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The House by the Lock

A. M. Williamson · 1906 · Free in the US

54,788 words · about 3 h 50 min to read

Period artwork: Interior of the Bodleian Library, 1845
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About this book

Author
A. M. Williamson
Language
English
Published
1906
Length
54,788 words · about 3 h 50 min
Sections
31 reader sections
Text
Digital text
Rights
Public domain in the United States

 

Contents (31)
  1. Front matter under 1 min
  2. Chapter I about 8 min
  3. Chapter II about 7 min
  4. Chapter III. about 6 min
  5. Chapter IV about 6 min
  6. Chapter V about 11 min
  7. Chapter VI. about 11 min
  8. Chapter VII about 5 min
  9. Chapter VIII about 6 min
  10. Chapter IX. about 6 min
  11. Chapter X. about 5 min
  12. Chapter XI about 12 min
  13. Chapter XII about 4 min
  14. Chapter XIII about 9 min
  15. Chapter XIV about 2 min
  16. Chapter XV about 5 min
  17. Chapter XVI about 6 min
  18. Chapter XVII about 11 min
  19. Chapter XVIII about 7 min
  20. Chapter XIX about 9 min
  21. Chapter XX about 15 min
  22. Chapter XXI about 9 min
  23. Chapter XXII about 3 min
  24. Chapter XXIII about 6 min
  25. Chapter XXIV about 5 min
  26. Chapter XXV about 5 min
  27. Chapter XXVI about 18 min
  28. Chapter XXVII about 5 min
  29. Chapter XXVIII about 6 min
  30. Chapter XXIX about 11 min
  31. Chapter XXX about 12 min

Continue:

Front matter

BY MRS. C. N. WILLIAMSON Co-author of "The Lightning Conductor," "My Lady Cinderella," etc.

NEW YORK B. W. DODGE AND COMPANY 1906

CONTENTS

Chapter I

CHAPTER I THE LADY IN THE STAGE BOX

Hullo, old chap! Who would ever have thought of seeing you here to-night? What's brought you back to civilisation again?"

I turned suddenly, surprised by the sound of a familiar voice in my ear. It was the night of Christmas Eve, and I was just entering the lobby of the St. James's, the first time, as it happened, I had seen the inside of a theatre for two years.

For the fraction of a moment I could not remember where I had known the man who addressed me so jovially. My way of knocking about the world brought me into contact with so many people that it was difficult to sort my gallery of faces, and keep each one mentally ticketed. But after a second or two of staring through that convenient medium, my monocle, I was able to place the man who had accosted me. He was a rich mining king from Colorado, by the name of Harvey Farnham, whom I had met in Denver, when I had been dawdling through America three or four years ago.

I pronounced his name with a certain self-satisfaction in having so readily recalled it, and we shook each other by the hand.

"What's brought me back to civilisation?" I echoed, lazily. "I really don't know–unless it was because I'd got tired of the other thing. Adventure–change–that's what I am in search of, my dear Farnham."

"And you come back here from service as war correspondent in Egypt (where I last read of you in the papers as having been carried down a cataract for twenty-six miles before a launch ran out and saved you) in the hope of finding 'adventure' in this workaday close of the nineteenth century? That's too good."

I laughed and shrugged my shoulders. "Yes; why not? Why should there not be as great a possibility of obtaining new sensations, or at least old ones in different form, in London as anywhere else?"

It did not occur to me, as I idly spoke the words, that I was uttering a prophecy.

"How is it," I went on rather curiously, "that you remembered me, 'honouring my draft on sight,' so to speak? It must be four years since that very jolly supper you gave me in Denver one night, and I fancy I have changed considerably since then."

Farnham smiled in his comical American way, which was a humorous sentence in itself.

