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Hymns for Schools

Charles D. Cleveland · 1859 · Scanned text · Free in the US

62,685 words · about 4 h 23 min to read

Period artwork: Interior of the Bodleian Library, 1845
About this edition

Scanned text — may contain errors · view original scans

Free in the US: this text is in the public domain in the United States; it may still be in copyright elsewhere.

Licence: PD-US · Published 1859 (before 1884; date from the PleIAs English-PD record). The dataset curator states the whole collection is public domain in all regions (curator assertion, not independently verified); treated as public domain in the US.

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About this book

Author
Charles D. Cleveland
Language
English
Published
1859
Length
62,685 words · about 4 h 23 min
Sections
3 reader sections
Text
Scanned text, read from page scans by OCR; may contain errors
Rights
Public domain in the United States

 

Contents (3)

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Front matter

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Preface To The First Edition

No author, I presume, ever made a book without having some good reason for it: and if I were asked, ‘‘Why, when there are already so many excellent compilations of sacred lyrics, do you add another to the number?” I should answer that, admirable as I acknowledge many of the existing selections to be, I have never seen one designed exclusively for schools, nor adapted throughout to their use. For more than thirteen years singing has been a part of the morning devotional exercises of my school, and though I have used a selection* most excellent and appropriate for social religious meetings, I have found a large number of the hymns in it, either in whole or in part, quite unsuitable to be sung by scholars assembled in school. I have therefore prepared the following work chiefly to meet my own wants. If other teachers, after examination, shall like it so well as to use it in their schools, I shall, of course, be gratified.

In preparing my work, I have been obliged, occasionally, to make slight alterations of a phrase or verse in a hymn, in order that it might be appropriately used in a school: for as the alternative was presented to me either to make such

* The “Union Hymns, selected from the Church Psalmody,” Boston: not the “Union Hymns” of the American Sunday-school Union. -

T7TE3 oth Re alterations, or to reject entirely a hymn otherwise admirable, I hesitated not which to do. In all such cases, however, the changes have been as slight as possible, and always, I trust, in harmony with the general spirit and sentiment of the hymn.

In making selections for my book, I have not been ambitious to have it consist mainly of pieces not to be found in other collections. But while a portion of the hymns may be familiar to the mass of Christians, and will be loved and sung by them as long as the English language endures, very many in this selection will, I presume, to most persons be new. I certainly have taken pains to cull, from the not inconsiderable stores in my possession, the choicest pieces I could find; aiming to have my book, in literary merit and poetic excellence, as well as in sentiments of pious and devotional feeling and of practical righteousness, the best selection of sacred lyrics extant. How far I have succeeded, others will, of course, decide.

I can, however, assure the critics, that the number of perfect hymns is small—very small. By perfect I mean such as are complete in themselves, having the three unities, ‘a beginning, a middle, and an end:” presenting one leading idea; and uniting in itself, in a high degree, the imaginative, the devotional, and the didactic. Still, there are some that unite these excellences, and I hope that some such will be found in the present volume.

In making a selection of tunes, I have confined myself to a few good, old tunes, easy to be sung, and such as for a long time have been favourites among Christians of all denominations. It is deeply to be regretted that there has been, of late, such a mania for new tunes. Every new eo ry eg tune-book that is published I consider a grievous infliction upon the Christian church, as it tends to frustrate the great object of singing—the worship of God. That object is attained only when the exercise is so conducted that all can join in it. But how can this be, when tunes are continually introduced which the congregation never heard, or so difficult of execution that they cannot sing them? As well have the exercise of prayer in an ‘unknown tongue.” The object of a choir is to aid congregational singing, not to supersede it :— not to exhibit itself, and display its artistic skill in executing new tunes, like a band of operasingers, with the congregation for its audience. Such singing, however scientific, however ‘‘ highly esteemed among men,” must be ‘an abomination in the sight of God.”

“The tickled ears no heart-felt raptures raise ; Nae unison hae they with our Creator’s praise.”

I now commit my little book to the judgment of intelligent and pious teachers. To what extent singing is an exercise in our public and private schools I know not; but sure I am that, wherever introduced, its influence must be of the most happy character. For myself, I would not continue my school a day without it. As an introduction to the duties of the day, nothing can be more chastening to the feelings, more animating to the spirits, more incentive to the faithful and conscientious discharge of duty, than singing an appropriate sacred song, replete with sentiments of piety, benevolence, and practical righteousness ; impressing upon the heart, in the higher language of poetry. our duties to God, to each other, and to ourselves. Should this book, therefore, be the means of introducing singing into only one school where it has heretofore been neglected, I shall not have made it in vain.

Cc. D. CLEVELAND.

Philadelphia, May 1, 1850.

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