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William Shakespeare · 1894 · Scanned text · Free in the US

381,043 words · about 26 h 41 min to read

Period artwork: Interior of the Bodleian Library, 1845
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Licence: PD · Library of Congress states the book is in the public domain and free to use and reuse (https://data.labs.loc.gov/digitized-books/README.html); published 1894, public domain asserted for the US only · Library of Congress, Selected Digitized Books (https://www.loc.gov/item/unk81046636); text via the Common Pile (CC BY 4.0 compilation, per-document rights preserved)

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About this book

Language
English
Published
1894
Length
381,043 words · about 26 h 41 min
Sections
161 reader sections
Text
Scanned text, read from page scans by OCR; may contain errors
Rights
Public domain in the United States

 

Contents (161)
  1. Front matter under 1 min
  2. Introduction about 4 min
  3. Scene I. London. The palace about 12 min
  4. Scene III. London. The palace about 11 min
  5. Scene I. Rochester. An inn yard. Enter a Carrier with a lantern in his hand about 4 min
  6. Scene II. The highwatj, near Gadshill. Enter Prince Henry and Poms about 54 min
  7. Act IV about 8 min
  8. Scene III. The rebel camp near Sh-e^osburi/. Enter Hotspur, Worcester, Douglas, and Vernon about 6 min
  9. Act V about 19 min
  10. Scene V. Another part of the field about 4 min
  11. Scene I. The same. Enter Lord Bardolph about 6 min
  12. Scene ii.J about 12 min
  13. Scene III. York. The Archbishop's palace about 4 min
  14. Scene I. London. A street about 35 min
  15. Scene II. Gloucestershire. Before Justice Shallow's house about 13 min
  16. Act IV about 13 min
  17. Scene III. Another part of the forest about 5 min
  18. Scene IV. Westminster. The Jerusalem Chamber about 4 min
  19. Scene v,^ about 10 min
  20. Scene I. Gloucestershire. Shallow's house. Enter Shallow, Falstaff, Bardolph, and about 3 min
  21. Scene II. Westminster. The palace. Enter ■\Vakwick and the Lokd Chief-Justice, meeting about 10 min
  22. Scene IV. London. A street about 1 min
  23. Scene V. A public place near Westminster Abbey about 8 min
  24. Prologue about 1 min
  25. Scene I about 3 min
  26. Scene II. Tlie same. Tlie Presence chamber about 24 min
  27. Scene III. London. Be/ore a tavern. Enter Pistol, Hostess, Nysi, Bakdolph, and Boy about 9 min
  28. Scene I. France. Before Harfleur about 1 min
  29. Scene II. The same. Enter Nym, Bardolph, Pistol, and Boy about 6 min
  30. Scene III. The same. Before the gates about 2 min
  31. Scene IV. The French King's palace. Enter Katharine and Alice about 1 min
  32. Scene v.1 KING HENRY V about 4 min
  33. Scene VI. The English camp in Picurdy. Enter Gower and Fluellen, meeting about 4 min
  34. Scene vii.] KING HENRY V about 10 min
  35. Scene I. The English camp at Acjincowt. Enter King Henry, Bedford, and Gloucester about 12 min
  36. Scene II. The French camp. Enter the Dauphin, Orleans, Rambures, and others about 8 min
  37. Scene IV. The field of battle about 1 min
  38. Scene vi.] about 12 min
  39. Scene VIII. Before Kinc, Hexky's pavilion. Enter Gower and Willi.\ms about 6 min
  40. Scene I. France. The English camp. Enter Fluellen and Gower about 5 min
  41. Scene ii. KINO HENRY V about 13 min
  42. Epilogue about 1 h 15 min
  43. Scene III. A room in Petkuchio's house. Enter Katharina and Gkumio about 8 min
  44. Scene IV. Padua. Before B.vptist.i's house. Enter Tranio, and the Pedant dressed like VrN-CEj\'TIO about 4 min
  45. Scene V. A public road. Enter Petruchio, Kathakina, Hortensio, and Servants about 20 min
  46. Scene I. Windsor. Before Page's house. Enter Justice Shallow, Slender, and Sib Hugh Evans about 11 min
  47. Scene III. A room in the Garter Inn. Enter Falstaff, Host, Bardolph, Nym, Pistol, and Robin about 4 min
  48. Scene IV. A room in Doctor Caius's house. Enter Mistress Quickly, Simple, and RUGBV about 6 min
  49. Scene I. Be/ore Page's Iwust. Enter Mistress Page, ivith a letter about 21 min
  50. Scene III. Afield near 'Windsor. Enter Caius and Rugby Cains. Jack Rugbj about 18 min
  51. Scene iv.) THE MERRY WIVES OF WINDSOR about 6 min
  52. Scene V. A room in the Garter Inn. Enter Falstaff ar'd Bardolph about 6 min
  53. Scene I. A street. Enter Mistress Page, Mistkess Quickly, and "William about 10 min
  54. Scene III. A room in the Garter Inn. Enter Host and Bardolph under 1 min
  55. Scene IV. A room in Ford's house about 3 min
  56. Scene V. A room in the Garter Inn. Enter Host and Simple about 4 min
  57. Scene i:.] TEE MEBRY WIVES OF WINDSOR about 4 min
  58. Scene III. A street leadinrf to the Park. Enter Mistress Page, Mistress Ford, ami DocTOit Caius about 1 min
  59. Scene IV. Windsor Park under 1 min
  60. Scene V. Another part of the Park. Enter Falstaff disguised as Jlerne about 12 min
  61. Scene I. Be/ore Lkonato's house. Bnter Lkonato, Hkro, and Bkatrick, «'/7/t (I Messenger about 12 min
  62. Scene II. A room in Leonato's house. Enter Leonato and Antonio, meeting about 1 min
  63. Scene III. The same. Enter Don John and Conrade about 3 min
  64. Scene I. A hall in Leonato's house. Enter Leonato, Antonio, Hero, Beatrice about 14 min
  65. Scene II. The same. Enter Don John and Borachio about 2 min
  66. Scene III. Leonato's orchard. Enter Benedick about 10 min
  67. Scene I. Leonato's garden. Enter Hero, Margaret, and Ursula about 4 min
  68. Scene II. A room in Leonato's house. Enter Don Pedro, Claudio, Benedick, and Leonato about 5 min
  69. Scene III. A street. Enter Dogberry andYERG^s with the Watch about 6 min
  70. Scene IV. Hbbo's apartment. Enter Hero, Margaret, and Ursula about 6 min
  71. Scene I. A church about 15 min
  72. ACT V. Scene I, Before Leonato's house about 13 min
  73. Scene II. Leonato's garden. Enter Benedick and Margaret, meeting about 1 min
  74. Scene iii.J Much ado about nothing about 4 min
  75. Scene IV. A room in Leonato's hoxise about 9 min
