Terrortimes, Terrorscapes

Front matter

‘Terrortimes, errorscapes

‘Terrortimes, errorscapes

Continuities of Space, Time, and Memory in Twentieth-Century War and Genocide

PART 1. SPATIAL AND TEMPORAL CONTINUITIES l. Contested Spaces: Criminalization of Marginalized Communities

in Former Habsburg Lands in the First Half of the Twentieth Century:

The Case Study of Austrian Zigeuner (“Gypsies”) 39 Ursula K. Mindler-Steiner

Polish and German Jewish Survivors in the Recovered Territories

in Post- World War II Poland 70 Anna Cichopek-Gajraj

PART 2. STATES AND ACTORS States as Contributors to or Enablers of Violence: Colonial Thinking

Is Still with Us: Investigating the Colonial Record on the Occupation of Jambi and Rengat (1948-49) in the Indonesian War of Independence 97 Bart Luttikbuis

Asymmetric Power Relations: Jihad Made in Germany?

Creating Terrorscapes through German Undercover Intelligence Operations against Britain and Russia in Afghanistan, India, and Persia during the First World War: An Entangled History of Violence 116 Michael Mayer

Third-Party Actors and the Question of Genocide: Imperialism and the Question of Genocide in Colonial-Era Africa 134 Jason Bruner

Part 3. Imagination And Emotions

6. Utopian Ideologies and Their Limits: Private Lives in Wartime France: Desertion, Divorce, and Deprivation Rachel G. Fuchs

7. Emotion, Hope, Fear, and Belonging : Soviet Wartime Jazz: Propaganda and Popular Culture on the Eastern Front Benjamin Beresford

Part 4. Memory Continuities

8. Crafting the History of Terrortimes 1: Manufactured Memory: Crafting the Cult of the Great Patriotic War Yan Mann

9. Crafting the History of Terrortimes 2: Compartmentalized Memory: Coming to Terms with the Nazi Past and the Discourse on German Sufferings at the Turn of the Millennium Volker Benkert

10. Terrortimes in Transnational Perspective 1: Between National and European Memory? About Temporal and Spatial (Dis)Continuities in Post-1989 Dutch Memory Culture Ilse Raaijmakers

11. Terrortimes in Transnational Perspective 2: Remembering the Holocaust: Opportunities and Challenges Georgi Verbeeck

Epilogue

The Yardstick of History and the Measure of Redemption: Difficult Pasts in the United States and Germany Today Volker Benkert

About the Contributors

LZ,

EZ.

FIGURES

Map of Germany in 1936 3 Map of western Germany, Poland, and western USSR in the 1930s 5 “Gypsies” at forced labor in Oberwart, Austria 46 “Gypsies” at forced labor in Oberwart, Austria 46 “Gypsies” at forced labor in Oberwart, Austria 47 “Gypsies” at forced labor in Oberwart, Austria 47

“Instructions on the Deportation of the ‘Gypsies’ to Litzmannstadt,

30 October 1941” 50 Memorial Corridor at The National Memorial for Peace and Justice in Montgomery, Alabama 274 Memorial to the Murdered Jews of Europe, Berlin 275

TERRORTIMES AND TERRORSCAPES?

