The Poems of Oscar Wilde

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THE POEMS OF OSCAR WILDE

THE POEMS OF OSCAR WILDE

Authorized Edition

Ravenna

Newdigate Prize Poem

RAVENNA Recited in the Sheldonian Theatre Oxford June 26th, 1878

TO MY FRIEND GEORGE FLEMING AUTHOR OF 'THE NILE NOVEL' AND 'MIRAGE'

Ravenna, March 1877 Oxford, March 1878

RAVENNA is included in this volume by permission of the owner of the copyright, Mr. Giles, bookseller, of Oxford, (successor to Messrs. Shrimpton), who still has some copies of the original edition.

RAVENNA

I

A ago I breathed the Italian air,— And yet, methinks this northern Spring is fair,— These fields made golden with the flower of March, The throstle singing on the feathered larch. The cawing rooks, the wood-doves fluttering by, The little clouds that race across the sky; And fair the violet's gentle drooping head, The primrose, pale for love uncomforted, The rose that burgeons on the climbing briar, The crocus-bed, (that seems a moon of fire Round-girdled with a purple marriage-ring); And all the flowers of our English Spring, Fond snowdrops, and the bright-starred daffodil. Up starts the lark beside the murmuring mill, And breaks the gossamer-threads of early dew; And down the river, like a flame of blue, Keen as an arrow flies the water-king, While the brown linnets in the greenwood sing. A year ago!—it seems a little time Since last I saw that lordly southern clime, Where flower and fruit to purple radiance blow, And like bright lamps the fabled apples glow. Full Spring it was—and by rich flowering vines, Dark olive-groves and noble forest-pines, I rode at will; the moist glad air was sweet, The white road rang beneath my horse's feet, And musing on Ravenna's ancient name, I watched the day till, marked with wounds of flame. The turquoise sky to burnished gold was turned.

O how my heart with boyish passion burned, When far away across the sedge and mere I saw that Holy City rising clear, Crowned with her crown of towers!—On and on I galloped, racing with the setting sun, And ere the crimson after-glow was passed, I stood within Ravenna's walls at last!

II

How strangely still! no sound of life or joy Startles the air; no laughing shepherd-boy Pipes on his reed, nor ever through the day Comes the glad sound of children at their play: O sad, and sweet, and silent! surely here A man might dwell apart from troublous fear, Watching the tide of seasons as they flow From amorous Spring to Winter's rain and snow, And have no thought of sorrow;—here, indeed, Are Lethe's waters, and that fatal weed Which makes a man forget his fatherland.

Ay! amid lotus-meadows dost thou stand, Like Proserpine, with poppy-laden head, Guarding the holy ashes of the dead. For though thy brood of warrior sons hath ceased, Thy noble dead are with thee!—they at least Are faithful to thine honour:—guard them well, O childless city! for a mighty spell, To wake men's hearts to dreams of things sublime, Are the lone tombs where rest the Great of Time.

III

Yon lonely pillar, rising on the plain, Marks where the bravest knight of France was slain,— The Prince of chivalry, the Lord of war, Gaston de Foix: for some untimely star Led him against thy city, and he fell, As falls some forest-lion fighting well. Taken from life while life and love were new, He lies beneath God's seamless veil of blue; Tall lance-like reeds wave sadly o'er his head, And oleanders bloom to deeper red, Where his bright youth flowed crimson on the ground.

Look farther north unto that broken mound,— There, prisoned now within a lordly tomb Raised by a daughter's hand, in lonely gloom, Huge-limbed Theodoric, the Gothic king, Sleeps after all his weary conquering. Time hath not spared his ruin,—wind and rain Have broken down his stronghold; and again We see that Death is mighty lord of all, And king and clown to ashen dust must fall.

Mighty indeed their glory! yet to me Barbaric king, or knight of chivalry, Or the great queen herself, were poor and vain, Beside the grave where Dante rests from pain. His gilded shrine lies open to the air; And cunning sculptor's hands have carven there The calm white brow, as calm as earliest morn, The eyes that flashed with passionate love and scorn, The lips that sang of Heaven and of Hell, The almond-face which Giotto drew so well, The weary face of Dante;—to this day, Here in his place of resting, far away From Arno's yellow waters, rushing down Through the wide bridges of that fairy town, Where the tall tower of Giotto seems to rise A marble lily under sapphire skies! Alas! my Dante! thou hast known the pain Of meaner lives,—the exile's galling chain, How steep the stairs within kings' houses are, And all the petty miseries which mar Man's nobler nature with the sense of wrong. Yet this dull world is grateful for thy song; Our nations do thee homage,—even she, That cruel queen of vine-clad Tuscany, Who bound with crown of thorns thy living brow, Hath decked thine empty tomb with laurels now, And begs in vain the ashes of her son.

