The idol of Paris; a romance

Chapter I

In the dining-room of a fine house on the Boulevard Raspail all the Darbois family were gathered together about the round table, on which a white oil cloth bordered with gold-medallioned portraits of the line of French kings served as table cover at family meals.

The Darbois family consisted of Frangois Darbois, professor of philosophy, a scholar of eminence and distinction; of Madame Darbois, his wife, a charming gentle little creature, without any pretensions; of Philippe Renaud, brother of Madame Darbois, an honest and able business man; of his son, Maurice Renaud, twenty-two and a painter, a fine youth filled with confidence because of the success he had just achieved at the last Salon; of a distant cousin, the family counsellor, a tyrannical landlord and self-centered bachelor, Adhemar Meydieux, and the child of whom he was godfather, and around whom all this particular little world revolved.

Esperance Darbois, the only daughter of the philosopher, was fifteen years old. She was tall and slim without being angular. The flower head that

II crowned this slender stem was exquisitely fair, with the fairness of a little child, soft pale-gold, fair. Her face had, indeed, no strictly sculptural beauty; her long flax-coloured eyes were not large, her nose had no special character; only her sensitive and clear-cut nostrils gave the pretty face its suggestion of ancient lineage. Her mouth was a little large, and her full red lips opened on singularly white teeth as even as almonds; while a low Grecian forehead and a neck graceful in every curve gave Esperance a total effect of aristocratic distinction that no one could deny. Her low vibrant voice produced an impression that was almost physical on those who heard it. Quite without intention, she introduced into every word she spoke several inflections which made her manner of pronunciation peculiarly her own.

Esperance was kneeling on a chair, leaning upon her arms on the table. Her blue dress, cut like a blouse, was held in at the waist by a narrow girdle knotted loosely. Although the child was arguing vigorously, with intense animation, there was such grace in her gestures, such charming vibrations in her voice, that it was impossible to resent her combative attitude.

*'Papa, my dear papa," she was asserting to Francois Darbois, "You are saying to-day just the opposite of what you were saying the other day to mother at dinner."

Her father raised his head. Her mother, on the contrary, dropped hers a little. "Pray Heaven," she was saying to herself, "that Frangols does not get angry with her!"

The godfather moved his chair forward; Philippe Renaud laughed; Maurice looked at his cousin with amazement.

"What are you saying?" asked Frangois Darbois.

Esperance gazed at him tenderly. "You remember my godfather was dining with us and there had been a lot of talk; my godfather was against allowing any liberty to women, and he maintained that children have no right to choose their own careers, but must, without reasoning, give way to their parents, who alone are to decide their fates."

Adhemar wished to take the floor and cleared his throat In preparation, but Frangois Darbols, evidently a little nonplused, muttered, "And then after that — what are you coming to?"

"To what you answered, papa."

Her father looked at her a little anxiously, but she met his glance calmly and continued : "You said to my godfather, 'My dear Meydleux, you are absolutely mistaken. It Is the right and the duty of everyone to select and to construct his future for himself.' "

Darbols attempted to speak. . . .

"You even told mama, who had never known It, that grandfather wanted to place you in business, and that you rebelled."

"Ahl rebelled," murmured Darbols, with a slight shrug.

"Yes, rebelled. And you added, 'My father cut off my allowance for a year, but I stuck to it; I tutored poor students who couldn't get through their examinations, I lived from hand to mouth, but I did live, and I was able to continue my studies in philosophy.' "

Uncle Renaud was openly nodding encouragement. Adhemar Meydieux rose heavily, and straightening up with a succession of jerky movements, caught himself squarely on his heels, and then, with great conviction, said: "See here, child, if I were your father, I should take you by the ear and put you out pf the room."

Esperance turned purple.

*'I repeat, children should obey without question!"

*'I hope to prove to my daughter by reasoning that she is probably wrong," said M. Darbois very quietly.

**Not at all. You must order, not persuade."

*'Now, M. Meydieux," exclaimed the young painter, *'it seems to me that you are going a little too far. Children should respect their parents' wishes as far as possible ; but when it is a question of their own future, they have a right to present their side of the case. If my uncle Darbois's father had had his way, my uncle Darbois would probably now be a mediocre engineer, instead of the brilliant philosopher who is admired and recognized by the entire world."