RETHINKING CONTINUITIES OF SPACE, TIME, AND MEMORY

VOLKER BENKERT AND MICHAEL MAYER

HE PRESENT EPOCH WILL PERHAPS BE ABOVE ALL THE EPOCH OF SPACE,

the French philosopher Michel Foucault stated in 1987. He added: “The anxi-

ety of our era has to do fundamentally with space, no doubt a great deal more than time.”' By privileging space over time — unthinkable for many historians who by definition considered time the most important variable — Foucault became an important voice of the so-called spatial turn in geography, social sciences, and history in the 1980s. The focus on space was also adopted by German historians, albeit with a little more caution. Reinhart Koselleck made the case in 1987 that 'space as well as time are, categorically speaking, part of the conditions of potential history.” * For Germans this connection seemed obvious: the German language even linguistically links space and time in the word Zeitraum (space of time). Following this line of thought, this volume argues that all history comes with a geography. A sense of space is inevitably linked to a sense of time.’ Such a sense of space is imagined and reimagined based on tangible materialities of geography whose intangible meanings change over time, interpreted and reinterpreted in myriad ways. Likewise, our sense of time is subject to similar imaginations based on past material and textual evidence coupled with new interpretations. Space and time are thus not a repository of the past that can be replayed at leisure but are reimagined every time we revisit the past. * Imagination also shapes our ability to remember or forget the past as individuals, communities, or nations. Memory isthusalive in the present as constructions of past time and space contracting toward the future with ever-new possibilities of imagination of space, time, and memory.” This book rests on an understanding of memory as highly dynamic and subject to societal negotiation of time and space, enabling many different readings about the possibilities of the past.‘ Investigating such continuities of ideas of space, time, and memory with respect to violence is at the heart of this volume.

The map in figure L.1 illustrates these continuities of notions of space, time, and memory. Printed for a Frankfurt-based shipping company, its representation of completed German highways versus those shown as under construction reveals that the map dates from 1936.” Although very much an object of everyday use, the map contains a host of clues to how its makers thought about space and national belonging. After all, German borders from before World War I are still indicated, and place-names are mostly rendered in the German form, sometimes with Polish names underneath. This kind of irredentism is not surprising for maps of the interwar period even before the Nazi takeover. Yet its owner— Wilhelm Benkert, grandfather of one of the authors of this chapter—felt the need to update the borders on the map. It is not difficult to imagine that the Wehrmacht soldier who first took part in the occupation of the Sudetenland and later marched into what remained of Czechoslovakia felt pride and glee as he redrew the borders to indicate the Anschluss of Austria in March 1938, the German dismantling of Czechoslovakia, and the forced cession of Memel from Lithuania in March 1939. The impromptu updates on the map seem to echo the triumphalist fanfare of Nazi propaganda. As if to give the new borders a sense of authenticity and permanence, he even used blue crayon to match the color of how borders were represented on the map. Still, the blue crayon cannot hide the fact that the map shows three versions of Germany while hiding another. The borders of Imperial Germany until 1918, the early Nazi state of 1936, and the soldier’s updates on Nazi expansions made under the threat of war until March 1939 are visible, while the memory of Weimar is erased. The stroke of the blue crayon also sought to erase the memory of Austria and Czechoslovakia. The curious overlap of different spatial imaginations of different Germanies corresponds with different temporalities of German history whose memory traces can still be found on the map.

If the blue crayon marked the annexations on the previous map in an improvised fashion, the map in figure I.2, from between March and September 1939, already incorporated these forced border changes at the time it was printed in 1939. The annexation of Austria, the establishment of the Protektorat Bohmen und Mihren, and the forced cession of Memel all blend into the German-dominated landmass indicated by the same color.* The borders of Imperial Germany are still marked, but they seem to matter only with respect to Poland, yet to be conquered. After the German invasion of Poland, Wilhelm Benkert also marked the new borders, first on the basis of the Molotov-Ribbentrop Pact of August 23, 1939, largely following the Vistula River.

L.1. Map of Germany in 1932, with new borders drawn. Source: Autoverkebr der Firma Carl Presser & Co.,

Maßstab 1: 1936 (Berlin: Druck und Verlag Stritzke & Rothe, 1936). Courtesy of Emily Vance.

