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The Shakspearian reader: a collection of the most approved plays of Shakspeare

John W. S. Hows · 1881 · Scanned text · Free in the US

178,324 words · about 12 h 29 min to read

Period artwork: Interior of the Bodleian Library, 1845
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About this book

Author
John W. S. Hows
Language
English
Published
1881
Length
178,324 words · about 12 h 29 min
Sections
81 reader sections
Text
Scanned text, read from page scans by OCR; may contain errors
Rights
Public domain in the United States

 

Contents (81)
  1. Front matter about 2 min
  2. Preface about 5 min
  3. Contents about 7 min
  4. Act I about 5 min
  5. SCENE II. — The same. A Room of State in tlie same about 8 min
  6. SCENE III.— A Room in Polonius' House. Enter Laertes and Ophelia about 2 min
  7. SCENE IV.— The Plalform. Enter Hamlet, Horatio, and Marcellus about 2 min
  8. SCENE V. — A more remote Part of the Platform. Re-enter Ghost and Hamlet about 6 min
  9. Scene I about 15 min
  10. ACT III. SCENE I.— A Room in the Castle about 23 min
  11. Act IV about 17 min
  12. SCENE the last.— A Hall in Hie Castle about 5 min
  13. ACT I. SCENE L— Before Leonato's House about 13 min
  14. SCENE III.— Leonato's Garden. Enter Benedick and a Boy about 9 min
  15. SCENE I. — Leonato's Garden. Enter Hero, Margaret, and Ursula about 5 min
  16. SCENE III.— A Street about 6 min
  17. Act IV about 10 min
  18. Act V about 6 min
  19. SCENE I. — An open Place. Thunder and Lightning. Enter three Witches about 42 min
  20. SCENE III.— Dunsinane. A Room tn the Castle. Enter Macbeth, Doctor, and Attendants about 2 min
  21. SCENE IV. Country near Dunsinane : A Wood in view about 1 min
  22. SCENE V. — Dunsinane. WiiJibi the Castle about 3 min
  23. ACT I. SCENE [. — An Orcliard, near Oliver's House about 9 min
  24. SCENE I.— The Forest 0/ Arden about 16 min
  25. ACT III. The Forest about 13 min
  26. ACT IV. SCENE I.— The same about 11 min
  27. ACT V. The Forest of Arden about 13 min
  28. SCENE II.— A Street in Venice. Enter Othello, Iago, and Attendants about 4 min
  29. SCENE III.— TJie Same, A Council Cham:er about 8 min
  30. ACT II. SCENE l.—A Sea-port Town in Cyprus about 11 min
  31. Act III about 19 min
  32. ACT I. SCENE. — The Sea, with a Ship; afterwards an uninhabited Island about 20 min
  33. ACT III. SCENE L— Before Prosperous Cell about 9 min
  34. SCENE I.— Before Prospero's Cell. Enter Prospero, Ferdinand, and Miraiida about 5 min
  35. ACT V. SCENE I.— Before the Cell o/ Prospero about 12 min
  36. Act I. Scene I about 20 min
  37. SCENE III.— Friar Laurence's Cell. Enter Friar Laueekce, ivith a basket about 3 min
  38. SCENE IV.— .4 Street Enter Benvolio, and Mercutio about 7 min
  39. Act III about 8 min
  40. SCENE v.— Juliet's Chamber. Enter Romeo, and Juliet about 2 min
  41. SCENE I.— Friar Laurence's Cell Enter Friar Laurence, and Paris about 6 min
  42. Act V about 3 min
  43. SCENE III. — A CTiurch-Yard ; in it, a Monument belonging to t\i Capulets about 6 min
  44. SCENE I.— Venice. A Street. Enter Antonio, Salarino, and Salasio about 7 min
  45. SCENE II. — Belmont. A Room in Portia's House. Enter Portia, and Nerissa about 3 min
  46. SCENE III.— Venice. A public Place. Enter Bassanio and Shylock about 5 min
  47. Act II about 3 min
  48. Act III under 1 min
  49. SCENE I.— A street in Venice. Enter Salanio, and Sal a ring about 29 min
  50. Act I about 19 min
  51. Act II about 12 min
  52. Act III about 13 min
  53. Act IV about 14 min
  54. Act V about 4 min
  55. Act I about 9 min
  56. ACT II. SCENE I.— A Wood near Athens about 11 min
  57. Act III about 4 min
  58. Act IV about 6 min
  59. Act I about 3 min
  60. SCENE II.— The same. A public Place about 11 min
  61. Act II about 10 min
  62. Act III about 21 min
  63. Act IV about 2 min
  64. SCENE III.— Wilkin the Tent of Bruins. Lucius aTid Titinius at some distance from it about 11 min
  65. Act V about 2 min
  66. SCENE I.— An Apartment in the Duke's Patace Enter Duke, Curio, Lords ; Musicians attending about 1 min
  67. SCENE II.— T/:e Sea-coasL Enter Viola, Captain, and Sailors about 11 min
  68. ACT II. SCENE.— A Street about 5 min
  69. ACT III. Olivia, and Viola about 3 min
  70. Act V about 8 min
  71. Act 1 about 13 min
  72. Act III about 37 min
  73. SCENE III.— The same. Before the Castle. Enter Arthur on the walls about 6 min
  74. Act V about 11 min
  75. Act I about 25 min
  76. Act II under 1 min
  77. SCENE IV.— A Hall in Black-Friars. Court assembled for the Trial about 5 min
  78. Act III about 13 min
  79. ACT IV. SCENE II.— Kimbolton about 10 min
  80. Introduction to the Study of Biology 65 about 1 min
  81. Part 1 45 about 2 min

