bread, and put one of the pieces into his hand.

“Do you keep your bread for those that can’t swallow, madonna?” said a rough-looking fellow, in a red night-cap, who had elbowed his way into the inmost circle of spectators—a circle that was pressing rather closely on Romola.

“If anybody isn’t hungry,” said another, “I say, let him alone. He’s better off than people who’ve got craving stomachs and no breakfast.”

“Yes, indeed; if a man’s a mind to die, it’s a time to encourage him, instead of making him come back to life against his will. Dead men want no trencher.”

“Oh, you don’t understand the Frate’s charity,” said a young man in an excellent cloth tunic, whose face showed no signs of want. “The Frate has been preaching to the birds, like Saint Anthony, and he’s been telling the hawks they were made to feed the sparrows, as every good Florentine citizen was made to feed six starving beggar-men from Arezzo or Bologna. Madonna, there, is a pious Piagnone: she’s not going to throw away her good bread on honest citizens who’ve got all the Frate’s prophecies to swallow.”

“Come, madonna,” said he of the red cap, “the old thief doesn’t eat the bread, you see: you’d better try us. We fast so much, we’re half saints already.”

The circle had narrowed till the coarse men—most of them gaunt from privation—had left hardly any margin round Romola. She had been taking from her basket a small horn-cup, into which she put the piece of bread and just moistened it with wine; and hitherto she had not appeared to heed them. But now she rose to her feet, and looked round at them. Instinctively the men who were nearest to her pushed backward a little, as if their rude nearness were the fault of those behind. Romola held out the basket of bread to the man in the night-cap, looking at him without any reproach in her glance, as she said—

“Hunger is hard to bear, I know, and you have the power to take this bread if you will. It was saved for sick women and children. You are strong men; but if you do not choose to suffer because you are strong, you have the power to take everything from the weak. You can take the bread from this basket; but I shall watch by this old man; I shall resist your taking the bread from him.”

For a few moments there was perfect silence, while Romola looked at the faces before her, and held out the basket of bread. Her own pale face had the slightly pinched look and the deepening of the eye-socket which indicate unusual fasting in the habitually temperate, and the large direct gaze of her hazel eyes was all the more impressive.

The man in the night-cap looked rather silly, and backed, thrusting his elbow into his neighbour’s ribs with an air of moral rebuke. The backing was general, every one wishing to imply that he had been pushed forward against his will; and the young man in the fine cloth tunic had disappeared.

But at this moment the armed servitors of the Signoria, who had begun to patrol the line of streets through which the procession was to pass, came up to disperse the group which was obstructing the narrow street. The man addressed as Cecco retreated from a threatening mace up the church-steps, and said to Romola, in a respectful tone—

“Madonna, if you want to go on your errands, I’ll take care of the old man.”

Cecco was a wild-looking figure: a very ragged tunic, made shaggy and variegated by cloth-dust and clinging fragments of wool, gave relief to a pair of bare bony arms and a long sinewy neck; his square jaw shaded by a bristly black beard, his bridgeless nose and low forehead, made his face look as if it had been crushed down for purposes of packing, and a narrow piece of red rag tied over his ears seemed to assist in the compression. Romola looked at him with some hesitation.

“Don’t distrust me, madonna,” said Cecco, who understood her look perfectly; “I am not so pretty as you, but I’ve got an old mother who eats my porridge for me. What! there’s a heart inside me, and I’ve bought a candle for the most Holy Virgin before now. Besides, see there, the old fellow is eating his sop. He’s hale enough: he’ll be on his legs as well as the best of us by-and-by.”

“Thank you for offering to take care of him, friend,” said Romola, rather penitent for her doubting glance. Then leaning to Baldassarre, she said, “Pray wait for me till I come again.”

He assented with a slight movement of the head and hand, and Romola went on her way towards the hospital of San Matteo, in the Piazza di San Marco.

XLIII. The Unseen Madonna

In returning from the hospital, more than an hour later, Romola took a different road, making a wider circuit towards the river, which she reached at some distance from the Ponte Vecchio. She turned her steps towards that bridge, intending to hasten to San Stefano in search of Baldassarre. She dreaded to know more about him, yet she felt as if, in forsaking him, she would be forsaking some near claim upon her.

But when she approached the meeting of the roads where the Por’ Santa Maria would be on her right-hand and the Ponte Vecchio on her left, she found herself involved in a crowd who suddenly fell on their knees; and she immediately knelt with them. The Cross was passing—the Great Cross of the Duomo—which headed the procession. Romola was later than she had expected to be, and now she must wait till the procession had passed. As she rose from her knees, when the Cross had disappeared, the return to a standing posture, with nothing to do but gaze, made her more conscious of her fatigue than she had been while she had been walking and occupied. A shopkeeper by her side said—

“Madonna Romola, you will be weary of standing: Gian Fantoni will be glad to give you a seat in his house. Here is his door close at hand. Let me open it for you. What! he loves God and the Frate as we do. His house is yours.”

Romola was accustomed now to be addressed in this fraternal way by ordinary citizens, whose faces were familiar to her from her having seen them constantly in the Duomo. The idea of home had come to be identified for her less with the house in the Via de’ Bardi, where she sat in frequent loneliness, than with the towered circuit of Florence, where there was hardly a turn of the streets at which she was not greeted with looks of appeal or of friendliness. She was glad enough to pass through the open door on her right-hand and be led by the fraternal hose-vendor to an upstairs-window, where a stout woman with three children, all in the plain garb of Piagnoni, made a place for her with much reverence above the bright hanging draperies. From this corner station she could see, not only the procession pouring in solemn slowness between the lines of houses on the Ponte Vecchio, but also the river and the Lung’ Arno on towards the bridge of the Santa Trinita.