  76. Scene 1. Orchard of Oliver's house. Enter Orlando and Adam about 7 min
  77. Scene II. Laiun before the Duke's palace. Enter Celia and Rosalind about 19 min
  78. Scene III. Before Oliver's house. Enter Orlando and Adam, meeting about 3 min
  79. Scene IV. The Forest of Arden about 4 min
  80. Scene V. The Forest. Enter Amiens, Jaques, and others about 2 min
  81. Scene VI. Tlie forest. Enter Orlando and Adam about 1 min
  82. Scene VII. The forest about 7 min
  83. Scene I. A room in the palace. Enter Duke Frederick, Lords, and Oliver about 1 min
  84. Scene II. The forest. Enter Orlando, with a paper about 15 min
  85. Scene III. The forest. Enter Touchstone and Audrey ; Jaques behind about 4 min
  86. Scene IV. The forest. Enter Rosalind luid Cklia about 2 min
  87. Scene V. Another pm-t of the forest. Enter SiLVius and Phebe about 6 min
  88. Scene I. The forest. Enter Rosalind, Celia, and Jaques about 8 min
  89. Scene II. The forest. Enter JAciUES, Lords, and Foresters about 1 min
  90. Scene III. The forest. Enter Rosalind and Celia about 7 min
  91. Scene I. Tlte forest Enter Touchstone and Audeev about 2 min
  92. Scene II Tlie forest. Enter Orlando and Oliver about 5 min
  93. Scene III. The forest. Enter Tf)ucHS'i;oNE and Audrey about 13 min
  94. Scene I. 27ze Duke's poZoce about 4 min
  95. Scene III. Olivia's /io?<.se. Enter Sir Toby Belch and Mabia about 7 min
  96. Scene V. Olivia's Jionnc. Enter Maria and Clown about 12 min
  97. ACT II. =«>..,__ Scene I. The sea-coast. Enter Antonio and Sebasti.\n about 23 min
  98. Scene I. Olivia's c/arden. Enter Viol.v, and Clown with a tabor about 6 min
  99. Scene II. Olivia's house. Enter Sir Tobv, Sir Andrew, cmd Fabian about 3 min
  100. Scene III. A street^.. Enter Sebastian and Antonio about 2 min
  101. Scene IV. Ojavia's garden. Enter Olivia and Makia about 15 min
  102. Scene I. Before O^jvia's house. Enter Sebastian and Clown about 3 min
  103. Scene II. Olivia's house. Enter Maria and Clown about 39 min
  104. Scene III. The same. A street about 6 min
  105. Scene I. ACT II about 12 min
  106. Scene II. Ccesar's house about 5 min
  107. Scene III. A street near the Capitol. Enter Artemidorus, readimi a paper about 1 min
  108. Scene IV. Another part of the tame street, before the house of Brutus. Enter Pobtia and Lucius about 2 min
  109. Scene I. Rome. Before the Capitol ; the Senate sitting above about 25 min
  110. Scene II. Camn near Sardis. Be/ore Brutus' s tent under 1 min
  111. Scene iii.^ JULIUS C^SAR about 13 min
  112. Act V about 9 min
  113. Scene IV. Another part of the field about 1 min
  114. Scene V. Another part of the field. Enter Brutus, Dardanius, Clitus, Strato about 8 min
  115. Scene I. Elsinore. A platform before the castle about 6 min
  116. Scene II. A room of state in the castle about 1 h 29 min
  117. Scene III. Another room in the castle. Enter King, attended about 9 min
  118. Scene v.J about 13 min
  119. Scene I. A churchyard. Enter two Clowns, loith spades, &c about 59 min
  120. Scene II. Bousillon. The Count's palace. Enter Countess and Clown about 3 min
  121. Scene III. Pcwis. The King's palace. Enter Bertram, Lafeu, and Parolles about 11 min
  122. Scene IV. Paris. The Ki-sc's palace. Enter Helena and Clown about 2 min
  123. Scene V. Paris. TJie King's palace. Enter Lafeu and Bertram about 3 min
  124. Scene I. Florence. The Duke's palace about 22 min
  125. Scene II. Florence. The Widow's house. Enter Bertram and Diana about 3 min
  126. Scene III. Tlie Florentine camp about 13 min
  127. Scene IV. Florence. The Widow's house. Enter Helena, Widow, and Diana about 1 min
  128. Scene V. RousiUon. The Couj^t' spalacp. Enter Countess, Lafeu, and Clown about 24 min
  129. Scene I. An apartment in the Dvviv'iijxdacc. Enter Duke, Escalus, Lords and Attendauts about 15 min
  130. Act II about 18 min
  131. Scene III. A room in a prison about 2 min
  132. Scene IV. A room in Anoelo's lio-use. Enter Anoei.o about 7 min
  133. Scene I. A room in the prison. Enter Duke disguised as before, Claudio, and Provost about 20 min
  134. Act IV about 11 min
  135. Scene III. Another room in the same. Enter Pompey about 7 min
  136. Scene IV. A room in Angelo's house. Enter Angelo and Escalus about 1 min
  137. Scene V. Fields loithout the toiun. Enter Duke »i his own habit, and Friak Petes SoBNe i.l about 1 min
  138. Scene VI. Street near the city gate. Enter Isabella a7id Mariana about 1 min
  139. Scene I. The city gate about 25 min
  140. Act I about 5 min
  141. Scene II. The same. A street. Enter Cressida and Alexander about 11 min
  142. Scene III. The Grecian camp. Before Agamemnon's tent about 13 min
  143. Scene I. A part of the Grecian camp. Enter Ajax and Thersites about 12 min
  144. Scene III. The Grecian camp. Before Achilles' tent. Enter Thersites, solus about 34 min
  145. Scene I. Troy. A street about 3 min
  146. Scene II. The same. Court of Pandarus' house. Enter Troilus and Cressida about 33 min
  147. Scene III. Troy. Before Priam's palace. Enter Uecior and Andromache about 4 min
  148. Scene IV. Plains hetween Troy and the Grecian camp about 2 min
  149. Scene vii.] TROILUS AND CRESSIDA about 5 min
  150. Scene IX Another part of the plains under 1 min
  151. Scene X. Another part <f the plain.<. Enter JEskah. ami Trojans about 5 min
  152. Scene I. Venivv. A street. Enter Roderigo and Iago about 26 min
  153. Act II about 12 min
  154. Scene II. A street about 15 min
  155. Act III about 2 min
  156. Scene III. The garden of the castle. Enter Desdemona, Cassio, and Emilia about 18 min
  157. Scene IV. Before the castle. Enter Desdemona, Emilia, and Clown about 8 min
  158. Scene I. Cyirrus. Before the castle. Enter Othello arid Iago about 11 min
  159. Scene II. A room in the castle. Enter Othello and Emilia about 10 min
  160. Scene III. Another room in the castle. Enter Othello, Lodovico, Desdemona, Emilia, and Attendants about 4 min
  161. Scene I. Cyprus. A street. Enter Iago and Roderigo about 20 min

