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Shakespeare

William Shakespeare · 1877 · Scanned text · Free in the US

926,462 words · about 64 h 53 min to read

Period artwork: Interior of the Bodleian Library, 1845
About this edition

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Free in the US: this text is in the public domain in the United States; it may still be in copyright elsewhere.

Licence: PD · Library of Congress states the book is in the public domain and free to use and reuse (https://data.labs.loc.gov/digitized-books/README.html); published 1877, public domain asserted for the US only · Library of Congress, Selected Digitized Books (https://www.loc.gov/item/21001717); text via the Common Pile (CC BY 4.0 compilation, per-document rights preserved)

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About this book

Language
English
Published
1877
Length
926,462 words · about 64 h 53 min
Sections
323 reader sections
Text
Scanned text, read from page scans by OCR; may contain errors
Rights
Public domain in the United States

 

Contents (323)
  1. Front matter under 1 min
  2. Scene I.— On a ship at sea. A Storm, with Thunder about 32 min
  3. Scene ii.— Another part of the Island. Enter Caliban, ivith a bunhen of wood about 7 min
  4. Act III about 23 min
  5. ACT V. Scene I.— Before the Cell of Prospero about 11 min
  6. Epilogue about 2 min
  7. ACT I. SCEKE 1—An open place in Verona about 13 min
  8. Scene iii.] TIVO GJENTLEMEN OF VERONA about 1 min
  9. Scene I.— Milan. -4 Room in the Duke's Palace. Enter Valentine anS, Speed about 6 min
  10. Scene II.— Verona. A Room in Julia's House. Enter Proteus and Julia about 1 min
  11. Scene III.— Tfte Same. A Street. Enter Launce, leading a Dog about 2 min
  12. Scene IV.— Milan. A Room in the Duke's Palace. Enter Valentine, Silvia, Thurlo, and Speed about 13 min
  13. Scene I. — Milan. An Ante-room in the Duke's Palace. Enter Duke, Thurio, and Proteus about 13 min
  14. Scene II.— Milan. A room in the Duke's Palace. Enter Duke and Thurlo; Proteus behind about 3 min
  15. ACT IV. Scene 1.—A Forest, near Mantua about 16 min
  16. Act V about 2 min
  17. Scene III.— Frontiers o/ Mantua. The Forest. Enter Silvia, and Outlaws about 7 min
  18. Scene I.— Windsor, Garden front of Pace's House. Enter Justice Shallow, Slender, and Sir Hugh Ev.ans about 11 min
  19. Scene III.— X Room in the Garter Inn. Enter Falstaff, Host, Bardolph, Nym, Pistol, and about 9 min
  20. Scene 1.— Before Page's Mouse. Enter Mistress Page, icith a Letter about 57 min
  21. Scene III.— J. Boom in the Garter Inn. Enter Host and Bardolph under 1 min
  22. Scene IV — A Room in Ford's House about 8 min
  23. Scene VI. — Another Room in the Garter Inn, Enter Fenton and Host about 2 min
  24. Scene I.— A Room in the Garter Inn about 12 min
  25. Act I about 4 min
  26. Scene II.— ^ Street about 2 min
  27. Scene III.— TTie seme. Enter Provost, Claudlo, Juliet, and Officers; Lucio about 3 min
  28. Scene IV.— ^ 3Io>iaste)-y. Enter Duke and Friar Thomas about 2 min
  29. Scene V.— .1 Nunnery. Enter Isabella and Francisca about 3 min
  30. Scene I.— A Hall in Argelo's House. Enter Angelo, Escalus, a Justice, Provost about 55 min
  31. Scene III.— Another Room in the same. Enter Clown about 7 min
  32. Scene v.— Fields without the Town. Enter Duke in his own habit, and Friar Peter about 42 min
  33. Scene I.— The same about 6 min
  34. Scene II.— The same about 14 min
  35. Scene III.— 27ie same. Enter Antlpholus of Syracuse about 4 min
  36. Scene IV.— The Same about 22 min
  37. Scene I.— Street in Messina about 11 min
  38. Scene II.— .4 Boom in Leonato's Souse. Enter Leonato and Antonio about 1 min
  39. Scene III. — Another Boom in Leonato's Souse. Enter Don John and Conrade about 3 min
  40. Scene I.— A Hall in Leonato's Hovse. Enter Leonato, Antonio, Hero, Beatrice, and about 15 min
  41. Scene II. — Another Room in Leonato's House. Enter Don John and Borachio about 1 min
  42. Scene III.— Leonato's Garden. Enter Benedick and a Boy about 2 min
  43. I under 1 min
  44. II. Sing no more ditties, sing no mo about 7 min
  45. Scene I.— Leonato's Garden. Enter Hero, Margaret, and Ursula about 4 min
  46. Scene II.— ,-1 Poom m Leonato's House. Enter Bon Pedro, Claudio, Benedick, and Leonato about 16 min
  47. ACT IV. Scene l.~TIie inside of a Church about 14 min
  48. ACT V. Scene I.— Before Leonato's Hotise about 16 min
  49. Scene IV.— ^1 Room m Leonato's House. Enter Leonato, Antonio, Benedick, Beatrice, Ursula about 5 min
  50. Scene I.— Navarre. A Pari; with a Palace in it. Enter the King, Blron, Longavllle, aiw/ Duiiiain about 10 min
  51. Scene II.— Another part of the same. Armado's House about 1 h 38 min
  52. ACT II. Scene I.— A Wood near Athens about 15 min
  53. Act III about 32 min
  54. Act V about 15 min
  55. Act I about 12 min
  56. Scene III.— Venice. A public Place. Enter Bassanlo and Shyiock about 6 min
  57. Act II about 10 min
  58. Scene IV.— Venice. A Street. Enter Gratiano, Lorenzo, Salarlno, and Solanio about 1 min
  59. Scene V.— Venice. Before Shylock's Bouse. Enter Shylock and Launeelot about 2 min
  60. Scene VI.— 77ie same. Enter Gratiano and Salarlno, masnued about 2 min
  61. Scene VII.— Belmont. A Room in Portia's House about 3 min
  62. Scene VIII.— Venice. A Street. Enter Salarlno and Solanlo about 3 min
  63. Scene IX.— Belmont. .-1 Room in Portia's House. Enter Nerissa, with a Servant about 2 min
  64. ACT III. ■ Scene I.— Venice. A Street. Enter Solanio and Salarlno about 23 min
  65. Scene I.— Venice. A Court of Justice about 17 min
  66. Scene II.— Venice. A Street. Enter Portia and Nerissa about 1 min
  67. Act V about 12 min
  68. ACT I. Scene I.- An Orchard, near Oliver's House about 16 min
  69. Scene III.— .4 Room in tlie Palace, Enter Celia and Rosalind about 5 min
  70. Scene I,— The Forest of Arden. Enter Duke senior, Amiens, and other Lords, in the about 18 min
  71. Scene II.— JTie Forest. Enter Orlando, loith a paper about 17 min
