The Poetical Works of Samuel Rogers. Illustrated with engravings ... from designs by Lawrence, Stothard, Turner, etc

Front matter

THE POETICAL WORKS OF SAMUEL ROGERS. (i) if (fe " THE POETICAL WORKS OF SAMUEL ROGERS ILLUSTRATED WITH ENGRAVINGS EXECUTED BV THE FIRST ARTISTS, FROM DESIGNS BY LAWRENCE, R.A., STOTHARD, R.A., TURNER, R. A., AND VASAN. PHILADELPHIA: PUBLISHED BY E. H. BUTLER & CO. 1852. Oh could my mind, unfolded in my page, Enlighten climes and mould a future age; There as it glowed, with noblest frenzy fraught, Dispense the treasures of exalted thought; To Virtue wake the pulses of the heart, And bid the tear of emulation start ! Oh could it still, thro' each succeeding year, My life, my manners, and my name endear ; And, when the poet sleeps in silent dust, Still hold communion with the wise and just! — Yet should this Verse, my leisure's best resource, When thro' the world it steals its secret course, Revive but once a generous wish supprest, Chase but a sigh, or charm a care to rest; In one good deed a fleeting hour employ, Or flush one faded cheek with honest joy ; Blest were my lines, tho' limited their sphere, Tho' short their date, as his who traced them here, 1793.

CONTENTS. PAGE THE PLEASURES OF MEMORY 15 HUMAN LIFE 54 AN EPISTLE TO A FRIEND 94 JACQUELINE 110 ODE TO SUPERSTITION 123 WRITTEN TO BE SPOKEN IN A THEATRE 130 ON . . . ASLEEP 133 FROM A GREEK EPIGRAM 133 FROM EURIPIDES • 134 FROM AN ITALIAN SONNET 134 TO THE YOUNGEST DAUGHTER OF LADY * * 135 WRITTEN AT MIDNIGHT 135 THE SAILOR 13f TO AN OLD OAK 137 TO TWO SISTERS 139 ON A TEAR . . . ' 140 TO A VOICE THAT HAD BEEN LOST 141 THE BOY OF EGREMOND 142 WRITTEN IN A SICK CHAMBER 144 TO ... ON THE DEATH OF HER SISTER 144 TO A FRIEND ON HIS MARRTAGE 145 THE ALPS AT DAY-BREAK 146 CONTENTS. X PAGE A CHARACTER U7 CAPTIVITY Ml A FAREWELL Ul TO 14< TO THE TORSO liS A WISH U9 TO THE GNAT 15° TO THE BUTTERFLY 1S0 AN EPITAPH ON A ROBIN-REDBREAST 151 AN ITALIAN BONG -*51* WRITTEN IN THE HIGHLANDS OF SCOTLAND 152 INSCRIPTION IN Till'.

Ci'.IMEA 155 1 TEMPLE 156 WRITTEN IN 18S4 156 mSCBJTTION 1 IR -TRATTIELD SAVE 158 IIONS 159 WRITTEN AT DROPMORE 16- WRITTEN IN JULY 1834 163 WRITTEN IN WESTMINSTER ABBEY 164 THE VOYAGE OF COLUMBUS 16* ITALY ■*■*■*•■ THE LAKE OF GENEVA 221 MKII.I.LKIE 23* BT. U 'TRICE S*8* THE GREAT ST. BERNARD 228 TIIK I'l BNT 23*2 JOR 18SE 233 MARGUERITE DE TOURS 237 TI.c, BROTHERS 239 THE ALPS 24*2 COMO 244 BERGAMO 247 ITALY CONTENTS. XI PAGE COLL'ALTO 251 VENICE 254 LUIGI 259 ST. MARK'S PLACE 261 THE GONDOLA 267 THE BRIDES OF VENICE 271 FOSCARI 275 MARCOLINI 282 ARQUA 2*4 GINEVRA 2S7 BOLOGNA 290 FLORENCE 294 DON GARZIA . 297 THE CAMPAGNA OF FLORENCE 300 THE PILGRIM 311 AN INTERVIEW 314 MONTORIO 318 ROME 321 A FUNERAL 326 NATIONAL PREJUDICES 330 THE CAMPAGNA OF ROME 333 THE ROMAN PONTIFFS 337 CAIUS CESTIUS 33S THE NUN 339 THE FTRE-FLY 341 FOREIGN TRAVEL 343 THE FOUNTAIN 348 BANDITTI 349 AN ADVENTURE 353 NAPLES 357 THE BAG OF GOLD 363 A CHARACTER 369 PÆSTUM CONTENTS.