In sadness and in stillness came the slow procession. Not even a wailing chant broke the silent appeal for mercy: there was only the tramp of footsteps, and the faint sweep of woollen garments. They were young footsteps that were passing when Romola first looked from the window—a long train of the Florentine youth, bearing high in the midst of them the white image of the youthful Jesus, with a golden glory above his head, standing by the tall cross where the thorns and the nails lay ready.

After that train of fresh beardless faces came the mysterious-looking Companies of Discipline, bound by secret rules to self-chastisement, and devout praise, and special acts of piety; all wearing a garb which concealed the whole head and face except the eyes. Every one knew that these mysterious forms were Florentine citizens of various ranks, who might be seen at ordinary times going about the business of the shop, the counting-house, or the State; but no member now was discernible as son, husband, or father. They had dropped their personality, and walked as symbols of a common vow. Each company had its colour and its badge, but the garb of all was a complete shroud, and left no expression but that of fellowship.

In comparison with them, the multitude of monks seemed to be strongly distinguished individuals, in spite of the common tonsure and the common frock. First came a white stream of reformed Benedictines; and then a much longer stream of the Frati Minori, or Franciscans, in that age all clad in grey, with the knotted cord round their waists, and some of them with the zoccoli, or wooden sandals, below their bare feet;—perhaps the most numerous order in Florence, owning many zealous members who loved mankind and hated the Dominicans. And after the grey came the black of the Augustinians of San Spirito with more cultured human faces above it—men who had inherited the library of Boccaccio, and had made the most learned company in Florence when learning was rarer; then the white over dark of the Carmelites; and then again the unmixed black of the Servites, that famous Florentine order founded by seven merchants who forsook their gains to adore the Divine Mother.

And now the hearts of all onlookers began to beat a little faster, either with hatred or with love, for there was a stream of black and white coming over the bridge—of black mantles over white scapularies; and every one knew that the Dominicans were coming. Those of Fiesole passed first. One black mantle parted by white after another, one tonsured head after another, and still expectation was suspended. They were very coarse mantles, all of them, and many were threadbare, if not ragged; for the Prior of San Marco had reduced the fraternities under his rule to the strictest poverty and discipline. But in the long line of black and white there was at last singled out a mantle only a little more worn than the rest, with a tonsured head above it which might not have appeared supremely remarkable to a stranger who had not seen it on bronze medals, with the sword of God as its obverse; or surrounded by an armed guard on the way to the Duomo; or transfigured by the inward flame of the orator as it looked round on a rapt multitude.

As the approach of Savonarola was discerned, none dared conspicuously to break the stillness by a sound which would rise above the solemn tramp of footsteps and the faint sweep of garments; nevertheless his ear, as well as other ears, caught a mingled sound of slow hissing that longed to be curses, and murmurs that longed to be blessings. Perhaps it was the sense that the hissing predominated which made two or three of his disciples in the foreground of the crowd, at the meeting of the roads, fall on their knees as if something divine were passing. The movement of silent homage spread: it went along the sides of the streets like a subtle shock, leaving some unmoved, while it made the most bend the knee and bow the head. But the hatred, too, gathered a more intense expression; and as Savonarola passed up the Por’ Santa Maria, Romola could see that some one at an upper window spat upon him.

Monks again—Frati Umiliati, or Humbled Brethren, from Ognissanti, with a glorious tradition of being the earliest workers in the wool-trade; and again more monks—Vallombrosan and other varieties of Benedictines, reminding the instructed eye by niceties of form and colour that in ages of abuse, long ago, reformers had arisen who had marked a change of spirit by a change of garb; till at last the shaven crowns were at an end, and there came the train of untonsured secular priests.

Then followed the twenty-one incorporated Arts of Florence in long array, with their banners floating above them in proud declaration that the bearers had their distinct functions, from the bakers of bread to the judges and notaries. And then all the secondary officers of State, beginning with the less and going on to the greater, till the line of secularities was broken by the Canons of the Duomo, carrying a sacred relic—the very head, enclosed in silver, of San Zenobio, immortal bishop of Florence, whose virtues were held to have saved the city perhaps a thousand years before.

Here was the nucleus of the procession. Behind the relic came the archbishop in gorgeous cope, with canopy held above him; and after him the mysterious hidden Image—hidden first by rich curtains of brocade enclosing an outer painted tabernacle, but within this, by the more ancient tabernacle which had never been opened in the memory of living men, or the fathers of living men. In that inner shrine was the image of the Pitying Mother, found ages ago in the soil of L’Impruneta, uttering a cry as the spade struck it. Hitherto the unseen Image had hardly ever been carried to the Duomo without having rich gifts borne before it. There was no reciting the list of precious offerings made by emulous men and communities, especially of veils and curtains and mantles. But the richest of all these, it was said, had been given by a poor abbess and her nuns, who, having no money to buy materials, wove a mantle of gold brocade with their prayers, embroidered it and adorned it with their prayers, and, finally, saw their work presented to the Blessed Virgin in the great Piazza by two beautiful youths who spread out white wings and vanished in the blue.