Continue:

Front matter

Book > \j ^

■A

JLf-

Introduction

The two parts of K'mg Henry IV- may be considered as one play in ten acts. It is probable that Shakespeare wenv on with little or no delay from the tirst part to its continuation in the second. Both were written before the entry ot llie lust in the Stationers' register, Feb. L'5, 15y7-y8 ; for the entry shows that the name of the tat knight, who originally appeared in both parts under the name of Oldcastle, had been already altered to Falstaft'. Meres makes mention of Htnry J V. .• and Ben Jonson, in Every Man Out of His Humour (1599), alludes to Justice Silence, one of the characters of the Second Part of Shakespeare's pl;'.y . The materials upon which Shakespeare worked in Henry IV. and Henry V. were obtained from Holinshed, and from an old play, full of vulgar mirth, and acted before 15N8, The Famous Victories of Henry V. Both parts of Henry I V. conaist ot a comedy and a history fused together. The hero of the one is the royal Bolingbroke, the hero of the other is Falstatf, while Prince Henry passes to and fro between the history and the comedy, servino- as the bond which unites the two. Henry IV. is the same Bolingbroke who had been so gre.otly conceived in Richard II. ; only he is no longer in the full force of his manhood. He is worn by care and toil, harassed by revolts and conspiracies, yet still resolved to hold hrmly what he has forcibly attained. There is a pathetic power in the tigure of this weary ambitious man, who can take no rest until the rest of death comes upon him.