O mightiest exile! all thy grief is done: Thy soul walks now beside thy Beatrice; Ravenna guards thine ashes: sleep in peace.

IV

How lone this palace is; how grey the walls! No minstrel now wakes echoes in these halls. The broken chain lies rusting on the door, And noisome weeds have split the marble floor: Here lurks the snake, and here the lizards run By the stone lions blinking in the sun. Byron dwelt here in love and revelry For two long years—a second Anthony, Who of the world another Actium made! Yet suffered not his royal soul to fade, Or lyre to break, or lance to grow less keen, 'Neath any wiles of an Egyptian queen. For from the East there came a mighty cry, And Greece stood up to fight for Liberty, And called him from Ravenna: never knight Rode forth more nobly to wild scenes of fight! None fell more bravely on ensanguined field, Borne like a Spartan back upon his shield! O Hellas! Hellas! in thine hour of pride, Thy day of might, remember him who died To wrest from off thy limbs the trammelling chain: O Salamis! O lone Platæan plain! O tossing waves of wild Eubœan sea! O wind-swept heights of lone Thermopylæ! He loved you well—ay, not alone in word, Who freely gave to thee his lyre and sword, Like Æschylos at well-fought Marathon:

And England, too, shall glory in her son, Her warrior-poet, first in song and fight. No longer now shall Slander's venomed spite Crawl like a snake across his perfect name, Or mar the lordly scutcheon of his fame.

For as the olive-garland of the race, Which lights with joy each eager runner's face, As the red cross which saveth men in war, As a flame-bearded beacon seen from far By mariners upon a storm-tossed sea,— Such was his love for Greece and Liberty!

Byron, thy crowns are ever fresh and green: Red leaves of rose from Sapphic Mitylene Shall bind thy brows; the myrtle blooms for thee, In hidden glades by lonely Castaly; The laurels wait thy coming: all are thine, And round thy head one perfect wreath will twine.

V

The pine-tops rocked before the evening breeze With the hoarse murmur of the wintry seas, And the tall stems were streaked with amber bright;— I wandered through the wood in wild delight, Some startled bird, with fluttering wings and fleet, Made snow of all the blossoms; at my feet, Like silver crowns, the pale narcissi lay, And small birds sang on every twining spray. O waving trees, O forest liberty! Within your haunts at least a man is free, And half forgets the weary world of strife: The blood flows hotter, and a sense of life Wakes i' the quickening veins, while once again The woods are filled with gods we fancied slain. Long time I watched, and surely hoped to see Some goat-foot Pan make merry minstrelsy Amid the reeds! some startled Dryad-maid In girlish flight! or lurking in the glade, The soft brown limbs, the wanton treacherous face Of woodland god! Queen Dian in the chase, White-limbed and terrible, with look of pride, And leash of boar-hounds leaping at her side! Or Hylas mirrored in the perfect stream.

O idle heart! O fond Hellenic dream! Ere long, with melancholy rise and swell, The evening chimes, the convent's vesper-bell, Struck on mine ears amid the amorous flowers. Alas! alas! these sweet and honied hours Had whelmed my heart like some encroaching sea, And drowned all thoughts of black Gethsemane.

VI

O lone Ravenna! many a tale is told Of thy great glories in the days of old: Two thousand years have passed since thou didst see Cæsar ride forth to royal victory. Mighty thy name when Rome's lean eagles flew From Britain's isles to far Euphrates blue; And of the peoples thou wast noble queen, Till in thy streets the Goth and Hun were seen. Discrowned by man, deserted by the sea, Thou sleepest, rocked in lonely misery! No longer now upon thy swelling tide, Pine-forest-like, thy myriad galleys ride! For where the brass-beaked ships were wont to float, The weary shepherd pipes his mournful note; And the white sheep are free to come and go Where Adria's purple waters used to flow.

O fair! O sad! O Queen uncomforted! In ruined loveliness thou liest dead, Alone of all thy sisters; for at last Italia's royal warrior hath passed Rome's lordliest entrance, and hath worn his crown In the high temples of the Eternal Town! The Palatine hath welcomed back her king, And with his name the seven mountains ring!