Part I

Dolce sentier, Colle, che mi piacesti, .... Ov' ancor per usanza Amor mi mena ; Ben riconosco in voi 1' usate forme, Non, lasso, in me. Petrarch. ANALYSIS OF THE FIRST PART. The Poem begins with the description of an obscure village, and of the pleasing melancholy which it excites on being revisited after a long absence. This mixed sensation is an effect of the Memory. From an effect we naturally ascend to the cause ; and the subject pro posed is then unfolded with an investigation of the nature and leading principles of this faculty. It is evident that our ideas flow in continual succession, and introduce each other with a certain degree of regu larity. They are sometimes excited by sensible objects, and sometimes by an internal operation of the mind. Of the former species is most probably the memory of brutes ; and its many sources of pleasure to them, as well as to us, are considered in the first part.

The latter is the most perfect degree of memory, and forms the subject of the second. When ideas have any relation whatever, they are attractive of each other in the mind ; and the perception of any object naturally leads to the idea of another, which ■was connected with it either in time or place, or which can be compared or contrasted with it. Hence arises our attachment to inanimate objects ; hence also, in some degree, the love of our country, and the emotion with which we contemplate the celebrated scenes of antiquity. Ilence a picture directs our thoughts to the original: and, as cold and darkness suggest forcibly the ideas of heat and light, he, who feels the infirmities of age, dwells most on whatever reminds him of the vigour and vivacity of his youth. The associating principle, as here employed, is no less conducive to virtue than to happiness ; and, as such, it frequently discovers itself in the most tumultuous scenes of life.

It addresses our finer feelings, and gives exercise to every mild and generous propensity. Not confined to man, it extends through all animated nature; and its effects are peculiarly striking in the domestic tribes. Twilight's soft dews steal o'er the village-in-een, CO 7 With magic tints to harmonize the scene. Stilled is the hum that thro' the hamlet broke, When round the ruins of their ancient oak The peasants flocked to hear the minstrel play, And games and carols closed the busy day. Her wheel at rest, the matron thrills no more With treasured tales, and legendary lore. All, all are fled ; nor mirth nor music flows To chase the dreams of innocent repose. All, all are fled ; yet still I linger here ! What secret charms this silent spot endear? Mark yon old Mansion frowning thro' the trees, Whose hollow turret wooes the whistling breeze.

That casement, arched with ivy's brownest shade, First to these eyes the light of heaven conveyed. The mouldering gateway strews the grass-grown court, Once the calm scene of many a simple sport ; When nature pleased, for life itself was new, And the heart promised what the fancy drew. See, thro' the fractured pediment revealed, Where moss inlays the rudely-sculptured shield, The martin's old, hereditary nest. Long may the ruin spare its hallowed guest ! As jars the hinge, what sullen echoes call! Oh haste, unfold the hospitable hall ! That hall, where once, in antiquated state, The chair of justice held the grave debate. Now stained with dews, with cobwebs darkly hiing, Oft has its roof with peals of rapture rung ; When round yon ample board, in due degree, We sweetened every meal with social glee.

