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The practice of photography : a manual for students and amateurs

Delamotte, Philip H. , 1821-1889 author · 1854 · Scanned text · Free in the US

27,120 words · about 1 h 54 min to read

Period artwork: Interior of the Bodleian Library, 1845
About this edition

Scanned text — may contain errors · view original scans

Free in the US: this text is in the public domain in the United States; it may still be in copyright elsewhere.

Licence: PD-US · Published 1854 (before 1884; date from the PleIAs English-PD record). The dataset curator states the whole collection is public domain in all regions (curator assertion, not independently verified); treated as public domain in the US.

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About this book

Author
Delamotte, Philip H. , 1821-1889 author
Language
English
Published
1854
Length
27,120 words · about 1 h 54 min
Sections
4 reader sections
Text
Scanned text, read from page scans by OCR; may contain errors
Rights
Public domain in the United States

 

Contents (4)
  1. Preface about 1 min
  2. Contents about 1 min
  3. Appendix under 1 min
  4. Introduction about 1 h 52 min

Continue:

Preface

have been so frequently solicited by my friends and pupils to supply them with brief instructions in the various Photographic Processes, that I have prepared tins little manual on a simpler plan than any other treatise I have met with, by endeavoring: to carry the student directly through the various stages of each > process, without distracting his attention by untimely degressions on the manufacture of chemicals or of apparatus— knowledge very useful in its place, but a stumblin-block when llll-timed. I have first described the Process on Paper, both fow Negatives and Positives; then proceeding to Glass I have gnven m detail every information connected with Collodion and A.lbumen and I think everything essential to the attainment of a . !g ood photograph will be found mentioned. Amid the immense yainety of formulae and methods recommended by different experimenters I have selected those which experience has assured me awe the best under all circumstances; but in an art of such won- Jw -l ™P ld P™S res . s we must expect great improvements daily: thiese shall find place in future editions, should they be called for One feature in this work, which I hope will be found useful is tine description of the various chemical substances used in photography: instead of being introduced in the space devoted to the details of manipulation, they are grouped together at the end: foir these, and for the general revision of the work, I am indebted

V w? mdneSS ° f Mr - Thomas Delf > who undertook a task wmich the numerous demands upon my time forbade me fulfilling so carefully as the subject required. P. H. D

Contents

NEGATIVES.

Inttroduction - i

On the Production of a Photographic Picture, - - 2

Appendix

Iodising the Paper 52

Exciting the Paper for the Camera 58

Bringing out the Picture ib

Fixing the Picture 60

The Printing Process ib

Various Methods. — Mr. Miller's 61

Mr. Stewart's 62

Sir Win. Newton's 65

Notation to Chemistry 65

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