Continue:

Front matter

Gass

Rook

^Hn

Preface

At a period \\hen the fame of Shakspeare is "striding tiie woild likj a colossus," and editions of his works are multiplied with a ptofusion that testifies the desire awakened in all classes of society ta read and study his imperishable compositions, — there needs, perhaps, but httle apology for the following selections of his works, prepared expressly to render them unexceptionable for the use of Schools, and acceptable for Family reading. Apart from tlie fart, that Shakspeare is the " well-spring " from which may be traced the origin of the purest poetry in our language, — a long course of professional experience has satisfied me that a necessity exists for the addition of a work like the present, to our stock of Educational Literature. His writings are peculiarly adapted for the purposes of elocutionary exercise, when the system of instruction pursued by the Teacher is based upon the true principle of the art, viz. — careful analysis of the structure and meaning of language, rather than a servile adherence to the arbitrary and mechanical rules of Elocution.

To impress upon the mind of the pupil that words are the exposition of thought, and that in reading, or speaking, every shade of thought and feeling has its appropriate shade of modulated tone, ought to be the especial aim Qf every Teacher; and an author like Shakspeare, whose every line embodies a volume of meaning, should surely form one of our Elocutionary Text Books. I have invariably found that the attention of youthful punils is more readily

Vlll PRE! ACE.

awakened by the force and beauty of his lang nage, than by that oi all other writers. Interest is uniformly excited in the student by the infinite variety of character that our great poet introduces into his creations, whilst the perceptive faculties of th^ reader become quickened and roused into action by the wonderful pcwcr he exhibits in " making his persons act and speak by the influence of those general passions and principles by v/hich all minds are agitated." The study of Elocution, under impressions so favorable, becomes an exercise truly intellectual, and the objectionable, but still necessary mechanism of the art, is reduced to its proper subordinate and auxiliary position.

That his entire works could not be introduced intc? schools is evident ; nor do the " Selections," " Beauties," and occasional " Extracts," found in our Class Readers, precisely meet the wants of a pupil. These are at best the " briclis," — unsatisfactory specimens of the imperishable structure that the genius of our poet has reared, for the admiration of every age and every clime.

" The real power of Shakspeare is not shown only by particular passages, but much also by the progress of his fables and the tenor of his dialogue." Unconnected extracts will always fail to interest and impress the young to the same extent as a coherent story and in animated scene.