"Well, I guess it's not so easy to forget a face like yours. You are a little browner, your eyes rather keener perhaps, your head held a bit higher, your shoulders broader and drawn back more like a soldier's than ever; but, so far as I can see, those are the only changes. You might easily have forgotten me, and I'm immensely flattered that you haven't. But the fact is, my dear boy, you are simply the most interesting man I ever came across, in my own country or any other. You've always seemed like a sort of hero of a tale of adventure to me; and, you see, one don't let a chap like that drop out of one's recollection. I've always eagerly followed your doings, so far as one could follow them in the newspapers, and I read your African book with the greatest interest; but somehow I never got to hear much personal gossip about you. Say, are you married or anything?"

"Many things, but not married," I returned. "I haven't had time to think of women. Besides, if I had, who would take me? No money, no prospects, a man who can't be happy for a fortnight in one place! What a life I should lead a woman!"

"Ah, that's one side of the picture, of course; but here's the other, as the world sees it. You're a sort of popular hero–African traveller, war correspondent, writer of books. Polar explorer, and I don't know what besides, though you can't yet be anywhere near thirty-five. You've got the figure of a soldier, and just the sort of dark, unreadable face that women rave about. What does money matter with a chap like that? Nothing. I wonder you've managed to escape the matchmaking mammas so long. They're quite as keen on a celebrity, in my country at least, as they are on a millionaire."

"Nevertheless, they have not given me much trouble," I said, smiling a little, however, at the remembrance of one or two amusing episodes which I had not the slightest intention of relating. "There, the way to the box-office is clear at last. Once that fat old man is out of the way, it will be my turn. Shall I get your stall for you, and so save time?"

"Yes, by all means, thank you. Are you alone, Stanton?"

"Quite alone. I'd almost forgotten what the theatre was like, and determined to come and refresh my memory."

"I'm by myself, too. Say, old man, would it be a liberty if I asked you to try and get stalls for us together?"

"Delighted, I'm sure," I answered, though, as a matter of fact, I was not quite certain whether I was telling the truth or not. Farnham had been well enough in Denver, but I did not know whether I should care to pass in his society a whole evening, which I had meant to be one of solitary enjoyment. However, he had left me nothing else to say, and I responded with what alacrity I could, little dreaming that my whole future was hanging on my words, and the result of my confab with the man in the box-office.

The play was a popular one, and perhaps on no night of the year, save Christmas Eve or some Lenten fast, could we have obtained two stalls side by side a few minutes before the ringing-up of the curtain. As it was, we were successful, and I walked into the theatre by the side of the tall, thin, smooth-faced American.

We sat down, in the third or fourth row of the stalls, and, as the orchestra had not yet come in, began to talk.

Farnham explained to me that he had "run over" to England on business, intending to sell a certain mine of his, which, though vastly profitable, was the one thing in which he had lost interest. The other mines in which he was part owner were situated in his own state, Colorado, while this particular one, the "Miss Cunningham," was in California, and he was tired of journeying to and fro.

"I've had a good offer," he said; "indeed, I'm visiting in the house of the man who has made it–a wonderful fellow, only one degree less interesting, perhaps, than you. His name is Carson Wildred. Did you ever hear of him?"

"No," I answered, though possibly not to know Mr. Carson Wildred was to argue myself unknown.

"He seems to have plenty of money," explained Farnham, "and though he's a newcomer in London, has got in with a number of good people. He has two houses, one in Sloane Street and one up the Thames, a queer, lonely old place, near Purley Lock, if you know where that is. I'm staying out there with him now, as it happens, though I can't say I'm as fond of the river as he is at this season. But when a few papers and a good round sum of money have changed hands, a couple of days or so from now, I shall bid Wildred and England au revoir. I expect to sail for America at the end of the week, and jolly lucky I think myself to have run up against you to-night."

Somehow, as he rattled on about his own affairs, my heart began to warm towards Farnham. He was not a particularly brilliant fellow, though a good business man; but he had such a whimsical face, with its bright eyes, its good-natured mouth, and its laughable, upturned nose! He was so frankly interested in life, so enthusiastic, so outspoken, so boyish in many of his ways, despite his forty years! I found myself almost inclined to be sorry that he was leaving England so soon.