The heart's light laugh pursued the circling jest; And all was sunshine in each little breast. 'Twas here we chased the slipper by the sound ; And turned the blindfold hero round and round. 'Twas here, at eve, we formed our fairy ring; And Fancy fluttered on her wildest wing. 2* ? Giants and genii chained each wondering ear; And orphan-sorrows drew the ready tear. Oft with the babes we wandered in the wood, Or viewed the forest-feats of Kobin Hood: Oft, fancy-led, at midnight's fearful hour, With startling step we scaled the lonely tower; O'er infant innocence to hang and weep, Murdered by ruffian hands, when smiling in its sleep Ye Household Deities ! whose guardian eye Marked each pure thought, ere registered on high; Still, still ye walk the consecrated ground, And breathe the soul of Inspiration round.

As o'er the dusky furniture I bend, Each chair awakes the feelings oF a friend. The storied arras, source of fond delight, With old achievement charms the wildered sight; And still, with Heraldry's rich hues imprest, On the dim window glows the pictured crest. The screen unfolds its many-coloured chart, The clock still points its moral to the heart. That faithful monitor 'twas heaven to hear, When soft it spoke a promised pleasure near; And has its sober hand, its simple chime, Forgot to trace the feathered feet of Time ? O That massive beam, with curious carvings wrought, Whence the caged linnet soothed my pensive thought Those muskets, cased with venerable rust ; Those once-loved forms, still breathing thro' their dust, Still, from the frame in mould gigantic cast, Starting to life — all whisper of the Past!

As thro' the garden's desert paths I rove, What fond illusions swarm in every grove ! ■ "" tinned the How oft, when purple evening tinged the west, We watched the emmet to her grainy nest ; Welcomed the wild-bee home on weary wing, Laden with sweets, the choicest of the spring ! How oft inscribed, with Friendship's votive rhyme, The bark now silvered by the touch of Time ; Soared in the swing, half pleased and half afraid, Thro' sister elms that waved their summer-shade; Or strewed with crumbs yon root-inwoven seat, To lure the redbreast from his lone retreat ! Childhood's loved group revisits every scene; The tangled wood-walk, and the tufted green! Indulgent Memory wakes, and lo, they live ! Clothed with far softer hues than Light can give. Thou first, best friend that Heaven assigns below To soothe and sweeten all the cares we know ; Whose glad suggestions still each vain alarm, When nature fades, and life forgets to charm; Thee would the Muse invoke! — to thee belong The sage's precept, and the poet's song.

What softened views thy magic glass reveals, When o'er the landscape Time's meek twilight steals ! As when in ocean sinks the orb of day, Long on the wave reflected lustres play ; Thy tempered beams of happiness resigned Glance on the darkened mirror of the mind. The School's lone porch, with reverend mosses grey, Just tells the pensive pilgrim where it lay. Mute is the bell that rung at peep of dawn, Quickening my truant-feet across the lawn; Unheard the shout that rent the noontide air, When the slow dial gave a pause to care. t Up springs, at every step, to claim a tear, Some little friendship formed and cherished here; And not the lightest leaf, but trembling teems With golden visions, and romantic dreams ! Down by yon hazel copse, at evening, blazed The Gipsy's fagot — there we stood and gazed; Gazed on her sun-burnt face with silent awe, Her tattered mantle, and her hood of straw; Her moving lips, her caldron brimming o'er; The drowsy brood that on her back she bore, Imps, in the barn with mousing owlet bred, From rifled roost at nightly revel fed ; Whose dark eyes flashed thro' locks of blackest shade, When in the breeze the distant watch-dog bayed: — And heroes fled the Sibyl's muttered call, Whose elfin prowess scaled the orchard-wall.

As o'er my palm the silver piece she drew, And traced the line of life with searching view, How throbbed my fluttering pulse with hopes and fears, To learn the colour of my future years ! Ah, then, what honest triumph flushed my breast ; This truth once known — To bless is to be blest! We led the bending beggar on his way, (Bare were his feet, his tresses silver-grey) Soothed the keen pangs his aged spirit felt, And on his tale with mute attention dwelt. As in his script we dropped our little store, And sighed to think that little was no more, He breathed his prayer, "Long may such goodness live !' 'Twas all he gave, 'twas all he had to give. Angels, when Mercy's mandate winged their flight, Had stopt to dwell with pleasure on the sight. But hark ! thro' those old firs, with sullen swell, The church-clock strikes ! ye tender scenes, farewell !