But to-day there were no gifts carried before the tabernacle: no donations were to be given to-day except to the poor. That had been the advice of Fra Girolamo, whose preaching never insisted on gifts to the invisible powers, but only on help to visible need; and altars had been raised at various points in front of the churches, on which the oblations for the poor were deposited. Not even a torch was carried. Surely the hidden Mother cared less for torches and brocade than for the wail of the hungry people. Florence was in extremity: she had done her utmost, and could only wait for something divine that was not in her own power.

The Frate in the torn mantle had said that help would certainly come, and many of the faint-hearted were clinging more to their faith in the Frate’s word, than to their faith in the virtues of the unseen Image. But there were not a few of the fierce-hearted who thought with secret rejoicing that the Frate’s word might be proved false.

Slowly the tabernacle moved forward, and knees were bent. There was profound stillness; for the train of priests and chaplains from L’Impruneta stirred no passion in the onlookers. The procession was about to close with the Priors and the Gonfaloniere: the long train of companies and symbols, which have their silent music and stir the mind as a chorus stirs it, was passing out of sight, and now a faint yearning hope was all that struggled with the accustomed despondency.

Romola, whose heart had been swelling, half with foreboding, half with that enthusiasm of fellowship which the life of the last two years had made as habitual to her as the consciousness of costume to a vain and idle woman, gave a deep sigh, as at the end of some long mental tension, and remained on her knees for very languor; when suddenly there flashed from between the houses on to the distant bridge something bright-coloured. In the instant, Romola started up and stretched out her arms, leaning from the window, while the black drapery fell from her head, and the golden gleam of her hair and the flush in her face seemed the effect of one illumination. A shout arose in the same instant; the last troops of the procession paused, and all faces were turned towards the distant bridge.

But the bridge was passed now: the horseman was pressing at full gallop along by the Arno; the sides of his bay horse, just streaked with foam, looked all white from swiftness; his cap was flying loose by his red becchetto, and he waved an olive-branch in his hand. It was a messenger—a messenger of good tidings! The blessed olive-branch spoke afar off. But the impatient people could not wait. They rushed to meet the on-comer, and seized his horse’s rein, pushing and trampling.

And now Romola could see that the horseman was her husband, who had been sent to Pisa a few days before on a private embassy. The recognition brought no new flash of joy into her eyes. She had checked her first impulsive attitude of expectation; but her governing anxiety was still to know what news of relief had come for Florence.

“Good news!”

“Best news!”

“News to be paid with hose!” (novelle da calze) were the vague answers with which Tito met the importunities of the crowd, until he had succeeded in pushing on his horse to the spot at the meeting of the ways where the Gonfaloniere and the Priors were awaiting him. There he paused, and, bowing low, said—

“Magnificent Signori! I have to deliver to you the joyful news that the galleys from France, laden with corn and men, have arrived safely in the port of Leghorn, by favour of a strong wind, which kept the enemy’s fleet at a distance.”

The words had no sooner left Tito’s lips than they seemed to vibrate up the streets. A great shout rang through the air, and rushed along the river; and then another, and another; and the shouts were heard spreading along the line of the procession towards the Duomo; and then there were fainter answering shouts, like the intermediate plash of distant waves in a great lake whose waters obey one impulse.

For some minutes there was no attempt to speak further: the Signoria themselves lifted up their caps, and stood bare-headed in the presence of a rescue which had come from outside the limit of their own power—from that region of trust and resignation which has been in all ages called divine.

At last, as the signal was given to move forward, Tito said, with a smile—

“I ought to say, that any hose to be bestowed by the Magnificent Signoria in reward of these tidings are due, not to me, but to another man who had ridden hard to bring them, and would have been here in my place if his horse had not broken down just before he reached Signa. Meo di Sasso will doubtless be here in an hour or two, and may all the more justly claim the glory of the messenger, because he has had the chief labour and has lost the chief delight.”

It was a graceful way of putting a necessary statement, and after a word of reply from the Proposto, or spokesman of the Signoria, this dignified extremity of the procession passed on, and Tito turned his horse’s head to follow in its train, while the great bell of the Palazzo Vecchio was already beginning to swing, and give a louder voice to the people’s joy in that moment, when Tito’s attention had ceased to be imperatively directed, it might have been expected that he would look round and recognise Romola; but he was apparently engaged with his cap, which, now the eager people were leading his horse, he was able to seize and place on his head, while his right-hand was still encumbered by the olive-branch. He had a becoming air of lassitude after his exertions; and Romola, instead of making any effort to be recognised by him, threw her black drapery over her head again, and remained perfectly quiet. Yet she felt almost sure that Tito had seen her; he had the power of seeing everything without seeming to see it.

XLIV. The Visible Madonna

The crowd had no sooner passed onward than Romola descended to the street, and hastened to the steps of San Stefano. Cecco had been attracted with the rest towards the Piazza, and she found Baldassarre standing alone against the church-door, with the horn-cup in his hand, waiting for her. There was a striking change in him: the blank, dreamy glance of a half-returned consciousness had given place to a fierceness which, as she advanced and spoke to him, flashed upon her as if she had been its object. It was the glance of caged fury that sees its prey passing safe beyond the bars.

Romola started as the glance was turned on her, but her immediate thought was that he had seen Tito. And as she felt the look of hatred grating on her, something like a hope arose that this man might be the criminal, and that her husband might not have been guilty towards him. If she could learn that now, by bringing Tito face to face with him, and have her mind set at rest!