Hotspur, who, to bring him into contrast with the Prince is made much younger than the Harry Percy ot history, is a-s ardent in the pursuit of glory as the Prince seems to be indifferent to it. To his hot temper aaid quick sense of personal honor small matters are great ; he does not see things in their true proportions ; he lacks self-control, he has no easiness of nature. Yet he is gallant, chivalrous, not devoid of generosity nor of quick affections, though never in a high sense disinteiested. Prince Hal, whom Shakespeare admires and loves more than any other person in English histoiy, afterwards to become Shakespeare's ideal king of England, rares little for mere reputation. He does not think much of himself and of his own honor; and while there is nothing to do, and his great father holds .ill power in his own right hand, he escapes from the cold proprieties of the court to the boisterous life and mirth of the tavern. He is, however, onb waiting for a call to action, and ShakesJ)eare declares that from the first he was conscious of hisgrea*: destiny, and while seeniinLC to scr-tter his force in frivolity, was holding his true self, welguarded .in reserve Falstaff is everything in little, or rather everything in inncli ; tor is ha not a tun of tiesh? English literature knows no numorous creation to set beside Falstaff; and to find his equal—yet his opposite— we must turn to tlie gaunt llgure of the romantic knight of LaMancha, in whose person Cc antes smiled away pathetically the chivalry of the :\Iiddle Ages from out our modem world. Falstaff exercises upon the reader of these play.s much the same fascination which he exercised upon ihe Prince. We know him to be a gross-bodied, self-indulgent old sinner, devoid of moral sense and of self-respect, and yet we cannot part with him. We cannot live in this world withcit humor, and Falstaff is humor maintaining its mastery against all antagonisms. W^e admit, however, the necessity of his utter banishment from Uenry, when Henry enters upon the grave responsibilifes of kingship. Still we have a tender thought for Sir John iii his exile from London taverns. And at the last, when he fumbles with the sheets and plays with flowers, when " a' went away, an it had been any christom child," we bid him adieu with a tear that does not forbid a smile, Ihe historical period represented bv 1 Henry /K. dates from the battle of Holmedon Hill, Sept. 14 1402, to the battle of Shrewsbury, July 21, 1403. 2 Henry IV, continues the history to the king', death ajwi the accession of Henry V., 1413.

DRAMATIS PERSONS.

Kino Henry the Fourth.

Henry, Prince of Wales, | 4. ^.i tt-

.lOHN of Lancaster, } ''""^ ^ "^^ King,

Earl ob' Westmoreland.

Sir Walter Blttnt.

Thomas Percy, Earl of Worcester.

Henky Percy, Earl of Northumberland.

Henry Percy, snrnamed Hotspttr, his sod Edmund Mortimer, Earl of March, Ricii.\RD Scroop, Archbishop of York. Arciiip.ald, Earl of Douglas. Owen Glendower, Sir Richard Vernon, Sir John Falstaff.

KING HENRY TV. PART I.

[Act I.

Sir Michael, a friend to the Archbishop of York.

POINS.

Gadshill.

Peto.

Bardolph.

Lauy Percy, wife to Hotspur, and sister to Mortimer.

Lady Mortimer, daughter to Glendower,

and wife to Mortimer.

Mistress Quickly, liostess of a tavern in

Eastcheap.

Lords, Officers, Sheriff, Vintuer, Chamberlain, Drawers, two Carriers, Travellers, and Attendants.

Scene : England.

Scene I. London. The palace

Enter King Henry, Lord John of Lancaster, the Earl of Westmoreland, Sir Walter Blunt, and others.

King. So shaken as we are, so wan with

care, Find we a time for frighted peace to pant. And breathe short-winded accents of new

broils To be commenced in strands afar remote. •fNo more the tbirsty entrance of this soil Shall daub her lips with her own children's

blood ; Nor more shall trenching war channel her

fields, Nor bruise her flowerets with the armed hoofs Of hostile paces : those opposed eyes, Which, like the meteors of a troubled heaven. All of one nature, of oue substance bred, 11 Did lately meet in the intestine shock Aud furious close of civil butchery Shall now, in mutual well-beseeming rauks, March all oue way and be no more opposed Against acquaintance, kindred and allies : The edge of war, like an ill-sheathed knife. No more shall cut his master. Therefore,

friends.