Gentle little Madame Darbois sat up proudly, and Esperance looked at her father with a world of tenderness in her eyes.

*'But, my lad," pursued Adhemar, swelling with conviction, "your uncle might well have made a for' tune at machinery, while, as it is, he has just managed to exist."

"We are very happy" — Madame Darbois slipped in her word.

Esperance had bounded out of her chair, and from behind her father encircled his head with her arms. "Oh ! yes, very happy," she murmured in a low^ voice, "and you would not, darling papa, spoil the harmony of our life together?"

"Remember, my dear little Esperance, what I said to your mother concerned only men — now we are considering the future of a young girl, and that is a graver matter!"

"Why?"

"Because men are better armed against the struggle, and life is, alas, one eternal combat."

"The armour of the intellect is the same for a young girl as for a young man."

Adhemar shook his shoulders impatiently. Seeing that he was getting angry and was like to explode, Esperance cried out, "Wait, godfather, you must let me try to convince my parents. Suppose, father, that I had chosen the same career as Maurice. What different armour should I need?"

Frangois listened to his daughter affectionately, drawing her closer to him. "Understand me, my dearie. I am not denying your wish as a proof of my parental authority. No, remember this is the second time that you have expressed your will in the matter of the choice of your career. The first time I asked you to consider it for six months : The six months having passed, you now place me under the obligation of "

"Oh! papa, what a horrid word!"

*'But that is it," he went on, playing with her pretty hair, "you have put me under the obligation of answering you definitely; and I have called this family council because I have not the courage, nor, perhaps, the right, to stand in your way — the way you wish to go."

Adhemar made a violent effort to leap to his feet, declaiming in his heavy voice, "Yes, Frangois, you must try and prevent her from going this way, the most evil, the most perilous above all, for a woman."

Esperance began to tremble, but she stood resolutely away from her father, holding herself rigid with her arms hanging straight at her sides. The rose tint of her cheeks had disappeared and her blue eyes were dimmed with shadows.

Maurice hastily made a number of sketches of her; never before had he found his cousin so interesting.

Adhemar continued, "Pray allow me to proceed with what I have to say, my dear child. I have come from the country for this purpose, in answer to your father's summons. I wish to offer my experience for your protection. Your parents know nothing of life. Francois breathes the ether of a world peopled only by philosophers — whether dead or living, it makes little difference ; your mother lives only for you two. I expressed at once my horror at the career that you have chosen, I expatiated upon all the dangers ! You seem to have understood nothing, and your father, thanks to his philosophy, that least trustworthy of guides, continues futilely reasoning, for ever reasoning!"

His harangue was cut short. Esperance's clear voice broke In, "I do not wish to hear you speak In this manner of my father, godfather," she said coldly. **My father lives for my mother and me. He Is good and generous. It is you who are the egoist, godfather!"

Frangois started as if to check his daughter, but she continued, ''When mama was so sick, six years ago, papa sent me with Marguerite, our maid, to take a letter to you. I did so want to read that letter. It must have been so splendid . . . You answered . . ."

Adhemar tried to get In a word. Esperance in exasperation tapped the floor with her foot and rushed on, "You answered, 'Little one, you must tell your papa that I will give him all the advice he wants to help him out of this trouble, but it Is a principle of mine never to lend money, above all to my good friends, for that always leads to a quarrel.' Then I left you and went to my Uncle Renaud, who gave me a great deal more even than we needed for mama."

Big Renaud looked hot and uncomfortable. His son pressed his hand so affectionately under the table that the good man's eyes grew wet.

"Ever since then, godfather, I have not cared for you any more."

The atmosphere of the little room seemed suddenly to congeal. The silence was intense. Adhemar himself remained thunderstruck in his chair, his tongue dry, his thoughts chaotic, unable to form a reply to the child's virulent attack. For the sake of breaking up this general paralysis, Maurice Renaud finally suggested that they should vote upon the decision to be given to his brave little cousin.