  72. Scene III about 4 min
  73. Scene IV.— 27ie same. Before a Cottage. Enter Rosalind and Celia about 7 min
  74. Scene I. — Tlie same. Enter Rosaline, Celia, and Jaques about 21 min
  75. Scene III.— The same. Enter Touchstone and Audrey about 20 min
  76. Scene I.— Padua. A Publio Place. Enter Lucentio and Tranio about 19 min
  77. Act II about 15 min
  78. ACT III. Scene I.— A Room in Baptista's Iiouse about 12 min
  79. Act IV about 7 min
  80. Scene II.— Padua. Before Baptlsta's Housi:. Enter Tranio and Hortensio about 13 min
  81. Scene iv. 1 TAMING OF THE SHREW about 6 min
  82. Scene I.— Padua. Before Lucentio's House about 5 min
  83. Scene II. — A Room in Lucentio's House about 8 min
  84. Act I about 20 min
  85. Act II about 12 min
  86. Scene III.- Paris. A Room in the King's Palace. Enter Bertram, Lafeu, and ParoUes about 9 min
  87. Scene IV.— The same. Another Room in the same. Enter Helena and Clown about 2 min
  88. Scene V.— Another Boom in the same. Enter Lafeu and Bertram about 3 min
  89. Scene I.— Florence. A Room in the Duke'.s Fulace about 6 min
  90. Scene III.— Florence. Before the Duke's Palace about 2 min
  91. Scene V.— Without the Walls of Florence about 4 min
  92. Scene VI.— Camp before Florence. Enter Bertram, and the two French Lords about 4 min
  93. Scene VII.— Florence. A Room in the Widow's House about 2 min
  94. Scene 1.— Without the Florentine Camp about 6 min
  95. Scene III.— The Florentine Camp about 12 min
  96. Scene IV.— Florence. A Room in the Widow's Souse. Enter Helena, Widow, and Diana about 1 min
  97. Scene v.— RouslUon. A Rootn in the Countess's Palace about 4 min
  98. Scene I.— Marseilles. A Street. Enter Helena, Widow, and Diana, with two Attendants about 1 min
  99. Scene II.— Rousillon. The inner Court of the Countess' Palace about 2 min
  100. Scene III.— IVie same. A Room in the Countess's Palace about 13 min
  101. Scene I.— An Apartment in the Duke's Palace. Enter Duke, Curio, Lords; Musicians attending about 4 min
  102. Scene III.— ^ Room in Olivia's Bouse. Enter Sir Toby Belch and Maria about 6 min
  103. Scene V.— ^t Room in Olivia's House. Enter Maria and Clown about 11 min
  104. Scene I.— The Sea-cotist. Enter Antonio and Sebastian about 2 min
  105. Scene II.— A Street. Enter Viola; Malvolio following about 8 min
  106. Scene IV.— A Room in the Duke's Palace. Enter Duke, Viola, Curio, and others about 4 min
  107. Scene V.— Olivia's Gardtn about 7 min
  108. Scene I.— Olivia's Garden. Enter Viola, and Clown with a tabor about 9 min
  109. Scene III.— 4 Street. Enter Antonio and Sebastian about 2 min
  110. Scene IV.— Olivia's Garden. Enter Olivia and Maria about 14 min
  111. Scene I.— The Street before Olivia's House. Enter Sebastian and Clown about 2 min
  112. Scene II.— ^ Room in Olivia's House. Enter Maria and Clown about 4 min
  113. Scene III.— Olivia's Garden. Enter Sebastian about 1 min
  114. Scene I.— The Street before Olivia's Rouse. Enter Clown and Fabian about 16 min
  115. Scene II.— The same. A Room of State in the Palace. Enter Leontes, Polixenes, Hermione, Mamilius, Camillo, and Attendants about 44 min
  116. Scene III.— Bohemia. A desert Country near the sea. Enter Antlgonus, with the child; and a Mariner about 6 min
  117. Scene I.— Bohemia. A Room in the Palace of Polixenes about 2 min
  118. Scene II.— Thesame. A Road near the Shepherd's Cottage. Enter Autolycus, singing about 57 min
  119. Act I about 10 min
  120. Act II about 43 min
  121. Act IV about 21 min
  122. Act V about 9 min
  123. Scene III.— The same. A Field of Battle. Alarums. Enter King John and Hubert about 10 min
  124. Scene I. — London. A Room in the Palace. Enter King Richard, attended; John of Gaunt about 10 min
  125. Scene III.— Open Space near Coventry about 11 min
  126. Scene IV.— A Boom in the King's Palace. Enter King Eichard, Bagot, and Green; Aumerle about 2 min
  127. Scene I.— London. A Boom in Ely House about 32 min
  128. Scene III.— Wales. Before Flint Castle about 7 min
  129. Scene IV.— Langley. The Duke of York's Garden about 16 min
  130. Scene I.— London. A street leading to the Tower. Enter Queen and Ladies about 1 h 24 min
  131. Scene II.— London. A Room in the Palace. Enter King Henry, Prince of Wales, and Lords about 6 min
  132. Scene III.— Eastcheap. A Room in the Boar's Head Tavern about 20 min
  133. Scene IV.— York. .4 Room in the Archbishop's House. Enter the Archishop of York, and a Gentleman about 1 min
  134. Scene I.— The King's Camp near Shrewsbury about 5 min
  135. Scene II.- The Rebel Camp. Enter Worcester and Vernon about 3 min
  136. Scene III.— Pfam near Shrewsbury. Excursions, and parties fighting. Alarum, to the about 13 min
  137. ACT I. Scene T.—The same about 21 min
  138. Scene I.— London. A Street about 7 min
  139. Scene II. — The same. Another Street. Enter Prince Henry and Polns about 6 min
  140. Scene III.— Warkworth. Before the Castle. Enter Northumberland, Lady Northumberland, and about 2 min
  141. Scene IV.— London. A Room in the Boar's Head Tavern, in Eastcheap. Enter Two Drawers about 13 min
  142. Scene I.— A Room in the Palace. EnterKing Henrj', with a Page about 6 min
  143. Act III about 26 min
  144. Act IV about 11 min
  145. Scene II.— T7ie French Camp. Enter Dauphin, Orleans, Eambures, and others about 7 min
  146. Scene IV.—The Field of Battle about 3 min
  147. Scene V.— Another Fart of the Field of Battle about 1 min
  148. Scene VI.— Another Part of the Field about 8 min
  149. Scene VIII.— Be/ore King Henry's Pavilion. Enter Gower and Williams about 6 min
  150. Scene I.— France. An English Court of Guard. Enter Fluelien and Gower about 3 min
  151. Scene II.— Troyes in Champagne. An Apartment in the French King's Palace about 32 min
  152. Scene IV.— France. Before Orleans about 3 min
  153. Scene V.—The same. Before one of the gates about 2 min
  154. Scene VI.—The same about 18 min
  155. Scene I.— London. The Parliament-House about 7 min
  156. Scene II.— France. Before Rouen about 5 min