Later he updated the map again, now in accordance with the German-Soviet Frontier Treaty of September 28, 1939, which also entailed a secret addendum concerning the borders, whose implications, however, became clear very rapidly. The “twin faces of totalitarianism” had carved up Poland,’ and not only did Wilhelm Benkert take part in the actual invasion, his markings on the map echo the very map used by the dictators. This goes to show how easily many ordinary Germans like Wilhelm Benkert adopted the regime's expansionist goals. Yet the map also reveals how quickly Nazi ideas of space sparked the imagination of ordinary Germans, even if they went well beyond the most irredentist notions of the borders of Imperial Germany still included on the map. Wilhelm Benkert’s blue crayon thus helped to create a Germany based solely on Nazi imaginings.” Finally, the maps updates suggest at least wholehearted agreement if not complicity, understood as “degrees of involvement, degrees of knowledge, degrees of intention, and degrees of agency," all of which apply to soldier decorated for his efforts during the campaign." Such complicity, however, stands in stark contrast to family lore that highlighted noninvolvement (he was not in the party, he was not a Nazi), blissful ignorance (he was a frontline soldier unaware of what was happening around him), lack of intention to go to war (he only signed up for the army because the family business went bankrupt during the Great Depression), and passivity (as a soldier in the Weimar Reichswehr, he could not vote and therefore had no part in the Nazi takeover). Memory and map thus seem to contradict each other. Entangled notions of space, time, and memory are imprinted on this map —a document whose abstract colors hide the violence behind it— and inform today's decisions to remember or forget. Taken together, personal photos of his time in the army, family lore, his service records, and the maps offer a mix of experience tainted by narrative repetition, selective archival material, and spatial visualizations that shape a contradictory historical record.” To explore such entangled notions with respect to violence is the purpose of this book.

TIME AND SPACE AS MODES OF HISTORICAL INQUIRY

Describing change over time is the historian’s creed, and arguing on the basis of historical evidence is the historian’s craft. Yet change over time is always related to place, space, and sources that cannot be interpreted outside of the context of their temporal, spatial, and social conception. Edward W. Soja, who in 1989 coined the term “spatial turn,’ added only seven years later: “Contemporary critical studies have experienced a significant spatial turn. In what may be seen as one of the most important intellectual and political developments in the late twentieth century, scholars have begun to interpret space and the spatiality of human life with the same critical insight and emphasis

I.2. Map of western Germany, Poland, and western USSR in the 19308. Source: Der Deutsche Osten und Polen,

Maßstab 1:2000000 (Bielefeld: Verlag von Velhagen & Klafing, 1939). Courtesy of Emily Vance.

that has traditionally been given to time and history on the one hand, and to social relations and society on the other.”

Exploring the connection between time and space, however, is not as new as the advocates of the spatial turn would have us believe. The German philosopher Georg Wilhelm Friedrich Hegel, for instance, asserted in 1830: “Ihe truth of space is time, and thus space becomes time; the transition to time is not made subjectively by us, but made by space itself. In pictorial thought, space and time are taken to be quite separate:

we have space and also time; philosophy rights against this also.”'* Martin Heidegger went even further than Hegel, arguing that space and time had to be thought of together in one “Zeit-Raum.””

Following Hegel, geographers and historians began studying the effects of geography on politics and international relations in the past and present around the turn of the twentieth century. This sudden relevance of space had much to do with the process of industrialization. Already at the end of the nineteenth century the world was interconnected through modern railways and telegraphs." The time needed for people and information to move across vast spatial distances was reduced considerably. In 1870 most parts of the world were connected by commercial telegraphy. ” Space and time seemed to contract, as much by means of faster travel as by means of quicker communication. People therefore observed what the anthropologist David Harvey called a “time-space compression.” The literary expression of this feeling is the obsession with temporality that can be observed in Marcel Proust’s A Ja recherche du temps perdu.”