"I should like you to meet Wildred," he went on. "I don't know whether you'd fancy him, but you couldn't help thinking his a remarkable personality. It would be interesting to see you two chaps together. He's at the theatre to-night, by the way, with some friends of his–rather swells. It was an old engagement, made before I went out to his house, but he had to keep it, of course. They'll be in that stage box over there, and as Wildred has been industriously raising my curiosity about the beauty of one of the ladies for the past few days, I concluded to drop in and take the only chance I was likely to get of a look at her. And mighty glad I am that I did so make up my mind, or I should have left England without clapping eyes on someone I'd rather see than all the professional beauties in London."

As he finished speaking the overture, which had now been on for some time, ceased, and the curtain went up on a very pretty bit of stage setting.

There was no curtain-raiser, and the first act was well constructed and interesting from the commencement. It was delightful to me to feel, as I did, that I was no longer blasé of town life, or the mimic life of the theatre, and I was inclined to resent the interruption when Farnham nudged me, whispering–

"There's Wildred and his friends just coming into the stage box. By Jove! what a pretty girl!"

I looked up, because I was sure the volatile American would give me no peace until I had done so; and then, having looked up, I promptly forgot the play and its dramatis personæ.

Two years I had spent in Africa and Egypt, and I had not seen many fair faces during that time of travel and campaigning. I was in a mood, therefore, to appreciate the delicate loveliness of English women; but, even had I been surfeited with beauty, my eyes would have lingered in a species of wonder on the girl just seating herself in a corner of the stage box. It is possible that I have seen other women as beautiful, many more classically perfect of feature, but never have I looked upon a face so radiant, so bewildering.

For the moment I scarcely glanced at the girl's companions, though I was vaguely conscious that there was an older woman, and that two men were taking chairs in the darker background of the box.

All the other figures on the stage and in the auditorium became meaningless for me. There was the dazzling girl in white, and, so far as I was concerned, no one else in the theatre.

The simple, snowy frock, without jewels or ornamentation of any kind, was the most becoming frame which could have been chosen for the picture. The oval face, with its pearly skin, its curved red lips, its starry, long-lashed eyes (which might have been brown or violet, so far as I could tell), and the aureole of waving, ruddy gold hair were all so vivid in their marvelous effect of colour, that the dead white gown set them off far more artistically than the most carefully-chosen tints could have done.

The girl could not, I thought, have been more than twenty, and every turn of the beautifully-poised little head, every dimpling smile, told that she was full of the joy of life.

"What do you think of Wildred?" whispered Farnham, his lazy American drawl waking me out of a dream.

I did not wish him to see how completely I had been absorbed, how foolishly I had lost my head, and therefore I turned my attention to the two men in the back of the box.

Chapter II

CHAPTER II THE MAN WITH THE PALE EYES

En passant, my eyes dwelt for an instant upon a stout woman of a certain age, whose figure was encased in a sort of armour of steel-grey satin and beads, and whose carefully-arranged head was adorned by a small tiara of diamonds, but they found no temptation to linger.

One of the men was old, grey-haired, and large of girth, with a huge expanse of snowy shirt, and a head guiltless of hair. The other was comparatively young, not many years past my own age, perhaps, and a curious thrill, which I could not myself have explained, passed through me as I looked, through half-shut eyes, at his face. Where had I seen it before? Or did it bear but a haunting resemblance to some other, painted on my memory's retina in lurid, yet partially obliterated, colours?

I had no doubt which of the two was Carson Wildred, Farnham's friend and host. What he had said of the man's personality assured me of his identity.

It was passing strange to me that I should be so strongly impressed by the feeling that I had seen the face before, under startling and disagreeable circumstances, and yet be unable to identify it. Something seemed to be lacking, or changed, which broke the chain of evidence in my mind. Surely I should have been able to remember that peculiar nose, with the flattened bridge, now presented to me in profile.

It would be a sign of a lacking bump of observation to have forgotten the angle of that protruding lower jaw, and the strong contrast between the almost copper-coloured skin, jet black hair, and large, brilliant blue eyes–so light as to appear almost white.