  157. Scene III.— The same. The Plains near the City about 3 min
  158. Scene IV.— Paris. A Room in the Palace about 2 min
  159. Scene I.— Paris. A Room of State about 7 min
  160. Scene II.— France. Before Bordeaux. Enter Talbot ivith his Forces about 2 min
  161. Scene III.— Ptoins m Gascony. Enter York, with Forces; to him, a Messenger about 11 min
  162. Scene I.— London. A Room in the Palace. Enter King Henry, Gloster, and Exeter about 2 min
  163. Scene II.— France. Plains in Anjou about 1 min
  164. Scene III.— TTie same. Before Anglers. Alarums: Excursions. Enter La Pucelle about 7 min
  165. Scene IV.—Camp of the Duke of York, in Anjou. Enter York, Warwick, and others about 6 min
  166. Scene v.— London. A Room in the Palace about 4 min
  167. Scene I.— London. A Room of State in the Palace about 13 min
  168. Scene III.— Tfte same. A Room in the Palace. Enter Peter, and others, with petitions about 59 min
  169. Scene I. — Kent. The Sea-shore near Dover about 5 min
  170. Scene II.— Blackheath about 7 min
  171. Scene IV.— London. A Room in the Palace. Enter King Henry, reading a supplication; the Duke about 16 min
  172. Scene I.— The same. Fields heween Dartford and Blackheath about 8 min
  173. Scene II.— Saint Alban's about 6 min
  174. Act I about 13 min
  175. Scene III.— Plains near Sandal Castle about 25 min
  176. Scene V.— Another part of the Field. Alarum. Enter King Henry about 9 min
  177. Act III about 21 min
  178. Scene I.— London. A Room in the Palace. Enter Gloster, Clarence, Somerset, Montague, and others about 7 min
  179. Scene III.— Edward's Camp near Warwick. Enter certain Watchmen to guard the King's tent about 3 min
  180. Scene IV.— London. A Room in the Palace. Enter Queen Elizabeth and Rivers about 12 min
  181. Scene I.— Coventry about 1 h 47 min
  182. Scene II.— ^ Room of State in the Palace about 6 min
  183. Scene IV.— !Z7ie same. Before the Palace. Enter Queen Margaret about 20 min
  184. Scene V.— .-1 Room in Lord Stanley's House. Enter Stanley, and Sir Christopher Urswick about 19 min
  185. Prologue about 1 min
  186. Scene I. — London. An Ante-chamher in the Palace about 8 min
  187. Scene II.— The Council-Chamber about 8 min
  188. Scene III. — .4. Room in the Palace Enter the Lord Chamberlain and Lord Sands about 3 min
  189. Scene IV.—The Presence-Chamber in York- Place about 30 min
  190. Scene I.— Patace at Bridewell. A Soom in the Queen's Apartment about 24 min
  191. Act IV about 13 min
  192. ACT V. Scene 1.—A Gallery in the Palace about 36 min
  193. Scene III.— A Room in Capulet's House. Enter Lady Capulet and Nurse about 8 min
  194. Scene v.— A Hall in Capulet's Hquse. Musicians waiting. Enter Servants about 6 min
  195. Scene I.— An open Place adjoining Capulet's Garden about 1 min
  196. Scene II. -Capulet's Garden. Enter Romeo about 40 min
  197. Scene IV.— A Room in Capulet's Honse. Enter Capulet, Lady Capulet, and Paris about 20 min
  198. Scene V. — Juliet's Chamber; Juliet on the bed. Enter Nurse about 1 h 11 min
  199. Scene I.— Before the Castle. Enter Cassio, and some Musicians about 2 min
  200. Scene III.— Be/ore the Castle. Enter Desdemona, Cassio, and Emilia about 15 min
  201. Scene IV.— The same. Enter Desdemona, Emilia, and Clown about 10 min
  202. Scene I.— Before tTie Castle. Enter Othello and lago about 19 min
  203. Scene III.— Anof/ier loom in the Castle. Enter Othello, Lodovico, Desdemona, Emilia, and Attendants about 4 min
  204. Scene I.— .4 Street. Enter lago and Roderigo about 5 min
  205. Scene II. — A Bedchamber: Desdemona in bed asleep. A light burning. Enter Othello about 14 min
  206. ACT 1. Scene I.— King Lear's Palace about 42 min
  207. Scene III.— A Part of the Heath. Enter Edgar about 12 min
  208. Scene I.— A Heath about 5 min
  209. Scene III.— 4 jRoom in Gloster's Castle. Enter Gloster and Edmund about 1 min
  210. Scene IV.— ^ Part of the Heath, ivith a Hovel. Enter Lear, Kent, and Fool about 16 min
  211. ACT IV. Scene l.—An open Country about 9 min
  212. Scene v.— ^ Room in Gloster's Castle. Enter Regan and Steward about 15 min
  213. Scene I.— The Camp of the British Forces, near Dover about 3 min
  214. Scene II. — A Field between the two Camps about 22 min
  215. Scene IV.— Forres. A Room in the Palace about 2 min
  216. Scene V.— Inverness. A Room in Macbeth's Castle. Enter Lady Macbeth, reading a tetter about 35 min
  217. Scene VI.— Forres. A Room in the Palace. Enter Lenox, and another Lord about 19 min
  218. Scene I.— Dunslnane. A Room in the Caatle about 3 min
  219. Scene II.— The Coxntry near Dunsinane about 1 min
  220. Scene III.— Dunsinane. A Roont in the Castle. Enter Macbeth, Doctor, and Attendanta about 2 min
  221. Scene IV.— Country near Dunsinane: A Wood about 8 min
  222. Scene I.— Athens. A Hall in Timon's House about 35 min
  223. Scene III.— ^-1 Room in Sempronius's House. Enter Sempronius, and a Servant of Timon's about 14 min
  224. Scene 1.— Without the Walls of Athens. Enter Timon about 1 min
  225. Scene II.— Athens. A Room in Tlmon's Souse about 29 min
  226. Scene III.— The Walls of Athens. Enter Two Senators, and a Messenger about 1 min
  227. Scene IV.— The Woods. Tlmon's Cave, and a Tombstone seen. Enter a Soldier, seeking under 1 min
  228. Scene V.— Before the walls o/ Athens about 3 min
  229. Scene I.— Elsinore. A Platform before the Castle about 15 min
  230. Scene III.— ^ Room in Polonius' House. Enter Laertes cmd Ophelia about 8 min
  231. Scene v.— .4 more remote Part of the Platform. Reenter Ghost and Hamlet about 6 min
  232. Scene I. — A Room in Polonius' House. Enter Polonius and Beynaldo about 4 min
  233. Scene II.— ^ Room in the Castle. Enter King, Queen, Rosencrantz, Guildenstern about 21 min
  234. Act III about 21 min
  235. Scene III.— .4 Room in the same. Enter King, Rosencrantz. and Gulldenstern about 3 min
  236. Scene IV.— Another room in the same. Enter Queen and Polonius about 8 min
  237. ACT IV. Scene l.—The same about 7 min