The fact that space seemed to shrink throughout the nineteenth century had the effect that space was given more thought than before. Academics like the German geographer Friedrich Ratzel, the Swedish political scientist Rudolf Kjellén, and the American admiral Alfred Thayer Mahan began to study the effects of geography on politics and international relations as well as history. Their concepts can be subsumed under the term geopolitics, which was introduced by Rudolf Kjellén.” These theories were first tested on the periphery, in the colonies, the Middle East, and the Balkans, but in World War I these theories led to ethnic cleansing in large parts of Europe and from there beyond Europe. Ethnic cleansing as a geopolitical tool informed not only German fantasies of victory but also British, French, and Italian ideas about the actual postwar period.” Yet after the “golden age” of geopolitics in the 1920s and 1930s, the concept was heavily discredited by the National Socialist idea of Lebensraum and the unprecedented atrocities in its wake. Especially in Germany, historians lost interest in political developments linked to space, a development that was intensified by the shift to social sciences.**

The late 1980s saw a sudden renaissance of spatial concepts freed from their problematic geopolitical heritage. In 1991 the American literary critic Fredric Jameson wrote: “A certain spatial turn has often seemed to offer one of the more productive ways of distinguishing postmodernism from modernism proper.” How can this sudden renaissance be explained? Two factors seem crucial for an understanding of the comeback of space. One concerns the disappearance of borders, at least if seen through a European perspective. The fall of the Berlin Wall in 1989 was the most palpable event, inviting spectators to participate in physically destroying a border. The effect was surprising: when the Iron Curtain was finally lifted, people discovered the lost space in Eastern Europe, which for a long time had remained forgotten in the shadow of the border. Similarly, the process of European integration — only dimly reproduced by the

North American Free Trade Agreement (NAFTA) —following the inception of the Schengen Convention brought the elimination of border controls in parts of Europe from 1990 onward.** However, the dissolution of inner-European borders was paralleled by a stricter enforcement of European external frontiers — not always successfully, as the immigration wave of 2015 has shown, and surely not fairly, as the burden rests mostly on states bordering countries outside the European Union (EU ).” The dissolution of borders corresponded to the second factor, explaining the return of spatial approaches: historical inquiry changed to concentrate less on the nation-state and more on transnational and global history.” The nation-state, which since the nineteenth century had seemed the most important point of reference for historians, appeared fragile, even —in the case of the states of the EU— outdated; postnationalism reigned.” Only in recent years has nationalism regained strength through a host of populist movements in Europe and the United States, though scholarship so far seems to be very reluctant to focus on the national paradigm again.

Not only did borders seem to disappear from the 1980s on; apparently space itself also vanished due to the internet revolution. Comparable to the period around 1900 with its travel and communication advancements, another compression of time and space following the spread of global interconnectedness occurred. Space no longer mattered in Marshall McLuhan’s interconnected and real-time “global village.” Yet, analogous to the emergence of geopolitics at the beginning of the twentieth century, space also suddenly returned to the center of attention at the turn of the twenty-first century. Spatial concepts flooded social and cultural studies as well as geography and history.* In history, Karl Schlogel’s book Im Raume lesen especially popularized the “spatial turn” as much as it saw it from an ironic point of view.” Most importantly in this ebb and flow of space as a mode of inquiry, it seems that space cannot be disentangled from time. After all, history always “takes place.”

TERRORTIMES AND TERRORSCAPES: VIOLENGE, SPACE, TIME, AND MEMORY ASINTERWOVEN FABRICS

Adding to scholarship linking time and space, this volume suggests describing continuities of violence as overlapping fabrics woven together from notions of space, time, and memory. Such an approach helps us highlight continuities of violence and avoid describing violence as limited to a certain space and time. As Omer Bartov and Eric Weitz stress, regions of bloody conflict— żerrorscapes, as we call them in this volume— are larger and more ambiguous than clearly defined bloodlands.’* Similarly,