They gathered together around the table and began to talk in low tones. Esperance had sunk into a chair. Her face was very pale and great blue circles had appeared around her eyes. The discussion seemed to be once more in full swing when Maurice startled everyone by crying, *'My God, Esperance is ill!"

The child had fainted, and her head hung limply back. Her golden hair made an aureola of light around the colourless face with its dead lips.

Maurice raised the child in his arms, and Madame Darbois led him quickly to Esperance's little room where he laid the light form on its little bed. Francois Darbois moistened her temples quickly with Eau de Cologne. Madame Darbois supported Esperance's head, holding a little ether to her nose. As Maurice looked about the little room, as fresh, as white, as the two pots of marguerites on the mantel-shelf, an indefinable sentiment swelled up within him. Was it a kind of adoration for so much purity? Philippe Renaud had remained in the dining-room where he succeeded in keeping Adhemar, in spite of his efforts to follow the Darbois.

Esperance opened her eyes and seeing beside her only her father and mother, those two beings whom she loved so deeply, so tenderly, she reached out her arms and drew close to her their beloved heads. Maurice had sHpped out very quietly. ^Tapa dearie, Mama beloved, forgive me, it is not my fault," she sobbed.

"Don't cry, my child, now, not a tear," cried Darbois, bending over his little girl. '*It Is settled, you shall be . . ." and the word was lost in her little ear.

She went suddenly pink, and raising herself towards him, whispered her reply, "Oh! I thank you! How I love you both ! Thank you ! Thank you I"

Chapter II

EsPERANCE, left alone with her mother, drank the tea this tender parent brought to her, and the look of health began to come back to her face.

"Then to-morrow, mother dearest, we must go and be registered for the examinations that are soon to be held at the Conservatoire."

"You want to go to-morrow?'*

"Yes, to-day we must stay with papa, mustn't we? He is so kind!"

The two — mother and daughter — were silent a moment, occupied with the same tender thoughts.

"And now we will persuade him to go out with us, shan't we, mother dear?"

"That will be the very best thing for both of you," agreed Madame Darbois, and she went to make her preparations.

Left alone, Esperance cast aside her blue dress and surveyed herself in the long mirror. Her eyes were asking the questions that perplexed her whole being. She raised herself lightly on her little feet. "Oh I yes, surely I am going to be tall. I am only fifteen, and I am quite tall for my age. Oh I yes, I shall be tall." She came very close to the mirror and examined herself closely, hypnotizing herself little by little. She beheld herself under a million different aspects. Her whole life seemed passing before her, shadowy figures came and went — one of them, the most persistent, seemed to keep stretching towards her long appealing arms. She shivered, recoiled abruptly, and passing her hand across her forehead, dispelled the dizzy visions that were gathering there.

When her mother returned she found her quietly reading Victor Hugo, studying ^^Dona SoV* in Her^ nani. She had not heard the opening of the door, and she started at finding her mother close beside her.

"You see, I am not going to lose any time," she said, closing the book. "Ah! mama, how happy I am, how happy!"

"Quick," said her mother, her finger to her lips. "Your father is waiting for us, ready to go out."

Esperance seized her hat and coat quickly and ran to join her father. He was sitting as if thinking, his head resting in his hands. She understood the struggle between love and reason in his soul, and her upright little soul suffered with his. Bending gently beside him she murmured, "Do not be unhappy, papa. You know that I can never suffer as long as I have you two. If I am quite mistaken, if life doesn't bring me any of the things that I expect, I shall find comfort in your love."

Frangols Darbois raised his head and looked deep into the lovely eyes, "God keep you, my little daughter!"

Nejct morning Esperance was ready to go to the Conservatoire long before the appointed hour. M. Darbois was already in his study with one of his pupils, so she ran to her mother's room and found her busy with some papers.

"You have my birth certificate?" 1 es, yes.

*'And papa's written consent?''

"Yes, yes," sighed Madame Darbois.

*'He hesitated to give it to you?"