  238. Scene V.— Elslnore. A Room in the Castle. Enter Queen and Horatio about 7 min
  239. Scene VI.— Another Room in the same. Enter Horatio, and a Servant about 1 min
  240. Scene VII.— .4>to(fter Room in the same. Enter King and Laertes about 7 min
  241. Act V about 27 min
  242. Act I about 47 min
  243. Act III about 23 min
  244. Scene I.— Troy. A Street about 3 min
  245. Scene II. — The same. Court be/ore the House of Paudarus. Enter Troilus and Cresslda about 20 min
  246. Act V about 10 min
  247. Scene III.— Troy. Before Priam's Palace, Enter Hector and Andromache about 13 min
  248. Scene I.— Britain. The Garden behind Cymbellne's Palace. Enter Two Gentlemen about 7 min
  249. Scene III.— A public Place. Enter Cloten and Two Lords about 1 min
  250. Scene IV.— .4 Room in Cymbellne's Palace. Enter Imogen and Plsanio about 8 min
  251. Scene VI.— Britain. A Boom in Cymbellne's Palace. Enter Queen, Ladies, and Cornelius about 3 min
  252. Scene VII.— .4no</ier Room in the Palace. Enter Imogen about 7 min
  253. Scene 1.— Court before Cymbeline's Palace. Enter Cloten and Tivo Lords about 17 min
  254. Act III about 6 min
  255. Scene III.— Wales. A mountainous Country, with a Cave. Enter Belarlus, Gulderius, and Arviragus about 4 min
  256. Scene IV.— Near Milford-Haven. Enter Pisanlo and Imogen about 7 min
  257. Scene V. — A Room in Cymbeline's Palace. Enter Cymbeline, (Jueen, Cloten, Lucius, and Lords about 10 min
  258. Scene VII.— Rome. Enter Tmio Senators and Tribunes about 1 min
  259. Scene I.— The Forest, near the Cave. Enter Cloten about 20 min
  260. Act V about 41 min
  261. Scene II.— Corioll. The. Senate-House. Enter TuUus Aufldius, and certain Senators about 1 min
  262. Scene III.— Rome. An Apartment in Marcius' Mouse about 7 min
  263. Scene V.— Within the Toivn. A Street. Enter certain Romans with spoils about 36 min
  264. Scene I.— The same. A Street about 18 min
  265. Scene III.— IVie same. The Market-place. Enter Slclnlus and Brutus about 5 min
  266. Scene I.— The same. Before a Gate of the City about 2 min
  267. Scene II.— T^ic same. A Street near the Gate. Enter Sicinlus, Brutus, and an .ffidlle about 2 min
  268. Scene III.— ^ Highway between Rome and Antium. Enter a Roman and a Volsce, meeting about 19 min
  269. Scene I.— Rome. A public Place. Enter Menenlus, Cominius, Sicinius, Brutus, and ot Iters about 24 min
  270. Act I about 9 min
  271. Scene ii. JULIUS C^SAR about 5 min
  272. Scene III.— The same. A Street about 6 min
  273. Scene I.— The same. Brutus's Orchard. Enter Brutus about 12 min
  274. Scene II. — The same. A Room in Caesar's Palace about 7 min
  275. Act III about 21 min
  276. Act IV about 16 min
  277. Act V about 13 min
  278. Act I about 13 min
  279. Scene IV.— Rome. An Apartment in Caesar's House. Enter Octavlus Caesar, Lepidus, and Attendants about 3 min
  280. Scene V.— Alexandria. A Room in the Palace. Enter Cleopatra, Charmian, Iras, and Mardlan about 25 min
  281. Scene VII.— On. board Pompey's Galley, lying near Misenum about 5 min
  282. Scene I.— A Plain in Syria. Enter Ventidius, as it were in triumph, with Sillus about 1 min
  283. Scene II.— Home. An Ante-Chamber in Caesar's House about 3 min
  284. Scene III.— Alexandria. A Boom in the Palace. Enter Cleopatra, Charmian, Iras, and Alexas about 2 min
  285. Scene IV.— Athens. A Room in Antony's House about 1 min
  286. Scene v.— The same. Another Room in the same. Knter Enobarbus and Eros, meeting about 4 min
  287. Scene VII.— Antony's Camp near to the Promontory of Actlum. Enter Cleopatra and Enobarbus about 5 min
  288. Scene IX.— Alexandria. A Room in the Palace, Enter Antony and Attendants about 3 min
  289. Scene X.— Caesar's Camp in Egypt. ^nferCsesar, Dolabella, Thyreus, and others about 9 min
  290. Scene I.— Caesar's Camp at Alexandria about 1 min
  291. Scene II. — Alexandria. A Roojn in the Palace about 3 min
  292. Scene IV.— The same. A Room in the Palace.. Enter Antony and Cleopatra; Charmian, and others, attending about 2 min
  293. Scene V.— Antony's Camp near Alexandria about 17 min
  294. Scene I.— Caesar's Camp before Alexandria. Enter Caesar, Agrippa, Dolabella, Mecsenas, Gal about 39 min
  295. Scene II.— ^1 Forest about 7 min
  296. Scene iii.J TITUS ANDRONICUS about 7 min
  297. Scene I.— Rome. A Street about 11 min
  298. Scene II.— ..4. Room m Titus' Rouse. A Bangitet set out about 14 min
  299. Scene III.— .4 public Place in Pome about 8 min
  300. Scene I.— Plains near Home about 9 min
  301. Scene ii.J TITUS ANDRONICUS about 4 min
  302. Scene III.— Titus's House. A Pavilion. Enter Lucius, Marcus, and the Goths, with Aaron about 9 min
  303. Scene I.— The Palace of Antioch. Enter Antiochus, Pericles, and Attendants about 25 min
  304. Scene III.— A Hall of State. A Banquet prepared about 6 min
  305. Scene v.— Pentapolls. Enter Simonides reading a Letter; the Knights about 3 min
  306. ACT III. Enter Gower about 2 min
  307. Scene I. Enter Pericles on a ship at sea about 3 min
  308. Scene II.— Ephesus. A Room in Cerlmon's House. Enter Cerimon, a Servant, and some persons who about 4 min
  309. Scene III.— Tharsus. A Room in Cleon's House. Enter Pericles, Cleon, Dionyza, Lychorida, and Marina about 2 min
  310. Scene IV.- Ephesus. A Room in Cerimon's House. Enter Cerimon and Thaisa about 2 min
  311. Scene I. — Tharsus. An open place near the sea-shore. Enter Dionyza and Leonine about 3 min
  312. Scene II.— The same. Be-enter Leonine under 1 min
  313. Scene III.— Mitylene. A Room in a Brothel. Enter Pander, Bawd, and Boult about 5 min
  314. Scene IV.— ^ Room in Cleon's House at Tharsus. Enter Cleon and Dion.vza about 4 min
  315. Scene VI.— The same. A Room in the Brothel. Enter Pander, Bawd, and Boult about 7 min
  316. ACT V. Enter Gower about 2 h 2 min
  317. IV. Unthrifty loveliness, why dost thou spend about 1 min
  318. VI. Then let not winter's ragged hand deface under 1 min
  319. VII about 1 min
  320. IX about 1 min
  321. XI about 1 min
  322. XII about 1 h 27 min
  323. XIV about 41 min