And Naples hath outlived her dream of pain, And mocks her tyrant! Venice lives again, New risen from the waters! and the cry Of Light and Truth, of Love and Liberty, Is heard in lordly Genoa, and where The marble spires of Milan wound the air, Rings from the Alps to the Sicilian shore, And Dante's dream is now a dream no more.

But thou, Ravenna, better loved than all, Thy ruined palaces are but a pall That hides thy fallen greatness! and thy name Burns like a grey and flickering candle-flame, Beneath the noonday splendour of the sun Of new Italia! for the night is done, The night of dark oppression, and the day Hath dawned in passionate splendour: far away The Austrian hounds are hunted from the land, Beyond those ice-crowned citadels which stand Girdling the plain of royal Lombardy, From the far West unto the Eastern sea.

I know, indeed, that sons of thine have died In Lissa's waters, by the mountain-side Of Aspromonte, on Novara's plain,— Nor have thy children died for thee in vain: And yet, methinks, thou hast not drunk this wine From grapes new-crushed of Liberty divine, Thou hast not followed that immortal Star Which leads the people forth to deeds of war. Weary of life, thou liest in silent sleep, As one who marks the lengthening shadows creep, Careless of all the hurrying hours that run, Mourning some day of glory, for the sun Of Freedom hath not shewn to thee his face, And thou hast caught no flambeau in the race.

Yet wake not from thy slumbers,—rest thee well, Amidst thy fields of amber asphodel, Thy lily-sprinkled meadows,—rest thee there, To mock all human greatness: who would dare To vent the paltry sorrows of his life Before thy ruins, or to praise the strife Of kings' ambition, and the barren pride Of warring nations! wert not thou the Bride Of the wild Lord of Adria's stormy sea! The Queen of double Empires! and to thee Were not the nations given as thy prey! And now—thy gates lie open night and day, The grass grows green on every tower and hall, The ghastly fig hath cleft thy bastioned wall; And where thy mailèd warriors stood at rest The midnight owl hath made her secret nest. O fallen! fallen! from thy high estate, O city trammelled in the toils of Fate, Doth nought remain of all thy glorious days, But a dull shield, a crown of withered bays!

Yet who beneath this night of wars and fears, From tranquil tower can watch the coming years; Who can foretell what joys the day shall bring, Or why before the dawn the linnets sing? Thou, even thou, mayst wake, as wakes the rose To crimson splendour from its grave of snows; As the rich corn-fields rise to red and gold From these brown lands, now stiff with Winter's cold; As from the storm-rack comes a perfect star!

O much-loved city! I have wandered far From the wave-circled islands of my home; Have seen the gloomy mystery of the Dome Rise slowly from the drear Campagna's way, Clothed in the royal purple of the day: I from the city of the violet crown Have watched the sun by Corinth's hill go down, And marked the 'myriad laughter' of the sea From starlit hills of flower-starred Arcady; Yet back to thee returns my perfect love, As to its forest-nest the evening dove.

O poet's city! one who scarce has seen Some twenty summers cast their doublets green, For Autumn's livery, would seek in vain To wake his lyre to sing a louder strain, Or tell thy days of glory;—poor indeed Is the low murmur of the shepherd's reed, Where the loud clarion's blast should shake the sky, And flame across the heavens! and to try Such lofty themes were folly: yet I know That never felt my heart a nobler glow Than when I woke the silence of thy street With clamorous trampling of my horse's feet, And saw the city which now I try to sing, After long days of weary travelling.

VII

Adieu, Ravenna! but a year ago, I stood and watched the crimson sunset glow From the lone chapel on thy marshy plain: The sky was as a shield that caught the stain Of blood and battle from the dying sun, And in the west the circling clouds had spun A royal robe, which some great God might wear, While into ocean-seas of purple air Sank the gold galley of the Lord of Light.

Yet here the gentle stillness of the night Brings back the swelling tide of memory, And wakes again my passionate love for thee: Now is the Spring of Love, yet soon will come On meadow and tree the Summer's lordly bloom; And soon the grass with brighter flowers will blow, And send up lilies for some boy to mow. Then before long the Summer's conqueror, Rich Autumn-time, the season's usurer, Will lend his hoarded gold to all the trees, And see it scattered by the spendthrift breeze; And after that the Winter cold and drear. So runs the perfect cycle of the year. And so from youth to manhood do we go, And fall to weary days and locks of snow. Love only knows no winter; never dies: Nor cares for frowning storms or leaden skies. And mine for thee shall never pass away, Though my weak lips may falter in my lay.