“If you will come with me,” she said, “I can give you shelter and food until you are quite rested and strong. Will you come?”

“Yes,” said Baldassarre, “I shall be glad to get my strength. I want to get my strength,” he repeated, as if he were muttering to himself, rather than speaking to her.

“Come!” she said, inviting him to walk by her side, and taking the way by the Arno towards the Ponte Rubaconte as the more private road.

“I think you are not a Florentine,” she said, presently, as they turned on to the bridge.

He looked round at her without speaking. His suspicious caution was more strongly upon him than usual, just now that the fog of confusion and oblivion was made denser by bodily feebleness. But she was looking at him too, and there was something in her gentle eyes which at last compelled him to answer her. But he answered cautiously—

“No, I am no Florentine; I am a lonely man.”

She observed his reluctance to speak to her, and dared not question him further, lest he should desire to quit her. As she glanced at him from time to time, her mind was busy with thoughts which quenched the faint hope that there was nothing painful to be revealed about her husband. If this old man had been in the wrong, where was the cause for dread and secrecy!

They walked on in silence till they reached the entrance into the Via de’ Bardi, and Romola noticed that he turned and looked at her with a sudden movement as if some shock had passed through him. A few moments after, she paused at the half-open door of the court and turned towards him.

“Ah!” he said, not waiting for her to speak, “you are his wife.”

“Whose wife?” said Romola.

It would have been impossible for Baldassarre to recall any name at that moment. The very force with which the image of Tito pressed upon him seemed to expel any verbal sign. He made no answer, but looked at her with strange fixedness.

She opened the door wide and showed the court covered with straw, on which lay four or five sick people, while some little children crawled or sat on it at their ease—tiny pale creatures, biting straws and gurgling.

“If you will come in,” said Romola, tremulously, “I will find you a comfortable place, and bring you some more food.”

“No, I will not come in,” said Baldassarre. But he stood still, arrested by the burden of impressions under which his mind was too confused to choose a course.

“Can I do nothing for you?” said Romola. “Let me give you some money that you may buy food. It will be more plentiful soon.”

She had put her hand into her scarsella as she spoke, and held out her palm with several grossi in it. She purposely offered him more than she would have given to any other man in the same circumstances. He looked at the coins a little while, and then said—

“Yes, I will take them.”

She poured the coins into his palm, and he grasped them tightly.

“Tell me,” said Romola, almost beseechingly. “What shall you—”

But Baldassarre had turned away from her, and was walking again towards the bridge. Passing from it, straight on up the Via del Fosso, he came upon the shop of Niccolò Caparra, and turned towards it without a pause, as if it had been the very object of his search. Niccolò was at that moment in procession with the armourers of Florence, and there was only one apprentice in the shop. But there were all sorts of weapons in abundance hanging there, and Baldassarre’s eyes discerned what he was more hungry for than for bread. Niccolò himself would probably have refused to sell anything that might serve as a weapon to this man with signs of the prison on him; but the apprentice, less observant and scrupulous, took three grossi for a sharp hunting-knife without any hesitation. It was a conveniently small weapon, which Baldassarre could easily thrust within the breast of his tunic, and he walked on, feeling stronger. That sharp edge might give deadliness to the thrust of an aged arm: at least it was a companion, it was a power in league with him, even if it failed. It would break against armour, but was the armour sure to be always there? In those long months while vengeance had lain in prison, baseness had perhaps become forgetful and secure. The knife had been bought with the traitor’s own money. That was just. Before he took the money, he had felt what he should do with it—buy a weapon. Yes, and if possible, food too; food to nourish the arm that would grasp the weapon, food to nourish the body which was the temple of vengeance. When he had had enough bread, he should be able to think and act—to think first how he could hide himself, lest Tito should have him dragged away again.

With that idea of hiding in his mind, Baldassarre turned up the narrowest streets, bought himself some meat and bread, and sat down under the first loggia to eat. The bells that swung out louder and louder peals of joy, laying hold of him and making him vibrate along with all the air, seemed to him simply part of that strong world which was against him.

Romola had watched Baldassarre until he had disappeared round the turning into the Piazza de’ Mozzi, half feeling that his departure was a relief, half reproaching herself for not seeking with more decision to know the truth about him, for not assuring herself whether there were any guiltless misery in his lot which she was not helpless to relieve. Yet what could she have done if the truth had proved to be the burden of some painful secret about her husband, in addition to the anxieties that already weighed upon her? Surely a wife was permitted to desire ignorance of a husband’s wrong-doing, since she alone must not protest and warn men against him. But that thought stirred too many intricate fibres of feeling to be pursued now in her weariness. It was a time to rejoice, since help had come to Florence; and she turned into the court to tell the good news to her patients on their straw beds.

She closed the door after her, lest the bells should drown her voice, and then throwing the black drapery from her head, that the women might see her better, she stood in the midst and told them that corn was coming, and that the bells were ringing for gladness at the news. They all sat up to listen, while the children trotted or crawled towards her, and pulled her black skirts, as if they were impatient at being all that long way off her face. She yielded to them, weary as she was, and sat down on the straw, while the little pale things peeped into her basket and pulled her hair down, and the feeble voices around her said, “The Holy Virgin be praised!”

“It was the procession!”

“The Mother of God has had pity on us!”

At last Romola rose from the heap of straw, too tired to try and smile any longer, saying as she turned up the stone steps—

“I will come by-and-by, to bring you your dinner.”