Continue:

Front matter

TEMPEST.

PERSONS BEPRESENTED.

Alonso, King of Naples.

Scene I.— On a ship at sea. A Storm, with Thunder

and Lightning.

Enter a Ship-master and a Boatswain.

Master. Boatswain,—

Boats. Here, master: What cheer?

Master. Good: Speak to the mariners: fall to't yarely, or we run ourselves aground: bestir, bestir.

lExit.

Enter Mariners.

Boats. Heigh, my hearts; cheerly, cheerly, my hearts; yare, yare: Take in the topsail: Tend to the master's whistle.— Blow till thou burst thy wind, if room enough !

Enter Alonso, Sebastian, Antonio, Ferdinand, Gonzalo, and others.

Alon. Good boatswain, have care. Where's the master? Play the men.

Boats. I pray now, keep below.

Ant. Where is the master, boson?

Boats. Do you not hear him? You mar our labour: Keep your cabins: You do assist the storm.

Gon. Nay, good, be patient.

Boats, when the sea is. Hence ! What care these roarers for the name of king? To cabin: silence; trouble us not.

Gon. Good; yet remember whom thou hast aboard.

Boats. None that I more love than myself, ^ou are a counsellor; if you can command these elements to silence, and work the peace of the present, we will not hand a rope more; use your authority. If you cannot, give thanks you have lived so long, and make yourself ready in j'our cabin for the mischance of the hour, if it so iiap.— Cheerly, good hearts.— Out of our way, I say. {Exit.

Gon. I have great comfort from this fellow: methinks he hath ho drowning mark upon him; his complexion is perfect gallows. Stand fast, good fate, to his hanging ! make the rope of his destiny our cable, for our own doth little advantage ! If he be not born to be hanged our case Is miserable. [Exeunt.

Re-enter Boatswain.

Boats. Down with the topmast; yare; lower, lower;

bring her to try with main-course. [A cry within.']

A plague upon this howling I they are louder than

the weather, or our office.

Re-enter Sebastian, Antonio, and Gonzalo. Yet again? what do you here? Shall we give o'er and drown? Have you a mind to sink?

Seb. A pox o' your throat ! you bawling, blasphemous, incharitable dog !

Boats. Work you, then.

Ant. Hang.cur, hang! you whoreson, insolent noisemaker, we are less afraid to be drowned than thou art.

Gon. I'll warrant him for drowning; though the ship were no stronger than a nut-shell, and as leaky as an unstanched wench.

Boats. Lay her ahold, a-hold: set her two courses; off to sea again; lay her off.

Enter Mariners, wet.

Mar. All lost ! to prayers, to prayers ! all lost !

[Exeunt.

Boats. What, must our mouths be cold? [them.

Gon. The king and prince at prayers ! let us assist For our case is as theirs.

Seb. I am out of patience.

Ant. We are merely cheated of our lives by drunkards.— This wide-chopped rascal;— 'Would, thou mightst lie The washing of ten tides ! [drowning,

Gon. He'll be hanged yet;

Though every drop of water swear against it. And gape at widst to glut him.

[A confused noise within.]— 'Kercy on us ! We split, we split !— Farewell, my wite and children ! I^rewell, brother .' We split, we split, we split !—

Ant. Let's all sink with the king. [Exit.

Seb. Let's take leave of him. [Exit.

Gon. Now would I give a thousand furlongs of sea for an acre of barren ground; long heath, brown furze, anything: The wills above be done : but I would fain die a dry death. [Ex-it.

Scene U.—The Island: before the cell o/ Prospero. Enter Prospero and Miranda.

Mira. If by your art, my dearest father, you have Put the wild waters in this roar, allay them: The sky, it seems, would pour down stinking pitch. But that the sea, mounting to the welkin's cheek. Dashes the Are out. O, I have suffered With those that I saw suffer i a brave vessel. Who had no doubt some noble creature in her, Dash'd all to pieces. O, the cry did knock Against my very heart ! Poor souls ! they perish'd. Had I been any god of power, I would Have sunk the sea within the earth, or e'er It should the good sliip so have swallow'd, and The fraughting souls within her.

Pro. Be collected;

No more amazement: tell your piteous heart. There's no harm done. Mira, O, woe the day !

Pio. No harm.

I have done nothing but In care of thee, .(Of thee, my dear one ! thee, my daughter !) who Art Ignorant of what thou art, nought knowing Of whence I am; nor that I am more better Than Prospero, master of a full poor cell. And thy no greater father. 3Iira. More to know Did never meddle with my thoughts.

Pio. 'T is time

I should inform thee farther. Lend thy hand, And pluck my magic garment from me.— So;

[Lays down his Tnantle.

Lie there, my art.- Wipe thou thine eyes; have comfort.

The dire spectacle of the wrack, which touch'd The very virtue of compassion in thee, I have with such provision in mine art So safely order'd, that there is no soul- No, not so much perdition as an hair, Betid to any creature in the vessel [Sit down;

Which thou heard'st cry, which thou saw'st sink. For thou must now know farther.

Mira. You have often

Begun to tell me what I am; but stopp'd. And left me to a bootless inquisition; Concluding. 'Stay, not yet.'—

Pro. The hour's now come;

The very minute bids thee ope thine ear; Obey, and be attentive. Canst thou remember A time before we came unto this cell? I do not think thou canst; for then thou wast not Out three years old.

Mira, Certainly, sir, I can.

Pro. Bj' what? by any other house, or person? Of anything the image tell me that Hath kept with thy remembrance.

Mira, 'T is far off;

And rather like a dream than an assurance That my remembrance warrants: Had I not Four or five women once that tended me? [is it

Pro. Thou hadst, and more, Miranda: But how That this lives in thy mind? What see'st thou else In the dark backward and abysm of time? It thou remember'st aught ere thou cam'st here. How thou cam'st here thou may'st.

Mira. But that I do not.

Pro. Twelve year since, Miranda, twelve year Thy father was the duke of Milan, and [since,

A prince of power.

Mira. Sir, are not you my father?

Pro. Thy mother was a piece of virtue, and She said thou wast my daughter; and thy father Was duke of Milan; and his only heir And princess no worse issued.

Mira. O, the heavens !

What foul play had we, that we came from thence? Or blessed was 't we did?

Pro. Both, both, my girl;

By foul play, as thou say'st, were we heav'd thence; But blessedly holp hither.

Mira. O, my heart bleeds

To think o' the teen that I have turned you to, Which is from my remembrance! Please you, farther.