Acting upon these convictions, I have endeavored to extract the essence, as it were, of sixteen of Shakspeare's most approved Dramas — preserving in each the main story entire, by the aid of brief explanatory notes connecting the selections. The strictly poetical passages have been generally retained in preference to the comic portions, my limits compelling me to a choice between the two. Conceding the necessity of this almost imperative choice, I believe ti^.at the selections are those, to which the lovers of Shakspeare most frequently and most satisfactorily recur.

Of the liberties I have been compelled to take with ray autJioi;

PREFACE. l:i

[ scarcely know how to speak with becoming propriet/. I profess tO share the common veneration entertained for the pure unmutilated text of Shakspeare ; and can estimate at what it is worth that ultra fastidiousness, which denounces the great " Poet of Nature " for having made his characters speak agreeably to the spirit of his own age. Still, in preparing a selection of his works for the express purpose contemplated in my design, I have not hesitated to exercise a severe revision of his language, beyond that adopted in any similar undertaking — '• Bowdler's Family Shakspeare " not even excepted ; — md simply, because I practically know the impossibility of introducing Shakspeare as a Class Book, or as a satisfactory Reading Book for Families, without this precautionary revision.

To render the selections better adapted for expressive reading, I have also ventured to disencumber several passages of unnecessary circumlocution, consulting standard authorities to aid me in this portion of my labors.

I may be held amenable at the bar of criticism, for what may be deemed by many a profanation of Shakspeare.

In extenuation of my temerity, I may be permitted to say, that although the undertaking of such a work as the present, has been urged upon me by convictions, practically enforced, of its necessity, I b^ve long been restrained from making the attempt from con^ Bcientious scruples as to its propriety. But to —

" Do a oTeaf riglit,"

[ have dore

" A little wrong*

ShaKspeare, in the original, is effectually excluded from out Schools ; and modern refinement is fast banishing him from the Home Reading Circle. To bring his profound moral and intellectual teachings to bear upon tlie early mental training of the young, and to extend his genial influences around the "Homestic Ileartli

X PREFACE.

seemed lo me justifiable attempts ; expedient to be made at all hazards.

I have therefore prepared these selections with such a carefully expurgated Text, that the Book mav be introduced into our Schools with perfect confidence, by the most fastidious Teacher ; and with equal propriety it can be used for reading aloud in the most refined and pure-minded Family, or Social Circle.

In justice to myself, I may be permitted to add, that 1 nave evoided, as far as it was practicable with the nature of my design, the substitution of any language of my own for the pure text of Shakspeare. I have been compelled occasionally t'" resort to the use of synonymes, but these have been adopted but sparingly. When difficulties beset me in the original, I have preferred, in most cases, excision to alteration. I may possibly have

" Cut beyond the wound,

To make the cure co7nplete ;"

but there is high medical authority for believing that this is the most successful treatment in desperate cases.

With this explanatory, and I may add, deprecatory piefaro, I submit the result of my humble, but very toilsome labors, to tl« test of pubHc opinion.

New YosK, Fcbruarif ^ JS49

Contents

IIajolet, Prince of Denmare 1

Much Ado About Noxnrwo, KJ

Macbeth, . . t . 79

Act I

SCENE I.— Elsinore. A Platform before the Castle, Francisco on his post. Enter to him Bernardo.

Ber. Who's there ?

Fran. Nay, answer me : stand, and unfold

Yourself.

Ber. Long live the king !

Fran. Bernardo ?

Ber. He.

Fran. You come most carefully upon your hof-T.

Ber. 'Tis now struck twelve ; get thee to bed, Francisco.

Fran. For this relief, much thanks : 'tis bitter cold, And I am sick at heart.

Ber. Have you had quiet guard ?

Fran. Not a mouse stirring.

Ber. Well, good night. !f you do meet Horatio and Marcellus, The rivals of my watch, bid them make haste.

Enter Horatio and MARCELLrs.