Adieu! Adieu! yon silent evening star, The night's ambassador, doth gleam afar, And bid the shepherd bring his flocks to fold. Perchance before our inland seas of gold Are garnered by the reapers into sheaves, Perchance before I see the Autumn leaves, I may behold thy city; and lay down Low at thy feet the poet's laurel crown.

Adieu! Adieu! yon silver lamp, the moon, Which turns our midnight into perfect noon, Doth surely light thy towers, guarding well Where Dante sleeps, where Byron loved to dwell.

Hélas!

POEMS

HÉLAS!

T drift with every passion till my soul Is a stringed lute on which all winds can play, Is it for this that I have given away Mine ancient wisdom, and austere control? Methinks my life is a twice-written scroll Scrawled over on some boyish holiday With idle songs for pipe and virelay, Which do but mar the secret of the whole. Surely there was a time I might have trod The sunlit heights, and from life's dissonance Struck one clear chord to reach the ears of God: Is that time dead? lo! with a little rod I did but touch the honey of romance— And must I lose a soul's inheritance?

Sonnet to Liberty

ELEUTHERIA

SONNET TO LIBERTY

N that I love thy children, whose dull eyes See nothing save their own unlovely woe, Whose minds know nothing, nothing care to know,— But that the roar of thy Democracies, Thy reigns of Terror, thy great Anarchies, Mirror my wildest passions like the sea And give my rage a brother2! Liberty! For this sake only do thy dissonant cries Delight my discreet soul, else might all kings By bloody knout or treacherous cannonades Rob nations of their rights inviolate And I remain unmoved—and yet, and yet, These Christs that die upon the barricades, God knows it I am with them, in some things.

Ave Imperatrix

AVE IMPERATRIX

S in this stormy Northern sea, Queen of these restless fields of tide, England! what shall men say of thee, Before whose feet the worlds divide?

The earth, a brittle globe of glass, Lies in the hollow of thy hand, And through its heart of crystal pass, Like shadows through a twilight land,

The spears of crimson-suited war, The long white-crested waves of fight, And all the deadly fires which are The torches of the lords of Night.

The yellow leopards, strained and lean, The treacherous Russian knows so well, With gaping blackened jaws are seen Leap through the hail of screaming shell.

The strong sea-lion of England's wars Hath left his sapphire cave of sea, To battle with the storm that mars The stars of England's chivalry.

The brazen-throated clarion blows Across the Pathan's reedy fen, And the high steeps of Indian snows Shake to the tread of armèd men.

And many an Afghan chief, who lies Beneath his cool pomegranate-trees, Clutches his sword in fierce surmise When on the mountain-side he sees

The fleet-foot Marri scout, who comes To tell how he hath heard afar The measured roll of English drums Beat at the gates of Kandahar.

For southern wind and east wind meet Where, girt and crowned by sword and fire, England with bare and bloody feet Climbs the steep road of wide empire.

O lonely Himalayan height, Grey pillar of the Indian sky, Where saw'st thou last in clanging flight Our wingèd dogs of Victory?

The almond-groves of Samarcand, Bokhara, where red lilies blow, And Oxus, by whose yellow sand The grave white-turbaned merchants go:

And on from thence to Ispahan, The gilded garden of the sun, Whence the long dusty caravan Brings cedar wood and vermilion;

And that dread city of Cabool Set at the mountain's scarpèd feet, Whose marble tanks are ever full With water for the noonday heat:

Where through the narrow straight Bazaar A little maid Circassian Is led, a present from the Czar Unto some old and bearded khan,—

Here have our wild war-eagles flown, And flapped wide wings in fiery fight; But the sad dove, that sits alone In England—she hath no delight.

In vain the laughing girl will lean To greet her love with love-lit eyes: Down in some treacherous black ravine, Clutching his flag, the dead boy lies.

And many a moon and sun will see The lingering wistful children wait To climb upon their father's knee; And in each house made desolate

Pale women who have lost their lord Will kiss the relics of the slain— Some tarnished epaulette—some sword— Poor toys to soothe such anguished pain.

For not in quiet English fields Are these, our brothers, lain to rest, Where we might deck their broken shields With all the flowers the dead love best.

For some are by the Delhi walls, And many in the Afghan land, And many where the Ganges falls Through seven mouths of shifting sand.