It calls me hence, beneath their shade, to trace The few fond lines that Time may soon efface. On yon grey stone, that fronts the chancel-door, Worn smooth by busy feet now seen no more, Each eve we shot the marble thro' the ring, When the heart danced, and life was in its spring; Alas ! unconscious of the kindred earth, That faintly echoed to the voice of mirth. The glow-worm loves her emerald-light to shed, Where now the sexton rests his hoary head. Oft, as he turned the greensward with his spade, He lectured every youth that round him played ; And, calmly pointing where our fathers lay, Boused us to ?ival each, the hero of his day. Hush, ye fond flutterings, hush ! while here alone I search the records of each mouldering stone. Guides of my life ! Instructors of my youth ! Who first unveiled the hallowed form of Truth ; Whose every word enlightened and endeared ; In age beloved, in poverty revered ; In Friendship's silent register ye live, Nor ask the vain memorial Art can give.

But when the sons of peace, of pleasure sleep, When only Sorrow wakes, and wakes to weep, What spells entrance my visionary mind With sighs so sweet, with transports so refined? Ethereal Power ! who at the noon of night Becall'st the far-fled spirit of delight; From whom that musing, melancholy mood Which charms the wise, and elevates the good; Blest Memory, hail! Oh grant the grateful Muse, Her pencil dipt in Nature's living hues, To pass the clouds that round thy empire roll, And trace its airy precincts in the soul. Lulled in the countless chambers of the brain, Our thoughts are linked by many a hidden chain. Awake but one, and lo, what myriads rise ! * Each stamps its image as the other flies. Each, as the various avenues of sense Delight or sorrow to the soul dispense, Brightens or fades ; yet all, with magic art Control the latent fibres of the heart.

As studious Prospero's mysterious spell Drew every subject-spirit to his cell; Each, at thy call, advances or retires, As judgment dictates, or the scene inspires. Each thrills the seat of sense, that sacred source Whence the fine nerves direct their mazy course, And thro' the frame invisibly convey The subtle, quick vibrations as they play ; Man's little universe at once o'ercast, At once illumined when the cloud is past. Survey the globe, each ruder realm explore ; From Beason's faintest ray to Newton soar. What different spheres to human bliss assigned ! What slow gradations in the scale of mind ! Yet mark in each these mystic wonders wrought ; Oh mark the sleepless energies of thought ! * Namque illic posuit solium, et sua teuipla sacravit, Mcns animi : liauc circum coeunt, densoque feruntur Agmine notitiæ, simulacraque tenuia rcrum.

The adventurous boy, that asks his little share, And hies from home with many a gossip's prayer, Turns on the neighbouring hill, once more to see The dear abode of peace and privacy; And as he turns, the thatch among the trees, The smoke's blue wreaths ascending with the breeze, The village-common spotted white with sheep, The church-yard yews round which his fathers sleep ; All rouse Beflection's sadly-pleasing train, And oft he looks and weeps, and looks again. So, when the mild Tupia dared explore Arts yet untaught, and worlds unknown before, And, with the sons of Science, wooed the gale That, rising, swelled their strange expanse of sail; So, when he breathed his firm yet fond adieu, Borne from his leafy hut, his carved canoe, And 'all his soul best loved — such tears he shed, While each soft scene of summer-beauty fled.

Long o'er the wave a wistful look he cast, Long watched the streaming signal from the mast; Till twilight's dewy tints deceived his eye, And fairy-forests fringed the evening-sky. So Scotia's Queen, as slowly dawned the day, Bose on her couch, and gazed her soul away. Her eyes had blessed the beacon's glimmering height, That faintly tipt the feathery surge with light ; But now the morn with orient hues pourtrayed Each castled cliff, and brown monastic shade : All touched the talisman's resistless spring, And lo, what busy tribes were instant on the wing ! Thus kindred objects kindred thoughts inspire, As summer-clouds flash forth electric fire. And hence this spot gives back the joys of youth, Warm as the life, and with the mirror's truth. Hence home-felt pleasure prompts the Patriot's sigh; This makes him wish to live, and dare to die.

