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Tristram of Lyonesse and Other Poems

Algernon Charles Swinburne · 1882

71,181 words · about 4 h 59 min to read

Period artwork: Interior of the Bodleian Library, 1845
About this edition

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About this book

Author
Algernon Charles Swinburne
Language
English
Published
1882
Length
71,181 words · about 4 h 59 min
Sections
75 reader sections
Text
Digital text
Rights
Public domain

 

Contents (75)
  1. Front matter under 1 min
  2. List of Works under 1 min
  3. Dedication about 1 min
  4. Tristram of Lyonesse under 1 min
  5. Prelude: Tristram and Iseult about 9 min
  6. Tristram of Lyonesse: I. The Sailing of the Swallow about 29 min
  7. Tristram of Lyonesse: II. The Queen's Pleasance about 17 min
  8. Tristram of Lyonesse: III. Tristram in Brittany about 16 min
  9. Tristram of Lyonesse: IV. The Maiden Marriage about 8 min
  10. Tristram of Lyonesse: V. Iseult at Tintagel about 13 min
  11. Tristram of Lyonesse: VI. Joyous Gard about 18 min
  12. Tristram of Lyonesse: VII. The Wife's Vigil about 9 min
  13. Tristram of Lyonesse: VIII. The Last Pilgrimage about 23 min
  14. Tristram of Lyonesse: IX. The Sailing of the Swan about 21 min
  15. Athens: an Ode about 14 min
  16. The Statue of Victor Hugo about 8 min
  17. Hope and Fear about 1 min
  18. After Sunset about 2 min
  19. A Study From Memory under 1 min
  20. To Dr. John Brown about 1 min
  21. To William Bell Scott about 1 min
  22. A Death on Easter Day about 1 min
  23. On the Deaths of Thomas Carlyle and George Eliot about 1 min
  24. After Looking into Carlyle's Reminiscences about 1 min
  25. A Last Look under 1 min
  26. Dickens about 1 min
  27. On Lamb's Specimens of Dramatic Poets about 1 min
  28. To John Nichol about 1 min
  29. Dysthanatos about 1 min
  30. Euonymos about 1 min
  31. On the Russian Persecution of the Jews under 1 min
  32. Bismarck at Canossa under 1 min
  33. Quia Nominor Leo about 1 min
  34. The Channel Tunnel about 1 min
  35. Sir William Gomm about 1 min
  36. Euthanatos about 1 min
  37. First and Last about 1 min
  38. Lines on the Death of Edward John Trelawny about 1 min
  39. Adieux à Marie Stuart about 3 min
  40. Herse about 2 min
  41. Twins about 2 min
  42. The Salt of the Earth under 1 min
  43. Seven Years Old about 1 min
  44. Eight Years Old about 2 min
  45. Comparisons about 1 min
  46. What is Death? under 1 min
  47. A Child's Pity about 1 min
  48. A Child's Laughter about 1 min
  49. A Child's Thanks about 1 min
  50. A Child's Battles about 3 min
  51. A Child's Future about 1 min
  52. Christopher Marlowe about 1 min
  53. William Shakespeare about 1 min
  54. Ben Jonson under 1 min
  55. Beaumont and Fletcher about 1 min
  56. Philip Massinger under 1 min
  57. John Ford under 1 min
  58. John Webster under 1 min
  59. Thomas Decker about 1 min
  60. Thomas Middleton under 1 min
  61. Thomas Heywood about 1 min
  62. George Chapman under 1 min
  63. John Marston under 1 min
  64. John Day about 1 min
  65. James Shirley under 1 min
  66. The Tribe of Benjamin about 1 min
  67. Anonymous Plays: "Arden of Feversham" under 1 min
  68. Anonymous Plays under 1 min
  69. Anonymous Plays about 1 min
  70. The Many (XIX) under 1 min
  71. The Many (XX) under 1 min
  72. Epilogue about 1 min
  73. A Dark Month about 22 min
  74. Sunrise about 3 min
  75. Chatto & Windus's List of Books, May 1882 about 45 min

Continue:

Front matter

TRISTRAM OF LYONESSE

AND OTHER POEMS

BY

List of Works

TRISTRAM OF LYONESSE

AND OTHER POEMS

Dedication

Spring speaks again, and all our woods are stirred, And all our wide glad wastes aflower around, That twice have heard keen April's clarion sound Since here we first together saw and heard Spring's light reverberate and reiterate word Shine forth and speak in season. Life stands crowned Here with the best one thing it ever found, As of my soul's best birthdays dawns the third.