Jürgen Zimmerer has shown with respect to continuities between Germany colonial genocide and the Holocaust that terrortimes are longer and endowed with less clear temporal boundaries than common periodizations of war and peace suggest.” Our probe highlights such continuities, but as Thomas Kühne suggests, ambiguities and complexities are never far from such an endeavor. On continuities between Germany’s genocide of the Herero and Nama and the Holocaust, he warns that “instead of relying on vague, generalized and abstract concepts of colonialism and imperialism on the one hand, of the Holocaust, the Nazi empire, Nazi violence on the other, the diversity, shades, peculiarities and antagonisms of either case should be taken into account.” This, he continues, will “identify which part, type or aspect of colonialism or imperialism is linked to, or can be compared with, which part, type, or aspect of the Holocaust, the Nazi empire and Nazi violence.”** Memory, too, is woven into this fabric of notions of time and space, and here too complexities abound. As Georgi Verbeeck has shown with respect to Germany’s colonial genocide, Germans reflect on their colonial past very differently than other former colonial powers do, because Germany had already lost its colonies in the wake of World War I, and memories of the colonial space and time are overshadowed by the paradigm of coming to terms with the Holocaust and its European and midcentury locus.” Our probe shows that notions of time, space, and memory thus reinforce and mesh with each other, which leadsus to explore continuities rather than to accept neat categorizations of time and place in this volume.

Kühne’s reminder to not ignore complexity and ambiguity in exploring continuities is thus well taken, yet we argue that its complexity and ambiguity often strengthen such overlapping fabrics of time, place, and memory. Terrortimes and terrorscapes sometimes cloak violence by seemingly relegating it to a bloody but distant past or bloodlands far away. However problematic such constructions are, past terrortimes and distant terrorscapes can thus also serve to legitimize a hopefully more peaceful era and space, as the Holocaust, for example, serves as a “negative founding myth” for the EU and an argument for further European integration, hoping to immunize Europe against future violence.* If such myths stress a break with a violent past and a reimagination of space beyond bloodlands, reference to terrortimes and terrorscapes can also be used to incite new violence by stressing continuities of violence. In this reading, the here and now is hanging by the threads of long-worn memory fabrics calling for irredentism to restore old borders and past greatness. Violence is thus conceived by actors and states who imagine often contested and heterogeneous spaces to fit their ideology in order to envision an allegedly brighter future after its application. Facilitated by asymmetrical power relations and colonial powers, who as third parties played colonized groups off against each other, violence is then both gratuitous in the region and absent among those who hope to benefit from its use. These spatial notions are accompanied by ideas about the temporal use of violence allegedly becoming obsolete once the utopian vision, for example in its Nazi or Stalinist form, is reality. Even as such utopian visions crumble, echoes of terrortimes and terrorscapes reverberate back to us today, often altered or amplified by memory narratives. What emerges is an image of violence that must be thought of in thick yet flexible and fragile liaison to the space and time in which it is exercised and its overlapping, threaded, and torn relationship to memory. This volume probes these overlapping fabrics, following their threads and open seams to explore continuities in how communities understand violence spatially and temporally and how they remember the past to fit contemporary needs.

Understanding violence in this overlapping manner adds to scholarship that often has compartmentalized its study by wars, nations, theaters, dates, and atrocities. On the basis of diverse theories on violence, space, time, and memory, this volume identifies themes of violence that probe established spatial or temporal boundaries while also delineating dynamics common to diverse instances of violence in the twentieth century. These themes rest on spatial conceptions, states, and actors who envision and enforce these spaces; the imaginations and emotions with which they mobilize people; and the temporal and memory continuities that echo them. Linking themes to the texts included in this volume, each theme is then explored through the particular focus chosen by the contributors to this book.

THEORIES OF VIOLENCE: SPACE, TIME, AND MEMORY

This volume understands violence and nonviolence as situational options of human behavior embedded in overlapping temporal, spatial, and memory contexts.” Such violence-enabling situations have been theorized in a host of different ways, ranging from situations that normalize violence, processes of barbarization among perpetrators, and organizations spurring on violence, to affectual interactions driven by ideology and propaganda. Their underlying spatial, temporal, and memory connotations are what this volume hopes to investigate.