It was impossible, I told myself, that I had met the man before. His remarkable and uncommon cast of features had no niche in my recollection, and yet I knew that in some crucial moment I had looked into those pale and scintillating eyes.

A wave of repulsion swept over me. I could not remember when I had experienced two such keen emotions as my surprised admiration for the girl, and the dislike, almost amounting to disgust, which I felt for Farnham's friend, Carson Wildred. Something deeper than mere annoyance surged in my breast, that that dark personality should lurk so near to the spotless whiteness of the gauzy drapery, which vaguely seemed to me a part of the girl's self.

"Eh? What did you say? How do you like his looks? Peculiar face, isn't it?" queried Farnham, close to my ear.

"Yes, it is peculiar," I answered, mechanically, snatching at the phrase.

"And the girl! Isn't she something rather choice?"

"Very lovely. Who is she?"

"A Miss Karine Cunningham. Same name as the mine that Wildred is going to take off my hands. Merely a coincidence, but I fancy it influenced him in his wish to buy the property, perhaps. He is very much in love with the girl, and rich as he apparently is, she can more than match him, I should say. She's an orphan, whose father, though he came of what you English call a 'good family,' made his pile in trade; and Sir Walter Tressidy, who is in the box with his wife, was her guardian until she came of age, about a year ago. She still lives with them, and Lady Tressidy takes her about. All these things Wildred, who is never so happy as when he is talking of Miss Cunningham, has told me; so you see, I'm pretty well primed as to her antecedents, means, and so on. The girl has thirty thousand pounds a year if she has a penny. Whew! Only think what that means in American money. She could buy and sell me."

I might have truthfully replied that the young lady could have had me without either buying or selling, since–for the first time since my callow days–these few moments had taught me what it was to experience a wild quickening of the pulses under the casual glance of a woman's eyes.

She had seen me. So much satisfaction at least was mine. Wildred had doubtless pointed out his friend, and her gaze had passed on to me–drawn, perhaps, by the compelling magnetism of the strange new feeling which dominated me.

Wishing to avoid the appearance of rudeness, I would have looked away, but I found myself for an instant unable to do so. It was ridiculous to fancy it, and yet I could not help imagining that the girl's exquisite face lighted up with an expression akin to interest as her eyes rested upon mine.

It was for me a moment of intoxication, as I felt that those twin violet lakes received, full in their depths, the involuntary outpouring of my soul. A sensation as of being wrenched away from some safe mooring passed through me as she withdrew her gaze, and, turning her head, whispered to Lady Tressidy, who sat beside her. The latter then looked at me, and unhesitatingly put up her sparkling lorgnettes.

Farnham had not failed to observe this little pantomime, and was vastly amused thereby.

"This is what comes of being a celebrity!" he chuckled. "They've recognised you from the pictures that were in all the papers a couple of months ago, or perhaps by the photos that were published when your book came out."

"Nonsense!" I said, rather irritably. "They're only annoyed, perhaps, at our staring. Let's turn our attention to the stage."

I set the example which I recommended, but before doing so I gave myself the indulgence of one more lingering glance, and saw that Carson Wildred was eyeing me with undisguised interest.

Was I mistaken–was it only the faint emotion awakened by the mention of a name not quite unknown to the public–or did the man share in my half-recognition of him?

Whatever the feeling excited by the sound of my name or the sight of my face, it was certainly not a pleasant one. The one look I ventured showed me the pale eyes shadowed by a frown, and the gleam of white teeth as they gnawed the lower lip under the slight dark line of the moustache.

He had glanced from me to Farnham, and something in his look told me that, for a reason to me unfathomable, he was displeased at seeing us together.

At the end of the act we went out for a smoke and a breath of fresh air, and as we were returning we met Wildred near the stairway which, at the St. James's, leads to the boxes on one side of the house.

"I was looking for you," he said to Farnham, and the tones of the voice roused the same vague, unpleasant memories that the eyes had stirred.

"And we were just talking of you," Farnham annoyed me by retorting. "I should like to be the means of making you two known to each other. Of course, Wildred, you have heard all about Noel Stanton. This is actually he in the flesh, and he has been telling me that he believes he must have seen you somewhere before."

