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Tennyson's Idylls of the king

Alfred Tennyson Tennyson · 1916 · Scanned text · Free in the US

57,823 words · about 4 h 3 min to read

Period artwork: Interior of the Bodleian Library, 1845
About this edition

Scanned text — may contain errors · view original scans

Free in the US: this text is in the public domain in the United States; it may still be in copyright elsewhere.

Licence: PD · Library of Congress states the book is in the public domain and free to use and reuse (https://data.labs.loc.gov/digitized-books/README.html); published 1916, public domain asserted for the US only · Library of Congress, Selected Digitized Books (https://www.loc.gov/item/16007937); text via the Common Pile (CC BY 4.0 compilation, per-document rights preserved)

Text from Library of Congress, read from page scans by OCR and set out for reading on screen; no words of the book are rewritten or summarized. How RedLectern is built

About this book

Language
English
Published
1916
Length
57,823 words · about 4 h 3 min
Sections
15 reader sections
Text
Scanned text, read from page scans by OCR; may contain errors
Rights
Public domain in the United States

 

Contents (15)

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Preface

Appreciation of Tennyson's "Idylls of the King" begins with an understanding of the significance, ethical and aesthetic, of ' ' The Coming of Arthur ' ' and ' ' The Passing of Arthur. ' ' In relation to these two, the intervening Idylls are as specific instances to general truth. The "Coming" and the "Passing" not only annotate each other; they annotate the series of Idylls. In this edition, therefore, the introductory matter and the notes give especial attention to the " Coming " as furnishing, with the " Passing," the key to the intent of the whole.

The editor hopes that the division of each Idyll into sections, as suggested in the notes, will prove serviceable in keeping the theme of the series in clear view. Such aesthetic values as are not easily apprehended by first readers have been pointed out in the notes ; but these, as well as the other notes that deal with history and matters of fact, may be neglected by the initiated.

Constant reference has been made to Malory not only that the beauty of Tennyson 's workmanship may be made apparent, but also that an abiding interest may be aroused in mediaeval story.

Contents

Page

A BRIEF BIBLIOGRAPHY ix

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