“Bless you, madonna! bless you!” said the faint chorus, in much the same tone as that in which they had a few minutes before praised and thanked the unseen Madonna.

Romola cared a great deal for that music. She had no innate taste for tending the sick and clothing the ragged, like some women to whom the details of such work are welcome in themselves, simply as an occupation. Her early training had kept her aloof from such womanly labours; and if she had not brought to them the inspiration of her deepest feelings, they would have been irksome to her. But they had come to be the one unshaken resting-place of her mind, the one narrow pathway on which the light fell clear. If the gulf between herself and Tito which only gathered a more perceptible wideness from her attempts to bridge it by submission, brought a doubt whether, after all, the bond to which she had laboured to be true might not itself be false—if she came away from her confessor, Fra Salvestro, or from some contact with the disciples of Savonarola amongst whom she worshipped, with a sickening sense that these people were miserably narrow, and with an almost impetuous reaction towards her old contempt for their superstition—she found herself recovering a firm footing in her works of womanly sympathy. Whatever else made her doubt, the help she gave to her fellow-citizens made her sure that Fra Girolamo had been right to call her back. According to his unforgotten words, her place had not been empty: it had been filled with her love and her labour. Florence had had need of her, and the more her own sorrow pressed upon her, the more gladness she felt in the memories, stretching through the two long years, of hours and moments in which she had lightened the burden of life to others. All that ardour of her nature which could no longer spend itself in the woman’s tenderness for father and husband, had transformed itself into an enthusiasm of sympathy with the general life. She had ceased to think that her own lot could be happy—had ceased to think of happiness at all: the one end of her life seemed to her to be the diminishing of sorrow.

Her enthusiasm was continually stirred to fresh vigour by the influence of Savonarola. In spite of the wearisome visions and allegories from which she recoiled in disgust when they came as stale repetitions from other lips than his, her strong affinity for his passionate sympathy and the splendour of his aims had lost none of its power. His burning indignation against the abuses and oppression that made the daily story of the Church and of States had kindled the ready fire in her too. His special care for liberty and purity of government in Florence, with his constant reference of this immediate object to the wider end of a universal regeneration, had created in her a new consciousness of the great drama of human existence in which her life was a part; and through her daily helpful contact with the less fortunate of her fellow-citizens this new consciousness became something stronger than a vague sentiment; it grew into a more and more definite motive of self-denying practice. She thought little about dogmas, and shrank from reflecting closely on the Frate’s prophecies of the immediate scourge and closely following regeneration. She had submitted her mind to his and had entered into communion with the Church, because in this way she had found an immediate satisfaction for moral needs which all the previous culture and experience of her life had left hungering. Fra Girolamo’s voice had waked in her mind a reason for living, apart from personal enjoyment and personal affection; but it was a reason that seemed to need feeding with greater forces than she possessed within herself, and her submissive use of all offices of the Church was simply a watching and waiting if by any means fresh strength might come. The pressing problem for Romola just then was not to settle questions of controversy, but to keep alive that flame of unselfish emotion by which a life of sadness might still be a life of active love.

Her trust in Savonarola’s nature as greater than her own made a large part of the strength she had found. And the trust was not to be lightly shaken. It is not force of intellect which causes ready repulsion from the aberration and eccentricities of greatness, any more than it is force of vision that causes the eye to explore the warts on a face bright with human expression; it is simply the negation of high sensibilities. Romola was so deeply moved by the grand energies of Savonarola’s nature, that she found herself listening patiently to all dogmas and prophecies, when they came in the vehicle of his ardent faith and believing utterance.[1]

No soul is desolate as long as there is a human being for whom it can feel trust and reverence. Romola’s trust in Savonarola was something like a rope suspended securely by her path, making her step elastic while she grasped it; if it were suddenly removed, no firmness of the ground she trod could save her from staggering, or perhaps from falling.

[1] He himself had had occasion enough to note the efficacy of that vehicle. “If,” he says in the Compendium Revelationum, “you speak of such as have not heard these things from me, I admit that they who disbelieve are more than they who believe, because it is one thing to hear him who inwardly feels these things, and another to hear him who feels them not; ... and, therefore, it is well said by Saint Jerome, ‘Habet nescio quid latentis energiae vivae vocis actus, et in aures discipuli de auctoris ore transfusa fortis sonat.’”Return to passage

XLV. At the Barber’s Shop

After that welcome appearance as the messenger with the olive-branch, which was an unpromised favour of fortune, Tito had other commissions to fulfil of a more premeditated character. He paused at the Palazzo Vecchio, and awaited there the return of the Ten, who managed external and war affairs, that he might duly deliver to them the results of his private mission to Pisa, intended as a preliminary to an avowed embassy of which Bernardo Rucellai was to be the head, with the object of coming, if possible, to a pacific understanding with the Emperor Maximilian and the League.

Tito’s talents for diplomatic work had been well ascertained, and as he gave with fulness and precision the results of his inquiries and interviews, Bernardo del Nero, who was at that time one of the Ten, could not withhold his admiration. He would have withheld it if he could; for his original dislike of Tito had returned, and become stronger, since the sale of the library. Romola had never uttered a word to her godfather on the circumstances of the sale, and Bernardo had understood her silence as a prohibition to him to enter on the subject, but he felt sure that the breach of her father’s wish had been a blighting grief to her, and the old man’s observant eyes discerned other indications that her married life was not happy.