There is a friend that as the wise man saith Cleaves closer than a brother: nor to me Hath time not shown, through days like waves at strife, This truth more sure than all things else but death, This pearl most perfect found in all the sea That washes toward your feet these waifs of life.

The Pines April 1882

Tristram of Lyonesse

TRISTRAM OF LYONESSE

Prelude: Tristram and Iseult

PRELUDE.

TRISTRAM AND ISEULT.

Love, that is first and last of all things made, The light that has the living world for shade, The spirit that for temporal veil has on The souls of all men woven in unison, One fiery raiment with all lives inwrought And lights of sunny and starry deed and thought, And alway through new act and passion new Shines the divine same body and beauty through, The body spiritual of fire and light That is to worldly noon as noon to night; Love, that is flesh upon the spirit of man And spirit within the flesh whence breath began; Love, that keeps all the choir of lives in chime; Love, that is blood within the veins of time; That wrought the whole world without stroke of hand, Shaping the breadth of sea, the length of land, And with the pulse and motion of his breath Through the great heart of the earth strikes life and death,

The sweet twain chords that make the sweet tune live Through day and night of things alternative, Through silence and through sound of stress and strife, And ebb and flow of dying death and life; Love, that sounds loud or light in all men’s ears, Whence all men’s eyes take fire from sparks of tears, That binds on all men’s feet or chains or wings; Love, that is root and fruit of terrene things; Love, that the whole world’s waters shall not drown, The whole world’s fiery forces not burn down; Love, that what time his own hands guard his head The whole world’s wrath and strength shall not strike dead; Love, that if once his own hands make his grave The whole world’s pity and sorrow shall not save; Love, that for very life shall not be sold, Nor bought nor bound with iron nor with gold; So strong that heaven, could love bid heaven farewell, Would turn to fruitless and unflowering hell; So sweet that hell, to hell could love be given, Would turn to splendid and sonorous heaven; Love that is fire within thee and light above, And lives by grace of nothing but of love; Through many and lovely thoughts and much desire Led these twain to the life of tears and fire; Through many and lovely days and much delight Led these twain to the lifeless life of night. Yea, but what then? albeit all this were thus, And soul smote soul and left it ruinous,

And love led love as eyeless men lead men, Through chance by chance to deathward—Ah, what then? Hath love not likewise led them further yet, Out through the years where memories rise and set, Some large as suns, some moon-like warm and pale, Some starry-sighted, some through clouds that sail Seen as red flame through spectral float of fume, Each with the blush of its own special bloom On the fair face of its own coloured light, Distinguishable in all the host of night, Divisible from all the radiant rest And separable in splendour? Hath the best Light of love’s all, of all that burn and move, A better heaven than heaven is? Hath not love Made for all these their sweet particular air To shine in, their own beams and names to bear, Their ways to wander and their wards to keep, Till story and song and glory and all things sleep? Hath he not plucked from death of lovers dead Their musical soft memories, and kept red The rose of their remembrance in men’s eyes, The sunsets of their stories in his skies, The blush of their dead blood in lips that speak Of their dead lives, and in the listener’s cheek That trembles with the kindling pity lit In gracious hearts for some sweet fever-fit, A fiery pity enkindled of pure thought By tales that make their honey out of nought,