As far as to the sepulchre of Christ, Whose soldier now, under whose blessed cross We are impressed and engaged to fight, 21 Forthwith a power of English shall we levy ; Whose arms were moulded in their mothers'

womb To chase tnese pagans in those holy fields Over whose acres walk'd those blessed feet Which fourteen hundred years ago were nail'd For our advantage on the bitter cross. But this our purpose now is twelve month old, And bootless 'tis to tell you we will go : Therefore we meet not now. Then let me hear Of you, my gentle cousin Westmoreland, 31 What yesternight our council did decree In forwarding this dear expedience.

West. My liege, this haste was hot m question.

And many limits of the charge set down But yesternight : when all athwart there came A post from Wales loaden with heavy news ; Whose worst was, that the noble Mortimer, Leading the men of Herefordshire to fight Against the irregular aud wild Gleudower. 40

Was by the rude hands of that Welshman

taken, A thousand of his people butchered ; Upon whose dead corpse there was such misuse.

Such beastly shameless transformation, By those Welshwomen done as may not be Without much shame retold or spoken of. King. It seems then that the tidings of this

broil Brake off our business for the Holy Land. West. This match' d with other did, my

gracious lord ; For more uneven and unwelcome news 50 Came from the north and thus it did import : On Holy-rood day, the gallant Hotspur there, Young Harry Percy and brave Archibald, That ever-valiant and approved Scot, At Holmedon met.

Where they did spend a sad and bloody hour, As by discharge of their artillery. And shape of likelihood, the news was told ; For he that brought them, in the very heat And pride of their contention did take horse, Uncertain of the issue any way. (31

. King. Here is a dear, a true industrious

friend, Sir Walter Blunt, new lighted from his horse, Stain'd with the variation of each soil Betwixt that Holmedon and this seat of ours ; Aud he hath brought us smooth and welcome

news.

The Earl of Douglas is discomfited : Ten thousand bold Scots, two and twenty

knights, Balk'd in their own blood did Sir Walter see On Holmedon' s plains. Of prisoners, Hotsijur

took 70

Mordake the Earl of Fife, aud eldest son To beaten Douglas ; and the Earl of Athol, Of Murray, Angus, aud Menteith : And is not this an honorable spoil ? A gallant prize ? ha, cousin, is it not ?

West. In faith.

It is a conquest for a prince to boast of. King. Yea, there thou makest me sad and

makest me sin In envy that my Lord Northumberland Should be the father to so blest a son, 80

A son who is the theme of honor's tongue ; Amongst a grove, the very straightest plant ; Who is sweet Fortune's minion and iier pride : Whilst I, by looking on the ju-aise of him. See riot and dishonor stain the brow

KING HENRY IV. PART I.

Of my young Harry. O that it could be proved That some night-tripping fairy had exchanged In cradle-clothes our children where they laj', And cail'd mine Percy, his Plantagenet ! Then would I have his Harry, and he mine. IK) JJut let him from my thoughts. What think

you, coz, Of this young Percy's pride ? the prisoners, Wliic'.'. he in this adventure hath surprised, To his: own use he keeps ; and sends me word, I shall have none hut Mordake Earl of Fife. West. This is his uncle's teaching ; this is

Worcester, Malevolent to you in all aspects ; Which makes him prune himself, and bristle

lip Tlie crest of youth agahist your dignity.

Kilt'/. But I liave sent for him to answer this ; 100

And for this cause awhile we must neglect Our holy purpose to Jerusalem. Cousin, on Wednesday next our council we Will hold at Windsor ; so inform the lords : But come yourself with sjieed to us again ; For more is to be said and to be done Than out of anger can be uttered.

West. I will, my liege. [Exeunt.

ScENBlI. London. An apartment of the Prince's.

Eater the Prince of Wales and Falstaff.

Fal. Now, Hal, what time of day is it, lad?

Prince. Thou art so fat-witied, with drinking of old sack and unbuttoning tliee after sup|)er and sleeping uiion benches after noon, that thou hast forgotten to demand that truly which thou wouldst truly know. What a devil hast thou to do with the time of the day ? Unless hours were cups of sack and minutes capons and clocks the tongues of bawds and dials the signs of leaping-houses and the blessed sun himself a fair hot wench in flame-colored taffeta, I see no reason why thou shouldst be so superfluous to demand the time of the day.

Fal. Indeed, you come near me now, Hal ; for we that take purses go by the moon and the seven stars, and not by Phoibus, he, ' that wanderi':'! knight so fair.' And, I prithee, sweet wa,;, when thou art king, as, God save thy grace, — majesty I should say, for grace thou wilt have none, — 20

Prince. What, none ?

Fal. No, by my troth, not so much as will serve to be prologue to an egg and butter.

Prince. Well, how then ? come, roundly, roundly.

Fal. Marry, then, sweet wag, when thou art king, let not us that are squires of tlie night's body be called thieves of the day's beauty : let us be Diana's forestei's, gentienien of the shade, minions of the moon ; and let men say we be men of good government, being governed, as the sea is, by our noble and chaste mistress the moon, under whose countenance we steal

Prince. Thou saycst well, and it holds well too ; for the fortune of us that are the moon's men doth ebb and flow like the sea, being governed, as the sea is, by the moon. As, for proof, now : a purse of gold most resolutely snatched on Monday night and most disscilutely spent on Tuesday morning ; got witli swearing ' Lay by ' and spent with crying ' Bring in ; ' now in as low an ebb as the foot of the ladder and by and by in as high a flow as the ridge of the gallows.