For this young Foscari, whose hapless fate Venice should blush to hear the Muse relate, When exile wore his blooming years away, To sorrow's long soliloquies a prey, When reason, justice, vainly urged his cause, For this he roused her sanguinary laws ; Glad to return, tho' Hope could grant no more, And chains and torture hailed him to the shore. And hence the charm historic scenes impart ; Hence Tiber awes, and Avon melts the heart. Aeriel forms in Tempe's classic vale Glance thro' the gloom and whisper in the gale; In wild Vaucluse with love and Laura dwell, And watch and weep in Eloisa's cell. 'Twas ever thus. Young Ammon, when he sought Where Ilium stood, and where Pelides fought, Sate at the helm himself. No meaner hand Steered thro' the waves : and, when he struck the land, Such in his soul the ardour to explore, PELiDES-like, he leaped the first ashore. 'Twas ever thus.

As now at Virgil's tomb We bless the shade, and bid the verdure bloom : So Tully paused, amid the wrecks of Time, On the rude stone to trace the truth sublime ; When at his feet, in honoured dust disclosed, The immortal sage of Syracuse reposed. And as he long in sweet delusion hung, Where once a Plato taught, a Pindar sung; Who now but meets him musing, when he roves His ruined Tusculan's romantic groves ? In Bome's great forum, who but hears him roll His moral thunders o'er the subject soul ? And hence that calm delight the portrait gives: We gaze on every feature till it lives ! Still the fond lover sees the absent maid; And the lost friend still fingers in his shade ! Say why the pensive widow loves to weep, When on her knee she rocks her babe to sleep: Tremblingly still, she lifts his veil to trace The father's features in his infant face.

The hoary grandsire smiles the hour away, Won by the raptures of a game at play; He bends to meet each artless burst of joy, Forgets his age, and acts again the boy. What tho' the iron school of War erase Each milder virtue, and each softer grace ; What tho' the fiend's torpedo-touch arrest Each gentler, finer impulse of the breast ; Still shall this active principle preside, And wake the tear to Pity's self denied. The intrepid Swiss, who guards a foreign shore, Condemned to climb his mountain-cliffs no more, If chance he hears that song so sweet, so wild, His heart would spring to hear it when a child, Melts at the long-lost scenes that round him rise, And sinks a martyr to repentant sighs. Ask not if courts or camps dissolve the charm : Say why Vespasian loved his Sabine farm ; Why great Navarre, when France and freedom bled, Sought the lone limits of a forest-shed.

When Diocletian's self-corrected mind The imperial fasces of a world resigned, Say why we trace the labours of his spade In calm Salona's philosophic shade. Say, when contentious Charles renounced a throne, To muse with monks unlettered and unknown, What from his soul the parting tribute drew? What claimed the sorrows of a last adieu? The still retreats that soothed his tranquil breast Ere grandeur dazzled, and its cares oppressed. Undamped by time, the generous Instinct glows Far as Angola's sands, as Zembla's 6now^; Glows in the tiger's den, the serpent's nest, On every form of varied life imprest. The social tribes its choicest influence hail : — And when the drum beats briskly in the gale, The war-worn courser charges at the sound, And with young vigour wheels the pasture round. Oft has the aged tenant of the vale Leaned on his staff to lengthen out the tale ; Oft have his lips the grateful tribute breathed, From sire to son with pious zeal bequeathed.