The faithless faith that lives without belief Its light life through, the griefless ghost of grief? Yea, as warm night refashions the sere blood In storm-struck petal or in sun-struck bud, With tender hours and tempering dew to cure The hunger and thirst of day’s distemperature And ravin of the dry discolouring hours, Hath he not bid relume their flameless flowers With summer fire and heat of lamping song, And bid the short-lived things, long dead, live long, And thought remake their wan funereal fames, And the sweet shining signs of women’s names That mark the months out and the weeks anew He moves in changeless change of seasons through To fill the days up of his dateless year Flame from Queen Helen to Queen Guenevere? For first of all the sphery signs whereby Love severs light from darkness, and most high, In the white front of January there glows The rose-red sign of Helen like a rose: And gold-eyed as the shore-flower shelterless Whereon the sharp-breathed sea blows bitterness, A storm-star that the seafarers of love Strain their wind-wearied eyes for glimpses of, Shoots keen through February’s grey frost and damp The lamplike star of Hero for a lamp; The star that Marlowe sang into our skies With mouth of gold, and morning in his eyes; And in clear March across the rough blue sea The signal sapphire of Alcyone

Makes bright the blown brows of the wind-foot year; And shining like a sunbeam-smitten tear Full ere it fall, the fair next sign in sight Burns opal-wise with April-coloured light When air is quick with song and rain and flame, My birth-month star that in love’s heaven hath name Iseult, a light of blossom and beam and shower, My singing sign that makes the song-tree flower; Next like a pale and burning pearl beyond The rose-white sphere of flower-named Rosamond Signs the sweet head of Maytime; and for June Flares like an angered and storm-reddening moon Her signal sphere, whose Carthaginian pyre Shadowed her traitor’s flying sail with fire; Next, glittering as the wine-bright jacinth-stone, A star south-risen that first to music shone, The keen girl-star of golden Juliet bears Light northward to the month whose forehead wears Her name for flower upon it, and his trees Mix their deep English song with Veronese; And like an awful sovereign chrysolite Burning, the supreme fire that blinds the night, The hot gold head of Venus kissed by Mars, A sun-flower among small sphered flowers of stars, The light of Cleopatra fills and burns The hollow of heaven whence ardent August yearns; And fixed and shining as the sister-shed Sweet tears for Phaethon disorbed and dead, The pale bright autumn’s amber-coloured sphere, That through September sees the saddening year

As love sees change through sorrow, hath to name Francesca's; and the star that watches flame The embers of the harvest overgone Is Thisbe's, slain of love in Babylon, Set in the golden girdle of sweet signs A blood-bright ruby; last save one light shines An eastern wonder of sphery chrysopras, The star that made men mad, Angelica's; And latest named and lordliest, with a sound Of swords and harps in heaven that ring it round, Last love-light and last love-song of the year's, Gleams like a glorious emerald Guenevere's. These are the signs wherethrough the year sees move, Full of the sun, the sun-god which is love, A fiery body blood-red from the heart Outward, with fire-white wings made wide apart, That close not and unclose not, but upright Steered without wind by their own light and might Sweep through the flameless fire of air that rings From heaven to heaven with thunder of wheels and wings And antiphones of motion-moulded rhyme Through spaces out of space and timeless time. So shine above dead chance and conquered change The spherèd signs, and leave without their range Doubt and desire, and hope with fear for wife, Pale pains, and pleasures long worn out of life. Yea, even the shadows of them spiritless, Through the dim door of sleep that seem to press,

Forms without form, a piteous people and blind, Men and no men, whose lamentable kind The shadow of death and shadow of life compel Through semblances of heaven and false-faced hell, Through dreams of light and dreams of darkness tost On waves innavigable, are these so lost? Shapes that wax pale and shift in swift strange wise, Void faces with unspeculative eyes, Dim things that gaze and glare, dead mouths that move, Featureless heads discrowned of hate and love, Mockeries and masks of motion and mute breath, Leavings of life, the superflux of death— If these things and no more than these things be Left when man ends or changes, who can see? Or who can say with what more subtle sense Their subtler natures taste in air less dense A life less thick and palpable than ours, Warmed with faint fires and sweetened with dead flowers And measured by low music? how time fares In that wan time-forgotten world of theirs, Their pale poor world too deep for sun or star To live in, where the eyes of Helen are, And hers who made as God’s own eyes to shine The eyes that met them of the Florentine, Wherein the godhead thence transfigured lit All time for all men with the shadow of it? Ah, and these too felt on them as God’s grace The pity and glory of this man’s breathing face;