“Ah,” he said, inwardly, “that doubtless is the reason she has taken to listening to Fra Girolamo, and going amongst the Piagnoni, which I never expected from her. These women, if they are not happy, and have no children, must either take to folly or to some overstrained religion that makes them think they’ve got all heaven’s work on their shoulders. And as for my poor child Romola, it is as I always said—the cramming with Latin and Greek has left her as much a woman as if she had done nothing all day but prick her fingers with the needle. And this husband of hers, who gets employed everywhere, because he’s a tool with a smooth handle, I wish Tornabuoni and the rest may not find their fingers cut. Well, well, solco torto, sacco dritto—many a full sack comes from a crooked furrow; and he who will be captain of none but honest men will have small hire to pay.”

With this long-established conviction that there could be no moral sifting of political agents, the old Florentine abstained from all interference in Tito’s disfavour. Apart from what must be kept sacred and private for Romola’s sake, Bernardo had nothing direct to allege against the useful Greek, except that he was a Greek, and that he, Bernardo, did not like him; for the doubleness of feigning attachment to the popular government, while at heart a Medicean, was common to Tito with more than half the Medicean party. He only feigned with more skill than the rest: that was all. So Bernardo was simply cold to Tito, who returned the coldness with a scrupulous, distant respect. And it was still the notion in Florence that the old tie between Bernardo and Bardo made any service done to Romola’s husband an acceptable homage to her godfather.

After delivering himself of his charge at the Old Palace, Tito felt that the avowed official work of the day was done. He was tired and adust with long riding; but he did not go home. There were certain things in his scarsella and on his mind, from which he wished to free himself as soon as possible, but the opportunities must be found so skilfully that they must not seem to be sought. He walked from the Palazzo in a sauntering fashion towards the Piazza del Duomo. The procession was at an end now, but the bells were still ringing, and the people were moving about the streets restlessly, longing for some more definite vent to their joy. If the Frate could have stood up in the great Piazza and preached to them, they might have been satisfied, but now, in spite of the new discipline which declared Christ to be the special King of the Florentines and required all pleasures to be of a Christian sort, there was a secret longing in many of the youngsters who shouted “Viva Gesu!” for a little vigorous stone throwing in sign of thankfulness.

Tito, as he passed along, could not escape being recognised by some as the welcome bearer of the olive-branch, and could only rid himself of an inconvenient ovation, chiefly in the form of eager questions, by telling those who pressed on him that Meo di Sasso, the true messenger from Leghorn, must now be entering, and might certainly be met towards the Porta San Frediano. He could tell much more than Tito knew.

Freeing himself from importunities in this adroit manner, he made his way to the Piazza del Duomo, casting his long eyes round the space with an air of the utmost carelessness, but really seeking to detect some presence which might furnish him with one of his desired opportunities. The fact of the procession having terminated at the Duomo made it probable that there would be more than the usual concentration of loungers and talkers in the Piazza and round Nello’s shop. It was as he expected. There was a group leaning against the rails near the north gates of the Baptistery, so exactly what he sought, that he looked more indifferent than ever, and seemed to recognise the tallest member of the group entirely by chance as he had half passed him, just turning his head to give him a slight greeting, while he tossed the end of his becchetto over his left shoulder.

Yet the tall, broad-shouldered personage greeted in that slight way looked like one who had considerable claims. He wore a richly-embroidered tunic, with a great show of linen, after the newest French mode, and at his belt there hung a sword and poniard of fine workmanship. His hat, with a red plume in it, seemed a scornful protest against the gravity of Florentine costume, which had been exaggerated to the utmost under the influence of the Piagnoni. Certain undefinable indications of youth made the breadth of his face and the large diameter of his waist appear the more emphatically a stamp of coarseness, and his eyes had that rude desecrating stare at all men and things which to a refined mind is as intolerable as a bad odour or a flaring light.

He and his companions, also young men dressed expensively and wearing arms, were exchanging jokes with that sort of ostentatious laughter which implies a desire to prove that the laughter is not mortified though some people might suspect it. There were good reasons for such a suspicion; for this broad-shouldered man with the red feather was Dolfo Spini, leader of the Compagnacci, or Evil Companions—that is to say, of all the dissolute young men belonging to the old aristocratic party, enemies of the Mediceans, enemies of the popular government, but still more bitter enemies of Savonarola. Dolfo Spini, heir of the great house with the loggia, over the bridge of the Santa Trinita, had organised these young men into an armed band, as sworn champions of extravagant suppers and all the pleasant sins of the flesh, against reforming pietists who threatened to make the world chaste and temperate to so intolerable a degree that there would soon be no reason for living, except the extreme unpleasantness of the alternative. Up to this very morning he had been loudly declaring that Florence was given up to famine and ruin entirely through its blind adherence to the advice of the Frate, and that there could be no salvation for Florence but in joining the League and driving the Frate out of the city—sending him to Rome, in fact, whither he ought to have gone long ago in obedience to the summons of the Pope. It was suspected, therefore, that Messer Dolfo Spini’s heart was not aglow with pure joy at the unexpected succours which had come in apparent fulfilment of the Frate’s prediction, and the laughter, which was ringing out afresh as Tito joined the group at Nello’s door, did not serve to dissipate the suspicion. For leaning against the door-post in the centre of the group was a close-shaven, keen-eyed personage, named Niccolò Macchiavelli, who, young as he was, had penetrated all the small secrets of egoism.