Fro. My brother, and thy uncle, call'd Antonio,— I pray thee mark me that a brother should Be so perfldious;— he whom, next thyself. Of all the world I lov'd, and to him put The manage of my state, as, at that time. Through all the signiories it was the first And Prospero the prime duke, being so reputed In dignity; and for the liberal arts Without a parallel: those being all my study The government 1 cast upon mj' brother. And to my state grew stranger, being transported. And rapt in secret studies. Thy false uncle- Dost thou attend me?

Mira. Sir, most heedfuUy.

Pro. Being once perfected how to grant suits, ' How to deny them; whom to advance, and whom To trash for overtopping; new created [them.

The creatures that were mine, I say, or chang'd Or else new form'd them; having both the key Of officer and office, set all hearts i' th' state To what tune pleased his ear; that now he was The ivy which had hid my princely trunk, [not.

And suck'd my verdure out on't. — Thou attend'st

Mira. O good sir, I do.

Pro. I pray thee, mark me.

I thus neglecting worldly ends, all detlicated To closeness, and the bettering of my mind With that, which, but by being so retired. O'er priz'd all popular rate, in my false brother Awafc'd an evil nature: and my trust. Like a good parent, did beget of him A falsehood, in its contrary as great As my trust was; which had, indeed, no limit, A confidence sans bound. He being thus lorded, Not only with what my revenue yielded. But what my power might else exact,— like one Who having unto truth, by telling of it,

Made such a sinner of his memory,

To credit his own lie,— he did believe

He was indeed the duke; out of the substitution,

And executing the outward face of royalty.

With all prerogative:— Hence his ambition

Growing,— Dost thou hear?

Mira. Your tale, sir, vv'ould cure deafness.

Pio. To have no screen between this part he play 'd. And him he play'd It for, he needs will be Absolute Milan: Me, poor man ! my library Was dukedom large enough; of temporal royalties He thinks me now incapable: confederates (So dry was he for sway) with the king of Naples, To give him annual tribute, do him homage; Subject his coronet to his crown, and bend The dukedom, yet unbow'd, (alas, poor Milan !) To most ignoble stooping.

Mira. O the heavens !

Pro. Mark his condition, and the event; then tell me. If this might be a brother. Mira. I should sin

To think but nobly of my grandmother: Good wombs have borne bad sons.

Pro. Now the condition.

This king of Naples, being an enemy To me inveterate, hearkens my brother's suit; Which was, that he, in lieu o' the premises Of homage, and I know not how much tribute. Should presently extirpate me and mine Out of the dukedom; and confer fair Milan, With all the honours, on my brother: Whereon A treacherous army levied, one midnight Fated to the purpose, did Antonio open The gates of Milan; and, i' the dead of darkness. The ministers for the purpose hurried thence Me, and thy crying self. Mira. Alack, for pity I

I. not rememb'ring how I cried out then. Will cry it o'er again: it is a hint, That wrings mine eyes to 't.

Pi-o. Hear a little farther.

And then I'll bring thee to the present business Which now 's upon us; without the which, this story Were most impertinent.

Mira. Wherefore did they not

That hour destroy us?

Pro. Well demanded, wench;

My tale provokes that question. Dear, tliey durst not; (So dear the love my people bore me) nor set A mark so bloody on the business; but With colours fairer painted their foul ends. In few, they hurried us aboard a bark; Bore us some leagues to sea; where they prepar'd A rotten carcase of a butt, not rigg'd. Nor tackle, sail, nor mast; the very rats Instinctively have quit it: there they hoist us. To cry to the sea that roared to us; to sigh To the winds, whose pity, sighing back again. Did us but loving wrong.

Mira. Alack ! what trouble ■

Was I then to you ! Pro. O ! a cherubln

Thou wast that did presence me ! Thou didst smile. Infused with a fortitude from heaven. When I have deck'd the sea with drops full salt; Under my burthen groan 'd; which rais'd in me An undergoing stomach, to bear up ■ Against what should ensue,

Mira. How came we ashore?

Pro. By Providence divine, Some food we had, and some fresh water, that A noble Neapolitan, Gonzalo, Out of his charity (who being then appointed Master of this design) did give us; with Rich garments, linens, stuffs and necessaries. Which since have steaded much; so, of his gentle- Knowing I lov'd my books, he furnished me, [ness. From mine own library, with volumes that I prize above my dukedom.

3Iira. 'Would I might

But ever see that man ! Pro. Now I arise: —

Sit still, and hear the last of our sea-sorrow. Here in this island we arrived; and here Have I, thy schoolmaster, made thee more profit Than other princes can, that have more time For vainer hours, and tutors not so careful, [you, sir,

Mira. Heavens thank you for 't ! And now, I pray (For still 't is beating in my mind) your reason For raising this sea-storm?

Pro. Know thus far forth.

By accident most strange, bountiful Fortune, Now my dear lady, hath mine enemies Brought to this shore: and by my prescience I find my zenith doth depend upon A most auspicious star; whose infiuence If now I court not, but omit, my fortunes Will ever after droop. — Here cease more questions: Thou art inclined to sleep; 't is a good dulness, And give it way;— I know thou canst not choose.

[Miranda sleeps.

Come away, servant, come: I am ready now; Approach, my Ariel; come.

Enter Ariel.

Ari. All hall, great master ! grave sir. hail ! I come To answer thy best pleasure; be 't to fly, To swim, to dive into the fire, to ride

TEMPESl.

[Act II.

On the curl'd chnuis; to thy atroiiK bliUlliiK task Ariel, and all Ills .[iKillty. I'ro. Hast thou, .spirit,

PerformM to ixiiiu the tempest that 1 i;aile thee?

Ari. To evi'i-y article, I boarded the kliiK's ship; now on the beak. Now III the waist, the diik. In every cabin, 1 flamed aniazenient: tSonietlnie I'd divide And bnrii in many plaees; on the topmast, The yards and bowsprit, would I tlame distinctly, Theii meet, anil ,1oln: .love's liKhtniiit,'s, the precurs- C th<Mirradl'ul thunder flajts, more momentary [ors And sltrhtoutrunnlni; were not. The lire, and eracks Of sulphurous roariUK', the most mighty Neptune Seem to litsieije, and make his bold waves tremble. Yea, his dread trident shake.

Pro. My brave spirit !

^Vho was so firm, so constant, that this coll AVould not infect his reason? -•Iri. Not a soul

But felt the fever of the mad, and play'd Some tricks of desperation: All but mariners Plunp'd ill the foaniinu^ brine, aiul q\iit the vessel. Then all a-flre wllh me: the kind's son, Ferdinand, With hair up-st;iriiiK, ithi'n like reeds, not hair,) « as the first man that lea|)'d; cried, 'Hell is empty, And all the devils are here."

„ I^o. Why, that's my spirit !

But was not this nigh shore?

-;!'''• Close by, my master.

Pro. But are they, Ariel, safe?