Fran. I think I hear them — Stand, ho ! Who is there ?

Hor. Friends to this ground.

Mar. And liegemen to the Dane.

Fran. Give you good night.

Mar. O, farewell, honest soldier :

Who hath retiev'd you ?

HAMLET. ;j

Fran. Bernardo hath my place.

Give you good n.ght. [Ex'u Fkancisoo.

Mar. Holla, Bernardo !

Ber. Say.

What, is Horatio there ?

Hor. Apiece of him.

Ber. Welcome, Horatio ; welcome, good Marcellus.

Hor. What, has this thing appear'd again to-night ?

Ber. I have seen nothing.

3Tar. Horatio says, 'tis but our fantasy ; i\ nd will not let belief take hold of him. Touching this dreaded sight, twice seen of us : T'.ierefore I have entreated him, along With us to watch the minutes of this night ; That, :f again this apparition come, He may approve our eyes, and speak to it.

Hor. Tush ! tush ! 'twill not appear.

Ber. Sit down awliite *

And let us once again assail your ears.

That are so fortified against our story, What we two nights have seen.

Hor. Well, sit we down,

And let us hear Bernardo speak of this.

Ber. Last night of all.

When yon same star, that's westward from the pole, Had made his course to illume that part of heaven Where now it burns, Marcellus, and myself. The bell then beating one, —

Mar. Peace, break thee off; look, where it comes again !

Enter Ghost.

Ber. In the same figure, like the king that's dead.

Mar. Thou art a scholar, speak to it, Horatio.

Ber. Looks it not like the king ? mark it, Horatio.

Hor. Most like : it harrows me with fear, and wonder.

Bsr. It would be spoke to.

Mar. Speak to it, Horatio.

Hor. What art thou, that usurp'st this time of night, Together with that fair and warlike form [n which the majesty of buried Denmark' Did sometim.es march ? by heaven I charge thee, speak.

Afar. It is offended.

Ber. See ! it stalks away.

Hor. Stay ; speak : speak,I charge thee, speak. [Evb Ghpai

Mar. 'Tis gone, and will not answer.

Ber. How now, Horatio ? you tremble, and look pale : Is not this something more than fantasy ? What think you of it ?

Hor. I miofht not this believe.

1 SHAKSPEARIAN REAP-ER,

Without the sensible and true avouch Of mine own eyes.

Mar. Is it not like the king ?

Hor. As thou ait to thyself : Such was the very armour rre had on, When he the ambitious Norw^ay combated ; So frown'd he ^^nce, when, in an angry parie, He smote the sledded Polack on the ice. 'Tis strange.

Mar. Thus, twice before, and jump at this dezd hou?. With martial stalk hath he gone by our watch.

Hor. In what particular thought to work, I kr cw not j But, in the gross and scope of mhie opinion, This bodes some strange eruption to our state. In the most high and palmy state of Rome, A little ere the mightiest Junius fell, The graves stood tenantless, and the sheeted dead Did squeak and gibber in the Roman streets. As, stars with trains of fire shed dews of blood, Disaster's dimm'd the sun ; and the moist star, Upon whose influence Neptune's empire stands, VVas sick almost to dooms-day with eclipse. And even the like precurse of fierce events, — As harbingers preceding still the fates. And prologue to the omen coming on, — Have heaven and earth together demonstrated Unto our climates and countrymen. —

Re-enter Ghost.

But, soft ; behold ! lo, where it comes again ! I'll cross it, thougli it blast me. — Stay, illusion? If thou hast any sound, or use of voice, Speak to me :

If there be any good tiling to be done, That may to thee do ease, and grace to me Speak to me :

If thou art privy to thy country's fate. Which, happily, foreknowing may avoid, O, speak !

Or, if thou hast uphoarded in thy Ufe Extorted treasure from the depths of earth, For which, they say, you spirits oft walk in death : Speak of it : — stay, and speak. [Exit Ghost

Mar. 'Tis gone !

We do it wrong, being so majestic al.

To ojffer it the show of violence.