Reflecting on the situational metamorphosis of ordinary men into killers, Christopher Browning acquaints us with normal middle-aged policemen from Hamburg who became murderers when called upon to kill the Jews of Jozefow even though they had a credible chance to opt out.*° Worse still, among those few who refused to participate in their baptism of brutality in Józefów, some later changed their minds and accepted the horrific murders they committed as normal in that situation and that place. If situations change men in a short period of time, an encounter with violence over a longer period will also lead to barbarization of men who otherwise show no particular inclination to violence. Observing processes of barbarization of regular Wehrmacht soldiers — draftees with a propensity for or aversion to violence no different from those of average Germans— Omer Bartov argues that the war turned men “into both highly professional and determined soldiers, brutalized instruments of a barbarous policy, and devoted believers in a murderous ideology.” As such, the war “made the Wehrmacht into Adolf Hitler’s army, the Germans into Hitler’s people.’ # Enhancing this brutalization, organizations such as the Schutzstaffel (SS), the Einsatzgruppen, and the police battalions developed “an organizational culture of brutal attacks” that included torture and humiliation in their murderous task. This organizational culture strengthened unit cohesion, making skeptics overcome their reluctance and identify with the organization: goals and creating a comradeship among the murderers that caused “direct pleasure.” + Such group violence almost always takes on institutional forms, if only to condone and legitimize it, but Gewaltmassen (violent masses) can also have a more temporal character, for example in pogroms and lynch mobs.* Group members then derive self-assurance and pleasure from exercising violence, because membership serves both their professional goals of advancement and their personal goals of emotional belonging.** Such an attachment to a group can also be aroused by emotional investment in a cause. Belonging and fear of the "other, who is often ridiculed and denigrated while also being declared a powerful threat to the entire group, go hand in glove. Belonging and fear thus reinforce ideologies of hate often delivered by powerful propaganda.

Even if violence-inducing situations are triggered in very different ways, they are defined by the space in which they emerge. After all, ideology-driven utopian visions of space of the Nazi and Soviet persuasions created the “Bloodlands” that Timothy Snyder describes. As German soldiers set out to conquer the East, they brought with them ideas of geopolitics long harbored by German intellectuals, generals, and politicians. These ideas were grounded in the desire to reorder and homogenize the East. With the reconfiguring of space came notions about its inhabitants that ultimately led to genocide and mass murder, particularly of Jews and others deemed inferior. Joseph Stalin too had ideas about space and people. These ideas were not informed by race but by class and power, and they also led to horrific violence in the form of deliberate mass starvation and shootings in Ukraine and elsewhere on an unimaginable scale. “The bloodlands were where most of Europe’s Jews lived, where Hitler and Stalin’s imperial plans overlapped, where the Wehrmacht and the Red Army fought, and where the Soviet NKVD and the German SS concentrated their forces. ** Borderlands thus are often the place of interethnic coexistence or clashing conceptions of space and time and thus are particularly prone to violence.“