For these too, these my lovers, these my twain, Saw Dante, saw God visible by pain, With lips that thundered and with feet that trod Before men’s eyes incognisable God; Saw love and wrath and light and night and fire Live with one life and at one mouth respire, And in one golden sound their whole soul heard Sounding, one sweet immitigable word. They have the night, who had like us the day; We, whom day binds, shall have the night as they. We, from the fetters of the light unbound, Healed of our wound of living, shall sleep sound. All gifts but one the jealous God may keep From our soul’s longing, one he cannot—sleep. This, though he grudge all other grace to prayer, This grace his closed hand cannot choose but spare. This, though his ear be sealed to all that live, Be it lightly given or lothly, God must give. We, as the men whose name on earth is none, We too shall surely pass out of the sun; Out of the sound and eyeless light of things, Wide as the stretch of life’s time-wandering wings, Wide as the naked world and shadowless, And long-lived as the world’s own weariness. Us too, when all the fires of time are cold, The heights shall hide us and the depths shall hold. Us too, when all the tears of time are dry, The night shall lighten from her tearless eye. Blind is the day and eyeless all its light, But the large unbewildered eye of night

Hath sense and speculation; and the sheer Limitless length of lifeless life and clear, The timeless space wherein the brief worlds move Clothed with light life and fruitful with light love, With hopes that threaten, and with fears that cease, Past fear and hope, hath in it only peace. Yet of these lives inlaid with hopes and fears, Spun fine as fire and jewelled thick with tears, These lives made out of loves that long since were, Lives wrought as ours of earth and burning air, Fugitive flame, and water of secret springs, And clothed with joys and sorrows as with wings, Some yet are good, if aught be good, to save Some while from washing wreck and wrecking wave. Was such not theirs, the twain I take, and give Out of my life to make their dead life live Some days of mine, and blow my living breath Between dead lips forgotten even of death? So many and many of old have given my twain Love and live song and honey-hearted pain, Whose root is sweetness and whose fruit is sweet, So many and with such joy have tracked their feet, What should I do to follow? yet I too, I have the heart to follow, many or few Be the feet gone before me; for the way, Rose-red with remnant roses of the day Westward, and eastward white with stars that break, Between the green and foam is fair to take For any sail the sea-wind steers for me From morning into morning, sea to sea.

Tristram of Lyonesse: I. The Sailing of the Swallow

I.

THE SAILING OF THE SWALLOW.

About the middle music of the spring Came from the castled shore of Ireland's king A fair ship stoutly sailing, eastward bound And south by Wales and all its wonders round To the loud rocks and ringing reaches home That take the wild wrath of the Cornish foam, Past Lyonesse unswallowed of the tides And high Carlion that now the steep sea hides To the wind-hollowed heights and gusty bays Of sheer Tintagel, fair with famous days. Above the stem a gilded swallow shone, Wrought with straight wings and eyes of glittering stone As flying sunward oversea, to bear Green summer with it through the singing air. And on the deck between the rowers at dawn, As the bright sail with brightening wind was drawn, Sat with full face against the strengthening light Iseult, more fair than foam or dawn was white.