Ber. It was about to speak, when the cock crew.

Hor. And then it started like a guilty thing Upon a fearful summons. I have heard.

HAMLET. T

/'he cock, that is the trumpet to the mom, Doth with his lofty and shrill-sounding throat Awake the god of day ; and, at his warning, Whether in sea or fire, in earth or air, The extravagant and erring spirit hies To liis confine : and of the truth hereiir This present object made probation.

Mar. It faded on the crowing of the cock. Some say, that ever 'gainst that season comes Wherein our Saviour's birth is celebrated. This bird of dawning singelh all night long : And then, they say, no spirit dares stir abroad ; The nights are wholesome ; then no planets strike. No fairy takes, nor witch hath power to harm, So hallow'd and so gracious is the time.

Hor. So have I heard, and do in part believe it. But, look, the morn, in russet mantle clad, Walks o'er the dew of yon high eastern hill : Break we our watch up ; and, by my advice. Let us impart what we have seen to-night Unto young Hamlet : for, upon my life, This spirit, dumb to us, will speak to him : Do you consent we shall acquaint him with it, As needful in our loves, fitting our duty ?

Mar. Let's do't, I pray ; and I this morning know Where we shall find him most convenient. [Exeunt.

SCENE II. — The same. A Room of State in tlie same

Enter the King, Queen, Hamlet, Polonius, Laertes, Lores, \ni Attendants.

King. Though yet of Hamlet our dear brother's death The memory be green ; and that it us befitted To bear our hearts in grief, and our whole kingdom To be contracted in one brow of woe ; Yet so far hath discretion fought with nature, That v;e with wisest sorrow think on him. Together with remembrance of ourselves.

Therefore our sometime sister, now our queen, The imperial jointress of this warlike state, Have we, as 'twere, with a defeated joy, — Taken to wife : nor have we herein barr'd

Your better wisdoms, which have freely gone

With this affair along : — For all, our thanks. And now, Laertes, what's the news with you ? You told us of some suit ? What is't, Laertes t

Laertes. My dread lord, Vour leave and favor to return to France ;

() SHAKSPEAKIAN READER.

From whence tlioiigh willingly I came to Denmark,

To show my duty in your coronation ;

Yet now, I must confess, that duty done,

My thoughts and wishes bend again toward France,

And bow them to your gracious leave and pardon.

King. Have you your father's leave ? What says Poljnius 1

Pol. He hath, ray lord, — I do beseech you, give him leave to go.

King. Take thy fair hour, Laertes ; time be thine, And thy best graces : spend it at thy will. —

But now, my cousin Hamlet, and my son, ._=__—=- — "

" Ham. A little more than kin, and less than kind. f A.sj<ie.

King. How is it that the clouds still hang on you ]

Ham. Not so, my lord, I am too much i' the sun.

Queen. Good Hamlet, cast thy nighted color off, And let thine eye look like a friend on Denmark. Do not, for ever, with thy vailed lids Seek for thy noble father in the dust : Thou know'st, 'tis common ; all that live, must die, Passing through nature to eternity.

Ham. Ay, madam, it is common.

Queen. If it be,

Why seems it so particular with thee ?

Ham. Seems, madam ! nay, it is ; I know not seems. 'Tis not alone my inky cloak, good mother. Nor customary suits of solemn black.

Nor windy suspiration of forc'd breath.

No, nor the fruitful river in the eye.

Nor the dejected 'havior of the visage.

Together with all forms, modes, shows of grief. That can denote me truly : These, indeed, seem. For they are actions that a man might play : But I have that within, which passeth show * These, but the trappings and the suits of woe.