-■In. Not a hair perish'd;

On their .sustaining garments not a blemish. But fresher than before: and, as thou l)ad'st me. In troops t have dlspers'd them 'bout the isle: The king's son have I landed bv himself; whom I left cooling of the air with sighs, In an odd angle of the isle, and sitting, His arms in this sad knot.

Pi'o. Of the king's ship,

The mariners, say, how thou liast dispos'd, And all the rest o' the fleet.

^'■'- Safely In harbour

Is the king's ship; in the deep nook, where once Thou oall'dst me no at midiiiglit to fetch dew From the stiil-vex'd Bermoothes, there she's hid: The mariners all nnder hatches stow'd; Whom, with a charm ioin'd to their sufter'd labour, I have left asleep: and for the rest o' the fleet, w hicli I dlspers'd, the.v all have met again; And are upon the Mediterranean flote. Bound sadly home for Naples: Supposing that they saw the king's ship wraek'd. And his great person perish. Pro. Ariel, thy charge Exactly is perform'd; but there's more work: what is the time o' the day?

-4)'!. Past the mid season.

P)-o. At least two glasses. The time twixt six and Must iiy us l)oth he spent most preeiousl.v. [now

Ari. Is there more toil? Since thou dost give me pains, Let me remember thee what thou hast pronits'd, Which Is not yet perform'd me.

Pi'O. How now? moody?

AVhat is 't thou canst demand? .4r?. My liberty.

Pro. Before the time be out? no more.

Ari. I prithee

Remember, I have done thee worthy service; Told thee no lies, made thee no mistakings, serv'd Witliout or grudge, or grumblings: thou didst prom- To bate me a full year. [Ise

Pro. Dost thou forget

From what a torment I did free thee? Ari. No.

Pro. Thou dost; and think'st it much to tread the Of the salt deep; [ooze

To run upon the sharp wind of the north; To do me business in the veins o' the earth, When it is bak'd with frost. Ari. I do not, sir.

Pro. Thou best, malignant thing! Hast thou forgot The foul witch Sycorax, who, with age and envy, Was grown Into a lioop? hast thou forgot her?

Ari. No, sir. [me.

Pro. Thou hast: Where was she born? speak ; tell

AH. Sir, in Argier. Pro. O, was she so? I must, Once in a month, recount what thou hast been, AVhlch thou forgett'st. This damn'd witch, Sycorax, For mischiefs manifold, and sorceries terrl'ole To enter human hearing, from Argier, Thou know'st, was banish'd; for one thing she did They would not take her life: Is not this true?

Ari. Ay, sir. [child.

Pro. This blue-eyed hag was hither brought with And here was left by the sailors: Thou, my slave. As thou report'st thyself, wast then her servant: And, for thou wast a spirit too delicate To act her earthy and abhorr'd commands. Refusing her grand bests, she did confine thee. By help of her more potent ministers. And in her most unmitigable rage. Into a cloven pine; within which rift Imprlson'd, thou didst painfully remain A dozen years, within which space she died, And left thee there;where thou didst vent thy groans. As fast as mlll-wheels strike: Then was this island* (Save for the son that she did litter here, A freckled whelp, hag-born) not honour'd with A human shape. Ari. Yes; Caliban her son.

Pro. Dull thing, I .say so; he, that Caliban, Whom now I keep In service. Thou best know'st What torment I did find thee in: thy groans Did make wolves howl, and nenetratethe breasts Of ever-angry bears: it was a torment To lay upon the damn'd, which Sycorax Could not again undo; it was mine art, AVhen I arriv'd and heard thee, tliat ma'de gape Tile pine, and let thee out.

Ari. I thank thee, master.

Pro. If thou more murmur'st, I will rend an oak. And peg thee In his knotty entrails, till Thou hast howl'd away twelve winters.

Ari. Pardon, master:

I will be correspondent to command, And do my spriting gently.

Pro. Do so; and after two days

I will discharge thee.

--l'"i'. That's my noble master!

What .shall I do? say what? what shall I do?

Pro. Go make thyself like a nymph o' the sea; Be subject to no sight but thine and mine; Invisible To every eyeball else. Go, take this shape. And hitber come In't: go, hence, with diligence.

[K.rit Ariel.

Awake, dear heart, awake! thou hast slept well; Awake!

Mira. The strangeness of your story put

Heaviness In me. Pro. Shake it oft: Come on;

We'll visit Caliban, my slave, who never Yields us kind answer. Mira. 'T is a villain, sir, I do not love to look on. Pio. But, as 't is,

\Vc cannot miss liim: he does make our (Ire, Fetch in our wood, and .serves in oHlces Tliat protit us. Wliat ho! slave! Caliban! Thou earth, thou! speak.

Cal. [VVithin.] There's wood enough within. Pro. Come forth, I say; there's other business for Come, thou tortoise! when! [thee:

Pe-enter Ariel, like a water-nymph. Fine apparition! My <jualnt Ariel, Hark In thine ear.

Ari. My lord, it shall be done. [Kvit.

Pro Thou poisonous slave, got by the devil himself Upon thy wicked dam, co.ne forth! Ent:'r Caliban.

Cal. As wicked dew as e'er my mother brush'd With raven's feather from unwholesome fen, Drop on you both! a soutli-Avest blow on ye, Antl blister you all o'er. [cramps.

Pro. For this, be sure, to-night thou shalt have Side-stitches that shall pen (hy breath up; urchins Shall, for that vast of night that they may work. All exercise on thee: thou shalt be pinch'd As thick as honeycomb, each pinch more stinging Than bees that made them.

Cnl. I must eat my dinner.

This island's mine, by Sycorax my mother, Wlilch thou tak'st from me. When thou eamest fir.st. Thou strok'dst me, and niad'st much of me; wouldst Water with berries In 't; and teach me how [give me To name the bigger light, and how the less, That burn by day and night: and then I lov'd thee. And shoiv'd thee all the qualities o' the isle. The fresh springs, brine-pits, barren place, and fer- Cursed be I that did so!— All the charnis [tile;

Of Sycorax, toads, beetles, bats, light on you! For I am all the subjects that you have. Which first was mine own king; and here you sty me In this hard rock, whiles you do keep from me The rest of the island.

Pro. Thou most lying slave.

Whom stripes may move, not kindness: I have us'd

thee.

Filth as thou art, with human care; and lodg'd thee In mine own cell, till thou didst seek to violate The honour of m.y child.

Cal. O ho, O ho!— 'n-ould it had been done! Thou didst prevent me; I had peopled else This isle with Calibans. Pro. Abhorred ilave;

Which any print of goodness will not take, Being capable of all 111! I pitied thee, [hour

Took pains to make thee speak, taught thee each One thing Or other; when thou didst not, savage. Know thine own meaning, but wouldst gabble like A thing most brutish, I endow'd thy purposes [race. With words that made them known: But thy vile Though thou didst learn, had that in 't which good

natures Could not abide to be with; therefore wast thou Deservedly confln'd into this rock. Who hadst deserv'd more than a prison.

Cal. You taught me language; and my profit on 't Is, I know how to curse: the red plague rid you, For learning me your language!