“Messer Dolfo’s head,” he was saying, “is more of a pumpkin than I thought. I measure men’s dulness by the devices they trust in for deceiving others. Your dullest animal of all is he who grins and says he doesn’t mind just after he has had his shins kicked. If I were a trifle duller, now,” he went on, smiling as the circle opened to admit Tito, “I should pretend to be fond of this Melema, who has got a secretaryship that would exactly suit me—as if Latin ill-paid could love better Latin that’s better paid! Melema, you are a pestiferously clever fellow, very much in my way, and I’m sorry to hear you’ve had another piece of good-luck to-day.”

“Questionable luck, Niccolò,” said Tito, touching him on the shoulder in a friendly way; “I have got nothing by it yet but being laid hold of and breathed upon by wool-beaters, when I am as soiled and battered with riding as a tabellario (letter-carrier) from Bologna.”

“Ah! you want a touch of my art, Messer Oratore,” said Nello, who had come forward at the sound of Tito’s voice; “your chin, I perceive, has yesterday’s crop upon it. Come, come—consign yourself to the priest of all the Muses. Sandro, quick with the lather!”

“In truth, Nello, that is just what I most desire at this moment,” said Tito, seating himself; “and that was why I turned my steps towards thy shop, instead of going home at once, when I had done my business at the Palazzo.”

“Yes, indeed, it is not fitting that you should present yourself to Madonna Romola with a rusty chin and a tangled zazzera. Nothing that is not dainty ought to approach the Florentine lily; though I see her constantly going about like a sunbeam amongst the rags that line our corners—if indeed she is not more like a moonbeam now, for I thought yesterday, when I met her, that she looked as pale and worn as that fainting Madonna of Fra Giovanni’s. You must see to it, my bel erudito: she keeps too many fasts and vigils in your absence.”

Tito gave a melancholy shrug. “It is too true, Nello. She has been depriving herself of half her proper food every day during this famine. But what can I do? Her mind has been set all aflame. A husband’s influence is powerless against the Frate’s.”

“As every other influence is likely to be, that of the Holy Father included,” said Domenico Cennini, one of the group at the door, who had turned in with Tito. “I don’t know whether you have gathered anything at Pisa about the way the wind sits at Rome, Melema?”

“Secrets of the council-chamber, Messer Domenico!” said Tito, smiling and opening his palms in a deprecatory manner. “An envoy must be as dumb as a father confessor.”

“Certainly, certainly,” said Cennini. “I ask for no breach of that rule. Well, my belief is, that if his Holiness were to drive Fra Girolamo to extremity, the Frate would move heaven and earth to get a General Council of the Church—ay, and would get it too; and I, for one, should not be sorry, though I’m no Piagnone.”

“With leave of your greater experience, Messer Domenico,” said Macchiavelli, “I must differ from you—not in your wish to see a General Council which might reform the Church, but in your belief that the Frate will checkmate his Holiness. The Frate’s game is an impossible one. If he had contented himself with preaching against the vices of Rome, and with prophesying that in some way, not mentioned, Italy would be scourged, depend upon it Pope Alexander would have allowed him to spend his breath in that way as long as he could find hearers. Such spiritual blasts as those knock no walls down. But the Frate wants to be something more than a spiritual trumpet: he wants to be a lever, and what is more, he is a lever. He wants to spread the doctrine of Christ by maintaining a popular government in Florence, and the Pope, as I know, on the best authority, has private views to the contrary.”

“Then Florence will stand by the Frate,” Cennini broke in, with some fervour. “I myself should prefer that he would let his prophesying alone, but if our freedom to choose our own government is to be attacked—I am an obedient son of the Church, but I would vote for resisting Pope Alexander the Sixth, as our forefathers resisted Pope Gregory the Eleventh.”

“But pardon me, Messer Domenico,” said Macchiavelli, sticking his thumbs into his belt, and speaking with that cool enjoyment of exposition which surmounts every other force in discussion. “Have you correctly seized the Frate’s position? How is it that he has become a lever, and made himself worth attacking by an acute man like his Holiness? Because he has got the ear of the people: because he gives them threats and promises, which they believe come straight from God, not only about hell, purgatory, and paradise, but about Pisa and our Great Council. But let events go against him, so as to shake the people’s faith, and the cause of his power will be the cause of his fall. He is accumulating three sorts of hatred on his head—the hatred of average mankind against every one who wants to lay on them a strict yoke of virtue; the hatred of the stronger powers in Italy who want to farm Florence for their own purposes; and the hatred of the people, to whom he has ventured to promise good in this world, instead of confining his promises to the next. If a prophet is to keep his power, he must be a prophet like Mahomet, with an army at his back, that when the people’s faith is fainting it may be frightened into life again.”

“Rather sum up the three sorts of hatred in one,” said Francesco Cei, impetuously, “and say he has won the hatred of all men who have sense and honesty, by inventing hypocritical lies. His proper place is among the false prophets in the Inferno, who walk with their heads turned hind-foremost.”

“You are too angry, my Francesco,” said Macchiavelli, smiling; “you poets are apt to cut the clouds in your wrath. I am no votary of the Frate’s, and would not lay down my little finger for his veracity. But veracity is a plant of paradise, and the seeds have never flourished beyond the walls. You, yourself, my Francesco, tell poetical lies only; partly compelled by the poet’s fervour, partly to please your audience; but you object to lies in prose. Well, the Frate differs from you as to the boundary of poetry, that’s all. When he gets into the pulpit of the Duomo, he has the fervour within him, and without him he has the audience to please. Ecco!”