King. 'Tis sweet and cormnendable in your nature, Hainlet, To give these mourning duties to your father : But, you must know, your father lost a father ; That father lost, lost his ; and the "survivor bound. In filial obligation, for some terni To do obsequious sorrow : But to porsever In obstinate condolement, is a course Of impious stubbornness; 'tis unm.anly grief: It shows a will most incorrect to heaven ; A heart unfortified, or mind impatient : An understanding simple and unschool'd : For what, we know, must be ; and is as common As any of the most vulgar thing to sense, Why should we, in our pee\nsh opposition, «

Take it to heart ? Fye I 'tis a fault to heaven.

nAMLET. i

We pray you, throw to earth This unprevailing woe ; and think of us As of a father : for let the world take note, You are the most immediate to our throne ; Our chiefest courtier, cousin, and our son.

Queen. Let not thy mother lose her prayers, Hamlet ; I pray thee stay with us ; go not to Wittenberg.

Ham. I shall in all my best obey you, madam.

King. Why, 'tis a loving and a fair reply ; Be as ourself in Denmark. — Madam, come ; This gentle and unforc'd accord of Ilamlet Sits smiling to my heart : in grace whereof, No jocund health, that Denmark drinks to-day But the great cannon to the clouds shall tell ; Re-speaking earthly thunder. Come away.

[Exeunt King, Queen, Lords, cf-c, PoLOKrus, and [jlkrtss

Ham. O, that this too too solid flesh would melt, Thaw, and resolve itself into a dew !

Or that the Everlasting nad not fix'd His canon 'gainst self-slaughter !

How weary, stale, flat, and unprofitable Seem to me all the usee of this world !

Fye on't ! O fye ! 'tis an unweeded garden, That grows to seed ; things rank, and gross in nature, Possess it merely. That it should come to this ! But two months dead ! — nay, not so much, not two ; So excellent a king ; that was, to this, Hyperion to a satyr : so loving to my mother, That he might not beteem the winds of heaven Visit her face too roughly. Heaven and earth ! Must I remember ? And yet, within a month, — Let me not think on't ; — Frailty, thy name is woman ! — A little month ; or ere those shoes were old. With which she foUow'd my poor father's body, Like Niobe, all tears ; — why she, even she, — O heaven ! a beast, that wants discourse of reason, Would have moum'd longer, — married with my uncle, My father's brother ; but no more like my father. Than I to Hercules : It is not, nor it cannot come to, good ; But l)reak, my heart ; for I must hold my tongue !

Enter Horatio, Bernardo, and Marcellus.

Hor. Hail to your lordship !

Ham. • I am glad to see you well

Horatio, — or I do forget myself.

Hor. The same, my lord, and your pocr servant ever. Ham. Sir, my good friend ; I'll change that name with you.

S SllAKSPEAKIAN READsa.

And what make you from Wittenberg, Horatio ? — Marcellus ?

Mar. My good lord.

Ham. I am very glad to see you ; good even, sir,—" But what, in faith, make you from Wittenberg ?

Hor. A truant disposition, good my lord.

Ham. I would not hear your enemy say so ; Nor shall you do mine ear that violence, To make it truster of your own report Against yourself: I know, you are no truant. But what is your affair in Elsinore ?

We'll teach you to drink deep, ere you depart.

Hor. My lord, I came to see your father's funeral.

Ham. I pray thee, do not mock me, fellow-student ; I tliink, it was to see my mother's w^edding.

Hor. Indeed, my lord, it follow'd hard upon.

Ham. Thrift, thrift, Horatio ! the funeral bak'd meats Did coldly furnish forth the marriage tables. 'Would I had met my dearest foe in heaven Or ever I had seen that day, Horatio .' — My father, — Metliinks, I see my father.

Hor. Where,

My lord ?

Ha7n. In my mind's eye, Horatio.

Hor. I saw him once, he was a goodly king.

Ham. He was a man, take him for all in all, [ shall not look upon his like again.

Hor. My lord, I think I saw him yesterri^lit.

Ham. Saw! who?

Hor. My lord, the king your father.

Ham. The king my fathe?

Hor. Season your admiration for a while With an attent ear ; till I may deliver. Upon the witness of these gentlemen, This marvel to you.

Ham. For heaven's love, let me hear.

Hor. Two nights together had these gentlemen, Marcellus and Bernardo, on their watch.

