Front matter
LISA HENDERSON ies * i?
OVE
Queers, Class, and Cultural Production
Contents
Acknowledgments ix Introduction: Love and Money, Queerness and Class 1 1. The Class Character of Boys Don’t Cry 25 2. Queer Visibility and Social Class 31 3. Every Queer Thing We Know 60 4. Recognition: Queers, Class, and Dorothy Allison 70 5. Queer Relay 101 6. Plausible Optimism 129 Conclusion: A Cultural Politics of Love and Solidarity 155 Notes 169 References 179 Films 187 Television Programs 189 Index 191 About the Author 201
>> vii
ACKNOWLEDGMENTS
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