Fal. By the Lord, thou sayest true, lad. And is not my hostess of the tavern a most sweet wench ?

Prince. As the honey of Hybla, mj^ old lad of the castle. And is not a buff jerkin a most sweet robe of durance ? 49

Fat. How now, how now, mad wag ! what, in thy quii^s and thy quiddities ? what a plague have I to do with a buff jerkin ?

Prince. Why, what a pox have I to do witli my hostess of the tavern ?

Fal. Well, thou hast called her to a reckoning many a time and oft.

Prince. Did I ever call for thee to pay thy part ?

Fal. No ; I'll give thee thy due, thou hast

paid all there. (iO

Prince. Yea,, and elsewhere, so far as my

coin would stretch ; and where it would not, I

have used my credit.

Fal. Yea, and so u.sed it that, were it not here apparent that thou art heir a])parent— But, I prithee, sweet wag, shall there be gallows standing in England when thou art king? and resolution tlius foblied as it is with the rusty curb of old father antic the law ? Do not thou, when thou art king, hang a thief. 70 Prince. No ; thou shalt.

Fal. Shall I ? O rare ! By the Lord, I'll be a brave judge.

Prince. Thou judgest false already : I mean, thou shalt have the hanging of the thieves and so become a rare hangman.

Fal. Well, Hal, well ; and in some sort it jumps with my humor as well as waiting in the court, I can tell you.

Prince. For obtaining of suits ? 80

Fal. Yea, for obtaining of suits, whereof the hangman hath no lean wardrobe. 'Sblood, I am as melancholy as a gib cat or a lugged bear.

Prince. Or an old lion, or a lover's lute. Fal. Yea, or the drone of a Lincolnshire bagpipe.

Prince. What sayest thou to a hare, or the melancholy of Moor-ditch ?

Fal. Thou hast the most unsavory similes and art indeed the most comparative, rascallicst, sweet young jtrince. But, Hal, I prithee, troulile nic no more with vanity. I would to (Jod thou and I knew where a commodity of good names were to be bouglit. An old lord of the council rated me the other day in the street about you, sir, but I marked him not ; and yet he talked very wisely, but I regarded 25

KING HENRY IV. PART I.

[Act I,

Him not ; and yet he talked wisely, and in tlie street too.

Prince. Thou didst well ; for wisdom cries out in the streets, aud no man regards it. 100

Fal. O, thou hast damnable iteration aud art indeed able to corrupt a saint. Thou hast done much harm upon me, Hal ; God forgive thee for it ! Before I knew thee, Hal, I knew nothing ; and now ami, if a man should speak truly, little better tluvu oue of the wicked. I must gis'e over this life, and I will give it over: by the Lord, and I do not, I am a villain : I'll be damned for never a king's sou in Christeudom.

Prince. Where shall we take a purse to-morrow, Jack ? Ill

Fal. 'Zounds, where thou wilt, lad ; I'll make one ; an I do not, call me villain aud baffle me.

Prince. I see a good amendment of life in thee ; from praying to purse-taking.

Fal. Why, Hal, 'tis my vocation, Hal ; 'tis no sin for a man to labor in his vocation.

Enter Poins.

Poins ! Now shall we know if Gadshill have set a match. O, if men were to be saved by merit, what hole in hell were hot enough for him ? This is the mo.st omnipotent villain that ever cried ' Stand ' to a true man.

Prince. Good morrow, Ned.

Poins. Good morrow, sweet Hal. What says Monsieur Remorse ? what says Sir John Sack and Sugar ? Jack ! how agrees the devil and thee about thy soul, that thou soldest him on Good-Friday last for a cup of Madeira and a cold capon's leg V 129

Prince. Sir John stands to his word, the devil shall have his bargain ; for he was never yet a breaker of proverbs : he will give the devil his due.

Poins. Then art thou damned for keeping thy word with the devil.

Prince. Else he had been damned for cozening the devil.

Poms. But, my lads, my lads, to-morrow morning, by four o'clock, early at Gadshill ! there are pilgrims going to Canterbury with ricli offerings, and traders riding to London with fat purses : I have vizards for you all ; you have horses for yourselves : Gadshill lies' to-night in Rochester : I have bespoke supper to-morrow night in Eastcheap : we may do it as secure as sleep. If you will go, I will stuff your purses full of crowns ; if you will not, tarry at home and be hanged.

Fal. Hear ye, Yedward ; if I tarry at home aud go not, I'll hang you for going. 150

Poins. You will, chops ?

Fal. Hal, wilt thou make one ?

Prince. Who, I rob ? la thief ? not I, Uy my faith.

Fal. Tliere's neither honesty, manhood, nor good fellowship in thee, nor thou earnest not of the blood royal, if thou darest not stand lor tea shiUing^

Prince. Well then, once in my days I'll be a madcap. 160

Fal. Why, that's well said.