When o'er the blasted heath the day declined, And on the scathed oak warred the winter-wind; When not a distant taper's twinkling ray Gleamed o'er the furze to light him on his way ; When not a sheep-bell soothed his listening ear, And the big rain-drops told the tempest near; Then did his horse the homeward track descry, The track that shunned his sad, inquiring eye ; And win each wavering purpose to relent, With warmth so mild, so gently violent, That his charmed hand the careless rein resigned, And doubts and terrors vanished from his mind. Becall the traveller, whose altered form Has borne the buffet of the mountain-storm ; And who will first his fond impatience meet ? His faithful dog 's already at his feet ! Yes, tho' the porter spurn him from the door, Tho' all, that knew him, know his face no more, His faithful dog shall tell his joy to each, With that mute eloquence which passes speech. — And see, the master but returns to die !

Yet who shall bid the watchful servant fly? The blasts of heaven, the drenching dews of earth, The wanton insults of unfeeling mirth, These, when to guard Misfortune's sacred grave, Will firm Fidelity exult to brave. Led by what chart, transports the timid dove The wreaths of conquest, or the vows of love? Say, thro' the clouds what compass points her flight? Monarchs have gazed, and nations blessed the sight. Pile rocks on rocks, bid woods and mountains rise, Eclipse her native shades, her native skies : — 'Tis vain ! thro' Ether's pathless wilds she goes, And lights at last where all her cares repose. Sweet bird ! thy truth shall Harlem's walls attest, And unborn ages consecrate thy nest. When, with the silent energy of grief, With looks that asked, yet dared not hope relief, Want with her babes round generous Valour clung To wring the slow surrender from his tongue, 'Twas thine to animate her closing eye ; -i Alas ! 'twas thine perchance the first to die, [the sky. i* Crushed by her meagre hand, when welcomed from J l» Hark ! the bee winds her small but mellow horn.

Blithe to salute the sunny smile of morn. O'er thymy downs she bends her busy course, And many a stream allures her to its source. 'Tis noon, 'tis night. That eye so finely wrought, Beyond the search of sense, the soar of thought, Now vainly asks the scenes she left behind; Its orb so full, its vision so confined ! Who guides the patient pilgrim to her cell ? Who bids her soul with conscious triumph swell ? With conscious truth, retrace the mazy clue Of summer-scents, that charmed her as she flew? Hail, Memory, hail ! thy universal reign Guards the least link of Being's glorious chain.

Part II

Delle cose custode e dispensiera. Tasso. ANALYSIS OF THE SECOND PART. The Memory has hitherto acted only in subservience to the senses, and so far man is not eminently distin guished from other animals : but, with respect to man, she has a higher province ; and is often busily employed, when excited by no external cause whatever. She preserves, for his use, the treasures of art and seience, history and philosophy. She colours all the prospects of life ; for we can only anticipate the future, by con cluding what is possible from what is past. On her agency depends every effusion of the Fancy, who with the boldest effort can only compound or transpose, aug ment or diminish the materials which she has collected and still retains. When the first emotions of despair have subsided, and sorrow has softened into melancholy, she amuses with a retrospect of innocent pleasures, and inspires that noble confidence which results from the consciousness of having acted well.

When sleep has suspended the organs of sense from their office, she not only supplies the mind with images, but assists in their combination. And even 3* in madness itself, when the soul is resigned over to the tyranny of a distempered imagination, she revives past perceptions, and awakens that train of thought which was formerly most familiar. Nor are we pleased only with a review of the brighter passages of life. Events, the most distressing in their immediate consequences, are often cherished in remem brance with a degree of enthusiasm. But the world and its occupations give a mechanical impulse to the passions, which is not very favourable to the indulgence of this feeling. It is in a calm and well regulated mind that the Memory is most perfect ; and solitude is her best sphere of action.