Pro. Hag-seed, hence!

Fetch us In fuel; and be quick, thou wert best. To answer other business. Shrugg'st thou, malice? If thou neglect'st, or dost unwillingly What I command, I'll rack thee with old cramps; Fill all thy bones with aches; make tliee roar That beasts shall tremble at thy din.

Cal. No, pray thee!—

I must obey: his art is of such power, [^Aside.

It would control my dam's god, Setebos, And make a vassal of him.

Pro. So, slave; hence!

Exit Caliban.

Re-enter Ariel, invisible, playing and singing; Fevdinsind folloicing him.

Ariel's Song.

Come unto these yellow sands,

And then take hands: Courtsled when you have, and kiss'd

The wild "waves whist.

Foot it featly here and there; And, sweet sprites, the burden bear. Bur. Hark, hark! Bowgh, wowgli. The watch-dogs bark: Bowgh, wough. [dispersedly.

Ari. Hark, hark! I hear

The strain of strutting chanticleer Cry, Cock-a-doodle-doo.

Fer. Where should this music be? i' the air, or the earth?

It sounds no more:— and sure it waits upon Some god of the island. Sitting on a bank, Weeping again the king my father's wrack. This music crept by me upon the waters; Allaying both their fury, and my passion. With its sweet air: thence I have foUow'd It, Or It hath drawn me rather:— But 't Is gone. No, it begins again.

Ariel sings.

Full fathom five thy father lies;

Of his bones are coral made; Those are pearls that were his eyes;

Nothing of him that doth fade.

But doth suffer a sea-change Into something rich and strange. Sea-nymphs hourly ring his knell:

IBurden, ding-dong.

Hark ! now I hear them,— ding-dong, bell. Fer, The ditty does remember my drown'd fath- This is no mortal business, nor no sound [er:—

That the earth owes:— I hear it now above me.

Pro. The fringed curtains of thine eye advance, And say, what thou seest yond'.

Mira. ' What Is 't? a spirit?

Lord, how It looks about ! Believe me, sir, It carries a brave form:— But 't is a spirit. [senses Pro., No, wench; it eats, and sleeps, and hath such As we have, such: This gallant, wliich thou seest. Was in the wrack; and but he's something stain'd With grief, that's beaut.v's canker, thou mlglit'st call A goodly person: he hath lost his fellows, [him

And strays about to find them.

3Iira. I might call him

A thing divine; for nothing natural I ever saw so uoble.

Pro. It goes on, I see, [Aside.

As my sotd prompts It:— Spirit, fine spirit! I'll free Within two days for this. [thee

^Pi^r. Most sure, the goddess

On whom these airs attend .'—Vouchsafe my prayer May know if you remain upon this island: And that you will some good instruction give, How I may bear me here: My prime request. Which I do last pronounce, is, you wonder ' If you be maid or no? Mira. No wonder, sir:

But, certainly a maid.

Fer. My language ! heavens !—

I am the best of them that speak this speech. Were I but where 't Is spoken.

Pro. How ! the best ?

What wert thou, if the lilng of Naples heard thee ?

Fer. A single thing, as I am now, that wonders To hear thee speak of Naples : He does hear me; .■iiid that he does I weep: myself am Naples; Who with mine eyes, never since at ebb. beheld The king my father wracked.

Mira. Alack, for mercy !

Fer. Yes, faith, and all his lords; the duke of Milan, And his brave son, being twain.

Pro. The duke of Milan,

And his more braver daughter, could control thee. If now 't were fit to do 't:— At the first sight [.4side. They have chang'd eyes:— Delicate Ariel, I'll set thee free for this !— A word, good sir; I Iciir you have done yourself some wrong: a word.

Mira. Why speaks my father so ungently? This Is the third man that e'er I .saw; the first That e'er I sighed for; pity move my father To be inclln'd my wa.v. Fer. O, if a virgin.

And your affection not gone forth, I'll make you "The queen of Naples.

I^o. Soft, sir; one word more. —

The.y are both in cither's powers; but this swift business I must uneasy make, lest too light winning [Aside. Make the prize light.— One word more; I charge thee. That thou attencf me: thou dost here usurp The name thou ow'st not; and hast put thyself Upon this island, as a spy, to win it From me, the lord on 't.

Fer. No, as I am a man.

Mira. There's nothing ill can dwellln such a tem- If the ill spirit hath so fair a house, [pie:

Good things will strive to dwell with 't.

.fho. Follow me.— [To Ferd.

Speak not you for him; he's a traitor.— Come. I'll manacle thy neck and feet together; Sea-water shalt thou drink, thy food shall be The fresh-brook muscles, withered roots, and husks Wherein the acorn cradled: Follow. Fer. No;

I will resist such entertainment, till Mine enemy has more power.

[He draxes, and is cha-i^ied from moving.

Mira. O dear father.

Make not too rash a trial of him, for He's gentle, and not fearful. Pi-o. What, I say.

My foot my tutor ! Put thy sword up, traitor; [science Who mak'st a show, but dar'st not strike, thy con- Is so possess'd with guilt: come from thy ward; J"or I can here disarm thee with this stick. And make thy weapon drop.

Mira. Beseech j'ou, father!

Pro. Hence; hang not on my garments.

Mira. Sir, have pity;

I'll be his surety. Fro. Silence! one word more

Shall make me chide thee, if not hate thee. What! An advocate for an impostor! hush! Thou think'st there are no more such shapes as he, Having seen but him and Caliban: Foolish wench! To tile most of men this is a Caliban, ' And they to him are angels.

Mira. My affections

Are then most humble; I have no ambition. To see a goodlier man.

Pro. Come on; obey: [To Ferd.

Thy nerves are in their infancy again. And have no vigour in them. Fer. So they are:

My spirits, as in a dream, are all bound up. My father's loss, the weakness which I feel, The wrack of all my friends, or this man's threats, To whom I am subdued, are but light to me. Might I but through my prison once a day Behold this maid: all corners else o' the earth Let liberty make use of; space enough Have I in such a prison.

Pro. It works:— Come on.—

Thou hast done well, fine Ariel!— Follow me.—

[To Ferd. and Mir.

Hark, what thou else shalt do me. [To Ariel.

Mira. Be of comfort;

My father's of a better nature, sir, Than he appears b.v speech; this is unwonted. Which now came from him.

Pro. Thou shalt be as free

As mountain winds; but then exactb' do All points of my command. Ari. To the syllable.

Pro. Come, follow: speak not for him. [Exeunt.

Scene I.— Another part of the Island.

Enter Alonso, Sebastian, Antonio, Gonzalo, Adrian, Francisco, and others.

Gon. 'Beseech you, sir, be merry: you have cause (So have we all) of Joy; for our escape Is much beyond our loss: Our hint of woe Is common; every day, some sailor's wife. The masters of some merchant, and the merchant, Have Just our theme of woe: but for the miracle, I mean our preservation, few in millions Can speak like Us: then wisely, good sir, weigh Our sorrow with our comfort.

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