Her gaze was glad past love's own singing of, And her face lovely past desire of love. Past thought and speech her maiden motions were, And a more golden sunrise was her hair. The very veil of her bright flesh was made As of light woven and moonbeam-coloured shade More fine than moonbeams; white her eyelids shone As snow sun-stricken that endures the sun, And through their curled and coloured clouds of deep Luminous lashes thick as dreams in sleep Shone as the sea's depth swallowing up the sky's The springs of unimaginable eyes. As the wave's subtler emerald is pierced through With the utmost heaven's inextricable blue, And both are woven and molten in one sleight Of amorous colour and implicated light Under the golden guard and gaze of noon, So glowed their awless amorous plenilune, Azure and gold and ardent grey, made strange With fiery difference and deep interchange Inexplicable of glories multiform; Now as the sullen sapphire swells toward storm Foamless, their bitter beauty grew acold, And now afire with ardour of fine gold. Her flower-soft lips were meek and passionate, For love upon them like a shadow sate Patient, a foreseen vision of sweet things, A dream with eyes fast shut and plumeless wings That knew not what man's love or life should be, Nor had it sight nor heart to hope or see

What thing should come, but childlike satisfied Watched out its virgin vigil in soft pride And unkissed expectation; and the glad Clear cheeks and throat and tender temples had Such maiden heat as if a rose’s blood Beat in the live heart of a lily-bud. Between the small round breasts a white way led Heavenward, and from slight foot to slender head The whole fair body flower-like swayed and shone Moving, and what her light hand leant upon Grew blossom-scented: her warm arms began To round and ripen for delight of man That they should clasp and circle: her fresh hands, Like regent lilies of reflowering lands Whose vassal firstlings, crown and star and plume, Bow down to the empire of that sovereign bloom, Shone sceptreless, and from her face there went A silent light as of a God content; Save when, more swift and keen than love or shame, Some flash of blood, light as the laugh of flame, Broke it with sudden beam and shining speech, As dream by dream shot through her eyes, and each Outshone the last that lightened, and not one Showed her such things as should be borne and done. Though hard against her shone the sunlike face That in all change and wreck of time and place Should be the star of her sweet living soul. Nor had love made it as his written scroll For evil will and good to read in yet; But smooth and mighty, without scar or fret,

Fresh and high-lifted was the helmless brow As the oak-tree flower that tops the topmost bough, Ere it drop off before the perfect leaf; And nothing save his name he had of grief, The name his mother, dying as he was born, Made out of sorrow in very sorrow’s scorn, And set it on him smiling in her sight, Tristram; who now, clothed with sweet youth and might, As a glad witness wore that bitter name, The second symbol of the world for fame. Famous and full of fortune was his youth Ere the beard’s bloom had left his cheek unsmooth, And in his face a lordship of strong joy And height of heart no chance could curb or cloy Lightened, and all that warmed them at his eyes Loved them as larks that kindle as they rise Toward light they turn to music love the blue strong skies. So like the morning through the morning moved Tristram, a light to look on and be loved. Song sprang between his lips and hands, and shone Singing, and strengthened and sank down thereon As a bird settles to the second flight, Then from beneath his harping hands with might Leapt, and made way and had its fill and died, And all whose hearts were fed upon it sighed Silent, and in them all the fire of tears Burned as wine drunken not with lips but ears. And gazing on his fervent hands that made The might of music all their souls obeyed

With trembling strong subservience of delight, Full many a maid that had him once in sight Thought in the secret rapture of her heart In how dark onset had these hands borne part How oft, and were so young and sweet of skill; And those red lips whereon the song burned still, What words and cries of battle had they flung Athwart the swing and shriek of swords, so young; And eyes as glad as summer, what strange youth Fed them so full of happy heart and truth, That had seen sway from side to sundering side The steel flow of that terrible springtide That the moon rules not, but the fire and light Of men’s hearts mixed in the mid mirth of fight. Therefore the joy and love of him they had Made thought more amorous in them and more glad For his fame’s sake remembered, and his youth Gave his fame flowerlike fragrance and soft growth As of a rose requickening, when he stood Fair in their eye, a flower of faultless blood. And that sad queen to whom his life was death, A rose plucked forth of summer in mid breath, A star fall’n out of season in mid throe Of that life’s joy that makes the star’s life glow, Made their love sadder toward him and more strong. And in mid change of time and fight and song Chance cast him westward on the low sweet strand Where songs are sung of the old green Irish land, And the sky loves it, and the sea loves best, And as a bird is taken to man’s breast