"Oh! no, you know your father! His word is sacred, but it cost him a great deal. My dear little girl, never let him regret it,"

Esperance put her finger across her mother's lips. "Mama, you know that I am honest and honourable, how can I help it when I am the child of two darlings as good as you and papa ? My longing for the theatre is stronger than I can tell. I believe that if papa had refused his permission, it would have made me sick and that I should have fallen ill and pined away. You remember how, about a year ago, I almost died of anaemia and consumption. Really, mother dear, my illness was simply caused by my overstrung nerves. I had often heard papa express his disapproval of the theatre; and you, you remember, said one day, in reference to the suicide of a well-known actress, *Ah, her poor mother, God keep me from seeing my daughter on the stage !' "

Madame Darbois was silent for a moment; then two tears rolled quietly from beneath her eyelids and a little sob escaped her.

"Ah ! mama, mama," cried Esperance, *'have pity, don't make me see you suffer so. I feared it; I did not want to be sure of it. I am an ungrateful daughter. You love me so much! You have indulged me so ! I ought to give in. I can not, and your grief will kill me. I suffered so yesterday, out driving, feeling papa so far away. I kept feeling as if he were holding himself aloof in an effort to forget, and now you are crying . . . Mama, it is terrible ! I must make myself give you back your happiness— at least your peace of mind. Alas ! — I can not give you back your happiness, for I think that I shall die if I can not have my way.'*

Madame Darbols trembled. She was familiar with her daughter's nervous, high-strung temperament. In a tone of more authority than Esperance had ever heard her use, "Come, child, be quick, we are losing time," she said, *'I have all the ne/:essary papers, come."

They found at the Conservatoire several women, who had arrived before them, waiting to have their daughters entered for the course. Four youths were standing in a separate group, staring at the young girls beside their mothers. In a corner of the room was a little booth, where the official, charged with receiving applications, was ensconced. He was a man of fifty, gruff, jaundiced from liver trouble, looking down superciliously at the girls whose names he had just received. When Madame Darbois entered with Esperance, the distinguished manner of the two ladies caused a little stir. The group of young men drew nearer. Madame Darbois looked about, and seeing an empty bench near a window, went towards it with- her daughter. The sun, falling upon Esperance's blonde hair, turned it suddenly into aureola of gold. A murmur as of admiration broke from the spectators.

"Now there is someone,** murmured a big fat woman with her hands stuffed into white cotton gloves, "who may be sure of her future!'*

The official raised his head, dazzled by the radiant vision. Forgetting the lack of courtesy he had shown those who had proceeded her, he advanced towards Madame Darbois and, raising his black velvet cap, "Do you wish to register for the entrance examinations?'* he said to Esperance.

She indicated her mother with an impatient movement of her little head. "Yes," said Madame Darbois, "but I come after these other people. I will wait my turn."

The man shrugged his shoulders with an air of assurance. "Please follow me, ladies."

They rose. A sound of discontent was audible.

"Silence," cried the official in fury. "If I hear any more noise, I will turn you all out."

Silence descended again. Many of these women had come a long way. A little dressmaker had left her workshop to bring her daughter. A big chamber-maid had obtained the morning's leave from the bourgeois house where she worked. Her daughter stood beside her, a beautiful child of sixteen with colourless hair, impudent as a magpie. A music teacher with well-worn boots had excused herself from her pupils. Her two daughters flanked her to right and left, Parisian blossoms, pale and anaemic. Both wished to pass the entrance examinations, the one as an ingenue in comedy, the other in tragedy. They were neither comic nor tragic, but modest and charming. There was also a small shop-keeper, covered with jewels. She sat very rigid, far forward on the bench, compressed into a terrible corset which forced her breast and back into the humps of a punchinello ; her legs hanging just short of the floor. Her daughter paced up and down the long room like a colt snorting impatiently to be put through Its paces. She had the beauty of a classic type, without spot or blemish, but her joints looked too heavy and her neck was thrust without grace between her large shoulders. Anyone who looked into the future would have been able to predict for her, with some certainty, an honourable career as a tragedian in the provinces.

Madame Darbois seated herself on the only chair in the little office. When the official had read Esperance's birth certificate, he exclaimed, "What! Mademoiselle is the daughter of the famous professor of philosophy?"