In the dead waist and middle of the night. Been thus encounter'd. A figure like your fatner, Armed at point, exactly, cap-^-pe, Appears before them, and, with solemn march. Goes slow and stately by them : thrice he walk'd, B^ their oppress'd and fear-surprised eyes, Within his truncheon's length ; whilst they, distil I'd Almost to jelly with the act of fear, Stand dumb, and speak not to him. This to me (n dreadful secrecy impart they did ;

HAMLET.

And I with them, the thh'd night kept the watch ; Where, as they had deliver'd, both in time, Form of the thing, each word made true and good, The apparition comes : I knew your father ; These hands are not more Uke.

Ham. But where was this ?

Mar. My lord, upon the platform where we watch'd.

Ham. Did you not speak to it ?

Hor. My lord, I did :

But answer made it none : yet once, .rethought, It lifted up its head, and did address Itself to motion, like as it would speak : But, even then, the morning cock crew loud ; And at the sound it shrunk in haste away. And vanish'd from our sight.

Ham. 'Tis very strange.

Hor. As I do live, my honor'd lord, 'tis true ; And we did think it writ down in our duty, To let'you know of it.

Ham. Indeed, indeed, sirs, but this troubles me. Hold you the watch to-night ?

All. We do, my lord.

Ham. Arm*d,say you ?

All. Arm'd, my lord.

Ham. Frcra top to toe ?

All. My lord, from head to foot.

Ham. Then saw you not

His face.

Hor. O, yes, my lord ; he wore his beaver up.

Ham. What, look'd he frowningly ?

Hor. A countenance more

In sorrow than in anger.

Ham. Pale, or red ?

Hor. Nay, very pale.

Ham. And fix'd his eyes upon you ?

Hor. Most constantly.

Ham. I would, I had been there.

Hor. It would have much amaz'd you.

Ham. Very like.

Very like : Stay'd it long ?

Hor. While one with moderate haste might tell a hundred.

Ham. His beard was grizzl'd ? no ?

Hor. It was, as I have seen it in his life, L sable silver'd.

Ham. I will watch to-night ;

Perchance, 'twill walk again.

Hor. I warrant, it will.

Ham. If it assume my noble father's person, f 11 speak to it, though hell itself should gape,

10 SHAKSrEAIllAJS READEB.

And bid me hold my peace. I pray you all, If you have hitherto conceal'd this sight, Let it be tenable in your silence still ; And whatsoever else shall hap to-night, Give it an understanding, but no tongue ; I will requite ^/our loves : So, fare you well : Upon the platform, 'twixt eleven and twelve, I'll visit you.

All. Our duty to your honor.

Ham. Your loves, as mine to you : Farewell.

[Exeunt Koratio, Marcellus, and BEitNiRUO My father's spirit in arms ! all is not well ; I doubt some foul play : 'would, the night were come ! Till then sit still, my soul : Foul deeds will rise, Though all the earth overwhelms them, to men's eyes.

[ExH.

SCENE III.— A Room in Polonius' House. Enter Laertes and Ophelia

Laer. My necessaries are embark'd ; farev/ell : And, sister, as the winds give benefit, Pray let me hear from you.

Oph. Do you doubt that ?

Laer. For Hamlet, and the trifling of his favor, Hold it a fashion, and a toy in blood ; For he himself is subject to his birth : He may not, as unvalued persons do, Carve for himself:

Then weigh what loss your honor may sustain, If with too credent ear you list his songs. Fear it, Ophelia, fear it, my dear sister ; And keep you in the rear of your affection, Out of the shot and danger of desire ; The chariest maid is prodigal enough, If she unm.ask her beauty to the moon.

Oph. I shall the effect of this good lesson keep, As watchman to my heart : But, good my brother, Do not, as some ungracious pastors do.

Show me the steep and thorny way to heaven ; Whilst, like a puff 'd and reckless libertine, Himself the primrose path of dalliance treads, And recks not liis own rede.

Laer. O fear me not.

I stay too long ; — But here my father comes.