“You are somewhat lax there, Niccolò,” said Cennini, gravely. “I myself believe in the Frate’s integrity, though I don’t believe in his prophecies, and as long as his integrity is not disproved, we have a popular party strong enough to protect him and resist foreign interference.”

“A party that seems strong enough,” said Macchiavelli, with a shrug, and an almost imperceptible glance towards Tito, who was abandoning himself with much enjoyment to Nello’s combing and scenting. “But how many Mediceans are there among you? How many who will not be turned round by a private grudge?”

“As to the Mediceans,” said Cennini, “I believe there is very little genuine feeling left on behalf of the Medici. Who would risk much for Piero de’ Medici? A few old staunch friends, perhaps, like Bernardo del Nero; but even some of those most connected with the family are hearty friends of the popular government, and would exert themselves for the Frate. I was talking to Giannozzo Pucci only a little while ago, and I am convinced there’s nothing he would set his face against more than against any attempt to alter the new order of things.”

“You are right there, Messer Domenico,” said Tito, with a laughing meaning in his eyes, as he rose from the shaving-chair; “and I fancy the tender passion came in aid of hard theory there. I am persuaded there was some jealousy at the bottom of Giannozzo’s alienation from Piero de’ Medici; else so amiable a creature as he would never feel the bitterness he sometimes allows to escape him in that quarter. He was in the procession with you, I suppose?”

“No,” said Cennini; “he is at his villa—went there three days ago.”

Tito was settling his cap and glancing down at his splashed hose as if he hardly heeded the answer. In reality he had obtained a much-desired piece of information. He had at that moment in his scarsella a crushed gold ring which he had engaged to deliver to Giannozzo Pucci. He had received it from an envoy of Piero de’ Medici, whom he had ridden out of his way to meet at Certaldo on the Siena road. Since Pucci was not in the town, he would send the ring by Fra Michele, a Carthusian lay Brother in the service of the Mediceans, and the receipt of that sign would bring Pucci back to hear the verbal part of Tito’s mission.

“Behold him!” said Nello, flourishing his comb and pointing it at Tito, “the handsomest scholar in the world or in the wolds, (‘Del mondo o di maremma’) now he has passed through my hands! A trifle thinner in the face, though, than when he came in his first bloom to Florence—eh? and, I vow, there are some lines just faintly hinting themselves about your mouth, Messer Oratore! Ah, mind is an enemy to beauty! I myself was thought beautiful by the women at one time—when I was in my swaddling-bands. But now—oimè! I carry my unwritten poems in cipher on my face!”

Tito, laughing with the rest as Nello looked at himself tragically in the hand-mirror, made a sign of farewell to the company generally, and took his departure.

“I’m of our old Piero di Cosimo’s mind,” said Francesco Cei. “I don’t half like Melema. That trick of smiling gets stronger than ever—no wonder he has lines about the mouth.”

“He’s too successful,” said Macchiavelli, playfully. “I’m sure there’s something wrong about him, else he wouldn’t have that secretaryship.”

“He’s an able man,” said Cennini, in a tone of judicial fairness. “I and my brother have always found him useful with our Greek sheets, and he gives great satisfaction to the Ten. I like to see a young man work his way upward by merit. And the secretary Scala, who befriended him from the first, thinks highly of him still, I know.”

“Doubtless,” said a notary in the background. “He writes Scala’s official letters for him, or corrects them, and gets well paid for it too.”

“I wish Messer Bartolommeo would pay me to doctor his gouty Latin,” said Macchiavelli, with a shrug. “Did he tell you about the pay, Ser Ceccone, or was it Melema himself?” he added, looking at the notary with a face ironically innocent.

“Melema? no, indeed,” answered Ser Ceccone. “He is as close as a nut. He never brags. That’s why he’s employed everywhere. They say he’s getting rich with doing all sorts of underhand work.”

“It is a little too bad,” said Macchiavelli, “and so many able notaries out of employment!”

“Well, I must say I thought that was a nasty story a year or two ago about the man who said he had stolen jewels,” said Cei. “It got hushed up somehow; but I remember Piero di Cosimo said, at the time, he believed there was something in it, for he saw Melema’s face when the man laid hold of him, and he never saw a visage so ‘painted with fear,’ as our sour old Dante says.”

“Come, spit no more of that venom, Francesco,” said Nello, getting indignant, “else I shall consider it a public duty to cut your hair awry the next time I get you under my scissors. That story of the stolen jewels was a lie. Bernardo Rucellai and the Magnificent Eight knew all about it. The man was a dangerous madman, and he was very properly kept out of mischief in prison. As for our Piero di Cosimo, his wits are running after the wind of Mongibello: he has such an extravagant fancy that he would take a lizard for a crocodile. No: that story has been dead and buried too long—our noses object to it.”

“It is true,” said Macchiavelli. “You forget the danger of the precedent, Francesco. The next mad beggarman may accuse you of stealing his verses, or me, God help me! of stealing his coppers. Ah!” he went on, turning towards the door, “Dolfo Spini has carried his red feather out of the Piazza. That captain of swaggerers would like the Republic to lose Pisa just for the chance of seeing the people tear the frock off the Frate’s back. With your pardon, Francesco—I know he is a friend of yours—there are few things I should like better than to see him play the part of Capo d’Oca, who went out to the tournament blowing his trumpets and returned with them in a bag.”