Tne two women looked at each other with amazement.

"Why, ladies," went on the official radiantly, "my son is taking courses with M. Darbois at the Sorbonne. What a pleasure it is to meet you — but how does it happen that M. Darbois has allowed . . . ?" His sentence died in his throat. Madame Darbois had become very pale and her daughter's nostrils quivered. The official finished with his papers, returned them politely to Madame Darbois, and said in a low tone, "Have no anxiety, Madame, the little lady has a wonderful future before her."

The two ladies thanked the official and made their way toward the door. The group of young men bowed to the young girl, and she inclined her head ever so slightly.

"Oh, la-la," screamed the chamber-maid.

Esperance stopped on the threshold and looked directly at the woman, who blushed, and said nothing more.

"Ho, ho," jeered one of the youths, "she settled you finely that time, didn't she?"

An argument ensued instantly, but Esperance had gone her way, trembling with happiness. Everything in life seemed opening for her. For the first time she was aware of her own individuality; for the first time she recognized in herself a force: would that force work for creation or destruction? The child pressed her hands against her fluttering heart.

M. Darbois was waiting at the window. At sight of him, Esperance jumped from the carnage before it stopped. "What a little creature of extremes I" mused the professor.

When she threw her arms about him to thank him, he loosed her hands quickly. "Come, come, we haven't time to talk of that. We must sit down at once. Marguerite Is scolding because the dinner is going to be spoiled."

To Esperance the dinner was of less than no importance, but she threw aside her hat obediently, pulled forward her father's chair, and sat down between the two beings whom she adored, but whom she was forced to see suffer if she lived In her own joy — and that she could not, and would not, hide.

Chapter III

The weeks before the long-expected day of the examination went by all too slowly to suit Esperance. She had chosen, for the comedy test to study a scene from Les Femmes Savantes (the role of ''Henriette^^)y and in tragedy a scene from Iphygenia. Adhemar Meydieux often came to inquire about his goddaughter's studies. He wished to hear her recite, to give her advice; but Esperance refused energetically, still remembering his former opposition against him. She would let no one hear her recitations, but her mother. Madame Darbois put all her heart into her efforts to help her daughter. Every morning she went through her work with Esperance. To her the role of ''Henriette** was inexplicable. She consulted her husband, who replied, '' 'Henrietta is a little philosopheress with plenty of sense. Esperance is right to have chosen this scene from Les Femmes Savantes, Moliere's genius has never exhibited finer raillery than in this play.'' And he enlarged upon the psychology of ''Henriette*s^* character until Madame Darbois realized with surprise that her daughter was completely in accord with the ideas laid down by her father as to the interpretation of this role. Esperance was so young it seemed impossible that she

could yet understand all the double subtleties. . . .

Esperance had taken her first communion when she was eleven, and after her religious studies ended, she had thought of nothing but poetry, and had even tried to compose some verses. Her father had encouraged her, and procured her a professor of literature. From that time the child had given herself completely to the art of the drama, learning by heart and reciting aloud the most beautiful parts of French literature. Her parents, listening with pleasure to her recitations of Ronsard or Victor Hugo, little guessing that the child was already dreaming of the theatre. Often since then, Madame Darbois had re- . proached herself for having foreseen so little, but her husband, whose wisdom recognized the uselessness of vain regrets, would calm her, saying with a shake of his head, *'You can prevent nothing, my dear wife, destiny is a force against which all is impotent ! We can but remove the stumbling-blocks from the path which Esperance must follow. We must be patient I"

At last the day arrived I Never had the young girl been more charming. Frangois Darbois had been working arduously on the correction of a book he was about to publish, when he saw her coming into his library. He turned towards her and, regarding her there in the doorway, seemed to see the archangel of victory, — such radiance emanated from this frail little body.

"I wanted to kiss you, father, before going . . . there. Pardon me for having disturbed you.*' He pressed her close against his heart without speaking, unwilling to pronounce the words of regret that mounted to his lips.