Enter Polonius.

Pol. Yet here, Laertes ! aboard, aboard, for shamd The wind sits in the shoulder of your sail,

^id you are staid for : There, my blessing with you !

[Laying his hand on La estes' head And these few precepts in thy memory Look thou character. Give thy thoughts no tongue, Nor any unproportion'd thought his act.

Be thou familiar, but by no means vulgar. The friends thou hast, and their adoption tried, Grapple them to thy soul with hooks of steel ; But do not dull thy palm with entertainment Of each new-hatch'd, unfledg'd comrade. Beware Of entrance to a quarrel : but, being in, Bear it, that the opposer may beware of thee. Give every man thine ear, but few thy voice : Take each man's censure, but reserve thy judgnieni Costly thy habit as thy purse can buy.

But not express'd m fancy : rich, not gaudy : For the apparel oft proclaims the man ; And they in France, of the best rank and station, ' Are most select and generous, chief in that. Neither a borrower, nor a lender be : For loan oft loses both itself and friend : And borrowing dulls the edge of husbandry. This above all, — To thine ownself be true ; And it must follow, as the night the day, Thou canst not then be false to any man. Farewell ; my blessing season this in thee !

Laer. Most humbly do I take my leave, my lord.

Pol. The time invites you ; go, your servants tend.

Laer. Farewell, Ophelia : and remember well What I have said to you.

Oph. 'Tis in my mem.ory lock'd.

And you yourself shall keep the key of it.

Laer. Farewell.

SCENE IV.— The Plalform. Enter Hamlet, Horatio, and Marcellus

Ham. The air bites shrewdly ; it is very cold.

Hor: It is a nipping and an eager air.

Ham. What hour now ?

Hor. I think, it lacks of twelve.

Mar. No, it is struck.

Hor. Indeed ? I heard it not ; then it draws near the season. Wherein the spirit held his wont to walk.

\_A flourish of trumpets, and ordnance shot ojf, within^ Wliat does this mean, my lord ?

Hayn. The king doth wake to-night, and takes his rouse, And, as he drains his draughts of Rhenish down, 2

12 SHAKSPEARIAN READES.

The kettle-drum and crumpet thus bray out The triumph of his pledge.

Hor Is it a custom ?

Ham. Ay, marry, is't : But to my mind, — though I am native here, And to the manner born, — it is a custom More honor'd in the breach, than the observance.

Enter Ghost.

Hor. Look, my lord, it comes !

Ham. Angels and ministers of grace defend lis -' Be thou a spirit of health, or goblin damn'd. Bring with thee airs from heaven, or blasts from hellj Be thy intents wicked, or charitable, Thou com'st in such a questionable shape. That I will speak to thee ; I'll call thee Hamlet, King, father, royal Dane : O, answer me : Let me not burst in ignorance ! but tell, Why thy canoniz'd bones, hearsed in death. Have burst their cerements ! why the sepulchre, Wherein we saw thee quietly in-urn'd, Hath op'd his ponderous and marble jaws. To cast thee up again ! What m.ay this mean, That thou, dead corse, again, in complete steel, Revisit'st thus the glimpses of the moon, Making night hideous ; and we fools of nature, So horribly to shake oar disposition.

With thoughts beyond the reaches of our souls ? Say why is this ? wherefore ? what should we do ?

Hor. It beckons you to go away with it , As if it some impartment did desire To you alone.

Mar. Look, with what courteous action

It waves you to a more removed ground : But do not go with it.

Hor. No, by no means.

Ham. It will not speak ; then I will follow it.

Hor. Do not, my lord.

Ham. Why, what should be the tear f

1 do not set my life at a pin's fee ; And, for my soul, what can it do to that, I3eing a thing immortal as itself?

It v/aves me forth again ; — I'll follow it.

Hor. What, if it tempt you toward tlie flood, my lord, Or to the dreadful summit of the cliff, That beetles o'er his base into the sea ? And there assume some other horrible form, And draw you into madness ?

Ham. It waves me still —

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