And some in Russian waters lie, And others in the seas which are The portals to the East, or by The wind-swept heights of Trafalgar.

O wandering graves! O restless sleep! O silence of the sunless day! O still ravine! O stormy deep! Give up your prey! Give up your prey!

And thou whose wounds are never healed, Whose weary race is never won, O Cromwell's England! must thou yield For every inch of ground a son?

Go! crown with thorns thy gold-crowned head, Change thy glad song to song of pain; Wind and wild wave have got thy dead, And will not yield them back again.

Wave and wild wind and foreign shore Possess the flower of English land— Lips that thy lips shall kiss no more, Hands that shall never clasp thy hand.

What profit now that we have bound The whole round world with nets of gold, If hidden in our heart is found The care that groweth never old?

What profit that our galleys ride, Pine-forest-like, on every main? Ruin and wreck are at our side, Grim warders of the House of pain.

Where are the brave, the strong, the fleet? Where is our English chivalry? Wild grasses are their burial-sheet, And sobbing waves their threnody.

O loved ones lying far away, What word of love can dead lips send! O wasted dust! O senseless clay! Is this the end! is this the end!

Peace, peace! we wrong the noble dead To vex their solemn slumber so; Though childless, and with thorn-crowned head, Up the steep road must England go,

Yet when this fiery web is spun, Her watchmen shall descry from far The young Republic like a sun Rise from these crimson seas of war.

To Milton

TO MILTON

M I think thy spirit hath passed away From these white cliffs and high-embattled towers; This gorgeous fiery-coloured world of ours Seems fallen into ashes dull and grey, And the age changed unto a mimic play Wherein we waste our else too-crowded hours: For all our pomp and pageantry and powers We are but fit to delve the common clay, Seeing this little isle on which we stand, This England, this sea-lion of the sea, By ignorant demagogues is held in fee, Who love her not: Dear God! is this the land Which bare a triple empire in her hand When Cromwell spake the word Democracy!

Louis Napoleon

LOUIS NAPOLEON

E of Austerlitz! where were thy wings When far away upon a barbarous strand, In fight unequal, by an obscure hand, Fell the last scion of thy brood of Kings!

Poor boy! thou shalt not flaunt thy cloak of red, Or ride in state through Paris in the van Of thy returning legions, but instead Thy mother France, free and republican,

Shall on thy dead and crownless forehead place The better laurels of a soldier's crown, That not dishonoured should thy soul go down To tell the mighty Sire of thy race

That France hath kissed the mouth of Liberty, And found it sweeter than his honied bees, And that the giant wave Democracy Breaks on the shores where Kings lay crouched at ease.

Sonnet on the Massacre of the Christians in Bulgaria

SONNET

on the Massacre of the Christians in Bulgaria

C, dost thou live indeed? or are thy bones Still straitened in their rock-hewn sepulchre? And was thy Rising only dreamed by Her Whose love of thee for all her sin atones? For here the air is horrid with men's groans, The priests who call upon thy name are slain, Dost thou not hear the bitter wail of pain From those whose children lie upon the stones? Come down, O Son of God! incestuous gloom Curtains the land, and through the starless night Over thy Cross a Crescent moon I see! If thou in very truth didst burst the tomb Come down, O Son of Man! and show thy might, Lest Mahomet be crowned instead of Thee!

Quantum Mutata

QUANTUM MUTATA

T was a time in Europe long ago When no man died for freedom anywhere, But England's lion leaping from its lair Laid hands on the oppressor! it was so While England could a great Republic show. Witness the men of Piedmont, chiefest care Of Cromwell, when with impotent despair The Pontiff in his painted portico Trembled before our stern ambassadors. How comes it then that from such high estate We have thus fallen, save that Luxury With barren merchandise piles up the gate Where noble thoughts and deeds should enter by: Else might we still be Milton's heritors.

Libertatis Sacra Fames

LIBERTATIS SACRA FAMES

A nurtured in democracy, And liking best that state republican Where every man is Kinglike and no man Is crowned above his fellows, yet I see, Spite of this modern fret for Liberty, Better the rule of One, whom all obey, Than to let clamorous demagogues betray Our freedom with the kiss of anarchy. Wherefore I love them not whose hands profane Plant the red flag upon the piled-up street For no right cause, beneath whose ignorant reign Arts, Culture, Reverence, Honour, all things fade, Save Treason and the dagger of her trade, Or Murder with his silent bloody feet.