Mr. Wildred tossed away a cigarette, and followed it with his brilliant eyes. He was smiling, but his lips were tense, as his gaze came back to me.

"It is my misfortune," he said, "to be obliged to assure you that Mr. Stanton is mistaken. I know him as well as one can do without having met him, through his book, and a world-wide reputation, but beyond that I have not till now had the pleasure."

We looked into each other's eyes, and I knew the man lied, and that he hated me. But the mystery of his personality and my share in his past was as profound a mystery as before.

"Lady Tressidy sent me out particularly," he continued, "in quest of you both, having recognised Mr. Stanton from his numerous counterfeit presentments, and she hopes that you will come and be introduced to her and to Miss Cunningham in their box."

Farnham looked at me doubtfully, fearing perhaps that I would refuse. But, grudgingly as the message was evidently delivered by Wildred, I grasped at the opportunity it gave.

I should speak to Miss Cunningham. I should know her. I might dare to look at her, and I might touch her hand.

I have gone through some queer experiences in rather an eventful life, and have generally managed to keep a cool head in emergencies. But my head was not cool to-night. Everything was dark to me, except the one lovely face raised smilingly towards mine, as some murmured words of introduction were spoken in the box, a little later, giving me the right henceforth to claim Miss Cunningham as an acquaintance.

I suppose I answered coherently when Lady Tressidy addressed me, and talked without openly making an idiot of myself to Sir Walter. But I remember nothing of the conversation between the second and third acts, save the few words spoken by Miss Cunningham, and an invitation from Lady Tressidy to call on one of her "At Home" days.

After I had gratefully accepted, I turned to the girl.

"Lady Tressidy has said I may come and see her," I ventured. "Will you–may I hope to find you with her when I do?"

She looked up with a sudden, illumining smile that answered me. "Come soon," she returned. They were her last words for me that night, and they rang in my head as I left her, dizzy with the memory of her loveliness.

Chapter III.

CHAPTER III A DEAD MAN'S HAND

I had taken rooms temporarily at the Savoy Hotel, not knowing how long it might be ere I should be moved in spirit to desert London; and that night, instead of looking in at the club as I had meant, I went from the theatre straight to the hotel.

There was a fire burning in my room, and I drew up a chair before it to smoke an unlimited number of cigarettes, and to think of Karine Cunningham.

I had parted from Farnham outside the theatre, and had made an appointment to meet him next day at dinner, which he was to eat with me at my hotel.

I felt no inclination for bed, nor was I in the least sleepy, and yet, before an hour had passed, I must have fallen into a doze.

Suddenly I was awakened by the impression of having heard a sound. I looked round me, half dazed still from my dreams. The fire had died down, and I had left myself with no other light. Only a ruddy glow lingered on the hearth, and a small clock on the mantelpiece just above lightly chimed out the hour of two.

I must have dreamed the sound, I told myself, for all was silent in the sleeping hotel, and even the rattle of cabs outside was dulled. Still, the impression lingered, and I could hardly persuade myself that I had not heard Harvey Farnham's voice calling my name, and finishing with a gurgling, despairing cry for help, the horror of which had chilled the blood in my veins, even in my sleep.

Though the fire was dead, the room was still warm, and I hardly knew why I should be so cold. Nevertheless, I felt chilled to the bone, and I was glad enough to get into bed as quickly as I could. Several times I was on the point of falling asleep again, but, at just the critical point between reflectiveness and sinking into the soft depths of slumber, I waked with an almost convulsive start, and a remembrance of the cry I had heard or dreamed. I was sure it must have been the latter, although, I told myself, there might actually have been some fracas in the street which, in my sleep, I had confused with a dream of Harvey Farnham.

Resigning myself to wakefulness at last, I began to plan out the programme of the next week, and wonder how soon I might avail myself of Lady Tressidy's invitation to call. She was at home on Sundays informally, she had said, whenever she happened to be in town during the winter, though Thursday was her "day" during the season.