Prince. Well, come what will, I'll tarry at home.

Fal. By the Lord, I'll be a traitor then, when thou art king.

Prvice. I care not.

Poins. Sir John, I prithee, leave the prince and me alone : I will lay him down such reasons for this adventure that he shall go. 169

Fal. Well, God give thee the spirit of persuasion and him the ears of profiting, that what thou speakest may move and what he hears may be believed, that the true prince may, for recreation sake, prove a false thief ; for the poor abuses of the time want countenance. Farewell : you shall find me in Eastcheap.

Prince. Farewell, thou latter spring ! farewell, All-hallown summer ! {Exit Falstaf.

Poins. Now, my good sweet honey lord, ride with us to-morrow : I have a jest to execute that I cannot manage alone. Falstaflf, Bardolph, Peto and Gadshill shall rob those men that we ha\e already waylaid : yourself and I will not be there ; and when they have the booty, if you and I do not rob them, cu^ this head off from my shoulders.

Prince. How shall we part with them in setting forth ?

Poins. Why, we will set forth before or after them, and appoint them a place of meeting, wherein it is at our pleasure to fail, aud then will they adventure upon the exploit themselves ; which they shall have no soou«r achieved, but we'll set upon them.

Prince. Yea, but 'tis like that they will know us by our horses, by our habits and by every other appointment, to be ourselves.

Poins. Tut ! our horses they shall uot see: I'll tie them in the wood ; our vizards we will change after we leave them : and, sirrah. I have cases of buckram for the nonce, to immask our noted outward garments.

Prince. Yea, but I doubt they will be too hard for us.

Poins. Well, for two of them, I know them to be as true-bred cowards as ever turned back; and for the third, if he fight longer than he sees reason, I'll forswear arms. The virtue of this jest will be, the incomprehensible lies that this same fat rogue will tell us when we meet at supper: how thirty, at least, he fought with ; what wards, what blows, what extremities he endured ; and in the reproof of this lies the jest.

Prince. Well, I'll go with thee : provide us all things necessary and meet me to-morrow night in Eastcheap ; there I'll sup. Farewell.

Poins. Farewell, my lord. [Exit.

Prince. I know you all, and will awhile uphold The unyoked humor of your idleness : 220 Yet herein will I imitate the sun, Who doth permit the base contagious clouds

KING HENRY IV. PART I.

To smother up his beauty from the world, Tliat, when he please again to be himself, Being wanted, he may be more wonder'd at. By breakiug through the foul and ugly mists Of vapors that did seem to strangle him. If all the year were playing liolidays, To sport would be as tedious as to work ; But when they seldom come, they wish'd for

come, 230

And nothing pleaseth but rare accidents. Si, when this loose behavior I tlirow ofif .\nd [lay the debt I never promised, I5y how much better than my word I am, Uy so much shall 1 falsify men's hopes ; Antl like bright metjil on a sullen ground. My leforniation, glittering o'er my fault, Shall show more goodly and attract more

eyes riian that which hath no foil to set it off. I'll so offend, to make offence a skill ; 240

Redeeming time when men think least I will.

[Exit.

Scene III. London. The palace

Enter the King, Northumberi.and, Worcester, Hotspur, Sir Walter Blunt,

icith others.

Kitifi. My blood hath been too cold and temperate.

Unapt to stir at thc^e indignities,

And you have found me ; for accordingly .ou tread upon my patience : but be sure

I will from henceforth rather be myself.

Mighty and to be fear'd, than my condition ;

Whicli hatli been smooth as oil, soft as young down,

And therefore lost that title of respect

Whicli the proud soul ne'er pays but to the proud.

War. Our house, my sovereign liege, little deserves 10

Tlie scourge of greatness to be used on it ;

And tliat same greatness too which our own liands

Ha\e holp to make so portly.

Xorlh. My lord, —

Kiiii/. Worcester, get thee gone ; for I do see

D.inger and disobedience in thine eye :

O, sir, your presence is too bold and peremptory.

And majesty might never yet endure

The moody frontier of a servant brow.

You have good leave to leave us : when we need 20

Your use and counsel, we shall send for you.

[Exit Wor.

You were about to speak. [To Xorth.

Xnrth. Yea, ray good lord.

Those prisoners in your highness' name demanded.

Which Harry Percy here at Holmedon took.

Were, as he says, not with such strength denied

As is deiiver'd to your majesty:

Either envy, therefore, or misprision Is guilty of this fault and not my son.

Hot. My liege, I did deny no prisoners. But I remember, when the fight was done, 30 When I was dry with rage and extreme toil, Breathless and faint, leaning upon my sword, Came there a certain lord, neat, and trimly

dress'd.

Fresh as a bridegroom ; and his chin new

reap'd Show'd like a stubble-land at harvest-home ; He was perfumed like a milliner ; And 'twixthis finger and his thumb he held A pouncet-box, whicli ever and anon He gave his nose and took't away again ; Who therewith angry, when it next came

there, 40

Took it in snuff ; and still he smiled and

talk'd.