Theoretikos

THEORETIKOS

T mighty empire hath but feet of clay: Of all its ancient chivalry and might Our little island is forsaken quite: Some enemy hath stolen its crown of bay, And from its hills that voice hath passed away Which spake of Freedom: O come out of it, Come out of it, my Soul, thou art not fit For this vile traffic-house, where day by day Wisdom and reverence are sold at mart, And the rude people rage with ignorant cries Against an heritage of centuries. It mars my calm: wherefore in dreams of Art And loftiest culture I would stand apart, Neither for God, nor for his enemies.

The Garden of Eros

THE GARDEN OF EROS

THE GARDEN OF EROS

I is full summer now, the heart of June, Not yet the sunburnt reapers are astir Upon the upland meadow where too soon Rich autumn time, the season's usurer, Will lend his hoarded gold to all the trees, And see his treasure scattered by the wild and spendthrift breeze.

Too soon indeed! yet here the daffodil, That love-child of the Spring, has lingered on To vex the rose with jealousy, and still The harebell spreads her azure pavilion, And like a strayed and wandering reveller Abandoned of its brothers, whom long since June's messenger

The missel-thrush has frighted from the glade, One pale narcissus loiters fearfully Close to a shadowy nook, where half afraid Of their own loveliness some violets lie That will not look the gold sun in the face For fear of too much splendour,—ah! methinks it is a place

Which should be trodden by Persephone When wearied of the flowerless fields of Dis! Or danced on by the lads of Arcady! The hidden secret of eternal bliss Known to the Grecian here a man might find, Ah! you and I may find it now if Love and Sleep be kind.

There are the flowers which mourning Herakles Strewed on the tomb of Hylas, columbine, Its white doves all a-flutter where the breeze Kissed them too harshly, the small celandine, That yellow-kirtled chorister of eve, And lilac lady's-smock,—but let them bloom alone, and leave

Yon spirèd hollyhock red-crocketed To sway its silent chimes, else must the bee, Its little bellringer, go seek instead Some other pleasaunce; the anemone That weeps at daybreak, like a silly girl Before her love, and hardly lets the butterflies unfurl

Their painted wings beside it,—bid it pine In pale virginity; the winter snow Will suit it better than those lips of thine Whose fires would but scorch it, rather go And pluck that amorous flower which blooms alone, Fed by the pander wind with dust of kisses not its own.

The trumpet-mouths of red convolvulus So dear to maidens, creamy meadow-sweet Whiter than Juno's throat and odorous As all Arabia, hyacinths the feet Of Huntress Dian would be loth to mar For any dappled fawn,—pluck these, and those fond flowers which are

Fairer than what Queen Venus trod upon Beneath the pines of Ida, eucharis, That morning star which does not dread the sun, And budding marjoram which but to kiss Would sweeten Cytheræa's lips and make Adonis jealous,—these for thy head,—and for thy girdle take

Yon curving spray of purple clematis Whose gorgeous dye outflames the Tyrian King, And foxgloves with their nodding chalices, But that one narciss which the startled Spring Let from her kirtle fall when first she heard In her own woods the wild tempestuous song of summer's bird,

Ah! leave it for a subtle memory Of those sweet tremulous days of rain and sun, When April laughed between her tears to see The early primrose with shy footsteps run From the gnarled oak-tree roots till all the wold, Spite of its brown and trampled leaves, grew bright with shimmering gold.

Nay, pluck it too, it is not half so sweet As thou thyself, my soul's idolatry! And when thou art a-wearied at thy feet Shall oxlips weave their brightest tapestry, For thee the woodbine shall forget its pride And veil its tangled whorls, and thou shalt walk on daisies pied.

And I will cut a reed by yonder spring And make the wood-gods jealous, and old Pan Wonder what young intruder dares to sing In these still haunts, where never foot of man Should tread at evening, lest he chance to spy The marble limbs of Artemis and all her company.

And I will tell thee why the jacinth wears Such dread embroidery of dolorous moan, And why the hapless nightingale forbears To sing her song at noon, but weeps alone When the fleet swallow sleeps, and rich men feast, And why the laurel trembles when she sees the lightening east.

And I will sing how sad Proserpina Unto a grave and gloomy Lord was wed, And lure the silver-breasted Helena Back from the lotus meadows of the dead, So shalt thou see that awful loveliness For which two mighty Hosts met fearfully in war's abyss!