The sweet-souled land where sorrow sweetest sings Is wrapt round with them as with hands and wings And taken to the sea’s heart as a flower. There in the luck and light of his good hour Came to the king’s court like a noteless man Tristram, and while some half a season ran Abode before him harping in his hall, And taught sweet craft of new things musical To the dear maiden mouth and innocent hands That for his sake are famous in all lands. Yet was not love between them, for their fate Lay wrapt in its appointed hour at wait, And had no flower to show yet, and no sting. But once being vexed with some past wound the king Bade give him comfort of sweet baths, and then Should Iseult watch him as his handmaiden, For his more honour in men’s sight, and ease The hurts he had with holy remedies Made by her mother’s magic in strange hours Out of live roots and life-compelling flowers. And finding by the wound’s shape in his side This was the knight by whom their strength had died And all their might in one man overthrown Had left their shame in sight of all men shown, She would have slain him swordless with his sword; Yet seemed he to her so great and fair a lord She heaved up hand and smote not; then said he, Laughing—‘What comfort shall this dead man be, Damsel? what hurt is for my blood to heal? But set your hand not near the toothèd steel

Lest the fang strike it.'—'Yea, the fang,' she said, 'Should it not sting the very serpent dead That stung mine uncle? for his slayer art thou, And half my mother's heart is bloodless now Through thee, that mad'st the veins of all her kin Bleed in his wounds whose veins through thee ran thin.' Yet thought she how their hot chief's violent heart Had flung the fierce word forth upon their part Which bade to battle the best knight that stood On Arthur's, and so dying of his wild mood Had set upon his conqueror's flesh the seal Of his mishallowed and anointed steel, Whereof the venom and enchanted might Made the sign burn here branded in her sight. These things she stood recasting, and her soul Subsiding till its wound of wrath were whole Grew smooth again, as thought still softening stole Through all its tempered passion; nor might hate Keep high the fire against him lit of late; But softly from his smiling sight she passed. And peace thereafter made between them fast Made peace between two kingdoms, when he went Home with hands reconciled and heart content, To bring fair truce 'twixt Cornwall's wild bright strand And the long wrangling wars of that loud land. And when full peace was struck betwixt them twain Forth must he fare by those green straits again, And bring back Iseult for a plighted bride And set to reign at Mark his uncle's side.

So now with feast made and all triumphs done They sailed between the moonfall and the sun Under the spent stars eastward; but the queen Out of wise heart and subtle love had seen Such things as might be, dark as in a glass, And lest some doom of these should come to pass Bethought her with her secret soul alone To work some charm for marriage unison And strike the heart of Iseult to her lord With power compulsive more than stroke of sword. Therefore with marvellous herbs and spells she wrought To win the very wonder of her thought, And brewed it with her secret hands and blest And drew and gave out of her secret breast To one her chosen and Iseult's handmaiden, Brangwain, and bade her hide from sight of men This marvel covered in a golden cup, So covering in her heart the counsel up As in the gold the wondrous wine lay close; And when the last shout with the last cup rose About the bride and bridegroom bound to bed, Then should this one word of her will be said To her new-married maiden child, that she Should drink with Mark this draught in unity, And no lip touch it for her sake but theirs: For with long love and consecrating prayers The wine was hallowed for their mouths to pledge; And if a drop fell from the beaker's edge

That drop should Iseult hold as dear as blood Shed from her mother's heart to do her good. And having drunk they twain should be one heart Who were one flesh till fleshly death should part— Death, who parts all. So Brangwain swore, and kept The hid thing by her while she waked or slept. And now they sat to see the sun again Whose light of eye had looked on no such twain Since Galahault in the rose-time of the year Brought Launcelot first to sight of Guenevere. And Tristram caught her changing eyes and said: 'As this day raises daylight from the dead Might not this face the life of a dead man?' And Iseult, gazing where the sea was wan Out of the sun's way, said: 'I pray you not Praise me, but tell me there in Camelot, Saving the queen, who hath most name of fair? I would I were a man and dwelling there, That I might win me better praise than yours, Even such as you have; for your praise endures, That with great deeds ye wring from mouths of men, But ours—for shame, where is it? Tell me then, Since woman may not wear a better here, Who of this praise hath most save Guenevere?' And Tristram, lightening with a laugh held in— 'Surely a little praise is this to win, A poor praise and a little! but of these Hapless, whom love serves only with bowed knees, Of such poor women fairer face hath none That lifts her eyes alive against the sun