With this senti ment is introduced a Tale illustrative of her influence in solitude, sickness, and sorrow. And the subject having now been considered, so far as it relates to man and the animal world, the Poem concludes with a conjecture that superior beings are blest with a nobler exercise of this faculty. Sweet Memory, wafted by thy gentle gale, Oft up the stream of Time I turn my sail, To view the fairy-haunts of long-lost hours, Blest with far greener shades, far fresher flowers. Ages and climes remote to Thee impart What charms in Genius, and refines in Art ; Thee, in whose hand the keys of Science dwell, The pensive portress of her holy cell ; Whose constant vigils chase the chilling damp Oblivion, steals upon her vestal-lamp. They in their glorious course the guides of Youth, Whose language breathed the eloquence of Truth ; Whose life, beyond preceptive wisdom, taught The great in conduct, and the pure in thought ; These still exist, by Thee to Fame consigned, Still speak and act, the models of mankind.

From Thee gay Hope her airy colouring draws ; And Fancy's flights are subject to thy laws. From Thee that bosom-spring of rapture flows, Which only Virtue, tranquil Virtue, knows. When Joy's bright sun has shed his evening-ray, And Hope's delusive meteors cease to play ; When clouds on clouds the smiling prospect close, Still thro' the gloom thy star serenely glows : Like yon fair orb, she gilds the brow of night With the mild magic of reflected light. The beauteous maid, who bids the world adieu, Oft of that world will snatch a fond review ; Oft at the shrine neglect her beads, to trace Some social scene, some dear, familiar face : And ere, with iron-tongue, the vesper-bell, Bursts thro' the cypress-walk, the convent-cell, Oft will her warm and wayward heart revive, To love and joy still tremblingly alive ; The whispered vow, the chaste caress prolong, Weave the light dance and swell the choral song; With rapt ear drink the enchanting serenade, And, as it melts along the moonlight glade, To each soft note return as soft a sigh, And bless the youth that bids her slumbers fly.

But not till Time has calmed the ruffled breast, Are these fond dreams of .happiness confest. Not till the rushing winds forget to rave, Is Heaven's sweet smile reflected on the wave. From Guinea's coast pursue the lessening sail, And catch the sounds that sadden every gale. Tell, if thou canst, the sum of sorrows there ; i Mark the fixed gaze, the wild and frenzied glare, J- The racks of thought, the freezings of despair ! J But pause not then — beyond the western wave, Go, see the captive bartered as a slave ! Crushed till his higb, heroic spirit bleeds, And from his nerveless frame indignantly recedes. Yet here, even here, with pleasures long resigned, Lo! Memory bursts the twilight of the mind. Her dear delusions soothe his sinking soul, When the rude scourge assumes its base control ; And o'er Futurity's blank page diffuse The full reflection of her vivid hues. 'Tis but to die, and then, to weep no more, Then will he wake on Congo's distant shore ; Beneath his plantain's ancient shade renew The simple transports that with freedom flew; Catch the cool breeze that musky Evening blows, And quaff the palm's rich nectar as it glows ; The oral tale of elder time rehearse, And chant the rude, traditionary verse With those, the loved companions of his youth, When life was luxury, and friendship truth.

Ah ! why should Virtue fear the frowns of Fate ? Hers what no wealth can buy, no power create ! A little world of clear and cloudless day, Nor wrecked by storms, nor mouldered by decay; A world, with Memory's ceaseless sunshine blest, The home of Happiness, an honest breast. But most we mark the wonders of her reign, When Sleep has locked the senses in her chain. When sober Judgment has his throne resigned, She smiles away the chaos of the mind; And, as warm Fancy's bright Elysium glows, From Her each image springs, each colour flows. She is the sacred guest ! the immortal friend ! Oft seen o'er sleeping Innocence to bend, In that dead hour of night to Silence given, Whispering seraphic visions of her heaven. When the blithe son of Savoy, journeying round With humble wares and pipe of merry sound, From his green vale and sheltered cabin hies, And scales the Alps to visit foreign skies ; Tho' far below the forked lightnings play, And at his feet the thunder dies away, Oft, in the saddle rudely rocked to sleep, While his mule browses on the dizzy steep, With Memory's aid, be sits at home, and sees His children sport beneath their native trees, And bends to hear their cherub-voices call, O'er the loud fury of the torrent's fall.