Esperance was silent for an instant before her father's grief: then with an exaltation of her whole being she flung herself on her father's neck: "Oh, father, dear father, I am so happy that you must not suffer ; you love me so much that you must be happy in this happiness I owe to you ; to-morrow, perhaps, will bring me tears. Let us live for to-day."

The professor gently stroked his daughter's velvet cheek. *'Go, my darling, go and return triumphant."

In the reception-room Esperance and Madame Darbois went to the same bench, where they had sat upon their former visit. Some fifty people were assembled.

The same official came to speak to them, and, consulting the list which he was holding ostentatiously, **There are still five pupils before you. Mademoiselle, two boys and three young ladies. Whom have you chosen to give you your cues?"

Esperance looked at him with amazement. "I don't understand," she said. Madame Darbois was perturbed.

''But," answered the man, "you must have an 'Armand* for Les Femmes Savantes, an ^Agememnon* and a ^Clytemnestra* for Iphygcnia.**

"But we did not know that," stammered Madame Darbois.

The official smiled and assumed still more importance. *'WaIt just a moment, ladles." Soon he returned, leading a tall, young girl with a dignified bearing, and a young man of evident refinement. *'Here is Mile. Hardouin, who Is willing to give you the cues for 'Armande* and ^Clytemnestra/ and M. Jean Perllez, who will do the 'Jgememnon/ Only, I believe," he added, "you will have to rehearse with them. I will take all four of you into my little office where no one can disturb you."

Mile. Hardouin was a beautiful, modest young girl of eighteen, with charming manners. She was an orphan and lived with a sister ten years older, who had been a mother to her. They adored each other. The older sister had established a good trade for herself as a dressmaker; both sisters were respected and loved.

Jean Perllez was the son of a chemist. His father had been unwilling that he should choose a theatrical career until he should have completed his studies at college. He had obeyed, graduated brilliantly, and was now presenting himself for the entrance examination as a tragedian.

The three young people went over the two scenes Esperance had chosen together.

"What a pretty voice you have, Mademoiselle," said Genevieve Hardouin timidly.

After the rehearsal of Les Femmes Savantes, when they finished the scene of Iphygenia, Jean Perllez turned to Madame Darbols and Inquired the name of Esperance's Instructor.

*'Why, she had none. My daughter has worked alone; I have given her the cues." She smiled that benevolent smile, which always lighted her features with a charm of true goodness and distinction.

"That is indeed remarkable," murmured Jean Perliez, as he looked at the young girl. Then bending towards Madame Darbois, "May I be permitted, Madame, to ask your daughter to give me the cues of ^Junic^ in Britannicus? The young lady who was to have played it is ill."

Madame Darbois hesitated to reply and looked towards Esperunce.

"Oh ! yes, mama, of course you will let me," said that young lady, in great spirits. And without more ado, "We must rehearse, must we not? Let us begin at once."

The young man offered her the lines. "I don't need them," she said laughing, "I know *Junia! by heart." And, indeed, the rehearsal passed off without a slip, and the little cast separated after exchanging the most enthusiastic expressions of pleasure.

A comrade asked Perliez, "Is she any good, that pretty little blonde?"

"Very good," Perliez replied curtly.

Everything went well for Esperance. Her appearance on the miniature stage where the examinations were held caused a little sensation among the professor-judges.

"What a heavenly child !" exclaimed Victorien Sardou.

"Here Is truly the beauty of a noble race," murmured Delaunay, the well-known member of the Comedle-Frangalse.

The musical purity of Esperance's voice roused the assembly Immediately out of Its torpor. The judges^ no longer bored and Indifferent, followed her words with breathless attention, and when she stopped a low murmur of admiration was wafted to her.

*'Scene from Iphygenia^* rasped the voice of the man whose duty it was to make announcements. There was a sound of chairs being dragged forward, and the members of the jury settling themselves to the best advantage for listening. Here in Itself was a miniature triumph, repressed by the dignity assumed by all the judges, but which Esperance appreciated none the less. She bowed with the sensitive grace characteristic of her. Genevieve Hardouin and Jean Perliez congratulated her with hearty pressures of the hand.