Than Arthur's sister, whom the north seas call Mistress of isles; so yet majestical Above the crowns on younger heads she moves, Outlightening with her eyes our late-born loves.' 'Ah,' said Iseult, 'is she more tall than I? Look, I am tall;' and struck the mast hard by, With utmost upward reach of her bright hand; 'And look, fair lord, now, when I rise and stand, How high with feet unlifted I can touch Standing straight up; could this queen do thus much? Nay, over tall she must be then, like me; Less fair than lesser women. May this be, That still she stands the second stateliest there, So more than many so much younger fair, She, born when yet the king your lord was not, And has the third knight after Launcelot And after you to serve her? nay, sir, then God made her for a godlike sign to men.' 'Ay,' Tristram answered, 'for a sign, a sign— Would God it were not! for no planets shine With half such fearful forecast of men's fate As a fair face so more unfortunate.' Then with a smile that lit not on her brows But moved upon her red mouth tremulous Light as a sea-bird's motion oversea, 'Yea,' quoth Iseult, 'the happier hap for me, With no such face to bring men no such fate. Yet her might all we women born too late Praise for good hap, who so enskied above Not more in age excels us than man's love.'

There came a glooming light on Tristram's face Answering: 'God keep you better in his grace Than to sit down beside her in men's sight. For if men be not blind whom God gives light And lie not in whose lips he bids truth live, Great grief shall she be given, and greater give. For Merlin witnessed of her years ago That she should work woe and should suffer woe Beyond the race of women: and in truth Her face, a spell that knows nor age nor youth, Like youth being soft, and subtler-eyed than age, With lips that mock the doom her eyes presage, Hath on it such a light of cloud and fire, With charm and change of keen or dim desire, And over all a fearless look of fear Hung like a veil across its changing cheer, Made up of fierce foreknowledge and sharp scorn, That it were better she had not been born. For not love's self can help a face which hath Such insubmissive anguish of wan wrath, Blind prescience and self-contemptuous hate Of her own soul and heavy-footed fate, Writ broad upon its beauty: none the less Its fire of bright and burning bitterness Takes with as quick a flame the sense of men As any sunbeam, nor is quenched again With any drop of dewfall; yea, I think No herb of force or blood-compelling drink Would heal a heart that ever it made hot. Ay, and men too that greatly love her not,

Seeing the great love of her and Lamoracke, Make no great marvel, nor look strangely back When with his gaze about her she goes by Pale as a breathless and star-quickening sky Between moonrise and sunset, and moves out Clothed with the passion of his eyes about As night with all her stars, yet night is black; And she, clothed warm with love of Lamoracke, Girt with his worship as with girdling gold, Seems all at heart anhungered and acold, Seems sad at heart and loveless of the light, As night, star-clothed or naked, is but night.' And with her sweet eyes sunken, and the mirth Dead in their look as earth lies dead in earth That reigned on earth and triumphed, Iseult said: 'Is it her shame of something done and dead Or fear of something to be born and done That so in her soul's eye puts out the sun?' And Tristram answered: 'Surely, as I think, This gives her soul such bitterness to drink, The sin born blind, the sightless sin unknown, Wrought when the summer in her blood was blown But scarce aflower, and spring first flushed her will With bloom of dreams no fruitage should fulfil, When out of vision and desire was wrought The sudden sin that from the living thought Leaps a live deed and dies not: then there came On that blind sin swift eyesight like a flame Touching the dark to death, and made her mad With helpless knowledge that too late forbade

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