And as the soldiers bore dead bodies by, He call'd them untaught knaves, unmannerly. To bring a slovenly unhandsome corse Betwixt the wind and his nobility. With many holiday and lady terms He question'd me ; amongst the rest, demanded My prisoners in your majesty's behalf. I then, all smarting with my wounds being

cold.

To be so pesterd with a popinjay, 50

Out of my grief and my impatience, Answer'd neglectingly I know not what. He should or he should not ; for he made me

mad To see him shine so brisk and smell so sweet And talk so like a waiting-gentlewoman Of guns and drums and wounds, — God save

the mark ! — And telling me the sovereign'st thing on earth Was parmaceti for an inward bruise ; And that it was great pity, so it was. This villanous salt-petre should be digg'd 60 Out of the bowels of the harmless earth, •Which many a good tall fellow had destroy'd So cowardly ; and but for these vile guns, He would himself have been a soldier. This bald uii jointed chat of his, my lord, I answer'd indirectly, as I said ; And I beseech you, let not his report Come current for an accusation Betwixt my love and your higli majesty. Blunt. The circumstance cousider'd, good

my lord, 7C

Whate'er Lord Harry Percy then had said To such a person and in such a place, At such a time, with all the rest retold, May reasonably die and never rise To do him wrong or any way impeach What then he said, so he unsay it now.

Kiufj. Why, yet he doth deny his prisoners, But with proviso and exception, That we at our own charge shall ransom

straight His brother-in-law, the foolish Mortimer ; 80 Who, on ray ,<oul, hath wilfully betrav'd The lives of those that he «itd lead to iSght

KING HENBY IV. PART I.

[Act \.

Against that great magician, damn'd Glendower, ^V'hose daugliter, as we hear, the Earl of

March Hath lately married. Shall our coffers, then, Be emptied to redeem a traitor home ? Shall we'bny treason ? and indent with fears. When they have lost and forfeited themselves ? No, on the barren mountains let him starve ; For I sliall never hold that man my friend 90 Whose tongue shall ask me for one peuuy cost To ransom home revolted Mortimer.

Hot. Revolted Mortimer !

He never did fall off, my sovereign liege, But by the chance of war : to jtrove that true Needs no more but oue tongue for all those

wounds, Those mouthed wounds, which valiantly he

took.

When on the gentle Severn's sedgy bank, In single opposition, hand to hand. He did confound the best part of an hour 100 In changing hardiment with great Glendower : Three times they breathed and three times did

they drink.

Upon agreement, of swift Severn's flood ; Who then, affrighted with their bloody looks, Ran fearfuHy among the trembling reeds. And hid his crisp head in the hollow bank Bloodstained with these valiant combatants. Never did base and rotten policy Color her working with such deadly wounds ; Nor never could the noble Mortimer 110

Receive so many, and all willingly : Then let not him be slander'd with revolt. King. Thou dost belie him, Percy, thou dost belie him ; He never did encounter with Glendower : I tell thee.

He durst as well have met the devil alone As Owen Glendower for an enemy. Art thou not ashamed ? But. sirrah, henceforth Let me not hear you speak of Mortimer : Send me your prisoners with the speediest means, 120

Or you shall hear in such a kind from me As will displease you. My Lord Northumberland, We license your departure with your sou. Send us your prisoners, or you will hear of it. \_Exexint King Heimj, Blunt, and train. Hot. An if the devil come and roar for them, I will not send them : I will after straight And tell him so ; for I will ease my heart, Albeit I make a hazard of my head. North. What, drunk withcholer ? stay and pause awhile : Here comes your uncle.

Re-enter Worcester.

-Jfet Speak of Mortimer ! 130

'Zounds, I will speak of him ; and let roy

8onl Want m«rcy, if I do act join witli ]iiai :

Yea, on his part I'll empty all these veins. And shed my dear blood drop by drop iu the

dust, But I will lift tlie down-trod Mortimer As liigh in the air as this unthankful king, As this ingrate and canker'd Bolingbroke. Xorth. Brother, the king hath made your

nephew mad.

War. Who struck this heat up after I was

gone ?

Hot. He will, forsooth, have all my prisoners ; And when I urged the ransom once again 441 Of my wife's brother, then his cheek look'd

pale.

And on my face he turn'd an eye of death. Trembling even at the name of Mortimer. Wor. I cannot blame him : was not he proclaim' d By Richard that dead is the next of blood ? North. He was ; I heard the proclamation : And then it was M'hen the unhappy king, — Whose wrongs in us God pardon ! — did set

forth Upon his Irish expedition ; 150

From whence lie intercepted did return To be deposed and sliortly murdered.

Wor. And loi' whose death we in the world's wide mouth Live scandalized and foully spoken of. Hot. But, soft, 1 pray you ; did King Richard then Proclaim my brother Edmund Mortimer Heir to the crown ?

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