Ideas of space echo temporal conceptions of how this space was defined in the past as well as giving voice to utopian notions of future use. Violence becomes a means to redeem past claims to space as well as to realize future conquest. Theorizing temporal continuities of violence, some scholars have observed a decrease in violence due to the “civilizing processes” enabled through early modern state formation. In this reading “violence disappears, when the conditions that cause it (lust, want, aggression) disappear, as powerful states tame lust, decrease want, and sanction aggression.** Following Norbert Eliass lead, Heinrich Popitz also argues that violence will decrease. Though always a possible option of human behavior, intrinsically linked to power and thus needed for any societal organization, the increase in social and moral norms will help to bind the power of violence and channel it into acceptable norms.* The latest, and probably the most widely recognized, contribution to this school of thought comes from the American scholar Steven Pinker. Using a quote from Abraham Lincoln's first inaugural address in 1861, Pinker maintains that violence is not an innate condition of mankind but environmentally triggered. By training the equally situationally invoked “better angels of our nature, * like empathy, self-control, moral sense, and reason, we can contain violence.“ Past horrors can also have a civilizing character, as states renounce past violence on moral grounds as well as for strategic and diplomatic gain. Arguably, a nationalist backlash to justify and relativize German aggression in World War II would have eliminated all hopes for future unification of the two German states, which is why —except for the quickly defeated conservative position in the Historikerstreit — there was no concerted effort by German conservatives in this direction.” If those arguing in support of civilizing processes see the formation of the state coupled with an Enlightenment “humanitarian revolution’ in the eighteenth century or the strategic concerns of states as civilizing forces,” other scholars point to the state as the very catalyst for violence. After all, it was state violence that transformed the “short zoth century” into the “Age of Extremes. ** The crisis of the state gave way to historical processes that far from exercising civility resulted in a “century of genocide” in which “ideologies of race and nation, revolutionary regimes with vast utopian ambitions, [and] moments of crisis generated by war and domestic upheaval” spurred on unprecedented violence. The focus on nation-states, ideologies, and revolutions as modern phenomena has also suggested a particular connection between violence and modernity. Considering the “rationalizing, engineering tendency of modernity,’ grand social designs of racial and ethnic homogeneity become possible, especially if powered by science and enabled by modern bureaucracy.*

Spatial and temporal notions of violence are deeply ingrained in communicative and cultural memory and thus inform group and cultural identity.” Maurice Halbwachs points to the social construction of memory in interactions between members of a group linked to a specific place.” This social embeddedness validates individual experiences and adopts them into or rejects them from a diffuse canon of collective memory. Interwoven into the canon of collective memory are notions of time and place.

German collective memory on flight and expulsions, for example, favors memories of

German victimization over earlier memories of mass murder and genocide committed by Germans.” By the same token, in accounts of expellees collected by Theodor Schieder, a vaguely defined East emerged as the site of German collective martyrdom in which the wartime enemies easily morphed into new Cold War enemies. * In contrast to collective memory reliance on social negotiation of memory, cultural memory relies on the interpretations of elites in politics and culture, such as politicians, scholars, curators, editors, writers, and so forth. It also differs from collective memory in its mediation in texts, rituals, performances, and formalized language. * Not even the cultural formations representing an event as incomprehensible as the Holocaust have “avoided the pitfalls of routine reproduction and effortless consumption.” * Yet here too space and time are negotiated. Theodor Schieder, the aforementioned collector of accounts of expellees, who had previously advised the infamous Gauleiter Erich Koch on deportations of Poles and Jews after the German attack on Poland in 1939, carefully edited the accounts to highlight German victimization and renew claims to lost territories in the East. *

In this reading, violence triggered in a host of different situational contexts also has underlying notions of space, time, and memory, which together form a deep fabric of interwoven meanings difficult to disentangle.

THEMES AND TEXTS IN THIS VOLUME

Based on the conceptual framework linking notions of time, space, and memory, we developed nine general themes that help to explain why violence occurred or was stimulated in certain spaces at a given time. On the basis of these themes, which are open to further extension, we solicited articles grouped them into four categories. Ihe first section explores spatial and temporal continuities with a particular focus on the themes “Contested Spaces” and conflicts based on “Space and Ideas of National, Ethnic, or Religious Homogeneity.” Fears concerning territorial boundaries and identities are often stoked by states and actors, which informs the second section around the themes “States as Contributors to or Enablers of Violence, “Asymmetric Power Relations,” and “Ihird-Party Actors and the Question of Genocide” States and actors also fuel imagination and emotions, the focus of the third section, through “Utopian Ideologies and Their Limits” and “Emotion, Hope, Fear, and Belonging.” Memory of terrortimes sometimes triggers new terrortimes, which is why the fourth and last section is devoted to temporal and memory continuities and their impact on violence. This section revolves around the themes “Crafting the History of Terrortimes” and “Terrortimes in