Now, the Thursday following would be Christmas Day (this most eventful night being Christmas Eve of last year), but I did not see why I might not look in for a few moments on the ensuing Sunday. It had only been because Sir Walter's affairs rendered a short stay in town necessary, that they were spending Christmas in Park Lane. They would probably go away in a few days, and I could not afford to lose my chance; for, though I had admired many women in my time, I had never yet seen one whom I wished to make my wife, until Karine Cunningham's lovely face had risen–fair and sweet as a new moon that mingled its silver with the rose of sunset–over my horizon.

I had laughed at men who gravely discussed the possibility of love at first sight, but now I began to realise, half shamefacedly, that it was not a thing to be convinced of through argument, but by thrilling, magical experience. I would have staked my life that Karine Cunningham's heart and mind were all that her face presaged of them, and I resolved that, if she were to be won, I would put my very life into the attempt to win her.

So thinking, and so resolving, I fell at last from waking dreams to sleeping ones, hoping dimly, as I slipped over the edge of realities, that they might be of Karine Cunningham. But they were not of her. Hardly had slumber got its hold upon me, when I saw myself by the river, looking down into a swiftly rushing tide. It seemed to be somewhere in the country, though I had little thought for my surroundings; and I was conscious that I was watching anxiously for the appearance of some object, whose nature I did not accurately know. It had been daylight in my vision at first–a cold, grey, wintry daylight–but suddenly night fell, with the rapidity that all changes come and go in dreamland, and the only light was a spot of phosphorescent radiance that lay just under the surface of the water, floating gradually down towards me. I knew, in my sleep, that my eyes were destined to behold some sight of horror, yet I was bound, in a species of frozen fascination, to the spot where I stood, forced to wait for the oncoming of the light and its revelation of mystery.

Slowly it was borne along with the tide, until, having reached a bend in the river opposite the spot where I was standing, it ceased to move. I stooped down and saw that the pale light shone forth from a great white diamond on the finger of a dead man's hand. The body was faintly and darkly outlined; even the floating arm might also have been a floating mass of blackened river weed; but the hand was white as alabaster, and as I bent over it, staring down, one of the fingers moved and beckoned. Then I woke with a loud cry–"Harvey Farnham!"

I had gone through a good many dangers in my roving life, and had passed through many a queer adventure, believing that I could still boast unshaken nerves. Neither was I used to dreaming, and the hours of sleep were usually for me a long and peaceful interval of complete unconsciousness.

Now, however, my forehead was damp with a cold sweat, and I could hardly shake off the horror of the vision. It was ridiculous, I said to myself, and yet, even with my eyes open, I could see the white awfulness of that dead finger, as it beckoned me, shining palely in the light of the diamond ring.

Exactly why I had shouted the name of Harvey Farnham as I waked, I could not understand, unless–with the odd "hang togetherativeness" of dreams–it was because I had happened to notice during the evening at the theatre that he still wore on the last finger of his left hand a very remarkable ring, which he had also worn, and of which he had told me the history, when we had met four years previously in America. I had thought it perhaps the very finest diamond I had ever seen in the possession of a private person, and he had mentioned that it had been taken from the first mine of which he had ever been the owner. He had had it for some years, and, having grown stouter meanwhile, the gold setting had cut rather deeply into the flesh of his finger.

He had laughingly alluded to this in Denver, saying that he had promised a pretty girl that she should have the stone when he should be obliged to have the ring cut off, and he meant to stick to it as long as he could. Except for the fact of having remarked that he still wore the ring, and that his finger looked as pinched as a woman's waist beneath its clasp, I could not in any way have described Harvey Farnham's hand. I had doubtless a general impression of its shape and contour in my mind, but I did not now recall that there had been any recognisable likeness between it and the dead hand my dream had shown me. Still, though I was able to give myself a perfectly rational explanation of the dream, and even of the impression of Farnham's voice earlier in the night, I could not shake off a curious and unpleasant sensation of there being some duty connected with the vision which I had left unperformed, or which was yet to be exacted of me in the future.

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